WEBVTT - Best Bits: JUST THE BITS

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<v Speaker 1>It's the best bit of the week with Morgan two,

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<v Speaker 1>she's breaking down the top seven segments from the Bobby

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<v Speaker 1>Bone Show this week.

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<v Speaker 2>Well, what's up, everybody?

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<v Speaker 3>Happy weekend. So excited you're joining us today. My name

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<v Speaker 3>is Morgan and we are catching up on the Bobby

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<v Speaker 3>Bone Show. But first please go check out Part one

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<v Speaker 3>Part three. This weekend, Amy joins me. In part one,

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<v Speaker 3>we talk about her vacation, how the new house is going,

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<v Speaker 3>how mom life is shared, an update on how I'm

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<v Speaker 3>feeling with things, and then in listener Q and A

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<v Speaker 3>on part three, we talked about her favorite memory ever

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<v Speaker 3>from the show, and she's doing any More Live podcast,

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<v Speaker 3>So a lot of fun stuff in both of those.

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<v Speaker 2>But the reason you're here is to catch up on

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<v Speaker 2>the Bobby Bone Show and that's what we're about to do.

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<v Speaker 3>A little Tuesday reviews day went down. We had two

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<v Speaker 3>movies from the theaters, Beetlejuice, Beetlejuice and It ends with Us,

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<v Speaker 3>and then some shows that you may or may not like.

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<v Speaker 3>There's The Killing, the Perfect Couple. Gosh, there was so many.

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<v Speaker 3>So if you're looking for stuff to watch this weekend,

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<v Speaker 3>this is really the only segment you need.

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<v Speaker 4>Number seven Tuesday Reviews day.

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<v Speaker 5>Let's review something you had to finish it. I'll review

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<v Speaker 5>The Killing season one. My wife wanted to watch the

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<v Speaker 5>show because she had heard for friends it was really good.

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<v Speaker 5>But we started it and season one was like twenty eleven,

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<v Speaker 5>and so some of the stuff it's still a little cheesy,

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<v Speaker 5>just because shows were a little cheesier then. Anybody watched

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<v Speaker 5>The Killing back in the day, No, what is it?

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<v Speaker 5>It's about a murder. There's about a killing and two

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<v Speaker 5>detectives to try to figure it out. Season one is

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<v Speaker 5>pretty good. It's just a little cheesy. But again I

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<v Speaker 5>have to think to myself, this wasn't made cheesy. It

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<v Speaker 5>was just eleven twelve years ago that was made. I

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<v Speaker 5>would give it three and a half out of five

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<v Speaker 5>packs of cigarettes. Everybody smokes in this show, because apparently

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<v Speaker 5>that was like being edgy then. But it was good.

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<v Speaker 5>I think back then it had been five out of five.

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<v Speaker 5>But we're in season two now and it's getting a

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<v Speaker 5>little like newer, like things are just make more sense.

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<v Speaker 5>But the Killing is pretty good. So it's based off

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<v Speaker 5>and on like Danish TV show. But I'll go three

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<v Speaker 5>and a half out of five on season one of

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<v Speaker 5>the killing. There are four seasons, Amy You.

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<v Speaker 6>The Perfect Couple. It's the new show on Netflix.

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<v Speaker 7>Oh.

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<v Speaker 6>We started that and I finished it.

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<v Speaker 8>There's six episodes and I give it four out of five.

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<v Speaker 6>Dances on the beach.

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<v Speaker 5>They do a line dance. They're all like, look at

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<v Speaker 5>our line dance. A rich. I was like, I told

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<v Speaker 5>my wife what are we watching? She read the book

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<v Speaker 5>and she was like, it's going to be really good.

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<v Speaker 5>And then they're all doing like a line dance perfectly,

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<v Speaker 5>like fifty people on a beach, and I'm like, there's

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<v Speaker 5>no way that's even cheeper than the killing.

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<v Speaker 6>It's the intro of every episode.

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<v Speaker 5>It's so fun. You liked it?

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<v Speaker 6>Yeah, I liked it.

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<v Speaker 5>It's good Netflix. Netflix, Yep, Lunchbox anything. Yeah.

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<v Speaker 9>I watched a documentary call it Addicted to Life. It's

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<v Speaker 9>about this woman in Belgium. She's a gold medalist and

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<v Speaker 9>they have euthanasia and she wants to exercise her right

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<v Speaker 9>to do euthanasia.

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<v Speaker 5>So ethan asa is when you choose to kill yourself,

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<v Speaker 5>oh with the doctor. Yeah, and it is who tough? Yeah, yeah,

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<v Speaker 5>it's tough. So I'd say about a five gold gold medals.

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<v Speaker 5>It's good.

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<v Speaker 10>Five.

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<v Speaker 5>Yeah. Just because it's sad doesn't mean it's not compelling. Right,

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<v Speaker 5>So it was really good, really good, Mike Dan, did

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<v Speaker 5>you go watch Beetle Juice Beetle Juice? I did, right, movie,

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<v Speaker 5>Mike saw Beetle Juice. Beetlejuice, which is not Beetlejuice.

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<v Speaker 10>It's part two.

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<v Speaker 5>Yeah, go ahead, And.

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<v Speaker 4>It takes place thirty six years after the original one.

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<v Speaker 5>And I thought this was just gonna be like another

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<v Speaker 5>cash grab movie. It's actually really good. Is Michael Keaton

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<v Speaker 5>selling it? Yeah, he's Beetlejuice. He's still the same Beetlejuice.

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<v Speaker 5>Sa Beatle. Does Beetle just a son like show up

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<v Speaker 5>or anything? Or is he's just still him? You gotta

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<v Speaker 5>watch it to point out. Okay, I don't know if

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<v Speaker 5>it was like I'm now gonna make my son the

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<v Speaker 5>guy that comes out. Do you need to watch the

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<v Speaker 5>first one again? Definitely? Okay, it's now the daughter of character.

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<v Speaker 5>Is that Ginny Ortega? Yeah she's good. Yeah, yeah, she's

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<v Speaker 5>pretty good actors.

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<v Speaker 11>Yeah.

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<v Speaker 5>Yeah, but do you give it?

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<v Speaker 4>I give it four out of five.

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<v Speaker 5>Striped Suits movie Mike with a strong movie? Yeah at anything?

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<v Speaker 12>Okay, Yes, I have a documentary called David Holmes The

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<v Speaker 12>Boy Who Lived. I saw it on the airplane, so

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<v Speaker 12>I don't know what streaming service it's on, but it's uh,

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<v Speaker 12>Terry Potter. What's his name of Daniel Radcliffe. He had

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<v Speaker 12>a stunt double for all of the Harry Potter Potter movies.

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<v Speaker 12>In the last movie, he got paralyzed doing a stunt

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<v Speaker 12>during a stunt, and it's the story of his life

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<v Speaker 12>and what happened and what he did after that.

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<v Speaker 5>Amazing.

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<v Speaker 12>So I'm gonna give it four and a half ones

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<v Speaker 12>out of five.

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<v Speaker 10>Dude, it's so so good.

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<v Speaker 5>I looked it up. It's a ninety seven percent of

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<v Speaker 5>Rotten Tomatoes.

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<v Speaker 12>David Holmes is his name, and I mean him and

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<v Speaker 12>Dania Radcliffe. He's in the documentary. He's part of it

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<v Speaker 12>because they were buds. They were so close when they

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<v Speaker 12>were making the movie.

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<v Speaker 5>Oh my gosh, Morgan.

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<v Speaker 3>Yeah, I went to the theaters and watched it ends

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<v Speaker 3>with us with Lively and Justin Baldini.

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<v Speaker 2>It's been all over the news.

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<v Speaker 5>Oh I watched. I was on TikTok for three weeks.

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<v Speaker 5>I was in the algorithm of the.

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<v Speaker 2>Drama there the rabbit hole of all.

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<v Speaker 5>Of like those two. Yeah, how was the movie?

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<v Speaker 3>It was really good, made me like super emotional, very

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<v Speaker 3>uh triggering real.

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<v Speaker 2>Life for a lot of people.

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<v Speaker 3>But it was so good, Like I'm glad there's a

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<v Speaker 3>movie out there that's like this now.

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<v Speaker 2>So I give it four out of five.

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<v Speaker 5>Blooms all of the Tiktoks out wat for like two

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<v Speaker 5>and a half weeks and like Blake Lively way less

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<v Speaker 5>tho as a person.

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<v Speaker 2>Yeah, interesting, what's happening?

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<v Speaker 5>Yeah?

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<v Speaker 2>I don't know what to believe.

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<v Speaker 5>Still either me neither I believe, but TikTok tells me.

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<v Speaker 5>Let's see ray final one.

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<v Speaker 13>Yeah.

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<v Speaker 14>The Deliverance it's on Netflix now that it is Spooky Sison.

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<v Speaker 5>It's kind of a Halloween.

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<v Speaker 14>Theme, the ges Spooky Sison, and it's based on a

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<v Speaker 14>true story of family lower income can't move out of

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<v Speaker 14>a house and it's haunted.

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<v Speaker 10>Is it Deliverance?

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<v Speaker 5>Likenriginal, It's the Deliverance? Oh what you give it four

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<v Speaker 5>out of five? I will make you have some nightmares.

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<v Speaker 5>Woe be careful. Rotten Tomatoes give it a thirty three

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<v Speaker 5>percent splat is that fair? Well, my rating's a little

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<v Speaker 5>bit higher than that.

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<v Speaker 13>It is.

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<v Speaker 5>Yeah, but do you feel like thirty three percent is

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<v Speaker 5>probably because of the vulgarity. There's some bad words in there.

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<v Speaker 5>I don't know that it's because the vulgar reviewing on

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<v Speaker 5>Rotten Tomatoes. But you liked it, yes, okay, then we

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<v Speaker 5>will last all of these Tuesday reviews days. You go

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<v Speaker 5>to any of our social media pages, but go to

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<v Speaker 5>Bobbybones dot com. We'll put up a whole story if

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<v Speaker 5>you want to hear what we talked about and what

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<v Speaker 5>shows to watch. It's all up there on Tuesday Reviews day.

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<v Speaker 5>Nice shop, Thank you. No podcast LaunchBox, No, no podcasts.

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<v Speaker 5>Been busy man, I haven't had time. No new friends

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<v Speaker 5>you want to review? No, no new friends, no new anything.

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<v Speaker 5>Album release parties, no album release parties. But hey, I

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<v Speaker 5>will work on a podcast. I'll get back on it. Hi.

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<v Speaker 5>Thanks Betty. We appreciate that.

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<v Speaker 4>It's the best bits of the week with Morgan. Number two.

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<v Speaker 3>Ella Langley and Riley Green have not one, but two

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<v Speaker 3>collaborations out right now and they stop by the studio

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<v Speaker 3>to perform. They're super big one You Look Like You

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<v Speaker 3>Love Me and you can watch it on our YouTube page.

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<v Speaker 3>Unfortunately I can't play it for you guys here, but

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<v Speaker 3>it is up there for you guys to watch the

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<v Speaker 3>whole thing. But right now you're going to hear the

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<v Speaker 3>interview how that collaboration happened and from both of their perspectives.

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<v Speaker 3>Riley made a joke that he came in to be

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<v Speaker 3>Ella's guitar player, but they both talked. We both heard

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<v Speaker 3>their different perspectives on how all of these collaborations are

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<v Speaker 3>happening and them touring together.

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<v Speaker 4>Number six, There we go on the Bobby Bones Show.

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<v Speaker 5>Now Ell Langley, Ell, I became a big fan. Just

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<v Speaker 5>buy a TikTok. I mean you pop it up an

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<v Speaker 5>algorithm because obviously I have a lot of country music

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<v Speaker 5>and algorithm and it's been really cool to watch it organically,

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<v Speaker 5>Like especially this song just become a monster. Yeah, what

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<v Speaker 5>does that felt like to you? Is like more people

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<v Speaker 5>recognizing you, more people come into when you're playing, Like,

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<v Speaker 5>what's been happening?

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<v Speaker 13>Well, I've wanted to do this my whole entire life.

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<v Speaker 13>This isn't something I just kind of stumbled upon and

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<v Speaker 13>was like, yeah, I like playing guitar or I love singing,

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<v Speaker 13>Like this is just like it's it's like a limb.

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<v Speaker 13>It's just something I was always going to do. This

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<v Speaker 13>and I've been working really hard at it for a minute.

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<v Speaker 13>I moved here five years ago, and before that, I

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<v Speaker 13>was going to school at Auburn And you went to

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<v Speaker 13>sold really yeah, yeah I went for the two years

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<v Speaker 13>when I went to school, Yeah, and then I dropped

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<v Speaker 13>out and moved here. But yeah, I just play a

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<v Speaker 13>lot of cover gigs. I started out restaurants, just I

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<v Speaker 13>mean literally every kind of gig you can play, I've

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<v Speaker 13>done it. Whatever you can travel there in, I've done

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<v Speaker 13>that too.

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<v Speaker 5>Like just traditional someone moves to Nashville. Yeah, with a dream,

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<v Speaker 5>you're playing anything you can play to make money to

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<v Speaker 5>survive so you can chase the bigger dream. But then

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<v Speaker 5>this song hits so hard again I would just start

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<v Speaker 5>singing it forgetting where I would even ever have heard it, Yeah,

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<v Speaker 5>because it would pop up and not just in your video,

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<v Speaker 5>as it would start to be used in other places too.

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<v Speaker 5>I just wonder what that feels like when something starts

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<v Speaker 5>to build wherever it starts to build, do you actually,

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<v Speaker 5>day to day feel again more people pursuing like your

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<v Speaker 5>music or is it like, man, I know it's blowing up,

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<v Speaker 5>but I'm really not seeing it yet.

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<v Speaker 13>No, I'm seeing it I'm seeing it. It's this song

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<v Speaker 13>is crazy, That's what I was saying. I've been doing

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<v Speaker 13>this for so long and it's been a slow climb,

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<v Speaker 13>and I'll put out single after single and kind of

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<v Speaker 13>just organically grown fans.

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<v Speaker 7>But this song, it's the things that's done.

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<v Speaker 13>And we didn't even plan on This song was never

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<v Speaker 13>supposed to leave my audio recordings on my phone. I

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<v Speaker 13>wrote it as a joke with Aaron ray Tier first,

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<v Speaker 13>and then the label heard it and loved it, and

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<v Speaker 13>then Riley asked us on tour, and him and I

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<v Speaker 13>just kind of being from the same area, growing up

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<v Speaker 13>on the same kind of music, and I was thinking

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<v Speaker 13>maybe we could do it out in the road.

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<v Speaker 7>That's why I asked him to do it.

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<v Speaker 13>And I was like, hey, just kind of write the

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<v Speaker 13>second verse how you would respond to a girl coming

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<v Speaker 13>up to you in the bar like that.

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<v Speaker 5>What I like about it is it's so old school

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<v Speaker 5>talkie singing, which very much happened in the forties fifties,

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<v Speaker 5>Like it sounds super super super traditional with people that

0:09:25.679 --> 0:09:27.880
<v Speaker 5>aren't born in the forties in the fifties, is that

0:09:27.960 --> 0:09:30.920
<v Speaker 5>probably why it wasn't supposed to be more than a

0:09:31.000 --> 0:09:33.080
<v Speaker 5>voice recording because you're thought, I don't know, well, anybody

0:09:33.160 --> 0:09:35.000
<v Speaker 5>even think this is a legitimate song.

0:09:35.640 --> 0:09:38.720
<v Speaker 7>No, I think it's just kind of more I'm drunking.

0:09:38.840 --> 0:09:40.520
<v Speaker 7>I'm really you know, it's.

0:09:40.400 --> 0:09:43.199
<v Speaker 13>Kind of silly, you know, But yeah, I guess it's

0:09:43.600 --> 0:09:45.320
<v Speaker 13>it's a little bit of a risk, you know, just

0:09:45.400 --> 0:09:48.839
<v Speaker 13>because it's not something. It's not the popular thing to do,

0:09:49.360 --> 0:09:51.880
<v Speaker 13>you know, and traditional country is only just now kind

0:09:51.880 --> 0:09:52.600
<v Speaker 13>of coming back.

0:09:53.960 --> 0:09:56.080
<v Speaker 7>So yeah, I don't know, but I grew up on it.

0:09:56.120 --> 0:09:57.600
<v Speaker 13>I love it, and I'm just kind of doing what

0:09:57.640 --> 0:09:59.079
<v Speaker 13>I love to do and not what I think other

0:09:59.120 --> 0:10:00.760
<v Speaker 13>people think they want me to do.

0:10:00.960 --> 0:10:04.560
<v Speaker 5>Did anybody suggest that you change some of when you

0:10:04.679 --> 0:10:08.760
<v Speaker 5>recorded it, some of like the talking parts of the song. Yeah.

0:10:08.760 --> 0:10:10.960
<v Speaker 13>We went back and forth a lot on it, on singing,

0:10:11.240 --> 0:10:14.080
<v Speaker 13>singing it, on all kinds of different things.

0:10:14.080 --> 0:10:15.880
<v Speaker 7>I never wanted to sing. I never wanted a song.

0:10:15.880 --> 0:10:17.800
<v Speaker 13>I'm never going to release the version where it's a song,

0:10:17.840 --> 0:10:20.040
<v Speaker 13>it's also the song.

0:10:19.880 --> 0:10:20.880
<v Speaker 7>I have that.

0:10:21.000 --> 0:10:23.680
<v Speaker 13>My argument to the label was every other song I've

0:10:23.679 --> 0:10:26.000
<v Speaker 13>put out sings the verses, so can I not just

0:10:26.040 --> 0:10:26.880
<v Speaker 13>have one that doesn't.

0:10:27.960 --> 0:10:29.480
<v Speaker 5>And that's why it sticks out so much though? Right?

0:10:29.559 --> 0:10:31.839
<v Speaker 7>Yeah, Well that I mean, it's a goot a girl

0:10:31.880 --> 0:10:32.880
<v Speaker 7>walking up to a guy in a bar.

0:10:33.080 --> 0:10:33.280
<v Speaker 8>You know.

0:10:33.360 --> 0:10:35.520
<v Speaker 13>It's like that's also not a common thing in country,

0:10:37.040 --> 0:10:39.520
<v Speaker 13>well not over the past ten years. Now recently it

0:10:39.559 --> 0:10:42.360
<v Speaker 13>has been. But yeah, so I don't know, it's kind

0:10:42.360 --> 0:10:44.640
<v Speaker 13>of a risky thing to do, but it's it's crazy

0:10:44.640 --> 0:10:46.680
<v Speaker 13>to see the reaction. It's I just started my first

0:10:46.720 --> 0:10:50.360
<v Speaker 13>headlining tour and it's a little nerve racking to have

0:10:50.400 --> 0:10:53.120
<v Speaker 13>such a viral song and wonder are they going to

0:10:53.160 --> 0:10:55.719
<v Speaker 13>be here just for that? But I put out the

0:10:56.200 --> 0:10:59.160
<v Speaker 13>my debut record, which is what You Look Like You

0:10:59.200 --> 0:11:02.200
<v Speaker 13>Love Me, came off and they're singing every word to

0:11:02.240 --> 0:11:04.400
<v Speaker 13>every song. It's crazy. They're listening to the whole thing

0:11:04.440 --> 0:11:07.440
<v Speaker 13>and it's just wild. It's like, just watch my dreams

0:11:07.480 --> 0:11:07.880
<v Speaker 13>come true.

0:11:08.000 --> 0:11:09.920
<v Speaker 5>It's that one viral thing though they get some even

0:11:09.960 --> 0:11:11.040
<v Speaker 5>pay attention to the rest, right.

0:11:11.360 --> 0:11:12.880
<v Speaker 7>Yeah, Well it's also cool too.

0:11:12.960 --> 0:11:15.640
<v Speaker 13>Just a lot of these fans are not just the song,

0:11:15.679 --> 0:11:17.240
<v Speaker 13>but you know, I saw you out with Randy Hawser

0:11:17.280 --> 0:11:18.719
<v Speaker 13>that was my first tour three years ago, or I

0:11:18.720 --> 0:11:20.640
<v Speaker 13>saw you John Party, or I saw you Riley, or

0:11:20.880 --> 0:11:22.840
<v Speaker 13>you know, it's a lot of these fantasy we've grown

0:11:22.880 --> 0:11:25.400
<v Speaker 13>through playing so many shows over the years and just

0:11:25.440 --> 0:11:27.959
<v Speaker 13>working hard that way. But yeah, the it's wild to

0:11:28.000 --> 0:11:32.320
<v Speaker 13>see when that song went. We did it in Hyde

0:11:32.360 --> 0:11:36.480
<v Speaker 13>Park too. That was probably the wildest time thus far.

