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Speaker 1: We're already recording.

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Speaker 2: Yes, a ship. Fuck, oh god, everybody's gonna find out.

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Speaker 3: What was the drinks?

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Speaker 2: I killed him? Kill the kill of course, weird guttural noises.

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Speaker 3: Yeah, I can't even take a ship on your own.

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Speaker 2: Murder that toilet, I'm doing it second, I killed them all.

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Speaker 2: Of course I'm about the toilets. I just took a

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Speaker 2: bass ship. Did you hear my stomach? Hello the Internet,

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Speaker 2: and welcome to season three seventy two, Episode three of Dirties.

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Speaker 2: I Guys Stay, production of iHeartRadio. This is a podcast

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Speaker 2: where we take a deep dive into America's share consciousness.

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Speaker 2: We have a YouTube channel YouTube slash at daily Zeitgeispot.

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Speaker 2: You can go watch some of our episodes on YouTube.

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Speaker 2: It is Thursday, January twenty third, twenty twenty five. My

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Speaker 2: name is Jack O'Brien. Akas is like lightning and hand

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Speaker 2: motions off, frightening. What the fuck are they doing? Oh

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Speaker 2: that's right there?

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Speaker 3: Wrong gluing, yeah, yeah, yeah, yeah.

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Speaker 2: Well that man he is back and launching his attack.

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Speaker 2: Countries turn into a ball love shit, No rest and

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Speaker 2: no quarter of those executive orders gonna turn us to

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Speaker 2: a ball love shit, ball love shit. That one to

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Speaker 2: ballroom Blitz courtesy of Halsey on sale on the disccord.

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Speaker 2: Aka's coming in strong, very fun. Aka's in there despite

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Speaker 2: the madness of the news cycle. Appreciate everyone who contributes,

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Speaker 2: and thank you houseealing salad on the Discord. I am

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Speaker 2: thrilled to be joined in our second seat once again,

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Speaker 2: the Miles Seat, by a hilarious stand up comedian, writer, actor, improviser.

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Speaker 3: It's Polo, It's me and I'm so excited to tell

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Speaker 3: you guys, I am now part of Trump's cabinet.

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Speaker 2: So that's oh my god. Congresations.

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Speaker 3: Yeah, you're welcome for you. Yeah, I love it. I

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Speaker 3: am releasing some sort of coin in the next few days.

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Speaker 3: It's going to the moon. Everybody buy it. You're welcome.

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Speaker 3: Nice And I'm never.

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Speaker 2: Speaking to you yet, and that these will be the

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Speaker 2: last words that you that you hear me speak. I

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Speaker 2: would not yeah, if I if I just could get

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Speaker 2: a meme coin doing Yeah, I would never fucking do

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Speaker 2: this show ever. Again, that's not true. I love you guys,

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Speaker 2: all right, Paula. We're thrilled to be joined in our

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Speaker 2: third seat by a brilliant, excited and talented writer podcaster,

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Speaker 2: producer who's written for publications like The New York Times

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Speaker 2: and New York Or producer on Everybody's in La, one

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Speaker 2: of my favorite shows of the last year. The co

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Speaker 2: host of the legendary podcasts Girls and Hoodies and Night Call,

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Speaker 2: the writer, creator and host of the wonderful podcast Heidi World,

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Speaker 2: The Heidi Flight Story, and soon to be writer, creator

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Speaker 2: and host of the legendary podcast Jenna World. About the

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Speaker 2: character Jenna Moroney from thirty Rock. No, that's that's wrong.

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Speaker 2: Please why as Jenna Jamison. Please welcome back to the show,

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Speaker 2: Molly Labor.

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Speaker 1: And check out my meme coin to start the meme coin. Yeah,

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Speaker 1: the lambo coin.

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Speaker 3: I love it, Lambeau coin. I thought you were going

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Speaker 3: to say Jenna Marbles. I thought that's the Jenna, that

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Speaker 3: it was going to be. Change to Jenna's what it

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Speaker 3: just just be an all Jenna show.

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Speaker 2: Yeah.

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Speaker 1: I feel like Jamie Laptist could do a good sixteenth

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Speaker 1: minute about Jenna Marbles. She canceled herself.

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Speaker 3: Yeah, I think that was like the best thing. She

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Speaker 3: She was like, Hey, I have a lot to learn,

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Speaker 3: and then she like left and was I assume learning

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Speaker 3: because she got quiet and that was amazing. I'm like,

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Speaker 3: I've never seen that before.

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Speaker 1: She was like the most famous person on the internet.

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Speaker 1: And then she was like, oh, you know what, by

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Speaker 1: the way, I did a black face video and I'm

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Speaker 1: just getting ahead of it and canceling myself.

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Speaker 2: I did not know about Jenna Marbles.

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Speaker 3: I used to watch her.

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Speaker 2: She she early on.

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Speaker 3: She was doing front facing YouTube videos, like very early,

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Speaker 3: like I used to watch, and she had her one

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Speaker 3: of her dogs was named Marbles. She had like a

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Speaker 3: few dogs and stuff, and she would do things with

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Speaker 3: like her boyfriend, like silly little pranks or cooking things

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Speaker 3: or whatever.

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Speaker 1: She truly built the game.

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Speaker 2: Yeah, she invented YouTube.

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Speaker 3: Yeah, so she's very expressive and fun and whatever. And yeah,

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Speaker 3: I guess it was in a time where she did

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Speaker 3: she did blackface and then she, as she learned, didn't grow.

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Speaker 3: She was like, hey, that was bad. Bye, I'm not

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Speaker 3: gonna use my platform anymore.

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Speaker 1: It's also she was like a like a white woman

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Speaker 1: from Boston, blonde white woman from Boston, and then they

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Speaker 1: any blond. I think she got hired at barstool, and

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Speaker 1: then it's like Barstool's been trying to replicate it ever

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Speaker 1: since with different other kind of like, Hey, I'm a drunk,

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Speaker 1: blonde girl from Boston.

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Speaker 2: We're going to put you in the marbles spot.

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Speaker 1: Put you in the Jenna Marbles. Yeah, really good Boston accents.

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Speaker 3: It's like how the Daily Wire keeps trying to get

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Speaker 3: Ben Shapiro's face on their other legosts. Yeah, like Brett

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Speaker 3: what's her name? She looks exactly like the female version

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Speaker 3: of Ben Shapiro.

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Speaker 2: Yeah, it's kind of It makes you wonder if they're AI,

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Speaker 2: you know, creations or not.

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Speaker 3: But AI until proven otherwise, you know.

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Speaker 2: That's right. That's why I'm going to go ahead and

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Speaker 2: assume that after the Brutalist Oh my god, Yeah, a

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Speaker 2: story I have not looked into at all. The headline

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Speaker 2: and so maybe we talked about Actually all right, we'll

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Speaker 2: talk about it today. All right, Molly, we're going to

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Speaker 2: get to know you a little bit better in a moment. First,

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Speaker 2: we're going to tell the listeners a couple of things

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Speaker 2: we're talking about today. Talk about the new Mission Impossible

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Speaker 2: movie like almost giving someone a heart attack according to

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Speaker 2: the director, just the history of movies killing people, and

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Speaker 2: we might talk about cult movies, all of that plenty more.

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Speaker 2: But first, Molly. We do like to ask our guests,

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Speaker 2: what is something from your search history that's revealing about

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Speaker 2: who you are?

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Speaker 1: Wow? Great question. I have been looking a lot at

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Speaker 1: a reddit for influencers, even though I don't follow any influencers.

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Speaker 1: I like to read people talking shit about influencers.

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Speaker 3: It's like your reality TV.

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Speaker 1: Yeah, and I was kind of following it in the

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Speaker 1: last few days as they were like preparing for TikTok

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Speaker 1: to shut down, and everybody was like, yeah, y have

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Speaker 1: fuck fuck them, They're all gonna have to get real jobs.

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Speaker 1: And then they were like just kidding, right, they don't.

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Speaker 2: So these are people who like make fun of influencers

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Speaker 2: or just like follow them. Like these they make.

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Speaker 1: Fun of them. They they sort of follow them, but

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Speaker 1: it's like they follow them with hate in their hearts.

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Speaker 2: Yeah okay, and you know, and a lot of them are.

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Speaker 1: Just super like over consumption core. It feels like a

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Speaker 1: symptom of a larger problem, which is that people are like, hey,

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Speaker 1: these people are getting money the wrong way, which is like,

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Speaker 1: well that's the only way, yeah, to get money.

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Speaker 2: There's only wrong ways.

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Speaker 3: It turns out, yeah, the I can't you get a

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Speaker 3: good old job at raytheon like you used to, you know,

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Speaker 3: work a nine to five for a weapons company.

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Speaker 2: That's right. It's like we talk a lot about how

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Speaker 2: social media from a consumption from a consumer standpoint is

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Speaker 2: like designed to rob you of free will. Just it

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Speaker 2: like sucks up your time and attention and it is

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Speaker 2: all these apps designed to influence your your behavior in

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Speaker 2: subtle and not so subtle ways. But like influencers are

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Speaker 2: the patient zero of that.

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Speaker 1: Like this, yeah, yeah, it does feel like whatever you

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Speaker 1: thought about social media consumption, this is like the cigarette thing.

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Speaker 1: It's like, oh, okay, you smoked all those cigarettes, now

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Speaker 1: you're gonna die.

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Speaker 2: Right. Yeah.

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Speaker 1: They maybe seemed fun at the time, but that it

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Speaker 1: was a bad idea.

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Speaker 3: Remember when they were like Instagram makes girls sad and

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Speaker 3: we were like, no, what, that's crazy.

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Speaker 2: No, watching influence like I followed the account influencers in

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Speaker 2: the wild where it's just like people taking videos of

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Speaker 2: influencers as they're taking videos of themselves in like these

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Speaker 2: really weird settings and like doing weird, weird things. But yeah,

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Speaker 2: just like you see it all the time. It feels

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Speaker 2: very much like Black Mirror episode. I never feel more

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Speaker 2: like on a Black Mirror episode than like seeing an

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Speaker 2: influencer just like standing in a museum, like twerking on

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Speaker 2: their head or something.

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Speaker 1: You know.

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Speaker 3: Yeah, one time, Jack, and it was to show respect

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Speaker 3: for the Mona Lisa.

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Speaker 2: Mona hasn't seen shit like this.

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Speaker 3: Yeah, but she hasn't seen Yeah, we got to show,

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Speaker 3: you know, those videos of people like showing their dogs

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Speaker 3: things in their house they've never seen before. We got

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Speaker 3: to do that with a Mona Lisa. I also think influencers,

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Speaker 3: like or social media actually kills in like ways that

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Speaker 3: we don't even think about. Like I remember when I

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Speaker 3: was in the Bay Area, like on coltrain and stuff,

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Speaker 3: they were talking about how people had taken selfies and

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Speaker 3: fallen onto the tracks. Like that happens a surprising amount

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Speaker 3: of time where people are trying to get content and

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Speaker 3: then like fall off a cliff and like that's the

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Speaker 3: end of it for them. That's also like a weirdly weird.

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Speaker 2: Number one cause of death with gen Z.

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Speaker 3: I don't think, no, that's guns, unfortunately.

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Speaker 2: It's guns. Guns all the way down.

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Speaker 3: Yeah.

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Speaker 2: And cigarettes again, yeah, are are they making a comeback?

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Speaker 1: Yeah? Oh they made a big comeback. It was like vaping,

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Speaker 1: they were all they were way down for a long time,

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Speaker 1: and then vaping came back, and then people started going

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Speaker 1: from vapes to cigarettes.

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Speaker 2: Have you guys tried cigarettes? They're like analog vapes. Yeah,

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Speaker 2: just like you suck the they hit so much harder

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Speaker 2: and like you can smell the stuff.

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Speaker 3: This is why I was so right as a child.

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Speaker 3: They should have just made better tasting candy cigarettes and

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Speaker 3: then we wouldn't have had these problems. Okay, just give

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Speaker 3: people more candy.

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Speaker 2: It's a good note for the cigarette industry. Or they

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Speaker 2: should have taken over the food industry and made the

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Speaker 2: food addictive instead. Oh wait, that is exactly a yeah, Molly.

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Speaker 2: What's something you think is underrated?

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Speaker 1: Underrated? Uh god, I really didn't prepare this week. You'll

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Speaker 1: be unlike every other time I've been on the show,

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Speaker 1: and I prepared it really hard. Underrated coffee, analogue, analog television.

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Speaker 1: I think just like watching a TV that's just telling

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Speaker 1: you what you're going to watch and you don't have

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Speaker 1: a choice. Underrated.

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Speaker 2: It's so like that. My kids when we're like, oh,

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Speaker 2: well we missed that thing that game or that, they're

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Speaker 2: just like, what what do you mean?

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Speaker 1: Yeah, They're like they're like, why can't I just take

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Speaker 1: two hundred don't even know.

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Speaker 3: Yeah, they don't even know rewind. That's like a different

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Speaker 3: They're like.

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Speaker 2: Go back, it's not rewind. Just start it over. What

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Speaker 2: are you talking about.

