1 00:00:00,160 --> 00:00:03,480 Speaker 1: Hello the Internet, and welcome to this episode of The 2 00:00:03,560 --> 00:00:07,840 Speaker 1: Weekly Zeitgeist. Uh. These are some of our favorite segments 3 00:00:08,119 --> 00:00:14,880 Speaker 1: from this week, all edited together into one NonStop infotainment 4 00:00:16,079 --> 00:00:22,400 Speaker 1: laugh stravaganza. Uh yeah, So, without further ado, here is 5 00:00:22,680 --> 00:00:32,760 Speaker 1: the Weekly Zeitgeist. Real. You let us segurate you, You 6 00:00:33,000 --> 00:00:43,520 Speaker 1: let us educate you. Our podcast penetrates you growth. We 7 00:00:43,600 --> 00:00:54,240 Speaker 1: will uncomplicate news. We joke about to say, guyst help 8 00:00:54,640 --> 00:01:01,520 Speaker 1: a too must taco bell baally. The only thing that 9 00:01:01,600 --> 00:01:08,200 Speaker 1: works for me. It's recording possibly checking myself. It's as 10 00:01:08,280 --> 00:01:14,399 Speaker 1: fucked up as an animal. So many turds are in 11 00:01:14,640 --> 00:01:22,840 Speaker 1: the safe guys. Okay, I don't know, so shout out 12 00:01:22,880 --> 00:01:27,080 Speaker 1: to Crispy Meme, d Christie, y'ama, Gucci Me for bringing 13 00:01:27,080 --> 00:01:33,160 Speaker 1: it back to our fire Trent Rezzie fire Fire. What 14 00:01:33,280 --> 00:01:37,320 Speaker 1: is something you think is overrated? Overrated? Uh? I was 15 00:01:37,360 --> 00:01:40,479 Speaker 1: gonna say fans at games. During that Clippers Lakers game, 16 00:01:40,520 --> 00:01:44,000 Speaker 1: I didn't notice once like like this tip off happened 17 00:01:44,000 --> 00:01:45,759 Speaker 1: and I was like, oh, I'll never think about whether 18 00:01:45,840 --> 00:01:48,120 Speaker 1: or not their fans again. And they aren't cutting to 19 00:01:48,200 --> 00:01:50,440 Speaker 1: the stands. I don't care when they cut to the stands. 20 00:01:50,480 --> 00:01:53,720 Speaker 1: I don't care that they're like people enjoying it. I'm fine, 21 00:01:54,080 --> 00:01:55,920 Speaker 1: just let me watch the basketball part. I'm in my house. 22 00:01:55,960 --> 00:01:59,480 Speaker 1: I don't care. Right, It's interesting because it seems like 23 00:01:59,640 --> 00:02:03,160 Speaker 1: the being there, it's really noticeable, like for the players 24 00:02:03,200 --> 00:02:05,560 Speaker 1: and the people who are doing the game. At the game, 25 00:02:05,640 --> 00:02:07,960 Speaker 1: they're like, this feels so weird. It feels like you're 26 00:02:07,960 --> 00:02:10,640 Speaker 1: at basketball camp or like you know, just in a gym. 27 00:02:11,080 --> 00:02:13,520 Speaker 1: But watching it, yeah, you can't really tell. They have 28 00:02:13,600 --> 00:02:17,440 Speaker 1: the the fan noise piped in a little bit. Well, 29 00:02:17,480 --> 00:02:19,840 Speaker 1: that's that's also kind of it's kind of incongru with 30 00:02:19,840 --> 00:02:22,840 Speaker 1: with baseball is the fan noise. But I also two 31 00:02:22,880 --> 00:02:25,080 Speaker 1: innings in, I didn't I stopped noticing that there's no 32 00:02:25,120 --> 00:02:28,840 Speaker 1: one in the stadium. Yeah, it's just again like we 33 00:02:28,840 --> 00:02:31,160 Speaker 1: were saying, I think in the last episode about how 34 00:02:31,200 --> 00:02:33,440 Speaker 1: like so many professional sports that are being played now, 35 00:02:33,520 --> 00:02:36,280 Speaker 1: they just have the vibe of like community college sporting 36 00:02:36,280 --> 00:02:39,120 Speaker 1: events because there's no there's no audience, your coaches scream 37 00:02:39,160 --> 00:02:42,840 Speaker 1: sneaker squeaking. I do like the it seems like the 38 00:02:42,919 --> 00:02:45,480 Speaker 1: audio feed they'd have to dump just so they weren't 39 00:02:45,560 --> 00:02:49,840 Speaker 1: violating any like sort of FCC like profanity laws because 40 00:02:49,840 --> 00:02:51,440 Speaker 1: there were times like a ball would go out of 41 00:02:51,480 --> 00:02:53,519 Speaker 1: bounds and hear someone go like oh, and then the 42 00:02:53,800 --> 00:02:56,880 Speaker 1: sound for like five seconds and then come back up 43 00:02:56,919 --> 00:02:59,360 Speaker 1: and you're like, ah, what were they saying? Because not 44 00:02:59,400 --> 00:03:01,919 Speaker 1: many people know that in the bubble they have voice 45 00:03:01,960 --> 00:03:08,000 Speaker 1: actors who come in and do their shampoo. Me just 46 00:03:08,120 --> 00:03:12,919 Speaker 1: come in for curses. Come on, you're meeting a stranger 47 00:03:12,960 --> 00:03:20,400 Speaker 1: in the Alps. Yeah. That was the NBA and the 48 00:03:20,520 --> 00:03:22,520 Speaker 1: last week a lot of a lot of fun. It 49 00:03:22,600 --> 00:03:24,720 Speaker 1: was good, too good to have it back. I feel 50 00:03:24,760 --> 00:03:28,360 Speaker 1: like the players, you know, they're they're professionals. They're not 51 00:03:28,400 --> 00:03:34,440 Speaker 1: losing anything. Like maybe maybe uh lackluster teams who you know, 52 00:03:34,560 --> 00:03:39,040 Speaker 1: have let's say, a historically big difference between how they 53 00:03:39,080 --> 00:03:41,320 Speaker 1: play at home versus how they play on the road 54 00:03:41,480 --> 00:03:45,240 Speaker 1: will not be quite as good in this atmosphere. Uh Sixer, 55 00:03:46,600 --> 00:03:50,800 Speaker 1: but I'm worried uh they as we record this. I 56 00:03:50,800 --> 00:03:53,680 Speaker 1: haven't seen the result of the Sixers game over the weekend, 57 00:03:53,720 --> 00:03:56,200 Speaker 1: but that was something that I was thinking of. Five 58 00:03:56,240 --> 00:04:00,160 Speaker 1: thirty eight actually raised the Sixers chances of winning the 59 00:04:00,240 --> 00:04:07,400 Speaker 1: title the most when the quarantine happened, And now that 60 00:04:07,520 --> 00:04:10,320 Speaker 1: I'm thinking about it, I'm like, well, if they played 61 00:04:10,360 --> 00:04:13,800 Speaker 1: the worst on the road when nobody's cheering for them 62 00:04:13,840 --> 00:04:15,880 Speaker 1: like that for people who don't know, the Sixers were 63 00:04:15,920 --> 00:04:18,320 Speaker 1: like ten and twenty two on the road and then 64 00:04:18,360 --> 00:04:22,120 Speaker 1: like almost undefeated at home. Um, I'm just wondering, like 65 00:04:22,200 --> 00:04:25,240 Speaker 1: how that's gonna break out? Like what, it's the most 66 00:04:25,320 --> 00:04:29,760 Speaker 1: on the road you could possibly be exactly, it's on 67 00:04:29,800 --> 00:04:33,440 Speaker 1: the road extrapolated a hundred times, right, So we'll we'll 68 00:04:33,440 --> 00:04:35,880 Speaker 1: see how that works out for them. JJ Reddick looking 69 00:04:35,960 --> 00:04:39,800 Speaker 1: good though all the all the beer shot gunning. Do 70 00:04:39,800 --> 00:04:42,440 Speaker 1: you think they're gonna be any players who like they're 71 00:04:42,480 --> 00:04:45,520 Speaker 1: they're completely find their zone because there are no fans. 72 00:04:46,480 --> 00:04:51,280 Speaker 1: I mean it was like jas surprisingly, you know, JJ 73 00:04:51,360 --> 00:04:54,400 Speaker 1: Reddick's just like a shooting specialist. But he had a 74 00:04:54,400 --> 00:04:56,680 Speaker 1: couple of moves that like blew up on Twitter, people 75 00:04:56,800 --> 00:05:00,120 Speaker 1: like what was that? Like he like faked one way 76 00:05:00,160 --> 00:05:02,839 Speaker 1: through a no look past the other like Magic Johnson, 77 00:05:02,880 --> 00:05:05,040 Speaker 1: people like how did well? I wonder if, like going 78 00:05:05,080 --> 00:05:07,279 Speaker 1: to Duke for so long, you get so used to 79 00:05:07,480 --> 00:05:11,719 Speaker 1: verbal abuse that you can now use another part of 80 00:05:11,720 --> 00:05:14,080 Speaker 1: your brain to play. You're like I was using about 81 00:05:14,839 --> 00:05:18,040 Speaker 1: just block out people to focus him and Shane Battier 82 00:05:18,200 --> 00:05:21,520 Speaker 1: were like officially the most hated basketball players in the 83 00:05:21,560 --> 00:05:25,760 Speaker 1: world for entire decades, so I'm sure Christian Laterner it 84 00:05:25,800 --> 00:05:29,120 Speaker 1: didn't work out so well for But those guys, do 85 00:05:29,160 --> 00:05:31,680 Speaker 1: you think any like past choke artists or like watching 86 00:05:31,720 --> 00:05:33,240 Speaker 1: this like I could have done this? This would have 87 00:05:33,279 --> 00:05:37,480 Speaker 1: been like turning over a table. Like he said, he 88 00:05:37,520 --> 00:05:40,880 Speaker 1: doesn't get to just go in there. Yeah, anyways, it'll 89 00:05:40,920 --> 00:05:43,960 Speaker 1: be interesting and I will continue to watch all the 90 00:05:44,000 --> 00:05:48,280 Speaker 1: clever ways they find a shotgun beers um in the 91 00:05:48,520 --> 00:05:52,239 Speaker 1: in the bubble, So what you're about to hear the 92 00:05:52,400 --> 00:05:58,599 Speaker 1: audio quality. The audio quality is not great coming from 93 00:05:59,080 --> 00:06:02,880 Speaker 1: our good friend Chris Crofton. It's a full on Chriss 94 00:06:02,880 --> 00:06:06,960 Speaker 1: Crofton episode. Uh. Chris is a total wild card and 95 00:06:07,120 --> 00:06:11,560 Speaker 1: that extends to his audio in this episode. So just 96 00:06:11,640 --> 00:06:14,360 Speaker 1: brace your ears because we figured rather than have everyone 97 00:06:14,400 --> 00:06:16,360 Speaker 1: tweet us to make sure we know what we're going. Yes, 98 00:06:16,400 --> 00:06:20,000 Speaker 1: we do, but that's the cold, brute chaos that Mr 99 00:06:20,040 --> 00:06:23,360 Speaker 1: Crofton b He is speaking into a microphone the whole time. 100 00:06:23,960 --> 00:06:27,920 Speaker 1: We are forced to assume that the microphone was plugged 101 00:06:27,920 --> 00:06:33,080 Speaker 1: into his belly button or just a house plant nearby 102 00:06:33,240 --> 00:06:38,160 Speaker 1: or something, because it did not come through. Um. But Anyways, 103 00:06:38,360 --> 00:06:41,640 Speaker 1: either fun episode as always with Chris, what is a 104 00:06:41,920 --> 00:06:43,800 Speaker 1: what's a myth? Chris? What some of the people think 105 00:06:43,880 --> 00:06:48,480 Speaker 1: it's true? You know? To me, I think some people 106 00:06:48,560 --> 00:06:53,960 Speaker 1: probably been class houses by Billy Joel an album and 107 00:06:54,080 --> 00:07:00,400 Speaker 1: I can share that. I can tell you was anyone 108 00:07:00,440 --> 00:07:07,880 Speaker 1: wants to get and yeah, a fresh perspective, just blast