1 00:00:00,440 --> 00:00:04,160 Speaker 1: Hello the Internet, and welcome to this episode of The 2 00:00:04,200 --> 00:00:09,399 Speaker 1: Trend DFL's Big Game coming up on Sunday. I'm Jack. 3 00:00:09,760 --> 00:00:17,119 Speaker 1: That is super producer Becker Robbo Hi. Um, big Game 4 00:00:17,800 --> 00:00:22,000 Speaker 1: is indeed coming up. It's happening. It's it's a thing. 5 00:00:22,440 --> 00:00:27,760 Speaker 1: It's there. Who's playing? Couldn't tell you, Brianna? Oh come on? 6 00:00:28,440 --> 00:00:30,760 Speaker 1: Oh yeah. So that that is something that I want 7 00:00:30,800 --> 00:00:33,919 Speaker 1: to talk about as a matter of fact, because this 8 00:00:33,960 --> 00:00:37,440 Speaker 1: is something I've kind of been waiting for to happen. 9 00:00:37,680 --> 00:00:40,320 Speaker 1: We've been on the edge of my seat waiting for 10 00:00:40,360 --> 00:00:45,479 Speaker 1: this development to happen. As Pepsi has become i don't know, 11 00:00:45,640 --> 00:00:52,120 Speaker 1: less culturally relevant pop culturally relevant as the their gambit, 12 00:00:52,560 --> 00:00:57,000 Speaker 1: Pepsi's add gambit like marketing gambit that like they're a 13 00:00:57,080 --> 00:01:02,240 Speaker 1: lifestyle brand, seems to ring less and less true. Uh. 14 00:01:02,320 --> 00:01:04,280 Speaker 1: You know, in the eighties, I feel like they could 15 00:01:04,319 --> 00:01:06,760 Speaker 1: get away with it. It was they there was still 16 00:01:06,800 --> 00:01:10,479 Speaker 1: the memory of like choice of the new generation with 17 00:01:10,760 --> 00:01:12,880 Speaker 1: like people from the sixties. I guess, isn't that when 18 00:01:12,880 --> 00:01:17,440 Speaker 1: they were considered the hot new thing and the eighties 19 00:01:17,640 --> 00:01:22,000 Speaker 1: they were associated with like Madonna, Michael Jackson music. They 20 00:01:22,000 --> 00:01:25,080 Speaker 1: have been like such an icon in pop music for 21 00:01:25,160 --> 00:01:29,479 Speaker 1: many years, and but such a strange like fit, like 22 00:01:29,720 --> 00:01:32,720 Speaker 1: for them to just feel like we're you know, we're 23 00:01:33,319 --> 00:01:40,400 Speaker 1: we're associated with popular music and dancing, US a behemoth 24 00:01:40,720 --> 00:01:46,160 Speaker 1: of global commerce and consumerism and brown sugar water um. 25 00:01:47,319 --> 00:01:51,360 Speaker 1: And so I remember thinking at some point during the 26 00:01:51,360 --> 00:01:55,240 Speaker 1: past couple of years when the Pepsi halftime show came through, 27 00:01:55,280 --> 00:01:58,560 Speaker 1: I was like, Man, Pepsi's really punching above their weight 28 00:01:58,640 --> 00:02:01,560 Speaker 1: at this point, with the half the like being it 29 00:02:01,640 --> 00:02:05,320 Speaker 1: being the Super Bowl halftime show brought to you by Pepsi. Like, 30 00:02:05,360 --> 00:02:10,080 Speaker 1: Pepsi felt like a little just out of place there, 31 00:02:10,160 --> 00:02:13,799 Speaker 1: I mean the whole sentence there right, Like the NFL Pepsi, 32 00:02:13,919 --> 00:02:18,400 Speaker 1: I just feel like it's a very Americana esque idealism 33 00:02:18,440 --> 00:02:23,560 Speaker 1: that is no longer the front face of American popular culture, 34 00:02:23,680 --> 00:02:26,840 Speaker 1: both the NFL M Pepsi. Yeah, And I don't I 35 00:02:26,880 --> 00:02:30,080 Speaker 1: don't know why what it is about Pepsi specifically, that 36 00:02:30,880 --> 00:02:32,760 Speaker 1: just felt like like because even if it was the 37 00:02:32,800 --> 00:02:36,880 Speaker 1: Coca Cola halftime show like that would seem normal to me, 38 00:02:37,080 --> 00:02:40,240 Speaker 1: But like Pepsi, I think it's because the the actual 39 00:02:40,280 --> 00:02:43,520 Speaker 1: product of Pepsi is not a thing you ever see anywhere, 40 00:02:43,639 --> 00:02:47,320 Speaker 1: like nobody drinks pepsi or pepsi by choice. Yeah, Like 41 00:02:47,360 --> 00:02:49,520 Speaker 1: a lot of the branding in the past would I 42 00:02:49,520 --> 00:02:53,519 Speaker 1: would say decade of Pepsi has really fall into the waistside. 43 00:02:53,560 --> 00:02:56,800 Speaker 1: Like Coca Cola has kept it very like tempered, and 44 00:02:56,840 --> 00:03:00,800 Speaker 1: they have a way more international market. Like Mexican Coca 45 00:03:00,880 --> 00:03:03,000 Speaker 1: Cola is like so famous, right, Like you go to 46 00:03:03,040 --> 00:03:05,040 Speaker 1: a taco truck and you're like, I want a Mexican coke, 47 00:03:05,120 --> 00:03:09,040 Speaker 1: like specifically, So I do think that Coca Cola has 48 00:03:09,080 --> 00:03:12,079 Speaker 1: had a better brand presence over the past decade, whereas 49 00:03:12,120 --> 00:03:15,800 Speaker 1: like Pepsi has made quite a few fumbles trying to 50 00:03:15,840 --> 00:03:20,640 Speaker 1: be this like lifestyle brand where brought the Kendle. Yeah, 51 00:03:20,639 --> 00:03:24,440 Speaker 1: they did the brand logo redo and it failed, and 52 00:03:24,480 --> 00:03:26,840 Speaker 1: they were like trying to modernize, and I think they 53 00:03:26,840 --> 00:03:29,679 Speaker 1: were trying to appeal to this like gen Z millennial 54 00:03:29,760 --> 00:03:32,600 Speaker 1: market that isn't drinking soda to be quite honest, Like 55 00:03:33,400 --> 00:03:36,560 Speaker 1: they they are health conscious, they are not soda drinkers 56 00:03:36,600 --> 00:03:41,080 Speaker 1: the way that older generations were. So right, yeah, yeah, 57 00:03:41,280 --> 00:03:43,400 Speaker 1: So which is all to say, like I don't I 58 00:03:43,400 --> 00:03:46,200 Speaker 1: don't care. I don't think like now that it's no 59 00:03:46,280 --> 00:03:49,160 Speaker 1: longer Pepsi. It's going to be the Apple halftime show. 60 00:03:49,480 --> 00:03:52,280 Speaker 1: I'm like, that's no better, Like that's it just feels 61 00:03:52,360 --> 00:03:57,160 Speaker 1: more appropriate and like the like the market has found. 