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Speaker 1: Yeah, they can't just take two hundred episodes of Bluey

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Speaker 1: to the Dome anymore. They have to even you gotta

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Speaker 1: be like, remember we used to have to wait through

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Speaker 1: commercials if we wanted to see our show.

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Speaker 2: And I do want to thank that created a blue

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Speaker 2: for raising my kids, because that's too hot.

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Speaker 1: I've never seen it.

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Speaker 2: To the dome is everybody loves technique. It is pretty good.

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Speaker 2: My kids really like advertising. I wonder if this is

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Speaker 2: a thing anyone else is seeing what they're kids where

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Speaker 2: Like they will if I'm watching a sporting event, they

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Speaker 2: will ignore the sporting event, But then when the ads

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Speaker 2: come on, they come over because they're like little little

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Speaker 2: movies and also things that like they've never been exposed

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Speaker 2: to anywhere else, you know, like video movies, like little

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Speaker 2: video ads, or just like new like kind of a

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Speaker 2: novelty to them.

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Speaker 1: I think it's interesting how new advertising sucks, but if

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Speaker 1: you watch old commercials, that's fun.

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Speaker 2: They're fucking great.

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Speaker 3: Yeah, you'll get caught up in it.

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Speaker 2: Wow, do you remember that they suck?

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Speaker 1: There's like all these there's like YouTube videos where they

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Speaker 1: just will show you like three hours of Nickelodeon programming

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Speaker 1: from nineteen ninety five or something with commercials.

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Speaker 3: The children yearn for the commercials.

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Speaker 2: They yearn for the minds, Yeah, the commercial minds.

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Speaker 3: I think commercials used to be like way more. I

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Speaker 3: think everything used to be way more fun and interesting,

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Speaker 3: and now it's just like quantity over quality. I think

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Speaker 3: I think it's good that it's not as gate kept,

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Speaker 3: but I also am like, oh there, I do have

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Speaker 3: some nostalgia for like some of the more connected shows

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Speaker 3: or commercials.

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Speaker 1: Or whatever gives your brain a chance to rest between

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Speaker 1: Louise Yeah, get a key break, Yeah, you need it.

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Speaker 2: Because that Bluie stuff is dense.

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Speaker 1: Get a little peanut butter Cracker.

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Speaker 3: The House of Cards for kids.

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Speaker 2: Yeah, they're gonna start killing off characters in this next season.

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Speaker 2: I hear we got pushed onto Yeah it will we

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Speaker 2: The ads, the modern ads will start getting better once

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Speaker 2: everybody starts just remixing old ads with AI like Coke

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Speaker 2: did with their holiday commercial, and then we'll be in

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Speaker 2: good shape. I don't know. Did you see that the

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Speaker 2: AI holiday coke commercial?

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Speaker 1: Molly, Oh yeah, I was so mad about that.

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Speaker 3: It just I like, I like looked at it and

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Speaker 3: then I'm like avoiding everything AI. Like, I'm just like

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Speaker 3: looking away as quickly as possible.

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Speaker 2: Oh, don't do it my eyes. Like the Ark of

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Speaker 2: the Covenant, so many.

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Speaker 3: People fell for like the Hollywood sign being on fire.

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Speaker 3: It was crazy. Oh yeah, like my small like friends

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Speaker 3: that I trust, and I'm like, I don't trust anything

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Speaker 3: that I see online anymore. I'm like, I don't know,

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Speaker 3: I feel like a boomer. I'm like, I have no

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Speaker 3: idea what this is, if this is real or not.

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Speaker 1: Yeah, And like Isabella Russellini posting that Oscar in the

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Speaker 1: in the ashes of a house.

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Speaker 3: Oh yeah, I looked at that and I was like,

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Speaker 3: this doesn't feel right.

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Speaker 1: Yeah, yeah, she.

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Speaker 2: Sent me was it? Oh it was, but it was

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Speaker 2: really her just getting fooled by AI.

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Speaker 1: I assume, So unless she knew it was AI and

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Speaker 1: was just the whole thing was some people don't care. Yeah, yeah,

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Speaker 1: but there is always something it's interesting that it makes

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Speaker 1: your brain go like there's something off here. Oh, it's

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Speaker 1: talk about the brutalist.

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Speaker 2: Doing it yeah. Yeah.

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Speaker 1: They they like fixed their Hungarian accents with AI. Okay,

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Speaker 1: and they did all the architectural drawings for AI.

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Speaker 3: They were like Adrian a creativity, Yeah, yeah, can't. They

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Speaker 3: were like, the Hungarian accent is too complex. Adrian Brodie like,

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Speaker 3: he can try as hard as he can, but you

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Speaker 3: can't like just fake it and you're like the original.

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Speaker 2: Accent that he was doing before it got fixed.

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Speaker 3: By doing like the Bain accent.

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Speaker 2: Yeah, he just everybody knows.

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Speaker 1: He also put out a clarification saying that he wasn't

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Speaker 1: like like booted. He wasn't banned from SNL for that.

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Speaker 1: He's just never been asked back again.

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Speaker 2: Yeah, that is so funny.

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Speaker 3: What about the polli halle Berry without the consent?

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Speaker 1: That still haunts me. I was thinking about how he's

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Speaker 1: like the old school Timothy Shallome. He's like a guy

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Speaker 1: who plays you know, artsy guys and movies, and so

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Speaker 1: people think he's artsy, but he's just like a dumb

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Speaker 1: white guy who loves rap.

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Speaker 2: Yeah. So first fella for people who don't live in

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Speaker 2: the middle of the entertainment industry, so might not know.

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Speaker 2: The Brutalist is a movie that is one of the

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Speaker 2: like three favorites for Best Picture Oscar this year? Is

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Speaker 2: that probably about right? It's like top five, it's supposed

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Speaker 2: to be nominated for Best Pictures.

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Speaker 1: Well they already, I think voting is over. So people

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Speaker 1: were also like, oh, this is coming out about the

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Speaker 1: AI after voting is over already.

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Speaker 2: Yeah, I think the announcement is like happening soon.

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Speaker 1: But also I guess it's in the credits. It says

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Speaker 1: in the credits that.

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Speaker 3: To our our AI overlords, we'd like to specially acknowledge this.

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Speaker 2: Yeah, thank you to AI. Adrian Brody didn't even know

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Speaker 2: he was in the movie, but that's how a.

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Speaker 3: Brody.

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Speaker 2: Yeah, it's it's like a three and a half hour

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Speaker 2: long historical period piece about a real architect that sounds

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Speaker 2: like it's.

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Speaker 1: It's not a real architect. I think it's a composite

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Speaker 1: of real.

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Speaker 3: Architects' AI architects too, what the fuck?

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Speaker 1: And it's sort of I haven't seen my.

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Speaker 3: Desk does the Thano snap and just melts away in

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Speaker 3: front of me.

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Speaker 1: I'm like, I haven't seen it, but I've heard a

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Speaker 1: lot of people tell me their opinions on it for

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Speaker 1: a very long time.

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Speaker 2: They like it, right, like I feel like it.

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Speaker 1: No, I've heard people. Several people I know hated it. Okay,

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Speaker 1: some of my friends hated it because they said the

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Speaker 1: second part of it, which is supposed to take place

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Speaker 1: in Pennsylvania, it's like he builds a city in a

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Speaker 1: brutalist city in Pennsylvania. And they were like, it was

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Speaker 1: clearly Eastern Europe, not really not rural Pennsylvania.

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Speaker 3: I gotta say, I'm just gonna throw this out there.

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Speaker 3: I didn't see Appenheimer, and I'm my tolerance for white

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Speaker 3: people filled movies that are three hours long, its fading.

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Speaker 2: I'm sorry, I try.

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Speaker 1: The other thing people are mad about about The Brutalist

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Speaker 1: is that it's sort of about Zionism, but it's unclear

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Speaker 1: what its take on Zionism is. Wait, like, how is

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Speaker 1: that because it's like the characters are again, I haven't

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Speaker 1: seen The Brutalist. This is just other people telling me

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Speaker 1: about it and me telling you kind of like AI,

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Speaker 1: it's like about Holocaust escapees. He escapes the Holocaust and

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Speaker 1: then he becomes an architect and then he is part

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Speaker 1: of he is a Zionist. The character, oh, it doesn't.

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Speaker 1: But it was unclear whether it was endorsing the idea

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Speaker 1: that he's a Zionist, or sort of critiquing the idea

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Speaker 1: that he's been traumatized so he becomes someone who traumatizes people.

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Speaker 1: And then the director said something at an award show

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Speaker 1: that made people think, oh, it's actually anti Zionist. It's

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Speaker 1: actually about how Zionism happens. But it's not endorsing Zius,

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Speaker 1: which I wasn't think people are really confused about. Oh,

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00:19:05,080 --> 00:19:09,600
Speaker 1: it showed something, it must be endorsing. It is about

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00:19:09,680 --> 00:19:11,879
Speaker 1: this thing. It must be pro like you know the

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00:19:11,960 --> 00:19:14,080
Speaker 1: movie Taxi Driver must pro taxi driver.

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Speaker 2: Taxi drivers. This is just an ad for what a

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00:19:19,800 --> 00:19:21,920
Speaker 2: great job it is to be a taxi driver. You

364
00:19:22,000 --> 00:19:22,560
Speaker 2: can be a hero.

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00:19:22,800 --> 00:19:24,959
Speaker 3: Bob Propaganda Day.

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00:19:25,440 --> 00:19:29,399
Speaker 2: Adrian Brody The Adrian Brody s an L sketch. Just

367
00:19:29,960 --> 00:19:32,280
Speaker 2: for people who aren't aware of that, you can google it.

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00:19:32,400 --> 00:19:36,679
Speaker 2: But basically he insisted on doing a Rastafarian character. SNL

369
00:19:36,840 --> 00:19:40,480
Speaker 2: was like, you may not, and then he snuck it

370
00:19:40,720 --> 00:19:45,200
Speaker 2: in while introducing a art like a the musical guest.

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Speaker 2: At one point he did it as a Rastafarian character

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Speaker 2: and they were like, well, you were like a hat

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Speaker 2: you were yeah, you were a wig.

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Speaker 3: But also like what a weird choice.

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Speaker 2: He just had this accent that he was dying to

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Speaker 2: die on. Yeah.

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00:20:00,640 --> 00:20:02,160
Speaker 3: Oh my god, he must be. I feel like he's

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Speaker 3: so annoying like to be around. I feel like he thinks,

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00:20:05,680 --> 00:20:08,000
Speaker 3: he said, you know those actors who think they're like

380
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Speaker 3: really funny. They think that, like sounds are funny all

381
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Speaker 3: the time. I feel like he's one of those.

382
00:20:15,160 --> 00:20:18,120
Speaker 2: My first jot out of school was pool Boy at

383
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Speaker 2: the Soho House, the first Soho House in New York.

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Speaker 3: Oh my god, you slut Jack, Oh my god.

385
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Speaker 2: Wow. And I waited on a number of famous people

386
00:20:31,119 --> 00:20:35,119
Speaker 2: and Philip Seymour Hoffman was really nice and cool, and

387
00:20:35,240 --> 00:20:38,960
Speaker 2: Adriaan Brodie had like a little dog in his coat

388
00:20:39,400 --> 00:20:41,280
Speaker 2: that he like pulled out like and kept it in

389
00:20:41,359 --> 00:20:44,800
Speaker 2: his hand and like ordered in the first person plural

390
00:20:45,600 --> 00:20:49,200
Speaker 2: and was like, we're just not feeling like ourselves today.

391
00:20:49,280 --> 00:20:52,359
Speaker 2: But like, wow again, I did like a voice and stuff.

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Speaker 1: Original tip just for people are like that guy is

393
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Speaker 1: in smart movies about smart things. He must be a

394
00:21:00,240 --> 00:21:03,239
Speaker 1: smart person. He's like an artsy indie guy. And then

395
00:21:03,280 --> 00:21:05,840
Speaker 1: it's like, no, he is a dumb dummy.

396
00:21:06,119 --> 00:21:08,800
Speaker 3: He's an actor, So what is dumb about? Shallow I

397
00:21:08,840 --> 00:21:13,840
Speaker 3: know everybody's like people were dating Kylie and like yeah, yeah,

398
00:21:14,320 --> 00:21:15,760
Speaker 3: but there's no evidence that he's smart.

399
00:21:16,040 --> 00:21:18,760
Speaker 1: No, just because he's in like, uh, you know the

400
00:21:19,440 --> 00:21:23,960
Speaker 1: what's that movie called The Way? Yeah, he's he's just.

401
00:21:24,080 --> 00:21:26,480
Speaker 2: No, that's not it. That's a different Dylan.

402
00:21:26,920 --> 00:21:29,840
Speaker 3: He's lots another spider Man movie.

403
00:21:30,119 --> 00:21:33,560
Speaker 2: Yeah, I get spider Man and Bob Dylan confused.

404
00:21:33,840 --> 00:21:36,160
Speaker 1: Yeah, me too. They both have a secret identity.

405
00:21:36,880 --> 00:21:40,359
Speaker 3: Take their name. The real one has that voice, Bobby

406
00:21:40,440 --> 00:21:42,600
Speaker 3: spider Man, Rob Bob.

407
00:21:42,480 --> 00:21:43,960
Speaker 2: Dylan spider Man.

