1 00:00:03,360 --> 00:00:10,320 Speaker 1: Motherfucking mini yourself. Many episode, motherfucking mini yourself. 2 00:00:13,680 --> 00:00:17,560 Speaker 2: Oh my life. I had to fight. I had to 3 00:00:17,600 --> 00:00:20,880 Speaker 2: fight my daddy, I had to fight my brothers. I 4 00:00:21,000 --> 00:00:24,520 Speaker 2: had to fight my cousins and my uncles. But I 5 00:00:24,840 --> 00:00:27,760 Speaker 2: never thought I'd have to fight in my own house. 6 00:00:28,040 --> 00:00:31,760 Speaker 2: I loves Harpoe, I truly do. But I kill him 7 00:00:31,840 --> 00:00:35,160 Speaker 2: dead for I let him beat me again. There it is. There, 8 00:00:35,240 --> 00:00:35,879 Speaker 2: it is. 9 00:00:36,159 --> 00:00:40,000 Speaker 3: Little mamas and gentiles alike, Welcome to another phenomenal mini 10 00:00:40,040 --> 00:00:41,680 Speaker 3: episode of My Mama Told Me. 11 00:00:42,320 --> 00:00:45,640 Speaker 4: The podcast where we dive deep into the pockets of 12 00:00:45,680 --> 00:00:47,640 Speaker 4: black conspiracy theories. 13 00:00:47,800 --> 00:00:50,760 Speaker 3: And we finally were to prove the theories that you 14 00:00:50,920 --> 00:00:54,440 Speaker 3: the listener have at home. It's a motherfucking mini episode. 15 00:00:54,880 --> 00:00:57,680 Speaker 4: Let's go. I think we should open it up and 16 00:00:57,760 --> 00:00:59,520 Speaker 4: not two songs anymore in the beginning. 17 00:00:59,560 --> 00:01:05,960 Speaker 3: This is Yeah. I think we really can challenge ourselves 18 00:01:06,200 --> 00:01:10,080 Speaker 3: to find some new, exciting, dangerous territory. 19 00:01:10,360 --> 00:01:13,080 Speaker 4: Yeah, I got some moves. I just rewatched Baby Boy. 20 00:01:13,959 --> 00:01:14,679 Speaker 4: I'm ready to go. 21 00:01:15,640 --> 00:01:18,560 Speaker 3: Okay, somebody had a b T night. 22 00:01:18,720 --> 00:01:19,400 Speaker 4: I like that. 23 00:01:22,760 --> 00:01:28,080 Speaker 3: It's always playing. It is a good ass movie. I read. 24 00:01:28,240 --> 00:01:31,640 Speaker 3: I saw somebody commented this the other day because it 25 00:01:31,760 --> 00:01:34,319 Speaker 3: was like a Twitter take of somebody being like, baby 26 00:01:34,319 --> 00:01:37,280 Speaker 3: Boy ain't nothing but this movie and this movie, and 27 00:01:37,319 --> 00:01:40,280 Speaker 3: the the way that people sort of treat baby Boy 28 00:01:40,800 --> 00:01:43,000 Speaker 3: as if it's like a run of the mall, Likehood 29 00:01:43,120 --> 00:01:48,160 Speaker 3: Movie is one hundred percent incorrect. It is a great 30 00:01:48,240 --> 00:01:53,280 Speaker 3: film that just so happens to be starring a genuine psychopath. 31 00:01:53,440 --> 00:01:56,720 Speaker 3: But it is anomal phenomenal film. 32 00:01:56,920 --> 00:01:58,920 Speaker 4: It feels like that's why people play it out like 33 00:01:58,960 --> 00:02:01,600 Speaker 4: they really try to. Yeah, like people really try to 34 00:02:01,640 --> 00:02:04,560 Speaker 4: downgrade it is not a good film, and it's like 35 00:02:05,160 --> 00:02:09,040 Speaker 4: wonderfully acted, it's beautifully shot, Like it's a great movie. 36 00:02:09,080 --> 00:02:11,400 Speaker 4: I don't understand why people have so much hate for it. 37 00:02:11,919 --> 00:02:17,880 Speaker 3: Yeah, it's got a cool message that isn't like overly sappy, 38 00:02:18,000 --> 00:02:22,720 Speaker 3: but also does like leave levels of hope inside of it, 39 00:02:22,840 --> 00:02:25,560 Speaker 3: you know what I mean. Like it it isn't it 40 00:02:25,639 --> 00:02:29,080 Speaker 3: isn't about creating false solutions, but it is sort of 41 00:02:29,120 --> 00:02:32,360 Speaker 3: about creating a sense that, like everything in the Hood 42 00:02:32,400 --> 00:02:35,799 Speaker 3: doesn't have to be just dire and deadly, you know 43 00:02:35,800 --> 00:02:39,640 Speaker 3: what I mean. Like, there's it, truly is it? 44 00:02:39,680 --> 00:02:43,560 Speaker 4: People give Jody no space, like he wasn't nineteen was 45 00:02:43,560 --> 00:02:45,840 Speaker 4: he supposed to be nineteen? In that movie. That's what 46 00:02:45,919 --> 00:02:48,160 Speaker 4: I read when I was looking at people talking about 47 00:02:48,160 --> 00:02:48,680 Speaker 4: it online. 48 00:02:49,480 --> 00:02:53,840 Speaker 3: WHOA, that's crazy, And this is once again it's just 49 00:02:53,880 --> 00:02:56,080 Speaker 3: I got this from threads, which I only go on 50 00:02:56,160 --> 00:02:58,120 Speaker 3: threads when I'm like not feeling good or whatever. 51 00:03:00,520 --> 00:03:03,720 Speaker 4: Threats. People were saying Jody was supposed to be nineteen 52 00:03:04,120 --> 00:03:09,080 Speaker 4: an event was supposed to be like twenty three, twenty four. Whoa, 53 00:03:11,120 --> 00:03:14,520 Speaker 4: which to me is like damn and his brother just died. 54 00:03:14,800 --> 00:03:18,560 Speaker 3: That makes sense that she would be older. I could. 55 00:03:18,760 --> 00:03:21,160 Speaker 3: I could see that, and that he would be younger. 56 00:03:21,480 --> 00:03:26,160 Speaker 3: He looked forty, so that's hard to mate with him 57 00:03:26,200 --> 00:03:27,120 Speaker 3: being nineteen. 58 00:03:27,760 --> 00:03:31,920 Speaker 4: He is a dark skinned man. Tyree always looked like that. 59 00:03:31,919 --> 00:03:32,360 Speaker 3: That's true. 60 00:03:32,400 --> 00:03:34,800 Speaker 4: He's seen tyresee at nineteen. He looks like ty Resea 61 00:03:35,120 --> 00:03:36,440 Speaker 4: whatever he is right now. 62 00:03:36,800 --> 00:03:40,120 Speaker 3: He was in the my Way video. He was in 63 00:03:40,160 --> 00:03:43,640 Speaker 3: those Coca Cola nemesis. Yeah, in the my Way video, 64 00:03:43,680 --> 00:03:47,520 Speaker 3: and he did look a lot older than Usher. But 65 00:03:47,520 --> 00:03:50,080 Speaker 3: but I could have bought him being nineteen in that video. 