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Speaker 1: Hi, I'm Kristin Davis, and I want to know, are

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Speaker 1: you a Charlotte? Hi? Everybody, I am here with Oliver Hudson,

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Speaker 1: and there is still so much to talk about. In

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Speaker 1: season one, episode seven, the monogamousts all right, Carrie and

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Speaker 1: Big they' walking the street.

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Speaker 2: We talked about that.

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Speaker 1: Then there it carries apartment and Miranda calls and carries

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Speaker 1: like I did the terrible thing, which is like I

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Speaker 1: ignored my friends because of a guy very bad, and

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Speaker 1: she has this really cute moment of like, it's so cute.

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Speaker 1: You also see through this show that we still have.

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Speaker 2: To talk to the camera.

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Speaker 1: I know, like even the rest of us have to

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Speaker 1: talk to the camera. I did not remember that at all.

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Speaker 3: There was one in the restaurant.

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Speaker 4: In the restaurant, it's almost carries just perspective and right.

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Speaker 1: But but we are literally looking at the camera.

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Speaker 3: Freaky weird.

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Speaker 1: I know Darren directed it. I should have said that

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Speaker 1: at the beginning. Darren Starr wrote and directed this so

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Speaker 1: and he, like I said, he was really toying around

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Speaker 1: with different stuff and he loved the talking to the camera.

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Speaker 1: Sarah Jessica not so much. She's on record saying this,

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Speaker 1: so I'm not I'm not saying anything I'm not supposed to.

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Speaker 1: She does not love it right.

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Speaker 4: Well, there was one time I think she's in her

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Speaker 4: bedroom all of a sudden she goes and then ba

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Speaker 4: ba ba ba.

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Speaker 1: I'm like, whoa, I know, how hard is that for

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Speaker 1: an actor? It's strange because it.

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Speaker 2: Takes you out, like why are you doing it? Sometimes

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Speaker 2: but not all the time talking who are you talking to?

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Speaker 1: Because if you're just there and you're hearing her thoughts,

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Speaker 1: that's great, But then her mouth is moving, she's talking

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Speaker 1: to something, but she's alone in her apartment. It's freaky.

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Speaker 1: And she was always struggling to really make it real,

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Speaker 1: you know, but how do you actually make that real?

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Speaker 2: But Darren loved it, so Darren was trying for more.

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Speaker 1: But we still have at this point also, which really

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Speaker 1: made me laugh.

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Speaker 2: The people on the street, Oh my god.

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Speaker 1: Yeah, when the guy's like, I've been in a monogamous

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Speaker 1: relationship for nine years, I sleep with prostitutes.

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Speaker 3: Yeah, what was that.

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Speaker 1: That's the weird thing that we did in the beginning,

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Speaker 1: which was kind of like this anthology feeling.

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Speaker 3: Are those actors?

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Speaker 1: Yeah, they're actors acting like people on the Street, very

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Speaker 1: good ones. She thought there were real people where we

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Speaker 1: were like, hey, career, yeah, do a little acting bit.

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Speaker 1: Those are actors. One of them is one of our dps,

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Speaker 1: and I think he his name is Michael Spiller. He's

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Speaker 1: on the bench and he says, oh my god, now

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Speaker 1: I can't remember. I laugh every time I see him.

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Speaker 1: I'm like, why is why is he there? Because we

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Speaker 1: would flip back and forth with dps because it was

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Speaker 1: too hard to scowl everyone on film and then edit right,

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Speaker 1: and we hadn't gotten our We were still trying different

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Speaker 1: people out and I don't think I don't know if

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Speaker 1: he's I don't think he dpeed that episode. But he's

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Speaker 1: sitting on the bench. So one of them is repeat yeah,

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Speaker 1: and he says something weird and kind of looks at

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Speaker 1: the camera, and it is weird. But we know him

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Speaker 1: so obviously that's why it's weird. Then they're at the

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Speaker 1: all of us are at the restaurant, and I thought

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Speaker 1: that was good.

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Speaker 2: We don't have.

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Speaker 1: Our coffee shop established at this point, right, so we

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Speaker 1: would just be out at real restaurants in New York.

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Speaker 2: And you know how it is to film a dinner scene.

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Speaker 2: Oh gosh, it's long.

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Speaker 1: It's really lot.

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Speaker 4: I just did it in Toronto a couple of times,

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Speaker 4: but one specific there's like six people around a table

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Speaker 4: rough and it is.

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Speaker 2: The worst it is.

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Speaker 1: It's hard, and we always had these the corner stone,

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Speaker 1: but eventually we.

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Speaker 2: Build a set which made it easier.

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Speaker 1: But this one we're at the Bluewater Grill, I believe,

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Speaker 1: which we just show the sign we would have a restaurant,

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Speaker 1: we would crossboard it, right, so we try to make

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Speaker 1: it look different in one corner and then Big is

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Speaker 1: there having that thing.

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Speaker 2: I go out with.

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Speaker 1: I walk out of the front with the guy, yes,

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Speaker 1: who you know wants me to go down on it.