408
00:21:45,119 --> 00:21:50,800
Speaker 3: I met I met Timothy's Chalamese sister who is on

409
00:21:51,080 --> 00:21:53,720
Speaker 3: Sex Lives of College Girls at brunch one time because

410
00:21:53,960 --> 00:21:55,520
Speaker 3: my friends and I just went to brunhs and I

411
00:21:55,600 --> 00:21:57,840
Speaker 3: brought my dogs and she was very nice to my dogs.

412
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Speaker 2: So damn we are. I feel like Molly's met so

413
00:22:01,880 --> 00:22:04,960
Speaker 2: many like famous people and like interviewed them like professionally,

414
00:22:05,119 --> 00:22:08,640
Speaker 2: like worked with them, and so I feel like I'm

415
00:22:08,680 --> 00:22:11,040
Speaker 2: just dropping the people that I like met at the

416
00:22:11,119 --> 00:22:13,320
Speaker 2: Soho House fifteen years ago because.

417
00:22:13,160 --> 00:22:17,520
Speaker 3: It's really cooler. My dogs met her and I was

418
00:22:17,760 --> 00:22:20,000
Speaker 3: just there holding on to the lead.

419
00:22:20,400 --> 00:22:22,720
Speaker 1: You like, we are very happy to meet you, Like

420
00:22:22,920 --> 00:22:27,000
Speaker 1: you're so excited yeah, Victor pointed out, it's just because

421
00:22:27,040 --> 00:22:29,520
Speaker 1: Timothy Sealmy was like, call me by your name. He's

422
00:22:29,720 --> 00:22:32,359
Speaker 1: in Ladybird. He's in all these art house movies, and

423
00:22:32,480 --> 00:22:34,960
Speaker 1: so people think he must be an art house guy.

424
00:22:35,720 --> 00:22:38,639
Speaker 2: And it plays a dunce in uh Ladybird.

425
00:22:38,920 --> 00:22:41,080
Speaker 3: Yeah, and the Timothy and also like, don't look up

426
00:22:41,160 --> 00:22:42,560
Speaker 3: he played he played a weird character.

427
00:22:43,600 --> 00:22:43,800
Speaker 2: Yeah.

428
00:22:43,840 --> 00:22:49,399
Speaker 1: Yeah, it's his super fan, Club Shallome. I love the

429
00:22:49,520 --> 00:22:53,399
Speaker 1: club shallow may I love this this she lost her

430
00:22:53,440 --> 00:22:57,040
Speaker 1: house in the fires. Yeah, so prayers up for Club Shallome.

431
00:22:57,320 --> 00:23:00,920
Speaker 3: But she was like some shrowsionist, right, oh really.

432
00:23:01,040 --> 00:23:05,160
Speaker 1: She was also like she thought that him dating Kylie

433
00:23:05,280 --> 00:23:08,040
Speaker 1: was like a pyop, Like he's doing.

434
00:23:07,880 --> 00:23:10,720
Speaker 3: It because you are in love with him, Yeah, but also.

435
00:23:10,520 --> 00:23:12,800
Speaker 1: Because she's like that's not his type. He would never

436
00:23:12,960 --> 00:23:14,680
Speaker 1: date that type of girl.

437
00:23:15,280 --> 00:23:18,120
Speaker 3: And does she like cut him out of She's also

438
00:23:18,280 --> 00:23:20,800
Speaker 3: like way older than him, which is so funny.

439
00:23:21,000 --> 00:23:23,520
Speaker 1: We're also like, have you ever met like art school guys,

440
00:23:23,640 --> 00:23:26,800
Speaker 1: Like they date regular hot girls. They don't necessarily date

441
00:23:27,760 --> 00:23:28,920
Speaker 1: cool smart art girls.

442
00:23:29,160 --> 00:23:32,119
Speaker 2: What they're doing for in some cases, Yeah, he's a

443
00:23:32,320 --> 00:23:33,960
Speaker 2: he's an actor, is just a bro.

444
00:23:34,600 --> 00:23:35,320
Speaker 1: He's just a bro.

445
00:23:35,520 --> 00:23:39,800
Speaker 2: He's just love football. He like everybody like who's yeah,

446
00:23:39,960 --> 00:23:42,480
Speaker 2: and like he keeps going on these like sports shows

447
00:23:42,600 --> 00:23:45,840
Speaker 2: and people killing Oh my god, he like knows stuff.

448
00:23:45,920 --> 00:23:49,280
Speaker 2: He like really pays the time. By the way, convincing

449
00:23:49,320 --> 00:23:52,639
Speaker 2: people that you know sports is the easiest thing. You

450
00:23:52,760 --> 00:23:55,360
Speaker 2: have to listen to like two podcasts and then you're

451
00:23:55,680 --> 00:23:58,359
Speaker 2: you're good. You can you can seem really smart on sports.

452
00:23:58,680 --> 00:24:01,280
Speaker 2: Not saying he's not, but I'm just saying it's pretty

453
00:24:01,280 --> 00:24:03,119
Speaker 2: easy to just steal takes.

454
00:24:03,400 --> 00:24:05,840
Speaker 1: I watch inside the NBA now and I'm an expert

455
00:24:05,920 --> 00:24:06,639
Speaker 1: on basketball.

456
00:24:06,800 --> 00:24:09,320
Speaker 2: You gotta come on foremost.

457
00:24:09,760 --> 00:24:12,200
Speaker 3: Yeah, give me, oh yeah, name three basketballs.

458
00:24:13,960 --> 00:24:16,320
Speaker 2: Let's take a quick break and we'll be right back.

459
00:24:26,760 --> 00:24:30,120
Speaker 2: And we're back, And Molly was able to name three

460
00:24:30,160 --> 00:24:32,760
Speaker 2: basketballs during the break. Was actually really fucking impressive.

461
00:24:32,880 --> 00:24:34,320
Speaker 1: Yeah, it's Charles Barkley. Three times.

462
00:24:36,440 --> 00:24:38,200
Speaker 2: We didn't do an overrated Do you do you have

463
00:24:38,320 --> 00:24:39,360
Speaker 2: something you thinks overrated?

464
00:24:39,440 --> 00:24:44,560
Speaker 1: Ma? Overrated email? I think bring back the postal service.

465
00:24:45,240 --> 00:24:45,440
Speaker 2: Yeah.

466
00:24:45,520 --> 00:24:47,440
Speaker 3: I love sending postcards and letters.

467
00:24:48,119 --> 00:24:50,560
Speaker 1: Yeah, I would like. And now it's like I'm disappointed

468
00:24:50,600 --> 00:24:52,680
Speaker 1: my mail is all junk all the time. I would

469
00:24:52,960 --> 00:24:58,159
Speaker 1: prefer I get real mail, and uh, I don't need email.

470
00:24:58,680 --> 00:25:01,160
Speaker 1: It's ninety it's also tinety nine percent junk.

471
00:25:01,720 --> 00:25:06,480
Speaker 2: Capitalism really just breaks everything, just ruins everything moves.

472
00:25:07,280 --> 00:25:10,359
Speaker 3: Yeah, wait, let's just wait, I haven't. Let's just do

473
00:25:10,480 --> 00:25:12,199
Speaker 3: it a little bit more and see if it works out.

474
00:25:12,280 --> 00:25:17,800
Speaker 2: Let's just do capitalist. I was just thinking about like

475
00:25:18,119 --> 00:25:22,480
Speaker 2: how bad the internet, like just like shopping for something

476
00:25:22,560 --> 00:25:26,760
Speaker 2: online and like that they're like the first five results

477
00:25:27,280 --> 00:25:28,440
Speaker 2: if you're shopping for something.

478
00:25:28,560 --> 00:25:31,120
Speaker 1: Well, I hate now how they've made it so when

479
00:25:31,160 --> 00:25:34,200
Speaker 1: you google anything, the AI results come up first.

480
00:25:35,080 --> 00:25:39,320
Speaker 2: God. Yeah, yeah, I have an in today's episode of

481
00:25:39,480 --> 00:25:42,159
Speaker 2: this it's so faciating.

482
00:25:41,480 --> 00:25:43,119
Speaker 1: Because I don't and then like ever and there's no

483
00:25:43,200 --> 00:25:46,240
Speaker 1: way to turn it off, and people don't notice, like

484
00:25:46,440 --> 00:25:50,360
Speaker 1: people just because it looks like just the regular answers

485
00:25:50,480 --> 00:25:53,639
Speaker 1: or like an article or something, so people I don't know.

486
00:25:53,840 --> 00:25:59,879
Speaker 1: And also like creeping the Wikipedia. Yeah, just information and

487
00:26:00,160 --> 00:26:03,040
Speaker 1: scraping it and getting something partially wrong.

488
00:26:03,160 --> 00:26:06,920
Speaker 2: Usually, if we could like take today's Internet and show

489
00:26:07,000 --> 00:26:10,840
Speaker 2: it to ourselves in the year two thousand and eight,

490
00:26:11,920 --> 00:26:15,640
Speaker 2: we would be like, what happened? What's the I think

491
00:26:15,880 --> 00:26:16,159
Speaker 2: is this?

492
00:26:16,880 --> 00:26:18,959
Speaker 3: I think we'd be like, oh my god, we live

493
00:26:19,040 --> 00:26:22,600
Speaker 3: in smart house and I feel like people pay attention

494
00:26:22,720 --> 00:26:24,640
Speaker 3: to that movie. It was ahead of its time.

495
00:26:25,680 --> 00:26:27,919
Speaker 2: It's everything, so you just have to like, I mean,

496
00:26:27,960 --> 00:26:29,879
Speaker 2: there are tricks for getting around it, but like it

497
00:26:30,040 --> 00:26:31,520
Speaker 2: is by default just coming out.

498
00:26:31,520 --> 00:26:34,200
Speaker 1: I have an idea to rebuild society, which is to

499
00:26:34,560 --> 00:26:38,000
Speaker 1: go take it back to nineteen ninety nine, the last

500
00:26:38,040 --> 00:26:42,040
Speaker 1: good year. I think it's it's just y two k

501
00:26:42,240 --> 00:26:42,880
Speaker 1: rebuild plan.

502
00:26:44,400 --> 00:26:48,280
Speaker 3: But like with the progressive social stances we have now, yeah.

503
00:26:48,160 --> 00:26:50,600
Speaker 1: Maybe like two thousand and three. I think it's like

504
00:26:50,680 --> 00:26:55,479
Speaker 1: I want to cap it at digital cameras, yes, cell phones,

505
00:26:55,520 --> 00:26:57,360
Speaker 1: but no smartphones.

506
00:26:57,560 --> 00:27:01,560
Speaker 2: Right, which seem to be the direction things are headed.

507
00:27:02,400 --> 00:27:05,399
Speaker 3: I watched this clip of Cameron Diaz talking about how

508
00:27:05,520 --> 00:27:08,920
Speaker 3: she was on a press tour for Charlie's Angels with

509
00:27:09,040 --> 00:27:11,399
Speaker 3: Drew Barrymore and Lucy Lou and they land in Japan

510
00:27:11,560 --> 00:27:13,720
Speaker 3: and everybody's holding up phones and they were like, what

511
00:27:13,840 --> 00:27:16,040
Speaker 3: are they doing? And they were, and the person that

512
00:27:16,080 --> 00:27:17,840
Speaker 3: they were with was like, they're taking pictures of you.

513
00:27:17,920 --> 00:27:20,240
Speaker 3: They can do it on their phones. And they all

514
00:27:20,440 --> 00:27:22,919
Speaker 3: have like the realization at the same time that they

515
00:27:23,119 --> 00:27:25,560
Speaker 3: like it's over for them, like they'll never have a

516
00:27:25,640 --> 00:27:28,600
Speaker 3: moment of peace again or be able to do anything

517
00:27:28,840 --> 00:27:32,080
Speaker 3: without somebody knowing, like they all discovered camera phones at

518
00:27:32,119 --> 00:27:32,960
Speaker 3: the same time.

519
00:27:33,200 --> 00:27:38,080
Speaker 1: Yeah, but then Cameron Diaz retired wisely, she just retired,

520
00:27:38,840 --> 00:27:41,359
Speaker 1: but she retired for a long time. She did the

521
00:27:41,440 --> 00:27:44,800
Speaker 1: Jena Marbles. She was like, you know what, I'm good.

522
00:27:44,920 --> 00:27:46,720
Speaker 3: I made the men love that.

523
00:27:47,720 --> 00:27:55,960
Speaker 2: Cameron is actually short for camera phone, that is. Yeah.

524
00:27:56,080 --> 00:27:59,560
Speaker 2: I still remember I like pitch. I worked for my

525
00:27:59,680 --> 00:28:01,639
Speaker 2: job after a pool boy, the Soho House was like

526
00:28:01,720 --> 00:28:04,560
Speaker 2: working for ABC News, and I pitched a story about

527
00:28:04,680 --> 00:28:07,960
Speaker 2: like how guys like we're gonna have phones, We're gonna

528
00:28:07,960 --> 00:28:11,200
Speaker 2: have cameras fucking everywhere, Like think about how weird that's

529
00:28:11,240 --> 00:28:13,160
Speaker 2: gonna be. And they're like, yeah, I don't know, man,

530
00:28:13,200 --> 00:28:14,800
Speaker 2: this doesn't seem like a news story. Get the fuck.

