WEBVTT - 117: Starship Loopers

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<v Speaker 1>It's twelve o two a m. On CLENDAFU and you're

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<v Speaker 1>listening to Night Call. Hello, and welcome back to Night Call,

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<v Speaker 1>a call in show for our dystopian reality. I'm Tess

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<v Speaker 1>Lynch and with me are Molly Lambert and Emily Rashida.

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<v Speaker 1>Today we are also joined by special guest Ezekiel Quaku.

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<v Speaker 1>He's a writer and editor based in Oakland. He's also

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<v Speaker 1>politics editor at New York Magazine's Intelligencer, and people send

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<v Speaker 1>him photos of flags, which we will get to later.

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<v Speaker 1>We're very excited to have him on today. Welcome Ezekiel.

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<v Speaker 1>Thank you, nice to have you on. Um, we have

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<v Speaker 1>some breaking news this week as of this morning. I

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<v Speaker 1>think Molly, you tweeted that like a hundred different people

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<v Speaker 1>texted you that we got Gillane, we got her. Ezekiel,

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<v Speaker 1>have you been following? Are you an Epstein head? Are you? Uh?

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<v Speaker 1>I had to like follow him professionally. Yeah, so I

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<v Speaker 1>don't know if I don't know if I would call

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<v Speaker 1>it being it's not voluntary in your case, yeah, totally involuntary.

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<v Speaker 1>I um, yeah, so I had to dive pretty deeply

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<v Speaker 1>into it. He's sort of like for New York Magazine.

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<v Speaker 1>He's sort of like a classic New York magazine story. Definitely,

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<v Speaker 1>we like went all in and like did this big

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<v Speaker 1>feature on his black that was a cover. If I

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<v Speaker 1>recall because I was there, then yeah, he has to have.

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<v Speaker 1>I mean. One of the things that's interesting about it

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<v Speaker 1>is that these people are in so many Getty images

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<v Speaker 1>of New York high society parties. Page six just did

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<v Speaker 1>a slide show yesterday that was just like famous people

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<v Speaker 1>with Gilain and it's all just from like premiers and

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<v Speaker 1>benefits and parties and some of them probably it was

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<v Speaker 1>just that they met her that one time and got

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<v Speaker 1>a photo with her. But who knows. Who knows a

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<v Speaker 1>lot of people were in deep She was found in

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<v Speaker 1>New Hampshire at a home owned by Yolanda Haddie. No. No,

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<v Speaker 1>she was found in New Hampshire at a home that

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<v Speaker 1>she bought for a million dollars called tucked Away. One

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<v Speaker 1>word her WiFi password. People. Yeah, like New Hampshire is

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<v Speaker 1>also we're breaking bad ends apparently, And it's where like

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<v Speaker 1>hides out when he's like changes his ident or he

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<v Speaker 1>gets like like witness protection or something I forget. He's

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<v Speaker 1>like he gets like a private it's like private witness

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<v Speaker 1>protection where yeah, he goes out there and like no

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<v Speaker 1>one knows he's like in a cabin. Yeah, and nobody's

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<v Speaker 1>supposed to know where he is lives for your which

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<v Speaker 1>is also the title of the Sopranos episode where Vito

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<v Speaker 1>s about a four who ran away to New Hampshire

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<v Speaker 1>as well. He was hiding out and may never have

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<v Speaker 1>been found other than he tired of life not working

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<v Speaker 1>in the mafia and went to go check on his family. Listen,

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<v Speaker 1>when you don't want to get trod upon or be

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<v Speaker 1>exposed for being accessory to sex ring, head to New Hampshire.

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<v Speaker 1>But why did I think there was a Yolanda Hadid link?

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<v Speaker 1>There is a Yolanda Hadid link, Okay? Which is that? Uh?

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<v Speaker 1>Somebody on Twitter claimed that they saw Gilane in the Netherlands,

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<v Speaker 1>where Yolanda is from and has a house, and they

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<v Speaker 1>were like, I wonder why Guilane is here, And then

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<v Speaker 1>they put it together later that she's friends with Yolanda

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<v Speaker 1>and possibly Yorlando was hiding her allegedly. Oh hoo, okay,

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<v Speaker 1>but this is not in New Hampshire. This is some

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<v Speaker 1>time in between now and last October. Yeah, and then

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<v Speaker 1>the their lens. But that's one of the theories that

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<v Speaker 1>she's been moving around from safe house to safe house,

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<v Speaker 1>and it seems like everyone who's been helping her is

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<v Speaker 1>like some other crazy woman. Um like that's who was

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<v Speaker 1>whole hiding her out in the Universal City too, was

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<v Speaker 1>like some powerful lady who she was friends with let

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<v Speaker 1>hers stay at her Universal City house allegedly. The thing

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<v Speaker 1>I don't understand about it is like, why wouldn't you

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<v Speaker 1>stay in one place and try not to be seen.

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<v Speaker 1>It feels like every time you would change locations, that's

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<v Speaker 1>like a new chance to be exposed because your Carmen

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<v Speaker 1>san Diego. I mean, did she grab her hair, did

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<v Speaker 1>she get did she have a collection of wigs? I mean,

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<v Speaker 1>you don't have fun with this, I suppose if you want.

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<v Speaker 1>I don't know if that anyone has seen her yet.

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<v Speaker 1>Somebody printed like a Society page thing where that had

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<v Speaker 1>one of her friends being like everyone wants to see

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<v Speaker 1>if she's gained weight and looks old because socialites are

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<v Speaker 1>horrible people. U But people claim they heard her voice

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<v Speaker 1>on the press conference call yesterday that there was like

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<v Speaker 1>a British woman. People also think maybe she made a deal,

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<v Speaker 1>that she's going willingly because she's been cooperating with the

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<v Speaker 1>Feds and she's gonna name names. I mean that's the reason. Like,

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<v Speaker 1>that's the whole reason this is news is that she's

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<v Speaker 1>like the number one source for whatever was going on

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<v Speaker 1>besides Jeffrey Epstein, right, Like that's why this is important.

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<v Speaker 1>Maybe our New York politics expert can help with this,

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<v Speaker 1>but there it was allegedly related also to the Burman

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<v Speaker 1>firing the other day, the SDN Y thing where they

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<v Speaker 1>like Bill bar fired Burman. Some people think some people

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<v Speaker 1>were wondering, like I know, like there's some conspiracy. I mean,

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<v Speaker 1>no one really knows, but I know some people are

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<v Speaker 1>speculating that perhaps the they decided to change strategy when

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<v Speaker 1>the when the you guy was brought in, maybe they

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<v Speaker 1>were trying to get her to flip on on say

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<v Speaker 1>the president of i IT states. But um, maybe they've

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<v Speaker 1>given up that strategy and that's whether they're just bringing

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<v Speaker 1>her in now. But I don't have no idea. And

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<v Speaker 1>this this Berman the sorry, he's a New York State

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<v Speaker 1>attorney who like that was the guy that they like

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<v Speaker 1>announced his resignation and he was like, wait, I didn't

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<v Speaker 1>resign like that. It was just like a couple of

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<v Speaker 1>weeks ago. I feel like a day or two after that,

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<v Speaker 1>or maybe right around then, another billionaire involved with this

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<v Speaker 1>circle of people, Steve Ban, committed suicide and people were

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<v Speaker 1>speculating that it was related to some files being unsealed

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<v Speaker 1>that have all these John does in them. Deep Deep,

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<v Speaker 1>That's all that I can say, allegedly. Deep. Speaking of Deep, Um,

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<v Speaker 1>I brought a new thing to the group that is

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<v Speaker 1>a weird app that the kids are all into. I'm

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<v Speaker 1>obsessed with this now called and Anautica. Tess. Why don't

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<v Speaker 1>you explain it? Okay? So, random Autica is an app

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<v Speaker 1>that launched, I think at the beginning of this year,

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<v Speaker 1>but became very popular during quarantine. UM. It's particularly popular

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<v Speaker 1>with people on TikTok. So what what randon Autica does

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<v Speaker 1>is it assigns you, um random coordinates that are close

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<v Speaker 1>to your geographic location. And what the user does is

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<v Speaker 1>they set an intention. So, for instance, UM, some of

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<v Speaker 1>the intentions people have set have been to find a

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<v Speaker 1>lost cat, to see something purple, or just the word love,

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<v Speaker 1>which sometimes goes fine, and then they film themselves going

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<v Speaker 1>to these locations. But there have been all of these

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<v Speaker 1>strange occurrences within the app that have then been broadcast

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<v Speaker 1>on TikTok Uh, which have ranged trim like, oh, funny coincidence.

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<v Speaker 1>I was trying to find a lost cat and then

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<v Speaker 1>I found a random baby cat, and the baby cat

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<v Speaker 1>led me to a line of Joshua tree in the desert.

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<v Speaker 1>How weird a cat? I found a cat. But then

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<v Speaker 1>there were people and I don't know what intention they set,

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<v Speaker 1>but um they were led to a suitcase full of

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<v Speaker 1>human remains. Yes, I watched that video. Yeah, Um, other

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<v Speaker 1>people have been led to graveyards, abandoned villages in the forest.

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<v Speaker 1>It's bizarre and so and nobody really knows if there's

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<v Speaker 1>Like I mean, people probably do know that there's actually

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<v Speaker 1>no magic in the app, but that it's just people

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<v Speaker 1>are so bored that you're if if you have a

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<v Speaker 1>ton of people using an app and they're making connections

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<v Speaker 1>because their brains need that exercise, that a lot of

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<v Speaker 1>the connections will be strange. That does not explain finding

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<v Speaker 1>a suitcaseful of human remains. Though. Yeah, yeah, this is

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<v Speaker 1>all very pokemono like, but for like appropriately it's like

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<v Speaker 1>a Uigi board combined with pokemones. Yeah, it's like Pokemon

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<v Speaker 1>go with no Pokemon. Yeah, well it's a little Yeah,

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<v Speaker 1>it feels like this weird reaction to like everybody has

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<v Speaker 1>to be inside and so like people kind of find

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<v Speaker 1>the most because like the other thing about having like

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<v Speaker 1>about lockdown or whatever, unless you're going to go out

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<v Speaker 1>to a restaurant or a bar or something and take

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<v Speaker 1>your life into your hands, is that if you're not

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<v Speaker 1>doing that but you want to be out of the house,

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<v Speaker 1>there's actually not that much stuff to do, so like

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<v Speaker 1>it's like kind of a make It's like a make

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<v Speaker 1>play and uh yeah, the whole it just gives you

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<v Speaker 1>like a task. It taskifies going outside, which is kind

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<v Speaker 1>of like bound like like there's stuff outside. It turns

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<v Speaker 1>out like suitcases with dead bodies in them. I don't know. Also,

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<v Speaker 1>everything feels so both chaotic and empty that I think

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<v Speaker 1>the idea of going to a place that like has

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<v Speaker 1>been instilled with meaning and you have to look at

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<v Speaker 1>it with the with your intention in mind and kind

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<v Speaker 1>of try to make that connection. Uh, it's like part

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<v Speaker 1>of it, I think. Yeah, it's it's become a verb

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<v Speaker 1>to Rando nodding, which I like, so would any of

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<v Speaker 1>you do this? Would any of you download the app

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<v Speaker 1>and actually do this. I raised my hand for sure.

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<v Speaker 1>I used to do I used to dabble in geo

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<v Speaker 1>cashing back in the day. I guess it's like it's

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<v Speaker 1>geo cashing, except it's done like seemingly at random, Like

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<v Speaker 1>these points are are determined by the app. That's the

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<v Speaker 1>That's the spooky thing is that are these location Who's

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<v Speaker 1>determining these locations? And I feel like this is a

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<v Speaker 1>setup for a serial killer? Yeah, definitely. Why would you

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<v Speaker 1>do this? Because I'm so bored, Joel, I'm so bored.

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<v Speaker 1>I was gonna say, like, because you're fourteen and stuck

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<v Speaker 1>at home. I was not. I did not think my

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<v Speaker 1>co host would be like, yes, yes, I also will.

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<v Speaker 1>I was really excited by the story of like the

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<v Speaker 1>person finding the baby cat, and that was all it

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<v Speaker 1>took for me to be like I would. All of

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<v Speaker 1>a sudden, I was like, puppy. I mean, it's the

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<v Speaker 1>possibilities are not endless. There, it's a short list of animals,

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<v Speaker 1>but I want to do it. That outweighs the potential

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<v Speaker 1>of finding a suitcase of human remains, it does. I mean.

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<v Speaker 1>I went on a new hike the other day the

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<v Speaker 1>other day, like last week and that, and not like

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<v Speaker 1>because I had just been inside so much. Normally that

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<v Speaker 1>would just be like whatever, it's a fun it's a

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<v Speaker 1>new hike. But just that was like, oh God, am

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<v Speaker 1>I gonna die? Like I I like I I follow

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<v Speaker 1>these instructions that were on some random website for like

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<v Speaker 1>how to do this certain hike around that I've never

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<v Speaker 1>done in Griffith Park, and I was like, oh, what

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<v Speaker 1>if this leads me to my death? Like who knows?

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<v Speaker 1>Have you ever done a hike wrong? Oh? All the time.

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<v Speaker 1>Usually the first time I do a hike wrong, if

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<v Speaker 1>I'm trying it out, yeah, or you're like trying to

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<v Speaker 1>find a like a pin and you're just like this

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<v Speaker 1>doesn't seem like the right way. Yeah, And there's always

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<v Speaker 1>there's this weird I remember when I first started hiking

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<v Speaker 1>a lot in l A And it was around the

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<v Speaker 1>like kind of that very very long drought that lasted

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<v Speaker 1>for years, and so I would be looking at photos

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<v Speaker 1>of what like where I was, so I was supposed

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<v Speaker 1>to look like, and it was like unrecognizable because because

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<v Speaker 1>it was green and all the pictures um. So yeah,

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<v Speaker 1>like you can feel like you're getting pranked by nature sometimes.

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<v Speaker 1>Do any of you guys have TikTok? This is only

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<v Speaker 1>just related to the to the appurten that's not something

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<v Speaker 1>you're required to do for in your line of work.

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<v Speaker 1>Is like that Epstein's. I mean I feel like I

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<v Speaker 1>like Twitter curates the TikTok's that I would be interested

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<v Speaker 1>in and puts them on Twitter. So it's like I

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<v Speaker 1>don't have time to go on it myself. Yeah, I

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<v Speaker 1>don't need another time sync. Yeah. To me, it feels

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<v Speaker 1>like what people describe it. It's like, oh, it's just teenagers.

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<v Speaker 1>It's like, no, that's a why no adults should be

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<v Speaker 1>on TikTok. When did I went on TikTok just to

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<v Speaker 1>just to be random nodding? Would that be wrong? Joel?

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<v Speaker 1>I could see Joe l being like, don't do it.

