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Speaker 1: Dan, thank you. If I come to the breakfast club,

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Speaker 1: I call this the high seat. Ad can live. You

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Speaker 1: don't control I'm not even doing it. I'm so pag yo,

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Speaker 1: How you're so bad? The world's most dangerous Morning Jo

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Speaker 1: dj N this pitch, Angela, stay in everybody's business, but

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Speaker 1: in a good rad. Charlomagne, the guy, the ruler rubbing

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Speaker 1: you the wrong way. The breakfast clubs made for everybody.

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Speaker 1: Good morning Usa jojo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo.

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Speaker 1: Good morning, Angela, yee hey, good morning. Damn me, Charlomagne,

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Speaker 1: the guy, please sit up playing. It is Friday, Yes,

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Speaker 1: it's Friday. He and I out in a Jacksonville, Florida.

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Speaker 1: The mother is beautiful. It's amazing. Oh how ya? How

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Speaker 1: do they signed? Sony? They gotta that go to me, Sona.

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Speaker 1: Gellen got a little echo. Oh boy, yes, that's try. Yeah.

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Speaker 1: We're in Jacksonville, Florida. You and I we're down here

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Speaker 1: for a show last night. Now we're at the station

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Speaker 1: up here. What's going on out there? Is it snowing yet?

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Speaker 1: It started a little bit this morning. A little sprank. Yeah,

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Speaker 1: I know. The flights are a little bit crazy. So

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Speaker 1: if anybody is going anywhere this weekend and you have

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Speaker 1: to maybe perhaps fly through some bad weather, you should

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Speaker 1: check before you. I'm so happy I don't have to

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Speaker 1: travel this weekend, first weekend, and about three weekends I

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Speaker 1: don't have to travel. What else we got going on

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Speaker 1: this morning? Oh? Ed Sharon's gonna be here this morning, Sharon,

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Speaker 1: that's a big deal. I like Ed Sharon. I actually

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Speaker 1: took a selfie with Ed Sharon at the iHeart Radio Awards,

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Speaker 1: and Vy tried to get in it, but all he

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Speaker 1: ended up doing was putting his cheek on Ed Sharon. Yea,

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Speaker 1: he got the number one record in a bunch of countries.

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Speaker 1: Right now, yep, let's talk about last night was crazy?

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Speaker 1: What happened to last night? Nicki Minas finally put out

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Speaker 1: some music. Oh, I did hear that trash? She put

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Speaker 1: out three records. I wouldn't say trash. I want to

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Speaker 1: far I like change. I wouldn't say trash. Yeah, week

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Speaker 1: very well. Now the disc bars, what it was like?

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Speaker 1: Sixteen bars? I'm not mad at them. I mean, it

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Speaker 1: wasn't Sheather, it wasn't a disc record where I was like,

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Speaker 1: oh my gosh, this is one of the best records

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Speaker 1: I heard. But I did think she had some bars

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Speaker 1: and then she spit a couple of bars. Aside from that.

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Speaker 1: Did you like the record because Drake and Wayne are

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Speaker 1: on it? No, I didn't. I was okay, I didn't

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Speaker 1: like it. It's not a smash. Yeah, I think it's weak.

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Speaker 1: I'm not comparing the record to anything. I'm not comparing

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Speaker 1: her bars to anything. I'm happy that she did reply,

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Speaker 1: but her reply was trash, bro like, this is my thing.

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Speaker 1: Imagine me getting on the radio and clowning somebody for

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Speaker 1: getting punched on video and running. The best you can

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Speaker 1: come up with is before and after pictures of somebody's surgery.

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Speaker 1: You know many before and I have to picture Nicki

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Speaker 1: Minaj on line. It is. Yeah, but we knew this,

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Speaker 1: We knew it wasn't much. She's not for me that

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Speaker 1: she could go at. So the fact that she was

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Speaker 1: trying to be clever enough it sounded good. It's not

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Speaker 1: it's not trash. And then you say the trash trash

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Speaker 1: is a bad word, as in sucky. There's a lot

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Speaker 1: of autist out there for the trash it's not trash. Well,

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Speaker 1: when I listened to it, I didn't. I didn't think

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Speaker 1: it was trash. I think it was different from Sheatha

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Speaker 1: because she was Remy going at her hard for almost

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Speaker 1: seven minutes. And for Nikki, she took her shots, her

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Speaker 1: jabs and then she posted you know what she said

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Speaker 1: about why she did it, which you'll get into later.

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Speaker 1: I'm happy Nikki replied for the culture, but that was weak, bro.

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Speaker 1: That was it was trash to me, Bro, just to me.

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Speaker 1: I don't think it was trash, just to me, and

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Speaker 1: the reason and the reason. And when you say other

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Speaker 1: artists out there are trash, Nikki's actually rapping, like she's

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Speaker 1: actually spitting bars. I can't compare her to the mumble

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Speaker 1: rappers of the world. Like she's actually out there putting

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Speaker 1: I guess putting pin in the paper and spitting actual bars.

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Speaker 1: And then when you put out videos showing the words

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Speaker 1: of your lyrics, that means you really spitting some fire.

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Speaker 1: That wasn't fire. Bro. No, yeah, no, I don't agree.

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Speaker 1: I don't think it was the best disrecord, best reply

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Speaker 1: that somebody could have ever did, but I do I

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Speaker 1: don't think it was trash. Well, everybody has different opinions.

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Speaker 1: I saw a lot of different things online, but we're

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Speaker 1: gonna get all into that this morning. We'll see what

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Speaker 1: you think. Of course, will express ourselves. We'll play the song,

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Speaker 1: we'll play the verse so we can you can hear

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Speaker 1: it in case you haven't heard it yet. And also

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Speaker 1: Angela Rye will be joining us this morning getting us

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Speaker 1: out political commentary. Political update for the month. Dropped on

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Speaker 1: the clues bombs to Angela rd DEMI al right, but

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Speaker 1: let's get the show cracking friend vie Angela Ye, Charlomagne,

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Speaker 1: the guy. We are the breakfast club. Let's getting some

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Speaker 1: front page news now, Charlomagne, what are they doing with

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Speaker 1: your backup quarterback man? Do you know? No? I don't

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Speaker 1: know because I haven't paid attention. I think they waived

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Speaker 1: him yesterday. I don't know they were gonna wave him,

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Speaker 1: but now they said they're gonna trade them. I thought

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Speaker 1: maybe you knew, Oh yeah, you need somebody did tell

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Speaker 1: me that yesterday. I don't know what they're gonna get from.

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Speaker 1: Tony Romo hasn't really played any you know, constructive minutes

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Speaker 1: in the past couple of years. But I'm not I'm

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Speaker 1: not gonna knock Tony Romo. He did a lot for us.

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Speaker 1: To me anyway, I thought he was a decent quarterback.

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Speaker 1: But that's the Dak Prescott ere. Now, baby, Okay, let's

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Speaker 1: let's talk about some nude photos. Man, this is terrible.

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Speaker 1: So it has been revealed that members of the Facebook

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Speaker 1: group Marines United with sharing nude photos of women. And

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Speaker 1: they're saying that it's not just that faceboo book group,

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Speaker 1: but there's a whole lot of other groups that are

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Speaker 1: sharing nude pictures of female service members on various websites.

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Speaker 1: So the military is looking into the posting of these

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Speaker 1: nude photos. What do you mean women who are service members?

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Speaker 1: Like just posting them on like sharing them with each other,

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Speaker 1: like sharing videos and photos with each other, and these

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Speaker 1: Facebook groups, what's the problem. And so these pictures, a

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Speaker 1: lot of these pictures are taking of women without their consent,

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Speaker 1: without their knowledge, without their permission. The investigation started with

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Speaker 1: the Marines, but it's spread out to all different branches

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Speaker 1: of the military. You gotta lead with that, ye because

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Speaker 1: I'm sitting there thinking like, what's wrong with that? These

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Speaker 1: brothers is over there fighting for our country. Yeah, well,

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Speaker 1: I's wrong passing around some nude picturel you say they're

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Speaker 1: taking them without their consent, that's a different story. They said.

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Speaker 1: There's possibly thousands of explicit photos of women who have

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Speaker 1: no idea, and some of them are on active duty

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Speaker 1: right now. How they get into pictures when they're dating

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Speaker 1: these guys and without their knowledge, these men are taking

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Speaker 1: pictures of them on the bathroom and you know, engaging

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Speaker 1: in sexual acts. There's thirty thousand followers of one of

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Speaker 1: these secret Facebook groups. WHOA all right, Well let's talk

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Speaker 1: about chat. Why you gotta have a whole Facebook? Well?

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Speaker 1: Why are you taking these pictures of whatever? Facebook? I mean,

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Speaker 1: not too but dad, why why? Why would you just

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Speaker 1: post it on if you're doing something you know you

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Speaker 1: ain't got no business doing, why would you be doing

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Speaker 1: it on a public farm? Even if it's about don't

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Speaker 1: do it at all, don't do it at all? How

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Speaker 1: about that? I mean, there's a lot of nuance to it, y'all.

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Speaker 1: So it's not just that black and white, it's nuance

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Speaker 1: to the situation. Well, let's tell us about Amazon in

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Speaker 1: this book. The number one Amazon bestseller right now is

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Speaker 1: a two hundred and sixty six page book, but it's

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Speaker 1: blank pages now. That book is by Michael Jane Knowles

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Speaker 1: and it's called The Reasons to Vote for Democrats. That's

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Speaker 1: the number one book right now on Amazon. So obviously

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Speaker 1: they're trolling the Democrats now. Michael Jane Knowles posted on Twitter,

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Speaker 1: what's really great about this book? You can go cover

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Speaker 1: to cover in about fifteen to twenty seconds. And on

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Speaker 1: Fox and Friends they tweeted out best to leave the

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Speaker 1: pages blank. Michael Jye Knowles's new book, Reasons to Vote

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Speaker 1: for Democrats is completely blank. You know, it's so crazy.

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Speaker 1: The number one book on on in the general broadcasting

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Speaker 1: department is a black privilege. Opportunity comes to those who

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Speaker 1: created There, you go, that's my book. There. They have

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Speaker 1: another book on Amazon that has four point four out

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Speaker 1: of five stars, and that book is called Why Trump

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Speaker 1: Deserves Trust, Respect and Admiration, and that is yet another

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Speaker 1: book of blank pages. I'm cool with that, all right.

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Speaker 1: First of all, you gotta be a real idiot to

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Speaker 1: buy a book full of blank pages. Well, people are

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Speaker 1: the books number one on Amazon augustus putting their library

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Speaker 1: and that's for like folk gifts or something, and you're

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Speaker 1: firednake a journal. Yeah, that's it. Your cover gotta be fire.

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Speaker 1: You gotta have a fire cover to have a book

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Speaker 1: full of blank pages. All right, well that's front page news.

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Speaker 1: Tell them why you're mad eight on drink five eight

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Speaker 1: five one o five one. If you're upset, you need

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Speaker 1: to vent, call us right now. Maybe had a bad night,

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Speaker 1: man more than whatever it may be. Tell them why

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Speaker 1: you're mad eight on drink five eight five one on

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Speaker 1: five one. Also, we need you to tell them why

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Speaker 1: you blessed? If you feel blessed at your birthday, you

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Speaker 1: want a positivity in your life, call us up right now.

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Speaker 1: We'll get those calls on two. Don't go anywhere as

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Speaker 1: to Breakfast Club. Good morning the Breakfast Club. Hey, YoY yo,

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Speaker 1: good morning y'all. This is the man Wrapper. Something real.

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Speaker 1: I'm mad and I stay mad. I stay angry, I

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Speaker 1: stay heated, I stay fissed off. Why you mad? Breakfast Club?

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Speaker 1: Let's go Hello? Who's this? Hello? It's Sabbath on Strong Island.

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Speaker 1: Heyar tell them why you mad? Mamma, I'm doing good.

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Speaker 1: I'm mad because I have a clothing line called let

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Speaker 1: Me Live, and I'm always trying to get I give

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Speaker 1: out to people and they don't really support it. How

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Speaker 1: they're supposed to. And it's an uplifting line. It's for everybody.

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Speaker 1: It's unity and people should support it. You know. The

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Speaker 1: thing is, if the name of the cloth very nice,

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Speaker 1: if the name of the clothing line is let me live.

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Speaker 1: As soon as you pull out a shirt and be like, yo, mom,

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Speaker 1: let me let me live, let me get that meaningful. Yes,

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Speaker 1: I'm I've been contacting you. Let me live. It's a

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Speaker 1: real okay seeing all that. You know, I'm a young

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Speaker 1: business black woman, you know, represents for excellence and I'm

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Speaker 1: trying to put people on. We'll come drop off some

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Speaker 1: stuff at the station. Baby. Oh all right, mama, yo,

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Speaker 1: I will. I will definitely don't today, Okay, I got

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Speaker 1: where where do you live? I live in Long Island,

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Speaker 1: New York? Okay? Yeah. And I inspire um inspire to retire.

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Speaker 1: That's one of my homies. Inspire or retire, I believe it. Yeah,

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Speaker 1: inspire or retire my friends and more. But you know,

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Speaker 1: I'll drop of some letty left for you guys. Definitely

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Speaker 1: all right, thank you? Hello? Who's this? J her Colice

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Speaker 1: from Brooklyn her Hercules? Yo? Yo, what's up? Solom man man,

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Speaker 1: Let's sen I'm gonna tell you why. I'm man man.

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Speaker 1: I woke up this morning Rickey Manage with a whack dish.

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Speaker 1: You know what I mean. I don't know if y'all

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Speaker 1: heard it, but I heard that. Yeah, I don't like

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Speaker 1: My thing is like she keeps talking about money, money, money,

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Speaker 1: the same about money. This is about boss. So if

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Speaker 1: you yeah, I didn't like the record either. I mean

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Speaker 1: I give her an efa effort because she did a reply.

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Speaker 1: But Nat, and what you feel about that trash just drop.

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Speaker 1: I'll tell you honestly, it's nowhere near Shetha. It's nowhere

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Speaker 1: near a disk record. Do I think what she tried

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Speaker 1: to do was cool? Yeah, she had some bars and

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Speaker 1: it wasn't it. It's not trash. It's trash when you

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Speaker 1: can tear it. But if it's just a record like

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Speaker 1: a school, I'm not comparing it to nothing. I'm just

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Speaker 1: giving it the air test, and I'm like, this is weak.

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Speaker 1: If I kind of felt like she was a song

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Speaker 1: that's gonna be on the radio, right, It's like Frank

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Speaker 1: Oshan calling calling somebody gay, like you can't you can

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Speaker 1: Nicki Mina can never talk about somebody having surgery and

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Speaker 1: having before and after picks like no, no, no, no,

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Speaker 1: no, no no no. I agree with that, but I think

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Speaker 1: it's not trash. And I think what she's trying to

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Speaker 1: do by making it a record so you have to

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Speaker 1: hear it for the next three months, I think that's smart.

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Speaker 1: But maybe this, yeah, and she has something else she

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Speaker 1: needed to come Maybe I don't know, like how Drake did.

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Speaker 1: And by the way, whenever you disabled your comments on

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Speaker 1: Instagram about anything that you post, that is a sign

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Speaker 1: that you're not sure about what it is you posted.

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Speaker 1: You don't want to hear the opinion of the public

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Speaker 1: because you're not sure if they're gonna roast you or not. Well,

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Speaker 1: I also feel like because then she did do a

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Speaker 1: whole post and she said Remy has seventy two hours

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Speaker 1: to respond, so maybe she has a response ready for

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Speaker 1: that response. I don't know, Remy shouldn't respond. I'm just

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Speaker 1: thinking hypothetic. She said Remy needs to put out a

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Speaker 1: hit record. Ever she challenged to do it. I gotta

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Speaker 1: give you seventy two how to put out a hit record?

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Speaker 1: Oh all right, well it has nothing to do with bars,

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Speaker 1: but okay, now tell them about You're blessed eight hundred

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Speaker 1: five eighty five one oh five one. If you feel blessed,

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Speaker 1: it's your birthday. You're celebrating something in your life. Carlos

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Speaker 1: Now was the breakfast Lugal Morning the breakfast Club? Man,

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Speaker 1: are you blessed in highly favored? I feel blessed? Tell

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Speaker 1: the congregation at eight hundred five eight five one, it's

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Speaker 1: the breakfas His Club. Hello. Who's this? Hey? My name

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Speaker 1: is Hut. I'm calling out of Charleston, West Virginia. I

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Speaker 1: love West Virginia. I love Tutors Biscuits. Hey, that's the

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Speaker 1: best breakfast place in the world. Man, you ain't gonna

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Speaker 1: tell me. Hey, I'm gonna call and tell y'all while

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Speaker 1: I'm blessed. Go ahead, bro, I've been working at this

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Speaker 1: radio station. I'm actually working board off for you guys

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Speaker 1: right now at ninety eight point seven to beat. Okay, appreciate. Hey,

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Speaker 1: what's good over there. I've been working at this radio

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Speaker 1: station and doing board off for you guys, and uh

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Speaker 1: doing my own radio show coming on after you guys.

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Speaker 1: I've been doing it for a little over a year

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Speaker 1: as a part time and yesterday I got called and

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Speaker 1: they're gonna put me on full time staff. That's incredible

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Speaker 1: that today. What's your name again, bro? My name is Huch,

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Speaker 1: but I go by DJ act right, DJ act right,

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Speaker 1: all right, I see you. We're gonna do act right.

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Speaker 1: I need you to get that money up because we're

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Speaker 1: gonna franchise to tutor chicken and biscuits. Man, hey, let's

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Speaker 1: do it. Charling the Man, I'm ready, all right, brother,

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Speaker 1: vacationing on each and every day until six pm. Man,

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Speaker 1: we appreciate you, bro, Yes, thank you, all right? Hello,

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Speaker 1: who's this? Good morning? Everybody? Morning, dj MB and Philly

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Speaker 1: and Charlotte. Hey, this is C Marie UM and I'm

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Speaker 1: calling to say why I'm blessed. First, I really enjoyed

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Speaker 1: you guys, This asked C and E this week. You

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Speaker 1: guys did great. He gave me some ap actually to

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Speaker 1: work to focus on school an effort your rapper. Yeah,

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Speaker 1: I think that the actually getting everybody that comes up

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Speaker 1: their wraps. No, we learve wrapping it in. She wasn't good.

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Speaker 1: No great, but it was okay telling me no, But

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Speaker 1: I really share, did you guys? Ad by it? And

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Speaker 1: I'm blessed this morning and actually have to do at school.

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Speaker 1: I just got a hundred on my Nattie past there

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Speaker 1: you guys, and um bring break is coming up very

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Speaker 1: very very very soon, so I'm excited about that. I

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Speaker 1: love you, Charlotte Magne, I love you too. And by

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Speaker 1: the way, I used to want to be a rapper,

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Speaker 1: and then somebody told me I was whappening. When they

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Speaker 1: told me I was whack, I started focusing on radio.

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Speaker 1: This is true story, my man. Doctor Robert Evans saluted

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Speaker 1: Doctor Robert Evans. Right, you guys a motivation. I love

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Speaker 1: you guys, and you guys have a good one and

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Speaker 1: I love when all of you are together. Thank you,

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Speaker 1: maby we love you back, all right. That's why you

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Speaker 1: gotta tell people ffday dreams sometime. I mean, somebody told

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Speaker 1: me mine, I thought I was gonna be a rapper

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Speaker 1: two but that didn't work out. Then I thought I

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Speaker 1: was gonna be NBA star. That didn't work out. Well,

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Speaker 1: I told you that wasn't gonna happen. He only made

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Speaker 1: you five nine. I'm actually six foot yeah, right, I

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Speaker 1: am brown up high hill platforms. When I went though,

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Speaker 1: it was I'm six foot three. All right. We got

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Speaker 1: rumors on the way. Well, let's get into it right away.

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Speaker 1: We'll talk about this Nicki Minaj you no fraud song.

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Speaker 1: She put out three songs. So and we'll get into

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Speaker 1: what is going on on social media what Nicki Minaj

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Speaker 1: has posted as a challenge to Remy Mah why you

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Speaker 1: may not be hearing Sheath on the radio anymore. All right,

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Speaker 1: we'll get into all that when we come back. Keep

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Speaker 1: a lot. This to Breakfast Club. Good morning the Breakfast Club.

