1 00:00:01,160 --> 00:00:04,320 Speaker 1: It's the best bit of the week with Morgan two, 2 00:00:04,640 --> 00:00:07,640 Speaker 1: she's breaking down the top seven segments from the Bobby 3 00:00:07,640 --> 00:00:08,640 Speaker 1: Bone Show this week. 4 00:00:10,200 --> 00:00:11,080 Speaker 2: Well, what's up, everybody? 5 00:00:11,119 --> 00:00:14,000 Speaker 3: Happy weekend. So excited you're joining us today. My name 6 00:00:14,040 --> 00:00:16,320 Speaker 3: is Morgan and we are catching up on the Bobby 7 00:00:16,360 --> 00:00:18,920 Speaker 3: Bone Show. But first please go check out Part one 8 00:00:19,120 --> 00:00:21,680 Speaker 3: Part three. This weekend, Amy joins me. In part one, 9 00:00:21,760 --> 00:00:24,560 Speaker 3: we talk about her vacation, how the new house is going, 10 00:00:24,640 --> 00:00:27,920 Speaker 3: how mom life is shared, an update on how I'm 11 00:00:27,920 --> 00:00:30,360 Speaker 3: feeling with things, and then in listener Q and A 12 00:00:30,440 --> 00:00:33,120 Speaker 3: on part three, we talked about her favorite memory ever 13 00:00:33,200 --> 00:00:36,080 Speaker 3: from the show, and she's doing any More Live podcast, 14 00:00:36,120 --> 00:00:38,160 Speaker 3: So a lot of fun stuff in both of those. 15 00:00:38,400 --> 00:00:40,199 Speaker 2: But the reason you're here is to catch up on 16 00:00:40,240 --> 00:00:42,239 Speaker 2: the Bobby Bone Show and that's what we're about to do. 17 00:00:43,000 --> 00:00:45,680 Speaker 3: A little Tuesday reviews day went down. We had two 18 00:00:45,720 --> 00:00:49,200 Speaker 3: movies from the theaters, Beetlejuice, Beetlejuice and It ends with Us, 19 00:00:49,560 --> 00:00:52,519 Speaker 3: and then some shows that you may or may not like. 20 00:00:52,560 --> 00:00:56,680 Speaker 3: There's The Killing, the Perfect Couple. Gosh, there was so many. 21 00:00:56,800 --> 00:00:58,920 Speaker 3: So if you're looking for stuff to watch this weekend, 22 00:00:59,120 --> 00:01:01,400 Speaker 3: this is really the only segment you need. 23 00:01:01,520 --> 00:01:03,400 Speaker 4: Number seven Tuesday Reviews day. 24 00:01:03,480 --> 00:01:05,800 Speaker 5: Let's review something you had to finish it. I'll review 25 00:01:05,840 --> 00:01:08,160 Speaker 5: The Killing season one. My wife wanted to watch the 26 00:01:08,160 --> 00:01:10,000 Speaker 5: show because she had heard for friends it was really good. 27 00:01:10,120 --> 00:01:12,240 Speaker 5: But we started it and season one was like twenty eleven, 28 00:01:12,840 --> 00:01:15,800 Speaker 5: and so some of the stuff it's still a little cheesy, 29 00:01:15,880 --> 00:01:18,600 Speaker 5: just because shows were a little cheesier then. Anybody watched 30 00:01:18,600 --> 00:01:20,840 Speaker 5: The Killing back in the day, No, what is it? 31 00:01:20,840 --> 00:01:24,720 Speaker 5: It's about a murder. There's about a killing and two 32 00:01:24,800 --> 00:01:28,440 Speaker 5: detectives to try to figure it out. Season one is 33 00:01:28,480 --> 00:01:30,920 Speaker 5: pretty good. It's just a little cheesy. But again I 34 00:01:30,920 --> 00:01:32,760 Speaker 5: have to think to myself, this wasn't made cheesy. It 35 00:01:32,800 --> 00:01:36,679 Speaker 5: was just eleven twelve years ago that was made. I 36 00:01:36,720 --> 00:01:40,440 Speaker 5: would give it three and a half out of five 37 00:01:41,319 --> 00:01:45,039 Speaker 5: packs of cigarettes. Everybody smokes in this show, because apparently 38 00:01:45,040 --> 00:01:48,120 Speaker 5: that was like being edgy then. But it was good. 39 00:01:48,160 --> 00:01:49,720 Speaker 5: I think back then it had been five out of five. 40 00:01:49,920 --> 00:01:51,880 Speaker 5: But we're in season two now and it's getting a 41 00:01:51,920 --> 00:01:57,120 Speaker 5: little like newer, like things are just make more sense. 42 00:01:57,200 --> 00:01:59,960 Speaker 5: But the Killing is pretty good. So it's based off 43 00:02:00,040 --> 00:02:01,920 Speaker 5: and on like Danish TV show. But I'll go three 44 00:02:01,920 --> 00:02:04,000 Speaker 5: and a half out of five on season one of 45 00:02:04,040 --> 00:02:06,080 Speaker 5: the killing. There are four seasons, Amy You. 46 00:02:06,440 --> 00:02:09,400 Speaker 6: The Perfect Couple. It's the new show on Netflix. 47 00:02:09,480 --> 00:02:09,600 Speaker 7: Oh. 48 00:02:09,639 --> 00:02:12,160 Speaker 6: We started that and I finished it. 49 00:02:12,200 --> 00:02:18,200 Speaker 8: There's six episodes and I give it four out of five. 50 00:02:19,760 --> 00:02:20,720 Speaker 6: Dances on the beach. 51 00:02:21,120 --> 00:02:23,120 Speaker 5: They do a line dance. They're all like, look at 52 00:02:23,120 --> 00:02:25,399 Speaker 5: our line dance. A rich. I was like, I told 53 00:02:25,400 --> 00:02:26,839 Speaker 5: my wife what are we watching? She read the book 54 00:02:26,880 --> 00:02:28,160 Speaker 5: and she was like, it's going to be really good. 55 00:02:28,520 --> 00:02:30,640 Speaker 5: And then they're all doing like a line dance perfectly, 56 00:02:30,680 --> 00:02:32,400 Speaker 5: like fifty people on a beach, and I'm like, there's 57 00:02:32,400 --> 00:02:33,880 Speaker 5: no way that's even cheeper than the killing. 58 00:02:34,000 --> 00:02:35,480 Speaker 6: It's the intro of every episode. 59 00:02:35,520 --> 00:02:36,720 Speaker 5: It's so fun. You liked it? 60 00:02:36,800 --> 00:02:37,480 Speaker 6: Yeah, I liked it. 61 00:02:37,720 --> 00:02:41,239 Speaker 5: It's good Netflix. Netflix, Yep, Lunchbox anything. Yeah. 62 00:02:41,240 --> 00:02:44,359 Speaker 9: I watched a documentary call it Addicted to Life. It's 63 00:02:44,400 --> 00:02:47,600 Speaker 9: about this woman in Belgium. She's a gold medalist and 64 00:02:47,639 --> 00:02:51,359 Speaker 9: they have euthanasia and she wants to exercise her right 65 00:02:51,400 --> 00:02:52,120 Speaker 9: to do euthanasia. 66 00:02:52,200 --> 00:02:54,160 Speaker 5: So ethan asa is when you choose to kill yourself, 67 00:02:54,280 --> 00:02:58,880 Speaker 5: oh with the doctor. Yeah, and it is who tough? Yeah, yeah, 68 00:02:58,919 --> 00:03:01,440 Speaker 5: it's tough. So I'd say about a five gold gold medals. 69 00:03:01,440 --> 00:03:01,760 Speaker 5: It's good. 70 00:03:02,160 --> 00:03:02,359 Speaker 10: Five. 71 00:03:02,520 --> 00:03:06,679 Speaker 5: Yeah. Just because it's sad doesn't mean it's not compelling. Right, 72 00:03:07,120 --> 00:03:10,120 Speaker 5: So it was really good, really good, Mike Dan, did 73 00:03:10,120 --> 00:03:12,520 Speaker 5: you go watch Beetle Juice Beetle Juice? I did, right, movie, 74 00:03:12,560 --> 00:03:15,840 Speaker 5: Mike saw Beetle Juice. Beetlejuice, which is not Beetlejuice. 75 00:03:16,440 --> 00:03:17,040 Speaker 10: It's part two. 76 00:03:17,440 --> 00:03:18,360 Speaker 5: Yeah, go ahead, And. 77 00:03:18,400 --> 00:03:20,560 Speaker 4: It takes place thirty six years after the original one. 78 00:03:20,600 --> 00:03:22,360 Speaker 5: And I thought this was just gonna be like another 79 00:03:22,400 --> 00:03:24,960 Speaker 5: cash grab movie. It's actually really good. Is Michael Keaton 80 00:03:24,960 --> 00:03:27,800 Speaker 5: selling it? Yeah, he's Beetlejuice. He's still the same Beetlejuice. 81 00:03:27,800 --> 00:03:30,040 Speaker 5: Sa Beatle. Does Beetle just a son like show up 82 00:03:30,080 --> 00:03:32,000 Speaker 5: or anything? Or is he's just still him? You gotta 83 00:03:32,040 --> 00:03:33,359 Speaker 5: watch it to point out. Okay, I don't know if 84 00:03:33,360 --> 00:03:35,600 Speaker 5: it was like I'm now gonna make my son the 85 00:03:35,640 --> 00:03:37,680 Speaker 5: guy that comes out. Do you need to watch the 86 00:03:37,720 --> 00:03:42,440 Speaker 5: first one again? Definitely? Okay, it's now the daughter of character. 87 00:03:42,760 --> 00:03:45,200 Speaker 5: Is that Ginny Ortega? Yeah she's good. Yeah, yeah, she's 88 00:03:45,440 --> 00:03:46,160 Speaker 5: pretty good actors. 89 00:03:46,200 --> 00:03:46,400 Speaker 11: Yeah. 90 00:03:46,440 --> 00:03:47,160 Speaker 5: Yeah, but do you give it? 91 00:03:47,160 --> 00:03:48,080 Speaker 4: I give it four out of five. 92 00:03:48,120 --> 00:03:52,160 Speaker 5: Striped Suits movie Mike with a strong movie? Yeah at anything? 93 00:03:52,200 --> 00:03:54,800 Speaker 12: Okay, Yes, I have a documentary called David Holmes The 94 00:03:54,840 --> 00:03:56,960 Speaker 12: Boy Who Lived. I saw it on the airplane, so 95 00:03:56,960 --> 00:03:59,720 Speaker 12: I don't know what streaming service it's on, but it's uh, 96 00:04:00,600 --> 00:04:02,840 Speaker 12: Terry Potter. What's his name of Daniel Radcliffe. He had 97 00:04:02,840 --> 00:04:05,640 Speaker 12: a stunt double for all of the Harry Potter Potter movies. 98 00:04:05,720 --> 00:04:08,960 Speaker 12: In the last movie, he got paralyzed doing a stunt 99 00:04:09,040 --> 00:04:11,520 Speaker 12: during a stunt, and it's the story of his life 100 00:04:11,600 --> 00:04:13,280 Speaker 12: and what happened and what he did after that. 101 00:04:13,800 --> 00:04:14,640 Speaker 5: Amazing. 102 00:04:15,080 --> 00:04:17,240 Speaker 12: So I'm gonna give it four and a half ones 103 00:04:17,279 --> 00:04:17,800 Speaker 12: out of five. 104 00:04:17,880 --> 00:04:18,880 Speaker 10: Dude, it's so so good. 105 00:04:18,960 --> 00:04:20,480 Speaker 5: I looked it up. It's a ninety seven percent of 106 00:04:20,520 --> 00:04:21,200 Speaker 5: Rotten Tomatoes. 107 00:04:21,520 --> 00:04:23,719 Speaker 12: David Holmes is his name, and I mean him and 108 00:04:23,760 --> 00:04:26,599 Speaker 12: Dania Radcliffe. He's in the documentary. He's part of it 109 00:04:26,600 --> 00:04:28,200 Speaker 12: because they were buds. They were so close when they 110 00:04:28,200 --> 00:04:28,840 Speaker 12: were making the movie. 111 00:04:28,880 --> 00:04:30,080 Speaker 5: Oh my gosh, Morgan. 112 00:04:30,400 --> 00:04:32,479 Speaker 3: Yeah, I went to the theaters and watched it ends 113 00:04:32,480 --> 00:04:34,920 Speaker 3: with us with Lively and Justin Baldini. 114 00:04:35,000 --> 00:04:36,000 Speaker 2: It's been all over the news. 115 00:04:36,120 --> 00:04:39,240 Speaker 5: Oh I watched. I was on TikTok for three weeks. 116 00:04:39,279 --> 00:04:40,240 Speaker 5: I was in the algorithm of the. 117 00:04:40,240 --> 00:04:42,360 Speaker 2: Drama there the rabbit hole of all. 118 00:04:42,640 --> 00:04:44,520 Speaker 5: Of like those two. Yeah, how was the movie? 119 00:04:44,600 --> 00:04:47,680 Speaker 3: It was really good, made me like super emotional, very 120 00:04:47,760 --> 00:04:49,120 Speaker 3: uh triggering real. 121 00:04:48,920 --> 00:04:50,200 Speaker 2: Life for a lot of people. 122 00:04:50,360 --> 00:04:52,919 Speaker 3: But it was so good, Like I'm glad there's a 123 00:04:52,960 --> 00:04:54,960 Speaker 3: movie out there that's like this now. 124 00:04:55,040 --> 00:04:57,200 Speaker 2: So I give it four out of five. 125 00:04:57,640 --> 00:05:00,400 Speaker 5: Blooms all of the Tiktoks out wat for like two 126 00:05:00,400 --> 00:05:02,200 Speaker 5: and a half weeks and like Blake Lively way less 127 00:05:02,240 --> 00:05:02,799 Speaker 5: tho as a person. 128 00:05:03,040 --> 00:05:04,599 Speaker 2: Yeah, interesting, what's happening? 129 00:05:04,680 --> 00:05:04,840 Speaker 5: Yeah? 130 00:05:05,040 --> 00:05:06,279 Speaker 2: I don't know what to believe. 131 00:05:06,040 --> 00:05:08,320 Speaker 5: Still either me neither I believe, but TikTok tells me. 132 00:05:09,160 --> 00:05:10,480 Speaker 5: Let's see ray final one. 133 00:05:10,800 --> 00:05:11,040 Speaker 13: Yeah. 134 00:05:11,080 --> 00:05:14,320 Speaker 14: The Deliverance it's on Netflix now that it is Spooky Sison. 135 00:05:14,320 --> 00:05:16,120 Speaker 5: It's kind of a Halloween. 136 00:05:15,680 --> 00:05:18,240 Speaker 14: Theme, the ges Spooky Sison, and it's based on a 137 00:05:18,240 --> 00:05:21,159 Speaker 14: true story of family lower income can't move out of 138 00:05:21,160 --> 00:05:22,440 Speaker 14: a house and it's haunted. 139 00:05:23,200 --> 00:05:23,960 Speaker 10: Is it Deliverance? 140 00:05:23,960 --> 00:05:27,159 Speaker 5: Likenriginal, It's the Deliverance? Oh what you give it four 141 00:05:27,200 --> 00:05:29,480 Speaker 5: out of five? I will make you have some nightmares. 142 00:05:29,480 --> 00:05:31,680 Speaker 5: Woe be careful. Rotten Tomatoes give it a thirty three 143 00:05:31,680 --> 00:05:34,880 Speaker 5: percent splat is that fair? Well, my rating's a little 144 00:05:34,880 --> 00:05:35,440 Speaker 5: bit higher than that. 145 00:05:35,480 --> 00:05:35,680 Speaker 13: It is. 146 00:05:35,760 --> 00:05:37,520 Speaker 5: Yeah, but do you feel like thirty three percent is 147 00:05:37,760 --> 00:05:40,280 Speaker 5: probably because of the vulgarity. There's some bad words in there. 148 00:05:40,520 --> 00:05:44,200 Speaker 5: I don't know that it's because the vulgar reviewing on 149 00:05:44,279 --> 00:05:48,080 Speaker 5: Rotten Tomatoes. But you liked it, yes, okay, then we 150 00:05:48,120 --> 00:05:51,200 Speaker 5: will last all of these Tuesday reviews days. You go 151 00:05:51,279 --> 00:05:52,760 Speaker 5: to any of our social media pages, but go to 152 00:05:52,800 --> 00:05:54,560 Speaker 5: Bobbybones dot com. We'll put up a whole story if 153 00:05:54,600 --> 00:05:56,159 Speaker 5: you want to hear what we talked about and what 154 00:05:56,279 --> 00:05:59,279 Speaker 5: shows to watch. It's all up there on Tuesday Reviews day. 155 00:05:59,400 --> 00:06:03,160 Speaker 5: Nice shop, Thank you. No podcast LaunchBox, No, no podcasts. 156 00:06:03,200 --> 00:06:05,400 Speaker 5: Been busy man, I haven't had time. No new friends 157 00:06:05,400 --> 00:06:08,680 Speaker 5: you want to review? No, no new friends, no new anything. 158 00:06:08,800 --> 00:06:11,680 Speaker 5: Album release parties, no album release parties. But hey, I 159 00:06:11,720 --> 00:06:13,520 Speaker 5: will work on a podcast. I'll get back on it. Hi. 160 00:06:13,520 --> 00:06:14,560 Speaker 5: Thanks Betty. We appreciate that. 161 00:06:16,279 --> 00:06:20,000 Speaker 4: It's the best bits of the week with Morgan. Number two. 162 00:06:22,320 --> 00:06:25,280 Speaker 3: Ella Langley and Riley Green have not one, but two 163 00:06:25,320 --> 00:06:28,200 Speaker 3: collaborations out right now and they stop by the studio 164 00:06:28,240 --> 00:06:30,880 Speaker 3: to perform. They're super big one You Look Like You 165 00:06:30,960 --> 00:06:33,640 Speaker 3: Love Me and you can watch it on our YouTube page. 166 00:06:33,680 --> 00:06:35,880 Speaker 3: Unfortunately I can't play it for you guys here, but 167 00:06:35,920 --> 00:06:37,400 Speaker 3: it is up there for you guys to watch the 168 00:06:37,440 --> 00:06:39,400 Speaker 3: whole thing. But right now you're going to hear the 169 00:06:39,400 --> 00:06:43,560 Speaker 3: interview how that collaboration happened and from both of their perspectives. 170 00:06:43,839 --> 00:06:45,800 Speaker 3: Riley made a joke that he came in to be 171 00:06:45,880 --> 00:06:48,880 Speaker 3: Ella's guitar player, but they both talked. We both heard 172 00:06:48,880 --> 00:06:52,120 Speaker 3: their different perspectives on how all of these collaborations are 173 00:06:52,279 --> 00:06:53,880 Speaker 3: happening and them touring together. 174 00:06:54,480 --> 00:06:57,640 Speaker 4: Number six, There we go on the Bobby Bones Show. 175 00:06:57,720 --> 00:07:01,160 Speaker 5: Now Ell Langley, Ell, I became a big fan. Just 176 00:07:01,839 --> 00:07:03,680 Speaker 5: buy a TikTok. I mean you pop it up an 177 00:07:03,680 --> 00:07:05,680 Speaker 5: algorithm because obviously I have a lot of country music 178 00:07:05,720 --> 00:07:09,840 Speaker 5: and algorithm and it's been really cool to watch it organically, 179 00:07:10,000 --> 00:07:13,440 Speaker 5: Like especially this song just become a monster. Yeah, what 180 00:07:13,440 --> 00:07:17,160 Speaker 5: does that felt like to you? Is like more people 181 00:07:17,240 --> 00:07:21,240 Speaker 5: recognizing you, more people come into when you're playing, Like, 182 00:07:21,280 --> 00:07:22,040 Speaker 5: what's been happening? 183 00:07:22,720 --> 00:07:26,160 Speaker 13: Well, I've wanted to do this my whole entire life. 184 00:07:26,200 --> 00:07:28,560 Speaker 13: This isn't something I just kind of stumbled upon and 185 00:07:28,720 --> 00:07:30,840 Speaker 13: was like, yeah, I like playing guitar or I love singing, 186 00:07:30,880 --> 00:07:33,040 Speaker 13: Like this is just like it's it's like a limb. 187 00:07:33,400 --> 00:07:35,240 Speaker 13: It's just something I was always going to do. This 188 00:07:36,080 --> 00:07:38,200 Speaker 13: and I've been working really hard at it for a minute. 