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<v Speaker 1>I remember when TikTok. When I first heard of TikTok,

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<v Speaker 1>it was connected with like people in other countries, like cooking,

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<v Speaker 1>doing doing tasks. And it wasn't until like I don't know,

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<v Speaker 1>maybe five or six months ago that I understood it

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<v Speaker 1>to be like an app for teens. I want to say,

0:13:26.559 --> 0:13:29.320
<v Speaker 1>it's like YouTube, where maybe it started out, it's more

0:13:29.440 --> 0:13:32.720
<v Speaker 1>just like recording random things for that period of time,

0:13:32.960 --> 0:13:35.439
<v Speaker 1>and then it turned into people being like, how can

0:13:35.480 --> 0:13:39.400
<v Speaker 1>I use this to make my brand? Yeah? Sure, there's

0:13:39.440 --> 0:13:42.679
<v Speaker 1>like a fall The YouTube fallout right now is really

0:13:43.640 --> 0:13:47.199
<v Speaker 1>interesting because it's all of the like first wave stars

0:13:47.240 --> 0:13:51.080
<v Speaker 1>of that platform who are all really bad people, it

0:13:51.120 --> 0:13:56.000
<v Speaker 1>seems like, and they're all leaving or being forced off

0:13:56.200 --> 0:14:00.720
<v Speaker 1>because they all have a black face video and some

0:14:00.880 --> 0:14:02.920
<v Speaker 1>of them like got ahead of it, and others like

0:14:02.920 --> 0:14:05.560
<v Speaker 1>Shane Dawson it just seems like the worst person alive.

0:14:05.720 --> 0:14:07.959
<v Speaker 1>But again, you're just like, this is who got famous

0:14:07.960 --> 0:14:14.360
<v Speaker 1>on YouTube? The algorythm supported Yeah, Like, I don't know,

0:14:14.600 --> 0:14:17.040
<v Speaker 1>and I never got that into you. I mean, obviously

0:14:17.080 --> 0:14:20.880
<v Speaker 1>everybody uses YouTube. It's like a utility like anything else.

0:14:21.120 --> 0:14:24.080
<v Speaker 1>But I never understood the idea of YouTube as a

0:14:24.160 --> 0:14:27.360
<v Speaker 1>platform as a as an addictive thing to keep coming

0:14:27.400 --> 0:14:29.800
<v Speaker 1>back to and be a part of. Like I'm always

0:14:29.800 --> 0:14:32.080
<v Speaker 1>just like maybe the thing I'm looking for is on YouTube,

0:14:32.440 --> 0:14:35.680
<v Speaker 1>So that is it's all very impenetrable to me as

0:14:35.720 --> 0:14:40.840
<v Speaker 1>an ancient person. I suppose I became very intrigued by

0:14:40.880 --> 0:14:42.800
<v Speaker 1>I was like, who would do this? Why would they

0:14:42.840 --> 0:14:45.680
<v Speaker 1>do this? And then I um had to watch those

0:14:45.760 --> 0:14:49.880
<v Speaker 1>unboxing videos to satisfy my children's curiosity. And then I

0:14:49.960 --> 0:14:53.600
<v Speaker 1>looked at how much those people made and I was like, YouTube,

0:14:53.760 --> 0:14:59.240
<v Speaker 1>what a place. Maybe I loolong on YouTube. Um, I

0:14:59.280 --> 0:15:02.680
<v Speaker 1>want to talk a Ezekiel's flags. May Wee. Molly made

0:15:02.680 --> 0:15:05.840
<v Speaker 1>the comparison that you and the flags are like her

0:15:06.080 --> 0:15:08.720
<v Speaker 1>and glass bricks at least a few weeks or a

0:15:08.720 --> 0:15:12.040
<v Speaker 1>few years ago, particularly the peak of the glass bricks.

0:15:12.520 --> 0:15:15.040
<v Speaker 1>Sometimes you just find a thing that's like your thing.

0:15:15.760 --> 0:15:18.520
<v Speaker 1>But I feel like, what, well, let's have you talk

0:15:18.600 --> 0:15:20.000
<v Speaker 1>about it. I was going to say, I think the

0:15:20.040 --> 0:15:23.680
<v Speaker 1>flags feel more meaningful to me than the bricks are

0:15:23.720 --> 0:15:25.880
<v Speaker 1>kind of repetitive. With the flags, I feel like the

0:15:25.920 --> 0:15:28.280
<v Speaker 1>more of them there are, they do really interesting things.

0:15:28.880 --> 0:15:32.600
<v Speaker 1>You think, how did you How did you plant your

0:15:32.600 --> 0:15:41.000
<v Speaker 1>first flag? Uh? Yeah, it was kind of a happenstance obsession.

0:15:42.000 --> 0:15:47.560
<v Speaker 1>I Um. I posted a flag in association with I

0:15:47.600 --> 0:15:50.680
<v Speaker 1>think the the US men's soccer team was playing, so

0:15:50.760 --> 0:15:53.560
<v Speaker 1>I was just like, oh, it's America. I'm gonna post

0:15:53.600 --> 0:15:58.920
<v Speaker 1>this flag. Go team USA. UM. And then I came

0:15:58.960 --> 0:16:01.920
<v Speaker 1>back to it up them like a month later because

0:16:01.960 --> 0:16:06.240
<v Speaker 1>it was July fourth, So I was looking at some

0:16:06.240 --> 0:16:11.080
<v Speaker 1>some flags, and then it became developed into an obsession.

0:16:11.520 --> 0:16:14.200
<v Speaker 1>I think probably I was probably part of what was

0:16:14.240 --> 0:16:18.600
<v Speaker 1>going on, was like mildly depressed, which made me susceptible

0:16:18.720 --> 0:16:26.320
<v Speaker 1>to obsessive behaviors. But yeah, so I started looking up

0:16:27.360 --> 0:16:34.520
<v Speaker 1>these you know, American flags in in an art um

0:16:34.560 --> 0:16:39.040
<v Speaker 1>and it started. I think it probably accreedd more significance

0:16:39.080 --> 0:16:41.480
<v Speaker 1>than just like a random obsession as I as I

0:16:41.560 --> 0:16:45.560
<v Speaker 1>kept looking at the flags, um because it's like a

0:16:45.760 --> 0:16:49.560
<v Speaker 1>it's a super powerful symbol in the sense that like

0:16:50.160 --> 0:16:53.960
<v Speaker 1>it has very strong connotations, but then an artists can

0:16:54.000 --> 0:16:58.600
<v Speaker 1>like attach all kinds of different meanings to it. Um.

0:16:58.640 --> 0:17:01.960
<v Speaker 1>So seeing seeing the ways that people were able to

0:17:03.360 --> 0:17:06.720
<v Speaker 1>mobilize the flag, utilize the flag, and take advantage of

0:17:06.760 --> 0:17:09.040
<v Speaker 1>these strong associations and sort of bend them to their

0:17:09.720 --> 0:17:14.560
<v Speaker 1>to their purpose was interesting. Yeah. I feel like the

0:17:14.680 --> 0:17:17.800
<v Speaker 1>Jasper John's flag is like always taught and like a

0:17:17.840 --> 0:17:21.720
<v Speaker 1>modern art class is just kind of an example. Yeah.

0:17:23.040 --> 0:17:26.440
<v Speaker 1>Like the Yeah, the three flags especially, I think that's

0:17:26.480 --> 0:17:31.199
<v Speaker 1>probably the most famous art piece with a flag in it,

0:17:32.400 --> 0:17:34.640
<v Speaker 1>one of the probably one of the more famous images

0:17:34.640 --> 0:17:39.080
<v Speaker 1>of the flag period. Along with um, it would Giema

0:17:39.520 --> 0:17:43.680
<v Speaker 1>flag raising and crossing of the Washington crossing the Delaware

0:17:44.320 --> 0:17:48.879
<v Speaker 1>that painting. Yeah. Yeah. Do you have any favorite flag

0:17:48.960 --> 0:17:52.360
<v Speaker 1>related artwork other than the Jasper John's. I have a

0:17:52.400 --> 0:17:56.480
<v Speaker 1>flag in my in my living room. This is actually

0:17:56.480 --> 0:18:03.080
<v Speaker 1>a product of my obsession with the flag, because I

0:18:03.440 --> 0:18:07.679
<v Speaker 1>started a tumbler two so that I would stop borrowing

0:18:07.800 --> 0:18:11.679
<v Speaker 1>bothering my followers on Twitter. He liked follow me on

0:18:11.720 --> 0:18:15.239
<v Speaker 1>Twitter because of the flags. Um, so I started tu

0:18:16.800 --> 0:18:20.280
<v Speaker 1>It's called it's E flags E F L A G

0:18:20.760 --> 0:18:31.760
<v Speaker 1>S dot tumbler um, so you can see. So the

0:18:31.800 --> 0:18:35.679
<v Speaker 1>way I got this was, I there's an artist. This

0:18:35.720 --> 0:18:39.119
<v Speaker 1>is by an artist named Sarah rebar Um and she

0:18:39.320 --> 0:18:41.800
<v Speaker 1>has like a whole series of mixed media flags that

0:18:41.920 --> 0:18:47.280
<v Speaker 1>she's that she's done, and I would post them on tumbler,

0:18:47.520 --> 0:18:52.280
<v Speaker 1>like you know, with her name. And I posted so

0:18:52.359 --> 0:18:56.120
<v Speaker 1>many of them that she like contacted me on tumbler

0:18:56.960 --> 0:19:00.800
<v Speaker 1>to say thanks for posting my flag. I mean, she's

0:19:00.800 --> 0:19:04.080
<v Speaker 1>a she's a well established artist, but like she's not

0:19:04.119 --> 0:19:08.879
<v Speaker 1>like a name brand person um. And so I asked

0:19:08.880 --> 0:19:11.000
<v Speaker 1>her if you had any because I had tried to

0:19:11.000 --> 0:19:14.960
<v Speaker 1>look for prince of her art um I couldn't find any.

0:19:15.080 --> 0:19:18.960
<v Speaker 1>So she sent me that, uh, that poster that makes

0:19:18.960 --> 0:19:23.720
<v Speaker 1>me miss Tumbler. Also, yeah, is there a place people

0:19:23.760 --> 0:19:26.320
<v Speaker 1>can since since we're on zoom and we could see

0:19:26.400 --> 0:19:28.320
<v Speaker 1>what you just showed us, but can you is that

0:19:28.400 --> 0:19:30.239
<v Speaker 1>image online and people could find it or we can

0:19:30.240 --> 0:19:33.399
<v Speaker 1>link to it or something. Yeah, I'll send you a

0:19:33.440 --> 0:19:35.480
<v Speaker 1>link to it. Yeah, it's cool. It looks like a

0:19:35.560 --> 0:19:39.320
<v Speaker 1>kind of collage work though of it a bunch of

0:19:39.920 --> 0:19:42.879
<v Speaker 1>like mixed media flags. She basically takes an American flag

0:19:42.880 --> 0:19:56.719
<v Speaker 1>and like layers other fabrics and objects on top of them.

0:19:56.760 --> 0:19:59.359
<v Speaker 1>I have a question for you, as a connoisseur of

0:19:59.400 --> 0:20:03.240
<v Speaker 1>all this flag are like, what are your feelings about

0:20:03.680 --> 0:20:09.919
<v Speaker 1>the just the design of the American flag aesthetically and

0:20:09.960 --> 0:20:14.000
<v Speaker 1>then whatever other category you know, criticism that you have

0:20:14.080 --> 0:20:16.520
<v Speaker 1>around it. I'd like to know your thoughts on it.

0:20:17.240 --> 0:20:19.720
<v Speaker 1>I think one of the super things, super difficult things

0:20:19.720 --> 0:20:22.000
<v Speaker 1>about it, it's like so familiar as an object to

0:20:22.040 --> 0:20:26.080
<v Speaker 1>me that it's hard to like say what I think

0:20:26.119 --> 0:20:28.800
<v Speaker 1>about it aside from like all these associations that I

0:20:28.840 --> 0:20:33.199
<v Speaker 1>have with it. Yeah, it's it's weird. It's it's like

0:20:33.240 --> 0:20:36.280
<v Speaker 1>a super weird flag. Like if you try to if

0:20:36.320 --> 0:20:38.919
<v Speaker 1>you try to like remove all the associations you have

0:20:39.080 --> 0:20:43.120
<v Speaker 1>from it. Um, there's too many. There's probably too many stripes,

0:20:43.240 --> 0:20:46.840
<v Speaker 1>there's too many stars. It's kind of like it's kind

0:20:46.880 --> 0:20:54.280
<v Speaker 1>of clutter. It's busy. It's too busy. But I think

0:20:54.800 --> 0:21:00.560
<v Speaker 1>the uniqueness, especially like the field of stars, the pattern

0:21:00.800 --> 0:21:05.040
<v Speaker 1>that it's in is super unique. So that makes it

0:21:06.080 --> 0:21:08.520
<v Speaker 1>like I can't think of any other flag where you

0:21:08.560 --> 0:21:10.520
<v Speaker 1>can see just like a little piece of it and

0:21:10.560 --> 0:21:12.920
<v Speaker 1>you know that it's the American flag, or you can

0:21:12.920 --> 0:21:16.280
<v Speaker 1>just see the stars in that distinctive pattern and you

0:21:16.280 --> 0:21:20.400
<v Speaker 1>know it's the American flag. Um. Which is which is

0:21:20.480 --> 0:21:23.919
<v Speaker 1>cool for artists because like you know, they can deploy

0:21:23.920 --> 0:21:26.479
<v Speaker 1>it so flexibly. You can change the colors and it's

0:21:26.520 --> 0:21:30.440
<v Speaker 1>still the American flag. UM. You can you can drop

0:21:30.520 --> 0:21:33.119
<v Speaker 1>the stars and people still recognize it. You can drop

0:21:33.240 --> 0:21:37.600
<v Speaker 1>the stripes and people still recognize it. UM. So like

0:21:37.760 --> 0:21:42.280
<v Speaker 1>as a as a symbol, it's super successful. I don't know,

0:21:42.400 --> 0:21:45.320
<v Speaker 1>like as a piece of design, we're maybe not that successful.

0:21:46.280 --> 0:21:47.960
<v Speaker 1>I know a lot of people think it's super ugly.

0:21:48.680 --> 0:21:54.480
<v Speaker 1>I think that represents America well though, Yeah, yeah, it's

0:21:54.600 --> 0:21:57.480
<v Speaker 1>ugly and it's kind of tacky and there's a lot

0:21:57.520 --> 0:21:59.840
<v Speaker 1>going on, but you can always tell what it is.

0:22:01.840 --> 0:22:05.080
<v Speaker 1>It always is itself. Zekiel, do you feel like your

0:22:05.160 --> 0:22:07.920
<v Speaker 1>relationship with the flag has changed, like as you've done

0:22:07.960 --> 0:22:11.400
<v Speaker 1>the project? I mean, since I've thought about it so much,

0:22:11.440 --> 0:22:13.879
<v Speaker 1>it probably like I've probably attached more meaning to it

0:22:13.920 --> 0:22:17.280
<v Speaker 1>than and the average person would. So I think it's

0:22:17.320 --> 0:22:20.920
<v Speaker 1>a very powerful symbol. I don't get like super patriotic

0:22:20.960 --> 0:22:23.000
<v Speaker 1>feelings or anything like that when I look at it,

0:22:23.560 --> 0:22:28.159
<v Speaker 1>just because like the number of things that it's been

0:22:28.400 --> 0:22:32.159
<v Speaker 1>that it can attach itself to sort of removes that feeling.