0:11:37.280 --> 0:11:39.920
<v Speaker 13>It's fifty thousand people, that's crazy. We opened it for

0:11:40.040 --> 0:11:42.920
<v Speaker 13>Morgan and it was just crazy.

0:11:43.040 --> 0:11:43.520
<v Speaker 11>That was.

0:11:44.960 --> 0:11:48.679
<v Speaker 13>Probably the first time I had seen a crowd a

0:11:48.800 --> 0:11:51.800
<v Speaker 13>matt like a mass amount of people sing words that

0:11:51.840 --> 0:11:54.280
<v Speaker 13>I had written. And for it to be fifty thousand

0:11:54.280 --> 0:12:00.040
<v Speaker 13>people in the UK was It's just hard to I

0:12:00.040 --> 0:12:01.320
<v Speaker 13>don't know, it's hard to put into words.

0:12:01.360 --> 0:12:01.720
<v Speaker 7>Almost.

0:12:01.920 --> 0:12:04.360
<v Speaker 13>I remember I had my ears in because when you're

0:12:04.400 --> 0:12:06.440
<v Speaker 13>way way out there, the slap back was so bad,

0:12:06.480 --> 0:12:08.120
<v Speaker 13>so it's like you can't keep up with the drum.

0:12:08.120 --> 0:12:09.960
<v Speaker 13>You gotta keep your ears in, so it's hard to

0:12:09.960 --> 0:12:12.440
<v Speaker 13>hear the crowd. And I kind of remember walking back

0:12:12.520 --> 0:12:14.280
<v Speaker 13>being like that was crazy. I just like, I don't

0:12:14.320 --> 0:12:17.360
<v Speaker 13>know if I registered anything, and I was like walking back,

0:12:17.400 --> 0:12:19.280
<v Speaker 13>thinking like just a normal time of us singing the

0:12:19.320 --> 0:12:23.600
<v Speaker 13>song and everyone that was like on both of our teams.

0:12:23.640 --> 0:12:25.240
<v Speaker 13>I was like, was that crazy? And they showed me

0:12:25.280 --> 0:12:27.760
<v Speaker 13>back the video and Mean and Riley both watched it

0:12:27.800 --> 0:12:30.440
<v Speaker 13>and it was just like massive, so I think that's

0:12:30.480 --> 0:12:32.920
<v Speaker 13>what when we both realized it was like the song

0:12:33.000 --> 0:12:34.640
<v Speaker 13>is doing something ridiculous.

0:12:35.480 --> 0:12:40.480
<v Speaker 5>And also, I mean Riley's a massive star and he's

0:12:40.480 --> 0:12:42.760
<v Speaker 5>like perfect for the song as well. Yeah, like all

0:12:42.800 --> 0:12:45.839
<v Speaker 5>the stars kind of aligned with him, going YAO do

0:12:45.920 --> 0:12:48.480
<v Speaker 5>the song. That's cool. And he's also a big star

0:12:48.520 --> 0:12:51.680
<v Speaker 5>and it works with him. Yeah, what was the ad?

0:12:51.679 --> 0:12:53.800
<v Speaker 5>How did you ask him? What would hey, you want

0:12:53.800 --> 0:12:56.520
<v Speaker 5>to do this song? Well? Text to a version of it?

0:12:56.600 --> 0:12:58.559
<v Speaker 5>Was it always a duet? No?

0:12:58.679 --> 0:13:00.440
<v Speaker 7>I mean, like I said, I wrote it just for fun.

0:13:00.480 --> 0:13:01.480
<v Speaker 7>I mean it wasn't like.

0:13:01.720 --> 0:13:03.440
<v Speaker 5>You didn't write it for fun, like another a duet?

0:13:03.559 --> 0:13:05.840
<v Speaker 13>No, no, no, no, I just I just I was just

0:13:05.960 --> 0:13:08.320
<v Speaker 13>listening to it after we cut it. It was not

0:13:08.360 --> 0:13:10.040
<v Speaker 13>going to be a duet right when we first cut it,

0:13:10.080 --> 0:13:13.520
<v Speaker 13>but Riley asked us on tour right around the same time.

0:13:13.640 --> 0:13:15.240
<v Speaker 13>So I don't know, it just I just thought of

0:13:15.280 --> 0:13:17.120
<v Speaker 13>the idea. I was like, oh, what if we asked

0:13:17.160 --> 0:13:19.120
<v Speaker 13>Riley to sing the second verse and then we could

0:13:19.200 --> 0:13:21.280
<v Speaker 13>do it on the road. And obviously I didn't think

0:13:21.280 --> 0:13:23.000
<v Speaker 13>it would just do what it's doing now. It's hard

0:13:23.040 --> 0:13:25.440
<v Speaker 13>to expect something like this, But so.

0:13:25.360 --> 0:13:27.360
<v Speaker 6>Did you have a second verse before he came in.

0:13:27.480 --> 0:13:29.760
<v Speaker 13>Yah, yeah, and that's what I'm singing out on the Actually,

0:13:29.760 --> 0:13:31.760
<v Speaker 13>we wrote a lot of verses when we wrote the song.

0:13:31.800 --> 0:13:34.880
<v Speaker 13>We just kind of giggled and wrote as many verses

0:13:34.880 --> 0:13:36.320
<v Speaker 13>as we had in this, and then we just picked

0:13:36.320 --> 0:13:39.240
<v Speaker 13>our favorite ones. So I kind of throw those alt

0:13:39.280 --> 0:13:41.760
<v Speaker 13>verses in the live show right now.

0:13:42.120 --> 0:13:43.920
<v Speaker 7>I usually start off with like before there was.

0:13:43.920 --> 0:13:46.080
<v Speaker 13>A main named Riley Green singing this song and then

0:13:46.080 --> 0:13:48.800
<v Speaker 13>all the girls were like, and I'm like, ah, I

0:13:48.840 --> 0:13:50.000
<v Speaker 13>was singing the second verse.

0:13:50.840 --> 0:13:51.000
<v Speaker 10>Yeah.

0:13:51.000 --> 0:13:52.400
<v Speaker 5>I tried to really do a do it with me.

0:13:52.440 --> 0:13:54.160
<v Speaker 5>He turned it down, so I was just jealous us.

0:13:54.240 --> 0:13:55.320
<v Speaker 5>Yeah he didn't didn't.

0:13:55.640 --> 0:13:59.959
<v Speaker 13>Well really, my manager, Bradley Jordan, he's he's kind of

0:14:00.000 --> 0:14:02.480
<v Speaker 13>he's the reason I met Riley and he's just help

0:14:02.559 --> 0:14:05.040
<v Speaker 13>a lot of artists coming up. But he showed it

0:14:05.080 --> 0:14:07.680
<v Speaker 13>to him. I was and then uh, and then yeah,

0:14:07.760 --> 0:14:10.240
<v Speaker 13>I think. Actually I played a show with Riley and

0:14:10.600 --> 0:14:12.559
<v Speaker 13>went on his bus and I said, I think my

0:14:12.640 --> 0:14:16.480
<v Speaker 13>first line was Riley, uh, do you like making money?

0:14:16.679 --> 0:14:18.360
<v Speaker 13>That was my first pick up. Well, that was my

0:14:18.360 --> 0:14:20.600
<v Speaker 13>first line, and didn't know he was going to do

0:14:20.640 --> 0:14:23.120
<v Speaker 13>anything from there, but so I started.

0:14:23.120 --> 0:14:25.320
<v Speaker 5>And now he now here it is he makes money,

0:14:25.440 --> 0:14:27.760
<v Speaker 5>does makes it? Makes it anyway, but they make makes more.

0:14:27.800 --> 0:14:30.640
<v Speaker 5>Now this is always fun. I'm being told that Riley

0:14:30.720 --> 0:14:33.840
<v Speaker 5>just arrived. Riley, Riley Green has entered the building. So

0:14:33.960 --> 0:14:38.160
<v Speaker 5>why don't we take a break. Ella Langley's here? Is

0:14:38.200 --> 0:14:39.520
<v Speaker 5>that true? Scuba is Riley here?

0:14:40.480 --> 0:14:41.160
<v Speaker 15>He's in the green room.

0:14:41.200 --> 0:14:45.160
<v Speaker 5>Okay, Riley Green has entered the building. Wow, they're there.

0:14:45.520 --> 0:14:48.840
<v Speaker 5>There's underwear being thrown at him as he walks, so

0:14:48.920 --> 0:14:50.680
<v Speaker 5>we don't even know. There's nobody else in the whole building.

0:14:50.720 --> 0:14:53.240
<v Speaker 5>Underwear still landing on his head. We'll be back in

0:14:53.320 --> 0:14:55.280
<v Speaker 5>one second. We'll get Riley in studio. You guys will

0:14:55.280 --> 0:14:58.080
<v Speaker 5>perform it. Yeah, all right, back in one second. Okay.

0:14:58.120 --> 0:15:00.400
<v Speaker 5>So Ellen Langley's here, Riley Green has entered, and Raley

0:15:00.400 --> 0:15:01.080
<v Speaker 5>good to see buddy.

0:15:01.160 --> 0:15:02.440
<v Speaker 10>Yeah, thanks for having.

0:15:02.200 --> 0:15:04.080
<v Speaker 5>Me, Thanks for coming up. And so I think what

0:15:04.160 --> 0:15:06.840
<v Speaker 5>we'll do first, if you don't mind, why, I would

0:15:06.880 --> 0:15:08.160
<v Speaker 5>love to hear the song live and then we can

0:15:08.160 --> 0:15:10.200
<v Speaker 5>just talk a little more. You guys get with that, okay.

0:15:10.560 --> 0:15:12.360
<v Speaker 5>So this is the song that I love. I've been

0:15:12.360 --> 0:15:15.600
<v Speaker 5>playing on the show and I sometimes sing it and

0:15:15.600 --> 0:15:17.080
<v Speaker 5>wonder where did I hear it? And then realize it

0:15:17.120 --> 0:15:20.320
<v Speaker 5>was on like nine different videos from nine different people,

0:15:20.640 --> 0:15:22.280
<v Speaker 5>and this is called You Look Like You Love Me.

0:15:22.520 --> 0:15:23.960
<v Speaker 5>It's Ella Langley and Riley Green.

0:15:24.320 --> 0:15:24.640
<v Speaker 10>Oh.

0:15:25.040 --> 0:15:29.280
<v Speaker 1>I'm sorry we can't post a live performance on the podcast,

0:15:29.520 --> 0:15:31.880
<v Speaker 1>but if you go to our YouTube page, you can

0:15:31.920 --> 0:15:32.440
<v Speaker 1>watch it.

0:15:32.360 --> 0:15:34.480
<v Speaker 5>There or maybe listen live.

0:15:34.880 --> 0:15:38.320
<v Speaker 4>Okay, all right, now back to the podcast.

0:15:38.720 --> 0:15:40.920
<v Speaker 5>How many times do you guys have played that together? Now?

0:15:41.120 --> 0:15:42.240
<v Speaker 5>First time? Right?

0:15:42.480 --> 0:15:42.640
<v Speaker 1>Good?

0:15:42.680 --> 0:15:46.120
<v Speaker 13>Hey, I don't think we've done it the same time twice.

0:15:46.120 --> 0:15:48.480
<v Speaker 13>It's the same way twice, yeah, no, over.

0:15:48.360 --> 0:15:52.840
<v Speaker 5>On over fifty now at this point, can you like it?

0:15:52.840 --> 0:15:55.440
<v Speaker 5>Because again, when you I'm not good with numbers, but

0:15:56.680 --> 0:16:01.200
<v Speaker 5>I would say tune okay, so wow, yeah, okay, see

0:16:01.200 --> 0:16:03.280
<v Speaker 5>I'm not good with that. I don't know, I don't know.

0:16:03.400 --> 0:16:06.520
<v Speaker 7>Probably like us together. Probably, like I'll.

0:16:06.400 --> 0:16:08.800
<v Speaker 1>Say, it's gotten louder every time we played it, which

0:16:08.800 --> 0:16:09.840
<v Speaker 1>has been really fun to watch.

0:16:09.880 --> 0:16:11.120
<v Speaker 5>Why did you say yes to the song?

0:16:12.280 --> 0:16:12.440
<v Speaker 13>Uh?

0:16:12.600 --> 0:16:13.560
<v Speaker 10>Well, I always like Della.

0:16:14.880 --> 0:16:20.680
<v Speaker 1>She's from Alabama, very very country, uh musically and in spiritually.

0:16:22.040 --> 0:16:22.400
<v Speaker 5>Uh.

0:16:22.600 --> 0:16:24.880
<v Speaker 1>And we just grew up the same way. Bradley Jordan,

0:16:24.960 --> 0:16:26.600
<v Speaker 1>he her managers, a really good buddy of mine, and

0:16:26.640 --> 0:16:29.480
<v Speaker 1>he kind of put me on tour and I just

0:16:29.560 --> 0:16:31.680
<v Speaker 1>like to see good folks do well, and and she

0:16:31.800 --> 0:16:32.920
<v Speaker 1>was on tour with me. I thought it made a

0:16:32.960 --> 0:16:35.200
<v Speaker 1>lot of sense. I thought the song was fun, had

0:16:35.240 --> 0:16:37.960
<v Speaker 1>no clue it was a giant hit, you know. I

0:16:37.960 --> 0:16:40.280
<v Speaker 1>thought Talking Versus was probably a little too old school,

0:16:40.280 --> 0:16:42.680
<v Speaker 1>a little too traditional. But how cool is it that

0:16:42.720 --> 0:16:45.120
<v Speaker 1>a song that's this country is doing this well?

0:16:45.400 --> 0:16:48.400
<v Speaker 5>You know, when did you start to notice, oh crap,

0:16:48.440 --> 0:16:52.200
<v Speaker 5>this is a this is a monster. Uh Like, did

0:16:52.240 --> 0:16:55.400
<v Speaker 5>it randomly ever, just come up or were your people deciding, you.

0:16:55.360 --> 0:16:58.320
<v Speaker 1>Know, like, well, no, I mean I've never had any

0:16:58.400 --> 0:17:01.720
<v Speaker 1>type of I guess what you would call viral, you know,

0:17:01.800 --> 0:17:04.240
<v Speaker 1>and this song is really like viral. I mean I

0:17:04.280 --> 0:17:06.280
<v Speaker 1>can barely work TikTok. I don't really know how that works,

0:17:06.280 --> 0:17:08.560
<v Speaker 1>but it's just everywhere. So you'd get your phone out

0:17:08.560 --> 0:17:10.879
<v Speaker 1>and it was every scroll. Would you hear this song playing?

0:17:10.920 --> 0:17:13.040
<v Speaker 1>So I guess that was kind of the eye opening

0:17:13.119 --> 0:17:16.960
<v Speaker 1>thing about it. But certainly playing it at a show,

0:17:17.040 --> 0:17:19.280
<v Speaker 1>I think maybe yeah. I mean some of the stuff

0:17:19.280 --> 0:17:21.600
<v Speaker 1>I would just kind of randomly bring L up and

0:17:21.640 --> 0:17:23.320
<v Speaker 1>we would do a couple of songs together, and we

0:17:23.359 --> 0:17:24.760
<v Speaker 1>did this one of a couple of times and it

0:17:24.880 --> 0:17:26.160
<v Speaker 1>just didn't take long.

0:17:26.400 --> 0:17:30.560
<v Speaker 5>That's crazy. That's so cool that because it organically happened

0:17:30.720 --> 0:17:33.960
<v Speaker 5>right like you. Yeah, and any creator, any musician and

0:17:33.960 --> 0:17:38.240
<v Speaker 5>the artist, you're always one really special piece of content

0:17:38.359 --> 0:17:42.600
<v Speaker 5>away from having a real shot going viral. You never

0:17:42.680 --> 0:17:45.280
<v Speaker 5>know what it can be. And there are people that

0:17:45.520 --> 0:17:48.399
<v Speaker 5>it's a weird dynamic because you know, you're like, you

0:17:48.400 --> 0:17:50.119
<v Speaker 5>don't want to give it too much power, but also

0:17:50.280 --> 0:17:52.080
<v Speaker 5>if it's really good and nobody's giving it a chance,

0:17:52.119 --> 0:17:54.280
<v Speaker 5>sometimes the chance is right here. Like it's a platform

0:17:54.520 --> 0:17:56.119
<v Speaker 5>that is able to be used. And I think this

0:17:56.280 --> 0:17:59.040
<v Speaker 5>is one of those examples of five hundred executives are

0:17:59.080 --> 0:18:00.720
<v Speaker 5>going to hear that song and go like what you

0:18:00.720 --> 0:18:02.760
<v Speaker 5>just said, Riley, it's maybe this a little too old school.

0:18:02.840 --> 0:18:05.600
<v Speaker 5>We're probably not gonna invest any money. However, the people

0:18:05.720 --> 0:18:08.080
<v Speaker 5>freaking loved it, and that's what makes all the difference

0:18:08.080 --> 0:18:08.280
<v Speaker 5>in it.

0:18:08.800 --> 0:18:10.760
<v Speaker 6>Now, after you wrote it, you're like, I don't know

0:18:10.760 --> 0:18:12.760
<v Speaker 6>that any video I'll ever hear this.

0:18:13.000 --> 0:18:14.840
<v Speaker 13>Well, yeah, I mean I just kind of like my

0:18:14.880 --> 0:18:17.480
<v Speaker 13>whole goal for writting the song was just to honestly,

0:18:17.600 --> 0:18:18.840
<v Speaker 13>this is when I was still playing a lot of

0:18:18.880 --> 0:18:21.200
<v Speaker 13>rounds in town, is to just have a song where

0:18:21.240 --> 0:18:23.680
<v Speaker 13>like no one's listening, they're all talking to maybe they'd

0:18:23.760 --> 0:18:25.679
<v Speaker 13>laugh a little bit because I'm talking in the verses,

0:18:25.720 --> 0:18:29.119
<v Speaker 13>you know, but yeah, some of my hands. And she

0:18:29.200 --> 0:18:31.639
<v Speaker 13>works on my team and she heard it. She just

0:18:31.720 --> 0:18:33.760
<v Speaker 13>was like, dude, you've got You've got a sentence in

0:18:33.960 --> 0:18:35.640
<v Speaker 13>And I just fought it for so long.

0:18:35.760 --> 0:18:37.239
<v Speaker 5>So this is the first time you put it up

0:18:37.280 --> 0:18:39.000
<v Speaker 5>that people reacted to it or it take a few times.

0:18:39.080 --> 0:18:42.200
<v Speaker 7>No, No, it did not. It just wasn't that hard.

0:18:42.280 --> 0:18:45.359
<v Speaker 13>Like I just posted one, Uh, we were out on

0:18:45.359 --> 0:18:48.159
<v Speaker 13>the roads, I think on the West Coast towards the

0:18:48.240 --> 0:18:49.639
<v Speaker 13>end of the tour, and I just posted like a

0:18:49.720 --> 0:18:51.679
<v Speaker 13>video of me doing the verse and that's it, and

0:18:51.760 --> 0:18:53.800
<v Speaker 13>it just that's kind of what started it. And then

0:18:54.240 --> 0:18:56.159
<v Speaker 13>I did one other video of just me singing the

0:18:56.240 --> 0:18:59.199
<v Speaker 13>chorus and that's the sound that everyone's been using. But

0:18:59.240 --> 0:19:03.600
<v Speaker 13>then whenever we did red Rocks and posted us that

0:19:03.640 --> 0:19:06.000
<v Speaker 13>he's actually on the song, and then yeah, and when

0:19:06.000 --> 0:19:08.639
<v Speaker 13>we did it for the show the last day of

0:19:08.680 --> 0:19:09.760
<v Speaker 13>the tour too.

0:19:10.280 --> 0:19:13.119
<v Speaker 5>So I'm a sports nerd and I was and I

0:19:13.200 --> 0:19:18.600
<v Speaker 5>like sports memorabilia. This is gonna be a this is

0:19:18.640 --> 0:19:20.399
<v Speaker 5>how I heard the song the first time, as I

0:19:20.480 --> 0:19:23.359
<v Speaker 5>was watching this sports memorabilia being broken, the song's playing

0:19:23.359 --> 0:19:25.640
<v Speaker 5>in the background, and I'm like, that sounds like Riley.

