WEBVTT - texting

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<v Speaker 1>Hello everyone, and welcome back to another episode Oh Alchemy.

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<v Speaker 1>This the fully improvised comedy podcast where we do full

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<v Speaker 1>scenes and shows based on listener suggestions. You are the listener,

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<v Speaker 1>and we thank you for listening. And let's jump. Oh.

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<v Speaker 1>I'm Chris Operado. I'm hosting, as you could tell, because

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<v Speaker 1>I've already messed up. But let's talk to our alchemists today,

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<v Speaker 1>some of my friends, some of yours. Let's meet them

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<v Speaker 1>in no particular order. Let's first say hello to Jackie.

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<v Speaker 1>Dear Ruthie. Hello, Oh hello, now, Jackie. I don't know

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<v Speaker 1>the answer to this for myself, but my wife knew

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<v Speaker 1>it for her. So I'm want to ask you if

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<v Speaker 1>you know yours? For the first song you ever slow

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<v Speaker 1>danced too? Wow? Ye, this didn't track, didn't didn't didn't

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<v Speaker 1>mean much to me. Were you? Were you a slow

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<v Speaker 1>dancwer in middle school? Or slowly? Oh yeah, little Jackie

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<v Speaker 1>really hard and the little school make it fast, make

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<v Speaker 1>it slow. I was on that floor. I remember, I

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<v Speaker 1>remember definitely dancing to like. For whatever reason, this song

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<v Speaker 1>is coming to my mind, so it must have been true.

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<v Speaker 1>Um that Mark Anthony's song. She sang to me, Hello,

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<v Speaker 1>wil Buttom but song for Runaway Bride. Wow, beautiful one

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<v Speaker 1>of my favorite movies. Yeah, but I can't really and

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<v Speaker 1>I remember Casey and jodo Ah laugh. That was that

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<v Speaker 1>was the like I was singing that all morning. I've

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<v Speaker 1>been singing that song all morning. I'm not kidding really,

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<v Speaker 1>because that song reminded me of an early slow dancing

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<v Speaker 1>time for sure. Was it the first? I can't say,

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<v Speaker 1>but it was certainly popular. Okay, all right, now let's

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<v Speaker 1>say hello to Mark Gagliardi. Hello, Mark, Hi, describe the

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<v Speaker 1>feeling for us, because I don't really how, I don't

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<v Speaker 1>really know what this feeling feels like. So describe the

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<v Speaker 1>feeling of really nailing an audition. One of these days

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<v Speaker 1>I will be able to answer this question for you.

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<v Speaker 1>You have never felt I've never walked out of an audition,

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<v Speaker 1>and I don't know that I've ever felt like I

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<v Speaker 1>really nailed it. I feel like, because I'm I guess

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<v Speaker 1>I'm pretty hard on myself. I come out and I go,

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<v Speaker 1>I could have done this, and that beat could have

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<v Speaker 1>done this, and that beat could have done this, and

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<v Speaker 1>that beat. Oddly, it's the smaller the thing, the easier

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<v Speaker 1>it is to feel like I nailed it. Like I remember,

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<v Speaker 1>I had a commercial audition once and all I had

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<v Speaker 1>to do was a bite and smile. If you've ever

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<v Speaker 1>audition for commercial, you know the bite and smile. It's

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<v Speaker 1>just wow, I'm really enjoying this Snickers bar that I

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<v Speaker 1>just took a bite of. It's where you you take

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<v Speaker 1>a little bite, make sure a little bit of the

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<v Speaker 1>car and will hit your lip and then you kind

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<v Speaker 1>of lick it in there on you do you very

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<v Speaker 1>gently chew and nod and look off to one side.

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<v Speaker 1>I did have one of those ones where I went, man,

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<v Speaker 1>I nailed that, but that was good. I nailed that

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<v Speaker 1>bite and smile. I did not get the job, but

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<v Speaker 1>I did finish the snickers. Um. My worst ones are

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<v Speaker 1>the no talking. Not that I'm great with dialogue either,

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<v Speaker 1>but it's for me. It's the sitting in the audie

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<v Speaker 1>and being like, Okay, you're looking at the dash, Oh

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<v Speaker 1>you're happy that there's a touch screen. Oh, your wife's calling,

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<v Speaker 1>Oh look at this mountain, and it's so hard for

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<v Speaker 1>me to like smaller, smaller, smaller, like well then you

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<v Speaker 1>get okay anyway, Well, I mean, Mark, you might not

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<v Speaker 1>know what a good audition feels like, but you know

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<v Speaker 1>what it feels like to book something, you know, and

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<v Speaker 1>one of these days, well we'll have that conversation speaking

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<v Speaker 1>of booking something. I mean, it's hard to mention booking

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<v Speaker 1>without mentioning this. Next fellow, say hello to Craig Atkowski,

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<v Speaker 1>the booking Machine. Oh sorry, sorry, guys, I can't do

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<v Speaker 1>the second episode of course, Craig. Do you listen to

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<v Speaker 1>music every day? Yes? You do. Yes, I don't listen

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<v Speaker 1>to music every day. Yeah. I I pay for Amazon

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<v Speaker 1>Music for some reason, I guess. I guess I'm being

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<v Speaker 1>mocked for um and so I I had had everything

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<v Speaker 1>on iTunes and then I slowly like built up like

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<v Speaker 1>my old playlists and everything on Amazon Music. So typically

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<v Speaker 1>typically my day is I would probably like read the

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<v Speaker 1>news for about an hour and a half and then

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<v Speaker 1>just listen to my songs on Amazon Music on shuffle.

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<v Speaker 1>I've got probably by eight thousand songs in uh in

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<v Speaker 1>the rotation. So, and does it does the music affect

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<v Speaker 1>your mood from time? I know it's that's a dumb question,

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<v Speaker 1>but like, I listen to music so rarely that when

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<v Speaker 1>I do, I'm like, oh fuck, Like I'm really like

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<v Speaker 1>brushing my teeth feels crazy. Listen to radio Head like,

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<v Speaker 1>I'm just I get so affected. Does it will like

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<v Speaker 1>affect you as much as it affects me? Yeah? Absolutely.

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<v Speaker 1>Like one of my favorite workout playlist is called Shortened

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<v Speaker 1>to the Point, which is all songs that are two

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<v Speaker 1>and a half minutes long or shorter. So like a

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<v Speaker 1>lot of like pop punk kind of stuff, you know,

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<v Speaker 1>just like short energetic songs. Love that. I'm I'm never somebody.

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<v Speaker 1>I mean, I do like some mellow stuff, but of like,

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<v Speaker 1>my normal state is pretty zoned out and mellow, and

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<v Speaker 1>so I need music to pump energy and beauty and

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<v Speaker 1>melody to get me to feel uh something more. So

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<v Speaker 1>I think in the in that sense, it's a little

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<v Speaker 1>bit of a drug. I'm loving this. I have to

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<v Speaker 1>ask a question. I can't help myself, But what like

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<v Speaker 1>if you were to just to like too on a

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<v Speaker 1>little song today, tut on one of these songs that

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<v Speaker 1>like is energy to you? I just want to know

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<v Speaker 1>what that you know what I mean? I just want

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<v Speaker 1>to know what that is, just off the top of

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<v Speaker 1>my head. I also read a column called The Number

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<v Speaker 1>Ones by Tom Bryan that comes out three times a week,

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<v Speaker 1>which is kind of a chronological assessment of all the

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<v Speaker 1>songs that hit number one in the Billboard charts, and

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<v Speaker 1>so right now he's in kind of mid nineties and

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<v Speaker 1>like the like the Puff Daddy, which is not necessarily

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<v Speaker 1>stuff that speaks to me. But the song for today

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<v Speaker 1>was was Biggie's Hypnotized and that's just a fucking jam

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<v Speaker 1>and so like. And then as you read the column,

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<v Speaker 1>like you can click on of like oh, here's the demo,

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<v Speaker 1>and of like oh and here was his first gives

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<v Speaker 1>you a little bit of the history of each song

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<v Speaker 1>and the artists. So uh, so I did a lot

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<v Speaker 1>of like listening to uh two Biggie uh this morning

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<v Speaker 1>and hypnotized like we'll we'll get your blood pumping at

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<v Speaker 1>any time of the day. Wow, I've never heard of that,

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<v Speaker 1>but I bet our next guest has, because our next,

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<v Speaker 1>our next guest has his finger on the pulse of

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<v Speaker 1>all things pop and culture, and pop culture makes some noise,

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<v Speaker 1>say a lot of coal Stratton, everybody, Cole, I'm really excited. Please,

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<v Speaker 1>actually have you have you? Have you heard of this?

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<v Speaker 1>This guy Crat was talking about I haven't. It sounds

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<v Speaker 1>great though, because I like Craig listen to music every day,

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<v Speaker 1>all the time, so you should definitely check that out

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<v Speaker 1>for sure. My question for you, I'm really excited to

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<v Speaker 1>ask you specifically. Actually, I think a lot of us

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<v Speaker 1>can answer this, but just you specifically. This is exciting

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<v Speaker 1>for me. So it's if if you know if if,

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<v Speaker 1>if you know Cole, if you know his wife, if

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<v Speaker 1>you follow him on social media, you know that they

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<v Speaker 1>take a trip to new work. They see a lot

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<v Speaker 1>of Broadway shows. Is that once a year every couple

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<v Speaker 1>of years? Cold, it's usually once a year. But then

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<v Speaker 1>like the world stopped for two years, so yeah, we

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<v Speaker 1>hadn't been back for we just went there back three years. Oh,

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<v Speaker 1>it always looks so great because you see so many shows.

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<v Speaker 1>Now here's my question for you. You're at a show

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<v Speaker 1>and and then all of a sudden someone runs out

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<v Speaker 1>and goes everybody, this person got sick, and we need

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<v Speaker 1>somebody in the audience who knows all the lyrics to

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<v Speaker 1>this song or to this for this musical. I need you.

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<v Speaker 1>I need you to answer what musical that is and

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<v Speaker 1>what character it is that you that you would be

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<v Speaker 1>like bucket here? Yeah, is this school ja First of all,

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<v Speaker 1>super plausible scenario I'm always called ready to run up. Gosh,

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<v Speaker 1>I've I've probably seen The Music Man seven thousand times

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<v Speaker 1>at this point, either from being in it or seeing

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<v Speaker 1>because like it's like we just saw the huge Jackman version,

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<v Speaker 1>which is great. But music Man at this point can

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<v Speaker 1>either so prize nor thrilled me, but never bores me.

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<v Speaker 1>Like it's just it's the music Man. So I could

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<v Speaker 1>probably jump in and well obviously went through because I

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<v Speaker 1>did that when I was a kid like that, but

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<v Speaker 1>it would not be appropriate now probably jump in into

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<v Speaker 1>Harold Opret pretty well at this point, I love that. Gosh,

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<v Speaker 1>I want to see all of you do this. Okay,

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<v Speaker 1>I guess we gotta improvise today based on some suggestions. UM,

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<v Speaker 1>so glad you're all here. Uh yeah. These suggestions come

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<v Speaker 1>from all of you who are listening, or people who

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<v Speaker 1>are listening who have sent in suggestions, either via email

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<v Speaker 1>or via our Patreon page. If you want to become

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<v Speaker 1>a Patreon v I p know that you will get

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<v Speaker 1>exclusive bonus including video of what's happening this morning. I mean,

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<v Speaker 1>this is exciting stuff, um, plus a lot lot more.

