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Speaker 1: Hello everyone, and welcome back to another episode Oh Alchemy.

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Speaker 1: This the fully improvised comedy podcast where we do full

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Speaker 1: scenes and shows based on listener suggestions. You are the listener,

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Speaker 1: and we thank you for listening. And let's jump. Oh.

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Speaker 1: I'm Chris Operado. I'm hosting, as you could tell, because

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Speaker 1: I've already messed up. But let's talk to our alchemists today,

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Speaker 1: some of my friends, some of yours. Let's meet them

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Speaker 1: in no particular order. Let's first say hello to Jackie.

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Speaker 1: Dear Ruthie. Hello, Oh hello, now, Jackie. I don't know

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Speaker 1: the answer to this for myself, but my wife knew

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Speaker 1: it for her. So I'm want to ask you if

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Speaker 1: you know yours? For the first song you ever slow

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Speaker 1: danced too? Wow? Ye, this didn't track, didn't didn't didn't

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Speaker 1: mean much to me. Were you? Were you a slow

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Speaker 1: dancwer in middle school? Or slowly? Oh yeah, little Jackie

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Speaker 1: really hard and the little school make it fast, make

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Speaker 1: it slow. I was on that floor. I remember, I

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Speaker 1: remember definitely dancing to like. For whatever reason, this song

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Speaker 1: is coming to my mind, so it must have been true.

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Speaker 1: Um that Mark Anthony's song. She sang to me, Hello,

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Speaker 1: wil Buttom but song for Runaway Bride. Wow, beautiful one

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Speaker 1: of my favorite movies. Yeah, but I can't really and

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Speaker 1: I remember Casey and jodo Ah laugh. That was that

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Speaker 1: was the like I was singing that all morning. I've

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Speaker 1: been singing that song all morning. I'm not kidding really,

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Speaker 1: because that song reminded me of an early slow dancing

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Speaker 1: time for sure. Was it the first? I can't say,

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Speaker 1: but it was certainly popular. Okay, all right, now let's

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Speaker 1: say hello to Mark Gagliardi. Hello, Mark, Hi, describe the

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Speaker 1: feeling for us, because I don't really how, I don't

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Speaker 1: really know what this feeling feels like. So describe the

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Speaker 1: feeling of really nailing an audition. One of these days

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Speaker 1: I will be able to answer this question for you.

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Speaker 1: You have never felt I've never walked out of an audition,

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Speaker 1: and I don't know that I've ever felt like I

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Speaker 1: really nailed it. I feel like, because I'm I guess

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Speaker 1: I'm pretty hard on myself. I come out and I go,

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Speaker 1: I could have done this, and that beat could have

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Speaker 1: done this, and that beat could have done this, and

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Speaker 1: that beat. Oddly, it's the smaller the thing, the easier

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Speaker 1: it is to feel like I nailed it. Like I remember,

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Speaker 1: I had a commercial audition once and all I had

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Speaker 1: to do was a bite and smile. If you've ever

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Speaker 1: audition for commercial, you know the bite and smile. It's

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Speaker 1: just wow, I'm really enjoying this Snickers bar that I

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Speaker 1: just took a bite of. It's where you you take

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Speaker 1: a little bite, make sure a little bit of the

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Speaker 1: car and will hit your lip and then you kind

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Speaker 1: of lick it in there on you do you very

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Speaker 1: gently chew and nod and look off to one side.

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Speaker 1: I did have one of those ones where I went, man,

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Speaker 1: I nailed that, but that was good. I nailed that

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Speaker 1: bite and smile. I did not get the job, but

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Speaker 1: I did finish the snickers. Um. My worst ones are

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Speaker 1: the no talking. Not that I'm great with dialogue either,

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Speaker 1: but it's for me. It's the sitting in the audie

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Speaker 1: and being like, Okay, you're looking at the dash, Oh

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Speaker 1: you're happy that there's a touch screen. Oh, your wife's calling,

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Speaker 1: Oh look at this mountain, and it's so hard for

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Speaker 1: me to like smaller, smaller, smaller, like well then you

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Speaker 1: get okay anyway, Well, I mean, Mark, you might not

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Speaker 1: know what a good audition feels like, but you know

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Speaker 1: what it feels like to book something, you know, and

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Speaker 1: one of these days, well we'll have that conversation speaking

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Speaker 1: of booking something. I mean, it's hard to mention booking

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Speaker 1: without mentioning this. Next fellow, say hello to Craig Atkowski,

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Speaker 1: the booking Machine. Oh sorry, sorry, guys, I can't do

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Speaker 1: the second episode of course, Craig. Do you listen to

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Speaker 1: music every day? Yes? You do. Yes, I don't listen

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Speaker 1: to music every day. Yeah. I I pay for Amazon

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Speaker 1: Music for some reason, I guess. I guess I'm being

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Speaker 1: mocked for um and so I I had had everything

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Speaker 1: on iTunes and then I slowly like built up like

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Speaker 1: my old playlists and everything on Amazon Music. So typically

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Speaker 1: typically my day is I would probably like read the

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Speaker 1: news for about an hour and a half and then

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Speaker 1: just listen to my songs on Amazon Music on shuffle.

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Speaker 1: I've got probably by eight thousand songs in uh in

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Speaker 1: the rotation. So, and does it does the music affect

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Speaker 1: your mood from time? I know it's that's a dumb question,

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Speaker 1: but like, I listen to music so rarely that when

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Speaker 1: I do, I'm like, oh fuck, Like I'm really like

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Speaker 1: brushing my teeth feels crazy. Listen to radio Head like,

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Speaker 1: I'm just I get so affected. Does it will like

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Speaker 1: affect you as much as it affects me? Yeah? Absolutely.

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Speaker 1: Like one of my favorite workout playlist is called Shortened

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Speaker 1: to the Point, which is all songs that are two

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Speaker 1: and a half minutes long or shorter. So like a

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Speaker 1: lot of like pop punk kind of stuff, you know,

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Speaker 1: just like short energetic songs. Love that. I'm I'm never somebody.

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Speaker 1: I mean, I do like some mellow stuff, but of like,

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Speaker 1: my normal state is pretty zoned out and mellow, and

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Speaker 1: so I need music to pump energy and beauty and

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Speaker 1: melody to get me to feel uh something more. So

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Speaker 1: I think in the in that sense, it's a little

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Speaker 1: bit of a drug. I'm loving this. I have to

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Speaker 1: ask a question. I can't help myself, But what like

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Speaker 1: if you were to just to like too on a

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Speaker 1: little song today, tut on one of these songs that

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Speaker 1: like is energy to you? I just want to know

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Speaker 1: what that you know what I mean? I just want

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Speaker 1: to know what that is, just off the top of

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Speaker 1: my head. I also read a column called The Number

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Speaker 1: Ones by Tom Bryan that comes out three times a week,

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Speaker 1: which is kind of a chronological assessment of all the

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Speaker 1: songs that hit number one in the Billboard charts, and

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Speaker 1: so right now he's in kind of mid nineties and

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Speaker 1: like the like the Puff Daddy, which is not necessarily

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Speaker 1: stuff that speaks to me. But the song for today

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Speaker 1: was was Biggie's Hypnotized and that's just a fucking jam

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Speaker 1: and so like. And then as you read the column,

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Speaker 1: like you can click on of like oh, here's the demo,

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Speaker 1: and of like oh and here was his first gives

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Speaker 1: you a little bit of the history of each song

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Speaker 1: and the artists. So uh, so I did a lot

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Speaker 1: of like listening to uh two Biggie uh this morning

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Speaker 1: and hypnotized like we'll we'll get your blood pumping at

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Speaker 1: any time of the day. Wow, I've never heard of that,

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Speaker 1: but I bet our next guest has, because our next,

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Speaker 1: our next guest has his finger on the pulse of

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Speaker 1: all things pop and culture, and pop culture makes some noise,

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Speaker 1: say a lot of coal Stratton, everybody, Cole, I'm really excited. Please,

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Speaker 1: actually have you have you? Have you heard of this?

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Speaker 1: This guy Crat was talking about I haven't. It sounds

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Speaker 1: great though, because I like Craig listen to music every day,

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Speaker 1: all the time, so you should definitely check that out

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Speaker 1: for sure. My question for you, I'm really excited to

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Speaker 1: ask you specifically. Actually, I think a lot of us

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Speaker 1: can answer this, but just you specifically. This is exciting

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Speaker 1: for me. So it's if if you know if if,

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Speaker 1: if you know Cole, if you know his wife, if

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Speaker 1: you follow him on social media, you know that they

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Speaker 1: take a trip to new work. They see a lot

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Speaker 1: of Broadway shows. Is that once a year every couple

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Speaker 1: of years? Cold, it's usually once a year. But then

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Speaker 1: like the world stopped for two years, so yeah, we

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Speaker 1: hadn't been back for we just went there back three years. Oh,

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Speaker 1: it always looks so great because you see so many shows.

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Speaker 1: Now here's my question for you. You're at a show

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Speaker 1: and and then all of a sudden someone runs out

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Speaker 1: and goes everybody, this person got sick, and we need

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Speaker 1: somebody in the audience who knows all the lyrics to

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Speaker 1: this song or to this for this musical. I need you.

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Speaker 1: I need you to answer what musical that is and

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Speaker 1: what character it is that you that you would be

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Speaker 1: like bucket here? Yeah, is this school ja First of all,

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Speaker 1: super plausible scenario I'm always called ready to run up. Gosh,

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Speaker 1: I've I've probably seen The Music Man seven thousand times

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Speaker 1: at this point, either from being in it or seeing

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Speaker 1: because like it's like we just saw the huge Jackman version,

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Speaker 1: which is great. But music Man at this point can

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Speaker 1: either so prize nor thrilled me, but never bores me.

