1 00:00:02,040 --> 00:00:07,160 Speaker 1: Welcome to brain Stuff from how Stuff Works, Hey, brain Stuff, 2 00:00:07,240 --> 00:00:10,280 Speaker 1: Lauren Vogel bomb here. If a relationship is like a 3 00:00:10,360 --> 00:00:13,800 Speaker 1: shark that must constantly move forward or die, then what 4 00:00:13,960 --> 00:00:16,919 Speaker 1: the Museum of Broken Relationships has on its hands is 5 00:00:16,960 --> 00:00:22,320 Speaker 1: a lot of dead sharks and are shards because romantic 6 00:00:22,440 --> 00:00:25,560 Speaker 1: or not, when any cherished relationship hits the skids, it 7 00:00:25,600 --> 00:00:28,880 Speaker 1: can blow your heart to Smithereens with heart shards in 8 00:00:28,920 --> 00:00:32,400 Speaker 1: mind and an eye toward healing and purposeful change, the 9 00:00:32,520 --> 00:00:36,040 Speaker 1: Museum of Broken Relationships is an innovative resource for helping 10 00:00:36,040 --> 00:00:41,000 Speaker 1: people seek solace, let go, and move on. Curated from 11 00:00:41,040 --> 00:00:44,240 Speaker 1: once valued possessions that X is of every ilk can't 12 00:00:44,320 --> 00:00:47,200 Speaker 1: stand to keep around anymore, yet can't bear to throw away, 13 00:00:47,520 --> 00:00:50,320 Speaker 1: the museum provides a space to showcase the flotsam of 14 00:00:50,360 --> 00:00:54,720 Speaker 1: flouted vows and forsaken promises and the sad souvenirs of subterfuge. 15 00:00:55,240 --> 00:00:59,600 Speaker 1: Anonymous and sometimes gut wrenching personal stories presented alongside their 16 00:00:59,640 --> 00:01:03,960 Speaker 1: related objects, provide context i viewing these ordinary items, like 17 00:01:04,120 --> 00:01:07,240 Speaker 1: say a pair of converse sneakers, a latch key, or 18 00:01:07,280 --> 00:01:12,000 Speaker 1: a wisp of hair, with universal meaning. Raw and unedited 19 00:01:12,160 --> 00:01:16,080 Speaker 1: personal artifacts selected from hundreds of warehoused and ever incoming 20 00:01:16,120 --> 00:01:19,280 Speaker 1: donations from love lorn people around the world. Comprised the 21 00:01:19,319 --> 00:01:23,920 Speaker 1: installations at the award winning Avant Garde Museum located in Zagreb, Croatia, 22 00:01:24,040 --> 00:01:27,640 Speaker 1: plus in an international traveling exhibition, and at the museum 23 00:01:27,640 --> 00:01:30,800 Speaker 1: in Los Angeles, California, which, while they scout a new 24 00:01:30,840 --> 00:01:34,840 Speaker 1: brick and mortar location, is alive and well online. A 25 00:01:34,959 --> 00:01:39,000 Speaker 1: poignant smattering of samples includes a jar of spicy Amish 26 00:01:39,040 --> 00:01:42,040 Speaker 1: pickles purchased by a young woman for her first love. 27 00:01:42,400 --> 00:01:45,240 Speaker 1: He stopped returning her texts within the span of their 28 00:01:45,280 --> 00:01:47,960 Speaker 1: two months together, and she never had a chance to 29 00:01:47,960 --> 00:01:51,720 Speaker 1: give him the pickles. Peter Pan plush toy bought by 30 00:01:51,760 --> 00:01:54,080 Speaker 1: a twenty five year old man to remind himself to 31 00:01:54,240 --> 00:01:59,160 Speaker 1: keep the boy inside alive. Now fifty, His placard caption reads, 32 00:01:59,560 --> 00:02:03,080 Speaker 1: the boy is lost to me. An ex wife's non 33 00:02:03,120 --> 00:02:07,320 Speaker 1: traditional whispy silk wedding dress crammed into no kidding, a 34 00:02:07,360 --> 00:02:10,440 Speaker 1: pickle jar after her husband got the seven year itch 35 00:02:10,520 --> 00:02:14,600 Speaker 1: and split. A magnifying glass left by a woman as 36 00:02:14,600 --> 00:02:17,160 Speaker 1: a reminder to a self absorbed lover that she had 37 00:02:17,200 --> 00:02:22,320 Speaker 1: always felt small, and a small bottle filled with tears, 38 00:02:23,600 --> 00:02:27,800 Speaker 1: be they ordinary, extraordinary, or even downright bizarre, the objects 39 00:02:27,800 --> 00:02:30,400 Speaker 1: alone are just bloodless chatch keys without the stories that 40 00:02:30,440 --> 00:02:33,320 Speaker 1: bring them to life. The museum f a Q section 41 00:02:33,440 --> 00:02:39,680 Speaker 1: invites contributors to write their personal confessions to be frank, withdrawn, furious, imaginative, witty, 42 00:02:39,840 --> 00:02:43,440 Speaker 1: or sad. Your story creates the museum display. They say, 43 00:02:43,639 --> 00:02:48,600 Speaker 1: your story is your stage. Anyone with strong feelings about 44 00:02:48,600 --> 00:02:51,040 Speaker 1: t m I etiquette may find the museum's theme to 45 00:02:51,080 --> 00:02:55,359 Speaker 1: be more pure exhibitionism than art. Conversely, reality show loving 46 00:02:55,400 --> 00:02:58,440 Speaker 1: boyers may see it as another delicious way to access 47 00:02:58,520 --> 00:03:01,880 Speaker 1: misery on demand. For as long as humans have had 48 00:03:01,919 --> 00:03:05,520 Speaker 1: sad hearts, there has been love lost and unrequited, And 49 00:03:05,560 --> 00:03:07,320 Speaker 1: for as long as there has been love, there's been 50 00:03:07,400 --> 00:03:11,200 Speaker 1: heartbreak and pain. But perhaps the real takeaway from seeing 51 00:03:11,240 --> 00:03:13,800 Speaker 1: brokenness on display is to note that it's in the 52 00:03:13,840 --> 00:03:16,560 Speaker 1: liminal space between love and loss that we find our 53 00:03:16,600 --> 00:03:25,600 Speaker 1: shared humanity and discover our capacity for empathy. Today's episode 54 00:03:25,600 --> 00:03:28,120 Speaker 1: was written by Carrie Tato and produced by Tyler Clang. 55 00:03:28,560 --> 00:03:30,880 Speaker 1: For more on this and lots of other poignant topics, 56 00:03:31,000 --> 00:03:44,680 Speaker 1: visit our home planet, how Stuff Works dot com