1 00:00:00,240 --> 00:00:03,680 Speaker 1: My dad, of course, was in the Air Force and 2 00:00:04,240 --> 00:00:07,280 Speaker 1: he's a pilot and has always taught me sort of 3 00:00:07,280 --> 00:00:11,520 Speaker 1: the value of flight. And when I explain how much 4 00:00:11,520 --> 00:00:13,920 Speaker 1: it means to me in the episode that that meant 5 00:00:13,920 --> 00:00:15,880 Speaker 1: a lot. And I dedicated that scene to my father 6 00:00:15,920 --> 00:00:18,000 Speaker 1: and we grew closer as a result of that. It 7 00:00:18,079 --> 00:00:19,159 Speaker 1: was very special for me. 8 00:00:33,120 --> 00:00:36,519 Speaker 2: Hi, everyone, you're listening to Pot of Rebellion. This is 9 00:00:36,600 --> 00:00:40,960 Speaker 2: ts Or Car voice of Sabine Wren, Specter five, and 10 00:00:41,120 --> 00:00:42,360 Speaker 2: I'm not by myself today. 11 00:00:42,440 --> 00:00:46,320 Speaker 1: With us we have Hey, everybody, what's up? It's Vanessa Marshall, 12 00:00:46,360 --> 00:00:49,080 Speaker 1: the voice of Harrison Doula, Specter two. And I am 13 00:00:49,159 --> 00:00:53,800 Speaker 1: thrilled to have this next guest who's generally here, Signora? 14 00:00:54,920 --> 00:00:55,520 Speaker 3: What's up? 15 00:00:56,160 --> 00:01:00,840 Speaker 4: Taylor Grade here, specter six, and that is with us, 16 00:01:00,880 --> 00:01:02,800 Speaker 4: we also have everybody. 17 00:01:02,840 --> 00:01:05,520 Speaker 5: It's Johny Brody, your friendly neighborhood moderator for the Pot 18 00:01:05,520 --> 00:01:08,360 Speaker 5: of Rebellion. And today we are going over season two, 19 00:01:08,400 --> 00:01:12,319 Speaker 5: episode seven, Wings of the Master. Here we go or 20 00:01:12,600 --> 00:01:17,640 Speaker 5: hang on before we jump in, how is everybody doing? 21 00:01:17,680 --> 00:01:19,240 Speaker 5: As always we like to do our check in. This 22 00:01:19,280 --> 00:01:22,120 Speaker 5: isn't just me checking in with Vanessa, Ta and Taylor, everybody. 23 00:01:22,120 --> 00:01:24,880 Speaker 5: This is us checking in with you are incredible listeners 24 00:01:24,880 --> 00:01:26,959 Speaker 5: because we do care. We are one big family. 25 00:01:27,240 --> 00:01:27,720 Speaker 1: That's right. 26 00:01:29,160 --> 00:01:31,920 Speaker 2: I'm doing well. I hope everyone that's listening is also 27 00:01:32,040 --> 00:01:34,000 Speaker 2: doing well. How are you guys doing. 28 00:01:34,560 --> 00:01:36,600 Speaker 1: Yeah, you'll have to let us know in our in 29 00:01:36,680 --> 00:01:37,320 Speaker 1: our socials. 30 00:01:38,600 --> 00:01:40,600 Speaker 3: I'm doing well. It's a while. It's been a wild 31 00:01:40,600 --> 00:01:42,480 Speaker 3: world lately, so hanging on with. 32 00:01:44,280 --> 00:01:47,400 Speaker 4: Feeling the absurdity of it all, which is only fun 33 00:01:47,560 --> 00:01:48,680 Speaker 4: and entertaining in the end. 34 00:01:48,720 --> 00:01:53,000 Speaker 2: I think, well, listen, that's why we have Star Wars. 35 00:01:52,840 --> 00:01:57,440 Speaker 6: Right too, exactly, to either completely try and ignore what's 36 00:01:57,480 --> 00:02:00,560 Speaker 6: happening in the real world, or to help us reflect 37 00:02:00,640 --> 00:02:03,480 Speaker 6: on what's happening in the real world and maybe find 38 00:02:03,520 --> 00:02:05,040 Speaker 6: some connections. 39 00:02:04,960 --> 00:02:06,480 Speaker 1: Help us get through it. 40 00:02:06,480 --> 00:02:07,200 Speaker 3: It's just crazy. 41 00:02:07,320 --> 00:02:11,000 Speaker 4: Like going and seeing movies lately, I'm like, well, the 42 00:02:11,040 --> 00:02:14,040 Speaker 4: steaks and the drama of the world are higher than 43 00:02:14,040 --> 00:02:18,040 Speaker 4: the stakes and the drama of dramas and Shakespearean tragedies 44 00:02:18,040 --> 00:02:19,960 Speaker 4: that we're trying to write. We can't even write things 45 00:02:19,960 --> 00:02:22,200 Speaker 4: that are as crazy as the world. So it has 46 00:02:22,280 --> 00:02:25,040 Speaker 4: a little bit of like a I guess that's interesting 47 00:02:25,040 --> 00:02:25,680 Speaker 4: for that character. 48 00:02:26,760 --> 00:02:29,840 Speaker 2: I rewat I digress a it, but I rewatched in 49 00:02:29,880 --> 00:02:33,640 Speaker 2: Glorious Bastards a couple of nights ago, and I hadn't 50 00:02:33,639 --> 00:02:36,640 Speaker 2: seen it in a really long time, and. 51 00:02:36,600 --> 00:02:42,960 Speaker 1: It felt good. It felt really good. 52 00:02:44,000 --> 00:02:48,360 Speaker 5: That's all, and not at all relevant to anything happening. 53 00:02:49,160 --> 00:02:49,480 Speaker 7: Nothing. 54 00:02:49,520 --> 00:02:53,560 Speaker 1: It felt really good. And wow, what a great movie. 55 00:02:53,600 --> 00:02:55,560 Speaker 2: If you haven't seen it, if you're listening out there 56 00:02:55,560 --> 00:02:58,920 Speaker 2: and you haven't seen Quentin Tarantino's and Glorious Bastards, highly recommend. 57 00:02:59,320 --> 00:03:02,040 Speaker 2: It's a fund a two and a half hour fun 58 00:03:02,120 --> 00:03:04,280 Speaker 2: ride masterpiece. 59 00:03:04,320 --> 00:03:06,919 Speaker 5: That that basement scene with the three, like, that's probably 60 00:03:06,960 --> 00:03:10,000 Speaker 5: one of the best crafted scenes ever done in cinema. 61 00:03:10,040 --> 00:03:10,600 Speaker 8: It's so good. 62 00:03:12,200 --> 00:03:15,160 Speaker 2: Yeah, it's one of my Like, it's a moment in 63 00:03:15,280 --> 00:03:19,120 Speaker 2: cinema that I remember so vividly and will forever like that. 64 00:03:19,120 --> 00:03:22,520 Speaker 2: That the number three. If you're if you've if you know, 65 00:03:22,600 --> 00:03:23,840 Speaker 2: you know, if you've seen it, you know. 66 00:03:24,160 --> 00:03:27,040 Speaker 8: That the strudle those are the two with the cream. 67 00:03:27,160 --> 00:03:31,240 Speaker 2: Oh my god, Christoph Waltz Man, give that man a raise. 68 00:03:32,040 --> 00:03:32,880 Speaker 3: Yeah. 69 00:03:33,080 --> 00:03:34,880 Speaker 1: Okay, anyway back to Star Wars. 70 00:03:35,680 --> 00:03:37,640 Speaker 5: So I guess with that we should probably jump into 71 00:03:37,680 --> 00:03:39,280 Speaker 5: this little recap. I'm gonna try and go quick on 72 00:03:39,280 --> 00:03:42,200 Speaker 5: this one because this is a big episode, especially for you, Vanessa, 73 00:03:42,600 --> 00:03:45,640 Speaker 5: both your character but also for you personally. And I 74 00:03:45,720 --> 00:03:47,160 Speaker 5: know some of that, and I know I don't know 75 00:03:47,200 --> 00:03:49,760 Speaker 5: if all our listeners know all of it. But we're 76 00:03:49,760 --> 00:03:50,920 Speaker 5: gonna be able to share it today and I can't 77 00:03:50,960 --> 00:03:52,280 Speaker 5: wait to hear what your thoughts are on it. So 78 00:03:52,320 --> 00:03:54,160 Speaker 5: here we go, Season two, Episode seven, The Wings of 79 00:03:54,200 --> 00:03:58,040 Speaker 5: the Master. Original er date November eleven, twenty fifteen, Written 80 00:03:58,040 --> 00:04:02,560 Speaker 5: by Stephen Melching. Now, Stephen, and this guy's like a legend, 81 00:04:02,600 --> 00:04:04,880 Speaker 5: I'm telling you when it comes to writing. This man 82 00:04:04,960 --> 00:04:07,680 Speaker 5: is a legend. Drug at like X Batman x Man 83 00:04:07,720 --> 00:04:10,360 Speaker 5: animated series, Transformers, Prime, Guardians of the Galaxy, which you 84 00:04:10,480 --> 00:04:13,240 Speaker 5: work on with him as well, Right, But as ye 85 00:04:14,400 --> 00:04:16,560 Speaker 5: look at this man's IMDb, he's done it all. But 86 00:04:16,760 --> 00:04:19,920 Speaker 5: he's written some of the best episodes of Star Wars rebels, 87 00:04:19,920 --> 00:04:23,080 Speaker 5: including this one, where he just finds these themes of 88 00:04:23,120 --> 00:04:26,880 Speaker 5: identity and philosophy and emotional stakes, and you know, carves 89 00:04:26,880 --> 00:04:29,080 Speaker 5: out new corners of Star Wars in a world that's 90 00:04:29,080 --> 00:04:32,359 Speaker 5: so well carved out. He somehow finds new ways to 91 00:04:32,480 --> 00:04:35,920 Speaker 5: tell these stories and uncover things that work covered before 92 00:04:35,920 --> 00:04:38,039 Speaker 5: and make the invisible visible. So we want to give 93 00:04:38,040 --> 00:04:41,560 Speaker 5: our flowers to Stephen Melching, because very rarely do writers 94 00:04:41,600 --> 00:04:44,239 Speaker 5: get their flowers, let alone writers in the world of animation. 95 00:04:44,360 --> 00:04:48,240 Speaker 5: So Stephen Melching, many flowers headed your way. And we 96 00:04:48,279 --> 00:04:50,320 Speaker 5: are not sponsored by one hundred Flowers, but we could 97 00:04:50,320 --> 00:04:54,520 Speaker 5: be sponsorship. 98 00:04:54,160 --> 00:04:54,960 Speaker 8: I could do. 99 00:04:55,040 --> 00:04:57,560 Speaker 5: I think we could all use some floral arrangements courtesy 100 00:04:57,600 --> 00:04:58,440 Speaker 5: of one hundred Flowers. 101 00:04:58,440 --> 00:04:58,920 Speaker 8: So here we go. 102 00:04:59,160 --> 00:05:01,320 Speaker 5: Here comes the recap for season two, episode seven, Wings 103 00:05:01,320 --> 00:05:04,080 Speaker 5: in the Master, The Phoenix Squadron is on a world 104 00:05:04,200 --> 00:05:06,960 Speaker 5: spentral kitchen like quest to deliver food to the starving 105 00:05:07,000 --> 00:05:09,520 Speaker 5: people of Eyebar, but on the way, they run into 106 00:05:09,560 --> 00:05:11,800 Speaker 5: an Empire blockade led by none other than Zeb's front 107 00:05:11,839 --> 00:05:15,000 Speaker 5: of me slash potential lover agent Kallis. The corrupt Empires 108 00:05:15,000 --> 00:05:16,520 Speaker 5: determined to block this charitable mission. 109 00:05:16,520 --> 00:05:18,120 Speaker 8: Whether they corupt bureaucratic weighs. 