WEBVTT - Ironheart Reactions (Episodes 4-6)

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<v Speaker 1>Worrying. Today's episode contains spoilers for the final three episodes

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<v Speaker 1>of Ironheart on Disney Plush.

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<v Speaker 2>And Nabe Jason Coups and on Mersey Night.

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<v Speaker 1>And welcome back to x ray vision of that podcast

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<v Speaker 1>where we don't have the video favorite shows, movies, colleges

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<v Speaker 1>of pop culture comedy. You from our podcast where we're

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<v Speaker 1>bringing you episodes every Tuesday and Thursday, plus alsomber long.

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<v Speaker 1>We're highlighting the summer's biggest movies every Fridays.

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<v Speaker 2>In today's episode, we are finishing our Ironheart coverage. Can

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<v Speaker 2>you believe it's already gone? I know, just two weeks crazy? Well,

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<v Speaker 2>we are talking about episodes four, five, and six wrong.

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<v Speaker 1>A strong, A stronger.

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<v Speaker 2>Finish, A finish. And in other great news, we are

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<v Speaker 2>gonna be at San Diego Comic on July twenty fourth

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<v Speaker 2>to July twenty seventh. Let us know if we'd be

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<v Speaker 2>there on the discord and what you want to see

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<v Speaker 2>from us at San Diego Comic Con.

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<v Speaker 1>But first Ironheart. Okay, we open on a flashback episode four,

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<v Speaker 1>A strong episode four like immediately immediately a leap up.

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<v Speaker 2>I think this is maybe my favorite episode of the series.

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<v Speaker 2>Now all taken.

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<v Speaker 1>I'm still very silly, but in a good way.

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<v Speaker 2>I tell like Superhero TV kind of yes.

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<v Speaker 1>And it really feels as if this show knew where

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<v Speaker 1>it wanted to end and for some reason got shortened.

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<v Speaker 1>And the shortening clearly happened I think in the first

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<v Speaker 1>three or middle episode. Yeah, because this is a stronger finish.

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<v Speaker 1>So we open on Parker and Jonathan earlier into their

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<v Speaker 1>criminal careers, and it's interesting that Jonathan is more of

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<v Speaker 1>the instigator, the person who's like, hey, park like we

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<v Speaker 1>can do this, and you know, like so they're breaking

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<v Speaker 1>into a beautiful home. Parker is hesitant, but they have

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<v Speaker 1>good intel. It seems they really seem to know like

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<v Speaker 1>where stuff is in the house. Parker finds it safe,

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<v Speaker 1>he opens it. There's like gold bars and fucking stacks

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<v Speaker 1>of good stuff in there to steal. But then security

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<v Speaker 1>shows up and gets the drop on Parker, and Jonathan

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<v Speaker 1>shoots the guy dead.

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<v Speaker 2>Yeah, after promising Parker no harm, no one's gonna get hurt.

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<v Speaker 2>The old classic Jonathan killing people. He can't stop killing people. Also,

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<v Speaker 2>I have to say as well, he kind of says, oh,

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<v Speaker 2>how did you find me? Like how did that guy

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<v Speaker 2>get like how did you save me? And Jonathan's like,

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<v Speaker 2>I'm always with you. I started to think at this point,

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<v Speaker 2>I was like, wait a minute, is Jonathan like kind

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<v Speaker 2>of his Mephisto? And I had that felt like there

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<v Speaker 2>was some supernatural kind of but I think it was

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<v Speaker 2>more of just uh paka, like a very overwhelming memory.

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<v Speaker 2>Now that as they call him cousin, Jonathan, though I

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<v Speaker 2>still am feeling some tension between the two romantically, is

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<v Speaker 2>now sadly dead because re Re killed him. Well let

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<v Speaker 2>him die, let's say.

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<v Speaker 1>I agree more on that in a bit, so Parker.

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<v Speaker 1>We go to the present. Parker is thinking about this moment.

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<v Speaker 1>The gang is having a wake for Jonathan downstairs at

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<v Speaker 1>the pizza portion of the headquarters, and they're eating pizza,

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<v Speaker 1>and you know, people are like, should we say a

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<v Speaker 1>few words? Slug says some stuff, The siblings say some stuff.

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<v Speaker 1>All the while Parker is like spiraling and clearly hearing

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<v Speaker 1>domonic voices that we can only assume come from the

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<v Speaker 1>Fisto but possibly also dor Mamu. And then all of

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<v Speaker 1>a sudden he speaks up and he says, you know

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<v Speaker 1>what I'll miss the most about Jonathan His loyalty Meanwhile.

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<v Speaker 2>Re Re is there and he's looking super guilty the

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<v Speaker 2>place for this moment, like she is legit looking, I mean,

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<v Speaker 2>so guilty.

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<v Speaker 1>I think some people are gonna say, well, she she

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<v Speaker 1>didn't kill him, and I agree to you, Like she

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<v Speaker 1>just chose not to save him, which she could have done, yeah,

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<v Speaker 1>pretty easily, I think, and then he died, so and

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<v Speaker 1>he did also threaten to kill her, so like it

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<v Speaker 1>was a there's a mean situation there. But you know,

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<v Speaker 1>I think when you that's why I say, when you

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<v Speaker 1>add up the fact that once she had motive to

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<v Speaker 1>see him, she had she had reason to benefit from

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<v Speaker 1>his death, and to the fact that she didn't save him,

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<v Speaker 1>we're going to continue to say that she and she

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<v Speaker 1>killed him.

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<v Speaker 2>I think it's like and I do think that in

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<v Speaker 2>this case. And one of the things that I think

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<v Speaker 2>really does shine about this show and that I've been

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<v Speaker 2>interested to see people react well to, is Reri is

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<v Speaker 2>very far from your kind of standard MCU hero. She

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<v Speaker 2>has a very complicated figure. She's a story and she's

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<v Speaker 2>actually more like a real human being who is like

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<v Speaker 2>under pressure. But yeah, Parker, and also I do think

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<v Speaker 2>this is funny because, like you know, Parker's looking at her,

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<v Speaker 2>and you're hearing these kind of evil dom Mamu, Mephisto,

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<v Speaker 2>whatever you want to call it, like evil kind of whisperings,

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<v Speaker 2>but also like they're right, like she did kill him.

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<v Speaker 2>So I'm also like it's also kind of funny because

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<v Speaker 2>I'm like, does he need to get puppeted? Like she

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<v Speaker 2>is right? Like, but yeah, it's not looking good for

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<v Speaker 2>Ri and Parker's budgeoning relationship as criminal enterprises.

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<v Speaker 1>Yes, partners together and this in this thing. So you know,

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<v Speaker 1>Parker is like, Okay, we got have another heightst coming

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<v Speaker 1>up and everybody's gonna have a job. But he doesn't

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<v Speaker 1>address and is like what about me? And he's like, oh, yeah,

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<v Speaker 1>I got a job for you. He says it was

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<v Speaker 1>like menacing way.

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<v Speaker 2>Like a special job. You don't go to that job, please,

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<v Speaker 2>like come on, my girl.

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<v Speaker 1>So re goes home and she and Nat do some

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<v Speaker 1>analysis on the Hood swatch, but they can't They could

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<v Speaker 1>tell it's powerful, but they don't understand the readings they're getting.

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<v Speaker 2>Yeah, it's like they say, it kind of it reads

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<v Speaker 2>as if it's some kind of combustion inside, but it's

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<v Speaker 2>the powers the Hood. But it's unclear like where the

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<v Speaker 2>combustion would come from.

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<v Speaker 1>Yes, so definitely all the while because of like the

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<v Speaker 1>fact that she can't figure out what this thing is

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<v Speaker 1>and the fact that like Jonathan is clearly so so

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<v Speaker 1>I mean, excuse me, Parker is clearly so powerful and

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<v Speaker 1>is probably knows that she killed Jonathan and the and

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<v Speaker 1>the kind of veiled threat. You know, re Rea is

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<v Speaker 1>like cracking up. She is becoming increasingly increasingly anxious to

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<v Speaker 1>the just the point of a panic attack, and re

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<v Speaker 1>Re is like, Natalie, why are you acting so like

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<v Speaker 1>why are you so chill about this? And that I

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<v Speaker 1>was like, hey, man, didn't Jonathan, I don't deserve to die.

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<v Speaker 2>I was like, whoa, I want to say, like one, okay,

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<v Speaker 2>so is this is something I found very interesting about

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<v Speaker 2>this scene in general, is like I'm definitely I'm on

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<v Speaker 2>Mephisto hunt at this point because I'm like mishearing stuff

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<v Speaker 2>and she's saying stuff to her mom like is that

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<v Speaker 2>because she's crazy? Is it because she's being influenced? And

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<v Speaker 2>then also is not saying that kind of stuff because

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<v Speaker 2>she is clearly being influenced, because that was a crazy

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<v Speaker 2>thing to just drive. I mean, that was like a

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<v Speaker 2>crazy thing really, But also, as we were talking about

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<v Speaker 2>the other day when we were talking about the first

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<v Speaker 2>half of this or is that just like really prescient

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<v Speaker 2>to the nature of how like AI just tells you

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<v Speaker 2>what you're want to hear?

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<v Speaker 1>Right?

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<v Speaker 2>Yeah, I mean I was like, which one is it?

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<v Speaker 2>But it definitely doesn't seem like it's a normal thing,

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<v Speaker 2>especially with this really funny interaction with Reeby's mom, who

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<v Speaker 2>also needs to go to therapy, yes, and like not

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<v Speaker 2>just accept her dead friend's best friend day I living.

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<v Speaker 1>In Revan listen little and this one, I'm just like, fine,

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<v Speaker 1>let's go with it.

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<v Speaker 2>Natalie then tells, uh, like.

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<v Speaker 1>Okay, well, why don't you call Shuri to help you

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<v Speaker 1>out with whatever? This hood thing great like great suggestion,

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<v Speaker 1>actually good idea. This gives Reread the opportunity to give

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<v Speaker 1>us like a complete exposition dump on the Coanda Forever.

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<v Speaker 1>The events after Wakanda Forever and like what led her.

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<v Speaker 2>Here also made me laugh because like she basically is like, oh,

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<v Speaker 2>I can't tell Shurry I got kicked out of college,

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<v Speaker 2>I did this, I did that. I'm like, baby, not

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<v Speaker 2>literally you were literally and Wakanda while Shurry like stole

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<v Speaker 2>the black Panther started a war like she's gonna I

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<v Speaker 2>don't think she's gonna judge you. I just I think

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<v Speaker 2>it would actually have been totally fine. But you know,

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<v Speaker 2>that's the nature of being young.

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<v Speaker 1>Absolutely. So we goes to see Joe Uh to maybe

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<v Speaker 1>get some help with this. But Joe's houses police tape

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<v Speaker 1>all rounding and guess what, ze Stain got arrested and

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<v Speaker 1>re regoogles it and finds out that, yeah, it was

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<v Speaker 1>her fault because the cops found the biomesh traced it

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<v Speaker 1>to Joe Slash Ezekiel Stain, just like she promised wouldn't happen,

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<v Speaker 1>And in a I think quite hard hitting little montage,

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<v Speaker 1>we watch Zeke gets swallowed up like by the prison system,

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<v Speaker 1>of his head shaved, he's getting fingerprinted, he's getting id

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<v Speaker 1>they're checking his gums see he has any like hidden

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<v Speaker 1>knives or needles or anything in there, and it's quite heroic.

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<v Speaker 1>The gang watches the news report about Zeke and his

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<v Speaker 1>connection to the heirloom heist and they're like, how did

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<v Speaker 1>how did Zeke's how did this guy's technology get into

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<v Speaker 1>our heist? And Clown meanwhile, is like, this guy's kind

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<v Speaker 1>of cute, which is interesting, okay, and Parker goes upstairs,

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<v Speaker 1>Oh see thee Parker is upstairs while they're talking about this,

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<v Speaker 1>and he's like taking a full on submerged ice bath.

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<v Speaker 1>I guess to like lower the I think like demonic temperature,

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<v Speaker 1>like getting so hot.

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<v Speaker 2>From them, and he doesn't have his cousin to like

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<v Speaker 2>do tattoos to cool him down anymore.

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<v Speaker 1>We goes to see Zeke in jail, and she's like

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<v Speaker 1>trying to immediately like diffuse with like comedy, like, hey,

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<v Speaker 1>I guess they did trace the bottomus.

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<v Speaker 2>Don't say it, make a joke.

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<v Speaker 1>And then she and you know, Zeke just is like

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<v Speaker 1>staring daggers at her through the glass and she's like, listen,

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<v Speaker 1>I promise to get you out, and he's like, yeah,

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<v Speaker 1>how are you going to do that? And he's like,

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<v Speaker 1>I made I made a huge mistake trusting you. You

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<v Speaker 1>were not trustworthy. You manipulated me into just getting what

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<v Speaker 1>you wanted, and now look at me, I'm in here. Goodbye,

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<v Speaker 1>and re feels terrible, and she's ready to feel terrible.

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<v Speaker 1>She goes back to the gang headquarters and finds out

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<v Speaker 1>that Parker has like hired a new tech person or

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<v Speaker 1>is in the process, is in the like the paperwork

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<v Speaker 1>is not done, you know, but like is in the process.

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<v Speaker 1>I haven't got the docu side back yet. He calls

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<v Speaker 1>her to his office and he's like who the fuck

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<v Speaker 1>is this guy? Zeke, Like what do you know about this?

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<v Speaker 1>And was like who's what's.

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<v Speaker 2>The one? Is like so good at acting like she's

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<v Speaker 2>a bad liar, Like it's really funny to see the

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<v Speaker 2>way that re reinteracts once the heat is on her,

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<v Speaker 2>and Parker.

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<v Speaker 1>Does I think a very smart thing here, which is

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<v Speaker 1>just he just pretends like it not even pretends, like

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<v Speaker 1>he just bulldozes over the lines, like why don't you

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<v Speaker 1>just tell me that you needed help, Like if you

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<v Speaker 1>needed help with some of the tech aspects of the thing,

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<v Speaker 1>like we would have got you help, like and that's

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<v Speaker 1>why I went out and had to hire someone else

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<v Speaker 1>to help you. And re is like completely gagged at them.

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<v Speaker 2>She's like, no, come back.

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<v Speaker 1>Yeah. She goes back to her apartment. Now she's like

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<v Speaker 1>in full panic mode. She's installing a security system all

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<v Speaker 1>around the house. Natalie is trying to get her to relax.

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<v Speaker 2>Why I can't and relax It's a bad situation.

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<v Speaker 1>Gives her mom like as like you know Ripley and

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<v Speaker 1>aliens giving the little watch. Yeah, gives her gives her

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<v Speaker 1>mom like a smart watch so she'll be able to

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<v Speaker 1>like track her and and there's also like some defensive

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<v Speaker 1>aspects to it. It will protect them, like unbeknownst to them,

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<v Speaker 1>it will create a shield to protect them. Goes to

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<v Speaker 1>see Ze and man is like, why can't I come

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<v Speaker 1>see my brother? And they briefly debate, finally get into

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<v Speaker 1>the stuff about Natalie. This is important and should have

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<v Speaker 1>happened earlier, but I'm glad it's happening now. This is

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<v Speaker 1>really like a meaty conversation. She's like, first of all,

0:13:15.240 --> 0:13:19.320
<v Speaker 1>you're not that's not your brother. You are code. You

0:13:19.360 --> 0:13:23.440
<v Speaker 1>are not a person. You came from my thoughts about

0:13:23.520 --> 0:13:28.120
<v Speaker 1>who Natalie is. And anyway, stay here, guard the house

0:13:28.200 --> 0:13:31.319
<v Speaker 1>and fix the fucking suit and yeah, okay, So we

0:13:31.600 --> 0:13:33.559
<v Speaker 1>goes to say it gives him a smart watch as well,

0:13:34.160 --> 0:13:35.960
<v Speaker 1>and then it's like, hey, do you think I'm a

0:13:35.960 --> 0:13:41.679
<v Speaker 1>good person? And he says, well, it depends on you know,

0:13:41.840 --> 0:13:44.120
<v Speaker 1>what's the what's the other context? But yes, like who

0:13:44.160 --> 0:13:47.960
<v Speaker 1>you are, Like what's the criteria? Yeah, but like yes,

0:13:48.040 --> 0:13:51.160
<v Speaker 1>you're smart and you're a good person. But of course,

0:13:51.280 --> 0:13:55.640
<v Speaker 1>like has no idea that she recently killed Jonathan during

0:13:58.679 --> 0:14:01.680
<v Speaker 1>that's all over the new and that also like a

0:14:01.760 --> 0:14:05.240
<v Speaker 1>person who is not connected to the heist has now

0:14:05.320 --> 0:14:09.319
<v Speaker 1>been kind of framed by her sort of it's anyway,

0:14:09.400 --> 0:14:11.640
<v Speaker 1>it's also clear that he has feelings for her. Reory

0:14:11.679 --> 0:14:16.160
<v Speaker 1>gets home, Nat teases her about Zay, but Reary is

0:14:16.280 --> 0:14:18.800
<v Speaker 1>just like full on, like Parker's coming to get us,

0:14:18.880 --> 0:14:21.040
<v Speaker 1>I know it, and we need to get We need

0:14:21.120 --> 0:14:23.720
<v Speaker 1>to be ready to defend ourselves. And that's like, you

0:14:23.760 --> 0:14:27.360
<v Speaker 1>need to get some sleep, because you do. So, she

0:14:27.760 --> 0:14:33.360
<v Speaker 1>falls asleep and she's, you know, like we can't tell.