0:22:32.359 --> 0:22:35.160
<v Speaker 1>So like you can have you see the flag, like

0:22:35.680 --> 0:22:38.040
<v Speaker 1>so I have picture of the flag of you know,

0:22:39.359 --> 0:22:45.439
<v Speaker 1>in Iraq with American soldiers, UM, pictures of the flag

0:22:45.480 --> 0:22:49.120
<v Speaker 1>on the moon. People to point the flag, like in protests,

0:22:49.960 --> 0:22:53.879
<v Speaker 1>people to point the flag, like during the sixties, like

0:22:54.000 --> 0:22:56.400
<v Speaker 1>Martin Luther King to point the flag, or civil rights

0:22:56.440 --> 0:23:00.000
<v Speaker 1>marches to point the flag, aids activists to point the flags.

0:23:00.119 --> 0:23:05.000
<v Speaker 1>It's like in some senses like it is a symbol

0:23:05.320 --> 0:23:08.840
<v Speaker 1>of America, UM, but it's also like a symbol of

0:23:08.880 --> 0:23:12.000
<v Speaker 1>America as it exists, but also like a symbol of

0:23:12.040 --> 0:23:15.840
<v Speaker 1>what people want it to be. UM. People think it

0:23:16.040 --> 0:23:21.200
<v Speaker 1>is at its best or what it should be or whatever. Um. Yeah,

0:23:21.440 --> 0:23:24.280
<v Speaker 1>So I always feel like the flag on in space

0:23:24.400 --> 0:23:27.680
<v Speaker 1>or like on the moon is one of the wildest

0:23:27.760 --> 0:23:31.040
<v Speaker 1>contexts for it because I think it makes a lot

0:23:31.119 --> 0:23:34.200
<v Speaker 1>of sense to be used in protests and stuff like that.

0:23:34.240 --> 0:23:36.880
<v Speaker 1>But there's something about it being in space. I mean, grant,

0:23:36.960 --> 0:23:39.439
<v Speaker 1>if you are a person who believes that we landed

0:23:39.440 --> 0:23:43.760
<v Speaker 1>on the Moon, then like the the idea that like

0:23:43.880 --> 0:23:46.479
<v Speaker 1>our stupid flag is there. I mean, like, you know,

0:23:46.680 --> 0:23:49.760
<v Speaker 1>I'll all criticisms, some good points and everything, like why

0:23:49.880 --> 0:23:55.280
<v Speaker 1>is that object on this thing that orbits our planet?

0:23:55.480 --> 0:23:58.480
<v Speaker 1>Like it just feels so small in that context. I

0:23:58.520 --> 0:24:02.880
<v Speaker 1>always like kind of flabbergasted by that image being used

0:24:02.880 --> 0:24:05.959
<v Speaker 1>as like an image of victory or like conquest or something.

0:24:06.600 --> 0:24:09.320
<v Speaker 1>But I don't know, I'll miss no opportunity to say

0:24:09.400 --> 0:24:12.000
<v Speaker 1>that America got to the Moon because of the Nazi

0:24:12.119 --> 0:24:17.320
<v Speaker 1>scientists that they brought over Operation paper Clip. Have you

0:24:18.160 --> 0:24:21.480
<v Speaker 1>have any of you watched the Apple TV program for

0:24:21.520 --> 0:24:27.960
<v Speaker 1>All Mankind? No? I haven't. How is this It's it's

0:24:27.960 --> 0:24:30.080
<v Speaker 1>pretty good, I thought, I mean it's it's kind of

0:24:30.119 --> 0:24:33.199
<v Speaker 1>like I'm a kind of a space nerd type. So

0:24:33.560 --> 0:24:36.000
<v Speaker 1>it was a big battle star ahead, so I was like,

0:24:36.040 --> 0:24:39.440
<v Speaker 1>oh maybe we should watch that. Yeah, So like it's

0:24:39.440 --> 0:24:44.560
<v Speaker 1>an alternate it's an alternate history of the space race. Um,

0:24:44.760 --> 0:24:51.760
<v Speaker 1>and like they imagine us like not stopping moon trip.

0:24:51.800 --> 0:24:55.800
<v Speaker 1>I don't remember how the divergence happens from our timeline,

0:24:56.240 --> 0:25:00.480
<v Speaker 1>but anyway, Um, one of the things that they go

0:25:00.560 --> 0:25:04.880
<v Speaker 1>into is like how this was dependent on Nazi scientists.

0:25:05.640 --> 0:25:07.800
<v Speaker 1>And there's like this big one of the one of

0:25:07.840 --> 0:25:10.000
<v Speaker 1>the characters in the show, So like it ends up

0:25:10.000 --> 0:25:13.119
<v Speaker 1>being like you get women astronauts to wait earlier, so

0:25:13.160 --> 0:25:17.919
<v Speaker 1>you get women astrocts in like the sixties. Um. And

0:25:18.080 --> 0:25:21.880
<v Speaker 1>one of the science one of the female scientists, her mentor,

0:25:22.600 --> 0:25:25.840
<v Speaker 1>is a Nazi scientist. And there's like this big reckoning

0:25:25.880 --> 0:25:30.480
<v Speaker 1>that ends up happening where um, he's called before Congress

0:25:30.520 --> 0:25:33.399
<v Speaker 1>and like because in the show it's like a power play,

0:25:33.640 --> 0:25:35.959
<v Speaker 1>they're trying to get rid of him, and so they

0:25:36.080 --> 0:25:39.199
<v Speaker 1>like suddenly remember, oh yeah, this guy's a Nazi, Like

0:25:40.560 --> 0:25:42.399
<v Speaker 1>call him to account for all of his all of

0:25:42.400 --> 0:25:44.840
<v Speaker 1>his crimes, and I get rid of him. But like

0:25:45.600 --> 0:25:47.639
<v Speaker 1>through it they like there's like a reckoning of like

0:25:47.800 --> 0:25:53.000
<v Speaker 1>how the space race depended on these horrible Nazis that

0:25:53.000 --> 0:25:58.280
<v Speaker 1>we redeemed for their scientific accomplishments. Yeah, wow, Ezekiel, you

0:25:58.320 --> 0:26:04.000
<v Speaker 1>should definitely check out stars Troopers. Yeah, it's like a

0:26:04.040 --> 0:26:07.520
<v Speaker 1>weird a weird gap in my in my viewing because

0:26:07.560 --> 0:26:10.560
<v Speaker 1>I like science fiction, so it's I don't know why

0:26:10.600 --> 0:26:13.440
<v Speaker 1>I haven't seen it. It's a good time to watch

0:26:13.520 --> 0:26:17.679
<v Speaker 1>Starship Troopers, as we all discovered, if you're interested in

0:26:17.720 --> 0:26:20.760
<v Speaker 1>what yeah, what if the space race had continued. It's

0:26:20.760 --> 0:26:25.920
<v Speaker 1>a very thing about that. Um. I had an argument

0:26:25.960 --> 0:26:28.760
<v Speaker 1>with my mom the other day about the flag because

0:26:28.960 --> 0:26:31.359
<v Speaker 1>she gave me a little flag that came like a

0:26:31.400 --> 0:26:33.840
<v Speaker 1>realtor left a calendar that had an American flag, and

0:26:33.880 --> 0:26:35.119
<v Speaker 1>she was like, you can have it, and then she

0:26:35.119 --> 0:26:41.840
<v Speaker 1>immediately was like, don't burn it. Was like, Mom, I'm

0:26:41.880 --> 0:26:47.760
<v Speaker 1>not gonna do it on camera, but she was like,

0:26:48.760 --> 0:26:51.720
<v Speaker 1>you know, we have to like rescue it from all

0:26:51.760 --> 0:26:54.800
<v Speaker 1>the horrible meanings, especially it's like taken on right now,

0:26:55.359 --> 0:26:57.280
<v Speaker 1>you know, we have to like take it back. And

0:26:57.320 --> 0:26:58.960
<v Speaker 1>I was like, I don't know if it can be

0:26:59.080 --> 0:27:02.800
<v Speaker 1>taken back anymore. You know, like when I see an

0:27:02.800 --> 0:27:05.760
<v Speaker 1>American flag just on somebody's house now, like I get

0:27:05.800 --> 0:27:08.600
<v Speaker 1>a little freaked out, you know, even if it is

0:27:08.640 --> 0:27:11.040
<v Speaker 1>the fourth of July. It just like it reads differently.

0:27:11.840 --> 0:27:15.359
<v Speaker 1>Do you think that the American flag can be reclaimed

0:27:16.119 --> 0:27:18.119
<v Speaker 1>or do you think the point is to like, you know,

0:27:18.359 --> 0:27:22.960
<v Speaker 1>set it on fire. I feel like I think it

0:27:23.000 --> 0:27:25.040
<v Speaker 1>can be reclaimed. I mean a lot of the flag

0:27:25.080 --> 0:27:29.080
<v Speaker 1>has flown over a lot of horrible things, UM, sometimes

0:27:29.160 --> 0:27:34.679
<v Speaker 1>even concurrently with people claiming it. You know, you can

0:27:34.840 --> 0:27:37.560
<v Speaker 1>even like the civil rights context is the one I

0:27:37.560 --> 0:27:40.879
<v Speaker 1>always returned to you. You know, you can find another.

0:27:41.080 --> 0:27:44.480
<v Speaker 1>Another famous picture of the flag is during an anti

0:27:44.520 --> 0:27:49.760
<v Speaker 1>bussing protest in Boston, UM. A guy getting just like

0:27:49.800 --> 0:27:52.440
<v Speaker 1>sort of speared with with the flag on a pole.

0:27:53.040 --> 0:27:57.040
<v Speaker 1>Seen this picture before, UM, And so that's been like

0:27:57.200 --> 0:27:59.760
<v Speaker 1>used in an anti civil rights context. At the same

0:27:59.840 --> 0:28:03.439
<v Speaker 1>time time, people were flying the flag for two in

0:28:04.160 --> 0:28:08.800
<v Speaker 1>you know, sort of deploying it to say like America

0:28:08.880 --> 0:28:12.800
<v Speaker 1>should be a country that treats its isn't equally. So

0:28:12.840 --> 0:28:15.639
<v Speaker 1>I feel like the flag could be reclaimed if people,

0:28:15.680 --> 0:28:17.400
<v Speaker 1>I mean, you can lay claim to it if you want.

0:28:17.760 --> 0:28:22.760
<v Speaker 1>Kendrick Lamar, Kendrick Lamar has did his I don't I

0:28:22.800 --> 0:28:25.000
<v Speaker 1>don't remember which music awards it was, but he had

0:28:25.080 --> 0:28:28.639
<v Speaker 1>like a giant art piece with the flag flying behind

0:28:28.800 --> 0:28:31.840
<v Speaker 1>his his performance. So I feel like, I guess my

0:28:31.880 --> 0:28:33.480
<v Speaker 1>answer is like I don't think it needs to be

0:28:33.520 --> 0:28:36.639
<v Speaker 1>particularly reclaimed. I have the same feeling like when I

0:28:36.720 --> 0:28:39.560
<v Speaker 1>see if I see someone flying the flag on like

0:28:39.600 --> 0:28:44.240
<v Speaker 1>their pickup truck, I sort of feel like, this is

0:28:44.320 --> 0:28:47.240
<v Speaker 1>not a this is probably not a good person. Yeah. Maybe, well,

0:28:47.520 --> 0:28:49.720
<v Speaker 1>and that goes back to like post nine eleven. I

0:28:49.720 --> 0:28:51.960
<v Speaker 1>feel like that's the first time for our generation that

0:28:52.000 --> 0:28:54.600
<v Speaker 1>the flag really got weaponized and in a kind of

0:28:54.600 --> 0:28:58.920
<v Speaker 1>conservative context. But yeah, I remember people put up a

0:28:58.920 --> 0:29:02.200
<v Speaker 1>lot of flags on their dorm walls, on the front

0:29:02.200 --> 0:29:04.680
<v Speaker 1>of their doors, on their dorms, and I went around

0:29:04.720 --> 0:29:08.720
<v Speaker 1>and just like turned them all upside down. Why were they?

0:29:09.080 --> 0:29:12.640
<v Speaker 1>They're doing that a brown for what? Just pere anywhere

0:29:12.840 --> 0:29:16.840
<v Speaker 1>we're getting that that jingo ism, you know. I mean

0:29:16.880 --> 0:29:18.880
<v Speaker 1>that's what I think is like scary about any kind

0:29:18.920 --> 0:29:23.520
<v Speaker 1>of patriotic signifiers, Like it can be used for for evil,

0:29:23.760 --> 0:29:26.600
<v Speaker 1>but it also like, yeah, I can be used for good.

0:29:26.720 --> 0:29:30.160
<v Speaker 1>Like I also, I feel like the flag, it depends

0:29:30.200 --> 0:29:34.440
<v Speaker 1>on the context, like you were saying, depends who's flying it.

0:29:34.440 --> 0:29:37.320
<v Speaker 1>It's like the country that you're in. It's like a

0:29:37.400 --> 0:29:40.360
<v Speaker 1>micro cause it's like, is it like does that count

0:29:40.400 --> 0:29:44.400
<v Speaker 1>as like a synic doche or like like whatever that

0:29:44.440 --> 0:29:46.960
<v Speaker 1>word is like for the country, But it's not, isn't

0:29:46.960 --> 0:29:52.000
<v Speaker 1>it SYNECTICU is like the name of the movie. Never mind,

0:29:52.160 --> 0:29:53.880
<v Speaker 1>I don't know what. I don't know how to pronounce it.

0:29:53.920 --> 0:29:56.600
<v Speaker 1>I've never actually attempted to pronounce it out loud. But

0:29:56.680 --> 0:29:59.560
<v Speaker 1>like the thing that's sort of this is like the

0:29:59.640 --> 0:30:02.000
<v Speaker 1>micro cause him of a larger thing that can be

0:30:02.080 --> 0:30:06.360
<v Speaker 1>kind of um used to speak about it. And I

0:30:06.360 --> 0:30:08.040
<v Speaker 1>don't know whenever. I'm not an expert at this sort

0:30:08.040 --> 0:30:11.040
<v Speaker 1>of thing, but like it does feel like in that way,

0:30:11.160 --> 0:30:14.560
<v Speaker 1>the flag is sort of perfect as a symbol because

0:30:14.600 --> 0:30:19.400
<v Speaker 1>it is this. It is completely it's importance and and

0:30:19.520 --> 0:30:23.120
<v Speaker 1>it's it's virtue or or lack thereof, is like completely

0:30:23.120 --> 0:30:27.000
<v Speaker 1>dependent on the context and who's holding it and what's

0:30:27.040 --> 0:30:30.480
<v Speaker 1>going on with it. It's kind of a neutral entity,

0:30:31.720 --> 0:30:35.600
<v Speaker 1>just like the country. Yeah, that's my that's my thing.

0:30:35.680 --> 0:30:40.920
<v Speaker 1>Like I remember someone getting really upset at me posting

0:30:40.960 --> 0:30:43.360
<v Speaker 1>pictures of the flag and they're like, you know this

0:30:43.520 --> 0:30:46.880
<v Speaker 1>the flag has people have flown the flag for all

0:30:46.920 --> 0:30:50.200
<v Speaker 1>kind of all kinds of horrible reasons, and so I

0:30:50.200 --> 0:30:53.560
<v Speaker 1>don't think you should be posting flag guard or I don't.