66 00:03:50,240 --> 00:03:52,800 Speaker 3: I did not buy him being nineteen and baby boy, 67 00:03:52,840 --> 00:03:55,520 Speaker 3: but that's okay. The performance outshined his age. 68 00:03:56,000 --> 00:03:59,320 Speaker 4: Yeah, everybody, everybody acted their ass off. Everybody really went 69 00:03:59,360 --> 00:04:03,000 Speaker 4: crazy in them. Snoop was really good. Snoop was great, 70 00:04:03,200 --> 00:04:07,240 Speaker 4: Ving raims Omar Gooding, That's that's the best thing he 71 00:04:07,280 --> 00:04:08,680 Speaker 4: ever did. 72 00:04:08,680 --> 00:04:11,360 Speaker 3: He was a drunk guy. I'm gonna be honest with you. 73 00:04:11,800 --> 00:04:14,560 Speaker 3: It changed my whole perspective of what Omar Gooding could do. 74 00:04:15,160 --> 00:04:15,600 Speaker 4: Mm hmm. 75 00:04:16,320 --> 00:04:19,120 Speaker 3: I was like, oh, Omar Goodness, Uh, he's a talent. 76 00:04:19,720 --> 00:04:21,520 Speaker 4: Before that, I just thought he was the dumb guy 77 00:04:21,560 --> 00:04:26,440 Speaker 4: and smart guy. 78 00:04:27,160 --> 00:04:29,240 Speaker 3: He was a great and smart guy. But but I 79 00:04:29,240 --> 00:04:32,960 Speaker 3: didn't see a lot of upward mobility from that performance. 80 00:04:33,040 --> 00:04:34,200 Speaker 3: But then nobody. 81 00:04:34,440 --> 00:04:38,120 Speaker 4: You didn't feel like anybody was gonna get out from 82 00:04:38,440 --> 00:04:42,000 Speaker 4: Smart Guy, even though it was a star studed cast. 83 00:04:42,080 --> 00:04:47,000 Speaker 4: Jason Weaver went crazy, Essence at Kins. Everybody was the dad. 84 00:04:47,040 --> 00:04:48,120 Speaker 4: I don't know that guy's name. 85 00:04:52,000 --> 00:04:54,120 Speaker 3: No, I agree, it didn't feel like they were about 86 00:04:54,160 --> 00:04:55,719 Speaker 3: to make it out of there, but it did feel 87 00:04:55,720 --> 00:05:00,440 Speaker 3: like everybody shrined in in their role. Smart Guy was 88 00:05:00,440 --> 00:05:04,599 Speaker 3: a solid It was a solid lineup to start to finish. 89 00:05:04,839 --> 00:05:07,080 Speaker 4: Yeah. I really like that show. Kyla Pratt was in 90 00:05:07,120 --> 00:05:10,640 Speaker 4: there everybody, that's true. Yeah, Beyonce was in there looking 91 00:05:10,680 --> 00:05:12,440 Speaker 4: as old as she does now, which was weird. 92 00:05:16,839 --> 00:05:19,800 Speaker 3: Anyway, I love Smart guy. Yeah, we don't talk about 93 00:05:19,839 --> 00:05:26,400 Speaker 3: a smart guy because drum world. Please, we got voicemails. 94 00:05:26,480 --> 00:05:29,360 Speaker 3: We we have been We've been telling people that that 95 00:05:29,400 --> 00:05:32,200 Speaker 3: we want you guys to call us, call us. Now 96 00:05:32,240 --> 00:05:35,160 Speaker 3: we say, and and you did. You called us and 97 00:05:35,200 --> 00:05:37,880 Speaker 3: some of their calls were insane and some of your 98 00:05:37,920 --> 00:05:40,400 Speaker 3: calls were very sweet. But we want to listen to 99 00:05:40,680 --> 00:05:44,160 Speaker 3: voicemail together today and maybe unpack a conspiracy that one 100 00:05:44,160 --> 00:05:46,200 Speaker 3: of you, the little Mama, was left on our on 101 00:05:46,240 --> 00:05:46,760 Speaker 3: our phone. 102 00:05:46,920 --> 00:05:50,919 Speaker 4: So that's the plan. Yeah, I'm very excited about this 103 00:05:51,040 --> 00:05:51,760 Speaker 4: term for us. 104 00:05:52,400 --> 00:05:55,599 Speaker 3: It's it's really cool. I I it's groundbreaking ship that 105 00:05:55,640 --> 00:05:56,560 Speaker 3: we're doing right now. 106 00:05:57,040 --> 00:05:58,479 Speaker 4: Somebody at least a nasty one. 107 00:05:58,560 --> 00:06:01,760 Speaker 3: One day they are gonna leave a nasty one. I 108 00:06:01,760 --> 00:06:04,279 Speaker 3: wish you wouldn't encourage them as much as you you 109 00:06:04,400 --> 00:06:07,760 Speaker 3: seem to be doing. But yeah, that's that's inevitable. I agree, 110 00:06:08,200 --> 00:06:16,600 Speaker 3: it's so bad. You're really bugging you keep telling them 111 00:06:16,640 --> 00:06:21,000 Speaker 3: you got it chill. But that's why here we go. 112 00:06:21,080 --> 00:06:23,159 Speaker 3: We got a voicemail. I don't even know who's from 113 00:06:24,160 --> 00:06:26,520 Speaker 3: this person. Maybe they said their name. They said use 114 00:06:26,600 --> 00:06:29,040 Speaker 3: a lot of voicemails, so maybe they said their name 115 00:06:29,080 --> 00:06:32,560 Speaker 3: in a different voicemail, but fucking I'm not going back anyway. 116 00:06:32,800 --> 00:06:34,760 Speaker 3: We'll play it now, all. 117 00:06:34,760 --> 00:06:37,600 Speaker 5: Right, last time calling in because I know I called 118 00:06:37,680 --> 00:06:42,120 Speaker 5: y'all so much. But my conspiracy theory is that plastic 119 00:06:42,200 --> 00:06:48,159 Speaker 5: surgeons try to give people the Beyonce face, like subconsciously. 120 00:06:49,400 --> 00:06:53,760 Speaker 5: I see people who get plastic surgery and right before 121 00:06:53,960 --> 00:06:59,600 Speaker 5: they go too far, they literally have Beyonce's like cheekbone 122 00:07:00,120 --> 00:07:03,760 Speaker 5: or the structure. Like maybe it's because I like Beyonce, 123 00:07:03,920 --> 00:07:08,200 Speaker 5: but there's something to this. Starting with Kim Kardashian in 124 00:07:08,240 --> 00:07:12,400 Speaker 5: her plastic surgery, which subsequently leads to all her sister's 125 00:07:12,480 --> 00:07:18,040 Speaker 5: plastic surgeries, it's all like just Beyonce's face and just 126 00:07:18,120 --> 00:07:19,520 Speaker 5: being like, Okay, I. 127 00:07:19,480 --> 00:07:25,720 Speaker 3: Kind of want this, all right, It's not it's Beyonce's face. 128 00:07:26,080 --> 00:07:31,920 Speaker 3: Is the question at hand? Is this somehow secretly plastic 129 00:07:32,040 --> 00:07:34,720 Speaker 3: surgeons saying they want to they want to make people 130 00:07:34,800 --> 00:07:37,280 Speaker 3: look like Beyonce subconsciously? 