WEBVTT - Mashonda Talks "Positive Distraction", Returning To Music, Reseting Energy + More

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<v Speaker 1>Morning. Everybody is stech Envy and Ngela Yee, Charlomagne the guy.

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<v Speaker 1>We are to Breakfast club. We got a special guests

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<v Speaker 1>in the Belding Strange of Danger. Hi, welcome back. We

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<v Speaker 1>haven't seen you. Twenty No twenty eighteen when the book

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<v Speaker 1>came out. Ye, how are you remember? I'm great, energy, amazing, Okay, okay,

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<v Speaker 1>I think you know. I think my energy is always amazing.

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<v Speaker 1>You know, I'm pretty steady. You set your affirmations in

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<v Speaker 1>the morning always. Ye, well this morning, um, I think

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<v Speaker 1>the first the first thing I said to myself when

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<v Speaker 1>I woke up was it's going to be a beautiful day, okay.

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<v Speaker 1>And you feel great absolutely, even with the rain and everything.

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<v Speaker 1>And I love the rain because living in San Diego

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<v Speaker 1>now we don't get any rain. Why San Diego. It's

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<v Speaker 1>just gorgeous. I know. But like, what was the connection?

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<v Speaker 1>Because you know, we live here. I've lived here my

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<v Speaker 1>whole life. Um, twenty twenty happened. My grandmother who raised me,

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<v Speaker 1>one of the closest people in my life, passed away

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<v Speaker 1>in twenty twenty and yeah, and she was the main

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<v Speaker 1>reason why I stayed here so long, because I was

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<v Speaker 1>taking care of her. My son's father moved out to

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<v Speaker 1>San Diego in twenty nineteen and he struggled. My son

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<v Speaker 1>struggled with it a lot, and I right though, you know,

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<v Speaker 1>he lost that connection. It was a weekly thing. So

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<v Speaker 1>I haven't wanting to move to LA for years, but

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<v Speaker 1>I stayed because of my grandmother. And when everything happened,

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<v Speaker 1>I went out to San Diego, spent a month and

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<v Speaker 1>fell in love. I was like, I don't want to

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<v Speaker 1>live in LA. I'm gonna live here. It's like nature everywhere,

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<v Speaker 1>and it ended up working out. Yeah, reignited your love

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<v Speaker 1>for music too. Yeah, Okay, I definitely think that had

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<v Speaker 1>that setting had a lot to do with it, you know,

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<v Speaker 1>really emerging back into it, and your son had a

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<v Speaker 1>lot to do with it also, a hundred percent influence

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<v Speaker 1>on everything. So totally, can you tell us why you've

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<v Speaker 1>put out an EP? It's been how long since your

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<v Speaker 1>last God January Joy came out in two thousand and five.

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<v Speaker 1>Jesus Christ seventeen years later. So it wasn't I know

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<v Speaker 1>you did. It wasn't that you didn't had a lack

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<v Speaker 1>of love for music. Wasn't the industry more than industry? Right? Absolutely?

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<v Speaker 1>The industry. Um, you know, I felt a little misplaced

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<v Speaker 1>and a little unwelcomed, and you know, even blackballed, would

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<v Speaker 1>you say, goes up? Yeah, a little bit. You know,

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<v Speaker 1>I heard things here and there. People felt like they

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<v Speaker 1>had to choose sides. I still feel like a lot

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<v Speaker 1>of people do feel that way, and I get it,

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<v Speaker 1>you know, I know people never got that though, yeah

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<v Speaker 1>oh yeah, well yeah, yeah, yeah, yeah yeah. That must

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<v Speaker 1>have been on them because I've never felt like, well

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<v Speaker 1>I never thought that. I've never felt that from me

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<v Speaker 1>that club at all. But you'd be surprised, totally, totally,

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<v Speaker 1>and um, you know, it was a little discouraging. And

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<v Speaker 1>as much as I love music, I've been doing music

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<v Speaker 1>way before I met my ex, you know. So it

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<v Speaker 1>was me and my son came in the room and

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<v Speaker 1>last year in November and he said, my your viral

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<v Speaker 1>on TikTok and I was like, what does that mean?

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<v Speaker 1>You know, and uh, you know what's going on? Pretty much,

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<v Speaker 1>I've been in a bubble. I was never on TikTok

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<v Speaker 1>until he told me this. Somebody said up here and said,

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<v Speaker 1>you're Charlomagne, you're your your sound on TikTok. Your sounds

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<v Speaker 1>going what are you talking about? Right? And it was

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<v Speaker 1>a record that I did in two thousand and three,

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<v Speaker 1>a freestyle I did over a Bust to Rhymes joint,

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<v Speaker 1>The Honey I See you had like millions and millions

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<v Speaker 1>and millions of interactions worldwide, and I was like, Okay,

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<v Speaker 1>well maybe this is a sign. No, maybe I need

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<v Speaker 1>to really get back into it, especially now that this

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<v Speaker 1>generation knows my voice. So um, I did just that,

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<v Speaker 1>you know, And I created a body of work that

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<v Speaker 1>I love and it's art. You know, It's not a

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<v Speaker 1>traditional album. It's it's from beginning to end a story

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<v Speaker 1>and love and my transformation. I don't always use the

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<v Speaker 1>word healing because I feel like it's more of a transformation, um,

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<v Speaker 1>and just the ups and downs of love. And you

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<v Speaker 1>did some visuals with it, a lot of energy with

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<v Speaker 1>the interacting with you when you're a main leading man. Yes,

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<v Speaker 1>because I wanted to. I wanted to create a visual

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<v Speaker 1>that was refreshing compared to what's happening now in visuals

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<v Speaker 1>where it's you know, I don't feel like I don't

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<v Speaker 1>feel like we're showing love and romance and what that

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<v Speaker 1>looks like anymore. I feel like it's almost like a

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<v Speaker 1>dying art. People even know what that it is anymore.

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<v Speaker 1>This is what I'm saying. So I wanted to take

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<v Speaker 1>it back to what that looks like, like having an

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<v Speaker 1>argument with the person you're in love with, but then

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<v Speaker 1>coming back together, not canceling him, you know. So that's

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<v Speaker 1>what Complicated is all about. Pick the beats and help

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<v Speaker 1>you produce, and not at all. He want nothing to

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<v Speaker 1>do with it. You know, he has his own genre

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<v Speaker 1>of music. No, you know, he's like, when I do

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<v Speaker 1>make something that he can relate to, he's like, yeah,

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<v Speaker 1>this one's good. Otherwise to him, it's like old people music,

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<v Speaker 1>you know him, and he loves it. Okay, he loves it. Yeah,

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<v Speaker 1>what is the God's plan affirmation? So the God's plan affirmation?

