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Speaker 1: Nice. Look at the tape on his headphones. Dan, can

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Speaker 1: you get him new headphones? Please? Yeah, you can get

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Speaker 1: him new headphones please. We're the most downloaded new comedy

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Speaker 1: podcast and the host can't have broken headphones. My headphones

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Speaker 1: broken anymore. Daniel has the power through iHeart to send

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Speaker 1: you new headphones. My headphones are no longer broken. If

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Speaker 1: you look, I have this beautiful thing called painters tape.

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Speaker 1: It holds it together. Well, I'm just saying that Daniel

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Speaker 1: has the hookup. Hey, Daniel, you could send me some

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Speaker 1: new headphones, and I appreciate that, but I'm gonna tell

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Speaker 1: you something right now. These are working just fine. But

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Speaker 1: if the people at iHeart feel like I'm just saying,

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Speaker 1: we could not iHeart for all the things they will

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Speaker 1: give us for free, like headphones, I'd be happy to

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Speaker 1: deliver you some headphones. I feel like I should stand

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Speaker 1: on another platform when it comes to things that iHeart

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Speaker 1: can give us for fear. Yeah, I think headphones. I

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Speaker 1: don't think. Yeah, let's think about the things that we

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Speaker 1: should ask iHeart for. Now that we are the number

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Speaker 1: one new downloaded comedy of twenty twenty, yeah, the most

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Speaker 1: downloaded comedy knew of twenty twenty, and I think that

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Speaker 1: makes sense number one, That makes sense number one in

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Speaker 1: that category. Yes, we found a category. We're number one,

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Speaker 1: number one. I don't think we can we can get

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Speaker 1: much free from iHeart, other than the gear to make

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Speaker 1: the podcast, like if your mic broke, or your headphone's broke,

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Speaker 1: or your digital recorder broke. I think the black top broke.

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Speaker 1: I need, I need, I need. I don't think the

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Speaker 1: top and a laptop to make this podcast work. I'm

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Speaker 1: I think it's gonna be a tough sell. I will

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Speaker 1: very fancy bottle of tequila? Have you have you? Did

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Speaker 1: you get your bottle of tequila? I did get my

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Speaker 1: bottle of tequila. I haven't opened it yet. Do you

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Speaker 1: know that's a three hundred dollar bottle of tequila? So

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Speaker 1: sipp it. It's funny. And he also to shoot it.

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Speaker 1: It was a sipp it. It's called sipping tequila, which

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Speaker 1: I didn't know was the thing, but I tried it

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Speaker 1: because I was did you shoot this? Did you shoot

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Speaker 1: the sipping tequila? No? I sipped it because I was

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Speaker 1: told this is very pricey tequila. You sip it, And

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Speaker 1: I sipped it and it was nice. It didn't hurt

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Speaker 1: like tequila usually hurts. Tequila hurts. Maybe when you have

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Speaker 1: a three hundred dollars model, it doesn't hurt so much.

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Speaker 1: You know what we should do? What's that? Since Will

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Speaker 1: is in the giving mood, yes doesn't. Will have a

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Speaker 1: mom named Paulette. Yes, Paulette Will, who is our overlorded

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Speaker 1: eyeheart and made this whole thing happen. His mom, Paulette

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Speaker 1: is a big fan of the podcast, and she's seventy

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Speaker 1: years old, so we're seventy years old. Happy birthday. The

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Speaker 1: fact that you are listening to my loud ass and

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Speaker 1: your seventy first time around the sun is amazing. I

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Speaker 1: hope this makes you day. I hope my loudness right

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Speaker 1: now it's so loud that you're like, whoa, it's my birthday.

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Speaker 1: Oh my god. I wish I had that energy at

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Speaker 1: ten thirty any more. I can't trick enough coffee to

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Speaker 1: have that kind of energy at ten thirty in the morning.

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Speaker 1: I am manufacturing this. What's this is? Once this is done,

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Speaker 1: we're gonna get woozy. You're gonna get I'm gonna get

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Speaker 1: very woozy. I'm gonna get very woozy. I showed Florence

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Speaker 1: trading places. She had never seen it. Oh my god,

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Speaker 1: we can make it, baby, me and you. It's a

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Speaker 1: it's a masterpiece. It really is a masterpiece of a film.

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Speaker 1: But you're wearing later. I remember that part. I do.

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Speaker 1: I remember from Sweden. I just watched it, and it's

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Speaker 1: amazing that dan Ackroyd in blackface didn't thought that he

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Speaker 1: would pass as a as an African American. Man, dude,

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Speaker 1: I told you, man, I certainly that what he says

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Speaker 1: when he walks into the freaking train car, I certainly

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Speaker 1: hope there's more. There's some space on this trend for me.

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Speaker 1: That shit is But the Jamaican accent, I'm laughing at it,

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Speaker 1: and I shouldn't be laughing out of them. Sorry, it's

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Speaker 1: so bad. I mean, it's it's so horrible, But it's

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Speaker 1: just money that in the world of the movie, they

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Speaker 1: they the characters thought that that was gonna fly in

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Speaker 1: the In the world of the movie, the dan ackroid

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Speaker 1: character Lewis Winthorpe, who is who Let's let's let's let's

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Speaker 1: let's just talk about his background. He's probably Ivy League

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Speaker 1: all the way. All he's done is ever done, is

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Speaker 1: Ivy League. When did he go to Jamaica long enough

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Speaker 1: to study how Jamaican people talk? One Act two and

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Speaker 1: picked up the dialect right like when where did he

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Speaker 1: go to school? That he was able to accomplish this,

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Speaker 1: and then not only that, when he was like when

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Speaker 1: they were like, when they were like when they were like, Okay,

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Speaker 1: we need to freak it. It's espionage. We need to

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Speaker 1: figure out a way on the on the train. When

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Speaker 1: we get on the train, we got to figure out

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Speaker 1: a way to get that briefcase. Okay, what do you

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Speaker 1: have that is useful for this situation? And Lewis winthorpe

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Speaker 1: Lewis Ray Louis raises his hand and goes, well, I

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Speaker 1: do a great Jamaican accent. So he hit me in

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Speaker 1: black face. I can get onto this. I can probably

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Speaker 1: get the suitcase, get the funk out of here, And

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Speaker 1: Billy Ray Valentine Eddie Murphy's character was like, yes, I

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Speaker 1: think that black face is probably the best angle for

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Speaker 1: you for this train. Well, he just made me realize

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Speaker 1: something I didn't realize before. Is Dan Ackroyd's character in

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Speaker 1: a costume because it's a it's a sort of a

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Speaker 1: New Year's Eve costume party. No, he's no, because he says,

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Speaker 1: I saw you with the some content, great African. We

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Speaker 1: had great time at the Benbul. So they're not in costume.

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Speaker 1: These people are actually playing. He's an actual Jamaican dude,

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Speaker 1: and Eddie's an African dude, and they met at an

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Speaker 1: African prince for black and a for Jamaican and African people.

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Speaker 1: They're right. But here's here's where I just realized that

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Speaker 1: the movie's a little confusing. Is that all those people

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Speaker 1: get in that train cabin and they're in costume but

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Speaker 1: and it's a costume party on the train, but they're

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Speaker 1: actually not. I mean, that's just a little bout something

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Speaker 1: I didn't realize before. Like they're in fake costumes. There's

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Speaker 1: a costume party on the train, but they could have

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Speaker 1: addressed as anything they could addressed. Why did they have

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Speaker 1: to be such broadcarros. Why did he have to be

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Speaker 1: in black face? Oh no, no, no, because he knows

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Speaker 1: what Winthorpe looks like. Hold on, now, he could have

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Speaker 1: put a mask on though it's a costume party, put

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Speaker 1: a Darth Vader mask on or something like that, and

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Speaker 1: that would have been a rap. Also, the guy in

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Speaker 1: the gorilla costume looks nothing like a gorilla, and yet

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Speaker 1: you're supposed to believe looks enough like a gorilla that

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Speaker 1: everyone's convinced that there's a there's two gorillas. Not only that,

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Speaker 1: but that the other gorilla in there thinks that the

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Speaker 1: person in the gorilla costume is a female gorilla. Holes. Yeah, yeah,

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Speaker 1: all right, there's a couple of holes in the movie.

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Speaker 1: But it's a masterpiece and I love it. So if

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Speaker 1: you've never seen Trading Places, I mean I don't. I

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Speaker 1: can't believe you exist. But if you've never seen Trading Places,

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Speaker 1: my girlfriend hadn't, and uh and she loved it and

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Speaker 1: we had a good laugh. All right, Donald, let's let's

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Speaker 1: start the show. Why don't you, Why don't you give

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Speaker 1: us some numbers that people love to hear? One, two, three, four,

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Speaker 1: Those aren't the numbers, Donald, Map six, seven, eight, about

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Speaker 1: we made about a bunch of docks and nurses, So

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Speaker 1: get around here. Yet around good episode. I remember thinking

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Speaker 1: at the time, this butterfly looked so fake. It looks

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Speaker 1: even faker in twenty twenty. Dude, I'm gonna be honest

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Speaker 1: with you. I just have I have a vague memory

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Speaker 1: of this episode, and so because of that, I felt

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Speaker 1: like when I was watching, I was like, oh, I

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Speaker 1: know what's gonna happen at the end, and then there

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Speaker 1: was that fake out. But then it happens. But then

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Speaker 1: what happened. What I thought it was gonna happen happens.

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Speaker 1: But there's that little fake out there where you're like,

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Speaker 1: oh shit, this is gonna go the other way, It's

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Speaker 1: gonna go the other way, and it doesn't. Yeah, they

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Speaker 1: subvert what you expect, which is good. You like, you know,

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Speaker 1: you don't want your audience guessing the end of the plot,

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Speaker 1: so it's always good to subvert expectations and shake it up.

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Speaker 1: And I thought this was a clever episode, having it

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Speaker 1: go one way in the in the in the first

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Speaker 1: part and the other way in the second. That was clever. Yeah,

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Speaker 1: and then it made me think, you know what I

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Speaker 1: should have I tried to write down all the things

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Speaker 1: that were different. We'll see if we if we if

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Speaker 1: we nail it. But okay, do you have a recap

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Speaker 1: ready for the world. I do. I think it's gonna

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Speaker 1: be a short one to day. I think it's not

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Speaker 1: gonna be as long. All right, you're gonna fuck up

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Speaker 1: the graph, guys, graph, But hold on, let me get

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Speaker 1: my stop watch. I bet you at the end of

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Speaker 1: the day it'll somewhat come back down to that thirty Mark. Okay,

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Speaker 1: here you go, and New Mark gets that go. In

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Speaker 1: this episode, we entered the Scrubs Molti verse, where things

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Speaker 1: are different but the same. Elliott doesn't want to let

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Speaker 1: a little girl down. Turk believes he's found his new

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Speaker 1: lucky charm, and the janitor has an army of custodians

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Speaker 1: hidden in his closet. Oh, man, would I do if

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Speaker 1: I had to do over? Hindsight is twenty twenty, Thank

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Speaker 1: goodness for twenty twenty one. But imagine if at midnight

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Speaker 1: when the ball dropped twenty twenty started all over it. No,

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Speaker 1: by the way, that was exactly thirty seconds, and you

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Speaker 1: had a beautiful little is it a pun there? Twenty

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Speaker 1: twenty Hindsight is twenty twenty, And then in the twenty

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Speaker 1: twenty one head explode emoji? You like that very clever?

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Speaker 1: Was that you or the Ganja coming up with that?

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Speaker 1: This is a ganja. It's a lot of ganja. Was

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Speaker 1: it you in the ganja working in cahuds to come

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Speaker 1: up with that? Little pun. It was a lot of ganja.

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Speaker 1: It was a lot of and when I said it,

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Speaker 1: and when I said it, I said it a while ago.

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Speaker 1: But when I said it, I was like, yeah, I've

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Speaker 1: come up with the new ship. Very clever. Oh you

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Speaker 1: rap artists out there. Yes, Donald was willing to license Welcome.

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Speaker 1: Donald was willing to license his hindsight is twenty twenty,

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Speaker 1: but it's turning twenty twenty one. Thing, the baby you're

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Speaker 1: welcome is the baby a popular rap arts. The baby

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Speaker 1: is fire dude, Holy caw, Look, yo, I was sleeping.

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Speaker 1: He's the one that talks like he's head like, kind

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Speaker 1: of like he got in VOTs kind of wraps me.

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Speaker 1: The baby who the want to talk like? That's the one. Yeah,

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Speaker 1: I got pro I'm cautious. He's seven. I'm cautious. I

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Speaker 1: don't know any of the baby's works from Charlotte. I

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Speaker 1: don't want to describe. His voice is raspy necessarily, but

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Speaker 1: he's got a very deep voice. But but it kind

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Speaker 1: of talked like that. I'm cautious. I can't do it.

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Speaker 1: I can't. I can't do it. A brother justice, But anyway, yo,

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Speaker 1: flavor the baby, the baby, I don't really know the

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Speaker 1: baby's work, but I'm not really I don't really listen

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Speaker 1: to it. If you sit in the car and you

200
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Speaker 1: just want to listen to some stuff, go to your iTunes.

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Speaker 1: You're on iTunes, hit the hip hop thing. It's nothing

202
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Speaker 1: but all of the top hip hop artists. I hit it,

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Speaker 1: and the baby came on and the baby was fine.

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Speaker 1: Right if if you get a chance to watch the

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Speaker 1: video for the song Bop Bop, that's pretty good. Great, Daniel,

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Speaker 1: is that the new computer you built on your work bench? There?

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Speaker 1: It is? This is the new computer I builts. But

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Speaker 1: you can have one of those. Daniel builds computers from scratch.

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Speaker 1: You could have one just like that. Daniel also charges

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Speaker 1: a lot of money for his computers. He's like, you

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Speaker 1: know the difference, Daniel. Listen, here's the difference between Daniel.

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Speaker 1: Who was that spot that used to come from? Daniel's

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Speaker 1: not gonna try and make a lot of money off

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Speaker 1: of you, but it's a lot of time it takes.

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Speaker 1: You gotta pay for his time, cheap bastard. My rates

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Speaker 1: are very competitive, are they? Are they competitive with what's that?

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Speaker 1: What's that? Are they competitive with fries? Absolutely? If you

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Speaker 1: try to get one of these big box stores to

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Speaker 1: build a computer for you. They're gonna be like, well,

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Speaker 1: that's gonna be a pretty penny right there. But I'm

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Speaker 1: happy to help you if you need any But anyway, Donald,

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Speaker 1: if you need a fancy gaming computer, Daniel custom builds

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Speaker 1: and then he and he also he streams what do

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Speaker 1: you call it? You twitch stream? Twitch? Very good? He

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Speaker 1: twitched selling such an old man. He twitched streams building

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Speaker 1: the computer so you could actually have watch your computer

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Speaker 1: being made. That's true. Wow, thank you for the plug. Yeah, everybody,

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Speaker 1: what's your stream? Daniel? If ever you can't ever lie

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Speaker 1: and be like, well I work this much on the computer,

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Speaker 1: can actually sit there and watch? Yeah, you remind people,

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Speaker 1: Daniel what your stream is? Twitch dot TV, slash DJ

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Speaker 1: Underscore Daniel d A n L. Come check, man, if

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Speaker 1: you're doing these kinds of things, you know, I'm sure

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Speaker 1: some of you are. You can watch Daniel and his

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Speaker 1: friends chat while they build computers from scratch. It's pretty cool.

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Speaker 1: Thank you, You're so sweet. Thank you. I know I am.

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Speaker 1: By the way, I got you guys lovely Christmas presents.

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Speaker 1: And Donald's gonna try and say that from both of us.

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Speaker 1: They're not for me. I'm sure Donald's are on the

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Speaker 1: on on their way to your house as well. I'll

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Speaker 1: get his face. I'm gonna be once. I didn't know

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Speaker 1: we were doing gifts this year. Well, I you know,

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Speaker 1: there's no rules. This is our first Christmas together, but

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Speaker 1: I decided to usual Usually we you usually saved gifts

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Speaker 1: for second Christmas. Is No, that's bullshit. That's that's what

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Speaker 1: we're the most number one comedy podcast download new They

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Speaker 1: deserve a present? You want? You want to say that

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Speaker 1: in English? I don't know. I can never say it right,

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Speaker 1: say that adjectives, there's too many adjectives. New number one

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Speaker 1: new common podcast twenty twenty. Yeah, number one, the number

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Speaker 1: one most downloaded new comedy podcasts in twenty twice. All right,

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Speaker 1: let's tell you this episode. Okay, So, first of all,

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Speaker 1: there's an exterior establishing shot of Cox entering the hospital.

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Speaker 1: I told you we shot those. I told you, and

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Speaker 1: I know, and I never we shot them all at once,

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Speaker 1: obviously in the beginning of the show. And I don't

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Speaker 1: think they've ever used this one of Cox entering the

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Speaker 1: hospital in a first time ever seeing that, I've never

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Speaker 1: seed that. So there you go. This a little trivia,

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Speaker 1: And it's weird because then all of a sudden he's

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Speaker 1: in the hospital. If not, why not cut from that

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Speaker 1: into him entering the hospital? Why cut from that into

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Speaker 1: you guys already on the first floor or I mean

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Speaker 1: the third floor, walking doing your round. I don't know,

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Speaker 1: it's weird. Those shots are always weird, those establishing shots.

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Speaker 1: I don't know why they use them. I mean, it's

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Speaker 1: not even the same hospital. It's they're just they're they're odd.

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Speaker 1: But I guess they have to remind people who are

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Speaker 1: in a hospital, so they cut to a big shot,

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Speaker 1: big wide shot of hospital, or that at that, or

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Speaker 1: that the people don't live there and that they arrived there.

