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Speaker 1: Eight mile is the reason that I got into this

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Speaker 1: hip hop ship.

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Speaker 2: It's all right, we know, we welcome you with open arms.

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Speaker 1: I did go to say Andrews Hall, which of course

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Speaker 1: is a famous venue.

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Speaker 2: I tried to get that in the star.

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Speaker 1: I was. I was on the.

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Speaker 2: Stage, like the same bathroom.

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Speaker 1: I was sitting there like mom spaghetti. I was. I

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Speaker 1: was up there, lyrical miracle, Yeah, I was.

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Speaker 2: I was up there. You in the same store. He

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Speaker 2: threw up it. He's like, oh, they've cleaned this place up.

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Speaker 2: No ship, but.

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Speaker 3: Blesses bitsiness in my section, y'all with all this money,

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Speaker 3: I'm obsessing weapons, turning off y'all extras, cutting off this

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Speaker 3: bullshit direction.

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Speaker 2: Welcome to another episode of the new Rory and Mall podcast.

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Speaker 1: I am Mall, I'm Rory.

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Speaker 2: Listen, we're getting right to the ships. First of all,

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Speaker 2: congratulations to Nipsey Hustle on his Hollywood Walk of Famed star. Yes,

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Speaker 2: well deserved, well deserve. Congrats to him and his family.

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Speaker 2: This is a big deal, man.

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Speaker 1: I wish they could do like performances and like shit

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Speaker 1: when they do this, like I think it's cool. Everyone

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Speaker 1: takes a picture and all that, and I think it's

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Speaker 1: going to beautiful that his family and Lauren London and

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Speaker 1: his kids and everyone will be there to take that picture.

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Speaker 1: Let's have a party, like right on Hollywood Bullevar.

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Speaker 2: I got I got a feeling there will be. I

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Speaker 2: got a feeling for this one.

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Speaker 1: People are gonna show out.

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Speaker 2: Yeah. And his birthday it's on August fifteenth, so it

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Speaker 2: would have been his thirty seventh birthday that he would

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Speaker 2: receive this star. So yeah, man, congrats to Nipsey Hustle.

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Speaker 1: Rest in peace, well well deserved, and please have rappers

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Speaker 1: performing on top of cars and shit on Hollywood Boulevard.

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Speaker 1: Just shut the whole shit.

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Speaker 2: Body, go out there, shut the whole street down. Uh,

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Speaker 2: this is a party. This is a celebration of life,

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Speaker 2: the celebration of a you know, a well deserved tribute

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Speaker 2: to a special person, a special artist. Yeah, a special man.

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Speaker 1: Absolutely rest in peace in Nipsey Hustle.

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Speaker 2: What's going on, man? How you been good? Good?

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Speaker 1: I can't complain. I spend it's been a cool week

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Speaker 1: so far. You were giving me ship. I felt like

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Speaker 1: I almost almost needed to go to Homie Court.

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Speaker 2: Why for what refresh my memory is? You know, sometimes

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Speaker 2: we get subpoena and we don't even know why.

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Speaker 1: Well, my man David hit me and said, hey, we're

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Speaker 1: doing the Kilney show at Radio City.

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Speaker 2: Yeah mm hmm.

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Speaker 1: And he said I got you on two tickets. Yeah,

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Speaker 1: and about a week ago, I was your plus one

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Speaker 1: to the Kendrick show, So naturally would make sense to

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Speaker 1: return for me to hit you and be like, yo,

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Speaker 1: I got this extra ticket now before I even get

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Speaker 1: brought to trial.

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Speaker 2: But no, no, I feel like I don't want you

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Speaker 2: to think that I was bring you to trial.

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Speaker 1: I wasn't bringing I'm just trying to get ahead of

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Speaker 1: any charges.

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Speaker 2: No, no, no, no, no, no, there are no charges coming.

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Speaker 1: I just felt like you and I at Radio City

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Speaker 1: and it's like seats for real, yeah, at the Kaeln Theater.

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Speaker 2: Yeah.

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Speaker 1: I just wouldn't. I don't know, I didn't really want to.

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Speaker 2: I want to be ka. Actually, now that I thought

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Speaker 2: more into it, that's why I said they won't be

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Speaker 2: any charge just coming. I was completely just sure. Yeah, Brooklyn,

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Speaker 2: you know it's kind of like we're going to see

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Speaker 2: the nets.

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Speaker 1: Exactly, the Radio City, Kaylannie.

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Speaker 2: Yeah, No, it's just the genre.

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Speaker 1: You have to enjoy that with women.

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Speaker 2: Yeah, Yeah, but how was the show?

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Speaker 1: It was really really good.

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Speaker 2: Yeah, I was mad, I see and I saw it online.

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Speaker 2: I didn't even know she was in New York. No,

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Speaker 2: I definitely would have went.

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Speaker 1: But two sold out shows.

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Speaker 2: Yeah, congratched the kailanney Man. That's that's a big deal.

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Speaker 1: The show is incredible. I didn't I mean, I knew

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Speaker 1: Kaylane could dance. Don't get it twisted, but like the choreography,

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Speaker 1: I was kind of blown away by she was fucking

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Speaker 1: dancing up there like it was. It was a show

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Speaker 1: show in that regard, because you don't know her vocals

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Speaker 1: and lyrics and all that ship, but she was. She

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Speaker 1: was dancing and singing. I was like, oh, ship, yeah,

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Speaker 1: this is this is some pop ship and that some more.

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Speaker 2: And b ship. Kay Lonnie is one of those, uh know,

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Speaker 2: like secretly super talented artists, Like a lot of people

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Speaker 2: don't really know the extent of her talent and how

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Speaker 2: dope Caline is obviously nor beautiful voice, dope albums, dope

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Speaker 2: songs and ship like that, but seeing her live is

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Speaker 2: a whole different.

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Speaker 1: She she reminds me of those annoying people at the

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Speaker 1: Boys and Girls Club. It's like you're good at everything.

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Speaker 1: Can you just beat trash it's at something, please, and

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Speaker 1: right now, she's definitely an athlete. She's definitely good at sports,

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Speaker 1: like she can play baseball. She definitely played basketball like

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Speaker 1: she's one that she can probably run really fast, like

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Speaker 1: she's one of those girls.

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Speaker 2: So the show was dope.

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Speaker 1: Yeah it was really really good. But anyway, yeah, that

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Speaker 1: was just my week. And I know we were just

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Speaker 1: here a few days ago, and I feel like a

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Speaker 1: lot of shit happened. Listen, I feel like we did.

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Speaker 1: We did a Newsy episode last one, which was two

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Speaker 1: days ago. I feel like we have a whole list

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Speaker 1: of more fucking news today.

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Speaker 2: A lot of things happened the other day while we

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Speaker 2: were we were out of shooting some some other ship.

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Speaker 2: On my way home. When I got in the house,

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Speaker 2: like my phone started like people was calling me, texting me.

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Speaker 1: Did you feel violated though when you got home?

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Speaker 2: Absolutely? Because I took a shower and I remember remember

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Speaker 2: remember h Ventura when he found out that iron horn

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Speaker 2: know the whole yeah, the whole crew.

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Speaker 1: Everyone started throwing up.

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Speaker 2: Yeah, man, I just I just I had to take

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Speaker 2: a shower. I had to get that get that a

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Speaker 2: off of me.

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Speaker 1: But subscribe to our Patreon. We have an interesting case coming.

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Speaker 1: We have a great I don't know if I feel

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Speaker 1: violated or we were violating them. I think I know

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Speaker 1: everyone edding to ask me to count to ten anymore.

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Speaker 1: I know this is all cryptic, and you have no

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Speaker 1: idea what we're talking about. Subscribe to Patreon. Uh, you'll

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Speaker 1: see what the fun You'll come and see dom subs. Yeah,

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Speaker 1: there's your hint.

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Speaker 2: So yeah, I got home and I started getting text

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Speaker 2: messages and phone calls from people. I didn't know what

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Speaker 2: the that was. Just my music was playing and the

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Speaker 2: phone kept ringing, something like why is the music cutting off?

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Speaker 2: Phone blowing up? I look a bunch of people texting me.

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Speaker 2: Uh go on my Twitter, and people are at me.

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Speaker 2: You were right, I'm like right about what. I haven't

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Speaker 2: even said anything, and they were referring to my prediction

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Speaker 2: years ago that the Breakfast Club was over. You know,

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Speaker 2: we were just at that point talking shit, going back

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Speaker 2: and forth with Charlotmagne.

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Speaker 1: You can't say we were just talking shit that has

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Speaker 1: been held against you and, by the way, has been

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Speaker 1: held against me, and I didn't even say it. I

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Speaker 1: actually argue with you that it wasn't over. It's been

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Speaker 1: held against me for five years now.

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Speaker 2: Well yeah, but I mean I wasn't. I wasn't. I don't.

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Speaker 2: I don't want. I don't want to seem like I

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Speaker 2: was hoping a praying on.

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Speaker 1: That down for But it's the Internet, so people are

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Speaker 1: going to do that. I was, and I know what

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Speaker 1: you were saying, but I can totally see someone just

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Speaker 1: watching that clip and of context that he was like.

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Speaker 2: It wasn't nothing like that. We was just talking shit

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Speaker 2: back and forth. But Angelae tweeted and she announced that

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Speaker 2: the Breakfast Club as you know it is officially over,

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Speaker 2: and she gave us the love on top Beyonce hert fingers.

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Speaker 1: I was happy she announced this on Twitter. Why because

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Speaker 1: I feel like when the Breakfast was nostalgic. Yeah, man,

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Speaker 1: I know it warmed my heart because Twitter started really

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Speaker 1: going crazy when the Breakfast Club really started going crazy.

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Speaker 2: Yeah, so it was like out the factor.

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Speaker 1: Yeah, they go hand in hand as far as the

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Speaker 1: eras for me, so like I understand Angela's dupress and

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Speaker 1: do the Instagram reels and all the shit that. I'm

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Speaker 1: sure she did a TikTok dance for her exit, but.

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Speaker 2: Teams he was outside the studio security.

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Speaker 1: But the fact that the first place she went just

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Speaker 1: for nostalgic purposes, I don't know if that was a

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Speaker 1: purposeful thing or not, but it was so good to

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Speaker 1: just see Angela on Twitter be like Yo's sober.

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Speaker 4: Yeah, she didn't even wait till nine o'clock.

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Speaker 2: She did.

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Speaker 1: What YouTube conspiracy theorist broke numerology down on that one. Yeah.

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Speaker 2: So the Breakfast Club as we know it is officially

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Speaker 2: over Angelie, and now that she will be departing the

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Speaker 2: club after twelve years of the Breakfast Club, this is

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Speaker 2: the Breakfast Club is easily, you know, one of the,

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Speaker 2: if not the biggest radio show that we've ever had.

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Speaker 1: Yeah, I would say that they're definitely in. They've already

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Speaker 1: been conducted, I believe. But yeah, I think you can

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Speaker 1: make an argument, at least for my generation, that they

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Speaker 1: were the biggest radio show ever. And that's not taking

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Speaker 1: away from the countless radio shows that I grew up

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Speaker 1: on and loved to death and made so much impact.

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Speaker 1: But outside of them, I think being the biggest, I

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Speaker 1: think what no one brings up is I think they

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Speaker 1: single handedly kept radio relevant for ten years longer than

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Speaker 1: it should have been relevant. Yeah, absolutely, and the fact

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Speaker 1: that the three of them could have done that, my

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Speaker 1: hats off to you guys. Radio was on its way out,

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Speaker 1: and the way you guys shifted over to YouTube with

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Speaker 1: those interviews and did everything online, you guys kept radio,

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Speaker 1: especially for the younger generation relevant. It'll be relevant to

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Speaker 1: older people forever. Yeah, to the younger generation, y'all kept

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Speaker 1: radio more relevant than it should have been for a

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Speaker 1: whole decade. It should have been out of here, and

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Speaker 1: y'all kept it going.

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Speaker 2: And not only that, I think that what Angeloie, Charlamagne

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Speaker 2: and Envy did was they created something that ultimately gave

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Speaker 2: other people motivation to get into broadcasts. Sure in some

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Speaker 2: forms like oh I could sit down with my friends

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Speaker 2: and you know, talk about shit like this and podcasting,

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Speaker 2: you know, things like things like this is what I

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Speaker 2: think come from a breakfast club. It gives people an

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Speaker 2: idea to we have something to say, We need to

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Speaker 2: voice our opinions. We can speak for the culture because

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Speaker 2: we are the culture.

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Speaker 1: So and almost down to like the real conversations. Of course,

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Speaker 1: we've known Angie to be one of the best at

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Speaker 1: having like the regular real conversation with artists throughout her career.

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Speaker 1: But again to like the Twitter point of how they

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Speaker 1: kind of our partnered together with Breakfast Club and Twitter popping.

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Speaker 1: They kind of represented all of us on Twitter, and

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Speaker 1: I think that's what was so good about that show.

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Speaker 1: Whereas other radio stations we're still focused on being traditional

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Speaker 1: radio and being very much in tune with the labels,

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Speaker 1: and you know, the artists can only have safe fucking

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Speaker 1: questions and like tell us about your album, like whose

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Speaker 1: are the features? They were really living the same Internet

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Speaker 1: life we were as far as having those conversations, those

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Speaker 1: real conversations, and they brought that ship to a fucking conglomerate.

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Speaker 1: So that's all to Breakfast Club man.

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Speaker 2: It was.

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Speaker 1: It was an amazing run to watch.

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Speaker 2: Mm hmm.

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Speaker 1: Still, I think have the greatest rant of all time

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Speaker 1: with Ray j Any. Anytime and I guys think I'm joking.

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Speaker 1: Anytime I've really felt like depressed and kind of out

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Speaker 1: of it, you listen to the y j Rant to

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Speaker 1: get I'm serious, to get me out and like get

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Speaker 1: me in a better mood, to like laugh. It's not

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Speaker 1: a motivational thing. Even though he was saying, come on,

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Speaker 1: indoor pool, outdoor pool, indoor basketball court, outdoor basketball court.

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Speaker 1: It just gets me in a better It just gets

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Speaker 1: me in a better mood.

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Speaker 2: I think that we should be all out of Ray

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Speaker 2: j Rant Day, like how we get.

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Speaker 1: Like, what's the day on it? Should we should start

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Speaker 1: a fucking challenge challenge on that day.

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Speaker 2: Let's go wherever you work at your workplace. You need

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Speaker 2: to fucking just go on to rent with anybody at

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Speaker 2: your workplace that you have an issue with. We're gonna

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Speaker 2: do Ray j Rant Day on. When was it?

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Speaker 1: I don't know the exact day. I remember listening to

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Speaker 1: it fucking.

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Speaker 2: Live December eleventh.

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Speaker 4: It doesn't say EXACTDA, but y're gonna say December eleven, twenty.

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Speaker 4: I feel like, no, I feel like it's happened at

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Speaker 4: twenty eleventh.

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Speaker 2: No, but I think I don't even think it wasn't

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Speaker 2: winter because it wasn't.

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Speaker 1: Winter, because I remember walking outside while listening to it

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Speaker 1: on the iHeart Aflete.

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Speaker 2: It just came out. We'll get the exact day for

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Speaker 2: the ray j RNT, but we actulutely need to do that.

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Speaker 2: We need a Ray j Rant Day. We need to

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Speaker 2: just go to your fucking workplace and let everyone fucking

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Speaker 2: have it. Anybody you have an issue with you just

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Speaker 2: as soon as you get to work, don't even take

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Speaker 2: your fucking code off.

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Speaker 1: Are we live?

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Speaker 2: Yeah? Exactly exactly.

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Speaker 1: That's how absolutely got to start with Yo we live?

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Speaker 1: Can I curse? Right? And then you just take it

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Speaker 1: on your own wherever.

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Speaker 2: You want to go. It's ray j Rant day. You

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Speaker 2: don't get in trouble for it, and then come to

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Speaker 2: work the next day like nothing ever happened. You know,

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Speaker 2: you know how they is just walking Hey, how y'all doing?

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Speaker 2: Everything's good? What y J did? So? Now we gave

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Speaker 2: the Breakfast Club their flowers.

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Speaker 1: And uh, she has a new show still with iHeart,

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Speaker 1: still has she has She's, She's, she.

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Speaker 2: Will be having Angela will be having her own show

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Speaker 2: with Our Heart. She still has a podcast, lip Service,

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Speaker 2: and she's.

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Speaker 4: Still gonna be with the Breakfast Club until until fall

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Speaker 4: where she launches the podcast.

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Speaker 1: I think what Angela's doing here is is important.

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Speaker 2: Angie is getting away from Charlemagne.

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Speaker 1: No, I'm not well all things. I'm one of Charlamagne.

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Speaker 2: You did it, man, You finally got it to the

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Speaker 2: point where she wanted.

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Speaker 1: To leave and get flowers everywhere. We know, the three

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Speaker 1: of them starting to hate it.

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Speaker 2: Yeah, yeah, yeah Charlamagne. Someone that's doing it in a

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Speaker 2: trio that hat yeah, Charlamagne. I can test when three

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Speaker 2: people hated Yeah, absolutely, I know all.

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Speaker 1: The passive aggressive swipes. I saw Charlemagne trying to step

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Speaker 1: over her exit like listen and loved all of them.

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Speaker 3: Uh.

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Speaker 1: I'm happy though that they chose to end it. I

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Speaker 1: think it's always ill when the.

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Speaker 2: People don't think they chose. You know, Angela wanted the lead.

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Speaker 1: Know what I'm saying When the people, when the people

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Speaker 1: that are involved in it choose to end it rather

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Speaker 1: than the fans ending it. They didn't end it because yo,

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Speaker 1: the breakfast club, no one gave a fuck about the

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Speaker 1: numbers are in the camp. They ended it on their terms.

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Speaker 1: I think that type of shit is ill, So salute

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Speaker 1: to them there. But Angela does have an opportunity here

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Speaker 1: because I feel like Angie being the legend that she is,

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Speaker 1: and I know she went through the car accident thing

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Speaker 1: and all that Angie has rightfully so pulled back a

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Speaker 1: little bit. I think there's a whole lane for an

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Speaker 1: individual woman to do an interview based, radio based type

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Speaker 1: of show, and I think Angela has a perfect opportunity

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Speaker 1: to do that. I mean, she's already been that, but

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Speaker 1: she was with the trio, So I'm saying just one

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Speaker 1: on one type shit.

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Speaker 4: I think this is great for it's gonna be a

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Speaker 4: nationally syndicated show.

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Speaker 2: Yeah.

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Speaker 1: I think it's.

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Speaker 2: Heart radio and well deserved. Yeah, Angela, she definitely deserves it.

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Speaker 2: It's going to be interesting to see, you know, how

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Speaker 2: she pivots and what she does. She's an important voice

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Speaker 2: in our culture, an important voice in radio, and clearly

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Speaker 2: it's exciting. It's exciting time for Clearly.

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Speaker 4: No one could fill her shoes in the Breakfast Club,

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Speaker 4: but this show is still going, and I'm assuming they're

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Speaker 4: going to have another female woman host. Whatever I heard

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Speaker 4: it was you, Oh, I declined gracefully. But who would

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Speaker 4: be an interesting candidate for this?

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Speaker 2: For the seat?

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Speaker 4: Yes, yes, it's hard.

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Speaker 2: It's tricky when you talk about filling that seat.

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Speaker 1: And the Breakfast Club is even with the three of

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Speaker 1: them recently, it's not what it was, and I think

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Speaker 1: they would admit that as well. They've already solidified their

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Speaker 1: spot that all three of them are doing other ventures,

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Speaker 1: and it put game a job which I don't just

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Speaker 1: credit them for. Like fuck, it, get your money, stay

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Speaker 1: there and do the show, but clearly all your passions

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Speaker 1: are being dealt with outside of the Breakfast Club. I

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Speaker 1: don't know what the Breakfast Club looks like right now

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Speaker 1: with where Charlemage and MV are at with everything else

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Speaker 1: they are doing in their lives. I don't know if

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Speaker 1: it's the biggest priority, nor what I fault them for

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Speaker 1: it not being the biggest priority.

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Speaker 2: I think what will eventually happen is the Breakfast Club

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Speaker 2: will be over with Envy and Charlemagne will go on

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Speaker 2: and do other things. At iHeart, I think that they'll

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Speaker 2: bring in a new a whole new crew for a

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Speaker 2: morning show type of thing, which is what you need.

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Speaker 2: I mean twelve years.

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Speaker 1: I think radio in general, not just Power one oh five,

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Speaker 1: people need to clear house like it's the same people.

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Speaker 1: And I understand that the radio audience is different. It

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Speaker 1: is definitely like the people that drive to work at

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Speaker 1: seven am with kids. It's traditional radio still does exist

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Speaker 1: for the older generation. But I think you can still

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Speaker 1: do traditional radio and do what the Breakfast Club did

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Speaker 1: in twenty ten and eleven, where you can shift over

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Speaker 1: and still be relevant with the younger generation and the

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Speaker 1: Internet and I don't think radio is really doing that,

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Speaker 1: especially in New York City. And I have no issue

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Speaker 1: with the people that are on there now. I just

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Speaker 1: don't understand why the youngest person on either of these

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Speaker 1: radio stations is thirty eight years old. Yeah, well, it's

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Speaker 1: just time for some I should be too old to

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Speaker 1: go on Hot ninety seven and Power one to five

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Speaker 1: as like a I don't know what you would just

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Speaker 1: call the radio personality because it used to be DJs.

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Speaker 1: But as a radio personality, I'm too old. Get somebody

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Speaker 1: in their mid twenties.

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Speaker 2: I don't think you too.

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Speaker 4: I don't think you have to. I don't think you're tool.

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Speaker 4: I don't think too.

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Speaker 2: I wouldn't say you too old, but I do understand

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Speaker 2: what you're saying. Get some younger blood up there, some

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Speaker 2: some newer perspectives, newer, younger, fresher point of views and

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Speaker 2: ideas and just you know, just energy about the culture

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Speaker 2: and the sound and you know what's what's hot now.

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Speaker 2: It's okay to go through changes, and you know what

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Speaker 2: I'm saying. Envy and Charlamagne obviously will still be doing

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Speaker 2: something at iHeartRadio.

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Speaker 1: Why not, because I don't know if they're going to

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Speaker 1: break the Breakfast Club up. I thought they both announced

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Speaker 1: that they were stayang and signed on for the Breakfast Club.

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Speaker 4: I'm pretty sure they're still staying on.

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00:17:04,200 --> 00:17:05,440
Speaker 2: Why not? Why not? Why not?

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00:17:05,520 --> 00:17:07,480
Speaker 1: Dianni? I'm sorry, why not? Scotty Bean.

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00:17:08,040 --> 00:17:10,959
Speaker 2: Oh, I'm not mad at that. Pro Scotty Bean, I'm

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00:17:11,000 --> 00:17:11,399
Speaker 2: not mad at that.

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Speaker 1: Mothers a radio legend.

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Speaker 2: She grew up in it.

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Speaker 1: She knows fucking radio. She works in radio. She is

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Speaker 1: very relevant in the media space. Now, she knows how

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Speaker 1: media's ran on the internet. Now, she knows these artists,

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Speaker 1: She's gonna ask real questions. Why the fun wouldn't that

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Speaker 1: be the first pick? In my opinion?

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Speaker 2: The two the two, the two women, if they want

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Speaker 2: to do that and just fill Angela's spot with a

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00:17:31,440 --> 00:17:34,440
Speaker 2: with a with a female and let her come up there,

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Speaker 2: I thought immediately Scotti and then Lorio?

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Speaker 1: Yeah, what I thought Laurio would be great?

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Speaker 2: Yeah?

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00:17:41,160 --> 00:17:43,280
Speaker 1: Is that a conflict of interest? She was on the lips?

401
00:17:44,080 --> 00:17:48,120
Speaker 2: Yeah she was, she was, But I kind of thought

402
00:17:48,119 --> 00:17:51,160
Speaker 2: about that. But I'm just thinking about just the two

403
00:17:51,240 --> 00:17:56,879
Speaker 2: women that are currently active in that space. Obviously, you know,

404
00:17:57,040 --> 00:17:59,960
Speaker 2: Scotty has been around radio her entire life, so she would.

405
00:18:00,280 --> 00:18:02,480
Speaker 2: She was the first when I thought about.

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Speaker 1: Perfect balance of understanding radio and understanding the times.

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00:18:05,880 --> 00:18:08,800
Speaker 2: Yeah, so yeah, I met. Shout out to the Breakfast Club,

408
00:18:09,119 --> 00:18:13,439
Speaker 2: congrats to Angela Yee, and again, salute to the Breakfast

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Speaker 2: Club for years of entertainment.

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00:18:15,320 --> 00:18:19,040
Speaker 1: Is this your apology? So what to you saying that

411
00:18:19,560 --> 00:18:20,280
Speaker 1: it was over for them?

412
00:18:20,520 --> 00:18:24,040
Speaker 2: No, this is my eulogy. This is wow over wow

413
00:18:24,320 --> 00:18:25,080
Speaker 2: wow wow.

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00:18:25,240 --> 00:18:27,760
Speaker 1: But it's one of those like when your grandparent dies

415
00:18:27,800 --> 00:18:30,280
Speaker 1: at like ninety something, peacefully sleep and you're like, no,

416
00:18:30,359 --> 00:18:32,640
Speaker 1: they had a long, great life. It's not as sad

417
00:18:32,640 --> 00:18:35,800
Speaker 1: as you'll think. It sad that they're not here anymore.