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Speaker 1: We are the breakfast club that you and I are

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Speaker 1: broadcasting from Jacksonville, Florida. We were here last night. We're

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Speaker 1: out our station out here. They're supposed to bring us

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Speaker 1: some food in a little bit. I'm excited about that. Yeah,

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Speaker 1: I don't mess with envy like that, because envy will

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Speaker 1: have you out all night. If you happen to have

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Speaker 1: to ride in the same car with him. You can't

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Speaker 1: just go to the club and then go back to

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Speaker 1: your room and go to sleep. You gotta make a

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Speaker 1: quick stop at the strip club after. We don't go

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Speaker 1: out to these markets that much. So when we come

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Speaker 1: and tell I'd like to see people, like to take pictures,

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Speaker 1: like to shake hands, see what's up to talk to

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Speaker 1: the people. I mean, we we're out all night. Well, yes,

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Speaker 1: listen I'm a nerd. I'd like to go get a

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Speaker 1: little sleep before I got to get up early. All right, Well,

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Speaker 1: we had a good time, so shout out to everybody

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Speaker 1: out here. Very hospitable. Now let's get to the rooms

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Speaker 1: to talk. Nicki Minaj, it's about Angela the Breakfast Club. Well,

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Speaker 1: it looks like Nicki Minaj has the numbers one, three,

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Speaker 1: and four songs on the charts right now. And that

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Speaker 1: is that is for no frauds changed it and regret

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Speaker 1: in your tears. She put out three songs last night

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Speaker 1: and we are going to see what you think about

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Speaker 1: it now. One song in particular, she's taken lots of

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Speaker 1: shots at remy Ma no for us on her verse,

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Speaker 1: But she also has little Wayne and Drake on that song. Now,

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Speaker 1: in case you have not heard it yet, we're gonna

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Speaker 1: play parts of it right now. Here's one part, but

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Speaker 1: to drop another one who was stitching frap? You expose

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Speaker 1: ghost tight and shoot with frap. You want her guess

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Speaker 1: you needed the pet with type of bum friend over

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Speaker 1: rat with type of mother. Believe her one son over stack.

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Speaker 1: All right, So in that part of the verse, she's

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Speaker 1: saying that Peppoose was her ghostwriter on Sheather. Okay, and

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Speaker 1: then she's also referencing remy My having to go to

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Speaker 1: jail after shooting her friend from stealing from her from

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Speaker 1: her for a thousand dollars. Those two balls were decent. Hole.

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Speaker 1: The whole verse right there was we got we got

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Speaker 1: some more in case you didn't hear it, But we're

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Speaker 1: trying to break it down for you in case you

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Speaker 1: didn't get it all all right, check it out, little

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Speaker 1: bookie down basicly back back to back? Oh you mean

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Speaker 1: back to back? Back to back? Me and Tristi laughed

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Speaker 1: at that. They say numbers don't matter when they disgusting

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Speaker 1: the Kings and turned round a sleep with brawn and

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Speaker 1: got six rings. You gotta fight on those balls, bro,

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Speaker 1: all right. So she obviously referenced Drake's back to back

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Speaker 1: when he did those two songs back to back, and

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Speaker 1: remy Man put out two songs back to back, she

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Speaker 1: did Sheather and another one. So she's trying to say

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Speaker 1: that putting out two songs back to back was what

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Speaker 1: let me fight on those balls real quick. Please, only

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Speaker 1: only only one line I like? And when she said,

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Speaker 1: boogie down basic, if you're dating a chick from the Bronx.

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Speaker 1: That's a good little little boogie down basic chick. It's

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Speaker 1: not it's not trash, it's not I'm not I'm just

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Speaker 1: gonna say it's not comparable. It's not she it's not trap.

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Speaker 1: I'm not comparing it to nothing. I'm just listening, and

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Speaker 1: I think it's weak. I'm glad, she replied for the culture.

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Speaker 1: But I mean, listen, if you want to compare your

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Speaker 1: reaction when you first heard she Theater, your reaction when

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Speaker 1: you first heard this not even close. No, I never

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Speaker 1: stund three. You don't see you well dumb. That's why

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Speaker 1: Jane Clarid's verse for your album you from comment and

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Speaker 1: perjury he got before, and I have the pictures to

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Speaker 1: you so dry. To keep to her, jone looked like

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Speaker 1: rock left the operating table still look like nah. So

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Speaker 1: obviously Remy took shots at Nicki MNAs for her plastic surgery.

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Speaker 1: Her response is, well, you've also had plastic surgery and

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Speaker 1: you still look like nah. It's what she's saying in

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Speaker 1: that part of the verse. She also says that she's

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Speaker 1: never signed at three sixty, and she says that Jay

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Speaker 1: has never cleared his verse for her album. Well, I

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Speaker 1: think that when you live in a glass plastic surgeon's office,

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Speaker 1: you shouldn't throw stones. Um. I don't see how that's

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Speaker 1: an insult, you know, making an accusation like that towards

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Speaker 1: Jeremy's like Frank Osian clowning somebody for being gay, or

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Speaker 1: me clowning somebody for getting punched on camera and running.

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Speaker 1: You know, I many before and after surgery picks. Nicki

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Speaker 1: Minad got online if Nikki had had ever addressed her

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Speaker 1: surgery and said, yes, I did you apply to surgery.

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Speaker 1: That's a different story. But being the fact that she's

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Speaker 1: never addressed it and then she's throwing shots at Remy

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Speaker 1: for that, that's that's that's weak. Yeah, it's here. I

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Speaker 1: don't like what you're doing, so you're breaking down every

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Speaker 1: lyric Nikki put, we didn't do that for Remy. Tenn

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Speaker 1: minutes we said, Remy, Shetha was a dope record from

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Speaker 1: front to back. We didn't say what was this true

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Speaker 1: or was this not true? I actually said Shetha to

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Speaker 1: me is the best dis record of all time. That

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Speaker 1: that was the reach too. But if I know, I

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Speaker 1: still feel that I never said anything that Nikki said

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Speaker 1: wasn't true. What I said was you shouldn't throw stones

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Speaker 1: if you if you live in a glass plastic surgery.

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Speaker 1: But her bars are not trash. I'm not trash. It's

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Speaker 1: not poopy bars. It's not the worst thing I've ever heard.

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Speaker 1: It's it's all right. Well, let me finish off by

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Speaker 1: reading what Nicki Minajs posted on her Instagram. She went

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Speaker 1: on Instagram and she said, Young Money to the death

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Speaker 1: of me committing perjury. I got before and after pictures

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Speaker 1: of your surgery. Stop surgury shaming before I post them.

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Speaker 1: Fraud disrecords can't be lies. Great disrecords effects. But here

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Speaker 1: at Young Money, we don't do disrecords. We drop hit

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Speaker 1: records and dis you on them. I got a bunch

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Speaker 1: more on cock pause. The greats took three months to

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Speaker 1: respond to disrecords. Queens don't move on Peasant Time. Queen

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Speaker 1: shut down Paris, then drop hits on Queen Time. I

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Speaker 1: love my fans, you are the real MVP's been writing

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Speaker 1: my own wraps since I was eleven. God knows. Next

418
00:20:30,440 --> 00:20:32,480
Speaker 1: week I'll be to Rita for the most hot one

419
00:20:32,520 --> 00:20:35,200
Speaker 1: hundred hits on Billboard by any woman in the world

420
00:20:35,320 --> 00:20:38,040
Speaker 1: ever in the history of music. Stay in your bumbass place.

421
00:20:38,440 --> 00:20:41,199
Speaker 1: Jealousy gets you nowhere. Love to all my bad bees. Now,

422
00:20:41,240 --> 00:20:43,760
Speaker 1: I got a countdown of my own fortunat and you

423
00:20:43,880 --> 00:20:46,240
Speaker 1: got seventy two hours to drop a hit. And I'll

424
00:20:46,240 --> 00:20:48,560
Speaker 1: give you half a million dollars if you can book

425
00:20:48,600 --> 00:20:51,280
Speaker 1: any show or interview without mentioning the queen name. On

426
00:20:51,359 --> 00:20:53,800
Speaker 1: another note, my album is nothing but waves, Ello all

427
00:20:53,840 --> 00:20:56,479
Speaker 1: my babies, You're gonna get your complete life. Love you

428
00:20:56,520 --> 00:21:00,200
Speaker 1: guys so effing much. Let's go well, she said, was whack.

429
00:21:00,280 --> 00:21:02,920
Speaker 1: You can fart On that response, she said, stop surgery shaven.

430
00:21:03,000 --> 00:21:04,840
Speaker 1: So I guess she's admitting that she had surgery. And

431
00:21:04,920 --> 00:21:07,400
Speaker 1: the crazy thing is, for the past what a year

432
00:21:07,400 --> 00:21:11,159
Speaker 1: and a half, Remy's been getting booked without saying Nikki's

433
00:21:11,240 --> 00:21:12,960
Speaker 1: name like this whole saying Nicky's name has been what

434
00:21:13,080 --> 00:21:15,720
Speaker 1: the past two weeks? Maybe Yeah, that was That was

435
00:21:15,760 --> 00:21:17,360
Speaker 1: of a pure emotion and you know it was white.

436
00:21:17,359 --> 00:21:20,399
Speaker 1: That's why she did stay with her comments. Why your comments, Nicky,

437
00:21:20,400 --> 00:21:21,800
Speaker 1: you don't make you the money stuff? And all that

438
00:21:21,920 --> 00:21:23,960
Speaker 1: night I was wack. You can't be scared of people's opinion.

439
00:21:24,000 --> 00:21:26,040
Speaker 1: Don't just say with your comments, take the good with

440
00:21:26,160 --> 00:21:28,440
Speaker 1: the bad and personally, I think no fraud was week

441
00:21:28,480 --> 00:21:30,480
Speaker 1: didn't move me at all. She gets an EF effort.

442
00:21:30,520 --> 00:21:32,919
Speaker 1: I'm glad she responded for the culture, but nah, And

443
00:21:32,920 --> 00:21:35,000
Speaker 1: this is why I wish Remy never dropped another one,

444
00:21:35,000 --> 00:21:37,880
Speaker 1: because it allowed people to be distracted, like Nicky referencing

445
00:21:37,960 --> 00:21:41,320
Speaker 1: another one. But you're gonna act like Shetha didn't happen. No,

446
00:21:41,440 --> 00:21:44,840
Speaker 1: she was was probably the best disrespectful disrecord. I love it.

447
00:21:45,240 --> 00:21:46,800
Speaker 1: But we have a lot more to talk about this

448
00:21:46,800 --> 00:21:49,760
Speaker 1: morning when it comes to this, because sheither has had

449
00:21:49,800 --> 00:21:51,760
Speaker 1: its own issues right now, and you may not hear

450
00:21:51,800 --> 00:21:54,240
Speaker 1: that at all anymore on the internet on the radio,

451
00:21:54,600 --> 00:21:56,480
Speaker 1: and we'll tell you why. But you gotta take money out.

452
00:21:56,480 --> 00:21:59,720
Speaker 1: They can't keep saying I'll give you five hundred thousand money,

453
00:22:00,040 --> 00:22:01,919
Speaker 1: number a top five record with it all the way

454
00:22:02,480 --> 00:22:05,760
Speaker 1: double platinum money, talking about money and the record sales

455
00:22:05,840 --> 00:22:08,840
Speaker 1: and stars. Shut up. But it's gonna talk about all right.

456
00:22:08,840 --> 00:22:11,119
Speaker 1: But we'll keep him for the culture now. Ed Sharon's

457
00:22:11,160 --> 00:22:13,120
Speaker 1: coming up next to them. Ed Sharon will be joining

458
00:22:13,200 --> 00:22:15,080
Speaker 1: us when we come back. He has the number one

459
00:22:15,080 --> 00:22:17,240
Speaker 1: record in the country. Talking about number one, the number

460
00:22:17,280 --> 00:22:19,040
Speaker 1: one record in the country. Yeah, and we'll talk to

461
00:22:19,080 --> 00:22:21,080
Speaker 1: him when we come back at play the record this morning.

462
00:22:21,119 --> 00:22:22,920
Speaker 1: Now you want to talk to some white people, there

463
00:22:22,960 --> 00:22:24,359
Speaker 1: you go, and we're gonna play the record too if

464
00:22:24,359 --> 00:22:25,719
Speaker 1: you haven't heard it, all right, so keep a lot.

465
00:22:26,119 --> 00:22:29,680
Speaker 1: Everybody is DJ Envy Angeli, Charlemagne, the guy, we are

466
00:22:29,680 --> 00:22:32,200
Speaker 1: the breakfast club. We got a friend to the room,

467
00:22:32,359 --> 00:22:36,720
Speaker 1: our bloke from the UK, our bloke, and Sharon is here.

468
00:22:36,960 --> 00:22:40,200
Speaker 1: Bloke's not a bad word, right, No, Blea's good. Yeah, okay,

469
00:22:40,200 --> 00:22:41,959
Speaker 1: Fleag's a good one. We're gonna do the shot now,

470
00:22:42,960 --> 00:22:45,760
Speaker 1: and you're talking about leg Oh my goodness. As Charlemagne

471
00:22:45,760 --> 00:22:51,159
Speaker 1: gets ready, As Charlemagne gets the liquor ready, what I

472
00:22:51,200 --> 00:22:53,399
Speaker 1: want to wait? Have you got your own drink vig?

473
00:22:54,240 --> 00:22:56,840
Speaker 1: What what the no? No, no one, no no no,

474
00:22:56,840 --> 00:22:59,680
Speaker 1: that's a that's actually fifty to drink f and vodka.

475
00:22:59,760 --> 00:23:03,399
Speaker 1: That's ah that's vacca. Now we've seen and sharing at

476
00:23:03,400 --> 00:23:05,560
Speaker 1: the Ahart Radio Awards, and we took a picture with him,

477
00:23:05,600 --> 00:23:08,000
Speaker 1: but the end we actually crap my face out. Yeah

478
00:23:08,680 --> 00:23:11,320
Speaker 1: I noticed that, Batman. I just wanted to make it

479
00:23:11,320 --> 00:23:12,800
Speaker 1: seem like you guys were on the date. But you

480
00:23:12,960 --> 00:23:16,040
Speaker 1: killed the Ahart Radio Awards on your award. Thank you.

481
00:23:16,080 --> 00:23:18,480
Speaker 1: How was that show feel? Do you know what it was?

482
00:23:19,000 --> 00:23:21,840
Speaker 1: American award shows, they usually always sit you like in

483
00:23:21,880 --> 00:23:23,960
Speaker 1: a line, and it's quite awkward because if you want

484
00:23:23,960 --> 00:23:25,479
Speaker 1: to say hi to an artist, you have to like

485
00:23:25,520 --> 00:23:27,800
Speaker 1: get up walk in front of loads of other artists

486
00:23:27,800 --> 00:23:30,000
Speaker 1: and be like Hi, I'm a fan. But on foot

487
00:23:30,040 --> 00:23:32,119
Speaker 1: on the Heart Radio Awards, they put you on the

488
00:23:32,160 --> 00:23:34,800
Speaker 1: table with other artists so you can kind of chat

489
00:23:34,840 --> 00:23:36,800
Speaker 1: to people you don't really usually meet. Yeah, that was

490
00:23:36,840 --> 00:23:40,000
Speaker 1: that was pretty cool. Now we listened to some of yours.

491
00:23:40,359 --> 00:23:44,760
Speaker 1: I know what you're like, listen to your music, I

492
00:23:44,800 --> 00:23:46,919
Speaker 1: know what you like. And we were listening to your

493
00:23:46,960 --> 00:23:50,040
Speaker 1: album this morning and your album felt a lot like

494
00:23:50,600 --> 00:23:53,800
Speaker 1: soccer music. Some of the songs on there, so soca

495
00:23:53,880 --> 00:23:56,440
Speaker 1: musicocer music. Yeah. Did did you get any inspiration from

496
00:23:56,440 --> 00:23:58,240
Speaker 1: the from the Islands to the Cribbin? And? I think

497
00:23:58,240 --> 00:24:03,160
Speaker 1: most music forever is being inspired by um Island culture.

498
00:24:03,280 --> 00:24:05,919
Speaker 1: I think yeah. But I did spend some time in Ghana.

499
00:24:05,960 --> 00:24:08,160
Speaker 1: I went over to Ghana for about three weeks and

500
00:24:09,800 --> 00:24:12,360
Speaker 1: collaborated with an artist over there called fuse Odg and

501
00:24:12,400 --> 00:24:15,280
Speaker 1: he U's a very very talented afrobet artist and he

502
00:24:15,359 --> 00:24:18,520
Speaker 1: kind of had a house that's just full of amazing

503
00:24:18,520 --> 00:24:20,560
Speaker 1: afrobeat artists as well. So we we we created some

504
00:24:20,640 --> 00:24:22,439
Speaker 1: music out there as well, which is good. That sounded good.

505
00:24:22,440 --> 00:24:26,840
Speaker 1: It sounded like sing it just up to you. I

506
00:24:26,840 --> 00:24:29,159
Speaker 1: don't know. I'm not really a whiskey guys. That's shut it,

507
00:24:29,359 --> 00:24:32,760
Speaker 1: shot it yeah, Tex Charlotte, make sure he drink is

508
00:24:34,119 --> 00:24:38,600
Speaker 1: all right? Jesus Christ, Oh God, that might have to

509
00:24:38,600 --> 00:24:44,680
Speaker 1: be last. What's a good whiskey? Yeah, bush bush Mills,

510
00:24:44,720 --> 00:24:49,960
Speaker 1: bush Mills you ever heard? Yeah? Yeah, American whiskey is good,

511
00:24:49,960 --> 00:24:52,159
Speaker 1: but I always go for Irish or Northern Irish whiskey.

512
00:24:52,280 --> 00:24:54,840
Speaker 1: You know what day? I like about two your records

513
00:24:54,880 --> 00:24:58,720
Speaker 1: right like it you're unapologetically UK. Yeah, like the song

514
00:24:58,880 --> 00:25:03,320
Speaker 1: it was a Galloway. Oh that's Irish though, that's always

515
00:25:03,359 --> 00:25:05,440
Speaker 1: a town in the island. There's actually another there's a

516
00:25:05,440 --> 00:25:08,159
Speaker 1: Steve El song called Golwig Girl. Actually, as I was

517
00:25:08,160 --> 00:25:10,280
Speaker 1: writing the song, I was like, I can't call it

518
00:25:10,280 --> 00:25:12,719
Speaker 1: Goalway Girl because Steve El sings a song Goolwig Girl,

519
00:25:12,760 --> 00:25:14,359
Speaker 1: So I kind of like, I think I stepped on

520
00:25:14,400 --> 00:25:16,280
Speaker 1: his toes there a little bit. There's the label of

521
00:25:16,320 --> 00:25:18,080
Speaker 1: a press you like, make a record about times square

522
00:25:18,119 --> 00:25:21,399
Speaker 1: aad You're big in the US. Tool No. Do you

523
00:25:21,400 --> 00:25:23,719
Speaker 1: know what they told me not to put on Goalway

524
00:25:23,760 --> 00:25:25,960
Speaker 1: Girl though, because they said folk music wasn't cool. But

525
00:25:26,400 --> 00:25:29,399
Speaker 1: something's only not cool until you make it cool. I think, yeah, No,

526
00:25:29,480 --> 00:25:32,359
Speaker 1: I have the name of that. I'm divide. Uh. I

527
00:25:32,400 --> 00:25:34,879
Speaker 1: wanted to create an album that every single song was

528
00:25:34,920 --> 00:25:37,280
Speaker 1: completely different, so when you skip to the next track,

529
00:25:37,320 --> 00:25:40,960
Speaker 1: it it's just like a complete shift. So it was

530
00:25:40,960 --> 00:25:44,080
Speaker 1: twelve tracks that were very divided. Basically. Now on the

531
00:25:44,080 --> 00:25:47,640
Speaker 1: song A Racer, you talk a lot about stating tempting

532
00:25:47,680 --> 00:25:51,120
Speaker 1: you what are it all is tempticient? I think it's

533
00:25:51,160 --> 00:25:54,919
Speaker 1: just any like if you ask any musician, the music industry,

534
00:25:54,960 --> 00:25:57,400
Speaker 1: and film industry and probably art industry, just like those

535
00:25:57,440 --> 00:26:02,520
Speaker 1: worlds I mean, much business. I think just there's temptations

536
00:26:02,560 --> 00:26:04,880
Speaker 1: that are there, whether it be drink, whether it be drugs,

537
00:26:04,920 --> 00:26:06,880
Speaker 1: whether it be girls that have you know, they're they're

538
00:26:06,920 --> 00:26:11,560
Speaker 1: they're always there and you have to kind of literally

539
00:26:11,600 --> 00:26:15,439
Speaker 1: that I say in the song every day, Um Satan

540
00:26:15,480 --> 00:26:16,679
Speaker 1: sens to me. I tried to take it in my

541
00:26:16,720 --> 00:26:18,960
Speaker 1: strike and you just you see it all the time,

542
00:26:19,000 --> 00:26:21,760
Speaker 1: and there'll be times when it looks quite attractive. And

543
00:26:21,840 --> 00:26:23,879
Speaker 1: you might wander over to it for a bit and

544
00:26:23,920 --> 00:26:25,560
Speaker 1: then you just have to kind of remind yourself that

545
00:26:25,600 --> 00:26:27,240
Speaker 1: it's not the right thing to do. Do you mean,

546
00:26:27,280 --> 00:26:29,760
Speaker 1: like a woman, I just do any any of the above,

547
00:26:29,880 --> 00:26:34,400
Speaker 1: like drink drugs women? Do you really believe fame as hell? No,

548
00:26:34,560 --> 00:26:36,960
Speaker 1: it was you know, I kind of had that that

549
00:26:37,040 --> 00:26:40,439
Speaker 1: line in there, and that then I quickly wrote, nobody

550
00:26:40,480 --> 00:26:41,760
Speaker 1: wants to see you down at the dumps because you

551
00:26:41,800 --> 00:26:43,680
Speaker 1: live in your dreams should be funny. So I kind

552
00:26:43,680 --> 00:26:45,800
Speaker 1: of it was a line where you know, in my

553
00:26:46,040 --> 00:26:48,800
Speaker 1: in my home country, um, and you know, in some

554
00:26:48,840 --> 00:26:51,240
Speaker 1: places in America it is quite hard to go outside

555
00:26:51,240 --> 00:26:53,920
Speaker 1: and just go and get like a piney milk from

556
00:26:54,080 --> 00:26:55,680
Speaker 1: the shop or something like that. So that was kind

557
00:26:55,680 --> 00:26:57,200
Speaker 1: of me aiming only when you're a big style like

558
00:26:57,359 --> 00:27:01,680
Speaker 1: ed sharing, I just look at while gut and give milk.

