WEBVTT - Episode 8: The Detective

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<v Speaker 1>Jennifer Blag was riding high on her discovery that the

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<v Speaker 1>snitch in Lee's case was not just a one time thing,

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<v Speaker 1>but a serial informant for the Chicago Police Department who

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<v Speaker 1>had received benefits for his services. She gets thinking, if

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<v Speaker 1>the detective in Lee's case, Richard Zuli, had a habit

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<v Speaker 1>of setting up informants to help a case go his way,

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<v Speaker 1>what other habits might he have.

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<v Speaker 2>I've got to get my shit together on this and

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<v Speaker 2>argue it properly.

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<v Speaker 3>Is it a pattern of dishonesty? What is the.

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<v Speaker 1>Pattern coercive interview techniques for example, intimidation, maybe withholding exculpatory evidence.

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<v Speaker 1>Perhaps Jennifer was searching for proof that Zuli's way of

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<v Speaker 1>doing police work was habitual, unlawful, and traceable across cases,

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<v Speaker 1>so she could show a judge that what happened to

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<v Speaker 1>Lee was part of a pattern, not an accident. Jennifer

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<v Speaker 1>knows it's time to dig in, and not just on

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<v Speaker 1>Lee's case, but all of Zuli's cases across his entire career.

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<v Speaker 2>You have to lay out every case and then you

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<v Speaker 2>have to look again and again and again. It is very,

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<v Speaker 2>very time consuming, tedious work.

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<v Speaker 1>But there was no way, Jennifer was going to be

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<v Speaker 1>put off. See, a special kind of fire was brewing

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<v Speaker 1>in her belly when it came to Dick Richard Zuli,

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<v Speaker 1>a man she'd never met, but who case by case,

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<v Speaker 1>she felt she was starting to develop a pretty clear

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<v Speaker 1>picture of To be sure, Zuli had never been charged

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<v Speaker 1>with the crime, but it was safe to say he

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<v Speaker 1>had touched a nerve.

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<v Speaker 2>He epitomizes the type of personality I cannot stand. Someone

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<v Speaker 2>who thinks they're smarter than everyone else, someone who's gotten

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<v Speaker 2>away with it their entire life and has been rewarded

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<v Speaker 2>for that behavior, which only compounds their ego and drive

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<v Speaker 2>to keep doing the bad things.

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<v Speaker 1>Her journey into Zuli's career was going to take her

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<v Speaker 1>from the urban epicenter of the American Midwest all the

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<v Speaker 1>way to a remote US outpost etched into the edge

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<v Speaker 1>of Cuba's southeastern coast.

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<v Speaker 2>I'm not sure exactly what it is, but I'm very

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<v Speaker 2>determined to take him down.

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<v Speaker 1>I'm Dax Devlin Ross and from iHeartMedia. This is Crime

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<v Speaker 1>Wolf episode eight, The Detective. So who is Detective Richard

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<v Speaker 1>Patrick Zulie. Well, it really depends on who you ask.

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<v Speaker 1>Here's what we know about his early life. He was

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<v Speaker 1>born on October third, nineteen forty six. He had a

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<v Speaker 1>route around age ten and was flipping burgers by thirteen.

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<v Speaker 1>At twenty, he joined the Marine Corps and then went

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<v Speaker 1>on to serve as an officer in the United States Navy.

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<v Speaker 1>That's when things start to get a little more complicated,

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<v Speaker 1>and depending on who you ask, you might get very

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<v Speaker 1>different answers. Here's one version. In nineteen seventy he embarked

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<v Speaker 1>on a distinguished thirty seven year career in the Chicago

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<v Speaker 1>Police Department. As a detective, he would make a name

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<v Speaker 1>for himself, closing case after case, cases like the Dane

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<v Speaker 1>of Feitler murder. He even managed to study for a

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<v Speaker 1>master's during this time in criminal social justice. His calling

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<v Speaker 1>card as a detective a knack for getting confessions. In

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<v Speaker 1>the early two thousands, he was sent on a special

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<v Speaker 1>assignment to Guantanamo Bay soon after the nine eleven terror attacks.

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<v Speaker 1>After two years, he returned to his role as a

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<v Speaker 1>Chicago Police detective before finally retiring on a full police

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<v Speaker 1>pension aged sixty one in two thousand and seven. There's

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<v Speaker 1>another version of Zuli's story, a version that Lee and

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<v Speaker 1>others like him swear by, and unfortunately for them, it's

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<v Speaker 1>loaded with allegations of corruption, cunning and cruelty. Claims of

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<v Speaker 1>brutal interrogation techniques that broke bodies and minds, allegations of

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<v Speaker 1>prolonged shackling, threats veiled and not so veiled to loved ones,

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<v Speaker 1>allegations of extreme pressure on suspects to implicate themselves and

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<v Speaker 1>others guilty or not, And through it all, not surprisingly

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<v Speaker 1>black Chicagoans claimed that they were his primary prey. Oh

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<v Speaker 1>in that stint in Guantanamo, a devastating crescendo of the

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<v Speaker 1>techniques he had honed in Chicago. We invited Richard Zuli

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<v Speaker 1>onto the podcast to put all these points to him,

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<v Speaker 1>but he declined. He is always publicly denied any wrongdoing.

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<v Speaker 1>So to get a picture of the man, we thought

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<v Speaker 1>we'd speak to some people who did meet him. Back

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<v Speaker 1>in the early nineteen nineties, when the attorney Andrea Line,

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<v Speaker 1>our Angel of death Row, was working on Lee's case.

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<v Speaker 1>Zuli was over a decade into his career as a

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<v Speaker 1>dick and already considered something of a star, but it

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<v Speaker 1>was the first time Andrea had come across him. Others

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<v Speaker 1>may have been charmed by his bravado or impressed by

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<v Speaker 1>his intellect. She read him right off the bat.

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<v Speaker 4>I was one of the first who ever caught and

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<v Speaker 4>on to what he was doing. And people were like, Oh,

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<v Speaker 4>he's such a smart guy. No, he is a fucking

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<v Speaker 4>bad guy. I'm sorry about my language.