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<v Speaker 1>Head on over to patreon dot com slash Alchemy this

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<v Speaker 1>or if you want to submit a suggestion via email,

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<v Speaker 1>hit us up at Alchemy this email at gmail dot com.

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<v Speaker 1>That's Alchemy this gmail dot com. Seen one comes to

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<v Speaker 1>us from listener Heather Dempsey. Heather Rights, Hello, lovely people.

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<v Speaker 1>I can't tell you how much I appreciate this podcast.

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<v Speaker 1>I was just listening to an old episode while shoveling

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<v Speaker 1>snow for the seven thousand time this winter. My fingers

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<v Speaker 1>were freezing, my back ached, but I was laughing maniacally

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<v Speaker 1>the whole time. My neighbors already think I'm weird, so

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<v Speaker 1>you guys are really helping to reinforce my reputation. My

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<v Speaker 1>scene suggestion is texting and is inspired by a couple

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<v Speaker 1>of recent text mishaps. Thanks for everything, Heather. Okay, Ranic,

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<v Speaker 1>can you show me how to do this here? I'm

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<v Speaker 1>not just turn in the motorola. That smartphone is new

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<v Speaker 1>for me. Yeah sure, sure dad. Um, So we're just

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<v Speaker 1>gonna we're gonna click this and then you see this

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<v Speaker 1>keyboard and it's just like any other keyboard. It's just

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<v Speaker 1>like a computer, And so you can text Wendy, was it? Yeah, Wendy,

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<v Speaker 1>that's my new lady that I've been seeing. Yeah. So

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<v Speaker 1>you can text her hello, hi, um, you can ask

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<v Speaker 1>her questions. There's also there's punctuation if you just click this,

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<v Speaker 1>or you can send emojis, well what are what are?

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<v Speaker 1>What are emojis? Like smiley faces or like plants and

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<v Speaker 1>like water squirts? And oh that's good because I just

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<v Speaker 1>die that the egg plants are come up in the garden.

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<v Speaker 1>So I'll go ahead and send this door right now. Hey, Wendy,

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<v Speaker 1>Oh my god. And Marie and Marie I told you

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<v Speaker 1>about that boy I just started dating, right Conrad. Yes,

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<v Speaker 1>look what he just texted me. That's a lot of

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<v Speaker 1>egg plants. That is a lot of egg plants and

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<v Speaker 1>a squirt gun. I don't know if I should be

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<v Speaker 1>plater sir, eggplant water squirts, but you know what that means.

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<v Speaker 1>And Marie tell me you know how to text? Of

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<v Speaker 1>course I know how to text. It doesn't sound like

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<v Speaker 1>it if you don't know what an egg plant means. Okay,

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<v Speaker 1>so you've got to get over there. I guess what

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<v Speaker 1>do I wear like? I've got to get over there

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<v Speaker 1>right now. And you know, it's it's not always that

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<v Speaker 1>it's gonna be like this. It's the beginning phase, you know,

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<v Speaker 1>it's the honeymoon. I guess I just have to find

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<v Speaker 1>something to put on and go over there and let's

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<v Speaker 1>get eggplant e okay, something sexy, but not like in

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<v Speaker 1>your face sexy, like every day, you know, casual. I

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<v Speaker 1>just rolled out of bed, and I'm sexy. But I

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<v Speaker 1>when I roll out of bed, I don't look sexy.

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<v Speaker 1>I've got all the stuff in my hair. I've got

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<v Speaker 1>I've gotta put my glasses on. I have this the

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<v Speaker 1>my mouthguard at night. Well, first of all, you've got

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<v Speaker 1>you've got a text back. What do I text back?

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<v Speaker 1>You know what, I'm going to change the subject. I'm

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<v Speaker 1>going to change the subject. I don't want this to

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<v Speaker 1>get sexual. I'll just tell him about the garden and

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<v Speaker 1>and the and the orchard. You know, the peaches are in,

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<v Speaker 1>the peaches are in. I'll change the subject. I'll just

0:13:05.760 --> 0:13:08.000
<v Speaker 1>we'll talk about the peaches. So I'll just I'm just

0:13:08.040 --> 0:13:11.800
<v Speaker 1>gonna send him some peaches. Larry, what the fund is

0:13:11.840 --> 0:13:19.840
<v Speaker 1>this quote text sent from you to me? Linda is

0:13:19.880 --> 0:13:29.600
<v Speaker 1>being such a bit right now? Uh m hmm. Explain

0:13:29.720 --> 0:13:33.319
<v Speaker 1>how it got to you again? Who were you trying

0:13:33.400 --> 0:13:38.880
<v Speaker 1>to text that I and being such a bit right

0:13:38.920 --> 0:13:45.040
<v Speaker 1>now to you, Linda, that's your choice of communication with

0:13:45.080 --> 0:13:47.720
<v Speaker 1>me these days. Well, I was speaking about you in

0:13:47.760 --> 0:13:50.240
<v Speaker 1>the third person to you, so we could look at

0:13:50.240 --> 0:13:56.599
<v Speaker 1>this objectively and you know, make some adjustments to our relationships.

0:13:56.679 --> 0:13:59.439
<v Speaker 1>So you know, every now and then, if if I'm

0:13:59.440 --> 0:14:01.559
<v Speaker 1>acting up, can send me a text says that Larry's

0:14:01.600 --> 0:14:04.920
<v Speaker 1>being an asshole, for instance, so we don't take it personally.

0:14:06.400 --> 0:14:11.199
<v Speaker 1>And I like that, that makes sense, that's good. I

0:14:11.360 --> 0:14:14.000
<v Speaker 1>just I just want to make sure we continue to

0:14:14.040 --> 0:14:16.960
<v Speaker 1>stay closer. And sometimes, you know, they say you can

0:14:17.000 --> 0:14:20.080
<v Speaker 1>lose some meaning over text. I disagree. I think i'm

0:14:20.120 --> 0:14:27.200
<v Speaker 1>I'm I'm better over text. Well, anyways, my mom's going

0:14:27.280 --> 0:14:30.280
<v Speaker 1>to stay for two weeks. I want her to stay

0:14:30.320 --> 0:14:32.240
<v Speaker 1>in the bed with me, So if you don't mind

0:14:33.360 --> 0:14:36.560
<v Speaker 1>hopping in the air mattress, that would be great. Of course,

0:14:36.640 --> 0:14:40.240
<v Speaker 1>I know the drill Mom comes, she sleeps with you,

0:14:40.960 --> 0:14:45.200
<v Speaker 1>I'm on the air mattress. And if you complain about

0:14:45.200 --> 0:14:48.000
<v Speaker 1>it again, it's going to be like a big problem.

0:14:48.080 --> 0:14:51.920
<v Speaker 1>Mm hmmm. Shoot you a quick text, real quick. Okay,

0:14:52.120 --> 0:14:57.800
<v Speaker 1>see that Linda has been a bit again. This isn't funny. Oh,

0:14:57.800 --> 0:15:00.880
<v Speaker 1>I wasn't trying to be funny. It's just not you, babe,

0:15:00.920 --> 0:15:03.880
<v Speaker 1>but like, let's like look outside of ourselves and Lena's

0:15:03.880 --> 0:15:06.600
<v Speaker 1>being a real fucking bitch again, you know what I mean.

0:15:07.320 --> 0:15:09.480
<v Speaker 1>I just don't. I just feel like when I'm reading

0:15:09.480 --> 0:15:12.160
<v Speaker 1>it in texts, it's hurtful, but it's not like the

0:15:12.240 --> 0:15:15.720
<v Speaker 1>way that you're saying it is even worse. It's so

0:15:16.360 --> 0:15:20.640
<v Speaker 1>it's so aggressive, build up hate. I'm going to clarify this.

0:15:21.080 --> 0:15:24.480
<v Speaker 1>Um okay, just sent you another one. Listen. I know

0:15:24.560 --> 0:15:26.520
<v Speaker 1>that I said that this is a good idea, and

0:15:26.640 --> 0:15:30.240
<v Speaker 1>I do think that it does have merit. But we've

0:15:30.360 --> 0:15:33.800
<v Speaker 1>established that you felt that way earlier, and I want

0:15:33.880 --> 0:15:37.400
<v Speaker 1>to now connect with you as a human to human

0:15:38.200 --> 0:15:42.680
<v Speaker 1>and try to um figure this out. It says Lena

0:15:42.720 --> 0:15:46.960
<v Speaker 1>is a bitch because her mom's a bitch. Wow, this

0:15:47.040 --> 0:15:48.800
<v Speaker 1>is a big This is a big this is a

0:15:48.840 --> 0:15:52.840
<v Speaker 1>big line across I'll get the air mattress. It's really

0:15:53.000 --> 0:15:57.720
<v Speaker 1>something that we still are together, let me just say that,

0:15:58.360 --> 0:16:01.840
<v Speaker 1>and are pretty intimate, uh more than once a month,

0:16:01.880 --> 0:16:04.040
<v Speaker 1>which I think is pretty exciting because some of my

0:16:04.120 --> 0:16:12.160
<v Speaker 1>friends don't. Anyway, Hey, wend are you gonna go visit

0:16:12.200 --> 0:16:17.720
<v Speaker 1>your daughter? I am? I look Linda and Linda and Larry.

0:16:17.760 --> 0:16:20.440
<v Speaker 1>I think they're having some problems. And you know, sometimes

0:16:20.440 --> 0:16:23.360
<v Speaker 1>the mom's just gotta go in there, you know, and

0:16:23.640 --> 0:16:26.960
<v Speaker 1>you know, take care of things. I gotta take care

0:16:26.960 --> 0:16:29.360
<v Speaker 1>of my little girl. You know, I understand that I

0:16:29.400 --> 0:16:32.040
<v Speaker 1>do the same thing with Veronica. Well, you know, maybe

0:16:32.080 --> 0:16:34.480
<v Speaker 1>I'll text you while you're there getting the hang of

0:16:34.520 --> 0:16:37.080
<v Speaker 1>it here, Uh, text you some fun stuff, you know,

0:16:37.640 --> 0:16:40.680
<v Speaker 1>kind of keep things spicy in our relationship. I mean,

0:16:40.720 --> 0:16:43.120
<v Speaker 1>I like it when you when you do keep things spicy.