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<v Speaker 1>My grandmother always used to say, put everything in God's hands.

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<v Speaker 1>So at the end, um, that's what I say. I said,

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<v Speaker 1>it's God's plan and It's in God's hands. And that

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<v Speaker 1>one starts with waking up and blessing the day, and

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<v Speaker 1>I say, I want to start. I want to start

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<v Speaker 1>my blessing. I want to thank my day with you.

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<v Speaker 1>So I'm speaking to the person listening. I want to

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<v Speaker 1>count my blessings starting with you. So that's to let

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<v Speaker 1>you know you are a blessing, right. So it's interactive

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<v Speaker 1>the music and the affirmations because I want people to

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<v Speaker 1>really I feel like our culture sometimes we have a

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<v Speaker 1>hard time understanding how to even get into meditating. I

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<v Speaker 1>have a lot of people ask me, well, how do

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<v Speaker 1>you meditate? What is an affirmation? So I wanted to

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<v Speaker 1>incorporate that into the EP, just to give people a

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<v Speaker 1>small idea of how to get started. And I did

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<v Speaker 1>it over a very relatable kind of deed. So you

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<v Speaker 1>work with a lot of people in this industry, did

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<v Speaker 1>you reach out to any of them during this project?

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<v Speaker 1>And some of them say, now, I'm not effort with

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<v Speaker 1>you as everybody can with open arms. I didn't want

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<v Speaker 1>to work with anyone in the industry, so I worked

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<v Speaker 1>with two new young producers, Lenicia Nelson, who's an amazing

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<v Speaker 1>vocalist and songwriter, engineer, and Quan Keys, who is a

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<v Speaker 1>sick producer. He's a church guy. And I wanted to

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<v Speaker 1>work with new, fresh, you know, undiscovered talent. I don't

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<v Speaker 1>really want to put anybody in a situation where it

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<v Speaker 1>was like, all right, let me make sure it's okay,

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<v Speaker 1>you know, so I just did my own thing. That

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<v Speaker 1>probably helps to create a trauma free album too, absolutely,

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<v Speaker 1>because you're not bringing no old triggers and you know

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<v Speaker 1>certain things like you know, I like the song Runaway, Yes,

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<v Speaker 1>And the story behind that song in particular, I think

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<v Speaker 1>is interesting because it can be such a relief when

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<v Speaker 1>you're like in a bad situation and you get out

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<v Speaker 1>of it. Baby, it is freedom, right, it's runaway. Runaway

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<v Speaker 1>is just about walking away from a situation before it

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<v Speaker 1>gets out of hand, like knowing when to respect the

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<v Speaker 1>red flags, you know, And I think sometimes we prolong

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<v Speaker 1>things that don't feel good because we're comfortable in there.

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<v Speaker 1>Or someone said, you know, the sex might be good

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<v Speaker 1>and we don't want to part ways with that. Why

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<v Speaker 1>did you say? Someone said, because when we had have

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<v Speaker 1>you ever stayed with somebody too long because the sex

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<v Speaker 1>is great? Noo quick? That's never been Like, what is

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<v Speaker 1>the leading factor? What is the red flags? For Maschanda?

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<v Speaker 1>Red flags for me now are definitely communication, you know,

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<v Speaker 1>if we can't be transparent and consistency. I love consistency.

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<v Speaker 1>So it's like those two things have so much to

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<v Speaker 1>do with like your foundation and what's what's what it's

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<v Speaker 1>leading up to UM, so I look out for that.

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<v Speaker 1>Dating is interesting. Dating can be ghetto ghetto, you know,

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<v Speaker 1>if you're thinking McDonald's thinking about dating, you know versus

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<v Speaker 1>mister Chowers when the friends are good and had exactly

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<v Speaker 1>mean ghetto. You know. I just feel like people get

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<v Speaker 1>into these interactions and relationships and they're not emotionally ready,

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<v Speaker 1>not mentally ready, and then they just come in with

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<v Speaker 1>all their stuff and kind of like project onto you.

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<v Speaker 1>And it's like, this is not what I signed up for. UM.

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<v Speaker 1>And you know, a lot of younger guys have been

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<v Speaker 1>coming my way and I'm like, I don't know if

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<v Speaker 1>we can, if we can said that too when she

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<v Speaker 1>was up here last Yeah, and they're so like bold

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<v Speaker 1>and intense about it, like met you in person both.

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<v Speaker 1>Do you like the boldness? I like, yeah, I do

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<v Speaker 1>like when you know people know what they want and

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<v Speaker 1>they are showing you that they're very serious about it.

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<v Speaker 1>But it's just interesting because I'm just it. But these

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<v Speaker 1>younger guys do. They are pretty more, pretty mature compared

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<v Speaker 1>to I guess ten years ago what a younger guy was. UM.

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<v Speaker 1>But it's been interesting because at first I was like, well,

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<v Speaker 1>what do we have, what do we even have in common?

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<v Speaker 1>What are we going to talk about? But I don't know.

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<v Speaker 1>You know, I don't want to say that I would

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<v Speaker 1>never date. And when I say younger, I'm talking like

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<v Speaker 1>twenty eight to thirty one. Okay, it's pretty young. What's

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<v Speaker 1>the wildest date you've been on that a younger man

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<v Speaker 1>is taking you on? What did y'all go? What did

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<v Speaker 1>y'all do? I I can't even think. I want to

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<v Speaker 1>know the ghetto one that you said ghettocause something popped

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<v Speaker 1>in your mind when you said ghetto. McDonald lake that ghetto,

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<v Speaker 1>especially if you high as hell and y'all leave y'all

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<v Speaker 1>y'all coming back from somewhere and get them hot fries

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<v Speaker 1>late at night. I'm not talking about ghetto in a

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<v Speaker 1>sense of form, like physical ghetto. I'm talking about like

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<v Speaker 1>the interaction itself, you know. But people don't call anymore.

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<v Speaker 1>Sometimes they just only text you, or they FaceTime you

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<v Speaker 1>with no notice. I don't like that, fatime. I don't

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<v Speaker 1>do it. Yeah, I don't really answer. We have to

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<v Speaker 1>we have to plan a FaceTime, like, hey, are you busy?