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Speaker 1: Also sidebar and I did just see Darren Star and

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Speaker 1: talk to him about this. At the time, both Darren

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Speaker 1: and I had Golden Retrievers and they were good friends,

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Speaker 1: the dogs, and they loved each other and we loved

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Speaker 1: our dogs. And there's a Golden Retriever in the show

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Speaker 1: and there used to be a scene it's really terrible.

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Speaker 1: This is the guy who wants me to go down

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Speaker 1: on him, right, And then I leave, you know eventually,

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Speaker 1: and Carrie's voiceover says something like, what's your name?

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Speaker 2: The dog is like Crystal or something.

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Speaker 1: The Crystal was very happy and she's sitting there looking

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Speaker 1: at him like very happy. There used to be a

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Speaker 1: scene where she was supposed to do something with really.

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Speaker 2: Gross peanut butter on his correct How did you know?

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Speaker 3: It just came to me.

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Speaker 2: I know.

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Speaker 1: Could you could feel that vibe in the scene?

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Speaker 3: Could you?

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Speaker 1: But we had good sense and didn't put it in

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Speaker 1: the final edit probably for sure. Smart and I saw

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Speaker 1: there on the other day and I was like, Darren,

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Speaker 1: guess what episode is coming up? And he was like, oh, yeah,

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Speaker 1: that never should have happened.

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Speaker 4: No, you tackle a lot of subjects, but beast reality

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Speaker 4: might not.

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Speaker 3: Yeah, you might not want to deal with that.

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Speaker 1: It the beautiful golden Nord driver, Oh my god, which

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Speaker 1: really makes that guy seem horrific.

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Speaker 3: Well, then he needs to go to.

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Speaker 2: Jail right like bad anyway.

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Speaker 1: Luckily, so every time we get to that part, I'm

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Speaker 1: like filled with nerves.

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Speaker 4: Remember you're doing the comedy part of it. You see

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Speaker 4: him pushing the don't the dog's head down? But then

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Speaker 4: the dog's resisting.

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Speaker 2: Too, right, No, the idea was that the dog was

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Speaker 2: really into it.

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Speaker 3: Oh, I know, it'd have been funny, don't even.

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Speaker 2: Don't even as bad as bad. It's bad.

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Speaker 1: It's bad as bad.

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Speaker 2: Okay, so you remember Skipper.

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Speaker 4: Skipper is the guy guy Miranda side of the other

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Speaker 4: woman when Miranda.

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Speaker 1: Is right, So basically the back the backup is.

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Speaker 3: Are you breaking up with him? Are you inside of

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Speaker 3: me and breaking this?

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Speaker 1: I know? That was really funny, but also like, I

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Speaker 1: don't remember any of this, so it was so much

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Speaker 1: fun to watch it again. First of all, I love

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Speaker 1: the when Carrie and Miranda have dinner on the street

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Speaker 1: at like some little Italian restaurant. It is so amazing

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Speaker 1: because this is still a through line, and Miranda is

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Speaker 1: kind of the only one who just tells carry like, no,

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Speaker 1: that's all rrible idea.

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Speaker 4: You know.

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Speaker 1: She's just very like, no, don't go out with big again, No,

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Speaker 1: you know whatever. And it's really funny because Cary goes

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Speaker 1: through her whole spiral like do you think when he

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Speaker 1: said I miss you, babe, that he was really saying

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Speaker 1: I'm sorry that I went out on a date with

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Speaker 1: that woman, when in fact we spend a whole week together.

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Speaker 1: And Miranda's like, maybe it's really funny, and then Carrie's like,

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Speaker 1: but then I have to doubt everything that he's ever

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Speaker 1: said to me. And then she goes like, I'm spiraling,

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Speaker 1: I'm losing my mind. And then Skipper walks by with

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Speaker 1: this woman who's very chic and works for Vogue and

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Speaker 1: talks about Paris, and Miranda's like huh and you can

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Speaker 1: just see her little, you know, brain turning, and they

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Speaker 1: walk away and then they tear each other's clothes up

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Speaker 1: in that weird, frenzied way which makes.

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Speaker 2: Literally no sense.

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Speaker 1: And then Miranda calls and is talking on the answering

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Speaker 1: machine like in the olden days, and they can hear

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Speaker 1: her voice. It just brought back ideas, right, and so

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Speaker 1: many memories. And they're having sex and she's basically like, oh,

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Speaker 1: you know, we should have dinner, she says on the phone,

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Speaker 1: and media just picking up the phone. It's just so mortified.

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Speaker 1: Oh my gosh, just so mortified. But like, the thing

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Speaker 1: now that I think it reminds me of is, you

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Speaker 1: know there are people who keep their phone with the

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Speaker 1: sounds on or the vibrating on all the time. Right,

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Speaker 1: I have my phone on silent all the time, probably

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Speaker 1: because we work and we can't have the cuts, but

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Speaker 1: also like, whatever you're doing you could be mid sentence,

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Speaker 1: you could be mid anything, and they'll pick their phone.