off. 109 00:07:09,000 --> 00:07:15,880 Speaker 1: Yea was left their backpack in the three in the 110 00:07:15,960 --> 00:07:17,800 Speaker 1: middle of the night, and go take her there and 111 00:07:17,840 --> 00:07:22,400 Speaker 1: help her out? Yeah, I don't can Also, I can 112 00:07:22,440 --> 00:07:26,400 Speaker 1: also vouch for all of that. Yeah, How I Met 113 00:07:26,440 --> 00:07:28,960 Speaker 1: My Wife? Is that album content? I don't. I don't 114 00:07:28,960 --> 00:07:32,640 Speaker 1: know the Billy Joel discography enough. Is glass Houses seen 115 00:07:32,680 --> 00:07:35,480 Speaker 1: as just a ship album? No, it's not. It's just 116 00:07:35,560 --> 00:07:38,040 Speaker 1: but it's not. It's not considered one of the most 117 00:07:38,080 --> 00:07:45,920 Speaker 1: powerful elixirs on the earth. I love which it is. 118 00:07:46,440 --> 00:07:48,560 Speaker 1: Thank you don't ask me why is one of my 119 00:07:48,600 --> 00:07:51,520 Speaker 1: favorite Billy Joel songs. I was one of the greatest 120 00:07:51,600 --> 00:07:55,360 Speaker 1: Hits fan growing up. But uh, well you're a little younger. Yeah, 121 00:07:55,440 --> 00:07:58,680 Speaker 1: glass House. Glass Houses came out in so I was 122 00:07:58,720 --> 00:08:01,680 Speaker 1: like in six fifth grade probably, so, I mean it's 123 00:08:01,680 --> 00:08:04,640 Speaker 1: not like I'm not I wasn't like in the arena 124 00:08:05,040 --> 00:08:09,960 Speaker 1: with a lighter but I did, but that record had 125 00:08:10,320 --> 00:08:16,320 Speaker 1: Um you may be right, I may, but just maybe 126 00:08:16,920 --> 00:08:22,240 Speaker 1: ludic I mean like just like it's all toxic masculinity. 127 00:08:22,240 --> 00:08:25,800 Speaker 1: But everything before you know, like two thousands actually whatever, 128 00:08:25,840 --> 00:08:30,160 Speaker 1: it's all toxic stuff if you really damn examine it. 129 00:08:30,200 --> 00:08:33,560 Speaker 1: But um, but you know, all it's all just like 130 00:08:33,800 --> 00:08:38,800 Speaker 1: if you want a man, it's a little unpredictable describing 131 00:08:38,880 --> 00:08:42,840 Speaker 1: a really unstable relationship. Yeah, yeah, no, it's all that. 132 00:08:43,040 --> 00:08:44,600 Speaker 1: It's all that. It was just like if you look 133 00:08:44,640 --> 00:08:46,840 Speaker 1: at it now, it's just like the same. It's like, God, 134 00:08:46,840 --> 00:08:49,280 Speaker 1: women wasn't been so annoyed through every period of time 135 00:08:49,320 --> 00:08:53,280 Speaker 1: until well pretty much now. Yeah, Like it's amazing because 136 00:08:54,800 --> 00:08:57,679 Speaker 1: yeah said, listen to men be like I'm horning in 137 00:08:57,920 --> 00:09:02,800 Speaker 1: a little bit. Drug also a great example of like 138 00:09:03,240 --> 00:09:05,920 Speaker 1: just sums up Billy Joel in the sense that it's 139 00:09:05,920 --> 00:09:10,120 Speaker 1: full of really like great songs, but it also, like 140 00:09:10,280 --> 00:09:13,200 Speaker 1: the the album cover some sums up like what's not 141 00:09:13,320 --> 00:09:17,720 Speaker 1: cool about Billy Joel because it is h It's called 142 00:09:17,720 --> 00:09:20,840 Speaker 1: glass Houses and the cover is a shot from behind 143 00:09:21,040 --> 00:09:23,720 Speaker 1: of him holding a rock getting ready to throw it 144 00:09:23,760 --> 00:09:29,800 Speaker 1: into a glass house. Yeah. Yeah, it's just like throwing 145 00:09:29,880 --> 00:09:32,439 Speaker 1: for him bad. Oh yeah, he's a he's a yeah, 146 00:09:32,520 --> 00:09:35,000 Speaker 1: he's a kind of a little misshapen kind of a man. 147 00:09:36,000 --> 00:09:40,680 Speaker 1: But he uh he uh, that's his house. I like 148 00:09:40,760 --> 00:09:42,240 Speaker 1: looked into the liner notes like I don't know if 149 00:09:42,280 --> 00:09:44,120 Speaker 1: you have a great glass wall. But he's like he's 150 00:09:44,120 --> 00:09:47,000 Speaker 1: like I realized when I was ready, I lived in 151 00:09:47,040 --> 00:09:53,760 Speaker 1: a glass house. Oh my god. Shut Clusterman at that point, 152 00:09:53,760 --> 00:09:58,160 Speaker 1: like you're like the journalism, do you shut the funk up? You? Oh? 153 00:09:58,200 --> 00:10:00,280 Speaker 1: And you know he told that so, you know, like 154 00:10:01,120 --> 00:10:03,760 Speaker 1: at a cocktail party or whatever, and you won't believe this. 155 00:10:05,120 --> 00:10:08,120 Speaker 1: Don't say it. He's gonna say It's gonna say it. 156 00:10:08,800 --> 00:10:12,640 Speaker 1: Christie Brinkley. Actually it turns out the title of my record. 157 00:10:12,679 --> 00:10:16,760 Speaker 1: Oh no, he's gonna say the same thing. Yeah. He 158 00:10:17,040 --> 00:10:21,600 Speaker 1: um sold seven point one million copies in the US alone. Uh. 159 00:10:21,640 --> 00:10:26,640 Speaker 1: It's it's interesting. There's a great Chuck Klosterman essay about 160 00:10:27,080 --> 00:10:30,120 Speaker 1: Billy Joel and Bruce Springsteen, like comparing the two of 161 00:10:30,160 --> 00:10:34,240 Speaker 1: them and how you know Billy Joel is you know, 162 00:10:34,360 --> 00:10:37,880 Speaker 1: sold about the same amount of records that their peak songs, 163 00:10:37,920 --> 00:10:40,080 Speaker 1: Like if you look at them song for a song, 164 00:10:40,160 --> 00:10:45,400 Speaker 1: they both have like comparably really good, like uh, songs 165 00:10:45,440 --> 00:10:48,160 Speaker 1: that stand the test of time. But like Billy Joel 166 00:10:48,200 --> 00:10:51,440 Speaker 1: is just like not cool, So he just doesn't get 167 00:10:51,440 --> 00:10:55,480 Speaker 1: the respect that that Bruce Springsteen does. He doesn't have 168 00:10:55,520 --> 00:10:59,880 Speaker 1: like that folklore hero like vibe to him, right exactly. 169 00:11:00,120 --> 00:11:03,360 Speaker 1: Billy Joel on on this album cover is wearing boot 170 00:11:03,440 --> 00:11:06,080 Speaker 1: cut jeans. I feel like you'd never see Bruce Springsteen 171 00:11:06,120 --> 00:11:10,000 Speaker 1: and bootcut jeans. Uh. Well, I think Billy Joel had 172 00:11:10,040 --> 00:11:13,480 Speaker 1: a little bit of problem with getting dressed because he is, 173 00:11:13,559 --> 00:11:18,440 Speaker 1: like he's kind of shaped weird, he's very small. Um, 174 00:11:18,520 --> 00:11:21,079 Speaker 1: I think he just had trouble. Probably this stylist probably 175 00:11:21,080 --> 00:11:23,040 Speaker 1: didn't know what to do with him, so they kind 176 00:11:23,040 --> 00:11:24,600 Speaker 1: of like was all They were always kind of like 177 00:11:24,640 --> 00:11:26,920 Speaker 1: trying to try these because I do I always have 178 00:11:26,960 --> 00:11:30,480 Speaker 1: to wear a bootcut jeans. I don't know, I still 179 00:11:30,520 --> 00:11:33,719 Speaker 1: see the stilts just like he was like, does this 180 00:11:33,760 --> 00:11:36,040 Speaker 1: look good in the styles? Was like, yeah, good enough. 181 00:11:36,160 --> 00:11:37,840 Speaker 1: I guess like you're not, You're not You're not You're 182 00:11:37,880 --> 00:11:41,280 Speaker 1: not Springsteen. Man, I wouldn't think about it. But I 183 00:11:41,360 --> 00:11:43,680 Speaker 1: love Billy Joel for real. He's a great and I 184 00:11:43,720 --> 00:11:46,559 Speaker 1: recommend I recommend that record, and I recommend especially All 185 00:11:46,559 --> 00:11:48,920 Speaker 1: for Lano that song All for Lana going a hike 186 00:11:48,960 --> 00:11:51,880 Speaker 1: and put on All for Lana and uh and just 187 00:11:51,920 --> 00:11:59,719 Speaker 1: do your best. Sorry, yeah, I don't know what I'm 188 00:11:59,720 --> 00:12:02,040 Speaker 1: talking about. Listen. That's how I grew up. I was 189 00:12:02,080 --> 00:12:03,840 Speaker 1: the kid in the house that had to like make 190 00:12:03,880 --> 00:12:06,080 Speaker 1: it so my parents didn't get divorced. So for me, 191 00:12:06,120 --> 00:12:08,720 Speaker 1: this is a very hard time. So I'm like, I'm 192 00:12:08,760 --> 00:12:11,480 Speaker 1: telling everybody how I'm not kidding. I was a kid 193 00:12:11,520 --> 00:12:13,240 Speaker 1: in the house that my parents were like, we're going 194 00:12:13,280 --> 00:12:16,760 Speaker 1: to get divorced unless you do a joke. Oh my god. 195 00:12:17,000 --> 00:12:18,960 Speaker 1: It was like that kind of thing. And then I 196 00:12:18,960 --> 00:12:20,480 Speaker 1: would like to do a joke or whatever and they'd 197 00:12:20,480 --> 00:12:23,319 Speaker 1: be like, you saved our marriage. So for me this time, 198 00:12:23,360 --> 00:12:25,440 Speaker 1: it's just like I'm always like, there's a way to 199 00:12:25,480 --> 00:12:29,200 Speaker 1: look at it where it's gonna be okay mom. And 200 00:12:29,200 --> 00:12:31,960 Speaker 1: I'm sure that hasn't changed your engagement with comedy as 201 00:12:31,960 --> 00:12:34,840 Speaker 1: a career in any way. Negative. Probably not. I don't 202 00:12:34,880 --> 00:12:40,120 Speaker 1: think so great. What is a what's a myth? What's 203 00:12:40,120 --> 00:12:44,400 Speaker 1: something people think it's true or something vice versa. Okay, 204 00:12:44,440 --> 00:12:47,040 Speaker 1: this might be controversial, but but I think a myth 205 00:12:47,200 --> 00:12:50,040 Speaker 1: is the fact that diversity or representation are the ways 206 00:12:50,080 --> 00:12:55,880 Speaker 1: to solve racial problems necessarily, And I think main evidence 207 00:12:55,920 --> 00:12:59,199 Speaker 1: of that is that Jeffrey Epstein's Island did not allow 208 00:12:59,280 --> 00:13:06,920 Speaker 1: black girls. What for real? Yeah? Yeah, I mean I noticed, 209 00:13:07,040 --> 00:13:10,040 Speaker 1: I noticed the aesthetic in a lot of the photos 210 00:13:10,040 --> 00:13:12,679 Speaker 1: that I saw, But there is a motif. Yeah. Yeah. 211 00:13:12,880 --> 00:13:17,760 Speaker 1: My wife is Korean. She just watched the Filthy Rich documentary. 212 00:13:17,800 --> 00:13:20,120 Speaker 1: She was like, he really had a type. I was 213 00:13:20,200 --> 00:13:23,559 Speaker 1: kind of glad that it wasn't a Korean girls. Yeah, 214 00:13:23,800 --> 00:13:26,240 Speaker 1: It's like, would diversity have made this whole situation better? 