0:19:25.680 --> 0:19:27.359
<v Speaker 5>I don't know who the girl is. What is that song?

0:19:27.640 --> 0:19:29.920
<v Speaker 5>I hear it as a background sound when I'm watching

0:19:30.000 --> 0:19:33.159
<v Speaker 5>them freaking break signed helmets, and so I've searched for

0:19:33.200 --> 0:19:35.000
<v Speaker 5>a couple of things I heard. That's where I heard it.

0:19:35.040 --> 0:19:40.880
<v Speaker 5>Then it was so ubiquitous, just existing everywhere. Then that's

0:19:40.880 --> 0:19:43.679
<v Speaker 5>when I started to play it here. But like congratulations,

0:19:43.720 --> 0:19:50.000
<v Speaker 5>like it's something that's so awkwardly awesome that it makes

0:19:50.080 --> 0:19:52.520
<v Speaker 5>all the bit of sense, and it's why it resonates

0:19:52.560 --> 0:19:55.119
<v Speaker 5>so much because it doesn't sound like everything else and

0:19:55.160 --> 0:19:55.560
<v Speaker 5>it's good.

0:19:55.840 --> 0:19:58.639
<v Speaker 13>Well, I think it's also like kind of for this

0:19:58.720 --> 0:20:02.080
<v Speaker 13>next record. I'm already working on it, but just like

0:20:02.119 --> 0:20:04.400
<v Speaker 13>the creative freedom I have now, just it's like there's

0:20:04.440 --> 0:20:06.680
<v Speaker 13>literally no singing in the verses, and his songs on

0:20:06.800 --> 0:20:09.119
<v Speaker 13>radio doing well right now in as wild, so I

0:20:09.200 --> 0:20:11.520
<v Speaker 13>kind of feel like it's kind of ripping the structure

0:20:11.520 --> 0:20:13.320
<v Speaker 13>out of my head a little bit and just doing

0:20:13.359 --> 0:20:14.000
<v Speaker 13>what feels good.

0:20:14.080 --> 0:20:16.680
<v Speaker 5>I mean when I think about like Conway Loretta, because

0:20:16.720 --> 0:20:19.320
<v Speaker 5>they were awesome and they did their music together. They

0:20:19.560 --> 0:20:22.160
<v Speaker 5>do funny songs, they do talkie songs, they do singy songs.

0:20:22.240 --> 0:20:25.800
<v Speaker 5>That's what it kind of feels like to me. It's here, Yeah,

0:20:26.119 --> 0:20:27.040
<v Speaker 5>so yeah, it's good.

0:20:28.359 --> 0:20:28.560
<v Speaker 16>Yeah.

0:20:28.920 --> 0:20:32.560
<v Speaker 5>You know THO song the reason Archay Yeah, e Riley.

0:20:32.560 --> 0:20:34.160
<v Speaker 5>I was talking about your on social media. I didn't

0:20:34.160 --> 0:20:37.879
<v Speaker 5>know you're gonna be here, and at one point I

0:20:37.920 --> 0:20:39.400
<v Speaker 5>was like, I want everybody to make sure that they

0:20:39.440 --> 0:20:41.320
<v Speaker 5>know this is a compliment. But I was talking about

0:20:41.320 --> 0:20:43.399
<v Speaker 5>how your everybody knows you're a star and you have

0:20:43.400 --> 0:20:45.320
<v Speaker 5>a lot of hits, and but I don't think people

0:20:45.400 --> 0:20:50.000
<v Speaker 5>understand the amount of megastar you are at shows. Meaning

0:20:50.640 --> 0:20:52.080
<v Speaker 5>what I compared it to is you have a lot

0:20:52.080 --> 0:20:54.520
<v Speaker 5>of number one songs, a lot, and you have a

0:20:54.600 --> 0:20:57.320
<v Speaker 5>very successful career. But any other people that I know

0:20:57.320 --> 0:20:58.800
<v Speaker 5>that have had that many number one songs, they don't

0:20:58.800 --> 0:21:00.560
<v Speaker 5>have the crowds that you have. And I was talking

0:21:00.600 --> 0:21:02.320
<v Speaker 5>about the only other artist I've seen do it like

0:21:02.400 --> 0:21:06.200
<v Speaker 5>this kind of low key megastar it is Kane Brown,

0:21:06.440 --> 0:21:10.000
<v Speaker 5>who it took forever for people to understand the Caine

0:21:10.119 --> 0:21:15.119
<v Speaker 5>had built this following that it was selling out arena's

0:21:15.600 --> 0:21:17.520
<v Speaker 5>until people are like, oh yeah, I can't. But that's

0:21:17.600 --> 0:21:22.520
<v Speaker 5>you now, and I think what you're doing is on

0:21:22.600 --> 0:21:25.240
<v Speaker 5>such a level and people don't even understand the level

0:21:25.280 --> 0:21:27.760
<v Speaker 5>that's on right now. And I just want to congratulate

0:21:27.760 --> 0:21:30.440
<v Speaker 5>you and celebrate you because you are. You're killing it.

0:21:30.800 --> 0:21:32.439
<v Speaker 5>So I was talking about you a little bit on it.

0:21:32.480 --> 0:21:34.399
<v Speaker 1>Well, I took it as a compliment regardless of how

0:21:34.440 --> 0:21:36.000
<v Speaker 1>you meant it when I heard it, So I appreciate

0:21:36.040 --> 0:21:40.320
<v Speaker 1>the kind words and it's man, it's it's it's a

0:21:40.320 --> 0:21:42.240
<v Speaker 1>wild time. I think it has to do with a

0:21:42.280 --> 0:21:44.879
<v Speaker 1>lot of putting out a lot of music. You know,

0:21:44.960 --> 0:21:46.879
<v Speaker 1>I've got a lot of songs that haven't been on

0:21:46.880 --> 0:21:49.280
<v Speaker 1>the radio that people seem to know. And you know,

0:21:49.320 --> 0:21:51.000
<v Speaker 1>the song with l is a great example of you

0:21:51.080 --> 0:21:53.000
<v Speaker 1>just never know what somebody's gonna latch onto.

0:21:53.119 --> 0:21:53.280
<v Speaker 6>You know.

0:21:53.320 --> 0:21:55.840
<v Speaker 1>I thought the chorus was catchy, you know, in the

0:21:55.960 --> 0:21:57.840
<v Speaker 1>in the song and maybe it'd be a little bit

0:21:57.840 --> 0:21:59.440
<v Speaker 1>of an earworm, but to see it be as big of

0:21:59.480 --> 0:22:01.879
<v Speaker 1>a song as is just proved you never know. And uh,

0:22:02.119 --> 0:22:04.639
<v Speaker 1>you know, writing from where you come from and hopefully

0:22:04.680 --> 0:22:06.240
<v Speaker 1>people can relate to it. And I think that's what

0:22:06.480 --> 0:22:10.440
<v Speaker 1>Ella does really well. And uh, it's working really well.

0:22:10.480 --> 0:22:12.360
<v Speaker 1>For us right now. So I'm blessed to be out

0:22:12.359 --> 0:22:12.880
<v Speaker 1>here doing it.

0:22:13.000 --> 0:22:15.120
<v Speaker 5>Are you? Are you on the road every weekend? Now?

0:22:15.680 --> 0:22:17.119
<v Speaker 1>Yeah, I thought I was on the road today.

0:22:17.640 --> 0:22:20.119
<v Speaker 5>You are on the road. Wake up, wake up now.

0:22:20.160 --> 0:22:22.400
<v Speaker 10>I had to come play a guitar gig today for.

0:22:24.280 --> 0:22:24.879
<v Speaker 7>Guitar players.

0:22:24.880 --> 0:22:25.760
<v Speaker 5>That's how big the song is.

0:22:25.760 --> 0:22:28.360
<v Speaker 1>I'm playing guitar for Ella Langley.

0:22:28.520 --> 0:22:30.680
<v Speaker 5>And by the way, Ella's album is out. It's it's

0:22:30.680 --> 0:22:32.919
<v Speaker 5>called Hungover. It came out in August. So hopefully you

0:22:32.920 --> 0:22:35.400
<v Speaker 5>hear this song. And what it does is you go, oh,

0:22:35.440 --> 0:22:37.600
<v Speaker 5>I like that. Let me go check out some other stuff.

0:22:37.640 --> 0:22:39.879
<v Speaker 5>And that's the great thing about something popping is that

0:22:39.960 --> 0:22:42.760
<v Speaker 5>people check out the other stuff. If I was playing yeah,

0:22:42.800 --> 0:22:45.040
<v Speaker 5>and Riley Green, maybe you've heard of him a big deal.

0:22:45.680 --> 0:22:47.160
<v Speaker 6>So does the line work, though.

0:22:48.720 --> 0:22:50.240
<v Speaker 5>It depends what the depends with the girl looks like

0:22:50.280 --> 0:22:52.560
<v Speaker 5>I drunk, the guy is. That's generally what I'm waiting

0:22:52.560 --> 0:22:53.159
<v Speaker 5>to hear about.

0:22:53.200 --> 0:22:55.960
<v Speaker 13>Like you know, you're that pickup line? Got us married? Yes,

0:22:56.000 --> 0:22:57.919
<v Speaker 13>I'm ready for that, or you just you see this

0:22:58.000 --> 0:22:59.440
<v Speaker 13>kid right here, it's like.

0:22:59.440 --> 0:23:02.080
<v Speaker 5>You except it's like you say, this kid, we're not married,

0:23:02.119 --> 0:23:07.600
<v Speaker 5>but thank you? I said that. Yeah, Ella Riley, thank

0:23:07.640 --> 0:23:10.159
<v Speaker 5>you guys for coming in. Appreciate congratulations, looking forward to

0:23:10.200 --> 0:23:12.719
<v Speaker 5>Elis and a whole lot more thanks there they are,

0:23:12.760 --> 0:23:13.680
<v Speaker 5>Ellen Riley, good job.

0:23:16.480 --> 0:23:22.320
<v Speaker 4>It's the best Bits of the week with Morgan. Number two, Bobby.

0:23:21.960 --> 0:23:24.760
<v Speaker 3>Has claimed that he is a big loser. After a

0:23:24.840 --> 0:23:28.280
<v Speaker 3>really big Arkansas loss, he tweeted some things and they

0:23:28.320 --> 0:23:30.399
<v Speaker 3>came on the show and was like, guys, I'm a

0:23:30.480 --> 0:23:32.960
<v Speaker 3>huge loser and none of us agree with that, but

0:23:33.040 --> 0:23:34.000
<v Speaker 3>he feels that way.

0:23:34.400 --> 0:23:37.040
<v Speaker 2>And maybe if you're also a massive.

0:23:36.680 --> 0:23:39.119
<v Speaker 3>Sports fan and have a really big love for a

0:23:39.160 --> 0:23:42.879
<v Speaker 3>certain team, you're gonna feel the same way Bobby feels sometimes.

0:23:43.320 --> 0:23:44.040
<v Speaker 4>Number five.

0:23:44.200 --> 0:23:47.080
<v Speaker 5>I made a deal with myself this year. I'm like,

0:23:47.119 --> 0:23:49.720
<v Speaker 5>I had this moment. I'm an adult man. I've got

0:23:49.720 --> 0:23:54.200
<v Speaker 5>to stop relying too much on investing like heart, soul

0:23:54.600 --> 0:23:57.639
<v Speaker 5>into how my teams do. And I really have like

0:23:57.720 --> 0:24:02.040
<v Speaker 5>two teams, the Arkansas razorback in the Chicago Cubs, and

0:24:02.160 --> 0:24:05.120
<v Speaker 5>very much I put it all into Arkansas. I'm talking

0:24:05.119 --> 0:24:09.120
<v Speaker 5>about time, energy, effort, money, And I think I've said

0:24:09.160 --> 0:24:12.000
<v Speaker 5>it before. I think it's because as a kid, the

0:24:12.040 --> 0:24:14.320
<v Speaker 5>only consistency I had in my life as we got

0:24:14.320 --> 0:24:16.240
<v Speaker 5>moved all over and I lived with different people. We'd

0:24:16.280 --> 0:24:18.560
<v Speaker 5>go from the trailer park to an apartment for a minute.

0:24:18.720 --> 0:24:21.960
<v Speaker 5>The only consistency I had was I knew once Saturdays,

0:24:22.280 --> 0:24:25.040
<v Speaker 5>Arkansas play football and TV and it was on free TV,

0:24:25.480 --> 0:24:27.560
<v Speaker 5>and I have cable would it'd always be there for me.

0:24:27.600 --> 0:24:30.879
<v Speaker 5>It was the only thing. And so, and that sounds

0:24:30.920 --> 0:24:32.959
<v Speaker 5>a bit dramatic, but that's kind of what in therapy,

0:24:33.040 --> 0:24:35.640
<v Speaker 5>like why I think I get so emotional about it?

0:24:36.160 --> 0:24:39.000
<v Speaker 5>And I like Oklahoma State as a program. We got,

0:24:39.040 --> 0:24:42.000
<v Speaker 5>we whooped their butts first half and had everything not

0:24:42.040 --> 0:24:45.560
<v Speaker 5>gone wrong completely got we lost, and I was just

0:24:47.040 --> 0:24:50.840
<v Speaker 5>gone for the whole weekend gone everything went wrong.

0:24:51.359 --> 0:24:55.080
<v Speaker 6>Meaning in the game or your weekend, well both.

0:24:55.880 --> 0:24:59.920
<v Speaker 5>Because of the game. Like it was like I'm sorry, nalts,

0:25:00.200 --> 0:25:03.439
<v Speaker 5>drop balls, time management. It wasn't a single player, it

0:25:03.440 --> 0:25:05.600
<v Speaker 5>wasn't anything. It was just overall. It was like the

0:25:05.640 --> 0:25:07.159
<v Speaker 5>second half they were like, boy, we already got this.

0:25:07.440 --> 0:25:09.040
<v Speaker 5>We're good. Anyway, I was miserable. I hated it. I

0:25:09.080 --> 0:25:10.960
<v Speaker 5>hated it. You want to hear my statement, my official

0:25:10.960 --> 0:25:13.840
<v Speaker 5>statement I put out because I was hard. People texted me, okay, yeah,

0:25:13.880 --> 0:25:15.520
<v Speaker 5>and I'm gonna read this. I'm gonna stop talking about

0:25:15.520 --> 0:25:19.000
<v Speaker 5>it because it's gonna make me so mad again. This

0:25:19.040 --> 0:25:24.119
<v Speaker 5>is my official statement. I am a loser. I've been

0:25:24.119 --> 0:25:26.879
<v Speaker 5>a loser in my whole life. I'm a loyal loser,

0:25:27.280 --> 0:25:29.600
<v Speaker 5>but one nonetheless trying to come to terms that I

0:25:29.680 --> 0:25:33.520
<v Speaker 5>might also be this exact loser the duration of my life.

0:25:33.840 --> 0:25:35.560
<v Speaker 5>I am shocked and sad when things happen over and

0:25:35.560 --> 0:25:37.960
<v Speaker 5>over again. Wouldn't it just be easier to accept that

0:25:38.040 --> 0:25:39.760
<v Speaker 5>this is me? I am the problem.

0:25:40.440 --> 0:25:43.399
<v Speaker 6>Wait, that is your I don't think you do this.

0:25:43.920 --> 0:25:45.320
<v Speaker 5>I did do it because I can't. I shouldn't be

0:25:45.400 --> 0:25:46.880
<v Speaker 5>upset when this happens to be every single time.

0:25:46.960 --> 0:25:48.480
<v Speaker 10>You never reference the razor.

0:25:48.520 --> 0:25:50.480
<v Speaker 5>But it doesn't matter. It doesn't matter.

0:25:50.640 --> 0:25:52.200
<v Speaker 6>I thought at the beginning of this, you said you're

0:25:52.400 --> 0:25:53.520
<v Speaker 6>I'm going to impact you.

0:25:53.840 --> 0:25:55.440
<v Speaker 5>It is, though, more than ever, this one more than ever,

0:25:55.480 --> 0:25:57.600
<v Speaker 5>because it was like a fundamental It wasn't a single player,

0:25:57.600 --> 0:26:00.000
<v Speaker 5>It wasn't a single player messing up. It was every

0:26:00.160 --> 0:26:03.000
<v Speaker 5>and so I I questioned everything that I do and

0:26:03.040 --> 0:26:05.600
<v Speaker 5>live in every way I live life. That's all I'm done.

0:26:05.640 --> 0:26:09.000
<v Speaker 5>I'm even done talking about it. This is a me

0:26:09.080 --> 0:26:11.240
<v Speaker 5>thing because why do I do this to myself? Whenever

0:26:11.960 --> 0:26:13.800
<v Speaker 5>I never win. I'm not a winner when it comes

0:26:13.800 --> 0:26:15.040
<v Speaker 5>to sports. I don't pick teams that win.

0:26:15.440 --> 0:26:16.960
<v Speaker 6>Why don't we focus on what you do win?

0:26:17.080 --> 0:26:18.560
<v Speaker 5>But I'm never going to change. I'm just going to

0:26:18.600 --> 0:26:19.480
<v Speaker 5>be a loser forever.

0:26:19.880 --> 0:26:20.320
<v Speaker 6>One thing.

0:26:20.480 --> 0:26:23.480
<v Speaker 5>I will be loyal to the Arkansas Razorbacks until I die,

0:26:23.520 --> 0:26:24.760
<v Speaker 5>and I will die bitter.

0:26:25.359 --> 0:26:26.480
<v Speaker 10>You won Dancing with a Star.

0:26:26.840 --> 0:26:29.720
<v Speaker 5>That's true. I would rather win a national championship. I

0:26:29.720 --> 0:26:30.400
<v Speaker 5>would run.

0:26:30.600 --> 0:26:32.960
<v Speaker 8>What absolutely no, I mean, I guess regards that, but

0:26:32.960 --> 0:26:34.200
<v Speaker 8>I'm thinking of other things in your life.

0:26:34.240 --> 0:26:36.040
<v Speaker 5>This is the thing won a national championship. If I

0:26:36.119 --> 0:26:37.960
<v Speaker 5>could win a national championship and fire all you guys,

0:26:38.480 --> 0:26:39.440
<v Speaker 5>good luck with your new jobs.

0:26:39.840 --> 0:26:40.919
<v Speaker 10>I don't need to do all that.

0:26:42.119 --> 0:26:46.200
<v Speaker 6>One in the career. You've won in the life.

0:26:47.480 --> 0:26:49.560
<v Speaker 5>It doesn't matter. It makes me so, it doesn't like

0:26:49.600 --> 0:26:51.080
<v Speaker 5>it hurts, it physically hurts.

0:26:51.080 --> 0:26:52.640
<v Speaker 10>You know, you win pickleball time.

0:26:52.680 --> 0:26:53.800
<v Speaker 5>I never had a breakup.

0:26:54.040 --> 0:26:55.480
<v Speaker 6>You win a lot of bets.

0:26:55.600 --> 0:26:56.120
<v Speaker 5>It doesn't matter.

0:26:56.160 --> 0:26:56.680
<v Speaker 10>That's true.

0:26:56.840 --> 0:26:59.960
<v Speaker 5>I want a lot of money off that game because

0:27:00.000 --> 0:27:01.199
<v Speaker 5>I knew if it's like plus ten, I was like,

0:27:01.280 --> 0:27:03.080
<v Speaker 5>there's no way, it doesn't matter. I don't want talk

0:27:03.119 --> 0:27:04.679
<v Speaker 5>about the game specifically because it makes me sick to

0:27:04.680 --> 0:27:07.560
<v Speaker 5>my stomach. But what I want to say is it's

0:27:07.600 --> 0:27:10.119
<v Speaker 5>on me anytime we continue to do something over and

0:27:10.119 --> 0:27:13.800
<v Speaker 5>over again and we get the same result and we're like, yeah,

0:27:13.880 --> 0:27:18.919
<v Speaker 5>I am insane. I am a loser. I will always

0:27:19.000 --> 0:27:21.000
<v Speaker 5>be a loser. I am a loser.

0:27:21.080 --> 0:27:21.720
<v Speaker 6>You're a loser.