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<v Speaker 1>Is it okay? Here to FaceTime? Right? Right? Well? What

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<v Speaker 1>did you feel what did you feel you needed to

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<v Speaker 1>tell yourself when you name the album note this Self. So,

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<v Speaker 1>I'm the type of person I'm always if something comes

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<v Speaker 1>to mind, I'm always writing it down, doing voice notes.

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<v Speaker 1>I'm journaling um and I think and I've noticed that

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<v Speaker 1>when I don't do that, I forget what that moment

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<v Speaker 1>of like oh wow. So I think everybody should start

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<v Speaker 1>writing things down, those those moments where you like connect

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<v Speaker 1>the dots in your head like that happens because of this.

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<v Speaker 1>You know, it's always like something in the past that

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<v Speaker 1>kind of triggers something in the present. So for me,

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<v Speaker 1>Note to Self is really it's an accounting. It's a

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<v Speaker 1>document of everything that I've I feel like I've survived

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<v Speaker 1>and made it through. And it not only survived and

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<v Speaker 1>made it through, but I'm able to take the lessons

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<v Speaker 1>from it. You know, I haven't forgotten the lessons. Let's

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<v Speaker 1>talk about this song positive distraction for a second, because

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<v Speaker 1>sometimes you're like, Okay, you know, there's a lot going

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<v Speaker 1>on and I just need something to make me feel

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<v Speaker 1>good and feel happy. Are you okay with dating somebody

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<v Speaker 1>who you know maybe there's no future with, but they

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<v Speaker 1>are a positive distraction? Yeah, definitely, definitely. I feel like

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<v Speaker 1>everybody needs that. But that's also a conversation. You don't

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<v Speaker 1>want to lead somebody on. You know. It's like we

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<v Speaker 1>come together, we have a good time, and then it's okay,

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<v Speaker 1>we can part ways and pick up right where we

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<v Speaker 1>left off from the last time. Yeah, you're doing this

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<v Speaker 1>all on your own. This album is independent or super independent, produce,

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<v Speaker 1>direct your own videos, everything. So what makes this successful

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<v Speaker 1>to you? What's what's in a success The fact that

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<v Speaker 1>it's done and out, the fact that I did it,

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<v Speaker 1>you know, the fact that I worked, put my money

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<v Speaker 1>into it. I didn't ask anybody for anything. I paid

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<v Speaker 1>everybody that helped me. I don't owe anybody any money,

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<v Speaker 1>gay right. I feel like I also created opportunities for

0:13:27.080 --> 0:13:29.520
<v Speaker 1>creatives to come in and show what they can do,

0:13:31.400 --> 0:13:34.439
<v Speaker 1>even the artwork, down to the artwork, down to every font,

0:13:35.120 --> 0:13:41.079
<v Speaker 1>you know, all the small details. It feels really good

0:13:41.400 --> 0:13:44.840
<v Speaker 1>to to create a body of work and then release

0:13:44.920 --> 0:13:47.120
<v Speaker 1>it and know that you pretty much did it on

0:13:47.160 --> 0:13:49.840
<v Speaker 1>your own. One thing I always give you credit for

0:13:49.880 --> 0:13:53.240
<v Speaker 1>it is artwork, Like as far as you care, rating

0:13:53.480 --> 0:13:56.840
<v Speaker 1>these art shows, helping these young artists, but also helping

0:13:56.880 --> 0:14:00.480
<v Speaker 1>people get their collection up because Massonda send me like

0:14:00.520 --> 0:14:02.600
<v Speaker 1>pictures like this would be great for you or this artist.

0:14:02.640 --> 0:14:05.320
<v Speaker 1>She's a young black girl from Brooklyn, and I think

0:14:05.360 --> 0:14:07.080
<v Speaker 1>you should get this piece of work because she really

0:14:07.080 --> 0:14:09.880
<v Speaker 1>wants to sell it to somebody that you know, somebody

0:14:09.920 --> 0:14:12.880
<v Speaker 1>like you. And so she does always hit me up

0:14:12.880 --> 0:14:15.679
<v Speaker 1>about things like that. And so can you talk about

0:14:15.720 --> 0:14:17.720
<v Speaker 1>your love of art because this is something you were

0:14:17.720 --> 0:14:21.200
<v Speaker 1>doing for a long time. I remember you had did

0:14:21.280 --> 0:14:23.200
<v Speaker 1>the book release. I think it was the book release

0:14:23.280 --> 0:14:26.760
<v Speaker 1>at Donna Carn's place, Donna Carren's house. It was amazing

0:14:26.800 --> 0:14:29.280
<v Speaker 1>by the way. I was like, what is this? But

0:14:29.600 --> 0:14:32.080
<v Speaker 1>even just being into artwork, where did that come from?

0:14:32.200 --> 0:14:35.800
<v Speaker 1>I've been a collector for the past twenty five years.

0:14:36.120 --> 0:14:39.760
<v Speaker 1>That sounds old as though, but I've always collected art

0:14:39.800 --> 0:14:44.880
<v Speaker 1>and I've always supported artists. So it's just a part

0:14:44.920 --> 0:14:48.440
<v Speaker 1>of who I am. But I started Art Leader in

0:14:48.480 --> 0:14:51.680
<v Speaker 1>twenty sixteen because I wanted to create a platform to

0:14:52.800 --> 0:14:56.000
<v Speaker 1>give women an art more of an opportunity to show

0:14:56.040 --> 0:14:58.840
<v Speaker 1>their work and to sell their work. So I do

0:14:59.480 --> 0:15:05.040
<v Speaker 1>exhibition curate you know, galleries, and I'm getting ready to

0:15:05.040 --> 0:15:08.560
<v Speaker 1>do a couple of museum shows. And for me, it's

0:15:08.560 --> 0:15:14.000
<v Speaker 1>all about having people of color collect people of color,

0:15:14.840 --> 0:15:18.840
<v Speaker 1>you know. So when I connect Angela with an artist,

0:15:18.840 --> 0:15:22.320
<v Speaker 1>an emerging artist that I know is doing what they

0:15:22.360 --> 0:15:24.480
<v Speaker 1>need to do to take their career to the next level,

0:15:25.520 --> 0:15:28.000
<v Speaker 1>I know that I'm not only helping Angela, but I'm

0:15:28.000 --> 0:15:33.240
<v Speaker 1>also helping the artists. And music and art, you know,