215 00:13:26,600 --> 00:13:31,200 Speaker 1: I don't think so, you know sometimes Yeah, yeah that 216 00:13:31,480 --> 00:13:33,800 Speaker 1: I think Also the reason why a lot of people 217 00:13:33,840 --> 00:13:38,120 Speaker 1: think just inclusion or representation is like the answers, because 218 00:13:38,200 --> 00:13:42,239 Speaker 1: you don't have to upend the systemic you know, yeah, absolutely, 219 00:13:42,280 --> 00:13:46,079 Speaker 1: the structures that maintain these these forms of oppression and 220 00:13:46,200 --> 00:13:49,600 Speaker 1: racist Okay, well, I'm not going to sort of look 221 00:13:49,640 --> 00:13:51,719 Speaker 1: into my pay scales and things like that and the 222 00:13:51,800 --> 00:13:54,720 Speaker 1: numbers of people I employ. But how about this, I 223 00:13:54,800 --> 00:13:58,320 Speaker 1: will green light three shows with black people, or how 224 00:13:58,600 --> 00:14:02,040 Speaker 1: I will hire one black pe a r exactly works 225 00:14:02,080 --> 00:14:04,640 Speaker 1: in a different room from the one black writer, so 226 00:14:04,720 --> 00:14:08,439 Speaker 1: they never actually meet each other. Yeah. Yeah, that's always 227 00:14:08,480 --> 00:14:10,240 Speaker 1: funny when you like you're on a set and you 228 00:14:10,280 --> 00:14:13,319 Speaker 1: see the other black person. Oh yeah, well hold on, 229 00:14:13,360 --> 00:14:17,360 Speaker 1: hold on, hold on, stop stop, stop to go? How 230 00:14:17,440 --> 00:14:20,200 Speaker 1: you doing cut cut? Yeah? I'm like how are you 231 00:14:20,200 --> 00:14:22,000 Speaker 1: doing things? Like? Are you the director? It's like no, 232 00:14:22,320 --> 00:14:25,720 Speaker 1: I'm LaVar Burton's nephew, and I'm like that's fair. Yeah, 233 00:14:25,760 --> 00:14:28,120 Speaker 1: I'm just here visiting. Yeah, I'm like, okay, cool. How 234 00:14:28,120 --> 00:14:29,920 Speaker 1: are you liking it? He's like not for me, I'm 235 00:14:29,960 --> 00:14:35,320 Speaker 1: like fair. Yeah. I just feel like I've watched enough 236 00:14:35,360 --> 00:14:37,800 Speaker 1: anime that have like one black character or I'm just 237 00:14:37,840 --> 00:14:41,000 Speaker 1: like he didn't need to be there would more without him. 238 00:14:41,040 --> 00:14:43,960 Speaker 1: And also, Japanese culture has a very you know, fucked 239 00:14:44,000 --> 00:14:47,440 Speaker 1: up relationship with fetishizing blackness too, so it's it does 240 00:14:47,480 --> 00:14:49,960 Speaker 1: it's not a they're not gonna get the most even 241 00:14:50,040 --> 00:14:54,960 Speaker 1: handed representations. Yeah. Yeah, I've done videos on it, but 242 00:14:55,040 --> 00:14:58,000 Speaker 1: you know what, I don't think they're working. Yeah yeah, no, 243 00:14:58,040 --> 00:15:01,440 Speaker 1: I mean it's it's hard. It's you know, island nation mentality, 244 00:15:01,520 --> 00:15:04,000 Speaker 1: and people just have this thing. You're like, well, it's 245 00:15:04,000 --> 00:15:06,760 Speaker 1: not violent racism, it's just it's just really it's just 246 00:15:06,880 --> 00:15:11,480 Speaker 1: violent other ring of people and being absolutely dismissive. I 247 00:15:11,520 --> 00:15:13,800 Speaker 1: mean if this happens with force in general, especially if 248 00:15:13,840 --> 00:15:16,280 Speaker 1: you have something to say on societal issues in Japanese culture, 249 00:15:16,560 --> 00:15:18,240 Speaker 1: where if you have a platform and you say something, 250 00:15:18,280 --> 00:15:20,760 Speaker 1: the immediate things like, well they're not Japanese and you know, 251 00:15:20,880 --> 00:15:23,000 Speaker 1: thank you for even though this person was raised here 252 00:15:23,360 --> 00:15:25,400 Speaker 1: and speaks the language and works here and knows that 253 00:15:25,440 --> 00:15:29,280 Speaker 1: they're like but you know, but you know this steps 254 00:15:29,680 --> 00:15:34,720 Speaker 1: every everywhere you go. We gotta make steps, small strides. Alright, guys, 255 00:15:34,800 --> 00:15:37,560 Speaker 1: let's take a quick break and we'll be right back. 256 00:15:47,800 --> 00:15:50,160 Speaker 1: And we're back. I wanted to talk a little bit 257 00:15:50,160 --> 00:15:52,840 Speaker 1: about the anti mask movement. It just seems like there's 258 00:15:52,920 --> 00:15:55,480 Speaker 1: like some ways in which it's creeping into the main 259 00:15:55,560 --> 00:15:59,880 Speaker 1: stream a little bit. I noticed some sort of you know, 260 00:16:00,160 --> 00:16:05,120 Speaker 1: moms and dads of children in like classes, my kids 261 00:16:05,160 --> 00:16:11,000 Speaker 1: have been in spreading like things that were yeah, masker 262 00:16:11,320 --> 00:16:16,240 Speaker 1: anti masker light type ship. And there was a big 263 00:16:16,360 --> 00:16:20,840 Speaker 1: protest in Germany, which I had kind of uh credited 264 00:16:20,880 --> 00:16:22,760 Speaker 1: with being good about this sort of thing, where they 265 00:16:22,760 --> 00:16:26,680 Speaker 1: were like, you can't tell tell us to wear masks basically. 266 00:16:27,200 --> 00:16:28,800 Speaker 1: So I just wanted to like kind of take a 267 00:16:28,840 --> 00:16:33,000 Speaker 1: step back because it does seem like I don't know 268 00:16:33,320 --> 00:16:37,640 Speaker 1: the like this is the direction this whole thing is 269 00:16:37,720 --> 00:16:40,800 Speaker 1: headed like that that just doesn't seem to be going away, 270 00:16:40,880 --> 00:16:44,920 Speaker 1: no matter how many scientific papers and you know, panels 271 00:16:44,960 --> 00:16:47,920 Speaker 1: of scientists come out and say no, masks are important, 272 00:16:48,560 --> 00:16:51,480 Speaker 1: like for some reason, they just don't seem capable of 273 00:16:52,640 --> 00:16:56,040 Speaker 1: letting that go. What's like the take that you're hearing 274 00:16:56,120 --> 00:16:58,360 Speaker 1: from people, You're like, damn, y'all are on this ship too, 275 00:16:58,360 --> 00:17:00,960 Speaker 1: because usually you know, the real heavy ship is like 276 00:17:01,040 --> 00:17:04,479 Speaker 1: the over the top Satan trying to mask all that stuff. 277 00:17:04,520 --> 00:17:06,960 Speaker 1: But then you see the sort of concern troll the 278 00:17:07,560 --> 00:17:11,719 Speaker 1: um angles about it of like carbon dioxide poisoning exactly. 279 00:17:11,960 --> 00:17:16,479 Speaker 1: So the one I'm seeing from parents is unmask our kids. 280 00:17:16,800 --> 00:17:20,000 Speaker 1: Let's talk mom to mom. That was like a graphic 281 00:17:20,080 --> 00:17:22,800 Speaker 1: that I saw people passing around. And then from inhaling, 282 00:17:22,960 --> 00:17:27,240 Speaker 1: micro mold caused by trapped water vapor for exhalation can 283 00:17:27,280 --> 00:17:29,960 Speaker 1: be harmful. Inhaling, the slow build up of c O 284 00:17:30,119 --> 00:17:34,480 Speaker 1: two causes impaired cognition suffocation for babies and toddlers who 285 00:17:34,480 --> 00:17:38,920 Speaker 1: cannot communicate. These are all you know, debunked, right. They're saying, 286 00:17:38,960 --> 00:17:41,560 Speaker 1: our community is seeing evidence of all of these issues 287 00:17:41,560 --> 00:17:46,040 Speaker 1: and children that's not true. Yeah, exactly. It's on YouTube. 288 00:17:46,119 --> 00:17:50,560 Speaker 1: It's on YouTube, yeah yeah, and it's it's frightening, is 289 00:17:50,600 --> 00:17:54,080 Speaker 1: what it is. It is like we're just I think 290 00:17:54,080 --> 00:17:58,200 Speaker 1: we're just seeing this everywhere now that social media is 291 00:17:58,240 --> 00:18:02,119 Speaker 1: a thing, Like, we're not designed to be an evidence 292 00:18:02,320 --> 00:18:07,400 Speaker 1: based Species were designed to be a narrative based one. Um. 293 00:18:07,440 --> 00:18:12,400 Speaker 1: There was this on Chopo. Actually, Adam McKay was talking 294 00:18:12,400 --> 00:18:15,880 Speaker 1: about the book Species and how the thing that separated 295 00:18:16,240 --> 00:18:20,199 Speaker 1: Homo sapiens from Neanderthals, like we were basically like the 296 00:18:20,440 --> 00:18:25,119 Speaker 1: two competing forms of like what approximated humans, and the 297 00:18:25,240 --> 00:18:28,560 Speaker 1: thing that Homo sapiens kept losing battles, but then they 298 00:18:28,560 --> 00:18:31,480 Speaker 1: would come back with more and more people and eventually 299 00:18:31,520 --> 00:18:35,639 Speaker 1: like overwhelmed the Neanderthals. And the idea is basically that 300 00:18:35,760 --> 00:18:38,240 Speaker 1: they were able to get people to believe in these 301 00:18:38,359 --> 00:18:42,000 Speaker 1: narratives and like get on board with whatever the war 302 00:18:42,200 --> 00:18:45,800 Speaker 1: cause was. Um, and that is like our defining feature 303 00:18:46,040 --> 00:18:49,480 Speaker 1: is like our gullibility essentially and our ability to like 304 00:18:49,560 --> 00:18:52,680 Speaker 1: believe in our narrative, to get charged up by a narrative. 305 00:18:52,760 --> 00:18:55,840 Speaker 1: So it's not anything to do with the truth. It's 306 00:18:55,920 --> 00:18:59,280 Speaker 1: just that we believe in stories. That's like our defining 307 00:18:59,400 --> 00:19:02,480 Speaker 1: feature as a species. I feel like you just explained 308 00:19:02,560 --> 00:19:06,000 Speaker 1: my most recent breakup. I just really believed the stories. 