531
00:28:15,040 --> 00:28:15,200
Speaker 3: Yeah.

532
00:28:15,200 --> 00:28:16,920
Speaker 1: I remember the first time I saw somebody use a

533
00:28:16,920 --> 00:28:18,880
Speaker 1: digital camera and show me, like, look, you can see

534
00:28:18,920 --> 00:28:19,920
Speaker 1: what the picture looks like?

535
00:28:20,640 --> 00:28:23,800
Speaker 2: Yeah, right, like what you see it immediately.

536
00:28:23,920 --> 00:28:26,120
Speaker 1: It does make you feel like we had to walk

537
00:28:26,160 --> 00:28:27,920
Speaker 1: eight miles through the snow telling people like no, you

538
00:28:28,000 --> 00:28:30,920
Speaker 1: had to go develop the photos and you didn't know

539
00:28:31,040 --> 00:28:34,080
Speaker 1: if any of them would turn out even like vaguely

540
00:28:34,400 --> 00:28:36,840
Speaker 1: good or even just like you could see them. Some

541
00:28:36,920 --> 00:28:37,880
Speaker 1: of them would just be bad.

542
00:28:38,240 --> 00:28:41,480
Speaker 3: Yeah, that's so crazy because I was born in twenty fourteen,

543
00:28:41,680 --> 00:28:45,959
Speaker 3: so like my mom, her ultrasound was an iPhone.

544
00:28:47,240 --> 00:28:49,640
Speaker 1: Of course you went to the three D sound imaging

545
00:28:49,800 --> 00:28:51,200
Speaker 1: at the Galleria.

546
00:28:53,200 --> 00:28:58,160
Speaker 2: I'm always like, Molly, thank you so much, always such great,

547
00:28:58,240 --> 00:29:02,720
Speaker 2: underrated over it as search history, never having once prepared.

548
00:29:02,960 --> 00:29:05,720
Speaker 1: It's only me looking around my apartment.

549
00:29:06,000 --> 00:29:07,200
Speaker 3: Kaiser so saying it.

550
00:29:07,480 --> 00:29:12,240
Speaker 2: Yea coffee cup. Oh wow, for the second time in

551
00:29:12,280 --> 00:29:16,719
Speaker 2: a row, coffee cup as well. He's underrated, underrated.

552
00:29:16,560 --> 00:29:18,080
Speaker 1: This chopped fruit.

553
00:29:18,120 --> 00:29:21,440
Speaker 2: I'm eating for chopped fruit really when you think about it,

554
00:29:22,480 --> 00:29:26,800
Speaker 2: all right, real quick, just a fond farewell to the

555
00:29:27,200 --> 00:29:30,320
Speaker 2: to the Biden administration for people as we're like looking

556
00:29:30,400 --> 00:29:33,840
Speaker 2: at this new authoritarian administration that is just that we

557
00:29:34,080 --> 00:29:39,200
Speaker 2: love and pledge that we love you exactly dearly, and

558
00:29:39,320 --> 00:29:42,040
Speaker 2: also watching people's reaction to it, because I do feel

559
00:29:42,080 --> 00:29:47,320
Speaker 2: like it's been kind of interesting, slash surprising, slash terrifying

560
00:29:47,840 --> 00:29:50,120
Speaker 2: to see the way the New York Times and like

561
00:29:50,280 --> 00:29:53,600
Speaker 2: other mainstream media outlets have like really kind of gotten

562
00:29:53,680 --> 00:29:58,320
Speaker 2: on board, like they will give Trump executive orders the

563
00:29:58,400 --> 00:30:00,880
Speaker 2: benefit of the doubt. The way they like describe them,

564
00:30:01,040 --> 00:30:05,280
Speaker 2: they will just in the dreams of the logic that

565
00:30:05,640 --> 00:30:07,200
Speaker 2: he would want you to use.

566
00:30:07,880 --> 00:30:11,760
Speaker 1: I mean, look at how they covered the genocide in Palestine.

567
00:30:12,040 --> 00:30:17,560
Speaker 1: Like they've never been a democrat, liberal rag, They've always

568
00:30:17,600 --> 00:30:19,520
Speaker 1: been right center, right way.

569
00:30:20,160 --> 00:30:23,719
Speaker 3: Yeah yeah, wait you Jack said you worked at New

570
00:30:23,800 --> 00:30:25,400
Speaker 3: York Times or you wrote for them.

571
00:30:25,800 --> 00:30:26,000
Speaker 2: Yeah.

572
00:30:26,040 --> 00:30:27,600
Speaker 1: I did work at the New York Times, and I

573
00:30:27,680 --> 00:30:31,440
Speaker 1: did have an honest insider scoop. I mean, it's like

574
00:30:31,520 --> 00:30:33,640
Speaker 1: they don't want to change. I have known people who

575
00:30:33,720 --> 00:30:36,160
Speaker 1: worked there who were progressive and who really were like,

576
00:30:36,240 --> 00:30:38,120
Speaker 1: we're gonna make it better, We're going to fix it,

577
00:30:38,280 --> 00:30:41,760
Speaker 1: and then you find out it's like unfixable purpose and

578
00:30:41,920 --> 00:30:45,720
Speaker 1: like not not just by a not just through incompetence,

579
00:30:45,760 --> 00:30:49,440
Speaker 1: which there's also just a ton of incompetence and no

580
00:30:49,640 --> 00:30:54,160
Speaker 1: communication between any of the departments, which seems crazy for

581
00:30:54,280 --> 00:30:58,040
Speaker 1: something that is such a high level thing. The Washington

582
00:30:58,040 --> 00:31:00,160
Speaker 1: Post also got rid of the democracy to Die in

583
00:31:00,600 --> 00:31:03,120
Speaker 1: Darkness slogan last week.

584
00:31:03,160 --> 00:31:06,640
Speaker 3: Oh my god, Oh my god, did it die in darkness?

585
00:31:06,920 --> 00:31:11,480
Speaker 1: I had a profile, I had an interview killed with

586
00:31:11,600 --> 00:31:16,880
Speaker 1: a Flint Water activist because they said it was too leftist.

587
00:31:17,000 --> 00:31:22,520
Speaker 1: Basically m hmm, because she called the one she called

588
00:31:22,640 --> 00:31:25,680
Speaker 1: someone who was responsible for the Flint water crisis a fascist,

589
00:31:25,760 --> 00:31:28,200
Speaker 1: and they were like, you can't, we can't print that.

590
00:31:30,200 --> 00:31:32,480
Speaker 1: I was like, okay, we'll take that. I guess we'll

591
00:31:32,520 --> 00:31:35,080
Speaker 1: take that out, even though she's totally right. And they

592
00:31:35,120 --> 00:31:37,120
Speaker 1: were like no, no, no, we're just we can't.

593
00:31:38,280 --> 00:31:40,720
Speaker 2: We can't run it. Yeah, that's the.

594
00:31:40,720 --> 00:31:45,800
Speaker 3: Place, and we're too afraid of these fascists. We cannot

595
00:31:45,840 --> 00:31:47,960
Speaker 3: run this story. These fascists are again.

596
00:31:48,400 --> 00:31:50,520
Speaker 1: Yeah. That was when I was like, oh, they don't.

597
00:31:51,000 --> 00:31:54,840
Speaker 1: It is like it's it's bad on purpose, and like

598
00:31:55,000 --> 00:31:58,760
Speaker 1: everything is just money, money, money, money makes it bad,

599
00:31:59,280 --> 00:32:03,040
Speaker 1: and they destroyed journalism on purpose so they could make

600
00:32:03,120 --> 00:32:05,920
Speaker 1: it so we all had to get our news from Instagram,

601
00:32:06,160 --> 00:32:10,640
Speaker 1: where they are gonna give us misinformation. It's bad, y'all.

602
00:32:11,880 --> 00:32:18,440
Speaker 3: Are you a recommendation from your former boss? You're like, hey,

603
00:32:18,600 --> 00:32:20,520
Speaker 3: this is awkward. I hope you didn't listen to.

604
00:32:24,000 --> 00:32:29,040
Speaker 2: All right, shit, another another fire happening right now, so

605
00:32:29,160 --> 00:32:30,400
Speaker 2: I'm I know, I'm.

606
00:32:30,320 --> 00:32:34,120
Speaker 3: Checking notifications too. It's up in Lake Hughes. I saw

607
00:32:34,160 --> 00:32:36,160
Speaker 3: it in front of me, like right before this podcast.

608
00:32:36,280 --> 00:32:38,880
Speaker 3: Jump from fifty acres to five hundred and then they

609
00:32:38,960 --> 00:32:40,320
Speaker 3: have evacuation zones.

610
00:32:40,880 --> 00:32:44,200
Speaker 2: Yeah, so I hope everybody's stand safe out there. Know

611
00:32:44,320 --> 00:32:46,680
Speaker 2: about you guys, but I'm literally texting.

612
00:32:48,200 --> 00:32:52,120
Speaker 3: When it's hailing fire. You know, it's different change.

613
00:32:52,240 --> 00:32:55,320
Speaker 1: I am so tired and it's exhausting.

614
00:32:55,760 --> 00:32:58,560
Speaker 3: Where where So well, I don't want to doxy right now.

615
00:32:59,040 --> 00:33:01,320
Speaker 1: Yeah, I'm not in like, but you know, just I

616
00:33:01,800 --> 00:33:05,560
Speaker 1: I think, uh, in general, everybody in Los Angeles is

617
00:33:05,680 --> 00:33:12,040
Speaker 1: so drained recent events that the inauguration was not even

618
00:33:12,280 --> 00:33:15,560
Speaker 1: top of mind for us. Now the hell world that

619
00:33:15,680 --> 00:33:16,160
Speaker 1: we live in.

620
00:33:16,680 --> 00:33:19,239
Speaker 3: We've got people are just trying to survive. I went

621
00:33:19,280 --> 00:33:22,480
Speaker 3: to my acting class yesterday because I'm an actor, and

622
00:33:23,200 --> 00:33:25,320
Speaker 3: two of my friend's houses had burned down, like their

623
00:33:25,360 --> 00:33:28,760
Speaker 3: family homes from in Altadena. It's I think they're still

624
00:33:28,800 --> 00:33:30,240
Speaker 3: in shock, honestly.

625
00:33:30,520 --> 00:33:33,480
Speaker 1: Yeah, it's it's I think people are still in the processing.

626
00:33:33,520 --> 00:33:36,640
Speaker 1: No one's turned the corner yet and it's still happening.

627
00:33:36,920 --> 00:33:40,680
Speaker 1: So but I was like getting work emails that were like, hey,

628
00:33:40,800 --> 00:33:43,240
Speaker 1: hope you're alive, You're going to hit that deadline, and.

629
00:33:43,280 --> 00:33:47,920
Speaker 2: That hope everyone's safe. Just like I do feel like we.

630
00:33:48,640 --> 00:33:52,960
Speaker 1: Should just be getting paid for disaster relief. Like I

631
00:33:53,000 --> 00:33:55,160
Speaker 1: feel like we should just not have to work and

632
00:33:55,240 --> 00:34:00,240
Speaker 1: be getting money again like we did during lockdown, because

633
00:34:00,240 --> 00:34:02,760
Speaker 1: it does feel insane that anyone is supposed to be

634
00:34:02,840 --> 00:34:04,200
Speaker 1: working right now because everyone is.

635
00:34:05,720 --> 00:34:10,560
Speaker 2: Going through it. Yeah, yeah, it is. It's rough out there.

636
00:34:10,760 --> 00:34:14,759
Speaker 2: On the subject of people like kind of missing the

637
00:34:14,960 --> 00:34:18,360
Speaker 2: inauguration for for like like I.

638
00:34:18,360 --> 00:34:22,360
Speaker 1: Can't truly like I can't. I don't have the bandwidth

639
00:34:22,719 --> 00:34:25,840
Speaker 1: to think about the Nazi salute thing, like it's just

640
00:34:26,680 --> 00:34:27,840
Speaker 1: but I wanted.

641
00:34:27,680 --> 00:34:31,359
Speaker 2: To ask that. Have you guys felt like nobody knows

642
00:34:31,400 --> 00:34:31,759
Speaker 2: about that?

643
00:34:32,280 --> 00:34:34,040
Speaker 1: No, I feel like it's all over the place.

644
00:34:34,520 --> 00:34:38,640
Speaker 2: I do too, But then when I tell people surprised anyone.

645
00:34:40,160 --> 00:34:42,960
Speaker 3: Are you telling people in LA because we, like I

646
00:34:43,040 --> 00:34:47,319
Speaker 3: think all of LA is just exhausted on it. I'll

647
00:34:47,400 --> 00:34:50,640
Speaker 3: tell you, like other people are paying attention God if

648
00:34:50,680 --> 00:34:51,000
Speaker 3: I just.

