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Speaker 1: No worry.

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Speaker 2: Bagging up white in the middle of the room. Middle

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Speaker 2: he sitting in Omyra in the middle of June.

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Speaker 1: Well, I'm from Niggas is full. Let's be picked up

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Speaker 1: with you, guy.

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Speaker 2: I even got it on me when I picked.

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Speaker 1: My kids U from school. All right, welcome to another

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Speaker 1: episode under my Rory and Mall podcast. Iron All im

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Speaker 1: Ury and we are sitting here today in Atlanta with

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Speaker 1: h somebody who I've been dying to talk to because

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Speaker 1: at one time we were really really good friends. Man.

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Speaker 1: And I don't even get a phone call no more.

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Speaker 1: I don't get text no more. This nigga that blew

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Speaker 1: up been around the world twice.

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Speaker 3: Texas are green now, yeah, it's my green.

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Speaker 1: This is this is my my guy. I'm just, you know,

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Speaker 1: so happy that we are able to link up here

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Speaker 1: in Atlanta today for a special special episode with my guy,

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Speaker 1: my family, my brother Beny, the Butcher's up, and my boys. Man,

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Speaker 1: no man, real man, and stop that man now listen, man,

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Speaker 1: you know.

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Speaker 3: I will say time to have James Bennie. I feel

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Speaker 3: like I could get a hold of you a lot

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Speaker 3: easier before too.

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Speaker 2: I don't know, twisted, you know, this is what I

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Speaker 2: always wanted for you.

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Speaker 1: You know, I always wanted this for you. Bro. You

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Speaker 1: know from from day one, man, I knew you was

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Speaker 1: a start. I'm just happy to be, you know, able

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Speaker 1: to link up with you and just tell you in person. Man,

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Speaker 1: I'm proud of you. I'm happy for you. Good to

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Speaker 1: see you look good. Right, we're still talking your ship.

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Speaker 1: Every time I hear you talking and smile, I'm like, okay,

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Speaker 1: he's still shop. As long as you stay shoped. I

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Speaker 1: don't give if I don't never hear from you. Every

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Speaker 1: time I hear you, I want to hear you talk

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Speaker 1: that ship. You're gonna hear from my dog man.

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Speaker 4: Yeah, I always I always like to say this man,

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Speaker 4: that when you when you played that record that day,

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Speaker 4: I was living in the projects.

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Speaker 2: Man.

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Speaker 1: You know what I'm saying. I could was off my

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Speaker 1: first break on the old podcast that we did. Yeah,

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Speaker 1: that's when you know, I think it started for me.

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Speaker 1: And when I heard that from you, I mean everything

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Speaker 1: that you are your success today, I knew, I knew

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Speaker 1: you You're still not a and I you're not doing

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Speaker 1: that yo. You know what it is, man, I just

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Speaker 1: feel like now you know you try to I like

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Speaker 1: when it's an organic thing. Like with me and you,

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Speaker 1: it was organic, like I heard your music. We had

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Speaker 1: never met before that. I heard your my first brick

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Speaker 1: tape and I played the record, and then from that

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Speaker 1: point on, you and I connected on the personal level.

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Speaker 1: Came to haul them by the crib, smoke, drank, talk, shit,

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Speaker 1: and we just developed a bond since then. So a

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Speaker 1: lot of these artists now, I feel like it's hard

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Speaker 1: to connect to them on that level, man, because they

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Speaker 1: feel they come in feeling like they know everything already,

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Speaker 1: like you cut from a different cloth, you know what

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Speaker 1: I'm saying. It's like now a lot of these young

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Speaker 1: artist they're young, right nineteen or twenty twenty one years old,

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Speaker 1: they feel like they know everything. You can't tell them

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Speaker 1: nothing because they got However, many followers on social media

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Speaker 1: and shit like that. It's like, all right, you got it.

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Speaker 3: And I see so many of our listeners are always like,

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Speaker 3: you know, mall behin or most to be a manager

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Speaker 3: sign these acts all that. I'm like, so you want

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Speaker 3: more to have a whole new career, Like I don't

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Speaker 3: think people realize like the time and effort it takes

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Speaker 3: to like really signing artists and what that ship take.

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Speaker 3: So like, rather we could just put artists on that

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Speaker 3: we like and yeah you want to play the music

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Speaker 3: like exactly if we like it, we like it.

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Speaker 1: It's rather than stuff like that. Man. And if you

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Speaker 1: need me, if you need my help, right, I'm willing

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Speaker 1: to you know what I'm saying, Like if somebody reached

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Speaker 1: out and like, yo, broken, you introduced me to this

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Speaker 1: person that can you help me with this wish? How

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Speaker 1: should I go about this? I'm always willing to do

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Speaker 1: that for just off the strength I believe in somebody.

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Speaker 1: And obviously you know what it is between between him

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Speaker 1: and just free merch.

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Speaker 3: That's all I need.

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Speaker 1: Yeah, so.

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Speaker 2: That's what he sent me, some merch. Every time he

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Speaker 2: drops some ship, just send.

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Speaker 1: Me a pack.

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Speaker 2: Oh yeah, I got stuff down here too.

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Speaker 1: All right.

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Speaker 3: Sure, any time I've ever asked for any merch, Derek

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Speaker 3: can hit me with a link and say, yo, you

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Speaker 3: could buy it here.

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Speaker 1: That's how that's how to do me. That's how he

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Speaker 1: do all right. So I don't feel bad you got

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Speaker 1: to go through that. I don't feel bad.

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Speaker 4: I'd rather get it off the link because if you're

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Speaker 4: trying to get it from West, he's gonna give it

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Speaker 4: to you when you feels like it.

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Speaker 1: Oh yeah, when drop or what? Oh what he thinks

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Speaker 1: you should have?

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Speaker 4: What I'm saying, like he might do a drop, he

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Speaker 4: might do three drops and don't give you nothing the

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Speaker 4: next one. Hem like yo, buzz, pull up, I got

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Speaker 4: something for you. Yeah, you're like, man, I wanted that

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Speaker 4: the mother things though, and that's when he sent me

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Speaker 4: the link.

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Speaker 1: Yeah.

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Speaker 3: Well, we're down here for Hip Hop Awards. You're nominated

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Speaker 3: Lyricists of the Year more and I were a little critical.

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Speaker 3: I think of that category.

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Speaker 1: I'm not too critical, but critical.

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Speaker 3: I feel like it's just not all lyricists in there,

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Speaker 3: or lyricists for the time in which the year cycle

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Speaker 3: should be.

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Speaker 1: I get it. I get it. Yeah, they moved the

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Speaker 1: gold post a little bit. We all love hoh, but

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Speaker 1: god damn over O work one day out the year

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Speaker 1: he nominated. But you know we understand what that.

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Speaker 2: No, they want to clude that. They want to include

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Speaker 2: the big homie and everything.

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Speaker 1: Yeah, but it's not fair. It's not fair because it's

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Speaker 1: like my nigga, that's whole bro, Like, we can't He's

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Speaker 1: lyricists of the fucking life.

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Speaker 3: To you, and he didn't put anything out in the

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Speaker 3: year except maybe the Push Verse.

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Speaker 4: Somebody asked me asked, she was like, Yo, you think

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Speaker 4: you could have wrote a better first Ay?

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Speaker 1: Fuck with me.

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Speaker 4: They like, you think you could have wrote a better

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Speaker 4: verse than on God Did and whole I'm like, Hope

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Speaker 4: lived too long and seemed too much, very much for

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Speaker 4: anybody to write a better verse when it's the content,

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Speaker 4: you know what I'm saying. He get crazy with the content.

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Speaker 3: So what's what's your relationship with cald I've always found

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Speaker 3: it interesting with the last two Kalid albums that Grisela

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Speaker 3: wasn't even brought up a part of it, because I

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Speaker 3: feel like Kaled is tapped in not just with you know,

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Speaker 3: whatever's on Billboard at the time.

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Speaker 1: But I don't.

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Speaker 4: But personally me, I don't. I don't have a relationship

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Speaker 4: with cal It I met. I met him one time.

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Speaker 4: It was Grammy weekend. I was going inside the party,

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Speaker 4: he was coming out. But he said, it's like, yo,

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Speaker 4: I love what you're doing. Congratulations, he told me congratulations.

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Speaker 4: I'm like, damn telling me congratulations. I told him the

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Speaker 4: same thing. But man, I'm a fan, definitely a fan.

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Speaker 4: I love what he's doing. He do everything at a

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Speaker 4: high level, and everybody want that.

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Speaker 1: You know.

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Speaker 4: It's like it's like it's like an all star game.

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Speaker 4: Everybody want that call up. You know what I'm saying

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Speaker 4: from cal it when when he was putting them records together,

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Speaker 4: I just want to win, win, I mean joints some

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Speaker 4: kind of records back then.

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Speaker 1: So we have We did the show with we did

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Speaker 1: the episode with.

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Speaker 4: DJ Drama, and I've seen that with Drama is getting

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Speaker 4: spicy around here. Drama's not playing.

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Speaker 1: Well, you know what it is.

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Speaker 3: I like the new found spice that.

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Speaker 1: He feels like he has to because nobody is acknowledging

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Speaker 1: him as much as they should. Probably in Drama is

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Speaker 1: a fucking legend, and I agree with that. Yeah, like

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Speaker 1: sometimes you have to not not ring your own bell,

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Speaker 1: but you gotta like pause. That sounds crazy, but not

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Speaker 1: not not. You can't be humble like too long because

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Speaker 1: then it's easy for them to forget about you and

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Speaker 1: push you to the side. It's like, yo, do y'all

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Speaker 1: know what this dude been doing the last twenty years,

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Speaker 1: Like he's been doing a lot. So right now where

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Speaker 1: you're at with Benny the Butcher, the artists, what would

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Speaker 1: mean more to you a gangster grill or DJ Khaled

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Speaker 1: album feature.

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Speaker 2: I would have to say, you know that's that's that's me.

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Speaker 4: I can answer that literally, like you got to step

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Speaker 4: in and get your gangster grills.

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Speaker 1: You gotta I done that.

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Speaker 4: I did the Black Souprano Family gangster grubs, and I

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Speaker 4: want my own gangster grills. Every rapper wants a gangster

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Speaker 4: grill the same way. You want to get that call up.

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Speaker 4: But you you got to come in. You see Symbol

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Speaker 4: coming in with his gangster grills. We see when when

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Speaker 4: them dedications, Wayne was letting you know, like, no, I'm

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Speaker 4: I'm I'm I mean, I'm on my body, like I'm

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Speaker 4: I'm different.

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Speaker 1: You know what I mean?

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Speaker 4: When you when you get them gangster grulls, it's like, no,

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Speaker 4: I'm different, BENI sieg, I'm different. Everybody who done knows

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Speaker 4: Gucci man, I'm different. So it's like you got to

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Speaker 4: get that. You might start, you might start with the

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Speaker 4: gangster grills and let them know like I'm different, but

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Speaker 4: you want to finish off with that calde.

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Speaker 1: You know what I'm saying.

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Speaker 2: So I think they they is in the culture. They

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Speaker 2: equal as important.

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Speaker 4: But you gotta get that Gangster Grills first, you know

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Speaker 4: what I'm saying for you even jumping that race for

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Speaker 4: the cald.

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Speaker 3: I mean, as much as I love to see how

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Speaker 3: how gangster grill s Hays aged and progressed, like with

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Speaker 3: Tyler doing that on his out and everything, streaming did

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Speaker 3: kind of fuck up one of my favorite parts of

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Speaker 3: Gangster Girls though, Like I would love a Gangster Grills

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Speaker 3: tape with you where you wrap on everyone else's beats.

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Speaker 3: We just can't do that ship anymore because streaming you

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Speaker 3: have to get everything.

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Speaker 4: Man, everything called the EP album and these his mixtapes,

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Speaker 4: you gotta name them different like it.

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Speaker 1: It's crazy, man, it.

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Speaker 3: Is all the same. Are you gonna go to the

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Speaker 3: actual awards?

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Speaker 1: Yeah? I'm going. Okay.

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Speaker 3: Do you think if Jack Carlow wins will do the

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Speaker 3: Macklamore Kendrick thing and text you and say you should

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Speaker 3: have got it?

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Speaker 1: Uh? I don't think so, man. You know uh Jack?

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Speaker 2: Yeah, he a classy dude. I mean, he he a

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Speaker 2: seasoned guy.

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Speaker 1: Man.

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Speaker 4: I like him, and I think I think he deserves everything.

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Speaker 4: I think he deserves everything he gonna get. But I'm

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Speaker 4: trying to win too, though, you know what I mean.

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Speaker 1: We sat and we sat and talked with Conway a

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Speaker 1: few months ago, and uh, you know, we asked the question,

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Speaker 1: like listen, man, like you know we've been I know,

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Speaker 1: I know with some of those you know fake lo

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Speaker 1: ol tweets about the family and in the team, and

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Speaker 1: you know, Wes and Benny kicked me out the car

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Speaker 1: all that ship. I know, first and foremost, y'all a family,

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Speaker 1: So you know that's first and foremost. But where does

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Speaker 1: Griselda stand today as far as just the chemistry the business?

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Speaker 1: Like where is it at? Is it somewhere where everyone

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Speaker 1: you feel it's on the same page. Is it a

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Speaker 1: conversations that y'all are not having that y'all probably should have,

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Speaker 1: Like where's where's the is the is the crew? Where's

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Speaker 1: the fellas at today? This is what?

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Speaker 4: This is what I'm gonna say, you know what I mean.

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Speaker 4: Like you see, we just did roll in loud. Each

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Speaker 4: of us had a different day. You know, Griselda never

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Speaker 4: been a group. We've never been a group. That's why

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Speaker 4: that's why it's called Griselda Records. Like who you who?

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Speaker 4: You announced by the record label name? When when uh

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Speaker 4: do you call them? Like your uh young money cash Money.

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Speaker 4: You call them by their names, you call them who

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Speaker 4: they were. When they first came out, it was Westside

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Speaker 4: Gunner Conway, Yeah right.

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Speaker 1: They was.

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Speaker 4: They was booked for the festivals west Side Gunn to Conway.

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Speaker 4: They doing shows west Side Gunn Conway. I warmed up

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Speaker 4: and I would say, Griselda Records. You feel what I'm

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Speaker 4: saying because we don't have a name of the group,

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Speaker 4: that grisel the Records is the label name because we're

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Speaker 4: never we never been a group. It's just Wes is

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Speaker 4: a curator so much. That's how he ushered Benning in.

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Speaker 4: That's how he ushered Conway in on his songs. So

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Speaker 4: it sounded like it sounded like a group. You see

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Speaker 4: what he's doing with Michelle Records. That's what he does.

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Speaker 2: So I think the answer they answer the question.

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Speaker 4: I think this is just the evolution of what was

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Speaker 4: supposed to happen. I got my label, Conway got his label,

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Speaker 4: West got new artists. Man, we got to sit up

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Speaker 4: front and learn from Wes. You know what I'm saying.

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Speaker 4: So I talk to them boys all the time. You

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Speaker 4: know what I'm saying. And I was just on the

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Speaker 4: phone with West. He was like, Yo, me and conwe

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Speaker 4: was kicking it. I'm expecting. I don't know if they

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Speaker 4: want me to say this or not, but we're trying

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Speaker 4: to do what we She ain't gonna do too right now.

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Speaker 1: You know what I'm saying. I'm calling.

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Speaker 4: I'm calling when we leave from here, like buzz what we're

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Speaker 4: doing because you know what, I come with a bag,

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Speaker 4: right so, but you know what I mean.

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Speaker 1: But that's where we're at with it.

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Speaker 4: To be honest with you, of course I don't talk

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Speaker 4: as much as with them because when I first signed,

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Speaker 4: I moved down here, I lived in the house. You

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Speaker 4: know what I'm saying. I don't need to live in

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Speaker 4: the house. I got like four of them now, all

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Speaker 4: my own shits. So it's like I don't see them. No,

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Speaker 4: I don't see them as often, you know what I'm saying.

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Speaker 4: So of course we don't talk, but I'm definitely tapping in.

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Speaker 4: You see, we put the Black Suprano Family tape out.

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Speaker 4: It's important that we get Wes on the intro. Yeah,

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Speaker 4: and I'm saying giving us his blessing and what I'm

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Speaker 4: saying to the newest Black Souprano Family artists. You see

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Speaker 4: Conway and there dumping you know what I'm saying.

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Speaker 3: You see the drum Work festival look crazy too.

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Speaker 4: You see me at the drum Work Festival, you know

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Speaker 4: what I mean. So we're always going to stay in tune.

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Speaker 4: But the Griselda today is not think Griselda of twenty seventeen.

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Speaker 3: Where do you think y'all differ? And I don't mean

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Speaker 3: like in a negative way? Where do y'all differ vision wise?

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Speaker 1: Moving forward?

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Speaker 3: Because I'm sure probably in the beginning it was a

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Speaker 3: similar vision of just getting the three y'all on it

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Speaker 3: as much as you could. How is things shifted as

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Speaker 3: far as what West wants to do, what Kanway wants

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Speaker 3: to do, and what you want to do?

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Speaker 4: I think I think west vision is to push his

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Speaker 4: envelope with the fashion and with the wrestling. Well, I

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Speaker 4: know that's his vision. I talked to him, you know

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Speaker 4: what I'm saying. Yeah, that's what he wanted to do,

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Speaker 4: the wrestling thing crazy, That's that's what he's doing. What

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Speaker 4: I'm saying, he about to have his own thing, and

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Speaker 4: he could do it right now today. But he's so

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Speaker 4: much of a perfectionist. He just he just taking everything

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Speaker 4: in he can. He could throw an event right now

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Speaker 4: today and it'll be big. But he just putting it together.

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Speaker 4: And uh, the fashion, the wrestling. I think Conway, me

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Speaker 4: and him, it's like kind of more of the same vision.

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Speaker 4: We want to We want to rape, you know what

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Speaker 4: I'm saying. We want to rap, West want to curate.

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Speaker 4: You want to curate the wrestling events, You want to

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Speaker 4: curate the fashion, want to curate other artists albums.

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Speaker 1: I mean, Conway, we just still want to rap. We

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Speaker 1: still got that chip on our shoulder. Well we ever

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Speaker 1: we ever gonna get the Spurs album.

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Speaker 2: Damn, that's a good idea.

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Speaker 1: Hell yeah, listen, do you think you're sitting here talking

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Speaker 1: to today.

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Speaker 2: Doing what I'm right here like, because let's do it.

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Speaker 2: Always we always needed been a Conway album. But if

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Speaker 2: we call that the Spurs album and you just come

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Speaker 2: up with it like that, just sitting here. Yeah, I like.

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Speaker 1: That, man, because I'm sitting here, like you know, I

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Speaker 1: hear the records. I always listen to this ship, and

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Speaker 1: you know, I understand how it's so many different things

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Speaker 1: that you have going on as individuals. I get that,

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Speaker 1: and it's beautiful as y'all creating opportunities, y'all creating different avenues,

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Speaker 1: different streams of income. It's beautiful. But you know, I

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Speaker 1: remember before it got too busy ship that would have

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Speaker 1: been dope. And it's like, right, right, right, when is

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Speaker 1: that gonna happen? Because now it's a lot more ship

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Speaker 1: to talk about, exactly, it's a lot, it's a lot

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Speaker 1: more energy. It's a lot, it's a lot. You know,

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Speaker 1: it's so many things have happened, and I'm all about timing.

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Speaker 4: Everything is timing, so note you're right, it's time for that.

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Speaker 4: I think it's time for that too. That's why we're

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Speaker 4: talking about the What Machine's Gonna Do two album because

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Speaker 4: like at all of our three of us, at our height,

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Speaker 4: it's time to drop the album. It's time to form,

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Speaker 4: like vot Tromp. You know what I mean, don't wait

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Speaker 4: till you know how niggas usually wait till they cool off.

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Speaker 4: Now you're on the reunion man, Hell no, it's like,

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Speaker 4: while we ad our height, right now, let's come together

347
00:14:12,200 --> 00:14:14,920
Speaker 4: form like Votroump. Put all that solo career shit aside

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Speaker 4: and let's go. But they don't play with that though.

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Speaker 4: That's that's like that's about to happen.

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Speaker 3: Like well, then I also also asked the difference in

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Speaker 3: vision sound wise, because I feel like you've been the

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Speaker 3: one out of the group or label that has drifted

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Speaker 3: away from the typical what we call Griselda sound, where

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Speaker 3: it be Darren's your Alchemist, that crew, you know, the

355
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Speaker 3: no drums jokes on on Twitter and all that.

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Speaker 4: I put a new podcast, man, y'all ask some good ships.

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Speaker 4: You and your journalist know why. I think because we're

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Speaker 4: familiar with each other, each other this ship. People won't

359
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Speaker 4: ask me this ship. They won't want to ask me.

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Speaker 1: Because I ask me that.

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Speaker 3: When you put out the Hit Boys shit, I was like, Oh,

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Speaker 3: I know the Griselda fans because I'm one, but not

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Speaker 3: the way like your core chrs is. I'm like, they

364
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Speaker 3: about to kill Even though I love this album, it

365
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Speaker 3: doesn't sound like Griselda exactly. It sounds like hit Boy

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Speaker 3: and somebody that could really rap. And I know those fans,

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Speaker 3: I've been in them shows. They want Darrenger Alchemist, Benny

368
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Speaker 3: Conway west Side. So what what was that like? And

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Speaker 3: is that something you could even see going into doing

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Speaker 3: a group project that Conway and west would want to

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Speaker 3: even do it? Experiment sound wise not to say that

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Speaker 3: they don't, but it is very much the Griselda sound,

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Speaker 3: whereas hit Boy wasn't.

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Speaker 4: I think so because I think I think that when

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Speaker 4: what Machine gonna do? Because Wes West talked to me

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Speaker 4: about that and he was like, yeah, we need that,

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Speaker 4: we need that Griselda sound on there also with a

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Speaker 4: more fuller sound.

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Speaker 1: And when I when we say Griselda to Griselda.

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Speaker 4: As of today, he got songs of Travis Scott, you

381
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Speaker 4: know what I'm saying. Conway got songs with Uh Jay

382
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Speaker 4: and Kiss on the soundtrack of a movie.

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Speaker 1: I'm saying, I'm doing joints.

384
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Speaker 4: With Cole and just so like the Griselda today is

385
00:15:53,840 --> 00:15:56,120
Speaker 4: gonna be a wider sound to me if you ask me. So,

386
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Speaker 4: we're gonna be getting in the studio with all type

387
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Speaker 4: of people. Yeah, you know what I'm saying, pushing and

388
00:16:00,120 --> 00:16:06,320
Speaker 4: pulling and pause to that. We're in Atlanta, so I mean,

389
00:16:08,840 --> 00:16:10,920
Speaker 4: but just trying to you know, trying different sounds.

390
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Speaker 1: But you like you say, I'm I'm me.

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Speaker 4: I'm going I'm more of the type of person when

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Speaker 4: I get in a studio with somebody, I let them drive,

393
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Speaker 4: Like Yo, Benny, I hear you on this because I

394
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Speaker 4: don't want to get in the studio with with hit Boy.

395
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Speaker 4: I don't want to get in the studio with Mike

396
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Speaker 4: Will made. You know what I'm saying. Mike Will made it.

397
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Speaker 4: Any of these guys and they play something, I'm like, nah,

398
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Speaker 4: I can't do it, Like I'm rapping in anything. This

399
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Speaker 4: is what I do. We talk about how it will

400
00:16:35,520 --> 00:16:36,960
Speaker 4: come out at the end. And some of them songs,

401
00:16:37,240 --> 00:16:39,240
Speaker 4: DOESNET been legend? You know what I'm saying. Some of

402
00:16:39,280 --> 00:16:41,800
Speaker 4: them songs, Doesnet been like a Slyde Green or a

403
00:16:41,800 --> 00:16:43,720
Speaker 4: five to fifty. When I'm getting there and I'm trying

404
00:16:43,760 --> 00:16:45,760
Speaker 4: and I'm trying different things, they work for me.

405
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Speaker 3: Did the hit Boy sessions and just that project in

406
00:16:47,920 --> 00:16:50,440
Speaker 3: general kind of shift your mind as far as the

407
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Speaker 3: type of beats that you want.

408
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Speaker 1: To rap on? Hell yeah?

409
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Speaker 4: I can't lie, Hell yeah, because I gotta. I got

410
00:16:56,440 --> 00:16:59,080
Speaker 4: a broader audience, you know what I'm saying. Who don't

411
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Speaker 4: want to do that?

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Speaker 1: Like me?

413
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Speaker 2: I'm a hustler.

414
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Speaker 4: You know, these people got to remember I'm a hustler

415
00:17:02,960 --> 00:17:05,480
Speaker 4: and I've been rapping trap rap, you know what I'm saying.

416
00:17:05,680 --> 00:17:07,480
Speaker 4: And I held it down. I've been doing that. But

417
00:17:07,960 --> 00:17:10,080
Speaker 4: we got the money doing a Griselda thing, you know

418
00:17:10,080 --> 00:17:13,760
Speaker 4: what I'm saying. So now we did that, we're still

419
00:17:13,800 --> 00:17:15,920
Speaker 4: doing it. But if it's more money to be got,

420
00:17:15,920 --> 00:17:17,360
Speaker 4: you know, a nigga gonna chase that bag.

421
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Speaker 2: I got kids to feed. I'm not worried about. You

422
00:17:18,920 --> 00:17:20,080
Speaker 2: know what I'm saying, bull shit.

423
00:17:20,560 --> 00:17:22,640
Speaker 3: And as much as much albums that y'all put out

424
00:17:22,680 --> 00:17:25,120
Speaker 3: per year, just the three y'all, do you think maybe

425
00:17:25,160 --> 00:17:29,960
Speaker 3: the Griselda sound, as much as we've proven how successful

426
00:17:29,960 --> 00:17:32,000
Speaker 3: it is, hold y'all back at all if you continue

427
00:17:32,000 --> 00:17:32,239
Speaker 3: with it.

428
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Speaker 1: I don't. I don't. I don't think it holds us

429
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Speaker 1: back at all.

430
00:17:37,760 --> 00:17:43,520
Speaker 4: I think I think people think that so so they

431
00:17:43,600 --> 00:17:45,679
Speaker 4: might be apprehensive to you know what I'm saying, to

432
00:17:45,720 --> 00:17:49,040
Speaker 4: work with us, They like, they might be apprehensive. You know,

433
00:17:49,080 --> 00:17:50,760
Speaker 4: the super Bowl coming up. You know what I'm saying,

434
00:17:50,840 --> 00:17:54,400
Speaker 4: is like, I don't be got. I'm cite the rock Nation.

435
00:17:54,520 --> 00:17:57,159
Speaker 4: So my managers to hit me. It's like, Yo, the

436
00:17:57,240 --> 00:17:59,159
Speaker 4: super Bowl coming up. We got parties and everything, so

437
00:17:59,200 --> 00:18:01,919
Speaker 4: we pay you for some of them. And sometimes I

438
00:18:01,920 --> 00:18:03,520
Speaker 4: don't get him, you know what I'm saying. They might

439
00:18:03,520 --> 00:18:05,800
Speaker 4: feel like, you know, he like a street rapper, underground rapper.

440
00:18:06,240 --> 00:18:09,159
Speaker 4: But we brought that. We brought from Buffalo, We from Buffalo,

441
00:18:09,240 --> 00:18:11,760
Speaker 4: New York. We brought that from Buffalo to underground to

442
00:18:11,760 --> 00:18:13,840
Speaker 4: to where we're at today. I think it can go further,

443
00:18:14,040 --> 00:18:16,160
Speaker 4: you know what I'm saying. Just you know, people sleep

444
00:18:16,200 --> 00:18:17,480
Speaker 4: on it. They're not sure yet.

445
00:18:18,000 --> 00:18:20,520
Speaker 1: What happened to the what happened to the Drake record?

446
00:18:20,680 --> 00:18:23,040
Speaker 1: Because you had let me hear something a while ago.

447
00:18:24,119 --> 00:18:28,480
Speaker 4: I don't I don't think. I don't think it's coming

448
00:18:28,480 --> 00:18:32,720
Speaker 4: out because I don't know. It's like a clearing issue.

449
00:18:32,960 --> 00:18:33,160
Speaker 1: Man.

450
00:18:33,160 --> 00:18:36,320
Speaker 3: I don't know Drake because I heard, like, listen, we

451
00:18:36,359 --> 00:18:36,840
Speaker 3: here to talk.