0:27:22.520 --> 0:27:23.000
<v Speaker 5>I hate it.

0:27:23.160 --> 0:27:24.480
<v Speaker 6>Guy, I think you should just join in.

0:27:25.080 --> 0:27:26.639
<v Speaker 10>It sounds weird, but yeah, I do sound weird to

0:27:26.680 --> 0:27:29.320
<v Speaker 10>call you a loser. Okay, man, we'll call you a loser.

0:27:29.560 --> 0:27:34.720
<v Speaker 5>I am a loser theme song, don't you No. It's

0:27:34.920 --> 0:27:36.360
<v Speaker 5>so anyway, I'm going to stop talking about it because

0:27:36.359 --> 0:27:38.280
<v Speaker 5>I'm just all I'm gonna okay. My point was I've

0:27:38.280 --> 0:27:40.000
<v Speaker 5>never been I never was in a breakup where I

0:27:40.040 --> 0:27:41.760
<v Speaker 5>was like all sad. I never even really got broken

0:27:41.840 --> 0:27:43.840
<v Speaker 5>up with because I never really got in a relationship

0:27:43.960 --> 0:27:45.560
<v Speaker 5>and people would be like, man, when you break up,

0:27:45.560 --> 0:27:48.239
<v Speaker 5>it physically hurts. Yeah, that's what it felt like.

0:27:48.680 --> 0:27:49.760
<v Speaker 10>Your heart's hurting.

0:27:49.680 --> 0:27:53.320
<v Speaker 5>Because we crushed them. It was over. It's over. We

0:27:53.400 --> 0:27:56.439
<v Speaker 5>put a boot in there. Ah, it's the And then

0:27:56.440 --> 0:27:58.560
<v Speaker 5>as we came out and I was like, the football,

0:27:58.640 --> 0:28:02.160
<v Speaker 5>what shape is it? It's terrible, But it's not about

0:28:02.160 --> 0:28:04.400
<v Speaker 5>the game. It's about me being a loser and continue

0:28:04.440 --> 0:28:08.159
<v Speaker 5>to set myself up over and over again. And I

0:28:08.200 --> 0:28:10.040
<v Speaker 5>donate a decent amount of money to the program. I

0:28:10.080 --> 0:28:12.600
<v Speaker 5>almost text him be like I'm keeping my money. I

0:28:12.600 --> 0:28:15.120
<v Speaker 5>didn't because I needed I need I needed a time,

0:28:15.160 --> 0:28:17.080
<v Speaker 5>I needed to take some breaths. But I didn't.

0:28:17.080 --> 0:28:19.960
<v Speaker 6>I'm so this like next weekend when they win, they're.

0:28:19.800 --> 0:28:22.600
<v Speaker 5>Playing a team that's not any good. But it doesn't matter,

0:28:22.640 --> 0:28:24.400
<v Speaker 5>it doesn't matter. I don't, I don't, I don't base.

0:28:24.480 --> 0:28:26.560
<v Speaker 5>I've never once been like this, as far as to

0:28:26.560 --> 0:28:28.240
<v Speaker 5>the point where I was like just on the edge.

0:28:28.560 --> 0:28:32.640
<v Speaker 5>I've been upset and rage full, but never like this. Okay,

0:28:32.640 --> 0:28:33.600
<v Speaker 5>I gotta get it. I have to go.

0:28:33.800 --> 0:28:35.280
<v Speaker 9>If they would have lost from the beginning, would you

0:28:35.320 --> 0:28:35.800
<v Speaker 9>have been better?

0:28:35.840 --> 0:28:38.000
<v Speaker 5>Yeah, much better. Okay, if we'd have just got outclassed

0:28:38.080 --> 0:28:42.640
<v Speaker 5>or outplayed. But it was like they fell apart more

0:28:42.640 --> 0:28:44.120
<v Speaker 5>than I've ever seen in the history of my life.

0:28:45.000 --> 0:28:45.160
<v Speaker 5>You know.

0:28:45.240 --> 0:28:47.000
<v Speaker 8>I declared that I was going to try to get

0:28:47.000 --> 0:28:49.600
<v Speaker 8>more into sports and get be more of a Titans fan,

0:28:49.760 --> 0:28:52.080
<v Speaker 8>And when they lost this weekend, I really tried to get.

0:28:52.000 --> 0:28:53.760
<v Speaker 5>Yeah, I bet a lot of I bet a lot

0:28:53.800 --> 0:28:56.080
<v Speaker 5>on them and plus four and they blew at the

0:28:56.120 --> 0:28:58.479
<v Speaker 5>into the game. Will Levis does even play quarterback? Does

0:28:58.520 --> 0:29:01.480
<v Speaker 5>he even know? I told football? No he did? He No,

0:29:01.520 --> 0:29:03.480
<v Speaker 5>it doesn't even play football. Should he have been kicking?

0:29:03.520 --> 0:29:06.200
<v Speaker 5>Should he been playing kicker? I'm taking that out on

0:29:06.240 --> 0:29:08.520
<v Speaker 5>him because the Arkansas lost. Anyway, I have to go

0:29:08.640 --> 0:29:09.360
<v Speaker 5>right get me out here.

0:29:10.640 --> 0:29:13.840
<v Speaker 4>It's the best bits of the week with Morgan.

0:29:13.920 --> 0:29:14.360
<v Speaker 5>Number two.

0:29:17.120 --> 0:29:19.040
<v Speaker 3>And I know I've seen all the comments about this

0:29:19.120 --> 0:29:22.080
<v Speaker 3>segment when it aired of oh this is voodoo, You're crazy,

0:29:22.120 --> 0:29:24.160
<v Speaker 3>what are you talking about? But I got an energy

0:29:24.200 --> 0:29:26.880
<v Speaker 3>massage and it was a really great experience for me,

0:29:27.080 --> 0:29:30.840
<v Speaker 3>and I'm feeling a whole lot better, which I couldn't

0:29:30.880 --> 0:29:33.360
<v Speaker 3>have told you that a month ago. So I'm telling

0:29:33.360 --> 0:29:36.120
<v Speaker 3>you this energy massage was a game changer for me.

0:29:36.560 --> 0:29:39.320
<v Speaker 3>And maybe just maybe keep your mind a little open

0:29:39.480 --> 0:29:40.760
<v Speaker 3>as you listened to the segment.

0:29:41.200 --> 0:29:42.959
<v Speaker 4>Number four, I've never heard of such thing.

0:29:43.360 --> 0:29:44.920
<v Speaker 5>We could tell Morgan if we think she's a weirdo

0:29:45.000 --> 0:29:46.640
<v Speaker 5>or not, but she had an energy massage. I don't

0:29:46.640 --> 0:29:49.960
<v Speaker 5>know what an energy massage was. I don't know what's

0:29:50.000 --> 0:29:50.880
<v Speaker 5>the energy massage.

0:29:50.960 --> 0:29:52.680
<v Speaker 3>Okay, so you guys, remember the lady who helped me

0:29:52.720 --> 0:29:53.440
<v Speaker 3>get my smell back.

0:29:53.680 --> 0:29:56.320
<v Speaker 5>Yeah, yeah, COVID and she rubbed like your nose or something. Yeah.

0:29:56.360 --> 0:29:59.040
<v Speaker 3>He did like cupping in fascia massage on my face

0:29:59.280 --> 0:30:02.440
<v Speaker 3>and it's the same. But she also helped you know,

0:30:02.680 --> 0:30:04.800
<v Speaker 3>I went through my breakup and I had a lot

0:30:04.800 --> 0:30:06.920
<v Speaker 3>of bad energy in my body and she's like, I

0:30:07.000 --> 0:30:07.760
<v Speaker 3>need to come work on you.

0:30:07.800 --> 0:30:09.920
<v Speaker 2>I think this would be really good for you. And

0:30:10.560 --> 0:30:12.960
<v Speaker 2>she did. There's there's two things that happened.

0:30:12.960 --> 0:30:14.479
<v Speaker 5>Does she actually touch you or does she put her

0:30:14.480 --> 0:30:15.040
<v Speaker 5>hands over you?

0:30:15.480 --> 0:30:17.800
<v Speaker 3>She was massaging my body, Okay, something.

0:30:17.480 --> 0:30:18.320
<v Speaker 2>That was crazy.

0:30:18.360 --> 0:30:22.080
<v Speaker 3>So apparently your stomach hides in times of stress, so

0:30:22.120 --> 0:30:25.640
<v Speaker 3>like if you stop eating, your stomach literally goes up

0:30:25.720 --> 0:30:27.880
<v Speaker 3>underneath your rips so you don't feel hunger pains.

0:30:28.080 --> 0:30:30.040
<v Speaker 5>Is that like when ninjas pushed their testicles into their

0:30:30.040 --> 0:30:33.280
<v Speaker 5>body so they have no vulnerabilities. Yes, I don't even

0:30:33.280 --> 0:30:33.800
<v Speaker 5>know what that is.

0:30:35.000 --> 0:30:36.880
<v Speaker 6>You have to physically push them up there.

0:30:36.960 --> 0:30:40.120
<v Speaker 5>Yeah, that's it. It's what ninja does. Ninjas are real,

0:30:40.800 --> 0:30:43.040
<v Speaker 5>so I can understand if you have anxiety, while your

0:30:43.080 --> 0:30:44.720
<v Speaker 5>stomach would tighten, a lot of our body parts do

0:30:44.760 --> 0:30:46.280
<v Speaker 5>different things when okay, go.

0:30:46.200 --> 0:30:49.959
<v Speaker 3>Ahead, Yes, So she literally worked on massaging my stomach

0:30:50.040 --> 0:30:52.000
<v Speaker 3>and got my stomach to move back to where it

0:30:52.040 --> 0:30:54.640
<v Speaker 3>was supposed to be, and literally immediately after, my stomach

0:30:54.680 --> 0:30:57.280
<v Speaker 3>started growling like it had it had food and weak

0:30:57.320 --> 0:31:00.680
<v Speaker 3>which it hadn't, and I was like, immediate hungry.

0:31:00.760 --> 0:31:03.880
<v Speaker 5>Okay, now that I believe it doesn't feel energy related,

0:31:03.880 --> 0:31:08.600
<v Speaker 5>that feels physical related from stress. And she probably actually

0:31:08.880 --> 0:31:11.080
<v Speaker 5>pushed part of your stomach, so that to me, that

0:31:11.120 --> 0:31:13.360
<v Speaker 5>doesn't seem weird though that's not energy related.

0:31:13.040 --> 0:31:14.400
<v Speaker 2>But it was part of the energy massage.

0:31:14.360 --> 0:31:16.320
<v Speaker 5>Of course it was part of it.

0:31:16.440 --> 0:31:18.680
<v Speaker 3>And then also in my so in my like liver

0:31:18.760 --> 0:31:20.440
<v Speaker 3>and kidney right down in my side, it felt like

0:31:20.480 --> 0:31:22.680
<v Speaker 3>I had this giant just not like there was just

0:31:22.720 --> 0:31:24.440
<v Speaker 3>a ball, and every time she touched it it was

0:31:24.440 --> 0:31:25.200
<v Speaker 3>super painful.

0:31:25.720 --> 0:31:27.440
<v Speaker 2>And she was like, no, I'm you know, I'm gonna

0:31:27.440 --> 0:31:28.720
<v Speaker 2>hold onto this for a little bit.

0:31:29.200 --> 0:31:31.520
<v Speaker 3>And as she did, it was like my emotions were

0:31:31.560 --> 0:31:34.600
<v Speaker 3>starting to release, Like I started hysterically laughing, and I

0:31:34.640 --> 0:31:39.400
<v Speaker 3>was like, nothing's funny, not crying, No, I was hysterically laughing.

0:31:40.040 --> 0:31:43.640
<v Speaker 5>Point, why not think that.

0:31:47.400 --> 0:31:50.200
<v Speaker 2>Just like holding it like pressure pressure on it?

0:31:50.240 --> 0:31:50.880
<v Speaker 5>What part of your body?

0:31:50.920 --> 0:31:53.800
<v Speaker 3>Again, it was right in my like liver kidney area,

0:31:55.800 --> 0:31:56.120
<v Speaker 3>I can't.

0:31:56.200 --> 0:31:58.440
<v Speaker 2>I'm like literally just holding onto it.

0:31:58.720 --> 0:32:00.040
<v Speaker 5>Okay, so you don't, she went.

0:32:00.440 --> 0:32:01.320
<v Speaker 2>She was not tickling me.

0:32:01.480 --> 0:32:03.160
<v Speaker 5>But you can hear Eddie's point though, because it isn't

0:32:03.160 --> 0:32:03.800
<v Speaker 5>a takle place.

0:32:03.880 --> 0:32:06.440
<v Speaker 2>It is, but I'm not super tiiculous right there anyway.

0:32:06.520 --> 0:32:07.360
<v Speaker 2>So she literally was just.

0:32:07.360 --> 0:32:09.040
<v Speaker 3>Like holding her hand on it, and I am just

0:32:09.040 --> 0:32:11.720
<v Speaker 3>sitting there like his like something somebody just told me

0:32:11.760 --> 0:32:14.800
<v Speaker 3>the funniest joke of my entire life. And then after

0:32:14.840 --> 0:32:18.239
<v Speaker 3>the laughing pass, I start bawling, like it was just

0:32:18.240 --> 0:32:19.800
<v Speaker 3>like things were just coming out of my body.

0:32:19.800 --> 0:32:21.120
<v Speaker 2>And I was like, what is happening?

0:32:21.280 --> 0:32:22.920
<v Speaker 5>Should you take like a mystery pill beforehand?

0:32:24.960 --> 0:32:25.120
<v Speaker 13>No?

0:32:25.120 --> 0:32:27.760
<v Speaker 3>No, And I'm like I'm crying. She's like, okay, we're

0:32:27.800 --> 0:32:29.040
<v Speaker 3>gonna sit here for a little bit longer.

0:32:29.080 --> 0:32:31.480
<v Speaker 2>And then it just kind of subsides and it goes away,

0:32:31.520 --> 0:32:32.880
<v Speaker 2>and I was like, what was that?

0:32:32.960 --> 0:32:34.719
<v Speaker 3>And She's like, yeah, you had like a ball of

0:32:34.800 --> 0:32:37.240
<v Speaker 3>literally your body was protecting you of like all these

0:32:37.240 --> 0:32:39.360
<v Speaker 3>emotions and you needed to let it out.

0:32:39.720 --> 0:32:43.680
<v Speaker 5>So you your stomach came out from hiding. Yep, you

0:32:43.760 --> 0:32:47.200
<v Speaker 5>laughed hysterically, then you cried. Then you're normal now is

0:32:47.240 --> 0:32:47.640
<v Speaker 5>it over?

0:32:47.800 --> 0:32:47.960
<v Speaker 14>Then?

0:32:48.760 --> 0:32:52.040
<v Speaker 3>Then it's like okay. She's like, Okay, you're an Aura.

0:32:52.160 --> 0:32:54.560
<v Speaker 3>Do you believe in aura's? Everybody has an aura?

0:32:54.800 --> 0:32:55.240
<v Speaker 1>Uh?

0:32:55.280 --> 0:32:55.840
<v Speaker 6>An energy?

0:32:56.000 --> 0:32:59.840
<v Speaker 5>Sure, ish, you're starting to sell like Amy, I know

0:33:00.600 --> 0:33:03.360
<v Speaker 5>a different Amy Sisan. I'd say, but yes, we're getting there,

0:33:03.400 --> 0:33:03.920
<v Speaker 5>but go ahead.

0:33:04.160 --> 0:33:06.640
<v Speaker 3>So she was like, when you're when you're really depleted

0:33:06.680 --> 0:33:08.880
<v Speaker 3>and things are really hard in your life, you will

0:33:09.160 --> 0:33:12.160
<v Speaker 3>suck energy in and like you take everything on. She's like,

0:33:12.200 --> 0:33:14.560
<v Speaker 3>but now, like since we've kind of worked that those

0:33:14.600 --> 0:33:16.840
<v Speaker 3>emotions out of your body, She's like, now you're pushing

0:33:16.880 --> 0:33:19.640
<v Speaker 3>everything out and you're back to being like your normal self,

0:33:19.720 --> 0:33:21.400
<v Speaker 3>and like the energy is going out.

0:33:21.200 --> 0:33:21.800
<v Speaker 11>Instead of in.

0:33:22.320 --> 0:33:24.880
<v Speaker 5>Okay, and then so what happens? Did you? Like you

0:33:25.000 --> 0:33:25.960
<v Speaker 5>leave in your a new person?

0:33:26.440 --> 0:33:28.680
<v Speaker 2>I really felt like I was. I genuinely did.

0:33:28.720 --> 0:33:30.680
<v Speaker 3>Like I felt like I was kind of walking on clouds.

0:33:30.720 --> 0:33:32.200
<v Speaker 3>It was like my I just was having a very

0:33:32.240 --> 0:33:33.280
<v Speaker 3>out of body experience.

0:33:33.400 --> 0:33:35.080
<v Speaker 5>I had to prove that any of this is wrong,

0:33:35.120 --> 0:33:36.840
<v Speaker 5>by the way, and I'm not. It's just to me,

0:33:37.120 --> 0:33:39.320
<v Speaker 5>I've not had it happen, so it's hard for me

0:33:39.440 --> 0:33:40.880
<v Speaker 5>to go, Wow, you can get pushed in the side

0:33:40.880 --> 0:33:42.560
<v Speaker 5>and laugh and cry. I've never had that happen, and

0:33:42.600 --> 0:33:43.760
<v Speaker 5>I'm not trying to be a hater. We're just making

0:33:43.840 --> 0:33:46.080
<v Speaker 5>jokes here. Did anything happen afterward?

0:33:46.480 --> 0:33:46.920
<v Speaker 2>Yeah?

0:33:47.000 --> 0:33:47.760
<v Speaker 5>Oh okay.

0:33:47.880 --> 0:33:51.160
<v Speaker 3>So I went to a pool with a girlfriend and guys,

0:33:51.160 --> 0:33:53.080
<v Speaker 3>I'm not kidding you. I cannot make this up if

0:33:53.080 --> 0:33:56.640
<v Speaker 3>I wanted to a guy. No, I really couldn't.

0:33:56.680 --> 0:33:58.560
<v Speaker 2>Like the girl. My friend was sitting next to me

0:33:58.560 --> 0:33:59.640
<v Speaker 2>and convouch, what this happened?

0:33:59.640 --> 0:34:01.240
<v Speaker 3>This guy straight up came up to me and was like,

0:34:01.760 --> 0:34:03.840
<v Speaker 3>I really love your energy. Something about you is just

0:34:03.840 --> 0:34:04.360
<v Speaker 3>really awesome.

0:34:04.400 --> 0:34:06.280
<v Speaker 4>Right, Okay, guys just say that.

0:34:06.720 --> 0:34:10.640
<v Speaker 5>Okay, question, are you in a swimsuit?

0:34:10.840 --> 0:34:11.040
<v Speaker 6>Yes?

0:34:11.120 --> 0:34:14.600
<v Speaker 5>Okay, talking about your energy?

0:34:14.680 --> 0:34:15.719
<v Speaker 2>That just happened.

0:34:16.680 --> 0:34:19.800
<v Speaker 5>So, yeah, he's your energies. You're putting off a hotness.

0:34:19.840 --> 0:34:23.839
<v Speaker 3>I've never had a guy count anything about my energy.

0:34:22.400 --> 0:34:24.360
<v Speaker 5>This is coincidence.

0:34:24.400 --> 0:34:27.120
<v Speaker 8>We do have energies about us, Like I do think

0:34:27.160 --> 0:34:29.560
<v Speaker 8>that people pick up, Like if you someone walks in

0:34:29.600 --> 0:34:32.239
<v Speaker 8>the studio with a bad mood, we feel it mood?

0:34:32.280 --> 0:34:34.960
<v Speaker 5>Can it be an energy? Can be interchangeable? I agree, Yeah,

0:34:35.040 --> 0:34:37.960
<v Speaker 5>I agree with every I said. I don't disagree with

0:34:37.960 --> 0:34:39.279
<v Speaker 5>anything you're saying. I just it's hard to me to

0:34:39.320 --> 0:34:40.840
<v Speaker 5>agree with it because I've never actually seen it, and

0:34:40.880 --> 0:34:43.319
<v Speaker 5>the coincidence of him saying energy, but were you were

0:34:43.320 --> 0:34:46.879
<v Speaker 5>you in a bikini? Yeah, okay, I think a lot

0:34:46.880 --> 0:34:48.680
<v Speaker 5>of guys would have been into the energy of No,

0:34:48.800 --> 0:34:51.000
<v Speaker 5>that's a good energy feeling that energy.