0:16:43.240 --> 0:16:45.440
<v Speaker 1>I I don't know if we want to have another

0:16:45.560 --> 0:16:51.200
<v Speaker 1>mishap like on beach day when I showed up in

0:16:51.280 --> 0:16:54.040
<v Speaker 1>that outfit. But now you know what we're learning. We've

0:16:54.080 --> 0:16:57.640
<v Speaker 1>been learning, and that's what's important. You know, we're now

0:16:57.680 --> 0:16:59.840
<v Speaker 1>we know how to text each other. Will send me

0:16:59.880 --> 0:17:01.960
<v Speaker 1>my send me some emojis. I want to. I want

0:17:01.960 --> 0:17:05.560
<v Speaker 1>to see if I can guess what you're saying. All right, up.

0:17:07.560 --> 0:17:09.639
<v Speaker 1>You are so cute the way the way that you

0:17:09.760 --> 0:17:12.360
<v Speaker 1>look like at your phone down like that when you're concentrating,

0:17:12.400 --> 0:17:14.600
<v Speaker 1>you just get this little twinkle in your eye. It's

0:17:14.640 --> 0:17:21.000
<v Speaker 1>just really cute. Okay, and send there you go. Oh see,

0:17:21.000 --> 0:17:24.800
<v Speaker 1>this is where I'm confused, though, Conrad. This is how

0:17:24.840 --> 0:17:28.480
<v Speaker 1>I get confused, because now you know what an egg

0:17:28.520 --> 0:17:33.960
<v Speaker 1>plant means, and now that you know what it means,

0:17:35.359 --> 0:17:40.040
<v Speaker 1>you're just sending me lots of egg plants. Do you

0:17:40.119 --> 0:17:47.640
<v Speaker 1>understand I'm trying to tell you something here where? Yeah?

0:17:47.680 --> 0:17:49.119
<v Speaker 1>I don't know. I mean I just kind of like

0:17:49.680 --> 0:17:55.200
<v Speaker 1>jump started my dad's for a into texting as sexting,

0:17:55.440 --> 0:17:59.639
<v Speaker 1>and I realized that that's kind of weird and a

0:17:59.680 --> 0:18:03.240
<v Speaker 1>little creepy, But I don't know. It's it's been a

0:18:03.280 --> 0:18:06.600
<v Speaker 1>long time for him. And is your relationship with your

0:18:06.640 --> 0:18:13.320
<v Speaker 1>father improving? He's happier, he's happier, so um, yeah, he

0:18:13.359 --> 0:18:17.200
<v Speaker 1>talks to me in like a better tone for sure. Um.

0:18:17.240 --> 0:18:20.240
<v Speaker 1>He seems to be more into the idea of me

0:18:20.320 --> 0:18:27.120
<v Speaker 1>moving in Um, which is a positive. And how about work?

0:18:27.200 --> 0:18:33.040
<v Speaker 1>Does everyone still hate you? Yeah? Everyone still hates m um.

0:18:33.080 --> 0:18:35.920
<v Speaker 1>It's now getting to the point where they're putting flyers

0:18:35.920 --> 0:18:40.600
<v Speaker 1>on the bulletin board. H And you can like, sorry, sorry,

0:18:40.640 --> 0:18:44.280
<v Speaker 1>I'm sorry, I'm laughing at something else. What are you

0:18:44.359 --> 0:18:47.879
<v Speaker 1>laughing at? Just I guess I'm on a text thread

0:18:47.920 --> 0:18:55.080
<v Speaker 1>with a bunch of other therapists. Okay, Um, well, yeah,

0:18:55.280 --> 0:19:02.359
<v Speaker 1>people that work still hate me. Um, should we end

0:19:02.400 --> 0:19:05.320
<v Speaker 1>our session early or no? No, no, We've got an hour.

0:19:05.960 --> 0:19:09.680
<v Speaker 1>I gotta say I love therapist happy hour. This is nice.

0:19:09.840 --> 0:19:12.320
<v Speaker 1>Have a couple of drinks at a discounted rate and

0:19:12.400 --> 0:19:16.240
<v Speaker 1>just shoot the ship. Shoot the ship. Let's talk about

0:19:16.320 --> 0:19:26.280
<v Speaker 1>the crazy. I mean, the gifts that you send are

0:19:26.320 --> 0:19:28.119
<v Speaker 1>great on the thread, but be able to to to

0:19:28.200 --> 0:19:32.960
<v Speaker 1>expand on those I r L makes a huge difference.

0:19:35.840 --> 0:19:43.000
<v Speaker 1>What's going on with that narcissist you're you're treating? Oh well, um,

0:19:43.040 --> 0:19:48.880
<v Speaker 1>he still thinks it's all about him by definition, so

0:19:49.000 --> 0:19:51.840
<v Speaker 1>and so if you recall you're my last session I

0:19:51.960 --> 0:19:55.760
<v Speaker 1>sent mirror emoji z z z. It's like he's a look,

0:19:55.800 --> 0:20:01.200
<v Speaker 1>it's all about him, and I'm like, I'm tired knowing

0:20:01.280 --> 0:20:05.760
<v Speaker 1>another picture of Rita's Yes, yeah, let's do it. Let's

0:20:05.800 --> 0:20:08.840
<v Speaker 1>do it, so Berna, Berna, are you still seeing one

0:20:08.840 --> 0:20:13.760
<v Speaker 1>of your patients? Is that still? Yeah? I got pregnant

0:20:13.840 --> 0:20:19.560
<v Speaker 1>last week? What he got me pregnant last week? Congratulations?

0:20:19.600 --> 0:20:24.320
<v Speaker 1>He's married? Right that this is just like a flaing thing. Well,

0:20:24.359 --> 0:20:26.680
<v Speaker 1>I actually, you know a lot of the focus goes

0:20:26.880 --> 0:20:29.720
<v Speaker 1>onto him and his issues, and for me, this is

0:20:29.720 --> 0:20:33.560
<v Speaker 1>actually quite amazing. Because um, we didn't think that I

0:20:34.200 --> 0:20:36.600
<v Speaker 1>me and my team of doctors didn't think that I

0:20:36.640 --> 0:20:42.040
<v Speaker 1>could conceive. So oh, miRNA, I just you're getting a

0:20:42.200 --> 0:20:45.080
<v Speaker 1>text from me, and that was that was not meant

0:20:45.240 --> 0:20:51.800
<v Speaker 1>for you. So just just just ignore or delete that

0:20:52.400 --> 0:20:58.679
<v Speaker 1>as it comes in. So rob am, I supposed to

0:20:58.680 --> 0:21:01.119
<v Speaker 1>be Miss Piggy in this job. That's supposed to be me.

0:21:03.520 --> 0:21:05.800
<v Speaker 1>Uh no, that was that was for someone else. And

0:21:05.880 --> 0:21:08.399
<v Speaker 1>it's just because we were because you just told me

0:21:08.440 --> 0:21:18.359
<v Speaker 1>that it was about me. Uh okay, yes, you're supposed

0:21:18.400 --> 0:21:24.119
<v Speaker 1>to be Miss Piggy. Okay, geez one. He really appreciate

0:21:24.240 --> 0:21:29.240
<v Speaker 1>you indulging me in my cuckle fantasy. I mean, I

0:21:29.920 --> 0:21:33.240
<v Speaker 1>didn't know this was going to be part of this relationship,

0:21:33.400 --> 0:21:40.800
<v Speaker 1>but I mean if if if you wanted this, I mean, sure, honey,

0:21:40.880 --> 0:21:43.080
<v Speaker 1>that's you, and you can take the robe off if

0:21:43.080 --> 0:21:48.240
<v Speaker 1>you want. It's it's oh my wow, wow. That is

0:21:48.320 --> 0:21:59.000
<v Speaker 1>at egg Plant Parmeer genre. That's our pers Scene Scene

0:21:59.040 --> 0:22:05.280
<v Speaker 1>two comes to us for Alchemniak Katherine Wasser was I

0:22:05.359 --> 0:22:14.560
<v Speaker 1>don't know, She writes high Alchemist seen suggestion prom night

0:22:14.960 --> 0:22:21.199
<v Speaker 1>have fun. Katherine just scooch over a little so I

0:22:21.240 --> 0:22:23.560
<v Speaker 1>can get both of you real good in the picture.

0:22:24.160 --> 0:22:26.960
<v Speaker 1>Get Nope, but don't not not I mean, don't put

0:22:27.000 --> 0:22:29.440
<v Speaker 1>your arm around her, but not like that. You know,

0:22:29.920 --> 0:22:33.720
<v Speaker 1>you kids are so cute, scooch close. She's my sister

0:22:34.000 --> 0:22:37.800
<v Speaker 1>and that feels well, she's you know what, But tonight

0:22:37.840 --> 0:22:41.280
<v Speaker 1>she's your prom day, isn't she? Because somebody didn't ask

0:22:41.359 --> 0:22:46.280
<v Speaker 1>someone soon enough, so someone's got his older sister going

0:22:46.359 --> 0:22:50.439
<v Speaker 1>as his prom day. Yes, sir, okay, And if we

0:22:50.520 --> 0:22:53.040
<v Speaker 1>could just agree that we're going to be home by

0:22:53.080 --> 0:22:56.000
<v Speaker 1>ten thirty. I have court very early in the morning.

0:22:56.560 --> 0:23:00.080
<v Speaker 1>Your sister is a is a very important lawyer. Now,

0:23:00.119 --> 0:23:02.840
<v Speaker 1>she's a very important lawyer. You gotta get her home

0:23:02.840 --> 0:23:06.119
<v Speaker 1>early so that she can she's working on some cases. Okay,

0:23:06.359 --> 0:23:08.679
<v Speaker 1>you guys in the same didn't you guys? Were you

0:23:08.720 --> 0:23:12.600
<v Speaker 1>in class together so you ended up being a photographer

0:23:12.640 --> 0:23:16.960
<v Speaker 1>and you're hello, huh. Some of us don't do as

0:23:17.000 --> 0:23:19.720
<v Speaker 1>well in school, okay, some of them. This is not

0:23:19.920 --> 0:23:23.360
<v Speaker 1>about us. This is not about this family unit. This

0:23:23.440 --> 0:23:26.760
<v Speaker 1>is about you two scooching close together so I can

0:23:26.800 --> 0:23:30.480
<v Speaker 1>get a good picture. But you two knew each other,

0:23:30.520 --> 0:23:35.560
<v Speaker 1>so I'm asking, yeah, yes, yes, we knew each other.

0:23:35.800 --> 0:23:38.199
<v Speaker 1>We knew each other. Is that what you asked? Are you?

0:23:38.359 --> 0:23:40.640
<v Speaker 1>Are you gonna bring this up? That that that that

0:23:40.760 --> 0:23:43.400
<v Speaker 1>the old man failed out of failed out of law

0:23:43.480 --> 0:23:46.680
<v Speaker 1>school again? Is that what we're gonna keep bringing up? No,

0:23:46.800 --> 0:23:49.520
<v Speaker 1>I just thought, Okay, we're gonna score, We're gonna scooch

0:23:49.600 --> 0:23:52.720
<v Speaker 1>closer for a picture. Yeah. No's but you two were

0:23:52.760 --> 0:24:02.960
<v Speaker 1>you were friends? Right, Yeah, I'm a little lost. I'm

0:24:02.960 --> 0:24:07.320
<v Speaker 1>not gonna lie. I'm a little lost. Kevin's Yes, we

0:24:07.320 --> 0:24:11.240
<v Speaker 1>were friends. We were classmates, we were a father daughter,

0:24:11.480 --> 0:24:17.320
<v Speaker 1>we were everything. It was a crazy thing that happened.