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Speaker 1: Like it's just it's the music Man. So I could

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Speaker 1: probably jump in and well obviously went through because I

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Speaker 1: did that when I was a kid like that, but

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Speaker 1: it would not be appropriate now probably jump in into

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Speaker 1: Harold Opret pretty well at this point, I love that. Gosh,

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Speaker 1: I want to see all of you do this. Okay,

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Speaker 1: I guess we gotta improvise today based on some suggestions. UM,

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Speaker 1: so glad you're all here. Uh yeah. These suggestions come

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Speaker 1: from all of you who are listening, or people who

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Speaker 1: are listening who have sent in suggestions, either via email

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Speaker 1: or via our Patreon page. If you want to become

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Speaker 1: a Patreon v I p know that you will get

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Speaker 1: exclusive bonus including video of what's happening this morning. I mean,

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Speaker 1: this is exciting stuff, um, plus a lot lot more.

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Speaker 1: Head on over to patreon dot com slash Alchemy this

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Speaker 1: or if you want to submit a suggestion via email,

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Speaker 1: hit us up at Alchemy this email at gmail dot com.

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Speaker 1: That's Alchemy this gmail dot com. Seen one comes to

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Speaker 1: us from listener Heather Dempsey. Heather Rights, Hello, lovely people.

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Speaker 1: I can't tell you how much I appreciate this podcast.

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Speaker 1: I was just listening to an old episode while shoveling

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Speaker 1: snow for the seven thousand time this winter. My fingers

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Speaker 1: were freezing, my back ached, but I was laughing maniacally

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Speaker 1: the whole time. My neighbors already think I'm weird, so

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Speaker 1: you guys are really helping to reinforce my reputation. My

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Speaker 1: scene suggestion is texting and is inspired by a couple

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Speaker 1: of recent text mishaps. Thanks for everything, Heather. Okay, Ranic,

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Speaker 1: can you show me how to do this here? I'm

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Speaker 1: not just turn in the motorola. That smartphone is new

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Speaker 1: for me. Yeah sure, sure dad. Um, So we're just

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Speaker 1: gonna we're gonna click this and then you see this

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Speaker 1: keyboard and it's just like any other keyboard. It's just

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Speaker 1: like a computer, And so you can text Wendy, was it? Yeah, Wendy,

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Speaker 1: that's my new lady that I've been seeing. Yeah. So

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Speaker 1: you can text her hello, hi, um, you can ask

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Speaker 1: her questions. There's also there's punctuation if you just click this,

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Speaker 1: or you can send emojis, well what are what are?

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Speaker 1: What are emojis? Like smiley faces or like plants and

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Speaker 1: like water squirts? And oh that's good because I just

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Speaker 1: die that the egg plants are come up in the garden.

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Speaker 1: So I'll go ahead and send this door right now. Hey, Wendy,

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Speaker 1: Oh my god. And Marie and Marie I told you

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Speaker 1: about that boy I just started dating, right Conrad. Yes,

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Speaker 1: look what he just texted me. That's a lot of

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Speaker 1: egg plants. That is a lot of egg plants and

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Speaker 1: a squirt gun. I don't know if I should be

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Speaker 1: plater sir, eggplant water squirts, but you know what that means.

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Speaker 1: And Marie tell me you know how to text? Of

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Speaker 1: course I know how to text. It doesn't sound like

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Speaker 1: it if you don't know what an egg plant means. Okay,

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Speaker 1: so you've got to get over there. I guess what

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Speaker 1: do I wear like? I've got to get over there

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Speaker 1: right now. And you know, it's it's not always that

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Speaker 1: it's gonna be like this. It's the beginning phase, you know,

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Speaker 1: it's the honeymoon. I guess I just have to find

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Speaker 1: something to put on and go over there and let's

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Speaker 1: get eggplant e okay, something sexy, but not like in

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Speaker 1: your face sexy, like every day, you know, casual. I

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Speaker 1: just rolled out of bed, and I'm sexy. But I

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Speaker 1: when I roll out of bed, I don't look sexy.

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Speaker 1: I've got all the stuff in my hair. I've got

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Speaker 1: I've gotta put my glasses on. I have this the

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Speaker 1: my mouthguard at night. Well, first of all, you've got

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Speaker 1: you've got a text back. What do I text back?

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Speaker 1: You know what, I'm going to change the subject. I'm

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Speaker 1: going to change the subject. I don't want this to

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Speaker 1: get sexual. I'll just tell him about the garden and

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Speaker 1: and the and the orchard. You know, the peaches are in,

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Speaker 1: the peaches are in. I'll change the subject. I'll just

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Speaker 1: we'll talk about the peaches. So I'll just I'm just

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Speaker 1: gonna send him some peaches. Larry, what the fund is

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Speaker 1: this quote text sent from you to me? Linda is

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Speaker 1: being such a bit right now? Uh m hmm. Explain

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Speaker 1: how it got to you again? Who were you trying

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Speaker 1: to text that I and being such a bit right

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Speaker 1: now to you, Linda, that's your choice of communication with

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Speaker 1: me these days. Well, I was speaking about you in

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Speaker 1: the third person to you, so we could look at

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Speaker 1: this objectively and you know, make some adjustments to our relationships.

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Speaker 1: So you know, every now and then, if if I'm

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Speaker 1: acting up, can send me a text says that Larry's

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Speaker 1: being an asshole, for instance, so we don't take it personally.

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Speaker 1: And I like that, that makes sense, that's good. I

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Speaker 1: just I just want to make sure we continue to

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Speaker 1: stay closer. And sometimes, you know, they say you can

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Speaker 1: lose some meaning over text. I disagree. I think i'm

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Speaker 1: I'm I'm better over text. Well, anyways, my mom's going

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Speaker 1: to stay for two weeks. I want her to stay

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Speaker 1: in the bed with me, So if you don't mind

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Speaker 1: hopping in the air mattress, that would be great. Of course,

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Speaker 1: I know the drill Mom comes, she sleeps with you,

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Speaker 1: I'm on the air mattress. And if you complain about

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Speaker 1: it again, it's going to be like a big problem.

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Speaker 1: Mm hmmm. Shoot you a quick text, real quick. Okay,

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Speaker 1: see that Linda has been a bit again. This isn't funny. Oh,

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Speaker 1: I wasn't trying to be funny. It's just not you, babe,

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Speaker 1: but like, let's like look outside of ourselves and Lena's

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Speaker 1: being a real fucking bitch again, you know what I mean.

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Speaker 1: I just don't. I just feel like when I'm reading

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Speaker 1: it in texts, it's hurtful, but it's not like the

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Speaker 1: way that you're saying it is even worse. It's so

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Speaker 1: it's so aggressive, build up hate. I'm going to clarify this.

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Speaker 1: Um okay, just sent you another one. Listen. I know

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Speaker 1: that I said that this is a good idea, and

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Speaker 1: I do think that it does have merit. But we've

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Speaker 1: established that you felt that way earlier, and I want

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Speaker 1: to now connect with you as a human to human

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Speaker 1: and try to um figure this out. It says Lena

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Speaker 1: is a bitch because her mom's a bitch. Wow, this

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Speaker 1: is a big This is a big this is a

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Speaker 1: big line across I'll get the air mattress. It's really

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Speaker 1: something that we still are together, let me just say that,

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Speaker 1: and are pretty intimate, uh more than once a month,

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Speaker 1: which I think is pretty exciting because some of my

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Speaker 1: friends don't. Anyway, Hey, wend are you gonna go visit

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Speaker 1: your daughter? I am? I look Linda and Linda and Larry.

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Speaker 1: I think they're having some problems. And you know, sometimes

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Speaker 1: the mom's just gotta go in there, you know, and

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Speaker 1: you know, take care of things. I gotta take care

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Speaker 1: of my little girl. You know, I understand that I

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Speaker 1: do the same thing with Veronica. Well, you know, maybe

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Speaker 1: I'll text you while you're there getting the hang of

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Speaker 1: it here, Uh, text you some fun stuff, you know,

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Speaker 1: kind of keep things spicy in our relationship. I mean,

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Speaker 1: I like it when you when you do keep things spicy.

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Speaker 1: I I don't know if we want to have another

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Speaker 1: mishap like on beach day when I showed up in

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Speaker 1: that outfit. But now you know what we're learning. We've

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Speaker 1: been learning, and that's what's important. You know, we're now

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Speaker 1: we know how to text each other. Will send me

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Speaker 1: my send me some emojis. I want to. I want

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Speaker 1: to see if I can guess what you're saying. All right, up.

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Speaker 1: You are so cute the way the way that you

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Speaker 1: look like at your phone down like that when you're concentrating,

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Speaker 1: you just get this little twinkle in your eye. It's

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Speaker 1: just really cute. Okay, and send there you go. Oh see,

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Speaker 1: this is where I'm confused, though, Conrad. This is how

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Speaker 1: I get confused, because now you know what an egg

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Speaker 1: plant means, and now that you know what it means,

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Speaker 1: you're just sending me lots of egg plants. Do you

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Speaker 1: understand I'm trying to tell you something here where? Yeah?

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Speaker 1: I don't know. I mean I just kind of like

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Speaker 1: jump started my dad's for a into texting as sexting,

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Speaker 1: and I realized that that's kind of weird and a

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Speaker 1: little creepy, But I don't know. It's it's been a

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Speaker 1: long time for him. And is your relationship with your

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Speaker 1: father improving? He's happier, he's happier, so um, yeah, he

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Speaker 1: talks to me in like a better tone for sure. Um.

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Speaker 1: He seems to be more into the idea of me

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Speaker 1: moving in Um, which is a positive. And how about work?

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Speaker 1: Does everyone still hate you? Yeah? Everyone still hates m um.

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Speaker 1: It's now getting to the point where they're putting flyers

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Speaker 1: on the bulletin board. H And you can like, sorry, sorry,

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Speaker 1: I'm sorry, I'm laughing at something else. What are you

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Speaker 1: laughing at? Just I guess I'm on a text thread

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Speaker 1: with a bunch of other therapists. Okay, Um, well, yeah,

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Speaker 1: people that work still hate me. Um, should we end

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Speaker 1: our session early or no? No, no, We've got an hour.

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Speaker 1: I gotta say I love therapist happy hour. This is nice.

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Speaker 1: Have a couple of drinks at a discounted rate and

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Speaker 1: just shoot the ship. Shoot the ship. Let's talk about

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Speaker 1: the crazy. I mean, the gifts that you send are

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Speaker 1: great on the thread, but be able to to to

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Speaker 1: expand on those I r L makes a huge difference.

