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Speaker 1: I listened to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: I apologize.

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Speaker 3: I love was well for the ages, and I contained

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Speaker 3: us and all this ratchure shit, and we're more expensive now.

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Speaker 3: Not meant to cry and dial on in these mansions

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Speaker 3: or sleep with our back turn. We're supposed to vacate

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Speaker 3: till our backs burn. We're supposed to laugh till our

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Speaker 3: heart stop, and then we in the space when the dark,

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Speaker 3: where the dark stops, and let love light the way.

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Speaker 3: And like the men before me, I cut off my

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Speaker 3: nose to spite my face. I never wanted another woman

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Speaker 3: to know something about me that you didn't know. I promised,

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Speaker 3: I cried, I couldn't, I couldn't hold. I sucked at love.

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Speaker 3: I think I needed a do over. I think I

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Speaker 3: will be emotionally available if I invited you over, I

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Speaker 3: stew over.

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Speaker 2: What if you're over my shit? Hey, welcome to the

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Speaker 2: black Outis podcast. Your host Rod Ed Karen and we're

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Speaker 2: in the house.

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Speaker 3: On a Monday, Yes we are, the Monday after Father's Day.

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Speaker 3: Once again, special shout out to the father that wasn't

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Speaker 3: indeed documentary for Rachel doz ol Okay.

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Speaker 2: Just like to give him a very special shout out. Uh.

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Speaker 2: That's that's what the day after Father's Day is for

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Speaker 2: all those guys.

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Speaker 3: Uh, that's what you should do after Father's Day is

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Speaker 3: absentee Father's Day. Then everybody everybody convent you know that

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Speaker 3: way you have to ruin Father's Day with everybody getting mad.

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Speaker 3: Just the next day, everybody's like, Andy, fuck them niggas,

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Speaker 3: they ain't never here.

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Speaker 4: Day anyway.

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Speaker 2: I mean basically.

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Speaker 3: The official weapon of the show is an unofficial sport

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Speaker 3: at Boulevard Extreme lots of stuff to get into today. Uh,

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Speaker 3: I don't even know where to start. I do have

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Speaker 3: a few random thoughts that I could do. I guess, Okay,

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Speaker 3: where do people go to learn glory hole etiquette?

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Speaker 2: Y'all think about that? Okay? Like is that a class?

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Speaker 4: I don't know. It has to be some from an

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Speaker 4: etiquette to.

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Speaker 2: It online form.

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Speaker 5: I never thought about that, but yeah, everybody's organized and everything.

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Speaker 5: Like from the point I've seen, there is some etiquette

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Speaker 5: to it.

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Speaker 3: Do you get like a tutorial when you signed give

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Speaker 3: the money to go into the glory Hole?

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Speaker 2: They tell you like, hey, this is the rule.

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Speaker 4: I guarantee you. Yeah, there's rules to it.

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Speaker 3: Like as a person that has some social awkwardness and uh,

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Speaker 3: social phobia is about him. I know, I wouldn't know

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Speaker 3: how to navigate a gloryhole. I mean, what's the rules,

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Speaker 3: you know, so it's a knock.

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Speaker 4: I don't know.

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Speaker 5: I don't know what the rules are. And the glory

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Speaker 5: holds vary. Uh, you know, because there's gloriholes for men,

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Speaker 5: gloryholes for women. Uh, I'm assuming transgender as soon as

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Speaker 5: glory across the board.

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Speaker 2: I mean, okay, you look through the hole? Is that

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Speaker 2: considered bad form?

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Speaker 4: I never know. I wonder has anybody else picked through

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Speaker 4: the hole.

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Speaker 2: And put a hand through the hole? You know?

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Speaker 3: What's the lines situation on the other side? You know

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Speaker 3: how long it's too long to be at your part

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Speaker 3: of the whole? You know, like, at what point are

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Speaker 3: you like holding up the line where people like, hey,

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Speaker 3: you know there like some pre some pre jacking situation

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Speaker 3: that's gotta be done just to make sure you ate

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Speaker 3: to pop. You don't just show up and you like, guys,

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Speaker 3: I'm gonna i'ma growing not show It's a little cold outside.

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Speaker 3: It's gonna take a while, sorry, everybody.

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Speaker 5: And it depends well because for the men, they normally

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Speaker 5: just stick that hole in the penis, I mean stick

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Speaker 5: that wall holding the stick.

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Speaker 4: We had stick the piece with.

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Speaker 5: The wall for both for both, you know, for men

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Speaker 5: and for women, because you know, you stick it in

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Speaker 5: a woman's normally if you're doing it like straight, is

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Speaker 5: the man putting this hole in there for a woman

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Speaker 5: on the other side? And you know, like you said,

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Speaker 5: I wonder what the what the etiquette is?

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Speaker 4: You know, does she have rules.

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Speaker 5: You know, for I'm just talking from a woman's perspective.

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Speaker 5: Does she be like I jerk off? But you know

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Speaker 5: I don't do this. I don't do that. You know,

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Speaker 5: it's interesting and you know most poems the glory hole

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Speaker 5: is somewhat you know, it's staged. But I don't know

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Speaker 5: what a real life will look like. All my gloryhole's

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Speaker 5: been staged.

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Speaker 2: Yeah, I mean, like, what's the hygiene situation?

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Speaker 3: Come on, because it don't somebody somebody checking that before

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Speaker 3: before people come in? Or is that just you know,

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Speaker 3: do you just get the thumbs down you stick you know,

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Speaker 3: it's like, oh no, this is not what's up.

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Speaker 4: They have yopes on glory holes. I'm pretty sure they

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Speaker 4: got ratings.

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Speaker 3: Yeah, Like I got to doing a Reddit or something

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Speaker 3: to find out is a Craigslist for the gloryhole situation?

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Speaker 2: And is there like a countdown?

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Speaker 3: I mean, like what if you know, there's forty people

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Speaker 3: that show up at the glory hole on one side

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Speaker 3: and the person on the other side is like, man,

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Speaker 3: only tonight was only like a ten dig night dog.

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Speaker 3: I'm out, I can't. I got things to do, you

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Speaker 3: know what I'm saying. I just wanted to stop in

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Speaker 3: for a few minutes, knock a few dicks out and

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Speaker 3: get out of here, like whatever you know? Do is

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Speaker 3: the pay situation? Does the person in gloryhole get paid

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Speaker 3: to be in the gloryhole? Or do they pay to

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Speaker 3: be in the glory whole? Like does nobody pay?

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Speaker 5: You know, I've seen I've seen and I think this

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Speaker 5: is I think it's German.

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Speaker 4: I've seen one where they have the gloryhole.

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Speaker 5: Is like a multiple glory hole where you have like

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Speaker 5: different women in different area.

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Speaker 2: Yeah, but still don't change who get paid.

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Speaker 4: It's Germany because and then the.

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Speaker 3: Old lady all the money, dude, people people mean where

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Speaker 3: people involved know? So I mean I'm assuming if you're

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Speaker 3: in the gloryhole, hopefully you in that because you want

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Speaker 3: to be you know what I'm.

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Speaker 2: Saying, Like maybe you would pay.

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Speaker 3: Maybe it's like a sex party, like how you go

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Speaker 3: to a sex party, Like it's not just dudes that

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Speaker 3: pay something. I mean, well, depending on the party, but

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Speaker 3: you know, depending on the party, Like everybody might pay

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Speaker 3: to get in. You know, some people might pay less

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Speaker 3: because they're more you know, design they they're the ones

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Speaker 3: that generate everybody else coming. But you know a lot

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Speaker 3: of times everybody will pay.

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Speaker 2: I don't know. There's some shit to think about.

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Speaker 5: And do all gloryholes show faces because I've seen some gloryholes,

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Speaker 5: but they actually showed the face of the.

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Speaker 4: Person on the other side.

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Speaker 3: And I assume that I assume that's not a carpelanche thing,

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Speaker 3: that's individual glory whole situation. And then uh, like I

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Speaker 3: wonder if there's like a tour guide situation. Maybe that'll help,

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Speaker 3: you know, like you come during the off hours and

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Speaker 3: then somebody just walk you through the steps and then

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Speaker 3: you show up. Because I feel like the first visit

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Speaker 3: would be overwhelming unless you had somebody with you.

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Speaker 5: I could imagine, especially if you ain't ready or you're

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Speaker 5: not prepared.

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Speaker 4: You walk in there go okay, this is a lot.

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Speaker 2: I don't know.

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Speaker 3: If y'all have seen these commercials, but they got these

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Speaker 3: new commercials for Jimmy John's where they keep talking about

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Speaker 3: people being the employees there.

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Speaker 2: It's like, this is Dexter.

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Speaker 3: He loves and cutting meat. He gets freaky on that meat,

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Speaker 3: you know, something like he cuts me all day. He

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Speaker 3: gets at six am about like arbis we got to

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Speaker 3: beat And at the end they're like, he's a sub freak.

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Speaker 3: And then I seen one of the other day that

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Speaker 3: had a woman on there that's like, this is Mary.

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Speaker 3: She bakes the bread fresh every day at Jimmy John's.

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Speaker 3: She gets here at eight am to break break the

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Speaker 3: da da da da, and she's a sub freak.

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Speaker 2: And I was like, I wonder if.

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Speaker 3: They know what they're saying when they say that, because

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Speaker 3: sub freaks has a whole different turn to me. It

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Speaker 3: would you know, like, are they looking for dominant masters

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Speaker 3: to be the customers or somebody gonna show it to

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Speaker 3: Jimmy Johnson handcuffs oart tying people up and shit?

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Speaker 4: Yeah, and uh, you know there are.

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Speaker 5: Porns where part of the sex appill is actually feeding,

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Speaker 5: so you might have somebody there, but I no, no,

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Speaker 5: I don't want yourself.

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Speaker 4: I bought my own suits.

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Speaker 3: That's not at all well I'm talking about but yet sure,

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Speaker 3: why not. I'm just saying so that you go no

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Speaker 3: sub freaks, submissive freak sub is.

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Speaker 4: You should explain that sup freaks, yes, and some sub

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Speaker 4: freaks out there.

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Speaker 3: You have to explain the whole jokes inness the snow

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Speaker 3: in the joke ton Oh you know, I was thinking, man,

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Speaker 3: you know, it was probably paranoid. Yesterday all the dudes

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Speaker 3: that you know they have a wife or girlfriend, fiance whatever,

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Speaker 3: you know, and old boyfriend. I don't know what they have,

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Speaker 3: but they have a significant other and they don't have

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Speaker 3: children together, and then they go out yesterday on Father's

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Speaker 3: Day and all these people see them and they're like, hey,

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Speaker 3: Happy Father's Day, Happy Father's Day. Like what if those

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Speaker 3: people have secret families? Those people probably paranoid the ship,

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Speaker 3: you know, Like it kept happening to me yesterday. It

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Speaker 3: is like, Happy Father's Day, sir, Happy Father's Day. I

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Speaker 3: was like, whatever, man, get that all the time.

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Speaker 5: Regardless of if they feel like you're within the range

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Speaker 5: of being a mama, You're gonna get that.

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Speaker 2: Yeah, I just say thanks and keep it moving. Thing

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Speaker 2: to do.

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Speaker 3: But I was thinking like if somebody had a secret family,

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Speaker 3: I wonder it was like, hey, how you doing, sir?

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Speaker 2: Happy Father's Day? If they're like grabbing by your collar,

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Speaker 2: like what the fuck do you know? Ha man? You

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Speaker 2: god damn business, You're gonna blow my cover? Man? What

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Speaker 2: you think this is? Do I know you?

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Speaker 5: No?

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Speaker 3: I was just saying, Happy Father's Day and joy the movie, sir,

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Speaker 3: ha work at AMC. Serious, you mind your fucking business man.

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Speaker 2: You know my son you go huh you go to

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Speaker 2: school with him or something? You know. I think they

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Speaker 2: cover busted all the time. So pay attention is all

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Speaker 2: I'm saying.

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Speaker 3: If you're out, would have dude, if somebody says Happy

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Speaker 3: Father's Day, read his face, see if you see a

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Speaker 3: flash of panic. If you had to think to yourself like,

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Speaker 3: oh well my kids here, Oh you might be dating

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Speaker 3: they go to secret family.

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Speaker 6: Oh no.

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Speaker 5: But like like for women, most women over twenty something,

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Speaker 5: you just become accustomed to it. I've got to the

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Speaker 5: point where it's like fighting against the river.

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Speaker 4: Don't even get mad.

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Speaker 5: Don't it just be like okay, just keep trusting because

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Speaker 5: it ain't worth the explanation and all that other stuff.

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Speaker 3: One dude said, happy Father's Day if you are a father,

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Speaker 3: not just okay, Like what say to that?

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Speaker 2: Well, let's have a conversation. Actually I'm not a father,

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Speaker 2: but many people you know, And that's probably.

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Speaker 4: And response he's gotten before he went through the I'm

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Speaker 4: out of daddy. So he was like, if you are father,

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Speaker 4: just so he could just I just want to take

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Speaker 4: the chance.

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Speaker 2: Why take the chances?

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Speaker 4: All I'm saying I would say, would do that with mothers, But.

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Speaker 2: Why take the chance.

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Speaker 4: Yeah, a lot of women walk around with no kids.

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Speaker 3: You know, Like I can tip the dude who cuts

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Speaker 3: the fish at publics, I can't tip you, Like, what

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Speaker 3: are you fishing for, buddy?

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Speaker 2: Just get out of here.

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Speaker 4: I don't know.

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Speaker 5: I don't know if people get offended if you don't,

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Speaker 5: I mean, because it's it's kind of a mixture when

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Speaker 5: it comes to that. It's a hot day that everybody celebrates,

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Speaker 5: so everybody kind of want to be generous and just

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Speaker 5: uh celebrated or don't want people to feel left out.

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Speaker 5: So it's one of the things you just said. Regardless,

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Speaker 5: this is salmon transaction. I don't care about any of that.

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00:11:15,120 --> 00:11:18,240
Speaker 5: Just transact to salmon to my to my basket and

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Speaker 5: that's it. We don't need to have a conversation that

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Speaker 5: bourbon salmon. Yes, I saw Gabrielle Union in the McDonald's

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Speaker 5: ad today.

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Speaker 3: And uh, Janelle James, I posted about it on Facebook

247
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Speaker 3: because because it is unbelievable that gabriel Union is fucking

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Speaker 3: in McDonald's telling people to eat McDonald's like like like

249
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Speaker 3: when it was Charles Barkley, I was fine with it.

250
00:11:45,559 --> 00:11:48,520
Speaker 3: Charles Barkley like he had a few quarter pounds in

251
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Speaker 3: his life, Like I'm not. That's not shocking at all.

252
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Speaker 3: Caparel Union like she she would die if she ate

253
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Speaker 3: like half of a chicken nugget. She would just be

254
00:11:59,600 --> 00:12:02,360
Speaker 3: like and then and I went into like an afelective.

255
00:12:01,960 --> 00:12:04,880
Speaker 4: Shop, I was a blood pressure would instantly go with.

256
00:12:05,080 --> 00:12:09,200
Speaker 3: I immediately caught seventeen types of disease from this ship

257
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Speaker 3: because I don't nothing but the finest foods my palate.

258
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Speaker 3: I mean, she ain't gotta make real body okay, like

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Speaker 3: like McDonald's just stretching the the limits of belief a

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00:12:19,920 --> 00:12:23,480
Speaker 3: little too fucking far. Fossephos believe fine ass, Gabrielle Union

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Speaker 3: is is hopping up in there once a week.

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Speaker 5: Like those hard these commercials when they used to have

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Speaker 5: them models, and I'd be like, y'all know them models

264
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Speaker 5: wouldn't be caught daddy neck.

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Speaker 3: Yeah, the McDonald's, I mean, the hard These commercials were

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Speaker 3: less agregious to me because it was clearly just like

267
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Speaker 3: look at this woman with fake titties rubbing on a

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Speaker 3: wet car holding a burger like that.

269
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Speaker 2: That that was much less offensive.

270
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Speaker 3: Gabriel Union was in here, just chilling like I'll be

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Speaker 3: on McDonald's all the time. Like, Gary, you know you

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Speaker 3: ain't nothing stopped. If your driver stopped at mother fucking McDonald's,

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Speaker 3: you would fire the fuck out that neck. You would

274
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Speaker 3: be fired this second, right, even if he stopped for himself,

275
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Speaker 3: like I'm just gonna grab some McDonald's real quick.

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Speaker 2: At Union, she'd be like, sir.

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Speaker 3: While you're grabbing that, go ahead grab your application because

278
00:13:09,040 --> 00:13:10,800
Speaker 3: you fired, you might as well go work there now

279
00:13:11,600 --> 00:13:12,400
Speaker 3: the fuck out of here.

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Speaker 2: I'm glad you're getting paid. Though. I could believe that,

281
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Speaker 2: you know, I could believe that Mary J. Blige ate

282
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Speaker 2: some some chicken wraps, but I I gave believe Gaby

283
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Speaker 2: was up in there.

284
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Speaker 3: Hey, I can't believe Gaby was up in there eating

285
00:13:29,360 --> 00:13:32,679
Speaker 3: any not even like the water, you know what I'm saying, Like,

286
00:13:32,840 --> 00:13:34,880
Speaker 3: not even like the bottle water for McDonald's.

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Speaker 2: And she she'd be like, if you don't get the

288
00:13:36,440 --> 00:13:40,200
Speaker 2: fuck out of my face, what is this right? Uh?

289
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Speaker 3: She probably slapped the fries out your hand. Come you

290
00:13:43,400 --> 00:13:45,240
Speaker 3: want to fry gap and she slap slapped that shit

291
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Speaker 3: get out on my face.

292
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Speaker 2: Let's see what else happened. Oh, you know who was

293
00:13:53,040 --> 00:13:53,600
Speaker 2: hurt the most.

294
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Speaker 3: We don't talk about these people pretty much at all,

295
00:13:56,720 --> 00:13:58,559
Speaker 3: but I was thinking to day man, you know, it

296
00:13:58,600 --> 00:14:01,440
Speaker 3: was probably hurt the most in the digital theft economy.

297
00:14:01,520 --> 00:14:06,440
Speaker 3: You know about napster and streaming and videos being available online.

298
00:14:07,760 --> 00:14:10,120
Speaker 3: The niggas they used to make them racist songs for

299
00:14:10,240 --> 00:14:10,920
Speaker 3: black porn.

300
00:14:10,800 --> 00:14:14,520
Speaker 2: DVD men use. Oh, like, what skill set do they

301
00:14:14,600 --> 00:14:15,319
Speaker 2: have beyond that?

302
00:14:15,400 --> 00:14:17,839
Speaker 3: It's not like they cause you know they it's not

303
00:14:18,000 --> 00:14:21,080
Speaker 3: like anyone ever listened to those songs.

304
00:14:20,760 --> 00:14:23,440
Speaker 2: Because they like the music.

305
00:14:23,720 --> 00:14:25,440
Speaker 3: It was just like a thing that was on a

306
00:14:25,520 --> 00:14:27,920
Speaker 3: DVD that you had to listen to before you get

307
00:14:28,000 --> 00:14:32,160
Speaker 3: hit played and it was always terrible rap always. But

308
00:14:32,280 --> 00:14:35,480
Speaker 3: I imagine that was their only source of income, because

309
00:14:35,480 --> 00:14:37,640
Speaker 3: it's not like anyone else would pay them to hear

310
00:14:37,680 --> 00:14:40,720
Speaker 3: them rap. So what you know, those guys, you know,

311
00:14:41,040 --> 00:14:44,200
Speaker 3: they just don't get to do that anymore. It's kind

312
00:14:44,240 --> 00:14:47,440
Speaker 3: of sad, like that whole economy is gone and nobody

313
00:14:47,480 --> 00:14:50,560
Speaker 3: gets a fuck. I wouldn't even thought about that. I

314
00:14:50,680 --> 00:14:53,520
Speaker 3: thought you was gonna say the the mixtape.

315
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Speaker 2: Man, mixtape man.

316
00:14:54,960 --> 00:14:56,520
Speaker 4: Now, I won't know what the hell you call them.

317
00:14:56,720 --> 00:14:59,280
Speaker 4: The people did come in, like the bober shops.

318
00:14:59,000 --> 00:15:01,880
Speaker 3: And the blue leg the butleg man still still got

319
00:15:01,880 --> 00:15:05,720
Speaker 3: a job. Yeah, the boutleg man always because it's not one.

320
00:15:05,880 --> 00:15:08,600
Speaker 3: Everybody always reduces the bootleg man. The movies and DVDs

321
00:15:08,840 --> 00:15:12,600
Speaker 3: bootlet Man always have blut leg everything, blutleg clothes and shit.

322
00:15:13,080 --> 00:15:15,280
Speaker 3: It's always some type of hustle. So that's nothing but

323
00:15:15,560 --> 00:15:19,120
Speaker 3: the actual the dude that only exists to make songs.

324
00:15:19,160 --> 00:15:22,760
Speaker 3: It's like and we fucking bitches raw, oh, and we

325
00:15:22,880 --> 00:15:27,120
Speaker 3: fucking bitches raw, oh, go going to your jaw fucking

326
00:15:27,160 --> 00:15:27,720
Speaker 3: bitches raw.

327
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Speaker 2: And it's always like something.

328
00:15:29,720 --> 00:15:33,760
Speaker 3: Nobody booty oh, shake it, shake it, and nobody nobody

329
00:15:33,880 --> 00:15:37,400
Speaker 3: knows the uh, the actual rap part. But I always

330
00:15:37,400 --> 00:15:39,920
Speaker 3: appreciate that they actually did do the rap part because

331
00:15:40,280 --> 00:15:40,880
Speaker 3: it wouldn't just.

332
00:15:40,920 --> 00:15:42,760
Speaker 2: Be the chorus. It'd be like a full, like three

333
00:15:42,800 --> 00:15:44,880
Speaker 2: minute song, but nobody's ever gonna listen to it.

334
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Speaker 4: Why are you watching Booty Shake?

335
00:15:47,600 --> 00:15:49,720
Speaker 3: Yeah, it's like, you know, fucking Bitches Raw twelve and

336
00:15:49,760 --> 00:15:52,440
Speaker 3: then there's a fucking Bitches raw on and we fucking

337
00:15:52,480 --> 00:15:55,520
Speaker 3: big draw Yeah, and then like before the dude can

338
00:15:55,560 --> 00:15:56,360
Speaker 3: start rapping us.

339
00:15:56,800 --> 00:15:56,960
Speaker 5: Yeah.

340
00:15:57,080 --> 00:15:58,480
Speaker 2: My, they was a little dn I know when you

341
00:15:58,600 --> 00:16:02,040
Speaker 2: heard it play, you know, I mean like click click too,

342
00:16:02,080 --> 00:16:04,400
Speaker 2: it's going too long. That's enough. I wonder what happened

343
00:16:04,440 --> 00:16:05,960
Speaker 2: to them. I know Wesley Pikes tried to be a

344
00:16:06,080 --> 00:16:08,640
Speaker 2: rapper for real and it didn't work out for him.

345
00:16:08,960 --> 00:16:11,240
Speaker 4: Yeah. I think one of my favorite theme songs was

346
00:16:11,320 --> 00:16:12,640
Speaker 4: the free CODs and flows.

347
00:16:13,200 --> 00:16:16,680
Speaker 2: Oh yeah, Jake Steve, Yeah he was that.

348
00:16:19,320 --> 00:16:21,720
Speaker 4: I like the rap, you know him personally is a

349
00:16:21,760 --> 00:16:22,640
Speaker 4: completely different story.

350
00:16:22,880 --> 00:16:25,280
Speaker 2: I mean, listen, love you can love the art without

351
00:16:28,720 --> 00:16:30,520
Speaker 2: so right the art and the artist. I mean it

352
00:16:30,640 --> 00:16:31,080
Speaker 2: was bad.

353
00:16:31,600 --> 00:16:33,400
Speaker 4: The rapping was really bad.

354
00:16:33,960 --> 00:16:36,040
Speaker 2: Yeah, he was a tarrible rapper, that was He was

355
00:16:36,080 --> 00:16:36,800
Speaker 2: literally was one of that.

356
00:16:36,880 --> 00:16:41,040
Speaker 3: I couldn't believe that that dude got to like the

357
00:16:41,160 --> 00:16:43,800
Speaker 3: thing is though, I guess porn sells itself So it

358
00:16:43,960 --> 00:16:46,320
Speaker 3: was like, if the niggas that make it want a

359
00:16:46,440 --> 00:16:50,000
Speaker 3: rap that that tells you how good porn is the

360
00:16:50,080 --> 00:16:52,760
Speaker 3: people is that these niggas also got to throw in.

361
00:16:53,080 --> 00:16:54,320
Speaker 2: Brian Purple would throw in like.

362
00:16:54,400 --> 00:16:59,760
Speaker 3: Twenty minutes of rap videos and those and those kg

363
00:17:00,080 --> 00:17:05,480
Speaker 3: men suits, untailored suits. He would he was fucking throwing

364
00:17:05,520 --> 00:17:09,840
Speaker 3: twenty minutes of rap videos between having sex with women.

365
00:17:10,280 --> 00:17:13,200
Speaker 2: And like he got to do that for like five years.

366
00:17:13,320 --> 00:17:16,080
Speaker 3: That's how much porn is good to people, is that

367
00:17:16,240 --> 00:17:18,119
Speaker 3: we all just rolled our eyes and skip past that

368
00:17:18,240 --> 00:17:20,119
Speaker 3: part and saying when do we get to the scene.

369
00:17:20,720 --> 00:17:23,080
Speaker 3: And meanwhile, he wanted to be the first like legitimate

370
00:17:23,119 --> 00:17:26,280
Speaker 3: porn rapper and shit, yeah, he was me.

371
00:17:26,320 --> 00:17:28,320
Speaker 4: Keep it d keep it red. I'm rapping what I'm

372
00:17:28,320 --> 00:17:28,840
Speaker 4: really doing?

373
00:17:29,680 --> 00:17:31,800
Speaker 2: Do they still have to borrows? Or have I just

374
00:17:31,920 --> 00:17:34,280
Speaker 2: not been to a mall since Amazon came to Providence

375
00:17:34,440 --> 00:17:37,800
Speaker 2: cause all the ones, I don't know, how can I say?

376
00:17:38,320 --> 00:17:40,080
Speaker 4: I don't know? I can't tell you last time I've

377
00:17:40,080 --> 00:17:41,440
Speaker 4: been to them all? What's them all?

378
00:17:42,200 --> 00:17:42,520
Speaker 2: Mm hm?

379
00:17:42,760 --> 00:17:45,680
Speaker 3: So I mean I was thinking today I wanted some

380
00:17:45,760 --> 00:17:49,200
Speaker 3: pizza and I was like, oh man, it'll be a

381
00:17:49,280 --> 00:17:51,880
Speaker 3: good time to go get some shitty tomorrows pizza from

382
00:17:52,160 --> 00:17:52,760
Speaker 3: from Tomorrow.

383
00:17:53,240 --> 00:17:56,000
Speaker 2: Then I was like, what is today exist? Did they

384
00:17:56,040 --> 00:17:56,800
Speaker 2: go out of business?

385
00:17:57,720 --> 00:17:58,160
Speaker 4: Like how?

386
00:17:58,440 --> 00:18:01,679
Speaker 3: Because I mean the pizza was the reason that they

387
00:18:01,720 --> 00:18:04,000
Speaker 3: stayed in business. Because they're always in like places you

388
00:18:04,040 --> 00:18:05,040
Speaker 3: can't avoid.

389
00:18:04,960 --> 00:18:06,760
Speaker 2: Right, and they always do that.

390
00:18:06,920 --> 00:18:09,959
Speaker 3: And the diabolical part of the Borrows is that they

391
00:18:10,760 --> 00:18:12,879
Speaker 3: they go they're always like they trap you ins on

392
00:18:13,040 --> 00:18:17,320
Speaker 3: like an airport, right, it ain't no a theme park,

393
00:18:18,600 --> 00:18:20,480
Speaker 3: you know, places where there's not a lot of good

394
00:18:20,560 --> 00:18:21,280
Speaker 3: food options.

395
00:18:21,880 --> 00:18:25,439
Speaker 2: And then they're like they take that sauce and they

396
00:18:25,640 --> 00:18:26,800
Speaker 2: just boil it.

397
00:18:26,880 --> 00:18:30,680
Speaker 3: All day and the aroma spreads throughout the whole mall,

398
00:18:30,800 --> 00:18:34,080
Speaker 3: so you just smell it like tomato meat sauce all

399
00:18:34,200 --> 00:18:35,320
Speaker 3: day and you're like, I think.

