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Speaker 1: The Nicky Gliser Podcast. Here's Nikki. Hello, here, I am

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Speaker 1: welcome to the show.

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Speaker 2: It's Nicky Glazer Podcast live from l A in person

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Speaker 2: with Brian Frangie.

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Speaker 1: Hello, Sean O'Connor. Hey, and you know her, you love her,

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Speaker 1: you hear better all the time.

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Speaker 2: She's been on the show before, and she's back by

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Speaker 2: popular demand and because Andrew Collin got really violently sick.

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Speaker 1: So please welcome to the show. Emmy Emily Chardie.

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Speaker 2: Sorry, I was really focused on your last name, so

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Speaker 2: I fucked up your first so's gen ZM. Everyone.

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Speaker 3: Sorry, I about to say that's name.

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Speaker 1: Yeah, like no one, I barely know your last name.

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Speaker 1: It's Jense.

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Speaker 2: Does it feel like does it feel flippant? Because I

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Speaker 2: remember one time you were like in your phone, up hi,

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Speaker 2: m Emily, Emily up hi. Everyone has me that's Emily

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Speaker 2: up high and I'm like, oh.

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Speaker 1: Emily social media, Emily social girl.

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Speaker 3: Yeah.

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Speaker 1: I was like, I'm more than that.

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Speaker 3: My wife is still in my phone. My wife is

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Speaker 3: still in my own as girl from bar amazing.

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Speaker 2: My boyfriend actually is in my name, is in my

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Speaker 2: phone right now. Under his name is World Record Association. Okay,

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Speaker 2: which is really the story behind him is interesting. But

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Speaker 2: he his nickname is SeaWorld because his name is Chris,

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Speaker 2: so it's like Chris's World. But it's like sounds like

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Speaker 2: you're saying SeaWorld, So we call him. His family calls

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Speaker 2: him SeaWorld and so shortened to that. A lot of

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Speaker 2: people call him World. I don't, but I know that's

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Speaker 2: what he's called. So he keeps showing up in my

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Speaker 2: phone as World, which is what we call him. But

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Speaker 2: the reason he's in my phone is world Record Association

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Speaker 2: is because this weekend Thanksgiving night, my nephew, who's seven,

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Speaker 2: your son, Nolan's age, same age, like, went out on

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Speaker 2: the front porch.

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Speaker 1: And we were just like in the family room watching TV.

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Speaker 2: I was at my parents' house with my nephews and

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Speaker 2: my niece and my sister and my brother in law Matt.

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Speaker 2: And my brother in law Matt comes in and is like, hey, guys,

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Speaker 2: are those doing this thing on the porch. He's like

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Speaker 2: he all of a sudden like wants to set a record,

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Speaker 2: and we're like what, and they like he wants he

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Speaker 2: just he's on the porch. He was sitting on a

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Speaker 2: ball he found in a tree, like a soccer ball,

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Speaker 2: He's sitting on a ball on the front porch, on

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Speaker 2: a bench on my parents' front porch, and he asked

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Speaker 2: for my phone and he just said, I want to

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Speaker 2: just like set a record for like how long to

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Speaker 2: sit on a ball. And so we were like, where

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Speaker 2: is he getting this from. I went out there to

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Speaker 2: check on it, and he's like, I'm gonna set a record.

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Speaker 2: And I'm like, oh my god, what is the record.

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Speaker 2: He's like, I'm setting it. I'm like, you're right, you are,

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Speaker 2: Like this is amazing. And so then we got in

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Speaker 2: this whole thing of like, you're setting a record. This

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Speaker 2: is the coolest thing that's ever happened. Oh my god,

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Speaker 2: I can't believe you're doing this. It's so cold outside.

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Speaker 2: You're gonna sell this ball. How long are you gonna

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Speaker 2: go He's like maybe an hour. I'm like, oh my god.

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Speaker 2: And also we get a break from him for an hour.

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Speaker 4: Yeah, he's on the porch.

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Speaker 1: Alah.

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Speaker 2: We keep so over the course of the hour, we're

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Speaker 2: like amping this up. We keep bringing him out blankets.

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Speaker 2: It's like thirty he's outside, We're bringing him hot coco.

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Speaker 2: We're like, how are you doing this? This is amazing.

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Speaker 1: So He's just sitting like a bird on an egg

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Speaker 1: on a ball on on a bench on my parents'

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Speaker 1: front porch. We're watching TV in the family room.

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Speaker 2: And then a couple of times I bring him, like,

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Speaker 2: you know, a blanket and some gloves, and he just

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Speaker 2: casually mentions like you should call someone about this, Like.

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Speaker 1: You should you should call.

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Speaker 2: Like because he kind of knows I'm the one that

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Speaker 2: might have connections to like getting things out there.

