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Speaker 1: He is drinks chants, motherfucking podcast. Make He's a legends

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Speaker 1: every queens rapper. He ain't agreed, that's your boy in

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Speaker 1: O r E. He's a Miami hip hop pioneer put

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Speaker 1: up as d J E f N.

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Speaker 2: Together they drink it up with some of the biggest players,

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Speaker 2: you know what I mean.

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Speaker 3: And the most professional, unprofessional podcast and your number one

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Speaker 3: source for drunk drink chams.

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Speaker 1: Mother post for every day is New Year's Eve. That's

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Speaker 1: it's time for drink champs. Drink up, motherfuck motheruck what

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Speaker 1: it gonna be? Hoping to wins? Show me this year?

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Speaker 1: Boy in O r E. What up is DJ E

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Speaker 1: f N? And this is Militatemy Crazy World Happy.

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Speaker 4: Hour Actually drink Champs.

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Speaker 1: Drink Champs. I always forget to say that. Make some man.

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Speaker 1: And when I tell you, these brothers here are icons,

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Speaker 1: are beyond legends. You know, part of my mostly my childhood,

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Speaker 1: consists of their music. They have stayed timeless, have stayed relevant,

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Speaker 1: have had one of the most beautiful stories in hip hop.

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Speaker 1: The fact that they got their stuff back, the fact

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Speaker 1: that that you know, they stayed up every day. I

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Speaker 1: never I never seen them cry. I've never seen them.

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Speaker 1: They they've real legends, legends, they're real men of men.

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Speaker 1: I'm proud to call them my friend. I'm proud to

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Speaker 1: call them exactly who they are, impeccable individuals. These are

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Speaker 1: great men, and we all should give them their flowers,

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Speaker 1: not just drink champs. Everybody got to give them their flowers.

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Speaker 1: He's a part of one of the greatest groups of

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Speaker 1: all time. And I say that without stuttering in case

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Speaker 1: you don't know who the fun were talking about one only.

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Speaker 5: It's crazy?

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Speaker 1: Aready like that? You started already you're buzzing drink drink.

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Speaker 1: So guys, man, last time you guys we was here.

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Speaker 1: We were speaking about, uh, the resurrection of getting back

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Speaker 1: you guys material? How did that? How did that play out?

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Speaker 5: It played out pretty successfully?

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Speaker 1: Wow?

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Speaker 5: What ended up happening? Tom Silverman ended up selling the

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Speaker 5: entire Tommy Boy catalog to a company called Reservoir Media.

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Speaker 5: Faith our friend, sister person who's been our partner in

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Speaker 5: hip hop and Wow looked out.

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Speaker 1: For all of us, you know, Wow, Yes, big of faith.

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Speaker 5: Yeah Faith, Yeah, and made the her and her partners

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Speaker 5: made the deal, right, Okay, So.

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Speaker 1: I mean I don't I don't want you to prevail

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Speaker 1: anything that you guys can't reveal. But for people, for

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Speaker 1: people who's sitting in your situation right now, what can

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Speaker 1: you say about, Like how did y'all go about this?

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Speaker 1: What was this? I sit down, y'all have some coffee

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Speaker 1: and yeah, and because one thing about y'all, let me

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Speaker 1: just tell you something. And I know what every rapper

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Speaker 1: gets hated on, right, but one thing about y'all, I

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Speaker 1: don't see no one hating on y'all.

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Speaker 6: Don't.

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Speaker 1: I'm not saying y'all got hate this. I know y'all

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Speaker 1: hate this, but I don't see it. So it's like

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Speaker 1: to me, everybody wants to see y'all win. So how

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Speaker 1: did y'all go about getting back to rights?

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Speaker 4: If I could jump in, like.

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Speaker 3: After we did drink Champs, Wow, that helps start like

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Speaker 3: a momentum as well of having these these discussions with

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Speaker 3: you know, the owners of Tommy Boy at the time.

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Speaker 3: Every now and then they would come to the table

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Speaker 3: with something it was a little better but still needed

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Speaker 3: some work. Without question, I'll make sure the whole world

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Speaker 3: know this man right here was not backing down.

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Speaker 4: He was not with he was hitting me.

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Speaker 2: After we did the episode, like yo, keep let's keep

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Speaker 2: putting the pressure.

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Speaker 3: I remember you, yeah, so you know, I'm just being

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Speaker 3: if I can give you that bit of like inside stuff.

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Speaker 3: There was moments where like Yo, I could be like Yo,

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Speaker 3: this is good God bless the dead. Dave could be like, Yo,

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Speaker 3: this is I think we can kind of work with this.

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Speaker 3: Mix was like nah, I can't work with this. And

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Speaker 3: I love y'all and y'all my brothers, but Yo, man,

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Speaker 3: we shouldn't settle, you know what I'm saying.

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Speaker 4: It should be no level of settling.

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Speaker 3: And we kept pushing and the times with they go dark,

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Speaker 3: we chilling, we doing what we do. They come back around, Hey, Yo,

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Speaker 3: we've made it like this, and make's just like nah,

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Speaker 3: you know what I'm saying.

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Speaker 5: It's a unique situation. Knowing that it never happened to

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Speaker 5: no other group or artists like this, wow, where the

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Speaker 5: label would fold and the groups or artists keep going

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Speaker 5: a lot of times when the label fold, the artists

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Speaker 5: and group fold as well, you know, trying to figure

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Speaker 5: out situations we have been able to really sustain, We

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Speaker 5: had been able to carry on as far as putting

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Speaker 5: out music Kickstarter, especially with the Kickstarter. I'm so proud

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Speaker 5: of that because that got nominated for a Grammy at

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Speaker 5: that so wow, and Tommy Boy trying to make their comeback,

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Speaker 5: their comeback was based on us still being a part

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Speaker 5: of that. So those the things I understood. And here

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Speaker 5: it is. It's like, yeah, we humble guys know my value.

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Speaker 5: I know. I've been playing this game since high school,

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Speaker 5: you know, and it's been on the job training and

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Speaker 5: behind it all. It's like, this was the moment in

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Speaker 5: time I had to really take on my leadership and

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Speaker 5: the crew. I mean, everybody has their warranted leadership back

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Speaker 5: moments and times and it just comes at divine moments

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Speaker 5: when God is calling. And it was in my spirit

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Speaker 5: like that, like, nah, we can't do this. And there

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Speaker 5: was times I was almost buckled. That almost buckled a

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Speaker 5: few times, you know. And I gotta be honest. You know,

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Speaker 5: I got a good woman on my team, my wife,

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Speaker 5: you know, with the help of her counsel as well.

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Speaker 5: You know, it helped my decision. It helped our decision.

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Speaker 1: Because for a long time, the music wasn't even available

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Speaker 1: right all.

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Speaker 5: Over twenty years, for twenty years we out there performing

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Speaker 5: music that people can't even get. And then now we

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Speaker 5: also hit the stage rocking with the Gorillas for over

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Speaker 5: ten years and in front of a mega new audience,

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Speaker 5: and they can't even get it, you.

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Speaker 4: Know, only they then could.

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Speaker 3: The only thing they could get was like physical releases

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Speaker 3: that were to take the Yeah, you know, they finally

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Speaker 3: like you know, there you go like whatever little thrift store,

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Speaker 3: vinyl store, and we like spotsort necessarily benefiting from it.

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Speaker 4: But it's keeping the time.

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Speaker 5: We even released it for nothing. We released it for

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Speaker 5: free like twenty ten around the thirtieth and thirtieth anniversary,

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Speaker 5: we connected with some website that was in in Russia

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Speaker 5: somewhere and took it from them and gave it to

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Speaker 5: the audience for free because it's just one available, you know. Wow.

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Speaker 5: So just being a true artist, you know, wanting the

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Speaker 5: people to just have your music. That was what it

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Speaker 5: was about in that moment in time. Like you know,

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Speaker 5: when Warner Brothers had it, it was like so many

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Speaker 5: infractions around it, which the samples was the biggest issue.

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Speaker 5: They didn't think it was worth putting it out. So

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Speaker 5: under the Warner Brothers system, it was all stuck. But yeah,

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Speaker 5: when when he made the sale to the Reservoir, you know,

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Speaker 5: magic happened. You know, they made it work. They made it,

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Speaker 5: they made it comfortable for us to really get back to.

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Speaker 1: Work because I can remember like hearing when y'all got

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Speaker 1: your rights back, how hip hop just supported y'all. And

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Speaker 1: I believe it's a rumor like every one of your

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Speaker 1: albums went sold a million or something like that, Like

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Speaker 1: I think it went straight to number one.

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Speaker 7: It's like, yeah, yeah, phenomenal, Yes it has.

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Speaker 3: I mean like there's points where there's lists, like a

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Speaker 3: catalog list, and it can be like Fleetwood Mac number one,

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Speaker 3: day Soul number two, Thriller number three, like three rising

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Speaker 3: up like it's it's been like we're charting like we've

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Speaker 3: never tried to before, Like releases are now being these

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Speaker 3: re releases, all this charting.

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Speaker 1: Really high, and this is a blessing. You know, Sipop

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Speaker 1: really really loves you guys. We really we we the

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Speaker 1: people deserve. We're gonna get into I wish that shirt,

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Speaker 1: say what is that you know we did? We did

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Speaker 1: the pharral during last week. Last week something in the water.

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Speaker 1: I didn't want to get my sneakers messed up. This year,

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Speaker 1: every time I go to that goddamn concepts don't come

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Speaker 1: back the same, I kid, you not something in the dirt,

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Speaker 1: something the goddamn beach, that bigger.

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Speaker 2: Man Virginia Beach. Real quick with the re release. Just

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Speaker 2: for anybody that's wondering and unders trying to understand the

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Speaker 2: technicality of the business side, all those issues with the

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Speaker 2: samples from before, how does that get resolved when it

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Speaker 2: gets rereleased?

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Speaker 1: Great question.

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Speaker 3: Well, we we spent once we got everything in order

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Speaker 3: with reservoir, we spent pretty much almost a year here,

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Speaker 3: just a year and a half, Yeah, taking care of

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Speaker 3: whatever need to be because you yeah.

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Speaker 1: So you now have to administer and make sure everything

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Speaker 1: I think. Wow. So it was.

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Speaker 3: But even the beauty in that was coming across these

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Speaker 3: different publishers and artists, you know, they were really helpful, man,

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Speaker 3: They really wanted.

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Speaker 5: We had a lot of you know, from even the

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Speaker 5: people who are owned the copyrights and samples. It was,

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Speaker 5: like I said, it was a real unique situation based

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Speaker 5: off what we exposed to the world by fighting for

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Speaker 5: our rights. You know.

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Speaker 1: That's dope.

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Speaker 5: Yeah, honestly, y'all, y'all helped. That's right. Jay helped Quest

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Speaker 5: Love and Black thought.

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Speaker 1: When you say Jay talking about j j.

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Speaker 5: Z, he decided to not called out b Elliott Wilson

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Speaker 5: called up and was like, Yo, what y'all want to do?

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Speaker 5: Y'all want to stream it? Not streaming?

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Speaker 2: It?

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Speaker 5: Was like not streaming, don't stream it. He decided to

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Speaker 5: not stream it, and that set the tone for Spotify

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Speaker 5: not to do it, Apple not to do it because

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Speaker 5: Title didn't do it. You know, and you know how

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Speaker 5: the muscles behind the scene can chuck you out. You

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Speaker 5: know what I'm saying now, they helped us out.

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Speaker 1: That's that's that's very dope that you just said that,

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Speaker 1: because I totally forgot that. I did go over my head,

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Speaker 1: but I just remember, that's my first time of me

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Speaker 1: being proud of hip hop. It's like that was like,

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Speaker 1: you know, we usually have discrepancies against each other, but

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Speaker 1: that's the first time I seen hip hop come all

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Speaker 1: together and was like, nah, they're doing day lot wrong

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Speaker 1: and everyone. I may have been in the room with.

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Speaker 5: Jay about three times in my whole career, you know

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Speaker 5: what I'm saying, And for that to be, I know,

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Speaker 5: we all mean something to each other, whether we.

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Speaker 3: Rival maternity, you know what I'm saying, we are you know,

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Speaker 3: it's definitely I'm sorry to cut you, but it's definitely blessed.

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Speaker 3: Even the fast forward up to like this previous Grammy

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Speaker 3: Award and the fiftieth celebration and like running into different

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Speaker 3: people there, you know, seeing Rick Ross clapping five and

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Speaker 3: I'm about to let go and he grabs me in.

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Speaker 3: It's like, yo, man, I'm proud that y'all got y'all

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Speaker 3: music back and were waiting, like it was just great

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Speaker 3: to see people just really coming together to see what

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Speaker 3: you know, needed to be done and the fact that

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Speaker 3: we got everything back and they were just just as proud,

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Speaker 3: you know, like you said, like a fraternity all proud together.

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Speaker 2: To see the coach showed a real community in here,

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Speaker 2: like it is a community that I forgot.

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Speaker 1: There was a community I forgot because we always at

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Speaker 1: each other. And that was the first time, like you know,

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Speaker 1: seeing people fighting with you guys. I felt like we

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Speaker 1: was fighting with you guys. You know what I'm saying, Like,

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Speaker 1: you know, you know, like how they see people marching

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Speaker 1: and it's like I felt I feel like I was

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Speaker 1: from outside marching with y'all because and I got the

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Speaker 1: same story. That's what's crazy about I got it was

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Speaker 1: the same fight. Just say exact right. So it's like

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Speaker 1: this is something, this is under that. Like I'm proud

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Speaker 1: of hip hop. I'm proud of hip hop for making

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Speaker 1: this happen. I'm proud of you guys for sticking to

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Speaker 1: your guns. I'm proud of it because now I know

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Speaker 1: the stick to my gun. You know what I'm saying,

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Speaker 1: Because there's been times I wanted to give up, Like

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Speaker 1: you know what I mean, I think about it. You know,

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Speaker 1: after thirty years, they're supposed to give you back your rights.

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Speaker 1: Anyway I sit is twenty five, so I'm like five

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Speaker 1: years away. But I would love to make this deal.

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Speaker 1: But it's crazy to me. Seeing y'all, it gives me

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Speaker 1: hope because when you think about it, this is our music.

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Speaker 1: Why shouldn't we own it? Like, why shouldn't we.

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Speaker 5: Own it at least be partners in it? Based on

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Speaker 5: the criteria of what we trying to look for in

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Speaker 5: certain deals. You know, some people aren't able to fund themselves,

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Speaker 5: you know, so you're all looking for some type of

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Speaker 5: funding and you may have to give something up to

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Speaker 5: gain something, you know, But as time goes along, I

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Speaker 5: always looked at it like a job when you first

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Speaker 5: come in for a job. Don't expect to be manager

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Speaker 5: first day. But if you do tremendously at the job,

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Speaker 5: you do well, you look to get a raise at

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Speaker 5: some point. You know a lot of us haven't gotten that.

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Speaker 5: You know a lot of us haven't got that raise

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Speaker 5: or them benefits. And even with for the deals that

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Speaker 5: the label's still cut, you know they need to offer

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Speaker 5: more benefits, right, medical benefits something like that too.

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Speaker 1: Yeah, I mean.

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Speaker 5: Something such as that, because it's worked for hire, no

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Speaker 5: different than any other employment. You know what I'm saying.

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Speaker 1: So what's up?

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Speaker 2: Drink Champs Army Ready for a staggering statistic. Nearly seventy

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00:14:35,800 --> 00:14:39,040
Speaker 2: seven percent of fathers settle for their lady's uncomfortable baby

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Speaker 2: bag when they're outside with their kids. That's according to

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Speaker 2: your very own eye, So just look around. Settling is

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Speaker 2: not where it's at. Dad's deserved better. No more struggling

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Speaker 2: to find the wipes, the diapers, the cream, or your

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Speaker 2: own personal items. Introducing the Fly's Dad Bag, the first

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Speaker 2: born from fly dad gear dot com. It's the perfect

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Speaker 2: backpack to keep dad and baby ready for whatever. Twenty

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00:15:06,680 --> 00:15:09,040
Speaker 2: one compartments make it easy to keep everything in its

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Speaker 2: place and never again to dig through the bottom this hole.

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Speaker 2: That's your lady's bag. Trust me, I wouldn't have become

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Speaker 2: a partner of fly Dad if it wasn't legit. Not

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Speaker 2: only is the firstborn my baby bag, but also the

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Speaker 2: bag I take on set for drink Champs, the bag

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Speaker 2: I travel with and pretty much my go to backpack

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Speaker 2: for everything I do. If stain fly and being functional

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Speaker 2: is your goal, head to fly dadgear dot Com, forward,

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Speaker 2: slash Amazon and get your fly Dad bag today.

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Speaker 5: And then and then it does shit, It should change

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Speaker 5: based on success. Yes that that work for hire. Shit

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Speaker 5: turn into some sort of partnership, right, you know?

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Speaker 2: And I think what's happening is we're all lifting the

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Speaker 2: veil of the absurdity of these agreements to say in

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Speaker 2: perpetuity in the universe.

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Speaker 1: Oh man, So we didn't know what perpetuity. We didn't

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Speaker 1: know what digital rights.

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Speaker 5: I kept asking, what does that word mean? No one

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Speaker 5: wanted to tell me. I looked it up, and I

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Speaker 5: was like.

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Speaker 1: Crazy because I thought about it when even when I

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Speaker 1: thought about it, and I never signed over digital rights.

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Speaker 1: I never signed over with because there was nothing called

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Speaker 1: digital back then. I never signed up with rings homes.

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Speaker 8: There was nothing called out before night, so they coverned

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Speaker 8: it with that for everybody listening right now, they covered

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Speaker 8: it with AI too, so you understand what you're signing

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Speaker 8: with this perpetuity in the entire universe.

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Speaker 1: It's wild. Yes, it's not.

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Speaker 5: It is wild, especially for the artists who are being

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Speaker 5: able to capitalize off this you know, technical world of

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Speaker 5: the Internet and being able to I mean, if we

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Speaker 5: had that back then we probably be able to cut

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Speaker 5: better deal und The Internet has gave these artists a

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Speaker 5: bargaining power. You out there building your own energy up,

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Speaker 5: and then they come in and the scoop off your

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Speaker 5: energy and maybe add the machine to take it elsewhere.

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Speaker 5: Yeah it's fine, but you done made million plus off

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Speaker 5: of doing your own independent thing. That deal structure should

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Speaker 5: be a little bit more in your favor.

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Speaker 3: It's great to see a lot of young kids very

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Speaker 3: familiar with the data. You know, they can show them like, look,

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Speaker 3: it's undeniable. I can see right here what I'm doing

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Speaker 3: in this understand.

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Speaker 4: Yeahs analytics and it's.

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Speaker 5: Locking hardware, AI off algorithms and all of that. We

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Speaker 5: had to go visit the DJ.

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Speaker 1: I remember physically, if I didn't go to London, the

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Speaker 1: record wouldn't go to London like I physically had to

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Speaker 1: go to London.

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Speaker 2: I had to go to everybody, every city you had

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Speaker 2: to get so we met you.

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Speaker 1: That's crazy. Nowadays you can repress one button. That's should

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Speaker 1: be everywhere. I remember literally, you know, our e came

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Speaker 1: out hit number one, and and every town that I

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Speaker 1: had to go, I had to go to every single town.

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Speaker 1: They had to look at the what what's what's algorithms

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Speaker 1: back then and they had to say, Okay, you're doing

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Speaker 1: you're not doing You're not doing good in Philly, So

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Speaker 1: they go to Philly, like physically do that. As of

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Speaker 1: right now, you could just you could stream. You don't

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Speaker 1: even have to leave your house. The pandemic had me

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Speaker 1: pissed off. I said, these niggas is dropping albums and

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Speaker 1: staying in the house. They was like this, I'm like,

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Speaker 1: what the fuck?

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Speaker 8: Come on?

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Speaker 1: Didn't work? We were doing the same quarantine. I hated quarantine.

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Speaker 1: I hated it if in every moment of quarantine, I

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Speaker 1: hated it. Remember so some like you got to give

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Speaker 1: you a five. I want you to smell my cologne.

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Speaker 1: You know I'm saying I want you to feel me.

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Speaker 1: I want you to smell my budd You ain't give

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Speaker 1: them a blood? Yeah, come on kind of blood. You're

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00:18:54,960 --> 00:19:03,680
Speaker 1: making us look clazy? Okay, yeah, okay, don't drop. Yeah,

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00:19:04,080 --> 00:19:07,040
Speaker 1: I'm a personal guy man. Yeah, I owe you some

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00:19:07,119 --> 00:19:11,600
Speaker 1: day shirt. So let me ask you about that. How

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00:19:11,600 --> 00:19:16,879
Speaker 1: about during the time you got did you use in

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Speaker 1: control of your own merch because I always.

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Speaker 5: Always been my own merchant. But you have seen mostly

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00:19:22,840 --> 00:19:23,639
Speaker 5: bootlegs stuff.

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Speaker 1: Really yeah? Yeah's got a Bootleggs shirt.

349
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Speaker 5: But I can't I can't hate you, know what I'm saying?

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Speaker 1: Better than because it was like the first night collab, right,

351
00:19:55,840 --> 00:19:57,280
Speaker 1: you collab with like earlier?

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Speaker 6: Yeah?

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Speaker 5: Yeah, the dunk the day?

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Speaker 1: How was that? How was that ship?

355
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Speaker 5: We happened to be at the magic.

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Speaker 3: That was as R something in San Diego that usually

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Speaker 3: happens like this is uh yeah, but I think it's

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Speaker 3: called as R.

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Speaker 4: We we was in We was doing somewhere l R G.

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Speaker 3: And yeah, just walking through the arena where they had

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Speaker 3: all the boots shut up, ran into people over there. Nike,

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Speaker 3: his brother Robbie Jeffers, who was working with them, and

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Speaker 3: I think he's working between Stucie and Nike and he

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00:20:31,960 --> 00:20:33,919
Speaker 3: we had a show out there like there's some street

365
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Speaker 3: fair they usually do. We had them come through and

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Speaker 3: then he just happened to just mention it, like, yo,

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Speaker 3: would you be.

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Speaker 4: Down to do a dunk? It was like of course,

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Speaker 4: and he made the call and it just it just

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Speaker 4: fell into place, you know what I'm saying.

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Speaker 1: So yeah, yeah, that's.

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Speaker 5: Like a year from that meeting.

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Speaker 4: Yeah yeah, that was really cool.

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Speaker 1: You got your own fucking Nike. Yeah. Man, guys, stop

375
00:20:56,440 --> 00:21:01,719
Speaker 1: being so humble. There's not a lot of people who

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Speaker 1: can say that.

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Speaker 5: Really.

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00:21:03,680 --> 00:21:08,040
Speaker 1: No though, flowers, man, let's listen. Our show is about

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00:21:08,040 --> 00:21:10,880
Speaker 1: giving people flowers, so we need to give you your flowers.

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Speaker 1: To your face. Make the face man, man that give flowers.

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Speaker 1: And mister is always later, he's always like he's always

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Speaker 1: Dominican friend.

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Speaker 9: It's always like, okay, yo, what do you do?

384
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Speaker 1: Holy the embarrassing? We got a bootleg day, so shirt

385
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Speaker 1: on if you lay on the flowers.

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Speaker 5: Yeah, man, man, I brought you all.

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Speaker 4: So it's beautiful, true boy, rest in peace day man.

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Speaker 1: You know for you to present your family and you

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Speaker 1: can if you can, you know, we definitely will. Yet beautiful,

390
00:21:55,119 --> 00:21:59,920
Speaker 1: Let's make some noise the flowers, dog, because it's like

391
00:22:00,040 --> 00:22:01,760
Speaker 1: in the Grammy, they got quick Time slim ready.

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Speaker 5: Yes man, that's another milestone.

393
00:22:05,600 --> 00:22:06,720
Speaker 4: Yeah man, yes man.

394
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Speaker 1: Let me just tell y'all, man, we are huge fans

395
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Speaker 1: the family to us and we are so happy for

396
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Speaker 1: what y'all y'all accomplished. And as y'all keep going.

397
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Speaker 5: This is better than the Grammy.

398
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Speaker 1: Man, we're using that, we're taking that.

399
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Speaker 5: This is hip hop man into the heart. That's all

400
00:22:31,800 --> 00:22:35,280
Speaker 5: before we that s hip hop honors vah one. These

401
00:22:35,320 --> 00:22:36,000
Speaker 5: two right here.

402
00:22:38,960 --> 00:22:40,840
Speaker 1: And you got you guys had an album on Massive

403
00:22:40,920 --> 00:22:41,800
Speaker 1: Pill correct what.

404
00:22:42,760 --> 00:22:43,880
Speaker 5: It was supposed to be.

405
00:22:44,080 --> 00:22:46,879
Speaker 3: It's still in play. We just gotta get it, you know.

406
00:22:47,080 --> 00:22:48,000
Speaker 3: We gotta get it done.

407
00:22:48,080 --> 00:22:50,240
Speaker 1: You gotta get it done. Yeah yeah, okay.

408
00:22:50,160 --> 00:22:53,400
Speaker 3: And some we we hope to get done. I mean

409
00:22:53,560 --> 00:22:56,360
Speaker 3: there was a there weren't a lot of rhymes that

410
00:22:56,480 --> 00:22:59,200
Speaker 3: Dave completed because it was a it was a Pete

411
00:22:59,280 --> 00:23:00,000
Speaker 3: rock and premiere.

412
00:23:00,040 --> 00:23:04,000
Speaker 4: Yeah ooh joint. Wow, that's right. Yeah, the premium Soul

413
00:23:04,080 --> 00:23:04,520
Speaker 4: on the rock.

414
00:23:04,600 --> 00:23:08,840
Speaker 3: So we got some stuff done, not enough, you know,

415
00:23:08,960 --> 00:23:12,320
Speaker 3: and hopefully we can just pull it all together.

416
00:23:12,560 --> 00:23:14,120
Speaker 1: So there will be another daylight out.

417
00:23:14,280 --> 00:23:16,840
Speaker 4: I mean, without question, it's going to daylight stuff.

418
00:23:16,880 --> 00:23:19,480
Speaker 5: Well I'm in a miss of I'm in the process

419
00:23:19,560 --> 00:23:23,440
Speaker 5: right now working on the trilogy of Artificial Intelligence, the

420
00:23:23,440 --> 00:23:24,359
Speaker 5: third installment.

421
00:23:24,760 --> 00:23:27,960
Speaker 1: Are we breaking news right now? I feel like we're breaking.

422
00:23:27,680 --> 00:23:30,280
Speaker 5: News right now. The third installment is being worked on

423
00:23:30,400 --> 00:23:33,160
Speaker 5: as we speak, Like, yeah, for real, like this what's

424
00:23:33,200 --> 00:23:34,840
Speaker 5: going down? I mean, it was supposed to be a

425
00:23:35,320 --> 00:23:38,200
Speaker 5: DJ related record anyway, you know what I'm saying. So

426
00:23:39,320 --> 00:23:42,480
Speaker 5: I'm getting it done. Yeah, and then everybody got one

427
00:23:42,520 --> 00:23:44,640
Speaker 5: and two. Yeah, you know what I'm saying out there.

428
00:23:44,800 --> 00:23:50,879
Speaker 3: Yeah, we were definitely staying with work music coming out, lyrics,

429
00:23:51,800 --> 00:23:55,160
Speaker 3: daylight related stuff. We were here, like me and Mace

430
00:23:56,359 --> 00:23:59,720
Speaker 3: immediately kind of locked in and was just like, yop man,

431
00:23:59,800 --> 00:24:03,359
Speaker 3: we gotta we gotta keep this going, like you know,

432
00:24:03,800 --> 00:24:06,199
Speaker 3: as difficult as it. Yeah, Like I hit him with

433
00:24:06,240 --> 00:24:10,720
Speaker 3: the straight like rain more analogy from B Street. I

434
00:24:10,760 --> 00:24:13,840
Speaker 3: was like, yo, man, we gotta turn this nigga's death

435
00:24:13,840 --> 00:24:16,800
Speaker 3: into a celebration. And he really felt that, you know

436
00:24:16,840 --> 00:24:19,960
Speaker 3: what I'm saying, And that's how we really feel, you know, like.

437
00:24:20,080 --> 00:24:22,200
Speaker 1: Speaking of that, sorry to cut you off, I want

438
00:24:22,200 --> 00:24:23,919
Speaker 1: you to get back to what you were saying. But

439
00:24:24,000 --> 00:24:27,280
Speaker 1: I've seen that with Dave Chappelle when I felt like

440
00:24:28,080 --> 00:24:31,080
Speaker 1: y'all counted it down, was like twelve and counted down

441
00:24:31,119 --> 00:24:34,359
Speaker 1: for the thing to come. Like I literally, I literally

442
00:24:34,480 --> 00:24:37,840
Speaker 1: tears came to our mom. And I've seen how Dave Chappelle

443
00:24:38,000 --> 00:24:41,040
Speaker 1: was so happy for you. That's that's that's that's the

444
00:24:41,040 --> 00:24:42,760
Speaker 1: thing about you. Like I said I said it earlier,

445
00:24:43,520 --> 00:24:45,760
Speaker 1: I don't see you hate this like I only see

446
00:24:45,920 --> 00:24:51,320
Speaker 1: y'all supporters. And to me, to me, that's some honorable shit,

447
00:24:51,680 --> 00:24:53,520
Speaker 1: Like you know what I'm saying, to see everybody from

448
00:24:53,600 --> 00:24:56,119
Speaker 1: hip hop just come out and celebrate you guys, like

449
00:24:56,320 --> 00:24:57,280
Speaker 1: that's a beautiful thing.

450
00:24:57,359 --> 00:24:57,520
Speaker 5: Man.

451
00:24:57,520 --> 00:24:59,600
Speaker 1: You guys are really eye cars. You guys are really

452
00:24:59,680 --> 00:25:02,040
Speaker 1: letting Yo to speak on that.

453
00:25:02,320 --> 00:25:04,520
Speaker 3: And I saw you were saying, like, Yo, that was

454
00:25:04,520 --> 00:25:07,119
Speaker 3: a joint you wish you was at, and I bugged out.

455
00:25:07,359 --> 00:25:11,600
Speaker 3: I told me, so, I was like, Yo, before Dave's death, dog, Yo,

456
00:25:11,640 --> 00:25:13,160
Speaker 3: you was on my list, Like I was like, Yo,

457
00:25:13,160 --> 00:25:15,280
Speaker 3: I'm going to tell your fan, I'm going to tell

458
00:25:15,720 --> 00:25:20,200
Speaker 3: I know y'all here. But because this this this party

459
00:25:20,320 --> 00:25:23,960
Speaker 3: was in play Jump. We were even talking about drink

460
00:25:24,000 --> 00:25:29,119
Speaker 3: cham Yeah, so Yo, you were on my list to

461
00:25:29,160 --> 00:25:32,080
Speaker 3: come through. But when everything happened with Dave, it was

462
00:25:32,160 --> 00:25:34,760
Speaker 3: kind of like people in play that this was like, Yo,

463
00:25:34,760 --> 00:25:36,119
Speaker 3: we're going to reach out to these people.

464
00:25:36,119 --> 00:25:37,240
Speaker 4: It was like kind of cool.

465
00:25:37,320 --> 00:25:39,199
Speaker 3: And so when I was bugging when I saw you

466
00:25:39,200 --> 00:25:43,080
Speaker 3: said like Yo, this and this, I said.

467
00:25:43,600 --> 00:25:47,720
Speaker 5: You ain't never needed no invitation, you.

468
00:25:48,320 --> 00:25:53,520
Speaker 1: Know, dude, when I see hip hop celebrates y'all.

469
00:25:53,600 --> 00:25:58,240
Speaker 5: Like I said, you had a tumultuous moment at one time.

470
00:25:59,240 --> 00:26:01,960
Speaker 5: But in that moment, you need to know I.

471
00:26:01,840 --> 00:26:06,080
Speaker 1: Showed up for you.

472
00:26:05,040 --> 00:26:11,880
Speaker 4: About the wild Ship is that I almost.

473
00:26:11,600 --> 00:26:14,639
Speaker 10: Said it last time we was in.

474
00:26:15,280 --> 00:26:16,000
Speaker 1: I really want to.

475
00:26:20,960 --> 00:26:25,480
Speaker 5: Talk me out, thug me out.

476
00:26:26,400 --> 00:26:32,560
Speaker 1: It was kind of it was parade. I don't remember himself,

477
00:26:32,760 --> 00:26:33,880
Speaker 1: Porto Rican Parade.

478
00:26:35,000 --> 00:26:37,440
Speaker 5: I never experienced Puerto Rican Day parade. I don't even

479
00:26:37,480 --> 00:26:39,639
Speaker 5: know what to expect, you know what I'm saying. And

480
00:26:39,720 --> 00:26:45,560
Speaker 5: Tommy Boy called me to come d J for CNN,

481
00:26:46,240 --> 00:26:50,520
Speaker 5: you know. And and I was also able to have

482
00:26:50,720 --> 00:26:54,600
Speaker 5: my upcoming rappers rock after I did what I needed

483
00:26:54,600 --> 00:26:57,680
Speaker 5: to do for them, you know. But we got out there.

484
00:26:57,760 --> 00:27:01,000
Speaker 5: I spoke to Norwi two days before for it, trying

485
00:27:01,040 --> 00:27:04,720
Speaker 5: to prep for it. He's like, Nah, don't worry about.

486
00:27:04,520 --> 00:27:05,280
Speaker 1: That, just play the record.

487
00:27:11,440 --> 00:27:12,040
Speaker 5: We're seeing it.

488
00:27:12,119 --> 00:27:13,639
Speaker 1: You know what I'm saying, we don't about all that,

489
00:27:13,800 --> 00:27:13,920
Speaker 1: you know.

490
00:27:23,280 --> 00:27:26,600
Speaker 5: I like, yo, sure you know what I mean. I'm

491
00:27:26,600 --> 00:27:28,879
Speaker 5: the one who liked to prepare, you know what I'm saying.

492
00:27:29,400 --> 00:27:32,919
Speaker 5: So I never experienced Puerto Rican Day parade, you know.

493
00:27:33,640 --> 00:27:36,560
Speaker 5: And I'm looking at it from when I see it

494
00:27:36,600 --> 00:27:39,200
Speaker 5: on TV. I see the floats and the highs rocking

495
00:27:39,240 --> 00:27:43,240
Speaker 5: and ship we get out there and tell me, boy

496
00:27:43,320 --> 00:27:45,359
Speaker 5: got us on like a pickup truck. You know what

497
00:27:45,400 --> 00:27:48,320
Speaker 5: I'm saying. It was all food gazy to begin with.

498
00:27:48,440 --> 00:27:51,400
Speaker 5: It was like I was like, oh ship, I'll get

499
00:27:51,480 --> 00:27:54,720
Speaker 5: out there like, oh ship, already off my.

500
00:27:54,720 --> 00:27:59,560
Speaker 1: Experience doing things. I'm going outside. There's hot mother.

501
00:28:00,400 --> 00:28:04,520
Speaker 5: So I'm already thinking about equipment fucking up and everything.

502
00:28:04,960 --> 00:28:09,080
Speaker 5: And immediately I play a fucking seeing in record and

503
00:28:09,119 --> 00:28:10,960
Speaker 5: it starts noting on the.

504
00:28:12,280 --> 00:28:18,520
Speaker 1: I was getting mad. I'm trying to explain.

505
00:28:18,080 --> 00:28:20,760
Speaker 5: It, like yo. Every time I put the needle on

506
00:28:20,800 --> 00:28:23,480
Speaker 5: the record, the record is woping up, Like I didn't

507
00:28:23,520 --> 00:28:25,960
Speaker 5: expect none of this to be like this period, Like

508
00:28:28,200 --> 00:28:33,880
Speaker 5: I'm literally on a pickup truck while other floats is ship.

509
00:28:35,320 --> 00:28:36,440
Speaker 1: We got a pickup truck?

510
00:28:36,640 --> 00:28:38,400
Speaker 5: When motherfucker's just holding.

511
00:28:38,160 --> 00:28:40,960
Speaker 1: Size, say's right, I'm ready.

512
00:28:41,280 --> 00:28:43,600
Speaker 5: We look like some half fast bad boys ship. And

513
00:28:46,200 --> 00:28:51,880
Speaker 5: he's right, you know, and we all here repper, and

514
00:28:51,960 --> 00:28:56,160
Speaker 5: I see dudes getting frustrated with me because the music.

515
00:28:56,760 --> 00:28:59,360
Speaker 5: This is my perception of it. The music ain't popping

516
00:28:59,760 --> 00:29:02,440
Speaker 5: and riding for a minute and every time. And mind you,

517
00:29:02,520 --> 00:29:06,360
Speaker 5: I done had mad copies of this stuff in my

518
00:29:06,480 --> 00:29:10,120
Speaker 5: crate along with other ship right, my young dudes. They

519
00:29:10,200 --> 00:29:13,640
Speaker 5: stuff was on a hard drive, instant replay.