559
00:27:02,560 --> 00:27:06,280
Speaker 1: There's your fame bother No, because you know, it allows

560
00:27:06,320 --> 00:27:08,639
Speaker 1: me to really do a job that I love. But

561
00:27:08,680 --> 00:27:13,160
Speaker 1: there are certain instances where you know, nothing is perfect

562
00:27:13,280 --> 00:27:15,400
Speaker 1: in life and you can't have like the perfect career

563
00:27:15,480 --> 00:27:17,880
Speaker 1: or the perfect relationship or like the perfect friendship. There's

564
00:27:17,920 --> 00:27:21,320
Speaker 1: always things that are wrong with it and with fame.

565
00:27:21,400 --> 00:27:23,280
Speaker 1: There's certain things that I would take out, but then

566
00:27:23,400 --> 00:27:25,320
Speaker 1: if I took them out, I wouldn't have the success

567
00:27:25,320 --> 00:27:27,600
Speaker 1: I had, So you just have to find the balance.

568
00:27:28,560 --> 00:27:30,720
Speaker 1: Most of that song was me writing about finding the balance,

569
00:27:30,840 --> 00:27:33,320
Speaker 1: like I kind of like had a whirlwind success for

570
00:27:33,359 --> 00:27:38,280
Speaker 1: five years and then didn't really know how I was

571
00:27:38,359 --> 00:27:40,240
Speaker 1: kind of like going to sort my life out and

572
00:27:40,280 --> 00:27:42,240
Speaker 1: which friends I could trust and where I should live,

573
00:27:42,280 --> 00:27:44,880
Speaker 1: and like if if my family were like all right,

574
00:27:44,960 --> 00:27:46,639
Speaker 1: and should I be going on tour here or should

575
00:27:46,640 --> 00:27:49,680
Speaker 1: I really releasing song heres and taking a year out

576
00:27:49,680 --> 00:27:51,640
Speaker 1: of that and just balancing it all out, and now

577
00:27:51,640 --> 00:27:53,680
Speaker 1: I'm kind of cool. Well, what makes you so all brouded? Like?

578
00:27:53,720 --> 00:27:55,960
Speaker 1: You know, we meet a ladder artists and adder perhaps

579
00:27:56,000 --> 00:27:58,920
Speaker 1: stars in huge stars, but you're probably one of the

580
00:27:59,080 --> 00:28:01,720
Speaker 1: artists that the same ed every time we see you,

581
00:28:01,960 --> 00:28:04,080
Speaker 1: know what I mean, whether it's you come overously hello

582
00:28:04,359 --> 00:28:06,119
Speaker 1: or you just look joke and laugh. What makes you

583
00:28:06,200 --> 00:28:08,680
Speaker 1: so all grounded? Um? You know what? I come from

584
00:28:08,720 --> 00:28:10,840
Speaker 1: a very very very small town in the middle of

585
00:28:10,920 --> 00:28:15,440
Speaker 1: nowhere in Suffolk, in England's and oh Jesus, what's that

586
00:28:15,960 --> 00:28:18,879
Speaker 1: you like? Little busy? Yeah? Okay, this is his liquor.

587
00:28:18,960 --> 00:28:21,639
Speaker 1: I've never tried it, so I've figured boosy juice. Right, Yes,

588
00:28:21,960 --> 00:28:24,760
Speaker 1: you're here and we've never tried it. We're gonna try it.

589
00:28:25,200 --> 00:28:27,680
Speaker 1: I know. I come from a very small town. I've

590
00:28:27,680 --> 00:28:29,879
Speaker 1: got a friendship group with twelve mates, and that's like

591
00:28:30,200 --> 00:28:32,359
Speaker 1: my and my girlfriend's one of that friendship group that

592
00:28:32,400 --> 00:28:33,920
Speaker 1: we all grew up with and we've all known each

593
00:28:33,920 --> 00:28:36,600
Speaker 1: other since since we were ten. And I think there's

594
00:28:36,640 --> 00:28:39,520
Speaker 1: a you can kind of go back to that town

595
00:28:39,600 --> 00:28:41,720
Speaker 1: and there's a veil that's taken off you and no

596
00:28:42,120 --> 00:28:44,880
Speaker 1: one says, how's your career going? Have you met this person?

597
00:28:44,960 --> 00:28:47,400
Speaker 1: What's this person? Like? They just go, mate, do you

598
00:28:47,480 --> 00:28:50,920
Speaker 1: want to point? Uh? So and so he's been up

599
00:28:50,960 --> 00:28:52,920
Speaker 1: to this? How have you heard thing he slept with? Thingy?

600
00:28:53,040 --> 00:28:56,880
Speaker 1: Like it's just like, you know, it's a very very yeah. Yeah,

601
00:28:57,520 --> 00:29:00,680
Speaker 1: but you know like one of my mate hooks up

602
00:29:00,720 --> 00:29:02,640
Speaker 1: with another one of my makes little sisters the other

603
00:29:02,720 --> 00:29:04,320
Speaker 1: day and that was like as soon as we got back,

604
00:29:04,320 --> 00:29:08,880
Speaker 1: it's like, dude, exactly. And it wasn't like it wasn't like, oh,

605
00:29:08,960 --> 00:29:10,360
Speaker 1: you've been at the I Heart Awards and I saw

606
00:29:10,400 --> 00:29:11,720
Speaker 1: you at table with so and so and so and

607
00:29:11,800 --> 00:29:13,400
Speaker 1: so it just goes straight back to how we were

608
00:29:13,440 --> 00:29:16,920
Speaker 1: at school. Cancel on the Hill represents right, yeah, exactly, Yeah,

609
00:29:17,080 --> 00:29:19,320
Speaker 1: that's nicely all right. We got more with Ed Sharon

610
00:29:19,360 --> 00:29:21,200
Speaker 1: when we come back. Keep a lot, don't move. It's

611
00:29:21,200 --> 00:29:26,960
Speaker 1: the Breakfast Club of the Morning, the Breakfast Club Morning.

612
00:29:27,000 --> 00:29:30,280
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne, the guy. We

613
00:29:30,400 --> 00:29:32,960
Speaker 1: are the Breakfast Club. We have a special guest in

614
00:29:33,040 --> 00:29:35,600
Speaker 1: the building, pop star Ed Sharon. You know what I

615
00:29:35,640 --> 00:29:37,720
Speaker 1: wanted to know kll It talks about an experience with

616
00:29:38,040 --> 00:29:40,880
Speaker 1: you and him in Miami. Oh well, you'll go from

617
00:29:40,960 --> 00:29:43,280
Speaker 1: club the club, the club, the club, the club, and

618
00:29:43,320 --> 00:29:45,160
Speaker 1: then go to the studio. Tell us about that experience.

619
00:29:46,320 --> 00:29:48,080
Speaker 1: Upset that we haven't hit the club man, we've pulled

620
00:29:48,320 --> 00:29:51,680
Speaker 1: been at the club now I know man, Well do

621
00:29:51,720 --> 00:29:53,320
Speaker 1: you know what? Do you know what the thing is

622
00:29:53,840 --> 00:29:55,920
Speaker 1: with New York. Every time I'm in New York, I'm

623
00:29:55,960 --> 00:29:58,920
Speaker 1: up doing breakfast radio stuff like this and the Morning

624
00:29:59,040 --> 00:30:03,920
Speaker 1: Radio and that Breakfast with with with Canada. In Miami,

625
00:30:03,960 --> 00:30:05,280
Speaker 1: I had the whole day off the next day, so

626
00:30:05,400 --> 00:30:07,520
Speaker 1: we really really hit it hard, but we h I

627
00:30:07,640 --> 00:30:10,840
Speaker 1: took him to a dive bar first, come on man,

628
00:30:11,560 --> 00:30:14,920
Speaker 1: come on his arms out. Man. It's a little boosty's

629
00:30:15,000 --> 00:30:21,479
Speaker 1: drink a little busy juice. So you were call the CLO,

630
00:30:21,640 --> 00:30:23,240
Speaker 1: got a day of interviews off this. We're gonna shot.

631
00:30:23,240 --> 00:30:29,520
Speaker 1: We're gonna shot. Have you shot dead? That good? Okay?

632
00:30:29,720 --> 00:30:31,680
Speaker 1: Tell us about Calidar. You're in Miami. You're going to

633
00:30:31,720 --> 00:30:35,000
Speaker 1: the class that's better than whiskey, Thank boy. I respect.

634
00:30:35,040 --> 00:30:39,600
Speaker 1: That's so right. Um, So I took him to a

635
00:30:39,680 --> 00:30:44,440
Speaker 1: dive You gotta shot it man, Yeah, no, you take

636
00:30:44,440 --> 00:30:46,840
Speaker 1: the Yeah, I want to take that. Jus, we're in

637
00:30:46,880 --> 00:30:51,280
Speaker 1: it together. Um. I took him. I took him to

638
00:30:51,360 --> 00:30:54,880
Speaker 1: a dive bar and we played some pool, okay, and

639
00:30:55,720 --> 00:30:58,560
Speaker 1: you know, chatted and then he was with in his

640
00:30:59,040 --> 00:31:01,920
Speaker 1: you know his roles raw is it erasing with the

641
00:31:02,080 --> 00:31:09,200
Speaker 1: with the sparkly things? So yeah, and then he was like,

642
00:31:09,760 --> 00:31:11,760
Speaker 1: we're going to go to one of like his clubs. Now.

643
00:31:11,800 --> 00:31:13,120
Speaker 1: So we turned up with this hip hop club and

644
00:31:13,120 --> 00:31:16,520
Speaker 1: I think Jeez was there and flow Rider and someone else.

645
00:31:16,640 --> 00:31:18,920
Speaker 1: We stayed there and then we hit another club and

646
00:31:19,040 --> 00:31:21,120
Speaker 1: then hit another club and then hit another club. And like,

647
00:31:21,200 --> 00:31:24,120
Speaker 1: I'm kind of like calid is very reserved. Callid's very

648
00:31:24,200 --> 00:31:26,480
Speaker 1: like he's you never see him get messy. He's always

649
00:31:26,520 --> 00:31:28,560
Speaker 1: like you've always seen him with a bottle of champagne

650
00:31:28,600 --> 00:31:30,480
Speaker 1: in his hand. But he's not like drinking it right, well,

651
00:31:30,560 --> 00:31:33,000
Speaker 1: he's not shotting it. He's not like proper drinking it.

652
00:31:33,240 --> 00:31:36,720
Speaker 1: I don't really know what what his alcohol intake is,

653
00:31:36,800 --> 00:31:39,400
Speaker 1: but um. And then we get to the studio and

654
00:31:39,480 --> 00:31:41,920
Speaker 1: I've kind of like I have Irish blooded me, so

655
00:31:42,040 --> 00:31:44,920
Speaker 1: I'm just like drink drink and it's all free booze

656
00:31:44,920 --> 00:31:48,160
Speaker 1: as well. And we get to the studio and I

657
00:31:48,240 --> 00:31:51,120
Speaker 1: think like there's just a lot of people about, and

658
00:31:51,240 --> 00:31:55,920
Speaker 1: I'm kind of like, uh, chain smoking roll up cigarette said,

659
00:31:56,000 --> 00:31:59,560
Speaker 1: roll smoke, roll smoke, roll smoke, and he's smoking blunts.

660
00:32:00,000 --> 00:32:03,160
Speaker 1: You were smoking no, no, no, no, no tobacco. People

661
00:32:03,200 --> 00:32:05,720
Speaker 1: were all up tobacco in England. You do in England,

662
00:32:06,360 --> 00:32:09,280
Speaker 1: that's what you grew up doing. Um, and uh yeah,

663
00:32:09,360 --> 00:32:11,360
Speaker 1: I kind of And he doesn't fair and he doesn't yet.

664
00:32:12,880 --> 00:32:15,880
Speaker 1: He doesn't smoke. He doesn't smoke cigarette. So I've kind

665
00:32:15,880 --> 00:32:19,080
Speaker 1: of like hot boxed his whole room with tobacco. And

666
00:32:19,200 --> 00:32:21,920
Speaker 1: I play him like fifty songs off off the new

667
00:32:21,960 --> 00:32:24,760
Speaker 1: album and then leave at like five o'clock in the morning,

668
00:32:25,160 --> 00:32:27,720
Speaker 1: and yeah, didn't didn't I kind of like had that fear.

669
00:32:27,720 --> 00:32:29,280
Speaker 1: The next day we woke up with like you were like,

670
00:32:29,520 --> 00:32:31,000
Speaker 1: was that a bit of an egotistical man? Yea, I

671
00:32:31,000 --> 00:32:33,640
Speaker 1: guess now we know how Kali gives three features, gives

672
00:32:33,680 --> 00:32:37,600
Speaker 1: this guy drunk. You know what I would do? I

673
00:32:38,280 --> 00:32:40,160
Speaker 1: would really like remember that he did a song with

674
00:32:40,280 --> 00:32:46,160
Speaker 1: Acon John Legends and and Siney Hamilton, jade A Kiss,

675
00:32:46,320 --> 00:32:49,320
Speaker 1: Scarface and someone else. I'd love to be like one

676
00:32:50,080 --> 00:32:53,960
Speaker 1: five second features and I'd love to get yeah, of course.

677
00:32:54,400 --> 00:32:56,120
Speaker 1: And I'd love to get Kalid on like one of

678
00:32:56,160 --> 00:33:01,080
Speaker 1: my really really slow, gentle acoustic songs, being like We're

679
00:33:01,120 --> 00:33:04,800
Speaker 1: the best, but just like a really really rainy gentle song. Yeah. Now,

680
00:33:04,880 --> 00:33:06,840
Speaker 1: you talk about a few of your friends on this album.

681
00:33:07,520 --> 00:33:09,120
Speaker 1: None of them seem to be doing good. You said

682
00:33:09,120 --> 00:33:12,120
Speaker 1: one of your meats that you said he died of

683
00:33:13,160 --> 00:33:16,040
Speaker 1: his meat, died of an overdoor. Another one his second

684
00:33:16,240 --> 00:33:19,160
Speaker 1: he's on his second wave. Like, is it difficult to

685
00:33:19,200 --> 00:33:21,320
Speaker 1: still be friends with them because you're such a man.

686
00:33:21,480 --> 00:33:23,320
Speaker 1: I think it's You know what's weird about my mates

687
00:33:23,440 --> 00:33:26,080
Speaker 1: is we have the literally nothing in common other than

688
00:33:26,160 --> 00:33:28,280
Speaker 1: the place that we came from, and we still have

689
00:33:28,480 --> 00:33:30,440
Speaker 1: so much to talk about and we get on so well.

690
00:33:30,840 --> 00:33:32,600
Speaker 1: And I think that's the king I reckon. You have

691
00:33:33,560 --> 00:33:36,320
Speaker 1: you obviously, I know you as a person, and I

692
00:33:36,440 --> 00:33:39,960
Speaker 1: know you as a person, and you have industry mates

693
00:33:40,000 --> 00:33:41,600
Speaker 1: that you hang out with, but you have your you

694
00:33:41,720 --> 00:33:44,800
Speaker 1: have your friends. You have your friends who have nothing

695
00:33:44,840 --> 00:33:46,800
Speaker 1: to do with the industry who might be like a

696
00:33:46,920 --> 00:33:48,760
Speaker 1: steel work or work in a bar, or work on

697
00:33:48,840 --> 00:33:50,920
Speaker 1: Wall Street or like do do anything, and they will

698
00:33:51,080 --> 00:33:52,720
Speaker 1: hang out with you in a bar. And the last

699
00:33:52,760 --> 00:33:54,400
Speaker 1: thing they want to hear about is so you've interviewed

700
00:33:54,400 --> 00:33:56,200
Speaker 1: in the radio. They just want to hear like if

701
00:33:56,240 --> 00:34:01,640
Speaker 1: you're dating anyone, or like what some celebrities do they? Yeah? Yeah,

702
00:34:01,840 --> 00:34:04,840
Speaker 1: have you some celebrities in my life? Yeah? Yeah before

703
00:34:04,840 --> 00:34:10,120
Speaker 1: I'm married now, but yeah before? So yeah, right, that

704
00:34:10,239 --> 00:34:15,320
Speaker 1: much to drink? Ever, you put everyone on blast, and

705
00:34:15,360 --> 00:34:16,560
Speaker 1: you know what you should do when you put have

706
00:34:16,600 --> 00:34:19,480
Speaker 1: you ever have you ever to fall out of celebrities?

707
00:34:19,480 --> 00:34:22,319
Speaker 1: But celebrities? But no, I've never known the celebrity there.

708
00:34:22,920 --> 00:34:24,839
Speaker 1: I wouldn't have done that. That's something you you keep

709
00:34:24,840 --> 00:34:29,040
Speaker 1: it away. Do you know what's so bad about our

710
00:34:29,080 --> 00:34:31,279
Speaker 1: first interview? My dad watches all the interviews. I didn't.

711
00:34:31,320 --> 00:34:34,160
Speaker 1: The first thing we talked about was but really yeah,

712
00:34:34,160 --> 00:34:36,000
Speaker 1: And I got home and I was just kind of like, right, Dad,

713
00:34:36,000 --> 00:34:39,680
Speaker 1: and he was like, yep, I think you got here

714
00:34:39,719 --> 00:34:48,759
Speaker 1: by mate. You also said you find fine, you find

715
00:34:48,800 --> 00:34:51,879
Speaker 1: comforting in pain. No, the the line is I find

716
00:34:51,920 --> 00:34:54,640
Speaker 1: comfort in my pain erasers. So a pain eraisor is

717
00:34:55,280 --> 00:34:57,640
Speaker 1: for me. When I was writing the song, I knew

718
00:34:57,840 --> 00:35:00,399
Speaker 1: I knew people will kind of take this dif from ways,

719
00:35:00,440 --> 00:35:02,480
Speaker 1: but I think a pain raise is anything from music

720
00:35:02,600 --> 00:35:06,400
Speaker 1: to food. It's a good company to the negative stuff

721
00:35:06,440 --> 00:35:09,040
Speaker 1: like bad women, drugs, and booze. I think a pain

722
00:35:09,200 --> 00:35:11,560
Speaker 1: raise is anything that kind of distracts you from pain.