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Speaker 2: Up and she's like why Yeah.

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Speaker 1: It reminded me of that in a way. It's like

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Speaker 1: an old fashioned version of like the most inappropriate time

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Speaker 1: to pick the phone up, like that's very bad.

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Speaker 3: Oh of course, but he's he's obviously head over.

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Speaker 1: Her exactly matter it just can't help himself. And I

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Speaker 1: thought he acted it really well, really well. So it

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Speaker 1: picks it up and she basically says like, oh, very casually,

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Speaker 1: like we should have dinner, and he's like okay, and

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Speaker 1: then he hangs up and he says to the woman

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Speaker 1: that he's having sex, like I'm in love with that woman.

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Speaker 1: I know, he's like a child. He has no venear, what's.

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Speaker 3: So funny?

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Speaker 1: And the poor woman says, are you breaking up with

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Speaker 1: me while you're incited me? And he was like yes

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Speaker 1: or whatever. Then the really side part is they go

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Speaker 1: to Miranda and him, you know, after sex in this

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Speaker 1: super cute shot on the Also, she's got like two

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Speaker 1: green flats like in the olden days we didn't have sets, right,

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Speaker 1: Like Charlotte had two white flats and they would just

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Speaker 1: move them around.

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Speaker 2: Flats are like like part of a set.

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Speaker 4: Like a board, right.

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Speaker 1: And so if you had to shoot one way, you'd

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Speaker 1: move them this to be the background, and then if

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Speaker 1: you had to shoot the other corner, you'd move them.

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Speaker 1: So Miranda has strangely two emerald green flats and like

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Speaker 1: a bed with like nothing. It's literally the starkest.

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Speaker 4: I noticed that, like no effort. I was like, where

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Speaker 4: is she in, like a prison cell?

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Speaker 1: Where a green prison?

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Speaker 2: Miranda? Yes, Branda.

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Speaker 1: So they're in the prison cell and they've had sex

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Speaker 1: and they're very adorably you know, spooning kind of or whatever,

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Speaker 1: chatting and he's like, oh, yeah, I had to break

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Speaker 1: up with that woman. And she's like what why did

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Speaker 1: you do that? And he's like, well, because you called

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Speaker 1: me back and she said no, no, we don't need

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Speaker 1: to be in a relationship. You can see her. She

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Speaker 1: has so much power. It's so interesting and it's so

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Speaker 1: not really Cynthia like in any way, Like she's not

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Speaker 1: a player, you know at.

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Speaker 2: All, And it's funny to watch.

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Speaker 1: Her acting but doing it like so brilliantly, you know,

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Speaker 1: which I don't feel what I watch myself at all.

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Speaker 2: I mean, I'm like, I'm.

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Speaker 1: A puppy I'm a puppy, I'm floundering.

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Speaker 2: I'm I don't know what I'm doing there do I mean?

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Speaker 1: But she and I know she felt she didn't know

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Speaker 1: what she was doing because she used to turn to

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Speaker 1: me all the time and say, not my medium. She's

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Speaker 1: a theater actress, right, And she eventually, which I've also said,

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Speaker 1: sorry if I'm repeating myself, would watch the dailies. She

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Speaker 1: would get ask for the dailies every day, watch them

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Speaker 1: in the hair and makeup trailer. Yes she was on

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Speaker 1: a crash course. We would all come in the hair

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Speaker 1: makeup and be like, please take it all of a sudden, ye,

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Speaker 1: do not make us watch it while we're getting our

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Speaker 1: hair and makeup done. We will die. And so she

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Speaker 1: would take them home and watch that. Can you imagine

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Speaker 1: going home from work and watching your days every I mean,

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Speaker 1: she really is, like it's impressive. But even when I

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Speaker 1: watch back, I'm like, I don't really know why she's

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Speaker 1: saying that. She's fantastic, Like I don't know why she fell.

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Speaker 3: Before your show. She had done movies, yeah, yeah.

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Speaker 1: But I mean they were such highly level movies that

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Speaker 1: I don't think that it's obviously very different to be

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Speaker 1: in a music milos forman film than it is to

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Speaker 1: be in like a set sure show where you have

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Speaker 1: to I mean, yes, we did a lot of takes,

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Speaker 1: but like we were going.

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Speaker 2: At multiple pages, oh yeah, and.

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Speaker 1: Like different locations and this and that, and if all

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Speaker 1: four of us were there and we're not really walking

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Speaker 1: and talking yet as a foursome, but once we start

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Speaker 1: walking and talking as a poursum like that is like

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Speaker 1: a very elaborate dance, you know, where you're having to

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Speaker 1: find the lens. You're having to be in front and

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Speaker 1: then behind, and then on this line and on that line.

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Speaker 1: And there's the musicality of it, which we talked about earlier,

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Speaker 1: and for me, I always thought of it. You know,

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Speaker 1: we're a quartet and you know my note was the

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Speaker 1: high note.

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Speaker 2: I was like boooooo.

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Speaker 1: And I mean.