649
00:34:51,120 --> 00:34:57,840
Speaker 1: Jump, I'll tell you what I heard recently that this

650
00:34:58,040 --> 00:35:00,320
Speaker 1: was before any of this was happening, before for the

651
00:35:00,320 --> 00:35:04,440
Speaker 1: the climate collapse or the inauguration. But somebody told me

652
00:35:05,040 --> 00:35:10,720
Speaker 1: somebody who is a a first person source met somebody

653
00:35:10,800 --> 00:35:13,880
Speaker 1: who works for I'm not even going to say his

654
00:35:14,000 --> 00:35:16,759
Speaker 1: name in case he's got some kind of Google name

655
00:35:16,840 --> 00:35:22,080
Speaker 1: alters the Nazi that his plan then he tells everybody

656
00:35:22,160 --> 00:35:27,920
Speaker 1: around him is that they're going to colonize Mars by

657
00:35:28,040 --> 00:35:33,160
Speaker 1: twenty fifty with a Noah's Arc spaceship, which will be

658
00:35:33,360 --> 00:35:38,719
Speaker 1: full of I am imagining just white people to restart society.

659
00:35:38,880 --> 00:35:39,400
Speaker 2: So I think the.

660
00:35:40,880 --> 00:35:44,319
Speaker 3: Ocean Gate Ocean Gate, I was like.

661
00:35:44,560 --> 00:35:47,759
Speaker 1: I mean truly, like, I think that that nobody has

662
00:35:47,800 --> 00:35:50,600
Speaker 1: ever said like, no, you're not bro like, that's not

663
00:35:51,280 --> 00:35:55,040
Speaker 1: that's not going to happen. Good like that, good love

664
00:35:55,120 --> 00:35:58,360
Speaker 1: for them. Yeah, but it's just like their plan is

665
00:35:58,400 --> 00:36:01,360
Speaker 1: straight up to like, you up whatever's left of the

666
00:36:01,480 --> 00:36:05,920
Speaker 1: Earth and then abandon its fucking and go restart society

667
00:36:06,120 --> 00:36:11,600
Speaker 1: on Mars. I do find some comfort in knowing that

668
00:36:11,800 --> 00:36:14,560
Speaker 1: all their brains will shrink on the voyage to Mars,

669
00:36:14,600 --> 00:36:16,400
Speaker 1: and then I'll get this thing called space madness that

670
00:36:16,480 --> 00:36:19,320
Speaker 1: people get when on long space voyages that they have

671
00:36:20,320 --> 00:36:23,279
Speaker 1: not figured out a work around for. I don't know.

672
00:36:23,560 --> 00:36:27,440
Speaker 1: I am also much like the guy and the brutalist.

673
00:36:27,680 --> 00:36:32,040
Speaker 1: I am related to a bunch of Holocaust escape bees

674
00:36:32,200 --> 00:36:36,160
Speaker 1: and also not escape bees who did not get to escape,

675
00:36:36,200 --> 00:36:39,960
Speaker 1: and so I have to just be like, well, look

676
00:36:40,000 --> 00:36:44,200
Speaker 1: what happened to the first Nazis. I gotta be like

677
00:36:45,440 --> 00:36:48,640
Speaker 1: something bad's gonna happen to all of them. They're gonna

678
00:36:48,640 --> 00:36:51,680
Speaker 1: be in the Hague. I gotta just believe that because

679
00:36:51,680 --> 00:36:53,920
Speaker 1: anything else is too depressing.

680
00:36:54,520 --> 00:37:01,600
Speaker 2: Yeah. Yeah, it's fucking wild. And as much as it's

681
00:37:01,680 --> 00:37:06,279
Speaker 2: like everywhere, I still feel like it's not at enough

682
00:37:06,400 --> 00:37:08,680
Speaker 2: of a store, Like it's just so wild to me.

683
00:37:08,840 --> 00:37:10,680
Speaker 1: Well, I think this is part of their plan, though,

684
00:37:10,760 --> 00:37:13,680
Speaker 1: is to just exhaust people, and you know, as they say,

685
00:37:13,800 --> 00:37:17,120
Speaker 1: like flood the zone with shit is what they say

686
00:37:17,320 --> 00:37:20,400
Speaker 1: as their tactic, and so I think they want everyone

687
00:37:20,480 --> 00:37:25,719
Speaker 1: to feel exhausted and overwhelmed. And I think it is

688
00:37:25,840 --> 00:37:28,080
Speaker 1: just making me be like, I hate social media. Social

689
00:37:28,120 --> 00:37:30,520
Speaker 1: media is making me feel insane and bad and I

690
00:37:30,560 --> 00:37:34,160
Speaker 1: don't want to look at it. And we're all going

691
00:37:34,239 --> 00:37:36,840
Speaker 1: to have to leave and get offline and meet in

692
00:37:37,840 --> 00:37:40,480
Speaker 1: the park wherever it's not on fire.

693
00:37:40,880 --> 00:37:43,000
Speaker 3: Right Okay, I know we're not in the work of

694
00:37:43,120 --> 00:37:46,040
Speaker 3: media part right now, But I will say something that

695
00:37:46,840 --> 00:37:49,040
Speaker 3: made me feel a little bit better this week was

696
00:37:49,080 --> 00:37:52,400
Speaker 3: I watched Roywood Junior Special and I love him. I

697
00:37:52,440 --> 00:37:54,960
Speaker 3: think he's very funny and also a good dude. And

698
00:37:55,080 --> 00:37:57,080
Speaker 3: it was very funny, but also it had a really

699
00:37:57,120 --> 00:38:01,520
Speaker 3: great message about connecting, connecting to people and like like

700
00:38:01,680 --> 00:38:04,040
Speaker 3: having community, and I think that's what we need to

701
00:38:04,120 --> 00:38:06,839
Speaker 3: lead into. And that's the thing that's giving me hope

702
00:38:07,160 --> 00:38:09,760
Speaker 3: is like how LA has come together and like donated

703
00:38:09,760 --> 00:38:11,880
Speaker 3: all this stuff and just like taking care of each other.

704
00:38:12,600 --> 00:38:12,800
Speaker 3: You know.

705
00:38:13,760 --> 00:38:16,400
Speaker 1: Yeah, that is like extremely nice, especially because I like

706
00:38:16,440 --> 00:38:18,640
Speaker 1: get such a bad rap as a place where everybody's like, oh,

707
00:38:18,680 --> 00:38:22,640
Speaker 1: we're isoleted in our cars and all we can not

708
00:38:22,719 --> 00:38:24,920
Speaker 1: to say that. I don't know plenty of people who

709
00:38:24,960 --> 00:38:30,359
Speaker 1: are just like, what about my career right? Nobody cares.

710
00:38:30,800 --> 00:38:33,640
Speaker 3: But I've become a fire influencer, so like I'm just

711
00:38:33,800 --> 00:38:35,880
Speaker 3: like taking selfies in front of the fires.

712
00:38:37,120 --> 00:38:37,560
Speaker 2: There was.

713
00:38:39,680 --> 00:38:40,520
Speaker 3: To monetize.

714
00:38:41,400 --> 00:38:44,040
Speaker 1: I did see some videos of people dancing in front

715
00:38:44,040 --> 00:38:47,680
Speaker 1: of the fires on the influencer, so I bred it.

716
00:38:48,800 --> 00:38:53,440
Speaker 3: And when the coup happened and that woman happened to

717
00:38:53,480 --> 00:38:54,600
Speaker 3: be dancing in front.

718
00:38:54,400 --> 00:38:56,320
Speaker 1: Of it, yeah.

719
00:38:58,080 --> 00:38:58,800
Speaker 3: That was crazy.

720
00:39:00,040 --> 00:39:00,800
Speaker 1: It was crazy.

721
00:39:01,760 --> 00:39:04,080
Speaker 2: All right, let's take one more break and we'll come

722
00:39:04,120 --> 00:39:06,239
Speaker 2: back and hit a couple of stories. We'll be right back,

723
00:39:16,960 --> 00:39:22,160
Speaker 2: and we're back. And so during a recent interviews, I

724
00:39:22,200 --> 00:39:27,879
Speaker 2: guess the Last Mission Impossible movie is coming out soon

725
00:39:28,280 --> 00:39:31,799
Speaker 2: or you know they're starting to show it to audiences

726
00:39:31,880 --> 00:39:35,839
Speaker 2: and focus groups. And Christopher macquarie, writer of Usual Suspects,

727
00:39:35,920 --> 00:39:40,000
Speaker 2: director of most of the other Mission Impossible movies, claimed

728
00:39:40,560 --> 00:39:43,120
Speaker 2: that one of the members of an advanced screening almost

729
00:39:43,200 --> 00:39:47,600
Speaker 2: had a heart attack during one exciting sequence, which sounds

730
00:39:48,000 --> 00:39:51,320
Speaker 2: like just a offhand comment, but this is actually a

731
00:39:51,480 --> 00:39:55,279
Speaker 2: marketing tool that movies have been using for a long time.

732
00:39:55,640 --> 00:39:59,719
Speaker 2: Like the Terrifier movie bragged that they made people like

733
00:40:00,200 --> 00:40:04,280
Speaker 2: faint and throw up, and same goes with The Green Inferno.

734
00:40:04,520 --> 00:40:05,760
Speaker 2: Did you watch the Terrifiers?

735
00:40:05,800 --> 00:40:09,200
Speaker 3: Okay, we went and saw the Terrifier movie and had

736
00:40:09,239 --> 00:40:13,800
Speaker 3: you watched No, we just watched Terrifier three out of nowhere.

737
00:40:13,920 --> 00:40:16,880
Speaker 3: I was like, what what what if we weren't terrified

738
00:40:16,920 --> 00:40:19,320
Speaker 3: twice before this? And then yeah, and so we go in.

739
00:40:20,120 --> 00:40:23,680
Speaker 3: Uh it was the worst shit you could imagine from

740
00:40:24,040 --> 00:40:26,080
Speaker 3: like a Gore movie. Like it looked like they were

741
00:40:26,200 --> 00:40:28,479
Speaker 3: just like trying to think of like the worst things

742
00:40:28,560 --> 00:40:31,439
Speaker 3: they could do. It wasn't even like the opening week

743
00:40:31,600 --> 00:40:34,000
Speaker 3: and we and like eight people walked out throughout the

744
00:40:34,080 --> 00:40:36,279
Speaker 3: course of the movie. I was watching it through my

745
00:40:36,400 --> 00:40:41,480
Speaker 3: fingers and I will say between like the entire afterwards

746
00:40:41,480 --> 00:40:43,160
Speaker 3: I was just like, we can't let white people keep

747
00:40:43,200 --> 00:40:47,640
Speaker 3: getting away with this? Why are they doing this to me?

748
00:40:48,320 --> 00:40:50,400
Speaker 2: Like the movie just.

749
00:40:50,480 --> 00:40:53,319
Speaker 3: Yeah making a movie, Like I'm like, we don't need

750
00:40:53,440 --> 00:40:55,120
Speaker 3: to do we don't need to do this. Also, it

751
00:40:55,280 --> 00:40:58,359
Speaker 3: really it like with all of the violence that I'm

752
00:40:58,360 --> 00:41:01,160
Speaker 3: seeing on my social media, like it doesn't hold back

753
00:41:01,480 --> 00:41:04,320
Speaker 3: of like who the victims are, so some of the

754
00:41:04,440 --> 00:41:08,040
Speaker 3: victims are children, and like I fried during it, and

755
00:41:08,200 --> 00:41:10,680
Speaker 3: so like it was hard for me to watch that.

756
00:41:12,120 --> 00:41:15,600
Speaker 1: And then also simon, can't white people keep getting away

757
00:41:15,680 --> 00:41:17,080
Speaker 1: with this? Is the theme?

758
00:41:18,080 --> 00:41:20,560
Speaker 2: Yeah, yeah, yeah, And.

759
00:41:22,080 --> 00:41:24,239
Speaker 3: I was so horrified. But also I was like, you

760
00:41:24,320 --> 00:41:25,759
Speaker 3: know what, that was great clown work.

761
00:41:25,960 --> 00:41:26,560
Speaker 2: So I was.

762
00:41:28,040 --> 00:41:30,560
Speaker 3: Give it up to the actor. He had some great mining,

763
00:41:30,960 --> 00:41:31,120
Speaker 3: you know.

764
00:41:31,640 --> 00:41:35,000
Speaker 2: Yeah. The the premise of those movies, in addition to

765
00:41:35,080 --> 00:41:39,880
Speaker 2: being like the most brutal killings imaginable imaginable on film,

766
00:41:40,440 --> 00:41:44,239
Speaker 2: The Bad the Slasher is a clown who has like

767
00:41:44,960 --> 00:41:48,800
Speaker 2: gone to clowning school, like yeah, does a lot of

768
00:41:49,440 --> 00:41:54,080
Speaker 2: silly gags while doing the most horrific violence to people possible.

769
00:41:54,520 --> 00:41:56,320
Speaker 2: I watched the original one.

770
00:41:56,200 --> 00:41:59,919
Speaker 3: And it is fucked up and it was the number

771
00:42:00,000 --> 00:42:02,719
Speaker 3: one movie in the US. The Terrified three movie.

