1 00:00:00,320 --> 00:00:03,320 Speaker 1: Hey, it's Amy. Thanks for subscribing to the Bobby Bone 2 00:00:03,360 --> 00:00:05,920 Speaker 1: Show podcast. We wanted to give you a little something 3 00:00:06,000 --> 00:00:09,280 Speaker 1: extra today. Since there isn't a new podcast up, I 4 00:00:09,320 --> 00:00:11,720 Speaker 1: wanted to share a long form interview that I did 5 00:00:11,760 --> 00:00:14,920 Speaker 1: recently with Ashley McBride. I do a show every weekend. 6 00:00:14,960 --> 00:00:17,720 Speaker 1: It's called Women of iHeart Country, and Ashley came on 7 00:00:17,800 --> 00:00:20,279 Speaker 1: as my guest this weekend. She helped me settle the 8 00:00:20,320 --> 00:00:23,279 Speaker 1: debate on bathing your cats, We talked about her horse 9 00:00:23,440 --> 00:00:26,920 Speaker 1: riding accident, and shared the story behind her new duet 10 00:00:26,960 --> 00:00:29,200 Speaker 1: with Carly Pierce, which is called Never Wanted to Be 11 00:00:29,280 --> 00:00:32,120 Speaker 1: That Girl So Good. She also performed that duet and 12 00:00:32,320 --> 00:00:35,159 Speaker 1: her song one night Standards and you'll hear all that 13 00:00:35,280 --> 00:00:38,199 Speaker 1: inside this interview. And you can listen to Women of 14 00:00:38,200 --> 00:00:41,600 Speaker 1: Ihart Country hosted by me every weekend. Just check out 15 00:00:41,600 --> 00:00:45,440 Speaker 1: your local iHeartRadio station or search Women of iHeart Country 16 00:00:45,520 --> 00:00:48,280 Speaker 1: on your iHeartRadio app. But here it is a special 17 00:00:48,400 --> 00:00:52,160 Speaker 1: edition of Women of iHeart Country with Ashley McBride. Let's 18 00:00:52,240 --> 00:01:00,000 Speaker 1: go go give it up for Women of iHeart Country 19 00:01:00,600 --> 00:01:03,720 Speaker 1: with Amy Brown. I'm Maybe Brown, and we are pumped 20 00:01:04,040 --> 00:01:07,800 Speaker 1: to be joined by our guest today, Ashley McBride, Hey, Ashley, 21 00:01:07,840 --> 00:01:09,840 Speaker 1: how are you doing. I'm doing good now. I know 22 00:01:09,959 --> 00:01:13,080 Speaker 1: that vocals sometimes you gotta warm up, but I know 23 00:01:13,120 --> 00:01:15,479 Speaker 1: you haven't. You said, you haven't been spoken today except 24 00:01:15,480 --> 00:01:17,360 Speaker 1: to my pets. Yeah, so how do you How do 25 00:01:17,360 --> 00:01:19,440 Speaker 1: you talk to your pets? Well, it depends on if 26 00:01:19,440 --> 00:01:22,200 Speaker 1: it's the dog Optimus Prime. He gets asked who's my 27 00:01:22,280 --> 00:01:25,200 Speaker 1: best friend? And who's the best boy? And then I 28 00:01:25,240 --> 00:01:28,200 Speaker 1: have a cat named Loomis who's kind of a trashy individual. 29 00:01:28,240 --> 00:01:31,119 Speaker 1: He likes to literally get into the trash um and him, 30 00:01:31,160 --> 00:01:33,640 Speaker 1: I just just tell him, Loomis, you're handsome. You're a 31 00:01:33,640 --> 00:01:35,400 Speaker 1: good giddy. I'm not really a cat person, or I 32 00:01:35,480 --> 00:01:37,880 Speaker 1: never was, but he's a really cool cat. You're not 33 00:01:37,920 --> 00:01:40,080 Speaker 1: a cat person, but you have a cat of two cats? 34 00:01:40,760 --> 00:01:42,440 Speaker 1: You have two cats? How did you end up with 35 00:01:42,480 --> 00:01:45,000 Speaker 1: a cat? I have a cat named Miller Lite. She 36 00:01:45,160 --> 00:01:46,920 Speaker 1: was found in the woods, too too small to be 37 00:01:46,920 --> 00:01:49,880 Speaker 1: away from her mother. And of course I wasn't gonna 38 00:01:49,920 --> 00:01:51,760 Speaker 1: let anything bad happened to that cat, so it's now 39 00:01:51,800 --> 00:01:54,320 Speaker 1: my cat. And then m Louis was kind of the 40 00:01:54,320 --> 00:01:55,960 Speaker 1: same way. He was in a situation where he was 41 00:01:55,960 --> 00:01:58,080 Speaker 1: old enough to get away from his mother, but wasn't 42 00:01:58,080 --> 00:02:00,840 Speaker 1: in a situation where he would be taking carefully and 43 00:02:01,000 --> 00:02:03,440 Speaker 1: so I was like, yeah, I'll take him. Well, I 44 00:02:03,480 --> 00:02:05,480 Speaker 1: need you to settle a big debate that we've had 45 00:02:05,720 --> 00:02:08,000 Speaker 1: on the show because I have a cat and I'm 46 00:02:08,040 --> 00:02:11,120 Speaker 1: a new cat mom. Yeah, and I recently gave my 47 00:02:11,200 --> 00:02:15,160 Speaker 1: cat a bath and it was pretty controversial on Instagram, 48 00:02:15,160 --> 00:02:17,560 Speaker 1: Like people said I was idiotic for bathing my cat, 49 00:02:17,600 --> 00:02:19,240 Speaker 1: but then other people were like, no, bathe your cat. 50 00:02:19,280 --> 00:02:21,600 Speaker 1: It's fine. So Ashley McBride, do you bathe your cats? 51 00:02:22,360 --> 00:02:25,040 Speaker 1: Louis loves to get in the sink and also loves 52 00:02:25,040 --> 00:02:26,960 Speaker 1: to jump in the shower while you're in there. He's 53 00:02:27,000 --> 00:02:28,720 Speaker 1: not afraid of water. And I don't know that I've 54 00:02:28,720 --> 00:02:30,720 Speaker 1: ever bathed Miller Lite because she really doesn't want to 55 00:02:30,720 --> 00:02:34,160 Speaker 1: have anything to do with anyone. But when I was younger, 56 00:02:34,200 --> 00:02:35,800 Speaker 1: when I was in