0:30:53.560 --> 0:30:55.480
<v Speaker 1>I don't remember what exactly said, but that was like

0:30:55.560 --> 0:31:00.600
<v Speaker 1>the paraphrase of his his his meaning my is like

0:31:01.360 --> 0:31:06.200
<v Speaker 1>it's not like it is not like say a swastika,

0:31:06.920 --> 0:31:11.440
<v Speaker 1>where the meanings super determined and it can only really

0:31:11.480 --> 0:31:15.040
<v Speaker 1>mean one thing. I feel like the flags has been

0:31:15.160 --> 0:31:18.400
<v Speaker 1>used in enough context that it it can have good

0:31:18.480 --> 0:31:21.840
<v Speaker 1>or bad reasons depending on who's flying it in what context.

0:31:21.840 --> 0:31:25.880
<v Speaker 1>Didn't why, Yeah, it's like a mirror. It's like I'm

0:31:25.920 --> 0:31:33.520
<v Speaker 1>sure somebody has made a mirror flag at some point, somebody. Yeah,

0:31:33.760 --> 0:31:35.520
<v Speaker 1>is he killed? Do you have any like second and

0:31:35.600 --> 0:31:42.240
<v Speaker 1>third favorite flags? Oh? Yeah, Um, I don't know, I

0:31:42.600 --> 0:31:47.160
<v Speaker 1>have too many. I have trouble. I have trouble picking

0:31:47.240 --> 0:31:52.640
<v Speaker 1>favorite anything, trouble picking favorite movies. Yeah. Oh, that's like

0:31:52.680 --> 0:31:55.480
<v Speaker 1>the worst question to ask me ever, Like I can

0:31:55.480 --> 0:32:02.280
<v Speaker 1>never pick a favorite anything, favorite movie particularly But yeah, yeah, um,

0:32:02.400 --> 0:32:06.240
<v Speaker 1>I saw this Jasper John's flag recently that I really liked.

0:32:07.040 --> 0:32:12.360
<v Speaker 1>It's um, I don't remember I think it it came

0:32:12.520 --> 0:32:16.280
<v Speaker 1>by saw it because some gallery was selling it. Let

0:32:16.280 --> 0:32:19.160
<v Speaker 1>me see if I can quickly find it on my computer.

0:32:20.800 --> 0:32:24.320
<v Speaker 1>But I just loved, like, the way it was it

0:32:24.400 --> 0:32:32.680
<v Speaker 1>was layered. I'll send you I really like. I really

0:32:32.720 --> 0:32:39.080
<v Speaker 1>like the David Hammonds did the African American Flag, which

0:32:39.160 --> 0:32:44.200
<v Speaker 1>is a color swapped American flag. Um. Yeah, that one's

0:32:44.240 --> 0:32:53.640
<v Speaker 1>pretty iconic. I feel like that that's that has uh span, Yeah, yeah,

0:32:53.640 --> 0:32:57.440
<v Speaker 1>that one has set a long lifespan. Yeah. I was like,

0:32:57.920 --> 0:32:59.800
<v Speaker 1>I was looking for this. I saw this thing going

0:32:59.840 --> 0:33:02.920
<v Speaker 1>to oh my Twitter recently and now I'm like, realis

0:33:03.000 --> 0:33:04.720
<v Speaker 1>and I should have looked into it before this. There's

0:33:04.760 --> 0:33:07.360
<v Speaker 1>some sort of thing called like the My American Flag

0:33:07.400 --> 0:33:13.280
<v Speaker 1>project where people are like redesigning the American flag, which

0:33:13.320 --> 0:33:17.760
<v Speaker 1>feels like somebody weird, somebody somebody sent that to me.

0:33:20.040 --> 0:33:23.880
<v Speaker 1>I mean, like now, it's it's super funny because now,

0:33:24.160 --> 0:33:26.680
<v Speaker 1>like you, I think somebody mentioned I don't know if

0:33:26.720 --> 0:33:29.680
<v Speaker 1>somebody mentioned it, but like people, when people see the

0:33:29.680 --> 0:33:36.360
<v Speaker 1>American flag like a flag in like an art piece

0:33:36.520 --> 0:33:38.960
<v Speaker 1>or just like they see it out in the wilds,

0:33:39.280 --> 0:33:44.080
<v Speaker 1>they'll send it to me. It's like my brand now

0:33:45.000 --> 0:33:48.000
<v Speaker 1>for better for worse. Like somebody somebody sent me that

0:33:48.000 --> 0:33:52.120
<v Speaker 1>that my American Flag project. Yeah, I think the I

0:33:52.160 --> 0:33:54.800
<v Speaker 1>think the ones that I saw, one of them was

0:33:54.840 --> 0:33:58.000
<v Speaker 1>actually the just the African American flag. I don't know

0:33:58.000 --> 0:33:59.840
<v Speaker 1>if the person needs a history of it or like

0:34:00.200 --> 0:34:04.960
<v Speaker 1>it was an accident or what the deal was with that. Yeah,

0:34:05.360 --> 0:34:10.640
<v Speaker 1>have you ever made a flag cake? I have no skill?

0:34:10.680 --> 0:34:16.759
<v Speaker 1>What are you talking about like the stuff? Yeah? Have

0:34:16.960 --> 0:34:20.719
<v Speaker 1>you no? But I'm thinking about it now. I want

0:34:20.719 --> 0:34:26.920
<v Speaker 1>to make a make flag the American flag out of food. Um, well,

0:34:26.960 --> 0:34:31.040
<v Speaker 1>if you? Yeah, if have you? Is there any other

0:34:31.120 --> 0:34:33.800
<v Speaker 1>symbol that you think like has this sort of quality

0:34:33.880 --> 0:34:36.640
<v Speaker 1>because I think like you think you hit on something

0:34:37.640 --> 0:34:41.040
<v Speaker 1>so right about like like like what you're say at

0:34:41.040 --> 0:34:43.200
<v Speaker 1>the beginning, where it's just like you don't it's like

0:34:43.239 --> 0:34:45.320
<v Speaker 1>a thing that you don't have a feeling about almost

0:34:45.360 --> 0:34:48.040
<v Speaker 1>anymore because it's so ubiquitous, because it's so a part

0:34:48.080 --> 0:34:50.279
<v Speaker 1>of like if you've grown up here, it's a part

0:34:50.280 --> 0:34:52.680
<v Speaker 1>of your childhood. Like I don't know if they still

0:34:52.680 --> 0:34:55.240
<v Speaker 1>make kids like do the Pledge of allegiance in school.

0:34:55.640 --> 0:34:57.440
<v Speaker 1>That was something we had to do when I was

0:34:57.760 --> 0:35:02.680
<v Speaker 1>in like at least through elementary middle school. Like like

0:35:02.680 --> 0:35:04.600
<v Speaker 1>like there are a few things that kind of rival.

0:35:04.640 --> 0:35:06.719
<v Speaker 1>I'm trying to think of other things that have that,

0:35:06.920 --> 0:35:11.240
<v Speaker 1>like you know, just feel that bone deep at this point. Um,

0:35:11.280 --> 0:35:14.680
<v Speaker 1>I guess this kind of depends on cultures, but yeah, yeah,

0:35:14.719 --> 0:35:17.279
<v Speaker 1>I can't think of anything in the American context where

0:35:17.840 --> 0:35:21.520
<v Speaker 1>that has that sort of neutral it's that has that

0:35:21.560 --> 0:35:23.759
<v Speaker 1>sort of power as a symbol while also having like

0:35:24.920 --> 0:35:29.000
<v Speaker 1>sort of neutral connotations. I mean, it is super I mean,

0:35:29.080 --> 0:35:32.360
<v Speaker 1>and and the American people's I feel like our relationship

0:35:32.440 --> 0:35:36.560
<v Speaker 1>to our flag is kind of unique to like, I

0:35:36.560 --> 0:35:40.040
<v Speaker 1>don't I don't feel like other other countries. From from

0:35:40.040 --> 0:35:42.080
<v Speaker 1>what I've read, it doesn't feel like other countries have

0:35:42.120 --> 0:35:45.960
<v Speaker 1>the same relationship with their own flag. Like we like

0:35:46.040 --> 0:35:50.320
<v Speaker 1>the Pledge of allegiances about the flag. The national anthem

0:35:50.360 --> 0:35:53.959
<v Speaker 1>is also about seeing the flag. It's kind of odd.

0:35:56.840 --> 0:35:59.320
<v Speaker 1>It's like, yeah, it's like this thing that just stands

0:35:59.360 --> 0:36:01.400
<v Speaker 1>in for it. It's like we're not gonna really actually

0:36:01.400 --> 0:36:04.440
<v Speaker 1>say anything. We're just gonna say, like we like the flag.

0:36:04.880 --> 0:36:09.560
<v Speaker 1>It's it's such a weird tradition, kind of rhetorical tradition.

0:36:10.080 --> 0:36:13.359
<v Speaker 1>I just feel like your Twitter threads are really incredible

0:36:13.800 --> 0:36:15.880
<v Speaker 1>and like one of the few things on Twitter that

0:36:15.920 --> 0:36:19.279
<v Speaker 1>I'm like, this is art. You know, this is someone

0:36:19.320 --> 0:36:22.360
<v Speaker 1>who's using social media for good in a really cool,

0:36:22.719 --> 0:36:29.760
<v Speaker 1>interesting way. Um Decider, Now, Yes, but it just reminds

0:36:29.800 --> 0:36:32.480
<v Speaker 1>me of film film school stuff to where they show you, like,

0:36:32.800 --> 0:36:35.040
<v Speaker 1>you know, images next to each other and how they

0:36:35.080 --> 0:36:37.680
<v Speaker 1>relate to each other, and just seeing seeing them as

0:36:37.719 --> 0:36:41.480
<v Speaker 1>a long stream like that, UM, in conversation with each other.

0:36:42.239 --> 0:36:45.279
<v Speaker 1>I think. I think it's so cool. Yeah, and it's

0:36:45.280 --> 0:36:48.919
<v Speaker 1>cool you've been doing it for six years. Yeah yeah.

0:36:49.080 --> 0:36:52.480
<v Speaker 1>I sort of don't post them on ton Twitter anymore,

0:36:52.920 --> 0:36:55.640
<v Speaker 1>but I still look at them all the time, find

0:36:55.640 --> 0:36:57.799
<v Speaker 1>new pictures of them and stuff. People sending glass bricks

0:36:57.840 --> 0:36:59.600
<v Speaker 1>under the table all the time. People will send them

0:36:59.640 --> 0:37:01.160
<v Speaker 1>to me and be like, are we are you still

0:37:01.160 --> 0:37:04.600
<v Speaker 1>doing this? Are you still looking at the bricks? This

0:37:04.680 --> 0:37:09.000
<v Speaker 1>account still active? Well, Ezekiel, thank you so much for

0:37:09.120 --> 0:37:12.600
<v Speaker 1>joining us today. UM we mentioned your Twitter. It's the Shrillist.

0:37:13.400 --> 0:37:16.879
<v Speaker 1>You have also been djaying on Twitch. I know. Yeah.

0:37:18.560 --> 0:37:20.880
<v Speaker 1>If you wouldn't mind sharing a link to that that

0:37:20.960 --> 0:37:23.719
<v Speaker 1>we can share with our listeners, I think we'd all

0:37:23.960 --> 0:37:27.759
<v Speaker 1>enjoy it. Where do you find those backgrounds for your

0:37:27.800 --> 0:37:34.600
<v Speaker 1>dj stets? Um? I think the last few backgrounds have been, um,

0:37:36.080 --> 0:37:40.040
<v Speaker 1>I did Sam Sorrow once, I did Brock. There's all so.

0:37:40.120 --> 0:37:44.279
<v Speaker 1>I I'm kind of a film nerd, so I just

0:37:44.320 --> 0:37:48.200
<v Speaker 1>found some movies that didn't have narratives and had interesting

0:37:48.960 --> 0:37:56.160
<v Speaker 1>if you have if you have suggestions, I'm I'm all out.

0:37:57.040 --> 0:38:00.399
<v Speaker 1>If you have suggestions, I'm wide open. When your next

0:38:00.520 --> 0:38:05.000
<v Speaker 1>DJ set, your next twitch set um do you have,

0:38:05.200 --> 0:38:07.960
<v Speaker 1>I'd probably be next Thursday. I don't really have a

0:38:08.000 --> 0:38:12.759
<v Speaker 1>schedule because I have children, so I'm not sure. It

0:38:12.800 --> 0:38:15.799
<v Speaker 1>also always depends on how soon they go to bed,

0:38:17.440 --> 0:38:20.120
<v Speaker 1>but it's like usually Thursday or Friday nights is when

0:38:20.160 --> 0:38:23.239
<v Speaker 1>I try to do it. Cool. I like a DJ

0:38:23.400 --> 0:38:25.680
<v Speaker 1>who doesn't know when he's going to play, because it's

0:38:25.680 --> 0:38:33.319
<v Speaker 1>like when when the wind call, when the world needs music. Yeah, yeah,

0:38:33.360 --> 0:38:37.439
<v Speaker 1>you're DJ set relaxed me a lot last week. So cool.

0:38:37.520 --> 0:38:42.000
<v Speaker 1>I'm glad. Thanks for doing that. Thanks, thank you. We

0:38:42.040 --> 0:38:43.719
<v Speaker 1>are going to take a quick break and when we

0:38:43.760 --> 0:38:58.040
<v Speaker 1>come back, we will be discussing Starship Troopers. Welcome back

0:38:58.080 --> 0:39:00.799
<v Speaker 1>tonight call. For the second half of the show, We're

0:39:00.800 --> 0:39:05.160
<v Speaker 1>going to talk about little Paul verhoeven movie called Starship Troopers,

0:39:05.760 --> 0:39:10.600
<v Speaker 1>based on a Robert Heinlein novel. Famously right wing, militaristic

0:39:10.960 --> 0:39:15.560
<v Speaker 1>sci fi novel, The Verhoeven Starship Troopers is a parody

0:39:15.880 --> 0:39:20.080
<v Speaker 1>of fascism, and militarism. But at the time a lot

0:39:20.080 --> 0:39:23.800
<v Speaker 1>of people didn't pick up on that. Still people don't

0:39:23.800 --> 0:39:28.280
<v Speaker 1>pick up on that, which is remarkable. I don't know how.

0:39:28.680 --> 0:39:31.280
<v Speaker 1>I don't know. I mean, I think I was thinking

0:39:31.320 --> 0:39:33.480
<v Speaker 1>about it because we've been talking a lot about like

0:39:33.600 --> 0:39:36.960
<v Speaker 1>things that people call satire and whether it counts as

0:39:36.960 --> 0:39:41.640
<v Speaker 1>satire if nobody understands that it's satire, you know, does

0:39:41.680 --> 0:39:45.040
<v Speaker 1>that just make it the thing it's parodying? Um? I

0:39:45.040 --> 0:39:46.920
<v Speaker 1>feel like that's come up a lot in the black

0:39:46.920 --> 0:39:52.360
<v Speaker 1>Face discussion about sitcom's getting pulled. Um, this is particular.