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<v Speaker 1>For her, there was just some obvious power dynamics at

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<v Speaker 1>play when it came to her client, Lee Harris.

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<v Speaker 4>Part of it was that he was just a bully,

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<v Speaker 4>and I could see how Lee would say or do

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<v Speaker 4>what Zulie wanted him to. I could see it.

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<v Speaker 1>Andrea alleges that this bullying extended to her as well.

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<v Speaker 1>In the run up to Lee's trial, Andrea thought she'd

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<v Speaker 1>subpoena the police records for the case, basically get a

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<v Speaker 1>court order to make CPD hand over the files. It

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<v Speaker 1>was a long shot, but you never know what might

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<v Speaker 1>come to light anyway when she gets them back. There's

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<v Speaker 1>a tantalizing detail. The hotel that Lee was being put

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<v Speaker 1>up in back when he was the star witness and

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<v Speaker 1>the Dana Fightler case was being paid for by Detective

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<v Speaker 1>Richard Zuli on his personal credit card. No less, Okay,

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<v Speaker 1>so maybe he was going to recoup his outlays on

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<v Speaker 1>his expense report. But Andrea wonders, if he's paying for this,

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<v Speaker 1>what else could he be paying for, So she issues

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<v Speaker 1>another subpoena, this time for six months worth of Richard

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<v Speaker 1>Zuli's personal records. This gets Zuli's attention, and well, he

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<v Speaker 1>kind of just starts making cameos. And Andrea life, he.

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<v Speaker 4>Was waiting by my car one time in the parking

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<v Speaker 4>lot across the street in twenty sixth Street. There's a

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<v Speaker 4>parking lot that the public defenders and everyone cops us,

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<v Speaker 4>and you're a standing right by my car. He waited

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<v Speaker 4>after court to tell me that he knew my address

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<v Speaker 4>and where my mother lived and stuff like that. And

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<v Speaker 4>I said, asked him if he was lost.

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<v Speaker 1>I think. Another time, when Andrea is in the Illinois

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<v Speaker 1>Supreme Court giving an oral argument in a different case,

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<v Speaker 1>she looks up and there he is, Detective Richard Zuli,

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<v Speaker 1>in the middle of the audience.

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<v Speaker 4>I tried to act like it didn't bother me. I'm

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<v Speaker 4>not telling you it didn't bother me. Okay, I'm not

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<v Speaker 4>telling you that I didn't find him frightening.

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<v Speaker 1>Andrea says this behavior went on for a period of months,

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<v Speaker 1>made worse by the fact that she had a small

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<v Speaker 1>baby at the time. He also made an official complaint

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<v Speaker 1>against her to the Attorney Registration Commission. Never in that

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<v Speaker 1>period did Zuli physically threatened her, but says Andrea, he

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<v Speaker 1>didn't need to.

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<v Speaker 4>He wasn't like physically intimidating particularly, He was just he

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<v Speaker 4>had that look that I'm going to do whatever it takes.

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<v Speaker 3>Look, that's all I can tell you.

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<v Speaker 1>We put all these points to Richard Zuli, but he

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<v Speaker 1>declined to comment. Those were Andrea's impressions of Zuli all

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<v Speaker 1>the way back in the early nineties, but had time

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<v Speaker 1>changed him. In twenty eighteen, Tory Marlin, the investigative reporter,

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<v Speaker 1>is putting the final touches on her piece about Lee

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<v Speaker 1>and Robert. She knows she wants to get some answers

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<v Speaker 1>from Detective Richard Zuli. He's now seventy two, still living

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<v Speaker 1>in Chicago. What was his take on the Lee Harris case?

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<v Speaker 1>Now she takes another long flight across the country back

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<v Speaker 1>to the Windy City.

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<v Speaker 5>So it was December day in Chicago. I drove to

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<v Speaker 5>his house on the northwest side of Chicago. It was

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<v Speaker 5>a quiet residential street. I'd written a note in advance,

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<v Speaker 5>introducing myself and requesting an interview. My plan was to

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<v Speaker 5>put my note in his mailbox. I really didn't expect

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<v Speaker 5>him to be there or to answer the door to.

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<v Speaker 1>Talk to me, but lo and behold.

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<v Speaker 5>I was surprised when he answered the door, and I

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<v Speaker 5>was glad. I was really happy about that. I truly

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<v Speaker 5>wanted to talk to him. So I stood on his

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<v Speaker 5>stoop and I introduced myself. He stood in the doorframe

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<v Speaker 5>and we talked for a bit, long enough for me

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<v Speaker 5>to be really cold.

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<v Speaker 3>He didn't invite me in.

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<v Speaker 5>He just stood in the doorframe.

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<v Speaker 1>Being the professional that she is. Tory can't deviled everything

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<v Speaker 1>that was exchanged on that threshold.

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<v Speaker 5>What I can say is that he remembered Lee, and

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<v Speaker 5>he was aware of Robert, and he spoke of Lee

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<v Speaker 5>in a way that I thought was demeaning. And he

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<v Speaker 5>you peopled me as part of the media and railed

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<v Speaker 5>against what he called a cottage industry that had sprung

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<v Speaker 5>up to reinvestigate convictions. He was riled up. He was

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<v Speaker 5>not happy to see me, and his demeanor was, you know,

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<v Speaker 5>he was looming over me.

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<v Speaker 4>And.

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<v Speaker 5>If he didn't quite point his finger in my face.

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<v Speaker 5>It certainly felt like that kind of interaction. It was

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<v Speaker 5>very clear to me that I wouldn't want to be

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<v Speaker 5>interrogated by him, and I could understand why it would

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<v Speaker 5>be intimidating to be interrogated by him, and why you'd

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<v Speaker 5>want to end the interrogation as quickly as possible.

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<v Speaker 3>Like that was.

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<v Speaker 5>That was something.

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<v Speaker 6>All fume.

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<v Speaker 1>Over the years, the friends mused about the things they

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<v Speaker 1>would do to Zuli, beat him up, give him a

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<v Speaker 1>taste of his own medicine, But of late Lee had

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<v Speaker 1>been getting way more philosophical cure.