400
00:18:35,160 --> 00:18:38,560
Speaker 2: I want some pizza. Yeah, I want some pizza. I

401
00:18:38,680 --> 00:18:40,840
Speaker 2: think I gotta go give me some pizza. And you

402
00:18:41,000 --> 00:18:42,960
Speaker 2: go up in there and one body then you're like, oh,

403
00:18:43,000 --> 00:18:46,680
Speaker 2: that's right, it's shitty pizza. Oh that's how I forget?

404
00:18:46,920 --> 00:18:48,000
Speaker 4: Right, they got me again?

405
00:18:48,440 --> 00:18:49,080
Speaker 2: How did I forget?

406
00:18:49,080 --> 00:18:50,480
Speaker 3: It doesn't matter what you put on this piece of

407
00:18:50,520 --> 00:18:53,960
Speaker 3: shit cardboard pizza. It's all terrible.

408
00:18:54,119 --> 00:18:56,560
Speaker 5: Cardboard tastes like cardboard. I don't care if you bake

409
00:18:56,640 --> 00:18:58,959
Speaker 5: it or fry it. As I take it, it's cardboard.

410
00:18:59,160 --> 00:19:02,760
Speaker 2: You have to fucking drowning in that that red sauce

411
00:19:02,840 --> 00:19:05,480
Speaker 2: and ship just to need you get heart burned from it.

412
00:19:05,560 --> 00:19:07,359
Speaker 2: But you got drowning in that red sauce just to

413
00:19:07,400 --> 00:19:09,520
Speaker 2: make it edible, like you.

414
00:19:09,680 --> 00:19:11,880
Speaker 3: I can only eat the fucking like deep dish Chicago

415
00:19:11,960 --> 00:19:14,560
Speaker 3: pizza from there because it's all smothered in red sauce.

416
00:19:15,280 --> 00:19:17,600
Speaker 3: Or you gotta get like a red sauce on the side,

417
00:19:17,680 --> 00:19:18,919
Speaker 3: a strong boli or something's.

418
00:19:19,440 --> 00:19:20,720
Speaker 2: But yeah, I was just I don't know.

419
00:19:20,840 --> 00:19:23,200
Speaker 3: Maybe they still exist, which is a you know, we

420
00:19:23,320 --> 00:19:25,119
Speaker 3: say that the economy is bad, but it's a borrow

421
00:19:25,160 --> 00:19:27,240
Speaker 3: still exists in this economy.

422
00:19:27,480 --> 00:19:28,960
Speaker 2: I mean, what ex use do we have?

423
00:19:29,160 --> 00:19:31,480
Speaker 4: You know, come on, n My piece of game is

424
00:19:31,520 --> 00:19:32,480
Speaker 4: stepped up a lot from that.

425
00:19:32,640 --> 00:19:35,440
Speaker 3: But yes, everybody always talking about fingering and fwisting, but

426
00:19:36,040 --> 00:19:40,320
Speaker 3: figguring and fisting, but what about towing and footing.

427
00:19:41,560 --> 00:19:44,520
Speaker 4: I've seen that. That's disturbing, but I've seen it.

428
00:19:44,800 --> 00:19:48,880
Speaker 3: Nobody talks about it though. You know, they're all used

429
00:19:48,880 --> 00:19:50,840
Speaker 3: to try finger girls at the movies. Somebody else I

430
00:19:50,920 --> 00:19:55,359
Speaker 3: try to tow them at the movies, no slipping, slipping

431
00:19:55,359 --> 00:19:56,800
Speaker 3: piggy up in there as a man.

432
00:19:56,880 --> 00:19:57,600
Speaker 2: Donald calls it.

433
00:20:00,040 --> 00:20:02,119
Speaker 4: A lot of pulling, y'all. So yes, I've seen that.

434
00:20:02,840 --> 00:20:05,080
Speaker 2: Okay, I don't know where he's getting that from, but

435
00:20:05,359 --> 00:20:07,680
Speaker 2: that good for you. I want shame your kink.

436
00:20:08,440 --> 00:20:11,399
Speaker 3: A lot of people got hole. You stopped going be

437
00:20:11,520 --> 00:20:14,560
Speaker 3: like what this click? Asked this question online? A lot

438
00:20:14,560 --> 00:20:16,240
Speaker 3: of people got upset with me, And I was like,

439
00:20:16,280 --> 00:20:18,880
Speaker 3: I just asked a question. There was like on Father's

440
00:20:18,960 --> 00:20:20,600
Speaker 3: Day and I said, how do y'all think y'all got here?

441
00:20:20,760 --> 00:20:21,000
Speaker 4: Come on?

442
00:20:21,560 --> 00:20:21,840
Speaker 2: Okay?

443
00:20:22,600 --> 00:20:25,000
Speaker 3: And I was like, well, that's not how I got here,

444
00:20:25,320 --> 00:20:27,639
Speaker 3: because that's not how children are born. I said, you

445
00:20:27,760 --> 00:20:30,640
Speaker 3: think you know everything about your parents sex. You don't

446
00:20:30,680 --> 00:20:32,480
Speaker 3: know what the fuck they did to have you. Okay,

447
00:20:32,960 --> 00:20:34,960
Speaker 3: you know the one to part where the sperm.

448
00:20:34,800 --> 00:20:37,199
Speaker 4: Hit the eggs, that's how you show up.

449
00:20:37,440 --> 00:20:39,520
Speaker 3: You don't know if it was some footing involved in

450
00:20:39,600 --> 00:20:42,879
Speaker 3: that ship, like your dad might have had them size

451
00:20:42,880 --> 00:20:44,120
Speaker 3: twelves all up in there.

452
00:20:44,200 --> 00:20:47,240
Speaker 2: You don't know what you're talking about, and you don't

453
00:20:47,280 --> 00:20:48,720
Speaker 2: want to know, so shut the fuck up.

454
00:20:48,840 --> 00:20:49,680
Speaker 4: No, you don't want to know.

455
00:20:50,040 --> 00:20:53,000
Speaker 2: Just asking a question. See, that's what's wrong. Kanye was

456
00:20:53,040 --> 00:20:53,639
Speaker 2: partially right.

457
00:20:53,800 --> 00:20:57,680
Speaker 3: Y'all hate free thought? What's wrong with free thinking? I

458
00:20:57,760 --> 00:20:59,600
Speaker 3: can't wonder. That's not like I said, I'm gonna put

459
00:20:59,600 --> 00:21:02,480
Speaker 3: my fit foot up somebody. I just wondered, how come

460
00:21:02,640 --> 00:21:05,040
Speaker 3: one is more socially acceptable than the other.

461
00:21:05,160 --> 00:21:06,000
Speaker 2: That's it correct.

462
00:21:09,200 --> 00:21:15,080
Speaker 3: So Jay and Beyonce dropped their album yesterday, The Carters.

463
00:21:15,880 --> 00:21:19,760
Speaker 3: It's the new supergroup is called. My favorite thing about

464
00:21:19,760 --> 00:21:24,240
Speaker 3: when jay Z and Beyonce drop projects on the title,

465
00:21:24,920 --> 00:21:28,760
Speaker 3: it's how they immediately moved everybody ship off the front page.

466
00:21:30,160 --> 00:21:30,320
Speaker 4: Too.

467
00:21:31,680 --> 00:21:32,760
Speaker 2: Oh that's my favorite.

468
00:21:32,920 --> 00:21:35,639
Speaker 4: Who the fuck you want? I'm going to page?

469
00:21:36,200 --> 00:21:36,360
Speaker 5: Oh?

470
00:21:36,760 --> 00:21:38,560
Speaker 2: That is my favorite fucking thing.

471
00:21:38,760 --> 00:21:40,920
Speaker 4: Man. Like the rotation just changes.

472
00:21:41,359 --> 00:21:43,000
Speaker 3: I look forward to it every time. Like as soon

473
00:21:43,080 --> 00:21:47,600
Speaker 3: as we took a nap Saturday, right because I was tired.

474
00:21:48,280 --> 00:21:50,280
Speaker 3: We did a lot of stuff and then, uh think

475
00:21:50,320 --> 00:21:52,040
Speaker 3: I took it was Saturday, Sunday.

476
00:21:52,640 --> 00:21:56,560
Speaker 2: Which day did it come out? Saturday? Sunday? Saturday? Yeah,

477
00:21:56,560 --> 00:21:58,359
Speaker 2: because my dad was here Sunday and I was listening

478
00:21:58,400 --> 00:22:00,680
Speaker 2: to it, So it came out Saturday.

479
00:22:01,760 --> 00:22:04,680
Speaker 4: And you've been going off days.

480
00:22:04,760 --> 00:22:07,480
Speaker 2: Yeah, Like I came home when we had a you know,

481
00:22:07,560 --> 00:22:07,960
Speaker 2: we had.

482
00:22:07,960 --> 00:22:12,040
Speaker 3: Some good brunch from this this this nice bar up

483
00:22:12,040 --> 00:22:14,840
Speaker 3: the street, and I was like, I'm gonna go home

484
00:22:14,880 --> 00:22:16,480
Speaker 3: and just take a nap. So I took a nap,

485
00:22:17,600 --> 00:22:20,119
Speaker 3: woke up. I was looking at Twitter and it was

486
00:22:20,320 --> 00:22:23,280
Speaker 3: just tweeted. At the tweet about Beyonce, I said, Oh.

487
00:22:23,240 --> 00:22:25,720
Speaker 2: What happened? Did she put out the cause I knew

488
00:22:26,680 --> 00:22:30,200
Speaker 2: she was gonna put out something. I had faith. That's

489
00:22:30,200 --> 00:22:32,080
Speaker 2: why I didn't even like I saw the like we

490
00:22:32,119 --> 00:22:33,080
Speaker 2: didn't even cover on the show.

491
00:22:33,080 --> 00:22:35,080
Speaker 3: All the people that was mad talking about how you're

492
00:22:35,080 --> 00:22:36,639
Speaker 3: gonna go on to it you ain't got no new

493
00:22:36,720 --> 00:22:37,120
Speaker 3: music out.

494
00:22:37,119 --> 00:22:38,040
Speaker 2: I hope you don't say me to.

495
00:22:38,040 --> 00:22:41,679
Speaker 3: Buy this ship, and I'm like, oh, yeah, of little faith, Okay,

496
00:22:42,160 --> 00:22:45,919
Speaker 3: I am not even that indoctrinated into the church of Beyonce.

497
00:22:46,680 --> 00:22:49,280
Speaker 3: And even my black ass knew she wasn't about to

498
00:22:49,359 --> 00:22:53,159
Speaker 3: hit this motherfucking tour without breaking y'all off. Something correct

499
00:22:53,320 --> 00:22:57,840
Speaker 3: to memorize and celebrate during the motherfucking tour like that

500
00:22:58,040 --> 00:22:59,880
Speaker 3: was such a ridiculous thing to be mad.

501
00:23:00,040 --> 00:23:02,520
Speaker 2: I was like, whatever, you know, like, let the tour

502
00:23:02,600 --> 00:23:04,639
Speaker 2: date start and then then be mad, you know.

503
00:23:06,040 --> 00:23:08,159
Speaker 3: So they dropped this, which is funny because it was

504
00:23:08,240 --> 00:23:11,320
Speaker 3: on the eve of nas and Kanye teaming up to

505
00:23:11,400 --> 00:23:14,960
Speaker 3: make a Nazi or another one of Kanye's seven seven

506
00:23:15,080 --> 00:23:17,440
Speaker 3: song projects that he keeps doing with all these different artists.

507
00:23:19,400 --> 00:23:22,400
Speaker 3: I haven't heard much about it, but it's funny because

508
00:23:22,440 --> 00:23:24,800
Speaker 3: I wanted to see if NAS was gonna address the

509
00:23:24,840 --> 00:23:28,880
Speaker 3: stuff about Calise, which she accused him of being abusive,

510
00:23:29,800 --> 00:23:33,119
Speaker 3: and because you know, he's the thoughtful, real rapper, the

511
00:23:33,280 --> 00:23:37,480
Speaker 3: guy who you know, you know, the thinking man's rapper

512
00:23:37,520 --> 00:23:44,879
Speaker 3: and ship and apparently he didn't, so then I was

513
00:23:45,440 --> 00:23:47,320
Speaker 3: so for me personally. I didn't even listen to the

514
00:23:47,400 --> 00:23:49,280
Speaker 3: one he had with the dress on the cover, so

515
00:23:49,400 --> 00:23:51,159
Speaker 3: I was even less inclined to listen to this one

516
00:23:51,200 --> 00:23:53,200
Speaker 3: because I was like, he not, you know, I'm good.

517
00:23:53,720 --> 00:23:56,600
Speaker 3: I'm not a huge NAS fan, you know, so whatever.

518
00:23:57,240 --> 00:24:02,840
Speaker 3: But even with that ship dropping beyond say and jay

519
00:24:02,880 --> 00:24:04,560
Speaker 3: Z is just pretty much erase that ship off the

520
00:24:04,680 --> 00:24:09,880
Speaker 3: map like it's every time. Yeah, like everything is love

521
00:24:10,000 --> 00:24:11,919
Speaker 3: dropped and that was it was a wrap. And then

522
00:24:12,320 --> 00:24:14,440
Speaker 3: it didn't just drop the title. It's exclusive to the

523
00:24:14,480 --> 00:24:16,719
Speaker 3: title for like a day or two. This morning they

524
00:24:16,760 --> 00:24:20,280
Speaker 3: releastened to to Apple and Spotify so you can go

525
00:24:20,400 --> 00:24:24,280
Speaker 3: listen to it. You you don't have to you don't

526
00:24:24,320 --> 00:24:32,000
Speaker 3: have to only have you know title this time. But yeah,

527
00:24:32,040 --> 00:24:34,800
Speaker 3: I love that they just move everybody off the front page.

528
00:24:36,359 --> 00:24:38,720
Speaker 3: I don't even know that I'm one hundred percent raid

529
00:24:38,880 --> 00:24:42,040
Speaker 3: talk about the album yet, although I haven't, you know.

530
00:24:42,600 --> 00:24:43,240
Speaker 2: Listening to it.

531
00:24:43,880 --> 00:24:45,800
Speaker 3: I probably listened to it fully all the way through,

532
00:24:45,880 --> 00:24:47,560
Speaker 3: like four or five times. So I really feel like

533
00:24:47,560 --> 00:24:49,240
Speaker 3: I need to sit with it a little bit longer,

534
00:24:50,720 --> 00:24:54,040
Speaker 3: to like analyze the themes and stuff I'm not really

535
00:24:54,119 --> 00:24:58,159
Speaker 3: one for. I'm not really one forgiven like trying to

536
00:24:58,200 --> 00:25:01,520
Speaker 3: get the hottest take or the the quickest think piece

537
00:25:01,640 --> 00:25:03,040
Speaker 3: or whatever the fuck out. I've seen a lot of

538
00:25:03,040 --> 00:25:05,199
Speaker 3: people do that, you know, which They're entitled to their opinion,

539
00:25:05,840 --> 00:25:08,080
Speaker 3: but I feel like they're still a little more understanding

540
00:25:08,119 --> 00:25:10,920
Speaker 3: I have to do with the album, although I do

541
00:25:11,080 --> 00:25:18,200
Speaker 3: have some general thoughts about it, Like I think it's

542
00:25:18,280 --> 00:25:25,600
Speaker 3: funny how invested people got in the idea of Beyonce

543
00:25:27,160 --> 00:25:31,800
Speaker 3: and jay Z needing to be apart, being separate, to

544
00:25:32,720 --> 00:25:36,199
Speaker 3: not be together while they're married and have three children

545
00:25:36,280 --> 00:25:40,600
Speaker 3: at this point, so much so that I feel like

546
00:25:40,760 --> 00:25:43,240
Speaker 3: people could have seen this coming if they wouldn't have

547
00:25:43,320 --> 00:25:48,200
Speaker 3: been in their agenda driven kind of bag of I

548
00:25:48,359 --> 00:25:50,320
Speaker 3: want to find a way to like this woman, but

549
00:25:50,600 --> 00:25:54,640
Speaker 3: not like or support her husband in any way correct.

550
00:25:56,160 --> 00:25:59,120
Speaker 4: Because to a lot of people got in their feelings

551
00:25:59,119 --> 00:25:59,400
Speaker 4: a lot.

552
00:25:59,480 --> 00:26:00,000
Speaker 2: I think.

553
00:26:01,400 --> 00:26:04,400
Speaker 5: From from our perspective, I've seen a lot of people

554
00:26:04,440 --> 00:26:07,600
Speaker 5: say a lot of different things, and I feel like,

555
00:26:07,760 --> 00:26:11,880
Speaker 5: regardless of if you like jay Z or not, that's

556
00:26:12,000 --> 00:26:14,520
Speaker 5: Beyonce's husband, and like any day.

557
00:26:14,520 --> 00:26:17,439
Speaker 4: Come, you can't fuck with the wife and be like, well,

558
00:26:17,520 --> 00:26:18,320
Speaker 4: fuck your husband.

559
00:26:18,920 --> 00:26:21,720
Speaker 5: I mean, most of the time, if you don't fuck

560
00:26:21,760 --> 00:26:23,439
Speaker 5: with the wife, you don't fuck with the husband. If

561
00:26:23,440 --> 00:26:24,840
Speaker 5: you don't fuck with the husband, you don't fuck with

562
00:26:24,880 --> 00:26:25,160
Speaker 5: the wife.

563
00:26:25,160 --> 00:26:28,159
Speaker 4: They're a unit. So it's funny to.

564
00:26:28,200 --> 00:26:32,199
Speaker 5: See how people complain and huff and puff and get

565
00:26:32,320 --> 00:26:35,080
Speaker 5: mad and get angry and why she got him in pictures. Well,

566
00:26:35,200 --> 00:26:38,159
Speaker 5: she loved him, she married him, y'all. She made that

567
00:26:38,320 --> 00:26:41,080
Speaker 5: choice and she made that decision. You know. I think

568
00:26:41,240 --> 00:26:44,960
Speaker 5: that a lot of people are angry because for some

569
00:26:45,080 --> 00:26:47,920
Speaker 5: people they feel like, I mean, you kind of talked

570
00:26:47,920 --> 00:26:51,440
Speaker 5: about this. If he'll cheat on Beyonce, who am I

571
00:26:51,960 --> 00:26:55,080
Speaker 5: a person just like she is, you know, flawed just

572
00:26:55,160 --> 00:26:59,640
Speaker 5: like she is. And it's one of those things where

573
00:26:59,760 --> 00:27:02,280
Speaker 5: I think that people have been really really in their

574
00:27:02,280 --> 00:27:05,920
Speaker 5: feeling since Lemonade, and some people even say it was

575
00:27:06,000 --> 00:27:08,119
Speaker 5: all a hoax, it was all fake just to get

576
00:27:08,160 --> 00:27:10,040
Speaker 5: I don't think I personally don't think it was.

577
00:27:10,600 --> 00:27:11,840
Speaker 4: I don't, you know, it's just me.

578
00:27:14,240 --> 00:27:17,960
Speaker 5: I think that they're telling you what they want you

579
00:27:18,119 --> 00:27:20,600
Speaker 5: to know, because every everything about them is crafted.

580
00:27:20,640 --> 00:27:21,560
Speaker 4: Please don't get me wrong.

581
00:27:22,840 --> 00:27:25,720
Speaker 5: But at the same time, it's just real funny, almost

582
00:27:25,800 --> 00:27:28,400
Speaker 5: like the Kim Kate stuff that black women got out

583
00:27:28,400 --> 00:27:31,720
Speaker 5: of jail, and everybody want a huff and puffing.

584
00:27:31,440 --> 00:27:34,359
Speaker 4: Him and high and swing around Kim and don't want.

585
00:27:34,200 --> 00:27:36,200
Speaker 5: To give her credit for shit, like she didn't take

586
00:27:36,280 --> 00:27:38,840
Speaker 5: her glass up there and talk to Jonald Trump and

587
00:27:38,920 --> 00:27:40,119
Speaker 5: give him a list of names.

588
00:27:40,880 --> 00:27:42,879
Speaker 4: You know, they don't want to give her credit. Like

589
00:27:42,920 --> 00:27:44,720
Speaker 4: they glad the women free, but they don't. They don't

590
00:27:44,720 --> 00:27:46,240
Speaker 4: want to give credit. It's a lot of people out

591
00:27:46,240 --> 00:27:48,400
Speaker 4: there out there like that, where see people.

592
00:27:48,240 --> 00:27:52,080
Speaker 5: Do things and they don't like the person, and so

593
00:27:52,280 --> 00:27:54,880
Speaker 5: they'll do everything but to get that person in credit

594
00:27:54,920 --> 00:27:57,440
Speaker 5: where credits due. I can say job well done, and

595
00:27:57,520 --> 00:28:00,800
Speaker 5: you you did something, even though I might not care

596
00:28:00,920 --> 00:28:03,600
Speaker 5: for you. I can't erase the actions and the things

597
00:28:03,720 --> 00:28:06,480
Speaker 5: you've done, and so you know, it's really funny when

598
00:28:06,520 --> 00:28:10,760
Speaker 5: it comes to Beyonce because most happily married couples you

599
00:28:10,920 --> 00:28:12,840
Speaker 5: take them as a unit. So it's just really really

600
00:28:12,920 --> 00:28:16,479
Speaker 5: funny to see, you know, how people get in their

601
00:28:16,560 --> 00:28:19,320
Speaker 5: feelings and act like jay Z's the worst thing ever

602
00:28:19,640 --> 00:28:21,800
Speaker 5: and how he's quote unquote.

603
00:28:22,880 --> 00:28:25,159
Speaker 4: Hurt her career and shit like that, and I'm not

604
00:28:25,240 --> 00:28:26,359
Speaker 4: what the fuck is wrong with y'all.

605
00:28:27,320 --> 00:28:30,160
Speaker 3: Yeah, I think it doesn't fit the agendas that people

606
00:28:30,280 --> 00:28:37,359
Speaker 3: have because there's so many things at play with the

607
00:28:37,520 --> 00:28:41,800
Speaker 3: idea of like Beyonce coming of age, where she first

608
00:28:42,000 --> 00:28:45,960
Speaker 3: was doing a lot of you know, independent girl anthem type.

609
00:28:46,080 --> 00:28:50,400
Speaker 3: You know, hey, we we sisters, we bad, we women,

610
00:28:50,480 --> 00:28:52,680
Speaker 3: we bad blah blah blah, and she's kind of evolved

611
00:28:52,720 --> 00:28:55,360
Speaker 3: in a bunch of different directions, one of them being

612
00:28:57,000 --> 00:28:59,360
Speaker 3: she is the kind of person that does want to

613
00:28:59,400 --> 00:29:01,920
Speaker 3: be in a relationship, She does want to be a mother,

614
00:29:03,080 --> 00:29:05,200
Speaker 3: she does want to be well married.

615
00:29:05,240 --> 00:29:05,840
Speaker 2: Even like.

616
00:29:07,480 --> 00:29:13,000
Speaker 3: She is very pro black, she is very intersectional things

617
00:29:13,040 --> 00:29:16,760
Speaker 3: that I think people didn't necessarily see coming to some extent,

618
00:29:16,920 --> 00:29:19,680
Speaker 3: or if you did, you kind of treated like wishful thinking.

619
00:29:21,240 --> 00:29:24,720
Speaker 3: But if anything, at this point, I think everybody should

620
00:29:24,960 --> 00:29:26,000
Speaker 3: have at least gotten a memo.

621
00:29:26,240 --> 00:29:27,560
Speaker 2: She's not to be controlled.

622
00:29:28,240 --> 00:29:31,640
Speaker 3: She's not really doing shit simply for the well, this

623
00:29:31,760 --> 00:29:33,560
Speaker 3: is what y'all think, y'all want, so let me just

624
00:29:33,920 --> 00:29:35,920
Speaker 3: fake whatever it is y'all want, you know, I still

625
00:29:35,920 --> 00:29:37,960
Speaker 3: see people trying to put that on her on some

626
00:29:38,240 --> 00:29:40,680
Speaker 3: like it's funny. I saw a tweet that was making

627
00:29:40,720 --> 00:29:42,240
Speaker 3: a rounds. I'm not I didn't share it or nothing.

628
00:29:42,280 --> 00:29:44,760
Speaker 3: It was just funny seeing people's reactions. But this woman

629
00:29:44,880 --> 00:29:47,719
Speaker 3: was like, she doesn't even understand all the artistic images

630
00:29:47,760 --> 00:29:49,360
Speaker 3: in her own video and shit, it's like, how could

631
00:29:49,360 --> 00:29:52,200
Speaker 3: you possibly know that everybody's worked with her says she's

632
00:29:52,240 --> 00:29:56,960
Speaker 3: a control fucking freak, that she's like looking into every

633
00:29:57,040 --> 00:30:00,239
Speaker 3: aspect of everything involving her image, her art, every thing.

634
00:30:01,160 --> 00:30:04,040
Speaker 2: The idea of her putting out music she doesn't understand

635
00:30:04,160 --> 00:30:05,760
Speaker 2: is ridiculous to me, Like.

636
00:30:05,880 --> 00:30:05,960
Speaker 7: But.

637
00:30:07,840 --> 00:30:09,920
Speaker 2: Or videos and images she don't understand.

638
00:30:10,000 --> 00:30:12,760
Speaker 3: Like, I think it's very convenient to try to reduce

639
00:30:12,840 --> 00:30:16,120
Speaker 3: her for a lot of people, and it's hard for

640
00:30:16,200 --> 00:30:19,320
Speaker 3: people to accept the full vision of her when she

641
00:30:19,480 --> 00:30:22,880
Speaker 3: doesn't neatly fit into what people want to see. But

642
00:30:23,040 --> 00:30:25,840
Speaker 3: I think one of the things about this album and

643
00:30:25,960 --> 00:30:32,000
Speaker 3: about them as a couple, is there's a type of

644
00:30:34,960 --> 00:30:38,480
Speaker 3: revolution in this them loving each other. And I think

645
00:30:38,600 --> 00:30:41,040
Speaker 3: often people think of it more from her part because

646
00:30:42,040 --> 00:30:44,840
Speaker 3: that's how most people view cheating in our society, right.

647
00:30:44,960 --> 00:30:48,480
Speaker 3: They view it as the woman giving something up, and

648
00:30:49,280 --> 00:30:51,680
Speaker 3: we pretty much make that that's what women supposed to do,

649
00:30:51,800 --> 00:30:54,320
Speaker 3: quote unquote, is a man like you, you need to

650
00:30:54,360 --> 00:30:56,520
Speaker 3: give up everything, settle down, just take whatever the fuck

651
00:30:56,560 --> 00:30:58,560
Speaker 3: he give you and be happy and shut the fuck up.

652
00:30:58,720 --> 00:30:58,880
Speaker 1: Right.

653
00:30:59,600 --> 00:31:01,840
Speaker 3: So, I think a lot of people, especially when it

654
00:31:01,880 --> 00:31:05,480
Speaker 3: comes to something like infidelity, uh that was public with

655
00:31:05,600 --> 00:31:09,160
Speaker 3: them or whatever. And I still, in my opinion, feel

656
00:31:09,160 --> 00:31:11,080
Speaker 3: like they didn't start releasing music about it till they

657
00:31:11,120 --> 00:31:13,840
Speaker 3: probably had handled it already correct, even if people in

658
00:31:13,920 --> 00:31:15,960
Speaker 3: real time thought they were getting like some juice. I

659
00:31:16,040 --> 00:31:18,360
Speaker 3: think they was like, we only can tell y'all this

660
00:31:18,400 --> 00:31:23,800
Speaker 3: because it's already taken care of. But I think people

661
00:31:23,880 --> 00:31:26,440
Speaker 3: see that power, dynamic ass Beyonce, the biggest star on

662
00:31:26,480 --> 00:31:29,320
Speaker 3: the earth, dealing with a nigga that cheated on her? Well,

663
00:31:29,360 --> 00:31:32,160
Speaker 3: what hope do I have? What does that say about me?

664
00:31:32,320 --> 00:31:33,920
Speaker 3: What was it say about her feminism? What was it

665
00:31:33,960 --> 00:31:36,760
Speaker 3: say about blah blah blah, which you know, I don't think.

666
00:31:36,880 --> 00:31:40,600
Speaker 2: I think. I think if you think about.