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Speaker 1: What's going on with that narcissist you're you're treating? Oh well, um,

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Speaker 1: he still thinks it's all about him by definition, so

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Speaker 1: and so if you recall you're my last session I

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Speaker 1: sent mirror emoji z z z. It's like he's a look,

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Speaker 1: it's all about him, and I'm like, I'm tired knowing

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Speaker 1: another picture of Rita's Yes, yeah, let's do it. Let's

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Speaker 1: do it, so Berna, Berna, are you still seeing one

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Speaker 1: of your patients? Is that still? Yeah? I got pregnant

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Speaker 1: last week? What he got me pregnant last week? Congratulations?

326
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Speaker 1: He's married? Right that this is just like a flaing thing. Well,

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Speaker 1: I actually, you know a lot of the focus goes

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Speaker 1: onto him and his issues, and for me, this is

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Speaker 1: actually quite amazing. Because um, we didn't think that I

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Speaker 1: me and my team of doctors didn't think that I

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Speaker 1: could conceive. So oh, miRNA, I just you're getting a

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Speaker 1: text from me, and that was that was not meant

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Speaker 1: for you. So just just just ignore or delete that

334
00:20:52,400 --> 00:20:58,679
Speaker 1: as it comes in. So rob am, I supposed to

335
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Speaker 1: be Miss Piggy in this job. That's supposed to be me.

336
00:21:03,520 --> 00:21:05,800
Speaker 1: Uh no, that was that was for someone else. And

337
00:21:05,880 --> 00:21:08,399
Speaker 1: it's just because we were because you just told me

338
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Speaker 1: that it was about me. Uh okay, yes, you're supposed

339
00:21:18,400 --> 00:21:24,119
Speaker 1: to be Miss Piggy. Okay, geez one. He really appreciate

340
00:21:24,240 --> 00:21:29,240
Speaker 1: you indulging me in my cuckle fantasy. I mean, I

341
00:21:29,920 --> 00:21:33,240
Speaker 1: didn't know this was going to be part of this relationship,

342
00:21:33,400 --> 00:21:40,800
Speaker 1: but I mean if if if you wanted this, I mean, sure, honey,

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Speaker 1: that's you, and you can take the robe off if

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00:21:43,080 --> 00:21:48,240
Speaker 1: you want. It's it's oh my wow, wow. That is

345
00:21:48,320 --> 00:21:59,000
Speaker 1: at egg Plant Parmeer genre. That's our pers Scene Scene

346
00:21:59,040 --> 00:22:05,280
Speaker 1: two comes to us for Alchemniak Katherine Wasser was I

347
00:22:05,359 --> 00:22:14,560
Speaker 1: don't know, She writes high Alchemist seen suggestion prom night

348
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Speaker 1: have fun. Katherine just scooch over a little so I

349
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Speaker 1: can get both of you real good in the picture.

350
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Speaker 1: Get Nope, but don't not not I mean, don't put

351
00:22:27,000 --> 00:22:29,440
Speaker 1: your arm around her, but not like that. You know,

352
00:22:29,920 --> 00:22:33,720
Speaker 1: you kids are so cute, scooch close. She's my sister

353
00:22:34,000 --> 00:22:37,800
Speaker 1: and that feels well, she's you know what, But tonight

354
00:22:37,840 --> 00:22:41,280
Speaker 1: she's your prom day, isn't she? Because somebody didn't ask

355
00:22:41,359 --> 00:22:46,280
Speaker 1: someone soon enough, so someone's got his older sister going

356
00:22:46,359 --> 00:22:50,439
Speaker 1: as his prom day. Yes, sir, okay, And if we

357
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Speaker 1: could just agree that we're going to be home by

358
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Speaker 1: ten thirty. I have court very early in the morning.

359
00:22:56,560 --> 00:23:00,080
Speaker 1: Your sister is a is a very important lawyer. Now,

360
00:23:00,119 --> 00:23:02,840
Speaker 1: she's a very important lawyer. You gotta get her home

361
00:23:02,840 --> 00:23:06,119
Speaker 1: early so that she can she's working on some cases. Okay,

362
00:23:06,359 --> 00:23:08,679
Speaker 1: you guys in the same didn't you guys? Were you

363
00:23:08,720 --> 00:23:12,600
Speaker 1: in class together so you ended up being a photographer

364
00:23:12,640 --> 00:23:16,960
Speaker 1: and you're hello, huh. Some of us don't do as

365
00:23:17,000 --> 00:23:19,720
Speaker 1: well in school, okay, some of them. This is not

366
00:23:19,920 --> 00:23:23,360
Speaker 1: about us. This is not about this family unit. This

367
00:23:23,440 --> 00:23:26,760
Speaker 1: is about you two scooching close together so I can

368
00:23:26,800 --> 00:23:30,480
Speaker 1: get a good picture. But you two knew each other,

369
00:23:30,520 --> 00:23:35,560
Speaker 1: so I'm asking, yeah, yes, yes, we knew each other.

370
00:23:35,800 --> 00:23:38,199
Speaker 1: We knew each other. Is that what you asked? Are you?

371
00:23:38,359 --> 00:23:40,640
Speaker 1: Are you gonna bring this up? That that that that

372
00:23:40,760 --> 00:23:43,400
Speaker 1: the old man failed out of failed out of law

373
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Speaker 1: school again? Is that what we're gonna keep bringing up? No,

374
00:23:46,800 --> 00:23:49,520
Speaker 1: I just thought, Okay, we're gonna score, We're gonna scooch

375
00:23:49,600 --> 00:23:52,720
Speaker 1: closer for a picture. Yeah. No's but you two were

376
00:23:52,760 --> 00:24:02,960
Speaker 1: you were friends? Right, Yeah, I'm a little lost. I'm

377
00:24:02,960 --> 00:24:07,320
Speaker 1: not gonna lie. I'm a little lost. Kevin's Yes, we

378
00:24:07,320 --> 00:24:11,240
Speaker 1: were friends. We were classmates, we were a father daughter,

379
00:24:11,480 --> 00:24:17,320
Speaker 1: we were everything. It was a crazy thing that happened.

380
00:24:17,680 --> 00:24:20,119
Speaker 1: And would someone else use a time machine in a

381
00:24:20,160 --> 00:24:26,359
Speaker 1: different way? He check out Thompson. He brought a sister

382
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Speaker 1: mom the prom again every year. Man, I no matter,

383
00:24:35,400 --> 00:24:38,800
Speaker 1: no matter how many times we go over all the

384
00:24:39,040 --> 00:24:42,199
Speaker 1: mystery and intrigue in that family, I still cannot wrap

385
00:24:42,280 --> 00:24:46,719
Speaker 1: my head around the full situation. You know, he shouldn't have.

386
00:24:46,960 --> 00:24:50,080
Speaker 1: That was a bad way to do time travel, because look,

387
00:24:50,080 --> 00:24:52,399
Speaker 1: I have these gills now because of what he did.

388
00:24:52,440 --> 00:24:55,800
Speaker 1: All right, he messed up the timeline. Now I got gills,

389
00:24:56,000 --> 00:24:58,720
Speaker 1: and he's at the problem with the system. Mom. Yeah,

390
00:24:58,760 --> 00:25:00,920
Speaker 1: but I guess you know it? Is it like maybe

391
00:25:00,960 --> 00:25:04,639
Speaker 1: you've always had gills, and you know, it's just like

392
00:25:04,680 --> 00:25:07,000
Speaker 1: this is the way it's supposed to happen, you know,

393
00:25:07,320 --> 00:25:10,160
Speaker 1: because if time is a loop, then you're just supposed

394
00:25:10,160 --> 00:25:12,040
Speaker 1: to have girls, right, Yeah, I guess you're right. I

395
00:25:12,080 --> 00:25:18,040
Speaker 1: don't remember a time when I didn't have gils. Okay, okay,

396
00:25:18,640 --> 00:25:21,280
Speaker 1: look after this dance, I'm gonna hop back into that

397
00:25:21,320 --> 00:25:23,960
Speaker 1: machine and make some different choices. But before I do,

398
00:25:24,560 --> 00:25:28,080
Speaker 1: I need some clarification. I thought you were my sister,

399
00:25:29,760 --> 00:25:32,399
Speaker 1: and you and you okay, and you were just a

400
00:25:32,400 --> 00:25:34,760
Speaker 1: guy taking pictures, and I was trying to establish that

401
00:25:34,760 --> 00:25:37,959
Speaker 1: you two probably knew each other from before. Wait wait, wait, wait, wait.

402
00:25:38,000 --> 00:25:43,159
Speaker 1: First of all, let's just say this. We talked about this.

403
00:25:43,359 --> 00:25:46,560
Speaker 1: You were not supposed to keep the time machine. Nevertheless,

404
00:25:46,600 --> 00:25:51,280
Speaker 1: bring it to your prompt to bring pographer. Yes, I

405
00:25:51,280 --> 00:25:56,280
Speaker 1: thought you were my sister both. I know it's a

406
00:25:56,359 --> 00:26:01,879
Speaker 1: little wonky, but it's true. It's Senior da Vinci. I

407
00:26:02,760 --> 00:26:04,919
Speaker 1: see these plans you made for the time of machine.

408
00:26:04,960 --> 00:26:08,959
Speaker 1: But I wonder, Senor da Vinci, do you think do

409
00:26:09,000 --> 00:26:13,040
Speaker 1: you think this could several hundred years from now getting

410
00:26:13,119 --> 00:26:17,440
Speaker 1: used in a kind of a wonky way, like incorrectly,

411
00:26:17,520 --> 00:26:20,920
Speaker 1: like like it could mess up with the family relationships.

412
00:26:21,240 --> 00:26:22,679
Speaker 1: I don't know if we should have been messing with

413
00:26:22,720 --> 00:26:26,880
Speaker 1: the spacetime and continue and miss my point. Senor DaVinci, Okay,

414
00:26:27,080 --> 00:26:31,840
Speaker 1: who is the master? Giuseppe? You you, Senor DaVinci, Master.