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Speaker 1: I guess. I don't know. At forty five seconds, you say, dude,

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Speaker 1: too deep, which we which I told you the origin

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Speaker 1: of too Deep, but will remind the audience. I had

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Speaker 1: no idea it made the show. I had no idea.

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Speaker 1: This was probably something that you were like, YO say

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Speaker 1: too deep. Well, too Deep had become a running joke

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Speaker 1: with us, because as as as fans of the podcast recalled,

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Speaker 1: my brother and I were once superstoned and we were

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Speaker 1: walking up the stairs and he put sneaking in, sneaking

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Speaker 1: and sneaking in late and he put his finger in

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Speaker 1: my butt cheeks. No, I mean your butth hole. Well, yeah,

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Speaker 1: I had pants on. I don't want anyone to think

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Speaker 1: like we were like walking up the stairs naked and

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Speaker 1: I and I and I turned back to him and

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Speaker 1: I said, instead of saying, dude, what the fuck are

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Speaker 1: you doing, I said, dude, too deep? And we both

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Speaker 1: started just belly laughing at the fact that it wasn't

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Speaker 1: that I was object objecting to the touch. It was

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Speaker 1: that the touch had gone too deep. Yeah, because it's like, look,

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Speaker 1: I'm trying to get We're trying to get in here quietly. Yeah,

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Speaker 1: and you're distracting me by sticking your finger too deep.

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Speaker 1: Later on, fine, now not the time, No, No, I disagree.

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Speaker 1: I think my analysis was. What was funny about it

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Speaker 1: was that it was saying, I'm not I don't mind

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Speaker 1: that you put your fingers between my cheeks, but this

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Speaker 1: time you've gone too deep. Anyway, this stupid joke became

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Speaker 1: a running gag between me and Donald and UH and

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Speaker 1: finally made it to Scrubs on in season three episode

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Speaker 1: what Is It three sixteen, Wow took a few years,

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Speaker 1: but Power Rangers, I have no knowledge of the packet.

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Speaker 1: I was going to ask you about that. I was like,

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Speaker 1: what do you know about the Power Rangers? Obviously you

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Speaker 1: know nothing because Power Rangers ho does not exist. Power Rangers,

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Speaker 1: how Rangers, whatever age they were intended for, it was

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Speaker 1: not me because I have no knowledge of the Power Rangers. Joel,

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Speaker 1: where they your age Ranger? The very first costume I

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Speaker 1: got to pick up for myself for Halloween was the

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Speaker 1: Ranger can't really and it was amazing. Yeah, you yeah,

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Speaker 1: to choose you had. Can you explain to me basically

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Speaker 1: the lore of that? What is their story? Yeah, they're

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Speaker 1: high school students, the whole of Ye, here's a very

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Speaker 1: fun nerd out, behind the scenes lore of how the

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Speaker 1: show got made for in America. But we're gonna sky

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Speaker 1: step that for five teenagers at school. Basically, aliens came

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Speaker 1: to Earth. There's one good alien he like gives them

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Speaker 1: some powers. When they team up, they can make a

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Speaker 1: big giant droid allah like Transformers. Uh, they're friends. They

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Speaker 1: do some karate, they hang out in the desert, they

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Speaker 1: ride motorcycles. They're the epitome of cool. But it was

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Speaker 1: very b right it was kind of done like a

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Speaker 1: B movie. No, very very very like the epitome of

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Speaker 1: uh uh syndicated show. Like you know, if you there

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Speaker 1: was the network shows and then there were the syndicated

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Speaker 1: shows that you made strictly for syndication. You would go

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Speaker 1: away and shoot like a crap ton of them. It

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Speaker 1: wasn't necessarily on an on any network. Just networks would

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Speaker 1: buy it and then they would use it as fillers,

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Speaker 1: like like a B sci fi movie. Yeah, well, I mean,

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Speaker 1: my my, there's a hole. There's a whole bunch of

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Speaker 1: things that are attached to this. But yeah, sure you

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Speaker 1: could call it a B sci fi movie. It's crazy

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Speaker 1: to me. Was there an Asian influence to it? Well, yeah,

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Speaker 1: it was a bunch of Asian car It was Asian

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Speaker 1: television shows that they and for something like if you

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Speaker 1: notice everything comes in five in uh in anime, right,

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Speaker 1: So like you know Voltron with five cats, uh you

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Speaker 1: know G four's five people. You know it goes it's

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Speaker 1: it's like that. And so when the television shows, you

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Speaker 1: have a bunch and it's always colorful too, like there's

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Speaker 1: the red one, there's a green one, there's a white one.

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Speaker 1: So there's a bunch of uh shows. Uh is it

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Speaker 1: from Japan? Yeah, I guess right, Japan. There are a

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Speaker 1: bunch of shows from Japan where there are different characters,

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Speaker 1: but for some reason, they always dress in green, yellow, red, blue,

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Speaker 1: and black. Right, And so now you have all of

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Speaker 1: these different shows out there that you could and and

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Speaker 1: and for some reason they always transform into a giant

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Speaker 1: robot and fight in the city. Also, right, that's the

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Speaker 1: show has an Asian influence, is what you're saying. It

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Speaker 1: was the Asian TV shows and SUPERCENTI. Yeah, Supercentai. It

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Speaker 1: was part of the Superhero Time programming block with Common Rider.

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Speaker 1: All right, Well I totally missed this. I just remember

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Speaker 1: them fighting really ridiculous looking monsters putties, good times, really good.

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Speaker 1: All right, So it's the Butterfly episode for those of

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Speaker 1: you who are following along talking about the butterfly effect

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Speaker 1: and how one moment can change everything. And uh, just

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Speaker 1: a little little moment of decor from the design department

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Speaker 1: when when Elliott first entered, here's the little girl's room

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Speaker 1: that she's helping. There's butterfly decorations all over the walls.

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Speaker 1: Did you notice that, Tom, I did not notice that

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Speaker 1: little subtle thing. You're looking for your Tabasco do Rag

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00:20:13,160 --> 00:20:16,879
Speaker 1: because it's your lucky Tabasco surgical do rag. And we

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Speaker 1: see what happens if he doesn't have his Tabasco do Rag.

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Speaker 1: Rando will pop out of a patient's body and punch

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Speaker 1: Turk into ding Ding. So he needs to find that

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Speaker 1: do Rag. Do you think Todd wants to fuck Turk?

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Speaker 1: I think so, yes, yeah, I mean this is the

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Speaker 1: first episode where it really kind of came out that

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Speaker 1: if not fuck, if not fuck, he wants to at

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Speaker 1: least see his penis and put it on his face,

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Speaker 1: like there's there's his penis and just like rest on

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Speaker 1: it on his face. Yeah, just lie it down, Yeah,

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Speaker 1: just lie down, lie Turk's penis, drape it, drape it,

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Speaker 1: drape it, drape it. Drape his cock on your face.

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Speaker 1: Yeah no, no, not on not on Turk's face. He

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Speaker 1: wants Turk to drape his cock on his face. Okay,

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Speaker 1: face either way, they wants they want cock. He wants

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Speaker 1: cock drapage. Yes, I am. There's two moments early on

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Speaker 1: the show where I'm like, Todd wants to fuck Turk, Like,

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Speaker 1: I mean, we've already established that he's you know, bisexual

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Speaker 1: and open to lots of things. And he clearly is

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Speaker 1: reaching into your ass. And I don't know, there's just

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Speaker 1: lots of He doesn't want me to wear underwear. He's like,

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Speaker 1: I don't ever wear underwear. He talks about not you know,

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00:21:30,359 --> 00:21:34,399
Speaker 1: he's very into, very into your your growing. So, like

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Speaker 1: I said, he wants to put it on his face.

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Speaker 1: Now what is it? Do? So are the surgical things

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Speaker 1: you wore did did they call those do rags? I

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Speaker 1: don't know. Okay, Now the classic like do rag, the

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Speaker 1: black one that you see like men wearing in the city.

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Speaker 1: What's the point of that? This city is so funny, dude,

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Speaker 1: But but you don't see them too many two rags

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Speaker 1: in South Orange, New Jersey. Is yeah, I could show

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Speaker 1: you some white boys with waves. Boy, I'm telling you

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00:22:05,040 --> 00:22:08,239
Speaker 1: right now, it's all. It's all. I'm asking you what

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Speaker 1: the I'm asking you a not a jokey question of

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Speaker 1: the satiny one that you see like all the time.

399
00:22:14,640 --> 00:22:17,600
Speaker 1: It's to lay the hair flat, right, and it gets

400
00:22:17,640 --> 00:22:20,960
Speaker 1: so flat that it starts to get wavy, right, and

401
00:22:21,000 --> 00:22:24,280
Speaker 1: so you put a do rag on to maintain these

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Speaker 1: waves after you brush your hair. I see, Okay, and

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Speaker 1: and the surgical thing was obviously just to keep your

404
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Speaker 1: hair out. But I was wondered, if you if I

405
00:22:32,680 --> 00:22:35,120
Speaker 1: wondered if they really called them what they really called them,

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00:22:35,119 --> 00:22:36,440
Speaker 1: the surgeons called them, if they called them to do

407
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Speaker 1: rags or we just called it duc Well, it could

408
00:22:37,960 --> 00:22:39,720
Speaker 1: be a drag. I mean, I mean it. All it

409
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Speaker 1: is is a rag that gets moist enough after you've

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Speaker 1: brushed your hair to make your hair do wavy things.

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Speaker 1: I see, all right, see ill learned something. You're all

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Speaker 1: learning something here on the podcast. So there's two pairs

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Speaker 1: of breasts early on in the show, right, there's a

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00:22:53,840 --> 00:22:56,040
Speaker 1: large pair of female breasts that are out, and then

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Speaker 1: there's a pair of men's breasts, a man who has

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00:22:59,440 --> 00:23:02,199
Speaker 1: sort of is heavy set enough to have breasts. This

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Speaker 1: is one of those moments where I feel like awkward

418
00:23:05,119 --> 00:23:07,840
Speaker 1: thinking of the casting where they're like, put a call

419
00:23:07,880 --> 00:23:13,600
Speaker 1: out for men with male breasts. I made it. The

420
00:23:13,680 --> 00:23:15,879
Speaker 1: day exists and they know they exist. Why would it

421
00:23:15,920 --> 00:23:18,560
Speaker 1: be awkward. It's just you know, the guy shows up

422
00:23:18,600 --> 00:23:21,040
Speaker 1: that morning and he's having coffee and he's so you

423
00:23:21,080 --> 00:23:23,520
Speaker 1: don't gotta feel sorry for nobody. He's getting paid money.

424
00:23:23,560 --> 00:23:25,320
Speaker 1: He was like, yo, you know. I'm I'm playing a

425
00:23:25,359 --> 00:23:27,679
Speaker 1: dude with the boobs. I'm gonna doude with the boobs

426
00:23:27,520 --> 00:23:30,439
Speaker 1: that he's sipping his coffee. I'm sharing. I'm just sharing

427
00:23:30,480 --> 00:23:34,200
Speaker 1: with you. Whenever there's these moments in anything, in any film,

428
00:23:34,280 --> 00:23:36,000
Speaker 1: even TV show, I have nothing to do with it it.

429
00:23:36,080 --> 00:23:37,919
Speaker 1: I'm always a little like, oh, man, Like I had

430
00:23:37,960 --> 00:23:39,520
Speaker 1: to come to work. He's like, yeah, hi, I'm the

431
00:23:39,640 --> 00:23:42,760
Speaker 1: large breasted male and they're like, okay, right here, sir.

432
00:23:43,240 --> 00:23:45,400
Speaker 1: And then when he got the check and got the Xbox,

433
00:23:45,440 --> 00:23:49,520
Speaker 1: he was like, best day. Hey. And if he liked women,

434
00:23:49,560 --> 00:23:51,280
Speaker 1: he got to spend the day next to a woman

435
00:23:51,359 --> 00:23:54,199
Speaker 1: with giant breasts and talk to her, so maybe that

436
00:23:54,240 --> 00:23:55,920
Speaker 1: was nice for him. And if he was an actor,

437
00:23:55,960 --> 00:23:58,720
Speaker 1: he was on scrubs. Yeah, that's true. By the way

438
00:23:58,760 --> 00:24:01,359
Speaker 1: you say regarding her breast, you say, look at them

439
00:24:01,359 --> 00:24:08,359
Speaker 1: all snugly and safe and whatnot. I thought that was

440
00:24:08,400 --> 00:24:14,800
Speaker 1: the funniest way for a man to to ogle. I

441
00:24:14,840 --> 00:24:17,440
Speaker 1: say both every time I get every time this word

442
00:24:17,480 --> 00:24:19,399
Speaker 1: comes to my brain, and I wonder if it's ogle

443
00:24:19,480 --> 00:24:23,960
Speaker 1: or ogl you at home? Is it agl or ogl? Oh?

444
00:24:23,960 --> 00:24:27,760
Speaker 1: Thank you? I was pretending like I heard them. Donald,

445
00:24:28,800 --> 00:24:30,720
Speaker 1: let me try it again you at home? Is it

446
00:24:30,800 --> 00:24:34,800
Speaker 1: agl or ogl? Oh? Thank you? You know it was

447
00:24:34,840 --> 00:24:38,720
Speaker 1: a big hit, But us saying people's names who don't

448
00:24:38,800 --> 00:24:41,280
Speaker 1: usually get their names said, oh really, A lot of

449
00:24:41,320 --> 00:24:43,480
Speaker 1: people were happy. They were like, you said that name.

450
00:24:44,040 --> 00:24:47,199
Speaker 1: Let's pick. Let's all pick a really random name that

451
00:24:47,240 --> 00:24:49,200
Speaker 1: doesn't often get said and say hi to that. Yeah.

452
00:24:49,240 --> 00:24:52,000
Speaker 1: Because I said talk, I was like tick and talk

453
00:24:52,280 --> 00:24:54,800
Speaker 1: and somebody's name was actually talk and they were like,

454
00:24:54,880 --> 00:24:57,199
Speaker 1: thank you for saying my name. Nobody ever says my name.

455
00:24:57,240 --> 00:24:59,480
Speaker 1: Are each gonna say hello to a random name that

456
00:24:59,560 --> 00:25:02,239
Speaker 1: isn't Renny? I'm gonna go first, Wait, don't make up,

457
00:25:02,240 --> 00:25:04,160
Speaker 1: don't make up some bullshit and be no, no, it's

458
00:25:04,160 --> 00:25:06,159
Speaker 1: gonna be your real name. It's just not that common

459
00:25:06,200 --> 00:25:13,960
Speaker 1: in name. Hey, Clarence, how are you? Thanks for listening? Donald, Apple,

460
00:25:14,640 --> 00:25:21,119
Speaker 1: Blue Armenia. I said one name, and you said hello

461
00:25:21,160 --> 00:25:24,399
Speaker 1: to Chris Martin Asidge. I don't know if Chris Martin's

462
00:25:24,480 --> 00:25:28,760
Speaker 1: child listens to the show, but I hope. Okay, Juel, Juel,

463
00:25:28,840 --> 00:25:33,200
Speaker 1: you're up, good morning. Stop let you well go go ahead, Joel,

464
00:25:34,280 --> 00:25:38,119
Speaker 1: Good morning, Amara, Amara, how are you welcome? Thanks for listening.

465
00:25:38,200 --> 00:25:44,080
Speaker 1: Daniel Shanika Yo Shanka. Daniel, go ahead, I will say

466
00:25:44,080 --> 00:25:52,240
Speaker 1: good morning to my friend. If he shakuda, if Jamila, Jamila, Okay,

467
00:25:52,800 --> 00:25:56,840
Speaker 1: jam Jachim. All right, everybody, welcome to the show. Thanks

468
00:25:56,880 --> 00:26:00,240
Speaker 1: for listening. The banjo Fantasy I people are I'll be

469
00:26:00,280 --> 00:26:02,480
Speaker 1: polarized on the banjo, but I love the banjo. I

470
00:26:02,560 --> 00:26:10,080
Speaker 1: think the banjo makes everything better. Dan, I mean, it's

471
00:26:10,119 --> 00:26:11,960
Speaker 1: hard not to like a banjo. In my personal opinion,

472
00:26:12,000 --> 00:26:14,560
Speaker 1: the banjo always makes me smile and it's great. I

473
00:26:14,720 --> 00:26:16,560
Speaker 1: love it. Every time I hear it in the score,

474
00:26:16,640 --> 00:26:18,520
Speaker 1: I love it. I just love banjo. Do you know

475
00:26:18,600 --> 00:26:20,119
Speaker 1: what I think? Do you know what I think of

476
00:26:20,240 --> 00:26:23,720
Speaker 1: when I hear banjo, Steve Martin? I think it's Steve Martin.

477
00:26:23,880 --> 00:26:27,920
Speaker 1: Every time I hear banjo, Steve Martin, Steve Martin, you

478
00:26:28,080 --> 00:26:31,960
Speaker 1: made banjo so happy for me. Yeah, thank you. You

479
00:26:32,040 --> 00:26:33,960
Speaker 1: may not know this if you're listening, but Steve Martin

480
00:26:34,040 --> 00:26:38,520
Speaker 1: is an excellent banjo player, and like that was his

481
00:26:38,680 --> 00:26:40,920
Speaker 1: act back in the day. He would come on stage

482
00:26:40,960 --> 00:26:43,879
Speaker 1: with a banjo. I loved Mumford and the Sons, and

483
00:26:44,280 --> 00:26:46,560
Speaker 1: then they got a lot of shit for like having

484
00:26:46,640 --> 00:26:48,760
Speaker 1: so much banjo, and then sudden they put out an

485
00:26:48,760 --> 00:26:51,000
Speaker 1: album without the banjo, and I missed the banjo. I

486
00:26:51,080 --> 00:26:56,399
Speaker 1: was like, where's the banjo? You know what I'm saying? Donald?

