WEBVTT - The Whispers

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<v Speaker 1>Money. We all take val We are the authority on

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<v Speaker 1>all things R and ladies and gentlemen, what's going on.

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<v Speaker 1>I am Tank, I'm Ja Valentine and this is the

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<v Speaker 1>R and B Money Podcast. The authority, the whole new authority.

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<v Speaker 1>Now were whole new authority. It's getting different. It's different today. Yeah,

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<v Speaker 1>we will tell you. We talk about we're talking about

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<v Speaker 1>the essence of a thing that is so fragile that

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<v Speaker 1>that you can't say it too loud. You you have

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<v Speaker 1>to lay to gentlemen some noise. Oh man, we know,

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<v Speaker 1>we know what we love. We get it. This is different.

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<v Speaker 1>First of all, man, thank you all so much, Thank

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<v Speaker 1>you guys so much, man for coming um this. These

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<v Speaker 1>are the type of moments for us, um that really

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<v Speaker 1>bless us, that really bless us when we get to really,

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<v Speaker 1>um dabble into the foundation of this whole thing. You

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<v Speaker 1>know what I mean, because you know these are these

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<v Speaker 1>are roads, dirt roads, gravel roads, um, that were paved.

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<v Speaker 1>These are you know, houses that were completely you know,

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<v Speaker 1>built from the ground up that you know, me and

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<v Speaker 1>this guy now we get to walk those roads and

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<v Speaker 1>we get to go into those buildings because you are

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<v Speaker 1>so first, thank you you know what I mean, Um,

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<v Speaker 1>you say something because I'm can I start off by

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<v Speaker 1>saying this, please whatever you want, whatever you want. Yes,

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<v Speaker 1>let me just say this, Man, to you two young guys,

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<v Speaker 1>Jay Tank, We've watched you guys from Afar with a

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<v Speaker 1>great deal of admiration, and we talked about this all

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<v Speaker 1>the time. We're from two different different generations. What you

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<v Speaker 1>two young guys have done, the hit makers, the writing,

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<v Speaker 1>we admire it. We want you to know how we

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<v Speaker 1>feel about it, and we we say to ourselves all

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<v Speaker 1>the time. As time goes on, the circumstance makes things

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<v Speaker 1>better for the younger ones. But when we came along,

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<v Speaker 1>we probably didn't have the opportunities that you did, but

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<v Speaker 1>we watched you guys take it and run with it.

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<v Speaker 1>And before we started this today, when we're talking about

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<v Speaker 1>Jay coming out of retirement, enough, that's grandson. So what

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<v Speaker 1>that speaks to, man, it really speaks to what you

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<v Speaker 1>guys have taken and done with it. We wish we

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<v Speaker 1>would have had the opportunity. You know, we're gonna talk

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<v Speaker 1>about it today, about the obstacles that were in our

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<v Speaker 1>way racism the sixties. We didn't have the opportunity, but

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<v Speaker 1>we said this all the time, especially with the rappers

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<v Speaker 1>because we're in R and B. But the rappers said,

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<v Speaker 1>before we let you take our music, we'll sell it

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<v Speaker 1>out of our car. Had we taken that stance when

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<v Speaker 1>we were coming up, it would have been quite different.

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<v Speaker 1>So we watch you guys with all this admiration, man,

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<v Speaker 1>because that's what y'all did. You told the industry you're

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<v Speaker 1>not gonna mess around, You're not gonna mess us up.

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<v Speaker 1>We determined to do what we do, and you've done it.

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<v Speaker 1>And I'm speaking for the whispers when I say this, man,

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<v Speaker 1>great just of admiration to both of you. That's what

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<v Speaker 1>it means to us. Let me let me add one.

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<v Speaker 1>I'm gonna add one word to what he's saying, and

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<v Speaker 1>it's a short way of saying what you guys did

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<v Speaker 1>that we didn't do. You understood the word ownership way

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<v Speaker 1>better than we did. We understood it, but when we

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<v Speaker 1>came along, even if we had understood it, we the

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<v Speaker 1>times wouldn't allow it. But y'all didn't have that problem.

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<v Speaker 1>And I just love you for it because the people

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<v Speaker 1>that's gonna be after you, your kids, their kids, they're

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<v Speaker 1>gonna learn from you too. You know, so you got

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<v Speaker 1>if we didn't understood what ownership really meant, fighting, dying,

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<v Speaker 1>ford do whatever, we've probably been a lot better, but

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<v Speaker 1>we didn't, and we're not. We're not blaming nobody but

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<v Speaker 1>us and all the foals we had we put on

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<v Speaker 1>us because we got the same brain that you. We

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<v Speaker 1>might use a little different, but we all got a brain.

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<v Speaker 1>Now how you use it as your problem, But y'all

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<v Speaker 1>understood that word ownership. And I don't want to thank

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<v Speaker 1>you for it, just the times itself allow you to

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<v Speaker 1>do that. Like he said, during the time that we

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<v Speaker 1>came along, there was no such thing and they weren't

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<v Speaker 1>gonna give it to you. And you were so hungry

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<v Speaker 1>at the time just to have a record deal, you

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<v Speaker 1>know what I'm saying, because you already knew. Look, if

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<v Speaker 1>you'd have walked in and said, Okay, I'll take the deal,

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<v Speaker 1>but I won't own everything that I do, they tell you,

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<v Speaker 1>okay next, that's what would have happened to you. So

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<v Speaker 1>we didn't even have that opportunity and was never afforded

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<v Speaker 1>that opportunity. But as you get older, you know, like

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<v Speaker 1>the the people like the Ray Charles and you know,

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<v Speaker 1>those kind of people were able to go back and

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<v Speaker 1>get that ownership. Now that that's been paid for, you guys,

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<v Speaker 1>you know, you don't necessarily have to go to a

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<v Speaker 1>record company. There's so many other avenues to put your

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<v Speaker 1>record out. Now, we didn't have none of that. So,

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<v Speaker 1>like like like guy said, I don't think it was

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<v Speaker 1>dumbness on our part, another kind of thing. We just

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<v Speaker 1>didn't have the opportunity and we put it probably have

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<v Speaker 1>been railroaded out of the business. So you just kind

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<v Speaker 1>of had to flow with the waters until you know,

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<v Speaker 1>you got to the position where we are today where

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<v Speaker 1>now we can go back and record everything that done

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<v Speaker 1>over the years. But it but it took. It took

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<v Speaker 1>some arrogance though. It took some cockiness. The younger generation, y'all.

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<v Speaker 1>Y'all was crazy, y'all say I'm not taking the ship

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<v Speaker 1>excuse my expression. And that's what it took. I mean,

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<v Speaker 1>you know what I'm talking about. You know, we were humble, man,

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<v Speaker 1>because we were trying to get in the door. You know,

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<v Speaker 1>I mean, y'all said, hey, you ain't taking my hip

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<v Speaker 1>and sucking it up. That's what y'all, And that's what

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<v Speaker 1>needed to be said, you know, not even though when

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<v Speaker 1>you had we said that it still would have been limited.

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<v Speaker 1>But as time moves on, the opportunity to get greater,

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<v Speaker 1>and y'all took advantage of it, and I think it's

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<v Speaker 1>just great, man. I just want to extend you guys.

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<v Speaker 1>You know a lot of grace right in that regard,

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<v Speaker 1>because you know the idea of thinking for yourself and

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<v Speaker 1>wanting to own there's a different There was a different

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<v Speaker 1>repercussion in your time then there is in our time,

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<v Speaker 1>you know what I mean. And that's from your blood,

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<v Speaker 1>sweat and tears of doing everything that you were able

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<v Speaker 1>to do right. But you know, it's it's hard to say,

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<v Speaker 1>you know, walking the door and have this mind to

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<v Speaker 1>want to own something when in those days it could

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<v Speaker 1>possibly cost you more than just your career. It's like

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<v Speaker 1>the lyric that jay Z says. He said, I'm coming

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<v Speaker 1>back to get everything that they from what everything that

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<v Speaker 1>they took from the co crush? That's exactly and he

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<v Speaker 1>literally did that, and he had to make the decision

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<v Speaker 1>of I'm willing to sink or swim. I think for

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<v Speaker 1>us it happened in a couple of ways. I think

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<v Speaker 1>obviously in tank situation, it was more so about his longevity,

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<v Speaker 1>because you know, he started off with one of those

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<v Speaker 1>draconian deals, you know what I mean, one of those situations.

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<v Speaker 1>He just outlasted it. You know. For me, it started

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<v Speaker 1>in a very independent space because obviously, I I started

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<v Speaker 1>off as a kid in a group, and I watched

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<v Speaker 1>my father get blackballed in music business at a very

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<v Speaker 1>young age. So I had to come from a different angle,

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<v Speaker 1>so what all. And being from the Bay Area has

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<v Speaker 1>pushed independence in my mind, because, like you said, those

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<v Speaker 1>rappers that were going out of the trunk were Bay

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<v Speaker 1>Area rappers, absolutely, you know what I mean. So for me,

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<v Speaker 1>I just always had a different mindset of Okay, one,

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<v Speaker 1>they're not gonna let me in because of my name

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<v Speaker 1>at the time. Um So I gotta go around the corner,

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<v Speaker 1>and I got to create these this buzz and this

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<v Speaker 1>whole other thing, and that wish an independent mindset and

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<v Speaker 1>then us coming together once we finally locked in. We

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<v Speaker 1>looked at it like, you know what, we're willing to

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<v Speaker 1>take less in the beginning so it can be greater later.

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<v Speaker 1>And that's how that's how we end up here, betting

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<v Speaker 1>on ourselves, on ourselves, real bets, like we've we've said

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<v Speaker 1>in some offices and they've had to tell some people.

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<v Speaker 1>You know. Now, I'm gonna roll with him at the

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<v Speaker 1>end of the day. Like we always say, we'll split

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<v Speaker 1>a happy meal. What I'm saying, I'm gonna roll with

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<v Speaker 1>my happy meal. Friends. You know what I'm saying. Before

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<v Speaker 1>this construct, tell me what we can and can't do

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<v Speaker 1>and what we're capable of. You know what I mean.

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<v Speaker 1>So you know again those are you? You all standing

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<v Speaker 1>firm in in any space, in any capacity. Is the

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<v Speaker 1>reason for sure, you know what I'm saying. Because there's

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<v Speaker 1>there's evolution, there's us being able to watch that and say,

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<v Speaker 1>oh man, how can we learn from that and what

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<v Speaker 1>extra can we bring to that with now the new

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<v Speaker 1>technology in the world being smaller. Man, you know what

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<v Speaker 1>I'm saying. And now it's even crazier. Iso, you know

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<v Speaker 1>what I mean. We're back looking for you. It just goes,

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<v Speaker 1>we're back looking for you. We're back wanting to feel

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<v Speaker 1>how you made us feel. We're back, man, You know

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<v Speaker 1>what I mean. It is a beautiful circle to make. Listen,

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<v Speaker 1>you tell me, is it a beautiful man? I tell you,

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<v Speaker 1>we feel so honored man to be here talking to

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<v Speaker 1>two young guys that are in today's music we come from.

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<v Speaker 1>It wasn't like that, and I just said all the time, man,

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<v Speaker 1>I'm just so excited to see how watched the young

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<v Speaker 1>talent today and people talk about it. Even we came along,

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<v Speaker 1>they said, well, you gotta be careful. We had this

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<v Speaker 1>song called seems like I Gotta Do Wrong before they

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<v Speaker 1>noticed me. That was the title. That was the title,

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<v Speaker 1>that was the whole title. Seems like I got to

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<v Speaker 1>do wrong. And my mother said, y'all, y'all gonna be y'all,

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<v Speaker 1>don't get trouble saying stuff like that. But today that's what,

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<v Speaker 1>that's what. Yeah, but we're imagine back then, we had

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<v Speaker 1>to be so careful about trying to offend the establishment.

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<v Speaker 1>Like live El said, we was trying to get in.

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<v Speaker 1>And then let's go twenty years later. You now, we're

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<v Speaker 1>talking about twenty years later and you're doing that. You're younger,

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<v Speaker 1>you're twenty years younger than us, and it's still around still.

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<v Speaker 1>But the bravery, man, that's what I talked about. What

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<v Speaker 1>y'all did. You said, I gonna roll with him. You

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<v Speaker 1>know how brave that was when you did that. You

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<v Speaker 1>understand what you was doing what with us? It wasn't.

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<v Speaker 1>It was crazy and done that. But you said, I'm

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<v Speaker 1>gonna roll with him. Yeah, I'm gonna you bucking tradition. Man,

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<v Speaker 1>Well let me go to youth, let me go back

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<v Speaker 1>to the ridge. I'm gonna tell you one quick story

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<v Speaker 1>how we even got our name. It might sound funny,

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<v Speaker 1>but it's the God's truth. We went to a little

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<v Speaker 1>record company called Dolray Records, owned by Luberdale, who long

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<v Speaker 1>he's didn't gone, but he gave us a shot and

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<v Speaker 1>we were auditionally. We never had a problem with the

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<v Speaker 1>singing part. Like most black young acts you know, all

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<v Speaker 1>sing So we went in and we were singing for him.

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<v Speaker 1>He said, man, I love you guys. Sound you got

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<v Speaker 1>this soft y'all are different sounds like a whisper. Said

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<v Speaker 1>why don't we call you the whispers? And Nick? He said, man, listen,

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<v Speaker 1>anything you want to call it. You give us this deal,

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<v Speaker 1>you call us the whispers. But the point I make,

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<v Speaker 1>that's what we had to do to it end. We

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<v Speaker 1>didn't We didn't know nothing by no money. We wasn't

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<v Speaker 1>even interested in money, even though we needed it. But

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<v Speaker 1>that wasn't the point. Back then, we wanted to get

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<v Speaker 1>in the door, which we did, and to his credit,

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<v Speaker 1>it seems like I gotta do wrong. You love us.

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<v Speaker 1>So these are songs that you never heard before. Both

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<v Speaker 1>of you were even boy, he wasn't even the world,

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<v Speaker 1>you know, but this is what we had to do

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<v Speaker 1>to get in. And like the vel said, so you

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<v Speaker 1>can you imagine what you would have said going on

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<v Speaker 1>talking about man, listen, I want to deal, but I

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<v Speaker 1>got own. You know what you need to told you

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<v Speaker 1>where it was. We're gonna call you the Whispers. But now,

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<v Speaker 1>like we we love to go back to the beginning.

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<v Speaker 1>And this is a great segue into going to the beginning,

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<v Speaker 1>you know what I mean, the inception, the how we

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<v Speaker 1>get to the whispers? How did we get to the whispers? Like?

0:13:57.679 --> 0:14:00.160
<v Speaker 1>Was it he even got to that meeting? Was where

0:14:00.160 --> 0:14:02.360
<v Speaker 1>you got to that meeting? Wasn't somebody that man? Y'all?

0:14:02.360 --> 0:14:05.280
<v Speaker 1>Should you understand something? Y'all? Boy, y'all will be good together?

0:14:05.360 --> 0:14:07.680
<v Speaker 1>Like how did that even happen? That was? That was

0:14:07.720 --> 0:14:10.440
<v Speaker 1>a strange story. But let's start with the two of us.

0:14:10.440 --> 0:14:15.080
<v Speaker 1>Scottie and I born in Fort Worth, Texas, moved to Nevada.

0:14:15.240 --> 0:14:18.440
<v Speaker 1>My father worked for the Navy, we eventually came to

0:14:19.040 --> 0:14:24.400
<v Speaker 1>Los Angeles. My father was a jazz guy. He thought

0:14:24.480 --> 0:14:31.360
<v Speaker 1>rhythm and blues was below him. Wow, I know. Yeah.

0:14:32.800 --> 0:14:38.120
<v Speaker 1>We started listening to Motown and the Temptations. My dad said,

0:14:38.120 --> 0:14:44.560
<v Speaker 1>wait a minute, Ella Fitzgerald, Sarah Miles Davis, Thelonious Monk.

0:14:45.280 --> 0:14:49.280
<v Speaker 1>Those are the kings and queens of music. You can't sing.

0:14:50.120 --> 0:14:51.720
<v Speaker 1>What do you say? It was R and B what

0:14:52.440 --> 0:14:57.000
<v Speaker 1>That's how he felt about that. But as youth like you, guys, man,

0:14:57.040 --> 0:14:59.080
<v Speaker 1>we would listening to Motown like all the young people.

0:14:59.480 --> 0:15:02.800
<v Speaker 1>We wanted to be the next Temptations. But we ended

0:15:02.920 --> 0:15:07.040
<v Speaker 1>up in the sixties on a talent show, Scotty and

0:15:07.080 --> 0:15:12.200
<v Speaker 1>I as the Scott Twins, Nicholas, Marcus and Gordy as

0:15:12.240 --> 0:15:15.840
<v Speaker 1>the Eden Trio. They were performing as a trio. We

0:15:15.840 --> 0:15:20.680
<v Speaker 1>were performing as a duet, and while backstage waiting to

0:15:20.720 --> 0:15:25.000
<v Speaker 1>go on, we started harmonizing with each other, the five us,

0:15:25.840 --> 0:15:29.080
<v Speaker 1>trying to be like what was on the ride, and

0:15:29.120 --> 0:15:31.680
<v Speaker 1>we said, a man, after this talent show, we gotta

0:15:31.680 --> 0:15:34.960
<v Speaker 1>hook this up. We can become a vocal group. And

0:15:35.000 --> 0:15:39.000
<v Speaker 1>that's how The Whispers was formed. Backstage, backstage high school

0:15:39.000 --> 0:15:44.640
<v Speaker 1>talent show, High school talent show Jordan High School in Watch, California.

0:15:44.880 --> 0:15:47.440
<v Speaker 1>But we were to do that, and I might add

0:15:47.480 --> 0:15:57.600
<v Speaker 1>that we won that talent show. Yeah, never said he

0:15:57.600 --> 0:15:59.200
<v Speaker 1>would tell you that because we did a lot of

0:15:59.200 --> 0:16:02.880
<v Speaker 1>talent shows back then. Remember the guy's name Hunter Handcock.

0:16:02.960 --> 0:16:05.520
<v Speaker 1>He was this shop, so he'd come through the neighbor

0:16:05.560 --> 0:16:07.720
<v Speaker 1>we lived in the projects. He'd come through, and that

0:16:07.800 --> 0:16:10.840
<v Speaker 1>was the exciting thing that was gonna happen. Everybody looked forward.

0:16:11.240 --> 0:16:13.480
<v Speaker 1>We get a lot of old the start that you go,

0:16:13.600 --> 0:16:16.080
<v Speaker 1>that's even better with putting it. But we would always

0:16:16.280 --> 0:16:18.480
<v Speaker 1>end up we were like competing against each other and

0:16:18.560 --> 0:16:20.400
<v Speaker 1>neiguatives and man, one of these things, we're gonna win.

0:16:20.400 --> 0:16:25.200
<v Speaker 1>One of these we would always win. But like well said,

0:16:25.280 --> 0:16:27.360
<v Speaker 1>once we put the sound together and we heard it,

0:16:27.440 --> 0:16:31.440
<v Speaker 1>we said, hey, because what we I think with my father,

0:16:31.560 --> 0:16:33.440
<v Speaker 1>to his credit, what he did give us that we

0:16:33.480 --> 0:16:37.240
<v Speaker 1>didn't know till later, it was valuable, was Bob. For

0:16:37.320 --> 0:16:40.520
<v Speaker 1>a while before we got like you was saying, well

0:16:40.520 --> 0:16:43.760
<v Speaker 1>what about before that? Before that we were about to

0:16:43.800 --> 0:16:46.440
<v Speaker 1>be back. You know, my father said, if you won't

0:16:46.480 --> 0:16:49.800
<v Speaker 1>learn how to sing, learn how scat and harmonade and harmina.

0:16:51.280 --> 0:16:54.200
<v Speaker 1>That's what my father, he was saying, you know he was.

0:16:54.440 --> 0:16:56.960
<v Speaker 1>As a matter of fact, it took us me to

0:16:57.000 --> 0:16:59.000
<v Speaker 1>this day when we started singing on and beat. My

0:16:59.040 --> 0:17:02.600
<v Speaker 1>father is just a little bit boys sing right what

0:17:02.640 --> 0:17:07.080
<v Speaker 1>it means sing right, that's not singing. And it was

0:17:07.160 --> 0:17:10.240
<v Speaker 1>but to him, you see what I'm saying. So he said,

0:17:10.280 --> 0:17:12.680
<v Speaker 1>if you want to learn to saying scap like ella,

0:17:13.920 --> 0:17:18.080
<v Speaker 1>that's the thing. And we did. That's what it. So

0:17:22.600 --> 0:17:32.120
<v Speaker 1>that's where but we know later on in life when

0:17:32.160 --> 0:17:35.080
<v Speaker 1>we start singing, all that would come into play, and

0:17:35.119 --> 0:17:38.120
<v Speaker 1>it worked to help develop our sound and the whole thing.