college, I was a vetech and 57 00:02:35,800 --> 00:02:38,480 Speaker 1: that was one of my jobs was to bathe cats. Okay, 58 00:02:38,560 --> 00:02:42,359 Speaker 1: yeah it happens. Well, I love you have all this experience, 59 00:02:42,440 --> 00:02:44,720 Speaker 1: like I have a lot of who knew, Ashley Bride 60 00:02:44,760 --> 00:02:46,720 Speaker 1: it was a vet tech And now you've heard it here. 61 00:02:47,040 --> 00:02:50,320 Speaker 1: So if you thought bathing a cat was controversial, Ashley says, yes, 62 00:02:50,639 --> 00:02:53,160 Speaker 1: I'm going to say it's a personal choice. Yes. So 63 00:02:53,240 --> 00:02:56,200 Speaker 1: Ashley has a duet right now with Carly Pierce called 64 00:02:56,400 --> 00:02:59,480 Speaker 1: Never Wanted to Be That Girl, and Ashley brought her 65 00:02:59,520 --> 00:03:01,680 Speaker 1: a guitar, so she's going to play a little bit 66 00:03:01,680 --> 00:03:04,560 Speaker 1: from that song and then also her song one Night Standards, 67 00:03:04,560 --> 00:03:07,520 Speaker 1: which we love. And obviously you know Ashley has an 68 00:03:07,520 --> 00:03:10,280 Speaker 1: amazing voice. If you don't know, then listen so you 69 00:03:10,280 --> 00:03:12,799 Speaker 1: can find out just how awesome she is. So, Ashley, 70 00:03:12,800 --> 00:03:15,360 Speaker 1: you've got your guitar here and you're about to play 71 00:03:15,520 --> 00:03:17,120 Speaker 1: never Wanted to Be That Girl for us, which you 72 00:03:17,160 --> 00:03:20,440 Speaker 1: wrote with Carly Pearce and Shane mcinally love them both. 73 00:03:20,800 --> 00:03:23,760 Speaker 1: If you had to give the elevator pitch for this song, 74 00:03:24,080 --> 00:03:27,480 Speaker 1: what would it be? Carly and I already admired and 75 00:03:27,520 --> 00:03:31,919 Speaker 1: respected each other, but our friendship was solidified overwriting this song. 76 00:03:32,280 --> 00:03:36,120 Speaker 1: The honesty it took to write this song was not 77 00:03:36,320 --> 00:03:40,440 Speaker 1: any small feat. So Carly was recently in here and 78 00:03:40,520 --> 00:03:42,920 Speaker 1: she talked about this song. So when you were writing 79 00:03:42,920 --> 00:03:45,800 Speaker 1: it together, how did you decide who would take that 80 00:03:46,040 --> 00:03:48,760 Speaker 1: role of putting it out there? We didn't really know, 81 00:03:49,000 --> 00:03:50,360 Speaker 1: but we knew that we you know, we kind of 82 00:03:50,360 --> 00:03:52,200 Speaker 1: started the song. You don't always get to start at 83 00:03:52,200 --> 00:03:53,600 Speaker 1: the top left hand part of the page, and that's 84 00:03:53,600 --> 00:03:55,760 Speaker 1: where we started. Was We're just going to start with 85 00:03:55,920 --> 00:03:58,119 Speaker 1: a character and figure out how she meets the guy. 86 00:03:58,200 --> 00:03:59,640 Speaker 1: And then I think if we wrote it like March 87 00:03:59,720 --> 00:04:02,360 Speaker 1: twenty second or something like that by May, you know, 88 00:04:02,480 --> 00:04:04,080 Speaker 1: Carly was like, hey, I'm putting it on the record. 89 00:04:04,080 --> 00:04:05,600 Speaker 1: I was like, oh, that's fantastic, and then she said 90 00:04:06,040 --> 00:04:07,400 Speaker 1: what day can you come sing? And then it was 91 00:04:07,440 --> 00:04:09,280 Speaker 1: even better because I got to be on the on 92 00:04:09,320 --> 00:04:12,080 Speaker 1: the record with her on this one. Um. But either 93 00:04:12,120 --> 00:04:13,400 Speaker 1: one of us could have put it. I mean we 94 00:04:13,440 --> 00:04:15,320 Speaker 1: both could put it on our records. UM, I'm really 95 00:04:15,360 --> 00:04:18,080 Speaker 1: am proud of this song. What about the reaction from fans? 96 00:04:18,160 --> 00:04:21,200 Speaker 1: What's that been like regarding the song? We haven't made 97 00:04:21,240 --> 00:04:23,120 Speaker 1: it part of our live show yet because we wanted 98 00:04:23,160 --> 00:04:25,840 Speaker 1: to make sure it was already you know, out and circulating. Um. 99 00:04:26,600 --> 00:04:29,000 Speaker 1: But like as far as people that I've played it for, 100 00:04:30,000 --> 00:04:32,039 Speaker 1: including some some radio friends while we've been out on 101 00:04:32,040 --> 00:04:35,559 Speaker 1: the road, UM, it has been kind of big guys, 102 00:04:35,600 --> 00:04:40,279 Speaker 1: but in a good way. Like out like who was 103 00:04:40,279 --> 00:04:41,720 Speaker 1: I with the other night? I forget we were we 104 00:04:41,720 --> 00:04:43,839 Speaker 1: were out on the road and they said, um, oh no, 105 00:04:43,920 --> 00:04:45,719 Speaker 1: Actually it was Carly and I were making the video 106 00:04:45,880 --> 00:04:48,560 Speaker 1: for this song, and the man that played the love 107 00:04:48,560 --> 00:04:51,440 Speaker 1: interest said, UM, I've been in this situation a lot 108 00:04:51,440 --> 00:04:52,960 Speaker 1: of times and it really reminds me of what a 109 00:04:53,440 --> 00:04:54,919 Speaker 1: you know, what a jerk I was, you know what 110 00:04:54,960 --> 00:04:56,919 Speaker 1: a crap sack I was. And I said, I'm hoping 111 00:04:56,960 --> 00:04:59,280 Speaker 1: this song heals a lot of people, but it would 112 00:04:59,320 --> 00:05:01,279 Speaker 1: be nice