131 00:07:37,400 --> 00:07:42,000 Speaker 4: She says, I don't think it is that subconscious, is 132 00:07:42,040 --> 00:07:45,360 Speaker 4: what I will say to this one. I think that 133 00:07:45,480 --> 00:07:48,920 Speaker 4: there is always a beauty standard at the time that 134 00:07:49,480 --> 00:07:53,600 Speaker 4: directly aligns with the celebrity, and you see fallout from 135 00:07:53,640 --> 00:07:57,040 Speaker 4: that that people want to look like that person. I 136 00:07:57,040 --> 00:07:59,640 Speaker 4: think that if you went back to whatever decade you 137 00:07:59,680 --> 00:08:02,160 Speaker 4: would say she was the most on top, you would 138 00:08:02,160 --> 00:08:04,960 Speaker 4: see people trying to look like Diana Ross. I don't 139 00:08:04,960 --> 00:08:07,520 Speaker 4: think it's new. I think that the means to make 140 00:08:07,560 --> 00:08:12,240 Speaker 4: yourself look like that person right have gone, have gotten 141 00:08:12,240 --> 00:08:15,440 Speaker 4: more advanced, and that's why we see so many people. 142 00:08:15,640 --> 00:08:18,000 Speaker 4: I mean, Nick, you live in LA. How many Kim 143 00:08:18,040 --> 00:08:21,760 Speaker 4: Kardashians do you know in La? Like that? Shit's crazy? 144 00:08:22,440 --> 00:08:27,200 Speaker 3: Yeah? No, I agree, I one hundred percent agree with you. 145 00:08:27,240 --> 00:08:30,800 Speaker 3: I think this is just the baddest bitch on the 146 00:08:30,840 --> 00:08:35,200 Speaker 3: planet by far. And so it's like, all right, well, yeah, 147 00:08:35,200 --> 00:08:38,480 Speaker 3: everybody's going to use her as the standard of beauty, 148 00:08:39,400 --> 00:08:43,679 Speaker 3: including other very wealthy women who want to mirror that. 149 00:08:43,800 --> 00:08:46,679 Speaker 3: And I think a fair amount of what the Kardashians 150 00:08:47,600 --> 00:08:53,160 Speaker 3: are doing is blackfishing and sort of like wanting to 151 00:08:53,200 --> 00:08:56,439 Speaker 3: create this image that they are more quote unquote ethnic 152 00:08:56,880 --> 00:09:01,480 Speaker 3: than they probably appear just off of their own fucking 153 00:09:01,600 --> 00:09:06,079 Speaker 3: original genetic makeup. And so I think, yeah, they go like, well, 154 00:09:06,120 --> 00:09:09,319 Speaker 3: who's a black woman who looks like a black woman. 155 00:09:09,400 --> 00:09:12,000 Speaker 3: I think Beyonce very much looks like a black woman, 156 00:09:12,360 --> 00:09:16,920 Speaker 3: but with euro centric enough features that it does not 157 00:09:17,080 --> 00:09:20,920 Speaker 3: offend white eyes. Do you know what I mean? Like, 158 00:09:21,000 --> 00:09:25,040 Speaker 3: it is not right. I understand what you're saying completely, Yeah, 159 00:09:25,080 --> 00:09:27,600 Speaker 3: it's not. I think there are black women who we 160 00:09:27,720 --> 00:09:31,320 Speaker 3: go are very beautiful, but are also more of a 161 00:09:31,400 --> 00:09:35,920 Speaker 3: polarizing conversation for white people, you know what I mean? 162 00:09:36,440 --> 00:09:40,040 Speaker 3: Like Takarl Williams comes to mind where I go like, god, 163 00:09:40,280 --> 00:09:46,280 Speaker 3: damn it. Yeah, or it's just like no, it's just nuts. 164 00:09:46,360 --> 00:09:50,200 Speaker 3: But like white people ain't necessarily gonna have or TAKR Jones, 165 00:09:50,200 --> 00:09:52,160 Speaker 3: that's who it is. Ta Carl Williams is a comedian. 166 00:09:52,320 --> 00:09:55,559 Speaker 3: It's awesome. Yeah, but Ta Carl Jones is the one 167 00:09:55,559 --> 00:09:58,400 Speaker 3: that I'm thinking of. But but yeah, I think it's 168 00:09:58,559 --> 00:10:02,720 Speaker 3: more of a h a debate for white people, whereas 169 00:10:02,800 --> 00:10:06,880 Speaker 3: like Beyonce is more objective for white people as a 170 00:10:06,920 --> 00:10:07,760 Speaker 3: beauty standard. 171 00:10:08,440 --> 00:10:13,960 Speaker 4: Right and that man, sorry, I looked up to Carl. Still, 172 00:10:17,160 --> 00:10:23,520 Speaker 4: if you want to do the show, listen. No. I 173 00:10:23,520 --> 00:10:26,160 Speaker 4: think the scary thing in that though, is you wonder 174 00:10:26,240 --> 00:10:30,559 Speaker 4: what happens when the trend shifts, Like I wonder that 175 00:10:30,679 --> 00:10:34,280 Speaker 4: a lot about like women who went out and got 176 00:10:34,360 --> 00:10:37,480 Speaker 4: large fake breasts in the nineties. Yeah, you know what 177 00:10:37,520 --> 00:10:40,440 Speaker 4: I'm saying, And then as the cultural pendulum kind of 178 00:10:40,840 --> 00:10:44,120 Speaker 4: swung to something different, you're left in this thing that 179 00:10:44,280 --> 00:10:46,880 Speaker 4: was really served you well at one point, but then 180 00:10:46,920 --> 00:10:49,560 Speaker 4: now you look kind of dated and it seems like, 181 00:10:49,679 --> 00:10:51,160 Speaker 4: well to me, that's sort of the worry. 182 00:10:51,880 --> 00:10:53,800 Speaker 3: It's funny you should bring that up, because I was 183 00:10:53,840 --> 00:10:59,319 Speaker 3: literally just listening to a Daily episode about that exact issue. 