452
00:18:36,920 --> 00:18:40,399
Speaker 1: Man, you listen, we're not doing that, and we're not

453
00:18:40,600 --> 00:18:42,720
Speaker 1: doing that today. I need to know.

454
00:18:44,200 --> 00:18:46,639
Speaker 3: Because I heard it multiple times and brought him up

455
00:18:46,640 --> 00:18:47,600
Speaker 3: the ship and you smoke the ship.

456
00:18:47,640 --> 00:18:50,120
Speaker 4: So what I can't what I can't say, man, Drake

457
00:18:50,119 --> 00:18:51,200
Speaker 4: did hit me up? I was like, yo when we

458
00:18:51,320 --> 00:18:52,639
Speaker 4: dropping it, like he caught me up, like he was

459
00:18:52,640 --> 00:18:55,199
Speaker 4: on me. That was a while ago, though, But you know,

460
00:18:55,280 --> 00:18:57,280
Speaker 4: I don't know, you know what I mean, things happened

461
00:18:57,320 --> 00:19:01,360
Speaker 4: so last I heard, my managers was trying to get

462
00:19:01,359 --> 00:19:03,600
Speaker 4: the was trying to talk to his peoples and trying

463
00:19:03,600 --> 00:19:05,040
Speaker 4: to get it clear. I think it just slowed up.

464
00:19:05,040 --> 00:19:06,040
Speaker 4: I don't know, you know what I mean, He's doing

465
00:19:06,040 --> 00:19:07,840
Speaker 4: what he's doing. I'm doing what I'm doing, what I'm

466
00:19:07,840 --> 00:19:09,959
Speaker 4: gonna do with You know what my problem is. I

467
00:19:10,000 --> 00:19:13,040
Speaker 4: told the world about the record. I was excited to work. Yeah,

468
00:19:13,320 --> 00:19:14,440
Speaker 4: I told the world about.

469
00:19:14,280 --> 00:19:15,440
Speaker 1: The record as you should have.

470
00:19:15,520 --> 00:19:20,880
Speaker 4: I understand Drake real shit, and uh, you know, I'm

471
00:19:20,920 --> 00:19:22,520
Speaker 4: a holler a depth jam, like, man, get this clear

472
00:19:22,560 --> 00:19:23,160
Speaker 4: at what we're doing.

473
00:19:24,000 --> 00:19:27,240
Speaker 3: I mean, but do you take any of that personal?

474
00:19:27,680 --> 00:19:29,600
Speaker 3: Because I know plenty of artists that that have done

475
00:19:30,600 --> 00:19:32,720
Speaker 3: features and ship and then the label won't clear it,

476
00:19:32,760 --> 00:19:35,240
Speaker 3: but the artist will be like, oh, that rapper probably

477
00:19:35,280 --> 00:19:37,480
Speaker 3: told they label not to clear that shit. Did you

478
00:19:37,480 --> 00:19:39,600
Speaker 3: take any of that personal or even reach out to Drake?

479
00:19:39,680 --> 00:19:41,280
Speaker 3: Like what the fuck? Is this a universal thing?

480
00:19:41,440 --> 00:19:41,560
Speaker 1: Yo?

481
00:19:41,680 --> 00:19:43,480
Speaker 2: Hell no, I could never take it. No, this is

482
00:19:43,480 --> 00:19:44,160
Speaker 2: a real shit though.

483
00:19:44,160 --> 00:19:46,119
Speaker 4: I could never take none of that personal, because like,

484
00:19:46,520 --> 00:19:48,359
Speaker 4: it's fucking Drake, you know what I'm saying. It's the

485
00:19:48,359 --> 00:19:50,800
Speaker 4: biggest artists in the world. So even for him to

486
00:19:50,840 --> 00:19:54,080
Speaker 4: acknowledge me, even for him to send me a verse

487
00:19:54,520 --> 00:19:57,439
Speaker 4: and then open track like, yo, let's kill that and

488
00:19:57,440 --> 00:20:00,480
Speaker 4: he really sent me too, right that that's what I'm

489
00:20:00,480 --> 00:20:02,240
Speaker 4: in it for. You know, niggas gonna get money. Yeah,

490
00:20:02,400 --> 00:20:05,520
Speaker 4: it's about the acknowledgement to respect amongst my peers, the

491
00:20:05,520 --> 00:20:08,040
Speaker 4: acknowledgement from the biggest artists in the world. You know

492
00:20:08,080 --> 00:20:10,000
Speaker 4: what I'm saying that, Like, yo, biddy, let's get on something.

493
00:20:10,320 --> 00:20:13,840
Speaker 4: You know, timing is everything and uh and I believe

494
00:20:13,840 --> 00:20:15,119
Speaker 4: that's something that could be revisited.

495
00:20:15,280 --> 00:20:18,960
Speaker 2: And it's only and it's only a topic because people

496
00:20:19,000 --> 00:20:20,359
Speaker 2: want to hear Drake with the Butch.

497
00:20:20,520 --> 00:20:21,719
Speaker 1: Yeah, people want to hear it.

498
00:20:22,200 --> 00:20:23,639
Speaker 2: People want to know how that sound, you know what

499
00:20:23,640 --> 00:20:24,000
Speaker 2: I'm saying.

500
00:20:24,040 --> 00:20:26,320
Speaker 1: So they want to hear Drake rap with the Raptors.

501
00:20:26,400 --> 00:20:26,879
Speaker 3: But why why?

502
00:20:26,920 --> 00:20:28,439
Speaker 4: I like them and they want to and they want

503
00:20:28,480 --> 00:20:30,240
Speaker 4: to and they want to hear the underground people shine

504
00:20:30,280 --> 00:20:30,960
Speaker 4: with the Stars.

505
00:20:31,240 --> 00:20:33,920
Speaker 3: And so I like that record is because I felt

506
00:20:33,920 --> 00:20:36,080
Speaker 3: you went into Drake's world. As far as how that

507
00:20:36,119 --> 00:20:38,439
Speaker 3: beat us you guys, I feel like even like when

508
00:20:38,480 --> 00:20:41,120
Speaker 3: West works with Tyler, like y'all bring the artists into

509
00:20:41,119 --> 00:20:42,840
Speaker 3: the Griselda world, which we want to hear. We want

510
00:20:42,880 --> 00:20:46,040
Speaker 3: to hear Tyler on some ship that is the Griselda sound.

511
00:20:46,520 --> 00:20:49,800
Speaker 3: I wish y'all would go more into other people's world

512
00:20:50,119 --> 00:20:51,880
Speaker 3: to really show that type of ship, because I know y'all

513
00:20:51,880 --> 00:20:52,480
Speaker 3: so self contained.

514
00:20:52,520 --> 00:20:53,200
Speaker 1: You don't need to do shit.

515
00:20:53,280 --> 00:20:55,560
Speaker 3: Let's bring everyone in our world is our ship. But

516
00:20:55,640 --> 00:20:57,520
Speaker 3: that's why I thought that Drake Record was so important

517
00:20:57,520 --> 00:21:01,040
Speaker 3: outside of the feature exactly, you got Benny on those

518
00:21:01,080 --> 00:21:03,520
Speaker 3: type of Drake beasts we love, like the time stamped

519
00:21:03,520 --> 00:21:04,200
Speaker 3: type records.

520
00:21:04,320 --> 00:21:05,760
Speaker 4: People want to see that. People want to see that

521
00:21:05,800 --> 00:21:08,080
Speaker 4: because they want to know cool. We switch it up,

522
00:21:08,240 --> 00:21:10,040
Speaker 4: and we can switch it up, you know what I'm saying.

523
00:21:10,119 --> 00:21:11,400
Speaker 1: But they want to see.

524
00:21:11,200 --> 00:21:14,040
Speaker 3: That, and even like with the Cold Record, and I

525
00:21:14,080 --> 00:21:15,840
Speaker 3: mean it's it's not even a conversation, but they're gonna

526
00:21:15,840 --> 00:21:17,760
Speaker 3: be mad if we don't ask it. Why did people

527
00:21:17,840 --> 00:21:20,720
Speaker 3: think Cole was talking to you in his verse? I

528
00:21:20,760 --> 00:21:23,520
Speaker 3: don't understand why, but that was a big thing on

529
00:21:23,520 --> 00:21:25,600
Speaker 3: the internet. They was like Cold going like I don't

530
00:21:25,600 --> 00:21:26,520
Speaker 3: think he's going at Benny in this.

531
00:21:26,960 --> 00:21:29,040
Speaker 1: Rappers have done that though for sure.

532
00:21:29,080 --> 00:21:30,560
Speaker 3: You've got a whole cannabis l O.

533
00:21:32,080 --> 00:21:35,760
Speaker 4: Rappers have done that, and you know, he he he

534
00:21:35,880 --> 00:21:37,880
Speaker 4: says things. He say things like that on the song,

535
00:21:38,000 --> 00:21:41,560
Speaker 4: like Jesus asks for a feature you know what I'm saying. Hm,

536
00:21:42,240 --> 00:21:43,800
Speaker 4: But we all do that, you know, That's the nature

537
00:21:43,800 --> 00:21:47,080
Speaker 4: of a rapper. And I think fans is just they

538
00:21:47,160 --> 00:21:49,640
Speaker 4: just read into everything and they you know, they they

539
00:21:49,680 --> 00:21:51,480
Speaker 4: wanted to. They want to They want him to be

540
00:21:51,520 --> 00:21:53,080
Speaker 4: saying something to me on the record, you know what

541
00:21:53,119 --> 00:21:55,639
Speaker 4: I mean. Like that makes it juicier for them. But

542
00:21:55,640 --> 00:21:58,600
Speaker 4: it's like, Man, I don't know, man Cole, he one

543
00:21:58,600 --> 00:22:00,440
Speaker 4: of the most solid rappers I met and this ship.

544
00:22:01,640 --> 00:22:02,960
Speaker 1: You know what I mean to be honest with you.

545
00:22:02,880 --> 00:22:03,879
Speaker 3: Did he Did he reach out to you?

546
00:22:04,000 --> 00:22:04,480
Speaker 1: Or you reach out?

547
00:22:04,480 --> 00:22:06,679
Speaker 4: Then I reached out to him. I reached out to

548
00:22:06,760 --> 00:22:09,720
Speaker 4: him because I felt like that was the next step

549
00:22:09,760 --> 00:22:11,240
Speaker 4: for me. I want to rap with the rappers. Same

550
00:22:11,280 --> 00:22:14,200
Speaker 4: thing with the Drake record, same thing with the my record,

551
00:22:14,200 --> 00:22:15,679
Speaker 4: would push your t same thing on my record with

552
00:22:15,760 --> 00:22:17,959
Speaker 4: blacked Out, same thing. I want a Kendrick record, I

553
00:22:18,000 --> 00:22:20,159
Speaker 4: want a jay Z record. I want to rat with

554
00:22:20,200 --> 00:22:22,679
Speaker 4: the rappers. Yeah, you feel what I'm saying. So I

555
00:22:22,760 --> 00:22:25,159
Speaker 4: reached out to him. I went to one of his

556
00:22:25,200 --> 00:22:27,160
Speaker 4: shows in Detroit. I was on tour at the same time.

557
00:22:27,560 --> 00:22:31,560
Speaker 4: Link kicked it witting Uh took a picture with me

558
00:22:31,600 --> 00:22:34,600
Speaker 4: and the Homeboys he posted the picture. I'm saying, you

559
00:22:34,640 --> 00:22:36,800
Speaker 4: know that's it's just Instagram and Internet. But you know

560
00:22:37,520 --> 00:22:40,280
Speaker 4: guys like that don't have to share their platform. Yeah,

561
00:22:40,320 --> 00:22:41,760
Speaker 4: you feel what I'm saying. Nine times out of ten

562
00:22:41,800 --> 00:22:44,359
Speaker 4: you see guys like that sharing their platform with people

563
00:22:44,359 --> 00:22:46,840
Speaker 4: who could help them. You know, I'm not gonna get

564
00:22:46,920 --> 00:22:49,159
Speaker 4: J Cole no more, no more followers, and I'm not

565
00:22:49,200 --> 00:22:50,359
Speaker 4: gonna get no more streams.

566
00:22:50,720 --> 00:22:51,400
Speaker 1: You feel what I'm saying.

567
00:22:51,440 --> 00:22:53,600
Speaker 4: So it's dope to see that. That's inspiring to me.

568
00:22:53,640 --> 00:22:55,800
Speaker 4: That that had me like go reach down to somebody like, yo,

569
00:22:55,920 --> 00:22:56,760
Speaker 4: let's do this record.

570
00:22:57,040 --> 00:22:59,320
Speaker 2: Just seeing bruh. He easily do that, but.

571
00:22:59,400 --> 00:23:02,320
Speaker 3: You feel like you have to outside of your actual

572
00:23:02,359 --> 00:23:04,760
Speaker 3: personal taste. You want to rap with the rappers. I

573
00:23:04,760 --> 00:23:07,359
Speaker 3: feel like y'all would sound great with people like UZI,

574
00:23:07,440 --> 00:23:09,840
Speaker 3: people like the younger kids that are making not so

575
00:23:10,080 --> 00:23:13,920
Speaker 3: lyrical miracle type rap. As you guys feel like you

576
00:23:13,960 --> 00:23:14,840
Speaker 3: can't do that type of ship.

577
00:23:15,160 --> 00:23:15,960
Speaker 1: No we can't.

578
00:23:16,160 --> 00:23:17,800
Speaker 4: We want to do that, man, we can't. We're going

579
00:23:17,840 --> 00:23:19,879
Speaker 4: to do that. It's just that I think it's just

580
00:23:19,880 --> 00:23:20,719
Speaker 4: a hip hop and us.

581
00:23:20,720 --> 00:23:22,359
Speaker 1: You know what I'm saying, It's.

582
00:23:22,280 --> 00:23:23,800
Speaker 2: Just that's what That's what I want to do.

583
00:23:24,240 --> 00:23:25,960
Speaker 4: I want to It's all good to do everything else,

584
00:23:25,960 --> 00:23:29,160
Speaker 4: but I want to, like, I want to see where

585
00:23:29,160 --> 00:23:30,560
Speaker 4: I stand in the ring with the guys.

586
00:23:31,119 --> 00:23:33,800
Speaker 1: You know what I'm saying. I'm the guy from Buffalo.

587
00:23:34,040 --> 00:23:36,040
Speaker 4: It is no bigger, it's no bigger in hip hop

588
00:23:36,040 --> 00:23:37,200
Speaker 4: than what we are from our city.

589
00:23:37,440 --> 00:23:38,439
Speaker 1: We are those guys.

590
00:23:39,320 --> 00:23:43,080
Speaker 4: So you know, a large part of the culture, the

591
00:23:43,119 --> 00:23:45,320
Speaker 4: code following Grisell, the following when to want to see

592
00:23:45,359 --> 00:23:47,240
Speaker 4: how we how we go with those guys. That's how

593
00:23:47,280 --> 00:23:49,439
Speaker 4: I do. But I love working, man. I got so

594
00:23:49,480 --> 00:23:51,760
Speaker 4: many records that's about to come out. Shout out to

595
00:23:52,720 --> 00:23:56,360
Speaker 4: Tako Bang me and him got a record. Shout out

596
00:23:56,359 --> 00:23:58,720
Speaker 4: to you. Hear the money Man record the record with

597
00:23:58,760 --> 00:24:02,879
Speaker 4: me and money Man. I'm on Herbal new album. You

598
00:24:02,880 --> 00:24:06,440
Speaker 4: know what I'm saying. I got a record with my

599
00:24:06,560 --> 00:24:08,720
Speaker 4: Lotto and Cash. Don you know what I'm saying. So

600
00:24:08,760 --> 00:24:10,880
Speaker 4: it's like I love doing I love doing those type

601
00:24:10,880 --> 00:24:13,000
Speaker 4: of records. But and I like to get busy, you know.

602
00:24:13,119 --> 00:24:14,720
Speaker 4: You know what I'm saying. I need that feeling in

603
00:24:14,760 --> 00:24:15,240
Speaker 4: my bones.

604
00:24:15,280 --> 00:24:15,399
Speaker 1: Man.

605
00:24:15,440 --> 00:24:17,280
Speaker 2: I'm from the I'm from the nineties era music.

606
00:24:17,440 --> 00:24:19,960
Speaker 1: What type of what's what's an artist that Benny the

607
00:24:19,960 --> 00:24:22,840
Speaker 1: Butcher listens to that, his fans would be absolutely fucking

608
00:24:22,880 --> 00:24:26,800
Speaker 1: amazed that he even knows who that artist is. Like

609
00:24:26,880 --> 00:24:28,520
Speaker 1: you be in the crib, because niggas think you in

610
00:24:28,560 --> 00:24:32,040
Speaker 1: the crib just listening to the most toughest grimy and shit,

611
00:24:32,480 --> 00:24:34,360
Speaker 1: Like you got a del playing.

612
00:24:34,119 --> 00:24:36,760
Speaker 4: In the crib, my nigga, Like I don't. I don't

613
00:24:36,800 --> 00:24:39,640
Speaker 4: got a del playing in the crib. But I'm I'm

614
00:24:39,680 --> 00:24:42,680
Speaker 4: listening in like I'm an old school nigga. I'm listening

615
00:24:42,680 --> 00:24:46,480
Speaker 4: to Shade. I'm listening to John b. You know what

616
00:24:46,480 --> 00:24:49,160
Speaker 4: I'm saying. Like I might lead a club rowdy night,

617
00:24:49,280 --> 00:24:50,879
Speaker 4: you might lead a strip rowdy night. You know it

618
00:24:50,880 --> 00:24:53,159
Speaker 4: gets rowdy in the place. Yeah, yeah, I'm riding home.

619
00:24:53,200 --> 00:24:54,920
Speaker 4: I'm listening to the Commodore.

620
00:24:56,359 --> 00:24:59,560
Speaker 3: Every like real lyrical rapper. I know doesn't listen to

621
00:24:59,680 --> 00:25:01,639
Speaker 3: lyrical rapp R.

622
00:25:01,640 --> 00:25:04,760
Speaker 2: And I can't I can't get I can't be inspired.

623
00:25:04,920 --> 00:25:06,719
Speaker 4: Yeah, you know what I'm saying, I can't be inspired

624
00:25:06,760 --> 00:25:08,840
Speaker 4: if I'm just listening to that genre of music.

625
00:25:08,920 --> 00:25:09,960
Speaker 2: What else I listened to?

626
00:25:10,920 --> 00:25:16,159
Speaker 4: I listened to ees TG, Yeah, listen to uh Poosha,

627
00:25:16,160 --> 00:25:20,440
Speaker 4: heisty of course, what Dirk Kode I'm listening to Dirk Yak.

628
00:25:20,680 --> 00:25:23,920
Speaker 4: I'm on that yach Future gonna you know That's That's

629
00:25:23,920 --> 00:25:25,680
Speaker 4: what I'm really listening to all the time. You know

630
00:25:25,680 --> 00:25:28,000
Speaker 4: what I'm saying, same thing everybody else listened to.

631
00:25:28,040 --> 00:25:28,640
Speaker 1: You know what I'm saying.

632
00:25:28,760 --> 00:25:32,359
Speaker 3: Since we're around the corner from the Mercedes Benz Theater

633
00:25:32,440 --> 00:25:34,720
Speaker 3: and Kanye's been going fucking nuts lately. Were you involved

634
00:25:34,720 --> 00:25:36,920
Speaker 3: any of those Kanye sessions? I know he was posting

635
00:25:37,480 --> 00:25:39,199
Speaker 3: Griselda stuff at one point.

636
00:25:39,600 --> 00:25:40,320
Speaker 1: I wasn't in there.

637
00:25:40,440 --> 00:25:42,399
Speaker 4: I did I did the one I went to one studio,

638
00:25:42,640 --> 00:25:44,880
Speaker 4: well it was a studio session, but we didn't record nothing.

639
00:25:45,080 --> 00:25:47,040
Speaker 4: I spent most of my time in Wyoming just kicking

640
00:25:47,080 --> 00:25:49,600
Speaker 4: it with side, you know what I mean? That was

641
00:25:49,600 --> 00:25:53,880
Speaker 4: worth it, sure, But uh man, I know Conway spent

642
00:25:53,960 --> 00:25:58,520
Speaker 4: a lot of time over there and West conwege Wait, he's.

643
00:25:58,359 --> 00:26:00,439
Speaker 2: Been doing something over there. He has been doing something.

644
00:26:00,760 --> 00:26:02,800
Speaker 3: What was the Wyoming situation like for you?

645
00:26:03,600 --> 00:26:03,719
Speaker 1: Man?

646
00:26:03,760 --> 00:26:06,720
Speaker 4: It was dope, man, it was just ya got the

647
00:26:06,760 --> 00:26:09,080
Speaker 4: whole Yay, got the whole compound.

648
00:26:09,600 --> 00:26:12,639
Speaker 2: It was donkeys and lamb ship just walking around.

649
00:26:13,280 --> 00:26:16,640
Speaker 4: He got the them them them funny trucks and ship.

650
00:26:16,680 --> 00:26:18,920
Speaker 4: You be seeing him driving them ships to be lighted

651
00:26:19,000 --> 00:26:21,600
Speaker 4: up and with the keys already in them, walking past

652
00:26:21,600 --> 00:26:22,879
Speaker 4: like y'all, I want to drive some shit like that.

653
00:26:22,880 --> 00:26:24,520
Speaker 1: They like go like the keys is in there, Like

654
00:26:24,560 --> 00:26:25,440
Speaker 1: I ain't touching that ship.

655
00:26:26,560 --> 00:26:29,600
Speaker 3: It's a liability touching dropping that.

656
00:26:29,840 --> 00:26:30,480
Speaker 1: You know what I'm saying.

657
00:26:31,040 --> 00:26:35,120
Speaker 4: Uh man. I woke up the next morning and uh

658
00:26:35,680 --> 00:26:38,040
Speaker 4: Havoc was there. That was my first time meeting Havoc

659
00:26:38,520 --> 00:26:41,440
Speaker 4: in the studio, studio with Havoc And it's like, yay

660
00:26:41,560 --> 00:26:43,840
Speaker 4: got the people and I didn't stay on a compound.

661
00:26:43,880 --> 00:26:45,439
Speaker 4: I stayed at a hotel. He got the people like

662
00:26:45,520 --> 00:26:48,160
Speaker 4: running in the raptors like picking you up. They constantly

663
00:26:48,240 --> 00:26:50,800
Speaker 4: picking people up and dropping them off like out of land,

664
00:26:51,040 --> 00:26:53,439
Speaker 4: like at the airport, private planes and shit like that.

665
00:26:53,520 --> 00:26:55,720
Speaker 1: So it was like it's like a little city.

666
00:26:56,320 --> 00:26:58,880
Speaker 3: What type of Like I got to know what those

667
00:26:58,880 --> 00:27:01,840
Speaker 3: hotels was thinking when Kanye moved there and just started

668
00:27:02,040 --> 00:27:04,640
Speaker 3: flying Brazil out there, Like come to the front desk.

669
00:27:04,680 --> 00:27:07,120
Speaker 1: If I'm working in Wyoming and you walked to the front.

670
00:27:07,560 --> 00:27:09,640
Speaker 3: Like this, Oh my god, this diner in town.

671
00:27:09,720 --> 00:27:10,720
Speaker 1: That's crazy.

672
00:27:11,600 --> 00:27:13,800
Speaker 4: That got to be crazy if you've seen that. But

673
00:27:13,840 --> 00:27:16,320
Speaker 4: he got his own little city if you ask me, no,

674
00:27:16,440 --> 00:27:16,879
Speaker 4: that's what's up.

675
00:27:16,960 --> 00:27:20,720
Speaker 1: How many how many artists at the Wyoming session that

676
00:27:20,840 --> 00:27:24,200
Speaker 1: was there did you feel like, damn, I really want

677
00:27:24,240 --> 00:27:26,840
Speaker 1: to work with this, with this dude, like I've always

678
00:27:26,880 --> 00:27:29,639
Speaker 1: wanted to work with him, like meeting Havoc. I'm pretty

679
00:27:29,640 --> 00:27:31,120
Speaker 1: sure at one point that was it.

680
00:27:31,119 --> 00:27:34,120
Speaker 4: It was like, damn, half here you go like shit,

681
00:27:34,200 --> 00:27:35,800
Speaker 4: say something to him like get to get the meat

682
00:27:35,840 --> 00:27:38,040
Speaker 4: from here, you know what I mean? But it was

683
00:27:38,080 --> 00:27:40,880
Speaker 4: half and definitely side man, just kicking it with him,

684
00:27:40,880 --> 00:27:42,879
Speaker 4: you know what I mean. That's where I get all

685
00:27:42,920 --> 00:27:44,720
Speaker 4: my game from people who've been in the game longer

686
00:27:44,760 --> 00:27:47,439
Speaker 4: than me. So just picking his brain. And he played

687
00:27:47,440 --> 00:27:50,160
Speaker 4: his album for me, I played my album for him.

688
00:27:50,480 --> 00:27:52,560
Speaker 4: I'm saying, it's just and it's just like okay, you

689
00:27:52,640 --> 00:27:53,160
Speaker 4: know what I'm saying?

690
00:27:53,880 --> 00:27:54,080
Speaker 1: Is that?

691
00:27:54,200 --> 00:27:56,600
Speaker 3: Is that a route the Wayside? Again, it's one of

692
00:27:56,600 --> 00:27:59,600
Speaker 3: our favorite lyrical rappers, but it's a great writer with

693
00:27:59,640 --> 00:28:01,960
Speaker 3: the other it as well, And I think typically lyricists

694
00:28:02,000 --> 00:28:04,479
Speaker 3: are the best writers. Would you ever write for somebody,

695
00:28:04,600 --> 00:28:06,560
Speaker 3: not even in some hip hop ship like.

696
00:28:07,000 --> 00:28:08,879
Speaker 4: Of course of course I could do. I could do

697
00:28:08,960 --> 00:28:10,920
Speaker 4: things like that, have course, you know what I mean?

698
00:28:11,400 --> 00:28:14,080
Speaker 4: If the opportunity presents itself. I've done things like that before,

699
00:28:14,400 --> 00:28:16,200
Speaker 4: but not like an artist step into me. You know

700
00:28:16,200 --> 00:28:18,920
Speaker 4: what I'm saying. I've done that for like you know,

701
00:28:18,960 --> 00:28:22,880
Speaker 4: it's crazy, man. I wrote a song like I shouldn't

702
00:28:22,960 --> 00:28:26,520
Speaker 4: be saying this. I wrote a song for Pinky back

703
00:28:26,560 --> 00:28:28,680
Speaker 4: in the day before anybody ever heard of me. She

704
00:28:28,720 --> 00:28:29,800
Speaker 4: was trying to rap and I wrote a song.

705
00:28:31,000 --> 00:28:34,159
Speaker 1: I did were about to have a I did? No.

706
00:28:34,400 --> 00:28:37,640
Speaker 3: No, I'm glad I asked that cliche asked question because

707
00:28:37,680 --> 00:28:39,480
Speaker 3: we got a crazy fucking it all right, old on,

708
00:28:39,600 --> 00:28:41,840
Speaker 3: I did. No. Let's start from the beginning. I need

709
00:28:41,880 --> 00:28:50,360
Speaker 3: to start at the beginning. How did you meet Pinky?

710
00:28:50,840 --> 00:28:54,440
Speaker 1: And why did you mean Pinky? Listen? First of all,

711
00:28:55,400 --> 00:28:57,800
Speaker 1: what's the first ball? I need to know how Pinky

712
00:28:57,880 --> 00:28:59,840
Speaker 1: was coming on the tray? What was the first ball?

713
00:28:59,880 --> 00:29:01,000
Speaker 2: I didn't go like that.

714
00:29:03,680 --> 00:29:07,840
Speaker 3: Se when they found references, you said it.

715
00:29:07,880 --> 00:29:09,600
Speaker 1: I never even knew about this. That's why I didn't

716
00:29:09,600 --> 00:29:12,280
Speaker 1: want to say it. That's why niggas.

717
00:29:11,960 --> 00:29:15,240
Speaker 2: Can't be opening niggas real ship.

718
00:29:15,280 --> 00:29:18,600
Speaker 3: But we don't find the dat reference lapping for Pinky.

719
00:29:20,520 --> 00:29:22,640
Speaker 1: I never met Pinky, right, And I was like, what

720
00:29:22,680 --> 00:29:26,280
Speaker 1: if I ever miss this? Is her heyday? Was she

721
00:29:26,400 --> 00:29:26,840
Speaker 1: so less?