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<v Speaker 3>You may start the conversation.

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<v Speaker 6>Now, what's happening, man? How are you? I'm not frillant?

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<v Speaker 7>Are you feeling Yeah, I'm all right, I'm all right.

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<v Speaker 6>Do you want me crazy? Sure? And what's that? You

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<v Speaker 6>don't not really that bad at it?

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<v Speaker 5>Go up?

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<v Speaker 8>Okay? Because because you act? Because when I get bad

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<v Speaker 8>at it? Then if it's little.

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<v Speaker 1>Crazy working yourself into a frenzy, fantasizing about someone else's suffering,

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<v Speaker 1>even if you feel justified, those can be dangerous pastimes

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<v Speaker 1>when you're doing time. Strong chance you're the one who's

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<v Speaker 1>gonna get hurt. Lee somehow had to find other distractions

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<v Speaker 1>Alongside his regular phone calls with Robert and Jennifer, he

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<v Speaker 1>would check in with other family and friends, his son Jermaine,

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<v Speaker 1>who was by now an adult himself. Then there was

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<v Speaker 1>the letter writing, keeping up with the paperwork on his case,

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<v Speaker 1>but more leisurely pursuits as well, like checking in with

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<v Speaker 1>one of his many female admirers from the Facebook group.

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<v Speaker 1>You can be sure that a real ladies man was

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<v Speaker 1>not gonna let prison stand in his way. Singing in

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<v Speaker 1>the prison choir, going to church a lot, playing chess,

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<v Speaker 1>chatting to other inmates, even prison guards. Lee found any

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<v Speaker 1>way he could defend off the rage and the monotony.

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<v Speaker 1>He worked too, at one point taking up a job

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<v Speaker 1>in the prison canteen. But when your weakness is food,

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<v Speaker 1>that can become its own unhealthy coping mechanism.

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<v Speaker 6>I think I'm about eight now eight, yeah, keep going,

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<v Speaker 6>then five eight, I'm five to eighty. Yeah, you get more.

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<v Speaker 6>Actually I do get more action, You're right about that,

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<v Speaker 6>But come on, man, to five eight, I'm making a cute.

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<v Speaker 6>You know. That's another reason I need to leave here,

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<v Speaker 6>because they have to say no. Well from brand and Cookies, Well,

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<v Speaker 6>we'll get you out of there.

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<v Speaker 7>You don't want to have to go on a certain diet.

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<v Speaker 1>Then joking aside, it's something Lee knows he needs to

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<v Speaker 1>take seriously. Over the years, he's had more and more

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<v Speaker 1>incidences of poor health, headaches, blackouts, visits to the nurse

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<v Speaker 1>with a weak heart, blood sugar spikes. Both Robert and

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<v Speaker 1>Jennifer are on his case. But see, with Lee, you

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<v Speaker 1>never know when he's just telling you what you want

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<v Speaker 1>to hear my big problem.

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<v Speaker 6>I thought you were going to say all the time. No,

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<v Speaker 6>I'm just kidding now.

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<v Speaker 7>That's cool though, man, I mean you were a you're

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<v Speaker 7>a thin guy.

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<v Speaker 9>Man.

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<v Speaker 7>I see that picture of you in that police station.

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<v Speaker 7>It's you know, it's amazing. It's amazing how different you are.

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<v Speaker 7>I can tell you're like a young start.

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<v Speaker 9>That's for sure.

0:14:35.720 --> 0:14:38.760
<v Speaker 1>The truth is Lee is different in so many ways.

0:14:39.560 --> 0:14:42.960
<v Speaker 1>Years of wrongful incarceration with the mental and physical string

0:14:43.040 --> 0:14:46.320
<v Speaker 1>and that entails the numerous attempts at seeking justice, with

0:14:46.480 --> 0:14:50.920
<v Speaker 1>rejections from seemingly every corner, growing ill health, the world

0:14:51.000 --> 0:14:54.920
<v Speaker 1>outside changing at breakneck speed. Even the prisoners now coming

0:14:54.960 --> 0:14:57.880
<v Speaker 1>into the prison were becoming increasingly alien to Lee.

0:14:58.440 --> 0:15:01.840
<v Speaker 6>He's gonna be nuts, Yeah, I bet, I bet you know,

0:15:02.000 --> 0:15:05.160
<v Speaker 6>they pick up the thick up a year, but they

0:15:05.200 --> 0:15:06.200
<v Speaker 6>don't care about nothing.

0:15:06.360 --> 0:15:10.160
<v Speaker 7>Well, yeah, I can imagine.

0:15:11.480 --> 0:15:14.600
<v Speaker 6>They complaint, complaint, they complaint, they complain about everything.

0:15:15.520 --> 0:15:18.400
<v Speaker 1>But as Jennifer is getting closer to putting her case together,

0:15:18.760 --> 0:15:22.480
<v Speaker 1>there's a bigger question looming over Lee, perhaps the biggest

0:15:22.520 --> 0:15:25.640
<v Speaker 1>one of them all. One day, Robert decides to broach it.

0:15:26.280 --> 0:15:28.520
<v Speaker 7>Hey, So, so you ever think about like if you

0:15:28.560 --> 0:15:31.840
<v Speaker 7>get out, like, uh, what what that's gonna be like

0:15:32.080 --> 0:15:34.880
<v Speaker 7>for you psychologically and mentally and stuff?

0:15:35.080 --> 0:15:35.280
<v Speaker 6>Have you?

0:15:35.520 --> 0:15:36.960
<v Speaker 7>Have you even thought about that stuff?

0:15:37.920 --> 0:15:40.920
<v Speaker 6>No? Well, I know it's gotta be I know it's

0:15:40.960 --> 0:15:45.640
<v Speaker 6>gotta be different, you know. I know it's gonna I

0:15:45.760 --> 0:15:47.040
<v Speaker 6>know it's gonna be an Jeff.

