1 00:00:00,280 --> 00:00:04,240 Speaker 1: There's a monumental shift in power at work. Employees are 2 00:00:04,240 --> 00:00:09,920 Speaker 1: speaking up, Turnover is rising, salaries are increasing, hiring is tough, 3 00:00:10,160 --> 00:00:14,840 Speaker 1: and burnout is real. It's time to unleash growth. It's 4 00:00:14,880 --> 00:00:19,680 Speaker 1: time to transform your HR from powerless to powerful. Join 5 00:00:19,800 --> 00:00:24,720 Speaker 1: a DP on February. Reserve your spot now. Go to 6 00:00:24,840 --> 00:00:27,760 Speaker 1: get the Plan dot IDP dot com to register for 7 00:00:27,800 --> 00:00:40,640 Speaker 1: the Work Interrupted Summit. Mama, what does the chicken say? Uh? 8 00:00:40,720 --> 00:00:45,080 Speaker 1: Draft draft really? Giraffe? Giraffe, You're not gonna get it 9 00:00:45,120 --> 00:00:47,200 Speaker 1: all right. Just make sure you know the big stuff, 10 00:00:47,240 --> 00:00:49,280 Speaker 1: like making sure your kids are buckled correctly in the 11 00:00:49,360 --> 00:00:52,320 Speaker 1: right seat for their agent's eyes. Get it right visits 12 00:00:52,560 --> 00:00:56,520 Speaker 1: n h S a dot gov slash the Right Seat 13 00:00:56,720 --> 00:00:59,480 Speaker 1: brought to you by the National Highway Traffic Safety Administration. 14 00:00:59,520 --> 00:01:03,920 Speaker 1: In the ad, The Black Effect Presents features honest conversations 15 00:01:03,960 --> 00:01:07,640 Speaker 1: and exclusive interviews. A space for artists, everyday people and 16 00:01:07,720 --> 00:01:13,520 Speaker 1: listeners to amplify, elevate, and empower black voices with great conversations. 17 00:01:13,800 --> 00:01:16,280 Speaker 1: Make sure to listen to The Black Effect Presents podcast 18 00:01:16,520 --> 00:01:19,679 Speaker 1: on I Heart Radio, Apple Podcasts, or wherever you get 19 00:01:19,720 --> 00:01:30,119 Speaker 1: your podcasts. Welcome to money making Conversations. It's the show. 20 00:01:30,120 --> 00:01:32,560 Speaker 1: That she has the secrets of success experience firsthand by 21 00:01:32,640 --> 00:01:35,720 Speaker 1: marketing and Brandon expert Rashan McDonald. I will know he's 22 00:01:35,760 --> 00:01:38,400 Speaker 1: giving me advice on many occasions. In ocasion didn't notice, 23 00:01:38,840 --> 00:01:42,240 Speaker 1: I'm not broke. You know. He'll be interviewing celebrity CEOs, 24 00:01:42,480 --> 00:01:45,479 Speaker 1: entrepreneurs and industry decision makers. It's what he likes to do, 25 00:01:45,720 --> 00:01:48,080 Speaker 1: it's what he likes to share. Now it's time to 26 00:01:48,160 --> 00:01:52,160 Speaker 1: hear from my man, Rashan McDonald money making conversations. Here 27 00:01:52,200 --> 00:01:55,800 Speaker 1: we come. Welcome to money making Conversation. I am your host, 28 00:01:56,000 --> 00:01:59,360 Speaker 1: Rashan mcconald. It's time, like I tell people everywhere, and 29 00:01:59,440 --> 00:02:02,400 Speaker 1: stop reading other people's success stories and start writing your own. 30 00:02:02,640 --> 00:02:04,600 Speaker 1: And I always tell people hear people talking about their gifts, 31 00:02:04,640 --> 00:02:06,960 Speaker 1: they talk about their passion. If your gifts, leave with 32 00:02:07,040 --> 00:02:09,600 Speaker 1: him and don't let your age, friends, family, or cowork 33 00:02:09,680 --> 00:02:12,600 Speaker 1: or stop you from planning or living your dreams. Interviews 34 00:02:12,600 --> 00:02:15,519 Speaker 1: I bring on the shows for you. It's celebrity CEO, 35 00:02:15,919 --> 00:02:19,160 Speaker 1: entrepreneurs and industry decision maker. My next guest is one 36 00:02:19,200 --> 00:02:21,760 Speaker 1: of my favorites man. He was on the show about 37 00:02:21,760 --> 00:02:23,840 Speaker 1: a year and a half ago, Molly Music. He's a 38 00:02:23,919 --> 00:02:26,520 Speaker 1: gospel artists first and foremost, but who will not be 39 00:02:26,560 --> 00:02:29,240 Speaker 1: put in a box. He loves the freedom of creating 40 00:02:29,280 --> 00:02:32,400 Speaker 1: amazing music, no matter what the genre is, gospel, R 41 00:02:32,520 --> 00:02:35,919 Speaker 1: and B, hip hop or rock. Whatever he feels, that's 42 00:02:35,960 --> 00:02:38,600 Speaker 1: his move. Molly Water grammed this year for the song 43 00:02:38,760 --> 00:02:42,800 Speaker 1: moving on his hit collaboration with Jonathan McReynolds. He's nominated 44 00:02:42,880 --> 00:02:45,800 Speaker 1: for three Stellar Awards this year. He's got back on 45 00:02:45,840 --> 00:02:48,720 Speaker 1: the road because COVID shut everybody down in twenty but 46 00:02:48,720 --> 00:02:50,880 Speaker 1: he's getting back out there. Gotta make that check, gotta 47 00:02:50,919 --> 00:02:53,360 Speaker 1: make that check. The things that started to open up 48 00:02:53,360 --> 00:02:55,880 Speaker 1: across the US, and we'll be announcing new music and 49 00:02:55,960 --> 00:02:58,280 Speaker 1: new tour dates coming soon and I'll be the first 50 00:02:58,280 --> 00:03:00,480 Speaker 1: to put him out there. For my man, Please work 51 00:03:00,480 --> 00:03:03,399 Speaker 1: with the money making conversations again, Molla music, How you doing, 52 00:03:03,400 --> 00:03:08,080 Speaker 1: Molly Wow McDonald, how's it going? What an honor beautiful 53 00:03:08,080 --> 00:03:11,679 Speaker 1: introduction to be back again a world, let's get it well. 54 00:03:11,720 --> 00:03:14,079 Speaker 1: The think about you that you know when we talk, man, 55 00:03:14,120 --> 00:03:16,040 Speaker 1: it was almost because I have a I come from 56 00:03:16,040 --> 00:03:18,480 Speaker 1: a big family, Molly, you know, from Houston, Texas. I 57 00:03:18,520 --> 00:03:21,160 Speaker 1: have a six sisters, two brothers, and I felt I 58 00:03:21,200 --> 00:03:23,040 Speaker 1: was talking to my younger brother here. Man, you know 59 00:03:23,040 --> 00:03:25,480 Speaker 1: because because you know you, you know you, you got 60 00:03:25,560 --> 00:03:28,880 Speaker 1: that energy man, you you you you still have unconquered 61 00:03:28,960 --> 00:03:31,560 Speaker 1: territories that you want to, like I want to, want 62 00:03:31,560 --> 00:03:33,480 Speaker 1: to want to make a difference in. But the more 63 00:03:33,520 --> 00:03:37,920 Speaker 1: effortant thing is we always can get boxed in, especially 64 00:03:38,040 --> 00:03:39,520 Speaker 1: we do R and B. People think all you should 65 00:03:39,520 --> 00:03:41,760 Speaker 1: be doing R and B. You do country? What you 66 00:03:41,880 --> 00:03:43,960 Speaker 1: what black? What you're doing over in country? You should 67 00:03:44,000 --> 00:03:46,200 Speaker 1: be over there. And so we've seen so many walls 68 00:03:46,280 --> 00:03:49,680 Speaker 1: coming down in our era and this timeline. Are you 69 00:03:49,760 --> 00:03:52,560 Speaker 1: feeling that's comfortable for what you're trying to do as well? 70 00:03:54,080 --> 00:03:58,640 Speaker 1: I do feel that it's effective, but comfortable is not 71 00:03:59,800 --> 00:04:03,000 Speaker 1: the words. Um. It's good for what we want business 72 00:04:03,000 --> 00:04:05,200 Speaker 1: to do. It's good for the spreading of our wings. 