189 00:07:38,200 --> 00:07:40,600 Speaker 13: I moved here five years ago, and before that, I 190 00:07:40,680 --> 00:07:43,000 Speaker 13: was going to school at Auburn And you went to 191 00:07:43,040 --> 00:07:45,400 Speaker 13: sold really yeah, yeah I went for the two years 192 00:07:45,400 --> 00:07:47,360 Speaker 13: when I went to school, Yeah, and then I dropped 193 00:07:47,360 --> 00:07:49,960 Speaker 13: out and moved here. But yeah, I just play a 194 00:07:50,000 --> 00:07:52,280 Speaker 13: lot of cover gigs. I started out restaurants, just I 195 00:07:52,280 --> 00:07:54,160 Speaker 13: mean literally every kind of gig you can play, I've 196 00:07:54,160 --> 00:07:56,040 Speaker 13: done it. Whatever you can travel there in, I've done 197 00:07:56,040 --> 00:07:56,400 Speaker 13: that too. 198 00:07:56,680 --> 00:08:00,520 Speaker 5: Like just traditional someone moves to Nashville. Yeah, with a dream, 199 00:08:00,640 --> 00:08:02,480 Speaker 5: you're playing anything you can play to make money to 200 00:08:02,520 --> 00:08:06,280 Speaker 5: survive so you can chase the bigger dream. But then 201 00:08:06,320 --> 00:08:10,720 Speaker 5: this song hits so hard again I would just start 202 00:08:10,760 --> 00:08:13,640 Speaker 5: singing it forgetting where I would even ever have heard it, Yeah, 203 00:08:13,680 --> 00:08:16,360 Speaker 5: because it would pop up and not just in your video, 204 00:08:16,400 --> 00:08:18,240 Speaker 5: as it would start to be used in other places too. 205 00:08:18,680 --> 00:08:21,200 Speaker 5: I just wonder what that feels like when something starts 206 00:08:21,240 --> 00:08:23,320 Speaker 5: to build wherever it starts to build, do you actually, 207 00:08:23,440 --> 00:08:29,080 Speaker 5: day to day feel again more people pursuing like your 208 00:08:29,160 --> 00:08:32,080 Speaker 5: music or is it like, man, I know it's blowing up, 209 00:08:32,240 --> 00:08:33,800 Speaker 5: but I'm really not seeing it yet. 210 00:08:34,240 --> 00:08:36,800 Speaker 13: No, I'm seeing it I'm seeing it. It's this song 211 00:08:36,880 --> 00:08:38,560 Speaker 13: is crazy, That's what I was saying. I've been doing 212 00:08:38,559 --> 00:08:40,680 Speaker 13: this for so long and it's been a slow climb, 213 00:08:40,720 --> 00:08:42,680 Speaker 13: and I'll put out single after single and kind of 214 00:08:42,760 --> 00:08:44,600 Speaker 13: just organically grown fans. 215 00:08:44,640 --> 00:08:46,760 Speaker 7: But this song, it's the things that's done. 216 00:08:46,840 --> 00:08:49,000 Speaker 13: And we didn't even plan on This song was never 217 00:08:49,000 --> 00:08:51,640 Speaker 13: supposed to leave my audio recordings on my phone. I 218 00:08:51,640 --> 00:08:54,120 Speaker 13: wrote it as a joke with Aaron ray Tier first, 219 00:08:54,160 --> 00:08:56,040 Speaker 13: and then the label heard it and loved it, and 220 00:08:56,080 --> 00:08:59,360 Speaker 13: then Riley asked us on tour, and him and I 221 00:08:59,440 --> 00:09:01,360 Speaker 13: just kind of being from the same area, growing up 222 00:09:01,360 --> 00:09:03,000 Speaker 13: on the same kind of music, and I was thinking 223 00:09:03,000 --> 00:09:04,320 Speaker 13: maybe we could do it out in the road. 224 00:09:05,800 --> 00:09:06,840 Speaker 7: That's why I asked him to do it. 225 00:09:06,880 --> 00:09:08,400 Speaker 13: And I was like, hey, just kind of write the 226 00:09:08,400 --> 00:09:11,040 Speaker 13: second verse how you would respond to a girl coming 227 00:09:11,080 --> 00:09:12,280 Speaker 13: up to you in the bar like that. 228 00:09:12,440 --> 00:09:16,200 Speaker 5: What I like about it is it's so old school 229 00:09:17,400 --> 00:09:21,760 Speaker 5: talkie singing, which very much happened in the forties fifties, 230 00:09:21,840 --> 00:09:25,680 Speaker 5: Like it sounds super super super traditional with people that 231 00:09:25,679 --> 00:09:27,880 Speaker 5: aren't born in the forties in the fifties, is that 232 00:09:27,960 --> 00:09:30,920 Speaker 5: probably why it wasn't supposed to be more than a 233 00:09:31,000 --> 00:09:33,080 Speaker 5: voice recording because you're thought, I don't know, well, anybody 234 00:09:33,160 --> 00:09:35,000 Speaker 5: even think this is a legitimate song. 235 00:09:35,640 --> 00:09:38,720 Speaker 7: No, I think it's just kind of more I'm drunking. 236 00:09:38,840 --> 00:09:40,520 Speaker 7: I'm really you know, it's. 237 00:09:40,400 --> 00:09:43,199 Speaker 13: Kind of silly, you know, But yeah, I guess it's 238 00:09:43,600 --> 00:09:45,320 Speaker 13: it's a little bit of a risk, you know, just 239 00:09:45,400 --> 00:09:48,839 Speaker 13: because it's not something. It's not the popular thing to do, 240 00:09:49,360 --> 00:09:51,880 Speaker 13: you know, and traditional country is only just now kind 241 00:09:51,880 --> 00:09:52,600 Speaker 13: of coming back. 242 00:09:53,960 --> 00:09:56,080 Speaker 7: So yeah, I don't know, but I grew up on it. 243 00:09:56,120 --> 00:09:57,600 Speaker 13: I love it, and I'm just kind of doing what 244 00:09:57,640 --> 00:09:59,079 Speaker 13: I love to do and not what I think other 245 00:09:59,120 --> 00:10:00,760 Speaker 13: people think they want me to do. 246 00:10:00,960 --> 00:10:04,560 Speaker 5: Did anybody suggest that you change some of when you 247 00:10:04,679 --> 00:10:08,760 Speaker 5: recorded it, some of like the talking parts of the song. Yeah. 248 00:10:08,760 --> 00:10:10,960 Speaker 13: We went back and forth a lot on it, on singing, 249 00:10:11,240 --> 00:10:14,080 Speaker 13: singing it, on all kinds of different things. 250 00:10:14,080 --> 00:10:15,880 Speaker 7: I never wanted to sing. I never wanted a song. 251 00:10:15,880 --> 00:10:17,800 Speaker 13: I'm never going to release the version where it's a song, 252 00:10:17,840 --> 00:10:20,040 Speaker 13: it's also the song. 253 00:10:19,880 --> 00:10:20,880 Speaker 7: I have that. 254 00:10:21,000 --> 00:10:23,680 Speaker 13: My argument to the label was every other song I've 255 00:10:23,679 --> 00:10:26,000 Speaker 13: put out sings the verses, so can I not just 256 00:10:26,040 --> 00:10:26,880 Speaker 13: have one that doesn't. 257 00:10:27,960 --> 00:10:29,480 Speaker 5: And that's why it sticks out so much though? Right? 258 00:10:29,559 --> 00:10:31,839 Speaker 7: Yeah, Well that I mean, it's a goot a girl 259 00:10:31,880 --> 00:10:32,880 Speaker 7: walking up to a guy in a bar. 260 00:10:33,080 --> 00:10:33,280 Speaker 8: You know. 261 00:10:33,360 --> 00:10:35,520 Speaker 13: It's like that's also not a common thing in country, 262 00:10:37,040 --> 00:10:39,520 Speaker 13: well not over the past ten years. Now recently it 263 00:10:39,559 --> 00:10:42,360 Speaker 13: has been. But yeah, so I don't know, it's kind 264 00:10:42,360 --> 00:10:44,640 Speaker 13: of a risky thing to do, but it's it's crazy 265 00:10:44,640 --> 00:10:46,680 Speaker 13: to see the reaction. It's I just started my first 266 00:10:46,720 --> 00:10:50,360 Speaker 13: headlining tour and it's a little nerve racking to have 267 00:10:50,400 --> 00:10:53,120 Speaker 13: such a viral song and wonder are they going to 268 00:10:53,160 --> 00:10:55,719 Speaker 13: be here just for that? But I put out the 269 00:10:56,200 --> 00:10:59,160 Speaker 13: my debut record, which is what You Look Like You 270 00:10:59,200 --> 00:11:02,200 Speaker 13: Love Me, came off and they're singing every word to 271 00:11:02,240 --> 00:11:04,400 Speaker 13: every song. It's crazy. They're listening to the whole thing 272 00:11:04,440 --> 00:11:07,440 Speaker 13: and it's just wild. It's like, just watch my dreams 273 00:11:07,480 --> 00:11:07,880 Speaker 13: come true. 274 00:11:08,000 --> 00:11:09,920 Speaker 5: It's that one viral thing though they get some even 275 00:11:09,960 --> 00:11:11,040 Speaker 5: pay attention to the rest, right. 276 00:11:11,360 --> 00:11:12,880 Speaker 7: Yeah, Well it's also cool too. 277 00:11:12,960 --> 00:11:15,640 Speaker 13: Just a lot of these fans are not just the song, 278 00:11:15,679 --> 00:11:17,240 Speaker 13: but you know, I saw you out with Randy Hawser 279 00:11:17,280 --> 00:11:18,719 Speaker 13: that was my first tour three years ago, or I 280 00:11:18,720 --> 00:11:20,640 Speaker 13: saw you John Party, or I saw you Riley, or 281 00:11:20,880 --> 00:11:22,840 Speaker 13: you know, it's a lot of these fantasy we've grown 282 00:11:22,880 --> 00:11:25,400 Speaker 13: through playing so many shows over the years and just 283 00:11:25,440 --> 00:11:27,959 Speaker 13: working hard that way. But yeah, the it's wild to 284 00:11:28,000 --> 00:11:32,320 Speaker 13: see when that song went. We did it in Hyde 285 00:11:32,360 --> 00:11:36,480 Speaker 13: Park too. That was probably the wildest time thus far. 286 00:11:37,280 --> 00:11:39,920 Speaker 13: It's fifty thousand people, that's crazy. We opened it for 287 00:11:40,040 --> 00:11:42,920 Speaker 13: Morgan and it was just crazy. 288 00:11:43,040 --> 00:11:43,520 Speaker 11: That was. 289 00:11:44,960 --> 00:11:48,679 Speaker 13: Probably the first time I had seen a crowd a 290 00:11:48,800 --> 00:11:51,800 Speaker 13: matt like a mass amount of people sing words that 291 00:11:51,840 --> 00:11:54,280 Speaker 13: I had written. And for it to be fifty thousand 292 00:11:54,280 --> 00:12:00,040 Speaker 13: people in the UK was It's just hard to I 293 00:12:00,040 --> 00:12:01,320 Speaker 13: don't know, it's hard to put into words. 294 00:12:01,360 --> 00:12:01,720 Speaker 7: Almost. 295 00:12:01,920 --> 00:12:04,360 Speaker 13: I remember I had my ears in because when you're 296 00:12:04,400 --> 00:12:06,440 Speaker 13: way way out there, the slap back was so bad, 297 00:12:06,480 --> 00:12:08,120 Speaker 13: so it's like you can't keep up with the drum. 298 00:12:08,120 --> 00:12:09,960 Speaker 13: You gotta keep your ears in, so it's hard to 299 00:12:09,960 --> 00:12:12,440 Speaker 13: hear the crowd. And I kind of remember walking back 300 00:12:12,520 --> 00:12:14,280 Speaker 13: being like that was crazy. I just like, I don't 301 00:12:14,320 --> 00:12:17,360 Speaker 13: know if I registered anything, and I was like walking back, 302 00:12:17,400 --> 00:12:19,280 Speaker 13: thinking like just a normal time of us singing the 303 00:12:19,320 --> 00:12:23,600 Speaker 13: song and everyone that was like on both of our teams. 304 00:12:23,640 --> 00:12:25,240 Speaker 13: I was like, was that crazy? And they showed me 305 00:12:25,280 --> 00:12:27,760 Speaker 13: back the video and Mean and Riley both watched it 306 00:12:27,800 --> 00:12:30,440 Speaker 13: and it was just like massive, so I think that's 307 00:12:30,480 --> 00:12:32,920 Speaker 13: what when we both realized it was like the song 308 00:12:33,000 --> 00:12:34,640 Speaker 13: is doing something ridiculous. 309 00:12:35,480 --> 00:12:40,480 Speaker 5: And also, I mean Riley's a massive star and he's 310 00:12:40,480 --> 00:12:42,760 Speaker 5: like perfect for the song as well. Yeah, like all 311 00:12:42,800 --> 00:12:45,839 Speaker 5: the stars kind of aligned with him, going YAO do 312 00:12:45,920 --> 00:12:48,480 Speaker 5: the song. That's cool. And he's also a big star 313 00:12:48,520 --> 00:12:51,680 Speaker 5: and it works with him. Yeah, what was the ad? 314 00:12:51,679 --> 00:12:53,800 Speaker 5: How did you ask him? What would hey, you want 315 00:12:53,800 --> 00:12:56,520 Speaker 5: to do this song? Well? Text to a version of it? 316 00:12:56,600 --> 00:12:58,559 Speaker 5: Was it always a duet? No? 317 00:12:58,679 --> 00:13:00,440 Speaker 7: I mean, like I said, I wrote it just for fun. 318 00:13:00,480 --> 00:13:01,480 Speaker 7: I mean it wasn't like. 319 00:13:01,720 --> 00:13:03,440 Speaker 5: You didn't write it for fun, like another a duet? 320 00:13:03,559 --> 00:13:05,840 Speaker 13: No, no, no, no, I just I just I was just 321 00:13:05,960 --> 00:13:08,320 Speaker 13: listening to it after we cut it. It was not 322 00:13:08,360 --> 00:13:10,040 Speaker 13: going to be a duet right when we first cut it, 323 00:13:10,080 --> 00:13:13,520 Speaker 13: but Riley asked us on tour right around the same time. 324 00:13:13,640 --> 00:13:15,240 Speaker 13: So I don't know, it just I just thought of 325 00:13:15,280 --> 00:13:17,120 Speaker 13: the idea. I was like, oh, what if we asked 326 00:13:17,160 --> 00:13:19,120 Speaker 13: Riley to sing the second verse and then we could 327 00:13:19,200 --> 00:13:21,280 Speaker 13: do it on the road. And obviously I didn't think 328 00:13:21,280 --> 00:13:23,000 Speaker 13: it would just do what it's doing now. It's hard 329 00:13:23,040 --> 00:13:25,440 Speaker 13: to expect something like this, But so. 330 00:13:25,360 --> 00:13:27,360 Speaker 6: Did you have a second verse before he came in. 331 00:13:27,480 --> 00:13:29,760 Speaker 13: Yah, yeah, and that's what I'm singing out on the Actually, 332 00:13:29,760 --> 00:13:31,760 Speaker 13: we wrote a lot of verses when we wrote the song. 333 00:13:31,800 --> 00:13:34,880 Speaker 13: We just kind of giggled and wrote as many verses 334 00:13:34,880 --> 00:13:36,320 Speaker 13: as we had in this, and then we just picked 335 00:13:36,320 --> 00:13:39,240 Speaker 13: our favorite ones. So I kind of throw those alt 336 00:13:39,280 --> 00:13:41,760 Speaker 13: verses in the live show right now. 337 00:13:42,120 --> 00:13:43,920 Speaker 7: I usually start off with like before there was. 338 00:13:43,920 --> 00:13:46,080 Speaker 13: A main named Riley Green singing this song and then 339 00:13:46,080 --> 00:13:48,800 Speaker 13: all the girls were like, and I'm like, ah, I 340 00:13:48,840 --> 00:13:50,000 Speaker 13: was singing the second verse. 341 00:13:50,840 --> 00:13:51,000 Speaker 10: Yeah. 342 00:13:51,000 --> 00:13:52,400 Speaker 5: I tried to really do a do it with me. 343 00:13:52,440 --> 00:13:54,160 Speaker 5: He turned it down, so I was just jealous us. 344 00:13:54,240 --> 00:13:55,320 Speaker 5: Yeah he didn't didn't. 345 00:13:55,640 --> 00:13:59,959 Speaker 13: Well really, my manager, Bradley Jordan, he's he's kind of 346 00:14:00,000 --> 00:14:02,480 Speaker 13: he's the reason I met Riley and he's just help 347 00:14:02,559 --> 00:14:05,040 Speaker 13: a lot of artists coming up. But he showed it 348 00:14:05,080 --> 00:14:07,680 Speaker 13: to him. I was and then uh, and then yeah, 349 00:14:07,760 --> 00:14:10,240 Speaker 13: I think. Actually I played a show with Riley and 350 00:14:10,600 --> 00:14:12,559 Speaker 13: went on his bus and I said, I think my 351 00:14:12,640 --> 00:14:16,480 Speaker 13: first line was Riley, uh, do you like making money? 352 00:14:16,679 --> 00:14:18,360 Speaker 13: That was my first pick up. Well, that was my 353 00:14:18,360 --> 00:14:20,600 Speaker 13: first line, and didn't know he was going to do 354 00:14:20,640 --> 00:14:23,120 Speaker 13: anything from there, but so I started. 355 00:14:23,120 --> 00:14:25,320 Speaker 5: And now he now here it is he makes money, 356 00:14:25,440 --> 00:14:27,760 Speaker 5: does makes it? Makes it anyway, but they make makes more. 357 00:14:27,800 --> 00:14:30,640 Speaker 5: Now this is always fun. I'm being told that Riley 358 00:14:30,720 --> 00:14:33,840 Speaker 5: just arrived. Riley, Riley Green has entered the building. So 359 00:14:33,960 --> 00:14:38,160 Speaker 5: why don't we take a break. Ella Langley's here? Is 360 00:14:38,200 --> 00:14:39,520 Speaker 5: that true? Scuba is Riley here? 361 00:14:40,480 --> 00:14:41,160 Speaker 15: He's in the green room. 362 00:14:41,200 --> 00:14:45,160 Speaker 5: Okay, Riley Green has entered the building. Wow, they're there. 363 00:14:45,520 --> 00:14:48,840 Speaker 5: There's underwear being thrown at him as he walks, so 364 00:14:48,920 --> 00:14:50,680 Speaker 5: we don't even know. There's nobody else in the whole building. 365 00:14:50,720 --> 00:14:53,240 Speaker 5: Underwear still landing on his head. We'll be back in 366 00:14:53,320 --> 00:14:55,280 Speaker 5: one second. We'll get Riley in studio. You guys will 367 00:14:55,280 --> 00:14:58,080 Speaker 5: perform it. Yeah, all right, back in one second. Okay. 368 00:14:58,120 --> 00:15:00,400 Speaker 5: So Ellen Langley's here, Riley Green has entered, and Raley 369 00:15:00,400 --> 00:15:01,080 Speaker 5: good to see buddy. 370 00:15:01,160 --> 00:15:02,440 Speaker 10: Yeah, thanks for having. 371 00:15:02,200 --> 00:15:04,080 Speaker 5: Me, Thanks for coming up. And so I think what 372 00:15:04,160 --> 00:15:06,840 Speaker 5: we'll do first, if you don't mind, why, I would 373 00:15:06,880 --> 00:15:08,160 Speaker 5: love to hear the song live and then we can 374 00:15:08,160 --> 00:15:10,200 Speaker 5: just talk a little more. You guys get with that, okay. 375 00:15:10,560 --> 00:15:12,360 Speaker 5: So this is the song that I love. I've been 376 00:15:12,360 --> 00:15:15,600 Speaker 5: playing on the show and I sometimes sing it and 377 00:15:15,600 --> 00:15:17,080 Speaker 5: wonder where did I hear it? And then realize it 378 00:15:17,120 --> 00:15:20,320 Speaker 5: was on like nine different videos from nine different people, 379 00:15:20,640 --> 00:15:22,280 Speaker 5: and this is called You Look Like You Love Me. 380 00:15:22,520 --> 00:15:23,960 Speaker 5: It's Ella Langley and Riley Green. 381 00:15:24,320 --> 00:15:24,640 Speaker 10: Oh. 382 00:15:25,040 --> 00:15:29,280 Speaker 1: I'm sorry we can't post a live performance on the podcast, 383 00:15:29,520 --> 00:15:31,880 Speaker 1: but if you go to our YouTube page, you can 384 00:15:31,920 --> 00:15:32,440 Speaker 1: watch it. 385 00:15:32,360 --> 00:15:34,480 Speaker 5: There or maybe listen live. 386 00:15:34,880 --> 00:15:38,320 Speaker 4: Okay, all right, now back to the podcast. 387 00:15:38,720 --> 00:15:40,920 Speaker 5: How many times do you guys have played that together? Now? 388 00:15:41,120 --> 00:15:42,240 Speaker 5: First time? Right? 389 00:15:42,480 --> 00:15:42,640 Speaker 1: Good? 390 00:15:42,680 --> 00:15:46,120 Speaker 13: Hey, I don't think we've done it the same time twice. 391 00:15:46,120 --> 00:15:48,480 Speaker 13: It's the same way twice, yeah, no, over. 392 00:15:48,360 --> 00:15:52,840 Speaker 5: On over fifty now at this point, can you like it? 393 00:15:52,840 --> 00:15:55,440 Speaker 5: Because again, when you I'm not good with numbers, but 394 00:15:56,680 --> 00:16:01,200 Speaker 5: I would say tune okay, so wow, yeah, okay, see 395 00:16:01,200 --> 00:16:03,280 Speaker 5: I'm not good with that. I don't know, I don't know. 396 00:16:03,400 --> 00:16:06,520 Speaker 7: Probably like us together. Probably, like I'll. 397 00:16:06,400 --> 00:16:08,800 Speaker 1: Say, it's gotten louder every time we played it, which 398 00:16:08,800 --> 00:16:09,840 Speaker 1: has been really fun to watch. 399 00:16:09,880 --> 00:16:11,120 Speaker 5: Why did you say yes to the song? 400 00:16:12,280 --> 00:16:12,440 Speaker 13: Uh? 401 00:16:12,600 --> 00:16:13,560 Speaker 10: Well, I always like Della. 402 00:16:14,880 --> 00:16:20,680 Speaker 1: She's from Alabama, very very country, uh musically and in spiritually. 