0:15:47.760 --> 0:15:50.120
<v Speaker 7>I mean, it's gonna be some like Vietnam type shit,

0:15:50.360 --> 0:15:54.480
<v Speaker 7>you know, even worse. I mean we're talking a thirty

0:15:54.520 --> 0:15:57.760
<v Speaker 7>year stint here, you know. But I mean, like, really

0:15:58.360 --> 0:15:59.840
<v Speaker 7>start thinking about certain things.

0:16:00.080 --> 0:16:00.240
<v Speaker 4>You know.

0:16:00.400 --> 0:16:03.040
<v Speaker 7>It's like, what's it gonna be like to go up

0:16:03.080 --> 0:16:05.440
<v Speaker 7>and prepare your own food, to wake up in the

0:16:05.480 --> 0:16:07.000
<v Speaker 7>middle of the night and decide that you want to

0:16:07.040 --> 0:16:09.400
<v Speaker 7>warm something up, And the fact that you go walk

0:16:09.440 --> 0:16:12.840
<v Speaker 7>into a restaurant and order some off a menu, and

0:16:14.320 --> 0:16:16.520
<v Speaker 7>it's just it's just a totally different life.

0:16:18.640 --> 0:16:20.000
<v Speaker 6>Mean, that's gonna be that's.

0:16:19.880 --> 0:16:20.560
<v Speaker 8>Gonna be different.

0:16:20.640 --> 0:16:22.040
<v Speaker 6>You know, just to wake up in the middle of

0:16:22.080 --> 0:16:24.600
<v Speaker 6>the ninety fact, pick.

0:16:24.480 --> 0:16:27.440
<v Speaker 7>A walk right, to be able to move around, to

0:16:27.520 --> 0:16:29.720
<v Speaker 7>be able to just leave your environment, the things that

0:16:29.800 --> 0:16:33.320
<v Speaker 7>we take for granted every day. You know, the noises

0:16:33.400 --> 0:16:35.600
<v Speaker 7>are different. All of a sudden, you wake up and

0:16:35.720 --> 0:16:39.120
<v Speaker 7>you can leave. You haven't made a decision for yourself

0:16:39.280 --> 0:16:41.160
<v Speaker 7>or any of that stuff. And it's like, Lee, I was.

0:16:41.320 --> 0:16:43.520
<v Speaker 7>I was in for less than thirty six months. I

0:16:43.560 --> 0:16:46.760
<v Speaker 7>think thirty two is what I did. And and even

0:16:46.800 --> 0:16:52.280
<v Speaker 7>for me, I was shell shot coming out. Just walking

0:16:52.360 --> 0:16:54.120
<v Speaker 7>up to the freaking fast food counter and going to

0:16:54.160 --> 0:16:57.360
<v Speaker 7>a double cheeseburger was weird, especially when you have to

0:16:57.440 --> 0:17:00.200
<v Speaker 7>go in your pocket and pay for it. Yeah. Uh.

0:17:00.600 --> 0:17:05.920
<v Speaker 6>Before up used to just go up to the tower

0:17:05.960 --> 0:17:06.919
<v Speaker 6>all get for being.

0:17:07.440 --> 0:17:09.720
<v Speaker 7>Yeah, yeah, I mean that's some real stuff. Man.

0:17:11.119 --> 0:17:14.960
<v Speaker 1>These thoughts about a life beyond the institution, where you're

0:17:15.080 --> 0:17:18.080
<v Speaker 1>free to be the master of your own destiny begin

0:17:18.160 --> 0:17:21.560
<v Speaker 1>to swirl and leaves mind. The next day, he's back

0:17:21.600 --> 0:17:22.680
<v Speaker 1>on the phone to Robert.

0:17:23.680 --> 0:17:26.679
<v Speaker 3>You may start the conversation now, right, Hey, what's up?

0:17:26.720 --> 0:17:27.040
<v Speaker 7>Say?

0:17:27.680 --> 0:17:30.240
<v Speaker 6>I thought about the question you ask me, What would

0:17:30.280 --> 0:17:34.159
<v Speaker 6>I do well? If I walked up the door? Hey?

0:17:34.240 --> 0:17:35.760
<v Speaker 6>Would you believe that?

0:17:36.640 --> 0:17:39.760
<v Speaker 8>The more I thought about it, the more nervous I became,

0:17:40.520 --> 0:17:43.640
<v Speaker 8>because I mean I would be walking out of here

0:17:44.280 --> 0:17:45.399
<v Speaker 8>in a new world.

0:17:46.680 --> 0:17:47.399
<v Speaker 6>Without stopping.

0:17:50.359 --> 0:17:52.160
<v Speaker 7>Now you'd have me, man, you got everything.

0:18:02.000 --> 0:18:04.639
<v Speaker 1>Jennifer Black was in her own world of anguish. It

0:18:04.760 --> 0:18:07.440
<v Speaker 1>was now twenty twenty one. She'd been on Lee's case

0:18:07.600 --> 0:18:10.640
<v Speaker 1>for six years, going deep on her research and detective

0:18:10.720 --> 0:18:13.919
<v Speaker 1>Zuli's career, but still not quite ready to present all

0:18:14.000 --> 0:18:14.560
<v Speaker 1>the evidence.

0:18:15.119 --> 0:18:18.200
<v Speaker 2>At some point, I started feeling like, Okay, I'm the

0:18:18.280 --> 0:18:20.840
<v Speaker 2>person who has to make a happy ending to this story.

0:18:21.160 --> 0:18:21.879
<v Speaker 6>It is on me.

0:18:22.480 --> 0:18:24.720
<v Speaker 3>And it was a little overwhelming, a lot overwhelming.

0:18:25.440 --> 0:18:28.640
<v Speaker 2>I mean I did a deep dive trying to find

0:18:28.680 --> 0:18:31.480
<v Speaker 2>anything I could from people who had worked with Zuli

0:18:31.560 --> 0:18:32.040
<v Speaker 2>at that time.