487
00:26:58,080 --> 00:27:01,760
Speaker 1: I do you never heard him? Joe and that? Are you?

488
00:27:02,000 --> 00:27:04,119
Speaker 1: Are you freaking kidding me? I've never heard of Mumfet

489
00:27:04,160 --> 00:27:06,359
Speaker 1: and Son. I don't know. You might be listening to

490
00:27:06,520 --> 00:27:10,440
Speaker 1: the Baby. I do like the Baby, but I do

491
00:27:10,560 --> 00:27:14,960
Speaker 1: like Mumfort and Song. You know what? Do you know what? Well?

492
00:27:15,040 --> 00:27:16,879
Speaker 1: You know? Do you know? Do you know? Speaking of

493
00:27:16,960 --> 00:27:19,320
Speaker 1: Mumfort and Sons, this guy sounds a little bit like

494
00:27:19,480 --> 00:27:22,200
Speaker 1: them to me. Uh and maybe it's just he only

495
00:27:22,280 --> 00:27:25,600
Speaker 1: has one really big He was an American idol Philip Phillips. No,

496
00:27:25,920 --> 00:27:33,920
Speaker 1: you're not alone. This is the place your home. Settle down,

497
00:27:36,160 --> 00:27:43,480
Speaker 1: it all all be clear. Don't pay attention to demons.

498
00:27:43,560 --> 00:27:49,800
Speaker 1: They feel you with feet turned down down and down down, down, down,

499
00:27:49,880 --> 00:27:53,920
Speaker 1: down down. That's that's my Are you never you don't?

500
00:27:54,160 --> 00:27:57,960
Speaker 1: This is on every way? Hold on? I'm sorry? Is

501
00:27:58,000 --> 00:28:02,679
Speaker 1: that American idol? Are you American? I'm American? Yes, yes

502
00:28:02,760 --> 00:28:05,360
Speaker 1: I am. I want because I don't want? That isn't?

503
00:28:05,520 --> 00:28:08,959
Speaker 1: That is probably the most American played song other than

504
00:28:09,480 --> 00:28:13,600
Speaker 1: That's everywhere other than the Starspangel Banner, Philip Phillips and

505
00:28:13,760 --> 00:28:16,760
Speaker 1: no you're not alone your home. That shit has played

506
00:28:16,920 --> 00:28:26,360
Speaker 1: all the time everywhere. I've never heard. Oh that we've

507
00:28:26,359 --> 00:28:29,800
Speaker 1: probably lost listeners. Come back, listeners, I can come back.

508
00:28:30,200 --> 00:28:36,200
Speaker 1: I can feel people going fuck this episode? Why because

509
00:28:36,200 --> 00:28:39,080
Speaker 1: I say, Philip Phillips, It's just too much and too loud.

510
00:28:39,240 --> 00:28:43,160
Speaker 1: I'm like, my ears hurt, and I love you. Your

511
00:28:43,200 --> 00:28:45,040
Speaker 1: ears don't hurt. I got this shit turned all the

512
00:28:45,120 --> 00:28:50,600
Speaker 1: way down, guys, so sorry, I'm speaking of ears hurting. Daniel,

513
00:28:51,480 --> 00:28:53,800
Speaker 1: how dare you stifle me and turn me down on

514
00:28:53,960 --> 00:28:56,560
Speaker 1: the headphone Listen, I'm listening to the show, and now

515
00:28:56,640 --> 00:28:59,760
Speaker 1: you're turning me down. You're turning me down and turning

516
00:28:59,800 --> 00:29:04,040
Speaker 1: me down, turning me down. People run with you in

517
00:29:04,160 --> 00:29:07,040
Speaker 1: their ears. It's too much. You're blowing people out. If anything,

518
00:29:07,120 --> 00:29:09,840
Speaker 1: it makes them run faster. Man, with somebody else, that's

519
00:29:10,280 --> 00:29:15,120
Speaker 1: that's that's that's instinctual. When you're when you hear somebody else,

520
00:29:15,360 --> 00:29:18,360
Speaker 1: your instinct is to pick up the pace and then

521
00:29:18,440 --> 00:29:22,200
Speaker 1: you wall shit, I better run faster. I'm helping people, man,

522
00:29:22,240 --> 00:29:24,840
Speaker 1: I'm helping people. Don't be mad at me. I'm helping you.

523
00:29:25,000 --> 00:29:30,200
Speaker 1: I'm helping you and you, guys, you are too loud sometimes,

524
00:29:30,280 --> 00:29:33,200
Speaker 1: and so Daniel is our safeguard against hurting people's ears.

525
00:29:33,760 --> 00:29:35,880
Speaker 1: And let's talk about my followers. Man, what the fuck

526
00:29:36,000 --> 00:29:39,800
Speaker 1: is guys? What's going on? I love all of you

527
00:29:39,960 --> 00:29:41,880
Speaker 1: that are following me now. I love you so much.

528
00:29:41,960 --> 00:29:44,680
Speaker 1: We did it. We did it. We did it. We

529
00:29:44,880 --> 00:29:48,080
Speaker 1: did it, We did it. What do we do? What

530
00:29:48,200 --> 00:29:51,200
Speaker 1: do we do? We? I gained since this podcast, I

531
00:29:51,280 --> 00:29:57,040
Speaker 1: gained over one hundred and something thousand. Wow. That's huge.

532
00:29:57,440 --> 00:29:59,360
Speaker 1: Thank you, thank you very much. And I'd hate to

533
00:29:59,400 --> 00:30:02,120
Speaker 1: sound like an asshole, but it's not enough. It's not enough.

534
00:30:02,400 --> 00:30:04,600
Speaker 1: I know I'm an asshole. I'll be the asshole. I'll

535
00:30:04,640 --> 00:30:07,000
Speaker 1: be the asshole. It's not the best look to grovel

536
00:30:07,120 --> 00:30:09,320
Speaker 1: for followers. They love you and people will follow you.

537
00:30:09,800 --> 00:30:13,000
Speaker 1: Everybody Donald, I want, I want, I want more, I

538
00:30:13,120 --> 00:30:16,120
Speaker 1: need more. All right, let's circle back and the words

539
00:30:16,160 --> 00:30:20,680
Speaker 1: of Sharpay from high school musical. I need, I need,

540
00:30:21,480 --> 00:30:27,640
Speaker 1: I need, I need, I need, I need, I want

541
00:30:27,840 --> 00:30:35,760
Speaker 1: fabu less, I want fastbut less too much? Did I

542
00:30:35,800 --> 00:30:37,600
Speaker 1: go too far? We got to talk about this show?

543
00:30:38,080 --> 00:30:47,840
Speaker 1: Oh okay, I've had my moments. Let's take a break.

544
00:30:47,920 --> 00:30:56,720
Speaker 1: We'll be right back after these fine words. Let's go

545
00:30:56,800 --> 00:31:02,480
Speaker 1: back to the show. So JD has made a homemade

546
00:31:02,560 --> 00:31:06,120
Speaker 1: dolls of Cox and JD. We learn he made action figures,

547
00:31:06,400 --> 00:31:12,720
Speaker 1: action figures. He's acting out JD and Cox together at home. Yes,

548
00:31:14,000 --> 00:31:17,400
Speaker 1: and Harold dream is coming true. Apparently, Kelso has said

549
00:31:17,520 --> 00:31:23,680
Speaker 1: to Turk quote, homeboy, get your kuettomobile off the road, Yes,

550
00:31:24,280 --> 00:31:33,600
Speaker 1: right before Yes. Yes. Also, Carla eats couch candy on

551
00:31:33,760 --> 00:31:36,760
Speaker 1: the low. Yeah, Bill does that. Bill was the kind

552
00:31:36,760 --> 00:31:39,040
Speaker 1: of guy that you'd pass the candy bar and he'd

553
00:31:39,040 --> 00:31:41,240
Speaker 1: be like, oh, and it would be open and he'd

554
00:31:41,280 --> 00:31:43,560
Speaker 1: eat it. He has no I mean nowadays, I'm sure

555
00:31:43,600 --> 00:31:45,840
Speaker 1: he's changed his ways, but I remember always being grossed

556
00:31:45,880 --> 00:31:48,400
Speaker 1: out about him. He would just he had no German

557
00:31:48,480 --> 00:31:51,280
Speaker 1: fears and would just grab although this is I don't know.

558
00:31:51,320 --> 00:31:52,920
Speaker 1: Would you eat a Snickers bar if you found in

559
00:31:53,000 --> 00:31:56,600
Speaker 1: the couch and with half open nowadays? No, No, But

560
00:31:56,680 --> 00:32:00,680
Speaker 1: I mean like in normal times, yeah, you might be

561
00:32:00,840 --> 00:32:05,440
Speaker 1: like someone in my family. Yeah. I mean, you know, uh,

562
00:32:05,880 --> 00:32:07,920
Speaker 1: you know when shit changes when you have kids and

563
00:32:08,080 --> 00:32:11,120
Speaker 1: you see them eating stuff and then you look at

564
00:32:11,200 --> 00:32:14,040
Speaker 1: it and you know that that could be a cold

565
00:32:14,480 --> 00:32:17,560
Speaker 1: or the flu or whatever it is that they caught

566
00:32:17,600 --> 00:32:19,960
Speaker 1: at school and you're looking at them eating and they're like,

567
00:32:20,040 --> 00:32:21,960
Speaker 1: I'm not going to eat anymore, but it's something you

568
00:32:22,080 --> 00:32:24,480
Speaker 1: want to eat. That's when you're playing roulette, you know

569
00:32:24,520 --> 00:32:26,320
Speaker 1: what I mean. That's when it's like, all right, here

570
00:32:26,400 --> 00:32:30,240
Speaker 1: we go. Yeah, because your kids are little germ factories, right, absolutely.

571
00:32:30,720 --> 00:32:34,040
Speaker 1: I have a question about the do rag Yeah, just

572
00:32:35,440 --> 00:32:38,760
Speaker 1: you know, so it's clear Turk obviously has superstitions and

573
00:32:39,120 --> 00:32:43,120
Speaker 1: holds lucky charms you know, as uh, you know, as

574
00:32:43,240 --> 00:32:45,880
Speaker 1: value and stuff. But do you guys have anything like that?

575
00:32:45,960 --> 00:32:48,360
Speaker 1: Do you guys have silly superstitions? I know, Zach, you

576
00:32:48,400 --> 00:32:50,640
Speaker 1: were talking about how when you were younger you had

577
00:32:50,720 --> 00:32:53,720
Speaker 1: OCD and that's kind of like a superstition. Do you

578
00:32:53,800 --> 00:32:57,480
Speaker 1: still have that going out? Well, I don't just like

579
00:32:57,600 --> 00:33:00,640
Speaker 1: O c D in a sense, I have little superstitions

580
00:33:00,720 --> 00:33:03,840
Speaker 1: that I just go, well, I think it's ridiculous, but

581
00:33:04,000 --> 00:33:06,480
Speaker 1: just to be saved, I'm not gonna walk under a

582
00:33:06,560 --> 00:33:10,080
Speaker 1: ladder stuff like that, or like like I was told

583
00:33:10,160 --> 00:33:11,840
Speaker 1: when I was a kid that putting a hat on

584
00:33:11,920 --> 00:33:14,200
Speaker 1: the bed is bad luck. Yeah, I still don't do that.

585
00:33:14,280 --> 00:33:16,040
Speaker 1: I saw that in a moment. I don't let any

586
00:33:16,120 --> 00:33:18,880
Speaker 1: hats on the bed. I was a drug store cowboy, right,

587
00:33:19,080 --> 00:33:22,480
Speaker 1: I don't open umbrellas inside the house. Wasn't that Kelly

588
00:33:22,560 --> 00:33:26,239
Speaker 1: Lynch drug store cowboy that said that cowboy? Is that right?

589
00:33:26,560 --> 00:33:28,240
Speaker 1: I don't know. I just know that I don't do it.

590
00:33:28,320 --> 00:33:30,760
Speaker 1: Do you have any superstitions? You don't do things you

591
00:33:30,800 --> 00:33:34,760
Speaker 1: don't do. Let me see if you broke a mirror,

592
00:33:34,800 --> 00:33:37,360
Speaker 1: would you think you seven years bad luck? I try

593
00:33:37,440 --> 00:33:39,000
Speaker 1: my well, I try my heart. It's not to break

594
00:33:39,040 --> 00:33:41,560
Speaker 1: marriage because of that. Yeah, I don't want to break

595
00:33:41,600 --> 00:33:47,880
Speaker 1: a mirror, Daniel, what about you? Yeah? You know, I

596
00:33:48,000 --> 00:33:50,040
Speaker 1: think subconsciously in the back of my head, I'm like, oh,

597
00:33:50,240 --> 00:33:52,400
Speaker 1: don't walk under that ladder. But I don't think in

598
00:33:52,480 --> 00:33:54,040
Speaker 1: my heart of hearts, I would believe it if I

599
00:33:54,120 --> 00:33:57,720
Speaker 1: walked under a ladder and was like fuck bad luck. No,

600
00:33:57,880 --> 00:33:59,880
Speaker 1: I don't really believe it. But like I there's a

601
00:34:00,040 --> 00:34:01,320
Speaker 1: part of me and like I said, and I think

602
00:34:01,320 --> 00:34:04,000
Speaker 1: it made circle back to my ocdnis where I'm just like, well,

603
00:34:04,160 --> 00:34:06,080
Speaker 1: just to be safe, I'm not gonna walk out on

604
00:34:06,080 --> 00:34:08,160
Speaker 1: the ladder. Yeah, don't you also feel like as a

605
00:34:08,239 --> 00:34:10,600
Speaker 1: theater kid though, like theater, kid, I thought that hell

606
00:34:10,680 --> 00:34:15,160
Speaker 1: of superstitions, like I'll leave the ghost slide eye. They

607
00:34:15,160 --> 00:34:18,360
Speaker 1: don't say Macbeth in the theater, yeah, I will always

608
00:34:18,360 --> 00:34:19,920
Speaker 1: say break a leg that I mean, you know, there's

609
00:34:19,960 --> 00:34:23,040
Speaker 1: no there's no, there's certainly no g l in the theater.

610
00:34:23,320 --> 00:34:26,239
Speaker 1: Never you don't see that. You don't say McBeth in

611
00:34:26,320 --> 00:34:29,000
Speaker 1: the theater. That's considered huge bad luck. So you say

612
00:34:29,120 --> 00:34:34,040
Speaker 1: the Scottish play, the scott the Scottish play. What if

613
00:34:34,080 --> 00:34:37,920
Speaker 1: you're performing Macbeth, then well then you can No, you

614
00:34:38,000 --> 00:34:40,279
Speaker 1: can if you you can say the words Macbeth as

615
00:34:40,320 --> 00:34:44,200
Speaker 1: they're used in the show, of course, But because Macbeth

616
00:34:44,360 --> 00:34:47,680
Speaker 1: is you know, about witches and sorcery, there's always just

617
00:34:47,760 --> 00:34:51,160
Speaker 1: been this longstanding theater tradition that you do not say Macbeth.

618
00:34:51,239 --> 00:34:53,560
Speaker 1: That's like the worst luck for your play, And so

619
00:34:53,760 --> 00:34:57,719
Speaker 1: instead you say the Scottish play. There he goes a

620
00:34:57,960 --> 00:35:02,160
Speaker 1: little theater tribute for you. Todd says to Elliott, I

621
00:35:02,239 --> 00:35:07,440
Speaker 1: got a pink doggie. But it's not Little calls his

622
00:35:07,600 --> 00:35:12,960
Speaker 1: cock a pink doggie. Now, when JD and Elliott enter

623
00:35:13,040 --> 00:35:15,920
Speaker 1: the janitor's closet, that's pretty funny. They find before we

624
00:35:16,000 --> 00:35:19,040
Speaker 1: get there, you're skipping something. You're skipping something that you

625
00:35:19,120 --> 00:35:21,360
Speaker 1: did really good and we should talk about this. But

626
00:35:21,640 --> 00:35:24,680
Speaker 1: what a great doctor Cox you did. Oh, thank you,

627
00:35:24,960 --> 00:35:28,120
Speaker 1: my big doctor Cox rant. That's very good. You even

628
00:35:28,200 --> 00:35:32,040
Speaker 1: had some of the faces in the awe. He really,

629
00:35:32,680 --> 00:35:35,080
Speaker 1: I must have worked on that, because that's not a monologue.

630
00:35:35,080 --> 00:35:36,640
Speaker 1: You just want to show up and do. I'm sure

631
00:35:36,680 --> 00:35:40,160
Speaker 1: that I rememberized that and worked on that. Yeah, we

632
00:35:40,200 --> 00:35:42,319
Speaker 1: didn't make it to Joseph's the night the night before

633
00:35:42,400 --> 00:35:44,279
Speaker 1: that one. No, No, I had to put the work

634
00:35:44,320 --> 00:35:47,759
Speaker 1: in for that because Johnny was so amazing and how

635
00:35:47,840 --> 00:35:50,560
Speaker 1: hard he'd work on those and how much memorization they took.

636
00:35:50,640 --> 00:35:52,440
Speaker 1: And he talked on the show with us about how

637
00:35:52,520 --> 00:35:54,920
Speaker 1: often they'd change and he'd be like, oh, you're killing me.

638
00:35:55,280 --> 00:35:56,920
Speaker 1: But he could do it. He was so good at it,

639
00:35:57,560 --> 00:36:00,560
Speaker 1: you know. So for me, I know that I wanted

640
00:36:00,600 --> 00:36:03,440
Speaker 1: to do a good job, especially doing it in his

641
00:36:03,640 --> 00:36:08,680
Speaker 1: face to him. So yeah, it was funny, right he really.