772
00:42:02,760 --> 00:42:06,360
Speaker 2: At the time, I was like, yeah, blew up. So

773
00:42:07,080 --> 00:42:11,000
Speaker 2: anyways that one was saying it, you know, caused fainting

774
00:42:11,080 --> 00:42:15,480
Speaker 2: and stuff. There are actual examples where movies killed people,

775
00:42:15,760 --> 00:42:17,560
Speaker 2: and it became I don't know if it was like

776
00:42:17,640 --> 00:42:21,440
Speaker 2: officially part of the marketing campaign, but in two thousand

777
00:42:21,480 --> 00:42:24,080
Speaker 2: and four, a fifty six year old woman was watching

778
00:42:24,160 --> 00:42:27,120
Speaker 2: The Passion of the Christ and died of a heart attack.

779
00:42:27,960 --> 00:42:30,840
Speaker 1: She's just excited and she's just a fan, right, yeah, yeah.

780
00:42:31,560 --> 00:42:38,240
Speaker 2: It's that movie is so just fucking unrelentingly brutal. I've

781
00:42:38,360 --> 00:42:41,400
Speaker 2: never seen anything like it. It's just it does. It

782
00:42:41,560 --> 00:42:45,359
Speaker 2: is not a movie. It is just one long torture scene.

783
00:42:45,680 --> 00:42:47,400
Speaker 2: It's cried for hours.

784
00:42:47,480 --> 00:42:48,960
Speaker 3: I was like a teen and I went and saw

785
00:42:49,040 --> 00:42:51,960
Speaker 3: it and I cried for hours after. I was like,

786
00:42:52,080 --> 00:42:52,960
Speaker 3: am I Christian?

787
00:42:53,040 --> 00:42:54,000
Speaker 2: Now what happened?

788
00:42:55,160 --> 00:42:56,480
Speaker 3: I was like in Utah, I was like, I've been

789
00:42:56,520 --> 00:42:58,880
Speaker 3: holding out against the Mormons for so long. To me

790
00:42:59,080 --> 00:43:01,680
Speaker 3: gets get got you. This is what got your ass.

791
00:43:02,320 --> 00:43:04,040
Speaker 3: I got a lot of people. That movie was a

792
00:43:04,200 --> 00:43:07,960
Speaker 3: massive hit. It's still so strange to me, like comparing

793
00:43:08,040 --> 00:43:11,920
Speaker 3: the movie to like its impact, like what the actual

794
00:43:12,000 --> 00:43:14,000
Speaker 3: movie is, to like how the fact that it was

795
00:43:14,080 --> 00:43:17,759
Speaker 3: like a big box office success is so strange. It

796
00:43:17,880 --> 00:43:22,239
Speaker 3: is one of the weirdest works of you know, horrifyingly

797
00:43:22,360 --> 00:43:23,319
Speaker 3: violent propaganda.

798
00:43:23,320 --> 00:43:27,600
Speaker 2: Ever. The other big one is Jaws. In nineteen seventy five,

799
00:43:27,880 --> 00:43:31,719
Speaker 2: during a screening of Jaws, a person died of a

800
00:43:31,960 --> 00:43:36,600
Speaker 2: heart attack, and they like have it specified as like

801
00:43:36,800 --> 00:43:41,080
Speaker 2: forty five minutes into a screening, a person died of

802
00:43:41,120 --> 00:43:44,160
Speaker 2: a heart attack, which made me a huge Jaws fan

803
00:43:44,600 --> 00:43:47,840
Speaker 2: be like, okay, so which part was it that did it?

804
00:43:48,600 --> 00:43:51,160
Speaker 3: Like? Was it sounds like you're on the side of

805
00:43:51,239 --> 00:43:52,040
Speaker 3: the shark's jack.

806
00:43:52,640 --> 00:43:55,279
Speaker 2: I was like, so I watched draw Like Mike, this

807
00:43:55,520 --> 00:43:58,040
Speaker 2: was my original claim to fame as a human being.

808
00:43:58,520 --> 00:44:01,440
Speaker 2: When I was like five, I had seen Jaws one

809
00:44:01,480 --> 00:44:05,399
Speaker 2: hundred times. Oh my god, I really loved Jaws so much.

810
00:44:05,800 --> 00:44:08,319
Speaker 3: And we're learning about so many of your jobs.

811
00:44:08,200 --> 00:44:12,879
Speaker 2: Are real Jaws freak, yeah, cool, Jaws watcher. Yeah.

812
00:44:13,400 --> 00:44:15,839
Speaker 1: I thought jobs for the first time like three years ago.

813
00:44:16,920 --> 00:44:18,080
Speaker 3: Oh what were your thoughts?

814
00:44:18,719 --> 00:44:20,239
Speaker 1: I was like, Oh, yeah, it's fun. It's like a

815
00:44:20,280 --> 00:44:21,239
Speaker 1: fake catchcock movie.

816
00:44:21,800 --> 00:44:25,880
Speaker 2: Yeah. Yeah, didn't didn't give you a fatal heart attack,

817
00:44:26,080 --> 00:44:26,680
Speaker 2: which is good.

818
00:44:27,120 --> 00:44:28,320
Speaker 1: No, it's not scary.

819
00:44:29,200 --> 00:44:33,040
Speaker 2: No, it's it's not. It's just it. I feel like

820
00:44:33,080 --> 00:44:35,680
Speaker 2: it still holds up. But I also think Teen Wolf

821
00:44:35,760 --> 00:44:37,520
Speaker 2: holds up because that was another movie I saw a

822
00:44:37,640 --> 00:44:38,840
Speaker 2: hundred times another I.

823
00:44:39,040 --> 00:44:39,759
Speaker 3: Love Michael J.

824
00:44:39,960 --> 00:44:42,560
Speaker 2: Fox so much, so great in that you were Wolf

825
00:44:42,640 --> 00:44:45,480
Speaker 2: guy not really other than Teen Wolf. In the beginning

826
00:44:45,520 --> 00:44:46,040
Speaker 2: of Throw.

827
00:44:47,360 --> 00:44:50,480
Speaker 1: His new movie is gonna be a were wolf movieggers, Yeah,

828
00:44:50,920 --> 00:44:55,080
Speaker 1: Bobby Eggs, Bobby egg that's exciting. Wear a wolf and

829
00:44:55,200 --> 00:44:57,440
Speaker 1: it's going to be like all in old English.

830
00:44:58,200 --> 00:45:01,959
Speaker 2: Wow, the old were wol Oh, people are gonna people

831
00:45:01,960 --> 00:45:02,600
Speaker 2: are gonna like that.

832
00:45:02,880 --> 00:45:05,840
Speaker 3: Although I also have a legitimate question are you a

833
00:45:05,960 --> 00:45:07,719
Speaker 3: were wolf guy? Like? Are you a were wolf?

834
00:45:07,760 --> 00:45:10,160
Speaker 2: Am? I? Was that your question I should have Are

835
00:45:10,200 --> 00:45:11,000
Speaker 2: you a werewolf?

836
00:45:11,120 --> 00:45:11,480
Speaker 1: Comma?

837
00:45:12,560 --> 00:45:14,040
Speaker 2: Are you a werewolf guy? Guy?

838
00:45:14,680 --> 00:45:16,280
Speaker 3: Hey, guy, are you aware wolf?

839
00:45:16,800 --> 00:45:21,200
Speaker 2: I'm a brow but I'm not a were wolf guy. Yeah? No,

840
00:45:21,480 --> 00:45:24,880
Speaker 2: I uh, you know, the beginning of thriller is certainly

841
00:45:24,920 --> 00:45:27,840
Speaker 2: a seminal memory for me, but I am not a

842
00:45:27,920 --> 00:45:28,600
Speaker 2: werewolf guy.

843
00:45:29,560 --> 00:45:35,680
Speaker 3: Wait. In the document for this episode, you have an

844
00:45:35,719 --> 00:45:37,480
Speaker 3: AI overview screenshot.

845
00:45:37,920 --> 00:45:39,520
Speaker 2: Yes, so that this is what I want to talk

846
00:45:39,520 --> 00:45:44,800
Speaker 2: about next. So about John Yes, So I was like,

847
00:45:45,880 --> 00:45:48,440
Speaker 2: I was like, oh, ship, Like what a, which of

848
00:45:48,560 --> 00:45:52,120
Speaker 2: the scary parts in Jaws killed somebody? Was it the

849
00:45:52,520 --> 00:45:54,600
Speaker 2: like you know, there's one part where a guy's like

850
00:45:55,600 --> 00:45:57,840
Speaker 2: hedge pops out of a hole in a boat. Another

851
00:45:58,040 --> 00:46:01,560
Speaker 2: is like the shark like literally pops a child like

852
00:46:01,640 --> 00:46:03,640
Speaker 2: a balloon full of blood, like a child.

853
00:46:04,600 --> 00:46:05,880
Speaker 1: God, just burst.

854
00:46:06,200 --> 00:46:07,040
Speaker 2: It's so crazy.

855
00:46:07,200 --> 00:46:08,480
Speaker 1: I do not have time for that.

856
00:46:09,200 --> 00:46:12,080
Speaker 2: Children. I don't don't kill children in your movies? Can

857
00:46:12,160 --> 00:46:14,000
Speaker 2: I just ask people not to do that. We don't

858
00:46:14,080 --> 00:46:14,640
Speaker 2: need to see it.

859
00:46:15,000 --> 00:46:19,240
Speaker 3: It's like children and vulnerable pets, old people.

860
00:46:19,800 --> 00:46:23,400
Speaker 2: Yeah. Yeah, but the shark eats both a child and

861
00:46:23,600 --> 00:46:26,080
Speaker 2: a dog in the same scene in that scene of Jows.

862
00:46:26,160 --> 00:46:30,520
Speaker 2: Oh my god. I was very curious, so I asked Google, like,

863
00:46:30,680 --> 00:46:33,440
Speaker 2: what scene happens forty five minutes into Jaws. I was

864
00:46:33,520 --> 00:46:37,200
Speaker 2: assuming like there wasn't a great chance that I was

865
00:46:37,239 --> 00:46:39,560
Speaker 2: gonna get an answer, But I did. I got a

866
00:46:40,560 --> 00:46:45,719
Speaker 2: confident answer from Google's AI, and it is complete bullshit,

867
00:46:46,160 --> 00:46:48,680
Speaker 2: it says in the movie Jaws. The most iconic scene

868
00:46:48,719 --> 00:46:51,200
Speaker 2: around the forty five minute mark is generally considered to

869
00:46:51,280 --> 00:46:53,719
Speaker 2: be the first full reveal of the shark, when it

870
00:46:53,840 --> 00:46:57,120
Speaker 2: attacks a young woman swimming in the water. Often referred

871
00:46:57,160 --> 00:47:00,800
Speaker 2: to as the Orca scene where chief browed Roy Scheider

872
00:47:00,960 --> 00:47:03,520
Speaker 2: utters the famous line You're gonna need a bigger boat.

873
00:47:03,840 --> 00:47:06,680
Speaker 2: So what they've done is they've collapsed like four different

874
00:47:06,800 --> 00:47:07,920
Speaker 2: scenes from.

875
00:47:07,880 --> 00:47:10,319
Speaker 1: Joe Say, that's like the first scene of Jos Yeah, the.

876
00:47:10,400 --> 00:47:13,320
Speaker 2: First scene is the woman swimming. You don't see the

877
00:47:13,360 --> 00:47:15,879
Speaker 2: shark during that. The work a scene where cheap Rody

878
00:47:15,880 --> 00:47:18,640
Speaker 2: says You're gonna need a bigger boat is like the

879
00:47:18,680 --> 00:47:21,920
Speaker 2: first time we really see the shark for an extended

880
00:47:22,280 --> 00:47:25,640
Speaker 2: period of time. That happens towards the end of the movie.

881
00:47:26,280 --> 00:47:29,160
Speaker 3: And then is it called the Orca scene because that's

882
00:47:29,600 --> 00:47:31,600
Speaker 3: not the name? Is that what it's actually called?

883
00:47:31,719 --> 00:47:34,279
Speaker 2: The name of the boat is Orca, But no, it's

884
00:47:34,880 --> 00:47:37,040
Speaker 2: it's called that We're gonna need a bigger boat scene.

885
00:47:37,080 --> 00:47:40,040
Speaker 2: And nobody calls the fucking ork A scene. But AI

886
00:47:40,400 --> 00:47:44,400
Speaker 2: so confident, so wrong, Like this is what Google is

887
00:47:44,480 --> 00:47:47,759
Speaker 2: giving us. This is the Internet that we can't let Hey,

888
00:47:47,840 --> 00:47:48,920
Speaker 2: I keep getting away with this.

889
00:47:49,480 --> 00:47:50,319
Speaker 1: We really can't.

890
00:47:51,040 --> 00:47:54,680
Speaker 2: It's so bad. This is this is my this is

891
00:47:54,760 --> 00:47:58,680
Speaker 2: my turning point where I become radicalized against Silicon Valley.

892
00:47:59,040 --> 00:48:02,000
Speaker 2: But it really really bummed me out. Anyways, if anybody

893
00:48:02,080 --> 00:48:04,319
Speaker 2: knows exactly what the forty five I didn't have time

894
00:48:04,400 --> 00:48:09,200
Speaker 2: to buy Jaws and scroll forward. So if anybody knows

895
00:48:09,239 --> 00:48:11,759
Speaker 2: it off the top of their head, hit me up,

896
00:48:12,120 --> 00:48:14,520
Speaker 2: let me know what's what's the scene at forty five

897
00:48:14,560 --> 00:48:16,480
Speaker 2: minutes that literally killed someone.