0:18:32.960 --> 0:18:36.359
<v Speaker 1>She wonders about Zuli's time in Guantanamo, a world away

0:18:36.400 --> 0:18:41.119
<v Speaker 1>from Chicago on the surface, or was it. During his

0:18:41.200 --> 0:18:45.159
<v Speaker 1>time in Guantanamo, Zuli had overseen an infamous interrogation of

0:18:45.320 --> 0:18:49.800
<v Speaker 1>Mohammad ud Slahi, the Maritanian engineer who had been brought

0:18:49.840 --> 0:18:52.320
<v Speaker 1>in for questioning, not long after the nine to eleven

0:18:52.440 --> 0:18:56.240
<v Speaker 1>terror attacks. There was only one issue he wouldn't confess to.

0:18:56.320 --> 0:19:00.800
<v Speaker 2>Well, anything, I mean, Guantanamo stuff is like really really

0:19:00.920 --> 0:19:04.120
<v Speaker 2>mind blowing. And you look at what he did to Slahe,

0:19:05.119 --> 0:19:08.560
<v Speaker 2>and it is just this is what's interesting. They call

0:19:08.600 --> 0:19:10.240
<v Speaker 2>it an enhanced interrogation.

0:19:11.040 --> 0:19:14.480
<v Speaker 1>Enhanced, according to Slahee, was code word for an array

0:19:14.600 --> 0:19:18.200
<v Speaker 1>of demeaning and brutal torture tactics, and when those didn't

0:19:18.280 --> 0:19:21.879
<v Speaker 1>yield a confession, a falsified letter saying Slahee's mother would

0:19:21.880 --> 0:19:25.160
<v Speaker 1>be hauled into Guantanamo was the thing that finally made

0:19:25.240 --> 0:19:29.960
<v Speaker 1>him crumble. He began to confess statement after statement implicating

0:19:30.040 --> 0:19:32.359
<v Speaker 1>himself in acts of terror that he did not commit.

0:19:34.720 --> 0:19:39.960
<v Speaker 2>It's his cheating and sadistic mind on steroids where he

0:19:41.720 --> 0:19:43.919
<v Speaker 2>is able to live out like his darkest fantasies.

0:19:44.720 --> 0:19:48.120
<v Speaker 1>We put this point specifically to Richard Zuli. He declined

0:19:48.160 --> 0:19:52.359
<v Speaker 1>to comment. Back in twenty fifteen, when the Guardian article

0:19:52.400 --> 0:19:56.520
<v Speaker 1>at first alerted Lee, Robert and Jennifer to Zuli's overseas excursion,

0:19:57.040 --> 0:20:01.200
<v Speaker 1>Mohammadu was still behind bars in Guantanamo, but now in

0:20:01.280 --> 0:20:04.720
<v Speaker 1>twenty twenty one, Jennifer wonders if he could give Lee's

0:20:04.800 --> 0:20:08.960
<v Speaker 1>case a helping hand. Finally, after lots of phone calls

0:20:09.000 --> 0:20:11.960
<v Speaker 1>with his lawyer, she finally convinces him to talk.

0:20:12.840 --> 0:20:15.600
<v Speaker 2>When I was able to talk to Mohammadu, I remember

0:20:15.600 --> 0:20:17.960
<v Speaker 2>I was sitting in my backyard. It was a nice day,

0:20:18.560 --> 0:20:22.399
<v Speaker 2>and it was via Zoom, and I remember taking notes

0:20:22.480 --> 0:20:24.119
<v Speaker 2>and talking to him, and it was so.

0:20:26.240 --> 0:20:26.800
<v Speaker 3>Powerful.

0:20:27.600 --> 0:20:30.360
<v Speaker 1>He tells Jennifer about some of the horrifying acts inflicted

0:20:30.440 --> 0:20:32.280
<v Speaker 1>on him during his fourteen year detainment.

0:20:32.680 --> 0:20:35.479
<v Speaker 3>It's such a powerful story and when you hear him

0:20:35.520 --> 0:20:36.680
<v Speaker 3>say it, you feel it.

0:20:37.280 --> 0:20:40.560
<v Speaker 1>Mohammadu tells Jennifer that even though the acts of brutality

0:20:40.640 --> 0:20:43.840
<v Speaker 1>were never personally carried out by him, he felt that

0:20:44.000 --> 0:20:49.480
<v Speaker 1>Zuli was the architect of his torture. After their Zoom call,

0:20:50.000 --> 0:20:54.080
<v Speaker 1>Jennifer convinces Slahi to make an official contribution to Lee's petition.

0:20:54.920 --> 0:20:58.280
<v Speaker 2>That was a huge accomplishment, having him agree to talk

0:20:58.359 --> 0:21:01.000
<v Speaker 2>to us, be willing to sign an AFFI day, get

0:21:01.040 --> 0:21:02.080
<v Speaker 2>a declaration for him.

0:21:02.320 --> 0:21:04.960
<v Speaker 3>And I still remember that he called Zuli diabolical.

0:21:06.600 --> 0:21:10.119
<v Speaker 1>Zuli is a diabolical man. I cannot imagine that I

0:21:10.240 --> 0:21:12.359
<v Speaker 1>am the first person he sought to frame for a

0:21:12.480 --> 0:21:16.040
<v Speaker 1>crime they did not commit. For that reason, I believe

0:21:16.200 --> 0:21:18.680
<v Speaker 1>every case in which he was a lead detective should

0:21:18.720 --> 0:21:24.439
<v Speaker 1>be reviewed by the Cook County State's Attorney's office. Zuli

0:21:24.520 --> 0:21:28.040
<v Speaker 1>has never publicly admitted to framing anyone for crimes they

0:21:28.119 --> 0:21:31.639
<v Speaker 1>did not commit. We reached out specifically about these points,

0:21:31.680 --> 0:21:35.240
<v Speaker 1>but he declined to comment. As recently as twenty twenty five.