73 00:04:05,920 --> 00:04:09,040 Speaker 1: But it's kind of like a racial conversation. You open 74 00:04:09,160 --> 00:04:11,360 Speaker 1: up the doors to be heard out by a different race, 75 00:04:11,400 --> 00:04:14,400 Speaker 1: and then it gets uncomfortable for just because you start 76 00:04:14,440 --> 00:04:18,440 Speaker 1: bringing out different issues. I recently traveled to Nashville to 77 00:04:18,520 --> 00:04:21,920 Speaker 1: do some songwriting with Chad lead Saying of the rock 78 00:04:22,040 --> 00:04:25,920 Speaker 1: band Christian rock band Unspoken, and it was a challenge 79 00:04:25,920 --> 00:04:30,240 Speaker 1: for me, especially coming from soul background, gospel background. But 80 00:04:30,279 --> 00:04:32,400 Speaker 1: I had to remember I have songs out like Gimme, 81 00:04:32,480 --> 00:04:37,480 Speaker 1: Gimme Ready, aim impulses, songs that have rock feels for it. 82 00:04:37,640 --> 00:04:40,719 Speaker 1: So man, the spreading and the falling of the genres, 83 00:04:40,720 --> 00:04:43,160 Speaker 1: it's definitely good. I've been watching it happen in hip 84 00:04:43,200 --> 00:04:45,920 Speaker 1: hop and other genres for a long time, and I'm 85 00:04:45,920 --> 00:04:48,240 Speaker 1: glad that it's finally made it to the gospel. Well, 86 00:04:48,279 --> 00:04:50,320 Speaker 1: you're interesting, But it's about a beat, isn't it, Because 87 00:04:50,360 --> 00:04:52,680 Speaker 1: when you're talking about you know, because it is like 88 00:04:52,720 --> 00:04:54,880 Speaker 1: a one three or two four beat when you're talking 89 00:04:54,880 --> 00:04:56,719 Speaker 1: about music, when you're talking about R and B beats 90 00:04:56,720 --> 00:04:59,279 Speaker 1: and you're talking about we're talking about rock beats, especially 91 00:04:59,360 --> 00:05:02,960 Speaker 1: because they can a lot longer. How does that you know? 92 00:05:03,000 --> 00:05:05,760 Speaker 1: Because we all know that gospel is driven by emotion 93 00:05:06,240 --> 00:05:09,080 Speaker 1: and and so and so you're emotionally driven guy, and 94 00:05:09,080 --> 00:05:11,120 Speaker 1: then you're going to rock a lot of times it's 95 00:05:11,160 --> 00:05:15,039 Speaker 1: just driven by sound. So how do you blend the 96 00:05:15,120 --> 00:05:19,640 Speaker 1: two to get the results that you want? Excellent question. Well, 97 00:05:19,920 --> 00:05:23,440 Speaker 1: they bring me in. Normally, as a lyricist, I write 98 00:05:23,480 --> 00:05:27,360 Speaker 1: lyrics like you know mean comes only to still killing 99 00:05:27,360 --> 00:05:30,360 Speaker 1: and destroyed come in with things like that, I said, 100 00:05:30,360 --> 00:05:34,720 Speaker 1: a Christian rock band. One thing about the genre gospel 101 00:05:34,920 --> 00:05:38,080 Speaker 1: is it is sound. It doesn't necessarily have a sound anymore. 102 00:05:38,200 --> 00:05:42,320 Speaker 1: Of course, you have the Mahellia Jackson. You know, it 103 00:05:42,400 --> 00:05:47,120 Speaker 1: comes up. You know, you have the no not you know, 104 00:05:47,240 --> 00:05:49,479 Speaker 1: house of Prayer, and that's your house of prayer. You 105 00:05:49,520 --> 00:05:54,440 Speaker 1: get what I'm saying. Town, You have Baptist music, um 106 00:05:54,640 --> 00:05:57,800 Speaker 1: worship music like hill song and stuff like that. If 107 00:05:57,800 --> 00:06:01,040 Speaker 1: you notice, the music could be anything. Gospel and Christian 108 00:06:01,120 --> 00:06:04,600 Speaker 1: has now solely based in genre around the content as 109 00:06:04,600 --> 00:06:07,200 Speaker 1: long as at some point you say that Jesus Christ's Lord, 110 00:06:07,360 --> 00:06:10,719 Speaker 1: it could sound like any type of beat. You get 111 00:06:10,760 --> 00:06:13,880 Speaker 1: what I mean. So our genre is mostly about the 112 00:06:13,960 --> 00:06:18,880 Speaker 1: edification of God. Absolutely, But it is because we just 113 00:06:18,920 --> 00:06:21,159 Speaker 1: talk amusing that molly, okay, you know, because of the 114 00:06:21,160 --> 00:06:23,520 Speaker 1: fact that when you look at R and B, you know, 115 00:06:23,760 --> 00:06:27,039 Speaker 1: like you started naming different artists that they lie themselves 116 00:06:27,080 --> 00:06:29,040 Speaker 1: in that whole genre. Because because when you got the 117 00:06:29,160 --> 00:06:31,040 Speaker 1: hip hop and rap, it just like tore it self 118 00:06:31,080 --> 00:06:34,120 Speaker 1: away from RV it towards you just this is not 119 00:06:34,200 --> 00:06:36,880 Speaker 1: even RB. They don't even sing it, okay, clearly not 120 00:06:37,040 --> 00:06:39,520 Speaker 1: saying it. And then when you get into R and B. 121 00:06:39,680 --> 00:06:42,880 Speaker 1: Y had soul, you know, you had had the deal. 122 00:06:43,040 --> 00:06:46,400 Speaker 1: So yeah, all those different genres. So when when you 123 00:06:46,440 --> 00:06:49,000 Speaker 1: start talking about gospel, I started realizing, Man, there are 124 00:06:49,279 --> 00:06:52,719 Speaker 1: many many layers. When you talk about Man Jackson, you 125 00:06:52,800 --> 00:06:57,320 Speaker 1: talk about Kirk Franklin, you talk about yours. You know, 126 00:06:57,560 --> 00:07:01,760 Speaker 1: Donnie McClerkin, you John Kid wired right, how did that? 127 00:07:01,839 --> 00:07:07,160 Speaker 1: And that's from a creative standpoint, that's a challenge. Huh, yeah, 128 00:07:07,240 --> 00:07:10,280 Speaker 1: it could be. But what I noticed while coming up 129 00:07:10,280 --> 00:07:12,720 Speaker 1: in church is a lot of the creativity came out 130 00:07:12,800 --> 00:07:16,880 Speaker 1: of one person um creatively. Like you might have had 131 00:07:17,120 --> 00:07:19,520 Speaker 1: six people in Ricky dill its quiet, but they were 132 00:07:19,560 --> 00:07:22,280 Speaker 1: all a lot doing riggy and everything that would coming 133 00:07:22,280 --> 00:07:24,720 Speaker 1: out of their mouth. And the band was something that 134 00:07:24,760 --> 00:07:26,720 Speaker 1: he probably heard at a coffee table that a few 135 00:07:26,760 --> 00:07:29,840 Speaker 1: mornings before and taught them, say with Hezekiah. So being 136 00:07:29,880 --> 00:07:32,120 Speaker 1: a praise and worship leader, first I know that you 137 00:07:32,120 --> 00:07:34,960 Speaker 1: can spend time with God in the car, tell some 138 00:07:35,080 --> 00:07:37,720 Speaker 1: vocalists how to part go, tell the band and so 139 00:07:37,880 --> 00:07:39,600 Speaker 1: you know, and you're in a hospital of praise. So 140 00:07:39,920 --> 00:07:41,760 Speaker 1: a lot of the big ideas can come out of 141 00:07:41,800 --> 00:07:45,920 Speaker 1: one person. Beethoven had a whole orchestra, but it was 142 00:07:46,120 --> 00:07:48,880 Speaker 1: his music every line. So I think it's just u 143 00:07:49,520 --> 00:07:51,600 Speaker 1: you know, just based on who the idea is coming 144 00:07:51,640 --> 00:07:53,360 Speaker 1: out of, and it could be one person, even though 145 00:07:53,960 --> 00:07:56,000 Speaker 1: many people of health. You know, when I want to 146 00:07:56,040 --> 00:07:57,400 Speaker 1: look at you, Molly, I always say I have to 147 00:07:57,440 --> 00:07:59,520 Speaker 1: bring this question to everybody who comes to the show. 148 00:08:00,040 --> 00:08:03,560 Speaker 1: Just start for you, because I look at myself and 149 00:08:03,600 --> 00:08:05,800 Speaker 1: I try to pinpoint. I always tell people I've been 150 00:08:05,840 --> 00:08:07,880 Speaker 1: doing this since I was eighteen years old when I 151 00:08:07,920 --> 00:08:10,200 Speaker 1: really looked at my life. You know, I've been I've 152 00:08:10,240 --> 00:08:13,440 Speaker 1: been uplifting, I've been creative. I've been a person who 153 00:08:13,640 --> 00:08:16,480 Speaker 1: who thought differently, just saw I saw a different path 154 00:08:16,560 --> 00:08:18,760 Speaker 1: to success. I came from a black neighborhood, but I 155 00:08:18,760 --> 00:08:20,560 Speaker 1: didn't want to die in a black neighborhood. I thought 156 00:08:20,560 --> 00:08:22,720 Speaker 1: there was more to the world out there, and eighteen 157 00:08:22,760 --> 00:08:25,280 Speaker 1: years old, I was committed to seeing more of that world. 