722
00:29:26,840 --> 00:29:28,040
Speaker 2: You want to raping?

723
00:29:28,080 --> 00:29:33,280
Speaker 4: I'm saying, try anything like I want to say two

724
00:29:33,320 --> 00:29:34,000
Speaker 4: thousand and eight.

725
00:29:34,400 --> 00:29:37,320
Speaker 1: Okay, that was slim Pinky, you know what I mean.

726
00:29:37,440 --> 00:29:41,200
Speaker 3: This is the cat Stacks era, slim Piky.

727
00:29:41,000 --> 00:29:42,960
Speaker 1: DVD era type of things.

728
00:29:43,280 --> 00:29:46,360
Speaker 3: Okay, So so Pinky wanted to rap? Who connected? Who

729
00:29:46,480 --> 00:29:48,600
Speaker 3: was like, yo, my my man could rap. He'll write

730
00:29:48,600 --> 00:29:48,960
Speaker 3: your ship?

731
00:29:49,400 --> 00:29:54,720
Speaker 2: Uh Cheddar DVD? Remember Cheddar DVD? I remember from Boston.

732
00:29:55,440 --> 00:29:57,000
Speaker 4: So he was doing he was doing a peace with

733
00:29:57,080 --> 00:29:58,800
Speaker 4: her and they brought it up and he was like,

734
00:29:58,840 --> 00:30:01,280
Speaker 4: I know just the person, right, you know, that's my homeboy.

735
00:30:01,280 --> 00:30:02,760
Speaker 4: He was like, I know just the person to write.

736
00:30:02,760 --> 00:30:03,400
Speaker 4: And they called me.

737
00:30:03,640 --> 00:30:05,640
Speaker 3: How did you feel that he said those words, I

738
00:30:05,680 --> 00:30:07,920
Speaker 3: know just the person to write you a verse? Pinky?

739
00:30:08,160 --> 00:30:09,280
Speaker 3: I might have been offended.

740
00:30:10,720 --> 00:30:12,840
Speaker 4: It wasn't like that. It's just that he knew he could.

741
00:30:13,040 --> 00:30:14,840
Speaker 4: He knew I probably was the best rapper. He knew

742
00:30:15,120 --> 00:30:17,160
Speaker 4: who could, who could? Who could do something like that?

743
00:30:17,600 --> 00:30:17,680
Speaker 1: Me?

744
00:30:17,920 --> 00:30:21,560
Speaker 4: I always was malleable, basically like I was always like,

745
00:30:21,960 --> 00:30:23,880
Speaker 4: I mean, easy to work with. So when they first came,

746
00:30:24,160 --> 00:30:26,200
Speaker 4: so I'm thinking like, how could that work? And they

747
00:30:26,360 --> 00:30:27,880
Speaker 4: just told me It's like, you don't, my nigga, you

748
00:30:27,880 --> 00:30:29,120
Speaker 4: don't got to go all the way.

749
00:30:29,280 --> 00:30:30,920
Speaker 1: Just just be I mean, just write some ship.

750
00:30:30,960 --> 00:30:32,560
Speaker 4: I'm like, okay, because if I got to talk that

751
00:30:32,600 --> 00:30:34,400
Speaker 4: dumb shit like I can't, I can't do it. But

752
00:30:34,440 --> 00:30:36,200
Speaker 4: I just I just wrote the record. I kind of

753
00:30:36,200 --> 00:30:37,760
Speaker 4: think I wrote it too lyrical for it to be

754
00:30:37,800 --> 00:30:38,320
Speaker 4: honest with you.

755
00:30:38,800 --> 00:30:42,320
Speaker 3: Well, you know we've interviewed and just talked with amazing.

756
00:30:42,040 --> 00:30:44,840
Speaker 2: Real wrote the records. You got my fucking Pinky spending

757
00:30:44,880 --> 00:30:45,520
Speaker 2: like Tyler K.

758
00:30:50,000 --> 00:30:51,360
Speaker 3: I know a lot of writers say when they have

759
00:30:51,360 --> 00:30:54,080
Speaker 3: to write for somebody, they research them. They really get

760
00:30:54,120 --> 00:30:56,080
Speaker 3: to know them. They try to understand their lifestyle. Like

761
00:30:56,120 --> 00:30:59,160
Speaker 3: what type of research did you do to understand Pinky

762
00:30:59,200 --> 00:31:01,320
Speaker 3: to write I'm familiar with her?

763
00:31:03,000 --> 00:31:03,520
Speaker 1: Like before you.

764
00:31:03,520 --> 00:31:04,800
Speaker 3: Got to the stool, he was like, all right, let

765
00:31:04,840 --> 00:31:08,320
Speaker 3: me let me refresh my memory on what.

766
00:31:08,080 --> 00:31:09,000
Speaker 1: When I met her.

767
00:31:09,120 --> 00:31:12,320
Speaker 4: When I met her and then I just you know,

768
00:31:12,440 --> 00:31:15,080
Speaker 4: she was flying, to be honest with you, in her

769
00:31:15,160 --> 00:31:17,560
Speaker 4: and her I don't think it was her husband or

770
00:31:17,560 --> 00:31:19,800
Speaker 4: boyfriend at the time, probably still is now. I'm not

771
00:31:19,840 --> 00:31:22,240
Speaker 4: sure me and him had the same first name, Jeremy.

772
00:31:22,360 --> 00:31:24,520
Speaker 4: You know what I'm saying. So he was. He was

773
00:31:24,520 --> 00:31:27,120
Speaker 4: a flying nigga too, So I added that I made

774
00:31:27,120 --> 00:31:27,680
Speaker 4: it about that.

775
00:31:27,600 --> 00:31:28,720
Speaker 1: Ship like that. You know what I'm saying.

776
00:31:29,200 --> 00:31:31,040
Speaker 3: That's funny. It never came out though.

777
00:31:30,960 --> 00:31:34,120
Speaker 1: Right, Obviously we would have heard that, man, I never heard.

778
00:31:34,200 --> 00:31:36,200
Speaker 1: But how would you know if you know what I'm saying.

779
00:31:36,240 --> 00:31:37,480
Speaker 2: No, but no, I wouldn't know it was you, but

780
00:31:37,480 --> 00:31:38,880
Speaker 2: we would hurt her pinky record. I don't think we

781
00:31:38,920 --> 00:31:39,960
Speaker 2: would have heard a pinky record.

782
00:31:40,480 --> 00:31:40,880
Speaker 1: I don't think.

783
00:31:40,880 --> 00:31:42,680
Speaker 4: I don't think it ever came out. The thing about

784
00:31:42,680 --> 00:31:44,479
Speaker 4: it is, to be honest with you, I think I

785
00:31:44,520 --> 00:31:46,440
Speaker 4: wrote it to lyrical for her, and she and the

786
00:31:46,680 --> 00:31:47,000
Speaker 4: way it.

787
00:31:46,920 --> 00:31:49,560
Speaker 3: Came out, they was like, do you remember any bars

788
00:31:49,560 --> 00:31:49,840
Speaker 3: from it?

789
00:31:50,440 --> 00:31:51,000
Speaker 1: No? I don't.

790
00:31:51,040 --> 00:31:53,840
Speaker 3: My nigga, I think he's.

791
00:31:56,320 --> 00:31:57,200
Speaker 1: I don't remember.

792
00:31:57,280 --> 00:32:01,760
Speaker 2: Nobody to google it, man to look for that's some

793
00:32:01,800 --> 00:32:03,520
Speaker 2: fun I doubt it. I doubt it's out there. But

794
00:32:03,600 --> 00:32:04,600
Speaker 2: that's a crazy story.

795
00:32:04,600 --> 00:32:04,800
Speaker 1: Man.

796
00:32:04,840 --> 00:32:06,720
Speaker 3: I think at some point maybe we might need a

797
00:32:06,760 --> 00:32:07,400
Speaker 3: pinky Benny.

798
00:32:07,680 --> 00:32:10,080
Speaker 2: But I play like eight bones for that eight racks.

799
00:32:10,160 --> 00:32:11,280
Speaker 1: That's what's up? Oh ship?

800
00:32:11,360 --> 00:32:14,800
Speaker 4: That was okay, That's what I'm saying. Like the feature

801
00:32:14,840 --> 00:32:17,440
Speaker 4: slide on the d v D, like I was about

802
00:32:17,480 --> 00:32:19,240
Speaker 4: to be on. I was on my way. Yeah, yeah, yeah,

803
00:32:20,440 --> 00:32:21,560
Speaker 4: I was on my way.

804
00:32:21,880 --> 00:32:24,480
Speaker 3: Imagine Pinky putting you on in the wrap. That's crazy

805
00:32:24,480 --> 00:32:26,720
Speaker 3: because I remember, like when Max was fucking around Rocky

806
00:32:26,720 --> 00:32:28,520
Speaker 3: Reynolds and Ship, there was a time when I feel

807
00:32:28,560 --> 00:32:30,880
Speaker 3: like porn stars were trying to do the rap thing.

808
00:32:31,240 --> 00:32:33,080
Speaker 1: And Rest in Peace that was probably case in the

809
00:32:34,680 --> 00:32:35,600
Speaker 1: you know what I mean, Like they're ready.

810
00:32:35,640 --> 00:32:38,320
Speaker 2: We already got a fan base that's a fast rapping.

811
00:32:39,240 --> 00:32:42,120
Speaker 1: So out of the young dudes that I've seen on

812
00:32:42,160 --> 00:32:48,160
Speaker 1: the project, long lived DJ Sha Rest in Peace and

813
00:32:48,200 --> 00:32:49,560
Speaker 1: I damn I believe that was the last time we

814
00:32:49,600 --> 00:32:51,200
Speaker 1: sat and spoke with Bennie. Shay was in the studio

815
00:32:51,280 --> 00:32:54,720
Speaker 1: with us. Yeah, he was there with us, and.

816
00:32:54,680 --> 00:32:56,480
Speaker 3: I believe what he passed maybe like two a week

817
00:32:56,520 --> 00:32:57,480
Speaker 3: after that, not too.

818
00:32:57,360 --> 00:33:00,560
Speaker 1: Long after the Rest and Peace. One of the dudes

819
00:33:00,560 --> 00:33:03,239
Speaker 1: that I really really like that I you know, I

820
00:33:03,240 --> 00:33:05,240
Speaker 1: see y'all kind of like putting your arms around it

821
00:33:05,320 --> 00:33:09,720
Speaker 1: and ushering in stove. God Like, when I hear him,

822
00:33:10,240 --> 00:33:12,680
Speaker 1: he reminds me a lot of how I felt when

823
00:33:12,680 --> 00:33:15,680
Speaker 1: I heard you, and it was certain certain things that

824
00:33:15,760 --> 00:33:18,440
Speaker 1: he says and how he says certain things, and how

825
00:33:19,120 --> 00:33:22,560
Speaker 1: slick and witty his bars are, but it's also very unique,

826
00:33:22,600 --> 00:33:25,400
Speaker 1: like it's almost an un orthodox kind of flow that

827
00:33:25,480 --> 00:33:29,160
Speaker 1: he has. Is that one of the young casts that

828
00:33:29,240 --> 00:33:32,480
Speaker 1: you look at and you might not be able to

829
00:33:32,600 --> 00:33:34,200
Speaker 1: because you got to keep your poker face when like

830
00:33:34,240 --> 00:33:36,360
Speaker 1: the students is in the room. But is he one

831
00:33:36,400 --> 00:33:37,920
Speaker 1: of the ones you look at and he says something,

832
00:33:37,920 --> 00:33:39,840
Speaker 1: You're like, God, damn, this Nigga's nice.

833
00:33:40,920 --> 00:33:47,160
Speaker 4: Man him, Simba, you can't forget specially, you know what

834
00:33:47,160 --> 00:33:49,320
Speaker 4: I'm saying. Specially is on a different level.

835
00:33:49,480 --> 00:33:51,560
Speaker 1: And we're gonna get into yall history too from special.

836
00:33:51,960 --> 00:33:54,280
Speaker 4: But yeah, man, I definitely see I definitely When people

837
00:33:54,280 --> 00:33:56,000
Speaker 4: ask me about Stove, I say, Stove out of here.

838
00:33:56,800 --> 00:33:59,840
Speaker 4: He got he got all the intangibles, ain't none to talk.

839
00:34:00,720 --> 00:34:02,400
Speaker 4: He's out of here, you know what I mean? And me,

840
00:34:02,480 --> 00:34:04,960
Speaker 4: I always look at myself as like I'm the one

841
00:34:05,040 --> 00:34:07,720
Speaker 4: any Like when you think about it, anybody who's ever

842
00:34:07,760 --> 00:34:09,719
Speaker 4: on the record with Bennie the Butcher, they're rapping at

843
00:34:09,719 --> 00:34:14,040
Speaker 4: their highest. I'm I feel good that I that I

844
00:34:14,120 --> 00:34:16,520
Speaker 4: bring that to the table because because everybody don't bring

845
00:34:16,560 --> 00:34:18,560
Speaker 4: that to the table. You know what I'm saying, And

846
00:34:18,560 --> 00:34:20,440
Speaker 4: there's certain artists who bring that to the table. For me,

847
00:34:20,480 --> 00:34:22,600
Speaker 4: it's like, Okay, this guy bring the best out of

848
00:34:22,600 --> 00:34:25,400
Speaker 4: me Conway especial, So knowing that, you know what I mean,

849
00:34:25,480 --> 00:34:28,360
Speaker 4: Like I've been told that, Like people get on the

850
00:34:28,400 --> 00:34:30,080
Speaker 4: song with me and they and they just go crazy.

851
00:34:30,200 --> 00:34:32,719
Speaker 4: And you know, Stove just been going crazy period on

852
00:34:32,760 --> 00:34:35,520
Speaker 4: songs with everybody. But I think, like you said, the

853
00:34:35,600 --> 00:34:37,880
Speaker 4: dynamic he reminded me and me too, So the dynamic

854
00:34:37,920 --> 00:34:39,520
Speaker 4: of me and him on a song together, like people

855
00:34:39,560 --> 00:34:41,120
Speaker 4: like that. I think people want to hear me more

856
00:34:41,120 --> 00:34:41,440
Speaker 4: of me and.

857
00:34:41,440 --> 00:34:45,600
Speaker 2: Stove absolutely as a consumer right right, that's clearly like

858
00:34:45,640 --> 00:34:47,319
Speaker 2: when I hear him, I'm like, oh, people want to

859
00:34:47,320 --> 00:34:48,759
Speaker 2: get see they want to hear how to need him

860
00:34:48,760 --> 00:34:50,160
Speaker 2: on sign with the record.

861
00:34:52,120 --> 00:34:53,640
Speaker 3: And we don't have to get too much into detail

862
00:34:53,680 --> 00:34:57,600
Speaker 3: on the Houston and sendem at all. But how has

863
00:34:57,640 --> 00:35:00,320
Speaker 3: that changed as far as how you move? And obviously

864
00:35:00,360 --> 00:35:05,520
Speaker 3: we see everything going on in the rap community with death, shooting,

865
00:35:05,920 --> 00:35:10,960
Speaker 3: bullshit here, How is your lifestyle changed since then?

866
00:35:11,160 --> 00:35:11,319
Speaker 1: Man?

867
00:35:11,360 --> 00:35:14,600
Speaker 4: My lifestyle changed since then because I'm definitely more cautious

868
00:35:14,640 --> 00:35:16,440
Speaker 4: about where I'm at, you know what I mean, Like me,

869
00:35:16,600 --> 00:35:19,160
Speaker 4: I don't fear for my life. I don't fear, you

870
00:35:19,200 --> 00:35:22,520
Speaker 4: know what I mean. And maybe that's a maybe that's

871
00:35:22,560 --> 00:35:25,279
Speaker 4: something I might need to do, you know what I'm saying.

872
00:35:25,280 --> 00:35:28,080
Speaker 4: But I move like I don't move like I'm in danger.

873
00:35:28,160 --> 00:35:30,200
Speaker 4: Of course, I'm not in nobody hood three or four

874
00:35:30,239 --> 00:35:30,720
Speaker 4: in the morning.

875
00:35:30,760 --> 00:35:31,359
Speaker 1: You know what I'm saying.

876
00:35:31,360 --> 00:35:33,520
Speaker 2: That shit in Houston happened three thirty in Houston.

877
00:35:33,680 --> 00:35:37,480
Speaker 4: Yeah, you feel what I'm saying. So, but I definitely

878
00:35:38,440 --> 00:35:42,359
Speaker 4: move like a rapper now, so to speak. A certain place,

879
00:35:42,400 --> 00:35:44,560
Speaker 4: I might pull up to the gas station. I might

880
00:35:44,560 --> 00:35:46,440
Speaker 4: be going to niggas like, yo, don't I'm going in

881
00:35:46,520 --> 00:35:49,400
Speaker 4: for you. You know what I mean to me, I might.

882
00:35:49,440 --> 00:35:50,920
Speaker 4: What I'm saying is I'm not in the hood. I

883
00:35:51,000 --> 00:35:53,799
Speaker 4: might be on a road somewhere like Nigga's like, no, still,

884
00:35:53,800 --> 00:35:55,640
Speaker 4: don't don't get out the car like me.

885
00:35:55,760 --> 00:35:58,040
Speaker 2: I didn't know I was. Don't get out the car famous.

886
00:35:57,760 --> 00:35:59,799
Speaker 1: Yeah, that's a mistake sometime.

887
00:36:00,160 --> 00:36:01,839
Speaker 4: Know, no, real shit, you know this shit do not

888
00:36:01,880 --> 00:36:03,319
Speaker 4: come with a man or you know, these people gave

889
00:36:03,360 --> 00:36:06,120
Speaker 4: me all this money, and nobody introduced me to a banker,

890
00:36:06,160 --> 00:36:08,759
Speaker 4: Nobody introduced me to like, Okay, call this security dude.

891
00:36:09,040 --> 00:36:12,680
Speaker 2: Nobody introduced me to nobody. So and I think it's

892
00:36:12,680 --> 00:36:13,200
Speaker 2: so dangerous.

893
00:36:13,320 --> 00:36:15,200
Speaker 4: And I think it's so dangerous being a rapper because

894
00:36:15,800 --> 00:36:19,880
Speaker 4: I talk about this all the time, the lack of

895
00:36:20,120 --> 00:36:22,080
Speaker 4: people to look up to in our community.

896
00:36:22,200 --> 00:36:24,680
Speaker 1: So people glorify rappers. Me.

897
00:36:26,280 --> 00:36:29,400
Speaker 4: I know, a difference from a movie in real life.

898
00:36:29,680 --> 00:36:33,279
Speaker 4: We all do a difference from music, our entertainment in

899
00:36:33,320 --> 00:36:37,200
Speaker 4: real life. But these people glorify rappers. They on YouTube

900
00:36:37,239 --> 00:36:40,399
Speaker 4: every day. It's people with YouTube channels who who got them?

901
00:36:40,400 --> 00:36:40,600
Speaker 1: Shit?

902
00:36:40,760 --> 00:36:45,640
Speaker 4: Just basically off talking about rappers critically. You know what

903
00:36:45,640 --> 00:36:49,000
Speaker 4: I'm saying, what they do, what they don't do, antagonizing

904
00:36:49,080 --> 00:36:53,440
Speaker 4: rappers and niggas like like at this statement.

905
00:36:54,560 --> 00:36:54,880
Speaker 1: I remember.

906
00:36:54,920 --> 00:36:56,960
Speaker 4: I remember I was in the club one night and

907
00:36:57,000 --> 00:36:58,520
Speaker 4: there was this nigga there and he was like yeah,

908
00:36:58,560 --> 00:36:59,200
Speaker 4: you know he was saying.

909
00:36:59,239 --> 00:37:00,879
Speaker 1: He looked at me, he looked around.

910
00:37:00,920 --> 00:37:02,920
Speaker 4: He seem like he seemed like the it was bitches

911
00:37:02,960 --> 00:37:05,560
Speaker 4: in my face, it was niggas DJ screaming my name out.

912
00:37:06,040 --> 00:37:07,719
Speaker 1: He looked around, he look what I mean. I looked

913
00:37:07,719 --> 00:37:08,919
Speaker 1: at him. He looked back around.

914
00:37:08,960 --> 00:37:10,440
Speaker 2: He was like, man, and I got more money than

915
00:37:10,440 --> 00:37:11,040
Speaker 2: these rappers.

916
00:37:12,480 --> 00:37:12,880
Speaker 1: You know what I mean.

917
00:37:12,920 --> 00:37:16,320
Speaker 4: It's like you know that you know that's a goal, right,

918
00:37:16,680 --> 00:37:18,759
Speaker 4: I mean, like, is that's that's your goal? Have more

919
00:37:18,800 --> 00:37:21,000
Speaker 4: money than Bill Gates? Right, you know what I'm saying,

920
00:37:21,000 --> 00:37:22,520
Speaker 4: have more money than you know what I mean, Like

921
00:37:22,640 --> 00:37:24,520
Speaker 4: that's your goal. Like people want to Man, I got

922
00:37:24,520 --> 00:37:28,240
Speaker 4: the rap smoke rapper, We smoke read like God, damn

923
00:37:28,400 --> 00:37:28,880
Speaker 4: niggas was.

924
00:37:28,880 --> 00:37:30,319
Speaker 1: Like the top of the food chain.

925
00:37:30,360 --> 00:37:32,319
Speaker 4: People want to do everything rappers do, but at the

926
00:37:32,320 --> 00:37:34,320
Speaker 4: same time, they want to attackonize rappers.

927
00:37:34,400 --> 00:37:36,399
Speaker 2: Man, you bitch you as rap niggas. Rappers don't got

928
00:37:36,440 --> 00:37:39,000
Speaker 2: this man, Rappers like it's like a love hate relationship

929
00:37:39,080 --> 00:37:40,160
Speaker 2: that that people have with us.

930
00:37:40,440 --> 00:37:42,239
Speaker 1: They love us so much they hate.

931
00:37:42,000 --> 00:37:44,480
Speaker 4: Us, I'm saying them same niggas who'll be running up

932
00:37:44,520 --> 00:37:47,839
Speaker 4: on niggas take an autograph, you know what I'm saying.

933
00:37:47,920 --> 00:37:50,840
Speaker 4: Or it's just that it's just dangerous, man, you know

934
00:37:50,880 --> 00:37:54,560
Speaker 4: what I mean. And we ninety nine point nine point

935
00:37:54,600 --> 00:37:57,920
Speaker 4: nine nine nine percent of rappers, it's all from the ghetto,

936
00:37:58,640 --> 00:38:00,960
Speaker 4: and we want to go back, right, and we want

937
00:38:00,960 --> 00:38:04,239
Speaker 4: to go back even if we're not back in our

938
00:38:04,320 --> 00:38:06,680
Speaker 4: ghettos where we're from. We want to connect with people

939
00:38:06,680 --> 00:38:09,080
Speaker 4: in different ghettos to show them like, look, look what

940
00:38:09,160 --> 00:38:12,080
Speaker 4: I did like you. Yeah, my nigga, I'm from right here.

941
00:38:12,560 --> 00:38:15,719
Speaker 4: But we can't even do that because they coming back

942
00:38:15,960 --> 00:38:18,200
Speaker 4: and seeing us as food. You know what I'm saying,

943
00:38:18,200 --> 00:38:21,080
Speaker 4: because is it's crazy.

944
00:38:20,920 --> 00:38:24,040
Speaker 3: Had it's popularity and accessibility I think at this point,

945
00:38:24,080 --> 00:38:27,279
Speaker 3: because like even when we was coming up, you only

946
00:38:27,360 --> 00:38:29,520
Speaker 3: knew about the rappers you liked, and you didn't know

947
00:38:29,520 --> 00:38:32,040
Speaker 3: where they were nor really what they had unless it

948
00:38:32,080 --> 00:38:34,879
Speaker 3: was a video or they just rapping a verse. At

949
00:38:34,880 --> 00:38:38,680
Speaker 3: this point, they could be just reposted on ig You'll

950
00:38:38,680 --> 00:38:40,680
Speaker 3: find out aout a new rapper and see what he has,

951
00:38:41,360 --> 00:38:44,440
Speaker 3: and then it becomes food. At that point. It's just

952
00:38:44,480 --> 00:38:47,799
Speaker 3: too much accessibility. It's too much popularity because somebody could

953
00:38:47,840 --> 00:38:50,400
Speaker 3: not be a fan or know about a rapper, but

954
00:38:50,400 --> 00:38:52,680
Speaker 3: they know they ig page and they know other people

955
00:38:52,719 --> 00:38:55,520
Speaker 3: like them. Oh he's in LA today.

956
00:38:56,160 --> 00:39:00,000
Speaker 4: That type of shit, and people just broke as fuck broke, Yeah,

957
00:39:00,080 --> 00:39:04,760
Speaker 4: people broke is fuck no disrespect I mean respectfully because

958
00:39:05,040 --> 00:39:08,080
Speaker 4: that used to be me and and and that's still

959
00:39:08,120 --> 00:39:11,799
Speaker 4: a lot of people that I know. Uh, people broke

960
00:39:11,840 --> 00:39:14,359
Speaker 4: as fuck, you know what I mean. Like rappers, we're

961
00:39:14,360 --> 00:39:16,960
Speaker 4: in a different world I'm in. I might be in

962
00:39:17,000 --> 00:39:19,640
Speaker 4: a room where I got the less ship, you know

963
00:39:19,680 --> 00:39:22,160
Speaker 4: what I mean, I might be I'm actually in a

964
00:39:22,160 --> 00:39:23,000
Speaker 4: lot of rooms like that.

965
00:39:24,000 --> 00:39:25,759
Speaker 1: So it's the rooms you want to be in exactly.

966
00:39:25,800 --> 00:39:27,359
Speaker 4: But when I go when you go back home, when

967
00:39:27,400 --> 00:39:29,360
Speaker 4: you go back like you the you the apex niggas,

968
00:39:29,560 --> 00:39:30,759
Speaker 4: like god damn, how the.

969
00:39:30,640 --> 00:39:34,840
Speaker 2: Fuck did you do it? Like, bro this this is nothing,

970
00:39:35,360 --> 00:39:36,080
Speaker 2: you know what I'm saying.

971
00:39:36,200 --> 00:39:39,200
Speaker 4: In our world, this is nothing because people climb into

972
00:39:39,200 --> 00:39:40,680
Speaker 4: the heights and you go to the bottom of it,

973
00:39:40,840 --> 00:39:43,440
Speaker 4: you know what I mean? That people thinking people people

974
00:39:43,520 --> 00:39:46,359
Speaker 4: some you might fucking blue ten thousand shopping you might

975
00:39:46,400 --> 00:39:48,160
Speaker 4: give it to your family son, and it's somebody, and

976
00:39:48,200 --> 00:39:49,879
Speaker 4: it's people in the hood thinking like all I need

977
00:39:49,920 --> 00:39:52,319
Speaker 4: is ten thousand dollars to change my fucking life and

978
00:39:52,360 --> 00:39:53,359
Speaker 4: I'll never be broke again.

979
00:39:53,840 --> 00:39:54,960
Speaker 1: Yeah, that's what they think.

980
00:39:55,360 --> 00:39:58,160
Speaker 4: That's what they think is they don't know, but it's like, man, man,

981
00:39:58,160 --> 00:39:59,759
Speaker 4: people in the hood is like fucked up.

982
00:40:00,520 --> 00:40:02,520
Speaker 3: And you also have to put the psychology of how

983
00:40:02,640 --> 00:40:06,520
Speaker 3: we all strive for attention now with social media into thievery,

984
00:40:06,760 --> 00:40:09,480
Speaker 3: because now it's a stack to rob somebody, Like they

985
00:40:09,480 --> 00:40:11,319
Speaker 3: could go back and say I robbed. You could rob

986
00:40:11,320 --> 00:40:12,919
Speaker 3: somebody as rich and nobody know them.

987
00:40:13,040 --> 00:40:13,800
Speaker 1: It's not a stat.

988
00:40:14,000 --> 00:40:16,360
Speaker 3: You got the money, but we've clearly seen that people

989
00:40:16,520 --> 00:40:19,279
Speaker 3: like attention more than money these days. Do you think

990
00:40:19,320 --> 00:40:21,440
Speaker 3: so now when it's a rapper somebody, oh y'all know him,

991
00:40:21,480 --> 00:40:24,600
Speaker 3: I robbed it, that it becomes even bigger.