110 00:05:17,920 --> 00:05:21,479 Speaker 5: Something that's totally unrelatable to anything that's ever happened in 111 00:05:21,480 --> 00:05:25,880 Speaker 5: real life or in current life anyways. Unfortunately for Phoenix 112 00:05:25,880 --> 00:05:28,360 Speaker 5: Squadron and the people of Ibar, the Empire's strong defense 113 00:05:28,440 --> 00:05:30,600 Speaker 5: is also a very powerful offense, and this leads to 114 00:05:30,640 --> 00:05:33,760 Speaker 5: a failed mission. The Phoenix Squadron, like the Chicago Bears 115 00:05:33,800 --> 00:05:36,159 Speaker 5: and needed a new playbook and strategy if they're able 116 00:05:36,200 --> 00:05:38,480 Speaker 5: to supply aid to the people of Ibar in time. 117 00:05:38,839 --> 00:05:40,839 Speaker 5: Turns out, Rex knows a guy who may be able 118 00:05:40,880 --> 00:05:44,760 Speaker 5: to help. A reclusive engineer on Shantopol named Kory Corey 119 00:05:44,960 --> 00:05:47,159 Speaker 5: has built a prototype starfighter that could be the ultimate 120 00:05:47,160 --> 00:05:50,320 Speaker 5: game changer, but it needs the perfect pilot. Harra steps up, 121 00:05:50,320 --> 00:05:52,920 Speaker 5: but is met with skepticism from the monk Kalamari inventor. 122 00:05:53,160 --> 00:05:56,159 Speaker 5: But after delivering a monologue for the Ages and a 123 00:05:56,320 --> 00:05:59,000 Speaker 5: very successful test fight that invoked nostalgical modist to the 124 00:05:59,000 --> 00:06:02,520 Speaker 5: movie The Rocketeer, it is clear that Corey's earlier skepticism 125 00:06:02,560 --> 00:06:05,760 Speaker 5: was misplaced. Now it's showtime. The rebels head back towards Ibar, 126 00:06:05,839 --> 00:06:07,880 Speaker 5: but this time the Empire is the one out match. 127 00:06:07,920 --> 00:06:11,920 Speaker 5: As Hara unleashes the fully operational weaponry of the B Wing, 128 00:06:12,240 --> 00:06:14,600 Speaker 5: the battle is won, and like the Stevie Wonders song, 129 00:06:14,680 --> 00:06:17,120 Speaker 5: the foods to the people of Iyebar is signed, sealed, delivered, 130 00:06:17,520 --> 00:06:19,920 Speaker 5: and when all said and done, the episode wraps up 131 00:06:19,920 --> 00:06:22,679 Speaker 5: with the confirmation of something that everyone, including the Phoeis Squadron, 132 00:06:22,680 --> 00:06:25,400 Speaker 5: already knew, that Hara is the true leader and keep 133 00:06:25,520 --> 00:06:28,440 Speaker 5: one of the group, but now it's further solidified with 134 00:06:28,440 --> 00:06:32,240 Speaker 5: the official title and promotion. Apparently, working conditions and opportunities 135 00:06:32,240 --> 00:06:34,080 Speaker 5: for women to actually move up in the workplace were 136 00:06:34,160 --> 00:06:36,480 Speaker 5: much better a long time ago in a galaxy far 137 00:06:36,520 --> 00:06:39,120 Speaker 5: far away. And that's the recap for Seeding two, Episode seven, 138 00:06:39,200 --> 00:06:45,160 Speaker 5: The Wings of the Masters Boast. As always, that was 139 00:06:45,200 --> 00:06:48,520 Speaker 5: a fun one to get going, but I was trying 140 00:06:48,520 --> 00:06:51,599 Speaker 5: to keep it brief because there's so much unpacking this episode, 141 00:06:52,160 --> 00:06:54,640 Speaker 5: and I feel like, let's just jump right in because Vanessai, 142 00:06:54,680 --> 00:06:56,599 Speaker 5: I've heard you talk about the interviews and I've talked 143 00:06:56,640 --> 00:07:00,680 Speaker 5: to you about this personally. This is like, you know, 144 00:07:01,000 --> 00:07:03,000 Speaker 5: this is your big moment. This is like I would say, 145 00:07:03,000 --> 00:07:06,200 Speaker 5: your favorite moment for your character is the bee wing thing. 146 00:07:07,160 --> 00:07:11,960 Speaker 1: Yes, definitely, for for a number of reasons. My dad, 147 00:07:12,040 --> 00:07:15,720 Speaker 1: of course, was in the Air Force, and he's a 148 00:07:15,800 --> 00:07:19,000 Speaker 1: pilot and has always taught me sort of the value 149 00:07:19,040 --> 00:07:24,119 Speaker 1: of flight. And when I explain how much it means 150 00:07:24,120 --> 00:07:26,360 Speaker 1: to me in the episode, that that meant a lot, 151 00:07:26,360 --> 00:07:28,280 Speaker 1: and I dedicated that scene to my father and we 152 00:07:28,360 --> 00:07:30,040 Speaker 1: grew closer as a result of that. 153 00:07:30,120 --> 00:07:30,760 Speaker 8: It was very. 154 00:07:30,600 --> 00:07:34,600 Speaker 1: Special for me, and also that it was her explaining 155 00:07:34,640 --> 00:07:37,680 Speaker 1: the meaning of flight, the value of flight that made 156 00:07:38,360 --> 00:07:43,840 Speaker 1: Quarry yield and allow her to fly the plane. I've 157 00:07:43,880 --> 00:07:48,280 Speaker 1: always had a tremendous respect for pilots in general. I mean, 158 00:07:48,320 --> 00:07:51,440 Speaker 1: I think they're very much like Harah herself. Harah has 159 00:07:51,440 --> 00:07:54,440 Speaker 1: an ability to focus a way that I wish I had. 160 00:07:55,440 --> 00:07:58,680 Speaker 1: You know, I'm distracted by shiny beads, you know, occasionally, 161 00:07:58,760 --> 00:08:03,040 Speaker 1: and he is always able to stay on mission. And 162 00:08:03,160 --> 00:08:05,480 Speaker 1: you know, unfortunately for her in season four, she's a 163 00:08:05,480 --> 00:08:08,320 Speaker 1: little too focused on other things that she misses, kind 164 00:08:08,320 --> 00:08:10,760 Speaker 1: of the work life balance stuff. But you know, that's 165 00:08:10,840 --> 00:08:14,760 Speaker 1: for later, but for now. Also, as a Star Wars fan, 166 00:08:14,920 --> 00:08:19,480 Speaker 1: Corey Burton, cad Baine, Dooku, I mean, come on, y'all, 167 00:08:19,840 --> 00:08:23,360 Speaker 1: I just was freaking out to be near such talent. 168 00:08:24,240 --> 00:08:29,240 Speaker 1: He is incredible, and so that was also an honor. 169 00:08:29,760 --> 00:08:34,200 Speaker 1: But I remember talking to Dave Filoni about this sort 170 00:08:34,240 --> 00:08:36,839 Speaker 1: of ethos that the pilots have and he said, it's 171 00:08:36,920 --> 00:08:41,280 Speaker 1: very similar to men of the Sea people, you know, 172 00:08:41,400 --> 00:08:44,080 Speaker 1: captains and what have you, that there's this similar sort 173 00:08:44,080 --> 00:08:47,839 Speaker 1: of I don't know, it's kind of a code. And 174 00:08:48,640 --> 00:08:50,880 Speaker 1: Dave had experienced that with one of his uncles and 175 00:08:50,920 --> 00:08:52,800 Speaker 1: that there's just kind of you you have to pay 176 00:08:52,800 --> 00:08:55,640 Speaker 1: attention otherwise, you know, lives can be lost. It's a 177 00:08:55,760 --> 00:08:59,800 Speaker 1: very it can be a dangerous endeavor to sort of 178 00:08:59,840 --> 00:09:03,640 Speaker 1: go out to see or to take flight, so there's 179 00:09:03,679 --> 00:09:06,920 Speaker 1: again that level of focus and also care for other 180 00:09:07,000 --> 00:09:12,000 Speaker 1: people or birds or fish. You know, there's sort of 181 00:09:12,040 --> 00:09:17,640 Speaker 1: a hyper awareness that these pilots or sea captains have, 182 00:09:17,880 --> 00:09:20,400 Speaker 1: and I thought that was interesting. I wasn't aware. I 183 00:09:20,440 --> 00:09:24,280 Speaker 1: don't know many seafaring individuals, so I did not know that, 184 00:09:24,360 --> 00:09:26,800 Speaker 1: but I thought that was really interesting. And he sort 185 00:09:26,840 --> 00:09:31,960 Speaker 1: of based Quarry on his uncle, so it just was 186 00:09:31,960 --> 00:09:33,720 Speaker 1: interesting to me that there was this kind of family 187 00:09:33,840 --> 00:09:37,120 Speaker 1: history that was quite personal Todave and also for me 188 00:09:37,320 --> 00:09:40,679 Speaker 1: with my father. When I finished the episode last night, 189 00:09:40,760 --> 00:09:44,920 Speaker 1: I actually texted melching. I was sobbing by the end 190 00:09:44,920 --> 00:09:49,040 Speaker 1: of the episode. It was just so beautifully written. And 191 00:09:49,200 --> 00:09:51,240 Speaker 1: of course, as a Star Wars fan, it's a bee Wing, 192 00:09:51,400 --> 00:09:55,080 Speaker 1: so hello. That's also quite for the Battle of Endor 193 00:09:55,160 --> 00:09:57,600 Speaker 1: and all the things that were to come that follow 194 00:09:58,160 --> 00:10:03,280 Speaker 1: this sort of minute portion of the overall saga that 195 00:10:03,480 --> 00:10:10,960 Speaker 1: this new ship is quite impactful in the future. That 196 00:10:11,080 --> 00:10:12,520 Speaker 1: meant a lot to me as well, to sort of 197 00:10:12,520 --> 00:10:16,080 Speaker 1: be a part of its beginning, and so there were 198 00:10:16,120 --> 00:10:18,479 Speaker 1: there were so many things going on for me personally, 199 00:10:19,240 --> 00:10:21,800 Speaker 1: in terms of my family, in terms of my fandom, 200 00:10:22,800 --> 00:10:27,119 Speaker 1: there was just a lot going on. But overall flowers 201 00:10:27,160 --> 00:10:33,040 Speaker 1: to Steve Melching, indeed, because he really nailed that that 202 00:10:33,200 --> 00:10:37,360 Speaker 1: sort of very spiritual reward that comes with flying. And 203 00:10:37,640 --> 00:10:40,200 Speaker 1: you know when she says that when things are falling 204 00:10:40,200 --> 00:10:42,319 Speaker 1: apart or blowing up in space, that's when I'm at 205 00:10:42,320 --> 00:10:45,200 Speaker 1: my best. And I think pilots had that very same 206 00:10:45,240 --> 00:10:51,080 Speaker 1: ability to focus and I deeply appreciate that. And thank 207 00:10:51,120 --> 00:10:55,040 Speaker 1: you to anyone who's listening who's served in any Air 208 00:10:55,080 --> 00:10:59,160 Speaker 1: Force veterans. You have all my whole heart. And yeah, 209 00:10:59,240 --> 00:11:01,599 Speaker 1: so it it's a pretty heavy episode. 210 00:11:02,040 --> 00:11:06,320 Speaker 4: Also, you crushed that speech. I thought that speech was awesome. 211 00:11:06,400 --> 00:11:10,120 Speaker 4: I don't I imagine we were there for but I don't. 212 00:11:10,120 --> 00:11:12,160 Speaker 4: I don't remember that specific speech. I was just curious 213 00:11:12,200 --> 00:11:15,400 Speaker 4: what you thought like about that. Seeing that again, I 214 00:11:15,400 --> 00:11:16,760 Speaker 4: thought it was that was really good. 215 00:11:17,040 --> 00:11:19,040 Speaker 1: Yeah, I thought it was. And I know I was 216 00:11:19,080 --> 00:11:21,720 Speaker 1: thinking of my father and how much he taught me 217 00:11:21,760 --> 00:11:24,680 Speaker 1: that my whole life, he's been trying to instill those values. 