62 00:03:57,320 --> 00:04:00,200 Speaker 1: So it's officially next year going to be the Apple 63 00:04:00,360 --> 00:04:04,160 Speaker 1: I believe it's this year the halftime show. R I 64 00:04:04,240 --> 00:04:08,960 Speaker 1: P Pepsi. Yeah, this year it's the Apple halftime Show. 65 00:04:09,080 --> 00:04:12,760 Speaker 1: Like I really, I feel like this should have been 66 00:04:12,800 --> 00:04:14,880 Speaker 1: a bigger story. It was just like buried in this day. 67 00:04:14,960 --> 00:04:16,840 Speaker 1: I was at googled because I wanted to make the point, 68 00:04:16,920 --> 00:04:20,120 Speaker 1: like why is Pepsi still doing this? Like I had 69 00:04:20,120 --> 00:04:23,600 Speaker 1: that thought I forget what we were watching, But like 70 00:04:23,640 --> 00:04:26,520 Speaker 1: something came through where once again they were like trying 71 00:04:26,520 --> 00:04:29,520 Speaker 1: to pretend to be you know, they're like, well, if 72 00:04:29,520 --> 00:04:33,360 Speaker 1: you like popular music from the past forty years, you're 73 00:04:33,960 --> 00:04:37,880 Speaker 1: you're basically liking Pepsi. We're kind of all part of 74 00:04:37,920 --> 00:04:41,440 Speaker 1: the same. Pepsi is synonymous with cool and it's like 75 00:04:41,480 --> 00:04:46,599 Speaker 1: that pop girlies. Okay, we will never forget the iconic 76 00:04:46,920 --> 00:04:54,960 Speaker 1: Pepsicole ad with Beyonce, Brittney Spears and Enrique Lysias. That ad, 77 00:04:55,440 --> 00:04:58,680 Speaker 1: it's in history top ten ads of all time. But 78 00:04:59,160 --> 00:05:01,600 Speaker 1: like ever since they like took that shift, probably like 79 00:05:01,640 --> 00:05:05,400 Speaker 1: a decade ago, away from pop stars and into lifestyle. 80 00:05:05,480 --> 00:05:08,599 Speaker 1: People don't go fuck like, they're like, like and it 81 00:05:08,640 --> 00:05:10,880 Speaker 1: doesn't make sense for them to be the halftime show 82 00:05:10,920 --> 00:05:12,960 Speaker 1: for sure, because they're like not a representation of pop 83 00:05:13,040 --> 00:05:17,599 Speaker 1: music anymore. I get Apple music being but I'm also 84 00:05:17,680 --> 00:05:20,440 Speaker 1: like not another tech. I mean it would be Apple 85 00:05:20,480 --> 00:05:22,760 Speaker 1: is Spotify. I guess yeah, I can't think of like 86 00:05:23,040 --> 00:05:26,000 Speaker 1: the brand that would work for me like that that 87 00:05:26,120 --> 00:05:28,280 Speaker 1: I would be like, this is cool now, this is 88 00:05:28,320 --> 00:05:30,000 Speaker 1: who I want to see, other than maybe if they 89 00:05:30,000 --> 00:05:33,520 Speaker 1: wanted to have the daily like I sponsor. It feel 90 00:05:33,520 --> 00:05:36,000 Speaker 1: like the Dorrito's halftime show makes sense to me. I 91 00:05:36,000 --> 00:05:39,520 Speaker 1: don't know. Doritos does make sense because it's about like, 92 00:05:40,160 --> 00:05:42,760 Speaker 1: it's a good reminder that this is all bullshit junk 93 00:05:42,800 --> 00:05:48,720 Speaker 1: food concocted in a lab to be undeniable. But anyways, 94 00:05:49,440 --> 00:05:52,239 Speaker 1: so that's something that change. We're gonna talk on tomorrow's 95 00:05:52,279 --> 00:05:56,720 Speaker 1: episode about the number of crypto ads from last year 96 00:05:56,720 --> 00:06:01,360 Speaker 1: to this year. Also, Dorito's is apparently by Pepsi according 97 00:06:01,360 --> 00:06:06,040 Speaker 1: to ian Um. Yeah, so Pepsi is a massive bohemia 98 00:06:06,240 --> 00:06:09,960 Speaker 1: like they It's just funny to me that they kept 99 00:06:10,000 --> 00:06:14,360 Speaker 1: the branding as like the Pepsi halftime show, and there 100 00:06:14,600 --> 00:06:17,360 Speaker 1: it seemed like there was always like some cola based 101 00:06:17,440 --> 00:06:21,040 Speaker 1: like visual like Dr dre playing the piano and like 102 00:06:21,360 --> 00:06:26,039 Speaker 1: the yeah yeah. It's like, I don't know, man, this 103 00:06:26,200 --> 00:06:30,039 Speaker 1: just doesn't feel Pepsi doesn't feel up to the task 104 00:06:30,400 --> 00:06:33,240 Speaker 1: as a as a product in particular. So there's just 105 00:06:33,240 --> 00:06:36,120 Speaker 1: gonna be a bunch of tech, big tech branding all 106 00:06:36,120 --> 00:06:38,360 Speaker 1: over the place. Big tech has had a hard year. 107 00:06:38,440 --> 00:06:41,480 Speaker 1: Apple the only big tech company that hasn't had layoff 108 00:06:41,560 --> 00:06:44,760 Speaker 1: so far. But another big tech thing that was supposed 109 00:06:44,800 --> 00:06:47,040 Speaker 1: to happen and they had to pull the plug last second. 