415
00:26:31,960 --> 00:26:34,720
Speaker 1: We all know you're the master. Let me let me

416
00:26:34,720 --> 00:26:37,200
Speaker 1: ask you. Did you make it a Vietrovian man? Yes,

417
00:26:37,240 --> 00:26:39,000
Speaker 1: I make it a Trouvian man. His arms are above

418
00:26:39,000 --> 00:26:40,439
Speaker 1: his head, his arms to the side, his arms on

419
00:26:40,480 --> 00:26:43,159
Speaker 1: the bottom, his legs spread whide, his legs closer together.

420
00:26:43,480 --> 00:26:46,119
Speaker 1: I drew out the Vitruvian man, just as you asked

421
00:26:46,200 --> 00:26:48,080
Speaker 1: me to. Or do you mean did I come up

422
00:26:48,119 --> 00:26:51,639
Speaker 1: with the concept? Did you come up with the guns? No?

423
00:26:52,240 --> 00:26:58,120
Speaker 1: I know you came up with the concept. Okay, alright,

424
00:26:58,200 --> 00:27:01,080
Speaker 1: So I think I'm a time of in. Is gonna work?

425
00:27:01,359 --> 00:27:03,679
Speaker 1: Justify just I know it? It will work. It that's

426
00:27:03,800 --> 00:27:11,880
Speaker 1: the problem. It's a photographer. Yeah, I think we're we're

427
00:27:11,920 --> 00:27:17,640
Speaker 1: getting a little lost here. Yeah, tell me where I mean? Yeah,

428
00:27:17,680 --> 00:27:22,240
Speaker 1: I'm a photographer. I was. I assumed you knew I

429
00:27:22,280 --> 00:27:29,000
Speaker 1: was your father? Yes, they call him dad, don't that

430
00:27:29,000 --> 00:27:33,200
Speaker 1: That's what That's what was confusing me. Well, you see,

431
00:27:33,320 --> 00:27:36,080
Speaker 1: I saw this at the at the prom, at the

432
00:27:36,160 --> 00:27:44,399
Speaker 1: gymnasium itself. Not we are right now dancing. Yeah, but

433
00:27:45,600 --> 00:27:48,200
Speaker 1: look they're still trying to work it out. They don't

434
00:27:48,240 --> 00:27:51,840
Speaker 1: even know themselves. It's that confused, it really is. Hey,

435
00:27:51,920 --> 00:27:56,080
Speaker 1: you might splashing some water on me. I'm being tired. Yeah,

436
00:27:56,160 --> 00:27:59,679
Speaker 1: you breathe, you breathe water. That's that's how it works.

437
00:27:59,800 --> 00:28:03,080
Speaker 1: You're fishman. So the assam was that my father was

438
00:28:03,200 --> 00:28:06,800
Speaker 1: at the actual problem and not at I wouldn't understand

439
00:28:06,960 --> 00:28:11,600
Speaker 1: the stairway picture in the home. Okay, Okay, okay, I

440
00:28:11,640 --> 00:28:15,760
Speaker 1: gotta stop a things right here. Sorry, yes, yes, don't

441
00:28:15,920 --> 00:28:21,960
Speaker 1: don't freak out. Oh my gosh, I'm a Leonardo da Vinci.

442
00:28:22,080 --> 00:28:28,520
Speaker 1: Holy hell. Okay, it wasn't never supposed to get this way. Okay,

443
00:28:28,640 --> 00:28:33,440
Speaker 1: are you alive? Are you an apparition? No? No, I'm

444
00:28:33,440 --> 00:28:38,840
Speaker 1: a hearing What is this? Two? Yes? Yeah? In in

445
00:28:38,920 --> 00:28:47,520
Speaker 1: the United States of America, Okay, in a California, Okay,

446
00:28:47,560 --> 00:28:56,400
Speaker 1: in a Los Angeles. This is amazing, all right, Mr Gail,

447
00:28:56,720 --> 00:28:59,480
Speaker 1: Mrs Amacas, Mr Spielberg, We've got some notes on your

448
00:28:59,480 --> 00:29:02,680
Speaker 1: first aff for Back to the Future. H We're gonna

449
00:29:02,760 --> 00:29:07,080
Speaker 1: keep the prom setting. We like that, and we're gonna

450
00:29:07,280 --> 00:29:10,760
Speaker 1: keep the mom relationship, but we're not going to make

451
00:29:10,760 --> 00:29:12,840
Speaker 1: it as complicated as you did. We're not gonna put

452
00:29:12,840 --> 00:29:16,480
Speaker 1: a sister part in. Well really, yeah, that's not really

453
00:29:16,480 --> 00:29:20,440
Speaker 1: tracking for us, because I mean, the whole idea of

454
00:29:20,440 --> 00:29:24,640
Speaker 1: a guy having to take his sister to the prom,

455
00:29:24,680 --> 00:29:30,240
Speaker 1: but the photographer is also his dad, and the dad

456
00:29:30,480 --> 00:29:33,160
Speaker 1: here's the important. The important is the dad and sister

457
00:29:33,320 --> 00:29:39,120
Speaker 1: were friends. All Right, I'm gonna think of all the

458
00:29:39,160 --> 00:29:46,520
Speaker 1: complications that that will ensue. So let me ask you

459
00:29:46,520 --> 00:29:49,360
Speaker 1: a question. Is there a scenario where I hop back

460
00:29:49,360 --> 00:29:51,560
Speaker 1: in that sheet machine and when I come back, you're

461
00:29:51,600 --> 00:29:53,560
Speaker 1: not my mom or my sister, but you're just my

462
00:29:53,600 --> 00:29:59,000
Speaker 1: straight up prom date. This is a creepy question. The

463
00:29:59,040 --> 00:30:01,680
Speaker 1: way that you're looking at me, it seems like you

464
00:30:01,720 --> 00:30:04,560
Speaker 1: don't want me to be your family anymore, and that

465
00:30:06,160 --> 00:30:10,040
Speaker 1: I don't like that. Listen, the only person who can

466
00:30:10,400 --> 00:30:13,320
Speaker 1: go you should be carrying this around. This isn't your

467
00:30:13,400 --> 00:30:18,239
Speaker 1: time machine. Okay, your father photographer and I found it

468
00:30:18,440 --> 00:30:22,960
Speaker 1: together when we were on our honeymoon. It's not yours

469
00:30:23,080 --> 00:30:25,680
Speaker 1: to tote around, and it's not yours to go into.

470
00:30:26,040 --> 00:30:28,240
Speaker 1: We are the ones who went into it, and we

471
00:30:28,280 --> 00:30:33,400
Speaker 1: are the only ones who could go back. Fine, if

472
00:30:33,520 --> 00:30:38,760
Speaker 1: Leonardo was right, these are the rules, he told me.

473
00:30:40,760 --> 00:30:45,200
Speaker 1: What are you saying, Mom's this? I'm I mean, I'm

474
00:30:45,280 --> 00:30:49,280
Speaker 1: just saying it's all kind of a wash, right, Like

475
00:30:49,400 --> 00:30:54,240
Speaker 1: it's all just hypothetical. Zone really knows what if I

476
00:30:54,280 --> 00:30:59,280
Speaker 1: punched Dad right now? You just punched him, but not

477
00:30:59,360 --> 00:31:03,400
Speaker 1: really kicked out of the prom. You're lucky that's turned

478
00:31:03,400 --> 00:31:06,600
Speaker 1: out for what's playing, and you're lucky about that. So

479
00:31:06,800 --> 00:31:09,400
Speaker 1: tell me again which one is the carnitas and the

480
00:31:09,480 --> 00:31:12,719
Speaker 1: which one is the carne asada? Because of that, they

481
00:31:12,800 --> 00:31:17,000
Speaker 1: all taste amazing to me, Mr da Vinci. If you've

482
00:31:17,000 --> 00:31:19,640
Speaker 1: just been standing next to us with this buffet plate

483
00:31:19,720 --> 00:31:23,560
Speaker 1: the whole time. Look, I look out and there's like

484
00:31:23,640 --> 00:31:27,280
Speaker 1: a there's like a taco truck on the every corner here. Yes,

485
00:31:27,320 --> 00:31:31,800
Speaker 1: it's California, it's Los Angeles. Incredible, you have this available everything.

486
00:31:31,920 --> 00:31:38,240
Speaker 1: You have ruined our family. Hey, Mike, it's me, your neighbor.

487
00:31:39,560 --> 00:31:42,680
Speaker 1: I know we don't hang out a lot lately because

488
00:31:42,680 --> 00:31:44,440
Speaker 1: you know, I got that time machine thing, so I've

489
00:31:44,440 --> 00:31:46,920
Speaker 1: been like leaving stuff and checking things out. But I

490
00:31:47,640 --> 00:31:52,240
Speaker 1: miss you, dude. Yeah. Man, uh yeah, I miss hanging

491
00:31:52,240 --> 00:31:56,640
Speaker 1: with you too. How's life in the real world? That's

492
00:31:56,640 --> 00:32:05,000
Speaker 1: all right? Um, you know my gils disappeared? What does

493
00:32:05,000 --> 00:32:08,480
Speaker 1: that mean? Did I do that? Probably? But that did

494
00:32:08,520 --> 00:32:12,520
Speaker 1: I ever have them? Yeah? Good question. Could you just

495
00:32:12,600 --> 00:32:17,480
Speaker 1: like just stay put, you know, like, let's just ride

496
00:32:17,480 --> 00:32:21,800
Speaker 1: our bikes around, you know, let's just play video games

497
00:32:21,800 --> 00:32:24,400
Speaker 1: and drink bound dude and has some Mike and Ike

498
00:32:24,520 --> 00:32:28,600
Speaker 1: and and just speak kids again. You know, it sounds nice.

499
00:32:29,560 --> 00:32:33,560
Speaker 1: You know what, Maybe we should destroy that stupid machine.