723
00:35:11,680 --> 00:35:14,640
Speaker 1: So that song was basically I found comfort in my

724
00:35:14,719 --> 00:35:17,640
Speaker 1: pain Oraiser, which could be like literally anything. One of

725
00:35:17,680 --> 00:35:20,560
Speaker 1: my favorite records because it reminded me like I always

726
00:35:20,600 --> 00:35:23,000
Speaker 1: like rappers like Nahs, right, like when Naves would have

727
00:35:23,080 --> 00:35:25,680
Speaker 1: rapped from the perspective of a gun, like that was

728
00:35:25,760 --> 00:35:28,400
Speaker 1: just different. You did a song from the perspective of

729
00:35:28,480 --> 00:35:31,520
Speaker 1: your grandfather. Yeah, I thought that was ill. And it's

730
00:35:31,960 --> 00:35:35,040
Speaker 1: titled after your grandmother, Nancy Mother. Yeah, what made you

731
00:35:35,080 --> 00:35:36,960
Speaker 1: want to do that? Do you know what it's. It's

732
00:35:37,080 --> 00:35:39,120
Speaker 1: it's the weirdest story because it's not it's now not

733
00:35:39,280 --> 00:35:42,200
Speaker 1: like Northern Ireland and Southern Ireland now it's all it's

734
00:35:42,200 --> 00:35:46,680
Speaker 1: all very calm, and it's all like, you know, calm,

735
00:35:46,880 --> 00:35:49,759
Speaker 1: calm down. And my grandmother was from Southern Ireland and

736
00:35:50,320 --> 00:35:52,600
Speaker 1: was a Catholic and my grandfather was from Northern Ireland

737
00:35:52,640 --> 00:35:55,120
Speaker 1: was a Protestant, and when they started dating, it was

738
00:35:55,680 --> 00:35:59,920
Speaker 1: literally like west Side story, two sides can't nix both families,

739
00:36:00,120 --> 00:36:03,799
Speaker 1: or like this can't can happen? And a Protestant from

740
00:36:03,800 --> 00:36:07,080
Speaker 1: Belfast married of Catholic from Wexford and they snuck off

741
00:36:07,160 --> 00:36:09,400
Speaker 1: and did it in secret. My grandfather took all the

742
00:36:09,520 --> 00:36:12,120
Speaker 1: gold teeth from his dentist practice that he was working out,

743
00:36:12,160 --> 00:36:14,920
Speaker 1: melted it all down into gold ring married my grandmother

744
00:36:15,000 --> 00:36:16,360
Speaker 1: and I just thought, I just thought it was the

745
00:36:16,440 --> 00:36:18,440
Speaker 1: most amazing story and it just has to have a

746
00:36:18,520 --> 00:36:20,400
Speaker 1: song written about it. That was where it kind of

747
00:36:20,440 --> 00:36:23,080
Speaker 1: came from. Now because I got my book coming out

748
00:36:23,120 --> 00:36:24,920
Speaker 1: and I realized I didn't really know about a lot

749
00:36:24,960 --> 00:36:28,960
Speaker 1: about how even my parents met. No, I don't know either. Yeah,

750
00:36:29,000 --> 00:36:31,560
Speaker 1: I never thought about it. Yeah, So I just thought

751
00:36:31,560 --> 00:36:33,160
Speaker 1: it was a dog that we even went past a

752
00:36:33,239 --> 00:36:36,200
Speaker 1: parental to you, Well, my god, like I I you know,

753
00:36:36,360 --> 00:36:39,279
Speaker 1: I'm I am a UK citizen, I am British, but

754
00:36:39,920 --> 00:36:42,720
Speaker 1: my family is very, very very much rooted in Islands,

755
00:36:42,800 --> 00:36:47,399
Speaker 1: and my grandmother, who is Irish, we have this sort

756
00:36:47,440 --> 00:36:49,799
Speaker 1: of We all go over there like four or five

757
00:36:49,880 --> 00:36:52,080
Speaker 1: times a year and visit her and we always hear

758
00:36:52,320 --> 00:36:55,719
Speaker 1: the stories about it. And it's my granddad only just

759
00:36:55,760 --> 00:36:58,160
Speaker 1: passed away recently, and he'd have stories for days about

760
00:36:58,200 --> 00:36:59,719
Speaker 1: it as well. And it was just a kind of

761
00:37:00,960 --> 00:37:04,080
Speaker 1: tale that we grew up with. And I actually wrote

762
00:37:04,120 --> 00:37:06,920
Speaker 1: the song with my cousin and we were we were

763
00:37:07,040 --> 00:37:08,400
Speaker 1: we were in the studio and we were kind of

764
00:37:08,760 --> 00:37:10,520
Speaker 1: jamming out this folk song that we're trying to make

765
00:37:10,560 --> 00:37:12,120
Speaker 1: and that I was tuning. He was like, well, let's

766
00:37:12,160 --> 00:37:14,560
Speaker 1: just write about Grandma and Grandad because they have this

767
00:37:14,840 --> 00:37:17,560
Speaker 1: an amazing story that no one really knows about. All.

768
00:37:17,760 --> 00:37:20,279
Speaker 1: We got more with Ed Sharon. Matter of fact, he's here.

769
00:37:20,280 --> 00:37:22,080
Speaker 1: I know we usually don't play these type of records,

770
00:37:22,120 --> 00:37:24,120
Speaker 1: but let's get Ed Sharon's record on its number one

771
00:37:24,120 --> 00:37:25,960
Speaker 1: in the country. Rash him number one in the country.

772
00:37:26,360 --> 00:37:29,880
Speaker 1: You heard him say that this Rihanna is inspired this record.

773
00:37:30,040 --> 00:37:32,400
Speaker 1: He's in love with the shape with Rihanna ed Sharon's

774
00:37:32,440 --> 00:37:34,480
Speaker 1: in the building. Now with all your success, what what

775
00:37:34,800 --> 00:37:37,800
Speaker 1: what do you splurge on? I see your paddock on

776
00:37:37,880 --> 00:37:40,200
Speaker 1: your in your wrist, Like, what do you buy? What?

777
00:37:40,360 --> 00:37:41,840
Speaker 1: What makes you happy? What are the things that you

778
00:37:41,960 --> 00:37:46,400
Speaker 1: just recklessly buy? I've you know, I started being a

779
00:37:46,440 --> 00:37:49,120
Speaker 1: watch guy very very early on. It was John John

780
00:37:49,200 --> 00:37:52,600
Speaker 1: Mayer that ruined my life. Now put you on the watches?

781
00:37:52,719 --> 00:37:54,440
Speaker 1: I mean, how much money? If he's spitting watches? There

782
00:37:55,040 --> 00:37:57,799
Speaker 1: too much hobody? Watches do you have? He's covering up

783
00:37:57,800 --> 00:38:06,919
Speaker 1: his wrist about about fourteens about fourteen. Yeah, but they're

784
00:38:07,040 --> 00:38:10,120
Speaker 1: like specific ones. That's a good look. They don't appreciate

785
00:38:10,120 --> 00:38:13,399
Speaker 1: without Yeah. Yeah, And I you know, and they're if

786
00:38:13,440 --> 00:38:15,960
Speaker 1: you get if you get the right one, you can

787
00:38:16,040 --> 00:38:18,719
Speaker 1: really like. They're they're nice things to look at. Um,

788
00:38:19,040 --> 00:38:21,560
Speaker 1: I do you know what I bought? I bought uh

789
00:38:22,600 --> 00:38:24,960
Speaker 1: the most the most wild thing I've done. I think,

790
00:38:25,000 --> 00:38:27,279
Speaker 1: have you ever paid for a kitchen to be made? Yes?

791
00:38:27,719 --> 00:38:33,840
Speaker 1: For a kitchen? I mean kitchens. Kitchens are worse than houses.

792
00:38:33,880 --> 00:38:36,000
Speaker 1: So I just I just paid for a kitchen to

793
00:38:36,080 --> 00:38:38,200
Speaker 1: be made. What do you mean is worse than houses?

794
00:38:38,360 --> 00:38:41,480
Speaker 1: Like bloody Hillman, Like, yes, paid for a kitchen, I'm

795
00:38:41,480 --> 00:38:45,600
Speaker 1: paying for a base Basement's different when you get like

796
00:38:45,719 --> 00:38:49,400
Speaker 1: cookers and fan extractors. Absolutely, my wife isn't killing me

797
00:38:49,480 --> 00:38:53,120
Speaker 1: right now. Yeah. So it's so that was the yeah

798
00:38:53,239 --> 00:38:56,040
Speaker 1: that I guess. Do you know what I did? The

799
00:38:56,120 --> 00:38:58,439
Speaker 1: thing when I first when I first learned to drive,

800
00:38:58,520 --> 00:39:01,480
Speaker 1: I was like obsessed James Bond obviously, and I was like,

801
00:39:01,560 --> 00:39:04,200
Speaker 1: I'll buye and asked and I bought and asked Martin,

802
00:39:04,760 --> 00:39:07,320
Speaker 1: And the first day I sat in it, I was

803
00:39:07,360 --> 00:39:09,800
Speaker 1: like yeah. And then I drove through my hometown and

804
00:39:09,840 --> 00:39:14,160
Speaker 1: I was like, look, such a I haven't you felt

805
00:39:14,160 --> 00:39:15,759
Speaker 1: like a prick? Such a prick? And I haven't driven

806
00:39:15,760 --> 00:39:17,960
Speaker 1: it since. It's just I gave I gave it to

807
00:39:18,000 --> 00:39:19,600
Speaker 1: my manager's wife for a bit and just let him,

808
00:39:19,880 --> 00:39:21,719
Speaker 1: let let her take it for like six months. Did

809
00:39:21,760 --> 00:39:24,359
Speaker 1: you realize that, like everybody, you were right with this. Yeah.

810
00:39:25,320 --> 00:39:29,440
Speaker 1: You see uncle Charlt over here struggling. Goodness great. No,

811
00:39:29,560 --> 00:39:31,520
Speaker 1: I'm just saying I don't drink like that. You know that,

812
00:39:32,200 --> 00:39:34,799
Speaker 1: but my guy doesn't look like it. I'm just trying

813
00:39:34,840 --> 00:39:37,200
Speaker 1: all the stuff we never drink. This is a look

814
00:39:37,239 --> 00:39:39,239
Speaker 1: at this is more? Can you take it easy on

815
00:39:39,280 --> 00:39:45,239
Speaker 1: the shots? Splash and then and then let's let let's

816
00:39:45,280 --> 00:39:48,560
Speaker 1: all I've got interviews after this is now we're gonna

817
00:39:48,600 --> 00:39:50,439
Speaker 1: get you drunk and you're gonna go over there and cry.

818
00:39:52,960 --> 00:39:54,920
Speaker 1: Somebody who'll think they're doing such a great job inter

819
00:39:55,000 --> 00:39:59,359
Speaker 1: you and don't realize we're exactly we're going to. I'm

820
00:39:59,400 --> 00:40:01,560
Speaker 1: doing phone. Do you know what? This is the thing.

821
00:40:01,680 --> 00:40:04,600
Speaker 1: I hope you know. This is how much how much

822
00:40:04,640 --> 00:40:06,880
Speaker 1: that I love and appreciate you guys. Every time that

823
00:40:06,960 --> 00:40:08,879
Speaker 1: I'm like, I want to go into the breakfast club

824
00:40:08,920 --> 00:40:11,040
Speaker 1: and do an interview, the label go to do that.

825
00:40:11,200 --> 00:40:13,040
Speaker 1: To keep every other station happy, you need to do

826
00:40:13,120 --> 00:40:15,320
Speaker 1: like fourteen fifteen interviews. So any time I come on

827
00:40:15,400 --> 00:40:18,360
Speaker 1: this show, I need to do another fourteen fifteen. Appreciate.

828
00:40:19,000 --> 00:40:26,319
Speaker 1: I appreciate Now. Venting must be hard because like you said, yeah,

829
00:40:26,719 --> 00:40:29,800
Speaker 1: like you saward on filming it, they're gonna be like

830
00:40:30,200 --> 00:40:34,759
Speaker 1: Edwards standing there like this waiting for anything. Like you say,

831
00:40:34,880 --> 00:40:38,480
Speaker 1: nobody wants to hear a star complaint. So who do

832
00:40:38,520 --> 00:40:42,759
Speaker 1: you talk to? UM? You don't really, you don't really,

833
00:40:42,840 --> 00:40:45,920
Speaker 1: I think I think that's why so many stars have

834
00:40:46,280 --> 00:40:49,760
Speaker 1: addiction problems because there's no there's you can't complain to anyone,

835
00:40:50,080 --> 00:40:52,360
Speaker 1: even even to other stars. You can imagine if like

836
00:40:53,640 --> 00:40:56,640
Speaker 1: Justin Bieber like went to Justin Timberlake and was like,

837
00:40:57,600 --> 00:40:59,719
Speaker 1: I don't I don't think this is going well. Justin

838
00:41:00,080 --> 00:41:02,000
Speaker 1: first thing would be like, dude, just smashing It's going

839
00:41:02,040 --> 00:41:03,799
Speaker 1: so well, and it would all be like a positive thing.

840
00:41:03,880 --> 00:41:05,799
Speaker 1: But I think I think that's why so many people

841
00:41:06,040 --> 00:41:08,879
Speaker 1: end up sort of going down the other road because

842
00:41:08,880 --> 00:41:11,040
Speaker 1: there's no there's no one who really talk to, so

843
00:41:11,160 --> 00:41:13,480
Speaker 1: you just spend a lot of time with yourself. But

844
00:41:13,600 --> 00:41:16,640
Speaker 1: I think being honest, open and honest and finding people

845
00:41:16,719 --> 00:41:19,279
Speaker 1: that if I if I say to my friends, are

846
00:41:19,400 --> 00:41:21,040
Speaker 1: this sucks? Like you can be like, oh, I did

847
00:41:21,120 --> 00:41:23,880
Speaker 1: this amazing show, but I came off stage afterwards and

848
00:41:23,960 --> 00:41:25,520
Speaker 1: it was just me and an air conditioner and I

849
00:41:25,560 --> 00:41:27,520
Speaker 1: felt really bad about it afterwards, your friends instead of

850
00:41:27,600 --> 00:41:29,520
Speaker 1: being like, oh, but you've got paid this amount for

851
00:41:29,520 --> 00:41:30,880
Speaker 1: the show, it must have been amazing and be like,

852
00:41:30,960 --> 00:41:32,440
Speaker 1: oh that you know, let's talk about that. And I

853
00:41:32,520 --> 00:41:35,360
Speaker 1: think that's how it helps through. Is that why you

854
00:41:35,400 --> 00:41:37,040
Speaker 1: took a break, Because I mean I always found that

855
00:41:37,160 --> 00:41:39,160
Speaker 1: intriguing that you literally pulled through it. You're going to

856
00:41:39,200 --> 00:41:41,000
Speaker 1: take a break, and you really did, and you took

857
00:41:41,000 --> 00:41:43,120
Speaker 1: a year break. I even hits you up during that time,

858
00:41:43,239 --> 00:41:49,560
Speaker 1: just to see where's yet alive? No, my again. I

859
00:41:49,680 --> 00:41:51,840
Speaker 1: think life is all about balance, and it's all about

860
00:41:51,880 --> 00:41:54,320
Speaker 1: finding the right sort of balance. And for me, I

861
00:41:54,520 --> 00:41:57,920
Speaker 1: was like constantly inundated with requests. So I wake up

862
00:41:57,960 --> 00:42:00,239
Speaker 1: every morning with like fifty sex on my phone, asking

863
00:42:00,280 --> 00:42:02,120
Speaker 1: for things, not being like how how you would just

864
00:42:02,160 --> 00:42:03,320
Speaker 1: be like can you do this? Can you do this

865
00:42:03,400 --> 00:42:04,920
Speaker 1: for my sister? Can you play this wedding? Can you?

866
00:42:05,080 --> 00:42:06,759
Speaker 1: Can you play for this? And it was just like

867
00:42:06,880 --> 00:42:08,719
Speaker 1: I'm I'm all, I'm all happy to do that. But

868
00:42:08,840 --> 00:42:10,200
Speaker 1: it was just getting to a point where it was

869
00:42:10,320 --> 00:42:13,120
Speaker 1: a bit too much. So I so I sort of

870
00:42:13,200 --> 00:42:16,000
Speaker 1: cut it back, went traveling, balanced out my life and

871
00:42:16,560 --> 00:42:18,480
Speaker 1: now I feel like in a in a better place,

872
00:42:18,520 --> 00:42:22,000
Speaker 1: and now I'm back in touch with everyone. It's more relax,

873
00:42:22,160 --> 00:42:24,440
Speaker 1: everyone's inner. I think it was just getting to a head.

874
00:42:24,920 --> 00:42:27,320
Speaker 1: So you're being hip hop it you love hate the

875
00:42:27,400 --> 00:42:30,720
Speaker 1: hip hop music? What did you think of Remy Marsh?

876
00:42:30,719 --> 00:42:36,200
Speaker 1: She thought, I do you know I heard you speak

877
00:42:36,239 --> 00:42:38,520
Speaker 1: about it, and you said it was good for the culture,

878
00:42:38,600 --> 00:42:43,600
Speaker 1: and I think when it comes from you know, if

879
00:42:43,640 --> 00:42:46,319
Speaker 1: it was me and another singer songwriter and we were

880
00:42:46,360 --> 00:42:48,600
Speaker 1: writing songs back and forth, just the very fact that

881
00:42:48,680 --> 00:42:51,080
Speaker 1: I'm getting inspired to write a song and come back

882
00:42:51,239 --> 00:42:55,160
Speaker 1: with something. I think, you know, but you and anybody

883
00:42:55,200 --> 00:42:59,680
Speaker 1: would be the dumbest beef ever, like like who before that.

884
00:43:00,440 --> 00:43:02,239
Speaker 1: I don't know, I don't know. I feel like I

885
00:43:02,320 --> 00:43:03,640
Speaker 1: feel like some of the mine, but you know, I

886
00:43:03,800 --> 00:43:06,440
Speaker 1: really I really really liked him Minaji's music. I really like.

887
00:43:06,520 --> 00:43:09,600
Speaker 1: I really like every time It's still every time Monster

888
00:43:09,680 --> 00:43:11,880
Speaker 1: comes on. I know all the words to it, so

889
00:43:13,080 --> 00:43:16,840
Speaker 1: it uh pull up in the Monster Automobile Gangster with

890
00:43:16,960 --> 00:43:19,400
Speaker 1: a bad bitch to come flish. Yeah, I'm in the

891
00:43:19,480 --> 00:43:21,799
Speaker 1: tanker color of Wiggy Wonka. You can be the Queen,

892
00:43:21,880 --> 00:43:25,080
Speaker 1: but watch the Queen Conker. First things, I eat your brains.

893
00:43:25,239 --> 00:43:27,680
Speaker 1: I'm gonna start rocking gold teeth and face because that's

894
00:43:27,719 --> 00:43:31,120
Speaker 1: what I'm master. Here from the heel with the Monster crew,

895
00:43:31,400 --> 00:43:34,439
Speaker 1: Master to heal and the master. Money is the rest

896
00:43:34,480 --> 00:43:36,960
Speaker 1: of the Monster Crew, and I'm I'll open the bank

897
00:43:37,000 --> 00:43:38,840
Speaker 1: with the funny face and the fake I don't know,

898
00:43:38,920 --> 00:43:42,880
Speaker 1: because my money. Now wait, I know Rookie. Yeah, no,

899
00:43:43,000 --> 00:43:45,399
Speaker 1: I know Rookie. But my pictures my way in time.

900
00:43:45,480 --> 00:43:48,480
Speaker 1: You pay fifty K for reverse no album out. Yeah,

901
00:43:48,480 --> 00:43:50,600
Speaker 1: my money's so tall that my buddy got a climate

902
00:43:51,000 --> 00:43:54,880
Speaker 1: other than the climate climate duty, wine it, whine it.