too if it was a side effect where 113 00:05:01,279 --> 00:05:03,560 Speaker 1: people go, I gotta stop doing this. Yeah yeah, I 114 00:05:03,560 --> 00:05:06,360 Speaker 1: mean yeah, it's so honest. Like you said, the honesty 115 00:05:06,440 --> 00:05:09,599 Speaker 1: of the song may bring up a lot for people, yeah, 116 00:05:09,600 --> 00:05:12,960 Speaker 1: which hopefully can be healing. Hopefully is a healing situation. Yes, yeah, 117 00:05:13,080 --> 00:05:15,920 Speaker 1: so I'm Ashley's got her guitar and she's gonna play 118 00:05:15,920 --> 00:05:19,279 Speaker 1: it for us. Now Here's never wanted to be that girl. 119 00:05:25,920 --> 00:05:30,719 Speaker 1: He helped me change a tireing a sitgull parking lot. 120 00:05:31,839 --> 00:05:35,720 Speaker 1: He said we both could use a beer, and I 121 00:05:35,880 --> 00:05:42,080 Speaker 1: sit hell Wanna started out as one night turned six 122 00:05:42,240 --> 00:05:48,160 Speaker 1: months just like that. He never ring on, so I 123 00:05:48,480 --> 00:05:53,160 Speaker 1: never thought it. But then last night I saw a 124 00:05:53,400 --> 00:06:00,160 Speaker 1: message on his phone, Shit, hey baby, what time I'm 125 00:06:00,240 --> 00:06:06,520 Speaker 1: you coming home. Never wanted to be that girl. I 126 00:06:06,760 --> 00:06:11,480 Speaker 1: never wanted to hate myself. I thought this kind of 127 00:06:11,720 --> 00:06:17,320 Speaker 1: lonely only happens to somebody else, and be any other 128 00:06:17,480 --> 00:06:21,880 Speaker 1: one when there's another one. God, this feels like how 129 00:06:23,279 --> 00:06:27,120 Speaker 1: I thought I knew who I was, But it's getting 130 00:06:27,320 --> 00:06:36,679 Speaker 1: hard to tell. I never wanted to be that girl. Ah. Thanks, 131 00:06:37,920 --> 00:06:41,000 Speaker 1: I should have drink more water this morning sounded great. Thanks. 132 00:06:42,000 --> 00:06:44,680 Speaker 1: So you're on tour right now with Luke Combs and 133 00:06:44,760 --> 00:06:47,720 Speaker 1: everyone listening can get tickets at Ashley McBride dot com 134 00:06:47,839 --> 00:06:50,560 Speaker 1: slash tour. And when you're out on the road, do 135 00:06:50,640 --> 00:06:54,000 Speaker 1: you have any pre show rituals that you do or 136 00:06:54,040 --> 00:06:56,040 Speaker 1: does it change depending on who you're on tour with 137 00:06:56,279 --> 00:07:00,720 Speaker 1: or something consistent hours the guys and myself and even crew. 138 00:07:02,360 --> 00:07:04,840 Speaker 1: Instead of deciding really early on when we started touring 139 00:07:04,839 --> 00:07:07,200 Speaker 1: together what we would do, it just kind of developed. 140 00:07:07,320 --> 00:07:09,520 Speaker 1: So everybody has instead of a secret handshake, they all 141 00:07:09,560 --> 00:07:11,360 Speaker 1: have it's not even a secret. They have their own 142 00:07:11,480 --> 00:07:14,560 Speaker 1: special high five. And there's something that the tour manager 143 00:07:14,640 --> 00:07:16,440 Speaker 1: does too that has to do with fist pumping, but 144 00:07:16,520 --> 00:07:19,520 Speaker 1: we say a magic word. I don't know what everyone's 145 00:07:19,520 --> 00:07:21,560 Speaker 1: favorite vegetable is but it has to do with a vegetable. 146 00:07:21,840 --> 00:07:25,200 Speaker 1: But now I cannot get on the stage without touching 147 00:07:25,280 --> 00:07:26,960 Speaker 1: someone's fist. And even if they're not in my being 148 00:07:26,960 --> 00:07:28,680 Speaker 1: in a crew, but they're standing next to the stage, 149 00:07:28,880 --> 00:07:31,440 Speaker 1: I have to touch their fist and say, taters, I 150 00:07:31,720 --> 00:07:34,160 Speaker 1: am terrified to get on a stage. And the other 151 00:07:34,240 --> 00:07:36,800 Speaker 1: thing that has developed this last year is my our 152 00:07:36,880 --> 00:07:39,080 Speaker 1: monitor tech and my guitar tech. His name is Drew, 153 00:07:39,880 --> 00:07:42,600 Speaker 1: and he didn't have a secret high five or secret handshake. 154 00:07:43,040 --> 00:07:45,240 Speaker 1: So one day he handed me my guitar on my 155 00:07:45,280 --> 00:07:47,320 Speaker 1: way to the stage, and I hugged him, and he 156 00:07:47,600 --> 00:07:49,600 Speaker 1: had a lot of congestion that day, so I kind 157 00:07:49,640 --> 00:07:51,120 Speaker 1: of pointed at his ear and asked her you okay, 158 00:07:51,120 --> 00:07:52,960 Speaker 1: and pointed out his nose and are you okay? So 159 00:07:53,200 --> 00:07:55,400 Speaker 1: now when I get on the stage, when I walk 160 00:07:55,440 --> 00:07:57,720 Speaker 1: past through, we have to hug and point out our 161 00:07:57,760 --> 00:07:59,960 Speaker 1: ear and point at our nose. And there was one 162 00:08:00,200 --> 00:08:03,400 Speaker 1: night where we didn't, and as many things as can 163 00:08:03,440 --> 00:08:07,000 Speaker 1: possibly go wrong in a set went wrong. So I'm like, 164 00:08:08,040 --> 00:08:10,520 Speaker 1: I know it's silly to be superstitious, but no, I 165 00:08:10,600 --> 00:08:13,280 Speaker 1: mean it works. It works, So I mean I do 166 00:08:13,400 --> 00:08:15,640 Speaker 1: the ears and the nose too, So what's the tater about? 