0:17:38.800 --> 0:17:41.080
<v Speaker 1>And it was whispered you here today. That's where it

0:17:41.119 --> 0:17:43.920
<v Speaker 1>pretty much all came. Well, that's what those whispers because

0:17:43.960 --> 0:17:49.120
<v Speaker 1>I didn't come along until he came later years later,

0:17:49.200 --> 0:17:52.000
<v Speaker 1>the fifteen years Alter and Walter almost joined the group.

0:17:52.000 --> 0:17:55.320
<v Speaker 1>He joined the Bottle, came back from Vietnam, rejoined the Whispers,

0:17:55.680 --> 0:17:57.520
<v Speaker 1>and that's when he and then I came in about

0:17:57.520 --> 0:18:00.280
<v Speaker 1>a year or so after you got drafted. Yeah, I

0:18:00.280 --> 0:18:03.680
<v Speaker 1>got drafted with the Vietnam. Yeah. Really it's been one year. Yeah,

0:18:03.800 --> 0:18:06.960
<v Speaker 1>So how does the government decide to draft one? Can't

0:18:07.000 --> 0:18:10.159
<v Speaker 1>do it? Can't do you can't do it. You can

0:18:10.200 --> 0:18:13.960
<v Speaker 1>only take one first any brothers, Yeah first, I ended

0:18:14.000 --> 0:18:17.960
<v Speaker 1>up getting draft first born. That's it if they just yeah,

0:18:19.240 --> 0:18:21.760
<v Speaker 1>just flipped around in the wound. One time. He was

0:18:21.800 --> 0:18:30.840
<v Speaker 1>glad that they took him. I wouldn't have never made it.

0:18:38.000 --> 0:18:40.760
<v Speaker 1>There was a young dis draft up in the Bear

0:18:41.400 --> 0:18:43.560
<v Speaker 1>of all places. He was the how this thing on

0:18:43.640 --> 0:18:45.560
<v Speaker 1>the radio? I dink time I know who you're talking about?

0:18:46.200 --> 0:18:51.960
<v Speaker 1>His Sylvester Solon. Yeah, we had a story about your dad.

0:18:52.040 --> 0:19:03.400
<v Speaker 1>We got anything. I got stories. Your dad probably didn't

0:19:03.400 --> 0:19:06.720
<v Speaker 1>tell you, but and you may not want be. So

0:19:06.920 --> 0:19:09.960
<v Speaker 1>we was down. We were together, but Slide heard a

0:19:10.040 --> 0:19:12.720
<v Speaker 1>record called never Again, That's just jockey, and he said,

0:19:12.760 --> 0:19:14.480
<v Speaker 1>maybe what are these guys gonna bring them to it?

0:19:14.560 --> 0:19:18.080
<v Speaker 1>He brought us to the Barrier. And when we came

0:19:18.119 --> 0:19:20.520
<v Speaker 1>to a blue place called a sportsman club, your dad

0:19:20.600 --> 0:19:24.960
<v Speaker 1>met him mentioned there was a sportsman club the showcase

0:19:26.240 --> 0:19:31.160
<v Speaker 1>mcchezmos out misress All Barrier. So he brought us from

0:19:31.240 --> 0:19:35.480
<v Speaker 1>here to Los Angeles to the Sportsman Club, sly Stone

0:19:35.480 --> 0:19:38.680
<v Speaker 1>on the radio, and we were supposed to be there

0:19:38.720 --> 0:19:41.119
<v Speaker 1>for like a week. We end up staying there two years.

0:19:42.720 --> 0:19:45.840
<v Speaker 1>We were the opening act for every major act that

0:19:45.960 --> 0:19:48.560
<v Speaker 1>came through that and that during that time, it was

0:19:49.440 --> 0:19:53.760
<v Speaker 1>Curtis mayfield oldest reading. We saw all this reading a

0:19:53.800 --> 0:19:57.119
<v Speaker 1>week before he died, came through, but we were the

0:19:57.160 --> 0:20:00.960
<v Speaker 1>opening act and that's where we sort of learned, I

0:20:01.080 --> 0:20:03.800
<v Speaker 1>call it. That's where we went to craft craft right

0:20:03.840 --> 0:20:05.879
<v Speaker 1>there in the bar area. That's why I love the

0:20:05.920 --> 0:20:08.240
<v Speaker 1>bury I lived, and he never came to He came

0:20:08.280 --> 0:20:10.560
<v Speaker 1>to Buryer, but he never liked it. I lived there

0:20:10.600 --> 0:20:14.360
<v Speaker 1>for fourteen years, just me, and when he came he said,

0:20:15.040 --> 0:20:17.400
<v Speaker 1>I go back to l A. I can't. It's it's

0:20:17.520 --> 0:20:20.359
<v Speaker 1>it's very much. I love love, our hate place. It's

0:20:20.440 --> 0:20:25.280
<v Speaker 1>no in between. Yeah, it completely what I learned that

0:20:25.320 --> 0:20:27.280
<v Speaker 1>I didn't know when I left the l A like

0:20:27.480 --> 0:20:29.919
<v Speaker 1>they called me a hustler. But in Oakland, as you

0:20:29.920 --> 0:20:33.639
<v Speaker 1>will know, you better have a hustle. You got you

0:20:37.720 --> 0:20:41.000
<v Speaker 1>my friends. Wasn't about going to church on Sunday and

0:20:41.040 --> 0:20:44.400
<v Speaker 1>the families standing that all day. Up in Oakland. Everybody

0:20:44.480 --> 0:20:47.640
<v Speaker 1>had some other way to make some kind of money.

0:20:48.040 --> 0:20:50.399
<v Speaker 1>So that's where I was for fourteen years. When he

0:20:50.480 --> 0:20:53.880
<v Speaker 1>came up there, he's an I need to go back

0:20:53.880 --> 0:21:03.600
<v Speaker 1>to ros Yea. Yeah. Yeah, so that's where. Yeah, that's

0:21:03.600 --> 0:21:06.840
<v Speaker 1>why I said, The Barrier really made us because we

0:21:06.920 --> 0:21:10.200
<v Speaker 1>learned our craft in the Bay Area. Everything that before

0:21:10.240 --> 0:21:11.840
<v Speaker 1>we went on the road and all that. It all

0:21:11.960 --> 0:21:17.040
<v Speaker 1>started Oakland Bachman Sava the Barrier, so we slide to

0:21:17.200 --> 0:21:21.160
<v Speaker 1>his credit. In Los Angeles was such a big metropolis.

0:21:21.240 --> 0:21:23.120
<v Speaker 1>If you didn't have a hit record, you couldn't get

0:21:23.119 --> 0:21:27.240
<v Speaker 1>on the radio. Sly Stone was the biggest jock in

0:21:27.320 --> 0:21:31.360
<v Speaker 1>the Bay Area. If he liked it, you got a shot.

0:21:31.640 --> 0:21:35.679
<v Speaker 1>And he heard our song and put it on the

0:21:35.760 --> 0:21:38.040
<v Speaker 1>radio station. And that's how we really got our start.

0:21:38.320 --> 0:21:40.399
<v Speaker 1>We had to come back to Los Angeles to be

0:21:40.480 --> 0:21:42.800
<v Speaker 1>kind of these are the whispers. They kind of kind

0:21:42.800 --> 0:21:45.200
<v Speaker 1>of hit but they thought we were from the bait,

0:21:45.320 --> 0:21:47.320
<v Speaker 1>but we originated from We just couldn't get on the air.

0:21:47.320 --> 0:21:50.280
<v Speaker 1>And I'm flat out. My father told me from my

0:21:50.359 --> 0:21:57.680
<v Speaker 1>whole life, Yeah, they know we are from the bar

0:21:58.000 --> 0:22:01.160
<v Speaker 1>you know, so my whole you know the worst. Yeah,

0:22:02.480 --> 0:22:05.320
<v Speaker 1>Well let's you know what is the guy that today

0:22:05.480 --> 0:22:10.040
<v Speaker 1>runs our situation. Name is Alonso Award. Your father knew

0:22:10.600 --> 0:22:17.280
<v Speaker 1>the Ward Brothers. The Ward Brothers they ran to the Yeah,

0:22:17.640 --> 0:22:20.800
<v Speaker 1>that's what you had to get, that's what that's exactly.

0:22:21.040 --> 0:22:23.200
<v Speaker 1>You know what I'm talking about. That's what the movie

0:22:23.240 --> 0:22:27.600
<v Speaker 1>that's where based on them. That's exactly they ran Oakland

0:22:28.400 --> 0:22:31.119
<v Speaker 1>in terms of you want to be a hustler and

0:22:31.160 --> 0:22:36.040
<v Speaker 1>a good hustler. Yeah, and them and your dad were

0:22:36.240 --> 0:22:39.600
<v Speaker 1>great friends, you know, and they gave us they kind

0:22:39.600 --> 0:22:42.360
<v Speaker 1>of let it. They gave us the acceptance. We did

0:22:42.359 --> 0:22:45.840
<v Speaker 1>a talent show and the Ward Brothers were there and

0:22:45.920 --> 0:22:49.200
<v Speaker 1>by them applauding for us, that put us on the map.

0:22:49.200 --> 0:22:53.680
<v Speaker 1>And wow, hustlers we end up making Olivia Lawson turned out.

0:22:54.400 --> 0:22:57.639
<v Speaker 1>That's what that was about. Yeah, Yeah, that's what that

0:22:57.760 --> 0:23:06.280
<v Speaker 1>was about. She was on our worthy grandmother's house. Yeah,

0:23:06.440 --> 0:23:14.400
<v Speaker 1>you understand. Yeah, completely. It's so interesting because I'm always asked,

0:23:14.960 --> 0:23:18.600
<v Speaker 1>you know, my inspirations and what how did I learn

0:23:18.600 --> 0:23:21.400
<v Speaker 1>how to sing? And you know, it's and I think

0:23:21.560 --> 0:23:26.399
<v Speaker 1>Tank and I we we we messed so great because

0:23:26.440 --> 0:23:30.240
<v Speaker 1>it's it's R and B music from two different sides.

0:23:31.480 --> 0:23:34.560
<v Speaker 1>Mine is his church, his his church, mind his Catillac.

0:23:36.160 --> 0:23:41.280
<v Speaker 1>That's the best way to and most people don't understand

0:23:41.320 --> 0:23:48.000
<v Speaker 1>the Cadillac side of music. Everybody usually goes towards oh,

0:23:48.040 --> 0:23:51.120
<v Speaker 1>you came from a church. Yeah, I'm like, oh, there's

0:23:51.119 --> 0:23:55.520
<v Speaker 1>a whole another side, there's just pure there's hustlers who

0:23:55.560 --> 0:23:59.920
<v Speaker 1>just love music. And literally our vocal coaches as a

0:24:00.119 --> 0:24:03.720
<v Speaker 1>kid were all my father's pen friends and exactly you

0:24:03.760 --> 0:24:06.000
<v Speaker 1>know what I mean. That just guys who played in

0:24:06.000 --> 0:24:08.440
<v Speaker 1>the band, but they you know, they played a whole

0:24:08.440 --> 0:24:12.480
<v Speaker 1>another game for us. What we grew up on was

0:24:12.560 --> 0:24:16.240
<v Speaker 1>the del Phonics and the Whispers and you know what

0:24:16.320 --> 0:24:19.359
<v Speaker 1>I mean. And in all of these groups, Blue Magic,

0:24:19.600 --> 0:24:22.480
<v Speaker 1>all these groups that really we're singing about the game

0:24:22.600 --> 0:24:26.720
<v Speaker 1>that you listen to, those lyrics, those lyrics are completely

0:24:26.720 --> 0:24:33.480
<v Speaker 1>about absolutely gag. So you guys, music always just connected

0:24:33.520 --> 0:24:37.080
<v Speaker 1>to me the most because I'm just like this literally

0:24:37.320 --> 0:24:40.520
<v Speaker 1>is what I see every single day, you know what

0:24:40.600 --> 0:24:43.080
<v Speaker 1>I mean? Man, And just even the way that it

0:24:43.160 --> 0:24:48.400
<v Speaker 1>was worded, yeah, just it was special that we lost

0:24:48.440 --> 0:24:52.600
<v Speaker 1>him into sixteen. But he wrote, like you said about

0:24:52.600 --> 0:24:55.760
<v Speaker 1>the streets, yea, And we sung it as simple as that,

0:24:55.800 --> 0:24:59.720
<v Speaker 1>I don't know those ladies, Yeah, yeah, they want to

0:24:59.720 --> 0:25:01.879
<v Speaker 1>do this. That the ladies to the utmost that and

0:25:01.920 --> 0:25:04.960
<v Speaker 1>everything to him. He said to us, if we respect

0:25:05.000 --> 0:25:08.680
<v Speaker 1>our mothers and sisters and our wives, ladies, you can't

0:25:08.720 --> 0:25:12.320
<v Speaker 1>miss And that's what we did. Lady was the biggest

0:25:12.320 --> 0:25:15.800
<v Speaker 1>ballot that we ever had, you know, and today here

0:25:15.840 --> 0:25:20.720
<v Speaker 1>we are, fifty six years later. I mean if you

0:25:20.800 --> 0:25:24.159
<v Speaker 1>have told me. I mean y'all when you said you retired.

0:25:24.160 --> 0:25:28.360
<v Speaker 1>When we heard that the day I had the pot,

0:25:29.240 --> 0:25:31.960
<v Speaker 1>were looked at each other. We couldn't believe. I just

0:25:32.040 --> 0:25:40.520
<v Speaker 1>wanted to try some other qualify And I tell you saying,

0:25:41.760 --> 0:25:44.919
<v Speaker 1>I'm glad you're back, thank you. I mean, you have

0:25:45.040 --> 0:25:49.840
<v Speaker 1>an incredible that people here, that gift, you know. I

0:25:49.840 --> 0:25:54.200
<v Speaker 1>mean you said something earlier, the combination between you two.

0:25:54.800 --> 0:25:57.840
<v Speaker 1>When I saw the Soul Train Awards, I'm like, what

0:25:58.119 --> 0:26:01.320
<v Speaker 1>where the hell is that song come from? And the

0:26:01.880 --> 0:26:05.160
<v Speaker 1>you know, back and forth were sitting laving in bed

0:26:05.240 --> 0:26:08.399
<v Speaker 1>watching the show and I said, we gotta can find

0:26:08.400 --> 0:26:17.600
<v Speaker 1>that on and then we played it because you know,

0:26:17.720 --> 0:26:20.720
<v Speaker 1>I know you you had to do the g version. Yeah.

0:26:21.000 --> 0:26:25.520
<v Speaker 1>Well we're riding down and we're like, where the hell

0:26:25.600 --> 0:26:33.040
<v Speaker 1>is that When we talk about let's let's say we

0:26:33.080 --> 0:26:39.560
<v Speaker 1>can find it really exists, We're trying to figure it

0:26:39.560 --> 0:26:42.520
<v Speaker 1>out a rehearsal, like wait, so, which which one is

0:26:42.520 --> 0:26:52.720
<v Speaker 1>the sec You know, it's funny because you had that song.

0:26:52.920 --> 0:26:54.800
<v Speaker 1>When we put out a song, we had a song

0:26:54.880 --> 0:26:57.959
<v Speaker 1>called piste off, and we were going to do it

0:26:58.000 --> 0:27:01.520
<v Speaker 1>on Soul Train Route teen all that stuff. It was

0:27:01.880 --> 0:27:04.480
<v Speaker 1>laid out Nicholas Carwell with his root tine the song

0:27:04.640 --> 0:27:07.399
<v Speaker 1>was and so we sung the song down one of

0:27:07.400 --> 0:27:14.040
<v Speaker 1>the first time this cut cut um uh that that

0:27:14.480 --> 0:27:19.520
<v Speaker 1>were piste off, say that you made the title or something,

0:27:20.760 --> 0:27:24.159
<v Speaker 1>the reason you called us, the reason you called us right,

0:27:24.520 --> 0:27:26.960
<v Speaker 1>and so we had to they had to bleep out

0:27:27.119 --> 0:27:30.600
<v Speaker 1>piste off. We also changed and we had to change.

0:27:30.640 --> 0:27:33.080
<v Speaker 1>The song of the vigion was called piste off. What

0:27:33.240 --> 0:27:36.439
<v Speaker 1>year is this? Oh God, it's kind of be like

0:27:36.480 --> 0:27:42.159
<v Speaker 1>in the nineties. Run was no, but we changed it.

0:27:42.240 --> 0:27:44.160
<v Speaker 1>The baby come back we had We had to change

0:27:44.359 --> 0:27:47.440
<v Speaker 1>the baby come back because they would come back, don't leave,

0:27:47.840 --> 0:27:51.679
<v Speaker 1>but was piste off. That's gotta that's gotta go. But

0:27:51.760 --> 0:27:55.440
<v Speaker 1>we just gotta can you change the old situation? But

0:27:55.520 --> 0:28:03.600
<v Speaker 1>the point is back then today today that yeah, thats

0:28:08.000 --> 0:28:17.600
<v Speaker 1>the off. Yeah, piss the funk off, Single Man Mother

0:28:20.160 --> 0:28:26.879
<v Speaker 1>streaming on all platforms exactly, on every radio stage. That

0:28:27.000 --> 0:28:30.040
<v Speaker 1>just goes, y'all fun along, we come back, go back,

0:28:32.480 --> 0:28:37.800
<v Speaker 1>you you you win, you win, you want and then

0:28:37.880 --> 0:28:41.160
<v Speaker 1>you you gave these other three guys an opportunity to

0:28:41.280 --> 0:28:45.400
<v Speaker 1>join the winners, the winner circle. When did you get

0:28:45.440 --> 0:28:49.800
<v Speaker 1>to a point where somebody put some real paperwork and

0:28:49.960 --> 0:28:52.400
<v Speaker 1>wanted to have a real conversation with you? Like? How

0:28:52.440 --> 0:28:56.440
<v Speaker 1>come long did that take between you guys doing talent

0:28:56.440 --> 0:28:59.480
<v Speaker 1>shows to you guys getting to that office and then

0:29:00.440 --> 0:29:06.840
<v Speaker 1>about five years and then the real monumental change came

0:29:06.920 --> 0:29:11.280
<v Speaker 1>when I went to a Courtis Mayfield concert and met

0:29:11.320 --> 0:29:17.400
<v Speaker 1>Dick Griffy shout. That's when it happened. A big guy

0:29:17.560 --> 0:29:20.400
<v Speaker 1>who looked like a professional football player. You guys know what.

0:29:20.480 --> 0:29:24.680
<v Speaker 1>Dick looked like. Him and my father friend, they were friends, right,

0:29:24.760 --> 0:29:26.840
<v Speaker 1>And he walked up to me. My wife and I

0:29:26.960 --> 0:29:28.959
<v Speaker 1>were at the concert after it was over, and he

0:29:29.000 --> 0:29:32.040
<v Speaker 1>walked up to me. He said, listen, I can make

0:29:32.080 --> 0:29:35.960
<v Speaker 1>you guys a big, big group. He said, you remind

0:29:36.000 --> 0:29:39.960
<v Speaker 1>me a lot of Ladders Night and the Pips, But

0:29:40.040 --> 0:29:42.840
<v Speaker 1>I think he can be better. Well, I looked at him.

0:29:42.840 --> 0:29:45.320
<v Speaker 1>He looked like a football player. And we had heard

0:29:45.320 --> 0:29:47.880
<v Speaker 1>this every time we get around people of influence. They

0:29:47.880 --> 0:29:49.600
<v Speaker 1>would say, man, y'all need to let me do something

0:29:49.600 --> 0:29:53.560
<v Speaker 1>with you. But it never happened. He begged me. We

0:29:53.720 --> 0:29:56.840
<v Speaker 1>actually we met for three different occasions before I would

0:29:56.840 --> 0:29:59.800
<v Speaker 1>bring him in for the whispers because I didn't know.

0:30:00.200 --> 0:30:02.600
<v Speaker 1>I really didn't know. I don't know, bullshit into or what.

0:30:03.280 --> 0:30:07.040
<v Speaker 1>But he was serious. So about a month later, now

0:30:07.080 --> 0:30:10.400
<v Speaker 1>about six months later, we met in my cousin's garage

0:30:10.520 --> 0:30:15.720
<v Speaker 1>with Dick Griffy right here in Los Angeles, and he said,

0:30:15.720 --> 0:30:18.880
<v Speaker 1>I want to be your manager. And the question is answered,

0:30:18.880 --> 0:30:22.440
<v Speaker 1>when what you said? That's when we he was our manager.

0:30:22.520 --> 0:30:25.400
<v Speaker 1>We didn't really have a record company, but he managed

0:30:25.520 --> 0:30:28.719
<v Speaker 1>us to go up against labels and have discussion. So

0:30:28.720 --> 0:30:31.200
<v Speaker 1>he didn't have so lord. This time he was he

0:30:31.240 --> 0:30:35.720
<v Speaker 1>was a promoter. He Don Coneius put black acts that

0:30:35.800 --> 0:30:38.040
<v Speaker 1>you now see the day that had never been heard

0:30:38.280 --> 0:30:42.720
<v Speaker 1>on television and did Griffy promoted them. He was the

0:30:42.720 --> 0:30:46.360
<v Speaker 1>biggest black promoter in the United States. He would take

0:30:46.560 --> 0:30:52.400
<v Speaker 1>these his first He's the first one that took Stevie

0:30:52.320 --> 0:30:59.880
<v Speaker 1>Worst Country too. And then he also, I didn't know

0:31:01.160 --> 0:31:04.320
<v Speaker 1>that's how he came into the business. Yeah, yeah, And

0:31:04.360 --> 0:31:07.600
<v Speaker 1>then he and Don hooked up. They basically said I

0:31:07.680 --> 0:31:10.960
<v Speaker 1>have the television and you promoting, so let's They created

0:31:11.280 --> 0:31:15.720
<v Speaker 1>Soul Trained Records. And now we get into the controversy.