184 00:10:59,440 --> 00:11:01,880 Speaker 3: They were saying that, like, we are in the middle 185 00:11:01,880 --> 00:11:06,800 Speaker 3: of a swing towards smaller breasts, that like, women are 186 00:11:07,679 --> 00:11:11,480 Speaker 3: in much larger numbers now getting breast reductions in fact, 187 00:11:11,880 --> 00:11:16,640 Speaker 3: because like big old titties number one are a massive 188 00:11:16,760 --> 00:11:20,920 Speaker 3: burden physically and come with a larger cost socially, but 189 00:11:21,000 --> 00:11:24,800 Speaker 3: they also are not in style the same way that 190 00:11:24,880 --> 00:11:27,320 Speaker 3: they used to be. And so there's like a bunch 191 00:11:27,360 --> 00:11:30,800 Speaker 3: of women getting breast reductions and it does make you think, 192 00:11:30,920 --> 00:11:34,040 Speaker 3: like how much of these plastic surgeries are going to 193 00:11:34,200 --> 00:11:39,640 Speaker 3: age over time as trends sort of shift, which is sad. 194 00:11:39,679 --> 00:11:42,840 Speaker 4: Also, do big titties ever really go out of style? 195 00:11:43,960 --> 00:11:46,360 Speaker 3: That's where I start to call bullshit, And I'll be 196 00:11:46,400 --> 00:11:46,880 Speaker 3: honest in. 197 00:11:46,840 --> 00:11:49,800 Speaker 4: The magazine, sure or like at the highest levels of 198 00:11:49,800 --> 00:11:53,200 Speaker 4: whatever you deem to be fashion, but like I feel like, 199 00:11:53,280 --> 00:11:55,079 Speaker 4: I don't know, there could still be a lady in 200 00:11:55,160 --> 00:11:56,920 Speaker 4: Chicago with huge titties. 201 00:11:56,559 --> 00:11:59,360 Speaker 3: And it's cool, and listen, I'm still gonna be a 202 00:11:59,360 --> 00:12:00,600 Speaker 3: big fan of that lady. 203 00:12:00,559 --> 00:12:03,400 Speaker 4: You know what I mean? Exact, I don't think sure 204 00:12:03,920 --> 00:12:05,480 Speaker 4: be courted for that. 205 00:12:06,040 --> 00:12:08,679 Speaker 3: It's it's one of those things that I think fashion 206 00:12:09,480 --> 00:12:12,680 Speaker 3: repeatedly does where they claim that this thing is bad, 207 00:12:12,800 --> 00:12:14,800 Speaker 3: or this thing is out of style, or this is 208 00:12:14,840 --> 00:12:17,240 Speaker 3: not the way that women are or people are in 209 00:12:17,320 --> 00:12:21,040 Speaker 3: general anymore. That it's completely fabricated by a bunch of 210 00:12:21,040 --> 00:12:24,040 Speaker 3: people who are not basing this off of sexuality. They're 211 00:12:24,040 --> 00:12:27,360 Speaker 3: basing it off of like trends and their intention to 212 00:12:27,520 --> 00:12:28,640 Speaker 3: sell items, do you know. 213 00:12:28,640 --> 00:12:30,880 Speaker 4: What I mean. So it's like silhouettes, and. 214 00:12:31,520 --> 00:12:34,120 Speaker 3: So you're making a bunch of clothes that don't require 215 00:12:34,160 --> 00:12:36,600 Speaker 3: a bra anymore, or at least look worse when you 216 00:12:36,640 --> 00:12:39,080 Speaker 3: have a bra. And so you tell everybody that like 217 00:12:39,160 --> 00:12:41,880 Speaker 3: little tits are in when in fact little tits saying 218 00:12:42,160 --> 00:12:44,960 Speaker 3: anymore in other than for the people who feel like 219 00:12:45,000 --> 00:12:48,280 Speaker 3: they need that physically to take that off of their 220 00:12:48,360 --> 00:12:50,400 Speaker 3: you know what I mean, off of their person, But 221 00:12:50,480 --> 00:12:53,640 Speaker 3: like little tits aren't they're they're not out. I'm a 222 00:12:53,640 --> 00:12:56,720 Speaker 3: big fan of those two. But it isn't just like, oh, 223 00:12:56,800 --> 00:12:59,640 Speaker 3: the world decided that this has changed. It's a bunch 224 00:12:59,679 --> 00:13:02,760 Speaker 3: of people in charge of a magazine that are telling 225 00:13:02,840 --> 00:13:03,320 Speaker 3: us this. 226 00:13:03,960 --> 00:13:06,640 Speaker 4: Right right right, right right. Yeah, that is that is 227 00:13:06,720 --> 00:13:09,240 Speaker 4: a that is a very odd thing because yeah, Bay 228 00:13:09,360 --> 00:13:11,680 Speaker 4: just typed in the chat everyone wants to be heroin 229 00:13:11,800 --> 00:13:14,120 Speaker 4: chic again, and you're like the fact that that it's 230 00:13:14,160 --> 00:13:17,719 Speaker 4: again begs the question how for how long? Right? 231 00:13:18,880 --> 00:13:19,120 Speaker 3: Yeah? 232 00:13:20,280 --> 00:13:23,320 Speaker 4: And I think you just gotta chill because big titties 233 00:13:23,320 --> 00:13:27,240 Speaker 4: will get cool again. I truly think, I truly think 234 00:13:27,360 --> 00:13:31,839 Speaker 4: everyone hits the zeitgeist in like a perfect way at 235 00:13:31,880 --> 00:13:34,839 Speaker 4: one point in their life. And if you just go 236 00:13:35,120 --> 00:13:38,360 Speaker 4: fast to who you are at some point and you 237 00:13:38,360 --> 00:13:40,839 Speaker 4: don't know when it is and you can't control that, 238 00:13:41,160 --> 00:13:43,240 Speaker 4: it might not be when you're it might for some 239 00:13:43,360 --> 00:13:46,320 Speaker 4: poor people. Who is that little boy on on on 240 00:13:46,320 --> 00:13:47,640 Speaker 4: on Tim and Toman Taylor? 241 00:13:47,679 --> 00:13:50,360 Speaker 3: Who is that little boy Taylor Thomas? 242 00:13:51,400 --> 00:13:54,120 Speaker 4: He fucked up, he got that ship from eleven to fifteen, 243 00:13:54,520 --> 00:13:56,520 Speaker 4: but he hit it, Yeah. 244 00:13:55,960 --> 00:13:58,320 Speaker 3: He hit it hard. He was but like he was, 245 00:13:58,960 --> 00:14:02,319 Speaker 3: he was the state or the beauty in our country 246 00:14:02,440 --> 00:14:03,440 Speaker 3: before Beyonce. 247 00:14:06,040 --> 00:14:10,120 Speaker 4: I think it was like Allie McBeal and gorgeous. 248 00:14:11,000 --> 00:14:14,120 Speaker 3: Fucking symbol baby. He was symbol symbol. 249 00:14:15,000 --> 00:14:17,240 Speaker 4: He was not not the musical Simba. 