403 00:16:22,040 --> 00:16:22,400 Speaker 5: Uh. 404 00:16:22,600 --> 00:16:24,880 Speaker 1: And we just grew up the same way. Bradley Jordan, 405 00:16:24,960 --> 00:16:26,600 Speaker 1: he her managers, a really good buddy of mine, and 406 00:16:26,640 --> 00:16:29,480 Speaker 1: he kind of put me on tour and I just 407 00:16:29,560 --> 00:16:31,680 Speaker 1: like to see good folks do well, and and she 408 00:16:31,800 --> 00:16:32,920 Speaker 1: was on tour with me. I thought it made a 409 00:16:32,960 --> 00:16:35,200 Speaker 1: lot of sense. I thought the song was fun, had 410 00:16:35,240 --> 00:16:37,960 Speaker 1: no clue it was a giant hit, you know. I 411 00:16:37,960 --> 00:16:40,280 Speaker 1: thought Talking Versus was probably a little too old school, 412 00:16:40,280 --> 00:16:42,680 Speaker 1: a little too traditional. But how cool is it that 413 00:16:42,720 --> 00:16:45,120 Speaker 1: a song that's this country is doing this well? 414 00:16:45,400 --> 00:16:48,400 Speaker 5: You know, when did you start to notice, oh crap, 415 00:16:48,440 --> 00:16:52,200 Speaker 5: this is a this is a monster. Uh Like, did 416 00:16:52,240 --> 00:16:55,400 Speaker 5: it randomly ever, just come up or were your people deciding, you. 417 00:16:55,360 --> 00:16:58,320 Speaker 1: Know, like, well, no, I mean I've never had any 418 00:16:58,400 --> 00:17:01,720 Speaker 1: type of I guess what you would call viral, you know, 419 00:17:01,800 --> 00:17:04,240 Speaker 1: and this song is really like viral. I mean I 420 00:17:04,280 --> 00:17:06,280 Speaker 1: can barely work TikTok. I don't really know how that works, 421 00:17:06,280 --> 00:17:08,560 Speaker 1: but it's just everywhere. So you'd get your phone out 422 00:17:08,560 --> 00:17:10,879 Speaker 1: and it was every scroll. Would you hear this song playing? 423 00:17:10,920 --> 00:17:13,040 Speaker 1: So I guess that was kind of the eye opening 424 00:17:13,119 --> 00:17:16,960 Speaker 1: thing about it. But certainly playing it at a show, 425 00:17:17,040 --> 00:17:19,280 Speaker 1: I think maybe yeah. I mean some of the stuff 426 00:17:19,280 --> 00:17:21,600 Speaker 1: I would just kind of randomly bring L up and 427 00:17:21,640 --> 00:17:23,320 Speaker 1: we would do a couple of songs together, and we 428 00:17:23,359 --> 00:17:24,760 Speaker 1: did this one of a couple of times and it 429 00:17:24,880 --> 00:17:26,160 Speaker 1: just didn't take long. 430 00:17:26,400 --> 00:17:30,560 Speaker 5: That's crazy. That's so cool that because it organically happened 431 00:17:30,720 --> 00:17:33,960 Speaker 5: right like you. Yeah, and any creator, any musician and 432 00:17:33,960 --> 00:17:38,240 Speaker 5: the artist, you're always one really special piece of content 433 00:17:38,359 --> 00:17:42,600 Speaker 5: away from having a real shot going viral. You never 434 00:17:42,680 --> 00:17:45,280 Speaker 5: know what it can be. And there are people that 435 00:17:45,520 --> 00:17:48,399 Speaker 5: it's a weird dynamic because you know, you're like, you 436 00:17:48,400 --> 00:17:50,119 Speaker 5: don't want to give it too much power, but also 437 00:17:50,280 --> 00:17:52,080 Speaker 5: if it's really good and nobody's giving it a chance, 438 00:17:52,119 --> 00:17:54,280 Speaker 5: sometimes the chance is right here. Like it's a platform 439 00:17:54,520 --> 00:17:56,119 Speaker 5: that is able to be used. And I think this 440 00:17:56,280 --> 00:17:59,040 Speaker 5: is one of those examples of five hundred executives are 441 00:17:59,080 --> 00:18:00,720 Speaker 5: going to hear that song and go like what you 442 00:18:00,720 --> 00:18:02,760 Speaker 5: just said, Riley, it's maybe this a little too old school. 443 00:18:02,840 --> 00:18:05,600 Speaker 5: We're probably not gonna invest any money. However, the people 444 00:18:05,720 --> 00:18:08,080 Speaker 5: freaking loved it, and that's what makes all the difference 445 00:18:08,080 --> 00:18:08,280 Speaker 5: in it. 446 00:18:08,800 --> 00:18:10,760 Speaker 6: Now, after you wrote it, you're like, I don't know 447 00:18:10,760 --> 00:18:12,760 Speaker 6: that any video I'll ever hear this. 448 00:18:13,000 --> 00:18:14,840 Speaker 13: Well, yeah, I mean I just kind of like my 449 00:18:14,880 --> 00:18:17,480 Speaker 13: whole goal for writting the song was just to honestly, 450 00:18:17,600 --> 00:18:18,840 Speaker 13: this is when I was still playing a lot of 451 00:18:18,880 --> 00:18:21,200 Speaker 13: rounds in town, is to just have a song where 452 00:18:21,240 --> 00:18:23,680 Speaker 13: like no one's listening, they're all talking to maybe they'd 453 00:18:23,760 --> 00:18:25,679 Speaker 13: laugh a little bit because I'm talking in the verses, 454 00:18:25,720 --> 00:18:29,119 Speaker 13: you know, but yeah, some of my hands. And she 455 00:18:29,200 --> 00:18:31,639 Speaker 13: works on my team and she heard it. She just 456 00:18:31,720 --> 00:18:33,760 Speaker 13: was like, dude, you've got You've got a sentence in 457 00:18:33,960 --> 00:18:35,640 Speaker 13: And I just fought it for so long. 458 00:18:35,760 --> 00:18:37,239 Speaker 5: So this is the first time you put it up 459 00:18:37,280 --> 00:18:39,000 Speaker 5: that people reacted to it or it take a few times. 460 00:18:39,080 --> 00:18:42,200 Speaker 7: No, No, it did not. It just wasn't that hard. 461 00:18:42,280 --> 00:18:45,359 Speaker 13: Like I just posted one, Uh, we were out on 462 00:18:45,359 --> 00:18:48,159 Speaker 13: the roads, I think on the West Coast towards the 463 00:18:48,240 --> 00:18:49,639 Speaker 13: end of the tour, and I just posted like a 464 00:18:49,720 --> 00:18:51,679 Speaker 13: video of me doing the verse and that's it, and 465 00:18:51,760 --> 00:18:53,800 Speaker 13: it just that's kind of what started it. And then 466 00:18:54,240 --> 00:18:56,159 Speaker 13: I did one other video of just me singing the 467 00:18:56,240 --> 00:18:59,199 Speaker 13: chorus and that's the sound that everyone's been using. But 468 00:18:59,240 --> 00:19:03,600 Speaker 13: then whenever we did red Rocks and posted us that 469 00:19:03,640 --> 00:19:06,000 Speaker 13: he's actually on the song, and then yeah, and when 470 00:19:06,000 --> 00:19:08,639 Speaker 13: we did it for the show the last day of 471 00:19:08,680 --> 00:19:09,760 Speaker 13: the tour too. 472 00:19:10,280 --> 00:19:13,119 Speaker 5: So I'm a sports nerd and I was and I 473 00:19:13,200 --> 00:19:18,600 Speaker 5: like sports memorabilia. This is gonna be a this is 474 00:19:18,640 --> 00:19:20,399 Speaker 5: how I heard the song the first time, as I 475 00:19:20,480 --> 00:19:23,359 Speaker 5: was watching this sports memorabilia being broken, the song's playing 476 00:19:23,359 --> 00:19:25,640 Speaker 5: in the background, and I'm like, that sounds like Riley. 477 00:19:25,680 --> 00:19:27,359 Speaker 5: I don't know who the girl is. What is that song? 478 00:19:27,640 --> 00:19:29,920 Speaker 5: I hear it as a background sound when I'm watching 479 00:19:30,000 --> 00:19:33,159 Speaker 5: them freaking break signed helmets, and so I've searched for 480 00:19:33,200 --> 00:19:35,000 Speaker 5: a couple of things I heard. That's where I heard it. 481 00:19:35,040 --> 00:19:40,880 Speaker 5: Then it was so ubiquitous, just existing everywhere. Then that's 482 00:19:40,880 --> 00:19:43,679 Speaker 5: when I started to play it here. But like congratulations, 483 00:19:43,720 --> 00:19:50,000 Speaker 5: like it's something that's so awkwardly awesome that it makes 484 00:19:50,080 --> 00:19:52,520 Speaker 5: all the bit of sense, and it's why it resonates 485 00:19:52,560 --> 00:19:55,119 Speaker 5: so much because it doesn't sound like everything else and 486 00:19:55,160 --> 00:19:55,560 Speaker 5: it's good. 487 00:19:55,840 --> 00:19:58,639 Speaker 13: Well, I think it's also like kind of for this 488 00:19:58,720 --> 00:20:02,080 Speaker 13: next record. I'm already working on it, but just like 489 00:20:02,119 --> 00:20:04,400 Speaker 13: the creative freedom I have now, just it's like there's 490 00:20:04,440 --> 00:20:06,680 Speaker 13: literally no singing in the verses, and his songs on 491 00:20:06,800 --> 00:20:09,119 Speaker 13: radio doing well right now in as wild, so I 492 00:20:09,200 --> 00:20:11,520 Speaker 13: kind of feel like it's kind of ripping the structure 493 00:20:11,520 --> 00:20:13,320 Speaker 13: out of my head a little bit and just doing 494 00:20:13,359 --> 00:20:14,000 Speaker 13: what feels good. 495 00:20:14,080 --> 00:20:16,680 Speaker 5: I mean when I think about like Conway Loretta, because 496 00:20:16,720 --> 00:20:19,320 Speaker 5: they were awesome and they did their music together. They 497 00:20:19,560 --> 00:20:22,160 Speaker 5: do funny songs, they do talkie songs, they do singy songs. 498 00:20:22,240 --> 00:20:25,800 Speaker 5: That's what it kind of feels like to me. It's here, Yeah, 499 00:20:26,119 --> 00:20:27,040 Speaker 5: so yeah, it's good. 500 00:20:28,359 --> 00:20:28,560 Speaker 16: Yeah. 501 00:20:28,920 --> 00:20:32,560 Speaker 5: You know THO song the reason Archay Yeah, e Riley. 502 00:20:32,560 --> 00:20:34,160 Speaker 5: I was talking about your on social media. I didn't 503 00:20:34,160 --> 00:20:37,879 Speaker 5: know you're gonna be here, and at one point I 504 00:20:37,920 --> 00:20:39,400 Speaker 5: was like, I want everybody to make sure that they 505 00:20:39,440 --> 00:20:41,320 Speaker 5: know this is a compliment. But I was talking about 506 00:20:41,320 --> 00:20:43,399 Speaker 5: how your everybody knows you're a star and you have 507 00:20:43,400 --> 00:20:45,320 Speaker 5: a lot of hits, and but I don't think people 508 00:20:45,400 --> 00:20:50,000 Speaker 5: understand the amount of megastar you are at shows. Meaning 509 00:20:50,640 --> 00:20:52,080 Speaker 5: what I compared it to is you have a lot 510 00:20:52,080 --> 00:20:54,520 Speaker 5: of number one songs, a lot, and you have a 511 00:20:54,600 --> 00:20:57,320 Speaker 5: very successful career. But any other people that I know 512 00:20:57,320 --> 00:20:58,800 Speaker 5: that have had that many number one songs, they don't 513 00:20:58,800 --> 00:21:00,560 Speaker 5: have the crowds that you have. And I was talking 514 00:21:00,600 --> 00:21:02,320 Speaker 5: about the only other artist I've seen do it like 515 00:21:02,400 --> 00:21:06,200 Speaker 5: this kind of low key megastar it is Kane Brown, 516 00:21:06,440 --> 00:21:10,000 Speaker 5: who it took forever for people to understand the Caine 517 00:21:10,119 --> 00:21:15,119 Speaker 5: had built this following that it was selling out arena's 518 00:21:15,600 --> 00:21:17,520 Speaker 5: until people are like, oh yeah, I can't. But that's 519 00:21:17,600 --> 00:21:22,520 Speaker 5: you now, and I think what you're doing is on 520 00:21:22,600 --> 00:21:25,240 Speaker 5: such a level and people don't even understand the level 521 00:21:25,280 --> 00:21:27,760 Speaker 5: that's on right now. And I just want to congratulate 522 00:21:27,760 --> 00:21:30,440 Speaker 5: you and celebrate you because you are. You're killing it. 523 00:21:30,800 --> 00:21:32,439 Speaker 5: So I was talking about you a little bit on it. 524 00:21:32,480 --> 00:21:34,399 Speaker 1: Well, I took it as a compliment regardless of how 525 00:21:34,440 --> 00:21:36,000 Speaker 1: you meant it when I heard it, So I appreciate 526 00:21:36,040 --> 00:21:40,320 Speaker 1: the kind words and it's man, it's it's it's a 527 00:21:40,320 --> 00:21:42,240 Speaker 1: wild time. I think it has to do with a 528 00:21:42,280 --> 00:21:44,879 Speaker 1: lot of putting out a lot of music. You know, 529 00:21:44,960 --> 00:21:46,879 Speaker 1: I've got a lot of songs that haven't been on 530 00:21:46,880 --> 00:21:49,280 Speaker 1: the radio that people seem to know. And you know, 531 00:21:49,320 --> 00:21:51,000 Speaker 1: the song with l is a great example of you 532 00:21:51,080 --> 00:21:53,000 Speaker 1: just never know what somebody's gonna latch onto. 533 00:21:53,119 --> 00:21:53,280 Speaker 6: You know. 534 00:21:53,320 --> 00:21:55,840 Speaker 1: I thought the chorus was catchy, you know, in the 535 00:21:55,960 --> 00:21:57,840 Speaker 1: in the song and maybe it'd be a little bit 536 00:21:57,840 --> 00:21:59,440 Speaker 1: of an earworm, but to see it be as big of 537 00:21:59,480 --> 00:22:01,879 Speaker 1: a song as is just proved you never know. And uh, 538 00:22:02,119 --> 00:22:04,639 Speaker 1: you know, writing from where you come from and hopefully 539 00:22:04,680 --> 00:22:06,240 Speaker 1: people can relate to it. And I think that's what 540 00:22:06,480 --> 00:22:10,440 Speaker 1: Ella does really well. And uh, it's working really well. 541 00:22:10,480 --> 00:22:12,360 Speaker 1: For us right now. So I'm blessed to be out 542 00:22:12,359 --> 00:22:12,880 Speaker 1: here doing it. 543 00:22:13,000 --> 00:22:15,120 Speaker 5: Are you? Are you on the road every weekend? Now? 544 00:22:15,680 --> 00:22:17,119 Speaker 1: Yeah, I thought I was on the road today. 545 00:22:17,640 --> 00:22:20,119 Speaker 5: You are on the road. Wake up, wake up now. 546 00:22:20,160 --> 00:22:22,400 Speaker 10: I had to come play a guitar gig today for. 547 00:22:24,280 --> 00:22:24,879 Speaker 7: Guitar players. 548 00:22:24,880 --> 00:22:25,760 Speaker 5: That's how big the song is. 549 00:22:25,760 --> 00:22:28,360 Speaker 1: I'm playing guitar for Ella Langley. 550 00:22:28,520 --> 00:22:30,680 Speaker 5: And by the way, Ella's album is out. It's it's 551 00:22:30,680 --> 00:22:32,919 Speaker 5: called Hungover. It came out in August. So hopefully you 552 00:22:32,920 --> 00:22:35,400 Speaker 5: hear this song. And what it does is you go, oh, 553 00:22:35,440 --> 00:22:37,600 Speaker 5: I like that. Let me go check out some other stuff. 554 00:22:37,640 --> 00:22:39,879 Speaker 5: And that's the great thing about something popping is that 555 00:22:39,960 --> 00:22:42,760 Speaker 5: people check out the other stuff. If I was playing yeah, 556 00:22:42,800 --> 00:22:45,040 Speaker 5: and Riley Green, maybe you've heard of him a big deal. 557 00:22:45,680 --> 00:22:47,160 Speaker 6: So does the line work, though. 558 00:22:48,720 --> 00:22:50,240 Speaker 5: It depends what the depends with the girl looks like 559 00:22:50,280 --> 00:22:52,560 Speaker 5: I drunk, the guy is. That's generally what I'm waiting 560 00:22:52,560 --> 00:22:53,159 Speaker 5: to hear about. 561 00:22:53,200 --> 00:22:55,960 Speaker 13: Like you know, you're that pickup line? Got us married? Yes, 562 00:22:56,000 --> 00:22:57,919 Speaker 13: I'm ready for that, or you just you see this 563 00:22:58,000 --> 00:22:59,440 Speaker 13: kid right here, it's like. 564 00:22:59,440 --> 00:23:02,080 Speaker 5: You except it's like you say, this kid, we're not married, 565 00:23:02,119 --> 00:23:07,600 Speaker 5: but thank you? I said that. Yeah, Ella Riley, thank 566 00:23:07,640 --> 00:23:10,159 Speaker 5: you guys for coming in. Appreciate congratulations, looking forward to 567 00:23:10,200 --> 00:23:12,719 Speaker 5: Elis and a whole lot more thanks there they are, 568 00:23:12,760 --> 00:23:13,680 Speaker 5: Ellen Riley, good job. 569 00:23:16,480 --> 00:23:22,320 Speaker 4: It's the best Bits of the week with Morgan. Number two, Bobby. 570 00:23:21,960 --> 00:23:24,760 Speaker 3: Has claimed that he is a big loser. After a 571 00:23:24,840 --> 00:23:28,280 Speaker 3: really big Arkansas loss, he tweeted some things and they 572 00:23:28,320 --> 00:23:30,399 Speaker 3: came on the show and was like, guys, I'm a 573 00:23:30,480 --> 00:23:32,960 Speaker 3: huge loser and none of us agree with that, but 574 00:23:33,040 --> 00:23:34,000 Speaker 3: he feels that way. 575 00:23:34,400 --> 00:23:37,040 Speaker 2: And maybe if you're also a massive. 576 00:23:36,680 --> 00:23:39,119 Speaker 3: Sports fan and have a really big love for a 577 00:23:39,160 --> 00:23:42,879 Speaker 3: certain team, you're gonna feel the same way Bobby feels sometimes. 578 00:23:43,320 --> 00:23:44,040 Speaker 4: Number five. 579 00:23:44,200 --> 00:23:47,080 Speaker 5: I made a deal with myself this year. I'm like, 580 00:23:47,119 --> 00:23:49,720 Speaker 5: I had this moment. I'm an adult man. I've got 581 00:23:49,720 --> 00:23:54,200 Speaker 5: to stop relying too much on investing like heart, soul 582 00:23:54,600 --> 00:23:57,639 Speaker 5: into how my teams do. And I really have like 583 00:23:57,720 --> 00:24:02,040 Speaker 5: two teams, the Arkansas razorback in the Chicago Cubs, and 584 00:24:02,160 --> 00:24:05,120 Speaker 5: very much I put it all into Arkansas. I'm talking 585 00:24:05,119 --> 00:24:09,120 Speaker 5: about time, energy, effort, money, And I think I've said 586 00:24:09,160 --> 00:24:12,000 Speaker 5: it before. I think it's because as a kid, the 587 00:24:12,040 --> 00:24:14,320 Speaker 5: only consistency I had in my life as we got 588 00:24:14,320 --> 00:24:16,240 Speaker 5: moved all over and I lived with different people. We'd 589 00:24:16,280 --> 00:24:18,560 Speaker 5: go from the trailer park to an apartment for a minute. 590 00:24:18,720 --> 00:24:21,960 Speaker 5: The only consistency I had was I knew once Saturdays, 591 00:24:22,280 --> 00:24:25,040 Speaker 5: Arkansas play football and TV and it was on free TV, 592 00:24:25,480 --> 00:24:27,560 Speaker 5: and I have cable would it'd always be there for me. 593 00:24:27,600 --> 00:24:30,879 Speaker 5: It was the only thing. And so, and that sounds 594 00:24:30,920 --> 00:24:32,959 Speaker 5: a bit dramatic, but that's kind of what in therapy, 595 00:24:33,040 --> 00:24:35,640 Speaker 5: like why I think I get so emotional about it? 596 00:24:36,160 --> 00:24:39,000 Speaker 5: And I like Oklahoma State as a program. We got, 597 00:24:39,040 --> 00:24:42,000 Speaker 5: we whooped their butts first half and had everything not 598 00:24:42,040 --> 00:24:45,560 Speaker 5: gone wrong completely got we lost, and I was just 599 00:24:47,040 --> 00:24:50,840 Speaker 5: gone for the whole weekend gone everything went wrong. 600 00:24:51,359 --> 00:24:55,080 Speaker 6: Meaning in the game or your weekend, well both. 601 00:24:55,880 --> 00:24:59,920 Speaker 5: Because of the game. Like it was like I'm sorry, nalts, 602 00:25:00,200 --> 00:25:03,439 Speaker 5: drop balls, time management. It wasn't a single player, it 603 00:25:03,440 --> 00:25:05,600 Speaker 5: wasn't anything. It was just overall. It was like the 604 00:25:05,640 --> 00:25:07,159 Speaker 5: second half they were like, boy, we already got this. 605 00:25:07,440 --> 00:25:09,040 Speaker 5: We're good. Anyway, I was miserable. I hated it. I 606 00:25:09,080 --> 00:25:10,960 Speaker 5: hated it. You want to hear my statement, my official 607 00:25:10,960 --> 00:25:13,840 Speaker 5: statement I put out because I was hard. People texted me, okay, yeah, 608 00:25:13,880 --> 00:25:15,520 Speaker 5: and I'm gonna read this. I'm gonna stop talking about 609 00:25:15,520 --> 00:25:19,000 Speaker 5: it because it's gonna make me so mad again. This 610 00:25:19,040 --> 00:25:24,119 Speaker 5: is my official statement. I am a loser. I've been 611 00:25:24,119 --> 00:25:26,879 Speaker 5: a loser in my whole life. I'm a loyal loser, 612 00:25:27,280 --> 00:25:29,600 Speaker 5: but one nonetheless trying to come to terms that I 613 00:25:29,680 --> 00:25:33,520 Speaker 5: might also be this exact loser the duration of my life. 614 00:25:33,840 --> 00:25:35,560 Speaker 5: I am shocked and sad when things happen over and 615 00:25:35,560 --> 00:25:37,960 Speaker 5: over again. Wouldn't it just be easier to accept that 616 00:25:38,040 --> 00:25:39,760 Speaker 5: this is me? I am the problem. 