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00:18:35,840 --> 00:18:37,520
Speaker 1: They did what they were supposed to do.

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Speaker 2: What a life, grandma. I mean, you know, you didn't

420
00:18:39,960 --> 00:18:41,680
Speaker 2: leave us the recipe for the for the yams. But

421
00:18:41,760 --> 00:18:45,480
Speaker 2: it's okay, we'll figure it out. No, man, but it's

422
00:18:45,520 --> 00:18:47,480
Speaker 2: you know, it's all love, man, there's definitely no hate.

423
00:18:48,080 --> 00:18:50,360
Speaker 2: I just always felt like, you know, people just took

424
00:18:50,400 --> 00:18:53,320
Speaker 2: that and thought that that I meant that fuck them

425
00:18:53,480 --> 00:18:56,040
Speaker 2: or it's over. It's not what I meant, but it

426
00:18:56,200 --> 00:19:00,399
Speaker 2: is over now officially. So yeah, cute music.

427
00:19:01,560 --> 00:19:05,200
Speaker 1: What we played ray J one wish, Yeah, there you go.

428
00:19:05,560 --> 00:19:06,879
Speaker 1: That was your one wish for at the end.

429
00:19:07,040 --> 00:19:08,240
Speaker 2: No, that wasn't my don't do that.

430
00:19:08,920 --> 00:19:10,400
Speaker 1: I that we had one wish, and that was your.

431
00:19:10,359 --> 00:19:12,720
Speaker 2: Wish that the breakfast club just gets out of here,

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00:19:12,840 --> 00:19:16,119
Speaker 2: fucking turn them off. All right.

433
00:19:16,160 --> 00:19:17,920
Speaker 1: Anyways, I feel like more newsy things happened.

434
00:19:18,040 --> 00:19:21,119
Speaker 2: Oh yeah, but when we left Monday, Uh, we have

435
00:19:21,160 --> 00:19:23,320
Speaker 2: found out later on that day that Pete Davidson had

436
00:19:23,480 --> 00:19:24,600
Speaker 2: started trauma therapy.

437
00:19:24,640 --> 00:19:25,439
Speaker 1: That's what we found out.

438
00:19:26,160 --> 00:19:29,159
Speaker 2: Yeah, because we know, we talked about Kanye and we

439
00:19:29,200 --> 00:19:31,800
Speaker 2: even used is the cover of the Times? Is the

440
00:19:32,000 --> 00:19:36,600
Speaker 2: is the is the the the photo the cover photo

441
00:19:36,720 --> 00:19:38,680
Speaker 2: for our last episode. So it's only right that we

442
00:19:38,840 --> 00:19:41,800
Speaker 2: give an update on Pete and let people know that, Uh,

443
00:19:42,320 --> 00:19:46,320
Speaker 2: Pete is being bullied online and he has checked himself

444
00:19:46,400 --> 00:19:49,480
Speaker 2: into a center.

445
00:19:49,440 --> 00:19:53,040
Speaker 4: For I guess, yeah, he's going through trauma therapy. Trauma

446
00:19:53,119 --> 00:19:55,560
Speaker 4: therapy because of all of the social pusts that Kanye

447
00:19:55,560 --> 00:19:55,840
Speaker 4: has done.

448
00:19:55,840 --> 00:19:56,639
Speaker 1: But I'm not gonna lie.

449
00:19:57,119 --> 00:20:00,680
Speaker 4: The combination of that music video for Easy plus this,

450
00:20:00,840 --> 00:20:01,600
Speaker 4: it's a lot of shit.

451
00:20:01,920 --> 00:20:03,280
Speaker 2: Would that send you to trauma therapy?

452
00:20:03,440 --> 00:20:03,480
Speaker 1: No?

453
00:20:03,680 --> 00:20:04,240
Speaker 2: Okay? Cool?

454
00:20:04,320 --> 00:20:06,399
Speaker 1: All right, Well I think Pete was already in a

455
00:20:07,080 --> 00:20:08,720
Speaker 1: fragile Yeah, I don't mean that in a bad way,

456
00:20:08,800 --> 00:20:10,720
Speaker 1: in a fragile mental state exactly.

457
00:20:10,840 --> 00:20:12,800
Speaker 2: Oh was he? I didn't know that, I'm being serious.

458
00:20:12,800 --> 00:20:15,600
Speaker 2: I didn't how Peter dealt with depression, and okay, I

459
00:20:15,600 --> 00:20:17,880
Speaker 2: didn't know that. Yeah, he's definitely not in the best

460
00:20:17,920 --> 00:20:19,800
Speaker 2: mental space often. Okay.

461
00:20:20,240 --> 00:20:23,199
Speaker 1: Uh, I don't agree with the ship that Kanye did

462
00:20:23,280 --> 00:20:26,320
Speaker 1: and all that, but can I offer an olive branch

463
00:20:26,400 --> 00:20:27,200
Speaker 1: or whatever that shit is called?

464
00:20:27,280 --> 00:20:27,480
Speaker 3: Sure?

465
00:20:29,480 --> 00:20:31,720
Speaker 1: Was Pete not the first person to bully Kanye about

466
00:20:31,760 --> 00:20:32,320
Speaker 1: his mental health?

467
00:20:32,440 --> 00:20:35,480
Speaker 2: M I think he did throw a shot at Kanye.

468
00:20:35,480 --> 00:20:39,480
Speaker 1: And granted it was SNL and I still believe comedians

469
00:20:39,520 --> 00:20:42,520
Speaker 1: should have the right to make jokes at people's expense,

470
00:20:43,000 --> 00:20:46,119
Speaker 1: even with their mental health, and I don't think it

471
00:20:46,200 --> 00:20:50,640
Speaker 1: was very malicious. But if I remember correctly with his timeline,

472
00:20:51,640 --> 00:20:54,960
Speaker 1: Pete was was being the bully, saying, take your fucking meds,

473
00:20:55,000 --> 00:20:55,399
Speaker 1: you psycho.

474
00:20:55,920 --> 00:20:59,240
Speaker 2: Yeah, I do remember that. So this is a classic

475
00:20:59,320 --> 00:21:03,520
Speaker 2: case of I hit you with you hit me harder.

476
00:21:03,600 --> 00:21:06,040
Speaker 2: So I'm telling mom, uh, well, I.

477
00:21:06,080 --> 00:21:09,000
Speaker 1: Don't think bright Pete has told me. I think Pete

478
00:21:09,040 --> 00:21:10,119
Speaker 1: just probably just couldn't take it and.

479
00:21:10,200 --> 00:21:13,440
Speaker 2: Just yeah, Kim Kim is is his mom. Kim his mommy. Yeah,

480
00:21:13,800 --> 00:21:19,480
Speaker 2: in this scenario, who's daddy it would be Kanye?

481
00:21:19,560 --> 00:21:24,320
Speaker 1: You know, well I don't know. I don't know what. No,

482
00:21:25,359 --> 00:21:26,119
Speaker 1: would it be Bruce.

483
00:21:27,680 --> 00:21:32,200
Speaker 2: See see, I wasn't gonna do all that. You see

484
00:21:32,200 --> 00:21:33,960
Speaker 2: how you just gotta go a step further every time

485
00:21:34,080 --> 00:21:36,960
Speaker 2: dad did abandon them. You gotta go step further every time.

486
00:21:37,080 --> 00:21:39,800
Speaker 2: But no, in all seriousness, I hope that Pete is okay,

487
00:21:41,080 --> 00:21:43,440
Speaker 2: you know, get some help at the trauma center. I

488
00:21:43,520 --> 00:21:45,120
Speaker 2: didn't even know you can go to a trauma center

489
00:21:45,160 --> 00:21:48,200
Speaker 2: for bullying. Yeah, I had no idea. I thought it

490
00:21:48,280 --> 00:21:49,720
Speaker 2: was like a number you call and they just talk

491
00:21:49,760 --> 00:21:50,359
Speaker 2: you through and.

492
00:21:50,400 --> 00:21:52,880
Speaker 1: They take your phone and they go, it's over.

493
00:21:53,440 --> 00:21:54,480
Speaker 2: This is why you said bully.

494
00:21:55,000 --> 00:21:58,720
Speaker 1: I'm this sounds like I'm being an ass on it.

495
00:21:58,800 --> 00:22:02,879
Speaker 1: I probably am, But uh, I guess I don't care,

496
00:22:02,960 --> 00:22:04,480
Speaker 1: and I don't mean that in a bad way. I

497
00:22:04,600 --> 00:22:06,040
Speaker 1: never cared about the relationship to begin with it. I

498
00:22:06,080 --> 00:22:07,199
Speaker 1: know we're talking about it because we have to talk

499
00:22:07,200 --> 00:22:07,840
Speaker 1: about it because I do.

500
00:22:08,080 --> 00:22:08,240
Speaker 2: I do.

501
00:22:08,400 --> 00:22:12,200
Speaker 1: Hope don't care. Peter's okay, Kanye's, the kids are okay,

502
00:22:12,480 --> 00:22:13,000
Speaker 1: Kim is okay.

503
00:22:13,040 --> 00:22:14,119
Speaker 2: I hope everyone is okay.

504
00:22:14,359 --> 00:22:16,120
Speaker 4: In passing thought, did you think it was gonna last

505
00:22:16,200 --> 00:22:16,639
Speaker 4: nine months?

506
00:22:16,920 --> 00:22:19,480
Speaker 2: No? I don't, come on, we knew what that was.

507
00:22:20,040 --> 00:22:21,680
Speaker 4: I feel like prayed for the downfall.

508
00:22:21,800 --> 00:22:24,280
Speaker 2: Since I didn't pray, if you ask me, I never

509
00:22:24,359 --> 00:22:26,080
Speaker 2: felt like this was real. I told people that. I

510
00:22:26,160 --> 00:22:27,680
Speaker 2: was like, I don't think Kim is dating this dude.

511
00:22:27,760 --> 00:22:28,520
Speaker 2: I just didn't see it.

512
00:22:28,880 --> 00:22:30,960
Speaker 1: I just see this as and we're gonna go local.

513
00:22:31,720 --> 00:22:36,200
Speaker 1: A Queen's versus Staten Island competition right now of the

514
00:22:36,320 --> 00:22:38,720
Speaker 1: burroughs that have dated the Kardashians and what they did

515
00:22:38,880 --> 00:22:42,479
Speaker 1: when the breakup happened. Lamar Odom, Jamaica Queen's representative There

516
00:22:42,520 --> 00:22:44,280
Speaker 1: you Go, had a similar situation.

517
00:22:44,520 --> 00:22:44,960
Speaker 2: What did he do?

518
00:22:46,040 --> 00:22:49,479
Speaker 1: Went to Nevada, got fifteen hookers, some crack, and went

519
00:22:49,560 --> 00:22:50,760
Speaker 1: out the honorable way.

520
00:22:52,119 --> 00:22:52,800
Speaker 4: That's predominant.

521
00:22:52,840 --> 00:22:54,240
Speaker 1: Pizza ass went God.

522
00:22:54,320 --> 00:22:59,080
Speaker 2: The tweets, the tweets, Hey Pete, pull your dress down?

523
00:22:59,160 --> 00:22:59,480
Speaker 2: Will you.

524
00:23:01,680 --> 00:23:03,000
Speaker 1: Go get some fucking hookers?

525
00:23:03,960 --> 00:23:08,840
Speaker 2: Hey Pete, it's just tweets, man, fucking relax. No, but

526
00:23:08,920 --> 00:23:10,920
Speaker 2: in a seriously I hope. I hope he is okay.

527
00:23:11,000 --> 00:23:13,440
Speaker 2: If he is depressed and you suffering from from depression,

528
00:23:13,920 --> 00:23:16,480
Speaker 2: I don't want to joke about depression that's.

529
00:23:16,240 --> 00:23:18,399
Speaker 1: What we go on to Victory Boulevard and get some

530
00:23:18,520 --> 00:23:19,840
Speaker 1: fetanyl in Staten Island.

531
00:23:20,000 --> 00:23:21,840
Speaker 2: Damn fittanol. You want him to kill himself.

532
00:23:22,240 --> 00:23:23,560
Speaker 1: Oh that's just what they're doing.

533
00:23:23,440 --> 00:23:25,560
Speaker 2: So fittanol will kill you. You don't want to any

534
00:23:25,680 --> 00:23:26,840
Speaker 2: Please don't do fitanoyl don't.

535
00:23:27,440 --> 00:23:29,080
Speaker 1: When I said Lamar owe him crack, he was fine

536
00:23:29,119 --> 00:23:29,280
Speaker 1: with it.

537
00:23:29,400 --> 00:23:33,280
Speaker 2: Oh, no, cracker, You're just gonna vacuum the ceiling. That's what. Yeah,

538
00:23:33,359 --> 00:23:35,399
Speaker 2: that's all you're doing, crack. Is it start vacuuming the

539
00:23:35,520 --> 00:23:36,640
Speaker 2: concrete outside your house?

540
00:23:37,240 --> 00:23:37,640
Speaker 1: All?

541
00:23:37,840 --> 00:23:40,040
Speaker 2: Yeah, same ship, don't worry about it. But no, no,

542
00:23:40,160 --> 00:23:42,480
Speaker 2: you're going to sleep the long one, the long one.

543
00:23:42,760 --> 00:23:47,760
Speaker 1: Don't clean that of this up. We're assholes Sweden. Yeah,

544
00:23:48,840 --> 00:23:50,720
Speaker 1: it's probably not listening to this, nor is Lamar.

545
00:23:51,720 --> 00:23:53,080
Speaker 2: Lamar is definitely not listening to this.

546
00:23:54,560 --> 00:23:57,639
Speaker 1: But yeah, I don't particularly care too much. Uh what

547
00:23:57,760 --> 00:23:59,320
Speaker 1: else is in doozy news? So we can get to

548
00:23:59,400 --> 00:24:00,760
Speaker 1: like stuff that that we care about.

549
00:24:01,119 --> 00:24:04,800
Speaker 2: I saw a clip of Lori Harvey and Tianna Taylor

550
00:24:04,840 --> 00:24:05,360
Speaker 2: sitting down.

551
00:24:05,880 --> 00:24:07,119
Speaker 1: You saw Lorie Harvey speaking.

552
00:24:07,480 --> 00:24:09,520
Speaker 2: I finally saw Lorie Harvey speaking. I always said that

553
00:24:09,600 --> 00:24:13,040
Speaker 2: Lori Harvey is the realist, the realist nigg in the game.

554
00:24:13,200 --> 00:24:16,720
Speaker 1: It's like seeing sasquatch. Yeah, she dates them, and she's

555
00:24:16,720 --> 00:24:17,680
Speaker 1: like a lunar eclips.

556
00:24:17,880 --> 00:24:20,320
Speaker 2: She custom out of her life and leaves men broken hearted.

557
00:24:20,359 --> 00:24:22,880
Speaker 2: And she never goes on a ranch. She never posts anything.

558
00:24:23,040 --> 00:24:26,160
Speaker 2: She never makes a song dishing anybody. I didn't even

559
00:24:26,160 --> 00:24:28,800
Speaker 2: know what Lorie Harvey sound like until I watched this

560
00:24:28,920 --> 00:24:33,879
Speaker 2: clip with her and Tianna. Mm hmm it was. She

561
00:24:34,040 --> 00:24:38,320
Speaker 2: says that I almost got married very young. I felt

562
00:24:38,359 --> 00:24:41,240
Speaker 2: like I hadn't really experienced anything. I didn't really know myself.

563
00:24:41,280 --> 00:24:43,480
Speaker 2: I didn't really know what I liked, what I didn't like.

564
00:24:43,960 --> 00:24:47,720
Speaker 2: I just feel like I hadn't really experienced life. She

565
00:24:47,840 --> 00:24:50,440
Speaker 2: then went on to say she came to a point

566
00:24:50,480 --> 00:24:54,480
Speaker 2: where she wanted to date on her terms. However, I

567
00:24:54,560 --> 00:24:57,040
Speaker 2: want to move whatever I want to do, I'm going

568
00:24:57,119 --> 00:24:58,920
Speaker 2: to do it, and if it's no longer serving me,

569
00:24:59,240 --> 00:25:01,200
Speaker 2: I'm going to move on. So basically what she's saying

570
00:25:01,280 --> 00:25:04,600
Speaker 2: Rory is I'm going to give you the best two

571
00:25:04,640 --> 00:25:07,960
Speaker 2: months of your life and you'll never hear from you again.

572
00:25:08,000 --> 00:25:10,000
Speaker 1: I appreciate those type of people, and we're not gonna

573
00:25:10,000 --> 00:25:12,240
Speaker 1: have the toxic conversation again. But I don't think that's toxic.

574
00:25:12,560 --> 00:25:14,560
Speaker 1: I do want to point out, though, the double standards

575
00:25:14,560 --> 00:25:15,960
Speaker 1: of the world, which I do agree with.

576
00:25:16,160 --> 00:25:17,200
Speaker 2: Double standards are healthy.

577
00:25:17,320 --> 00:25:20,200
Speaker 1: I agree we need what can we just imagine if

578
00:25:20,320 --> 00:25:22,480
Speaker 1: a man came out and said, I'm gonna date on

579
00:25:22,600 --> 00:25:25,200
Speaker 1: my terms, however I want to move whatever I want

580
00:25:25,280 --> 00:25:30,000
Speaker 1: to do, I'm gonna do it that, I'm gonna move on.

581
00:25:30,160 --> 00:25:31,720
Speaker 1: They say, what a fucking asshole?

582
00:25:31,800 --> 00:25:34,000
Speaker 2: What you just been doing that for the last twenty

583
00:25:34,080 --> 00:25:36,240
Speaker 2: albums and women ain't doing nothing but turking and shaking

584
00:25:36,280 --> 00:25:38,600
Speaker 2: ass to it and still dating them, Yeah, and giving

585
00:25:38,640 --> 00:25:42,399
Speaker 2: them babies. What do you know, Hey, take this baby

586
00:25:42,400 --> 00:25:43,760
Speaker 2: and then leave me alone. Don't talk to me for

587
00:25:43,800 --> 00:25:46,160
Speaker 2: the next eighteen years. Just take this check and shut

588
00:25:46,240 --> 00:25:49,320
Speaker 2: the fuck up. I gotta love it. Yeah, So any

589
00:25:49,359 --> 00:25:51,359
Speaker 2: man out there looking at date Laurie know that you

590
00:25:51,480 --> 00:25:56,600
Speaker 2: have a clock. It's a shot clock. I don't know

591
00:25:56,680 --> 00:25:57,760
Speaker 2: who she almost married, but.

592
00:25:58,280 --> 00:26:00,000
Speaker 4: I'm preppy, sire. Michael beat thought he was gonna marry

593
00:26:01,240 --> 00:26:01,439
Speaker 4: you know.

594
00:26:01,560 --> 00:26:03,280
Speaker 2: Let's talk about that for a second. I don't know

595
00:26:03,560 --> 00:26:05,840
Speaker 2: about the Michael B. Jordan thing. I've seen people laughing

596
00:26:05,880 --> 00:26:07,439
Speaker 2: at him, and you don't think it was that serious.

597
00:26:07,720 --> 00:26:09,920
Speaker 2: I don't think he was that serious. I think Mike was.

598
00:26:10,640 --> 00:26:12,520
Speaker 2: I think he was cool with it. I mean, Mike doesn't.

599
00:26:12,880 --> 00:26:14,640
Speaker 2: He don't think he has a problem getting any women.

600
00:26:14,760 --> 00:26:17,000
Speaker 2: I mean, I mean he obviously loved Laurie and was

601
00:26:17,400 --> 00:26:19,159
Speaker 2: dating her for a couple of years, and also he

602
00:26:19,240 --> 00:26:19,880
Speaker 2: wanted that woman.

603
00:26:20,880 --> 00:26:22,120
Speaker 4: Yeah he's shooting.

604
00:26:21,880 --> 00:26:25,639
Speaker 2: Creed three man her bro Creed three. He's probably gonna

605
00:26:25,640 --> 00:26:26,919
Speaker 2: be And he.

606
00:26:27,119 --> 00:26:29,680
Speaker 1: Was out in Australia. It's a very similar situation, see,

607
00:26:29,800 --> 00:26:31,640
Speaker 1: and both men wanted to settle down, and both women

608
00:26:31,680 --> 00:26:33,640
Speaker 1: were like, no, women ain't shit.

609
00:26:33,760 --> 00:26:34,480
Speaker 4: Realmen suck.

610
00:26:35,520 --> 00:26:37,080
Speaker 1: We're just out here trying to settle down and be

611
00:26:37,160 --> 00:26:40,520
Speaker 1: respectful and start families and build empires together power couples

612
00:26:41,080 --> 00:26:43,680
Speaker 1: as women just want to run around and date on

613
00:26:43,720 --> 00:26:46,000
Speaker 1: their own terms and be their own person. Gross.

614
00:26:46,040 --> 00:26:47,240
Speaker 2: I think I know what it is. I think I

615
00:26:47,320 --> 00:26:51,560
Speaker 2: figured out what it is. There's an interesting video that

616
00:26:51,680 --> 00:26:52,119
Speaker 2: I found.

617
00:26:52,640 --> 00:26:53,880
Speaker 4: There's always an interesting video.

618
00:26:54,000 --> 00:26:55,639
Speaker 2: This video is very interesting, and I think I know,

619
00:26:55,800 --> 00:26:57,760
Speaker 2: I think I figured out Rory. I think I figured

620
00:26:57,760 --> 00:26:58,280
Speaker 2: out why.

621
00:26:58,320 --> 00:26:59,000
Speaker 1: In the blue dress.

622
00:26:59,480 --> 00:27:02,280
Speaker 2: Oh, I don't know who who this huzzy is.

623
00:27:02,359 --> 00:27:06,240
Speaker 1: Oh you have good altegies. Yeah, your algorithms are crazy.

624
00:27:06,320 --> 00:27:08,840
Speaker 2: I found a video and it made a lot of sense, because,

625
00:27:08,880 --> 00:27:10,800
Speaker 2: you know, it was like, then, why does it seem

626
00:27:10,800 --> 00:27:14,000
Speaker 2: that women are the ones that are ending the relationships

627
00:27:14,080 --> 00:27:16,680
Speaker 2: and leaving men broken hard at leaving a trail of

628
00:27:16,800 --> 00:27:19,520
Speaker 2: men to just cry and checking the trauma centers and

629
00:27:19,560 --> 00:27:22,760
Speaker 2: things like that. Right, So I found this video is clip,

630
00:27:23,359 --> 00:27:25,919
Speaker 2: very interesting. Clip play some of it for you now.

631
00:27:26,240 --> 00:27:29,560
Speaker 5: In nineteen eighty six, the female hand pressure for handshake

632
00:27:30,119 --> 00:27:33,760
Speaker 5: was ninety eight pounds per square ine twenty sixteen. It's

633
00:27:33,800 --> 00:27:38,200
Speaker 5: one hundred and eight men nineteen eighty six, one hundred

634
00:27:38,200 --> 00:27:41,200
Speaker 5: and fourteen men today ninety six.

635
00:27:41,760 --> 00:27:42,560
Speaker 1: What does that mean?

636
00:27:42,800 --> 00:27:45,080
Speaker 5: Well, it means that men aren't what.

637
00:27:45,280 --> 00:27:45,920
Speaker 2: They used to be.

638
00:27:46,119 --> 00:27:49,080
Speaker 5: Men aren't the guys today are not the guys that

639
00:27:49,200 --> 00:27:51,720
Speaker 5: settled the Western the United States, because they're not pulling

640
00:27:51,760 --> 00:27:53,920
Speaker 5: the trigger and they're not taking action at risks, which

641
00:27:54,000 --> 00:27:57,920
Speaker 5: is how we survived. Correct. Instead, they are having self

642
00:27:58,040 --> 00:28:01,200
Speaker 5: esteem issues because they're being told that you shouldn't be aggressive.

643
00:28:01,600 --> 00:28:02,760
Speaker 1: The patriarchy is bad.

644
00:28:03,320 --> 00:28:05,320
Speaker 4: You have privilege and you needed to tone it down.

645
00:28:07,240 --> 00:28:09,320
Speaker 2: So here's the problem, Rory, we are not the same

646
00:28:09,400 --> 00:28:14,919
Speaker 2: men that settled Western civilization. Good, Yeah, we're not shaking

647
00:28:15,000 --> 00:28:17,760
Speaker 2: hands as firm as we used to. We're not drinking

648
00:28:18,119 --> 00:28:19,879
Speaker 2: out there, we're not drinking as much beer as we

649
00:28:20,040 --> 00:28:22,760
Speaker 2: used to. We're just fucking losing all controllers.

650
00:28:22,800 --> 00:28:24,440
Speaker 1: All they would have to worry about with shingles or

651
00:28:24,440 --> 00:28:26,680
Speaker 1: whatever the fuck we got monkey pocks, covid. I can't

652
00:28:26,720 --> 00:28:28,200
Speaker 1: shake everyone's sam It's.

653
00:28:29,200 --> 00:28:31,720
Speaker 2: You know, I think that's just a classic case of

654
00:28:31,880 --> 00:28:34,480
Speaker 2: women just realizing that, you know what, I want to

655
00:28:34,680 --> 00:28:36,919
Speaker 2: have fun, and it's okay for women to have fun.