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Speaker 2: You know what I'm saying right.

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Speaker 1: Right, I mean it is right, especially in the beginning,

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Speaker 1: you know. But you and we had to talk really

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Speaker 1: fast because Michael expected that we had to have our lines.

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Speaker 1: We had to you know, it's like hardcore comedy, right,

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Speaker 1: so all of those things together it was very technically challenging.

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Speaker 1: But I only see that starting now, right, Like it's

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Speaker 1: more to two people scenes, right, and that she can

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Speaker 1: totally handle. And I think it's funny that she felt

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Speaker 1: like it wasn't a medium because I think she's brilliant, amazing.

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Speaker 2: Yes, anyway, back to my paper.

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Speaker 1: So they're there, they're there, and and poor Skipper again

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Speaker 1: just kicked to the curb and he's like very upset.

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Speaker 2: I think he's so good.

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Speaker 1: He's so good. I know, it's really funny.

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Speaker 4: But at the same time, you're looking at this guy like,

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Speaker 4: you know, did you think this was just an invite.

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Speaker 3: Back to love?

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Speaker 2: I think he did.

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Speaker 3: What was their relationship prior.

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Speaker 1: Their relationship was that he was the puppy and she

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Speaker 1: would like push him up against the wall as long

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Speaker 1: as she'd be like, you know, like like go away

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Speaker 1: with your little buzzy buzz you know, you're like a

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Speaker 1: little fly around me or whatever.

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Speaker 2: I mean, he never had the power.

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Speaker 4: Well, it just goes back to miscommunication. He thinks one thing,

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Speaker 4: she wants another, and she was upfront about and saying, oh,

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Speaker 4: do your thing, and then he got but hurt and

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Speaker 4: that was the end of it. Yeah, he's just kind

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Speaker 4: of like, oh, well, this isn't what I thought it was.

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Speaker 2: That's true.

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Speaker 1: He's kind of like the girl yeah right right, which

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Speaker 1: is adorable. Yeah, and really likable. I think at the

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Speaker 1: time I was like skipper, it is all. It's just

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Speaker 1: so funny to look back on my thoughts back then.

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Speaker 1: Oh my god, the apartment shopping situation. She never forgot

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Speaker 1: about this. So the Samantha storyline is that she's obsessed

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Speaker 1: with the new apartment and the great Caroline Aaron, who

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Speaker 1: was later in Marvel's Missus Mazel. I don't know if

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Speaker 1: you watch that, she's incredible. She's Samantha's realtor, which is

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Speaker 1: so funny, and she so made me laugh out loud

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Speaker 1: because she basically asks Samantha to be a monogamous client,

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Speaker 1: and Samantha's like, sure, and you absolutely know that she

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Speaker 1: does not intend to be a monogamous client. Cut to

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Speaker 1: her with a very handsome male realator looking at the

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Speaker 1: apartment and then off the top.

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Speaker 4: I know it was interesting because they had sex and

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Speaker 4: multiple apartments multiple Was it.

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Speaker 3: The same day?

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Speaker 1: I mean, it's a good question.

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Speaker 3: And then there was another one at night, that's true.

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Speaker 1: When she gets caught.

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Speaker 3: Yeah, was it the same day?

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Speaker 1: I mean, look, I wouldn't play apart I mean, yeah,

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Speaker 1: it could happen. Yeah, I mean she does what she wants. Yes,

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Speaker 1: And this is why I think people really really love

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Speaker 1: that character. No, I know, I mean it's pretty brash,

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Speaker 1: but I don't.

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Speaker 3: Think we need to be monogamous to our real estate.

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Speaker 2: No, I totally agree.

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Speaker 3: I mean, Richard is a good friend of mine who

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Speaker 3: saw in my house. I've known him since we were

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Speaker 3: like in LA.

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Speaker 2: You're selling your house.

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Speaker 3: When I when I was and when I bought and sold.

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Speaker 4: And I feel like if I he caught.

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Speaker 1: Yeah, no, I have my real liters, my friend and

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Speaker 1: I would never two time her, right No. Yeah, Also

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Speaker 1: it's their livelihood.

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Speaker 3: I know, you know. Yeah, So maybe.

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Speaker 1: Maybe Caroline's character was right.

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Speaker 3: Maybe she was right.

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Speaker 1: Maybe she was right. You're right, Yeah, maybe you need

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Speaker 1: to be a monogamous to your Really.

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Speaker 4: The hardest breakup I've ever had was with a therapist

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Speaker 4: when I wanted to go see someone else.

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Speaker 2: That's hard.

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Speaker 4: I'm like, so this is really tough for me, But

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Speaker 4: you know, jan, I don't think it's working anymore, and

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Speaker 4: I'm going to see another therapist.

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Speaker 2: And what did they say?

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Speaker 3: Cool? Their therapists?

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Speaker 2: Okay, we're more scared, of course.

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Speaker 3: But if they had any other you know.

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Speaker 2: It would be strange and profession if he or.