520
00:29:14,560 --> 00:29:18,840
Speaker 1: So ye, we were professional at all, yees, So it

521
00:29:18,880 --> 00:29:23,440
Speaker 1: wasn't even about the got.

522
00:29:22,480 --> 00:29:26,040
Speaker 5: The whole I called you and I didn't know nothing.

523
00:29:26,080 --> 00:29:28,479
Speaker 5: I didn't know whole ship funning. I like with her,

524
00:29:28,520 --> 00:29:33,120
Speaker 5: solet's stop twenty years talking with me.

525
00:29:33,640 --> 00:29:36,280
Speaker 1: But back then, I'm not gonna lie to you. I

526
00:29:36,400 --> 00:29:40,080
Speaker 1: was young and I just he was treating me how them.

527
00:29:40,000 --> 00:29:48,560
Speaker 5: Young niggas treat him. He was all that ship. Yeah,

528
00:29:48,680 --> 00:29:52,160
Speaker 5: and all we did was our little performances ship, but

529
00:29:52,240 --> 00:29:54,640
Speaker 5: it was knocking. I thought it was knocking out. See

530
00:29:54,720 --> 00:29:57,600
Speaker 5: niggas frustrated. His man tried to grab a mic for

531
00:29:57,760 --> 00:30:01,680
Speaker 5: my man grab he's gonna tested back the show and

532
00:30:01,760 --> 00:30:03,560
Speaker 5: sip rocking and still riving, and ship.

533
00:30:06,720 --> 00:30:12,480
Speaker 2: I went on like beef.

534
00:30:14,040 --> 00:30:14,960
Speaker 5: I knew how the knife.

535
00:30:15,040 --> 00:30:16,000
Speaker 1: I knew.

536
00:30:18,200 --> 00:30:18,800
Speaker 5: The one who was.

537
00:30:18,800 --> 00:30:24,040
Speaker 1: Driving the n he had the knife. It was crazy.

538
00:30:24,120 --> 00:30:27,320
Speaker 5: This is crazy because he was grabbing. The dude that

539
00:30:27,360 --> 00:30:29,400
Speaker 5: he was grabbing the mic from was super timid too,

540
00:30:29,520 --> 00:30:31,800
Speaker 5: so I'm like, no, you're not going to be timid

541
00:30:31,880 --> 00:30:37,160
Speaker 5: with me. And then Nordy came over, like I knew

542
00:30:37,200 --> 00:30:40,040
Speaker 5: he had to be the ambassador. He had all these

543
00:30:40,120 --> 00:30:42,720
Speaker 5: niggas with him, and it was like if he's sayings, go,

544
00:30:43,080 --> 00:30:48,200
Speaker 5: it's got all these yeah, yeah, got these niggas. And

545
00:30:48,360 --> 00:30:50,880
Speaker 5: I did play like at the time, him and Bumpy

546
00:30:51,000 --> 00:30:56,600
Speaker 5: wasn't getting along either, so I did play an intro things.

547
00:30:56,760 --> 00:30:58,640
Speaker 5: Bumpy did a song with me called you Don't want

548
00:30:58,640 --> 00:31:00,640
Speaker 5: to Bust That Ship, and he he's on a song,

549
00:31:00,760 --> 00:31:03,120
Speaker 5: so I played an a cappella version of that before

550
00:31:03,120 --> 00:31:04,240
Speaker 5: we got into our thing.

551
00:31:05,080 --> 00:31:06,880
Speaker 1: You're right, you never be good.

552
00:31:06,880 --> 00:31:13,760
Speaker 5: And then he came memory, he came over, he came out,

553
00:31:14,120 --> 00:31:21,280
Speaker 5: he came over. He's like.

554
00:31:20,120 --> 00:31:26,200
Speaker 1: At the time, I definitely did. We got yes, yeah,

555
00:31:26,360 --> 00:31:28,120
Speaker 1: I'm looking the rock, got my wife with me.

556
00:31:28,320 --> 00:31:30,680
Speaker 5: I'm like, and it's just like five of us and

557
00:31:30,760 --> 00:31:31,200
Speaker 5: my wife.

558
00:31:31,320 --> 00:31:35,160
Speaker 1: You know, definitely did like time, I definitely did.

559
00:31:35,200 --> 00:31:42,920
Speaker 5: Man if I did anything to offend you, I said,

560
00:31:43,360 --> 00:31:47,240
Speaker 5: but I have to call you Jesus. And I had

561
00:31:47,360 --> 00:31:50,120
Speaker 5: no idea that it was gonna be hot as fucking

562
00:31:51,200 --> 00:31:52,240
Speaker 5: Dickins was gonna melt.

563
00:31:52,360 --> 00:31:55,160
Speaker 1: You know what I'm saying. Apology?

564
00:31:56,680 --> 00:31:58,760
Speaker 5: He goes, yeah, all right.

565
00:32:03,360 --> 00:32:03,440
Speaker 10: You.

566
00:32:05,320 --> 00:32:06,160
Speaker 1: Don't cut it out.

567
00:32:06,600 --> 00:32:08,640
Speaker 4: Honestly I was.

568
00:32:08,880 --> 00:32:12,080
Speaker 5: I was hurt for about three hours. But then after

569
00:32:12,160 --> 00:32:15,040
Speaker 5: that I was like, he good man, he good for that,

570
00:32:15,120 --> 00:32:17,880
Speaker 5: because ship that I didn't did you know what I'm saying,

571
00:32:18,560 --> 00:32:20,000
Speaker 5: I'm getting the ship that I don't.

572
00:32:21,520 --> 00:32:24,800
Speaker 3: And I was like, all right, this nigga's definitely terrorized

573
00:32:24,800 --> 00:32:25,360
Speaker 3: some sound man.

574
00:32:26,240 --> 00:32:27,800
Speaker 5: Yeah, I've had my fashion.

575
00:32:28,160 --> 00:32:31,160
Speaker 1: Did y'all listen to new artists got into this?

576
00:32:31,360 --> 00:32:31,520
Speaker 5: Yeah?

577
00:32:33,000 --> 00:32:34,880
Speaker 1: Who oh man.

578
00:32:35,440 --> 00:32:36,440
Speaker 4: It's really hard to say.

579
00:32:36,480 --> 00:32:39,560
Speaker 5: Man, it's it's just like more songs than I could

580
00:32:39,600 --> 00:32:40,160
Speaker 5: say album.

581
00:32:40,200 --> 00:32:42,320
Speaker 1: Yeah, okay, like I like to lose the UZI Bird.

582
00:32:42,760 --> 00:32:44,760
Speaker 5: I like him a lot. At you got a beat

583
00:32:44,800 --> 00:32:46,240
Speaker 5: that I take works for him? I don't know. I

584
00:32:46,320 --> 00:32:49,720
Speaker 5: keep talk about I messed with him. I mean, I

585
00:32:49,800 --> 00:32:53,640
Speaker 5: got I got kids that's in their twenties and thirties,

586
00:32:53,720 --> 00:32:57,520
Speaker 5: So we talked music all the time. My son raps.

587
00:32:57,560 --> 00:32:59,800
Speaker 5: You know what I'm saying, Wow. Yeah pretty good, you

588
00:32:59,880 --> 00:33:04,160
Speaker 5: know Wow. And and I said, d J, I just

589
00:33:04,360 --> 00:33:06,960
Speaker 5: DEJ have a producer. I look to stay connected and

590
00:33:07,080 --> 00:33:09,440
Speaker 5: I'm always trying to learn. I stay a students of

591
00:33:09,480 --> 00:33:09,840
Speaker 5: this ship.

592
00:33:10,120 --> 00:33:10,320
Speaker 1: Wow.

593
00:33:10,640 --> 00:33:12,520
Speaker 4: And they got to keep learning. It can go anywhere.

594
00:33:13,080 --> 00:33:14,320
Speaker 1: Been gave up on this new generation.

595
00:33:14,640 --> 00:33:17,640
Speaker 4: Man, Man, it's out there.

596
00:33:17,920 --> 00:33:20,840
Speaker 1: You've never seen have been playing nothing new.

597
00:33:20,880 --> 00:33:22,480
Speaker 3: But it's out there, you know what I'm saying. Like

598
00:33:22,560 --> 00:33:24,760
Speaker 3: you said, like it could be oozy, it could be.

599
00:33:26,280 --> 00:33:33,320
Speaker 1: Ben gave up Man Curry from Miami for one carry.

600
00:33:33,480 --> 00:33:43,360
Speaker 1: He's older than you is dope PVT. Okay.

601
00:33:44,000 --> 00:33:49,760
Speaker 2: The Russell Russell's Dopel Russell said, you know the Russell Yeah,

602
00:33:50,640 --> 00:33:57,480
Speaker 2: from the Bay the Rush. Yeah, a lot of there's

603
00:33:57,480 --> 00:33:58,960
Speaker 2: a lot of kids out here that doing that.

604
00:33:59,320 --> 00:34:03,280
Speaker 5: Yeah. We coders fifty years old, y'all fifty You know

605
00:34:03,320 --> 00:34:06,040
Speaker 5: what I'm saying. I remember when we came. The generation

606
00:34:06,160 --> 00:34:08,560
Speaker 5: before us wasn't fucking with us. You know what I'm saying.

607
00:34:09,040 --> 00:34:11,279
Speaker 5: I think what ended up happening, and what ended up

608
00:34:11,320 --> 00:34:14,480
Speaker 5: happening is cats become a force to be wrecking with.

609
00:34:15,120 --> 00:34:17,160
Speaker 5: You may not like it, but it's in your conversation.

610
00:34:17,760 --> 00:34:20,360
Speaker 5: You know, you gotta at least figure out what it is.

611
00:34:20,640 --> 00:34:22,560
Speaker 5: It's got these kids rocking to it, you know what

612
00:34:22,600 --> 00:34:26,040
Speaker 5: I mean. And I learned from George Clinton. Anything that

613
00:34:26,200 --> 00:34:28,600
Speaker 5: makes the parents upset, it's rocking.

614
00:34:28,680 --> 00:34:31,480
Speaker 1: It's so he's ecrasically said that on the show. Yeah

615
00:34:31,920 --> 00:34:34,919
Speaker 1: a lot too. He's still here smoked a lot, oh man, yeah,

616
00:34:35,200 --> 00:34:38,120
Speaker 1: said the more they hated on, he's more interested, more interested.

617
00:34:38,400 --> 00:34:41,040
Speaker 1: Drake too. I did not think he's going to drake, but.

618
00:34:41,480 --> 00:34:43,840
Speaker 3: Mind you, it was not to cut you, but like

619
00:34:44,040 --> 00:34:46,960
Speaker 3: me and him was just we did Coachella with gorillas.

620
00:34:46,960 --> 00:34:48,680
Speaker 1: We did. He was showing me all the clips. He's

621
00:34:48,719 --> 00:34:50,080
Speaker 1: like yo. It was like.

622
00:34:51,719 --> 00:34:54,040
Speaker 3: The second weekend we hung out with our sons, you know,

623
00:34:54,200 --> 00:34:56,120
Speaker 3: with my youngest son. He was two of his sons,

624
00:34:56,480 --> 00:34:58,359
Speaker 3: and it was just dope, you know, my son taking

625
00:34:58,400 --> 00:35:02,279
Speaker 3: me to different stages like yop, yeah, what these kids

626
00:35:02,440 --> 00:35:02,879
Speaker 3: I think they.

627
00:35:02,840 --> 00:35:04,920
Speaker 4: Call suicide Kings or something like that.

628
00:35:05,960 --> 00:35:08,120
Speaker 3: So it was just dope to see because I studied

629
00:35:08,120 --> 00:35:12,000
Speaker 3: that the crowds reaction what they're doing, because we always

630
00:35:12,080 --> 00:35:13,560
Speaker 3: students of looking out people.

631
00:35:13,440 --> 00:35:15,719
Speaker 5: Rocket stage, stage presence, all.

632
00:35:15,640 --> 00:35:17,160
Speaker 4: Of the It's a lot, man, it means a lot,

633
00:35:17,239 --> 00:35:19,160
Speaker 4: you know. So I'm into all that and.

634
00:35:19,200 --> 00:35:19,600
Speaker 1: I think it.

635
00:35:19,680 --> 00:35:22,799
Speaker 2: Sorry, but I think also the way that we used

636
00:35:22,840 --> 00:35:26,840
Speaker 2: to discover music is different. So for us in our generation,

637
00:35:27,360 --> 00:35:29,800
Speaker 2: like we want to like physically like be it somewhere,

638
00:35:29,800 --> 00:35:32,640
Speaker 2: and we saw these mcs coming up in the club

639
00:35:33,040 --> 00:35:35,640
Speaker 2: at a battle or DJ played in the club when

640
00:35:35,640 --> 00:35:38,360
Speaker 2: it was all new. Now, streaming for me is harder

641
00:35:38,440 --> 00:35:40,839
Speaker 2: to get into newer artists because it's so much.

642
00:35:40,920 --> 00:35:43,560
Speaker 3: It's so much. It's definitely a lot, you know. I mean,

643
00:35:43,560 --> 00:35:46,360
Speaker 3: I agree with you, but I sometimes go down a

644
00:35:46,440 --> 00:35:48,319
Speaker 3: rabbit hole with it. Like you know, you into one

645
00:35:48,440 --> 00:35:50,359
Speaker 3: artist and they'll say, Yo, if you like this artist,

646
00:35:50,440 --> 00:35:52,080
Speaker 3: here's a similar artist, and you just kind of just

647
00:35:52,200 --> 00:35:52,920
Speaker 3: keep going with it.

648
00:35:53,440 --> 00:35:58,239
Speaker 5: Sometimes I know where you're at with that. That's why

649
00:35:58,680 --> 00:36:01,040
Speaker 5: people to put me on the ship. Yeah, I'd rather

650
00:36:01,120 --> 00:36:03,920
Speaker 5: get recommended in that aspect because it is a rabbit hole.

651
00:36:03,960 --> 00:36:06,480
Speaker 5: You'll go deep down and you'll get caught up in

652
00:36:07,120 --> 00:36:09,880
Speaker 5: your own personal feelings of what you like as opposed

653
00:36:09,920 --> 00:36:13,600
Speaker 5: of balancing it out for at least meet for a djy,

654
00:36:14,200 --> 00:36:15,319
Speaker 5: I try to balance it out.

655
00:36:16,120 --> 00:36:19,880
Speaker 1: If it does not, he's exactly I mean, like he

656
00:36:20,040 --> 00:36:21,839
Speaker 1: has the name one artists you noticed that I did.

657
00:36:22,080 --> 00:36:22,800
Speaker 1: Does it carry?

658
00:36:23,000 --> 00:36:23,200
Speaker 4: Yeah?

659
00:36:23,920 --> 00:36:24,360
Speaker 1: L Russell.

660
00:36:24,440 --> 00:36:25,600
Speaker 2: I mean, I don't even know what I'm saying. His

661
00:36:25,680 --> 00:36:30,520
Speaker 2: name is Russell and what what what's the coach contract?

662
00:36:31,760 --> 00:36:37,360
Speaker 2: Doesn't believe you at all. People support them as as

663
00:36:37,440 --> 00:36:39,040
Speaker 2: much as I can't socially.

664
00:36:39,160 --> 00:36:42,400
Speaker 3: Social media, but even down with you know, anyone alchemist

665
00:36:42,560 --> 00:36:46,680
Speaker 3: is from producing, you know June, Larry June is dope,

666
00:36:46,840 --> 00:36:49,800
Speaker 3: Autumn cats man, Yeah there you go.

667
00:36:50,280 --> 00:36:52,319
Speaker 5: Symbols yeah man, that.

668
00:36:54,320 --> 00:36:57,480
Speaker 1: And alchemists and all of them are messing with crazy.

669
00:36:57,520 --> 00:37:01,000
Speaker 3: Yeah ship that Larry June, now join with him and

670
00:37:01,080 --> 00:37:03,680
Speaker 3: Dick Sean that random facts.

671
00:37:05,440 --> 00:37:06,919
Speaker 1: I called them the other days with my kids.

672
00:37:08,320 --> 00:37:13,080
Speaker 5: People don't talk about enough. It's yo off, you know.

673
00:37:14,080 --> 00:37:18,200
Speaker 3: Yeah, so just the level of music, nativity, you could

674
00:37:18,239 --> 00:37:21,120
Speaker 3: strip individuality, you know what I'm saying.

675
00:37:21,120 --> 00:37:24,440
Speaker 5: He got bars, he could spit, you know, that's we

676
00:37:24,560 --> 00:37:26,759
Speaker 5: live in that cipher. I could put them in a

677
00:37:26,800 --> 00:37:28,640
Speaker 5: cipher with some savages and he'll live.

678
00:37:28,960 --> 00:37:29,359
Speaker 4: Yeah real.

679
00:37:29,800 --> 00:37:32,560
Speaker 2: But you know what's dope about now for artists like

680
00:37:32,600 --> 00:37:35,120
Speaker 2: that is that they don't need the gatekeepers.

681
00:37:35,239 --> 00:37:35,799
Speaker 1: They don't to.

682
00:37:35,960 --> 00:37:39,080
Speaker 2: Find their audience. We're all talking about different artists. Everybody's like,

683
00:37:39,120 --> 00:37:41,280
Speaker 2: who what what? And each of these artis were mentioning

684
00:37:41,360 --> 00:37:45,120
Speaker 2: have millions of followers do their shows festivals. They don't

685
00:37:45,160 --> 00:37:47,239
Speaker 2: need us to even know who they are because they

686
00:37:47,360 --> 00:37:49,319
Speaker 2: found their audience. And that's what's dope about it. It's

687
00:37:49,400 --> 00:37:50,799
Speaker 2: really dope and funny enough.

688
00:37:51,280 --> 00:37:53,920
Speaker 3: As we was talking about a little bit earlier, it

689
00:37:54,040 --> 00:37:56,640
Speaker 3: was artists like that who championed on behalf of us

690
00:37:56,719 --> 00:37:59,279
Speaker 3: because like they were saying, like, yoday Ala deserve this ship,

691
00:37:59,360 --> 00:38:01,719
Speaker 3: like they could walk that ship for us because they

692
00:38:01,840 --> 00:38:04,160
Speaker 3: felt like, yo, I don't got no one over us.

693
00:38:04,680 --> 00:38:07,160
Speaker 4: You're like, honestly, I got no problem saying it.

694
00:38:07,239 --> 00:38:10,399
Speaker 3: It was like this one lawyer on their side who

695
00:38:10,560 --> 00:38:12,759
Speaker 3: was like talking to our lawyer and was like, yo, man,

696
00:38:13,200 --> 00:38:17,120
Speaker 3: I got I got clients that don't want to fuck

697
00:38:17,160 --> 00:38:21,279
Speaker 3: with me because they know that I'm trying to not

698
00:38:21,440 --> 00:38:23,440
Speaker 3: fuck with day long. You know what I'm saying, like

699
00:38:23,520 --> 00:38:26,040
Speaker 3: trying to like fuck they ship up on behalf of

700
00:38:26,080 --> 00:38:28,800
Speaker 3: telling you, boy, like that's how much these young artists

701
00:38:28,800 --> 00:38:31,560
Speaker 3: had our backs we never met, you know what I'm saying.

702
00:38:31,960 --> 00:38:37,839
Speaker 1: That that's beautiful man, Thomas Lie, Let's go. You want

703
00:38:37,840 --> 00:38:40,280
Speaker 1: to explay in the game, you guys get two choices.

704
00:38:40,560 --> 00:38:43,760
Speaker 2: We picked one. We don't drink if you pick both

705
00:38:43,840 --> 00:38:47,200
Speaker 2: are neither. We're drinking all of us a drink. Okay,

706
00:38:47,239 --> 00:38:50,880
Speaker 2: hold on, I said time, you get two choices. You

707
00:38:50,960 --> 00:38:56,439
Speaker 2: get two choices. A person plays it like a person

708
00:38:56,520 --> 00:39:00,319
Speaker 2: places choices. Let me explain two choices. If you if

709
00:39:00,360 --> 00:39:03,359
Speaker 2: you pick one the non politically correct answer, you pick

710
00:39:03,440 --> 00:39:06,600
Speaker 2: one of the two nobody drinks. If you say both

711
00:39:06,920 --> 00:39:09,759
Speaker 2: or neither, which would be the politically correct answer. If

712
00:39:09,800 --> 00:39:12,080
Speaker 2: you don't want to hurt feelings or you really mean both,

713
00:39:12,160 --> 00:39:14,560
Speaker 2: you know, yeah, then we then were drinking.

714
00:39:15,600 --> 00:39:18,799
Speaker 1: Before we say that a birthday that just passed, Happy

715
00:39:18,840 --> 00:39:34,000
Speaker 1: birthday to our brother. Least you give it is happy birthday, broom.

716
00:39:34,920 --> 00:39:39,040
Speaker 1: The second guy, huh and we got you, got you?

717
00:39:39,280 --> 00:39:47,680
Speaker 1: We got your kicking ice cream too? Sorry said yeah, yeah,

718
00:39:47,680 --> 00:39:51,200
Speaker 1: I got you ready. I ain't get it though. Uh

719
00:39:57,400 --> 00:40:03,080
Speaker 1: you can start to like, Okay, I'm gonna go to

720
00:40:03,200 --> 00:40:05,480
Speaker 1: the second one. You go to the first one. You

721
00:40:05,600 --> 00:40:07,759
Speaker 1: saw this face because I want to go.

722
00:40:07,880 --> 00:40:10,560
Speaker 4: I want to got Holy Ship.

723
00:40:11,960 --> 00:40:17,640
Speaker 1: Quest or Jungle Brothers. Damn y'all answer that way too fast.

724
00:40:18,040 --> 00:40:18,920
Speaker 4: Let me get my shot ready.

725
00:40:19,239 --> 00:40:22,799
Speaker 1: Okay, okay, you go to the first one.

726
00:40:23,000 --> 00:40:26,600
Speaker 4: Black daughter styles p wow mm hmmm.

727
00:40:29,320 --> 00:40:29,719
Speaker 5: Mm hmm.

728
00:40:34,880 --> 00:40:37,239
Speaker 1: You got your right there, right there. So I love

729
00:40:37,360 --> 00:40:39,319
Speaker 1: that's right. That's more like.

730
00:40:41,239 --> 00:40:43,200
Speaker 4: You're like, God, damn, I can't.

731
00:40:46,480 --> 00:40:51,399
Speaker 1: Indie or major. This is a big debate here. It's

732
00:40:51,440 --> 00:40:53,960
Speaker 1: a big debate here. Me and him always disagree.

733
00:40:58,320 --> 00:41:02,520
Speaker 5: How you had the experience of both, you know, and

734
00:41:03,960 --> 00:41:05,000
Speaker 5: and I don't give.

735
00:41:07,840 --> 00:41:07,960
Speaker 2: Here.

736
00:41:08,920 --> 00:41:12,200
Speaker 5: I can see indis doing business with majors.

737
00:41:12,400 --> 00:41:14,600
Speaker 1: You know this, This is what I say too.

738
00:41:15,960 --> 00:41:19,960
Speaker 2: That's I say, being independence, you could take advantage of

739
00:41:20,000 --> 00:41:20,759
Speaker 2: the major.

740
00:41:22,320 --> 00:41:24,919
Speaker 5: Yo, man. That's how it's been since the beginning. Tom

741
00:41:25,000 --> 00:41:29,080
Speaker 5: Siverman did it like that like that? You know, Racous

742
00:41:29,680 --> 00:41:32,160
Speaker 5: Rocks did it like that. You know, it's been like

743
00:41:32,280 --> 00:41:35,840
Speaker 5: that since the beginning of the time, right, So I

744
00:41:35,960 --> 00:41:38,080
Speaker 5: don't see that ever being an issue. It's just all

745
00:41:38,120 --> 00:41:40,960
Speaker 5: about how to deal with the structure, period.

746
00:41:42,080 --> 00:41:43,399
Speaker 1: So that sounds like a shot.

747
00:41:47,040 --> 00:41:47,760
Speaker 5: That's both.

748
00:41:49,480 --> 00:41:54,920
Speaker 1: Listen here, yeah, m.

749
00:41:56,480 --> 00:42:03,479
Speaker 5: I look, thank you, thank you. Sip Okay. He started

750
00:42:03,520 --> 00:42:07,839
Speaker 5: drinking till he was like forty. He started drinking till

751
00:42:07,880 --> 00:42:08,400
Speaker 5: he was forty.

752
00:42:10,800 --> 00:42:14,399
Speaker 3: He started the chance I smoked weed for the first time.

753
00:42:15,560 --> 00:42:16,600
Speaker 3: Well I did it that.

754
00:42:16,760 --> 00:42:17,400
Speaker 4: I took ahead.

755
00:42:17,600 --> 00:42:19,840
Speaker 5: That was some sucker ship what.

756
00:42:22,920 --> 00:42:27,480
Speaker 10: He and I did it without him? He said, it

757
00:42:27,640 --> 00:42:32,440
Speaker 10: was like we made up without you. Yeah, be mad, Yes,

758
00:42:34,160 --> 00:42:35,000
Speaker 10: I be mad too.

759
00:42:35,760 --> 00:42:38,400
Speaker 1: If he smokes some weed with somebody else other than me,

760
00:42:38,680 --> 00:42:39,520
Speaker 1: you slightly.

761
00:42:39,280 --> 00:42:43,719
Speaker 5: Get a past because it was with Chappelle, you know, yeah, yeah, yeah, yeah,

762
00:42:43,960 --> 00:42:45,839
Speaker 5: you know, even Chappelle know better.

763
00:42:46,040 --> 00:42:50,520
Speaker 1: Yeah, Chappelle and Prince gets a pass. If you smoke

764
00:42:50,560 --> 00:42:53,240
Speaker 1: with Prince, I won't be mad, you know what I'm saying, Like, yeah.

765
00:42:53,200 --> 00:42:54,840
Speaker 5: And he snacks me from Chaps.

766
00:42:54,880 --> 00:42:59,200
Speaker 1: Yeah, no, it was.

767
00:42:59,360 --> 00:43:03,000
Speaker 3: It was kind of after the Webster Hall joint. Chappelle

768
00:43:03,040 --> 00:43:05,879
Speaker 3: went to do something some comedy ship. I fucked with him,

769
00:43:06,320 --> 00:43:08,160
Speaker 3: and then afterwards he did like this little toast to

770
00:43:08,239 --> 00:43:09,719
Speaker 3: Dave and he was just like, you know, we have

771
00:43:09,800 --> 00:43:14,600
Speaker 3: already did like like ten shots. Yeah, And so he

772
00:43:14,760 --> 00:43:16,680
Speaker 3: was just by himself and I was standing there and

773
00:43:16,719 --> 00:43:18,160
Speaker 3: he was just in his own mind. He was like

774
00:43:18,320 --> 00:43:19,719
Speaker 3: for a Dave and he took a puff and I

775
00:43:19,800 --> 00:43:23,040
Speaker 3: snatched it and I said the same thing, I'm sorry,

776
00:43:23,120 --> 00:43:26,440
Speaker 3: that was my alarm and yeah. So everyone saw me

777
00:43:26,560 --> 00:43:29,840
Speaker 3: do it and bugged out immediate. It was like smiles,

778
00:43:29,920 --> 00:43:32,960
Speaker 3: my my romance, like puff. My wife was like there like, no,

779
00:43:37,040 --> 00:43:39,120
Speaker 3: I can't tell niggas because I had already.

780
00:43:38,840 --> 00:43:40,120
Speaker 1: Did like eight shots.

781
00:43:41,560 --> 00:43:41,839
Speaker 8: I don't.

782
00:43:41,960 --> 00:43:44,239
Speaker 4: I really don't know, honest, I don't know.

783
00:43:48,440 --> 00:43:50,319
Speaker 1: Well, yeah, you want to go? I got this one?

784
00:43:51,920 --> 00:43:56,480
Speaker 1: Q tip or for real Q tip tun.

785
00:43:58,680 --> 00:44:04,200
Speaker 2: Alright, black Star, that Press Blacks, Black Star, Jesus Tupac

786
00:44:04,360 --> 00:44:07,880
Speaker 2: or d m X, Nigga, good.

787
00:44:10,480 --> 00:44:11,480
Speaker 1: Pretmore Pete Rock.

788
00:44:13,000 --> 00:44:19,840
Speaker 5: I gotta take a shot, nigga.

789
00:44:26,480 --> 00:44:29,400
Speaker 1: Okay, this is a good one. You got it? You

790
00:44:29,440 --> 00:44:33,400
Speaker 1: want me? You'll think you should say, Jada Kisser, Nos.

791
00:44:35,160 --> 00:44:37,759
Speaker 5: I gotta take a shot. I gotta take a shot.

792
00:44:37,920 --> 00:44:40,000
Speaker 1: Okay, did that go for both of y'all?

793
00:44:40,640 --> 00:44:41,560
Speaker 5: I gotta take a shot.

794
00:44:43,239 --> 00:44:45,239
Speaker 4: Yeah, I'm taking you got someone for that one.

795
00:44:46,440 --> 00:44:49,360
Speaker 5: Got some MC brain going on, right, I'm a big.

796
00:44:49,320 --> 00:44:52,040
Speaker 8: He's definitely breaking down some lyrics, break some shipp down

797
00:44:52,440 --> 00:44:53,759
Speaker 8: over digging it alright.

798
00:44:53,920 --> 00:45:02,680
Speaker 1: Okay, okay, bars, let it go, let it go. Wow,

799
00:45:02,719 --> 00:45:07,680
Speaker 1: that's a good one. Beach Street or Cruss Groove Street.

800
00:45:09,440 --> 00:45:13,000
Speaker 1: They and cahoots though when they together, that's like that's

801
00:45:13,680 --> 00:45:16,840
Speaker 1: that Yeah, easy.

802
00:45:16,600 --> 00:45:23,080
Speaker 6: Ear Nipsey easy easy yeah, yehead big E or big

803
00:45:23,280 --> 00:45:27,240
Speaker 6: L big big piece of both big.

804
00:45:35,280 --> 00:45:41,600
Speaker 1: Sorry okay, eighties or nineties hip hop nineties nineties mm

805
00:45:41,680 --> 00:45:47,680
Speaker 1: hmmm nineties niddy nineties. Yeah, I'm going nineties to nineties

806
00:45:47,760 --> 00:45:53,200
Speaker 1: hip hop Red Alert or Ca Capri, Ca Capri, Oh surprise,

807
00:45:54,880 --> 00:45:58,960
Speaker 1: hm hmm it is I was for DJ. It's tough.

808
00:45:59,760 --> 00:46:02,919
Speaker 5: Yeah, that's tough one based on what they're both really

809
00:46:02,960 --> 00:46:03,400
Speaker 5: great at.

810
00:46:03,640 --> 00:46:06,960
Speaker 4: You know, it doesn't make one not great. But you're

811
00:46:06,960 --> 00:46:08,640
Speaker 4: gonna make me choose Capri.

812
00:46:10,760 --> 00:46:16,279
Speaker 5: Yeah, I have to choose Capri overall worldwide. What he's

813
00:46:16,680 --> 00:46:22,200
Speaker 5: done in the arenas, he's actually Capri is Actually that's

814
00:46:22,280 --> 00:46:25,520
Speaker 5: been the first DJ to make the DJ actually look

815
00:46:25,640 --> 00:46:26,240
Speaker 5: like an artist.

816
00:46:27,160 --> 00:46:29,799
Speaker 4: Yeah yeah.

817
00:46:30,560 --> 00:46:33,279
Speaker 1: And for for selling selling out like he was getting.

818
00:46:34,640 --> 00:46:36,319
Speaker 5: Not more, yeah yeah.

819
00:46:36,560 --> 00:46:39,680
Speaker 2: And for the record that these questions are are meant

820
00:46:39,719 --> 00:46:42,600
Speaker 2: to because we want to talk about all these legends conversations,

821
00:46:42,680 --> 00:46:43,480
Speaker 2: not one of the.

822
00:46:44,200 --> 00:46:48,000
Speaker 5: Question first to grab the mic raped the crowd maybe

823
00:46:48,120 --> 00:46:52,280
Speaker 5: next to DJ Hollywood, But wait, Capri does it? Truly?

824
00:46:54,320 --> 00:46:56,080
Speaker 1: I don't want to go down in the day with

825
00:46:56,239 --> 00:46:59,319
Speaker 1: my Honeybull. Give me something of that young young young

826
00:47:10,520 --> 00:47:12,640
Speaker 1: you know Kuji rapper d.

827
00:47:14,400 --> 00:47:14,600
Speaker 5: Rap.

828
00:47:16,560 --> 00:47:18,560
Speaker 1: We need could you wrap on here? Yeah? We do

829
00:47:19,520 --> 00:47:22,640
Speaker 1: money love or rock shant Shante Rock.

830
00:47:22,520 --> 00:47:29,160
Speaker 5: Shan shantea Rocks and rock money my sister.

831
00:47:29,320 --> 00:47:35,440
Speaker 1: But rock and we was trying to were trying to

832
00:47:35,440 --> 00:47:41,239
Speaker 1: get money the guest host here. Yeah, alright, yeah, that's

833
00:47:41,320 --> 00:47:41,719
Speaker 1: the next one.

834
00:47:41,800 --> 00:47:47,480
Speaker 2: Rick Ross and Fat Joe, Fat John, Fat Joe, rock

835
00:47:47,560 --> 00:47:56,680
Speaker 2: Yim mccarros one Cross one Caress one Look next, Big

836
00:47:56,760 --> 00:48:00,799
Speaker 2: Pun of Guru, Big Pun of Guru. Yeah, Pun Pun

837
00:48:01,880 --> 00:48:02,399
Speaker 2: rest in peace.

838
00:48:02,560 --> 00:48:04,200
Speaker 1: I love how they don't say they don't even look

839
00:48:04,239 --> 00:48:07,480
Speaker 1: at each other. They ain't even looking at each other.

840
00:48:07,480 --> 00:48:12,759
Speaker 1: I'm watching all the human behavior. They're good man, m

841
00:48:12,800 --> 00:48:15,040
Speaker 1: O per mob deep mob.

842
00:48:14,920 --> 00:48:23,280
Speaker 4: Deep Wow, m O p is m o p Okay, okay, okay.

843
00:48:23,400 --> 00:48:25,120
Speaker 2: So that means we're drinking. I think we gotta drink.

844
00:48:25,239 --> 00:48:26,920
Speaker 2: You guys don't have to drink. You guys have we

845
00:48:27,080 --> 00:48:27,480
Speaker 2: got a drink.

846
00:48:27,560 --> 00:48:28,640
Speaker 1: I gotta drink. We gotta drink.

847
00:48:29,360 --> 00:48:30,160
Speaker 5: Mop from me.

848
00:48:30,600 --> 00:48:37,279
Speaker 1: Yeah, I gotta drink. No, you don't have to l

849
00:48:37,680 --> 00:48:46,000
Speaker 1: or Big Daddy King, I drink. LL mentioned me in

850
00:48:46,040 --> 00:48:48,560
Speaker 1: another day. That's how you went live with them last night.

851
00:48:48,840 --> 00:48:53,200
Speaker 1: The last night I went live, I didn't say you

852
00:48:53,360 --> 00:48:56,160
Speaker 1: was a lie because you was in the live a lot.

853
00:48:56,280 --> 00:48:56,560
Speaker 1: I was.

854
00:48:58,040 --> 00:49:03,560
Speaker 2: You didn't even know you was aline. The comments was hilarious.

855
00:49:04,280 --> 00:49:09,960
Speaker 2: You're doing drink chats right now. I'm welcome in the morning.

856
00:49:10,000 --> 00:49:13,240
Speaker 1: It was Charlie mcanel ain't you I don't remember nothing.

857
00:49:13,880 --> 00:49:17,320
Speaker 1: O my god. I looked, I said, why are you

858
00:49:17,440 --> 00:49:20,279
Speaker 1: taking me? I was mad because like, no, you got

859
00:49:20,440 --> 00:49:22,520
Speaker 1: drenk chants tomorrow? What the fuck are you doing drink

860
00:49:22,600 --> 00:49:23,759
Speaker 1: chants right now? Oh?

861
00:49:23,840 --> 00:49:24,239
Speaker 5: My bad?

862
00:49:27,080 --> 00:49:33,799
Speaker 1: We got yesterday man. Queen Latifa or MC light, which

863
00:49:33,880 --> 00:49:36,480
Speaker 1: is a great verses. By the way, we need both

864
00:49:36,520 --> 00:49:37,680
Speaker 1: of them here, please one.

865
00:49:39,200 --> 00:49:41,080
Speaker 5: I'm gonna have to go with a lot of Tifa

866
00:49:41,920 --> 00:49:42,520
Speaker 5: mm hmm.

867
00:49:43,840 --> 00:49:45,000
Speaker 4: Yeah, Queen Latio.

868
00:49:45,080 --> 00:49:48,520
Speaker 1: Queen, this is my my favorite.

869
00:49:48,560 --> 00:49:49,160
Speaker 4: You didn't have to drink.

870
00:49:49,160 --> 00:49:56,520
Speaker 1: You had to drink. Okay, okay, damn this is my favorite.