110 00:06:47,279 --> 00:06:50,920 Speaker 1: Avocados from Mexico, which is just always it's one of 111 00:06:50,960 --> 00:06:54,039 Speaker 1: these brands that just randomly, you know, every year or 112 00:06:54,080 --> 00:06:58,359 Speaker 1: so has a big Super Bowl head, you know, like 113 00:06:58,400 --> 00:07:03,120 Speaker 1: they're they are one of the standard Super Bowl advertisers. Um. 114 00:07:03,320 --> 00:07:07,040 Speaker 1: And I'm not always sure why that is, because it 115 00:07:07,080 --> 00:07:10,880 Speaker 1: seems it seems like advertising avocados from a specific place 116 00:07:11,120 --> 00:07:15,920 Speaker 1: should be something that you are aiming at some business community, 117 00:07:16,280 --> 00:07:19,200 Speaker 1: Like it's a business to business deal where you're like 118 00:07:19,240 --> 00:07:23,240 Speaker 1: get your avocados from Mexico Kroger, uh, not like something 119 00:07:23,320 --> 00:07:26,280 Speaker 1: like when I go to the store, I'm not necessarily 120 00:07:26,360 --> 00:07:29,920 Speaker 1: choosing between avocados from one place or another. I'm just 121 00:07:30,280 --> 00:07:32,840 Speaker 1: feeling with my hands. I feel like we don't know 122 00:07:32,920 --> 00:07:36,560 Speaker 1: where the avocados are from, like at the shop, like yeah, 123 00:07:36,840 --> 00:07:40,160 Speaker 1: they just say like avocados, organic avocados, you know those 124 00:07:40,520 --> 00:07:43,240 Speaker 1: two options, and you're not really like, Okay, is it 125 00:07:43,280 --> 00:07:47,320 Speaker 1: the avocados from Mexico brand or is it unless you're I. 126 00:07:47,320 --> 00:07:50,080 Speaker 1: I do think they do make like guacamole's and things 127 00:07:50,120 --> 00:07:52,640 Speaker 1: like that, So that's more where I think the branding 128 00:07:52,920 --> 00:07:56,680 Speaker 1: would be, like more iconography, where you would be like 129 00:07:56,720 --> 00:07:59,200 Speaker 1: in that pre made food section and you're like choosing 130 00:07:59,200 --> 00:08:04,760 Speaker 1: between the different pre made gualks. But otherwise unsure it 131 00:08:04,760 --> 00:08:07,400 Speaker 1: has not connected. I have not connected those ads to 132 00:08:07,480 --> 00:08:11,200 Speaker 1: a specific purchasing decision. I can tell you that much. Um, 133 00:08:11,240 --> 00:08:13,840 Speaker 1: but they were they got a lot of attention because 134 00:08:13,840 --> 00:08:17,080 Speaker 1: they were planning to incorporate chat GPT in their ad 135 00:08:17,400 --> 00:08:19,239 Speaker 1: um and then it was pulled at the last minute 136 00:08:19,280 --> 00:08:21,320 Speaker 1: because they were not able to get the chat GPT 137 00:08:21,520 --> 00:08:26,640 Speaker 1: feature together in time, so which raised like why, I'm 138 00:08:26,680 --> 00:08:30,960 Speaker 1: just curious what the funk they had in mind, Like 139 00:08:31,160 --> 00:08:33,960 Speaker 1: what what were what were they planning to do. I 140 00:08:34,000 --> 00:08:35,959 Speaker 1: don't know, but I'm sure. I'm sure I could have 141 00:08:36,400 --> 00:08:39,720 Speaker 1: researched that. But it's it is just funny, like the 142 00:08:39,880 --> 00:08:42,199 Speaker 1: chat GPT thing just seems like a lot of people 143 00:08:42,280 --> 00:08:46,360 Speaker 1: confused about what this means and being scared of technology. 144 00:08:46,600 --> 00:08:50,400 Speaker 1: Scared oh technology, which is you know, I think a 145 00:08:50,520 --> 00:08:54,880 Speaker 1: standard mainstream media media trope. Are you planning to watch 146 00:08:54,920 --> 00:08:59,440 Speaker 1: the Big Game? Becca? No, you know what I cannot? 147 00:08:59,679 --> 00:09:02,240 Speaker 1: I Hey football, I think I've said that time and 148 00:09:02,280 --> 00:09:05,760 Speaker 1: time again here. I only used to watch it when 149 00:09:06,160 --> 00:09:08,720 Speaker 1: I worked in advertising, and I used to have like 150 00:09:08,840 --> 00:09:13,319 Speaker 1: spots in the Super Bowl. Which if you work in advertising, 151 00:09:13,440 --> 00:09:16,120 Speaker 1: God bless you this week, good luck. I know this 152 00:09:16,160 --> 00:09:18,959 Speaker 1: is a stressful week for you. I know, all those 153 00:09:18,960 --> 00:09:22,440 Speaker 1: social media managers. I'm praying for you because it's gonna 154 00:09:22,440 --> 00:09:25,040 Speaker 1: be a hard it's gonna be a hard weekend, very 155 00:09:25,120 --> 00:09:29,040 Speaker 1: overworked weekend. Um, but no, I have no I feel 156 00:09:29,080 --> 00:09:33,160 Speaker 1: blessed to be released from the shackles that is advertising 157 00:09:33,280 --> 00:09:36,360 Speaker 1: and the Big Game. Yeah, it's almost like the Super 158 00:09:36,360 --> 00:09:41,839 Speaker 1: Bowl is the super Bowl of advertising in many ways. Um. Okay, 159 00:09:42,480 --> 00:09:44,480 Speaker 1: let's take a quick break. We'll come back and we'll 160 00:09:44,520 --> 00:09:58,440 Speaker 1: talk about some trailers and other stuff, and we're back. 161 00:09:59,240 --> 00:10:03,640 Speaker 1: And actually, first another super Bowl story that is happening. 