218 00:11:24,679 --> 00:11:26,600 Speaker 1: I mean, not to go fight people in the sky. 219 00:11:26,760 --> 00:11:30,320 Speaker 1: But you know, but that there is value to getting 220 00:11:30,360 --> 00:11:32,880 Speaker 1: perspective that when we were stuck here on Earth, we 221 00:11:32,920 --> 00:11:36,000 Speaker 1: are sort of sucked into the minutia of life, and 222 00:11:36,040 --> 00:11:39,360 Speaker 1: it's really important to expand and sort of see the 223 00:11:39,400 --> 00:11:42,319 Speaker 1: whole picture and see our very tiny but important place 224 00:11:42,840 --> 00:11:47,000 Speaker 1: within humanity. But that that that perspective is key to 225 00:11:47,960 --> 00:11:51,320 Speaker 1: sort of transcendence or detachment. And he's not of any 226 00:11:51,320 --> 00:11:55,520 Speaker 1: sort of religious denomination whatsoever, but and I don't even 227 00:11:55,600 --> 00:11:58,480 Speaker 1: know what you would call those values. He was constantly 228 00:11:59,160 --> 00:12:02,360 Speaker 1: reading Jonathan Livingstone Seagull and like putting it under my pillow, 229 00:12:02,440 --> 00:12:05,240 Speaker 1: and it was like a thing, believe me. So I 230 00:12:05,280 --> 00:12:07,600 Speaker 1: felt like this speech was me letting him know that 231 00:12:07,679 --> 00:12:11,000 Speaker 1: I got the message so much so that I think 232 00:12:11,000 --> 00:12:13,360 Speaker 1: it might have got me cast in this very special 233 00:12:13,880 --> 00:12:19,319 Speaker 1: chosen family scenario where I'm flying this epic ship that 234 00:12:20,000 --> 00:12:22,400 Speaker 1: later is in the Battle of Vendor. I mean, my goodness, 235 00:12:22,400 --> 00:12:24,520 Speaker 1: there's it doesn't get read. 236 00:12:24,360 --> 00:12:26,920 Speaker 3: That ship ends up as one of the main ships 237 00:12:26,920 --> 00:12:27,520 Speaker 3: in and. 238 00:12:27,520 --> 00:12:31,280 Speaker 1: Or not not Maine. But it's key later in the 239 00:12:31,320 --> 00:12:32,760 Speaker 1: things that I saw growing up. 240 00:12:33,200 --> 00:12:36,520 Speaker 2: Oh sick, that was the prototype for the B Wing, 241 00:12:36,720 --> 00:12:37,800 Speaker 2: right like that. 242 00:12:38,960 --> 00:12:40,920 Speaker 3: Like that guy was building a be wing. 243 00:12:41,160 --> 00:12:45,040 Speaker 1: So this is like the pre the pre or like 244 00:12:45,080 --> 00:12:46,760 Speaker 1: the PREA. 245 00:12:47,400 --> 00:12:50,640 Speaker 3: In the first three movies then the well. 246 00:12:50,720 --> 00:12:52,800 Speaker 5: It was briefly in Return of the Jedi, but because 247 00:12:52,840 --> 00:12:56,040 Speaker 5: the compositing like technology wasn't all there, they couldn't feature 248 00:12:56,040 --> 00:12:58,880 Speaker 5: it heavily. But technically and JC can fact checked me 249 00:12:58,880 --> 00:13:00,199 Speaker 5: on this technically. 250 00:13:01,800 --> 00:13:07,760 Speaker 4: Or sorry, sorry I meant one, two three, sorry. Yeah, yeah, 251 00:13:07,840 --> 00:13:11,520 Speaker 4: because if if he was creating it for hair like 252 00:13:11,679 --> 00:13:14,719 Speaker 4: that hair flew on the first ones, then four five. 253 00:13:15,240 --> 00:13:16,120 Speaker 1: Yeah, exactly. 254 00:13:16,440 --> 00:13:18,800 Speaker 2: What a cool origin story that we got to have 255 00:13:18,840 --> 00:13:23,000 Speaker 2: on our show. Like, that's sick if I'm ay, I mean, 256 00:13:23,040 --> 00:13:28,520 Speaker 2: Taylor already said it. But Vanessa, you're always fabulous and 257 00:13:28,600 --> 00:13:32,320 Speaker 2: like next level. But and I know that this, I 258 00:13:32,400 --> 00:13:35,040 Speaker 2: know how near and dear to your heart this episode is. 259 00:13:35,080 --> 00:13:38,760 Speaker 2: But I it kind of it's been so long since 260 00:13:38,760 --> 00:13:40,600 Speaker 2: I watched it. I kind of got to watch it 261 00:13:41,000 --> 00:13:44,000 Speaker 2: a little bit with fresh eyes, just because I know 262 00:13:44,080 --> 00:13:45,960 Speaker 2: how important it is to you, and you talk about 263 00:13:45,960 --> 00:13:48,600 Speaker 2: it in like, you know, interviews and Q and a's 264 00:13:48,640 --> 00:13:50,960 Speaker 2: and stuff, so I've heard you talk about it, but 265 00:13:51,000 --> 00:13:53,640 Speaker 2: I hadn't watched it myself in such a long time. 266 00:13:54,480 --> 00:13:58,920 Speaker 2: Oh man, you knocked it out of the park. That 267 00:13:59,080 --> 00:14:03,320 Speaker 2: monologue was so moving and so beautiful. And I know 268 00:14:04,000 --> 00:14:05,559 Speaker 2: you know what you just shared with all of us 269 00:14:05,640 --> 00:14:07,199 Speaker 2: about your dad. 270 00:14:07,000 --> 00:14:08,480 Speaker 1: And him being a pilot, But. 271 00:14:08,480 --> 00:14:11,840 Speaker 2: I didn't remember the monologue itself, so getting to rewatch it, 272 00:14:11,880 --> 00:14:15,880 Speaker 2: I was so moved by it. And like when you say, 273 00:14:17,080 --> 00:14:18,319 Speaker 2: I left my family so. 274 00:14:18,280 --> 00:14:24,400 Speaker 1: I could fly. Yeah, really something, lady. 275 00:14:24,640 --> 00:14:28,160 Speaker 5: Yeah, thanks, And if I may, I'm going to read 276 00:14:28,200 --> 00:14:29,800 Speaker 5: a quote to you. This is a quote that came 277 00:14:29,800 --> 00:14:34,320 Speaker 5: to mind when I rewatched this and listen to that monologus. 278 00:14:34,320 --> 00:14:36,520 Speaker 5: I speak all the same feel all the same feelings 279 00:14:36,520 --> 00:14:39,200 Speaker 5: that everyone's expressing here, but this is what I think 280 00:14:39,200 --> 00:14:41,920 Speaker 5: of especially, and I feel like your monologue encapsulate this. 281 00:14:42,000 --> 00:14:44,560 Speaker 5: So it's a quote. When my brothers try to draw 282 00:14:44,560 --> 00:14:46,640 Speaker 5: a circle to exclude me, I shall draw a larger 283 00:14:46,680 --> 00:14:48,960 Speaker 5: circle to include them. Where they speak up for the 284 00:14:49,000 --> 00:14:51,360 Speaker 5: privileges of a puny group, I shall shout for the 285 00:14:51,480 --> 00:14:56,120 Speaker 5: rights for all mankind. From doctor Paul Murray. That's really 286 00:14:56,160 --> 00:14:58,720 Speaker 5: what Harra is saying because of how she grew up 287 00:14:58,720 --> 00:15:01,560 Speaker 5: on Ryloth how and I know the backstory wasn't all 288 00:15:01,640 --> 00:15:03,680 Speaker 5: established at this point, but now that because we know 289 00:15:03,760 --> 00:15:07,400 Speaker 5: it it hits like that now because of how her 290 00:15:07,400 --> 00:15:08,800 Speaker 5: father of you things like let me look out for 291 00:15:08,920 --> 00:15:10,560 Speaker 5: rilof or hair, is like, no, I'm going to look 292 00:15:10,560 --> 00:15:14,000 Speaker 5: out for everybody, because that's what everyone deserves. And I 293 00:15:14,040 --> 00:15:16,200 Speaker 5: wanted to share that. And also because you three are 294 00:15:16,320 --> 00:15:19,600 Speaker 5: very well read and well spoken and just kind of 295 00:15:19,640 --> 00:15:21,920 Speaker 5: plant that there, and if that invoked any sort of 296 00:15:21,920 --> 00:15:24,200 Speaker 5: feelings hereing that and applying. 297 00:15:23,840 --> 00:15:25,880 Speaker 8: That to the monologue, I would just live your thoughts. 298 00:15:26,640 --> 00:15:29,480 Speaker 1: Yeah, well, that's that's an incredible quote, and that is 299 00:15:29,560 --> 00:15:33,480 Speaker 1: exactly what happened. And I think we'll see her address 300 00:15:33,560 --> 00:15:37,960 Speaker 1: that with her father eventually here when when she really 301 00:15:38,000 --> 00:15:42,080 Speaker 1: gets into it with charm There are different views that 302 00:15:42,280 --> 00:15:44,200 Speaker 1: you know, his his view was a little bit more 303 00:15:44,280 --> 00:15:49,440 Speaker 1: myopic and hers was galactic, if you will, which I 304 00:15:49,480 --> 00:15:53,200 Speaker 1: think is kind of what children do with their parents' 305 00:15:53,200 --> 00:15:55,920 Speaker 1: plans sometimes, which is I guess how we grow as 306 00:15:55,960 --> 00:16:00,080 Speaker 1: a people. But sometimes there's discord and hopefully they're there 307 00:16:00,160 --> 00:16:05,240 Speaker 1: is healing ultimately from that. But that that's really beautiful, John, 308 00:16:05,320 --> 00:16:09,920 Speaker 1: Thank you for sharing that. It does encapsulate her path 309 00:16:10,080 --> 00:16:11,920 Speaker 1: and how much it meant to her that she would 310 00:16:12,000 --> 00:16:15,320 Speaker 1: leave her family in order to accomplish those things. Which 311 00:16:15,600 --> 00:16:18,400 Speaker 1: is uh. I respect her a lot for. 312 00:16:18,440 --> 00:16:25,920 Speaker 2: That, Noble. I've not heard that quote before and I'm 313 00:16:25,920 --> 00:16:27,440 Speaker 2: going to need you to send it to me or 314 00:16:27,440 --> 00:16:28,480 Speaker 2: I can look it up. 315 00:16:28,520 --> 00:16:32,120 Speaker 1: But because it means a lot that that's really. 316 00:16:33,560 --> 00:16:38,160 Speaker 2: Poignant and also without you know, getting into the nitty gritty, 317 00:16:38,240 --> 00:16:43,160 Speaker 2: like so timely right like, shouldn't we all be drawing 318 00:16:43,200 --> 00:16:47,040 Speaker 2: a bigger circle to be more inclusive right about now? 319 00:16:48,280 --> 00:16:51,800 Speaker 2: So thanks for sharing that applicable not just to this 320 00:16:51,880 --> 00:16:55,960 Speaker 2: episode and not just to Harrah and her family back 321 00:16:55,960 --> 00:17:00,400 Speaker 2: on Rye Love, but also maybe to us in the 322 00:17:00,440 --> 00:17:00,960 Speaker 2: real world. 