500
00:32:33,600 --> 00:32:36,200
Speaker 1: So I'm never tempting. No one else has ever tempted again,

501
00:32:37,960 --> 00:32:41,600
Speaker 1: all right, but maybe take Da Vinci back first. I

502
00:32:41,640 --> 00:32:43,400
Speaker 1: don't know he buys his he could buy his beer,

503
00:32:43,520 --> 00:32:48,840
Speaker 1: right sir, Hey you want the beer, I get you beer.

504
00:32:48,920 --> 00:32:50,800
Speaker 1: And see that's kind of cool. Yeah, you're right, keep

505
00:32:50,800 --> 00:32:53,760
Speaker 1: them around. I'll keep him around. But smash smash this

506
00:32:53,840 --> 00:32:57,480
Speaker 1: machine and just get back to being kids. Yeah, let's

507
00:32:57,520 --> 00:33:01,640
Speaker 1: do it. There's also n as a nobody cares that

508
00:33:01,640 --> 00:33:06,000
Speaker 1: that mcgay here. It's it's really it's a really wonderful.

509
00:33:06,160 --> 00:33:08,840
Speaker 1: Yeah no, it's not a problem. Not a problem, not

510
00:33:08,920 --> 00:33:18,520
Speaker 1: in United States, California, Los Angeles. But you're saying else where. Listen,

511
00:33:18,600 --> 00:33:21,280
Speaker 1: sometimes things can go straight up completely Texas and then

512
00:33:21,280 --> 00:33:22,920
Speaker 1: it gets like sideways. But we don't want to get

513
00:33:22,960 --> 00:33:27,960
Speaker 1: into that. Uh, sweetie bro, are you trying to tell

514
00:33:28,000 --> 00:33:30,239
Speaker 1: me your friend wants to be a normal kid? And

515
00:33:30,280 --> 00:33:33,080
Speaker 1: that and he said that means what Mike and Ikes

516
00:33:34,120 --> 00:33:39,240
Speaker 1: Mountain dew video games, riding bikes. Probably a backwards hatter

517
00:33:39,320 --> 00:33:43,440
Speaker 1: two okay? And and and you think that he's from

518
00:33:44,480 --> 00:33:49,440
Speaker 1: because it sounds like that's a time traveler. Wait what

519
00:33:50,200 --> 00:33:52,560
Speaker 1: well he gave me this Rubik's cuban is slinky? Does

520
00:33:52,600 --> 00:33:56,400
Speaker 1: that mean anything to you? Uh? Yeah, sweetie bro, it

521
00:33:56,440 --> 00:33:59,840
Speaker 1: really does. What is it? What? What time is he freeting?

522
00:34:00,080 --> 00:34:06,240
Speaker 1: Incredibly eighties? Incredibly eighties? I mean, Mike and Ikes are here,

523
00:34:06,280 --> 00:34:08,400
Speaker 1: but my god, you really have the search to find

524
00:34:08,480 --> 00:34:10,920
Speaker 1: him and no one likes well that that that's okay.

525
00:34:10,920 --> 00:34:14,000
Speaker 1: We wrote it. We wrote it in the eighties. Uh

526
00:34:14,239 --> 00:34:17,719
Speaker 1: we we just you know, the the the studios at

527
00:34:17,719 --> 00:34:20,120
Speaker 1: the time didn't have the balls to make the story

528
00:34:20,160 --> 00:34:23,080
Speaker 1: that we wanted to tell. Now now that we've sent

529
00:34:23,120 --> 00:34:28,279
Speaker 1: ourselves to two So I'm still Steven Spielberg, but I'm

530
00:34:28,320 --> 00:34:30,400
Speaker 1: in two thousand twenty two, But I want to make

531
00:34:30,440 --> 00:34:37,480
Speaker 1: the movie now. With you guys. Is that is that confusing? Um?

532
00:34:37,680 --> 00:34:40,680
Speaker 1: Could we could we updated? Um? I see that you

533
00:34:40,719 --> 00:34:43,200
Speaker 1: did a second draft in the nineties where POGs make

534
00:34:43,239 --> 00:34:46,719
Speaker 1: a big appearance. But could we just make us make

535
00:34:46,719 --> 00:34:50,359
Speaker 1: a current I'll make it a lot easier. And please

536
00:34:50,400 --> 00:34:53,839
Speaker 1: ignore the fact that that Bob's meckis has gills. Now

537
00:34:53,840 --> 00:34:57,719
Speaker 1: we don't somehow that happened along the way. Uh? But

538
00:34:57,840 --> 00:35:01,080
Speaker 1: we and no and no version of the timeline did

539
00:35:01,080 --> 00:35:03,080
Speaker 1: we hook up? We were always just friends. We were

540
00:35:03,120 --> 00:35:07,879
Speaker 1: always just friends. Senora da Vinci, you're back. I've been

541
00:35:08,040 --> 00:35:11,960
Speaker 1: so worried about you. The workshop is not to be

542
00:35:12,000 --> 00:35:15,400
Speaker 1: in the same since since you left. What what are

543
00:35:15,400 --> 00:35:20,640
Speaker 1: you eating? I had so many street tacos? What is

544
00:35:20,640 --> 00:35:30,080
Speaker 1: the street tacos? That's our second see see three comes

545
00:35:30,120 --> 00:35:35,520
Speaker 1: to us from listener Todd Tambling suggestion convention for people

546
00:35:35,800 --> 00:35:42,279
Speaker 1: who are bad at parking regards Todd, Oh, I want

547
00:35:42,280 --> 00:35:44,680
Speaker 1: to go into Uh. I want to go see that booth.

548
00:35:45,480 --> 00:35:49,120
Speaker 1: Oh yeah, that booth for the people that just park

549
00:35:49,200 --> 00:35:52,440
Speaker 1: a teensy bit in the red. Hi there, How can

550
00:35:52,440 --> 00:35:55,640
Speaker 1: I help you? Hi? Um? I was really interested about

551
00:35:55,680 --> 00:35:59,279
Speaker 1: possibly parking a little bit in the red And how

552
00:35:59,280 --> 00:36:01,320
Speaker 1: I can get away with it. Sure, So we have

553
00:36:01,400 --> 00:36:04,239
Speaker 1: brochures here as you can see there. It gives you

554
00:36:04,280 --> 00:36:07,279
Speaker 1: some diagrams. And basically what we're doing is we're not

555
00:36:07,760 --> 00:36:11,000
Speaker 1: breaking the law. We're just breaking the law, you know,

556
00:36:11,520 --> 00:36:16,200
Speaker 1: piecing people off sometimes and that's fine too. Yeah, sometimes

557
00:36:16,200 --> 00:36:19,040
Speaker 1: that is fine because no one, no one can really

558
00:36:19,160 --> 00:36:25,640
Speaker 1: know what true happiness is if they don't experience true rage. Wow,

559
00:36:25,840 --> 00:36:27,799
Speaker 1: we should write that down. I should wear a slogan here.

560
00:36:28,160 --> 00:36:30,839
Speaker 1: Oh my gosh, do you need I mean, I haven't

561
00:36:30,920 --> 00:36:35,759
Speaker 1: worked in years? Well, then no, they know what I

562
00:36:35,840 --> 00:36:38,080
Speaker 1: don't need somebody who hasn't worked in years, and then

563
00:36:38,080 --> 00:36:44,640
Speaker 1: don't use my slogan. That's my intellectual property. I'm useful

564
00:36:44,680 --> 00:36:48,400
Speaker 1: and I'm valuable in this world, and someone someone's going

565
00:36:48,440 --> 00:36:54,719
Speaker 1: to recognize that one day. I didn't mean to be disrespectful. Um,

566
00:36:54,760 --> 00:36:56,960
Speaker 1: why don't I go over a couple of the benefits

567
00:36:56,960 --> 00:37:00,759
Speaker 1: for parking tincy tiny and to the red um. One

568
00:37:00,800 --> 00:37:07,120
Speaker 1: benefit is, um, I can see your man. I'm in

569
00:37:07,160 --> 00:37:10,960
Speaker 1: a bad mood. Now. I'm in a bad mood. Now, okay,

570
00:37:13,360 --> 00:37:17,799
Speaker 1: how can we fix this? Have you? Okay? There are

571
00:37:17,840 --> 00:37:22,840
Speaker 1: so many other places to go at tension Convention ears

572
00:37:23,760 --> 00:37:28,319
Speaker 1: the following license plates are being towed for illegally being

573
00:37:28,360 --> 00:37:39,600
Speaker 1: parked in front of the building. Yes, that's me. Excuse me, miss,

574
00:37:39,640 --> 00:37:43,359
Speaker 1: you look pretty angry. Would you like to check out

575
00:37:43,400 --> 00:37:46,560
Speaker 1: some of our literature. This is for people that park

576
00:37:46,680 --> 00:37:49,560
Speaker 1: way over to the left side, kind of between the lines.

577
00:37:50,880 --> 00:37:55,279
Speaker 1: M hmm. I'm not even understanding that. I'm someone who

578
00:37:55,320 --> 00:37:58,960
Speaker 1: parks perpendicular in a parallel So well, this is for

579
00:37:59,160 --> 00:38:03,080
Speaker 1: when there's a spot with two lines clearly up and

580
00:38:03,160 --> 00:38:05,560
Speaker 1: you put way over on one side or the other side.