992
00:40:25,200 --> 00:40:28,640
Speaker 4: It's like, hang with this rapper or robum? What can

993
00:40:28,680 --> 00:40:29,520
Speaker 4: I get more cloud off?

994
00:40:29,600 --> 00:40:31,799
Speaker 3: Exactly? Which is just the way weirdo shit. But you

995
00:40:31,840 --> 00:40:35,000
Speaker 3: got to really think that attention has gone into the thieves,

996
00:40:35,160 --> 00:40:37,799
Speaker 3: like I get more of a stat because we live

997
00:40:37,840 --> 00:40:41,080
Speaker 3: in this fucking generation of look at me, look what

998
00:40:41,120 --> 00:40:43,080
Speaker 3: I did. That shit even goes into crimes.

999
00:40:43,120 --> 00:40:46,160
Speaker 1: How do you feel about the because you know, I'm

1000
00:40:46,160 --> 00:40:48,279
Speaker 1: at the age now where and I hate it because

1001
00:40:48,280 --> 00:40:51,520
Speaker 1: that means I'm officially old. But the whole culture of

1002
00:40:51,600 --> 00:40:55,720
Speaker 1: like drill music, like growing up, you know, I remember

1003
00:40:55,800 --> 00:41:01,200
Speaker 1: when you know, Gangster Rat came on and snooping dre

1004
00:41:01,320 --> 00:41:02,520
Speaker 1: like I used to have to go. I had to

1005
00:41:02,560 --> 00:41:05,360
Speaker 1: sneak to listen to Doggy Style, like my moms wouldn't

1006
00:41:05,400 --> 00:41:08,359
Speaker 1: let me just openly listen to that. But like if

1007
00:41:08,360 --> 00:41:11,879
Speaker 1: you listen to Doggy Style now and then you listen

1008
00:41:11,920 --> 00:41:14,400
Speaker 1: to that content and you listen to the young rappers

1009
00:41:14,520 --> 00:41:19,640
Speaker 1: now and their content Doggie style wasn't that bad, Like

1010
00:41:19,680 --> 00:41:25,960
Speaker 1: it wasn't as violent. And again and being out here

1011
00:41:25,960 --> 00:41:29,359
Speaker 1: moving around, we do know how influence influential music and

1012
00:41:29,360 --> 00:41:31,919
Speaker 1: not and hip hop is to the world in our city,

1013
00:41:32,000 --> 00:41:35,640
Speaker 1: in our country. Do you feel like the drill music

1014
00:41:35,760 --> 00:41:38,400
Speaker 1: or just music in general, is playing a part in

1015
00:41:39,680 --> 00:41:42,719
Speaker 1: the violence that is going on? Like because now a

1016
00:41:42,760 --> 00:41:45,200
Speaker 1: lot of these young cats they really rapping about shit

1017
00:41:45,280 --> 00:41:47,640
Speaker 1: that they really actually doing. And like hip hop supposed

1018
00:41:47,719 --> 00:41:50,120
Speaker 1: to be to art of storytelling, you don't got to

1019
00:41:50,160 --> 00:41:54,279
Speaker 1: actually be doing that shit. Like a lot of these

1020
00:41:54,320 --> 00:41:57,439
Speaker 1: actors ain't actually killing people, right, you know what I'm saying,

1021
00:41:57,440 --> 00:42:01,000
Speaker 1: But were going spending money into the movie there is

1022
00:42:01,000 --> 00:42:03,360
Speaker 1: and we supporting these projects. But why is it in

1023
00:42:03,400 --> 00:42:07,280
Speaker 1: our culture you have to really be killing the motherfucker,

1024
00:42:07,360 --> 00:42:09,439
Speaker 1: You really have to be robbing a nigga, and then

1025
00:42:09,480 --> 00:42:11,720
Speaker 1: you're going on the music and saying it and saying

1026
00:42:11,800 --> 00:42:12,399
Speaker 1: and laying it.

1027
00:42:12,360 --> 00:42:14,839
Speaker 2: Out for the for the cops to come right to you.

1028
00:42:15,160 --> 00:42:16,200
Speaker 1: Right, do you think.

1029
00:42:16,040 --> 00:42:21,200
Speaker 2: That that's playing and programmed that way as far as

1030
00:42:21,239 --> 00:42:23,520
Speaker 2: like the streaming thing now, because now it's like violence

1031
00:42:23,560 --> 00:42:26,880
Speaker 2: is almost monetary they're monetizing off for the violence and

1032
00:42:27,320 --> 00:42:28,600
Speaker 2: the shit that's going on in the community.

1033
00:42:29,280 --> 00:42:30,879
Speaker 4: Man, I think, Man, I know a lot of people

1034
00:42:30,880 --> 00:42:33,080
Speaker 4: ain't gonna like my answer, but I think that shit

1035
00:42:33,160 --> 00:42:35,320
Speaker 4: do play a part of that. Like you know me,

1036
00:42:35,600 --> 00:42:37,560
Speaker 4: everybody know what kind of music I make. You don't

1037
00:42:37,560 --> 00:42:39,360
Speaker 4: think the motherfucker see me as shows him be like, Bro,

1038
00:42:39,960 --> 00:42:41,439
Speaker 4: you know what I just did. Listen to your music?

1039
00:42:41,440 --> 00:42:44,880
Speaker 2: I just sold it. I'm like, bro, don't tell me, right,

1040
00:42:44,960 --> 00:42:46,799
Speaker 2: tell me, bro, you know what I'm saying.

1041
00:42:46,800 --> 00:42:51,440
Speaker 4: So it's just fucked up that the Sureties want to

1042
00:42:51,480 --> 00:42:54,399
Speaker 4: prove themselves through the music, right, you feel what I'm saying.

1043
00:42:54,440 --> 00:42:56,000
Speaker 4: And you know what, man, A lot of people can

1044
00:42:56,080 --> 00:42:58,120
Speaker 4: say that about us for the ship that were talking.

1045
00:42:58,160 --> 00:43:00,160
Speaker 4: Men only talk about the selling it and selling that

1046
00:43:00,320 --> 00:43:03,960
Speaker 4: or But the difference to me is that, I mean,

1047
00:43:04,000 --> 00:43:06,759
Speaker 4: we wanted to be bosses. It was about money, you

1048
00:43:06,800 --> 00:43:10,160
Speaker 4: know what I mean? Money Selling drugs is not it's

1049
00:43:10,200 --> 00:43:13,279
Speaker 4: not it's not cool to get your asshole full of time.

1050
00:43:14,160 --> 00:43:16,400
Speaker 4: It had your mama missing you and your kids missing you.

1051
00:43:17,239 --> 00:43:20,280
Speaker 4: But you ain't killing nobody, man. You blowing nobody fucking

1052
00:43:20,320 --> 00:43:23,000
Speaker 4: head off over lyrics and just in the music and

1053
00:43:23,160 --> 00:43:26,120
Speaker 4: just to and just like you said, it's like like

1054
00:43:26,120 --> 00:43:30,640
Speaker 4: like and and and and and my era, you had

1055
00:43:30,640 --> 00:43:33,560
Speaker 4: to be nice. It's like these niggas don't got to

1056
00:43:33,600 --> 00:43:34,680
Speaker 4: be nice. It's like if you gotta be.

1057
00:43:34,640 --> 00:43:37,279
Speaker 2: A shoot if he okay, but he shot some the

1058
00:43:36,400 --> 00:43:37,839
Speaker 2: like the next one.

1059
00:43:38,520 --> 00:43:40,760
Speaker 4: You know what I'm saying. I think I think Shorty's

1060
00:43:40,800 --> 00:43:43,040
Speaker 4: got it fucked up with that one. I'm not saying that,

1061
00:43:43,080 --> 00:43:45,480
Speaker 4: You're not saying that. I'm not telling nobody to rap

1062
00:43:45,520 --> 00:43:49,040
Speaker 4: about what they don't I mean, rap fake shit. I'm

1063
00:43:49,080 --> 00:43:52,319
Speaker 4: just saying, like, be yourself. Don't ever feel like, don't

1064
00:43:52,360 --> 00:43:54,719
Speaker 4: ever feel like you can't be yourself to get some

1065
00:43:54,800 --> 00:43:57,680
Speaker 4: money or to get next to that pretty girl you like,

1066
00:43:58,120 --> 00:43:59,640
Speaker 4: or to get that car you want. You don't got

1067
00:43:59,640 --> 00:44:01,319
Speaker 4: to be a guy. You know you could. You could

1068
00:44:01,480 --> 00:44:02,000
Speaker 4: literally be.

1069
00:44:01,960 --> 00:44:03,480
Speaker 1: In your own skin. Man.

1070
00:44:03,640 --> 00:44:06,920
Speaker 2: Guys like Drake and Jack Harlow show us that every day.

1071
00:44:07,640 --> 00:44:10,960
Speaker 4: Uh, Toby, you know what I'm saying. Guys like that

1072
00:44:11,480 --> 00:44:15,719
Speaker 4: Tyler the Creator man, be yourself, cold man, you got

1073
00:44:15,840 --> 00:44:18,920
Speaker 4: it that Johnny Peace Caddy that video. I refuse to

1074
00:44:19,000 --> 00:44:20,960
Speaker 4: go to Sacks for that video because I knew brothers.

1075
00:44:20,960 --> 00:44:23,440
Speaker 4: I knew how brother's gonna He made me like, no,

1076
00:44:23,600 --> 00:44:25,400
Speaker 4: we're not doing that, because I know, brother, not doing that.

1077
00:44:25,800 --> 00:44:26,319
Speaker 1: You know what I'm saying.

1078
00:44:26,360 --> 00:44:28,200
Speaker 4: I did the video with money Man, I'm in sacks

1079
00:44:28,200 --> 00:44:32,720
Speaker 4: and Doha bondis shit, my boy, money Man, you're coming drippy.

1080
00:44:33,160 --> 00:44:36,919
Speaker 4: But it's like, be yourself. That's why around the time

1081
00:44:37,680 --> 00:44:39,560
Speaker 4: when you discovered me, I was rapping about. I was

1082
00:44:39,560 --> 00:44:41,560
Speaker 4: trapping about living in the projects, having to put the

1083
00:44:41,560 --> 00:44:44,000
Speaker 4: two by four on my door soon so I can

1084
00:44:44,040 --> 00:44:45,879
Speaker 4: go to sleep at night. You feel what I'm saying,

1085
00:44:45,920 --> 00:44:46,640
Speaker 4: may be yourself.

1086
00:44:47,400 --> 00:44:48,359
Speaker 1: Be yourself. You know what I'm saying.

1087
00:44:48,360 --> 00:44:49,840
Speaker 4: That's what people don't think that you gotta be a

1088
00:44:49,840 --> 00:44:51,879
Speaker 4: tough guy. You're like, you know, we really did that.

1089
00:44:52,360 --> 00:44:52,520
Speaker 3: Man.

1090
00:44:52,760 --> 00:44:53,319
Speaker 1: Man, that's man.

1091
00:44:53,320 --> 00:44:55,040
Speaker 4: I ain't gonna get you. I ain't gonna get you nothing.

1092
00:44:55,080 --> 00:44:57,640
Speaker 4: So I think the Shorty's kind of got that misconscrewed.

1093
00:44:57,680 --> 00:44:58,319
Speaker 1: Then, you know what I mean.

1094
00:44:58,719 --> 00:45:01,439
Speaker 4: I love the drill movement because anything that's putting food

1095
00:45:01,440 --> 00:45:03,759
Speaker 4: on the tables, providing a way for them exactly. So

1096
00:45:03,800 --> 00:45:06,160
Speaker 4: it's a it's a it's a touchy subject, but it's like, man,

1097
00:45:06,800 --> 00:45:08,400
Speaker 4: you know what I mean, don't take it so literal.

1098
00:45:08,480 --> 00:45:10,360
Speaker 4: You know what I mean, don't don't use the music

1099
00:45:10,480 --> 00:45:12,839
Speaker 4: as a form of violence. You know what I'm saying.

1100
00:45:12,840 --> 00:45:15,280
Speaker 4: They're using the music as a form of violence. Sometimes

1101
00:45:15,320 --> 00:45:17,960
Speaker 4: not all of them, you know, And I know when

1102
00:45:18,000 --> 00:45:18,360
Speaker 4: to say that.

1103
00:45:18,440 --> 00:45:18,920
Speaker 1: I know that.

1104
00:45:19,000 --> 00:45:21,040
Speaker 4: I know these A lot of these young kids. Is

1105
00:45:21,040 --> 00:45:23,320
Speaker 4: they they born into it. They don't have a choice,

1106
00:45:23,320 --> 00:45:25,319
Speaker 4: like I didn't have a choice. So that's what I'm

1107
00:45:25,320 --> 00:45:26,400
Speaker 4: trying to tell you. Be yourself.

1108
00:45:26,920 --> 00:45:29,200
Speaker 3: Have you the middle of all that, you maybe wanted

1109
00:45:29,239 --> 00:45:31,120
Speaker 3: to change some of your content the older you've gotten

1110
00:45:31,200 --> 00:45:34,960
Speaker 3: in the different life experiences, because obviously in the earlier tapes,

1111
00:45:35,840 --> 00:45:39,719
Speaker 3: still in Buffalo, still involved in whatever it was. Now

1112
00:45:40,480 --> 00:45:41,800
Speaker 3: things have changed.

1113
00:45:41,840 --> 00:45:44,400
Speaker 1: Right, I think if people listen to my music.

1114
00:45:44,320 --> 00:45:46,959
Speaker 4: My content has changed. I think so too, my content

1115
00:45:47,000 --> 00:45:49,400
Speaker 4: has changed. I'm be honest with you. After after that

1116
00:45:49,400 --> 00:45:51,600
Speaker 4: shit in Houston, I don't be rapping about all that ship.

1117
00:45:52,320 --> 00:45:54,480
Speaker 4: I mean like guns and ship like that, shoot and

1118
00:45:54,480 --> 00:45:58,040
Speaker 4: the ship like that. I done been in shootouts before

1119
00:45:58,080 --> 00:46:00,200
Speaker 4: that Houston ship. Niggas have been in shit it I

1120
00:46:00,239 --> 00:46:02,359
Speaker 4: was and dead everything. So even if I do talk

1121
00:46:02,360 --> 00:46:04,799
Speaker 4: about it, I'm I'm going back. But I'm not just

1122
00:46:05,160 --> 00:46:07,439
Speaker 4: drawing out of it nowhere just to make a point. Yeah,

1123
00:46:07,480 --> 00:46:08,560
Speaker 4: you know what I'm saying. I don't got to talk

1124
00:46:08,560 --> 00:46:09,760
Speaker 4: about frivolous.

1125
00:46:09,280 --> 00:46:10,040
Speaker 1: Gun pay shit.

1126
00:46:10,120 --> 00:46:12,680
Speaker 4: You moved different somebody earlier, Like if you've been through

1127
00:46:12,719 --> 00:46:14,120
Speaker 4: some shit, you move different.

1128
00:46:14,120 --> 00:46:14,960
Speaker 2: I'm moving different.

1129
00:46:14,960 --> 00:46:15,279
Speaker 1: I don't.

1130
00:46:16,040 --> 00:46:19,560
Speaker 4: I don't want to talk about people say. People say

1131
00:46:19,600 --> 00:46:25,120
Speaker 4: all I do is coke wrap fuck them. But sometimes

1132
00:46:25,280 --> 00:46:27,359
Speaker 4: I want to show like I could do other things right.

1133
00:46:27,640 --> 00:46:29,960
Speaker 3: Well, how has your perspective changed outside of the Houston

1134
00:46:30,000 --> 00:46:31,879
Speaker 3: thing and even safety as far as how you move,

1135
00:46:31,920 --> 00:46:35,400
Speaker 3: How is your perspective just changed from the success and

1136
00:46:35,560 --> 00:46:38,920
Speaker 3: just being a full time rapper and just having an

1137
00:46:39,080 --> 00:46:40,719
Speaker 3: entire defently lifestyle that you have.

1138
00:46:41,239 --> 00:46:44,360
Speaker 4: It's that, man, you know, it's a lot on my shoulders.

1139
00:46:44,719 --> 00:46:47,400
Speaker 4: It's a lot that I could. I can handle anything.

1140
00:46:48,120 --> 00:46:50,600
Speaker 4: Maybe my mama can't handle it them, maybe my kids

1141
00:46:50,600 --> 00:46:51,200
Speaker 4: can't handle it.

1142
00:46:51,680 --> 00:46:52,160
Speaker 2: So you don't.

1143
00:46:52,200 --> 00:46:53,440
Speaker 4: I don't want to be like, yo, I'm an I

1144
00:46:53,480 --> 00:46:55,719
Speaker 4: could do this and then putting them through something like damn,

1145
00:46:55,719 --> 00:46:56,600
Speaker 4: we can't go through that.

1146
00:46:56,640 --> 00:46:57,480
Speaker 1: We need you.

1147
00:46:57,880 --> 00:47:00,000
Speaker 2: So you gotta grow the fuck up.

1148
00:47:00,719 --> 00:47:02,960
Speaker 4: Honestly, man, you just got to grow the fuck up

1149
00:47:03,000 --> 00:47:06,120
Speaker 4: and realize that even though I'm the guy with the spot,

1150
00:47:06,160 --> 00:47:09,279
Speaker 4: I'm the guy with the with with the microphone. But

1151
00:47:09,520 --> 00:47:12,040
Speaker 4: I represent a lot of people. What I'm saying, Benny

1152
00:47:12,080 --> 00:47:16,600
Speaker 4: the Butcher is is uh, you know a lot of

1153
00:47:16,640 --> 00:47:18,719
Speaker 4: people stand behind me. I'm not here by myself, you

1154
00:47:18,719 --> 00:47:20,080
Speaker 4: know what I mean? It was a lot for a

1155
00:47:20,120 --> 00:47:21,880
Speaker 4: lot of people, I wouldn't be here. It's to be

1156
00:47:21,960 --> 00:47:25,800
Speaker 4: mindful of that. Stop making these selfish decisions of apron

1157
00:47:26,000 --> 00:47:29,200
Speaker 4: if it's the hanging out or if it's the just

1158
00:47:29,239 --> 00:47:31,440
Speaker 4: doing shit that I shouldn't be doing just thinking I

1159
00:47:31,440 --> 00:47:35,959
Speaker 4: mean selfishly. Well, I'd be remiss if I didn't ask

1160
00:47:36,000 --> 00:47:39,600
Speaker 4: and talk about the whole situation with Freddick, only because

1161
00:47:40,960 --> 00:47:43,319
Speaker 4: I fuck with both of y'all personally, I fuck with

1162
00:47:43,320 --> 00:47:47,680
Speaker 4: both of y'all's artists, and just being honest, I don't

1163
00:47:47,719 --> 00:47:49,160
Speaker 4: know what the fuck how it even started.

1164
00:47:49,200 --> 00:47:50,440
Speaker 3: I'm legitimately confused.

1165
00:47:54,000 --> 00:47:56,840
Speaker 1: Man, Niggas gotta ask him that man, like, oh, I

1166
00:47:57,080 --> 00:47:59,520
Speaker 1: plan on it. I plan on it, but as a

1167
00:47:59,640 --> 00:48:01,680
Speaker 1: as a somebody that just knows both of y'all and

1168
00:48:01,760 --> 00:48:04,120
Speaker 1: know that at one point it was really love.

1169
00:48:04,239 --> 00:48:05,800
Speaker 4: I think that nigga just try to I think that

1170
00:48:05,880 --> 00:48:12,040
Speaker 4: nigga just try to, uh try to like, you know,

1171
00:48:12,200 --> 00:48:15,480
Speaker 4: use my energy in some type of way. If I

1172
00:48:15,520 --> 00:48:17,360
Speaker 4: feel like if he couldn't use it by doing songs

1173
00:48:17,400 --> 00:48:21,160
Speaker 4: with me, he was looking for a situation. I mean, everybody,

1174
00:48:21,160 --> 00:48:23,360
Speaker 4: we people know how he go. He was looking for

1175
00:48:23,440 --> 00:48:25,719
Speaker 4: a situation, you know what I mean. And this ain't

1176
00:48:25,719 --> 00:48:26,240
Speaker 4: what he wanted.

1177
00:48:26,880 --> 00:48:28,440
Speaker 1: That's just simple. The thing. You know what I'm saying, I.

1178
00:48:28,440 --> 00:48:30,359
Speaker 4: Don't I don't hate. I don't hate that man. I'm

1179
00:48:30,400 --> 00:48:32,560
Speaker 4: a stream I'm a gangster for real, he and not

1180
00:48:32,680 --> 00:48:35,040
Speaker 4: on what I'm on. So I don't hate him this music,

1181
00:48:35,120 --> 00:48:38,600
Speaker 4: you know what I'm saying. For a person who I

1182
00:48:38,640 --> 00:48:41,799
Speaker 4: sat on a video with and done songs with and

1183
00:48:41,840 --> 00:48:43,440
Speaker 4: then be going on Twitter like that ain't me.

1184
00:48:43,960 --> 00:48:44,520
Speaker 1: That's his shit.

1185
00:48:44,560 --> 00:48:45,759
Speaker 2: I did that ship just to show him like, you

1186
00:48:45,800 --> 00:48:46,719
Speaker 2: can't even beat me at this.

1187
00:48:46,920 --> 00:48:49,720
Speaker 3: Do you feel like your quote was it an interview

1188
00:48:49,760 --> 00:48:52,600
Speaker 3: or someone you were saying that you didn't want to do.

1189
00:48:52,680 --> 00:48:54,600
Speaker 3: I don't want to misquote you whatever, whatever the Freddy

1190
00:48:54,600 --> 00:48:56,640
Speaker 3: gives quote. That's what I saw. As far as the

1191
00:48:56,640 --> 00:48:58,600
Speaker 3: timeline goes, it's when I started the old thing that

1192
00:48:58,640 --> 00:48:59,640
Speaker 3: you said you didn't want to look.

1193
00:48:59,680 --> 00:49:01,040
Speaker 4: Look and I don't even like to talk about this,

1194
00:49:01,160 --> 00:49:03,000
Speaker 4: but like I said, I wanted to be talking about

1195
00:49:03,000 --> 00:49:05,640
Speaker 4: this if I wasn't with y'all. That's what I was

1196
00:49:05,640 --> 00:49:10,040
Speaker 4: telling somebody else, you know. You know, people do interviews

1197
00:49:10,040 --> 00:49:12,359
Speaker 4: with him and call me like, yo, just let you know.

1198
00:49:12,320 --> 00:49:12,600
Speaker 1: I did that.

1199
00:49:12,640 --> 00:49:13,640
Speaker 2: I'm like, oh, hey did this ship?

1200
00:49:13,840 --> 00:49:14,200
Speaker 1: Yeah?

1201
00:49:15,160 --> 00:49:20,960
Speaker 4: But when I when I I'm not trying to be

1202
00:49:20,960 --> 00:49:23,080
Speaker 4: a tough guy or knowing nothing like that. But in

1203
00:49:23,120 --> 00:49:26,560
Speaker 4: this situation, whenever I reacted, it's been heavier. So people

1204
00:49:26,680 --> 00:49:29,319
Speaker 4: like damn. But like you said, you ain't see nothing

1205
00:49:29,360 --> 00:49:32,480
Speaker 4: until that. Hebro he already he was already a year

1206
00:49:32,520 --> 00:49:34,560
Speaker 4: talking about niggas go to Houston get shot. That was

1207
00:49:34,600 --> 00:49:37,400
Speaker 4: a year since then. It make the news when I

1208
00:49:37,400 --> 00:49:41,440
Speaker 4: speak on it. You know what I'm saying, Yeah, whatever

1209
00:49:41,480 --> 00:49:43,680
Speaker 4: he did, whatever you see me, you see me go

1210
00:49:43,760 --> 00:49:47,000
Speaker 4: crazy that day, you know what I mean, it's because

1211
00:49:47,040 --> 00:49:50,240
Speaker 4: he did, so nobody know when.

1212
00:49:50,080 --> 00:49:52,920
Speaker 2: I go damn, you know what I mean. So that's

1213
00:49:52,960 --> 00:49:53,439
Speaker 2: what I'm saying.

1214
00:49:53,480 --> 00:49:56,279
Speaker 4: So I got to realize is that people look at

1215
00:49:56,280 --> 00:49:57,920
Speaker 4: me as in a different light, how they look at

1216
00:49:57,920 --> 00:49:58,239
Speaker 4: this guy.

1217
00:49:58,400 --> 00:50:01,120
Speaker 2: To be honest with you, They're like, man, that's just him.

1218
00:50:01,320 --> 00:50:04,799
Speaker 2: That's just him. People look at me like you got

1219
00:50:04,840 --> 00:50:06,960
Speaker 2: more sense, or like, bro, what you doing?

1220
00:50:06,960 --> 00:50:07,440
Speaker 1: You know what I'm saying?

1221
00:50:07,480 --> 00:50:09,520
Speaker 4: I'm like, well, shit, we don't expect that from you.

1222
00:50:11,200 --> 00:50:13,439
Speaker 4: The responsibility shit were talking about. You know what I'm saying.

1223
00:50:13,440 --> 00:50:16,680
Speaker 2: It's like but basically that's what it is. I don't

1224
00:50:16,680 --> 00:50:18,960
Speaker 2: know what it's over. I mean, yeah, because I'm on

1225
00:50:19,000 --> 00:50:20,120
Speaker 2: Twitter one day I see that shit.

1226
00:50:20,160 --> 00:50:22,400
Speaker 4: I'm like, what last time I seen that nigga I

1227
00:50:22,400 --> 00:50:24,520
Speaker 4: went to I was at his Grammy shit, and I'm

1228
00:50:24,520 --> 00:50:26,239
Speaker 4: a street nigga. I don't be I don't fuck with

1229
00:50:26,320 --> 00:50:29,759
Speaker 4: niggas or standing around these niggas to get songs with him.

1230
00:50:29,880 --> 00:50:31,799
Speaker 2: If we don't fuck around, we don't fuck around. You

1231
00:50:31,800 --> 00:50:33,440
Speaker 2: know what I'm saying. That nigga was acting like me,

1232
00:50:33,520 --> 00:50:35,719
Speaker 2: like like like he fucked with me. Like, Yo, what

1233
00:50:35,719 --> 00:50:36,319
Speaker 2: I thow there?

1234
00:50:36,360 --> 00:50:38,040
Speaker 1: That niggas see me? Nigga? That nigga see me?

1235
00:50:38,160 --> 00:50:40,799
Speaker 4: When I seen that nigga at that Grammy shit, the

1236
00:50:40,800 --> 00:50:42,720
Speaker 4: first thing he said to me, I was on the crutches.

1237
00:50:42,719 --> 00:50:43,960
Speaker 4: The first thing that nigga fred he said to me,

1238
00:50:43,960 --> 00:50:46,480
Speaker 4: walk them sit. Nigga, who we gotta kill? I said, everybody,

1239
00:50:47,160 --> 00:50:48,200
Speaker 4: you started talking about rap?

1240
00:50:49,440 --> 00:50:53,160
Speaker 1: You know what I'm saying. Okay, So it's like, I mean,

1241
00:50:53,800 --> 00:50:55,480
Speaker 1: you know what I mean? He all good man, But

1242
00:50:55,880 --> 00:50:57,200
Speaker 1: I mean, it's mother.

1243
00:50:57,280 --> 00:50:59,759
Speaker 3: I believe that people could just coexist, Like it doesn't

1244
00:50:59,800 --> 00:51:01,480
Speaker 3: have to be fucking cool by y'all and y'all have

1245
00:51:01,520 --> 00:51:04,160
Speaker 3: to be friends or anything. But what what does it take?

1246
00:51:05,600 --> 00:51:07,279
Speaker 1: We were just talking about I don't want to see

1247
00:51:07,320 --> 00:51:07,920
Speaker 1: y'all should go to.

1248
00:51:07,960 --> 00:51:11,480
Speaker 3: Exact about the Georgia At what point? But come up

1249
00:51:11,480 --> 00:51:13,640
Speaker 3: with a way to just stop y'all don't have to

1250
00:51:13,680 --> 00:51:15,680
Speaker 3: be cool. But what would it take for y'all to just.

1251
00:51:15,840 --> 00:51:18,200
Speaker 2: You gotta keep my name out of his mom? That's simple.