871
00:49:56,520 --> 00:50:00,439
Speaker 1: It's my favorite one of all of these questions. Wu

872
00:50:00,560 --> 00:50:04,480
Speaker 1: Tang or n w A tang Whu tang that's the

873
00:50:04,560 --> 00:50:07,719
Speaker 1: East coast jump right out of here? Right out of

874
00:50:07,760 --> 00:50:09,080
Speaker 1: here is amazing.

875
00:50:09,160 --> 00:50:12,239
Speaker 5: But yes, I would say n w A has been

876
00:50:12,360 --> 00:50:16,200
Speaker 5: one of the biggest inspirations, especially for as live show.

877
00:50:18,719 --> 00:50:21,759
Speaker 3: Also, we toured with them in eight and it was

878
00:50:21,800 --> 00:50:25,680
Speaker 3: a must have been. It was the Nitral tour to

879
00:50:27,600 --> 00:50:28,200
Speaker 3: Slick Rick.

880
00:50:28,719 --> 00:50:29,239
Speaker 1: N w A.

881
00:50:29,920 --> 00:50:35,919
Speaker 4: Caine Publican me E P M D definitely went to Nah.

882
00:50:36,440 --> 00:50:40,200
Speaker 5: Everybody came with they. It was the new giant.

883
00:50:40,360 --> 00:50:41,080
Speaker 3: It was the new Ones.

884
00:50:41,440 --> 00:50:43,200
Speaker 1: So what did you get from n w A that

885
00:50:43,239 --> 00:50:44,600
Speaker 1: you yo? They had inspired you.

886
00:50:44,680 --> 00:50:47,920
Speaker 3: The most incredible stage show, I mean their stage presence

887
00:50:48,000 --> 00:50:50,560
Speaker 3: that it was like watching a Broadway play.

888
00:50:50,719 --> 00:50:52,719
Speaker 4: They had the girls on the.

889
00:50:53,160 --> 00:50:55,880
Speaker 5: On they had the ship set up like a block

890
00:50:56,680 --> 00:50:59,560
Speaker 5: and on the street pole with holes on the corner

891
00:51:00,160 --> 00:51:05,560
Speaker 5: like that, D drake d J and on two guys

892
00:51:06,000 --> 00:51:09,239
Speaker 5: and shipped I mean yellow DJ and on two guyage car.

893
00:51:09,440 --> 00:51:13,080
Speaker 5: They got police sirens on the speakers, and ship rises

894
00:51:13,160 --> 00:51:15,200
Speaker 5: and ship when niggas are jumping off, they bring out

895
00:51:15,239 --> 00:51:18,520
Speaker 5: D O C first, then no first and not d.

896
00:51:20,080 --> 00:51:23,880
Speaker 3: C O C first, then yellow and then yellow go

897
00:51:24,000 --> 00:51:27,000
Speaker 3: up and DJ dre and and wrint comes out of

898
00:51:27,040 --> 00:51:28,520
Speaker 3: these like man whole ships.

899
00:51:28,800 --> 00:51:29,000
Speaker 5: It was.

900
00:51:29,120 --> 00:51:32,799
Speaker 3: It was amazing, Yeah, I've never heard of then then

901
00:51:32,920 --> 00:51:38,759
Speaker 3: cube and then easy. They kind of did for me

902
00:51:39,040 --> 00:51:41,120
Speaker 3: what I felt like Wu Tang should have did, like

903
00:51:41,200 --> 00:51:43,359
Speaker 3: in terms of breaking it up supposed to coming out

904
00:51:43,440 --> 00:51:44,320
Speaker 3: always all together.

905
00:51:45,200 --> 00:51:46,440
Speaker 4: They really like, well.

906
00:51:46,320 --> 00:51:48,600
Speaker 5: Who started to do not they began to do it

907
00:51:52,640 --> 00:51:55,440
Speaker 5: later because I remember one show we did with them

908
00:51:55,520 --> 00:51:59,160
Speaker 5: in like Switzerland somewhere Denmarkers and they all came out

909
00:51:59,200 --> 00:52:01,160
Speaker 5: one by one woman My one, and the way we

910
00:52:01,280 --> 00:52:03,680
Speaker 5: brought Cap Donna. I was fucking nuts. You know what

911
00:52:03,680 --> 00:52:04,080
Speaker 5: I'm saying.

912
00:52:04,960 --> 00:52:10,880
Speaker 4: Yeah, n w A definitely, but fu tang I'm saying that.

913
00:52:11,120 --> 00:52:13,000
Speaker 1: I remember I was on the tour with Keith Berry

914
00:52:13,920 --> 00:52:19,000
Speaker 1: and Method Man was hosting this show. So before I

915
00:52:19,040 --> 00:52:22,719
Speaker 1: would come on Method Man with Cole and he would

916
00:52:22,760 --> 00:52:25,000
Speaker 1: hype up the crowd, and I was like, I don't

917
00:52:25,040 --> 00:52:28,120
Speaker 1: want you to hype up the crowd. Can you you

918
00:52:28,280 --> 00:52:30,799
Speaker 1: want Keith Mary's tall bus? Can you stay on Keith

919
00:52:30,880 --> 00:52:33,799
Speaker 1: Mary setting? That's it? Like I remember being so mad

920
00:52:33,840 --> 00:52:36,359
Speaker 1: because who then wants to go after a person walking

921
00:52:36,440 --> 00:52:41,480
Speaker 1: on people's heads? He was walking. I don't want to

922
00:52:41,600 --> 00:52:49,399
Speaker 1: do and I can't. I can't fit that. I can't

923
00:52:49,440 --> 00:52:51,719
Speaker 1: go if I'm walking people hands, somebody gonna fall, you

924
00:52:51,800 --> 00:52:54,239
Speaker 1: know what I'm saying. Somebody gonna fall. It's gonna be something. Well,

925
00:52:54,239 --> 00:52:58,640
Speaker 1: I remember Dad a bigger methet man without question. Okay,

926
00:52:58,680 --> 00:53:00,560
Speaker 1: so let's put this this up and then we'll get

927
00:53:00,560 --> 00:53:02,520
Speaker 1: back to the end. Video music box or your m

928
00:53:02,560 --> 00:53:05,560
Speaker 1: TV raps, video music video music box, Big old Ralph

929
00:53:05,640 --> 00:53:10,520
Speaker 1: Mcdanie's all right, Uncle Ralph? Yeah, Nino Brown or Frank White.

930
00:53:12,640 --> 00:53:14,839
Speaker 4: Around of Frank White, Nino Brown.

931
00:53:16,480 --> 00:53:20,640
Speaker 1: Hmmm, Brown, I love, I love how you had to

932
00:53:20,680 --> 00:53:21,560
Speaker 1: figure about this one.

933
00:53:24,760 --> 00:53:32,160
Speaker 5: There, Like New Jack City was dope.

934
00:53:32,480 --> 00:53:34,840
Speaker 4: Frank was quiet with his ruthlessness. So I know what

935
00:53:34,920 --> 00:53:35,440
Speaker 4: you're going for.

936
00:53:35,560 --> 00:53:40,840
Speaker 5: I know, I don't know if New Jack City was

937
00:53:40,920 --> 00:53:43,480
Speaker 5: really based on a true story, you know what I mean?

938
00:53:43,640 --> 00:53:46,480
Speaker 1: That's halfway, you know, because it was what is it

939
00:53:46,680 --> 00:53:49,960
Speaker 1: supposed to be based on? On the Carter? Right, that's

940
00:53:49,960 --> 00:53:50,719
Speaker 1: what it like.

941
00:53:50,800 --> 00:53:53,799
Speaker 5: It's based on a couple of people's story right, right, right,

942
00:53:54,640 --> 00:53:57,520
Speaker 5: I gotta go with Frank White.

943
00:53:58,800 --> 00:54:06,560
Speaker 1: That means we gotta drink. That means Solo May didn't

944
00:54:06,560 --> 00:54:09,040
Speaker 1: have to drink that. What's crazy?

945
00:54:12,360 --> 00:54:14,200
Speaker 4: Yeah, it's gonna be interesting, you know.

946
00:54:15,440 --> 00:54:20,279
Speaker 1: It's interesting to say that there's a there's a there's

947
00:54:20,320 --> 00:54:24,400
Speaker 1: a story about what Scarface is based on. Scarface is

948
00:54:24,400 --> 00:54:28,760
Speaker 1: based on five different characters from from Miami, the Cowboy,

949
00:54:29,000 --> 00:54:32,920
Speaker 1: Cocaine Cowboy. So it's crazy because Scarface is based on

950
00:54:33,040 --> 00:54:35,799
Speaker 1: a real story. But it's based on five different individuals,

951
00:54:35,840 --> 00:54:37,320
Speaker 1: you know what I'm saying. So they put them together

952
00:54:37,840 --> 00:54:40,160
Speaker 1: and it's crazy because I know one of them.

953
00:54:42,360 --> 00:54:43,839
Speaker 11: Huh huh.

954
00:54:46,040 --> 00:54:48,520
Speaker 1: No, it's not based on Mackey Monday. No, no, no,

955
00:54:48,719 --> 00:54:52,480
Speaker 1: the guy that own seetees Like this guy, he looks

956
00:54:52,520 --> 00:54:58,359
Speaker 1: so cool. He wear glasses and then and then you'll

957
00:54:58,480 --> 00:55:00,799
Speaker 1: just sit there and you're like, hey, so how you doing.

958
00:55:00,880 --> 00:55:02,520
Speaker 1: You know, like, hey man, you know I used to

959
00:55:02,680 --> 00:55:06,200
Speaker 1: show drunks in the future, Like what the fuck? Because

960
00:55:06,239 --> 00:55:08,919
Speaker 1: he looks so cool. You're like, no, it's no way.

961
00:55:11,160 --> 00:55:15,320
Speaker 1: He's Oh my God, like you gotta meet it. He's hilarious.

962
00:55:16,520 --> 00:55:20,160
Speaker 1: I was. I was sitting down having lunch. I was

963
00:55:20,200 --> 00:55:22,239
Speaker 1: sitting down having Damn. I was having a regular salad.

964
00:55:22,280 --> 00:55:25,480
Speaker 1: I was sitting having lunch and he saw me, and

965
00:55:25,560 --> 00:55:27,480
Speaker 1: then Fat Joe came into the restaurant. Off it was

966
00:55:27,520 --> 00:55:29,680
Speaker 1: like some ironic ship, and he was like, I just

967
00:55:29,760 --> 00:55:31,560
Speaker 1: knew this guy with somebody. So he said it to

968
00:55:31,640 --> 00:55:33,160
Speaker 1: Fat Joe about me. He was like, I knew it's

969
00:55:33,160 --> 00:55:35,839
Speaker 1: somebody And I looked and I couldn't. I couldn't because

970
00:55:35,840 --> 00:55:39,120
Speaker 1: he looks like like a normal person until he says

971
00:55:39,160 --> 00:55:42,560
Speaker 1: something he's not normal, is not normally, like in the

972
00:55:42,680 --> 00:55:47,759
Speaker 1: moment I told you he got this ship. I told

973
00:55:47,800 --> 00:55:51,560
Speaker 1: you he's in the book, and he hates it because

974
00:55:51,640 --> 00:55:54,239
Speaker 1: like how they described him, he hates But it's crazy

975
00:55:54,440 --> 00:55:56,000
Speaker 1: when I say that that's what Needo Brown is kind

976
00:55:56,040 --> 00:55:57,960
Speaker 1: of like based on Okay, this is one of my

977
00:55:58,000 --> 00:56:03,840
Speaker 1: favorite questions too, anal or digital analog. I'm an analog.

978
00:56:05,480 --> 00:56:08,400
Speaker 1: I always say analog is better because, like, if we

979
00:56:08,520 --> 00:56:09,880
Speaker 1: had to do a record together, we had to be

980
00:56:09,920 --> 00:56:13,000
Speaker 1: face to face. You couldn't send me a two inch rail.

981
00:56:13,040 --> 00:56:14,960
Speaker 1: You couldn't send me a real like those reels was

982
00:56:15,040 --> 00:56:21,120
Speaker 1: like little doors, like so like you couldn't little sorry

983
00:56:21,239 --> 00:56:22,759
Speaker 1: you mean it like that, but you know what I mean,

984
00:56:22,880 --> 00:56:28,560
Speaker 1: like like a session in the nineties shaped like you

985
00:56:28,680 --> 00:56:33,360
Speaker 1: had the whole album edited by cutting the tape. I

986
00:56:33,440 --> 00:56:36,319
Speaker 1: always tell people, I said, Yo, super Thug is one take.

987
00:56:36,960 --> 00:56:38,840
Speaker 1: Like a lot of people don't understand what what what what?

988
00:56:39,440 --> 00:56:41,759
Speaker 1: I did that in one take because I didn't know

989
00:56:41,880 --> 00:56:46,160
Speaker 1: how to punch in Yeah what what what? What?

990
00:56:46,239 --> 00:56:46,279
Speaker 5: What?

991
00:56:46,320 --> 00:56:46,600
Speaker 1: What? What?

992
00:56:47,160 --> 00:56:47,319
Speaker 2: One?

993
00:56:47,440 --> 00:56:47,480
Speaker 5: What?

994
00:56:47,680 --> 00:56:47,920
Speaker 1: What? What? What?

995
00:56:48,120 --> 00:56:48,160
Speaker 3: What?

996
00:56:48,360 --> 00:56:48,400
Speaker 1: What?

997
00:56:48,520 --> 00:56:48,560
Speaker 5: What?

998
00:56:48,680 --> 00:56:51,560
Speaker 1: What what? That's how I counted bars. So that's the

999
00:56:51,640 --> 00:56:53,600
Speaker 1: reason why. Yeah, and I had to do this in

1000
00:56:53,680 --> 00:56:58,319
Speaker 1: one take. So when I left, I remember for real saying,

1001
00:56:58,480 --> 00:57:00,799
Speaker 1: I said, Yo, what we need is a hook. Brother,

1002
00:57:01,160 --> 00:57:03,560
Speaker 1: we got the hook and I said, no, we don't,

1003
00:57:05,280 --> 00:57:07,200
Speaker 1: and he took my ones out. What what what? What?

1004
00:57:07,320 --> 00:57:07,360
Speaker 5: What?

1005
00:57:07,440 --> 00:57:09,120
Speaker 1: What what one what what? What? What? What?

1006
00:57:09,239 --> 00:57:09,279
Speaker 2: What?

1007
00:57:09,320 --> 00:57:10,200
Speaker 5: What to what?

1008
00:57:10,520 --> 00:57:12,160
Speaker 1: He took those out and he left it there. I

1009
00:57:12,200 --> 00:57:13,600
Speaker 1: was like, they're gonna laugh at me, and he said,

1010
00:57:13,600 --> 00:57:23,320
Speaker 1: you're gonna laughed on the way to the bank around

1011
00:57:23,400 --> 00:57:26,760
Speaker 1: Thank you? You are right, all right? Sorry later let

1012
00:57:26,840 --> 00:57:31,280
Speaker 1: me admit it. Yeah, man, this is I'm so excited. Okay,

1013
00:57:31,600 --> 00:57:35,080
Speaker 1: let's the last one for this and this is the

1014
00:57:35,160 --> 00:57:38,160
Speaker 1: only one that I really feel like. Isn't a trick

1015
00:57:38,280 --> 00:57:40,720
Speaker 1: question loyalty or respect?

1016
00:57:44,040 --> 00:57:48,840
Speaker 4: Mm hmm, I say respect.

1017
00:57:52,000 --> 00:57:59,880
Speaker 5: Yes, I said circumstantial for the most part, because the

1018
00:58:00,080 --> 00:58:03,480
Speaker 5: person who is loyal to you can lose respect for

1019
00:58:03,600 --> 00:58:08,880
Speaker 5: you but still stay loyal to you. You know, there's

1020
00:58:09,000 --> 00:58:14,440
Speaker 5: that loyalty that's attached to love that people can be

1021
00:58:14,560 --> 00:58:19,040
Speaker 5: unconditionally attached to, but they don't necessarily respect you. Will

1022
00:58:19,120 --> 00:58:23,000
Speaker 5: lose respect for you, but behind behind something you've done,

1023
00:58:23,240 --> 00:58:26,479
Speaker 5: you know what I'm saying. So, but the deep rooted

1024
00:58:26,600 --> 00:58:28,800
Speaker 5: love can remain their loyalty.

1025
00:58:29,520 --> 00:58:30,040
Speaker 4: That's why.

1026
00:58:31,800 --> 00:58:35,160
Speaker 5: Respect though you cannot necessarily have anyone's trust.

1027
00:58:35,880 --> 00:58:37,640
Speaker 1: Damn, you got too deep.

1028
00:58:50,960 --> 00:58:53,960
Speaker 5: I'll say. You got to have it all. Yeah, you

1029
00:58:54,120 --> 00:58:57,160
Speaker 5: got to have it both. You know, you gotta have

1030
00:58:57,320 --> 00:59:00,360
Speaker 5: the loyalty and the respect you know, because is when

1031
00:59:00,400 --> 00:59:04,720
Speaker 5: you also a person who's conditioned with a lot of

1032
00:59:04,800 --> 00:59:08,440
Speaker 5: loyalty and you feel like you lost respect. That's something like,

1033
00:59:09,640 --> 00:59:12,120
Speaker 5: you know, that's since a pride you lose when we

1034
00:59:12,240 --> 00:59:15,560
Speaker 5: feel like people don't you lose respect from the people

1035
00:59:15,600 --> 00:59:16,680
Speaker 5: you love? Right?

1036
00:59:18,960 --> 00:59:20,520
Speaker 1: I love it. I love that.

1037
00:59:24,000 --> 00:59:26,200
Speaker 5: You know, we family?

1038
00:59:26,360 --> 00:59:26,480
Speaker 1: Right?

1039
00:59:26,560 --> 00:59:26,680
Speaker 3: Yes?

1040
00:59:27,920 --> 00:59:28,800
Speaker 5: Yeah, so.

1041
00:59:30,760 --> 00:59:33,440
Speaker 1: I always wanted to ask y'all, like I went through

1042
00:59:33,480 --> 00:59:37,680
Speaker 1: your catalog one of my favorite records. Every Saturday, I

1043
00:59:37,760 --> 00:59:42,240
Speaker 1: want to hear Saturday. Did y'all make that record on Saturday?

1044
00:59:43,600 --> 00:59:46,680
Speaker 3: But the crazy thing is I put that record together

1045
00:59:46,720 --> 00:59:50,720
Speaker 3: and it wasn't for Daylight Boom what go for it?

1046
00:59:51,320 --> 00:59:51,640
Speaker 5: It was.

1047
00:59:55,200 --> 00:59:58,160
Speaker 4: Amongst us as natives getting together.

1048
00:59:59,200 --> 00:59:59,400
Speaker 11: Yeah.

1049
00:59:59,520 --> 01:00:02,439
Speaker 3: We started do in these like little side groups where

1050
01:00:04,080 --> 01:00:08,840
Speaker 3: like say Mace, Dave, Mike G and Sammy B. Was

1051
01:00:08,880 --> 01:00:11,960
Speaker 3: supposed to be this thing like another.

1052
01:00:11,840 --> 01:00:12,920
Speaker 5: Dude from my neighborhood.

1053
01:00:13,120 --> 01:00:16,840
Speaker 4: Yeah, pop life. They're supposed to be kids on Zen

1054
01:00:16,880 --> 01:00:17,480
Speaker 4: and five.

1055
01:00:18,920 --> 01:00:21,240
Speaker 5: Me almost like a parliament type of thing.

1056
01:00:22,480 --> 01:00:27,120
Speaker 3: Okay, groups, Okay, you know, okay, cute Q, Tip Africa,

1057
01:00:27,840 --> 01:00:29,920
Speaker 3: Juju from be Nuts and me.

1058
01:00:30,840 --> 01:00:32,600
Speaker 4: We were the fabulous fleas.

1059
01:00:33,160 --> 01:00:35,480
Speaker 1: Wait wait talking about yeah, see it again?

1060
01:00:36,560 --> 01:00:44,880
Speaker 2: Tip q Tip Africa. Jungle Juju from the Beating Nuts

1061
01:00:44,920 --> 01:00:45,560
Speaker 2: was also native to.

1062
01:00:45,760 --> 01:00:47,200
Speaker 4: Yeah, and me forgot that.

1063
01:00:47,560 --> 01:00:52,480
Speaker 3: Yeah, when we first was really starting to hang around Jungle,

1064
01:00:52,880 --> 01:00:56,000
Speaker 3: Juju was always with Africa then because Juju like they

1065
01:00:56,160 --> 01:00:58,600
Speaker 3: beat shop together. So I thought Juju was a part

1066
01:00:58,640 --> 01:01:02,240
Speaker 3: of Jungle because Juju was always with Jungle because they

1067
01:01:02,360 --> 01:01:04,959
Speaker 3: used to him and him in Africa with like shot

1068
01:01:05,040 --> 01:01:07,880
Speaker 3: for records. But uh, yeah, we were Fabulous Flees. We

1069
01:01:07,960 --> 01:01:12,680
Speaker 3: did a demo and everything. Yeah, fabulous fleas Juju did

1070
01:01:12,840 --> 01:01:14,680
Speaker 3: I got, I Got the Table. But Juju did this

1071
01:01:14,800 --> 01:01:20,480
Speaker 3: one record. It was called Fabius Fleas. Uh, Africa did

1072
01:01:20,520 --> 01:01:22,320
Speaker 3: this joint called the Night I Got Swatted.

1073
01:01:22,440 --> 01:01:23,400
Speaker 1: It was banging.

1074
01:01:25,160 --> 01:01:27,200
Speaker 3: Tip did this joint. So I had to come up

1075
01:01:27,240 --> 01:01:29,200
Speaker 3: with something. I was like, damn man, this ship is crazy.

1076
01:01:29,320 --> 01:01:33,880
Speaker 3: So it's just one record I found overseas, the Mighty

1077
01:01:33,920 --> 01:01:34,680
Speaker 3: Writers Record.

1078
01:01:34,960 --> 01:01:35,880
Speaker 4: I put that together.

1079
01:01:36,040 --> 01:01:38,240
Speaker 3: I put all the stuff together, the beat and everything,

1080
01:01:38,920 --> 01:01:42,720
Speaker 3: and I became a roller skating jam called Saturdays. And

1081
01:01:43,720 --> 01:01:48,560
Speaker 3: the rhym style was based off of Chic when it

1082
01:01:48,720 --> 01:01:56,200
Speaker 3: was like you know, please girls. So that's how we

1083
01:01:56,280 --> 01:01:57,600
Speaker 3: were suppoed to rhyma with the record.

1084
01:01:58,080 --> 01:01:58,560
Speaker 1: And then.

1085
01:02:00,240 --> 01:02:02,960
Speaker 3: Meanwhile Tommy boy was sitting us like, yo, man, everything

1086
01:02:03,040 --> 01:02:06,080
Speaker 3: is coming out dope. This Ringing Ring record is dope,

1087
01:02:06,160 --> 01:02:09,439
Speaker 3: but we need something else. So I asked him, I said, yo, man,

1088
01:02:09,920 --> 01:02:13,440
Speaker 3: can I take this back and use it for Daylight?

1089
01:02:13,440 --> 01:02:15,040
Speaker 3: And it was like yeah, heah, go ahead, And so

1090
01:02:15,320 --> 01:02:17,800
Speaker 3: the rhyme style became more of a singing thing. Five

1091
01:02:17,880 --> 01:02:20,640
Speaker 3: days you work, one whole day you're playing, and it

1092
01:02:20,680 --> 01:02:22,320
Speaker 3: wound up being Vinnire singing it.

1093
01:02:22,800 --> 01:02:31,480
Speaker 4: And she just saw yeah, yeah, Davin, it was a question.

1094
01:02:35,840 --> 01:02:39,560
Speaker 1: Holy ship, and I had to say, ray wing Ring,

1095
01:02:39,680 --> 01:02:44,280
Speaker 1: I had that in my less But that's also buddy,

1096
01:02:48,360 --> 01:02:50,760
Speaker 1: how did how did this record come come about?

1097
01:02:51,480 --> 01:02:54,320
Speaker 3: Jungle have showed up that day. If they would have

1098
01:02:54,320 --> 01:02:57,400
Speaker 3: showed up the day after, they could have been on

1099
01:02:57,480 --> 01:03:00,520
Speaker 3: ghetto thing. They just showed up the day was working

1100
01:03:00,560 --> 01:03:05,560
Speaker 3: on that record. Literally, it wasn't like a planned thing.

1101
01:03:05,760 --> 01:03:08,920
Speaker 3: They they came by the studio that day we was

1102
01:03:09,000 --> 01:03:12,320
Speaker 3: working on that record, and then we just kind of

1103
01:03:12,400 --> 01:03:15,720
Speaker 3: made it where like, yeah, y'all talked about Jimmy, we

1104
01:03:15,920 --> 01:03:19,320
Speaker 3: talked about Jenny. When Jimmy and Jenny get together, what

1105
01:03:19,520 --> 01:03:22,200
Speaker 3: is it? It's buddy. So that's how that record kind

1106
01:03:22,200 --> 01:03:22,800
Speaker 3: of came together.

1107
01:03:23,600 --> 01:03:25,240
Speaker 5: Yeah, it was just just like that.

1108
01:03:28,720 --> 01:03:36,760
Speaker 1: Your Oh, I didn't know that. I'm just saying like

1109
01:03:36,920 --> 01:03:40,800
Speaker 1: I just now discovered that. Holy Jenny, and.

1110
01:03:42,800 --> 01:03:43,600
Speaker 5: That's how you know you.

1111
01:03:46,800 --> 01:03:51,479
Speaker 3: Like, you know, Jimmy's the man anatomy, Jennifer's the girl,

1112
01:03:51,560 --> 01:03:54,960
Speaker 3: and that you put it together sex bud.

1113
01:03:55,280 --> 01:03:58,640
Speaker 1: But that's what let me ask about native tongue, right,

1114
01:03:58,720 --> 01:04:01,080
Speaker 1: because I actually had a native tongue t shirt on,

1115
01:04:01,200 --> 01:04:02,760
Speaker 1: but I put it on and it was too tight

1116
01:04:02,840 --> 01:04:06,400
Speaker 1: on me. Let me, let me get my life together.

1117
01:04:06,480 --> 01:04:15,360
Speaker 1: I didn't. I'm glad because between me and looking crazy,

1118
01:04:15,960 --> 01:04:19,840
Speaker 1: but that was like like to me, like I said,

1119
01:04:19,960 --> 01:04:22,480
Speaker 1: native tongue. When I thought of that, I didn't know

1120
01:04:23,600 --> 01:04:27,360
Speaker 1: that that was like a crew like like almost like right,

1121
01:04:27,920 --> 01:04:32,840
Speaker 1: and you don't see that no more. You don't see like, uh,

1122
01:04:34,360 --> 01:04:36,840
Speaker 1: a Q tip running around with like a day I sould.

1123
01:04:36,880 --> 01:04:39,240
Speaker 1: You don't see a bust of rhymes running around with

1124
01:04:39,640 --> 01:04:42,280
Speaker 1: you know these? How was it being a part of

1125
01:04:42,600 --> 01:04:43,160
Speaker 1: native tongue?

1126
01:04:43,200 --> 01:04:43,640
Speaker 5: How was that?

1127
01:04:45,040 --> 01:04:47,480
Speaker 3: I mean, we were just friends, man, I know it

1128
01:04:47,560 --> 01:04:50,400
Speaker 3: sounds weird to say that, meaning like when we came

1129
01:04:50,480 --> 01:04:53,280
Speaker 3: into this and were running around with Paul.

1130
01:04:54,480 --> 01:04:57,240
Speaker 4: Yeah, Prince Paul could be working with m see.

1131
01:04:57,160 --> 01:05:00,120
Speaker 3: Light so then that's how we started hanging around on

1132
01:05:00,280 --> 01:05:03,400
Speaker 3: First Priority Music, which was Light and Audio two.

1133
01:05:03,560 --> 01:05:06,400
Speaker 5: And so it was my first record I ever mixed.

1134
01:05:06,440 --> 01:05:11,160
Speaker 4: Down was like swinging yeah with Prince Paul.

1135
01:05:11,360 --> 01:05:14,760
Speaker 3: Yeah, so Prince Paul you yo, it was just like

1136
01:05:14,840 --> 01:05:18,480
Speaker 3: you were happy to be down dull, right because before

1137
01:05:18,560 --> 01:05:21,560
Speaker 3: we came out, we were in the Latin quarters and

1138
01:05:21,600 --> 01:05:23,960
Speaker 3: we would see, Yo, they go Caine, they go this person, Yo,

1139
01:05:24,000 --> 01:05:25,920
Speaker 3: they go Greg Nights. So like when you on you

1140
01:05:26,040 --> 01:05:30,000
Speaker 3: hanging with everybody, it just becomes like, but who after

1141
01:05:30,120 --> 01:05:32,440
Speaker 3: the day on day you really hang around with and

1142
01:05:32,560 --> 01:05:37,400
Speaker 3: it just became jungle. Jungle brought through Tip. So then

1143
01:05:37,600 --> 01:05:40,320
Speaker 3: Tip is down and then we meet Fife and Ali.

1144
01:05:40,520 --> 01:05:43,480
Speaker 3: You know, we just became cruel like that, you know

1145
01:05:43,480 --> 01:05:46,080
Speaker 3: what I'm saying, Like, but it just showed up at Calliope.

1146
01:05:46,560 --> 01:05:48,240
Speaker 1: I just feel like Buster was just yelling the whole time.

1147
01:05:50,160 --> 01:05:50,280
Speaker 2: Yo.

1148
01:05:50,360 --> 01:05:54,120
Speaker 3: He sounded when I met When I met Buster, Buster

1149
01:05:54,280 --> 01:05:57,959
Speaker 3: had to been sixteen, and he sounded exactly the same

1150
01:05:58,040 --> 01:06:01,360
Speaker 3: way like his voice Like I just couldn't believe he

1151
01:06:01,480 --> 01:06:02,000
Speaker 3: was sixteen.

1152
01:06:02,520 --> 01:06:04,000
Speaker 1: Bust the called me the other day, I kid you

1153
01:06:04,120 --> 01:06:09,640
Speaker 1: not right like three times, So I'm thinking someone died

1154
01:06:10,760 --> 01:06:12,400
Speaker 1: so I picked up. He's like, yo, god, I just

1155
01:06:12,440 --> 01:06:14,680
Speaker 1: want to let you know I changed your lyric on

1156
01:06:14,720 --> 01:06:21,680
Speaker 1: the vocals cover me three times because he's the lost story.

1157
01:06:22,680 --> 01:06:26,040
Speaker 1: We got all money right remixed together, and like he's

1158
01:06:26,160 --> 01:06:29,320
Speaker 1: such a he's such an artist artist that I had

1159
01:06:29,360 --> 01:06:32,960
Speaker 1: said twenty two on the record, but it's the year

1160
01:06:33,040 --> 01:06:35,360
Speaker 1: twenty twenty three. So he changed it, and he wanted

1161
01:06:35,400 --> 01:06:37,560
Speaker 1: to show me that respect, say, you know, you know

1162
01:06:37,840 --> 01:06:40,000
Speaker 1: I changed your vocals. But I was like, you know,

1163
01:06:40,160 --> 01:06:44,760
Speaker 1: let's bust around you, brother. I respect you. But he's

1164
01:06:44,840 --> 01:06:51,080
Speaker 1: just very he's an artist, artist, yes, for real, scientist, anythingcredible.

1165
01:06:52,640 --> 01:06:54,640
Speaker 4: Yeah, yeah, you go.

1166
01:06:54,760 --> 01:06:57,160
Speaker 1: Ever, yet he don't mind about his sneakers.

1167
01:06:58,400 --> 01:07:00,560
Speaker 2: Going back to the native tongues and don't amost seemed

1168
01:07:00,600 --> 01:07:01,960
Speaker 2: like an extension of Zulu.

1169
01:07:02,440 --> 01:07:03,760
Speaker 1: Was everybody a part of Zulu?

1170
01:07:05,920 --> 01:07:09,240
Speaker 4: Not at that point, maybe Mike Mike and.

1171
01:07:12,160 --> 01:07:16,640
Speaker 5: He became a part of Yeah he did, he actually did. Yeah,

1172
01:07:16,800 --> 01:07:22,280
Speaker 5: but more yeah, more so those guys. I was definitely

1173
01:07:22,320 --> 01:07:26,240
Speaker 5: heavily associated, being around all the time. Yeah, and I

1174
01:07:26,360 --> 01:07:31,720
Speaker 5: think I've stayed associated longer than everyone else. But yeah,

1175
01:07:31,880 --> 01:07:35,480
Speaker 5: it was all native tongue was definitely an extension of

1176
01:07:36,240 --> 01:07:36,800
Speaker 5: Zulu nation.

1177
01:07:37,320 --> 01:07:41,840
Speaker 1: Yeah, did you have a relationship with Africa Bado.

1178
01:07:42,360 --> 01:07:45,400
Speaker 5: I had a relationship with Bam. I toured with Bam,

1179
01:07:46,520 --> 01:07:53,400
Speaker 5: Me Bam, Arthur Baker, Uh Danny Automata, we did the

1180
01:07:53,480 --> 01:07:55,520
Speaker 5: Tommy Boy twentieth Anniversary tour.

1181
01:07:58,000 --> 01:07:59,160
Speaker 4: We would see Bam a lot though.

1182
01:07:59,200 --> 01:08:03,440
Speaker 5: We were running to a lot of DJ getting yeah.

1183
01:08:03,960 --> 01:08:06,520
Speaker 3: And just seeing hanging out being blessed to hang out

1184
01:08:06,560 --> 01:08:10,880
Speaker 3: at Red Aler's crib and you know, all those records,

1185
01:08:11,280 --> 01:08:13,720
Speaker 3: and you know, then heading up to the Bronx and

1186
01:08:13,880 --> 01:08:15,880
Speaker 3: you would see like we would be with the Violators,

1187
01:08:15,880 --> 01:08:17,679
Speaker 3: so we were running to Bam. We would see Jazzy

1188
01:08:17,840 --> 01:08:20,960
Speaker 3: j So, yeah, man, it was it was you said

1189
01:08:21,000 --> 01:08:24,920
Speaker 3: you was violating you you run the violators? Yes, you

1190
01:08:25,000 --> 01:08:27,760
Speaker 3: know they ran with Red you know they they they

1191
01:08:27,920 --> 01:08:30,200
Speaker 3: kept him right, you know Baby Chris, So going up

1192
01:08:30,240 --> 01:08:33,080
Speaker 3: into the Bronx and messing with Baby Chris and all them.

1193
01:08:33,120 --> 01:08:35,720
Speaker 3: We were, you know, occasionally running to Bam and them

1194
01:08:35,760 --> 01:08:36,040
Speaker 3: up there.

1195
01:08:36,200 --> 01:08:38,360
Speaker 1: You know what I'm saying, because we had crazy Legs

1196
01:08:38,400 --> 01:08:42,840
Speaker 1: on here, right, and Crazy Legs kind of implied that

1197
01:08:42,960 --> 01:08:45,960
Speaker 1: there was other people that was rocking the parties other

1198
01:08:46,040 --> 01:08:47,320
Speaker 1: than Cool HERK. Yeah.

1199
01:08:47,360 --> 01:08:52,120
Speaker 2: He said that Bambada bestowed it onto herk that that

1200
01:08:53,080 --> 01:08:55,200
Speaker 2: that mental of him being the first.

1201
01:08:55,880 --> 01:08:58,240
Speaker 1: Yeah, and it kind of that was his senior kind

1202
01:08:58,240 --> 01:09:01,840
Speaker 1: of hurt my feelings because I had never heard that before.

1203
01:09:01,880 --> 01:09:05,200
Speaker 1: But other people say that as well. But what does

1204
01:09:05,280 --> 01:09:06,840
Speaker 1: y'all take on that? Like, you know what I mean,

1205
01:09:08,160 --> 01:09:11,600
Speaker 1: I'm gonna drink to that. Okay, I don't know what

1206
01:09:11,720 --> 01:09:12,360
Speaker 1: that means.

1207
01:09:16,840 --> 01:09:20,599
Speaker 5: Because I've witnessed that. I've witnessed to be debatable.

1208
01:09:20,920 --> 01:09:25,240
Speaker 1: Because many people debated crazy Legs, they did not debate them.

1209
01:09:26,040 --> 01:09:28,559
Speaker 1: Was called and doubled it down and we will get

1210
01:09:28,640 --> 01:09:31,280
Speaker 1: cool her to come here. But her is that doesn't

1211
01:09:31,320 --> 01:09:36,559
Speaker 1: take away anything is, for lack of a better term,

1212
01:09:37,600 --> 01:09:40,560
Speaker 1: the godfather, right, Yeah, So I him that.