581
00:38:06,120 --> 00:38:11,600
Speaker 1: Really like now, I understand straddling the line. Yes, straddling

582
00:38:12,040 --> 00:38:15,200
Speaker 1: for the straddlers. We should write that down straddling. Yeah,

583
00:38:15,239 --> 00:38:17,920
Speaker 1: it's a great slogan. Actually, Um, if you're looking for

584
00:38:17,960 --> 00:38:21,359
Speaker 1: someone who can can do that, I happen to be

585
00:38:21,360 --> 00:38:26,440
Speaker 1: between jobs. Oh, I mean we're You've got four pamphlet

586
00:38:26,480 --> 00:38:28,680
Speaker 1: guys right now, and I don't I mean three of

587
00:38:28,680 --> 00:38:30,640
Speaker 1: them are my nephews. I can't really let them go,

588
00:38:31,760 --> 00:38:35,560
Speaker 1: but thank you. Sure. I mean, any any workforce could

589
00:38:35,640 --> 00:38:42,160
Speaker 1: um benefit from having a woman, So think about it. Hey, hey,

590
00:38:42,280 --> 00:38:45,440
Speaker 1: you're coming over to my booth, coming over to my booth. Um,

591
00:38:45,600 --> 00:38:48,520
Speaker 1: I gotta go, but any turn around, turn around turn around,

592
00:38:49,160 --> 00:38:55,600
Speaker 1: turn around, turn around to back it up? Okay okay

593
00:38:56,520 --> 00:39:01,359
Speaker 1: left or back to the right, straight straight it out,

594
00:39:01,800 --> 00:39:07,160
Speaker 1: straight it out, okay, forward, okay, okay, back it up. Shoot, okay,

595
00:39:07,480 --> 00:39:12,080
Speaker 1: back it up to the right, the right, strain it up,

596
00:39:11,640 --> 00:39:17,000
Speaker 1: straight up, all right, okay, back it up? Okay, okay,

597
00:39:17,040 --> 00:39:23,000
Speaker 1: good right, good? Who I haven't gotten that right? Safer

598
00:39:23,040 --> 00:39:25,920
Speaker 1: to back in? It's safer to and then you can

599
00:39:25,920 --> 00:39:27,799
Speaker 1: and then you can just get right out. I love

600
00:39:27,840 --> 00:39:32,560
Speaker 1: a convention that has like a physical fitness element to it.

601
00:39:32,560 --> 00:39:34,799
Speaker 1: It really gives you extra energy to keep going for

602
00:39:34,840 --> 00:39:39,600
Speaker 1: the day. Yeah, yes, and I love it so much.

603
00:39:41,880 --> 00:39:51,360
Speaker 1: It uh it's going Okay, there's no need to bark,

604
00:39:51,440 --> 00:39:53,840
Speaker 1: all right. Sorry, I'm just so excited. I think I

605
00:39:53,920 --> 00:39:59,880
Speaker 1: just got a job. Oh yeah, I haven't worked in years.

606
00:40:00,800 --> 00:40:03,520
Speaker 1: Um doing slogan for that guy he kind of said no.

607
00:40:03,600 --> 00:40:05,560
Speaker 1: But I feel like I really gave him, you know,

608
00:40:05,719 --> 00:40:08,600
Speaker 1: a bit of a of a of a stab and

609
00:40:08,680 --> 00:40:11,880
Speaker 1: a twist to really uh convince him to take to

610
00:40:11,920 --> 00:40:14,279
Speaker 1: take me on. So I'm feeling pretty good, and I'm

611
00:40:14,280 --> 00:40:23,120
Speaker 1: feeling and you know, invariated out. Sorry I left. I

612
00:40:23,800 --> 00:40:28,799
Speaker 1: left a while ago. I was sitting here, I heard

613
00:40:28,840 --> 00:40:34,200
Speaker 1: everything you said. Great. Um, yeah, I'm just I'm just

614
00:40:34,239 --> 00:40:37,800
Speaker 1: looking at my my my maps from the uh the convention.

615
00:40:37,800 --> 00:40:40,200
Speaker 1: Your boy, they made this real confusing with all the

616
00:40:40,800 --> 00:40:43,440
Speaker 1: one way pathways. You know what, I'm just gonna go

617
00:40:43,480 --> 00:40:47,920
Speaker 1: the opposite direction, get where I'm going faster. You uh,

618
00:40:48,360 --> 00:40:53,399
Speaker 1: you look real familiar to me. Um, you're not, are

619
00:40:53,400 --> 00:40:55,839
Speaker 1: you the Are you a lady that has that intellectual

620
00:40:55,880 --> 00:41:03,320
Speaker 1: property about not knowing true happiness unless you've own true rage? Yes,

621
00:41:03,840 --> 00:41:08,000
Speaker 1: well I've got your intellectual property right here. Will you

622
00:41:08,040 --> 00:41:11,720
Speaker 1: sign it for me. I'm a huge fan of your work.

623
00:41:12,719 --> 00:41:17,840
Speaker 1: I would be happy to This is so, this is

624
00:41:17,840 --> 00:41:21,160
Speaker 1: amazing because really you changed my life, like I know

625
00:41:21,280 --> 00:41:25,360
Speaker 1: true happiness Right now, I am a fucking rage monster.

626
00:41:25,760 --> 00:41:29,799
Speaker 1: I've killed hundreds and it's all thanks to you. I

627
00:41:29,880 --> 00:41:32,520
Speaker 1: just gotta say, it's a real, real, real treat to

628
00:41:32,600 --> 00:41:37,200
Speaker 1: meet you. Wow, it is very special to meet you.

629
00:41:38,040 --> 00:41:41,839
Speaker 1: It is very I'm sorry for you to have that experience. Um,

630
00:41:41,840 --> 00:41:44,560
Speaker 1: but I'm happy that you're able to sorry. On the

631
00:41:44,560 --> 00:41:47,960
Speaker 1: other side of the storm cloud, all the storm cloud

632
00:41:48,120 --> 00:41:51,480
Speaker 1: is the rainbow. This is great. Rage has made me

633
00:41:51,600 --> 00:41:54,279
Speaker 1: so happy. In fact, I think I'm just gonna go

634
00:41:54,360 --> 00:41:57,200
Speaker 1: outside with this old safe I found to drop it

635
00:41:57,239 --> 00:42:05,440
Speaker 1: on as many cars as I can. Attention conventioners, Attention

636
00:42:05,600 --> 00:42:10,160
Speaker 1: convention ears. It is now time for the panel discussion.

637
00:42:10,440 --> 00:42:13,480
Speaker 1: Please make your way to the auditorium. Please make your

638
00:42:13,480 --> 00:42:23,360
Speaker 1: way to the auditorium. Excuse me, part of me? Hey, hey, hey, sorry,

639
00:42:23,600 --> 00:42:30,520
Speaker 1: I just want to sit. It's excuse me. It's just

640
00:42:31,239 --> 00:42:33,560
Speaker 1: there's a panel. It's a panel. We're all here for

641
00:42:33,600 --> 00:42:39,320
Speaker 1: the same fucking panel. Just we're trying to get the front. Hey, conventioneers, welcome, welcome, welcome.

642
00:42:43,120 --> 00:42:48,560
Speaker 1: We're in these sitting seeds. Stop it, I mean this works,

643
00:42:48,800 --> 00:42:51,120
Speaker 1: this works. It does not. I was in this chair.

644
00:42:51,200 --> 00:42:54,200
Speaker 1: It's one chair per person. What are you doing? All right?

645
00:42:54,200 --> 00:43:00,160
Speaker 1: Who's excited? Who's excited? Stop? We've got a panel, so

646
00:43:00,280 --> 00:43:03,319
Speaker 1: many owners of souped up sports cars who just leave

647
00:43:03,400 --> 00:43:06,960
Speaker 1: them anywhere they want in the parking lot. Let's check

648
00:43:07,040 --> 00:43:12,520
Speaker 1: in with them right now. Hey, how's everybody doing? My

649
00:43:12,600 --> 00:43:18,440
Speaker 1: name is Trip. Uh, this is my is my daughter

650
00:43:18,600 --> 00:43:26,879
Speaker 1: and my friend. Hi you. I'm cantina Um and I'm

651
00:43:26,920 --> 00:43:29,400
Speaker 1: so happy. I'm so excited to be here. Sometimes I

652
00:43:29,440 --> 00:43:33,480
Speaker 1: do borrow my dad's car. Alright, Trip, tell us about

653
00:43:33,520 --> 00:43:37,520
Speaker 1: your vehicle? What kind of is and where you leave it? Uh,

654
00:43:37,560 --> 00:43:42,160
Speaker 1: this is a Lamborghini, and uh I leave it wherever

655
00:43:42,200 --> 00:43:47,480
Speaker 1: the that's right. One time I drove it into an

656
00:43:47,480 --> 00:43:54,480
Speaker 1: outdoor mall. Just throw it right in hell. Yeah, And

657
00:43:54,560 --> 00:43:57,040
Speaker 1: I punished her. I punished her as a daughter, but

658
00:43:57,080 --> 00:43:59,280
Speaker 1: I supported her as a friend. He's my best friend.

659
00:43:59,320 --> 00:44:03,440
Speaker 1: My dad is my best friend. Thanks for being here,

660
00:44:03,480 --> 00:44:10,719
Speaker 1: Tripping Cantina. Everybody going on the line. I know you

661
00:44:10,760 --> 00:44:15,840
Speaker 1: guys are excited. Rudolpho is here, Rodolpho, Yeah, I was.

662
00:44:16,000 --> 00:44:17,799
Speaker 1: I was fine. I'm sorry, I'm sorry. This guy just

663
00:44:18,160 --> 00:44:20,520
Speaker 1: scooched right up next to me. Fine, we're fine. We're

664
00:44:20,560 --> 00:44:22,759
Speaker 1: not fine. This is my seat, like I was, I

665
00:44:22,800 --> 00:44:24,160
Speaker 1: said in the front room because I knew I was

666
00:44:24,160 --> 00:44:25,759
Speaker 1: going to get called on because I'm one of the

667
00:44:27,200 --> 00:44:29,520
Speaker 1: I'm not gonna go. I have a ninety one Lotus. Okay,

668
00:44:29,520 --> 00:44:32,840
Speaker 1: I have a ninety one Lotus? All right, Rodolpho, And

669
00:44:32,880 --> 00:44:35,080
Speaker 1: where do you leave that car? Wherever I want? I

670
00:44:35,120 --> 00:44:38,600
Speaker 1: have an illegal handicapped placard. Actually just changed the date

671
00:44:38,640 --> 00:44:41,319
Speaker 1: on a temporary placard, so it looks like I bought

672
00:44:41,360 --> 00:44:43,839
Speaker 1: myself several years by turning the zero to an eight.

673
00:44:45,760 --> 00:44:52,720
Speaker 1: So now it's good until this is my Sorry folks,

674
00:44:53,360 --> 00:44:56,600
Speaker 1: sorry folks, you've been doing this panel for for thirty

675
00:44:56,600 --> 00:45:00,239
Speaker 1: one minutes. It's a a thirty minute limit. Come up.