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Speaker 4: She was like you little son. Actually real quick story,

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Speaker 4: and I get off, I get off topic. But the

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Speaker 4: hardest breakup that I ever had was with my first agent,

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Speaker 4: because I again I wasn't you know, I wasn't being

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Speaker 4: and I wasn't want to be an actor. But I

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Speaker 4: just fell into it, and of course I love it.

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Speaker 4: But I was trying to model to make money, which

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Speaker 4: was the most horrific experience in my life.

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Speaker 3: There's a million stories about that.

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Speaker 4: But they had an agency within the modeling agent, a

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Speaker 4: little small deal, yeah yeah. And I was with this

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Speaker 4: girl I won't say her name, and you know, she

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Speaker 4: was helping me do my thing. And I get, I

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Speaker 4: get like a little gig girl whatever. And then another

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Speaker 4: little gig and then a bigger agency wants to sort

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Speaker 4: of bring me on still kind of a mid level thing.

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Speaker 3: But and I was talking to my manager.

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Speaker 4: I'm like, I'm so scared, like I don't know what

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Speaker 4: to say, and really hard. And she said, he said,

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Speaker 4: they deal with this all the time. Okay, that's what

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Speaker 4: I said. I said, Dave, you do it how I

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Speaker 4: need to do.

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Speaker 2: Also, I would make Dave do it.

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Speaker 4: Yeah no, I said, Dave go, Yeah, no, you need

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Speaker 4: to do this. Said, okay, they have to.

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Speaker 3: She's gonna be cool. Happens all the time.

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Speaker 4: I said, so listen, I really appreciate you, and I

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Speaker 4: thank you so much. But I've had this amazing opportunity

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Speaker 4: to advance my career with representation. The whole thing it

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Speaker 4: was quiet, and she's like, you little son of a bitch. Now,

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Speaker 4: dare you you bastard? No, I can't believe you. The

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Speaker 4: only reason anyone wants you is because your mother's Goldie home.

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Speaker 1: When they try to kill you, never good, never good,

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00:16:40,240 --> 00:16:40,720
Speaker 1: never good.

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Speaker 3: I was laughing. I said, well, now, thank god, I have.

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Speaker 2: A similar situation.

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Speaker 3: Yes, this is now, I know, I said, who's the

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Speaker 3: adult here? Are you crazy?

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Speaker 4: Cut to many years later, I'm on a sitcom Rules

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Speaker 4: of Engagement. I'm semi famous, I'm making money. There's a

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Speaker 4: guest star who comes on the show. This woman is

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Speaker 4: the guest star's agent who's there for the week. Oh no,

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Speaker 4: she doesn't even say anything to me. And finally at

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Speaker 4: the end, at the end, I say, hey, her name, Uh,

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Speaker 4: how are you?

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Speaker 3: She's like, I'm good, I'm good. I'm good.

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00:17:18,200 --> 00:17:20,359
Speaker 4: Wow, you know, and I was like, I'm not doing

391
00:17:20,520 --> 00:17:23,360
Speaker 4: too bad, right, So do you approve all this?

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00:17:23,480 --> 00:17:26,280
Speaker 3: You know? She was just just, you know, could not

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Speaker 3: believe that this was happening.

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Speaker 2: And wait did she give you anything?

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Speaker 1: Nothing?

396
00:17:29,880 --> 00:17:33,080
Speaker 2: But still I was sad. That's really sad.

397
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Speaker 3: I can be pretty vindictious.

398
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Speaker 1: I think that's okay. I know I can be I

399
00:17:39,480 --> 00:17:41,560
Speaker 1: think that's okay. This is my feeling in general, and

400
00:17:41,600 --> 00:17:44,120
Speaker 1: this is with a romantic thing or an agent thing,

401
00:17:44,200 --> 00:17:45,359
Speaker 1: or a professional thing or whatever.

402
00:17:45,440 --> 00:17:48,800
Speaker 2: And I've had it in all the different forms.

403
00:17:48,680 --> 00:17:51,600
Speaker 1: When you try to leave, especially being polite and saying

404
00:17:51,600 --> 00:17:53,880
Speaker 1: I really appreciate you, thank you for everything you've done. No, no,

405
00:17:54,000 --> 00:17:56,080
Speaker 1: and you try to leave and they try to kill you,

406
00:17:56,080 --> 00:17:57,520
Speaker 1: you know, they try to like take you down.

407
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Speaker 2: Very bad.

408
00:17:59,040 --> 00:18:01,160
Speaker 1: Yeah bad car, Oh yeah, very bad.

409
00:18:01,440 --> 00:18:02,239
Speaker 2: And I have had that.

410
00:18:02,320 --> 00:18:04,160
Speaker 1: I did have that with a friend who is also

411
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Speaker 1: an agent, which of course is a mistake and we

412
00:18:06,640 --> 00:18:07,200
Speaker 1: are still friends.

413
00:18:07,320 --> 00:18:09,480
Speaker 2: Yeah, so thank god. But it took some time because

414
00:18:09,480 --> 00:18:09,760
Speaker 2: it hurt.