898
00:48:16,920 --> 00:48:19,000
Speaker 3: I missed Shark Week being as big of a thing

899
00:48:19,040 --> 00:48:21,439
Speaker 3: as it used to. I was obsessed with Shark Week.

900
00:48:21,800 --> 00:48:26,520
Speaker 2: I mean it's pretty big. It's pretty big. It living. Yeah,

901
00:48:26,560 --> 00:48:28,560
Speaker 2: this might be one of those moments where we're like, God,

902
00:48:28,640 --> 00:48:32,120
Speaker 2: remember they used to toy commercials, and then you realize

903
00:48:32,200 --> 00:48:35,000
Speaker 2: there's still so many toy commercials. It's just they're they're

904
00:48:35,080 --> 00:48:38,160
Speaker 2: not on the stuff that we watch anymore. Yeah, Yeah,

905
00:48:38,360 --> 00:48:41,960
Speaker 2: but yeah, Shark Week is still fucking massive. It's like,

906
00:48:42,080 --> 00:48:44,640
Speaker 2: I think, only gotten bigger since we were younger. Like,

907
00:48:44,960 --> 00:48:47,960
Speaker 2: it's they've they've turned it into and I think it

908
00:48:48,080 --> 00:48:52,480
Speaker 2: happens like four times a year. Also, they fucked it up.

909
00:48:52,560 --> 00:48:55,120
Speaker 2: They there, they could have done more and better stuff

910
00:48:55,200 --> 00:48:57,800
Speaker 2: with it, but they still go pretty hard with it.

911
00:48:58,160 --> 00:49:00,479
Speaker 3: They're going to rename Pride Month to Shark Month.

912
00:49:00,920 --> 00:49:06,440
Speaker 2: Yeah, do you guys have so paully? It sounds like

913
00:49:06,480 --> 00:49:09,800
Speaker 2: you had a visceral reaction to terrifier three, Miley, do

914
00:49:09,840 --> 00:49:14,440
Speaker 2: you have you had like visceral physical like movie experiences?

915
00:49:15,400 --> 00:49:17,120
Speaker 1: No, I'm not seeing those kinds of movies.

916
00:49:17,400 --> 00:49:18,200
Speaker 2: Nah, fuck all that.

917
00:49:18,640 --> 00:49:22,680
Speaker 3: Yeah, there was one scene like my I had a

918
00:49:22,800 --> 00:49:25,879
Speaker 3: reaction to a scene in Heretic? Did you guys see

919
00:49:25,920 --> 00:49:30,160
Speaker 3: that with Hugh Grant and it's Mormon missionaries. I had

920
00:49:30,239 --> 00:49:31,800
Speaker 3: to see it because I'm from Utah, so I'm like,

921
00:49:31,840 --> 00:49:34,320
Speaker 3: I gotta go see how these Mormons are portrayed. And

922
00:49:34,920 --> 00:49:39,160
Speaker 3: there was a scene where he can I describe it?

923
00:49:39,440 --> 00:49:44,279
Speaker 3: Spoiler alert to people, spoiler heretics, spoilers heretics, spoiler the

924
00:49:44,360 --> 00:49:49,160
Speaker 3: Mormons were right. No, he pulls like a like a

925
00:49:49,239 --> 00:49:51,680
Speaker 3: birth control thing out of this girl's arm and he's

926
00:49:51,760 --> 00:49:54,000
Speaker 3: like fishing it out and he pulls out like a vein,

927
00:49:54,120 --> 00:49:57,880
Speaker 3: and I like, I almost like he like he like

928
00:49:58,000 --> 00:49:59,920
Speaker 3: pulls it and then let's go back in and I like,

929
00:50:00,200 --> 00:50:03,040
Speaker 3: I like Jackies literally had to give me water because

930
00:50:03,040 --> 00:50:04,920
Speaker 3: I was like I because I have a fainting disorder,

931
00:50:04,960 --> 00:50:07,480
Speaker 3: and I was like, I'm feeling like really hot and faint,

932
00:50:07,520 --> 00:50:09,520
Speaker 3: and like because I could you know those moments where

933
00:50:09,520 --> 00:50:11,560
Speaker 3: you can feel it in your body, you can feel

934
00:50:11,600 --> 00:50:14,000
Speaker 3: it happening to you. I was like, oh till this day,

935
00:50:14,160 --> 00:50:18,520
Speaker 3: I'm like, I need water. It's too much. No, I

936
00:50:18,640 --> 00:50:19,560
Speaker 3: am out of nowhere.

937
00:50:20,280 --> 00:50:24,360
Speaker 1: I'm avoiding anything, anything fucked up. I just am watching

938
00:50:24,800 --> 00:50:27,719
Speaker 1: Real Housewives of Salt Lake City. We need to talk.

939
00:50:28,360 --> 00:50:29,120
Speaker 2: We need to talk.

940
00:50:30,560 --> 00:50:33,160
Speaker 3: And also if you haven't, oh my god, so much

941
00:50:33,200 --> 00:50:33,960
Speaker 3: it's incredible.

942
00:50:34,239 --> 00:50:38,120
Speaker 1: They I gotta. They decided to have a clear the

943
00:50:38,200 --> 00:50:41,800
Speaker 1: air meeting where they would each read the meanest text

944
00:50:41,840 --> 00:50:45,120
Speaker 1: message they had written about someone in the group, and

945
00:50:45,920 --> 00:50:48,759
Speaker 1: somebody read one about a girl where she said, well,

946
00:50:48,880 --> 00:50:51,680
Speaker 1: she did marry that guy. Pretty smart for her to

947
00:50:51,719 --> 00:50:54,120
Speaker 1: marry that guy who's the old guy who's got one

948
00:50:54,160 --> 00:50:56,520
Speaker 1: foot in the grave and the other on a banana peel.

949
00:50:57,200 --> 00:50:59,800
Speaker 2: That was so funny. That's so funny.

950
00:51:00,080 --> 00:51:01,920
Speaker 3: And then another one was like, well, this was the

951
00:51:02,000 --> 00:51:03,919
Speaker 3: meanest thing I could find, And it was like, I'd

952
00:51:04,000 --> 00:51:06,319
Speaker 3: rather invite this person to lunch. And it's the one

953
00:51:06,440 --> 00:51:09,040
Speaker 3: girl who like is never with it in the group,

954
00:51:09,320 --> 00:51:11,400
Speaker 3: Like it's the one person that everybody's like, what the

955
00:51:11,480 --> 00:51:13,920
Speaker 3: fuck is wrong with you all the time, Like she

956
00:51:14,000 --> 00:51:16,040
Speaker 3: doesn't ever get the game or what's going on.

957
00:51:16,680 --> 00:51:20,959
Speaker 2: Just the worst, that's the meanest. Yeah, That's a fun game.

958
00:51:21,120 --> 00:51:24,839
Speaker 2: Everybody should. Everybody should play with their friend group. If

959
00:51:24,920 --> 00:51:27,560
Speaker 2: you are trying to call friends, you know you have

960
00:51:27,640 --> 00:51:30,719
Speaker 2: too many friends, too much connections with people. Should play

961
00:51:30,800 --> 00:51:33,799
Speaker 2: that game, all right, everybody, let's read the meanest thing that.

962
00:51:33,880 --> 00:51:38,560
Speaker 3: We Sometimes I search my handle and on Twitter and

963
00:51:38,719 --> 00:51:41,320
Speaker 3: the words dumb ass, and it's like it's always to

964
00:51:41,480 --> 00:51:44,080
Speaker 3: like people who are being transphobic and stuff. But it's

965
00:51:44,160 --> 00:51:46,879
Speaker 3: like it was from a very rough period of mine

966
00:51:47,280 --> 00:51:51,200
Speaker 3: during COVID, and I was going at a lot of people. Wow,

967
00:51:51,560 --> 00:51:55,560
Speaker 3: I'm like you yeah, but it was always like to

968
00:51:55,880 --> 00:51:56,520
Speaker 3: shitty people.

969
00:51:57,680 --> 00:52:01,560
Speaker 2: So you're looking for people that you've called dumbas or you're.

970
00:52:01,480 --> 00:52:04,480
Speaker 3: Like, I'm like, how angry was I during this time period?

971
00:52:04,600 --> 00:52:07,520
Speaker 3: And then like all these all these responses of me

972
00:52:07,920 --> 00:52:11,120
Speaker 3: like being like you dumbass, like just not even clever

973
00:52:11,320 --> 00:52:13,360
Speaker 3: or whatever. I was just like mad at like racists

974
00:52:13,440 --> 00:52:17,360
Speaker 3: and transphobic people and stuff. But that's like me searching

975
00:52:17,400 --> 00:52:18,800
Speaker 3: my meanest text. But it's tweets.

976
00:52:19,640 --> 00:52:20,080
Speaker 1: I like it.

977
00:52:20,520 --> 00:52:23,120
Speaker 2: Well, Molly, such a pleasure having you as always on

978
00:52:23,239 --> 00:52:27,640
Speaker 2: the dance for having me. Where can people find you?

979
00:52:27,840 --> 00:52:30,239
Speaker 2: Follow you that you can find me?

980
00:52:30,640 --> 00:52:32,920
Speaker 1: Honestly, I'm trying to get off some of these social

981
00:52:33,000 --> 00:52:36,120
Speaker 1: media things, not beyond them as much. But you can

982
00:52:36,160 --> 00:52:38,799
Speaker 1: find me at Molly Underscore Lambren on Instagram for now.

983
00:52:39,080 --> 00:52:42,960
Speaker 1: And I have a book that just came out, Double

984
00:52:43,040 --> 00:52:46,440
Speaker 1: Axe and Pop, that you can order from commercial type,

985
00:52:47,160 --> 00:52:49,480
Speaker 1: and we're going to be doing a live event that

986
00:52:49,600 --> 00:52:52,720
Speaker 1: I'll be announcing more details about soon if you follow

987
00:52:52,880 --> 00:52:53,640
Speaker 1: that Instagram.

988
00:52:54,160 --> 00:52:56,560
Speaker 2: What's the name of the book again, Double Axe and Pop.

989
00:52:56,640 --> 00:53:01,800
Speaker 1: It is a non comprehensive survey of duo musical acts

990
00:53:02,760 --> 00:53:05,680
Speaker 1: centered around a long essay about the breakup of Hall

991
00:53:05,719 --> 00:53:09,920
Speaker 1: and Oates, the fifty years collaboration of Hall and Oates,

992
00:53:10,360 --> 00:53:12,880
Speaker 1: contentious divorce between Hall of Notes.

993
00:53:13,560 --> 00:53:15,759
Speaker 3: I started crying. I'm like Hall and Oates broke up.

994
00:53:18,000 --> 00:53:19,279
Speaker 3: Make it then? Who can?

995
00:53:19,640 --> 00:53:22,239
Speaker 1: It's pretty recent and they really hate each other and

996
00:53:22,520 --> 00:53:26,759
Speaker 1: they've made a bazillion incredible songs together. And if you

997
00:53:26,840 --> 00:53:28,600
Speaker 1: read the book you can find out whose fault it is.

998
00:53:29,400 --> 00:53:31,399
Speaker 2: No scholars, I think I know who?

999
00:53:33,320 --> 00:53:33,839
Speaker 1: Check it out?

1000
00:53:34,320 --> 00:53:35,600
Speaker 2: Awesome, I love it.

1001
00:53:35,719 --> 00:53:39,080
Speaker 3: We love books here at TDZ. Everybody buy it, buy

1002
00:53:39,120 --> 00:53:43,640
Speaker 3: a book, good distraction, the hell worlook Yeah, touch a

1003
00:53:43,760 --> 00:53:48,520
Speaker 3: book and touch grass, Touch grass with a book, sit

1004
00:53:48,640 --> 00:53:51,480
Speaker 3: on sit on some grass, smoke some grass and read

1005
00:53:51,520 --> 00:53:51,839
Speaker 3: a book.

1006
00:53:52,160 --> 00:53:53,640
Speaker 1: Touch wood by touched in a book.

1007
00:53:54,120 --> 00:53:57,040
Speaker 2: There you go, Molly, is there a working media you've

1008
00:53:57,040 --> 00:53:57,560
Speaker 2: been enjoying?

1009
00:53:57,960 --> 00:53:59,719
Speaker 1: I mean truly real house has in Salt Lake City

1010
00:53:59,800 --> 00:54:01,680
Speaker 1: the one thing that's made me feel calm.

1011
00:54:02,080 --> 00:54:05,520
Speaker 3: Yeah, girl, we're like this right now. We're like this

1012
00:54:06,400 --> 00:54:08,920
Speaker 3: because my can I say what my my media is?

1013
00:54:09,400 --> 00:54:09,600
Speaker 2: Yes?

1014
00:54:09,800 --> 00:54:13,120
Speaker 3: Yeah, Traders on Peacock. Have you seen the same.

1015
00:54:13,360 --> 00:54:13,560
Speaker 1: Yes.

1016
00:54:13,920 --> 00:54:16,120
Speaker 3: I stayed up till six a m. Finishing the second

1017
00:54:16,160 --> 00:54:18,640
Speaker 3: season because I've just been watching, like I haven't seen

1018
00:54:18,680 --> 00:54:20,400
Speaker 3: it all amazing. I'm really amazing.