667
00:31:40,520 --> 00:31:45,080
Speaker 3: Men women in uh CIS had relationships dealing with CIS

668
00:31:45,160 --> 00:31:49,560
Speaker 3: had men, Nigga, it's a fucking needle in a haystack

669
00:31:50,200 --> 00:31:54,040
Speaker 3: to fucking find that dude that never will ever fuck up,

670
00:31:54,240 --> 00:31:59,960
Speaker 3: knows everything completely blah blah blah. So there's so they're

671
00:32:00,240 --> 00:32:02,520
Speaker 3: that part like all women that probably end up going

672
00:32:02,560 --> 00:32:05,920
Speaker 3: through something fucked up. And much like the season Sorry

673
00:32:06,000 --> 00:32:10,160
Speaker 3: thing with the me too movement, this her situation in

674
00:32:10,240 --> 00:32:14,120
Speaker 3: her marriage is probably more emblematic and relatable to a

675
00:32:14,360 --> 00:32:17,200
Speaker 3: lot of women in the world who don't talk up

676
00:32:17,240 --> 00:32:19,560
Speaker 3: about it because a lot of times you get shamed.

677
00:32:20,360 --> 00:32:22,800
Speaker 3: Uh if you if you find someone finds out not

678
00:32:22,880 --> 00:32:26,920
Speaker 3: to mention, it's embarrassing. If someone were to publicly out

679
00:32:27,000 --> 00:32:28,920
Speaker 3: you as the woman who got cheated on the stage,

680
00:32:28,960 --> 00:32:32,160
Speaker 3: it's like, wow, Wow, you have no respect for yourself,

681
00:32:32,320 --> 00:32:35,320
Speaker 3: like a bunch of negative things when which you know,

682
00:32:35,680 --> 00:32:38,000
Speaker 3: some cases, I'm sure it is that way, but in

683
00:32:38,120 --> 00:32:41,120
Speaker 3: some cases people make mistakes and y'all can work it out.

684
00:32:41,840 --> 00:32:45,000
Speaker 5: It's a lot of married couple that have been together

685
00:32:45,160 --> 00:32:49,520
Speaker 5: for years where infidelity has happened and not only for

686
00:32:49,640 --> 00:32:51,040
Speaker 5: the man, sometimes it's the women.

687
00:32:51,200 --> 00:32:53,760
Speaker 3: But for women it's like extra hard because it's like,

688
00:32:53,840 --> 00:32:55,880
Speaker 3: how dare you get the pussy a way?

689
00:32:56,400 --> 00:32:59,280
Speaker 5: But when it comes to that, it had. When it

690
00:32:59,360 --> 00:33:02,600
Speaker 5: comes to that that, it doesn't matter which partnersteps out,

691
00:33:02,680 --> 00:33:05,840
Speaker 5: it happened. Sometimes you're able to repair it, and then

692
00:33:05,960 --> 00:33:06,800
Speaker 5: sometimes you're.

693
00:33:06,720 --> 00:33:07,640
Speaker 4: Not able to repair it.

694
00:33:08,000 --> 00:33:09,840
Speaker 5: And like I said, there are couples today, some of

695
00:33:09,880 --> 00:33:14,040
Speaker 5: y'all parents and great grandparents and aunts and uncles that

696
00:33:14,960 --> 00:33:17,880
Speaker 5: moved past that and they don't have fucked up relationships.

697
00:33:18,000 --> 00:33:21,320
Speaker 5: They moved, they learned, they grew, and they moved on

698
00:33:21,440 --> 00:33:23,080
Speaker 5: with their lives and they're not staying there.

699
00:33:23,280 --> 00:33:25,560
Speaker 2: And you wouldn't know all necessarily either.

700
00:33:25,640 --> 00:33:27,840
Speaker 3: I mean, so like that episode of Insecure when Molly

701
00:33:27,880 --> 00:33:30,640
Speaker 3: found out her parents had been together through infidelity and

702
00:33:30,760 --> 00:33:32,320
Speaker 3: she lost everything, And.

703
00:33:32,400 --> 00:33:33,560
Speaker 2: I think it's the same thing.

704
00:33:33,680 --> 00:33:36,600
Speaker 3: But with Beyonce, a lot of people have put her

705
00:33:36,680 --> 00:33:40,200
Speaker 3: on a pedestal of almost idle worship, and like the

706
00:33:41,000 --> 00:33:44,040
Speaker 3: symbolism of what that she needs to represent for them

707
00:33:44,160 --> 00:33:46,760
Speaker 3: is bigger than what a human being can.

708
00:33:46,760 --> 00:33:48,080
Speaker 2: Actually do in real life.

709
00:33:48,120 --> 00:33:51,440
Speaker 3: So it's like her relationship becomes a reflection of all

710
00:33:51,680 --> 00:33:55,520
Speaker 3: your relationships which is unfair to do to anybody, And

711
00:33:55,600 --> 00:33:59,040
Speaker 3: it's already gross and wrong to shame women for being

712
00:33:59,080 --> 00:33:59,800
Speaker 3: cheated on anyway.

713
00:34:00,160 --> 00:34:04,200
Speaker 2: People say it either snarkily or sometimes just on some like.

714
00:34:05,360 --> 00:34:08,279
Speaker 3: Petty jealous shit where it's like, well she got cheated on, Uh,

715
00:34:08,600 --> 00:34:10,000
Speaker 3: well what y'all think?

716
00:34:10,040 --> 00:34:10,279
Speaker 4: Fine?

717
00:34:10,280 --> 00:34:11,160
Speaker 2: Women don't get cheated on?

718
00:34:11,200 --> 00:34:14,279
Speaker 3: You know this idea of like ha haha, laughing at

719
00:34:14,320 --> 00:34:17,080
Speaker 3: the person who got cheated on, as opposed to well,

720
00:34:17,120 --> 00:34:21,320
Speaker 3: what does it say about men that they would do

721
00:34:21,440 --> 00:34:22,160
Speaker 3: this to somebody?

722
00:34:22,800 --> 00:34:24,239
Speaker 2: You know what I mean? Like, what does it say

723
00:34:24,400 --> 00:34:26,840
Speaker 2: that you can be you can check all these boxes?

724
00:34:27,400 --> 00:34:28,239
Speaker 2: And men would do this?

725
00:34:28,400 --> 00:34:30,640
Speaker 3: And instead of us empathizing with the person who's been

726
00:34:32,080 --> 00:34:34,000
Speaker 3: going through this shit, we end up turning on the

727
00:34:34,719 --> 00:34:37,279
Speaker 3: on the dude and then eventually turning on them like

728
00:34:37,640 --> 00:34:39,879
Speaker 3: like we're like, it's the dude is bad?

729
00:34:40,200 --> 00:34:40,719
Speaker 2: Leave him this?

730
00:34:41,640 --> 00:34:45,520
Speaker 3: Well, actually, you know, we're gonna go therapy, counseling, We're

731
00:34:45,520 --> 00:34:47,439
Speaker 3: gonna work this out, we're gonna figure something out, would

732
00:34:47,520 --> 00:34:50,960
Speaker 3: give a shot at trying, you know, marriages, blah blah blah,

733
00:34:51,040 --> 00:34:53,160
Speaker 3: and you know till depth d you part. And I'm

734
00:34:53,239 --> 00:34:54,920
Speaker 3: actually did believe in that shit, and I'm gonna try

735
00:34:54,920 --> 00:34:58,680
Speaker 3: to figure this out. There's a lot of people that

736
00:34:58,840 --> 00:35:02,759
Speaker 3: reject that because of their own pride and ego and

737
00:35:02,840 --> 00:35:06,800
Speaker 3: their own experiences with men, you know, their own experiences

738
00:35:06,800 --> 00:35:08,880
Speaker 3: with giving somebody a second chance that didn't value that

739
00:35:08,960 --> 00:35:13,719
Speaker 3: second chance. And honestly, you can be made to look

740
00:35:13,800 --> 00:35:16,399
Speaker 3: like a fool twice, you know, and people have even

741
00:35:16,480 --> 00:35:19,200
Speaker 3: less sympathy because they're gonna blame the woman period. They're

742
00:35:19,200 --> 00:35:21,400
Speaker 3: gonna blame her for staying she gets cheated on one time,

743
00:35:21,400 --> 00:35:23,160
Speaker 3: They're gonna blame her for getting cheated on if she

744
00:35:23,360 --> 00:35:24,960
Speaker 3: leaves the dude that cheats on the look at the

745
00:35:25,040 --> 00:35:28,480
Speaker 3: era she left, they still blamed her because our society

746
00:35:28,520 --> 00:35:33,799
Speaker 3: set up to blame women no matter what. So with Beyonce, though,

747
00:35:33,880 --> 00:35:37,560
Speaker 3: what I find interesting in their story it becomes about her.

748
00:35:38,120 --> 00:35:41,319
Speaker 3: But there's this other side that we don't talk about

749
00:35:41,320 --> 00:35:44,920
Speaker 3: because want a privilege. But I was amazed on this

750
00:35:45,040 --> 00:35:48,040
Speaker 3: album so far by how much jay Z's giving up

751
00:35:49,239 --> 00:35:52,040
Speaker 3: of the male patriarchal ego thing.

752
00:35:52,120 --> 00:35:54,719
Speaker 2: It's not completely gone. I mean, he's still a human being,

753
00:35:54,760 --> 00:35:57,640
Speaker 2: he still has ego. We all do. He's still gonna

754
00:35:57,680 --> 00:36:01,640
Speaker 2: brag blah blah blah. But if you would have told me.

755
00:36:03,560 --> 00:36:08,000
Speaker 3: Fucking fifteen years ago, twenty years ago, this nigga would

756
00:36:08,000 --> 00:36:13,640
Speaker 3: be wrapping about being in love so fucking like unabashedly.

757
00:36:14,480 --> 00:36:17,040
Speaker 2: Like soft quote unquote. And I don't mean that in

758
00:36:17,120 --> 00:36:19,759
Speaker 2: the mean way. I mean that in it like I

759
00:36:19,840 --> 00:36:22,160
Speaker 2: can't think of a better way to describe what the

760
00:36:22,239 --> 00:36:23,319
Speaker 2: fuck he's talking about.

761
00:36:23,400 --> 00:36:28,560
Speaker 3: He's talking about making love in the summertime and being

762
00:36:28,680 --> 00:36:35,040
Speaker 3: grateful that music helps his kids sleep now and saying

763
00:36:35,400 --> 00:36:39,439
Speaker 3: like thanking his wife for saving them from his own

764
00:36:39,560 --> 00:36:44,080
Speaker 3: destructive tendencies, that he let his own self destructive tendencies

765
00:36:44,560 --> 00:36:49,279
Speaker 3: extend to destroying his marriage and his family almost and

766
00:36:49,400 --> 00:36:53,120
Speaker 3: if it hadn't a been for her having some sort

767
00:36:53,239 --> 00:36:57,000
Speaker 3: of forgiveness in her heart and not just forgiveness, but like.

768
00:37:00,040 --> 00:37:01,480
Speaker 2: That's the best phrase I have for it, is like

769
00:37:01,600 --> 00:37:07,239
Speaker 2: redemptive awareness, Like we can, we can redeem this thing

770
00:37:08,200 --> 00:37:10,880
Speaker 2: if you're willing to work for it. But I gotta

771
00:37:10,960 --> 00:37:11,560
Speaker 2: see it in you.

772
00:37:13,880 --> 00:37:17,920
Speaker 3: To not just be living her life for everybody outside,

773
00:37:18,080 --> 00:37:19,960
Speaker 3: even though they have a life. Like he has a

774
00:37:20,000 --> 00:37:23,040
Speaker 3: couple of bars about fame on here where he talks

775
00:37:23,080 --> 00:37:26,799
Speaker 3: about how they're rich and famous, but they're not really

776
00:37:26,880 --> 00:37:29,759
Speaker 3: trying to be famous, like like he's like you know,

777
00:37:29,960 --> 00:37:30,680
Speaker 3: because if you.

778
00:37:30,719 --> 00:37:32,120
Speaker 2: Think about that life, you're like, well, how does that

779
00:37:32,200 --> 00:37:32,600
Speaker 2: make sense?

780
00:37:32,640 --> 00:37:35,719
Speaker 3: But it kind of does. Like they tell us what

781
00:37:35,840 --> 00:37:37,640
Speaker 3: the fuck they want us to know when they want

782
00:37:37,719 --> 00:37:40,480
Speaker 3: us to know it. They're very secretive. I mean they

783
00:37:40,640 --> 00:37:43,920
Speaker 3: used in the artwork for like some of the photos

784
00:37:43,960 --> 00:37:48,360
Speaker 3: for this album, they had actors as the twins for

785
00:37:48,440 --> 00:37:50,920
Speaker 3: that when they took photos, so it's not their actual babies.

786
00:37:51,560 --> 00:37:52,200
Speaker 2: Like people will.

787
00:37:52,040 --> 00:37:54,319
Speaker 3: Speculating like, oh, we finally see Roomy and Sir Carter

788
00:37:54,360 --> 00:37:56,440
Speaker 3: and they're like, actually you did not.

789
00:37:56,840 --> 00:38:00,000
Speaker 2: We hire those babies, okay, Like that's our business, fuck y'all.

790
00:38:01,840 --> 00:38:02,600
Speaker 2: So it's kind of this.

791
00:38:04,520 --> 00:38:08,919
Speaker 3: So I think it's kind of this thing where, unfortunately,

792
00:38:09,000 --> 00:38:12,200
Speaker 3: because it's so wrapped up in how people view Beyonce

793
00:38:12,960 --> 00:38:17,040
Speaker 3: and not how people view the total package of who

794
00:38:17,120 --> 00:38:19,640
Speaker 3: the Carters are, I feel like we're missing out on

795
00:38:19,680 --> 00:38:24,920
Speaker 3: a great transformation of a dude who a lot of

796
00:38:25,000 --> 00:38:30,000
Speaker 3: dudes idolized, and he was the symbol of like I'll

797
00:38:30,160 --> 00:38:31,080
Speaker 3: never settle down.

798
00:38:31,680 --> 00:38:34,560
Speaker 2: I'm gonna get holds forever. I don't.

799
00:38:34,640 --> 00:38:37,640
Speaker 3: I'm sorry I made you cry, but you will never

800
00:38:37,760 --> 00:38:41,200
Speaker 3: see me crying. I'll make the song cry before I cry,

801
00:38:41,640 --> 00:38:44,920
Speaker 3: because I don't cry. I'm a man's man quote unquote.

802
00:38:45,000 --> 00:38:51,400
Speaker 3: I to see that dude quote unquote when but not

803
00:38:51,680 --> 00:38:54,720
Speaker 3: when in the stereotypical Oh, he won because he's fucking

804
00:38:54,760 --> 00:38:58,080
Speaker 3: the baddest chick on the planet, like to win on

805
00:38:58,200 --> 00:39:02,280
Speaker 3: some like he won because he overcame his emotional scars,

806
00:39:02,760 --> 00:39:07,239
Speaker 3: his insecurities, his a lot of the toxic masculinity that

807
00:39:07,320 --> 00:39:08,160
Speaker 3: he's working through.

808
00:39:08,440 --> 00:39:10,480
Speaker 2: The things people say they really do want from men.

809
00:39:10,600 --> 00:39:15,680
Speaker 3: But the codharted truth is a lot of everybody's you know,

810
00:39:16,480 --> 00:39:20,839
Speaker 3: favorite Twitter personalities and most active like blah blah, they

811
00:39:20,840 --> 00:39:23,560
Speaker 3: don't actually want that shit. They like being mad at people,

812
00:39:24,160 --> 00:39:26,680
Speaker 3: and they really prefer for these niggas to fall short

813
00:39:26,800 --> 00:39:29,200
Speaker 3: so they can like point out how they're not perfect

814
00:39:29,719 --> 00:39:32,239
Speaker 3: as opposed because like a lot of times people quote

815
00:39:32,280 --> 00:39:34,400
Speaker 3: unquote do the work that people ask for them and

816
00:39:34,440 --> 00:39:37,160
Speaker 3: they get mad at them for doing the work. It's like, well,

817
00:39:37,160 --> 00:39:39,200
Speaker 3: I apologize, and this is the state, this is where

818
00:39:39,239 --> 00:39:41,319
Speaker 3: I'm at right now, and I realize I was wrong

819
00:39:41,360 --> 00:39:43,719
Speaker 3: about that, and I'm working on You're only doing that

820
00:39:43,840 --> 00:39:48,400
Speaker 3: for the Selle albums. Okay, what does it look like

821
00:39:48,440 --> 00:39:51,000
Speaker 3: when I do this to not sell albums. You know

822
00:39:51,040 --> 00:39:53,680
Speaker 3: what I'm saying, What do you want to come back

823
00:39:53,719 --> 00:39:55,279
Speaker 3: and talk? But what you can't Well, I can only

824
00:39:55,320 --> 00:39:57,719
Speaker 3: talk about my life. I can be an example to

825
00:39:57,760 --> 00:39:59,719
Speaker 3: the people that used to think like me, and they're

826
00:39:59,760 --> 00:40:03,520
Speaker 3: now watching me, you know, one of the most storied

827
00:40:03,640 --> 00:40:05,760
Speaker 3: rappers and business mogus in the planet.

828
00:40:06,320 --> 00:40:06,920
Speaker 2: On the planet.

829
00:40:07,000 --> 00:40:10,720
Speaker 3: You're not watching me turn this page in my life

830
00:40:10,800 --> 00:40:13,399
Speaker 3: to be like, yo, I fucked up, and I'm being

831
00:40:13,520 --> 00:40:16,160
Speaker 3: vocal about it. Not I fucked up. I've played to

832
00:40:16,239 --> 00:40:18,759
Speaker 3: the back, kept it to myself, and I'm gonna reap

833
00:40:18,800 --> 00:40:21,799
Speaker 3: the benefits of the image that I crafted for twenty years.

834
00:40:22,040 --> 00:40:24,239
Speaker 3: I'm gonna reap that benefit of everybody thinking I'm the

835
00:40:24,280 --> 00:40:27,040
Speaker 3: coolest p play a hustle on the planet. But I'm

836
00:40:27,120 --> 00:40:29,760
Speaker 3: just I'm just not gonna talk about how it's fucked

837
00:40:29,840 --> 00:40:31,680
Speaker 3: up that I cheated on my wife. It's fucked up

838
00:40:32,200 --> 00:40:36,120
Speaker 3: that you know I almost destroyed my family. It's fucked

839
00:40:36,160 --> 00:40:39,439
Speaker 3: up that you know I was the kind of person

840
00:40:39,520 --> 00:40:44,759
Speaker 3: where my mom was in the closet and I didn't

841
00:40:44,760 --> 00:40:49,640
Speaker 3: even really notice or care and never understood until like

842
00:40:49,760 --> 00:40:51,160
Speaker 3: I had to get to a place where she was

843
00:40:51,239 --> 00:40:53,359
Speaker 3: ready to tell me to understand what she went through

844
00:40:53,719 --> 00:40:56,120
Speaker 3: not telling me, you know that kind of shit that

845
00:40:56,239 --> 00:41:00,120
Speaker 3: we kind of it kind of gets glossed over if

846
00:41:00,120 --> 00:41:02,520
Speaker 3: you let other people tell the stories, which is why

847
00:41:02,560 --> 00:41:05,640
Speaker 3: a lot of times I can't read or really I

848
00:41:05,719 --> 00:41:08,200
Speaker 3: don't really interact with people about their music opinions because

849
00:41:08,239 --> 00:41:09,400
Speaker 3: it's so biased.

850
00:41:09,520 --> 00:41:13,880
Speaker 2: We're really more talking about our own opinions. Anyway.

851
00:41:14,040 --> 00:41:16,920
Speaker 3: I just think, like other things that hit me right away,

852
00:41:17,160 --> 00:41:21,720
Speaker 3: it was that, like, because Beyonce already just being that nigga.

853
00:41:22,000 --> 00:41:27,440
Speaker 2: I mean, she rapping now, like on like almost every track.

854
00:41:29,480 --> 00:41:30,320
Speaker 4: I made a joke.

855
00:41:30,200 --> 00:41:33,239
Speaker 5: Today, but I meant did Beyonce came out with a

856
00:41:33,400 --> 00:41:36,320
Speaker 5: country song, she came out with a rock song. She

857
00:41:36,480 --> 00:41:40,160
Speaker 5: dropping them them sixteen bars. Next album, you' Gonna Suck

858
00:41:40,160 --> 00:41:40,840
Speaker 5: Around and Fly.

859
00:41:41,440 --> 00:41:43,799
Speaker 2: Yeah, she hit that like bottom of jet I said,

860
00:41:43,840 --> 00:41:47,680
Speaker 2: Oh my nigga, come on, like she like she's on

861
00:41:47,800 --> 00:41:49,279
Speaker 2: some whole other level. Shit.

862
00:41:49,440 --> 00:41:52,600
Speaker 3: She's always had a shit together, Like we've never really

863
00:41:52,640 --> 00:41:56,840
Speaker 3: seen her without her shit together. But it's been interesting

864
00:41:57,400 --> 00:42:04,160
Speaker 3: watching the dude that to a certain extent, probably one

865
00:42:04,200 --> 00:42:08,200
Speaker 3: of the most I'm trying to think of others, but

866
00:42:08,480 --> 00:42:10,880
Speaker 3: I would say, in my mind, he's one of the

867
00:42:11,000 --> 00:42:14,960
Speaker 3: forebears of toxic masculinity within the black community. And I

868
00:42:15,000 --> 00:42:17,279
Speaker 3: don't mean that as a as a disc I just

869
00:42:17,400 --> 00:42:19,239
Speaker 3: mean it because I think a lot of our music

870
00:42:19,360 --> 00:42:21,960
Speaker 3: is like that and we just don't think about it correct.

871
00:42:22,000 --> 00:42:25,359
Speaker 3: But I mean as far as propagating it, profiting out

872
00:42:25,480 --> 00:42:28,440
Speaker 3: of it, spreading it, I mean, Jay was, and I

873
00:42:28,520 --> 00:42:30,600
Speaker 3: mean and I'm like, I have empathy for it because

874
00:42:30,600 --> 00:42:34,240
Speaker 3: I'm not saying, Oh, he had all this this information

875
00:42:34,320 --> 00:42:35,680
Speaker 3: and he just said, fuck it, I'm gonna be this.

876
00:42:36,400 --> 00:42:39,960
Speaker 2: Like he was the thinking man's drug dealing rapper.

877
00:42:40,760 --> 00:42:43,920
Speaker 3: You know, he did feel bad about selling drugs to

878
00:42:43,960 --> 00:42:47,200
Speaker 3: these people, but understood like I still, I'm still gonna

879
00:42:47,239 --> 00:42:48,400
Speaker 3: do this, you know.

880
00:42:48,800 --> 00:42:51,359
Speaker 2: And you know he rapped about such, you know, selling

881
00:42:51,440 --> 00:42:55,759
Speaker 2: drugs is own family and shit back in the day.

882
00:42:55,840 --> 00:43:00,520
Speaker 3: You know, he rapped about the somberness of having all

883
00:43:00,600 --> 00:43:05,080
Speaker 3: this money, but you can't really enjoy your money because

884
00:43:05,080 --> 00:43:08,279
Speaker 3: of the one how you got it, but two you're

885
00:43:08,320 --> 00:43:10,040
Speaker 3: still in a place where people are gonna take it

886
00:43:10,120 --> 00:43:13,320
Speaker 3: from me. You know, when when he's like, you know,

887
00:43:13,440 --> 00:43:16,640
Speaker 3: you think I'm lucky, but how lucky am I? You know,

888
00:43:16,920 --> 00:43:19,160
Speaker 3: like I'm poisoning to my people? And then also like

889
00:43:20,080 --> 00:43:24,319
Speaker 3: niggas want to kill me over the shit, I'm never

890
00:43:24,400 --> 00:43:27,360
Speaker 3: gonna have a relationship with a woman on any level

891
00:43:27,480 --> 00:43:30,000
Speaker 3: beyond just trying to fuck him or something, you know,

892
00:43:30,239 --> 00:43:32,600
Speaker 3: like he had like he was trapped in that box.

893
00:43:32,760 --> 00:43:37,080
Speaker 3: And if it hadn't been for this woman, which is,

894
00:43:37,280 --> 00:43:40,040
Speaker 3: you know, a sad story, but just kind of the

895
00:43:40,120 --> 00:43:42,080
Speaker 3: story of a lot of men, if it hadn't been

896
00:43:42,120 --> 00:43:46,759
Speaker 3: for this woman loving him, he was never going to

897
00:43:46,840 --> 00:43:48,399
Speaker 3: wake up to that shit, right.

898
00:43:48,480 --> 00:43:52,960
Speaker 5: And the thing about it, particularly in my opinion, because

899
00:43:53,000 --> 00:43:56,759
Speaker 5: of a toxic masculinity. It's a lot of dudes who

900
00:43:56,840 --> 00:43:59,879
Speaker 5: have a lot of women that literally loved the hell

901
00:44:00,760 --> 00:44:03,560
Speaker 5: like like like they love them to break their walls down,

902
00:44:03,719 --> 00:44:07,160
Speaker 5: they they soften their hearts, you know. But my thing

903
00:44:07,440 --> 00:44:10,600
Speaker 5: is that depending on a woman, that's every that's not

904
00:44:10,680 --> 00:44:12,800
Speaker 5: every woman's responsibility, it's desire.

905
00:44:13,040 --> 00:44:16,319
Speaker 2: Well, see that that point you just made is why

906
00:44:16,400 --> 00:44:17,600
Speaker 2: I think people.

907
00:44:18,840 --> 00:44:21,200
Speaker 3: Don't like him and they don't like her with him,

908
00:44:21,280 --> 00:44:23,640
Speaker 3: and they don't like the album with them being together,

909
00:44:23,680 --> 00:44:26,600
Speaker 3: they don't like to tour them together. It's that exact thought,

910
00:44:27,520 --> 00:44:29,360
Speaker 3: Like women are just kind of fed up with it.

911
00:44:30,400 --> 00:44:36,000
Speaker 3: So why would this icon do something that women are

912
00:44:36,040 --> 00:44:40,200
Speaker 3: fed up with so I think that's where it comes from.

913
00:44:41,120 --> 00:44:44,080
Speaker 5: And to an extent, I can under I can understand

914
00:44:44,239 --> 00:44:48,440
Speaker 5: bad frustration, particularly as you get older.

915
00:44:48,960 --> 00:44:50,840
Speaker 4: You like, nigga, you ought to have your shit together.

916
00:44:51,000 --> 00:44:54,120
Speaker 4: We all old. Ain't nobody got time, nobody got time

917
00:44:54,160 --> 00:44:55,040
Speaker 4: to raise a child.

918
00:44:56,360 --> 00:45:00,719
Speaker 3: Yeah, but you didn't marry that nigga. Correct, man's it's

919
00:45:00,800 --> 00:45:02,640
Speaker 3: kind of like the Kim Kardashi and Kanye thing.

920
00:45:02,840 --> 00:45:03,640
Speaker 2: I wouldn't. Then.

921
00:45:03,760 --> 00:45:06,640
Speaker 3: That's why I didn't accept Kanye's proposal, because I don't

922
00:45:06,640 --> 00:45:08,000
Speaker 3: know what to do when the nigga come home and

923
00:45:08,080 --> 00:45:11,520
Speaker 3: say slavery is a choice, kill must because.

924
00:45:11,239 --> 00:45:13,200
Speaker 2: They figured it out my black ass would do. I

925
00:45:13,280 --> 00:45:14,640
Speaker 2: don't know what I could have done, you know.

926
00:45:15,160 --> 00:45:16,880
Speaker 3: But one of the things I was gonna say too,

927
00:45:17,000 --> 00:45:20,920
Speaker 3: even when Kanye, you know, even with jay Z, with

928
00:45:21,000 --> 00:45:23,960
Speaker 3: a lot of men, women are tired of hearing men

929
00:45:24,400 --> 00:45:27,360
Speaker 3: learn how to respect and treat women and think of

930
00:45:27,440 --> 00:45:30,680
Speaker 3: women as human beings until they have a daughter, come on, now,

931
00:45:30,760 --> 00:45:34,319
Speaker 3: till they get married, you know, things of this nature. Right,

932
00:45:34,680 --> 00:45:36,680
Speaker 3: It's tired to y'all the same way it's tired of

933
00:45:36,719 --> 00:45:37,520
Speaker 3: me as a black person.

934
00:45:37,680 --> 00:45:37,799
Speaker 5: Right.