0:15:33.400 --> 0:15:38.040
<v Speaker 1>it collides. It's it's pretty much the industries are almost alike,

0:15:38.760 --> 0:15:41.480
<v Speaker 1>and the artists they need the same kind of support

0:15:42.240 --> 0:15:44.800
<v Speaker 1>as musicians do. For people who want to collect art,

0:15:45.080 --> 0:15:47.840
<v Speaker 1>how do you determine? Because people always ask me that,

0:15:47.880 --> 0:15:49.360
<v Speaker 1>like if they come to my house and they see

0:15:49.360 --> 0:15:51.560
<v Speaker 1>what I have and they're like, what made you decide

0:15:51.600 --> 0:15:53.240
<v Speaker 1>to buy that? And for me, it's just a feeling

0:15:53.240 --> 0:15:55.880
<v Speaker 1>that I get if I see something, if it evokes

0:15:55.880 --> 0:15:57.520
<v Speaker 1>any type of emotion in me, if it makes me

0:15:57.560 --> 0:16:00.400
<v Speaker 1>think of something, if I think it's just beautiful. What

0:16:00.600 --> 0:16:02.400
<v Speaker 1>for you would you tell people who want to start

0:16:02.400 --> 0:16:05.560
<v Speaker 1>collecting art, how do they go about getting their collection going?

0:16:06.120 --> 0:16:08.520
<v Speaker 1>I think the first thing is to make sure you

0:16:08.640 --> 0:16:11.920
<v Speaker 1>buy art that you if you have children, that you

0:16:11.960 --> 0:16:15.800
<v Speaker 1>want your children to grow up looking at, you know,

0:16:15.920 --> 0:16:19.680
<v Speaker 1>and something that that's gonna that's gonna because it becomes

0:16:19.680 --> 0:16:21.840
<v Speaker 1>a part of your psyche. Like you you wake up,

0:16:21.880 --> 0:16:23.680
<v Speaker 1>you see it, you go to sleep, you see it.

0:16:24.320 --> 0:16:27.560
<v Speaker 1>So make sure that you love what you're looking at.

0:16:28.000 --> 0:16:31.240
<v Speaker 1>Don't just get into it for an investment, even though

0:16:31.280 --> 0:16:34.200
<v Speaker 1>it can be a great investment. But definitely buy work

0:16:34.280 --> 0:16:36.360
<v Speaker 1>that you love. And I think that's what you're so

0:16:36.840 --> 0:16:38.560
<v Speaker 1>you're so good at How can you tell me some

0:16:38.640 --> 0:16:40.760
<v Speaker 1>things that a good investment? People ask me that all

0:16:40.760 --> 0:16:43.440
<v Speaker 1>the time too, because I'm like, I don't really know. No,

0:16:43.600 --> 0:16:46.040
<v Speaker 1>you just buy art because you love it, which is great,

0:16:46.080 --> 0:16:48.880
<v Speaker 1>you're like a real collector. But the I mean, once

0:16:48.920 --> 0:16:53.320
<v Speaker 1>you're involved in the marketplace and you it's like stocks

0:16:53.320 --> 0:16:56.440
<v Speaker 1>and bonds, right, you check the market. You can see

0:16:56.440 --> 0:17:00.520
<v Speaker 1>what art is going up, what's selling it auction um,

0:17:00.520 --> 0:17:04.679
<v Speaker 1>the price points, who's in museums, who who's with a

0:17:04.800 --> 0:17:07.760
<v Speaker 1>good gallery. These are all ways that you can tell

0:17:08.560 --> 0:17:11.560
<v Speaker 1>if an artist is going to be a quote unquote

0:17:11.600 --> 0:17:14.680
<v Speaker 1>good investment. Let's go back to your other art of music,

0:17:15.000 --> 0:17:17.200
<v Speaker 1>because you said this album is described as a healthy,

0:17:17.280 --> 0:17:21.080
<v Speaker 1>realistic outlook on relationships. But then this first thing is

0:17:21.119 --> 0:17:25.399
<v Speaker 1>called complicated because that's real life, so complicated relationships can

0:17:25.440 --> 0:17:27.720
<v Speaker 1>be healthy, Yes, okay, because you got to learn from it.

0:17:27.760 --> 0:17:30.560
<v Speaker 1>The thing is a relationship that's not complicated, right, Every

0:17:30.640 --> 0:17:35.119
<v Speaker 1>human relationship, relationships with self is complic human and complicated. Yea,

0:17:36.080 --> 0:17:42.159
<v Speaker 1>so comic Tackling that conversation is super healthy. Have you

0:17:42.200 --> 0:17:46.679
<v Speaker 1>seen the video I'm not Oh? Is that the one

0:17:46.680 --> 0:17:51.840
<v Speaker 1>where you and the guy all over each other? There

0:17:51.840 --> 0:17:55.560
<v Speaker 1>are moments where we're fighting, but that's like for me,

0:17:55.720 --> 0:17:59.600
<v Speaker 1>that video is the perfect example of a complicated relationship.

0:18:00.680 --> 0:18:02.760
<v Speaker 1>How do you argue? I always think it's important in

0:18:02.800 --> 0:18:05.159
<v Speaker 1>relationships that because you are at times not going to

0:18:05.240 --> 0:18:07.840
<v Speaker 1>get along, and I do feel like your style of

0:18:08.040 --> 0:18:10.880
<v Speaker 1>arguing and how you guys communicate during that time is important.

0:18:11.640 --> 0:18:16.960
<v Speaker 1>How do I argue, I'm not. Do I sound like ill? No,

0:18:17.760 --> 0:18:25.359
<v Speaker 1>I'm more like However, I argue it works because I

0:18:26.600 --> 0:18:31.399
<v Speaker 1>and I don't want to say firm down, super firm.

0:18:32.119 --> 0:18:36.320
<v Speaker 1>I don't shut down because I do believe in communication. Um,

0:18:39.160 --> 0:18:42.520
<v Speaker 1>but I do have a way of checking people. You're laughing,

0:18:42.520 --> 0:18:45.879
<v Speaker 1>what are you laughing? On your mind? I'm laughing because

0:18:46.320 --> 0:18:48.960
<v Speaker 1>I'm thinking of reactions. And I do have a good

0:18:49.320 --> 0:18:53.080
<v Speaker 1>because I pay close attention to everything, every detail. I'm

0:18:53.080 --> 0:18:55.879
<v Speaker 1>paying attention to you when you don't even think I am.