1252
00:51:18,360 --> 00:51:20,680
Speaker 4: You don't talk about nobody getting shot, especially some ship

1253
00:51:20,680 --> 00:51:22,320
Speaker 4: that's bottom with it. Like I said, I hate to

1254
00:51:22,360 --> 00:51:24,240
Speaker 4: talk about this ship. This want to be going viral,

1255
00:51:24,600 --> 00:51:27,040
Speaker 4: But you don't talk about that, especially if it wasn't

1256
00:51:27,040 --> 00:51:30,400
Speaker 4: in that room. Every street nigga know that, man, And

1257
00:51:30,440 --> 00:51:31,920
Speaker 4: if you're talking about it, we canna carry you like

1258
00:51:31,960 --> 00:51:34,480
Speaker 4: you was like you did it, then everybody know that.

1259
00:51:34,520 --> 00:51:36,200
Speaker 3: Would you be open to a conversation with him this?

1260
00:51:36,239 --> 00:51:37,840
Speaker 2: It's nothing to talk about. He could co exist. I

1261
00:51:37,840 --> 00:51:38,480
Speaker 2: don't want to talk.

1262
00:51:39,320 --> 00:51:41,359
Speaker 4: I'm not talking to nobody who to nobody, I'm going

1263
00:51:41,400 --> 00:51:43,200
Speaker 4: to be a rapper to nobody who talk about me

1264
00:51:43,239 --> 00:51:43,759
Speaker 4: getting shot?

1265
00:51:43,960 --> 00:51:45,640
Speaker 2: And then I almost lost my life.

1266
00:51:45,719 --> 00:51:46,839
Speaker 3: Yeah, understandable.

1267
00:51:47,080 --> 00:51:49,839
Speaker 2: Ain't totally nobody you could coexist. It's all good. Yeah,

1268
00:51:50,000 --> 00:51:52,080
Speaker 2: that's what I wanted. That's what I wanted to. Like, Bro,

1269
00:51:52,160 --> 00:51:54,719
Speaker 2: you what you're doing, bron we're talking about that a

1270
00:51:54,840 --> 00:51:58,120
Speaker 2: word as a nigga who acts like you fuck with me?

1271
00:51:58,239 --> 00:52:01,000
Speaker 2: Come on, as a nigga who said, who we gotta Yeah, Man,

1272
00:52:01,000 --> 00:52:02,120
Speaker 2: that ain't that. Ain't that ain't gangster?

1273
00:52:02,200 --> 00:52:02,520
Speaker 1: That ain't that.

1274
00:52:02,520 --> 00:52:05,239
Speaker 4: Ain't want hundred you know what I'm saying. So, but

1275
00:52:05,320 --> 00:52:08,080
Speaker 4: I don't want to. I want I want people to know.

1276
00:52:08,120 --> 00:52:10,600
Speaker 4: I want the world to know that that's how these rappers are.

1277
00:52:10,719 --> 00:52:13,239
Speaker 1: So I'm not even blaming him. It's for me.

1278
00:52:13,320 --> 00:52:15,439
Speaker 4: I got to learn how to navigate just how after

1279
00:52:15,480 --> 00:52:17,680
Speaker 4: this ship happened in Houston or after if I don't

1280
00:52:17,719 --> 00:52:19,560
Speaker 4: work with a mad labels.

1281
00:52:19,239 --> 00:52:22,560
Speaker 1: Of Flying Street, street ethics and coach to the rap

1282
00:52:22,960 --> 00:52:25,520
Speaker 1: music Shi what I was about to ask candulity for

1283
00:52:25,520 --> 00:52:27,200
Speaker 1: putting you thought.

1284
00:52:27,239 --> 00:52:29,000
Speaker 3: Y'all was not just rapper friends. Not.

1285
00:52:29,880 --> 00:52:31,840
Speaker 1: No. I knew we were only rapper friends.

1286
00:52:32,560 --> 00:52:33,720
Speaker 3: I expectation.

1287
00:52:33,800 --> 00:52:36,160
Speaker 2: I guess he ain't be my other friend but me

1288
00:52:36,200 --> 00:52:36,880
Speaker 2: and my other friends.

1289
00:52:37,400 --> 00:52:39,719
Speaker 1: You know what I'm saying. So, But it was like.

1290
00:52:41,880 --> 00:52:44,560
Speaker 4: I didn't I seen it on TV and heard about

1291
00:52:44,600 --> 00:52:45,879
Speaker 4: it in the game, but I ain't know, like these

1292
00:52:45,960 --> 00:52:48,360
Speaker 4: niggas will be together and then just we're nigga, just

1293
00:52:48,360 --> 00:52:50,000
Speaker 4: make up some ship out of nowhere, like make a

1294
00:52:50,040 --> 00:52:52,440
Speaker 4: problem with you. So I'm like, oh, those sort of

1295
00:52:52,440 --> 00:52:53,240
Speaker 4: shit really happened.

1296
00:52:53,239 --> 00:52:54,040
Speaker 1: So you know what I'm saying.

1297
00:52:54,080 --> 00:52:56,680
Speaker 4: We look goofy as fuck. We on the songs together

1298
00:52:56,719 --> 00:52:58,359
Speaker 4: and went on tour together. Then this I'm not that

1299
00:52:58,400 --> 00:52:58,959
Speaker 4: type of nigga.

1300
00:52:59,000 --> 00:53:01,960
Speaker 2: I'm solid. Anybody can vouch with me. I'm not right.

1301
00:53:02,440 --> 00:53:04,279
Speaker 2: So whatever he got going on, I know he gonna say,

1302
00:53:04,280 --> 00:53:04,799
Speaker 2: well he did it.

1303
00:53:05,239 --> 00:53:05,960
Speaker 1: Asked that nigga.

1304
00:53:06,200 --> 00:53:09,040
Speaker 4: What Bennie the Butcher did him to have him be

1305
00:53:09,080 --> 00:53:10,759
Speaker 4: talking about some ship on Twitter? You're trying to sell

1306
00:53:10,760 --> 00:53:11,480
Speaker 4: some records.

1307
00:53:12,520 --> 00:53:13,560
Speaker 1: That's disappointing. I see.

1308
00:53:13,600 --> 00:53:16,359
Speaker 2: I only asked you honestly, bro, because I really did

1309
00:53:16,400 --> 00:53:17,560
Speaker 2: not know how what happened.

1310
00:53:17,680 --> 00:53:18,759
Speaker 1: Nobody knows why.

1311
00:53:18,880 --> 00:53:20,719
Speaker 3: Nobody knows because was like, Yo, can you tell me

1312
00:53:20,760 --> 00:53:21,880
Speaker 3: what's going on with is this confused?

1313
00:53:21,880 --> 00:53:22,400
Speaker 2: The ship out of me?

1314
00:53:22,400 --> 00:53:24,640
Speaker 1: I was talking to somebody.

1315
00:53:24,920 --> 00:53:26,560
Speaker 4: I was talking to somebody, like I said, I'm only

1316
00:53:26,560 --> 00:53:29,120
Speaker 4: talking about this because I'm saying I'm kicking it with y'all.

1317
00:53:29,160 --> 00:53:31,600
Speaker 4: But I was talking to somebody and it was like, yeah, man,

1318
00:53:31,600 --> 00:53:34,120
Speaker 4: I just feel like you and you had. I'm like, man,

1319
00:53:34,200 --> 00:53:36,719
Speaker 4: cause y'all don't know because it's only a thing. When

1320
00:53:36,760 --> 00:53:39,200
Speaker 4: I say it's not a thing, he going back, he

1321
00:53:39,400 --> 00:53:41,440
Speaker 4: was tight. He tweeted that ship on Twitter like a

1322
00:53:41,520 --> 00:53:44,160
Speaker 4: year and a half ago. Nobody knew because I didn't reply,

1323
00:53:45,440 --> 00:53:47,560
Speaker 4: you know what I'm saying. So as soon as I

1324
00:53:47,640 --> 00:53:49,160
Speaker 4: spoke about it, now it's a thing. And I was

1325
00:53:49,160 --> 00:53:49,840
Speaker 4: on every blog.

1326
00:53:50,160 --> 00:53:53,200
Speaker 1: Yeah, yeah, whatever he woke up.

1327
00:53:53,200 --> 00:53:54,719
Speaker 4: When you see that ship that I did, when you

1328
00:53:54,800 --> 00:53:56,880
Speaker 4: see me on World stop whatever, when it went whatever

1329
00:53:56,920 --> 00:53:57,920
Speaker 4: he woke up and did that day.

1330
00:53:57,960 --> 00:54:00,960
Speaker 1: Nobody don't know that. I know. You know what I'm saying.

1331
00:54:01,000 --> 00:54:03,080
Speaker 2: So I did what I did. They're like, damn been

1332
00:54:03,120 --> 00:54:04,000
Speaker 2: and you.

1333
00:54:03,600 --> 00:54:04,040
Speaker 1: You know what I mean.

1334
00:54:04,040 --> 00:54:06,200
Speaker 4: It's like it always come back to me. You feel

1335
00:54:06,200 --> 00:54:08,000
Speaker 4: what I'm saying. So I got a chill.

1336
00:54:08,480 --> 00:54:09,239
Speaker 1: When he did.

1337
00:54:09,320 --> 00:54:10,880
Speaker 3: When he did tweet it, though, did you feel like

1338
00:54:11,960 --> 00:54:13,680
Speaker 3: you wanted to reach out to him and just let

1339
00:54:13,719 --> 00:54:15,480
Speaker 3: me take note and move.

1340
00:54:17,320 --> 00:54:17,839
Speaker 1: How I move.

1341
00:54:18,120 --> 00:54:19,440
Speaker 4: I wanted to reach out to him. I wanted to

1342
00:54:19,480 --> 00:54:20,880
Speaker 4: see where it was head was at like that was

1343
00:54:20,880 --> 00:54:23,760
Speaker 4: a year and a half ago. Yeah, before it got public.

1344
00:54:23,800 --> 00:54:25,400
Speaker 4: I wanted to reach out to him just to check.

1345
00:54:25,280 --> 00:54:27,520
Speaker 3: Like, yo, you tempert your check, Like why you say

1346
00:54:27,520 --> 00:54:27,759
Speaker 3: that ship?

1347
00:54:27,840 --> 00:54:32,280
Speaker 4: That was about what I mean? Yeah, I wanted to see. Yeah,

1348
00:54:32,600 --> 00:54:34,560
Speaker 4: nigga got to think it back, like what did I say?

1349
00:54:34,840 --> 00:54:35,200
Speaker 1: What I mean?

1350
00:54:35,600 --> 00:54:39,560
Speaker 4: But you also know, man, sometimes these rap niggas be

1351
00:54:40,880 --> 00:54:42,719
Speaker 4: like you seen that Michael Jordan shit, and I took

1352
00:54:42,760 --> 00:54:43,440
Speaker 4: that personally.

1353
00:54:43,520 --> 00:54:45,280
Speaker 3: Yeah, everything personal.

1354
00:54:45,440 --> 00:54:48,319
Speaker 4: They take everything personally, so nigga might but the geared

1355
00:54:48,440 --> 00:54:50,640
Speaker 4: up in his head Mike thought that. I said, I

1356
00:54:50,640 --> 00:54:52,279
Speaker 4: don't know, and I really don't care, you know what

1357
00:54:52,320 --> 00:54:54,640
Speaker 4: I'm saying. But I just want people to know that

1358
00:54:54,680 --> 00:54:56,719
Speaker 4: because I'll be getting I'll be getting flagged back like

1359
00:54:56,760 --> 00:54:57,400
Speaker 4: I started, like.

1360
00:54:57,400 --> 00:54:58,279
Speaker 1: I'm bothering this man.

1361
00:54:58,600 --> 00:55:00,799
Speaker 4: I got way more ship to do what I'm saying.

1362
00:55:00,800 --> 00:55:02,560
Speaker 4: But I knew soon as they let Buffalo niggas in

1363
00:55:02,560 --> 00:55:04,200
Speaker 4: the game, I knew he was gonna beat up a rapper.

1364
00:55:04,480 --> 00:55:05,879
Speaker 2: You know what I'm saying. I knew that was gonna happen.

1365
00:55:05,920 --> 00:55:08,080
Speaker 4: Not to be on no tough guys, but I just

1366
00:55:08,160 --> 00:55:11,160
Speaker 4: know a nigga was gonna underestimate niggas was playing or

1367
00:55:11,200 --> 00:55:13,880
Speaker 4: thinking she was going she was gonna go let for that, nigga.

1368
00:55:13,920 --> 00:55:15,440
Speaker 1: You know what I'm saying, That's just what I do.

1369
00:55:15,520 --> 00:55:18,400
Speaker 1: I definitely don't want to see it go any further because,

1370
00:55:18,440 --> 00:55:20,480
Speaker 1: like I said, I fuck with both of y'all, and

1371
00:55:20,560 --> 00:55:22,680
Speaker 1: I think that you know, at one point it was

1372
00:55:22,800 --> 00:55:26,160
Speaker 1: some chemistry, good chemistry there and and we just don't

1373
00:55:26,200 --> 00:55:27,440
Speaker 1: need that ship. We had enough of that.

1374
00:55:27,560 --> 00:55:29,760
Speaker 4: We don't We don't need it. I'm not a goofy,

1375
00:55:30,120 --> 00:55:31,920
Speaker 4: you know what I'm saying. This shit got niggas. I'm

1376
00:55:31,960 --> 00:55:33,880
Speaker 4: not a goofy, you know what I mean? And anybody

1377
00:55:33,960 --> 00:55:37,480
Speaker 4: could vouch for that. So just like and that's another thing,

1378
00:55:37,560 --> 00:55:39,560
Speaker 4: like you got me looking like a goofy.

1379
00:55:39,719 --> 00:55:40,600
Speaker 1: I don't like that.

1380
00:55:40,719 --> 00:55:43,360
Speaker 2: Yeah, they got people got my niggas asking me this

1381
00:55:43,400 --> 00:55:46,960
Speaker 2: shit in an interview. I ain't do nothing, bro, what

1382
00:55:47,000 --> 00:55:48,720
Speaker 2: I'm saying I feel you.

1383
00:55:48,800 --> 00:55:50,200
Speaker 3: Of course they're just gonna put it on you because

1384
00:55:50,440 --> 00:55:54,200
Speaker 3: the city it happened and all the legiship that that

1385
00:55:54,239 --> 00:55:56,839
Speaker 3: we don't really need to get into detail for. I

1386
00:55:56,880 --> 00:55:59,239
Speaker 3: do hope with this album rollout that that does not

1387
00:55:59,320 --> 00:56:02,080
Speaker 3: become a thing, because again, y'all don't need to be

1388
00:56:02,080 --> 00:56:04,560
Speaker 3: best friends, I just want that ship to stop.

1389
00:56:04,480 --> 00:56:08,520
Speaker 2: Like, man, he just gotta he just gotta stop, just stop.

1390
00:56:08,600 --> 00:56:12,319
Speaker 4: And I don't because, like like you said, like he's

1391
00:56:12,320 --> 00:56:13,359
Speaker 4: he did with he there for a year.

1392
00:56:13,400 --> 00:56:14,399
Speaker 2: I kept quiet for a year.

1393
00:56:15,000 --> 00:56:16,759
Speaker 4: But then you know, his album coming and rolling out,

1394
00:56:16,760 --> 00:56:18,120
Speaker 4: so he's saying more and more just so it was

1395
00:56:18,120 --> 00:56:19,960
Speaker 4: like a you know what I mean, It is what

1396
00:56:20,000 --> 00:56:20,759
Speaker 4: it is, though, I.

1397
00:56:20,680 --> 00:56:22,000
Speaker 3: Mean at one point we don't have to make it

1398
00:56:22,040 --> 00:56:26,080
Speaker 3: a freddy thing. At what point do you just ignore ship,

1399
00:56:26,880 --> 00:56:29,080
Speaker 3: especially like with popularity, Let's let's not even put it

1400
00:56:29,120 --> 00:56:32,160
Speaker 3: with rappers, like even fans or any type of criticism

1401
00:56:32,320 --> 00:56:34,640
Speaker 3: or anything to be said about you, Like have you

1402
00:56:34,680 --> 00:56:39,200
Speaker 3: gotten better ignoring ship? Like it's not even worth the

1403
00:56:39,320 --> 00:56:39,839
Speaker 3: energy to.

1404
00:56:40,400 --> 00:56:45,080
Speaker 4: Get I'm getting better. I'm getting better, Like for every

1405
00:56:45,120 --> 00:56:50,240
Speaker 4: negative thing in my life, Like if somebody say something

1406
00:56:50,280 --> 00:56:53,239
Speaker 4: negative to me, I try to like to respond to

1407
00:56:53,239 --> 00:56:55,880
Speaker 4: somebody who says something positive. For every time somebody do

1408
00:56:55,960 --> 00:56:59,000
Speaker 4: something negative to me, every time somebody like pissed me off,

1409
00:56:59,640 --> 00:57:01,720
Speaker 4: I try to like call somebody else and like uplift

1410
00:57:01,719 --> 00:57:03,760
Speaker 4: they they like yo, man, like man, you're going crazy.

1411
00:57:03,760 --> 00:57:05,560
Speaker 4: It's I try to do the opposite. I try to

1412
00:57:05,640 --> 00:57:07,879
Speaker 4: like you know what I'm saying. I'm working on myself. Man,

1413
00:57:09,400 --> 00:57:11,920
Speaker 4: I promise I'm working on myself. But that's supportant as

1414
00:57:11,960 --> 00:57:12,719
Speaker 4: long as you're doing that.

1415
00:57:15,040 --> 00:57:17,560
Speaker 3: As far as the Benny therapy bag if we want to,

1416
00:57:17,960 --> 00:57:19,640
Speaker 3: so we can do a Beny therapy bag. He wants

1417
00:57:19,680 --> 00:57:20,959
Speaker 3: to be working on the selfish.

1418
00:57:21,560 --> 00:57:24,320
Speaker 1: And I'm working on myself. How is how is life

1419
00:57:24,360 --> 00:57:26,600
Speaker 1: on a on a personal level for you right now?

1420
00:57:26,640 --> 00:57:26,720
Speaker 3: Like?

1421
00:57:26,760 --> 00:57:29,919
Speaker 1: Are you happy? Yeah? Man, yeah, I'm happy. I don't

1422
00:57:29,920 --> 00:57:33,760
Speaker 1: know if I like that tone, Bunny, I don't know, Man,

1423
00:57:34,080 --> 00:57:35,760
Speaker 1: it ain't sound unlievable.

1424
00:57:35,960 --> 00:57:38,000
Speaker 2: I'm happy, but I'm not content, okay.

1425
00:57:38,080 --> 00:57:40,520
Speaker 4: And it's just and I got a lot of people

1426
00:57:40,760 --> 00:57:42,919
Speaker 4: around me who think this is the end game.

1427
00:57:43,440 --> 00:57:45,680
Speaker 1: I'm happy. So it's like, man, I'm just looking looking

1428
00:57:45,800 --> 00:57:46,480
Speaker 1: way down the road.

1429
00:57:46,760 --> 00:57:48,480
Speaker 3: But you think you'll only be happy if you're content.

1430
00:57:49,800 --> 00:57:51,920
Speaker 4: Yes, I feel like that's I feel like that's the

1431
00:57:51,960 --> 00:57:54,360
Speaker 4: thing for men, A lot of men. We can't be

1432
00:57:54,440 --> 00:57:57,600
Speaker 4: happy or be blessing in no one's else life until

1433
00:57:57,600 --> 00:57:58,080
Speaker 4: we're content.

1434
00:57:58,120 --> 00:57:59,000
Speaker 1: But guess what I do.

1435
00:57:59,200 --> 00:58:00,920
Speaker 4: Might not need a hundred million dollars to be content.

1436
00:58:00,960 --> 00:58:03,480
Speaker 4: I might need one hundred seashells. I might want to

1437
00:58:03,480 --> 00:58:06,480
Speaker 4: collect seashells, whatever, whatever, it makes us content in our heart.

1438
00:58:06,680 --> 00:58:10,440
Speaker 4: And my thing is not money, is doing what I

1439
00:58:10,480 --> 00:58:13,520
Speaker 4: love to do and be and being Like in that

1440
00:58:13,600 --> 00:58:16,360
Speaker 4: one record, I said, being up feel good, but not

1441
00:58:16,440 --> 00:58:17,480
Speaker 4: better than being sure.

1442
00:58:18,280 --> 00:58:19,440
Speaker 1: You know what I'm saying. I want to wake up

1443
00:58:19,480 --> 00:58:21,120
Speaker 1: and be sure every day. You know what I'm saying.

1444
00:58:21,160 --> 00:58:23,400
Speaker 3: I feel like we men and just having an ego

1445
00:58:23,480 --> 00:58:27,680
Speaker 3: and nuts and just testosterone all that shit. I could

1446
00:58:27,800 --> 00:58:29,360
Speaker 3: say what I think will make me consent and then

1447
00:58:29,400 --> 00:58:31,800
Speaker 3: I'll get it and I won't be content because I

1448
00:58:32,080 --> 00:58:33,800
Speaker 3: go to the next thing. So at that point, it's like,

1449
00:58:33,840 --> 00:58:36,680
Speaker 3: you can't find happiness in being content because we probably

1450
00:58:36,680 --> 00:58:39,520
Speaker 3: won't be consent. That's part of ambition. But we have

1451
00:58:39,560 --> 00:58:42,000
Speaker 3: to get to the next level. But you're right, like

1452
00:58:42,360 --> 00:58:44,360
Speaker 3: right now you're nominated for Lyricists of the Year. You

1453
00:58:44,400 --> 00:58:48,640
Speaker 3: go win tomorrow a right, next thing, grammy right, but content,

1454
00:58:48,640 --> 00:58:51,120
Speaker 3: you can appreciate it, all right, because but can't make

1455
00:58:51,120 --> 00:58:51,480
Speaker 3: you happy.

1456
00:58:51,520 --> 00:58:54,440
Speaker 4: Happiness is a journey, So you got to keep finding

1457
00:58:54,480 --> 00:58:58,280
Speaker 4: different things to give you that happiness, to give you

1458
00:58:58,320 --> 00:59:01,080
Speaker 4: that joy, to make you intent. And it might be

1459
00:59:01,360 --> 00:59:03,480
Speaker 4: like you said today, it might be this. That's the

1460
00:59:03,480 --> 00:59:05,840
Speaker 4: thing about men, and the men were conquerors with journey ers.

1461
00:59:05,840 --> 00:59:07,080
Speaker 4: We like to know what I'm saying, we like to

1462
00:59:07,120 --> 00:59:10,240
Speaker 4: do shit like that. So today I might motherfucking wake up.

1463
00:59:10,680 --> 00:59:11,040
Speaker 1: You see.

1464
00:59:11,080 --> 00:59:14,120
Speaker 4: You see guys like Luda, Christian elkoj and Ic they acting.

1465
00:59:14,440 --> 00:59:16,360
Speaker 4: You know what I'm saying. These moos came out and

1466
00:59:16,400 --> 00:59:19,160
Speaker 4: sold tons of records. I'm saying now they switched over

1467
00:59:19,160 --> 00:59:21,600
Speaker 4: to acting, and uh, you never know who might fall

1468
00:59:21,640 --> 00:59:22,080
Speaker 4: on your heart.

1469
00:59:22,120 --> 00:59:24,600
Speaker 3: But where do you find fulfillment outside of work in

1470
00:59:24,640 --> 00:59:25,439
Speaker 3: the family.

1471
00:59:26,640 --> 00:59:32,160
Speaker 4: Mm hmm, and just traveling, seeing new things, man, and

1472
00:59:32,200 --> 00:59:33,960
Speaker 4: just being and just being in places where there's no

1473
00:59:34,040 --> 00:59:36,520
Speaker 4: expectations of me. And just like where we got to

1474
00:59:36,520 --> 00:59:37,880
Speaker 4: go today, we don't got to go nowhere. A lot

1475
00:59:37,920 --> 00:59:40,120
Speaker 4: of times when I do. I went to Saint Thomas

1476
00:59:40,680 --> 00:59:43,200
Speaker 4: and uh, when I was just the man, I love

1477
00:59:43,240 --> 00:59:45,080
Speaker 4: Saint Thomas. I went to Saint Thomas and didn't really

1478
00:59:45,160 --> 00:59:48,680
Speaker 4: lead a mansion and didn't go nowhere. I was just chilling,

1479
00:59:48,840 --> 00:59:50,640
Speaker 4: just eating food. I did that a couple of.

1480
00:59:50,600 --> 00:59:52,480
Speaker 1: Times in Vegas. I do that a lot.

1481
00:59:52,560 --> 00:59:55,080
Speaker 4: Actually, I don't need to leave because I didn't come

1482
00:59:55,120 --> 00:59:56,760
Speaker 4: out to go club and I just came to chill

1483
00:59:56,840 --> 00:59:59,360
Speaker 4: and just relax, Like I was watching.

1484
00:59:59,240 --> 01:00:00,280
Speaker 1: What's that you called it? Man?

1485
01:00:00,360 --> 01:00:01,680
Speaker 2: What's that ship with it? Ozark?

1486
01:00:01,720 --> 01:00:04,280
Speaker 4: I watched like crazy hours of Ozark falling asleep on

1487
01:00:04,280 --> 01:00:07,440
Speaker 4: the couch and then I got one of them couches.

1488
01:00:07,080 --> 01:00:07,640
Speaker 1: From my house.

1489
01:00:08,120 --> 01:00:10,440
Speaker 2: I'm tying has a good sleep right there.

1490
01:00:10,760 --> 01:00:11,360
Speaker 1: That's a fact.

1491
01:00:11,400 --> 01:00:14,439
Speaker 4: So when I'm just doing nothing, you know what I'm saying.

1492
01:00:14,440 --> 01:00:18,920
Speaker 4: We do so much important, my soul into everything so much.

1493
01:00:18,960 --> 01:00:20,400
Speaker 4: Sometimes I just like to do nothing.

1494
01:00:20,520 --> 01:00:23,080
Speaker 1: Yeah, I mean, this is this So at one point,

1495
01:00:23,080 --> 01:00:27,560
Speaker 1: you know, I'm sure when you started out rapping and

1496
01:00:27,600 --> 01:00:31,439
Speaker 1: back in Buffalo and you know, now you're like at

1497
01:00:31,440 --> 01:00:34,480
Speaker 1: the BT Hip Hop Awards nominated for Lyricists of the Year.

1498
01:00:35,680 --> 01:00:42,560
Speaker 1: That journey are you happy with? Or should I say

1499
01:00:42,560 --> 01:00:44,360
Speaker 1: are you Did you think that it would be what

1500
01:00:44,400 --> 01:00:47,600
Speaker 1: it was or what it is is? Did it meet

1501
01:00:47,600 --> 01:00:50,040
Speaker 1: your expectations? Like now that you I'm sure you used

1502
01:00:50,040 --> 01:00:52,400
Speaker 1: to watch the b T Hip Hop Awards. Now you're

1503
01:00:52,440 --> 01:00:56,280
Speaker 1: nominated for Lyricists of the Year, Like speak to the

1504
01:00:56,360 --> 01:00:58,680
Speaker 1: kid that's in the situation. You were back in Buffalo

1505
01:00:58,760 --> 01:01:02,840
Speaker 1: looking at the awards like like that journey is it

1506
01:01:02,920 --> 01:01:04,840
Speaker 1: everything you thought it would be? Yeah?

1507
01:01:04,920 --> 01:01:07,080
Speaker 4: The journey was and the journey is the best part.

1508
01:01:07,680 --> 01:01:09,520
Speaker 4: I'm not gonna lie. The journey is the best part.

1509
01:01:09,560 --> 01:01:09,760
Speaker 2: Man.

1510
01:01:10,200 --> 01:01:12,840
Speaker 4: I said this on camera before. Man, I've been grinding

1511
01:01:12,880 --> 01:01:14,480
Speaker 4: so long in Buffalo, y'all know that shit.

1512
01:01:14,440 --> 01:01:17,040
Speaker 1: It's like for for for a.

1513
01:01:16,720 --> 01:01:19,120
Speaker 4: Moment of time, I couldn't even watch the BET Hip

1514
01:01:19,160 --> 01:01:20,680
Speaker 4: Hop Awards, the met Awards period.

1515
01:01:20,680 --> 01:01:21,640
Speaker 2: I didn't want to see that ship.

1516
01:01:22,240 --> 01:01:24,960
Speaker 4: I felt like I needed to be there, and I

1517
01:01:25,000 --> 01:01:28,360
Speaker 4: felt like, where was my career going? Where's my life going?