676
00:45:00,239 --> 00:45:04,800
Speaker 1: We were just we were just finishing. We were just

677
00:45:02,800 --> 00:45:07,880
Speaker 1: we just we just finishing. We were just finishing. Sorry,

678
00:45:07,920 --> 00:45:14,760
Speaker 1: I can't do anything. I can't do anything. There's your ticket, officer,

679
00:45:15,800 --> 00:45:17,680
Speaker 1: what kind of what kind of car do you drive? Officer?

680
00:45:18,440 --> 00:45:20,920
Speaker 1: Drive a cop car? And where do you leave it? Wherever?

681
00:45:20,960 --> 00:45:28,920
Speaker 1: The fun? That's right? Yeah, wow, oh we'll wrap this.

682
00:45:29,280 --> 00:45:31,840
Speaker 1: We'll wrap this up. Guys, thanks for coming. Please go

683
00:45:31,880 --> 00:45:34,840
Speaker 1: back out to the main exhibit. For man, what a

684
00:45:34,840 --> 00:45:38,440
Speaker 1: great panel. That was not just on my lap. It's

685
00:45:38,480 --> 00:45:44,960
Speaker 1: just just informative, so informative. Hey, uh, do you even

686
00:45:45,000 --> 00:45:49,040
Speaker 1: think about starting a car club? Yeah? Probably a part

687
00:45:49,080 --> 00:45:52,360
Speaker 1: of one. Huh No, I mean I have thought of

688
00:45:52,360 --> 00:45:54,120
Speaker 1: starting one, but I don't know anybody that would want

689
00:45:54,120 --> 00:45:56,239
Speaker 1: to be in a car club with me. I just

690
00:45:56,239 --> 00:45:58,160
Speaker 1: feel like it would be cool to be a part of, like,

691
00:45:58,200 --> 00:46:00,799
Speaker 1: you know, community, every were the only two people in

692
00:46:00,800 --> 00:46:03,440
Speaker 1: the room. Now, can I have the rest of this chair? Okay? Okay, okay,

693
00:46:03,520 --> 00:46:09,600
Speaker 1: okay okay okay. So my idea would be like the

694
00:46:09,640 --> 00:46:14,200
Speaker 1: door dingers, the door dingers, the door dangers. Oh like

695
00:46:14,280 --> 00:46:16,479
Speaker 1: we just part next to people and smash their doors

696
00:46:16,480 --> 00:46:23,200
Speaker 1: a little. Yeah, you know, I maybe I misjudged you

697
00:46:22,760 --> 00:46:25,919
Speaker 1: ill be door dingers. I think you know, I think

698
00:46:26,680 --> 00:46:29,719
Speaker 1: excuse me? Did you just ding my door? Here we go?

699
00:46:30,719 --> 00:46:33,440
Speaker 1: Yes we did, Yes we did, And what of it?

700
00:46:33,760 --> 00:46:39,000
Speaker 1: We're the door dingers. Well, I'm gonna have to get

701
00:46:39,040 --> 00:46:43,799
Speaker 1: your insurance information this huge dang on my door. Yes,

702
00:46:44,360 --> 00:46:46,120
Speaker 1: you have to do insurance for a door. It's a

703
00:46:46,200 --> 00:46:49,400
Speaker 1: door dang. What's door dan dang? I'm gonna have to

704
00:46:49,440 --> 00:46:56,479
Speaker 1: get this ding danged out? Are you? Are you looking

705
00:46:56,480 --> 00:47:00,760
Speaker 1: to get this ding ding out? Gonn it be undang?

706
00:47:01,040 --> 00:47:03,040
Speaker 1: We can undang, we can dong, we can ding out,

707
00:47:03,120 --> 00:47:06,600
Speaker 1: we can d ding. I don't want a dong, Okay, Well,

708
00:47:06,640 --> 00:47:08,120
Speaker 1: the dong is the dong is the lowest model. I

709
00:47:08,160 --> 00:47:09,480
Speaker 1: wasn't gonna try to pitch you on. The Look at

710
00:47:09,480 --> 00:47:10,799
Speaker 1: the sign over here, Look at the sign over here.

711
00:47:10,880 --> 00:47:12,720
Speaker 1: You see that at the banking, the fifty nine dollars

712
00:47:12,760 --> 00:47:16,200
Speaker 1: the dong. That's fifty nine dollar dong, seventy nine dollar undang,

713
00:47:17,360 --> 00:47:19,680
Speaker 1: a hundred and twenty nine dollar d ding. Do you

714
00:47:19,680 --> 00:47:22,719
Speaker 1: want a d ding and undang or a dong. Now

715
00:47:22,719 --> 00:47:24,680
Speaker 1: if you want to do a dong is two fifty dollars,

716
00:47:24,680 --> 00:47:28,359
Speaker 1: but we only do those for foreign cars. Uh, well,

717
00:47:28,400 --> 00:47:32,040
Speaker 1: I I do have a Mercedes benz Um that counts.

718
00:47:32,120 --> 00:47:34,000
Speaker 1: I'm sorry. I can't tell domestic from for and I

719
00:47:34,040 --> 00:47:35,520
Speaker 1: grew up in Germany, so that to me is at

720
00:47:35,560 --> 00:47:38,560
Speaker 1: domestic dog. Hey, danks for coming and get in a

721
00:47:38,640 --> 00:47:41,279
Speaker 1: second opinion, we could definitely beat the prices here and

722
00:47:41,400 --> 00:47:44,839
Speaker 1: ding dong the ding is gone. And I came up

723
00:47:44,840 --> 00:47:47,560
Speaker 1: with that slogan. By the way, it's great, it's great.

724
00:47:47,640 --> 00:47:49,920
Speaker 1: It crought my eye on the Yellow Pages, and yes,

725
00:47:50,160 --> 00:47:53,920
Speaker 1: I still use the Yellow Pages. So yeah, what they

726
00:47:53,960 --> 00:47:58,960
Speaker 1: what they want? Seventy nine nine, we'll go seventy six

727
00:47:59,520 --> 00:48:04,080
Speaker 1: nineties six the ding ding, the ding is gone. The

728
00:48:04,200 --> 00:48:06,479
Speaker 1: thing is that we will be any price by three

729
00:48:06,520 --> 00:48:13,520
Speaker 1: bucks a cantina. Yeah, I was thinking, I think maybe

730
00:48:13,520 --> 00:48:24,320
Speaker 1: this relationship ain't working out after all. Um, okay, I'm

731
00:48:24,400 --> 00:48:26,040
Speaker 1: I don't know. I'm kind of tightening up my driving

732
00:48:26,080 --> 00:48:28,960
Speaker 1: skills a little bit. My parking skills are part of

733
00:48:28,960 --> 00:48:35,000
Speaker 1: my driving skills. I'm sorry. Is it because you drive

734
00:48:36,520 --> 00:48:40,040
Speaker 1: your car? Well, it's a good car. Every time you

735
00:48:40,120 --> 00:48:44,359
Speaker 1: like you can get away with it. You know, it's

736
00:48:44,440 --> 00:48:50,719
Speaker 1: like you cant, We're well, I could, I could get

737
00:48:50,800 --> 00:48:55,280
Speaker 1: a lot of trouble whenever mind's parked, wherever it looks

738
00:48:55,280 --> 00:48:58,120
Speaker 1: like it's a display and people think, like, I wonder

739
00:48:58,120 --> 00:48:59,880
Speaker 1: if there's going to be a street fair today or

740
00:49:00,040 --> 00:49:02,520
Speaker 1: like some kind of parade. This is probably here for

741
00:49:02,560 --> 00:49:05,680
Speaker 1: a reason. Let me take a picture with it instead

742
00:49:05,719 --> 00:49:09,839
Speaker 1: of you know, so yeah, yeah, yeah, you drive an

743
00:49:10,080 --> 00:49:13,040
Speaker 1: You drive your dad's eighty nine Lamborghini. I drive eighty

744
00:49:13,120 --> 00:49:18,080
Speaker 1: nine Lamborghini, that's right. And you drive your Toyota camera

745
00:49:18,280 --> 00:49:23,279
Speaker 1: two thousand, which is like a fine car. It's very

746
00:49:23,320 --> 00:49:27,719
Speaker 1: reliable and extremely safe and it gets good gas mileage.

747
00:49:27,800 --> 00:49:31,400
Speaker 1: But at the end of the day, if you're breaking

748
00:49:31,480 --> 00:49:36,520
Speaker 1: up with me, because I'm right into that lambo um,

749
00:49:36,680 --> 00:49:40,960
Speaker 1: just know that my dad's gonna be pretty piste. He

750
00:49:41,080 --> 00:49:46,120
Speaker 1: hates when his best friend daughter gets dumped on. He's

751
00:49:46,320 --> 00:49:49,960
Speaker 1: very protective. Excuse me, sir, is this your two thousand

752
00:49:50,000 --> 00:49:53,600
Speaker 1: Toyota camera? Yes, sir, you just can't leave this wherever

753
00:49:53,640 --> 00:49:56,200
Speaker 1: the funk you want. This is a two thousand Toyota camera.

754
00:49:56,360 --> 00:49:58,080
Speaker 1: You need to move it to that spot over there.

755
00:49:58,440 --> 00:50:00,600
Speaker 1: I'm just parking. I can't park, I can't get right here.

756
00:50:01,000 --> 00:50:02,759
Speaker 1: You can't just leave it here. It's not an eighty

757
00:50:02,840 --> 00:50:06,360
Speaker 1: nine lambo. Okay, it's you gotta actually put it in

758
00:50:06,440 --> 00:50:09,319
Speaker 1: the lines. Who do you work for? Exactly? I work

759
00:50:09,400 --> 00:50:16,000
Speaker 1: for Big Car? You mother fuck? Okay, okay, I see

760
00:50:16,000 --> 00:50:19,920
Speaker 1: what's going on here? Fine? Yeah? Wa when wait when

761
00:50:19,960 --> 00:50:23,719
Speaker 1: we went wait? Wait? Wait? Wait when wa wa? Wait?