0:39:53.080 --> 0:39:55.319
<v Speaker 1>Are you talking about that one? Yeah, because a lot

0:39:55.320 --> 0:39:58.040
<v Speaker 1>of people ask me about that, and I think, you know,

0:39:58.120 --> 0:39:59.759
<v Speaker 1>I obviously thought about it a lot. But also it's

0:39:59.800 --> 0:40:01.839
<v Speaker 1>like a lot of people were upset because they were like, well,

0:40:01.840 --> 0:40:05.240
<v Speaker 1>they're just pulling these sitcom episodes, but like they should

0:40:05.239 --> 0:40:08.680
<v Speaker 1>do that after we've defunded and abolished the police, like not.

0:40:09.600 --> 0:40:12.160
<v Speaker 1>It's like they're doing all the like, let's celebrate things

0:40:12.200 --> 0:40:14.200
<v Speaker 1>before the thing has been done that you would be

0:40:14.200 --> 0:40:17.799
<v Speaker 1>celebrating by doing, and you know the instances of the

0:40:17.840 --> 0:40:21.920
<v Speaker 1>Golden girls in mud masks and the like. Highly self

0:40:21.960 --> 0:40:25.680
<v Speaker 1>aware Roger Sterling and black face from mad Men seem

0:40:25.719 --> 0:40:30.600
<v Speaker 1>different than the black face instances that are clearly just

0:40:30.960 --> 0:40:33.480
<v Speaker 1>horrible people do. It also seems like you you know,

0:40:33.600 --> 0:40:35.799
<v Speaker 1>I think Creina Longworth said about Song of the South

0:40:35.840 --> 0:40:37.800
<v Speaker 1>that it's like, when you make these things unavailable, you

0:40:37.920 --> 0:40:41.200
<v Speaker 1>risk turning them into fetish objects. Um. A lot of

0:40:41.200 --> 0:40:43.799
<v Speaker 1>people who like Community were really mad because it was

0:40:43.880 --> 0:40:48.160
<v Speaker 1>like a beloved an episode, beloved by fans, and it's

0:40:48.200 --> 0:40:50.680
<v Speaker 1>like a half second joke in the middle of a

0:40:50.680 --> 0:40:53.840
<v Speaker 1>whole episode. Yeah, They're like, just re cut it, you know,

0:40:53.960 --> 0:40:56.759
<v Speaker 1>without that joke so we can still enjoy this episode.

0:40:56.840 --> 0:40:59.640
<v Speaker 1>But I think also it's just like just just give

0:40:59.760 --> 0:41:04.839
<v Speaker 1>money need to black creators and showrunners to make new stuff. Um. Yeah,

0:41:04.920 --> 0:41:07.439
<v Speaker 1>And I think like I think like in the case

0:41:07.520 --> 0:41:12.560
<v Speaker 1>of something like Starship Troopers and and and the Roger

0:41:12.600 --> 0:41:15.359
<v Speaker 1>Sterling episode, I think that like art's going to have

0:41:15.480 --> 0:41:18.919
<v Speaker 1>to comment on this stuff sometimes. I mean, I want

0:41:18.920 --> 0:41:21.520
<v Speaker 1>to say, also, like I think mad Men did a

0:41:21.600 --> 0:41:25.040
<v Speaker 1>really bad job with race overall. Like that was one

0:41:25.040 --> 0:41:29.239
<v Speaker 1>of my definitely criticisms of the show, and I definitely

0:41:29.800 --> 0:41:32.240
<v Speaker 1>thought it was going to tackle it at some point

0:41:32.360 --> 0:41:34.719
<v Speaker 1>in some kind of real way, and it just never

0:41:34.800 --> 0:41:38.160
<v Speaker 1>really did, except through things like that Roger Sterling scene

0:41:38.239 --> 0:41:40.640
<v Speaker 1>the character of Don had like a lot on her

0:41:40.719 --> 0:41:43.600
<v Speaker 1>shoulders and didn't come in into like what four seasons

0:41:43.600 --> 0:41:46.160
<v Speaker 1>in five seasons in I can't remember, And I think

0:41:46.200 --> 0:41:48.920
<v Speaker 1>they really just like avoided They thought it was like

0:41:48.960 --> 0:41:51.000
<v Speaker 1>too much of a third rail for the show. It's

0:41:51.040 --> 0:41:53.440
<v Speaker 1>like it'll make every other character on the show seemed

0:41:53.440 --> 0:41:56.880
<v Speaker 1>like an asshole, which they are. Um Even in that scene,

0:41:56.920 --> 0:41:59.480
<v Speaker 1>I remember thinking like, is it realistic that like some

0:41:59.520 --> 0:42:02.239
<v Speaker 1>people express disgusted at this or would they all just

0:42:02.320 --> 0:42:06.160
<v Speaker 1>like fake it while their boss did his black face routine,

0:42:06.239 --> 0:42:08.160
<v Speaker 1>Like we're definitely supposed to be grossed out by like

0:42:08.239 --> 0:42:11.520
<v Speaker 1>some of them doing it, But then some people are like, oh,

0:42:11.520 --> 0:42:15.279
<v Speaker 1>like I'm having a good reaction to this. That will

0:42:15.320 --> 0:42:18.440
<v Speaker 1>never be shown, you know, we'll never delve into these

0:42:18.440 --> 0:42:21.279
<v Speaker 1>issues ever again in the show. I mean, aside from

0:42:21.280 --> 0:42:27.319
<v Speaker 1>the historicity of uh, people being discussed or not disgusted

0:42:27.400 --> 0:42:31.279
<v Speaker 1>by a minstrel performance on an episode of Mad Men

0:42:31.320 --> 0:42:34.160
<v Speaker 1>that takes place in the sixties, Like, I do think

0:42:34.200 --> 0:42:38.000
<v Speaker 1>that that that as a as a work of art itself,

0:42:38.040 --> 0:42:41.359
<v Speaker 1>as mad Men is, Like, I think that episode does

0:42:41.400 --> 0:42:45.600
<v Speaker 1>a really good job of making you feel like discussed

0:42:45.920 --> 0:42:49.160
<v Speaker 1>around this and it's so awkward and it's not funny,

0:42:49.320 --> 0:42:51.879
<v Speaker 1>like this is like one of this is what kind

0:42:51.880 --> 0:42:53.440
<v Speaker 1>of makes it stand out for me is that it's

0:42:53.480 --> 0:42:57.920
<v Speaker 1>not funny. It is like appropriately like you kind of

0:42:57.960 --> 0:43:00.399
<v Speaker 1>want to turn it off because it's so cringing seen.

0:43:00.840 --> 0:43:03.640
<v Speaker 1>But I think that that's like aside from like, oh

0:43:03.680 --> 0:43:06.719
<v Speaker 1>but our hero Don Draper's woke, it doesn't like this, Like,

0:43:06.800 --> 0:43:08.680
<v Speaker 1>I think that it does a good job of getting

0:43:08.719 --> 0:43:11.479
<v Speaker 1>that across. At the same time, even though I think

0:43:11.480 --> 0:43:14.680
<v Speaker 1>it does in the episode, people still like just made

0:43:14.719 --> 0:43:17.280
<v Speaker 1>gifts of that, you know, and then it just becomes

0:43:17.320 --> 0:43:19.759
<v Speaker 1>like an image taken out of context, and like that

0:43:19.800 --> 0:43:22.719
<v Speaker 1>can that can also happen with almost anything. I mean

0:43:22.760 --> 0:43:24.480
<v Speaker 1>you can't. I feel like that can't be something that

0:43:24.560 --> 0:43:28.839
<v Speaker 1>keeps you from making trying to address things like that.

0:43:28.920 --> 0:43:30.960
<v Speaker 1>Like I was glad that instead of just avoiding it,

0:43:31.000 --> 0:43:32.799
<v Speaker 1>like you said, the third Rail, that they kind of

0:43:32.840 --> 0:43:36.760
<v Speaker 1>like had that in there. It is so uncomfortable. Um,

0:43:36.840 --> 0:43:39.239
<v Speaker 1>but also I mean, going back to Starship Troopers a

0:43:39.239 --> 0:43:41.520
<v Speaker 1>bit like it's it's very similar in the sense that

0:43:41.600 --> 0:43:45.480
<v Speaker 1>like you can take a piece of Starship Troopers and

0:43:45.600 --> 0:43:48.440
<v Speaker 1>use it to make the opposite argument that the movie

0:43:48.520 --> 0:43:50.320
<v Speaker 1>is making and like and it is kind of crazy.

0:43:50.320 --> 0:43:53.360
<v Speaker 1>I was looking at old reviews, um how many people

0:43:53.960 --> 0:43:57.920
<v Speaker 1>critics misunderstood this, Janet Maslin. I mean everybody was like,

0:43:58.680 --> 0:44:02.920
<v Speaker 1>you know, this movie is intended for really immature eleven

0:44:03.000 --> 0:44:05.360
<v Speaker 1>year old boys who just want to see like crazy

0:44:05.440 --> 0:44:07.759
<v Speaker 1>violence and ship getting blown up, and like, you know,

0:44:07.800 --> 0:44:11.840
<v Speaker 1>it's so militaristic, like how horrible. And it's like, yes, exactly,

0:44:12.000 --> 0:44:17.919
<v Speaker 1>it's so militaristic, how horrible. Um, I I loved this movie. Uh,

0:44:18.000 --> 0:44:20.000
<v Speaker 1>not to steer it too far away from the madment thing,

0:44:20.040 --> 0:44:21.840
<v Speaker 1>but it's it. I think it's similar, you know, it

0:44:22.000 --> 0:44:25.719
<v Speaker 1>is so I said, it's fascist face exactly. Like some

0:44:25.800 --> 0:44:29.160
<v Speaker 1>people were saying it's too successful. They were like, it's

0:44:29.280 --> 0:44:34.440
<v Speaker 1>too good at portraying this like shiny, beautiful fascist world

0:44:34.640 --> 0:44:38.840
<v Speaker 1>that like the critique is undermined by like how cool

0:44:38.920 --> 0:44:42.760
<v Speaker 1>it looks. No, everything looks horrible in it. The ships

0:44:42.800 --> 0:44:46.280
<v Speaker 1>are all ugly as fuck, like as as a sci

0:44:46.360 --> 0:44:49.960
<v Speaker 1>fi connoisseur, like they have ugly ships and starship troopers,

0:44:49.960 --> 0:44:53.360
<v Speaker 1>and I feel like that's intentional. So they have the

0:44:53.520 --> 0:44:56.880
<v Speaker 1>it's all Nazi design, like it's not even you know,

0:44:57.800 --> 0:45:01.520
<v Speaker 1>it's it's just directly taken from Nazi designs, like the

0:45:01.680 --> 0:45:04.160
<v Speaker 1>you know, the trench coat that Doogie Howser was wearing

0:45:04.200 --> 0:45:08.440
<v Speaker 1>at that and obviously it's like a Nazi trench coat.

0:45:08.000 --> 0:45:12.440
<v Speaker 1>And yeah, aside like the stuff that is even direct

0:45:12.560 --> 0:45:17.040
<v Speaker 1>nods to Nazi Germany, which there are plenty, and this

0:45:17.360 --> 0:45:20.799
<v Speaker 1>movie like even just the tackiness of it, Like I

0:45:20.840 --> 0:45:24.160
<v Speaker 1>don't think that it's that it's beautiful and maybe there's

0:45:24.200 --> 0:45:26.480
<v Speaker 1>this like a whole politics of taste thing, but it's

0:45:26.520 --> 0:45:28.520
<v Speaker 1>like that kind of thing where you if you step

0:45:28.600 --> 0:45:31.239
<v Speaker 1>over into like a right wing website or you go

0:45:31.280 --> 0:45:33.480
<v Speaker 1>down a rabbit hole or something like that and you're like, oh,

0:45:33.520 --> 0:45:37.480
<v Speaker 1>the graphic design sucks here, like on top of the politics.

0:45:37.560 --> 0:45:40.160
<v Speaker 1>It's like it is that kind of feeling, like that

0:45:40.320 --> 0:45:44.319
<v Speaker 1>the whole interface for the Federal network, the do you

0:45:44.320 --> 0:45:47.799
<v Speaker 1>want to know more thing is like the worst kind

0:45:47.800 --> 0:45:51.759
<v Speaker 1>of you know, Fox News esque infographic type ship. Like

0:45:52.200 --> 0:45:54.160
<v Speaker 1>it's I don't know, I think like it hits the

0:45:54.200 --> 0:45:56.520
<v Speaker 1>nail and it actually feels prescient now because that was

0:45:56.600 --> 0:46:01.279
<v Speaker 1>like what this is like, yeah, so this is where

0:46:01.320 --> 0:46:07.239
<v Speaker 1>it all happened. Yeah, so it's very it feels like

0:46:07.239 --> 0:46:10.920
<v Speaker 1>like Fox News and those sorts of um outlets sort

0:46:10.960 --> 0:46:15.080
<v Speaker 1>of took the Starship Troopers um aesthetic and ran with it.

0:46:15.480 --> 0:46:21.480
<v Speaker 1>Un ironically. Yeah, well it's it's parodying propaganda outlets, and

0:46:21.640 --> 0:46:24.040
<v Speaker 1>there's so much of that now in the way that

0:46:24.080 --> 0:46:27.680
<v Speaker 1>it's adapted itself to the Internet, and that like really

0:46:27.760 --> 0:46:31.960
<v Speaker 1>ancient racist and anti Semitic memes of like resurfaced in

0:46:32.000 --> 0:46:35.239
<v Speaker 1>that way is so crazy to me, but also sort

0:46:35.320 --> 0:46:41.000
<v Speaker 1>of not you know, not beyond comprehension, because yeah, if

0:46:41.000 --> 0:46:43.200
<v Speaker 1>you put things, if you put these really ugly messages

0:46:43.239 --> 0:46:47.200
<v Speaker 1>in this very like slick packaging, this movie also makes

0:46:47.239 --> 0:46:51.920
<v Speaker 1>you feel really gross and uncomfortable about all of that stuff.