0:24:17.680 --> 0:24:20.119
<v Speaker 1>And would someone else use a time machine in a

0:24:20.160 --> 0:24:26.359
<v Speaker 1>different way? He check out Thompson. He brought a sister

0:24:26.520 --> 0:24:33.280
<v Speaker 1>mom the prom again every year. Man, I no matter,

0:24:35.400 --> 0:24:38.800
<v Speaker 1>no matter how many times we go over all the

0:24:39.040 --> 0:24:42.199
<v Speaker 1>mystery and intrigue in that family, I still cannot wrap

0:24:42.280 --> 0:24:46.719
<v Speaker 1>my head around the full situation. You know, he shouldn't have.

0:24:46.960 --> 0:24:50.080
<v Speaker 1>That was a bad way to do time travel, because look,

0:24:50.080 --> 0:24:52.399
<v Speaker 1>I have these gills now because of what he did.

0:24:52.440 --> 0:24:55.800
<v Speaker 1>All right, he messed up the timeline. Now I got gills,

0:24:56.000 --> 0:24:58.720
<v Speaker 1>and he's at the problem with the system. Mom. Yeah,

0:24:58.760 --> 0:25:00.920
<v Speaker 1>but I guess you know it? Is it like maybe

0:25:00.960 --> 0:25:04.639
<v Speaker 1>you've always had gills, and you know, it's just like

0:25:04.680 --> 0:25:07.000
<v Speaker 1>this is the way it's supposed to happen, you know,

0:25:07.320 --> 0:25:10.160
<v Speaker 1>because if time is a loop, then you're just supposed

0:25:10.160 --> 0:25:12.040
<v Speaker 1>to have girls, right, Yeah, I guess you're right. I

0:25:12.080 --> 0:25:18.040
<v Speaker 1>don't remember a time when I didn't have gils. Okay, okay,

0:25:18.640 --> 0:25:21.280
<v Speaker 1>look after this dance, I'm gonna hop back into that

0:25:21.320 --> 0:25:23.960
<v Speaker 1>machine and make some different choices. But before I do,

0:25:24.560 --> 0:25:28.080
<v Speaker 1>I need some clarification. I thought you were my sister,

0:25:29.760 --> 0:25:32.399
<v Speaker 1>and you and you okay, and you were just a

0:25:32.400 --> 0:25:34.760
<v Speaker 1>guy taking pictures, and I was trying to establish that

0:25:34.760 --> 0:25:37.959
<v Speaker 1>you two probably knew each other from before. Wait wait, wait, wait, wait.

0:25:38.000 --> 0:25:43.159
<v Speaker 1>First of all, let's just say this. We talked about this.

0:25:43.359 --> 0:25:46.560
<v Speaker 1>You were not supposed to keep the time machine. Nevertheless,

0:25:46.600 --> 0:25:51.280
<v Speaker 1>bring it to your prompt to bring pographer. Yes, I

0:25:51.280 --> 0:25:56.280
<v Speaker 1>thought you were my sister both. I know it's a

0:25:56.359 --> 0:26:01.879
<v Speaker 1>little wonky, but it's true. It's Senior da Vinci. I

0:26:02.760 --> 0:26:04.919
<v Speaker 1>see these plans you made for the time of machine.

0:26:04.960 --> 0:26:08.959
<v Speaker 1>But I wonder, Senor da Vinci, do you think do

0:26:09.000 --> 0:26:13.040
<v Speaker 1>you think this could several hundred years from now getting

0:26:13.119 --> 0:26:17.440
<v Speaker 1>used in a kind of a wonky way, like incorrectly,

0:26:17.520 --> 0:26:20.920
<v Speaker 1>like like it could mess up with the family relationships.

0:26:21.240 --> 0:26:22.679
<v Speaker 1>I don't know if we should have been messing with

0:26:22.720 --> 0:26:26.880
<v Speaker 1>the spacetime and continue and miss my point. Senor DaVinci, Okay,

0:26:27.080 --> 0:26:31.840
<v Speaker 1>who is the master? Giuseppe? You you, Senor DaVinci, Master.

0:26:31.960 --> 0:26:34.720
<v Speaker 1>We all know you're the master. Let me let me

0:26:34.720 --> 0:26:37.200
<v Speaker 1>ask you. Did you make it a Vietrovian man? Yes,

0:26:37.240 --> 0:26:39.000
<v Speaker 1>I make it a Trouvian man. His arms are above

0:26:39.000 --> 0:26:40.439
<v Speaker 1>his head, his arms to the side, his arms on

0:26:40.480 --> 0:26:43.159
<v Speaker 1>the bottom, his legs spread whide, his legs closer together.

0:26:43.480 --> 0:26:46.119
<v Speaker 1>I drew out the Vitruvian man, just as you asked

0:26:46.200 --> 0:26:48.080
<v Speaker 1>me to. Or do you mean did I come up

0:26:48.119 --> 0:26:51.639
<v Speaker 1>with the concept? Did you come up with the guns? No?

0:26:52.240 --> 0:26:58.120
<v Speaker 1>I know you came up with the concept. Okay, alright,

0:26:58.200 --> 0:27:01.080
<v Speaker 1>So I think I'm a time of in. Is gonna work?

0:27:01.359 --> 0:27:03.679
<v Speaker 1>Justify just I know it? It will work. It that's

0:27:03.800 --> 0:27:11.880
<v Speaker 1>the problem. It's a photographer. Yeah, I think we're we're

0:27:11.920 --> 0:27:17.640
<v Speaker 1>getting a little lost here. Yeah, tell me where I mean? Yeah,

0:27:17.680 --> 0:27:22.240
<v Speaker 1>I'm a photographer. I was. I assumed you knew I

0:27:22.280 --> 0:27:29.000
<v Speaker 1>was your father? Yes, they call him dad, don't that

0:27:29.000 --> 0:27:33.200
<v Speaker 1>That's what That's what was confusing me. Well, you see,

0:27:33.320 --> 0:27:36.080
<v Speaker 1>I saw this at the at the prom, at the

0:27:36.160 --> 0:27:44.399
<v Speaker 1>gymnasium itself. Not we are right now dancing. Yeah, but

0:27:45.600 --> 0:27:48.200
<v Speaker 1>look they're still trying to work it out. They don't

0:27:48.240 --> 0:27:51.840
<v Speaker 1>even know themselves. It's that confused, it really is. Hey,

0:27:51.920 --> 0:27:56.080
<v Speaker 1>you might splashing some water on me. I'm being tired. Yeah,

0:27:56.160 --> 0:27:59.679
<v Speaker 1>you breathe, you breathe water. That's that's how it works.

0:27:59.800 --> 0:28:03.080
<v Speaker 1>You're fishman. So the assam was that my father was

0:28:03.200 --> 0:28:06.800
<v Speaker 1>at the actual problem and not at I wouldn't understand

0:28:06.960 --> 0:28:11.600
<v Speaker 1>the stairway picture in the home. Okay, Okay, okay, I

0:28:11.640 --> 0:28:15.760
<v Speaker 1>gotta stop a things right here. Sorry, yes, yes, don't

0:28:15.920 --> 0:28:21.960
<v Speaker 1>don't freak out. Oh my gosh, I'm a Leonardo da Vinci.

0:28:22.080 --> 0:28:28.520
<v Speaker 1>Holy hell. Okay, it wasn't never supposed to get this way. Okay,

0:28:28.640 --> 0:28:33.440
<v Speaker 1>are you alive? Are you an apparition? No? No, I'm

0:28:33.440 --> 0:28:38.840
<v Speaker 1>a hearing What is this? Two? Yes? Yeah? In in

0:28:38.920 --> 0:28:47.520
<v Speaker 1>the United States of America, Okay, in a California, Okay,

0:28:47.560 --> 0:28:56.400
<v Speaker 1>in a Los Angeles. This is amazing, all right, Mr Gail,

0:28:56.720 --> 0:28:59.480
<v Speaker 1>Mrs Amacas, Mr Spielberg, We've got some notes on your

0:28:59.480 --> 0:29:02.680
<v Speaker 1>first aff for Back to the Future. H We're gonna

0:29:02.760 --> 0:29:07.080
<v Speaker 1>keep the prom setting. We like that, and we're gonna

0:29:07.280 --> 0:29:10.760
<v Speaker 1>keep the mom relationship, but we're not going to make

0:29:10.760 --> 0:29:12.840
<v Speaker 1>it as complicated as you did. We're not gonna put

0:29:12.840 --> 0:29:16.480
<v Speaker 1>a sister part in. Well really, yeah, that's not really

0:29:16.480 --> 0:29:20.440
<v Speaker 1>tracking for us, because I mean, the whole idea of

0:29:20.440 --> 0:29:24.640
<v Speaker 1>a guy having to take his sister to the prom,

0:29:24.680 --> 0:29:30.240
<v Speaker 1>but the photographer is also his dad, and the dad

0:29:30.480 --> 0:29:33.160
<v Speaker 1>here's the important. The important is the dad and sister

0:29:33.320 --> 0:29:39.120
<v Speaker 1>were friends. All Right, I'm gonna think of all the

0:29:39.160 --> 0:29:46.520
<v Speaker 1>complications that that will ensue. So let me ask you

0:29:46.520 --> 0:29:49.360
<v Speaker 1>a question. Is there a scenario where I hop back

0:29:49.360 --> 0:29:51.560
<v Speaker 1>in that sheet machine and when I come back, you're

0:29:51.600 --> 0:29:53.560
<v Speaker 1>not my mom or my sister, but you're just my

0:29:53.600 --> 0:29:59.000
<v Speaker 1>straight up prom date. This is a creepy question. The

0:29:59.040 --> 0:30:01.680
<v Speaker 1>way that you're looking at me, it seems like you

0:30:01.720 --> 0:30:04.560
<v Speaker 1>don't want me to be your family anymore, and that

0:30:06.160 --> 0:30:10.040
<v Speaker 1>I don't like that. Listen, the only person who can

0:30:10.400 --> 0:30:13.320
<v Speaker 1>go you should be carrying this around. This isn't your

0:30:13.400 --> 0:30:18.239
<v Speaker 1>time machine. Okay, your father photographer and I found it

0:30:18.440 --> 0:30:22.960
<v Speaker 1>together when we were on our honeymoon. It's not yours

0:30:23.080 --> 0:30:25.680
<v Speaker 1>to tote around, and it's not yours to go into.

0:30:26.040 --> 0:30:28.240
<v Speaker 1>We are the ones who went into it, and we

0:30:28.280 --> 0:30:33.400
<v Speaker 1>are the only ones who could go back. Fine, if

0:30:33.520 --> 0:30:38.760
<v Speaker 1>Leonardo was right, these are the rules, he told me.