158 00:08:25,640 --> 00:08:28,080 Speaker 1: So that so I locked that day. That's important when 159 00:08:28,080 --> 00:08:30,480 Speaker 1: it really started for me. And then I went to 160 00:08:30,520 --> 00:08:33,560 Speaker 1: college and college changed my life. What did start for you? 161 00:08:33,600 --> 00:08:40,120 Speaker 1: Mallo music well out bagged my father for pro Tools, 162 00:08:41,160 --> 00:08:47,079 Speaker 1: which is a sound or wave recording software that is 163 00:08:47,160 --> 00:08:50,800 Speaker 1: about maybe five hundred or six hundred dollars. It requires 164 00:08:50,920 --> 00:08:56,800 Speaker 1: us computer monitor, miles sound speakers. I was asking my 165 00:08:56,880 --> 00:08:59,680 Speaker 1: dad for this at thirteen years old. I was laughing 166 00:08:59,720 --> 00:09:08,199 Speaker 1: because you said five. My dad was saying, oh, this 167 00:09:08,280 --> 00:09:13,800 Speaker 1: is not a money making conversations. I said, you know, 168 00:09:13,840 --> 00:09:16,600 Speaker 1: I understood. I asked him around thirteen, after going to 169 00:09:16,679 --> 00:09:19,040 Speaker 1: a studio with a friend. And that's how I learned 170 00:09:19,360 --> 00:09:22,199 Speaker 1: that's how people get their voice to come out of 171 00:09:22,240 --> 00:09:24,920 Speaker 1: the radio. As a young boy, I'm always hearing moms saying, 172 00:09:24,920 --> 00:09:27,400 Speaker 1: I'm always hearing my sisters saying, but I'm like, how 173 00:09:27,440 --> 00:09:29,880 Speaker 1: do we come out of the radio like Luther Van Drawls, 174 00:09:30,480 --> 00:09:32,320 Speaker 1: you know. And I didn't know if it was some 175 00:09:32,360 --> 00:09:35,720 Speaker 1: type of process and it was proteols and like you know, 176 00:09:35,760 --> 00:09:39,120 Speaker 1: electronic and software based computers was what it was. After 177 00:09:39,160 --> 00:09:41,720 Speaker 1: the tape started going, before you laid it on wax. 178 00:09:41,720 --> 00:09:43,760 Speaker 1: But now you could do it digitally. I asked my 179 00:09:43,800 --> 00:09:50,640 Speaker 1: after that thirteen, No four, No, fifteen, No, Dad's sprint Lee. 180 00:09:51,000 --> 00:09:54,640 Speaker 1: He got it for me around sixteen. I was mastering 181 00:09:54,640 --> 00:09:58,120 Speaker 1: it around seventeen and utilizing it for church stuff like 182 00:09:58,600 --> 00:10:01,040 Speaker 1: putting thunder behind my path, that's just preaching. If he 183 00:10:01,480 --> 00:10:04,720 Speaker 1: spoke about a value or war, trying to find ways 184 00:10:04,760 --> 00:10:08,880 Speaker 1: to use the technological sound advancement that I was blessed 185 00:10:08,880 --> 00:10:11,320 Speaker 1: with by my dad at sixteen to do what my 186 00:10:11,400 --> 00:10:13,480 Speaker 1: mom was making me doing. So now you got this 187 00:10:13,520 --> 00:10:15,640 Speaker 1: pro too, But don't talk about no women, don't talk 188 00:10:15,679 --> 00:10:18,240 Speaker 1: about no bottles, and you're gonna be talking about God. 189 00:10:18,679 --> 00:10:20,840 Speaker 1: I don't want no curse words. And make sure that 190 00:10:20,880 --> 00:10:25,120 Speaker 1: you creatively, creatively, don't do that same note stuff I said, Okay, man, 191 00:10:25,160 --> 00:10:27,200 Speaker 1: I could do that. So I think that that's what 192 00:10:27,320 --> 00:10:30,080 Speaker 1: set my values early. So even though I had a 193 00:10:30,160 --> 00:10:32,439 Speaker 1: huge future and I probably wouldn't been doing all types 194 00:10:32,480 --> 00:10:35,360 Speaker 1: of music, my values were set based on me getting 195 00:10:35,440 --> 00:10:39,200 Speaker 1: music for church, God being put into my heart in 196 00:10:39,280 --> 00:10:41,440 Speaker 1: my gift, and me promising the people who gave it 197 00:10:41,480 --> 00:10:43,719 Speaker 1: to me that I wouldn't straight from that path. As 198 00:10:43,760 --> 00:10:46,280 Speaker 1: I grew older, that got more and more difficult because 199 00:10:46,280 --> 00:10:48,240 Speaker 1: I want to be more rebellious. I want to start 200 00:10:48,360 --> 00:10:50,800 Speaker 1: echoing sounds that I hear. But holding on to those 201 00:10:50,840 --> 00:10:55,160 Speaker 1: values kept it unique and especially annointing on it. 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What grows in the forest trees, Sure no 218 00:11:54,400 --> 00:11:57,760 Speaker 1: one else grows in the forest, our imagination, a sense 219 00:11:57,800 --> 00:12:01,280 Speaker 1: of wonder, and our family bonds too, because when we 220 00:12:01,360 --> 00:12:08,120 Speaker 1: disconnect from this and connect with this, we reconnect with 221 00:12:08,160 --> 00:12:11,640 Speaker 1: each other. The forest is closer than you think. Find 222 00:12:11,679 --> 00:12:14,880 Speaker 1: a forest near you and start exploring. I discover the 223 00:12:14,920 --> 00:12:17,640 Speaker 1: forest dot org brought to you by the United States 224 00:12:17,679 --> 00:12:21,720 Speaker 1: Forest Service and the AD Council. Look for your children's 225 00:12:21,720 --> 00:12:25,000 Speaker 1: eyes to see the true magic of a forest. It's 226 00:12:25,040 --> 00:12:28,360 Speaker 1: a storybook world for them. You look and see a tree, 227 00:12:28,800 --> 00:12:31,680 Speaker 1: They see the wrinkled face of a wizard with arms 228 00:12:31,720 --> 00:12:35,520 Speaker 1: outstretched to the sky. They see treasure and pebbles. They 229 00:12:35,559 --> 00:12:38,600 Speaker 1: see a windy path that could lead to adventure, and 230 00:12:38,679 --> 00:12:42,880 Speaker 1: they see you. They're fearless guide. Is this fascinating world? 231 00:12:43,280 --> 00:12:46,080 Speaker 1: Find a forest near you and start exploring. I Discover 232 00:12:46,200 --> 00:12:48,440 Speaker 1: the Forest dot org brought to you by the United 233 00:12:48,480 --> 00:12:52,760 Speaker 1: States Forest Service and the AD Council. Conversation because of 234 00:12:52,800 --> 00:12:54,960 Speaker 1: the fact they've talked about you earned it, you know, 235 00:12:55,480 --> 00:12:58,839 Speaker 1: because they knew you were talented. But did they know 236 00:12:59,360 --> 00:13:02,800 Speaker 1: did you understand the value of this five dollars or 237 00:13:02,920 --> 00:13:06,240 Speaker 1: six hundred dollar device? Because people if you if you 238 00:13:06,240 --> 00:13:08,320 Speaker 1: give somebody a car and let them loan and then 239 00:13:08,440 --> 00:13:11,319 Speaker 1: guess what there they if they reckon, they go I'm sorry. 240 00:13:11,800 --> 00:13:14,520 Speaker 1: But if they were tied to the damage of direct 241 00:13:14,679 --> 00:13:16,400 Speaker 1: then they have a different conversation when they come talk 242 00:13:16,440 --> 00:13:20,400 Speaker 1: to you. And so now at that early age, were 243 00:13:20,440 --> 00:13:23,760 Speaker 1: their friends who started, i know, tied to the church 244 00:13:23,840 --> 00:13:26,800 Speaker 1: and you started seeing people reacting to your beach, react 245 00:13:26,880 --> 00:13:29,400 Speaker 1: to your music because you're in gospel, man. Because you know, 246 00:13:29,600 --> 00:13:31,679 Speaker 1: the thing about it is, if you're a rap, if 247 00:13:31,760 --> 00:13:34,280 Speaker 1: you're an R and B, you know, yes, you could. 248 00:13:34,320 --> 00:13:36,200 Speaker 1: You know if R and B you singing for the ladies, 249 00:13:36,240 --> 00:13:38,000 Speaker 1: you know what I'm saying. If you're wrapped in the 250 00:13:38,000 --> 00:13:41,320 Speaker 1: streets just just doing arrived for your crew, who were 251 00:13:41,400 --> 00:13:45,720 Speaker 1: you doing it for. My pastor gave me the opportunity 252 00:13:45,760 --> 00:13:48,600 Speaker 1: to be minister of music and start playing at his 253 00:13:48,679 --> 00:13:51,040 Speaker 1: church when I was eleven. Now, I said, I asked 254 00:13:51,080 --> 00:13:53,520 Speaker 1: my dad for protos that thirteen. So I've already been 255 00:13:53,559 --> 00:13:56,600 Speaker 1: singing as a minister of music and playing learning chords 256 00:13:56,640 --> 00:14:00,079 Speaker 1: in the church for three years already on Yamaha e 257 00:14:00,280 --> 00:14:02,560 Speaker 1: x seven. Now that's as old the keyboard as you 258 00:14:02,600 --> 00:14:07,720 Speaker 1: could get, and I'm blowing contridges out trying to change 259 00:14:07,760 --> 00:14:10,640 Speaker 1: in the middle of that. It's not what I need. 260 00:14:10,640 --> 00:14:13,360 Speaker 1: So I was a young musician coming in at the 261 00:14:13,400 --> 00:14:17,679 Speaker 1: ship of a technological era, like synthesizers were growing into 262 00:14:17,760 --> 00:14:20,960 Speaker 1: bigger stuff. When the churches just before I started playing 263 00:14:20,960 --> 00:14:24,400 Speaker 1: in church, which was very early, were mostly organ all right, 264 00:14:24,440 --> 00:14:26,160 Speaker 1: So we didn't have an organ in that church. So 265 00:14:26,320 --> 00:14:28,440 Speaker 1: the keyboard wasn't enough, so I wanted strings. I wanted 266 00:14:28,440 --> 00:14:30,560 Speaker 1: all these different types of things. So that's what kind 267 00:14:30,560 --> 00:14:32,720 Speaker 1: of set the tone. It was to please my pastor. 