1213
01:09:41,000 --> 01:09:43,720
Speaker 5: I honestly give him that. I mean, it's something that

1214
01:09:43,840 --> 01:09:48,200
Speaker 5: I've been identified with identifying with since I was a child,

1215
01:09:49,120 --> 01:09:51,719
Speaker 5: and you know, the first story to be told. I'm

1216
01:09:51,880 --> 01:09:55,040
Speaker 5: granted it's even debatable when they even talk about.

1217
01:09:54,840 --> 01:09:58,280
Speaker 4: What was going on in Brooklyn and there about to

1218
01:09:58,320 --> 01:09:59,840
Speaker 4: say yea, but for.

1219
01:10:00,120 --> 01:10:03,600
Speaker 5: That to be is a monumental event that people identify

1220
01:10:03,760 --> 01:10:07,479
Speaker 5: with Cedric Concida like that happened to be a dope

1221
01:10:07,600 --> 01:10:10,639
Speaker 5: fucking party obviously, you know what I'm saying that people

1222
01:10:10,840 --> 01:10:14,080
Speaker 5: kept going to not to take anything from anyone else,

1223
01:10:14,160 --> 01:10:16,960
Speaker 5: but it seemed like the ods was always on the

1224
01:10:17,080 --> 01:10:21,720
Speaker 5: Bronx and Manhattan, specifically Harlem when it came to the

1225
01:10:21,760 --> 01:10:23,240
Speaker 5: culture to begin with.

1226
01:10:23,479 --> 01:10:27,640
Speaker 3: You know, I mean anyone's history quite honestly, all is

1227
01:10:28,400 --> 01:10:33,400
Speaker 3: it's debatable. I mean, like what daylaw story we Long Island.

1228
01:10:33,520 --> 01:10:36,719
Speaker 3: No it's not, you know, but no, he was born

1229
01:10:36,760 --> 01:10:39,320
Speaker 3: in Brooklyn. I was born in the Bronx. Dave was

1230
01:10:39,360 --> 01:10:42,200
Speaker 3: from Brooklyn. We moved to Long Island. Like there's this

1231
01:10:42,400 --> 01:10:44,880
Speaker 3: aspects of everyone's story that you can turn around and

1232
01:10:44,920 --> 01:10:47,479
Speaker 3: be like, oh wow, extra p He wasn't necessarily like

1233
01:10:47,680 --> 01:10:49,040
Speaker 3: maybe born in Queens.

1234
01:10:49,080 --> 01:10:50,000
Speaker 4: Maybe he's from Halem.

1235
01:10:50,120 --> 01:10:52,200
Speaker 1: Like no, one ain't from where they you know what

1236
01:10:52,240 --> 01:10:52,639
Speaker 1: I'm saying.

1237
01:10:53,280 --> 01:10:54,639
Speaker 4: So, I mean, like, I think every.

1238
01:10:54,520 --> 01:10:59,799
Speaker 3: Aspect of the story, there's always another layer to the story.

1239
01:11:00,120 --> 01:11:02,320
Speaker 3: Is like he just said, like what that doesn't mean

1240
01:11:02,400 --> 01:11:05,439
Speaker 3: that Brooklyn started rocking. Once Bronx was rocking, Brooklyn was

1241
01:11:05,600 --> 01:11:08,840
Speaker 3: up and running the same way. Whose story gets told first,

1242
01:11:08,880 --> 01:11:09,479
Speaker 3: you know what I'm saying.

1243
01:11:10,240 --> 01:11:12,479
Speaker 2: So, and individually as a group, each of you have

1244
01:11:12,560 --> 01:11:15,280
Speaker 2: your own perspective and might see things your own history,

1245
01:11:15,320 --> 01:11:15,880
Speaker 2: even differently.

1246
01:11:16,080 --> 01:11:20,080
Speaker 5: Definitely, Well we've seen things that we've experienced things right right,

1247
01:11:20,560 --> 01:11:22,519
Speaker 5: based on where he coming from from the Bronx and

1248
01:11:22,640 --> 01:11:25,719
Speaker 5: me coming from Brooklyn and then migrating to Long Island,

1249
01:11:25,880 --> 01:11:28,679
Speaker 5: our journeys was different within hip hop.

1250
01:11:28,880 --> 01:11:30,560
Speaker 3: Dog, I was a little I'm sorry because I was

1251
01:11:30,600 --> 01:11:32,599
Speaker 3: a little kid when the blackout happened.

1252
01:11:33,320 --> 01:11:34,760
Speaker 1: My mama was eighty eight.

1253
01:11:35,600 --> 01:11:39,760
Speaker 3: That was that was seventy seventy seventy eight or seventy six,

1254
01:11:41,160 --> 01:11:46,160
Speaker 3: and the blackout happened, Yo, all chaos south side my window.

1255
01:11:46,360 --> 01:11:48,160
Speaker 3: My mother wouldn't let me look out the window. And

1256
01:11:48,280 --> 01:11:52,160
Speaker 3: that's when hip hop right God is you know God really?

1257
01:11:52,960 --> 01:11:57,519
Speaker 3: Because everyone was still in equipment. We hear every city,

1258
01:11:58,760 --> 01:11:59,320
Speaker 3: I respect you.

1259
01:11:59,600 --> 01:12:00,240
Speaker 1: Hey do.

1260
01:12:05,439 --> 01:12:05,599
Speaker 2: Oh.

1261
01:12:05,720 --> 01:12:07,479
Speaker 1: I heard that Rob Swiss podcast.

1262
01:12:07,600 --> 01:12:10,400
Speaker 2: He talked about that that everybody stole the equipment and

1263
01:12:10,479 --> 01:12:13,880
Speaker 2: all of a sudden, everyone had an exclusive club that

1264
01:12:14,040 --> 01:12:17,120
Speaker 2: was dj J Yeah yeah, executioner.

1265
01:12:17,360 --> 01:12:20,040
Speaker 1: Yeah he does. Yeah yeah, that's one of the dogest

1266
01:12:20,120 --> 01:12:23,360
Speaker 1: DJs executions yeah crew.

1267
01:12:23,439 --> 01:12:25,560
Speaker 2: And so he was saying that and he his what

1268
01:12:25,680 --> 01:12:28,040
Speaker 2: he's thrown out in terms of like his perspective and

1269
01:12:28,080 --> 01:12:30,439
Speaker 2: the dj the history and the DJs is amazing and

1270
01:12:30,880 --> 01:12:32,040
Speaker 2: check it out because.

1271
01:12:31,840 --> 01:12:33,439
Speaker 1: Because we're trying to get d J e f N

1272
01:12:33,520 --> 01:12:38,240
Speaker 1: to go back to DJ. I still rob. He just

1273
01:12:38,360 --> 01:12:42,840
Speaker 1: wanted to go buy you though, I'm you want to

1274
01:12:42,920 --> 01:12:50,000
Speaker 1: have borings right there carrying great transition. I want to

1275
01:12:50,080 --> 01:12:53,639
Speaker 1: to DJ my birthday, like I didn't tell you dog.

1276
01:12:55,880 --> 01:12:58,240
Speaker 5: Like this, if I gave you these certain files, you

1277
01:12:58,360 --> 01:13:02,320
Speaker 5: might make a transition. Because that's certain files. Is only

1278
01:13:02,400 --> 01:13:03,840
Speaker 5: amongst the homies.

1279
01:13:06,160 --> 01:13:09,439
Speaker 2: Because Native Instruments they sponsored me, and I didn't make

1280
01:13:09,479 --> 01:13:09,880
Speaker 2: the chance.

1281
01:13:13,160 --> 01:13:18,200
Speaker 1: I love it, but I love my missed. Missed didn't

1282
01:13:18,240 --> 01:13:21,559
Speaker 1: move on? Is a DJ DJ?

1283
01:13:22,920 --> 01:13:26,400
Speaker 3: I mean us being on the road and Mace had

1284
01:13:26,479 --> 01:13:29,280
Speaker 3: to carry his crate that struggle.

1285
01:13:29,760 --> 01:13:33,639
Speaker 1: People don't know what that is. Fucked up now back

1286
01:13:35,080 --> 01:13:38,280
Speaker 1: you know, I remember one time I was with he

1287
01:13:38,479 --> 01:13:45,240
Speaker 1: was performing in Detroit and uh rest peace jam massa J,

1288
01:13:45,840 --> 01:13:49,240
Speaker 1: and I told my DJ like go go get the equipment,

1289
01:13:49,439 --> 01:13:51,840
Speaker 1: go and jump on real quick, and jam Master J

1290
01:13:52,120 --> 01:13:56,080
Speaker 1: would not let Frock touch his equipment. Oh yeah, I

1291
01:13:56,160 --> 01:13:56,479
Speaker 1: didn't know.

1292
01:13:56,560 --> 01:13:57,600
Speaker 5: That was like a.

1293
01:13:59,920 --> 01:14:02,000
Speaker 1: I didn't know that. Like he was like, you don't

1294
01:14:02,320 --> 01:14:05,120
Speaker 1: I'm going to DJ putting normy right now. But it's

1295
01:14:05,120 --> 01:14:07,880
Speaker 1: like no, no, no, you don't know whitness it he said,

1296
01:14:08,760 --> 01:14:11,120
Speaker 1: no one touches my equipment. And I was people, what's

1297
01:14:11,120 --> 01:14:13,040
Speaker 1: set up their setups next to each other. There were

1298
01:14:13,360 --> 01:14:15,200
Speaker 1: different DJs rocking, yeah.

1299
01:14:15,520 --> 01:14:17,360
Speaker 5: DJ said us almost like a drum kit.

1300
01:14:17,800 --> 01:14:23,599
Speaker 1: Yeah, niggas, I would be bringing my whole that's putting

1301
01:14:23,640 --> 01:14:24,160
Speaker 1: it all together.

1302
01:14:26,479 --> 01:14:30,719
Speaker 5: Technology has evolved, it's been able to make us work together.

1303
01:14:31,960 --> 01:14:35,320
Speaker 5: But prior to that, it's just everybody got a certain

1304
01:14:36,360 --> 01:14:40,000
Speaker 5: hand weight, the way they structure their needles and all

1305
01:14:40,040 --> 01:14:40,200
Speaker 5: of that.

1306
01:14:40,400 --> 01:14:47,839
Speaker 1: And you don't have pennies. Yes, some people got nickels,

1307
01:14:48,560 --> 01:14:51,960
Speaker 1: depending how your hand is right, so look out how

1308
01:14:52,080 --> 01:14:52,360
Speaker 1: he is.

1309
01:14:56,920 --> 01:15:01,200
Speaker 5: It was always an understood thing for those who really respect. Yeah,

1310
01:15:02,160 --> 01:15:03,760
Speaker 5: you don't want you don't even want to rock on

1311
01:15:03,840 --> 01:15:04,719
Speaker 5: the next man's set.

1312
01:15:05,600 --> 01:15:10,280
Speaker 1: Like I remember going to clubs and I remember like

1313
01:15:10,360 --> 01:15:12,960
Speaker 1: funk Master Flex would like tell the DJ before him,

1314
01:15:13,280 --> 01:15:16,280
Speaker 1: do not play these certain records. I would be like,

1315
01:15:16,360 --> 01:15:19,519
Speaker 1: what So, I don't know if that's like a respect

1316
01:15:19,560 --> 01:15:23,320
Speaker 1: thing too. It's like, if I'm the headliner, you can't

1317
01:15:23,360 --> 01:15:25,320
Speaker 1: play the record before me that.

1318
01:15:25,760 --> 01:15:27,400
Speaker 2: Yeah, you exhaust the records that you know are going

1319
01:15:27,439 --> 01:15:30,479
Speaker 2: to party in the headline DJ. He wants that for himself.

1320
01:15:30,520 --> 01:15:33,000
Speaker 2: I mean, that's that's debating amongst DJ because the good

1321
01:15:33,040 --> 01:15:35,080
Speaker 2: DJ could play the same record in a different way,

1322
01:15:35,120 --> 01:15:37,800
Speaker 2: in different ways, and yeah, you.

1323
01:15:37,880 --> 01:15:41,880
Speaker 5: Know, and yeah, that's a debatable thing and not being

1324
01:15:41,960 --> 01:15:44,479
Speaker 5: a thing. I always took pride in being the DJ

1325
01:15:44,640 --> 01:15:45,879
Speaker 5: that played the B side.

1326
01:15:45,680 --> 01:15:46,519
Speaker 1: On the right.

1327
01:15:48,800 --> 01:15:51,360
Speaker 5: Is one of my favorite DJ even I even wait

1328
01:15:52,680 --> 01:15:55,439
Speaker 5: in terms, the hit record is not a hit anymore.

1329
01:15:55,920 --> 01:15:58,599
Speaker 5: I didn't play it later. You know what I'm saying,

1330
01:15:59,000 --> 01:16:00,880
Speaker 5: You know, like a memory thing.

1331
01:16:01,760 --> 01:16:02,320
Speaker 1: I like telling.

1332
01:16:02,400 --> 01:16:04,800
Speaker 2: I like telling the story through through the way the

1333
01:16:04,880 --> 01:16:07,280
Speaker 2: records that I'm playing, I'm telling you a story through.

1334
01:16:07,320 --> 01:16:09,280
Speaker 1: That's the way I like to play the records. So

1335
01:16:09,360 --> 01:16:12,280
Speaker 1: you're gonna play again, She's I want to come out.

1336
01:16:12,280 --> 01:16:12,479
Speaker 1: I think.

1337
01:16:12,560 --> 01:16:15,040
Speaker 2: Look, I have so much respect for DJing. DJing didn't

1338
01:16:15,080 --> 01:16:17,960
Speaker 2: come naturally to me. I didn't have any mentors. I

1339
01:16:18,120 --> 01:16:22,080
Speaker 2: was watching videos like I was getting whatever. However, I

1340
01:16:22,120 --> 01:16:24,519
Speaker 2: could absorb the skill and I was just but I

1341
01:16:24,520 --> 01:16:29,120
Speaker 2: would practice for hours upon hours before I had a

1342
01:16:29,240 --> 01:16:30,519
Speaker 2: club night or a set anywhere.

1343
01:16:30,960 --> 01:16:32,280
Speaker 1: And then once we started.

1344
01:16:31,960 --> 01:16:34,719
Speaker 2: Doing different things and doing like those practice hours weren't

1345
01:16:34,760 --> 01:16:37,439
Speaker 2: coming in anymore. And then the technology changed, and I'm like,

1346
01:16:37,680 --> 01:16:40,400
Speaker 2: out of respect to this art form unless I'm gonna

1347
01:16:40,400 --> 01:16:41,200
Speaker 2: put in those hours.

1348
01:16:41,479 --> 01:16:44,400
Speaker 1: I'm not going back on the sets. That's how I am.

1349
01:16:46,200 --> 01:16:48,800
Speaker 1: I'm seeing right now. If I'm not gonna go all

1350
01:16:48,840 --> 01:16:50,280
Speaker 1: the way in, I'm not. I'm not gonna do it

1351
01:16:50,360 --> 01:16:54,120
Speaker 1: no more so. I'm sorry that everybody so natural to

1352
01:16:54,240 --> 01:16:57,559
Speaker 1: you though, sorry to everybody he asked me for verses. Sorry,

1353
01:16:58,720 --> 01:17:02,760
Speaker 1: I like this shit like this, this is respect, I

1354
01:17:02,880 --> 01:17:06,680
Speaker 1: get it, but I'm what you want in my neighborhood

1355
01:17:06,680 --> 01:17:08,960
Speaker 1: is DJ Crazed, one of the DJs in the world.

1356
01:17:09,800 --> 01:17:10,360
Speaker 5: Incredible.

1357
01:17:10,720 --> 01:17:11,320
Speaker 1: I'm like, look at that.

1358
01:17:11,520 --> 01:17:12,040
Speaker 5: I can't do this.

1359
01:17:12,439 --> 01:17:13,320
Speaker 1: I'm saying, this guy is.

1360
01:17:15,320 --> 01:17:18,600
Speaker 5: Inspired me, like Rob Swift.

1361
01:17:21,479 --> 01:17:25,720
Speaker 4: Of Control, the beat junkies like Boogie Blind, you.

1362
01:17:25,760 --> 01:17:29,400
Speaker 5: Know, Goos Down, you know all of them. Dudes. Man,

1363
01:17:30,080 --> 01:17:32,879
Speaker 5: you know they don't even get the respect they deserve.

1364
01:17:33,040 --> 01:17:34,360
Speaker 1: It's something that I'm gonna take a shot.

1365
01:17:34,400 --> 01:17:35,120
Speaker 5: I know you don't.

1366
01:17:35,640 --> 01:17:38,200
Speaker 1: I'm gonna take a shot to This is to sou

1367
01:17:38,720 --> 01:17:42,680
Speaker 1: and you know what western Pa, Dave Man what I

1368
01:17:42,680 --> 01:17:45,000
Speaker 1: didn't want to. I didn't want to be a heavy heart.

1369
01:17:45,920 --> 01:17:47,760
Speaker 5: Almost I'm hearing you.

1370
01:17:49,360 --> 01:17:52,320
Speaker 1: Bittersweet because you know why it is like, yeah, my

1371
01:17:52,400 --> 01:17:55,720
Speaker 1: big brothers in a lot of ways. That was on

1372
01:17:55,840 --> 01:17:58,640
Speaker 1: Timmy boy. Before me I came out, I felt like

1373
01:18:00,360 --> 01:18:02,479
Speaker 1: in a lot of ways, I followed your footsteps. When

1374
01:18:02,479 --> 01:18:06,160
Speaker 1: I'm following your footsteps, following your footsteps, and I can

1375
01:18:06,280 --> 01:18:11,040
Speaker 1: remember when I found out that you guys was fighting

1376
01:18:11,120 --> 01:18:13,640
Speaker 1: for your rights. I remember that moment. I remember me

1377
01:18:13,760 --> 01:18:16,840
Speaker 1: sitting back and saying, their story is more important than minds.

1378
01:18:17,040 --> 01:18:19,920
Speaker 1: And what I mean by that is I knew y'all

1379
01:18:19,960 --> 01:18:23,559
Speaker 1: getting y'all rights back first was more important and it's

1380
01:18:23,560 --> 01:18:28,360
Speaker 1: still it still was to me because y'all, my ogs, y'all,

1381
01:18:28,439 --> 01:18:30,519
Speaker 1: people who I salute, y'all, people who I take my

1382
01:18:30,600 --> 01:18:33,720
Speaker 1: hat off to. So y'all getting y'all, yeah, I'll getting there.

1383
01:18:34,280 --> 01:18:37,280
Speaker 1: So y'all getting y'all flowers meant more to me. And

1384
01:18:37,400 --> 01:18:41,559
Speaker 1: that's when I knew I was a good person. It's

1385
01:18:41,600 --> 01:18:46,760
Speaker 1: about them. It's about not me. I get it afterwards,

1386
01:18:47,080 --> 01:18:49,920
Speaker 1: but they get their rights back, take it and hip

1387
01:18:49,960 --> 01:18:52,360
Speaker 1: hop stood with y'all, And I'm telling you that's a

1388
01:18:52,439 --> 01:18:56,760
Speaker 1: beautiful thing. I really really respect y'all. I really honor y'all,

1389
01:18:57,520 --> 01:19:01,719
Speaker 1: and I'm thankful. I'm thankful that y'all out here man real.

1390
01:19:04,000 --> 01:19:08,240
Speaker 2: Y'all him, Yeah, that's real man, and just a testament

1391
01:19:08,360 --> 01:19:11,360
Speaker 2: to like. People laugh sometimes when I bring artifacts. But

1392
01:19:11,439 --> 01:19:13,759
Speaker 2: I bought this as a kid. It was a single,

1393
01:19:13,800 --> 01:19:15,559
Speaker 2: and because I wanted to preserve the singles, I will

1394
01:19:15,640 --> 01:19:17,519
Speaker 2: cut cut the joint out and put it in a

1395
01:19:17,600 --> 01:19:18,479
Speaker 2: heart plastic joint.

1396
01:19:18,560 --> 01:19:19,760
Speaker 1: So it was good.

1397
01:19:20,200 --> 01:19:23,120
Speaker 2: And think about it a kid. Bind this and the

1398
01:19:23,240 --> 01:19:26,800
Speaker 2: legacy that's still today. What you guys are Yeah, you

1399
01:19:26,840 --> 01:19:27,960
Speaker 2: know what I'm saying. To be able to bring this

1400
01:19:28,080 --> 01:19:31,160
Speaker 2: now to this show today, it is incredible, man. And

1401
01:19:31,200 --> 01:19:33,200
Speaker 2: the legacy you guys have impacted all of us, the

1402
01:19:33,400 --> 01:19:35,200
Speaker 2: entire culture, every single person here.

1403
01:19:36,360 --> 01:19:37,240
Speaker 4: It goes without words.

1404
01:19:37,280 --> 01:19:42,520
Speaker 1: Man, DJing got a tennis ball from nineteen ninety four exactually.

1405
01:19:42,120 --> 01:19:47,719
Speaker 4: Before that for carrots he got a vote.

1406
01:19:48,160 --> 01:19:50,360
Speaker 1: Go man, Wow, I'm gonna be honest. That shit is

1407
01:19:50,400 --> 01:19:52,960
Speaker 1: so dope, bron you don't get.

1408
01:19:52,800 --> 01:19:54,439
Speaker 4: Them sign question.

1409
01:19:54,560 --> 01:19:56,080
Speaker 1: I'm about to say, I'm taking the shot of that too.

1410
01:19:56,160 --> 01:19:58,439
Speaker 1: Don't know, worry no more, don't Yeah, yeah, I'm sure

1411
01:20:01,320 --> 01:20:06,479
Speaker 1: this is it for the god you're lying now, let

1412
01:20:06,560 --> 01:20:09,479
Speaker 1: me ask you what the hell is potholes in my lawn?

1413
01:20:11,280 --> 01:20:12,800
Speaker 5: Biting my rhyme? That's it?

1414
01:20:13,600 --> 01:20:19,040
Speaker 1: Okay, you know what holes in my lawn? By the way,

1415
01:20:19,080 --> 01:20:21,200
Speaker 1: I was poor you. So I didn't have a lawn,

1416
01:20:21,760 --> 01:20:24,559
Speaker 1: so I didn't know what the lawn was like somebody's lawn.

1417
01:20:26,400 --> 01:20:29,479
Speaker 1: So I always wanted to ask you that MC.

1418
01:20:29,479 --> 01:20:30,160
Speaker 5: Bite my Ron.

1419
01:20:30,280 --> 01:20:33,320
Speaker 3: Ye, as long as our rhymes and the poddles or

1420
01:20:33,320 --> 01:20:36,240
Speaker 3: the chunks that I sucker, MC would have been off

1421
01:20:36,280 --> 01:20:37,639
Speaker 3: of the tape.

1422
01:20:38,840 --> 01:20:40,439
Speaker 1: Yeah, in deep.

1423
01:20:43,280 --> 01:20:46,320
Speaker 5: You know what I'm like in the studio room when

1424
01:20:46,360 --> 01:20:49,800
Speaker 5: I hear the rhymes, but the beauty was I got it.

1425
01:20:50,160 --> 01:20:53,360
Speaker 5: That was like my main connection sucking with them. When

1426
01:20:53,360 --> 01:20:55,479
Speaker 5: I'm hearing the rhymes, I'm like, oh, should I know

1427
01:20:55,560 --> 01:20:56,439
Speaker 5: what the you means?

1428
01:20:58,720 --> 01:20:58,920
Speaker 12: Yeah?

1429
01:20:59,760 --> 01:21:04,519
Speaker 1: So you want to say something else, so, you know,

1430
01:21:04,640 --> 01:21:10,760
Speaker 1: speaking about you know, rest in peace to Dave. I

1431
01:21:10,880 --> 01:21:18,040
Speaker 1: remember me being with Pun, right. I remember me going

1432
01:21:18,120 --> 01:21:21,720
Speaker 1: to actual puns fore the room and I stood on

1433
01:21:21,800 --> 01:21:24,599
Speaker 1: the side of his casket, well in front of his casket,

1434
01:21:24,880 --> 01:21:27,880
Speaker 1: and everybody kind of you know, grabbed me and said,

1435
01:21:27,920 --> 01:21:31,040
Speaker 1: he's not suffering no more. And I couldn't. I couldn't

1436
01:21:31,320 --> 01:21:36,320
Speaker 1: grasp it because I've never seen Pun suffer. But then

1437
01:21:36,360 --> 01:21:38,960
Speaker 1: I started to think about it. I used to remember

1438
01:21:39,040 --> 01:21:42,000
Speaker 1: at times when Pun be fall to sleep sleep apnea.

1439
01:21:42,680 --> 01:21:44,320
Speaker 1: I didn't know. I was too young at the time,

1440
01:21:44,840 --> 01:21:46,720
Speaker 1: I would look at pun and I would step my

1441
01:21:47,400 --> 01:21:49,960
Speaker 1: story up. I thought I was being boring, you know

1442
01:21:50,000 --> 01:21:52,000
Speaker 1: what I mean? I thought I was being boring. So

1443
01:21:53,439 --> 01:21:57,800
Speaker 1: is that something that you guys knew about Dave or no,

1444
01:21:57,960 --> 01:22:00,479
Speaker 1: we he knew.

1445
01:22:01,760 --> 01:22:06,759
Speaker 4: I mean, and Dave had congested congested heart kailure.

1446
01:22:10,120 --> 01:22:12,480
Speaker 5: We've been knowing about it since Grind.

1447
01:22:12,479 --> 01:22:14,599
Speaker 4: Grind date, the grind Ate album.

1448
01:22:15,560 --> 01:22:17,680
Speaker 3: There were certain things he could have done or was

1449
01:22:17,760 --> 01:22:20,320
Speaker 3: told to do, and at one point he could be

1450
01:22:20,439 --> 01:22:26,479
Speaker 3: doing it, you know, and you just get comfortable, yeah,

1451
01:22:26,640 --> 01:22:29,479
Speaker 3: and Okay, I'm doing what the doc told me to do.

1452
01:22:29,640 --> 01:22:31,840
Speaker 3: I'm on pointing, and sometimes you just want to fall

1453
01:22:31,920 --> 01:22:34,639
Speaker 3: off your regiment of health, your healthy regiment.

1454
01:22:34,760 --> 01:22:41,439
Speaker 4: And that was about battle that he had. Mace can.

1455
01:22:43,200 --> 01:22:45,720
Speaker 3: Confirm what I'm saying as far as like I said

1456
01:22:45,760 --> 01:22:48,200
Speaker 3: to Mace, like me and Dave was together on the

1457
01:22:48,240 --> 01:22:54,800
Speaker 3: Guerrillas tour last year, and I was just saying, like, yo, man,

1458
01:22:55,520 --> 01:22:58,240
Speaker 3: Dave is having a problem with just this one song,

1459
01:22:58,520 --> 01:23:01,040
Speaker 3: like you know, like we get through it, we rocket,

1460
01:23:01,720 --> 01:23:03,960
Speaker 3: but when he gets off stage, it was just like

1461
01:23:04,080 --> 01:23:07,080
Speaker 3: a lot as if we had performed for almost an hour.

1462
01:23:07,160 --> 01:23:09,160
Speaker 3: So I was like, yo, man't I don't think we're

1463
01:23:09,160 --> 01:23:12,720
Speaker 3: gonna tour no more. I just really don't think that's

1464
01:23:12,760 --> 01:23:18,519
Speaker 3: gonna be possible. But I'm being honest death Nah, I

1465
01:23:18,680 --> 01:23:20,760
Speaker 3: just thought like it would be like, Yo, Day would

1466
01:23:20,760 --> 01:23:21,639
Speaker 3: show up on the TV.

1467
01:23:21,760 --> 01:23:23,960
Speaker 4: Shit, you know what I'm saying. He could sit here

1468
01:23:23,960 --> 01:23:24,280
Speaker 4: and do this.

1469
01:23:24,960 --> 01:23:28,160
Speaker 5: Maybe we'd narrow down to like doing three or four songs.

1470
01:23:28,800 --> 01:23:28,960
Speaker 5: You know.

1471
01:23:29,800 --> 01:23:34,360
Speaker 3: We were just thinking that early about you know, adjusting things,

1472
01:23:34,439 --> 01:23:37,559
Speaker 3: you know, like when the Grammy thing came up, all right,

1473
01:23:37,800 --> 01:23:39,560
Speaker 3: this is a good opportunity, let's do this.

1474
01:23:40,400 --> 01:23:43,400
Speaker 4: Day was all in. But then he just I guess

1475
01:23:43,720 --> 01:23:45,680
Speaker 4: he just felt like, well, no, I really can't fly.

1476
01:23:46,800 --> 01:23:47,880
Speaker 4: And then this didn't happen.

1477
01:23:48,000 --> 01:23:50,240
Speaker 3: So we was all on the phone after that Grammy

1478
01:23:50,320 --> 01:23:52,960
Speaker 3: joint and we were just all really talking and Yo,

1479
01:23:53,080 --> 01:23:55,800
Speaker 3: we was like yo, man, it was a bittersweet. I

1480
01:23:55,920 --> 01:23:57,720
Speaker 3: was like, Yo, thank y'all for like giving me the

1481
01:23:57,800 --> 01:24:00,120
Speaker 3: props to what I did. But I just miss my

1482
01:24:00,240 --> 01:24:03,160
Speaker 3: niggas being there with me. And I was just like, yo, man,

1483
01:24:03,280 --> 01:24:05,680
Speaker 3: and we just all started laughing because I was like, Yo,

1484
01:24:05,800 --> 01:24:08,280
Speaker 3: this nigga, Melly Mel still got.

1485
01:24:08,240 --> 01:24:11,640
Speaker 1: Like seven hundred muscles, you know what I'm saying. He

1486
01:24:11,720 --> 01:24:14,400
Speaker 1: looks amazing. He wanted to fight somebody, yo, And I

1487
01:24:14,520 --> 01:24:15,880
Speaker 1: was just like in the day, it was like we

1488
01:24:16,040 --> 01:24:19,240
Speaker 1: was all laughing together. We just all laughing. Was like yeah, man,

1489
01:24:19,240 --> 01:24:21,720
Speaker 1: we gotta get a health right man, like you know.

1490
01:24:22,000 --> 01:24:25,000
Speaker 1: So it was it was something man. It was like

1491
01:24:25,120 --> 01:24:30,479
Speaker 1: we all talked three days before we lost this brother, like, yo,

1492
01:24:30,560 --> 01:24:32,320
Speaker 1: we got to get this right. You know what I'm saying.

1493
01:24:32,439 --> 01:24:36,320
Speaker 4: So I didn't see this ship coming. I'm being honest,

1494
01:24:37,120 --> 01:24:37,880
Speaker 4: I didn't see it.

1495
01:24:38,280 --> 01:24:41,479
Speaker 1: Yeah, man, let's take let's take a moment of silence.

1496
01:24:41,520 --> 01:24:44,519
Speaker 1: Can you everybody back there take a moment of silence, Yeah, man,

1497
01:24:48,240 --> 01:24:53,679
Speaker 1: and really apologize fellas.

1498
01:24:53,800 --> 01:24:58,720
Speaker 3: No, man, you know, I mean we all lost. Yeah,

1499
01:24:58,960 --> 01:25:04,040
Speaker 3: it was just all lost. Yeah, tears are warranted, you know,

1500
01:25:04,240 --> 01:25:05,880
Speaker 3: Like he was a good man.

1501
01:25:08,040 --> 01:25:11,000
Speaker 1: Did he get to know that you got the rights back? No,

1502
01:25:11,200 --> 01:25:12,599
Speaker 1: he knew all that, Okay.

1503
01:25:12,680 --> 01:25:14,400
Speaker 5: It was just that we were all in the ship

1504
01:25:14,520 --> 01:25:18,519
Speaker 5: we was talking about forty eight hours before even yeah wow.

1505
01:25:18,960 --> 01:25:24,280
Speaker 4: Yeah yeah we was ready, no, because we already knew,

1506
01:25:24,439 --> 01:25:26,120
Speaker 4: like and we was ready.

1507
01:25:26,280 --> 01:25:29,160
Speaker 3: I know for him, he was ready to go. Yeah,

1508
01:25:29,280 --> 01:25:34,120
Speaker 3: I know for him though. It was about it was cool. Yeah,

1509
01:25:34,800 --> 01:25:36,400
Speaker 3: like I said, all the ship was set up that

1510
01:25:36,439 --> 01:25:36,960
Speaker 3: Webster Hall.

1511
01:25:37,000 --> 01:25:40,000
Speaker 4: Ship was set up. We had to spotify shipsut.

1512
01:25:39,520 --> 01:25:42,160
Speaker 5: We was Yo. We was on it.

1513
01:25:42,600 --> 01:25:43,280
Speaker 1: We was on it.

1514
01:25:44,320 --> 01:25:49,840
Speaker 3: But I think Dave knew his limitations and he was

1515
01:25:49,920 --> 01:25:51,400
Speaker 3: just trying to be there for us, you know what

1516
01:25:51,400 --> 01:25:54,320
Speaker 3: I'm saying. And he didn't want to let us down,

1517
01:25:54,640 --> 01:25:55,320
Speaker 3: you know what I'm saying.

1518
01:25:55,560 --> 01:25:59,640
Speaker 5: So I'm trying to talk about her going to the

1519
01:25:59,720 --> 01:26:02,400
Speaker 5: grand because he was still trying to go. Me and

1520
01:26:02,479 --> 01:26:05,280
Speaker 5: have both been struggling with some health issues, you know,

1521
01:26:05,400 --> 01:26:08,200
Speaker 5: but this was way more severe than me. And I'm like,

1522
01:26:09,080 --> 01:26:12,200
Speaker 5: Smiles would call me up. A tour manager. He called

1523
01:26:12,240 --> 01:26:14,200
Speaker 5: me up and we're like, yo, man, I don't think

1524
01:26:14,320 --> 01:26:17,240
Speaker 5: this dude should do this. Man, you know, figure out

1525
01:26:17,240 --> 01:26:19,280
Speaker 5: how to let Merce just do this by himself. So

1526
01:26:19,400 --> 01:26:22,680
Speaker 5: we call on the phone with a call and I'm like, yo, man,

1527
01:26:23,920 --> 01:26:27,560
Speaker 5: this is how I feel. I'm thankful for the opportunity,

1528
01:26:28,160 --> 01:26:30,200
Speaker 5: but maybe it is just like Merce rock And he

1529
01:26:30,400 --> 01:26:33,200
Speaker 5: was still adamant about trying to go, and then even

1530
01:26:33,280 --> 01:26:35,280
Speaker 5: down to trying to make it to the Grammys. He

1531
01:26:35,280 --> 01:26:38,120
Speaker 5: couldn't make it. The day of his flight, he couldn't

1532
01:26:38,120 --> 01:26:43,120
Speaker 5: make it. Yeah, But after the Grammars, we were on

1533
01:26:43,240 --> 01:26:46,400
Speaker 5: the phone, you know, proud of him for holding it

1534
01:26:46,520 --> 01:26:51,840
Speaker 5: down like he wrapped and killed it, held it down.

1535
01:26:53,760 --> 01:26:56,920
Speaker 5: You know, we on the phone like just ready like

1536
01:26:57,360 --> 01:27:01,160
Speaker 5: talking that good shit. But how and even business things,

1537
01:27:01,240 --> 01:27:03,839
Speaker 5: structured things that we knew we still needed to complete,

1538
01:27:04,200 --> 01:27:07,920
Speaker 5: that we completed like it was gold time, nor it

1539
01:27:08,040 --> 01:27:13,240
Speaker 5: was go time. Ma fucked up with it.

1540
01:27:14,240 --> 01:27:15,920
Speaker 1: It was a loss to all the hip hop you

1541
01:27:15,960 --> 01:27:17,600
Speaker 1: know what I mean. But I imagine this is me,

1542
01:27:17,960 --> 01:27:21,040
Speaker 1: just me just seeing you brothers talk about it. And

1543
01:27:21,240 --> 01:27:23,880
Speaker 1: by the way, thank you, thank y'all for being you know,

1544
01:27:24,040 --> 01:27:28,320
Speaker 1: open open, because like I said, with Pun, I felt

1545
01:27:28,360 --> 01:27:31,720
Speaker 1: like Pun was my best friend, right, but I felt

1546
01:27:31,760 --> 01:27:32,840
Speaker 1: like I was naive.

1547
01:27:33,840 --> 01:27:38,120
Speaker 5: Of Pun's funeral his son was born. What we had

1548
01:27:38,160 --> 01:27:40,840
Speaker 5: a show at the Roxy, the Roxy in l a

1549
01:27:43,720 --> 01:27:48,840
Speaker 5: And and the night of his funeral his son was

1550
01:27:49,280 --> 01:27:52,719
Speaker 5: being born, everybody who was pretty much at the funeral

1551
01:27:52,880 --> 01:27:56,240
Speaker 5: came to the Rocky held us down till he got

1552
01:27:56,320 --> 01:28:00,559
Speaker 5: to the show. Wow, like everybody.

1553
01:28:01,840 --> 01:28:05,520
Speaker 4: Like, yo, it's crazy because.