162 00:10:03,760 --> 00:10:08,160 Speaker 1: It was very dumb. NFL fans believe that the Super 163 00:10:08,160 --> 00:10:12,240 Speaker 1: Bowl is secretly rigged. There was like a tweet that 164 00:10:12,280 --> 00:10:16,120 Speaker 1: went viral featuring a screenshot of the leaked super Bowl script, 165 00:10:16,440 --> 00:10:20,240 Speaker 1: including the final score in a video from some barstool 166 00:10:20,240 --> 00:10:25,000 Speaker 1: podcast in which uh Aryan Foster, former NFL great also 167 00:10:25,120 --> 00:10:30,559 Speaker 1: like pretty interesting person to like listen to on be interviewed, 168 00:10:31,240 --> 00:10:34,680 Speaker 1: but he did a bit claiming with you know, dead 169 00:10:34,679 --> 00:10:37,080 Speaker 1: pan seriousness, that the league is rigged and all the 170 00:10:37,120 --> 00:10:40,840 Speaker 1: players follow scripts. And I think some people are like 171 00:10:40,920 --> 00:10:46,559 Speaker 1: buying into this because there is because everybody like has 172 00:10:46,559 --> 00:10:50,959 Speaker 1: a financial stake now that gambling is legal, and it's 173 00:10:51,000 --> 00:10:53,760 Speaker 1: like even if you don't gamble, like you know someone 174 00:10:53,800 --> 00:10:57,920 Speaker 1: who gambles, or you at least like see it dramatized 175 00:10:57,920 --> 00:11:00,280 Speaker 1: and like gambling advertisements. So it's just like in the 176 00:11:00,280 --> 00:11:06,559 Speaker 1: bloodstream now like gambling, and whenever there's gambling happening, there's 177 00:11:06,600 --> 00:11:09,360 Speaker 1: going to be a conspiracy theory that like well is 178 00:11:09,440 --> 00:11:12,240 Speaker 1: fixed and like they you know, when when you lose 179 00:11:12,280 --> 00:11:15,640 Speaker 1: money on a game, it's it's hard not to start 180 00:11:16,000 --> 00:11:18,480 Speaker 1: so do you believe it's it's really rigged though, Jack? 181 00:11:18,840 --> 00:11:21,319 Speaker 1: Oh no, no, no no, And like, so I think 182 00:11:21,360 --> 00:11:27,240 Speaker 1: this is this is stupid, uh Like from a just 183 00:11:27,600 --> 00:11:30,720 Speaker 1: perspective of like it doesn't make sense, but it also 184 00:11:31,440 --> 00:11:35,960 Speaker 1: is stupid from the perspective of like misunderstanding our current 185 00:11:36,840 --> 00:11:41,959 Speaker 1: like production and c g I capabilities, like the special effects, 186 00:11:42,360 --> 00:11:48,679 Speaker 1: the acting by athletes, the like game choreography required to 187 00:11:48,920 --> 00:11:53,320 Speaker 1: carry something at this level off is bonkers. It would 188 00:11:53,320 --> 00:11:57,640 Speaker 1: have to be like the greatest film ever produced, and 189 00:11:57,679 --> 00:12:01,160 Speaker 1: they would have to do it live. Wow, hundreds of 190 00:12:01,200 --> 00:12:04,960 Speaker 1: millions of people are watching. It would have to be 191 00:12:05,000 --> 00:12:08,840 Speaker 1: like every other game leading up to it, right, like 192 00:12:08,920 --> 00:12:13,360 Speaker 1: in theory to get to the big game where you 193 00:12:13,600 --> 00:12:17,520 Speaker 1: are competing. So I don't think it's rigged like I 194 00:12:17,559 --> 00:12:20,480 Speaker 1: think some some people's conspiracy theories are like that the 195 00:12:20,520 --> 00:12:23,120 Speaker 1: refs are like pushing in one direction and you can 196 00:12:23,160 --> 00:12:26,000 Speaker 1: see it like in a missed call here and there. 197 00:12:26,400 --> 00:12:29,440 Speaker 1: But the the idea that there is a script that 198 00:12:29,520 --> 00:12:37,480 Speaker 1: they're following would require such advanced levels of coordination. Um 199 00:12:38,040 --> 00:12:41,080 Speaker 1: I I kind of blame Jurassic Park for this because 200 00:12:41,120 --> 00:12:44,800 Speaker 1: I think people still saw the effects in like Jurassic 201 00:12:44,800 --> 00:12:46,800 Speaker 1: Park is like a blend of c g I and 202 00:12:46,840 --> 00:12:52,160 Speaker 1: practical effects, but people assumed that the practical effects were 203 00:12:52,200 --> 00:12:54,640 Speaker 1: also c g I, so they've assumed c g I 204 00:12:54,679 --> 00:12:57,800 Speaker 1: was like way further along than it actually was and 205 00:12:58,080 --> 00:13:00,840 Speaker 1: is and so every but he just thinks, how you 206 00:13:00,880 --> 00:13:03,200 Speaker 1: can do anything with a computer, Like it's it's fine. 207 00:13:03,360 --> 00:13:06,560 Speaker 1: It's like, no, that's you can do like very limited 208 00:13:06,640 --> 00:13:11,040 Speaker 1: things with a computer in with like camera tricks and 209 00:13:11,520 --> 00:13:14,360 Speaker 1: making sure to hide them in clever ways. But I 210 00:13:14,400 --> 00:13:18,600 Speaker 1: would hope that if it were c g I, right, 211 00:13:18,760 --> 00:13:21,680 Speaker 1: like if if if the big game, let's say we're rigged, 212 00:13:22,000 --> 00:13:25,640 Speaker 1: that we could prevent more like head traumas, you know 213 00:13:25,640 --> 00:13:28,240 Speaker 1: what I'm saying, Like if if we could rig this game, 214 00:13:29,640 --> 00:13:36,079 Speaker 1: players dying, you know, I just I don't understand. Also, 215 00:13:36,160 --> 00:13:41,719 Speaker 1: like the how much legalization of sports betting has blown up. 216 00:13:42,040 --> 00:13:45,800 Speaker 