309 00:19:06,359 --> 00:19:10,159 Speaker 1: It was really just what a dumb bitch. Thank you. 310 00:19:10,960 --> 00:19:15,520 Speaker 1: Jack really really hit me hard on that one. The yikes, Okay, sorry, 311 00:19:15,640 --> 00:19:20,399 Speaker 1: I don't believe that was his Ferrari it had on 312 00:19:20,400 --> 00:19:25,200 Speaker 1: the window. He said she was just a friend helping 313 00:19:25,240 --> 00:19:27,720 Speaker 1: him through his last break up. Oh my god, that's 314 00:19:27,720 --> 00:19:30,000 Speaker 1: why they're still close. It's I mean, it's just funny 315 00:19:30,000 --> 00:19:32,280 Speaker 1: because your I agree. I fully agree with you. That 316 00:19:32,440 --> 00:19:35,159 Speaker 1: is totally right. It's scary as funk how much we 317 00:19:35,240 --> 00:19:37,440 Speaker 1: just we take people for face value. I mean it's 318 00:19:37,440 --> 00:19:39,320 Speaker 1: hard for me too, because I was just talking to 319 00:19:39,359 --> 00:19:42,560 Speaker 1: a friend because I'm like, too honest, I'm too truthful 320 00:19:43,040 --> 00:19:45,520 Speaker 1: to the point that people don't believe me when I 321 00:19:45,520 --> 00:19:48,440 Speaker 1: tell the truth. And I have found that very fascinating 322 00:19:48,440 --> 00:19:51,880 Speaker 1: because most people don't just lie, but they believe their 323 00:19:51,960 --> 00:19:56,640 Speaker 1: lies or you know, they just spread so much nonsense 324 00:19:57,240 --> 00:19:59,680 Speaker 1: that when you are telling the truth or you're providing 325 00:19:59,680 --> 00:20:03,520 Speaker 1: fact or you know, you're showing ship with science, people 326 00:20:03,560 --> 00:20:06,480 Speaker 1: are like, I don't know, I just doesn't feel like 327 00:20:06,560 --> 00:20:09,919 Speaker 1: it makes sense. And it's like I don't even know 328 00:20:09,960 --> 00:20:12,639 Speaker 1: how to deal with this ship because I have a 329 00:20:12,640 --> 00:20:16,760 Speaker 1: family member whose anti mask and it's like she really 330 00:20:17,680 --> 00:20:21,880 Speaker 1: she talks in circles and it's exhausting. It's exhausting. It's 331 00:20:21,960 --> 00:20:27,560 Speaker 1: just you can't and the children. Yeah, yeah, that's I 332 00:20:27,560 --> 00:20:30,320 Speaker 1: think the other thing though, too. It's like this level 333 00:20:30,480 --> 00:20:35,080 Speaker 1: of exhaustion people get because like, on one level, we're 334 00:20:35,080 --> 00:20:37,320 Speaker 1: willing to say like, yeah, this is this is something 335 00:20:37,400 --> 00:20:40,080 Speaker 1: biology and science is going to take the lead on 336 00:20:40,240 --> 00:20:42,719 Speaker 1: and figuring out because we are flesh and blood humans 337 00:20:42,720 --> 00:20:45,600 Speaker 1: and that's just the arena we're in. The science is 338 00:20:45,600 --> 00:20:47,679 Speaker 1: going to have to solve this. It's not about like 339 00:20:48,119 --> 00:20:51,000 Speaker 1: oh if I fucking cock my fist back far enough 340 00:20:51,040 --> 00:20:53,320 Speaker 1: in a writ age, God, I was just aroused. You 341 00:20:53,320 --> 00:20:59,359 Speaker 1: guys should have seen what I So like, there's this 342 00:20:59,480 --> 00:21:02,680 Speaker 1: other thing where it's just so much tidier an explanation 343 00:21:02,720 --> 00:21:05,520 Speaker 1: to just say the cure is already out there and 344 00:21:05,560 --> 00:21:07,879 Speaker 1: they're just keeping us from that with all these masks 345 00:21:07,880 --> 00:21:10,800 Speaker 1: and ship because X, Y and Z, and it's so 346 00:21:10,920 --> 00:21:13,920 Speaker 1: much easier than this, say I'm completely out of control. 347 00:21:14,280 --> 00:21:18,000 Speaker 1: In this instance, I have zero fucking control over this. 348 00:21:18,400 --> 00:21:21,240 Speaker 1: What I do have control over is my outlook on 349 00:21:21,400 --> 00:21:23,879 Speaker 1: things and these other so the things you do have 350 00:21:23,920 --> 00:21:25,800 Speaker 1: control over. It's like, yeah, fuck it, I'm gonna get 351 00:21:25,840 --> 00:21:28,119 Speaker 1: charged up off this. If I put a mask on, 352 00:21:28,200 --> 00:21:31,280 Speaker 1: I will poison myself, even though there have been countless doctors, 353 00:21:31,320 --> 00:21:35,359 Speaker 1: medical experts, respiratory specialists who have been like, I'm gonna 354 00:21:35,400 --> 00:21:38,520 Speaker 1: hook myself up to a blood oxygen reading like machine 355 00:21:38,800 --> 00:21:40,919 Speaker 1: with a mask on, and I'm gonna walk for a 356 00:21:40,960 --> 00:21:42,720 Speaker 1: long time so you can see what my like, my 357 00:21:42,800 --> 00:21:46,040 Speaker 1: oxygen levels are and they will never go in anything 358 00:21:46,280 --> 00:21:50,080 Speaker 1: out below. Ever, this is not gonna happen, and you 359 00:21:50,080 --> 00:21:52,000 Speaker 1: will see me do this because I'm trying to show 360 00:21:52,080 --> 00:21:54,960 Speaker 1: y'all because you believe this other thing. And again that 361 00:21:55,040 --> 00:21:57,040 Speaker 1: doesn't work because these people are like I'm tired of 362 00:21:57,040 --> 00:21:59,640 Speaker 1: being at home. I'm tired or not like working, I'm 363 00:21:59,640 --> 00:22:02,119 Speaker 1: tired of being There's all kinds of stressors building on 364 00:22:02,200 --> 00:22:04,960 Speaker 1: people that they aren't able to articulate. I think also, 365 00:22:05,080 --> 00:22:06,639 Speaker 1: so it's so much easier to be like fuck the 366 00:22:06,720 --> 00:22:10,159 Speaker 1: government and these masks when it should be like my 367 00:22:10,240 --> 00:22:13,840 Speaker 1: employer won't give me health insurance and I have like 368 00:22:13,920 --> 00:22:18,000 Speaker 1: other kids that I'm worried about getting education. But it's 369 00:22:18,040 --> 00:22:20,640 Speaker 1: easy to put all that ship into the this other 370 00:22:20,760 --> 00:22:23,360 Speaker 1: tidy thing of the master fucking us up blah blah blah. 371 00:22:23,359 --> 00:22:25,359 Speaker 1: And it's and I get it on one level, but 372 00:22:26,240 --> 00:22:28,240 Speaker 1: it's it's dark and is dangerous because there's a lot 373 00:22:28,280 --> 00:22:31,480 Speaker 1: of real energy out there. It's also because I think 374 00:22:31,520 --> 00:22:33,879 Speaker 1: that the I think that's the extreme of people that 375 00:22:33,960 --> 00:22:36,600 Speaker 1: are so frustrated that they're angry and that they believe 376 00:22:36,640 --> 00:22:38,639 Speaker 1: this bullshit. I think there's the other group of people 377 00:22:38,680 --> 00:22:40,280 Speaker 1: that they don't know how to just and this is 378 00:22:40,280 --> 00:22:41,600 Speaker 1: common for a lot of people. They don't know how 379 00:22:41,640 --> 00:22:44,240 Speaker 1: to say I don't know, I don't know what's true, 380 00:22:44,280 --> 00:22:47,080 Speaker 1: I don't know what's happening, as opposed to, you know, 381 00:22:47,520 --> 00:22:50,119 Speaker 1: holding onto these extremes. I mean, that's what's sucked up. 382 00:22:50,160 --> 00:22:51,919 Speaker 1: I mean, that's that's a big part of the problem 383 00:22:51,920 --> 00:22:53,800 Speaker 1: with a lot of issues is that people don't know 384 00:22:53,840 --> 00:22:57,159 Speaker 1: how to admit that they don't know and it's okay 385 00:22:57,160 --> 00:22:59,200 Speaker 1: not to know. I think this has been like our 386 00:22:59,240 --> 00:23:03,520 Speaker 1: most common and underrated that guests have come on to say, 387 00:23:03,680 --> 00:23:07,280 Speaker 1: is that or just basically make normalizing saying you don't 388 00:23:07,280 --> 00:23:13,160 Speaker 1: know that yeah, and I think there's we don't want 389 00:23:13,160 --> 00:23:17,320 Speaker 1: to be one part of a system. That's as Americans 390 00:23:17,359 --> 00:23:20,880 Speaker 1: in particular, we don't want to be uh like we're 391 00:23:20,920 --> 00:23:25,879 Speaker 1: we're just I think too much of our self evaluation, 392 00:23:25,920 --> 00:23:29,159 Speaker 1: our self value. It comes from the idea that we're 393 00:23:30,040 --> 00:23:34,399 Speaker 1: um somehow special because that's what like American identity is 394 00:23:34,440 --> 00:23:38,680 Speaker 1: based around. And so you know what like these ideas are. 395 00:23:39,040 --> 00:23:43,120 Speaker 1: It's not like some geniuses some somewhere picking the perfect 396 00:23:43,200 --> 00:23:47,960 Speaker 1: idea to appeal to mothers and realizing like that telling 397 00:23:48,000 --> 00:23:50,959 Speaker 1: them that their motherly intuition knows what's best for their 398 00:23:51,000 --> 00:23:54,040 Speaker 1: kids instead of scientists like and that these are all 399 00:23:54,720 --> 00:23:58,399 Speaker 1: things that they secretly suspected and hoped were true, like 400 00:23:58,440 --> 00:24:01,960 Speaker 1: they It's just that there's a million ideas being put out, 401 00:24:02,119 --> 00:24:05,160 Speaker 1: and the one that is most successful at like clinging 402 00:24:05,200 --> 00:24:08,399 Speaker 1: onto those desires of mothers is the one that gets 403 00:24:08,400 --> 00:24:11,960 Speaker 1: spread viral e Like literally it's like a thought virus 404 00:24:12,080 --> 00:24:15,240 Speaker 1: that is being spread. The most effective one is going 405 00:24:15,280 --> 00:24:18,560 Speaker 1: to eventually like take over. And that's kind of what 406 00:24:18,720 --> 00:24:21,560 Speaker 1: like the social media, Like I the more I think 407 00:24:21,560 --> 00:24:24,080 Speaker 1: about the the more I'm like we as long as 408 00:24:24,080 --> 00:24:29,280 Speaker 1: we have social media and pat nobody who's responsible acting 409 00:24:29,280 --> 00:24:32,919 Speaker 1: as a gatekeeper on like what gets spread. It's just 410 00:24:32,960 --> 00:24:37,360 Speaker 1: gonna be ideas that people wish were true rather than 411 00:24:37,880 --> 00:24:41,199 Speaker 1: the truth. Yeah, because Twitter starting to look like the 412 00:24:41,240 --> 00:24:45,399 Speaker 1: first grade schoolyard and and there's a third grader telling 413 00:24:45,440 --> 00:24:47,879 Speaker 1: them some bullshit they all believe, Oh yeah, you know 414 00:24:47,880 --> 00:24:49,560 Speaker 1: what I mean. And that's and it ends there. It's 415 00:24:49,600 --> 00:24:51,320 Speaker 1: like yeah, great, I mean well Mark said, you know 416 00:24:51,359 --> 00:24:53,280 Speaker 1: what I mean. Like if you you know, if if 417 00:24:53,320 --> 00:24:55,160 Speaker 1: you look at this thing too long, like you go blind, 418 00:24:55,680 --> 00:24:57,600 Speaker 1: like don't touch your penis or you go like it's 419 00:24:57,600 --> 00:25:00,399 Speaker 1: like all this weird. It's just like pseudoscience that like 420 00:25:00,440 --> 00:25:02,320 Speaker 1: you know, like that because that's what it feels like 421 00:25:02,320 --> 00:25:04,879 Speaker 1: when you're a kid, Like the lame ship you believe 422 00:25:05,000 --> 00:25:08,680 Speaker 1: is the gospel treat because someone's slightly older than Yeah, 423 00:25:08,800 --> 00:25:12,800 Speaker 1: whatever the funk it is God truth, the truth faery. 424 00:25:13,240 --> 00:25:15,280 Speaker 1: So I think now, like with social media is sort 425 00:25:15,320 --> 00:25:18,680 Speaker 1: of the same environment where you have a receptive audience. 426 00:25:18,920 --> 00:25:21,200 Speaker 1: Somebody just sprinkles that in and there's no one there 427 00:25:21,240 --> 00:25:23,840 Speaker 1: to be like yo, someone needs Uh. It's just a 428 00:25:23,840 --> 00:25:26,080 Speaker 1: lot of energy. Now, like how do you get somebody 429 00:25:26,119 --> 00:25:29,560 Speaker 1: to look at something differently when they're already so receptive 430 00:25:29,640 --> 00:25:32,840 Speaker 1: to anything because we're like people have just been failed 431 00:25:33,040 --> 00:25:36,760 Speaker 1: or people have failed to understand what's going on. Yeah, 432 00:25:36,800 --> 00:25:40,520 Speaker 1: I'm also shocked that like people, Hey, you go to 433 00:25:40,600 --> 00:25:43,800 Speaker 1: a doctor's office, if you get surgery, they're in masks. 