935
00:45:37,920 --> 00:45:39,560
Speaker 3: Well, I'm like, I mean, you're obviously a black woman,

936
00:45:39,640 --> 00:45:42,200
Speaker 3: but when you hear a white person hit the you know.

937
00:45:42,920 --> 00:45:45,600
Speaker 3: And then my daughter married a black man, and I realized, well,

938
00:45:45,640 --> 00:45:47,840
Speaker 3: you know something, I started dating this guy or I

939
00:45:47,920 --> 00:45:49,680
Speaker 3: got a friend and he lived up the street, and

940
00:45:49,719 --> 00:45:51,560
Speaker 3: I saw someone call him a nigger, and I realized

941
00:45:51,600 --> 00:45:54,239
Speaker 3: how wrong it was. And a lot of us who

942
00:45:54,360 --> 00:45:57,160
Speaker 3: lived that experience are like, well, what the fuck took

943
00:45:57,200 --> 00:45:57,960
Speaker 3: you so long to give?

944
00:45:58,440 --> 00:45:58,600
Speaker 5: Right?

945
00:45:58,640 --> 00:46:01,480
Speaker 4: You're looking like nigga women you've had around you forever.

946
00:46:01,600 --> 00:46:04,520
Speaker 5: It took you bear, you know, having a child by

947
00:46:04,560 --> 00:46:08,400
Speaker 5: a woman, having a child before you go, oh, I

948
00:46:08,560 --> 00:46:10,600
Speaker 5: need to treat the mother of my child better, and

949
00:46:10,760 --> 00:46:13,399
Speaker 5: I need to treat my daughter better. You know, it's

950
00:46:13,480 --> 00:46:16,680
Speaker 5: weird when it comes to love because people will have

951
00:46:17,400 --> 00:46:23,360
Speaker 5: unconditional love for children, but they won't have love for

952
00:46:23,600 --> 00:46:27,920
Speaker 5: the person that bought that child. They won't have you know,

953
00:46:28,080 --> 00:46:31,600
Speaker 5: respect for the person or anything like that, but they'll

954
00:46:31,680 --> 00:46:34,560
Speaker 5: love that child. It's really, really weird that we can

955
00:46:34,640 --> 00:46:37,160
Speaker 5: have this love for children and not have the same

956
00:46:37,239 --> 00:46:37,799
Speaker 5: love for one.

957
00:46:37,680 --> 00:46:40,200
Speaker 4: Another, even if we're not with that person. At least

958
00:46:40,239 --> 00:46:41,320
Speaker 4: have some form of respect.

959
00:46:42,120 --> 00:46:44,040
Speaker 2: Yeah, people don't even really have that love for children.

960
00:46:44,080 --> 00:46:47,600
Speaker 4: In my opinion, not like they should their own.

961
00:46:48,000 --> 00:46:49,719
Speaker 3: I'm talking about their own. They don't really have that

962
00:46:49,800 --> 00:46:53,000
Speaker 3: love for the children either. Let that child be gay,

963
00:46:55,040 --> 00:46:58,840
Speaker 3: Let the child tell them I'm trance. You know, like

964
00:46:58,880 --> 00:47:01,040
Speaker 3: a lot of people got a very conditional love even

965
00:47:01,080 --> 00:47:04,120
Speaker 3: for their kids. It's just it's the closest we can

966
00:47:04,160 --> 00:47:06,399
Speaker 3: get to unconditional love, I think is the people's love

967
00:47:06,440 --> 00:47:09,279
Speaker 3: for children. But it's still a far cry off in

968
00:47:09,360 --> 00:47:10,080
Speaker 3: a lot of cases.

969
00:47:10,880 --> 00:47:14,200
Speaker 4: You know, is a problem.

970
00:47:14,400 --> 00:47:17,360
Speaker 3: Yeah, you know, look how many people you know, and

971
00:47:17,680 --> 00:47:20,759
Speaker 3: people are flawed, conditioned human beings. They're loving you the

972
00:47:20,840 --> 00:47:23,800
Speaker 3: best way they know that they think they can. But

973
00:47:24,080 --> 00:47:26,800
Speaker 3: but we don't all have money and time for therapy

974
00:47:26,880 --> 00:47:29,640
Speaker 3: and all this extra ship that comes all of us

975
00:47:29,760 --> 00:47:32,400
Speaker 3: not going to school for philosophy and ship. Not everybody

976
00:47:32,560 --> 00:47:35,160
Speaker 3: knows what they're supposed to know. And that's why you

977
00:47:35,280 --> 00:47:38,399
Speaker 3: have a lot of people you know that I beat

978
00:47:38,480 --> 00:47:40,520
Speaker 3: my kid, my kid is scared of me, but also

979
00:47:40,840 --> 00:47:42,200
Speaker 3: unconditional love for my kid.

980
00:47:43,080 --> 00:47:44,759
Speaker 2: Well, how can they be both?

981
00:47:45,800 --> 00:47:50,040
Speaker 3: You know, how can it really be both, especially when

982
00:47:50,080 --> 00:47:52,040
Speaker 3: you have a black kid, because there's an extra level

983
00:47:52,120 --> 00:47:55,200
Speaker 3: of fear there when they're whenever they're out on their owner,

984
00:47:55,239 --> 00:47:58,960
Speaker 3: out of your sight, you know. So one of my

985
00:47:59,040 --> 00:48:03,560
Speaker 3: favorite passages though so from the from the album Isn't

986
00:48:03,560 --> 00:48:08,040
Speaker 3: even the Uh by Beyonce jay Z. This is an

987
00:48:08,040 --> 00:48:10,000
Speaker 3: older black woman. I don't know her name. I'm sure

988
00:48:10,000 --> 00:48:13,360
Speaker 3: I can look it up, but so and asked her,

989
00:48:13,440 --> 00:48:16,480
Speaker 3: can you tell us about love? And she said what us?

990
00:48:16,520 --> 00:48:18,680
Speaker 3: Love of children, love of self, love of God, love

991
00:48:18,680 --> 00:48:21,160
Speaker 3: of a partner. All of them have a different shape,

992
00:48:21,280 --> 00:48:24,040
Speaker 3: but all of them is the same. And it's about sensitivity.

993
00:48:24,040 --> 00:48:26,759
Speaker 3: It's about passion. It's about unconditional giving of self to

994
00:48:26,880 --> 00:48:30,680
Speaker 3: another person. And there's love of humanity. That's the love

995
00:48:30,760 --> 00:48:33,279
Speaker 3: that is right now needed most love of humanity. But

996
00:48:33,400 --> 00:48:36,279
Speaker 3: in everything and all of that love, there's a soul.

997
00:48:36,400 --> 00:48:38,600
Speaker 3: It's like when you take some eggs and break them,

998
00:48:39,000 --> 00:48:41,239
Speaker 3: and you take the shells and mix them up, trying

999
00:48:41,280 --> 00:48:42,880
Speaker 3: to find the ones that match, and you find the

1000
00:48:42,920 --> 00:48:46,080
Speaker 3: perfect match. When you find the perfect match, that's compatibility.

1001
00:48:46,600 --> 00:48:50,239
Speaker 3: That compatibility results in passion, results in unconditional giving of self.

1002
00:48:51,080 --> 00:48:51,799
Speaker 2: Like that's probably the.

1003
00:48:51,840 --> 00:48:58,360
Speaker 3: Closest to what I think love is anyway. But I

1004
00:48:58,520 --> 00:49:03,200
Speaker 3: just thought it was interesting to see like that put

1005
00:49:03,320 --> 00:49:07,800
Speaker 3: in this album because to me, I think this is

1006
00:49:07,840 --> 00:49:09,640
Speaker 3: what jay Z had in mind when he did Best

1007
00:49:09,680 --> 00:49:12,400
Speaker 3: of Both Worlds. And I'm not saying obviously an album

1008
00:49:12,560 --> 00:49:14,760
Speaker 3: R Kelly different than the album with his wife Doug correct,

1009
00:49:14,800 --> 00:49:18,000
Speaker 3: but I mean sonically, I think he had this in mind,

1010
00:49:18,200 --> 00:49:22,000
Speaker 3: like he's kind of been preparing to be the artist

1011
00:49:22,080 --> 00:49:25,560
Speaker 3: that can do this for a long time because he

1012
00:49:25,800 --> 00:49:30,400
Speaker 3: he has done so much work with Beyonce already, with

1013
00:49:30,520 --> 00:49:33,440
Speaker 3: these singles, having each other on each other's albums and shit,

1014
00:49:35,040 --> 00:49:38,960
Speaker 3: and then his collab with like Kanye's collab with R Kelly,

1015
00:49:40,120 --> 00:49:43,560
Speaker 3: He's kind of had these like moments of wanting to

1016
00:49:43,680 --> 00:49:46,799
Speaker 3: do something kind of new, and I think he really

1017
00:49:46,840 --> 00:49:49,600
Speaker 3: did stumble onto something kind of new here for a rap.

1018
00:49:49,960 --> 00:49:52,040
Speaker 3: I don't think it's new for R and B as much,

1019
00:49:53,200 --> 00:49:56,080
Speaker 3: but I mean, and you know, Beyonce is always breaking ground,

1020
00:49:56,239 --> 00:49:57,680
Speaker 3: so it's kind of like, you know, she drugged this

1021
00:49:57,760 --> 00:50:02,000
Speaker 3: nigga along or whatever. But to an extent, this this

1022
00:50:02,280 --> 00:50:08,839
Speaker 3: idea of a rap love album by a couple, it's

1023
00:50:09,000 --> 00:50:11,640
Speaker 3: kind of some new shit. It's kind of cool. You know,

1024
00:50:11,719 --> 00:50:14,440
Speaker 3: it's kind of corny, but I think love is corny.

1025
00:50:14,520 --> 00:50:16,320
Speaker 4: I think it is a lot of you can't be

1026
00:50:16,440 --> 00:50:18,799
Speaker 4: cool and being loved. Who is these people? That think

1027
00:50:18,840 --> 00:50:20,320
Speaker 4: you can be in love and be cool.

1028
00:50:21,280 --> 00:50:24,239
Speaker 5: Sometimes y'all laugh back corny as jokes with each other.

1029
00:50:24,880 --> 00:50:27,719
Speaker 5: Sometimes y'all do stupid dance in front of each other,

1030
00:50:28,480 --> 00:50:31,719
Speaker 5: you know, like that that's that that's the part of

1031
00:50:32,080 --> 00:50:34,520
Speaker 5: being in love that's actually cool to me for the

1032
00:50:34,600 --> 00:50:36,360
Speaker 5: fact that I ain't got to be cool with you

1033
00:50:37,280 --> 00:50:37,799
Speaker 5: all the time.

1034
00:50:37,880 --> 00:50:39,560
Speaker 4: You ain't got to be owned all the time.

1035
00:50:40,400 --> 00:50:42,040
Speaker 2: Yeah, Like I said, I just.

1036
00:50:44,719 --> 00:50:47,680
Speaker 3: I find it kind of in a way, kind of

1037
00:50:47,800 --> 00:50:51,839
Speaker 3: cool that like this is the first time that they've

1038
00:50:51,920 --> 00:50:55,920
Speaker 3: done something together. And my initial impression has been more

1039
00:50:55,960 --> 00:51:02,040
Speaker 3: about jay Z than Beyonce, because one, Beyonce is always impressive.

1040
00:51:02,840 --> 00:51:05,719
Speaker 3: But like Jay sound like a battery is in his back.

1041
00:51:05,960 --> 00:51:10,040
Speaker 3: He sounds refreshed, He sounds younger almost, he sounds you

1042
00:51:10,120 --> 00:51:12,279
Speaker 3: know what, you know what is he sounds like.

1043
00:51:12,600 --> 00:51:13,759
Speaker 2: Since four forty four too.

1044
00:51:13,840 --> 00:51:16,520
Speaker 3: But this four forty four was like a very apologetic

1045
00:51:16,640 --> 00:51:19,880
Speaker 3: album because he had to be contrite, he had to

1046
00:51:19,920 --> 00:51:21,640
Speaker 3: be honest, he had to be transparent in the way

1047
00:51:21,680 --> 00:51:26,040
Speaker 3: he's never been before. But and I don't mean to

1048
00:51:26,080 --> 00:51:30,680
Speaker 3: say the other albums were anyway, this album sounds like

1049
00:51:30,760 --> 00:51:33,720
Speaker 3: the first time where he really is comfortable being himself.

1050
00:51:34,080 --> 00:51:35,480
Speaker 2: Yeah, I think that's what it is.

1051
00:51:36,239 --> 00:51:38,680
Speaker 4: Yeah, And that's for that for artists.

1052
00:51:39,000 --> 00:51:42,319
Speaker 5: As artists grow, sometimes you can tell as they grow

1053
00:51:42,480 --> 00:51:43,799
Speaker 5: they become comfortable and just.

1054
00:51:43,920 --> 00:51:48,319
Speaker 4: Being in the moment. I am here, right here, right now,

1055
00:51:48,480 --> 00:51:50,200
Speaker 4: I'm just going to enjoy this moment.

1056
00:51:50,840 --> 00:51:51,080
Speaker 2: Yeah.

1057
00:51:51,200 --> 00:51:51,719
Speaker 5: I like.

1058
00:51:53,200 --> 00:51:55,880
Speaker 3: Something about this album made me think about just like,

1059
00:51:56,160 --> 00:51:58,000
Speaker 3: I know, I never thought I'd see this nigga rap

1060
00:51:58,120 --> 00:51:58,279
Speaker 3: like this.

1061
00:51:59,080 --> 00:52:01,360
Speaker 2: I don't know that I see another nigga rap like

1062
00:52:01,400 --> 00:52:01,920
Speaker 2: this period.

1063
00:52:02,000 --> 00:52:04,919
Speaker 3: Everybody, no matter how even when we call it artist soft,

1064
00:52:05,040 --> 00:52:07,640
Speaker 3: like say Drake, how much of his music is still

1065
00:52:07,760 --> 00:52:10,200
Speaker 3: kind of tied up in like i'mna still treat women

1066
00:52:10,320 --> 00:52:12,560
Speaker 3: like shit though I still have to make sure that happens.

1067
00:52:14,800 --> 00:52:17,200
Speaker 3: And you know, and Jay, I'm still I'm sure still

1068
00:52:17,320 --> 00:52:21,600
Speaker 3: has some more growth and maturity that he can do

1069
00:52:22,080 --> 00:52:24,800
Speaker 3: as we all do. But I appreciate him giving me

1070
00:52:24,880 --> 00:52:30,760
Speaker 3: a window into his process. And like I said, Beyonce

1071
00:52:30,960 --> 00:52:34,759
Speaker 3: is always excellent. So it's kind of like, not to

1072
00:52:34,840 --> 00:52:37,880
Speaker 3: sound shady, but she kind of drug this drugging out

1073
00:52:37,920 --> 00:52:40,160
Speaker 3: of this nigga in a way. And I'm not saying

1074
00:52:40,239 --> 00:52:42,400
Speaker 3: drug like she like it was a fight. But just

1075
00:52:42,520 --> 00:52:46,480
Speaker 3: like his career has been not wanting to do what

1076
00:52:46,600 --> 00:52:49,880
Speaker 3: he's doing right now, Like he's always kind of been like,

1077
00:52:50,200 --> 00:52:51,839
Speaker 3: let me be the cooler than cool guy.

1078
00:52:51,960 --> 00:52:54,280
Speaker 2: Let me not give you too much insight into my life.

1079
00:52:54,400 --> 00:52:57,560
Speaker 3: Let me it's cool. Let's calm down on the personal details.

1080
00:52:58,080 --> 00:53:01,759
Speaker 3: Y'all don't need to know my political stance. This and

1081
00:53:02,080 --> 00:53:06,000
Speaker 3: he just fucking has been on some like some other

1082
00:53:06,320 --> 00:53:10,359
Speaker 3: like like this this, I'm also very like political. He's

1083
00:53:10,360 --> 00:53:13,920
Speaker 3: talking about the they ain't really fuck the how the

1084
00:53:14,080 --> 00:53:16,120
Speaker 3: f beyond stuff, start investigating them after the calif for

1085
00:53:16,200 --> 00:53:18,439
Speaker 3: out of documentary, and he don't give a fuck because

1086
00:53:18,440 --> 00:53:20,840
Speaker 3: he about to do a Trayvon Martin documentary, And I'm like,

1087
00:53:22,239 --> 00:53:24,360
Speaker 3: who's this it? I remember when this nigga was like,

1088
00:53:24,520 --> 00:53:27,960
Speaker 3: I don't talk politics. I just doing dope boy rap.

1089
00:53:28,160 --> 00:53:30,640
Speaker 3: Leave me the fuck alonge hey. Lyrically, I could be

1090
00:53:30,840 --> 00:53:34,000
Speaker 3: to lil kwality, you know, truthfully, I want to rhyme

1091
00:53:34,080 --> 00:53:36,120
Speaker 3: like common sense, but I did five mil. I ain't

1092
00:53:36,120 --> 00:53:40,560
Speaker 3: been rhyming like common sense. Like I can't believe that

1093
00:53:40,760 --> 00:53:43,560
Speaker 3: nigga is this nigga, But it's kind of beautiful in

1094
00:53:43,640 --> 00:53:48,640
Speaker 3: a growth in terms of growth, that's for Beyonce, man.

1095
00:53:48,680 --> 00:53:52,400
Speaker 3: I just think she makes everything look good, like legitimately,

1096
00:53:54,880 --> 00:53:57,000
Speaker 3: like she was rapping, and at no point in the

1097
00:53:57,080 --> 00:53:59,600
Speaker 3: album was I like, oh my god, she can rap,

1098
00:53:59,719 --> 00:54:02,960
Speaker 3: you know, because she's already kind of been doing this stuff,

1099
00:54:03,040 --> 00:54:05,120
Speaker 3: you know, the Flawless Remix and stuff, like she's been

1100
00:54:05,200 --> 00:54:09,040
Speaker 3: doing this for a while, but like she fucking did

1101
00:54:09,160 --> 00:54:11,759
Speaker 3: it on this album. And it's like like, if I

1102
00:54:12,080 --> 00:54:14,759
Speaker 3: introduced somebody to this album first, they'd be like, oh,

1103
00:54:14,840 --> 00:54:18,239
Speaker 3: so she like a rapper slash singer, Like does she

1104
00:54:18,560 --> 00:54:20,319
Speaker 3: how many other albums she have like this? And I'll

1105
00:54:20,320 --> 00:54:22,920
Speaker 3: be like, well, actually, dog, that's kind of thing.

1106
00:54:23,719 --> 00:54:27,440
Speaker 5: Yeah, Like you know, and truth be told, I've been

1107
00:54:27,480 --> 00:54:30,040
Speaker 5: paying attention, y'all gonna fuck around, and she gonna do

1108
00:54:30,160 --> 00:54:33,800
Speaker 5: like an entire country album and entire rock album. Like

1109
00:54:34,200 --> 00:54:37,240
Speaker 5: I could see her being like, oh, y'all was mad

1110
00:54:37,520 --> 00:54:40,640
Speaker 5: and wouldn't invite me to the Country Music Awards. I'm

1111
00:54:40,680 --> 00:54:45,600
Speaker 5: gonna make a whole goddamn album, right and see if

1112
00:54:45,680 --> 00:54:49,000
Speaker 5: y'all don't and see if y'all get mad because I be.

1113
00:54:49,120 --> 00:54:51,560
Speaker 2: Number one, Yeah she would. Yeah.

1114
00:54:51,719 --> 00:54:54,719
Speaker 3: So I mean it's funny because the other part of

1115
00:54:54,800 --> 00:54:57,759
Speaker 3: this I think that and maybe it's just necessitated because

1116
00:54:57,800 --> 00:55:00,799
Speaker 3: he didn't have a choice. He's never gonna be bigger

1117
00:55:00,840 --> 00:55:05,440
Speaker 3: than her m so he could never sell on an album.

1118
00:55:06,560 --> 00:55:12,680
Speaker 2: Yeah it's me and like I'm I got my woman

1119
00:55:12,840 --> 00:55:13,520
Speaker 2: behind me.

1120
00:55:13,719 --> 00:55:17,399
Speaker 3: Supporting her strong black king, Like he was never gonna

1121
00:55:17,400 --> 00:55:20,759
Speaker 3: be able to sell that and dimn her star. So

1122
00:55:20,920 --> 00:55:24,200
Speaker 3: it's almost like by necessity he has to rid himself

1123
00:55:24,239 --> 00:55:28,160
Speaker 3: of ego because if that's a world tour, is that

1124
00:55:28,239 --> 00:55:30,960
Speaker 3: a world tour, that's your girls tour, it's this girl's tour.

1125
00:55:31,480 --> 00:55:32,759
Speaker 4: Yeah, he just the opening act.

1126
00:55:33,360 --> 00:55:36,360
Speaker 3: Yeah, and like now they'll be doing I don't like,

1127
00:55:37,280 --> 00:55:40,160
Speaker 3: now they'll be doing stuff together, probably in the middle

1128
00:55:40,200 --> 00:55:42,920
Speaker 3: of the thing that they wouldn't have been before because they.

1129
00:55:42,920 --> 00:55:46,200
Speaker 2: Just made out his music together. So last time it

1130
00:55:46,320 --> 00:55:47,560
Speaker 2: was like he was the opening act.

1131
00:55:47,640 --> 00:55:50,640
Speaker 3: But now I'll bet you'll be more even quote unquote,

1132
00:55:51,040 --> 00:55:52,600
Speaker 3: but only because he made these songs with her.

1133
00:55:53,680 --> 00:55:55,040
Speaker 2: You know, they being fair.

1134
00:55:55,239 --> 00:55:58,719
Speaker 3: You know, she could still like do her discography to

1135
00:55:58,920 --> 00:56:02,640
Speaker 3: end the fucking uh set every night and nobody would

1136
00:56:02,680 --> 00:56:06,560
Speaker 3: be mad at all. Or they could do like these

1137
00:56:06,640 --> 00:56:08,600
Speaker 3: new songs together that in the act, Like they still

1138
00:56:08,680 --> 00:56:09,440
Speaker 3: could do it.

1139
00:56:09,719 --> 00:56:13,279
Speaker 5: And I think he's so comfortable with his manhood in

1140
00:56:13,360 --> 00:56:16,360
Speaker 5: my opinion, and where he is that when people go

1141
00:56:16,440 --> 00:56:19,719
Speaker 5: it's a Beyonce album, he like cool, like like it

1142
00:56:19,840 --> 00:56:21,040
Speaker 5: doesn't even FaZe him.

1143
00:56:20,960 --> 00:56:25,200
Speaker 3: Because as far as I'm concern, everybody's featuring you, right,

1144
00:56:25,320 --> 00:56:28,080
Speaker 3: as far as everybody's can turn this nigga is on

1145
00:56:28,200 --> 00:56:31,920
Speaker 3: her album. But but but, like, like I said, I

1146
00:56:32,400 --> 00:56:36,399
Speaker 3: think it's just unfortunate. Agendas are what agendas are, people

1147
00:56:36,480 --> 00:56:43,120
Speaker 3: gonna have them. It's just unfortunate because I'm very inspired

1148
00:56:44,040 --> 00:56:48,800
Speaker 3: by the idea of this couple in a in a

1149
00:56:48,960 --> 00:56:52,440
Speaker 3: time where we are so fractured amongst black men and

1150
00:56:52,560 --> 00:56:53,160
Speaker 3: black women.

1151
00:56:53,719 --> 00:56:57,280
Speaker 2: Sits head like in the community, not to mention the many.

1152
00:56:57,120 --> 00:57:00,840
Speaker 3: Of the divides amongst other groups, you know, and the

1153
00:57:00,960 --> 00:57:04,880
Speaker 3: CJ kind of turn it to a dude that is

1154
00:57:07,400 --> 00:57:12,400
Speaker 3: cleaning up himself in a very public way, very becoming

1155
00:57:12,520 --> 00:57:18,440
Speaker 3: very pro black, becoming very outspoken, becoming very pro like

1156
00:57:18,640 --> 00:57:23,920
Speaker 3: openly a father, like openly supportive of his woman, his

1157
00:57:24,040 --> 00:57:26,840
Speaker 3: own like her her best hype man is him now,

1158
00:57:28,160 --> 00:57:30,640
Speaker 3: Like he's just like, I'm gonna be Kelly Michelle, y'all,

1159
00:57:30,960 --> 00:57:34,040
Speaker 3: you got this, Beyonce, You're still the star. And then

1160
00:57:34,240 --> 00:57:36,800
Speaker 3: and then the fact that she loves him and hypes

1161
00:57:36,880 --> 00:57:39,760
Speaker 3: him up to like this album with them hyping each

1162
00:57:39,800 --> 00:57:42,640
Speaker 3: other up is like, it's something cool about that shit

1163
00:57:43,440 --> 00:57:45,640
Speaker 3: in a in a way because it's kind of corny,

1164
00:57:45,960 --> 00:57:47,840
Speaker 3: but it's kind of but it's kind of beautiful because

1165
00:57:48,160 --> 00:57:50,920
Speaker 3: in a way, not exactly like them, but a lot

1166
00:57:50,960 --> 00:57:55,640
Speaker 3: of people want this, Like they want their.

1167
00:57:55,680 --> 00:57:58,040
Speaker 2: Person hyping them up always.

1168
00:57:58,160 --> 00:58:00,640
Speaker 3: They want their number one fan and to be wearing

1169
00:58:00,680 --> 00:58:02,200
Speaker 3: the wedding band across from them.

1170
00:58:02,320 --> 00:58:03,080
Speaker 2: They want.

1171
00:58:04,960 --> 00:58:10,160
Speaker 3: They want to be forgiven for making a mistake, and

1172
00:58:10,280 --> 00:58:16,040
Speaker 3: they want people that make mistakes to be sincerely apologetic and.

1173
00:58:17,720 --> 00:58:19,280
Speaker 2: Resigned to being better.

1174
00:58:20,160 --> 00:58:22,560
Speaker 3: Because like when we talk about this marriage shit, everybody

1175
00:58:22,760 --> 00:58:26,040
Speaker 3: just and I guess it's the way we're indoctrinated, and

1176
00:58:26,400 --> 00:58:28,440
Speaker 3: I hate. I'm not trying to not you know, do

1177
00:58:28,560 --> 00:58:30,120
Speaker 3: what you want to do. I'm not trying to tell

1178
00:58:30,120 --> 00:58:32,640
Speaker 3: you how to live your life. But this idea that

1179
00:58:32,760 --> 00:58:35,360
Speaker 3: you married a person that's never gonna change and will

1180
00:58:35,440 --> 00:58:37,960
Speaker 3: forever be perfect for the entire rest of your life

1181
00:58:38,720 --> 00:58:40,480
Speaker 3: is such a fucking.

1182
00:58:42,040 --> 00:58:42,680
Speaker 2: Pipe dream.

1183
00:58:43,000 --> 00:58:47,760
Speaker 3: Come that's scary that we as adults. I still know

1184
00:58:47,880 --> 00:58:49,640
Speaker 3: adults who they don't want to.

1185
00:58:49,640 --> 00:58:51,120
Speaker 2: Come out and say, but they really do have a

1186
00:58:51,280 --> 00:58:55,080
Speaker 2: very childlike belief of like what love is going to

1187
00:58:55,200 --> 00:58:59,080
Speaker 2: look like. But and we're now.

1188
00:58:59,040 --> 00:59:03,320
Speaker 3: Watching now obviously the sanitized crevices they're showing us. But still,

1189
00:59:04,040 --> 00:59:08,120
Speaker 3: somebody took the time out and said, here's how things

1190
00:59:08,120 --> 00:59:10,840
Speaker 3: aren't always perfect, even when you think they look perfect

1191
00:59:10,880 --> 00:59:11,520
Speaker 3: on the outside.

1192
00:59:12,080 --> 00:59:13,040
Speaker 2: Here's some real shit.

1193
00:59:13,160 --> 00:59:16,480
Speaker 3: And I feel like for a large part, people have

1194
00:59:16,640 --> 00:59:19,720
Speaker 3: not been able to handle it because they actually would

1195
00:59:19,880 --> 00:59:25,680
Speaker 3: prefer the sanitized, cleaned up, flawless images, even though behind

1196
00:59:25,720 --> 00:59:28,520
Speaker 3: the scenes we could be like at war with each

1197
00:59:28,520 --> 00:59:30,880
Speaker 3: other and hate each other. They actually would rather have

1198
00:59:31,040 --> 00:59:33,880
Speaker 3: the fake shit so they can like put it on

1199
00:59:33,960 --> 00:59:37,080
Speaker 3: a T shirt and say it's perfect, then the real shit.