0:18:56.000 --> 0:18:58.600
<v Speaker 1>So when when it gets to the point of arguing,

0:18:59.280 --> 0:19:01.560
<v Speaker 1>I'm gonna call you out on things that you did

0:19:01.640 --> 0:19:11.560
<v Speaker 1>not think. So you're an attorney pretty much, so January ninth,

0:19:12.680 --> 0:19:14.919
<v Speaker 1>I'm going to call you out on things that you

0:19:15.040 --> 0:19:17.359
<v Speaker 1>had no idea I even paid attention to because I

0:19:17.359 --> 0:19:20.880
<v Speaker 1>didn't say shit about it before. Is that healthy though?

0:19:20.880 --> 0:19:24.160
<v Speaker 1>Because how to bring things up? And you're like, why

0:19:24.160 --> 0:19:26.320
<v Speaker 1>didn't you bring it up when it happened? Because sometimes

0:19:26.320 --> 0:19:31.440
<v Speaker 1>because sometimes it's not because you know why. I don't

0:19:31.480 --> 0:19:35.760
<v Speaker 1>ever want to be that person that's coming across as

0:19:36.600 --> 0:19:41.800
<v Speaker 1>the mother or the corrector or a judge. So I'm

0:19:41.880 --> 0:19:45.520
<v Speaker 1>not going to correct a grown person every time I

0:19:45.640 --> 0:19:49.120
<v Speaker 1>see them doing something that I don't agree with. I don't.

0:19:49.160 --> 0:19:51.800
<v Speaker 1>I don't think that's healthy because that's not my child,

0:19:52.560 --> 0:19:56.520
<v Speaker 1>you know so, But I I'm gonna pay attention Like

0:19:56.560 --> 0:19:58.920
<v Speaker 1>those are the red flags we'll bother you the most

0:19:59.080 --> 0:20:01.359
<v Speaker 1>in a relationship with whether you're dating somebody but you

0:20:01.560 --> 0:20:04.880
<v Speaker 1>something that you can't stand, whether it's I don't know

0:20:07.080 --> 0:20:12.000
<v Speaker 1>time or is it you said, lack of consistency, lack

0:20:12.040 --> 0:20:16.480
<v Speaker 1>of communication, lack of consistency. I think a very annoying

0:20:16.720 --> 0:20:23.639
<v Speaker 1>thing is um when people play around with my time,

0:20:24.160 --> 0:20:27.160
<v Speaker 1>like if like if we like, if you say a

0:20:27.160 --> 0:20:30.840
<v Speaker 1>certain time, you know, it really irritates me, not only

0:20:30.920 --> 0:20:33.840
<v Speaker 1>from dating, not man, just in general, Like if we

0:20:33.960 --> 0:20:37.840
<v Speaker 1>have a nine am meeting, don't hit me at nine

0:20:38.000 --> 0:20:40.760
<v Speaker 1>forty five and say, oh I can't make it. You

0:20:40.840 --> 0:20:44.680
<v Speaker 1>knew you couldn't make it, probably at eight forty five.

0:20:45.119 --> 0:20:48.000
<v Speaker 1>You played already, right you you knew you couldn't make

0:20:48.040 --> 0:20:52.760
<v Speaker 1>it at eight probably, So that those type of things,

0:20:52.920 --> 0:20:55.680
<v Speaker 1>I agree with that because I always feel like latenist

0:20:55.880 --> 0:20:57.920
<v Speaker 1>is really a disrespect to the other person because in

0:20:58.280 --> 0:21:00.920
<v Speaker 1>certain times not important. Yeah, and that's how I look

0:21:00.920 --> 0:21:02.800
<v Speaker 1>at it. I remember I dated this guy and what

0:21:02.840 --> 0:21:04.920
<v Speaker 1>I did to him, and he never was late again

0:21:04.920 --> 0:21:07.120
<v Speaker 1>after this because he would always be late. And so

0:21:07.280 --> 0:21:09.119
<v Speaker 1>what I did was the next time that we were

0:21:09.160 --> 0:21:11.520
<v Speaker 1>going out, I just went and did something else. And

0:21:11.520 --> 0:21:13.439
<v Speaker 1>then when he called me like thirty forty minute, I

0:21:13.440 --> 0:21:15.119
<v Speaker 1>was like, oh, I didn't think you were coming, right,

0:21:15.400 --> 0:21:17.439
<v Speaker 1>and because you weren't here, so I left and he

0:21:17.480 --> 0:21:21.480
<v Speaker 1>was never late again after that. Yeah. Time is very important. Absolutely.

0:21:21.920 --> 0:21:25.480
<v Speaker 1>Time is like one of the most important things, especially

0:21:25.480 --> 0:21:30.720
<v Speaker 1>when you're a parent, because you plan everything, So I

0:21:30.760 --> 0:21:35.840
<v Speaker 1>think that, yeah, be considerate. What made you focus on

0:21:35.880 --> 0:21:38.439
<v Speaker 1>the last five years as opposed to like your whole

0:21:38.440 --> 0:21:43.440
<v Speaker 1>life of dating experiences as far as the EP, Yeah,

0:21:45.359 --> 0:21:47.399
<v Speaker 1>it wasn't only I'd say it was more so the

0:21:47.480 --> 0:21:52.160
<v Speaker 1>last ten years. Well, because coming out of a marriage,

0:21:52.200 --> 0:21:54.200
<v Speaker 1>you know, I had to give myself time to really

0:21:55.520 --> 0:21:57.720
<v Speaker 1>get ready for dating. You know, I didn't want to

0:21:57.800 --> 0:22:01.760
<v Speaker 1>jump into anything. So once I hit the road, I

0:22:01.880 --> 0:22:04.120
<v Speaker 1>was like, Okay, I'm in it. Let's see, let's see

0:22:04.119 --> 0:22:10.560
<v Speaker 1>what people are doing out here. At first, I don't

0:22:10.600 --> 0:22:14.280
<v Speaker 1>think I was conscious enough to to really pay attention.

0:22:14.600 --> 0:22:18.159
<v Speaker 1>I was just having fun. Yeah, And how was that?