903
00:43:57,280 --> 00:43:59,640
Speaker 1: These people too one track minded, and I really really

904
00:43:59,680 --> 00:44:04,000
Speaker 1: I don't give it. Okay, forget the cheesecas, no, no,

905
00:44:04,080 --> 00:44:07,919
Speaker 1: no eating cheesecake thick with thick bears making big fairs.

906
00:44:10,040 --> 00:44:11,640
Speaker 1: This is what you just saw. Look at what you

907
00:44:11,719 --> 00:44:16,960
Speaker 1: lift on Master. That's what you do when you don't

908
00:44:16,960 --> 00:44:22,440
Speaker 1: know the words. I do know the words, but you've

909
00:44:22,480 --> 00:44:25,839
Speaker 1: given me full shots. It's okay. You talk a lot

910
00:44:25,880 --> 00:44:28,840
Speaker 1: about self medicating. Speaking of four shots, do you do

911
00:44:28,920 --> 00:44:31,400
Speaker 1: you feel like it's self medicating. No, it's a different

912
00:44:31,440 --> 00:44:33,560
Speaker 1: culture in England. We just like you got you guys

913
00:44:33,640 --> 00:44:35,960
Speaker 1: literally wake up and drink in the morning. We drink

914
00:44:36,040 --> 00:44:38,759
Speaker 1: to be sociable. Yeah. Yeah, it's a different thing where

915
00:44:38,760 --> 00:44:43,440
Speaker 1: the ones the problems. I'm king. I'm drinking. I'm drinking

916
00:44:43,480 --> 00:44:45,319
Speaker 1: because the last time I was on here, you offered

917
00:44:45,320 --> 00:44:47,080
Speaker 1: me a drink and we had it and it was fun. Right,

918
00:44:47,680 --> 00:44:50,400
Speaker 1: It's an enjoyable experience if I was just here with

919
00:44:50,520 --> 00:44:52,759
Speaker 1: a full glass of whiskey drinking it on my own,

920
00:44:52,800 --> 00:44:56,239
Speaker 1: you guys would be like, yeah, here's a problem. But

921
00:44:56,320 --> 00:44:58,560
Speaker 1: I mean you guys, you guys are exactly the same

922
00:44:58,680 --> 00:45:00,920
Speaker 1: level as me right now, and we're having a decent

923
00:45:01,000 --> 00:45:04,960
Speaker 1: interview with smiling, we're laughing. That's what That's what it's about. It.

924
00:45:05,760 --> 00:45:07,680
Speaker 1: It's funny when it is on occasion because I don't

925
00:45:08,000 --> 00:45:10,080
Speaker 1: drink like that like I used to. So why are

926
00:45:10,120 --> 00:45:12,520
Speaker 1: you the first one to offer a shot? Because I

927
00:45:12,800 --> 00:45:14,320
Speaker 1: see your music and you sound like an alcoholic So

928
00:45:14,360 --> 00:45:18,440
Speaker 1: I feel like I just wanted to share some of

929
00:45:18,560 --> 00:45:21,560
Speaker 1: the liquor we have. You know, it's feel like all

930
00:45:21,640 --> 00:45:25,400
Speaker 1: the bottles that really really fancy and most of it

931
00:45:25,480 --> 00:45:27,840
Speaker 1: is rap stuff like you guys efforties and tell me.

932
00:45:28,080 --> 00:45:30,800
Speaker 1: Tell me about Hennessey because I've I suppot so the

933
00:45:30,920 --> 00:45:34,160
Speaker 1: UK rapper I said about last time Storms. I had

934
00:45:34,200 --> 00:45:36,320
Speaker 1: a long chat with him about Hennessey because he loves

935
00:45:36,480 --> 00:45:40,480
Speaker 1: Carvossier and Hennessey. I like, remy my grandfather drunk Carvossier

936
00:45:40,560 --> 00:45:43,239
Speaker 1: and Hennessey. When did an old man drink become such

937
00:45:43,280 --> 00:45:46,360
Speaker 1: a like drink some kanyek and then have sex with

938
00:45:46,440 --> 00:45:52,680
Speaker 1: your woman different with my dad, will watch this, but

939
00:45:53,040 --> 00:46:01,440
Speaker 1: will watch your dad? Your dad sitting there drink? Yeah, right, drink.

940
00:46:01,440 --> 00:46:03,600
Speaker 1: I'm telling you next time you want your woman, drink

941
00:46:03,680 --> 00:46:07,960
Speaker 1: some kanyak. How much, replies I don't know why, but

942
00:46:08,080 --> 00:46:13,319
Speaker 1: there remy turns me to a hole. Okay, baby? How much? Though?

943
00:46:13,480 --> 00:46:15,560
Speaker 1: Is it like a couple, because like, because like whiskey

944
00:46:15,600 --> 00:46:17,560
Speaker 1: gets to a point where it's like, I give me

945
00:46:17,640 --> 00:46:20,760
Speaker 1: the little stiffer with them things, God, stiffer, it's stiffer, stiffer,

946
00:46:20,920 --> 00:46:23,520
Speaker 1: you get stiffer drinking stiffer. No, what's the call? What's

947
00:46:23,560 --> 00:46:26,080
Speaker 1: the little glass call? That's what it's called. I don't know,

948
00:46:26,120 --> 00:46:29,520
Speaker 1: a little stiffer whatever. I give me a little glass

949
00:46:29,680 --> 00:46:31,280
Speaker 1: and I drink about three and all in a cigar.

950
00:46:31,680 --> 00:46:34,120
Speaker 1: I'm good. The one time, like I properly hung out

951
00:46:34,120 --> 00:46:36,719
Speaker 1: with jay Z, I thought, when in Rome and he's

952
00:46:36,760 --> 00:46:39,240
Speaker 1: drinking like really fancy whiskey and he's got really nice cigar,

953
00:46:39,480 --> 00:46:42,080
Speaker 1: and I was like, so I got the whiskey, and

954
00:46:42,280 --> 00:46:44,400
Speaker 1: the first thing I did, in my mind, it's what

955
00:46:44,480 --> 00:46:45,800
Speaker 1: you do. I grabbed an ice cube and put it

956
00:46:45,840 --> 00:46:47,439
Speaker 1: in the whiskey. And all to say were all people

957
00:46:47,600 --> 00:46:50,279
Speaker 1: on the stay around me. We're like rookie. I was like, oh,

958
00:46:50,440 --> 00:46:53,160
Speaker 1: And then I had the cigar and for like two

959
00:46:53,239 --> 00:46:55,200
Speaker 1: minutes was like, I need to try and act like

960
00:46:55,280 --> 00:46:57,200
Speaker 1: I'm enjoying this, and then I just didn't. I think

961
00:46:57,239 --> 00:46:59,800
Speaker 1: the cigar was something that you shouldn't like, yeah, no

962
00:47:00,000 --> 00:47:03,799
Speaker 1: about and ask them after them. Probably small now because

963
00:47:04,400 --> 00:47:06,920
Speaker 1: I know how to properly smart don't enjoy cigars. And

964
00:47:07,000 --> 00:47:09,719
Speaker 1: it was. I woke up the next morning I had

965
00:47:09,719 --> 00:47:13,200
Speaker 1: the fear again. You're like, I've written some really good whiskey.

966
00:47:13,400 --> 00:47:15,040
Speaker 1: All right, we got more with Ed Sharah when we

967
00:47:15,120 --> 00:47:17,319
Speaker 1: come back, keep a loud, don't move. It's the Breakfast Lub.

968
00:47:17,360 --> 00:47:24,400
Speaker 1: Good Morning, the Breakfast Club Morning. Everybody is DJ Envy,

969
00:47:24,520 --> 00:47:27,279
Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.

970
00:47:27,680 --> 00:47:29,879
Speaker 1: We have a special guest in the building, pop star

971
00:47:30,360 --> 00:47:32,600
Speaker 1: Ed Sharon, whose body calls you to write shape one,

972
00:47:32,680 --> 00:47:36,920
Speaker 1: shape of you, the shape of you. Uh. I don't

973
00:47:36,960 --> 00:47:39,760
Speaker 1: know really it was. I originally started it. I finished

974
00:47:39,800 --> 00:47:41,840
Speaker 1: my album and I went in to write like a

975
00:47:42,000 --> 00:47:44,480
Speaker 1: bunch of songs for other artists. And I went in

976
00:47:44,560 --> 00:47:46,120
Speaker 1: the studio that morning I was like, I really want

977
00:47:46,160 --> 00:47:48,120
Speaker 1: to write a song for Rihanna. That's why the marimba

978
00:47:48,160 --> 00:47:50,000
Speaker 1: comes in and it sounds a bit Caribbean, because I

979
00:47:50,160 --> 00:47:53,879
Speaker 1: was like, I want to do Brianna June and Rihanna's body.

980
00:47:55,880 --> 00:47:58,520
Speaker 1: I'm really drunk now. By the way, the way, if

981
00:47:58,560 --> 00:48:01,000
Speaker 1: you wrote Shape with You for Rianna, yeah, I did

982
00:48:01,040 --> 00:48:05,680
Speaker 1: start writing it, but body, I started the Beaver song.

983
00:48:05,800 --> 00:48:08,759
Speaker 1: I've eventually finished the Love Yourself. I originally started that

984
00:48:08,840 --> 00:48:12,560
Speaker 1: with an amazing song, myard that I originally started that

985
00:48:12,640 --> 00:48:14,279
Speaker 1: off with Rihanna and mind because I thought it would

986
00:48:14,280 --> 00:48:16,520
Speaker 1: be amazing to hear Rihanna go if you like the

987
00:48:16,560 --> 00:48:18,880
Speaker 1: way you look at that much, go for yourself because

988
00:48:18,880 --> 00:48:27,960
Speaker 1: it would be talking about Yeah, I got it right here.

989
00:48:28,160 --> 00:48:31,920
Speaker 1: What you want? What you want whiskey? Oh, okay, you

990
00:48:32,040 --> 00:48:35,000
Speaker 1: haven't even opened I really aren't. You really aren't about

991
00:48:35,000 --> 00:48:38,640
Speaker 1: that life? No, I haven't. Like you're right here? You go, Wow,

992
00:48:39,040 --> 00:48:41,320
Speaker 1: who are your competition right now? Before you said it

993
00:48:41,400 --> 00:48:44,400
Speaker 1: with Jeremy, what's your competition? Now? I think? Do you

994
00:48:44,480 --> 00:48:47,200
Speaker 1: know what I said? I've I've been misquoted this in

995
00:48:47,480 --> 00:48:49,719
Speaker 1: so so many articles because so many people when I

996
00:48:49,800 --> 00:48:52,600
Speaker 1: said I would like to emulate Adell's success, go oh,

997
00:48:52,719 --> 00:48:54,200
Speaker 1: he thinks he's bigger than the Deult, I don't. I

998
00:48:54,320 --> 00:48:56,400
Speaker 1: just think every single artist should have a Della as

999
00:48:56,400 --> 00:48:58,520
Speaker 1: their benchmark. You should. You should literally reach for the

1000
00:48:58,640 --> 00:49:03,560
Speaker 1: top and if you get halfway there, beyond is the bar.

1001
00:49:04,440 --> 00:49:09,160
Speaker 1: No sales, wise, okay, sales sales. Yance is a weird one, man,

1002
00:49:09,200 --> 00:49:12,880
Speaker 1: because I have got to perform with her twice and

1003
00:49:13,080 --> 00:49:15,840
Speaker 1: have never ever been in the presence of something that

1004
00:49:17,239 --> 00:49:19,759
Speaker 1: incrediented and amazing, And you just kind of sit there

1005
00:49:20,160 --> 00:49:23,080
Speaker 1: and you're grateful to stand next to her on TV

1006
00:49:23,160 --> 00:49:24,880
Speaker 1: because it makes you look so much better. You're just

1007
00:49:25,000 --> 00:49:30,080
Speaker 1: kind of like, but it's like, but it's a different thing.

1008
00:49:30,160 --> 00:49:33,200
Speaker 1: Like when I went to when we did we played

1009
00:49:33,280 --> 00:49:35,560
Speaker 1: Drunk in Love together at Central Park, and I went

1010
00:49:35,640 --> 00:49:38,200
Speaker 1: to rehearse with her the day before and I walked

1011
00:49:38,239 --> 00:49:40,560
Speaker 1: in and she was rehearsing with with with all the dancers,

1012
00:49:40,600 --> 00:49:42,040
Speaker 1: and you kind of see her do all these dancery

1013
00:49:42,080 --> 00:49:43,440
Speaker 1: teams and then she sits down and it's just me

1014
00:49:43,520 --> 00:49:45,200
Speaker 1: and a guitar, kind of one on one like this,

1015
00:49:45,640 --> 00:49:48,080
Speaker 1: and I've never ever heard a voice like that that

1016
00:49:48,200 --> 00:49:51,399
Speaker 1: just makes you go every single time she sings. It's

1017
00:49:51,480 --> 00:49:54,400
Speaker 1: it's the most incredible amazing thing, very humble sort of

1018
00:49:54,600 --> 00:49:55,960
Speaker 1: men think that that brother had a walk in the

1019
00:49:56,040 --> 00:49:58,879
Speaker 1: room and be like, Hi, I'm beyond the and you'd

1020
00:49:58,880 --> 00:50:06,800
Speaker 1: be like duh, oh, yeah, you have your guitar with you? Yeah, no, no,

1021
00:50:07,280 --> 00:50:08,759
Speaker 1: I don't know, But I don't know what you want

1022
00:50:08,760 --> 00:50:09,840
Speaker 1: to hear? Do you want to hear the songs you

1023
00:50:09,840 --> 00:50:12,480
Speaker 1: want to hear? You want to hear hippo? Reason? I

1024
00:50:12,520 --> 00:50:14,280
Speaker 1: want to hear hip hop because this is a hippope station.

1025
00:50:14,360 --> 00:50:16,120
Speaker 1: And I don't think people know how diverse you are.

1026
00:50:16,320 --> 00:50:18,399
Speaker 1: All right, you know what I'm saying. I really don't.

1027
00:50:19,000 --> 00:50:20,759
Speaker 1: I was going inside a small town. I lost that

1028
00:50:20,840 --> 00:50:22,719
Speaker 1: state of mind. Liked to sing inside the Lord's house

1029
00:50:22,760 --> 00:50:24,360
Speaker 1: with stop the age of nine, I forget what I

1030
00:50:24,400 --> 00:50:26,200
Speaker 1: get awards now, the wave I had to ride, the

1031
00:50:26,239 --> 00:50:28,360
Speaker 1: paving songs I played upon that kept me on the grind.

1032
00:50:28,480 --> 00:50:30,239
Speaker 1: So blame it on the pain to bless me with

1033
00:50:30,320 --> 00:50:31,920
Speaker 1: the life, friends and family filled with m V when

1034
00:50:31,920 --> 00:50:33,720
Speaker 1: they should be filled with pride. And when the world's

1035
00:50:33,719 --> 00:50:35,359
Speaker 1: against me is when I've really come alive. And every

1036
00:50:35,440 --> 00:50:36,920
Speaker 1: day that satan tempts me. I tried to take it

1037
00:50:37,000 --> 00:50:38,759
Speaker 1: in my stride. You know that I've got whiskey with

1038
00:50:38,840 --> 00:50:40,799
Speaker 1: white lines and smoking my lungs. I think life has

1039
00:50:40,840 --> 00:50:42,440
Speaker 1: got to the point. I know with that it's not fun.

1040
00:50:42,600 --> 00:50:44,239
Speaker 1: I need to get in the right mind and clean

1041
00:50:44,320 --> 00:50:46,239
Speaker 1: myself up, and said, I look in the mirror, question

1042
00:50:46,280 --> 00:50:48,280
Speaker 1: and what I've become? Because it's a seira, your typical

1043
00:50:48,360 --> 00:50:50,399
Speaker 1: day for someone like me without a nine to five

1044
00:50:50,480 --> 00:50:52,600
Speaker 1: job or reunion. Agree to be caught up in the

1045
00:50:52,680 --> 00:50:55,080
Speaker 1: trappings of the industry. Show me the lockdoors, I find

1046
00:50:55,120 --> 00:50:57,879
Speaker 1: another use for the key. You'll see. I'm well where

1047
00:50:58,040 --> 00:51:01,200
Speaker 1: of certain things and will try a man like me.

1048
00:51:01,520 --> 00:51:08,959
Speaker 1: But with that said, giving me one my another one

1049
00:51:09,120 --> 00:51:14,040
Speaker 1: to take the same way. I am happy on my own.

1050
00:51:14,200 --> 00:51:19,839
Speaker 1: So here I stay. Save your lapping enomes for any day,

1051
00:51:21,160 --> 00:51:24,520
Speaker 1: and I find comfort in my paint and razor. I

1052
00:51:24,680 --> 00:51:26,520
Speaker 1: used to think that nothing could be better than touring

1053
00:51:26,560 --> 00:51:28,600
Speaker 1: the world my songs. I chased the picture of perfect life.

1054
00:51:28,600 --> 00:51:30,359
Speaker 1: I think they painted it wrong. I think the money

1055
00:51:30,480 --> 00:51:32,839
Speaker 1: is the root of all. Even the famous health relationships

1056
00:51:32,880 --> 00:51:34,719
Speaker 1: and hearts you fit, they break as well. And ain't

1057
00:51:34,719 --> 00:51:36,720
Speaker 1: nobody want to see you down in the dumps because

1058
00:51:36,719 --> 00:51:38,640
Speaker 1: you live in your dream. Man, that should be funny.

1059
00:51:38,680 --> 00:51:40,279
Speaker 1: Please know that I'm not trying to preach like I'm

1060
00:51:40,320 --> 00:51:42,600
Speaker 1: reverend run. I beg you don't be disappointed with the man.

1061
00:51:42,640 --> 00:51:45,400
Speaker 1: I've become conversations with my father on the a fourteen

1062
00:51:45,640 --> 00:51:47,920
Speaker 1: age twelve, telling me I've got to chase those dreams. Now.

1063
00:51:47,960 --> 00:51:49,719
Speaker 1: I'm playing for the people, Dad, and they know me

1064
00:51:50,000 --> 00:51:52,160
Speaker 1: with my beaten small guitar wearing the same old jeans

1065
00:51:52,160 --> 00:51:54,840
Speaker 1: Wimberley Stadium Crows two hundred and forty. I may have

1066
00:51:54,920 --> 00:51:57,000
Speaker 1: grown up because I hope the Damien's problem to the

1067
00:51:57,080 --> 00:52:00,080
Speaker 1: next generation inspirations allowed well, maybe feel with take to

1068
00:52:00,200 --> 00:52:03,000
Speaker 1: keep her raising it now. Somehow I'm well aware of

1069
00:52:03,200 --> 00:52:06,560
Speaker 1: certain things that will before the man like me. But

1070
00:52:06,760 --> 00:52:13,960
Speaker 1: with that said, give me one more, okay, another one

1071
00:52:14,160 --> 00:52:19,160
Speaker 1: to take the sing way. I am happy on my own,

1072
00:52:19,360 --> 00:52:24,400
Speaker 1: so here I stay. See if you're loping n foring

1073
00:52:24,520 --> 00:52:28,760
Speaker 1: any day and I'll find com food in my paint

1074
00:52:28,840 --> 00:52:34,200
Speaker 1: and razor, and I'll find comfood in my paint and raizor,

1075
00:52:35,920 --> 00:52:38,920
Speaker 1: and I'll find com food in my paint and raiser.