0:14:33.440 --> 0:14:35.280
<v Speaker 1>There's this moment where I'm like, is this a dreamer?

0:14:35.440 --> 0:14:37.880
<v Speaker 1>Is this real? She's like checking the security cameras.

0:14:38.000 --> 0:14:40.840
<v Speaker 2>Yeah, I think they want you to play like it

0:14:40.880 --> 0:14:43.000
<v Speaker 2>feels like it's kind of all consuming her.

0:14:43.640 --> 0:14:46.880
<v Speaker 1>Yeah, And then she falls back asleep in the suit

0:14:47.000 --> 0:14:49.480
<v Speaker 1>and wakes up to her mom screaming. She like goes

0:14:49.480 --> 0:14:50.760
<v Speaker 1>in in the suit, breaks down.

0:14:50.600 --> 0:14:52.640
<v Speaker 2>Her boots the door down, boots the.

0:14:52.640 --> 0:14:55.240
<v Speaker 1>Door down, and her mom is like, in this orb,

0:14:55.440 --> 0:14:59.560
<v Speaker 1>this defensive shield ORB. And it turned out the smart

0:14:59.560 --> 0:15:03.280
<v Speaker 1>watch the algorithm. The defensive algorithm reacted to like gunshots

0:15:03.320 --> 0:15:07.000
<v Speaker 1>in her mom's television show and placed her in this

0:15:07.080 --> 0:15:09.960
<v Speaker 1>defensive orb. But mom is now like, listen, you got

0:15:09.960 --> 0:15:14.480
<v Speaker 1>to tell me what is happening, because this is a mess.

0:15:14.600 --> 0:15:17.440
<v Speaker 1>Like you're freaking out and clearly something's wrong, but you

0:15:17.480 --> 0:15:21.560
<v Speaker 1>won't say anything about it. And Rerey is like, well,

0:15:22.320 --> 0:15:24.560
<v Speaker 1>I do need to relax. I do need to calm down.

0:15:24.760 --> 0:15:28.640
<v Speaker 1>Maybe like her mom is into like crystals and sound

0:15:28.680 --> 0:15:30.280
<v Speaker 1>baths and all this kind of stuff like I'll let

0:15:30.280 --> 0:15:35.520
<v Speaker 1>you do your sound bath kind of relaxation magic on me.

0:15:35.800 --> 0:15:37.840
<v Speaker 2>Yeah, okay, Oh so I just want to say, you know,

0:15:37.920 --> 0:15:41.520
<v Speaker 2>we did talk about this before. Yeah, but like if

0:15:41.560 --> 0:15:44.400
<v Speaker 2>you can make a watch that reacts that way, you

0:15:44.440 --> 0:15:47.720
<v Speaker 2>can basically like make people immorts. Also, again, your money.

0:15:47.800 --> 0:15:51.040
<v Speaker 2>I feel like MIT would have funded this project that

0:15:51.080 --> 0:15:51.840
<v Speaker 2>you made.

0:15:52.120 --> 0:15:54.280
<v Speaker 1>Yeah, go get investments like this.

0:15:54.080 --> 0:15:57.440
<v Speaker 2>Means on this specific thing. It's really interesting, could be

0:15:57.560 --> 0:15:59.880
<v Speaker 2>utilized in multiple different ways. Could be great people with

0:16:00.440 --> 0:16:03.200
<v Speaker 2>kids who conways be like who they got a baby

0:16:03.240 --> 0:16:04.680
<v Speaker 2>is and maybe get a fall over. I'd know, put

0:16:04.680 --> 0:16:07.000
<v Speaker 2>it in this funny orb. I feel like, really you're

0:16:07.040 --> 0:16:09.840
<v Speaker 2>missing a lot of marketing opportunities and see how you're

0:16:09.880 --> 0:16:11.800
<v Speaker 2>leaving billions on the floor.

0:16:11.840 --> 0:16:16.320
<v Speaker 1>Base absolutely could not agree more. So they go to

0:16:16.800 --> 0:16:20.880
<v Speaker 1>Reebe's mom takes her to h miss Stanton's store, which

0:16:20.960 --> 0:16:23.960
<v Speaker 1>is like a crystals and candles and tarot stuff store.

0:16:24.040 --> 0:16:25.480
<v Speaker 1>It's this and also like.

0:16:26.960 --> 0:16:29.680
<v Speaker 2>Book different things. Yes, really fun.

0:16:30.560 --> 0:16:34.160
<v Speaker 1>And so they go there and we meet Zelma, missus

0:16:34.160 --> 0:16:41.360
<v Speaker 1>Stanton's daughter, and Zella immediately senses that really has something

0:16:41.400 --> 0:16:43.720
<v Speaker 1>powerful on her. First of all, is we find out

0:16:43.840 --> 0:16:47.080
<v Speaker 1>is carrying a piece of that hood swatch in her pocket,

0:16:47.240 --> 0:16:48.240
<v Speaker 1>just casually, just.

0:16:48.160 --> 0:16:50.320
<v Speaker 2>Like not even like in a little bag, in a

0:16:50.320 --> 0:16:53.920
<v Speaker 2>little she just holding that thing. But maybe that's the power.

0:16:54.760 --> 0:16:58.960
<v Speaker 1>It could be a good point, yeah, And so Zelma

0:16:59.240 --> 0:17:03.800
<v Speaker 1>does some handtutting and then boom opens a portal takes

0:17:04.840 --> 0:17:07.840
<v Speaker 1>her mom, Miss Stanton, re Re and Rere's mom to

0:17:08.720 --> 0:17:13.120
<v Speaker 1>this workshop that she has in some other dimension. And

0:17:13.560 --> 0:17:17.000
<v Speaker 1>Revere's mom is freaking out. Miss Stanton is like, I

0:17:17.080 --> 0:17:19.399
<v Speaker 1>told you to never do magic without telling me. I

0:17:19.480 --> 0:17:21.920
<v Speaker 1>told you to not set up secret rooms in other

0:17:22.000 --> 0:17:24.919
<v Speaker 1>dimensions without time. I've done a lot of stuff without

0:17:24.960 --> 0:17:28.560
<v Speaker 1>telling me, but like why, And Zelma's like because of this?

0:17:28.680 --> 0:17:31.320
<v Speaker 1>And then they the piece of the hood comes out

0:17:31.359 --> 0:17:35.800
<v Speaker 1>and they start doing some work on it, and they're

0:17:35.880 --> 0:17:39.280
<v Speaker 1>both very alarmed. We find out that Zelma was born

0:17:39.320 --> 0:17:43.160
<v Speaker 1>at comartage. Her mom apparently was in the sorcery program

0:17:43.200 --> 0:17:47.880
<v Speaker 1>there but dropped out no longer involved in it, and

0:17:50.600 --> 0:17:55.280
<v Speaker 1>this swatch is super super super dangerous. It comes from

0:17:55.400 --> 0:17:58.919
<v Speaker 1>like a dark dimension, possibly the darkest dimension, and is

0:17:59.040 --> 0:18:04.720
<v Speaker 1>clearly tied to some very very evil and palaving.

0:18:04.880 --> 0:18:07.439
<v Speaker 2>We get the dor Marmou name drop. Yeah, like they

0:18:07.600 --> 0:18:10.160
<v Speaker 2>lean into that. They show us a very Mephisto looking

0:18:10.240 --> 0:18:12.840
<v Speaker 2>sketch of dor Marmu. I was really happy to see

0:18:12.880 --> 0:18:15.439
<v Speaker 2>Zelma appear here. I think this is one of the

0:18:15.560 --> 0:18:18.680
<v Speaker 2>my probably my favorite sequence from the whole show, because

0:18:18.720 --> 0:18:23.240
<v Speaker 2>I think it brings something totally different to the MCU.

0:18:23.320 --> 0:18:27.760
<v Speaker 2>We haven't really seen this kind of idea of magic that,

0:18:28.000 --> 0:18:31.919
<v Speaker 2>as Matt's Missus Stanton kind of explains, it is like

0:18:32.240 --> 0:18:34.919
<v Speaker 2>Zelma's had to create her own magic that kind of

0:18:34.960 --> 0:18:38.600
<v Speaker 2>mixes her being where she was raised in Chicago here

0:18:38.680 --> 0:18:42.040
<v Speaker 2>rather than in the Bronx in the comics, and kind

0:18:42.119 --> 0:18:45.040
<v Speaker 2>of like how that interacts with what her mum knew

0:18:45.080 --> 0:18:50.159
<v Speaker 2>from carmouitage, and they're kind of generational like magic that

0:18:50.240 --> 0:18:53.000
<v Speaker 2>they share THO, it's so fun. This is a pretty

0:18:53.040 --> 0:18:56.280
<v Speaker 2>new like ish character like ten years old from a

0:18:56.440 --> 0:19:00.119
<v Speaker 2>first in Doctor Strange, but probably created by Jason and

0:19:00.160 --> 0:19:01.560
<v Speaker 2>Chris pa'charlo what team.

0:19:01.960 --> 0:19:03.600
<v Speaker 1>In the in the Stranger, Kay you meet her.

0:19:03.720 --> 0:19:06.359
<v Speaker 2>Yeah, Strange Academy is the best stuff. That's like the

0:19:06.400 --> 0:19:07.199
<v Speaker 2>stuff that makes me.

0:19:07.560 --> 0:19:10.040
<v Speaker 1>It's very very fun title if you really fun.

0:19:10.119 --> 0:19:12.840
<v Speaker 2>And also that's where this kind of idea of the Neverish,

0:19:12.880 --> 0:19:17.520
<v Speaker 2>which is sort of this kind of like world within

0:19:17.720 --> 0:19:21.159
<v Speaker 2>world's kind of pocket universe that she is kind of

0:19:21.200 --> 0:19:25.159
<v Speaker 2>created is And yeah, just really fun. I love Strange

0:19:25.200 --> 0:19:31.080
<v Speaker 2>Academy and yeah, it's so fun. And Zalma's just like yeah,

0:19:31.320 --> 0:19:33.960
<v Speaker 2>I mean this is probably to do it Dormmu and

0:19:33.960 --> 0:19:37.520
<v Speaker 2>and dude, she and missus Stanton is like pissed. She's like,

0:19:37.600 --> 0:19:40.359
<v Speaker 2>get the fuck out, bro, this is like get it

0:19:40.400 --> 0:19:41.960
<v Speaker 2>out of my shop, Like what.

0:19:41.880 --> 0:19:44.440
<v Speaker 1>The yeah you get this, Get this dorm Mamu ship

0:19:44.480 --> 0:19:47.000
<v Speaker 1>out of here. This is beyond because that's kind of

0:19:47.160 --> 0:19:51.440
<v Speaker 1>that's like Sorcerer Supreme type stuff. And they're not exactly

0:19:51.520 --> 0:19:54.440
<v Speaker 1>the level of No one wants to be like fighting Dormmaly. No,

0:19:54.480 --> 0:20:00.359
<v Speaker 1>that's too much so. Elsewhere, Parker uses his magic to

0:20:00.400 --> 0:20:04.840
<v Speaker 1>get into Zeke's jail cell and he's like, hey, what's

0:20:04.880 --> 0:20:09.399
<v Speaker 1>up with re Re. Do you know her? And he's

0:20:09.560 --> 0:20:12.400
<v Speaker 1>basically is like yes. And then Parker's like, well, guess what.

0:20:12.840 --> 0:20:16.080
<v Speaker 1>We need a new tech person, and I'm gonna give

0:20:16.080 --> 0:20:16.520
<v Speaker 1>you a job.

0:20:17.200 --> 0:20:19.520
<v Speaker 2>I also, I just want to say I love again.

0:20:19.840 --> 0:20:24.239
<v Speaker 2>Shout out uh to Alden. He's so funny in this scene. Right,

0:20:24.320 --> 0:20:27.520
<v Speaker 2>He's like great, He's like, he's like, great hallucinations, the

0:20:27.600 --> 0:20:30.240
<v Speaker 2>last thing I need. His response to this guy just

0:20:30.280 --> 0:20:34.440
<v Speaker 2>walking into his cell is like so fantastic. But it

0:20:34.600 --> 0:20:37.000
<v Speaker 2>also is a great interaction by these two people who

0:20:37.040 --> 0:20:39.480
<v Speaker 2>have now been joined by how they feel like they've

0:20:39.480 --> 0:20:42.440
<v Speaker 2>been wronged by by re Re.

0:20:42.440 --> 0:20:46.360
<v Speaker 1>Re Re breaks into Zeke's vault because she feels like

0:20:46.480 --> 0:20:49.239
<v Speaker 1>this is this there's totally no respect, but also like

0:20:49.280 --> 0:20:52.000
<v Speaker 1>this is a this is a safer place to like

0:20:52.119 --> 0:20:55.080
<v Speaker 1>do some work on the suit. During the break in,

0:20:55.480 --> 0:20:59.480
<v Speaker 1>Natalie is like blabbing about, oh, the hood, it must

0:20:59.520 --> 0:21:02.600
<v Speaker 1>be something really ancient, it must be something really old.

0:21:02.720 --> 0:21:05.600
<v Speaker 1>She's going on and on and realize re Re realizes

0:21:06.040 --> 0:21:09.400
<v Speaker 1>then that this problem is probably more than she can handle.

0:21:09.880 --> 0:21:14.200
<v Speaker 1>So she flies back to Chicago, and she's completely freaking

0:21:14.200 --> 0:21:18.520
<v Speaker 1>out because of the danger they're facing. Meanwhile, at night

0:21:19.760 --> 0:21:23.280
<v Speaker 1>in the prison, Zeke's door opens and with the help

0:21:23.320 --> 0:21:27.240
<v Speaker 1>of the gang, he just basically walks like right out

0:21:27.240 --> 0:21:30.479
<v Speaker 1>of prison straight to the loading dock where they're waiting. Well,

0:21:30.520 --> 0:21:34.200
<v Speaker 1>that was a prey rad sequence. It was fun, yeah,

0:21:34.359 --> 0:21:38.040
<v Speaker 1>really fun, and he just like walks out. Re Rey

0:21:38.560 --> 0:21:40.960
<v Speaker 1>sends the suit by itself to.

0:21:40.920 --> 0:21:43.439
<v Speaker 2>Go get Zay. We think, but no, it was Natalie.

0:21:43.480 --> 0:21:46.720
<v Speaker 1>She did it on her own. Because re Rey is

0:21:46.840 --> 0:21:51.520
<v Speaker 1>like complete panic attack, almost nonverbal by the stress. Natalie

0:21:51.600 --> 0:21:54.840
<v Speaker 1>brings Zay there to like talk to her. Zay is

0:21:54.920 --> 0:21:58.680
<v Speaker 1>like horrified when he comes face to face with Natalie

0:21:59.119 --> 0:22:02.520
<v Speaker 1>and basically and this is like Natalie did not think

0:22:02.560 --> 0:22:07.040
<v Speaker 1>that this would happen, but really, he basically says to

0:22:07.400 --> 0:22:09.320
<v Speaker 1>you had no right to do this. You had no

0:22:09.440 --> 0:22:12.760
<v Speaker 1>right to resurrect my sister, like this, that's not my sister.