1518
01:01:29,240 --> 01:01:30,720
Speaker 4: But you hear that, You're like, with the nerve of me,

1519
01:01:33,320 --> 01:01:35,560
Speaker 4: that's some crazy shit. As I think about it now,

1520
01:01:35,720 --> 01:01:41,480
Speaker 4: that's so crazy. Look how you're talking now, these niggas

1521
01:01:42,240 --> 01:01:44,840
Speaker 4: real shit. Yeah, just watching that ship I could I'm like, man,

1522
01:01:44,840 --> 01:01:46,440
Speaker 4: I ain't watching this shit because I supposed to be there,

1523
01:01:46,480 --> 01:01:47,200
Speaker 4: like the nerve of me.

1524
01:01:47,640 --> 01:01:48,480
Speaker 1: But now I'm here.

1525
01:01:48,520 --> 01:01:51,960
Speaker 4: So I was right about something, and I would tell

1526
01:01:52,000 --> 01:01:54,200
Speaker 4: the kids, man, put your best foot forward. See a

1527
01:01:54,240 --> 01:01:56,640
Speaker 4: lot of people don't understand about when you become an artist.

1528
01:01:57,120 --> 01:01:59,240
Speaker 4: It's not about who could cater to you, you.

1529
01:01:59,240 --> 01:01:59,640
Speaker 1: Know what I mean?

1530
01:01:59,720 --> 01:02:03,360
Speaker 4: Like you gotta think these labels give you this money

1531
01:02:03,360 --> 01:02:05,800
Speaker 4: like you did shit for them. You know what I'm saying.

1532
01:02:06,160 --> 01:02:09,040
Speaker 4: For all of us who ain't named Aubrey a little baby.

1533
01:02:09,840 --> 01:02:11,760
Speaker 4: You know what I'm saying that, it's a lot of

1534
01:02:11,840 --> 01:02:14,160
Speaker 4: us who name ain't that. So a lot of times

1535
01:02:14,200 --> 01:02:16,800
Speaker 4: when they give you the bread, like Depth Jam give

1536
01:02:16,800 --> 01:02:19,760
Speaker 4: me the bread, like they're not sure I'm gonna recoup

1537
01:02:19,760 --> 01:02:22,160
Speaker 4: that money, you know what I'm saying, They do benings

1538
01:02:22,200 --> 01:02:24,240
Speaker 4: with people a lot of times who they were shut like,

1539
01:02:24,680 --> 01:02:26,520
Speaker 4: ain't fucking Justin Bieber signed to.

1540
01:02:26,440 --> 01:02:28,360
Speaker 1: Depth Jam, you know what I'm saying.

1541
01:02:28,680 --> 01:02:33,280
Speaker 4: At so it's like, man, it's just like you got

1542
01:02:33,280 --> 01:02:35,400
Speaker 4: to give your awe to this, like people don't know

1543
01:02:36,680 --> 01:02:38,840
Speaker 4: you gotta give you all to this. And it's not

1544
01:02:38,920 --> 01:02:42,200
Speaker 4: a lot of times it's artists. Sometimes we think like, man,

1545
01:02:42,200 --> 01:02:44,240
Speaker 4: what could these people do for me? When you're starting

1546
01:02:44,240 --> 01:02:46,280
Speaker 4: from the bottom, it's like, no, what could you do

1547
01:02:46,320 --> 01:02:48,800
Speaker 4: for these people? How could you become an asset? And

1548
01:02:48,840 --> 01:02:50,360
Speaker 4: that's what I just try to do. I just try

1549
01:02:50,400 --> 01:02:52,280
Speaker 4: to become an asset in the room. I try to

1550
01:02:52,360 --> 01:02:55,919
Speaker 4: never never, never need west Side Gun man. I never

1551
01:02:55,960 --> 01:02:58,360
Speaker 4: asked west Side Gun for nothing. I always bring that

1552
01:02:58,440 --> 01:03:00,800
Speaker 4: up because not saying that I never needed I just

1553
01:03:00,880 --> 01:03:02,959
Speaker 4: knew a whole bunch of other motherfuckers was acting for sure.

1554
01:03:03,240 --> 01:03:04,280
Speaker 1: Yeah, you know what I'm saying.

1555
01:03:05,800 --> 01:03:08,680
Speaker 4: Other favors, I needed it, I didn't need I didn't

1556
01:03:08,680 --> 01:03:11,280
Speaker 4: need him to be like, Okay, I got to this

1557
01:03:11,400 --> 01:03:14,400
Speaker 4: BT ship going on, and I got this studio session

1558
01:03:14,440 --> 01:03:16,200
Speaker 4: going on. I could bring Benny, but I ain't calling

1559
01:03:16,200 --> 01:03:18,000
Speaker 4: that nigga. That nigga gonna need it. He's gonna need

1560
01:03:18,040 --> 01:03:19,880
Speaker 4: some money. I mean, I ain't calling. I don't even

1561
01:03:19,920 --> 01:03:21,480
Speaker 4: want to. I didn't want to be that. I didn't

1562
01:03:21,520 --> 01:03:24,280
Speaker 4: want to bring that energy towards him. So I never

1563
01:03:24,320 --> 01:03:26,040
Speaker 4: asked him for nothing. I just wanted to become an

1564
01:03:26,080 --> 01:03:26,720
Speaker 4: asset to him.

1565
01:03:26,720 --> 01:03:27,439
Speaker 3: Did that come from?

1566
01:03:27,480 --> 01:03:27,560
Speaker 1: So?

1567
01:03:27,680 --> 01:03:30,680
Speaker 3: Because I don't know if you even remember this. We

1568
01:03:30,680 --> 01:03:34,440
Speaker 3: were outside the Universal building, I think right before West

1569
01:03:34,440 --> 01:03:35,960
Speaker 3: had signed that Shady deal.

1570
01:03:36,560 --> 01:03:37,080
Speaker 1: You and West.

1571
01:03:37,080 --> 01:03:39,760
Speaker 3: I ran into y'all like in the lobby, and I'd

1572
01:03:39,760 --> 01:03:40,880
Speaker 3: be like, I was like, are you signing with that?

1573
01:03:40,960 --> 01:03:42,920
Speaker 3: She was like, no, I'm not signing nothing with Shady

1574
01:03:42,960 --> 01:03:45,800
Speaker 3: at all. Like that's all a Westside resulta thing. This

1575
01:03:45,880 --> 01:03:48,560
Speaker 3: is way before a Rock Nation anything like that. Is

1576
01:03:48,600 --> 01:03:51,600
Speaker 3: that when you started to like soak up what labels

1577
01:03:51,600 --> 01:03:54,280
Speaker 3: can and cannot do for you and what's really old

1578
01:03:54,360 --> 01:03:56,560
Speaker 3: and what's not as far as that went, because you

1579
01:03:56,880 --> 01:04:00,120
Speaker 3: was just with West like right as his man's going

1580
01:04:00,240 --> 01:04:01,120
Speaker 3: up to the.

1581
01:04:01,080 --> 01:04:04,320
Speaker 4: Meeting, right right right, Man I did, and man I

1582
01:04:04,360 --> 01:04:06,920
Speaker 4: wanted to be signed to Shady Record so fucking bad.

1583
01:04:07,760 --> 01:04:10,120
Speaker 4: Like I said, imagine not being a BT war not

1584
01:04:10,320 --> 01:04:12,640
Speaker 4: watching that shit. And then my cousin getting signed, both

1585
01:04:12,720 --> 01:04:15,040
Speaker 4: my cousins, and they telling me like, yo, we got

1586
01:04:15,040 --> 01:04:16,840
Speaker 4: this deal, we got were about to do this, were

1587
01:04:16,840 --> 01:04:19,360
Speaker 4: about to do that. And it's like, man, I'm around Shady,

1588
01:04:19,400 --> 01:04:21,280
Speaker 4: I'm around Paul, I'm around Mike.

1589
01:04:21,400 --> 01:04:22,640
Speaker 1: I met him.

1590
01:04:22,720 --> 01:04:26,440
Speaker 4: Where's my contract? You know what I'm saying, But you

1591
01:04:26,480 --> 01:04:28,640
Speaker 4: know I didn't need it. Like what they've done for

1592
01:04:28,680 --> 01:04:31,560
Speaker 4: me was enough. Shout out Mike including me on that.

1593
01:04:32,480 --> 01:04:34,240
Speaker 4: What was she ain't gonna do too? I'm saying, people

1594
01:04:34,280 --> 01:04:36,960
Speaker 4: don't know. That started, as I'm telling the business here,

1595
01:04:37,480 --> 01:04:42,240
Speaker 4: that started ass spurs album, Benny and Conway. To be

1596
01:04:42,280 --> 01:04:45,280
Speaker 4: honest with you, that started as that. And then after

1597
01:04:45,440 --> 01:04:47,440
Speaker 4: Mike put that idea together, it's like, okay, let me

1598
01:04:47,480 --> 01:04:48,240
Speaker 4: run it past Wes.

1599
01:04:48,760 --> 01:04:50,120
Speaker 2: Wes is like shit, I'm getting on it too.

1600
01:04:50,160 --> 01:04:50,560
Speaker 1: What were doing?

1601
01:04:50,600 --> 01:04:53,360
Speaker 4: All three of us, Let's go. We're like okay, let's go,

1602
01:04:53,760 --> 01:04:56,000
Speaker 4: and he curated that and that's how it came out.

1603
01:04:56,040 --> 01:05:00,320
Speaker 4: But Eminem didn't have a problem with me coming and

1604
01:05:00,400 --> 01:05:02,320
Speaker 4: rapping on that shit with BT in that cipher. You

1605
01:05:02,360 --> 01:05:04,040
Speaker 4: know what I'm saying. That was the biggest moment in

1606
01:05:04,080 --> 01:05:06,320
Speaker 4: my career. I remember getting I remember getting like four

1607
01:05:06,400 --> 01:05:09,080
Speaker 4: thousand followers that night, like you know, that's heavy.

1608
01:05:08,920 --> 01:05:10,200
Speaker 2: And that's when I was in the teens.

1609
01:05:10,360 --> 01:05:10,760
Speaker 1: Yeah.

1610
01:05:10,840 --> 01:05:12,880
Speaker 4: Yeah, I watched it and they never showed it on

1611
01:05:13,320 --> 01:05:15,720
Speaker 4: They never showed it on the episode, but they showed

1612
01:05:15,720 --> 01:05:17,800
Speaker 4: it on BT. I mean they showed it on the internet.

1613
01:05:18,360 --> 01:05:19,920
Speaker 4: And I remember like watching that. I was living in

1614
01:05:20,000 --> 01:05:22,440
Speaker 4: the projects watching that ship the whole time, like when

1615
01:05:22,480 --> 01:05:25,120
Speaker 4: we're coming on, but throughout the whole I'm getting followers

1616
01:05:25,120 --> 01:05:27,520
Speaker 4: throughout the whole episode, you know what I'm saying. So

1617
01:05:27,600 --> 01:05:30,320
Speaker 4: I'm forever thankful. And I just realized that I didn't

1618
01:05:30,320 --> 01:05:31,920
Speaker 4: need to sign to them. And that's what these artists

1619
01:05:31,920 --> 01:05:33,840
Speaker 4: don't know. And that's what Jay trying to tell us

1620
01:05:33,840 --> 01:05:35,360
Speaker 4: a lot, like you don't need to do that. You

1621
01:05:35,440 --> 01:05:37,600
Speaker 4: might think like, yo, I gotta sign this contractor gotta

1622
01:05:37,880 --> 01:05:39,120
Speaker 4: you know what I'm saying, You don't need to do

1623
01:05:39,160 --> 01:05:40,880
Speaker 4: that all the time. You got to have your own reasons.

1624
01:05:40,920 --> 01:05:43,560
Speaker 4: It's like you might want the money from them, but

1625
01:05:43,880 --> 01:05:45,960
Speaker 4: there's certain rooms you might want to be in. You

1626
01:05:45,960 --> 01:05:47,800
Speaker 4: can get in them rooms yourself. You know what I'm saying.

1627
01:05:48,000 --> 01:05:50,360
Speaker 3: Sometimes I don't want to make sure shady. I know

1628
01:05:50,400 --> 01:05:52,720
Speaker 3: you're watching and hate maure and I anytime we sit

1629
01:05:52,760 --> 01:05:55,960
Speaker 3: with someone from Griselta, I actually was I think that's

1630
01:05:56,040 --> 01:05:58,400
Speaker 3: dope that they gave y'all those looks and you weren't

1631
01:05:58,440 --> 01:06:02,240
Speaker 3: even signed to them. So I know Mike and Mike

1632
01:06:02,360 --> 01:06:02,800
Speaker 3: is my god.

1633
01:06:03,080 --> 01:06:06,080
Speaker 2: Yeah, you know, I love Mike and sometimes you know what.

1634
01:06:06,840 --> 01:06:10,040
Speaker 3: Mike ran down my number through Derek to everyone in Griselda,

1635
01:06:10,160 --> 01:06:12,040
Speaker 3: then text me and then never text me again.

1636
01:06:13,760 --> 01:06:15,120
Speaker 1: He just wanted to shake you up a little bit

1637
01:06:15,120 --> 01:06:15,400
Speaker 1: through the.

1638
01:06:15,400 --> 01:06:17,760
Speaker 3: Text and when you talk, I was like, I'm freeing

1639
01:06:17,760 --> 01:06:19,000
Speaker 3: thirty minutes, never heard from again.

1640
01:06:19,080 --> 01:06:20,800
Speaker 1: Yeah, damn you Mike. That kind of guy. Man.

1641
01:06:21,080 --> 01:06:22,520
Speaker 3: Mike also thinks I'm not creative.

1642
01:06:23,880 --> 01:06:25,680
Speaker 1: Well that's that was That was That was him throwing

1643
01:06:25,720 --> 01:06:28,440
Speaker 1: a shot at you. What Mike? That was that was

1644
01:06:28,520 --> 01:06:29,040
Speaker 1: him throwing.

1645
01:06:28,920 --> 01:06:30,880
Speaker 3: Shot randomly tweeting about me.

1646
01:06:31,320 --> 01:06:34,840
Speaker 4: But I think Griselda do get a bad like they'd

1647
01:06:34,840 --> 01:06:37,000
Speaker 4: be like damn. It was a bad Blood from Griselda

1648
01:06:37,080 --> 01:06:40,280
Speaker 4: Shady Man. We thankful for them, dudes. You gotta think, man,

1649
01:06:40,280 --> 01:06:43,360
Speaker 4: we came in a game with eminem Yeah, I came

1650
01:06:43,400 --> 01:06:46,320
Speaker 4: in a game with him through Azelda signed the Rock

1651
01:06:46,440 --> 01:06:49,760
Speaker 4: Nation with whole got brought to Depth Gym by Snoop, Right,

1652
01:06:49,960 --> 01:06:52,920
Speaker 4: you know what I mean. That's that's making heavy coat SATs.

1653
01:06:53,280 --> 01:06:55,040
Speaker 1: You know what I mean? Yeah?

1654
01:06:55,200 --> 01:06:58,560
Speaker 3: Yeah, I think I think anytime, because we do respect

1655
01:06:58,560 --> 01:07:03,320
Speaker 3: Shady and that entire building, that they think we're saying

1656
01:07:03,440 --> 01:07:05,480
Speaker 3: foul things about them. We asked, like, all right, what

1657
01:07:05,520 --> 01:07:07,800
Speaker 3: happened with the Shady deal? Like we talk with Conway

1658
01:07:07,800 --> 01:07:09,960
Speaker 3: and soul House, It's like, oh, I didn't feel Shady's

1659
01:07:09,960 --> 01:07:12,240
Speaker 3: presence on this one, and they take everything to personal.

1660
01:07:12,760 --> 01:07:14,560
Speaker 3: I always just found that weird because I think out

1661
01:07:14,560 --> 01:07:16,640
Speaker 3: of their whole roster, I don't think there's been a

1662
01:07:16,680 --> 01:07:22,480
Speaker 3: media platform that's put Griselda Westside Boogie like number one

1663
01:07:22,560 --> 01:07:24,160
Speaker 3: as far as the music we talk about and play.

1664
01:07:24,640 --> 01:07:27,880
Speaker 3: So I want to end our shady beef with Benny today.

1665
01:07:28,040 --> 01:07:32,200
Speaker 2: What they thought was the shady I saw Paul at

1666
01:07:32,240 --> 01:07:34,280
Speaker 2: the West Side Boogie show last week and he was

1667
01:07:34,280 --> 01:07:37,600
Speaker 2: blocking the bathroom door at the Green Roomne wasn't sure

1668
01:07:37,600 --> 01:07:38,480
Speaker 2: if it was static or not.

1669
01:07:41,280 --> 01:07:46,040
Speaker 3: He's a big dude. I couldn't move right right. I

1670
01:07:46,080 --> 01:07:50,720
Speaker 3: want to get into some soprano questions. Favorite character from

1671
01:07:50,960 --> 01:07:52,280
Speaker 3: the Soprano series.

1672
01:07:52,600 --> 01:07:56,360
Speaker 4: Man got to be Tony, Okay, got to be Tony.

1673
01:07:56,600 --> 01:08:03,240
Speaker 4: Like Tony's a fucking maniac, crazy, He's a he's a narcissist.

1674
01:08:03,680 --> 01:08:04,400
Speaker 1: You know what I'm saying.

1675
01:08:05,440 --> 01:08:07,520
Speaker 4: I just like watching that character on fold. You know

1676
01:08:07,520 --> 01:08:09,280
Speaker 4: what I'm saying that the imperfections of them, you know,

1677
01:08:09,280 --> 01:08:10,440
Speaker 4: I mean a lot of times they try to give

1678
01:08:10,520 --> 01:08:12,760
Speaker 4: us these perfect characters, you know what I'm saying, Like

1679
01:08:12,800 --> 01:08:14,840
Speaker 4: that dude, there's anything but perfect, you know what I'm saying.

1680
01:08:14,920 --> 01:08:16,559
Speaker 2: And I identify it with that.

1681
01:08:16,760 --> 01:08:18,639
Speaker 3: Yeah, And I feel like The Sopranos was the first

1682
01:08:18,680 --> 01:08:21,320
Speaker 3: TV show to give us a character that was a

1683
01:08:21,320 --> 01:08:23,559
Speaker 3: piece of shit, But like we were rooting for them

1684
01:08:23,680 --> 01:08:26,400
Speaker 3: the whole time. We liked him, We identified with him.

1685
01:08:26,520 --> 01:08:27,919
Speaker 3: It wasn't like, let's find.

1686
01:08:27,920 --> 01:08:29,559
Speaker 2: How many times you like Tony too far?

1687
01:08:31,160 --> 01:08:36,720
Speaker 3: Even to stop fucking these Russian strippers, Tony, you have kids.

1688
01:08:36,320 --> 01:08:40,400
Speaker 1: So Benny the butcher, mm hmm, can you cook? And

1689
01:08:40,439 --> 01:08:42,240
Speaker 1: I ain't talking about what I think you're talking about nigga.

1690
01:08:42,240 --> 01:08:46,160
Speaker 1: I'm talking about can Benny the butcher cook You're vegan though, yeah,

1691
01:08:46,240 --> 01:08:47,479
Speaker 1: you still got to cook well.

1692
01:08:47,479 --> 01:08:48,360
Speaker 3: Butcher's cut meat.

1693
01:08:48,400 --> 01:08:53,719
Speaker 4: Paulse Well cut some mushrooms is vegan meat, Yeah, exactly, mushrooms,

1694
01:08:53,760 --> 01:08:56,559
Speaker 4: thank you. But no, I can't, Okay, I can't. I

1695
01:08:56,600 --> 01:08:59,840
Speaker 4: can't cook ship. I could make waffles, pancakes, French to

1696
01:09:00,600 --> 01:09:02,720
Speaker 4: breakfast food. I kill that ship. We always go to

1697
01:09:02,720 --> 01:09:04,640
Speaker 4: that white niggas always go to breakfast. My niggas want

1698
01:09:04,640 --> 01:09:08,800
Speaker 4: the eggs sandwich right now. Niggas want some French toast.

1699
01:09:08,880 --> 01:09:10,000
Speaker 4: Niggas want some pancakes.

1700
01:09:10,720 --> 01:09:12,320
Speaker 1: I feel like that's the first thing we learned how

1701
01:09:12,320 --> 01:09:14,240
Speaker 1: to make is breakfast. The first thing we know how

1702
01:09:14,280 --> 01:09:17,760
Speaker 1: to do is scramble eggs, make some bacon. And then

1703
01:09:17,840 --> 01:09:19,880
Speaker 1: when we really really know how to cook is make

1704
01:09:19,920 --> 01:09:21,400
Speaker 1: a good pancake. Don't burn the pancake.

1705
01:09:21,439 --> 01:09:24,519
Speaker 4: My real ship only see all the bubbles when you

1706
01:09:24,520 --> 01:09:28,599
Speaker 4: see the bubbles. But I can't cook for ship.

1707
01:09:28,720 --> 01:09:28,880
Speaker 1: Man.

1708
01:09:28,920 --> 01:09:31,560
Speaker 4: I know what, man, I could count on my I'm

1709
01:09:31,600 --> 01:09:33,080
Speaker 4: thirty seven years old, and I can count on my

1710
01:09:33,160 --> 01:09:35,960
Speaker 4: hand how many times I attempted the fry chicken, and

1711
01:09:36,000 --> 01:09:38,040
Speaker 4: I will still have fingers left maybe three times in

1712
01:09:38,080 --> 01:09:38,400
Speaker 4: my life.

1713
01:09:38,439 --> 01:09:40,240
Speaker 1: Okay, so we just we just we just created a

1714
01:09:40,280 --> 01:09:42,720
Speaker 1: new TV show for Bennie Man. Ship.

1715
01:09:44,080 --> 01:09:45,000
Speaker 2: That's the one thing I'm gonna do.

1716
01:09:45,040 --> 01:09:47,600
Speaker 4: You haven't been to the restaurant, I mean the supermarkets

1717
01:09:48,200 --> 01:09:50,720
Speaker 4: with the deal already, with the dish already made. You

1718
01:09:50,800 --> 01:09:52,360
Speaker 4: just got to heat it up a little. Yeah, like

1719
01:09:52,360 --> 01:09:54,160
Speaker 4: I'm gonna fuck people up one day, you know what

1720
01:09:54,200 --> 01:09:58,200
Speaker 4: I'm saying. I'm like exactly, or or I want to

1721
01:09:58,280 --> 01:10:01,120
Speaker 4: learn how to master one dish and cook that ship

1722
01:10:01,160 --> 01:10:01,599
Speaker 4: all the time.

1723
01:10:02,280 --> 01:10:04,000
Speaker 3: We should do a food because Bufalo is a great

1724
01:10:04,040 --> 01:10:06,639
Speaker 3: food city, like outside of the audience with wings and Ship,

1725
01:10:06,720 --> 01:10:08,479
Speaker 3: but Buffalo is like a really good food city. We

1726
01:10:08,479 --> 01:10:11,960
Speaker 3: should do some type of segment. Yeah, what's outside of food?

1727
01:10:13,240 --> 01:10:13,479
Speaker 1: Cook?

1728
01:10:13,960 --> 01:10:16,120
Speaker 3: I definitely cook. That's my that's my little therapy.

1729
01:10:16,160 --> 01:10:20,720
Speaker 1: Ship is and just cooked a Yeah. But I could

1730
01:10:20,760 --> 01:10:23,760
Speaker 1: cook something, Okay, Yeah, I can't do ship, man. I

1731
01:10:23,800 --> 01:10:27,960
Speaker 1: can't do nothing in the city of Buffalo. How does

1732
01:10:28,000 --> 01:10:33,760
Speaker 1: it feel now, aside from probably Rick James being like

1733
01:10:34,200 --> 01:10:38,120
Speaker 1: some of the most famous, most infamous artists out of

1734
01:10:38,160 --> 01:10:38,559
Speaker 1: the city.

1735
01:10:39,520 --> 01:10:40,200
Speaker 2: Man, it's dope.

1736
01:10:40,320 --> 01:10:44,880
Speaker 1: It's lovely. And did you ever meet Rick James?

1737
01:10:44,960 --> 01:10:47,360
Speaker 4: I never met Rick James. I never met Rick, never

1738
01:10:47,400 --> 01:10:49,400
Speaker 4: got the chance to meet him. But this is what

1739
01:10:49,439 --> 01:10:53,439
Speaker 4: it's like from being for being a kid from the

1740
01:10:53,479 --> 01:10:57,840
Speaker 4: East Side of Buffalo, and then you make it, but

1741
01:10:57,880 --> 01:10:59,439
Speaker 4: you're in the same city, but it's not like the

1742
01:10:59,479 --> 01:11:01,760
Speaker 4: same city. That's when I realized it's not even black

1743
01:11:01,760 --> 01:11:04,639
Speaker 4: and white, it's rich and poor. I'm allowed from having

1744
01:11:04,640 --> 01:11:07,240
Speaker 4: his money and having his influence. I'm allowed in so

1745
01:11:07,280 --> 01:11:08,160
Speaker 4: many other rooms.

1746
01:11:08,200 --> 01:11:10,759
Speaker 2: And it's like I don't like I be in Buffalo

1747
01:11:10,840 --> 01:11:12,320
Speaker 2: a lot, like but I don't be where I used

1748
01:11:12,320 --> 01:11:13,839
Speaker 2: to be, Like it's a whole different Buffalo.

1749
01:11:14,320 --> 01:11:16,960
Speaker 4: Like I got new friends, I do different shit. So

1750
01:11:16,960 --> 01:11:19,479
Speaker 4: it's like I love it. I love the diversity that

1751
01:11:19,520 --> 01:11:23,160
Speaker 4: I that that the new found fame bring me my

1752
01:11:23,280 --> 01:11:26,479
Speaker 4: family and other parts of the city too, because I'm

1753
01:11:26,479 --> 01:11:28,519
Speaker 4: still coming with them, still pulling up with the East

1754
01:11:28,520 --> 01:11:31,000
Speaker 4: Side with me. So it's like, that's dope that we

1755
01:11:31,040 --> 01:11:32,840
Speaker 4: get to you know what I'm saying. See everything in

1756
01:11:32,840 --> 01:11:33,799
Speaker 4: the city got to offer.

1757
01:11:34,080 --> 01:11:37,720
Speaker 1: I mean, it seemed like so much since since like

1758
01:11:38,000 --> 01:11:40,800
Speaker 1: y'all took off and really seen success, it seemed like

1759
01:11:40,840 --> 01:11:43,840
Speaker 1: just Buffalo, like the Bills are even playing great. That's crazy,

1760
01:11:44,920 --> 01:11:46,760
Speaker 1: YA might need. You might need stocking the team. They

1761
01:11:46,840 --> 01:11:49,040
Speaker 1: might need to get y'all some stock in the Buffalo Bills. Man,

1762
01:11:49,040 --> 01:11:51,680
Speaker 1: they might. Man, I think, man, because y'all made it

1763
01:11:51,720 --> 01:11:52,599
Speaker 1: cool to be in Buffalo.

1764
01:11:52,600 --> 01:11:55,400
Speaker 4: Now, Atlanta did it, Saint Louis did it. A lot

1765
01:11:55,400 --> 01:11:58,559
Speaker 4: of cities did it. Yeah, and I think Buffalo the

1766
01:11:58,560 --> 01:12:01,639
Speaker 4: sports team is hot, the music is hot. That's why

1767
01:12:01,680 --> 01:12:03,519
Speaker 4: we showed them support man. Yeah, because it's like me,

1768
01:12:03,600 --> 01:12:04,400
Speaker 4: we and this ship together.

1769
01:12:04,479 --> 01:12:06,559
Speaker 1: Yeah, exactly, you have to. You got to support each other.

1770
01:12:06,760 --> 01:12:09,160
Speaker 2: I was at the fucking what's this ship? I was

1771
01:12:09,200 --> 01:12:12,519
Speaker 2: just at the Giants What the Giants?

1772
01:12:12,560 --> 01:12:13,040
Speaker 1: Cowboys?

1773
01:12:13,120 --> 01:12:14,200
Speaker 2: Giants Cowboys gang?

1774
01:12:14,320 --> 01:12:15,080
Speaker 1: That was crazy.

1775
01:12:15,200 --> 01:12:16,640
Speaker 4: Yeah, you know what I'm saying. I was in the

1776
01:12:16,720 --> 01:12:18,640
Speaker 4: sweet with all the rich motherfuckers. I was in the

1777
01:12:18,640 --> 01:12:21,160
Speaker 4: Sweet the motherfuckers with ray Liui.