0:34:51.719 --> 0:34:53.279
<v Speaker 3>I mean, I'm a girl, and you could have come

0:34:53.320 --> 0:34:55.080
<v Speaker 3>up and just been like, hey, like you're super cute,

0:34:55.160 --> 0:34:55.440
<v Speaker 3>let's talk.

0:34:55.520 --> 0:34:56.840
<v Speaker 2>But instead he came up to me and said, I

0:34:56.840 --> 0:34:57.680
<v Speaker 2>really love your energy.

0:34:57.719 --> 0:34:59.279
<v Speaker 5>Like that's what you say to somebody who's half naked

0:34:59.280 --> 0:35:02.160
<v Speaker 5>without addressing Yeah, you're like, hey, your smiles great, or

0:35:02.160 --> 0:35:04.040
<v Speaker 5>you have a great energy, or your stomach looks like

0:35:04.080 --> 0:35:07.080
<v Speaker 5>it just came out of hiding. What did it?

0:35:07.520 --> 0:35:07.640
<v Speaker 17>So?

0:35:08.440 --> 0:35:10.160
<v Speaker 5>What is it? What does this call mean? Is that

0:35:10.160 --> 0:35:10.919
<v Speaker 5>a lot?

0:35:11.320 --> 0:35:11.760
<v Speaker 2>No?

0:35:12.000 --> 0:35:14.759
<v Speaker 3>But she actually came to do she had seen the

0:35:14.800 --> 0:35:16.920
<v Speaker 3>post about my announcement. She's like, I actually I just

0:35:17.000 --> 0:35:17.960
<v Speaker 3>want to come work on you. I want you to

0:35:18.000 --> 0:35:19.319
<v Speaker 3>feel better. She didn't charge me.

0:35:19.440 --> 0:35:19.520
<v Speaker 8>What.

0:35:19.960 --> 0:35:25.080
<v Speaker 5>Oh okay, maybe hold on, maybe there's a crush happening. No, okay,

0:35:25.080 --> 0:35:30.360
<v Speaker 5>now he's going to fantasies. Thank you. But you believed

0:35:30.480 --> 0:35:31.600
<v Speaker 5>that that helped your energy?

0:35:31.760 --> 0:35:32.560
<v Speaker 4>I know it did.

0:35:32.640 --> 0:35:34.400
<v Speaker 3>Like, guys, I'm telling you, I had an out of

0:35:34.440 --> 0:35:36.960
<v Speaker 3>body experience that I cannot explain.

0:35:36.920 --> 0:35:39.640
<v Speaker 5>Crying into laughing or laughing at the crying as bazaar. Sure,

0:35:39.640 --> 0:35:42.799
<v Speaker 5>but if so, that's awesome, Like I'm sure, but there's

0:35:42.800 --> 0:35:44.359
<v Speaker 5>also thinks about a body we have no idea about,

0:35:44.360 --> 0:35:45.799
<v Speaker 5>what the science doesn't even know about.

0:35:45.920 --> 0:35:48.200
<v Speaker 6>Yeah, that can happen, but have died.

0:35:48.239 --> 0:35:49.200
<v Speaker 10>I cried and laughed too.

0:35:49.239 --> 0:35:50.759
<v Speaker 5>You don't know what pushing you in?

0:35:51.280 --> 0:35:52.040
<v Speaker 10>No massage me.

0:35:55.320 --> 0:35:58.520
<v Speaker 4>It's the best bits of the week with Morgan.

0:35:58.600 --> 0:35:59.280
<v Speaker 5>Number two.

0:36:00.640 --> 0:36:03.720
<v Speaker 3>Raw dogging sweatshirts. Yes, this was a very real topic

0:36:03.800 --> 0:36:05.960
<v Speaker 3>on our show. Eddie brought it because his wife was

0:36:05.960 --> 0:36:08.480
<v Speaker 3>making fun of him for not wearing a shirt under

0:36:08.520 --> 0:36:10.719
<v Speaker 3>one of his sweatshirts, and then it became a whole

0:36:10.760 --> 0:36:13.520
<v Speaker 3>debate like how do guys typically wear sweatshirts?

0:36:13.840 --> 0:36:14.279
<v Speaker 11>I don't know.

0:36:14.400 --> 0:36:15.239
<v Speaker 2>I mean, I feel like it's.

0:36:15.120 --> 0:36:17.919
<v Speaker 3>A little bit different for ladies because you know, those

0:36:17.960 --> 0:36:21.160
<v Speaker 3>no broad days. I really enjoy just wearing a shirt

0:36:21.160 --> 0:36:23.520
<v Speaker 3>and not having to have anything underneath.

0:36:23.280 --> 0:36:24.440
<v Speaker 2>But maybe it's different for guys.

0:36:24.480 --> 0:36:26.480
<v Speaker 3>That's kind of what this whole debate turned into. And

0:36:26.520 --> 0:36:30.759
<v Speaker 3>then it also turned into like a pants debate. And

0:36:30.800 --> 0:36:33.080
<v Speaker 3>I'm not even gonna say that other word associated with

0:36:33.120 --> 0:36:35.000
<v Speaker 3>that so here you go.

0:36:35.600 --> 0:36:38.200
<v Speaker 5>Number three, the dumb question for the room, brought to

0:36:38.239 --> 0:36:40.719
<v Speaker 5>us by Eddie. Can you raw dog a sweatshirt? Do

0:36:40.760 --> 0:36:41.880
<v Speaker 5>you raw dog a sweatshirt?

0:36:42.000 --> 0:36:42.360
<v Speaker 2>What that was?

0:36:42.600 --> 0:36:45.440
<v Speaker 5>Well, I've I've never thought about this, Eddie, So give

0:36:45.440 --> 0:36:47.280
<v Speaker 5>you a question like, when you wear.

0:36:47.120 --> 0:36:49.600
<v Speaker 10>A sweatshirt, do you wear an undershirt underneath?

0:36:49.680 --> 0:36:52.040
<v Speaker 5>Or you just raw dog raw dog like skin on raw.

0:36:53.440 --> 0:36:55.600
<v Speaker 6>I guess I do, so I don't have to have

0:36:55.680 --> 0:36:56.320
<v Speaker 6>an undershirt.

0:36:56.320 --> 0:36:58.520
<v Speaker 5>If that's so. Where does this come from? Though?

0:36:58.560 --> 0:37:01.080
<v Speaker 12>I was putting on my sweatshirt and my wife, I guess,

0:37:01.200 --> 0:37:02.680
<v Speaker 12>was in the room and she's like, what do you

0:37:02.680 --> 0:37:05.080
<v Speaker 12>You're not putting undershirt in that? And I didn't think

0:37:05.080 --> 0:37:06.920
<v Speaker 12>about it, but I guess all my young life I

0:37:07.000 --> 0:37:09.080
<v Speaker 12>used to wear undershirts and somewhere in the middle I

0:37:09.080 --> 0:37:09.800
<v Speaker 12>just said, nascrew it.

0:37:09.800 --> 0:37:10.640
<v Speaker 10>I want to raw dog it.

0:37:11.920 --> 0:37:13.920
<v Speaker 5>I don't know that I have a real feeling on

0:37:13.960 --> 0:37:16.200
<v Speaker 5>this either way, because she says, like it itches if

0:37:16.200 --> 0:37:18.120
<v Speaker 5>you don't wear an under shirt, Yeah, that I agree with.

0:37:18.239 --> 0:37:20.040
<v Speaker 5>And I would say some sweatshirts, if they do it,

0:37:20.239 --> 0:37:22.759
<v Speaker 5>I'll row I'll not raw dog, but some if they

0:37:22.760 --> 0:37:24.919
<v Speaker 5>feel fine, I'll raw dog it up right? I guess

0:37:24.960 --> 0:37:26.360
<v Speaker 5>I never even thought about the question.

0:37:26.920 --> 0:37:28.319
<v Speaker 10>Yeah, my wife's only brought it up.

0:37:28.360 --> 0:37:30.160
<v Speaker 5>Like today, I have on this is on a sweatshirt.

0:37:30.200 --> 0:37:32.520
<v Speaker 5>It's kind of like a sweater. It's kind of like

0:37:32.520 --> 0:37:34.440
<v Speaker 5>a sweater with a little little zip on it. I

0:37:34.480 --> 0:37:36.719
<v Speaker 5>have an undershirt on it because the sweater gets my

0:37:36.760 --> 0:37:39.359
<v Speaker 5>little I have one percent chest hair, like almost none,

0:37:39.360 --> 0:37:40.880
<v Speaker 5>but it does get caught up in there.

0:37:40.680 --> 0:37:41.279
<v Speaker 10>The little zipper.

0:37:41.360 --> 0:37:46.880
<v Speaker 5>Yeah, the little chest hair ow. So just generally speaking,

0:37:46.960 --> 0:37:49.400
<v Speaker 5>raw Dog a sweatshirt, Amy, Yes, I say yes too.

0:37:49.480 --> 0:37:52.440
<v Speaker 5>I think mostly I just saw a sweatshirt on, unless

0:37:52.480 --> 0:37:54.520
<v Speaker 5>it like lift, if I lift my arms and shows

0:37:54.520 --> 0:37:56.080
<v Speaker 5>the bontom part on a belly, I'll put an undershirt

0:37:56.080 --> 0:37:57.320
<v Speaker 5>on to make sure that doesn't happen.

0:37:57.120 --> 0:37:58.040
<v Speaker 10>And you tuck in the undershirt.

0:37:58.120 --> 0:37:59.319
<v Speaker 5>Yeah, because I don't like a little part of a

0:37:59.360 --> 0:38:01.040
<v Speaker 5>belly showing lunchbox.

0:38:01.200 --> 0:38:04.200
<v Speaker 9>I never really raw Dog with a hoodie on because

0:38:04.320 --> 0:38:05.840
<v Speaker 9>I feel like it is too itchy.

0:38:06.040 --> 0:38:07.759
<v Speaker 5>Well, because you weren't five days in a row though,

0:38:07.960 --> 0:38:11.440
<v Speaker 5>That's what I'm saying. I clean and also where I'm going,

0:38:11.560 --> 0:38:12.080
<v Speaker 5>you know what I mean.

0:38:12.080 --> 0:38:14.279
<v Speaker 9>Like it may be cold when in the studio, but

0:38:14.320 --> 0:38:17.080
<v Speaker 9>when I leave the studio, it's hot outside, so I want.

0:38:16.880 --> 0:38:18.879
<v Speaker 5>To take the sweatshirt off. What if I change?

0:38:18.920 --> 0:38:20.880
<v Speaker 9>So if I raw dog it, I don't have a

0:38:20.920 --> 0:38:23.040
<v Speaker 9>shirt underneath and I can't take it off, then I'm sweating.

0:38:23.360 --> 0:38:24.640
<v Speaker 9>So no raw dog for me.

0:38:24.760 --> 0:38:27.680
<v Speaker 5>So two raw dogs one, No, I'm raw dogging now.

0:38:28.320 --> 0:38:28.880
<v Speaker 5>Wow you are?

0:38:28.960 --> 0:38:29.560
<v Speaker 10>Yeah, dude, it.

0:38:29.520 --> 0:38:31.200
<v Speaker 5>Does seem kind of white trash though.

0:38:31.200 --> 0:38:32.520
<v Speaker 10>It is a little bit, and I guess that's where

0:38:32.520 --> 0:38:33.239
<v Speaker 10>my wife is coming back.

0:38:33.280 --> 0:38:35.880
<v Speaker 5>That's why I do it too. When I say it

0:38:35.920 --> 0:38:37.799
<v Speaker 5>on you, I'm like, eh, And it almost be like

0:38:37.800 --> 0:38:39.480
<v Speaker 5>not wearing underwear under jeans.

0:38:39.200 --> 0:38:41.279
<v Speaker 10>Right, some people do that.

0:38:41.280 --> 0:38:42.399
<v Speaker 5>That's that's over the lines.

0:38:42.480 --> 0:38:45.320
<v Speaker 10>I want here to do that, but here's no, Okay,

0:38:45.680 --> 0:38:46.200
<v Speaker 10>I don't either.

0:38:46.640 --> 0:38:49.239
<v Speaker 5>Doesn't that hurt? It's not even that to me. It's

0:38:49.280 --> 0:38:51.360
<v Speaker 5>that I drive. I dribble. See, there's a lot of

0:38:51.360 --> 0:38:53.759
<v Speaker 5>reasons I don't want my dribble to get in my

0:38:53.840 --> 0:38:58.600
<v Speaker 5>dinum like, that's that real reason. And it's just very

0:38:58.640 --> 0:38:59.080
<v Speaker 5>light dribble.

0:38:59.160 --> 0:39:03.040
<v Speaker 6>That's why I don't understand my y'all. Don't pat No

0:39:03.120 --> 0:39:03.279
<v Speaker 6>I do.

0:39:03.360 --> 0:39:05.319
<v Speaker 5>That doesn't meaning you still don't dribble a little bit.

0:39:07.000 --> 0:39:09.719
<v Speaker 6>Okay, it's hard to explain it. I understand.

0:39:10.239 --> 0:39:13.160
<v Speaker 5>And also like that denim's rough. It's like it's not

0:39:13.280 --> 0:39:18.040
<v Speaker 5>smooth holding her face right now, No, I get it.

0:39:18.040 --> 0:39:21.319
<v Speaker 2>It's conversation of the dribble, really, but.

0:39:21.280 --> 0:39:22.759
<v Speaker 5>It's also you girls don't have to worry about that.

0:39:22.760 --> 0:39:24.359
<v Speaker 5>You can wear jeans with no underwear because you don't

0:39:24.360 --> 0:39:24.760
<v Speaker 5>have anything.

0:39:24.800 --> 0:39:26.680
<v Speaker 6>No, I don't really like that, and that's.

0:39:26.480 --> 0:39:29.440
<v Speaker 5>Fine, but you don't have anything that the texture of

0:39:29.480 --> 0:39:34.480
<v Speaker 5>the denim would actually be affecting. Right, So raw dog

0:39:34.560 --> 0:39:38.680
<v Speaker 5>sweat sure, yes, raw dog pants no. And not because

0:39:38.760 --> 0:39:41.000
<v Speaker 5>really the paint that, but because the dribble.

0:39:41.920 --> 0:39:44.399
<v Speaker 12>I haven't even thought about raw dog and pants never

0:39:44.560 --> 0:39:45.680
<v Speaker 12>never crossed my mind.

0:39:45.880 --> 0:39:48.320
<v Speaker 5>I'll wear shorts if I don't have underwear. No, that's fine,

0:39:48.360 --> 0:39:51.280
<v Speaker 5>Like that's not ok just because I'm so anti dribble.

0:39:51.320 --> 0:39:54.840
<v Speaker 5>I will wear gym shorts underneath pants. If oh I

0:39:54.880 --> 0:39:57.840
<v Speaker 5>thought you may you wear just shorts no underwear. No, no, okay,

0:39:58.120 --> 0:40:00.000
<v Speaker 5>I wouldn't even do that because I don't people see it,

0:40:00.400 --> 0:40:01.960
<v Speaker 5>like I don't want to sit down and somebody be

0:40:02.040 --> 0:40:04.759
<v Speaker 5>like he look at that, like the little guy.

0:40:05.560 --> 0:40:05.759
<v Speaker 12>You know.

0:40:06.160 --> 0:40:08.480
<v Speaker 5>Yeah, morning, everybody, morning.

0:40:10.360 --> 0:40:14.280
<v Speaker 4>It's the best bits of the week with Morgan. Number two.

0:40:21.480 --> 0:40:23.839
<v Speaker 3>Thunder I don't feel like I had that beat, right,

0:40:24.600 --> 0:40:25.360
<v Speaker 3>You get the point.

0:40:25.719 --> 0:40:27.399
<v Speaker 2>Well, Thunder from down Under.

0:40:27.600 --> 0:40:29.200
<v Speaker 3>Lunchbox is supposed to be going to two of the

0:40:29.239 --> 0:40:31.839
<v Speaker 3>shows after he was on the wheel of punishment for losing.

0:40:31.560 --> 0:40:35.239
<v Speaker 2>A game, and now he's saying he can't go.

0:40:35.960 --> 0:40:37.600
<v Speaker 3>And I'm not sure how this is gonna work out

0:40:37.640 --> 0:40:40.080
<v Speaker 3>because this is a punishment that he's supposed to fulfill.

0:40:40.120 --> 0:40:42.839
<v Speaker 3>But now he's saying, guys, I can't make it, so

0:40:43.040 --> 0:40:45.040
<v Speaker 3>maybe no, no, no, no no no.

0:40:45.560 --> 0:40:47.880
<v Speaker 4>Thunder number two's this.

0:40:48.320 --> 0:40:50.359
<v Speaker 5>It's a mail review for all these dudes. They take

0:40:50.400 --> 0:40:52.720
<v Speaker 5>off the clothes, they dance on underwear. It's called Thunder

0:40:52.760 --> 0:40:54.880
<v Speaker 5>down Under. If you go to Vegas, you go. But

0:40:54.960 --> 0:40:57.680
<v Speaker 5>it also tours and Lunchbox lost a game and he

0:40:57.719 --> 0:40:59.680
<v Speaker 5>has to go to Thunder down Under for two days

0:40:59.719 --> 0:41:01.800
<v Speaker 5>in a row and sit close to the front and Scooba,

0:41:01.840 --> 0:41:04.440
<v Speaker 5>we had contacted him, right, like he's set up to

0:41:04.480 --> 0:41:05.440
<v Speaker 5>at least go to that.

0:41:06.280 --> 0:41:07.560
<v Speaker 15>Yes, he set up for that and a lot of

0:41:07.600 --> 0:41:09.200
<v Speaker 15>other special things that will happen.

0:41:09.680 --> 0:41:10.279
<v Speaker 5>When he's there.

0:41:10.360 --> 0:41:11.920
<v Speaker 6>Tell us more about special things.

0:41:12.160 --> 0:41:14.120
<v Speaker 5>Yeah, we don't need I don't want to special things.

0:41:14.160 --> 0:41:16.799
<v Speaker 5>He lost and now he must pay his punishment. Which

0:41:16.840 --> 0:41:19.440
<v Speaker 5>is under down under the all male review, which is

0:41:19.560 --> 0:41:22.120
<v Speaker 5>going to be so many ladies there though, Lunchbox it

0:41:22.200 --> 0:41:26.280
<v Speaker 5>will be. It'll be all probably ninety three percent ladies,

0:41:26.320 --> 0:41:29.400
<v Speaker 5>Oh for sure. So Lunchbox and out scooback you already.

0:41:29.560 --> 0:41:31.359
<v Speaker 6>You can't go Wait what what for.

0:41:31.280 --> 0:41:32.560
<v Speaker 15>The one I put in the calendar? You can't go

0:41:32.600 --> 0:41:32.799
<v Speaker 15>to that?

0:41:33.000 --> 0:41:33.200
<v Speaker 9>Yeah?

0:41:33.239 --> 0:41:34.200
<v Speaker 5>I got hold one.

0:41:34.360 --> 0:41:36.600
<v Speaker 15>I spent weeks talking with this guy working on all

0:41:36.640 --> 0:41:37.160
<v Speaker 15>these things.

0:41:37.600 --> 0:41:39.600
<v Speaker 5>What guy the guy who's the person who's.

0:41:39.400 --> 0:41:41.440
<v Speaker 15>Setting up the whole thing, he's a pr guy for it.

0:41:42.840 --> 0:41:43.640
<v Speaker 15>They'll talk about that.

0:41:43.719 --> 0:41:46.799
<v Speaker 5>So what's so why wouldn't you ask me what night

0:41:46.920 --> 0:41:50.320
<v Speaker 5>I can go? Well, because window we talked about it

0:41:50.320 --> 0:41:52.080
<v Speaker 5>on the show that there's a window is happening the

0:41:52.120 --> 0:41:54.280
<v Speaker 5>window on the on the show we said the window,

0:41:54.440 --> 0:41:55.920
<v Speaker 5>Yeah it's And then I send you a counter in

0:41:55.960 --> 0:41:59.120
<v Speaker 5>by off every I take a breath, Lunchbox, what is

0:41:59.160 --> 0:41:59.800
<v Speaker 5>your conflict?