762
00:50:23,719 --> 00:50:28,480
Speaker 1: Wit went Daddy? I need to talk to you as

763
00:50:28,480 --> 00:50:32,640
Speaker 1: a daughter, as a friend right now, I'm going to

764
00:50:32,760 --> 00:50:37,920
Speaker 1: say friend. Let's go friend first. Cool cool Okay, So

765
00:50:38,960 --> 00:50:41,799
Speaker 1: you know that I was dating Dustin and he was

766
00:50:41,800 --> 00:50:46,160
Speaker 1: pretty cool, sometimes paid for my meals, had a cool dick,

767
00:50:46,800 --> 00:50:48,839
Speaker 1: so I was kind of into it. Didn't really make

768
00:50:48,880 --> 00:50:53,200
Speaker 1: me laugh. But again, the cool dick right right, sort

769
00:50:53,360 --> 00:50:59,480
Speaker 1: like plant. He he was getting weird over texts, so

770
00:50:59,520 --> 00:51:01,959
Speaker 1: I could tell all that like things were a little off.

771
00:51:02,360 --> 00:51:05,080
Speaker 1: And then he totally dumped me. And then he said

772
00:51:05,080 --> 00:51:08,680
Speaker 1: it was because of my my parking and his park

773
00:51:08,760 --> 00:51:10,399
Speaker 1: and he just made it about the cars. And it's

774
00:51:10,440 --> 00:51:15,080
Speaker 1: just making me feel like do I need to Oh

775
00:51:15,080 --> 00:51:18,279
Speaker 1: it's okay, okay, Because I was like, gosh, do I

776
00:51:18,320 --> 00:51:23,600
Speaker 1: need to change? Like, do I need to start driving normal,

777
00:51:25,200 --> 00:51:31,279
Speaker 1: like a normal car, or like normally? Can I can

778
00:51:31,320 --> 00:51:34,560
Speaker 1: I talk to you with your father for a second? Um, yeah, okay,

779
00:51:34,640 --> 00:51:36,319
Speaker 1: talk to you as my father. I know you're gonna

780
00:51:36,880 --> 00:51:40,120
Speaker 1: apologize to that boy. You need to apologize to that boy.

781
00:51:40,239 --> 00:51:44,759
Speaker 1: Kick his ass. Sorry, I ain't got time for apologies.

782
00:51:44,840 --> 00:51:46,799
Speaker 1: I got this dolorium over here, and I got a

783
00:51:46,800 --> 00:51:50,359
Speaker 1: promt to get too, so I will catch you later.

784
00:51:54,960 --> 00:51:58,200
Speaker 1: Did you guys see that time travel with the cool dick? Yeah?

785
00:51:58,239 --> 00:52:06,960
Speaker 1: I used to date him. That's our show. Oh, thank

786
00:52:06,960 --> 00:52:09,560
Speaker 1: you everyone for playing Cole st and thank you for

787
00:52:09,640 --> 00:52:12,759
Speaker 1: joining us today. Where can people find you? You can

788
00:52:12,800 --> 00:52:15,759
Speaker 1: find me on I think Instagram is at Stratton, Cole

789
00:52:15,920 --> 00:52:20,399
Speaker 1: twitters at Cole Stratton Friends. Stare is non existent. Uh.

790
00:52:21,400 --> 00:52:24,280
Speaker 1: Go to Westside Comedy dot com check out several shows

791
00:52:24,440 --> 00:52:27,040
Speaker 1: Coverts and Friends. Do a TV reunion show right now

792
00:52:27,080 --> 00:52:30,399
Speaker 1: which is really fun, where we reunited show that never existed? Um,

793
00:52:30,520 --> 00:52:32,960
Speaker 1: also pretty Pretty Pony first Thursday of the month at

794
00:52:32,960 --> 00:52:36,239
Speaker 1: ten pm. And sketch us dot com Hold on real quick,

795
00:52:36,400 --> 00:52:38,560
Speaker 1: That Cobord show was a really really cool concept. We'll

796
00:52:38,600 --> 00:52:40,560
Speaker 1: just just give to give us ten more seconds on

797
00:52:40,560 --> 00:52:42,759
Speaker 1: the one with that is exactly. I love that. So

798
00:52:42,840 --> 00:52:44,880
Speaker 1: what we do is we get from the audience, we

799
00:52:44,960 --> 00:52:47,279
Speaker 1: get the style of show, like the genre, like sci

800
00:52:47,280 --> 00:52:50,399
Speaker 1: fi western, whatever, the year the show premiered, how many

801
00:52:50,400 --> 00:52:52,080
Speaker 1: seasons it ran in the title of the show, and

802
00:52:52,120 --> 00:52:53,959
Speaker 1: then we do a reunion of the cast and crew

803
00:52:54,000 --> 00:52:56,040
Speaker 1: of it. And that's a lot of fun. That is

804
00:52:56,200 --> 00:53:01,320
Speaker 1: so wild. Yeah, it's pretty ridiculous. I love that. Craig Atkowski,

805
00:53:01,400 --> 00:53:04,600
Speaker 1: thank you so much for bringing the noise and bringing

806
00:53:04,600 --> 00:53:10,400
Speaker 1: the funk. Good. I brought both. Yeah, There's been episodes

807
00:53:10,440 --> 00:53:13,320
Speaker 1: in the past where I've only brought the noise and

808
00:53:13,960 --> 00:53:16,600
Speaker 1: I sometimes will bring the phone, but I felt like

809
00:53:16,640 --> 00:53:19,160
Speaker 1: today I did. I brought both. But you would you

810
00:53:19,160 --> 00:53:22,759
Speaker 1: would warn me ahead of time to bring both. Absolutely. Uh.

811
00:53:22,880 --> 00:53:25,840
Speaker 1: Speaking of bringing the funk, I saw a video of

812
00:53:25,880 --> 00:53:28,719
Speaker 1: you dancing at a wedding this past weekend, and you

813
00:53:28,800 --> 00:53:37,359
Speaker 1: were fucking bringing it. I requested it at the time

814
00:53:37,400 --> 00:53:42,120
Speaker 1: to not be filled. Also requested later for it not

815
00:53:42,200 --> 00:53:46,000
Speaker 1: to be put on social media. But you know, sometimes,

816
00:53:46,160 --> 00:53:48,879
Speaker 1: you know, people just go against your wishes, and uh,

817
00:53:48,920 --> 00:53:52,200
Speaker 1: and it gets out there and it's it's permanent, it's there,

818
00:53:53,440 --> 00:53:56,680
Speaker 1: and um, yeah, you can you can probably see it

819
00:53:57,400 --> 00:53:59,960
Speaker 1: on on my instaf I just I just like that

820
00:54:00,000 --> 00:54:04,880
Speaker 1: both of your requests were just ignored completely. Don't don't video,

821
00:54:04,920 --> 00:54:07,480
Speaker 1: don't post, Jackie d Ruthy, thank you so much for

822
00:54:07,520 --> 00:54:11,360
Speaker 1: being here. Where can we find you? I'm at Jackie

823
00:54:11,440 --> 00:54:15,359
Speaker 1: d Ruthy on Instagram. Craig. You know, sometimes people are

824
00:54:15,360 --> 00:54:17,759
Speaker 1: proud of you and they know that you can't see

825
00:54:18,000 --> 00:54:23,320
Speaker 1: what they see, and they wanna they want to raise

826
00:54:23,440 --> 00:54:26,480
Speaker 1: you up in in every talent you have, whether you

827
00:54:26,560 --> 00:54:30,200
Speaker 1: acknowledge it or not. Um, I'm at Jackie d Ruthie,

828
00:54:30,800 --> 00:54:33,000
Speaker 1: And gosh is it early to say this, but I'm

829
00:54:33,000 --> 00:54:36,160
Speaker 1: going to I don't care. It's almost Uh, the spring

830
00:54:36,280 --> 00:54:39,759
Speaker 1: is turning into summer. And I don't know when this

831
00:54:39,840 --> 00:54:44,320
Speaker 1: episode is coming out, certainly not certainly, probably not in June.

832
00:54:44,320 --> 00:54:47,319
Speaker 1: But if it does, guess what's next month? Why? It's

833
00:54:47,400 --> 00:54:50,680
Speaker 1: Christmas in July. I co host The Most Wonderful Pot

834
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Speaker 1: of the Year And yes we do a quick month

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00:54:54,760 --> 00:55:00,680
Speaker 1: stint in July and review for great movies. Uh to

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Speaker 1: laugh at? So uh watch out watch out for that. Yeah,

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00:55:06,280 --> 00:55:08,680
Speaker 1: never too early to plug that. Never, It's never too

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00:55:08,680 --> 00:55:11,879
Speaker 1: early because I'm thinking about Christmas and July all the time.

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Speaker 1: That's right, that's right, Mark Gagliardi, thank you so much

840
00:55:15,239 --> 00:55:17,759
Speaker 1: for being here. Where can we find you? Uh, it's

841
00:55:17,760 --> 00:55:21,200
Speaker 1: a delight as always to be here, my friend. If

842
00:55:21,239 --> 00:55:26,120
Speaker 1: you want to find me online, just google Craig Kowski

843
00:55:26,320 --> 00:55:32,160
Speaker 1: Wedding Dance and you will find where I'm doing all

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00:55:32,200 --> 00:55:33,960
Speaker 1: my shows. We got this with Mark and Hall on

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00:55:34,040 --> 00:55:37,279
Speaker 1: Maximum Fun, Blood and Treasure. Anything you want to find

846
00:55:37,280 --> 00:55:40,200
Speaker 1: out about me, just google Craig Atkowski Wedding Dance. You'll

847
00:55:40,239 --> 00:55:42,719
Speaker 1: find it. Love it. Thank you so much, and let's

848
00:55:42,719 --> 00:55:46,040
Speaker 1: think our engineer and producer to the stars, Mr Doug Babe,

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Speaker 1: and the fine folks that I heart media. I've been

850
00:55:54,640 --> 00:55:57,040
Speaker 1: your host, Chris Alvarado, and I thank you for listening,

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00:55:57,160 --> 00:56:09,040
Speaker 1: and until next time, everybody as a