0:21:35.600 --> 0:21:38.680
<v Speaker 1>In a deposition in another case, when asked about his

0:21:38.840 --> 0:21:41.840
<v Speaker 1>time in Guantanamo Bay, he said he was sent there

0:21:42.080 --> 0:21:46.240
<v Speaker 1>as a liaison officer for the European Command. When asked

0:21:46.240 --> 0:21:49.200
<v Speaker 1>if he was sent there to conduct interrogations, his answer

0:21:49.440 --> 0:21:58.200
<v Speaker 1>was no, and his attorney allowed no further questions. Jennifer's

0:21:58.240 --> 0:22:02.639
<v Speaker 1>claims against Detective Zuli were growing and growing, the unethical

0:22:02.760 --> 0:22:06.760
<v Speaker 1>use of informants, the Brady violation, and now this damning

0:22:06.880 --> 0:22:11.040
<v Speaker 1>statement from Slahe but she wanted more, and she was

0:22:11.160 --> 0:22:15.080
<v Speaker 1>convinced there must be something in Zuli's own police reports.

0:22:17.119 --> 0:22:20.440
<v Speaker 1>And by now Jennifer had gotten up close and personal

0:22:20.480 --> 0:22:23.119
<v Speaker 1>with dig Zuli's police reports from across his career.

0:22:23.920 --> 0:22:26.240
<v Speaker 3>He's like a bad detective novelist.

0:22:27.160 --> 0:22:29.359
<v Speaker 2>When you read his police reports, you can tell this

0:22:29.880 --> 0:22:31.639
<v Speaker 2>asshole wants to write books like he.

0:22:31.720 --> 0:22:33.760
<v Speaker 3>Thinks he's hot shit and he thinks he's right. Like

0:22:34.040 --> 0:22:36.960
<v Speaker 3>in the confession. Invariably, Zuli comes in and he's like,

0:22:37.840 --> 0:22:40.680
<v Speaker 3>give it up, I know you did it, And then

0:22:40.720 --> 0:22:42.520
<v Speaker 3>he writes they broke down.

0:22:42.880 --> 0:22:45.760
<v Speaker 2>He webb, he said I did it, and then he

0:22:45.880 --> 0:22:48.960
<v Speaker 2>explained everything that happened, like you got me, Dick Zulee.

0:22:49.600 --> 0:22:52.920
<v Speaker 1>His sophomore pros aside, there was something else that was

0:22:53.040 --> 0:22:56.200
<v Speaker 1>bugging her about the reports Zuli had written throughout Lee's case.

0:22:56.880 --> 0:23:01.119
<v Speaker 1>She just didn't quite know what. So Jennifer decides she

0:23:01.200 --> 0:23:03.720
<v Speaker 1>needs to go back through all of Zuli's paperwork during

0:23:03.760 --> 0:23:06.879
<v Speaker 1>the daya Feitler case what they call the gprs, or

0:23:07.359 --> 0:23:08.800
<v Speaker 1>general progress reports.

0:23:09.960 --> 0:23:14.400
<v Speaker 2>There were two sets of general progress reports. One set

0:23:14.520 --> 0:23:17.720
<v Speaker 2>a complete set that was unsigned and unapproved. There was

0:23:17.760 --> 0:23:21.639
<v Speaker 2>another set that had been signed by Zuli and approved

0:23:21.680 --> 0:23:22.520
<v Speaker 2>by a supervisor.

0:23:23.080 --> 0:23:25.800
<v Speaker 1>In case you're wondering, it is common practice for police

0:23:25.840 --> 0:23:28.959
<v Speaker 1>to write reports by hand first, then to type them

0:23:29.080 --> 0:23:29.800
<v Speaker 1>up soon after.

0:23:30.400 --> 0:23:33.440
<v Speaker 3>There were mirror copies of each other. In large part,

0:23:33.720 --> 0:23:36.480
<v Speaker 3>if you were reading one and then later you read another,

0:23:37.320 --> 0:23:38.760
<v Speaker 3>the gist of it was the same.

0:23:39.520 --> 0:23:42.520
<v Speaker 1>But then Jennifer starts reading them all together, and that's

0:23:42.600 --> 0:23:45.480
<v Speaker 1>when an all together different picture starts to emerge.

0:23:49.359 --> 0:23:53.840
<v Speaker 2>In the signed copies, Zuli had added things or rewritten

0:23:53.880 --> 0:23:56.720
<v Speaker 2>them and taken things out. But you wouldn't realize the

0:23:56.760 --> 0:23:59.359
<v Speaker 2>subtleties of things he had added until you laid them

0:23:59.400 --> 0:24:01.439
<v Speaker 2>side by side and started comparing the me I had

0:24:01.480 --> 0:24:02.520
<v Speaker 2>to compare word for word.

0:24:03.000 --> 0:24:04.480
<v Speaker 1>Jennifer rolls up her sleeves.

0:24:05.240 --> 0:24:15.000
<v Speaker 9>I have quite a few folders here one, two, three, four, six, seven, eight, eighteen,

0:24:16.480 --> 0:24:18.200
<v Speaker 9>twenty one.

0:24:19.240 --> 0:24:22.440
<v Speaker 3>So twenty one folders, and these are just related.

0:24:22.160 --> 0:24:26.880
<v Speaker 1>To Lee highlighter penned the ready. She starts to compare reports.

0:24:27.080 --> 0:24:32.119
<v Speaker 3>So I ended up printing out every report that Zuli authored.

0:24:32.800 --> 0:24:35.359
<v Speaker 1>We sit down together and she shows me the pattern

0:24:35.440 --> 0:24:39.320
<v Speaker 1>she began to find. At first, it's just small differences.

0:24:40.119 --> 0:24:41.760
<v Speaker 3>At the top of the second one, there's a phone

0:24:41.840 --> 0:24:42.960
<v Speaker 3>number on the original that's not.

0:24:43.040 --> 0:24:46.560
<v Speaker 1>Here, a number changed tier, a word changed there.

0:24:47.880 --> 0:24:51.360
<v Speaker 2>There's little things that you see added that I've highlighted.

0:24:51.440 --> 0:24:54.199
<v Speaker 2>A little word on the unsigned it says one guy

0:24:54.240 --> 0:24:56.560
<v Speaker 2>got on a bus and Ford went west on Division

0:24:57.240 --> 0:24:58.320
<v Speaker 2>to a south side street.