415
00:18:09,960 --> 00:18:12,360
Speaker 1: It hurt. I was like, really, you're going to try

416
00:18:12,359 --> 00:18:14,240
Speaker 1: to come because she basically was like, you know that

417
00:18:14,359 --> 00:18:16,320
Speaker 1: the only reason anyone wants you is for the Sex

418
00:18:16,320 --> 00:18:19,680
Speaker 1: and the City money, right, And I was like, yeah,

419
00:18:19,720 --> 00:18:23,000
Speaker 1: I know that, but also someone could also do a

420
00:18:23,000 --> 00:18:25,439
Speaker 1: great job, because there's a lot of other.

421
00:18:25,320 --> 00:18:28,240
Speaker 2: Things I could do. So of course, the point of

422
00:18:28,320 --> 00:18:41,360
Speaker 2: saying that to me, I know, Okay, so Oliver.

423
00:18:41,119 --> 00:18:41,720
Speaker 1: What are you doing that?

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00:18:42,800 --> 00:18:47,399
Speaker 3: I just finished a movie in Vancouver in Toronto, Toronto.

425
00:18:47,320 --> 00:18:49,600
Speaker 4: For Netflix and it was so much fun, and we

426
00:18:49,680 --> 00:18:51,679
Speaker 4: talked about it before the show, but my son ended.

427
00:18:51,600 --> 00:18:53,640
Speaker 2: Up doing the Oh yeah, amazing, I can't wait to see.

428
00:18:53,720 --> 00:18:53,920
Speaker 3: Yeah.

429
00:18:53,920 --> 00:18:55,280
Speaker 4: So he wanted to be He wants to the whole

430
00:18:55,280 --> 00:18:57,360
Speaker 4: family wants to be actors, all the cousins, all kids, kids.

431
00:18:57,920 --> 00:19:01,160
Speaker 4: That's just kind of what the and I don't think

432
00:19:01,160 --> 00:19:03,359
Speaker 4: they know. They say they want to be actors, but

433
00:19:03,400 --> 00:19:05,359
Speaker 4: they don't know until they actually get in there and

434
00:19:05,400 --> 00:19:05,719
Speaker 4: do it.

435
00:19:05,840 --> 00:19:06,280
Speaker 1: Of course.

436
00:19:07,000 --> 00:19:10,679
Speaker 4: And Wilder seventeen, my oldest, and he went into an

437
00:19:10,680 --> 00:19:13,240
Speaker 4: acting class and then I got this. I agreed to

438
00:19:13,240 --> 00:19:16,720
Speaker 4: do this gig, seventeen year old part to play my son,

439
00:19:17,119 --> 00:19:20,719
Speaker 4: myself and Alicia Silverstone, and I said, look, just audition, like,

440
00:19:20,960 --> 00:19:22,600
Speaker 4: you know, you can get you. I can get you

441
00:19:22,680 --> 00:19:25,640
Speaker 4: an audition, So just feel what that's like. At least

442
00:19:26,040 --> 00:19:29,280
Speaker 4: that's the extent of your help. Where I thought it

443
00:19:29,320 --> 00:19:32,560
Speaker 4: was going to go. Cut to five auditions later. Netflix

444
00:19:32,640 --> 00:19:34,320
Speaker 4: is just wanting to approve him. They need this, they

445
00:19:34,359 --> 00:19:36,879
Speaker 4: need that more scenes, and he gets the job and

446
00:19:36,920 --> 00:19:39,640
Speaker 4: it's a real part. It's it's he's through the whole thing.

447
00:19:39,720 --> 00:19:42,400
Speaker 4: He's in the whole movie. He's got big scenes, he's

448
00:19:42,440 --> 00:19:46,080
Speaker 4: got and so it was really special for me to

449
00:19:46,160 --> 00:19:49,919
Speaker 4: do that with him living in Toronto, wow, and being

450
00:19:49,920 --> 00:19:53,080
Speaker 4: together and having that experience his first time.

451
00:19:53,320 --> 00:19:58,240
Speaker 3: It was incredible. Yeah, I had this.

452
00:19:58,600 --> 00:20:02,960
Speaker 4: You know, seventeen, we're still tight, but he's a teenage

453
00:20:03,000 --> 00:20:05,159
Speaker 4: of course, he goes to his own thing. You know,

454
00:20:05,240 --> 00:20:07,240
Speaker 4: he used to want to cuddle all the time. Now

455
00:20:07,280 --> 00:20:09,400
Speaker 4: it's an impossibility, you know. It's like one of those

456
00:20:10,200 --> 00:20:13,119
Speaker 4: So I had this sort of you know, rom com

457
00:20:13,200 --> 00:20:15,679
Speaker 4: montage in my head with music and everything, like, oh,

458
00:20:15,680 --> 00:20:17,440
Speaker 4: we're gonna get to Toronto and we're gonna sit on

459
00:20:17,480 --> 00:20:19,520
Speaker 4: the couch and watch movies and manbe we're gonna share

460
00:20:19,560 --> 00:20:21,399
Speaker 4: a beer and we're gonna talk about our feelings and

461
00:20:21,440 --> 00:20:22,600
Speaker 4: we're gonna we're gonna cuddle.