250 00:14:17,440 --> 00:14:20,240 Speaker 3: That was Jason Waver of The Smart Eye. 251 00:14:20,240 --> 00:14:25,360 Speaker 4: Again. Yeah, but I do think that everyone hits that. 252 00:14:25,960 --> 00:14:28,480 Speaker 4: It's hard though, because you gotta worry if you can't 253 00:14:28,520 --> 00:14:31,360 Speaker 4: like strike while the iron's hot, you know what I mean? 254 00:14:31,440 --> 00:14:35,360 Speaker 3: Well, that's I think that's where it becomes this complicated thing, Right, 255 00:14:35,480 --> 00:14:39,200 Speaker 3: is that like striking while the iron's hot, or feeling 256 00:14:40,360 --> 00:14:43,640 Speaker 3: so out of place in the body that you have 257 00:14:44,120 --> 00:14:48,080 Speaker 3: that you're not willing to wait out the changes in trends, 258 00:14:48,160 --> 00:14:51,560 Speaker 3: Right that, Like, if you are made to believe by media, 259 00:14:51,680 --> 00:14:55,120 Speaker 3: by the people around you that your body is somehow incorrect, 260 00:14:55,400 --> 00:14:58,560 Speaker 3: then you start to desire something else. Hence all these 261 00:14:58,600 --> 00:15:00,920 Speaker 3: women in the eighties and nineties wanting to get the 262 00:15:00,920 --> 00:15:04,600 Speaker 3: big fake tits in the first place. And so one 263 00:15:04,640 --> 00:15:08,560 Speaker 3: of the things that the the thing I was listening 264 00:15:08,600 --> 00:15:11,360 Speaker 3: to was saying the podcast I was listening to was 265 00:15:11,400 --> 00:15:14,360 Speaker 3: that more than ever, gen Z is real down for 266 00:15:14,480 --> 00:15:18,120 Speaker 3: plastic surgery. They're real like, nah, whatever, we don't but 267 00:15:18,280 --> 00:15:22,120 Speaker 3: they're not looking at it as a reflection of responding 268 00:15:22,160 --> 00:15:25,080 Speaker 3: to like the male gaze. They look at it as 269 00:15:25,160 --> 00:15:27,960 Speaker 3: like their own autonomy, where they go like, no, this 270 00:15:28,120 --> 00:15:31,760 Speaker 3: is my way of just activating who I want to be, 271 00:15:32,440 --> 00:15:35,520 Speaker 3: not just because some dude told me this is what 272 00:15:36,080 --> 00:15:36,520 Speaker 3: we like. 273 00:15:37,440 --> 00:15:43,600 Speaker 4: Yeah, that's tough. That's tough. It's hard for me to 274 00:15:43,680 --> 00:15:46,040 Speaker 4: get behind elective surgery in a major way. 275 00:15:47,120 --> 00:15:50,640 Speaker 3: Mmm, just like because because you. 276 00:15:50,840 --> 00:15:53,680 Speaker 4: Like how the world is, how much resources it takes, 277 00:15:54,200 --> 00:15:57,240 Speaker 4: you know what I'm saying. Yeah, and no matter where 278 00:15:57,280 --> 00:15:59,160 Speaker 4: you go, there you're at. But like, I'm glad that 279 00:15:59,240 --> 00:16:02,000 Speaker 4: they find freedom in that. And I might have a 280 00:16:02,080 --> 00:16:05,280 Speaker 4: very antiquated view of it, but it does to me 281 00:16:05,480 --> 00:16:08,640 Speaker 4: feel like if you need surgery to be yourself, I 282 00:16:08,680 --> 00:16:10,680 Speaker 4: don't know if that's a hole that gets filled always 283 00:16:10,960 --> 00:16:12,120 Speaker 4: sometimes you. 284 00:16:12,160 --> 00:16:17,440 Speaker 3: Know, Yeah, I worry, I worry less, And that's not 285 00:16:17,480 --> 00:16:19,120 Speaker 3: a great solution to a problem. 286 00:16:19,160 --> 00:16:19,640 Speaker 4: I feel it. 287 00:16:20,440 --> 00:16:23,320 Speaker 3: I worry less about even it being the solution to 288 00:16:23,400 --> 00:16:25,920 Speaker 3: the problem because maybe it is for you, and and 289 00:16:25,960 --> 00:16:29,040 Speaker 3: I don't want to presume I don't want to make 290 00:16:29,080 --> 00:16:32,120 Speaker 3: that choice for you, but I do worry that, like 291 00:16:32,720 --> 00:16:35,960 Speaker 3: there might have been another solution if you explored in 292 00:16:36,000 --> 00:16:39,760 Speaker 3: a different way, right, And so I think. I think 293 00:16:39,840 --> 00:16:43,120 Speaker 3: I for plastic surgery in particular, I go, if that's 294 00:16:43,160 --> 00:16:45,960 Speaker 3: what you want, baby girl or a baby boy, whatever, 295 00:16:46,320 --> 00:16:48,760 Speaker 3: that's what you should go do. And there's no shame 296 00:16:48,800 --> 00:16:51,200 Speaker 3: in that. On the flip side, I bet you there 297 00:16:51,280 --> 00:16:55,120 Speaker 3: was another way into that same feeling if you were 298 00:16:55,160 --> 00:16:59,920 Speaker 3: able to get past some of the esthetic blockage that's 299 00:17:00,000 --> 00:17:00,880 Speaker 3: sitting in front of you. 300 00:17:01,560 --> 00:17:01,840 Speaker 1: Right. 301 00:17:02,960 --> 00:17:05,280 Speaker 3: So, yeah, I don't know, we're so smart. Yeah we 302 00:17:05,320 --> 00:17:05,840 Speaker 3: sound great. 303 00:17:07,359 --> 00:17:10,920 Speaker 4: This is this isn't gonna come off problematic. It Ah, 304 00:17:11,600 --> 00:17:13,440 Speaker 4: let's just talk. This is what women should do it 305 00:17:13,480 --> 00:17:14,760 Speaker 4: in their bodies surgically. 306 00:17:16,520 --> 00:17:20,639 Speaker 3: Buddy, know for sure this won't age poorly at all. 307 00:17:20,680 --> 00:17:24,399 Speaker 3: We are gonna this conversation is going to stand the 308 00:17:24,440 --> 00:17:25,200 Speaker 3: test of time. 309 00:17:34,400 --> 00:17:37,480 Speaker 4: These conversations are necessary, though, because I do feel like 310 00:17:37,560 --> 00:17:42,720 Speaker 4: sometimes these things, the technology and whatnot, outpaces people having 311 00:17:42,800 --> 00:17:45,240 Speaker 4: true feelings about it, and then you get to this 312 00:17:45,280 --> 00:17:47,280 Speaker 4: point where you don't know where the culture is at, 313 00:17:47,720 --> 00:17:49,119 Speaker 4: you know, you know what I mean. So it's like 314 00:17:50,480 --> 00:17:52,879 Speaker 4: it does feel and I think that's why people get 315 00:17:53,359 --> 00:17:56,760 Speaker 4: so caught up one way or another within the culture wars, right, 316 00:17:57,200 --> 00:17:59,520 Speaker 4: because it's like, wait, this just happened. I don't even 317 00:17:59,520 --> 00:17:59,879 Speaker 4: get it. 318 00:18:00,160 --> 00:18:02,399 Speaker 3: I think also, we don't give enough credit to how 319 00:18:02,480 --> 00:18:06,200 Speaker 3: much these culture wars are dictated by a small swath 320 00:18:06,280 --> 00:18:08,840 Speaker 3: of people. One of the things that they talked about 321 00:18:08,920 --> 00:18:12,720 Speaker 3: in that in that podcast is that three quarters of 322 00:18:12,800 --> 00:18:17,440 Speaker 3: plastic surgeons are men, men who for a long time 323 00:18:17,480 --> 00:18:20,600 Speaker 3: were responding to women saying I want a breast reduction 324 00:18:20,960 --> 00:18:23,760 Speaker 3: by being like, well, your husband won't like that, or 325 00:18:23,920 --> 00:18:27,800 Speaker 3: like that that I actually like the way this curves 326 00:18:28,000 --> 00:18:31,600 Speaker 3: or shaping. Literally there was like a this is fucked up, 327 00:18:31,640 --> 00:18:32,359 Speaker 3: but there was like. 328 00:18:32,320 --> 00:18:37,719 Speaker 4: A would be like no, I actually like big as 329 00:18:41,080 --> 00:18:42,320 Speaker 4: why did I come here? 330 00:18:47,760 --> 00:18:48,080 Speaker 3: Cool? 331 00:18:48,200 --> 00:18:48,440 Speaker 1: Man? 332 00:18:49,840 --> 00:18:57,280 Speaker 3: I don't for me, I don't, but that's dope for you. 333 00:18:57,800 --> 00:19:00,440 Speaker 3: That One of the things that's craziest is that there 334 00:19:00,520 --> 00:19:05,399 Speaker 3: actually was like this peer reviewed journal article, well, basically 335 00:19:05,400 --> 00:19:10,840 Speaker 3: a doctor describes in detail the perfect shape of a breast, 336 00:19:11,400 --> 00:19:15,440 Speaker 3: like this is the ideal breast that all plastic surgeons 337 00:19:15,480 --> 00:19:19,600 Speaker 3: should be working towards, and basically like presenting this as 338 00:19:19,680 --> 00:19:22,919 Speaker 3: this is what we should be crafting, which is insane 339 00:19:23,080 --> 00:19:26,320 Speaker 3: because bodies come in so many different shapes and forms 340 00:19:26,520 --> 00:19:30,040 Speaker 3: that even the ideal quote unquote ideal breast might look 341 00:19:30,600 --> 00:19:35,120 Speaker 3: nuts on a lady that ain't built like that, right. 342 00:19:35,920 --> 00:19:40,520 Speaker 4: And by who's yeah, it's regulating bodies in that way. 343 00:19:40,520 --> 00:19:45,520 Speaker 4: It's so crazy. Yeah, one PC and it's like, come on, man, 344 00:19:45,600 --> 00:19:47,040 Speaker 4: some people like long titties. 345 00:19:47,960 --> 00:19:49,400 Speaker 3: Some people like that for sure. 346 00:19:50,080 --> 00:19:51,800 Speaker 4: Some people like short titties. 347 00:19:53,720 --> 00:19:54,280 Speaker 3: And the rest. 348 00:19:54,960 --> 00:19:57,399 Speaker 4: Yeah, some people like it when they hang down and 349 00:19:57,440 --> 00:19:58,600 Speaker 4: they can pick it up and put it to their 350 00:19:58,640 --> 00:19:59,560 Speaker 4: ear like a telephone. 351 00:20:00,119 --> 00:20:05,720 Speaker 3: Uh do you city saying low? Do them any time 352 00:20:05,800 --> 00:20:08,040 Speaker 3: in the nut? Can you tie them in a bow? 353 00:20:09,119 --> 00:20:15,160 Speaker 3: Shout out to jibs, But no, I think to the 354 00:20:15,200 --> 00:20:20,840 Speaker 3: greater to the greater point of whether or not plastic 355 00:20:20,920 --> 00:20:24,160 Speaker 3: surgeons are making people look like Beyonce, I think they're 356 00:20:24,200 --> 00:20:29,480 Speaker 3: probably asking these plastic surgeons on some sub subconscious level 357 00:20:29,520 --> 00:20:32,359 Speaker 3: to make them look like Beyonce, or in a very 358 00:20:32,400 --> 00:20:34,760 Speaker 3: straight up level, to make them look like Beyonce. And 359 00:20:34,800 --> 00:20:37,600 Speaker 3: I think we're all working from the same palette. In 360 00:20:37,680 --> 00:20:40,359 Speaker 3: a lot of ways, we go this is this is 361 00:20:40,400 --> 00:20:43,119 Speaker 3: the standard of beauty. Therefore I will do my best 362 00:20:43,160 --> 00:20:45,320 Speaker 3: to make you look like that, even if that's not 363 00:20:45,359 --> 00:20:46,679 Speaker 3: what you're supposed to look like. 364 00:20:47,240 --> 00:20:51,719 Speaker 4: Yeah, definitely. I feel like within this the conspiracy is 365 00:20:51,760 --> 00:20:55,840 Speaker 4: not within the plastic surgeons. It's kind of society at large. 366 00:20:56,480 --> 00:21:00,119 Speaker 3: Yeah, we all want to look like Beyonce, and we 367 00:21:00,160 --> 00:21:03,560 Speaker 3: should maybe reflect on whether that's a healthy approach. 368 00:21:04,720 --> 00:21:05,760 Speaker 4: Yeah exactly. 369 00:21:06,640 --> 00:21:08,760 Speaker 3: But that said, if you want to look like Beyonce 370 00:21:08,920 --> 00:21:11,240 Speaker 3: and you know how to do it, God bless you 371 00:21:11,359 --> 00:21:12,359 Speaker 3: because you just do. 372 00:21:12,480 --> 00:21:12,720 Speaker 1: I know. 373 00:21:13,560 --> 00:21:17,520 Speaker 4: Yeah, and trust me, you're not gonna pop out looking 374 00:21:17,600 --> 00:21:19,560 Speaker 4: like Beyonce in your life is gonna get worse. 375 00:21:22,680 --> 00:21:24,240 Speaker 3: You're gonna see some improvements. 376 00:21:24,680 --> 00:21:26,639 Speaker 4: You're definitely gonna see some results. 377 00:21:27,400 --> 00:21:29,960 Speaker 3: I think people are gonna talk a little differently to 378 00:21:30,160 --> 00:21:31,040 Speaker 3: ye are. 379 00:21:31,760 --> 00:21:33,679 Speaker 4: They're not going to push you around down at the 380 00:21:33,680 --> 00:21:34,880 Speaker 4: post office anymore? 381 00:21:42,800 --> 00:21:46,359 Speaker 3: Where's that check? I don't know my man, My male 382 00:21:46,440 --> 00:21:49,919 Speaker 3: man looks like Beyonce. I'm not got lost? They got lost? 383 00:21:50,400 --> 00:21:50,680 Speaker 1: Gy? 384 00:21:50,720 --> 00:21:52,280 Speaker 4: I gotta buy him two Christmas presents? 