1: Like I was watching that Lebron James game where he 217 00:13:45,840 --> 00:13:50,199 Speaker 1: broke the scoring record and there was a gambling edge 218 00:13:50,559 --> 00:13:56,240 Speaker 1: during that that featured Kevin Garnett gambling on an NBA game, 219 00:13:56,600 --> 00:14:01,160 Speaker 1: I believe, which like he's retired, fired, But that just 220 00:14:01,200 --> 00:14:05,080 Speaker 1: feels like a line, Yeah that shouldn't be crossed. Yeah, 221 00:14:05,280 --> 00:14:09,320 Speaker 1: like they major League baseball is like never recovered, Like 222 00:14:09,360 --> 00:14:12,439 Speaker 1: they're still so scandalized by like that one of their 223 00:14:12,480 --> 00:14:15,280 Speaker 1: great players, like having gambled on a game, not while 224 00:14:15,280 --> 00:14:19,000 Speaker 1: he was playing, but while he's a manager, and I think, 225 00:14:19,120 --> 00:14:20,960 Speaker 1: I don't know, maybe he also did it while he played. 226 00:14:21,000 --> 00:14:22,720 Speaker 1: I don't I don't know. I don't give a ship. 227 00:14:22,800 --> 00:14:25,560 Speaker 1: But it's just funny how how much it has changed. 228 00:14:26,120 --> 00:14:28,000 Speaker 1: And this was actually one of the things that people 229 00:14:28,000 --> 00:14:30,800 Speaker 1: were pointing out. They were like, if we legalize gambling, 230 00:14:31,000 --> 00:14:33,040 Speaker 1: and this was back in two thousand nine when people 231 00:14:33,080 --> 00:14:36,920 Speaker 1: were trying to argue the merits of this and the 232 00:14:37,000 --> 00:14:41,400 Speaker 1: government they were like, people like this will quote inevitably 233 00:14:41,840 --> 00:14:45,920 Speaker 1: fuel speculation, distrust, and accusations of point shaving and game fixing. 234 00:14:46,320 --> 00:14:49,600 Speaker 1: So I mean they know which it just happens always 235 00:14:49,800 --> 00:14:54,320 Speaker 1: with gambling. All right, enough of the big game game 236 00:14:55,040 --> 00:14:58,800 Speaker 1: big enough? Uh, already, we don't need to we don't 237 00:14:58,800 --> 00:15:03,880 Speaker 1: need to lend it and anymore flames, anymore gasoline on 238 00:15:03,920 --> 00:15:09,240 Speaker 1: that fire. Let's talk about trailers. Trailer watch. Yeah, so 239 00:15:09,280 --> 00:15:12,280 Speaker 1: we're I was like, we should just have a trailer 240 00:15:12,400 --> 00:15:15,760 Speaker 1: that we talked about every trending episode, because why not. 241 00:15:16,080 --> 00:15:18,440 Speaker 1: That's that's my favorite part. Of trending is when we 242 00:15:18,480 --> 00:15:23,040 Speaker 1: get to watch a trailer today, we have to. We 243 00:15:23,120 --> 00:15:28,400 Speaker 1: have a movie called Paint that I thought was going 244 00:15:28,440 --> 00:15:34,000 Speaker 1: to be a Bob Ross like biopic. Vibe. Yes, I 245 00:15:34,080 --> 00:15:37,800 Speaker 1: thought it was Bob Ross biopic and it's got Owen 246 00:15:37,840 --> 00:15:41,280 Speaker 1: Wilson playing Bob Ross. And then you notice, like, but 247 00:15:41,360 --> 00:15:44,560 Speaker 1: he's still playing Owen Wilson with like in a bob 248 00:15:44,640 --> 00:15:50,720 Speaker 1: Ross Wait yeah um, and then it like Bob Ross's 249 00:15:50,760 --> 00:15:55,080 Speaker 1: career is derailed, and it's also the character's name is 250 00:15:55,080 --> 00:15:58,560 Speaker 1: not Bob Ross. And then it becomes the thing about 251 00:15:58,600 --> 00:16:04,640 Speaker 1: like him struggling with irrelevancy, and it just I don't know. 252 00:16:04,880 --> 00:16:07,440 Speaker 1: I was ready for the Bob Ross thing, but this 253 00:16:07,520 --> 00:16:11,880 Speaker 1: also seems interesting. I am always up for some more 254 00:16:11,920 --> 00:16:15,600 Speaker 1: Owen Wilson. What did you think same? I love Owen 255 00:16:15,600 --> 00:16:20,080 Speaker 1: Wilson and I love if C films, so I'm intrigued 256 00:16:20,200 --> 00:16:22,680 Speaker 1: about what it is. But I'm very confused as to 257 00:16:22,680 --> 00:16:25,080 Speaker 1: what it is because you go into it watching it 258 00:16:25,120 --> 00:16:27,240 Speaker 1: and you're like, and I think it was even served 259 00:16:27,320 --> 00:16:29,880 Speaker 1: me the article and it was like bob Ross Paint, 260 00:16:30,160 --> 00:16:32,560 Speaker 1: and I was like, okay, and you're watching it and 261 00:16:32,600 --> 00:16:35,200 Speaker 1: it's like very clear that he's actually not Bob Ross, 262 00:16:35,400 --> 00:16:38,760 Speaker 1: so you're like, okay, so then where is this story going. 