434 00:25:44,440 --> 00:25:48,000 Speaker 1: If you if you travel, people more masks and other places. 435 00:25:48,040 --> 00:25:51,600 Speaker 1: I mean, one of the weirdest conversation I don't know 436 00:25:51,600 --> 00:25:53,040 Speaker 1: if I mentioned this last time. One of the weirdest 437 00:25:53,040 --> 00:25:56,119 Speaker 1: conversations I ever had. When I was I was working 438 00:25:56,119 --> 00:25:59,320 Speaker 1: in Tokyo the other comedian and he saw a bunch 439 00:25:59,359 --> 00:26:02,040 Speaker 1: of people in masks and his reaction was like, if 440 00:26:02,080 --> 00:26:03,199 Speaker 1: this is going to be the house that they need 441 00:26:03,200 --> 00:26:04,840 Speaker 1: to wear a mask, why don't they just stay home? 442 00:26:04,840 --> 00:26:06,000 Speaker 1: And I was like, what do they have something and 443 00:26:06,000 --> 00:26:08,320 Speaker 1: they're trying not to spread it? And like I had, 444 00:26:09,440 --> 00:26:12,360 Speaker 1: And that was the thing was I was like, I've 445 00:26:12,440 --> 00:26:14,600 Speaker 1: never even had that thought. I've never even had to 446 00:26:14,640 --> 00:26:16,760 Speaker 1: defend someone wearing a mask, And that was my my 447 00:26:16,840 --> 00:26:19,720 Speaker 1: initial reaction. And I guess I always think back to 448 00:26:19,760 --> 00:26:22,680 Speaker 1: that moment of like, why did he see that that 449 00:26:22,760 --> 00:26:25,200 Speaker 1: that way? And why did I see it this way? 450 00:26:25,359 --> 00:26:27,640 Speaker 1: And and that's really how I see it sometimes where 451 00:26:27,640 --> 00:26:30,840 Speaker 1: it's like some people just are incapable of looking at 452 00:26:30,920 --> 00:26:33,880 Speaker 1: ship in different ways. You just see it the one 453 00:26:33,880 --> 00:26:39,639 Speaker 1: way and that's it. Yeah, the whole idea that scientists 454 00:26:39,680 --> 00:26:42,920 Speaker 1: are trying to get people to understand is that it's 455 00:26:43,000 --> 00:26:47,199 Speaker 1: source control that you'd be protecting other people if because 456 00:26:47,280 --> 00:26:50,440 Speaker 1: you might have already caught it and might be asymptomatic 457 00:26:50,440 --> 00:26:53,040 Speaker 1: at the time when they change from being like masks 458 00:26:53,320 --> 00:26:56,520 Speaker 1: should be worn if available to everybody needs to wear 459 00:26:56,600 --> 00:27:00,640 Speaker 1: masks when they realized asymptomatic people are spreading this disease. 460 00:27:00,800 --> 00:27:03,520 Speaker 1: You might have it and not realize it, but that 461 00:27:03,600 --> 00:27:09,520 Speaker 1: requires people to like it's just so incongruous to the 462 00:27:09,720 --> 00:27:14,160 Speaker 1: version of reality that Americans are the like I'm special, 463 00:27:15,800 --> 00:27:19,040 Speaker 1: not part of the you know, we're fed a very 464 00:27:19,160 --> 00:27:23,600 Speaker 1: tailored diet of bullshit stories about the country too. That 465 00:27:23,720 --> 00:27:26,520 Speaker 1: makes everyone if you're not critical, you'd be like, yeah, 466 00:27:26,520 --> 00:27:29,720 Speaker 1: America is like the coolest place where uh like, white 467 00:27:29,720 --> 00:27:32,639 Speaker 1: people just prosper and nothing bad ever happens. Like really, 468 00:27:32,920 --> 00:27:36,520 Speaker 1: you know, I think you're not raised learning what the 469 00:27:36,560 --> 00:27:39,040 Speaker 1: foundations of this country are in terms of that it's 470 00:27:39,080 --> 00:27:42,399 Speaker 1: built off of you know, chattel, slavery and uh like 471 00:27:42,480 --> 00:27:46,639 Speaker 1: using this forced labor to create the foundations economically to 472 00:27:46,720 --> 00:27:50,719 Speaker 1: create this amazing country, or that it was completely stolen 473 00:27:50,760 --> 00:27:54,760 Speaker 1: from indigenous people and that we've systematically made it so 474 00:27:54,920 --> 00:27:57,600 Speaker 1: it's impossible for these groups to now flourish in this 475 00:27:57,680 --> 00:28:00,760 Speaker 1: new version of America. So it's and on top of it, 476 00:28:00,920 --> 00:28:03,480 Speaker 1: the country doesn't know the kind of destruction or war 477 00:28:03,600 --> 00:28:06,240 Speaker 1: that many other countries have had brought to their doorsteps. 478 00:28:06,280 --> 00:28:09,480 Speaker 1: So there's this idea that America will never know, like 479 00:28:09,680 --> 00:28:12,120 Speaker 1: we'll never know foreign troops on our streets, will never 480 00:28:12,160 --> 00:28:14,520 Speaker 1: know bombed out buildings from of like an invading army 481 00:28:14,600 --> 00:28:17,159 Speaker 1: or anything like that. But it's it's woven into the 482 00:28:17,200 --> 00:28:20,480 Speaker 1: histories of many other countries. Like even if you're English, 483 00:28:20,760 --> 00:28:22,800 Speaker 1: you know about the Blitz and you know that people 484 00:28:22,800 --> 00:28:25,600 Speaker 1: had to go underground because the bombs, the bombings were 485 00:28:25,600 --> 00:28:27,760 Speaker 1: so wild that that's just what it was that became 486 00:28:27,800 --> 00:28:29,879 Speaker 1: the day to day of that country. People in Japan 487 00:28:29,960 --> 00:28:32,159 Speaker 1: know you can get an atomic bomb dropped on you 488 00:28:32,560 --> 00:28:36,359 Speaker 1: or any like. It's that sort of strife is just 489 00:28:36,480 --> 00:28:40,600 Speaker 1: so abstract to Americans that the second there's something like that, 490 00:28:40,680 --> 00:28:45,840 Speaker 1: it just becomes it just it becomes a circus, Like 491 00:28:45,880 --> 00:28:49,520 Speaker 1: there's just not that ability. I don't know why to say, Okay, 492 00:28:49,520 --> 00:28:52,040 Speaker 1: we need to hold tight. But again, I think because 493 00:28:52,040 --> 00:28:55,840 Speaker 1: of the mentality of America is so individualistic that yeah, 494 00:28:55,960 --> 00:28:58,840 Speaker 1: something like wearing a mask to consider the safety of 495 00:28:58,880 --> 00:29:02,200 Speaker 1: another person is just antithetical to this whole idea we 496 00:29:02,240 --> 00:29:04,560 Speaker 1: have of what it means to be American. Yeah, I've 497 00:29:04,600 --> 00:29:07,440 Speaker 1: been saying that, like, we need to publicize the fact 498 00:29:07,440 --> 00:29:10,080 Speaker 1: that the flu shot is not for you, it's for 499 00:29:10,200 --> 00:29:13,720 Speaker 1: like saving the lives of old people in babies that 500 00:29:13,800 --> 00:29:17,959 Speaker 1: you're around, because like, I feel like that's an underrepresented thing, 501 00:29:18,000 --> 00:29:20,560 Speaker 1: like you might have the flu and be spreading it 502 00:29:20,640 --> 00:29:23,280 Speaker 1: and not really be sick. Like, so the people who 503 00:29:23,280 --> 00:29:25,120 Speaker 1: are like I don't know the flu in years, like 504 00:29:25,480 --> 00:29:28,080 Speaker 1: and so I don't get the flu shot are actually 505 00:29:28,520 --> 00:29:31,560 Speaker 1: you know, that's a thing you're saying that's incredibly selfish. 506 00:29:31,600 --> 00:29:34,640 Speaker 1: I've been saying, like that needs to be the publicity 507 00:29:34,720 --> 00:29:39,240 Speaker 1: campaign because that like actually makes it seem like more 508 00:29:39,280 --> 00:29:42,360 Speaker 1: heroic to get a flu shot than not to. But 509 00:29:42,560 --> 00:29:45,720 Speaker 1: I now think, like that's not like that wouldn't work 510 00:29:45,760 --> 00:29:49,280 Speaker 1: in America. It's about anything that is seen as weakness 511 00:29:49,280 --> 00:29:54,400 Speaker 1: and not strength is immediately rejected. So having empathy is weakness. 512 00:29:54,840 --> 00:29:58,320 Speaker 1: Wearing a mask is weakness, you know, saying having to 513 00:29:58,360 --> 00:30:00,520 Speaker 1: get a flu shot is weakness, because then you can't 514 00:30:00,520 --> 00:30:02,640 Speaker 1: be like, I got the most brawlic commune system on 515 00:30:02,680 --> 00:30:05,480 Speaker 1: fucking earth. Bro come at me like I'll eat bio 516 00:30:05,520 --> 00:30:09,240 Speaker 1: hazardous waste and be chill the next day. Like it's 517 00:30:09,280 --> 00:30:11,920 Speaker 1: that idea, so like to somebody, because myself I was 518 00:30:11,960 --> 00:30:14,840 Speaker 1: like that too until I got schooled and I was like, yeah, 519 00:30:14,840 --> 00:30:16,320 Speaker 1: you know what I do? You get this food shot? 520 00:30:16,320 --> 00:30:19,240 Speaker 1: And I was thinking more in this very individualistically, I'm like, no, 521 00:30:19,320 --> 00:30:23,680 Speaker 1: I'm good. I'm good. I'm good, rather than what's my 522 00:30:24,040 --> 00:30:27,440 Speaker 1: what's my responsibility to other people in my community? What's 523 00:30:27,480 --> 00:30:29,840 Speaker 1: my But that's a that's a thought most people would 524 00:30:29,880 --> 00:30:32,480 Speaker 1: be interesting. I'm curious how many Americans would ever say, now, 525 00:30:32,520 --> 00:30:36,400 Speaker 1: what's my responsibility to the others in my community? When 526 00:30:36,440 --> 00:30:39,200 Speaker 1: you have a when you have a leader that's always 527 00:30:39,680 --> 00:30:42,040 Speaker 1: talking about himself in a way that makes him seemless, 528 00:30:42,080 --> 00:30:45,720 Speaker 1: and he here's the fun up thing he achieved what 529 00:30:45,840 --> 00:30:49,840 Speaker 1: he achieved being completely selfish, you know, and and and 530 00:30:49,920 --> 00:30:53,480 Speaker 1: throwing people under a buss and yeah, and and exploiting 531 00:30:53,520 --> 00:30:57,600 Speaker 1: people and and sucking people over and he proved that 532 00:30:57,720 --> 00:31:00,720 Speaker 1: you can't achieve the greatest title in them in America 533 00:31:01,360 --> 00:31:04,560 Speaker 1: by being a selfish piece of ship. So that's what sucks, 534 00:31:04,640 --> 00:31:06,080 Speaker 1: is like, we can sit here and talk about this 535 00:31:06,080 --> 00:31:09,320 Speaker 1: ship all day, but a lot of mother Yes, the 536 00:31:09,360 --> 00:31:11,920 Speaker 1: examples are there, that's what they and they love him. 537 00:31:11,960 --> 00:31:13,640 Speaker 1: That's why they love