0:42:00.480 --> 0:42:03.200
<v Speaker 9>I have my co ed reck soccer game that night,

0:42:03.440 --> 0:42:06.000
<v Speaker 9>and as the captain and the one that brings the jerseys.

0:42:06.080 --> 0:42:08.200
<v Speaker 9>If I'm not there, the jerseys don't get delivered to

0:42:08.239 --> 0:42:11.480
<v Speaker 9>the game. It causes chaos. So I mean my game

0:42:11.560 --> 0:42:13.880
<v Speaker 9>is at eight fifteen that night, which I feel like

0:42:13.960 --> 0:42:15.239
<v Speaker 9>is probably going to be right in the middle of

0:42:15.280 --> 0:42:17.280
<v Speaker 9>thunder down under, so it looks like we have to cancel.

0:42:17.360 --> 0:42:19.120
<v Speaker 6>No, he can get the jerseys to somebody else.

0:42:19.200 --> 0:42:21.000
<v Speaker 5>I had to miss a Rex softball game. I didn't

0:42:21.040 --> 0:42:22.560
<v Speaker 5>like to have to do it, but it was okay.

0:42:22.880 --> 0:42:26.800
<v Speaker 5>Valid the first the keyward is wreck. This keyard is job.

0:42:28.120 --> 0:42:30.120
<v Speaker 15>No, no, no, pays your bills, bread and butter.

0:42:30.760 --> 0:42:33.200
<v Speaker 9>But I just can't let my team down, is what

0:42:33.239 --> 0:42:35.960
<v Speaker 9>I'm saying. Yes, I don't know why I wasn't even

0:42:36.000 --> 0:42:36.480
<v Speaker 9>in I.

0:42:36.560 --> 0:42:37.279
<v Speaker 5>Was the star player.

0:42:37.360 --> 0:42:38.879
<v Speaker 15>Are you Are you getting like lots of gold?

0:42:39.200 --> 0:42:41.160
<v Speaker 5>Bring all the jerseys? Not that big of a start.

0:42:43.880 --> 0:42:46.279
<v Speaker 6>It causes chaos if no, yeah, that's.

0:42:46.200 --> 0:42:49.400
<v Speaker 5>Why there's chaos. If he brings orange slices and jerseys,

0:42:51.600 --> 0:42:52.040
<v Speaker 5>gonna win.

0:42:52.640 --> 0:42:55.400
<v Speaker 9>I just found it weird that I wasn't even consulted

0:42:55.480 --> 0:42:57.680
<v Speaker 9>on what day. I said the day in the bit,

0:42:58.280 --> 0:42:59.759
<v Speaker 9>we said it was in September.

0:43:00.440 --> 0:43:00.959
<v Speaker 5>What day?

0:43:01.160 --> 0:43:01.600
<v Speaker 10>Yeah, we did.

0:43:01.640 --> 0:43:02.800
<v Speaker 15>We give you the window, and then I put in

0:43:02.840 --> 0:43:04.160
<v Speaker 15>your calendar several days ago.

0:43:04.320 --> 0:43:06.080
<v Speaker 5>I didn't know he had a calendar. No, no, he

0:43:06.160 --> 0:43:09.240
<v Speaker 5>sends it in your email. Yeah he doesn't have a calendar, Scooba.

0:43:09.280 --> 0:43:10.799
<v Speaker 5>But he goes to his Yeah, he gets it in

0:43:10.840 --> 0:43:11.240
<v Speaker 5>an email.

0:43:11.320 --> 0:43:16.000
<v Speaker 9>Yeah, yeah, and it says, uh, Wednesday, September twenty fifth, Ah,

0:43:16.000 --> 0:43:18.279
<v Speaker 9>I'm busy that day, man, I got commitments.

0:43:18.600 --> 0:43:22.000
<v Speaker 5>So yeah, I don't know what to do. My recommendation

0:43:22.040 --> 0:43:24.280
<v Speaker 5>would be to fulfill this bet because it will only

0:43:24.320 --> 0:43:26.840
<v Speaker 5>get worse if you don't. What do you mean worse?

0:43:27.640 --> 0:43:30.480
<v Speaker 5>That's all I said. So I will leave it there.

0:43:30.520 --> 0:43:33.680
<v Speaker 5>I'll let you guys handle this. Yeah later. But if

0:43:33.719 --> 0:43:36.319
<v Speaker 5>for some reason, because you are an adult man, this

0:43:36.400 --> 0:43:38.680
<v Speaker 5>is an adult job, although at times it's not. If

0:43:38.719 --> 0:43:42.960
<v Speaker 5>you go to scuba and go off air, I cannot

0:43:43.040 --> 0:43:45.400
<v Speaker 5>go to this because it is absolutely a priority to

0:43:45.440 --> 0:43:47.520
<v Speaker 5>go to the soccer game. If you say that, even

0:43:47.560 --> 0:43:49.680
<v Speaker 5>though we don't agree with you, you get you're an

0:43:49.680 --> 0:43:52.480
<v Speaker 5>adult man to make an adult decisions. It will be

0:43:52.600 --> 0:43:54.759
<v Speaker 5>worse for you if you don't go. Absolutely well, why

0:43:54.760 --> 0:43:56.000
<v Speaker 5>can't I just go the next day?

0:43:56.320 --> 0:43:57.719
<v Speaker 6>Because you have to go to two days in a row.

0:43:57.840 --> 0:43:59.160
<v Speaker 5>Yeah, yeah you have, Yeah, you have to go two

0:43:59.200 --> 0:44:00.600
<v Speaker 5>nights in a row. You kept using the game.

0:44:00.680 --> 0:44:03.239
<v Speaker 9>I understand that, but there's days that I can not, Like,

0:44:03.280 --> 0:44:04.600
<v Speaker 9>I go the next day in the day after that.

0:44:04.680 --> 0:44:05.600
<v Speaker 5>I mean, I don't.

0:44:05.400 --> 0:44:07.600
<v Speaker 15>Excuse well, I've set up a specially this is a

0:44:07.719 --> 0:44:10.040
<v Speaker 15>very special occasion for this particular day.

0:44:10.080 --> 0:44:13.920
<v Speaker 9>No, no, no, the bet wasn't. The bet wasn't special occasion.

0:44:14.480 --> 0:44:16.239
<v Speaker 9>The bet was I go and what I'm going to

0:44:16.320 --> 0:44:19.160
<v Speaker 9>let you guys handle this. But for some reason it

0:44:19.280 --> 0:44:19.520
<v Speaker 9>is not.

0:44:20.000 --> 0:44:22.239
<v Speaker 5>It does not happen in the way that we think

0:44:22.360 --> 0:44:24.160
<v Speaker 5>it should happen based on the results of the game.

0:44:24.719 --> 0:44:27.400
<v Speaker 5>It will be much worse for the player. But it's

0:44:27.480 --> 0:44:29.720
<v Speaker 5>up to you. We make our own decisions as adults.

0:44:30.640 --> 0:44:33.080
<v Speaker 5>So no decision right now. I'll let you guys handle that.

0:44:33.680 --> 0:44:36.759
<v Speaker 5>And I know you're reck So it's probably the championship game, No,

0:44:36.920 --> 0:44:38.920
<v Speaker 5>I think it's like the fifth game of the regular season.

0:44:39.920 --> 0:44:42.720
<v Speaker 5>Probably the game that determines playoffs. It's probably a determined

0:44:42.719 --> 0:44:45.080
<v Speaker 5>if we get in or not. So it's like close

0:44:45.120 --> 0:44:47.200
<v Speaker 5>to the end of the season. Yeah, yeah, yeah, there's

0:44:47.200 --> 0:44:48.839
<v Speaker 5>only seven games, you know what I mean. That's gonna

0:44:48.840 --> 0:44:51.520
<v Speaker 5>be a pivotal stretch.

0:44:51.640 --> 0:44:53.720
<v Speaker 9>Like you don't want to go in limping into the playoffs.

0:44:53.760 --> 0:44:54.959
<v Speaker 9>You want to be playing your.

0:44:54.880 --> 0:44:58.600
<v Speaker 5>Best and it is your key cog. You're the key cog,

0:44:59.120 --> 0:45:01.560
<v Speaker 5>one of them. I think you will be able to

0:45:01.600 --> 0:45:03.160
<v Speaker 5>see a lot of keycogs at the Old Thunder down

0:45:03.200 --> 0:45:06.480
<v Speaker 5>Under as well multiple multiple key dogs.

0:45:06.520 --> 0:45:07.719
<v Speaker 6>Really okay special one.

0:45:07.800 --> 0:45:10.799
<v Speaker 5>Yeah, we'll let you guys Australian. We'll let you guys

0:45:10.800 --> 0:45:13.239
<v Speaker 5>handle that. Give me an update tomorrow the next day. Okay,

0:45:13.239 --> 0:45:14.800
<v Speaker 5>all right, sounds good.

0:45:15.200 --> 0:45:18.960
<v Speaker 4>It's the best bits of the week with Morgan. Number two.

0:45:20.360 --> 0:45:23.040
<v Speaker 3>Miranda Lambert has a new album out, so she stopped

0:45:23.040 --> 0:45:24.799
<v Speaker 3>by the studio and I always love when she comes in.

0:45:24.920 --> 0:45:28.239
<v Speaker 3>She's so real Miranda and just every way will come

0:45:28.280 --> 0:45:31.160
<v Speaker 3>in just exactly who she is, and she's honest and

0:45:31.360 --> 0:45:33.120
<v Speaker 3>open and share some fun stories.

0:45:33.640 --> 0:45:35.359
<v Speaker 2>But also one of my favorite.

0:45:35.000 --> 0:45:37.960
<v Speaker 3>Parts is that she admitted she doesn't like doing encores

0:45:38.080 --> 0:45:40.360
<v Speaker 3>and honestly, her reasoning makes sense.

0:45:41.160 --> 0:45:45.279
<v Speaker 4>Number one so Bobby Bones Show Interviews in case you

0:45:45.440 --> 0:45:45.960
<v Speaker 4>didn't know.

0:45:46.520 --> 0:45:48.920
<v Speaker 5>Miranda, what we normally do is we do an intro

0:45:49.080 --> 0:45:51.640
<v Speaker 5>before you walk in. We've never done this with somebody

0:45:51.920 --> 0:45:54.840
<v Speaker 5>where you're already here. What would you say to people

0:45:54.840 --> 0:45:56.719
<v Speaker 5>that don't know about you? What's what's something about you

0:45:56.800 --> 0:45:59.560
<v Speaker 5>that they should know that they should know? Yeah, like

0:45:59.680 --> 0:46:05.960
<v Speaker 5>very very basic, Like you're like so fundamental. That's one thing.

0:46:06.320 --> 0:46:09.400
<v Speaker 5>She's from Texas. We're gonna do three. Yeah, I like

0:46:09.480 --> 0:46:12.040
<v Speaker 5>this three fundamental things. She's from Texas. What's the second one?

0:46:13.200 --> 0:46:14.160
<v Speaker 11>I rescue dogs.

0:46:14.239 --> 0:46:17.120
<v Speaker 5>She rescued dogs, rescues dogs, Okay, and the third one?

0:46:17.320 --> 0:46:18.840
<v Speaker 11>And I like Tito's.

0:46:18.920 --> 0:46:21.200
<v Speaker 5>She likes Tito's. And now here's our interview with Miranda

0:46:21.280 --> 0:46:22.600
<v Speaker 5>Lambert on.

0:46:22.640 --> 0:46:25.479
<v Speaker 4>The Bobby Bone Show. Now, Miranda Lambert, good.

0:46:25.400 --> 0:46:27.800
<v Speaker 5>To see Miranda. I was I was writing about you

0:46:27.840 --> 0:46:30.719
<v Speaker 5>on Instagram. I know it never got to you, but

0:46:31.120 --> 0:46:32.799
<v Speaker 5>I didn't tag you because it wasn't about that. But

0:46:33.200 --> 0:46:38.319
<v Speaker 5>someone had asked me my favorite people to interview, and

0:46:38.360 --> 0:46:39.480
<v Speaker 5>I was pretty honest, and there are a lot of

0:46:39.480 --> 0:46:42.040
<v Speaker 5>my friends I didn't even mention. And now it was

0:46:42.080 --> 0:46:46.040
<v Speaker 5>like compelling interviews. And I had different tiers and I

0:46:46.080 --> 0:46:47.680
<v Speaker 5>only did like three tiers. And I put you in

0:46:47.719 --> 0:46:51.400
<v Speaker 5>the tier of what even take a phoner from? Meaning

0:46:51.400 --> 0:46:52.960
<v Speaker 5>we don't relate to a lot of phone call interviews.

0:46:53.000 --> 0:46:54.480
<v Speaker 5>But if you're like I can't get there, I'll do it.

0:46:54.560 --> 0:46:56.240
<v Speaker 5>I can be on the phone. I always say yes,

0:46:56.560 --> 0:46:59.240
<v Speaker 5>like that's how much I love being able to talk

0:46:59.280 --> 0:47:01.880
<v Speaker 5>with you. It's not thank you, You're welcome. And I

0:47:01.920 --> 0:47:05.960
<v Speaker 5>also feel like your favorite thing is not doing interviews.

0:47:06.120 --> 0:47:08.279
<v Speaker 5>Would that be accurate. Well, I mean, I like talking

0:47:08.280 --> 0:47:09.960
<v Speaker 5>to you, and I like talking to you, and I

0:47:10.000 --> 0:47:11.799
<v Speaker 5>don't like talking to everybody, but I would say, but

0:47:11.840 --> 0:47:13.200
<v Speaker 5>I think that's part of the reason I like talking

0:47:13.200 --> 0:47:15.640
<v Speaker 5>to you so much, because I feel like when you

0:47:15.640 --> 0:47:19.480
<v Speaker 5>come in in the best way, like DJAF, we just talk,

0:47:20.040 --> 0:47:22.479
<v Speaker 5>we do whatever, promotion, but you always give me really

0:47:22.800 --> 0:47:26.319
<v Speaker 5>amazing honest answers. So that's why you didn't read it.

0:47:26.320 --> 0:47:27.919
<v Speaker 5>But that's why I said that. And I really love

0:47:28.000 --> 0:47:29.200
<v Speaker 5>when I get to talk to you, So thank you

0:47:29.200 --> 0:47:29.520
<v Speaker 5>for coming in.

0:47:29.600 --> 0:47:30.719
<v Speaker 11>I'm gonna go look at it.

0:47:30.719 --> 0:47:32.440
<v Speaker 5>It's gone. It's it's a story. It's a story, so

0:47:32.480 --> 0:47:32.799
<v Speaker 5>it's dead.

0:47:32.880 --> 0:47:34.640
<v Speaker 11>Well okay, well you just told me in person.

0:47:34.719 --> 0:47:37.719
<v Speaker 5>Yes, that's even better than that story exactly. So let's

0:47:37.719 --> 0:47:40.200
<v Speaker 5>do a little business first. The new album is out today.

0:47:40.239 --> 0:47:41.920
<v Speaker 5>I got two questions. I'm going to have you say

0:47:41.920 --> 0:47:44.200
<v Speaker 5>the names of the songs. There are two names of

0:47:44.200 --> 0:47:46.440
<v Speaker 5>the songs. I'm not gonna say the first one. It

0:47:46.440 --> 0:47:48.239
<v Speaker 5>started as A d in it. What was the name

0:47:48.280 --> 0:47:51.400
<v Speaker 5>of that song, A d in it? It's called something Randy?

0:47:51.719 --> 0:47:53.200
<v Speaker 11>Oh, yeah, can I say that?

0:47:54.920 --> 0:47:55.120
<v Speaker 5>Yeah?

0:47:55.200 --> 0:47:55.319
<v Speaker 16>Right?

0:47:55.480 --> 0:47:57.840
<v Speaker 5>Yeah.

0:47:57.440 --> 0:48:03.960
<v Speaker 16>The story, well, I was I went through some things

0:48:04.000 --> 0:48:06.759
<v Speaker 16>that did that. I needed to like shd and let

0:48:06.800 --> 0:48:10.239
<v Speaker 16>go of and that did not serve me. So it's

0:48:10.320 --> 0:48:12.600
<v Speaker 16>kind of a song about to anybody that you kind

0:48:12.600 --> 0:48:14.480
<v Speaker 16>of just need a moment to flip the bird too

0:48:14.520 --> 0:48:18.600
<v Speaker 16>and then move on. And in my case, his name

0:48:18.640 --> 0:48:20.600
<v Speaker 16>is Randy, so damn it, Randy came about.

0:48:21.280 --> 0:48:22.240
<v Speaker 11>It's pretty simple.

0:48:22.880 --> 0:48:25.879
<v Speaker 5>The second one is be on the sauce. You can

0:48:25.880 --> 0:48:26.200
<v Speaker 5>say it.

0:48:26.719 --> 0:48:28.880
<v Speaker 11>I love that you picked the two cuss word titles.

0:48:28.880 --> 0:48:30.480
<v Speaker 5>Well, I don't want me to talk about it, and

0:48:30.480 --> 0:48:33.640
<v Speaker 5>we're talking about more, but I don't. I haven't cursed

0:48:33.680 --> 0:48:35.719
<v Speaker 5>in years, not ice curse all the time. But I

0:48:35.800 --> 0:48:37.440
<v Speaker 5>when I was doing stand up and writing books, I

0:48:37.440 --> 0:48:39.960
<v Speaker 5>didn't want to lean, I would curse all the time,

0:48:40.000 --> 0:48:41.640
<v Speaker 5>and I would use that as a comedy crutch. So

0:48:41.640 --> 0:48:43.799
<v Speaker 5>I stopped saying bad words in general. But I love

0:48:43.840 --> 0:48:45.920
<v Speaker 5>bad words, so that's why I'm not saying it. But

0:48:45.960 --> 0:48:48.880
<v Speaker 5>I love it when people use bad words. That's my

0:48:48.920 --> 0:48:51.680
<v Speaker 5>favorite thing. So bad words, also saying eight years old, you.

0:48:51.680 --> 0:48:52.920
<v Speaker 11>Do bad words?

0:48:53.000 --> 0:48:56.840
<v Speaker 5>Yes on the sauce, what's what's what's the official title

0:48:57.480 --> 0:48:59.480
<v Speaker 5>on the sauce? And what does you give me? That

0:48:59.480 --> 0:48:59.879
<v Speaker 5>that one?

0:49:00.400 --> 0:49:04.200
<v Speaker 16>Because it's really I wrote it with Jaron Johnson out

0:49:04.239 --> 0:49:06.640
<v Speaker 16>on the road and it was like kind of called

0:49:06.719 --> 0:49:09.839
<v Speaker 16>just drunk and already have a song called drunk, So

0:49:10.160 --> 0:49:12.239
<v Speaker 16>I was like, well, what other title can we use

0:49:12.280 --> 0:49:14.640
<v Speaker 16>because one of my favorite lines and is as hard

0:49:14.760 --> 0:49:16.120
<v Speaker 16>is the sauce that's gonna do?

0:49:16.120 --> 0:49:17.560
<v Speaker 11>What to do? That's what it is.

0:49:19.080 --> 0:49:22.000
<v Speaker 5>He's pretty awesome too. He's great, like in like eight

0:49:22.080 --> 0:49:22.720
<v Speaker 5>different ways.

0:49:22.960 --> 0:49:24.080
<v Speaker 11>Yeah, I mean Jaren does it all.

0:49:24.120 --> 0:49:26.960
<v Speaker 16>He does the art, the business, the production, musicianship like

0:49:27.040 --> 0:49:28.759
<v Speaker 16>he's he kills it.

0:49:29.080 --> 0:49:31.239
<v Speaker 5>One of my favorite things on albums when they come out,

0:49:31.280 --> 0:49:33.880
<v Speaker 5>I always am very curious about why track one? And

0:49:34.120 --> 0:49:37.520
<v Speaker 5>and with you there fourteen tracks. I always like first

0:49:37.560 --> 0:49:39.799
<v Speaker 5>and last track because there's always gotta be some discussion

0:49:39.840 --> 0:49:42.800
<v Speaker 5>about what's first and what's last. There's always a discussion

0:49:42.800 --> 0:49:44.600
<v Speaker 5>about what goes where in the flow, much like a

0:49:44.640 --> 0:49:47.239
<v Speaker 5>said list. But I love first and last. But why

0:49:47.520 --> 0:49:49.880
<v Speaker 5>number one? Like, what what's the idea?