263 00:16:38,920 --> 00:16:41,400 Speaker 1: Is it like an alternate universe of Bob Ross where 264 00:16:41,400 --> 00:16:44,240 Speaker 1: it's like a Bob Ross were self involved or if 265 00:16:44,240 --> 00:16:48,840 Speaker 1: Bob Barross were about the money. I'm not sure so, 266 00:16:49,040 --> 00:16:51,320 Speaker 1: but I will be watching because I love Owen Wilson 267 00:16:51,840 --> 00:16:54,800 Speaker 1: and it seems like very like quirky indie vibe, which 268 00:16:54,840 --> 00:16:58,320 Speaker 1: is very much up my alley of film watching. Yeah, 269 00:16:58,600 --> 00:17:03,920 Speaker 1: I think Bob ras was actually like he might have 270 00:17:04,320 --> 00:17:07,439 Speaker 1: so here let me I'm I'm fact checking live. So 271 00:17:07,480 --> 00:17:10,960 Speaker 1: this is exciting for the listener that Bob Ross wasn't 272 00:17:11,000 --> 00:17:14,040 Speaker 1: only a drill drill sergeant but would achieve the rank 273 00:17:14,040 --> 00:17:18,240 Speaker 1: of master sergeant serving as a first sergeant at Ailson 274 00:17:18,520 --> 00:17:22,520 Speaker 1: Air Force Base in Alaska. So like, that's an interesting Like, 275 00:17:22,600 --> 00:17:25,399 Speaker 1: that's a question. I didn't know that prior to Uh. 276 00:17:25,480 --> 00:17:28,600 Speaker 1: I think super producer Justin might have mentioned that as 277 00:17:28,600 --> 00:17:30,919 Speaker 1: we were watching this, Like that's a like, how you 278 00:17:30,960 --> 00:17:36,480 Speaker 1: get from drill instructor to the most zend out motherfucker 279 00:17:36,800 --> 00:17:40,960 Speaker 1: like to ever appear on television? Is an interesting story 280 00:17:41,040 --> 00:17:44,399 Speaker 1: that I would be intrigued to watch unless the answer 281 00:17:44,440 --> 00:17:47,959 Speaker 1: is just like he just took so much acid, like 282 00:17:48,040 --> 00:17:52,560 Speaker 1: it was just his you know, cortexes were no longer 283 00:17:52,600 --> 00:17:56,119 Speaker 1: connected to one another. And oh, I just did a 284 00:17:56,200 --> 00:17:58,640 Speaker 1: quick google about the movie, though it says in two 285 00:17:58,680 --> 00:18:01,640 Speaker 1: any ten the screen A Paint was written by Britt 286 00:18:01,720 --> 00:18:04,280 Speaker 1: McAdams and was featured on the Blacklist of that year's 287 00:18:04,320 --> 00:18:09,640 Speaker 1: most likely unproduced screenplays. So I'm curious where this will 288 00:18:09,720 --> 00:18:15,479 Speaker 1: go based on that. Yeah, so suproducer Ian is saying that, like, 289 00:18:15,520 --> 00:18:18,840 Speaker 1: the reason he's so soft spoken in Chill is he 290 00:18:18,920 --> 00:18:22,439 Speaker 1: hated how rigid the military was. Like, that's interesting to 291 00:18:22,720 --> 00:18:27,400 Speaker 1: see someone go from drill sergeant two, the guy who 292 00:18:27,560 --> 00:18:29,080 Speaker 1: talks like this, and it's like and then we're going 293 00:18:29,119 --> 00:18:32,919 Speaker 1: to get a little bit of yeah, like it really 294 00:18:34,119 --> 00:18:43,040 Speaker 1: someone like undergo a complete spiritual, psychic like change at 295 00:18:43,080 --> 00:18:46,560 Speaker 1: that level is interesting. I would be curious about that. 296 00:18:46,760 --> 00:18:49,760 Speaker 1: But so, so what you're saying, it was originally a 297 00:18:49,800 --> 00:18:52,320 Speaker 1: Bob Ross and then no, no, no, it was just 298 00:18:52,359 --> 00:18:56,560 Speaker 1: an original screenplay that was put on a blacklist on 299 00:18:57,840 --> 00:19:03,400 Speaker 1: for the years most liked produced screenplays. Yeah, the blacklist 300 00:19:03,480 --> 00:19:06,680 Speaker 1: is great. They always pick out some gems. And then 301 00:19:06,680 --> 00:19:11,600 Speaker 1: there's this other trailer called The Atwaters just gonna let 302 00:19:11,640 --> 00:19:15,720 Speaker 1: you watch it yourself. Very scary found footage. So two 303 00:19:15,760 --> 00:19:18,160 Speaker 1: things that I just want to call out here. One 304 00:19:18,440 --> 00:19:21,000 Speaker 1: is that it starts with like a fifteen second long 305 00:19:21,640 --> 00:19:24,720 Speaker 1: upside down shot, which I've been seeing more and more, 306 00:19:24,840 --> 00:19:26,800 Speaker 1: just like the shot is upside down. There there was 307 00:19:27,560 --> 00:19:30,320 Speaker 1: like a video that I saw, I think it was 308 00:19:30,359 --> 00:19:33,680 Speaker 1: like a TikTok transport to Twitter video of like somebody 309 00:19:34,080 --> 00:19:36,560 Speaker 1: just shooting out the window of their car, but they 310 00:19:36,560 --> 00:19:38,800 Speaker 1: were shooting it upside down and it was really like 311 00:19:38,920 --> 00:19:43,399 Speaker 1: kind of trippy and mind melding. But then like the 312 00:19:43,480 --> 00:19:47,520 Speaker 1: show Fleshman's in Trouble that it was just on Hulu 313 00:19:47,720 --> 00:19:51,560 Speaker 1: like opens with shots of New York City upside down 314 00:19:51,600 --> 00:19:53,719 Speaker 1: and it like looks very cool and trippy, and this 315 00:19:53,760 --> 00:19:57,720 Speaker 1: starts with a upside down shot. Um, it's just funny 316 00:19:57,800 --> 00:20:01,880 Speaker 1: that like film, like the art of film is just 317 00:20:02,040 --> 00:20:04,720 Speaker 1: now like all discovering at the same time the thing 318 00:20:04,800 --> 00:20:07,440 Speaker 1: that like your kids discover when they put their heads 319 00:20:07,480 --> 00:20:10,280 Speaker 1: between their head between their legs and they're like whoa 320 00:20:11,840 --> 00:20:16,720 Speaker 1: as wild. Um, But yeah, it's it's so this is 321 00:20:16,760 --> 00:20:22,040 Speaker 1: like a trippy, uh found footage. It seems like there's 322 00:20:22,119 --> 00:20:27,600 Speaker 1: like some Texas chainsaw massacre, some maybe some alien stuff happening, 323 00:20:27,640 --> 00:20:31,919 Speaker 1: but in the desert. Uh, it looks very cool, Like 324 00:20:31,960 --> 00:20:34,400 