0:31:16.120 --> 0:31:19.360
<v Speaker 1>These two men to the most brilliant guys that I've

0:31:19.400 --> 0:31:23.560
<v Speaker 1>ever met in my life. They couldn't get along. I

0:31:23.600 --> 0:31:27.760
<v Speaker 1>can see that. I can see that to this day. Man.

0:31:27.880 --> 0:31:31.080
<v Speaker 1>We we said, had these two guys been like Berry

0:31:31.160 --> 0:31:34.800
<v Speaker 1>Gordy and had a little less ego to get along,

0:31:35.560 --> 0:31:38.360
<v Speaker 1>they'd have been the biggest black entrepreneurs. They'd have been

0:31:38.400 --> 0:31:43.760
<v Speaker 1>the jay z of the day. Don had television, he

0:31:43.840 --> 0:31:48.080
<v Speaker 1>had the ability to promote acts over the country, so

0:31:48.160 --> 0:31:51.040
<v Speaker 1>between the two of them, they would have had it

0:31:51.080 --> 0:31:53.720
<v Speaker 1>locked up. But they couldn't get so they started Soul

0:31:53.760 --> 0:31:57.360
<v Speaker 1>Trained Records together. They started so it was Don's Dick

0:31:57.520 --> 0:31:59.440
<v Speaker 1>came up with the name and Don liked it and

0:31:59.480 --> 0:32:03.160
<v Speaker 1>it became Old Trained Records. But maybe three or four

0:32:03.240 --> 0:32:07.320
<v Speaker 1>years into it, they clashed and you guys are signed

0:32:07.360 --> 0:32:09.760
<v Speaker 1>to Soldier Record. At the signing, we're the first act

0:32:09.840 --> 0:32:13.040
<v Speaker 1>signed to Soul Train Records. We went on the road

0:32:13.160 --> 0:32:17.920
<v Speaker 1>one day, came back the next and Locks was on

0:32:18.720 --> 0:32:21.479
<v Speaker 1>bad Locks was on the record company. Because because they

0:32:21.600 --> 0:32:24.440
<v Speaker 1>fell out, they felt normal record company it was gone.

0:32:24.520 --> 0:32:31.320
<v Speaker 1>Just like all the acts that they had. Don felt

0:32:32.560 --> 0:32:36.640
<v Speaker 1>that his television career was It was kind of ingevity

0:32:36.680 --> 0:32:38.560
<v Speaker 1>with Dick. Dick was like your father. They were a

0:32:38.560 --> 0:32:40.960
<v Speaker 1>great friend. Dick was a hustler, but a good but

0:32:41.040 --> 0:32:45.320
<v Speaker 1>a brilliant hustler. Guy went to the Navy, could have

0:32:45.360 --> 0:32:48.800
<v Speaker 1>went to Annapolis, that's how smart he was. Chose to

0:32:48.800 --> 0:32:52.680
<v Speaker 1>be a hustler. Don feared that he didn't like his

0:32:52.800 --> 0:32:58.640
<v Speaker 1>television thing being associated, so they parted ways to Street.

0:32:59.320 --> 0:33:01.440
<v Speaker 1>But just think had they put it, had they kept

0:33:01.440 --> 0:33:06.680
<v Speaker 1>it together, can you imagine that? That's exactly because you

0:33:06.760 --> 0:33:09.760
<v Speaker 1>said he was too street. The potential is just scary.

0:33:09.880 --> 0:33:13.360
<v Speaker 1>It could have happened. But what we learned from that,

0:33:13.520 --> 0:33:16.640
<v Speaker 1>sometimes when it ain't meant to be, they meant to be.

0:33:17.040 --> 0:33:20.400
<v Speaker 1>How good they should have been the giants they could

0:33:20.400 --> 0:33:24.360
<v Speaker 1>have been the first black presidents is for as unconcerned.

0:33:25.120 --> 0:33:27.760
<v Speaker 1>But and then the other lesson that was learned is

0:33:27.800 --> 0:33:31.680
<v Speaker 1>how dangerous that ego is, because that's all it destroyed. It.

0:33:32.640 --> 0:33:37.320
<v Speaker 1>Ego messed up other young acts the black community. They

0:33:37.360 --> 0:33:41.080
<v Speaker 1>could have ruled the whole black community. But again ego

0:33:41.200 --> 0:33:44.400
<v Speaker 1>stepped in. Good sense stepped out. But the good part

0:33:44.400 --> 0:33:47.520
<v Speaker 1>about it is that with Di Griffy, even when they

0:33:47.520 --> 0:33:51.120
<v Speaker 1>were going through their thing, there was never any fear

0:33:51.600 --> 0:33:54.960
<v Speaker 1>for the whispers because the Griffy's we had so much

0:33:55.080 --> 0:33:59.600
<v Speaker 1>confidence and who he was. He was a hustler and

0:33:59.640 --> 0:34:01.479
<v Speaker 1>you knew if he said he was going to do something,

0:34:01.600 --> 0:34:03.880
<v Speaker 1>he was was done. He says, don't worry about cohost.

0:34:04.800 --> 0:34:08.080
<v Speaker 1>I'm form a new company. It's gonna be call Solo Records.

0:34:08.840 --> 0:34:12.759
<v Speaker 1>You're gonna be my first artist on that label. And

0:34:12.840 --> 0:34:17.440
<v Speaker 1>he put the energy and went out and found producers

0:34:17.560 --> 0:34:22.480
<v Speaker 1>like the Leon Silvers of the industry and put them

0:34:22.520 --> 0:34:25.200
<v Speaker 1>with He says, I want to I want to shake

0:34:25.320 --> 0:34:32.040
<v Speaker 1>this like like the Motown world Motown. And he put

0:34:32.080 --> 0:34:36.680
<v Speaker 1>it together and got writers after writers after writers, and

0:34:36.840 --> 0:34:41.000
<v Speaker 1>you know, his ability, his A and our ability was incredible.

0:34:41.120 --> 0:34:43.960
<v Speaker 1>Dick Griffy was in A and our genius. So he

0:34:44.000 --> 0:34:46.600
<v Speaker 1>would sit down, we would listen to songs. He says, yeah,

0:34:46.640 --> 0:34:48.839
<v Speaker 1>this song is a song would be good for you.

0:34:49.280 --> 0:34:52.560
<v Speaker 1>And so when we did our first first project with him,

0:34:52.680 --> 0:34:54.760
<v Speaker 1>you know, he wanted to take up all the songs.

0:34:54.800 --> 0:34:57.040
<v Speaker 1>He said, Now you know, you know Nigga's got enough

0:34:57.120 --> 0:35:01.800
<v Speaker 1>hits right there, So enough for y'all. I gotta spread

0:35:02.000 --> 0:35:12.120
<v Speaker 1>this wealth to other groups like you know, like, yeah,

0:35:12.120 --> 0:35:13.759
<v Speaker 1>well let me give you I tell you a lot

0:35:13.800 --> 0:35:15.840
<v Speaker 1>of people didn't realize, like Leville said, he was a

0:35:15.880 --> 0:35:18.200
<v Speaker 1>great A and R guy. To give you an example

0:35:18.719 --> 0:35:21.680
<v Speaker 1>of how nobody would never notice. Let's take the Lakeside

0:35:22.280 --> 0:35:28.279
<v Speaker 1>song Fantasist boards. You know the raptors in there, they

0:35:28.440 --> 0:35:32.000
<v Speaker 1>take a long okay, that was in the middle of

0:35:32.040 --> 0:35:35.600
<v Speaker 1>the song. Did griefly said, hey, take the that there

0:35:35.719 --> 0:35:39.080
<v Speaker 1>and open your song up with that. With that, open

0:35:39.120 --> 0:35:42.759
<v Speaker 1>it with nobody with and even then said, man, you

0:35:42.800 --> 0:35:45.680
<v Speaker 1>don't know what you're talking about. But he was the president.

0:35:47.520 --> 0:35:50.920
<v Speaker 1>He said, take that rap. Put it in front the

0:35:51.040 --> 0:35:53.520
<v Speaker 1>biggest record they ever had. Just like he told the deal,

0:35:54.040 --> 0:36:02.120
<v Speaker 1>y'all gonna let baby Face sing? Okay, Still baby Face

0:36:02.239 --> 0:36:05.319
<v Speaker 1>came to us and said, man, the deal don't like

0:36:05.400 --> 0:36:11.480
<v Speaker 1>none of my songs, said everything I right. None of

0:36:11.520 --> 0:36:20.040
<v Speaker 1>the deal wanted to be prince they had when you

0:36:20.160 --> 0:36:25.400
<v Speaker 1>hear two occasions my my mind, you know, in the

0:36:25.520 --> 0:36:28.720
<v Speaker 1>mood they didn't want they didn't like none of them songs.

0:36:30.200 --> 0:36:33.200
<v Speaker 1>We were down in Atlanta at they didn't want to

0:36:33.200 --> 0:36:36.920
<v Speaker 1>hear none of them. Facing l A who at the

0:36:36.960 --> 0:36:39.920
<v Speaker 1>time was was Kenny Edmonds and l A Read. They

0:36:39.920 --> 0:36:45.600
<v Speaker 1>weren't at that time submitted those songs. We heard them.

0:36:45.760 --> 0:36:49.440
<v Speaker 1>We went crazy. He was. We told baby Fat, you

0:36:49.480 --> 0:36:53.400
<v Speaker 1>were meant to write for us. He said, I'm so

0:36:53.480 --> 0:36:59.120
<v Speaker 1>glad because my group they don't want. But now you said,

0:36:59.160 --> 0:37:02.640
<v Speaker 1>you guys remember the right. In all fairness to them,

0:37:02.760 --> 0:37:04.759
<v Speaker 1>he's saying that, and I agree with it. He send it.

0:37:04.840 --> 0:37:07.120
<v Speaker 1>I don't think that they didn't want him, that they

0:37:07.200 --> 0:37:16.040
<v Speaker 1>were young imps for then they didn't want to be

0:37:16.120 --> 0:37:22.960
<v Speaker 1>whisper want group nothing personally, ain't nothing. But that's not

0:37:23.000 --> 0:37:24.360
<v Speaker 1>But we don't want. We don't want to be that.

0:37:24.440 --> 0:37:26.600
<v Speaker 1>We that young guy with that he ringing is here

0:37:27.200 --> 0:37:29.319
<v Speaker 1>and the girls are going crazy. That's who we want

0:37:29.320 --> 0:37:32.719
<v Speaker 1>to be. But what we understood, we knew the one

0:37:32.760 --> 0:37:35.359
<v Speaker 1>thing we've always knew. We knew what we could do,

0:37:35.880 --> 0:37:38.040
<v Speaker 1>and that's it. Don't be trying to be something you're not.

0:37:38.520 --> 0:37:40.399
<v Speaker 1>We know we can't wrap it. You ain't never heard

0:37:40.440 --> 0:37:42.520
<v Speaker 1>us try to rap because we know what that don't

0:37:42.520 --> 0:37:45.120
<v Speaker 1>mean if we don't like it. But we understood what

0:37:45.320 --> 0:37:48.560
<v Speaker 1>baby face he was hearing what we actually could do.

0:37:49.600 --> 0:37:52.400
<v Speaker 1>And when we heard that music, we say, man, and

0:37:52.440 --> 0:37:54.440
<v Speaker 1>we took it to Dick. As a matter of fact,

0:37:54.520 --> 0:37:56.880
<v Speaker 1>to show you, we actually tried to sign him. We

0:37:56.920 --> 0:38:01.120
<v Speaker 1>had a company called black Dad. We wanted to sign preference.

0:38:01.239 --> 0:38:03.919
<v Speaker 1>No no, you can't. No, no, you can have the song,

0:38:04.040 --> 0:38:08.759
<v Speaker 1>but I won't. Hill. Well, just like leg Side was

0:38:08.800 --> 0:38:12.719
<v Speaker 1>signed the Midnight Star, that was their act. Y'all know

0:38:12.760 --> 0:38:17.200
<v Speaker 1>how that works. Yeah, that's the thing. I'm sorry. The

0:38:17.280 --> 0:38:26.880
<v Speaker 1>deal was, yes, exactly, broke his first his first two occasions.

0:38:26.880 --> 0:38:36.319
<v Speaker 1>No, no no, no, the house direct Yeah, absolutely, all of

0:38:36.360 --> 0:38:42.160
<v Speaker 1>these things are under one umbrella. Here's a difference. What

0:38:42.280 --> 0:38:46.840
<v Speaker 1>I always called the hustle mentality that I favor because

0:38:46.880 --> 0:38:51.920
<v Speaker 1>Dick was a hustler. He gave the acts the freedom. Yeah.

0:38:52.040 --> 0:38:56.120
<v Speaker 1>I mean, Barry Gordy worked in Detroit for the motor

0:38:56.160 --> 0:38:59.239
<v Speaker 1>industry and he was a more kind of structured. The

0:38:59.239 --> 0:39:02.759
<v Speaker 1>difference between Berry Gordy and Dick GRIFFI both bringing in

0:39:02.800 --> 0:39:06.720
<v Speaker 1>their own way. But I always say that Dick brought

0:39:06.800 --> 0:39:10.840
<v Speaker 1>the hustler mentality to music in relating to younger acts

0:39:11.080 --> 0:39:14.319
<v Speaker 1>because he was from the street. He would give you

0:39:14.400 --> 0:39:18.520
<v Speaker 1>the opportunity to come and explain to him what you

0:39:18.560 --> 0:39:22.440
<v Speaker 1>were trying to do with the song. Leon Silvers was

0:39:22.480 --> 0:39:24.480
<v Speaker 1>in his prime, he was beginning to be who he

0:39:24.520 --> 0:39:27.680
<v Speaker 1>would become as a producer, and man, Dick will sit

0:39:27.680 --> 0:39:30.800
<v Speaker 1>there and listen to you all night Berry. Gordy on

0:39:30.840 --> 0:39:33.280
<v Speaker 1>the other hand, if you know, Motown had great stars,

0:39:34.120 --> 0:39:36.719
<v Speaker 1>but you know the story they brought what's going on,

0:39:36.840 --> 0:39:39.000
<v Speaker 1>and he didn't want to put it out. He was

0:39:39.040 --> 0:39:42.000
<v Speaker 1>like my mother told us, that's a little too. That

0:39:42.120 --> 0:39:44.000
<v Speaker 1>was the key difference. He was going with the formula.

0:39:44.080 --> 0:39:46.239
<v Speaker 1>He was going with the formula because he came like

0:39:46.440 --> 0:39:50.400
<v Speaker 1>us from that earlier generation. That didn't make him that

0:39:50.520 --> 0:39:54.880
<v Speaker 1>daring that you guys were daring so so great about

0:39:54.880 --> 0:39:58.160
<v Speaker 1>what y'all did, because but but we all know that

0:39:58.280 --> 0:40:01.520
<v Speaker 1>Moretown is what it is and his storically speaking, it's

0:40:01.560 --> 0:40:04.120
<v Speaker 1>the greatest black record company there ever was. But dig

0:40:04.120 --> 0:40:06.400
<v Speaker 1>Griffy that was that's what he was trying to imitate.

0:40:06.840 --> 0:40:11.440
<v Speaker 1>Was very Gordy. But we had this stable baby face

0:40:11.920 --> 0:40:20.480
<v Speaker 1>Leon Midnight Star, Uh Dynasty Shalamar like this little company

0:40:20.520 --> 0:40:26.279
<v Speaker 1>in Los Angeles, as y'all know, was to become everywhere

0:40:27.239 --> 0:40:29.640
<v Speaker 1>somebody somebody has to do a story, yeah, because because

0:40:29.680 --> 0:40:32.799
<v Speaker 1>it's just it's just crazy because Leon Silver's they think

0:40:32.880 --> 0:40:36.359
<v Speaker 1>everything was written by Leon Silver's the earlier hits were.

0:40:36.840 --> 0:40:39.399
<v Speaker 1>But Leon was smart enough to say, I'm gonna get

0:40:39.400 --> 0:40:43.040
<v Speaker 1>a staff of writers that are hungry. And what I'll

0:40:43.080 --> 0:40:46.319
<v Speaker 1>do is I'll a and r there stuff and add

0:40:46.400 --> 0:40:49.760
<v Speaker 1>my little flavor to it, like almost like a school

0:40:49.960 --> 0:40:53.920
<v Speaker 1>for writers. And he would, I mean, just because you

0:40:54.000 --> 0:40:57.560
<v Speaker 1>wanted the Leon Silver's records. If if he was attached

0:40:57.600 --> 0:41:00.319
<v Speaker 1>to it, he was attached to it. It wasubilate and

0:41:00.360 --> 0:41:03.680
<v Speaker 1>he and he gave them the freedom too, because I mean,

0:41:03.719 --> 0:41:06.560
<v Speaker 1>he came with some stuff. I remember we did a

0:41:06.600 --> 0:41:10.120
<v Speaker 1>song and they're looking back at it was the funniest

0:41:10.120 --> 0:41:12.400
<v Speaker 1>thing in the world. He gave. He gave to Scott

0:41:12.400 --> 0:41:14.759
<v Speaker 1>He says, okay, said I want you to say, you know,

0:41:14.800 --> 0:41:17.560
<v Speaker 1>I want you to do your scat. You know you

0:41:17.600 --> 0:41:20.000
<v Speaker 1>want and I want you to say and you know

0:41:20.800 --> 0:41:23.919
<v Speaker 1>what that means, hey, Scotti, let that mean? And then

0:41:24.120 --> 0:41:26.959
<v Speaker 1>you know, after he did a scat and guys like, man,

0:41:27.080 --> 0:41:30.040
<v Speaker 1>I ain't doing that. That's the craziest thing. What were

0:41:30.040 --> 0:41:32.440
<v Speaker 1>you talking about? Wind up being one of the biggest

0:41:32.440 --> 0:41:35.359
<v Speaker 1>songs that we had. But that was the genius of him.

0:41:35.440 --> 0:41:38.440
<v Speaker 1>He said, I'm gonna find a way to you, Scotty Scatt.

0:41:39.280 --> 0:41:42.400
<v Speaker 1>Where most people ran away from it, he found a

0:41:42.480 --> 0:41:45.239
<v Speaker 1>way to embrace it. And the same thing with and

0:41:45.440 --> 0:41:49.319
<v Speaker 1>be goes on. Leon silver has had a way that

0:41:49.360 --> 0:41:51.600
<v Speaker 1>when he was in the studio with you, because at

0:41:51.640 --> 0:41:55.080
<v Speaker 1>that time he didn't have a drummer, so he would

0:41:55.120 --> 0:41:58.480
<v Speaker 1>get on his knees and just hit the base drum

0:41:58.560 --> 0:42:01.720
<v Speaker 1>with basically hit the bass drump. He had a little mallet.

0:42:01.880 --> 0:42:04.720
<v Speaker 1>Boom boom boom. Did he do that? Then he would

0:42:04.719 --> 0:42:06.839
<v Speaker 1>get the snare and then he would do the SnO,

0:42:07.600 --> 0:42:11.280
<v Speaker 1>he was in the tem he had it in his head.

0:42:11.480 --> 0:42:19.280
<v Speaker 1>He wasn't a drummer, but he had in his head.

0:42:19.400 --> 0:42:23.000
<v Speaker 1>And when he finished, when he finished one, we saw

0:42:23.040 --> 0:42:25.640
<v Speaker 1>it from the bass drum up and then the things

0:42:25.719 --> 0:42:29.719
<v Speaker 1>that he did was amazing about him. And I'm a

0:42:29.760 --> 0:42:32.000
<v Speaker 1>witness to it because what he asked me to do,

0:42:32.120 --> 0:42:34.880
<v Speaker 1>because I didn't know the finished product, I thought it

0:42:34.920 --> 0:42:38.240
<v Speaker 1>was crazy. So I'm fighting with my guys about doing

0:42:38.280 --> 0:42:40.520
<v Speaker 1>it that something I'm not doing that? What you mean?