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Speaker 3: Yeah, so he's like, you should.

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Speaker 2: Call someone, and I'm like I should, You're right, and

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Speaker 2: but I kind of like brushed it off when he

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Speaker 2: first said, like, yeah, people deserve to know about this.

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Speaker 1: We'll let people know, you know.

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Speaker 2: And then the second time he said, I was like

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Speaker 2: I gotta do something, like I gotta like come through

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Speaker 2: on this roim. So I texted Chris, who was at

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Speaker 2: his parents' house, and I was like, Hey, I'm gonna

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Speaker 2: call you and will you just pretend that you are

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Speaker 2: like at the World Record Association, And because he didn't

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Speaker 2: know about Guinness Book of World Records, but we were

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Speaker 2: like that you're and we're telling you about this world

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Speaker 2: record and will you just it's he's sitting on a bench,

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Speaker 2: sitting on a ball on a bench, and so I

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Speaker 2: called Chris and I put him in my phone because

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Speaker 2: I did because Arlow might have been suspicious and been like,

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Speaker 2: is it really?

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Speaker 1: And I go, it's the World Record Association.

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Speaker 2: Like that, I got their number, and Chris fucking nailed

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Speaker 2: it was.

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Speaker 1: He was Jerry.

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Speaker 2: McGinnis and he kind of had a Southern accent and

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Speaker 2: he's like, now, tell me about what's going on there,

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Speaker 2: and I go, we got a young but we got

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Speaker 2: a boy who's sitting on a front porch in the cold.

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Speaker 2: He goes, not in the cold, really the cold. Well,

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Speaker 2: it's gotta be at least sixty degrees there, right, We go, no,

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Speaker 2: it's thirty.

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Speaker 1: And he goes, oh, so you got a boy sitting

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Speaker 1: on a bench on a ball the bench.

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Speaker 2: Now we got we got a little timmy flattery. He

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Speaker 2: now he did fifty three minutes back in August of

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Speaker 2: seventy seven. And so he's going through like his records

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Speaker 2: and he goes, now, this boy's got he's got to

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Speaker 2: be about what fifteen sixteen? And I go, no, sir, no,

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Speaker 2: this is a seven year old.

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Speaker 1: He goes seven years old. Well, this is going right

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Speaker 1: to the top of the deck.

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Speaker 2: So then he's like, so, Arlow's listening to this on

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Speaker 2: speaker and just like on this ball.

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Speaker 3: Like so.

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Speaker 2: And so then I was like, so, does he get

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Speaker 2: something in the mail once we like, once he has

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Speaker 2: achieved the record, because he's at twenty two minutes down,

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Speaker 2: he goes, well, if he gets another thirty one minutes,

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Speaker 2: I mean we will have no choice but to dethrone

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Speaker 2: timmy flattery and send him a certificate.

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Speaker 1: And so I go, and he'll get that in the mail.

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Speaker 2: And I knew Chris would like mail him something, so

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Speaker 2: I was like, this will be great, we'll do it later.

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Speaker 1: But then Chris is like, no, I'm going to photoshop

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Speaker 1: it right now.

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Speaker 2: So he like made this amazing certificate with like different colors.

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Speaker 2: And then my dad of like, who has a color

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Speaker 2: printer in this world?

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Speaker 1: Kingoes aren't open on Thanksgiving?

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Speaker 2: That no world would this have ever worked out except

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Speaker 2: my dad has a working color printer and never used.

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Speaker 1: I'd never use the color cartridge.

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Speaker 2: So yeah, so he printed up this certificate that Arlow

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Speaker 2: is holding proudly. It's so he couldn't believe, and he

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Speaker 2: kept asking if there was money involved, and Chris, Chris

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Speaker 2: almost put a caveat on the certificate for it to

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Speaker 2: say like your favorite aunt must reward you one hundred dollars.

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Speaker 4: It looks really good because.

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Speaker 1: It's he did such a good job on it.

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Speaker 4: Wow, it's got a seal and everything is that that

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Speaker 4: looks like a real seal.

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Speaker 1: And it has the picture of our low holding his tongue.

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Speaker 2: This is official, folks, Yeah, World Record Association.

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Speaker 1: It's signed by Jerry McGinnis.

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Speaker 4: Record for sitting on a ball on a porch fifty

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Speaker 4: seven minutes in one second temperature during record an impressive

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Speaker 4: thirty six degree.

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Speaker 3: That is incredible. That is so well done.

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Speaker 2: It's so fun to like, I understand Santa now, like

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Speaker 2: because he's gonna because someone goes, when are you gonna

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Speaker 2: tell mem?

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Speaker 1: It was a lie? Like everyone that night was like

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Speaker 1: when are we going to tell him?