0:22:13.520 --> 0:22:16.880
<v Speaker 1>He's really right, He's making a lot of sense. And

0:22:17.359 --> 0:22:19.440
<v Speaker 1>Rerey is like, well, you know, it was an accident.

0:22:19.520 --> 0:22:22.520
<v Speaker 1>I didn't mean to do it. And anyway, like once

0:22:22.520 --> 0:22:25.680
<v Speaker 1>you get to know her, it's pretty odd, Like she's

0:22:25.720 --> 0:22:30.760
<v Speaker 1>pretty great it's very Natalie, Like Zay wants really immediately

0:22:30.800 --> 0:22:33.200
<v Speaker 1>to delete Natalie, like delete this. This is like horrific

0:22:33.640 --> 0:22:36.160
<v Speaker 1>to have this like doppelganger of my sisters. I thought,

0:22:36.200 --> 0:22:39.400
<v Speaker 1>this is like such an she needed to tea this thing.

0:22:39.720 --> 0:22:42.879
<v Speaker 2>Yeah, yeah, I had to question, Like, Zay is definitely

0:22:42.960 --> 0:22:44.840
<v Speaker 2>one of the characters where you don't get to know

0:22:44.880 --> 0:22:47.439
<v Speaker 2>a lot about him in this context, and in the

0:22:47.520 --> 0:22:49.119
<v Speaker 2>six episodes we get we don't have a lot of

0:22:49.200 --> 0:22:51.240
<v Speaker 2>time with him. But I felt like this was a

0:22:51.280 --> 0:22:53.119
<v Speaker 2>really important scene because.

0:22:52.880 --> 0:22:54.160
<v Speaker 1>He she needed to hear this.

0:22:54.240 --> 0:22:57.720
<v Speaker 2>She did, and he has that response of like, this

0:22:57.920 --> 0:23:00.920
<v Speaker 2>isn't my sister and actually it's this spectful to kind

0:23:00.920 --> 0:23:03.119
<v Speaker 2>of yeah, tend it is, which I thought was a

0:23:03.119 --> 0:23:06.119
<v Speaker 2>really interesting and like normal response.

0:23:06.600 --> 0:23:07.840
<v Speaker 1>That's a normal person response.

0:23:07.920 --> 0:23:10.680
<v Speaker 2>Yeah, normal person response that we haven't seen yet.

0:23:11.840 --> 0:23:15.600
<v Speaker 1>So Zay throws the watch AT's feet and just storms off.

0:23:15.840 --> 0:23:19.760
<v Speaker 1>At gang headquarters, Zeke is getting to work now, getting

0:23:19.800 --> 0:23:23.320
<v Speaker 1>his like tech operation up and running. At the pizza base.

0:23:23.760 --> 0:23:27.679
<v Speaker 1>He shaves his head and Slug helps him install like

0:23:27.880 --> 0:23:32.560
<v Speaker 1>all the nude like neuralink stuff, and as Zeke screams

0:23:32.680 --> 0:23:36.440
<v Speaker 1>in horrifying pain, Parker that tells the gang that their

0:23:36.440 --> 0:23:40.960
<v Speaker 1>next job is killing reread uh. Oh, let's take a

0:23:41.000 --> 0:23:43.240
<v Speaker 1>quick break and we'll be right back with episode five,

0:23:58.440 --> 0:24:01.800
<v Speaker 1>and we're back. Natalie is hanging out in the suit

0:24:01.960 --> 0:24:05.359
<v Speaker 1>watching the video that opens the series, watching the rest

0:24:05.359 --> 0:24:08.800
<v Speaker 1>of the video where we get more of that conversation. It's,

0:24:09.400 --> 0:24:12.399
<v Speaker 1>you know, re Re and Natalie just talking about their lives.

0:24:13.240 --> 0:24:16.119
<v Speaker 1>Natalie is learning more about herself, She's learning more about

0:24:16.160 --> 0:24:19.919
<v Speaker 1>re Re. Uh and I found myself wondering if she

0:24:20.160 --> 0:24:23.440
<v Speaker 1>was wondering now like am I Natalie? Like yeah, it's

0:24:23.520 --> 0:24:25.800
<v Speaker 1>how I felt like, am I this person?

0:24:25.960 --> 0:24:28.720
<v Speaker 2>Like what do I have to be this person? Do

0:24:28.840 --> 0:24:32.719
<v Speaker 2>I need to understand this? Or yeah, it's really really interesting.

0:24:33.480 --> 0:24:36.639
<v Speaker 1>But before she can really get too far down that road,

0:24:37.160 --> 0:24:40.639
<v Speaker 1>she's ambushed and captured by Slug in the suit. So

0:24:40.680 --> 0:24:43.320
<v Speaker 1>she's in the suit, captured by Slug. He'ses like this

0:24:43.400 --> 0:24:47.960
<v Speaker 1>big magnet to capture. Re Re and Zelma are at

0:24:48.000 --> 0:24:50.879
<v Speaker 1>White Castle, and Zelma is showing re Rely sketches of

0:24:50.920 --> 0:24:53.360
<v Speaker 1>Dormamu and saying like this is who you're up against,

0:24:53.840 --> 0:24:56.000
<v Speaker 1>Like this is who probably created that, and this is

0:24:57.200 --> 0:25:00.359
<v Speaker 1>he's really powerful. Here's what happened in Doctor st Range

0:25:00.400 --> 0:25:03.400
<v Speaker 1>The first movie with commerce, Yeah.

0:25:04.080 --> 0:25:06.879
<v Speaker 2>Kill me about that? Like that also, like do you

0:25:06.920 --> 0:25:10.440
<v Speaker 2>know their name? Dropping the mad to Michaels Celia give

0:25:10.480 --> 0:25:13.280
<v Speaker 2>everybody thinks about anymore. I was like, you know what,

0:25:13.400 --> 0:25:15.440
<v Speaker 2>good for you, Zelma, you've been keeping up on You'll

0:25:15.840 --> 0:25:21.399
<v Speaker 2>love the Zelma. Zelma and Kamalakon definitely friends on like

0:25:21.600 --> 0:25:24.719
<v Speaker 2>the Wikis the superhero Wikis because she knows that stuff.

0:25:25.240 --> 0:25:31.199
<v Speaker 1>She knows her all her Phase two stuff, and so

0:25:31.320 --> 0:25:36.280
<v Speaker 1>Zelma is is like listen. Parker is definitely like under

0:25:36.320 --> 0:25:42.040
<v Speaker 1>the thrall of Dormmu and dor Mamu or whoever is

0:25:42.080 --> 0:25:45.480
<v Speaker 1>controlling him. One does not care about Parker. He is

0:25:45.560 --> 0:25:48.240
<v Speaker 1>just a means to an end, just a tool, and

0:25:48.440 --> 0:25:51.679
<v Speaker 1>like you're gonna have to like kind of eliminate Parker

0:25:51.880 --> 0:25:55.720
<v Speaker 1>and is like what what does that mean? And Zella's

0:25:55.800 --> 0:25:58.080
<v Speaker 1>like you're gonna have to kill this guy, like he'll

0:25:58.200 --> 0:26:03.840
<v Speaker 1>have to die. And before re Re can really process this,

0:26:03.960 --> 0:26:08.640
<v Speaker 1>the gang comes into White Castle. It's the siblings and

0:26:09.200 --> 0:26:11.120
<v Speaker 1>is like, Zelda, get out of here. This is none

0:26:11.119 --> 0:26:13.840
<v Speaker 1>of your business. Even though I'm like re Rey, you

0:26:13.840 --> 0:26:16.639
<v Speaker 1>don't have your suit and Zella could probably help, like

0:26:16.760 --> 0:26:19.960
<v Speaker 1>why are you sending Zelma away. Anyway, Alma has been

0:26:19.960 --> 0:26:23.159
<v Speaker 1>the most helpful person in this situation. I think couldn't

0:26:23.160 --> 0:26:25.760
<v Speaker 1>she just like put you in a different dimension would

0:26:25.800 --> 0:26:27.440
<v Speaker 1>have been a good yeah.

0:26:27.320 --> 0:26:31.560
<v Speaker 2>Like just likes. I think Re's big lesson she has

0:26:31.600 --> 0:26:34.040
<v Speaker 2>to learn in this is like not to do everything

0:26:34.119 --> 0:26:36.840
<v Speaker 2>by herself. So I'm just sad the nature of it.

0:26:36.880 --> 0:26:39.479
<v Speaker 2>But I was also like, keep Zelma please because I

0:26:39.560 --> 0:26:41.560
<v Speaker 2>love Alma and also she could help you.

0:26:42.640 --> 0:26:47.359
<v Speaker 1>So it's the siblings. There is a really fun fight

0:26:47.640 --> 0:26:50.720
<v Speaker 1>like across the White Castle. Real is all the while

0:26:51.119 --> 0:26:54.119
<v Speaker 1>trying to call Natalie, but Natalie is not answering because

0:26:54.119 --> 0:26:59.840
<v Speaker 1>we know Natalie has been captured in the suit. Just

0:27:00.119 --> 0:27:05.159
<v Speaker 1>when you think the siblings are gonna take down, really,

0:27:07.000 --> 0:27:11.400
<v Speaker 1>she uses her smarts and the shield that's in Za's

0:27:11.440 --> 0:27:13.480
<v Speaker 1>watch to trap them like in this.

0:27:13.640 --> 0:27:16.639
<v Speaker 2>She throws it at them and when they shoot the gun, boom,

0:27:16.720 --> 0:27:19.600
<v Speaker 2>it pops up and blocks the bullet. Nice, very smart,

0:27:20.000 --> 0:27:24.800
<v Speaker 2>also well established without exposition because of the sequence with

0:27:24.920 --> 0:27:27.359
<v Speaker 2>the mom just good, good word, good luck.

0:27:28.000 --> 0:27:30.760
<v Speaker 1>This is a in a lot of ways. I think

0:27:32.080 --> 0:27:34.760
<v Speaker 1>four is the best episode, but five has my favorite

0:27:34.800 --> 0:27:38.440
<v Speaker 1>moments because I love this showdown with the gang Now

0:27:38.480 --> 0:27:41.320
<v Speaker 1>it's clown. Clown is outside and is like, you're gonna

0:27:41.359 --> 0:27:42.200
<v Speaker 1>have to get through me now.

0:27:42.520 --> 0:27:46.679
<v Speaker 2>Also really fun crazy character work being done by the

0:27:46.720 --> 0:27:49.359
<v Speaker 2>acts who plays Clown, Like, I want to see more of.

0:27:49.320 --> 0:27:53.520
<v Speaker 1>That clouds, you know, a lot of personality from down Yes, yes,

0:27:53.880 --> 0:27:54.560
<v Speaker 1>I feel it.

0:27:54.640 --> 0:27:57.240
<v Speaker 2>I need to see them again. I am enjoying it.

0:27:57.760 --> 0:28:00.480
<v Speaker 1>While that is happening, Natalie is in the van driven

0:28:00.520 --> 0:28:02.960
<v Speaker 1>by Slug and is like trying to work out, like

0:28:03.000 --> 0:28:05.040
<v Speaker 1>how am I going to get out of this magnet thing?

0:28:05.160 --> 0:28:07.280
<v Speaker 1>So she pulls out like a circular saw, one of

0:28:07.320 --> 0:28:10.000
<v Speaker 1>the pizza circular saws that every suit has to have.

0:28:10.440 --> 0:28:16.159
<v Speaker 2>The pizza also has one of those, like you it.

0:28:17.160 --> 0:28:22.359
<v Speaker 1>Must have the pizza circuit. So uh, you know, Really

0:28:22.560 --> 0:28:26.000
<v Speaker 1>is fighting with Clown and is telling her listen, I

0:28:26.000 --> 0:28:30.440
<v Speaker 1>didn't mean to kill John. That's a flat out lie,

0:28:30.600 --> 0:28:35.920
<v Speaker 1>but also I respect it. Clown is, you know, stalking

0:28:36.320 --> 0:28:39.280
<v Speaker 1>re Re across the White Castle. It's very much like

0:28:39.520 --> 0:28:45.200
<v Speaker 1>the lasts the Raptor scene in in Jurassic Park crossed

0:28:45.240 --> 0:28:49.760
<v Speaker 1>with the Last of Us creature like a boss scene.

0:28:50.240 --> 0:28:53.840
<v Speaker 1>So Real smarts Clown with this kind of like gas

0:28:53.880 --> 0:28:57.800
<v Speaker 1>canister cannon that she makes and then gets it. Now

0:28:57.800 --> 0:29:00.480
<v Speaker 1>she's running down the street. Slug sees her to run

0:29:00.520 --> 0:29:03.560
<v Speaker 1>her down in the van, but before she can, Natalie

0:29:03.600 --> 0:29:07.360
<v Speaker 1>has popped out of the magnet and she suits re

0:29:07.480 --> 0:29:12.200
<v Speaker 1>Re up just in time, and the van like gets

0:29:12.320 --> 0:29:17.680
<v Speaker 1>crushed and Slug gets thrown. And now our heroes are

0:29:17.840 --> 0:29:20.320
<v Speaker 1>suited up and it looks like they're gonna win this one.

0:29:20.600 --> 0:29:23.960
<v Speaker 1>Nat and Reary are arguing about whether or not she's human.

0:29:24.720 --> 0:29:26.840
<v Speaker 2>This is what I mean. Look at how good they

0:29:26.960 --> 0:29:29.880
<v Speaker 2>was so well set for success, but they just need

0:29:29.880 --> 0:29:32.680
<v Speaker 2>to do some quiet and have this conversation.

0:29:33.520 --> 0:29:36.960
<v Speaker 1>They can't have this conversation. It turns out Natalie was

0:29:37.000 --> 0:29:41.720
<v Speaker 1>really hurt by what Zay said, which is like, listen, Natalie,

0:29:42.680 --> 0:29:47.920
<v Speaker 1>you need to really sit with what this person who

0:29:48.760 --> 0:29:51.640
<v Speaker 1>was the brother of the person you are based on.

0:29:51.760 --> 0:29:54.920
<v Speaker 1>You need to really fit and process the emotions that

0:29:55.000 --> 0:29:57.840
<v Speaker 1>he's having and then not making it about yourself because

0:29:58.240 --> 0:30:02.600
<v Speaker 1>that's toxic and not what we need right right now.

0:30:04.680 --> 0:30:09.280
<v Speaker 1>So but then the suit malfunctions and re re crashes

0:30:09.880 --> 0:30:12.360
<v Speaker 1>and it's because of Zeke, and it's Zeke is here,

0:30:12.520 --> 0:30:16.160
<v Speaker 1>his his he's all powered up with his new neuralink tech.

0:30:16.560 --> 0:30:18.880
<v Speaker 2>Yeah, which, by the way, I just want to like

0:30:19.000 --> 0:30:21.440
<v Speaker 2>shout out the fact that, like so in the comics, right,

0:30:21.560 --> 0:30:24.000
<v Speaker 2>Zeke has like many of his own suits. Yeah, I

0:30:24.040 --> 0:30:25.880
<v Speaker 2>love that. In this show they were like, re Re

0:30:26.640 --> 0:30:28.280
<v Speaker 2>is the one who needs a good looking suit, and

0:30:28.320 --> 0:30:31.400
<v Speaker 2>she gets it. That's one of my favorite moments, honestly

0:30:31.880 --> 0:30:34.960
<v Speaker 2>in recent MCU stuff. Is in is in the next

0:30:35.000 --> 0:30:37.360
<v Speaker 2>episode with the suit. But I will just say, like

0:30:37.680 --> 0:30:39.160
<v Speaker 2>I love that they were like, Okay, how can we

0:30:39.200 --> 0:30:43.280
<v Speaker 2>save some money. Just stick some little stickers on it,

0:30:43.360 --> 0:30:46.160
<v Speaker 2>little stickers on him, and he's fine. And I appreciate

0:30:46.240 --> 0:30:48.680
<v Speaker 2>that because, you know what, he doesn't need a nice

0:30:48.680 --> 0:30:50.920
<v Speaker 2>looking suit. Re Re does. So.