0:25:00.040 --> 0:25:02.359
<v Speaker 1>Or was one of the people Lee had originally named

0:25:02.520 --> 0:25:04.359
<v Speaker 1>as one of the perpetrators.

0:25:04.520 --> 0:25:08.159
<v Speaker 2>Zulie added, in this one, one guy got on a

0:25:08.240 --> 0:25:12.280
<v Speaker 2>bus and possibly Ford went west, because it ended up

0:25:12.320 --> 0:25:13.680
<v Speaker 2>not being Ford that they were targeting.

0:25:14.400 --> 0:25:17.040
<v Speaker 1>Now things were starting to get interesting. It looked like

0:25:17.119 --> 0:25:20.200
<v Speaker 1>the reports were changing to mirror changes in the case.

0:25:20.960 --> 0:25:23.359
<v Speaker 1>And the more Jennifer compared, the more she was seeing.

0:25:24.040 --> 0:25:27.320
<v Speaker 2>Lee had so many statements and they all changed, And

0:25:27.400 --> 0:25:30.000
<v Speaker 2>I wanted to be able if I could to point

0:25:30.119 --> 0:25:33.480
<v Speaker 2>to something the police knew close in time to where

0:25:33.480 --> 0:25:35.199
<v Speaker 2>a statement changed, and.

0:25:35.280 --> 0:25:38.600
<v Speaker 1>She finds it does over and over. Perhaps the most

0:25:38.720 --> 0:25:41.280
<v Speaker 1>clear example was a new piece of information that the

0:25:41.320 --> 0:25:44.840
<v Speaker 1>Fighter family had supplied to the police. Only back when

0:25:44.920 --> 0:25:46.520
<v Speaker 1>Lee was their star witness.

0:25:47.400 --> 0:25:50.840
<v Speaker 2>Dana's family called and said that Dana's Cardier watch was missing,

0:25:51.160 --> 0:25:56.440
<v Speaker 2>really classic timeless Cardier watch, very expensive, and immediately thereafter

0:25:57.040 --> 0:25:59.800
<v Speaker 2>Lee's statement said that they had taken a Cardier watch

0:26:00.520 --> 0:26:01.040
<v Speaker 2>from Dana.

0:26:04.280 --> 0:26:06.600
<v Speaker 1>And what about how later down the line, when the

0:26:06.680 --> 0:26:08.920
<v Speaker 1>police had switched on Lee and he had become the

0:26:09.000 --> 0:26:10.240
<v Speaker 1>prime suspect.

0:26:10.240 --> 0:26:12.399
<v Speaker 3>Here a witness told the police that Lee was not

0:26:12.520 --> 0:26:15.480
<v Speaker 3>a shooter. And in the final typed up report that

0:26:15.840 --> 0:26:17.280
<v Speaker 3>evidence is omitted.

0:26:18.560 --> 0:26:21.800
<v Speaker 1>Because the final type of report should actually just comport yes,

0:26:22.000 --> 0:26:23.960
<v Speaker 1>should be just like, actually just taking that and putting

0:26:24.000 --> 0:26:24.840
<v Speaker 1>that there all.

0:26:24.800 --> 0:26:27.480
<v Speaker 3>Relevant facts, and I think it's fairly relevant if somebody

0:26:27.600 --> 0:26:29.200
<v Speaker 3>is telling the police Lee's not a shooter.

0:26:30.880 --> 0:26:33.240
<v Speaker 1>And then something even more revealing.

0:26:34.160 --> 0:26:36.520
<v Speaker 2>So this is the one where I was like, oh

0:26:36.600 --> 0:26:40.840
<v Speaker 2>my god, Like I became very aware from this that

0:26:41.000 --> 0:26:44.160
<v Speaker 2>he was adding things to comport with the witness's testimony

0:26:44.200 --> 0:26:44.560
<v Speaker 2>at trial.

0:26:45.200 --> 0:26:48.200
<v Speaker 1>A witness at Lee's trial had detailed the exact location

0:26:48.320 --> 0:26:50.679
<v Speaker 1>of a car that he said had been used by

0:26:50.720 --> 0:26:53.960
<v Speaker 1>the prime suspects. A diagram of the location was in

0:26:54.080 --> 0:26:55.800
<v Speaker 1>one of the police reports.

0:26:56.320 --> 0:27:00.520
<v Speaker 3>And under the diagram on the unsigned there's nothing, but.

0:27:00.760 --> 0:27:04.159
<v Speaker 1>In the final report, the officially signed one, there was

0:27:04.200 --> 0:27:07.040
<v Speaker 1>suddenly a whole bunch of information backing up the witness

0:27:07.080 --> 0:27:08.520
<v Speaker 1>statement from Lee's trial.

0:27:09.119 --> 0:27:13.720
<v Speaker 2>What this is basically doing is making Lee's statement comport

0:27:13.800 --> 0:27:16.080
<v Speaker 2>with where the car was found that the man said

0:27:16.119 --> 0:27:18.760
<v Speaker 2>where he saw the people by the car. So that's

0:27:18.760 --> 0:27:21.879
<v Speaker 2>when I'm like, Okay, totally, he's totally doctoring this stuff up.

0:27:24.680 --> 0:27:28.440
<v Speaker 1>And Jennifer was starting to understand exactly how Zuli was

0:27:28.520 --> 0:27:32.240
<v Speaker 1>making reports written in nineteen eighty nine match things that

0:27:32.359 --> 0:27:35.040
<v Speaker 1>witnesses would go on to say over two years later

0:27:35.359 --> 0:27:36.159
<v Speaker 1>at Lee's trial.

0:27:37.000 --> 0:27:38.960
<v Speaker 2>What I learned after I put all this together is

0:27:39.080 --> 0:27:42.119
<v Speaker 2>all of these gprs were submitted and approved on the

0:27:42.160 --> 0:27:44.560
<v Speaker 2>same date, October twenty fourth of ninety I think all

0:27:44.640 --> 0:27:44.879
<v Speaker 2>of them.

0:27:45.600 --> 0:27:48.320
<v Speaker 3>It's after the theory of the case is done that he.