0:30:40.760 --> 0:30:45.200
<v Speaker 1>What are you saying, Mom's this? I'm I mean, I'm

0:30:45.280 --> 0:30:49.280
<v Speaker 1>just saying it's all kind of a wash, right, Like

0:30:49.400 --> 0:30:54.240
<v Speaker 1>it's all just hypothetical. Zone really knows what if I

0:30:54.280 --> 0:30:59.280
<v Speaker 1>punched Dad right now? You just punched him, but not

0:30:59.360 --> 0:31:03.400
<v Speaker 1>really kicked out of the prom. You're lucky that's turned

0:31:03.400 --> 0:31:06.600
<v Speaker 1>out for what's playing, and you're lucky about that. So

0:31:06.800 --> 0:31:09.400
<v Speaker 1>tell me again which one is the carnitas and the

0:31:09.480 --> 0:31:12.719
<v Speaker 1>which one is the carne asada? Because of that, they

0:31:12.800 --> 0:31:17.000
<v Speaker 1>all taste amazing to me, Mr da Vinci. If you've

0:31:17.000 --> 0:31:19.640
<v Speaker 1>just been standing next to us with this buffet plate

0:31:19.720 --> 0:31:23.560
<v Speaker 1>the whole time. Look, I look out and there's like

0:31:23.640 --> 0:31:27.280
<v Speaker 1>a there's like a taco truck on the every corner here. Yes,

0:31:27.320 --> 0:31:31.800
<v Speaker 1>it's California, it's Los Angeles. Incredible, you have this available everything.

0:31:31.920 --> 0:31:38.240
<v Speaker 1>You have ruined our family. Hey, Mike, it's me, your neighbor.

0:31:39.560 --> 0:31:42.680
<v Speaker 1>I know we don't hang out a lot lately because

0:31:42.680 --> 0:31:44.440
<v Speaker 1>you know, I got that time machine thing, so I've

0:31:44.440 --> 0:31:46.920
<v Speaker 1>been like leaving stuff and checking things out. But I

0:31:47.640 --> 0:31:52.240
<v Speaker 1>miss you, dude. Yeah. Man, uh yeah, I miss hanging

0:31:52.240 --> 0:31:56.640
<v Speaker 1>with you too. How's life in the real world? That's

0:31:56.640 --> 0:32:05.000
<v Speaker 1>all right? Um, you know my gils disappeared? What does

0:32:05.000 --> 0:32:08.480
<v Speaker 1>that mean? Did I do that? Probably? But that did

0:32:08.520 --> 0:32:12.520
<v Speaker 1>I ever have them? Yeah? Good question. Could you just

0:32:12.600 --> 0:32:17.480
<v Speaker 1>like just stay put, you know, like, let's just ride

0:32:17.480 --> 0:32:21.800
<v Speaker 1>our bikes around, you know, let's just play video games

0:32:21.800 --> 0:32:24.400
<v Speaker 1>and drink bound dude and has some Mike and Ike

0:32:24.520 --> 0:32:28.600
<v Speaker 1>and and just speak kids again. You know, it sounds nice.

0:32:29.560 --> 0:32:33.560
<v Speaker 1>You know what, Maybe we should destroy that stupid machine.

0:32:33.600 --> 0:32:36.200
<v Speaker 1>So I'm never tempting. No one else has ever tempted again,

0:32:37.960 --> 0:32:41.600
<v Speaker 1>all right, but maybe take Da Vinci back first. I

0:32:41.640 --> 0:32:43.400
<v Speaker 1>don't know he buys his he could buy his beer,

0:32:43.520 --> 0:32:48.840
<v Speaker 1>right sir, Hey you want the beer, I get you beer.

0:32:48.920 --> 0:32:50.800
<v Speaker 1>And see that's kind of cool. Yeah, you're right, keep

0:32:50.800 --> 0:32:53.760
<v Speaker 1>them around. I'll keep him around. But smash smash this

0:32:53.840 --> 0:32:57.480
<v Speaker 1>machine and just get back to being kids. Yeah, let's

0:32:57.520 --> 0:33:01.640
<v Speaker 1>do it. There's also n as a nobody cares that

0:33:01.640 --> 0:33:06.000
<v Speaker 1>that mcgay here. It's it's really it's a really wonderful.

0:33:06.160 --> 0:33:08.840
<v Speaker 1>Yeah no, it's not a problem. Not a problem, not

0:33:08.920 --> 0:33:18.520
<v Speaker 1>in United States, California, Los Angeles. But you're saying else where. Listen,

0:33:18.600 --> 0:33:21.280
<v Speaker 1>sometimes things can go straight up completely Texas and then

0:33:21.280 --> 0:33:22.920
<v Speaker 1>it gets like sideways. But we don't want to get

0:33:22.960 --> 0:33:27.960
<v Speaker 1>into that. Uh, sweetie bro, are you trying to tell

0:33:28.000 --> 0:33:30.239
<v Speaker 1>me your friend wants to be a normal kid? And

0:33:30.280 --> 0:33:33.080
<v Speaker 1>that and he said that means what Mike and Ikes

0:33:34.120 --> 0:33:39.240
<v Speaker 1>Mountain dew video games, riding bikes. Probably a backwards hatter

0:33:39.320 --> 0:33:43.440
<v Speaker 1>two okay? And and and you think that he's from

0:33:44.480 --> 0:33:49.440
<v Speaker 1>because it sounds like that's a time traveler. Wait what

0:33:50.200 --> 0:33:52.560
<v Speaker 1>well he gave me this Rubik's cuban is slinky? Does

0:33:52.600 --> 0:33:56.400
<v Speaker 1>that mean anything to you? Uh? Yeah, sweetie bro, it

0:33:56.440 --> 0:33:59.840
<v Speaker 1>really does. What is it? What? What time is he freeting?

0:34:00.080 --> 0:34:06.240
<v Speaker 1>Incredibly eighties? Incredibly eighties? I mean, Mike and Ikes are here,

0:34:06.280 --> 0:34:08.400
<v Speaker 1>but my god, you really have the search to find

0:34:08.480 --> 0:34:10.920
<v Speaker 1>him and no one likes well that that that's okay.

0:34:10.920 --> 0:34:14.000
<v Speaker 1>We wrote it. We wrote it in the eighties. Uh

0:34:14.239 --> 0:34:17.719
<v Speaker 1>we we just you know, the the the studios at

0:34:17.719 --> 0:34:20.120
<v Speaker 1>the time didn't have the balls to make the story

0:34:20.160 --> 0:34:23.080
<v Speaker 1>that we wanted to tell. Now now that we've sent

0:34:23.120 --> 0:34:28.279
<v Speaker 1>ourselves to two So I'm still Steven Spielberg, but I'm

0:34:28.320 --> 0:34:30.400
<v Speaker 1>in two thousand twenty two, But I want to make

0:34:30.440 --> 0:34:37.480
<v Speaker 1>the movie now. With you guys. Is that is that confusing? Um?

0:34:37.680 --> 0:34:40.680
<v Speaker 1>Could we could we updated? Um? I see that you

0:34:40.719 --> 0:34:43.200
<v Speaker 1>did a second draft in the nineties where POGs make

0:34:43.239 --> 0:34:46.719
<v Speaker 1>a big appearance. But could we just make us make

0:34:46.719 --> 0:34:50.359
<v Speaker 1>a current I'll make it a lot easier. And please

0:34:50.400 --> 0:34:53.839
<v Speaker 1>ignore the fact that that Bob's meckis has gills. Now

0:34:53.840 --> 0:34:57.719
<v Speaker 1>we don't somehow that happened along the way. Uh? But

0:34:57.840 --> 0:35:01.080
<v Speaker 1>we and no and no version of the timeline did

0:35:01.080 --> 0:35:03.080
<v Speaker 1>we hook up? We were always just friends. We were

0:35:03.120 --> 0:35:07.879
<v Speaker 1>always just friends. Senora da Vinci, you're back. I've been

0:35:08.040 --> 0:35:11.960
<v Speaker 1>so worried about you. The workshop is not to be

0:35:12.000 --> 0:35:15.400
<v Speaker 1>in the same since since you left. What what are

0:35:15.400 --> 0:35:20.640
<v Speaker 1>you eating? I had so many street tacos? What is

0:35:20.640 --> 0:35:30.080
<v Speaker 1>the street tacos? That's our second see see three comes

0:35:30.120 --> 0:35:35.520
<v Speaker 1>to us from listener Todd Tambling suggestion convention for people

0:35:35.800 --> 0:35:42.279
<v Speaker 1>who are bad at parking regards Todd, Oh, I want

0:35:42.280 --> 0:35:44.680
<v Speaker 1>to go into Uh. I want to go see that booth.

0:35:45.480 --> 0:35:49.120
<v Speaker 1>Oh yeah, that booth for the people that just park

0:35:49.200 --> 0:35:52.440
<v Speaker 1>a teensy bit in the red. Hi there, How can

0:35:52.440 --> 0:35:55.640
<v Speaker 1>I help you? Hi? Um? I was really interested about

0:35:55.680 --> 0:35:59.279
<v Speaker 1>possibly parking a little bit in the red And how

0:35:59.280 --> 0:36:01.320
<v Speaker 1>I can get away with it. Sure, So we have

0:36:01.400 --> 0:36:04.239
<v Speaker 1>brochures here as you can see there. It gives you

0:36:04.280 --> 0:36:07.279
<v Speaker 1>some diagrams. And basically what we're doing is we're not

0:36:07.760 --> 0:36:11.000
<v Speaker 1>breaking the law. We're just breaking the law, you know,

0:36:11.520 --> 0:36:16.200
<v Speaker 1>piecing people off sometimes and that's fine too. Yeah, sometimes

0:36:16.200 --> 0:36:19.040
<v Speaker 1>that is fine because no one, no one can really

0:36:19.160 --> 0:36:25.640
<v Speaker 1>know what true happiness is if they don't experience true rage. Wow,

0:36:25.840 --> 0:36:27.799
<v Speaker 1>we should write that down. I should wear a slogan here.