642
00:36:09,239 --> 00:36:11,840
Speaker 1: You know it's crazy is that there's no connection between

643
00:36:11,960 --> 00:36:15,080
Speaker 1: you two in your shot, like it's just a one

644
00:36:15,160 --> 00:36:18,319
Speaker 1: or it's just a one, it's just you in the frame.

645
00:36:18,400 --> 00:36:20,279
Speaker 1: You don't it's not an over or anything like that.

646
00:36:20,360 --> 00:36:23,400
Speaker 1: So there's a possibility that Johnny wasn't there when you

647
00:36:23,480 --> 00:36:25,520
Speaker 1: know he was there. I'm sure. I know he's always

648
00:36:25,600 --> 00:36:29,400
Speaker 1: Johnny was always there. That's that's one thing that's always shoot.

649
00:36:29,480 --> 00:36:31,480
Speaker 1: I remember when there would be like it would be

650
00:36:31,800 --> 00:36:35,640
Speaker 1: it could even be Johnny, we need to wrap you

651
00:36:36,880 --> 00:36:41,600
Speaker 1: so that we can make your turnaround tomorrow. But we

652
00:36:41,719 --> 00:36:44,000
Speaker 1: still have to finish this scene. We still have like

653
00:36:44,080 --> 00:36:46,759
Speaker 1: another half an hour twenty minutes on this scene. But

654
00:36:46,920 --> 00:36:49,160
Speaker 1: you can go home. We're gonna just shoot Zack's or

655
00:36:49,239 --> 00:36:52,279
Speaker 1: Donald's coverage. Johnny would stay the extra twenty minutes and

656
00:36:52,400 --> 00:36:55,400
Speaker 1: be like, just just let's just shoot the ship. I

657
00:36:55,440 --> 00:36:58,040
Speaker 1: don't think I've ever worked with one of these douchebag

658
00:36:58,120 --> 00:37:01,400
Speaker 1: people you hear about that don't stay for off camera coverage.

659
00:37:01,560 --> 00:37:03,960
Speaker 1: I've never I've never had that experience. Have you ever

660
00:37:04,080 --> 00:37:07,360
Speaker 1: in your life? No, I don't think I ever have,

661
00:37:07,680 --> 00:37:09,560
Speaker 1: for those of you not in the business. So when

662
00:37:09,760 --> 00:37:12,000
Speaker 1: the shot, then you know, he sho when're shooting close

663
00:37:12,080 --> 00:37:14,040
Speaker 1: ups of people, and let's say it's a scene between

664
00:37:14,040 --> 00:37:16,000
Speaker 1: me and Donald's, and you've already done my close up

665
00:37:16,040 --> 00:37:18,080
Speaker 1: and now it's time to shoot his close up and

666
00:37:18,120 --> 00:37:21,160
Speaker 1: I'm doing the quote off camera dialogue with Donald. I'm

667
00:37:21,160 --> 00:37:23,520
Speaker 1: not being filmed, but I'm there to act with him

668
00:37:23,520 --> 00:37:26,120
Speaker 1: and make sure and be, you know, do the scene

669
00:37:26,120 --> 00:37:29,200
Speaker 1: and make sure his performance is good, as he has

670
00:37:29,239 --> 00:37:31,759
Speaker 1: done for me. So there is there are tales of

671
00:37:31,920 --> 00:37:35,000
Speaker 1: people that are such divas that they don't even stay

672
00:37:35,200 --> 00:37:39,240
Speaker 1: for the other actor's coverage the famous Apparently Rod Steiger

673
00:37:39,440 --> 00:37:42,160
Speaker 1: said that Marlon Brando was not in the car for

674
00:37:42,320 --> 00:37:45,279
Speaker 1: his coverage of the famous moment of of I could

675
00:37:45,320 --> 00:37:49,759
Speaker 1: have been a contender real, yeah, like you can if

676
00:37:49,800 --> 00:37:51,439
Speaker 1: you if you look this stuff up, you can find

677
00:37:51,520 --> 00:37:55,320
Speaker 1: like famous moments in cinema history where the other actor

678
00:37:55,480 --> 00:37:57,600
Speaker 1: or some sort of was doing some sort of diva

679
00:37:57,640 --> 00:38:00,839
Speaker 1: behavior and not there. But Robs, we never did, guess

680
00:38:00,880 --> 00:38:02,960
Speaker 1: because we were all very supportive of each other. You

681
00:38:03,040 --> 00:38:06,480
Speaker 1: considered a douchebag. If you do that, I mean, I

682
00:38:06,560 --> 00:38:08,920
Speaker 1: guess you have to be I don't know, man, and

683
00:38:09,120 --> 00:38:11,279
Speaker 1: and and I don't know if this is the way,

684
00:38:12,320 --> 00:38:15,200
Speaker 1: but and correct me if I'm wrong. But in some ways,

685
00:38:15,320 --> 00:38:17,279
Speaker 1: I guess you have to be selfish as an actor

686
00:38:17,360 --> 00:38:19,279
Speaker 1: to reach that level of you know what I mean?

687
00:38:20,520 --> 00:38:23,960
Speaker 1: And if I'm wrong, wrong, But I've had the opportunity

688
00:38:24,000 --> 00:38:26,239
Speaker 1: to work with de Niro and Morgan Freeman, all these people.

689
00:38:26,239 --> 00:38:28,520
Speaker 1: They're they're doing what you dream of, and that is

690
00:38:28,560 --> 00:38:30,560
Speaker 1: they're not just doing their off camera dialogue. They're doing

691
00:38:30,640 --> 00:38:33,360
Speaker 1: it as intensely as they did their on camera so

692
00:38:33,520 --> 00:38:36,320
Speaker 1: that you, the actor, have something powerful to work off of.

693
00:38:36,760 --> 00:38:38,720
Speaker 1: The Other thing that's annoying is when the other actors

694
00:38:38,760 --> 00:38:41,640
Speaker 1: off camera and they're like tired and yawning and like

695
00:38:41,840 --> 00:38:44,560
Speaker 1: half paying attention. You're like, come on, man, be present

696
00:38:44,640 --> 00:38:47,360
Speaker 1: for me, be here, I need I need you. That

697
00:38:47,600 --> 00:38:50,920
Speaker 1: is that is the truth, man, because sometimes your cues

698
00:38:50,960 --> 00:38:54,840
Speaker 1: are taken off of how the other person is reacting tour,

699
00:38:56,280 --> 00:39:01,719
Speaker 1: you know, And that's tough. And yeah, I've experienced it

700
00:39:01,760 --> 00:39:03,439
Speaker 1: a couple of times. I'm not going to say any names,

701
00:39:03,520 --> 00:39:05,120
Speaker 1: but they know. No, I didn't want to expect you

702
00:39:05,160 --> 00:39:06,560
Speaker 1: to say any names, but I just want to. It

703
00:39:06,680 --> 00:39:08,560
Speaker 1: turns out, but you didn't have that experience at Scrubs.

704
00:39:08,600 --> 00:39:10,360
Speaker 1: No one would ever do that Scrubs. No, no, no, no,

705
00:39:10,480 --> 00:39:13,640
Speaker 1: no no no no no no. All right. So yeah,

706
00:39:13,880 --> 00:39:16,880
Speaker 1: so JD and Elliott entered the janitor's closet for the

707
00:39:16,920 --> 00:39:18,839
Speaker 1: first time, and it was very funny shot. We see

708
00:39:18,880 --> 00:39:21,200
Speaker 1: all the other janitors. They all have the same hairstyle

709
00:39:21,280 --> 00:39:24,520
Speaker 1: as Neil. There's a poster of JD on the wall

710
00:39:24,600 --> 00:39:29,600
Speaker 1: and it's labeled him now a little bit of a

711
00:39:30,280 --> 00:39:33,080
Speaker 1: of a of a continuity fuck up. In that, Randall

712
00:39:34,239 --> 00:39:37,040
Speaker 1: says he just got the job, but we got the job. Yeah,

713
00:39:37,080 --> 00:39:39,280
Speaker 1: he had already gotten it. Yeah, he was already working.

714
00:39:39,480 --> 00:39:41,600
Speaker 1: He was already working with the janitor on the rooftop

715
00:39:41,640 --> 00:39:43,920
Speaker 1: toilet episode. Yeah, this is out of order. I don't

716
00:39:43,920 --> 00:39:45,960
Speaker 1: think he had a uniform. Then he said he was

717
00:39:46,040 --> 00:39:48,120
Speaker 1: his colleague or something. I don't know. I don't remember

718
00:39:48,160 --> 00:39:50,360
Speaker 1: if he was in uniform on the roof Oh, I

719
00:39:50,360 --> 00:39:52,760
Speaker 1: don't know. Maybe maybe he had a different job before

720
00:39:52,800 --> 00:39:55,360
Speaker 1: and now yeah maybe yeah that's true. Maybe he was

721
00:39:55,400 --> 00:39:58,880
Speaker 1: a hospital employee. But anyway, he's back with his powerful,

722
00:39:58,920 --> 00:40:03,440
Speaker 1: tiny fists. And and Marty did this began. Marty's a

723
00:40:03,560 --> 00:40:06,880
Speaker 1: long long run on Scrubs that he did. Yeah, but

724
00:40:06,920 --> 00:40:09,839
Speaker 1: this is all the fact that tiny, tiny, powerful fists

725
00:40:09,880 --> 00:40:12,400
Speaker 1: got a callback. Yes, you know, I think I think

726
00:40:12,520 --> 00:40:13,920
Speaker 1: I think the writers were trying to make it a

727
00:40:14,040 --> 00:40:16,680
Speaker 1: thing like got it, like like what you're talking about Willis,

728
00:40:16,719 --> 00:40:18,439
Speaker 1: But I don't think it ever really stuck. I don't

729
00:40:18,440 --> 00:40:21,759
Speaker 1: think it's stuck. I don't think powerful tiny fists was

730
00:40:21,840 --> 00:40:27,520
Speaker 1: said more than more than twice. I don't know. Oh no,

731
00:40:27,719 --> 00:40:32,520
Speaker 1: don't okay, it's like what do you call it? It's

732
00:40:32,560 --> 00:40:34,160
Speaker 1: like saying what do you say in the mirror three

733
00:40:34,200 --> 00:40:38,920
Speaker 1: times and someone appears, don't don't say beetle juice. I

734
00:40:39,080 --> 00:40:41,880
Speaker 1: was thinking, we're gonna go to a break and then

735
00:40:41,880 --> 00:40:50,279
Speaker 1: we have a guest. We'll be right back, all right,

736
00:40:50,360 --> 00:40:55,040
Speaker 1: anywhere bad, all right, bring in the guests. It's exciting.

737
00:40:55,760 --> 00:40:59,880
Speaker 1: Christmas is three days away. When we're recording this, I

738
00:41:00,040 --> 00:41:08,600
Speaker 1: should say hello Jen later Jo Anderson. It up for Janderson.

739
00:41:10,600 --> 00:41:12,560
Speaker 1: I don't think his name is Jenderson. I think that's

740
00:41:12,640 --> 00:41:20,160
Speaker 1: his camera lot. Came speculating with my wife since yesterday

741
00:41:20,320 --> 00:41:22,520
Speaker 1: what Donald would call me if he was just a

742
00:41:22,640 --> 00:41:27,160
Speaker 1: whole name. I just called you by your at That's

743
00:41:27,160 --> 00:41:31,520
Speaker 1: all I did. John, John, John, Welcome to the program.

744
00:41:31,640 --> 00:41:35,080
Speaker 1: John is wearing a beautiful shirt from the podcast of

745
00:41:35,160 --> 00:41:39,080
Speaker 1: me riding Donald and yelling eagle. I love the color. John.

746
00:41:39,239 --> 00:41:42,560
Speaker 1: Where are you calling from, sir? I'm calling from Johnson City, Tennessee.

747
00:41:42,760 --> 00:41:45,759
Speaker 1: If anybody's a NASCAR fan who's listening. I'm about thirty

748
00:41:45,800 --> 00:41:48,200
Speaker 1: minutes away from Bristol Motor Speedway. If you're from her

749
00:41:48,280 --> 00:41:51,719
Speaker 1: with that, I like your accent. You sound like a

750
00:41:51,760 --> 00:41:55,680
Speaker 1: man from Tennessee. I've been told that before. I'm actually

751
00:41:55,719 --> 00:41:59,920
Speaker 1: from Virginia riginally, Okay, Yeah, what part of Virginia for

752
00:42:00,640 --> 00:42:02,719
Speaker 1: the southwestern part, which is about like it's about an

753
00:42:02,719 --> 00:42:07,120
Speaker 1: hour and a half from here. Are you near Alexandra, Alexandria? No, No,

754
00:42:07,400 --> 00:42:10,520
Speaker 1: that's that's up in the northern parts. I'm like, he's

755
00:42:10,640 --> 00:42:13,279
Speaker 1: gonna name cities, you know in Virginia. No, that's where

756
00:42:13,320 --> 00:42:15,680
Speaker 1: TC Williams is. I have a lot of friends from

757
00:42:15,719 --> 00:42:18,360
Speaker 1: the DNB area, though, So there's I grew up in

758
00:42:18,400 --> 00:42:21,360
Speaker 1: a school with a lot of Ethiopians, and for some reason,

759
00:42:21,440 --> 00:42:24,040
Speaker 1: they tend to congregate up there in the Maryland, DC

760
00:42:24,719 --> 00:42:27,759
Speaker 1: Northern Virginia area. There's a large population of Ethiopian folks

761
00:42:27,840 --> 00:42:30,200
Speaker 1: up there. So that's I'm pretty familiar with that area.

762
00:42:30,640 --> 00:42:34,239
Speaker 1: And that is that a quarantine beard? No, it's actually not.

763
00:42:35,320 --> 00:42:37,640
Speaker 1: I have grown a beard for about for about eight

764
00:42:37,760 --> 00:42:39,920
Speaker 1: years and then a couple of months ago. So I'm

765
00:42:40,000 --> 00:42:42,200
Speaker 1: shaking really bad. I got my super nervous because I'm

766
00:42:42,280 --> 00:42:46,320
Speaker 1: don't be nervous. Friends here were all friends here, so

767
00:42:46,520 --> 00:42:51,960
Speaker 1: are the listeners like Tamika and Fuquan and Muhammad. But

768
00:42:52,520 --> 00:42:54,839
Speaker 1: so I was trying to my barber kind of got

769
00:42:54,880 --> 00:42:56,719
Speaker 1: it off. I had. I've had a beard for about

770
00:42:56,719 --> 00:42:59,239
Speaker 1: two years, and back in August, he got it a

771
00:42:59,280 --> 00:43:01,000
Speaker 1: little off, and I was trying to fix it myself

772
00:43:01,080 --> 00:43:04,160
Speaker 1: and like took a big took a big chunk out

773
00:43:04,200 --> 00:43:06,520
Speaker 1: of it, and so I turned it back down to

774
00:43:06,600 --> 00:43:09,600
Speaker 1: about what you got there, Donald, and have been trying

775
00:43:09,640 --> 00:43:12,440
Speaker 1: to get it back to glorious state. But how do

776
00:43:12,560 --> 00:43:14,640
Speaker 1: you get it? So? How do you get it to? Yeah?

777
00:43:14,680 --> 00:43:16,040
Speaker 1: How do you get it so full? Like I got

778
00:43:16,120 --> 00:43:19,160
Speaker 1: a pull mine, Like I get out of the shower

779
00:43:19,239 --> 00:43:22,319
Speaker 1: and it's a mat pretty much. You know. Don't use

780
00:43:22,480 --> 00:43:25,240
Speaker 1: I use And you can go on Instagram and Facebook.

781
00:43:25,280 --> 00:43:27,359
Speaker 1: There's a there's a great champion and conditioner at there

782
00:43:27,920 --> 00:43:31,480
Speaker 1: called Polish Gentleman. Okay, well, I've gotten into their products

783
00:43:31,520 --> 00:43:33,839
Speaker 1: for the last two years. They they're really good. They

784
00:43:34,040 --> 00:43:36,360
Speaker 1: actually have some caffeine in it and stuff which apparently

785
00:43:36,440 --> 00:43:39,840
Speaker 1: helps stimulate beard grow good beard oil Zack. That's what

786
00:43:40,000 --> 00:43:42,680
Speaker 1: we should do, that's what we should do. We should

787
00:43:42,760 --> 00:43:47,000
Speaker 1: get into facial men's groom. If you get into I

788
00:43:47,040 --> 00:43:49,080
Speaker 1: should get into minute. We should we should get into mental.

789
00:43:49,360 --> 00:43:52,120
Speaker 1: Give you a facial? Fuck you, dude, No, do you

790
00:43:52,160 --> 00:43:54,920
Speaker 1: want a facial for me? What kind of what kind

791
00:43:54,960 --> 00:43:59,440
Speaker 1: of what kind of talking about you're gonna have? You're

792
00:43:59,480 --> 00:44:02,279
Speaker 1: gonna have? I'm gonna give you some brafts. I'm gonna

793
00:44:02,280 --> 00:44:05,080
Speaker 1: give you a quarter million brafs like a bunch of generations.

794
00:44:05,400 --> 00:44:07,480
Speaker 1: I'm gonna I'm gonna give you a quarter million braf

795
00:44:07,640 --> 00:44:13,880
Speaker 1: facial isn't a quarter only a quarter million? That's all

796
00:44:13,920 --> 00:44:15,920
Speaker 1: you got. I think I once googled. I got a

797
00:44:15,960 --> 00:44:19,000
Speaker 1: little account, dude, No, Joelle, would you mind googling that?