268 00:14:33,120 --> 00:14:34,800 Speaker 1: It was to be able to show that I was 269 00:14:34,840 --> 00:14:37,160 Speaker 1: ready for the leadership position that he gave me. Even 270 00:14:37,200 --> 00:14:39,920 Speaker 1: though I was so young. I anticipated for people to 271 00:14:39,960 --> 00:14:42,880 Speaker 1: say I was unauthorized and should not be associated with 272 00:14:42,920 --> 00:14:44,840 Speaker 1: such a position enlighten and stuff music. So I gave 273 00:14:44,880 --> 00:14:47,520 Speaker 1: my all to it. I gave my commitment, and it 274 00:14:47,600 --> 00:14:50,800 Speaker 1: kind of gave me responsibility. Before I wanted friends. So 275 00:14:50,920 --> 00:14:54,600 Speaker 1: now even though I had friends and companions, I was 276 00:14:55,440 --> 00:14:57,320 Speaker 1: if I wasn't doing chorus, I was trying to make 277 00:14:57,360 --> 00:15:00,000 Speaker 1: sure I got back to learn my pro tools because 278 00:15:00,040 --> 00:15:02,760 Speaker 1: my dad wasn't from the bound me software that I 279 00:15:02,760 --> 00:15:05,280 Speaker 1: didn't know how to use. So now I have to 280 00:15:05,280 --> 00:15:08,600 Speaker 1: read user books, manuals, and I became pretty obsessive and 281 00:15:08,640 --> 00:15:12,040 Speaker 1: a bit of a nerd over the technological part. Once 282 00:15:12,080 --> 00:15:14,640 Speaker 1: I started bringing CDs to school, it was over I'm 283 00:15:14,680 --> 00:15:18,920 Speaker 1: singing for the dances, I'm I'm doing the National Anthem 284 00:15:18,960 --> 00:15:21,680 Speaker 1: prerecorded over the I just was finding ways to use 285 00:15:21,720 --> 00:15:24,400 Speaker 1: the pro tools, and it became really awesome, but it 286 00:15:24,440 --> 00:15:26,880 Speaker 1: didn't hit until the world heard it on my space 287 00:15:27,080 --> 00:15:29,560 Speaker 1: and that's where social media comes in. That so my 288 00:15:29,680 --> 00:15:32,600 Speaker 1: music was right on the curve of a shift, and 289 00:15:32,640 --> 00:15:35,840 Speaker 1: once everybody heard it online because black Planet just died, 290 00:15:36,520 --> 00:15:38,360 Speaker 1: I was in my Space artist by the time they 291 00:15:38,360 --> 00:15:40,680 Speaker 1: found Molly Music. I had my song I Hate You 292 00:15:40,720 --> 00:15:44,720 Speaker 1: No music all I have to give and I think 293 00:15:44,800 --> 00:15:47,560 Speaker 1: forward on my my Space page and the rest its history, 294 00:15:47,760 --> 00:15:52,280 Speaker 1: well history is still giving you uh love. You know, 295 00:15:52,600 --> 00:15:56,880 Speaker 1: grammed with yournos who have had on the show. You know, 296 00:15:56,920 --> 00:15:59,680 Speaker 1: working with artists like that because he's really creative, he's 297 00:16:00,680 --> 00:16:05,720 Speaker 1: and ye talk about collaborations because that's a key because 298 00:16:06,160 --> 00:16:10,080 Speaker 1: you know, I've listened to writers and especial producers because 299 00:16:10,360 --> 00:16:12,840 Speaker 1: they brought in for a talent, but they also have 300 00:16:12,880 --> 00:16:15,000 Speaker 1: to be be true enough to understand who they're worked 301 00:16:15,040 --> 00:16:17,840 Speaker 1: it with, but also strong enough to be able to 302 00:16:17,880 --> 00:16:20,200 Speaker 1: get the finished product to the end end his own. 303 00:16:20,600 --> 00:16:23,400 Speaker 1: So talking about when you when collaborations, the one you 304 00:16:23,440 --> 00:16:25,360 Speaker 1: did with Jonathan mcrillo, which want to grab me by 305 00:16:25,400 --> 00:16:28,120 Speaker 1: the way, moving on, thank you so much. It was 306 00:16:28,320 --> 00:16:30,360 Speaker 1: such a gift to be able to hold that coming 307 00:16:30,360 --> 00:16:33,960 Speaker 1: out of the box and it represented what collaboration represents 308 00:16:33,960 --> 00:16:39,920 Speaker 1: for me. Sacrifice. Everybody wants it to be them alone. 309 00:16:40,080 --> 00:16:42,920 Speaker 1: Everybody wants to win a race because of how good 310 00:16:42,960 --> 00:16:45,880 Speaker 1: they are. But so many things were going on, and 311 00:16:45,920 --> 00:16:48,760 Speaker 1: I just really wanted to help so many people. I 312 00:16:48,880 --> 00:16:52,320 Speaker 1: noticed once I got finished acting inside of the like 313 00:16:52,800 --> 00:16:59,000 Speaker 1: movie industry, that the most important investment was like the 314 00:16:59,080 --> 00:17:02,560 Speaker 1: last two million dollars that a movie needs, and people 315 00:17:02,600 --> 00:17:05,920 Speaker 1: can come on as a final investor because a movie 316 00:17:06,040 --> 00:17:08,480 Speaker 1: ran short on a ten million dollar budget or something, 317 00:17:08,520 --> 00:17:10,879 Speaker 1: that they give the final two and then it is 318 00:17:10,920 --> 00:17:13,280 Speaker 1: the breaking point of it. That's what I started doing 319 00:17:13,320 --> 00:17:15,960 Speaker 1: with my music. Jonathan had a whole album, The People 320 00:17:16,040 --> 00:17:19,320 Speaker 1: Album was Killing. He had a whole campaign. But collaboration 321 00:17:19,440 --> 00:17:21,639 Speaker 1: was just so we could bring our jet packs together 322 00:17:21,680 --> 00:17:24,080 Speaker 1: to get over the edge. Of course we could do 323 00:17:24,119 --> 00:17:26,920 Speaker 1: something effective in gospel, but can we put a dent 324 00:17:27,359 --> 00:17:30,440 Speaker 1: in the world, And that was something we weren't planning 325 00:17:30,480 --> 00:17:33,000 Speaker 1: to do. But the collaboration goes in depth. It was 326 00:17:33,040 --> 00:17:35,800 Speaker 1: agreement from me and Jonathan and Spirit, but then it 327 00:17:35,920 --> 00:17:38,080 Speaker 1: also was our teams. I'm with r C A I 328 00:17:39,080 --> 00:17:42,240 Speaker 1: and he is with E one, and those companies also 329 00:17:42,320 --> 00:17:44,600 Speaker 1: collaborated for us to have the success that we had 330 00:17:44,640 --> 00:17:47,919 Speaker 1: based on, you know, working the record, calling people. It 331 00:17:48,000 --> 00:17:50,280 Speaker 1: was two labels collaborating. So I'm very proud of what 332 00:17:50,320 --> 00:17:54,080 Speaker 1: gospel music did because we obtained this reward or this 333 00:17:54,240 --> 00:17:56,640 Speaker 1: award by working together. There's a lot of people who 334 00:17:56,680 --> 00:17:59,320 Speaker 1: just simply don't do that in gospel. If dog people 335 00:17:59,520 --> 00:18:02,119 Speaker 1: made dog food, it wouldn't be sold in a fifty 336 00:18:02,119 --> 00:18:04,640 Speaker 1: pound bag in the hardware aisle by the shoe polish. 337 00:18:04,920 --> 00:18:07,359 Speaker 1: It would actually be food. It would be made with 338 00:18:07,520 --> 00:18:10,440 Speaker 1: real fresh meat and veggies, gently cooked to preserve a 339 00:18:10,560 --> 00:18:13,800 Speaker 1: nutritional value, you know, like food. The Farmer's Dog was 340 00:18:13,840 --> 00:18:16,800 Speaker 1: created by dog people who cook and deliver fresh, healthy food. 341 00:18:16,880 --> 00:18:19,840 Speaker 1: Try the Farmer's Dog and get fresh, preportioned meals tailored 342 00:18:19,880 --> 00:18:22,119 Speaker 1: to your dog's means. Tell us about your dogs, build 343 00:18:22,119 --> 00:18:24,760 Speaker 1: your plan, and get off at the Farmer's Dog dot 344 00:18:24,760 --> 00:18:28,040 Speaker 1: Com slash listen. That's the Farmer's Dog dot Com slash listen. 