0:30:51.480 --> 0:30:55.520
<v Speaker 1>Re Re is horrified by what Zeke has apparently done

0:30:55.560 --> 0:31:00.520
<v Speaker 1>to himself with Parker's help, and she tries to get

0:31:00.600 --> 0:31:03.880
<v Speaker 1>Zeke to stand down by being like, listen, it's all

0:31:03.920 --> 0:31:07.240
<v Speaker 1>my fault. Okay, it's my fault that you got put

0:31:07.280 --> 0:31:10.240
<v Speaker 1>in jail. It's my fault that you're now working with Parker.

0:31:11.080 --> 0:31:15.720
<v Speaker 1>I am going to take full responsibility and fix it.

0:31:15.800 --> 0:31:17.760
<v Speaker 1>I promise. And Zeke's like, it's too late for that.

0:31:17.840 --> 0:31:19.760
<v Speaker 1>And by the way, I'm too strong for you now.

0:31:19.760 --> 0:31:22.880
<v Speaker 1>You can't do anything. Hew. He basically just like powers

0:31:22.920 --> 0:31:26.120
<v Speaker 1>down her suit easily peels her out of it, like

0:31:26.360 --> 0:31:27.640
<v Speaker 1>peeling an orange.

0:31:28.080 --> 0:31:28.920
<v Speaker 2>And then.

0:31:30.520 --> 0:31:32.920
<v Speaker 1>When you're thinking, oh, now he's going to kill her,

0:31:33.000 --> 0:31:34.440
<v Speaker 1>he's like, now get out of town.

0:31:35.080 --> 0:31:39.560
<v Speaker 2>Yes I go again, another great, unexpected, kind of wonderful character.

0:31:40.080 --> 0:31:42.760
<v Speaker 2>Yes we get we will get to see more of

0:31:42.800 --> 0:31:45.240
<v Speaker 2>it here, but like what a Zeke's palace. Now, Like

0:31:45.280 --> 0:31:53.120
<v Speaker 2>he's like Palpatine. That's he's just.

0:31:50.960 --> 0:31:55.160
<v Speaker 1>Kind of like a knockoff Palpatine, I crossed with lawnmower Man.

0:31:55.600 --> 0:32:01.560
<v Speaker 1>So he's like, listen, get out of town before Parker

0:32:01.600 --> 0:32:06.080
<v Speaker 1>finds out that I let you live, and that's it.

0:32:06.120 --> 0:32:08.960
<v Speaker 1>Get out of here. This is a moment of tenderness

0:32:08.960 --> 0:32:13.680
<v Speaker 1>and kindness. Yeah, so he just like leaves her and

0:32:13.720 --> 0:32:16.880
<v Speaker 1>the suit just like all mangled in the street. Mom

0:32:17.080 --> 0:32:19.920
<v Speaker 1>lets really absolutely have it. When she gets home and

0:32:20.080 --> 0:32:24.840
<v Speaker 1>is like, you're not you're not telling us what's going on,

0:32:25.040 --> 0:32:27.600
<v Speaker 1>and clearly this is very serious. But Ory's like, listen,

0:32:28.000 --> 0:32:30.600
<v Speaker 1>not now, I need your help, and she can tell that.

0:32:30.960 --> 0:32:32.840
<v Speaker 1>You can see that Rory's banged up, has been in

0:32:32.880 --> 0:32:36.960
<v Speaker 1>a fight, and Mom like really gives her some like

0:32:37.000 --> 0:32:40.840
<v Speaker 1>important truths right now. It's like, listen, you're obsessed with

0:32:40.920 --> 0:32:43.480
<v Speaker 1>your suit. To an unhealthy degree.

0:32:43.360 --> 0:32:44.480
<v Speaker 2>Yeah, and.

0:32:46.600 --> 0:32:50.640
<v Speaker 1>You know why, And then Rory says, because, like I

0:32:50.680 --> 0:32:52.360
<v Speaker 1>want to make sure what happened to Dad and Natalie

0:32:52.440 --> 0:32:54.360
<v Speaker 1>never happens to anyone else. That's why I want to

0:32:54.560 --> 0:32:57.240
<v Speaker 1>like create this technology that protects people and protects my

0:32:57.320 --> 0:33:00.320
<v Speaker 1>loved ones. And I'm also going to help people who

0:33:00.360 --> 0:33:05.600
<v Speaker 1>are in that situation. And Natalie is like, I we

0:33:05.640 --> 0:33:07.960
<v Speaker 1>need to leave Chicago right now. It's too dangerous for

0:33:08.040 --> 0:33:10.840
<v Speaker 1>us here. But then Mom convinces re Read to stand

0:33:10.880 --> 0:33:15.160
<v Speaker 1>and fight. This I didn't love and kind of it's

0:33:15.320 --> 0:33:18.600
<v Speaker 1>it comes back to my thing of at some point

0:33:18.720 --> 0:33:20.640
<v Speaker 1>we read like needs to like stand up and make

0:33:20.640 --> 0:33:22.640
<v Speaker 1>a choice. She does eventually make a choice, and it's

0:33:22.640 --> 0:33:24.200
<v Speaker 1>one that is wild.

0:33:24.480 --> 0:33:26.720
<v Speaker 2>Yeah, we will get to that. We will see, we

0:33:26.760 --> 0:33:29.200
<v Speaker 2>will see if the choice gets made also as well.

0:33:29.280 --> 0:33:32.840
<v Speaker 2>Like I would say, I also my biggest feeling about

0:33:32.880 --> 0:33:34.880
<v Speaker 2>this conversation is like I just and there's a lot

0:33:34.880 --> 0:33:36.920
<v Speaker 2>of stuff actually in this episode that I just wish

0:33:37.000 --> 0:33:39.760
<v Speaker 2>we'd got to, like episode two. I feel like I

0:33:39.800 --> 0:33:41.560
<v Speaker 2>feel like that would have set Rea up in a

0:33:41.560 --> 0:33:45.480
<v Speaker 2>better situation to be able to make the choice to

0:33:45.600 --> 0:33:47.920
<v Speaker 2>kind of go and fight. But I get it. It's

0:33:48.040 --> 0:33:51.600
<v Speaker 2>kind of this. It's meant to showcase like who re

0:33:51.760 --> 0:33:54.760
<v Speaker 2>Re listens to, and like this connection between her and

0:33:54.800 --> 0:33:55.240
<v Speaker 2>my mom.

0:33:55.400 --> 0:33:58.480
<v Speaker 1>Her create this feeling of this community that like is

0:33:58.520 --> 0:34:02.120
<v Speaker 1>lifting her up. And I get that. I just wish

0:34:02.160 --> 0:34:05.240
<v Speaker 1>it would have provided her with a little bit more agency.

0:34:05.760 --> 0:34:13.120
<v Speaker 1>See they go to the garage. Mom convinces that, or

0:34:13.160 --> 0:34:15.520
<v Speaker 1>at least tells her that the bad things that have

0:34:15.600 --> 0:34:18.919
<v Speaker 1>happened to you, to us, to this family are One

0:34:18.960 --> 0:34:22.520
<v Speaker 1>they are things you have to accept. They happened. They happened,

0:34:22.560 --> 0:34:25.120
<v Speaker 1>and you have to accept it. And two you have

0:34:25.200 --> 0:34:28.480
<v Speaker 1>to also accept that they molded you and made you

0:34:28.600 --> 0:34:31.600
<v Speaker 1>what you are, Like your genius, your suits, all of

0:34:31.640 --> 0:34:36.440
<v Speaker 1>these things that you're so passionate about are part they

0:34:36.520 --> 0:34:39.799
<v Speaker 1>come from this, Like they are part of this, So

0:34:39.840 --> 0:34:45.440
<v Speaker 1>we need to accept these things. We see this really

0:34:45.719 --> 0:34:51.759
<v Speaker 1>kind of touching moment where Dad is letting Rereno that

0:34:51.800 --> 0:34:54.400
<v Speaker 1>she's being a little bit obsessive about like her work

0:34:54.400 --> 0:34:56.680
<v Speaker 1>and the things she's the things she wants to do,

0:34:56.800 --> 0:35:01.560
<v Speaker 1>her inventions, et cetera. She's stressing herself out. It's something

0:35:01.600 --> 0:35:03.719
<v Speaker 1>that I think, to your point, it would have been

0:35:03.800 --> 0:35:04.840
<v Speaker 1>nice to have earlier.

0:35:04.960 --> 0:35:07.680
<v Speaker 2>Yeah, because also the message is really great where it's

0:35:07.760 --> 0:35:10.840
<v Speaker 2>kind of like it's very important to see this, like

0:35:11.040 --> 0:35:15.680
<v Speaker 2>showing this and that is also going like, hey, remember

0:35:16.520 --> 0:35:20.640
<v Speaker 2>you actually like don't need to only think about the

0:35:20.760 --> 0:35:25.000
<v Speaker 2>bad stuff, like you actually need to focus on why

0:35:25.080 --> 0:35:27.719
<v Speaker 2>we need to care about this and this relationship you

0:35:27.800 --> 0:35:30.239
<v Speaker 2>had with him. And again, I feel like that would

0:35:30.280 --> 0:35:34.200
<v Speaker 2>have been a great earlier kind of introduction to build

0:35:34.239 --> 0:35:36.920
<v Speaker 2>out her life with Gary a little bit more. And

0:35:36.960 --> 0:35:38.719
<v Speaker 2>we got it a little bit, but I would have

0:35:38.719 --> 0:35:41.240
<v Speaker 2>loved to see some more of this. Also, Uh again,

0:35:41.480 --> 0:35:43.960
<v Speaker 2>can I just put this out there please? Another thing

0:35:44.239 --> 0:35:48.600
<v Speaker 2>really living billions on the ground. Tony Stark tried to

0:35:48.640 --> 0:35:50.680
<v Speaker 2>do a version of this. We saw him do it

0:35:50.719 --> 0:35:53.160
<v Speaker 2>where he sees his parents. It didn't even look this cool.

0:35:53.560 --> 0:35:56.319
<v Speaker 2>You could do this. You can do this in a

0:35:56.360 --> 0:36:01.360
<v Speaker 2>better way than Tony Stark. You already have this, babe, Babe.

0:36:01.680 --> 0:36:04.239
<v Speaker 2>You could literally just no need to do thet and

0:36:04.360 --> 0:36:08.839
<v Speaker 2>a holographic like vacation. It's like fucking total reco shit

0:36:08.920 --> 0:36:12.400
<v Speaker 2>without a horrible surgery like this is. You have the technology,

0:36:12.440 --> 0:36:15.600
<v Speaker 2>You and Natalie could be making a lot of money, baby.

0:36:15.239 --> 0:36:18.799
<v Speaker 1>That's right. We also get this wonderful other flashback where

0:36:18.840 --> 0:36:22.439
<v Speaker 1>we see how the iron Heart name kind of came

0:36:22.480 --> 0:36:27.000
<v Speaker 1>about where a wrench fell on Rey's head and Dad

0:36:27.080 --> 0:36:31.520
<v Speaker 1>christens the wrench iron Head gives her and gives her

0:36:31.560 --> 0:36:34.839
<v Speaker 1>the nickname. Ironhead is moved by all of this, but

0:36:34.920 --> 0:36:38.200
<v Speaker 1>like the question remains, like how can we fight back

0:36:38.200 --> 0:36:42.359
<v Speaker 1>against Parker? Her suits wrecked? And Mom's like surprise, guess what?

0:36:43.040 --> 0:36:46.040
<v Speaker 1>Look outside and there is the Baracuda muscle car that

0:36:46.200 --> 0:36:51.360
<v Speaker 1>Dad gave her. That's a beauty, Like is it condition?

0:36:51.440 --> 0:36:54.400
<v Speaker 2>I'm like the mumboy back in that condition? Like again,

0:36:54.520 --> 0:36:56.319
<v Speaker 2>do you need to do the hest? I feel like

0:36:56.360 --> 0:37:01.799
<v Speaker 2>that money dollars? I know. I'm like who did you

0:37:01.840 --> 0:37:04.080
<v Speaker 2>buy it back from him? Like did real salad? That

0:37:04.360 --> 0:37:05.280
<v Speaker 2>looks stunning.

0:37:06.280 --> 0:37:07.719
<v Speaker 1>So now they're going to get back to work and

0:37:07.719 --> 0:37:09.480
<v Speaker 1>they're going to use this car as the basis for

0:37:09.520 --> 0:37:12.319
<v Speaker 1>a new suit. Back at Pizza HQ, Parker is like

0:37:12.760 --> 0:37:18.239
<v Speaker 1>thrilled with the way the re retakedown went because she's dead, right,

0:37:18.280 --> 0:37:21.600
<v Speaker 1>and Zeke's like, yeah, she did one. She is dead.

0:37:21.719 --> 0:37:25.799
<v Speaker 1>I killed her very clear that Parker who listened, he

0:37:25.880 --> 0:37:28.880
<v Speaker 1>knows about lies because he's dealing with some very powerful

0:37:28.920 --> 0:37:32.240
<v Speaker 1>demonic liars, and he says, you know what this story

0:37:32.320 --> 0:37:36.239
<v Speaker 1>lacks it lacks drama, and he's basically saying like, I

0:37:36.239 --> 0:37:38.880
<v Speaker 1>don't believe you. Clown then fills in the blanks. It's like, well, listen,

0:37:39.239 --> 0:37:42.759
<v Speaker 1>Rey was kicking all of our asses, but then Zeke

0:37:42.840 --> 0:37:46.719
<v Speaker 1>shows up, he destroys her suit and then kills her

0:37:46.800 --> 0:37:49.640
<v Speaker 1>and it was awesome. And then Parker's like, okay, yeah,

0:37:49.680 --> 0:37:50.480
<v Speaker 1>that was better.

0:37:50.239 --> 0:37:53.960
<v Speaker 2>And trusted in that choice as well. I think it's

0:37:54.040 --> 0:37:59.800
<v Speaker 2>because I think that Clown understands more now what Jonathan

0:37:59.920 --> 0:38:02.880
<v Speaker 2>was really like. She re re revealed to Clown that

0:38:03.440 --> 0:38:07.720
<v Speaker 2>Jonathan had or had Stuart killed or did kill Stuart.

0:38:07.800 --> 0:38:10.480
<v Speaker 2>RP Eric Andre, You're in the show for far too short,

0:38:10.520 --> 0:38:13.399
<v Speaker 2>but I was happy to see you and uh yeah.

0:38:13.440 --> 0:38:16.480
<v Speaker 2>And so Clown is like, okay, well I need to

0:38:16.520 --> 0:38:20.279
<v Speaker 2>find out more about this. So that's how she kind

0:38:20.280 --> 0:38:23.879
<v Speaker 2>of gets Zeke. Like why she gets Zeke on side?

0:38:23.880 --> 0:38:25.200
<v Speaker 2>I think I thought that was a great money.

0:38:25.239 --> 0:38:28.640
<v Speaker 1>I agree. So Parker now is really trying to sell

0:38:28.760 --> 0:38:31.600
<v Speaker 1>Zeke on joining the gang on a permanent basis, but

0:38:31.719 --> 0:38:33.399
<v Speaker 1>Zeke's like, I did this one job and I'm out.

0:38:33.600 --> 0:38:37.080
<v Speaker 1>That's it. I don't want goodbye. I'm leaving. Zay at

0:38:37.080 --> 0:38:39.960
<v Speaker 1>home is listening to music, but then his headphones dies,

0:38:40.080 --> 0:38:41.759
<v Speaker 1>so he picks up the box of the you know,

0:38:41.800 --> 0:38:45.200
<v Speaker 1>the gift headphones that had given him and with that

0:38:45.400 --> 0:38:51.840
<v Speaker 1>crime money, with the crime money, the blood money, blood money,

0:38:52.760 --> 0:38:54.640
<v Speaker 1>and then it comes with a little card with a

0:38:54.719 --> 0:38:58.200
<v Speaker 1>Star Trek symbol on it and some nice words that

0:38:58.960 --> 0:39:02.080
<v Speaker 1>Relyhead writes to him that we don't know what they are.

0:39:02.120 --> 0:39:04.560
<v Speaker 1>In that moment back of the garage, Real is like

0:39:04.719 --> 0:39:07.680
<v Speaker 1>prepping her materials. Landen shows up and is like, Babe,

0:39:07.680 --> 0:39:11.560
<v Speaker 1>you owe me six hundred dollars. I will help you,

0:39:11.680 --> 0:39:14.120
<v Speaker 1>but like you got, you're gonna have to pay up.