167 00:08:16,400 --> 00:08:19,200 Speaker 1: One day my tour managers went taters and like was 168 00:08:19,280 --> 00:08:22,520 Speaker 1: going around like super you know, very energetic and nice 169 00:08:22,600 --> 00:08:24,680 Speaker 1: and cool vibes on a fist bump and we all 170 00:08:24,720 --> 00:08:26,280 Speaker 1: just started saying it back and now we just now 171 00:08:26,320 --> 00:08:27,960 Speaker 1: we did it. Now we can't not do it. And 172 00:08:28,040 --> 00:08:31,880 Speaker 1: then bless her heart, my glam girl, which I don't 173 00:08:31,920 --> 00:08:33,920 Speaker 1: want to just call glam people glam people. She's also 174 00:08:34,000 --> 00:08:36,480 Speaker 1: functions as like a best friend in a right arm. 175 00:08:37,200 --> 00:08:40,040 Speaker 1: But her responsibility is she has to do all of 176 00:08:40,320 --> 00:08:44,240 Speaker 1: the high fives plus ones that we've added along the years, 177 00:08:44,480 --> 00:08:46,360 Speaker 1: Like we added one for Lenny Wilson the first time 178 00:08:46,400 --> 00:08:49,240 Speaker 1: she opened for us. A friend of ours hurt his 179 00:08:49,320 --> 00:08:51,400 Speaker 1: arm one time, so that's another whole handshake of its own. 180 00:08:51,480 --> 00:08:53,439 Speaker 1: She has to do all of them too. Yeah, it's 181 00:08:53,440 --> 00:08:55,360 Speaker 1: a last heap out everybody in the bandon crew and 182 00:08:55,440 --> 00:08:57,920 Speaker 1: then the extra ones. So you mentioned like your glam 183 00:08:58,000 --> 00:09:00,199 Speaker 1: girl being like a best friend of starts especially, that's 184 00:09:00,200 --> 00:09:02,640 Speaker 1: awesome to have out on the road. What about women 185 00:09:03,280 --> 00:09:05,880 Speaker 1: that have come before you in country music, like a 186 00:09:06,000 --> 00:09:09,120 Speaker 1: mentor woman in the business that has maybe given you 187 00:09:09,280 --> 00:09:12,839 Speaker 1: some advice on what this life is like and I'm 188 00:09:12,880 --> 00:09:14,880 Speaker 1: sure there are some people that are getting tired of 189 00:09:14,960 --> 00:09:18,760 Speaker 1: me saying how great Miranda is. But we became friends, 190 00:09:19,080 --> 00:09:21,559 Speaker 1: and she's always been a really good resource for me 191 00:09:21,800 --> 00:09:26,120 Speaker 1: and a really good gut checker. But before Miranda was 192 00:09:26,240 --> 00:09:30,040 Speaker 1: my go to sounding board, Terry Clark had mentioned we 193 00:09:30,080 --> 00:09:31,959 Speaker 1: were at like an CMA after party or something, and 194 00:09:32,000 --> 00:09:34,400 Speaker 1: she said, if you ever need anything, even if it's 195 00:09:34,440 --> 00:09:36,160 Speaker 1: three o'clock in the morning, call me and I'll answer 196 00:09:36,240 --> 00:09:38,600 Speaker 1: my phone. And I was on radio tour at the time, 197 00:09:38,640 --> 00:09:40,240 Speaker 1: and I did have to call her at three o'clock 198 00:09:40,240 --> 00:09:42,480 Speaker 1: in the morning, and she did answer her phone, and 199 00:09:42,640 --> 00:09:44,959 Speaker 1: she remains I mean, if I just have to even 200 00:09:45,040 --> 00:09:47,120 Speaker 1: complain or vent about something during the day, she remains 201 00:09:47,160 --> 00:09:49,599 Speaker 1: the person that I text it too. That's awesome. Do 202 00:09:49,800 --> 00:09:52,959 Speaker 1: you text or talk with any of your friends about 203 00:09:53,080 --> 00:09:55,280 Speaker 1: awesome TV shows that are out right now or get 204 00:09:55,320 --> 00:09:58,959 Speaker 1: any advice from them? And they're actually I don't really 205 00:09:59,040 --> 00:10:02,319 Speaker 1: get to check my Instagram inbox really because it just 206 00:10:02,480 --> 00:10:04,400 Speaker 1: kind of is weird and overwhelming. But there are a 207 00:10:04,480 --> 00:10:07,040 Speaker 1: couple of fans that that's the only messages they've ever sent. 208 00:10:07,200 --> 00:10:09,240 Speaker 1: Was like, if you've not seen you know, like Haunting 209 00:10:09,280 --> 00:10:11,720 Speaker 1: of Hillhouse, So I kind of go check that inbox 210 00:10:11,840 --> 00:10:13,640 Speaker 1: to find out what shows I should be watching next. 211 00:10:13,679 --> 00:10:15,480 Speaker 1: I feel like that's what we do. It's even on 212 00:10:15,520 --> 00:10:17,200 Speaker 1: the Bobby Bones show. We like throw stuff out there 213 00:10:17,200 --> 00:10:18,760 Speaker 1: because we want to hear from people what are you watching? 214 00:10:18,800 --> 00:10:20,960 Speaker 1: Because that's how we find out from friends, like if 215 00:10:21,000 --> 00:10:23,320 Speaker 1: we talk about something, we watch it, or what are 216 00:10:23,360 --> 00:10:25,880 Speaker 1: you watching right now? Right now? I just started because 217 00:10:25,880 --> 00:10:28,520 Speaker 1: I found out that the makers of Haunting of Hillhouse 218 00:10:28,520 --> 00:10:30,320 Speaker 1: and Haunting of Blind Man Or had a new series out. 219 00:10:30,360 --> 00:10:33,400 Speaker 1: It's called Midnight Mass on Netflix, So I just started that. 220 00:10:33,880 --> 00:10:36,480 Speaker 1: But on Hulu, I've I've been watching actually the current 221 00:10:36,480 --> 00:10:39,800 Speaker 1: season of American Horror Story. This sounds like I'm really dark. Yeah, 222 00:10:40,440 --> 00:10:42,640 