him. They're like, fuck it, I 538 00:31:13,640 --> 00:31:15,720 Speaker 1: can be selfish a funk if I want to and 539 00:31:15,760 --> 00:31:18,080 Speaker 1: get away with it and be president and be rich 540 00:31:18,320 --> 00:31:21,400 Speaker 1: and have a hot wife like and be best. Yeah, 541 00:31:21,520 --> 00:31:24,440 Speaker 1: it's and and he's proving that you you can be 542 00:31:24,560 --> 00:31:27,800 Speaker 1: successful by being selfish. That's what's fucked. Like, we can 543 00:31:27,800 --> 00:31:29,600 Speaker 1: talk about this all day, but that's that's the real 544 00:31:29,640 --> 00:31:31,920 Speaker 1: funckory here. And I think maybe the other side of 545 00:31:31,920 --> 00:31:34,080 Speaker 1: that coin to what you're saying, Marcella, is that if 546 00:31:34,080 --> 00:31:37,360 Speaker 1: he's that example and now we're seeing how poorly he's 547 00:31:37,400 --> 00:31:42,080 Speaker 1: performing because science is clearly against him and is actually 548 00:31:42,120 --> 00:31:45,040 Speaker 1: the the reasonable argument and all of this, that it's 549 00:31:45,080 --> 00:31:47,160 Speaker 1: doubly a threat to those people because like, well, what 550 00:31:47,240 --> 00:31:48,720 Speaker 1: the funk I just thought I could do whatever the 551 00:31:48,720 --> 00:31:51,000 Speaker 1: funk I want And now there's all this masks ship. 552 00:31:51,360 --> 00:31:55,000 Speaker 1: What the fun But that's the thing. They are getting 553 00:31:55,000 --> 00:31:56,960 Speaker 1: away with it because there are people that aren't seeing 554 00:31:56,960 --> 00:31:59,440 Speaker 1: people around them die or anyone they love die, so 555 00:31:59,560 --> 00:32:01,720 Speaker 1: like they they will, they will not be hindered in 556 00:32:01,760 --> 00:32:04,880 Speaker 1: their perspective unless and that's what's fucked, right, because we 557 00:32:04,920 --> 00:32:07,440 Speaker 1: see like people having white these white people in Texas 558 00:32:07,480 --> 00:32:10,040 Speaker 1: having parties and then their family died, like thirteen family 559 00:32:10,080 --> 00:32:12,800 Speaker 1: members die, and it's like, oh, ship, maybe we were wrong. 560 00:32:12,880 --> 00:32:16,760 Speaker 1: Like that's what it's taking for some people, which is bonkers, terrible, 561 00:32:17,400 --> 00:32:19,440 Speaker 1: terrible price to pay for that left, right, But it's 562 00:32:19,480 --> 00:32:22,760 Speaker 1: still it's still not happening everywhere. And that's what's crazy 563 00:32:22,800 --> 00:32:26,840 Speaker 1: about the Florida ship. Right, they were mimicking our president 564 00:32:27,440 --> 00:32:30,959 Speaker 1: and now we're seeing the repercussions of that. And so 565 00:32:31,200 --> 00:32:34,200 Speaker 1: I hope, I hope that they change their mind, but 566 00:32:34,320 --> 00:32:37,440 Speaker 1: will they He's still he's still doing not terrible in 567 00:32:37,480 --> 00:32:40,960 Speaker 1: the numbers in the poll. Yeah, his approval and disapproval 568 00:32:41,040 --> 00:32:44,840 Speaker 1: or his approval is going up and disapproval going down, 569 00:32:44,960 --> 00:32:48,320 Speaker 1: like very slightly. And he's still not where any presidential 570 00:32:48,400 --> 00:32:51,080 Speaker 1: candidate will want to be. But it's still shocking to 571 00:32:51,120 --> 00:32:55,880 Speaker 1: me that he's anything but like like forty points underwater, 572 00:32:56,480 --> 00:32:59,560 Speaker 1: given how how badly he's sucked Up's how but again, 573 00:32:59,720 --> 00:33:03,920 Speaker 1: netives right, that's to your point of narratives. That means 574 00:33:04,000 --> 00:33:06,840 Speaker 1: the country is all in on this narrative of white 575 00:33:06,840 --> 00:33:11,800 Speaker 1: supremacy and cultural dominance. And it's again, it's it's a 576 00:33:11,840 --> 00:33:15,120 Speaker 1: fourth quarter. How all in are they? Miles, They're so 577 00:33:15,200 --> 00:33:18,480 Speaker 1: all in to the point that they will shoot at 578 00:33:18,520 --> 00:33:21,400 Speaker 1: cops with an a K forty seven and shoot at 579 00:33:21,440 --> 00:33:23,880 Speaker 1: a store owner who asks them to wear a mask 580 00:33:23,920 --> 00:33:26,920 Speaker 1: with a handgun. Um, that's what one man did in 581 00:33:27,040 --> 00:33:30,959 Speaker 1: Pennsylvania and Bethlehem, Pennsylvania. Another thing they're all in on. 582 00:33:31,520 --> 00:33:35,560 Speaker 1: Some of the anti mask people are wearing fake masks 583 00:33:35,640 --> 00:33:39,320 Speaker 1: that don't prevent them from spreading germs, but just we'll 584 00:33:39,400 --> 00:33:42,480 Speaker 1: get people off their back. And they're like, see, nobody 585 00:33:42,960 --> 00:33:46,120 Speaker 1: like stops us from wearing it. It's all compliance, it's 586 00:33:46,160 --> 00:33:49,280 Speaker 1: not about prevention. They're using the fact that they are 587 00:33:49,360 --> 00:33:52,400 Speaker 1: going out of their way to do like an aggressively 588 00:33:52,520 --> 00:33:57,480 Speaker 1: sociopathic thing as evidence that the mask people are wrong somehow, 589 00:33:58,200 --> 00:34:01,760 Speaker 1: Um A nice. When I shoplift, it is definitely the 590 00:34:01,800 --> 00:34:06,720 Speaker 1: store's fault, that's for sure. I mean they're lp protocols 591 00:34:06,720 --> 00:34:09,520 Speaker 1: were all funked up. Man lost prevention for the for 592 00:34:09,560 --> 00:34:12,919 Speaker 1: the amateur. Yeah, back to that guy in Bethlehem, PA 593 00:34:13,040 --> 00:34:16,040 Speaker 1: who started licking shots at a store owner because he stole. 594 00:34:16,280 --> 00:34:17,960 Speaker 1: He's like to put your mask on your camp be 595 00:34:17,960 --> 00:34:19,920 Speaker 1: in here. He's like funk that took two cigars and 596 00:34:19,920 --> 00:34:21,480 Speaker 1: when the guy came after him, he like shot a 597 00:34:21,520 --> 00:34:22,799 Speaker 1: shot in the air and a couple of the guy 598 00:34:23,080 --> 00:34:25,680 Speaker 1: at the employee and he ran off. The cops found him. 599 00:34:25,680 --> 00:34:28,000 Speaker 1: The thing that's wild more than anything also is that 600 00:34:28,080 --> 00:34:33,040 Speaker 1: this white man busted started clapping a K forty seven 601 00:34:33,040 --> 00:34:34,719 Speaker 1: at the police and he just got shot in his legs, 602 00:34:34,760 --> 00:34:39,920 Speaker 1: in his butt and his alive. That yeah, that's but 603 00:34:40,000 --> 00:34:41,880 Speaker 1: anything that's like another part. There's so many layers. I'm 604 00:34:41,880 --> 00:34:43,799 Speaker 1: looking at this like there's this mask thing. There's this 605 00:34:43,840 --> 00:34:46,719 Speaker 1: other part of imagine a personal color even pulling out 606 00:34:46,760 --> 00:34:49,799 Speaker 1: at a k anywhere. And it's not even that like 607 00:34:49,840 --> 00:34:52,600 Speaker 1: this man deserved to be killed or whatever, But just 608 00:34:52,760 --> 00:34:56,719 Speaker 1: look at I could not imagine the difference of discipline 609 00:34:56,760 --> 00:34:59,399 Speaker 1: of where you were shooting somebody that somehow this man 610 00:34:59,520 --> 00:35:01,919 Speaker 1: was not hit in any of his vital organs. But 611 00:35:02,200 --> 00:35:04,799 Speaker 1: you know, all that to say is that this pandemic 612 00:35:04,880 --> 00:35:07,880 Speaker 1: is also just creating so much more chaos than we 613 00:35:07,920 --> 00:35:11,040 Speaker 1: can actually see, like the stressors. Not to like excuse 614 00:35:11,080 --> 00:35:14,000 Speaker 1: what any of these people do anywhere, but I know 615 00:35:14,400 --> 00:35:17,080 Speaker 1: the stress is so real for so many people, and 616 00:35:17,120 --> 00:35:20,280 Speaker 1: it's very very intense and existential, And it all depends 617 00:35:20,320 --> 00:35:22,560 Speaker 1: on what the prism you're looking for. You can take 618 00:35:22,600 --> 00:35:26,640 Speaker 1: that to some terrible destructive place that is dangerous to 619 00:35:26,680 --> 00:35:28,800 Speaker 1: the community, to take another place to try and figure 620 00:35:29,160 --> 00:35:33,680 Speaker 1: it's it's just it's like the guy that decapitated his landlord, Yeah, 621 00:35:33,719 --> 00:35:37,319 Speaker 1: with a samurai sword. I mean a lot of these 622 00:35:37,320 --> 00:35:38,879 Speaker 1: are like kind of stories that you feel like you'd 623 00:35:38,880 --> 00:35:42,440 Speaker 1: see here and there, like throughout the year, but it 624 00:35:42,560 --> 00:35:46,240 Speaker 1: happening across the country. But I think you know, that's 625 00:35:46,320 --> 00:35:48,719 Speaker 1: the other reason why the response to this pandemic is 626 00:35:48,760 --> 00:35:52,920 Speaker 1: so essential, because there's another X factor of the the 627 00:35:53,880 --> 00:35:56,640 Speaker 1: like how everyone is taking this and how they're processing 628 00:35:56,640 --> 00:36:01,240 Speaker 1: this stress. Because many people are looking up and saying, oh, 629 00:36:01,280 --> 00:36:03,359 Speaker 1: I'm I'm in the hands of a government that does 630 00:36:03,400 --> 00:36:05,680 Speaker 1: not care whether or not I can put food on 631 00:36:05,680 --> 00:36:09,280 Speaker 1: my table or stay in my home. The um. Yeah, 632 00:36:09,320 --> 00:36:12,719 Speaker 1: just one thing. As a as media consumers, it's worth 633 00:36:12,800 --> 00:36:16,640 Speaker 1: looking at how this guy is being covered because immediately 634 00:36:16,680 --> 00:36:20,279 Speaker 1: the story came out, his lawyer said, but he had 635 00:36:20,320 --> 00:36:22,560 Speaker 1: gone through a divorce and he had lost his job, 636 00:36:22,640 --> 00:36:26,000 Speaker 1: and he's immediately being humanized. That's another way that it's 637 00:36:26,040 --> 00:36:28,360 Speaker 1: different from how it would be if this story was 638 00:36:28,880 --> 00:36:31,879 Speaker 1: person of color doing that, it would none of those 639 00:36:31,920 --> 00:36:34,200 Speaker 1: factors would be brought up by the media. It might 640 00:36:34,239 --> 00:36:36,320 Speaker 1: be brought up by his lawyer, but that certainly wouldn't 641 00:36:36,320 --> 00:36:38,560 Speaker 1: be part of the story that was being published on 642 00:36:38,600 --> 00:36:41,880 Speaker 1: the Washington Post. Was killed in his own apartment and 643 00:36:41,920 --> 00:36:46,120 Speaker 1: they said, oh, he was smoking weed. Yeah. Um. The 644 00:36:46,320 --> 00:36:50,640 Speaker 1: and then just in terms of people, you know, they're 645 00:36:50,680 --> 00:36:54,200 Speaker 1: the antimask people are putting out all these macros. So 646 00:36:54,320 --> 00:36:57,279 Speaker 1: we're gonna put some links in the footnotes that have 647 00:36:58,040 --> 00:37:00,960 Speaker 1: some good facts that people could use to make their 648 00:37:00,960 --> 00:37:04,000 Speaker 1: own macros about why masks work that are just like 649 00:37:04,160 --> 00:37:08,879 Speaker 1: very basic. Uh uh that. Come on, y'all, let's let's 650 00:37:08,920 --> 00:37:15,239 Speaker 1: make some Let's make some macros educate the the people. Alright, guys, 651 00:37:15,320 --> 00:37:18,120 Speaker 1: let's take a quick break and we'll be right back. 652 00:37:28,480 --> 00:37:31,319 Speaker 1: And we're back. What do we want to start with? 653 00:37:31,400 --> 00:37:36,080 Speaker 1: We want to talk uh spency confidential up top Spency coffies. 