0:42:40.560 --> 0:42:50.319
<v Speaker 1>What that? What does that mean? So you know, but

0:42:50.360 --> 0:42:52.799
<v Speaker 1>what he would end up doing because he knew the end,

0:42:52.960 --> 0:42:56.719
<v Speaker 1>what was going in and when we heard Man, when

0:42:56.719 --> 0:42:59.440
<v Speaker 1>we finished and the beagles on, we knew that like

0:43:00.960 --> 0:43:09.600
<v Speaker 1>thank god we had our first. One of the fund

0:43:09.880 --> 0:43:13.560
<v Speaker 1>things we love we love to ask is like your

0:43:13.680 --> 0:43:17.759
<v Speaker 1>your your your feelings after your first hit record, your

0:43:18.080 --> 0:43:21.400
<v Speaker 1>your movements after your first hit record? What did you

0:43:21.920 --> 0:43:25.560
<v Speaker 1>what did you buy? I'm glad you asked this, Chris,

0:43:25.600 --> 0:43:28.040
<v Speaker 1>because we get this. We get asked this a lot,

0:43:28.200 --> 0:43:30.719
<v Speaker 1>and we have you get three difference first of all,

0:43:31.280 --> 0:43:33.239
<v Speaker 1>and this is the most young people that need to

0:43:33.280 --> 0:43:37.480
<v Speaker 1>understand that. This shows you how one record can change

0:43:37.480 --> 0:43:43.800
<v Speaker 1>your life completely. We went from I went from being

0:43:43.800 --> 0:43:48.120
<v Speaker 1>able to get my clothes out of the cleanness to

0:43:48.320 --> 0:43:49.920
<v Speaker 1>not having to be able to put them in the

0:43:50.000 --> 0:43:52.600
<v Speaker 1>cleaners if you could. I don't know if that makes

0:43:52.640 --> 0:43:57.719
<v Speaker 1>any sense to you, but we went Our lives changed completely.

0:43:57.760 --> 0:44:00.840
<v Speaker 1>One day you over here and then next day you

0:44:00.920 --> 0:44:04.279
<v Speaker 1>way over here. And for you Squares, that means that

0:44:04.320 --> 0:44:09.040
<v Speaker 1>he didn't have to wear the same thing twice. I

0:44:09.040 --> 0:44:11.680
<v Speaker 1>can finally give myself out of the famers. But and

0:44:11.760 --> 0:44:14.399
<v Speaker 1>the beat goes on. Now. We did know the night

0:44:14.480 --> 0:44:16.960
<v Speaker 1>that we finished it that it was our first year record.

0:44:16.960 --> 0:44:19.200
<v Speaker 1>What we didn't know it's how our lives were gonna

0:44:19.280 --> 0:44:22.720
<v Speaker 1>change because from that point on, and answer to your question,

0:44:23.480 --> 0:44:28.759
<v Speaker 1>from nineteen eighty to nineteen eighties seven, everything we had

0:44:28.920 --> 0:44:33.439
<v Speaker 1>was either platinum or go yeah, talk about it, Yeah.

0:44:37.960 --> 0:44:41.319
<v Speaker 1>Records I'm not even trying to crack the rip. I'm

0:44:41.360 --> 0:44:44.359
<v Speaker 1>just telling you, honest god truth. But to go from

0:44:44.760 --> 0:44:49.520
<v Speaker 1>what you said, like from from poor to that, I

0:44:49.560 --> 0:44:51.719
<v Speaker 1>can't even think of a word to describe how great

0:44:51.760 --> 0:44:54.319
<v Speaker 1>it was. You asked me, what did we bout like?

0:44:54.360 --> 0:44:57.640
<v Speaker 1>I remember, I went, I shouldn't even be seeing it,

0:44:57.920 --> 0:45:01.680
<v Speaker 1>that's the truth. I wouldn't bought Mercedes, and I took

0:45:01.719 --> 0:45:08.120
<v Speaker 1>the money out of my foot get it, yeah, put

0:45:08.160 --> 0:45:19.680
<v Speaker 1>it into you didn't believe check from you asked me

0:45:19.840 --> 0:45:23.000
<v Speaker 1>he was a walking band, would not put his money

0:45:23.000 --> 0:45:25.440
<v Speaker 1>and I would not put My mother used to say food,

0:45:25.600 --> 0:45:31.000
<v Speaker 1>do you know what exactly? Do you know what the

0:45:31.080 --> 0:45:33.960
<v Speaker 1>bank is? Yeah? Yeah, mama, But I trust the bank,

0:45:34.440 --> 0:45:38.200
<v Speaker 1>you know. And I as an Oakland hustle, I wasn't

0:45:38.239 --> 0:45:44.480
<v Speaker 1>only one up in old we all mentality. Everybody had that.

0:45:44.600 --> 0:45:47.200
<v Speaker 1>But any when I when I wasn't bought my first Mercedes,

0:45:47.239 --> 0:45:48.920
<v Speaker 1>they thought I was a drug dealer because I had

0:45:48.960 --> 0:45:52.600
<v Speaker 1>all the cash, and I guess said, sir, let's sir, uh,

0:45:53.400 --> 0:45:57.160
<v Speaker 1>we need to check check. I know how about you

0:45:57.160 --> 0:46:00.719
<v Speaker 1>would cost thirty seven thousand, three hunds something. But I

0:46:00.800 --> 0:46:08.200
<v Speaker 1>had all the money on me. So but again that's

0:46:08.239 --> 0:46:11.719
<v Speaker 1>what we went. That's what the hit record did from

0:46:12.040 --> 0:46:18.319
<v Speaker 1>nineteen eighty seven, Lordship Thank You. The funny part is

0:46:18.360 --> 0:46:23.719
<v Speaker 1>what happened to me was once my first purchase was

0:46:24.239 --> 0:46:30.240
<v Speaker 1>a nine eleven ninety Porsche. And it was funny because

0:46:30.280 --> 0:46:32.680
<v Speaker 1>I went to the dealership to get this portion and

0:46:32.719 --> 0:46:37.399
<v Speaker 1>I'm standing there and nobody's helping me. They're just looking

0:46:37.400 --> 0:46:41.000
<v Speaker 1>at there, and I'm welcome at this Porsche that's on

0:46:41.040 --> 0:46:44.160
<v Speaker 1>the floor, and I'm saying, man, this is so bad. Yeah,

0:46:44.320 --> 0:46:48.800
<v Speaker 1>the anthracite gray wheels everything I wanted. And I stood

0:46:48.800 --> 0:46:51.279
<v Speaker 1>there in that place for about forty five minutes before

0:46:51.280 --> 0:46:53.440
<v Speaker 1>anybody say anything to you. Nobody said nothing to me,

0:46:53.520 --> 0:46:55.880
<v Speaker 1>So I decided I'm gonna leave. You know, I'm piste

0:46:55.920 --> 0:46:59.040
<v Speaker 1>off now. So I'm walking out about this time. There's

0:46:59.239 --> 0:47:03.359
<v Speaker 1>another sales just coming on shift. He says, uh, can

0:47:03.400 --> 0:47:05.480
<v Speaker 1>I help you? I said yeah, I said, because obviously

0:47:05.520 --> 0:47:08.000
<v Speaker 1>nobody in there who wants my money. He said, what

0:47:08.080 --> 0:47:09.880
<v Speaker 1>do you What are you here for? I said, I

0:47:09.960 --> 0:47:12.640
<v Speaker 1>like to buy that seventy nine thirty on the showing

0:47:12.719 --> 0:47:16.239
<v Speaker 1>floor there. He says, really, I said yeah. He says, well,

0:47:16.280 --> 0:47:17.839
<v Speaker 1>what can I do? I said, well, I wanna pay

0:47:17.840 --> 0:47:20.400
<v Speaker 1>cash for it. I want that car, so can you

0:47:20.760 --> 0:47:23.520
<v Speaker 1>here's five thousand dollars. I'll be back with cash your

0:47:23.680 --> 0:47:25.759
<v Speaker 1>check for it. Because I didn't do the check in

0:47:25.800 --> 0:47:29.680
<v Speaker 1>and savings. I didn't do that. Yeah, I didn't do

0:47:29.719 --> 0:47:32.560
<v Speaker 1>the leg and so I bought that car. And I

0:47:32.560 --> 0:47:34.719
<v Speaker 1>think walk you were in the store. You went in

0:47:34.760 --> 0:47:36.719
<v Speaker 1>the store and some guy told him, says, oh, yeah,

0:47:36.760 --> 0:47:39.160
<v Speaker 1>well I just sold this to this guy who sings

0:47:39.160 --> 0:47:42.560
<v Speaker 1>with the whispers and he says his name was. He said, yeah,

0:47:42.640 --> 0:47:46.080
<v Speaker 1>that's all I sold it to. So I learned my

0:47:46.200 --> 0:47:50.360
<v Speaker 1>lesson from See, he kept us in the left and

0:47:50.480 --> 0:47:54.680
<v Speaker 1>right leg. Nick would keep his in his drawls. He

0:47:54.840 --> 0:48:00.839
<v Speaker 1>slept with his money in his drawers. That's stopped after

0:48:00.960 --> 0:48:02.960
<v Speaker 1>Nick went and sat down on the toilet in the

0:48:03.000 --> 0:48:05.800
<v Speaker 1>middle of the night, and god, he had his money

0:48:05.800 --> 0:48:09.560
<v Speaker 1>in the draws and pulled his pants down and flushed

0:48:09.560 --> 0:48:17.080
<v Speaker 1>the toilet and everything. He too much money, didn't know

0:48:17.200 --> 0:48:19.560
<v Speaker 1>what to do with it. He flushed and he flushed

0:48:19.560 --> 0:48:21.879
<v Speaker 1>this all this money down the toilet and he went

0:48:22.040 --> 0:48:26.520
<v Speaker 1>running down to the front catch tanker. That's some way

0:48:26.560 --> 0:48:38.480
<v Speaker 1>you where, because I'm willing to go in. That was

0:48:38.520 --> 0:48:40.480
<v Speaker 1>the last time he put his money in his draws.

0:48:41.400 --> 0:48:43.600
<v Speaker 1>That's how crazy things were back in the day. We

0:48:43.640 --> 0:48:46.320
<v Speaker 1>just got too much money. He that was the second

0:48:46.320 --> 0:48:48.120
<v Speaker 1>thing he did. The first thing he did me and

0:48:48.200 --> 0:48:50.680
<v Speaker 1>him was blowing my mom my house. Yeah, that's the

0:48:50.680 --> 0:48:53.600
<v Speaker 1>first thing him for any cause and all that he

0:48:53.600 --> 0:48:56.520
<v Speaker 1>went down there later with it. My mom couldn't believe it.

0:48:56.680 --> 0:48:59.880
<v Speaker 1>But that was the greatest feeling in the world world

0:49:00.440 --> 0:49:04.480
<v Speaker 1>to go by your parents. They're here. My dad had

0:49:04.520 --> 0:49:07.560
<v Speaker 1>passed by then, but man, you tell me how to

0:49:07.640 --> 0:49:09.440
<v Speaker 1>this day, I just think about it, and I just

0:49:09.480 --> 0:49:12.600
<v Speaker 1>get happy because we we had been around. This is

0:49:12.640 --> 0:49:16.839
<v Speaker 1>crazy in nineteen eighty. We had been around ten years

0:49:16.960 --> 0:49:19.920
<v Speaker 1>before that. So we weren't that's the good thing that

0:49:20.000 --> 0:49:23.800
<v Speaker 1>happened to us. We weren't young and foolish to the point.

0:49:23.920 --> 0:49:26.960
<v Speaker 1>We had been striving for ten years. So when they

0:49:27.040 --> 0:49:30.080
<v Speaker 1>finally happened, even though they bought the cars, mostly we

0:49:30.120 --> 0:49:32.520
<v Speaker 1>did some sensible things with it. And you didn't get

0:49:33.040 --> 0:49:35.319
<v Speaker 1>you didn't know. I got it later. But the first

0:49:35.360 --> 0:49:37.120
<v Speaker 1>thing I wanted to do is see my mama smile.

0:49:37.400 --> 0:49:39.640
<v Speaker 1>You know. Yeah, that's that's that's what. Here's the question.

0:49:39.640 --> 0:49:41.840
<v Speaker 1>Is it pertains to business? Um, just so we can

0:49:41.880 --> 0:49:44.600
<v Speaker 1>get some more information out there. How did you feel

0:49:44.640 --> 0:49:48.080
<v Speaker 1>about looking back on it, the structure of your business

0:49:48.880 --> 0:49:52.279
<v Speaker 1>at the time, like in terms of the fairness or

0:49:52.320 --> 0:49:54.400
<v Speaker 1>the unfairness of it, or the things that were just

0:49:54.480 --> 0:49:57.640
<v Speaker 1>so glad out of control that you know, should have

0:49:57.680 --> 0:50:00.760
<v Speaker 1>been a certain way and weren't. Like what was happening

0:50:00.800 --> 0:50:03.319
<v Speaker 1>at that time. It was structured to a point where

0:50:03.360 --> 0:50:06.840
<v Speaker 1>you were only meant to go so far. As a

0:50:06.880 --> 0:50:10.120
<v Speaker 1>black artist, you know that the structure of the business

0:50:10.200 --> 0:50:13.440
<v Speaker 1>was made was was made too. You come into a

0:50:13.480 --> 0:50:17.080
<v Speaker 1>record company, they signed you to a deal and depending

0:50:17.120 --> 0:50:19.560
<v Speaker 1>on who you are, the cloth that you had before

0:50:19.600 --> 0:50:24.360
<v Speaker 1>you got there, you might get eight points as an artist.

0:50:24.560 --> 0:50:32.360
<v Speaker 1>Eight that's crazy and it eight points. Then Stevie came along,

0:50:32.920 --> 0:50:35.360
<v Speaker 1>you know, with his success that in Motown, and he

0:50:35.400 --> 0:50:38.480
<v Speaker 1>was a writer, producer and he could talk about owning

0:50:38.520 --> 0:50:41.560
<v Speaker 1>all of this stuff. But in our era, you were

0:50:41.640 --> 0:50:44.200
<v Speaker 1>just trying to get the exposure. You would do anything,

0:50:44.760 --> 0:50:47.399
<v Speaker 1>and it limited you just were limited. You couldn't get

0:50:47.600 --> 0:50:51.920
<v Speaker 1>but only so far, you know. Uh, as especially as

0:50:51.920 --> 0:50:56.040
<v Speaker 1>a young black stand up vocal groups, stand up vocal

0:50:56.080 --> 0:51:00.880
<v Speaker 1>groups were they were always afraid that them five guys

0:51:00.960 --> 0:51:05.160
<v Speaker 1>might mess with some white women. So they were they were.

0:51:05.280 --> 0:51:08.000
<v Speaker 1>They were things that happened with the temptations in the

0:51:08.040 --> 0:51:12.480
<v Speaker 1>Four Tops. And you know, traveling through the South had

0:51:12.480 --> 0:51:15.960
<v Speaker 1>to be careful because you represented, here's five good looking

0:51:15.960 --> 0:51:19.319
<v Speaker 1>black man standing up doing and young girls invariably gonna

0:51:19.320 --> 0:51:22.040
<v Speaker 1>come in. You know, they're gonna like so you know,

0:51:22.160 --> 0:51:24.760
<v Speaker 1>so you were just limited in terms of your ability.

0:51:25.080 --> 0:51:28.560
<v Speaker 1>And then it depends on behind intelligent you were. You know,

0:51:28.640 --> 0:51:30.680
<v Speaker 1>if you were, did you understand do you know about

0:51:30.680 --> 0:51:34.719
<v Speaker 1>publishing copyrights? No, we were young. We just wanted to

0:51:34.719 --> 0:51:37.440
<v Speaker 1>be on stage. We wanted the girls the screen. We

0:51:37.480 --> 0:51:41.759
<v Speaker 1>didn't learn about that. Dick Griffey was the guy that

0:51:41.960 --> 0:51:46.440
<v Speaker 1>educated us about publishing. You know, Nick was our only writer.

0:51:46.600 --> 0:51:49.279
<v Speaker 1>But we understand, we didn't understand publishing the way you

0:51:49.320 --> 0:51:53.960
<v Speaker 1>guys did. And even you know, writers weren't compensated with

0:51:54.080 --> 0:51:58.680
<v Speaker 1>the way they should have been to this day. But

0:51:58.480 --> 0:52:01.400
<v Speaker 1>the but here's the ratio. If a hundred million was

0:52:01.480 --> 0:52:04.319
<v Speaker 1>made back then, you actually, well, how much of that

0:52:04.320 --> 0:52:09.160
<v Speaker 1>should I get from a fair standpoint? But you were lucky.

0:52:09.760 --> 0:52:12.440
<v Speaker 1>If a hundred me was made, you might get to

0:52:12.640 --> 0:52:19.480
<v Speaker 1>three thousand maybe dollars. That's that's if a hundred million

0:52:19.560 --> 0:52:22.600
<v Speaker 1>is generated. You now today you know what records generating.

0:52:23.080 --> 0:52:25.360
<v Speaker 1>We're talking hundreds of millions. If you're not even knowing

0:52:25.440 --> 0:52:28.200
<v Speaker 1>what you didn't have a clue of what that was.

0:52:29.520 --> 0:52:31.520
<v Speaker 1>You didn't know what it was when you say no,

0:52:31.760 --> 0:52:33.919
<v Speaker 1>we didn't know what was generated. Because I mean, first

0:52:33.960 --> 0:52:36.640
<v Speaker 1>of all, back then, even now, when you see a

0:52:36.719 --> 0:52:39.360
<v Speaker 1>hunting me didn't make me faint. I don't know about you,

0:52:39.640 --> 0:52:42.480
<v Speaker 1>But back then, not only would you faint, you may

0:52:42.520 --> 0:52:46.440
<v Speaker 1>not ever fucking wake up a hundred million dollars. Nobody

0:52:46.440 --> 0:52:49.000
<v Speaker 1>ever dreamed that kind of bunny was being even made.

0:52:50.040 --> 0:52:53.279
<v Speaker 1>You know, but then you're going along with the obedience

0:52:53.320 --> 0:52:57.399
<v Speaker 1>of being a black person that comes into play, whether

0:52:57.440 --> 0:53:00.120
<v Speaker 1>you would you know, so you didn't even get to

0:53:00.239 --> 0:53:03.080
<v Speaker 1>what like, well, we never got to that. No, No,

0:53:03.160 --> 0:53:05.400
<v Speaker 1>I don't know. You know, you stayed in your place,

0:53:06.920 --> 0:53:10.200
<v Speaker 1>and you know you did what you were supposed to.

0:53:10.400 --> 0:53:12.799
<v Speaker 1>You were obedient. Let's put it like you're happy with

0:53:12.840 --> 0:53:19.000
<v Speaker 1>a little happy with a little one. So Huney bellion

0:53:19.120 --> 0:53:21.680
<v Speaker 1>was genuine. You wouldn't have probably believed it anyway anyway,

0:53:22.280 --> 0:53:24.760
<v Speaker 1>because those numbers don't even make sense, don't make sense,

0:53:25.520 --> 0:53:27.920
<v Speaker 1>you know. Yeah, that's why we say the young people today.

0:53:27.960 --> 0:53:30.319
<v Speaker 1>But we don't have to because young people like you,

0:53:30.320 --> 0:53:34.160
<v Speaker 1>you understand a huney million dollars don't mean that much

0:53:34.840 --> 0:53:38.120
<v Speaker 1>to you. It's a lot of money, but you understand

0:53:38.200 --> 0:53:40.759
<v Speaker 1>what a hundred million dollars is. In our day, we

0:53:40.840 --> 0:53:43.560
<v Speaker 1>had no clue, no clue what a hundre million dollars.

0:53:43.600 --> 0:53:47.040
<v Speaker 1>I don't even you don't think about that, you know,

0:53:47.360 --> 0:53:50.439
<v Speaker 1>y'all do. I remember having a conversation with my with

0:53:50.440 --> 0:53:53.960
<v Speaker 1>with my father and couples, guys and uncles, and they

0:53:54.000 --> 0:53:56.920
<v Speaker 1>were talking about sports and how they used to look

0:53:56.960 --> 0:54:00.279
<v Speaker 1>at athletes and they used to be like, that's they

0:54:00.320 --> 0:54:03.960
<v Speaker 1>ain't got no money like us. Absolutely, they used to

0:54:03.960 --> 0:54:05.920
<v Speaker 1>really look at like you know, because it was just

0:54:05.960 --> 0:54:08.800
<v Speaker 1>a different time. It was a different time, and you

0:54:08.840 --> 0:54:10.960
<v Speaker 1>know what guys were getting in the streets compared to

0:54:11.640 --> 0:54:14.640
<v Speaker 1>you know what guys were getting legally. Absolutely, you know

0:54:14.760 --> 0:54:20.480
<v Speaker 1>that at one point that was the way to get rich, absolutely,

0:54:21.320 --> 0:54:24.600
<v Speaker 1>to get really rich. Absolutely, it was more so in

0:54:24.000 --> 0:54:27.960
<v Speaker 1>a in a legal way. Absolutely, we didn't have all

0:54:27.960 --> 0:54:31.360
<v Speaker 1>of these ways, you know from now with music or

0:54:31.440 --> 0:54:37.040
<v Speaker 1>with acting, or with you know, with sports sponsorships and

0:54:37.200 --> 0:54:39.160
<v Speaker 1>you know all these other things that that all the

0:54:39.200 --> 0:54:42.239
<v Speaker 1>ancillary things that come along with it. Now, before it

0:54:42.320 --> 0:54:44.160
<v Speaker 1>was just like oh yeah, if you want that Cadillac,

0:54:45.239 --> 0:54:49.600
<v Speaker 1>nobody get to house. Absolutely, so I completely, I completely

0:54:49.680 --> 0:54:54.359
<v Speaker 1>understand what you're saying. I also want to know, from

0:54:54.400 --> 0:54:58.600
<v Speaker 1>the road sense, how did that work because obviously you know,

0:54:58.680 --> 0:55:01.160
<v Speaker 1>you have you have the you have the deal structures,

0:55:01.160 --> 0:55:02.640
<v Speaker 1>and you have the way that that works out. Like

0:55:02.640 --> 0:55:04.520
<v Speaker 1>you said, you were lucky if you're getting eight points

0:55:04.560 --> 0:55:07.399
<v Speaker 1>with most people don't understand the eight points breaks down

0:55:07.440 --> 0:55:11.239
<v Speaker 1>to eight cents pennies, you know what I mean because

0:55:11.239 --> 0:55:13.239
<v Speaker 1>a lot of people, you know, they they've made all

0:55:13.280 --> 0:55:18.440
<v Speaker 1>of these terms, you know what I mean that where

0:55:18.640 --> 0:55:20.759
<v Speaker 1>you know, you don't really just look into it. You're like,

0:55:21.320 --> 0:55:24.160
<v Speaker 1>you can, you can. I mean the sad thing is

0:55:24.960 --> 0:55:27.320
<v Speaker 1>you can have a conversation with some of the artists

0:55:27.360 --> 0:55:29.520
<v Speaker 1>that are out now and they don't even know what

0:55:29.600 --> 0:55:33.919
<v Speaker 1>that breaks down to, even with all of this information. Yeah,

0:55:34.480 --> 0:55:37.520
<v Speaker 1>that's the sad part. Now, Like like Tanks said earlier,

0:55:38.040 --> 0:55:42.239
<v Speaker 1>we we we listened to you guys with grace and

0:55:42.520 --> 0:55:45.680
<v Speaker 1>at a different you know, it's the scales are tipped

0:55:45.719 --> 0:55:48.280
<v Speaker 1>in a different way because you guys had no idea.