0:46:51.960 --> 0:46:55.160
<v Speaker 1>And the whole opening is just a recreation of apart

0:46:55.200 --> 0:46:59.040
<v Speaker 1>from Triumph of the Will, Yeah, there's something so unsettling

0:46:59.080 --> 0:47:04.000
<v Speaker 1>about that uniform many Yeah. Yeah, I mean I think

0:47:04.080 --> 0:47:06.520
<v Speaker 1>the thing that I always think of and kind of

0:47:06.560 --> 0:47:11.319
<v Speaker 1>forget in between reviewings of Starship Troopers is um how

0:47:11.400 --> 0:47:16.479
<v Speaker 1>much it feels like Harry Potter, Like it's a part

0:47:16.520 --> 0:47:18.840
<v Speaker 1>of this like genre that's also very big in like

0:47:18.880 --> 0:47:22.080
<v Speaker 1>anime and manga and stuff of like the school narrative,

0:47:23.480 --> 0:47:26.080
<v Speaker 1>because they start off at school. It's like three friends,

0:47:26.160 --> 0:47:28.880
<v Speaker 1>like where will their futures lead them? Like the like

0:47:28.920 --> 0:47:31.799
<v Speaker 1>the future is so big and they're like there's they

0:47:31.800 --> 0:47:34.400
<v Speaker 1>have so much promise and like they're going to excel

0:47:34.480 --> 0:47:37.279
<v Speaker 1>in and this class or this class like games and

0:47:37.400 --> 0:47:40.360
<v Speaker 1>wait what does it call it? Games and theory like

0:47:40.360 --> 0:47:44.040
<v Speaker 1>like um, yeah, and everybody has like their their expertise

0:47:44.200 --> 0:47:47.600
<v Speaker 1>and it's this very like it's this narrative that kind

0:47:47.600 --> 0:47:50.279
<v Speaker 1>of takes the system that these characters are in for

0:47:50.360 --> 0:47:52.520
<v Speaker 1>granted and it's like, see, it's fun. It's like a

0:47:52.600 --> 0:47:55.960
<v Speaker 1>game to work your way up through the academy or

0:47:56.040 --> 0:47:58.840
<v Speaker 1>through the military or like to become a citizen or

0:47:58.880 --> 0:48:02.239
<v Speaker 1>whatever the case may be. Um, And I think, like

0:48:02.840 --> 0:48:05.359
<v Speaker 1>that's such a brilliant I mean, I think that's just

0:48:05.520 --> 0:48:07.560
<v Speaker 1>in the novel, but I think to kind of use

0:48:07.640 --> 0:48:11.840
<v Speaker 1>that sort of seemingly benign thing of like a story

0:48:11.840 --> 0:48:15.440
<v Speaker 1>about friends in school to become this fascist narrative is

0:48:15.480 --> 0:48:19.920
<v Speaker 1>like very very it cuts deep. Yeah. And it's also

0:48:20.040 --> 0:48:23.919
<v Speaker 1>this world where it's sort of like presented as being

0:48:24.000 --> 0:48:27.640
<v Speaker 1>like post gender and post racial, like it's very diverse

0:48:27.680 --> 0:48:31.040
<v Speaker 1>and there's no racism and men and women shower together

0:48:31.120 --> 0:48:35.280
<v Speaker 1>and it's not sexual, but also like women are drone pilots,

0:48:35.360 --> 0:48:39.400
<v Speaker 1>Like yeah, yeah, that's like a RoboCop thing too. Denise

0:48:39.520 --> 0:48:44.839
<v Speaker 1>Richards is totally like an anime fascist girl. That's all

0:48:44.880 --> 0:48:48.360
<v Speaker 1>I could think about. She's like perfect looking. She she

0:48:48.560 --> 0:48:54.279
<v Speaker 1>is so unnaturally beautiful that it makes you uncomfortable like

0:48:54.600 --> 0:48:59.080
<v Speaker 1>her her like violet eyes. Right, they both look like

0:48:59.160 --> 0:49:04.000
<v Speaker 1>total like dy arian Superman and woman. But then I

0:49:04.040 --> 0:49:06.040
<v Speaker 1>was reading more about the book and I found out

0:49:06.080 --> 0:49:10.239
<v Speaker 1>that in the book, his character's Filipino and it was

0:49:10.320 --> 0:49:13.840
<v Speaker 1>whitewashed in the movie. And her character, I think is

0:49:13.840 --> 0:49:17.279
<v Speaker 1>Brazilian and her name is Carmen. Yeah, they're all they

0:49:17.280 --> 0:49:21.840
<v Speaker 1>all have like Spanish names, I think. Well, I noticed

0:49:21.840 --> 0:49:24.719
<v Speaker 1>in the IMDb trivia because I was very confused by that.

0:49:25.200 --> 0:49:27.640
<v Speaker 1>This is my first time seeing Starship Troopers, which I

0:49:27.640 --> 0:49:29.600
<v Speaker 1>swear I thought I saw in college, but I was

0:49:29.640 --> 0:49:34.000
<v Speaker 1>either two stoned or didn't actually see Starship Troopers. Um.

0:49:34.040 --> 0:49:38.120
<v Speaker 1>But in the trivia, Casper vand And said um that

0:49:38.239 --> 0:49:40.680
<v Speaker 1>he was often asked why blonde haired, blue eyed actor

0:49:40.760 --> 0:49:44.680
<v Speaker 1>would play the Argentinian Juan Rico. He suggested his character

0:49:44.760 --> 0:49:48.440
<v Speaker 1>was the descendant of exiled Germans. Argentina was famously a

0:49:48.480 --> 0:49:51.120
<v Speaker 1>hiding place of German war criminals after World War Two,

0:49:51.640 --> 0:49:53.839
<v Speaker 1>and they do, I mean they have that kind of

0:49:53.880 --> 0:49:58.520
<v Speaker 1>like German Nazi youth. Look. It seems it seems on

0:49:58.600 --> 0:50:01.680
<v Speaker 1>purpose in the in the film, Yeah, he is Dutch

0:50:02.200 --> 0:50:07.239
<v Speaker 1>um which is and and Verhoven lived in Nazi occupied

0:50:07.360 --> 0:50:11.520
<v Speaker 1>Netherlands as a child, so he there was a quote

0:50:11.520 --> 0:50:14.080
<v Speaker 1>from Behoven where he called it all quiet on the

0:50:14.120 --> 0:50:18.960
<v Speaker 1>Final Frontier. Nice. So it is also like a critique

0:50:18.960 --> 0:50:21.080
<v Speaker 1>of Star Wars type stuff, any kind of like we're

0:50:21.080 --> 0:50:25.040
<v Speaker 1>going to the Academy. One thing that hit really different

0:50:25.080 --> 0:50:27.920
<v Speaker 1>on this viewing was the fact that the spaceport is

0:50:27.920 --> 0:50:31.480
<v Speaker 1>the l A Convention Center, because we very recently saw

0:50:31.520 --> 0:50:34.440
<v Speaker 1>the l A Convention Center occupied by the National Guard.

0:50:34.880 --> 0:50:36.880
<v Speaker 1>Oh and I was like, yeah, we saw it occupied

0:50:36.920 --> 0:50:38.840
<v Speaker 1>by a National Guard. That was like their headquarters. It

0:50:38.960 --> 0:50:42.520
<v Speaker 1>was also in face off, like yeah, we've been at

0:50:42.560 --> 0:50:46.200
<v Speaker 1>the l A Convention Center a lot lately. Uh. The

0:50:46.239 --> 0:50:49.239
<v Speaker 1>thing that I love about Starship Troopers, and I was

0:50:49.280 --> 0:50:51.520
<v Speaker 1>also thinking about this, this is like kind of on

0:50:51.600 --> 0:50:55.440
<v Speaker 1>my mind after watching Watchmen recently, is that I love

0:50:56.000 --> 0:50:59.279
<v Speaker 1>a work of adaptation, and in this case, a work

0:50:59.280 --> 0:51:03.160
<v Speaker 1>of adaptation shin that is like actively pushing against its

0:51:03.200 --> 0:51:07.440
<v Speaker 1>source material and like being really actively critical about it

0:51:07.560 --> 0:51:11.000
<v Speaker 1>and and using that criticism as like to create something

0:51:11.040 --> 0:51:14.880
<v Speaker 1>new essentially. And um, and I think like in the

0:51:14.920 --> 0:51:17.080
<v Speaker 1>case of Watchman, you have something that's sort of like

0:51:17.680 --> 0:51:20.480
<v Speaker 1>and this on top of the themes that are presented

0:51:20.520 --> 0:51:24.520
<v Speaker 1>by the original Watchman. Like, I think, um, that stuff

0:51:24.600 --> 0:51:26.640
<v Speaker 1>is super inspiring to me because I think we see

0:51:26.640 --> 0:51:29.080
<v Speaker 1>so much adaptation, Like the idea of I P is

0:51:29.120 --> 0:51:32.360
<v Speaker 1>so ruling everything in Hollywood right now, and it's just like,

0:51:32.400 --> 0:51:34.400
<v Speaker 1>what if you could do something on the level of

0:51:34.400 --> 0:51:37.120
<v Speaker 1>a Starship Troopers where you're like, Okay, this book fucking sucks,

0:51:37.120 --> 0:51:39.680
<v Speaker 1>but what if I could do something with it? Like

0:51:39.840 --> 0:51:44.160
<v Speaker 1>there's a great the quote for for Hoove and about it.

0:51:44.560 --> 0:51:50.359
<v Speaker 1>His screenwriter Ed Neumeyer new Meyer, who also wrote RoboCop,

0:51:51.719 --> 0:51:54.560
<v Speaker 1>brought him the book and and wanted to adapt that

0:51:54.600 --> 0:51:56.240
<v Speaker 1>he was just like a fan of it from childhood

0:51:56.320 --> 0:51:59.880
<v Speaker 1>or whatever. And uh so he gave it to Paul Verhoeven.

0:52:00.239 --> 0:52:03.640
<v Speaker 1>This is an interview and Empire. Um, and he said

0:52:03.640 --> 0:52:05.920
<v Speaker 1>I stopped after two chapters because it was so boring,

0:52:06.040 --> 0:52:09.680
<v Speaker 1>says Verhoven of his attempts to read Heinlin's Opus. It

0:52:09.800 --> 0:52:12.280
<v Speaker 1>is really quite a bad book. I asked ed Newmeyer

0:52:12.360 --> 0:52:14.520
<v Speaker 1>to tell me the story because I couldn't read the thing.

0:52:14.920 --> 0:52:17.080
<v Speaker 1>It's a very right wing book. And with the movie,

0:52:17.080 --> 0:52:19.400
<v Speaker 1>we tried and I think at least partially succeeded in

0:52:19.440 --> 0:52:22.120
<v Speaker 1>commenting on that. At the same time, it would be

0:52:22.160 --> 0:52:24.719
<v Speaker 1>an eyr key can have it all the way through.

0:52:24.760 --> 0:52:27.640
<v Speaker 1>We were fighting with the fascism, the ultramilitarism all the

0:52:27.680 --> 0:52:29.920
<v Speaker 1>way through. I wanted the audience to be asking are

0:52:29.920 --> 0:52:33.200
<v Speaker 1>these people crazy? So I don't know, and I think,

0:52:33.280 --> 0:52:35.239
<v Speaker 1>like for me it works, but obviously for some people

0:52:35.280 --> 0:52:39.680
<v Speaker 1>that like didn't didn't get through. But yeah, and you

0:52:39.680 --> 0:52:42.120
<v Speaker 1>know he's he mentions the bugs as sort of just

0:52:42.160 --> 0:52:46.759
<v Speaker 1>like this stand in for any kind of like military foe. Um.

0:52:46.880 --> 0:52:49.080
<v Speaker 1>Robert Highland wrote the book during the Cold War because

0:52:49.080 --> 0:52:54.160
<v Speaker 1>he was mad we weren't having hot wars anymore. He

0:52:54.320 --> 0:52:59.359
<v Speaker 1>was like, we should be like developing nuclear weapons and stuff. Um,

0:53:00.080 --> 0:53:03.040
<v Speaker 1>And he blamed it this is such a sci fi

0:53:03.239 --> 0:53:05.480
<v Speaker 1>nerd guy thing to do. He blamed it on like

0:53:05.840 --> 0:53:09.560
<v Speaker 1>young people having too much freedom. It was like, uh,

0:53:10.360 --> 0:53:14.800
<v Speaker 1>was the downfall of society that society would remake itself

0:53:14.880 --> 0:53:18.640
<v Speaker 1>as this like perfect fascist world after like juvenile delinquents

0:53:18.680 --> 0:53:23.200
<v Speaker 1>destroyed America, you know. Yeah. Is there's a scene in

0:53:23.239 --> 0:53:26.880
<v Speaker 1>the classroom at the beginning where, um is it Dizzy

0:53:27.040 --> 0:53:30.080
<v Speaker 1>is like, oh, I thought like violence doesn't solve everything,

0:53:30.200 --> 0:53:32.560
<v Speaker 1>and her teacher like puts her in her place, and

0:53:33.640 --> 0:53:36.040
<v Speaker 1>like there's so much that flies by in that scene

0:53:36.040 --> 0:53:41.120
<v Speaker 1>that's fascinating, Like where like the teacher essays of like

0:53:41.440 --> 0:53:43.920
<v Speaker 1>something that's given to you has no value. Only something

0:53:43.920 --> 0:53:47.400
<v Speaker 1>that's taken by force has any value. Um, and like

0:53:47.480 --> 0:53:51.239
<v Speaker 1>the moral difference between the citizen and the civilian. Uh yeah,

0:53:51.440 --> 0:53:53.759
<v Speaker 1>like total recall. There's a lot of stuff in this

0:53:53.880 --> 0:53:57.560
<v Speaker 1>about having to earn your rights, having to earn your citizenship.

0:53:57.960 --> 0:53:59.960
<v Speaker 1>Well that's like when they're in the shower, I'll take

0:54:00.000 --> 0:54:02.920
<v Speaker 1>other everyone's asking like why did you enlist? And I

0:54:02.960 --> 0:54:05.600
<v Speaker 1>mean among the answers. Or someone wanted to go to

0:54:05.680 --> 0:54:08.320
<v Speaker 1>Harvard and they were like, but I can't go unless,

0:54:08.360 --> 0:54:10.399
<v Speaker 1>like I'm a citizen, and you know, then they'll help

0:54:10.440 --> 0:54:12.520
<v Speaker 1>pay for it. Someone else was like I want to

0:54:12.520 --> 0:54:14.680
<v Speaker 1>have babies and so I need to be a citizens.

0:54:15.200 --> 0:54:20.120
<v Speaker 1>So any kind of yeah, everything is is dictated by

0:54:20.160 --> 0:54:22.560
<v Speaker 1>your service in the military. Yeah, and it sort of

0:54:22.600 --> 0:54:26.440
<v Speaker 1>demonstrates like the way that you know, US military recruiting

0:54:26.480 --> 0:54:28.680
<v Speaker 1>does that It's like these people aren't evil, They're just

0:54:28.719 --> 0:54:33.719
<v Speaker 1>like poor simps who got you know, promised things. This

0:54:33.800 --> 0:54:36.000
<v Speaker 1>is like a better plan for them than anything else.

0:54:36.840 --> 0:54:41.400
<v Speaker 1>You feel bad for them. Well. Also, the promotional videos

0:54:41.480 --> 0:54:44.040
<v Speaker 1>that they kind of make of these kids who are

0:54:44.160 --> 0:54:47.960
<v Speaker 1>so like almost seem that they're jacked upon emphetamine with

0:54:48.080 --> 0:54:52.359
<v Speaker 1>the excitement of fighting the arachnids. Um. I mean, it's

0:54:52.440 --> 0:54:55.600
<v Speaker 1>it's very similar to the kind of propaganda that the

0:54:56.000 --> 0:54:59.279
<v Speaker 1>that is used by the military to entice people who are,

0:54:59.840 --> 0:55:03.080
<v Speaker 1>you know, in high school basically you need a way out.

0:55:03.320 --> 0:55:06.080
<v Speaker 1>This made me read a lot about the Reich Labor Service,

0:55:06.280 --> 0:55:09.960
<v Speaker 1>which was problem in Nazi Germany. It was basically like

0:55:10.000 --> 0:55:12.719
<v Speaker 1>they leveraged unemployment to get all these young people to

0:55:12.840 --> 0:55:17.640
<v Speaker 1>join the Nazi labor Service, and it was basically what

0:55:17.800 --> 0:55:19.759
<v Speaker 1>is in this movie where you earn your rights, you

0:55:19.840 --> 0:55:24.000
<v Speaker 1>earn things by executing your service. That's how you earn citizenship.