0:27:49.840 --> 0:27:54.280
<v Speaker 2>Submits all these and puts it together, So a year

0:27:54.359 --> 0:27:57.920
<v Speaker 2>and four months something like that after the offense.

0:27:59.440 --> 0:28:02.800
<v Speaker 3>There's nothing with editing a report. I edit every post

0:28:02.840 --> 0:28:04.000
<v Speaker 3>conviction that I file.

0:28:04.280 --> 0:28:07.200
<v Speaker 2>It's when things are edited to add facts that you

0:28:07.320 --> 0:28:11.000
<v Speaker 2>didn't have, just so you can establish probable cause or

0:28:11.080 --> 0:28:13.680
<v Speaker 2>ad facts so the testimony comports with what you thought

0:28:13.960 --> 0:28:16.760
<v Speaker 2>witness was a trial that were never said before.

0:28:19.200 --> 0:28:22.120
<v Speaker 1>It was finally time, after six years in the case,

0:28:22.640 --> 0:28:27.040
<v Speaker 1>Jennifer felt she had enough material to put together her petition.

0:28:27.840 --> 0:28:30.680
<v Speaker 2>I have a terrible reputation at the courthouse for having

0:28:30.760 --> 0:28:33.480
<v Speaker 2>very long petitions, Like everybody rolls their eyes.

0:28:33.520 --> 0:28:35.480
<v Speaker 3>I'm like, it's mostly exhibits. They're like, no, it's not,

0:28:35.880 --> 0:28:36.159
<v Speaker 3>it's not.

0:28:36.920 --> 0:28:38.560
<v Speaker 1>And this one was going to be no different.

0:28:38.840 --> 0:28:40.920
<v Speaker 2>What I viewed Lee's case as is this is a

0:28:41.000 --> 0:28:45.280
<v Speaker 2>seminal zu Lee case. So it was a really, really,

0:28:45.400 --> 0:28:47.280
<v Speaker 2>really voluminous.

0:28:46.720 --> 0:28:50.600
<v Speaker 3>Petition that had a lot of arguments, a lot of facts.

0:28:50.960 --> 0:28:54.600
<v Speaker 2>I had to somehow hope that I could convey to

0:28:54.760 --> 0:28:58.080
<v Speaker 2>the reader all the work I had done and the

0:28:58.240 --> 0:29:01.120
<v Speaker 2>arguments that I thought the world supported in a way

0:29:01.280 --> 0:29:03.040
<v Speaker 2>that was cogent and understandable.

0:29:03.440 --> 0:29:04.280
<v Speaker 3>It was very difficult.

0:29:05.680 --> 0:29:08.640
<v Speaker 1>But if Lee is to stand a chance, Jennifer knows

0:29:09.000 --> 0:29:11.840
<v Speaker 1>she needs to throw everything She's gotted this.

0:29:12.440 --> 0:29:15.960
<v Speaker 2>It's like the eminem you know you've got one shot, don't.

0:29:16.120 --> 0:29:17.720
<v Speaker 3>Based on what I believed to be.

0:29:17.840 --> 0:29:20.360
<v Speaker 1>True, this was going to be his only chance for

0:29:20.560 --> 0:29:24.600
<v Speaker 1>Robert and Lee. This was the culmination of twenty years

0:29:24.760 --> 0:29:25.760
<v Speaker 1>of fighting together.

0:29:26.480 --> 0:29:29.600
<v Speaker 7>So my mantra to Lee Harris was, we need to

0:29:29.640 --> 0:29:32.360
<v Speaker 7>get to sing into court. Everything is on the line.

0:29:32.520 --> 0:29:34.960
<v Speaker 7>We need to get to court. Once we're in court,

0:29:35.480 --> 0:29:38.720
<v Speaker 7>we can put our feet up, sit back and relax

0:29:39.200 --> 0:29:39.640
<v Speaker 7>and let.

0:29:39.560 --> 0:29:40.320
<v Speaker 6>The system work.

0:29:41.080 --> 0:29:43.640
<v Speaker 7>And the moment she filed it, I went and bought

0:29:43.640 --> 0:29:46.840
<v Speaker 7>a six pack of something, probably shine or box, went

0:29:46.920 --> 0:29:50.480
<v Speaker 7>to my little quiet spot that I go to, and

0:29:50.720 --> 0:29:52.880
<v Speaker 7>I sat there and drank them and celebrated.

0:29:54.360 --> 0:29:55.400
<v Speaker 6>It was the biggest deal ever.

0:29:55.480 --> 0:29:57.480
<v Speaker 7>I felt like, Okay, now we're going to find out.

0:29:57.560 --> 0:29:58.560
<v Speaker 7>Now we're going somewhere.

0:30:09.520 --> 0:30:13.000
<v Speaker 1>Crying Wolf is an iHeart and clockwork Films podcast in

0:30:13.120 --> 0:30:18.240
<v Speaker 1>association with Chalk and Blade. I'm your host Dax Devlin Ross.

0:30:19.000 --> 0:30:23.440
<v Speaker 1>The series producer is Sarah Stolart's. The senior producer is

0:30:23.560 --> 0:30:27.000
<v Speaker 1>Laura Hyde. The series script is written by me and

0:30:27.120 --> 0:30:31.560
<v Speaker 1>by Sarah Stolart's. Bonus episodes are written and produced by

0:30:31.640 --> 0:30:36.600
<v Speaker 1>Me Dax Devlin Ross. Our executive producers are Christina Everett

0:30:36.720 --> 0:30:41.920
<v Speaker 1>for iHeart Podcasts, Naomi Harvey and Jamie Cohen for Clockwork Films,

0:30:42.440 --> 0:30:46.320
<v Speaker 1>and Ruth Barnes and Jason Phipps for Chalk and Blade.

0:30:47.320 --> 0:30:51.520
<v Speaker 1>Sound design is by Kenny Koziak and George dre bing Hicks.

0:30:52.240 --> 0:30:56.520
<v Speaker 1>Our theme music is by Kenny Koziak. Additional production support

0:30:56.680 --> 0:30:57.680
<v Speaker 1>from Stephen Pate.