0:22:18.280 --> 0:22:22.439
<v Speaker 1>Is everything? Dating somebody else? When you have in X, right,

0:22:22.760 --> 0:22:25.400
<v Speaker 1>do they always look at your ex like it's insane

0:22:25.560 --> 0:22:30.160
<v Speaker 1>and it's ridiculous And it's been a very large it's

0:22:30.160 --> 0:22:34.679
<v Speaker 1>been a huge hindrance and in a complication, Yes, I

0:22:34.680 --> 0:22:39.560
<v Speaker 1>could imagine it's annoying. Um, if your ex worked at McDonald's,

0:22:39.560 --> 0:22:40.760
<v Speaker 1>I'm sure to be a lot it would be so

0:22:40.880 --> 0:22:46.720
<v Speaker 1>much easier. It'd be so much easier. Um. But some

0:22:46.840 --> 0:22:53.480
<v Speaker 1>guys are a little intimidated and insecure, and some guys

0:22:53.640 --> 0:22:57.000
<v Speaker 1>act like they're not. But they are, and then once

0:22:57.040 --> 0:22:59.040
<v Speaker 1>in a while you'll meet a guy who really does

0:22:59.160 --> 0:23:02.439
<v Speaker 1>not care, who doesn't even really know who the person is.

0:23:02.480 --> 0:23:05.879
<v Speaker 1>And those are the ones. Those you know, those are

0:23:05.880 --> 0:23:08.560
<v Speaker 1>the ones that I like, Yeah, those are the ones

0:23:08.600 --> 0:23:12.200
<v Speaker 1>who who were just like who And I'm like, yeah,

0:23:12.760 --> 0:23:18.879
<v Speaker 1>we're gonna have fun. You open a marriage again. You know,

0:23:21.400 --> 0:23:26.280
<v Speaker 1>marriage can be great. But I think I did it,

0:23:26.600 --> 0:23:32.720
<v Speaker 1>and I'm good on that, um verbatim. I did it.

0:23:35.200 --> 0:23:37.920
<v Speaker 1>It's good when it's good. But I don't know if

0:23:38.040 --> 0:23:42.639
<v Speaker 1>I believe anymore. And no offense to the people that

0:23:42.680 --> 0:23:50.879
<v Speaker 1>are married, same thing. Really, I just you know, I

0:23:50.920 --> 0:23:54.199
<v Speaker 1>don't know if I should even say this, but I

0:23:54.320 --> 0:24:01.240
<v Speaker 1>just feel like as humans, individual souls on a spiritual level,

0:24:02.240 --> 0:24:09.919
<v Speaker 1>that what marriage means to a lot of people kind

0:24:10.080 --> 0:24:18.680
<v Speaker 1>of stunts growth individually as a person. Because if you're

0:24:18.720 --> 0:24:21.960
<v Speaker 1>married to someone that's on the same level with you

0:24:22.080 --> 0:24:25.760
<v Speaker 1>with this, then it's perfect. But if you're married to

0:24:25.800 --> 0:24:30.600
<v Speaker 1>someone that doesn't think that you need to be somewhat

0:24:32.320 --> 0:24:36.040
<v Speaker 1>interactive with another human at some point. Oh so you're

0:24:36.040 --> 0:24:39.640
<v Speaker 1>basically saying you don't believe in monogamy. Absolutely, I do.

0:24:41.119 --> 0:24:44.720
<v Speaker 1>She said no, no, no no, no, no, no, no, no, interact, yes,

0:24:51.000 --> 0:24:58.800
<v Speaker 1>interact in a nice way. No no, yes, yes, like

0:24:59.240 --> 0:25:02.000
<v Speaker 1>just having a conver like for instance, okay, here's a

0:25:02.080 --> 0:25:05.000
<v Speaker 1>perfect example. And I thought this was so dope. I

0:25:05.160 --> 0:25:09.639
<v Speaker 1>recently went to Qatar and not knowing anyone, but wanting

0:25:09.680 --> 0:25:14.160
<v Speaker 1>to do things. My friend connected me with his friend

0:25:15.000 --> 0:25:19.280
<v Speaker 1>who was a married man, but who's also like super cultural,

0:25:19.440 --> 0:25:22.639
<v Speaker 1>like he knows what to do, where to go. He

0:25:22.920 --> 0:25:26.080
<v Speaker 1>literally picked me up. We connected on what'sapp. He picked

0:25:26.160 --> 0:25:28.440
<v Speaker 1>me up, he took me to everywhere I wanted to go.

0:25:28.680 --> 0:25:35.120
<v Speaker 1>He spent the day together, did all these things like restaurants, malls,

0:25:35.160 --> 0:25:38.720
<v Speaker 1>all the stuff. And then he introduced me to his wife,

0:25:39.160 --> 0:25:42.080
<v Speaker 1>and his wife was super cool. I was like, thank

0:25:42.119 --> 0:25:45.000
<v Speaker 1>you so much for letting me borrow your husband. It

0:25:45.200 --> 0:25:49.040
<v Speaker 1>was dope. I don't think a lot of people are

0:25:49.160 --> 0:25:56.080
<v Speaker 1>prepared to understand really that dynamic, that human, that very

0:25:56.320 --> 0:25:59.480
<v Speaker 1>necessary human interaction. What do you think would Gia be

0:25:59.520 --> 0:26:02.240
<v Speaker 1>okay with that envy for you having a tour guy

0:26:04.480 --> 0:26:06.760
<v Speaker 1>guy for being a tour guy for a woman that

0:26:06.960 --> 0:26:09.320
<v Speaker 1>he's never met before. I put myself in that predicament.

0:26:09.400 --> 0:26:12.720
<v Speaker 1>But so no, unless unless I knew the person, Like

0:26:12.840 --> 0:26:17.120
<v Speaker 1>if I know the person personally, then majority of my friends.

0:26:18.240 --> 0:26:20.040
<v Speaker 1>What if it's somebody that I don't know and just

0:26:20.200 --> 0:26:24.280
<v Speaker 1>flying in see not zoon Ye. Yeah, that's different, you

0:26:24.320 --> 0:26:26.080
<v Speaker 1>know what I mean? And it was different. I was

0:26:26.160 --> 0:26:41.320
<v Speaker 1>even I was even like, wow, okay, let me that's hilarious.