656
00:28:37,000 --> 00:28:38,920
Speaker 2: It's okay for women to date, It's okay for women

657
00:28:39,000 --> 00:28:41,640
Speaker 2: to you know, live their lives. They don't want to

658
00:28:41,680 --> 00:28:44,000
Speaker 2: be bogged down with marriage and just having kids and

659
00:28:44,040 --> 00:28:47,120
Speaker 2: staying in the kitchen the old days how women used

660
00:28:47,160 --> 00:28:49,200
Speaker 2: to get married, have kids and just stay at home

661
00:28:49,240 --> 00:28:49,920
Speaker 2: women and no longer.

662
00:28:50,000 --> 00:28:51,720
Speaker 1: Okay, well to that, because I've seen a lot of

663
00:28:51,720 --> 00:28:54,040
Speaker 1: women actually have the same sentiment as that gentleman. I've

664
00:28:54,080 --> 00:28:56,400
Speaker 1: seen plenty of the tweets of like I missed the

665
00:28:56,480 --> 00:28:59,400
Speaker 1: men that just went away to war and died in wait,

666
00:28:59,720 --> 00:29:03,480
Speaker 1: tweet that it's people tweet fucking chantell.

667
00:29:06,120 --> 00:29:06,440
Speaker 2: Okay.

668
00:29:07,520 --> 00:29:08,760
Speaker 1: I see a lot of sweets and I laugh. I

669
00:29:08,800 --> 00:29:10,680
Speaker 1: actually think they're very funny about like men used to

670
00:29:10,760 --> 00:29:12,600
Speaker 1: like actually build shit and all that. But I see

671
00:29:12,640 --> 00:29:16,000
Speaker 1: plenty of women saying, well, listen, why can't we just

672
00:29:16,080 --> 00:29:17,760
Speaker 1: make a lot of money and get the maid and

673
00:29:17,840 --> 00:29:21,560
Speaker 1: get the chef and get everything. Okay, so why can't

674
00:29:21,600 --> 00:29:23,080
Speaker 1: I make the money and tell someone to build this

675
00:29:23,120 --> 00:29:25,920
Speaker 1: fucking house for me? What's the difference?

676
00:29:26,080 --> 00:29:27,840
Speaker 2: I do see when women say when you know, when

677
00:29:27,840 --> 00:29:30,360
Speaker 2: a guy asks, hey, can you cook, and a woman says, hey,

678
00:29:30,400 --> 00:29:33,040
Speaker 2: can you build a house? It's not really the same.

679
00:29:33,520 --> 00:29:35,280
Speaker 2: And I don't know how you gauge that and thought

680
00:29:35,320 --> 00:29:37,720
Speaker 2: that that was like comparable, But yeah, whatever.

681
00:29:37,680 --> 00:29:39,920
Speaker 1: Now can you change a tire? I think every man

682
00:29:40,080 --> 00:29:42,320
Speaker 1: I would hope every person would, but I could understand.

683
00:29:42,120 --> 00:29:43,200
Speaker 2: And you know how to change a tire?

684
00:29:43,320 --> 00:29:43,920
Speaker 4: I don't know.

685
00:29:44,560 --> 00:29:46,320
Speaker 1: Just fore like safety, and I think all people should

686
00:29:46,320 --> 00:29:49,520
Speaker 1: know how to cook. Yeah, all people clean properly.

687
00:29:49,760 --> 00:29:51,280
Speaker 2: You should know how to cook, you should know how

688
00:29:51,280 --> 00:29:53,800
Speaker 2: to clean. I'm all for double stands. I think double

689
00:29:53,840 --> 00:29:56,640
Speaker 2: stands are very healthy, They're very necessary, but there are

690
00:29:57,000 --> 00:29:58,400
Speaker 2: certain things that we all should not.

691
00:29:58,520 --> 00:30:00,360
Speaker 4: I've also just come across cooking when more than a

692
00:30:00,440 --> 00:30:01,360
Speaker 4: changing entire.

693
00:30:02,160 --> 00:30:04,200
Speaker 2: Yeah, you're gonna need to cook before you need to

694
00:30:04,360 --> 00:30:04,880
Speaker 2: change the tires.

695
00:30:04,880 --> 00:30:06,520
Speaker 4: I'm gonna get hungry before I change that tire. So

696
00:30:06,560 --> 00:30:07,120
Speaker 4: I got to eat.

697
00:30:08,760 --> 00:30:09,520
Speaker 2: Well, you don't have to.

698
00:30:10,120 --> 00:30:11,840
Speaker 1: I think you can cut pick up snacks for the

699
00:30:11,920 --> 00:30:14,720
Speaker 1: road just in case. Okay, you know what, scale it

700
00:30:14,800 --> 00:30:16,960
Speaker 1: back triple A. He'll just get triple A.

701
00:30:17,040 --> 00:30:18,480
Speaker 4: Yeah there, you got a phone.

702
00:30:18,520 --> 00:30:20,160
Speaker 1: Yeah, twelve bucks a month. You'll be fine.

703
00:30:23,280 --> 00:30:23,480
Speaker 2: As a.

704
00:30:23,760 --> 00:30:25,920
Speaker 1: This isn't an ad, but as affordable as triple A is.

705
00:30:26,400 --> 00:30:27,960
Speaker 1: Maybe I don't need to learn how to change the time.

706
00:30:28,240 --> 00:30:30,440
Speaker 2: Probably not. You know, you should know how to change it,

707
00:30:31,120 --> 00:30:33,120
Speaker 2: change it, how to fix it. You should not to

708
00:30:33,160 --> 00:30:34,680
Speaker 2: fix you. You should be You should be able to

709
00:30:34,720 --> 00:30:37,640
Speaker 2: do things around the house and around the community. I guess,

710
00:30:37,800 --> 00:30:39,160
Speaker 2: just besides tear it down edden.

711
00:30:39,200 --> 00:30:44,560
Speaker 1: Okay, just to compare the old men that conquered the West.

712
00:30:46,400 --> 00:30:48,560
Speaker 1: You know, hardness to qualify to even get a loan

713
00:30:49,200 --> 00:30:51,280
Speaker 1: to own some land, and you made the laws where

714
00:30:51,280 --> 00:30:53,520
Speaker 1: I can't kill the person that owns the land and

715
00:30:53,640 --> 00:30:55,520
Speaker 1: take it from them. So how could I be one

716
00:30:55,520 --> 00:30:56,600
Speaker 1: of the Western men you want.

717
00:30:56,480 --> 00:30:56,720
Speaker 2: Me to be?

718
00:30:57,640 --> 00:30:59,400
Speaker 1: You change the rules. I just if that was the case,

719
00:30:59,440 --> 00:31:00,880
Speaker 1: I would come down this black with a gun and

720
00:31:01,000 --> 00:31:02,120
Speaker 1: kill everyone and take their lands.

721
00:31:02,360 --> 00:31:04,560
Speaker 2: I just would like to know who studied that, Like now.

722
00:31:04,520 --> 00:31:06,120
Speaker 1: I can't even get a fucking loan to buy it.

723
00:31:06,440 --> 00:31:11,360
Speaker 2: Who who shook enough hands to know the PSI per handshake?

724
00:31:11,640 --> 00:31:11,680
Speaker 1: Like?

725
00:31:11,840 --> 00:31:13,600
Speaker 2: How many hands do you have to shake to get

726
00:31:13,600 --> 00:31:16,360
Speaker 2: to that point where you're gonna say a lot? Did

727
00:31:16,400 --> 00:31:18,440
Speaker 2: people out here there get paid for this type of shit?

728
00:31:18,600 --> 00:31:18,680
Speaker 1: Oh?

729
00:31:18,760 --> 00:31:19,600
Speaker 4: Yeah, of course.

730
00:31:19,880 --> 00:31:21,760
Speaker 1: And first of all, you think the Western man was

731
00:31:21,800 --> 00:31:24,800
Speaker 1: doing that? No, absolutely not the Western You're not one either, sir.

732
00:31:26,360 --> 00:31:28,720
Speaker 2: All right, outside of handshaking with all this monkey pock shit,

733
00:31:28,760 --> 00:31:31,120
Speaker 2: we're not doing that anyway. We got some new music

734
00:31:31,160 --> 00:31:32,680
Speaker 2: coming this week. It's a lot of new music coming

735
00:31:32,720 --> 00:31:33,320
Speaker 2: out this weekend.

736
00:31:33,560 --> 00:31:36,360
Speaker 1: It is, It definitely is. I guess we could start

737
00:31:36,360 --> 00:31:40,360
Speaker 1: with Game. That's probably when I'm probably runs to pay

738
00:31:40,360 --> 00:31:43,280
Speaker 1: it run to first and looking at the amount of features.

739
00:31:43,280 --> 00:31:45,600
Speaker 1: He definitely shook a lot of hands during this album.

740
00:31:45,840 --> 00:31:47,840
Speaker 1: Absolutely hope there was a hand sanitizer in that that

741
00:31:47,920 --> 00:31:49,920
Speaker 1: studio Real Madic.

742
00:31:50,520 --> 00:31:54,240
Speaker 2: Yes, the Game is this executive produced by hit Boy or.

743
00:31:55,080 --> 00:31:56,920
Speaker 1: Uh if it's not, I know he produced a lot

744
00:31:57,000 --> 00:31:59,480
Speaker 1: on it. I'm not sure if you put the official

745
00:31:59,520 --> 00:32:01,240
Speaker 1: executive deuced tag on it.

746
00:32:01,440 --> 00:32:02,680
Speaker 2: Okay, but we're gonna look that up.

747
00:32:03,040 --> 00:32:07,960
Speaker 1: Thirty one tracks dramatic. I want to say about twenty

748
00:32:08,040 --> 00:32:12,480
Speaker 1: five of them have features, one of which we got today.

749
00:32:12,520 --> 00:32:15,200
Speaker 1: I don't know if you want to start there. We

750
00:32:15,320 --> 00:32:17,600
Speaker 1: got the Black Slim Shady today. We're recording this on

751
00:32:17,640 --> 00:32:18,200
Speaker 1: a Thursday.

752
00:32:19,200 --> 00:32:29,600
Speaker 2: How do you feel about it? Necessary? Necessary? It's terrible, Okay.

753
00:32:30,920 --> 00:32:33,840
Speaker 1: I am really looking forward to this album. I'm not

754
00:32:34,000 --> 00:32:35,960
Speaker 1: going to compare what came out today to what I

755
00:32:36,040 --> 00:32:38,960
Speaker 1: think is going to be on this dramatic album. I'm

756
00:32:39,000 --> 00:32:42,560
Speaker 1: a big Game fan, but I don't know why he

757
00:32:42,800 --> 00:32:46,320
Speaker 1: just gave me ten minutes of dissing Eminem for no reason.

758
00:32:47,480 --> 00:32:50,240
Speaker 2: Well, if we know anything about Game, he gonna dis somebody.

759
00:32:50,920 --> 00:32:53,640
Speaker 1: Yeah, but there's usually a reason. And even if there

760
00:32:53,920 --> 00:32:56,080
Speaker 1: isn't really a reason, at least there's one reason he

761
00:32:56,160 --> 00:32:57,680
Speaker 1: can make up and be like, oh it was because

762
00:32:57,680 --> 00:33:00,600
Speaker 1: of this reason. Yeah, there's at least to be something

763
00:33:00,720 --> 00:33:04,120
Speaker 1: like maybe Eminem was just watching the game one day.

764
00:33:05,480 --> 00:33:07,320
Speaker 1: By that, I mean like an NBA game and game

765
00:33:07,400 --> 00:33:09,240
Speaker 1: was just like you thought you was watching me and

766
00:33:09,360 --> 00:33:12,160
Speaker 1: then did ten minutes. But this for out of nowhere,

767
00:33:12,280 --> 00:33:14,040
Speaker 1: Like I understand. On the Drink Champs, you said that

768
00:33:14,080 --> 00:33:15,360
Speaker 1: you're better than Eminem, and that's cool.

769
00:33:15,360 --> 00:33:15,880
Speaker 2: You're a rapper.

770
00:33:15,960 --> 00:33:19,440
Speaker 1: I expect you to say that, and I've been very

771
00:33:19,480 --> 00:33:23,200
Speaker 1: critical of Eminem for a long time. I don't understand

772
00:33:23,480 --> 00:33:30,080
Speaker 1: why the black Slimshady exists. He proceeded to say he's

773
00:33:30,160 --> 00:33:34,040
Speaker 1: only listened to one Eminem album and then did ten

774
00:33:34,120 --> 00:33:36,680
Speaker 1: minutes of rhyme schemes about every single Eminem song that's

775
00:33:36,720 --> 00:33:37,280
Speaker 1: ever existed.

776
00:33:38,320 --> 00:33:41,560
Speaker 2: So you've heard, listen to the whole, you've heard exactly,

777
00:33:41,600 --> 00:33:44,360
Speaker 2: you've heard, you've heard Slimshady, You've heard Eminem's music.

778
00:33:44,600 --> 00:33:48,240
Speaker 1: And listen. I would have liked this because anytime Game

779
00:33:48,320 --> 00:33:51,560
Speaker 1: is probably one of my favorite rappers that does the

780
00:33:51,680 --> 00:33:54,080
Speaker 1: disc record shit. Game is gonna go all the way there.

781
00:33:54,080 --> 00:33:57,920
Speaker 1: It's gonna be Game c rap. Like I thought, Three

782
00:33:58,000 --> 00:34:00,120
Speaker 1: in the Bars and Running was amazing and probably in

783
00:34:00,240 --> 00:34:04,600
Speaker 1: my top five greatest disc records ever ten minutes while

784
00:34:04,680 --> 00:34:07,440
Speaker 1: Eminem is at home mining his business, raising his child.

785
00:34:08,560 --> 00:34:11,719
Speaker 1: I don't know what this was for.

786
00:34:12,719 --> 00:34:16,480
Speaker 2: I I'm still stuck on thirty one tracks and I

787
00:34:16,600 --> 00:34:18,520
Speaker 2: think that's a lot of fucking music.

788
00:34:18,600 --> 00:34:20,239
Speaker 1: Of course, and before we get off that, of course,

789
00:34:20,280 --> 00:34:23,239
Speaker 1: Eminem is a legend and will always be relevant no

790
00:34:23,360 --> 00:34:23,640
Speaker 1: matter what.

791
00:34:24,000 --> 00:34:27,040
Speaker 2: But absolutely game is Look if you look at the.

792
00:34:27,120 --> 00:34:30,319
Speaker 1: Features here, game is playing within the times right now,

793
00:34:30,400 --> 00:34:33,960
Speaker 1: twenty twenty two. Go do a ten minute distract to

794
00:34:34,040 --> 00:34:37,400
Speaker 1: somebody from that era? Why are you dis and m like,

795
00:34:37,760 --> 00:34:38,279
Speaker 1: what is that for?

796
00:34:38,719 --> 00:34:44,120
Speaker 2: So this didn't this was Eminem didn't say anything about game.

797
00:34:44,480 --> 00:34:46,120
Speaker 1: If he did, I could be completely wrong, and I

798
00:34:46,200 --> 00:34:46,640
Speaker 1: take it back.

799
00:34:46,680 --> 00:34:47,680
Speaker 2: I don't know.

800
00:34:47,760 --> 00:34:50,600
Speaker 1: If em said something, then yeah, game, go ahead, do

801
00:34:50,800 --> 00:34:53,520
Speaker 1: do a ten minute distrack. I applaud him every time

802
00:34:53,560 --> 00:34:54,799
Speaker 1: he does that, but this just felt like it came

803
00:34:54,840 --> 00:34:55,560
Speaker 1: out of fucking nowhere.

804
00:34:55,560 --> 00:34:58,399
Speaker 2: I would hope that Eminem did this game and say

805
00:34:58,480 --> 00:35:04,120
Speaker 2: something because is to give Eminem a track off of

806
00:35:04,239 --> 00:35:07,759
Speaker 2: your anticipated new album the single the day before, Yeah,

807
00:35:07,880 --> 00:35:11,600
Speaker 2: I don't know. I just wouldn't. You know, you wouldn't.

808
00:35:11,880 --> 00:35:13,439
Speaker 2: You just don't want that type of energy. You don't

809
00:35:13,440 --> 00:35:15,319
Speaker 2: want to. I wouldn't lead with that. I wouldn't lead

810
00:35:15,400 --> 00:35:18,759
Speaker 2: with that type of you know, disting Eminem like that's

811
00:35:18,800 --> 00:35:21,319
Speaker 2: gonna take the headline away from the actual good music

812
00:35:21,440 --> 00:35:25,160
Speaker 2: that's on here. I just this is a bad call

813
00:35:25,239 --> 00:35:27,000
Speaker 2: to me. I wouldn't. I wouldn't. I would have scrapped

814
00:35:27,000 --> 00:35:28,560
Speaker 2: this song. I would just put it out. I wouldn't

815
00:35:28,560 --> 00:35:28,800
Speaker 2: put it on.

816
00:35:28,880 --> 00:35:31,359
Speaker 1: That song actually sounds really old too. It doesn't sound

817
00:35:31,440 --> 00:35:32,760
Speaker 1: like it was done recently.

818
00:35:33,000 --> 00:35:35,520
Speaker 2: Thirty one tracks, a few of these songs are gonna

819
00:35:35,560 --> 00:35:37,919
Speaker 2: sound like they've been recorded a while ago.

820
00:35:38,040 --> 00:35:38,480
Speaker 1: Oh for sure.

821
00:35:38,560 --> 00:35:39,160
Speaker 2: I'm only guessing.

822
00:35:39,400 --> 00:35:40,760
Speaker 1: I'm sure game had one hundred records.

823
00:35:40,800 --> 00:35:42,520
Speaker 2: Yeah, and with all of these features, it was just

824
00:35:42,640 --> 00:35:44,719
Speaker 2: about waiting for Versus to come back, you know how

825
00:35:44,760 --> 00:35:47,400
Speaker 2: it goes, waiting for versus, waiting for features to come in,

826
00:35:47,800 --> 00:35:51,439
Speaker 2: shit to get cleared. Uh, thirty one tracks is a lot, though.

827
00:35:51,760 --> 00:35:54,080
Speaker 2: That's a lot of fucking music. Wait too much, that's

828
00:35:54,160 --> 00:35:55,640
Speaker 2: a lot of fucking music.

829
00:35:55,480 --> 00:35:59,120
Speaker 1: Man, I mean streaming era. It's not my preferred way

830
00:35:59,120 --> 00:36:01,640
Speaker 1: of putting albums out, But I don't fault artists for

831
00:36:01,719 --> 00:36:04,319
Speaker 1: doing it. It's not my ship. I prefer everyone would

832
00:36:04,360 --> 00:36:06,120
Speaker 1: just get back to giving us their best twelve.

833
00:36:06,239 --> 00:36:10,320
Speaker 2: But yeah, like, who's listening to thirty one tracks like consistently?

834
00:36:10,360 --> 00:36:11,879
Speaker 1: That's not what the goal is with this though. It's

835
00:36:12,040 --> 00:36:15,200
Speaker 1: it's let's try to find five that'll stream well and

836
00:36:15,320 --> 00:36:15,759
Speaker 1: go from there.

837
00:36:15,800 --> 00:36:18,359
Speaker 2: You can't find five out of fifteen to stream well.

838
00:36:18,480 --> 00:36:20,160
Speaker 1: It's it's a volume game. It's an alurithm.

839
00:36:20,200 --> 00:36:22,279
Speaker 2: I don't see. I'm the opposite of that. I don't.

840
00:36:22,320 --> 00:36:23,920
Speaker 2: I don't think thirty one. I don't think all of

841
00:36:23,960 --> 00:36:25,919
Speaker 2: these tracks. I know Chris Brown like kind of found

842
00:36:25,960 --> 00:36:27,560
Speaker 2: a loophole a few years ago when he did it,

843
00:36:28,200 --> 00:36:30,719
Speaker 2: and you know, his his project streamed really well, and

844
00:36:30,800 --> 00:36:32,520
Speaker 2: it was like, might have been thirty tracks from that.

845
00:36:32,880 --> 00:36:35,960
Speaker 1: No, it's like fifty or some shit. See, I think

846
00:36:36,000 --> 00:36:36,719
Speaker 1: he went over thirty.

847
00:36:37,120 --> 00:36:38,759
Speaker 2: Yeah, I just I'm just not a fan of these

848
00:36:38,840 --> 00:36:40,000
Speaker 2: super long projects.

849
00:36:40,080 --> 00:36:42,279
Speaker 4: Man, It's just would you would y'all say that a

850
00:36:42,400 --> 00:36:45,399
Speaker 4: label would probably prefer someone putting out too many tracks

851
00:36:45,440 --> 00:36:46,280
Speaker 4: than too little.

852
00:36:46,640 --> 00:36:52,799
Speaker 1: At this point, too many? Yes, let's say one all

853
00:36:52,840 --> 00:36:54,080
Speaker 1: of these could find a different playlist.

854
00:36:54,120 --> 00:36:57,560
Speaker 2: Listen, it's some it's some crazy features, it's different.

855
00:36:57,840 --> 00:36:59,800
Speaker 1: Ers can find shit to put on their playlist. Like,

856
00:36:59,840 --> 00:37:02,600
Speaker 1: I get why. You're giving the consumer more options to

857
00:37:02,640 --> 00:37:04,879
Speaker 1: put on their playlist so they can stream it much

858
00:37:05,120 --> 00:37:07,640
Speaker 1: rather than going to click dramatic and listen to it

859
00:37:07,680 --> 00:37:09,920
Speaker 1: all the way through. Let's listen to it once. I'll

860
00:37:09,920 --> 00:37:11,520
Speaker 1: pick the ones I like it's on there, and I'll

861
00:37:11,600 --> 00:37:13,440
Speaker 1: run the streams up per record, And you're giving me

862
00:37:13,600 --> 00:37:15,400
Speaker 1: more options to find the things that I would like.

863
00:37:15,560 --> 00:37:17,360
Speaker 4: There's no such thing. That's what that is in that

864
00:37:17,480 --> 00:37:21,560
Speaker 4: regard like over stimulating or over consumption like bro my.

865
00:37:21,880 --> 00:37:24,239
Speaker 1: My artist like game? Yes, I think so, but I

866
00:37:24,400 --> 00:37:25,520
Speaker 1: see why Chris Brown did it.

867
00:37:26,360 --> 00:37:28,480
Speaker 2: This is too much. Thirty one tracks is too much

868
00:37:28,520 --> 00:37:30,040
Speaker 2: for too much wrapping.

869
00:37:30,200 --> 00:37:32,000
Speaker 1: Start from Scratch, too, is the one that that stood

870
00:37:32,040 --> 00:37:35,239
Speaker 1: out to me one of my favorite game records ever off.

871
00:37:35,320 --> 00:37:36,880
Speaker 1: His first album is Start from Scratch, and.

872
00:37:36,920 --> 00:37:39,839
Speaker 2: It's some really dope features on here, some really dope

873
00:37:39,960 --> 00:37:42,000
Speaker 2: Jeremiah Roddy Rich Todd Dollar.

874
00:37:42,480 --> 00:37:44,840
Speaker 1: Uh, I see you right to the Ruby Rose record?

875
00:37:45,040 --> 00:37:45,520
Speaker 4: Nice team?

876
00:37:46,000 --> 00:37:49,680
Speaker 1: Did I go to Jeremiah Ruby Rose feature?

877
00:37:50,920 --> 00:37:53,080
Speaker 2: Yeah? Oh no, that's not to see that's not the

878
00:37:53,120 --> 00:37:56,279
Speaker 2: one I was talking about. Cool if he was, though,

879
00:37:56,320 --> 00:38:00,640
Speaker 2: I was talking no record, it's just sh up here.

880
00:38:00,640 --> 00:38:02,000
Speaker 1: Are you gonna go right to track eighteen?

881
00:38:02,120 --> 00:38:04,440
Speaker 2: No I would, I was. I was talking about track twelve.

882
00:38:04,520 --> 00:38:07,120
Speaker 2: No smoke at the Polo. I didn't even I didn't

883
00:38:07,120 --> 00:38:09,320
Speaker 2: even get to the other See. It's like it's like

884
00:38:09,360 --> 00:38:11,000
Speaker 2: when you at a restaurant and it's a whole bunch

885
00:38:11,000 --> 00:38:12,640
Speaker 2: of options on the front of the menu and they're like, nah,

886
00:38:13,000 --> 00:38:14,360
Speaker 2: you say you want you want to order some like

887
00:38:14,400 --> 00:38:16,320
Speaker 2: where is that at? Are you saying it over and

888
00:38:16,360 --> 00:38:18,400
Speaker 2: it's a whole nother fucking menu saying Ruby.

889
00:38:18,280 --> 00:38:20,040
Speaker 1: Is on the back end of the menu.

890
00:38:20,080 --> 00:38:23,200
Speaker 2: Are you saying she's an entree im or an app No,

891
00:38:23,320 --> 00:38:25,080
Speaker 2: I'm not saying anything. I'm just saying if you would

892
00:38:25,080 --> 00:38:26,640
Speaker 2: say that a woman, that would be I didn't even

893
00:38:26,680 --> 00:38:28,839
Speaker 2: get to that side of the album. I was over here.