0:36:28.160 --> 0:36:30.839
<v Speaker 1>Oh my gosh, do you need I mean, I haven't

0:36:30.920 --> 0:36:35.759
<v Speaker 1>worked in years? Well, then no, they know what I

0:36:35.840 --> 0:36:38.080
<v Speaker 1>don't need somebody who hasn't worked in years, and then

0:36:38.080 --> 0:36:44.640
<v Speaker 1>don't use my slogan. That's my intellectual property. I'm useful

0:36:44.680 --> 0:36:48.400
<v Speaker 1>and I'm valuable in this world, and someone someone's going

0:36:48.440 --> 0:36:54.719
<v Speaker 1>to recognize that one day. I didn't mean to be disrespectful. Um,

0:36:54.760 --> 0:36:56.960
<v Speaker 1>why don't I go over a couple of the benefits

0:36:56.960 --> 0:37:00.759
<v Speaker 1>for parking tincy tiny and to the red um. One

0:37:00.800 --> 0:37:07.120
<v Speaker 1>benefit is, um, I can see your man. I'm in

0:37:07.160 --> 0:37:10.960
<v Speaker 1>a bad mood. Now. I'm in a bad mood. Now, okay,

0:37:13.360 --> 0:37:17.799
<v Speaker 1>how can we fix this? Have you? Okay? There are

0:37:17.840 --> 0:37:22.840
<v Speaker 1>so many other places to go at tension Convention ears

0:37:23.760 --> 0:37:28.319
<v Speaker 1>the following license plates are being towed for illegally being

0:37:28.360 --> 0:37:39.600
<v Speaker 1>parked in front of the building. Yes, that's me. Excuse me, miss,

0:37:39.640 --> 0:37:43.359
<v Speaker 1>you look pretty angry. Would you like to check out

0:37:43.400 --> 0:37:46.560
<v Speaker 1>some of our literature. This is for people that park

0:37:46.680 --> 0:37:49.560
<v Speaker 1>way over to the left side, kind of between the lines.

0:37:50.880 --> 0:37:55.279
<v Speaker 1>M hmm. I'm not even understanding that. I'm someone who

0:37:55.320 --> 0:37:58.960
<v Speaker 1>parks perpendicular in a parallel So well, this is for

0:37:59.160 --> 0:38:03.080
<v Speaker 1>when there's a spot with two lines clearly up and

0:38:03.160 --> 0:38:05.560
<v Speaker 1>you put way over on one side or the other side.

0:38:06.120 --> 0:38:11.600
<v Speaker 1>Really like now, I understand straddling the line. Yes, straddling

0:38:12.040 --> 0:38:15.200
<v Speaker 1>for the straddlers. We should write that down straddling. Yeah,

0:38:15.239 --> 0:38:17.920
<v Speaker 1>it's a great slogan. Actually, Um, if you're looking for

0:38:17.960 --> 0:38:21.359
<v Speaker 1>someone who can can do that, I happen to be

0:38:21.360 --> 0:38:26.440
<v Speaker 1>between jobs. Oh, I mean we're You've got four pamphlet

0:38:26.480 --> 0:38:28.680
<v Speaker 1>guys right now, and I don't I mean three of

0:38:28.680 --> 0:38:30.640
<v Speaker 1>them are my nephews. I can't really let them go,

0:38:31.760 --> 0:38:35.560
<v Speaker 1>but thank you. Sure. I mean, any any workforce could

0:38:35.640 --> 0:38:42.160
<v Speaker 1>um benefit from having a woman, So think about it. Hey, hey,

0:38:42.280 --> 0:38:45.440
<v Speaker 1>you're coming over to my booth, coming over to my booth. Um,

0:38:45.600 --> 0:38:48.520
<v Speaker 1>I gotta go, but any turn around, turn around turn around,

0:38:49.160 --> 0:38:55.600
<v Speaker 1>turn around, turn around to back it up? Okay okay

0:38:56.520 --> 0:39:01.359
<v Speaker 1>left or back to the right, straight straight it out,

0:39:01.800 --> 0:39:07.160
<v Speaker 1>straight it out, okay, forward, okay, okay, back it up. Shoot, okay,

0:39:07.480 --> 0:39:12.080
<v Speaker 1>back it up to the right, the right, strain it up,

0:39:11.640 --> 0:39:17.000
<v Speaker 1>straight up, all right, okay, back it up? Okay, okay,

0:39:17.040 --> 0:39:23.000
<v Speaker 1>good right, good? Who I haven't gotten that right? Safer

0:39:23.040 --> 0:39:25.920
<v Speaker 1>to back in? It's safer to and then you can

0:39:25.920 --> 0:39:27.799
<v Speaker 1>and then you can just get right out. I love

0:39:27.840 --> 0:39:32.560
<v Speaker 1>a convention that has like a physical fitness element to it.

0:39:32.560 --> 0:39:34.799
<v Speaker 1>It really gives you extra energy to keep going for

0:39:34.840 --> 0:39:39.600
<v Speaker 1>the day. Yeah, yes, and I love it so much.

0:39:41.880 --> 0:39:51.360
<v Speaker 1>It uh it's going Okay, there's no need to bark,

0:39:51.440 --> 0:39:53.840
<v Speaker 1>all right. Sorry, I'm just so excited. I think I

0:39:53.920 --> 0:39:59.880
<v Speaker 1>just got a job. Oh yeah, I haven't worked in years.

0:40:00.800 --> 0:40:03.520
<v Speaker 1>Um doing slogan for that guy he kind of said no.

0:40:03.600 --> 0:40:05.560
<v Speaker 1>But I feel like I really gave him, you know,

0:40:05.719 --> 0:40:08.600
<v Speaker 1>a bit of a of a of a stab and

0:40:08.680 --> 0:40:11.880
<v Speaker 1>a twist to really uh convince him to take to

0:40:11.920 --> 0:40:14.279
<v Speaker 1>take me on. So I'm feeling pretty good, and I'm

0:40:14.280 --> 0:40:23.120
<v Speaker 1>feeling and you know, invariated out. Sorry I left. I

0:40:23.800 --> 0:40:28.799
<v Speaker 1>left a while ago. I was sitting here, I heard

0:40:28.840 --> 0:40:34.200
<v Speaker 1>everything you said. Great. Um, yeah, I'm just I'm just

0:40:34.239 --> 0:40:37.800
<v Speaker 1>looking at my my my maps from the uh the convention.

0:40:37.800 --> 0:40:40.200
<v Speaker 1>Your boy, they made this real confusing with all the

0:40:40.800 --> 0:40:43.440
<v Speaker 1>one way pathways. You know what, I'm just gonna go

0:40:43.480 --> 0:40:47.920
<v Speaker 1>the opposite direction, get where I'm going faster. You uh,

0:40:48.360 --> 0:40:53.399
<v Speaker 1>you look real familiar to me. Um, you're not, are

0:40:53.400 --> 0:40:55.839
<v Speaker 1>you the Are you a lady that has that intellectual

0:40:55.880 --> 0:41:03.320
<v Speaker 1>property about not knowing true happiness unless you've own true rage? Yes,

0:41:03.840 --> 0:41:08.000
<v Speaker 1>well I've got your intellectual property right here. Will you

0:41:08.040 --> 0:41:11.720
<v Speaker 1>sign it for me. I'm a huge fan of your work.

0:41:12.719 --> 0:41:17.840
<v Speaker 1>I would be happy to This is so, this is

0:41:17.840 --> 0:41:21.160
<v Speaker 1>amazing because really you changed my life, like I know

0:41:21.280 --> 0:41:25.360
<v Speaker 1>true happiness Right now, I am a fucking rage monster.

0:41:25.760 --> 0:41:29.799
<v Speaker 1>I've killed hundreds and it's all thanks to you. I

0:41:29.880 --> 0:41:32.520
<v Speaker 1>just gotta say, it's a real, real, real treat to

0:41:32.600 --> 0:41:37.200
<v Speaker 1>meet you. Wow, it is very special to meet you.

0:41:38.040 --> 0:41:41.839
<v Speaker 1>It is very I'm sorry for you to have that experience. Um,

0:41:41.840 --> 0:41:44.560
<v Speaker 1>but I'm happy that you're able to sorry. On the

0:41:44.560 --> 0:41:47.960
<v Speaker 1>other side of the storm cloud, all the storm cloud

0:41:48.120 --> 0:41:51.480
<v Speaker 1>is the rainbow. This is great. Rage has made me

0:41:51.600 --> 0:41:54.279
<v Speaker 1>so happy. In fact, I think I'm just gonna go

0:41:54.360 --> 0:41:57.200
<v Speaker 1>outside with this old safe I found to drop it

0:41:57.239 --> 0:42:05.440
<v Speaker 1>on as many cars as I can. Attention conventioners, Attention

0:42:05.600 --> 0:42:10.160
<v Speaker 1>convention ears. It is now time for the panel discussion.

0:42:10.440 --> 0:42:13.480
<v Speaker 1>Please make your way to the auditorium. Please make your

0:42:13.480 --> 0:42:23.360
<v Speaker 1>way to the auditorium. Excuse me, part of me? Hey, hey, hey, sorry,

0:42:23.600 --> 0:42:30.520
<v Speaker 1>I just want to sit. It's excuse me. It's just

0:42:31.239 --> 0:42:33.560
<v Speaker 1>there's a panel. It's a panel. We're all here for

0:42:33.600 --> 0:42:39.320
<v Speaker 1>the same fucking panel. Just we're trying to get the front. Hey, conventioneers, welcome, welcome, welcome.

0:42:43.120 --> 0:42:48.560
<v Speaker 1>We're in these sitting seeds. Stop it, I mean this works,

0:42:48.800 --> 0:42:51.120
<v Speaker 1>this works. It does not. I was in this chair.

0:42:51.200 --> 0:42:54.200
<v Speaker 1>It's one chair per person. What are you doing? All right?

0:42:54.200 --> 0:43:00.160
<v Speaker 1>Who's excited? Who's excited? Stop? We've got a panel, so

0:43:00.280 --> 0:43:03.319
<v Speaker 1>many owners of souped up sports cars who just leave

0:43:03.400 --> 0:43:06.960
<v Speaker 1>them anywhere they want in the parking lot. Let's check

0:43:07.040 --> 0:43:12.520
<v Speaker 1>in with them right now. Hey, how's everybody doing? My

0:43:12.600 --> 0:43:18.440
<v Speaker 1>name is Trip. Uh, this is my is my daughter

0:43:18.600 --> 0:43:26.879
<v Speaker 1>and my friend. Hi you. I'm cantina Um and I'm

0:43:26.920 --> 0:43:29.400
<v Speaker 1>so happy. I'm so excited to be here. Sometimes I

0:43:29.440 --> 0:43:33.480
<v Speaker 1>do borrow my dad's car. Alright, Trip, tell us about

0:43:33.520 --> 0:43:37.520
<v Speaker 1>your vehicle? What kind of is and where you leave it? Uh,

0:43:37.560 --> 0:43:42.160
<v Speaker 1>this is a Lamborghini, and uh I leave it wherever

0:43:42.200 --> 0:43:47.480
<v Speaker 1>the that's right. One time I drove it into an

0:43:47.480 --> 0:43:54.480
<v Speaker 1>outdoor mall. Just throw it right in hell. Yeah, And

0:43:54.560 --> 0:43:57.040
<v Speaker 1>I punished her. I punished her as a daughter, but

0:43:57.080 --> 0:43:59.280
<v Speaker 1>I supported her as a friend. He's my best friend.

0:43:59.320 --> 0:44:03.440
<v Speaker 1>My dad is my best friend. Thanks for being here,

0:44:03.480 --> 0:44:10.719
<v Speaker 1>Tripping Cantina. Everybody going on the line. I know you

0:44:10.760 --> 0:44:15.840
<v Speaker 1>guys are excited. Rudolpho is here, Rodolpho, Yeah, I was.