654 00:37:36,360 --> 00:37:39,920 Speaker 1: It was it kicked off quarantine. I got I was 655 00:37:39,960 --> 00:37:42,120 Speaker 1: on tour and I got back into town and like 656 00:37:42,200 --> 00:37:43,560 Speaker 1: the first night, I was like, well, we're gonna have 657 00:37:43,640 --> 00:37:45,279 Speaker 1: to watch a bunch of movies if we can't leave 658 00:37:45,320 --> 00:37:47,880 Speaker 1: the apartment, and Special Confidential was the first thing we 659 00:37:47,880 --> 00:37:51,319 Speaker 1: put on. This is gonna I just side note. I 660 00:37:51,360 --> 00:37:54,080 Speaker 1: was just looking at this u c l A team. 661 00:37:54,160 --> 00:37:57,399 Speaker 1: J R. Henderson, who played on that team as well, 662 00:37:57,480 --> 00:38:00,120 Speaker 1: who also was drafted by the Vancouver Grizzlies in the 663 00:38:00,120 --> 00:38:03,120 Speaker 1: second round. He left to Japan and became a naturalized 664 00:38:03,160 --> 00:38:08,560 Speaker 1: Japanese citizen. His name is now JR. Sakurai. What yeah, alright, 665 00:38:08,600 --> 00:38:12,400 Speaker 1: so welcome sir, welcome, welcome you, my Blazian brother. Okay, 666 00:38:12,520 --> 00:38:17,520 Speaker 1: I'm done with that, all right. Spencer Confidential has nothing 667 00:38:17,520 --> 00:38:20,360 Speaker 1: to do with u c l A Championships or the 668 00:38:20,400 --> 00:38:27,000 Speaker 1: anime slam Dunk that names from. But uh yeah, so, 669 00:38:27,120 --> 00:38:29,439 Speaker 1: I mean it's directed by Peter Berg. He and Mark 670 00:38:29,440 --> 00:38:35,880 Speaker 1: Wahlberg are life partners. They work exclusively together. It seems 671 00:38:35,960 --> 00:38:39,160 Speaker 1: like he kind of he seems like he has a 672 00:38:39,239 --> 00:38:43,160 Speaker 1: sense of what people like about Mark Wahlberg and it's 673 00:38:43,239 --> 00:38:48,840 Speaker 1: just like everything is oriented around that. Um, what is 674 00:38:48,840 --> 00:38:53,560 Speaker 1: this about? Who? Is Spencer and what's confidential Spencer. Spencer 675 00:38:53,880 --> 00:38:59,640 Speaker 1: is both a no nonsense cop, an x con and 676 00:38:59,719 --> 00:39:04,240 Speaker 1: a boxing trainer. All the Boston all the different Boston 677 00:39:04,480 --> 00:39:07,960 Speaker 1: like movie character tropes that you can have wait, sorry, 678 00:39:08,440 --> 00:39:12,880 Speaker 1: X cop boxing trainer was x con he's just getting 679 00:39:12,880 --> 00:39:16,640 Speaker 1: out of prison and boxing trainer and x cop and 680 00:39:17,080 --> 00:39:21,439 Speaker 1: cop con and boxing renegade box renegade renegade cop beat 681 00:39:21,480 --> 00:39:24,840 Speaker 1: the ship out of his chief got put away for 682 00:39:24,960 --> 00:39:27,760 Speaker 1: some time because he had a coming and he admitted 683 00:39:27,800 --> 00:39:34,000 Speaker 1: to it. That's right. Uh, And loves dogs. Loves dogs 684 00:39:35,280 --> 00:39:38,600 Speaker 1: just to soften the physical violence and portions of his personality, 685 00:39:38,640 --> 00:39:43,320 Speaker 1: but loves dogs. Just random stuff you can't disagree with exactly. 686 00:39:43,600 --> 00:39:45,680 Speaker 1: It's like it's easy to forget all those brutal John 687 00:39:45,719 --> 00:39:48,360 Speaker 1: Wick head shots if you remember it was all because 688 00:39:48,360 --> 00:39:52,040 Speaker 1: of a dog. That's right. Um. But Boston cops, it 689 00:39:52,080 --> 00:39:56,280 Speaker 1: turns out, are bad. They're bad guys and also bad 690 00:39:56,560 --> 00:40:00,520 Speaker 1: at being bad guys. They're they're not good at corruption. Uh. 691 00:40:00,600 --> 00:40:04,239 Speaker 1: They there's just like a lot of sloppy stuff going 692 00:40:04,280 --> 00:40:07,160 Speaker 1: on from the bad guys. They're they're just leaving like 693 00:40:07,560 --> 00:40:11,560 Speaker 1: crime scenes uncleaned up with like blood splatter everywhere and 694 00:40:11,560 --> 00:40:13,840 Speaker 1: they're just like, yeah, we did that, but we already 695 00:40:13,880 --> 00:40:18,080 Speaker 1: pinned it on this other guy, so we should be good. Um. 696 00:40:18,200 --> 00:40:22,880 Speaker 1: One of the weirdest sex scenes. Um, I think, wait, 697 00:40:23,000 --> 00:40:25,799 Speaker 1: what we saw? We watched three six Den and you're 698 00:40:25,800 --> 00:40:28,120 Speaker 1: saying there's some there's a well this is a weird 699 00:40:28,120 --> 00:40:31,280 Speaker 1: and what sense. I'd say it's like more realistic because 700 00:40:31,320 --> 00:40:36,520 Speaker 1: of like the physical awkwardness of it, but like Manning 701 00:40:36,560 --> 00:40:40,000 Speaker 1: and Eminem fucking eight mile, Yeah, it's a little like 702 00:40:40,600 --> 00:40:44,200 Speaker 1: it's got that thing that makes you feel bad. It's like, oh, 703 00:40:44,320 --> 00:40:48,120 Speaker 1: the way she licked her hand. I was like, but 704 00:40:48,239 --> 00:40:52,680 Speaker 1: it's not that hot, Like it's right, It's yeah, it's 705 00:40:52,760 --> 00:40:56,759 Speaker 1: very dumb. It makes you like it's like, oh yeah, 706 00:40:56,800 --> 00:41:00,840 Speaker 1: sex is stupid, like we we shouldn't you stupid people 707 00:41:00,920 --> 00:41:08,560 Speaker 1: enjoy it, right, It's like look good too. It's him 708 00:41:08,600 --> 00:41:12,080 Speaker 1: and Eliza is Mark Walberg and Flessinger like throwing each 709 00:41:12,120 --> 00:41:14,640 Speaker 1: other around a bathroom violently, and that makes me think 710 00:41:14,680 --> 00:41:17,720 Speaker 1: it was almost written by someone who uh was a virgin, 711 00:41:17,880 --> 00:41:20,320 Speaker 1: because it's like yeah, and then he throws her against 712 00:41:20,360 --> 00:41:24,080 Speaker 1: the sink like we all, but he physically looks uncomfortable 713 00:41:24,160 --> 00:41:27,520 Speaker 1: with it. I don't know if that's his Catholicism coming through, 714 00:41:27,760 --> 00:41:30,359 Speaker 1: but like he just like when he's about to do it, 715 00:41:30,440 --> 00:41:33,160 Speaker 1: he's like, uh, and I don't know. It's it's just 716 00:41:33,280 --> 00:41:37,680 Speaker 1: very weird. He's also small. Movie did not right. This 717 00:41:37,840 --> 00:41:39,759 Speaker 1: movie does not hide the fact that, by the way 718 00:41:39,800 --> 00:41:42,960 Speaker 1: he thinks, he claims he should have never made Boogie Nights. Uh, 719 00:41:43,800 --> 00:41:47,120 Speaker 1: which is best movie? Is best movie? Although I think 720 00:41:47,200 --> 00:41:51,120 Speaker 1: his best performance is Uh, I heart Huckabees. That's my 721 00:41:51,200 --> 00:41:54,440 Speaker 1: favorite Mark Wahlberg comedic that, even though I don't like 722 00:41:54,560 --> 00:41:57,320 Speaker 1: that movie all that much, my favorite. He's getting funny, 723 00:41:57,680 --> 00:42:04,760 Speaker 1: but he's like, you're the fucking destroyer man. Mark Marin 724 00:42:05,400 --> 00:42:09,719 Speaker 1: shows up as a reporter. Uh. It's it's interesting that 725 00:42:09,960 --> 00:42:14,440 Speaker 1: has common comedians because it's not like there are kind 726 00:42:14,440 --> 00:42:18,200 Speaker 1: of a lot of comedians in it. Yeah. Really who else? Uh? 727 00:42:18,239 --> 00:42:22,799 Speaker 1: Mark Marin and Eliza's Lessinger. I know they're there are 728 00:42:22,840 --> 00:42:26,360 Speaker 1: a couple more that they're like very minor. They're like 729 00:42:26,400 --> 00:42:33,000 Speaker 1: Boston comedians, really minor. Yeah. He like shows up three 730 00:42:33,080 --> 00:42:37,360 Speaker 1: quarters through and is just like they keep checking in 731 00:42:37,440 --> 00:42:39,520 Speaker 1: with him, but he doesn't really do any what Okay, 732 00:42:40,080 --> 00:42:43,600 Speaker 1: now what what fucking who is posting alone? Why the 733 00:42:43,640 --> 00:42:47,440 Speaker 1: funk is he on the thing. It's a white supremacist 734 00:42:49,239 --> 00:42:53,640 Speaker 1: gang member who knows uh, different stuff, and he has 735 00:42:53,719 --> 00:42:56,160 Speaker 1: probably a total of two minutes of screen time, maybe 736 00:42:56,280 --> 00:42:58,200 Speaker 1: maybe a little bit more. This is what they do 737 00:42:58,239 --> 00:43:00,919 Speaker 1: with those fucking stupid images. They serve you, like trying 738 00:43:00,920 --> 00:43:03,040 Speaker 1: to get you to think that like that movie is about. 739 00:43:03,239 --> 00:43:06,480 Speaker 1: There's some really interesting thumbnails that pop up that are 740 00:43:06,800 --> 00:43:09,160 Speaker 1: completely misrepresent what movies are about, just to be like, 741 00:43:09,239 --> 00:43:10,680 Speaker 1: I don't know, maybe you'll click on it because of 742 00:43:10,719 --> 00:43:13,080 Speaker 1: this space. So he's only in it for two minutes. Yeah, 743 00:43:13,080 --> 00:43:16,320 Speaker 1: he's barely in it. What's also crazy about this movie 744 00:43:16,360 --> 00:43:18,960 Speaker 1: is it's like one of it's like really stretching the 745 00:43:19,040 --> 00:43:22,640 Speaker 1: idea of using a previous I p like you like, 746 00:43:23,040 --> 00:43:25,479 Speaker 1: just if something existed before, we can remake it, because 747 00:43:25,520 --> 00:43:29,239 Speaker 1: like Spencer is like a sixties TV show and then 748 00:43:29,320 --> 00:43:32,200 Speaker 1: like a series of novels but no one knows about it. 749 00:43:32,840 --> 00:43:35,719 Speaker 1: Like yeah, so so if you're remaking So if you're 750 00:43:35,760 --> 00:43:39,480 Speaker 1: making something because it's was something else before, it's like 751 00:43:39,520 --> 00:43:42,160 Speaker 1: who is that for? It feels like like are there 752 00:43:42,160 --> 00:43:44,359 Speaker 1: old people who are like I loved the Spencer Show 753 00:43:44,400 --> 00:43:48,800 Speaker 1: from the sixties and now finally they've made a Netflix movie. 