1019
00:54:21,360 --> 00:54:24,920
Speaker 1: Slowly on a post got me into Traders and I

1020
00:54:25,000 --> 00:54:25,960
Speaker 1: need to talk to her about it.

1021
00:54:26,000 --> 00:54:26,600
Speaker 2: It's so good.

1022
00:54:26,680 --> 00:54:28,640
Speaker 1: Yeah, we are Traders Traders Nation.

1023
00:54:29,640 --> 00:54:29,839
Speaker 2: Yeah.

1024
00:54:29,920 --> 00:54:32,760
Speaker 1: I think Alan Cumming should get the egot or Traders.

1025
00:54:35,520 --> 00:54:38,000
Speaker 2: Every category does. Yeah.

1026
00:54:38,080 --> 00:54:40,520
Speaker 1: He should be Emmy, a Grammy and Oscar and a

1027
00:54:40,600 --> 00:54:41,840
Speaker 1: Tony for his work.

1028
00:54:41,719 --> 00:54:45,759
Speaker 2: On Yeah, he's technically on a stage for this.

1029
00:54:46,360 --> 00:54:47,560
Speaker 1: I wish he was president.

1030
00:54:47,960 --> 00:54:51,480
Speaker 3: Yeah, he'd be great. Jack and Casey have you seen Traders?

1031
00:54:51,520 --> 00:54:52,040
Speaker 2: Do you know what it is?

1032
00:54:52,360 --> 00:54:56,120
Speaker 3: I know what it is thanks to I have not

1033
00:54:57,560 --> 00:54:59,720
Speaker 3: for those who are listening, It's like that game mafia

1034
00:54:59,800 --> 00:55:02,600
Speaker 3: that you would play like where there are a few

1035
00:55:02,640 --> 00:55:04,880
Speaker 3: of you that are part like the Traders, and then

1036
00:55:04,920 --> 00:55:07,200
Speaker 3: they kill somebody every night, and there's the way they

1037
00:55:07,400 --> 00:55:09,600
Speaker 3: they did. It's such a great job because in a

1038
00:55:09,680 --> 00:55:12,600
Speaker 3: lot of reality shows, like the seasons kind of get

1039
00:55:12,719 --> 00:55:15,320
Speaker 3: stale after a while because people know they're on like

1040
00:55:15,480 --> 00:55:18,560
Speaker 3: a show, and then they try to like manipulate the

1041
00:55:18,600 --> 00:55:22,040
Speaker 3: show and the rules don't change enough or this real

1042
00:55:22,200 --> 00:55:25,120
Speaker 3: like Loveline kind of fell off. Yeah, but here they

1043
00:55:25,280 --> 00:55:27,920
Speaker 3: like throw in. The writers are really good. They like

1044
00:55:28,000 --> 00:55:31,520
Speaker 3: throw in so many different tricks and loopholes and wrinkles

1045
00:55:31,600 --> 00:55:33,160
Speaker 3: and things that I think they update on the fly

1046
00:55:33,360 --> 00:55:35,920
Speaker 3: that it keeps it so exciting. So like season one,

1047
00:55:36,000 --> 00:55:38,120
Speaker 3: I was like hooked, and then season two I literally

1048
00:55:38,120 --> 00:55:40,960
Speaker 3: stayed up all night last night because I was like

1049
00:55:41,120 --> 00:55:42,040
Speaker 3: this is crazy.

1050
00:55:42,760 --> 00:55:46,680
Speaker 2: Wow, that's so yeah great Paul of where can people

1051
00:55:47,160 --> 00:55:49,200
Speaker 2: find you? We know your media, but do we know

1052
00:55:49,280 --> 00:55:51,960
Speaker 2: where people can find you and follow you on Traders? No?

1053
00:55:53,280 --> 00:55:57,840
Speaker 3: You Traders, I would immediately get kicked out. I'm so

1054
00:55:58,000 --> 00:56:00,280
Speaker 3: unlikable in those situations.

1055
00:56:00,120 --> 00:56:04,680
Speaker 1: Like you fucking idiots, use your brains, just not a

1056
00:56:04,760 --> 00:56:07,680
Speaker 1: people person in those situations. I mean Tom Sandoval's on it,

1057
00:56:07,840 --> 00:56:09,200
Speaker 1: so you can't be worse than him.

1058
00:56:09,560 --> 00:56:12,760
Speaker 3: Oh my god, he's the worst I am at Pavia

1059
00:56:12,800 --> 00:56:14,840
Speaker 3: Vegan allin. But I'm also going to be at sketch

1060
00:56:14,920 --> 00:56:18,279
Speaker 3: Fest this weekend doing stand up on comedian Clash and

1061
00:56:18,400 --> 00:56:21,560
Speaker 3: on Facial Recognition Comedy, both on Saturday. Please come to

1062
00:56:21,600 --> 00:56:24,440
Speaker 3: my shows. Please buy tickets. The Facial Recognition tickets are

1063
00:56:24,560 --> 00:56:27,959
Speaker 3: running out, and Clash is going to be so fun.

1064
00:56:28,160 --> 00:56:31,080
Speaker 3: It's gonna be amazing with a lot of Yeah.

1065
00:56:31,120 --> 00:56:33,560
Speaker 2: That's the best. It's you get to watch a game show.

1066
00:56:33,880 --> 00:56:36,800
Speaker 2: If game shows had like truly the funniest people in

1067
00:56:36,920 --> 00:56:39,200
Speaker 2: the world on them, It's it's a blast. It's like

1068
00:56:39,200 --> 00:56:43,160
Speaker 2: a podcast, watching a game show and watching comedy like

1069
00:56:43,239 --> 00:56:44,640
Speaker 2: a live comedy show all in one.

1070
00:56:45,320 --> 00:56:47,560
Speaker 3: Jackies is the best host and it's also funny. So

1071
00:56:47,719 --> 00:56:51,480
Speaker 3: good because obviously Daigang knowes that he and I are together,

1072
00:56:51,960 --> 00:56:53,920
Speaker 3: but I also have to be professionals, and I always

1073
00:56:54,000 --> 00:56:55,359
Speaker 3: just want to mess it up. I always just want

1074
00:56:55,360 --> 00:56:56,759
Speaker 3: to be like, slap him on the butt on the

1075
00:56:56,800 --> 00:57:04,840
Speaker 3: way he's like introducing me to four hundred people, I'm like, yeah, baby, that.

1076
00:57:05,160 --> 00:57:13,200
Speaker 2: Woo sweet ass. That's my impression of admiring someone's ass. Yes,

1077
00:57:13,840 --> 00:57:19,200
Speaker 2: all right, some tweets I've been enjoying. Jason x interest

1078
00:57:19,840 --> 00:57:23,320
Speaker 2: at Benedict's Red tweeted, I'm just glad my faith in

1079
00:57:23,440 --> 00:57:27,560
Speaker 2: humanity isn't alive to see any of this, and also

1080
00:57:27,880 --> 00:57:31,360
Speaker 2: gazz at Silent Garrett tweeted, I'm watching this movie American

1081
00:57:31,480 --> 00:57:33,760
Speaker 2: History X. I'm kind of curious why the main character

1082
00:57:33,960 --> 00:57:37,120
Speaker 2: keeps doing the My heart goes out to you, salute.

1083
00:57:39,080 --> 00:57:40,120
Speaker 3: You can so funny.

1084
00:57:40,680 --> 00:57:45,520
Speaker 2: You can find me on Twitter at Jack underscorel Brian

1085
00:57:45,760 --> 00:57:50,000
Speaker 2: and on Blue Sky at Jack ob the Number one.

1086
00:57:50,760 --> 00:57:54,439
Speaker 2: You can find us on Twitter. Oh, you can find

1087
00:57:54,560 --> 00:57:57,959
Speaker 2: Miles on Twitter and Blue Sky at Miles of Gray.

1088
00:57:58,560 --> 00:58:00,920
Speaker 2: He will be back in the not too just in future.

1089
00:58:02,120 --> 00:58:04,120
Speaker 2: Still obviously sending a lot of love to him and

1090
00:58:04,160 --> 00:58:07,400
Speaker 2: his family. But yeah, I was texting with him yesterday

1091
00:58:08,120 --> 00:58:12,400
Speaker 2: and he's still so funny. I don't know how he

1092
00:58:12,840 --> 00:58:17,120
Speaker 2: is still a funny, kind person at a time like this,

1093
00:58:17,360 --> 00:58:20,840
Speaker 2: but he's he is. So can't wait to have him back,

1094
00:58:20,920 --> 00:58:24,959
Speaker 2: and if he appreciates all the warm messages and contributions

1095
00:58:25,040 --> 00:58:26,280
Speaker 2: and all that from our listeners.

1096
00:58:26,360 --> 00:58:28,480
Speaker 3: So we're all like jealous of all the people who

1097
00:58:28,520 --> 00:58:33,040
Speaker 3: lost their homes and the fires because it's feeling their art. Really. God, oh,

1098
00:58:33,080 --> 00:58:36,480
Speaker 3: you're only going to get the trauma. It's like such

1099
00:58:36,480 --> 00:58:40,280
Speaker 3: a stand up thing to do. You've got cancer congratulations,

1100
00:58:40,480 --> 00:58:41,240
Speaker 3: Oh my god.

1101
00:58:41,240 --> 00:58:45,760
Speaker 2: That's huge for you. Anyways, you can find us on

1102
00:58:45,920 --> 00:58:49,360
Speaker 2: Twitter at Daily Zeitgeist. We're at the Daily zeye Gist

1103
00:58:49,400 --> 00:58:52,600
Speaker 2: on Instagram and I think we're on Blue Sky now.

1104
00:58:52,640 --> 00:58:54,520
Speaker 2: I think we're up on Blue Sky, but I got

1105
00:58:54,600 --> 00:58:57,160
Speaker 2: to find the handle. We have a Facebook fan page.

1106
00:58:57,160 --> 00:58:59,200
Speaker 2: I don't know that we really update that much. We

1107
00:58:59,280 --> 00:59:01,840
Speaker 2: have a website dot com that I don't know if

1108
00:59:01,880 --> 00:59:04,280
Speaker 2: we really update that much. But you can go to

1109
00:59:04,480 --> 00:59:06,680
Speaker 2: this episode wherever you're listening to it, look at the

1110
00:59:06,720 --> 00:59:10,280
Speaker 2: description of the episode, and there you will find our footnotes,

1111
00:59:10,640 --> 00:59:12,680
Speaker 2: which is where we link off to the information that

1112
00:59:12,720 --> 00:59:16,360
Speaker 2: we talked about in today's episode. We also link off

1113
00:59:16,400 --> 00:59:18,600
Speaker 2: to a song that we think you might enjoy, and

1114
00:59:19,040 --> 00:59:23,240
Speaker 2: super producer Justin Connor does this one. Miles is out, Justin,

1115
00:59:23,440 --> 00:59:26,800
Speaker 2: is there a song that you think the people might enjoy?

1116
00:59:27,200 --> 00:59:30,959
Speaker 2: I listened to your recommendation yesterday and it was very good.

1117
00:59:31,920 --> 00:59:34,760
Speaker 2: I will say great, great vibes. Oh, thank you.

1118
00:59:34,880 --> 00:59:38,080
Speaker 4: I really appreciate that this is a track that's a

1119
00:59:38,120 --> 00:59:41,200
Speaker 4: little bit different. It would wouldn't feel out of place

1120
00:59:41,280 --> 00:59:44,760
Speaker 4: on Tony Hawk pro Skater game soundtrack. It's got this

1121
00:59:45,480 --> 00:59:49,640
Speaker 4: vintage underground low five beat produced by the Alchemist, and

1122
00:59:49,720 --> 00:59:51,880
Speaker 4: it reminds me of something off of like a Stone's

1123
00:59:51,920 --> 00:59:54,600
Speaker 4: Throat record or a Peanut Butter Wolf b side. The

1124
00:59:54,680 --> 00:59:57,040
Speaker 4: strings sound like they're from a James Bond score, and

1125
00:59:57,160 --> 01:00:00,400
Speaker 4: there's some pretty decent rapping on here. So this is

1126
01:00:00,440 --> 01:00:03,280
Speaker 4: Breakfast in Monaco by Larry June and you can find

1127
01:00:03,320 --> 01:00:05,600
Speaker 4: that song in the footnotes footnotes.

1128
01:00:05,720 --> 01:00:07,880
Speaker 2: The dailies Eite Guys are a production of iHeartRadio. For

1129
01:00:07,960 --> 01:00:11,360
Speaker 2: more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1130
01:00:11,840 --> 01:00:14,400
Speaker 2: or wherever you listen to your favorite shows. That's going

1131
01:00:14,440 --> 01:00:17,160
Speaker 2: to do it for us this morning, back this afternoon

1132
01:00:17,240 --> 01:00:19,560
Speaker 2: to tell you what is trending, and we'll talk to

1133
01:00:19,600 --> 01:00:20,439
Speaker 2: you all then. Bye.

1134
01:00:20,760 --> 01:00:22,160
Speaker 3: Wear masks if you're in La