0:55:48.920 --> 0:55:52.560
<v Speaker 1>There was no way to truly find out. And to

0:55:52.680 --> 0:55:58.759
<v Speaker 1>our fault, we weren't educated enough to know that to

0:55:58.840 --> 0:56:01.759
<v Speaker 1>ask the question, if there's a hundred pennies and the

0:56:01.760 --> 0:56:03.760
<v Speaker 1>eight is gone, what happens to the other ninety two?

0:56:04.760 --> 0:56:07.200
<v Speaker 1>That's common sense. But when you want to be on

0:56:07.440 --> 0:56:12.600
<v Speaker 1>stage and you want the exposure, the business was built

0:56:12.640 --> 0:56:15.560
<v Speaker 1>on that, That's what I'm talking. The business was on

0:56:15.640 --> 0:56:20.160
<v Speaker 1>the sexy of that. They just want to say, They

0:56:20.239 --> 0:56:21.680
<v Speaker 1>just want to they just want to sing to them

0:56:21.719 --> 0:56:26.960
<v Speaker 1>girls after the show as well, worried they want a

0:56:26.960 --> 0:56:34.520
<v Speaker 1>little wine, a little woman, right, Yeah, yeah, maybe the

0:56:34.560 --> 0:56:43.120
<v Speaker 1>don't taste. Yeah, they manipulated and in such a way

0:56:43.160 --> 0:56:48.960
<v Speaker 1>because you know, the gifted are very much invested in

0:56:49.040 --> 0:56:52.960
<v Speaker 1>the gift. We're very much invested in the gift. Like

0:56:53.000 --> 0:56:56.040
<v Speaker 1>we're always trying to figure out how to be better

0:56:56.440 --> 0:56:59.480
<v Speaker 1>within our gift. At no point do we stop and say,

0:57:00.000 --> 0:57:01.759
<v Speaker 1>you know what I'm saying, well, let's talk about those

0:57:01.800 --> 0:57:06.480
<v Speaker 1>eight points, because sometimes the math doesn't correlate with the gift.

0:57:07.200 --> 0:57:10.080
<v Speaker 1>You know, we just we just I'm just here the thing.

0:57:10.080 --> 0:57:12.279
<v Speaker 1>But you know what I'm saying, we're gonna pick Okay,

0:57:12.280 --> 0:57:14.680
<v Speaker 1>you gotta are you gonna pick that up about exactly

0:57:16.680 --> 0:57:22.320
<v Speaker 1>exactly there for us. And even in the beginning of

0:57:22.320 --> 0:57:25.360
<v Speaker 1>my career, like the things that I could have done

0:57:26.200 --> 0:57:29.360
<v Speaker 1>with my early success, I didn't know to do. Yeah,

0:57:29.600 --> 0:57:32.360
<v Speaker 1>nobody showed me, nobody telling me. Yeah, nobody was like,

0:57:32.400 --> 0:57:36.000
<v Speaker 1>now with this, since you have a top three record

0:57:36.040 --> 0:57:38.000
<v Speaker 1>on the Hot one hundred, this is what you should

0:57:38.040 --> 0:57:39.920
<v Speaker 1>go ask what and what you should turn that as

0:57:40.040 --> 0:57:42.880
<v Speaker 1>exactly and then now you can be your own. But

0:57:43.360 --> 0:57:45.960
<v Speaker 1>you know the advantageous I went on the business side

0:57:46.000 --> 0:57:50.040
<v Speaker 1>to tell you that I was still being conditioned to

0:57:50.040 --> 0:57:53.840
<v Speaker 1>to be a player. Yeah, I was being conditioned to

0:57:53.920 --> 0:57:56.240
<v Speaker 1>stay a player. We want you to be the best

0:57:56.240 --> 0:57:58.920
<v Speaker 1>player you can be. Yeah, but you gotta stay on

0:57:58.960 --> 0:58:01.720
<v Speaker 1>the team. You look, you look at the way that

0:58:02.760 --> 0:58:04.520
<v Speaker 1>like I said, we go back to the terms, We

0:58:04.600 --> 0:58:07.720
<v Speaker 1>go back to just even the way it was worded,

0:58:09.240 --> 0:58:17.000
<v Speaker 1>the masters slave. People don't even know about that. And

0:58:17.080 --> 0:58:20.320
<v Speaker 1>then and then the owner, you know what I mean.

0:58:20.320 --> 0:58:24.720
<v Speaker 1>So if you if you're looking at music, they put

0:58:24.720 --> 0:58:26.960
<v Speaker 1>it right in front of But this thing is do

0:58:27.120 --> 0:58:31.600
<v Speaker 1>you own your masters? You know what I mean? And

0:58:31.640 --> 0:58:33.880
<v Speaker 1>there's I mean, there's a quote that I put on

0:58:33.880 --> 0:58:37.760
<v Speaker 1>on one of my pages that says, uh, you know,

0:58:38.440 --> 0:58:41.160
<v Speaker 1>we we own our own masters, you know what I mean.

0:58:41.200 --> 0:58:46.320
<v Speaker 1>The masters don't own us. That's right, and that's something

0:58:46.320 --> 0:58:47.920
<v Speaker 1>that you know, at one point we had to make

0:58:47.960 --> 0:58:51.640
<v Speaker 1>that decision for ourselves. And if you look at it

0:58:51.680 --> 0:58:55.520
<v Speaker 1>from that standpoint, you will approach it differently. That's right.

0:58:55.920 --> 0:58:57.680
<v Speaker 1>If you look at it like, Okay, if they own

0:58:57.760 --> 0:59:01.280
<v Speaker 1>my masters, they own me absolutely. I don't think you

0:59:01.280 --> 0:59:06.000
<v Speaker 1>would thank you or give them up as fast. But

0:59:06.080 --> 0:59:08.240
<v Speaker 1>I don't think that that's ever though. That's never really

0:59:08.240 --> 0:59:12.320
<v Speaker 1>put in front of someone to make that decision. Even

0:59:12.360 --> 0:59:16.360
<v Speaker 1>beyond that, even when we went on the road and thinking,

0:59:16.360 --> 0:59:18.360
<v Speaker 1>you get the test of this because we've all gone

0:59:18.400 --> 0:59:21.000
<v Speaker 1>through the same things. You go on the road, you

0:59:21.080 --> 0:59:24.320
<v Speaker 1>make all of this money as long as your socket

0:59:24.320 --> 0:59:27.640
<v Speaker 1>is for right soccer literally. But the other side of

0:59:27.640 --> 0:59:32.600
<v Speaker 1>it is that we weren't given the tools to sit

0:59:32.640 --> 0:59:36.160
<v Speaker 1>down at We never had a dinner table where the

0:59:36.200 --> 0:59:38.400
<v Speaker 1>whole family sits down and your dad says, you know,

0:59:39.400 --> 0:59:41.680
<v Speaker 1>you should put your money into this stock, or you

0:59:41.720 --> 0:59:44.520
<v Speaker 1>should not necessarily go out there and buy them gold

0:59:44.680 --> 0:59:49.080
<v Speaker 1>chains and cars and and that kind of stuff. Maybe

0:59:49.200 --> 0:59:51.160
<v Speaker 1>before you even buy a house, because the house is

0:59:51.200 --> 0:59:53.760
<v Speaker 1>the worst investment. Maybe you need to go out there

0:59:53.800 --> 0:59:57.640
<v Speaker 1>and buy you a bunch of apartment buildings or or

0:59:57.920 --> 1:00:00.720
<v Speaker 1>or buy you a shopping center or or something like

1:00:00.800 --> 1:00:05.480
<v Speaker 1>a parking something where you can have residual income coming in.

1:00:05.880 --> 1:00:09.280
<v Speaker 1>We didn't have those conversations, so we were actually not

1:00:09.360 --> 1:00:11.560
<v Speaker 1>knowing what to do with our money. So what we

1:00:11.680 --> 1:00:16.880
<v Speaker 1>do is we pop bottles, the gold chains, we had

1:00:16.920 --> 1:00:19.800
<v Speaker 1>the cars, We get a house, We bang a bunch

1:00:19.840 --> 1:00:36.479
<v Speaker 1>of girls, and then get caught up with ye yeah,

1:00:38.880 --> 1:00:45.040
<v Speaker 1>what else did you do? But they excited excignment don't

1:00:45.120 --> 1:00:47.800
<v Speaker 1>last long when you're married and the wife find out,

1:00:48.120 --> 1:00:56.720
<v Speaker 1>oh ship on that half, they get ahead and they

1:00:56.720 --> 1:01:00.160
<v Speaker 1>get at a moment exactly. So then you want end

1:01:00.240 --> 1:01:03.160
<v Speaker 1>up saying, damn, I suked up really bad, you know.

1:01:03.360 --> 1:01:06.840
<v Speaker 1>And so if you get that second chance, which a

1:01:06.840 --> 1:01:10.520
<v Speaker 1>lot of people don't get, to reboot yourself and start again,

1:01:12.160 --> 1:01:14.880
<v Speaker 1>that your hundred times. If you get that second chance,

1:01:15.160 --> 1:01:17.720
<v Speaker 1>you don't do things. You know what I'm saying. That's

1:01:17.800 --> 1:01:23.520
<v Speaker 1>that's what I was asking about this the road. Ah

1:01:24.120 --> 1:01:26.880
<v Speaker 1>And and when you guys get this this records are

1:01:26.880 --> 1:01:29.440
<v Speaker 1>these records because you guys have multiple records. It's not

1:01:29.520 --> 1:01:31.560
<v Speaker 1>like just the one record. We can go down the

1:01:31.600 --> 1:01:38.520
<v Speaker 1>list how is that? Is it connected or is it

1:01:38.640 --> 1:01:41.080
<v Speaker 1>separate at that point because you know now they'll even

1:01:41.160 --> 1:01:46.880
<v Speaker 1>try to get a piece of your performance. So back

1:01:46.920 --> 1:01:51.360
<v Speaker 1>then it was completely separately, not thinking about the other

1:01:51.400 --> 1:01:57.760
<v Speaker 1>side of your business because you're and that's why I asked,

1:01:57.960 --> 1:02:01.040
<v Speaker 1>you're doing sellout business in the countin and separate and

1:02:01.080 --> 1:02:05.560
<v Speaker 1>apart from royalties and publishing two different sets of income.

1:02:06.280 --> 1:02:11.000
<v Speaker 1>And as you say, when you're selling out fifteen thousand caters,

1:02:11.760 --> 1:02:14.240
<v Speaker 1>Luther at his height was going I mean, he was

1:02:14.280 --> 1:02:18.080
<v Speaker 1>with CBS, selling plenty of records, but I guarantee it

1:02:18.080 --> 1:02:21.480
<v Speaker 1>was separate and apart. In our case, it definitely was.

1:02:21.560 --> 1:02:23.960
<v Speaker 1>They didn't. They didn't associate the two with each other.

1:02:24.040 --> 1:02:27.000
<v Speaker 1>You just we did that because you were just And

1:02:27.040 --> 1:02:29.280
<v Speaker 1>then you get a royal statement and that's when you

1:02:29.280 --> 1:02:33.560
<v Speaker 1>start argument and they even got to have money off

1:02:33.560 --> 1:02:40.280
<v Speaker 1>the road some lawyers, but from the road, as you say,

1:02:40.360 --> 1:02:42.480
<v Speaker 1>you start arguing. They never gave me a chance to

1:02:42.560 --> 1:02:45.320
<v Speaker 1>argue because they never sent me a royalty statement. You

1:02:45.440 --> 1:02:48.160
<v Speaker 1>never gotta wait. You gotta be getting in my first

1:02:48.200 --> 1:02:57.600
<v Speaker 1>sale and those I didn't manage eight to two thousand dead,

1:02:57.840 --> 1:03:02.280
<v Speaker 1>I saw one royalty. Are you kidding me? When we're

1:03:02.280 --> 1:03:08.160
<v Speaker 1>talking about to day, I saw one. But he's seriously,

1:03:09.040 --> 1:03:13.040
<v Speaker 1>at that time, I was just playing my game. I

1:03:13.120 --> 1:03:19.120
<v Speaker 1>understand my time, So you were being blinded by that.

1:03:20.800 --> 1:03:22.760
<v Speaker 1>But then the times where I wanted to ask those

1:03:22.800 --> 1:03:25.920
<v Speaker 1>tough questions and I did things. You know what I'm

1:03:25.960 --> 1:03:28.600
<v Speaker 1>saying that that that kind of you know, put me

1:03:28.640 --> 1:03:32.880
<v Speaker 1>in a bad position. Um, you know, I really had

1:03:32.920 --> 1:03:36.920
<v Speaker 1>to be smart about how I fought that battle because

1:03:37.200 --> 1:03:39.520
<v Speaker 1>I don't have the money to fight it. Yeah, exactly.

1:03:39.720 --> 1:03:42.160
<v Speaker 1>And I didn't know if at the time, you know

1:03:42.200 --> 1:03:43.760
<v Speaker 1>what I mean, with the time that I had, I

1:03:44.000 --> 1:03:46.520
<v Speaker 1>just need to focus on music. But when you got

1:03:46.560 --> 1:03:49.280
<v Speaker 1>more money, got way more money, we got way more acts.

1:03:49.800 --> 1:03:52.640
<v Speaker 1>They keep going, keep going in that lower yourselfice. I

1:03:52.640 --> 1:03:55.480
<v Speaker 1>got to focus on a record that's going to change

1:03:56.480 --> 1:04:01.320
<v Speaker 1>the verbage, the negotiations. So I gotta focus on that.

1:04:01.920 --> 1:04:06.760
<v Speaker 1>And that's what I did. Understandable. Yeah. Um, now we're

1:04:06.800 --> 1:04:09.800
<v Speaker 1>talking about thirty five years later to think about that still,

1:04:10.200 --> 1:04:12.240
<v Speaker 1>what are years later and this what's happening with us?

1:04:12.240 --> 1:04:14.640
<v Speaker 1>And here we talked about forty years later. You went

1:04:14.840 --> 1:04:17.800
<v Speaker 1>eight years and didn't see a royalty statement, So one

1:04:18.760 --> 1:04:22.520
<v Speaker 1>that is amazing to me I've walked away from a

1:04:22.640 --> 1:04:27.400
<v Speaker 1>lot of money as a means to an end, just

1:04:27.440 --> 1:04:29.000
<v Speaker 1>so I can get to the other side, get to

1:04:29.040 --> 1:04:32.680
<v Speaker 1>the next step, get to the next step. Wow, that's amazing,

1:04:32.720 --> 1:04:34.480
<v Speaker 1>you know what I mean. So, like, you know, it's

1:04:34.480 --> 1:04:37.200
<v Speaker 1>funny because when people watch it or people see it,

1:04:37.720 --> 1:04:39.720
<v Speaker 1>you know, they see the videos and all of these

1:04:39.720 --> 1:04:41.440
<v Speaker 1>steps I say, they don't know, like, while some of

1:04:41.440 --> 1:04:43.880
<v Speaker 1>these videos are out that you know, some of us

1:04:43.880 --> 1:04:46.120
<v Speaker 1>are reaching in the ash tray, you know what I'm saying,

1:04:46.120 --> 1:04:49.840
<v Speaker 1>digging out coins to put gas in. They don't realize that.

1:04:50.920 --> 1:04:55.320
<v Speaker 1>And that was very much where I've been trying to

1:04:55.360 --> 1:04:57.040
<v Speaker 1>get to the next moment. And the cost of that

1:04:57.200 --> 1:05:00.280
<v Speaker 1>video was on the dotted line. Come come, that's what

1:05:00.440 --> 1:05:02.920
<v Speaker 1>when you see you start arguing. But see I say

1:05:03.000 --> 1:05:07.600
<v Speaker 1>this though in our case, we weren't educated, now that

1:05:07.680 --> 1:05:11.040
<v Speaker 1>I understand it, we met my gardener, I manager now,

1:05:12.080 --> 1:05:13.920
<v Speaker 1>and I thought I was a pretty educated guy. But

1:05:13.960 --> 1:05:18.360
<v Speaker 1>I wouldn't because if you educated, you have a sense

1:05:18.400 --> 1:05:22.720
<v Speaker 1>of being curious about what's happening to you. But when

1:05:22.720 --> 1:05:25.640
<v Speaker 1>you're doing what we like, you we out there performing,

1:05:25.800 --> 1:05:27.760
<v Speaker 1>the girls, having fun, and you don't want to look

1:05:28.080 --> 1:05:30.800
<v Speaker 1>when they charge you for that video. You didn't even

1:05:30.840 --> 1:05:32.880
<v Speaker 1>know he was being charged. You thought they were paying

1:05:32.920 --> 1:05:37.440
<v Speaker 1>for it, because that's what you thought. You meet someone

1:05:37.560 --> 1:05:41.000
<v Speaker 1>that explains to you how this is a business industry.

1:05:41.160 --> 1:05:46.200
<v Speaker 1>It's called show, but it's business. And until you understand that,

1:05:46.240 --> 1:05:50.320
<v Speaker 1>you're gonna be victimized by We certainly were. But I'm

1:05:50.360 --> 1:05:53.320
<v Speaker 1>amazed that as younger as young as you are. Yeah,

1:05:53.440 --> 1:05:56.800
<v Speaker 1>do you remember. I remember I was talking to one

1:05:56.800 --> 1:05:59.680
<v Speaker 1>of the lakes side and he said to me, and

1:05:59.720 --> 1:06:03.360
<v Speaker 1>it may sound funny, but it blow your mind. Man,

1:06:03.840 --> 1:06:06.600
<v Speaker 1>how do you go on to and come home and

1:06:06.680 --> 1:06:10.680
<v Speaker 1>be broke? Yeah, yeah, that's correct, that was happening, but

1:06:10.720 --> 1:06:13.600
<v Speaker 1>that's what was happening. I've seen it. He we on

1:06:13.800 --> 1:06:16.960
<v Speaker 1>to have played sold out. Remember we were laughing. We

1:06:17.000 --> 1:06:19.600
<v Speaker 1>went to the record store. They they met these girls

1:06:19.600 --> 1:06:22.080
<v Speaker 1>and they brought in the babies and all that. They

1:06:22.800 --> 1:06:29.120
<v Speaker 1>called off the girls and their kids signing. You know,

1:06:29.200 --> 1:06:31.280
<v Speaker 1>they had the limos and they had about five or

1:06:31.320 --> 1:06:35.600
<v Speaker 1>six limos. Every limo there was paid for, record company

1:06:35.600 --> 1:06:38.880
<v Speaker 1>paid for. Gladly didn't have no problem making you look good.

1:06:39.440 --> 1:06:46.760
<v Speaker 1>But when you get back home that you yeah, you mad,

1:06:48.440 --> 1:06:53.480
<v Speaker 1>this is what that's what your negative here And young kids.

1:06:53.600 --> 1:06:56.560
<v Speaker 1>Y'all can thank God for y'all's podcast because you guys

1:06:56.600 --> 1:07:01.880
<v Speaker 1>can explain this. Two young kids that are in this industry,

1:07:02.880 --> 1:07:05.840
<v Speaker 1>you know, let they have to understand, be educated and

1:07:06.040 --> 1:07:10.200
<v Speaker 1>nothing wrong with flying coach at nothing, nothing unless you're

1:07:10.320 --> 1:07:15.920
<v Speaker 1>six six. Yeah, you're comfortable and the rel you know,

1:07:16.160 --> 1:07:21.200
<v Speaker 1>it's the flights get further. You want to later? Yeah, Europe.