754 00:43:49,000 --> 00:43:51,799 Speaker 1: I was hoping Post Malone would be the white supremacist 755 00:43:51,840 --> 00:43:59,760 Speaker 1: jail house snitch. Ye, the original Spencer fans. They're just waiting, 756 00:43:59,800 --> 00:44:09,240 Speaker 1: you're the right Finally, our generations don knots postmone Um. 757 00:44:09,320 --> 00:44:13,560 Speaker 1: It's I guess I see why it was successful because 758 00:44:13,680 --> 00:44:17,800 Speaker 1: Mark Wahlberg. I think Mark Wahlberg is legitimately a movie 759 00:44:17,880 --> 00:44:21,000 Speaker 1: star in the sense that like he can a big 760 00:44:21,360 --> 00:44:25,239 Speaker 1: shining star. Bro. Yeah, he's a big, bright, shining star. Uh. 761 00:44:25,320 --> 00:44:29,960 Speaker 1: He just like people will watch stuff with him because 762 00:44:30,040 --> 00:44:33,960 Speaker 1: he's in it. Uh And and I'm one of those people. Yeah. Yeah, No, 763 00:44:34,280 --> 00:44:37,040 Speaker 1: I like a good Mark Wallberry action movie. This did 764 00:44:37,040 --> 00:44:40,400 Speaker 1: not disappoint me, didn't blow me away either. It was 765 00:44:40,600 --> 00:44:46,640 Speaker 1: just just right. It was Goldilocks Mark, Yeah, exactly. So 766 00:44:46,800 --> 00:44:50,480 Speaker 1: it seems like his thing is going to be because 767 00:44:50,520 --> 00:44:52,839 Speaker 1: they have a final scene where he sees a news 768 00:44:52,960 --> 00:44:57,120 Speaker 1: report and it's like apparently his next case, and it 769 00:44:57,160 --> 00:45:02,200 Speaker 1: seems like his thing, which seems very specific, is finding 770 00:45:03,080 --> 00:45:08,960 Speaker 1: Boston cops who are framed for committing crimes and like 771 00:45:09,760 --> 00:45:13,040 Speaker 1: exonerating them, because like that's that's the plot of this 772 00:45:13,239 --> 00:45:16,080 Speaker 1: and you're like, okay, that must be just like must 773 00:45:16,120 --> 00:45:19,200 Speaker 1: be just this plot. But then like as they're having 774 00:45:19,239 --> 00:45:23,279 Speaker 1: a beer like cheers in the great uh you know, 775 00:45:23,760 --> 00:45:27,560 Speaker 1: corrupt scheme that they just fucked up, he sees one 776 00:45:27,560 --> 00:45:29,960 Speaker 1: of his friends getting hauled out of like a firehouse. 777 00:45:30,200 --> 00:45:34,759 Speaker 1: He's a fireman. They're like he's being accused of, you know, 778 00:45:34,840 --> 00:45:36,880 Speaker 1: a crime, and the guys like, I didn't do it. 779 00:45:37,120 --> 00:45:41,240 Speaker 1: Someone helped me. And it's and he's like they're like, Spencer, 780 00:45:41,800 --> 00:45:45,719 Speaker 1: don't do it, don't help do it. It's just it's like, 781 00:45:45,760 --> 00:45:47,640 Speaker 1: I don't know, I think you got a bum rap chief. 782 00:45:47,760 --> 00:45:50,759 Speaker 1: If you look at the video after after you flip 783 00:45:50,800 --> 00:45:54,960 Speaker 1: that kid's wheelchair, I don't think he fully curb stomped him. Spencer, 784 00:45:55,040 --> 00:45:58,759 Speaker 1: what I tell you what happened? People? Yeah, like legs 785 00:45:58,960 --> 00:46:02,160 Speaker 1: in trouble a lot for that. Yeah, he goes to 786 00:46:02,239 --> 00:46:05,200 Speaker 1: jail for helping people. He goes to jail by beating 787 00:46:05,239 --> 00:46:08,400 Speaker 1: people up. He goes he's always helping people. Uh, he 788 00:46:08,520 --> 00:46:11,719 Speaker 1: just can't help it. And this also helps in like 789 00:46:11,760 --> 00:46:14,680 Speaker 1: a universe where everyone's secretly really good at fighting or 790 00:46:14,760 --> 00:46:17,600 Speaker 1: has ambitions to be really good at fighting, but no 791 00:46:17,600 --> 00:46:21,120 Speaker 1: non violent character. Every every person you see is just 792 00:46:21,200 --> 00:46:24,279 Speaker 1: like yeah, and that's that little girl selling girl scout cookies. Yeah, 793 00:46:24,280 --> 00:46:28,759 Speaker 1: she's she's a monster in the range. Yeah, she killed 794 00:46:28,760 --> 00:46:31,360 Speaker 1: her scout leader with a coplewet to kick. You wouldn't 795 00:46:31,400 --> 00:46:36,560 Speaker 1: believe the victor right in the nose. The co star 796 00:46:36,840 --> 00:46:39,360 Speaker 1: who plays a hawk. Is he an actual m M 797 00:46:39,440 --> 00:46:42,000 Speaker 1: A fighter? I didn't know. It seemed like they were 798 00:46:42,160 --> 00:46:44,640 Speaker 1: teasing that I didn't bother. I think this is the 799 00:46:44,719 --> 00:46:47,920 Speaker 1: thing about my rewatch reviews. I don't do any research, 800 00:46:48,000 --> 00:46:50,680 Speaker 1: and then our audience yells at me for not knowing stuff. 801 00:46:52,120 --> 00:46:54,640 Speaker 1: I was gonna bring that up from Black Panther. He's 802 00:46:54,760 --> 00:46:59,680 Speaker 1: uh and to us, oh shit, he just du yeah 803 00:46:59,680 --> 00:47:04,240 Speaker 1: he could like he's like cutting this like heer sh Yeah, 804 00:47:04,440 --> 00:47:07,839 Speaker 1: he's he's They make him look giant. I don't think 805 00:47:07,880 --> 00:47:10,640 Speaker 1: I knew that's who that was, and that's how different 806 00:47:10,680 --> 00:47:15,080 Speaker 1: he looks. Yeah, damn be getting big Bro in the 807 00:47:15,120 --> 00:47:20,319 Speaker 1: cryotank for six hours. Bro, Like that's anyways five that's 808 00:47:20,320 --> 00:47:23,920 Speaker 1: how you flip with the chair, bro. Yeah, when fans like, hey, 809 00:47:23,920 --> 00:47:26,040 Speaker 1: you Mark Wahlberg, Bro, you grab it. You grab it 810 00:47:26,040 --> 00:47:28,080 Speaker 1: by the wheel at the bottom, Bro, get more leverage 811 00:47:28,160 --> 00:47:31,319 Speaker 1: that the chair will flip. Brom I was never at 812 00:47:31,320 --> 00:47:34,480 Speaker 1: one point during this movie convinced that he would have 813 00:47:34,560 --> 00:47:37,400 Speaker 1: been able to do any of these things, Like he 814 00:47:37,480 --> 00:47:40,960 Speaker 1: doesn't have such a particular set of skills that you're like, oh, 815 00:47:41,160 --> 00:47:44,560 Speaker 1: I feel confident that Spencer's got this. It's just like 816 00:47:44,800 --> 00:47:50,080 Speaker 1: he's kind of like aggressive violently and has a good heart. 817 00:47:50,239 --> 00:47:53,279 Speaker 1: Like I don't, would you agree, Sam, Like, what what 818 00:47:53,480 --> 00:47:59,120 Speaker 1: is his what is his skill? He takes a beating 819 00:47:59,160 --> 00:48:01,719 Speaker 1: the entire movie. He gets the absolute shit kicked out 820 00:48:01,719 --> 00:48:04,120 Speaker 1: of him in every scene, like beat him up in 821 00:48:04,120 --> 00:48:06,840 Speaker 1: a bathroom. Remember that that scene is like very he 822 00:48:06,880 --> 00:48:09,359 Speaker 1: gets like brutal, like he gets like and he just 823 00:48:09,440 --> 00:48:11,920 Speaker 1: keeps That is his Yeah, that's his super power of 824 00:48:12,000 --> 00:48:15,600 Speaker 1: this whole movie. Everyone whoops his ass in a very 825 00:48:15,640 --> 00:48:18,480 Speaker 1: obvious way, and he'll go He'll just charge into a 826 00:48:18,480 --> 00:48:21,600 Speaker 1: group of six guys with batons and just like what 827 00:48:21,640 --> 00:48:24,440 Speaker 1: I do I help people. There are multiple times that 828 00:48:24,560 --> 00:48:26,760 Speaker 1: he would be dead if it weren't for the fact 829 00:48:26,760 --> 00:48:30,879 Speaker 1: that they arbitrarily chose for this uh drug ring he's 830 00:48:30,880 --> 00:48:33,120 Speaker 1: bringing up to be filled with henchman who only use 831 00:48:33,200 --> 00:48:40,799 Speaker 1: machete's instead of guns, Like, uh, yeah, it's I don't know. 832 00:48:41,280 --> 00:48:45,840 Speaker 1: I enjoyed it. It's not not a great movie, but Also, 833 00:48:46,080 --> 00:48:48,720 Speaker 1: it's not a re enactment of an actual real world 834 00:48:48,760 --> 00:48:52,200 Speaker 1: tragedy by the by Peter Berg and Mark Wallberg. It's 835 00:48:52,200 --> 00:48:55,480 Speaker 1: a it's a great zone out. Yeah it's airplane airplane 836 00:48:55,480 --> 00:48:58,560 Speaker 1: movie basically, yeah, exactly. But the fact that it's been 837 00:48:58,680 --> 00:49:05,200 Speaker 1: viewed by more people than like et is pretty you 838 00:49:05,239 --> 00:49:08,000 Speaker 1: know people, I was gonna look at guys, I was 839 00:49:08,000 --> 00:49:10,520 Speaker 1: gonna ask you guys something or like. So this goes 840 00:49:10,600 --> 00:49:14,799 Speaker 1: counter to like, right, a very uh you don't want 841 00:49:14,800 --> 00:49:17,440 Speaker 1: to play into like too much capaganda. But there's like 842 00:49:17,760 --> 00:49:21,320 Speaker 1: something really satisfying about a detective story right now because 843 00:49:21,800 --> 00:49:25,600 Speaker 1: you're watching someone want to solve a problem like no one, 844 00:49:26,120 --> 00:49:28,920 Speaker 1: no one who can Yeah, no one who can in 845 00:49:29,000 --> 00:49:32,800 Speaker 1: real life has wanted to solve a problem like that 846 00:49:33,239 --> 00:49:35,719 Speaker 1: has the abilities to. So to watch a detective be like, 847 00:49:36,040 --> 00:49:37,920 Speaker 1: murder is a problem and I'm going to solve this 848 00:49:38,000 --> 00:49:42,120 Speaker 1: murder it's like really like soothing. But he's not a detective, bro. 849 00:49:42,600 --> 00:49:50,279 Speaker 1: He detective Yeah pussy bro to fucking beat the funk 850 00:49:50,280 --> 00:49:54,320 Speaker 1: out of a perpetrator. Bro. It's like, whoa, I'll punch 851 00:49:54,360 --> 00:50:02,040 Speaker 1: the clues. What took that clue out? Bro? Anyways? Uh? Yeah, 852 00:50:02,080 --> 00:50:06,080 Speaker 1: like I said, five stars after five stars. Right, all right, 853 00:50:06,400 --> 00:50:10,240 Speaker 1: that's gonna do it for this week's weekly Zeite. Guys, 854 00:50:10,360 --> 00:50:14,200 Speaker 1: please like and review the show. If you like the show, 855 00:50:14,760 --> 00:50:19,160 Speaker 1: uh means the world to Miles. He needs your validation. Folks. 856 00:50:19,760 --> 00:50:22,839 Speaker 1: I hope you're having a great weekend and I will 857 00:50:22,840 --> 00:50:55,360 Speaker 1: talk to you Monday. By