1200
00:59:37,640 --> 00:59:39,439
Speaker 2: But the real shit is the only thing in life

1201
00:59:39,440 --> 00:59:40,520
Speaker 2: that's valuable.

1202
00:59:40,720 --> 00:59:44,920
Speaker 4: Right And I and I like it, and I you know,

1203
00:59:45,200 --> 00:59:48,160
Speaker 4: I appreciate that part.

1204
00:59:48,840 --> 00:59:51,280
Speaker 5: And it's one of the things you're talking about partners,

1205
00:59:51,880 --> 00:59:54,479
Speaker 5: you know, particularly if you're with your partner for any

1206
00:59:54,600 --> 00:59:59,120
Speaker 5: extensive period of time. If you marry somebody ten years later,

1207
00:59:59,240 --> 01:00:01,520
Speaker 5: they should not be the same person, nor you should

1208
01:00:01,560 --> 01:00:02,880
Speaker 5: should you twenty years later.

1209
01:00:03,320 --> 01:00:03,960
Speaker 4: Y'all should not.

1210
01:00:04,080 --> 01:00:06,600
Speaker 2: Be the same if you're not if you're not married,

1211
01:00:06,720 --> 01:00:07,880
Speaker 2: you won't be the same person.

1212
01:00:08,120 --> 01:00:08,320
Speaker 5: Right.

1213
01:00:08,640 --> 01:00:11,440
Speaker 3: Why, Like marriage isn't like a status isn't like a

1214
01:00:11,520 --> 01:00:14,160
Speaker 3: static like a whole. It's not like a box that

1215
01:00:14,200 --> 01:00:16,920
Speaker 3: puts you in a whole position you can't move. You're

1216
01:00:16,960 --> 01:00:19,520
Speaker 3: gonna like the way you're growing without a mate. You're

1217
01:00:19,560 --> 01:00:22,480
Speaker 3: gonna grow with one or with multiple mates, or however

1218
01:00:22,520 --> 01:00:25,600
Speaker 3: your life is gonna be set up. You're you're not

1219
01:00:25,720 --> 01:00:27,680
Speaker 3: who you were ten years ago, and you're not who

1220
01:00:27,720 --> 01:00:29,080
Speaker 3: you're gonna be ten years from now.

1221
01:00:29,800 --> 01:00:30,520
Speaker 2: Nobody is.

1222
01:00:31,360 --> 01:00:35,240
Speaker 3: And we got to watch a very public black couple

1223
01:00:35,560 --> 01:00:39,840
Speaker 3: that's rich, famous and all this shit be like, Hey,

1224
01:00:39,920 --> 01:00:42,960
Speaker 3: this shit isn't easy, and it's not it's not always fair,

1225
01:00:43,000 --> 01:00:45,640
Speaker 3: and it's not always right, and people on the outside

1226
01:00:45,640 --> 01:00:47,840
Speaker 3: aren't gonna know what the fuck's going on, and they're

1227
01:00:47,880 --> 01:00:50,800
Speaker 3: not they're not gonna it's really like something where they're

1228
01:00:50,840 --> 01:00:54,280
Speaker 3: gonna have their opinions. But love, like I always I

1229
01:00:54,320 --> 01:00:56,360
Speaker 3: think when I talk about love on the show sometimes

1230
01:00:56,880 --> 01:00:59,560
Speaker 3: or specially on Twitter and stuff, people are retweeted and

1231
01:01:00,000 --> 01:01:01,280
Speaker 3: oh my god, it's so great, But I don't know

1232
01:01:01,360 --> 01:01:04,640
Speaker 3: how much they really listen, because I'm like, I'm not

1233
01:01:04,800 --> 01:01:07,360
Speaker 3: saying it to be pessimistic. I'm just saying the reality

1234
01:01:07,400 --> 01:01:09,919
Speaker 3: of what I've experienced is that love only care about

1235
01:01:09,920 --> 01:01:13,320
Speaker 3: itself correct. It really can't afford to be caring about

1236
01:01:13,360 --> 01:01:16,560
Speaker 3: how the fuck is gonna look. So there's certain things

1237
01:01:16,600 --> 01:01:21,000
Speaker 3: when I like read or talk about, and I'm like, man, well,

1238
01:01:21,040 --> 01:01:23,760
Speaker 3: if two consent an adults agree to this arrangement, what

1239
01:01:23,880 --> 01:01:25,520
Speaker 3: the fuck do I know? I don't live with them?

1240
01:01:27,720 --> 01:01:30,360
Speaker 3: Like there's it's a good, perfect example. This is not

1241
01:01:30,440 --> 01:01:35,000
Speaker 3: about love, it just in general opening doors. Right, there's

1242
01:01:35,000 --> 01:01:38,480
Speaker 3: some women that are like, yo, don't just open the

1243
01:01:38,560 --> 01:01:40,000
Speaker 3: door for me, open the door for everybody.

1244
01:01:40,200 --> 01:01:40,520
Speaker 2: Fuck you.

1245
01:01:40,600 --> 01:01:43,560
Speaker 3: I don't believe in that, right, Like, I fucking I'm

1246
01:01:43,560 --> 01:01:45,120
Speaker 3: a human being with you open the door. If I

1247
01:01:45,200 --> 01:01:47,080
Speaker 3: was a man, they treat me like a man. Close

1248
01:01:47,120 --> 01:01:49,120
Speaker 3: the fucking door. I don't give a fuck at least

1249
01:01:49,160 --> 01:01:52,000
Speaker 3: you being real, Right, there's some people that staunchly believe that,

1250
01:01:52,600 --> 01:01:54,160
Speaker 3: like you open the door for them. They might even

1251
01:01:54,160 --> 01:01:56,720
Speaker 3: get an attitude or not walk through it right. Very

1252
01:01:56,800 --> 01:01:59,120
Speaker 3: I think it's very rare, but still there are people

1253
01:01:59,240 --> 01:02:02,600
Speaker 3: like that. But there's a lot of women that are like,

1254
01:02:02,720 --> 01:02:05,200
Speaker 3: if I go on a date with a guy and

1255
01:02:05,360 --> 01:02:09,000
Speaker 3: this motherfucker don't open a goddamn door for me, I

1256
01:02:09,120 --> 01:02:11,040
Speaker 3: know right then he ain't shit and he ain't get

1257
01:02:11,160 --> 01:02:14,640
Speaker 3: nothing like nah, fuck you Like I don't like I

1258
01:02:14,720 --> 01:02:16,320
Speaker 3: can go home now. Actually, we don't even have to

1259
01:02:16,400 --> 01:02:19,720
Speaker 3: go in this fucking restaurant, you fucking piece of shit,

1260
01:02:19,880 --> 01:02:21,200
Speaker 3: non gentlemen ass nigga.

1261
01:02:21,560 --> 01:02:23,080
Speaker 2: There are some people that think like that.

1262
01:02:23,840 --> 01:02:23,960
Speaker 7: Now.

1263
01:02:24,000 --> 01:02:25,720
Speaker 2: I don't really give a fuck about who's right or

1264
01:02:25,720 --> 01:02:28,840
Speaker 2: wrong in that situation. I know that there's a person

1265
01:02:28,920 --> 01:02:31,680
Speaker 2: out there that will open the door for question person B,

1266
01:02:32,400 --> 01:02:34,000
Speaker 2: and there's a person out there that won't open the

1267
01:02:34,040 --> 01:02:36,120
Speaker 2: door for person A. So that if that's the thing

1268
01:02:36,200 --> 01:02:38,960
Speaker 2: that makes either one of them happy, correct, And that

1269
01:02:39,280 --> 01:02:44,600
Speaker 2: is that's to me what love looks like on the outside,

1270
01:02:44,640 --> 01:02:47,520
Speaker 2: but what it feels like on the inside. Do you

1271
01:02:47,600 --> 01:02:48,840
Speaker 2: want me to open the door for you or not?

1272
01:02:49,240 --> 01:02:50,040
Speaker 2: That's between me and you.

1273
01:02:50,920 --> 01:02:51,120
Speaker 5: Yeah.

1274
01:02:51,400 --> 01:02:53,960
Speaker 2: Yeah, But if I make my life.

1275
01:02:53,760 --> 01:02:57,000
Speaker 3: About living my life for everybody outside of do you

1276
01:02:57,160 --> 01:02:59,880
Speaker 3: want the door open for you or not? I might

1277
01:03:00,120 --> 01:03:03,440
Speaker 3: look better to a bunch of motherfucking strangers, but I

1278
01:03:03,560 --> 01:03:06,520
Speaker 3: might be letting you down and I only have to

1279
01:03:06,600 --> 01:03:07,120
Speaker 3: care about you.

1280
01:03:07,360 --> 01:03:11,400
Speaker 2: That's the idea. Isn't how do I make everyone around

1281
01:03:11,480 --> 01:03:11,920
Speaker 2: me happy?

1282
01:03:12,000 --> 01:03:14,439
Speaker 3: It's you know, so, I mean, we were talking about

1283
01:03:14,440 --> 01:03:17,400
Speaker 3: consenting adults and we're not talking about like abusive situations.

1284
01:03:17,520 --> 01:03:20,160
Speaker 2: Obviously, that's kind of the that's.

1285
01:03:20,080 --> 01:03:22,400
Speaker 3: Kind of the whole gag with love, that's the whole

1286
01:03:22,520 --> 01:03:26,680
Speaker 3: fucking Cash twenty two of it. So I think Beyonce

1287
01:03:26,760 --> 01:03:29,240
Speaker 3: and Jay kind of let people in and see that,

1288
01:03:29,480 --> 01:03:31,680
Speaker 3: And for the most part, I don't know that we're

1289
01:03:31,760 --> 01:03:33,840
Speaker 3: mature enough to see it, because you still got people

1290
01:03:33,920 --> 01:03:36,160
Speaker 3: being like, I don't want him on the album, I

1291
01:03:36,160 --> 01:03:38,600
Speaker 3: don't want him on the tour, Like what do you

1292
01:03:38,680 --> 01:03:41,920
Speaker 3: want to Like, it's too bad you didn't marry a nigga.

1293
01:03:41,920 --> 01:03:43,800
Speaker 3: You only get one choice by a ticket of a Don't.

1294
01:03:44,480 --> 01:03:46,200
Speaker 3: But I listen to the album of Don't, you don't

1295
01:03:46,200 --> 01:03:49,280
Speaker 3: really get a lot of choice about her personal life.

1296
01:03:49,400 --> 01:03:52,439
Speaker 2: You know. It's but you know we've talked about before.

1297
01:03:52,440 --> 01:03:57,880
Speaker 3: It's that selective kind of like you said, fuck Kim Kardashian,

1298
01:03:58,240 --> 01:03:58,840
Speaker 3: fucked that bitch.

1299
01:03:59,400 --> 01:04:01,320
Speaker 2: She gets no ready for getting that woman out of prison.

1300
01:04:01,680 --> 01:04:04,040
Speaker 3: Meanwhile on TV, the woman sitting next to her crying,

1301
01:04:04,120 --> 01:04:06,840
Speaker 3: thanking her because I'm gonna finally go see my family again. Yeah,

1302
01:04:06,840 --> 01:04:09,400
Speaker 3: it's a little harder to remove Kim from the narrative

1303
01:04:10,240 --> 01:04:13,520
Speaker 3: when that's the truth, right, Like, we can either be honest,

1304
01:04:13,640 --> 01:04:15,720
Speaker 3: or we can just live in these agendas, which I mean,

1305
01:04:15,720 --> 01:04:17,560
Speaker 3: people are perfectly happy to live in the agendas.

1306
01:04:17,600 --> 01:04:20,600
Speaker 2: But you know, the truth of the matter is she's.

1307
01:04:20,400 --> 01:04:25,320
Speaker 3: The nigga that got corn rows in the in the

1308
01:04:25,400 --> 01:04:28,200
Speaker 3: fucking video and it's disgusting and everybody hates that shit.

1309
01:04:28,600 --> 01:04:30,480
Speaker 2: And she's also the woman that got that person that

1310
01:04:30,640 --> 01:04:34,720
Speaker 2: that get woman out of jail. I don't know. I'm sorry,

1311
01:04:34,760 --> 01:04:35,320
Speaker 2: it's not clean.

1312
01:04:35,640 --> 01:04:38,320
Speaker 5: People are complex, and either you're complex in your own

1313
01:04:38,840 --> 01:04:41,400
Speaker 5: personal life when it comes to certain things. You know,

1314
01:04:41,560 --> 01:04:43,160
Speaker 5: because like I said, when you're talking about open up

1315
01:04:43,160 --> 01:04:44,840
Speaker 5: the doors, I know for me, I like you opening

1316
01:04:44,840 --> 01:04:46,480
Speaker 5: it up the doors for me. But that's just my

1317
01:04:46,720 --> 01:04:47,640
Speaker 5: personal preference.

1318
01:04:47,920 --> 01:04:48,120
Speaker 2: Yeah.

1319
01:04:48,120 --> 01:04:50,320
Speaker 3: I wasn't trying to get necessarily into all that, but

1320
01:04:50,440 --> 01:04:54,320
Speaker 3: you know, I mean, my point is, the bigger point

1321
01:04:54,440 --> 01:04:57,040
Speaker 3: is not about the door. It's about I can open

1322
01:04:57,080 --> 01:04:58,720
Speaker 3: that door for you because I love you and you

1323
01:04:58,960 --> 01:05:01,600
Speaker 3: like that, or I cannot open the door for you

1324
01:05:01,720 --> 01:05:05,240
Speaker 3: because people on Twitter say, uh, you shouldn't open the

1325
01:05:05,320 --> 01:05:07,880
Speaker 3: door for your one wife because she's a woman, or

1326
01:05:08,000 --> 01:05:10,000
Speaker 3: blah da dah, you just open the door for everybody

1327
01:05:10,080 --> 01:05:10,360
Speaker 3: or whatever.

1328
01:05:10,400 --> 01:05:10,560
Speaker 5: You know.

1329
01:05:10,640 --> 01:05:12,200
Speaker 2: It's like I hear you.

1330
01:05:12,360 --> 01:05:14,920
Speaker 3: But this my life, you know what I mean. I

1331
01:05:15,040 --> 01:05:16,840
Speaker 3: had to live my life in the way that that

1332
01:05:16,960 --> 01:05:19,000
Speaker 3: I've set my life up. I married a woman to say,

1333
01:05:19,040 --> 01:05:21,640
Speaker 3: open the door. The door getting open? Fuck you want

1334
01:05:21,680 --> 01:05:23,520
Speaker 3: me to do like to make the point for you.

1335
01:05:23,640 --> 01:05:25,680
Speaker 3: I get some retweets over this, like I can't live

1336
01:05:25,720 --> 01:05:28,040
Speaker 3: my life for that, you know, But I think that

1337
01:05:28,160 --> 01:05:30,480
Speaker 3: shit matters in that context, you know.

1338
01:05:30,720 --> 01:05:32,640
Speaker 4: So yeah, I mean you don't do it for me

1339
01:05:32,720 --> 01:05:34,400
Speaker 4: all the time. I know, I just walk up to

1340
01:05:34,480 --> 01:05:36,080
Speaker 4: a door and just look at it like a door.

1341
01:05:36,840 --> 01:05:38,640
Speaker 3: Yeah, I mean, yeah, it's I mean, it's never been

1342
01:05:38,720 --> 01:05:41,000
Speaker 3: a thing, you know, you never like got mad at

1343
01:05:41,040 --> 01:05:41,520
Speaker 3: me or something.

1344
01:05:41,640 --> 01:05:44,040
Speaker 2: But the but the point being, like, I.

1345
01:05:44,080 --> 01:05:45,880
Speaker 3: Know that's something you like, So I do it when

1346
01:05:45,920 --> 01:05:50,200
Speaker 3: I can, as opposed to you know, I don't know

1347
01:05:50,240 --> 01:05:51,040
Speaker 3: how he got on this door.

1348
01:05:51,120 --> 01:05:51,280
Speaker 5: Shit.

1349
01:05:51,320 --> 01:05:53,040
Speaker 2: I was trying to make it an Now it's an analogy.

1350
01:05:53,080 --> 01:05:56,800
Speaker 3: It's not about the door, you know, to to Basically,

1351
01:05:56,960 --> 01:06:00,920
Speaker 3: it's like, if uh, I give you another If a

1352
01:06:01,000 --> 01:06:03,360
Speaker 3: woman says I want a man that takes care of me,

1353
01:06:03,440 --> 01:06:04,760
Speaker 3: makes all the money, and I stay at home and

1354
01:06:04,800 --> 01:06:05,760
Speaker 3: I cook and clean and raise the.

1355
01:06:06,040 --> 01:06:08,200
Speaker 2: Kids, a lot of people will down her for that.

1356
01:06:09,720 --> 01:06:12,880
Speaker 3: But if that's what the fuck she won't that's what

1357
01:06:13,000 --> 01:06:15,760
Speaker 3: she wants, and she marries a man that's gonna do it.

1358
01:06:16,840 --> 01:06:18,680
Speaker 2: Then that's what the fuck's that's their marriage.

1359
01:06:18,720 --> 01:06:21,120
Speaker 3: And as long as they not going outside and telling

1360
01:06:21,160 --> 01:06:23,200
Speaker 3: everybody you better do this or you won't be happy,

1361
01:06:23,480 --> 01:06:24,360
Speaker 3: the fuck do I care?

1362
01:06:24,920 --> 01:06:27,800
Speaker 2: That's what make you happy? But we lost something.

1363
01:06:29,000 --> 01:06:30,720
Speaker 3: I think when you put people on a pedestal and

1364
01:06:30,760 --> 01:06:34,600
Speaker 3: you worship them, or you put their relationship up as

1365
01:06:34,680 --> 01:06:37,400
Speaker 3: something to achieve, as opposed to just this is how

1366
01:06:37,440 --> 01:06:39,880
Speaker 3: they decided to live their life, you end up any

1367
01:06:39,920 --> 01:06:40,760
Speaker 3: situations where you like.

1368
01:06:40,840 --> 01:06:42,120
Speaker 2: But she didn't do it the way I would do it,

1369
01:06:42,400 --> 01:06:43,520
Speaker 2: so clearly it's fucked up.

1370
01:06:44,120 --> 01:06:46,600
Speaker 4: And also something I realized.

1371
01:06:46,720 --> 01:06:50,000
Speaker 5: Is that everybody wants to take the choice away from

1372
01:06:50,040 --> 01:06:52,720
Speaker 5: everybody but them. I want the right to choose, but

1373
01:06:52,840 --> 01:06:55,000
Speaker 5: I want you, but you better do what I want

1374
01:06:55,040 --> 01:06:55,320
Speaker 5: you to do.

1375
01:06:55,880 --> 01:06:57,520
Speaker 4: That's not choice, you.

1376
01:06:57,640 --> 01:07:02,080
Speaker 5: Know the thing about That's why it comes to Beyonce

1377
01:07:02,280 --> 01:07:04,440
Speaker 5: and feminism and all that stuff. People want to heat

1378
01:07:04,480 --> 01:07:06,800
Speaker 5: that upon her and all that type of stuff. But

1379
01:07:07,560 --> 01:07:10,400
Speaker 5: how she lives her life is her choice. How you

1380
01:07:10,480 --> 01:07:11,800
Speaker 5: live your life is your choice.

1381
01:07:12,440 --> 01:07:15,960
Speaker 4: If you want to marry somebody and marry multiple people,

1382
01:07:16,400 --> 01:07:18,440
Speaker 4: have multiple relationships.

1383
01:07:18,520 --> 01:07:24,040
Speaker 5: That's your choice. Lgbt QI, that's your choice. And have children,

1384
01:07:24,200 --> 01:07:26,360
Speaker 5: not have children, that's your choice.

1385
01:07:26,400 --> 01:07:30,360
Speaker 4: Having abortion not having an abortion, that's and that's the right.

1386
01:07:30,480 --> 01:07:34,160
Speaker 5: But it's amazing how people claim that they want everybody

1387
01:07:34,200 --> 01:07:36,000
Speaker 5: to be free, But do you really want everybody to

1388
01:07:36,040 --> 01:07:38,720
Speaker 5: be free when you're constantly putting chains on other people

1389
01:07:38,760 --> 01:07:40,640
Speaker 5: because they don't do the things that you want them

1390
01:07:40,720 --> 01:07:43,880
Speaker 5: to do with the know, you really don't want everybody.

1391
01:07:43,520 --> 01:07:46,280
Speaker 4: To be free. You only want to control people.

1392
01:07:47,000 --> 01:07:48,760
Speaker 2: Yeah, you want them to make the choices you decide

1393
01:07:48,800 --> 01:07:50,960
Speaker 2: oka make right right, But you.

1394
01:07:51,000 --> 01:07:52,200
Speaker 4: Don't want that put on you.

1395
01:07:52,400 --> 01:07:54,600
Speaker 5: And that's the thing you huff and puff and you

1396
01:07:54,760 --> 01:07:57,240
Speaker 5: complain when these white folks come over here telling you

1397
01:07:57,360 --> 01:07:59,240
Speaker 5: what you can and cannot do. You want to hop

1398
01:07:59,320 --> 01:08:01,360
Speaker 5: and get an attitude when it don't turn around or

1399
01:08:01,440 --> 01:08:03,760
Speaker 5: press somebody else because they didn't do the way the

1400
01:08:03,840 --> 01:08:05,120
Speaker 5: way you want it done.

1401
01:08:05,560 --> 01:08:08,520
Speaker 3: Yeah, like I said, man, So that's been interesting to

1402
01:08:08,600 --> 01:08:10,959
Speaker 3: see that kind of analysis of the album and shit,

1403
01:08:11,000 --> 01:08:13,440
Speaker 3: and to see a lot of like people still mad

1404
01:08:13,480 --> 01:08:17,560
Speaker 3: at jay Z for cheating on Beyonce, which you know

1405
01:08:17,880 --> 01:08:21,479
Speaker 3: they singly have gotten over but you know, uh doesn't

1406
01:08:21,520 --> 01:08:22,840
Speaker 3: mean you as a fan have to get over it,

1407
01:08:23,000 --> 01:08:24,200
Speaker 3: you know, obviously.

1408
01:08:24,000 --> 01:08:24,080
Speaker 5: And.

1409
01:08:25,960 --> 01:08:28,519
Speaker 3: Uh and also people being you know, kind of fed

1410
01:08:28,640 --> 01:08:33,879
Speaker 3: up and tired of men learning on the job, essentially

1411
01:08:34,080 --> 01:08:36,719
Speaker 3: because women don't get to learn on the job. Women

1412
01:08:36,800 --> 01:08:39,080
Speaker 3: are prepared from day one to like, these are the

1413
01:08:39,160 --> 01:08:40,880
Speaker 3: duties you have to do to be a good mate,

1414
01:08:41,320 --> 01:08:43,280
Speaker 3: and men are pretty much told you can figure it

1415
01:08:43,360 --> 01:08:46,519
Speaker 3: out whenever the fuck you feel like it, get old

1416
01:08:46,720 --> 01:08:49,080
Speaker 3: and and and do whatever the fuck you want to do,

1417
01:08:49,360 --> 01:08:51,320
Speaker 3: and then some woman will still be out there.

1418
01:08:52,520 --> 01:08:54,280
Speaker 2: So it's definitely an unfair system. I think a lot

1419
01:08:54,280 --> 01:08:55,320
Speaker 2: of people are reacting to that.

1420
01:08:56,280 --> 01:08:58,080
Speaker 3: Yeah, yeah, and so that's how you end up with

1421
01:08:58,160 --> 01:09:00,320
Speaker 3: the analysis of the album that's kind of like fuck

1422
01:09:00,400 --> 01:09:02,919
Speaker 3: him forever and it's fucking up my agenda.

1423
01:09:03,800 --> 01:09:08,960
Speaker 2: But I don't know, I mean, I'm I can't even say.

1424
01:09:08,840 --> 01:09:12,560
Speaker 3: Sorry because as a dude, I'm still kind of impressed

1425
01:09:13,439 --> 01:09:16,559
Speaker 3: that this nigga would put his ego to the side,

1426
01:09:16,560 --> 01:09:18,560
Speaker 3: because I just don't I'm not used to men doing it.

1427
01:09:18,640 --> 01:09:22,240
Speaker 2: I'm sorry, that's kind of the that's the reality of

1428
01:09:22,320 --> 01:09:27,320
Speaker 2: it is. I've seen rap is getting old. It is

1429
01:09:27,640 --> 01:09:29,040
Speaker 2: what I love about rap.

1430
01:09:29,040 --> 01:09:32,240
Speaker 3: Is that it is getting older, it's growing up. We

1431
01:09:32,360 --> 01:09:34,720
Speaker 3: still have young people coming in, which is beautiful too.

1432
01:09:35,920 --> 01:09:38,160
Speaker 3: You know, these young niggas rapping and stuff. They're gonna

1433
01:09:38,200 --> 01:09:40,599
Speaker 3: make mistakes. They're gonna be wrong about things. They're gonna

1434
01:09:40,640 --> 01:09:42,400
Speaker 3: look up to the wrong people. They're gonna have the

1435
01:09:42,439 --> 01:09:45,719
Speaker 3: wrong We all did it, you know. I still remember

1436
01:09:45,760 --> 01:09:50,640
Speaker 3: see the Lords, Tucker, you know, like going in on

1437
01:09:50,800 --> 01:09:54,800
Speaker 3: cursing and and misogyny and hip hop and stuff. I've

1438
01:09:54,840 --> 01:09:57,439
Speaker 3: been saying on the show for a minute that interview

1439
01:09:57,479 --> 01:09:59,080
Speaker 3: I heard. I think it was with Wynton marcell As

1440
01:09:59,120 --> 01:10:01,719
Speaker 3: or Winston marcell I can't remember his name, sorry, buddy.

1441
01:10:02,000 --> 01:10:05,200
Speaker 2: But I mean the nigga had a point.

1442
01:10:05,360 --> 01:10:08,439
Speaker 3: I ain't gotta agree with the point, but I didn't

1443
01:10:08,439 --> 01:10:10,680
Speaker 3: find him to be some coon for being like, yo,

1444
01:10:10,880 --> 01:10:15,240
Speaker 3: this music might be as harmful as it is, more

1445
01:10:15,280 --> 01:10:17,840
Speaker 3: harmful than it has been good over the period of time.

1446
01:10:18,240 --> 01:10:20,400
Speaker 3: But I think part of that is that hip hop

1447
01:10:20,479 --> 01:10:25,240
Speaker 3: didn't get to have elder statesmen until very recently. Yeah,

1448
01:10:25,360 --> 01:10:27,679
Speaker 3: all the old niggas had got fucked on their record deals,

1449
01:10:27,840 --> 01:10:29,040
Speaker 3: so they just disappeared.

1450
01:10:29,800 --> 01:10:33,240
Speaker 2: It wasn't like, you know, like we had eighties groups that.

1451
01:10:33,320 --> 01:10:37,760
Speaker 3: Had made music and should be looked at as like, oh,

1452
01:10:37,880 --> 01:10:40,599
Speaker 3: let's see what they're doing in thirty years, to see

1453
01:10:40,720 --> 01:10:43,599
Speaker 3: like what those dudes, you know now that they're sixty,

1454
01:10:43,680 --> 01:10:44,719
Speaker 3: Like what are they rapping about?

1455
01:10:44,720 --> 01:10:47,880
Speaker 2: Where they're talking about? Yeah?

1456
01:10:47,920 --> 01:10:49,960
Speaker 3: No, and they're just you know, they're not famous anymore.

1457
01:10:50,000 --> 01:10:53,080
Speaker 3: There's no record label there was. The Acts weren't seen

1458
01:10:53,280 --> 01:10:56,920
Speaker 3: as having longevity. It took rappers being able to invest

1459
01:10:57,000 --> 01:11:03,000
Speaker 3: in themselves. Allata Nas Allata, jay Z, Doctor Dre, these people,

1460
01:11:03,600 --> 01:11:05,880
Speaker 3: you know, maybe not the best role models, but it

1461
01:11:06,000 --> 01:11:09,080
Speaker 3: took them being able to invest in their own music,

1462
01:11:09,280 --> 01:11:12,040
Speaker 3: to have control over their music so that in forty

1463
01:11:12,120 --> 01:11:15,920
Speaker 3: years they could still be rapid. So you know, and

1464
01:11:16,040 --> 01:11:18,479
Speaker 3: maybe that's gonna be the always sold corny now da

1465
01:11:18,600 --> 01:11:22,520
Speaker 3: da da, But to me, that's actually been super refreshing.