1554
01:28:05,760 --> 01:28:08,160
Speaker 1: Look a little crazy. You look a little crazy. Yeah,

1555
01:28:08,640 --> 01:28:20,000
Speaker 1: look like that. Okay, I don't know what that it was,

1556
01:28:20,080 --> 01:28:28,679
Speaker 1: but that's drift, yo, yo. So what's your favorite place

1557
01:28:29,120 --> 01:28:33,720
Speaker 1: to perform? Don't tell me? Dudel dof Germany. That's your

1558
01:28:33,760 --> 01:28:36,840
Speaker 1: favorite place in the world. It's my favorite place. It

1559
01:28:36,960 --> 01:28:42,000
Speaker 1: always brings up. Oh they own money.

1560
01:28:45,680 --> 01:28:48,200
Speaker 3: It's hard to say, man, it's a lot because we

1561
01:28:49,320 --> 01:28:51,639
Speaker 3: from the jump, we was always out there. We love

1562
01:28:51,760 --> 01:28:54,320
Speaker 3: the tour like us and try would be together and

1563
01:28:54,960 --> 01:28:56,519
Speaker 3: tipping them and be like, you know, two weeks and

1564
01:28:56,560 --> 01:28:58,639
Speaker 3: they be yo, we want to go home. We always

1565
01:28:58,720 --> 01:29:01,920
Speaker 3: just wanted to just keep going. So it's a bunch man.

1566
01:29:02,040 --> 01:29:05,880
Speaker 3: It's UK like the UK is like home. London is home.

1567
01:29:06,640 --> 01:29:08,880
Speaker 3: I can't but London it's home.

1568
01:29:10,960 --> 01:29:11,240
Speaker 5: Question.

1569
01:29:11,960 --> 01:29:18,840
Speaker 3: But uh, you know Japan is dope hour okay hours banging.

1570
01:29:19,479 --> 01:29:21,600
Speaker 3: That's not mainland Japan. But but yeah, ok, and I

1571
01:29:21,760 --> 01:29:22,040
Speaker 3: was dope.

1572
01:29:23,040 --> 01:29:24,040
Speaker 1: What is it?

1573
01:29:26,360 --> 01:29:31,400
Speaker 5: Yeah? But for me it became more who we touring with,

1574
01:29:32,560 --> 01:29:37,960
Speaker 5: you know, because there have been so many great places,

1575
01:29:38,520 --> 01:29:42,160
Speaker 5: but to repeat them with different programs, you know, rocking

1576
01:29:42,240 --> 01:29:44,759
Speaker 5: with you know, especially with people you love and respect,

1577
01:29:44,960 --> 01:29:47,680
Speaker 5: you know what I mean. I'll never forget rocking with

1578
01:29:48,840 --> 01:29:52,840
Speaker 5: now Rogers and Sister Sledge one time, No, not Sister

1579
01:29:52,880 --> 01:29:53,800
Speaker 5: Sledge point.

1580
01:29:56,520 --> 01:29:57,599
Speaker 4: Yeah, that's what I'm saying.

1581
01:29:58,760 --> 01:30:01,000
Speaker 3: Dog got music as a allowed us to rock, as

1582
01:30:01,040 --> 01:30:04,320
Speaker 3: you said, all rap program it could be us and

1583
01:30:04,360 --> 01:30:07,600
Speaker 3: any Kravitz. It could be us and Tito point we

1584
01:30:07,680 --> 01:30:10,320
Speaker 3: did to show us, Tito Pinte and Regina Bell like

1585
01:30:11,160 --> 01:30:11,840
Speaker 3: we've done it.

1586
01:30:12,040 --> 01:30:14,320
Speaker 4: Like our music just has just allowed us to go

1587
01:30:14,720 --> 01:30:18,320
Speaker 4: any and everywhere. You know what I'm saying. You know

1588
01:30:18,360 --> 01:30:18,840
Speaker 4: what I'm saying.

1589
01:30:18,920 --> 01:30:22,280
Speaker 3: So it's just like whether it's like he just said,

1590
01:30:22,360 --> 01:30:24,639
Speaker 3: like we could be over here doing something with someone

1591
01:30:24,720 --> 01:30:26,760
Speaker 3: over here. We can come back on this side and

1592
01:30:26,880 --> 01:30:30,800
Speaker 3: we we we were bad bunny. We like we were

1593
01:30:30,880 --> 01:30:34,080
Speaker 3: able to run any which way you point, We can

1594
01:30:34,160 --> 01:30:45,479
Speaker 3: do it, you know what I'm saying. I'm just saying, Yeah,

1595
01:30:47,040 --> 01:30:50,839
Speaker 3: he brung out I forgot who he brung out. He second,

1596
01:30:51,400 --> 01:30:53,519
Speaker 3: but on a second weekend, I know he brought uh

1597
01:30:54,960 --> 01:31:00,680
Speaker 3: come on, Luis Feliciano.

1598
01:31:01,240 --> 01:31:04,280
Speaker 4: Yeah yeah, yeah, you knowing your ship.

1599
01:31:07,200 --> 01:31:10,280
Speaker 5: We used to playing on stage for two hours us.

1600
01:31:10,600 --> 01:31:11,280
Speaker 5: You know what I'm saying.

1601
01:31:11,479 --> 01:31:16,600
Speaker 1: Yeah, you know yeah, actually used to that said I said, no,

1602
01:31:16,720 --> 01:31:19,080
Speaker 1: I remember the first time I went to Europe, I

1603
01:31:19,200 --> 01:31:23,559
Speaker 1: did forty five minutes. They was like, that's okay. All

1604
01:31:23,600 --> 01:31:27,680
Speaker 1: the niggas w course and you better not do it

1605
01:31:27,760 --> 01:31:31,080
Speaker 1: on the track no backtrack vocal.

1606
01:31:31,720 --> 01:31:34,160
Speaker 9: I'm friends with DJ f N he won't even Yeah, DJ,

1607
01:31:36,560 --> 01:31:40,760
Speaker 9: so to the Canadians that we did, I'm not sure

1608
01:31:40,800 --> 01:31:42,439
Speaker 9: about that, DJ.

1609
01:31:43,200 --> 01:31:44,720
Speaker 1: Yeah, the native instruments joints I took.

1610
01:31:44,760 --> 01:31:48,919
Speaker 3: Okay, my back, my man, I apologize with us traveling

1611
01:31:49,000 --> 01:31:51,400
Speaker 3: around the world, that really helped us because.

1612
01:31:54,080 --> 01:31:57,360
Speaker 4: The states Man, this hip hop thing was ours. So

1613
01:31:57,600 --> 01:31:59,439
Speaker 4: like you could do a show in l A.

1614
01:32:00,479 --> 01:32:02,720
Speaker 3: People show up at the House of Blues, but it

1615
01:32:02,840 --> 01:32:04,960
Speaker 3: was just kind of normal, you know what I'm saying,

1616
01:32:05,080 --> 01:32:06,960
Speaker 3: Like you could be rocking. You see a bunch of

1617
01:32:07,040 --> 01:32:09,519
Speaker 3: niggas talking and if you could turn me like, yo,

1618
01:32:10,200 --> 01:32:17,560
Speaker 3: stop talking, nigga, I'm rocking. Where you going overseas? It

1619
01:32:17,680 --> 01:32:21,080
Speaker 3: was like, yo, you don't live here. This is special

1620
01:32:21,160 --> 01:32:23,960
Speaker 3: to us. So like they wanted you to give them everything.

1621
01:32:24,479 --> 01:32:27,519
Speaker 3: You couldn't short change them, you know. So that's that

1622
01:32:27,760 --> 01:32:30,479
Speaker 3: was being honest. That was our school. Like so when

1623
01:32:30,520 --> 01:32:33,880
Speaker 3: we came back to the States, we provided that where

1624
01:32:33,960 --> 01:32:35,960
Speaker 3: we made sure like yo, like we do that to

1625
01:32:36,000 --> 01:32:36,320
Speaker 3: this day.

1626
01:32:36,320 --> 01:32:37,360
Speaker 4: I did at Coachella.

1627
01:32:37,520 --> 01:32:39,880
Speaker 3: Some some girl didn't put her hand up or she

1628
01:32:40,120 --> 01:32:42,760
Speaker 3: wasn't like doing the pledge I told her to do,

1629
01:32:43,080 --> 01:32:44,760
Speaker 3: Like I made every one point in her ass like yo,

1630
01:32:45,000 --> 01:32:52,120
Speaker 3: like a partaking this we want to make this an

1631
01:32:52,160 --> 01:32:56,519
Speaker 3: experience so that those are different. Definitely lessons we've learned,

1632
01:32:56,560 --> 01:32:57,120
Speaker 3: you know what I'm saying.

1633
01:32:57,200 --> 01:33:00,840
Speaker 1: I remember I was in Warsaw, Poland one night and

1634
01:33:01,000 --> 01:33:05,200
Speaker 1: I care up there and they're saying c.

1635
01:33:07,360 --> 01:33:07,599
Speaker 10: NN.

1636
01:33:07,760 --> 01:33:10,720
Speaker 1: So I'm saying to the promoter, I said, how long

1637
01:33:10,840 --> 01:33:13,920
Speaker 1: have they been saying this? They said since seven o'clock?

1638
01:33:14,200 --> 01:33:16,000
Speaker 1: So I was like, they think they think I'm late.

1639
01:33:16,320 --> 01:33:19,439
Speaker 1: They're like no, but then I look and then they're like,

1640
01:33:19,680 --> 01:33:23,080
Speaker 1: everyone shaved their head to look like you, Nori, and

1641
01:33:23,200 --> 01:33:31,920
Speaker 1: I was like, that wasn't a good idea. Look like

1642
01:33:32,080 --> 01:33:36,320
Speaker 1: skins scared them? You're talking about? Can you tell them

1643
01:33:36,360 --> 01:33:39,760
Speaker 1: to put their hair back on? I'm sorry I lost

1644
01:33:39,800 --> 01:33:45,920
Speaker 1: the focus because you it's crazy. We're a bunch of

1645
01:33:46,040 --> 01:33:50,080
Speaker 1: kids from Queen's Raised, Long Island, Bronx, Brooklyn, and we

1646
01:33:50,320 --> 01:33:53,280
Speaker 1: actually got to perform all over the world. Like that

1647
01:33:53,360 --> 01:33:57,320
Speaker 1: ship is crazy, like you think about it, like the

1648
01:33:57,600 --> 01:33:59,960
Speaker 1: countries that you guys been Like. I was sitting here

1649
01:34:00,080 --> 01:34:01,600
Speaker 1: with Chuck D and Chuck D said he's been to

1650
01:34:01,680 --> 01:34:03,760
Speaker 1: a hundred comes. Man, I didn't even know one hundred

1651
01:34:03,800 --> 01:34:06,600
Speaker 1: countries existed. I was like, really, he said, more than

1652
01:34:06,600 --> 01:34:08,320
Speaker 1: one hundred, one hundred and thirty four.

1653
01:34:08,479 --> 01:34:12,840
Speaker 5: Yeah, I gotta say we've done probably the same.

1654
01:34:13,080 --> 01:34:15,559
Speaker 1: Yeah, that's why I bringing it up, because.

1655
01:34:15,360 --> 01:34:22,160
Speaker 5: We we've pretty much been where everywhere probably.

1656
01:34:21,840 --> 01:34:26,559
Speaker 1: Gonna been to casts down, We've been.

1657
01:34:26,760 --> 01:34:30,840
Speaker 5: We've been where uh Cypercell has been, Nice Tea has been,

1658
01:34:31,600 --> 01:34:34,360
Speaker 5: We've been repeated offenders, had a whole bunch of places.

1659
01:34:35,840 --> 01:34:41,200
Speaker 1: How is that like rocking the world, because that's probably

1660
01:34:41,240 --> 01:34:43,880
Speaker 1: the only thing I missed about hip hop is rocking

1661
01:34:44,040 --> 01:34:46,360
Speaker 1: the world. Like when I'm more of that world, it's

1662
01:34:46,400 --> 01:34:49,280
Speaker 1: a blessing man like, like that's the only thing I missed.

1663
01:34:49,320 --> 01:34:52,680
Speaker 1: But other than that, I love my space. But how

1664
01:34:52,880 --> 01:34:53,040
Speaker 1: is it?

1665
01:35:09,560 --> 01:35:19,599
Speaker 13: Come on, you got the right colors on that colors? No, dog,

1666
01:35:20,200 --> 01:35:25,240
Speaker 13: you might be starting some trouble County. Huh oh, you're listen.

1667
01:35:26,000 --> 01:35:30,200
Speaker 1: That's that's the best rivalry Miami heat against the Knicks.

1668
01:35:30,960 --> 01:35:34,160
Speaker 1: But Regie Miller I hated him. I can't and Jordan

1669
01:35:34,600 --> 01:35:38,360
Speaker 1: Jordan crushed every year we would going, we get right

1670
01:35:38,479 --> 01:35:40,000
Speaker 1: next to it in Jordan.

1671
01:35:42,120 --> 01:35:42,840
Speaker 4: Junk on us.

1672
01:35:43,240 --> 01:35:47,240
Speaker 1: I don't like it. I never got over it to

1673
01:35:47,320 --> 01:35:49,080
Speaker 1: be a Knicks fan. You know how hard it is

1674
01:35:49,160 --> 01:35:50,840
Speaker 1: to be a Jets fan.

1675
01:35:50,960 --> 01:35:52,599
Speaker 4: I'm a Knicks whoa.

1676
01:35:55,360 --> 01:35:57,519
Speaker 5: I'm a bad at wife. When it comes to the next.

1677
01:35:57,520 --> 01:35:58,200
Speaker 1: I'm a bad.

1678
01:36:00,120 --> 01:36:00,599
Speaker 5: My card.

1679
01:36:01,040 --> 01:36:03,439
Speaker 1: Oh being a Knicks fan is horrible. I just got

1680
01:36:03,560 --> 01:36:07,680
Speaker 1: to act like I ain't see the game, Like did

1681
01:36:07,680 --> 01:36:09,479
Speaker 1: you see the game? Like, no, I ain't see that ship.

1682
01:36:10,680 --> 01:36:12,680
Speaker 1: I don't want to. But are you a Knicks fan?

1683
01:36:13,920 --> 01:36:15,040
Speaker 4: I don't. I don't really watch that.

1684
01:36:15,160 --> 01:36:17,559
Speaker 1: You don't funk with sports like that? I can tell

1685
01:36:17,560 --> 01:36:21,559
Speaker 1: you was fun with sports basket boxing and boxing. You've

1686
01:36:21,560 --> 01:36:25,920
Speaker 1: seen the tank fight. No, I missed missed the tank fighting.

1687
01:36:26,880 --> 01:36:27,439
Speaker 5: Oh my bad?

1688
01:36:27,920 --> 01:36:31,479
Speaker 1: Come on, that was the That was the greatest floss ever.

1689
01:36:32,200 --> 01:36:41,280
Speaker 1: We missed the fighting thousand thousand people. Yo, what is

1690
01:36:41,360 --> 01:36:49,280
Speaker 1: that we keep rolling up? Motherfucker? So for people that

1691
01:36:49,400 --> 01:36:55,760
Speaker 1: don't know, you guys have pluck one, pluck two, pluck three.

1692
01:36:55,800 --> 01:36:58,320
Speaker 1: For people that don't know, describe what that what that

1693
01:36:58,479 --> 01:36:59,800
Speaker 1: means for it.

1694
01:36:59,880 --> 01:37:00,599
Speaker 4: Was just a chance.

1695
01:37:00,720 --> 01:37:03,439
Speaker 3: It was just it was almost like a count like

1696
01:37:03,560 --> 01:37:05,360
Speaker 3: you know when people about the rhyme be like yo

1697
01:37:05,840 --> 01:37:10,800
Speaker 3: yo yo and about to say that the same ship.

1698
01:37:10,880 --> 01:37:13,760
Speaker 3: It was like plugged the count is plugged two. That

1699
01:37:13,960 --> 01:37:14,640
Speaker 3: That's all it was.

1700
01:37:15,680 --> 01:37:16,600
Speaker 5: And it was just for that.

1701
01:37:18,280 --> 01:37:23,479
Speaker 3: Plug tuning was just uh a routine. It wasn't really

1702
01:37:23,479 --> 01:37:25,080
Speaker 3: about it being a song. It was a routine. He

1703
01:37:25,080 --> 01:37:27,600
Speaker 3: would cut and peach the president and we will do that.

1704
01:37:27,720 --> 01:37:28,639
Speaker 3: We will do plug tuning.

1705
01:37:29,080 --> 01:37:30,000
Speaker 1: Did you do you? Guys?

1706
01:37:30,040 --> 01:37:30,200
Speaker 5: Ever?

1707
01:37:30,960 --> 01:37:33,080
Speaker 2: And I'm gonna talk to you because you're here as

1708
01:37:33,120 --> 01:37:35,840
Speaker 2: an MC. Do you ever put yourself in that top

1709
01:37:35,920 --> 01:37:40,840
Speaker 2: tier category of lyricists that a lot of people put

1710
01:37:40,880 --> 01:37:42,400
Speaker 2: you in, including myself?

1711
01:37:42,479 --> 01:37:45,479
Speaker 1: I'm the only thing that my redding bands. Come on, bro,

1712
01:37:45,840 --> 01:37:50,560
Speaker 1: how you changing something like that? My wife might be

1713
01:37:50,680 --> 01:37:59,000
Speaker 1: mad at me. I'm sorry, he's the word sorry.

1714
01:37:59,800 --> 01:38:03,320
Speaker 2: You yourself a top tier lyricist, and that like a

1715
01:38:03,720 --> 01:38:04,920
Speaker 2: like up there with the greats.

1716
01:38:05,200 --> 01:38:07,840
Speaker 3: I mean me personally, I've never I've never done that.

1717
01:38:08,600 --> 01:38:11,639
Speaker 3: I just always said to myself, I am nowhere near

1718
01:38:13,400 --> 01:38:17,479
Speaker 3: galaxies away from the wackest nigga. Absolutely, but I've never

1719
01:38:17,600 --> 01:38:19,960
Speaker 3: But you are at the top tier. I mean, I

1720
01:38:20,040 --> 01:38:22,360
Speaker 3: appreciate when we can say that. I've just always been

1721
01:38:22,400 --> 01:38:25,519
Speaker 3: the person where I allow myself to get scared, Like

1722
01:38:25,640 --> 01:38:27,400
Speaker 3: when I gotta be on the record with Black Thought.

1723
01:38:27,240 --> 01:38:29,040
Speaker 4: I'm like, oh no, this nigga's not gonna dust me.

1724
01:38:29,479 --> 01:38:32,559
Speaker 1: Like that's how I look at and that's how you maintained,

1725
01:38:32,560 --> 01:38:33,439
Speaker 1: that's how you're shutting. You know.

1726
01:38:34,680 --> 01:38:37,360
Speaker 3: If I gotta be on somewhere most shit, I gotta

1727
01:38:37,439 --> 01:38:39,760
Speaker 3: I start and my own nigga. Dave, he was like that,

1728
01:38:39,880 --> 01:38:42,680
Speaker 3: he Ya, I'm the person where if we had a

1729
01:38:42,760 --> 01:38:46,040
Speaker 3: studio session, so I know if we're going to go

1730
01:38:46,080 --> 01:38:48,800
Speaker 3: in the studio Wednesday and do something, so Sunday, I'm

1731
01:38:48,800 --> 01:38:51,000
Speaker 3: already righting Wednesday.

1732
01:38:51,040 --> 01:38:51,600
Speaker 4: I come with it.

1733
01:38:52,720 --> 01:38:54,840
Speaker 3: Dave would just be sitting there, listen to what I'm doing.

1734
01:38:54,960 --> 01:38:58,639
Speaker 3: He pulls out a path, he ships his ship out

1735
01:38:58,720 --> 01:39:02,680
Speaker 3: right there. That's how they That's how ill he was.

1736
01:39:02,760 --> 01:39:05,960
Speaker 3: So whatever I was trying to be or I have became,

1737
01:39:06,280 --> 01:39:09,800
Speaker 3: it's because of I was not trying to be left

1738
01:39:09,880 --> 01:39:11,760
Speaker 3: in the dust behind him, you know.

1739
01:39:11,960 --> 01:39:14,720
Speaker 4: So Nah, I don't. I don't think of myself like

1740
01:39:14,800 --> 01:39:15,760
Speaker 4: that at all.

1741
01:39:16,120 --> 01:39:21,639
Speaker 3: I just I really respect, you know, and I'm humble

1742
01:39:21,720 --> 01:39:25,200
Speaker 3: by whatever anyone feel how my skills are.

1743
01:39:25,360 --> 01:39:28,040
Speaker 4: But I'm always up for improvement. I listened to the

1744
01:39:28,120 --> 01:39:28,759
Speaker 4: young dudes.

1745
01:39:28,840 --> 01:39:31,639
Speaker 3: I hear ship and I'll be like, Yo, that's dope,

1746
01:39:31,680 --> 01:39:33,679
Speaker 3: and it just inspires me, you know what I'm saying.

1747
01:39:34,280 --> 01:39:36,599
Speaker 3: I was in La not too long ago, status selected

1748
01:39:36,720 --> 01:39:39,000
Speaker 3: was doing like a release party for a Kodu and

1749
01:39:39,080 --> 01:39:40,400
Speaker 3: I was listening to his ship.

1750
01:39:41,800 --> 01:39:46,599
Speaker 4: It's dope, and I was like, yo, man, this is dope.

1751
01:39:46,800 --> 01:39:50,080
Speaker 1: Like it is. I'm just always a student of shit,

1752
01:39:50,400 --> 01:39:53,160
Speaker 1: you know, always Well, well, we know you humble, but

1753
01:39:53,200 --> 01:39:56,000
Speaker 1: we're gonna we're gonna brag for you. Yeah, y'all one

1754
01:39:56,040 --> 01:40:01,840
Speaker 1: of the best groups of all motherfucking time. With no equivocations.

1755
01:40:01,840 --> 01:40:05,360
Speaker 1: I don't even use big words. With no equivocations, y'all

1756
01:40:05,400 --> 01:40:09,240
Speaker 1: are one of the best groups of all time. Things

1757
01:40:09,320 --> 01:40:15,080
Speaker 1: y'all make global music. You have sustained you guys, the fans,

1758
01:40:15,720 --> 01:40:19,080
Speaker 1: the people. You guys are the people's champions. And just

1759
01:40:19,160 --> 01:40:20,880
Speaker 1: in case you want to be humble, and we're going

1760
01:40:20,960 --> 01:40:26,760
Speaker 1: to tell you that to your goddamn yo, I ain't

1761
01:40:26,760 --> 01:40:31,559
Speaker 1: gonna lie down. D came in here. I'm tiring, yo,

1762
01:40:32,120 --> 01:40:34,599
Speaker 1: I'm so listen. I'm run to go to the store.

1763
01:40:36,120 --> 01:40:39,880
Speaker 1: I'm trying to put them with holy ship. You want

1764
01:40:39,880 --> 01:40:40,600
Speaker 1: to bring Damond in?

1765
01:40:41,080 --> 01:40:43,160
Speaker 2: Yes, I told them to get a chair, let's get

1766
01:40:43,240 --> 01:40:45,519
Speaker 2: Let's get dam and let's bring him in.

1767
01:40:45,760 --> 01:40:46,920
Speaker 1: Yeah, yeah, yeah, yeah, hell ya.

1768
01:40:47,880 --> 01:40:52,160
Speaker 5: I need the water, all.

1769
01:40:52,120 --> 01:40:59,479
Speaker 1: Right, let's make some I ain't gonna lie to you.

1770
01:41:00,560 --> 01:41:02,639
Speaker 1: I looked at you to the right, and I've seen

1771
01:41:02,680 --> 01:41:05,160
Speaker 1: it and I said, that's exactly how I feel like

1772
01:41:05,200 --> 01:41:10,120
Speaker 1: because because because New York man, we're in Miami. Was

1773
01:41:10,120 --> 01:41:14,960
Speaker 1: gonna show you in Day County in Miami Day County when, yes,

1774
01:41:15,000 --> 01:41:17,679
Speaker 1: when would be exactly you used to be little perto Rico. Yep.

1775
01:41:19,000 --> 01:41:21,760
Speaker 1: Did you see the take my yeah, no question, he

1776
01:41:21,840 --> 01:41:24,080
Speaker 1: put it on him. Yeah, yeah, definitely knocked him out

1777
01:41:24,080 --> 01:41:26,040
Speaker 1: with a with a jab to the to the ridge.

1778
01:41:26,240 --> 01:41:30,960
Speaker 1: I know, I looktend God bless me. Ryan Gotcia. I

1779
01:41:31,080 --> 01:41:33,360
Speaker 1: did like you, but I just didn't know. I know

1780
01:41:33,640 --> 01:41:37,799
Speaker 1: he wasn't Tankers a dog. That's too much. Yeah, that's crazy.

1781
01:41:37,880 --> 01:41:41,920
Speaker 1: That's crazy. So Diamond detos, what's going on? Yo? You

1782
01:41:42,000 --> 01:41:44,560
Speaker 1: know the albums out the rearview, the review, you know

1783
01:41:44,600 --> 01:41:48,760
Speaker 1: what I mean. And I'm here today to shoot one

1784
01:41:48,800 --> 01:41:51,080
Speaker 1: of the videos with the album I got with my

1785
01:41:51,160 --> 01:41:54,800
Speaker 1: man pause right here High that's right, and just here

1786
01:41:54,960 --> 01:41:59,760
Speaker 1: social port the family, that's right. I'm a huge daylight

1787
01:41:59,800 --> 01:42:13,040
Speaker 1: fl too. God damn it all we are. So you

1788
01:42:13,080 --> 01:42:16,439
Speaker 1: said you're filming the video today, christ is yours, right,

1789
01:42:17,000 --> 01:42:18,840
Speaker 1: So tell us, tell us, tell us what this record

1790
01:42:18,920 --> 01:42:22,840
Speaker 1: is about. The song Flying High. It's basically about you know,

1791
01:42:23,040 --> 01:42:27,040
Speaker 1: just just just moving forward and just staying above the bullshit.

1792
01:42:27,680 --> 01:42:29,439
Speaker 1: That's how I would call it, you know what I mean,

1793
01:42:30,080 --> 01:42:32,240
Speaker 1: not for real, you know what I mean. And you

1794
01:42:32,360 --> 01:42:34,360
Speaker 1: know your man right here, Pa, he don't do too

1795
01:42:34,400 --> 01:42:37,160
Speaker 1: many features. So when he blessed me with the verse,

1796
01:42:37,280 --> 01:42:39,640
Speaker 1: you know what I mean, I really appreciated that. You

1797
01:42:39,720 --> 01:42:43,480
Speaker 1: know what I mean, dude, don't do too many you know, appearances.

1798
01:42:44,720 --> 01:42:48,720
Speaker 1: So so earlier today you said that I see the

1799
01:42:48,760 --> 01:42:53,040
Speaker 1: picture with fat Joe right what, he's thirteen years old

1800
01:42:53,360 --> 01:42:54,280
Speaker 1: with the k next jersey.

1801
01:42:54,560 --> 01:42:54,760
Speaker 5: Yeah.

1802
01:42:54,840 --> 01:42:56,880
Speaker 1: Yeah, remember the start of jacket is in eighty four.

1803
01:42:57,080 --> 01:43:00,360
Speaker 1: You said you took that picture. Yeah, my man, Troy

1804
01:43:00,479 --> 01:43:04,880
Speaker 1: took it. We were together. Yeah, you know what I'm saying.

1805
01:43:04,880 --> 01:43:07,639
Speaker 1: And you see you see Joe. You see Joe playing basket.

1806
01:43:08,479 --> 01:43:10,240
Speaker 1: I don't did joke to play basketball. I'm just be honest.

1807
01:43:10,479 --> 01:43:13,760
Speaker 1: That's my friend. He had a little game. He had

1808
01:43:13,960 --> 01:43:16,840
Speaker 1: my friend, but Joe, and it's not something I think of.

1809
01:43:17,840 --> 01:43:18,799
Speaker 1: Don't take a basketball.

1810
01:43:19,640 --> 01:43:20,160
Speaker 5: You don't think of.

1811
01:43:20,240 --> 01:43:26,519
Speaker 1: Joe pop lock. And I've seen him that. I've seen

1812
01:43:26,640 --> 01:43:33,839
Speaker 1: him with the white gloves and everything. White gloves, white gloves,

1813
01:43:42,680 --> 01:43:47,479
Speaker 1: that's hip. So Diamond. Let me ask you because their

1814
01:43:47,520 --> 01:43:50,400
Speaker 1: story is so famous, This story is so famous, you

1815
01:43:50,479 --> 01:43:54,880
Speaker 1: know them them not you know, having the rights to

1816
01:43:54,960 --> 01:43:57,000
Speaker 1: they music and then they finally got the rights to

1817
01:43:57,040 --> 01:43:59,280
Speaker 1: their music. Where was you at when you when you

1818
01:43:59,360 --> 01:44:01,639
Speaker 1: found out that they got there, they got their ship back?

1819
01:44:02,680 --> 01:44:05,920
Speaker 1: Oh Daylight? Yeah, well I know they was, you know,

1820
01:44:06,280 --> 01:44:08,040
Speaker 1: they was going through it with Tommy Boy, you know

1821
01:44:08,200 --> 01:44:10,840
Speaker 1: for a while, you know what I mean. So you

1822
01:44:10,960 --> 01:44:14,439
Speaker 1: know it's artists from that era, you know, they they

1823
01:44:14,600 --> 01:44:16,280
Speaker 1: know that, yo, you know it's you know, I think

1824
01:44:16,360 --> 01:44:18,720
Speaker 1: after thirty five years, the rising first back to you.

1825
01:44:18,800 --> 01:44:21,760
Speaker 1: I think it's thirty but he's But I mean, only

1826
01:44:21,800 --> 01:44:24,360
Speaker 1: your masters is everything, you know what I mean. That's

1827
01:44:24,400 --> 01:44:27,120
Speaker 1: that's your blood, sweat and tears. So you know you

1828
01:44:27,160 --> 01:44:29,680
Speaker 1: should control that, right you know. I'm trying to get

1829
01:44:29,680 --> 01:44:32,560
Speaker 1: stunts blusting hip hop back as we speak, right, you

1830
01:44:32,600 --> 01:44:34,880
Speaker 1: know what I mean. So it's been thirty years Bigger

1831
01:44:34,920 --> 01:44:39,360
Speaker 1: Picture's ownership. Yeah, it hasn't been thirty years. Yeah, it

1832
01:44:39,400 --> 01:44:40,880
Speaker 1: has been thirty years. They have to give it back

1833
01:44:40,880 --> 01:44:43,920
Speaker 1: to you, right, yeah, yep. Ninety two Best Kept Secrets

1834
01:44:43,920 --> 01:44:49,120
Speaker 1: sadly got a one track mind. What a crazy trying

1835
01:44:49,160 --> 01:44:53,000
Speaker 1: to get my masters back as well. God damn it, man, Jesus,

1836
01:44:54,360 --> 01:44:56,600
Speaker 1: I would never think that we would have to have

1837
01:44:56,720 --> 01:45:01,960
Speaker 1: this conversation like that, right, because I believe that hip

1838
01:45:02,000 --> 01:45:03,840
Speaker 1: hop is one of the worst loans you could ever have.

1839
01:45:05,960 --> 01:45:08,760
Speaker 1: Like they give you this money, yeah, which is what

1840
01:45:08,880 --> 01:45:11,479
Speaker 1: it is. It's a bank loan. It's a bank loan, yeah,

1841
01:45:11,520 --> 01:45:14,880
Speaker 1: and it's my interest bank loan. It's the worst bank loan.

1842
01:45:15,640 --> 01:45:17,840
Speaker 1: So have you guys had a chance to speak to

1843
01:45:17,920 --> 01:45:21,439
Speaker 1: Tom Silverman direct or. No, this had nothing to do

1844
01:45:21,520 --> 01:45:22,479
Speaker 1: with him once you sold it.

1845
01:45:23,240 --> 01:45:27,440
Speaker 5: I spoke to him the actual day we started the boycott,

1846
01:45:28,720 --> 01:45:31,719
Speaker 5: That's when I spoke to him. It was that morning

1847
01:45:31,800 --> 01:45:35,400
Speaker 5: before we went up to sway M That's what I

1848
01:45:35,439 --> 01:45:40,720
Speaker 5: spoke to him. And what was this conversation Like, I

1849
01:45:40,840 --> 01:45:46,040
Speaker 5: really don't want to talk about it for me? Yeah,

1850
01:45:46,439 --> 01:45:48,800
Speaker 5: I really don't, you know what I mean. I'd rather

1851
01:45:48,920 --> 01:45:50,240
Speaker 5: talk to you about it off camp.

1852
01:45:52,560 --> 01:45:59,400
Speaker 1: I mean for me, I forgive him now moving forward,

1853
01:45:59,439 --> 01:46:03,200
Speaker 1: because forgiveness is about forgiving yourself, you know what I mean.

1854
01:46:03,360 --> 01:46:07,200
Speaker 1: But he has he didn't. He didn't want to negotiate

1855
01:46:07,280 --> 01:46:09,600
Speaker 1: with me when I was like, you know, he we

1856
01:46:09,760 --> 01:46:12,240
Speaker 1: had reached out to each other. I don't remember if

1857
01:46:12,280 --> 01:46:14,240
Speaker 1: it's him or as me or whatever. But we spoke

1858
01:46:15,000 --> 01:46:17,280
Speaker 1: and I was trying to buy the rights back from

1859
01:46:17,360 --> 01:46:23,880
Speaker 1: him direct and it wasn't amicable. It wasn't it wasn't nothing.

1860
01:46:23,960 --> 01:46:26,280
Speaker 5: Yeah, this wasn't either if they had to fall in

1861
01:46:26,360 --> 01:46:28,760
Speaker 5: the hands of someone else for it to be right, right,

1862
01:46:29,000 --> 01:46:31,840
Speaker 5: you know. So that's why I picked him up then

1863
01:46:32,120 --> 01:46:35,240
Speaker 5: having to really talk about him, you know, because you're right,

1864
01:46:35,360 --> 01:46:37,400
Speaker 5: he's not really a good person. But I always knew that,

1865
01:46:38,000 --> 01:46:40,280
Speaker 5: you know what, you know, I knew that from the

1866
01:46:40,360 --> 01:46:44,439
Speaker 5: type of business he does, you know, I mean, here's

1867
01:46:44,479 --> 01:46:47,559
Speaker 5: who he is. Once I understood that many many years ago,

1868
01:46:47,920 --> 01:46:51,600
Speaker 5: all I did was do what he did, what he

1869
01:46:51,720 --> 01:46:54,400
Speaker 5: been doing to him. Yeah, that's all I did. And

1870
01:46:54,479 --> 01:46:57,400
Speaker 5: all I did was say what he said. I never

1871
01:46:57,479 --> 01:47:00,920
Speaker 5: said anything bad about him, just said what he said

1872
01:47:02,320 --> 01:47:05,040
Speaker 5: and let everybody else decide if it was right or wrong,

1873
01:47:05,720 --> 01:47:07,560
Speaker 5: because I already know what's wrong as shit, you know

1874
01:47:07,600 --> 01:47:10,519
Speaker 5: what I'm saying, right, And at the end of the day,

1875
01:47:11,000 --> 01:47:15,799
Speaker 5: like he always presented it, it's business right, right, yeah right, yeah.

1876
01:47:15,840 --> 01:47:17,840
Speaker 3: Yeah, that's all We wanted to take care of his

1877
01:47:17,920 --> 01:47:21,559
Speaker 3: business man. It don't really even get personalized. We don't

1878
01:47:21,600 --> 01:47:24,960
Speaker 3: even got to really talk on him. You know, we're

1879
01:47:25,000 --> 01:47:26,760
Speaker 3: just blessed to be here doing what we're doing with

1880
01:47:26,880 --> 01:47:30,800
Speaker 3: people who want to do business. And I mean, come on, man,

1881
01:47:30,840 --> 01:47:33,120
Speaker 3: let's be honest. Business don't necessarily always got to be fair.

1882
01:47:33,200 --> 01:47:33,559
Speaker 4: Business.

1883
01:47:33,720 --> 01:47:36,840
Speaker 3: You just gotta Once you show you no knowledge of something,

1884
01:47:37,640 --> 01:47:39,519
Speaker 3: maybe people will deal with you a certain way.

1885
01:47:39,600 --> 01:47:41,400
Speaker 1: You know what I'm saying. Hold on what you just said.

1886
01:47:41,479 --> 01:47:42,840
Speaker 1: You said business don't always have to.

1887
01:47:42,880 --> 01:47:43,960
Speaker 4: Business don't have to be fair.

1888
01:47:43,960 --> 01:47:45,000
Speaker 1: I have to be business.

1889
01:47:45,800 --> 01:47:49,200
Speaker 5: Don't try to be my friend, right, That's the thing.