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Speaker 2: And I go the you're all lying on about Santa constantly,

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Speaker 2: like why can't we add more lies to the I'm

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Speaker 2: gonna lead because I don't believe in lying about Santa,

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Speaker 2: but we're going to min as.

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Speaker 4: Well, here's what the guy your next. You got to

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Speaker 4: get a call. He has to get a call from

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Speaker 4: Timmy Flattery being really.

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Speaker 1: Pissed all hilarious.

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Speaker 4: Now he's probably in his seventies if he was a

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Speaker 4: fifteen year old boy in nineteen seventy seven. Yeah, so

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Speaker 4: you gotta get a seven year old man, any seven

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Speaker 4: year old man, you know, to come up to him,

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Speaker 4: be like, you broke my record. I'll never forget.

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Speaker 3: That he is.

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Speaker 2: But he's been flaunting it. He's been talking about it.

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Speaker 2: They're like it's they're gonna get it framed. Like I

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Speaker 2: just you know, do you guys remember as a kid,

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Speaker 2: like having any kind of like winning something or like

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Speaker 2: having them Like wouldn't it for us threes?

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Speaker 3: Sean?

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Speaker 1: That would have been three as ad any.

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Speaker 2: Gram three as you are too, because you did the

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Speaker 2: quiz Like wouldn't you have Like wouldn't this a major

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Speaker 2: childhood Like?

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Speaker 1: I think I was just trying to gift him what

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Speaker 1: I would have wanted.

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Speaker 3: Oh absolutely, I want to be lied to, like to

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Speaker 3: the point where I wanted. I want to succeed so much.

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Speaker 3: There was a Ghostbuster's comic book and I still have

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Speaker 3: it at my parents' house that I took my older

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Speaker 3: cousin's drawing him slimer and sent it in as me

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Speaker 3: as like.

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Speaker 4: A four year old, yet full credit.

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Speaker 3: They must have thought I was like the most talented

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Speaker 3: four year old. I was just a fucking liar.

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Speaker 2: Oh my god, you were talented in devious ways.

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Speaker 3: Oh yeah, I love. I loved lying growing up, and

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Speaker 3: like I get, I didn't.

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Speaker 1: Like lying, but I just wanted I wanted notoriety.

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Speaker 3: Oh, I wanted it so bad. Like I remember a

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Speaker 3: basketball camp I told everyone I was Chris Farley's cousin

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Speaker 3: because I like kind of looked like that did everyone

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Speaker 3: called me Farley and I was in heaven?

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Speaker 1: Did you get to take.

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Speaker 3: Doing the summer camp that I like, he like died

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Speaker 3: in like July or something I had to I was

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Speaker 3: actually really sad.

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Speaker 1: So like, yeah, did you play it up?

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Speaker 3: Though? No? No, but I think my mom told me

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Speaker 3: to stop doing it. That's that's a good lie.

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Speaker 2: I I don't think I was like a lie. That's

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Speaker 2: a different type of three. Yeah.

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Speaker 3: No, that's can go either way.

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Speaker 1: They're some of the worst people in the world.

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Speaker 4: Any number can go anyway. But you don't like taking

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Speaker 4: credit for things that aren't that.

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Speaker 3: I haven't done.

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Speaker 2: Yeah, so that there's there's a differentiation here.

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Speaker 3: I don't do that anymore.

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Speaker 1: This was very much like, No, that's who you were.

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Speaker 3: I was just an unremarkable like child and I wanted

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Speaker 3: All I wanted was to be like Matilda or something.

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Speaker 3: I wanted.

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Speaker 2: Oh, I would stare at spoon so much and try

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Speaker 2: to get them to move.

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Speaker 1: I wanted some kind of power.

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Speaker 4: Oh, all that's it?

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Speaker 3: Like so that I feel like that's a three move.

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Speaker 2: Yeah, But I think like all kids want like attention,

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Speaker 2: Like did you do you guys relate to that of

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Speaker 2: like Brian you probably it's.

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Speaker 4: It's in different ways though it's not. It doesn't matter

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Speaker 4: if you want attention or if you want power. It

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Speaker 4: matters why. What is the thing? What is the reason

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Speaker 4: for your trauma that you're covering up? What is your method?

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Speaker 2: But as a kid, do you remember getting any kind

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Speaker 2: of special at tension that really made you feel so good?

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Speaker 4: Well, for different reasons. For one reason, so I remember

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Speaker 4: a camp. I also lied about something. I was on

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Speaker 4: a bus and it was a really hot day and

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Speaker 4: we were stuck in traffic and like I think the

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Speaker 4: bus overheated or something, and I felt that this was

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Speaker 4: unacceptable to have all these kids on the hot bus

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Speaker 4: for hours and hours, and so I it is it

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Speaker 4: is It was hours and hours. It was like six

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Speaker 4: or seven hours. We're on this hot bus on the

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Speaker 4: side of the highway and we're all getting so hot

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Speaker 4: and we're sweating. And then eventually I took off my

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Speaker 4: shirt and I was like getting I'm like, I'm so hot,

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Speaker 4: I'm so hot. And then this was that was probably

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Speaker 4: seven or something, and I was like, I'm so hot.