1076
00:52:39,360 --> 00:52:41,719
Speaker 1: I woke up this morning looking in the mirror, thinking

1077
00:52:41,760 --> 00:52:43,840
Speaker 1: to myself that I should probably be be thinner. The

1078
00:52:43,960 --> 00:52:46,040
Speaker 1: industry told me to look like them, but I found

1079
00:52:46,080 --> 00:52:48,239
Speaker 1: my happiness in fried food for my dinner. I wish

1080
00:52:48,400 --> 00:52:50,120
Speaker 1: that she could have been my first time. And I

1081
00:52:50,239 --> 00:52:52,360
Speaker 1: wish that I never took that first line. And I

1082
00:52:52,440 --> 00:52:54,839
Speaker 1: wish that every word in this first rhyme, but forgive

1083
00:52:54,920 --> 00:52:56,680
Speaker 1: me if it doesn't. I wish that I could make

1084
00:52:56,760 --> 00:52:58,880
Speaker 1: peace with my older cousin which she didn't think that

1085
00:52:58,960 --> 00:53:00,960
Speaker 1: it was me when it was. Wish I didn't love

1086
00:53:01,000 --> 00:53:02,960
Speaker 1: it my young fly and my flat fills buzzing and

1087
00:53:03,040 --> 00:53:05,239
Speaker 1: taste stays underneath my tongue. And wish that I had

1088
00:53:05,320 --> 00:53:07,120
Speaker 1: known what to do as a young and wish I

1089
00:53:07,160 --> 00:53:09,440
Speaker 1: hadn't dropped out of school and miss every single party,

1090
00:53:09,600 --> 00:53:12,000
Speaker 1: but that hardly mat as now man does it. Wish

1091
00:53:12,040 --> 00:53:14,839
Speaker 1: I hadn't answered to everything, but it was creating art

1092
00:53:14,880 --> 00:53:17,080
Speaker 1: didn't come with the budget. But while we're on the subject,

1093
00:53:17,120 --> 00:53:19,160
Speaker 1: I wish my private life would have never gone public.

1094
00:53:19,400 --> 00:53:21,520
Speaker 1: That's a sacrifice that we may spending my whole time

1095
00:53:21,640 --> 00:53:24,080
Speaker 1: high wishing life away singing. This is how we're living

1096
00:53:24,160 --> 00:53:26,759
Speaker 1: down here, sitting on their edge, looking at without fear.

1097
00:53:27,080 --> 00:53:28,960
Speaker 1: Yeah we got drama, bit, you know, we don't care.

1098
00:53:29,080 --> 00:53:30,680
Speaker 1: I want to see a singer put your hands in

1099
00:53:30,760 --> 00:53:32,520
Speaker 1: the air. One which I'm singing. This is how we're

1100
00:53:32,560 --> 00:53:35,520
Speaker 1: listening down here, sitting on their edge, looking at without fear.

1101
00:53:35,800 --> 00:53:37,680
Speaker 1: Yeah we got drama, bit you know, we don't care.

1102
00:53:37,880 --> 00:53:39,440
Speaker 1: I want to see a singer put your hands in

1103
00:53:39,520 --> 00:53:41,680
Speaker 1: the air where. I wish my family and friends they

1104
00:53:41,680 --> 00:53:43,920
Speaker 1: stay healthy. I wish that love was a currency and

1105
00:53:44,000 --> 00:53:46,200
Speaker 1: the whole world was wealthy. I found myself late night

1106
00:53:46,280 --> 00:53:48,279
Speaker 1: wishing on the start every day. I wish I had

1107
00:53:48,320 --> 00:53:50,839
Speaker 1: never broken her heart, and I wish I'd never won

1108
00:53:50,960 --> 00:53:53,040
Speaker 1: through every woman that I love. Look at my life

1109
00:53:53,040 --> 00:53:54,759
Speaker 1: and what it's come to. I wish I wasn't the

1110
00:53:54,840 --> 00:53:56,600
Speaker 1: role model. You the cup too. If I told my

1111
00:53:56,680 --> 00:53:58,800
Speaker 1: fans of things I did, then say I wish I

1112
00:53:58,920 --> 00:54:01,120
Speaker 1: was home, or wish my team could see the kids

1113
00:54:01,160 --> 00:54:20,239
Speaker 1: on their birthdays. Hold on, who I wish it was

1114
00:54:20,320 --> 00:54:23,120
Speaker 1: home more, you could see the kids on their birthdays.

1115
00:54:23,160 --> 00:54:25,480
Speaker 1: But yoga ro. I wish I'd grown more. Wish I'd

1116
00:54:25,480 --> 00:54:27,120
Speaker 1: told more people that I love him. But it's than

1117
00:54:27,160 --> 00:54:29,120
Speaker 1: the music that I'm known for. I wish he never

1118
00:54:29,200 --> 00:54:31,400
Speaker 1: got cancer. And if I smoke a pack of day, well,

1119
00:54:31,400 --> 00:54:33,359
Speaker 1: does that make me a wanker? Well, yes, I guess

1120
00:54:33,400 --> 00:54:36,080
Speaker 1: it does. Whistle stressing because every day the same things

1121
00:54:36,120 --> 00:54:38,040
Speaker 1: get the best of us. Losing my balance on a

1122
00:54:38,120 --> 00:54:40,200
Speaker 1: razor baits then in my whole time high wish in

1123
00:54:40,280 --> 00:54:42,560
Speaker 1: life will wait, singing this is how we're living down here,

1124
00:54:42,840 --> 00:54:45,279
Speaker 1: sitting on their headge looking at without fear. Yeah, we

1125
00:54:45,400 --> 00:54:47,399
Speaker 1: got drama, but you know we don't care. I want

1126
00:54:47,440 --> 00:54:49,000
Speaker 1: to see a singer put your hands in the air.

1127
00:54:49,080 --> 00:54:51,279
Speaker 1: One wish. I'm singing, this is how we're living down here,

1128
00:54:51,520 --> 00:54:53,960
Speaker 1: sitting on their edge, looking at without fear. Here we

1129
00:54:54,080 --> 00:54:56,040
Speaker 1: got drama, but you know we don't care. I want

1130
00:54:56,080 --> 00:54:57,680
Speaker 1: to see a singer put your hands in the air.

1131
00:54:57,800 --> 00:55:00,239
Speaker 1: One wish I'm using it jumps a gold post arrest

1132
00:55:00,320 --> 00:55:02,759
Speaker 1: with throat coat. I'm saying, don't smoke, though I don't listen.

1133
00:55:02,840 --> 00:55:04,680
Speaker 1: I got love with a ghost snow shows in the

1134
00:55:04,760 --> 00:55:07,160
Speaker 1: Gold Coast. People that I don't know share the same vision.

1135
00:55:07,200 --> 00:55:08,960
Speaker 1: I find truth in a hard times and words that

1136
00:55:09,000 --> 00:55:11,200
Speaker 1: aren't mine, trying to find a love with a compatible style.

1137
00:55:11,280 --> 00:55:14,279
Speaker 1: Sign Sometimes I can't write sentences, can't write, staring at

1138
00:55:14,360 --> 00:55:17,560
Speaker 1: my no pad quick I'm trying to find mine again,

1139
00:55:17,680 --> 00:55:19,759
Speaker 1: Surrounded in the industry by all these ignam of men

1140
00:55:19,880 --> 00:55:21,480
Speaker 1: who knew that I'll be paid just to pick up

1141
00:55:21,520 --> 00:55:23,239
Speaker 1: a pen. Let me hit the studio and we can

1142
00:55:23,320 --> 00:55:26,000
Speaker 1: rip it again. I'm a competitive with an adrenaline kick.

1143
00:55:26,040 --> 00:55:27,719
Speaker 1: My daddy told me work hard and you can never

1144
00:55:27,800 --> 00:55:30,319
Speaker 1: be I've seen all my heroes dethroned, except my dad

1145
00:55:30,480 --> 00:55:36,200
Speaker 1: sat back and reminiscent about the times we had won.

1146
00:55:37,760 --> 00:55:45,640
Speaker 1: That was as one more sting, one more thing sharing.

1147
00:55:46,719 --> 00:55:48,480
Speaker 1: Thanks so much for having me back on. I want.

1148
00:55:48,520 --> 00:55:50,560
Speaker 1: I definitely want to come back and do it every

1149
00:55:50,600 --> 00:55:52,720
Speaker 1: single time, even even if I have to do fifteen

1150
00:55:52,760 --> 00:55:56,480
Speaker 1: interviews again. That's all I ask you to do. When

1151
00:55:56,520 --> 00:55:59,240
Speaker 1: you're talking to somebody later today and you're just running

1152
00:55:59,239 --> 00:56:01,760
Speaker 1: your mouth and you are it is like just remember

1153
00:56:01,760 --> 00:56:03,239
Speaker 1: who got you drunk and be able to say all

1154
00:56:03,280 --> 00:56:07,480
Speaker 1: that Charlemagne the guy say Charlomagne, Oh and do you

1155
00:56:07,560 --> 00:56:09,440
Speaker 1: know what? Do you know what I have? I have this.

1156
00:56:09,640 --> 00:56:12,759
Speaker 1: I get in and I'm maget like from somewhere and

1157
00:56:12,840 --> 00:56:15,920
Speaker 1: I'll put on all the donkey of the days you

1158
00:56:16,040 --> 00:56:18,960
Speaker 1: do and just having rolling through on YouTube and I've

1159
00:56:19,040 --> 00:56:21,239
Speaker 1: noticed my voice is in is in the beginning saying,

1160
00:56:21,400 --> 00:56:24,440
Speaker 1: who's don'ty of the day to day? Well, no, no,

1161
00:56:24,960 --> 00:56:26,520
Speaker 1: we don't know if he's gonna try to collect royalty,

1162
00:56:26,560 --> 00:56:28,480
Speaker 1: so let's not tell him that's his voice. Okay, okay,

1163
00:56:29,040 --> 00:56:32,800
Speaker 1: I sound like Ed Sharing. Wait, you're gonna can I

1164
00:56:32,840 --> 00:56:36,200
Speaker 1: do an American accident? Who's Donkey of the day to day?

1165
00:56:40,320 --> 00:56:48,239
Speaker 1: You're you're definitely gonna use that. It's the breakfast You're

1166
00:56:48,280 --> 00:56:53,480
Speaker 1: definitely gonna use that. Thank you, Charlot Maine, say the game.

1167
00:56:53,640 --> 00:57:01,719
Speaker 1: Don't get the same man you are talky today does

1168
00:57:01,760 --> 00:57:04,160
Speaker 1: not discriminate. I might not have the song of today,

1169
00:57:04,160 --> 00:57:05,920
Speaker 1: but I got to donkey that day. So if you

1170
00:57:06,000 --> 00:57:08,200
Speaker 1: ever feel I need to be a Donkey man with

1171
00:57:08,280 --> 00:57:12,800
Speaker 1: the breakfast club bitches, I don't give to day today,

1172
00:57:14,840 --> 00:57:18,360
Speaker 1: well Ed Sharon, Donkey Today for Friday, March tenth goes

1173
00:57:18,400 --> 00:57:21,440
Speaker 1: to a young Chicago woman named Yasmin Elder. Now Yasmin

1174
00:57:21,560 --> 00:57:24,080
Speaker 1: is a right twenty four year old woman who got

1175
00:57:24,160 --> 00:57:26,560
Speaker 1: into a fight with her twenty six year old boyfriend,

1176
00:57:26,680 --> 00:57:29,040
Speaker 1: Darius Ellis not nothing wrong with a little altercation with

1177
00:57:29,160 --> 00:57:31,760
Speaker 1: your significant other. You and yours verbally go at it

1178
00:57:32,320 --> 00:57:35,560
Speaker 1: from time to time. It happens, Okay, you argue, you

1179
00:57:35,680 --> 00:57:38,040
Speaker 1: both go in other rooms, cool off, come back, watch

1180
00:57:38,120 --> 00:57:41,520
Speaker 1: some Netflix smoke Swede, have some drinks, have sex, and

1181
00:57:41,640 --> 00:57:44,480
Speaker 1: get back to your relationship. But that's not how things

1182
00:57:44,560 --> 00:57:47,280
Speaker 1: work when you dating Yasmin Elder. Let's go to CBS

1183
00:57:47,360 --> 00:57:51,400
Speaker 1: Chicago w WBMTV for the report. Prosecutors say Yasmin Elder

1184
00:57:51,520 --> 00:57:54,520
Speaker 1: showed no remorse and a judge didn't appear to either

1185
00:57:55,560 --> 00:57:58,320
Speaker 1: after ordering the twenty four year old held on one

1186
00:57:58,440 --> 00:58:02,120
Speaker 1: million dollars bond and a first degree murder charge. The

1187
00:58:02,240 --> 00:58:05,240
Speaker 1: autopsy revealed the internal injuries to the victim's esophagus and

1188
00:58:05,320 --> 00:58:10,000
Speaker 1: stomach were consistent with chemical burns. Bleach killed Darius Ellis Pleasay.

1189
00:58:10,080 --> 00:58:12,480
Speaker 1: Yasmin climbed on top of her boyfriend in a van

1190
00:58:12,600 --> 00:58:15,080
Speaker 1: near sixty fifth and Bishop and dowsed him with a

1191
00:58:15,160 --> 00:58:20,240
Speaker 1: caustic liquid after an argument. Oh poor Darius, His fatass

1192
00:58:20,320 --> 00:58:23,880
Speaker 1: girlfriend climbed on top of him and poured bleached down

1193
00:58:24,040 --> 00:58:26,840
Speaker 1: his throat and killed him. Now this story is near

1194
00:58:26,880 --> 00:58:29,160
Speaker 1: and dead in my heart because last year online it

1195
00:58:29,280 --> 00:58:32,640
Speaker 1: was a rumor that I, too, Charlomagne the God overdosed

1196
00:58:32,720 --> 00:58:35,680
Speaker 1: arm bleach and was rushed to the hospital. Not because

1197
00:58:35,720 --> 00:58:37,240
Speaker 1: I drank it it was forced to drink it, but

1198
00:58:37,320 --> 00:58:40,320
Speaker 1: because I was using it to lighten my skin. Okay,

1199
00:58:40,400 --> 00:58:42,680
Speaker 1: I got the headline right here. It says Charlomagne the

1200
00:58:42,760 --> 00:58:47,800
Speaker 1: God hospitalized after swallowing clorox to bleach his skin. Okay,

1201
00:58:47,840 --> 00:58:52,560
Speaker 1: over the weekend, after he accidentally swallowed clorox while bleaching

1202
00:58:52,680 --> 00:58:55,320
Speaker 1: his skin. Okay, he says he paid us handsomely to

1203
00:58:55,400 --> 00:58:58,160
Speaker 1: keep it between us and him, said one hospital emt

1204
00:58:58,280 --> 00:59:01,360
Speaker 1: who claims he helped save the host. Lucky for him, TMZ,

1205
00:59:01,480 --> 00:59:03,760
Speaker 1: paps are already banned from our hospital, or this would

1206
00:59:03,760 --> 00:59:06,680
Speaker 1: have been everywhere. There have been multiple pictures where people

1207
00:59:06,760 --> 00:59:09,360
Speaker 1: have claimed the radio host has bleached his skin, to

1208
00:59:09,480 --> 00:59:13,440
Speaker 1: which he has violently replied to his co host, Angelie

1209
00:59:13,520 --> 00:59:17,720
Speaker 1: Ye violently replied, wow, let's hear that. Let's hear that

1210
00:59:17,800 --> 00:59:21,880
Speaker 1: exchange and see if it sounds violent. And the truck.

1211
00:59:21,920 --> 00:59:24,880
Speaker 1: I bet you getting that, mother, I bet you will too. Yeah,

1212
00:59:24,880 --> 00:59:27,760
Speaker 1: I am, but you getting in the first. Later, I

1213
00:59:30,560 --> 00:59:33,960
Speaker 1: get out. Who are you talking to? Get out? I

1214
00:59:34,040 --> 00:59:40,080
Speaker 1: bet you get out, you little beige bitte got a

1215
00:59:40,080 --> 00:59:42,640
Speaker 1: little crazy. Continue reading the story while he says his

1216
00:59:42,840 --> 00:59:46,360
Speaker 1: skin lighter color is due to a dermatologist. You can't

1217
00:59:46,400 --> 00:59:49,200
Speaker 1: help but think the trash talking radio host is denying

1218
00:59:49,280 --> 00:59:51,600
Speaker 1: all claims because he can't take the heat that would

1219
00:59:51,640 --> 00:59:54,320
Speaker 1: come to him to coming to society's pressures to be

1220
00:59:54,440 --> 00:59:57,320
Speaker 1: lighter skinned. Charlemagne returned to the breakfast club to work

1221
00:59:57,360 --> 01:00:00,440
Speaker 1: this morning and never mentioned his near death experience. Are

1222
01:00:00,480 --> 01:00:02,200
Speaker 1: the fact that he looks to be suffering from the

1223
01:00:02,240 --> 01:00:04,880
Speaker 1: same thing Michael Jackson scruggled with right before he was

1224
01:00:04,920 --> 01:00:08,960
Speaker 1: accused of messing with those kids. Okay end quote. So yes,

1225
01:00:09,000 --> 01:00:11,360
Speaker 1: when I saw this story about Darius el did hurt

1226
01:00:11,440 --> 01:00:13,440
Speaker 1: my heart. I felt for the young man because he

1227
01:00:13,560 --> 01:00:16,160
Speaker 1: actually died the way a lot of you out there

1228
01:00:16,320 --> 01:00:18,320
Speaker 1: hope and pray. I go out. Okay, when that fake

1229
01:00:18,400 --> 01:00:20,880
Speaker 1: story about me last year dropped, I saw people out

1230
01:00:20,880 --> 01:00:24,240
Speaker 1: there reposting, hoping and praying it was true. Luckily for me,

1231
01:00:24,400 --> 01:00:28,360
Speaker 1: it wasn't. Sadly, for Darius Ellis it was now yasmin

1232
01:00:28,520 --> 01:00:31,320
Speaker 1: l did being held on first degree murder. And I'm

1233
01:00:31,360 --> 01:00:33,520
Speaker 1: just here to tell you, young, it's two things that

1234
01:00:33,680 --> 01:00:35,640
Speaker 1: you need to take away from this situation because we

1235
01:00:35,800 --> 01:00:40,080
Speaker 1: have to learn from the mistakes of others. One, if

1236
01:00:40,120 --> 01:00:44,440
Speaker 1: you're a regulus size human being, don't date someone fatter

1237
01:00:44,520 --> 01:00:46,920
Speaker 1: than you because when they get on top of you,

1238
01:00:47,400 --> 01:00:49,280
Speaker 1: you are at their mercy. Can we play the end

1239
01:00:49,320 --> 01:00:52,320
Speaker 1: of that clip, just the end of it? Attorneys noted

1240
01:00:52,360 --> 01:00:55,439
Speaker 1: the couple's wait difference. The defendant is five ft three,

1241
01:00:55,680 --> 01:00:58,080
Speaker 1: two hundred and seven pounds, while the victim is five

1242
01:00:58,120 --> 01:01:01,520
Speaker 1: ft seven, one hundred and thirty parts. This is science. People.

1243
01:01:01,880 --> 01:01:04,439
Speaker 1: If you're a regular size weight, don't date someone fatter

1244
01:01:04,520 --> 01:01:06,000
Speaker 1: than you, because when they get on top of you,

1245
01:01:06,320 --> 01:01:09,560
Speaker 1: you are at that mercy and number two, no man

1246
01:01:09,840 --> 01:01:11,960
Speaker 1: or woman is worth a murder charge. I don't care

1247
01:01:12,000 --> 01:01:15,160
Speaker 1: what y'all arguing about. Walk away if you feel like

1248
01:01:15,200 --> 01:01:17,120
Speaker 1: he's gonna get to that level. Okay, don't throw your

1249
01:01:17,200 --> 01:01:20,280
Speaker 1: life away for somebody else. Sometimes you need to walk away,

1250
01:01:20,360 --> 01:01:22,760
Speaker 1: not to make someone else realize how worthy you are,

1251
01:01:22,840 --> 01:01:25,680
Speaker 1: but for you to understand and acknowledge your own self worth.

1252
01:01:25,920 --> 01:01:28,240
Speaker 1: When you know your own self worth, you won't go

1253
01:01:28,320 --> 01:01:30,800
Speaker 1: trying to kill people, throwing your life away because they

1254
01:01:30,800 --> 01:01:34,200
Speaker 1: don't appreciate chill. Please give jasminel to the biggest he hall.

1255
01:01:38,560 --> 01:01:41,200
Speaker 1: All right, all right, thank you for that. Donk here today.

1256
01:01:41,640 --> 01:01:44,200
Speaker 1: I was really disturbed how violently you were arguing with me.

1257
01:01:45,920 --> 01:01:50,040
Speaker 1: That was a violent reply. Definitely a violent reply. Now,

1258
01:01:50,480 --> 01:01:52,600
Speaker 1: when we come back, we got to talk Nicki Minas.

1259
01:01:52,640 --> 01:01:54,800
Speaker 1: She released the record yesterday. People are talking about it.

1260
01:01:54,920 --> 01:01:58,440
Speaker 1: At least three records yesterday morning. Everybody is DJ Envy

1261
01:01:58,520 --> 01:02:01,240
Speaker 1: Angela Ye, Charlomagne the guy. We are the Breakfast Club.