1890
01:47:49,200 --> 01:47:52,800
Speaker 1: You know, that was That was the thing that with

1891
01:47:52,920 --> 01:47:57,000
Speaker 1: me and you. We went to CBS, and we went

1892
01:47:57,040 --> 01:47:59,360
Speaker 1: to CBS. I'm just leaving, timmy boy. I'm just leaving

1893
01:47:59,400 --> 01:48:00,960
Speaker 1: all this shit. I didn't want to be friends with

1894
01:48:01,040 --> 01:48:03,639
Speaker 1: nobody else. Not because I didn't want to be friends

1895
01:48:03,680 --> 01:48:06,560
Speaker 1: with them, but because this is a lot of investment.

1896
01:48:06,920 --> 01:48:09,240
Speaker 1: When you when you when you signed to a label,

1897
01:48:09,360 --> 01:48:12,080
Speaker 1: you start doing business with people, you start to like them,

1898
01:48:12,400 --> 01:48:14,200
Speaker 1: and then you don't know that they will be traded

1899
01:48:14,240 --> 01:48:16,840
Speaker 1: the next day, They'll be in Nebraska the next day,

1900
01:48:16,920 --> 01:48:18,960
Speaker 1: and then I have to sit there. You don't want

1901
01:48:18,960 --> 01:48:20,400
Speaker 1: to be friends anymore, So I don't want to be

1902
01:48:20,479 --> 01:48:22,559
Speaker 1: friends in build them no more like so like it's

1903
01:48:22,640 --> 01:48:26,280
Speaker 1: like because I started to understand business. When I was young,

1904
01:48:27,000 --> 01:48:31,040
Speaker 1: I understood friendship. I didn't understand business. I wanted to

1905
01:48:31,120 --> 01:48:33,560
Speaker 1: be friends with everybody. But when I got older, I

1906
01:48:33,720 --> 01:48:36,920
Speaker 1: was like, fuck being friends. Let me get my check.

1907
01:48:37,439 --> 01:48:41,240
Speaker 1: And that's it. It doesn't mean that I'm not friendly,

1908
01:48:41,560 --> 01:48:43,800
Speaker 1: doesn't mean but what it is is I'm more of

1909
01:48:43,880 --> 01:48:44,639
Speaker 1: a business man.

1910
01:48:44,760 --> 01:48:47,200
Speaker 5: No, I could still be your friend. I'm gonna find

1911
01:48:47,200 --> 01:48:50,639
Speaker 5: out if you're going to be my friend. That's where

1912
01:48:50,720 --> 01:48:53,479
Speaker 5: it's at because now it's just for me to own

1913
01:48:53,600 --> 01:48:57,080
Speaker 5: up to let me stop harboring these feelings that might

1914
01:48:57,400 --> 01:49:00,320
Speaker 5: I think it's going to affect the friendship that I

1915
01:49:00,439 --> 01:49:03,160
Speaker 5: think I shouldn't say that I feel is right for

1916
01:49:03,280 --> 01:49:05,320
Speaker 5: me and man, and I feel like I say what's

1917
01:49:05,400 --> 01:49:08,639
Speaker 5: right for me. The person who feel like I'm saying

1918
01:49:08,760 --> 01:49:11,880
Speaker 5: some foul shit, it's not my friend.

1919
01:49:12,040 --> 01:49:12,200
Speaker 1: Yep.

1920
01:49:13,120 --> 01:49:16,280
Speaker 2: And we got to remember the history of this industry,

1921
01:49:16,720 --> 01:49:20,800
Speaker 2: the music industry, it's always been a racket. Yeah, a

1922
01:49:21,000 --> 01:49:25,160
Speaker 2: racket at the club, not like the club, but like

1923
01:49:25,200 --> 01:49:27,080
Speaker 2: the club, actually like the club.

1924
01:49:28,880 --> 01:49:30,599
Speaker 4: That's the foundation of the music industry.

1925
01:49:30,640 --> 01:49:32,200
Speaker 2: And I'll tell people to go do your history and

1926
01:49:32,280 --> 01:49:34,479
Speaker 2: understand it and when you understand where it comes from,

1927
01:49:35,200 --> 01:49:36,680
Speaker 2: the evils that come from that.

1928
01:49:36,800 --> 01:49:38,400
Speaker 4: You know, we understand.

1929
01:49:38,479 --> 01:49:40,880
Speaker 3: I mean me and Dress we've talked on this and

1930
01:49:41,000 --> 01:49:44,080
Speaker 3: we actually yeah, and we've said, like, yo, man, if.

1931
01:49:46,400 --> 01:49:53,080
Speaker 4: A if a label was just fair, fair far.

1932
01:49:54,680 --> 01:49:57,880
Speaker 3: Cats would be millionaires if they were just fair right,

1933
01:49:59,000 --> 01:50:03,160
Speaker 3: throwing out the overks thin yourself, just fair right. But

1934
01:50:04,320 --> 01:50:07,320
Speaker 3: business is not about being fair. Business is about being business.

1935
01:50:07,400 --> 01:50:10,080
Speaker 3: It's like a chess game almost what you negotiated with, Yeah,

1936
01:50:10,800 --> 01:50:11,360
Speaker 3: what you get?

1937
01:50:11,520 --> 01:50:12,120
Speaker 4: You know what I'm saying.

1938
01:50:12,200 --> 01:50:16,320
Speaker 5: So this chess and it's Othello, you know how we

1939
01:50:16,400 --> 01:50:18,639
Speaker 5: got to move amongst the game of deception.

1940
01:50:18,960 --> 01:50:21,960
Speaker 4: Yeah? So like you said, like we could be young, Yo,

1941
01:50:23,040 --> 01:50:23,800
Speaker 4: I know this dude.

1942
01:50:23,920 --> 01:50:26,519
Speaker 3: Yeah, he's gonna come in here, he's gonna want the girls,

1943
01:50:26,720 --> 01:50:30,680
Speaker 3: he's gonna want the tims and all that bullshit. And

1944
01:50:30,800 --> 01:50:32,840
Speaker 3: it just taken everything from you. You know what I'm saying,

1945
01:50:32,920 --> 01:50:36,040
Speaker 3: because they see that you want the glory of it all.

1946
01:50:36,080 --> 01:50:36,679
Speaker 5: You know what I'm saying.

1947
01:50:36,720 --> 01:50:39,160
Speaker 4: You want the bitches, you want the call, you want

1948
01:50:39,200 --> 01:50:42,080
Speaker 4: to and you get nothing. You want analytics. Yeah, and

1949
01:50:42,160 --> 01:50:43,280
Speaker 4: you won't read the fine print.

1950
01:50:43,560 --> 01:50:47,160
Speaker 3: Yeah, and then and a lot of times even where

1951
01:50:47,400 --> 01:50:51,800
Speaker 3: even with us when you were look, let's.

1952
01:50:51,680 --> 01:50:54,639
Speaker 4: Make sure we have a lawyer. Yo, they had that covered.

1953
01:50:54,680 --> 01:50:55,760
Speaker 4: The lawyer was down with them.

1954
01:50:55,840 --> 01:50:58,040
Speaker 1: Niggay man, that's what's fucked up.

1955
01:50:59,000 --> 01:51:05,880
Speaker 11: You know what I'm saying, Cohoo's with each other that

1956
01:51:05,960 --> 01:51:09,479
Speaker 11: one more time the lawyer was in co who's with

1957
01:51:09,560 --> 01:51:10,519
Speaker 11: the fucking labels?

1958
01:51:12,160 --> 01:51:15,920
Speaker 5: Everybody is in the close of the deal. If you're

1959
01:51:15,960 --> 01:51:18,960
Speaker 5: not paying your lawyer straight out your pocket, win or lose,

1960
01:51:19,479 --> 01:51:22,360
Speaker 5: he's trying to get his bread off the clothes of

1961
01:51:22,520 --> 01:51:25,920
Speaker 5: the deal. And if everybody's moving on a percentage base,

1962
01:51:26,240 --> 01:51:28,240
Speaker 5: you have the more money that's on the table. So

1963
01:51:28,320 --> 01:51:30,840
Speaker 5: if I could convince you to give up your publishing

1964
01:51:31,000 --> 01:51:34,080
Speaker 5: for your for more cash, it's more money on top

1965
01:51:34,120 --> 01:51:37,640
Speaker 5: of my percentage as opposed to what can protect.

1966
01:51:38,280 --> 01:51:40,960
Speaker 1: If you understand, you know what I'm saying, Holy.

1967
01:51:40,920 --> 01:51:43,760
Speaker 5: Supposed to what can really protect my client? So my

1968
01:51:43,880 --> 01:51:46,479
Speaker 5: client can have a longevity and I can have as

1969
01:51:46,520 --> 01:51:49,720
Speaker 5: a lawyer longevity with my damn client. But nobody ever

1970
01:51:49,800 --> 01:51:51,679
Speaker 5: really saw it like that, you know what I'm saying.

1971
01:51:51,880 --> 01:51:53,840
Speaker 5: First of all, when we came in, an't respect the

1972
01:51:53,880 --> 01:51:56,040
Speaker 5: ship to even make it around the block, you know

1973
01:51:56,040 --> 01:51:59,400
Speaker 5: what I'm saying. So you know, we was projected sales

1974
01:51:59,439 --> 01:52:04,920
Speaker 5: at somewhere like what fifty thousand units three ft behind rising.

1975
01:52:05,040 --> 01:52:08,720
Speaker 5: That's so, you know, but what the beauty I could say,

1976
01:52:08,800 --> 01:52:12,240
Speaker 5: in the entire relationship, we had no creative hole.

1977
01:52:12,600 --> 01:52:12,760
Speaker 1: You know.

1978
01:52:13,600 --> 01:52:16,560
Speaker 5: You know most artists got the label gotten away of

1979
01:52:16,760 --> 01:52:19,360
Speaker 5: the records they made. You know, Tommy Boy didn't getting

1980
01:52:19,360 --> 01:52:21,360
Speaker 5: away of that. How they did get in the way

1981
01:52:21,560 --> 01:52:24,200
Speaker 5: if they wasn't feeling something like naming your album day

1982
01:52:24,240 --> 01:52:26,639
Speaker 5: Los Soul is dead, they'll pull back on the budget

1983
01:52:26,680 --> 01:52:29,840
Speaker 5: they're promoting. You know what I'm saying. But you know,

1984
01:52:30,280 --> 01:52:33,880
Speaker 5: we do what we did to supersede to be us, you.

1985
01:52:33,920 --> 01:52:34,439
Speaker 4: Know what I'm saying.

1986
01:52:34,680 --> 01:52:36,479
Speaker 3: Like I said, man, and I'm sorry to cut you,

1987
01:52:36,560 --> 01:52:41,280
Speaker 3: but ain't about harder that dude. I mean, like it's

1988
01:52:41,360 --> 01:52:45,400
Speaker 3: not oh ship, but it's it's really not, man. It's

1989
01:52:45,560 --> 01:52:47,519
Speaker 3: just about we are where.

1990
01:52:47,320 --> 01:52:52,040
Speaker 5: We are, not even just him though it's not a systematic.

1991
01:52:51,880 --> 01:52:54,160
Speaker 4: You know, it is systema not the same thing.

1992
01:52:54,280 --> 01:52:56,439
Speaker 5: We are another tired with a different rim.

1993
01:52:56,760 --> 01:52:59,080
Speaker 2: And even some of these label exits, they not they

1994
01:52:59,120 --> 01:53:01,200
Speaker 2: don't even know what it is is because it's something

1995
01:53:01,240 --> 01:53:01,880
Speaker 2: that was just following.

1996
01:53:02,120 --> 01:53:05,000
Speaker 1: It's been ongoing forever. It seems like this is business as.

1997
01:53:04,960 --> 01:53:06,200
Speaker 5: Usual, standard practice.

1998
01:53:06,280 --> 01:53:07,640
Speaker 1: Yeah, I was following what you did.

1999
01:53:08,040 --> 01:53:10,960
Speaker 2: A lawyer might even tell his client, Hey, this is

2000
01:53:11,000 --> 01:53:14,200
Speaker 2: what it is. But you're dealing with oftentimes young artists

2001
01:53:14,680 --> 01:53:17,320
Speaker 2: like I just want to get the deal. Yeah, you know,

2002
01:53:17,439 --> 01:53:19,120
Speaker 2: but but if you look back, if you really look

2003
01:53:19,160 --> 01:53:22,040
Speaker 2: at it, you're you're still exploiting a young mind. You

2004
01:53:22,080 --> 01:53:22,519
Speaker 2: know what I'm saying.

2005
01:53:22,600 --> 01:53:25,719
Speaker 5: It's all circumstantial. It's where you we are in your life,

2006
01:53:26,040 --> 01:53:28,080
Speaker 5: you know what I'm saying. If you just working McDonald's,

2007
01:53:28,080 --> 01:53:31,040
Speaker 5: were hustling on the block, that deal, that's.

2008
01:53:31,600 --> 01:53:32,320
Speaker 1: It's a life change.

2009
01:53:32,880 --> 01:53:36,559
Speaker 5: You just if you just expect to grow.

2010
01:53:37,000 --> 01:53:39,000
Speaker 1: All of us is dumb because we all kind of

2011
01:53:39,200 --> 01:53:42,880
Speaker 1: knew that it wasn't the right thing to do. But

2012
01:53:42,960 --> 01:53:45,200
Speaker 1: we're like, yo, we're going to fix it the next album.

2013
01:53:45,320 --> 01:53:46,000
Speaker 4: Right right.

2014
01:53:46,439 --> 01:53:49,400
Speaker 1: Yes, you always do feeling that you could renegotiate it

2015
01:53:49,479 --> 01:53:52,439
Speaker 1: in a sense, and which is in my case. We

2016
01:53:52,560 --> 01:53:56,880
Speaker 1: had component Noriega, then Copone went to jail. I was

2017
01:53:56,960 --> 01:53:58,640
Speaker 1: forced to do a solo album. I wasn't going to

2018
01:53:58,680 --> 01:54:00,840
Speaker 1: be a solo you know what I'm saying. So I

2019
01:54:00,960 --> 01:54:02,519
Speaker 1: was forced to do it, and it worked out for

2020
01:54:02,600 --> 01:54:04,240
Speaker 1: me in the long run. But if I had that

2021
01:54:04,360 --> 01:54:06,559
Speaker 1: that not happened, I would have been signing this Coon

2022
01:54:06,680 --> 01:54:09,439
Speaker 1: nor Jega for life. Yeah all right, I'm sorry. I

2023
01:54:09,680 --> 01:54:14,599
Speaker 1: did not read that ship at all. You want penalty penalty? Yes,

2024
01:54:15,600 --> 01:54:18,800
Speaker 1: like over there with Ian Well, I was with Neil Levin.

2025
01:54:19,120 --> 01:54:19,559
Speaker 1: Oh Neil.

2026
01:54:19,680 --> 01:54:19,840
Speaker 5: Yeah.

2027
01:54:21,320 --> 01:54:26,679
Speaker 1: Actually I love Neil to me, and Neil always still cool.

2028
01:54:26,800 --> 01:54:31,719
Speaker 1: It's still cool to this day. He's he's probably cheapest

2029
01:54:31,720 --> 01:54:35,840
Speaker 1: person I ever met. But he's also fought for me

2030
01:54:36,480 --> 01:54:38,640
Speaker 1: because when I it was it was a time where

2031
01:54:38,680 --> 01:54:40,600
Speaker 1: you had to have a Hype Williams video or you're

2032
01:54:40,640 --> 01:54:43,640
Speaker 1: not going platinum. And I needed a hype Williams video.

2033
01:54:43,960 --> 01:54:47,080
Speaker 4: And I remember Tom would never do a Hype Williams.

2034
01:54:47,240 --> 01:54:50,440
Speaker 1: Yeah I did, I got I got it. I got

2035
01:54:50,480 --> 01:54:54,920
Speaker 1: that budget of the crack. I got so and I

2036
01:54:55,680 --> 01:54:58,320
Speaker 1: remember this. I remember this like it was yesterday. Hay

2037
01:54:58,440 --> 01:55:03,360
Speaker 1: Williams caused me and goes, uh, book a room at

2038
01:55:03,400 --> 01:55:05,800
Speaker 1: the Trump So I go, all right, this is the

2039
01:55:05,880 --> 01:55:13,960
Speaker 1: time where Trump was not racist. Man, that wasn't ready.

2040
01:55:18,200 --> 01:55:21,680
Speaker 1: So he wanted the politicians. He want a politicians. So

2041
01:55:22,040 --> 01:55:25,400
Speaker 1: Ike Williams just like the rich guy he was at

2042
01:55:25,440 --> 01:55:28,040
Speaker 1: the time and he is still probably. He said, book

2043
01:55:28,080 --> 01:55:29,400
Speaker 1: a room of the Trump. So I didn't know what

2044
01:55:29,480 --> 01:55:31,040
Speaker 1: to do. I just booked the room at the Trumps.

2045
01:55:32,040 --> 01:55:37,520
Speaker 1: He said, he comes, shows up. He says, yo, let's

2046
01:55:37,560 --> 01:55:40,760
Speaker 1: call Roy Jones and I said, it's called Roy Jones.

2047
01:55:41,280 --> 01:55:43,400
Speaker 1: He's like, yo, I think Roy Jones needs to be

2048
01:55:43,480 --> 01:55:46,120
Speaker 1: in your video and he needs to be boxing in

2049
01:55:46,200 --> 01:55:48,880
Speaker 1: your video. So I was like, all right, cool, I've

2050
01:55:48,960 --> 01:55:51,040
Speaker 1: never called Rode James before in my life. So calling

2051
01:55:51,160 --> 01:55:55,040
Speaker 1: Roy Jones is at the Trump Hotel. So Roy Jones goes, what,

2052
01:55:56,360 --> 01:55:58,280
Speaker 1: you ain't gotta fake my fight because he's like, yo, fight.

2053
01:55:58,360 --> 01:56:00,200
Speaker 1: He's like, yo, I want to fake a fight, like

2054
01:56:00,240 --> 01:56:02,120
Speaker 1: you know what. He's like this, how this how, this

2055
01:56:02,160 --> 01:56:05,000
Speaker 1: is how hot Rory was at the time. Boy was like,

2056
01:56:05,280 --> 01:56:08,000
Speaker 1: you ain't gotta fake a fight. I gotta fight in

2057
01:56:08,040 --> 01:56:10,320
Speaker 1: two weeks. Y'all gonna come and film it. He was like,

2058
01:56:10,400 --> 01:56:12,600
Speaker 1: but in my mind, I'm like, what if he lose,

2059
01:56:13,320 --> 01:56:15,400
Speaker 1: Like I don't want to footage him lose it. Like

2060
01:56:15,480 --> 01:56:18,320
Speaker 1: I didn't know what And Rory was that confident, oh yeah,

2061
01:56:18,760 --> 01:56:21,720
Speaker 1: and he said no man, we were doing and he

2062
01:56:21,920 --> 01:56:27,000
Speaker 1: was we went and oh man, he showed out that

2063
01:56:27,200 --> 01:56:32,120
Speaker 1: night this first time HBO cameras in that wasn't HBO cameras,

2064
01:56:32,520 --> 01:56:35,120
Speaker 1: and Rory fought for me. So Roy Jones revery, I

2065
01:56:35,240 --> 01:56:35,920
Speaker 1: owe you, brother.

2066
01:56:36,720 --> 01:56:36,760
Speaker 2: You.

2067
01:56:39,160 --> 01:56:42,280
Speaker 1: I told Indyo Champ, you gotta relax. I told him

2068
01:56:42,280 --> 01:56:45,040
Speaker 1: he gotta relax. That's my friend in Dyo Champ. You

2069
01:56:45,080 --> 01:56:49,680
Speaker 1: gotta relax. You cannot hurt Roy Jones. Better not better

2070
01:56:49,880 --> 01:56:55,320
Speaker 1: not Indio. You better not big up a Roy Jones. Man,

2071
01:56:55,360 --> 01:56:56,360
Speaker 1: I love it, Bob Man.

2072
01:56:56,520 --> 01:56:59,520
Speaker 3: Yeah, man, hip hop. Hip hop has been good to us.

2073
01:56:59,640 --> 01:57:01,680
Speaker 3: We've obviously great to me.

2074
01:57:02,080 --> 01:57:02,280
Speaker 2: Yeah.

2075
01:57:02,360 --> 01:57:06,560
Speaker 3: Man, Like even in talking QUI since we talking about it,

2076
01:57:06,600 --> 01:57:09,920
Speaker 3: even with Tommy Boy man, Yo, Monica lynch Man, she

2077
01:57:10,080 --> 01:57:12,880
Speaker 3: held us down over there. Yeah, she was a shining

2078
01:57:12,960 --> 01:57:15,760
Speaker 3: light over there. And there's a lot of other great

2079
01:57:15,880 --> 01:57:18,480
Speaker 3: people over there that did right by it, you know

2080
01:57:18,480 --> 01:57:18,960
Speaker 3: what I'm saying.

2081
01:57:19,040 --> 01:57:22,320
Speaker 5: So like honestly, like even tom was once the business

2082
01:57:22,480 --> 01:57:24,880
Speaker 5: was done, he had some dope ideas, you know what

2083
01:57:24,920 --> 01:57:33,960
Speaker 5: I'm saying. You know now then yeah, you know, like

2084
01:57:34,080 --> 01:57:35,440
Speaker 5: there was a lot of great times.

2085
01:57:35,520 --> 01:57:37,960
Speaker 4: You know, we just grew up, man, and we just

2086
01:57:38,040 --> 01:57:39,880
Speaker 4: grew up and was like, yo, man, this is what

2087
01:57:40,080 --> 01:57:40,320
Speaker 4: it is.

2088
01:57:40,520 --> 01:57:43,280
Speaker 3: This is unfair. Mind you, we had already been fighting

2089
01:57:43,360 --> 01:57:46,320
Speaker 3: to get what we need to get. He got hold

2090
01:57:46,400 --> 01:57:49,760
Speaker 3: of it, he got everything back. We obviously all know

2091
01:57:49,920 --> 01:57:52,640
Speaker 3: that it can be said that Tom got everything back

2092
01:57:52,720 --> 01:57:56,520
Speaker 3: to this flip it right, got he sold it? Yeah,

2093
01:57:57,200 --> 01:57:58,200
Speaker 3: you know, he lost it.

2094
01:57:59,560 --> 01:57:59,880
Speaker 1: Tell us.

2095
01:58:00,200 --> 01:58:03,400
Speaker 4: I'm just trying to say, like, yes, I lost I

2096
01:58:03,560 --> 01:58:04,400
Speaker 4: was going to hold that.

2097
01:58:05,040 --> 01:58:06,200
Speaker 1: So please let me.

2098
01:58:08,120 --> 01:58:10,320
Speaker 4: Completely understand everything Tom had lost.

2099
01:58:11,760 --> 01:58:13,040
Speaker 1: We're not talking about I.

2100
01:58:13,000 --> 01:58:14,200
Speaker 4: Don't know about no bangship.

2101
01:58:14,240 --> 01:58:16,280
Speaker 3: I'm just trying to say that he lost the catalog,

2102
01:58:16,800 --> 01:58:20,040
Speaker 3: lost the catalog to because he had owed money to

2103
01:58:20,120 --> 01:58:22,120
Speaker 3: them and he had to pay it back a certain

2104
01:58:22,160 --> 01:58:24,680
Speaker 3: amount of time. It came out that he didn't pay

2105
01:58:24,720 --> 01:58:26,280
Speaker 3: it back in a certain amount of times. So Warner

2106
01:58:26,360 --> 01:58:30,160
Speaker 3: Brothers took the label. So that's why we had the.

2107
01:58:30,600 --> 01:58:33,480
Speaker 5: Middle of us having bionics around the time and all

2108
01:58:33,520 --> 01:58:36,840
Speaker 5: of that. You know, my man, My only gright with him, man,

2109
01:58:37,000 --> 01:58:39,120
Speaker 5: is that he wasn't the one to come sit us

2110
01:58:39,200 --> 01:58:42,280
Speaker 5: down to tell us this transition that was happening.

2111
01:58:42,440 --> 01:58:43,440
Speaker 4: Yeah, he actually.

2112
01:58:44,760 --> 01:58:47,760
Speaker 3: Yeah, well before it was about to go, I mean, wait,

2113
01:58:47,800 --> 01:58:51,160
Speaker 3: we sent it against I'm sorry, before whatever went down.

2114
01:58:52,200 --> 01:58:56,400
Speaker 3: We actually re signed once we was doing these triple

2115
01:58:56,440 --> 01:59:01,280
Speaker 3: albums we were finished. We actually was re signing with him,

2116
01:59:01,920 --> 01:59:05,440
Speaker 3: but unfortunately finding out that when he lost the label.

2117
01:59:05,480 --> 01:59:07,680
Speaker 3: When we found out that, okay, so the label's going

2118
01:59:07,760 --> 01:59:10,000
Speaker 3: to go to Warner, We're not going to be in

2119
01:59:10,040 --> 01:59:17,879
Speaker 3: a WEIS system any any label, whether it can grab Daylight,

2120
01:59:18,280 --> 01:59:20,480
Speaker 3: grab House of Pain or whatever. And that's what started

2121
01:59:20,480 --> 01:59:23,320
Speaker 3: happening is Sylvia or Rone wanted us on Electra. We

2122
01:59:23,480 --> 01:59:26,920
Speaker 3: was going to Electra. She wanted Timblin to do the

2123
01:59:26,960 --> 01:59:29,440
Speaker 3: whole album. We was like, we don't want that. We

2124
01:59:29,520 --> 01:59:31,320
Speaker 3: don't mind a few tracks, we just don't want them

2125
01:59:31,320 --> 01:59:34,760
Speaker 3: to do the whole album. And then certain money we wanted.

2126
01:59:34,800 --> 01:59:37,800
Speaker 3: We was like, if we sit down, So I knew

2127
01:59:37,880 --> 01:59:41,880
Speaker 3: Sylvia do My brother Rene McClean, Corey Smith, who was

2128
01:59:41,960 --> 01:59:42,760
Speaker 3: managers knew us.

2129
01:59:43,120 --> 01:59:46,520
Speaker 1: She was like, look man Corey Smith who manages Das Belle.

2130
01:59:46,920 --> 01:59:49,080
Speaker 4: Yeah, So we was like yeah.

2131
01:59:49,280 --> 01:59:49,960
Speaker 1: We were just like.

2132
01:59:52,920 --> 01:59:54,680
Speaker 3: She was just like, look, I just want y'all to

2133
01:59:54,680 --> 01:59:56,560
Speaker 3: be happy with whatever, go down, y'all don't got to

2134
01:59:56,600 --> 01:59:56,880
Speaker 3: come here.

2135
01:59:56,960 --> 01:59:57,920
Speaker 4: So we didn't wind up going there.

2136
01:59:58,000 --> 01:59:59,960
Speaker 3: Then it looked like Atlantic wanted us to go over there,

2137
02:00:00,160 --> 02:00:02,600
Speaker 3: so we wound up just telling Warner like yo, we

2138
02:00:02,720 --> 02:00:05,640
Speaker 3: just want out right, they was cool, they let us go.

2139
02:00:06,520 --> 02:00:08,000
Speaker 4: We just want them to be able to go out

2140
02:00:08,040 --> 02:00:08,720
Speaker 4: and do our own thing.

2141
02:00:09,720 --> 02:00:13,520
Speaker 3: So, I mean, you know, it's just being young and

2142
02:00:13,640 --> 02:00:15,920
Speaker 3: even being older, sometimes you just don't know what's going

2143
02:00:16,000 --> 02:00:18,920
Speaker 3: on in the business side of things because it's not you.

2144
02:00:19,200 --> 02:00:21,840
Speaker 4: You know, even when from their standpoint.

2145
02:00:21,400 --> 02:00:25,680
Speaker 5: You know, and once you get hold of learning your

2146
02:00:25,760 --> 02:00:30,640
Speaker 5: contracts and you're into having a family and personal life,

2147
02:00:30,720 --> 02:00:34,440
Speaker 5: you you still end up making some decisions that you

2148
02:00:34,520 --> 02:00:37,800
Speaker 5: feel you need to protect your foundation. You know, it's

2149
02:00:37,840 --> 02:00:41,800
Speaker 5: a certain sacrifices you make in because of the other

2150
02:00:41,880 --> 02:00:44,560
Speaker 5: two people in the group. You go think, let alone

2151
02:00:44,560 --> 02:00:47,200
Speaker 5: the family you know, just built, you know what I'm saying.

2152
02:00:48,320 --> 02:00:51,800
Speaker 5: And at the time, you know, for me, I felt like, yeah,

2153
02:00:51,920 --> 02:00:56,360
Speaker 5: we're making certain compromises and sacrifices just to keep this

2154
02:00:56,600 --> 02:00:59,240
Speaker 5: thing we built going, you know, and being a part

2155
02:00:59,280 --> 02:01:02,040
Speaker 5: of this whole thing and care hip hop that actually

2156
02:01:02,080 --> 02:01:05,720
Speaker 5: feeds our families. Man, you know what I mean? You know, So,

2157
02:01:06,680 --> 02:01:11,240
Speaker 5: but yeah, times changed, things moved along, he lost the catalog,

2158
02:01:11,640 --> 02:01:14,520
Speaker 5: we figured out how to still keep going. Wow. And

2159
02:01:14,720 --> 02:01:17,400
Speaker 5: that says still like in learning the business from the

2160
02:01:17,440 --> 02:01:20,120
Speaker 5: time where you feel like you stuck up until that moment.

2161
02:01:20,240 --> 02:01:20,920
Speaker 4: You learn a lot.

2162
02:01:21,080 --> 02:01:21,240
Speaker 1: Man.

2163
02:01:21,320 --> 02:01:23,960
Speaker 5: You know you can't for a person for learning so

2164
02:01:24,120 --> 02:01:26,520
Speaker 5: much to know where they can figure out, not how

2165
02:01:26,560 --> 02:01:28,800
Speaker 5: to strategize. Where you got where they got their barking

2166
02:01:28,880 --> 02:01:29,280
Speaker 5: in power.

2167
02:01:29,720 --> 02:01:32,320
Speaker 1: Let me ask you, because when he lost the catalog

2168
02:01:32,520 --> 02:01:34,320
Speaker 1: and got it back it went to Warner. Did he

2169
02:01:34,360 --> 02:01:34,920
Speaker 1: get it back?

2170
02:01:35,280 --> 02:01:37,400
Speaker 3: He got it back, He got it back years later,

2171
02:01:37,760 --> 02:01:41,120
Speaker 3: years later he paid for I don't know how.

2172
02:01:41,360 --> 02:01:42,000
Speaker 1: How he got it.

2173
02:01:42,760 --> 02:01:45,120
Speaker 5: It's even when warners, how did we were trying to

2174
02:01:45,200 --> 02:01:47,920
Speaker 5: get it. We weren't even trying to get it. We

2175
02:01:48,000 --> 02:01:49,800
Speaker 5: were just trying to get them to put it up

2176
02:01:51,120 --> 02:01:54,560
Speaker 5: when we were still lacking knowledge in business, just wanting

2177
02:01:54,640 --> 02:01:56,680
Speaker 5: the catalog up. And maybe.

2178
02:01:58,400 --> 02:02:00,480
Speaker 2: When you say up for sale or up for sure,

2179
02:02:02,480 --> 02:02:06,880
Speaker 2: because you remember, like all that was for streamings, for

2180
02:02:06,920 --> 02:02:09,760
Speaker 2: saying we missed so you could get the royalties off.

2181
02:02:11,240 --> 02:02:15,520
Speaker 3: So even at that point, Rhino Wanna was allowing Rhino

2182
02:02:15,720 --> 02:02:18,000
Speaker 3: to work out stuff. We did the live from Tramp's

2183
02:02:18,040 --> 02:02:23,280
Speaker 3: album whatever. But then when wait a minute, this infraction,

2184
02:02:23,440 --> 02:02:24,360
Speaker 3: as Mace would say.

2185
02:02:24,320 --> 02:02:24,760
Speaker 1: Is coming in.

2186
02:02:25,200 --> 02:02:28,520
Speaker 4: You know you owe you, you didn't you didn't clear

2187
02:02:28,600 --> 02:02:29,520
Speaker 4: potholes in my lawn.

2188
02:02:29,560 --> 02:02:31,640
Speaker 3: You didn't clear this sample so that's been want to

2189
02:02:31,760 --> 02:02:35,240
Speaker 3: shelf everything, So were trying to work it out with them.

2190
02:02:35,280 --> 02:02:36,840
Speaker 4: At one point Leo Cohen was over there.

2191
02:02:36,960 --> 02:02:40,160
Speaker 3: Leo was li was our ex manager, you know, well

2192
02:02:40,240 --> 02:02:43,720
Speaker 3: manage our rush managements. Simmons and Leo. You try to

2193
02:02:43,760 --> 02:02:46,840
Speaker 3: work it out. But then at one point and leaving,

2194
02:02:46,920 --> 02:02:50,240
Speaker 3: he went leaving and the new people come in. So

2195
02:02:50,320 --> 02:02:52,000
Speaker 3: it was all that type of stuff going on. Man,

2196
02:02:52,040 --> 02:02:54,760
Speaker 3: it was just a long period of us trying to

2197
02:02:54,800 --> 02:02:57,840
Speaker 3: put it up. We had I don't really say their names,

2198
02:02:57,920 --> 02:02:59,960
Speaker 3: but we had like a streaming company. At one point

2199
02:03:00,280 --> 02:03:04,720
Speaker 3: was like, yo, we'll pay for everything. We'll fix everything.

2200
02:03:06,600 --> 02:03:10,360
Speaker 3: Allow us to fix everything. We'll pay for everything. We

2201
02:03:10,520 --> 02:03:13,200
Speaker 3: told warn us like yo, this streaming company will pay

2202
02:03:13,280 --> 02:03:14,640
Speaker 3: for everything, fix everything.

2203
02:03:15,000 --> 02:03:16,680
Speaker 4: They still wouldn't bite.

2204
02:03:17,480 --> 02:03:22,000
Speaker 5: At that point, I felt like somebody was waiting for

2205
02:03:22,160 --> 02:03:23,920
Speaker 5: him to get it together, to get it back.

2206
02:03:24,040 --> 02:03:29,400
Speaker 4: Yeah, for him, he came reached out to us. He

2207
02:03:29,520 --> 02:03:31,360
Speaker 4: had got it, He got everything back.

2208
02:03:31,480 --> 02:03:33,560
Speaker 3: But what I'm just trying to say, in hindsight, he

2209
02:03:33,720 --> 02:03:35,960
Speaker 3: was getting every even thing back just to flip it.

2210
02:03:37,040 --> 02:03:37,520
Speaker 1: Just to sell it.

2211
02:03:37,600 --> 02:03:37,840
Speaker 5: It was.

2212
02:03:39,400 --> 02:03:40,920
Speaker 1: He didn't care about who.

2213
02:03:40,920 --> 02:03:44,920
Speaker 5: Knows, who knows Because I honestly, when he was trying

2214
02:03:45,040 --> 02:03:47,720
Speaker 5: to get us to do it. It seemed like he

2215
02:03:47,880 --> 02:03:50,640
Speaker 5: was looking to put put it all out he wanted

2216
02:03:51,960 --> 02:03:56,240
Speaker 5: when he sent to everybody these generic emails that kind

2217
02:03:56,280 --> 02:03:59,920
Speaker 5: of reverted back to contracts that were like eighty eight

2218
02:04:00,160 --> 02:04:02,200
Speaker 5: eighty nine that we weren't even doing with him in

2219
02:04:02,320 --> 02:04:05,360
Speaker 5: two thousand. You know what I mean? It was Yeah,

2220
02:04:05,400 --> 02:04:08,080
Speaker 5: well y'are seeing it all. We posted it all man,

2221
02:04:08,760 --> 02:04:16,080
Speaker 5: you know it was interesting, but it was him, Like I.

2222
02:04:16,160 --> 02:04:18,400
Speaker 1: Said, Man, honestly, do you guys think it was all

2223
02:04:18,440 --> 02:04:19,480
Speaker 1: worth it was?

2224
02:04:19,520 --> 02:04:19,560
Speaker 3: What?

2225
02:04:19,960 --> 02:04:20,640
Speaker 1: Was it all worth it?

2226
02:04:22,600 --> 02:04:25,920
Speaker 5: It definitely was worth it. He learned so much. Yeah,

2227
02:04:26,120 --> 02:04:29,600
Speaker 5: I thank God for real, dog, you know, this is

2228
02:04:29,680 --> 02:04:33,160
Speaker 5: an extreme blessing. This is like, don't happen in a

2229
02:04:33,240 --> 02:04:37,360
Speaker 5: million years. I know what we went through even with

2230
02:04:37,520 --> 02:04:41,640
Speaker 5: each other. Yeah, where we almost caved into that fucking shit,

2231
02:04:41,760 --> 02:04:44,120
Speaker 5: you know what I'm saying. So you know, it's truly

2232
02:04:44,160 --> 02:04:46,320
Speaker 5: a blessing from God, and I'm gonna give it all

2233
02:04:46,400 --> 02:04:49,720
Speaker 5: the graces to God. Real straight up, I think.