323 00:17:02,000 --> 00:17:03,200 Speaker 3: Whatever do you mean to you? 324 00:17:05,680 --> 00:17:06,440 Speaker 1: I'll call you later. 325 00:17:09,359 --> 00:17:11,320 Speaker 5: That'll be for the after Dark episode where you can 326 00:17:11,320 --> 00:17:13,439 Speaker 5: get and get in real D. But yeah, just the 327 00:17:13,480 --> 00:17:15,919 Speaker 5: other reason I really love that monologue is because you know, 328 00:17:16,000 --> 00:17:21,119 Speaker 5: she's met with this skepticism from Corey and I know 329 00:17:21,240 --> 00:17:24,040 Speaker 5: in a lesser show, in a lesser writer's hands and 330 00:17:24,080 --> 00:17:27,040 Speaker 5: a lesser show, I think Hair would have been maybe 331 00:17:27,040 --> 00:17:28,760 Speaker 5: come up with some more like pick me, pick me, 332 00:17:28,880 --> 00:17:32,480 Speaker 5: which how women are often portrayed in these situations. 333 00:17:32,880 --> 00:17:33,639 Speaker 8: But it wasn't that. 334 00:17:33,720 --> 00:17:35,480 Speaker 5: She's like, this is how I am, this is why 335 00:17:35,480 --> 00:17:37,440 Speaker 5: I do it, and if you like it, great, if 336 00:17:37,480 --> 00:17:38,160 Speaker 5: not f off. 337 00:17:38,520 --> 00:17:40,120 Speaker 8: That's kind of the energy you give them. 338 00:17:40,359 --> 00:17:43,240 Speaker 5: But because it's so genuine and it doesn'tencapsulate what I 339 00:17:43,240 --> 00:17:46,360 Speaker 5: feel like Doctor Polly Murray's quote is but in her 340 00:17:46,359 --> 00:17:49,200 Speaker 5: own hair away because it's her own backstory, it doesn't 341 00:17:49,240 --> 00:17:51,560 Speaker 5: come off as that. But you run that risk a 342 00:17:51,560 --> 00:17:53,440 Speaker 5: lot of times when you're trying to write a monologu 343 00:17:53,520 --> 00:17:56,520 Speaker 5: or a scene like that. And that's why it's like Melching, 344 00:17:56,560 --> 00:17:59,119 Speaker 5: it's like, dude, this guy is incredible, you know, and 345 00:17:59,119 --> 00:18:02,960 Speaker 5: then then twenty two animated show to pack all that in. 346 00:18:03,600 --> 00:18:05,840 Speaker 5: They make it look so easy, but it's like it's 347 00:18:05,840 --> 00:18:07,320 Speaker 5: hard enough to try to do that in like a 348 00:18:07,400 --> 00:18:10,240 Speaker 5: ninety minute movie only twenty two minutes. 349 00:18:10,359 --> 00:18:13,919 Speaker 2: Also, I totally agree, but like it's the combination of 350 00:18:14,280 --> 00:18:20,680 Speaker 2: Melching's writing and Vanessa's performance that makes it, and obviously 351 00:18:20,720 --> 00:18:25,159 Speaker 2: the animation and such, but like that combination keeps it 352 00:18:25,200 --> 00:18:30,080 Speaker 2: from being pick me, pick me, but also being like 353 00:18:31,119 --> 00:18:34,120 Speaker 2: arrogant to the point of being off putting, like being 354 00:18:34,400 --> 00:18:36,440 Speaker 2: being having Cubris. 355 00:18:37,400 --> 00:18:38,040 Speaker 1: It's neither. 356 00:18:38,160 --> 00:18:41,479 Speaker 2: It's like beautifully down the middle where it's like, listen, 357 00:18:41,920 --> 00:18:43,639 Speaker 2: I am the right one for this job. 358 00:18:45,240 --> 00:18:47,479 Speaker 1: And that's about that. 359 00:18:47,720 --> 00:18:50,760 Speaker 2: So either you recognize that and give me the shot, 360 00:18:51,080 --> 00:18:55,439 Speaker 2: or you don't, but them's the brains. But it's like, so, 361 00:18:55,760 --> 00:18:59,639 Speaker 2: it's so, it's it's great because I always, you know, 362 00:19:01,200 --> 00:19:03,040 Speaker 2: I just I know. I kind of talk about this 363 00:19:03,080 --> 00:19:08,160 Speaker 2: a lot about how important it is for little girls 364 00:19:08,480 --> 00:19:11,320 Speaker 2: and little boys to be able to see characters like 365 00:19:11,440 --> 00:19:19,000 Speaker 2: Kara and and see these these like really strong capable 366 00:19:19,040 --> 00:19:22,360 Speaker 2: women who are not relying on a man to come 367 00:19:22,400 --> 00:19:26,000 Speaker 2: and save them from the big bad whatever. But especially 368 00:19:26,040 --> 00:19:29,760 Speaker 2: in this context where it's like no, no, she is 369 00:19:29,800 --> 00:19:34,840 Speaker 2: the most qualified and she knows it, and and and 370 00:19:35,000 --> 00:19:38,720 Speaker 2: like there's no bravado, there's no braggadociousness. 371 00:19:39,160 --> 00:19:41,600 Speaker 1: And it's also not like ooh ooh, let me, let me, 372 00:19:41,680 --> 00:19:42,160 Speaker 1: I'm good. 373 00:19:42,240 --> 00:19:46,240 Speaker 2: It's it's something completely different, and I think so welcome 374 00:19:46,600 --> 00:19:49,040 Speaker 2: to see because we don't always get to see female 375 00:19:49,119 --> 00:19:53,000 Speaker 2: characters like that or that in those situations advocating for 376 00:19:53,040 --> 00:19:56,600 Speaker 2: themselves and their and their abilities like that. 377 00:19:58,280 --> 00:20:00,439 Speaker 3: Who would have flown it if they erged? 378 00:20:02,080 --> 00:20:02,679 Speaker 1: Great question? 379 00:20:03,400 --> 00:20:03,640 Speaker 7: Who? 380 00:20:06,280 --> 00:20:06,840 Speaker 1: Who knows? 381 00:20:07,280 --> 00:20:07,480 Speaker 4: You know? 382 00:20:07,680 --> 00:20:10,600 Speaker 1: I think it's another really great life lesson for kids 383 00:20:10,640 --> 00:20:16,640 Speaker 1: to witness that by just being authentic, by by by 384 00:20:16,680 --> 00:20:19,560 Speaker 1: literally committing to being who you are, you get where 385 00:20:19,560 --> 00:20:21,760 Speaker 1: you're supposed to be, because I don't even think I 386 00:20:21,760 --> 00:20:23,439 Speaker 1: think she had sort of given up on him at 387 00:20:23,440 --> 00:20:25,560 Speaker 1: that point. I didn't even see her as like, look, 388 00:20:25,600 --> 00:20:27,760 Speaker 1: this is who I am. I felt that she was 389 00:20:27,920 --> 00:20:32,399 Speaker 1: just getting wistful about what she cares about. And I think, 390 00:20:32,760 --> 00:20:35,240 Speaker 1: if if I were a parent, I would love for 391 00:20:35,320 --> 00:20:38,520 Speaker 1: my child and in turn for myself to see that 392 00:20:39,000 --> 00:20:41,360 Speaker 1: it's really it's really when you do have an agenda 393 00:20:41,400 --> 00:20:43,280 Speaker 1: that things go the way you like. It's when you're 394 00:20:43,320 --> 00:20:48,560 Speaker 1: being true to yourself and honoring your values and your 395 00:20:48,720 --> 00:20:53,080 Speaker 1: ethics that things fall where they where they're meant to fall, 396 00:20:53,400 --> 00:20:58,000 Speaker 1: and that that that level of dedication to ideals and 397 00:21:00,160 --> 00:21:03,199 Speaker 1: meant to being true to oneself I think has a 398 00:21:03,480 --> 00:21:07,320 Speaker 1: greater impact on getting stuff done. And it's not about 399 00:21:07,320 --> 00:21:10,399 Speaker 1: the results, it's about being in the process. For some reason, 400 00:21:10,440 --> 00:21:13,120 Speaker 1: that just feels like one of those Star Wars lessons 401 00:21:13,160 --> 00:21:16,399 Speaker 1: that you know, lesser writers, how do you encapsulate the 402 00:21:16,440 --> 00:21:19,480 Speaker 1: magic that is? You know, take, for example, I've mentioned 403 00:21:19,480 --> 00:21:24,600 Speaker 1: them before, the Critical Role folks. They were following their 404 00:21:24,680 --> 00:21:27,960 Speaker 1: joy and they came together as friends and you know, 405 00:21:28,040 --> 00:21:30,040 Speaker 1: got a D and D group together, and this and that, 406 00:21:30,160 --> 00:21:32,800 Speaker 1: and now it's given birth to a cartoon series, and 407 00:21:32,840 --> 00:21:35,160 Speaker 1: all these things had nothing to do with the night 408 00:21:35,280 --> 00:21:39,600 Speaker 1: they first sat there and said let's play. And from 409 00:21:39,760 --> 00:21:43,479 Speaker 1: play followed so much fun for so many people. And 410 00:21:44,200 --> 00:21:47,680 Speaker 1: you know, that seems to sound like I'm trying to monetize. 411 00:21:47,720 --> 00:21:49,600 Speaker 1: I'm not saying that at all. But what I'm saying 412 00:21:49,720 --> 00:21:53,000 Speaker 1: is that what I take from that is follow your 413 00:21:53,040 --> 00:21:58,080 Speaker 1: joy and the rest will follow. And I get that 414 00:21:58,119 --> 00:22:02,919 Speaker 1: from this. And it's impossible sometimes to write that into being, 415 00:22:03,000 --> 00:22:06,520 Speaker 1: but Melching did it perfectly with a kind of detachment 416 00:22:06,640 --> 00:22:10,280 Speaker 1: that was really elegant and graceful. And I just, man, 417 00:22:10,320 --> 00:22:12,360 Speaker 1: I just went on and on in this text last night. 418 00:22:12,440 --> 00:22:14,199 Speaker 1: To him, it was just such a It was a 419 00:22:14,240 --> 00:22:17,119 Speaker 1: wonderful ride for us as viewers, and I realized we 420 00:22:17,119 --> 00:22:20,280 Speaker 1: were in it. But still, by the way, Tia, did 421 00:22:20,320 --> 00:22:22,360 Speaker 1: you say hang on like four times? Because I think 422 00:22:22,400 --> 00:22:24,240 Speaker 1: as far as like the drinking game goes, dude, I 423 00:22:24,280 --> 00:22:26,680 Speaker 1: think you really I wrote it. 424 00:22:26,880 --> 00:22:27,320 Speaker 8: I wrote it. 425 00:22:27,720 --> 00:22:30,000 Speaker 2: I said, wait me, I finally, I don't think i've 426 00:22:30,000 --> 00:22:33,200 Speaker 2: ever seen it said hang on before on as Sabine. 427 00:22:33,440 --> 00:22:34,080 Speaker 2: I mean that could be. 428 00:22:34,119 --> 00:22:35,240 Speaker 7: I like it. I like it. 429 00:22:35,320 --> 00:22:35,960 Speaker 1: I like it. 430 00:22:36,080 --> 00:22:38,120 Speaker 2: I was like, oh, that's that's what that feels like 431 00:22:38,240 --> 00:22:39,639 Speaker 2: or is that a miss or is that I. 432 00:22:39,600 --> 00:22:42,159 Speaker 8: Think it's the next episode? Actually, oh maybe it is. 433 00:22:42,200 --> 00:22:45,679 Speaker 5: Sorry, Yeah, but that's also the sibling dynamic because remember 434 00:22:45,880 --> 00:22:48,399 Speaker 5: Ezra says Carabas in the first episode of the season, 435 00:22:48,520 --> 00:22:51,160 Speaker 5: So it's like you see that sort of spawning off 436 00:22:51,160 --> 00:22:54,120 Speaker 5: into the other characters, which is really fun since. 