462
00:20:22,600 --> 00:20:24,440
Speaker 3: I mean, I had this idea, didn't even have it.

463
00:20:24,640 --> 00:20:27,439
Speaker 4: No, we get to the fucking apartment and you know,

464
00:20:27,840 --> 00:20:29,160
Speaker 4: and I'm like, dude, we're here.

465
00:20:29,240 --> 00:20:31,840
Speaker 3: It's so crazy. He says, yeah, yeah, cool up to

466
00:20:31,920 --> 00:20:34,000
Speaker 3: his room. The door closes. I'm like, oh my god,

467
00:20:34,000 --> 00:20:36,960
Speaker 3: we're right back in La. Like. I was like, Wilder,

468
00:20:37,000 --> 00:20:39,240
Speaker 3: you want to you want to like watch a movie?

469
00:20:39,359 --> 00:20:41,480
Speaker 3: And no, no, was.

470
00:20:41,400 --> 00:20:42,439
Speaker 2: He looking at his lines?

471
00:20:42,480 --> 00:20:43,040
Speaker 1: What was Yeah?

472
00:20:43,119 --> 00:20:44,960
Speaker 4: Yeah, he would come and do his lines a little

473
00:20:44,960 --> 00:20:46,960
Speaker 4: bit and then he got more comfortable. But it's one

474
00:20:47,000 --> 00:20:50,199
Speaker 4: of those things that he definitely appreciates, and once he

475
00:20:50,240 --> 00:20:52,440
Speaker 4: gets older and if he still is an actor, he's

476
00:20:52,440 --> 00:20:55,520
Speaker 4: going to look back on this and realize how special amazing.

477
00:20:55,920 --> 00:20:56,480
Speaker 3: So I did that.

478
00:20:56,640 --> 00:20:59,200
Speaker 4: I've got a production company, I've got a deal with

479
00:20:59,280 --> 00:21:01,800
Speaker 4: Fox or just prove sing a bunch of stuff really fun.

480
00:21:01,800 --> 00:21:05,240
Speaker 3: And then I've got podcasts and I mean and a dad.

481
00:21:06,119 --> 00:21:08,000
Speaker 1: I don't even know how you do all these things.

482
00:21:08,080 --> 00:21:08,640
Speaker 1: It's a lot.

483
00:21:09,840 --> 00:21:11,480
Speaker 3: I don't know. I feel like I have free time,

484
00:21:11,920 --> 00:21:12,600
Speaker 3: you know.

485
00:21:12,760 --> 00:21:14,800
Speaker 1: Yeah, So when you were away, did you do the

486
00:21:14,840 --> 00:21:16,119
Speaker 1: podcast from Toronto?

487
00:21:16,359 --> 00:21:18,080
Speaker 2: That's cool, that's the joy of the podcast.

488
00:21:18,520 --> 00:21:19,720
Speaker 3: No, it was great. It was great.

489
00:21:19,760 --> 00:21:21,520
Speaker 1: I haven't really done that part yet, but I'm looking

490
00:21:21,520 --> 00:21:23,440
Speaker 1: forward to podcast is going to make East and come

491
00:21:23,480 --> 00:21:23,720
Speaker 1: with me.

492
00:21:24,119 --> 00:21:25,000
Speaker 3: It's fun.

493
00:21:25,520 --> 00:21:27,600
Speaker 4: Here's the thing about doing it for so long is

494
00:21:28,480 --> 00:21:30,480
Speaker 4: you know, you get the call, you got to do

495
00:21:30,520 --> 00:21:33,040
Speaker 4: a podcast, you know, blah blah blah.

496
00:21:33,080 --> 00:21:35,959
Speaker 3: And yeah, there's a bit of dread to it. To

497
00:21:36,000 --> 00:21:37,399
Speaker 3: be totally honest, it's.

498
00:21:37,280 --> 00:21:39,000
Speaker 1: Like doing it for a while, I get it.

499
00:21:39,040 --> 00:21:41,840
Speaker 3: I'm like, okay, here we go, right, we gotta do it.

500
00:21:42,560 --> 00:21:44,159
Speaker 4: And of course I do it because I love it.

501
00:21:44,200 --> 00:21:45,959
Speaker 4: But at the same time, I'm like, oh my god,

502
00:21:46,800 --> 00:21:48,960
Speaker 4: just a minute. You get into the conversation with whoever

503
00:21:48,960 --> 00:21:50,800
Speaker 4: it is you're talking to, and then you finish and

504
00:21:50,840 --> 00:21:51,600
Speaker 4: the hour is done.

505
00:21:52,320 --> 00:21:56,399
Speaker 1: You're I know, it's a good time. Yeah, I agree.

506
00:21:56,400 --> 00:21:58,360
Speaker 4: And I got to talk to this random person right now,

507
00:21:58,400 --> 00:22:01,439
Speaker 4: I know, and we had an amazing conversation.