1:07:21.520 --> 1:07:24.200
<v Speaker 1>You don't need to fly first class from San Francisco

1:07:24.280 --> 1:07:36.320
<v Speaker 1>to Los Angeles. You're the play Wait things all sold out,

1:07:36.960 --> 1:07:47.840
<v Speaker 1>I go tomorrow. Let's get to the minds man, Let's

1:07:48.080 --> 1:07:49.680
<v Speaker 1>let's get to the r. You want to talk to

1:07:49.720 --> 1:07:53.840
<v Speaker 1>this brother because they've been doing this a long time.

1:07:54.200 --> 1:07:57.520
<v Speaker 1>You know, they got they got minds on them, got

1:07:57.600 --> 1:08:04.080
<v Speaker 1>minds on the second of our show, Top five. Okay,

1:08:05.040 --> 1:08:13.640
<v Speaker 1>I don't normally have to keep over this. Okay, today

1:08:13.680 --> 1:08:16.920
<v Speaker 1>we're gonna we're gonna keep it simple. We want to

1:08:16.920 --> 1:08:24.840
<v Speaker 1>know whispers whispers whispers your top five R and B

1:08:25.000 --> 1:08:34.800
<v Speaker 1>artists M M male female group, five different us gonna

1:08:34.800 --> 1:08:37.200
<v Speaker 1>say the same thing, but we're probably gonna we're prepared.

1:08:37.320 --> 1:08:40.080
<v Speaker 1>It was your gree on and the next you. Okay,

1:08:40.080 --> 1:08:42.320
<v Speaker 1>come on, let's just get it. Somebody kick it off.

1:08:43.479 --> 1:08:46.120
<v Speaker 1>It's easy to me. It's easy. I start out with

1:08:46.200 --> 1:08:49.920
<v Speaker 1>Donny Hathway, no question, go down from him. I go

1:08:49.960 --> 1:08:55.400
<v Speaker 1>to Marvin gay After Marvin Gaye, I go to Jesse Belvin,

1:08:56.760 --> 1:09:00.280
<v Speaker 1>and then I go to two females. That's fall as

1:09:00.320 --> 1:09:03.960
<v Speaker 1>I'm concerned, and it's just me that I'm my all

1:09:04.040 --> 1:09:08.479
<v Speaker 1>time favorite. One is white, one is black. The black

1:09:08.479 --> 1:09:11.800
<v Speaker 1>one is as a James for me. The white one

1:09:11.880 --> 1:09:16.960
<v Speaker 1>is carrying carpet. Yes, yeah, that' see what's going on.

1:09:20.560 --> 1:09:23.880
<v Speaker 1>The two greatest female singers as far as I'm concerned,

1:09:24.560 --> 1:09:31.920
<v Speaker 1>Ada and Caring. That's my father. Okay. Probably for me,

1:09:32.040 --> 1:09:35.360
<v Speaker 1>I'm probably got a mixture of old school and new

1:09:35.400 --> 1:09:41.519
<v Speaker 1>school um NK and Cole one of my greatest my mom,

1:09:41.600 --> 1:09:44.559
<v Speaker 1>hipp you to this guy, Jackie Wilson, one of the

1:09:44.600 --> 1:09:51.760
<v Speaker 1>greatest singers performers on planet Earth. Me being a tenor dey'll.

1:09:51.800 --> 1:09:57.840
<v Speaker 1>Finally William Hart, one of my favorite tenor singers ever

1:09:57.960 --> 1:10:03.519
<v Speaker 1>on this planet. That that I like female singer wise

1:10:04.280 --> 1:10:08.840
<v Speaker 1>would be Many Rippington because she was singing in the

1:10:08.880 --> 1:10:12.800
<v Speaker 1>stratosphere before any of these ladies came along. I knew

1:10:12.840 --> 1:10:16.320
<v Speaker 1>there was a stratosphere, and the last one would be

1:10:16.360 --> 1:10:20.400
<v Speaker 1>Marvin gay because I like where he comes from emotionally.

1:10:21.000 --> 1:10:23.360
<v Speaker 1>I could always count on him to say something that

1:10:23.400 --> 1:10:26.240
<v Speaker 1>will bring tears to your eyes. And I knew every

1:10:26.400 --> 1:10:29.599
<v Speaker 1>masterful song that he came out with was based on

1:10:30.280 --> 1:10:33.120
<v Speaker 1>whatever emotional thing that he was going through, So I

1:10:33.120 --> 1:10:37.599
<v Speaker 1>could we've had broken hearts, somebody tore our hearts out

1:10:37.600 --> 1:10:40.080
<v Speaker 1>of our chest, So he would have a song. Did

1:10:40.120 --> 1:10:42.360
<v Speaker 1>you play that and just kind of sit in your

1:10:42.360 --> 1:10:45.720
<v Speaker 1>own little pity session and listen to that song all

1:10:45.760 --> 1:10:49.120
<v Speaker 1>the time. So Marvin get those would be you know,

1:10:49.240 --> 1:10:53.320
<v Speaker 1>those would be my people. Scott did not have. We

1:10:53.439 --> 1:10:56.760
<v Speaker 1>both Danny Hathaway, But I kind of put in mind

1:10:56.760 --> 1:10:59.800
<v Speaker 1>the people that I revere the most. There's a combination

1:10:59.840 --> 1:11:02.280
<v Speaker 1>of how will they could sing, but how great a

1:11:02.360 --> 1:11:08.360
<v Speaker 1>writers they were? For me, Critis Mayfield the greatest black

1:11:08.400 --> 1:11:11.320
<v Speaker 1>writer if you had the choice of colors, which when

1:11:11.320 --> 1:11:16.280
<v Speaker 1>you choose my brother? When I heard that, um, I

1:11:16.320 --> 1:11:19.479
<v Speaker 1>admire him for his He wasn't a great vocalist, but

1:11:19.600 --> 1:11:27.200
<v Speaker 1>his writing ability made me Marvin Gaye just natural. Two

1:11:27.280 --> 1:11:31.400
<v Speaker 1>greatest female singers to me that ever lived Aretha Franklin

1:11:31.479 --> 1:11:38.320
<v Speaker 1>number one, especially the young area, and Whitney Whitney was

1:11:38.360 --> 1:11:41.599
<v Speaker 1>God given. She just that thing that you saw she did.

1:11:41.439 --> 1:11:43.240
<v Speaker 1>Did you look at her eyes when she was in

1:11:43.320 --> 1:11:47.040
<v Speaker 1>that jogging suit, she was looking how amazed that we

1:11:47.040 --> 1:11:50.200
<v Speaker 1>were amazed that she could do that. Didn't you see that?

1:11:50.720 --> 1:11:53.760
<v Speaker 1>Because she did it so easy? She said, what what

1:11:53.800 --> 1:11:58.880
<v Speaker 1>they what they're tripping about? That girl was so gifted

1:11:59.080 --> 1:12:02.360
<v Speaker 1>to me. That's it for me. She just had to

1:12:02.680 --> 1:12:08.559
<v Speaker 1>flap foot it just yeah, yeah, yeah, now that was

1:12:08.640 --> 1:12:11.840
<v Speaker 1>less are amazing? Okay, okay, let's get another list, one

1:12:11.880 --> 1:12:15.800
<v Speaker 1>another list on UM Top five R and B songs.

1:12:18.840 --> 1:12:24.760
<v Speaker 1>You get tricking that's hard? That was that is hard? Well,

1:12:24.880 --> 1:12:28.320
<v Speaker 1>Number one, What's going on? Kick it off? Kick it off? There?

1:12:28.360 --> 1:12:31.920
<v Speaker 1>That's that's the one song that Marvin made that he

1:12:32.040 --> 1:12:34.200
<v Speaker 1>brought in other people. They were having a good time.

1:12:35.439 --> 1:12:38.599
<v Speaker 1>It just evolved into the greatest as far as I'm concerned.

1:12:38.640 --> 1:12:41.439
<v Speaker 1>That song. My wife and I we danced to the

1:12:41.520 --> 1:12:44.400
<v Speaker 1>whole album and Mom got so many different songs on there.

1:12:44.760 --> 1:12:46.840
<v Speaker 1>But What's going On? It's one of my favorite songs

1:12:46.840 --> 1:12:51.200
<v Speaker 1>of all time. And then Luther who the Bad Truths,

1:12:52.080 --> 1:12:54.920
<v Speaker 1>has a song called what is the title of it?

1:12:55.320 --> 1:12:59.479
<v Speaker 1>His vocal gymnastics to me, I ain't heard nobody. What

1:12:59.560 --> 1:13:02.639
<v Speaker 1>is the song I'm thinking up? The hit, the hit record,

1:13:02.680 --> 1:13:06.360
<v Speaker 1>the ad Yeah, whoo whoo. Man, it skips me. But

1:13:06.479 --> 1:13:10.360
<v Speaker 1>his vocal gymnastics on it the house not ho No, No,

1:13:10.520 --> 1:13:14.080
<v Speaker 1>he's talking about his hit record. Uh that it was

1:13:14.120 --> 1:13:17.040
<v Speaker 1>a hit. But I love I love you said the song.

1:13:17.280 --> 1:13:20.040
<v Speaker 1>You had a song. But what I what I related

1:13:20.080 --> 1:13:23.200
<v Speaker 1>to is how he executed it as a vocalist, Luther

1:13:23.360 --> 1:13:27.160
<v Speaker 1>Andro's male vocalist to me, And I mean, I've been

1:13:27.200 --> 1:13:29.240
<v Speaker 1>around a lot of years and I heard a lot

1:13:29.280 --> 1:13:33.559
<v Speaker 1>of singers. Luthor for me, this is what I like.

1:13:34.400 --> 1:13:39.960
<v Speaker 1>You said songs right, Well, I related to the guy. Yeah,

1:13:40.040 --> 1:13:43.200
<v Speaker 1>I guess. I guess that's what I'm doing. Yeah, go ahead,

1:13:43.200 --> 1:13:45.679
<v Speaker 1>and I'm gonna start out with what I say. Songs

1:13:45.880 --> 1:13:48.680
<v Speaker 1>R and B probably one of the biggest, but it

1:13:48.720 --> 1:13:50.479
<v Speaker 1>was just one of my favorite. That would be me

1:13:50.520 --> 1:13:54.639
<v Speaker 1>and Mrs Jones that that that to me was when

1:13:54.680 --> 1:13:58.080
<v Speaker 1>he did that, it brought in a whole new and

1:13:58.120 --> 1:14:02.040
<v Speaker 1>then another song one of my favorite songs and it's

1:14:02.200 --> 1:14:03.920
<v Speaker 1>R and D. Then go you said, boy, why are

1:14:03.920 --> 1:14:07.160
<v Speaker 1>you coming with all these white acts? What you won't do?

1:14:09.080 --> 1:14:12.839
<v Speaker 1>Do love? To me? That was one of the greatest

1:14:13.000 --> 1:14:16.600
<v Speaker 1>written R and B songs, And when I found he

1:14:16.720 --> 1:14:19.800
<v Speaker 1>was white, I was stunned. I'm just being I said,

1:14:19.800 --> 1:14:22.200
<v Speaker 1>wait a minute, how in the world one of the

1:14:22.200 --> 1:14:26.040
<v Speaker 1>greatest songs was ever recorded for our concern? So those two,

1:14:26.160 --> 1:14:29.599
<v Speaker 1>me and Mrs Jones, And then of course I can

1:14:29.680 --> 1:14:32.800
<v Speaker 1>leave about Jesse Belvan. That's before you guys. Yeah, yeah,

1:14:33.360 --> 1:14:34.920
<v Speaker 1>put us up on that, put us up on. Yeah.

1:14:34.920 --> 1:14:37.479
<v Speaker 1>He he had a song called good Night Love and

1:14:37.600 --> 1:14:41.800
<v Speaker 1>night my love. I'm gonna listen, go listen to start

1:14:41.840 --> 1:14:49.000
<v Speaker 1>saying to my wife from now on and not my love. Yeah,

1:14:51.120 --> 1:15:02.519
<v Speaker 1>don't worry with it, don't worry you're around. Good Night

1:15:02.640 --> 1:15:06.920
<v Speaker 1>my love. Well for me, you probably never heard this song,

1:15:07.240 --> 1:15:09.599
<v Speaker 1>but I always like her because it was a song

1:15:09.680 --> 1:15:12.320
<v Speaker 1>that was written by this young lady. She's not here

1:15:12.360 --> 1:15:15.920
<v Speaker 1>anymore on this planet, but she took she when she

1:15:15.960 --> 1:15:19.360
<v Speaker 1>wrote the song, because that's how I met my wife.

1:15:19.360 --> 1:15:22.360
<v Speaker 1>I met my wife through Tina Marie, because my wife

1:15:22.400 --> 1:15:24.760
<v Speaker 1>should sing with Tae Marie. So she happened to be

1:15:24.840 --> 1:15:27.000
<v Speaker 1>on the cruise. But she wrote a song for us

1:15:27.080 --> 1:15:31.160
<v Speaker 1>called Butter Butter, and she says, this is what a

1:15:31.200 --> 1:15:35.439
<v Speaker 1>woman wants to hear from you. Guys. And when she

1:15:36.439 --> 1:15:38.880
<v Speaker 1>sat there on her keyboard in her house and played

1:15:38.920 --> 1:15:42.679
<v Speaker 1>that song, I was like, oh my god, Yeah, that's

1:15:42.680 --> 1:15:45.160
<v Speaker 1>what a woman wants to hear. So but it was

1:15:45.200 --> 1:15:48.519
<v Speaker 1>done by us. So it's one of my favorite songs. Uh.

1:15:48.680 --> 1:15:52.599
<v Speaker 1>You mentioned a song. I think it's called here my Dear. Yeah,

1:15:54.479 --> 1:16:01.320
<v Speaker 1>you were my wife to me. You know when he

1:16:01.600 --> 1:16:03.479
<v Speaker 1>with some of the things he said in that man

1:16:03.600 --> 1:16:08.719
<v Speaker 1>just wanted captivating everything inside of you. That was That's

1:16:08.760 --> 1:16:11.520
<v Speaker 1>one of my favorite songs only because of his delivery

1:16:11.640 --> 1:16:14.720
<v Speaker 1>and I could hear the pain in his voice. That

1:16:14.800 --> 1:16:18.599
<v Speaker 1>was one of it. And uh, any del Phonic song

1:16:19.960 --> 1:16:26.920
<v Speaker 1>because it didn't make any difference anymore between Tom Bell

1:16:27.000 --> 1:16:30.160
<v Speaker 1>and Linda Creed, who wrote some of the greatest songs

1:16:30.439 --> 1:16:34.360
<v Speaker 1>in the stylistics he wrote for them. He wrote for

1:16:34.479 --> 1:16:41.960
<v Speaker 1>del Phonics too, you know last week and uh, any

1:16:42.040 --> 1:16:44.559
<v Speaker 1>of you know la la Lala means I love you,

1:16:44.760 --> 1:16:47.760
<v Speaker 1>that kind of stuff in the tone and him having

1:16:47.760 --> 1:16:50.920
<v Speaker 1>that little baby thing kind of thing that he did do.

1:16:51.520 --> 1:16:53.760
<v Speaker 1>I remember him gonna tell you the Sqol story. I

1:16:53.840 --> 1:16:56.280
<v Speaker 1>remember when I wanted to be a vocalist and I

1:16:56.280 --> 1:16:57.880
<v Speaker 1>wanted to be in a group. My father wanted me

1:16:57.920 --> 1:17:00.759
<v Speaker 1>to be a saxophone player. But it was nothing sexy

1:17:00.840 --> 1:17:04.000
<v Speaker 1>to me and that saxophone thing at all. So I

1:17:04.040 --> 1:17:09.120
<v Speaker 1>went to see the Delfonics. I went to see the Delfonics,

1:17:09.360 --> 1:17:13.679
<v Speaker 1>and I saw this nigger come out with William Hard

1:17:13.880 --> 1:17:19.560
<v Speaker 1>and sing women into a trance where literally back in

1:17:19.600 --> 1:17:21.960
<v Speaker 1>the day, you know, he wouldn't be doing that stuff

1:17:22.160 --> 1:17:26.360
<v Speaker 1>now today, but he was. He must have slopped women

1:17:26.800 --> 1:17:29.960
<v Speaker 1>in front of the stage. And I was like, oh,

1:17:30.000 --> 1:17:35.680
<v Speaker 1>that's the nigger I wanted I want to be. So

1:17:35.800 --> 1:17:38.200
<v Speaker 1>I went home and start working on my tenor as

1:17:38.240 --> 1:17:41.840
<v Speaker 1>hard as I could, because that, I mean, I just

1:17:42.280 --> 1:17:45.400
<v Speaker 1>didn't find anything with playing a saxophone. But I knew

1:17:45.840 --> 1:17:48.120
<v Speaker 1>that I wanted to be out there and I wanted

1:17:48.120 --> 1:17:50.680
<v Speaker 1>to sing. And all the women that you could get

1:17:50.880 --> 1:17:53.000
<v Speaker 1>was like my mode. I didn't think like what the

1:17:53.080 --> 1:17:55.000
<v Speaker 1>Scott didn't want to say. I didn't think about no

1:17:55.080 --> 1:17:59.400
<v Speaker 1>damn money. I just want the different type of currency,

1:18:00.960 --> 1:18:04.320
<v Speaker 1>different different and so you know, but any of the

1:18:04.360 --> 1:18:09.120
<v Speaker 1>Delfonic stylistic songs, you know, all of those things, that's

1:18:09.160 --> 1:18:11.400
<v Speaker 1>all I listened to when I first met them. So

1:18:11.520 --> 1:18:14.960
<v Speaker 1>when they heard me sing for the first time, you know,

1:18:15.040 --> 1:18:19.000
<v Speaker 1>because me and Scotty became friends. I went to see

1:18:19.040 --> 1:18:24.680
<v Speaker 1>them performance, and once again this girl turned me onto him.

1:18:24.720 --> 1:18:27.640
<v Speaker 1>But I went to see them at a performance, and

1:18:27.720 --> 1:18:33.000
<v Speaker 1>I wanted to meet the whispers. So I decided, Okay,

1:18:33.000 --> 1:18:36.160
<v Speaker 1>how can I meet the whispers? Okay, if I go

1:18:36.360 --> 1:18:44.439
<v Speaker 1>with somebody, fine them, Nigga's gonna let me. Sure enough,

1:18:44.560 --> 1:18:47.280
<v Speaker 1>he invited me back, probably dying scoop on what I had.

1:18:47.640 --> 1:18:49.320
<v Speaker 1>You know what I'm saying, But it got me through

1:18:49.360 --> 1:18:52.160
<v Speaker 1>the door. And then me and Scotty became friends. And

1:18:52.200 --> 1:18:55.719
<v Speaker 1>I started picking up all picking him up all the time. Uh.

1:18:55.800 --> 1:18:57.519
<v Speaker 1>You know when he was coming in l a from

1:18:57.760 --> 1:19:00.519
<v Speaker 1>from the Bay Area and uh, one day I was

1:19:00.560 --> 1:19:04.000
<v Speaker 1>taking him back to the airport and uh, delfonic song

1:19:04.120 --> 1:19:06.840
<v Speaker 1>came on and I started singing, not even thinking because

1:19:06.880 --> 1:19:08.240
<v Speaker 1>I used to sing in my car all the time

1:19:08.280 --> 1:19:10.400
<v Speaker 1>with nobody in there, and now I looked around, ding,

1:19:10.439 --> 1:19:13.160
<v Speaker 1>I'm singing in front of this nigger. He's a professional singer.

1:19:13.600 --> 1:19:16.439
<v Speaker 1>He said, Man, Man, I didn't know you had that

1:19:16.479 --> 1:19:19.320
<v Speaker 1>pretty falsettle with. Why don't you tell me you're saying?

1:19:19.560 --> 1:19:21.760
<v Speaker 1>I said, man that you know, our friendship is not

1:19:21.880 --> 1:19:24.440
<v Speaker 1>based on that. But I would be at every performance

1:19:24.680 --> 1:19:31.599
<v Speaker 1>hoping one of them niggas getting to take take their place.

1:19:36.840 --> 1:19:39.960
<v Speaker 1>And it happened, you know, it happened, and I was

1:19:40.040 --> 1:19:43.200
<v Speaker 1>able to slide into there, and and it took me

1:19:43.240 --> 1:19:45.880
<v Speaker 1>a year before I walked on stage. I sang back

1:19:45.960 --> 1:19:49.960
<v Speaker 1>behind the background in the wings, but my mic set

1:19:50.040 --> 1:19:52.559
<v Speaker 1>up there and sing and I could always sing. But

1:19:52.840 --> 1:19:56.120
<v Speaker 1>Nicholas Carwell was my business obstacle to get through because

1:19:56.160 --> 1:20:00.160
<v Speaker 1>he was a choreographer. He said, this nigga got two

1:20:00.240 --> 1:20:03.360
<v Speaker 1>left feet. He ain't gonna make it. And Scotty begged him.