894
00:38:28,920 --> 00:38:30,800
Speaker 1: There's no smoke at the Polo Lounge, no sex in

895
00:38:30,840 --> 00:38:32,520
Speaker 1: the champagne room. Is that what he was going with there?

896
00:38:33,960 --> 00:38:35,239
Speaker 2: The cousin. It is the cousin.

897
00:38:35,440 --> 00:38:38,120
Speaker 1: There is sex in the champagne room though, and people doing.

898
00:38:37,960 --> 00:38:39,120
Speaker 2: This smoke at the Polo Lounge?

899
00:38:39,200 --> 00:38:39,520
Speaker 4: For sure.

900
00:38:39,719 --> 00:38:45,399
Speaker 2: Absolutely. I'm excited about Universal Love thirty one, the last traction. Yeah,

901
00:38:45,440 --> 00:38:48,480
Speaker 2: you're happy it's over. I mean I made it. I

902
00:38:48,600 --> 00:38:50,520
Speaker 2: sat through all this fucking rapping and you.

903
00:38:50,560 --> 00:38:52,760
Speaker 4: Got Chris Brown, Chloe Bailey and Cassie.

904
00:38:54,600 --> 00:38:56,480
Speaker 2: It's a lot of feats. I want to hear that.

905
00:38:56,640 --> 00:38:58,160
Speaker 2: I want to hear that save the best for last.

906
00:38:58,200 --> 00:39:02,880
Speaker 1: Yeah, we actually give We actually give game credit with features.

907
00:39:04,520 --> 00:39:07,640
Speaker 1: If you look at his albums, he's got some insane

908
00:39:07,760 --> 00:39:10,800
Speaker 1: features for where he's I think he's a rap legend.

909
00:39:10,960 --> 00:39:13,520
Speaker 1: You probably think he's a rap legend too. Absolutely, yeah,

910
00:39:13,760 --> 00:39:17,160
Speaker 1: Game for sure, But to the pop worlds that does

911
00:39:17,280 --> 00:39:20,799
Speaker 1: not matter. And Game is also very controversial. Game says

912
00:39:20,920 --> 00:39:23,799
Speaker 1: insane things all the time. He's not a safe quote

913
00:39:23,840 --> 00:39:27,160
Speaker 1: unquote safe rapper. His last album, the intro had Ed

914
00:39:27,320 --> 00:39:30,640
Speaker 1: Sheeran on it. He's got Chloe Bailey on the outro. Yeah,

915
00:39:31,480 --> 00:39:34,880
Speaker 1: he's extremely unsafe when it comes to labels, saying, all right,

916
00:39:34,960 --> 00:39:37,920
Speaker 1: our biggest artists that don't do features, and Game has

917
00:39:37,920 --> 00:39:39,680
Speaker 1: a lot of them, Like you have to get hats

918
00:39:39,680 --> 00:39:41,040
Speaker 1: off to that. I don't know if that has.

919
00:39:40,960 --> 00:39:41,480
Speaker 4: Something to do with.

920
00:39:43,000 --> 00:39:49,440
Speaker 1: Some LA politics, but it's just weird that Game gets it.

921
00:39:50,280 --> 00:39:51,960
Speaker 1: It's a lot of pop stars that move to LA

922
00:39:52,040 --> 00:39:54,759
Speaker 1: that get a Game feature that. It's just like, how

923
00:39:54,800 --> 00:39:56,680
Speaker 1: did that come about? Roy?

924
00:39:56,800 --> 00:39:59,920
Speaker 2: You stupid? You think he shipped down Ed Sharon?

925
00:40:00,320 --> 00:40:02,600
Speaker 1: Yes, I do. I think if it wants to be

926
00:40:02,680 --> 00:40:04,160
Speaker 1: safe in LA, he gotta go to Game.

927
00:40:04,280 --> 00:40:08,920
Speaker 2: Game pressing Ed sheer for a verse, Okay, yeah, he

928
00:40:08,960 --> 00:40:10,279
Speaker 2: does have red hair, so if you want to wear

929
00:40:10,320 --> 00:40:12,239
Speaker 2: his red flag, oh.

930
00:40:12,120 --> 00:40:12,880
Speaker 4: Okay, matches.

931
00:40:13,200 --> 00:40:15,040
Speaker 1: Ed Sheeron should not wear a red flag. No, he

932
00:40:15,040 --> 00:40:17,840
Speaker 1: should not but I'm just saying, go through games catalog.

933
00:40:17,960 --> 00:40:21,880
Speaker 1: He has some crazy features from someone in his position

934
00:40:22,080 --> 00:40:24,080
Speaker 1: in the pop world would not get game.

935
00:40:24,320 --> 00:40:26,160
Speaker 2: Game, we love you, but you you're trying to take

936
00:40:26,239 --> 00:40:28,080
Speaker 2: up my whole weekend with these thirty one tracks. Man,

937
00:40:28,080 --> 00:40:29,799
Speaker 2: it's gonna take me two days to listen to this album.

938
00:40:29,920 --> 00:40:33,040
Speaker 1: I'm excited for it. Anytime Game puts out an album,

939
00:40:33,239 --> 00:40:33,840
Speaker 1: I run to it.

940
00:40:34,040 --> 00:40:35,080
Speaker 2: So we'll see.

941
00:40:35,120 --> 00:40:36,080
Speaker 1: Thirty one is a lot though.

942
00:40:36,200 --> 00:40:40,839
Speaker 2: This definitely executive produced by Hip Boy and Kanye. All right, Game,

943
00:40:40,840 --> 00:40:43,160
Speaker 2: We're gonna see what you got this weekend. Who else

944
00:40:43,200 --> 00:40:46,160
Speaker 2: we got this weekend? Black Thought and Danger Mouse before.

945
00:40:45,960 --> 00:40:51,120
Speaker 1: We get there. I feel like music in some regard

946
00:40:51,280 --> 00:40:52,560
Speaker 1: not in the hip boy case, and I don't know

947
00:40:52,600 --> 00:40:54,440
Speaker 1: what the Kanye think. I'm not making this game specific,

948
00:40:54,760 --> 00:40:56,040
Speaker 1: but you know how a lot of movies and TV

949
00:40:56,120 --> 00:40:58,200
Speaker 1: shows are just put executive produced by in a big

950
00:40:58,320 --> 00:41:00,920
Speaker 1: name and they literally didn't go to at once. They

951
00:41:01,000 --> 00:41:03,319
Speaker 1: maybe read the script and signed off on it, someone

952
00:41:03,440 --> 00:41:05,840
Speaker 1: like when lebron A and R two Chains album. But

953
00:41:06,040 --> 00:41:10,000
Speaker 1: I think music is starting to go heavier into that,

954
00:41:10,400 --> 00:41:11,120
Speaker 1: and it scares me.

955
00:41:12,000 --> 00:41:15,239
Speaker 2: Everything is clickable. We got to put somebody's name to it.

956
00:41:15,320 --> 00:41:17,840
Speaker 2: They're gonna click it, like that's just what it is.

957
00:41:17,880 --> 00:41:20,239
Speaker 2: If they're gonna click somebody's name, let's find a way

958
00:41:20,280 --> 00:41:23,080
Speaker 2: to add that person's name to the project so people

959
00:41:23,080 --> 00:41:23,480
Speaker 2: will just click.

960
00:41:24,000 --> 00:41:25,600
Speaker 1: Just my prediction, I think we're gonna see more and

961
00:41:25,680 --> 00:41:28,319
Speaker 1: more of this executive produced by just throwing a big

962
00:41:28,440 --> 00:41:30,759
Speaker 1: name next to the album. And I'm not saying that's

963
00:41:30,760 --> 00:41:32,400
Speaker 1: the case here. I know hit Boy was heavily involved

964
00:41:32,400 --> 00:41:32,520
Speaker 1: in it.

965
00:41:32,640 --> 00:41:33,839
Speaker 4: Yeah, I don't ye.

966
00:41:34,040 --> 00:41:36,359
Speaker 1: I know Kanye was on Easy and they've been working

967
00:41:37,000 --> 00:41:39,520
Speaker 1: close with each other, But I don't know. I just

968
00:41:39,560 --> 00:41:41,439
Speaker 1: don't want us to get into that TV movie world

969
00:41:41,440 --> 00:41:44,000
Speaker 1: where it's just like, oh, here's the EP credit.

970
00:41:44,400 --> 00:41:46,920
Speaker 2: We got cheat Codes album by Black Thought and Danger

971
00:41:47,000 --> 00:41:49,840
Speaker 2: Mouse A twelve Records see refreshing.

972
00:41:49,960 --> 00:41:51,759
Speaker 1: Yeah you see how man, this looks great?

973
00:41:51,920 --> 00:41:54,040
Speaker 2: That just that just is like okay, like I'm we

974
00:41:54,080 --> 00:41:56,200
Speaker 2: can do this. Yeah, I can do you can do twelve.

975
00:41:56,280 --> 00:41:57,080
Speaker 2: I can do twelve.

976
00:41:57,920 --> 00:41:59,480
Speaker 1: I mean, have you guys been keeping up with this

977
00:41:59,719 --> 00:42:01,600
Speaker 1: series that Black Thought's been doing where he just picks

978
00:42:01,640 --> 00:42:04,360
Speaker 1: a producer and does the project. He has not missed

979
00:42:04,800 --> 00:42:06,440
Speaker 1: with the last three Black.

980
00:42:06,280 --> 00:42:09,600
Speaker 2: Thought listen Man, Black Thought, He's again He's an alien man.

981
00:42:09,600 --> 00:42:13,680
Speaker 2: He's on the Alien List. He's one of those rappers

982
00:42:13,719 --> 00:42:17,160
Speaker 2: and artists that you know, every time he does something,

983
00:42:17,280 --> 00:42:20,000
Speaker 2: it's like it's quality. Yeah, you know what I mean.

984
00:42:20,040 --> 00:42:22,080
Speaker 2: It's like you don't feel like you've been cheated. You

985
00:42:22,120 --> 00:42:24,480
Speaker 2: don't feel like he's doing this for any ulterry motives

986
00:42:24,520 --> 00:42:28,160
Speaker 2: anything other than good art, good music. That's just what

987
00:42:28,280 --> 00:42:30,360
Speaker 2: Black Thought. That's that's just the type of artist he is.

988
00:42:30,800 --> 00:42:32,520
Speaker 2: He's putting out good music all the time.

989
00:42:33,000 --> 00:42:35,800
Speaker 1: And I mean with Danger Mouse, I'm excited for the songs.

990
00:42:35,880 --> 00:42:38,440
Speaker 1: I mean, of course we know what Black Thought does

991
00:42:38,880 --> 00:42:42,200
Speaker 1: rapping wise, but with Danger Mouse, that's that's a different

992
00:42:42,280 --> 00:42:45,520
Speaker 1: type of song producer in my opinion. Oh, like that's

993
00:42:46,080 --> 00:42:48,960
Speaker 1: he's gonna good records. Yeah, this is this is good records, records.

994
00:42:49,000 --> 00:42:50,799
Speaker 2: This is gonna I'm actually looking forward to this album.

995
00:42:50,800 --> 00:42:52,640
Speaker 2: This is gonna be good music. Good to see Conway

996
00:42:52,719 --> 00:42:53,000
Speaker 2: on there.

997
00:42:53,520 --> 00:42:54,560
Speaker 1: Not just a bunch of beats, that.

998
00:42:56,200 --> 00:43:01,640
Speaker 2: Right, Russ Joey Badass. I'm not getting paid.

999
00:43:01,680 --> 00:43:02,399
Speaker 1: That's out, by the way.

1000
00:43:03,200 --> 00:43:03,680
Speaker 2: That record.

1001
00:43:04,320 --> 00:43:07,680
Speaker 1: It's great because record, I unless when did it come out?

1002
00:43:07,680 --> 00:43:09,400
Speaker 1: I'm saying something that's not true and I just have it.

1003
00:43:10,040 --> 00:43:11,160
Speaker 2: Oh, I didn't hear it?

1004
00:43:11,480 --> 00:43:13,000
Speaker 1: Yeah, all right, thank god? When did it come out

1005
00:43:13,320 --> 00:43:16,080
Speaker 1: a little while ago? I feel like it's an amazing record.

1006
00:43:16,160 --> 00:43:18,600
Speaker 2: Oh wow, see I'm mad that came out.

1007
00:43:19,360 --> 00:43:21,279
Speaker 1: Yeah, No, that record's crazy. You need to go listen

1008
00:43:21,280 --> 00:43:21,560
Speaker 1: to that now.

1009
00:43:21,640 --> 00:43:22,359
Speaker 2: Okay, I gotta check.

1010
00:43:22,360 --> 00:43:23,520
Speaker 1: That's probably one of the best records.

1011
00:43:23,920 --> 00:43:28,720
Speaker 2: Moving Danger, Danger, Mouse, and Black Thought. Cheat codes available tonight,

1012
00:43:28,800 --> 00:43:33,400
Speaker 2: well available now? Yeah. Who else we got coming out? Megdae, Stallion,

1013
00:43:34,640 --> 00:43:38,319
Speaker 2: Traumazine someone. You're about to go crazy this weekend into

1014
00:43:38,320 --> 00:43:39,440
Speaker 2: Stuble into Traumazine.

1015
00:43:40,920 --> 00:43:44,560
Speaker 1: What's these zene? I understand the trauma, and I'm sure

1016
00:43:44,640 --> 00:43:47,520
Speaker 1: Megan has been through a lot lately, but what's what's

1017
00:43:47,560 --> 00:43:48,239
Speaker 1: the zine? Part?

1018
00:43:48,760 --> 00:43:51,800
Speaker 6: So trauma the definition for traumazine, it's a chemical released

1019
00:43:51,840 --> 00:43:54,000
Speaker 6: in the brain when your brain is forced to deal

1020
00:43:54,080 --> 00:43:57,719
Speaker 6: with painful emotions caused by traumatic events and experiences.

1021
00:43:58,360 --> 00:44:00,360
Speaker 1: I think that's a great title for I'm about to

1022
00:44:00,360 --> 00:44:02,759
Speaker 1: say that makes this album very interesting what Meg is

1023
00:44:02,800 --> 00:44:06,560
Speaker 1: going through in the public, specifically the last few years.

1024
00:44:07,160 --> 00:44:09,160
Speaker 1: And I'm still gonna go with the Houston double entendre

1025
00:44:09,239 --> 00:44:12,840
Speaker 1: of traumazine and promethazine. But that's just me. I know

1026
00:44:12,960 --> 00:44:15,120
Speaker 1: you gave me the websters see eighteen tracks.

1027
00:44:15,280 --> 00:44:16,360
Speaker 2: See we could do that.

1028
00:44:16,480 --> 00:44:17,239
Speaker 4: You don't think that's a lot.

1029
00:44:17,280 --> 00:44:19,440
Speaker 2: Still, that's a lot. But we could do eighteen. We

1030
00:44:19,520 --> 00:44:20,120
Speaker 2: could do eighteen.

1031
00:44:20,160 --> 00:44:23,279
Speaker 1: Eighteen and twenty twenty two is ten ten years ago.

1032
00:44:23,840 --> 00:44:26,920
Speaker 2: We could do eighteen. We could do eighteen. Got good features,

1033
00:44:26,960 --> 00:44:30,080
Speaker 2: Dua Lipa, Sauce Walker. I like Sautwalker, Saucewalker, Big Pokey,

1034
00:44:30,400 --> 00:44:36,960
Speaker 2: Little Kiki, Future, Lucky Day, that's interesting, Nayaigo, Pu Shisty Rico, Nasty, Lotto,

1035
00:44:37,280 --> 00:44:40,080
Speaker 2: Key Glot, Okay.

1036
00:44:41,000 --> 00:44:45,879
Speaker 1: I mean, I'm a Meg fan. I don't like them

1037
00:44:45,920 --> 00:44:47,840
Speaker 1: run to her albums because again they're not for me.

1038
00:44:48,400 --> 00:44:50,160
Speaker 1: But I think she's an incredible rapper and I think

1039
00:44:50,200 --> 00:44:52,759
Speaker 1: she makes I'll be there.

1040
00:44:54,040 --> 00:44:56,040
Speaker 2: I'm gonna shake this fish in your face.

1041
00:44:56,040 --> 00:44:58,640
Speaker 1: So hard after what we did yesterday, Paul.

1042
00:45:00,400 --> 00:45:02,759
Speaker 2: I do like that Pressure Delicious record though, yeah, we

1043
00:45:02,840 --> 00:45:05,560
Speaker 2: talked about that. I like that Pressurelicious record has.

1044
00:45:05,680 --> 00:45:08,440
Speaker 1: Do we feel like this rollout has been quiet or

1045
00:45:08,480 --> 00:45:09,440
Speaker 1: I just haven't been paying attention?

1046
00:45:10,280 --> 00:45:12,160
Speaker 6: It was a it hasn't been a long.

1047
00:45:12,480 --> 00:45:15,480
Speaker 1: I saw Meg was on leakers, and when I saw that,

1048
00:45:15,560 --> 00:45:17,759
Speaker 1: I was like, Oh, that's odd. Does that mean she's

1049
00:45:17,800 --> 00:45:19,560
Speaker 1: gonna start a rollout? And then the next day I

1050
00:45:19,600 --> 00:45:20,439
Speaker 1: saw it was like, oh.

1051
00:45:20,440 --> 00:45:21,399
Speaker 2: Her album album's coming.

1052
00:45:21,520 --> 00:45:25,000
Speaker 1: I was like, all right, cool single leakers and it's out.

1053
00:45:25,680 --> 00:45:29,239
Speaker 1: I'm not mad at it, just Meg usually does a

1054
00:45:29,760 --> 00:45:30,759
Speaker 1: proper man Meg like.

1055
00:45:30,800 --> 00:45:32,920
Speaker 2: Yeah, gonna get these balls. They're gonna get these records,

1056
00:45:33,040 --> 00:45:34,719
Speaker 2: like we ain't got to take no too much to

1057
00:45:34,800 --> 00:45:36,680
Speaker 2: roll this shit out. Y'all gonna get these records. And

1058
00:45:37,200 --> 00:45:39,080
Speaker 2: if you funk with it, fuck with it. If not cool.

1059
00:45:41,040 --> 00:45:43,520
Speaker 1: Did things get addressed on the album?

1060
00:45:43,719 --> 00:45:46,399
Speaker 4: Yes, I feel like there was already an album out.

1061
00:45:46,840 --> 00:45:49,200
Speaker 1: Let's see, things weren't really addressed on that album.

1062
00:45:49,280 --> 00:45:54,880
Speaker 2: Yeah, Ungrateful sounds like she going not nice, get some

1063
00:45:55,200 --> 00:45:55,480
Speaker 2: off on it.

1064
00:45:55,680 --> 00:45:58,120
Speaker 1: Not nice NDA is the first record. That's why I'm

1065
00:45:58,160 --> 00:46:00,759
Speaker 1: saying she might get her ship off on India Anxiety,

1066
00:46:01,080 --> 00:46:03,680
Speaker 1: because you know, Coley made them sound an NBA for sure.

1067
00:46:03,800 --> 00:46:07,000
Speaker 1: Red Wine, I don't think red Wine is gonna give

1068
00:46:07,040 --> 00:46:07,239
Speaker 1: us a.

1069
00:46:07,560 --> 00:46:10,560
Speaker 2: Flip nah, I don't even flip Flop might be the one.

1070
00:46:11,600 --> 00:46:13,680
Speaker 2: You know what, motherfuckers start flip flopping on you. You

1071
00:46:13,760 --> 00:46:15,120
Speaker 2: know who flip Flop is, and you know the.

1072
00:46:15,160 --> 00:46:16,920
Speaker 1: Dance is gonna be the cheeks going this way, this way,

1073
00:46:16,960 --> 00:46:19,080
Speaker 1: flip flop I already see it. I see the TikTok dance,

1074
00:46:19,480 --> 00:46:22,719
Speaker 1: the cheeks gonna flip flop, the ass. Yeah, I don't

1075
00:46:22,719 --> 00:46:23,400
Speaker 1: know if I want to see that.

1076
00:46:23,680 --> 00:46:25,360
Speaker 2: Yeah, I don't want to see ass's flip flopping.

1077
00:46:25,400 --> 00:46:26,120
Speaker 4: What about Plan B?

1078
00:46:26,800 --> 00:46:28,560
Speaker 2: Like we came out, Yeah, we got that already.

1079
00:46:30,000 --> 00:46:31,879
Speaker 1: So how many Plan bes have you purchased in your life,

1080
00:46:32,000 --> 00:46:35,000
Speaker 1: your lifetime, your career, career plans?

1081
00:46:35,040 --> 00:46:37,040
Speaker 4: How many times have been given them? Money to them for?

1082
00:46:37,920 --> 00:46:38,560
Speaker 2: Twice? Maybe?

1083
00:46:38,640 --> 00:46:38,879
Speaker 4: Okay?

1084
00:46:39,360 --> 00:46:40,960
Speaker 2: Yeah, twice?

1085
00:46:41,120 --> 00:46:41,640
Speaker 1: Pro choice.

1086
00:46:41,880 --> 00:46:43,960
Speaker 2: I'm not I'm not a Plan B assassin. I don't

1087
00:46:44,000 --> 00:46:45,720
Speaker 2: tear down cbs like that. PBA.

1088
00:46:46,120 --> 00:46:49,520
Speaker 1: Have you been sure of all the Plan B money

1089
00:46:49,560 --> 00:46:53,279
Speaker 1: and Plan b's that you've bought? You know, sometimes it's

1090
00:46:53,320 --> 00:46:56,200
Speaker 1: like just in case, I don't know, I feel confident

1091
00:46:56,239 --> 00:46:57,600
Speaker 1: nothing happened, but let me just get you one just

1092
00:46:57,640 --> 00:47:02,879
Speaker 1: in case. Twice okay, yeah, and then none that was like, yeah,

1093
00:47:02,880 --> 00:47:06,000
Speaker 1: I full blowed condom broke, I nted inside.

1094
00:47:05,760 --> 00:47:09,279
Speaker 2: You now because most of those times it was like

1095
00:47:09,440 --> 00:47:11,200
Speaker 2: she was either already on the pill or something.

1096
00:47:12,200 --> 00:47:13,800
Speaker 1: But did we believe them on that? I feel like you,

1097
00:47:13,920 --> 00:47:15,640
Speaker 1: of all people, would not believe them immediately if they

1098
00:47:15,640 --> 00:47:16,920
Speaker 1: said it was yeah.

1099
00:47:16,960 --> 00:47:18,840
Speaker 2: But I'm also not just spraying ship up though, like

1100
00:47:18,920 --> 00:47:20,080
Speaker 2: I'm not. I'm not well.

1101
00:47:20,160 --> 00:47:24,600
Speaker 1: Sometimes you're trustworthy, faithful condoms that you love break, can

1102
00:47:24,640 --> 00:47:25,080
Speaker 1: we get it too?

1103
00:47:25,160 --> 00:47:27,120
Speaker 2: Like connoms break? When niggas say condoms break. I've seen

1104
00:47:27,160 --> 00:47:29,040
Speaker 2: a nigga put a condom over a whole Honda Civic

1105
00:47:29,080 --> 00:47:31,160
Speaker 2: one tome and that shit didn't break.

1106
00:47:31,760 --> 00:47:34,200
Speaker 4: I need to see your algorithms, and that shit didn't break.

1107
00:47:34,239 --> 00:47:37,520
Speaker 2: So when niggas was like, just say you hit Roy,

1108
00:47:37,760 --> 00:47:39,880
Speaker 2: you just and you splashed it in like all that

1109
00:47:40,040 --> 00:47:42,880
Speaker 2: condom pop, ship cut it out? Did condoms?

1110
00:47:43,760 --> 00:47:45,320
Speaker 1: I was about to say, did the Honda stroke?

1111
00:47:45,480 --> 00:47:47,880
Speaker 2: No? Comed was condoms do break?

1112
00:47:48,239 --> 00:47:49,200
Speaker 4: You just have to wear two.

1113
00:47:51,520 --> 00:47:53,040
Speaker 2: This pussy's wearing two condoms.

1114
00:47:54,520 --> 00:47:56,200
Speaker 1: I know we joke about firing him. This might be

1115
00:47:56,239 --> 00:47:57,400
Speaker 1: the first time I was actually serious.

1116
00:47:57,560 --> 00:48:00,480
Speaker 2: Yo, you put two condoms on. That's like putting two

1117
00:48:00,560 --> 00:48:02,719
Speaker 2: leather jackets on. Where you going.

1118
00:48:04,840 --> 00:48:06,560
Speaker 1: That's stupid than when we used to wear basketball shorts

1119
00:48:06,640 --> 00:48:07,240
Speaker 1: under our jeans.

1120
00:48:07,960 --> 00:48:09,800
Speaker 2: Yeah, that was the dumbest ship ever. Like, if you

1121
00:48:10,280 --> 00:48:12,200
Speaker 2: that's the last time you had to put two condoms

1122
00:48:12,239 --> 00:48:13,560
Speaker 2: on body?

1123
00:48:13,920 --> 00:48:17,000
Speaker 1: If you have two condoms, no, absolutely not. You guys

1124
00:48:17,040 --> 00:48:18,279
Speaker 1: just happen to be in the same bed. Yea.

1125
00:48:18,760 --> 00:48:22,600
Speaker 2: At that point, y'all are just wrestling and just thumb rolling.

1126
00:48:22,680 --> 00:48:25,040
Speaker 2: Yeah yeah, yeah, playing high the spoon, y'all.