617 00:25:40,440 --> 00:25:43,399 Speaker 6: Wait, that is your I don't think you do this. 618 00:25:43,920 --> 00:25:45,320 Speaker 5: I did do it because I can't. I shouldn't be 619 00:25:45,400 --> 00:25:46,880 Speaker 5: upset when this happens to be every single time. 620 00:25:46,960 --> 00:25:48,480 Speaker 10: You never reference the razor. 621 00:25:48,520 --> 00:25:50,480 Speaker 5: But it doesn't matter. It doesn't matter. 622 00:25:50,640 --> 00:25:52,200 Speaker 6: I thought at the beginning of this, you said you're 623 00:25:52,400 --> 00:25:53,520 Speaker 6: I'm going to impact you. 624 00:25:53,840 --> 00:25:55,440 Speaker 5: It is, though, more than ever, this one more than ever, 625 00:25:55,480 --> 00:25:57,600 Speaker 5: because it was like a fundamental It wasn't a single player, 626 00:25:57,600 --> 00:26:00,000 Speaker 5: It wasn't a single player messing up. It was every 627 00:26:00,160 --> 00:26:03,000 Speaker 5: and so I I questioned everything that I do and 628 00:26:03,040 --> 00:26:05,600 Speaker 5: live in every way I live life. That's all I'm done. 629 00:26:05,640 --> 00:26:09,000 Speaker 5: I'm even done talking about it. This is a me 630 00:26:09,080 --> 00:26:11,240 Speaker 5: thing because why do I do this to myself? Whenever 631 00:26:11,960 --> 00:26:13,800 Speaker 5: I never win. I'm not a winner when it comes 632 00:26:13,800 --> 00:26:15,040 Speaker 5: to sports. I don't pick teams that win. 633 00:26:15,440 --> 00:26:16,960 Speaker 6: Why don't we focus on what you do win? 634 00:26:17,080 --> 00:26:18,560 Speaker 5: But I'm never going to change. I'm just going to 635 00:26:18,600 --> 00:26:19,480 Speaker 5: be a loser forever. 636 00:26:19,880 --> 00:26:20,320 Speaker 6: One thing. 637 00:26:20,480 --> 00:26:23,480 Speaker 5: I will be loyal to the Arkansas Razorbacks until I die, 638 00:26:23,520 --> 00:26:24,760 Speaker 5: and I will die bitter. 639 00:26:25,359 --> 00:26:26,480 Speaker 10: You won Dancing with a Star. 640 00:26:26,840 --> 00:26:29,720 Speaker 5: That's true. I would rather win a national championship. I 641 00:26:29,720 --> 00:26:30,400 Speaker 5: would run. 642 00:26:30,600 --> 00:26:32,960 Speaker 8: What absolutely no, I mean, I guess regards that, but 643 00:26:32,960 --> 00:26:34,200 Speaker 8: I'm thinking of other things in your life. 644 00:26:34,240 --> 00:26:36,040 Speaker 5: This is the thing won a national championship. If I 645 00:26:36,119 --> 00:26:37,960 Speaker 5: could win a national championship and fire all you guys, 646 00:26:38,480 --> 00:26:39,440 Speaker 5: good luck with your new jobs. 647 00:26:39,840 --> 00:26:40,919 Speaker 10: I don't need to do all that. 648 00:26:42,119 --> 00:26:46,200 Speaker 6: One in the career. You've won in the life. 649 00:26:47,480 --> 00:26:49,560 Speaker 5: It doesn't matter. It makes me so, it doesn't like 650 00:26:49,600 --> 00:26:51,080 Speaker 5: it hurts, it physically hurts. 651 00:26:51,080 --> 00:26:52,640 Speaker 10: You know, you win pickleball time. 652 00:26:52,680 --> 00:26:53,800 Speaker 5: I never had a breakup. 653 00:26:54,040 --> 00:26:55,480 Speaker 6: You win a lot of bets. 654 00:26:55,600 --> 00:26:56,120 Speaker 5: It doesn't matter. 655 00:26:56,160 --> 00:26:56,680 Speaker 10: That's true. 656 00:26:56,840 --> 00:26:59,960 Speaker 5: I want a lot of money off that game because 657 00:27:00,000 --> 00:27:01,199 Speaker 5: I knew if it's like plus ten, I was like, 658 00:27:01,280 --> 00:27:03,080 Speaker 5: there's no way, it doesn't matter. I don't want talk 659 00:27:03,119 --> 00:27:04,679 Speaker 5: about the game specifically because it makes me sick to 660 00:27:04,680 --> 00:27:07,560 Speaker 5: my stomach. But what I want to say is it's 661 00:27:07,600 --> 00:27:10,119 Speaker 5: on me anytime we continue to do something over and 662 00:27:10,119 --> 00:27:13,800 Speaker 5: over again and we get the same result and we're like, yeah, 663 00:27:13,880 --> 00:27:18,919 Speaker 5: I am insane. I am a loser. I will always 664 00:27:19,000 --> 00:27:21,000 Speaker 5: be a loser. I am a loser. 665 00:27:21,080 --> 00:27:21,720 Speaker 6: You're a loser. 666 00:27:22,520 --> 00:27:23,000 Speaker 5: I hate it. 667 00:27:23,160 --> 00:27:24,480 Speaker 6: Guy, I think you should just join in. 668 00:27:25,080 --> 00:27:26,639 Speaker 10: It sounds weird, but yeah, I do sound weird to 669 00:27:26,680 --> 00:27:29,320 Speaker 10: call you a loser. Okay, man, we'll call you a loser. 670 00:27:29,560 --> 00:27:34,720 Speaker 5: I am a loser theme song, don't you No. It's 671 00:27:34,920 --> 00:27:36,360 Speaker 5: so anyway, I'm going to stop talking about it because 672 00:27:36,359 --> 00:27:38,280 Speaker 5: I'm just all I'm gonna okay. My point was I've 673 00:27:38,280 --> 00:27:40,000 Speaker 5: never been I never was in a breakup where I 674 00:27:40,040 --> 00:27:41,760 Speaker 5: was like all sad. I never even really got broken 675 00:27:41,840 --> 00:27:43,840 Speaker 5: up with because I never really got in a relationship 676 00:27:43,960 --> 00:27:45,560 Speaker 5: and people would be like, man, when you break up, 677 00:27:45,560 --> 00:27:48,239 Speaker 5: it physically hurts. Yeah, that's what it felt like. 678 00:27:48,680 --> 00:27:49,760 Speaker 10: Your heart's hurting. 679 00:27:49,680 --> 00:27:53,320 Speaker 5: Because we crushed them. It was over. It's over. We 680 00:27:53,400 --> 00:27:56,439 Speaker 5: put a boot in there. Ah, it's the And then 681 00:27:56,440 --> 00:27:58,560 Speaker 5: as we came out and I was like, the football, 682 00:27:58,640 --> 00:28:02,160 Speaker 5: what shape is it? It's terrible, But it's not about 683 00:28:02,160 --> 00:28:04,400 Speaker 5: the game. It's about me being a loser and continue 684 00:28:04,440 --> 00:28:08,159 Speaker 5: to set myself up over and over again. And I 685 00:28:08,200 --> 00:28:10,040 Speaker 5: donate a decent amount of money to the program. I 686 00:28:10,080 --> 00:28:12,600 Speaker 5: almost text him be like I'm keeping my money. I 687 00:28:12,600 --> 00:28:15,120 Speaker 5: didn't because I needed I need I needed a time, 688 00:28:15,160 --> 00:28:17,080 Speaker 5: I needed to take some breaths. But I didn't. 689 00:28:17,080 --> 00:28:19,960 Speaker 6: I'm so this like next weekend when they win, they're. 690 00:28:19,800 --> 00:28:22,600 Speaker 5: Playing a team that's not any good. But it doesn't matter, 691 00:28:22,640 --> 00:28:24,400 Speaker 5: it doesn't matter. I don't, I don't, I don't base. 692 00:28:24,480 --> 00:28:26,560 Speaker 5: I've never once been like this, as far as to 693 00:28:26,560 --> 00:28:28,240 Speaker 5: the point where I was like just on the edge. 694 00:28:28,560 --> 00:28:32,640 Speaker 5: I've been upset and rage full, but never like this. Okay, 695 00:28:32,640 --> 00:28:33,600 Speaker 5: I gotta get it. I have to go. 696 00:28:33,800 --> 00:28:35,280 Speaker 9: If they would have lost from the beginning, would you 697 00:28:35,320 --> 00:28:35,800 Speaker 9: have been better? 698 00:28:35,840 --> 00:28:38,000 Speaker 5: Yeah, much better. Okay, if we'd have just got outclassed 699 00:28:38,080 --> 00:28:42,640 Speaker 5: or outplayed. But it was like they fell apart more 700 00:28:42,640 --> 00:28:44,120 Speaker 5: than I've ever seen in the history of my life. 701 00:28:45,000 --> 00:28:45,160 Speaker 5: You know. 702 00:28:45,240 --> 00:28:47,000 Speaker 8: I declared that I was going to try to get 703 00:28:47,000 --> 00:28:49,600 Speaker 8: more into sports and get be more of a Titans fan, 704 00:28:49,760 --> 00:28:52,080 Speaker 8: And when they lost this weekend, I really tried to get. 705 00:28:52,000 --> 00:28:53,760 Speaker 5: Yeah, I bet a lot of I bet a lot 706 00:28:53,800 --> 00:28:56,080 Speaker 5: on them and plus four and they blew at the 707 00:28:56,120 --> 00:28:58,479 Speaker 5: into the game. Will Levis does even play quarterback? Does 708 00:28:58,520 --> 00:29:01,480 Speaker 5: he even know? I told football? No he did? He No, 709 00:29:01,520 --> 00:29:03,480 Speaker 5: it doesn't even play football. Should he have been kicking? 710 00:29:03,520 --> 00:29:06,200 Speaker 5: Should he been playing kicker? I'm taking that out on 711 00:29:06,240 --> 00:29:08,520 Speaker 5: him because the Arkansas lost. Anyway, I have to go 712 00:29:08,640 --> 00:29:09,360 Speaker 5: right get me out here. 713 00:29:10,640 --> 00:29:13,840 Speaker 4: It's the best bits of the week with Morgan. 714 00:29:13,920 --> 00:29:14,360 Speaker 5: Number two. 715 00:29:17,120 --> 00:29:19,040 Speaker 3: And I know I've seen all the comments about this 716 00:29:19,120 --> 00:29:22,080 Speaker 3: segment when it aired of oh this is voodoo, You're crazy, 717 00:29:22,120 --> 00:29:24,160 Speaker 3: what are you talking about? But I got an energy 718 00:29:24,200 --> 00:29:26,880 Speaker 3: massage and it was a really great experience for me, 719 00:29:27,080 --> 00:29:30,840 Speaker 3: and I'm feeling a whole lot better, which I couldn't 720 00:29:30,880 --> 00:29:33,360 Speaker 3: have told you that a month ago. So I'm telling 721 00:29:33,360 --> 00:29:36,120 Speaker 3: you this energy massage was a game changer for me. 722 00:29:36,560 --> 00:29:39,320 Speaker 3: And maybe just maybe keep your mind a little open 723 00:29:39,480 --> 00:29:40,760 Speaker 3: as you listened to the segment. 724 00:29:41,200 --> 00:29:42,959 Speaker 4: Number four, I've never heard of such thing. 725 00:29:43,360 --> 00:29:44,920 Speaker 5: We could tell Morgan if we think she's a weirdo 726 00:29:45,000 --> 00:29:46,640 Speaker 5: or not, but she had an energy massage. I don't 727 00:29:46,640 --> 00:29:49,960 Speaker 5: know what an energy massage was. I don't know what's 728 00:29:50,000 --> 00:29:50,880 Speaker 5: the energy massage. 729 00:29:50,960 --> 00:29:52,680 Speaker 3: Okay, so you guys, remember the lady who helped me 730 00:29:52,720 --> 00:29:53,440 Speaker 3: get my smell back. 731 00:29:53,680 --> 00:29:56,320 Speaker 5: Yeah, yeah, COVID and she rubbed like your nose or something. Yeah. 732 00:29:56,360 --> 00:29:59,040 Speaker 3: He did like cupping in fascia massage on my face 733 00:29:59,280 --> 00:30:02,440 Speaker 3: and it's the same. But she also helped you know, 734 00:30:02,680 --> 00:30:04,800 Speaker 3: I went through my breakup and I had a lot 735 00:30:04,800 --> 00:30:06,920 Speaker 3: of bad energy in my body and she's like, I 736 00:30:07,000 --> 00:30:07,760 Speaker 3: need to come work on you. 737 00:30:07,800 --> 00:30:09,920 Speaker 2: I think this would be really good for you. And 738 00:30:10,560 --> 00:30:12,960 Speaker 2: she did. There's there's two things that happened. 739 00:30:12,960 --> 00:30:14,479 Speaker 5: Does she actually touch you or does she put her 740 00:30:14,480 --> 00:30:15,040 Speaker 5: hands over you? 741 00:30:15,480 --> 00:30:17,800 Speaker 3: She was massaging my body, Okay, something. 742 00:30:17,480 --> 00:30:18,320 Speaker 2: That was crazy. 743 00:30:18,360 --> 00:30:22,080 Speaker 3: So apparently your stomach hides in times of stress, so 744 00:30:22,120 --> 00:30:25,640 Speaker 3: like if you stop eating, your stomach literally goes up 745 00:30:25,720 --> 00:30:27,880 Speaker 3: underneath your rips so you don't feel hunger pains. 746 00:30:28,080 --> 00:30:30,040 Speaker 5: Is that like when ninjas pushed their testicles into their 747 00:30:30,040 --> 00:30:33,280 Speaker 5: body so they have no vulnerabilities. Yes, I don't even 748 00:30:33,280 --> 00:30:33,800 Speaker 5: know what that is. 749 00:30:35,000 --> 00:30:36,880 Speaker 6: You have to physically push them up there. 750 00:30:36,960 --> 00:30:40,120 Speaker 5: Yeah, that's it. It's what ninja does. Ninjas are real, 751 00:30:40,800 --> 00:30:43,040 Speaker 5: so I can understand if you have anxiety, while your 752 00:30:43,080 --> 00:30:44,720 Speaker 5: stomach would tighten, a lot of our body parts do 753 00:30:44,760 --> 00:30:46,280 Speaker 5: different things when okay, go. 754 00:30:46,200 --> 00:30:49,959 Speaker 3: Ahead, Yes, So she literally worked on massaging my stomach 755 00:30:50,040 --> 00:30:52,000 Speaker 3: and got my stomach to move back to where it 756 00:30:52,040 --> 00:30:54,640 Speaker 3: was supposed to be, and literally immediately after, my stomach 757 00:30:54,680 --> 00:30:57,280 Speaker 3: started growling like it had it had food and weak 758 00:30:57,320 --> 00:31:00,680 Speaker 3: which it hadn't, and I was like, immediate hungry. 759 00:31:00,760 --> 00:31:03,880 Speaker 5: Okay, now that I believe it doesn't feel energy related, 760 00:31:03,880 --> 00:31:08,600 Speaker 5: that feels physical related from stress. And she probably actually 761 00:31:08,880 --> 00:31:11,080 Speaker 5: pushed part of your stomach, so that to me, that 762 00:31:11,120 --> 00:31:13,360 Speaker 5: doesn't seem weird though that's not energy related. 763 00:31:13,040 --> 00:31:14,400 Speaker 2: But it was part of the energy massage. 764 00:31:14,360 --> 00:31:16,320 Speaker 5: Of course it was part of it. 765 00:31:16,440 --> 00:31:18,680 Speaker 3: And then also in my so in my like liver 766 00:31:18,760 --> 00:31:20,440 Speaker 3: and kidney right down in my side, it felt like 767 00:31:20,480 --> 00:31:22,680 Speaker 3: I had this giant just not like there was just 768 00:31:22,720 --> 00:31:24,440 Speaker 3: a ball, and every time she touched it it was 769 00:31:24,440 --> 00:31:25,200 Speaker 3: super painful. 770 00:31:25,720 --> 00:31:27,440 Speaker 2: And she was like, no, I'm you know, I'm gonna 771 00:31:27,440 --> 00:31:28,720 Speaker 2: hold onto this for a little bit. 772 00:31:29,200 --> 00:31:31,520 Speaker 3: And as she did, it was like my emotions were 773 00:31:31,560 --> 00:31:34,600 Speaker 3: starting to release, Like I started hysterically laughing, and I 774 00:31:34,640 --> 00:31:39,400 Speaker 3: was like, nothing's funny, not crying, No, I was hysterically laughing. 775 00:31:40,040 --> 00:31:43,640 Speaker 5: Point, why not think that. 776 00:31:47,400 --> 00:31:50,200 Speaker 2: Just like holding it like pressure pressure on it? 777 00:31:50,240 --> 00:31:50,880 Speaker 5: What part of your body? 778 00:31:50,920 --> 00:31:53,800 Speaker 3: Again, it was right in my like liver kidney area, 779 00:31:55,800 --> 00:31:56,120 Speaker 3: I can't. 780 00:31:56,200 --> 00:31:58,440 Speaker 2: I'm like literally just holding onto it. 781 00:31:58,720 --> 00:32:00,040 Speaker 5: Okay, so you don't, she went. 782 00:32:00,440 --> 00:32:01,320 Speaker 2: She was not tickling me. 783 00:32:01,480 --> 00:32:03,160 Speaker 5: But you can hear Eddie's point though, because it isn't 784 00:32:03,160 --> 00:32:03,800 Speaker 5: a takle place. 785 00:32:03,880 --> 00:32:06,440 Speaker 2: It is, but I'm not super tiiculous right there anyway. 786 00:32:06,520 --> 00:32:07,360 Speaker 2: So she literally was just. 787 00:32:07,360 --> 00:32:09,040 Speaker 3: Like holding her hand on it, and I am just 788 00:32:09,040 --> 00:32:11,720 Speaker 3: sitting there like his like something somebody just told me 789 00:32:11,760 --> 00:32:14,800 Speaker 3: the funniest joke of my entire life. And then after 790 00:32:14,840 --> 00:32:18,239 Speaker 3: the laughing pass, I start bawling, like it was just 791 00:32:18,240 --> 00:32:19,800 Speaker 3: like things were just coming out of my body. 792 00:32:19,800 --> 00:32:21,120 Speaker 2: And I was like, what is happening? 793 00:32:21,280 --> 00:32:22,920 Speaker 5: Should you take like a mystery pill beforehand? 794 00:32:24,960 --> 00:32:25,120 Speaker 13: No? 795 00:32:25,120 --> 00:32:27,760 Speaker 3: No, And I'm like I'm crying. She's like, okay, we're 796 00:32:27,800 --> 00:32:29,040 Speaker 3: gonna sit here for a little bit longer. 797 00:32:29,080 --> 00:32:31,480 Speaker 2: And then it just kind of subsides and it goes away, 798 00:32:31,520 --> 00:32:32,880 Speaker 2: and I was like, what was that? 799 00:32:32,960 --> 00:32:34,719 Speaker 3: And She's like, yeah, you had like a ball of 800 00:32:34,800 --> 00:32:37,240 Speaker 3: literally your body was protecting you of like all these 801 00:32:37,240 --> 00:32:39,360 Speaker 3: emotions and you needed to let it out. 802 00:32:39,720 --> 00:32:43,680 Speaker 5: So you your stomach came out from hiding. Yep, you 803 00:32:43,760 --> 00:32:47,200 Speaker 5: laughed hysterically, then you cried. Then you're normal now is 804 00:32:47,240 --> 00:32:47,640 Speaker 5: it over? 805 00:32:47,800 --> 00:32:47,960 Speaker 14: Then? 806 00:32:48,760 --> 00:32:52,040 Speaker 3: Then it's like okay. She's like, Okay, you're an Aura. 807 00:32:52,160 --> 00:32:54,560 Speaker 3: Do you believe in aura's? Everybody has an aura? 808 00:32:54,800 --> 00:32:55,240 Speaker 1: Uh? 809 00:32:55,280 --> 00:32:55,840 Speaker 6: An energy? 810 00:32:56,000 --> 00:32:59,840 Speaker 5: Sure, ish, you're starting to sell like Amy, I know 811 00:33:00,600 --> 00:33:03,360 Speaker 5: a different Amy Sisan. I'd say, but yes, we're getting there, 812 00:33:03,400 --> 00:33:03,920 Speaker 5: but go ahead. 