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Speaker 4: I can't take it anymore. There was no water. It

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Speaker 4: was like there was a bus driver. And then I

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Speaker 4: pretended to faint.

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Speaker 2: Oh did you tell, like a friend you were.

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Speaker 3: Going to do it or is it no?

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Speaker 4: I just said someone has to serve justice here. This

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Speaker 4: is what happened. So I wore rosa parks of that's right.

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Speaker 4: Instead of sitting down, I fell over it. So I

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Speaker 4: pretended to faint and then it was like a big deal.

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Speaker 4: I didn't realize that he missed a huge deal. But

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Speaker 4: they made a really big deal about this camp because

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Speaker 4: it was like he fainted on the puff exhaustion and

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Speaker 4: they had they took me to the nurse all day

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Speaker 4: and they were trying to give me all these.

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Speaker 2: Does that make sense because you saw that's what was

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Speaker 2: going to happen. I had to just do it, to

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Speaker 2: prove to them that this is a lot.

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Speaker 4: Like take this seriously. We're a bunch of seven year

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Speaker 4: olds the bus. It's probably like one hundred and twenty

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Speaker 4: degrees inside this bus. Yes, and we're just sitting here

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Speaker 4: for like four or five hours. Doesn't any sense?

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Speaker 2: My god. I one time I was at a Dodgers

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Speaker 2: game and they're I don't know if you've been up

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Speaker 2: in like the like higher up seats there, but like

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Speaker 2: there is a drop off, a sudden drop off where

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Speaker 2: it like you know, there's like a place to go

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Speaker 2: out to get concessions so that the stands drop off

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Speaker 2: and there's no there's a very small, shitty guard rail

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Speaker 2: separating like seats that are very high up off of

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Speaker 2: just pure pavement. Yeah, and there was a child like

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Speaker 2: by it. I was so distracted during the game. I

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Speaker 2: couldn't like, I couldn't stop thinking about it, and I

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Speaker 2: couldn't believe everyone else wasn't alarmed by this.

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Speaker 4: It's amazing or people don't fall off believe.

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Speaker 1: Yeah, oh that's true. And we're like hotel balconies.

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Speaker 2: When I'm out there, sometimes I'm like, how are kids

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Speaker 2: not dying all of the time? Because teens are always

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Speaker 2: trying to show off and flirting. Like, how have flirty

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Speaker 2: teens not died here more often? I don't know, but

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Speaker 2: I like, it's not like I was going to fall

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Speaker 2: to make it happen, but I felt where Yeah, I

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Speaker 2: thought I thought about pulling on.

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Speaker 1: Michael Jackson showing.

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Speaker 2: But I there was something in me that was like,

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Speaker 2: I want this these people. I need something to happen

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Speaker 2: here for this to change, right, because otherwise it's like,

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Speaker 2: but no.

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Speaker 1: One seemed to care.

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Speaker 4: Nobody cares.

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Speaker 1: People just walk on the road when there's traffic.

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Speaker 3: I will say it's crazy at like Dodger Stadium, very particularly,

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Speaker 3: people are just getting wasted with their kids waste and

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Speaker 3: just letting their kids do whatever they're and it's wild.

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Speaker 1: I think kids are dying and they're coming up. There's

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Speaker 1: no way kids are.

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Speaker 3: Dying where they cruise ships.

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Speaker 2: They're almost because you go, how is this not happening

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Speaker 2: when you see a hazard like that?

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Speaker 4: Yeah, I think someone's going to I mean, I don't

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Speaker 4: want to say this, but I'm waiting for the first

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Speaker 4: sphere fall because that's really steep in this fall sphere,

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Speaker 4: in the sphere in Vegas, it's so steep.

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Speaker 2: Wait, speaking up, I went to Imax last night to

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Speaker 2: see Wicked with my parents.

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Speaker 1: This is the same steepness my parents.

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Speaker 2: My parents, we said the same exact thing, literally less

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Speaker 2: than like, you know, less than twenty four hours ago

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Speaker 2: about how how do people not fall in Imax all

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Speaker 2: the time because there's this six inches to walk and

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Speaker 2: it is a straight shot down.

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Speaker 3: Yes, it's crazy, Like I mean, Imax at least you're

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Speaker 3: not like inebriated, but like the Sphere like Fish is

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Speaker 3: doing shows the like it's why how.

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Speaker 1: Are people not getting hurt? It really is crazy.