345 00:18:28,320 --> 00:18:30,720 Speaker 1: Hi everyone, i'l roker here as a guy with his 346 00:18:30,760 --> 00:18:34,639 Speaker 1: own catchphrase. I appreciate that Smokey's only said only you 347 00:18:34,680 --> 00:18:38,040 Speaker 1: can prevent wildfires, but I'm filling it because there's a 348 00:18:38,119 --> 00:18:41,120 Speaker 1: lot more to report, like when they're parched or windy 349 00:18:41,160 --> 00:18:44,280 Speaker 1: conditions out there. You gotta be extra careful with things 350 00:18:44,320 --> 00:18:48,760 Speaker 1: like burning yard wigs. After all, wildfires can start anywhere, 351 00:18:48,920 --> 00:18:51,320 Speaker 1: even in your neck of the woods. Go to Smokey 352 00:18:51,320 --> 00:18:54,640 Speaker 1: Bear dot com to learn more about wildfire prevention. Brought 353 00:18:54,680 --> 00:18:57,000 Speaker 1: to you by the U. S. Forest Service, your state Forrester, 354 00:18:57,200 --> 00:19:00,280 Speaker 1: and the AD Council. If I could be you and 355 00:19:00,359 --> 00:19:02,800 Speaker 1: you could be me for just one hour, if you 356 00:19:02,800 --> 00:19:06,119 Speaker 1: could find a way to get inside each other's mind, 357 00:19:06,560 --> 00:19:11,800 Speaker 1: walk a mile in my shoes, Welcome mile in my shoes. Shoes. 358 00:19:12,200 --> 00:19:15,399 Speaker 1: We've all felt left out, and for some that feeling 359 00:19:15,480 --> 00:19:18,960 Speaker 1: lasts more than a moment. We can change that. Learn 360 00:19:19,040 --> 00:19:21,760 Speaker 1: how it belonging begins with us dot org. Brought to 361 00:19:21,800 --> 00:19:28,720 Speaker 1: you by the ACT Council. Welcome out and shoes. Well, 362 00:19:28,720 --> 00:19:30,560 Speaker 1: you know you're there at r C. I with my 363 00:19:30,640 --> 00:19:34,560 Speaker 1: board Phil Thornton, who I call him. Hey, don't get 364 00:19:34,560 --> 00:19:40,280 Speaker 1: me started on the field. That guy is awesome and 365 00:19:40,359 --> 00:19:42,919 Speaker 1: he's been grinding from the beginning. So I was so 366 00:19:43,000 --> 00:19:46,320 Speaker 1: excited to see that his promotion finally came. So it's 367 00:19:46,359 --> 00:19:49,080 Speaker 1: like Steve mash, Oh, you have a team now that 368 00:19:49,160 --> 00:19:51,720 Speaker 1: you're coaching. Can I play with y'all? I wasn't necessarily 369 00:19:51,760 --> 00:19:55,400 Speaker 1: interested in functioning with the system this way. But if 370 00:19:55,400 --> 00:19:58,040 Speaker 1: you're over it, I know God has involved, prayers involved, 371 00:19:58,200 --> 00:20:00,800 Speaker 1: and I could have success and it worked out happy. 372 00:20:01,160 --> 00:20:04,199 Speaker 1: You know that the beauty of you that there's a 373 00:20:04,240 --> 00:20:09,840 Speaker 1: certain genuine lovel of conversation because you know this is 374 00:20:09,920 --> 00:20:12,200 Speaker 1: this is not insulting. You know a lot of people 375 00:20:12,920 --> 00:20:15,600 Speaker 1: they won't in they you know their gospel, they just coming. 376 00:20:15,600 --> 00:20:19,159 Speaker 1: They're real church. You're you're praise the Lord. It's a 377 00:20:19,160 --> 00:20:23,600 Speaker 1: blessing to be Oh my god, I got that. I 378 00:20:23,640 --> 00:20:26,399 Speaker 1: got that. But I really think I really think, Molly, 379 00:20:26,600 --> 00:20:28,200 Speaker 1: I can eat some bob que with you. You know 380 00:20:28,240 --> 00:20:30,879 Speaker 1: what I'm saying. I really think I could play some 381 00:20:30,920 --> 00:20:34,920 Speaker 1: basketball with you know what. I'm a little bit you 382 00:20:34,960 --> 00:20:37,080 Speaker 1: know what I'm saying. I really do believe that, man, 383 00:20:37,119 --> 00:20:39,840 Speaker 1: because that is that's part of your upbringing. You know, 384 00:20:39,960 --> 00:20:43,280 Speaker 1: the spiked the fact and eleven years old you was 385 00:20:43,320 --> 00:20:46,240 Speaker 1: given a leadership role, which is a mature thing and 386 00:20:46,320 --> 00:20:49,520 Speaker 1: also can be something that can like pigeon hole a 387 00:20:49,560 --> 00:20:54,520 Speaker 1: person's personality. But how did you really maintain your personality? Man? 388 00:20:54,560 --> 00:20:57,119 Speaker 1: With all that pressure? But loving you old talking to 389 00:20:57,200 --> 00:21:00,960 Speaker 1: adults considered a gifted individual because you just don't slide 390 00:21:01,400 --> 00:21:04,160 Speaker 1: over there, but do your parents over They're going, really, boy, 391 00:21:04,280 --> 00:21:07,280 Speaker 1: take that trash out there. Boy boy, if you don't 392 00:21:07,280 --> 00:21:10,000 Speaker 1: clean up your room, because that was happening at the house, 393 00:21:10,280 --> 00:21:14,760 Speaker 1: So that kept you straight correct, yes, And then coming 394 00:21:14,840 --> 00:21:17,360 Speaker 1: up in Savannah, Georgia, it was happening outside the house. 395 00:21:17,400 --> 00:21:20,359 Speaker 1: You can get whooped by anybody in Georgia. You get whatever. 396 00:21:20,760 --> 00:21:24,400 Speaker 1: So it was a blessing because I'll see, I'm thirteen 397 00:21:24,480 --> 00:21:27,240 Speaker 1: years old and the power God falls at a at 398 00:21:27,560 --> 00:21:31,320 Speaker 1: a meeting um and then I get spoken to by 399 00:21:31,320 --> 00:21:34,840 Speaker 1: one of the elder women, one of the grandma, and 400 00:21:34,880 --> 00:21:36,600 Speaker 1: this is all she's gonna say. She will never get 401 00:21:36,640 --> 00:21:41,120 Speaker 1: around the saying good job. She says, don't forget where 402 00:21:41,119 --> 00:21:43,919 Speaker 1: you come from now. And that's not mean that she 403 00:21:44,000 --> 00:21:46,600 Speaker 1: seen me go and play. You forgot to tell me that, 404 00:21:47,000 --> 00:21:49,359 Speaker 1: but she let me know no matter what that I 405 00:21:49,400 --> 00:21:51,720 Speaker 1: needed to be humble. And I remember those people or 406 00:21:51,760 --> 00:21:53,720 Speaker 1: they'll say, all right, keep doing what you're doing. Don't 407 00:21:53,800 --> 00:21:55,840 Speaker 1: change nothing. They're gonna ask you to do this, dude, 408 00:21:55,840 --> 00:21:58,639 Speaker 1: that don't change nothing. I'm like, yes, ma'am, you know 409 00:21:58,680 --> 00:22:01,680 Speaker 1: I'm gonna stay. That happened I just remember those people 410 00:22:02,080 --> 00:22:04,280 Speaker 1: who say, remember the little people when you get there. 411 00:22:04,720 --> 00:22:07,720 Speaker 1: And it's cool because it's a bit back and forth 412 00:22:07,720 --> 00:22:10,400 Speaker 1: because you have some elite people who want to feel 413 00:22:10,480 --> 00:22:14,600 Speaker 1: that they're around other pompous people. Um, but that's just 414 00:22:14,640 --> 00:22:17,040 Speaker 1: not the way that I'm bringing it. God brings all success, 415 00:22:17,040 --> 00:22:18,679 Speaker 1: and we're lucky to get whatever we get in the 416 00:22:18,720 --> 00:22:22,000 Speaker 1: first place. And it's all about loving people. So that's 417 00:22:22,000 --> 00:22:24,320 Speaker 1: the greatest wealth. Any money that I ever got came 418 00:22:24,359 --> 00:22:27,160 Speaker 1: from somebody. Absolutely get what I mean. Absolutely, Hey, Molly, 419 00:22:27,160 --> 00:22:31,080 Speaker 1: I'm talking to Molly Music, my man three Grammy Grammy 420 00:22:31,119 --> 00:22:34,000 Speaker 1: win this year with his collaboration moving on with Jonathan 421 00:22:34,040 --> 00:22:36,919 Speaker 1: mc reynolds, and then some interview and feel Thornton and 422 00:22:36,920 --> 00:22:40,080 Speaker 1: then I just run through this list though all the 423 00:22:40,240 --> 00:22:43,119 Speaker 1: artists from the label r C A I, which is 424 00:22:43,119 --> 00:22:47,320 Speaker 1: based out of Nashville. And I saw Molly Music three nominations. 425 00:22:47,880 --> 00:22:49,720 Speaker 1: I said, I got to get it. It was just 426 00:22:50,240 --> 00:22:53,000 Speaker 1: we can have ago. I said that it was crazy. 427 00:22:53,040 --> 00:22:56,679 Speaker 1: I've been It's it's awesome, I said. I said, I 428 00:22:56,720 --> 00:22:58,399 Speaker 1: got to get him on the show and talk about 429 00:22:58,400 --> 00:23:00,240 Speaker 1: this because you know what I said, because when you 430 00:23:00,280 --> 00:23:02,840 Speaker 1: said the Stellar Awards, I see you because because we're 431 00:23:02,840 --> 00:23:04,720 Speaker 1: gonna talk about this year, but I want to go 432 00:23:04,760 --> 00:23:07,639 Speaker 1: back in because that's when you're gonna really tell me 433 00:23:07,680 --> 00:23:11,639 Speaker 1: the story of how this happened for you had to 434 00:23:11,680 --> 00:23:14,120 Speaker 1: work through the obstacles of last year. They get where 435 00:23:14,119 --> 00:23:18,080 Speaker 1: we got absolutely, and so those three nominations, how does 436 00:23:18,119 --> 00:23:21,160 Speaker 1: that make you feel? You know, uh, just talk about 437 00:23:21,160 --> 00:23:24,600 Speaker 1: the steps and of that process. Like you said, the 438 00:23:24,640 --> 00:23:27,400 Speaker 1: team get them because we don't do this by ourselves, 439 00:23:28,040 --> 00:23:30,719 Speaker 1: and sometimes out there we feel like we buy ourselves. 