813 00:33:04,160 --> 00:33:06,640 Speaker 3: So she was like, when you're when you're really depleted 814 00:33:06,680 --> 00:33:08,880 Speaker 3: and things are really hard in your life, you will 815 00:33:09,160 --> 00:33:12,160 Speaker 3: suck energy in and like you take everything on. She's like, 816 00:33:12,200 --> 00:33:14,560 Speaker 3: but now, like since we've kind of worked that those 817 00:33:14,600 --> 00:33:16,840 Speaker 3: emotions out of your body, She's like, now you're pushing 818 00:33:16,880 --> 00:33:19,640 Speaker 3: everything out and you're back to being like your normal self, 819 00:33:19,720 --> 00:33:21,400 Speaker 3: and like the energy is going out. 820 00:33:21,200 --> 00:33:21,800 Speaker 11: Instead of in. 821 00:33:22,320 --> 00:33:24,880 Speaker 5: Okay, and then so what happens? Did you? Like you 822 00:33:25,000 --> 00:33:25,960 Speaker 5: leave in your a new person? 823 00:33:26,440 --> 00:33:28,680 Speaker 2: I really felt like I was. I genuinely did. 824 00:33:28,720 --> 00:33:30,680 Speaker 3: Like I felt like I was kind of walking on clouds. 825 00:33:30,720 --> 00:33:32,200 Speaker 3: It was like my I just was having a very 826 00:33:32,240 --> 00:33:33,280 Speaker 3: out of body experience. 827 00:33:33,400 --> 00:33:35,080 Speaker 5: I had to prove that any of this is wrong, 828 00:33:35,120 --> 00:33:36,840 Speaker 5: by the way, and I'm not. It's just to me, 829 00:33:37,120 --> 00:33:39,320 Speaker 5: I've not had it happen, so it's hard for me 830 00:33:39,440 --> 00:33:40,880 Speaker 5: to go, Wow, you can get pushed in the side 831 00:33:40,880 --> 00:33:42,560 Speaker 5: and laugh and cry. I've never had that happen, and 832 00:33:42,600 --> 00:33:43,760 Speaker 5: I'm not trying to be a hater. We're just making 833 00:33:43,840 --> 00:33:46,080 Speaker 5: jokes here. Did anything happen afterward? 834 00:33:46,480 --> 00:33:46,920 Speaker 2: Yeah? 835 00:33:47,000 --> 00:33:47,760 Speaker 5: Oh okay. 836 00:33:47,880 --> 00:33:51,160 Speaker 3: So I went to a pool with a girlfriend and guys, 837 00:33:51,160 --> 00:33:53,080 Speaker 3: I'm not kidding you. I cannot make this up if 838 00:33:53,080 --> 00:33:56,640 Speaker 3: I wanted to a guy. No, I really couldn't. 839 00:33:56,680 --> 00:33:58,560 Speaker 2: Like the girl. My friend was sitting next to me 840 00:33:58,560 --> 00:33:59,640 Speaker 2: and convouch, what this happened? 841 00:33:59,640 --> 00:34:01,240 Speaker 3: This guy straight up came up to me and was like, 842 00:34:01,760 --> 00:34:03,840 Speaker 3: I really love your energy. Something about you is just 843 00:34:03,840 --> 00:34:04,360 Speaker 3: really awesome. 844 00:34:04,400 --> 00:34:06,280 Speaker 4: Right, Okay, guys just say that. 845 00:34:06,720 --> 00:34:10,640 Speaker 5: Okay, question, are you in a swimsuit? 846 00:34:10,840 --> 00:34:11,040 Speaker 6: Yes? 847 00:34:11,120 --> 00:34:14,600 Speaker 5: Okay, talking about your energy? 848 00:34:14,680 --> 00:34:15,719 Speaker 2: That just happened. 849 00:34:16,680 --> 00:34:19,800 Speaker 5: So, yeah, he's your energies. You're putting off a hotness. 850 00:34:19,840 --> 00:34:23,839 Speaker 3: I've never had a guy count anything about my energy. 851 00:34:22,400 --> 00:34:24,360 Speaker 5: This is coincidence. 852 00:34:24,400 --> 00:34:27,120 Speaker 8: We do have energies about us, Like I do think 853 00:34:27,160 --> 00:34:29,560 Speaker 8: that people pick up, Like if you someone walks in 854 00:34:29,600 --> 00:34:32,239 Speaker 8: the studio with a bad mood, we feel it mood? 855 00:34:32,280 --> 00:34:34,960 Speaker 5: Can it be an energy? Can be interchangeable? I agree, Yeah, 856 00:34:35,040 --> 00:34:37,960 Speaker 5: I agree with every I said. I don't disagree with 857 00:34:37,960 --> 00:34:39,279 Speaker 5: anything you're saying. I just it's hard to me to 858 00:34:39,320 --> 00:34:40,840 Speaker 5: agree with it because I've never actually seen it, and 859 00:34:40,880 --> 00:34:43,319 Speaker 5: the coincidence of him saying energy, but were you were 860 00:34:43,320 --> 00:34:46,879 Speaker 5: you in a bikini? Yeah, okay, I think a lot 861 00:34:46,880 --> 00:34:48,680 Speaker 5: of guys would have been into the energy of No, 862 00:34:48,800 --> 00:34:51,000 Speaker 5: that's a good energy feeling that energy. 863 00:34:51,719 --> 00:34:53,279 Speaker 3: I mean, I'm a girl, and you could have come 864 00:34:53,320 --> 00:34:55,080 Speaker 3: up and just been like, hey, like you're super cute, 865 00:34:55,160 --> 00:34:55,440 Speaker 3: let's talk. 866 00:34:55,520 --> 00:34:56,840 Speaker 2: But instead he came up to me and said, I 867 00:34:56,840 --> 00:34:57,680 Speaker 2: really love your energy. 868 00:34:57,719 --> 00:34:59,279 Speaker 5: Like that's what you say to somebody who's half naked 869 00:34:59,280 --> 00:35:02,160 Speaker 5: without addressing Yeah, you're like, hey, your smiles great, or 870 00:35:02,160 --> 00:35:04,040 Speaker 5: you have a great energy, or your stomach looks like 871 00:35:04,080 --> 00:35:07,080 Speaker 5: it just came out of hiding. What did it? 872 00:35:07,520 --> 00:35:07,640 Speaker 17: So? 873 00:35:08,440 --> 00:35:10,160 Speaker 5: What is it? What does this call mean? Is that 874 00:35:10,160 --> 00:35:10,919 Speaker 5: a lot? 875 00:35:11,320 --> 00:35:11,760 Speaker 2: No? 876 00:35:12,000 --> 00:35:14,759 Speaker 3: But she actually came to do she had seen the 877 00:35:14,800 --> 00:35:16,920 Speaker 3: post about my announcement. She's like, I actually I just 878 00:35:17,000 --> 00:35:17,960 Speaker 3: want to come work on you. I want you to 879 00:35:18,000 --> 00:35:19,319 Speaker 3: feel better. She didn't charge me. 880 00:35:19,440 --> 00:35:19,520 Speaker 8: What. 881 00:35:19,960 --> 00:35:25,080 Speaker 5: Oh okay, maybe hold on, maybe there's a crush happening. No, okay, 882 00:35:25,080 --> 00:35:30,360 Speaker 5: now he's going to fantasies. Thank you. But you believed 883 00:35:30,480 --> 00:35:31,600 Speaker 5: that that helped your energy? 884 00:35:31,760 --> 00:35:32,560 Speaker 4: I know it did. 885 00:35:32,640 --> 00:35:34,400 Speaker 3: Like, guys, I'm telling you, I had an out of 886 00:35:34,440 --> 00:35:36,960 Speaker 3: body experience that I cannot explain. 887 00:35:36,920 --> 00:35:39,640 Speaker 5: Crying into laughing or laughing at the crying as bazaar. Sure, 888 00:35:39,640 --> 00:35:42,799 Speaker 5: but if so, that's awesome, Like I'm sure, but there's 889 00:35:42,800 --> 00:35:44,359 Speaker 5: also thinks about a body we have no idea about, 890 00:35:44,360 --> 00:35:45,799 Speaker 5: what the science doesn't even know about. 891 00:35:45,920 --> 00:35:48,200 Speaker 6: Yeah, that can happen, but have died. 892 00:35:48,239 --> 00:35:49,200 Speaker 10: I cried and laughed too. 893 00:35:49,239 --> 00:35:50,759 Speaker 5: You don't know what pushing you in? 894 00:35:51,280 --> 00:35:52,040 Speaker 10: No massage me. 895 00:35:55,320 --> 00:35:58,520 Speaker 4: It's the best bits of the week with Morgan. 896 00:35:58,600 --> 00:35:59,280 Speaker 5: Number two. 897 00:36:00,640 --> 00:36:03,720 Speaker 3: Raw dogging sweatshirts. Yes, this was a very real topic 898 00:36:03,800 --> 00:36:05,960 Speaker 3: on our show. Eddie brought it because his wife was 899 00:36:05,960 --> 00:36:08,480 Speaker 3: making fun of him for not wearing a shirt under 900 00:36:08,520 --> 00:36:10,719 Speaker 3: one of his sweatshirts, and then it became a whole 901 00:36:10,760 --> 00:36:13,520 Speaker 3: debate like how do guys typically wear sweatshirts? 902 00:36:13,840 --> 00:36:14,279 Speaker 11: I don't know. 903 00:36:14,400 --> 00:36:15,239 Speaker 2: I mean, I feel like it's. 904 00:36:15,120 --> 00:36:17,919 Speaker 3: A little bit different for ladies because you know, those 905 00:36:17,960 --> 00:36:21,160 Speaker 3: no broad days. I really enjoy just wearing a shirt 906 00:36:21,160 --> 00:36:23,520 Speaker 3: and not having to have anything underneath. 907 00:36:23,280 --> 00:36:24,440 Speaker 2: But maybe it's different for guys. 908 00:36:24,480 --> 00:36:26,480 Speaker 3: That's kind of what this whole debate turned into. And 909 00:36:26,520 --> 00:36:30,759 Speaker 3: then it also turned into like a pants debate. And 910 00:36:30,800 --> 00:36:33,080 Speaker 3: I'm not even gonna say that other word associated with 911 00:36:33,120 --> 00:36:35,000 Speaker 3: that so here you go. 912 00:36:35,600 --> 00:36:38,200 Speaker 5: Number three, the dumb question for the room, brought to 913 00:36:38,239 --> 00:36:40,719 Speaker 5: us by Eddie. Can you raw dog a sweatshirt? Do 914 00:36:40,760 --> 00:36:41,880 Speaker 5: you raw dog a sweatshirt? 915 00:36:42,000 --> 00:36:42,360 Speaker 2: What that was? 916 00:36:42,600 --> 00:36:45,440 Speaker 5: Well, I've I've never thought about this, Eddie, So give 917 00:36:45,440 --> 00:36:47,280 Speaker 5: you a question like, when you wear. 918 00:36:47,120 --> 00:36:49,600 Speaker 10: A sweatshirt, do you wear an undershirt underneath? 919 00:36:49,680 --> 00:36:52,040 Speaker 5: Or you just raw dog raw dog like skin on raw. 920 00:36:53,440 --> 00:36:55,600 Speaker 6: I guess I do, so I don't have to have 921 00:36:55,680 --> 00:36:56,320 Speaker 6: an undershirt. 922 00:36:56,320 --> 00:36:58,520 Speaker 5: If that's so. Where does this come from? Though? 923 00:36:58,560 --> 00:37:01,080 Speaker 12: I was putting on my sweatshirt and my wife, I guess, 924 00:37:01,200 --> 00:37:02,680 Speaker 12: was in the room and she's like, what do you 925 00:37:02,680 --> 00:37:05,080 Speaker 12: You're not putting undershirt in that? And I didn't think 926 00:37:05,080 --> 00:37:06,920 Speaker 12: about it, but I guess all my young life I 927 00:37:07,000 --> 00:37:09,080 Speaker 12: used to wear undershirts and somewhere in the middle I 928 00:37:09,080 --> 00:37:09,800 Speaker 12: just said, nascrew it. 929 00:37:09,800 --> 00:37:10,640 Speaker 10: I want to raw dog it. 930 00:37:11,920 --> 00:37:13,920 Speaker 5: I don't know that I have a real feeling on 931 00:37:13,960 --> 00:37:16,200 Speaker 5: this either way, because she says, like it itches if 932 00:37:16,200 --> 00:37:18,120 Speaker 5: you don't wear an under shirt, Yeah, that I agree with. 933 00:37:18,239 --> 00:37:20,040 Speaker 5: And I would say some sweatshirts, if they do it, 934 00:37:20,239 --> 00:37:22,759 Speaker 5: I'll row I'll not raw dog, but some if they 935 00:37:22,760 --> 00:37:24,919 Speaker 5: feel fine, I'll raw dog it up right? I guess 936 00:37:24,960 --> 00:37:26,360 Speaker 5: I never even thought about the question. 937 00:37:26,920 --> 00:37:28,319 Speaker 10: Yeah, my wife's only brought it up. 938 00:37:28,360 --> 00:37:30,160 Speaker 5: Like today, I have on this is on a sweatshirt. 939 00:37:30,200 --> 00:37:32,520 Speaker 5: It's kind of like a sweater. It's kind of like 940 00:37:32,520 --> 00:37:34,440 Speaker 5: a sweater with a little little zip on it. I 941 00:37:34,480 --> 00:37:36,719 Speaker 5: have an undershirt on it because the sweater gets my 942 00:37:36,760 --> 00:37:39,359 Speaker 5: little I have one percent chest hair, like almost none, 943 00:37:39,360 --> 00:37:40,880 Speaker 5: but it does get caught up in there. 944 00:37:40,680 --> 00:37:41,279 Speaker 10: The little zipper. 945 00:37:41,360 --> 00:37:46,880 Speaker 5: Yeah, the little chest hair ow. So just generally speaking, 946 00:37:46,960 --> 00:37:49,400 Speaker 5: raw Dog a sweatshirt, Amy, Yes, I say yes too. 947 00:37:49,480 --> 00:37:52,440 Speaker 5: I think mostly I just saw a sweatshirt on, unless 948 00:37:52,480 --> 00:37:54,520 Speaker 5: it like lift, if I lift my arms and shows 949 00:37:54,520 --> 00:37:56,080 Speaker 5: the bontom part on a belly, I'll put an undershirt 950 00:37:56,080 --> 00:37:57,320 Speaker 5: on to make sure that doesn't happen. 951 00:37:57,120 --> 00:37:58,040 Speaker 10: And you tuck in the undershirt. 952 00:37:58,120 --> 00:37:59,319 Speaker 5: Yeah, because I don't like a little part of a 953 00:37:59,360 --> 00:38:01,040 Speaker 5: belly showing lunchbox. 954 00:38:01,200 --> 00:38:04,200 Speaker 9: I never really raw Dog with a hoodie on because 955 00:38:04,320 --> 00:38:05,840 Speaker 9: I feel like it is too itchy. 956 00:38:06,040 --> 00:38:07,759 Speaker 5: Well, because you weren't five days in a row though, 957 00:38:07,960 --> 00:38:11,440 Speaker 5: That's what I'm saying. I clean and also where I'm going, 958 00:38:11,560 --> 00:38:12,080 Speaker 5: you know what I mean. 959 00:38:12,080 --> 00:38:14,279 Speaker 9: Like it may be cold when in the studio, but 960 00:38:14,320 --> 00:38:17,080 Speaker 9: when I leave the studio, it's hot outside, so I want. 961 00:38:16,880 --> 00:38:18,879 Speaker 5: To take the sweatshirt off. What if I change? 962 00:38:18,920 --> 00:38:20,880 Speaker 9: So if I raw dog it, I don't have a 963 00:38:20,920 --> 00:38:23,040 Speaker 9: shirt underneath and I can't take it off, then I'm sweating. 964 00:38:23,360 --> 00:38:24,640 Speaker 9: So no raw dog for me. 965 00:38:24,760 --> 00:38:27,680 Speaker 5: So two raw dogs one, No, I'm raw dogging now. 966 00:38:28,320 --> 00:38:28,880 Speaker 5: Wow you are? 967 00:38:28,960 --> 00:38:29,560 Speaker 10: Yeah, dude, it. 968 00:38:29,520 --> 00:38:31,200 Speaker 5: Does seem kind of white trash though. 969 00:38:31,200 --> 00:38:32,520 Speaker 10: It is a little bit, and I guess that's where 970 00:38:32,520 --> 00:38:33,239 Speaker 10: my wife is coming back. 971 00:38:33,280 --> 00:38:35,880 Speaker 5: That's why I do it too. When I say it 972 00:38:35,920 --> 00:38:37,799 Speaker 5: on you, I'm like, eh, And it almost be like 973 00:38:37,800 --> 00:38:39,480 Speaker 5: not wearing underwear under jeans. 974 00:38:39,200 --> 00:38:41,279 Speaker 10: Right, some people do that. 975 00:38:41,280 --> 00:38:42,399 Speaker 5: That's that's over the lines. 976 00:38:42,480 --> 00:38:45,320 Speaker 10: I want here to do that, but here's no, Okay, 977 00:38:45,680 --> 00:38:46,200 Speaker 10: I don't either. 978 00:38:46,640 --> 00:38:49,239 Speaker 5: Doesn't that hurt? It's not even that to me. It's 979 00:38:49,280 --> 00:38:51,360 Speaker 5: that I drive. I dribble. See, there's a lot of 980 00:38:51,360 --> 00:38:53,759 Speaker 5: reasons I don't want my dribble to get in my 981 00:38:53,840 --> 00:38:58,600 Speaker 5: dinum like, that's that real reason. And it's just very 982 00:38:58,640 --> 00:38:59,080 Speaker 5: light dribble. 983 00:38:59,160 --> 00:39:03,040 Speaker 6: That's why I don't understand my y'all. Don't pat No 984 00:39:03,120 --> 00:39:03,279 Speaker 6: I do. 985 00:39:03,360 --> 00:39:05,319 Speaker 5: That doesn't meaning you still don't dribble a little bit. 986 00:39:07,000 --> 00:39:09,719 Speaker 6: Okay, it's hard to explain it. I understand. 987 00:39:10,239 --> 00:39:13,160 Speaker 5: And also like that denim's rough. It's like it's not 988 00:39:13,280 --> 00:39:18,040 Speaker 5: smooth holding her face right now, No, I get it. 989 00:39:18,040 --> 00:39:21,319 Speaker 2: It's conversation of the dribble, really, but. 990 00:39:21,280 --> 00:39:22,759 Speaker 5: It's also you girls don't have to worry about that. 991 00:39:22,760 --> 00:39:24,359 Speaker 5: You can wear jeans with no underwear because you don't 992 00:39:24,360 --> 00:39:24,760 Speaker 5: have anything. 993 00:39:24,800 --> 00:39:26,680 Speaker 6: No, I don't really like that, and that's. 994 00:39:26,480 --> 00:39:29,440 Speaker 5: Fine, but you don't have anything that the texture of 995 00:39:29,480 --> 00:39:34,480 Speaker 5: the denim would actually be affecting. Right, So raw dog 996 00:39:34,560 --> 00:39:38,680 Speaker 5: sweat sure, yes, raw dog pants no. And not because 997 00:39:38,760 --> 00:39:41,000 Speaker 5: really the paint that, but because the dribble. 998 00:39:41,920 --> 00:39:44,399 Speaker 12: I haven't even thought about raw dog and pants never 999 00:39:44,560 --> 00:39:45,680 Speaker 12: never crossed my mind. 1000 00:39:45,880 --> 00:39:48,320 Speaker 5: I'll wear shorts if I don't have underwear. No, that's fine, 1001 00:39:48,360 --> 00:39:51,280 Speaker 5: Like that's not ok just because I'm so anti dribble. 1002 00:39:51,320 --> 00:39:54,840 Speaker 5: I will wear gym shorts underneath pants. If oh I 1003 00:39:54,880 --> 00:39:57,840 Speaker 5: thought you may you wear just shorts no underwear. No, no, okay, 1004 00:39:58,120 --> 00:40:00,000 Speaker 5: I wouldn't even do that because I don't people see it, 1005 00:40:00,400 --> 00:40:01,960 Speaker 5: like I don't want to sit down and somebody be 1006 00:40:02,040 --> 00:40:04,759 Speaker 5: like he look at that, like the little guy. 1007 00:40:05,560 --> 00:40:05,759 Speaker 12: You know. 1008 00:40:06,160 --> 00:40:08,480 Speaker 5: Yeah, morning, everybody, morning. 1009 00:40:10,360 --> 00:40:14,280 Speaker 4: It's the best bits of the week with Morgan. Number two. 1010 00:40:21,480 --> 00:40:23,839 Speaker 3: Thunder I don't feel like I had that beat, right, 1011 00:40:24,600 --> 00:40:25,360 Speaker 3: You get the point. 1012 00:40:25,719 --> 00:40:27,399 Speaker 2: Well, Thunder from down Under. 1013 00:40:27,600 --> 00:40:29,200 Speaker 3: Lunchbox is supposed to be going to two of the 1014 00:40:29,239 --> 00:40:31,839 Speaker 3: shows after he was on the wheel of punishment for losing. 1015 00:40:31,560 --> 00:40:35,239 Speaker 2: A game, and now he's saying he can't go. 1016 00:40:35,960 --> 00:40:37,600 Speaker 3: And I'm not sure how this is gonna work out 1017 00:40:37,640 --> 00:40:40,080 Speaker 3: because this is a punishment that he's supposed to fulfill. 1018 00:40:40,120 --> 00:40:42,839 Speaker 3: But now he's saying, guys, I can't make it, so 1019 00:40:43,040 --> 00:40:45,040 Speaker 3: maybe no, no, no, no no no. 1020 00:40:45,560 --> 00:40:47,880 Speaker 4: Thunder number two's this. 1021 00:40:48,320 --> 00:40:50,359 Speaker 5: It's a mail review for all these dudes. They take 1022 00:40:50,400 --> 00:40:52,720 Speaker 5: off the clothes, they dance on underwear. It's called Thunder 1023 00:40:52,760 --> 00:40:54,880 Speaker 5: down Under. If you go to Vegas, you go. But 1024 00:40:54,960 --> 00:40:57,680 Speaker 5: it also tours and Lunchbox lost a game and he 1025 00:40:57,719 --> 00:40:59,680 Speaker 5: has to go to Thunder down Under for two days 1026 00:40:59,719 --> 00:41:01,800 Speaker 5: in a row and sit close to the front and Scooba, 1027 00:41:01,840 --> 00:41:04,440 Speaker 5: we had contacted him, right, like he's set up to 1028 00:41:04,480 --> 00:41:05,440 Speaker 5: at least go to that. 1029 00:41:06,280 --> 00:41:07,560 Speaker 15: Yes, he set up for that and a lot of 1030 00:41:07,600 --> 00:41:09,200 Speaker 15: other special things that will happen. 