0:44:16.000 --> 0:44:17.799
<v Speaker 1>I was fine. I'm sorry, I'm sorry. This guy just

0:44:18.160 --> 0:44:20.520
<v Speaker 1>scooched right up next to me. Fine, we're fine. We're

0:44:20.560 --> 0:44:22.759
<v Speaker 1>not fine. This is my seat, like I was, I

0:44:22.800 --> 0:44:24.160
<v Speaker 1>said in the front room because I knew I was

0:44:24.160 --> 0:44:25.759
<v Speaker 1>going to get called on because I'm one of the

0:44:27.200 --> 0:44:29.520
<v Speaker 1>I'm not gonna go. I have a ninety one Lotus. Okay,

0:44:29.520 --> 0:44:32.840
<v Speaker 1>I have a ninety one Lotus? All right, Rodolpho, And

0:44:32.880 --> 0:44:35.080
<v Speaker 1>where do you leave that car? Wherever I want? I

0:44:35.120 --> 0:44:38.600
<v Speaker 1>have an illegal handicapped placard. Actually just changed the date

0:44:38.640 --> 0:44:41.319
<v Speaker 1>on a temporary placard, so it looks like I bought

0:44:41.360 --> 0:44:43.839
<v Speaker 1>myself several years by turning the zero to an eight.

0:44:45.760 --> 0:44:52.720
<v Speaker 1>So now it's good until this is my Sorry folks,

0:44:53.360 --> 0:44:56.600
<v Speaker 1>sorry folks, you've been doing this panel for for thirty

0:44:56.600 --> 0:45:00.239
<v Speaker 1>one minutes. It's a a thirty minute limit. Come up.

0:45:00.239 --> 0:45:04.800
<v Speaker 1>We were just we were just finishing. We were just

0:45:02.800 --> 0:45:07.880
<v Speaker 1>we just we just finishing. We were just finishing. Sorry,

0:45:07.920 --> 0:45:14.760
<v Speaker 1>I can't do anything. I can't do anything. There's your ticket, officer,

0:45:15.800 --> 0:45:17.680
<v Speaker 1>what kind of what kind of car do you drive? Officer?

0:45:18.440 --> 0:45:20.920
<v Speaker 1>Drive a cop car? And where do you leave it? Wherever?

0:45:20.960 --> 0:45:28.920
<v Speaker 1>The fun? That's right? Yeah, wow, oh we'll wrap this.

0:45:29.280 --> 0:45:31.840
<v Speaker 1>We'll wrap this up. Guys, thanks for coming. Please go

0:45:31.880 --> 0:45:34.840
<v Speaker 1>back out to the main exhibit. For man, what a

0:45:34.840 --> 0:45:38.440
<v Speaker 1>great panel. That was not just on my lap. It's

0:45:38.480 --> 0:45:44.960
<v Speaker 1>just just informative, so informative. Hey, uh, do you even

0:45:45.000 --> 0:45:49.040
<v Speaker 1>think about starting a car club? Yeah? Probably a part

0:45:49.080 --> 0:45:52.360
<v Speaker 1>of one. Huh No, I mean I have thought of

0:45:52.360 --> 0:45:54.120
<v Speaker 1>starting one, but I don't know anybody that would want

0:45:54.120 --> 0:45:56.239
<v Speaker 1>to be in a car club with me. I just

0:45:56.239 --> 0:45:58.160
<v Speaker 1>feel like it would be cool to be a part of, like,

0:45:58.200 --> 0:46:00.799
<v Speaker 1>you know, community, every were the only two people in

0:46:00.800 --> 0:46:03.440
<v Speaker 1>the room. Now, can I have the rest of this chair? Okay? Okay, okay,

0:46:03.520 --> 0:46:09.600
<v Speaker 1>okay okay okay. So my idea would be like the

0:46:09.640 --> 0:46:14.200
<v Speaker 1>door dingers, the door dingers, the door dangers. Oh like

0:46:14.280 --> 0:46:16.479
<v Speaker 1>we just part next to people and smash their doors

0:46:16.480 --> 0:46:23.200
<v Speaker 1>a little. Yeah, you know, I maybe I misjudged you

0:46:22.760 --> 0:46:25.919
<v Speaker 1>ill be door dingers. I think you know, I think

0:46:26.680 --> 0:46:29.719
<v Speaker 1>excuse me? Did you just ding my door? Here we go?

0:46:30.719 --> 0:46:33.440
<v Speaker 1>Yes we did, Yes we did, And what of it?

0:46:33.760 --> 0:46:39.000
<v Speaker 1>We're the door dingers. Well, I'm gonna have to get

0:46:39.040 --> 0:46:43.799
<v Speaker 1>your insurance information this huge dang on my door. Yes,

0:46:44.360 --> 0:46:46.120
<v Speaker 1>you have to do insurance for a door. It's a

0:46:46.200 --> 0:46:49.400
<v Speaker 1>door dang. What's door dan dang? I'm gonna have to

0:46:49.440 --> 0:46:56.479
<v Speaker 1>get this ding danged out? Are you? Are you looking

0:46:56.480 --> 0:47:00.760
<v Speaker 1>to get this ding ding out? Gonn it be undang?

0:47:01.040 --> 0:47:03.040
<v Speaker 1>We can undang, we can dong, we can ding out,

0:47:03.120 --> 0:47:06.600
<v Speaker 1>we can d ding. I don't want a dong, Okay, Well,

0:47:06.640 --> 0:47:08.120
<v Speaker 1>the dong is the dong is the lowest model. I

0:47:08.160 --> 0:47:09.480
<v Speaker 1>wasn't gonna try to pitch you on. The Look at

0:47:09.480 --> 0:47:10.799
<v Speaker 1>the sign over here, Look at the sign over here.

0:47:10.880 --> 0:47:12.720
<v Speaker 1>You see that at the banking, the fifty nine dollars

0:47:12.760 --> 0:47:16.200
<v Speaker 1>the dong. That's fifty nine dollar dong, seventy nine dollar undang,

0:47:17.360 --> 0:47:19.680
<v Speaker 1>a hundred and twenty nine dollar d ding. Do you

0:47:19.680 --> 0:47:22.719
<v Speaker 1>want a d ding and undang or a dong. Now

0:47:22.719 --> 0:47:24.680
<v Speaker 1>if you want to do a dong is two fifty dollars,

0:47:24.680 --> 0:47:28.359
<v Speaker 1>but we only do those for foreign cars. Uh, well,

0:47:28.400 --> 0:47:32.040
<v Speaker 1>I I do have a Mercedes benz Um that counts.

0:47:32.120 --> 0:47:34.000
<v Speaker 1>I'm sorry. I can't tell domestic from for and I

0:47:34.040 --> 0:47:35.520
<v Speaker 1>grew up in Germany, so that to me is at

0:47:35.560 --> 0:47:38.560
<v Speaker 1>domestic dog. Hey, danks for coming and get in a

0:47:38.640 --> 0:47:41.279
<v Speaker 1>second opinion, we could definitely beat the prices here and

0:47:41.400 --> 0:47:44.839
<v Speaker 1>ding dong the ding is gone. And I came up

0:47:44.840 --> 0:47:47.560
<v Speaker 1>with that slogan. By the way, it's great, it's great.

0:47:47.640 --> 0:47:49.920
<v Speaker 1>It crought my eye on the Yellow Pages, and yes,

0:47:50.160 --> 0:47:53.920
<v Speaker 1>I still use the Yellow Pages. So yeah, what they

0:47:53.960 --> 0:47:58.960
<v Speaker 1>what they want? Seventy nine nine, we'll go seventy six

0:47:59.520 --> 0:48:04.080
<v Speaker 1>nineties six the ding ding, the ding is gone. The

0:48:04.200 --> 0:48:06.479
<v Speaker 1>thing is that we will be any price by three

0:48:06.520 --> 0:48:13.520
<v Speaker 1>bucks a cantina. Yeah, I was thinking, I think maybe

0:48:13.520 --> 0:48:24.320
<v Speaker 1>this relationship ain't working out after all. Um, okay, I'm

0:48:24.400 --> 0:48:26.040
<v Speaker 1>I don't know. I'm kind of tightening up my driving

0:48:26.080 --> 0:48:28.960
<v Speaker 1>skills a little bit. My parking skills are part of

0:48:28.960 --> 0:48:35.000
<v Speaker 1>my driving skills. I'm sorry. Is it because you drive

0:48:36.520 --> 0:48:40.040
<v Speaker 1>your car? Well, it's a good car. Every time you

0:48:40.120 --> 0:48:44.359
<v Speaker 1>like you can get away with it. You know, it's

0:48:44.440 --> 0:48:50.719
<v Speaker 1>like you cant, We're well, I could, I could get

0:48:50.800 --> 0:48:55.280
<v Speaker 1>a lot of trouble whenever mind's parked, wherever it looks

0:48:55.280 --> 0:48:58.120
<v Speaker 1>like it's a display and people think, like, I wonder

0:48:58.120 --> 0:48:59.880
<v Speaker 1>if there's going to be a street fair today or

0:49:00.040 --> 0:49:02.520
<v Speaker 1>like some kind of parade. This is probably here for

0:49:02.560 --> 0:49:05.680
<v Speaker 1>a reason. Let me take a picture with it instead

0:49:05.719 --> 0:49:09.839
<v Speaker 1>of you know, so yeah, yeah, yeah, you drive an

0:49:10.080 --> 0:49:13.040
<v Speaker 1>You drive your dad's eighty nine Lamborghini. I drive eighty

0:49:13.120 --> 0:49:18.080
<v Speaker 1>nine Lamborghini, that's right. And you drive your Toyota camera

0:49:18.280 --> 0:49:23.279
<v Speaker 1>two thousand, which is like a fine car. It's very

0:49:23.320 --> 0:49:27.719
<v Speaker 1>reliable and extremely safe and it gets good gas mileage.

0:49:27.800 --> 0:49:31.400
<v Speaker 1>But at the end of the day, if you're breaking

0:49:31.480 --> 0:49:36.520
<v Speaker 1>up with me, because I'm right into that lambo um,

0:49:36.680 --> 0:49:40.960
<v Speaker 1>just know that my dad's gonna be pretty piste. He

0:49:41.080 --> 0:49:46.120
<v Speaker 1>hates when his best friend daughter gets dumped on. He's

0:49:46.320 --> 0:49:49.960
<v Speaker 1>very protective. Excuse me, sir, is this your two thousand

0:49:50.000 --> 0:49:53.600
<v Speaker 1>Toyota camera? Yes, sir, you just can't leave this wherever

0:49:53.640 --> 0:49:56.200
<v Speaker 1>the funk you want. This is a two thousand Toyota camera.

0:49:56.360 --> 0:49:58.080
<v Speaker 1>You need to move it to that spot over there.

0:49:58.440 --> 0:50:00.600
<v Speaker 1>I'm just parking. I can't park, I can't get right here.