798
00:44:19,120 --> 00:44:21,680
Speaker 1: I think I want google? How many sperm are in

799
00:44:21,719 --> 00:44:25,279
Speaker 1: the typical mail ejaculation Juell. I hope that's okay. I

800
00:44:25,360 --> 00:44:27,279
Speaker 1: can put Danial on this assignment if you will. But

801
00:44:27,440 --> 00:44:31,960
Speaker 1: I think I once I think I once googled and

802
00:44:32,040 --> 00:44:35,719
Speaker 1: it was a quarter million in the typical mail ejaculation. No,

803
00:44:36,080 --> 00:44:39,520
Speaker 1: twenty million in each millimeter. There are normally one hundred

804
00:44:39,560 --> 00:44:44,480
Speaker 1: million sperm. If twenty million sperm millimeter, there's usually some

805
00:44:44,560 --> 00:44:48,680
Speaker 1: trouble with fertility. Yeah, so dude, h no, no, no, no, no,

806
00:44:48,760 --> 00:44:52,239
Speaker 1: no no no. I didn't measure. I didn't measure my ejaculation.

807
00:44:52,400 --> 00:44:55,759
Speaker 1: I'm I'm talking about in the average mail ejaculation. Can

808
00:44:55,800 --> 00:44:58,000
Speaker 1: you get that figure? Because you said millimeters, Joel, and

809
00:44:58,080 --> 00:45:08,560
Speaker 1: everyone probably has different. Sorry, Leader, I'm sorry, John, I'm

810
00:45:08,640 --> 00:45:14,120
Speaker 1: sorry as raunchy as it possible. No, no, we will

811
00:45:14,200 --> 00:45:17,000
Speaker 1: keep it you. We're just talking about we're talking we're

812
00:45:17,000 --> 00:45:20,680
Speaker 1: talking about science. What we're talking about the little cart

813
00:45:21,360 --> 00:45:24,520
Speaker 1: the little cartoon versions that you guys do at the show. Yeah,

814
00:45:24,960 --> 00:45:29,839
Speaker 1: have you with like, you know, a little science looking

815
00:45:29,880 --> 00:45:37,719
Speaker 1: at semen form count Well, I don't know, I don't know.

816
00:45:37,760 --> 00:45:39,719
Speaker 1: I still don't understand. Maybe you well figured out. But

817
00:45:39,800 --> 00:45:44,720
Speaker 1: I was told that in the average typical male ejaculation

818
00:45:44,800 --> 00:45:48,920
Speaker 1: there's a quarter million potential children. There is quite a bit,

819
00:45:49,719 --> 00:45:51,480
Speaker 1: so I'm gonna say it's more than that. But okay,

820
00:45:51,840 --> 00:45:55,640
Speaker 1: well maybe in your I do have nine kids, You're right,

821
00:45:56,040 --> 00:46:02,920
Speaker 1: yours are Yours is probably more packed in. They're like

822
00:46:03,040 --> 00:46:06,200
Speaker 1: shoulder to shoulder, They're like right, they're like a pickle jar.

823
00:46:06,560 --> 00:46:09,400
Speaker 1: It's like a pickle jar. It was it was funny

824
00:46:09,400 --> 00:46:11,640
Speaker 1: because somebody I know you're a football fan. Donald I

825
00:46:11,719 --> 00:46:14,200
Speaker 1: saw after the Bills won their division. The other day,

826
00:46:14,760 --> 00:46:16,480
Speaker 1: someone posted a picture of a sperm and it said,

827
00:46:16,560 --> 00:46:21,000
Speaker 1: Josh Allen, the last time the Bills wanted to But

828
00:46:21,360 --> 00:46:23,480
Speaker 1: you saw this coming last year. Man. When the Bill

829
00:46:23,520 --> 00:46:26,360
Speaker 1: started winning last year, everybody was like, this is impossible,

830
00:46:26,400 --> 00:46:28,560
Speaker 1: this can't be. But now look at here we are

831
00:46:29,040 --> 00:46:31,759
Speaker 1: one year later and the Bills are still winning. They're

832
00:46:31,800 --> 00:46:35,080
Speaker 1: a good football team. It's official. I think they'll be

833
00:46:35,160 --> 00:46:37,480
Speaker 1: happy to know that. I watched some of the Northwestern

834
00:46:37,600 --> 00:46:41,360
Speaker 1: game on Donald like I was, I got I got interested,

835
00:46:41,719 --> 00:46:45,400
Speaker 1: and I watched a solid fifteen minutes of it, and

836
00:46:46,239 --> 00:46:49,879
Speaker 1: where you they were winning. They were winning against Ohio State,

837
00:46:50,000 --> 00:46:52,440
Speaker 1: I believe it was. And then number eight on Ohio

838
00:46:52,520 --> 00:46:54,520
Speaker 1: State he was just really good and he just kept

839
00:46:54,680 --> 00:46:59,239
Speaker 1: doing shit and did Ohio State win the game. All

840
00:46:59,280 --> 00:47:01,120
Speaker 1: I know is if you're an umber eight on Ohio State,

841
00:47:01,160 --> 00:47:03,759
Speaker 1: I think you're gonna you're gonna do well in the

842
00:47:03,800 --> 00:47:07,120
Speaker 1: football career. People up with the college stuff that much.

843
00:47:07,160 --> 00:47:09,160
Speaker 1: I'm a balls fan and that's probably why that we

844
00:47:09,320 --> 00:47:13,320
Speaker 1: never the Tennessee balls never Windell, you're still working on

845
00:47:13,400 --> 00:47:18,719
Speaker 1: the assignment, Tim chang Grass. Okay, so do you have

846
00:47:18,800 --> 00:47:23,920
Speaker 1: a question for Zach Braff or Donald Fazon or Daniel

847
00:47:23,960 --> 00:47:27,319
Speaker 1: Goodman or Joel Monique. Well, another good tip. You need

848
00:47:27,400 --> 00:47:31,520
Speaker 1: to Boston Boston Supplements. It's the it's hair and nail

849
00:47:31,640 --> 00:47:34,360
Speaker 1: and skin growth. And I'll take I take those. It

850
00:47:34,440 --> 00:47:37,200
Speaker 1: will help it seriously helps will work for the hair?

851
00:47:37,480 --> 00:47:39,120
Speaker 1: Will it work for the hair? It's too late for

852
00:47:39,239 --> 00:47:44,080
Speaker 1: your Shut the fuck up. I don't think. I don't

853
00:47:44,120 --> 00:47:47,680
Speaker 1: think any shut stuff up. You. You know the only

854
00:47:47,719 --> 00:47:50,760
Speaker 1: thing it's gonna work on that receiving hairline your face

855
00:47:51,160 --> 00:47:58,560
Speaker 1: quarter million braths. Well, you need to hurry up and

856
00:47:58,600 --> 00:48:02,319
Speaker 1: get over here my way. All right, all right, what's

857
00:48:02,360 --> 00:48:07,160
Speaker 1: your question, sir? We have to focus. Well, actually, Zach,

858
00:48:07,200 --> 00:48:09,440
Speaker 1: I wanted to thank you because you guys had Josh

859
00:48:09,520 --> 00:48:12,319
Speaker 1: on the other day and I was listening to him

860
00:48:12,320 --> 00:48:14,399
Speaker 1: and he's one of the great musicians I discovered from

861
00:48:14,960 --> 00:48:19,799
Speaker 1: from listening to But I wanted to tell you something.

862
00:48:19,840 --> 00:48:23,840
Speaker 1: Do you remember this from season nine? Do you remember

863
00:48:23,880 --> 00:48:26,240
Speaker 1: wearing this William fitz Simmons shirt. Yes, I love William

864
00:48:26,239 --> 00:48:29,239
Speaker 1: fitz Simmons. So twelve years ago I was on moths

865
00:48:29,239 --> 00:48:31,600
Speaker 1: Space and you posted something from the Sparrow the Crow,

866
00:48:31,800 --> 00:48:34,520
Speaker 1: and that man's music had changed my life. I actually

867
00:48:34,560 --> 00:48:39,280
Speaker 1: have I have two. Oh my god, he's got tats

868
00:48:39,440 --> 00:48:45,200
Speaker 1: about William Fitzsimmons's beautiful and that you don't know William

869
00:48:45,200 --> 00:48:47,640
Speaker 1: fitz Simmons music and you're a Scrubs fan. I highly

870
00:48:47,719 --> 00:48:51,960
Speaker 1: recommend because it's in the style of Josh and actually

871
00:48:52,000 --> 00:48:55,920
Speaker 1: he and Josh toure together and he's incredibly talented. And

872
00:48:57,239 --> 00:48:59,800
Speaker 1: his first album, what was the album where there was

873
00:49:00,120 --> 00:49:04,480
Speaker 1: of like some electronic and you mean the two hundred

874
00:49:04,480 --> 00:49:07,640
Speaker 1: and fifty millions sperm cells released during sex? You mean

875
00:49:07,719 --> 00:49:10,279
Speaker 1: that album? I know I had a brain fart because

876
00:49:10,280 --> 00:49:12,320
Speaker 1: they really did mean to say two dteen million, not

877
00:49:12,520 --> 00:49:16,600
Speaker 1: twenty fifty thousand. I believe you. I really did. Okay,

878
00:49:16,719 --> 00:49:18,560
Speaker 1: so I was saying a quarter million, but I'm mean

879
00:49:18,600 --> 00:49:21,040
Speaker 1: a quarter billion. You're saying about your dude. You're a

880
00:49:21,120 --> 00:49:24,120
Speaker 1: musician guy. Anyway, William fitz Simmons, there was an album.

881
00:49:24,280 --> 00:49:25,560
Speaker 1: It's first. I think it was his first. It had

882
00:49:25,600 --> 00:49:28,600
Speaker 1: sort of some electronica, uh, sort of mixed in with

883
00:49:29,000 --> 00:49:31,919
Speaker 1: the acoustic guitar. It was so original. I really really

884
00:49:32,000 --> 00:49:35,000
Speaker 1: liked that stuff. It's until When Were Your Ghost? Yes,

885
00:49:36,719 --> 00:49:40,279
Speaker 1: there's a song called It's Not True. That's just amazing.

886
00:49:40,640 --> 00:49:44,440
Speaker 1: All right, sir, what's your question? So I've actually what

887
00:49:44,719 --> 00:49:48,640
Speaker 1: taught Bill ELL's I was Rene Brown. Everyone probably here

888
00:49:48,800 --> 00:49:51,480
Speaker 1: knows who Benet Brown is. She does the questions at

889
00:49:51,520 --> 00:49:53,839
Speaker 1: the end of her podcast. Yes, I sent a man

890
00:49:53,960 --> 00:49:56,920
Speaker 1: and they're well recommended, a few of them, but I'm

891
00:49:56,960 --> 00:49:58,960
Speaker 1: going to pick one scrubs question and in one of

892
00:49:59,040 --> 00:50:02,800
Speaker 1: Renee's questions, Okay, the most interesting out of Burne's was

893
00:50:02,920 --> 00:50:07,920
Speaker 1: a concert that you will never forget. A concert that

894
00:50:07,960 --> 00:50:11,600
Speaker 1: you will never forget. I'll go ferry for first. It

895
00:50:11,719 --> 00:50:15,600
Speaker 1: was my first concert. It was Rush at Madison Square

896
00:50:15,640 --> 00:50:19,960
Speaker 1: Garden and me and all my friends took the train in.

897
00:50:20,239 --> 00:50:22,560
Speaker 1: We were like, I don't know, fourteen years old, and

898
00:50:23,040 --> 00:50:26,080
Speaker 1: we took the train into Madison Square Garden and we

899
00:50:27,000 --> 00:50:29,600
Speaker 1: were drinking can can be or out of out of

900
00:50:29,920 --> 00:50:34,759
Speaker 1: bags and I proceeded to get way too drunk, way

901
00:50:34,840 --> 00:50:38,080
Speaker 1: too drunk, like fourteen year old kid drunk in the city.

902
00:50:38,880 --> 00:50:41,880
Speaker 1: And I was like swinging, and I remember the concert

903
00:50:41,960 --> 00:50:45,160
Speaker 1: started and I was like, oh no, like I've had

904
00:50:45,239 --> 00:50:48,520
Speaker 1: too much. And instead of I knew, I knew I

905
00:50:48,520 --> 00:50:50,080
Speaker 1: wasn't gonna I knew I was either gonna be sick

906
00:50:50,239 --> 00:50:53,560
Speaker 1: or something bad was gonna happen. So I just stood

907
00:50:53,640 --> 00:50:57,279
Speaker 1: up and left, and I got back on the train

908
00:50:57,320 --> 00:51:00,520
Speaker 1: and went home. I heard like three I heard like

909
00:51:00,600 --> 00:51:03,279
Speaker 1: three songs of Rush, and my friends were all like,

910
00:51:03,280 --> 00:51:04,680
Speaker 1: where'd you go? Where'd you go? Where do you go?

911
00:51:04,800 --> 00:51:06,600
Speaker 1: And little did they know I had. I took the

912
00:51:06,640 --> 00:51:08,480
Speaker 1: train home because I was too drunk, and I was

913
00:51:08,520 --> 00:51:11,920
Speaker 1: worried that I was gonna compute my very first concert.

914
00:51:12,080 --> 00:51:16,239
Speaker 1: I'm so sorry. I'm sorry, Donald will about you a

915
00:51:16,320 --> 00:51:20,600
Speaker 1: concert you'll never forget. Okay Yo the Fuji's before they

916
00:51:20,680 --> 00:51:23,440
Speaker 1: blew the fuck up the food I got a chance

917
00:51:23,520 --> 00:51:26,120
Speaker 1: to see them at NYU right around the time when

918
00:51:26,480 --> 00:51:29,560
Speaker 1: uh that one album dropped, right when Laura I had.

919
00:51:29,640 --> 00:51:32,279
Speaker 1: I knew Lauren because we did a movie together when

920
00:51:32,320 --> 00:51:34,680
Speaker 1: we were younger, and she was telling me about this

921
00:51:34,840 --> 00:51:38,279
Speaker 1: band and they had just dropped Mona, Lisa, can I

922
00:51:38,360 --> 00:51:40,560
Speaker 1: get a date on Friday? And if you're busy, I

923
00:51:40,600 --> 00:51:43,960
Speaker 1: wouldn't mind take inks at her day? Ay ay ay

924
00:51:44,719 --> 00:51:49,239
Speaker 1: round up the posse. Foodie's coming around the way right,

925
00:51:49,400 --> 00:51:51,880
Speaker 1: And so it was at NYU, and I remember they

926
00:51:51,920 --> 00:51:55,839
Speaker 1: had everybody outside and it was some really tiny dude

927
00:51:55,880 --> 00:51:58,320
Speaker 1: at the door and he was like, nobody else is

928
00:51:58,360 --> 00:52:01,479
Speaker 1: coming in. We're at capacity, and they will a bunch

929
00:52:01,560 --> 00:52:04,520
Speaker 1: of us outside. And this is the first concert I

930
00:52:04,600 --> 00:52:08,520
Speaker 1: ever did this, But we bum rushed a concert. I

931
00:52:08,600 --> 00:52:10,400
Speaker 1: had never done that in my life. They threw this

932
00:52:10,480 --> 00:52:12,919
Speaker 1: little kid out the way, and then we rushed into

933
00:52:13,000 --> 00:52:17,400
Speaker 1: the concert and we got to see Fuji's and groove

934
00:52:17,560 --> 00:52:32,440
Speaker 1: theory banging. Okay, all right, John, what's your next question? Well, Dan, Dan,

935
00:52:32,719 --> 00:52:35,799
Speaker 1: and they will want to answer that too. Okay, Dan,

936
00:52:36,080 --> 00:52:38,400
Speaker 1: I can answer in seven seconds, Yeah, Joe, well you

937
00:52:38,440 --> 00:52:42,040
Speaker 1: go first. I also haven't answered ready. Basse Nectar Halloween

938
00:52:42,200 --> 00:52:48,960
Speaker 1: twenty twelve. I want to say my second time hippie flipping,

939
00:52:49,280 --> 00:52:51,160
Speaker 1: which is the combination of drugs I won't reveal here

940
00:52:51,200 --> 00:52:58,200
Speaker 1: because children listen. It was loud, it was Basse Throbby,

941
00:52:59,200 --> 00:53:02,560
Speaker 1: We did some why things and a taxi are It

942
00:53:02,719 --> 00:53:04,600
Speaker 1: was like, this were the most incredible nights of my

943
00:53:04,760 --> 00:53:12,480
Speaker 1: entire life. Yeah, okay, wow, Wow, what an incredible answer.

944
00:53:12,800 --> 00:53:15,200
Speaker 1: That's good. All right, Danel, what's your answer real quick?

945
00:53:15,640 --> 00:53:17,680
Speaker 1: Recently I went to a concert with my whole family.

946
00:53:17,760 --> 00:53:19,680
Speaker 1: It was my mom, dad, and sister. It's so rare

947
00:53:19,760 --> 00:53:21,640
Speaker 1: that we share all the same music. Taste for one

948
00:53:21,680 --> 00:53:25,240
Speaker 1: particular thing, but it was a postal service with bats

949
00:53:25,360 --> 00:53:28,880
Speaker 1: and Big Frieda opening at the Greek Theater and just

950
00:53:29,120 --> 00:53:31,360
Speaker 1: having like going to a show with my parents and

951
00:53:31,440 --> 00:53:33,120
Speaker 1: having them see Big FRIEDA, who is like a New

952
00:53:33,239 --> 00:53:36,120
Speaker 1: Orleans bounce artist. She's amazing. I highly recommend you all

953
00:53:36,239 --> 00:53:38,359
Speaker 1: listen to Big Frieda if you haven't. But having Big

954
00:53:38,440 --> 00:53:40,600
Speaker 1: Free to open for Postal Service, a band that my

955
00:53:40,680 --> 00:53:42,840
Speaker 1: whole family likes, and then Big FREEDA, who's someone that

956
00:53:43,160 --> 00:53:47,960
Speaker 1: I really like but my family is not necessarily aware of,

957
00:53:48,280 --> 00:53:51,880
Speaker 1: and just being like, so, guys, this is New Orleans

958
00:53:51,960 --> 00:53:54,160
Speaker 1: bounce music and there's gonna be a lot of booty

959
00:53:54,200 --> 00:53:56,040
Speaker 1: shaking and you're just gonna have to be ready for that.