0:55:24.600 --> 0:55:26.600
<v Speaker 1>And it was kind of presented in this very like

0:55:27.200 --> 0:55:30.520
<v Speaker 1>gender equitable way as like one of the great things

0:55:30.560 --> 0:55:33.200
<v Speaker 1>about like Nazi Germany will be that like women will

0:55:33.239 --> 0:55:37.200
<v Speaker 1>have you know, promise the future of women in the workplace,

0:55:37.640 --> 0:55:40.120
<v Speaker 1>uh in a fascist regime, and like you can go

0:55:40.320 --> 0:55:43.040
<v Speaker 1>whenever you want, right like you'll have you'll there will

0:55:43.080 --> 0:55:45.160
<v Speaker 1>be a place for you if you help, like you know,

0:55:45.360 --> 0:55:48.399
<v Speaker 1>trod everybody else under your boot who's lesser than you.

0:55:49.120 --> 0:55:51.879
<v Speaker 1>There was also the whole thing about like I thought

0:55:51.880 --> 0:55:54.840
<v Speaker 1>the interesting, like the sports aspect of it at the beginning.

0:55:54.880 --> 0:55:57.239
<v Speaker 1>It was also kind of funny. It like links like

0:55:57.800 --> 0:56:02.360
<v Speaker 1>sports and like sex and the military altogether is like

0:56:02.520 --> 0:56:05.319
<v Speaker 1>part of a never ending ring of youthful energy. And

0:56:05.440 --> 0:56:09.040
<v Speaker 1>it's like it's like the presentation of an enemy, like

0:56:09.120 --> 0:56:12.680
<v Speaker 1>anything that you can narrativize is like this guy's gonna

0:56:12.719 --> 0:56:15.560
<v Speaker 1>take your girl, or like this is the rival football team,

0:56:16.080 --> 0:56:18.000
<v Speaker 1>or you know, or those bugs want to kill you.

0:56:18.080 --> 0:56:22.080
<v Speaker 1>Like it's that these these people only respond when there

0:56:22.160 --> 0:56:24.920
<v Speaker 1>is an enemy that they can like they have like

0:56:25.200 --> 0:56:28.080
<v Speaker 1>Casper Veending's character basically a zero direction in his life

0:56:28.120 --> 0:56:30.399
<v Speaker 1>unless something is trying to take something that's his, whether

0:56:30.440 --> 0:56:35.400
<v Speaker 1>it's his like his his hometown getting attacked by the bugs,

0:56:35.640 --> 0:56:39.200
<v Speaker 1>or somebody tried to steal his girl, Like that's the

0:56:39.200 --> 0:56:43.319
<v Speaker 1>only thing that mobilizes him. It's all percent reactionary. That's

0:56:43.320 --> 0:56:45.920
<v Speaker 1>what's also scary about now, is you know, looking at

0:56:45.920 --> 0:56:48.120
<v Speaker 1>the stuff about the rich labor force, it's like, oh,

0:56:48.160 --> 0:56:51.600
<v Speaker 1>everybody was unemployed and they were directionless and all they

0:56:51.640 --> 0:56:53.640
<v Speaker 1>wanted was like to have a job again and to

0:56:53.719 --> 0:56:56.799
<v Speaker 1>have someone to tell them what to do. And you

0:56:56.880 --> 0:57:00.239
<v Speaker 1>know a lot of people were just following order. Is

0:57:00.280 --> 0:57:03.359
<v Speaker 1>like not everybody was a Nazi general, but a lot

0:57:03.360 --> 0:57:06.719
<v Speaker 1>of people were just like complicit by being part of

0:57:06.760 --> 0:57:11.120
<v Speaker 1>it because they didn't have any better options. There's uh,

0:57:11.600 --> 0:57:15.280
<v Speaker 1>I think the l a p d um Twitter account

0:57:15.320 --> 0:57:20.560
<v Speaker 1>recently has been posting like stories of officers or something

0:57:20.680 --> 0:57:23.160
<v Speaker 1>to I don't know, to like in gender sympathy for

0:57:23.240 --> 0:57:28.000
<v Speaker 1>the l a p D or something, or to humanize copaganda. Yeah, yeah,

0:57:28.440 --> 0:57:31.600
<v Speaker 1>straight from the cops in this case, Like yeah, it's

0:57:31.600 --> 0:57:33.920
<v Speaker 1>always it always comes from the cops, but it's on

0:57:34.040 --> 0:57:36.800
<v Speaker 1>like every local news show and stuff like that. But

0:57:36.880 --> 0:57:39.760
<v Speaker 1>it's stuff like you know, like I grew up poor

0:57:40.200 --> 0:57:42.680
<v Speaker 1>and like I was the first person from my family

0:57:42.720 --> 0:57:45.920
<v Speaker 1>to go to college and like I and like in

0:57:45.960 --> 0:57:47.960
<v Speaker 1>this last one, I think this is just today like

0:57:48.880 --> 0:57:51.760
<v Speaker 1>the tweets that's something like you know I had every excuse,

0:57:52.280 --> 0:57:54.240
<v Speaker 1>like did not say what the excuse was for. Like

0:57:54.280 --> 0:57:57.320
<v Speaker 1>I had every excuse, I guess what to be like

0:57:57.480 --> 0:58:02.240
<v Speaker 1>a not not a cop um, but I didn't take it,

0:58:02.360 --> 0:58:04.280
<v Speaker 1>like and I decided that I wanted to like serve

0:58:04.360 --> 0:58:06.680
<v Speaker 1>my city by being in the military. It's so Starship

0:58:06.680 --> 0:58:09.520
<v Speaker 1>Troopers all this ship like it's so like like I'm

0:58:09.520 --> 0:58:14.160
<v Speaker 1>doing my part. Like it's just very um transparent for sure.

0:58:14.200 --> 0:58:16.160
<v Speaker 1>And the fact that you have like a white power

0:58:16.320 --> 0:58:21.080
<v Speaker 1>army in this movie but it's diverse is like very unsettling. Um,

0:58:21.080 --> 0:58:26.000
<v Speaker 1>Like you can have Jake Bucy and black women fighting

0:58:26.080 --> 0:58:31.720
<v Speaker 1>side by side in the military. Man you see another

0:58:31.800 --> 0:58:37.000
<v Speaker 1>through line? Yeah, we so what other movie was the

0:58:37.040 --> 0:58:39.800
<v Speaker 1>Freaky guy in Contact? He is the freaky guy? So

0:58:39.880 --> 0:58:43.240
<v Speaker 1>he apparently everybody was suffering from heat stroke um while

0:58:43.280 --> 0:58:46.600
<v Speaker 1>filming Starship Troopers. I guess when they were in the

0:58:46.600 --> 0:58:50.200
<v Speaker 1>bad Lands in Wyoming. Um maybe that was there, but

0:58:50.600 --> 0:58:52.920
<v Speaker 1>everybody it was like a hundred and twenty five degrees.

0:58:53.280 --> 0:58:55.720
<v Speaker 1>And I thought I read that Jake Bucy suffered a

0:58:55.760 --> 0:58:59.280
<v Speaker 1>horrible like a stroke stroke or something and they had

0:58:59.320 --> 0:59:01.320
<v Speaker 1>to take like a week off. But he is he

0:59:01.400 --> 0:59:05.320
<v Speaker 1>is giving an amazing performance. Again, I'm like it it

0:59:05.720 --> 0:59:13.480
<v Speaker 1>besides being a really like timely critique of militarization and um,

0:59:13.520 --> 0:59:15.800
<v Speaker 1>you know a lot of stuff that we're seeing going

0:59:15.840 --> 0:59:19.760
<v Speaker 1>on now. It also like the the excitement and the

0:59:19.960 --> 0:59:24.840
<v Speaker 1>fervor and the like optimism of these kids in this

0:59:24.880 --> 0:59:29.640
<v Speaker 1>movie is so intense in that it's being used for

0:59:29.640 --> 0:59:32.920
<v Speaker 1>such evil, but it's like this bright, big white tooth

0:59:33.000 --> 0:59:37.840
<v Speaker 1>smile and these big guys, it's so scary. They're being

0:59:37.880 --> 0:59:41.000
<v Speaker 1>told that they're going to be heroes and legends, like

0:59:41.080 --> 0:59:43.640
<v Speaker 1>they see everybody at the beginning of the movie who's

0:59:43.680 --> 0:59:46.840
<v Speaker 1>missing limbs, you know. And that actor, by the way,

0:59:46.920 --> 0:59:50.440
<v Speaker 1>is actually um a double ampute, which I did not know.

0:59:50.600 --> 0:59:53.240
<v Speaker 1>He was great. Yeah, he encounters all these people that

0:59:53.280 --> 0:59:55.560
<v Speaker 1>are like, oh, you're going to fight the bugs like

0:59:55.680 --> 0:59:59.800
<v Speaker 1>good walk but like infantry made me the man I

1:00:00.360 --> 1:00:03.640
<v Speaker 1>with like points system anything where it's like they're telling

1:00:03.680 --> 1:00:06.400
<v Speaker 1>you know, you're you're just like a you're a meat

1:00:06.480 --> 1:00:11.040
<v Speaker 1>shield basically, but they are selling you this idea that

1:00:11.080 --> 1:00:13.840
<v Speaker 1>you're something other than that. You guys are really making

1:00:13.880 --> 1:00:16.160
<v Speaker 1>me want to revisit this movie because I haven't seen

1:00:16.200 --> 1:00:20.040
<v Speaker 1>it since I was like ten. I think that's yeah,

1:00:20.080 --> 1:00:23.080
<v Speaker 1>it's on Netflix now. I mean, like I can't imagine

1:00:23.080 --> 1:00:28.160
<v Speaker 1>being a child and watching this. It's so it's hyper violent,

1:00:28.400 --> 1:00:31.479
<v Speaker 1>cool and like there's such a What I remember most

1:00:31.480 --> 1:00:34.880
<v Speaker 1>about it is the coldness with which like punishment was

1:00:34.920 --> 1:00:37.200
<v Speaker 1>applied and the way in which they addressed like all

1:00:37.240 --> 1:00:39.800
<v Speaker 1>of their desks, and that like really freaked me out.

1:00:39.880 --> 1:00:42.400
<v Speaker 1>I was like, especially the whipping scene because I was

1:00:42.440 --> 1:00:45.480
<v Speaker 1>fresh offs and I was like, what is happening with

1:00:45.480 --> 1:00:48.320
<v Speaker 1>all these because my parents are showing me so violent

1:00:48.360 --> 1:00:51.440
<v Speaker 1>and horrifying. Um. But I was interested to hear what

1:00:51.560 --> 1:00:54.520
<v Speaker 1>you guys think about especially I don't know if you

1:00:54.680 --> 1:00:57.920
<v Speaker 1>have any thoughts on it, but like the costuming specifically

1:00:58.120 --> 1:01:01.040
<v Speaker 1>and the way it's sort of like if you if

1:01:01.040 --> 1:01:03.920
<v Speaker 1>I think about fashion at this time, like late nineties

1:01:03.960 --> 1:01:09.280
<v Speaker 1>early because it's like what seven yeah, um, and this

1:01:09.400 --> 1:01:13.320
<v Speaker 1>idea of like military clothing suddenly becoming hip, especially the

1:01:13.520 --> 1:01:17.760
<v Speaker 1>like yes yes and the big pants and stuff. Did

1:01:17.800 --> 1:01:20.840
<v Speaker 1>that leave any impression on you guys? Yeah? I mean

1:01:20.920 --> 1:01:24.040
<v Speaker 1>I think I think style is the way that people

1:01:24.240 --> 1:01:28.440
<v Speaker 1>often launder fascism, you know, is like oh but it's

1:01:28.480 --> 1:01:31.360
<v Speaker 1>such a good logo, um, which I feel like we

1:01:31.360 --> 1:01:34.160
<v Speaker 1>were kind of talking about with the flag before, like

1:01:34.200 --> 1:01:36.800
<v Speaker 1>you know, That's what's scary about symbols, as they can

1:01:36.840 --> 1:01:39.720
<v Speaker 1>be used to kind of cover up crimes. That's what

1:01:39.760 --> 1:01:43.280
<v Speaker 1>we talk about in the Olympics a lot my anti

1:01:43.320 --> 1:01:46.400
<v Speaker 1>Olympics group, because a lot of people are very attached

1:01:46.400 --> 1:01:50.400
<v Speaker 1>to the graphic design of the Olympics UM. But again,

1:01:50.440 --> 1:01:52.800
<v Speaker 1>it's like that's used to kind of cover up a

1:01:52.840 --> 1:01:57.160
<v Speaker 1>lot of abuse and financial fucked up behavior. I think

1:01:57.240 --> 1:02:01.520
<v Speaker 1>also like going back to the sort of um the

1:02:01.640 --> 1:02:07.320
<v Speaker 1>sort of egalitarianism between like genders and this like it

1:02:07.440 --> 1:02:09.880
<v Speaker 1>is kind of an andragugous thing. Like Denise Richard does

1:02:09.920 --> 1:02:12.560
<v Speaker 1>not aside from like the party scene or whatever. She's

1:02:12.600 --> 1:02:16.040
<v Speaker 1>not like dressed sexy or anything. She's just like a pilot.

1:02:16.560 --> 1:02:18.520
<v Speaker 1>And there's this sort of like and I feel like

1:02:18.560 --> 1:02:21.400
<v Speaker 1>that's something that always is getting that's always a point

1:02:21.400 --> 1:02:26.280
<v Speaker 1>of conversation in like genre stuff and in video games

1:02:26.400 --> 1:02:28.800
<v Speaker 1>it's like why can't the woman who's holding the two

1:02:28.840 --> 1:02:33.120
<v Speaker 1>machine guns, you know, like not be sexual? See, I

1:02:33.160 --> 1:02:36.000
<v Speaker 1>find it just I find it just as scary when

1:02:36.080 --> 1:02:40.040
<v Speaker 1>she's like cutie Panzer Division, Like that was so scary

1:02:40.080 --> 1:02:43.160
<v Speaker 1>to me. She's just like yeah, when she's wearing the

1:02:43.240 --> 1:02:48.120
<v Speaker 1>Nazi uniform and just like smiling like shooting, and you know,

1:02:48.480 --> 1:02:51.040
<v Speaker 1>and then at the end when Doogie Houser feels the

1:02:51.040 --> 1:02:53.360
<v Speaker 1>bug when they see you, like the last living bug

1:02:54.720 --> 1:02:58.160
<v Speaker 1>and it's afraid and they all cheer. Well, that's like

1:02:58.200 --> 1:03:03.200
<v Speaker 1>the most on the nose. The um Patrick Harris's costume

1:03:03.280 --> 1:03:05.360
<v Speaker 1>is like the most post on the nose s S

1:03:05.440 --> 1:03:09.040
<v Speaker 1>Officer type ship. To Joel's point, I think a lot

1:03:09.080 --> 1:03:11.640
<v Speaker 1>of that stuff came back under the guys of like

1:03:11.680 --> 1:03:14.720
<v Speaker 1>we're so far removed from actual Nazis, we can do

1:03:14.760 --> 1:03:17.320
<v Speaker 1>this as fashion now, like Hugo Boss can be a

1:03:17.400 --> 1:03:22.439
<v Speaker 1>legitimate brand that advertising, right, Like Hugo Boss did come

1:03:22.440 --> 1:03:25.240
<v Speaker 1>back really big in the nineties for sure, but also

1:03:25.280 --> 1:03:29.840
<v Speaker 1>like all these seventies rock guys bought Nazi memorabilia, you know,

1:03:30.080 --> 1:03:34.920
<v Speaker 1>to be like Edge Lords of the seventies, Prince Harry, Right,

1:03:35.040 --> 1:03:37.680
<v Speaker 1>lots of people think it's like we're so far away

1:03:37.680 --> 1:03:43.760
<v Speaker 1>from it, but we're never that far away from it, clearly. Yeah.