Speaker 1: the sound design looks very cool. I don't know, I'm 325 00:20:34,400 --> 00:20:37,000 Speaker 1: here for it. Yeah. I listened to the trailer with 326 00:20:37,040 --> 00:20:40,760 Speaker 1: these you know, big Sony headphones on my head, and 327 00:20:40,880 --> 00:20:45,040 Speaker 1: it was absolutely terrifying. Like the there's like this phone 328 00:20:45,080 --> 00:20:48,840 Speaker 1: call element of this, like very distressed mom calling her 329 00:20:48,960 --> 00:20:51,439 Speaker 1: kids being like I can't find you, where are you? 330 00:20:51,480 --> 00:20:54,920 Speaker 1: Are you okay? And it is just like, oh my god, 331 00:20:55,040 --> 00:20:59,360 Speaker 1: it is so so so so so so so terrifying. Um, 332 00:20:59,400 --> 00:21:00,879 Speaker 1: there's like a little a bit of like a jump 333 00:21:00,920 --> 00:21:05,120 Speaker 1: scare just in your ears towards the end, and I'm 334 00:21:05,160 --> 00:21:08,400 Speaker 1: genuinely very terrified. I don't know if I'll be able 335 00:21:08,440 --> 00:21:10,679 Speaker 1: to go through with watching this movie. I like my 336 00:21:10,720 --> 00:21:14,440 Speaker 1: scary movies more in the veil of like thriller, creepy, 337 00:21:14,880 --> 00:21:20,120 Speaker 1: not like actual like I like cosmic horror, yeah, or like, um, 338 00:21:20,160 --> 00:21:23,120 Speaker 1: I like things that are kind of like more superstitious 339 00:21:23,200 --> 00:21:26,439 Speaker 1: or more like you know, fantasy. Like I don't like 340 00:21:26,520 --> 00:21:29,960 Speaker 1: my horror to be rooted in like such reality because 341 00:21:29,960 --> 00:21:32,000 Speaker 1: then it's like too real for me. I'm like, oh, 342 00:21:32,040 --> 00:21:36,080 Speaker 1: this could happen. To me, my favorite example is like 343 00:21:36,119 --> 00:21:39,639 Speaker 1: the Haunting of Hillhouse series, like those some episodes of 344 00:21:39,640 --> 00:21:42,600 Speaker 1: those get really really scary, but it's like all very 345 00:21:42,680 --> 00:21:49,120 Speaker 1: much like mystical, like very much not rooted in reality reality, right. Anyways, 346 00:21:49,160 --> 00:21:52,639 Speaker 1: the other thing that this seems to like the it 347 00:21:52,680 --> 00:21:55,760 Speaker 1: seems to be found footage in a world where people 348 00:21:56,760 --> 00:22:00,440 Speaker 1: who shot the footage like actually carried like we're trying 349 00:22:00,480 --> 00:22:03,800 Speaker 1: to take cool videos because like that's that's something that 350 00:22:03,840 --> 00:22:06,439 Speaker 1: I feel like a lot of the found footage stuff, 351 00:22:06,760 --> 00:22:08,879 Speaker 1: it's like, all right, so it's found footage, so it 352 00:22:08,880 --> 00:22:11,760 Speaker 1: has to be they had to leave leave their camera 353 00:22:11,840 --> 00:22:15,080 Speaker 1: on a rock and like it doesn't which probably makes 354 00:22:15,119 --> 00:22:17,280 Speaker 1: sense for like once the terror starts. But there's just 355 00:22:17,320 --> 00:22:19,840 Speaker 1: like a lot of beautiful shots in there, which makes 356 00:22:19,880 --> 00:22:24,760 Speaker 1: sense because some people just are beautiful cinematographers with their phones. 357 00:22:25,000 --> 00:22:29,080 Speaker 1: So anyways, you know. The other thing, and I don't like, 358 00:22:29,119 --> 00:22:31,440 Speaker 1: I'm not gonna go on about this for twenty minutes, 359 00:22:31,480 --> 00:22:36,880 Speaker 1: but the trade deadline in the NBA has been mind melting. 360 00:22:37,840 --> 00:22:41,080 Speaker 1: I just want to say sorry, nets fans um. Although 361 00:22:41,280 --> 00:22:43,080 Speaker 1: you know, maybe maybe this is the best thing for 362 00:22:43,119 --> 00:22:45,679 Speaker 1: the future of the organization because they got a lot 363 00:22:45,720 --> 00:22:50,440 Speaker 1: of picks. But Kevin Durant has been traded to the 364 00:22:50,480 --> 00:22:55,800 Speaker 1: Phoenix Suns, which bums me out for some reason because 365 00:22:55,840 --> 00:22:57,720 Speaker 1: I just like, never, I don't know, I can I've 366 00:22:57,760 --> 00:22:59,639 Speaker 1: never been able to get even when they were like 367 00:22:59,640 --> 00:23:03,159 Speaker 1: a really exciting team with like Steve Nash, Marie Stottomeyer, like, 368 00:23:03,920 --> 00:23:06,800 Speaker 1: I couldn't get excited about them, So I don't. I 369 00:23:06,800 --> 00:23:09,119 Speaker 1: don't know if it's their uniforms, what it is, but 370 00:23:09,920 --> 00:23:14,000 Speaker 1: I just this doesn't get me. It's like a super 371 00:23:14,080 --> 00:23:18,399 Speaker 1: team that I'm not super excited about. And that's not fair. 372 00:23:18,480 --> 00:23:21,360 Speaker 1: That's just a completely personal thing. People are gonna be like, oh, 373 00:23:21,400 --> 00:23:24,760 Speaker 1: you're just a son's hair. Yeah, I have no good, 374 00:23:24,960 --> 00:23:28,880 Speaker 1: good reason for it whatsoever. Um, it's definitely exciting. Then 375 00:23:29,240 --> 00:23:33,040 Speaker 1: the n B A is you know, is wild for that? 376 00:23:33,080 --> 00:23:36,800 Speaker 1: You're you're wild for this one. The NBA Kyrie obviously 377 00:23:36,840 --> 00:23:41,480 Speaker 1: we talked about how he got traded. Um, the