960
00:53:56,440 --> 00:53:59,359
Speaker 1: And then seeing my my very old father just being

961
00:53:59,440 --> 00:54:04,160
Speaker 1: like this is this is interesting? It is cool. And

962
00:54:05,680 --> 00:54:08,240
Speaker 1: concerts with your parents. I I, you know, I wouldn't

963
00:54:08,320 --> 00:54:10,960
Speaker 1: my dad passed away, but I definitely would be. I

964
00:54:11,120 --> 00:54:13,680
Speaker 1: don't think we would agree on the same music unless

965
00:54:13,680 --> 00:54:16,160
Speaker 1: it was, you know, musical theater, which we both love.

966
00:54:16,239 --> 00:54:17,640
Speaker 1: But like, they know, it's cool that you can go

967
00:54:17,719 --> 00:54:19,440
Speaker 1: to a show with your dad. It was very it

968
00:54:19,680 --> 00:54:21,719
Speaker 1: was very lucky that we all shared the music taste

969
00:54:21,760 --> 00:54:23,600
Speaker 1: for this one group. It was their final tour. It

970
00:54:23,719 --> 00:54:25,480
Speaker 1: was like, everybody's old enough to go to a concert,

971
00:54:25,600 --> 00:54:27,200
Speaker 1: let's make it this one. And it was really an

972
00:54:27,200 --> 00:54:31,759
Speaker 1: amazing time. All right, John H Next question, Uh so

973
00:54:31,880 --> 00:54:34,200
Speaker 1: this this would be my my Scrows question. So you

974
00:54:34,239 --> 00:54:36,800
Speaker 1: know I've always treated Scrubs like the camera and the

975
00:54:36,960 --> 00:54:39,320
Speaker 1: music because I have all the seasons on DVD. I

976
00:54:39,360 --> 00:54:42,560
Speaker 1: don't I don't fool with because screw the music up

977
00:54:42,600 --> 00:54:47,360
Speaker 1: too much. And you're smart character, and so you know,

978
00:54:47,440 --> 00:54:49,480
Speaker 1: there's so many great musical montages or I mean the

979
00:54:49,520 --> 00:54:52,200
Speaker 1: finale that season a finale is you know one of

980
00:54:52,280 --> 00:54:56,880
Speaker 1: my favorites doctor Consons and those three patients Laverne with

981
00:54:57,080 --> 00:55:00,560
Speaker 1: Bretton and another great phenomenal artist that you do looking

982
00:55:00,600 --> 00:55:02,640
Speaker 1: to you on the show. Do you guys have a

983
00:55:02,680 --> 00:55:05,160
Speaker 1: favorite musical montage from the show? I don't. I don't

984
00:55:05,200 --> 00:55:06,960
Speaker 1: believe if I's ever asked this, I haven't heard it,

985
00:55:07,040 --> 00:55:10,080
Speaker 1: and I've listened to the entire podcast. That is a

986
00:55:10,239 --> 00:55:14,040
Speaker 1: very good question. I my brain first, I guess it's

987
00:55:14,080 --> 00:55:16,720
Speaker 1: not technically a musical montage because it's a musical number,

988
00:55:16,840 --> 00:55:18,880
Speaker 1: but my brain first went to that in the in

989
00:55:18,920 --> 00:55:21,919
Speaker 1: the musical episode that that that song where we're sort

990
00:55:21,960 --> 00:55:27,800
Speaker 1: of spoofing lame Is. It's going to be okay, No,

991
00:55:27,960 --> 00:55:31,320
Speaker 1: that's a that's the beginning. No no, no, no, no,

992
00:55:31,480 --> 00:55:34,120
Speaker 1: you're but that's that's five hundred and twenty five thousand,

993
00:55:34,200 --> 00:55:36,840
Speaker 1: that's what that's a bite of. It's going to be. Okay,

994
00:55:37,000 --> 00:55:40,960
Speaker 1: that's what's going to happen, happen everything. Okay, we're right

995
00:55:41,040 --> 00:55:46,920
Speaker 1: here beside you, right here, we will stay. I don't know.

996
00:55:47,000 --> 00:55:49,120
Speaker 1: There's this moment that sort of a lame Is moment

997
00:55:49,120 --> 00:55:53,680
Speaker 1: we're all marching. Yes, I like that. I mean, I

998
00:55:53,760 --> 00:55:55,359
Speaker 1: think it's hard to top the musical, but it doesn't

999
00:55:55,400 --> 00:55:57,840
Speaker 1: really count as a musical montage. I don't know, Donald's

1000
00:55:57,840 --> 00:56:01,680
Speaker 1: you have an answer for a Scrubs musical montage. Yeah,

1001
00:56:02,840 --> 00:56:06,040
Speaker 1: you know, it's not necessarily the music that did it

1002
00:56:06,120 --> 00:56:13,200
Speaker 1: for me. It's how it's how the voice over acts

1003
00:56:13,320 --> 00:56:18,040
Speaker 1: with the music. So one of my favorite ones, and

1004
00:56:18,160 --> 00:56:19,880
Speaker 1: I don't know exactly which one it is, and I

1005
00:56:19,960 --> 00:56:24,200
Speaker 1: think you made it up, but it's the one where

1006
00:56:25,000 --> 00:56:27,040
Speaker 1: Elizabeth Bogis is on the show and it's the first

1007
00:56:27,080 --> 00:56:29,480
Speaker 1: time you guys have a date. And I don't know

1008
00:56:29,560 --> 00:56:33,360
Speaker 1: what song is playing. But there's two of them. Actually,

1009
00:56:33,400 --> 00:56:36,399
Speaker 1: that's one of them are picnic and you're like, unless

1010
00:56:36,480 --> 00:56:40,680
Speaker 1: you like chicken salad, Yeah, that's the one I stole

1011
00:56:40,760 --> 00:56:45,320
Speaker 1: for Garden State. That's right. But but that's then occurs

1012
00:56:45,360 --> 00:56:48,879
Speaker 1: with this time, right. But that song and your monologue

1013
00:56:49,080 --> 00:56:52,440
Speaker 1: on that song work just like your that song and

1014
00:56:53,360 --> 00:56:56,960
Speaker 1: just like your monologue and the song when Turk finally

1015
00:56:57,080 --> 00:57:01,000
Speaker 1: asks Carla to marry him and she says, yeah, someday

1016
00:57:01,160 --> 00:57:05,840
Speaker 1: somebody's gonna ask you. Uh, that point is found that

1017
00:57:06,040 --> 00:57:10,080
Speaker 1: it's the way the monologue, the way the end monologue

1018
00:57:10,760 --> 00:57:14,960
Speaker 1: uh is merged with the song is what makes it special.

1019
00:57:15,000 --> 00:57:16,960
Speaker 1: It's not just the song. It sounds like you're turning

1020
00:57:17,000 --> 00:57:22,440
Speaker 1: this into a compliment, I am, it's it's also your

1021
00:57:22,520 --> 00:57:24,840
Speaker 1: voice and how you ride the beat of the song

1022
00:57:25,000 --> 00:57:28,000
Speaker 1: or these are very important things. You know, when you're

1023
00:57:28,040 --> 00:57:30,520
Speaker 1: in the flow and you're riding the wave with the song,

1024
00:57:30,960 --> 00:57:33,200
Speaker 1: it makes the monologue even more poignant and more. You know,

1025
00:57:33,280 --> 00:57:36,840
Speaker 1: my dulcet tones are enjoyable to the ear. My dulcet

1026
00:57:36,960 --> 00:57:39,880
Speaker 1: tones that you're speaking of, Donald Is are probably the

1027
00:57:39,960 --> 00:57:45,720
Speaker 1: reason that I was cast as Chicken Little. The intonations

1028
00:57:45,800 --> 00:57:48,640
Speaker 1: I used to wrap up the show is probably the

1029
00:57:48,720 --> 00:57:52,760
Speaker 1: reason I was hired to be Chicken Little. I do

1030
00:57:52,840 --> 00:57:54,880
Speaker 1: you think so? Can you just give me an example

1031
00:57:54,920 --> 00:57:57,120
Speaker 1: of a the sky's falling real quick, the sky is falling.

1032
00:57:59,640 --> 00:58:01,959
Speaker 1: Are you go everybody? Yeah? I can, I can see

1033
00:58:01,960 --> 00:58:04,440
Speaker 1: I can yeah, yeah, yeah, yeah yeah. People don't know

1034
00:58:04,440 --> 00:58:06,520
Speaker 1: I'm Chicken Little. Their minds are blown when they find

1035
00:58:06,520 --> 00:58:08,360
Speaker 1: out a lot of people didn't see Chicken Little, zack

1036
00:58:08,400 --> 00:58:14,600
Speaker 1: a lot of people. It hurts quite a few people

1037
00:58:14,600 --> 00:58:16,880
Speaker 1: saw Chicken a Little. Thank you. Yeah, well, he's right there.

1038
00:58:17,080 --> 00:58:19,000
Speaker 1: Not enough people saw it to get a sequel. But

1039
00:58:19,040 --> 00:58:21,960
Speaker 1: it did do. It did do all right. But he's right.

1040
00:58:22,040 --> 00:58:24,080
Speaker 1: There's not a lot of Chicken Little love out there.

1041
00:58:24,640 --> 00:58:26,800
Speaker 1: There isn't a lot of Chicken Little. My kids saw

1042
00:58:26,920 --> 00:58:29,240
Speaker 1: Chicken Little and they loved it. I know. But when

1043
00:58:29,280 --> 00:58:31,400
Speaker 1: I go to the parks, you can't find Chicken a

1044
00:58:31,440 --> 00:58:36,320
Speaker 1: Little gear. I always look. There's no Chicken Little ride.

1045
00:58:37,320 --> 00:58:40,800
Speaker 1: There's no Chicken Little ride at Disneyland. Joel, do you

1046
00:58:40,920 --> 00:58:43,080
Speaker 1: like Chicken Little? You're at Disney fan She's never still.

1047
00:58:43,120 --> 00:58:49,200
Speaker 1: We watched it a lot in Spanish class. Of course,

1048
00:58:49,240 --> 00:58:50,920
Speaker 1: she's I didn't get the one that heard your voice

1049
00:58:50,960 --> 00:58:54,920
Speaker 1: a lot. But they heard the Spanish version of Chicken

1050
00:58:54,920 --> 00:58:57,920
Speaker 1: a Little, but it wasn't your voice. Hold on, hold on,

1051
00:58:58,800 --> 00:59:01,800
Speaker 1: hold lot of second, I've only seen the Spanish version

1052
00:59:01,880 --> 00:59:07,200
Speaker 1: of Chicken a Little. Well, that's not me, Joel. Sorry,

1053
00:59:09,560 --> 00:59:13,080
Speaker 1: so fun though here I am. I'm so happy that

1054
00:59:13,160 --> 00:59:14,800
Speaker 1: Joel has at least seen Chicken a Little a bunch

1055
00:59:14,800 --> 00:59:16,200
Speaker 1: of times. And she's like, but I've only seen the

1056
00:59:16,240 --> 00:59:23,160
Speaker 1: Spanish that's really funny. Oh my god. All right, it's

1057
00:59:23,240 --> 00:59:27,600
Speaker 1: time for Tennessee's favorite segment. Everybody, Donald, it's time to

1058
00:59:28,440 --> 00:59:35,080
Speaker 1: fix your life. John, let us, let us help you,

1059
00:59:35,240 --> 00:59:37,720
Speaker 1: Let us help you. We're here, we're free therapists. We're

1060
00:59:37,760 --> 00:59:40,280
Speaker 1: batting a thousand on helping people and saving their lives.

1061
00:59:40,640 --> 00:59:45,680
Speaker 1: Were three therapists and Donald, that's what he meant to say. Good,

1062
00:59:46,560 --> 00:59:49,480
Speaker 1: So yeah, I was. Actually I have not written in

1063
00:59:49,520 --> 00:59:51,320
Speaker 1: one hundred and sixty times like the wind dude did,

1064
00:59:51,400 --> 00:59:54,200
Speaker 1: but I've sent quite a few emails and U and

1065
00:59:54,320 --> 00:59:57,560
Speaker 1: one of them I tied Old Kanzack's mom helped fix

1066
00:59:57,680 --> 01:00:00,800
Speaker 1: my life. And it's because I'm also I'm a foster

1067
01:00:00,880 --> 01:00:04,400
Speaker 1: care therapist working on my licenser, and so I work

1068
01:00:04,680 --> 01:00:08,160
Speaker 1: with teenagers, think kids that are eighteen here in foster care,

1069
01:00:08,680 --> 01:00:11,280
Speaker 1: which if I can just plug foster care right now,

1070
01:00:11,400 --> 01:00:13,960
Speaker 1: like numbers are down across the country for foster parents

1071
01:00:14,040 --> 01:00:16,240
Speaker 1: and foster home. So if you're listening and you want

1072
01:00:16,280 --> 01:00:18,960
Speaker 1: to do something good, and you're thinking about having kids

1073
01:00:19,080 --> 01:00:21,600
Speaker 1: or wanting kids, please look into becoming a foster parent,

1074
01:00:21,640 --> 01:00:25,640
Speaker 1: because a foster cares across the country's hurting right now

1075
01:00:25,680 --> 01:00:29,160
Speaker 1: because of COVID. So so I was wondering if you've

1076
01:00:29,200 --> 01:00:31,400
Speaker 1: ever heard your mom say anything about like working with

1077
01:00:31,600 --> 01:00:34,160
Speaker 1: teenage clients who are very I don't like the word

1078
01:00:34,200 --> 01:00:37,720
Speaker 1: resistant as a therapist and a clinician, It's just that

1079
01:00:37,800 --> 01:00:40,920
Speaker 1: they're very If you think about it in terms of

1080
01:00:40,960 --> 01:00:44,320
Speaker 1: Burnet Brown's work, they are just armored up and are

1081
01:00:44,440 --> 01:00:46,240
Speaker 1: not willing to be vulnerable if you do not want

1082
01:00:46,240 --> 01:00:48,480
Speaker 1: to be Brown. And I can understand why I've spent

1083
01:00:48,480 --> 01:00:50,360
Speaker 1: a couple of nights in a foster home growing up

1084
01:00:50,440 --> 01:00:52,880
Speaker 1: and having a bad childhood. You don't want to talk

1085
01:00:52,880 --> 01:00:54,600
Speaker 1: to anybody. You don't want to share that trauma and

1086
01:00:54,640 --> 01:00:56,680
Speaker 1: get into it. So I just wonder, zac if you've

1087
01:00:56,720 --> 01:00:59,440
Speaker 1: ever heard your mom talk about clients she's had as

1088
01:00:59,480 --> 01:01:02,800
Speaker 1: a child's ecologists and how she maybe works with kids

1089
01:01:02,960 --> 01:01:05,720
Speaker 1: that are a little more difficult to get to open

1090
01:01:05,840 --> 01:01:09,360
Speaker 1: up and get them sharing and talking about their I

1091
01:01:09,480 --> 01:01:10,760
Speaker 1: don't know. I can tell you they do a lot

1092
01:01:10,840 --> 01:01:12,880
Speaker 1: of play therapy. And I used to do play therapy

1093
01:01:12,920 --> 01:01:15,400
Speaker 1: when I was in counseling as a child. So I

1094
01:01:15,480 --> 01:01:18,440
Speaker 1: think the idea is that you, you know, get the

1095
01:01:18,560 --> 01:01:22,360
Speaker 1: child involved with a game of some sort or toys

1096
01:01:22,880 --> 01:01:25,760
Speaker 1: so that they're not focused on the obvious, and that

1097
01:01:25,920 --> 01:01:28,920
Speaker 1: you can then you know, they would bring the children

1098
01:01:28,960 --> 01:01:31,280
Speaker 1: into a room filled with toys, whether it's a dollhouse

1099
01:01:31,400 --> 01:01:32,960
Speaker 1: or cars, you name it. It's all got all the

1100
01:01:33,000 --> 01:01:35,440
Speaker 1: any toy a kid would like, you know, within reason,

1101
01:01:35,680 --> 01:01:38,840
Speaker 1: and not video games obviously. And then and then they

1102
01:01:39,760 --> 01:01:43,120
Speaker 1: see what the child gravitates towards, and then try and

1103
01:01:43,280 --> 01:01:45,760
Speaker 1: play with the child and get the child talking about

1104
01:01:45,760 --> 01:01:48,880
Speaker 1: what's going on in their lives using the toys. So

1105
01:01:49,040 --> 01:01:51,280
Speaker 1: the child may not realize that they're opening up and

1106
01:01:51,480 --> 01:01:54,680
Speaker 1: and and and some of their layers are coming off

1107
01:01:54,760 --> 01:01:57,360
Speaker 1: because they feel they're just talking to the therapist about

1108
01:01:58,360 --> 01:02:00,880
Speaker 1: the dolls in the kitchen of a doll house. And

1109
01:02:01,240 --> 01:02:05,240
Speaker 1: and and then my mom, a skilled child psychologist, would

1110
01:02:05,240 --> 01:02:07,400
Speaker 1: then say, okay, well you know, they just kind of

1111
01:02:07,440 --> 01:02:11,880
Speaker 1: let the child steer where the conversations going and and okay, oh,

1112
01:02:12,040 --> 01:02:13,360
Speaker 1: who do you want me to be? I want you

1113
01:02:13,480 --> 01:02:15,720
Speaker 1: to be the dad? And then okay, I'm going to

1114
01:02:15,760 --> 01:02:17,480
Speaker 1: be the dad. What does the dad say when he

1115
01:02:17,560 --> 01:02:19,280
Speaker 1: comes home? You know, I'm just making sit up. But

1116
01:02:19,640 --> 01:02:21,960
Speaker 1: but my I think I know that my my, both

1117
01:02:22,040 --> 01:02:24,880
Speaker 1: my mother and my stepfather used a lot of play

1118
01:02:24,920 --> 01:02:27,760
Speaker 1: therapy with children because that was a good way to

1119
01:02:27,880 --> 01:02:30,240
Speaker 1: sort of get to know what was going on behind

1120
01:02:30,320 --> 01:02:35,280
Speaker 1: their armor, as you say, without them, you know, essentially

1121
01:02:35,400 --> 01:02:37,440
Speaker 1: knowing what was happening, they're just opening up because in

1122
01:02:37,480 --> 01:02:41,520
Speaker 1: their minds they're just playing. We have a certified play

1123
01:02:41,560 --> 01:02:45,000
Speaker 1: therapist at our agency, and she's phenomenal. And then of

1124
01:02:45,080 --> 01:02:47,480
Speaker 1: course I've been working from home for ten months and

1125
01:02:47,560 --> 01:02:50,920
Speaker 1: so that's obviously that makes things like play therapy and

1126
01:02:51,200 --> 01:02:54,920
Speaker 1: the former therapy I'm really interested in. And the training

1127
01:02:55,000 --> 01:02:58,280
Speaker 1: I was that's called m d R. So they're wanting

1128
01:02:58,520 --> 01:03:02,760
Speaker 1: trauma treatment. Tell everyone what that is and layman's terms.