1:03:44.160 --> 1:03:46.400
<v Speaker 1>I mean it's also like, like I do think it's

1:03:46.440 --> 1:03:49.800
<v Speaker 1>interesting that we're talking about starship troopers and this kind

1:03:49.800 --> 1:03:52.800
<v Speaker 1>of stuff right after talking about the flag, because like,

1:03:53.880 --> 1:03:56.920
<v Speaker 1>I don't know, I mean, I I still keep coming

1:03:56.920 --> 1:03:59.280
<v Speaker 1>back to the fact that there are just two completely

1:03:59.320 --> 1:04:04.040
<v Speaker 1>different readings of this movie, and that we're all very

1:04:04.080 --> 1:04:07.200
<v Speaker 1>confident and comfortable with our reading. It was what it

1:04:07.240 --> 1:04:10.520
<v Speaker 1>was intended to be read that way. But it's it's

1:04:10.720 --> 1:04:14.520
<v Speaker 1>weird that people can like miss putting together all of

1:04:14.520 --> 1:04:16.920
<v Speaker 1>these elements and all of these clues about the message

1:04:16.960 --> 1:04:20.120
<v Speaker 1>behind this movie. Like people who are really seasoned at

1:04:20.160 --> 1:04:22.720
<v Speaker 1>like taking apart movies, and I mean, I wouldn't say

1:04:22.800 --> 1:04:24.760
<v Speaker 1>or they just you know, believe in The Forever War.

1:04:25.120 --> 1:04:27.360
<v Speaker 1>There is a book, like an anti war sci fi

1:04:27.360 --> 1:04:29.919
<v Speaker 1>book written in response to this book called The Forever War,

1:04:30.600 --> 1:04:33.800
<v Speaker 1>where it's like the the Minians sort of like realized

1:04:33.840 --> 1:04:37.600
<v Speaker 1>that they're being used for cannon fodder and that um.

1:04:37.640 --> 1:04:39.600
<v Speaker 1>But for Hovan said, this movie was really his own

1:04:39.600 --> 1:04:43.160
<v Speaker 1>response to like America after World War Two becoming just

1:04:43.240 --> 1:04:46.640
<v Speaker 1>like increasingly imperialistic and involving itself in all kinds of

1:04:46.680 --> 1:04:49.400
<v Speaker 1>conflicts that it didn't need to be part of. But

1:04:50.280 --> 1:04:52.160
<v Speaker 1>you know, America had to be convinced to go into

1:04:52.200 --> 1:04:54.680
<v Speaker 1>World War two because a lot of people did not

1:04:55.160 --> 1:04:58.320
<v Speaker 1>think we belonged there. We're on the fence for a

1:04:58.360 --> 1:05:01.400
<v Speaker 1>long time about World War Two. It turns out well

1:05:01.520 --> 1:05:04.240
<v Speaker 1>he's for having said too that this is based parts

1:05:04.240 --> 1:05:06.160
<v Speaker 1>of it are patterned after Triumph of the Will, but

1:05:06.280 --> 1:05:09.800
<v Speaker 1>also after the Frank Capra response to Triumph of the

1:05:09.840 --> 1:05:13.120
<v Speaker 1>Will that was meant to like in gender the same

1:05:13.200 --> 1:05:16.280
<v Speaker 1>kind of patriotism and Americans and be like, this is

1:05:16.280 --> 1:05:20.000
<v Speaker 1>why we have to go do this, um, because Frank

1:05:20.000 --> 1:05:22.560
<v Speaker 1>Capra was like terrified by Triumph of the Will. He

1:05:22.640 --> 1:05:24.880
<v Speaker 1>was like, this is such a good work of propaganda.

1:05:24.920 --> 1:05:28.240
<v Speaker 1>We have to make an equally good work of propaganda.

1:05:28.440 --> 1:05:30.480
<v Speaker 1>And there's some stuff in the Frank Capra one that's

1:05:30.520 --> 1:05:34.040
<v Speaker 1>totally false. There's like a you know, it's obviously very

1:05:34.120 --> 1:05:38.680
<v Speaker 1>racist towards the Japanese, but there's just like some some

1:05:38.720 --> 1:05:41.680
<v Speaker 1>conspiracy stuff in it that was maybe used to help

1:05:42.280 --> 1:05:46.960
<v Speaker 1>speed the process along of getting America on board. No.

1:05:47.240 --> 1:05:52.000
<v Speaker 1>I've been um listening to the current hardcore history about

1:05:52.040 --> 1:05:55.720
<v Speaker 1>the Pacific theater of World War two a lot, and

1:05:55.760 --> 1:05:59.880
<v Speaker 1>it's very interesting to see the whole West Coast history

1:06:00.120 --> 1:06:05.000
<v Speaker 1>of of demonizing Japanese people through all that in ways

1:06:05.000 --> 1:06:06.880
<v Speaker 1>that I kind of knew about it in a cursory way,

1:06:06.920 --> 1:06:12.919
<v Speaker 1>but never never in depth. Um. But yeah, it's wild um.

1:06:13.480 --> 1:06:17.520
<v Speaker 1>And again it is all about finding a common enemy

1:06:17.600 --> 1:06:21.640
<v Speaker 1>on getting creating a narrative and like and then and

1:06:21.680 --> 1:06:25.040
<v Speaker 1>then created a system that can be seen as blameless,

1:06:25.680 --> 1:06:30.600
<v Speaker 1>like somehow the the idea of police in this country

1:06:30.640 --> 1:06:33.480
<v Speaker 1>being something that people just take for granted and that

1:06:33.640 --> 1:06:35.680
<v Speaker 1>it works and like, well, we gotta have police. We

1:06:35.720 --> 1:06:39.479
<v Speaker 1>can't not have police. Um, Like it's the same as

1:06:40.320 --> 1:06:43.360
<v Speaker 1>this military system in this film. Like I was going

1:06:43.400 --> 1:06:48.720
<v Speaker 1>back to the flogging scene that the gentleman mentioned Joel mentioned,

1:06:48.920 --> 1:06:52.000
<v Speaker 1>is uh, like there's something in that scene where I think,

1:06:52.040 --> 1:06:54.960
<v Speaker 1>like if you don't get it by then you're kind

1:06:54.960 --> 1:06:57.280
<v Speaker 1>of like I don't know what to I don't know

1:06:57.320 --> 1:06:59.520
<v Speaker 1>what to tell you because it's just like there are

1:06:59.520 --> 1:07:02.560
<v Speaker 1>a couple parts like that too. Well the I think

1:07:02.600 --> 1:07:05.400
<v Speaker 1>like by the like from the opening segment, like if

1:07:05.400 --> 1:07:07.760
<v Speaker 1>you don't get that, but also by that scene scene

1:07:07.800 --> 1:07:10.840
<v Speaker 1>because it's like the idea of that scene is not

1:07:11.560 --> 1:07:14.520
<v Speaker 1>Oh my god, this this system that I have signed

1:07:14.600 --> 1:07:17.400
<v Speaker 1>up for is hurting me and is blaming for some

1:07:17.760 --> 1:07:20.040
<v Speaker 1>me for some like this horrible thing that happened that

1:07:20.120 --> 1:07:22.360
<v Speaker 1>ultimately I didn't have that much control over and now

1:07:22.360 --> 1:07:26.320
<v Speaker 1>I'm being like publicly flogged for it. Uh. It's like

1:07:26.800 --> 1:07:28.600
<v Speaker 1>it's like, no, this is good for him. This is

1:07:28.600 --> 1:07:31.840
<v Speaker 1>gonna like make him better within this stem, which is

1:07:31.880 --> 1:07:35.080
<v Speaker 1>so like that's you know, and and then and so

1:07:35.160 --> 1:07:38.400
<v Speaker 1>the hero of the movie then, or the hero of

1:07:38.480 --> 1:07:43.200
<v Speaker 1>the Highland story at least is the system that and

1:07:43.280 --> 1:07:46.960
<v Speaker 1>that the system will make this person better, uh, and

1:07:47.000 --> 1:07:48.920
<v Speaker 1>that you can be improved through it, and the system

1:07:48.960 --> 1:07:53.000
<v Speaker 1>knows best. There's like a brief mention of showing executions

1:07:53.040 --> 1:08:01.560
<v Speaker 1>on TV. Yeah, yeah, tonight at six the electric chair. Yeah, yeah,

1:08:01.600 --> 1:08:04.000
<v Speaker 1>the only difference I think. I you know, this also

1:08:04.040 --> 1:08:05.720
<v Speaker 1>made me think about the Purge, which has come up

1:08:05.760 --> 1:08:10.160
<v Speaker 1>a lot in my mind in the past. While um

1:08:10.240 --> 1:08:12.160
<v Speaker 1>in that, I was like, you're right, like the Nazi

1:08:12.280 --> 1:08:14.600
<v Speaker 1>uniform now, like the uniform that scares me now is

1:08:14.640 --> 1:08:18.599
<v Speaker 1>not a trench code. It's like, you know, the bugaloo stuff,

1:08:18.640 --> 1:08:21.360
<v Speaker 1>Like it's somebody with like a Blue Lives Matter sticker

1:08:21.400 --> 1:08:24.160
<v Speaker 1>on their car and like a Hawaiian shirt. You know.

1:08:24.479 --> 1:08:29.040
<v Speaker 1>Still the fatigues, the cargo shorts. Yeah, just like that

1:08:29.160 --> 1:08:31.559
<v Speaker 1>to me is even scarier because it's like so dressed

1:08:31.560 --> 1:08:36.760
<v Speaker 1>down and informal. You know, it's like it's terrifying. I'm

1:08:36.800 --> 1:08:39.559
<v Speaker 1>just I'm just dude. To a cook out. Somebody was

1:08:39.560 --> 1:08:42.200
<v Speaker 1>posting once today that we're all these like Disney like

1:08:42.360 --> 1:08:45.640
<v Speaker 1>Mickey Blue Lives Matter flag inside a Mickey and it

1:08:45.760 --> 1:08:48.960
<v Speaker 1>just says like daddy on it. You know. I was

1:08:49.040 --> 1:08:53.960
<v Speaker 1>like that, that's the scariest thing I've ever seen. Take

1:08:54.000 --> 1:08:57.760
<v Speaker 1>it away, no, thank you. Well, if you haven't seen

1:08:57.800 --> 1:09:00.200
<v Speaker 1>Starship Troopers in a while, might be a good time

1:09:00.240 --> 1:09:02.080
<v Speaker 1>to watch it. And if you think that you don't

1:09:02.160 --> 1:09:05.160
<v Speaker 1>like it, it might hit different now. It might might

1:09:05.800 --> 1:09:09.640
<v Speaker 1>pointed out like say that I saw Jaws yesterday. I

1:09:09.680 --> 1:09:12.880
<v Speaker 1>don't know what time is anymore. But you have a

1:09:12.960 --> 1:09:18.040
<v Speaker 1>mayor denying people or not informing his community about a

1:09:18.160 --> 1:09:22.640
<v Speaker 1>deadly shark and opening the beaches because listen July and

1:09:22.720 --> 1:09:25.000
<v Speaker 1>we need to make money and this is how we survive.

1:09:25.200 --> 1:09:29.720
<v Speaker 1>Oh my god, we're all freaking weird. Is the timeliest

1:09:29.720 --> 1:09:32.120
<v Speaker 1>thing to it was Ship the other day or maybe

1:09:32.200 --> 1:09:34.000
<v Speaker 1>like I'd recorded it and I was like, this is

1:09:34.040 --> 1:09:36.680
<v Speaker 1>too real. But it's also such a good movie. And

1:09:37.000 --> 1:09:41.240
<v Speaker 1>so you're saying l al Fresco is Joss, Yes, Yes,

1:09:43.600 --> 1:09:49.920
<v Speaker 1>is Garcetti the giant shark? Is he Bruce? He's the mayor?

1:09:50.640 --> 1:09:53.679
<v Speaker 1>Oh my god? Well yeah, check that out. It makes

1:09:53.720 --> 1:09:55.680
<v Speaker 1>for good Fourth of July view, and I think if

1:09:55.720 --> 1:09:57.679
<v Speaker 1>you have to stay inside for your Fourth of July,

1:09:58.120 --> 1:10:00.720
<v Speaker 1>might as well watched our ship Troopers and and Jaws.

1:10:01.000 --> 1:10:05.840
<v Speaker 1>Sounds American enough to me. That's a good double bill.

1:10:06.560 --> 1:10:09.799
<v Speaker 1>We all back that double bill. Yeah, thanks for listening

1:10:09.800 --> 1:10:12.680
<v Speaker 1>to Night Call this week. You can follow us on

1:10:12.760 --> 1:10:17.480
<v Speaker 1>social at Nightcall pod on Twitter, Nightcall Podcasts, and Instagram

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1:10:23.280 --> 1:10:26.760
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<v Speaker 1>get our newsletter, bonus episodes, merge all sorts of fun

1:10:35.920 --> 1:10:38.880
<v Speaker 1>stuff there. So check that out and we will be

1:10:38.920 --> 1:10:43.120
<v Speaker 1>back next week. We are also looking for stories from

1:10:43.200 --> 1:10:47.880
<v Speaker 1>teachers and students who have emerged now from the very

1:10:47.960 --> 1:10:52.040
<v Speaker 1>strangest school year ever. Um. We would love to hear

1:10:52.160 --> 1:10:54.599
<v Speaker 1>your experiences of how this period of time has been.

1:10:54.720 --> 1:10:56.760
<v Speaker 1>So if you would like to give us a night

1:10:56.800 --> 1:10:59.960
<v Speaker 1>Call at two four oh four six night you can

1:11:00.000 --> 1:11:02.320
<v Speaker 1>be anonymous just let us know. You can also send

1:11:02.400 --> 1:11:05.920
<v Speaker 1>us an email at Nightcall Podcast at gmail dot com.

1:11:05.960 --> 1:11:08.200
<v Speaker 1>Just let us know if you wouldn't like to be identified,

1:11:08.320 --> 1:11:11.120
<v Speaker 1>or if you have a nickname that no one will

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<v Speaker 1>be able to identify you by, you can give us that.

1:11:14.360 --> 1:11:16.559
<v Speaker 1>Um thanks a lot, and we're hoping to to show

1:11:16.600 --> 1:11:18.400
<v Speaker 1>those stories in upcoming episodes.