0:50:01.000 --> 0:50:02.759
<v Speaker 1>You can't just leave it here. It's not an eighty

0:50:02.840 --> 0:50:06.360
<v Speaker 1>nine lambo. Okay, it's you gotta actually put it in

0:50:06.440 --> 0:50:09.319
<v Speaker 1>the lines. Who do you work for? Exactly? I work

0:50:09.400 --> 0:50:16.000
<v Speaker 1>for Big Car? You mother fuck? Okay, okay, I see

0:50:16.000 --> 0:50:19.920
<v Speaker 1>what's going on here? Fine? Yeah? Wa when wait when

0:50:19.960 --> 0:50:23.719
<v Speaker 1>we went wait? Wait? Wait? Wait when wa wa? Wait?

0:50:23.719 --> 0:50:28.480
<v Speaker 1>Wit went Daddy? I need to talk to you as

0:50:28.480 --> 0:50:32.640
<v Speaker 1>a daughter, as a friend right now, I'm going to

0:50:32.760 --> 0:50:37.920
<v Speaker 1>say friend. Let's go friend first. Cool cool Okay, So

0:50:38.960 --> 0:50:41.799
<v Speaker 1>you know that I was dating Dustin and he was

0:50:41.800 --> 0:50:46.160
<v Speaker 1>pretty cool, sometimes paid for my meals, had a cool dick,

0:50:46.800 --> 0:50:48.839
<v Speaker 1>so I was kind of into it. Didn't really make

0:50:48.880 --> 0:50:53.200
<v Speaker 1>me laugh. But again, the cool dick right right, sort

0:50:53.360 --> 0:50:59.480
<v Speaker 1>like plant. He he was getting weird over texts, so

0:50:59.520 --> 0:51:01.959
<v Speaker 1>I could tell all that like things were a little off.

0:51:02.360 --> 0:51:05.080
<v Speaker 1>And then he totally dumped me. And then he said

0:51:05.080 --> 0:51:08.680
<v Speaker 1>it was because of my my parking and his park

0:51:08.760 --> 0:51:10.399
<v Speaker 1>and he just made it about the cars. And it's

0:51:10.440 --> 0:51:15.080
<v Speaker 1>just making me feel like do I need to Oh

0:51:15.080 --> 0:51:18.279
<v Speaker 1>it's okay, okay, Because I was like, gosh, do I

0:51:18.320 --> 0:51:23.600
<v Speaker 1>need to change? Like, do I need to start driving normal,

0:51:25.200 --> 0:51:31.279
<v Speaker 1>like a normal car, or like normally? Can I can

0:51:31.320 --> 0:51:34.560
<v Speaker 1>I talk to you with your father for a second? Um, yeah, okay,

0:51:34.640 --> 0:51:36.319
<v Speaker 1>talk to you as my father. I know you're gonna

0:51:36.880 --> 0:51:40.120
<v Speaker 1>apologize to that boy. You need to apologize to that boy.

0:51:40.239 --> 0:51:44.759
<v Speaker 1>Kick his ass. Sorry, I ain't got time for apologies.

0:51:44.840 --> 0:51:46.799
<v Speaker 1>I got this dolorium over here, and I got a

0:51:46.800 --> 0:51:50.359
<v Speaker 1>promt to get too, so I will catch you later.

0:51:54.960 --> 0:51:58.200
<v Speaker 1>Did you guys see that time travel with the cool dick? Yeah?

0:51:58.239 --> 0:52:06.960
<v Speaker 1>I used to date him. That's our show. Oh, thank

0:52:06.960 --> 0:52:09.560
<v Speaker 1>you everyone for playing Cole st and thank you for

0:52:09.640 --> 0:52:12.759
<v Speaker 1>joining us today. Where can people find you? You can

0:52:12.800 --> 0:52:15.759
<v Speaker 1>find me on I think Instagram is at Stratton, Cole

0:52:15.920 --> 0:52:20.399
<v Speaker 1>twitters at Cole Stratton Friends. Stare is non existent. Uh.

0:52:21.400 --> 0:52:24.280
<v Speaker 1>Go to Westside Comedy dot com check out several shows

0:52:24.440 --> 0:52:27.040
<v Speaker 1>Coverts and Friends. Do a TV reunion show right now

0:52:27.080 --> 0:52:30.399
<v Speaker 1>which is really fun, where we reunited show that never existed? Um,

0:52:30.520 --> 0:52:32.960
<v Speaker 1>also pretty Pretty Pony first Thursday of the month at

0:52:32.960 --> 0:52:36.239
<v Speaker 1>ten pm. And sketch us dot com Hold on real quick,

0:52:36.400 --> 0:52:38.560
<v Speaker 1>That Cobord show was a really really cool concept. We'll

0:52:38.600 --> 0:52:40.560
<v Speaker 1>just just give to give us ten more seconds on

0:52:40.560 --> 0:52:42.759
<v Speaker 1>the one with that is exactly. I love that. So

0:52:42.840 --> 0:52:44.880
<v Speaker 1>what we do is we get from the audience, we

0:52:44.960 --> 0:52:47.279
<v Speaker 1>get the style of show, like the genre, like sci

0:52:47.280 --> 0:52:50.399
<v Speaker 1>fi western, whatever, the year the show premiered, how many

0:52:50.400 --> 0:52:52.080
<v Speaker 1>seasons it ran in the title of the show, and

0:52:52.120 --> 0:52:53.959
<v Speaker 1>then we do a reunion of the cast and crew

0:52:54.000 --> 0:52:56.040
<v Speaker 1>of it. And that's a lot of fun. That is

0:52:56.200 --> 0:53:01.320
<v Speaker 1>so wild. Yeah, it's pretty ridiculous. I love that. Craig Atkowski,

0:53:01.400 --> 0:53:04.600
<v Speaker 1>thank you so much for bringing the noise and bringing

0:53:04.600 --> 0:53:10.400
<v Speaker 1>the funk. Good. I brought both. Yeah, There's been episodes

0:53:10.440 --> 0:53:13.320
<v Speaker 1>in the past where I've only brought the noise and

0:53:13.960 --> 0:53:16.600
<v Speaker 1>I sometimes will bring the phone, but I felt like

0:53:16.640 --> 0:53:19.160
<v Speaker 1>today I did. I brought both. But you would you

0:53:19.160 --> 0:53:22.759
<v Speaker 1>would warn me ahead of time to bring both. Absolutely. Uh.

0:53:22.880 --> 0:53:25.840
<v Speaker 1>Speaking of bringing the funk, I saw a video of

0:53:25.880 --> 0:53:28.719
<v Speaker 1>you dancing at a wedding this past weekend, and you

0:53:28.800 --> 0:53:37.359
<v Speaker 1>were fucking bringing it. I requested it at the time

0:53:37.400 --> 0:53:42.120
<v Speaker 1>to not be filled. Also requested later for it not

0:53:42.200 --> 0:53:46.000
<v Speaker 1>to be put on social media. But you know, sometimes,

0:53:46.160 --> 0:53:48.879
<v Speaker 1>you know, people just go against your wishes, and uh,

0:53:48.920 --> 0:53:52.200
<v Speaker 1>and it gets out there and it's it's permanent, it's there,

0:53:53.440 --> 0:53:56.680
<v Speaker 1>and um, yeah, you can you can probably see it

0:53:57.400 --> 0:53:59.960
<v Speaker 1>on on my instaf I just I just like that

0:54:00.000 --> 0:54:04.880
<v Speaker 1>both of your requests were just ignored completely. Don't don't video,

0:54:04.920 --> 0:54:07.480
<v Speaker 1>don't post, Jackie d Ruthy, thank you so much for

0:54:07.520 --> 0:54:11.360
<v Speaker 1>being here. Where can we find you? I'm at Jackie

0:54:11.440 --> 0:54:15.359
<v Speaker 1>d Ruthy on Instagram. Craig. You know, sometimes people are

0:54:15.360 --> 0:54:17.759
<v Speaker 1>proud of you and they know that you can't see

0:54:18.000 --> 0:54:23.320
<v Speaker 1>what they see, and they wanna they want to raise

0:54:23.440 --> 0:54:26.480
<v Speaker 1>you up in in every talent you have, whether you

0:54:26.560 --> 0:54:30.200
<v Speaker 1>acknowledge it or not. Um, I'm at Jackie d Ruthie,

0:54:30.800 --> 0:54:33.000
<v Speaker 1>And gosh is it early to say this, but I'm

0:54:33.000 --> 0:54:36.160
<v Speaker 1>going to I don't care. It's almost Uh, the spring

0:54:36.280 --> 0:54:39.759
<v Speaker 1>is turning into summer. And I don't know when this

0:54:39.840 --> 0:54:44.320
<v Speaker 1>episode is coming out, certainly not certainly, probably not in June.

0:54:44.320 --> 0:54:47.319
<v Speaker 1>But if it does, guess what's next month? Why? It's

0:54:47.400 --> 0:54:50.680
<v Speaker 1>Christmas in July. I co host The Most Wonderful Pot

0:54:50.680 --> 0:54:54.600
<v Speaker 1>of the Year And yes we do a quick month

0:54:54.760 --> 0:55:00.680
<v Speaker 1>stint in July and review for great movies. Uh to

0:55:01.000 --> 0:55:06.239
<v Speaker 1>laugh at? So uh watch out watch out for that. Yeah,

0:55:06.280 --> 0:55:08.680
<v Speaker 1>never too early to plug that. Never, It's never too

0:55:08.680 --> 0:55:11.879
<v Speaker 1>early because I'm thinking about Christmas and July all the time.

0:55:12.239 --> 0:55:15.200
<v Speaker 1>That's right, that's right, Mark Gagliardi, thank you so much

0:55:15.239 --> 0:55:17.759
<v Speaker 1>for being here. Where can we find you? Uh, it's

0:55:17.760 --> 0:55:21.200
<v Speaker 1>a delight as always to be here, my friend. If

0:55:21.239 --> 0:55:26.120
<v Speaker 1>you want to find me online, just google Craig Kowski

0:55:26.320 --> 0:55:32.160
<v Speaker 1>Wedding Dance and you will find where I'm doing all

0:55:32.200 --> 0:55:33.960
<v Speaker 1>my shows. We got this with Mark and Hall on

0:55:34.040 --> 0:55:37.279
<v Speaker 1>Maximum Fun, Blood and Treasure. Anything you want to find

0:55:37.280 --> 0:55:40.200
<v Speaker 1>out about me, just google Craig Atkowski Wedding Dance. You'll

0:55:40.239 --> 0:55:42.719
<v Speaker 1>find it. Love it. Thank you so much, and let's

0:55:42.719 --> 0:55:46.040
<v Speaker 1>think our engineer and producer to the stars, Mr Doug Babe,

0:55:47.800 --> 0:55:54.600
<v Speaker 1>and the fine folks that I heart media. I've been

0:55:54.640 --> 0:55:57.040
<v Speaker 1>your host, Chris Alvarado, and I thank you for listening,

0:55:57.160 --> 0:56:09.040
<v Speaker 1>and until next time, everybody as a