0:39:14.560 --> 0:39:17.000
<v Speaker 1>Yeahs is gonna have to get paid to this child.

0:39:17.040 --> 0:39:19.520
<v Speaker 2>Now, can you please pay this child because we know

0:39:19.640 --> 0:39:21.920
<v Speaker 2>now that you have a law of money. Yeah, I

0:39:21.920 --> 0:39:25.040
<v Speaker 2>mean he's money floating around, Babe, she has to.

0:39:25.120 --> 0:39:28.640
<v Speaker 1>I mean that's not even counting the ten grand that

0:39:28.760 --> 0:39:31.960
<v Speaker 1>Parker gave her on day one, like finders fee money,

0:39:32.080 --> 0:39:34.920
<v Speaker 1>like before the money from the heist. We're rolling in,

0:39:35.000 --> 0:39:41.279
<v Speaker 1>so pay this trust. Yeah. So re re Is is

0:39:41.360 --> 0:39:44.520
<v Speaker 1>in the middle of one of those wonderful Tony Stark

0:39:44.640 --> 0:39:47.040
<v Speaker 1>is freaking out moments, you know where like the genius

0:39:47.120 --> 0:39:50.280
<v Speaker 1>is like losing it. We can't. How are we gonna possibly?

0:39:50.560 --> 0:39:53.759
<v Speaker 1>And then it comes to her she knows now what

0:39:53.840 --> 0:39:58.080
<v Speaker 1>she has to do. If Parker's power comes from a

0:39:58.120 --> 0:40:01.719
<v Speaker 1>magical dimension, she's going to have to discover where that

0:40:01.760 --> 0:40:06.000
<v Speaker 1>dimension is and cut the source of the power. At

0:40:06.040 --> 0:40:10.319
<v Speaker 1>Pizza HQ, new heist planning is underway. Clown. Then out

0:40:10.360 --> 0:40:13.360
<v Speaker 1>of nowhere comes up and is like, you killed Stuart,

0:40:13.360 --> 0:40:17.759
<v Speaker 1>didn't you? Parker? Mister the hood, look at this. I've

0:40:17.760 --> 0:40:21.880
<v Speaker 1>got the autopsy report. It shows and according to this

0:40:21.920 --> 0:40:26.400
<v Speaker 1>evidence that I have found, you lied about what happened

0:40:26.440 --> 0:40:26.960
<v Speaker 1>to Stuart.

0:40:27.080 --> 0:40:28.400
<v Speaker 2>You killed him, didn't you?

0:40:29.560 --> 0:40:33.799
<v Speaker 1>And it's very circumstantial. But also of the entire gang

0:40:35.719 --> 0:40:37.400
<v Speaker 1>is like, you know what, it seems like something you

0:40:37.440 --> 0:40:40.279
<v Speaker 1>would do, Parker. And now he's like hearing voices. More

0:40:40.280 --> 0:40:42.560
<v Speaker 1>of the voices are getting louder, and Parker's like, you

0:40:42.600 --> 0:40:44.600
<v Speaker 1>know what, You're all.

0:40:44.400 --> 0:40:49.600
<v Speaker 2>Fired, that's it. And from the gang about he's like

0:40:49.760 --> 0:40:50.239
<v Speaker 2>really yeah.

0:40:50.600 --> 0:40:54.040
<v Speaker 1>And this turn is so funny to me because the

0:40:54.200 --> 0:40:57.720
<v Speaker 1>entire gang was like very very upset that Parker murdered

0:40:57.760 --> 0:41:00.600
<v Speaker 1>their friend Stuart aka Rampay.

0:41:01.920 --> 0:41:05.360
<v Speaker 2>They're so much more upset about being fired in the moment,

0:41:09.360 --> 0:41:11.520
<v Speaker 2>What the fuck? Come on?

0:41:13.520 --> 0:41:16.760
<v Speaker 1>It is so funny. Zelma then arrives at the Gang

0:41:16.840 --> 0:41:18.839
<v Speaker 1>to help the whole gang show.

0:41:19.360 --> 0:41:21.360
<v Speaker 2>I love the time she shows up. I just like

0:41:21.480 --> 0:41:24.560
<v Speaker 2>I'm like, I'm loving it. Where's my strange Academy show.

0:41:25.239 --> 0:41:28.120
<v Speaker 2>She is even now.

0:41:28.280 --> 0:41:32.080
<v Speaker 1>Much more like very very sure that this power that

0:41:32.280 --> 0:41:35.080
<v Speaker 1>the Hood has is coming from Dormoum. But she's like

0:41:35.239 --> 0:41:38.480
<v Speaker 1>less sure than she was previously. It's like forty seven percent,

0:41:38.600 --> 0:41:41.839
<v Speaker 1>not even a coin flip, but like reasonably sure. Zay

0:41:42.000 --> 0:41:44.560
<v Speaker 1>then shows up with coffee and they talk about Natalie

0:41:44.640 --> 0:41:50.280
<v Speaker 1>and really says, well, yeah, like, let's it's not Natalie,

0:41:50.280 --> 0:41:53.400
<v Speaker 1>but it's my perceptions of her. And and he's like, listen,

0:41:54.239 --> 0:41:56.840
<v Speaker 1>we need to have the bigger Natalie talk. Okay, but

0:41:56.960 --> 0:42:01.480
<v Speaker 1>not now. Let's you need help with this. And until

0:42:01.560 --> 0:42:04.920
<v Speaker 1>that is done, we can table the Natalie stuff. But

0:42:04.960 --> 0:42:08.080
<v Speaker 1>that's an important conversation to have later. Let's get down

0:42:08.120 --> 0:42:11.280
<v Speaker 1>to business. So they're constructing. We get a wonderful construction

0:42:11.960 --> 0:42:15.560
<v Speaker 1>montage where they're building the suit and Zelma's painting ruins

0:42:15.600 --> 0:42:16.240
<v Speaker 1>on the building.

0:42:16.560 --> 0:42:20.080
<v Speaker 2>And that sequence with Zelma is like sitting on the

0:42:20.200 --> 0:42:23.080
<v Speaker 2>ceiling and she's like yeaning the ruins and you see

0:42:23.080 --> 0:42:25.600
<v Speaker 2>her upside down. It's so cool. Also, all the Zelma

0:42:25.640 --> 0:42:28.959
<v Speaker 2>stuff is very runaways coded like its year is very

0:42:29.040 --> 0:42:31.399
<v Speaker 2>much like that, which was such a great early kind

0:42:31.400 --> 0:42:35.920
<v Speaker 2>of introduction to the MCU. It's good stuff. I mean,

0:42:36.000 --> 0:42:40.000
<v Speaker 2>this is the this is the this is the rumor Williams.

0:42:39.480 --> 0:42:44.920
<v Speaker 1>Builders in a garage of scrim up boxs.

0:42:44.960 --> 0:42:48.000
<v Speaker 2>Like you're literally looking at it and you're like, babe,

0:42:48.360 --> 0:42:51.759
<v Speaker 2>if Mit kicked you out. They are so dumb, let

0:42:51.840 --> 0:42:55.839
<v Speaker 2>them be plagiarizing, like this is you literally built this

0:42:55.960 --> 0:42:59.680
<v Speaker 2>with a car and you just turned it into like

0:43:00.200 --> 0:43:04.600
<v Speaker 2>really sick looking, very sick looking suit. Yeah.

0:43:04.680 --> 0:43:07.480
<v Speaker 1>So back in Evanson, Zeke is getting ready to move

0:43:07.600 --> 0:43:11.120
<v Speaker 1>out of town. But when But when Heather across the street,

0:43:11.200 --> 0:43:14.759
<v Speaker 1>the mean, the terrible neighbor, Heather pushes a little too

0:43:14.840 --> 0:43:20.879
<v Speaker 1>far with a comment about Zeke's dad, Obadiah l Rip.

0:43:22.760 --> 0:43:26.279
<v Speaker 1>Zeke kind of flips out a little bit, and he's

0:43:26.320 --> 0:43:30.799
<v Speaker 1>about to like wreck her flowerbed, like for real and

0:43:30.880 --> 0:43:33.560
<v Speaker 1>forever with his little Palpatine powers. But then they sat out.

0:43:34.120 --> 0:43:36.799
<v Speaker 1>And why do they fritz out? It's because Parker, we

0:43:36.880 --> 0:43:42.279
<v Speaker 1>find out, completely controls all of Zeke's bionics, Like like

0:43:42.400 --> 0:43:46.080
<v Speaker 1>Zeke is merely a passenger in his own body now,

0:43:46.480 --> 0:43:50.800
<v Speaker 1>and Parker makes Zeke come with him and they break

0:43:50.840 --> 0:43:54.600
<v Speaker 1>into the mansion from the cold open of the episode

0:43:54.600 --> 0:43:58.000
<v Speaker 1>where we saw the flashback of Jonathan and Parker and

0:43:58.880 --> 0:44:02.719
<v Speaker 1>they get in there and they're gonna apparently steal some

0:44:02.800 --> 0:44:05.360
<v Speaker 1>stuff that they didn't manage to steal in that flash

0:44:05.480 --> 0:44:09.000
<v Speaker 1>in the in the original heist with Jonathan, Parker and

0:44:09.800 --> 0:44:13.400
<v Speaker 1>Hood is making Zeke like take out the security guys

0:44:13.560 --> 0:44:15.560
<v Speaker 1>and he's doing it with ease. They're just like messing

0:44:15.640 --> 0:44:17.840
<v Speaker 1>him up. It's actually kind of funny with yeah, with

0:44:17.960 --> 0:44:19.920
<v Speaker 1>Zeke saying like, I'm so sorry about this, like I

0:44:19.960 --> 0:44:22.080
<v Speaker 1>can't I can't control.

0:44:22.719 --> 0:44:25.600
<v Speaker 2>That's very fun. Also, I liked that we did get

0:44:25.640 --> 0:44:27.759
<v Speaker 2>like a tease that this was gonna happen, because when

0:44:28.160 --> 0:44:34.800
<v Speaker 2>Slug was like reformatting and kind of upgrading the bionics,

0:44:35.040 --> 0:44:39.600
<v Speaker 2>we got this moment where he Parker like snuck over

0:44:39.680 --> 0:44:42.680
<v Speaker 2>and basically was like, make me the administrator, And I'm like,

0:44:42.800 --> 0:44:45.760
<v Speaker 2>I love the idea. It's like, yeah, making the administrator

0:44:45.800 --> 0:44:49.840
<v Speaker 2>of this guy's sick palpatine powers. But yeah, again, Alden

0:44:49.920 --> 0:44:52.760
<v Speaker 2>and Parker Hare are really good. Also, I loved Olden

0:44:52.840 --> 0:44:54.600
<v Speaker 2>and she Calay in that moment, I was kind of

0:44:54.640 --> 0:44:57.600
<v Speaker 2>hre they would get more. Those two had really fun chemistry.

0:44:58.040 --> 0:45:00.879
<v Speaker 2>But yes, what is why why are they breaking into

0:45:00.880 --> 0:45:02.280
<v Speaker 2>his house? What do they want? Jason?

0:45:02.880 --> 0:45:05.239
<v Speaker 1>Well, first of all, we figure out that the guy

0:45:05.800 --> 0:45:10.279
<v Speaker 1>it's it's the classic Parker thing, where sign this, sign

0:45:10.320 --> 0:45:14.040
<v Speaker 1>this extortion contract and give us the show jobs, et cetera.

0:45:14.320 --> 0:45:17.719
<v Speaker 1>But we find out that this businessman that lives in

0:45:17.760 --> 0:45:27.880
<v Speaker 1>this home is Parker's dad, dog and apparently a really

0:45:27.960 --> 0:45:31.160
<v Speaker 1>terrible dad who Parker's like, you threw me out of

0:45:31.200 --> 0:45:33.520
<v Speaker 1>the house when I was a cue, threw me out

0:45:33.560 --> 0:45:37.600
<v Speaker 1>into the streets, and I fucking love the dad's response

0:45:37.760 --> 0:45:39.520
<v Speaker 1>is so good, it's so buying.

0:45:39.840 --> 0:45:45.720
<v Speaker 2>I was fucking howling the dead. This delivery is so good.

0:45:46.040 --> 0:45:47.240
<v Speaker 2>It is so good.

0:45:47.360 --> 0:45:51.280
<v Speaker 1>I was howling. Parker is like venting all of this deep,

0:45:51.480 --> 0:45:56.319
<v Speaker 1>deep emotional trauma, like basically child abuse, child neglect. You

0:45:56.360 --> 0:45:57.920
<v Speaker 1>threw me out on the streets. I had to figure

0:45:57.920 --> 0:45:59.960
<v Speaker 1>out my own way out on the streets by myself

0:46:00.040 --> 0:46:02.960
<v Speaker 1>as a child. And Parker's dad is like, yeah, okay,

0:46:03.200 --> 0:46:04.000
<v Speaker 1>he's didn't like you.

0:46:04.080 --> 0:46:06.439
<v Speaker 2>He's like, I didn't like you, so I didn't like you.

0:46:06.800 --> 0:46:11.080
<v Speaker 2>Like tis no point in you know you did. Okay,

0:46:11.160 --> 0:46:13.239
<v Speaker 2>yeah that was and look at you now you did.

0:46:13.400 --> 0:46:16.719
<v Speaker 1>You did fine, so you're welcome. I guess, well, just

0:46:16.920 --> 0:46:20.960
<v Speaker 1>like I was fucking howling.

0:46:21.320 --> 0:46:24.360
<v Speaker 2>Also, I have to say, like the dad thing is

0:46:24.400 --> 0:46:27.239
<v Speaker 2>really funny because the dad just casually had security going

0:46:27.280 --> 0:46:29.520
<v Speaker 2>around that could just like kill a guy. But then

0:46:29.640 --> 0:46:32.000
<v Speaker 2>his like busted ass son comes in with his little

0:46:32.040 --> 0:46:35.640
<v Speaker 2>magical guns in his hood and suddenly the dad's just like, yeah, okay,

0:46:35.760 --> 0:46:39.960
<v Speaker 2>here's here's the house. Take it. But I like the

0:46:40.000 --> 0:46:42.040
<v Speaker 2>idea that the dad's probably like, yeah, you can take

0:46:42.080 --> 0:46:45.360
<v Speaker 2>this fucking shitty mansion. I got like an island, and

0:46:45.440 --> 0:46:47.720
<v Speaker 2>here's what You're never come in here, my annoying twelve

0:46:47.840 --> 0:46:50.759
<v Speaker 2>You know, do you remember that? Remember that tweet from

0:46:50.760 --> 0:46:52.839
<v Speaker 2>many years ago. It's one of my favorite tweets civil Time,

0:46:52.960 --> 0:46:55.760
<v Speaker 2>where the guy's like, oh, people are always like being

0:46:56.040 --> 0:46:58.600
<v Speaker 2>mean to deadbeat dads, but they never talk about what

0:46:58.680 --> 0:47:01.160
<v Speaker 2>if the kid had bad vibe? Yeah? You know what

0:47:01.280 --> 0:47:05.319
<v Speaker 2>I mean? This is the dad was like that dad

0:47:05.440 --> 0:47:07.120
<v Speaker 2>was like I didn't like you, so I kicked you.

0:47:09.200 --> 0:47:12.799
<v Speaker 1>So then Parker makes the dad sign, you know, puts

0:47:12.800 --> 0:47:14.120
<v Speaker 1>the gun to his head. It's like I'm gonna blow

0:47:14.160 --> 0:47:16.960
<v Speaker 1>your brain's out sign this. He kicks the dad out

0:47:16.960 --> 0:47:19.320
<v Speaker 1>of his own home and sits in his chair. It

0:47:19.480 --> 0:47:23.000
<v Speaker 1>is in his desk in his uh, you know, wonderful office.

0:47:23.120 --> 0:47:26.160
<v Speaker 1>That's it. At the garage. We're putting the finishing touches

0:47:26.239 --> 0:47:30.680
<v Speaker 1>now on the iron Heart armor. Zelma imbues the suit

0:47:30.800 --> 0:47:34.000
<v Speaker 1>with some magic, which is so cool. This.