0:49:50.200 --> 0:49:52.759
<v Speaker 16>I just thought it set up the record in a

0:49:52.760 --> 0:49:55.920
<v Speaker 16>really great way. My friend Aaron ray Tierra wrote that

0:49:55.960 --> 0:49:58.239
<v Speaker 16>song and I just it was the first song I

0:49:58.239 --> 0:50:00.239
<v Speaker 16>wanted to cut for the record because it I was

0:50:00.239 --> 0:50:02.480
<v Speaker 16>making my album in Austin and I was like, this is.

0:50:03.360 --> 0:50:04.280
<v Speaker 11>This is a very.

0:50:04.360 --> 0:50:07.680
<v Speaker 16>Austin, Texas sounding song. It's about a hot armadilla, the

0:50:07.760 --> 0:50:11.040
<v Speaker 16>titch hacking. So I mean, I just felt like it's fun.

0:50:11.080 --> 0:50:13.400
<v Speaker 16>I always want humor on every record, and this was

0:50:13.480 --> 0:50:14.239
<v Speaker 16>the moment for that.

0:50:14.600 --> 0:50:16.680
<v Speaker 5>I've seen this song like ten times.

0:50:16.719 --> 0:50:18.560
<v Speaker 11>You should have him come in here because he's real fun.

0:50:18.560 --> 0:50:21.000
<v Speaker 5>You're walking, You're walking to come in, Aaron. That's so

0:50:21.040 --> 0:50:22.239
<v Speaker 5>weird because when you were saying, I was like, I

0:50:22.239 --> 0:50:23.520
<v Speaker 5>already know the words of this song.

0:50:23.719 --> 0:50:24.640
<v Speaker 11>He's awesome.

0:50:24.680 --> 0:50:26.359
<v Speaker 5>That's a really cool version of it. Okay, and then

0:50:26.400 --> 0:50:30.880
<v Speaker 5>I want to do the last track, and again, is

0:50:30.920 --> 0:50:31.360
<v Speaker 5>this cover?

0:50:31.560 --> 0:50:32.000
<v Speaker 11>It's cover.

0:50:32.200 --> 0:50:35.280
<v Speaker 16>It's the David Allen co song from like the seventies,

0:50:35.840 --> 0:50:38.719
<v Speaker 16>and I just randomly I thought I knew like David

0:50:38.719 --> 0:50:41.719
<v Speaker 16>Allen's cataloged pretty good in that song. I just found

0:50:41.840 --> 0:50:43.560
<v Speaker 16>randomly and I was like, I want to cover this.

0:50:43.600 --> 0:50:45.880
<v Speaker 16>I change a few lyrics, but I don't know. Like

0:50:45.960 --> 0:50:49.279
<v Speaker 16>my last record, Palomino was all about travel and and

0:50:49.360 --> 0:50:52.480
<v Speaker 16>sort of stories you find along the way and road trips,

0:50:52.560 --> 0:50:54.920
<v Speaker 16>and then this record felt like coming home. But then

0:50:55.760 --> 0:50:57.800
<v Speaker 16>living on the run feels like setting up for whatever.

0:50:57.920 --> 0:50:58.879
<v Speaker 16>The next adventure is.

0:50:59.440 --> 0:51:01.120
<v Speaker 5>A lot of home with this record, a lot of

0:51:01.160 --> 0:51:04.040
<v Speaker 5>feeling like tech. You didn't record in Texas, right, Yeah, all.

0:51:03.960 --> 0:51:05.880
<v Speaker 16>Of the first time to record a record in Texas

0:51:05.920 --> 0:51:08.680
<v Speaker 16>since I was seventeen, my little independent record.

0:51:08.800 --> 0:51:10.480
<v Speaker 11>I just felt like I got a.

0:51:10.440 --> 0:51:13.680
<v Speaker 16>New label with Republic and Big Loud, and I felt

0:51:13.719 --> 0:51:15.320
<v Speaker 16>like I just needed to go back to the route

0:51:15.440 --> 0:51:18.480
<v Speaker 16>where it all started sound wise and art wise and

0:51:18.560 --> 0:51:21.000
<v Speaker 16>just from my heart. Like so, and I have a

0:51:21.000 --> 0:51:22.880
<v Speaker 16>house in Austin, so I'm there a lot anyway, but

0:51:22.960 --> 0:51:25.040
<v Speaker 16>it just felt like, let's go back to like what

0:51:25.160 --> 0:51:28.000
<v Speaker 16>inspired me to start this whole journey in the first place,

0:51:28.000 --> 0:51:29.759
<v Speaker 16>which was I started twenty years ago.

0:51:29.840 --> 0:51:31.200
<v Speaker 11>So it was it was really.

0:51:31.000 --> 0:51:35.239
<v Speaker 5>Great fun fact all of us are from Austin. I'm

0:51:35.280 --> 0:51:37.400
<v Speaker 5>from Arkansas, but we all met in Austin twenty years ago,

0:51:37.640 --> 0:51:44.640
<v Speaker 5>did yeh came together? Yeah, Austin High Lunchbox Anders, Austin.

0:51:44.920 --> 0:51:47.399
<v Speaker 5>That's where I started doing Knights and then met all

0:51:47.760 --> 0:51:49.279
<v Speaker 5>these goobers as my friends.

0:51:49.320 --> 0:51:50.719
<v Speaker 6>They congress.

0:51:50.960 --> 0:51:53.799
<v Speaker 11>Yeah, I mean, that's like I made this worker to Arlen,

0:51:53.920 --> 0:51:56.400
<v Speaker 11>So that's crazy. I didn't even realize that we.

0:51:56.600 --> 0:51:59.560
<v Speaker 5>Wrote a song about you thirteen years ago. She's gonna

0:51:59.560 --> 0:52:02.040
<v Speaker 5>make it one day when we first started. We don't

0:52:02.040 --> 0:52:02.799
<v Speaker 5>have it. We don't have the file.

0:52:02.920 --> 0:52:03.279
<v Speaker 10>No, we don't.

0:52:03.280 --> 0:52:04.439
<v Speaker 5>We lost but we lost that one.

0:52:04.880 --> 0:52:06.479
<v Speaker 11>But I don't have to explain any of this record

0:52:06.520 --> 0:52:06.799
<v Speaker 11>to y'all.

0:52:06.840 --> 0:52:08.799
<v Speaker 5>You get it, No, yeah, oh yeah, for sure because

0:52:08.800 --> 0:52:10.120
<v Speaker 5>we're all Austin is like.

0:52:10.080 --> 0:52:11.520
<v Speaker 16>I know you're from arketsall, but I didn't realize that

0:52:11.600 --> 0:52:14.600
<v Speaker 16>y'all all came together in Austin thirteen years?

0:52:15.200 --> 0:52:15.480
<v Speaker 5>Right?

0:52:15.640 --> 0:52:17.600
<v Speaker 10>What us in Austin?

0:52:18.200 --> 0:52:19.839
<v Speaker 6>What is that long you live there?

0:52:19.960 --> 0:52:23.080
<v Speaker 5>Yeah? We did the show together. Yeah, two years in Austin.

0:52:25.160 --> 0:52:28.879
<v Speaker 5>Maybe let's make this about us thirteen years. Here's another

0:52:28.960 --> 0:52:32.440
<v Speaker 5>question I haven't right here. I like when people do

0:52:32.520 --> 0:52:35.000
<v Speaker 5>a song, they write a song by themselves. Usually there's

0:52:35.040 --> 0:52:38.359
<v Speaker 5>like one if any, but usually if that happens, it's

0:52:38.400 --> 0:52:41.840
<v Speaker 5>like one and it's like some sort of motivation inspiration

0:52:41.880 --> 0:52:43.399
<v Speaker 5>that comes in. Somebody just grabs a guitar and goos,

0:52:43.400 --> 0:52:46.200
<v Speaker 5>I need to write this. Now this happened, ray, would

0:52:46.239 --> 0:52:47.520
<v Speaker 5>you play number seven?

0:52:47.680 --> 0:52:49.120
<v Speaker 11>Run that song is?

0:52:50.040 --> 0:52:54.320
<v Speaker 16>I wrote that song twenty fifteen the end of twenty fifteen,

0:52:54.520 --> 0:52:57.279
<v Speaker 16>and it was like I needed to write it at

0:52:57.320 --> 0:52:59.719
<v Speaker 16>the time because I needed to get it to say

0:52:59.719 --> 0:53:01.920
<v Speaker 16>that all and put it on paper, and it was

0:53:02.000 --> 0:53:05.719
<v Speaker 16>just a rough time for me personally, and I just

0:53:05.760 --> 0:53:08.400
<v Speaker 16>hadn't really found a home for it until this record,

0:53:08.520 --> 0:53:10.759
<v Speaker 16>Like I think going home and sort of being like

0:53:11.480 --> 0:53:14.799
<v Speaker 16>starting back at the root of it all. It felt

0:53:14.840 --> 0:53:16.560
<v Speaker 16>like it landed on this record better than it would

0:53:16.600 --> 0:53:19.000
<v Speaker 16>have any other record, and I was ready to sing it.

0:53:19.160 --> 0:53:21.960
<v Speaker 16>Like sometimes you hold things close. I think it's important

0:53:21.960 --> 0:53:24.480
<v Speaker 16>to do that. Like every song you writes not for

0:53:24.520 --> 0:53:26.600
<v Speaker 16>the world at all, the moments, you know, I think

0:53:26.680 --> 0:53:29.040
<v Speaker 16>they can find their moments, especially when it's a song

0:53:29.080 --> 0:53:31.799
<v Speaker 16>that's really personal. I think it's important to save it

0:53:31.920 --> 0:53:34.920
<v Speaker 16>till it's time to put it out for the world.

0:53:35.040 --> 0:53:36.719
<v Speaker 5>You know, have you had any songs And if the

0:53:36.760 --> 0:53:38.880
<v Speaker 5>answer is yes, you did not have to elaborate on

0:53:38.920 --> 0:53:40.760
<v Speaker 5>it that you've put out. And it was so personal

0:53:40.840 --> 0:53:42.480
<v Speaker 5>that you never actually told the real story behind it.

0:53:42.480 --> 0:53:44.799
<v Speaker 5>You kind of gave like a secondary story because you

0:53:44.800 --> 0:53:46.080
<v Speaker 5>were like, I really don't want tell the real story,

0:53:46.120 --> 0:53:47.520
<v Speaker 5>but I want to get this out because it's for me.

0:53:48.000 --> 0:53:51.040
<v Speaker 16>Yeah, And I think, you know, I think the song

0:53:51.120 --> 0:53:53.960
<v Speaker 16>tells its own story. And if you're honest enough in

0:53:54.000 --> 0:53:56.359
<v Speaker 16>the lyrics, people can I mean, my whole record, Wait

0:53:56.400 --> 0:53:58.640
<v Speaker 16>of these Wings was like super honest, and it was

0:53:58.680 --> 0:54:01.040
<v Speaker 16>like twenty something songs, know, and it was like, I

0:54:01.080 --> 0:54:03.000
<v Speaker 16>don't really have any more story to tell. It's all here,

0:54:03.080 --> 0:54:03.920
<v Speaker 16>It's all on tape.

0:54:04.440 --> 0:54:04.640
<v Speaker 6>You know.

0:54:04.880 --> 0:54:07.920
<v Speaker 11>That's the beauty of being a songwriter. It's like we're

0:54:08.000 --> 0:54:09.000
<v Speaker 11>lucky because.

0:54:08.719 --> 0:54:10.839
<v Speaker 16>We can say it in a way that it has

0:54:10.840 --> 0:54:13.920
<v Speaker 16>a melody behind it and sort of it's you know,

0:54:13.920 --> 0:54:14.440
<v Speaker 16>it's therapy.

0:54:14.480 --> 0:54:15.879
<v Speaker 11>It's like written in a diary.

0:54:15.800 --> 0:54:18.440
<v Speaker 6>And then your therapy becomes other people's therapy.

0:54:18.600 --> 0:54:19.319
<v Speaker 11>That's what we hope.

0:54:19.480 --> 0:54:20.520
<v Speaker 6>I mean, they hear.

0:54:20.400 --> 0:54:22.600
<v Speaker 8>Themselves like they if they have a similar story, they

0:54:22.600 --> 0:54:25.560
<v Speaker 8>can resonate the I don't know some songs, I just

0:54:25.640 --> 0:54:28.399
<v Speaker 8>picture what the artists must be like or the writer.

0:54:28.520 --> 0:54:30.719
<v Speaker 8>But then also then I start to insert myself and

0:54:30.920 --> 0:54:33.359
<v Speaker 8>my picture reel of my brain is my story if

0:54:33.400 --> 0:54:34.160
<v Speaker 8>I relate.

0:54:33.960 --> 0:54:36.000
<v Speaker 11>Which is what is the point?

0:54:36.080 --> 0:54:38.080
<v Speaker 16>I mean, that's exactly what I would want you to

0:54:38.120 --> 0:54:40.520
<v Speaker 16>say it, you know, for being able to write a

0:54:40.520 --> 0:54:42.359
<v Speaker 16>song that somebody can go that's my story too.

0:54:42.520 --> 0:54:44.760
<v Speaker 11>It's like that's why we do it, you know, because

0:54:45.040 --> 0:54:46.040
<v Speaker 11>we don't want to fill alone.

0:54:46.080 --> 0:54:49.040
<v Speaker 16>We want to know everybody's going through haus and lows,

0:54:49.040 --> 0:54:50.120
<v Speaker 16>just like we're just people.

0:54:50.120 --> 0:54:51.160
<v Speaker 11>Like everybody else, you know.

0:54:51.320 --> 0:54:55.920
<v Speaker 16>So I think it's important to have, you know, a

0:54:55.920 --> 0:54:57.880
<v Speaker 16>lot of different kinds of songs on a record, because

0:54:57.880 --> 0:55:01.200
<v Speaker 16>there's humor, and there's sadness, and there's nostalgia, and there's

0:55:01.280 --> 0:55:06.120
<v Speaker 16>stories that are all we'ved in that hopefully we all

0:55:06.160 --> 0:55:09.200
<v Speaker 16>have can find something to relate to in the lyric.

0:55:09.520 --> 0:55:11.359
<v Speaker 5>I don't want this question to feel like it's praying,

0:55:11.360 --> 0:55:12.680
<v Speaker 5>So I'm going to give you my example before I

0:55:12.719 --> 0:55:16.160
<v Speaker 5>ask you your example, which, by the way, Miranda's record today,

0:55:16.200 --> 0:55:19.440
<v Speaker 5>Postcards from Texas, it is. It's out today, so go

0:55:19.920 --> 0:55:22.560
<v Speaker 5>stream it. I have a comedy special coming out later

0:55:22.600 --> 0:55:24.800
<v Speaker 5>this year, and it's not pure comedy. And there's a

0:55:24.840 --> 0:55:27.160
<v Speaker 5>story I told every single night, and I choked up

0:55:27.280 --> 0:55:29.560
<v Speaker 5>telling it because it was a very emotional story for

0:55:29.640 --> 0:55:31.479
<v Speaker 5>me to tell, because a lot of my show isn't

0:55:31.560 --> 0:55:34.080
<v Speaker 5>just jokes. There's a lot of live stuff. And like

0:55:34.800 --> 0:55:37.560
<v Speaker 5>I probably told the story ten times, and like I

0:55:37.600 --> 0:55:40.480
<v Speaker 5>either choked up or would like have a tear or

0:55:40.480 --> 0:55:44.480
<v Speaker 5>almost start crying every single time. Yeah, And it was

0:55:44.520 --> 0:55:46.680
<v Speaker 5>I just thought I would numb to it. Honestly, I

0:55:46.680 --> 0:55:49.400
<v Speaker 5>thought that after four I would just be like, oh,

0:55:49.440 --> 0:55:51.640
<v Speaker 5>I've told it. It just rents and repeat to where

0:55:52.600 --> 0:55:54.880
<v Speaker 5>I'm not going to be emotional telling and that never happened.

0:55:55.040 --> 0:55:57.000
<v Speaker 5>I was shocked that I couldn't become numb to the

0:55:57.040 --> 0:55:59.600
<v Speaker 5>same and I started choking even thinking about it. Now,

0:56:00.840 --> 0:56:03.399
<v Speaker 5>does that happen with any of your music or can

0:56:03.480 --> 0:56:05.719
<v Speaker 5>you separate yourself from something that you wrote that was

0:56:05.719 --> 0:56:06.320
<v Speaker 5>so emotional?

0:56:06.840 --> 0:56:09.880
<v Speaker 16>You know it has happened, especially like when you're in

0:56:09.880 --> 0:56:13.000
<v Speaker 16>the thick of something hard whatever it is, like, you know,

0:56:13.160 --> 0:56:16.160
<v Speaker 16>and that's art though, that's like, you know, when I

0:56:16.200 --> 0:56:19.799
<v Speaker 16>was having a really rough personal time, I was on

0:56:19.840 --> 0:56:22.759
<v Speaker 16>stage and I would just like sometimes break down and

0:56:22.760 --> 0:56:24.319
<v Speaker 16>be like, oh, I'm having a rough one today, But

0:56:24.360 --> 0:56:28.480
<v Speaker 16>like that's just you know, we're artists and we're humans,

0:56:28.560 --> 0:56:30.720
<v Speaker 16>and I feel like it's better to show your cards

0:56:30.719 --> 0:56:32.960
<v Speaker 16>on that than try to like be something you're not

0:56:33.200 --> 0:56:35.719
<v Speaker 16>every time. And like on House That Built Me, I

0:56:35.719 --> 0:56:38.040
<v Speaker 16>didn't write that, but like somebody cries every night, so

0:56:38.120 --> 0:56:41.160
<v Speaker 16>then I cried, like cry once a weekend. And I've

0:56:41.160 --> 0:56:43.279
<v Speaker 16>been singing that song for so long. But it's like

0:56:44.160 --> 0:56:48.799
<v Speaker 16>it's amazing what just people being real can do. It

0:56:48.840 --> 0:56:52.400
<v Speaker 16>moves people emotionally, and that's important, especially with music.

0:56:52.600 --> 0:56:54.719
<v Speaker 5>I think and going back to somethingname you said, something

0:56:54.719 --> 0:56:57.520
<v Speaker 5>you guys are talking about. I think too, even if

0:56:57.520 --> 0:57:01.400
<v Speaker 5>the song, if you wrote it, or whomever writes a song,

0:57:01.600 --> 0:57:05.440
<v Speaker 5>means something. I think we all find even if sometimes

0:57:05.480 --> 0:57:07.960
<v Speaker 5>we insert our story that has nothing to do with

0:57:08.000 --> 0:57:11.040
<v Speaker 5>the song, we just feel like it has to do

0:57:11.120 --> 0:57:14.040
<v Speaker 5>with the song, and it's kind of a therapy session

0:57:14.400 --> 0:57:16.040
<v Speaker 5>because we don't really know what the song's about. It's

0:57:16.040 --> 0:57:18.040
<v Speaker 5>we're able to insert a story that is not even

0:57:18.160 --> 0:57:20.280
<v Speaker 5>exactly what you wrote it about, but it feels like

0:57:20.320 --> 0:57:22.760
<v Speaker 5>it is fday, like even tonally.

0:57:22.400 --> 0:57:26.920
<v Speaker 16>Find a common denominator like put yourself because it is

0:57:26.960 --> 0:57:29.120
<v Speaker 16>there's got to be a piece that's moving you emotionally.

0:57:29.160 --> 0:57:32.040
<v Speaker 16>Something in there got you, you know, even Armadilla like

0:57:32.080 --> 0:57:35.439
<v Speaker 16>it's silly but really got me. I believed in it,

0:57:35.760 --> 0:57:35.960
<v Speaker 16>you know.

0:57:36.840 --> 0:57:38.520
<v Speaker 5>I remember the first time I saw the video of Armadil,

0:57:38.520 --> 0:57:39.840
<v Speaker 5>I laughed. That was so he was playing on a

0:57:39.840 --> 0:57:42.200
<v Speaker 5>small stage. I don't know where it was. It wanted

0:57:42.240 --> 0:57:47.400
<v Speaker 5>like the little Austin. Yeah, like restaurants that that's so funny.