1031 00:41:09,680 --> 00:41:10,279 Speaker 5: When he's there. 1032 00:41:10,360 --> 00:41:11,920 Speaker 6: Tell us more about special things. 1033 00:41:12,160 --> 00:41:14,120 Speaker 5: Yeah, we don't need I don't want to special things. 1034 00:41:14,160 --> 00:41:16,799 Speaker 5: He lost and now he must pay his punishment. Which 1035 00:41:16,840 --> 00:41:19,440 Speaker 5: is under down under the all male review, which is 1036 00:41:19,560 --> 00:41:22,120 Speaker 5: going to be so many ladies there though, Lunchbox it 1037 00:41:22,200 --> 00:41:26,280 Speaker 5: will be. It'll be all probably ninety three percent ladies, 1038 00:41:26,320 --> 00:41:29,400 Speaker 5: Oh for sure. So Lunchbox and out scooback you already. 1039 00:41:29,560 --> 00:41:31,359 Speaker 6: You can't go Wait what what for. 1040 00:41:31,280 --> 00:41:32,560 Speaker 15: The one I put in the calendar? You can't go 1041 00:41:32,600 --> 00:41:32,799 Speaker 15: to that? 1042 00:41:33,000 --> 00:41:33,200 Speaker 9: Yeah? 1043 00:41:33,239 --> 00:41:34,200 Speaker 5: I got hold one. 1044 00:41:34,360 --> 00:41:36,600 Speaker 15: I spent weeks talking with this guy working on all 1045 00:41:36,640 --> 00:41:37,160 Speaker 15: these things. 1046 00:41:37,600 --> 00:41:39,600 Speaker 5: What guy the guy who's the person who's. 1047 00:41:39,400 --> 00:41:41,440 Speaker 15: Setting up the whole thing, he's a pr guy for it. 1048 00:41:42,840 --> 00:41:43,640 Speaker 15: They'll talk about that. 1049 00:41:43,719 --> 00:41:46,799 Speaker 5: So what's so why wouldn't you ask me what night 1050 00:41:46,920 --> 00:41:50,320 Speaker 5: I can go? Well, because window we talked about it 1051 00:41:50,320 --> 00:41:52,080 Speaker 5: on the show that there's a window is happening the 1052 00:41:52,120 --> 00:41:54,280 Speaker 5: window on the on the show we said the window, 1053 00:41:54,440 --> 00:41:55,920 Speaker 5: Yeah it's And then I send you a counter in 1054 00:41:55,960 --> 00:41:59,120 Speaker 5: by off every I take a breath, Lunchbox, what is 1055 00:41:59,160 --> 00:41:59,800 Speaker 5: your conflict? 1056 00:42:00,480 --> 00:42:03,200 Speaker 9: I have my co ed reck soccer game that night, 1057 00:42:03,440 --> 00:42:06,000 Speaker 9: and as the captain and the one that brings the jerseys. 1058 00:42:06,080 --> 00:42:08,200 Speaker 9: If I'm not there, the jerseys don't get delivered to 1059 00:42:08,239 --> 00:42:11,480 Speaker 9: the game. It causes chaos. So I mean my game 1060 00:42:11,560 --> 00:42:13,880 Speaker 9: is at eight fifteen that night, which I feel like 1061 00:42:13,960 --> 00:42:15,239 Speaker 9: is probably going to be right in the middle of 1062 00:42:15,280 --> 00:42:17,280 Speaker 9: thunder down under, so it looks like we have to cancel. 1063 00:42:17,360 --> 00:42:19,120 Speaker 6: No, he can get the jerseys to somebody else. 1064 00:42:19,200 --> 00:42:21,000 Speaker 5: I had to miss a Rex softball game. I didn't 1065 00:42:21,040 --> 00:42:22,560 Speaker 5: like to have to do it, but it was okay. 1066 00:42:22,880 --> 00:42:26,800 Speaker 5: Valid the first the keyward is wreck. This keyard is job. 1067 00:42:28,120 --> 00:42:30,120 Speaker 15: No, no, no, pays your bills, bread and butter. 1068 00:42:30,760 --> 00:42:33,200 Speaker 9: But I just can't let my team down, is what 1069 00:42:33,239 --> 00:42:35,960 Speaker 9: I'm saying. Yes, I don't know why I wasn't even 1070 00:42:36,000 --> 00:42:36,480 Speaker 9: in I. 1071 00:42:36,560 --> 00:42:37,279 Speaker 5: Was the star player. 1072 00:42:37,360 --> 00:42:38,879 Speaker 15: Are you Are you getting like lots of gold? 1073 00:42:39,200 --> 00:42:41,160 Speaker 5: Bring all the jerseys? Not that big of a start. 1074 00:42:43,880 --> 00:42:46,279 Speaker 6: It causes chaos if no, yeah, that's. 1075 00:42:46,200 --> 00:42:49,400 Speaker 5: Why there's chaos. If he brings orange slices and jerseys, 1076 00:42:51,600 --> 00:42:52,040 Speaker 5: gonna win. 1077 00:42:52,640 --> 00:42:55,400 Speaker 9: I just found it weird that I wasn't even consulted 1078 00:42:55,480 --> 00:42:57,680 Speaker 9: on what day. I said the day in the bit, 1079 00:42:58,280 --> 00:42:59,759 Speaker 9: we said it was in September. 1080 00:43:00,440 --> 00:43:00,959 Speaker 5: What day? 1081 00:43:01,160 --> 00:43:01,600 Speaker 10: Yeah, we did. 1082 00:43:01,640 --> 00:43:02,800 Speaker 15: We give you the window, and then I put in 1083 00:43:02,840 --> 00:43:04,160 Speaker 15: your calendar several days ago. 1084 00:43:04,320 --> 00:43:06,080 Speaker 5: I didn't know he had a calendar. No, no, he 1085 00:43:06,160 --> 00:43:09,240 Speaker 5: sends it in your email. Yeah he doesn't have a calendar, Scooba. 1086 00:43:09,280 --> 00:43:10,799 Speaker 5: But he goes to his Yeah, he gets it in 1087 00:43:10,840 --> 00:43:11,240 Speaker 5: an email. 1088 00:43:11,320 --> 00:43:16,000 Speaker 9: Yeah, yeah, and it says, uh, Wednesday, September twenty fifth, Ah, 1089 00:43:16,000 --> 00:43:18,279 Speaker 9: I'm busy that day, man, I got commitments. 1090 00:43:18,600 --> 00:43:22,000 Speaker 5: So yeah, I don't know what to do. My recommendation 1091 00:43:22,040 --> 00:43:24,280 Speaker 5: would be to fulfill this bet because it will only 1092 00:43:24,320 --> 00:43:26,840 Speaker 5: get worse if you don't. What do you mean worse? 1093 00:43:27,640 --> 00:43:30,480 Speaker 5: That's all I said. So I will leave it there. 1094 00:43:30,520 --> 00:43:33,680 Speaker 5: I'll let you guys handle this. Yeah later. But if 1095 00:43:33,719 --> 00:43:36,319 Speaker 5: for some reason, because you are an adult man, this 1096 00:43:36,400 --> 00:43:38,680 Speaker 5: is an adult job, although at times it's not. If 1097 00:43:38,719 --> 00:43:42,960 Speaker 5: you go to scuba and go off air, I cannot 1098 00:43:43,040 --> 00:43:45,400 Speaker 5: go to this because it is absolutely a priority to 1099 00:43:45,440 --> 00:43:47,520 Speaker 5: go to the soccer game. If you say that, even 1100 00:43:47,560 --> 00:43:49,680 Speaker 5: though we don't agree with you, you get you're an 1101 00:43:49,680 --> 00:43:52,480 Speaker 5: adult man to make an adult decisions. It will be 1102 00:43:52,600 --> 00:43:54,759 Speaker 5: worse for you if you don't go. Absolutely well, why 1103 00:43:54,760 --> 00:43:56,000 Speaker 5: can't I just go the next day? 1104 00:43:56,320 --> 00:43:57,719 Speaker 6: Because you have to go to two days in a row. 1105 00:43:57,840 --> 00:43:59,160 Speaker 5: Yeah, yeah you have, Yeah, you have to go two 1106 00:43:59,200 --> 00:44:00,600 Speaker 5: nights in a row. You kept using the game. 1107 00:44:00,680 --> 00:44:03,239 Speaker 9: I understand that, but there's days that I can not, Like, 1108 00:44:03,280 --> 00:44:04,600 Speaker 9: I go the next day in the day after that. 1109 00:44:04,680 --> 00:44:05,600 Speaker 5: I mean, I don't. 1110 00:44:05,400 --> 00:44:07,600 Speaker 15: Excuse well, I've set up a specially this is a 1111 00:44:07,719 --> 00:44:10,040 Speaker 15: very special occasion for this particular day. 1112 00:44:10,080 --> 00:44:13,920 Speaker 9: No, no, no, the bet wasn't. The bet wasn't special occasion. 1113 00:44:14,480 --> 00:44:16,239 Speaker 9: The bet was I go and what I'm going to 1114 00:44:16,320 --> 00:44:19,160 Speaker 9: let you guys handle this. But for some reason it 1115 00:44:19,280 --> 00:44:19,520 Speaker 9: is not. 1116 00:44:20,000 --> 00:44:22,239 Speaker 5: It does not happen in the way that we think 1117 00:44:22,360 --> 00:44:24,160 Speaker 5: it should happen based on the results of the game. 1118 00:44:24,719 --> 00:44:27,400 Speaker 5: It will be much worse for the player. But it's 1119 00:44:27,480 --> 00:44:29,720 Speaker 5: up to you. We make our own decisions as adults. 1120 00:44:30,640 --> 00:44:33,080 Speaker 5: So no decision right now. I'll let you guys handle that. 1121 00:44:33,680 --> 00:44:36,759 Speaker 5: And I know you're reck So it's probably the championship game, No, 1122 00:44:36,920 --> 00:44:38,920 Speaker 5: I think it's like the fifth game of the regular season. 1123 00:44:39,920 --> 00:44:42,720 Speaker 5: Probably the game that determines playoffs. It's probably a determined 1124 00:44:42,719 --> 00:44:45,080 Speaker 5: if we get in or not. So it's like close 1125 00:44:45,120 --> 00:44:47,200 Speaker 5: to the end of the season. Yeah, yeah, yeah, there's 1126 00:44:47,200 --> 00:44:48,839 Speaker 5: only seven games, you know what I mean. That's gonna 1127 00:44:48,840 --> 00:44:51,520 Speaker 5: be a pivotal stretch. 1128 00:44:51,640 --> 00:44:53,720 Speaker 9: Like you don't want to go in limping into the playoffs. 1129 00:44:53,760 --> 00:44:54,959 Speaker 9: You want to be playing your. 1130 00:44:54,880 --> 00:44:58,600 Speaker 5: Best and it is your key cog. You're the key cog, 1131 00:44:59,120 --> 00:45:01,560 Speaker 5: one of them. I think you will be able to 1132 00:45:01,600 --> 00:45:03,160 Speaker 5: see a lot of keycogs at the Old Thunder down 1133 00:45:03,200 --> 00:45:06,480 Speaker 5: Under as well multiple multiple key dogs. 1134 00:45:06,520 --> 00:45:07,719 Speaker 6: Really okay special one. 1135 00:45:07,800 --> 00:45:10,799 Speaker 5: Yeah, we'll let you guys Australian. We'll let you guys 1136 00:45:10,800 --> 00:45:13,239 Speaker 5: handle that. Give me an update tomorrow the next day. Okay, 1137 00:45:13,239 --> 00:45:14,800 Speaker 5: all right, sounds good. 1138 00:45:15,200 --> 00:45:18,960 Speaker 4: It's the best bits of the week with Morgan. Number two. 1139 00:45:20,360 --> 00:45:23,040 Speaker 3: Miranda Lambert has a new album out, so she stopped 1140 00:45:23,040 --> 00:45:24,799 Speaker 3: by the studio and I always love when she comes in. 1141 00:45:24,920 --> 00:45:28,239 Speaker 3: She's so real Miranda and just every way will come 1142 00:45:28,280 --> 00:45:31,160 Speaker 3: in just exactly who she is, and she's honest and 1143 00:45:31,360 --> 00:45:33,120 Speaker 3: open and share some fun stories. 1144 00:45:33,640 --> 00:45:35,359 Speaker 2: But also one of my favorite. 1145 00:45:35,000 --> 00:45:37,960 Speaker 3: Parts is that she admitted she doesn't like doing encores 1146 00:45:38,080 --> 00:45:40,360 Speaker 3: and honestly, her reasoning makes sense. 1147 00:45:41,160 --> 00:45:45,279 Speaker 4: Number one so Bobby Bones Show Interviews in case you 1148 00:45:45,440 --> 00:45:45,960 Speaker 4: didn't know. 1149 00:45:46,520 --> 00:45:48,920 Speaker 5: Miranda, what we normally do is we do an intro 1150 00:45:49,080 --> 00:45:51,640 Speaker 5: before you walk in. We've never done this with somebody 1151 00:45:51,920 --> 00:45:54,840 Speaker 5: where you're already here. What would you say to people 1152 00:45:54,840 --> 00:45:56,719 Speaker 5: that don't know about you? What's what's something about you 1153 00:45:56,800 --> 00:45:59,560 Speaker 5: that they should know that they should know? Yeah, like 1154 00:45:59,680 --> 00:46:05,960 Speaker 5: very very basic, Like you're like so fundamental. That's one thing. 1155 00:46:06,320 --> 00:46:09,400 Speaker 5: She's from Texas. We're gonna do three. Yeah, I like 1156 00:46:09,480 --> 00:46:12,040 Speaker 5: this three fundamental things. She's from Texas. What's the second one? 1157 00:46:13,200 --> 00:46:14,160 Speaker 11: I rescue dogs. 1158 00:46:14,239 --> 00:46:17,120 Speaker 5: She rescued dogs, rescues dogs, Okay, and the third one? 1159 00:46:17,320 --> 00:46:18,840 Speaker 11: And I like Tito's. 1160 00:46:18,920 --> 00:46:21,200 Speaker 5: She likes Tito's. And now here's our interview with Miranda 1161 00:46:21,280 --> 00:46:22,600 Speaker 5: Lambert on. 1162 00:46:22,640 --> 00:46:25,479 Speaker 4: The Bobby Bone Show. Now, Miranda Lambert, good. 1163 00:46:25,400 --> 00:46:27,800 Speaker 5: To see Miranda. I was I was writing about you 1164 00:46:27,840 --> 00:46:30,719 Speaker 5: on Instagram. I know it never got to you, but 1165 00:46:31,120 --> 00:46:32,799 Speaker 5: I didn't tag you because it wasn't about that. But 1166 00:46:33,200 --> 00:46:38,319 Speaker 5: someone had asked me my favorite people to interview, and 1167 00:46:38,360 --> 00:46:39,480 Speaker 5: I was pretty honest, and there are a lot of 1168 00:46:39,480 --> 00:46:42,040 Speaker 5: my friends I didn't even mention. And now it was 1169 00:46:42,080 --> 00:46:46,040 Speaker 5: like compelling interviews. And I had different tiers and I 1170 00:46:46,080 --> 00:46:47,680 Speaker 5: only did like three tiers. And I put you in 1171 00:46:47,719 --> 00:46:51,400 Speaker 5: the tier of what even take a phoner from? Meaning 1172 00:46:51,400 --> 00:46:52,960 Speaker 5: we don't relate to a lot of phone call interviews. 1173 00:46:53,000 --> 00:46:54,480 Speaker 5: But if you're like I can't get there, I'll do it. 1174 00:46:54,560 --> 00:46:56,240 Speaker 5: I can be on the phone. I always say yes, 1175 00:46:56,560 --> 00:46:59,240 Speaker 5: like that's how much I love being able to talk 1176 00:46:59,280 --> 00:47:01,880 Speaker 5: with you. It's not thank you, You're welcome. And I 1177 00:47:01,920 --> 00:47:05,960 Speaker 5: also feel like your favorite thing is not doing interviews. 1178 00:47:06,120 --> 00:47:08,279 Speaker 5: Would that be accurate. Well, I mean, I like talking 1179 00:47:08,280 --> 00:47:09,960 Speaker 5: to you, and I like talking to you, and I 1180 00:47:10,000 --> 00:47:11,799 Speaker 5: don't like talking to everybody, but I would say, but 1181 00:47:11,840 --> 00:47:13,200 Speaker 5: I think that's part of the reason I like talking 1182 00:47:13,200 --> 00:47:15,640 Speaker 5: to you so much, because I feel like when you 1183 00:47:15,640 --> 00:47:19,480 Speaker 5: come in in the best way, like DJAF, we just talk, 1184 00:47:20,040 --> 00:47:22,479 Speaker 5: we do whatever, promotion, but you always give me really 1185 00:47:22,800 --> 00:47:26,319 Speaker 5: amazing honest answers. So that's why you didn't read it. 1186 00:47:26,320 --> 00:47:27,919 Speaker 5: But that's why I said that. And I really love 1187 00:47:28,000 --> 00:47:29,200 Speaker 5: when I get to talk to you, So thank you 1188 00:47:29,200 --> 00:47:29,520 Speaker 5: for coming in. 1189 00:47:29,600 --> 00:47:30,719 Speaker 11: I'm gonna go look at it. 1190 00:47:30,719 --> 00:47:32,440 Speaker 5: It's gone. It's it's a story. It's a story, so 1191 00:47:32,480 --> 00:47:32,799 Speaker 5: it's dead. 1192 00:47:32,880 --> 00:47:34,640 Speaker 11: Well okay, well you just told me in person. 1193 00:47:34,719 --> 00:47:37,719 Speaker 5: Yes, that's even better than that story exactly. So let's 1194 00:47:37,719 --> 00:47:40,200 Speaker 5: do a little business first. The new album is out today. 1195 00:47:40,239 --> 00:47:41,920 Speaker 5: I got two questions. I'm going to have you say 1196 00:47:41,920 --> 00:47:44,200 Speaker 5: the names of the songs. There are two names of 1197 00:47:44,200 --> 00:47:46,440 Speaker 5: the songs. I'm not gonna say the first one. It 1198 00:47:46,440 --> 00:47:48,239 Speaker 5: started as A d in it. What was the name 1199 00:47:48,280 --> 00:47:51,400 Speaker 5: of that song, A d in it? It's called something Randy? 1200 00:47:51,719 --> 00:47:53,200 Speaker 11: Oh, yeah, can I say that? 1201 00:47:54,920 --> 00:47:55,120 Speaker 5: Yeah? 1202 00:47:55,200 --> 00:47:55,319 Speaker 16: Right? 1203 00:47:55,480 --> 00:47:57,840 Speaker 5: Yeah. 1204 00:47:57,440 --> 00:48:03,960 Speaker 16: The story, well, I was I went through some things 1205 00:48:04,000 --> 00:48:06,759 Speaker 16: that did that. I needed to like shd and let 1206 00:48:06,800 --> 00:48:10,239 Speaker 16: go of and that did not serve me. So it's 1207 00:48:10,320 --> 00:48:12,600 Speaker 16: kind of a song about to anybody that you kind 1208 00:48:12,600 --> 00:48:14,480 Speaker 16: of just need a moment to flip the bird too 1209 00:48:14,520 --> 00:48:18,600 Speaker 16: and then move on. And in my case, his name 1210 00:48:18,640 --> 00:48:20,600 Speaker 16: is Randy, so damn it, Randy came about. 1211 00:48:21,280 --> 00:48:22,240 Speaker 11: It's pretty simple. 1212 00:48:22,880 --> 00:48:25,879 Speaker 5: The second one is be on the sauce. You can 1213 00:48:25,880 --> 00:48:26,200 Speaker 5: say it. 1214 00:48:26,719 --> 00:48:28,880 Speaker 11: I love that you picked the two cuss word titles. 1215 00:48:28,880 --> 00:48:30,480 Speaker 5: Well, I don't want me to talk about it, and 1216 00:48:30,480 --> 00:48:33,640 Speaker 5: we're talking about more, but I don't. I haven't cursed 1217 00:48:33,680 --> 00:48:35,719 Speaker 5: in years, not ice curse all the time. But I 1218 00:48:35,800 --> 00:48:37,440 Speaker 5: when I was doing stand up and writing books, I 1219 00:48:37,440 --> 00:48:39,960 Speaker 5: didn't want to lean, I would curse all the time, 1220 00:48:40,000 --> 00:48:41,640 Speaker 5: and I would use that as a comedy crutch. So 1221 00:48:41,640 --> 00:48:43,799 Speaker 5: I stopped saying bad words in general. But I love 1222 00:48:43,840 --> 00:48:45,920 Speaker 5: bad words, so that's why I'm not saying it. But 1223 00:48:45,960 --> 00:48:48,880 Speaker 5: I love it when people use bad words. That's my 1224 00:48:48,920 --> 00:48:51,680 Speaker 5: favorite thing. So bad words, also saying eight years old, you. 1225 00:48:51,680 --> 00:48:52,920 Speaker 11: Do bad words? 