1127
00:48:25,080 --> 00:48:34,120
Speaker 1: Not really, y'all were dancing. That was grinding. Two condoms

1128
00:48:34,160 --> 00:48:37,000
Speaker 1: could be thicker than I feel like some ship we've

1129
00:48:37,080 --> 00:48:37,759
Speaker 1: danced in before.

1130
00:48:38,200 --> 00:48:42,560
Speaker 2: Yeah, two condoms, definitely thinking in the sun dress exactly. Yeah,

1131
00:48:43,160 --> 00:48:45,440
Speaker 2: two condoms thicking in peanut butter. I'm not fucking with that.

1132
00:48:45,640 --> 00:48:48,160
Speaker 2: Two condoms cool. If I feel like I got to

1133
00:48:48,200 --> 00:48:50,040
Speaker 2: wear two condoms with you, we should have the problem.

1134
00:48:50,239 --> 00:48:50,880
Speaker 2: We shouldn't be doing.

1135
00:48:51,719 --> 00:48:52,200
Speaker 1: It's passing.

1136
00:48:52,400 --> 00:48:54,920
Speaker 2: You shouldn't We shouldn't know two condoms. Come on.

1137
00:48:55,239 --> 00:48:56,560
Speaker 1: I feel like if we need to use a condom,

1138
00:48:56,640 --> 00:48:59,040
Speaker 1: we shouldn't be fucking a condoms. We shouldn't know, Like

1139
00:48:59,160 --> 00:49:02,480
Speaker 1: we shouldn't be in the same thing people said passive vicinity.

1140
00:49:02,520 --> 00:49:04,239
Speaker 2: It's amazing how we got all of this off of

1141
00:49:04,320 --> 00:49:05,839
Speaker 2: a Plan B record.

1142
00:49:06,120 --> 00:49:07,400
Speaker 1: Bad Buddy made in America and.

1143
00:49:08,960 --> 00:49:10,759
Speaker 2: Traumazine available now.

1144
00:49:12,000 --> 00:49:14,799
Speaker 1: Meg the Stallion, Oh you can't wait for Sweetest Pie?

1145
00:49:15,360 --> 00:49:17,799
Speaker 1: Sweetest Pie came out already for real.

1146
00:49:18,080 --> 00:49:20,399
Speaker 4: Yes, it's a great song. It's a pop song.

1147
00:49:20,520 --> 00:49:24,880
Speaker 6: She has amazing music video like Okay, yeah, that's what

1148
00:49:24,960 --> 00:49:25,799
Speaker 6: you're talking to too many.

1149
00:49:26,000 --> 00:49:28,000
Speaker 2: Listen. I don't see videos unless it's on p r L,

1150
00:49:28,160 --> 00:49:32,040
Speaker 2: so it is big facts. I don't even video up. Yeah, exactly.

1151
00:49:32,040 --> 00:49:34,600
Speaker 2: I don't know what videos is out, uh.

1152
00:49:36,680 --> 00:49:36,839
Speaker 4: Throw.

1153
00:49:36,840 --> 00:49:38,560
Speaker 1: The whole platform is for us to know what videos

1154
00:49:38,560 --> 00:49:39,400
Speaker 1: are you know.

1155
00:49:40,000 --> 00:49:41,920
Speaker 2: I know, listen, I know it's other music coming out.

1156
00:49:43,280 --> 00:49:46,080
Speaker 2: But Steve Lacy, lil Uzi and Kanye got matching tattoos.

1157
00:49:46,080 --> 00:49:47,480
Speaker 2: I just want to I just I don't want to

1158
00:49:47,480 --> 00:49:49,279
Speaker 2: talk about other music right now. I want to talk

1159
00:49:49,320 --> 00:49:49,600
Speaker 2: about that.

1160
00:49:50,000 --> 00:49:51,520
Speaker 4: That made me want to ask, when are we getting

1161
00:49:51,520 --> 00:49:52,320
Speaker 4: our matching tattoos?

1162
00:49:52,800 --> 00:49:56,200
Speaker 2: I would never all right, here's the Kanye.

1163
00:49:56,320 --> 00:49:57,200
Speaker 1: Here's the thing Kyle.

1164
00:49:57,120 --> 00:50:00,279
Speaker 2: Looks, Kim, could you take Kanye back, please, because this

1165
00:50:00,360 --> 00:50:02,320
Speaker 2: nigga about to start making all kind of sneakers in

1166
00:50:02,360 --> 00:50:04,040
Speaker 2: a minute, like he just about to start empty in

1167
00:50:04,080 --> 00:50:05,640
Speaker 2: the vault. Look at Kanye's face.

1168
00:50:05,760 --> 00:50:07,239
Speaker 1: I'm not all right. If you guys want to get

1169
00:50:07,239 --> 00:50:09,760
Speaker 1: masching tattoos, that your prerogative. Don't pose that way afterwards.

1170
00:50:09,840 --> 00:50:10,600
Speaker 4: Yeah, it looks crazy.

1171
00:50:10,680 --> 00:50:12,239
Speaker 1: Three of us. Don't put our forearms out like that.

1172
00:50:13,120 --> 00:50:16,759
Speaker 4: I can't read girl, some illuminati shit, I really can't it.

1173
00:50:16,760 --> 00:50:20,000
Speaker 2: Says you've changed lives forever love Ashanti.

1174
00:50:24,560 --> 00:50:26,359
Speaker 4: Oh, I can't even read it because it's the mirror either.

1175
00:50:26,480 --> 00:50:27,960
Speaker 2: Now you got to get the glasses that Ja had.

1176
00:50:28,040 --> 00:50:29,440
Speaker 2: Joe had that problem too. You got to get the

1177
00:50:29,480 --> 00:50:30,560
Speaker 2: other tom for joints.

1178
00:50:31,640 --> 00:50:34,239
Speaker 1: Yeah, was engraved under the watch.

1179
00:50:34,320 --> 00:50:40,120
Speaker 2: Yeah, it says technically, I'll put it this way.

1180
00:50:40,880 --> 00:50:42,840
Speaker 1: This is how I know I could trust Steve Lacey

1181
00:50:42,920 --> 00:50:43,600
Speaker 1: and Uzi.

1182
00:50:43,840 --> 00:50:44,160
Speaker 2: What is it?

1183
00:50:44,640 --> 00:50:46,719
Speaker 1: They all have shitty tattoos, and I only trust people

1184
00:50:46,760 --> 00:50:47,560
Speaker 1: with shitty tattoos.

1185
00:50:48,760 --> 00:50:50,000
Speaker 2: Yeah, what does the tattoo say?

1186
00:50:50,320 --> 00:50:55,279
Speaker 1: Lay? And I'm like, I've never seen Steve Lacy on

1187
00:50:55,400 --> 00:50:58,239
Speaker 1: Kanye album or Uzi album. When y'all became friends, was

1188
00:50:58,239 --> 00:51:00,279
Speaker 1: at brunch together, got drunk. It's like, let's just do it.

1189
00:51:00,520 --> 00:51:01,640
Speaker 1: Let's just get tatts together.

1190
00:51:01,840 --> 00:51:05,200
Speaker 4: It says we here forever. Technically, we here forever.

1191
00:51:05,360 --> 00:51:08,799
Speaker 2: Technically I get it, like art lives on the music's

1192
00:51:08,800 --> 00:51:11,719
Speaker 2: a cool tattoo. Oh, I get it. Okay, I still

1193
00:51:11,719 --> 00:51:13,600
Speaker 2: think it's weird as fuck that y'all got it together

1194
00:51:13,600 --> 00:51:15,200
Speaker 2: at the same time from the same dude.

1195
00:51:15,280 --> 00:51:19,400
Speaker 4: I'm actually really anti like getting matching tattoos for what

1196
00:51:19,600 --> 00:51:21,640
Speaker 4: with other men or with anybody.

1197
00:51:22,200 --> 00:51:23,719
Speaker 1: I don't mean for your girl.

1198
00:51:23,840 --> 00:51:25,480
Speaker 2: You and your wife want to get something like I've

1199
00:51:25,480 --> 00:51:27,200
Speaker 2: seen you know, when you put the l O on

1200
00:51:27,320 --> 00:51:28,880
Speaker 2: your hand and she puts the V on hers and

1201
00:51:28,920 --> 00:51:29,560
Speaker 2: you hold her hand.

1202
00:51:29,600 --> 00:51:32,000
Speaker 1: I'm against them, against those times you thought about doing that.

1203
00:51:32,040 --> 00:51:36,920
Speaker 2: The Master she covered Yeah, I have actually really Oh

1204
00:51:37,239 --> 00:51:38,200
Speaker 2: she had one on your lower back.

1205
00:51:38,200 --> 00:51:38,880
Speaker 4: She already covered it.

1206
00:51:39,440 --> 00:51:42,080
Speaker 1: Okay, wait, none of y'all have tattoos, right I do.

1207
00:51:42,640 --> 00:51:43,880
Speaker 2: Okay, you have a tattoo.

1208
00:51:46,040 --> 00:51:48,200
Speaker 1: Oh is that a shitty one.

1209
00:51:49,320 --> 00:51:50,000
Speaker 4: It's a shitty version.

1210
00:51:50,000 --> 00:51:51,759
Speaker 2: Mary, that's a jail that's a jailhouse tat you got

1211
00:51:51,920 --> 00:51:55,080
Speaker 2: in the back of the Cardinal Hayes. Yeah for free

1212
00:51:55,880 --> 00:51:57,680
Speaker 2: hair on the bus and one bus.

1213
00:51:58,080 --> 00:52:00,000
Speaker 1: With a needle that just came out of someone else's arms.

1214
00:52:00,160 --> 00:52:05,520
Speaker 2: Yeah. Great times in the Bronx editing. I love it. Yeah.

1215
00:52:05,560 --> 00:52:08,800
Speaker 2: I just I saw this picture and I just I

1216
00:52:08,880 --> 00:52:11,080
Speaker 2: don't know, man, If this is what they're doing outside,

1217
00:52:11,200 --> 00:52:13,560
Speaker 2: Kanye looks like the dad that just got it to

1218
00:52:13,640 --> 00:52:15,720
Speaker 2: prove that he's not having him in life crisis.

1219
00:52:17,520 --> 00:52:19,799
Speaker 1: I mean, I feel like if all the podcasters, if

1220
00:52:19,800 --> 00:52:21,440
Speaker 1: we all got matching tattoos, what do you think we

1221
00:52:21,480 --> 00:52:23,239
Speaker 1: would all all get a microphone?

1222
00:52:23,960 --> 00:52:27,920
Speaker 2: No, a microphone a podcaster is uh, what.

1223
00:52:28,080 --> 00:52:32,480
Speaker 1: Was theirs again? We hear, we hear, technically, we hear,

1224
00:52:32,680 --> 00:52:36,440
Speaker 1: we hear. F uh we all break up, but we

1225
00:52:36,520 --> 00:52:40,480
Speaker 1: can still pod technically. No, all of us too many words,

1226
00:52:41,239 --> 00:52:44,759
Speaker 1: fat boys. That that than every podcast ever.

1227
00:52:46,560 --> 00:52:49,240
Speaker 2: Yeah, no, I'm not getting that. I did. The magic

1228
00:52:49,320 --> 00:52:51,560
Speaker 2: tats with your homies is just a little I don't know.

1229
00:52:51,960 --> 00:52:53,359
Speaker 1: I don't know. I don't have any mail.

1230
00:52:53,520 --> 00:52:56,080
Speaker 2: I don't even know if they with other men. How

1231
00:52:56,160 --> 00:52:57,279
Speaker 2: long have Steve Lacy known?

1232
00:52:57,400 --> 00:53:00,200
Speaker 1: Uh, that's what I'm at and Kanye I've never seen them.

1233
00:53:00,400 --> 00:53:02,160
Speaker 4: I'd hope a while if they got a massined that.

1234
00:53:02,600 --> 00:53:04,160
Speaker 2: Is that like living on the edge, Like, whoa bro,

1235
00:53:04,320 --> 00:53:05,319
Speaker 2: let's do it. We just met.

1236
00:53:05,560 --> 00:53:09,160
Speaker 1: No, I think they just got drunken brunch. Yesil guys,

1237
00:53:09,239 --> 00:53:10,200
Speaker 1: let's just like, let's do it.

1238
00:53:10,280 --> 00:53:12,960
Speaker 4: Let's get imagine tattoo like right now, like we vibe together.

1239
00:53:13,360 --> 00:53:15,760
Speaker 6: Tell tattoos tell the story of your life.

1240
00:53:15,920 --> 00:53:18,400
Speaker 1: And they know they don't don't.

1241
00:53:19,800 --> 00:53:22,319
Speaker 2: Tattoo stories at all.

1242
00:53:22,840 --> 00:53:25,040
Speaker 1: Yeah, well yeah you have, you have, but it doesn't

1243
00:53:25,080 --> 00:53:26,680
Speaker 1: tell a story. It's just a shitty tattoo.

1244
00:53:26,760 --> 00:53:28,920
Speaker 6: But at one point it meant something to you enough

1245
00:53:28,960 --> 00:53:30,719
Speaker 6: for you to tatt it on your body at one point,

1246
00:53:30,840 --> 00:53:32,520
Speaker 6: just because you don't feel like that anymore.

1247
00:53:34,440 --> 00:53:36,920
Speaker 4: Some people tattooed SpongeBob on their bodies Mas.

1248
00:53:37,080 --> 00:53:39,320
Speaker 6: Yeah, at one point they really fucking love SpongeBob and

1249
00:53:39,400 --> 00:53:41,280
Speaker 6: they were It tells that they were stupid enough tattoo

1250
00:53:41,320 --> 00:53:42,279
Speaker 6: SpongeBob on their body.

1251
00:53:42,320 --> 00:53:44,319
Speaker 2: I think most men only get tattoos because they hear

1252
00:53:44,360 --> 00:53:45,960
Speaker 2: girls talking about how much they like tattoos.

1253
00:53:47,320 --> 00:53:48,120
Speaker 1: I did it before that.

1254
00:53:48,560 --> 00:53:50,839
Speaker 2: Guys overhear that and like, I'm gonna go get one.

1255
00:53:52,040 --> 00:53:56,279
Speaker 1: Why I like tattoos when I was fifteen and wasn't

1256
00:53:56,280 --> 00:53:58,399
Speaker 1: really getting pussy to begin with, and it didn't change

1257
00:53:58,440 --> 00:54:01,200
Speaker 1: once I got the tattoo, So I it was definitely

1258
00:54:01,200 --> 00:54:02,000
Speaker 1: not get.

1259
00:54:01,880 --> 00:54:06,120
Speaker 2: Your money back. Yeah, would you ever get one attack? No,

1260
00:54:06,239 --> 00:54:09,000
Speaker 2: I think that windows closed. I think so too, that

1261
00:54:09,080 --> 00:54:09,880
Speaker 2: windows closed for me.

1262
00:54:09,960 --> 00:54:11,520
Speaker 4: Yeah at forty closed.

1263
00:54:11,640 --> 00:54:14,120
Speaker 2: Absolutely, that fucking window is shut.

1264
00:54:14,440 --> 00:54:16,000
Speaker 1: Oh, you could go through like a mid life crisis

1265
00:54:16,080 --> 00:54:19,360
Speaker 1: and just tat your whole body with tribal bands and stuff.

1266
00:54:19,840 --> 00:54:21,920
Speaker 2: If I go through a midlife crisis, it definitely wouldn't

1267
00:54:21,920 --> 00:54:25,719
Speaker 2: be like to the tattoos. Yeah, it wouldn't be tattoos.

1268
00:54:26,000 --> 00:54:28,959
Speaker 1: You couldn't join a tribe. What would be your midlife prices?

1269
00:54:29,000 --> 00:54:29,640
Speaker 2: What would it be? Meat?

1270
00:54:30,280 --> 00:54:33,560
Speaker 1: Hey, yo, me at meek You would get meek tattoing.

1271
00:54:34,120 --> 00:54:34,720
Speaker 4: That's crazy.

1272
00:54:34,960 --> 00:54:36,319
Speaker 2: You almost made me safe and I love.

1273
00:54:37,960 --> 00:54:38,000
Speaker 5: You.

1274
00:54:38,040 --> 00:54:41,239
Speaker 2: Try to get me and some ship. No, I'm not

1275
00:54:41,280 --> 00:54:41,799
Speaker 2: getting meeked.

1276
00:54:42,120 --> 00:54:43,839
Speaker 1: Wow, you sound like a hater. You wouldn't gett meeky.

1277
00:54:44,040 --> 00:54:46,640
Speaker 1: All he does is inspire right. Why wouldn't you get him.

1278
00:54:46,520 --> 00:54:49,040
Speaker 2: Tat because I don't have any taxes. Fast I get

1279
00:54:49,040 --> 00:54:50,279
Speaker 2: out of that. I just don't have any tats.

1280
00:54:51,120 --> 00:54:52,000
Speaker 1: Get the dream chass one.

1281
00:54:53,520 --> 00:54:54,400
Speaker 2: I would never do that.

1282
00:54:54,920 --> 00:54:56,399
Speaker 4: Dreams and nightmares on your wrist.

1283
00:54:56,760 --> 00:55:00,120
Speaker 1: No, what would be your midlife crisis if I to

1284
00:55:00,200 --> 00:55:00,759
Speaker 1: go through. I don't know.

1285
00:55:00,960 --> 00:55:03,360
Speaker 2: It wouldn't be like nothing like hair and tattoos. It

1286
00:55:03,360 --> 00:55:07,560
Speaker 2: wouldn't be the motorcycle piercings. You look like you get

1287
00:55:07,600 --> 00:55:10,160
Speaker 2: a No, you're not motorcycles. I'm too, I'm down on

1288
00:55:10,239 --> 00:55:11,040
Speaker 2: fuck with bikes at all.

1289
00:55:11,200 --> 00:55:12,920
Speaker 1: You would get a nose spears, and you did the nails,

1290
00:55:13,280 --> 00:55:15,480
Speaker 1: so I think you do the nose pause if that's

1291
00:55:15,520 --> 00:55:15,839
Speaker 1: a pause.

1292
00:55:18,160 --> 00:55:21,839
Speaker 2: Nah, I don't know. I might start doing dumb ship,

1293
00:55:21,960 --> 00:55:25,040
Speaker 2: like just wearing ship that I never liked before, like

1294
00:55:25,080 --> 00:55:25,759
Speaker 2: a bunch of leather.

1295
00:55:26,160 --> 00:55:27,360
Speaker 1: I thought maybe might just.

1296
00:55:29,400 --> 00:55:31,759
Speaker 2: I might just get like start wearing like leather. Just

1297
00:55:33,560 --> 00:55:37,520
Speaker 2: he has a point, not vegan, but I might not.

1298
00:55:37,600 --> 00:55:39,120
Speaker 2: If you just go back to eat, yeah, go back

1299
00:55:39,160 --> 00:55:40,839
Speaker 2: to eating me, I might might see me a pop

1300
00:55:41,000 --> 00:55:43,600
Speaker 2: You see me a pop os. I forget a lot

1301
00:55:43,640 --> 00:55:46,000
Speaker 2: of you niggas was fighting over pop os chicken sandwiches.

1302
00:55:46,040 --> 00:55:47,480
Speaker 2: Either it was good. I didn't forget that.

1303
00:55:48,160 --> 00:55:50,200
Speaker 1: The fight was good or the sandwiches. The sandwiches, like,

1304
00:55:50,360 --> 00:55:51,040
Speaker 1: was it worth the fight?

1305
00:55:51,239 --> 00:55:55,800
Speaker 4: I never scored up. I do that for tacos. I

1306
00:55:55,920 --> 00:55:56,799
Speaker 4: just had to say the.

1307
00:55:56,800 --> 00:55:59,799
Speaker 2: Pope's chicken sandwich, that that whole phase you had one.

1308
00:56:00,360 --> 00:56:02,280
Speaker 1: I've had one before, but it was after the craze,

1309
00:56:02,440 --> 00:56:03,359
Speaker 1: like I didn't wait in line.

1310
00:56:03,360 --> 00:56:03,680
Speaker 2: How was it?

1311
00:56:03,840 --> 00:56:06,040
Speaker 4: That's all right, just the chicken sandwich of pickles and mayo,

1312
00:56:06,200 --> 00:56:07,320
Speaker 4: like I had it once. It was anything.

1313
00:56:07,440 --> 00:56:08,719
Speaker 2: Is it the best one you had? No?

1314
00:56:09,400 --> 00:56:09,960
Speaker 4: Absolutely not.

1315
00:56:10,120 --> 00:56:12,080
Speaker 1: If I was starving and it was like available and

1316
00:56:12,120 --> 00:56:15,040
Speaker 1: there wasn't a long drive through line, yeah I do one.

1317
00:56:15,080 --> 00:56:18,239
Speaker 4: Yeah, it's it wasn't like a chicken patty, you know.

1318
00:56:18,560 --> 00:56:20,279
Speaker 4: It was actually a piece of chicken. So that's I

1319
00:56:20,360 --> 00:56:21,160
Speaker 4: mean chicken.

1320
00:56:21,440 --> 00:56:24,160
Speaker 1: Yeah, yeah, it wasn't the spicy chicken from from high

1321
00:56:24,160 --> 00:56:24,680
Speaker 1: school lunch.

1322
00:56:24,800 --> 00:56:28,120
Speaker 2: But it was all right, all right, Yes, Kanye.

1323
00:56:27,960 --> 00:56:29,279
Speaker 1: Said, indigestion just thinking about it.

1324
00:56:29,400 --> 00:56:33,520
Speaker 2: Yeah, chicken, Oh my god, cafeteria chicken.

1325
00:56:33,800 --> 00:56:35,200
Speaker 4: Cafeteria food was disgusting.

1326
00:56:36,040 --> 00:56:37,960
Speaker 2: I've seen a nigga pull out Tata tots out of

1327
00:56:38,000 --> 00:56:39,040
Speaker 2: his pocket with no napking.

1328
00:56:39,120 --> 00:56:40,640
Speaker 1: I was in Napoleon Dynamite. I saw the movie too.

1329
00:56:41,000 --> 00:56:42,839
Speaker 2: No no, no, no no, I'm talking about y'a don't

1330
00:56:42,880 --> 00:56:45,360
Speaker 2: understand what was No no, no, no no no, you

1331
00:56:45,440 --> 00:56:48,040
Speaker 2: mean like during second period. I'm talking about in class

1332
00:56:48,560 --> 00:56:49,560
Speaker 2: before Napule Wait.

1333
00:56:49,960 --> 00:56:51,680
Speaker 1: You know it's crazy. I saw someone say I'll bear

1334
00:56:51,760 --> 00:56:54,120
Speaker 1: you cockerroaches and then fire and ar fifteen at a

1335
00:56:54,160 --> 00:56:56,920
Speaker 1: bunch of men in front of the world. Is yours?

1336
00:56:59,200 --> 00:57:01,359
Speaker 2: I'm talking about before. I'm when I was in high

1337
00:57:01,360 --> 00:57:04,239
Speaker 2: school as well. I'm not telling my Napoleon Dynamite. I

1338
00:57:04,360 --> 00:57:08,680
Speaker 2: seen a niggapore Tata tats, no napkin, no nothing out

1339
00:57:08,719 --> 00:57:09,600
Speaker 2: of his hoodie pocket.

1340
00:57:10,440 --> 00:57:11,000
Speaker 1: He was hungry.

1341
00:57:11,719 --> 00:57:14,600
Speaker 2: You never that hungry, bro, You know, no napping.

1342
00:57:14,760 --> 00:57:16,880
Speaker 1: He probably went to like all four lunches or how

1343
00:57:16,880 --> 00:57:18,080
Speaker 1: many lunches you guys have.

1344
00:57:19,080 --> 00:57:22,440
Speaker 2: He was ill, I missed high school, though, I do

1345
00:57:23,200 --> 00:57:25,600
Speaker 2: only because like I feel like, when you get older,

1346
00:57:25,600 --> 00:57:27,600
Speaker 2: you don't realize how much you should have taken advantage of,

1347
00:57:27,720 --> 00:57:28,720
Speaker 2: like being in high school.

1348
00:57:29,600 --> 00:57:32,520
Speaker 1: I mean I feel like that's just your childhood to

1349
00:57:32,560 --> 00:57:33,160
Speaker 1: begin with with.

1350
00:57:33,600 --> 00:57:36,920
Speaker 2: No, high school is different, like being in a building

1351
00:57:36,960 --> 00:57:39,880
Speaker 2: with like a bunch of people that live all over

1352
00:57:39,960 --> 00:57:42,360
Speaker 2: the city. It's like, I definitely should have talked to

1353
00:57:42,400 --> 00:57:43,360
Speaker 2: more people in high school.

1354
00:57:44,080 --> 00:57:46,440
Speaker 1: Okay, I thought you was just saying, like the freedom

1355
00:57:46,480 --> 00:57:49,400
Speaker 1: of just no responsibilities, no nothing, no, no, no.

1356
00:57:49,560 --> 00:57:51,560
Speaker 2: That's of course we know that. We thought about that

1357
00:57:51,960 --> 00:57:53,360
Speaker 2: soon as he became adults and had to get.

1358
00:57:53,240 --> 00:57:55,320
Speaker 1: A job, Like, wait, they want they want to build

1359
00:57:55,360 --> 00:57:55,800
Speaker 1: every month.