0:47:34.320 --> 0:47:37.560
<v Speaker 2>I also love this because basically, like this is kind

0:47:37.560 --> 0:47:43.000
<v Speaker 2>of really bringing together what how how she like the

0:47:43.040 --> 0:47:46.480
<v Speaker 2>person she's fighting in Parker and also like what she

0:47:46.600 --> 0:47:49.160
<v Speaker 2>can bring to the suit. And I just I thought

0:47:49.160 --> 0:47:51.399
<v Speaker 2>this was such a cool twist. I did not see

0:47:51.440 --> 0:47:55.279
<v Speaker 2>it coming. I love the idea of this magic impute suit.

0:47:55.320 --> 0:47:57.000
<v Speaker 2>The way they bring it to life when we get

0:47:57.000 --> 0:48:02.080
<v Speaker 2>to see it is like, so so, so cool. But

0:48:02.320 --> 0:48:07.440
<v Speaker 2>then Zelma did tell us, Alma said she's always a

0:48:07.560 --> 0:48:09.440
<v Speaker 2>cost she she did tell.

0:48:09.320 --> 0:48:11.600
<v Speaker 1>Her there's gonna be a there's gonna be a downside,

0:48:11.600 --> 0:48:13.239
<v Speaker 1>whatever it is. We don't know what it is. And

0:48:13.280 --> 0:48:16.160
<v Speaker 1>guess what it is. There's too much with the magic

0:48:16.200 --> 0:48:19.799
<v Speaker 1>in the suit. There's not enough bandwidth for Natalie and

0:48:19.840 --> 0:48:23.400
<v Speaker 1>the magic. And Natalie is like, oh no.

0:48:22.360 --> 0:48:28.920
<v Speaker 2>No, it begins to be arranged. You're telling me a

0:48:29.000 --> 0:48:35.600
<v Speaker 2>race on a USB drive, like how she trapped in

0:48:35.719 --> 0:48:39.719
<v Speaker 2>that suit. You didn't time machine back her up? Come on,

0:48:40.480 --> 0:48:43.400
<v Speaker 2>are yours? You don't have like a hard you know,

0:48:43.560 --> 0:48:46.160
<v Speaker 2>solid state hard drive while you keep your movies like

0:48:46.239 --> 0:48:50.200
<v Speaker 2>you carry your friend on that. This is a absolutely

0:48:50.680 --> 0:48:54.799
<v Speaker 2>rookie mistake. Also, Natalie has so much power to be

0:48:54.880 --> 0:48:57.640
<v Speaker 2>like moving around to control the suit. This is hard

0:48:57.680 --> 0:49:00.200
<v Speaker 2>to buy. But it's really to do with magic. The

0:49:00.239 --> 0:49:02.160
<v Speaker 2>truth is she could have done all that stuffs magic.

0:49:02.280 --> 0:49:05.000
<v Speaker 1>Every version of it's a magic issue.

0:49:05.080 --> 0:49:08.239
<v Speaker 2>Every single version of Natalie would be gone because this

0:49:08.440 --> 0:49:10.320
<v Speaker 2>is the cost of the suit.

0:49:11.080 --> 0:49:13.000
<v Speaker 1>Let's take a quick break and then we'll be back

0:49:13.000 --> 0:49:14.879
<v Speaker 1>with the finale of iron Heart.

0:49:29.920 --> 0:49:31.280
<v Speaker 2>We're back, okay.

0:49:31.320 --> 0:49:35.000
<v Speaker 1>The finale iron Heart season one, after escaping from the

0:49:35.040 --> 0:49:38.040
<v Speaker 1>heist on his dad's house the first time with Jonathan

0:49:38.560 --> 0:49:41.960
<v Speaker 1>Parker runs into a tunnel spooking man.

0:49:44.960 --> 0:49:51.960
<v Speaker 2>Yes, he meets a mysterious looking man who is basically

0:49:52.320 --> 0:49:58.600
<v Speaker 2>Robert Denara from Angel Hot. This is so so Louis Seifer.

0:49:58.960 --> 0:50:02.680
<v Speaker 2>You couldn't need and I love everything, the long hair,

0:50:02.960 --> 0:50:08.760
<v Speaker 2>the fish, it's so much of his vibe is about

0:50:08.840 --> 0:50:13.319
<v Speaker 2>eating like devourys. Yes, yes, it's O's Cipher from age one.

0:50:13.560 --> 0:50:16.840
<v Speaker 2>I love this because also the Pizza Place seems like

0:50:16.880 --> 0:50:21.880
<v Speaker 2>a magical dimension that Maso chooses to I mean, not

0:50:21.960 --> 0:50:23.680
<v Speaker 2>that we don't know it's him yet. Guys, you won't

0:50:23.680 --> 0:50:25.319
<v Speaker 2>hear the name until the end of the episode. I

0:50:25.360 --> 0:50:30.759
<v Speaker 2>was like logging him. One I want to give. I

0:50:30.800 --> 0:50:33.280
<v Speaker 2>want to give the writers, the people who were working

0:50:33.320 --> 0:50:35.200
<v Speaker 2>on this. I know you guys working on this since

0:50:35.280 --> 0:50:37.800
<v Speaker 2>COVID when those conversations were happening, and I want to

0:50:37.840 --> 0:50:40.560
<v Speaker 2>say good for you for actually making this cannon because

0:50:40.560 --> 0:50:42.160
<v Speaker 2>if they had not done this at this point and

0:50:42.200 --> 0:50:43.920
<v Speaker 2>it had been another tease, people would have been so

0:50:44.000 --> 0:50:46.239
<v Speaker 2>pissed off. But I actually think the way they do

0:50:46.320 --> 0:50:50.160
<v Speaker 2>this is so it so it was well done. Yeah, fun,

0:50:50.560 --> 0:50:55.279
<v Speaker 2>it's weird. And yes, so the Pizza Place I am

0:50:55.320 --> 0:50:59.239
<v Speaker 2>interested in because I'm like, okay, so that is Parker's HQ.

0:50:59.520 --> 0:51:02.560
<v Speaker 2>But it's also a magical dimension where Mephisto is, Like,

0:51:02.640 --> 0:51:05.080
<v Speaker 2>I really want the canon of the Pizza Place to

0:51:05.080 --> 0:51:08.440
<v Speaker 2>become important to Mephisto's law because I think he's so interesting,

0:51:09.400 --> 0:51:11.759
<v Speaker 2>but he basically like also, I like knowing that Pa

0:51:12.000 --> 0:51:15.160
<v Speaker 2>is just like oh yeah, the Pizza Place and the

0:51:15.239 --> 0:51:19.359
<v Speaker 2>tunnel like it's canonical.

0:51:19.440 --> 0:51:21.759
<v Speaker 1>Now that Mephisto has a pizza place.

0:51:22.200 --> 0:51:24.480
<v Speaker 2>Mephisto's pizza, they bad be doing a pop up of

0:51:24.520 --> 0:51:27.800
<v Speaker 2>that San Diego Marvel, take that idea, We'll be that.

0:51:29.040 --> 0:51:34.279
<v Speaker 1>So Mephisto makes the pitch over pizza and is like,

0:51:34.840 --> 0:51:37.120
<v Speaker 1>I'm very powerful. Watch this. He stops the flow of

0:51:37.160 --> 0:51:40.040
<v Speaker 1>time in the pizza place, just basically stops reality, and

0:51:40.080 --> 0:51:43.480
<v Speaker 1>Parker's blown away. And now Mephisis is like, listen, what

0:51:43.520 --> 0:51:46.319
<v Speaker 1>do you want? Like what when you what do you

0:51:46.480 --> 0:51:49.160
<v Speaker 1>really want? I mean, what is the desire that you

0:51:49.840 --> 0:51:54.120
<v Speaker 1>is so powerful and so wrong that you would never

0:51:54.200 --> 0:51:55.680
<v Speaker 1>admit it to anybody.

0:51:57.239 --> 0:52:00.520
<v Speaker 2>Don't just tell a stranger. That, by the way, bad

0:52:00.560 --> 0:52:03.480
<v Speaker 2>thing to tell a stranger, honestly. But also I actually

0:52:03.480 --> 0:52:07.680
<v Speaker 2>thought this moment was very heartbreaking because the reason Mephisto

0:52:07.719 --> 0:52:10.879
<v Speaker 2>stops time is he sees that Parker is getting distracted

0:52:10.960 --> 0:52:14.400
<v Speaker 2>by looking at a family and kind of this family

0:52:14.480 --> 0:52:17.640
<v Speaker 2>having this really nice interaction, And the real truth is

0:52:17.760 --> 0:52:19.759
<v Speaker 2>that's what he wants, and that's kind of what he

0:52:19.840 --> 0:52:23.480
<v Speaker 2>built with the gang. But instead, you know, Mephisto, as

0:52:23.520 --> 0:52:26.960
<v Speaker 2>is the nature of the manipulator, and we talk there's

0:52:27.000 --> 0:52:28.960
<v Speaker 2>a lot of manipulation. In this show, a lot of

0:52:29.000 --> 0:52:31.480
<v Speaker 2>talk about manipulation, and it's kind of all leading to

0:52:32.080 --> 0:52:37.280
<v Speaker 2>Mephisto's arrival. Mephisto manipulates that into something that is more cold,

0:52:37.440 --> 0:52:42.160
<v Speaker 2>more hard coded, more corrupting, because that's what he does.

0:52:43.120 --> 0:52:46.040
<v Speaker 2>And this is just such a funny, like the whole

0:52:46.080 --> 0:52:48.120
<v Speaker 2>thing is really funny, but in a way that works

0:52:48.160 --> 0:52:50.759
<v Speaker 2>because that is how it is in the comics. And

0:52:50.800 --> 0:52:53.120
<v Speaker 2>Mephisto kind of gets him to this place where he's like, yeah,

0:52:53.160 --> 0:52:55.239
<v Speaker 2>you want to be king, Sure, you want to have power. Sure,

0:52:56.880 --> 0:52:59.560
<v Speaker 2>Mephisto gives him the Mephistos doesn't even give him the hood.

0:52:59.560 --> 0:53:01.480
<v Speaker 2>That's my fa thing. He just like leaves it there.

0:53:01.520 --> 0:53:04.319
<v Speaker 2>He's like yeah, He's like oh yeah, yeah, He's like, uh,

0:53:04.360 --> 0:53:06.920
<v Speaker 2>you know, if you want it, like that's yours. He's like, no,

0:53:07.000 --> 0:53:09.440
<v Speaker 2>that's not mine, that's yours, and I love it. So

0:53:09.600 --> 0:53:12.000
<v Speaker 2>don't take the mystery hood from the mystery Man. In

0:53:12.040 --> 0:53:13.799
<v Speaker 2>the Mystery Pizza Shop, though, I gotta tell you.

0:53:13.760 --> 0:53:15.319
<v Speaker 1>The party is like, yeah, I want to be king,

0:53:15.520 --> 0:53:18.440
<v Speaker 1>and Mithistle's like, well, your highness, I'm not gonna make

0:53:18.440 --> 0:53:20.080
<v Speaker 1>you king, but I'm gonna give you the tools to

0:53:20.120 --> 0:53:20.760
<v Speaker 1>become king.

0:53:20.680 --> 0:53:22.200
<v Speaker 2>Because you can do it yourself.

0:53:22.480 --> 0:53:25.359
<v Speaker 1>Like he's a little self help guy back at his

0:53:25.400 --> 0:53:28.240
<v Speaker 1>new mansion, his dad's mansion that is now his hood,

0:53:28.520 --> 0:53:32.480
<v Speaker 1>is making Zeke eat breakfast, which is just like.

0:53:32.480 --> 0:53:37.800
<v Speaker 2>One again older and you're hilarious two heartbreaking because he's God,

0:53:38.120 --> 0:53:41.759
<v Speaker 2>he's gotten rid of this found family. He's got the

0:53:41.800 --> 0:53:44.239
<v Speaker 2>thing that he wanted, which is his father's well. But

0:53:45.440 --> 0:53:47.640
<v Speaker 2>like you have to force someone to be there with you,

0:53:47.760 --> 0:53:51.319
<v Speaker 2>eating alongside you. It's really great, very funny homage to

0:53:51.920 --> 0:53:54.719
<v Speaker 2>the bat the really famous Batman eighty nine sequence where

0:53:54.760 --> 0:53:57.600
<v Speaker 2>Michael Keaton and vickyll are eating at the ends of

0:53:57.640 --> 0:54:01.840
<v Speaker 2>the other table. The food is like annimal level food styling,

0:54:01.920 --> 0:54:04.080
<v Speaker 2>Like who is still in this house making that for you?

0:54:04.760 --> 0:54:05.800
<v Speaker 1>Yeah? Who's cooking?

0:54:06.160 --> 0:54:08.759
<v Speaker 2>Literally, I'm like, I know this show is not going

0:54:08.840 --> 0:54:11.160
<v Speaker 2>to be in little wards conversation because it's not how

0:54:11.160 --> 0:54:14.399
<v Speaker 2>it is for super show is old. I'm like, give

0:54:14.480 --> 0:54:17.359
<v Speaker 2>this man like a supporting he was really doing the most.

0:54:17.440 --> 0:54:22.120
<v Speaker 1>It was really funny, funny, brought a wonderful like lightness

0:54:22.160 --> 0:54:22.560
<v Speaker 1>to this.

0:54:22.600 --> 0:54:25.040
<v Speaker 2>Role, even though the role is like really sad and

0:54:25.080 --> 0:54:27.399
<v Speaker 2>also could be a bit like I think it could

0:54:27.440 --> 0:54:31.359
<v Speaker 2>feel a little bit repair of like an extremist kind

0:54:31.360 --> 0:54:36.480
<v Speaker 2>of situation, but instead he makes it his total own thing.

0:54:36.880 --> 0:54:40.360
<v Speaker 2>You root for him, and you find yourself against Parker,

0:54:40.400 --> 0:54:44.200
<v Speaker 2>and you do imagine other worlds are the spaces where

0:54:44.239 --> 0:54:46.920
<v Speaker 2>maybe there's a version where him and Rely in the future,

0:54:47.840 --> 0:54:50.359
<v Speaker 2>could you know, work together or whatever.

0:54:50.480 --> 0:54:53.680
<v Speaker 1>Yeah, yeah, I could really see that, like kind of

0:54:54.040 --> 0:54:59.840
<v Speaker 1>creating the alliance between Stark and Stain that exactly, you know,

0:54:59.880 --> 0:55:04.560
<v Speaker 1>like putting away the conflicts of their previous like generations.

0:55:05.040 --> 0:55:07.120
<v Speaker 2>Speaking of things, I wish there was more time to

0:55:07.160 --> 0:55:09.719
<v Speaker 2>explore in that show. In the show, I think that

0:55:09.719 --> 0:55:11.840
<v Speaker 2>that is so good in him and Dominique Thorn are

0:55:11.960 --> 0:55:15.799
<v Speaker 2>so good together, and I'm so interested in that relationship

0:55:15.840 --> 0:55:20.240
<v Speaker 2>and what it means to be the legacy mantle holder,

0:55:20.440 --> 0:55:23.240
<v Speaker 2>Like aren't these the questions that we should be asking

0:55:23.600 --> 0:55:28.080
<v Speaker 2>in the newis post endgame phases of the MCU, Like

0:55:28.200 --> 0:55:30.479
<v Speaker 2>they're onto something there and I want to see more

0:55:30.480 --> 0:55:33.000
<v Speaker 2>of that. But at the moment, Zeke is just start

0:55:33.040 --> 0:55:38.120
<v Speaker 2>eating like weird cuisine, not even delicious Chicago dog or

0:55:38.160 --> 0:55:40.759
<v Speaker 2>something easy like edible flowers. You know.