the 378 00:23:41,600 --> 00:23:45,520 Speaker 1: Lakers traded Russell Russell Westbrook and got some young pieces 379 00:23:45,560 --> 00:23:49,120 Speaker 1: that might help them in the long run. But it's 380 00:23:49,119 --> 00:23:50,679 Speaker 1: a it's a mess out there. It's going to be 381 00:23:50,800 --> 00:23:54,560 Speaker 1: very intriguing to to watch. I feel like they were like, oh, 382 00:23:54,600 --> 00:24:03,080 Speaker 1: you think that's the big game. Yeah. Um, anyways, Becca, 383 00:24:03,320 --> 00:24:06,560 Speaker 1: your thoughts. I know you're a huge Sons fan. You 384 00:24:06,640 --> 00:24:11,280 Speaker 1: know I agree with all your sentiments. Jack. Oh good, 385 00:24:11,440 --> 00:24:16,520 Speaker 1: Oh wow, that's amazing. Look at that. All right? Well, 386 00:24:16,640 --> 00:24:18,960 Speaker 1: super producer, back A Ramas, thank you so much for 387 00:24:19,080 --> 00:24:23,440 Speaker 1: joining to co host. Where can people find you and 388 00:24:23,480 --> 00:24:26,520 Speaker 1: follow you? You can find and follow me at Beck's 389 00:24:26,600 --> 00:24:29,760 Speaker 1: B E, C C S Ramos on all platforms and 390 00:24:29,840 --> 00:24:35,120 Speaker 1: also I am on the Bechtel Cast today. Hey, I'm 391 00:24:35,280 --> 00:24:38,359 Speaker 1: very excited. It is a little fangirl dream of mine. 392 00:24:38,480 --> 00:24:42,040 Speaker 1: So if you are a Bechtel Head a Bectel Cast listener, 393 00:24:42,119 --> 00:24:45,040 Speaker 1: go check it out. We covered Magic Mike x x 394 00:24:45,280 --> 00:24:50,560 Speaker 1: L the opening night of Magic Mike's Last Dance, which 395 00:24:50,600 --> 00:24:54,720 Speaker 1: comes out today. Have you seen it or I'm clanning 396 00:24:54,760 --> 00:24:57,320 Speaker 1: on going. I was gonna go tonight, but I have 397 00:24:57,400 --> 00:25:01,080 Speaker 1: to wake up early to drive back to the city tomorrow, 398 00:25:01,359 --> 00:25:05,520 Speaker 1: so I think I'm going to go this weekend on Saturday, 399 00:25:05,880 --> 00:25:10,200 Speaker 1: Last Dance. I hope he doesn't die. I don't think 400 00:25:10,200 --> 00:25:12,840 Speaker 1: he's gonna die, but I think he's gonna officially retire 401 00:25:12,960 --> 00:25:15,879 Speaker 1: every movie. He's like, I'm done stripping, and then you know, 402 00:25:16,280 --> 00:25:18,879 Speaker 1: they make a new movie. So I think this is 403 00:25:18,880 --> 00:25:22,920 Speaker 1: supposed to be like his final Swan song in London 404 00:25:23,000 --> 00:25:26,080 Speaker 1: would sell mahiak and Rosalia that they will not talk 405 00:25:26,119 --> 00:25:27,840 Speaker 1: that she's in it, but like she's in a couple 406 00:25:27,840 --> 00:25:30,560 Speaker 1: of picks of the trailers, so I'm like, we're not 407 00:25:30,560 --> 00:25:33,200 Speaker 1: gonna talk about Rosalie is in the movie. So we'll 408 00:25:33,200 --> 00:25:37,480 Speaker 1: see it's in London. It's in London. Would sell sequel 409 00:25:37,520 --> 00:25:40,160 Speaker 1: where they're just like, what if a new city? Yeah, 410 00:25:40,200 --> 00:25:41,880 Speaker 1: what if a new city? We got rid of all 411 00:25:41,880 --> 00:25:44,440 Speaker 1: the guys. We just have Channing Tatum. It's gonna give 412 00:25:44,480 --> 00:25:50,080 Speaker 1: you step up vibes and not like traditional stripper vibe, 413 00:25:50,280 --> 00:25:52,160 Speaker 1: and we're gonna have Rosalia be in it, which makes 414 00:25:52,160 --> 00:25:55,600 Speaker 1: me wonder if they're going to dance Flamenco strip because 415 00:25:56,000 --> 00:25:59,719 Speaker 1: Rosalia's you know, traditional roots are Flamenco because you know, 416 00:25:59,800 --> 00:26:03,439 Speaker 1: we love a colonizers. But's like hold the conversation. But 417 00:26:03,960 --> 00:26:06,320 Speaker 1: she's originally a Flamenco singer, So I'm wondering if they're 418 00:26:06,320 --> 00:26:10,160 Speaker 1: going to do a little Flamenco in London. We'll see, Well, 419 00:26:10,160 --> 00:26:13,159 Speaker 1: British Men dancing is a whole genre of movie. For 420 00:26:13,200 --> 00:26:17,200 Speaker 1: whatever reason, they're like the full Monty and Billy Elliott, 421 00:26:17,200 --> 00:26:21,760 Speaker 1: They're like, what if a British boy danced? What if? 422 00:26:21,080 --> 00:26:26,680 Speaker 1: What if? What if the man dance? Though? Um, so 423 00:26:26,720 --> 00:26:30,000 Speaker 1: that's funny that they were just like, well, we'll do that. Well, 424 00:26:30,040 --> 00:26:34,280 Speaker 1: it'll be a crossover to the British man dance uh genre. 425 00:26:34,840 --> 00:26:37,919 Speaker 1: All Right? That amazing. Go listen to the backdel cast 426 00:26:38,760 --> 00:26:41,960 Speaker 1: for that and just always um, that is going to 427 00:26:42,040 --> 00:26:46,560 Speaker 1: do it for us for this Thursday, February nine. We're 428 00:26:46,600 --> 00:26:48,960 Speaker 1: back tomorrow with the whole last episode of the show. 429 00:26:49,119 --> 00:26:52,280 Speaker 1: Until then, be kind to each other, be kind to yourselves, 430 00:26:52,359 --> 00:26:55,520 Speaker 1: get the vaccine, don't do nothing about white supremacy, and 431 00:26:55,560 --> 00:27:06,920 Speaker 1: we will talk to y'all tomorrow by stat spaces