1226 00:48:53,000 --> 00:48:56,840 Speaker 5: Yes on the sauce, what's what's what's the official title 1227 00:48:57,480 --> 00:48:59,480 Speaker 5: on the sauce? And what does you give me? That 1228 00:48:59,480 --> 00:48:59,879 Speaker 5: that one? 1229 00:49:00,400 --> 00:49:04,200 Speaker 16: Because it's really I wrote it with Jaron Johnson out 1230 00:49:04,239 --> 00:49:06,640 Speaker 16: on the road and it was like kind of called 1231 00:49:06,719 --> 00:49:09,839 Speaker 16: just drunk and already have a song called drunk, So 1232 00:49:10,160 --> 00:49:12,239 Speaker 16: I was like, well, what other title can we use 1233 00:49:12,280 --> 00:49:14,640 Speaker 16: because one of my favorite lines and is as hard 1234 00:49:14,760 --> 00:49:16,120 Speaker 16: is the sauce that's gonna do? 1235 00:49:16,120 --> 00:49:17,560 Speaker 11: What to do? That's what it is. 1236 00:49:19,080 --> 00:49:22,000 Speaker 5: He's pretty awesome too. He's great, like in like eight 1237 00:49:22,080 --> 00:49:22,720 Speaker 5: different ways. 1238 00:49:22,960 --> 00:49:24,080 Speaker 11: Yeah, I mean Jaren does it all. 1239 00:49:24,120 --> 00:49:26,960 Speaker 16: He does the art, the business, the production, musicianship like 1240 00:49:27,040 --> 00:49:28,759 Speaker 16: he's he kills it. 1241 00:49:29,080 --> 00:49:31,239 Speaker 5: One of my favorite things on albums when they come out, 1242 00:49:31,280 --> 00:49:33,880 Speaker 5: I always am very curious about why track one? And 1243 00:49:34,120 --> 00:49:37,520 Speaker 5: and with you there fourteen tracks. I always like first 1244 00:49:37,560 --> 00:49:39,799 Speaker 5: and last track because there's always gotta be some discussion 1245 00:49:39,840 --> 00:49:42,800 Speaker 5: about what's first and what's last. There's always a discussion 1246 00:49:42,800 --> 00:49:44,600 Speaker 5: about what goes where in the flow, much like a 1247 00:49:44,640 --> 00:49:47,239 Speaker 5: said list. But I love first and last. But why 1248 00:49:47,520 --> 00:49:49,880 Speaker 5: number one? Like, what what's the idea? 1249 00:49:50,200 --> 00:49:52,759 Speaker 16: I just thought it set up the record in a 1250 00:49:52,760 --> 00:49:55,920 Speaker 16: really great way. My friend Aaron ray Tierra wrote that 1251 00:49:55,960 --> 00:49:58,239 Speaker 16: song and I just it was the first song I 1252 00:49:58,239 --> 00:50:00,239 Speaker 16: wanted to cut for the record because it I was 1253 00:50:00,239 --> 00:50:02,480 Speaker 16: making my album in Austin and I was like, this is. 1254 00:50:03,360 --> 00:50:04,280 Speaker 11: This is a very. 1255 00:50:04,360 --> 00:50:07,680 Speaker 16: Austin, Texas sounding song. It's about a hot armadilla, the 1256 00:50:07,760 --> 00:50:11,040 Speaker 16: titch hacking. So I mean, I just felt like it's fun. 1257 00:50:11,080 --> 00:50:13,400 Speaker 16: I always want humor on every record, and this was 1258 00:50:13,480 --> 00:50:14,239 Speaker 16: the moment for that. 1259 00:50:14,600 --> 00:50:16,680 Speaker 5: I've seen this song like ten times. 1260 00:50:16,719 --> 00:50:18,560 Speaker 11: You should have him come in here because he's real fun. 1261 00:50:18,560 --> 00:50:21,000 Speaker 5: You're walking, You're walking to come in, Aaron. That's so 1262 00:50:21,040 --> 00:50:22,239 Speaker 5: weird because when you were saying, I was like, I 1263 00:50:22,239 --> 00:50:23,520 Speaker 5: already know the words of this song. 1264 00:50:23,719 --> 00:50:24,640 Speaker 11: He's awesome. 1265 00:50:24,680 --> 00:50:26,359 Speaker 5: That's a really cool version of it. Okay, and then 1266 00:50:26,400 --> 00:50:30,880 Speaker 5: I want to do the last track, and again, is 1267 00:50:30,920 --> 00:50:31,360 Speaker 5: this cover? 1268 00:50:31,560 --> 00:50:32,000 Speaker 11: It's cover. 1269 00:50:32,200 --> 00:50:35,280 Speaker 16: It's the David Allen co song from like the seventies, 1270 00:50:35,840 --> 00:50:38,719 Speaker 16: and I just randomly I thought I knew like David 1271 00:50:38,719 --> 00:50:41,719 Speaker 16: Allen's cataloged pretty good in that song. I just found 1272 00:50:41,840 --> 00:50:43,560 Speaker 16: randomly and I was like, I want to cover this. 1273 00:50:43,600 --> 00:50:45,880 Speaker 16: I change a few lyrics, but I don't know. Like 1274 00:50:45,960 --> 00:50:49,279 Speaker 16: my last record, Palomino was all about travel and and 1275 00:50:49,360 --> 00:50:52,480 Speaker 16: sort of stories you find along the way and road trips, 1276 00:50:52,560 --> 00:50:54,920 Speaker 16: and then this record felt like coming home. But then 1277 00:50:55,760 --> 00:50:57,800 Speaker 16: living on the run feels like setting up for whatever. 1278 00:50:57,920 --> 00:50:58,879 Speaker 16: The next adventure is. 1279 00:50:59,440 --> 00:51:01,120 Speaker 5: A lot of home with this record, a lot of 1280 00:51:01,160 --> 00:51:04,040 Speaker 5: feeling like tech. You didn't record in Texas, right, Yeah, all. 1281 00:51:03,960 --> 00:51:05,880 Speaker 16: Of the first time to record a record in Texas 1282 00:51:05,920 --> 00:51:08,680 Speaker 16: since I was seventeen, my little independent record. 1283 00:51:08,800 --> 00:51:10,480 Speaker 11: I just felt like I got a. 1284 00:51:10,440 --> 00:51:13,680 Speaker 16: New label with Republic and Big Loud, and I felt 1285 00:51:13,719 --> 00:51:15,320 Speaker 16: like I just needed to go back to the route 1286 00:51:15,440 --> 00:51:18,480 Speaker 16: where it all started sound wise and art wise and 1287 00:51:18,560 --> 00:51:21,000 Speaker 16: just from my heart. Like so, and I have a 1288 00:51:21,000 --> 00:51:22,880 Speaker 16: house in Austin, so I'm there a lot anyway, but 1289 00:51:22,960 --> 00:51:25,040 Speaker 16: it just felt like, let's go back to like what 1290 00:51:25,160 --> 00:51:28,000 Speaker 16: inspired me to start this whole journey in the first place, 1291 00:51:28,000 --> 00:51:29,759 Speaker 16: which was I started twenty years ago. 1292 00:51:29,840 --> 00:51:31,200 Speaker 11: So it was it was really. 1293 00:51:31,000 --> 00:51:35,239 Speaker 5: Great fun fact all of us are from Austin. I'm 1294 00:51:35,280 --> 00:51:37,400 Speaker 5: from Arkansas, but we all met in Austin twenty years ago, 1295 00:51:37,640 --> 00:51:44,640 Speaker 5: did yeh came together? Yeah, Austin High Lunchbox Anders, Austin. 1296 00:51:44,920 --> 00:51:47,399 Speaker 5: That's where I started doing Knights and then met all 1297 00:51:47,760 --> 00:51:49,279 Speaker 5: these goobers as my friends. 1298 00:51:49,320 --> 00:51:50,719 Speaker 6: They congress. 1299 00:51:50,960 --> 00:51:53,799 Speaker 11: Yeah, I mean, that's like I made this worker to Arlen, 1300 00:51:53,920 --> 00:51:56,400 Speaker 11: So that's crazy. I didn't even realize that we. 1301 00:51:56,600 --> 00:51:59,560 Speaker 5: Wrote a song about you thirteen years ago. She's gonna 1302 00:51:59,560 --> 00:52:02,040 Speaker 5: make it one day when we first started. We don't 1303 00:52:02,040 --> 00:52:02,799 Speaker 5: have it. We don't have the file. 1304 00:52:02,920 --> 00:52:03,279 Speaker 10: No, we don't. 1305 00:52:03,280 --> 00:52:04,439 Speaker 5: We lost but we lost that one. 1306 00:52:04,880 --> 00:52:06,479 Speaker 11: But I don't have to explain any of this record 1307 00:52:06,520 --> 00:52:06,799 Speaker 11: to y'all. 1308 00:52:06,840 --> 00:52:08,799 Speaker 5: You get it, No, yeah, oh yeah, for sure because 1309 00:52:08,800 --> 00:52:10,120 Speaker 5: we're all Austin is like. 1310 00:52:10,080 --> 00:52:11,520 Speaker 16: I know you're from arketsall, but I didn't realize that 1311 00:52:11,600 --> 00:52:14,600 Speaker 16: y'all all came together in Austin thirteen years? 1312 00:52:15,200 --> 00:52:15,480 Speaker 5: Right? 1313 00:52:15,640 --> 00:52:17,600 Speaker 10: What us in Austin? 1314 00:52:18,200 --> 00:52:19,839 Speaker 6: What is that long you live there? 1315 00:52:19,960 --> 00:52:23,080 Speaker 5: Yeah? We did the show together. Yeah, two years in Austin. 1316 00:52:25,160 --> 00:52:28,879 Speaker 5: Maybe let's make this about us thirteen years. Here's another 1317 00:52:28,960 --> 00:52:32,440 Speaker 5: question I haven't right here. I like when people do 1318 00:52:32,520 --> 00:52:35,000 Speaker 5: a song, they write a song by themselves. Usually there's 1319 00:52:35,040 --> 00:52:38,359 Speaker 5: like one if any, but usually if that happens, it's 1320 00:52:38,400 --> 00:52:41,840 Speaker 5: like one and it's like some sort of motivation inspiration 1321 00:52:41,880 --> 00:52:43,399 Speaker 5: that comes in. Somebody just grabs a guitar and goos, 1322 00:52:43,400 --> 00:52:46,200 Speaker 5: I need to write this. Now this happened, ray, would 1323 00:52:46,239 --> 00:52:47,520 Speaker 5: you play number seven? 1324 00:52:47,680 --> 00:52:49,120 Speaker 11: Run that song is? 1325 00:52:50,040 --> 00:52:54,320 Speaker 16: I wrote that song twenty fifteen the end of twenty fifteen, 1326 00:52:54,520 --> 00:52:57,279 Speaker 16: and it was like I needed to write it at 1327 00:52:57,320 --> 00:52:59,719 Speaker 16: the time because I needed to get it to say 1328 00:52:59,719 --> 00:53:01,920 Speaker 16: that all and put it on paper, and it was 1329 00:53:02,000 --> 00:53:05,719 Speaker 16: just a rough time for me personally, and I just 1330 00:53:05,760 --> 00:53:08,400 Speaker 16: hadn't really found a home for it until this record, 1331 00:53:08,520 --> 00:53:10,759 Speaker 16: Like I think going home and sort of being like 1332 00:53:11,480 --> 00:53:14,799 Speaker 16: starting back at the root of it all. It felt 1333 00:53:14,840 --> 00:53:16,560 Speaker 16: like it landed on this record better than it would 1334 00:53:16,600 --> 00:53:19,000 Speaker 16: have any other record, and I was ready to sing it. 1335 00:53:19,160 --> 00:53:21,960 Speaker 16: Like sometimes you hold things close. I think it's important 1336 00:53:21,960 --> 00:53:24,480 Speaker 16: to do that. Like every song you writes not for 1337 00:53:24,520 --> 00:53:26,600 Speaker 16: the world at all, the moments, you know, I think 1338 00:53:26,680 --> 00:53:29,040 Speaker 16: they can find their moments, especially when it's a song 1339 00:53:29,080 --> 00:53:31,799 Speaker 16: that's really personal. I think it's important to save it 1340 00:53:31,920 --> 00:53:34,920 Speaker 16: till it's time to put it out for the world. 1341 00:53:35,040 --> 00:53:36,719 Speaker 5: You know, have you had any songs And if the 1342 00:53:36,760 --> 00:53:38,880 Speaker 5: answer is yes, you did not have to elaborate on 1343 00:53:38,920 --> 00:53:40,760 Speaker 5: it that you've put out. And it was so personal 1344 00:53:40,840 --> 00:53:42,480 Speaker 5: that you never actually told the real story behind it. 1345 00:53:42,480 --> 00:53:44,799 Speaker 5: You kind of gave like a secondary story because you 1346 00:53:44,800 --> 00:53:46,080 Speaker 5: were like, I really don't want tell the real story, 1347 00:53:46,120 --> 00:53:47,520 Speaker 5: but I want to get this out because it's for me. 1348 00:53:48,000 --> 00:53:51,040 Speaker 16: Yeah, And I think, you know, I think the song 1349 00:53:51,120 --> 00:53:53,960 Speaker 16: tells its own story. And if you're honest enough in 1350 00:53:54,000 --> 00:53:56,359 Speaker 16: the lyrics, people can I mean, my whole record, Wait 1351 00:53:56,400 --> 00:53:58,640 Speaker 16: of these Wings was like super honest, and it was 1352 00:53:58,680 --> 00:54:01,040 Speaker 16: like twenty something songs, know, and it was like, I 1353 00:54:01,080 --> 00:54:03,000 Speaker 16: don't really have any more story to tell. It's all here, 1354 00:54:03,080 --> 00:54:03,920 Speaker 16: It's all on tape. 1355 00:54:04,440 --> 00:54:04,640 Speaker 6: You know. 1356 00:54:04,880 --> 00:54:07,920 Speaker 11: That's the beauty of being a songwriter. It's like we're 1357 00:54:08,000 --> 00:54:09,000 Speaker 11: lucky because. 1358 00:54:08,719 --> 00:54:10,839 Speaker 16: We can say it in a way that it has 1359 00:54:10,840 --> 00:54:13,920 Speaker 16: a melody behind it and sort of it's you know, 1360 00:54:13,920 --> 00:54:14,440 Speaker 16: it's therapy. 1361 00:54:14,480 --> 00:54:15,879 Speaker 11: It's like written in a diary. 1362 00:54:15,800 --> 00:54:18,440 Speaker 6: And then your therapy becomes other people's therapy. 1363 00:54:18,600 --> 00:54:19,319 Speaker 11: That's what we hope. 1364 00:54:19,480 --> 00:54:20,520 Speaker 6: I mean, they hear. 1365 00:54:20,400 --> 00:54:22,600 Speaker 8: Themselves like they if they have a similar story, they 1366 00:54:22,600 --> 00:54:25,560 Speaker 8: can resonate the I don't know some songs, I just 1367 00:54:25,640 --> 00:54:28,399 Speaker 8: picture what the artists must be like or the writer. 1368 00:54:28,520 --> 00:54:30,719 Speaker 8: But then also then I start to insert myself and 1369 00:54:30,920 --> 00:54:33,359 Speaker 8: my picture reel of my brain is my story if 1370 00:54:33,400 --> 00:54:34,160 Speaker 8: I relate. 1371 00:54:33,960 --> 00:54:36,000 Speaker 11: Which is what is the point? 1372 00:54:36,080 --> 00:54:38,080 Speaker 16: I mean, that's exactly what I would want you to 1373 00:54:38,120 --> 00:54:40,520 Speaker 16: say it, you know, for being able to write a 1374 00:54:40,520 --> 00:54:42,359 Speaker 16: song that somebody can go that's my story too. 1375 00:54:42,520 --> 00:54:44,760 Speaker 11: It's like that's why we do it, you know, because 1376 00:54:45,040 --> 00:54:46,040 Speaker 11: we don't want to fill alone. 1377 00:54:46,080 --> 00:54:49,040 Speaker 16: We want to know everybody's going through haus and lows, 1378 00:54:49,040 --> 00:54:50,120 Speaker 16: just like we're just people. 1379 00:54:50,120 --> 00:54:51,160 Speaker 11: Like everybody else, you know. 1380 00:54:51,320 --> 00:54:55,920 Speaker 16: So I think it's important to have, you know, a 1381 00:54:55,920 --> 00:54:57,880 Speaker 16: lot of different kinds of songs on a record, because 1382 00:54:57,880 --> 00:55:01,200 Speaker 16: there's humor, and there's sadness, and there's nostalgia, and there's 1383 00:55:01,280 --> 00:55:06,120 Speaker 16: stories that are all we'ved in that hopefully we all 1384 00:55:06,160 --> 00:55:09,200 Speaker 16: have can find something to relate to in the lyric. 1385 00:55:09,520 --> 00:55:11,359 Speaker 5: I don't want this question to feel like it's praying, 1386 00:55:11,360 --> 00:55:12,680 Speaker 5: So I'm going to give you my example before I 1387 00:55:12,719 --> 00:55:16,160 Speaker 5: ask you your example, which, by the way, Miranda's record today, 1388 00:55:16,200 --> 00:55:19,440 Speaker 5: Postcards from Texas, it is. It's out today, so go 1389 00:55:19,920 --> 00:55:22,560 Speaker 5: stream it. I have a comedy special coming out later 1390 00:55:22,600 --> 00:55:24,800 Speaker 5: this year, and it's not pure comedy. And there's a 1391 00:55:24,840 --> 00:55:27,160 Speaker 5: story I told every single night, and I choked up 1392 00:55:27,280 --> 00:55:29,560 Speaker 5: telling it because it was a very emotional story for 1393 00:55:29,640 --> 00:55:31,479 Speaker 5: me to tell, because a lot of my show isn't 1394 00:55:31,560 --> 00:55:34,080 Speaker 5: just jokes. There's a lot of live stuff. And like 1395 00:55:34,800 --> 00:55:37,560 Speaker 5: I probably told the story ten times, and like I 1396 00:55:37,600 --> 00:55:40,480 Speaker 5: either choked up or would like have a tear or 1397 00:55:40,480 --> 00:55:44,480 Speaker 5: almost start crying every single time. Yeah, And it was 1398 00:55:44,520 --> 00:55:46,680 Speaker 5: I just thought I would numb to it. Honestly, I 1399 00:55:46,680 --> 00:55:49,400 Speaker 5: thought that after four I would just be like, oh, 1400 00:55:49,440 --> 00:55:51,640 Speaker 5: I've told it. It just rents and repeat to where 1401 00:55:52,600 --> 00:55:54,880 Speaker 5: I'm not going to be emotional telling and that never happened. 1402 00:55:55,040 --> 00:55:57,000 Speaker 5: I was shocked that I couldn't become numb to the 1403 00:55:57,040 --> 00:55:59,600 Speaker 5: same and I started choking even thinking about it. Now, 1404 00:56:00,840 --> 00:56:03,399 Speaker 5: does that happen with any of your music or can 1405 00:56:03,480 --> 00:56:05,719 Speaker 5: you separate yourself from something that you wrote that was 1406 00:56:05,719 --> 00:56:06,320 Speaker 5: so emotional? 1407 00:56:06,840 --> 00:56:09,880 Speaker 16: You know it has happened, especially like when you're in 1408 00:56:09,880 --> 00:56:13,000 Speaker 16: the thick of something hard whatever it is, like, you know, 1409 00:56:13,160 --> 00:56:16,160 Speaker 16: and that's art though, that's like, you know, when I 1410 00:56:16,200 --> 00:56:19,799 Speaker 16: was having a really rough personal time, I was on 1411 00:56:19,840 --> 00:56:22,759 Speaker 16: stage and I would just like sometimes break down and 1412 00:56:22,760 --> 00:56:24,319 Speaker 16: be like, oh, I'm having a rough one today, But 1413 00:56:24,360 --> 00:56:28,480 Speaker 16: like that's just you know, we're artists and we're humans, 1414 00:56:28,560 --> 00:56:30,720 Speaker 16: and I feel like it's better to show your cards 1415 00:56:30,719 --> 00:56:32,960 Speaker 16: on that than try to like be something you're not 1416 00:56:33,200 --> 00:56:35,719 Speaker 16: every time. And like on House That Built Me, I 1417 00:56:35,719 --> 00:56:38,040 Speaker 16: didn't write that, but like somebody cries every night, so 1418 00:56:38,120 --> 00:56:41,160 Speaker 16: then I cried, like cry once a weekend. And I've 1419 00:56:41,160 --> 00:56:43,279 Speaker 16: been singing that song for so long. But it's like 1420 00:56:44,160 --> 00:56:48,799 Speaker 16: it's amazing what just people being real can do. It 1421 00:56:48,840 --> 00:56:52,400 Speaker 16: moves people emotionally, and that's important, especially with music. 1422 00:56:52,600 --> 00:56:54,719 Speaker 5: I think and going back to somethingname you said, something 1423 00:56:54,719 --> 00:56:57,520 Speaker 5: you guys are talking about. I think too, even if 1424 00:56:57,520 --> 00:57:01,400 Speaker 5: the song, if you wrote it, or whomever writes a song, 1425 00:57:01,600 --> 00:57:05,440 Speaker 5: means something. I think we all find even if sometimes 1426 00:57:05,480 --> 00:57:07,960 Speaker 5: we insert our story that has nothing to do with 1427 00:57:08,000 --> 00:57:11,040 Speaker 5: the song, we just feel like it has to do 1428 00:57:11,120 --> 00:57:14,040 Speaker 5: with the song, and it's kind of a therapy session 1429 00:57:14,400 --> 00:57:16,040 Speaker 5: because we don't really know what the song's about. It's 1430 00:57:16,040 --> 00:57:18,040 Speaker 5: we're able to insert a story that is not even 1431 00:57:18,160 --> 00:57:20,280 Speaker 5: exactly what you wrote it about, but it feels like 1432 00:57:20,320 --> 00:57:22,760 Speaker 5: it is fday, like even tonally. 1433 00:57:22,400 --> 00:57:26,920 Speaker 16: Find a common denominator like put yourself because it is 1434 00:57:26,960 --> 00:57:29,120 Speaker 16: there's got to be a piece that's moving you emotionally. 