440 00:23:31,160 --> 00:23:38,240 Speaker 1: But you at three nominations Stellar Awards, talk about that determination, perseverance, 441 00:23:38,840 --> 00:23:43,560 Speaker 1: and faith. I can't necessarily say like in releasing it, 442 00:23:43,640 --> 00:23:46,080 Speaker 1: like oh man, this is locked up. It wasn't like 443 00:23:46,160 --> 00:23:49,800 Speaker 1: that for me because there was so many business things 444 00:23:49,840 --> 00:23:52,440 Speaker 1: that started to happen. This was my first project as 445 00:23:52,520 --> 00:23:56,199 Speaker 1: an owner of K approved E n T, which is, 446 00:23:56,359 --> 00:23:57,920 Speaker 1: you know, my company. That's where I'm going to be 447 00:23:58,000 --> 00:24:00,119 Speaker 1: releasing other artists so they don't have to endure the 448 00:24:00,200 --> 00:24:01,880 Speaker 1: things that I had to endure it to get where 449 00:24:01,880 --> 00:24:06,199 Speaker 1: I am. So my attempt from being independent and not 450 00:24:06,280 --> 00:24:08,960 Speaker 1: being signed anymore than now in this licensing situation with 451 00:24:09,000 --> 00:24:12,200 Speaker 1: philth Thor and Ron Hill over r C A, I 452 00:24:12,200 --> 00:24:14,440 Speaker 1: I wanted to create a label to when I saw 453 00:24:14,480 --> 00:24:16,520 Speaker 1: the next Molley's and when I saw the next time, 454 00:24:16,520 --> 00:24:19,480 Speaker 1: and I could protected it, you know, harvested it and 455 00:24:19,520 --> 00:24:21,760 Speaker 1: push it out. So the Book of Molly was my 456 00:24:21,800 --> 00:24:26,080 Speaker 1: first project from that licensing thing, and it was difficult 457 00:24:26,119 --> 00:24:33,679 Speaker 1: financially paying producers, uh publishing, of getting clearances on any samples, 458 00:24:34,640 --> 00:24:38,000 Speaker 1: getting all musicians taken care of. It was cool because 459 00:24:38,160 --> 00:24:41,199 Speaker 1: it's it's a blessing on a small level. But if 460 00:24:41,280 --> 00:24:43,520 Speaker 1: you play piano on a John Legend song, how much 461 00:24:43,560 --> 00:24:46,120 Speaker 1: money are you gonna ask for? At the end, You're 462 00:24:46,119 --> 00:24:48,080 Speaker 1: not gonna say no, it's okay, just give me a 463 00:24:48,119 --> 00:24:50,720 Speaker 1: hundred dollars. You're gonna be trying to find out how 464 00:24:50,720 --> 00:24:53,000 Speaker 1: to get enough money for the rest of your life 465 00:24:53,040 --> 00:24:59,720 Speaker 1: because you played piano on a John Legends. That was 466 00:24:59,800 --> 00:25:02,040 Speaker 1: one of the things that had me a bit discouraged, 467 00:25:03,119 --> 00:25:05,080 Speaker 1: you know, and it's always that way because of the 468 00:25:05,119 --> 00:25:07,560 Speaker 1: fact that I would love just to be a talent, 469 00:25:07,880 --> 00:25:11,119 Speaker 1: but because then you're sitting over there just answering to 470 00:25:11,240 --> 00:25:14,640 Speaker 1: somebody to be able to make that commitment paying taxes, 471 00:25:15,160 --> 00:25:18,320 Speaker 1: you know, paying for paying value. And you can understand 472 00:25:18,320 --> 00:25:21,960 Speaker 1: that how this really works, how a Tyler Perer in 473 00:25:22,040 --> 00:25:25,720 Speaker 1: the work. I can assure you ty Perwer knows everybody paying. Okay, 474 00:25:25,720 --> 00:25:28,960 Speaker 1: how will Packer, how all these steve harder, all these 475 00:25:28,960 --> 00:25:32,159 Speaker 1: people are able to do, Reneme, Oprah Winfrey, You're just 476 00:25:32,280 --> 00:25:34,479 Speaker 1: doing what they're doing. And believe me, they know who 477 00:25:34,560 --> 00:25:38,800 Speaker 1: they pay and they also know the pain infrastruction of 478 00:25:38,880 --> 00:25:41,159 Speaker 1: being an entrepreneur. So you went from a talent to 479 00:25:41,200 --> 00:25:45,199 Speaker 1: an entrepreneur, and that's important because that allows you to 480 00:25:45,320 --> 00:25:48,960 Speaker 1: collaborate and know what money you would do properly or 481 00:25:48,960 --> 00:25:51,760 Speaker 1: what makes you so much for noting that that's so 482 00:25:51,880 --> 00:25:55,919 Speaker 1: awesome for you to see and and catch because I 483 00:25:55,920 --> 00:25:58,200 Speaker 1: can only hope that that is what happens, because a 484 00:25:58,240 --> 00:26:00,159 Speaker 1: lot of people still see me as a talent. But 485 00:26:00,560 --> 00:26:03,359 Speaker 1: you can only go so far there without the proper team. 486 00:26:03,960 --> 00:26:06,000 Speaker 1: And this is a huge step for me. So you're 487 00:26:06,119 --> 00:26:09,000 Speaker 1: right online and you can't really make too many changes 488 00:26:09,760 --> 00:26:13,400 Speaker 1: for people, yourself or the world from this the artist's position. 489 00:26:13,520 --> 00:26:15,680 Speaker 1: So it's good to like be in a position that 490 00:26:15,760 --> 00:26:17,359 Speaker 1: you can make some things happen, not for yourself but 491 00:26:17,960 --> 00:26:19,879 Speaker 1: you know the thing about That's why that's why I 492 00:26:19,880 --> 00:26:22,120 Speaker 1: created this show so I can talk to individuals like you, Mala, 493 00:26:22,200 --> 00:26:25,680 Speaker 1: because because because as a talent or an individual who 494 00:26:25,760 --> 00:26:28,879 Speaker 1: buys tickets, or you can get caught up in the 495 00:26:28,920 --> 00:26:32,000 Speaker 1: show business other show and it can make you believe 496 00:26:32,000 --> 00:26:35,119 Speaker 1: that you can't do that, or they tell you can't 497 00:26:35,119 --> 00:26:38,840 Speaker 1: do that because it's so complicated. And so I could 498 00:26:38,960 --> 00:26:41,520 Speaker 1: assure you when you was making this transition, it was 499 00:26:41,520 --> 00:26:45,520 Speaker 1: a lot of as they say, trepidation, fear, study, you know, 500 00:26:45,640 --> 00:26:47,720 Speaker 1: go uh am, I gonna make a mistake. I don't 501 00:26:47,720 --> 00:26:49,879 Speaker 1: want to mess up. And then when you did it, 502 00:26:50,119 --> 00:26:52,600 Speaker 1: I remember I did a big my first neighborhood awards 503 00:26:52,600 --> 00:26:56,359 Speaker 1: back in Los Angeles by two thousand three. When I 504 00:26:56,520 --> 00:26:59,439 Speaker 1: finished it, I realized, I said, I started crying because 505 00:26:59,440 --> 00:27:02,480 Speaker 1: of the fact that all along I could have done 506 00:27:02,520 --> 00:27:05,439 Speaker 1: this when I had been told I couldn't do it 507 00:27:05,480 --> 00:27:08,280 Speaker 1: because it was so hard to do. And so when 508 00:27:08,359 --> 00:27:10,840 Speaker 1: I hear you saying, man, it was a lot of stress, 509 00:27:10,920 --> 00:27:13,240 Speaker 1: it was like, that's part of the process of walking 510 00:27:13,240 --> 00:27:17,959 Speaker 1: through fire. Yeah, and you do it again and again 511 00:27:18,080 --> 00:27:21,200 Speaker 1: and again, and guess what, it's not because it's easier 512 00:27:21,240 --> 00:27:25,080 Speaker 1: because you trust yourself, right, And that's why we're trying 513 00:27:25,080 --> 00:27:27,000 Speaker 1: to get that. When I'm talking to you as a 514 00:27:27,000 --> 00:27:30,280 Speaker 1: person who said, look what, I won't be pigeonholed because 515 00:27:30,280 --> 00:27:32,520 Speaker 1: I want to know what it feels like to do 516 00:27:32,680 --> 00:27:34,399 Speaker 1: R and B music. I want to know what to 517 00:27:34,400 --> 00:27:36,720 Speaker 1: feel like do rock music. I wanted to feel hip 518 00:27:36,760 --> 00:27:40,200 Speaker 1: hop music because guess what, then I understand my value. 519 00:27:40,440 --> 00:27:43,320 Speaker 1: And that's all this conversation about is about your value. 