Speaker 1: But also there's this really cool series with I'm starting 223 00:10:42,720 --> 00:10:46,400 Speaker 1: Nicole Kidman and Melissa McCarthy called Nine Perfect Strangers. And 224 00:10:46,760 --> 00:10:50,240 Speaker 1: I love to be the person who guesses, you know, 225 00:10:50,400 --> 00:10:52,120 Speaker 1: like the writer is leading you in a direction and 226 00:10:52,160 --> 00:10:53,719 Speaker 1: they want you to think this, but I like to 227 00:10:53,760 --> 00:10:55,480 Speaker 1: be the one that figures it out. It has done 228 00:10:55,480 --> 00:10:57,280 Speaker 1: such a good job of me going, I don't know 229 00:10:57,360 --> 00:11:00,600 Speaker 1: what's supposed to happen here. Yeah, so you're not done yet, Okay, Well, 230 00:11:00,600 --> 00:11:02,640 Speaker 1: I don't want to Reina anything, but yeah, I mean 231 00:11:02,720 --> 00:11:05,880 Speaker 1: that show, I mean Aicole Kidman, She's just she's perfection, amazing. 232 00:11:06,200 --> 00:11:08,560 Speaker 1: I know, like just I don't even know Keith Urvan 233 00:11:08,640 --> 00:11:11,400 Speaker 1: Lucky Sky ever because she's amazing. Yeah. What a cool couple. 234 00:11:11,920 --> 00:11:13,520 Speaker 1: Oh I know, Yeah, if we had to name like 235 00:11:13,600 --> 00:11:16,840 Speaker 1: coolest couples in Nashville, that's one of the coolest. Yeah. Sure, 236 00:11:17,000 --> 00:11:18,760 Speaker 1: ash she's got her guitar and she's going to perform 237 00:11:18,840 --> 00:11:22,360 Speaker 1: her song One Night's Standards. But before we get to that, Ashley, 238 00:11:22,360 --> 00:11:26,280 Speaker 1: you're nominated for three CMAS. You've got Female Vocalist of 239 00:11:26,400 --> 00:11:28,800 Speaker 1: the Year, Single in Song of the Year for One 240 00:11:28,920 --> 00:11:31,439 Speaker 1: Night's Standards. So how does it feel to have three 241 00:11:31,679 --> 00:11:34,240 Speaker 1: nominations this year? Since no one can see my face 242 00:11:34,360 --> 00:11:37,880 Speaker 1: right now, it's it feels like this just kind of 243 00:11:38,000 --> 00:11:41,040 Speaker 1: high eyebrows and a big cheesy smile. It never gets 244 00:11:41,080 --> 00:11:44,240 Speaker 1: old to be nominated. And these categories are fantastic. And 245 00:11:44,320 --> 00:11:46,559 Speaker 1: when I look at the pictures, you know, it's Miranda 246 00:11:46,640 --> 00:11:49,520 Speaker 1: and Marin and Carly and me, Like this used to 247 00:11:49,600 --> 00:11:53,000 Speaker 1: be like Faith Hill and Sarah Evans, Like this is 248 00:11:53,080 --> 00:11:56,360 Speaker 1: the same categories that had the women in it that 249 00:11:56,480 --> 00:11:58,880 Speaker 1: made me want to sing country music, and now I'm 250 00:11:58,880 --> 00:12:01,000 Speaker 1: in the category and it's so cool and I love that, 251 00:12:01,080 --> 00:12:03,440 Speaker 1: and that's why women of iHeart country. That's what it's 252 00:12:03,480 --> 00:12:05,439 Speaker 1: all about. Here. We play like a lot of the 253 00:12:05,520 --> 00:12:08,800 Speaker 1: throwbacks we play on the current hits you're hearing on 254 00:12:08,840 --> 00:12:12,120 Speaker 1: the radio. We play new artists that you haven't probably 255 00:12:12,200 --> 00:12:14,040 Speaker 1: heard of yet, and I love that. It's just this 256 00:12:14,600 --> 00:12:17,679 Speaker 1: mixture of women. And that's what when you watch these 257 00:12:17,679 --> 00:12:20,200 Speaker 1: awards shows, you're they bring a lot of that back, 258 00:12:20,400 --> 00:12:23,640 Speaker 1: or you're you're inspired, Like you're here right now because 259 00:12:23,679 --> 00:12:26,600 Speaker 1: someone inspired. I'm here because Lorie Morgan made great records, 260 00:12:26,600 --> 00:12:29,160 Speaker 1: So I'm here because of course Riba always made great records. 261 00:12:29,720 --> 00:12:32,080 Speaker 1: I was the biggest Pam Chillas fan that you would 262 00:12:32,120 --> 00:12:34,360 Speaker 1: have You wouldn't have found anybody else that was that 263 00:12:34,520 --> 00:12:36,959 Speaker 1: knew more Pamtillas songs than me growing up, and that 264 00:12:37,280 --> 00:12:39,440 Speaker 1: it mattered. It's it's part of the reason I'm sitting 265 00:12:39,480 --> 00:12:42,080 Speaker 1: here holding a guitar. That's why we love to celebrate 266 00:12:42,120 --> 00:12:45,559 Speaker 1: all the women on this show. And let's say, you 267 00:12:45,679 --> 00:12:48,240 Speaker 1: know you have to prepare for winning. Are you the 268 00:12:48,320 --> 00:12:51,319 Speaker 1: type that's going to have a speech already written or 269 00:12:51,320 --> 00:12:53,160 Speaker 1: are you just gonna wing it. I like to do 270 00:12:53,240 --> 00:12:55,000 Speaker 1: things off the cuff. I'm a big fan of improv 271 00:12:55,120 --> 00:12:57,959 Speaker 1: and just saying whatever it is that's crossing your mind. 272 00:12:58,040 --> 00:13:00,520 Speaker 1: We can thank Dolly Parton for that influence in my life. 273 00:13:00,559 --> 00:13:02,480 Speaker 1: When she performs life, she just kind of says whatever. 