1778
01:12:21,200 --> 01:12:21,320
Speaker 1: Man.

1779
01:12:21,320 --> 01:12:23,840
Speaker 4: I forgot his name. Man, I apologize forget your name.

1780
01:12:23,880 --> 01:12:26,280
Speaker 4: But this dude owns a bank. You banked the letter

1781
01:12:26,360 --> 01:12:28,280
Speaker 4: you like he owned a bank.

1782
01:12:28,640 --> 01:12:29,400
Speaker 1: Yeah, I'm saying.

1783
01:12:29,400 --> 01:12:32,320
Speaker 4: He was telling me how he had ninety four hundred acres. Right,

1784
01:12:32,439 --> 01:12:33,599
Speaker 4: It's like crazy ship.

1785
01:12:33,920 --> 01:12:37,479
Speaker 1: You know what I'm saying. It's like what you tweat

1786
01:12:37,520 --> 01:12:39,080
Speaker 1: that ray Lewis almost broke your hand.

1787
01:12:39,560 --> 01:12:43,600
Speaker 4: He did, Yo, ray Lewis shook my hand. Seriously, you

1788
01:12:43,640 --> 01:12:46,400
Speaker 4: shook my hand and it hurt it. Yeah, but you

1789
01:12:46,439 --> 01:12:50,280
Speaker 4: get No. I walked away two minutes later. I'm just

1790
01:12:50,320 --> 01:12:52,360
Speaker 4: chilling and I'm and I realized two minutes I'm like.

1791
01:12:52,360 --> 01:12:55,639
Speaker 1: My shit still worked. I'm like, what the fuck? He did?

1792
01:12:56,080 --> 01:12:57,559
Speaker 1: Still know me? No?

1793
01:12:57,680 --> 01:12:59,200
Speaker 4: I shook his hand, I met him, and then I

1794
01:12:59,240 --> 01:13:01,080
Speaker 4: went back to take a picture. So you see the picture.

1795
01:13:01,160 --> 01:13:02,240
Speaker 4: He got his arm around him.

1796
01:13:02,280 --> 01:13:05,200
Speaker 1: Yeah, it's like he's like a sofa. Yeah, you know

1797
01:13:06,040 --> 01:13:09,320
Speaker 1: it's like God, damn ray Yeah, like real ship. Yeah.

1798
01:13:09,560 --> 01:13:13,000
Speaker 3: Actually on my I g But we was with Mike

1799
01:13:13,040 --> 01:13:14,760
Speaker 3: Tyson and we were, you know, taking a bunch of

1800
01:13:14,800 --> 01:13:16,880
Speaker 3: group photos or whatever, and then Mike was like, let's

1801
01:13:16,880 --> 01:13:19,000
Speaker 3: take a solo pick and it's Mike Tyson is my

1802
01:13:19,000 --> 01:13:24,000
Speaker 3: favorite fighter ever. Of course he did like the dapt photo. Yeah,

1803
01:13:24,439 --> 01:13:27,519
Speaker 3: you could see the fear in my fucking eyes. My

1804
01:13:27,560 --> 01:13:29,599
Speaker 3: whole hand was for the rest of the day.

1805
01:13:29,520 --> 01:13:31,400
Speaker 1: Your dog. So we went We did the Mike Tyson

1806
01:13:31,800 --> 01:13:35,280
Speaker 1: podcast a while ago, and you know, the whole time

1807
01:13:35,320 --> 01:13:37,040
Speaker 1: to ride over there, you know, it's like this is

1808
01:13:37,080 --> 01:13:40,479
Speaker 1: Mike Man. So it's like we kind of like niggas

1809
01:13:40,520 --> 01:13:42,960
Speaker 1: is excited, but niggas also like, but what Mike were

1810
01:13:42,960 --> 01:13:45,120
Speaker 1: getting because you just hear stories about you don't know

1811
01:13:45,120 --> 01:13:48,519
Speaker 1: what we're getting with Mike Tyson, you getting Mike come in.

1812
01:13:48,680 --> 01:13:50,960
Speaker 1: We had at the at the office. He come in

1813
01:13:52,200 --> 01:13:55,360
Speaker 1: and I wasn't expecting him to be so soft spoken

1814
01:13:55,400 --> 01:13:57,960
Speaker 1: and friendly. But then, like you know, after we did

1815
01:13:57,960 --> 01:14:02,400
Speaker 1: the episode, we smoking me talking and Mike like the

1816
01:14:02,479 --> 01:14:03,800
Speaker 1: he like one of them niggas that like to play

1817
01:14:03,840 --> 01:14:05,519
Speaker 1: with his hand. I'm like, we're not gonna do that.

1818
01:14:06,520 --> 01:14:08,280
Speaker 1: I'll do that with every other nigga in this We're

1819
01:14:08,280 --> 01:14:10,400
Speaker 1: not doing that. We're not playing with the hands with you. No.

1820
01:14:10,520 --> 01:14:12,559
Speaker 3: He was shadow boxing in the kitchen and it was like.

1821
01:14:12,560 --> 01:14:14,559
Speaker 4: Yeah, yeah, like yeah, it was just like, oh no,

1822
01:14:14,640 --> 01:14:18,879
Speaker 4: you still know how to The athletes are machines, many machines.

1823
01:14:18,920 --> 01:14:21,960
Speaker 4: Even after the pro days, man, they're still conditions all

1824
01:14:22,000 --> 01:14:23,280
Speaker 4: from all them years and conditioning.

1825
01:14:23,720 --> 01:14:25,080
Speaker 1: They're still in shape, man, Mike.

1826
01:14:25,160 --> 01:14:26,640
Speaker 3: Mike might have been the only time I've ever been

1827
01:14:26,680 --> 01:14:27,920
Speaker 3: started strucking mindenthire life.

1828
01:14:28,120 --> 01:14:30,440
Speaker 1: Yeah, that was big me and Mike Tyson was definitely

1829
01:14:30,560 --> 01:14:33,200
Speaker 1: like and then you know, he fucked us up when

1830
01:14:33,240 --> 01:14:35,360
Speaker 1: he told us that he was you know, it put

1831
01:14:35,400 --> 01:14:37,720
Speaker 1: things in perspective for me to always say that that

1832
01:14:37,720 --> 01:14:40,800
Speaker 1: that interview and that that conversation with Mike Tyson changed

1833
01:14:40,840 --> 01:14:43,400
Speaker 1: a lot for me when he told us before every

1834
01:14:43,439 --> 01:14:47,920
Speaker 1: fight he was scared to death, and I looked at

1835
01:14:48,000 --> 01:14:50,640
Speaker 1: him like what he said? You know, no, I was.

1836
01:14:50,760 --> 01:14:52,160
Speaker 1: I used to be in the locker room scared to

1837
01:14:52,200 --> 01:14:54,920
Speaker 1: death like every fight. I'm like Mike, we used to

1838
01:14:54,920 --> 01:14:56,519
Speaker 1: be at the house and knowing you about to knock

1839
01:14:56,560 --> 01:14:59,080
Speaker 1: this nigga the fuck out, were talking about it. Don't

1840
01:14:59,160 --> 01:14:59,559
Speaker 1: order to fight.

1841
01:14:59,600 --> 01:15:01,320
Speaker 2: He's gonna be down and he's gonna be out in

1842
01:15:01,360 --> 01:15:03,439
Speaker 2: two minutes. Paid a hundred dollars for this ship.

1843
01:15:04,120 --> 01:15:06,120
Speaker 1: He's like, yo, I was scared to death every single fight.

1844
01:15:06,320 --> 01:15:08,800
Speaker 1: And to me, that puts so many things in perspective

1845
01:15:09,640 --> 01:15:12,280
Speaker 1: of like, Okay, if we think who the baddest, toughest

1846
01:15:12,360 --> 01:15:14,800
Speaker 1: dude on the planet is, if he's telling me that

1847
01:15:14,920 --> 01:15:18,639
Speaker 1: he was scared, then that's a natural thing, Like, Okay,

1848
01:15:18,640 --> 01:15:21,000
Speaker 1: we can all this, we can all be scared.

1849
01:15:21,040 --> 01:15:23,599
Speaker 4: Real ship, if Mike was shook, he punished a lot

1850
01:15:23,600 --> 01:15:25,519
Speaker 4: of them dudes and he was scared. I still go

1851
01:15:25,600 --> 01:15:29,840
Speaker 4: back and watch that ship. Yeah YouTube, of course, what.

1852
01:15:29,960 --> 01:15:33,360
Speaker 3: Uh how much money would it take to be Mike's

1853
01:15:33,600 --> 01:15:35,559
Speaker 3: sparring partner training for a fight?

1854
01:15:35,760 --> 01:15:40,559
Speaker 1: Me, Yeah, nah, I'm cool. I like ship. Might not

1855
01:15:40,600 --> 01:15:45,080
Speaker 1: read like I like my health. I'm not herman the situation.

1856
01:15:45,120 --> 01:15:46,280
Speaker 1: I'm not jumping in the ring with Mike.

1857
01:15:46,520 --> 01:15:48,679
Speaker 3: I've I've done some ship to chase my dreams before,

1858
01:15:48,720 --> 01:15:50,800
Speaker 3: but I could never imagine if boxing was like my

1859
01:15:51,160 --> 01:15:53,800
Speaker 3: main dream and the way to get there would be

1860
01:15:54,040 --> 01:15:56,200
Speaker 3: to be mike sparring part Like, all right, you gotta

1861
01:15:56,240 --> 01:15:58,040
Speaker 3: do this bullshit job to get to the next level.

1862
01:15:58,600 --> 01:15:59,559
Speaker 3: Let me spar with Mike.

1863
01:16:00,320 --> 01:16:02,679
Speaker 1: Is a bitch, right, You can't. It's a lot of shit.

1864
01:16:02,760 --> 01:16:03,599
Speaker 2: You can't do it.

1865
01:16:03,800 --> 01:16:07,479
Speaker 1: Rib breathe can't sit up exactly. You don't want bruises. Yeah.

1866
01:16:07,760 --> 01:16:09,760
Speaker 3: My cousin used to box professionally and I still spar

1867
01:16:09,840 --> 01:16:11,920
Speaker 3: with him. And he broke my ribs last year by

1868
01:16:11,960 --> 01:16:14,800
Speaker 3: accident because he didn't realized, like, I'm not a professional boxer.

1869
01:16:14,840 --> 01:16:16,000
Speaker 3: I don't know why he didn't realize it.

1870
01:16:16,040 --> 01:16:17,760
Speaker 1: Like, don't like that he.

1871
01:16:17,760 --> 01:16:20,600
Speaker 3: Broke my ribs. Every movement, every breath you take. I

1872
01:16:20,640 --> 01:16:23,760
Speaker 3: didn't realize your ribs legitimately is like the source of

1873
01:16:23,800 --> 01:16:26,559
Speaker 3: your body exactly. But I couldn't even breathe correctly for

1874
01:16:26,760 --> 01:16:27,360
Speaker 3: six weeks.

1875
01:16:27,640 --> 01:16:29,960
Speaker 1: What's the craziest thing that you woke up and read

1876
01:16:30,000 --> 01:16:32,719
Speaker 1: about yourself on the internet that was absolutely not true?

1877
01:16:34,320 --> 01:16:35,519
Speaker 1: And he was like, all right, I might be more

1878
01:16:35,520 --> 01:16:36,519
Speaker 1: famous than I thought to that.

1879
01:16:38,000 --> 01:16:41,479
Speaker 4: Them saying I got seven million dollars. Okay, I don't

1880
01:16:41,479 --> 01:16:42,600
Speaker 4: have seven millionaires.

1881
01:16:43,120 --> 01:16:43,920
Speaker 1: You know that's crazy.

1882
01:16:44,320 --> 01:16:46,320
Speaker 4: Yeah, I'm like, damn, I'm like, what the fuck did

1883
01:16:46,320 --> 01:16:47,120
Speaker 4: I wear yesterday?

1884
01:16:47,160 --> 01:16:48,400
Speaker 1: You know what I mean? Like, what the fuck?

1885
01:16:49,040 --> 01:16:49,120
Speaker 2: You know?

1886
01:16:49,200 --> 01:16:54,400
Speaker 4: I'm saying that the net the Google networth ship people,

1887
01:16:54,520 --> 01:16:56,320
Speaker 4: Let's let me know. If people don't know the value

1888
01:16:56,320 --> 01:16:58,519
Speaker 4: of money, they don't know because you know, people's believing

1889
01:16:58,560 --> 01:16:58,880
Speaker 4: that shit.

1890
01:16:59,200 --> 01:17:02,840
Speaker 3: Oh yeah know my mom My mom googled my name

1891
01:17:03,240 --> 01:17:05,920
Speaker 3: and legitimately called me not even on some funny ship

1892
01:17:06,040 --> 01:17:07,880
Speaker 3: it said I was worth four million dollars and my

1893
01:17:07,920 --> 01:17:10,040
Speaker 3: mom was mad at me. So you've been just holding

1894
01:17:10,040 --> 01:17:13,519
Speaker 3: money sometimes? Like I swear on everything I said, I

1895
01:17:13,520 --> 01:17:15,360
Speaker 3: would have my mom come on our podcast and explain

1896
01:17:15,400 --> 01:17:17,040
Speaker 3: that ship. She called me up. She was like, you

1897
01:17:17,040 --> 01:17:19,120
Speaker 3: have four million fucking dollars and you just haven't told

1898
01:17:19,120 --> 01:17:20,120
Speaker 3: me real ship.

1899
01:17:20,400 --> 01:17:22,920
Speaker 1: Yeah, my mom called me. It was a thing at

1900
01:17:22,960 --> 01:17:24,519
Speaker 1: one point that I was dating Cash Doll.

1901
01:17:25,560 --> 01:17:27,240
Speaker 3: Well that was that was the thing though.

1902
01:17:27,439 --> 01:17:30,800
Speaker 1: She was like, no, no, that seriously, that's how she

1903
01:17:30,840 --> 01:17:32,400
Speaker 1: called me. She was like, oh, so you were cash

1904
01:17:32,439 --> 01:17:32,880
Speaker 1: all together?

1905
01:17:32,880 --> 01:17:35,519
Speaker 3: I said, who, I'm not knowing your mother never even

1906
01:17:35,600 --> 01:17:37,280
Speaker 3: met her. It's funny your mom would know who Cash

1907
01:17:37,320 --> 01:17:37,640
Speaker 3: Doll was.

1908
01:17:37,880 --> 01:17:38,439
Speaker 2: That's what I was.

1909
01:17:39,200 --> 01:17:40,720
Speaker 1: I'm like, what are you talking? I'm like, my get

1910
01:17:40,720 --> 01:17:42,720
Speaker 1: off the internet, like you just googling some ship and

1911
01:17:42,760 --> 01:17:44,400
Speaker 1: now you're reading everything, and now you're coming to me

1912
01:17:44,560 --> 01:17:44,840
Speaker 1: with it.

1913
01:17:46,840 --> 01:17:48,559
Speaker 3: I have was a weird question. I feel like we

1914
01:17:48,560 --> 01:17:51,479
Speaker 3: should have asked more guests and rappers. How do rappers

1915
01:17:51,560 --> 01:17:55,599
Speaker 3: view the podcast world? That again, how do rappers view

1916
01:17:55,680 --> 01:17:56,439
Speaker 3: the podcast world?

1917
01:17:56,479 --> 01:17:58,880
Speaker 2: Like this boom of a whole new thing.

1918
01:17:59,040 --> 01:18:03,080
Speaker 4: We on your heels, we trying to start, y'all see us. Yeah,

1919
01:18:03,760 --> 01:18:06,040
Speaker 4: we love it because it's like different, it's taking over.

1920
01:18:07,080 --> 01:18:08,639
Speaker 4: I don't know what is what is it about these

1921
01:18:08,680 --> 01:18:10,800
Speaker 4: conversations that intrigue people so much.

1922
01:18:10,880 --> 01:18:13,640
Speaker 1: I think it's because I think what we do, we

1923
01:18:13,680 --> 01:18:15,559
Speaker 1: always try to make sure we have some type of

1924
01:18:15,560 --> 01:18:16,960
Speaker 1: personal connection.

1925
01:18:16,880 --> 01:18:19,160
Speaker 2: Exactly because the ship I'm saying right here, I'm not.

1926
01:18:19,080 --> 01:18:20,920
Speaker 1: Talking about it, I know, but that's but this is

1927
01:18:20,960 --> 01:18:22,920
Speaker 1: you know, this is what it is different. But I

1928
01:18:23,000 --> 01:18:25,880
Speaker 1: think that's what the beauty and podcasting well for us.

1929
01:18:25,960 --> 01:18:28,880
Speaker 1: Our angle is always you know, we don't like to

1930
01:18:28,920 --> 01:18:31,919
Speaker 1: get people on a press run because you kind of programmed,

1931
01:18:32,120 --> 01:18:35,000
Speaker 1: you're in a press run, you answering things a certain way,

1932
01:18:35,080 --> 01:18:38,040
Speaker 1: you don't want to answer certain things. So we try

1933
01:18:38,080 --> 01:18:39,840
Speaker 1: to keep it to where it just feels like more

1934
01:18:39,880 --> 01:18:41,559
Speaker 1: of a conversation. Like I don't even like holding this

1935
01:18:41,600 --> 01:18:43,360
Speaker 1: mic because I feel like I can't. We're just like

1936
01:18:43,640 --> 01:18:44,960
Speaker 1: I got a mic in my hand. This means this

1937
01:18:45,000 --> 01:18:47,160
Speaker 1: is going out to somewhere, Like I like to just

1938
01:18:47,160 --> 01:18:49,360
Speaker 1: sit and talk to people that I already kind of

1939
01:18:49,439 --> 01:18:52,080
Speaker 1: like have some type of relationship with. They know that,

1940
01:18:52,600 --> 01:18:56,479
Speaker 1: you know, I can ask whatever, it's just and vice versa.

1941
01:18:56,520 --> 01:18:58,240
Speaker 1: You can ask me whatever you want to ask. I

1942
01:18:58,240 --> 01:19:00,280
Speaker 1: don't want to, you know, hop on bull shit and

1943
01:19:00,280 --> 01:19:02,320
Speaker 1: talk about bullshit that people probably ask you every day,

1944
01:19:03,120 --> 01:19:05,800
Speaker 1: and just have you know, just just a different level

1945
01:19:05,800 --> 01:19:09,040
Speaker 1: of conversation, like a more you know, not just I

1946
01:19:09,280 --> 01:19:10,760
Speaker 1: don't want to talk to Bennie the Butcher. You know

1947
01:19:10,760 --> 01:19:12,840
Speaker 1: what I mean, I get it and I can feel that, yeah,

1948
01:19:13,560 --> 01:19:15,320
Speaker 1: like we talk about ship you know and it's certain

1949
01:19:15,320 --> 01:19:17,320
Speaker 1: ship I would never talk about on Mike with you,

1950
01:19:17,400 --> 01:19:21,080
Speaker 1: But I just feel like you and I or you

1951
01:19:21,080 --> 01:19:23,200
Speaker 1: know us, we can have a different conversation. I think

1952
01:19:23,200 --> 01:19:25,559
Speaker 1: that's what podcast that makes it just more intimate. It

1953
01:19:25,560 --> 01:19:27,080
Speaker 1: makes it a more intimate and it's different.

1954
01:19:27,200 --> 01:19:27,639
Speaker 2: Is different.

1955
01:19:27,680 --> 01:19:28,920
Speaker 1: It's like talking to the homies.

1956
01:19:29,000 --> 01:19:31,240
Speaker 3: Yeah, that press run ship. Like with radio, I feel

1957
01:19:31,240 --> 01:19:33,360
Speaker 3: like the pr person sets that up and you got

1958
01:19:33,400 --> 01:19:37,920
Speaker 3: a full day of different radio studio or different radio studio,

1959
01:19:38,240 --> 01:19:41,000
Speaker 3: same questions. They may not even really know who they're

1960
01:19:41,040 --> 01:19:43,920
Speaker 3: talking to that day. Let me pull up Wikipedia and

1961
01:19:44,240 --> 01:19:47,120
Speaker 3: ask them bullshit questions with the long farm content you actually,

1962
01:19:47,840 --> 01:19:49,960
Speaker 3: of course you can ask the relationship, but that can't

1963
01:19:49,960 --> 01:19:52,400
Speaker 3: fill up our idea, like you got to actually have

1964
01:19:52,439 --> 01:19:53,599
Speaker 3: some human moments for people.

1965
01:19:53,680 --> 01:19:55,479
Speaker 4: That's a good idea to catch people outside on press

1966
01:19:55,560 --> 01:20:00,000
Speaker 4: runs because you're right, three spots, three interviews.

1967
01:20:00,040 --> 01:20:02,760
Speaker 1: You don't talk that seven people did four phone interviews,

1968
01:20:02,800 --> 01:20:04,280
Speaker 1: Like you don't want to sit down on the couch,

1969
01:20:04,360 --> 01:20:05,680
Speaker 1: you want to go to sleep.

1970
01:20:05,400 --> 01:20:06,880
Speaker 4: At that you feel like and you feel like you're

1971
01:20:07,680 --> 01:20:11,120
Speaker 4: you're you're you're selling something. Yeah, like I'm here promote that. Yeah,

1972
01:20:11,160 --> 01:20:12,960
Speaker 4: we just hear kicking and I'm not kicking nothing.

1973
01:20:12,960 --> 01:20:14,200
Speaker 1: I don't know. I mean, we're just talking.

1974
01:20:14,400 --> 01:20:17,400
Speaker 3: And I feel like the average fan that, like you know,

1975
01:20:17,760 --> 01:20:21,200
Speaker 3: obsesses over their favorite artists, only gets them in the

1976
01:20:21,200 --> 01:20:23,240
Speaker 3: press run. So they only get the all right, who

1977
01:20:23,280 --> 01:20:26,160
Speaker 3: produced this, who's featured on the album? Type of They

1978
01:20:26,200 --> 01:20:28,639
Speaker 3: don't know their favorite artist when it's not album time.

1979
01:20:28,880 --> 01:20:30,599
Speaker 3: So when it's in between press runs, that's when.

1980
01:20:30,520 --> 01:20:32,840
Speaker 4: You actually get you there to talk about that your

1981
01:20:32,880 --> 01:20:34,479
Speaker 4: favorite artist is only the album.

1982
01:20:35,240 --> 01:20:37,600
Speaker 3: So yeah, I just think it's a better form to

1983
01:20:37,640 --> 01:20:41,000
Speaker 3: do ship. But you know, speaking of which, where's the album?

1984
01:20:41,520 --> 01:20:44,240
Speaker 1: I'm cooking? Man, I've been in a lad with hit Boy.

1985
01:20:45,320 --> 01:20:46,880
Speaker 4: Man, I got I know, they seen me with some

1986
01:20:46,960 --> 01:20:51,559
Speaker 4: zatoven beats, been in a studio with atl Jacob Pirates,

1987
01:20:51,840 --> 01:20:54,760
Speaker 4: at studio with Mike Will made It. I'm about to

1988
01:20:54,800 --> 01:20:56,400
Speaker 4: jump in there with Darren J're about to jump in

1989
01:20:56,400 --> 01:20:58,120
Speaker 4: there with Al But I got a lot of hit Boy.

1990
01:20:58,120 --> 01:20:59,400
Speaker 4: I'm about to jump back in there with hit Boy.

1991
01:20:59,520 --> 01:21:01,360
Speaker 4: Might let him Boy do the whole album again.

1992
01:21:01,240 --> 01:21:03,720
Speaker 2: Not sure, still in the early stages, but I got

1993
01:21:03,720 --> 01:21:04,520
Speaker 2: some records.

1994
01:21:04,680 --> 01:21:07,360
Speaker 3: Okay, Well, who haven't you worked with that you want

1995
01:21:07,400 --> 01:21:10,040
Speaker 3: to producer? Who haven't you worked with that.

1996
01:21:10,080 --> 01:21:11,479
Speaker 1: You want to Yay.

1997
01:21:11,720 --> 01:21:13,439
Speaker 2: I got to get in there with Yay and Dre.

1998
01:21:13,600 --> 01:21:16,439
Speaker 4: I gotta get in that room. Conway was in Yeah,

1999
01:21:16,520 --> 01:21:17,800
Speaker 4: you know what I mean. I gotta tell him, like, bro,

2000
01:21:18,000 --> 01:21:19,400
Speaker 4: don't you never not bring me with you?

2001
01:21:19,720 --> 01:21:19,960
Speaker 1: Yeah?

2002
01:21:20,479 --> 01:21:25,400
Speaker 4: Ever, Yeah, I got I gotta get I gotta get

2003
01:21:25,400 --> 01:21:26,519
Speaker 4: the niggas numbers out his phone.

2004
01:21:26,520 --> 01:21:27,400
Speaker 2: Man, that's where I want to go.

2005
01:21:27,920 --> 01:21:31,240
Speaker 1: So what's the plans with uh? First, we're good to

2006
01:21:31,240 --> 01:21:33,800
Speaker 1: see el Camino is good to hear him. See, I

2007
01:21:33,840 --> 01:21:37,400
Speaker 1: always liked him. What's the plan with Rick? Had? El Camino?

2008
01:21:37,479 --> 01:21:39,080
Speaker 1: He love Rick the whole.

2009
01:21:40,080 --> 01:21:42,960
Speaker 4: It just continued to push the envelope more. I'm trying

2010
01:21:43,000 --> 01:21:46,320
Speaker 4: to get Rick Hided into producing more of the artists albums.

2011
01:21:46,840 --> 01:21:49,160
Speaker 1: He ain't about to drop an album Fuego Bass.

2012
01:21:49,520 --> 01:21:53,040
Speaker 4: We finished with his album Going Crazy, watch like him

2013
01:21:53,240 --> 01:21:55,559
Speaker 4: mark my words like out of here.

2014
01:21:55,560 --> 01:21:56,240
Speaker 1: You know what I'm saying.

2015
01:21:57,520 --> 01:22:00,080
Speaker 4: Trying to get Rick Hi to produce more. You know

2016
01:22:00,080 --> 01:22:03,400
Speaker 4: what I'm saying, trying to he A lot of people

2017
01:22:03,439 --> 01:22:04,960
Speaker 4: have been taking to hem. They a lot of people

2018
01:22:05,000 --> 01:22:07,400
Speaker 4: feel like he stood out on the tape. So his

2019
01:22:07,439 --> 01:22:09,360
Speaker 4: album about to drop next.

2020
01:22:09,360 --> 01:22:10,000
Speaker 1: He's ready to go.

2021
01:22:10,080 --> 01:22:13,320
Speaker 4: We were just in the studio with sp me sp

2022
01:22:13,439 --> 01:22:15,760
Speaker 4: and heen did some shit for his album.

2023
01:22:15,880 --> 01:22:19,280
Speaker 1: Uh what else, love Boat?

2024
01:22:19,520 --> 01:22:22,240
Speaker 4: We just we're still working on like finalizing his situation

2025
01:22:22,320 --> 01:22:23,080
Speaker 4: at Veric Street.

2026
01:22:23,560 --> 01:22:24,400
Speaker 1: But he ready to go.

2027
01:22:25,680 --> 01:22:29,960
Speaker 4: Mackie Christina Mackie, Man, she's crazy talented. We got young

2028
01:22:30,000 --> 01:22:32,760
Speaker 4: world trying to get the artists in a to doing

2029
01:22:32,840 --> 01:22:35,800
Speaker 4: like other things instead of just you know, being in

2030
01:22:35,800 --> 01:22:38,479
Speaker 4: the studio doing the music, work with each other, work

2031
01:22:38,520 --> 01:22:39,280
Speaker 4: with different artists.

2032
01:22:39,320 --> 01:22:39,960
Speaker 1: You know what I'm saying?

2033
01:22:45,120 --> 01:22:47,080
Speaker 3: All right, y'all think Tony died at the end of.

2034
01:22:47,120 --> 01:22:51,160
Speaker 1: No I think so. I think he's always saying today,

2035
01:22:51,200 --> 01:22:52,479
Speaker 1: y'all think so. I don't think he did.

2036
01:22:52,560 --> 01:22:52,760
Speaker 2: Man.

2037
01:22:52,960 --> 01:22:54,840
Speaker 4: You know, they'd be trying to always leave room to

2038
01:22:54,920 --> 01:22:57,559
Speaker 4: do more shit. We end up passing away with James Go.