385 00:21:52,320 --> 00:21:52,480 Speaker 3: Now? 386 00:21:54,200 --> 00:21:56,000 Speaker 4: Do you buy your male man a Christmas present? 387 00:21:56,520 --> 00:21:56,800 Speaker 3: Fuck? 388 00:21:56,960 --> 00:21:58,200 Speaker 4: No, yeah me either. 389 00:21:59,400 --> 00:22:03,960 Speaker 3: I hate my male lady's guts. I ain't woa. I 390 00:22:04,000 --> 00:22:06,040 Speaker 3: can't stand this bitch. 391 00:22:06,280 --> 00:22:07,640 Speaker 4: Damn for real. 392 00:22:08,400 --> 00:22:12,879 Speaker 3: Yeah, she's she's rude, and she never says hello, and 393 00:22:12,880 --> 00:22:16,120 Speaker 3: and she shows up late almost every day, but sometimes 394 00:22:16,119 --> 00:22:20,760 Speaker 3: she's delivering at like eight at night. So like, if 395 00:22:20,800 --> 00:22:22,800 Speaker 3: I needed mail, I'm just fucked. 396 00:22:23,240 --> 00:22:26,119 Speaker 4: Do you know what you gotta you got because you're 397 00:22:26,119 --> 00:22:27,720 Speaker 4: waiting for those sag after checks. 398 00:22:27,720 --> 00:22:30,040 Speaker 3: You know what I mean, bro, I got cash. I 399 00:22:30,040 --> 00:22:33,639 Speaker 3: got checks to cash. She'll be showing up at like 400 00:22:33,680 --> 00:22:35,320 Speaker 3: eight at night, leaving leaving. 401 00:22:35,760 --> 00:22:35,920 Speaker 1: Uh. 402 00:22:36,080 --> 00:22:38,960 Speaker 3: She'll leave packages on the porch and not ring the door, 403 00:22:38,960 --> 00:22:40,840 Speaker 3: but you know what I mean, not even indicating like, oh, 404 00:22:40,880 --> 00:22:43,600 Speaker 3: you have a package, It'll just like put it out. 405 00:22:43,800 --> 00:22:46,600 Speaker 3: And then because you show up so late, now it's 406 00:22:46,600 --> 00:22:50,359 Speaker 3: out overnight. My sh it's just outside because. 407 00:22:50,080 --> 00:22:56,240 Speaker 4: You hate Wow. Man, my guy's cool. You're like a 408 00:22:56,280 --> 00:23:00,800 Speaker 4: gay guy. He's pretty, he's like hip damn yeah. But 409 00:23:00,840 --> 00:23:02,880 Speaker 4: then he's like so hips. Sometimes I try to talk 410 00:23:02,880 --> 00:23:04,399 Speaker 4: to him and he doesn't want to talk to me 411 00:23:04,600 --> 00:23:06,919 Speaker 4: because I have like a little bestro table out front, 412 00:23:07,200 --> 00:23:08,840 Speaker 4: so I'll be out the side when he comes out. 413 00:23:09,080 --> 00:23:16,119 Speaker 4: Sometimes he sees. 414 00:23:15,880 --> 00:23:20,240 Speaker 3: You out there and he goes, hey, man, what's up, guy? 415 00:23:23,800 --> 00:23:25,159 Speaker 3: I can't talk today. I gotta. 416 00:23:25,840 --> 00:23:28,320 Speaker 4: And also I in the world, my sense of humor 417 00:23:28,359 --> 00:23:31,639 Speaker 4: completely leaves me, so like I'm not saying funny stuff 418 00:23:31,680 --> 00:23:32,440 Speaker 4: like I am on here. 419 00:23:32,440 --> 00:23:41,480 Speaker 3: I'm just like, can I just say it is so 420 00:23:41,560 --> 00:23:44,280 Speaker 3: cathartic to hear you say that, because I feel the 421 00:23:44,400 --> 00:23:48,280 Speaker 3: exact same way. I'm not really I'm not being funny. 422 00:23:48,440 --> 00:23:50,560 Speaker 3: I'm not nailing it. Most of the time when I'm 423 00:23:50,560 --> 00:23:55,520 Speaker 3: talking to people, I just be having ordinary conversations and 424 00:23:55,560 --> 00:23:57,160 Speaker 3: then they go, what are you doing? I go, I'm 425 00:23:57,200 --> 00:24:01,560 Speaker 3: a comedian and they go all right, and I just 426 00:24:01,560 --> 00:24:04,400 Speaker 3: feel like I'm a fraud most the day. 427 00:24:05,240 --> 00:24:08,080 Speaker 4: I this is me at my peak because I can 428 00:24:08,240 --> 00:24:11,639 Speaker 4: harness it in to the hour or two hours that 429 00:24:11,680 --> 00:24:14,480 Speaker 4: we have to do this, and then I spent my low. 430 00:24:14,720 --> 00:24:18,040 Speaker 4: I'm not funny, man. I wish you could talk to 431 00:24:18,080 --> 00:24:20,200 Speaker 4: my girl about how unfunny I am in the house. 432 00:24:20,760 --> 00:24:26,439 Speaker 4: Damn man, brother, It's like puns and like stupid I 433 00:24:26,760 --> 00:24:28,960 Speaker 4: make stupid jo this is this just happened to me. 434 00:24:29,440 --> 00:24:31,960 Speaker 4: I make terrible jokes to her. And the other day 435 00:24:32,000 --> 00:24:36,240 Speaker 4: she was like, can you just stop shortening ship because 436 00:24:36,320 --> 00:24:38,399 Speaker 4: I know that that's a douchebag thing to set do, 437 00:24:38,960 --> 00:24:41,160 Speaker 4: and in my head I was like, Oh, that's so funny. 438 00:24:41,400 --> 00:24:43,840 Speaker 4: So I do it. But it's not ironic if you 439 00:24:43,880 --> 00:24:44,960 Speaker 4: do it all the time anymore. 440 00:24:45,000 --> 00:24:48,400 Speaker 3: Yeah, once you once you've done it more than twice, 441 00:24:48,640 --> 00:24:50,080 Speaker 3: this is just who you are. 442 00:24:50,720 --> 00:24:53,719 Speaker 4: Right, And I got an audition for this show and 443 00:24:53,800 --> 00:24:57,240 Speaker 4: they the character was a douchebag, and all he did 444 00:24:57,320 --> 00:25:01,600 Speaker 4: was shorten everything he said in the audition self described douchebag. 445 00:25:01,600 --> 00:25:03,719 Speaker 3: And I was like, oh man, I'm gonna do that. 446 00:25:04,840 --> 00:25:07,679 Speaker 4: No, no, no. I was like, oh man, she's rollow. 