274 00:13:03,360 --> 00:13:05,520 Speaker 1: The one thing that my publicist did ask me was 275 00:13:05,679 --> 00:13:10,760 Speaker 1: please try to stop using any profane words, because one 276 00:13:10,840 --> 00:13:13,960 Speaker 1: of one of them inevitably sneaks into whatever I'm saying 277 00:13:14,000 --> 00:13:16,000 Speaker 1: when it's off the cuff. So that's about as far 278 00:13:16,080 --> 00:13:17,520 Speaker 1: out as the thinking goes, because I don't want to 279 00:13:17,600 --> 00:13:20,599 Speaker 1: jinx anything again superstitious, but I just need to be like, 280 00:13:20,920 --> 00:13:25,200 Speaker 1: no bad words, no bad words, just like yes, keep 281 00:13:25,240 --> 00:13:28,240 Speaker 1: that mantra in your head. Yes. Now for One Night Standards, 282 00:13:28,320 --> 00:13:33,199 Speaker 1: what came first, the title or the lyrics? Definitely the 283 00:13:33,320 --> 00:13:36,520 Speaker 1: lyrics because we wrote it Nicolette and I started it 284 00:13:36,520 --> 00:13:38,040 Speaker 1: before we ever took it to Shane, and it was 285 00:13:38,120 --> 00:13:41,480 Speaker 1: called Airport Hotel. One Night Standards was nowhere on the map. 286 00:13:42,440 --> 00:13:44,520 Speaker 1: But we couldn't figure out how to get it to 287 00:13:44,679 --> 00:13:46,760 Speaker 1: hit right because you know, you hear you've got this 288 00:13:46,880 --> 00:13:49,840 Speaker 1: idea and you're like, okay, cool, we're gonna compare Love 289 00:13:50,320 --> 00:13:53,080 Speaker 1: to being in an airport hotel, like in this case, 290 00:13:53,400 --> 00:13:56,640 Speaker 1: is it convenient? Sure? Is it what you want? No? 291 00:13:56,920 --> 00:13:58,800 Speaker 1: But it's all right right, And we even had a 292 00:13:58,880 --> 00:14:01,599 Speaker 1: line that was like, I think the chorus originally was 293 00:14:01,679 --> 00:14:03,280 Speaker 1: this ain't something you want to spend a lot of 294 00:14:03,320 --> 00:14:06,520 Speaker 1: time in. I'm just crashing because I'm passing through. And 295 00:14:06,640 --> 00:14:09,000 Speaker 1: then the next line was like, it ain't what you 296 00:14:09,120 --> 00:14:12,319 Speaker 1: want it, but don't it kind of get you what 297 00:14:12,440 --> 00:14:17,400 Speaker 1: you need for a moment. It ain't good, but it'll do, 298 00:14:18,360 --> 00:14:20,400 Speaker 1: which was cool, but then we didn't have the next 299 00:14:20,440 --> 00:14:23,000 Speaker 1: line to get us to man a man i marm 300 00:14:23,040 --> 00:14:25,960 Speaker 1: on an airport hotel. So we took it to Shane 301 00:14:26,000 --> 00:14:27,600 Speaker 1: and he was like, there's nothing wrong with the song. 302 00:14:27,800 --> 00:14:30,280 Speaker 1: Let's just play it a little while, let's tell some stories, 303 00:14:30,360 --> 00:14:31,920 Speaker 1: let's figure out what we're really trying to say here. 304 00:14:32,600 --> 00:14:35,120 Speaker 1: And I said, well, you know, there's a reason, whether 305 00:14:35,160 --> 00:14:38,400 Speaker 1: it's an airport hotel or not, that hotel rooms have 306 00:14:38,880 --> 00:14:42,480 Speaker 1: two beds and one night stand because they're one night standards. 307 00:14:43,320 --> 00:14:45,280 Speaker 1: And he said, did you say standards And I said no, 308 00:14:45,480 --> 00:14:47,480 Speaker 1: I said standards and he said no, you said standards, 309 00:14:47,520 --> 00:14:49,600 Speaker 1: You said one night standards And we all looked at 310 00:14:49,640 --> 00:14:52,400 Speaker 1: each other and we were like, oh crap, we just 311 00:14:52,520 --> 00:14:54,320 Speaker 1: fixed it. That's it. Yeah. So then we just went 312 00:14:54,400 --> 00:14:56,240 Speaker 1: back and looked at the verses and we're like, cool. Now, 313 00:14:56,280 --> 00:14:57,640 Speaker 1: all we have to do is tell the truth, Like 314 00:14:57,840 --> 00:14:59,760 Speaker 1: just be honest about you know, some stuff that might 315 00:14:59,800 --> 00:15:03,080 Speaker 1: make be uncomfortable for a minute. But again, if we're 316 00:15:03,120 --> 00:15:05,160 Speaker 1: on the healing side of it, you know, so we're not. 317 00:15:05,360 --> 00:15:07,440 Speaker 1: I'm not suggesting you go have a one night stand, 318 00:15:07,480 --> 00:15:09,760 Speaker 1: but I'm just saying if you have, it's fine, and 319 00:15:09,840 --> 00:15:12,880 Speaker 1: if you're doue, that's fine too. Yeah. And you heard 320 00:15:12,880 --> 00:15:15,320 Speaker 1: a little teaser there because Ashley's got her guitar and 321 00:15:15,560 --> 00:15:17,920 Speaker 1: now she's gonna play it the real one. Yeah. One 322 00:15:18,040 --> 00:15:20,760 Speaker 1: Night's Standards by Ashley mcgride here on women A Buy 323 00:15:20,840 --> 00:15:36,720 Speaker 1: Her Country. I ain't gonna stay for the weekend. I 324 00:15:36,760 --> 00:15:40,440 Speaker 1: ain't gonna jump off the deep end. I ain't gonna 325 00:15:40,560 --> 00:15:44,920 Speaker 1: ask where your ring is. Thing is, we've all got secrets. 326 00:15:46,640 --> 00:15:49,400 Speaker 1: You don't want to hear about my last break up. 327 00:15:49,640 --> 00:15:52,480 Speaker 1: I don't want to worry about space you'll take up. 328 00:15:52,720 --> 00:15:55,520 Speaker 1: I don't even care if you're here went a week up. 329 00:15:57,960 --> 00:16:02,520 Speaker 1: It's just a room key. You ain't gotta lie to me. 330 00:16:03,680 --> 00:16:10,640 Speaker 1: Can't you just use me like I'm using you? How 331 00:16:10,720 --> 00:16:15,040 Speaker 1: it goes is far, clothes is snow king, bed covered 332 00:16:15,120 --> 00:16:23,480 Speaker 1: in roses, just a room without a view. I don't 333 00:16:23,520 --> 00:16:27,320 Speaker 1: wanna number. You ain't gonna answer. Let's just stick to 334 00:16:27,520 --> 00:16:38,360 Speaker 1: the one Night Standards, the one Night Standards, One Night Standards. 