437 00:22:53,920 --> 00:22:57,879 Speaker 2: We're talking about melching and his beautiful writing. I would 438 00:22:57,920 --> 00:23:01,920 Speaker 2: also just say that the like jabs in this episode 439 00:23:02,359 --> 00:23:06,440 Speaker 2: really great. There's like a lot of crazy stuff happening, 440 00:23:06,680 --> 00:23:10,199 Speaker 2: and yet you know, like right out the gate, like 441 00:23:10,440 --> 00:23:13,120 Speaker 2: at the very top of the show or this episode rather, 442 00:23:13,600 --> 00:23:16,840 Speaker 2: there's like high drama, quite a bit of violence, I 443 00:23:16,840 --> 00:23:20,320 Speaker 2: would say, an unusual amount of like what we get 444 00:23:20,320 --> 00:23:23,000 Speaker 2: to see. And then what is Freddy said, I mean, 445 00:23:23,040 --> 00:23:26,840 Speaker 2: sorry Kanaan say. He says like, well, you're both co 446 00:23:26,920 --> 00:23:30,600 Speaker 2: irritating me right now or whatever, like copilot, I'm co pilot, 447 00:23:30,640 --> 00:23:31,639 Speaker 2: tell him I'm co pilot. 448 00:23:31,640 --> 00:23:33,399 Speaker 1: He says, well, you're co irritating me. I don't know. 449 00:23:33,480 --> 00:23:34,560 Speaker 1: I thought that was very funny. 450 00:23:34,760 --> 00:23:38,680 Speaker 2: And then like the dissent when you're trying to land 451 00:23:38,720 --> 00:23:42,400 Speaker 2: the thing on the on the whatever that's called rickety, 452 00:23:42,640 --> 00:23:49,119 Speaker 2: Like what is that called landing strip. Everyone's got jokes. 453 00:23:49,600 --> 00:23:51,920 Speaker 2: I just think it's like delightful. It's just a fun 454 00:23:52,040 --> 00:23:53,639 Speaker 2: It's just fun. It's just fun. 455 00:23:53,400 --> 00:23:54,679 Speaker 1: Watching, don't I don't know? 456 00:23:54,840 --> 00:23:56,680 Speaker 2: And by sorry, I meant to say this earlier, but 457 00:23:56,720 --> 00:23:59,919 Speaker 2: then I didn't want to interrupt you. Corey Burton is 458 00:24:00,240 --> 00:24:06,520 Speaker 2: so good as fish yet well that amount of fish. 459 00:24:07,080 --> 00:24:17,240 Speaker 1: It's a mon calamari? Did I do it right? Although 460 00:24:17,680 --> 00:24:21,639 Speaker 1: I do have a question Calamari calamari are not fish? 461 00:24:22,960 --> 00:24:24,000 Speaker 7: Calm is this. 462 00:24:24,520 --> 00:24:27,520 Speaker 3: Way it's a I mean it's just quid. 463 00:24:28,280 --> 00:24:31,560 Speaker 1: Yes, yeah, I actually have a question. 464 00:24:31,359 --> 00:24:33,399 Speaker 9: For often do they do that in Star Wars like 465 00:24:33,720 --> 00:24:38,399 Speaker 9: call you know, a thing another thing squid at calamari? 466 00:24:39,359 --> 00:24:40,320 Speaker 1: Well, or just like. 467 00:24:40,600 --> 00:24:49,440 Speaker 2: Use words that exist, right, that's not that's that's. 468 00:24:47,080 --> 00:24:53,000 Speaker 4: Like you could call Sabine klamari and you'd be like, oh, 469 00:24:53,000 --> 00:24:54,440 Speaker 4: it's just a fun name. But if. 470 00:24:55,880 --> 00:24:58,760 Speaker 2: That's it's on the nose, it's really on I was 471 00:24:58,800 --> 00:25:02,480 Speaker 2: gonna ask jac or any of you guys. 472 00:25:04,320 --> 00:25:07,160 Speaker 1: When hold on. 473 00:25:07,520 --> 00:25:12,600 Speaker 2: Oh who says does Harris say he's been out of 474 00:25:12,600 --> 00:25:13,560 Speaker 2: the water too long? 475 00:25:13,960 --> 00:25:14,120 Speaker 10: Oh? 476 00:25:14,160 --> 00:25:16,240 Speaker 2: No, no, no, sorry sorry, Zeb says he's been out of 477 00:25:16,240 --> 00:25:21,240 Speaker 2: the water too long? Are mon Calamari like sea creatures. 478 00:25:21,560 --> 00:25:22,359 Speaker 2: I'm confused. 479 00:25:23,119 --> 00:25:27,040 Speaker 1: I believe their planet is underwater. I don't. I don't 480 00:25:27,119 --> 00:25:30,359 Speaker 1: know that they are. I think they can do well 481 00:25:30,400 --> 00:25:33,840 Speaker 1: in either place. I don't think I think he's being facetiously. 482 00:25:33,960 --> 00:25:36,280 Speaker 1: That guy's been off the Yeah, oh I just okay, 483 00:25:36,400 --> 00:25:38,320 Speaker 1: I don't know that. 484 00:25:38,280 --> 00:25:41,520 Speaker 3: Amphibious humanoid, their aquatic. 485 00:25:41,000 --> 00:25:43,760 Speaker 2: Species, aquatic species. Okay, thank you? 486 00:25:44,000 --> 00:25:44,280 Speaker 1: All right? 487 00:25:47,119 --> 00:25:53,680 Speaker 2: Oh oh, sorry not to make this about oh oh sorry, sorry, 488 00:25:53,320 --> 00:25:54,400 Speaker 2: too many thoughts. 489 00:25:54,480 --> 00:25:56,720 Speaker 1: I loved this episode. I ha took a million notes. 490 00:25:57,080 --> 00:25:59,439 Speaker 2: The other question I had for JC or any of 491 00:25:59,480 --> 00:26:03,520 Speaker 2: the three of you, so what did tarodactyl thingies on 492 00:26:03,560 --> 00:26:04,160 Speaker 2: this planet? 493 00:26:04,680 --> 00:26:11,840 Speaker 1: That's got to be for I don't want something to do. 494 00:26:11,840 --> 00:26:13,679 Speaker 5: Don't steal this thunder this time. I know you know it, 495 00:26:13,720 --> 00:26:15,679 Speaker 5: but can you get take it easy? 496 00:26:15,840 --> 00:26:19,480 Speaker 3: I know, come let I'll let the be squad in ow. 497 00:26:21,280 --> 00:26:21,720 Speaker 1: I was just. 498 00:26:24,240 --> 00:26:28,879 Speaker 2: I had completely forgotten that this this quote that is 499 00:26:29,320 --> 00:26:33,919 Speaker 2: by far my most asked for, most requested quote to 500 00:26:34,800 --> 00:26:37,240 Speaker 2: sign to autograph for folks when I meet people in 501 00:26:37,280 --> 00:26:40,040 Speaker 2: real life, it is from this episode. 502 00:26:40,200 --> 00:26:42,879 Speaker 1: So when I when Sabine says it, I was like, oh, 503 00:26:43,000 --> 00:26:46,800 Speaker 1: that's that's what it's from. I had completely forgotten. It's 504 00:26:46,880 --> 00:26:48,600 Speaker 1: never it's never get. 505 00:26:48,400 --> 00:26:50,480 Speaker 2: Between a Mandalorian and a weapons package. 506 00:26:50,720 --> 00:26:53,320 Speaker 8: Oh yeah, I wrote that down too. I love it 507 00:26:53,400 --> 00:26:53,920 Speaker 8: so much. 508 00:26:54,000 --> 00:26:57,360 Speaker 2: I had just forgotten where and when she I said it, 509 00:26:57,480 --> 00:27:01,119 Speaker 2: and so I was. I was thrilled when it happens 510 00:27:01,160 --> 00:27:02,080 Speaker 2: in this episode. 511 00:27:02,560 --> 00:27:06,000 Speaker 5: Yeah, Cory's just hearing it from everybody because zeb wants 512 00:27:06,040 --> 00:27:08,560 Speaker 5: to throw him over. And then he's like, he's telling 513 00:27:08,560 --> 00:27:10,400 Speaker 5: you not to tell You're like no, no, no. 514 00:27:11,840 --> 00:27:15,399 Speaker 2: He's like this sweet, curmudgeonly old grandpa type and I 515 00:27:15,440 --> 00:27:19,840 Speaker 2: don't know, like a kooky cookie grand uncle, crazy, mad 516 00:27:19,880 --> 00:27:20,760 Speaker 2: scientist kind of guy. 517 00:27:20,800 --> 00:27:21,119 Speaker 1: I don't know. 518 00:27:21,440 --> 00:27:24,760 Speaker 5: Yeah, he almost looks like mister Feenie from this World. Yes, 519 00:27:25,440 --> 00:27:27,560 Speaker 5: that's what I kept thinking of. But he kind of 520 00:27:27,600 --> 00:27:30,399 Speaker 5: talks like the caterpillar from Elison one and then you. 521 00:27:32,680 --> 00:27:33,480 Speaker 8: And then that. 522 00:27:33,560 --> 00:27:36,080 Speaker 3: At the same time, he looks like dinner Tomorrow night. 523 00:27:37,640 --> 00:27:40,120 Speaker 5: It was like the caterpillar from else in Wonderland and 524 00:27:40,119 --> 00:27:42,760 Speaker 5: and she woke the little Gnome and neverending story like. 525 00:27:42,720 --> 00:27:46,760 Speaker 8: Well he's awake now, Yeah, that's what he had. All 526 00:27:46,800 --> 00:27:49,000 Speaker 8: those It was like an amalgamation of all those yas. 527 00:27:49,400 --> 00:27:52,920 Speaker 1: Wow, John, your brain is a wonderful place. And you are. 528 00:27:53,119 --> 00:27:57,639 Speaker 2: I'm gonna deem you the King of references because you 529 00:27:57,800 --> 00:28:00,720 Speaker 2: reference stuff and I'm like, oh, yes, exactly, which is 530 00:28:00,720 --> 00:28:03,240 Speaker 2: why I was just like squealing. Sorry, that was probably 531 00:28:03,280 --> 00:28:05,800 Speaker 2: really loud, Jacon. Maybe you can turn my voice. 532 00:28:05,640 --> 00:28:07,399 Speaker 1: Down for the listeners at home. 533 00:28:08,240 --> 00:28:12,919 Speaker 2: Yes, yes, all of those completely accurate, and some mishmash 534 00:28:12,960 --> 00:28:15,280 Speaker 2: of all of those characters in this guy. 535 00:28:15,359 --> 00:28:18,840 Speaker 1: But he's adorable. Dare I say adorable. 536 00:28:18,400 --> 00:28:19,280 Speaker 8: He's mister Feenie. 537 00:28:19,320 --> 00:28:21,600 Speaker 5: We're like Phoene, Like you want to do the Phoenie 538 00:28:21,680 --> 00:28:25,280 Speaker 5: call with your buddy Will coined Vanessa. 539 00:28:25,760 --> 00:28:30,360 Speaker 8: That's right? What means the world? So real quick? 