2039
01:22:57,880 --> 01:22:59,680
Speaker 4: We end up passing away. But I think they were

2040
01:22:59,680 --> 01:23:01,120
Speaker 4: trying to leave home. I don't think so.

2041
01:23:01,200 --> 01:23:03,880
Speaker 3: Man, it would have been fucked up. They smoked Tony

2042
01:23:03,880 --> 01:23:06,160
Speaker 3: in front of his wife and kids and onion rings.

2043
01:23:06,960 --> 01:23:09,840
Speaker 3: You gotta show us that's that's a that's a fucked

2044
01:23:09,920 --> 01:23:11,320
Speaker 3: up to die.

2045
01:23:11,520 --> 01:23:11,840
Speaker 1: Big dog.

2046
01:23:11,920 --> 01:23:14,640
Speaker 4: You got to show us Tony getting smoked like you

2047
01:23:14,640 --> 01:23:16,200
Speaker 4: can't know, I mean, if it ain't happen.

2048
01:23:16,240 --> 01:23:16,760
Speaker 1: It ain't happen.

2049
01:23:16,760 --> 01:23:19,240
Speaker 3: I mean I've seen all the internet conspiracy theories with

2050
01:23:19,479 --> 01:23:21,639
Speaker 3: like how they shot it with the point of view

2051
01:23:21,720 --> 01:23:23,840
Speaker 3: and Tony looked this way and the killer looked this

2052
01:23:23,880 --> 01:23:24,800
Speaker 3: way and then it went black.

2053
01:23:25,880 --> 01:23:27,599
Speaker 4: He was saying like his daughter was looking up at

2054
01:23:27,600 --> 01:23:31,519
Speaker 4: the yeah.

2055
01:23:29,880 --> 01:23:32,120
Speaker 3: And then like members he was wearing a members only jacket.

2056
01:23:32,120 --> 01:23:34,200
Speaker 3: And that was the first episode. I was like, oh, yeah,

2057
01:23:34,600 --> 01:23:36,160
Speaker 3: this is some nine eleven conspiracy.

2058
01:23:36,960 --> 01:23:37,799
Speaker 1: But that's how it happened.

2059
01:23:38,040 --> 01:23:41,040
Speaker 4: They said the one dude walked in the restaurant but

2060
01:23:41,080 --> 01:23:43,360
Speaker 4: didn't walk back out, that was him walking.

2061
01:23:43,439 --> 01:23:47,560
Speaker 3: That was the gun in the fucking bathroom or whatever. I

2062
01:23:47,600 --> 01:23:50,280
Speaker 3: don't know that, that whole Soprano ship. I just feel

2063
01:23:50,280 --> 01:23:53,120
Speaker 3: like that that changed TV completely and.

2064
01:23:53,120 --> 01:23:55,320
Speaker 4: Did like a lot of these shows, even the black shows,

2065
01:23:55,400 --> 01:23:58,439
Speaker 4: man like the It's like it brought us to TV.

2066
01:23:58,680 --> 01:24:00,479
Speaker 4: You know what I'm saying. It's like the wire type

2067
01:24:00,520 --> 01:24:04,080
Speaker 4: of ship. The wire, the wire and the Sopranos. I mean,

2068
01:24:04,080 --> 01:24:06,280
Speaker 4: it's like the father of like the TV we see

2069
01:24:06,280 --> 01:24:06,519
Speaker 4: to day.

2070
01:24:06,520 --> 01:24:08,519
Speaker 1: If you ask me for sure, how do you feel

2071
01:24:08,560 --> 01:24:09,320
Speaker 1: about Snowfall?

2072
01:24:10,160 --> 01:24:12,320
Speaker 2: And I love Snowfall Man, Snowfall.

2073
01:24:11,920 --> 01:24:12,400
Speaker 1: Of the Wire.

2074
01:24:15,600 --> 01:24:17,040
Speaker 3: I don't even like that, you have to think.

2075
01:24:16,920 --> 01:24:19,439
Speaker 4: I gotta go I gotta go wire because the og.

2076
01:24:20,080 --> 01:24:23,639
Speaker 4: But I'm loving Snowfall, you know what I mean. Like, man,

2077
01:24:23,720 --> 01:24:28,760
Speaker 4: I think I'm Franklin Saint. I mean it's like and

2078
01:24:28,840 --> 01:24:31,040
Speaker 4: I met him. I met him at Diddy House. Cool dude,

2079
01:24:31,080 --> 01:24:33,280
Speaker 4: you know what I'm saying. Cool dude, Cool dude.

2080
01:24:33,360 --> 01:24:36,040
Speaker 3: Did you see many Sings in York? The Sopranos?

2081
01:24:37,040 --> 01:24:39,240
Speaker 1: Did I love that movie? Did you love it? I

2082
01:24:39,280 --> 01:24:40,960
Speaker 1: love that a lot of people didn't like it. They

2083
01:24:40,960 --> 01:24:44,000
Speaker 1: didn't I liked it because they was expecting a different type,

2084
01:24:44,080 --> 01:24:44,639
Speaker 1: right right right.

2085
01:24:45,000 --> 01:24:46,960
Speaker 3: I was one of those people. I went in there

2086
01:24:46,960 --> 01:24:51,040
Speaker 3: with expectations. Maybe I should I think Sopranos, I think, uh,

2087
01:24:51,360 --> 01:24:54,799
Speaker 3: the writers, directors, everything deserve expectations because they're so genius.

2088
01:24:54,840 --> 01:24:58,320
Speaker 3: I went in with expectations and I didn't dislike it,

2089
01:24:58,400 --> 01:25:00,479
Speaker 3: but I was a little wasn't enough. I don't really

2090
01:25:00,479 --> 01:25:03,880
Speaker 3: think anything happened at all, like in the movie what

2091
01:25:03,920 --> 01:25:04,679
Speaker 3: happened to the movie?

2092
01:25:05,080 --> 01:25:06,000
Speaker 1: I think I think nothing.

2093
01:25:06,200 --> 01:25:09,519
Speaker 4: We got to know, we got to know, like we

2094
01:25:09,600 --> 01:25:12,680
Speaker 4: got to know Uncle in his younger days. Yeah, we

2095
01:25:12,760 --> 01:25:15,400
Speaker 4: got to see his treachery. Yeah, you know what I'm saying.

2096
01:25:15,400 --> 01:25:17,280
Speaker 4: We got to know a little bit about Tony's father.

2097
01:25:18,080 --> 01:25:20,559
Speaker 3: Listen, I'm saying I got an issue just being Eskimo

2098
01:25:20,640 --> 01:25:25,560
Speaker 3: Brothers with my friends, let alone my father. Yeah, I

2099
01:25:25,560 --> 01:25:28,120
Speaker 3: don't think it was sick that he was sucking his

2100
01:25:28,720 --> 01:25:29,560
Speaker 3: step mom.

2101
01:25:29,920 --> 01:25:30,559
Speaker 1: Of course it was.

2102
01:25:31,280 --> 01:25:32,720
Speaker 3: Yeah, he killed his pop so.

2103
01:25:32,680 --> 01:25:35,559
Speaker 1: He could be. I ain't gonna say that's why he

2104
01:25:35,640 --> 01:25:38,800
Speaker 1: killed him. I guess it was so he could be. No,

2105
01:25:40,439 --> 01:25:42,639
Speaker 1: I'm not I'm not gonna give you that. I see

2106
01:25:42,680 --> 01:25:43,760
Speaker 1: why you I understand it.

2107
01:25:43,800 --> 01:25:45,920
Speaker 2: But it was other it was other ship, it was

2108
01:25:45,960 --> 01:25:46,479
Speaker 2: other things.

2109
01:25:46,600 --> 01:25:48,439
Speaker 3: It was definitely think I think that would have been

2110
01:25:48,479 --> 01:25:51,040
Speaker 3: a good intro to what a series could have been,

2111
01:25:51,280 --> 01:25:54,040
Speaker 3: Like that should have been the movie into what that should.

2112
01:25:53,760 --> 01:25:54,360
Speaker 1: Have been a series.

2113
01:25:54,439 --> 01:25:58,240
Speaker 4: Yeah, right, Like I'm definitely expecting that with another part. Yeah,

2114
01:25:58,240 --> 01:25:59,880
Speaker 4: I hope it got to be two or three, Like

2115
01:25:59,880 --> 01:26:02,080
Speaker 4: we gotta see Tony. We got to see Tony do

2116
01:26:02,160 --> 01:26:02,880
Speaker 4: some criminal ship.

2117
01:26:03,000 --> 01:26:05,960
Speaker 1: Yeah, yeah, you know what I'm saying.

2118
01:26:06,439 --> 01:26:10,360
Speaker 4: I loved that baby Chris was crying saying every round

2119
01:26:10,360 --> 01:26:12,759
Speaker 4: Tony Like, I mean, it was one of my favorite parts.

2120
01:26:13,080 --> 01:26:13,280
Speaker 1: Yeah.

2121
01:26:13,400 --> 01:26:15,160
Speaker 2: Like that tied into the series.

2122
01:26:15,320 --> 01:26:18,280
Speaker 3: And I liked how they had I forgot the gentleman's

2123
01:26:18,320 --> 01:26:22,320
Speaker 3: name that that plays Chris from the Sopranos Ship. He

2124
01:26:22,640 --> 01:26:25,479
Speaker 3: was in U Dead President, he was in mass Ship.

2125
01:26:26,080 --> 01:26:27,920
Speaker 3: I like that he that he intro the whole ship

2126
01:26:27,920 --> 01:26:29,160
Speaker 3: of like, yo, it is the guy that killed me.

2127
01:26:29,720 --> 01:26:30,360
Speaker 1: Yeah, that was dope.

2128
01:26:30,400 --> 01:26:33,120
Speaker 2: I thought that was And I liked seeing I like

2129
01:26:33,200 --> 01:26:33,760
Speaker 2: seeing like.

2130
01:26:34,479 --> 01:26:39,200
Speaker 4: Them making the characters younger, you know what I'm saying,

2131
01:26:39,240 --> 01:26:41,559
Speaker 4: and and and and the younger characters like trying to

2132
01:26:41,600 --> 01:26:45,040
Speaker 4: get like from the series, trying to uh mock everything

2133
01:26:45,080 --> 01:26:46,840
Speaker 4: those guys was doing, and trying to get the looks

2134
01:26:46,880 --> 01:26:48,840
Speaker 4: down what I'm saying, like Uncle Junior, I think that.

2135
01:26:48,920 --> 01:26:49,919
Speaker 2: I think that was dope.

2136
01:26:50,200 --> 01:26:54,519
Speaker 1: I thought for a long time. Yeah, and emotional for

2137
01:26:54,560 --> 01:26:57,120
Speaker 1: a long time. A long time. He never switched his

2138
01:26:57,160 --> 01:26:58,599
Speaker 1: glasses up, you know what I mean.

2139
01:26:58,840 --> 01:27:02,320
Speaker 3: Yeah, but nah, I just always wanted to know what

2140
01:27:02,360 --> 01:27:03,919
Speaker 3: you thought of many scenes in North.

2141
01:27:04,040 --> 01:27:06,280
Speaker 4: And I love it man Fansit me like the the

2142
01:27:06,320 --> 01:27:09,240
Speaker 4: Sopranos jacket, the Sopranos Jersey fans in me, all of

2143
01:27:09,280 --> 01:27:09,599
Speaker 4: that shit.

2144
01:27:10,560 --> 01:27:15,400
Speaker 3: How much of calling the label black Soprano family, do

2145
01:27:15,479 --> 01:27:17,439
Speaker 3: you want to kind of brand it with the actual

2146
01:27:17,479 --> 01:27:18,160
Speaker 3: Soprano show?

2147
01:27:19,800 --> 01:27:20,160
Speaker 1: A lot?

2148
01:27:20,520 --> 01:27:22,320
Speaker 4: A lot actually, because I'm a fan of the show.

2149
01:27:23,520 --> 01:27:28,680
Speaker 4: I'm inspired by, you know, the I'm inspired by the

2150
01:27:28,920 --> 01:27:34,439
Speaker 4: Lakoltra Nosha culture, culture, family and hierarchy, you know what

2151
01:27:34,479 --> 01:27:37,760
Speaker 4: I'm saying. And you know that that don't even stand it.

2152
01:27:37,880 --> 01:27:39,200
Speaker 4: Just in the criminal world, you know what I'm saying.

2153
01:27:39,200 --> 01:27:41,400
Speaker 4: We run in the business. They ran them like fortune

2154
01:27:41,400 --> 01:27:46,639
Speaker 4: five hundred companies. So I'm inspired off of things like that. Yeah,

2155
01:27:47,080 --> 01:27:47,880
Speaker 4: I mean, I just you know.

2156
01:27:47,880 --> 01:27:48,160
Speaker 1: What I mean.

2157
01:27:48,520 --> 01:27:51,160
Speaker 2: I do want to I do want to indulge like

2158
01:27:51,240 --> 01:27:53,799
Speaker 2: and I want to do like mob movies.

2159
01:27:54,200 --> 01:27:54,880
Speaker 1: I like that.

2160
01:27:54,880 --> 01:27:57,040
Speaker 2: That's why I love the movie because anytime they give

2161
01:27:57,080 --> 01:27:59,360
Speaker 2: me anything like a mob movie, I love it.

2162
01:27:59,400 --> 01:28:00,000
Speaker 1: Like what's the one?

2163
01:28:00,040 --> 01:28:05,200
Speaker 4: And ship the uh Russell it was Russell Buffalino not

2164
01:28:05,240 --> 01:28:05,880
Speaker 4: too long ago.

2165
01:28:06,080 --> 01:28:08,920
Speaker 2: Oh Irishman, The Irishman. I love that movie to lash

2166
01:28:09,080 --> 01:28:10,439
Speaker 2: and I got that movie got a lot of.

2167
01:28:10,439 --> 01:28:12,599
Speaker 3: Flak, So I love The Irishman.

2168
01:28:12,640 --> 01:28:15,120
Speaker 4: I don't think we moved get another Good Fellas. We're

2169
01:28:15,160 --> 01:28:18,800
Speaker 4: never gonna get another good Folks. We shouldn't another casino

2170
01:28:19,160 --> 01:28:20,720
Speaker 4: like those let those you.

2171
01:28:20,680 --> 01:28:23,000
Speaker 1: Know what I mean, because if you try to, it's like,

2172
01:28:23,000 --> 01:28:25,000
Speaker 1: all right, see now y'are playing games like don't do that?

2173
01:28:25,080 --> 01:28:27,479
Speaker 3: Leave that way, what's funny about The Irishman is like

2174
01:28:27,560 --> 01:28:31,120
Speaker 3: it was like the deluxe album of Goodfellasse. Good Fellas

2175
01:28:31,160 --> 01:28:33,120
Speaker 3: when you look back at all the Mob movies has

2176
01:28:33,160 --> 01:28:35,960
Speaker 3: the least amount of action. It's a very just dialogue

2177
01:28:36,000 --> 01:28:38,160
Speaker 3: the entire time. Of course, you got the scene when

2178
01:28:38,160 --> 01:28:40,160
Speaker 3: they beat up Billy Batsmall ship, but it's a fucking

2179
01:28:41,080 --> 01:28:43,640
Speaker 3: quote unquote boring movie when it comes to action. In

2180
01:28:43,720 --> 01:28:48,000
Speaker 3: my movies, The Irishman was just three hours of dialogue,

2181
01:28:48,000 --> 01:28:50,160
Speaker 3: whereas Goodfellas was two hours.

2182
01:28:50,240 --> 01:28:50,760
Speaker 1: You could take it.

2183
01:28:51,080 --> 01:28:53,280
Speaker 3: Yeah, I think that's why people hated that. But Irishman

2184
01:28:53,640 --> 01:28:54,680
Speaker 3: is a class I like that.

2185
01:28:54,760 --> 01:28:56,479
Speaker 1: I love that. I love it too. I love it

2186
01:28:56,760 --> 01:28:57,360
Speaker 1: and even.

2187
01:28:58,160 --> 01:29:02,200
Speaker 3: Those history with that whole shit, you know, Iris the

2188
01:29:02,200 --> 01:29:04,000
Speaker 3: time Russell Buffalo Buffalino.

2189
01:29:04,120 --> 01:29:05,639
Speaker 1: Yeah, like that's eerie, pa.

2190
01:29:05,680 --> 01:29:07,599
Speaker 4: It was right next to Buffalo, what I'm saying, even

2191
01:29:07,600 --> 01:29:09,880
Speaker 4: though the name that has nothing to do with it, ironically,

2192
01:29:10,280 --> 01:29:13,519
Speaker 4: but yeah, around that time, like Stefano Magadino, he was

2193
01:29:13,520 --> 01:29:17,240
Speaker 4: the Buffalo crime baars. You know what I'm saying, Joe

2194
01:29:17,280 --> 01:29:18,120
Speaker 4: Banano's cousin.

2195
01:29:18,320 --> 01:29:19,240
Speaker 1: Yeah, you know what I'm saying.

2196
01:29:19,920 --> 01:29:22,200
Speaker 3: Yeah, I feel like like the whole Commission case and

2197
01:29:22,200 --> 01:29:23,960
Speaker 3: all that shit, wasn't that by Buffalo where they.

2198
01:29:24,439 --> 01:29:27,040
Speaker 2: Was upstate and it was upstate in the Appalachian Mountains.

2199
01:29:27,120 --> 01:29:27,400
Speaker 1: Yeah?

2200
01:29:27,439 --> 01:29:30,599
Speaker 4: Well, uh, Stefano Magadino, the Buffalo crime boss, he was there.

2201
01:29:30,880 --> 01:29:36,519
Speaker 4: He's the longest running crime boss ever. He was the

2202
01:29:36,560 --> 01:29:39,080
Speaker 4: boss for fifty years. He was the only person who

2203
01:29:39,080 --> 01:29:40,599
Speaker 4: ever to do that like that. You know what I'm saying.

2204
01:29:41,080 --> 01:29:43,640
Speaker 3: I feel like Buffalo as a city is still like

2205
01:29:44,080 --> 01:29:48,960
Speaker 3: that blue collar union type city that doesn't really happen

2206
01:29:49,000 --> 01:29:52,400
Speaker 3: within the Tri State anymore at all. Do you think

2207
01:29:52,479 --> 01:29:55,040
Speaker 3: that that actually has anything to do with how y'all

2208
01:29:55,120 --> 01:29:57,759
Speaker 3: built your fan base of just like regular ass people,

2209
01:29:58,080 --> 01:30:00,000
Speaker 3: not even an organized crime shit. I feel like Buffalo

2210
01:30:00,200 --> 01:30:03,720
Speaker 3: still one of the few blue collar cities. People are

2211
01:30:03,800 --> 01:30:06,599
Speaker 3: born and raised there, stay there. It's not a transplant city.

2212
01:30:06,960 --> 01:30:08,680
Speaker 3: I think that has anything to do with the fan

2213
01:30:08,760 --> 01:30:13,360
Speaker 3: base that y'all started with, because I the Griselda fan

2214
01:30:13,400 --> 01:30:17,080
Speaker 3: base feels like the homegrown, blue collar like we was

2215
01:30:17,160 --> 01:30:18,000
Speaker 3: raised here type.

2216
01:30:18,520 --> 01:30:18,720
Speaker 1: Yeah.

2217
01:30:18,720 --> 01:30:20,360
Speaker 3: I think so, which that's why I feel like a

2218
01:30:20,360 --> 01:30:22,360
Speaker 3: lot of New York City acts aren't really making it

2219
01:30:22,400 --> 01:30:24,559
Speaker 3: because New York City has become such a transplant city.

2220
01:30:24,600 --> 01:30:26,680
Speaker 3: It's not New York is the way it used to be,

2221
01:30:27,080 --> 01:30:31,000
Speaker 3: whereas Buffalo to me outside looking in still feels like

2222
01:30:31,040 --> 01:30:31,759
Speaker 3: that type.

2223
01:30:31,600 --> 01:30:33,080
Speaker 1: Of thing, I believe.

2224
01:30:33,120 --> 01:30:35,240
Speaker 4: So I think us being from damn near the middle

2225
01:30:35,240 --> 01:30:38,680
Speaker 4: of nowhere like wanted people to root for us, like, oh, man,

2226
01:30:38,680 --> 01:30:42,479
Speaker 4: where they're from. And also it made it less territorial. Yeah,

2227
01:30:42,840 --> 01:30:44,920
Speaker 4: like we were not from a borough like you know sometime,

2228
01:30:45,040 --> 01:30:46,680
Speaker 4: you know, that kind of hindered us too. If we

2229
01:30:46,760 --> 01:30:48,680
Speaker 4: talk at East Coast music, if you ask me, I'm

2230
01:30:48,680 --> 01:30:50,360
Speaker 4: I'm Benny the Butcher and Groselte. I feel like, you

2231
01:30:50,360 --> 01:30:53,040
Speaker 4: know what I mean, If Benny the Butcher was from Brooklyn,

2232
01:30:53,600 --> 01:30:55,960
Speaker 4: you know what I'm saying. But now it's like this

2233
01:30:56,080 --> 01:30:58,560
Speaker 4: though we don't We don't deal with none of the

2234
01:30:59,320 --> 01:31:02,280
Speaker 4: politics of the boroughs. These dudes, don't fuck with these dudes.

2235
01:31:02,320 --> 01:31:03,519
Speaker 4: These don't know what I'm saying. We don't deal with

2236
01:31:03,560 --> 01:31:05,280
Speaker 4: none of that shit. We don't deal with none of

2237
01:31:05,280 --> 01:31:07,560
Speaker 4: the politics because we're from the middle of nowhere. What

2238
01:31:07,560 --> 01:31:08,960
Speaker 4: I'm saying, we don't got none to do with that shit.

2239
01:31:09,000 --> 01:31:12,360
Speaker 4: People just enjoy our music a certain way. So I

2240
01:31:12,360 --> 01:31:15,200
Speaker 4: feel like man being from Buffalo definitely helped us. It's

2241
01:31:15,280 --> 01:31:16,839
Speaker 4: nothing never came from out that motherfucker.

2242
01:31:17,240 --> 01:31:19,880
Speaker 3: I think everything is shifted. Whereas if you weren't from

2243
01:31:19,960 --> 01:31:22,479
Speaker 3: New York, Atlanta, la Oors used to be like, I'm

2244
01:31:22,479 --> 01:31:25,000
Speaker 3: not in the main markets, I can't make it. I

2245
01:31:25,040 --> 01:31:27,240
Speaker 3: think if you're not from the main markets. Now, like

2246
01:31:27,720 --> 01:31:32,839
Speaker 3: Jack Harlow, I think he's become that whole state's champion,

2247
01:31:33,040 --> 01:31:35,080
Speaker 3: like everyone wants to get behind him because he's not

2248
01:31:35,479 --> 01:31:38,360
Speaker 3: exactly from a maze, like, oh we got one finally,

2249
01:31:38,479 --> 01:31:40,880
Speaker 3: Whereas New York is like, we have ten thousand raffers

2250
01:31:40,920 --> 01:31:42,800
Speaker 3: in Brooklyn, Why am I get behind you because you're

2251
01:31:42,800 --> 01:31:44,760
Speaker 3: from Brooklyn. It doesn't work that way.

2252
01:31:44,840 --> 01:31:45,639
Speaker 1: Now, that's a fact.

2253
01:31:45,800 --> 01:31:49,439
Speaker 4: And I think that's that's a tactic that people use,

2254
01:31:49,479 --> 01:31:51,040
Speaker 4: and they want to go get like the middle the

2255
01:31:51,080 --> 01:31:53,200
Speaker 4: middle of nowhere kids, the middle of.

2256
01:31:53,160 --> 01:31:55,960
Speaker 2: Nowhere people, because it's like, talk about your area. We

2257
01:31:56,240 --> 01:31:57,920
Speaker 2: heard about all of these cities before, and tell us

2258
01:31:57,920 --> 01:31:59,680
Speaker 2: about this place we never heard. We've never even been

2259
01:31:59,720 --> 01:32:01,679
Speaker 2: to this motherfucker. We didn't even know this shit exists.

2260
01:32:01,760 --> 01:32:04,160
Speaker 2: Wrap about it for us. I think people into that

2261
01:32:04,520 --> 01:32:07,200
Speaker 2: what happened to the record you had with with nas

2262
01:32:07,240 --> 01:32:11,400
Speaker 2: on the hit Boy and never I think hit was

2263
01:32:11,400 --> 01:32:14,280
Speaker 2: telling me that he kind of didn't fit the burden

2264
01:32:14,360 --> 01:32:15,800
Speaker 2: and proof and it was for burning to proof and

2265
01:32:15,840 --> 01:32:16,360
Speaker 2: it didn't fit.

2266
01:32:16,400 --> 01:32:17,840
Speaker 4: But we was listening to the other day and I'm like,

2267
01:32:17,880 --> 01:32:21,120
Speaker 4: it fit this it fit this one. Yeah, I mean

2268
01:32:21,160 --> 01:32:23,559
Speaker 4: I was listening. I think it fit and it's crazy

2269
01:32:23,600 --> 01:32:25,320
Speaker 4: you said that. But I'm thinking, like, I'm going to

2270
01:32:25,360 --> 01:32:26,760
Speaker 4: revisit that. I want to see if I could use

2271
01:32:26,760 --> 01:32:27,400
Speaker 4: that for this album.

2272
01:32:27,439 --> 01:32:30,200
Speaker 3: Okay, yeah, oh shit, I haven't heard that one. Yeah,

2273
01:32:30,560 --> 01:32:32,080
Speaker 3: it was a treat one. I need to hear the novel.

2274
01:32:32,400 --> 01:32:34,040
Speaker 2: It's a good one, man, it's a good one.

2275
01:32:34,080 --> 01:32:37,559
Speaker 1: Man. I'm trying to tell you all right, well listen, man,

2276
01:32:37,600 --> 01:32:39,320
Speaker 1: I don't want to, you know, sit here and talk

2277
01:32:39,360 --> 01:32:41,040
Speaker 1: so much longer. But I am glad that, you know,

2278
01:32:41,120 --> 01:32:44,080
Speaker 1: we was able to see you and kick it with you. Man,

2279
01:32:44,120 --> 01:32:45,960
Speaker 1: I haven't seen you in a while, but I'm proud

2280
01:32:46,000 --> 01:32:47,960
Speaker 1: of you. I'm happy for you, always rooting for you,

2281
01:32:48,080 --> 01:32:50,760
Speaker 1: and you know I'm rocking with you forever as family. Man.

2282
01:32:50,840 --> 01:32:53,320
Speaker 4: So man, I appreciate you, fellas. Whenever I run into y'all,

2283
01:32:53,320 --> 01:32:55,559
Speaker 4: it's a good thing because nine times out of ten,

2284
01:32:55,600 --> 01:32:58,000
Speaker 4: we always working or we're on our way somewhere.

2285
01:32:58,040 --> 01:33:00,080
Speaker 2: We had an event. So It's always good to see that.

2286
01:33:00,200 --> 01:33:02,680
Speaker 1: Let me. That reminds me though, that I'm working. When

2287
01:33:02,640 --> 01:33:05,120
Speaker 1: I'm working, it's working, man working. But I'm proud of you.

2288
01:33:05,400 --> 01:33:08,000
Speaker 1: It's good to see you, man. Love appreciate you'all boys.

2289
01:33:08,120 --> 01:33:10,120
Speaker 1: All right, it's been another episode of New Rory and

2290
01:33:10,200 --> 01:33:13,439
Speaker 1: Mall with my guy, my brother Benny the Butcher. Shout

2291
01:33:13,439 --> 01:33:17,160
Speaker 1: out the rock star energy, yes, and shout out to

2292
01:33:17,240 --> 01:33:18,839
Speaker 1: Rory in the sunlight hitting his face.

2293
01:33:19,880 --> 01:33:24,520
Speaker 3: Sunscreen at this point, shout the culture lab.

2294
01:33:24,880 --> 01:33:27,560
Speaker 2: Everybody, sir, it's nice in here. I'm gonna throw me

2295
01:33:27,600 --> 01:33:28,200
Speaker 2: some ship in here.

2296
01:33:28,240 --> 01:33:30,519
Speaker 1: Man. Oh no, that's yeah, now that I know we've

2297
01:33:30,520 --> 01:33:33,320
Speaker 1: got a clubhouse down here. Yeah, for sure, I'll definitely

2298
01:33:33,320 --> 01:33:34,840
Speaker 1: be back down here doing some shit I shouldn't be

2299
01:33:34,840 --> 01:33:37,800
Speaker 1: doing in ours office, all right,