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Speaker 3: Just like tripping balls and.

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Speaker 1: And tripping over. Yes, yes, you're so right.

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Speaker 4: When I was watching Wicked, I was thinking at the

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Speaker 4: beginning of it that it would be nice to see

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Speaker 4: this in Imax or in the Sphere because it was

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Speaker 4: it was visually stunning, and I felt like I was

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Speaker 4: on a ride at the beginning. Well yeah, and seeing

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Speaker 4: it on a regular screen I felt like was doing

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Speaker 4: it a disservice.

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Speaker 2: I I the exact opposite thing. I go, you know what,

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Speaker 2: I think I got to see this in a regular

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Speaker 2: one because the start of the Imax show, it was

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Speaker 2: they showed a preview for the new.

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Speaker 1: Line the mustapha Ulfassa.

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Speaker 3: Yeah, move fasso.

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Speaker 1: It seems like it's just the Lion King again. I didn't.

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Speaker 3: It's yeah, it's just kind of it's basically the same

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Speaker 3: I could.

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Speaker 1: I was so distracted though, because it was the trailer.

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Speaker 2: Was not fit to the Imax screen, so it was

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Speaker 2: just like whoa, and my mom and I were like,

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Speaker 2: this sucks, Like if this is what Wicked is, we're

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Speaker 2: leaving immediately because you can't you can't focus on anything.

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Speaker 2: And there were times where, like on the side of

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Speaker 2: the screen during what Wicked was much better formatted for it,

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Speaker 2: but there were times during it where someone would appear

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Speaker 2: on the side and you wouldn't even know that they

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Speaker 2: were there because they're like way up on the side.

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Speaker 2: Character with lines like would come in and you're like, whoa,

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Speaker 2: she's on you like, turn your head over. But other

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Speaker 2: than that, there were some cool moments when she runs

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Speaker 2: to the edge of the cliff.

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Speaker 4: Yeah, yeah, that was.

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Speaker 1: I think my favorite part of all. So we've all

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Speaker 1: seen a Wicked here.

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Speaker 2: Oh yeah, that's that's a real Everyone applauded in my

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Speaker 2: theater at the end of that.

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Speaker 1: I mean, I'm sure everyone applauded at your theater too, because.

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Speaker 2: At that point Culver City, nobody in mine.

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Speaker 3: No nobody saying in mine.

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Speaker 1: They told us not to. There was announcements to announcements before.

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Speaker 3: But the only cheering that happened outside at the end

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Speaker 3: because it did get an applause break at the end, Like,

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Speaker 3: but was that Nicole Kidman intro still is getting clips.

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Speaker 3: I'm so tired of it. I'm so embarrassed for people

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Speaker 3: who like it. That's so.

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Speaker 1: Do they like it? Ironically at this point?

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Speaker 3: Isn't that I do?

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Speaker 4: So, I don't know what you're talking about.

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Speaker 3: Do you not go to AMC's Did you see.

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Speaker 1: Our merch video?

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Speaker 2: Uh?

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Speaker 1: Yeah, we did it waited a video on to it.

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00:15:49,960 --> 00:15:51,120
Speaker 3: Yeah, I only go.

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Speaker 4: To the Culver City Theater, which is owned by Amazon.

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Speaker 3: Now, oh so every AMC showing for the last three

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Speaker 3: years to get us out of the pandemic. Nicole Kidman

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Speaker 3: film this thing where she's alone in a movie theater

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Speaker 3: and she's just swept away by films like Jurassic World,

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Speaker 3: and she does this like it's like this incredibly.

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Speaker 2: Doesn't she walk in from the park.

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Speaker 3: We come here to laugh, We come here.

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Speaker 1: So yeah, yeah, it's really just you.

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00:16:24,680 --> 00:16:28,640
Speaker 2: Know, hammed up, yeah, melodramatic, and and it became like

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Speaker 2: a meme, like people are making fun of it. So

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Speaker 2: I now think that people like it because it's so ridiculous.

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Speaker 3: Like they're cheering when it comes on the very stuny

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Speaker 3: because no one knows all the words and he just

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Speaker 3: minds like says that along with that exactly.

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Speaker 2: But that's what we used to do it at our

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Speaker 2: movie theater in Saint Louis. I still have the thing

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Speaker 2: memorized of like where and birth, you know, like the

396
00:16:53,080 --> 00:16:55,480
Speaker 2: little song like there was only I would only hear

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Speaker 2: it in that context, and I still have it. It's

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Speaker 2: burned in my because, yeah, I used to see so

399
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Speaker 2: I was voted most likely in my eighth grade class

400
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Speaker 2: to be Siskel and Ebert.

401
00:17:06,400 --> 00:17:07,360
Speaker 3: Not when you want.