540 00:28:30,400 --> 00:28:33,879 Speaker 5: This is my contribution to fact checking, and JC can 541 00:28:33,920 --> 00:28:37,000 Speaker 5: film a lot of the blanks here. But it's funny 542 00:28:37,000 --> 00:28:40,760 Speaker 5: that this is technically, I think, the first canonical explanation 543 00:28:40,760 --> 00:28:44,160 Speaker 5: of where the bee wing came from. But so you 544 00:28:44,240 --> 00:28:46,760 Speaker 5: mentioned a critical role is fittingly enough in US, and 545 00:28:46,800 --> 00:28:49,200 Speaker 5: I do feel like this is how Kismeth this episode 546 00:28:49,240 --> 00:28:53,240 Speaker 5: is because a lot of the references are to the 547 00:28:53,280 --> 00:28:55,320 Speaker 5: original Star Wars role playing game, which I owned. I 548 00:28:55,320 --> 00:28:57,160 Speaker 5: still have all the source books at my mom's house 549 00:28:57,200 --> 00:28:59,720 Speaker 5: from this little company called West End Game, so any 550 00:28:59,760 --> 00:29:02,560 Speaker 5: of our or maybe older listeners. I may be earning 551 00:29:02,560 --> 00:29:04,520 Speaker 5: some street cred with you all, because I know a 552 00:29:04,520 --> 00:29:06,720 Speaker 5: lot of people knew West End games and there was 553 00:29:06,760 --> 00:29:10,680 Speaker 5: a source book that had this very brief backstory on 554 00:29:10,720 --> 00:29:13,640 Speaker 5: the B Wing and it was basically like Admiral Akbar 555 00:29:13,920 --> 00:29:16,200 Speaker 5: was the one that like said we had to craft 556 00:29:16,240 --> 00:29:19,120 Speaker 5: some sort of starship to go against the Empire's big weapon, 557 00:29:19,720 --> 00:29:22,200 Speaker 5: and that was kind of like an unofficial backstory. I 558 00:29:22,200 --> 00:29:25,360 Speaker 5: think that's considered legends continuity, which again JC, he'll fill 559 00:29:25,400 --> 00:29:28,440 Speaker 5: in those blanks. So that's what I knew as the 560 00:29:28,480 --> 00:29:31,440 Speaker 5: B Wing backstory. And but I just feel like it's 561 00:29:31,480 --> 00:29:34,840 Speaker 5: so fitting that even something like Shantapol. There was something 562 00:29:34,880 --> 00:29:37,440 Speaker 5: called like Mission Chantafl or Project Shantapole. It was an 563 00:29:37,560 --> 00:29:40,000 Speaker 5: adventure book which I had that as well as part 564 00:29:40,000 --> 00:29:43,840 Speaker 5: of the role playing game. And all these nods from Chantapol, 565 00:29:44,080 --> 00:29:46,400 Speaker 5: and I believe Corey is a nod to Ralph McCrory 566 00:29:46,400 --> 00:29:49,000 Speaker 5: because of the way they spell it. But the fact 567 00:29:49,040 --> 00:29:52,320 Speaker 5: that you had this Monk Calamari inventor, that's a nod 568 00:29:52,320 --> 00:29:56,160 Speaker 5: to Acbar because Acbar technically originally was the one who 569 00:29:56,280 --> 00:29:58,920 Speaker 5: said we got to build the B Wing. So I 570 00:29:59,000 --> 00:30:01,560 Speaker 5: know that history lesson is a little all over the place, 571 00:30:01,600 --> 00:30:04,440 Speaker 5: but that's what I knew as the B Wing backstory. 572 00:30:04,520 --> 00:30:05,920 Speaker 5: But then when I saw this, I'm like, oh, that's 573 00:30:05,920 --> 00:30:08,880 Speaker 5: way better. And this is the first time I ever 574 00:30:08,920 --> 00:30:12,240 Speaker 5: heard it referred to as the blade wing because I 575 00:30:12,360 --> 00:30:13,760 Speaker 5: was always as a kid, I was like, why is 576 00:30:13,800 --> 00:30:15,960 Speaker 5: it called the B wing? It looks like a lowercase T, Like, 577 00:30:16,000 --> 00:30:17,880 Speaker 5: shouldn't it be a T wing? Like because it's like 578 00:30:17,920 --> 00:30:19,160 Speaker 5: when I looked at it was like, it looks like 579 00:30:19,160 --> 00:30:20,360 Speaker 5: a T wing And. 580 00:30:20,280 --> 00:30:22,360 Speaker 1: Then wing stands for blade wing. 581 00:30:22,800 --> 00:30:25,640 Speaker 5: Yeah, because it comes through right now. It's like the 582 00:30:25,720 --> 00:30:28,479 Speaker 5: Ginsu knife of the star Fleet. You know, it can 583 00:30:28,480 --> 00:30:32,400 Speaker 5: cut through a tree trunk and also the empire is Yeah. 584 00:30:32,440 --> 00:30:35,840 Speaker 5: So that that's my contribution to the fact check portion, 585 00:30:35,880 --> 00:30:38,520 Speaker 5: which again JC can fill in all the other blanks 586 00:30:38,520 --> 00:30:41,040 Speaker 5: and uh, maybe correct me if I got anything a 587 00:30:41,080 --> 00:30:42,840 Speaker 5: little bit wrong. But that's what I knew as the 588 00:30:42,880 --> 00:30:45,640 Speaker 5: community and Vinessa. I know how much you love RPGs. 589 00:30:46,160 --> 00:30:49,680 Speaker 5: So the fact that this backstory and Hara is the 590 00:30:49,720 --> 00:30:53,040 Speaker 5: canonical backstory, but it also has roots in the Star 591 00:30:53,120 --> 00:30:55,360 Speaker 5: Wars role playing game from nineteen eighty seven, I think 592 00:30:55,400 --> 00:30:56,040 Speaker 5: that's pretty cool. 593 00:30:56,560 --> 00:31:01,840 Speaker 1: I cool love that. I have a couple other things 594 00:31:01,880 --> 00:31:05,720 Speaker 1: that I wrote down that I don't remember in our recording. 595 00:31:05,760 --> 00:31:09,160 Speaker 1: I was very impressed with our three point five coming in, 596 00:31:09,840 --> 00:31:13,120 Speaker 1: you know, like I was like, my goodness, we committed 597 00:31:13,160 --> 00:31:15,560 Speaker 1: to the bit. Like there were a lot of you know, 598 00:31:15,720 --> 00:31:18,600 Speaker 1: screaming at Ezra, you know, get the two point nine. 599 00:31:18,960 --> 00:31:20,800 Speaker 1: I don't like, as if I know what, I cannot 600 00:31:20,800 --> 00:31:23,760 Speaker 1: believe that I said those things with such efficient. Really 601 00:31:23,880 --> 00:31:27,320 Speaker 1: blown away by that, Taylor, were you remembering that we 602 00:31:27,320 --> 00:31:29,160 Speaker 1: were yelling like that or not at all? 603 00:31:29,440 --> 00:31:35,360 Speaker 9: I feel like that no, no A, make some stuff up. 604 00:31:35,720 --> 00:31:38,160 Speaker 9: No No, I thought that that we always did that 605 00:31:38,240 --> 00:31:40,680 Speaker 9: when we gave orders. 606 00:31:40,880 --> 00:31:45,120 Speaker 1: Well, I do remember Dave Filoni saying that this he 607 00:31:45,320 --> 00:31:49,160 Speaker 1: wanted to show that things have gotten way worse for us, 608 00:31:49,440 --> 00:31:52,840 Speaker 1: Like we lose a ship, you know, the stakes are higher, 609 00:31:52,920 --> 00:31:54,760 Speaker 1: and like I remember when we had our sort of 610 00:31:54,840 --> 00:31:57,480 Speaker 1: huddle before the record, I remember him saying, like, this 611 00:31:57,520 --> 00:32:01,600 Speaker 1: episode will indicate just how much better you've gotten and 612 00:32:01,640 --> 00:32:04,760 Speaker 1: how much worse it's gotten for you simultaneously, and that 613 00:32:04,840 --> 00:32:08,000 Speaker 1: you need to fight even harder. And so I don't 614 00:32:08,040 --> 00:32:13,440 Speaker 1: think we've ever had that level of a threat. I 615 00:32:13,600 --> 00:32:17,600 Speaker 1: just felt like it was a more frenetic. Well, I 616 00:32:17,640 --> 00:32:20,360 Speaker 1: felt Harra was freaking out, especially when the ship was lost. 617 00:32:20,440 --> 00:32:22,960 Speaker 1: She was sort of waffling and feeling guilty that she 618 00:32:23,040 --> 00:32:24,880 Speaker 1: didn't save the ship, and oh, I can't go to 619 00:32:24,920 --> 00:32:29,160 Speaker 1: the you know, the new I can't go to Quarry 620 00:32:29,200 --> 00:32:31,120 Speaker 1: because I need I need to fight with you and 621 00:32:31,200 --> 00:32:33,280 Speaker 1: protect you because I did such a bad job that 622 00:32:33,360 --> 00:32:36,440 Speaker 1: day or whatever it is. It just felt like, oh, 623 00:32:36,680 --> 00:32:39,200 Speaker 1: I do remember him saying it got worse, and it 624 00:32:39,280 --> 00:32:45,960 Speaker 1: definitely felt worse and worse than I remembered. But I 625 00:32:45,960 --> 00:32:48,800 Speaker 1: don't know. But I also love the quips of like 626 00:32:48,840 --> 00:32:51,840 Speaker 1: your co yours hitting there. There were a number of 627 00:32:52,880 --> 00:32:56,080 Speaker 1: really funny things back and forth, even amidst in the 628 00:32:56,120 --> 00:32:59,760 Speaker 1: center of that tension. But anyway, yeah, on the. 629 00:32:59,720 --> 00:33:03,000 Speaker 2: Dec there was like back and forth amidst the yelling 630 00:33:03,080 --> 00:33:06,160 Speaker 2: and the you know, urgency, if we still found time 631 00:33:06,200 --> 00:33:07,720 Speaker 2: for jokes, which I love. 632 00:33:08,240 --> 00:33:11,440 Speaker 1: I think the moment at the end that really sort 633 00:33:11,440 --> 00:33:14,520 Speaker 1: of embodied all the feels for me as a Star 634 00:33:14,560 --> 00:33:17,400 Speaker 1: Wars fan, you know, as someone who loves flight, is 635 00:33:17,440 --> 00:33:21,160 Speaker 1: when Quarry says, oh, I built it, but you made 636 00:33:21,200 --> 00:33:26,880 Speaker 1: it sore, and then you know, she's presented with a 637 00:33:26,920 --> 00:33:30,520 Speaker 1: new title moving forward like that to me was just 638 00:33:32,040 --> 00:33:35,560 Speaker 1: that was really powerful for me personally, and I was 639 00:33:35,560 --> 00:33:37,280 Speaker 1: happy for the rest of us too. 640 00:33:37,560 --> 00:33:41,360 Speaker 2: Yeah, I think it was a really moving moment in 641 00:33:41,400 --> 00:33:41,720 Speaker 2: the show. 642 00:33:43,200 --> 00:33:46,640 Speaker 5: Yeah, and also fitting because Melching wrote it. But you 643 00:33:46,720 --> 00:33:49,040 Speaker 5: made it sore, Vanessa so and all, you made it 644 00:33:49,040 --> 00:33:52,400 Speaker 5: soort really, but you know that monologue. It's great on paper. 