520 00:27:43,520 --> 00:27:45,480 Speaker 1: The first time I met you, I always felt I 521 00:27:45,520 --> 00:27:48,760 Speaker 1: was talking to a uniquely different individual because you value 522 00:27:48,880 --> 00:27:51,440 Speaker 1: things differently. And now you tell me you've been doing 523 00:27:51,440 --> 00:27:54,080 Speaker 1: this since you were eleven years old, I appreciate and 524 00:27:54,119 --> 00:27:57,639 Speaker 1: respect you even more. Man, I'm grateful for that, all right. 525 00:27:58,560 --> 00:28:01,520 Speaker 1: Was blessed to be able to have those civilities, and 526 00:28:01,760 --> 00:28:04,239 Speaker 1: you just nailed it. I'm so honored that you've been 527 00:28:04,480 --> 00:28:07,880 Speaker 1: seeing and following what I've been able to do, because 528 00:28:07,920 --> 00:28:09,560 Speaker 1: I can only hope that is that a lot of 529 00:28:09,560 --> 00:28:11,600 Speaker 1: times you know, as you said, we think with myself 530 00:28:11,600 --> 00:28:14,720 Speaker 1: and that people miss it. So it's really cool to see. 531 00:28:14,720 --> 00:28:17,280 Speaker 1: But all of the positions were necessary. The first one 532 00:28:17,359 --> 00:28:20,080 Speaker 1: was a servant leader. My mother was doing a lot 533 00:28:20,119 --> 00:28:23,520 Speaker 1: of the management with Holly Carter. I was young. I 534 00:28:23,600 --> 00:28:26,760 Speaker 1: had confidence in the music, but I'm not necessarily confidence 535 00:28:26,800 --> 00:28:29,479 Speaker 1: in the meeting room, so I wouldn't speak much. I 536 00:28:29,520 --> 00:28:32,080 Speaker 1: was also directed and told not to speak much. How 537 00:28:32,119 --> 00:28:33,960 Speaker 1: have I started noticing that at the end of the day, 538 00:28:34,240 --> 00:28:36,520 Speaker 1: I had the final say. So if I had the 539 00:28:36,520 --> 00:28:38,600 Speaker 1: final say, I started trying to work my way into 540 00:28:38,640 --> 00:28:41,520 Speaker 1: getting the first say, and you know, versus it kind 541 00:28:41,520 --> 00:28:43,480 Speaker 1: of going all the way through and it me seeming 542 00:28:43,560 --> 00:28:46,000 Speaker 1: like it's not that. But at the end of the day, 543 00:28:46,040 --> 00:28:47,280 Speaker 1: that's the only way that I can keep it in 544 00:28:47,320 --> 00:28:48,959 Speaker 1: God's hands. That's the only way that I can keep 545 00:28:48,960 --> 00:28:51,760 Speaker 1: the integrity of my anointing clear. If I wasn't in 546 00:28:51,800 --> 00:28:54,320 Speaker 1: a situation where I can control these things, people will 547 00:28:54,320 --> 00:28:57,200 Speaker 1: continue to say, even in churches, Molly, we want you 548 00:28:57,240 --> 00:28:59,560 Speaker 1: to sing, but don't sing this song, don't say this, 549 00:29:00,040 --> 00:29:02,920 Speaker 1: don't be this, don't act like this. Once I started 550 00:29:02,960 --> 00:29:05,280 Speaker 1: recognizing and seeing that that's what was going to happen 551 00:29:05,360 --> 00:29:07,280 Speaker 1: early in Gospel, I knew it was time to get 552 00:29:07,320 --> 00:29:09,280 Speaker 1: out because there was no way to be what I 553 00:29:09,360 --> 00:29:12,400 Speaker 1: was without the housekeepers of the places I was going 554 00:29:12,480 --> 00:29:15,080 Speaker 1: to sing at protecting their people, right, and they protect 555 00:29:15,120 --> 00:29:17,560 Speaker 1: their people from me. So I'm like, well, I just 556 00:29:17,560 --> 00:29:18,880 Speaker 1: got to get out so I could go ahead and 557 00:29:18,920 --> 00:29:21,320 Speaker 1: be everything that God said and then you guys won't 558 00:29:21,360 --> 00:29:23,600 Speaker 1: have to worry about what you're telling me not to do. 559 00:29:23,800 --> 00:29:26,240 Speaker 1: And it worked out in spite of a world of people, 560 00:29:26,600 --> 00:29:29,480 Speaker 1: a whole wave of creative people, and it's caused me 561 00:29:29,520 --> 00:29:31,680 Speaker 1: to not be able to stop even when the world stops. 562 00:29:32,000 --> 00:29:35,160 Speaker 1: During the pandemic, I was a visualizing myself as a 563 00:29:35,320 --> 00:29:39,000 Speaker 1: Joseph like, Okay, well, everybody may not be able to 564 00:29:39,000 --> 00:29:41,520 Speaker 1: get the best of what they wanted or liked while 565 00:29:41,560 --> 00:29:43,880 Speaker 1: everything was flowing, but they could at least get this 566 00:29:43,960 --> 00:29:47,880 Speaker 1: weak They could at least get something. And uh, and 567 00:29:47,920 --> 00:29:49,920 Speaker 1: I have it stored up, So how can I bring 568 00:29:49,920 --> 00:29:52,080 Speaker 1: it out? I already have an album out? How can 569 00:29:52,120 --> 00:29:54,320 Speaker 1: I release the more? And partner with other people? And 570 00:29:54,400 --> 00:29:58,920 Speaker 1: keep saying? And it worked. COVID shut down music, shut 571 00:29:58,960 --> 00:30:02,080 Speaker 1: down our lives. You're down two dates. Now we've got 572 00:30:02,080 --> 00:30:04,680 Speaker 1: new music. We got two days coming of tell us 573 00:30:04,680 --> 00:30:07,840 Speaker 1: how one is going to play yourself out for a man, 574 00:30:08,040 --> 00:30:12,200 Speaker 1: it's so packed and stacked, and a lot of my 575 00:30:12,320 --> 00:30:15,239 Speaker 1: colleagues are excited because they're saying that this is what 576 00:30:15,320 --> 00:30:19,239 Speaker 1: they wanted. But during the pandemic, I recognize that I 577 00:30:19,280 --> 00:30:21,400 Speaker 1: did not want to make my money on the road 578 00:30:21,440 --> 00:30:25,480 Speaker 1: primarily maybe when I was younger and all this stuff 579 00:30:25,520 --> 00:30:27,600 Speaker 1: like that, And I get opportunities to sing and travel 580 00:30:27,640 --> 00:30:29,479 Speaker 1: now because I really want to see my people and 581 00:30:29,520 --> 00:30:35,120 Speaker 1: I love the stage. Um. However, as a soul, you know, 582 00:30:35,440 --> 00:30:38,200 Speaker 1: commodity or a stream of income, I don't feel like 583 00:30:38,240 --> 00:30:41,200 Speaker 1: it's the ways. Uh, there's so many ways to make 584 00:30:41,240 --> 00:30:44,239 Speaker 1: a thousand dollars, ten thousand dollars overnight if you can 585 00:30:44,280 --> 00:30:48,160 Speaker 1: get the education and look versus waiting a whole month 586 00:30:48,640 --> 00:30:51,760 Speaker 1: stressing your body and banging your body to gain five 587 00:30:51,800 --> 00:30:56,479 Speaker 1: thousand dollars. You know here seven thousand dollars there sitting 588 00:30:56,560 --> 00:30:59,360 Speaker 1: down forced me to say, Okay, this is God's way 589 00:30:59,360 --> 00:31:03,200 Speaker 1: of making everybody's strong instinct from them. So this is 590 00:31:03,240 --> 00:31:06,480 Speaker 1: a year for us to adopt and adapt new hobbies. 591 00:31:07,040 --> 00:31:09,600 Speaker 1: And I used it to create new streams of income 592 00:31:10,120 --> 00:31:12,320 Speaker 1: just in case the ones that closed never came back. 593 00:31:12,360 --> 00:31:15,280 Speaker 1: So now I created five, and then the five I 594 00:31:15,360 --> 00:31:17,640 Speaker 1: had came back, and I was ten strings of income. 