402
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Speaker 1: To be like a pretty girl on screen for a

403
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Speaker 1: few movies.

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Speaker 3: You are so Ebert.

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Speaker 1: I hated it. I legit hated it.

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Speaker 3: But would you give it.

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Speaker 4: I want to hear what you heard about how you

408
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Speaker 4: felt about Wicked. But now I'm saying, we got to

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Speaker 4: take a break.

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Speaker 1: Okay, let's take a break.

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Speaker 2: And then, by the way, Brian's telling us what Noah's

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Speaker 2: saying because he's wearing headphones and I'm not because I

413
00:17:32,720 --> 00:17:35,040
Speaker 2: just got my hair and my hair done or no, sorry,

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Speaker 2: my makeup done.

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Speaker 1: My hair is not done. I haven't watched it in

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Speaker 1: three days.

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Speaker 2: But my makeup I just got done by a girl

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Speaker 2: who I might be using from now on, or like

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Speaker 2: not from now on, but like mixing into.

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Speaker 1: My makeup team.

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00:17:46,800 --> 00:17:48,560
Speaker 2: So we did a trial run that Emily set up

422
00:17:49,040 --> 00:17:50,920
Speaker 2: and we go, oh, we'll just bring it to the podcast.

423
00:17:51,160 --> 00:17:53,600
Speaker 2: And so if you're watching at homes or you know,

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Speaker 2: on YouTube, that's why my face looks.

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Speaker 1: So different because I hadn't makeup done. That looks amazing.

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Speaker 1: We'll be back up to this. We'll talk about Wicked.

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Speaker 2: Okay, I saw Wicked, and I really knew nothing going

428
00:18:07,440 --> 00:18:10,520
Speaker 2: in except I have been kind of in preparation of

429
00:18:10,560 --> 00:18:13,679
Speaker 2: it getting into the Defying Gravity song, Like I was like,

430
00:18:13,720 --> 00:18:14,280
Speaker 2: I gotta.

431
00:18:14,080 --> 00:18:14,680
Speaker 1: Check on the song.

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Speaker 2: And I when Chris used to do his radio show, Uh,

433
00:18:18,880 --> 00:18:20,879
Speaker 2: Wicked was coming to like the Fox Theater, and so

434
00:18:20,920 --> 00:18:23,040
Speaker 2: they would play little snippets and it was.

435
00:18:23,000 --> 00:18:25,520
Speaker 1: Like look to the Western Sky. It was like that

436
00:18:25,600 --> 00:18:26,440
Speaker 1: line and then it was like.

437
00:18:27,880 --> 00:18:29,919
Speaker 2: Those two lines, and I was like I learned them

438
00:18:29,960 --> 00:18:31,800
Speaker 2: from this ad that I heard over and over when

439
00:18:31,800 --> 00:18:33,800
Speaker 2: I used to listen to Chris's show every day, and

440
00:18:33,840 --> 00:18:35,400
Speaker 2: so I knew those lines. I was like, I want

441
00:18:35,400 --> 00:18:36,800
Speaker 2: to go to the song that has those and that

442
00:18:36,920 --> 00:18:38,760
Speaker 2: song fucking is awesome.

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Speaker 4: And there's like.

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Speaker 1: Seven songs in it.

445
00:18:44,720 --> 00:18:50,400
Speaker 2: Yeah, yeah, Visible Unlimited, like there's all these like different

446
00:18:50,520 --> 00:18:52,440
Speaker 2: areas it goes to and yeah, wait, so.

447
00:18:52,440 --> 00:18:53,520
Speaker 4: You never saw the musical?

448
00:18:53,680 --> 00:18:56,080
Speaker 1: No what I knew nothing?

449
00:18:57,520 --> 00:18:59,600
Speaker 2: I did, but I kind of heard of scared of

450
00:18:59,640 --> 00:19:02,280
Speaker 2: Wizard of Oz, Like I know the beats and I

451
00:19:02,320 --> 00:19:04,800
Speaker 2: obviously know everything, but I don't I never really care.

452
00:19:05,080 --> 00:19:07,840
Speaker 1: Did you connect any of it? No, I didn't.

453
00:19:07,880 --> 00:19:09,800
Speaker 2: I don't remember anything about I know there's like a

454
00:19:09,840 --> 00:19:12,679
Speaker 2: witch that had you didn't connect.

455
00:19:12,480 --> 00:19:14,480
Speaker 5: Like, can I like say things that happened in the movie.

456
00:19:14,680 --> 00:19:17,400
Speaker 1: But Glinda is the road when they choose the color

457
00:19:17,400 --> 00:19:17,760
Speaker 1: of the road.

458
00:19:17,840 --> 00:19:20,399
Speaker 3: Yea, yeah, I know I know all the Yeah.