1:20:03.640 --> 1:20:06.479
<v Speaker 1>He says, no, man, he don't use drugs. He's wearing

1:20:06.520 --> 1:20:10.320
<v Speaker 1>Penny loafer shoes v Next sweaters. He's clean. He's clean,

1:20:10.600 --> 1:20:14.200
<v Speaker 1>he don't use no drugs. He's the guy. So Nick,

1:20:14.560 --> 1:20:16.439
<v Speaker 1>you know, you know, said well, we're gonna do a

1:20:17.160 --> 1:20:20.559
<v Speaker 1>national audition and if we don't find another and them

1:20:20.840 --> 1:20:23.680
<v Speaker 1>knew that audition, then I'll work with him. And they

1:20:23.720 --> 1:20:26.439
<v Speaker 1>didn't find. Anybody in history is made. I've been with

1:20:26.520 --> 1:20:30.960
<v Speaker 1>him now forty eight years, you know, fifty plus years.

1:20:30.960 --> 1:20:34.599
<v Speaker 1>So he sunk back, stays for two years, Yeah, because

1:20:34.600 --> 1:20:37.719
<v Speaker 1>he couldn't entertain and then I went through the same thing. Yeah,

1:20:37.960 --> 1:20:43.200
<v Speaker 1>he didn't know what you If you wasn't right, If

1:20:43.200 --> 1:20:47.160
<v Speaker 1>you wasn't right, you're not getting on that stage again.

1:20:47.560 --> 1:20:53.200
<v Speaker 1>But I was behind the band or something to Literally,

1:20:53.280 --> 1:20:55.719
<v Speaker 1>I didn't get behind the band. I was in the wing.

1:20:55.880 --> 1:20:58.360
<v Speaker 1>Nobody even knew I was standing on the wing for

1:20:58.439 --> 1:21:01.640
<v Speaker 1>people that stage, you know, stage crew. They knew I

1:21:01.680 --> 1:21:04.519
<v Speaker 1>was standing there singing. But you know, but Nick, and

1:21:04.640 --> 1:21:08.080
<v Speaker 1>every night after we performed either today, I would rehearse

1:21:08.120 --> 1:21:11.880
<v Speaker 1>all day with Nick. Then at night we rehearse again.

1:21:12.000 --> 1:21:16.840
<v Speaker 1>And I did that for almost two years. Yeah yeah,

1:21:16.960 --> 1:21:21.320
<v Speaker 1>And two years later yeah yeah, And in Oakland, California,

1:21:21.680 --> 1:21:23.920
<v Speaker 1>I got there thinking I'm gonna be in the wings again,

1:21:24.000 --> 1:21:27.840
<v Speaker 1>and you said, okay, because I'm telling them all the

1:21:27.840 --> 1:21:30.519
<v Speaker 1>time I'm ready, but I'm not sure if I'm ready.

1:21:30.520 --> 1:21:32.680
<v Speaker 1>But I'm telling them ready, I'm ready, and said now

1:21:32.840 --> 1:21:36.400
<v Speaker 1>that you're not quite ready yet, you know. And this

1:21:36.600 --> 1:21:40.320
<v Speaker 1>one night they said, okay, you think you ready? I said, yeah,

1:21:40.360 --> 1:21:43.760
<v Speaker 1>I'm ready. Okay, it's not you're gonna get dressed, We're

1:21:43.760 --> 1:21:48.360
<v Speaker 1>gonna go and stage. Remember that I never shake that

1:21:48.479 --> 1:21:54.240
<v Speaker 1>much in my but you know, muscle memory from doing

1:21:54.240 --> 1:21:56.559
<v Speaker 1>it all the time, it kicked in and it just

1:21:56.600 --> 1:22:00.960
<v Speaker 1>got better and better because what people don't understand negative time,

1:22:01.800 --> 1:22:05.160
<v Speaker 1>when you're just standing there doing nothing, how do you

1:22:05.240 --> 1:22:09.160
<v Speaker 1>hold yourself. You can either look awkward or you can

1:22:09.200 --> 1:22:13.280
<v Speaker 1>look g right, So people don't understand that in the performance, saying,

1:22:13.360 --> 1:22:15.439
<v Speaker 1>Nick would always say, you have to hold your hands

1:22:15.479 --> 1:22:18.920
<v Speaker 1>a certain way. You have to look like you can't

1:22:18.960 --> 1:22:22.200
<v Speaker 1>look like you're thinking. You know, if you mess up,

1:22:22.680 --> 1:22:24.960
<v Speaker 1>don't even worry about it, just catch it at the

1:22:25.000 --> 1:22:28.200
<v Speaker 1>next spot, says they most likely won't know, you know,

1:22:28.280 --> 1:22:32.040
<v Speaker 1>But that's what Nick taught me, and when them too,

1:22:32.120 --> 1:22:35.280
<v Speaker 1>because when they walked out and niggas was like from

1:22:35.320 --> 1:22:38.519
<v Speaker 1>the time they said ladies and gentlemen, the whispers from

1:22:38.520 --> 1:22:45.040
<v Speaker 1>that point walking out, it was all choreographed to the everything, everything, everything,

1:22:45.160 --> 1:22:49.880
<v Speaker 1>every bow, every I mean, every little minu thing that

1:22:49.960 --> 1:22:52.720
<v Speaker 1>you probably wouldn't see was choreographic. And I had to

1:22:52.800 --> 1:22:55.760
<v Speaker 1>learn all that took me two years. Wow, you know

1:22:56.640 --> 1:22:58.960
<v Speaker 1>I love that. I love that. Okay, here we go.

1:23:00.040 --> 1:23:03.439
<v Speaker 1>We're gonna do this in pieces. This is called the

1:23:03.640 --> 1:23:08.320
<v Speaker 1>R and B Votron. We're gonna build your R and

1:23:08.360 --> 1:23:12.040
<v Speaker 1>B singer. Okay, this is the whispers R and B Voltron.

1:23:12.560 --> 1:23:15.639
<v Speaker 1>We're looking for who you want the vocal from, who

1:23:15.720 --> 1:23:19.720
<v Speaker 1>you want the styling from, who you want the performance

1:23:19.720 --> 1:23:23.640
<v Speaker 1>style from, and who you want the passion from. So,

1:23:26.920 --> 1:23:29.840
<v Speaker 1>m wow, where you getting the vocal from? Something? With you?

1:23:29.960 --> 1:23:33.320
<v Speaker 1>I'm looking right at you, Mr Feeling, Mr. I gotta

1:23:33.360 --> 1:23:35.760
<v Speaker 1>sing it my way. You're talking about being see the

1:23:35.840 --> 1:23:39.200
<v Speaker 1>problem and this is this is a fascinating question scepted

1:23:39.280 --> 1:23:43.839
<v Speaker 1>because in my mind, who I wanted do for feeling

1:23:45.600 --> 1:23:48.840
<v Speaker 1>ain't necessarily the person, because there's a difference between seeing

1:23:48.880 --> 1:23:52.280
<v Speaker 1>with feeling and performing on the stage. Telling me who

1:23:52.280 --> 1:23:54.439
<v Speaker 1>you want, well, you know who I want for feeling.

1:23:54.479 --> 1:23:57.759
<v Speaker 1>There's only one Dannie hath Towait for feeling. But Danny,

1:23:57.760 --> 1:23:59.920
<v Speaker 1>excuse my friends, I loved him to death. But Dannie

1:24:00.840 --> 1:24:05.360
<v Speaker 1>was short guy with a big capple and his whole

1:24:05.439 --> 1:24:10.960
<v Speaker 1>thing was that's that's comes from the voice, as you

1:24:11.080 --> 1:24:15.280
<v Speaker 1>might be shocked to I say, in terms of performing, well, no,

1:24:15.439 --> 1:24:19.160
<v Speaker 1>this is just the vocal. This is vocals. Donnie, have

1:24:19.240 --> 1:24:22.040
<v Speaker 1>the way for me done? I love that. You can't

1:24:22.080 --> 1:24:24.200
<v Speaker 1>you can't go wrong with that down there you were

1:24:24.320 --> 1:24:30.639
<v Speaker 1>performing somebody else? Are you gonna spread this around? Okay?

1:24:32.680 --> 1:24:36.519
<v Speaker 1>Who you getting the style from? Then? In terms of

1:24:36.520 --> 1:24:41.040
<v Speaker 1>how they look on stage, the drip, that drip Marvin Gaye.

1:24:41.760 --> 1:24:52.760
<v Speaker 1>Yeah yeah, dressed like Marv. This is getting different. Yeah, yeah, yeah, yeah,

1:24:52.760 --> 1:24:55.000
<v Speaker 1>I'm coming with Yeah. Well, I don't know what you're

1:24:55.000 --> 1:24:58.920
<v Speaker 1>gonna ask me, but he said, who are you getting

1:24:58.960 --> 1:25:06.839
<v Speaker 1>the performer style from? How did he get down on stage? Wow,

1:25:08.720 --> 1:25:11.120
<v Speaker 1>that's easy for me. I can't believe you ain't eveything

1:25:11.280 --> 1:25:14.360
<v Speaker 1>performing and it's probably people. Well it's not before they

1:25:14.479 --> 1:25:22.520
<v Speaker 1>know who he is. But James Brown, well, James performing

1:25:23.240 --> 1:25:32.080
<v Speaker 1>before me, before he could throw it off. And it's amazing. Yeah, performing,

1:25:32.160 --> 1:25:37.960
<v Speaker 1>he said, performing right, James Brown and Bobby Brown and

1:25:38.439 --> 1:25:49.200
<v Speaker 1>Chris browning before me. But those two Brown you can't miss.

1:25:49.240 --> 1:25:56.160
<v Speaker 1>With James Brown and Bobby Brown performing, my god, Yeah, tough.

1:25:56.360 --> 1:26:00.280
<v Speaker 1>Young I watched him, watch him giving you a ship,

1:26:00.560 --> 1:26:06.880
<v Speaker 1>the whole room, the whole group, everything they needed. I'm

1:26:06.920 --> 1:26:08.920
<v Speaker 1>glad you said this kind and you know he's so young.

1:26:09.160 --> 1:26:13.200
<v Speaker 1>I'm thinking and but you gotta give it to performing

1:26:13.280 --> 1:26:17.599
<v Speaker 1>that category. That's a different hole, you know. Alright, one

1:26:17.600 --> 1:26:20.200
<v Speaker 1>more piece, one more piece and all and all of

1:26:20.240 --> 1:26:22.400
<v Speaker 1>you guys can chime in on this. Who you get

1:26:22.400 --> 1:26:28.080
<v Speaker 1>the passion from the heart of your artists who give

1:26:28.120 --> 1:26:32.320
<v Speaker 1>it all that guy. Well, yeah, well, I'm gonna tell

1:26:32.320 --> 1:26:34.160
<v Speaker 1>you something that we work with him all the time,

1:26:34.800 --> 1:26:38.679
<v Speaker 1>and I watched him perform, and he gives one hundred

1:26:38.880 --> 1:26:42.280
<v Speaker 1>and fifty thousand percent every time he sings a song.

1:26:42.800 --> 1:26:49.800
<v Speaker 1>And that to me is um um oh Jay's um.

1:26:52.760 --> 1:26:58.280
<v Speaker 1>He gives one of the whole three pieces exactly. That

1:26:58.439 --> 1:27:06.760
<v Speaker 1>is very very true. Good pig he did all the time.

1:27:06.840 --> 1:27:10.479
<v Speaker 1>Anybody want to add to that, anybody with those for passion,

1:27:12.240 --> 1:27:14.680
<v Speaker 1>for passion, I think Eddie LeVert is it? Yeah, I

1:27:14.960 --> 1:27:17.599
<v Speaker 1>go with Eddie. Yeah, yeah, he gives you, He gives

1:27:17.640 --> 1:27:20.519
<v Speaker 1>you all. I went on tour with with with him.

1:27:20.600 --> 1:27:26.679
<v Speaker 1>I was on tour. I was opening for Jason Kid,

1:27:26.720 --> 1:27:31.120
<v Speaker 1>I was opening for Baby Face, O Jays and Pata Bellow.

1:27:32.040 --> 1:27:36.520
<v Speaker 1>Is that right? That's a favorite of Al Hayman Man. Yeah,

1:27:36.560 --> 1:27:40.160
<v Speaker 1>I know you're young, but I need somebody to feel

1:27:40.280 --> 1:27:45.040
<v Speaker 1>fifteen minutes, no kidden, Yeah, I said, brother Al Hayman,

1:27:45.240 --> 1:27:48.280
<v Speaker 1>whatever you need, I'm in this is this will be

1:27:48.360 --> 1:27:51.479
<v Speaker 1>schools to be paid education. You should have been paying

1:27:51.520 --> 1:27:55.400
<v Speaker 1>him paid education. And I watched I watched Eddie every night,

1:27:55.439 --> 1:27:59.200
<v Speaker 1>and Eddie, we'll come and watch my show, no kidding, come,

1:27:59.360 --> 1:28:02.000
<v Speaker 1>And then Baby face with you know, say, hey, man,

1:28:02.040 --> 1:28:03.880
<v Speaker 1>you should come out and sing some of the you know,

1:28:04.280 --> 1:28:06.400
<v Speaker 1>the song I wrote, all the songs that I wrote. Second,

1:28:06.400 --> 1:28:08.080
<v Speaker 1>you should come sing some of those with me. Not

1:28:08.160 --> 1:28:16.120
<v Speaker 1>come out man. The information I got from that tour. Yeah,

1:28:16.760 --> 1:28:21.400
<v Speaker 1>and then Patty come out there just oh my god. Up.

1:28:21.600 --> 1:28:23.240
<v Speaker 1>Well you know what we do it. I got to

1:28:23.240 --> 1:28:25.000
<v Speaker 1>give it to him to Luther. We tour it with

1:28:25.080 --> 1:28:31.080
<v Speaker 1>him for a couple of years. Vocally, Lucy was strong,

1:28:31.720 --> 1:28:37.559
<v Speaker 1>didn't was incredible, you know, And I'd asked him, I said,

1:28:37.560 --> 1:28:40.240
<v Speaker 1>because don't you get horse? You know? He told me

1:28:40.280 --> 1:28:42.720
<v Speaker 1>that you know, he didn't. He said he you know,

1:28:42.800 --> 1:28:45.960
<v Speaker 1>he would take lemons and but not much. He said,

1:28:46.280 --> 1:28:48.920
<v Speaker 1>what really does it for me? It's not singing? It

1:28:49.040 --> 1:28:52.680
<v Speaker 1>just rests. I said, So that's that's because he'd go

1:28:52.720 --> 1:28:56.760
<v Speaker 1>out on stage and his voice was so silky, you

1:28:56.800 --> 1:28:59.479
<v Speaker 1>know what I'm talking about. He was, and he hit

1:28:59.520 --> 1:29:03.200
<v Speaker 1>the notes every night every night. But you said it rest.

1:29:03.640 --> 1:29:07.720
<v Speaker 1>He that's what he's said. We don't rest. Yeah, we

1:29:07.760 --> 1:29:11.160
<v Speaker 1>don't rest. And I'm I'm victim of that because I'm

1:29:11.200 --> 1:29:13.160
<v Speaker 1>like the class clown. I got to crack the jokes,

1:29:14.320 --> 1:29:17.280
<v Speaker 1>you know, I got to have a feverage too. You

1:29:17.280 --> 1:29:19.040
<v Speaker 1>know I'm running the midnight Oh it's then I'm gonna

1:29:19.200 --> 1:29:25.640
<v Speaker 1>work out like and that's counter completely counterproductive. It is

1:29:25.840 --> 1:29:28.160
<v Speaker 1>to keeping that instrument show. Yes what Luther told me.

1:29:28.360 --> 1:29:30.360
<v Speaker 1>And I mean, you know, I never used lemons and

1:29:30.400 --> 1:29:32.800
<v Speaker 1>stuff like that either, but I noticed after two or

1:29:32.840 --> 1:29:36.479
<v Speaker 1>three days, I'm gonna be holes. You got to get

1:29:36.520 --> 1:29:39.160
<v Speaker 1>some rest and not use them vocal cords. And he

1:29:39.200 --> 1:29:42.080
<v Speaker 1>told me that's that's what it is, because I can't wondering.

1:29:42.120 --> 1:29:44.720
<v Speaker 1>I mean, you know, we boy the fourth night, you

1:29:44.840 --> 1:29:49.479
<v Speaker 1>hear everybody you could tell Yeah, you know what I'm saying,

1:29:49.680 --> 1:29:55.760
<v Speaker 1>everybody sound Yeah, yeah, I don't know what he did,

1:29:55.800 --> 1:29:58.360
<v Speaker 1>but he didn't have that problem. Okay, well we got

1:29:58.400 --> 1:29:59.920
<v Speaker 1>we got one more second for your man. We can

1:30:00.000 --> 1:30:02.360
<v Speaker 1>and let y'all get away without getting to the brought

1:30:02.360 --> 1:30:07.280
<v Speaker 1>of the most supports segment, especially when we got the legends,

1:30:07.320 --> 1:30:10.120
<v Speaker 1>especially y'all got y'all got the best, you got the

1:30:10.120 --> 1:30:14.040
<v Speaker 1>best story. There were no camera phones back, no cameras

1:30:14.040 --> 1:30:18.160
<v Speaker 1>at all. Y'all got away with so much. Yeah, so

1:30:18.200 --> 1:30:20.200
<v Speaker 1>we got a segment of the show. It's called I

1:30:20.240 --> 1:30:29.439
<v Speaker 1>ain't saying on that name, so the story can be funnier,

1:30:29.520 --> 1:30:33.760
<v Speaker 1>fucked up, funny, and fucked up. The only rule is

1:30:35.840 --> 1:30:39.280
<v Speaker 1>you can't say nobody's names outside of the members of

1:30:39.320 --> 1:30:43.640
<v Speaker 1>the of the of the Whispers. Okay, you know what

1:30:43.680 --> 1:30:48.360
<v Speaker 1>I mean. So right now we're about to get the

1:30:48.360 --> 1:30:56.000
<v Speaker 1>whispers the whispers. I ain't saying no that well, I guess,

1:30:56.080 --> 1:31:04.760
<v Speaker 1>uh baby close, yes and no names. But I think

1:31:04.840 --> 1:31:09.160
<v Speaker 1>probably the craziest things that have happened to me back

1:31:09.200 --> 1:31:14.840
<v Speaker 1>in the day, many years, many moons ago, Um, you know,

1:31:15.160 --> 1:31:17.760
<v Speaker 1>doing my thing, met a young lady out on the

1:31:17.840 --> 1:31:21.320
<v Speaker 1>road and uh, he took it back to the hotel.

1:31:22.080 --> 1:31:24.360
<v Speaker 1>And this was the place sometimes we go to places

1:31:24.360 --> 1:31:27.600
<v Speaker 1>where we're there for more than one day, so you

1:31:27.680 --> 1:31:30.439
<v Speaker 1>have one that day and then you get another one

1:31:30.479 --> 1:31:36.880
<v Speaker 1>the next thing. So so I wind up having this

1:31:37.040 --> 1:31:40.880
<v Speaker 1>one girl, and then you know, next night, I meant

1:31:40.920 --> 1:31:44.680
<v Speaker 1>another one that I really liked, so I decided open

1:31:44.720 --> 1:31:48.719
<v Speaker 1>to take her back to the hotel. Well, the first

1:31:48.720 --> 1:31:54.280
<v Speaker 1>one came back to the hotel uninvited, So she's sitting

1:31:54.280 --> 1:31:56.360
<v Speaker 1>in the lobby waiting on me to roll in. So

1:31:56.479 --> 1:31:59.080
<v Speaker 1>I rolled in with the other one on my arm.

1:31:59.479 --> 1:32:03.040
<v Speaker 1>She said in there, She's like, uh, what's going on?

1:32:03.280 --> 1:32:06.479
<v Speaker 1>I said, well, you know, uh, I'm with her, you know.

1:32:06.600 --> 1:32:10.000
<v Speaker 1>She says, oh, no, no, no, no, no, you're not

1:32:10.080 --> 1:32:13.559
<v Speaker 1>with her tonight, you're with me. And I said no,

1:32:14.160 --> 1:32:17.559
<v Speaker 1>I'm with her. So you're gonna have to go home.

1:32:18.360 --> 1:32:21.559
<v Speaker 1>Says no, no, no, anything like that. You with me.

1:32:22.040 --> 1:32:28.200
<v Speaker 1>So get on the elevator. She gets on the elevator, Rember,

1:32:29.320 --> 1:32:32.240
<v Speaker 1>I go up to my floor. I get off the elevator.

1:32:32.400 --> 1:32:35.360
<v Speaker 1>She gets off the elevator too. I got one on

1:32:35.400 --> 1:32:37.880
<v Speaker 1>the left, one on the right, so I take the

1:32:37.920 --> 1:32:39.920
<v Speaker 1>other one. I said, okay, you're going in the room.