595 00:31:18,080 --> 00:31:19,600 Speaker 1: And you know, it's a really crazy thing, and I 596 00:31:19,600 --> 00:31:21,720 Speaker 1: wanted to make sure that the other five had nothing 597 00:31:21,760 --> 00:31:24,600 Speaker 1: to do with music. So now when I sing, I 598 00:31:24,640 --> 00:31:27,520 Speaker 1: primarily use the increase that I get from singing to 599 00:31:27,600 --> 00:31:30,920 Speaker 1: tap into another entrepreneur. Mine to be able to buy 600 00:31:31,040 --> 00:31:35,800 Speaker 1: stocks or invest in juices or milk or something that 601 00:31:35,840 --> 00:31:39,000 Speaker 1: the stores are buying, so that I'm making money without 602 00:31:39,040 --> 00:31:41,440 Speaker 1: being great. Get what I'm saying, Well, you know I 603 00:31:42,800 --> 00:31:46,080 Speaker 1: because I'm I look at the I went back and 604 00:31:46,120 --> 00:31:49,280 Speaker 1: I told my stockbroker. I said, no, no, no, don't 605 00:31:49,320 --> 00:31:51,120 Speaker 1: put me in a fund. Said I'm gonna tell you 606 00:31:51,120 --> 00:31:54,040 Speaker 1: what I want to buy. I picked our ten stocks 607 00:31:54,040 --> 00:31:56,479 Speaker 1: that I said, these are ones I want to buy. Oh, 608 00:31:56,600 --> 00:31:58,560 Speaker 1: you know, I would have loved been in that. But 609 00:31:59,680 --> 00:32:03,640 Speaker 1: do you know, I mean ever trust myself and I 610 00:32:03,760 --> 00:32:06,360 Speaker 1: never trust myself. And so but I want to close 611 00:32:06,360 --> 00:32:10,560 Speaker 1: and saying this about you is that you know, we've 612 00:32:10,560 --> 00:32:14,600 Speaker 1: seen everybody as we go back live and things, and 613 00:32:14,800 --> 00:32:17,320 Speaker 1: we've seen an over ground swell of people wanted to 614 00:32:17,320 --> 00:32:21,080 Speaker 1: see live events, you know, people concerts selling out the 615 00:32:21,120 --> 00:32:23,520 Speaker 1: two or three shows, comedy show. I think this is 616 00:32:23,560 --> 00:32:26,400 Speaker 1: going to be such a unique moment for you, Molly, 617 00:32:26,440 --> 00:32:29,840 Speaker 1: because to be able, this is the annointing time I 618 00:32:29,880 --> 00:32:32,200 Speaker 1: think for individuals like you to get out there not 619 00:32:32,240 --> 00:32:34,880 Speaker 1: only to deliver your music, but to hear people wanted 620 00:32:34,920 --> 00:32:37,360 Speaker 1: to receive it, and I just think it's gonna be 621 00:32:37,400 --> 00:32:40,280 Speaker 1: a great year for you, man, and I respect so 622 00:32:40,360 --> 00:32:42,719 Speaker 1: much what you've accomplished in the past. You got my 623 00:32:42,800 --> 00:32:49,320 Speaker 1: hands up, you got my hands up. I receive it. 624 00:32:49,600 --> 00:32:54,800 Speaker 1: I want to walk in it with grace and um 625 00:32:54,840 --> 00:33:00,160 Speaker 1: heavenly anointing. I just don't want to take any read 626 00:33:00,200 --> 00:33:01,600 Speaker 1: it for it because I can mess it up with 627 00:33:01,720 --> 00:33:05,720 Speaker 1: human frustration, limitation, all this stuff like that. But I 628 00:33:05,800 --> 00:33:08,720 Speaker 1: do feel like it's a last of events, so I 629 00:33:08,720 --> 00:33:10,560 Speaker 1: don't want to just keep saying to everybody, this is 630 00:33:10,560 --> 00:33:15,720 Speaker 1: the time for stories, plays, short short stuff, conversations like 631 00:33:15,840 --> 00:33:18,320 Speaker 1: this on stage. It's time for people to I guess, 632 00:33:18,360 --> 00:33:21,479 Speaker 1: feel what it feels like to be around people again. 633 00:33:22,320 --> 00:33:25,960 Speaker 1: And if we're creative in making events that are new, 634 00:33:26,600 --> 00:33:29,160 Speaker 1: then we could just continue to That's what I'm talking 635 00:33:29,200 --> 00:33:32,760 Speaker 1: about this, That's all I'm talking about that because you know, 636 00:33:32,760 --> 00:33:34,600 Speaker 1: because when you were talking about you know, you know 637 00:33:34,680 --> 00:33:36,680 Speaker 1: you make five thousand, then we I know, we got that. 638 00:33:36,720 --> 00:33:39,440 Speaker 1: But the basis of what we do in gospel is emotion. 639 00:33:39,880 --> 00:33:43,200 Speaker 1: It's driven by opportunities, it's driven by blessing and the 640 00:33:43,280 --> 00:33:46,720 Speaker 1: fact that you're about to step out into the world 641 00:33:46,840 --> 00:33:50,040 Speaker 1: and be received again and people are about to understand 642 00:33:50,120 --> 00:33:53,200 Speaker 1: the value of the Holy Spirit. My man, my hands 643 00:33:53,280 --> 00:33:58,520 Speaker 1: up because wow, palms out, hands up. Point that you baby, 644 00:33:58,640 --> 00:34:02,400 Speaker 1: point that you, Molly music man. I feel what you're 645 00:34:02,400 --> 00:34:04,560 Speaker 1: saying is so right. I had a conversation with Jonathan 646 00:34:04,600 --> 00:34:07,760 Speaker 1: mc reynolds. We're getting ready to do a Victory Lab album, 647 00:34:07,800 --> 00:34:10,840 Speaker 1: just something for us together since God brought us to Victory, 648 00:34:11,120 --> 00:34:13,040 Speaker 1: and he was saying, Mony, some people are looking for 649 00:34:13,080 --> 00:34:14,920 Speaker 1: you to take the mic and just sing it for 650 00:34:14,960 --> 00:34:17,520 Speaker 1: nobody else. Don't do nothing else. We're looking to you. 651 00:34:17,640 --> 00:34:19,440 Speaker 1: And it was really special for him to give me 652 00:34:19,520 --> 00:34:23,040 Speaker 1: that moment because sometimes as a leader, or you know, 653 00:34:23,080 --> 00:34:25,840 Speaker 1: somebody in an authority position, you might not take the 654 00:34:26,040 --> 00:34:30,160 Speaker 1: full power of the dominion that God gives for the 655 00:34:30,200 --> 00:34:32,759 Speaker 1: safe of caring. But sometimes He just needs you to 656 00:34:32,880 --> 00:34:36,280 Speaker 1: do like Christ, handle the work and let everybody be blessed. 657 00:34:36,360 --> 00:34:39,040 Speaker 1: That's all I gotta say to your young brother, because 658 00:34:39,040 --> 00:34:41,000 Speaker 1: I'm glad you've took the time to talk to me, 659 00:34:41,480 --> 00:34:43,960 Speaker 1: because I've been following you as I always follow you, 660 00:34:44,360 --> 00:34:46,279 Speaker 1: and I feel blessed that I know you. Thank you 661 00:34:46,320 --> 00:34:49,640 Speaker 1: for coming opportunity again. I'm just as blessed as the 662 00:34:49,680 --> 00:34:52,799 Speaker 1: first time I paid the people are and man, I'm 663 00:34:52,840 --> 00:34:54,560 Speaker 1: gonna be looking to check back on you. Man. I 664 00:34:54,640 --> 00:34:57,680 Speaker 1: feel something on you this too. Thank you, sir. If 665 00:34:57,680 --> 00:34:59,319 Speaker 1: you want to hear any of my interviews and Money 666 00:34:59,320 --> 00:35:02,680 Speaker 1: Make Conversation, please watch them you know or here. Please 667 00:35:02,680 --> 00:35:05,360 Speaker 1: go to Money Making Conversation dot com. I'm Rashaan McDonald. 668 00:35:05,440 --> 00:35:12,720 Speaker 1: I am your host. In this season of giving, Coals 669 00:35:12,760 --> 00:35:15,359 Speaker 1: has gifts for all your loved ones. For those who 670 00:35:15,400 --> 00:35:19,120 Speaker 1: like to keep it cozy, find fleeces, sweaters, loungeware, blankets 671 00:35:19,120 --> 00:35:22,719 Speaker 1: and throws. Or support minority owned or founded brands by 672 00:35:22,719 --> 00:35:26,360 Speaker 1: giving gifts from Human Nation and Shame Moisture and in 673 00:35:26,400 --> 00:35:29,960 Speaker 1: the spirit of giving, Coals Cares is donating eight million 674 00:35:30,000 --> 00:35:33,759 Speaker 1: dollars to local nonprofits nationwide. Give with all your heart 675 00:35:33,800 --> 00:35:37,760 Speaker 1: this season with great gifts from Coals or Coals dot com. 676 00:35:37,800 --> 00:35:42,560 Speaker 1: What girls in the forest, our imagination and our family bonds. 677 00:35:43,120 --> 00:35:46,040 Speaker 1: The forest is closer than you think. Find a forest 678 00:35:46,120 --> 00:35:49,000 Speaker 1: near you and discover the Forest dot Org. Brought to 679 00:35:49,000 --> 00:35:51,920 Speaker 1: you by the United States Forest Service and the ad Council. 680 00:35:53,120 --> 00:35:55,759 Speaker 1: Adoption of teams from Foster Care is a topic not 681 00:35:55,920 --> 00:35:58,080 Speaker 1: enough people know about, and we're here to change that. 682 00:35:58,280 --> 00:36:01,759 Speaker 1: I'm April Denuity, host of the new podcast Navigating Adoption, 683 00:36:01,840 --> 00:36:05,480 Speaker 1: presented by adopt us Kids. Each episode brings you compelling, 684 00:36:05,560 --> 00:36:08,640 Speaker 1: real life adoption stories told by the families that lived them, 685 00:36:08,640 --> 00:36:12,480 Speaker 1: with commentary from experts. Visit adopt us kids dot org, 686 00:36:12,560 --> 00:36:16,320 Speaker 1: slash podcast, or subscribe to Navigating Adoption presented by adopt 687 00:36:16,360 --> 00:36:18,600 Speaker 1: us Kids, brought to you by the U s Department 688 00:36:18,600 --> 00:36:21,400 Speaker 1: of Health and Human Services, Administration for Children and Families, 689 00:36:21,400 --> 00:36:22,360 Speaker 1: and the ad Council