1435 00:57:29,160 --> 00:57:32,040 Speaker 16: Something in there got you, you know, even Armadilla like 1436 00:57:32,080 --> 00:57:35,439 Speaker 16: it's silly but really got me. I believed in it, 1437 00:57:35,760 --> 00:57:35,960 Speaker 16: you know. 1438 00:57:36,840 --> 00:57:38,520 Speaker 5: I remember the first time I saw the video of Armadil, 1439 00:57:38,520 --> 00:57:39,840 Speaker 5: I laughed. That was so he was playing on a 1440 00:57:39,840 --> 00:57:42,200 Speaker 5: small stage. I don't know where it was. It wanted 1441 00:57:42,240 --> 00:57:47,400 Speaker 5: like the little Austin. Yeah, like restaurants that that's so funny. 1442 00:57:47,400 --> 00:57:49,640 Speaker 5: That's the first one. Top three cities in Texas go. 1443 00:57:49,920 --> 00:57:51,520 Speaker 11: Top three cities in Texas well. 1444 00:57:52,080 --> 00:57:58,880 Speaker 16: Lynndale my home it's not a city. 1445 00:57:58,960 --> 00:58:03,560 Speaker 11: Yeah for Earth. I love the stock Yards, it's my favorite. 1446 00:58:03,720 --> 00:58:06,560 Speaker 16: I had my fortieth birthday at Billy Bobb's on a 1447 00:58:06,600 --> 00:58:07,800 Speaker 16: Monday when they were closed. 1448 00:58:09,400 --> 00:58:11,960 Speaker 5: It wasn't a show for your fortieth. You literally had 1449 00:58:12,000 --> 00:58:12,720 Speaker 5: your birthday there. 1450 00:58:12,880 --> 00:58:13,120 Speaker 8: Yeah. 1451 00:58:13,280 --> 00:58:15,120 Speaker 16: They let me have the building because I've been playing 1452 00:58:15,120 --> 00:58:17,920 Speaker 16: there for so long, and I had Wade Bowen and 1453 00:58:18,000 --> 00:58:19,440 Speaker 16: Randy Rogers Adam Hood come play. 1454 00:58:19,520 --> 00:58:20,880 Speaker 11: It was super fun with line danced. 1455 00:58:21,040 --> 00:58:22,200 Speaker 6: It was super fun, s awesome. 1456 00:58:22,440 --> 00:58:23,320 Speaker 5: Do you pay them for that? 1457 00:58:24,040 --> 00:58:24,919 Speaker 11: They didn't make me pay. 1458 00:58:24,960 --> 00:58:26,080 Speaker 5: That's cool. That's a birthday present. 1459 00:58:26,120 --> 00:58:28,480 Speaker 11: That's birthday present. That's the prose of We and Friends. 1460 00:58:30,280 --> 00:58:34,240 Speaker 5: October fifth, you're doing the music for Mutts, Yes, which 1461 00:58:34,440 --> 00:58:37,680 Speaker 5: is the show where you're raising money for animals, which 1462 00:58:37,720 --> 00:58:39,640 Speaker 5: is something you've been very consistent out over the years 1463 00:58:40,400 --> 00:58:43,760 Speaker 5: in such a giving way. What what's to deal with 1464 00:58:43,800 --> 00:58:45,520 Speaker 5: this show? Because I don't where is it, I don't have. 1465 00:58:45,520 --> 00:58:49,880 Speaker 16: The Oh got a sind and I've got guest stars 1466 00:58:49,920 --> 00:58:53,120 Speaker 16: coming to do songs, and you know, I haven't done 1467 00:58:53,160 --> 00:58:57,480 Speaker 16: a real fundraiser, just straight out fundraiser show for my 1468 00:58:57,640 --> 00:58:59,360 Speaker 16: nation in a while, because we were doing where we 1469 00:58:59,400 --> 00:59:01,919 Speaker 16: would you know, every ticket sold for Vegas. We were 1470 00:59:02,080 --> 00:59:05,160 Speaker 16: given a dollar to monation. So I'm excited because it's 1471 00:59:05,400 --> 00:59:05,840 Speaker 16: my passion. 1472 00:59:05,920 --> 00:59:06,120 Speaker 5: You know. 1473 00:59:06,160 --> 00:59:07,640 Speaker 16: We talk about it every time and thank you for 1474 00:59:07,720 --> 00:59:08,760 Speaker 16: always talking about rest. 1475 00:59:08,920 --> 00:59:11,040 Speaker 5: Well it's mine too, or I just I would just 1476 00:59:11,080 --> 00:59:12,880 Speaker 5: do something else. I mean, there's a lot of stuff 1477 00:59:12,880 --> 00:59:13,280 Speaker 5: talk about. 1478 00:59:13,480 --> 00:59:14,920 Speaker 11: I have a just it's awesome. 1479 00:59:15,000 --> 00:59:17,400 Speaker 16: And it's like, you know, friends that give up their 1480 00:59:17,400 --> 00:59:19,920 Speaker 16: time come sing some songs to save some dogs. Like 1481 00:59:20,440 --> 00:59:22,760 Speaker 16: it's just it's so important, you know, And I feel 1482 00:59:22,760 --> 00:59:25,280 Speaker 16: like if I have a platform, I'm always going to 1483 00:59:25,320 --> 00:59:27,080 Speaker 16: try to use it for giving a voice to the 1484 00:59:27,160 --> 00:59:30,200 Speaker 16: voiceless and for you know, we all find our charities 1485 00:59:30,200 --> 00:59:32,400 Speaker 16: that are really close to us, but the sweet little 1486 00:59:32,440 --> 00:59:34,680 Speaker 16: animals are for sure my passion. 1487 00:59:34,840 --> 00:59:36,640 Speaker 5: It's always easier to make the ask two to your 1488 00:59:36,640 --> 00:59:38,600 Speaker 5: friends to do something if it's for charity. It's like 1489 00:59:38,600 --> 00:59:39,240 Speaker 5: a show in town. 1490 00:59:39,360 --> 00:59:41,240 Speaker 11: Yeah, and you could trade we trade off, you know. 1491 00:59:41,400 --> 00:59:44,960 Speaker 5: It's like rappers, Yeah, go my song, get on yours? 1492 00:59:45,040 --> 00:59:51,680 Speaker 5: Yeah exactly, except it's not at all charity charity. Miranda's 1493 00:59:51,680 --> 00:59:54,600 Speaker 5: album Postcards from Texas is out today. I'm going to 1494 00:59:54,640 --> 00:59:59,400 Speaker 5: ask you a really vague, dumb question today, what's your 1495 00:59:59,400 --> 01:00:01,120 Speaker 5: favorite song record today? 1496 01:00:01,280 --> 01:00:04,840 Speaker 11: My favorite song on the record is probably dam It Randy. 1497 01:00:05,160 --> 01:00:09,840 Speaker 5: And what is your favorite song from your catalog that's 1498 01:00:09,880 --> 01:00:13,400 Speaker 5: been a hit? Right now? Oh god, right now. 1499 01:00:13,800 --> 01:00:15,840 Speaker 11: Right now. Favorite song that's been a hit. 1500 01:00:18,240 --> 01:00:22,120 Speaker 5: Little Red Wagon, that's fun. That's probably like good energy too, right. 1501 01:00:22,160 --> 01:00:23,880 Speaker 16: I look forward to it at the end of It's 1502 01:00:23,880 --> 01:00:25,240 Speaker 16: always at the end of the show, and I'm like, oh, 1503 01:00:25,280 --> 01:00:25,720 Speaker 16: that's fun. 1504 01:00:25,960 --> 01:00:27,680 Speaker 5: What's your encore song? 1505 01:00:28,800 --> 01:00:31,920 Speaker 11: I don't do encores. It's weird. Everybody knows. 1506 01:00:32,280 --> 01:00:34,439 Speaker 16: You just go off the stage and then you're like, wait, 1507 01:00:34,600 --> 01:00:36,720 Speaker 16: all clap louder, and then I'm coming back, and then 1508 01:00:36,760 --> 01:00:37,960 Speaker 16: everybody's leaving to go the car. 1509 01:00:38,120 --> 01:00:39,600 Speaker 11: I'm just like, we just do our show and then 1510 01:00:39,600 --> 01:00:41,920 Speaker 11: it's over. Okay, but it's like by y'all know, you've 1511 01:00:41,920 --> 01:00:42,440 Speaker 11: got to get home. 1512 01:00:42,520 --> 01:00:45,920 Speaker 5: Hypothetically, let's say they wouldn't leave the lights already on. 1513 01:00:45,920 --> 01:00:47,400 Speaker 5: That's how I know there's no long core with any band. 1514 01:00:47,440 --> 01:00:49,480 Speaker 5: I don't like encores either, Like, as soon as it's over, 1515 01:00:49,520 --> 01:00:50,800 Speaker 5: turned the lights up, so everybody knows. 1516 01:00:50,840 --> 01:00:52,480 Speaker 11: Oh, I'm like house music and means let's go. 1517 01:00:52,720 --> 01:00:54,280 Speaker 5: I'm like lights up house music. O. 1518 01:00:54,560 --> 01:00:56,880 Speaker 11: My sound go's todd and almost like Todd roll the 1519 01:00:56,920 --> 01:00:57,480 Speaker 11: Bean footage. 1520 01:00:57,640 --> 01:01:00,600 Speaker 5: Yes, we're done. Bean, it's odd. 1521 01:01:01,160 --> 01:01:05,800 Speaker 17: But theoretically, let's say, hypothetically, theoretically, all theoctically is let's 1522 01:01:05,840 --> 01:01:08,360 Speaker 17: say that lights come on the house of music up, 1523 01:01:08,360 --> 01:01:10,560 Speaker 17: but the crowd will not move, and they're like, we 1524 01:01:10,760 --> 01:01:14,480 Speaker 17: demand one more song or we're not feeding our dogs, 1525 01:01:14,720 --> 01:01:15,920 Speaker 17: Like nobody's gonna go and feed their dogs. 1526 01:01:15,960 --> 01:01:17,000 Speaker 5: Okay, well theyn not have to get you have to 1527 01:01:17,000 --> 01:01:18,040 Speaker 5: go out and do one other song. 1528 01:01:18,200 --> 01:01:21,080 Speaker 16: That's ever happened because it's country music. And they're like, well, 1529 01:01:21,120 --> 01:01:22,680 Speaker 16: that was great, we love you, see you next time. 1530 01:01:23,000 --> 01:01:24,720 Speaker 16: But I would just go out there and do one 1531 01:01:24,720 --> 01:01:27,640 Speaker 16: by myself, like a Hag song or something like I 1532 01:01:27,680 --> 01:01:29,480 Speaker 16: have done that before back in the day, like at 1533 01:01:29,480 --> 01:01:31,560 Speaker 16: bars when they're alrowdy and they're like one more, Like 1534 01:01:32,160 --> 01:01:32,680 Speaker 16: go just do. 1535 01:01:32,920 --> 01:01:33,720 Speaker 11: One by myself. 1536 01:01:34,080 --> 01:01:38,280 Speaker 5: Let's do Mount Rushmore a favorite artists of all time. 1537 01:01:38,360 --> 01:01:39,640 Speaker 5: None of them can be from Texas. 1538 01:01:39,800 --> 01:01:42,240 Speaker 11: Oh okay, well, dang it. 1539 01:01:42,400 --> 01:01:44,400 Speaker 5: I know I got to catch off there because I 1540 01:01:44,480 --> 01:01:46,840 Speaker 5: knew where you'd go because obviously we know who you love. 1541 01:01:46,920 --> 01:01:49,960 Speaker 16: Me Emmy Lou Right, she's not Hag. He's really not 1542 01:01:49,960 --> 01:01:51,920 Speaker 16: from Texas. I mean he was in the region, but. 1543 01:01:53,480 --> 01:01:55,560 Speaker 11: Gosh, that's hard. 1544 01:01:56,160 --> 01:01:57,560 Speaker 5: We got two, I got two. 1545 01:01:58,200 --> 01:02:02,840 Speaker 11: Let me see, there's so many that I can't use. 1546 01:02:02,880 --> 01:02:04,880 Speaker 5: Now, that's why I want to make we. 1547 01:02:04,880 --> 01:02:05,760 Speaker 11: Grow good down there. 1548 01:02:05,760 --> 01:02:06,040 Speaker 13: All right? 1549 01:02:06,040 --> 01:02:07,160 Speaker 11: How about kicks and Ronnie? 1550 01:02:07,520 --> 01:02:11,040 Speaker 5: But that's only one though in Ronnie's Oklahoma, Texas are 1551 01:02:11,680 --> 01:02:14,840 Speaker 5: it's too close. You know, I'll give you. I will 1552 01:02:14,880 --> 01:02:15,520 Speaker 5: give you that. 1553 01:02:16,000 --> 01:02:19,080 Speaker 11: Can I have WILLI please have Willy? Can I have kicks? 1554 01:02:19,080 --> 01:02:23,600 Speaker 5: And Willy give her Willy bo? Okay, you've probably nine 1555 01:02:23,600 --> 01:02:25,880 Speaker 5: people on this thing. We're gonna be chipping away all 1556 01:02:25,960 --> 01:02:27,400 Speaker 5: day long on this this note rush. 1557 01:02:27,520 --> 01:02:30,280 Speaker 11: Too many, there's way too many. I can't say doors straight. 1558 01:02:30,880 --> 01:02:34,680 Speaker 11: I could put Dolly. Oh yeah, let's put rebup there too. 1559 01:02:34,840 --> 01:02:37,840 Speaker 5: Okay, this is not clay, this is rock. We can't 1560 01:02:37,880 --> 01:02:40,680 Speaker 5: just mold it with our hands. Miranda, you're oh, let 1561 01:02:40,680 --> 01:02:42,080 Speaker 5: me ask you his final question. You are the best. 1562 01:02:42,280 --> 01:02:44,400 Speaker 5: I mean it, sincerely. I love when you come. Thank 1563 01:02:44,440 --> 01:02:49,720 Speaker 5: you so and I know you know you don't have 1564 01:02:49,760 --> 01:02:50,840 Speaker 5: to be cool when you are cool. You're at that 1565 01:02:50,840 --> 01:02:52,560 Speaker 5: stage of your career where you're still you're such an 1566 01:02:53,000 --> 01:02:54,760 Speaker 5: icon where you can just show up and mail it 1567 01:02:54,760 --> 01:02:56,240 Speaker 5: in and everybody's happy to have you. And I'm glad. 1568 01:02:56,240 --> 01:02:57,000 Speaker 5: Thank you for not doing that. 1569 01:02:57,040 --> 01:02:59,959 Speaker 16: No, I washed my hair today and that's a big deal. 1570 01:03:00,880 --> 01:03:02,880 Speaker 16: It's a whole I like drove into work today with 1571 01:03:02,920 --> 01:03:04,200 Speaker 16: a coffee, like I had a real job. 1572 01:03:04,480 --> 01:03:05,760 Speaker 6: How many days can you go? 1573 01:03:06,160 --> 01:03:09,520 Speaker 16: No harrold Oh, I mean I try to really stretch it. Yeah, 1574 01:03:10,120 --> 01:03:11,760 Speaker 16: Like it depends on the five shows. 1575 01:03:11,800 --> 01:03:11,920 Speaker 13: You know. 1576 01:03:11,920 --> 01:03:13,479 Speaker 11: If I get all sweaty at shows, I'm like, well 1577 01:03:13,520 --> 01:03:13,919 Speaker 11: it's over. 1578 01:03:14,040 --> 01:03:17,080 Speaker 6: I made it eight days one and I'm I know 1579 01:03:17,280 --> 01:03:20,640 Speaker 6: it's like a big moment. Well it's a thing. 1580 01:03:20,720 --> 01:03:22,600 Speaker 16: So anyway, all that to say, I got up, got 1581 01:03:22,600 --> 01:03:24,680 Speaker 16: ready and try to look the part today. 1582 01:03:24,960 --> 01:03:26,240 Speaker 11: We first time I was in here, I was like 1583 01:03:26,320 --> 01:03:28,240 Speaker 11: kind of raggedy. I came off the road and like 1584 01:03:28,240 --> 01:03:29,000 Speaker 11: I had and braids. 1585 01:03:29,120 --> 01:03:31,640 Speaker 5: Okay, we like that. Yeah, like all versions. Okay, final 1586 01:03:31,680 --> 01:03:34,560 Speaker 5: final question, because I had listed you as one of 1587 01:03:34,600 --> 01:03:37,400 Speaker 5: my favorite people to talk to other you take me 1588 01:03:37,440 --> 01:03:39,560 Speaker 5: out of it. Who's your favorite person to interview you 1589 01:03:39,600 --> 01:03:40,080 Speaker 5: other than me? 1590 01:03:40,560 --> 01:03:44,880 Speaker 16: Ooh, you know I love Kelly Bannon. Yeah, she is 1591 01:03:44,960 --> 01:03:46,520 Speaker 16: like so fun to talk to and I feel like 1592 01:03:46,520 --> 01:03:48,520 Speaker 16: we just have girl time and it's on the radio. 1593 01:03:48,800 --> 01:03:50,520 Speaker 16: Yeah sometimes and I'm like, oh, maybe we should have 1594 01:03:50,560 --> 01:03:51,040 Speaker 16: settled up. 1595 01:03:52,360 --> 01:03:54,360 Speaker 5: But yeah, that's a good answer. I ask you, your 1596 01:03:54,360 --> 01:03:57,680 Speaker 5: favorite person to interview them is other than me? No, exactly. 1597 01:03:57,720 --> 01:03:59,040 Speaker 5: That's how I to im a good interview as I'm 1598 01:03:59,040 --> 01:04:02,360 Speaker 5: the best favorite. That's why I'm her number one, number one, 1599 01:04:02,480 --> 01:04:05,520 Speaker 5: number one, Miranda, Thank you everybody. Postcards from Texas. It 1600 01:04:05,600 --> 01:04:09,640 Speaker 5: is out today and it's fourteen tracks. But go and say, 1601 01:04:09,880 --> 01:04:12,280 Speaker 5: listen to it all the way through once and then 1602 01:04:12,320 --> 01:04:13,040 Speaker 5: do your deciding. 1603 01:04:13,600 --> 01:04:15,320 Speaker 11: Yeah, all the way through it would be great. We're 1604 01:04:15,320 --> 01:04:16,160 Speaker 11: still romantic. 1605 01:04:15,920 --> 01:04:17,440 Speaker 5: About it, even just once, even just one. 1606 01:04:17,560 --> 01:04:20,480 Speaker 16: It's only forty two minutes. Because I've timed it. It's 1607 01:04:20,520 --> 01:04:22,040 Speaker 16: forty two minutes. You've got forty two minutes. 1608 01:04:22,200 --> 01:04:23,600 Speaker 5: Was that a thing where you go, Okay, if we 1609 01:04:23,640 --> 01:04:25,160 Speaker 5: do this, we can put as many tracks, but we 1610 01:04:25,160 --> 01:04:27,600 Speaker 5: don't want it to be seventy three minutes like. 1611 01:04:28,200 --> 01:04:30,640 Speaker 11: It's a lot. People don't have that kind of commitment. 1612 01:04:30,720 --> 01:04:32,640 Speaker 5: I agree, which is why I would encourage people to 1613 01:04:32,640 --> 01:04:34,840 Speaker 5: just to go through it all the way one time 1614 01:04:35,160 --> 01:04:38,440 Speaker 5: and then make your decisions. Yeah, Brandon, thank you, you 1615 01:04:38,480 --> 01:04:40,400 Speaker 5: are a plus the best and we will see you soon. 1616 01:04:40,440 --> 01:04:40,840 Speaker 11: Thank y'all. 1617 01:04:42,000 --> 01:04:46,000 Speaker 4: Yes, it's the best bits of the week with Morgan number. 1618 01:04:45,800 --> 01:04:48,480 Speaker 3: Two and now you're all caught up on the Bobby 1619 01:04:48,480 --> 01:04:50,600 Speaker 3: Bone Show from this week, so go check out part one, 1620 01:04:50,640 --> 01:04:53,040 Speaker 3: Part three this weekend with Amy and if you've already 1621 01:04:53,080 --> 01:04:55,200 Speaker 3: listened to those, then you can check out my new podcast, 1622 01:04:55,360 --> 01:04:58,480 Speaker 3: Take This Personally. I had on a career coach named 1623 01:04:58,480 --> 01:05:01,280 Speaker 3: Ashley who talked about Lily throughout a career and how 1624 01:05:01,320 --> 01:05:03,919 Speaker 3: to make a fulfilling life. And then I also brought 1625 01:05:03,920 --> 01:05:07,320 Speaker 3: on Carrie Underwood's hair and makeup stylists of the last 1626 01:05:07,400 --> 01:05:10,000 Speaker 3: eighteen years and she shared how they got together and 1627 01:05:10,320 --> 01:05:12,360 Speaker 3: her story of quitting high school to. 1628 01:05:12,640 --> 01:05:13,320 Speaker 7: Chase a dream. 1629 01:05:13,480 --> 01:05:15,440 Speaker 3: So really fun stuff over there if you're kind of 1630 01:05:15,440 --> 01:05:18,240 Speaker 3: in a career situation and you're just not sure what 1631 01:05:18,320 --> 01:05:20,600 Speaker 3: to do. And now it's time for me to go 1632 01:05:20,640 --> 01:05:23,560 Speaker 3: take an out because you know, two podcasts the show. 1633 01:05:24,040 --> 01:05:24,919 Speaker 2: A lot's going on. 1634 01:05:24,880 --> 01:05:26,680 Speaker 3: Lately, but we love it. I hope you guys have 1635 01:05:26,720 --> 01:05:28,960 Speaker 3: a great weekend. Be safe, lovey bye. 1636 01:05:29,360 --> 01:05:31,600 Speaker 4: That's the best bits of the week with Morgan. 1637 01:05:31,920 --> 01:05:32,760 Speaker 5: Thanks for listening. 1638 01:05:32,880 --> 01:05:35,280 Speaker 4: Be sure to check out the other two parts this weekend. 1639 01:05:35,320 --> 01:05:37,480 Speaker 4: Go follow the show on all social platforms. 1640 01:05:38,280 --> 01:05:40,320 Speaker 6: Show and follow ed web girl Morgan 1641 01:05:40,560 --> 01:05:44,400 Speaker 4: To submit your listener questions for next week's episode.