0:26:42.200 --> 0:26:44.480
<v Speaker 1>Oh my god. Would you be okay with that with

0:26:44.600 --> 0:26:46.800
<v Speaker 1>somebody you were dating? If he It would have to

0:26:46.920 --> 0:26:49.520
<v Speaker 1>be because if that person you though, he was hitting

0:26:49.560 --> 0:26:53.119
<v Speaker 1>his wife the whole time, And I would want to

0:26:53.160 --> 0:26:57.720
<v Speaker 1>be in a situation with someone that I trust enough

0:26:58.080 --> 0:27:01.159
<v Speaker 1>to go do that. Absolutely, you could trust somebody that

0:27:01.320 --> 0:27:04.200
<v Speaker 1>much that like, is it hard for you to trust? No?

0:27:05.400 --> 0:27:08.000
<v Speaker 1>Because I mean, well, he wouldn't say anyway, right, he

0:27:08.160 --> 0:27:10.399
<v Speaker 1>didn't try to holland no, no, no, no no. But

0:27:10.680 --> 0:27:12.960
<v Speaker 1>people have teld me that men and women can't be friends.

0:27:13.000 --> 0:27:19.640
<v Speaker 1>And I have great male friends and some people. I'm

0:27:19.680 --> 0:27:24.000
<v Speaker 1>also not throwing myself and giving sexual energy to these people.

0:27:24.359 --> 0:27:26.600
<v Speaker 1>You know, like I didn't give him any sexual energy.

0:27:26.760 --> 0:27:29.399
<v Speaker 1>It was like I knew he was married and was

0:27:29.440 --> 0:27:32.359
<v Speaker 1>like I wasn't. I wasn't. I didn't look at him

0:27:32.440 --> 0:27:35.440
<v Speaker 1>that way, right, you know, and thank you for helping him, right.

0:27:35.680 --> 0:27:37.520
<v Speaker 1>And some people also feel like they don't want to

0:27:37.560 --> 0:27:40.480
<v Speaker 1>make new friends either, because I've heard that a million times.

0:27:40.520 --> 0:27:44.560
<v Speaker 1>It's so problematic. That's a random new person culture stuff.

0:27:44.680 --> 0:27:48.440
<v Speaker 1>It's like, no new friends, and how are you gonna

0:27:48.440 --> 0:27:51.560
<v Speaker 1>grow right? You know, how are you gonna evolved? Sometimes

0:27:51.880 --> 0:27:53.800
<v Speaker 1>for friends you might like better than your old friends

0:27:53.840 --> 0:27:57.200
<v Speaker 1>who you obligated to be friends with. The guy that

0:27:57.280 --> 0:27:59.080
<v Speaker 1>picked you up, I mean he has to be you're

0:27:59.080 --> 0:28:03.280
<v Speaker 1>still thinking about no, because if it's like if a

0:28:03.400 --> 0:28:05.400
<v Speaker 1>family member called and said, hey, I have a friend

0:28:05.440 --> 0:28:08.239
<v Speaker 1>coming in town, that means that person means something to you. Yes,

0:28:08.400 --> 0:28:11.480
<v Speaker 1>So that means that that, yes, I would go pick

0:28:11.560 --> 0:28:14.000
<v Speaker 1>them up and do something. Because other than that, I'm

0:28:14.040 --> 0:28:16.800
<v Speaker 1>trying to think if if I would pick somebody up

0:28:16.840 --> 0:28:19.080
<v Speaker 1>that I didn't know, but I would only do that

0:28:19.240 --> 0:28:22.760
<v Speaker 1>if a close friend said he my sister absolutely out

0:28:22.800 --> 0:28:25.200
<v Speaker 1>for her, or if this is by someone so so yeah,

0:28:25.200 --> 0:28:28.160
<v Speaker 1>I can see that happening, but his wife still didn't

0:28:28.200 --> 0:28:30.960
<v Speaker 1>have to agree. You know that's true? Could you? Could

0:28:30.960 --> 0:28:32.680
<v Speaker 1>you deal with a man right now that hasn't done

0:28:32.680 --> 0:28:35.320
<v Speaker 1>any work on himself, like, never done the therapy, not

0:28:35.440 --> 0:28:39.680
<v Speaker 1>on no journey of healing. Nothing. I don't have the

0:28:39.760 --> 0:28:45.200
<v Speaker 1>time or the energy. I have one son. Yeah, you

0:28:45.280 --> 0:28:50.880
<v Speaker 1>think you've been in love again? Yeah? M hmm yeah,

0:28:51.080 --> 0:28:55.480
<v Speaker 1>look at a blushing now seem like even for me now?

0:28:55.560 --> 0:29:00.160
<v Speaker 1>And love is also very different you know. Um, well

0:29:00.160 --> 0:29:02.520
<v Speaker 1>you have a new definition of it. Yeah, okay, what

0:29:02.720 --> 0:29:05.840
<v Speaker 1>is it? Yeah? Um, I think in love is kind

0:29:05.880 --> 0:29:10.560
<v Speaker 1>of like a infatuation. It's very temperate, It's it's a

0:29:10.720 --> 0:29:12.800
<v Speaker 1>it's a I don't want to say temporary. Some people

0:29:12.840 --> 0:29:14.800
<v Speaker 1>do say they're like being married for years and they're

0:29:14.840 --> 0:29:17.040
<v Speaker 1>still in love. But I do kind of think that

0:29:17.240 --> 0:29:24.160
<v Speaker 1>it's um, it could be selfish, it could be very

0:29:24.440 --> 0:29:33.120
<v Speaker 1>um what's the word um? Conditional in love? Like what

0:29:33.240 --> 0:29:35.960
<v Speaker 1>happens if that person does something that doesn't make you

0:29:36.040 --> 0:29:38.920
<v Speaker 1>so happy? Are you still in love with them? You know?

0:29:39.360 --> 0:29:42.000
<v Speaker 1>So for me it's like I when I get into

0:29:42.080 --> 0:29:45.360
<v Speaker 1>these relationships and and the love starts coming into play,

0:29:45.480 --> 0:29:50.240
<v Speaker 1>it's always about will I be able to be okay

0:29:50.360 --> 0:29:53.720
<v Speaker 1>with you even if you do something that I can't stand,

0:29:54.280 --> 0:29:57.880
<v Speaker 1>you know, like I love my son if he does

0:29:57.960 --> 0:30:00.400
<v Speaker 1>something I don't like, I'm still gonna love my son.

0:30:00.920 --> 0:30:02.840
<v Speaker 1>Am I gonna look at you that way? Can we

0:30:02.960 --> 0:30:05.880
<v Speaker 1>get through that? So for me, that is more important

0:30:05.920 --> 0:30:08.720
<v Speaker 1>than being in love. Could you date somebody in the

0:30:08.800 --> 0:30:12.760
<v Speaker 1>industry again, I wouldn't want to. I haven't why not?