2234
02:04:49,640 --> 02:04:50,640
Speaker 1: We can make his noise of God.

2235
02:04:54,960 --> 02:04:55,120
Speaker 5: Nah.

2236
02:04:55,240 --> 02:04:59,440
Speaker 1: Man, I'm gonna be honest man, like it's a beautiful.

2237
02:04:59,480 --> 02:05:01,520
Speaker 1: It's a beautif and it's not the ending. I don't

2238
02:05:01,520 --> 02:05:04,440
Speaker 1: want to say this is the ending, because I feel

2239
02:05:04,480 --> 02:05:07,200
Speaker 1: like you guys got a whole other legacy that rehearse.

2240
02:05:08,040 --> 02:05:11,160
Speaker 1: And the thing about it is, it's not like we're

2241
02:05:11,160 --> 02:05:13,960
Speaker 1: playing football. It's not like we're playing boxing. We can

2242
02:05:14,080 --> 02:05:15,440
Speaker 1: do this ship for the rest of our life.

2243
02:05:15,440 --> 02:05:16,280
Speaker 5: You go on.

2244
02:05:16,800 --> 02:05:19,360
Speaker 1: So I would love to hear that New Day Live album.

2245
02:05:19,960 --> 02:05:22,760
Speaker 5: I really love about being a part of it.

2246
02:05:23,280 --> 02:05:25,480
Speaker 1: Come on, send me a joint, Send me a joint,

2247
02:05:35,000 --> 02:05:37,400
Speaker 1: because y'all truly deserve it, man, Like I can't see

2248
02:05:39,720 --> 02:05:43,360
Speaker 1: you know anybody deserve it more than you guys, Like

2249
02:05:43,600 --> 02:05:45,520
Speaker 1: you know what I mean. You guys have been lawyer

2250
02:05:45,600 --> 02:05:50,320
Speaker 1: to hip hop. You gave us your whole life. Like

2251
02:05:50,440 --> 02:05:54,120
Speaker 1: I don't remember not hearing the Day Soul track, Like

2252
02:05:55,000 --> 02:05:58,760
Speaker 1: I don't remember not hearing so what y'all did, what

2253
02:05:58,920 --> 02:06:04,440
Speaker 1: y'all contributed, it's warranted. I wanted to know this noticed.

2254
02:06:05,160 --> 02:06:07,880
Speaker 1: You guys are really one of the greatest, greatest groups

2255
02:06:07,920 --> 02:06:10,520
Speaker 1: of all time. The fact that you got your rights

2256
02:06:10,600 --> 02:06:15,440
Speaker 1: back really really, it's a beautiful story, man, It really

2257
02:06:15,600 --> 02:06:19,400
Speaker 1: truly is because you guys deserve it, and everybody, yeah,

2258
02:06:19,880 --> 02:06:23,480
Speaker 1: you guys deserve that, appreciate it. I'm happy for y'all. Man,

2259
02:06:24,120 --> 02:06:26,840
Speaker 1: y'all happy for your family. I wish you know, God

2260
02:06:26,880 --> 02:06:29,840
Speaker 1: bless Dave got to see, you know, more of it,

2261
02:06:32,360 --> 02:06:39,480
Speaker 1: and man wanted to show y'all that love. Man, you

2262
02:06:40,040 --> 02:06:43,440
Speaker 1: got more. I got a couple more notes. Let's go

2263
02:06:45,440 --> 02:06:47,040
Speaker 1: cold on Brett barras.

2264
02:06:48,360 --> 02:06:48,640
Speaker 5: Around.

2265
02:06:49,040 --> 02:06:53,160
Speaker 2: Yeah, but how much of for a new daylight project,

2266
02:06:53,960 --> 02:06:56,200
Speaker 2: how much of Dave's vocals would be involved in it.

2267
02:06:57,600 --> 02:07:00,760
Speaker 3: I mean, there's a bunch of stuff. I've been trying

2268
02:07:00,880 --> 02:07:08,800
Speaker 3: to get everything from his crib, this stuff there, but yeah,

2269
02:07:08,840 --> 02:07:11,120
Speaker 3: I'm not pushing anything. If it don't work, it don't work.

2270
02:07:11,160 --> 02:07:13,720
Speaker 3: I mean, sometimes we got to realize the reason why

2271
02:07:13,880 --> 02:07:17,160
Speaker 3: certain things were never put to light because they they

2272
02:07:17,240 --> 02:07:20,400
Speaker 3: weren't of the quality of what the person wanted. I

2273
02:07:20,560 --> 02:07:23,160
Speaker 3: really do feel that people sometimes need to realize that

2274
02:07:25,120 --> 02:07:27,000
Speaker 3: there's a lot of great producers. There's a lot of

2275
02:07:27,000 --> 02:07:29,920
Speaker 3: great MC's who we've lost, and a lot of times

2276
02:07:29,960 --> 02:07:33,080
Speaker 3: people just start bastardizing their ships, throwing it up, putting

2277
02:07:33,160 --> 02:07:35,840
Speaker 3: this out, and sometimes some of that shit wasn't meant

2278
02:07:35,880 --> 02:07:38,360
Speaker 3: to come out for a reason. So, I mean, it's

2279
02:07:38,400 --> 02:07:41,360
Speaker 3: the same with Dave's vocals. There's a bunch of stuff

2280
02:07:41,880 --> 02:07:44,240
Speaker 3: that I know he would just do when he felt

2281
02:07:44,280 --> 02:07:47,240
Speaker 3: the ghosts and wrote and if it works, it works.

2282
02:07:47,280 --> 02:07:48,200
Speaker 4: If it don't, it don't.

2283
02:07:48,280 --> 02:07:48,440
Speaker 5: Man.

2284
02:07:48,760 --> 02:07:50,440
Speaker 4: You know what I'm saying, We ain't gonna force anything.

2285
02:07:50,760 --> 02:07:51,280
Speaker 5: You know what I'm saying.

2286
02:07:51,560 --> 02:07:54,840
Speaker 2: I respect that does you don't have to answer if

2287
02:07:54,880 --> 02:07:58,560
Speaker 2: you don't want to. But moving on the Daylight as

2288
02:07:58,600 --> 02:08:03,040
Speaker 2: a group as a brand, does his family are they

2289
02:08:03,360 --> 02:08:03,920
Speaker 2: a part of that?

2290
02:08:04,600 --> 02:08:05,040
Speaker 4: Yeah?

2291
02:08:05,280 --> 02:08:06,680
Speaker 5: Definitely, definitely for sure.

2292
02:08:07,800 --> 02:08:10,960
Speaker 2: Question yeah, because I know that gets complicated with people

2293
02:08:11,000 --> 02:08:15,040
Speaker 2: and it kid creates a weird I mean, it's crazy

2294
02:08:15,160 --> 02:08:16,080
Speaker 2: because I can say it.

2295
02:08:16,840 --> 02:08:19,720
Speaker 3: We literally had put together the contracts to make sure

2296
02:08:19,760 --> 02:08:22,160
Speaker 3: that was right four days before this niggas left.

2297
02:08:22,600 --> 02:08:28,440
Speaker 1: Wow literally and like like sometimes like I see like

2298
02:08:28,520 --> 02:08:33,080
Speaker 1: Havoc right, Havoc will go out and he'll call it

2299
02:08:33,200 --> 02:08:37,160
Speaker 1: mob Deep, but he'll be it'll be DJ L l

2300
02:08:37,160 --> 02:08:42,240
Speaker 1: E s, It'll be rapp anoid. Do I still say

2301
02:08:42,560 --> 02:08:43,360
Speaker 1: day Soul.

2302
02:08:43,640 --> 02:08:44,600
Speaker 4: It's daylight man.

2303
02:08:45,480 --> 02:08:48,560
Speaker 3: At the end of the day, Man, I just know

2304
02:08:48,680 --> 02:08:52,600
Speaker 3: a lot of a lot of our brothers they miss him.

2305
02:08:52,720 --> 02:08:55,520
Speaker 3: So like when when most comes up and like, yo, man,

2306
02:08:55,720 --> 02:08:59,640
Speaker 3: I'm down the rock he rocked, you know, thought hit

2307
02:08:59,720 --> 02:09:03,600
Speaker 3: me like black thought, Like Yo, man, I'm standing in

2308
02:09:03,680 --> 02:09:04,880
Speaker 3: your service, whatever.

2309
02:09:04,640 --> 02:09:05,480
Speaker 5: You need say.

2310
02:09:05,960 --> 02:09:06,560
Speaker 4: You know what I'm saying.

2311
02:09:06,840 --> 02:09:09,760
Speaker 5: Most got an alien brain. He knows everybody's rhynd.

2312
02:09:11,800 --> 02:09:12,440
Speaker 1: You know what I'm saying.

2313
02:09:12,560 --> 02:09:16,440
Speaker 5: So you know, always came out and represented, you know.

2314
02:09:17,360 --> 02:09:19,200
Speaker 4: So that that aspect is there.

2315
02:09:19,400 --> 02:09:21,440
Speaker 1: But you know, I call it the.

2316
02:09:21,480 --> 02:09:27,880
Speaker 5: Super Friends when we get together because everybody delivered their spirit. Man,

2317
02:09:28,480 --> 02:09:29,800
Speaker 5: they make it daylight for them.

2318
02:09:30,200 --> 02:09:32,600
Speaker 4: Yeah, and that's a testament to the legacy.

2319
02:09:33,840 --> 02:09:35,960
Speaker 1: Now, domind d when are we getting d I T

2320
02:09:36,160 --> 02:09:39,640
Speaker 1: C on drink champs? Come on the whole d I

2321
02:09:39,800 --> 02:09:53,200
Speaker 1: T E slim y'all now everybody, Yeah, I went the

2322
02:09:53,280 --> 02:09:55,160
Speaker 1: whole stories.

2323
02:09:55,600 --> 02:09:58,480
Speaker 3: Yes, oh man, that I saw him sitting at the

2324
02:09:58,520 --> 02:09:58,880
Speaker 3: wire house.

2325
02:09:59,320 --> 02:10:00,280
Speaker 4: You need to be sitting that this.

2326
02:10:00,600 --> 02:10:03,920
Speaker 1: You've seen Kamala looking at him looking look at my boy,

2327
02:10:03,960 --> 02:10:08,120
Speaker 1: Mad Joe got the vice president looking at him. I

2328
02:10:08,360 --> 02:10:10,600
Speaker 1: like the death ship. I ain't never get invited to

2329
02:10:10,600 --> 02:10:13,240
Speaker 1: that White House ever. I don't think I'm never going

2330
02:10:13,280 --> 02:10:16,080
Speaker 1: to get invited either. I think my invites were You

2331
02:10:16,160 --> 02:10:25,960
Speaker 1: never know, we might have drink camps there right very

2332
02:10:26,360 --> 02:10:29,800
Speaker 1: because you know I've been very critical on kamalo uh

2333
02:10:30,320 --> 02:10:36,760
Speaker 1: and that Sleepy Joe. Just stay up like Sleepy Jo

2334
02:10:45,880 --> 02:10:47,960
Speaker 1: was just keep us on the World War three buddies

2335
02:10:49,960 --> 02:10:53,280
Speaker 1: kiss caffe, but kiss cafe and is like, he's a

2336
02:10:55,480 --> 02:11:04,160
Speaker 1: sleepy joe against that. I ain't gonna lie. He's leaping.

2337
02:11:04,320 --> 02:11:06,600
Speaker 1: You know, you know this is how you know. This

2338
02:11:06,680 --> 02:11:09,760
Speaker 1: is how you know when the dude is kind of

2339
02:11:09,840 --> 02:11:13,600
Speaker 1: fucked up. When you start, you start, you started appreciating Trump.

2340
02:11:13,640 --> 02:11:17,080
Speaker 1: You're like, man, I kind of miss drunk. At least

2341
02:11:17,120 --> 02:11:19,440
Speaker 1: he came outside. That's what happened with We all want

2342
02:11:19,480 --> 02:11:26,920
Speaker 1: to missing Bush. You're like, damn something to say that

2343
02:11:27,000 --> 02:11:29,360
Speaker 1: we can't find no younger people in this that that

2344
02:11:29,480 --> 02:11:32,040
Speaker 1: want to be in the politics. Let's check something new

2345
02:11:32,120 --> 02:11:35,520
Speaker 1: into the political. He didn't even take a munk shot

2346
02:11:35,920 --> 02:11:39,600
Speaker 1: who he got arrested without a month shot. He told them,

2347
02:11:39,640 --> 02:11:41,840
Speaker 1: if y'all give me my mug shot, I'm making money

2348
02:11:41,880 --> 02:11:42,240
Speaker 1: over it.

2349
02:11:42,840 --> 02:11:50,320
Speaker 12: So they wouldn't take his What he said, bro, believe

2350
02:11:50,400 --> 02:11:54,640
Speaker 12: that I gotta ship.

2351
02:11:54,920 --> 02:11:57,880
Speaker 1: Where's the who hell? I'm gonna make money off this ship?

2352
02:11:58,920 --> 02:12:01,000
Speaker 1: Give me money? He said, I want my monk shot,

2353
02:12:01,520 --> 02:12:04,320
Speaker 1: and they said, you know what, they did a mockery.

2354
02:12:04,440 --> 02:12:06,160
Speaker 4: Where's the monkey shot shot?

2355
02:12:06,240 --> 02:12:10,360
Speaker 1: Where's no she said somewhere that they ain't getting fingerprinted nothing.

2356
02:12:11,800 --> 02:12:15,800
Speaker 1: He got process. He got process, but he got process.

2357
02:12:15,840 --> 02:12:17,200
Speaker 1: He had to get fingerprints, and he had to get

2358
02:12:17,200 --> 02:12:20,200
Speaker 1: a mon fingerprinted. I don't think you got together that

2359
02:12:21,200 --> 02:12:23,920
Speaker 1: don't exist. That monk shot don't exist, Bro, you would

2360
02:12:23,920 --> 02:12:26,400
Speaker 1: see it. Mike Tyson has a muck shot. Everybody has

2361
02:12:26,440 --> 02:12:27,720
Speaker 1: a monk shot. Jackie Jackson.

2362
02:12:28,520 --> 02:12:31,520
Speaker 2: Together, they might have given him some presidential like we're

2363
02:12:31,520 --> 02:12:33,360
Speaker 2: gonna put your ship because he threatened him.

2364
02:12:33,360 --> 02:12:36,040
Speaker 1: He said I'm going over this. I don't think I'm

2365
02:12:36,160 --> 02:12:41,720
Speaker 1: taking and he said he gonna now street, now street

2366
02:12:51,200 --> 02:12:56,640
Speaker 1: about three. Yeah, yeah, I gonna lie. He started making

2367
02:12:56,680 --> 02:13:00,600
Speaker 1: me like him. You've been liking him, man, did kind of.

2368
02:13:03,480 --> 02:13:05,040
Speaker 1: I didn't like the racist ship. I didn't like the

2369
02:13:05,640 --> 02:13:08,400
Speaker 1: going at I don't like I don't like anybody reading

2370
02:13:08,640 --> 02:13:11,480
Speaker 1: like but but there's certain ship that I do. A

2371
02:13:11,560 --> 02:13:13,800
Speaker 1: lot of my friends was rich when Trump was in office.

2372
02:13:15,840 --> 02:13:18,839
Speaker 1: I knew no bout niggas with Trump was in office, biting.

2373
02:13:19,320 --> 02:13:22,760
Speaker 1: It's a couple of niggas back outside outside. Man, I'm

2374
02:13:22,760 --> 02:13:28,120
Speaker 1: sorry looking at me like sleeping Joe alone sleep. I'm sorry.

2375
02:13:28,200 --> 02:13:32,320
Speaker 1: I don't do politics, but they ain't inviting us to

2376
02:13:32,320 --> 02:13:34,840
Speaker 1: the White House. You got invite into the White House.

2377
02:13:35,520 --> 02:13:38,880
Speaker 4: We Yeah, we did the Obama leaving party. That was

2378
02:13:39,480 --> 02:13:41,280
Speaker 4: that was that was that was hard.

2379
02:13:41,520 --> 02:13:43,440
Speaker 1: That was that was hard. You got to meet.

2380
02:13:43,360 --> 02:13:48,560
Speaker 4: Michelle, Yeah, both of them, and both of them they

2381
02:13:48,640 --> 02:13:50,800
Speaker 4: seemed like they mad, Yeah mad cool.

2382
02:13:50,960 --> 02:13:52,680
Speaker 5: Yeah, he dpted me up everything.

2383
02:13:53,080 --> 02:13:54,560
Speaker 1: Wait them.

2384
02:13:56,040 --> 02:14:04,120
Speaker 3: Like so like you know, we wound up doing business

2385
02:14:04,200 --> 02:14:07,000
Speaker 3: because Michelle Obama want to hear the business you know

2386
02:14:07,000 --> 02:14:09,600
Speaker 3: what I'm saying. So we're doing the rhyme Like I

2387
02:14:09,680 --> 02:14:12,160
Speaker 3: almost messed up because I'm looking and you know the words.

2388
02:14:12,280 --> 02:14:15,960
Speaker 4: I was like, Yo, it's crazy history right there.

2389
02:14:16,400 --> 02:14:19,240
Speaker 1: That's dope. That is definitely really dope. Really do we

2390
02:14:19,520 --> 02:14:22,360
Speaker 1: never getting invited a way? You never know? You never know,

2391
02:14:23,920 --> 02:14:26,040
Speaker 1: you keep shutting them out. He might be like, let's

2392
02:14:26,040 --> 02:14:28,160
Speaker 1: do dream chance in the black house. I ain't gonna

2393
02:14:28,160 --> 02:14:32,560
Speaker 1: lie to you. Let me stop because you never know.

2394
02:14:32,720 --> 02:14:40,720
Speaker 2: MANA hit that hookah?

2395
02:14:45,400 --> 02:14:51,360
Speaker 1: What is that marijuana? That's marijuana? Uga, man this whole time?

2396
02:14:55,680 --> 02:14:56,120
Speaker 5: What kind of.

2397
02:14:57,920 --> 02:15:01,520
Speaker 4: Kia hookah? Some ship should especially.

2398
02:15:01,200 --> 02:15:08,720
Speaker 1: Real modern marijuana marijuana. It is marijuana. She got AI. Yeah,

2399
02:15:08,720 --> 02:15:13,960
Speaker 1: it looks like it's pretty good talking about AI. What

2400
02:15:14,040 --> 02:15:16,680
Speaker 1: do y'all think about? I mean the vocal ship I

2401
02:15:16,760 --> 02:15:20,240
Speaker 1: have Biggies Verse over mall Deep Joint.

2402
02:15:20,680 --> 02:15:23,080
Speaker 2: But no, but now the new business model is licensing

2403
02:15:23,240 --> 02:15:26,240
Speaker 2: your voice so that they can use it, because they're

2404
02:15:26,240 --> 02:15:29,320
Speaker 2: gonna be using in any ways. Really, yeah, hear that

2405
02:15:29,480 --> 02:15:32,360
Speaker 2: people are making deals that every time it gets used,

2406
02:15:32,360 --> 02:15:34,720
Speaker 2: they get fifty percent of the record or some royalty

2407
02:15:34,800 --> 02:15:36,080
Speaker 2: rate off of their voice.

2408
02:15:36,960 --> 02:15:40,440
Speaker 1: Sounds super dangerous, but but what other choice. It's such

2409
02:15:40,520 --> 02:15:43,640
Speaker 1: it gets weird now. Yeah, yeah, I heard Biggie rapping

2410
02:15:43,800 --> 02:15:44,600
Speaker 1: Prodigies Verse.

2411
02:15:44,720 --> 02:15:47,200
Speaker 4: Yeah, Biggie doing Easy E Records.

2412
02:15:47,440 --> 02:15:52,200
Speaker 3: Yeah, I saw Michael Jackson doing uh oh yeah, the

2413
02:15:52,480 --> 02:15:54,120
Speaker 3: True the Snoop.

2414
02:15:53,920 --> 02:15:55,280
Speaker 1: Dogg, the Joint.

2415
02:15:55,360 --> 02:15:59,000
Speaker 4: Yeah right, this is what my niggas, Michael.

2416
02:16:08,280 --> 02:16:09,360
Speaker 1: It's scary.

2417
02:16:10,640 --> 02:16:11,800
Speaker 4: Michael Jackson doing.

2418
02:16:11,840 --> 02:16:21,160
Speaker 1: Yeah Jackson murder. I got it's Michael Jackson. It is

2419
02:16:21,280 --> 02:16:21,880
Speaker 1: so crazy.

2420
02:16:23,720 --> 02:16:29,320
Speaker 5: Yeah, yeah, I heard the ship. I heard the whole ship.

2421
02:16:29,600 --> 02:16:30,640
Speaker 4: Yeah, so what does this?

2422
02:16:31,120 --> 02:16:34,800
Speaker 5: What is this ship? I don't know? Like literally just

2423
02:16:34,879 --> 02:16:37,800
Speaker 5: got me bad side is how my smoke went and thinking.

2424
02:16:38,840 --> 02:16:39,840
Speaker 4: They can take confession.

2425
02:16:40,200 --> 02:16:45,280
Speaker 1: Yeah, it's a whole nother side. That's crazy. They make

2426
02:16:45,360 --> 02:16:50,240
Speaker 1: phone calls line right up. They could call your kids

2427
02:16:50,280 --> 02:16:53,520
Speaker 1: and be like Daddy opened the door for ready, just

2428
02:16:53,600 --> 02:16:53,880
Speaker 1: did that.

2429
02:16:54,040 --> 02:16:59,119
Speaker 3: They just showed how they're doing something where older people

2430
02:16:59,320 --> 02:17:02,880
Speaker 3: like their children are calling them like yo, mom blah

2431
02:17:02,920 --> 02:17:08,760
Speaker 3: blah blah, got money. But it's like, yeah, I faking ship.

2432
02:17:10,600 --> 02:17:13,280
Speaker 3: So it's not being used for like anything of like use.

2433
02:17:13,400 --> 02:17:13,600
Speaker 5: Man.

2434
02:17:14,080 --> 02:17:16,080
Speaker 1: By the way, I noticed you ate that whole cake

2435
02:17:16,160 --> 02:17:24,040
Speaker 1: yea off of us? Nothing that was That was the

2436
02:17:24,240 --> 02:17:28,160
Speaker 1: ultimate fat Boys ship, right, but none of us at

2437
02:17:28,240 --> 02:17:32,119
Speaker 1: the table, not even one piece. We like cake too.

2438
02:17:37,440 --> 02:17:39,280
Speaker 1: Yeah that was funny as that, man.

2439
02:17:39,760 --> 02:17:42,440
Speaker 3: I mean it just even now, I feel like even

2440
02:17:42,600 --> 02:17:44,960
Speaker 3: some real hip hop ship, that a ship could be lazy,

2441
02:17:45,120 --> 02:17:47,000
Speaker 3: Like you can turn around and be like, damn, I

2442
02:17:47,040 --> 02:17:48,760
Speaker 3: got eight records to write to. You can get this

2443
02:17:49,200 --> 02:17:51,720
Speaker 3: ship the right man for you, you know what I'm

2444
02:17:51,720 --> 02:17:53,680
Speaker 3: saying That right for you.

2445
02:17:55,760 --> 02:17:59,240
Speaker 1: Could write scripts, you write a book. I could write it,

2446
02:17:59,320 --> 02:18:03,000
Speaker 1: could write it. They could check it out. I see

2447
02:18:03,040 --> 02:18:05,920
Speaker 1: the Biggie verse. That's it hurt me. They do. That's

2448
02:18:05,959 --> 02:18:06,520
Speaker 1: the smallest.

2449
02:18:06,560 --> 02:18:10,000
Speaker 5: That's it's kind of dangerous because yeah, it clones people's

2450
02:18:10,080 --> 02:18:13,199
Speaker 5: voices to where it can make up a whole fucking

2451
02:18:13,280 --> 02:18:14,760
Speaker 5: cram scene if anything.

2452
02:18:14,920 --> 02:18:17,240
Speaker 1: Wo wow, I didn't look at it like that. I

2453
02:18:17,320 --> 02:18:18,800
Speaker 1: heard you just say that. I ain't look at it

2454
02:18:18,920 --> 02:18:24,160
Speaker 1: like that Holy Moly walked along. It's uh m hmmm, Hello,

2455
02:18:24,280 --> 02:18:31,160
Speaker 1: I got that point between AI and the defint.

2456
02:18:30,840 --> 02:18:35,000
Speaker 5: Holding somebody for ransom, but cloning somebody's voice saying.

2457
02:18:34,800 --> 02:18:37,400
Speaker 1: My hold on. They did that.

2458
02:18:38,120 --> 02:18:45,920
Speaker 3: I haven't met Bill Cosby never, No, no, never, We

2459
02:18:46,000 --> 02:18:49,640
Speaker 3: would see it, you know. Most obviously work with them.

2460
02:18:49,920 --> 02:18:55,480
Speaker 3: Y'all seen y'all seen Most, But we definitely worked with Bill. Yeah,

2461
02:18:55,840 --> 02:19:00,720
Speaker 3: acting Wise Cosby Cosby mysteries. Most was like a sidekick

2462
02:19:02,280 --> 02:19:06,600
Speaker 3: most acting those man is wild man Most Most.

2463
02:19:06,760 --> 02:19:09,160
Speaker 1: I believed him as a doctor. I was gonna go

2464
02:19:09,240 --> 02:19:12,160
Speaker 1: see him. Yeah, you didn't see him in the eight ship.

2465
02:19:12,280 --> 02:19:19,400
Speaker 1: He was a doctor. I believed black Heart surgeon. I

2466
02:19:19,520 --> 02:19:22,240
Speaker 1: believed him him. But earlier I said that, I was

2467
02:19:22,400 --> 02:19:25,920
Speaker 1: asked about African Mambada, right, and African body had some

2468
02:19:26,200 --> 02:19:29,480
Speaker 1: very serious allegations against him, and I could see certain

2469
02:19:29,560 --> 02:19:36,840
Speaker 1: people hold him down. And I can also see certain

2470
02:19:36,879 --> 02:19:40,160
Speaker 1: people who just not want to talk about it. Period.

2471
02:19:40,600 --> 02:19:43,800
Speaker 1: What what is that type of stance for all three

2472
02:19:43,840 --> 02:19:46,120
Speaker 1: of your brothers when you say, because this man did

2473
02:19:46,240 --> 02:19:48,920
Speaker 1: do a lot of great things for hip hop, but

2474
02:19:49,040 --> 02:19:53,280
Speaker 1: those allegations are kind of crazy. So what do you guys?

2475
02:19:53,680 --> 02:19:56,480
Speaker 5: I toured with, man, I never experienced no kind of

2476
02:19:56,560 --> 02:20:00,280
Speaker 5: vibe like that whatsoever. You know. For the most part,

2477
02:20:01,040 --> 02:20:03,160
Speaker 5: what's still whole dear to me is what I learned,

2478
02:20:03,280 --> 02:20:06,480
Speaker 5: you know, from watching as a kid. So I still

2479
02:20:06,520 --> 02:20:10,039
Speaker 5: hold them in high regard of all the tenements of peace, unity,

2480
02:20:10,160 --> 02:20:12,280
Speaker 5: live and having fun, you know what I mean, and

2481
02:20:12,480 --> 02:20:15,200
Speaker 5: everything we actually adopted from the Zula nation, you know.

2482
02:20:15,520 --> 02:20:17,840
Speaker 5: And so I don't know any of that other stuff.

2483
02:20:17,879 --> 02:20:22,400
Speaker 5: And yeah, the ship is disturbing, you know. I am

2484
02:20:22,600 --> 02:20:26,760
Speaker 5: concerned for him, his family and for the victims, you

2485
02:20:26,840 --> 02:20:28,680
Speaker 5: know what I'm saying. So I respect that, you know,

2486
02:20:30,600 --> 02:20:34,840
Speaker 5: that's where it's at, what he said. Yes, I respect that.

2487
02:20:35,320 --> 02:20:42,120
Speaker 5: It's a touchy situation. Yeah, you know, this is it

2488
02:20:42,280 --> 02:20:43,960
Speaker 5: it really, it really is, you know what I'm saying.

2489
02:20:44,080 --> 02:20:49,560
Speaker 5: But you know, over this entertainment, we are still real people, man,

2490
02:20:50,360 --> 02:20:55,520
Speaker 5: and you know, people live lives and something. You know,

2491
02:20:56,040 --> 02:21:01,039
Speaker 5: I've remember a quote from Hillary Clinton. Every family has

2492
02:21:01,120 --> 02:21:05,080
Speaker 5: the dysfunctions. You know what I'm saying is that she got.

2493
02:21:06,760 --> 02:21:10,240
Speaker 1: Yeah the mono, Yeah, big of Hillary, Glen. That was

2494
02:21:10,320 --> 02:21:16,760
Speaker 1: hard drink yet Hillary big enough just just dist yoke,

2495
02:21:19,440 --> 02:21:27,040
Speaker 1: real ship, you know. So man, you know what is

2496
02:21:27,080 --> 02:21:37,200
Speaker 1: going on the quarter drink. You know what I'm saying, right, So, yeah,

2497
02:21:38,320 --> 02:21:43,200
Speaker 1: but because we received you know, yeah, I leave alone.

2498
02:21:43,240 --> 02:21:49,520
Speaker 1: Let's all right now, you don't want to put the

2499
02:21:49,560 --> 02:21:52,160
Speaker 1: rubber on there. You're just going he's going raw metal.

2500
02:21:54,360 --> 02:21:58,199
Speaker 1: He's raw metal. I see you, I see you, everybody.

2501
02:21:58,320 --> 02:22:00,959
Speaker 1: I see You're gonna shoot the video now, all right? Yeah, Yes,

2502
02:22:01,040 --> 02:22:05,720
Speaker 1: I got god like one more that we're gonna get

2503
02:22:05,920 --> 02:22:08,119
Speaker 1: remember my ship drinks.

2504
02:22:09,200 --> 02:22:09,760
Speaker 4: I'll get through it.

2505
02:22:10,240 --> 02:22:10,880
Speaker 5: I know, I know it.

2506
02:22:12,600 --> 02:22:15,320
Speaker 1: We spoke about I don't know. We spoke about me,

2507
02:22:15,440 --> 02:22:20,440
Speaker 1: myself and early. But I want to go into depth

2508
02:22:21,160 --> 02:22:28,879
Speaker 1: about that record. Mm hmmm. Where where was you at

2509
02:22:28,920 --> 02:22:30,680
Speaker 1: when you when y'all wrote that record?

2510
02:22:32,160 --> 02:22:34,080
Speaker 4: Mentally, we didn't give it. We didn't care.

2511
02:22:36,360 --> 02:22:37,800
Speaker 1: I mean, were y'all doing it? Like?

2512
02:22:37,920 --> 02:22:40,720
Speaker 3: Was it just y'all walking around me? We had put

2513
02:22:40,800 --> 02:22:43,760
Speaker 3: together this album that was what it needed to be.

2514
02:22:44,000 --> 02:22:46,640
Speaker 3: We we thought it was a great album. Tell Me

2515
02:22:46,680 --> 02:22:49,000
Speaker 3: Boy was like. They loved it. They loved everything. They

2516
02:22:49,080 --> 02:22:51,640
Speaker 3: loved the fact that we could pull from the song

2517
02:22:51,720 --> 02:22:54,840
Speaker 3: called I Know and put you know, Steally Dan in it.

2518
02:22:54,920 --> 02:22:56,920
Speaker 3: They love how we could put from this song say

2519
02:22:57,000 --> 02:22:59,680
Speaker 3: No Go and take all the notes.

2520
02:22:59,480 --> 02:23:00,280
Speaker 4: But also Matt.

2521
02:23:00,760 --> 02:23:02,160
Speaker 2: Sorry to cut you, but they loved all of that

2522
02:23:02,240 --> 02:23:04,640
Speaker 2: without them wanting to try to look into clearing the sample.

2523
02:23:04,720 --> 02:23:12,360
Speaker 2: They I'm just saying they appreciated, they.

2524
02:23:10,680 --> 02:23:11,280
Speaker 1: Loved it all.

2525
02:23:12,040 --> 02:23:15,039
Speaker 4: But then they came to us like, Yo, we need.

2526
02:23:16,440 --> 02:23:19,879
Speaker 3: Something to jump off with, Like we need like something

2527
02:23:19,959 --> 02:23:22,760
Speaker 3: that's going to be the kind of the megaphone to

2528
02:23:22,840 --> 02:23:26,320
Speaker 3: bring people to the party. And so they said they

2529
02:23:26,440 --> 02:23:32,560
Speaker 3: needed a single. He always wanted to do something off Mace.

2530
02:23:32,600 --> 02:23:36,920
Speaker 3: He wanted to do something off the Deep Record record.

2531
02:23:37,200 --> 02:23:39,200
Speaker 3: I just felt like it was such a record that

2532
02:23:39,440 --> 02:23:42,720
Speaker 3: was so amazing us touching that what are we going

2533
02:23:42,800 --> 02:23:45,240
Speaker 3: to be able to do to that? So when when

2534
02:23:45,360 --> 02:23:48,520
Speaker 3: him and Paul or mainly May start putting the ship together,

2535
02:23:50,120 --> 02:23:51,880
Speaker 3: Dave was just on some clown ship with it.

2536
02:23:51,959 --> 02:23:53,040
Speaker 4: He was like, Yo, man, fuck it.

2537
02:23:53,320 --> 02:23:56,840
Speaker 3: So Yo, we're gonna we're gonna take this song from

2538
02:23:57,200 --> 02:23:58,720
Speaker 3: Jungle Brothers called black is Black.

2539
02:23:58,879 --> 02:24:01,560
Speaker 4: We're gonna mimic their rhyme style so.

2540
02:24:01,640 --> 02:24:05,520
Speaker 1: That the drinks I'm not sure. Yeah, I don't know.

2541
02:24:06,160 --> 02:24:07,760
Speaker 4: So it was I can drink though.

2542
02:24:11,320 --> 02:24:11,680
Speaker 5: He is not.

2543
02:24:14,520 --> 02:24:18,400
Speaker 3: But yeah, the blackest black record on Jungle Brothers straight

2544
02:24:18,440 --> 02:24:20,920
Speaker 3: out the Jungle album was like in a Meverick cut

2545
02:24:21,000 --> 02:24:22,040
Speaker 3: today people.

2546
02:24:22,160 --> 02:24:25,320
Speaker 4: So we we just took that rhyme style mirror mirror

2547
02:24:25,480 --> 02:24:26,119
Speaker 4: on the wall.

2548
02:24:26,240 --> 02:24:26,440
Speaker 1: Wow.

2549
02:24:27,120 --> 02:24:29,600
Speaker 3: So he was like, fuck it, we just did something

2550
02:24:29,720 --> 02:24:34,360
Speaker 3: so easy, wrote those rhymes real quick here and God

2551
02:24:34,560 --> 02:24:36,959
Speaker 3: was like, yeah, nigga, we're gonna make.

2552
02:24:36,920 --> 02:24:40,120
Speaker 1: This so you know.

2553
02:24:40,360 --> 02:24:43,680
Speaker 5: So it's basically this is your throat and was on

2554
02:24:43,840 --> 02:24:46,400
Speaker 5: the song black as Black. Yeah, and that's where he

2555
02:24:46,560 --> 02:24:51,240
Speaker 5: comes in in his little part black is Black. Yeah,

2556
02:24:51,400 --> 02:24:53,080
Speaker 5: we just took it from Black as Black. We just

2557
02:24:53,120 --> 02:24:55,040
Speaker 5: took that rhyme style from Jungle Brothers.

2558
02:24:55,320 --> 02:24:55,600
Speaker 1: Crazy.

2559
02:24:56,320 --> 02:24:59,280
Speaker 4: Yeah. It was just a throw away. There was no

2560
02:24:59,560 --> 02:25:04,360
Speaker 4: thought into that. It wasn't even on the album they wanted.

2561
02:25:04,400 --> 02:25:05,360
Speaker 13: It was just.

2562
02:25:06,959 --> 02:25:08,600
Speaker 4: Yeah, like yo, know what I'm saying.

2563
02:25:08,600 --> 02:25:10,879
Speaker 2: You had already turned in the album or you gave

2564
02:25:10,920 --> 02:25:12,360
Speaker 2: him the basically the album.

2565
02:25:12,560 --> 02:25:16,200
Speaker 3: They heard everything we had did and they needed we

2566
02:25:16,440 --> 02:25:21,959
Speaker 3: needed a single, so we was like, all right, an esthetic.

2567
02:25:22,240 --> 02:25:27,240
Speaker 5: It was more so at that time for black radio. Yeah,

2568
02:25:28,160 --> 02:25:29,680
Speaker 5: it was called black radios.

2569
02:25:29,400 --> 02:25:30,480
Speaker 1: Called black radio.

2570
02:25:33,560 --> 02:25:37,520
Speaker 5: Straight up. We even got a billboard things says uh yeah,

2571
02:25:37,680 --> 02:25:40,959
Speaker 5: black bloody black music. Yeah yeah, I'm telling.