1129
01:03:02,800 --> 01:03:04,960
Speaker 1: Because this has come up a lot, and I'm glad

1130
01:03:05,000 --> 01:03:07,080
Speaker 1: you brought it up, by the way, because this has

1131
01:03:07,080 --> 01:03:09,800
Speaker 1: come up a lot in my life lately. Em Dr

1132
01:03:10,040 --> 01:03:14,600
Speaker 1: and I know multiple people who've had very traumatic things

1133
01:03:14,640 --> 01:03:18,240
Speaker 1: happen in their lives and this has helped them. So John,

1134
01:03:18,400 --> 01:03:20,840
Speaker 1: just you know there's that thing on Reddit like explain it,

1135
01:03:20,920 --> 01:03:23,640
Speaker 1: Like I'm five, Can you explain to the listeners, like

1136
01:03:23,760 --> 01:03:27,720
Speaker 1: in the simplest terms what EMDR is. Yeah, Well, so

1137
01:03:27,880 --> 01:03:32,840
Speaker 1: EMDR sands for I movement, desensitization and reprocessing. So basically

1138
01:03:33,000 --> 01:03:36,640
Speaker 1: what and if the producer are listening. The creator of

1139
01:03:36,760 --> 01:03:39,240
Speaker 1: this theory who she developed it a few years after

1140
01:03:39,280 --> 01:03:41,320
Speaker 1: I was born on thirty three, so this is late eighties.

1141
01:03:41,360 --> 01:03:44,960
Speaker 1: I think she created. Francine Shapiro Getting Past Her Pass

1142
01:03:45,040 --> 01:03:48,959
Speaker 1: is a great book, Getting Past your Past pastor past

1143
01:03:49,000 --> 01:03:51,720
Speaker 1: take control of your life with self help techniques from

1144
01:03:51,760 --> 01:03:54,720
Speaker 1: em DR therapy. Yeah, that's really good. I want to

1145
01:03:54,720 --> 01:03:56,920
Speaker 1: write that down myself. But but but just explain to

1146
01:03:56,960 --> 01:03:58,920
Speaker 1: people because it's a little bit it's a little bit

1147
01:03:59,040 --> 01:04:01,360
Speaker 1: wacky with the first time you hear it. But I

1148
01:04:01,440 --> 01:04:03,520
Speaker 1: can tell you I know people that it has helped,

1149
01:04:03,600 --> 01:04:06,240
Speaker 1: So just explain to me what it is. So what

1150
01:04:06,320 --> 01:04:09,240
Speaker 1: do you MDR is that they use several techniques and

1151
01:04:09,560 --> 01:04:12,200
Speaker 1: what you'll do is once the client is ready, So

1152
01:04:12,360 --> 01:04:15,880
Speaker 1: we have what's called resourcing techniques first. So what resourcing

1153
01:04:15,920 --> 01:04:18,320
Speaker 1: does is basically helped keep the client grounded in the

1154
01:04:18,440 --> 01:04:21,360
Speaker 1: present while having one foot in the past enough to

1155
01:04:21,560 --> 01:04:24,880
Speaker 1: actually talk about the trauma. And so really what AMDR

1156
01:04:25,000 --> 01:04:29,200
Speaker 1: is all about is using eye movements or bilateral stimulation.

1157
01:04:29,520 --> 01:04:31,160
Speaker 1: You can you can do the tapping like this, or

1158
01:04:31,200 --> 01:04:34,040
Speaker 1: you can tap on your on your knees. Usually though,

1159
01:04:34,160 --> 01:04:37,160
Speaker 1: it's you have the client follow you for a set

1160
01:04:37,200 --> 01:04:40,480
Speaker 1: of odd movements back and forth like this, and the

1161
01:04:40,600 --> 01:04:43,760
Speaker 1: science is not exactly sure what is going on neurologically

1162
01:04:43,880 --> 01:04:47,760
Speaker 1: in the brain that causes this effect. There's there's a

1163
01:04:47,760 --> 01:04:49,720
Speaker 1: couple of different schools as well, but basically what that

1164
01:04:49,880 --> 01:04:52,800
Speaker 1: helps it She came up with this idea based off

1165
01:04:52,920 --> 01:04:56,400
Speaker 1: Rimsley because our odds move in our sleep, right, and

1166
01:04:56,560 --> 01:04:59,400
Speaker 1: that the odd movement does something in our brains neurologically

1167
01:04:59,480 --> 01:05:06,920
Speaker 1: to help us process unprocessed memories that are causing us grief, pain, despair, whatever.

1168
01:05:07,720 --> 01:05:11,360
Speaker 1: And so it's actually, I mean it's it's approved by

1169
01:05:11,560 --> 01:05:16,600
Speaker 1: World Health Organization and sam Shaw and who is the

1170
01:05:16,680 --> 01:05:19,160
Speaker 1: other big big thing it's been it's been going to

1171
01:05:19,200 --> 01:05:21,440
Speaker 1: be the most one of the most effective treatments for

1172
01:05:21,480 --> 01:05:25,440
Speaker 1: PTSD and tromp. It sounds like hypnosis. It's actually the

1173
01:05:25,560 --> 01:05:27,560
Speaker 1: lady that I did this week long intensive training with

1174
01:05:27,680 --> 01:05:31,320
Speaker 1: back in November. She was a certified hip hypnosis too.

1175
01:05:31,440 --> 01:05:35,000
Speaker 1: She did n DBT therapy and hypnosis, but she's a

1176
01:05:35,120 --> 01:05:37,320
Speaker 1: certified the m DR therapist as well. It is kind

1177
01:05:37,360 --> 01:05:39,360
Speaker 1: of it makes you think there is like, you know,

1178
01:05:39,400 --> 01:05:41,840
Speaker 1: there's some well it's that classic thing we always see

1179
01:05:41,880 --> 01:05:44,240
Speaker 1: with with the with the with the stop Watch coming

1180
01:05:44,280 --> 01:05:47,000
Speaker 1: back and forth. But but John just sort of even

1181
01:05:47,080 --> 01:05:52,040
Speaker 1: the sound with the from uh get get out. Oh

1182
01:05:52,480 --> 01:05:56,560
Speaker 1: oh yeah, the same thing I was gonna say. So,

1183
01:05:56,800 --> 01:05:58,480
Speaker 1: just so if you're clear what John's talking about is

1184
01:05:58,560 --> 01:06:02,120
Speaker 1: that you John and Mike understand it right that you are.

1185
01:06:02,280 --> 01:06:04,400
Speaker 1: Let's say that let's say that the therapist is using

1186
01:06:04,440 --> 01:06:06,560
Speaker 1: the back and forth technique. Your eyes are going left

1187
01:06:06,640 --> 01:06:09,960
Speaker 1: and right, left and right as you recount a traumatic event,

1188
01:06:10,320 --> 01:06:14,280
Speaker 1: and and over time that softens your brain's reaction to

1189
01:06:14,320 --> 01:06:17,280
Speaker 1: the to the trauma. Am I am? I correct? I

1190
01:06:17,400 --> 01:06:19,520
Speaker 1: think that's a pretty good way to put it. Basically,

1191
01:06:19,880 --> 01:06:22,840
Speaker 1: you know, you can target any disturbance really, so there's

1192
01:06:22,840 --> 01:06:25,680
Speaker 1: actually like different forms of EMDR that you can work on.

1193
01:06:25,800 --> 01:06:28,760
Speaker 1: One like, okay, somebody said something that really offended me

1194
01:06:28,840 --> 01:06:30,480
Speaker 1: or hurt my feelings this week, you can you can

1195
01:06:30,520 --> 01:06:33,240
Speaker 1: do this and work on it. And basically it's kind

1196
01:06:33,280 --> 01:06:35,600
Speaker 1: of like a free flowing I almost kind of like

1197
01:06:35,720 --> 01:06:37,400
Speaker 1: to think of it as like a stream of consciousness

1198
01:06:37,400 --> 01:06:40,040
Speaker 1: thing whatever comes to mind, you don't you just like

1199
01:06:40,200 --> 01:06:42,360
Speaker 1: whatever comes up in your mind and your feelings and

1200
01:06:42,440 --> 01:06:44,520
Speaker 1: what your emotions are going through as you're doing the ball,

1201
01:06:44,560 --> 01:06:46,720
Speaker 1: add withal simulation with the odd movements or the or

1202
01:06:46,800 --> 01:06:49,560
Speaker 1: the tapping, whichever one your your therapist is working with,

1203
01:06:50,320 --> 01:06:52,520
Speaker 1: and then you know you'll do that. You know it's

1204
01:06:52,520 --> 01:06:54,880
Speaker 1: ten or fifteen sets of it, and then notice what

1205
01:06:55,000 --> 01:06:56,760
Speaker 1: the therapist will ask you what are your feeling? What

1206
01:06:56,840 --> 01:07:00,360
Speaker 1: are you thinking? And then what there's a gage. There's

1207
01:07:00,360 --> 01:07:03,560
Speaker 1: a scale in MDR, so if you're disturbed, if your

1208
01:07:03,640 --> 01:07:05,840
Speaker 1: level I can't remember exactly what it was because I'm

1209
01:07:05,840 --> 01:07:08,200
Speaker 1: still very much new to this and learn it, but

1210
01:07:08,480 --> 01:07:10,320
Speaker 1: the therapist will ask on a scale one to ten,

1211
01:07:10,320 --> 01:07:11,800
Speaker 1: how to disturbed? Are you right? And let's say you

1212
01:07:11,880 --> 01:07:14,200
Speaker 1: start out with a eight. Do several sets of the

1213
01:07:14,200 --> 01:07:17,320
Speaker 1: balladdal sipulations and they are movements or the tapping, and

1214
01:07:17,400 --> 01:07:19,600
Speaker 1: the goal is to lessen the disturbance, right, and so

1215
01:07:19,800 --> 01:07:21,480
Speaker 1: to get you down to like a two or three,

1216
01:07:21,640 --> 01:07:24,440
Speaker 1: maybe even a four where it's okay. And then like

1217
01:07:24,520 --> 01:07:27,320
Speaker 1: on the broad on the very broad form of MDR,

1218
01:07:27,600 --> 01:07:30,440
Speaker 1: which you know can take multiple sessions, it is to

1219
01:07:30,520 --> 01:07:34,200
Speaker 1: help you process an unprocessed memory that it could be

1220
01:07:34,400 --> 01:07:36,800
Speaker 1: very traumatic, and then help you heal from that memory.

1221
01:07:36,840 --> 01:07:40,400
Speaker 1: I actually had a former clergy person in mine in

1222
01:07:40,440 --> 01:07:44,080
Speaker 1: my life who I think suffered some kind of immense

1223
01:07:44,120 --> 01:07:47,440
Speaker 1: abuse in childhood. So maybe he did an MDR and

1224
01:07:47,560 --> 01:07:50,520
Speaker 1: found like that it was the most incredible therapy he's

1225
01:07:50,560 --> 01:07:52,560
Speaker 1: ever done. And that Yeah, I've heard a lot of

1226
01:07:52,600 --> 01:07:54,680
Speaker 1: positive feedback. So if you're if you're listening and you

1227
01:07:54,840 --> 01:07:58,800
Speaker 1: and you have some PTSD or some trauma that's really

1228
01:07:58,840 --> 01:08:02,920
Speaker 1: holding you back, or some thing really hurtful that you

1229
01:08:03,080 --> 01:08:05,600
Speaker 1: can't seem to let go of, look into this and

1230
01:08:05,680 --> 01:08:08,320
Speaker 1: maybe you can find a therapist in your area. It's

1231
01:08:08,360 --> 01:08:12,080
Speaker 1: called EMDR and the book is called Getting Past Your Past.

1232
01:08:13,240 --> 01:08:15,160
Speaker 1: You also mentioned Bernie Brown, who I just want to

1233
01:08:15,200 --> 01:08:18,040
Speaker 1: touch on. There's a book she wrote called Daring Greatly

1234
01:08:18,280 --> 01:08:20,880
Speaker 1: that I got a lot out of. Oh, for anyone

1235
01:08:20,960 --> 01:08:22,799
Speaker 1: going through a hard time right now, if you actually

1236
01:08:22,800 --> 01:08:24,720
Speaker 1: got to see Mom and Bernie on the Breathing of

1237
01:08:24,760 --> 01:08:27,200
Speaker 1: Wilderness tour. I was like right in front of the stage,

1238
01:08:27,240 --> 01:08:28,519
Speaker 1: like she looked at me a couple of times, and

1239
01:08:28,560 --> 01:08:31,000
Speaker 1: I was like, I'm fam blowing as hard as I

1240
01:08:31,080 --> 01:08:34,160
Speaker 1: am with you guys today when I'm I recommend any

1241
01:08:34,200 --> 01:08:35,840
Speaker 1: and all of her books. I went through it a

1242
01:08:35,840 --> 01:08:39,200
Speaker 1: couple of years ago, and her her work on shame

1243
01:08:40,080 --> 01:08:43,760
Speaker 1: has been foundationally this life changing for me if and

1244
01:08:43,880 --> 01:08:46,120
Speaker 1: she's she's a little more accessible than some of the

1245
01:08:46,560 --> 01:08:50,679
Speaker 1: MDR stuff too. So Bernie Brown became famous initially because

1246
01:08:50,680 --> 01:08:54,800
Speaker 1: she had a TED talk about shame and it went

1247
01:08:54,920 --> 01:08:57,479
Speaker 1: so viral. I think it's the most watched TED talk

1248
01:08:57,560 --> 01:08:59,920
Speaker 1: if not one of you can see it on YouTube

1249
01:09:00,040 --> 01:09:02,439
Speaker 1: if you want. That'll take you twenty minutes if you

1250
01:09:02,520 --> 01:09:04,920
Speaker 1: if you don't have time for anything else, watch watch

1251
01:09:05,040 --> 01:09:08,760
Speaker 1: Brene Brown's first TED talk on YouTube. It's twenty minutes long.

1252
01:09:08,840 --> 01:09:12,679
Speaker 1: It's really powerful too. You can actually find em DR

1253
01:09:12,760 --> 01:09:14,360
Speaker 1: therapist if you don't mind me to plug this. It's

1254
01:09:14,400 --> 01:09:17,160
Speaker 1: called E M d R International Association. And then the

1255
01:09:17,200 --> 01:09:21,400
Speaker 1: website is www dot E M d R i A

1256
01:09:21,800 --> 01:09:25,000
Speaker 1: dot org. So it's IMDREA dot org. So E M

1257
01:09:25,120 --> 01:09:27,080
Speaker 1: D r i a dot org and you can go

1258
01:09:27,200 --> 01:09:30,920
Speaker 1: on so like, find a therapist in your area and

1259
01:09:31,240 --> 01:09:32,800
Speaker 1: check it out if it doesn't work for you, doesn't

1260
01:09:32,840 --> 01:09:35,040
Speaker 1: work and you know it, but it's really interesting and

1261
01:09:35,200 --> 01:09:37,320
Speaker 1: and you know you might as you're listening to this

1262
01:09:37,680 --> 01:09:39,240
Speaker 1: and if you if you're interested, you read up on it,

1263
01:09:39,280 --> 01:09:41,160
Speaker 1: you might think it sounds a little wacky. But I'm

1264
01:09:41,200 --> 01:09:44,760
Speaker 1: telling you be open to wacky things because they sometimes work.

1265
01:09:45,800 --> 01:09:48,679
Speaker 1: I'm very open to all sorts of wacky New Age things.

1266
01:09:48,720 --> 01:09:52,000
Speaker 1: And sometimes they're placebos, and sometimes they change people's lives.