1466
01:11:23,520 --> 01:11:25,560
Speaker 2: I didn't think this music would grow up with me,

1467
01:11:26,760 --> 01:11:28,719
Speaker 2: you know, because rap was new when we was kids.

1468
01:11:29,439 --> 01:11:30,680
Speaker 4: Yeah, I had no reason to.

1469
01:11:30,720 --> 01:11:34,479
Speaker 3: Think that it was more than specific to our culture,

1470
01:11:34,640 --> 01:11:37,640
Speaker 3: and then it would eventually fade out when something.

1471
01:11:37,439 --> 01:11:38,080
Speaker 2: New came along.

1472
01:11:38,400 --> 01:11:40,719
Speaker 4: Yeah, compare to other genres for music, yes.

1473
01:11:40,840 --> 01:11:45,800
Speaker 2: Yeah, so uh, it's kind of been interesting to see.

1474
01:11:47,880 --> 01:11:50,240
Speaker 3: This music grow up. To see Fonte put out an

1475
01:11:50,240 --> 01:11:55,400
Speaker 3: album like like no new news is good news, you know,

1476
01:11:56,040 --> 01:12:03,280
Speaker 3: to see people be able to say jay Z has

1477
01:12:03,400 --> 01:12:07,400
Speaker 3: grown into a nigga that went from essentially hating women

1478
01:12:07,640 --> 01:12:12,040
Speaker 3: overtly to a guy who's trying to undo his toxic

1479
01:12:12,120 --> 01:12:14,760
Speaker 3: masculinity in front of everybody at age fifty something or

1480
01:12:14,760 --> 01:12:18,360
Speaker 3: whatever the fuck, Like, yeah, didn't see that coming. I

1481
01:12:18,439 --> 01:12:22,479
Speaker 3: can still be surprised by this music, so I don't

1482
01:12:22,479 --> 01:12:28,040
Speaker 3: know that. It kind of gives me hope. So anyway,

1483
01:12:29,680 --> 01:12:32,600
Speaker 3: Oh yeah, I saw X ex Tentation died before we

1484
01:12:32,960 --> 01:12:33,559
Speaker 3: did the show.

1485
01:12:34,120 --> 01:12:38,160
Speaker 2: Start the show. He got shot. Well that's interesting because

1486
01:12:38,160 --> 01:12:39,679
Speaker 2: he talked about him several times on the show.

1487
01:12:39,840 --> 01:12:42,639
Speaker 4: Oh okay, I don't remember nobody's name.

1488
01:12:42,960 --> 01:12:43,720
Speaker 2: You don't even try.

1489
01:12:44,120 --> 01:12:50,240
Speaker 3: He's a rapper who he was also accused of raping

1490
01:12:50,280 --> 01:12:51,080
Speaker 3: and sexually assaulted.

1491
01:12:51,160 --> 01:12:53,400
Speaker 2: No girl that was like his girlfriend for like two weeks.

1492
01:12:53,760 --> 01:12:56,720
Speaker 3: Oh, the one that tried to like according to her,

1493
01:12:57,800 --> 01:13:01,519
Speaker 3: forced some uh instruments it to her like a barbecue instrument.

1494
01:13:02,000 --> 01:13:05,919
Speaker 2: I know, we talked about it on the show. Anyway,

1495
01:13:06,080 --> 01:13:06,559
Speaker 2: he died.

1496
01:13:06,760 --> 01:13:10,280
Speaker 3: He was shot and killed before the show, so I

1497
01:13:10,360 --> 01:13:16,679
Speaker 3: don't know if he did it himself or whatever. But Ren,

1498
01:13:16,800 --> 01:13:19,320
Speaker 3: when I said hip hop still got the young people

1499
01:13:19,360 --> 01:13:22,920
Speaker 3: coming and making young people mistakes. They also got this

1500
01:13:23,120 --> 01:13:27,000
Speaker 3: rapper that's six ' nine dude that I'll team telling

1501
01:13:27,040 --> 01:13:27,720
Speaker 3: you about.

1502
01:13:29,400 --> 01:13:30,400
Speaker 2: With the rainbow hair.

1503
01:13:31,000 --> 01:13:35,040
Speaker 3: Yeah, he took Chief Keith's baby mom on like a

1504
01:13:35,280 --> 01:13:38,680
Speaker 3: shopping trip and recorded it and like put it on

1505
01:13:39,200 --> 01:13:41,160
Speaker 3: like social media and stuff, because a lot of these

1506
01:13:41,240 --> 01:13:44,800
Speaker 3: dudes are really tuned into social media now. And you know,

1507
01:13:44,920 --> 01:13:50,080
Speaker 3: I remember, you know, thinking to myself like, okay, we've

1508
01:13:50,120 --> 01:13:53,519
Speaker 3: been here before. You know, people laugh kind of at

1509
01:13:53,640 --> 01:13:54,519
Speaker 3: the whole Drake J.

1510
01:13:54,720 --> 01:13:56,479
Speaker 2: Prince saying like it was no big deal when he

1511
01:13:56,640 --> 01:13:57,800
Speaker 2: came and shut that shit down.

1512
01:13:57,920 --> 01:14:00,320
Speaker 3: He said, look, this is when people started, you know,

1513
01:14:01,080 --> 01:14:03,920
Speaker 3: like threat it gets serious after this, the things he

1514
01:14:04,000 --> 01:14:06,000
Speaker 3: said after this, it wasn't gonna be something you could

1515
01:14:06,080 --> 01:14:06,960
Speaker 3: just take back.

1516
01:14:10,160 --> 01:14:11,160
Speaker 2: Yeah. I really do.

1517
01:14:12,840 --> 01:14:15,080
Speaker 4: Getting hurt, like really hurt.

1518
01:14:15,800 --> 01:14:18,720
Speaker 3: Yeah, I really do think we might be due for

1519
01:14:18,960 --> 01:14:22,040
Speaker 3: more of that ship that we kind of came into

1520
01:14:22,160 --> 01:14:26,519
Speaker 3: with NAS and Big Era. When people start taking it

1521
01:14:26,720 --> 01:14:31,880
Speaker 3: so far for audience and you know, I forget the

1522
01:14:31,960 --> 01:14:34,320
Speaker 3: other It was another rapper who was like showing up

1523
01:14:34,360 --> 01:14:35,200
Speaker 3: in people's town.

1524
01:14:35,320 --> 01:14:36,320
Speaker 2: Oh maybe it's Chief Keith.

1525
01:14:36,360 --> 01:14:39,200
Speaker 3: THO was no, no, no, sorry, it's another dude shows

1526
01:14:39,240 --> 01:14:41,719
Speaker 3: up in people's towns and just like I'm in Chicago,

1527
01:14:41,840 --> 01:14:44,160
Speaker 3: y'all niggas ain't I'll hear y'all say, y'all kill me,

1528
01:14:44,520 --> 01:14:46,640
Speaker 3: fuck y'all nigga blah blah blah, and then like's back

1529
01:14:46,680 --> 01:14:49,479
Speaker 3: on the plane leaves. But it's that kind of shit

1530
01:14:49,479 --> 01:14:52,920
Speaker 3: where I'm like, okay, be careful, you know what I mean,

1531
01:14:53,000 --> 01:14:54,080
Speaker 3: Like shit is getting.

1532
01:14:55,960 --> 01:14:57,000
Speaker 2: And not everything is.

1533
01:14:57,160 --> 01:14:57,320
Speaker 5: You know.

1534
01:14:57,400 --> 01:15:00,920
Speaker 3: I think that dude got shot at six nine, got

1535
01:15:00,960 --> 01:15:03,040
Speaker 3: shot at and people laughed it off like all them

1536
01:15:03,080 --> 01:15:06,120
Speaker 3: shots wasn't close. Okay, So I guess we'll wait till

1537
01:15:06,160 --> 01:15:08,360
Speaker 3: he gets killed and then we'll go. Oh, I guess

1538
01:15:08,720 --> 01:15:11,439
Speaker 3: people with guns don't really necessarily play like that, you know.

1539
01:15:12,720 --> 01:15:13,439
Speaker 2: I think it was.

1540
01:15:13,680 --> 01:15:17,120
Speaker 3: Was it a Lil Wayne who had his tour bus

1541
01:15:17,200 --> 01:15:19,160
Speaker 3: shot up? Or Rick Ross has to us shot up

1542
01:15:19,160 --> 01:15:20,040
Speaker 3: here and Charlotte like.

1543
01:15:20,680 --> 01:15:22,840
Speaker 4: Yeah, yew years ago.

1544
01:15:23,040 --> 01:15:25,800
Speaker 3: Like I don't know, man, I just this is the

1545
01:15:25,880 --> 01:15:29,479
Speaker 3: ship is not a game for everybody, man, So motherfuckers

1546
01:15:29,520 --> 01:15:30,559
Speaker 3: need to be careful out here.

1547
01:15:30,600 --> 01:15:32,600
Speaker 5: And when you talk about people, you don't never know

1548
01:15:32,680 --> 01:15:34,280
Speaker 5: how they're gonna take it or perceive it.

1549
01:15:34,560 --> 01:15:37,759
Speaker 3: Yeah, And I don't know the dude that died today,

1550
01:15:37,920 --> 01:15:41,439
Speaker 3: he off to himself or what the fuck happened. The

1551
01:15:41,560 --> 01:15:44,720
Speaker 3: details aren't out yet, but you know, obviously because he

1552
01:15:44,840 --> 01:15:46,519
Speaker 3: was an abusive dude, you're gonna have all the hot

1553
01:15:46,600 --> 01:15:48,320
Speaker 3: takes and all that stuff. So I just log out

1554
01:15:48,360 --> 01:15:51,400
Speaker 3: for social media because people are just gonna talk reckless

1555
01:15:51,479 --> 01:15:54,840
Speaker 3: right now, which happens, you know, just I'm staying out

1556
01:15:54,880 --> 01:15:55,040
Speaker 3: of it.

1557
01:15:57,920 --> 01:15:59,280
Speaker 2: Nicki Minaj is in the news.

1558
01:16:02,240 --> 01:16:06,720
Speaker 3: She says that she is staining from sex while she's

1559
01:16:06,720 --> 01:16:09,519
Speaker 3: single for the first time, and only a king can

1560
01:16:09,600 --> 01:16:15,800
Speaker 3: have my body. Spiritually, I've experienced more growth in the

1561
01:16:15,880 --> 01:16:18,160
Speaker 3: last six months of my life, of my career than

1562
01:16:18,200 --> 01:16:20,600
Speaker 3: I have in the last eight years. She credits that

1563
01:16:20,720 --> 01:16:21,960
Speaker 3: change to the fact that is the first time her

1564
01:16:22,000 --> 01:16:24,160
Speaker 3: license she was fifteen years old, and she hasn't had

1565
01:16:24,160 --> 01:16:26,880
Speaker 3: a serious boyfriend. The time alone has given Nikki the

1566
01:16:26,920 --> 01:16:28,720
Speaker 3: power to realize that she can do just fine as

1567
01:16:28,720 --> 01:16:32,200
Speaker 3: an independent woman does not need a man. I remember

1568
01:16:32,280 --> 01:16:34,160
Speaker 3: feeling like I could do anything at one time in

1569
01:16:34,240 --> 01:16:36,479
Speaker 3: my life, and somewhere along line just start second guessing

1570
01:16:36,479 --> 01:16:37,719
Speaker 3: myself for whatever reason.

1571
01:16:37,880 --> 01:16:38,840
Speaker 2: As soon as I realized that.

1572
01:16:38,840 --> 01:16:40,679
Speaker 3: I could actually live and breathe and eat and sleep

1573
01:16:40,720 --> 01:16:43,160
Speaker 3: and walk and talk without having a boyfriend. Something clicked

1574
01:16:43,200 --> 01:16:45,320
Speaker 3: in me. Becoming single was one of the things that

1575
01:16:45,439 --> 01:16:47,720
Speaker 3: made me feel strong and powerful. The fact that I'm

1576
01:16:47,760 --> 01:16:50,920
Speaker 3: a young woman that doesn't need a man for money.

1577
01:16:50,960 --> 01:16:52,599
Speaker 3: I don't need a man for a job. I don't

1578
01:16:52,680 --> 01:16:55,760
Speaker 3: never have to fuck for beats. I never had to

1579
01:16:55,840 --> 01:17:00,000
Speaker 3: fuck for a record deal. I don't have those pressure.

1580
01:17:02,200 --> 01:17:05,240
Speaker 4: Yeah, I really think that. Yes, she takes said CARDI,

1581
01:17:05,800 --> 01:17:08,320
Speaker 4: you can't tell me this is all this ship she

1582
01:17:08,439 --> 01:17:10,439
Speaker 4: coming out. This is sound like personal beef.

1583
01:17:11,400 --> 01:17:12,759
Speaker 2: Ah, that was weird.

1584
01:17:13,600 --> 01:17:17,400
Speaker 4: Maybe I might be wrong, but maybe she talking. Don't

1585
01:17:17,479 --> 01:17:19,600
Speaker 4: share it at somebody else. But I don't know.

1586
01:17:20,880 --> 01:17:23,519
Speaker 3: Staining from sex had to zend my body. I ain't given,

1587
01:17:23,600 --> 01:17:26,120
Speaker 3: so don't ask. I don't lend my body. He gotta

1588
01:17:26,160 --> 01:17:28,559
Speaker 3: be king status to get in my body, she says

1589
01:17:28,600 --> 01:17:34,519
Speaker 3: on one song. She doesn't expand on who exactly fits

1590
01:17:34,600 --> 01:17:36,799
Speaker 3: to the bill of king status.

1591
01:17:38,600 --> 01:17:43,840
Speaker 2: So I don't know. Yeah, I guess. Uh.

1592
01:17:43,960 --> 01:17:46,840
Speaker 4: She also did somebody asks for us. She's just offering

1593
01:17:46,920 --> 01:17:47,679
Speaker 4: this information.

1594
01:17:48,000 --> 01:17:50,439
Speaker 2: It was an interview. I don't know. You know, it's

1595
01:17:50,479 --> 01:17:51,160
Speaker 2: one of those things too.

1596
01:17:51,280 --> 01:17:52,680
Speaker 3: I wonder if we're gonna get our first picked me

1597
01:17:52,760 --> 01:17:57,000
Speaker 3: out which is a whole untapped market of hotel Queen's

1598
01:17:57,000 --> 01:18:00,560
Speaker 3: out there, Like I don't know that, you know, like

1599
01:18:00,600 --> 01:18:02,560
Speaker 3: people knocking it, but like she might be able to

1600
01:18:02,640 --> 01:18:10,120
Speaker 3: make the switch from uh sex positive icon to a

1601
01:18:10,280 --> 01:18:14,720
Speaker 3: person that's able to be like the rest of y'all

1602
01:18:14,840 --> 01:18:18,639
Speaker 3: females ain't got a man because y'all don't appreciate your body.

1603
01:18:19,240 --> 01:18:23,360
Speaker 3: And maybe she'll be able to capitalize into the ash market, don't.

1604
01:18:23,400 --> 01:18:26,160
Speaker 4: We don't know, do you ash you spend money or

1605
01:18:26,280 --> 01:18:27,160
Speaker 4: the money ask you to.

1606
01:18:28,080 --> 01:18:30,720
Speaker 3: I mean, doctor Umar almost built, got enough money to

1607
01:18:30,760 --> 01:18:34,160
Speaker 3: build a school, just didn't build it. So maybe you know,

1608
01:18:34,800 --> 01:18:38,479
Speaker 3: maybe the money's out there. She also addressed criticism over

1609
01:18:38,520 --> 01:18:43,760
Speaker 3: her sex worker comments. She said the rapper came under

1610
01:18:43,800 --> 01:18:45,920
Speaker 3: fire course for that article we read last week that

1611
01:18:46,000 --> 01:18:49,360
Speaker 3: insinuated that women who are sex workers don't know their worth.

1612
01:18:50,240 --> 01:18:54,519
Speaker 3: She responded to a person on Twitter who took clips

1613
01:18:54,560 --> 01:18:57,640
Speaker 3: from the article and was like, what the fuck are

1614
01:18:57,640 --> 01:18:58,120
Speaker 3: you talking about?

1615
01:18:58,200 --> 01:19:01,000
Speaker 2: Nigga ded Nigga Minaj. The lyrics are hypocritical.

1616
01:19:01,040 --> 01:19:03,280
Speaker 3: You went over to l magazine to slutshake certain types

1617
01:19:03,280 --> 01:19:06,439
Speaker 3: of women because that wasn't your route. Allegedly, people need

1618
01:19:06,520 --> 01:19:09,000
Speaker 3: to stop trying to dictate and policewomen in their bodies.

1619
01:19:09,040 --> 01:19:11,800
Speaker 3: If you can't help, don't hurt at Nigma Minaj, So

1620
01:19:11,960 --> 01:19:17,479
Speaker 3: she responded, suck my dick, asshole. Had you read the article?

1621
01:19:17,520 --> 01:19:20,240
Speaker 3: I was critiquing myself more than anything I was said.

1622
01:19:20,720 --> 01:19:24,400
Speaker 3: What I said was I hope my overt lyrics and

1623
01:19:24,479 --> 01:19:28,479
Speaker 3: photos don't make my fans think I'm the type telling them,

1624
01:19:28,840 --> 01:19:33,200
Speaker 3: telling them to be promiscuous and to know their worth. Lyrics, photos,

1625
01:19:33,280 --> 01:19:42,519
Speaker 3: and fucking are all three different things. Uh, well, it

1626
01:19:42,600 --> 01:19:45,960
Speaker 3: gets worse. Oh, a woman can be a freak with

1627
01:19:46,120 --> 01:19:51,439
Speaker 3: her man, sexual sexual spit, explicit lyrics and exhibitionists, love,

1628
01:19:51,520 --> 01:19:54,519
Speaker 3: freaky girl talk with her girlfriends, require men to treat

1629
01:19:54,560 --> 01:19:56,920
Speaker 3: her like a queen, et cetera. None of that equates

1630
01:19:56,960 --> 01:19:59,880
Speaker 3: to selling pussy. Now, pop my dick out your mouth,

1631
01:20:00,000 --> 01:20:01,519
Speaker 3: and NICKI hate train has left.

1632
01:20:01,439 --> 01:20:02,240
Speaker 2: The building.

1633
01:20:04,640 --> 01:20:10,160
Speaker 3: That, uh you know, I find interested. I really do

1634
01:20:10,280 --> 01:20:12,200
Speaker 3: think she's trying to seniorate cardies out here fucking people

1635
01:20:12,240 --> 01:20:18,040
Speaker 3: for beats. But then the second part is you still

1636
01:20:18,280 --> 01:20:21,639
Speaker 3: kind of this the idea of sex work.

1637
01:20:22,280 --> 01:20:23,080
Speaker 5: Yes, you did.

1638
01:20:23,400 --> 01:20:26,240
Speaker 2: You did, like you said while saying you're not you,

1639
01:20:26,479 --> 01:20:28,559
Speaker 2: you just kind of doubled down on what the fuck,

1640
01:20:28,600 --> 01:20:31,200
Speaker 2: he said, you believe so.

1641
01:20:33,080 --> 01:20:33,479
Speaker 4: Hmmm.

1642
01:20:35,720 --> 01:20:38,280
Speaker 3: He said, they're MICKI Minaja's a response. I said what

1643
01:20:38,360 --> 01:20:41,280
Speaker 3: I said, I'll add it. I'll add to it before

1644
01:20:41,280 --> 01:20:43,200
Speaker 3: I change it. You did slut shame women in the

1645
01:20:43,360 --> 01:20:45,800
Speaker 3: L magazine article. Why call only me out?

1646
01:20:45,920 --> 01:20:46,040
Speaker 5: Oh?

1647
01:20:46,160 --> 01:20:47,080
Speaker 2: Because the truth stung.

1648
01:20:47,240 --> 01:20:49,719
Speaker 3: Instead of worrying about my opinion, you should be getting

1649
01:20:49,760 --> 01:20:52,280
Speaker 3: that cement removed since oh, well you know better.

1650
01:20:52,840 --> 01:20:56,120
Speaker 2: Ah now, you just wout to shake her back and

1651
01:20:56,200 --> 01:20:56,760
Speaker 2: then I saw.

1652
01:20:57,040 --> 01:20:58,479
Speaker 3: I don't know if she took it down or not,

1653
01:20:58,680 --> 01:21:03,519
Speaker 3: but I know she also had told her barbs to

1654
01:21:04,040 --> 01:21:06,280
Speaker 3: beat up somebody if they saw him. I don't know

1655
01:21:06,320 --> 01:21:09,360
Speaker 3: if she took that ship down. Hopefully someone told her

1656
01:21:09,439 --> 01:21:14,559
Speaker 3: to to take that ship back down, because that's kind

1657
01:21:14,600 --> 01:21:15,600
Speaker 3: of dangerous.

1658
01:21:15,240 --> 01:21:18,320
Speaker 4: Public relationship people, public relations people.

1659
01:21:18,920 --> 01:21:22,479
Speaker 2: He was like, no, ma'am, Yeah, that's that somebody get

1660
01:21:22,560 --> 01:21:25,880
Speaker 2: fucked up off of that. That's not gonna be good.

1661
01:21:27,160 --> 01:21:30,080
Speaker 2: So I'm looking at her thing. Maybe yeah, it like

1662
01:21:30,160 --> 01:21:32,000
Speaker 2: she must have took it down. I hope she did.

1663
01:21:34,120 --> 01:21:36,560
Speaker 3: I'm like, Dad, that's like that could be considered to

1664
01:21:36,640 --> 01:21:39,240
Speaker 3: be a threaten if something something happened to a person

1665
01:21:39,400 --> 01:21:40,880
Speaker 3: like that, Like.

1666
01:21:43,160 --> 01:21:50,400
Speaker 2: Yeah, mm hmm. So anyway, I really think she just

1667
01:21:50,479 --> 01:21:52,680
Speaker 2: need to come out and this card straight up and

1668
01:21:52,800 --> 01:21:53,439
Speaker 2: just leave it at that.

1669
01:21:54,080 --> 01:21:57,599
Speaker 3: It's funny because it's the same thing Remy was saying.

1670
01:21:57,680 --> 01:22:00,920
Speaker 2: So maybe she's Remy said it about her, So maybe

1671
01:22:00,960 --> 01:22:03,120
Speaker 2: it could just be a reaction to that. I don't know.

1672
01:22:04,520 --> 01:22:11,800
Speaker 3: Supreme Court declines a curb electoral map manipulation. Yep, your

1673
01:22:11,880 --> 01:22:14,439
Speaker 3: Supreme Court on Monday delta step back to election reformers

1674
01:22:14,479 --> 01:22:17,320
Speaker 3: by decline to use high profile cases for Wisconsin and

1675
01:22:17,360 --> 01:22:20,360
Speaker 3: Maryland the curved ability for state lawmakers to draw electoral

1676
01:22:20,479 --> 01:22:21,760
Speaker 3: districts purely.

1677
01:22:21,600 --> 01:22:24,519
Speaker 2: For partisan advantage side step in major rulings.

1678
01:22:24,560 --> 01:22:28,000
Speaker 3: The non justices decided both cases on narrow legal grounds

1679
01:22:28,080 --> 01:22:30,880
Speaker 3: and put off perhaps until their next turn, which begins

1680
01:22:30,920 --> 01:22:34,240
Speaker 3: in October, a more definitive ruling of the contentious practice

1681
01:22:34,280 --> 01:22:38,320
Speaker 3: known as partisan gerrymandering, and one decision the Core handed

1682
01:22:38,360 --> 01:22:41,760
Speaker 3: the victor the Wisconsin Republicans who drew state electoral electoral

1683
01:22:42,240 --> 01:22:45,759
Speaker 3: districts that helped entrench their party in power, by throwing

1684
01:22:45,800 --> 01:22:48,519
Speaker 3: out a non to ozer vote, a lower court ruling

1685
01:22:49,240 --> 01:22:52,679
Speaker 3: that the districts on a nine oh vote. A lower

1686
01:22:52,720 --> 01:22:55,600
Speaker 3: court ruling that the districts deprived Democratic voters of the

1687
01:22:55,640 --> 01:23:01,439
Speaker 3: constitutional rights, including equal protection of the law. The Supreme

1688
01:23:01,479 --> 01:23:04,759
Speaker 3: who found that Democratic voters who sued to block Republican

1689
01:23:04,880 --> 01:23:08,759
Speaker 3: drawn electoral maps lack legal standing to bring the case

1690
01:23:08,920 --> 01:23:11,559
Speaker 3: because they challenged it on the state wide basis rather

1691
01:23:11,560 --> 01:23:14,960
Speaker 3: than focus on individual legislative districts. So basically, they kicked

1692
01:23:15,040 --> 01:23:17,000
Speaker 3: the ball down the road and they would have to

1693
01:23:17,040 --> 01:23:21,240
Speaker 3: bring the case back up based on individual districts or

1694
01:23:21,280 --> 01:23:21,679
Speaker 3: some shit.

1695
01:23:22,040 --> 01:23:24,919
Speaker 2: They did the same thing with the Baker vote.

1696
01:23:25,280 --> 01:23:30,040
Speaker 5: With that bullshit, Why that's pointless. Make us sweeping decision

1697
01:23:30,080 --> 01:23:30,880
Speaker 5: across the board.

1698
01:23:31,680 --> 01:23:36,960
Speaker 3: M All right, let's go to the next session before

1699
01:23:37,000 --> 01:23:39,960
Speaker 3: we get cut off. We'll be right back, guys, just

1700
01:23:40,000 --> 01:23:42,559
Speaker 3: take a second. But yeah, these are all the things

1701
01:23:42,600 --> 01:23:47,920
Speaker 3: people said well on the voting. You know, these are

1702
01:23:47,920 --> 01:23:51,040
Speaker 3: the kind of things where I wonder if some of

1703
01:23:51,080 --> 01:23:57,200
Speaker 3: the Democratic leaning justices are okay with kicking these decisions

1704
01:23:57,240 --> 01:23:59,160
Speaker 3: down the road to a certain extent.

1705
01:24:00,120 --> 01:24:05,840
Speaker 2: Partially because they're hoping, uh for some type of.

1706
01:24:05,840 --> 01:24:08,800
Speaker 3: Way to get aber another liberal justice in there, or

1707
01:24:09,439 --> 01:24:14,680
Speaker 3: a replacement for them things of this nature, because you know,

1708
01:24:14,960 --> 01:24:17,200
Speaker 3: they know if it comes to a ruling they they'll

1709
01:24:17,240 --> 01:24:23,200
Speaker 3: probably lose. And that was a very important ruling because

1710
01:24:24,640 --> 01:24:29,080
Speaker 3: more than anything, more than the candidates, more than anything,

1711
01:24:30,720 --> 01:24:34,280
Speaker 3: jerry mandering is fucking up our democracy. North Carolina's not

1712
01:24:34,320 --> 01:24:38,360
Speaker 3: even considered a democracy right now. Like, that's that's some

1713
01:24:38,479 --> 01:24:40,960
Speaker 3: scary ship to think about. We live in a state

1714
01:24:41,000 --> 01:24:43,840
Speaker 3: that's not consider the fucking democracy because of all the

1715
01:24:43,920 --> 01:24:49,559
Speaker 3: way they've rigged the jerry mannering the voting to make

1716
01:24:49,600 --> 01:24:52,680
Speaker 3: sure our votes count the least in democratic situations, and

1717
01:24:52,880 --> 01:24:57,000
Speaker 3: especially black votes, which North Carolina got caught specifically saying

1718
01:24:57,040 --> 01:24:58,160
Speaker 3: the emails, we are.

1719
01:24:58,120 --> 01:25:05,200
Speaker 2: Trying to fuck up the black vote. Anyway, that's okay.

1720
01:25:05,280 --> 01:25:10,640
Speaker 2: I saw this on Facebook and I thought it was amazing.

1721
01:25:13,479 --> 01:25:13,599
Speaker 5: Uh.

1722
01:25:14,360 --> 01:25:16,960
Speaker 2: It's called The Real Nigga Show is a video song

1723
01:25:16,960 --> 01:25:18,920
Speaker 2: on Facebook.

1724
01:25:19,600 --> 01:25:19,720
Speaker 6: Uh.

1725
01:25:19,960 --> 01:25:23,599
Speaker 2: Forget the woman's name who makes it, but she did

1726
01:25:23,720 --> 01:25:24,679
Speaker 2: like all her.