2572
02:25:40,800 --> 02:25:43,000
Speaker 4: You yeah, So it's like.

2573
02:25:44,680 --> 02:25:52,560
Speaker 3: Radio Yeah changed later, so that was like pretty much

2574
02:25:52,600 --> 02:25:55,680
Speaker 3: the second to last song that was done, wow.

2575
02:25:55,959 --> 02:25:56,160
Speaker 5: Yeah.

2576
02:25:56,560 --> 02:25:59,840
Speaker 4: The last song was living in a full time erar

2577
02:26:00,640 --> 02:26:01,320
Speaker 4: yeah wow.

2578
02:26:01,640 --> 02:26:05,400
Speaker 2: And then aesthetically the look that was the video and

2579
02:26:05,520 --> 02:26:09,000
Speaker 2: you guys that was always there, like you guys already

2580
02:26:09,040 --> 02:26:10,320
Speaker 2: had thought that through was it?

2581
02:26:10,600 --> 02:26:11,680
Speaker 1: There was no thought to it.

2582
02:26:11,879 --> 02:26:15,519
Speaker 3: I'm being honest man, like in us giving a throwaway,

2583
02:26:15,840 --> 02:26:18,640
Speaker 3: it had us giving who we were as people and

2584
02:26:18,720 --> 02:26:20,240
Speaker 3: how we was caring about shit.

2585
02:26:20,840 --> 02:26:23,800
Speaker 4: So once we saw that it was and it was crazy.

2586
02:26:23,840 --> 02:26:26,879
Speaker 3: I remember when the album came out and that ship

2587
02:26:26,959 --> 02:26:30,400
Speaker 3: came out and I'm a cute it was already DJing

2588
02:26:30,440 --> 02:26:33,320
Speaker 3: and and him was like, Yo, man, yo, Mercy ship

2589
02:26:33,440 --> 02:26:36,480
Speaker 3: is going and I'm an amazed this somethings like Yo,

2590
02:26:37,560 --> 02:26:39,280
Speaker 3: this ship is yoyo.

2591
02:26:39,320 --> 02:26:41,400
Speaker 4: I think this ship is about to go like this

2592
02:26:41,600 --> 02:26:42,160
Speaker 4: be myself And.

2593
02:26:43,800 --> 02:26:44,080
Speaker 1: I was like.

2594
02:26:46,520 --> 02:26:49,640
Speaker 3: So it just kind of like the visuals just kind

2595
02:26:49,680 --> 02:26:51,680
Speaker 3: of was easy to fall into, you know what I'm saying,

2596
02:26:52,080 --> 02:26:53,080
Speaker 3: because I always say that.

2597
02:26:53,240 --> 02:26:53,360
Speaker 12: Man.

2598
02:26:53,440 --> 02:26:56,840
Speaker 4: It's like I'm being honest and he's just right here

2599
02:26:57,080 --> 02:26:57,360
Speaker 4: with me.

2600
02:26:57,520 --> 02:27:00,960
Speaker 3: Like niggas wasn't no punk niggas, Like that video was

2601
02:27:00,959 --> 02:27:03,840
Speaker 3: a video like we weren't those type of dudes. We

2602
02:27:04,000 --> 02:27:06,560
Speaker 3: came from a place where you know, you could be different,

2603
02:27:06,600 --> 02:27:09,560
Speaker 3: but niggas knew you had hands. You know, you could

2604
02:27:09,600 --> 02:27:11,840
Speaker 3: sell drugs, but you could be into the coolest shit

2605
02:27:11,879 --> 02:27:15,039
Speaker 3: ever or the the you know, the punk rock shot whoever,

2606
02:27:15,120 --> 02:27:17,440
Speaker 3: who knows. Like that's one thing about Long Island, Like

2607
02:27:17,520 --> 02:27:19,640
Speaker 3: we hung out with the white kids who did the

2608
02:27:19,720 --> 02:27:21,920
Speaker 3: keg parties, and we brought them to our parties.

2609
02:27:22,000 --> 02:27:22,120
Speaker 8: You know.

2610
02:27:22,320 --> 02:27:27,680
Speaker 1: So we was all around at Chartists. So that always

2611
02:27:27,720 --> 02:27:34,200
Speaker 1: wanted to be the dude upside down white people.

2612
02:27:37,440 --> 02:27:39,440
Speaker 4: So you know that's what it was. I mean, like

2613
02:27:40,040 --> 02:27:40,720
Speaker 4: it did work.

2614
02:27:40,800 --> 02:27:43,040
Speaker 3: It just kind of meshed into this thing like, yeah, man,

2615
02:27:43,120 --> 02:27:47,040
Speaker 3: we can make this about individualism and you know, being

2616
02:27:47,160 --> 02:27:49,920
Speaker 3: confident in who you are as a person. And you know,

2617
02:27:50,840 --> 02:27:52,760
Speaker 3: but we were like the dudes who loved the most

2618
02:27:52,840 --> 02:27:55,800
Speaker 3: hardest shit ever. We you know, we we could sing

2619
02:27:55,879 --> 02:27:58,879
Speaker 3: you any koojie rap record. When this dude was sitting

2620
02:27:58,920 --> 02:28:02,120
Speaker 3: here putting out his first joints. We knew all them joints,

2621
02:28:02,240 --> 02:28:05,560
Speaker 3: like strong city joints. Like we loved hip hop, you

2622
02:28:05,600 --> 02:28:07,120
Speaker 3: know what I'm saying. But we had no problem with

2623
02:28:07,240 --> 02:28:10,119
Speaker 3: expressing ourselves the way we chose to express ourselves.

2624
02:28:09,879 --> 02:28:13,040
Speaker 1: Because that's that's something that's very unique about y'all as well.

2625
02:28:13,720 --> 02:28:16,920
Speaker 1: Is y'all very creative when it comes to them videos,

2626
02:28:17,120 --> 02:28:19,960
Speaker 1: Like I don't think not one of youall videos looked

2627
02:28:19,959 --> 02:28:22,240
Speaker 1: at like another one of y'all videos. Let me tell

2628
02:28:22,280 --> 02:28:22,480
Speaker 1: you this.

2629
02:28:23,120 --> 02:28:25,680
Speaker 3: I can know who I'm talking from my standpoint. Okay,

2630
02:28:25,920 --> 02:28:29,240
Speaker 3: I was the dude who wanted simple videos I want

2631
02:28:29,400 --> 02:28:32,240
Speaker 3: like Yo, there wasn't one E E P M D

2632
02:28:32,520 --> 02:28:35,240
Speaker 3: video that missed. Like I'm being honest, I think that

2633
02:28:35,440 --> 02:28:41,760
Speaker 3: every daylight video was me because this is me saying

2634
02:28:42,080 --> 02:28:44,600
Speaker 3: like that's your preference. Yeah, Like I just thought like

2635
02:28:44,760 --> 02:28:50,840
Speaker 3: we missed it, like maybe ego tripping, but just being honest,

2636
02:28:51,160 --> 02:28:53,959
Speaker 3: every video, like like when try would do videos and.

2637
02:28:54,080 --> 02:29:00,520
Speaker 1: Be like, oh shit, these niggas nold videos like it

2638
02:29:00,720 --> 02:29:04,039
Speaker 1: was like, but that's how I feel about y'all every time.

2639
02:29:04,200 --> 02:29:06,840
Speaker 3: Thing with us, The thing with us is that the

2640
02:29:07,040 --> 02:29:11,960
Speaker 3: director would be so tired of doing the n w

2641
02:29:12,200 --> 02:29:14,480
Speaker 3: A videos with all the bitches and da da da,

2642
02:29:14,959 --> 02:29:18,000
Speaker 3: that when Daylight came up, they would be more creative

2643
02:29:18,320 --> 02:29:21,120
Speaker 3: to creative, and we'd be like, oh man, come on,

2644
02:29:22,200 --> 02:29:24,360
Speaker 3: yeah for real, holy for real.

2645
02:29:24,720 --> 02:29:27,920
Speaker 4: Opposite like for real, like I feel like breaking down video.

2646
02:29:28,080 --> 02:29:29,600
Speaker 4: It was like What the fuck is this?

2647
02:29:30,000 --> 02:29:30,480
Speaker 5: What video?

2648
02:29:30,520 --> 02:29:35,440
Speaker 1: You said to break it down video where we yo

2649
02:29:36,000 --> 02:29:36,440
Speaker 1: it was just.

2650
02:29:38,520 --> 02:29:41,720
Speaker 4: Yeah, but you know it's funny the hip hop needed that.

2651
02:29:42,320 --> 02:29:43,959
Speaker 4: You probably that, but.

2652
02:29:45,480 --> 02:29:51,040
Speaker 1: This is crazy. I mean, hit every video you rhymes.

2653
02:29:51,080 --> 02:29:53,920
Speaker 1: I always thought that you guys bust ahead in creditble

2654
02:29:53,920 --> 02:29:56,840
Speaker 1: like busters like you guys and bust to me and

2655
02:29:57,360 --> 02:30:00,160
Speaker 1: all the dopest videos. And to hear you say that

2656
02:30:01,120 --> 02:30:06,320
Speaker 1: affectionatest though, you know, I mean, yeah there who got

2657
02:30:06,400 --> 02:30:06,760
Speaker 1: it there?

2658
02:30:08,400 --> 02:30:10,400
Speaker 3: And like I said, I mean I would and I hope.

2659
02:30:10,440 --> 02:30:12,800
Speaker 3: I don't want to disrespect any of the directors. I mean,

2660
02:30:12,879 --> 02:30:15,800
Speaker 3: like when we did ring Me Ring like yeah, like,

2661
02:30:15,920 --> 02:30:17,520
Speaker 3: but I'm just trying to say, like, I just felt

2662
02:30:17,560 --> 02:30:21,160
Speaker 3: like it didn't always have to be soul those look ringing.

2663
02:30:22,040 --> 02:30:25,880
Speaker 4: It didn't have to always you you know what I'm saying.

2664
02:30:26,000 --> 02:30:27,760
Speaker 1: You didn't want all the bells and whistles you want.

2665
02:30:27,640 --> 02:30:30,640
Speaker 3: To just kind of could just be I don't know

2666
02:30:30,680 --> 02:30:33,400
Speaker 3: if I said a certain verse, the visual could match it.

2667
02:30:33,520 --> 02:30:37,440
Speaker 3: You had the input we had, but I don't know,

2668
02:30:37,560 --> 02:30:39,560
Speaker 3: mankind didn't care as much?

2669
02:30:40,280 --> 02:30:40,480
Speaker 1: Did you?

2670
02:30:40,640 --> 02:30:42,600
Speaker 2: Just like the more simplified. Like one of my favorite

2671
02:30:42,640 --> 02:30:45,200
Speaker 2: videos is the first Protected Neck video. It was just

2672
02:30:45,280 --> 02:30:46,760
Speaker 2: that I think it was black and white and it

2673
02:30:46,879 --> 02:30:48,039
Speaker 2: was just raw and gritty.

2674
02:30:48,600 --> 02:30:49,080
Speaker 1: That's ill.

2675
02:30:49,280 --> 02:30:52,920
Speaker 5: Yeah, I think at that time, being young, willing to

2676
02:30:54,080 --> 02:30:57,560
Speaker 5: take someone's lead and that expertise of what they do,

2677
02:30:58,320 --> 02:31:00,120
Speaker 5: you know, and just seeing what they come with it.

2678
02:31:00,280 --> 02:31:03,880
Speaker 5: You know, a lot of times if we didn't like shit,

2679
02:31:03,959 --> 02:31:06,560
Speaker 5: we didn't say it, you know. Yeah, that would be

2680
02:31:07,160 --> 02:31:09,680
Speaker 5: the dangerous part. We wouldn't say it, you know.

2681
02:31:09,920 --> 02:31:12,320
Speaker 3: So and by no means I'm trying to say I

2682
02:31:12,520 --> 02:31:15,879
Speaker 3: hated our videos, but I just felt like I never

2683
02:31:16,120 --> 02:31:16,920
Speaker 3: really walked away.

2684
02:31:16,920 --> 02:31:19,200
Speaker 1: A lot of times, like, yo, we nailed that ship

2685
02:31:19,800 --> 02:31:22,520
Speaker 1: went directors, you guys work with Diane Montelle ship, I

2686
02:31:22,600 --> 02:31:27,320
Speaker 1: can't even fuck it, Dave may Mark, Romantic Kid Ring Ring,

2687
02:31:27,920 --> 02:31:31,640
Speaker 1: y'all got the I mean they got a list we did,

2688
02:31:32,360 --> 02:31:34,320
Speaker 1: you know, say no go all that ship. But it

2689
02:31:34,520 --> 02:31:35,959
Speaker 1: probably went all out for you guys.

2690
02:31:36,000 --> 02:31:37,400
Speaker 4: And that's what I mean.

2691
02:31:37,600 --> 02:31:40,640
Speaker 3: Buddy was something because it was just a vibe. I mean,

2692
02:31:40,680 --> 02:31:43,480
Speaker 3: that was his family and we just had fun shooting Buddy.

2693
02:31:43,560 --> 02:31:44,240
Speaker 3: You know what I'm saying.

2694
02:31:45,160 --> 02:31:48,119
Speaker 1: But I don't know, man, So what is your favorite

2695
02:31:48,200 --> 02:31:49,440
Speaker 1: video that you you ever film?

2696
02:31:50,160 --> 02:31:50,400
Speaker 8: For me?

2697
02:31:50,480 --> 02:31:53,640
Speaker 4: It would be Oh, I would have to agree, I

2698
02:31:53,680 --> 02:31:55,480
Speaker 4: would have to agree with you who was the.

2699
02:31:55,520 --> 02:31:58,160
Speaker 1: Wizard of Oz. It looked like you guys are having

2700
02:31:58,200 --> 02:31:58,560
Speaker 1: fun on that.

2701
02:31:58,640 --> 02:32:00,280
Speaker 4: We had a lot of fun. And that's one thing

2702
02:32:00,320 --> 02:32:01,360
Speaker 4: about us as a group too.

2703
02:32:01,400 --> 02:32:05,360
Speaker 3: We was always willing and had no problem with having

2704
02:32:05,520 --> 02:32:10,360
Speaker 3: people showcase themselves, not worrying about us, because that was

2705
02:32:10,440 --> 02:32:12,680
Speaker 3: one thing that even people are Tommy was saying, It

2706
02:32:12,760 --> 02:32:15,440
Speaker 3: was like, yo, you know that this video is showcasing

2707
02:32:16,280 --> 02:32:20,840
Speaker 3: Redman and Rod Digger, like like you know, because y'all

2708
02:32:20,959 --> 02:32:23,600
Speaker 3: faces is covered so your fans or these new fans

2709
02:32:23,680 --> 02:32:26,000
Speaker 3: may not really see y'all, But we didn't care. We

2710
02:32:26,120 --> 02:32:30,480
Speaker 3: played into the artimic was yeah, that was us always,

2711
02:32:31,000 --> 02:32:35,200
Speaker 3: you know what I'm saying. But Sally had a one

2712
02:32:35,320 --> 02:32:38,640
Speaker 3: track mind. The way this Nigga sat here video, I

2713
02:32:38,760 --> 02:32:38,920
Speaker 3: was like.

2714
02:32:38,959 --> 02:32:40,200
Speaker 1: Can we do a video like.

2715
02:32:41,720 --> 02:32:46,320
Speaker 3: Write the projects like we rarely did ship like that,

2716
02:32:46,560 --> 02:32:51,560
Speaker 3: you know what I'm saying. Fucking I know video and

2717
02:32:52,040 --> 02:32:54,840
Speaker 3: bubbles floating around. It was like, all right, and that's

2718
02:32:54,879 --> 02:32:55,440
Speaker 3: just crazy?

2719
02:32:55,560 --> 02:32:59,200
Speaker 1: Is is? I'm sitting around thinking y'all being the most

2720
02:32:59,240 --> 02:33:02,360
Speaker 1: creative and to me, I'm still standing by that. I'm

2721
02:33:02,400 --> 02:33:05,840
Speaker 1: not letting you change my minds. I think your videos

2722
02:33:05,959 --> 02:33:08,480
Speaker 1: was hard. I would look at y'all videos and be like,

2723
02:33:08,520 --> 02:33:10,640
Speaker 1: I want a video like that. I wanted to be

2724
02:33:10,760 --> 02:33:13,120
Speaker 1: creative like that. So the fact that you're sitting there,

2725
02:33:13,160 --> 02:33:15,119
Speaker 1: but I know you're perfectionists, I could tell.

2726
02:33:15,680 --> 02:33:16,720
Speaker 4: Like I said, it was just that.

2727
02:33:19,000 --> 02:33:22,720
Speaker 3: The directors was just so happy to do something for

2728
02:33:22,879 --> 02:33:25,040
Speaker 3: us because they felt like this could be something that

2729
02:33:25,160 --> 02:33:28,080
Speaker 3: can get me away from what I'm normally doing.

2730
02:33:28,760 --> 02:33:31,280
Speaker 4: Yeah, you know what I'm saying. Stakes I was a

2731
02:33:31,360 --> 02:33:33,640
Speaker 4: dope video that was a video.

2732
02:33:34,080 --> 02:33:36,640
Speaker 3: Yeah, and we were supposed to actually with Nick Quested,

2733
02:33:36,720 --> 02:33:37,879
Speaker 3: we were supposed to do the business.

2734
02:33:37,959 --> 02:33:39,840
Speaker 4: I don't know what happened. We just never big up

2735
02:33:39,840 --> 02:33:40,640
Speaker 4: my boy Nick Questions.

2736
02:33:41,160 --> 02:33:44,400
Speaker 1: You know, Nick Questioning was the guy that was following

2737
02:33:44,480 --> 02:33:49,199
Speaker 1: around the dudes that crushed the Right house, that crashed

2738
02:33:49,200 --> 02:33:52,040
Speaker 1: the Right house. He was the dude that was filmed it. Yes,

2739
02:33:52,200 --> 02:33:56,520
Speaker 1: he wanted. He went undercover and filmed it. He has

2740
02:33:56,560 --> 02:33:59,240
Speaker 1: a whole documentary that's about to drop of him filming

2741
02:33:59,360 --> 02:34:05,160
Speaker 1: the guys who stormed the White House. He's a mediac.

2742
02:34:06,080 --> 02:34:06,879
Speaker 1: I can believe it.

2743
02:34:06,879 --> 02:34:10,440
Speaker 3: Because the joint on stakes is high. Where the country

2744
02:34:10,520 --> 02:34:13,199
Speaker 3: dudes like rap some something. Just a bunch of niggas talking.

2745
02:34:13,640 --> 02:34:17,240
Speaker 3: That's something he had filmed. It is like Nigga always

2746
02:34:17,320 --> 02:34:19,080
Speaker 3: going to cover with some ship. Nick did my first

2747
02:34:19,360 --> 02:34:20,920
Speaker 3: two videos. He did l A l A and he

2748
02:34:21,000 --> 02:34:23,200
Speaker 3: did t O n y Nick Question. So wherever you

2749
02:34:23,320 --> 02:34:24,920
Speaker 3: got Nick Question, you know, I got to learn him

2750
02:34:24,920 --> 02:34:25,760
Speaker 3: with love for you, man.

2751
02:34:26,040 --> 02:34:28,760
Speaker 1: But the fact that he went in undercover for us

2752
02:34:28,879 --> 02:34:32,560
Speaker 1: as a people like he's hip hop like niggas not racist,

2753
02:34:33,280 --> 02:34:35,600
Speaker 1: So he had to go in front like a Nazi.

2754
02:34:37,080 --> 02:34:39,360
Speaker 1: He had to act like a Nazi to get down

2755
02:34:39,440 --> 02:34:41,960
Speaker 1: with him. He filmed the whole ship. He has the

2756
02:34:42,040 --> 02:34:44,080
Speaker 1: whole ship. This ship is amazing. I didn't see it

2757
02:34:44,160 --> 02:34:48,440
Speaker 1: obviously yet like he put the universal feelings to the side.

2758
02:34:48,480 --> 02:34:51,680
Speaker 1: He filmed the ship and so he has this whole documentary.

2759
02:34:52,520 --> 02:34:56,320
Speaker 1: Nigga's crazy. But by the way, I appreciate that, I

2760
02:34:56,400 --> 02:34:59,720
Speaker 1: mean I appreciate I always say that to my friend

2761
02:34:59,760 --> 02:35:03,120
Speaker 1: he's over there. If you, if you have white privilege,

2762
02:35:03,240 --> 02:35:06,600
Speaker 1: use your white privilege or your or your friend for

2763
02:35:06,720 --> 02:35:09,760
Speaker 1: your friends or your friend, if you have it, use it.

2764
02:35:10,040 --> 02:35:11,640
Speaker 1: You know what I'm saying the same way, I'm gonna

2765
02:35:11,680 --> 02:35:15,800
Speaker 1: use my black hip hop for you. And Nick questing,

2766
02:35:16,280 --> 02:35:18,960
Speaker 1: he actually did that, like he to me he paid

2767
02:35:18,959 --> 02:35:21,520
Speaker 1: you back hip hop, everything that hip hop has done

2768
02:35:21,560 --> 02:35:25,840
Speaker 1: for him, for him going under cover and filming the

2769
02:35:25,959 --> 02:35:29,600
Speaker 1: Magna by the way, which I want to seek.

2770
02:35:29,879 --> 02:35:31,680
Speaker 4: I definitely want to see that hold up.

2771
02:35:31,879 --> 02:35:35,720
Speaker 1: But let me just tell y'all, man, I really appreciate

2772
02:35:35,800 --> 02:35:37,840
Speaker 1: you brothers taking the time out to come see us,

2773
02:35:38,560 --> 02:35:39,720
Speaker 1: to come chop it up.

2774
02:35:40,120 --> 02:35:42,120
Speaker 5: We appreciate y'all having us strength.

2775
02:35:42,240 --> 02:35:46,480
Speaker 1: Man. Yes, man, I love the show man. It's your

2776
02:35:46,520 --> 02:35:49,320
Speaker 1: time to give you your flowers. I hate okay, and

2777
02:35:50,080 --> 02:35:55,920
Speaker 1: it really is because hip hop has saved my life. Literally,

2778
02:35:56,760 --> 02:35:58,640
Speaker 1: I had six months when I came home from jail,

2779
02:35:59,120 --> 02:36:01,760
Speaker 1: has six months to get a job. And if I

2780
02:36:01,800 --> 02:36:03,840
Speaker 1: didn't get a job, I would have went right back

2781
02:36:03,879 --> 02:36:06,560
Speaker 1: to jail. And you know a job I got is

2782
02:36:06,720 --> 02:36:13,600
Speaker 1: hip hop. That's doe, man, that's dope. I literally went

2783
02:36:13,640 --> 02:36:16,520
Speaker 1: to McDonald's and they told me no, yo, but I

2784
02:36:16,560 --> 02:36:20,360
Speaker 1: would have worked at McDonald's. I was willing to work

2785
02:36:20,480 --> 02:36:23,760
Speaker 1: at McDonald's and they told me no, you're a feeling

2786
02:36:23,879 --> 02:36:24,560
Speaker 1: it's beautiful.

2787
02:36:24,600 --> 02:36:28,080
Speaker 3: I mean, like Premier had told me something like kind

2788
02:36:28,080 --> 02:36:31,480
Speaker 3: of similar with Malachi, you know, like from Group On,

2789
02:36:32,640 --> 02:36:35,480
Speaker 3: you know, and hip hop. It was just like the

2790
02:36:35,640 --> 02:36:38,640
Speaker 3: judge was like yo, he can go away, and they

2791
02:36:38,840 --> 02:36:41,520
Speaker 3: was really speaking on behalf of them and they're having

2792
02:36:41,720 --> 02:36:43,480
Speaker 3: them say like yo, so why don't you have him?

2793
02:36:43,560 --> 02:36:46,560
Speaker 3: Do what y'all doing? You know what I'm saying, Like

2794
02:36:47,280 --> 02:36:50,720
Speaker 3: it's just dope power. Hip hop has placed people in

2795
02:36:50,840 --> 02:36:54,640
Speaker 3: the fabric of a culture, you know, and saved their

2796
02:36:54,720 --> 02:36:55,320
Speaker 3: lives with it.

2797
02:36:55,400 --> 02:36:57,920
Speaker 4: You know what I'm saying, that's everything, man, the.

2798
02:36:57,920 --> 02:37:01,080
Speaker 1: Company countries use name and just just just now like

2799
02:37:01,680 --> 02:37:04,760
Speaker 1: people from the Bronx Long Island, you know, queens. He

2800
02:37:04,800 --> 02:37:08,880
Speaker 1: supposed to be naming walsall Pope, dudes who Germany and

2801
02:37:09,240 --> 02:37:11,400
Speaker 1: like that. Like you know what I'm saying. You know

2802
02:37:11,520 --> 02:37:13,760
Speaker 1: what now we are yes, yes, because this is a

2803
02:37:13,760 --> 02:37:16,600
Speaker 1: beautiful thing. It really is. Man. I really wanted to

2804
02:37:16,600 --> 02:37:19,840
Speaker 1: give your flowers out. I found out too late that

2805
02:37:19,959 --> 02:37:21,480
Speaker 1: Diamond d was coming here because we would have had

2806
02:37:21,520 --> 02:37:23,320
Speaker 1: you give your flowers. But we want to give your

2807
02:37:23,360 --> 02:37:26,840
Speaker 1: flowers with d I TC where everybody plays. We would

2808
02:37:27,000 --> 02:37:29,280
Speaker 1: love y'all put it together. Please don't want to give

2809
02:37:29,320 --> 02:37:33,200
Speaker 1: show biz a g flowers. Give you your flowers so

2810
02:37:33,360 --> 02:37:38,000
Speaker 1: bad because this is truly what me and EFN want

2811
02:37:38,040 --> 02:37:41,440
Speaker 1: to do is in this game, if you have ten

2812
02:37:41,520 --> 02:37:44,480
Speaker 1: years they say that you're washed up, and this is

2813
02:37:44,680 --> 02:37:47,680
Speaker 1: only hip hop. They don't do that any Rolling Stones,

2814
02:37:47,720 --> 02:37:49,840
Speaker 1: they don't do that in rock and roll. They say

2815
02:37:49,879 --> 02:37:53,600
Speaker 1: that you're seasoned when you have ten years or fifteen

2816
02:37:53,680 --> 02:37:55,959
Speaker 1: years or twenty years more. So I want to stop

2817
02:37:56,040 --> 02:37:58,279
Speaker 1: this and hip hop. That's the reason why we created

2818
02:37:58,320 --> 02:38:01,120
Speaker 1: this show is we want people that is seasoned as

2819
02:38:01,240 --> 02:38:04,240
Speaker 1: veterans to have their flowers, to.

2820
02:38:04,360 --> 02:38:08,080
Speaker 5: Have them stopped. Already, Yes, stopped.

2821
02:38:12,800 --> 02:38:18,000
Speaker 1: You truly, you guys, truly really, everyone who has fifteen

2822
02:38:18,120 --> 02:38:20,840
Speaker 1: years more in this game, we have to salute you

2823
02:38:20,840 --> 02:38:23,480
Speaker 1: to brothers like we have to. Like, I love the

2824
02:38:23,560 --> 02:38:27,680
Speaker 1: fact that Chuck d is what is it his thing

2825
02:38:27,920 --> 02:38:31,520
Speaker 1: now called Alliance hip Hop Alliance where he's actually fighting

2826
02:38:31,600 --> 02:38:35,880
Speaker 1: for us to get medical rights. Actually, Curtis Blow. I

2827
02:38:36,080 --> 02:38:38,280
Speaker 1: fucking love that. I want to support it so much.

2828
02:38:38,360 --> 02:38:41,680
Speaker 1: I want to I want to donate, I want to

2829
02:38:41,720 --> 02:38:45,040
Speaker 1: do whatever, because hip hop has to be taken care of.

2830
02:38:45,160 --> 02:38:48,640
Speaker 1: We have to take care of each other, so otherwise,

2831
02:38:49,360 --> 02:38:53,320
Speaker 1: you know, it's kind of like it's kind of like whatever,

2832
02:38:53,520 --> 02:38:55,920
Speaker 1: like you know what I mean, Because it's just like

2833
02:38:56,000 --> 02:38:59,039
Speaker 1: I say, with fad Joe, me and fa Joe haven't

2834
02:38:59,040 --> 02:39:01,400
Speaker 1: seen each other like six months, he's been busy. I've

2835
02:39:01,400 --> 02:39:03,680
Speaker 1: been busy, doesn't I don't have to I don't have

2836
02:39:03,760 --> 02:39:05,960
Speaker 1: to speak to him all the time. My love for

2837
02:39:06,040 --> 02:39:09,000
Speaker 1: him is always there. That's the same thing what we

2838
02:39:09,160 --> 02:39:11,680
Speaker 1: have to do with hip hop is like sometimes we

2839
02:39:12,080 --> 02:39:14,879
Speaker 1: can't participate, but the love has to always be here

2840
02:39:15,760 --> 02:39:20,040
Speaker 1: and with you guys. I seen that, Like I told you,

2841
02:39:20,959 --> 02:39:23,959
Speaker 1: I literally tears came out of my eyes seeing y'all celebrate,

2842
02:39:24,000 --> 02:39:27,400
Speaker 1: seeing y'all count that down, I was like, yo, I

2843
02:39:27,520 --> 02:39:29,160
Speaker 1: swear to god, I was like, I wanted to be there.

2844
02:39:30,440 --> 02:39:33,480
Speaker 1: I was like, oh, ship Like. I was like, yo,

2845
02:39:33,560 --> 02:39:36,240
Speaker 1: I really wanted to rewind right after we were both like.

2846
02:39:36,440 --> 02:39:40,199
Speaker 1: I was like, if I would have knew an hour ahead,

2847
02:39:40,520 --> 02:39:41,800
Speaker 1: I would have I don't know how I would have

2848
02:39:41,879 --> 02:39:44,120
Speaker 1: got there, but I wanted to celebrate that moment. But

2849
02:39:44,240 --> 02:39:47,600
Speaker 1: this moment is also just as important because I wanted

2850
02:39:47,600 --> 02:39:49,800
Speaker 1: to give your flowers, see your face, and tell y'all

2851
02:39:50,080 --> 02:39:52,680
Speaker 1: how important y'all are to hip hop, how much that

2852
02:39:52,840 --> 02:39:55,680
Speaker 1: y'all contributed, and how much we appreciate it.

2853
02:39:56,640 --> 02:39:56,760
Speaker 5: Yo.

2854
02:39:56,959 --> 02:40:01,400
Speaker 1: Man, for real, man, y'all bro, and you know what crazy?

2855
02:40:01,959 --> 02:40:04,200
Speaker 1: You know what's crazy. I to be honest and I'm

2856
02:40:04,240 --> 02:40:09,200
Speaker 1: sorry this to David's here right now. Question, I really

2857
02:40:09,440 --> 02:40:14,360
Speaker 1: want me laughing at me. I feel him cracking jokes

2858
02:40:14,440 --> 02:40:17,320
Speaker 1: on me. That's what I feel.

2859
02:40:17,600 --> 02:40:19,720
Speaker 3: I said like he said it when he was here,

2860
02:40:20,160 --> 02:40:24,199
Speaker 3: he loved you because he really I remember us doing

2861
02:40:24,320 --> 02:40:28,280
Speaker 3: this thing with you and Tommy Boy, and we was like,

2862
02:40:28,560 --> 02:40:30,640
Speaker 3: he was like, yo, dog, this nigga got something.

2863
02:40:30,720 --> 02:40:36,160
Speaker 1: He's good at this ship. Yes, I feel him. I'm

2864
02:40:36,240 --> 02:40:38,600
Speaker 1: being honest. I feel him here in this room. Mean

2865
02:40:38,680 --> 02:40:41,960
Speaker 1: to be spiritual, like you know, it's crazy, I really do.

2866
02:40:42,200 --> 02:40:45,360
Speaker 1: Like like like when my father passed away, I became

2867
02:40:45,440 --> 02:40:49,000
Speaker 1: spiritual and I started to realize that maybe I didn't

2868
02:40:49,080 --> 02:40:52,160
Speaker 1: lose him. I lost him in the physical form, but

2869
02:40:52,280 --> 02:40:54,520
Speaker 1: I didn't lose him. And it be times I just

2870
02:40:54,720 --> 02:40:59,440
Speaker 1: feeling and I was telling you, Dave is in this

2871
02:40:59,680 --> 02:41:04,480
Speaker 1: room right now. We we love you, we miss you, brother.

2872
02:41:04,520 --> 02:41:09,000
Speaker 1: We're gonna hold you down. Dayla soul Man, forever man.

2873
02:41:09,080 --> 02:41:12,920
Speaker 1: We we that is forever man, day soul Man. I

2874
02:41:13,000 --> 02:41:17,880
Speaker 1: really appreciate this. We did straight three hours man. It

2875
02:41:17,959 --> 02:41:24,160
Speaker 1: felt like three manes because because because I'm so excited,

2876
02:41:24,360 --> 02:41:31,039
Speaker 1: and you know what again, hip hop has to celebrate

2877
02:41:31,120 --> 02:41:37,279
Speaker 1: hip hop. Another coach is not gonna celebrate us. Yeahs

2878
02:41:37,320 --> 02:41:40,920
Speaker 1: ain't gonna big us up. Rock and Roll ain't gonna

2879
02:41:40,959 --> 02:41:43,920
Speaker 1: big us up. Heavy Meadow ain't gonna big us up.

2880
02:41:44,440 --> 02:41:47,879
Speaker 1: So we don't big each other up and tell each

2881
02:41:47,879 --> 02:41:50,560
Speaker 1: other how great you are, especially when you are great.

2882
02:41:51,800 --> 02:41:52,400
Speaker 5: Appreciate you.

2883
02:41:52,680 --> 02:41:56,080
Speaker 1: These people that's not great and they get bigged up,

2884
02:41:56,320 --> 02:41:57,640
Speaker 1: but your brothers are great.

2885
02:41:58,160 --> 02:41:58,200
Speaker 5: You.

2886
02:41:58,640 --> 02:42:00,959
Speaker 1: I want to say, rest in peace, Thank you man.

2887
02:42:02,400 --> 02:42:08,440
Speaker 1: I want to say, you know, daylight soul forever. I

2888
02:42:08,560 --> 02:42:12,320
Speaker 1: want y'all to know that y'all appreciate it. We love y'all.

2889
02:42:12,920 --> 02:42:13,800
Speaker 1: We're gonna hold y'all down.

2890
02:42:14,160 --> 02:42:18,680
Speaker 5: Love'll take you.

2891
02:42:18,720 --> 02:42:21,320
Speaker 1: Wanna take a couple of pictures, Let me do y'allo.

2892
02:42:24,120 --> 02:42:26,480
Speaker 1: By the way, I'm being honest. You better not keep

2893
02:42:26,560 --> 02:42:28,200
Speaker 1: that down because I'm still that.

2894
02:42:31,680 --> 02:42:31,840
Speaker 10: One.

2895
02:42:34,000 --> 02:42:35,960
Speaker 5: Check out Richmond Vinyl.

2896
02:42:37,760 --> 02:42:40,840
Speaker 2: Drink Champs is a Drink Champs ll C production in

2897
02:42:40,959 --> 02:42:45,840
Speaker 2: association with Interval Presents. Hosts and executive producers n O.

2898
02:42:46,040 --> 02:42:47,240
Speaker 1: R E and d J. E.

2899
02:42:47,480 --> 02:42:52,160
Speaker 2: F N from Interval Presents executive producers Alan Coy and

2900
02:42:52,360 --> 02:42:53,240
Speaker 2: Jake Kleinberg.

2901
02:42:53,920 --> 02:42:54,720
Speaker 1: Listen to Drink.

2902
02:42:54,600 --> 02:42:59,720
Speaker 2: Champs on Apple Podcast, Amazon Music, Spotify, Stitcher, or wherever

2903
02:42:59,800 --> 02:43:03,360
Speaker 2: you get your podcasts. Thanks for joining us for another

2904
02:43:03,400 --> 02:43:06,200
Speaker 2: episode of Drink Champs, hosted by Yours truly, dj E

2905
02:43:06,440 --> 02:43:08,680
Speaker 2: f N and n O r E. Please make sure

2906
02:43:08,680 --> 02:43:11,000
Speaker 2: to follow us on all our socials That's at drink

2907
02:43:11,040 --> 02:43:15,360
Speaker 2: Champs across all platforms at the Real Noriagon, ig at

2908
02:43:15,480 --> 02:43:18,800
Speaker 2: Noriega on Twitter, mine is at Who's Crazy on ig

2909
02:43:19,560 --> 02:43:22,400
Speaker 2: at dj E f N on Twitter, and most importantly,

2910
02:43:22,440 --> 02:43:25,240
Speaker 2: stay up to date with the latest releases, news and

2911
02:43:25,400 --> 02:43:27,720
Speaker 2: merch by going to drinkchamps dot com