508
00:22:01,640 --> 00:22:02,320
Speaker 2: That is the joy.

509
00:22:02,560 --> 00:22:04,760
Speaker 1: Yeah, fun, It's true, it is the joy. That's why

510
00:22:04,800 --> 00:22:08,639
Speaker 1: sometimes I don't like to do it by myself. It's like,

511
00:22:08,720 --> 00:22:10,680
Speaker 1: because the fires, it was hard, you know, and we

512
00:22:10,760 --> 00:22:14,840
Speaker 1: we launched during the fires, which is awkward to get guests,

513
00:22:14,880 --> 00:22:16,040
Speaker 1: and I was like, why are we calling people?

514
00:22:16,040 --> 00:22:16,720
Speaker 2: It seems so strange.

515
00:22:17,080 --> 00:22:19,120
Speaker 1: But then you have to address right, And I didn't,

516
00:22:19,160 --> 00:22:22,639
Speaker 1: you know, you wanted to live without being so connected

517
00:22:23,000 --> 00:22:26,520
Speaker 1: to something so crazy and awful, I know, but I

518
00:22:26,560 --> 00:22:27,960
Speaker 1: just thought, I mean a lot of it is my

519
00:22:28,000 --> 00:22:31,720
Speaker 1: memories too, right, So, but in this particular episode, I'm

520
00:22:31,760 --> 00:22:35,240
Speaker 1: just so thankful to have your straight guy respect it

521
00:22:35,600 --> 00:22:38,560
Speaker 1: because it's important, you know, and like for me sometimes

522
00:22:38,680 --> 00:22:41,320
Speaker 1: I can just been around in my girl head like

523
00:22:41,640 --> 00:22:42,600
Speaker 1: why was she with him?

524
00:22:42,600 --> 00:22:43,480
Speaker 2: Why was she with him?

525
00:22:43,520 --> 00:22:43,679
Speaker 3: You know?

526
00:22:44,040 --> 00:22:46,440
Speaker 1: But like part of the thing that is amazing about

527
00:22:46,480 --> 00:22:49,639
Speaker 1: our show is the topics are timeless, and talking about them.

528
00:22:49,520 --> 00:22:53,400
Speaker 2: To me is still super interesting, Like it's fun dout.

529
00:22:53,600 --> 00:22:55,199
Speaker 3: Yeah, especially watching it.

530
00:22:55,960 --> 00:22:57,920
Speaker 4: You realize and I said this to you before, but

531
00:22:58,000 --> 00:22:59,240
Speaker 4: how far ahead of its time?

532
00:22:59,520 --> 00:22:59,760
Speaker 1: I know?

533
00:23:00,160 --> 00:23:03,040
Speaker 2: Amazing really, I mean we knew it was a little bit.

534
00:23:02,920 --> 00:23:06,439
Speaker 1: But we didn't understand or have any way of knowing

535
00:23:07,200 --> 00:23:09,800
Speaker 1: the incredible journey, you know, that we would get to

536
00:23:09,840 --> 00:23:12,840
Speaker 1: go on and thank God that the writing was so incredible,

537
00:23:12,840 --> 00:23:15,199
Speaker 1: that we could act and that it came together. But

538
00:23:15,240 --> 00:23:16,959
Speaker 1: also that the fans. You know, we have like our

539
00:23:17,000 --> 00:23:19,199
Speaker 1: super loyal fans from the beginning, and now we have

540
00:23:19,240 --> 00:23:21,120
Speaker 1: these younger fans from Netflix.

541
00:23:21,400 --> 00:23:22,040
Speaker 3: It's so great.

542
00:23:22,200 --> 00:23:25,280
Speaker 4: Oh my god, Aaron and all of her girlfriends, Jackie

543
00:23:25,359 --> 00:23:28,120
Speaker 4: and Robin and all these people were like, oh, you're gonna.

544
00:23:28,480 --> 00:23:33,120
Speaker 4: I mean it's it's sick, cannot it's lived on your show.

545
00:23:32,640 --> 00:23:36,840
Speaker 1: I mean it's so special, special, it's incredible.

546
00:23:37,000 --> 00:23:39,280
Speaker 3: Well, if you need me on again, I'm here.

547
00:23:39,359 --> 00:23:40,440
Speaker 1: Oh baby, you want to watch?

548
00:23:41,400 --> 00:23:42,520
Speaker 2: Were going to meet you on?

549
00:23:42,800 --> 00:23:44,919
Speaker 1: I think we're going to need you on because you

550
00:23:45,000 --> 00:23:48,520
Speaker 1: are a particularly special point of view, a man who

551
00:23:48,600 --> 00:23:51,800
Speaker 1: has worked on themselves and been in a long, accessful marriage.

552
00:23:52,119 --> 00:23:52,680
Speaker 3: Love it well.

553
00:23:52,720 --> 00:23:54,560
Speaker 2: I thank you, Oliver, thank you.

554
00:23:54,960 --> 00:24:01,320
Speaker 4: Yay bye bye