0:55:41.320 --> 0:55:44.040
<v Speaker 1>So Parker is like, I know you didn't kill re Rea,

0:55:45.000 --> 0:55:47.240
<v Speaker 1>what's up with that, and then Zeke tries to stab

0:55:47.320 --> 0:55:50.560
<v Speaker 1>Parker with a fork, but you know, Parker easily freezes

0:55:51.520 --> 0:55:57.480
<v Speaker 1>Zeke's the body. They then they argue, and Parker realizes

0:55:57.600 --> 0:56:00.880
<v Speaker 1>that he's actually he needs to be doing something, but

0:56:00.920 --> 0:56:04.520
<v Speaker 1>we don't know what it is. Right now, Parker is back,

0:56:04.960 --> 0:56:09.239
<v Speaker 1>He's now tattooing himself and he's thinking about the deal

0:56:09.280 --> 0:56:13.960
<v Speaker 1>he made with Mephisto. Reary, meanwhile, is at the garage

0:56:14.040 --> 0:56:16.800
<v Speaker 1>and is trying to get Nat back, but there's no backup,

0:56:16.840 --> 0:56:22.000
<v Speaker 1>there's no other file. Zay is like, many, I'm really sorry,

0:56:22.040 --> 0:56:23.719
<v Speaker 1>but he's like the anxiety loves it.

0:56:23.880 --> 0:56:26.840
<v Speaker 2>He's like this, he's so so bad for you that

0:56:27.000 --> 0:56:29.479
<v Speaker 2>this happened. But also like, get rid of that fucking

0:56:29.560 --> 0:56:33.040
<v Speaker 2>zomba my sister, you motherfucker, Like get that ship got.

0:56:33.040 --> 0:56:35.520
<v Speaker 1>Oh sorry, you're hurt, but this is good. Actually we

0:56:35.880 --> 0:56:38.080
<v Speaker 1>should just all move on from this. Is like, I'll

0:56:38.160 --> 0:56:42.040
<v Speaker 1>use magic to get her back. Babe, babe, babe, come on,

0:56:43.360 --> 0:56:48.280
<v Speaker 1>hood is you know yelling at Mephisto. He's he's he's

0:56:48.320 --> 0:56:51.720
<v Speaker 1>increasingly unhappy with the way this deal has turned out.

0:56:52.440 --> 0:56:59.120
<v Speaker 1>Mephisto picks up and is he's English now, and.

0:56:59.120 --> 0:57:03.160
<v Speaker 2>Yes, very funny accent work here from Sasha Baron Cohen,

0:57:03.239 --> 0:57:07.200
<v Speaker 2>like he's he's going between like Cockney English and this

0:57:07.400 --> 0:57:10.719
<v Speaker 2>kind of like double layered voices that they they do.

0:57:10.800 --> 0:57:13.480
<v Speaker 2>When he kind of reveals who he is and yeah

0:57:14.239 --> 0:57:17.240
<v Speaker 2>he but Parker is like, Babe, you should have known

0:57:17.280 --> 0:57:19.760
<v Speaker 2>you're not You're not in control.

0:57:19.920 --> 0:57:25.640
<v Speaker 1>Yeah, so Memphisto just big dogs, Parker on all your

0:57:25.640 --> 0:57:27.840
<v Speaker 1>power comes from me. Now you're gonna you're gonna try

0:57:27.880 --> 0:57:30.640
<v Speaker 1>and challenge me with that power. Meanwhile, re rearrives on

0:57:30.680 --> 0:57:34.880
<v Speaker 1>the scene. Zeke steps out to happin kind of delay

0:57:35.000 --> 0:57:39.480
<v Speaker 1>Rere and she realized immediately like he's not in control

0:57:39.800 --> 0:57:41.720
<v Speaker 1>of his movements, and he's like, yeah, I'm not in

0:57:41.720 --> 0:57:42.480
<v Speaker 1>control of any of this.

0:57:42.560 --> 0:57:45.720
<v Speaker 2>They fight Palpatine powers. He's electric shocking her all over

0:57:45.720 --> 0:57:48.400
<v Speaker 2>the place. It's very old school. I kind of love

0:57:49.040 --> 0:57:53.720
<v Speaker 2>how much it looks like watching like an old Star

0:57:53.760 --> 0:57:57.320
<v Speaker 2>Wars movie. Like they did not they spared some expense

0:57:57.360 --> 0:57:59.240
<v Speaker 2>on his powers, and I'm okay with it because it

0:57:59.280 --> 0:57:59.840
<v Speaker 2>works with.

0:57:59.800 --> 0:58:04.520
<v Speaker 1>The She does some diagnostic work and is like, listen,

0:58:04.640 --> 0:58:09.320
<v Speaker 1>I figured out how we can reset the the bios

0:58:09.320 --> 0:58:14.240
<v Speaker 1>in your suit to kick out Parker as the admin

0:58:14.680 --> 0:58:16.920
<v Speaker 1>in the kernel window. And what I have to do

0:58:17.040 --> 0:58:19.840
<v Speaker 1>is basically knee you and the balls like as hard

0:58:19.880 --> 0:58:24.640
<v Speaker 1>as possible, and he's like okay, and so she does

0:58:24.640 --> 0:58:28.320
<v Speaker 1>it hard. Red sets him really then demands the hood

0:58:28.320 --> 0:58:30.600
<v Speaker 1>from Parker goes to challenge. Parker's like give me that thing.

0:58:31.040 --> 0:58:33.680
<v Speaker 1>He is like, why so you can like have it

0:58:33.720 --> 0:58:37.840
<v Speaker 1>for yourself and like steal my power. And you're a

0:58:37.880 --> 0:58:39.680
<v Speaker 1>bad person, by the way, if you want to do that,

0:58:39.760 --> 0:58:41.440
<v Speaker 1>Like you're truly a bad person. That's why you were

0:58:41.480 --> 0:58:46.760
<v Speaker 1>working with me. Really is like whatever casts a sick rude,

0:58:47.000 --> 0:58:48.440
<v Speaker 1>like really really cool.

0:58:48.560 --> 0:58:51.760
<v Speaker 2>Just strange coded too, leaning into that kind of Zelma,

0:58:52.000 --> 0:58:53.680
<v Speaker 2>but with a little bit more of the Red. It's

0:58:53.680 --> 0:58:58.600
<v Speaker 2>looking very one division. It's looking yes sala, which which

0:58:58.640 --> 0:59:02.320
<v Speaker 2>we will talk about again and minute. And Parker's basically

0:59:02.400 --> 0:59:03.680
<v Speaker 2>becoming like a vampire.

0:59:04.400 --> 0:59:06.520
<v Speaker 1>It basically like part of what it does is it

0:59:06.600 --> 0:59:11.320
<v Speaker 1>like let's us see like what he has truly become now.

0:59:11.320 --> 0:59:13.240
<v Speaker 1>And he's like very very gross looking.

0:59:13.440 --> 0:59:15.600
<v Speaker 2>I'm not gonna lie. For those of you who has

0:59:15.640 --> 0:59:20.600
<v Speaker 2>not seen the you know, understandable the famed Jared leto

0:59:20.680 --> 0:59:23.520
<v Speaker 2>Flop Morbius. He does look a lot like Morbius. In

0:59:23.600 --> 0:59:26.360
<v Speaker 2>this moment. I'm not gonna lie. It's a very similar look.

0:59:26.520 --> 0:59:28.360
<v Speaker 2>Is he a vampire? I don't know the X Men

0:59:28.400 --> 0:59:31.880
<v Speaker 2>are coming. Anything could happen, but he's basically demonic, is

0:59:31.920 --> 0:59:33.240
<v Speaker 2>what we just supposed to tape from it.

0:59:33.320 --> 0:59:36.480
<v Speaker 1>But then the Hood defeats her. He takes her armor apart,

0:59:36.600 --> 0:59:39.880
<v Speaker 1>He's got his magic guns on her really is begging

0:59:39.920 --> 0:59:43.400
<v Speaker 1>for her life. But Parker's like, no, babe. He shoots her,

0:59:43.400 --> 0:59:47.480
<v Speaker 1>but nothing happens because when she casts that room, she

0:59:47.520 --> 0:59:49.920
<v Speaker 1>put him in a very elaborate hologram. The whole thing

0:59:50.000 --> 0:59:50.640
<v Speaker 1>is a hologram.

0:59:50.760 --> 0:59:53.720
<v Speaker 2>Oh shit, that she rips the Hood off of.

0:59:53.760 --> 0:59:58.360
<v Speaker 1>Him, and Parker cries like a fucking bitch crying about it.

0:59:58.440 --> 1:00:01.040
<v Speaker 1>He's like an addict who's whose drugs have been.

1:00:01.080 --> 1:00:04.720
<v Speaker 2>Also, I yes, that's definitely the analogy that I didn't

1:00:04.760 --> 1:00:08.000
<v Speaker 2>realize they were making until we got to this moment. Also,

1:00:08.040 --> 1:00:10.240
<v Speaker 2>I love that this is like a throwback, and I'm

1:00:10.280 --> 1:00:14.480
<v Speaker 2>gonna disappoint my Swarzenegger heads here because I do love him.

1:00:14.800 --> 1:00:17.000
<v Speaker 2>But I cannot recall right now if it's total recall

1:00:17.120 --> 1:00:20.800
<v Speaker 2>or running man. But this is a direct thing that

1:00:20.840 --> 1:00:22.480
<v Speaker 2>he does in the third act of one of those

1:00:22.480 --> 1:00:24.960
<v Speaker 2>movies where he keeps making holograms of himself to like

1:00:25.040 --> 1:00:27.400
<v Speaker 2>confuse people. So as soon as I saw this, I

1:00:27.440 --> 1:00:29.880
<v Speaker 2>was like, incredible plan. I love that really made the

1:00:29.880 --> 1:00:33.240
<v Speaker 2>fake hologram of herself and kind of tricked Parker. It's

1:00:33.480 --> 1:00:37.800
<v Speaker 2>very cool use of the magic powers and the hologram powers,

1:00:37.840 --> 1:00:40.920
<v Speaker 2>and it kind of shows that blurry line between magic

1:00:40.960 --> 1:00:44.800
<v Speaker 2>and science that I think is really interesting in the MCU.

1:00:45.440 --> 1:00:48.840
<v Speaker 2>But yes, I mean great ending. Nothing could go bad

1:00:49.000 --> 1:00:51.760
<v Speaker 2>after this, right, Like she gets the hood off him,

1:00:51.920 --> 1:00:54.120
<v Speaker 2>Parker is crying, She's one what could happen?

1:00:55.040 --> 1:00:59.200
<v Speaker 1>Well? Mathista shows up and invites brita pizza, and while

1:00:59.200 --> 1:01:04.800
<v Speaker 1>they're sitting in this in uh Mephisto's pizza, he starts

1:01:04.840 --> 1:01:09.920
<v Speaker 1>pitching her on why not accept a little help in

1:01:10.320 --> 1:01:11.920
<v Speaker 1>the thing that you want? You know, we could take

1:01:11.920 --> 1:01:16.320
<v Speaker 1>a little shortcut. He we poor Ringo.

1:01:16.200 --> 1:01:19.600
<v Speaker 2>Star about the nicest beetle, like.

1:01:19.760 --> 1:01:23.240
<v Speaker 1>The nicest beetle who is underrated and actually really get

1:01:23.320 --> 1:01:24.920
<v Speaker 1>good gradimly underrated.

1:01:25.040 --> 1:01:30.360
<v Speaker 2>Also Thomas the tank engine in England, guys, so like,

1:01:30.520 --> 1:01:32.160
<v Speaker 2>come on we find.

1:01:31.840 --> 1:01:34.600
<v Speaker 1>Out that Stars sold is sold of a pisto to

1:01:34.640 --> 1:01:35.440
<v Speaker 1>be part of the Beatles.

1:01:35.520 --> 1:01:36.800
<v Speaker 2>Anyway, scandalous.

1:01:37.240 --> 1:01:41.400
<v Speaker 1>He reveals who he is and he says, listen, how

1:01:41.400 --> 1:01:45.040
<v Speaker 1>about this, I will give you what you really want,

1:01:45.320 --> 1:01:51.480
<v Speaker 1>Natalie back, And we get this vision of AI Natalie back,

1:01:52.480 --> 1:01:54.960
<v Speaker 1>But then we realize it's a moment of doubt that

1:01:55.440 --> 1:01:58.200
<v Speaker 1>is imagining what it could be like if if AI

1:01:58.280 --> 1:02:00.640
<v Speaker 1>Natalie was back in her life. There were together in

1:02:00.720 --> 1:02:03.720
<v Speaker 1>the shop and it's all it's wonderful and they're working

1:02:03.760 --> 1:02:06.760
<v Speaker 1>on stuff together. But really has the strength to say, no,

1:02:07.040 --> 1:02:12.120
<v Speaker 1>you know what, I reject your gift. But then the

1:02:12.160 --> 1:02:16.080
<v Speaker 1>fisto ups it and says, okay, but what if I

1:02:16.160 --> 1:02:19.880
<v Speaker 1>give you the real Natalie back, not the AI Natalie back,

1:02:20.280 --> 1:02:28.000
<v Speaker 1>actual flesh and blood Natalie Ze's sister Natalie. What about now?

1:02:28.440 --> 1:02:32.120
<v Speaker 1>And now re resed, we get this vision of them

1:02:32.160 --> 1:02:36.880
<v Speaker 1>together and it's like, there, it's her. They're back together,

1:02:38.040 --> 1:02:38.320
<v Speaker 1>and we.

1:02:38.680 --> 1:02:43.040
<v Speaker 2>Know that it's real Natalie. It's because she can touch

1:02:43.040 --> 1:02:45.840
<v Speaker 2>her which and they they make a big point of

1:02:45.920 --> 1:02:48.280
<v Speaker 2>people's hands going through the AI. Now, look, I gotta

1:02:48.280 --> 1:02:51.840
<v Speaker 2>say I should say about this, guys. I mean, you

1:02:52.000 --> 1:02:55.760
<v Speaker 2>literally just pulled a hood off of a man that

1:02:55.880 --> 1:02:59.720
<v Speaker 2>made him a cursed vampire. I feel like, do not

1:03:00.160 --> 1:03:03.240
<v Speaker 2>make a deal with this guy, and I understand. I

1:03:03.360 --> 1:03:06.720
<v Speaker 2>love my friends. I would do so much for my friends.

1:03:07.040 --> 1:03:09.840
<v Speaker 2>I love my little sister. There is no ends of

1:03:09.880 --> 1:03:12.280
<v Speaker 2>the earth I would go to. But I definitely would

1:03:12.360 --> 1:03:17.400
<v Speaker 2>question whether the best insane choice I can't take back

1:03:17.760 --> 1:03:20.480
<v Speaker 2>would be to take help from a guy who had

1:03:20.520 --> 1:03:22.800
<v Speaker 2>literally just given another guy a cursed cloak that made

1:03:22.880 --> 1:03:25.640
<v Speaker 2>him go crazy. I feel like she's too close to

1:03:25.720 --> 1:03:27.680
<v Speaker 2>the hood to make this decision.

1:03:28.880 --> 1:03:35.720
<v Speaker 1>So she signs and brings Natalie back and sells her

1:03:35.760 --> 1:03:36.600
<v Speaker 1>soul for that.

1:03:36.960 --> 1:03:38.360
<v Speaker 2>Well, I do we see that.

1:03:38.360 --> 1:03:41.080
<v Speaker 1>That's where we Leavey Williams's story.

1:03:41.280 --> 1:03:44.760
<v Speaker 2>Do we see her sign or do we just see

1:03:44.840 --> 1:03:49.840
<v Speaker 2>Natalie come back implying that she signed. She must have signed, right, yeah,

1:03:49.880 --> 1:03:51.840
<v Speaker 2>I mean it feels like she must have signed, but

1:03:51.920 --> 1:03:58.880
<v Speaker 2>it could be Mephisto messing with her. I maybe it. Yeah,

1:03:58.560 --> 1:04:03.400
<v Speaker 2>who oh oh, okay, okay, okay, yeah, oh my god, yeah.

1:04:03.240 --> 1:04:05.400
<v Speaker 1>Yeah, okay, So okay, so you say.

1:04:05.160 --> 1:04:08.040
<v Speaker 2>That, Okay, So she hugs Natalie. We see that Natalie

1:04:08.080 --> 1:04:10.640
<v Speaker 2>is real, she's not the AI, and as we see

1:04:10.680 --> 1:04:16.080
<v Speaker 2>Reeve's hand, we see the spooky red veins. So she

1:04:16.200 --> 1:04:20.040
<v Speaker 2>dead signed. I'm like, babe, immediately go to Zelma and

1:04:20.080 --> 1:04:22.000
<v Speaker 2>be like, what is going on? I need to get

1:04:22.040 --> 1:04:25.480
<v Speaker 2>this all. This was shocking to me. I did not

1:04:25.520 --> 1:04:28.480
<v Speaker 2>see this coming. Leave my Alma alone, Leave my baby,

1:04:28.520 --> 1:04:30.360
<v Speaker 2>my sweet baby. She's never done anything wrong.