335 00:16:47,640 --> 00:16:50,480 Speaker 1: Thanks y'all call good. You know what I just remembered 336 00:16:50,480 --> 00:16:53,160 Speaker 1: when we were writing that, Um, there was a Patty 337 00:16:53,200 --> 00:16:56,960 Speaker 1: Loveless song that that exists that made it even easier 338 00:16:57,000 --> 00:16:59,880 Speaker 1: to write that song, which was, um, we ain't enough 339 00:17:00,080 --> 00:17:04,600 Speaker 1: then wrong, We've just been lonely too long, And that 340 00:17:04,800 --> 00:17:06,760 Speaker 1: was the influence for the line, Um, you can leave 341 00:17:06,760 --> 00:17:08,800 Speaker 1: all that down in the lobby. There's nothing wrong with 342 00:17:08,960 --> 00:17:14,639 Speaker 1: leading somebody. Yeah, how cool? Women are so cool? I'm 343 00:17:14,720 --> 00:17:16,800 Speaker 1: Amy Brown and I've been hanging out all show along 344 00:17:16,880 --> 00:17:19,240 Speaker 1: with Ashley McBride and Ashley Before you go, I want 345 00:17:19,240 --> 00:17:22,120 Speaker 1: to I want to ask you about the accident in Montana. Yeah, 346 00:17:22,160 --> 00:17:25,280 Speaker 1: kind of talking about it, you know, before the show started, 347 00:17:25,400 --> 00:17:28,719 Speaker 1: and uh yeah, just what led to that? What got 348 00:17:28,760 --> 00:17:31,440 Speaker 1: you in the hospital? It was so Um Dana who's 349 00:17:31,480 --> 00:17:33,800 Speaker 1: my glam girl slash right arm? It was her birthday 350 00:17:33,960 --> 00:17:37,560 Speaker 1: and her housemate from down here. She's from Missoula, so 351 00:17:37,920 --> 00:17:40,159 Speaker 1: like meet us in Missoula. Will do something for Danna's birthday. 352 00:17:40,320 --> 00:17:44,040 Speaker 1: Let's go horseback riding. UM really really lovely family that 353 00:17:44,119 --> 00:17:47,119 Speaker 1: owns a really awesome ranch that that saddled up all 354 00:17:47,200 --> 00:17:49,359 Speaker 1: seven horses and we had a great time. It was 355 00:17:49,359 --> 00:17:52,879 Speaker 1: a really relaxed ride. There was no no one was 356 00:17:53,000 --> 00:17:55,680 Speaker 1: jumping over things, no one was acting a fool. But 357 00:17:55,800 --> 00:17:59,000 Speaker 1: we were about fifteen minutes from their barn, so they 358 00:17:59,040 --> 00:18:00,600 Speaker 1: know how the horses kind of yet when they're you know, 359 00:18:00,760 --> 00:18:03,040 Speaker 1: we're gonna go back home. And the one I was 360 00:18:03,160 --> 00:18:05,960 Speaker 1: on got a little bit spooked and my stirrup was 361 00:18:06,119 --> 00:18:08,119 Speaker 1: just long enough that I lost my stirrup on the 362 00:18:08,240 --> 00:18:11,680 Speaker 1: right side. So I've been riding horses in my whole life, 363 00:18:11,720 --> 00:18:14,760 Speaker 1: So I stood up on the left stirrup and then 364 00:18:14,840 --> 00:18:17,000 Speaker 1: tried to reach down to grab her rain low enough 365 00:18:17,040 --> 00:18:18,640 Speaker 1: that I could turn her jaw to the side, which 366 00:18:18,640 --> 00:18:21,000 Speaker 1: would at least lower down, if not make her stop. 367 00:18:22,040 --> 00:18:24,760 Speaker 1: But instead of that happening, I hit the ground and 368 00:18:24,840 --> 00:18:28,240 Speaker 1: she was moving pretty quickly, and I don't know how 369 00:18:28,320 --> 00:18:31,160 Speaker 1: much but I'm allowed to talk about, but it knocked 370 00:18:31,240 --> 00:18:33,159 Speaker 1: me out I was out for a little while and 371 00:18:34,200 --> 00:18:37,160 Speaker 1: one of the ranchers, the wife of the of the couple, 372 00:18:37,240 --> 00:18:40,800 Speaker 1: as a physician and provided mouth to mouth and of 373 00:18:40,880 --> 00:18:44,200 Speaker 1: all the things you're not ever near in Montana anything, 374 00:18:44,280 --> 00:18:46,720 Speaker 1: you're not ever near anything. There was a hospital four 375 00:18:47,200 --> 00:18:49,800 Speaker 1: miles away and the EMTs got there within ten minutes, 376 00:18:49,920 --> 00:18:53,359 Speaker 1: so right, and so we did have to postpone some shows. 377 00:18:53,440 --> 00:18:54,800 Speaker 1: You know, I hate to do that. It's going to 378 00:18:54,880 --> 00:18:57,280 Speaker 1: take a lot to postpone a show, but I couldn't 379 00:18:57,320 --> 00:18:59,879 Speaker 1: walk unassisted, so we had to wait until I could walk. 380 00:19:00,359 --> 00:19:02,520 Speaker 1: I think our first time back was was with Luke 381 00:19:03,119 --> 00:19:05,359 Speaker 1: and Eugene. So it's a forty five minute set and 382 00:19:05,520 --> 00:19:07,840 Speaker 1: they put stools on the stage at different areas so 383 00:19:07,920 --> 00:19:09,879 Speaker 1: that I could balance myself because when you have a 384 00:19:09,920 --> 00:19:12,720 Speaker 1: great three concussion you're really dizzy a lot of the time. 385 00:19:12,840 --> 00:19:14,760 