645 00:33:52,440 --> 00:33:55,600 Speaker 5: But yeah, as you know, a great scripts only give 646 00:33:55,600 --> 00:33:57,640 Speaker 5: me as good as the actor that can bring it 647 00:33:57,680 --> 00:34:00,680 Speaker 5: to life and breathe life into the character. Again, this 648 00:34:00,840 --> 00:34:03,640 Speaker 5: was just the combination of all the right things coming 649 00:34:03,680 --> 00:34:07,000 Speaker 5: together rather perfectly. I think this is to me, if 650 00:34:07,000 --> 00:34:09,279 Speaker 5: there's you know, you have television shows, there's always one 651 00:34:09,360 --> 00:34:11,680 Speaker 5: d latch on Dore, like with Game of Thrones, Red 652 00:34:11,680 --> 00:34:14,400 Speaker 5: Wedding Rans of Cashmere is always in the top five. Sure, 653 00:34:14,560 --> 00:34:16,200 Speaker 5: this to me is a top five. I would even 654 00:34:16,200 --> 00:34:18,759 Speaker 5: say for me personally, a top three episode. But I 655 00:34:19,000 --> 00:34:21,279 Speaker 5: not just for Star Wars Rebels, I think just all 656 00:34:21,320 --> 00:34:24,440 Speaker 5: of Star Wars in general, but also just television. This 657 00:34:24,480 --> 00:34:27,200 Speaker 5: is one of the best television episodes wow, that I've 658 00:34:27,200 --> 00:34:30,240 Speaker 5: ever seen, because it it checks off all the boxes 659 00:34:30,400 --> 00:34:33,040 Speaker 5: and it's just proof that no matter what the medium, 660 00:34:33,080 --> 00:34:35,279 Speaker 5: it starts with a great script and then you got 661 00:34:35,320 --> 00:34:39,440 Speaker 5: to have the right execution. So before we go to 662 00:34:39,480 --> 00:34:42,279 Speaker 5: fact check, there is one thing, because as you saw, 663 00:34:42,320 --> 00:34:44,200 Speaker 5: I mentioned The Rocketeer in my recap. 664 00:34:44,280 --> 00:34:45,400 Speaker 8: I mentioned that for two reasons. 665 00:34:45,400 --> 00:34:47,719 Speaker 5: One because that test flight sequence is very much like 666 00:34:47,800 --> 00:34:50,839 Speaker 5: the movie The Rocketeer, and JC you can fact checking 667 00:34:50,960 --> 00:34:53,960 Speaker 5: me on this. But one of jc's favorite movies is 668 00:34:54,000 --> 00:34:56,880 Speaker 5: also The Rocketeer, so that was also for JC. But 669 00:34:57,600 --> 00:35:01,600 Speaker 5: if you also notice the name of of Corey's droid 670 00:35:01,680 --> 00:35:04,680 Speaker 5: is BG. Now I believe that's a not that Bill George, 671 00:35:04,719 --> 00:35:07,520 Speaker 5: who is the designer, I think, the concept concept designer 672 00:35:07,560 --> 00:35:10,319 Speaker 5: of the B Wing. But the way it's spelled B 673 00:35:10,520 --> 00:35:14,680 Speaker 5: and G, it's spelled out like phonetically. In The Rocketeer, 674 00:35:15,040 --> 00:35:19,480 Speaker 5: he flies these planes called gbs. So I know that 675 00:35:19,600 --> 00:35:22,239 Speaker 5: JC has more information on this and he can go 676 00:35:22,360 --> 00:35:26,759 Speaker 5: much deeper into the Rocketeer lore. But I would bet 677 00:35:26,800 --> 00:35:29,279 Speaker 5: that Kevin Kiner did make a direct homage to the 678 00:35:29,360 --> 00:35:32,319 Speaker 5: Rocketeer score because the music is very, very similar. But 679 00:35:32,400 --> 00:35:35,600 Speaker 5: the whole BG and GB, yeah, I think maybe it's 680 00:35:35,640 --> 00:35:37,239 Speaker 5: a coincidence. But at the same time, he could have 681 00:35:37,320 --> 00:35:39,719 Speaker 5: just put the letters BG for Bill George, but he 682 00:35:39,800 --> 00:35:44,360 Speaker 5: spelled it out BG where it's GB for the airplanes 683 00:35:44,760 --> 00:35:48,840 Speaker 5: in the Rocketeer. So again, this episode has everything coming 684 00:35:48,840 --> 00:35:50,640 Speaker 5: together pretty much at the right time. 685 00:35:50,680 --> 00:35:52,800 Speaker 8: But yeah, you're amazing. 686 00:35:53,200 --> 00:35:53,800 Speaker 3: You're amazing. 687 00:35:54,080 --> 00:35:56,520 Speaker 5: We'll find out how amazing when we get to our 688 00:35:56,560 --> 00:35:58,359 Speaker 5: favorite part of the show, which is the fact check, 689 00:35:58,600 --> 00:36:01,279 Speaker 5: and that might all be moot. But JC, what do 690 00:36:01,320 --> 00:36:03,840 Speaker 5: you got for us? 691 00:36:05,200 --> 00:36:07,520 Speaker 7: Okay, John, you're completely wrong, all. 692 00:36:07,480 --> 00:36:16,719 Speaker 10: Right, figure are okay, let's uh, let's start with the Rocketeer. Okay, so, yes, 693 00:36:17,160 --> 00:36:21,800 Speaker 10: very much. The Rocketeer test flight music uh BG B 694 00:36:21,960 --> 00:36:25,879 Speaker 10: E E G E E is the flip of the 695 00:36:25,920 --> 00:36:30,879 Speaker 10: type of planes in The Rocketeer that they're flying at 696 00:36:30,880 --> 00:36:33,160 Speaker 10: the beginning of the show, how they make their money, 697 00:36:33,239 --> 00:36:36,000 Speaker 10: the kind of like a flying circus type thing. The 698 00:36:36,280 --> 00:36:42,680 Speaker 10: droid in the episode is BG DASH eight one. They 699 00:36:42,800 --> 00:36:48,600 Speaker 10: say it's a low thaal astromic droid, but typically a 700 00:36:48,719 --> 00:36:51,359 Speaker 10: droid like that with a rounded clear dome is an 701 00:36:51,480 --> 00:36:55,160 Speaker 10: R III unit, even though it's they don't they never 702 00:36:55,280 --> 00:37:00,520 Speaker 10: label it that in any like Rebels, lore or anything. 703 00:37:01,160 --> 00:37:06,920 Speaker 10: It is named after Bill George, who is the employee 704 00:37:06,960 --> 00:37:10,279 Speaker 10: at Industrial Lton Magic who designed the B Wing Starfighter. 705 00:37:10,800 --> 00:37:14,400 Speaker 10: He was hired by ILM in nineteen eighty one BG 706 00:37:14,560 --> 00:37:19,680 Speaker 10: eighty one. Also just connecting the Rocketeer back to this 707 00:37:19,800 --> 00:37:23,960 Speaker 10: a little bit. The Rocketeer was directed by Joe Johnston, 708 00:37:24,160 --> 00:37:30,440 Speaker 10: who is also one of the concept artists on Star 709 00:37:30,520 --> 00:37:35,719 Speaker 10: Wars and Empire Strikes Back and designed Boba Fet. So 710 00:37:35,880 --> 00:37:40,760 Speaker 10: between Boba Fet and the Rocketeer, I think it's safe 711 00:37:40,800 --> 00:37:44,160 Speaker 10: to say that Joe Johnston would be on Team Tia 712 00:37:44,840 --> 00:37:48,600 Speaker 10: in the Great Jetpack Lightsaber Wars of twenty twenty five. 713 00:37:49,360 --> 00:37:49,759 Speaker 1: Let's go. 714 00:37:51,800 --> 00:37:57,040 Speaker 3: They need the votes, guys, they need the I think 715 00:37:57,080 --> 00:37:58,959 Speaker 3: we should throw a few more people on that scene. 716 00:38:00,080 --> 00:38:01,640 Speaker 1: We don't need your charity. 717 00:38:01,719 --> 00:38:05,319 Speaker 3: I think you do, just like another team I can 718 00:38:05,440 --> 00:38:05,799 Speaker 3: think of. 719 00:38:08,600 --> 00:38:11,760 Speaker 9: I'm not gonna say anything, but I really I don't 720 00:38:11,920 --> 00:38:13,680 Speaker 9: say an Oracle book. 721 00:38:16,440 --> 00:38:19,040 Speaker 3: All right on record, I. 722 00:38:19,000 --> 00:38:21,359 Speaker 1: Believe you're in the middle of saying something. Yeah, we're 723 00:38:21,360 --> 00:38:22,440 Speaker 1: going to please continue. 724 00:38:22,560 --> 00:38:25,839 Speaker 10: Yeah, well, fact check Taylor there, he's talking about arch 725 00:38:25,880 --> 00:38:27,279 Speaker 10: Manning not showing up this week. 726 00:38:30,400 --> 00:38:34,319 Speaker 7: Let's get onto uh ranking on the be Wing. 727 00:38:35,239 --> 00:38:38,760 Speaker 10: On the side of the be Wing it says prototype 728 00:38:39,400 --> 00:38:43,760 Speaker 10: six in or BESH, which so this is the sixth 729 00:38:44,280 --> 00:38:49,080 Speaker 10: prototype of the b Wing Starfighter. I'll go into a 730 00:38:49,120 --> 00:38:52,000 Speaker 10: little bit of the history of the b Wing which 731 00:38:52,120 --> 00:38:56,799 Speaker 10: John touched on. It is a from a West End 732 00:38:56,840 --> 00:39:00,320 Speaker 10: Games source book which is really really cool. There was 733 00:39:00,360 --> 00:39:04,680 Speaker 10: a research station on an asteroid that Admiral Akbar had 734 00:39:04,719 --> 00:39:08,799 Speaker 10: developed the b Wing on, and in the legends, it 735 00:39:08,840 --> 00:39:12,400 Speaker 10: was kind of a module that you would play within 736 00:39:13,200 --> 00:39:16,719 Speaker 10: the role playing game, so it had like parameters set 737 00:39:16,800 --> 00:39:20,759 Speaker 10: up and then your team had to navigate it, so 738 00:39:20,880 --> 00:39:22,759 Speaker 10: similar to like a like a D and D one 739 00:39:22,800 --> 00:39:27,000 Speaker 10: shot type of thing. And in that there was a 740 00:39:27,360 --> 00:39:31,440 Speaker 10: Imperial blockade that the b Wing punched through the blockade 741 00:39:32,239 --> 00:39:37,440 Speaker 10: at the end of that. So the very base level 742 00:39:37,480 --> 00:39:43,440 Speaker 10: foundation of this of this episode is awesome because for 743 00:39:43,520 --> 00:39:45,960 Speaker 10: somebody like me or somebody like John who grew up 744 00:39:46,000 --> 00:39:49,360 Speaker 10: with this lore in the dark Ages when there was 745 00:39:49,440 --> 00:39:51,440 Speaker 10: not a lot of Star Wars out there, they kind 746 00:39:51,480 --> 00:39:56,680 Speaker 10: of honored what we grew up with while adding a 747 00:39:56,680 --> 00:39:59,600 Speaker 10: lot of complexity to it and not overdoing it by 748 00:39:59,640 --> 00:40:02,960 Speaker 10: sticking Admiral Acbar and all the characters that you know 749 00:40:03,000 --> 00:40:08,760 Speaker 10: we see later directly into it. And that is also 750 00:40:08,840 --> 00:40:11,879 Speaker 10: the idea of kind of like the and we talked 751 00:40:11,880 --> 00:40:13,480 Speaker 10: about this a little bit, but like kind of the 752 00:40:13,520 --> 00:40:17,760 Speaker 10: Aliens of the Galaxy kind of join the rebellion. 753 00:40:17,600 --> 00:40:18,719 Speaker 7: Throughout the. 754 00:40:20,640 --> 00:40:25,920 Speaker 10: History of the Galactic Civil War because the Empire becomes 755 00:40:25,960 --> 00:40:30,600 Speaker 10: increasingly more xenophobic and implements their things. So it starts 756 00:40:30,640 --> 00:40:33,240 Speaker 10: to make sense that you see a species like the 757 00:40:33,360 --> 00:40:41,400 Speaker 10: Monkelmari using their brains and dedicating their resources to the 758 00:40:41,440 --> 00:40:44,040 Speaker 10: rebellion at this point. And then by the time the 759 00:40:44,040 --> 00:40:46,600 Speaker 10: be Wing finally gets into production, it does not show 760 00:40:46,680 --> 00:40:49,640 Speaker 10: up in episode four or five. The first time we 761 00:40:49,680 --> 00:40:52,719 Speaker 10: see it is Return of the Jedi. The West End 762 00:40:52,719 --> 00:40:55,160 Speaker 10: game source book was released in nineteen eighty eight. It 763 00:40:55,239 --> 00:40:58,800 Speaker 10: was called Strikeforce Shanton Pole, so Johnny were very close. 