1360
00:57:55,920 --> 00:57:58,520
Speaker 2: Yeah yeah, yeah, no, no, I'm talking about you. Was

1361
00:57:58,560 --> 00:58:01,200
Speaker 2: in high school probably some really really interesting people and

1362
00:58:01,320 --> 00:58:02,360
Speaker 2: never really kicked with them.

1363
00:58:02,480 --> 00:58:04,000
Speaker 1: Yeah that's true, but you're still trying to get to

1364
00:58:04,040 --> 00:58:06,200
Speaker 1: know yourself, so you didn't really know. That's why I

1365
00:58:06,200 --> 00:58:09,120
Speaker 1: applaud some of these younger artists that I'm like, damn,

1366
00:58:09,120 --> 00:58:10,959
Speaker 1: you figure that shit out at a really young age.

1367
00:58:11,200 --> 00:58:15,200
Speaker 2: Yeah, the network that you add, but all right, well

1368
00:58:15,240 --> 00:58:16,720
Speaker 2: we're not here forather technically, so.

1369
00:58:19,040 --> 00:58:20,960
Speaker 1: But they don't know if if we don't know where

1370
00:58:21,040 --> 00:58:24,959
Speaker 1: music's going. Catalog, We don't know if the music's gonna

1371
00:58:24,960 --> 00:58:25,160
Speaker 1: be here.

1372
00:58:25,200 --> 00:58:28,240
Speaker 2: Technically, Kanye know exactly where his music is going.

1373
00:58:28,840 --> 00:58:30,000
Speaker 1: To the moon with Jeff Bezos.

1374
00:58:30,120 --> 00:58:30,680
Speaker 2: Absolutely.

1375
00:58:31,840 --> 00:58:34,520
Speaker 1: Are you gonna listen to Britney Spirits only closer record

1376
00:58:34,560 --> 00:58:35,080
Speaker 1: without John?

1377
00:58:37,320 --> 00:58:37,640
Speaker 4: Why not?

1378
00:58:38,800 --> 00:58:40,280
Speaker 2: That might be my vibe. I'm like, you know, I mean,

1379
00:58:40,360 --> 00:58:41,880
Speaker 2: we can't just shoot it down. We gotta give it

1380
00:58:41,960 --> 00:58:44,560
Speaker 2: a shot. And Brittany she's back. She got the rights

1381
00:58:44,600 --> 00:58:46,480
Speaker 2: of her state and everything now, right, doesn't she.

1382
00:58:46,680 --> 00:58:47,480
Speaker 4: Yeah, Brittany's free.

1383
00:58:47,760 --> 00:58:50,080
Speaker 2: Yeah, Brittany's free. So we gotta support Brittany even if

1384
00:58:50,120 --> 00:58:52,960
Speaker 2: I don't like it. I'm gonna listen to it. You're

1385
00:58:53,000 --> 00:58:54,800
Speaker 2: not listening to it if.

1386
00:58:54,720 --> 00:58:58,200
Speaker 1: You play it around? Yeah, sure, you're not gonna support

1387
00:58:59,040 --> 00:58:59,160
Speaker 1: to it.

1388
00:59:00,240 --> 00:59:02,400
Speaker 2: Why you? Why you wouln't support sir Elton John?

1389
00:59:02,480 --> 00:59:04,800
Speaker 1: I fucked with Brittany Spears and Elton John is some

1390
00:59:04,920 --> 00:59:07,760
Speaker 1: degree I'm too young for Elton John. I know probably

1391
00:59:07,800 --> 00:59:08,120
Speaker 1: the hits.

1392
00:59:08,160 --> 00:59:10,360
Speaker 2: Oh you went crazy when Eminem brought him out at

1393
00:59:10,400 --> 00:59:11,880
Speaker 2: the what was that the VMA's Oh.

1394
00:59:11,920 --> 00:59:13,840
Speaker 1: Yeah, that was that was a moment crazy. It was

1395
00:59:13,880 --> 00:59:14,280
Speaker 1: a moment.

1396
00:59:14,400 --> 00:59:16,320
Speaker 2: Yeah, I know, it was a moment you went crazy.

1397
00:59:16,560 --> 00:59:19,720
Speaker 1: Because it was like, it's okay that he's been bashing

1398
00:59:19,800 --> 00:59:20,560
Speaker 1: gays his whole career.

1399
00:59:20,640 --> 00:59:21,560
Speaker 2: Look still loves him.

1400
00:59:22,000 --> 00:59:25,040
Speaker 1: That that was Eminem bringing out Elton John was the

1401
00:59:25,080 --> 00:59:27,760
Speaker 1: epitome of I can't be racist, I have black friends,

1402
00:59:28,320 --> 00:59:30,400
Speaker 1: or I'm not racist. I voted for Obama.

1403
00:59:30,560 --> 00:59:32,760
Speaker 2: Absolutely. That was definitely the equivalent was.

1404
00:59:32,720 --> 00:59:33,720
Speaker 4: That during eight mile time.

1405
00:59:35,120 --> 00:59:37,400
Speaker 1: I think it was before I would imagine, right, I

1406
00:59:37,480 --> 00:59:41,080
Speaker 1: think it might have been right before eight mile. Yeah,

1407
00:59:41,320 --> 00:59:44,640
Speaker 1: that was definitely like Marshall Mathers LP, like when he

1408
00:59:44,760 --> 00:59:47,080
Speaker 1: was really getting the F bombs off crazy.

1409
00:59:47,240 --> 00:59:49,240
Speaker 2: Yeah, yeah, that was before a mile.

1410
00:59:49,480 --> 00:59:51,640
Speaker 1: Elton John is a very understanding guy. I don't think

1411
00:59:51,680 --> 00:59:53,720
Speaker 1: Eminem is homophobic by any means. I think he was

1412
00:59:54,040 --> 00:59:56,120
Speaker 1: the prisoner of a time and said some really disgusting

1413
00:59:56,160 --> 00:59:58,280
Speaker 1: things and wasn't aware that he was saying disgusting things.

1414
01:00:00,000 --> 01:00:01,680
Speaker 1: Elton John is an understanding.

1415
01:00:01,240 --> 01:00:04,360
Speaker 4: Dude to perform stand with Eminem like that.

1416
01:00:05,040 --> 01:00:09,840
Speaker 1: The ship Eminem said about gay people and you was

1417
01:00:09,920 --> 01:00:11,680
Speaker 1: just like, all right, I'll play the keys on stand.

1418
01:00:12,840 --> 01:00:16,760
Speaker 2: They had they had to have a discussion and you know,

1419
01:00:17,400 --> 01:00:22,320
Speaker 2: prior to that and Eminem apologized, Yeah, Emine was young man.

1420
01:00:22,320 --> 01:00:23,520
Speaker 2: We got Eminem, Are we.

1421
01:00:23,560 --> 01:00:26,520
Speaker 1: Taking steps back in progression? Because Eminem and Elton John

1422
01:00:26,560 --> 01:00:28,480
Speaker 1: on stage together was probably the most progressive thing as

1423
01:00:28,520 --> 01:00:29,920
Speaker 1: far as straight and gay relations ever.

1424
01:00:31,280 --> 01:00:31,440
Speaker 2: Ever.

1425
01:00:32,560 --> 01:00:37,640
Speaker 1: He was the biggest rapper on earth maybe ever popularity wise.

1426
01:00:38,400 --> 01:00:39,760
Speaker 1: He was also white, so you know, he got every

1427
01:00:39,800 --> 01:00:43,480
Speaker 1: fucking look ever. Elton John already at that time was

1428
01:00:44,000 --> 01:00:47,840
Speaker 1: an icon and the probably the face for gay icons.

1429
01:00:48,120 --> 01:00:52,080
Speaker 1: And half of Eminem's album with Ash and gays yes,

1430
01:00:52,520 --> 01:00:55,320
Speaker 1: make jokes about gays, uh, slurs about gays.

1431
01:00:55,880 --> 01:00:56,080
Speaker 4: Yes.

1432
01:00:56,200 --> 01:00:58,000
Speaker 1: That was insane to see the two of them, especially

1433
01:00:58,040 --> 01:01:00,960
Speaker 1: in retrospect. I was fucking eleve so it didn't really

1434
01:01:01,200 --> 01:01:03,720
Speaker 1: I didn't really know what gay was at eleven, so

1435
01:01:03,880 --> 01:01:05,920
Speaker 1: to me, it was just like, all right, whatever. But

1436
01:01:06,120 --> 01:01:07,360
Speaker 1: this was a fucking moment.

1437
01:01:08,320 --> 01:01:12,960
Speaker 2: Yeah, no, this was probably the biggest moment. This is

1438
01:01:13,000 --> 01:01:17,280
Speaker 2: the VMA's right, I do not know. I think this

1439
01:01:17,400 --> 01:01:18,840
Speaker 2: is the VMAs from me.

1440
01:01:18,920 --> 01:01:24,320
Speaker 1: I feel like I watched it even crazier, which again

1441
01:01:24,440 --> 01:01:27,440
Speaker 1: is a very like only Eminem could have done. This

1442
01:01:27,560 --> 01:01:30,680
Speaker 1: is a very inner scope connection, I feel like. But

1443
01:01:32,000 --> 01:01:35,720
Speaker 1: you know, I guess it worked out. Oh. In the

1444
01:01:35,880 --> 01:01:40,080
Speaker 1: game Black Slim Shady uh song, he kidnaps Stan's younger

1445
01:01:40,160 --> 01:01:43,040
Speaker 1: brother that had the autograph on the starter cap and

1446
01:01:43,120 --> 01:01:45,840
Speaker 1: he was driving Uber with the starter cap on, and

1447
01:01:45,960 --> 01:01:48,600
Speaker 1: game was like, Yo, let me say a starter cap Yo,

1448
01:01:48,640 --> 01:01:51,240
Speaker 1: it's signed by m Yo. This is a Uber to

1449
01:01:51,320 --> 01:01:53,800
Speaker 1: eight mile now and I got a pistol drive.

1450
01:01:55,360 --> 01:01:56,320
Speaker 2: Wait, those are bars.

1451
01:01:57,000 --> 01:02:04,479
Speaker 1: It's a skit in the song, Oh Rory.

1452
01:02:04,520 --> 01:02:07,160
Speaker 2: So I know that you know Eminem holds a near

1453
01:02:07,240 --> 01:02:10,880
Speaker 2: and dear place in your heart, because does he? I mean,

1454
01:02:10,960 --> 01:02:12,640
Speaker 2: you know you fell in love with hip hop when

1455
01:02:12,680 --> 01:02:17,000
Speaker 2: B Rabbit was when B Rabbit was on the bus

1456
01:02:18,000 --> 01:02:19,680
Speaker 2: and he had his walkman on, you know you was

1457
01:02:19,760 --> 01:02:22,440
Speaker 2: on the seven train for him. You know you was

1458
01:02:22,480 --> 01:02:23,160
Speaker 2: on that seven.

1459
01:02:24,680 --> 01:02:27,840
Speaker 1: I had a whole booklet of CDs before eight Miles.

1460
01:02:28,960 --> 01:02:31,400
Speaker 2: I didn't say he introduced you to hip hop. I'm

1461
01:02:31,440 --> 01:02:32,479
Speaker 2: saying you fell in love.

1462
01:02:32,600 --> 01:02:32,720
Speaker 1: Oh.

1463
01:02:32,800 --> 01:02:34,120
Speaker 2: When I saw him on the bus, I was like,

1464
01:02:34,200 --> 01:02:35,840
Speaker 2: oh yeah, and then he had to battle.

1465
01:02:36,400 --> 01:02:37,120
Speaker 1: I could do it too.

1466
01:02:37,320 --> 01:02:39,080
Speaker 2: Yeah. Of course, of course you know you fell in

1467
01:02:39,160 --> 01:02:39,480
Speaker 2: love with it.

1468
01:02:39,600 --> 01:02:41,720
Speaker 1: I was. I was in junior high, like, yo, fuck

1469
01:02:41,800 --> 01:02:47,960
Speaker 1: the free world? Oh man, can we talk about eight

1470
01:02:48,000 --> 01:02:48,520
Speaker 1: mile quickly?

1471
01:02:48,600 --> 01:02:48,720
Speaker 4: Though?

1472
01:02:48,960 --> 01:02:52,880
Speaker 2: Classic movie? Oh definitely, class Lose Yourself, classic record.

1473
01:02:54,960 --> 01:02:58,160
Speaker 1: He lost that second round B Rabbit did not belong

1474
01:02:58,200 --> 01:03:02,040
Speaker 1: In the finals against Poppa Doc, Lotto cleaned his ass up.

1475
01:03:02,360 --> 01:03:06,520
Speaker 2: I can't say c Lotto. He didn't get Lotto didn't

1476
01:03:06,520 --> 01:03:10,280
Speaker 2: get embarrassed the second round, but one rabbits still won

1477
01:03:10,360 --> 01:03:11,040
Speaker 2: that round.

1478
01:03:11,400 --> 01:03:13,960
Speaker 1: M one with a terrible cliche mother joke of I

1479
01:03:14,080 --> 01:03:16,479
Speaker 1: get the seven digits from your mother for a dollar

1480
01:03:17,200 --> 01:03:21,080
Speaker 1: tomorrow Lotto. It didn't even rhyme, and the crowd is like, whooh,

1481
01:03:21,080 --> 01:03:26,880
Speaker 1: he's white, that's a Meanwhile, Lotto cleaned his ass up.

1482
01:03:27,880 --> 01:03:29,920
Speaker 2: Lotto had a better flow, He had a better floating

1483
01:03:30,040 --> 01:03:30,560
Speaker 2: Lotto way.

1484
01:03:30,840 --> 01:03:32,920
Speaker 1: But what I didn't understand with the structure of that movie,

1485
01:03:32,960 --> 01:03:36,520
Speaker 1: I know it is a classic. They were all from

1486
01:03:36,520 --> 01:03:38,240
Speaker 1: the free world? Was the free world going to battle

1487
01:03:38,280 --> 01:03:40,400
Speaker 1: each other? Like say he lost to the first dude?

1488
01:03:40,440 --> 01:03:43,680
Speaker 1: I forgot the first new's name? Uh was was that

1489
01:03:43,840 --> 01:03:46,720
Speaker 1: dude about to battle his man's And then if Lotto one,

1490
01:03:46,840 --> 01:03:48,320
Speaker 1: was Lotto going to go after Papa Doc?

1491
01:03:50,040 --> 01:03:52,600
Speaker 2: I don't remember. I gotta watch that movie again. It's

1492
01:03:52,600 --> 01:03:53,320
Speaker 2: been a while since.

1493
01:03:53,560 --> 01:03:55,440
Speaker 1: All I know is most of that movie is m

1494
01:03:55,520 --> 01:03:57,560
Speaker 1: getting cleaned up. Proof cleaned them.

1495
01:03:57,560 --> 01:03:58,400
Speaker 4: Most of the movie.

1496
01:03:58,480 --> 01:04:01,280
Speaker 2: See listen, you can't I can't let you do that,

1497
01:04:01,400 --> 01:04:02,960
Speaker 2: I'm gonna hold your white your white.

1498
01:04:02,840 --> 01:04:06,000
Speaker 1: Brother, all right. The funniest part of that movie is that,

1499
01:04:06,800 --> 01:04:11,400
Speaker 1: outside of my car Fiffer's Dreadwig that was terrible would

1500
01:04:11,440 --> 01:04:14,160
Speaker 1: be that he's supposed to be the future of hip hop.

1501
01:04:14,160 --> 01:04:15,960
Speaker 1: That's where he got his name. We see him spit

1502
01:04:16,040 --> 01:04:17,160
Speaker 1: four bars in the home movie.

1503
01:04:19,560 --> 01:04:19,880
Speaker 2: Mackay.

1504
01:04:20,520 --> 01:04:21,080
Speaker 1: He's supposed to.

1505
01:04:21,040 --> 01:04:22,680
Speaker 2: Be the future hip hop. Yeah, but he was the host.

1506
01:04:22,720 --> 01:04:25,400
Speaker 1: He was, but he said, they heard me rap and

1507
01:04:25,440 --> 01:04:27,200
Speaker 1: they say you the future of hip hop, so we

1508
01:04:27,320 --> 01:04:28,919
Speaker 1: call you future and they never wrapped again.

1509
01:04:33,240 --> 01:04:35,120
Speaker 2: He didn't see That's all I know. He fell in

1510
01:04:35,160 --> 01:04:39,040
Speaker 2: love with his brain, absorbed that and held on to

1511
01:04:39,160 --> 01:04:42,480
Speaker 2: that forever. We thought he fell in love with the

1512
01:04:42,520 --> 01:04:49,320
Speaker 2: culture of hip hop. I told you that's why ifore.

1513
01:04:47,800 --> 01:04:50,400
Speaker 1: I stood out before eight Mile came out, I knew

1514
01:04:50,480 --> 01:04:53,200
Speaker 1: every word to shook ones that they played in this

1515
01:04:53,440 --> 01:04:57,920
Speaker 1: thirty toime that was first was the first. I just

1516
01:04:58,000 --> 01:04:58,320
Speaker 1: sammed it.

1517
01:04:59,760 --> 01:05:01,760
Speaker 2: So what is that, sweetest, caud How old were you

1518
01:05:01,840 --> 01:05:03,280
Speaker 2: when an eight mile came out?

1519
01:05:03,320 --> 01:05:05,960
Speaker 1: You had to be like really young, thirteen fourteen maybe?

1520
01:05:06,040 --> 01:05:06,240
Speaker 2: Damn.

1521
01:05:07,000 --> 01:05:09,720
Speaker 1: That's a great Outside of that movie being a classic,

1522
01:05:10,120 --> 01:05:12,800
Speaker 1: one of the better soundtracks that is not brought up

1523
01:05:12,840 --> 01:05:16,040
Speaker 1: easily when it comes to movie soundtracks. They had old

1524
01:05:16,080 --> 01:05:18,360
Speaker 1: fifty going crazy on that eight Mile soundtrack.

1525
01:05:19,080 --> 01:05:20,680
Speaker 2: I actually went to the theaters to see A mile.

1526
01:05:21,640 --> 01:05:22,800
Speaker 2: What a pansy.

1527
01:05:25,480 --> 01:05:25,640
Speaker 1: It was?

1528
01:05:25,680 --> 01:05:27,920
Speaker 2: I thinking, what you mean, pansy? Wait?

1529
01:05:28,000 --> 01:05:28,880
Speaker 1: What's that one record?

1530
01:05:28,960 --> 01:05:29,360
Speaker 2: I was young?

1531
01:05:29,520 --> 01:05:29,880
Speaker 1: It was? It was?

1532
01:05:29,960 --> 01:05:32,960
Speaker 2: It was definitely a eight track. Have we ever discussed

1533
01:05:33,240 --> 01:05:36,680
Speaker 2: love Me from the eight Mile soundtrack? Yeah?

1534
01:05:37,000 --> 01:05:38,720
Speaker 1: Have we ever gotten the fifties verse? I don't want

1535
01:05:38,720 --> 01:05:42,360
Speaker 1: to repeat if we have no. No, that's one of

1536
01:05:42,400 --> 01:05:45,800
Speaker 1: the funniest fifty cent I don't give a fuck because

1537
01:05:45,800 --> 01:05:50,160
Speaker 1: I haven't really made it versus ever, he said. I

1538
01:05:50,280 --> 01:05:52,040
Speaker 1: used to listen to Laura Hill and tap my feet.

1539
01:05:52,240 --> 01:05:54,240
Speaker 1: Then the bitch put out a CD and had no beats.

1540
01:05:55,360 --> 01:06:01,360
Speaker 2: He's talking about how unplugged your fifty is an idiot.

1541
01:06:02,560 --> 01:06:05,919
Speaker 2: Fifty is a fucking idiot, he said.

1542
01:06:06,160 --> 01:06:08,320
Speaker 1: He said, well, you can read the D'Angel bar since

1543
01:06:08,360 --> 01:06:08,840
Speaker 1: he has the end.

1544
01:06:08,800 --> 01:06:11,120
Speaker 2: Word that boy D'Angelo he determined not to fail that

1545
01:06:11,200 --> 01:06:12,960
Speaker 2: Nigga went but ass or his records to sell.

1546
01:06:13,400 --> 01:06:15,160
Speaker 1: I do it now, But this was all at that

1547
01:06:15,280 --> 01:06:17,560
Speaker 1: time when this ship was happening. So it's super funny

1548
01:06:18,440 --> 01:06:20,479
Speaker 1: that line, Hey, I ain't gonna fron I thought Kelly

1549
01:06:20,560 --> 01:06:22,280
Speaker 1: was a ship. Let me find out he fucking around

1550
01:06:22,280 --> 01:06:24,400
Speaker 1: with bad wows, bitch jakes.

1551
01:06:24,520 --> 01:06:26,920
Speaker 2: Look at the next line. My backshot to help Ashanti

1552
01:06:26,960 --> 01:06:29,840
Speaker 2: hit them high notes, and Big Ben taught Charlie Beemore

1553
01:06:29,920 --> 01:06:30,760
Speaker 2: the deep throat.

1554
01:06:32,040 --> 01:06:36,360
Speaker 1: Old fifty bro, that's definitely old fifty. How does a

1555
01:06:36,400 --> 01:06:38,640
Speaker 1: Shanti just keep getting brought into everything? I'm trying to

1556
01:06:38,680 --> 01:06:41,520
Speaker 1: tell you, Binger, I'm trying to tell you but that

1557
01:06:41,600 --> 01:06:44,360
Speaker 1: that is a very underrated uh soundtrack. I might have

1558
01:06:44,400 --> 01:06:46,560
Speaker 1: to go back to that. But yes, eight Mile is

1559
01:06:46,600 --> 01:06:48,240
Speaker 1: the reason that I got into this hip hop shit.

1560
01:06:48,520 --> 01:06:51,360
Speaker 2: All right, we know we welcome you with open arms.

1561
01:06:51,520 --> 01:06:53,400
Speaker 1: I did go to say Andrews Hall, which of course

1562
01:06:53,520 --> 01:06:57,000
Speaker 1: is a famous venue when we had the Paluza a

1563
01:06:57,080 --> 01:06:59,080
Speaker 1: few times there, and I went down to the shelter

1564
01:06:59,200 --> 01:07:02,520
Speaker 1: and did you Yeah, I may have went down to

1565
01:07:02,560 --> 01:07:03,000
Speaker 1: the basement.

1566
01:07:03,720 --> 01:07:04,760
Speaker 2: I tried to get that in the star.

1567
01:07:04,960 --> 01:07:05,120
Speaker 1: I was.

1568
01:07:05,240 --> 01:07:07,720
Speaker 2: I was on the stage like the same bathroom. Threw up.

1569
01:07:08,640 --> 01:07:10,200
Speaker 1: I was sitting there like mom Spaghetti.

1570
01:07:10,240 --> 01:07:10,400
Speaker 4: I was.

1571
01:07:10,480 --> 01:07:15,720
Speaker 1: I was up there, Mile, Yeah, I was, I was

1572
01:07:15,800 --> 01:07:16,000
Speaker 1: up there.

1573
01:07:16,080 --> 01:07:18,280
Speaker 2: You were in the same store. He threw up it's like, oh,

1574
01:07:18,320 --> 01:07:19,560
Speaker 2: they've cleaned this place up.

1575
01:07:21,280 --> 01:07:24,120
Speaker 1: Shout out to Saint Andrew's hall Man classical venue. Hell yeah,

1576
01:07:24,240 --> 01:07:27,280
Speaker 1: but now that that ship is is cool that that

1577
01:07:27,440 --> 01:07:28,360
Speaker 1: type of time existed.

1578
01:07:28,920 --> 01:07:29,040
Speaker 4: Uh.

1579
01:07:30,240 --> 01:07:32,080
Speaker 2: We also had some news when we before we left

1580
01:07:32,160 --> 01:07:37,360
Speaker 2: last week that the FBI had rated former President Donald

1581
01:07:37,400 --> 01:07:43,480
Speaker 2: Trump's mar Alago the state still my president.

1582
01:07:43,920 --> 01:07:45,600
Speaker 1: I was gonna ask you were taking the charge for him,

1583
01:07:46,760 --> 01:07:49,480
Speaker 1: I ain't taking figure when I figured when the Fed's ready,

1584
01:07:49,600 --> 01:07:51,720
Speaker 1: was like, Yo, that's all mine. Yeah, No, that ain't

1585
01:07:53,160 --> 01:07:56,880
Speaker 1: all that paperwork right there, that's mine. That's mass Uh See.

1586
01:07:56,880 --> 01:07:58,760
Speaker 2: I didn't vote for Donnie. I just I just missed

1587
01:07:58,800 --> 01:07:59,880
Speaker 2: his antics in the news.

1588
01:08:00,400 --> 01:08:01,840
Speaker 1: For the amount of times you said that, I think

1589
01:08:01,840 --> 01:08:05,000
Speaker 1: you did a felon. You can't vote.

1590
01:08:06,000 --> 01:08:10,080
Speaker 2: Oh yeah, next time voting for sure. They all took

1591
01:08:10,120 --> 01:08:12,400
Speaker 2: boxes and documents from marl Lago, and it appears that

1592
01:08:12,520 --> 01:08:15,640
Speaker 2: no electronics were taken. According to two sauces, Yeah they're

1593
01:08:15,640 --> 01:08:19,560
Speaker 2: being truthful, one US law enforcement official familiar with some

1594
01:08:19,640 --> 01:08:21,840
Speaker 2: of the search warrant activity, and the source close to Trump.