1:04:30.200 --> 1:04:35.000
<v Speaker 1>In my magic. Parker, now eeling empty and like a

1:04:35.080 --> 1:04:39.160
<v Speaker 1>husk of himself without his magic, goes to see Zelma

1:04:39.400 --> 1:04:43.000
<v Speaker 1>and tries to convince Zelma to take him back to

1:04:43.160 --> 1:04:47.680
<v Speaker 1>where quote the real magic is, and that's where we

1:04:47.960 --> 1:04:51.360
<v Speaker 1>That was the post credit scene. So that's where season

1:04:51.360 --> 1:04:55.440
<v Speaker 1>one of Ironheart ends. And Hugh, I mean, this is

1:04:55.520 --> 1:04:58.520
<v Speaker 1>a I gotta say, I respect it.

1:04:58.560 --> 1:04:59.840
<v Speaker 2>The big swings it.

1:05:00.000 --> 1:05:02.000
<v Speaker 1>It's a big swing. I don't know that it lands

1:05:02.040 --> 1:05:03.200
<v Speaker 1>all the way, and I think a lot of that

1:05:03.280 --> 1:05:05.040
<v Speaker 1>has to do with the pacing and the way they

1:05:05.120 --> 1:05:09.960
<v Speaker 1>set up this this crazy ending. But I love the

1:05:10.000 --> 1:05:13.880
<v Speaker 1>ambition of this, like this is a This is not

1:05:14.800 --> 1:05:17.320
<v Speaker 1>in any way where I would have expected me or

1:05:17.440 --> 1:05:22.920
<v Speaker 1>her story to end with the hero selling her soul,

1:05:23.280 --> 1:05:24.680
<v Speaker 1>also for bet her friend.

1:05:25.120 --> 1:05:29.800
<v Speaker 2>I believe this is the official end of Phase five too, Yes,

1:05:29.840 --> 1:05:32.680
<v Speaker 2>which is completely wild, but I kind of love that

1:05:32.880 --> 1:05:36.360
<v Speaker 2>because it hints that you get this crossover between magic

1:05:36.400 --> 1:05:40.480
<v Speaker 2>and science in the next kind of thing. I'm very

1:05:40.760 --> 1:05:44.160
<v Speaker 2>interested as well. The thing I've been really happy with

1:05:44.360 --> 1:05:46.280
<v Speaker 2>is I feel like something we talked about when we

1:05:46.320 --> 1:05:49.760
<v Speaker 2>talked about our first couple of the first three episodes,

1:05:49.920 --> 1:05:52.560
<v Speaker 2>we were just really impressed by the cost and whatever

1:05:52.600 --> 1:05:54.720
<v Speaker 2>else kind, And I'm really happy to see that people

1:05:54.760 --> 1:05:58.000
<v Speaker 2>are like, yes, this is a charismatic lead, like we

1:05:58.040 --> 1:06:00.720
<v Speaker 2>want to see her in more stuff. I love that

1:06:00.800 --> 1:06:04.480
<v Speaker 2>she's now like magically compromised, like is Mephisto gonna take

1:06:04.520 --> 1:06:05.360
<v Speaker 2>over that suit?

1:06:05.720 --> 1:06:05.959
<v Speaker 1>Yeah?

1:06:06.160 --> 1:06:09.520
<v Speaker 2>There are so many interesting ways to explore it. And

1:06:09.560 --> 1:06:15.000
<v Speaker 2>also how does she now explain all of this today

1:06:15.200 --> 1:06:17.760
<v Speaker 2>to her mum because they will very quickly realize that

1:06:17.760 --> 1:06:21.160
<v Speaker 2>that's not an Ai, you know, or maybe she appears

1:06:21.160 --> 1:06:23.520
<v Speaker 2>to them as an AI. I don't know, but this

1:06:23.720 --> 1:06:26.560
<v Speaker 2>what I will say is this hooked me to want

1:06:26.560 --> 1:06:29.640
<v Speaker 2>to know more about this, and I am probably more

1:06:29.960 --> 1:06:32.800
<v Speaker 2>than any other thing that we've gotten. I am left

1:06:32.840 --> 1:06:35.720
<v Speaker 2>after this wanting this to be the thing they don't raise.

1:06:36.120 --> 1:06:40.840
<v Speaker 2>I don't want. I mean stuff like that. We know

1:06:40.920 --> 1:06:42.240
<v Speaker 2>that a lot of that stuff is not going to

1:06:42.320 --> 1:06:46.120
<v Speaker 2>carry over in the same way. Obviously we've spoken about

1:06:46.120 --> 1:06:48.320
<v Speaker 2>why Kang is not going to carry over in that way,

1:06:48.520 --> 1:06:51.280
<v Speaker 2>but this I'm like, don't make this one of those

1:06:51.280 --> 1:06:53.640
<v Speaker 2>shows where you basically write it out of cannon. Like.

1:06:53.760 --> 1:06:57.040
<v Speaker 2>I'm loving that this has been actually way more positively

1:06:57.080 --> 1:06:59.440
<v Speaker 2>reviewed than I first thought it might be when I

1:06:59.520 --> 1:07:02.960
<v Speaker 2>was watching episodes, So I'm really happy about that. I

1:07:03.080 --> 1:07:06.000
<v Speaker 2>love where this ends up, and I can't believe it. Guys,

1:07:06.240 --> 1:07:09.000
<v Speaker 2>it's been like a five year journey, even pre dated

1:07:09.080 --> 1:07:12.680
<v Speaker 2>me and Jason doing X ray Vision together. Mephisto's finally here.

1:07:13.000 --> 1:07:15.560
<v Speaker 2>Can you believe it? It took a long time, and

1:07:17.200 --> 1:07:20.120
<v Speaker 2>I think a well done depiction of Mephisto.

1:07:20.240 --> 1:07:23.200
<v Speaker 1>I think that was really Yes, they're charm in the

1:07:23.320 --> 1:07:29.840
<v Speaker 1>kind of thing, the way to convince I was. I

1:07:29.880 --> 1:07:31.880
<v Speaker 1>thought that was well done. I thought that was it

1:07:31.920 --> 1:07:33.840
<v Speaker 1>was Louis Seiffer from Angel Arpert, you know what. I

1:07:33.920 --> 1:07:34.520
<v Speaker 1>like that character.

1:07:34.560 --> 1:07:36.080
<v Speaker 2>Yeah, me too. Guess what, Angel, It's one of my

1:07:36.080 --> 1:07:39.200
<v Speaker 2>favorite movies. So that's okay. Just take a take a

1:07:39.240 --> 1:07:43.520
<v Speaker 2>little homage, Jason. What are your overall feelings as we

1:07:44.000 --> 1:07:48.200
<v Speaker 2>leave phase five and head into I guess phase six

1:07:48.320 --> 1:07:50.000
<v Speaker 2>beginning with the Fantastic four.

1:07:51.240 --> 1:07:54.040
<v Speaker 1>Yeah, I think you're right that we're seeing Magic step

1:07:54.200 --> 1:07:57.240
<v Speaker 1>up to the level of influence in the world. That

1:07:57.320 --> 1:08:00.840
<v Speaker 1>technology has and that we're going to see clearly the

1:08:01.080 --> 1:08:05.840
<v Speaker 1>the nexus of those things is going to be crucial

1:08:05.920 --> 1:08:09.080
<v Speaker 1>in secret wars and doomsday. And I mean that's you know,

1:08:09.160 --> 1:08:13.280
<v Speaker 1>Doctor Doom in a nutshell is you know, one of

1:08:13.320 --> 1:08:15.680
<v Speaker 1>the he's simultaneously that one of the.

1:08:15.600 --> 1:08:16.719
<v Speaker 2>Best, such a great point.

1:08:16.800 --> 1:08:19.799
<v Speaker 1>He's one of the best scientists, one of the best,

1:08:20.000 --> 1:08:22.439
<v Speaker 1>like the users of technology in the world, but also

1:08:22.560 --> 1:08:24.960
<v Speaker 1>one of the most powerful sorcerers in the world.

1:08:25.040 --> 1:08:29.839
<v Speaker 2>That's a fantastic point. And so bringing those things in.

1:08:31.760 --> 1:08:34.000
<v Speaker 1>It's really interesting and it I think it points to

1:08:34.120 --> 1:08:36.479
<v Speaker 1>the eventual arrival of Doctor Doom.

1:08:36.840 --> 1:08:39.600
<v Speaker 2>I agree. Also, you know, we don't often look to

1:08:39.760 --> 1:08:42.120
<v Speaker 2>rotten tomorrow sare but I do have to say currently

1:08:42.800 --> 1:08:47.160
<v Speaker 2>on iron Heart it is at sixty nine percent on

1:08:47.200 --> 1:08:50.559
<v Speaker 2>the Rotten tomorrow meat and sixty nine percent on the

1:08:50.600 --> 1:08:52.960
<v Speaker 2>popcorn metal, which is the audience DA. So you know,

1:08:53.000 --> 1:08:55.360
<v Speaker 2>I'm going to say as a double nice good for that,

1:08:56.320 --> 1:08:58.120
<v Speaker 2>double nice, guys nice.

1:08:58.160 --> 1:08:59.559
<v Speaker 1>What do you think of it? What do you think

1:08:59.600 --> 1:09:01.679
<v Speaker 1>of the show, and what do you think it bodes

1:09:01.760 --> 1:09:03.080
<v Speaker 1>for the next phase.

1:09:03.960 --> 1:09:07.120
<v Speaker 2>Honestly, I am so glad it was made. I'm glad

1:09:07.160 --> 1:09:09.439
<v Speaker 2>they took these big swings. I think Dominic Thorn is

1:09:09.479 --> 1:09:11.800
<v Speaker 2>a star. There's a lot of characters I would love.

1:09:11.960 --> 1:09:13.639
<v Speaker 1>Everybody is off.

1:09:14.080 --> 1:09:17.840
<v Speaker 2>Yeah, I think that episode four is like a very

1:09:17.960 --> 1:09:21.320
<v Speaker 2>very great episode of TV, and I definitely my fave,

1:09:21.680 --> 1:09:24.639
<v Speaker 2>even though I love the magic suit stuff in episode five.

1:09:24.720 --> 1:09:26.559
<v Speaker 2>I want to see Zelma more. I want to know

1:09:26.600 --> 1:09:29.960
<v Speaker 2>more about the Stantons. I want to know about Strange Academy. Like,

1:09:30.000 --> 1:09:31.559
<v Speaker 2>if this is the way we're bringing in a new

1:09:31.600 --> 1:09:34.640
<v Speaker 2>generation of young heroes, I'm here for it. Also, I

1:09:34.760 --> 1:09:38.400
<v Speaker 2>feel like, you know, it's basically exactly a month as

1:09:38.439 --> 1:09:41.479
<v Speaker 2>we record this, that not only will we be at

1:09:41.479 --> 1:09:44.280
<v Speaker 2>San Diego Comic Con, but Fantastic four will be coming out.

1:09:44.439 --> 1:09:47.240
<v Speaker 2>And I also feel like I don't know what's gonna

1:09:47.240 --> 1:09:51.519
<v Speaker 2>happen next, you know. I feel like we know that

1:09:51.600 --> 1:09:55.040
<v Speaker 2>this is a kind of retro futuristic space, but we

1:09:55.080 --> 1:09:57.439
<v Speaker 2>don't know how it's gonna interact with this. We don't

1:09:57.439 --> 1:10:00.240
<v Speaker 2>know what Phase five is gonna look like when we

1:10:00.439 --> 1:10:03.160
<v Speaker 2>enter into that space, and I think that's kind of

1:10:03.160 --> 1:10:06.240
<v Speaker 2>an exciting and scary place to be. And also, in

1:10:06.360 --> 1:10:08.840
<v Speaker 2>like two weeks we have Superman, so it's kind of

1:10:08.880 --> 1:10:12.400
<v Speaker 2>an unprecedented summer. But also you know, Aaron put a

1:10:12.439 --> 1:10:16.160
<v Speaker 2>good point in the chat, which is like, what if

1:10:16.160 --> 1:10:18.200
<v Speaker 2>this show came out two years ago? I would have

1:10:18.280 --> 1:10:20.080
<v Speaker 2>loved that. I think if this show came out two

1:10:20.120 --> 1:10:23.200
<v Speaker 2>years ago, like directly after Wakanda forever, I think it

1:10:23.200 --> 1:10:27.840
<v Speaker 2>would have been received even more like popularly, probably because

1:10:27.840 --> 1:10:30.280
<v Speaker 2>of the more direct connections there. I would have loved

1:10:30.280 --> 1:10:31.799
<v Speaker 2>to see it. I would have loved to see Magic

1:10:31.880 --> 1:10:34.919
<v Speaker 2>come in in a way that wasn't the Supreme Strange

1:10:34.960 --> 1:10:36.760
<v Speaker 2>and all that. But I also understand that may have

1:10:36.840 --> 1:10:40.640
<v Speaker 2>complicated some of the Wondervision stuff. And then later on

1:10:40.760 --> 1:10:43.600
<v Speaker 2>the way Wander interacted with Doctor Stranger magic. So I

1:10:43.640 --> 1:10:46.800
<v Speaker 2>don't know, but I will say that hood costume, that

1:10:46.880 --> 1:10:50.160
<v Speaker 2>hood hood looks a lot like a combination of Doctor

1:10:50.200 --> 1:10:55.880
<v Speaker 2>Stranger's cloak and Wonder's kind of suit. So yeah, again,

1:10:55.960 --> 1:10:58.240
<v Speaker 2>could have been good. Another great point by Aaron. Could

1:10:58.240 --> 1:11:01.040
<v Speaker 2>have been great to have this before Agatha to kind

1:11:01.080 --> 1:11:03.400
<v Speaker 2>of expand out this that could have been a bridge

1:11:03.400 --> 1:11:06.719
<v Speaker 2>between magic and technology, and then Agatha leaning fully into

1:11:06.720 --> 1:11:10.040
<v Speaker 2>the magic. But yeah, honestly, I am excited for what

1:11:10.160 --> 1:11:13.200
<v Speaker 2>comes next, and I'm excited to be chopping it up

1:11:13.400 --> 1:11:16.160
<v Speaker 2>with you because it's gonna be crazy once once we

1:11:16.200 --> 1:11:18.400
<v Speaker 2>see Super Matt, It's gonna be crazy summer.

1:11:18.400 --> 1:11:21.320
<v Speaker 1>Tomorrow and X ray Vision's Popcorn pop out. We're breaking

1:11:21.360 --> 1:11:22.879
<v Speaker 1>down Jurassic World rebirth.

1:11:22.960 --> 1:11:23.200
<v Speaker 2>Huh.

1:11:23.200 --> 1:11:24.839
<v Speaker 1>That's it for this episode. Thanks for listening.

1:11:24.960 --> 1:11:27.519
<v Speaker 2>Whoo. I love Jurassic Park. I can't believe that that's

1:11:27.560 --> 1:11:29.479
<v Speaker 2>another thing we get this summer? What Summer?

1:11:31.479 --> 1:11:34.120
<v Speaker 1>X ray Vision is hosted by Jason Sepsion and Rosie

1:11:34.160 --> 1:11:36.240
<v Speaker 1>Knight and is a production of iHeart Podcast.

1:11:36.600 --> 1:11:40.160
<v Speaker 2>Our executive producers are Joel Monique and Aaron Kaufman.

1:11:40.400 --> 1:11:42.439
<v Speaker 1>Our supervising producer is Abu Safar.

1:11:42.840 --> 1:11:46.840
<v Speaker 2>Our producers are Common Laurent, Dean Johnson and Fay Wag.

1:11:46.920 --> 1:11:49.679
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

1:11:49.760 --> 1:11:51.000
<v Speaker 1>songs by Aaron Kaufman.

1:11:51.200 --> 1:11:54.559
<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

1:11:54.640 --> 1:12:04.960
<v Speaker 2>Heidi our discord moderator.