764 00:41:00,080 --> 00:41:02,640 Speaker 10: The description is a rebel group hidden in an Ashray 765 00:41:02,680 --> 00:41:06,680 Speaker 10: belt and led by Commander Akbar before he was an admiral, 766 00:41:07,040 --> 00:41:09,640 Speaker 10: has developed a prototype B Wing fighter. Up to six 767 00:41:09,760 --> 00:41:12,960 Speaker 10: Player characters are tasked with delivering a message to Acbar. 768 00:41:13,400 --> 00:41:16,960 Speaker 10: Then it Imperial forces attack the rebel base. Player characters 769 00:41:17,040 --> 00:41:20,320 Speaker 10: must stall the attack long enough for evacuation to proceed. 770 00:41:20,719 --> 00:41:23,600 Speaker 10: Then they must escort the B Wings fighters to the 771 00:41:23,640 --> 00:41:27,880 Speaker 10: Alliance high command before the Empire captures or destroys the project. 772 00:41:28,680 --> 00:41:32,800 Speaker 10: And let's see, we'll go into Mont Klamuri in a second. 773 00:41:32,920 --> 00:41:33,120 Speaker 7: Oh. 774 00:41:33,960 --> 00:41:37,680 Speaker 10: By the time the be Wing hit production in canonically 775 00:41:38,239 --> 00:41:41,520 Speaker 10: they got rid of kind of the super laser aspect 776 00:41:41,560 --> 00:41:45,880 Speaker 10: of it, which was the what they did where all 777 00:41:46,040 --> 00:41:48,239 Speaker 10: four of the lasers kind of converge like the Death 778 00:41:48,280 --> 00:41:50,440 Speaker 10: Star and shoot because they could never get it to 779 00:41:50,520 --> 00:41:53,040 Speaker 10: work right, which they kind of reference a little bit 780 00:41:53,200 --> 00:41:56,520 Speaker 10: in this that when Harod does it, she blows out 781 00:41:56,520 --> 00:42:00,600 Speaker 10: the hyperdrive for the spaceship. Apparently he was able to 782 00:42:00,640 --> 00:42:04,120 Speaker 10: fix that, poor Quarry. And then the other thing that's 783 00:42:04,120 --> 00:42:05,920 Speaker 10: in this bee Wing that's not in the bee Wings 784 00:42:05,960 --> 00:42:10,239 Speaker 10: once they go into production is we see sabine in 785 00:42:10,440 --> 00:42:14,840 Speaker 10: the tail of like a gunner station, and by the 786 00:42:14,920 --> 00:42:18,840 Speaker 10: time they hit their production run, that just becomes a cannon, 787 00:42:19,000 --> 00:42:19,760 Speaker 10: a laser cannon. 788 00:42:19,800 --> 00:42:20,960 Speaker 7: It is no longer. 789 00:42:22,360 --> 00:42:28,120 Speaker 10: Operable by a gun, a specific gunner. And let's see 790 00:42:28,920 --> 00:42:32,080 Speaker 10: the mon Kalamari. Yes, that is the name of the 791 00:42:32,120 --> 00:42:36,200 Speaker 10: species Tia. And just a little bit on that, Taylor, 792 00:42:36,239 --> 00:42:38,280 Speaker 10: you were like, oh, a squid, A squid, A squid. 793 00:42:38,520 --> 00:42:40,760 Speaker 10: There's an action figure that came out in nineteen eighty 794 00:42:40,760 --> 00:42:44,400 Speaker 10: three from Javis Palace. The name was Squidhead. Later on 795 00:42:44,840 --> 00:42:50,759 Speaker 10: they gave him the name of Tessik Tessek is a 796 00:42:53,040 --> 00:42:55,719 Speaker 10: Oh my gosh, I just lost it. I have so 797 00:42:55,840 --> 00:42:59,439 Speaker 10: much up here and I just lost it. They share 798 00:42:59,480 --> 00:43:03,080 Speaker 10: a plan with quarn corn is the name of the species. 799 00:43:03,160 --> 00:43:04,759 Speaker 7: Oh my gosh. It was almost embarrassing. 800 00:43:05,120 --> 00:43:09,480 Speaker 10: The Quarns share the planet Monkelamari with the monkela Amari species. 801 00:43:09,520 --> 00:43:13,319 Speaker 10: It is a water world, so they are amphibious. They 802 00:43:13,320 --> 00:43:17,200 Speaker 10: can breathe air and underwater. And if you want to 803 00:43:17,239 --> 00:43:21,600 Speaker 10: see more on that, I believe it's the first two 804 00:43:21,719 --> 00:43:27,320 Speaker 10: episodes of Clone Wars season four. They go to Moncow 805 00:43:27,520 --> 00:43:31,880 Speaker 10: and kit Fisto. The Jedi Knight fights alongside a young 806 00:43:32,120 --> 00:43:37,920 Speaker 10: Admiral Akbar pre Admiral pre anything in that episode and 807 00:43:37,960 --> 00:43:40,839 Speaker 10: you watch them, I think battle the Quarns in that 808 00:43:41,400 --> 00:43:44,640 Speaker 10: in that episode for control of the planet. Super awesome 809 00:43:45,880 --> 00:43:49,440 Speaker 10: episode they did. They premiered those episodes at the Long 810 00:43:49,480 --> 00:43:54,480 Speaker 10: Beach Aquarium and had a blue carpet back when the Alamari. 811 00:43:54,920 --> 00:43:56,800 Speaker 7: Yeah, when they were released. 812 00:43:58,160 --> 00:44:00,480 Speaker 3: I feel like the Pergle should mess around with them. 813 00:44:00,840 --> 00:44:02,760 Speaker 7: Yeah, maybe that's yeah. 814 00:44:02,880 --> 00:44:05,640 Speaker 10: They live on the dark side of Montkalmar exactly, the 815 00:44:05,640 --> 00:44:11,279 Speaker 10: Mahi Mahi side of Montcalmar. And then Tia, you had 816 00:44:11,400 --> 00:44:16,280 Speaker 10: asked about the pterodactyl things. They're called Dactylians. They're native 817 00:44:16,320 --> 00:44:20,080 Speaker 10: to the planet Utapao. You might not know the name Utapao, 818 00:44:20,200 --> 00:44:22,920 Speaker 10: but you do know the planet Utapau is where Obi 819 00:44:22,920 --> 00:44:26,640 Speaker 10: Wan Kenobi kills General Grievous and Star Wars episode three, 820 00:44:27,040 --> 00:44:29,480 Speaker 10: so they are native to that planet. But they show 821 00:44:29,520 --> 00:44:31,440 Speaker 10: up in several episodes of the Clone Wars and then 822 00:44:31,480 --> 00:44:35,600 Speaker 10: again on Chantapol in Star Wars Rebels. 823 00:44:36,400 --> 00:44:37,360 Speaker 1: Huh. 824 00:44:37,400 --> 00:44:41,160 Speaker 10: And then you guys talked about the beginning of the 825 00:44:41,239 --> 00:44:45,839 Speaker 10: episode doing the here they come or two marks at 826 00:44:46,040 --> 00:44:50,080 Speaker 10: point three five or whatever, which when you say that 827 00:44:50,160 --> 00:44:52,919 Speaker 10: two Marx is two tie fighters point three to five 828 00:44:53,040 --> 00:44:57,560 Speaker 10: is the the vector that Canaan is supposed to put 829 00:44:57,600 --> 00:45:01,600 Speaker 10: his name his gun at. That is very very much 830 00:45:01,719 --> 00:45:05,440 Speaker 10: the energy and everything of the rebel attack on the 831 00:45:05,480 --> 00:45:09,360 Speaker 10: Desk Star in Stars episode four, like gold Leader, and 832 00:45:09,360 --> 00:45:11,719 Speaker 10: that's like here they come, three marks at two ten. 833 00:45:12,120 --> 00:45:14,840 Speaker 10: So it's like very much like capturing that energy. And 834 00:45:14,960 --> 00:45:18,200 Speaker 10: I thought you guys all did a great job doing that, 835 00:45:18,840 --> 00:45:20,960 Speaker 10: even if you didn't know that's what you were emulating. 836 00:45:21,920 --> 00:45:23,960 Speaker 8: It's well, it's a fact now. 837 00:45:24,040 --> 00:45:27,200 Speaker 3: I mean, you obviously know you're eighteen. 838 00:45:28,080 --> 00:45:28,480 Speaker 1: I don't know. 839 00:45:28,680 --> 00:45:34,440 Speaker 2: Think also I was today years old when I realized 840 00:45:34,480 --> 00:45:38,920 Speaker 2: that Corey is named after Ralph McCrory. You said it, 841 00:45:38,960 --> 00:45:43,239 Speaker 2: and I was like, all right, yes, yes, that makes 842 00:45:43,280 --> 00:45:44,040 Speaker 2: absolute sense. 843 00:45:44,160 --> 00:45:45,360 Speaker 1: Sorry, JC, did I interrupt? 844 00:45:45,400 --> 00:45:46,640 Speaker 7: You didn't me. That's all I get. 845 00:45:47,120 --> 00:45:48,560 Speaker 2: Okay, cool, that was excellent. 846 00:45:48,719 --> 00:45:52,319 Speaker 5: Thank you excellent as always. Appreciate you, Jac and appreciate it. 847 00:45:52,360 --> 00:45:54,720 Speaker 5: I appreciate you three. And then we appreciate you listeners. 848 00:45:54,800 --> 00:45:57,239 Speaker 5: We know you have a choice and podcast, so we 849 00:45:57,560 --> 00:46:00,319 Speaker 5: very much appreciate you picking the Potter Rebellion week after week, 850 00:46:00,719 --> 00:46:03,400 Speaker 5: and we will be back next week with the really 851 00:46:03,440 --> 00:46:05,320 Speaker 5: awesome episode. We get a little bit more to the 852 00:46:05,360 --> 00:46:08,719 Speaker 5: Sabines backstory, which is what we've been waiting for. But 853 00:46:08,840 --> 00:46:10,160 Speaker 5: you're all gonna have to wait till next week, and 854 00:46:10,200 --> 00:46:12,160 Speaker 5: so we'll leave. But until then, Taylor's got the magic 855 00:46:12,160 --> 00:46:19,840 Speaker 5: words do the music. Potter Rebellion is produced in partnership 856 00:46:19,840 --> 00:46:23,520 Speaker 5: with iHeart Podcasts Producing, Hosted by Vanessa Marshall, Tia Surkar, 857 00:46:23,719 --> 00:46:26,560 Speaker 5: Taylor Gray, and John Lee Brody Executive producer and in 858 00:46:26,600 --> 00:46:28,840 Speaker 5: house Star Wars guru slash factchecker J. C. 859 00:46:28,960 --> 00:46:29,480 Speaker 8: Reifenberg. 860 00:46:29,600 --> 00:46:32,480 Speaker 5: Our music was composed by Mikey Flash. Our cover art 861 00:46:32,560 --> 00:46:35,520 Speaker 5: was created by Neil Fraser. Of Neil Fraser Designs. Special 862 00:46:35,520 --> 00:46:38,640 Speaker 5: thanks to Holly Frean, Aaron Kauffman over at iHeart, Evan Krasglorie, 863 00:46:38,640 --> 00:46:42,040 Speaker 5: Willie Morrison, Devor Trasy Canobio, George Lucas for creating this 864 00:46:42,160 --> 00:46:44,719 Speaker 5: universe we love so much, and of course all of 865 00:46:44,760 --> 00:46:48,000 Speaker 5: our amazing listeners. Follow us on Instagram at Potter Rebellion 866 00:46:48,080 --> 00:46:51,359 Speaker 5: and email us at Potter Rebellion Podcasts at gmail dot 867 00:46:51,400 --> 00:47:00,240 Speaker 5: com