0:57:47.400 --> 0:57:49.640
<v Speaker 5>That's the first one. Top three cities in Texas go.

0:57:49.920 --> 0:57:51.520
<v Speaker 11>Top three cities in Texas well.

0:57:52.080 --> 0:57:58.880
<v Speaker 16>Lynndale my home it's not a city.

0:57:58.960 --> 0:58:03.560
<v Speaker 11>Yeah for Earth. I love the stock Yards, it's my favorite.

0:58:03.720 --> 0:58:06.560
<v Speaker 16>I had my fortieth birthday at Billy Bobb's on a

0:58:06.600 --> 0:58:07.800
<v Speaker 16>Monday when they were closed.

0:58:09.400 --> 0:58:11.960
<v Speaker 5>It wasn't a show for your fortieth. You literally had

0:58:12.000 --> 0:58:12.720
<v Speaker 5>your birthday there.

0:58:12.880 --> 0:58:13.120
<v Speaker 8>Yeah.

0:58:13.280 --> 0:58:15.120
<v Speaker 16>They let me have the building because I've been playing

0:58:15.120 --> 0:58:17.920
<v Speaker 16>there for so long, and I had Wade Bowen and

0:58:18.000 --> 0:58:19.440
<v Speaker 16>Randy Rogers Adam Hood come play.

0:58:19.520 --> 0:58:20.880
<v Speaker 11>It was super fun with line danced.

0:58:21.040 --> 0:58:22.200
<v Speaker 6>It was super fun, s awesome.

0:58:22.440 --> 0:58:23.320
<v Speaker 5>Do you pay them for that?

0:58:24.040 --> 0:58:24.919
<v Speaker 11>They didn't make me pay.

0:58:24.960 --> 0:58:26.080
<v Speaker 5>That's cool. That's a birthday present.

0:58:26.120 --> 0:58:28.480
<v Speaker 11>That's birthday present. That's the prose of We and Friends.

0:58:30.280 --> 0:58:34.240
<v Speaker 5>October fifth, you're doing the music for Mutts, Yes, which

0:58:34.440 --> 0:58:37.680
<v Speaker 5>is the show where you're raising money for animals, which

0:58:37.720 --> 0:58:39.640
<v Speaker 5>is something you've been very consistent out over the years

0:58:40.400 --> 0:58:43.760
<v Speaker 5>in such a giving way. What what's to deal with

0:58:43.800 --> 0:58:45.520
<v Speaker 5>this show? Because I don't where is it, I don't have.

0:58:45.520 --> 0:58:49.880
<v Speaker 16>The Oh got a sind and I've got guest stars

0:58:49.920 --> 0:58:53.120
<v Speaker 16>coming to do songs, and you know, I haven't done

0:58:53.160 --> 0:58:57.480
<v Speaker 16>a real fundraiser, just straight out fundraiser show for my

0:58:57.640 --> 0:58:59.360
<v Speaker 16>nation in a while, because we were doing where we

0:58:59.400 --> 0:59:01.919
<v Speaker 16>would you know, every ticket sold for Vegas. We were

0:59:02.080 --> 0:59:05.160
<v Speaker 16>given a dollar to monation. So I'm excited because it's

0:59:05.400 --> 0:59:05.840
<v Speaker 16>my passion.

0:59:05.920 --> 0:59:06.120
<v Speaker 5>You know.

0:59:06.160 --> 0:59:07.640
<v Speaker 16>We talk about it every time and thank you for

0:59:07.720 --> 0:59:08.760
<v Speaker 16>always talking about rest.

0:59:08.920 --> 0:59:11.040
<v Speaker 5>Well it's mine too, or I just I would just

0:59:11.080 --> 0:59:12.880
<v Speaker 5>do something else. I mean, there's a lot of stuff

0:59:12.880 --> 0:59:13.280
<v Speaker 5>talk about.

0:59:13.480 --> 0:59:14.920
<v Speaker 11>I have a just it's awesome.

0:59:15.000 --> 0:59:17.400
<v Speaker 16>And it's like, you know, friends that give up their

0:59:17.400 --> 0:59:19.920
<v Speaker 16>time come sing some songs to save some dogs. Like

0:59:20.440 --> 0:59:22.760
<v Speaker 16>it's just it's so important, you know, And I feel

0:59:22.760 --> 0:59:25.280
<v Speaker 16>like if I have a platform, I'm always going to

0:59:25.320 --> 0:59:27.080
<v Speaker 16>try to use it for giving a voice to the

0:59:27.160 --> 0:59:30.200
<v Speaker 16>voiceless and for you know, we all find our charities

0:59:30.200 --> 0:59:32.400
<v Speaker 16>that are really close to us, but the sweet little

0:59:32.440 --> 0:59:34.680
<v Speaker 16>animals are for sure my passion.

0:59:34.840 --> 0:59:36.640
<v Speaker 5>It's always easier to make the ask two to your

0:59:36.640 --> 0:59:38.600
<v Speaker 5>friends to do something if it's for charity. It's like

0:59:38.600 --> 0:59:39.240
<v Speaker 5>a show in town.

0:59:39.360 --> 0:59:41.240
<v Speaker 11>Yeah, and you could trade we trade off, you know.

0:59:41.400 --> 0:59:44.960
<v Speaker 5>It's like rappers, Yeah, go my song, get on yours?

0:59:45.040 --> 0:59:51.680
<v Speaker 5>Yeah exactly, except it's not at all charity charity. Miranda's

0:59:51.680 --> 0:59:54.600
<v Speaker 5>album Postcards from Texas is out today. I'm going to

0:59:54.640 --> 0:59:59.400
<v Speaker 5>ask you a really vague, dumb question today, what's your

0:59:59.400 --> 1:00:01.120
<v Speaker 5>favorite song record today?

1:00:01.280 --> 1:00:04.840
<v Speaker 11>My favorite song on the record is probably dam It Randy.

1:00:05.160 --> 1:00:09.840
<v Speaker 5>And what is your favorite song from your catalog that's

1:00:09.880 --> 1:00:13.400
<v Speaker 5>been a hit? Right now? Oh god, right now.

1:00:13.800 --> 1:00:15.840
<v Speaker 11>Right now. Favorite song that's been a hit.

1:00:18.240 --> 1:00:22.120
<v Speaker 5>Little Red Wagon, that's fun. That's probably like good energy too, right.

1:00:22.160 --> 1:00:23.880
<v Speaker 16>I look forward to it at the end of It's

1:00:23.880 --> 1:00:25.240
<v Speaker 16>always at the end of the show, and I'm like, oh,

1:00:25.280 --> 1:00:25.720
<v Speaker 16>that's fun.

1:00:25.960 --> 1:00:27.680
<v Speaker 5>What's your encore song?

1:00:28.800 --> 1:00:31.920
<v Speaker 11>I don't do encores. It's weird. Everybody knows.

1:00:32.280 --> 1:00:34.439
<v Speaker 16>You just go off the stage and then you're like, wait,

1:00:34.600 --> 1:00:36.720
<v Speaker 16>all clap louder, and then I'm coming back, and then

1:00:36.760 --> 1:00:37.960
<v Speaker 16>everybody's leaving to go the car.

1:00:38.120 --> 1:00:39.600
<v Speaker 11>I'm just like, we just do our show and then

1:00:39.600 --> 1:00:41.920
<v Speaker 11>it's over. Okay, but it's like by y'all know, you've

1:00:41.920 --> 1:00:42.440
<v Speaker 11>got to get home.

1:00:42.520 --> 1:00:45.920
<v Speaker 5>Hypothetically, let's say they wouldn't leave the lights already on.

1:00:45.920 --> 1:00:47.400
<v Speaker 5>That's how I know there's no long core with any band.

1:00:47.440 --> 1:00:49.480
<v Speaker 5>I don't like encores either, Like, as soon as it's over,

1:00:49.520 --> 1:00:50.800
<v Speaker 5>turned the lights up, so everybody knows.

1:00:50.840 --> 1:00:52.480
<v Speaker 11>Oh, I'm like house music and means let's go.

1:00:52.720 --> 1:00:54.280
<v Speaker 5>I'm like lights up house music. O.

1:00:54.560 --> 1:00:56.880
<v Speaker 11>My sound go's todd and almost like Todd roll the

1:00:56.920 --> 1:00:57.480
<v Speaker 11>Bean footage.

1:00:57.640 --> 1:01:00.600
<v Speaker 5>Yes, we're done. Bean, it's odd.

1:01:01.160 --> 1:01:05.800
<v Speaker 17>But theoretically, let's say, hypothetically, theoretically, all theoctically is let's

1:01:05.840 --> 1:01:08.360
<v Speaker 17>say that lights come on the house of music up,

1:01:08.360 --> 1:01:10.560
<v Speaker 17>but the crowd will not move, and they're like, we

1:01:10.760 --> 1:01:14.480
<v Speaker 17>demand one more song or we're not feeding our dogs,

1:01:14.720 --> 1:01:15.920
<v Speaker 17>Like nobody's gonna go and feed their dogs.

1:01:15.960 --> 1:01:17.000
<v Speaker 5>Okay, well theyn not have to get you have to

1:01:17.000 --> 1:01:18.040
<v Speaker 5>go out and do one other song.

1:01:18.200 --> 1:01:21.080
<v Speaker 16>That's ever happened because it's country music. And they're like, well,

1:01:21.120 --> 1:01:22.680
<v Speaker 16>that was great, we love you, see you next time.

1:01:23.000 --> 1:01:24.720
<v Speaker 16>But I would just go out there and do one

1:01:24.720 --> 1:01:27.640
<v Speaker 16>by myself, like a Hag song or something like I

1:01:27.680 --> 1:01:29.480
<v Speaker 16>have done that before back in the day, like at

1:01:29.480 --> 1:01:31.560
<v Speaker 16>bars when they're alrowdy and they're like one more, Like

1:01:32.160 --> 1:01:32.680
<v Speaker 16>go just do.

1:01:32.920 --> 1:01:33.720
<v Speaker 11>One by myself.

1:01:34.080 --> 1:01:38.280
<v Speaker 5>Let's do Mount Rushmore a favorite artists of all time.

1:01:38.360 --> 1:01:39.640
<v Speaker 5>None of them can be from Texas.

1:01:39.800 --> 1:01:42.240
<v Speaker 11>Oh okay, well, dang it.

1:01:42.400 --> 1:01:44.400
<v Speaker 5>I know I got to catch off there because I

1:01:44.480 --> 1:01:46.840
<v Speaker 5>knew where you'd go because obviously we know who you love.

1:01:46.920 --> 1:01:49.960
<v Speaker 16>Me Emmy Lou Right, she's not Hag. He's really not

1:01:49.960 --> 1:01:51.920
<v Speaker 16>from Texas. I mean he was in the region, but.

1:01:53.480 --> 1:01:55.560
<v Speaker 11>Gosh, that's hard.

1:01:56.160 --> 1:01:57.560
<v Speaker 5>We got two, I got two.

1:01:58.200 --> 1:02:02.840
<v Speaker 11>Let me see, there's so many that I can't use.

1:02:02.880 --> 1:02:04.880
<v Speaker 5>Now, that's why I want to make we.

1:02:04.880 --> 1:02:05.760
<v Speaker 11>Grow good down there.

1:02:05.760 --> 1:02:06.040
<v Speaker 13>All right?

1:02:06.040 --> 1:02:07.160
<v Speaker 11>How about kicks and Ronnie?

1:02:07.520 --> 1:02:11.040
<v Speaker 5>But that's only one though in Ronnie's Oklahoma, Texas are

1:02:11.680 --> 1:02:14.840
<v Speaker 5>it's too close. You know, I'll give you. I will

1:02:14.880 --> 1:02:15.520
<v Speaker 5>give you that.

1:02:16.000 --> 1:02:19.080
<v Speaker 11>Can I have WILLI please have Willy? Can I have kicks?

1:02:19.080 --> 1:02:23.600
<v Speaker 5>And Willy give her Willy bo? Okay, you've probably nine

1:02:23.600 --> 1:02:25.880
<v Speaker 5>people on this thing. We're gonna be chipping away all

1:02:25.960 --> 1:02:27.400
<v Speaker 5>day long on this this note rush.

1:02:27.520 --> 1:02:30.280
<v Speaker 11>Too many, there's way too many. I can't say doors straight.

1:02:30.880 --> 1:02:34.680
<v Speaker 11>I could put Dolly. Oh yeah, let's put rebup there too.

1:02:34.840 --> 1:02:37.840
<v Speaker 5>Okay, this is not clay, this is rock. We can't

1:02:37.880 --> 1:02:40.680
<v Speaker 5>just mold it with our hands. Miranda, you're oh, let

1:02:40.680 --> 1:02:42.080
<v Speaker 5>me ask you his final question. You are the best.

1:02:42.280 --> 1:02:44.400
<v Speaker 5>I mean it, sincerely. I love when you come. Thank

1:02:44.440 --> 1:02:49.720
<v Speaker 5>you so and I know you know you don't have

1:02:49.760 --> 1:02:50.840
<v Speaker 5>to be cool when you are cool. You're at that

1:02:50.840 --> 1:02:52.560
<v Speaker 5>stage of your career where you're still you're such an

1:02:53.000 --> 1:02:54.760
<v Speaker 5>icon where you can just show up and mail it

1:02:54.760 --> 1:02:56.240
<v Speaker 5>in and everybody's happy to have you. And I'm glad.

1:02:56.240 --> 1:02:57.000
<v Speaker 5>Thank you for not doing that.

1:02:57.040 --> 1:02:59.959
<v Speaker 16>No, I washed my hair today and that's a big deal.

1:03:00.880 --> 1:03:02.880
<v Speaker 16>It's a whole I like drove into work today with

1:03:02.920 --> 1:03:04.200
<v Speaker 16>a coffee, like I had a real job.

1:03:04.480 --> 1:03:05.760
<v Speaker 6>How many days can you go?

1:03:06.160 --> 1:03:09.520
<v Speaker 16>No harrold Oh, I mean I try to really stretch it. Yeah,

1:03:10.120 --> 1:03:11.760
<v Speaker 16>Like it depends on the five shows.

1:03:11.800 --> 1:03:11.920
<v Speaker 13>You know.

1:03:11.920 --> 1:03:13.479
<v Speaker 11>If I get all sweaty at shows, I'm like, well

1:03:13.520 --> 1:03:13.919
<v Speaker 11>it's over.

1:03:14.040 --> 1:03:17.080
<v Speaker 6>I made it eight days one and I'm I know

1:03:17.280 --> 1:03:20.640
<v Speaker 6>it's like a big moment. Well it's a thing.

1:03:20.720 --> 1:03:22.600
<v Speaker 16>So anyway, all that to say, I got up, got

1:03:22.600 --> 1:03:24.680
<v Speaker 16>ready and try to look the part today.

1:03:24.960 --> 1:03:26.240
<v Speaker 11>We first time I was in here, I was like

1:03:26.320 --> 1:03:28.240
<v Speaker 11>kind of raggedy. I came off the road and like

1:03:28.240 --> 1:03:29.000
<v Speaker 11>I had and braids.

1:03:29.120 --> 1:03:31.640
<v Speaker 5>Okay, we like that. Yeah, like all versions. Okay, final

1:03:31.680 --> 1:03:34.560
<v Speaker 5>final question, because I had listed you as one of

1:03:34.600 --> 1:03:37.400
<v Speaker 5>my favorite people to talk to other you take me

1:03:37.440 --> 1:03:39.560
<v Speaker 5>out of it. Who's your favorite person to interview you

1:03:39.600 --> 1:03:40.080
<v Speaker 5>other than me?

1:03:40.560 --> 1:03:44.880
<v Speaker 16>Ooh, you know I love Kelly Bannon. Yeah, she is

1:03:44.960 --> 1:03:46.520
<v Speaker 16>like so fun to talk to and I feel like

1:03:46.520 --> 1:03:48.520
<v Speaker 16>we just have girl time and it's on the radio.

1:03:48.800 --> 1:03:50.520
<v Speaker 16>Yeah sometimes and I'm like, oh, maybe we should have

1:03:50.560 --> 1:03:51.040
<v Speaker 16>settled up.

1:03:52.360 --> 1:03:54.360
<v Speaker 5>But yeah, that's a good answer. I ask you, your

1:03:54.360 --> 1:03:57.680
<v Speaker 5>favorite person to interview them is other than me? No, exactly.

1:03:57.720 --> 1:03:59.040
<v Speaker 5>That's how I to im a good interview as I'm

1:03:59.040 --> 1:04:02.360
<v Speaker 5>the best favorite. That's why I'm her number one, number one,

1:04:02.480 --> 1:04:05.520
<v Speaker 5>number one, Miranda, Thank you everybody. Postcards from Texas. It

1:04:05.600 --> 1:04:09.640
<v Speaker 5>is out today and it's fourteen tracks. But go and say,

1:04:09.880 --> 1:04:12.280
<v Speaker 5>listen to it all the way through once and then

1:04:12.320 --> 1:04:13.040
<v Speaker 5>do your deciding.

1:04:13.600 --> 1:04:15.320
<v Speaker 11>Yeah, all the way through it would be great. We're

1:04:15.320 --> 1:04:16.160
<v Speaker 11>still romantic.

1:04:15.920 --> 1:04:17.440
<v Speaker 5>About it, even just once, even just one.

1:04:17.560 --> 1:04:20.480
<v Speaker 16>It's only forty two minutes. Because I've timed it. It's

1:04:20.520 --> 1:04:22.040
<v Speaker 16>forty two minutes. You've got forty two minutes.

1:04:22.200 --> 1:04:23.600
<v Speaker 5>Was that a thing where you go, Okay, if we

1:04:23.640 --> 1:04:25.160
<v Speaker 5>do this, we can put as many tracks, but we

1:04:25.160 --> 1:04:27.600
<v Speaker 5>don't want it to be seventy three minutes like.

1:04:28.200 --> 1:04:30.640
<v Speaker 11>It's a lot. People don't have that kind of commitment.

1:04:30.720 --> 1:04:32.640
<v Speaker 5>I agree, which is why I would encourage people to

1:04:32.640 --> 1:04:34.840
<v Speaker 5>just to go through it all the way one time

1:04:35.160 --> 1:04:38.440
<v Speaker 5>and then make your decisions. Yeah, Brandon, thank you, you

1:04:38.480 --> 1:04:40.400
<v Speaker 5>are a plus the best and we will see you soon.

1:04:40.440 --> 1:04:40.840
<v Speaker 11>Thank y'all.

1:04:42.000 --> 1:04:46.000
<v Speaker 4>Yes, it's the best bits of the week with Morgan number.

1:04:45.800 --> 1:04:48.480
<v Speaker 3>Two and now you're all caught up on the Bobby

1:04:48.480 --> 1:04:50.600
<v Speaker 3>Bone Show from this week, so go check out part one,

1:04:50.640 --> 1:04:53.040
<v Speaker 3>Part three this weekend with Amy and if you've already

1:04:53.080 --> 1:04:55.200
<v Speaker 3>listened to those, then you can check out my new podcast,

1:04:55.360 --> 1:04:58.480
<v Speaker 3>Take This Personally. I had on a career coach named

1:04:58.480 --> 1:05:01.280
<v Speaker 3>Ashley who talked about Lily throughout a career and how

1:05:01.320 --> 1:05:03.919
<v Speaker 3>to make a fulfilling life. And then I also brought

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<v Speaker 3>on Carrie Underwood's hair and makeup stylists of the last

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<v Speaker 3>eighteen years and she shared how they got together and

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<v Speaker 3>her story of quitting high school to.

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<v Speaker 7>Chase a dream.

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<v Speaker 3>So really fun stuff over there if you're kind of

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<v Speaker 3>in a career situation and you're just not sure what

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<v Speaker 3>to do. And now it's time for me to go

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<v Speaker 3>take an out because you know, two podcasts the show.

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<v Speaker 2>A lot's going on.

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<v Speaker 3>Lately, but we love it. I hope you guys have

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<v Speaker 3>a great weekend. Be safe, lovey bye.

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<v Speaker 4>That's the best bits of the week with Morgan.

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<v Speaker 5>Thanks for listening.

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<v Speaker 4>Be sure to check out the other two parts this weekend.

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<v Speaker 4>Go follow the show on all social platforms.

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<v Speaker 6>Show and follow ed web girl Morgan

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<v Speaker 4>To submit your listener questions for next week's episode.