1:32:40.479 --> 1:32:43.280
<v Speaker 1>I'll be here there. I gotta handle this. So the

1:32:43.320 --> 1:32:45.760
<v Speaker 1>other girl said no, I'm we're all going in this

1:32:45.960 --> 1:32:49.400
<v Speaker 1>room together. And I'm like, no, you can't come into them.

1:32:49.400 --> 1:32:51.840
<v Speaker 1>And she said no, we were all gonna be in

1:32:51.840 --> 1:32:55.920
<v Speaker 1>this room. We're all gonna party tonight together. I'm like, no, baby,

1:32:55.920 --> 1:32:58.800
<v Speaker 1>you can't be in here. You know I'm with her.

1:32:59.439 --> 1:33:01.519
<v Speaker 1>You go home, Gonna call you tomorrow. It's just no,

1:33:01.640 --> 1:33:03.240
<v Speaker 1>it ain't going that way. So I tried to go

1:33:03.280 --> 1:33:06.720
<v Speaker 1>in my room. She was pushing to go in the

1:33:06.760 --> 1:33:10.200
<v Speaker 1>room with me. So I'm like, okay, wait minute, you

1:33:10.240 --> 1:33:12.840
<v Speaker 1>know you need to stop all this. I'm trying to

1:33:12.920 --> 1:33:15.880
<v Speaker 1>be cool. So I try to go in the room again.

1:33:16.600 --> 1:33:19.320
<v Speaker 1>By this time people here. It's out in the hallway

1:33:19.600 --> 1:33:22.240
<v Speaker 1>and Leon Blue, who was our musical he was actually

1:33:22.240 --> 1:33:25.120
<v Speaker 1>our stage manager at this time. His buddy of mine

1:33:25.160 --> 1:33:28.200
<v Speaker 1>were still close his leaves. We just went to his wife's,

1:33:28.320 --> 1:33:32.679
<v Speaker 1>his new his a wedding. But anyway, he peeps out

1:33:32.720 --> 1:33:35.080
<v Speaker 1>the door and he sees me out there, and he's

1:33:35.360 --> 1:33:39.600
<v Speaker 1>eyeballing the argument. So after about the third time he

1:33:39.720 --> 1:33:42.599
<v Speaker 1>trying to get in my room, I'm piste off. I'm

1:33:42.640 --> 1:33:47.519
<v Speaker 1>mad now because she's interrupting my flow. So I put

1:33:47.560 --> 1:33:49.880
<v Speaker 1>my hand on her chest and push her back. So

1:33:49.920 --> 1:33:54.120
<v Speaker 1>she stumbles back and she breaks her heel on her shoe.

1:33:54.920 --> 1:33:56.800
<v Speaker 1>So I decided, don't care. I'm going my room. I

1:33:56.840 --> 1:33:59.479
<v Speaker 1>told you i'll see you tomorrow. Take up, you know.

1:34:01.280 --> 1:34:05.200
<v Speaker 1>And she says, huh no, they ain't going down like that.

1:34:05.800 --> 1:34:13.400
<v Speaker 1>And I heard clicker, and I turned around and she

1:34:13.680 --> 1:34:17.160
<v Speaker 1>falls out a little thirty eight. I'll remember the day

1:34:17.200 --> 1:34:27.040
<v Speaker 1>I died. It was all polished girl. Hand Well then

1:34:27.760 --> 1:34:30.000
<v Speaker 1>Leon Blue and I don't think you're gonna come down

1:34:30.000 --> 1:34:37.200
<v Speaker 1>and help me? His dog go clicker. Now I'm standing hallway,

1:34:42.320 --> 1:34:45.760
<v Speaker 1>I'm like oh, so now I gotta go different. Baby,

1:34:45.800 --> 1:34:49.160
<v Speaker 1>You don't you don't want to show I don't want

1:34:52.040 --> 1:34:56.320
<v Speaker 1>you don't want to do that. But I didn't know.

1:34:56.600 --> 1:35:00.639
<v Speaker 1>Ye she did. But we're standing in the hallway fifteen

1:35:00.680 --> 1:35:03.000
<v Speaker 1>minutes arguing. I guess he went back to his room

1:35:03.040 --> 1:35:09.800
<v Speaker 1>and called for college. The elevator opened. I've never been

1:35:09.920 --> 1:35:14.040
<v Speaker 1>so relieved in my life. Too, big ass white policemen

1:35:14.479 --> 1:35:20.519
<v Speaker 1>came and walked down the hall and so me pitching

1:35:20.560 --> 1:35:29.280
<v Speaker 1>out and said she got guns. Part about it. He

1:35:29.400 --> 1:35:32.760
<v Speaker 1>didn't hesitate or say anything about the gun. He says, Maam,

1:35:32.800 --> 1:35:35.960
<v Speaker 1>you gotta go. I think he's gonna go, and you know,

1:35:36.120 --> 1:35:40.120
<v Speaker 1>take her down, says you gotta go, and she's I'm

1:35:40.160 --> 1:35:42.960
<v Speaker 1>not going. Anybody says, ma'am, You're either gonna go or

1:35:43.000 --> 1:35:45.840
<v Speaker 1>we're gonna take you to jail. So he doesn't want

1:35:45.840 --> 1:35:47.559
<v Speaker 1>to be He doesn't want to be with you, doesn't

1:35:47.560 --> 1:35:52.400
<v Speaker 1>want to be bothered with you. You gotta leave. She

1:35:52.560 --> 1:35:55.519
<v Speaker 1>walked over to me before she left, and she said,

1:35:56.479 --> 1:36:03.479
<v Speaker 1>I'm gonna get your ass to start up. From that point.

1:36:03.560 --> 1:36:05.800
<v Speaker 1>On the other two days that we were there, I

1:36:05.880 --> 1:36:08.960
<v Speaker 1>had a bodyguard every day because I didn't know she's

1:36:09.000 --> 1:36:11.200
<v Speaker 1>gonna come back and shoot me or not. And so

1:36:11.400 --> 1:36:14.360
<v Speaker 1>from that point on, I learned keep him for apart,

1:36:14.840 --> 1:36:17.320
<v Speaker 1>don't be doing it in the same city. Stick with one.

1:36:19.000 --> 1:36:25.120
<v Speaker 1>How you whispered to man? That was my crazy still,

1:36:25.160 --> 1:36:28.360
<v Speaker 1>the whole whisper to half a whisperation, the whole whisper

1:36:28.439 --> 1:36:34.160
<v Speaker 1>to everybody that I was like, Man, that scared me

1:36:34.280 --> 1:36:36.439
<v Speaker 1>the daylights out of me because I was like, they

1:36:36.479 --> 1:36:39.840
<v Speaker 1>didn't say nothing about the gun. I just gotta you

1:36:39.880 --> 1:36:44.960
<v Speaker 1>gotta go, yeah, you know, And now that, yeah, we

1:36:45.040 --> 1:36:49.800
<v Speaker 1>got a little here. Wow, Who's who's next? Who got

1:36:49.880 --> 1:36:54.320
<v Speaker 1>something else to kind of intertwined because we ended up story.

1:36:56.320 --> 1:36:59.160
<v Speaker 1>We were in Buffalo, New York. It's been years ago

1:36:59.680 --> 1:37:04.760
<v Speaker 1>with the huge jazz artists. He's now gone. He had

1:37:04.800 --> 1:37:10.240
<v Speaker 1>a record called was a Dukie stick BIG's talking about.

1:37:14.200 --> 1:37:19.360
<v Speaker 1>We were opening for him, and in those days, the headliner,

1:37:19.560 --> 1:37:22.360
<v Speaker 1>you know how it is, they get everything. So we

1:37:22.479 --> 1:37:25.320
<v Speaker 1>get to the sound check and all of their instruments

1:37:25.600 --> 1:37:29.800
<v Speaker 1>are covering the entire stage and all is left is

1:37:29.840 --> 1:37:33.040
<v Speaker 1>about a spot as big as this table for us

1:37:33.120 --> 1:37:37.439
<v Speaker 1>to perform. And we said, are the intromant is gonna

1:37:37.439 --> 1:37:39.920
<v Speaker 1>be moved back? Or can you know? Because we couldn't

1:37:39.920 --> 1:37:42.120
<v Speaker 1>even get the five of us on that. He said, no,

1:37:42.240 --> 1:37:47.880
<v Speaker 1>that's it, that's your space. So Scottie said, no, no, no, no, no,

1:37:48.960 --> 1:37:52.759
<v Speaker 1>we gotta have more space in this. He gets piste

1:37:52.760 --> 1:37:57.479
<v Speaker 1>off and he attempts to kick the drum set with

1:37:57.640 --> 1:38:02.160
<v Speaker 1>his feet and one of the roadies came to stop

1:38:02.240 --> 1:38:06.800
<v Speaker 1>him from kicking it, and Scottie turned around and Cole

1:38:07.000 --> 1:38:12.759
<v Speaker 1>cocked that man and it was on. It was fighting.

1:38:13.560 --> 1:38:17.599
<v Speaker 1>They called the police and our trumpet players said Scotty

1:38:17.680 --> 1:38:19.200
<v Speaker 1>and walked, y'all got to get out of here, and

1:38:19.200 --> 1:38:21.720
<v Speaker 1>then you go back to the hotel as if this

1:38:22.080 --> 1:38:24.880
<v Speaker 1>never happened. And he said, when you get back to

1:38:24.960 --> 1:38:31.160
<v Speaker 1>the hotel, get under the bid because they coming for you.

1:38:31.160 --> 1:38:36.880
<v Speaker 1>Eat and they're gonna find you because but this is

1:38:36.880 --> 1:38:44.800
<v Speaker 1>the only and we both got under the bed, and

1:38:44.960 --> 1:38:48.439
<v Speaker 1>of course the bed kind of went like but we

1:38:48.560 --> 1:38:53.599
<v Speaker 1>got under. We got under that. The funniest part about

1:38:53.640 --> 1:38:55.439
<v Speaker 1>it is that when we went to the room to

1:38:55.560 --> 1:38:59.719
<v Speaker 1>find out where they were. The guy you're talking about, John,

1:39:00.120 --> 1:39:05.679
<v Speaker 1>he was our saxophone player, trumper trumper player, and I'm like, what, Scott,

1:39:07.120 --> 1:39:13.120
<v Speaker 1>he's cracking up. Points you look out of the bed.

1:39:13.600 --> 1:39:21.880
<v Speaker 1>They laying out like this. They actually come and took

1:39:22.000 --> 1:39:26.920
<v Speaker 1>us to jail, but said, yeah, the police came to jail.

1:39:27.040 --> 1:39:29.960
<v Speaker 1>We went to jail, both of Nick Nick paid off

1:39:30.160 --> 1:39:32.320
<v Speaker 1>with basically how we end up getting out of jail.

1:39:32.360 --> 1:39:34.800
<v Speaker 1>They end up taking us to jail with a little

1:39:34.920 --> 1:39:39.080
<v Speaker 1>little funny. He got pressed charges. Yeah, he pressed charge

1:39:39.160 --> 1:39:42.519
<v Speaker 1>and the police came, but Nick did is went to

1:39:43.479 --> 1:39:47.479
<v Speaker 1>their road manager, paid them off and they dropped it.

1:39:48.479 --> 1:39:51.639
<v Speaker 1>We spent overnight and they came and got us show

1:39:51.680 --> 1:39:56.400
<v Speaker 1>that night. Mr show was over and the artists when

1:39:57.120 --> 1:40:01.280
<v Speaker 1>you wish I could tell you, but he's artists. He

1:40:01.960 --> 1:40:05.320
<v Speaker 1>died a few years ago. Piano player. Well, that's the

1:40:05.320 --> 1:40:07.320
<v Speaker 1>only way that could they could hurt us because they

1:40:07.400 --> 1:40:11.639
<v Speaker 1>knew our show, with our routines and the twins and stuff.

1:40:12.479 --> 1:40:17.200
<v Speaker 1>If you could not give us enough space then you know,

1:40:17.400 --> 1:40:19.680
<v Speaker 1>and there's other artists that done that too, you know

1:40:19.880 --> 1:40:22.000
<v Speaker 1>that would give us a little space because they said,

1:40:22.200 --> 1:40:24.479
<v Speaker 1>we don't need I don't need the heat, and long

1:40:24.520 --> 1:40:27.000
<v Speaker 1>as I don't happen. I don't know this, this segments

1:40:27.080 --> 1:40:29.680
<v Speaker 1>don't know and we're not calling no name, but I

1:40:29.800 --> 1:40:32.160
<v Speaker 1>will say this much to who if you gets to

1:40:32.200 --> 1:40:35.479
<v Speaker 1>who that was, because he's no longer with us. We

1:40:35.640 --> 1:40:39.360
<v Speaker 1>end up being the greatest friends in life. And it

1:40:39.479 --> 1:40:41.840
<v Speaker 1>wasn't him that it wasn't so much as if it

1:40:42.080 --> 1:40:46.479
<v Speaker 1>was really his people. It has people because he would

1:40:46.520 --> 1:40:49.519
<v Speaker 1>have never he would have never even went that route.

1:40:50.240 --> 1:40:52.240
<v Speaker 1>And he was the greatest guy. I don't want to

1:40:52.280 --> 1:40:54.479
<v Speaker 1>call his name because the seconds, well, let's put it

1:40:54.560 --> 1:40:57.280
<v Speaker 1>like this. We later ended up and ended up doing

1:40:58.120 --> 1:41:03.599
<v Speaker 1>one of our biggest Christmas songs that he produced. Wow, yeah,

1:41:04.240 --> 1:41:11.760
<v Speaker 1>it worked out. Somebody had to catch those hands. Yeah,

1:41:11.880 --> 1:41:18.160
<v Speaker 1>some good time. That's what you're crazy. That's what's crazy. Crazy.

1:41:19.040 --> 1:41:21.400
<v Speaker 1>A lot of people caught hands. But let me say

1:41:21.439 --> 1:41:24.320
<v Speaker 1>this to you YouTube and particularly said it in the beginning,

1:41:24.400 --> 1:41:28.080
<v Speaker 1>but we have to say it again because the fact

1:41:28.200 --> 1:41:31.439
<v Speaker 1>that you two young guys I thought enough of us

1:41:31.920 --> 1:41:34.680
<v Speaker 1>to even allow us to do this. Yeah, a man,

1:41:34.800 --> 1:41:38.000
<v Speaker 1>we don't take that for not. We appreciate it. We

1:41:38.080 --> 1:41:40.000
<v Speaker 1>want you to know we appreciate we didn't even get

1:41:40.040 --> 1:41:43.919
<v Speaker 1>into maybe we could do it another time. This platform

1:41:44.040 --> 1:41:47.960
<v Speaker 1>gives us the opportunity to say to our people some

1:41:48.120 --> 1:41:50.799
<v Speaker 1>things that we normally would have never got to do exactly.

1:41:50.920 --> 1:41:52.800
<v Speaker 1>We thank you all for that. Yeah, we appreciate it.

1:41:52.880 --> 1:41:55.479
<v Speaker 1>We don't take our granted. Man. Yeah, looks that you

1:41:55.600 --> 1:42:00.840
<v Speaker 1>just appreciate old school. You know, heard that stuff on

1:42:01.439 --> 1:42:03.920
<v Speaker 1>you know, and so trained talking about R and B

1:42:04.160 --> 1:42:07.000
<v Speaker 1>is dead stuff, And I'm like, what the heck are

1:42:07.040 --> 1:42:11.160
<v Speaker 1>they talking and just trying to spark us. Come at y'all.

1:42:13.760 --> 1:42:16.360
<v Speaker 1>You didn't say hip hop. Yeah, y'all say R and beach.

1:42:16.479 --> 1:42:19.800
<v Speaker 1>Everybody love you for money? Listen, we are we are

1:42:19.880 --> 1:42:22.320
<v Speaker 1>we first of all, we love you. Um, we are

1:42:22.720 --> 1:42:27.040
<v Speaker 1>not scared of the part two. So don't worry about that.

1:42:27.200 --> 1:42:29.840
<v Speaker 1>I heard that anytime. You got it. Know what I'm saying,

1:42:29.880 --> 1:42:33.719
<v Speaker 1>to be doing of our cattle. Yeah, it's so good,

1:42:34.320 --> 1:42:37.800
<v Speaker 1>be honest with you. We didn't even get to next time.

1:42:37.840 --> 1:42:42.320
<v Speaker 1>We'll get catalog talk catalog. You don't talk to that catalog. Yeah,

1:42:42.479 --> 1:42:48.000
<v Speaker 1>you know anything about catalog to roll things. That's a

1:42:48.080 --> 1:42:51.120
<v Speaker 1>bunch of them. The works, the works, you know what

1:42:51.160 --> 1:42:55.280
<v Speaker 1>I'm said, the bodies works. Um. First of all, let

1:42:55.320 --> 1:42:57.280
<v Speaker 1>me say we love you, We appreciate you, thank you,

1:42:58.080 --> 1:43:01.360
<v Speaker 1>thank you, you are. You are held in high regard.

1:43:01.840 --> 1:43:04.000
<v Speaker 1>Thank you over here. You know what I mean. And

1:43:04.160 --> 1:43:08.519
<v Speaker 1>so um, we can't thank you enough. We can't thank

1:43:08.560 --> 1:43:11.400
<v Speaker 1>you enough for the work um, and we can't thank

1:43:11.439 --> 1:43:14.439
<v Speaker 1>you enough for just being here and get giving us

1:43:14.520 --> 1:43:18.160
<v Speaker 1>these jewels and this information, and you know, because that's

1:43:19.160 --> 1:43:21.559
<v Speaker 1>that's where we all suffer, you know what I mean.

1:43:21.640 --> 1:43:23.920
<v Speaker 1>We suffer from things we don't know, you know what

1:43:24.000 --> 1:43:27.599
<v Speaker 1>I mean. And so these these places, things, people, all

1:43:27.680 --> 1:43:31.160
<v Speaker 1>of this that you have that you've we need it.

1:43:31.520 --> 1:43:33.800
<v Speaker 1>Thank you. We need it. If we're gonna do better,

1:43:34.479 --> 1:43:37.599
<v Speaker 1>it starts, it starts with the information. Thank you. Um

1:43:37.760 --> 1:43:40.400
<v Speaker 1>so UM, I can't I can't wait to do this.

1:43:40.439 --> 1:43:42.960
<v Speaker 1>I can't wait to talk catalog talking, and I can't

1:43:43.000 --> 1:43:45.200
<v Speaker 1>wait for you to hold lesson in high regards by

1:43:45.320 --> 1:43:48.599
<v Speaker 1>giving us one of them smashes. That's easy. That's easy

1:43:48.720 --> 1:43:51.080
<v Speaker 1>because because I really get to tap into my phone,

1:43:51.120 --> 1:43:54.400
<v Speaker 1>into my imaing. I really, I really get to be talented.

1:43:55.920 --> 1:44:00.080
<v Speaker 1>I get to be talented. And you're doing something. You know,

1:44:00.479 --> 1:44:03.920
<v Speaker 1>we're ballads. That's where you know, that's where we come from.

1:44:04.080 --> 1:44:06.640
<v Speaker 1>So you come from that same school. So I know

1:44:06.800 --> 1:44:10.080
<v Speaker 1>you've got something, you got something deep in us. Between

1:44:10.120 --> 1:44:12.520
<v Speaker 1>the two of you, I can extend that bar, turnarounds

1:44:12.520 --> 1:44:16.760
<v Speaker 1>to sixteen and you know they throw a special four

1:44:16.880 --> 1:44:20.840
<v Speaker 1>and they're like, we can get creative that's that's easy,

1:44:20.880 --> 1:44:23.439
<v Speaker 1>and it's a musk. It has to be done. I

1:44:23.520 --> 1:44:25.760
<v Speaker 1>want to say to YouTube, just keep doing what you're

1:44:25.800 --> 1:44:29.559
<v Speaker 1>doing doing, don't change. Just keep doing what you're doing

1:44:29.640 --> 1:44:34.479
<v Speaker 1>and it'll be fine. Well I'm tanking. I'm Ja Valentine

1:44:34.880 --> 1:44:38.360
<v Speaker 1>and this is the arm by Money podcast, the authority

1:44:39.560 --> 1:44:54.960
<v Speaker 1>on all things are in and this y R Money,

1:44:56.800 --> 1:44:58.519
<v Speaker 1>R and B Money is a production of the Black

1:44:58.600 --> 1:45:02.559
<v Speaker 1>Effect Podcast Network. For more podcasts from I Heart Radio,

1:45:03.000 --> 1:45:06.479
<v Speaker 1>visit the I Heart Radio app, Apple Podcasts, or wherever

1:45:06.640 --> 1:45:09.880
<v Speaker 1>you listen to your favorite shows. Don't forget to subscribe

1:45:09.960 --> 1:45:12.479
<v Speaker 1>to and rate our show, and you can connect with

1:45:12.600 --> 1:45:15.840
<v Speaker 1>us on social media at Ja Valentine and at the

1:45:15.920 --> 1:45:20.720
<v Speaker 1>Real Tank. For the extended episode, subscribe to YouTube dot com,

1:45:21.360 --> 1:45:23.160
<v Speaker 1>forward Slash, R and B Money