1727
01:25:24,600 --> 01:25:28,160
Speaker 1: Own the realest show everybody, the physiest man in the day.

1728
01:25:28,720 --> 01:25:32,559
Speaker 2: Sorry, she did all her own voices, uh and all

1729
01:25:32,760 --> 01:25:34,559
Speaker 2: her the animation.

1730
01:25:35,400 --> 01:25:35,519
Speaker 5: Uh.

1731
01:25:35,720 --> 01:25:39,040
Speaker 2: It's called junk ju Ju Land is the name of

1732
01:25:39,280 --> 01:25:39,640
Speaker 2: the like.

1733
01:25:40,680 --> 01:25:44,240
Speaker 3: Uh well like the YouTube and uh and the Facebook

1734
01:25:45,080 --> 01:25:46,800
Speaker 3: j u n t Spaceland.

1735
01:25:47,320 --> 01:25:47,439
Speaker 7: Uh.

1736
01:25:47,520 --> 01:25:49,599
Speaker 2: Anyway, this can y'all see the chat.

1737
01:25:50,320 --> 01:25:55,240
Speaker 7: This is amazing game brought to you buy beard bomb

1738
01:25:55,840 --> 01:26:02,160
Speaker 7: for the man who isn't able. Good morning, everybody, Welcome

1739
01:26:02,240 --> 01:26:05,200
Speaker 7: to the show. I'm a real nigga. Thank you for

1740
01:26:05,400 --> 01:26:08,880
Speaker 7: joining me today. I want to talk about some things

1741
01:26:08,960 --> 01:26:12,320
Speaker 7: that I think is real beneficial for the world, but

1742
01:26:12,520 --> 01:26:18,680
Speaker 7: most specifically for females. So today's show is dedicated just

1743
01:26:18,960 --> 01:26:23,040
Speaker 7: to the females. I gotta do a disclaimer. If you

1744
01:26:23,120 --> 01:26:27,480
Speaker 7: want to do thinking, you strong and independent and the feminists,

1745
01:26:28,200 --> 01:26:30,200
Speaker 7: keep doing what you're doing, sweetheart.

1746
01:26:31,120 --> 01:26:34,360
Speaker 1: But if you want to get right and get a man, this.

1747
01:26:34,560 --> 01:26:35,400
Speaker 2: The show for you.

1748
01:26:36,080 --> 01:26:40,920
Speaker 1: We'll be right back right after this message. So I

1749
01:26:41,080 --> 01:26:44,120
Speaker 1: got a guess an even more real nigga.

1750
01:26:44,680 --> 01:26:47,600
Speaker 7: He can currently be seen in your DMS, thanking you

1751
01:26:47,800 --> 01:26:49,560
Speaker 7: for accepting his friend requests.

1752
01:26:50,000 --> 01:26:52,840
Speaker 3: And to comment section, why does this dischedule say waiting

1753
01:26:52,880 --> 01:26:54,320
Speaker 3: to hear back from a temp service?

1754
01:26:55,360 --> 01:26:55,760
Speaker 2: Oh no.

1755
01:26:57,880 --> 01:27:01,160
Speaker 1: For the shade room and that's your gas station.

1756
01:27:01,640 --> 01:27:04,080
Speaker 7: Welcome to the show, man, blessed to be your man

1757
01:27:04,600 --> 01:27:06,040
Speaker 7: and your expert opinion.

1758
01:27:06,560 --> 01:27:09,640
Speaker 1: What do you think is the biggest problem with females.

1759
01:27:10,479 --> 01:27:15,880
Speaker 1: Let's play the blame game. Females love to play the

1760
01:27:15,960 --> 01:27:18,519
Speaker 1: blame game. Man. I'm gonna say this one time, for

1761
01:27:18,640 --> 01:27:21,640
Speaker 1: the one time, what kind of dude. Y'all, are your

1762
01:27:21,800 --> 01:27:24,760
Speaker 1: choosing the man you entertained is a reflection to you?

1763
01:27:25,040 --> 01:27:27,320
Speaker 1: So if he ain't shit, what that made you?

1764
01:27:28,280 --> 01:27:28,320
Speaker 5: Be?

1765
01:27:28,760 --> 01:27:30,000
Speaker 1: Most selective?

1766
01:27:30,720 --> 01:27:34,599
Speaker 6: Love yourself perfect, Get out there, hurried out your hearts.

1767
01:27:34,680 --> 01:27:36,479
Speaker 2: We are let a real nigga love you.

1768
01:27:37,560 --> 01:27:40,400
Speaker 1: Yeah, I find a hypocrisy astound in this well.

1769
01:27:40,680 --> 01:27:43,120
Speaker 7: All right, were about to take some calls. First off,

1770
01:27:43,280 --> 01:27:45,519
Speaker 7: we got a female from Washington, d C.

1771
01:27:46,120 --> 01:27:46,240
Speaker 5: Hi.

1772
01:27:46,479 --> 01:27:49,600
Speaker 1: This question is for Amo. How do you feel about monogamy?

1773
01:27:50,080 --> 01:27:53,200
Speaker 1: Bela most not the thing in the world. We were

1774
01:27:53,280 --> 01:27:56,360
Speaker 1: kings of Queens of Africa, Kings they had tor one piece.

1775
01:27:56,640 --> 01:28:00,360
Speaker 1: Oh are you a king? Bless your heart, Mama King?

1776
01:28:00,880 --> 01:28:01,960
Speaker 1: And you a queen?

1777
01:28:02,280 --> 01:28:04,439
Speaker 2: Love wear your crown?

1778
01:28:05,320 --> 01:28:06,760
Speaker 1: So what about polyandry?

1779
01:28:06,960 --> 01:28:07,080
Speaker 5: Oh?

1780
01:28:07,880 --> 01:28:08,519
Speaker 7: I don't know. Huh.

1781
01:28:09,080 --> 01:28:12,000
Speaker 1: Let's call Why y'all take someone to text us back?

1782
01:28:12,280 --> 01:28:16,200
Speaker 1: Respect yourself? Next caller, why do you call us females?

1783
01:28:16,680 --> 01:28:18,920
Speaker 7: The hell are you talking back? I have to cut

1784
01:28:18,960 --> 01:28:22,120
Speaker 7: in right here. We're gonna keep it respectful. No attacking

1785
01:28:22,200 --> 01:28:24,599
Speaker 7: my guests. Oh, it was just a simple question.

1786
01:28:25,000 --> 01:28:27,560
Speaker 1: What damn I'm supposed to call you? Are you not

1787
01:28:27,800 --> 01:28:30,840
Speaker 1: a female? You're supposed to call us women? Because that's

1788
01:28:30,920 --> 01:28:31,599
Speaker 1: what we are.

1789
01:28:34,439 --> 01:28:36,679
Speaker 2: Who you got calling in your male?

1790
01:28:37,400 --> 01:28:40,000
Speaker 6: Female could refer to literally any species.

1791
01:28:40,520 --> 01:28:42,960
Speaker 1: You could be talking about dogs. You don't hear women

1792
01:28:43,040 --> 01:28:47,360
Speaker 1: referring to men as males because it's stupid. I already

1793
01:28:47,479 --> 01:28:49,840
Speaker 1: warned you not to attack my guests. We're gonna have

1794
01:28:49,880 --> 01:28:52,160
Speaker 1: to let you go. No, no, no, let me respond.

1795
01:28:52,880 --> 01:28:54,320
Speaker 2: Every female got a diet.

1796
01:28:54,280 --> 01:28:57,240
Speaker 1: Or that, whether you a queen or you a thought,

1797
01:28:57,960 --> 01:29:00,120
Speaker 1: or you or you a male and.

1798
01:29:00,280 --> 01:29:04,479
Speaker 7: Hating feminists, no matter what y'all are, I always keep

1799
01:29:04,520 --> 01:29:05,280
Speaker 7: it respectful.

1800
01:29:05,640 --> 01:29:08,759
Speaker 1: But if you want me to call you a woman, okay,

1801
01:29:08,800 --> 01:29:13,000
Speaker 1: I'm gonna call you a woman. You happy, stay, blessed.

1802
01:29:12,720 --> 01:29:13,840
Speaker 4: Love all right.

1803
01:29:13,960 --> 01:29:17,599
Speaker 1: I was gonna do a closing moneylog, but some things

1804
01:29:17,720 --> 01:29:19,040
Speaker 1: came up the end.

1805
01:29:28,360 --> 01:29:32,000
Speaker 3: Yeah, that's what it was, Maneri Saiva Sophia Jones. I

1806
01:29:32,080 --> 01:29:34,559
Speaker 3: mean actually, let me make sure I can say that right.

1807
01:29:36,040 --> 01:29:39,519
Speaker 3: Uh yeah, Manera Sophia Jones. Oh my god, that ship

1808
01:29:39,600 --> 01:29:40,960
Speaker 3: cracked me up when I see that today.

1809
01:29:43,360 --> 01:29:45,320
Speaker 4: So that's what I've been going down. They got nothing

1810
01:29:45,400 --> 01:29:50,080
Speaker 4: where he going a date date?

1811
01:29:50,439 --> 01:29:53,160
Speaker 5: Yes, and they like talking about relationship and everybody on

1812
01:29:53,280 --> 01:29:55,120
Speaker 5: Facebook was talking about that when.

1813
01:29:55,000 --> 01:29:55,519
Speaker 2: I don't know what.

1814
01:29:56,320 --> 01:29:57,760
Speaker 3: All right, let me see if I can find this,

1815
01:29:57,960 --> 01:30:02,040
Speaker 3: it must be on a YouTube page. Oh my god,

1816
01:30:02,120 --> 01:30:03,680
Speaker 3: but this shit cracked me the fuck up because I

1817
01:30:03,760 --> 01:30:05,920
Speaker 3: was like, that is how niggas be talking for real?

1818
01:30:06,240 --> 01:30:10,840
Speaker 2: Oh my god, respect yourself.

1819
01:30:14,040 --> 01:30:19,760
Speaker 4: Polly Enery was like, oh my, who is she?

1820
01:30:22,360 --> 01:30:24,759
Speaker 2: Oh man? Anyway?

1821
01:30:24,920 --> 01:30:27,760
Speaker 3: Man, John Land was where I saw that at. So

1822
01:30:29,720 --> 01:30:32,479
Speaker 3: you might be able to find it on Facebook, Twitter.

1823
01:30:33,400 --> 01:30:34,400
Speaker 3: I know I retweeted it.

1824
01:30:35,080 --> 01:30:40,479
Speaker 2: So oh. Dating in two twenty eighteen, How men communicate? Okay,

1825
01:30:40,640 --> 01:30:42,160
Speaker 2: thanks so much for a greet to meet me?

1826
01:30:42,240 --> 01:30:50,000
Speaker 6: Now, my schedule is so crazy morn and beautiful, good,

1827
01:30:50,200 --> 01:30:53,400
Speaker 6: good afternoon. I was just saying, I've never been to

1828
01:30:53,479 --> 01:31:00,519
Speaker 6: this restaurant and it seems really nice. What I am

1829
01:31:00,920 --> 01:31:05,360
Speaker 6: actually talking right now as a matter of a fact

1830
01:31:05,920 --> 01:31:07,240
Speaker 6: to you, that's cool?

1831
01:31:10,320 --> 01:31:11,840
Speaker 1: Yeah, that that is cool?

1832
01:31:12,160 --> 01:31:12,200
Speaker 5: So?

1833
01:31:12,960 --> 01:31:15,400
Speaker 1: Uh, what do you like to do? Mine?

1834
01:31:16,120 --> 01:31:16,639
Speaker 7: So much?

1835
01:31:17,160 --> 01:31:20,000
Speaker 1: You know too much to name? Could do you try

1836
01:31:20,560 --> 01:31:21,519
Speaker 1: to name them?

1837
01:31:28,120 --> 01:31:31,280
Speaker 2: These quick cuts to each other's faces? It's killery.

1838
01:31:33,280 --> 01:31:35,120
Speaker 1: You find all that out is we get to know

1839
01:31:35,320 --> 01:31:38,559
Speaker 1: each other, you know. You know what I'm saying? Oh okay,

1840
01:31:39,400 --> 01:31:43,080
Speaker 1: well what are you looking for out of dating? Are

1841
01:31:43,160 --> 01:31:46,400
Speaker 1: you wanting to be married with children? What do you want?

1842
01:31:48,200 --> 01:31:49,120
Speaker 2: He disappeared.

1843
01:31:49,600 --> 01:31:54,960
Speaker 4: I don't know he vanished, y'all.

1844
01:31:55,439 --> 01:32:04,320
Speaker 2: Heart of a question. Ah, that was good. She's really

1845
01:32:04,360 --> 01:32:06,400
Speaker 2: sitting at the table by herself drinking walk.

1846
01:32:06,520 --> 01:32:11,120
Speaker 1: Well, I guess that it's the end of that. Yeah,

1847
01:32:11,280 --> 01:32:14,880
Speaker 1: my bad. Wow, I had some things come up. So, uh,

1848
01:32:15,360 --> 01:32:17,919
Speaker 1: what you're doing? Are you serious?

1849
01:32:18,680 --> 01:32:19,200
Speaker 5: What you mean?

1850
01:32:19,840 --> 01:32:20,759
Speaker 1: You're serious?

1851
01:32:21,200 --> 01:32:22,000
Speaker 2: What's the problem.

1852
01:32:22,280 --> 01:32:25,040
Speaker 1: The problem is you disappeared, and I'm sorry. That's not

1853
01:32:25,160 --> 01:32:26,240
Speaker 1: the way I communicate.

1854
01:32:26,600 --> 01:32:29,120
Speaker 7: Look, I don't know what type of dudes you used to,

1855
01:32:29,320 --> 01:32:31,840
Speaker 7: but I got a lot going on. I'm a photographer,

1856
01:32:32,040 --> 01:32:35,760
Speaker 7: I promote parties. I'm running for city council. I got

1857
01:32:35,840 --> 01:32:39,960
Speaker 7: a plumbing business. I foot boxes at FedEx. I sell

1858
01:32:40,120 --> 01:32:43,040
Speaker 7: a little bit of dick on the side. I got ambition.

1859
01:32:43,439 --> 01:32:46,599
Speaker 1: And if you can't handle that, you know what I'm saying,

1860
01:32:47,000 --> 01:32:47,439
Speaker 1: let me know.

1861
01:32:47,760 --> 01:32:48,080
Speaker 2: You know why.

1862
01:32:48,080 --> 01:32:50,320
Speaker 6: I appreciate a man with ghosts, don't get me wrong.

1863
01:32:50,320 --> 01:32:52,600
Speaker 1: But I also appreciate a man who puts in the

1864
01:32:52,680 --> 01:32:55,519
Speaker 1: effort to get to know me. Also, this ain't effort,

1865
01:32:56,040 --> 01:32:58,519
Speaker 1: that's what you're saying. I ain't putting in the work.

1866
01:32:58,920 --> 01:33:01,479
Speaker 7: I don't mean no harm. Don't even think you the

1867
01:33:01,520 --> 01:33:05,880
Speaker 7: female for me. Man, you wear suits to dates. Man,

1868
01:33:06,000 --> 01:33:08,599
Speaker 7: I already knew you was one of them females, one

1869
01:33:08,640 --> 01:33:12,640
Speaker 7: of a nigga to bend over backwards. I'm only one man, sweetheart.

1870
01:33:13,400 --> 01:33:16,479
Speaker 7: I can't do it all. I ain't even worry about nothing.

1871
01:33:16,960 --> 01:33:19,800
Speaker 1: I got a beard. It just grew stronger fooling with you,

1872
01:33:20,240 --> 01:33:21,599
Speaker 1: and I know you see these eyes.

1873
01:33:21,720 --> 01:33:23,720
Speaker 7: You know what I'm saying. I think we just need

1874
01:33:23,800 --> 01:33:26,400
Speaker 7: to go our own separate ways. You know what I'm saying,

1875
01:33:26,960 --> 01:33:31,040
Speaker 7: Go be perfect and not need a man for nothing?

1876
01:33:31,520 --> 01:33:35,240
Speaker 2: By why he disappeared?

1877
01:33:35,960 --> 01:33:38,120
Speaker 1: Hey, what you're doing? I missed you?

1878
01:33:41,720 --> 01:33:50,880
Speaker 2: Oh no, oh no, oh man, those are really good.

1879
01:33:51,160 --> 01:33:53,400
Speaker 4: Oh no, I hope y'all ain't out there having days

1880
01:33:53,520 --> 01:33:55,000
Speaker 4: like that ship. I don't want to date this.

1881
01:33:58,000 --> 01:34:02,960
Speaker 3: Oh man, this show's going off the rails. I don't

1882
01:34:03,000 --> 01:34:03,920
Speaker 3: know what we're doing anymore.

1883
01:34:07,080 --> 01:34:13,639
Speaker 2: Let me see silius so little dick.

1884
01:34:15,200 --> 01:34:15,360
Speaker 5: Throw.

1885
01:34:17,880 --> 01:34:19,360
Speaker 2: Oh man, all right, we've been going an hour and

1886
01:34:19,400 --> 01:34:21,800
Speaker 2: a half. Let's do uh fucking with black people and

1887
01:34:22,040 --> 01:34:29,479
Speaker 2: uh let's start, you know, wrap everything up? Where is

1888
01:34:29,479 --> 01:34:40,920
Speaker 2: it that? There you go. We're just fucking with those

1889
01:34:40,960 --> 01:34:43,920
Speaker 2: black people. We're just fucking with those blacks. We're just

1890
01:34:44,160 --> 01:34:48,439
Speaker 2: fucking with fucking with black people. That's right, guys, it's

1891
01:34:48,439 --> 01:34:50,320
Speaker 2: time to play the game, and we all hate to play.

1892
01:34:50,360 --> 01:34:52,160
Speaker 2: It's fucking with black people the game.

1893
01:34:52,200 --> 01:34:53,800
Speaker 3: We go all around the globe, we find different articles

1894
01:34:53,840 --> 01:34:55,640
Speaker 3: make us so fuck with the willside points scorse from

1895
01:34:55,680 --> 01:35:00,080
Speaker 3: zial T one hundred intervals of twenty five Today's contestants. Everybody, Hey,

1896
01:35:01,000 --> 01:35:03,599
Speaker 3: all right, let's who's fucking with his guys.

1897
01:35:05,000 --> 01:35:05,560
Speaker 2: Lorel.

1898
01:35:05,880 --> 01:35:09,439
Speaker 3: You know, the comedian Lirel Howardy stands up for the

1899
01:35:09,520 --> 01:35:15,840
Speaker 3: black press at the MTV Movies and TV Awards. There's

1900
01:35:15,840 --> 01:35:17,960
Speaker 3: been a series rip between black Hollywood and the black

1901
01:35:18,000 --> 01:35:21,519
Speaker 3: press lately, but get out. Lirel is putting his foot down.

1902
01:35:21,600 --> 01:35:24,000
Speaker 3: Make sure the journalists of color will get his attention first.

1903
01:35:24,880 --> 01:35:26,960
Speaker 3: The Los Angeles Times reported that the actor and comedian

1904
01:35:27,000 --> 01:35:30,400
Speaker 3: gave black journalists and press preferential treatment on Saturday Night

1905
01:35:30,800 --> 01:35:33,920
Speaker 3: Saturday Night's Red Carpet. I want to start with the

1906
01:35:33,960 --> 01:35:36,640
Speaker 3: people who are actually supporting me, have supported me, and

1907
01:35:36,680 --> 01:35:38,640
Speaker 3: will actually put the content out there, he said in

1908
01:35:38,720 --> 01:35:41,560
Speaker 3: an interview with The Times on Friday, talking about his

1909
01:35:41,720 --> 01:35:45,360
Speaker 3: upcoming movie Uncle Ted. Then I'll talk to everyone else,

1910
01:35:45,439 --> 01:35:48,639
Speaker 3: but that's who I'm going to start with first. Horry

1911
01:35:48,720 --> 01:35:52,000
Speaker 3: also told the Times that this topic came up at

1912
01:35:52,000 --> 01:35:56,639
Speaker 3: a recent National Association of Black Journalists panel in Los Angeles,

1913
01:35:56,720 --> 01:35:59,840
Speaker 3: and it really stuck with him. Some of us blacks

1914
01:36:00,720 --> 01:36:04,640
Speaker 3: forget what was sitting on that little table when we

1915
01:36:04,800 --> 01:36:07,280
Speaker 3: was growing up, he told the tard, speaking of the

1916
01:36:07,479 --> 01:36:11,240
Speaker 3: iconic publications Ebony, Essence and Jet, that was how we

1917
01:36:11,360 --> 01:36:14,320
Speaker 3: knew who was who. But we seem to have forgotten that.

1918
01:36:14,560 --> 01:36:16,560
Speaker 3: I don't know what's going to happen, but I just

1919
01:36:16,680 --> 01:36:22,360
Speaker 3: want fairness. His stance comes at the time where black

1920
01:36:22,400 --> 01:36:24,320
Speaker 3: journalist and film critics of color I have been extremely

1921
01:36:24,400 --> 01:36:26,719
Speaker 3: vocal about not having the same access to black celebrities

1922
01:36:26,720 --> 01:36:31,160
Speaker 3: compared to mainstream outlets with mostly writers in staff. This

1923
01:36:31,360 --> 01:36:34,639
Speaker 3: conversation also exacerbated last week when USC released a study

1924
01:36:34,680 --> 01:36:36,679
Speaker 3: that found that movie critics in the US are white

1925
01:36:36,720 --> 01:36:40,400
Speaker 3: and male, with white critics writing about eighty two percent

1926
01:36:40,439 --> 01:36:43,360
Speaker 3: of all film reviews found on Rotten Tomatoes in twenty seventeen.

1927
01:36:43,600 --> 01:36:47,800
Speaker 3: Come on, yes, one of the reasons, like, I think

1928
01:36:47,840 --> 01:36:49,600
Speaker 3: about this often, but I don't think I don't know

1929
01:36:49,680 --> 01:36:51,720
Speaker 3: a way to do it, But I wish we could

1930
01:36:51,720 --> 01:36:54,559
Speaker 3: take sport reviews from behind the paywall and like put

1931
01:36:54,640 --> 01:36:57,719
Speaker 3: it out cause I know, we're black people, black critic.

1932
01:36:57,840 --> 01:37:02,559
Speaker 2: We're officially we're official movie critic. But I wish there

1933
01:37:02,640 --> 01:37:03,800
Speaker 2: was a way to really do that.

1934
01:37:04,320 --> 01:37:04,479
Speaker 5: You know.

1935
01:37:04,520 --> 01:37:06,320
Speaker 2: I don't want to hurt our bottom line. Obviously we

1936
01:37:06,439 --> 01:37:07,160
Speaker 2: have to make a living.

1937
01:37:07,240 --> 01:37:12,960
Speaker 3: But but yeah, because I'm like, I want black people

1938
01:37:13,000 --> 01:37:16,360
Speaker 3: to hear movie critics that are black that aren't just

1939
01:37:16,439 --> 01:37:20,519
Speaker 3: giving them the typical recycled bullshit or you know, I

1940
01:37:20,600 --> 01:37:23,240
Speaker 3: didn't go to film critic school. You know, We're just

1941
01:37:23,720 --> 01:37:25,600
Speaker 3: people that happen to be good at what we do.

1942
01:37:25,760 --> 01:37:28,120
Speaker 3: We like a lot of stuff. Yeah, we might do

1943
01:37:28,439 --> 01:37:32,360
Speaker 3: something so separate, Yeah, something to think about, you know.

1944
01:37:32,560 --> 01:37:36,000
Speaker 3: But the point being, like the idea of what we

1945
01:37:36,200 --> 01:37:39,920
Speaker 3: do is kind of a big deal because we we

1946
01:37:40,280 --> 01:37:43,760
Speaker 3: aren't representative of a lot of people, and the people

1947
01:37:43,760 --> 01:37:46,719
Speaker 3: who shape opinions when it comes to movies are mostly

1948
01:37:47,120 --> 01:37:47,920
Speaker 3: white and male.

1949
01:37:48,400 --> 01:37:50,720
Speaker 5: Yeah, and that's why anything that starts a female get

1950
01:37:50,760 --> 01:37:54,519
Speaker 5: shitted on, Anything that starts anybody brown either does not

1951
01:37:54,640 --> 01:37:56,160
Speaker 5: get covered or get shitted on.

1952
01:37:58,200 --> 01:38:01,080
Speaker 2: Yeah, it's not even it's not even just that though,

1953
01:38:01,160 --> 01:38:02,080
Speaker 2: care it's something.

1954
01:38:01,920 --> 01:38:06,320
Speaker 3: Else, because it's not just this shitting on women's shows

1955
01:38:06,479 --> 01:38:09,719
Speaker 3: or whatever, cause they it's like when they like something

1956
01:38:09,760 --> 01:38:10,240
Speaker 3: with a woman.

1957
01:38:10,320 --> 01:38:12,640
Speaker 2: It's the type of woman they fuck with, you know

1958
01:38:12,680 --> 01:38:15,759
Speaker 2: what I'm saying. So like Lady Bird can get critical

1959
01:38:15,840 --> 01:38:22,639
Speaker 2: acclaim in a way that in a way that say,

1960
01:38:24,880 --> 01:38:27,160
Speaker 2: I don't know you pick you pick up movie starring

1961
01:38:27,200 --> 01:38:27,880
Speaker 2: a black woman.

1962
01:38:28,280 --> 01:38:28,439
Speaker 5: You know.

1963
01:38:29,120 --> 01:38:31,320
Speaker 2: Uh, I'll tell you what. Lady Bird can get critical

1964
01:38:31,360 --> 01:38:32,599
Speaker 2: acclaim in a way that the Best.

1965
01:38:32,439 --> 01:38:35,840
Speaker 3: Man Holiday can't. Now I saw Best Man Holiday. It

1966
01:38:36,000 --> 01:38:38,759
Speaker 3: was a great movie, not just as in a black movie.

1967
01:38:39,080 --> 01:38:40,200
Speaker 2: It made a lot of money.

1968
01:38:41,120 --> 01:38:43,080
Speaker 3: Were reviewing with like this is fucking great, go out

1969
01:38:43,080 --> 01:38:46,960
Speaker 3: and seeing you'll have a great time. White critics a

1970
01:38:47,040 --> 01:38:49,559
Speaker 3: lot of times don't even see those movies. When they

1971
01:38:49,600 --> 01:38:51,960
Speaker 3: do see the movies, they just completely like and the

1972
01:38:52,120 --> 01:38:55,000
Speaker 3: checkout you know where, but they'll go see Meet the

1973
01:38:55,040 --> 01:38:55,799
Speaker 3: Foxers twelve.

1974
01:38:56,040 --> 01:38:58,519
Speaker 2: Like it's that kind of thing, that kind of energy.

1975
01:38:59,439 --> 01:39:03,400
Speaker 3: And so black press covering black media is super important,

1976
01:39:04,560 --> 01:39:08,200
Speaker 3: or just covering media with a black perspective, not that

1977
01:39:08,280 --> 01:39:10,400
Speaker 3: you walk into it going I'm gonna be so black,

1978
01:39:10,479 --> 01:39:13,120
Speaker 3: but just this idea of like I have lived experiences

1979
01:39:13,120 --> 01:39:16,080
Speaker 3: as a black person, and I might it might Taylor,

1980
01:39:16,360 --> 01:39:19,360
Speaker 3: how I receive things in a way that we never

1981
01:39:19,560 --> 01:39:20,840
Speaker 3: question when it's white.

1982
01:39:20,920 --> 01:39:24,080
Speaker 2: When it's white media people. It's just their opinion. White

1983
01:39:24,120 --> 01:39:28,160
Speaker 2: media people love Detroit. They just love Detroit. White people love.

1984
01:39:30,760 --> 01:39:31,240
Speaker 3: This is Us.

1985
01:39:31,320 --> 01:39:32,280
Speaker 2: They just love this is Us.

1986
01:39:32,840 --> 01:39:33,000
Speaker 4: You know.

1987
01:39:33,120 --> 01:39:35,120
Speaker 3: But if I'm black and I love it, and I

1988
01:39:35,280 --> 01:39:38,760
Speaker 3: go and well, you know, Detroit has some issues with

1989
01:39:38,920 --> 01:39:41,519
Speaker 3: it and I don't love it, it's you know, that's

1990
01:39:41,560 --> 01:39:43,640
Speaker 3: a issue. If I go, I like this is Us,

1991
01:39:43,680 --> 01:39:45,400
Speaker 3: but I like it because it's such a black show,

1992
01:39:46,000 --> 01:39:47,080
Speaker 3: it's like that's an issue.