Speaker 1: Just turning your head too fast can do that. And 386 00:19:14,960 --> 00:19:17,720 Speaker 1: my right leg just didn't want to take weight. And 387 00:19:17,920 --> 00:19:20,879 Speaker 1: we're still working on that with the ortho. But it 388 00:19:21,040 --> 00:19:23,160 Speaker 1: was just what a crazy accident of all the things 389 00:19:23,200 --> 00:19:26,000 Speaker 1: for me to fall off of a horse. Yeah, Because 390 00:19:26,040 --> 00:19:27,840 Speaker 1: I mean, I'm not an experienced horse writer, so I 391 00:19:27,840 --> 00:19:29,840 Speaker 1: would see that happening to maybe like me, but like 392 00:19:29,880 --> 00:19:31,840 Speaker 1: you said, you've been riding horses your whole life, and 393 00:19:31,920 --> 00:19:35,640 Speaker 1: it was one of those just a crazy all off 394 00:19:35,680 --> 00:19:38,200 Speaker 1: of a fast moving boat. Probably yeah, you know, like 395 00:19:38,400 --> 00:19:40,760 Speaker 1: you're not gonna catch me water skiing or doing anything 396 00:19:40,800 --> 00:19:43,240 Speaker 1: that goes very fast. And then of all things, I'm 397 00:19:43,240 --> 00:19:45,359 Speaker 1: just totally at home on this horse. And she got spooked. 398 00:19:45,400 --> 00:19:47,200 Speaker 1: It was not her fault, and I know I put 399 00:19:47,240 --> 00:19:49,240 Speaker 1: that in the post when he posted on socials. It 400 00:19:49,359 --> 00:19:51,040 Speaker 1: was there was nothing that the horse did wrong. She 401 00:19:51,119 --> 00:19:54,680 Speaker 1: was just doing what a horse does, and according to physics, 402 00:19:54,760 --> 00:19:58,080 Speaker 1: I had to go over on the left side. I mean, 403 00:19:58,240 --> 00:20:00,800 Speaker 1: I I personally haven't been to Montana yet, but it's 404 00:20:00,800 --> 00:20:03,520 Speaker 1: on my bucket list because I watched Yellowstone. Oh gosh, yes, 405 00:20:03,920 --> 00:20:06,800 Speaker 1: So do you watch it? Oh? Absolutely, And when anytime 406 00:20:06,840 --> 00:20:08,600 Speaker 1: a new season comes out, I start all the way 407 00:20:08,640 --> 00:20:10,359 Speaker 1: over at the beginning and then watch it through the 408 00:20:10,400 --> 00:20:14,000 Speaker 1: new season. Oh, I'm a pretty big fan. Okay, Montana 409 00:20:14,160 --> 00:20:16,639 Speaker 1: is beautiful. You will love it. Yeah. So, I mean, 410 00:20:16,760 --> 00:20:20,480 Speaker 1: now you have that that memory associated with it, but 411 00:20:20,680 --> 00:20:22,920 Speaker 1: I doubt it'll keep you from getting on a horse again. 412 00:20:23,119 --> 00:20:25,520 Speaker 1: Or when John Ty texts me a few days later, um, 413 00:20:25,560 --> 00:20:27,119 Speaker 1: I don't have a munch memory. That was Wednesday, and 414 00:20:27,160 --> 00:20:30,320 Speaker 1: I don't have much memory at all until the following Monday. Okay, um, 415 00:20:30,560 --> 00:20:32,560 Speaker 1: because I guess that's how concussions work. I don't know. 416 00:20:32,600 --> 00:20:35,000 Speaker 1: I'm finding out, but he text me instead, I heard 417 00:20:35,000 --> 00:20:36,760 Speaker 1: things got a little ranchy, don't be afraid to get 418 00:20:36,800 --> 00:20:38,920 Speaker 1: back on the horse, and I was like, I will 419 00:20:38,960 --> 00:20:41,399 Speaker 1: definitely be getting back on that horse. Sounds like a 420 00:20:41,480 --> 00:20:44,200 Speaker 1: song and well, and my guys changed our walk on 421 00:20:44,359 --> 00:20:47,280 Speaker 1: music to Back in the Saddle by Hero Smith. It's hilarious. 422 00:20:48,080 --> 00:20:50,320 Speaker 1: Mean limping up onto the stage, it's really funny. But 423 00:20:50,720 --> 00:20:53,000 Speaker 1: um yeah, I don't not want to give advice out 424 00:20:53,119 --> 00:20:55,959 Speaker 1: very often, but if you are within earshot right now, 425 00:20:56,040 --> 00:20:59,720 Speaker 1: please avoid getting a concussion. It is the most in 426 00:21:00,040 --> 00:21:03,320 Speaker 1: opinion injury. Well, unfortunately, there's not much you can do 427 00:21:03,400 --> 00:21:06,600 Speaker 1: to prepared for that, but we're definitely glad that you're 428 00:21:06,640 --> 00:21:09,000 Speaker 1: okay and everyone listening right now. If you have a 429 00:21:09,080 --> 00:21:11,680 Speaker 1: chance to go see Ashley on tour with Luke Combs, 430 00:21:11,960 --> 00:21:14,720 Speaker 1: I mean, what an amazing She may be limping across 431 00:21:14,720 --> 00:21:16,280 Speaker 1: the stage, but it's still a lot of fun. Yeah, 432 00:21:16,320 --> 00:21:19,360 Speaker 1: and you can get tickets at Ashley McBride dot Com 433 00:21:19,520 --> 00:21:22,199 Speaker 1: slash Tour, and then follow her on Instagram. She's at 434 00:21:22,280 --> 00:21:25,880 Speaker 1: Ashley McBride and I'm gonna play it for everyone. Now, 435 00:21:26,040 --> 00:21:29,440 Speaker 1: let's let's play the Carly Pearce and Ashley Bride song 436 00:21:29,520 --> 00:21:32,119 Speaker 1: that everyone is loving. It's called Never Wanted to Be 437 00:21:32,240 --> 00:21:35,280 Speaker 1: that girl on Women of iHeart Country. I never wanted 438 00:21:35,359 --> 00:21:44,320 Speaker 1: to be that girl. Wanted to hate myself only only 439 00:21:45,240 --> 00:21:49,080 Speaker 1: to somebody else Women of iHeart Country