1262
01:02:01,680 --> 01:02:03,760
Speaker 1: Now we're talking as Nicki Minaj's record if he just

1263
01:02:03,880 --> 01:02:06,480
Speaker 1: joined us. She released three records last night, and in

1264
01:02:06,600 --> 01:02:08,880
Speaker 1: one of her records, she's throwing shots at Remy. I

1265
01:02:08,920 --> 01:02:12,080
Speaker 1: should say, returning shots to Remy. Let's hear it, little

1266
01:02:12,200 --> 01:02:17,120
Speaker 1: bo damn basically back back to back. Oh you mean

1267
01:02:17,400 --> 01:02:21,240
Speaker 1: back to whack, back to back. Me and Tristi laughed

1268
01:02:21,280 --> 01:02:25,960
Speaker 1: at that. The numbers don't matter. When they discussing the kings,

1269
01:02:26,240 --> 01:02:29,960
Speaker 1: he turned around the single fawning got six rings? All right,

1270
01:02:30,080 --> 01:02:32,440
Speaker 1: So what do you guys think? Um, it didn't do

1271
01:02:32,520 --> 01:02:35,400
Speaker 1: anything for me. I give her an ef effort. I'm

1272
01:02:35,440 --> 01:02:37,680
Speaker 1: glad that she responded. You know, I think it's good

1273
01:02:37,720 --> 01:02:40,640
Speaker 1: for the coaching that she replied, But the record didn't

1274
01:02:40,680 --> 01:02:42,800
Speaker 1: move me at all. Um, I don't I don't know

1275
01:02:42,920 --> 01:02:45,680
Speaker 1: if Remy had plastic surgery or not, but I just

1276
01:02:45,800 --> 01:02:48,600
Speaker 1: think that, being that Nicki has been accused of having

1277
01:02:48,680 --> 01:02:51,480
Speaker 1: plastic surgery so much throughout her career, for her to

1278
01:02:51,560 --> 01:02:55,440
Speaker 1: say she has before and after pictures of remy surgery,

1279
01:02:55,560 --> 01:02:57,880
Speaker 1: not Meany before and after pictures there are of Nicki

1280
01:02:57,960 --> 01:02:59,840
Speaker 1: Minaj online. I mean that's to me, that's just like

1281
01:03:00,480 --> 01:03:02,520
Speaker 1: me trying to clown somebody for getting punched in the

1282
01:03:02,560 --> 01:03:05,560
Speaker 1: head and running on camera like like if something, if

1283
01:03:05,600 --> 01:03:08,920
Speaker 1: it's something that that that has happened to you or

1284
01:03:09,000 --> 01:03:10,919
Speaker 1: you've been accused of, I don't think that you should

1285
01:03:11,000 --> 01:03:13,720
Speaker 1: use that shot for somebody else. I don't. I don't understand. Well,

1286
01:03:13,720 --> 01:03:15,640
Speaker 1: in my opinion, I think a lot of people are

1287
01:03:15,680 --> 01:03:18,160
Speaker 1: comparing records. There is no comparison to Sheatha. To me,

1288
01:03:18,200 --> 01:03:21,640
Speaker 1: it's one of the best disrecords I've heard ever. But

1289
01:03:21,800 --> 01:03:23,720
Speaker 1: now as far as Nicki Minas, I don't. I don't

1290
01:03:23,720 --> 01:03:26,120
Speaker 1: say it's trash. It's not poopable lyrics. You know, there's

1291
01:03:26,120 --> 01:03:28,440
Speaker 1: some pupable lyrics out there. It's not trash. She is

1292
01:03:28,440 --> 01:03:31,040
Speaker 1: spitting some bars in there. I appreciate the effort. Is

1293
01:03:31,040 --> 01:03:33,160
Speaker 1: it a comparison, no am I happy that she did

1294
01:03:33,200 --> 01:03:35,920
Speaker 1: a respect that she finally responded. Yes, the way she

1295
01:03:36,040 --> 01:03:37,920
Speaker 1: did it is kind of smart. If the record catches,

1296
01:03:38,000 --> 01:03:40,240
Speaker 1: She's doing it on her single, So you're gonna be

1297
01:03:40,320 --> 01:03:42,400
Speaker 1: hearing it for months and months and months, and I

1298
01:03:42,560 --> 01:03:46,439
Speaker 1: think they're kind of banning sheatha right, they're not allowing it. Well,

1299
01:03:46,760 --> 01:03:48,960
Speaker 1: what happened is she didn't remy Mind did not get

1300
01:03:49,040 --> 01:03:52,560
Speaker 1: the clearance from Universal to use the beat. So now

1301
01:03:52,680 --> 01:03:55,919
Speaker 1: she can't play that song anymore, and you won't really

1302
01:03:55,960 --> 01:03:57,920
Speaker 1: be hearing it on the radio on the internet. So now,

1303
01:03:57,960 --> 01:03:59,840
Speaker 1: I said, some people are trying to say Nas did that.

1304
01:04:00,040 --> 01:04:03,400
Speaker 1: It wasn't Nas that did that. Knives actually likes rat battles.

1305
01:04:03,480 --> 01:04:05,200
Speaker 1: He has no issue with it. I can only tell

1306
01:04:05,240 --> 01:04:07,440
Speaker 1: you what sonically pleased to my ears. Nicky put out

1307
01:04:07,440 --> 01:04:10,640
Speaker 1: three records yesterday. I think all of them are duds

1308
01:04:10,680 --> 01:04:13,560
Speaker 1: except for the one with Wayne. The one with Wayne

1309
01:04:13,680 --> 01:04:16,320
Speaker 1: is cool. The other two are just okay, Like no

1310
01:04:16,440 --> 01:04:19,680
Speaker 1: fraud is just okay to me, like, and those verses

1311
01:04:19,720 --> 01:04:21,800
Speaker 1: that she came back with Remy Remy Wood are just

1312
01:04:21,960 --> 01:04:24,520
Speaker 1: okay to me. All Right, Well, let's they're not trash.

1313
01:04:24,600 --> 01:04:30,000
Speaker 1: You said trash earlier, but hell line trash? No Hello

1314
01:04:30,280 --> 01:04:33,040
Speaker 1: this bro? Hello? Yes, what's up man? We're talking to

1315
01:04:33,120 --> 01:04:35,760
Speaker 1: him Naj's record. What you think, yo, man? I think

1316
01:04:35,840 --> 01:04:39,480
Speaker 1: honestly it was trash, but envy every come on man,

1317
01:04:39,560 --> 01:04:42,360
Speaker 1: you tweeted that was bars man, you know music for years.

1318
01:04:43,400 --> 01:04:49,280
Speaker 1: That was nice. Honestly, I'm not gonna lie. Nvy. You

1319
01:04:49,360 --> 01:04:51,400
Speaker 1: confuse me too, because when we was in the group text,

1320
01:04:51,680 --> 01:04:53,960
Speaker 1: first thing I said was this nicky record is trash.

1321
01:04:54,960 --> 01:04:57,640
Speaker 1: Then Nvy replied to me and said, I don't even

1322
01:04:57,720 --> 01:04:59,800
Speaker 1: I think we should act like it don't exist. No,

1323
01:05:00,000 --> 01:05:01,800
Speaker 1: I did say it was trash. I said I didn't

1324
01:05:01,840 --> 01:05:03,720
Speaker 1: like it because I only heard the third the first

1325
01:05:04,120 --> 01:05:06,600
Speaker 1: twenty second snippet that came out. Now that's not did it.

1326
01:05:06,800 --> 01:05:08,480
Speaker 1: Then when I heard the rest of it, when she

1327
01:05:08,600 --> 01:05:11,800
Speaker 1: talks about the whole path, looks about shooting your friend

1328
01:05:11,840 --> 01:05:13,240
Speaker 1: and all that, I was like, oh, this is clever.

1329
01:05:13,520 --> 01:05:15,040
Speaker 1: That's what I started liking the record. When I first

1330
01:05:15,040 --> 01:05:16,600
Speaker 1: heard it. I didn't like. I give I'm not saying

1331
01:05:16,640 --> 01:05:18,320
Speaker 1: it's the best and I'm not saying it's the best

1332
01:05:18,360 --> 01:05:20,480
Speaker 1: record of all time. I'm just saying it's not trash,

1333
01:05:20,880 --> 01:05:23,280
Speaker 1: all right. So what the main thing is I would

1334
01:05:23,400 --> 01:05:26,320
Speaker 1: have liked Nikki to come back harder on a song

1335
01:05:26,520 --> 01:05:28,880
Speaker 1: by herself, just going at her it is the main

1336
01:05:29,040 --> 01:05:31,680
Speaker 1: thing is the song trash. It's not a trash song.

1337
01:05:32,320 --> 01:05:35,440
Speaker 1: But I think we had a higher anticipation of what

1338
01:05:35,560 --> 01:05:37,240
Speaker 1: it was gonna be. That's what I was saying. Yeah,

1339
01:05:37,280 --> 01:05:39,760
Speaker 1: And you know people are giving her flat to about

1340
01:05:39,800 --> 01:05:41,800
Speaker 1: having a draking Wayne on the song that Don't Bother

1341
01:05:41,920 --> 01:05:43,840
Speaker 1: Me because two podcast features on hit Him Up? But

1342
01:05:43,960 --> 01:05:45,920
Speaker 1: Pop went extra hard on hit Him Up? So you

1343
01:05:45,920 --> 01:05:48,640
Speaker 1: know you realized that was his record? Right? Yeah? That

1344
01:05:49,200 --> 01:05:53,960
Speaker 1: that outlaw? Hello? Who's this? Yo? And what's up? Bro?

1345
01:05:54,040 --> 01:05:56,080
Speaker 1: What do you think about Nicki Minaj's record? I feel

1346
01:05:56,120 --> 01:05:58,080
Speaker 1: like it was a it was an okay record, Like

1347
01:05:58,520 --> 01:06:00,600
Speaker 1: it may not have been her best record, but it

1348
01:06:00,720 --> 01:06:03,320
Speaker 1: was okay for the simperfect that. You know, what can

1349
01:06:03,400 --> 01:06:06,520
Speaker 1: you possibly saying about Remy mad right now? Like so

1350
01:06:06,640 --> 01:06:08,240
Speaker 1: I feel like she did her best for what she

1351
01:06:08,320 --> 01:06:11,720
Speaker 1: could possibly be saying at the point right now? Okay,

1352
01:06:11,880 --> 01:06:14,160
Speaker 1: all right, thank you? Bro? I agree? Hello? Who's this?

1353
01:06:16,760 --> 01:06:20,480
Speaker 1: But I'm originally from Jersey? And what you think of

1354
01:06:20,520 --> 01:06:26,760
Speaker 1: the record? Garbage? She got? Child as far? I think

1355
01:06:26,760 --> 01:06:29,720
Speaker 1: it's too I'm not gonna lie. When I first heard it,

1356
01:06:29,760 --> 01:06:32,040
Speaker 1: I was like, this is trash, and then after after

1357
01:06:32,240 --> 01:06:34,400
Speaker 1: hearing a couple of times this morning, I'm like, it's okay,

1358
01:06:34,800 --> 01:06:38,600
Speaker 1: but then I hear this is whack It comes. It's

1359
01:06:38,640 --> 01:06:44,040
Speaker 1: borderline trash bro it ain't it ain't like but it's

1360
01:06:44,120 --> 01:06:48,080
Speaker 1: it's whatever whatever Dominican thing it is. But it's weak.

1361
01:06:48,840 --> 01:06:52,520
Speaker 1: I think it. Remy came so so, so hard on.

1362
01:06:52,640 --> 01:06:54,920
Speaker 1: She gave you a feeling when you heard it that whoa.

1363
01:06:56,920 --> 01:06:59,400
Speaker 1: We wanted to have that whoa. Yes, Remy came with

1364
01:06:59,440 --> 01:07:01,000
Speaker 1: a hunt around shop. But Nicky sounds like she got

1365
01:07:01,000 --> 01:07:02,919
Speaker 1: a little thirty eight and she's shooting one thing, hiding

1366
01:07:02,960 --> 01:07:07,000
Speaker 1: behind something. Because Renny herself even said then nothing, there's

1367
01:07:07,040 --> 01:07:09,200
Speaker 1: nothing off limits when you do a disk record. She

1368
01:07:09,320 --> 01:07:13,080
Speaker 1: even said that, right, So that gets into door wide open.

1369
01:07:13,120 --> 01:07:14,720
Speaker 1: I can talk about anything, and there's a lot of

1370
01:07:14,760 --> 01:07:16,960
Speaker 1: things you could say. Yeah, eight hundred five eight five,

1371
01:07:17,000 --> 01:07:18,600
Speaker 1: one oh five one, what did you think of? Nicki

1372
01:07:18,640 --> 01:07:20,840
Speaker 1: Minaj is a record? Call us up now. It's the

1373
01:07:20,880 --> 01:07:23,600
Speaker 1: Breakfast Club the Morning, This morning. Everybody is DJ Envy,

1374
01:07:23,680 --> 01:07:26,280
Speaker 1: Angela Ye, Charlemagne the guy. We are the Breakfast Club.

1375
01:07:26,600 --> 01:07:28,600
Speaker 1: Now if you just joined us, we're talking about Nicki Minah.

1376
01:07:28,680 --> 01:07:31,600
Speaker 1: She released three records yesterday. One was No Frauds. It

1377
01:07:31,760 --> 01:07:33,760
Speaker 1: features Drake and Little Wayne and this is how it

1378
01:07:33,880 --> 01:07:39,080
Speaker 1: sounds enough founded three sixty well dumb that's why Jane

1379
01:07:39,200 --> 01:07:44,560
Speaker 1: Claire's rust for your album. You were fraud commenting perjury.

1380
01:07:45,000 --> 01:07:48,280
Speaker 1: I got before and after pictures, so you so to

1381
01:07:48,480 --> 01:07:52,920
Speaker 1: keep to her. Jone looked like rock left the operating table.

1382
01:07:53,040 --> 01:07:55,880
Speaker 1: Still look like nah. So what do you think now?

1383
01:07:56,080 --> 01:07:58,200
Speaker 1: Me personally, I don't think it's bad. I don't think

1384
01:07:58,200 --> 01:08:00,800
Speaker 1: it's horrible. I don't think it's trash. It's okay. What

1385
01:08:00,960 --> 01:08:02,680
Speaker 1: she's trying to do and what I see she's trying

1386
01:08:02,680 --> 01:08:04,240
Speaker 1: to do is she tried to make it a single,

1387
01:08:04,320 --> 01:08:06,439
Speaker 1: so you're gonna hear it for the next three four months.

1388
01:08:06,520 --> 01:08:09,120
Speaker 1: Does it compare to Shetha? No way? But she wanted

1389
01:08:09,160 --> 01:08:11,040
Speaker 1: it to be strong. She put Wayne and she put

1390
01:08:11,160 --> 01:08:13,040
Speaker 1: Drake on it, and that's the first song with the

1391
01:08:13,120 --> 01:08:15,160
Speaker 1: three of them on it in quite some time. So

1392
01:08:15,320 --> 01:08:17,200
Speaker 1: that was the way of being like, everybody's gonna be

1393
01:08:17,280 --> 01:08:20,120
Speaker 1: interested in her songs and numbers one, three and four

1394
01:08:20,200 --> 01:08:21,840
Speaker 1: on the charts when she put them out last night.

1395
01:08:21,880 --> 01:08:23,320
Speaker 1: We're gonna hear that song for the next three or

1396
01:08:23,360 --> 01:08:25,400
Speaker 1: four months. Well, I put it to you like this.

1397
01:08:25,520 --> 01:08:30,400
Speaker 1: If they're gonna make it a single, that's the label's job. Okay, Well, listen,

1398
01:08:30,439 --> 01:08:32,240
Speaker 1: they're gonna they're gonna put it, They're gonna the record,

1399
01:08:32,280 --> 01:08:34,479
Speaker 1: They're gonna work the record, absolutely gonna work that record.

1400
01:08:34,520 --> 01:08:35,880
Speaker 1: I'm gonna be honest with you. I just think the

1401
01:08:35,920 --> 01:08:39,280
Speaker 1: record is okay, borderline trash bro like. I just feel like,

1402
01:08:39,680 --> 01:08:41,320
Speaker 1: you know. And that's why I hate the fact that

1403
01:08:41,479 --> 01:08:43,920
Speaker 1: Remy dropped another one, because being the fact that Remy

1404
01:08:44,000 --> 01:08:47,360
Speaker 1: dropped another one, Nikki can address her energy at the

1405
01:08:47,439 --> 01:08:49,760
Speaker 1: weaker record. I don't want to see you respond to

1406
01:08:49,840 --> 01:08:53,200
Speaker 1: Sheath the Shetha was the hunting round clip. Don't go

1407
01:08:53,320 --> 01:08:56,519
Speaker 1: after the weakest, the weakest record like she acting like Sheath,

1408
01:08:56,520 --> 01:08:59,160
Speaker 1: it don't exist. I don't like it. I think it's

1409
01:08:59,240 --> 01:09:01,160
Speaker 1: kind of weak. Honest. Now, let's be honest. If you

1410
01:09:01,200 --> 01:09:02,720
Speaker 1: got hit with Sheatha, wouldn't you try to act like

1411
01:09:02,720 --> 01:09:05,519
Speaker 1: if you NISI is too you said what I said.

1412
01:09:05,600 --> 01:09:07,680
Speaker 1: If you got hit with a Sheatha, wouldn't you try

1413
01:09:07,680 --> 01:09:09,080
Speaker 1: to act like it didn't happen to That's why I

1414
01:09:09,120 --> 01:09:11,160
Speaker 1: hate the fact that Remy put out another one. Man

1415
01:09:11,280 --> 01:09:13,920
Speaker 1: that was that was a misstep because if she hadn't

1416
01:09:13,960 --> 01:09:16,160
Speaker 1: put out another one, she kind of just had Nikki

1417
01:09:16,479 --> 01:09:18,360
Speaker 1: backed into a corner. And I would love to see

1418
01:09:18,400 --> 01:09:20,639
Speaker 1: how Nikki responded to that. Don't get me wrong, I'm

1419
01:09:20,640 --> 01:09:23,880
Speaker 1: happy Nikki responded. I'm glad she responded for the culture,

1420
01:09:24,080 --> 01:09:27,479
Speaker 1: but her response to me was weak. Now Remy has

1421
01:09:27,479 --> 01:09:29,600
Speaker 1: said it's over for her. Now she's done. Do you

1422
01:09:29,680 --> 01:09:32,720
Speaker 1: think she needs to reply to this reply. I think,

1423
01:09:33,000 --> 01:09:36,000
Speaker 1: knowing Remy, she will because Remy is she's a competition.

1424
01:09:36,000 --> 01:09:39,720
Speaker 1: She probably won't do another whole song, just be some absolutely,

1425
01:09:39,800 --> 01:09:41,240
Speaker 1: And I don't think that you should throw I don't

1426
01:09:41,240 --> 01:09:42,760
Speaker 1: think you should throw stones when you live in a

1427
01:09:43,240 --> 01:09:46,559
Speaker 1: glass plastic surgeon's office, Like if you've had plastic surgery,

1428
01:09:46,600 --> 01:09:48,559
Speaker 1: I don't understand what. And and that goes for Remy

1429
01:09:48,600 --> 01:09:51,080
Speaker 1: and Nicky. If you've had plastic surgery, why you come

1430
01:09:51,160 --> 01:09:54,639
Speaker 1: in at people for having plastic surgery Like I don't

1431
01:09:54,720 --> 01:09:56,560
Speaker 1: understand that. That's just that that's a dumb argument to

1432
01:09:56,600 --> 01:09:58,639
Speaker 1: me if you had plastic surgery and you had plastic surgery,

1433
01:09:58,760 --> 01:10:01,320
Speaker 1: while you're arguing about who have I deserted? And on

1434
01:10:01,400 --> 01:10:03,920
Speaker 1: another note, I know pap Poos was waiting to hear

1435
01:10:03,960 --> 01:10:05,800
Speaker 1: a line had to drake a weezy to go in.