1267
01:09:52,120 --> 01:09:56,439
Speaker 1: And there's obviously enough data on this embr to have

1268
01:09:56,600 --> 01:09:58,600
Speaker 1: it showing a difference in people's lives, so it's not

1269
01:09:58,880 --> 01:10:02,080
Speaker 1: it's not voodoo very much. It's been research. Yeah, yeah,

1270
01:10:02,080 --> 01:10:04,600
Speaker 1: it's very very well well, John, I think this is

1271
01:10:04,640 --> 01:10:09,719
Speaker 1: the first time you've fixed everybody else's lives. You seem

1272
01:10:09,800 --> 01:10:12,040
Speaker 1: like a very nice person. If I if I lived

1273
01:10:12,120 --> 01:10:14,240
Speaker 1: in your area, I would want to be your friend.

1274
01:10:14,360 --> 01:10:16,880
Speaker 1: I would I would. I think I would hang up

1275
01:10:16,920 --> 01:10:20,080
Speaker 1: from this and be like, John, do you want to

1276
01:10:20,120 --> 01:10:23,519
Speaker 1: get coffee sometime and just chat. I just feel like

1277
01:10:23,640 --> 01:10:26,280
Speaker 1: you seem like a very good man. The Starbucks right

1278
01:10:26,320 --> 01:10:28,040
Speaker 1: around the corner and you and I could. I've been

1279
01:10:28,400 --> 01:10:30,559
Speaker 1: I've been begging William pitt Simmons to come to Johnson

1280
01:10:30,640 --> 01:10:33,280
Speaker 1: City for years because just like right across the state

1281
01:10:33,320 --> 01:10:35,479
Speaker 1: from me, and trying to get him come. So you

1282
01:10:35,560 --> 01:10:37,920
Speaker 1: and I get hit him up and say, hey, dude's there.

1283
01:10:37,960 --> 01:10:40,200
Speaker 1: Oh my god, sitting with you and William it seems

1284
01:10:40,240 --> 01:10:43,080
Speaker 1: like a dream. But no, but thank you for coming on.

1285
01:10:43,320 --> 01:10:45,679
Speaker 1: You're thank you for being a great fan of the show,

1286
01:10:45,880 --> 01:10:49,240
Speaker 1: and and thank you for making a difference in your life.

1287
01:10:49,280 --> 01:10:51,439
Speaker 1: You know, I Donald and I hope that we make

1288
01:10:51,520 --> 01:10:54,439
Speaker 1: a tiny difference by making people giggle during this wacky time.

1289
01:10:54,920 --> 01:10:57,640
Speaker 1: But you're actually doing something quite noble and working with

1290
01:10:57,760 --> 01:11:00,759
Speaker 1: foster children and uh and we we we on behalf

1291
01:11:00,800 --> 01:11:03,840
Speaker 1: of society. We thank you, thank you, thank you. Thanks,

1292
01:11:04,320 --> 01:11:07,719
Speaker 1: I'll take care of be happy you're up for john

1293
01:11:12,680 --> 01:11:14,559
Speaker 1: This is like in the supermarket aisle when you say

1294
01:11:14,640 --> 01:11:16,200
Speaker 1: hi to someone and then you see them in every

1295
01:11:16,240 --> 01:11:20,280
Speaker 1: aisle after that, there's always that moment where you're like,

1296
01:11:20,360 --> 01:11:24,160
Speaker 1: oh you again, Oh got us, we got us start

1297
01:11:24,160 --> 01:11:26,439
Speaker 1: meeting like and the like, have like finally, just don't

1298
01:11:26,479 --> 01:11:28,120
Speaker 1: go down the aisle when you see and you have

1299
01:11:28,280 --> 01:11:31,680
Speaker 1: like ten aisles of cringe. Well, I always feel that

1300
01:11:31,760 --> 01:11:33,280
Speaker 1: when we say goodbye of the guests and there's like

1301
01:11:33,400 --> 01:11:35,360
Speaker 1: four seconds that we're all just sitting there winning from

1302
01:11:35,400 --> 01:11:39,439
Speaker 1: it to leave. Wow, what an amazing man. Yeah, that's

1303
01:11:39,479 --> 01:11:42,880
Speaker 1: really cool, dude, good guest, Joel, thank you. So let's

1304
01:11:42,920 --> 01:11:45,599
Speaker 1: go over because we're running along. Let's go over these

1305
01:11:45,880 --> 01:11:48,640
Speaker 1: uh that when it switches to the multiverts, when we

1306
01:11:48,720 --> 01:11:51,400
Speaker 1: go to when the butterfly effect takes effects. Let's start

1307
01:11:51,479 --> 01:11:53,400
Speaker 1: from the top. Butterfly lands on the boop on the

1308
01:11:53,439 --> 01:11:55,840
Speaker 1: first act, Butterfly lands on the man boop in the

1309
01:11:55,880 --> 01:11:59,920
Speaker 1: second act. Uh. First act Banjo playing by j DS,

1310
01:12:00,000 --> 01:12:06,479
Speaker 1: second act ban Joe, Duo, Cox and Kelso. First act

1311
01:12:07,360 --> 01:12:11,200
Speaker 1: Jad's a lefty. Second act JD's a righty. That was

1312
01:12:11,280 --> 01:12:13,680
Speaker 1: pretty cool. I thought that was pretty awesome. I think

1313
01:12:13,720 --> 01:12:15,360
Speaker 1: he's just making sit up because he missed the pen

1314
01:12:15,479 --> 01:12:17,000
Speaker 1: he's I don't think he's a lefty. I you know,

1315
01:12:17,080 --> 01:12:19,439
Speaker 1: he's not a lefty. I think it's a multiverse episode.

1316
01:12:19,439 --> 01:12:21,280
Speaker 1: I think this is a different multiverse. I think this

1317
01:12:21,479 --> 01:12:24,519
Speaker 1: is I don't think this is the Scrubs universe that

1318
01:12:24,640 --> 01:12:26,320
Speaker 1: we know it. I think it's a different universe. And

1319
01:12:26,400 --> 01:12:28,519
Speaker 1: at the end and at the end when the butterfly

1320
01:12:28,760 --> 01:12:31,320
Speaker 1: lands again, we're going to go to another Scrubs universe

1321
01:12:31,400 --> 01:12:35,840
Speaker 1: where something happened. Anyway. Okay, so Turk doesn't stand up

1322
01:12:35,880 --> 01:12:37,439
Speaker 1: for calling the second act, but he does in the

1323
01:12:37,479 --> 01:12:44,200
Speaker 1: first act, and it all hinges on JD catching the elevator.

1324
01:12:44,760 --> 01:12:46,840
Speaker 1: If he would have caught the elevator in the first act,

1325
01:12:47,760 --> 01:12:50,719
Speaker 1: maybe none of this would have happened. The butterfly effect

1326
01:12:50,800 --> 01:12:53,080
Speaker 1: happens down in the in the in the in the

1327
01:12:54,439 --> 01:12:58,160
Speaker 1: in the reception area. But the real, the real pivotal

1328
01:12:58,280 --> 01:13:03,040
Speaker 1: moment is him making it too the elevator. Why and

1329
01:13:04,200 --> 01:13:07,040
Speaker 1: because that's where he learns about what what could? That's

1330
01:13:07,040 --> 01:13:10,839
Speaker 1: where he gets the idea for the patient. And Mickhead

1331
01:13:10,880 --> 01:13:13,519
Speaker 1: has another line. Mickhead has another line, and he does

1332
01:13:13,600 --> 01:13:15,840
Speaker 1: it very well. Yeah you're right, you are funny, j D.

1333
01:13:16,240 --> 01:13:22,080
Speaker 1: Yeah you're right, j D, you are funny. So anyway,

1334
01:13:22,120 --> 01:13:23,720
Speaker 1: this is what this is where it kind of caught

1335
01:13:23,800 --> 01:13:26,600
Speaker 1: me off guard. So in the first act, there's this

1336
01:13:26,760 --> 01:13:32,720
Speaker 1: little girl who's looking for her stuffed animal. But then

1337
01:13:32,960 --> 01:13:37,639
Speaker 1: this guy who ate street sushi is the person that dies.

1338
01:13:38,920 --> 01:13:42,320
Speaker 1: In the second act, the little girl's still there and

1339
01:13:42,479 --> 01:13:45,000
Speaker 1: the guy who eats street sushi is still there, and

1340
01:13:45,280 --> 01:13:50,120
Speaker 1: right before the guy goes into surgery, they introduced the

1341
01:13:50,200 --> 01:13:53,680
Speaker 1: little girl again, and so you think, all right, so

1342
01:13:53,880 --> 01:13:56,320
Speaker 1: here it is, this is where the turn happens, here's

1343
01:13:56,360 --> 01:14:02,040
Speaker 1: the here's the here's where you know, here's where Scrubs

1344
01:14:02,120 --> 01:14:05,000
Speaker 1: kicks you in the ass. The guy's not gonna die.

1345
01:14:05,320 --> 01:14:08,240
Speaker 1: The little girl's gonna die this time. Yeah. And then

1346
01:14:08,280 --> 01:14:11,559
Speaker 1: we go into the r and the guy dies again,

1347
01:14:11,760 --> 01:14:13,640
Speaker 1: and part of you is like, oh, thank god they

1348
01:14:13,640 --> 01:14:15,840
Speaker 1: didn't kill the little girl. But the other part of

1349
01:14:15,920 --> 01:14:18,760
Speaker 1: you was like, oh, it's the same conclusion no matter what,

1350
01:14:19,280 --> 01:14:21,680
Speaker 1: you know. Sometimes it's just that person's time to go,

1351
01:14:22,240 --> 01:14:25,519
Speaker 1: you know. But that was a great mislead because I

1352
01:14:25,680 --> 01:14:28,839
Speaker 1: was I was already getting ready. I was working myself

1353
01:14:28,960 --> 01:14:31,360
Speaker 1: up for Oh no, they're gonna lose the little girl.

1354
01:14:31,439 --> 01:14:33,160
Speaker 1: The little girl's not gonna well. I think kudos to

1355
01:14:33,240 --> 01:14:36,000
Speaker 1: the writers because that seemed the obvious thing to do,

1356
01:14:36,280 --> 01:14:39,879
Speaker 1: and then they subverted expectations by going, you know, Scrubs

1357
01:14:40,000 --> 01:14:42,000
Speaker 1: and Bill and the writers were good at that. They

1358
01:14:42,040 --> 01:14:45,400
Speaker 1: would they would tee up what you thought your brain

1359
01:14:46,000 --> 01:14:48,400
Speaker 1: would figure would be the ultimate conclusion, and then they

1360
01:14:48,560 --> 01:14:50,920
Speaker 1: subvert it and go the other way right, and they

1361
01:14:51,040 --> 01:14:53,560
Speaker 1: go the exact way that you thought, like, because in

1362
01:14:53,600 --> 01:14:56,320
Speaker 1: the beginning of it, I was like, Okay, so everything's different,

1363
01:14:56,479 --> 01:14:58,600
Speaker 1: but at the end it's gonna be the same. I

1364
01:14:58,720 --> 01:15:00,760
Speaker 1: know it, I know it, I know And then they

1365
01:15:00,800 --> 01:15:03,400
Speaker 1: throwed a little girl at you, and that was freaking it.

1366
01:15:04,240 --> 01:15:06,280
Speaker 1: I was like, wait what, Oh no, no, no, no, no,

1367
01:15:06,520 --> 01:15:08,599
Speaker 1: it's gonna be the girl. Don't you think when you're

1368
01:15:08,640 --> 01:15:11,000
Speaker 1: watching a movie and every plot point you're like, right

1369
01:15:11,080 --> 01:15:13,240
Speaker 1: before it happens, you're like, oh, they're gonna do X

1370
01:15:13,360 --> 01:15:16,040
Speaker 1: y Z, And then it happens, you're like, oh, we

1371
01:15:16,120 --> 01:15:18,840
Speaker 1: were watching this movie. That is the most ridiculous movie.

1372
01:15:19,400 --> 01:15:25,360
Speaker 1: The Family Stone. I love the Family. I needed you.

1373
01:15:25,479 --> 01:15:29,200
Speaker 1: Obviously we did too. You obviously are not alone, Joel,

1374
01:15:29,280 --> 01:15:33,719
Speaker 1: because it was trending amongst Christmas movies on on iTunes.

1375
01:15:33,760 --> 01:15:40,200
Speaker 1: But what a ridiculous movie that is. Have you seen it? Yeah,

1376
01:15:40,200 --> 01:15:42,559
Speaker 1: of course I've seen it. These two brothers decide there

1377
01:15:42,800 --> 01:15:46,600
Speaker 1: he's gonna switch partners. It's so stupid and like he

1378
01:15:47,320 --> 01:15:49,360
Speaker 1: has the meat cute with Claire. Days she falls off

1379
01:15:49,400 --> 01:15:51,800
Speaker 1: the bus and it's like oh, and it's like and

1380
01:15:51,880 --> 01:15:54,080
Speaker 1: then the ring gets stuck on her finger. I mean,

1381
01:15:54,200 --> 01:15:59,280
Speaker 1: oh my god, it's so ridiculous. It's so ridiculous. Cast

1382
01:15:59,520 --> 01:16:01,960
Speaker 1: dynamite cast. I do have to say the cast was great,

1383
01:16:02,000 --> 01:16:04,200
Speaker 1: and I do to say that Sarah Jessica Parker was

1384
01:16:04,280 --> 01:16:06,880
Speaker 1: really funny, really did a funny job. All Right, I

1385
01:16:06,960 --> 01:16:09,639
Speaker 1: see my dog digging up the garden. So we're gonna

1386
01:16:09,640 --> 01:16:11,840
Speaker 1: wrap it up. I just wanted to end with saying

1387
01:16:11,880 --> 01:16:14,639
Speaker 1: the Lost and Found box was labeled free stuff, which

1388
01:16:14,680 --> 01:16:17,439
Speaker 1: I thought was very funny. I also think I also

1389
01:16:17,520 --> 01:16:20,880
Speaker 1: think that this episode is one of those episodes that

1390
01:16:21,280 --> 01:16:24,679
Speaker 1: stands alone as you could catch it at any time,

1391
01:16:25,360 --> 01:16:27,880
Speaker 1: and this was one of my favorite episodes, and it's

1392
01:16:27,920 --> 01:16:30,640
Speaker 1: because it's infinite at the end, it's sort of like,

1393
01:16:31,240 --> 01:16:34,960
Speaker 1: what's the one the movie with Leo Inception? Yeah, you

1394
01:16:35,040 --> 01:16:38,880
Speaker 1: know JD. It feels like JD's caught in a groundhog

1395
01:16:39,040 --> 01:16:41,680
Speaker 1: Day loop. Yeah, it could keep going. It could keep

1396
01:16:41,760 --> 01:16:44,160
Speaker 1: going and going and going and going and over over

1397
01:16:44,240 --> 01:16:46,360
Speaker 1: and over again. And this is the only episode ever

1398
01:16:46,479 --> 01:16:50,240
Speaker 1: in Scrub's history where you have that. Yeah. Well, I

1399
01:16:50,520 --> 01:16:52,200
Speaker 1: think it's a really good one and it's very clever.

1400
01:16:52,760 --> 01:16:56,639
Speaker 1: And I guess we should say Marry Christmas to everybody. Right, Well,

1401
01:16:57,320 --> 01:17:02,920
Speaker 1: I love you guys, and be merry Christmas. And you

1402
01:17:03,000 --> 01:17:05,000
Speaker 1: guys have great presents, and when they arrive and you

1403
01:17:05,040 --> 01:17:06,840
Speaker 1: open them, I don't want you to have the thought

1404
01:17:06,960 --> 01:17:09,439
Speaker 1: this is nice. It's from Zack and Donald. It's solely

1405
01:17:09,720 --> 01:17:13,920
Speaker 1: from Zach. Make sure to credit you in the Instagram video.

1406
01:17:14,680 --> 01:17:17,200
Speaker 1: And next year I would like and I'm boxing and

1407
01:17:17,479 --> 01:17:21,080
Speaker 1: I want unboxing videos from both of you. And next year,

1408
01:17:21,280 --> 01:17:25,639
Speaker 1: next year, win, I give you your gifts as it's

1409
01:17:25,680 --> 01:17:28,960
Speaker 1: supposed to be. You know, you never give gifts on

1410
01:17:29,080 --> 01:17:31,680
Speaker 1: the first year. On the right, AIG's still open, bro,

1411
01:17:31,840 --> 01:17:34,640
Speaker 1: you can run to writing right now. No, I like

1412
01:17:34,720 --> 01:17:36,439
Speaker 1: what I'm I like what I've discovered. I'm going with

1413
01:17:36,520 --> 01:17:39,439
Speaker 1: what I'm what I listened with, right, you know? You

1414
01:17:39,560 --> 01:17:44,640
Speaker 1: know right Aid has that gift dial. I'd like to

1415
01:17:44,720 --> 01:17:47,280
Speaker 1: think of it as it's not really a Christmas gift

1416
01:17:47,360 --> 01:17:50,160
Speaker 1: until the second Christmas. All right. I love you guys.

1417
01:17:50,479 --> 01:17:54,680
Speaker 1: I love you guys. Christmas. Everybody out there, we love

1418
01:17:54,760 --> 01:18:01,400
Speaker 1: you by everybody. We love you. Stories about Sure we

1419
01:18:01,800 --> 01:18:06,479
Speaker 1: made about a bunch of docs and nurses and Channa

1420
01:18:06,520 --> 01:18:10,160
Speaker 1: who loved he. I said, He's a stories never you

1421
01:18:10,280 --> 01:18:15,799
Speaker 1: all should know. So gathering around you. Here are gathering

1422
01:18:15,920 --> 01:18:21,800
Speaker 1: around you, Here are free watch your wizard time m HM.