447 00:25:07,800 --> 00:25:07,960 Speaker 5: Now. 448 00:25:08,840 --> 00:25:11,640 Speaker 3: It was the mirror you need it held up to you. 449 00:25:11,960 --> 00:25:16,600 Speaker 4: Exactly because my sense of humor is not great within 450 00:25:16,720 --> 00:25:20,120 Speaker 4: any a lot of other aspects. It's it's it's it's not. 451 00:25:20,040 --> 00:25:24,600 Speaker 3: I get it. I've I've put everything I can into comedy, 452 00:25:25,080 --> 00:25:30,760 Speaker 3: Like I sink every fucking day into comedy, so much 453 00:25:30,800 --> 00:25:33,760 Speaker 3: so that I drain myself dry. 454 00:25:34,960 --> 00:25:35,360 Speaker 4: Nothing. 455 00:25:36,480 --> 00:25:37,600 Speaker 3: I got nothing. 456 00:25:38,280 --> 00:25:40,679 Speaker 4: That's why it sucks so bad when my comedy doesn't 457 00:25:40,720 --> 00:25:43,760 Speaker 4: do good. I'm like, fuck, I'm gonna kill myself. 458 00:25:44,040 --> 00:25:52,919 Speaker 3: I did everything, I did everything, I disassociated from the 459 00:25:52,960 --> 00:25:57,520 Speaker 3: horrors of the world for this. At least let it work. 460 00:26:00,240 --> 00:26:02,320 Speaker 4: I ruined my whole personality for this. 461 00:26:03,200 --> 00:26:05,719 Speaker 3: Come on, man, I could have been a champion for 462 00:26:06,040 --> 00:26:09,920 Speaker 3: justice and truth and I chose this, So it has 463 00:26:10,000 --> 00:26:14,760 Speaker 3: to work. I think about it all the time of 464 00:26:14,960 --> 00:26:19,040 Speaker 3: like how much I sort of have to like shut 465 00:26:19,080 --> 00:26:22,000 Speaker 3: down a moral code that I know that I believe 466 00:26:22,119 --> 00:26:25,960 Speaker 3: that I live under actively for the sake of getting 467 00:26:25,960 --> 00:26:29,360 Speaker 3: a joke off or being able to reason with a 468 00:26:29,400 --> 00:26:34,320 Speaker 3: comedic idea that sometimes has like vile undertones, and and 469 00:26:34,680 --> 00:26:39,760 Speaker 3: when it doesn't work, you are you feel like garbage? 470 00:26:40,280 --> 00:26:43,680 Speaker 3: You're such a set guy, yeah. 471 00:26:43,000 --> 00:26:45,119 Speaker 4: Because you mix those words up and then it's like 472 00:26:45,160 --> 00:26:49,240 Speaker 4: because sometimes it's like a you're tiptoeing, especially with the 473 00:26:49,280 --> 00:26:51,240 Speaker 4: new shit. Man, I don't want to go to your 474 00:26:51,240 --> 00:26:52,560 Speaker 4: stand upuff to this now. I feel like. 475 00:26:55,480 --> 00:26:59,000 Speaker 3: I'm glad I don't spot tonight, but I gotta do 476 00:26:59,119 --> 00:27:07,959 Speaker 3: hour great. Yeah, you'll kill it. So, dear caller, our 477 00:27:08,240 --> 00:27:13,320 Speaker 3: our inaugural caller, I would say the the beginner caller, 478 00:27:13,400 --> 00:27:17,000 Speaker 3: we would say that, yes, our plastic surgeons are making 479 00:27:17,040 --> 00:27:21,439 Speaker 3: people look like Beyonce. No, it is not subconscious. It 480 00:27:21,520 --> 00:27:25,160 Speaker 3: is very conscious, and we're all maybe needing to spend 481 00:27:25,200 --> 00:27:28,640 Speaker 3: a little more time thinking about why we would want 482 00:27:28,680 --> 00:27:30,560 Speaker 3: that as a society. 483 00:27:31,359 --> 00:27:31,919 Speaker 4: Beautiful. 484 00:27:33,080 --> 00:27:35,400 Speaker 3: All right, Well, you want to tell the people where 485 00:27:35,400 --> 00:27:37,240 Speaker 3: they can find you? What cool soon got. 486 00:27:37,200 --> 00:27:41,920 Speaker 4: Joke eighty seven on Instagram, Go to patreon dot com, 487 00:27:41,960 --> 00:27:45,320 Speaker 4: backslash David bory g b o r I E go 488 00:27:45,560 --> 00:27:49,439 Speaker 4: buy my motherfucking special Birth of a Nation. It's very funny. 489 00:27:50,160 --> 00:27:54,200 Speaker 4: You're gonna love it, walk your dog to it, make 490 00:27:54,280 --> 00:27:54,840 Speaker 4: love to it. 491 00:27:55,440 --> 00:27:56,919 Speaker 3: Mm hm oh. 492 00:27:56,960 --> 00:28:00,800 Speaker 4: It's also available on all streaming platforms Spotify all that shit. 493 00:28:01,560 --> 00:28:04,040 Speaker 3: Yeah all right, that makes more sense. 494 00:28:07,600 --> 00:28:07,840 Speaker 4: To it. 495 00:28:10,680 --> 00:28:15,560 Speaker 3: I don't watch visual Yeah, that's fucking crazy. You can. 496 00:28:15,640 --> 00:28:18,359 Speaker 3: You can follow me at Langston Herman on all social 497 00:28:18,359 --> 00:28:21,320 Speaker 3: media platforms. You can watch my special on Netflix. It's 498 00:28:21,320 --> 00:28:25,480 Speaker 3: called bad Poetry. That's oh. If you want to send 499 00:28:25,560 --> 00:28:28,159 Speaker 3: us your own drops, your own conspiracy theories, if you 500 00:28:28,400 --> 00:28:32,399 Speaker 3: want to tell us what beauty standards we should shift 501 00:28:32,440 --> 00:28:36,640 Speaker 3: everything to, uh for the next wave of plastic surgery, 502 00:28:36,680 --> 00:28:39,320 Speaker 3: send it all to my Mama pot at gmail dot com. 503 00:28:39,360 --> 00:28:43,600 Speaker 3: And please like this sweet sweet, I would say, over 504 00:28:43,800 --> 00:28:48,000 Speaker 3: zealous caller who uh two things a step too far, 505 00:28:48,120 --> 00:28:51,680 Speaker 3: but but we we love her anyway. Send us your 506 00:28:51,720 --> 00:28:55,240 Speaker 3: own voicemails at eight four four Little Moms. We want 507 00:28:55,240 --> 00:28:58,960 Speaker 3: to hear from you at eight four four Little Moms. 508 00:28:59,320 --> 00:29:03,360 Speaker 3: Call us now and maybe your your voicemail will get 509 00:29:03,400 --> 00:29:08,320 Speaker 3: read on the episode and like subscribe rate review by 510 00:29:08,360 --> 00:29:12,960 Speaker 3: the merch Say bye to your loved ones before you go. 511 00:29:13,160 --> 00:29:15,600 Speaker 3: Who knows what's gonna happen to you? Bye, bitch? 512 00:29:19,320 --> 00:29:31,040 Speaker 1: Motherfucking mini episode mini episode, motherfucking Mini everis motherfucking Mini 513 00:29:31,080 --> 00:29:36,960 Speaker 1: everis so mini episode? Motherfucking mini episode