1436
01:10:06,320 --> 01:10:09,960
Speaker 1: I don't want to through pappoos problems. They don't want

1437
01:10:10,000 --> 01:10:14,120
Speaker 1: those lives they don't want Hello. Who's this Hi? This

1438
01:10:14,280 --> 01:10:19,960
Speaker 1: is Chantelle from Duvall Day here with you. I heard

1439
01:10:20,080 --> 01:10:22,479
Speaker 1: my listen. We listen to y'all every morning taking my

1440
01:10:22,640 --> 01:10:25,720
Speaker 1: kids to school. So trust me, I'm so happy y'all

1441
01:10:25,760 --> 01:10:28,400
Speaker 1: at in Duvall County. All right, Now, what you think

1442
01:10:28,439 --> 01:10:30,680
Speaker 1: of the record? I'm gonna be honest in me. Um.

1443
01:10:30,960 --> 01:10:34,240
Speaker 1: She had a few decent lines, but I'm sorry, I'm

1444
01:10:34,280 --> 01:10:36,960
Speaker 1: old school like Remy, like Eve, and I just feel

1445
01:10:37,040 --> 01:10:40,599
Speaker 1: like she kind of coughed out Addie Wayne and Addie Drake.

1446
01:10:40,760 --> 01:10:42,680
Speaker 1: I mean, if you want to say Remy had a

1447
01:10:42,680 --> 01:10:45,519
Speaker 1: ghost rider with y'a, don't believe she still came for her.

1448
01:10:45,600 --> 01:10:48,960
Speaker 1: She came, she delivered, and she destroyed. That just sounds

1449
01:10:49,000 --> 01:10:51,280
Speaker 1: like from bubble gum wrap. I just don't like that.

1450
01:10:51,800 --> 01:10:55,240
Speaker 1: Why do you say old school like even Remy? Remy's

1451
01:10:55,280 --> 01:11:01,120
Speaker 1: thirty six, even thirty, I'm sorry, said, I know, not

1452
01:11:01,280 --> 01:11:03,600
Speaker 1: old for I mean as far as like hard like

1453
01:11:03,720 --> 01:11:07,080
Speaker 1: how you know et, let's start. That's my generation. I'm

1454
01:11:07,120 --> 01:11:09,120
Speaker 1: thirty fed got you, I'm with you, all right? That's

1455
01:11:13,320 --> 01:11:18,320
Speaker 1: just Hello? Who's this good? My name is mon, Hey Ray?

1456
01:11:18,400 --> 01:11:20,960
Speaker 1: What you think of the nick Nas record? Uh? First,

1457
01:11:20,960 --> 01:11:23,040
Speaker 1: of all. Let me just say that I think that

1458
01:11:23,160 --> 01:11:26,280
Speaker 1: this is the number one station in the world. And

1459
01:11:26,439 --> 01:11:29,439
Speaker 1: I love you guys, and I think you guys are thirty.

1460
01:11:30,479 --> 01:11:32,599
Speaker 1: Thank you. I love you right back. It's so sweet.

1461
01:11:32,600 --> 01:11:34,720
Speaker 1: I think she meant Shoto, not station to breakfast club.

1462
01:11:35,120 --> 01:11:38,240
Speaker 1: I meant you guys. Okay, yeah, the breakfast Thank you, Charlomagne.

1463
01:11:38,280 --> 01:11:41,479
Speaker 1: I just love how real you are and honest. And

1464
01:11:41,880 --> 01:11:45,720
Speaker 1: Angela's like, I think you're so dautiful and that you're

1465
01:11:45,720 --> 01:11:49,640
Speaker 1: a role model for all women because you situation the

1466
01:11:49,720 --> 01:11:53,519
Speaker 1: way you had of it was with almost class. Because

1467
01:11:53,600 --> 01:11:58,080
Speaker 1: me I would have went crazy. You did. You got different.

1468
01:11:58,439 --> 01:12:04,479
Speaker 1: Giving me some love too. We need because he brings

1469
01:12:04,560 --> 01:12:08,120
Speaker 1: like he's the chill of the situation. He's cool and

1470
01:12:08,520 --> 01:12:11,439
Speaker 1: like his routine is probably rolling up a couple of

1471
01:12:11,520 --> 01:12:17,479
Speaker 1: elms and come in to work, just chill. I'm gonna

1472
01:12:17,479 --> 01:12:18,920
Speaker 1: be honest with you. That is not envy at all.

1473
01:12:18,920 --> 01:12:21,559
Speaker 1: He's the most moment anyone out of all of us,

1474
01:12:21,600 --> 01:12:25,160
Speaker 1: the most high whatever. I'm very calm and very late.

1475
01:12:25,520 --> 01:12:27,800
Speaker 1: But what do you think about the record, Mama? Well,

1476
01:12:28,479 --> 01:12:31,160
Speaker 1: I think that Nikki she was in the corner. So

1477
01:12:31,479 --> 01:12:33,439
Speaker 1: now that she was in the corner, she had to

1478
01:12:33,520 --> 01:12:36,080
Speaker 1: figure out what she wanted to do. Her backwards against

1479
01:12:36,120 --> 01:12:38,600
Speaker 1: the wall. So she was like, a good decision was

1480
01:12:39,080 --> 01:12:42,800
Speaker 1: to bring Drake and Little Une on and of course

1481
01:12:42,880 --> 01:12:46,200
Speaker 1: that's gonna boost the ratings. Itsels And now she's on

1482
01:12:46,360 --> 01:12:51,920
Speaker 1: Instagram posting all these pictures of her record sales and everything. Whatever.

1483
01:12:52,320 --> 01:12:54,439
Speaker 1: I'm waiting for what Remy mart has to come with.

1484
01:12:54,640 --> 01:12:58,160
Speaker 1: I used to love Nikki, but she turns a pop star,

1485
01:12:58,400 --> 01:13:00,400
Speaker 1: she's not a rap. You think people felt like it's

1486
01:13:00,400 --> 01:13:04,559
Speaker 1: just more relatable right now? Yes, because we I mean,

1487
01:13:04,640 --> 01:13:07,840
Speaker 1: we all know we love Nikki and she has a

1488
01:13:07,960 --> 01:13:12,080
Speaker 1: great fan base. But Remy Man, she's more fresh. And

1489
01:13:12,200 --> 01:13:14,479
Speaker 1: I was waiting for Remy Man to come out anyway,

1490
01:13:14,520 --> 01:13:18,280
Speaker 1: and I knew she was gonna come out. Thank you mama,

1491
01:13:18,600 --> 01:13:20,200
Speaker 1: all right, what's the moral of the story, is there

1492
01:13:20,240 --> 01:13:21,960
Speaker 1: a mom? Yeah, the moral of the story is I'm glad.

1493
01:13:22,040 --> 01:13:24,320
Speaker 1: She replied. It's great for the culture. She had a

1494
01:13:24,360 --> 01:13:26,560
Speaker 1: couple of decent lines and the no fraud's record, but

1495
01:13:26,680 --> 01:13:29,640
Speaker 1: overall is a no for me. Bro Listen, Nah, I

1496
01:13:29,760 --> 01:13:31,720
Speaker 1: just I just thought it was weak personally. That's just

1497
01:13:31,880 --> 01:13:34,200
Speaker 1: my opinion. And and and I don't understand why you

1498
01:13:34,320 --> 01:13:37,400
Speaker 1: did it was weak, But you wouldn't say trash when

1499
01:13:37,400 --> 01:13:41,120
Speaker 1: I'm just saying when I first heard it, I said trash.

1500
01:13:41,360 --> 01:13:42,920
Speaker 1: I have to hear it, said the same thing after

1501
01:13:43,000 --> 01:13:44,519
Speaker 1: hearing it a couple of times this morning. I think

1502
01:13:44,560 --> 01:13:48,320
Speaker 1: it's okay, borderline trash. But next week you'll be a

1503
01:13:48,360 --> 01:13:51,200
Speaker 1: barber again. No, I'm definitely not, definitely not. I mean, listen,

1504
01:13:51,200 --> 01:13:53,120
Speaker 1: if NICKI puts you out some heat heat, I'm gonna

1505
01:13:53,120 --> 01:13:54,560
Speaker 1: give her our problems. I think out of all the

1506
01:13:54,680 --> 01:13:56,960
Speaker 1: three records she dropped, I think the one with Wayne

1507
01:13:57,080 --> 01:13:59,559
Speaker 1: is the best one. I think that other record, No Regrets,

1508
01:13:59,640 --> 01:14:03,560
Speaker 1: No Tips, it's just absolute garbage to me personally. And

1509
01:14:03,640 --> 01:14:05,719
Speaker 1: I feel like, you know, when you're disabling your comments

1510
01:14:05,800 --> 01:14:08,439
Speaker 1: on Instagram, that says a lot about how you feel.

1511
01:14:08,800 --> 01:14:11,559
Speaker 1: I don't think that you're very secure in the material

1512
01:14:11,640 --> 01:14:13,479
Speaker 1: that you put out there if you're disabling your comments

1513
01:14:13,520 --> 01:14:15,200
Speaker 1: because you don't want to hear people's opinions, like you

1514
01:14:15,280 --> 01:14:17,240
Speaker 1: gotta take the good, you gotta take the bad, you

1515
01:14:17,280 --> 01:14:18,840
Speaker 1: gotta take the ugly, because that's just the way the

1516
01:14:18,920 --> 01:14:22,160
Speaker 1: game go. But my rawal opinion of the No Frauds record,

1517
01:14:22,400 --> 01:14:26,160
Speaker 1: I think it's okay borderline trash. All right, well, we

1518
01:14:26,240 --> 01:14:28,599
Speaker 1: got rumors on the way. Yeah, let's talk about Chance

1519
01:14:28,680 --> 01:14:31,439
Speaker 1: the Rapper. You know, he's donating money to the public

1520
01:14:31,520 --> 01:14:33,760
Speaker 1: schools in Chicago. Will tell you what else he has

1521
01:14:33,880 --> 01:14:36,080
Speaker 1: going on. But somebody is trying to well, a few

1522
01:14:36,080 --> 01:14:37,960
Speaker 1: people are trying to come at him, and we'll tell

1523
01:14:38,000 --> 01:14:40,479
Speaker 1: you what his response is to that. Also, we do

1524
01:14:40,600 --> 01:14:42,479
Speaker 1: have to talk about Nicki Minaj is other song that

1525
01:14:42,560 --> 01:14:43,880
Speaker 1: she put out. I know we spent a lot of

1526
01:14:43,960 --> 01:14:46,920
Speaker 1: time focusing on the no frauds, but what else happened.

1527
01:14:46,920 --> 01:14:48,639
Speaker 1: We'll give you some updates. All right, We'll get into

1528
01:14:48,720 --> 01:14:50,320
Speaker 1: all that when we come back. Keep a lock. This

1529
01:14:50,400 --> 01:14:53,120
Speaker 1: to Breakfast Club Goal more. This is the rum of

1530
01:14:53,160 --> 01:15:04,360
Speaker 1: report with Angela. All right, well, Chance the Rapper. We've

1531
01:15:04,400 --> 01:15:06,799
Speaker 1: been talking a lot about his one million dollar donation

1532
01:15:06,880 --> 01:15:09,120
Speaker 1: to the Chicago public schools and all the great things

1533
01:15:09,160 --> 01:15:11,639
Speaker 1: that he's been doing. But he has felt the need

1534
01:15:11,760 --> 01:15:14,840
Speaker 1: to respond to the Chicago Sun Times. Now recently they

1535
01:15:14,880 --> 01:15:18,439
Speaker 1: did an article saying that his image could be tarnished

1536
01:15:18,479 --> 01:15:22,120
Speaker 1: because of some child support issues. Now, according to the writer,

1537
01:15:22,640 --> 01:15:25,599
Speaker 1: if this personal issue is handled callously in the public,

1538
01:15:25,960 --> 01:15:28,280
Speaker 1: Chance the Rapper's clean cut image could take a big hit.

1539
01:15:28,360 --> 01:15:31,200
Speaker 1: After all, you can't hand out money to benefit children

1540
01:15:31,240 --> 01:15:32,960
Speaker 1: you don't know and come off looking like you are

1541
01:15:33,040 --> 01:15:35,800
Speaker 1: being stingy when it comes to your own child. The

1542
01:15:35,920 --> 01:15:38,439
Speaker 1: article goes on to talk about Chance the Rapper filing

1543
01:15:38,760 --> 01:15:42,639
Speaker 1: to keep all his financial documents a secret and arguing

1544
01:15:42,680 --> 01:15:45,479
Speaker 1: that the disclosure of those records would potentially pose safety

1545
01:15:45,560 --> 01:15:49,719
Speaker 1: issues for him, for his child, and for his child's mother. Well,

1546
01:15:49,800 --> 01:15:53,240
Speaker 1: here is how Charence responded via social media. He posted

1547
01:15:53,240 --> 01:15:56,559
Speaker 1: a video with his daughter and his daughter's mother Kensley. Look, Bobby,

1548
01:15:56,920 --> 01:15:59,679
Speaker 1: say y'all better do y'all jobs and stop worrying about

1549
01:16:00,040 --> 01:16:02,679
Speaker 1: how good my family is. Such a friendly reminder, don't

1550
01:16:02,760 --> 01:16:05,280
Speaker 1: let anybody get between you and your family. Don't let

1551
01:16:05,320 --> 01:16:08,000
Speaker 1: people try and you know, don't don't be afraid of

1552
01:16:08,040 --> 01:16:11,080
Speaker 1: other people are saying about you. Do your job and

1553
01:16:11,200 --> 01:16:18,040
Speaker 1: everything will be fine. Sometimes get back. Yeah, you don't

1554
01:16:18,040 --> 01:16:20,639
Speaker 1: really know. You don't really know people in this industry.

1555
01:16:20,680 --> 01:16:22,040
Speaker 1: I mean, some of the people that we think are

1556
01:16:22,120 --> 01:16:25,759
Speaker 1: like the cleanest end up being the filthiest. Bill Cosby.

1557
01:16:26,040 --> 01:16:28,080
Speaker 1: But at this point Chance to Rop is pretty slammed

1558
01:16:28,080 --> 01:16:31,200
Speaker 1: a proof bro right And in the article they even

1559
01:16:31,320 --> 01:16:33,639
Speaker 1: said that last month Kristen Corley, who was the mother

1560
01:16:33,720 --> 01:16:36,320
Speaker 1: of his eighteen month old daughter, asking court contemporary child

1561
01:16:36,360 --> 01:16:38,880
Speaker 1: support and money to obtain and furnish at home, and

1562
01:16:38,960 --> 01:16:41,679
Speaker 1: she wants an automobile. She's unemployed. She is a child's

1563
01:16:41,720 --> 01:16:45,120
Speaker 1: primary caregiver. But in the same article it does say

1564
01:16:45,240 --> 01:16:47,760
Speaker 1: that he is actually taking care of the child, that

1565
01:16:47,880 --> 01:16:50,600
Speaker 1: just having reached a long term child support agreement. So

1566
01:16:50,680 --> 01:16:53,640
Speaker 1: he has been supporting his daughter financially. But they just

1567
01:16:53,680 --> 01:16:56,240
Speaker 1: happen to reach anything long term, so that doesn't mean

1568
01:16:56,320 --> 01:16:58,120
Speaker 1: he's not taking care of his child. I thought him

1569
01:16:58,160 --> 01:17:00,439
Speaker 1: and the girls together though, but that was like now

1570
01:17:00,520 --> 01:17:03,840
Speaker 1: they broke up, but maybe they'll get back together. You know,

1571
01:17:03,920 --> 01:17:06,479
Speaker 1: he's only twenty three years old. Things happen. It's probably

1572
01:17:06,520 --> 01:17:09,400
Speaker 1: a rough relationship right now. With all the attention he's getting.

1573
01:17:09,400 --> 01:17:11,080
Speaker 1: He's probably on the road all the time. As you

1574
01:17:11,160 --> 01:17:14,280
Speaker 1: can imagine, that would be difficult for anybody's relationship, right

1575
01:17:15,200 --> 01:17:18,479
Speaker 1: all right, now, let's discuss Nicki Minaj's third song that

1576
01:17:18,600 --> 01:17:22,400
Speaker 1: she put out yesterday, regret in Your Tears Now. This

1577
01:17:22,560 --> 01:17:27,320
Speaker 1: song is clearly about her relationship with Meek Mill. The

1578
01:17:27,439 --> 01:17:29,880
Speaker 1: chorus regretting your tears now you taste them because you know,

1579
01:17:29,920 --> 01:17:32,760
Speaker 1: I don't chase, I replace them, don't rush, take time,

1580
01:17:33,120 --> 01:17:35,080
Speaker 1: take some. I just want the memories. Try to make

1581
01:17:35,120 --> 01:17:37,479
Speaker 1: something with you now. I gotta erase some with you.

1582
01:17:37,760 --> 01:17:39,960
Speaker 1: Check out some of this song. You don't even know

1583
01:17:40,040 --> 01:17:42,479
Speaker 1: what you just lost. You don't even know what you

1584
01:17:42,760 --> 01:17:49,479
Speaker 1: just had. You don't even know when us was bad things.

1585
01:17:49,520 --> 01:17:54,360
Speaker 1: Now now you're spending coal nuts. You've been wrong so

1586
01:17:54,560 --> 01:17:58,439
Speaker 1: long you don't even know right. Come on line, I'm

1587
01:17:58,439 --> 01:18:02,840
Speaker 1: as boy. You'll just need to laugh. Boy, I ain't

1588
01:18:02,840 --> 01:18:07,519
Speaker 1: on top by now. I'm gonna be honest with you

1589
01:18:07,560 --> 01:18:09,280
Speaker 1: when I want to go. Listen to that one on iTunes.

1590
01:18:09,320 --> 01:18:10,920
Speaker 1: I didn't even get through that whole song, and I

1591
01:18:11,080 --> 01:18:13,120
Speaker 1: just thought that's not for me at all. I turned

1592
01:18:13,160 --> 01:18:15,280
Speaker 1: that all the way off. Well, this is one of

1593
01:18:15,320 --> 01:18:17,519
Speaker 1: the songs for it's a breakup song for women. You know,

1594
01:18:17,880 --> 01:18:20,720
Speaker 1: basically what she's saying in the song is that, uh,

1595
01:18:21,280 --> 01:18:23,439
Speaker 1: she said, you got nerve. I know you just want

1596
01:18:23,439 --> 01:18:24,920
Speaker 1: to be heard. I'm a bad bitch. You win't you

1597
01:18:25,000 --> 01:18:26,479
Speaker 1: sit at you go on f around and make me

1598
01:18:26,600 --> 01:18:28,880
Speaker 1: do you bad? You secret? Creep with you through the back.

1599
01:18:29,200 --> 01:18:31,800
Speaker 1: I cannot the cash and bring you the bag. But

1600
01:18:32,320 --> 01:18:34,120
Speaker 1: it seems like she's trying to say that he was

1601
01:18:34,600 --> 01:18:36,760
Speaker 1: cheating on her and now she's done with him and

1602
01:18:36,800 --> 01:18:40,360
Speaker 1: she's gonna replace him. So Meek actually posted on Instagram,

1603
01:18:40,400 --> 01:18:42,320
Speaker 1: I don't know you guys. I'm sure you guys follow Meek.

1604
01:18:42,960 --> 01:18:44,920
Speaker 1: So right when that song, jop T did post a

1605
01:18:45,040 --> 01:18:47,640
Speaker 1: picture with the you know, the emoji, but just the

1606
01:18:47,720 --> 01:18:49,439
Speaker 1: straight line for the mouth. He was looking at the

1607
01:18:49,479 --> 01:18:51,200
Speaker 1: side of it and he was in his car. Yeah,

1608
01:18:51,520 --> 01:18:56,960
Speaker 1: just looking like I'm okay. So that's just what his

1609
01:18:57,040 --> 01:19:00,639
Speaker 1: face was looking like. I love this culture. Man. Well,

1610
01:19:00,680 --> 01:19:03,479
Speaker 1: you know it's Friday. What else can we say? There?

1611
01:19:03,520 --> 01:19:05,920
Speaker 1: You go? All right, Well I'm angela you and that's

1612
01:19:05,960 --> 01:19:08,800
Speaker 1: your rumor report Friday. All right, thank you, missie. Now,

1613
01:19:08,800 --> 01:19:10,600
Speaker 1: a lot of people having heard the song where she

1614
01:19:10,720 --> 01:19:12,360
Speaker 1: replies to Remy Moss, let's get it on