0:30:13.320 --> 0:30:16.600
<v Speaker 1>Mm hmm, I know why not hurt, but you wouldn't

0:30:16.680 --> 0:30:18.520
<v Speaker 1>rule it out, he said, you don't know why not

0:30:18.560 --> 0:30:29.000
<v Speaker 1>because you just know why not. And I mean, I'm

0:30:29.800 --> 0:30:32.280
<v Speaker 1>this could apply to everyone in this room because we

0:30:32.360 --> 0:30:36.719
<v Speaker 1>are industry people. Um. I just think that we are

0:30:36.960 --> 0:30:43.600
<v Speaker 1>jaded in a way. UM, we've been over exposed. Um

0:30:45.960 --> 0:30:50.960
<v Speaker 1>a lot of our purity has been tainted. So but

0:30:51.080 --> 0:30:53.800
<v Speaker 1>that's not just this industry. That's in life. I feel

0:30:53.880 --> 0:30:57.920
<v Speaker 1>like music industries or music industry so different, and people

0:30:58.040 --> 0:30:59.800
<v Speaker 1>change as they get older too. I feel like there's

0:30:59.800 --> 0:31:03.560
<v Speaker 1>a time when, yeah, everybody's going wild, and then everybody

0:31:03.600 --> 0:31:06.080
<v Speaker 1>calms down. That's where everybody in therapy now. It seems

0:31:06.080 --> 0:31:09.720
<v Speaker 1>like maybe, like you know, some forbidden fruit wouldn't be bad.

0:31:10.400 --> 0:31:14.240
<v Speaker 1>I'm okay with that. But it's like like you said, though,

0:31:14.280 --> 0:31:16.960
<v Speaker 1>the person just really has to be aware. I think

0:31:17.000 --> 0:31:20.480
<v Speaker 1>we're all aware of our things. It also has a

0:31:20.560 --> 0:31:23.120
<v Speaker 1>change too. You know, you think about when we all

0:31:23.160 --> 0:31:26.360
<v Speaker 1>came up together, right, it was a wild time, that's

0:31:26.400 --> 0:31:31.080
<v Speaker 1>what we seem. There was nothing showing us the other side. Yeah,

0:31:31.400 --> 0:31:33.560
<v Speaker 1>now that's starting to change. You're starting to see that more,

0:31:34.240 --> 0:31:36.840
<v Speaker 1>you know, which is a way better thing. You know, true,

0:31:38.160 --> 0:31:40.160
<v Speaker 1>But yeah, I don't know. It's just something about the

0:31:40.320 --> 0:31:44.680
<v Speaker 1>whole even the word music industry. It's like, I don't

0:31:44.720 --> 0:31:49.120
<v Speaker 1>think I want to anybody in the music industry. Even

0:31:49.280 --> 0:31:51.200
<v Speaker 1>I just said the song forbidden Fruit, Now I read

0:31:52.640 --> 0:31:55.160
<v Speaker 1>that part of that is also somebody told you you

0:31:55.280 --> 0:32:01.680
<v Speaker 1>taste like a sweet fruit? Is that true or false?

0:32:01.960 --> 0:32:05.240
<v Speaker 1>You know everything that I write about is true? Okay? Yeah?

0:32:05.400 --> 0:32:09.520
<v Speaker 1>Where fruit was it? Don't give about your secrets. That's

0:32:09.560 --> 0:32:12.880
<v Speaker 1>a whole other book. I will. I know it is

0:32:12.920 --> 0:32:15.080
<v Speaker 1>a whole other book, and I actually wanted to do

0:32:15.200 --> 0:32:17.280
<v Speaker 1>a whole little thing on it. But I will book

0:32:17.360 --> 0:32:26.800
<v Speaker 1>on forbidden fruit. Know about self care, about how to

0:32:26.920 --> 0:32:31.600
<v Speaker 1>take care of yourself, and you know how to how

0:32:31.680 --> 0:32:38.360
<v Speaker 1>to how to taste good? You know? Um yeah, yeah,

0:32:40.080 --> 0:32:42.600
<v Speaker 1>but lip service I figured that. Yeah, it was so

0:32:42.800 --> 0:32:46.880
<v Speaker 1>much fun. You want to play, but you want to

0:32:46.920 --> 0:32:50.840
<v Speaker 1>play complicated? Complicated. She by the way, first time directing

0:32:50.880 --> 0:32:53.640
<v Speaker 1>a video, yes, so that's huge to make sure after

0:32:53.720 --> 0:32:55.320
<v Speaker 1>you hear the song, go look at the video too,

0:32:55.520 --> 0:32:58.040
<v Speaker 1>if you haven't already. I love it. I didn't want

0:32:58.040 --> 0:33:00.800
<v Speaker 1>to ask one more question about purity though, like what

0:33:01.040 --> 0:33:05.440
<v Speaker 1>is purity? Because I don't feel like anybody can be pure.

0:33:05.720 --> 0:33:07.680
<v Speaker 1>I don't think no human on this planet could ever

0:33:07.800 --> 0:33:12.320
<v Speaker 1>be pures. What is purity to you? I think pure? Well,

0:33:12.600 --> 0:33:15.880
<v Speaker 1>I know purity for me is, like I said, loving

0:33:16.040 --> 0:33:21.640
<v Speaker 1>someone unconditionally, not expecting. I'm just really taking them for

0:33:21.720 --> 0:33:25.800
<v Speaker 1>who they are. Um, not coming down on them every

0:33:25.880 --> 0:33:29.360
<v Speaker 1>time they do something that irritates you, but but learning

0:33:29.480 --> 0:33:35.160
<v Speaker 1>how to manage yourself, you know, checking yourself, why does

0:33:35.240 --> 0:33:39.360
<v Speaker 1>this irritate me? Um? And when you exchange energy with

0:33:39.560 --> 0:33:45.600
<v Speaker 1>someone on that level, that's pure and it's rare real.

0:33:45.920 --> 0:33:49.960
<v Speaker 1>All right, ladies and gentlemen, if you're late, she's going

0:33:50.000 --> 0:33:54.360
<v Speaker 1>to be pure and not come down on you. My god,

0:33:57.120 --> 0:33:58.400
<v Speaker 1>it's the breakfast cloud. Good morning,