1595
01:08:22,280 --> 01:08:25,719
Speaker 2: Some if not all, of the documents are potentially classified records.

1596
01:08:26,520 --> 01:08:29,960
Speaker 2: Can we and I guess you can put like some

1597
01:08:30,280 --> 01:08:32,800
Speaker 2: some conspiracy theory music.

1598
01:08:33,000 --> 01:08:33,840
Speaker 4: Sure right here?

1599
01:08:34,200 --> 01:08:35,840
Speaker 1: Just does queanon have a theme song?

1600
01:08:36,280 --> 01:08:39,400
Speaker 2: Do we do? We think that President Trump took the

1601
01:08:39,520 --> 01:08:44,800
Speaker 2: files from uh, the whole Epstein case, the names.

1602
01:08:44,960 --> 01:08:46,600
Speaker 1: I think would have What would have been great is

1603
01:08:46,720 --> 01:08:48,880
Speaker 1: then they went back to get them. I would have

1604
01:08:48,920 --> 01:08:50,640
Speaker 1: loved if the FETs kicked the door down and it

1605
01:08:50,800 --> 01:08:53,920
Speaker 1: was just Trump and loaded Lux chilling in there, and

1606
01:08:54,080 --> 01:08:56,040
Speaker 1: Lux was like and we kept the files.

1607
01:08:59,160 --> 01:09:04,760
Speaker 2: He tired today. I'm exhausted. This is We can have

1608
01:09:05,000 --> 01:09:08,680
Speaker 2: that conspiracy theories around this forever, but this is absolutely

1609
01:09:08,760 --> 01:09:09,920
Speaker 2: fucking crazy that the Fed's right.

1610
01:09:09,960 --> 01:09:11,719
Speaker 1: I don't think it's a conspiracy. I think they probably

1611
01:09:11,800 --> 01:09:15,639
Speaker 1: had a bunch of evidence that he did take files,

1612
01:09:15,680 --> 01:09:19,040
Speaker 1: which I from my understanding, presidents do do, but they

1613
01:09:19,120 --> 01:09:21,120
Speaker 1: try to work it out where it's not illegal, and

1614
01:09:21,280 --> 01:09:23,240
Speaker 1: they had probable calls to do so, and they wanted

1615
01:09:23,280 --> 01:09:25,960
Speaker 1: to go snoop around to try to fib He definitely

1616
01:09:26,040 --> 01:09:28,360
Speaker 1: don't think they went for the files that they got

1617
01:09:28,400 --> 01:09:28,760
Speaker 1: the warrant.

1618
01:09:29,000 --> 01:09:30,920
Speaker 2: No, he went. He he took the files with all

1619
01:09:30,920 --> 01:09:34,960
Speaker 2: of those names, of all the pedals that had named. Absolutely,

1620
01:09:35,640 --> 01:09:36,680
Speaker 2: absolutely that's what he did.

1621
01:09:36,720 --> 01:09:37,960
Speaker 4: I don't think that's a world where he might have

1622
01:09:38,040 --> 01:09:39,920
Speaker 4: gone like a hint that that was going to happen.

1623
01:09:41,400 --> 01:09:43,599
Speaker 2: I mean, he knew that they the raid was happening

1624
01:09:43,720 --> 01:09:44,439
Speaker 2: before it happens.

1625
01:09:44,479 --> 01:09:45,320
Speaker 1: He has to know.

1626
01:09:45,439 --> 01:09:47,160
Speaker 2: There's no way he didn't know that it was great

1627
01:09:47,200 --> 01:09:47,519
Speaker 2: to happen.

1628
01:09:47,960 --> 01:09:51,360
Speaker 1: He put out a whole six page press release the

1629
01:09:51,439 --> 01:09:52,360
Speaker 1: moment they kicked the door in.

1630
01:09:53,280 --> 01:09:56,120
Speaker 2: Yeah, but he's the former president. He knows. He knew

1631
01:09:56,160 --> 01:09:58,439
Speaker 2: that the Feds were on their way there. He knew that.

1632
01:09:59,000 --> 01:10:02,360
Speaker 2: But it's crazy. So we gotta, we gotta, we gotta

1633
01:10:02,439 --> 01:10:04,120
Speaker 2: just see what's gonna happen with what comes out of this,

1634
01:10:04,520 --> 01:10:07,200
Speaker 2: because I don't we we talked about, you know, President

1635
01:10:07,320 --> 01:10:11,840
Speaker 2: Nixon and Watergate, but this is something like, we don't

1636
01:10:11,880 --> 01:10:13,479
Speaker 2: live to see shit like this to happen to a

1637
01:10:13,520 --> 01:10:15,719
Speaker 2: former president. So this is crazy.

1638
01:10:15,840 --> 01:10:18,080
Speaker 1: It's still not shocking to me, not even Trump related.

1639
01:10:18,280 --> 01:10:21,479
Speaker 1: I just this is turning to such a fucking circus.

1640
01:10:21,560 --> 01:10:22,160
Speaker 2: There's a movie.

1641
01:10:22,439 --> 01:10:24,200
Speaker 1: None of this like the fucking movie. This is the

1642
01:10:24,280 --> 01:10:28,160
Speaker 1: craziest thing in American politics for quite some time. And

1643
01:10:28,439 --> 01:10:30,240
Speaker 1: it didn't shock me. I was like, oh, yeah, that

1644
01:10:30,280 --> 01:10:30,840
Speaker 1: sounds about right.

1645
01:10:30,840 --> 01:10:32,600
Speaker 2: It didn't. It didn't shock you that he was rated. No,

1646
01:10:32,800 --> 01:10:34,840
Speaker 2: it shocked me. I didn't. I didn't never thought the

1647
01:10:34,880 --> 01:10:35,519
Speaker 2: Feds would.

1648
01:10:35,400 --> 01:10:37,400
Speaker 1: Raided for the whole thing is a circus. Whether he's

1649
01:10:37,400 --> 01:10:39,920
Speaker 1: guilty or not is not what I'm saying. Just this,

1650
01:10:40,240 --> 01:10:41,160
Speaker 1: it's all the circus.

1651
01:10:41,640 --> 01:10:43,240
Speaker 2: You No, it's definitely a movie. This is movie. This

1652
01:10:43,360 --> 01:10:48,000
Speaker 2: is movie shit. I keep telling people the fucking the not.

1653
01:10:48,200 --> 01:10:51,760
Speaker 2: The documentary for the pandemic and COVID in ten years

1654
01:10:51,880 --> 01:10:52,960
Speaker 2: is gonna be fucking amazing.

1655
01:10:53,640 --> 01:10:55,519
Speaker 1: I give it that. The real one is gonna come

1656
01:10:55,520 --> 01:10:59,439
Speaker 1: in thirty We might we're gonna get one in ten years. Yeah,

1657
01:11:00,439 --> 01:11:02,080
Speaker 1: and there'll be some things in there that would be like,

1658
01:11:02,160 --> 01:11:04,439
Speaker 1: holy shit. Yeah, I guess we was right. The one

1659
01:11:04,479 --> 01:11:08,479
Speaker 1: in thirty years, Yeah, when all those people are at office.

1660
01:11:09,040 --> 01:11:10,960
Speaker 2: But if they kicked Trump's door down and he had

1661
01:11:11,000 --> 01:11:11,800
Speaker 2: like a do rag on.

1662
01:11:12,800 --> 01:11:14,640
Speaker 1: That's worse than my load of luxtro and like was

1663
01:11:14,680 --> 01:11:16,519
Speaker 1: making like like a.

1664
01:11:16,560 --> 01:11:17,559
Speaker 4: Tea or something.

1665
01:11:19,000 --> 01:11:21,960
Speaker 2: Yeah, Like what if he was just doing some absolute

1666
01:11:22,160 --> 01:11:24,040
Speaker 2: just like left field ship that you never thought he

1667
01:11:24,160 --> 01:11:24,439
Speaker 2: was doing.

1668
01:11:25,160 --> 01:11:26,960
Speaker 1: I think Trump has probably put a due rag on before.

1669
01:11:27,560 --> 01:11:28,280
Speaker 2: He's from Queens.

1670
01:11:28,400 --> 01:11:29,599
Speaker 1: He used to hang out with all the rappers.

1671
01:11:29,640 --> 01:11:30,720
Speaker 2: He definitely put a due rag on.

1672
01:11:31,640 --> 01:11:32,800
Speaker 1: Why they put a due rag on him.

1673
01:11:33,160 --> 01:11:34,920
Speaker 2: Yeah, they told you got to you gotta teach Don

1674
01:11:34,960 --> 01:11:36,160
Speaker 2: how to tie He don't know how to tie that.

1675
01:11:38,960 --> 01:11:40,720
Speaker 1: Do you think he could get waves with with the

1676
01:11:40,760 --> 01:11:41,240
Speaker 1: hair that he has?

1677
01:11:41,360 --> 01:11:43,559
Speaker 2: Now, can you brush that? It's coming off with the brush.

1678
01:11:44,840 --> 01:11:45,760
Speaker 1: His scalp is coming out over.

1679
01:11:45,960 --> 01:11:47,960
Speaker 2: Yeah, you try to brush that hairpiece if you want.

1680
01:11:48,000 --> 01:11:48,800
Speaker 2: It's coming right off.

1681
01:11:50,320 --> 01:11:51,400
Speaker 1: What do we think is gonna come from this?

1682
01:11:52,320 --> 01:11:54,160
Speaker 2: I don't think any. I don't think anything will come

1683
01:11:54,200 --> 01:11:57,479
Speaker 2: from it. I think the documents that they wanted they

1684
01:11:57,600 --> 01:12:00,920
Speaker 2: got back. I'm pretty sure Don made some copies. If

1685
01:12:00,960 --> 01:12:02,280
Speaker 2: you're smart, still.

1686
01:12:02,160 --> 01:12:04,519
Speaker 4: Running for a president, Absolutely.

1687
01:12:04,040 --> 01:12:07,280
Speaker 2: He's gonna win after one thousand.

1688
01:12:08,600 --> 01:12:11,840
Speaker 1: I just feel like these events just keep just keep

1689
01:12:11,920 --> 01:12:16,559
Speaker 1: everyone that's already there employed. They have to keep doing

1690
01:12:16,640 --> 01:12:20,040
Speaker 1: these types of events to keep everyone employed. Now, whether

1691
01:12:20,360 --> 01:12:23,439
Speaker 1: the result is he's guilty or innocent, the left gets

1692
01:12:23,479 --> 01:12:26,519
Speaker 1: to argue their side and the panels continue. The right

1693
01:12:26,600 --> 01:12:29,760
Speaker 1: gets to say this, The politicians on the left get

1694
01:12:29,800 --> 01:12:33,120
Speaker 1: to say, oh, look at the corruption DEAFBI found this

1695
01:12:33,320 --> 01:12:35,080
Speaker 1: and then they didn't prosecute them. And if it goes

1696
01:12:35,080 --> 01:12:38,479
Speaker 1: the other way, it's just arguments back and forth. Everyone

1697
01:12:38,640 --> 01:12:40,840
Speaker 1: just continues to not fix a fucking thing, and we

1698
01:12:40,960 --> 01:12:42,920
Speaker 1: just go in a circle of bullshit.

1699
01:12:42,640 --> 01:12:46,760
Speaker 2: Whatever it is, and I want popcorn all right with

1700
01:12:46,960 --> 01:12:48,080
Speaker 2: no better, no better.

1701
01:12:48,240 --> 01:12:50,640
Speaker 1: It's just a circle of bullshit that keeps everyone in

1702
01:12:50,720 --> 01:12:53,919
Speaker 1: the same position, because if things actually change, the positions

1703
01:12:53,960 --> 01:12:57,120
Speaker 1: will change. So let's just find more shit to argue about.

1704
01:12:57,479 --> 01:12:59,960
Speaker 1: We don't really care about the results. Nothing will really change.

1705
01:13:01,720 --> 01:13:02,920
Speaker 2: Nothing we can get to argue.

1706
01:13:03,840 --> 01:13:07,200
Speaker 1: But Sean Hannley going, this is an outrage, and then

1707
01:13:07,880 --> 01:13:11,120
Speaker 1: fucking what's the what's the old boy's name?

1708
01:13:11,120 --> 01:13:11,880
Speaker 2: He's gay? He's gay?

1709
01:13:13,360 --> 01:13:20,160
Speaker 1: Tucker calls it, yeah, and Cooper and then Anderson Cooper going,

1710
01:13:20,240 --> 01:13:24,280
Speaker 1: this is an absolute disgusting results of a president. It's

1711
01:13:24,360 --> 01:13:25,919
Speaker 1: just it's a cycle, NonStop.

1712
01:13:26,000 --> 01:13:29,200
Speaker 2: It's it's it's it's political theater. That's all this shit is.

1713
01:13:29,200 --> 01:13:29,759
Speaker 2: Its political.

1714
01:13:30,000 --> 01:13:33,680
Speaker 1: Tucker Carlson is one of the most sickest people I've

1715
01:13:33,800 --> 01:13:34,400
Speaker 1: effort seen.

1716
01:13:35,400 --> 01:13:38,639
Speaker 2: It was some more Newsy news only fans model charge

1717
01:13:38,640 --> 01:13:40,200
Speaker 2: of murder. I don't know if you remember this, Rory

1718
01:13:40,320 --> 01:13:42,600
Speaker 2: the uh the only model.

1719
01:13:42,320 --> 01:13:43,840
Speaker 1: That it was a cute She got bailed if I

1720
01:13:43,880 --> 01:13:46,960
Speaker 1: remember correctly, Yeah, getting bail on a murder charge.

1721
01:13:48,720 --> 01:13:51,479
Speaker 2: Courtney Clinty, twenty six, has been charged with second degree

1722
01:13:51,560 --> 01:13:53,880
Speaker 2: murdered with a deadly weapon for the April third stabbing

1723
01:13:54,000 --> 01:13:58,120
Speaker 2: of her boyfriend, Christian Toby album Selly. Excuse me if

1724
01:13:58,160 --> 01:14:00,800
Speaker 2: I butchered that name, stay, attorney for Miami Dade County,

1725
01:14:00,840 --> 01:14:06,000
Speaker 2: Catherine Fernandez Rundel, announced Thursday. Reynell described a couple's relationship,

1726
01:14:06,000 --> 01:14:10,720
Speaker 2: which began in November twenty twenties, as extremely tempestuous and combative.

1727
01:14:11,400 --> 01:14:14,360
Speaker 2: She noted that the building management with Clinty and obum

1728
01:14:14,439 --> 01:14:18,240
Speaker 2: Selly lived, documented multiple instances of loud arguments and was

1729
01:14:18,280 --> 01:14:21,400
Speaker 2: ready to evict the couple prior to obum Selly's death.

1730
01:14:24,040 --> 01:14:27,439
Speaker 2: I'm glad that she has been charged because when that

1731
01:14:27,560 --> 01:14:29,880
Speaker 2: video came out, and you know, a lot of their

1732
01:14:29,960 --> 01:14:32,760
Speaker 2: friends had came out and said that they had seen

1733
01:14:32,800 --> 01:14:34,640
Speaker 2: her be really aggressive with him and hit him and

1734
01:14:34,680 --> 01:14:36,840
Speaker 2: beat him up a couple of times, and she had

1735
01:14:36,840 --> 01:14:39,160
Speaker 2: a really bad temper and all these other things, and

1736
01:14:39,560 --> 01:14:43,360
Speaker 2: they didn't understand how she wasn't charged immediately, But I

1737
01:14:43,439 --> 01:14:48,400
Speaker 2: guess investigations happened, more information was gathered, and now she

1738
01:14:48,560 --> 01:14:54,479
Speaker 2: has been officially charged with the murder and her boyfriend's death.

1739
01:14:55,439 --> 01:14:58,479
Speaker 2: So I guess for the family that's some some you know,

1740
01:14:58,640 --> 01:15:02,760
Speaker 2: silver lining for them, but it's still it's still a

1741
01:15:02,920 --> 01:15:08,320
Speaker 2: crazy and you know, unfortunate situation. But we got videos,

1742
01:15:08,680 --> 01:15:10,600
Speaker 2: you know that out now, her beating them up in

1743
01:15:10,600 --> 01:15:14,439
Speaker 2: the elevator, and you know, they're just they're basically saying

1744
01:15:14,479 --> 01:15:16,679
Speaker 2: that this was something that you know, people were aware

1745
01:15:16,680 --> 01:15:21,439
Speaker 2: of that she well, that they were uh loud and

1746
01:15:21,520 --> 01:15:23,360
Speaker 2: had gotten to a bunch of fights in their building before.

1747
01:15:23,479 --> 01:15:26,599
Speaker 2: So this was something that people feel like, they felt

1748
01:15:26,640 --> 01:15:27,719
Speaker 2: like would happen eventually.

1749
01:15:28,920 --> 01:15:31,920
Speaker 1: Yeah, well, prayers to the family and we'll see what

1750
01:15:31,960 --> 01:15:33,040
Speaker 1: happens with the actual case.

1751
01:15:33,120 --> 01:15:35,040
Speaker 2: But crazy, crazy shit.

1752
01:15:36,040 --> 01:15:39,000
Speaker 1: I did watch I Killed My Dad on Netflix. I

1753
01:15:39,040 --> 01:15:44,160
Speaker 1: don't know if anyone watched that trending. I believe that's

1754
01:15:44,160 --> 01:15:44,599
Speaker 1: what it's called.

1755
01:15:45,320 --> 01:15:48,240
Speaker 2: Is that what the the two Spanish brothers?

1756
01:15:48,680 --> 01:15:51,720
Speaker 1: No, wait, are you talking about the Menendez brothers? Yeah,

1757
01:15:54,320 --> 01:15:57,240
Speaker 1: they killed Do you think my brain goes weird places?

1758
01:15:57,280 --> 01:15:59,240
Speaker 1: How did you get to the Menendez brothers? They killed

1759
01:15:59,240 --> 01:16:02,800
Speaker 1: their dad, didn't they They did, yes, but that's been

1760
01:16:02,880 --> 01:16:07,360
Speaker 1: like seventeen docks and shows. I think they killed both

1761
01:16:07,400 --> 01:16:10,200
Speaker 1: the parents. I think they killed damn. You know what's

1762
01:16:10,200 --> 01:16:12,360
Speaker 1: so ill about the Menendez brothers? They was locked up

1763
01:16:12,400 --> 01:16:16,320
Speaker 1: with OJ they was both facing child in the same county.

1764
01:16:17,479 --> 01:16:18,200
Speaker 2: Wild times.

1765
01:16:19,720 --> 01:16:21,720
Speaker 1: Anyways, Yeah, I believe it's called I Killed my Dad.

1766
01:16:21,840 --> 01:16:24,000
Speaker 1: You don't need to bring up the Menendez brothers. I

1767
01:16:24,120 --> 01:16:24,720
Speaker 1: killed my father.

1768
01:16:27,400 --> 01:16:29,240
Speaker 2: I watched his dad and fathers two different things.

1769
01:16:29,400 --> 01:16:32,760
Speaker 1: I watched the trailer and I saw that it was

1770
01:16:32,800 --> 01:16:35,120
Speaker 1: trending on Netflix, so I was like really excited because

1771
01:16:35,120 --> 01:16:40,240
Speaker 1: I like these types of docks underwhelming. It's a crazy story,

1772
01:16:40,360 --> 01:16:43,479
Speaker 1: don't don't get it twisted, but it's a it's a

1773
01:16:43,479 --> 01:16:46,760
Speaker 1: pretty underwhelming doc. Like, I don't want to spoil it,

1774
01:16:47,000 --> 01:16:49,880
Speaker 1: but yeah, no, it's no.

1775
01:16:50,200 --> 01:16:50,639
Speaker 2: It starts.

1776
01:16:50,840 --> 01:16:53,000
Speaker 1: It starts with the nine one one recording like, yeah, no,

1777
01:16:53,040 --> 01:16:55,360
Speaker 1: I shot him like three times, and they're like, is

1778
01:16:55,400 --> 01:16:59,040
Speaker 1: he dead, Like yeah, I think he's dead, And then

1779
01:16:59,080 --> 01:17:02,000
Speaker 1: it just proceeds the go through what he was experiencing

1780
01:17:02,040 --> 01:17:04,439
Speaker 1: in the house and how crazy his dad was, he was.

1781
01:17:04,479 --> 01:17:05,360
Speaker 2: Abused and things like that.

1782
01:17:05,439 --> 01:17:09,000
Speaker 1: Yeah, and I'm again, I don't want to spoil it,

1783
01:17:09,080 --> 01:17:12,880
Speaker 1: but fuck it, because you could see he's he's not

1784
01:17:12,960 --> 01:17:14,640
Speaker 1: in jail, like in the trailer, you can see he's

1785
01:17:14,640 --> 01:17:18,120
Speaker 1: not in jail. So he gets off rightfully. So and

1786
01:17:18,200 --> 01:17:20,720
Speaker 1: I think for the first time in a lot of situations,

1787
01:17:20,960 --> 01:17:25,960
Speaker 1: justice really was served, like he was protecting himself, but

1788
01:17:26,120 --> 01:17:28,160
Speaker 1: it is underwhelming, like it didn't need to be as

1789
01:17:28,200 --> 01:17:30,920
Speaker 1: long as it was. He was just a very abused

1790
01:17:30,960 --> 01:17:32,200
Speaker 1: kid and killed his father.

1791
01:17:32,479 --> 01:17:35,320
Speaker 2: This country seems to be so infatuated with murdered death

1792
01:17:35,760 --> 01:17:39,120
Speaker 2: stories and present and I'm so happy, Like every month

1793
01:17:39,160 --> 01:17:42,960
Speaker 2: there's a new documentary about a crazy fucking time and

1794
01:17:43,280 --> 01:17:46,599
Speaker 2: family that was killed and a neighbor that was killing

1795
01:17:46,720 --> 01:17:49,040
Speaker 2: you know, her guest and burying them for their Social

1796
01:17:49,040 --> 01:17:52,360
Speaker 2: Security checks, and it's just like, and I'm so so

1797
01:17:52,479 --> 01:17:53,120
Speaker 2: fascinated with you.

1798
01:17:53,200 --> 01:17:55,599
Speaker 1: I'm so happy you just brought that point up. That's

1799
01:17:55,640 --> 01:17:58,160
Speaker 1: how I felt with this doc Of course, if someone

1800
01:17:58,200 --> 01:18:00,000
Speaker 1: tells me that story, I'd be like, oh, Netflix would

1801
01:18:00,080 --> 01:18:02,479
Speaker 1: kill that. That'd be a great dock. But once you

1802
01:18:02,640 --> 01:18:06,960
Speaker 1: get into how clean cut this was and how sad

1803
01:18:07,000 --> 01:18:10,600
Speaker 1: it was, it's not one of those docks. It's just

1804
01:18:11,320 --> 01:18:14,360
Speaker 1: capitalizing on our infatuation with this type of shit. The

1805
01:18:14,400 --> 01:18:17,160
Speaker 1: way I saw the trailer and was like, I love

1806
01:18:17,240 --> 01:18:18,760
Speaker 1: this type of shit, and then I watched it, I

1807
01:18:18,880 --> 01:18:21,559
Speaker 1: was like, they could have left us one of them.

1808
01:18:21,560 --> 01:18:23,479
Speaker 1: I could tell through the whole dock. The kid didn't

1809
01:18:23,479 --> 01:18:26,040
Speaker 1: even want to do this. The whole time, he feels

1810
01:18:26,960 --> 01:18:30,080
Speaker 1: visibly uncomfortable even talking about it, like they I kind

1811
01:18:30,080 --> 01:18:32,679
Speaker 1: of felt like they exploited this kid, that this story

1812
01:18:32,840 --> 01:18:35,400
Speaker 1: was just to do the fetisize shit that we love

1813
01:18:35,479 --> 01:18:36,760
Speaker 1: with these murder docks.

1814
01:18:36,840 --> 01:18:38,360
Speaker 2: So do I check this out or can it?

1815
01:18:40,080 --> 01:18:42,280
Speaker 1: I would say can it? Personally, I don't. I think

1816
01:18:42,320 --> 01:18:46,240
Speaker 1: it's a waste of time. I'm happy of the results,

1817
01:18:46,320 --> 01:18:48,320
Speaker 1: but to me, it was they took advantage of a

1818
01:18:48,400 --> 01:18:50,400
Speaker 1: kid that did not want to do this dock. During

1819
01:18:50,439 --> 01:18:53,519
Speaker 1: the entire process of the interview, he looked uncomfortable, He

1820
01:18:53,560 --> 01:18:55,880
Speaker 1: looked like he didn't want to talk about it, and

1821
01:18:56,120 --> 01:18:59,240
Speaker 1: they just took a story that knew would trend on Netflix.

1822
01:19:00,000 --> 01:19:02,599
Speaker 2: I'm gonna watch the uh. I came in and Julian

1823
01:19:02,640 --> 01:19:04,439
Speaker 2: asked me if I had watched the Woodstock doc yet.

1824
01:19:04,479 --> 01:19:06,280
Speaker 2: I meant to watch it last night. I didn't. I

1825
01:19:06,400 --> 01:19:10,160
Speaker 2: was busy watching the Murder inc Uh documentary.