1993
01:39:47,280 --> 01:39:49,040
Speaker 2: You know. Meanwhile, mad Max.

1994
01:39:48,920 --> 01:39:50,280
Speaker 3: Can put out they can put out a movie with

1995
01:39:50,640 --> 01:39:52,719
Speaker 3: like the only black people in there are wet nurses,

1996
01:39:53,479 --> 01:39:55,519
Speaker 3: and that's not a problem anymore.

1997
01:39:55,680 --> 01:39:57,760
Speaker 2: So yeah, I like that.

1998
01:39:57,880 --> 01:40:01,560
Speaker 3: He also singled out the black press because let me

1999
01:40:01,640 --> 01:40:05,360
Speaker 3: tell you something, these ratings on these shows, while they

2000
01:40:05,439 --> 01:40:09,400
Speaker 3: may get the critical acclaim from white spaces, we're watching them.

2001
01:40:11,600 --> 01:40:13,479
Speaker 3: You look at the numbers for Insecure, you look at

2002
01:40:13,520 --> 01:40:20,320
Speaker 3: the numbers for Atlanta. These are not ratings, commercials, smashes not.

2003
01:40:20,680 --> 01:40:22,400
Speaker 2: This is not a knock on them. I feel like

2004
01:40:22,479 --> 01:40:24,640
Speaker 2: they should be me too, but they're not.

2005
01:40:25,320 --> 01:40:27,479
Speaker 3: Because white people see a black face and check out

2006
01:40:27,479 --> 01:40:30,000
Speaker 3: a lot of times right away like, oh.

2007
01:40:29,920 --> 01:40:30,920
Speaker 2: That looks for the black shit.

2008
01:40:31,000 --> 01:40:34,519
Speaker 3: I'll just watch I'll wait till some more white people

2009
01:40:34,560 --> 01:40:36,360
Speaker 3: are on in the hour and I watch them.

2010
01:40:36,760 --> 01:40:39,120
Speaker 2: You know, it's that thing. It's how Black Lightning has

2011
01:40:39,200 --> 01:40:42,080
Speaker 2: worse ratings than some of the other CW shows. But

2012
01:40:42,160 --> 01:40:43,920
Speaker 2: it was clearly the best c W show this year.

2013
01:40:44,040 --> 01:40:46,760
Speaker 2: Yes it was, but it had worse ratings because a

2014
01:40:46,800 --> 01:40:48,360
Speaker 2: lot of times white people just go, I'm not even

2015
01:40:48,439 --> 01:40:52,680
Speaker 2: looking at this, right, So, who's carrying the show then?

2016
01:40:54,120 --> 01:40:56,080
Speaker 2: Who cares about the nuance of the show. Who's doing

2017
01:40:56,120 --> 01:40:59,599
Speaker 2: these podcasts about the show, who's recapping the show, who's

2018
01:40:59,640 --> 01:41:02,320
Speaker 2: doing you two videos of the show, who's taking the

2019
01:41:02,360 --> 01:41:04,320
Speaker 2: show and put it into that lexicon and saying the

2020
01:41:04,400 --> 01:41:06,800
Speaker 2: slang from the show? It's us.

2021
01:41:08,280 --> 01:41:11,320
Speaker 3: So when the root is there, when when Baller alerts there,

2022
01:41:11,439 --> 01:41:15,080
Speaker 3: when Boss Up's there, I don't even fuck eb any essence,

2023
01:41:15,160 --> 01:41:18,240
Speaker 3: When any of these black people show up, it does

2024
01:41:18,280 --> 01:41:21,000
Speaker 3: a disservice where white people put them in a corner

2025
01:41:21,760 --> 01:41:22,400
Speaker 3: to the back.

2026
01:41:23,080 --> 01:41:23,200
Speaker 5: Right.

2027
01:41:23,520 --> 01:41:26,240
Speaker 3: They the stars by that time have exhausted all their

2028
01:41:26,320 --> 01:41:27,479
Speaker 3: time on the red carpet.

2029
01:41:27,840 --> 01:41:30,599
Speaker 2: They don't have the time to normally talk at that point.

2030
01:41:30,680 --> 01:41:34,840
Speaker 3: Anyway, some person that's gonna escort them away, like hey man,

2031
01:41:35,200 --> 01:41:36,160
Speaker 3: Donald Glove is time to go.

2032
01:41:36,280 --> 01:41:38,439
Speaker 2: Man, you've wasted your fifteen minutes time to go. You

2033
01:41:38,479 --> 01:41:40,680
Speaker 2: know you already talked to Rolling Stone and so and

2034
01:41:40,720 --> 01:41:41,320
Speaker 2: so on and so on and so.

2035
01:41:41,560 --> 01:41:43,680
Speaker 3: And it's not like those white publications are gonna be

2036
01:41:44,040 --> 01:41:46,320
Speaker 3: courteous and think, well, hey, let's leave some time at

2037
01:41:46,320 --> 01:41:48,360
Speaker 3: the end so the black people can get some questions

2038
01:41:48,400 --> 01:41:48,680
Speaker 3: in too.

2039
01:41:49,160 --> 01:41:51,800
Speaker 2: No, they take over the best space. They push you

2040
01:41:51,880 --> 01:41:52,400
Speaker 2: to the corner.

2041
01:41:52,720 --> 01:41:55,640
Speaker 3: And then when your article doesn't have that personal anecdote,

2042
01:41:55,760 --> 01:42:00,240
Speaker 3: that quote, that exclusive, you don't get that access because

2043
01:42:00,280 --> 01:42:02,920
Speaker 3: no one's thinking about you. It's a big ass machine

2044
01:42:02,960 --> 01:42:05,240
Speaker 3: around these niggas. They still work at a white place,

2045
01:42:05,760 --> 01:42:08,760
Speaker 3: no matter how black and powerful or black and significant

2046
01:42:08,800 --> 01:42:11,040
Speaker 3: that art is, they still are working at some white

2047
01:42:11,120 --> 01:42:15,679
Speaker 3: person's behest as far as like some white dude could

2048
01:42:15,680 --> 01:42:17,599
Speaker 3: wake up the next day and be like, no more insecure.

2049
01:42:18,280 --> 01:42:20,120
Speaker 3: So you're still doing in that. You're still in this

2050
01:42:20,280 --> 01:42:23,799
Speaker 3: machine that mostly promotes whiteness. So they want white interviewers,

2051
01:42:23,840 --> 01:42:26,280
Speaker 3: white publications, they want white readership, they.

2052
01:42:26,240 --> 01:42:28,960
Speaker 2: Want white everything, white ratings.

2053
01:42:28,960 --> 01:42:32,360
Speaker 3: They still send everything around us the demographic of white men.

2054
01:42:33,120 --> 01:42:35,639
Speaker 3: Like when it comes to what's the ratings that matter? Well,

2055
01:42:35,680 --> 01:42:39,080
Speaker 3: in the men from fifteen to thirty five white men.

2056
01:42:39,240 --> 01:42:42,680
Speaker 3: We're doing this, so of course when it comes to

2057
01:42:42,880 --> 01:42:45,160
Speaker 3: who has me the access it carries over.

2058
01:42:46,439 --> 01:42:50,960
Speaker 2: So thank you, Littlerell. I hope other actors take c

2059
01:42:51,479 --> 01:42:53,720
Speaker 2: I've covered on here before, Starla K. Brown's done this.

2060
01:42:54,880 --> 01:42:56,639
Speaker 2: You know, you got asked a question from the black

2061
01:42:56,680 --> 01:42:59,400
Speaker 2: press and was like, yeah, this is fucked up.

2062
01:42:59,400 --> 01:43:01,920
Speaker 3: I've never even out about it before, because to him

2063
01:43:02,040 --> 01:43:05,360
Speaker 3: is just part of that machine. Yeah, you know, Sterling,

2064
01:43:05,439 --> 01:43:07,439
Speaker 3: go here, go here, do this, do that, smile here,

2065
01:43:07,520 --> 01:43:09,479
Speaker 3: take a picture. Hey, you just did the press run.

2066
01:43:09,640 --> 01:43:09,880
Speaker 4: Thanks.

2067
01:43:10,640 --> 01:43:13,720
Speaker 3: You don't even think to yourself like who made the

2068
01:43:13,760 --> 01:43:16,280
Speaker 3: decision on which press where I go for my press run?

2069
01:43:16,880 --> 01:43:17,920
Speaker 2: What station do I talk to?

2070
01:43:18,200 --> 01:43:21,080
Speaker 5: And press runs on more than just interviews, press runs

2071
01:43:21,200 --> 01:43:25,439
Speaker 5: is also photography too, because you know Brandon Brandon from

2072
01:43:25,439 --> 01:43:27,200
Speaker 5: WESB for because it's a lot of photographer he said,

2073
01:43:27,200 --> 01:43:30,080
Speaker 5: it's rare that you see brown people even out there

2074
01:43:30,680 --> 01:43:32,840
Speaker 5: doing that, and there are a lot of black people

2075
01:43:32,920 --> 01:43:36,639
Speaker 5: that actually in photography that are professional photographers and you're

2076
01:43:36,680 --> 01:43:37,400
Speaker 5: bypass too.

2077
01:43:38,280 --> 01:43:40,439
Speaker 2: Yeah. So it's just an interesting thing to think about

2078
01:43:41,560 --> 01:43:42,040
Speaker 2: for people.

2079
01:43:43,120 --> 01:43:45,840
Speaker 3: And I'm glad Little Real has because that's because it's

2080
01:43:45,840 --> 01:43:49,759
Speaker 3: obnoestly gonna take the stars doing it up for themselves

2081
01:43:49,800 --> 01:43:53,160
Speaker 3: on the inside. The machine is never gonna break down

2082
01:43:53,200 --> 01:43:55,080
Speaker 3: and go oh wait, we've been treating these black people

2083
01:43:55,120 --> 01:43:57,479
Speaker 3: fucked up all this time. It's really gonna take people

2084
01:43:57,920 --> 01:44:01,680
Speaker 3: like Sterling K. Brown, Little real Uh and others who

2085
01:44:01,960 --> 01:44:03,640
Speaker 3: who he just get the bug in their ear to

2086
01:44:03,720 --> 01:44:04,000
Speaker 3: be like.

2087
01:44:04,479 --> 01:44:08,960
Speaker 4: Nah, this ain't right, like like who's on my interview list?

2088
01:44:09,080 --> 01:44:11,479
Speaker 5: You know? You know what, why don't we pick this

2089
01:44:11,680 --> 01:44:14,160
Speaker 5: independent media site? Well, I don't care, we don't know

2090
01:44:14,200 --> 01:44:16,600
Speaker 5: who they are. Let's pick this independent media site and

2091
01:44:16,720 --> 01:44:17,760
Speaker 5: have them inter be me first.

2092
01:44:17,800 --> 01:44:20,719
Speaker 3: Well, it's also sad we're not even talking independent media sites.

2093
01:44:20,840 --> 01:44:24,799
Speaker 3: I'm talking like big name black shit like you won't even.

2094
01:44:24,680 --> 01:44:29,360
Speaker 2: Give any essence Jack, you know the rude You won't

2095
01:44:29,439 --> 01:44:30,639
Speaker 2: give them a fucking interview.

2096
01:44:31,840 --> 01:44:32,519
Speaker 4: Like that's a lot.

2097
01:44:33,080 --> 01:44:35,640
Speaker 3: You're asking a lot of, especially when black people are

2098
01:44:35,640 --> 01:44:36,800
Speaker 3: the ones who watch it. You can get all the

2099
01:44:36,840 --> 01:44:39,519
Speaker 3: New York Times right up you want. Those white people

2100
01:44:39,600 --> 01:44:42,760
Speaker 3: are not coming there for that shit. It's gonna come

2101
01:44:42,840 --> 01:44:45,120
Speaker 3: down to us watching you or not watching you again.

2102
01:44:46,400 --> 01:44:48,960
Speaker 3: You know, you're talking about a million people or less

2103
01:44:49,040 --> 01:44:50,720
Speaker 3: watching Atlanta every week.

2104
01:44:51,920 --> 01:44:55,240
Speaker 2: You most of them gotta be niggas. It can't be.

2105
01:44:55,640 --> 01:44:58,080
Speaker 3: It can't be a lot of white people watching that shit.

2106
01:44:58,200 --> 01:45:00,600
Speaker 3: Not that there's none or anything, but a lot of

2107
01:45:00,720 --> 01:45:03,960
Speaker 3: your base. If you lost all your black watchers of

2108
01:45:04,080 --> 01:45:06,320
Speaker 3: your show, that ship would take immediately.

2109
01:45:07,040 --> 01:45:08,479
Speaker 2: So I just think people need to.

2110
01:45:10,840 --> 01:45:13,320
Speaker 3: It's I hate that it's extra labor on black people

2111
01:45:13,360 --> 01:45:15,880
Speaker 3: who are in the industry, But it is going to

2112
01:45:16,000 --> 01:45:19,679
Speaker 3: take stars reaching out on their own and having telling

2113
01:45:19,720 --> 01:45:22,720
Speaker 3: their publicists and the people that protect them from uh

2114
01:45:23,120 --> 01:45:25,680
Speaker 3: not protecting them, but the middleman, to say, like, hey,

2115
01:45:25,760 --> 01:45:27,760
Speaker 3: you get a call from a black publication, you need

2116
01:45:27,880 --> 01:45:28,639
Speaker 3: to make that happen.

2117
01:45:29,439 --> 01:45:30,960
Speaker 2: And if they don't, and if they don't, then it

2118
01:45:31,000 --> 01:45:31,519
Speaker 2: won't happen.

2119
01:45:33,240 --> 01:45:36,920
Speaker 3: All right, anyway, zero two hundred zero, Yeah, thanks Littrell,

2120
01:45:37,080 --> 01:45:42,000
Speaker 3: appreciate your dog. All right, now, let's go to you

2121
01:45:42,080 --> 01:45:44,800
Speaker 3: know what, how much time has it been. Let's do

2122
01:45:44,880 --> 01:45:48,759
Speaker 3: so ratchingess we'll play games tomorrow. We've done a lot today.

2123
01:45:49,400 --> 01:45:50,640
Speaker 4: We've been out over the place, ain't we.

2124
01:45:50,800 --> 01:45:51,000
Speaker 6: Yeah.

2125
01:45:51,000 --> 01:45:52,680
Speaker 2: I don't know if people like this show or not.

2126
01:45:52,840 --> 01:45:56,639
Speaker 2: Today it was a lot. It was everywhere. I always

2127
01:45:56,680 --> 01:45:58,519
Speaker 2: have fun. That's why I can't tell them they if

2128
01:45:58,560 --> 01:45:59,040
Speaker 2: they do or not.

2129
01:45:59,200 --> 01:46:00,920
Speaker 4: I really can't tell damn fun and not.

2130
01:46:01,120 --> 01:46:01,880
Speaker 2: I'm like, it was fun.

2131
01:46:01,920 --> 01:46:03,720
Speaker 3: We got to talk about the album kind of we

2132
01:46:03,920 --> 01:46:06,400
Speaker 3: talked about relationships, but I guess, but.

2133
01:46:06,479 --> 01:46:08,000
Speaker 4: Yeah, we'll come back later on and do like an

2134
01:46:08,080 --> 01:46:10,880
Speaker 4: album recap recap. But I'm like, you were old. We

2135
01:46:11,000 --> 01:46:12,160
Speaker 4: got to digest an album.

2136
01:46:12,600 --> 01:46:15,000
Speaker 2: It's not even about being old. I just I've never

2137
01:46:15,160 --> 01:46:17,800
Speaker 2: been oneing to come to you and tell you within

2138
01:46:17,880 --> 01:46:20,000
Speaker 2: a day of listening to the album everything good and

2139
01:46:20,080 --> 01:46:20,600
Speaker 2: bad about it.

2140
01:46:20,680 --> 01:46:24,400
Speaker 3: It's fucking impossible. And also people that do that normally

2141
01:46:24,400 --> 01:46:25,719
Speaker 3: don't know what the fuck they're talking about.

2142
01:46:26,680 --> 01:46:26,840
Speaker 5: You know.

2143
01:46:26,880 --> 01:46:29,479
Speaker 3: I still remember when watched The Throne drop and being

2144
01:46:29,520 --> 01:46:31,559
Speaker 3: on Twitter and watching people call it trash and being

2145
01:46:32,360 --> 01:46:34,599
Speaker 3: and I was listening to it, and then I listened

2146
01:46:34,600 --> 01:46:37,439
Speaker 3: to it for a few more days, and I was like, Okay,

2147
01:46:37,840 --> 01:46:40,439
Speaker 3: this is one of the most revolutionary black albums I've

2148
01:46:40,479 --> 01:46:41,639
Speaker 3: ever heard of my fucking life.

2149
01:46:42,960 --> 01:46:45,479
Speaker 2: What were y'all listening to? You know?

2150
01:46:45,800 --> 01:46:48,120
Speaker 3: It's that kind of like that moment where you're like, Wow,

2151
01:46:48,200 --> 01:46:52,800
Speaker 3: they really made an album about how their coping mechanism

2152
01:46:52,960 --> 01:46:56,320
Speaker 3: is trying to attain wealth while knowing that wealth will

2153
01:46:56,439 --> 01:47:01,920
Speaker 3: never surpass their experiences of racism as black men in

2154
01:47:01,960 --> 01:47:05,160
Speaker 3: America like all the other ship they can worship and

2155
01:47:05,200 --> 01:47:08,680
Speaker 3: try to cope with, they'll still you know, Kanye. That's

2156
01:47:08,680 --> 01:47:11,560
Speaker 3: when Kanye was still rapping about people getting killed in

2157
01:47:11,640 --> 01:47:17,080
Speaker 3: Chicago and ship you rest in peace that Kanye al right,

2158
01:47:17,160 --> 01:47:42,640
Speaker 3: sore rats in this time A police have shot a

2159
01:47:42,760 --> 01:47:44,880
Speaker 3: woman who was willing a swer. Her mother says the

2160
01:47:44,960 --> 01:47:46,519
Speaker 3: officer has murdered her only daughter.

2161
01:47:47,680 --> 01:47:52,200
Speaker 2: The mother of the Okay, she was not plased, but

2162
01:47:52,240 --> 01:47:54,920
Speaker 2: it's still the mother of a woman family shot by police.

2163
01:47:55,160 --> 01:47:57,160
Speaker 3: She broke into a home willing a swarer has said

2164
01:47:57,200 --> 01:48:00,600
Speaker 3: officers murdered her only daughter. Ashley Dean Folker twenty eight,

2165
01:48:00,640 --> 01:48:04,759
Speaker 3: broke into a house in Kansas City. The report referred

2166
01:48:04,760 --> 01:48:07,640
Speaker 3: to her as Ashley some Minetti uh the name he

2167
01:48:07,720 --> 01:48:08,839
Speaker 3: was on Facebook profile.

2168
01:48:09,920 --> 01:48:11,880
Speaker 2: Focuson climbed outre.

2169
01:48:14,960 --> 01:48:18,439
Speaker 3: Sorry ad start playing uh focuson climbed out of a

2170
01:48:18,520 --> 01:48:21,240
Speaker 3: window to escape police and ran across the lawn of

2171
01:48:21,360 --> 01:48:25,320
Speaker 3: a neighboring property in a bridesmaid dress what well an

2172
01:48:25,320 --> 01:48:26,960
Speaker 3: a decorative samurai sword.

2173
01:48:27,160 --> 01:48:30,120
Speaker 2: She took for the property. Police officers shot bean bags

2174
01:48:30,160 --> 01:48:36,120
Speaker 2: at her and then she ran. She ran across the yard.

2175
01:48:36,560 --> 01:48:38,719
Speaker 3: She then tried to fail to enter other homes, eventually

2176
01:48:38,760 --> 01:48:41,280
Speaker 3: hit in the garage kind of burned out home. Police

2177
01:48:41,280 --> 01:48:43,479
Speaker 3: attempted to reason with her and deployed the robot tear

2178
01:48:43,560 --> 01:48:46,040
Speaker 3: gas to lure her from the garage, but following a

2179
01:48:46,080 --> 01:48:49,720
Speaker 3: two and a half hour standoff, officers open fire after

2180
01:48:49,800 --> 01:48:51,720
Speaker 3: they tried to enter the garage with a battering ram,

2181
01:48:51,800 --> 01:48:53,280
Speaker 3: and she crept out from under the door.

2182
01:48:53,840 --> 01:48:56,160
Speaker 2: She died. She died around four pm.

2183
01:48:56,640 --> 01:48:59,519
Speaker 3: Police confirmed her identity as Ashley Dean Focuson and said

2184
01:48:59,560 --> 01:49:00,439
Speaker 3: that she had they had.

2185
01:49:00,400 --> 01:49:01,680
Speaker 2: Recovered the sword beside her.

2186
01:49:02,200 --> 01:49:05,960
Speaker 3: Kansas City Police Chief Rick Smith told reporters at the

2187
01:49:06,000 --> 01:49:10,479
Speaker 3: scene they did what they thought was necessary. He said

2188
01:49:10,520 --> 01:49:12,720
Speaker 3: they negotiated with him for a long time, with her

2189
01:49:12,760 --> 01:49:15,200
Speaker 3: for a long time. I may see it differently if

2190
01:49:15,240 --> 01:49:17,280
Speaker 3: it was fifteen minutes, but they tried for a long time.

2191
01:49:17,320 --> 01:49:19,639
Speaker 3: Becomes at a time where she is running across around

2192
01:49:19,680 --> 01:49:20,360
Speaker 3: wheeling the store.

2193
01:49:20,760 --> 01:49:23,080
Speaker 2: They tried, They really did try. She couldn't be reason with.

2194
01:49:24,080 --> 01:49:26,439
Speaker 3: That's kind of interesting because she was trapped in the

2195
01:49:26,520 --> 01:49:29,120
Speaker 3: garage for two and a half hours. They tear gaster

2196
01:49:29,320 --> 01:49:32,960
Speaker 3: or whatever, and then they were like, we need to

2197
01:49:33,280 --> 01:49:35,840
Speaker 3: open up with a battering round. Like I wonder what

2198
01:49:35,960 --> 01:49:40,840
Speaker 3: the impetus to go in is in a situation like that,

2199
01:49:41,040 --> 01:49:43,360
Speaker 3: when they're not harming anybody, I guess they could be

2200
01:49:43,400 --> 01:49:44,240
Speaker 3: a harm to themselves.

2201
01:49:44,320 --> 01:49:48,080
Speaker 2: Maybe I don't know how that logic. I don't know

2202
01:49:48,200 --> 01:49:49,599
Speaker 2: that logic to say.

2203
01:49:50,200 --> 01:49:52,560
Speaker 3: And Facebook post, her mother shared the image of the

2204
01:49:52,600 --> 01:49:55,720
Speaker 3: family showing actually as a child, the KCPD murdered my

2205
01:49:55,800 --> 01:49:58,080
Speaker 3: only daughter, she wrote, arguing she doubted the police officer's

2206
01:49:58,120 --> 01:49:59,439
Speaker 3: fear for their lives than the incident.

2207
01:50:00,040 --> 01:50:01,880
Speaker 2: They should have. They should have to pay for this

2208
01:50:02,200 --> 01:50:04,680
Speaker 2: sh for just killing whoever they feel like killing. At

2209
01:50:04,720 --> 01:50:05,000
Speaker 2: the time.

2210
01:50:05,360 --> 01:50:07,479
Speaker 3: My daughter probably weighed about ninety pounds. They could have

2211
01:50:07,520 --> 01:50:10,160
Speaker 3: shot her in the leg or anything. But this I'm

2212
01:50:10,240 --> 01:50:12,360
Speaker 3: totally devastated. I will never get the hug or tell

2213
01:50:12,400 --> 01:50:14,160
Speaker 3: her I love her anything again.

2214
01:50:16,760 --> 01:50:17,000
Speaker 2: Yeah.

2215
01:50:17,400 --> 01:50:20,040
Speaker 3: The neighbor, Caleb Gallaway, or neighbor who's thirty three, said

2216
01:50:20,080 --> 01:50:23,760
Speaker 3: she was obviously scared something was wrong with her. That's

2217
01:50:23,920 --> 01:50:26,120
Speaker 3: why we have If you have a mental health issue

2218
01:50:26,360 --> 01:50:28,600
Speaker 3: in America and.

2219
01:50:28,640 --> 01:50:30,400
Speaker 2: The police are called, you probably gonna die.

2220
01:50:31,160 --> 01:50:31,720
Speaker 4: Yeah, yeah, y.

2221
01:50:31,840 --> 01:50:34,240
Speaker 5: And that's the thing a lot of times because they're

2222
01:50:34,280 --> 01:50:37,080
Speaker 5: not trained in that field. So when they come they

2223
01:50:37,200 --> 01:50:40,000
Speaker 5: treat you like a normal functioning human being, you know,

2224
01:50:40,840 --> 01:50:45,320
Speaker 5: so you might. Uh, it depends on the scenario. Cause

2225
01:50:45,360 --> 01:50:48,880
Speaker 5: I know, like with my mama, police have been called

2226
01:50:49,240 --> 01:50:51,040
Speaker 5: in situations and they get.

2227
01:50:50,960 --> 01:50:53,839
Speaker 4: Scared in fear and they get super strong.

2228
01:50:55,200 --> 01:50:59,120
Speaker 5: For some people, uh, some people kind of uh, they

2229
01:50:59,160 --> 01:51:01,240
Speaker 5: don't know how to respect on and things like that.

2230
01:51:02,560 --> 01:51:04,479
Speaker 4: My mama she's in a home now, but when she

2231
01:51:04,680 --> 01:51:05,439
Speaker 4: wasn't in a home.

2232
01:51:05,400 --> 01:51:08,080
Speaker 5: She would be out with like her caretaker, and she

2233
01:51:08,160 --> 01:51:10,080
Speaker 5: would do things and she would have to kind of

2234
01:51:10,120 --> 01:51:13,080
Speaker 5: tell people, you know, like officers a you know, she's

2235
01:51:13,120 --> 01:51:14,479
Speaker 5: not a normal functioning person.

2236
01:51:14,600 --> 01:51:15,360
Speaker 2: You know, be aware.

2237
01:51:15,680 --> 01:51:17,840
Speaker 4: But if you don't have that person kind of advocating

2238
01:51:17,880 --> 01:51:18,559
Speaker 4: on your behalf.

2239
01:51:18,640 --> 01:51:21,240
Speaker 5: As far as the police officers is concerned, they'll shoot

2240
01:51:21,240 --> 01:51:22,360
Speaker 5: you in kid, you will keep it pushing.

2241
01:51:22,640 --> 01:51:24,200
Speaker 2: Also, where did you get the sword from?

2242
01:51:25,360 --> 01:51:25,720
Speaker 5: I don't know.

2243
01:51:26,280 --> 01:51:29,000
Speaker 3: Right, all right, we'll be back tomorrow, guys. Thank you

2244
01:51:29,080 --> 01:51:31,800
Speaker 3: for listening. Until then, I love you.

2245
01:51:32,000 --> 01:51:32,360
Speaker 4: I'll wait.

2246
01:51:32,479 --> 01:51:35,960
Speaker 2: I forgot to mention. Wednesday, the show will be at

2247
01:51:36,040 --> 01:51:38,160
Speaker 2: eight pm. We'll be doing it a little bit later,

2248
01:51:38,640 --> 01:51:43,240
Speaker 2: but we will have our some guests. We'll have h

2249
01:51:44,240 --> 01:51:48,360
Speaker 2: We'll have Queen and Jay from the team with Queen

2250
01:51:48,400 --> 01:51:51,000
Speaker 2: and Jay Podcast. Yes, I can't wait.

2251
01:51:51,960 --> 01:51:52,639
Speaker 4: That's gonna be fun.

2252
01:51:52,800 --> 01:51:52,960
Speaker 2: Yeah.

2253
01:51:52,960 --> 01:51:56,200
Speaker 3: I'll listen to them every week so I finally get

2254
01:51:56,280 --> 01:51:59,160
Speaker 3: to chop it up with them. So looking forward to that.

2255
01:52:00,040 --> 01:52:02,120
Speaker 2: Alright, guys, until next time, I love you.

2256
01:52:02,240 --> 01:52:02,760
Speaker 4: I love you too.

2257
01:52:03,000 --> 01:52:03,160
Speaker 3: Why