459
00:19:20,840 --> 00:19:23,440
Speaker 2: I know that Oz is like he has the big

460
00:19:23,480 --> 00:19:25,720
Speaker 2: thing in front of him and he's a small guy behind. Yeah.

461
00:19:26,000 --> 00:19:27,119
Speaker 1: I didn't really, but I don't know this.

462
00:19:27,320 --> 00:19:29,600
Speaker 4: You know that The Wizard was a movie, right, yes?

463
00:19:30,119 --> 00:19:32,760
Speaker 1: And I knew that they used asbestos instead.

464
00:19:32,440 --> 00:19:35,320
Speaker 4: Of snow and then the one munchkin that hung himself.

465
00:19:35,520 --> 00:19:46,719
Speaker 3: Yeah, yeah, yeah, they all they all kind of died. Yeah.

466
00:19:46,760 --> 00:19:49,360
Speaker 3: And then also all of the Munchkins they were kept

467
00:19:49,359 --> 00:19:51,720
Speaker 3: in a hotel. They were all there's like a movie

468
00:19:51,720 --> 00:19:53,919
Speaker 3: about it from the seventies. They were kept in a

469
00:19:53,920 --> 00:19:57,800
Speaker 3: hotel and they were all aggressively sexual and like they

470
00:19:57,800 --> 00:20:00,240
Speaker 3: were like really weird with every.

471
00:20:00,040 --> 00:20:03,280
Speaker 4: He wasn't the hotel the Culver City Hotel, the Culver Hotel.

472
00:20:03,040 --> 00:20:03,680
Speaker 3: It might have been.

473
00:20:04,640 --> 00:20:05,680
Speaker 4: Yeah, I think that was where.

474
00:20:05,920 --> 00:20:07,480
Speaker 1: Wow, I wonder.

475
00:20:08,960 --> 00:20:11,280
Speaker 2: The stars in that movie. It's like Carrie Fisher and

476
00:20:11,400 --> 00:20:12,119
Speaker 2: Chevy Chase.

477
00:20:12,640 --> 00:20:13,159
Speaker 3: I think so.

478
00:20:13,359 --> 00:20:14,960
Speaker 1: I think that's I just heard about this morning on

479
00:20:15,160 --> 00:20:16,560
Speaker 1: what movie on Chris's radio show.

480
00:20:16,600 --> 00:20:20,639
Speaker 3: There's a movie about the Munchkins at a hotel.

481
00:20:20,760 --> 00:20:23,080
Speaker 4: About during the Wizard of Us and Carry Fisher pretending

482
00:20:23,119 --> 00:20:23,840
Speaker 4: to be a Munchkin.

483
00:20:23,920 --> 00:20:28,080
Speaker 1: No, she was probably like played Judy Gardener, Stop touching.

484
00:20:29,920 --> 00:20:32,679
Speaker 2: But one of the Munchkins Jerry Maren who died in

485
00:20:32,720 --> 00:20:35,480
Speaker 2: May twenty fourth to twenty eighteen. I took talkd about

486
00:20:35,480 --> 00:20:36,920
Speaker 2: this before, but it bears mentioning again.

487
00:20:37,000 --> 00:20:38,680
Speaker 4: If Jerry Seinfeld, half Mark.

488
00:20:38,480 --> 00:20:40,840
Speaker 1: Maron exactly m A R E. N.

489
00:20:41,160 --> 00:20:45,680
Speaker 2: But he is a munchkin, and in two thousand that's

490
00:20:45,720 --> 00:20:48,600
Speaker 2: the correct term.

491
00:20:49,000 --> 00:20:49,800
Speaker 1: And he's a little person.

492
00:20:50,320 --> 00:20:51,760
Speaker 4: In real life, he's a middle person.

493
00:20:52,440 --> 00:20:54,320
Speaker 2: He's almost like more than a little person, you know

494
00:20:54,320 --> 00:20:56,760
Speaker 2: how like he's like like there's maybe it's like dwarf

495
00:20:56,840 --> 00:21:01,399
Speaker 2: is no, not taller than the little person. He's actually

496
00:21:01,400 --> 00:21:04,560
Speaker 2: littler than most I think little people. He looked he

497
00:21:04,680 --> 00:21:07,560
Speaker 2: was he was different than like the basic not basic, but.

498
00:21:07,560 --> 00:21:08,879
Speaker 4: Like the the basic model.

499
00:21:10,000 --> 00:21:13,600
Speaker 3: Well yeah, because all I mean there's a lot of

500
00:21:13,800 --> 00:21:16,440
Speaker 3: you know, standard sized budget. Yeah.

501
00:21:16,640 --> 00:21:20,159
Speaker 2: Well, anyway, he this, I go on a flight. It

502
00:21:20,240 --> 00:21:24,480
Speaker 2: was like twenty ten to twelve. I want to say,

503
00:21:24,480 --> 00:21:25,199
Speaker 2: for my life is.