1826
01:19:10,240 --> 01:19:12,720
Speaker 1: Well, we're gonna talk about Woodstock next episode, whether you

1827
01:19:12,840 --> 01:19:14,400
Speaker 1: like it or not, because I want to talk about it.

1828
01:19:14,479 --> 01:19:16,400
Speaker 2: No, I'm watching it. I'm watching it. I'm gonna watch

1829
01:19:16,400 --> 01:19:19,080
Speaker 2: it tonight for sure. I caught the first episode of

1830
01:19:19,200 --> 01:19:22,800
Speaker 2: Murder Inc. The Murder Ink Documentary or not, IRV. I

1831
01:19:22,880 --> 01:19:25,640
Speaker 2: know we killed you all week. Everybody's been kicking your

1832
01:19:25,680 --> 01:19:28,720
Speaker 2: ass about that Drink Champs interview. But this, uh, this

1833
01:19:28,960 --> 01:19:33,400
Speaker 2: Murder Inc. Doc. The first episode is absolutely amazing, great production.

1834
01:19:33,800 --> 01:19:36,960
Speaker 1: We figured that though. Yeah, I was looking forward to

1835
01:19:37,040 --> 01:19:38,599
Speaker 1: this and I didn't think that well.

1836
01:19:38,640 --> 01:19:40,680
Speaker 2: I mean, listen, on one hand, IRV did a hell

1837
01:19:40,720 --> 01:19:44,840
Speaker 2: of a job at, you know, promoting. I feel like

1838
01:19:44,920 --> 01:19:48,160
Speaker 2: everybody that watched Drink Champs you have no choice but

1839
01:19:48,320 --> 01:19:52,280
Speaker 2: to watch this documentary for sure, But they didn't drop

1840
01:19:52,360 --> 01:19:56,720
Speaker 2: the ball to production was was great. The way he's

1841
01:19:56,760 --> 01:20:00,920
Speaker 2: telling stories, and you know, just the footage and him

1842
01:20:00,960 --> 01:20:03,160
Speaker 2: talking about the way he was mixing the records and

1843
01:20:03,720 --> 01:20:07,000
Speaker 2: blending and and them actually doing it underneath him like

1844
01:20:07,120 --> 01:20:09,439
Speaker 2: it was just it was done really, really well, and

1845
01:20:09,520 --> 01:20:11,960
Speaker 2: you can tell that moving forward, it's only gonna get better.

1846
01:20:12,000 --> 01:20:13,519
Speaker 2: The story is gonna get better as it goes on.

1847
01:20:15,160 --> 01:20:17,640
Speaker 1: Did it open with the title card dedicating it to

1848
01:20:17,920 --> 01:20:20,479
Speaker 1: Ashanti Douglas of Glen Cove Long Allen Jesus curse.

1849
01:20:20,720 --> 01:20:20,760
Speaker 3: No?

1850
01:20:21,280 --> 01:20:25,519
Speaker 2: Yeah, so the Murder Ain't Doc. Episode one great job.

1851
01:20:26,320 --> 01:20:28,479
Speaker 2: Looking forward to the rest of his documentary, I'm gonna

1852
01:20:28,479 --> 01:20:35,519
Speaker 2: watch it tonight. The NBA is doing something that they

1853
01:20:35,560 --> 01:20:38,639
Speaker 2: should have done a long time ago, but they're finally

1854
01:20:38,640 --> 01:20:43,679
Speaker 2: getting it done. After the passion of NBA legends, Celtics

1855
01:20:43,800 --> 01:20:50,800
Speaker 2: legend activists, civil rights leader Bill Russell passed away. Bill

1856
01:20:50,880 --> 01:20:54,360
Speaker 2: Russell's number six Jersey will be retired throughout the entire NBA.

1857
01:20:55,240 --> 01:20:57,160
Speaker 2: No other player in the NBA will be allowed to

1858
01:20:57,240 --> 01:21:00,360
Speaker 2: wear number six. I think this is a great job

1859
01:21:00,400 --> 01:21:03,519
Speaker 2: by the NBA, which is probably one of the biggest

1860
01:21:03,600 --> 01:21:07,600
Speaker 2: honors a player can receive, and I'm glad they're doing

1861
01:21:07,640 --> 01:21:08,720
Speaker 2: I wish they would have did it while he was

1862
01:21:08,720 --> 01:21:11,920
Speaker 2: still here to see it, but yeah, you know, I'm

1863
01:21:11,920 --> 01:21:13,160
Speaker 2: glad they got it, got it done.

1864
01:21:13,520 --> 01:21:15,800
Speaker 1: Lebron. Does Lebron wear twenty three with the Lakers or six?

1865
01:21:16,120 --> 01:21:18,519
Speaker 2: He was twenty three? He was he was wearing six. Yeah,

1866
01:21:18,640 --> 01:21:22,439
Speaker 2: he's warning twenty three. The only number I know that

1867
01:21:22,600 --> 01:21:26,080
Speaker 2: was retired outside of their organization was I think Michael

1868
01:21:26,160 --> 01:21:29,719
Speaker 2: Jordan's twenty three was retired by pat Riley in Miami.

1869
01:21:29,920 --> 01:21:32,280
Speaker 2: Think Miami. The Miami Heat retired number twenty three.

1870
01:21:33,080 --> 01:21:34,920
Speaker 1: That's so really weird and interesting.

1871
01:21:35,160 --> 01:21:38,000
Speaker 4: Just so y'all know. So his number is six, but

1872
01:21:38,200 --> 01:21:42,320
Speaker 4: he's part of the process of being grandfathers and Lebron, oh.

1873
01:21:42,240 --> 01:21:44,360
Speaker 1: So he could be grandfathered in with six, So he

1874
01:21:44,439 --> 01:21:45,240
Speaker 1: can't be a new six.

1875
01:21:46,520 --> 01:21:48,720
Speaker 2: Wait, Lebron, he didn't do it number twenty three last year.

1876
01:21:49,360 --> 01:21:52,240
Speaker 4: I thought he switched it recently.

1877
01:21:53,840 --> 01:21:55,559
Speaker 2: Oh so he never played in number twenty three. Yep.

1878
01:21:55,560 --> 01:21:58,040
Speaker 2: With the Lakers. He just announced he was going back

1879
01:21:58,040 --> 01:21:58,799
Speaker 2: to number twenty.

1880
01:21:58,640 --> 01:22:02,519
Speaker 4: Three, he said. Uh, so he switched from twenty three

1881
01:22:02,520 --> 01:22:04,519
Speaker 4: to six. He's six right now?

1882
01:22:05,200 --> 01:22:09,240
Speaker 2: Yeah, Oh, he went from twenty three to six.

1883
01:22:09,960 --> 01:22:11,720
Speaker 1: I know he's twenty three.

1884
01:22:11,840 --> 01:22:13,559
Speaker 2: Yeah, I know. I saw him in twenty.

1885
01:22:13,400 --> 01:22:19,000
Speaker 4: He's wearing six. Now, that's gonna have to be your

1886
01:22:19,040 --> 01:22:22,680
Speaker 4: grandfather though. Can be six after that?

1887
01:22:23,439 --> 01:22:27,280
Speaker 2: Whoever has analyst? Okay, gotcha? So whoever has the number

1888
01:22:27,280 --> 01:22:30,280
Speaker 2: six and that whoever wear's number six currently, this will

1889
01:22:30,320 --> 01:22:33,080
Speaker 2: be the last of it. No other player after these

1890
01:22:33,120 --> 01:22:35,559
Speaker 2: players that currently have it will be allowed to win

1891
01:22:35,680 --> 01:22:40,519
Speaker 2: number six. Got it. Well, it's a it's a high

1892
01:22:40,640 --> 01:22:45,479
Speaker 2: honor and it's a beautiful gesture bout the NBA to

1893
01:22:45,800 --> 01:22:47,240
Speaker 2: retire that number throughout the league.

1894
01:22:47,479 --> 01:22:48,439
Speaker 1: Sure, I agree.

1895
01:22:48,920 --> 01:22:52,719
Speaker 2: Rest in peace, Bill Russell. What we got for the weekend?

1896
01:22:52,760 --> 01:22:55,639
Speaker 1: Man at chilling.

1897
01:22:55,720 --> 01:22:56,000
Speaker 4: I guess.

1898
01:22:57,160 --> 01:22:58,799
Speaker 2: I don't know. No plans.

1899
01:22:59,120 --> 01:23:02,479
Speaker 1: I gotten. I gotten to a somewhat of a club

1900
01:23:02,520 --> 01:23:06,280
Speaker 1: event on Friday night. I haven't done that in quite

1901
01:23:06,320 --> 01:23:08,920
Speaker 1: some time. I might step outside. I might see what

1902
01:23:08,960 --> 01:23:13,960
Speaker 1: the club is given. Excuse me, you were quiet the

1903
01:23:14,080 --> 01:23:15,720
Speaker 1: entire episode. Now all of a sudden, when I'm going

1904
01:23:15,760 --> 01:23:22,720
Speaker 1: to the club, it's not that type of club. It's

1905
01:23:22,800 --> 01:23:25,880
Speaker 1: up and down still a thing. No, I think it's

1906
01:23:25,920 --> 01:23:27,519
Speaker 1: at the old stage forty eight. I don't know what

1907
01:23:27,600 --> 01:23:30,880
Speaker 1: they call it now, But I don't know. We'll see

1908
01:23:30,920 --> 01:23:31,320
Speaker 1: what about you.

1909
01:23:32,960 --> 01:23:35,120
Speaker 2: I don't know, no plans. I might figure something out.

1910
01:23:35,600 --> 01:23:36,880
Speaker 2: It might take a little quick trip.

1911
01:23:37,160 --> 01:23:39,000
Speaker 1: You say that every weekend and then stay right.

1912
01:23:40,640 --> 01:23:41,080
Speaker 2: Sleep out.

1913
01:23:41,280 --> 01:23:41,679
Speaker 1: I'm sorry.

1914
01:23:42,760 --> 01:23:44,280
Speaker 2: Where we love to want to say, well, I live

1915
01:23:44,280 --> 01:23:46,160
Speaker 2: at You just wanted to pull up to my career.

1916
01:23:46,640 --> 01:23:47,040
Speaker 2: I don't.

1917
01:23:47,240 --> 01:23:48,160
Speaker 1: I've never said that one.

1918
01:23:48,200 --> 01:23:50,040
Speaker 4: I don't think anybody will find you.

1919
01:23:51,360 --> 01:23:52,600
Speaker 2: You got the internet fucked up?

1920
01:23:55,320 --> 01:23:57,080
Speaker 1: No, don't parked outside?

1921
01:23:58,080 --> 01:23:58,920
Speaker 2: No hell no?

1922
01:23:59,320 --> 01:24:02,080
Speaker 1: Well, yeah, says every single weekend he's gonna take a

1923
01:24:02,120 --> 01:24:04,639
Speaker 1: trip and then stays write at home.

1924
01:24:04,840 --> 01:24:06,840
Speaker 2: You know what I would do this weekend, I'm surprise you.

1925
01:24:07,240 --> 01:24:09,160
Speaker 2: I'm gonna actually take the trip. And then FaceTime you

1926
01:24:09,520 --> 01:24:10,760
Speaker 2: okay from wherever I'm at.

1927
01:24:11,400 --> 01:24:12,679
Speaker 1: Are you gonna bring some young ladies?

1928
01:24:13,360 --> 01:24:13,519
Speaker 2: Nah?

1929
01:24:14,040 --> 01:24:15,080
Speaker 1: The young ladies will be there.

1930
01:24:16,880 --> 01:24:20,160
Speaker 2: I mean, well, yes, they'll be women around. But sometimes

1931
01:24:20,200 --> 01:24:22,440
Speaker 2: you just gotta just take a trip and just freestyle.

1932
01:24:23,040 --> 01:24:26,479
Speaker 2: No plans, just go trips. I like to take. Yeah,

1933
01:24:26,560 --> 01:24:30,240
Speaker 2: go somewhere, check into a room and figure out what's

1934
01:24:30,320 --> 01:24:30,920
Speaker 2: what's for dinner?

1935
01:24:32,160 --> 01:24:33,160
Speaker 1: Is it a Toronto weekend?

1936
01:24:34,200 --> 01:24:34,400
Speaker 2: Nah?

1937
01:24:34,680 --> 01:24:36,519
Speaker 1: I saw some things happening in Toronto this weekend.

1938
01:24:37,600 --> 01:24:37,760
Speaker 4: Pa.

1939
01:24:37,880 --> 01:24:40,760
Speaker 1: It peaked, It peaked in urds. Yes, really, yeah, I

1940
01:24:40,760 --> 01:24:42,600
Speaker 1: feel like there's actually a really dope concert going on.

1941
01:24:43,720 --> 01:24:45,760
Speaker 2: Well, the Young Buddy concert was last weekend, I know.

1942
01:24:46,240 --> 01:24:49,120
Speaker 1: But I love a good post crazy weekend in the city.

1943
01:24:50,000 --> 01:24:52,479
Speaker 1: That next weekend is the weekend that's when they be

1944
01:24:52,520 --> 01:24:56,720
Speaker 1: out because it was too much. Everyone had a shitty time.

1945
01:24:56,800 --> 01:24:58,799
Speaker 1: Too much was going on. They wanted to just relax.

1946
01:24:59,160 --> 01:25:01,080
Speaker 2: Yeah, visions performing this weekend.

1947
01:25:01,160 --> 01:25:02,639
Speaker 1: No, but it was like not just division.

1948
01:25:02,680 --> 01:25:04,120
Speaker 2: I don't know if y'all know what that record is

1949
01:25:04,160 --> 01:25:07,960
Speaker 2: taken off? Did that record is doing? Like?

1950
01:25:08,200 --> 01:25:11,320
Speaker 1: Look at Julian. Yeah, I know, I know, I'm the

1951
01:25:11,360 --> 01:25:12,240
Speaker 1: one that's working at.

1952
01:25:13,240 --> 01:25:16,640
Speaker 2: Julie, But Julian is low key, the funniest dude. Bro

1953
01:25:17,280 --> 01:25:18,880
Speaker 2: Julian looked me in my eye, told me, I did

1954
01:25:18,920 --> 01:25:19,760
Speaker 2: a Night in New York.

1955
01:25:21,040 --> 01:25:24,040
Speaker 1: Subscribe to our patroon. It was a great episode, But

1956
01:25:24,160 --> 01:25:25,360
Speaker 1: what did a Night in New York?

1957
01:25:25,560 --> 01:25:26,200
Speaker 2: Is sick?

1958
01:25:26,640 --> 01:25:29,000
Speaker 1: But we don't But we don't realize now at this

1959
01:25:29,080 --> 01:25:32,320
Speaker 1: point that the Internet, when they hate on a record,

1960
01:25:32,400 --> 01:25:35,320
Speaker 1: does not dictate what it's really going to do. Like

1961
01:25:35,400 --> 01:25:36,479
Speaker 1: how I mean, how many years have.

1962
01:25:36,479 --> 01:25:37,800
Speaker 2: We been in there? Listen? Listen, man.

1963
01:25:37,920 --> 01:25:39,960
Speaker 1: Usually when the Internet hates, I hate.

1964
01:25:39,760 --> 01:25:42,559
Speaker 2: To break it to the Internet, But y'all don't really

1965
01:25:42,840 --> 01:25:45,720
Speaker 2: control anything. Like it's a very small group of y'all

1966
01:25:45,800 --> 01:25:48,360
Speaker 2: that get mad and try to cancel people. Let me

1967
01:25:48,439 --> 01:25:50,519
Speaker 2: let y'all know that Travis Scott's old a million dollars

1968
01:25:50,560 --> 01:25:54,800
Speaker 2: in merchant two days. He's not canceled. I know y'all tried.

1969
01:25:55,400 --> 01:25:58,000
Speaker 2: I know lives were lost unfortunately, and y'all try to

1970
01:25:58,040 --> 01:26:01,880
Speaker 2: blame that on Travis. I get it did not work.

1971
01:26:02,560 --> 01:26:06,840
Speaker 2: The kid is not canceled. Well, he ain't canceled in London.

1972
01:26:06,920 --> 01:26:08,599
Speaker 2: He can go to London once a month and live

1973
01:26:09,120 --> 01:26:10,559
Speaker 2: perfectly fine with the rest of his life.

1974
01:26:11,479 --> 01:26:14,719
Speaker 1: I actually watched Kendrick Lamar say show me something natural,

1975
01:26:14,880 --> 01:26:16,200
Speaker 1: and then they canceled him. And then I just saw

1976
01:26:16,280 --> 01:26:17,200
Speaker 1: him at the Barclay Center.

1977
01:26:18,920 --> 01:26:21,479
Speaker 2: I mean, yeah, So the internet, y'all just stopped. Stop

1978
01:26:21,520 --> 01:26:24,439
Speaker 2: with just trying to it's a very it's eight hundred

1979
01:26:24,479 --> 01:26:27,000
Speaker 2: of y'all to get together. Y'all are not pushing the

1980
01:26:27,080 --> 01:26:29,719
Speaker 2: needle in the world. I'll promise you. So just stop

1981
01:26:30,160 --> 01:26:32,840
Speaker 2: stop with always trying to cancel people shit. Salute to

1982
01:26:32,880 --> 01:26:37,040
Speaker 2: Serena Williams on I don't want to say retire. What

1983
01:26:37,080 --> 01:26:40,680
Speaker 2: does she do evolving? She's Serena Williams, Serena Williams, the

1984
01:26:40,720 --> 01:26:44,760
Speaker 2: Great Serena Williams is evolving a wave. She's evolving out

1985
01:26:44,800 --> 01:26:50,120
Speaker 2: of tennis and into whatever else she decides to do next.

1986
01:26:50,200 --> 01:26:53,439
Speaker 2: So she's retiring, well, she doesn't want to call it retiring,

1987
01:26:53,600 --> 01:26:54,360
Speaker 2: but yes.

1988
01:26:54,479 --> 01:26:55,920
Speaker 1: And he's evolving to a new career.

1989
01:26:56,240 --> 01:26:56,400
Speaker 2: Yes.

1990
01:26:56,600 --> 01:26:58,760
Speaker 1: Do you think that this is something that you and

1991
01:26:58,800 --> 01:27:02,120
Speaker 1: your friends started once again? No, the fake retirement. No,

1992
01:27:03,479 --> 01:27:06,080
Speaker 1: I watched I think and jay Z handed you the

1993
01:27:06,160 --> 01:27:08,200
Speaker 1: keys to the city and he retired.

1994
01:27:08,200 --> 01:27:11,920
Speaker 2: I think this is a way and maybe not saying

1995
01:27:12,000 --> 01:27:15,080
Speaker 2: she'll never play again, like I don't think she wants

1996
01:27:15,080 --> 01:27:18,320
Speaker 2: to commit to that, but for the time being, she's

1997
01:27:18,600 --> 01:27:21,320
Speaker 2: she stepped away from it. I think that's what this is.

1998
01:27:21,880 --> 01:27:29,240
Speaker 2: She's she's arguably the greatest athlete ever, I mean, Hall

1999
01:27:29,280 --> 01:27:33,000
Speaker 2: of Fame career. That's nothing else to say about Serena Williams.

2000
01:27:33,000 --> 01:27:34,479
Speaker 1: She she can do whatever the fun If she had

2001
01:27:34,479 --> 01:27:35,560
Speaker 1: a number, they would retire it.

2002
01:27:35,640 --> 01:27:39,160
Speaker 2: I get it. Not only that, I mean, it's it's

2003
01:27:39,360 --> 01:27:45,760
Speaker 2: she's she's she changed the entire aesthetic of tennis, you know,

2004
01:27:45,880 --> 01:27:50,120
Speaker 2: from just the way women look and the way they

2005
01:27:50,240 --> 01:27:53,240
Speaker 2: play the game, you know, the way they work out,

2006
01:27:53,880 --> 01:27:55,599
Speaker 2: because you know, it was a thing where women didn't

2007
01:27:55,600 --> 01:27:58,080
Speaker 2: want to be too bulked up, too too much muscle

2008
01:27:58,120 --> 01:28:00,400
Speaker 2: for tennis. She wanted to be long and limber and that,

2009
01:28:00,560 --> 01:28:03,519
Speaker 2: you know, that was like the aesthetic of tennis. And

2010
01:28:03,640 --> 01:28:07,400
Speaker 2: she came in with muscles and you know, some weight

2011
01:28:07,479 --> 01:28:09,679
Speaker 2: on her and was out there dominating the sport.

2012
01:28:09,800 --> 01:28:12,000
Speaker 1: For he that also help that she beat the ship

2013
01:28:12,040 --> 01:28:12,639
Speaker 1: out of everybody.

2014
01:28:12,960 --> 01:28:15,120
Speaker 2: Yeah, I mean, well that's that's first and foremost. You

2015
01:28:15,160 --> 01:28:16,439
Speaker 2: can look however you want to look, but if you

2016
01:28:16,439 --> 01:28:18,439
Speaker 2: ain't winning and she looked at it don't matter. But

2017
01:28:18,880 --> 01:28:21,080
Speaker 2: shout out to Serena Williams and evolving away from the

2018
01:28:21,080 --> 01:28:24,880
Speaker 2: game of tennis, and thank you. You know what I mean?

2019
01:28:25,000 --> 01:28:26,880
Speaker 2: Like she I'm trying. I'm gonna try to catch the

2020
01:28:26,960 --> 01:28:29,000
Speaker 2: shack's Julie. If he has tickets for the US Open,

2021
01:28:29,760 --> 01:28:31,240
Speaker 2: you know he does, you know he does? Like come on,

2022
01:28:31,240 --> 01:28:32,559
Speaker 2: are you kidding me? What do you want to sit?

2023
01:28:34,200 --> 01:28:37,439
Speaker 1: Section section one, Section one boys Section one?

2024
01:28:43,240 --> 01:28:47,679
Speaker 2: Yeah? Well yeah, Will played uh her dad.

2025
01:28:47,960 --> 01:28:51,640
Speaker 1: King Richard, I mean Richard would say he was responsible

2026
01:28:51,680 --> 01:28:51,840
Speaker 1: for that.

2027
01:28:52,000 --> 01:28:58,040
Speaker 2: But yeah, but as a dad you could. As a dad,

2028
01:28:58,080 --> 01:29:00,840
Speaker 2: you could teach and push it all you want, but

2029
01:29:00,920 --> 01:29:03,360
Speaker 2: they got to go out and execute and perform. So

2030
01:29:04,160 --> 01:29:05,920
Speaker 2: I get it. Shout out to King Richard, Shout out

2031
01:29:05,920 --> 01:29:11,080
Speaker 2: to you know, Richard Williams. But if Serena and Venus

2032
01:29:11,080 --> 01:29:14,080
Speaker 2: don't go out there and execute, if we don't get

2033
01:29:14,120 --> 01:29:16,000
Speaker 2: that movie and Will doesn't get that Oscar.

2034
01:29:15,960 --> 01:29:20,960
Speaker 1: And Chris Rock doesn't get smacked Chris Rock, that it.

2035
01:29:21,000 --> 01:29:23,759
Speaker 2: Wow. Hey, Serena, before you evolve, call Chris man.

2036
01:29:24,040 --> 01:29:26,360
Speaker 1: Compton smacked the ship out of here, now that I

2037
01:29:26,400 --> 01:29:26,960
Speaker 1: think about.

2038
01:29:26,760 --> 01:29:28,559
Speaker 2: It, Called Chris Rock and make sure he's all right,

2039
01:29:28,640 --> 01:29:30,720
Speaker 2: because if you don't, if you wasn't as great as

2040
01:29:30,760 --> 01:29:33,760
Speaker 2: you are, Chris Rock doesn't get this ship slapped out

2041
01:29:33,760 --> 01:29:34,000
Speaker 2: of him.

2042
01:29:34,840 --> 01:29:39,080
Speaker 1: All right, well we'll be back top of the week,

2043
01:29:40,479 --> 01:29:41,040
Speaker 1: top of the week.

2044
01:29:41,080 --> 01:29:43,200
Speaker 2: We'll be back. You have a great weekend.

2045
01:29:43,960 --> 01:29:46,439
Speaker 1: See, y Eden was sitting us with the rap shirt today.

2046
01:29:47,439 --> 01:29:50,439
Speaker 2: What shirt is that? Editing? Is that biggie? Yes?

2047
01:29:51,120 --> 01:29:54,040
Speaker 1: That is that bad bunny as a baby and they're

2048
01:29:54,040 --> 01:29:54,639
Speaker 1: ready to die?

2049
01:29:54,720 --> 01:29:57,920
Speaker 4: Uh form basically yeah, yeah, yeah.

2050
01:29:59,400 --> 01:30:02,600
Speaker 2: Listen, man, I promise you one day y'all gonna turn this.

2051
01:30:02,640 --> 01:30:03,800
Speaker 2: You don't want to listen to it, and it's not

2052
01:30:03,880 --> 01:30:06,800
Speaker 2: gonna be here. I promise you. Just don't don't say

2053
01:30:06,920 --> 01:30:09,760
Speaker 2: they said, all right, we'll be back next week. Y'all

2054
01:30:09,840 --> 01:30:12,280
Speaker 2: be safe, have a great weekend. I'm that nigga. He's

2055
01:30:12,360 --> 01:30:15,320
Speaker 2: just ginger. Peace Willian now