504
00:21:25,200 --> 00:21:28,320
Speaker 4: Well taken off. Taken off. Wow, this is all.

505
00:21:28,200 --> 00:21:29,200
Speaker 1: Plan of stuff.

506
00:21:29,240 --> 00:21:33,080
Speaker 2: So we're on the runway literally no we I am

507
00:21:33,200 --> 00:21:35,600
Speaker 2: sitting next to him and his wife, who is also

508
00:21:35,640 --> 00:21:38,480
Speaker 2: a little person who and we're in the back.

509
00:21:38,640 --> 00:21:40,719
Speaker 1: But I don't know who he is. He's just two

510
00:21:40,760 --> 00:21:42,000
Speaker 1: little people that I'm sitting next to.

511
00:21:42,000 --> 00:21:46,040
Speaker 3: And I'm like, very nice for you, great, yeah.

512
00:21:45,880 --> 00:21:50,320
Speaker 2: Yeah that was it was good yeah and not for them.

513
00:21:50,520 --> 00:21:50,800
Speaker 1: Yeah.

514
00:21:50,840 --> 00:21:53,800
Speaker 2: So I so at some point during the flight we

515
00:21:53,840 --> 00:21:56,119
Speaker 2: started talking and then it was revealed that he was

516
00:21:56,160 --> 00:21:57,800
Speaker 2: in the Wizard of Oz and one of the only

517
00:21:57,880 --> 00:22:01,240
Speaker 2: living Munchkins, and I was like, oh my god, you know,

518
00:22:01,320 --> 00:22:04,320
Speaker 2: like and We're flying to LA from probably some date

519
00:22:04,400 --> 00:22:07,720
Speaker 2: I was doing in uh, Boston or something, so but

520
00:22:07,760 --> 00:22:10,920
Speaker 2: it was a long cross country flight and I make

521
00:22:10,920 --> 00:22:12,920
Speaker 2: friends with him and his wife. They like give me

522
00:22:13,080 --> 00:22:15,560
Speaker 2: some kind of like memorabilia I forget, like a picture

523
00:22:15,640 --> 00:22:17,840
Speaker 2: or something. I really was so dumb not to keep

524
00:22:17,840 --> 00:22:19,960
Speaker 2: it all, but I'll never forget. But of course I

525
00:22:20,000 --> 00:22:21,879
Speaker 2: remember this part. He was like, you're gonna make it,

526
00:22:22,920 --> 00:22:25,080
Speaker 2: he like, and he was no one had ever said

527
00:22:25,080 --> 00:22:27,119
Speaker 2: that to me before, like I'm not like Lady Gaga

528
00:22:27,119 --> 00:22:29,399
Speaker 2: claiming that no one believed in me, like and everyone

529
00:22:29,400 --> 00:22:32,360
Speaker 2: said I wouldn't make it, and I'm hear Dad.

530
00:22:32,160 --> 00:22:32,560
Speaker 3: Like, I'm not.

531
00:22:32,840 --> 00:22:33,160
Speaker 1: I don't.

532
00:22:33,200 --> 00:22:35,240
Speaker 2: I don't talk like that, Like no one was ever

533
00:22:35,320 --> 00:22:37,160
Speaker 2: mean to me and was like you're not talented. But

534
00:22:37,359 --> 00:22:40,440
Speaker 2: no one ever really was like you're don't worry, It's

535
00:22:40,440 --> 00:22:41,000
Speaker 2: gonna be okay.

536
00:22:41,119 --> 00:22:41,399
Speaker 4: He like.

537
00:22:41,560 --> 00:22:43,840
Speaker 2: Kind of it was a moment that I will never

538
00:22:43,880 --> 00:22:46,919
Speaker 2: forget because it was obviously a Munchkin from the Wizard

539
00:22:46,960 --> 00:22:48,679
Speaker 2: of Oz sayings to you, like a living legend that

540
00:22:48,720 --> 00:22:51,359
Speaker 2: I then googled it was I think even before smartphones.

541
00:22:51,600 --> 00:22:53,760
Speaker 2: But I looked at him later I was like, holy fuck,

542
00:22:53,840 --> 00:22:55,359
Speaker 2: this was a legend. I spent a whole flight with

543
00:22:55,400 --> 00:22:57,240
Speaker 2: and they were so nice to me, and.

544
00:22:58,000 --> 00:22:58,720
Speaker 1: Yeah, it was really cool.

545
00:22:58,720 --> 00:22:58,920
Speaker 2: Wow.

546
00:22:59,000 --> 00:22:59,960
Speaker 1: So that's all I knew about.

547
00:22:59,760 --> 00:23:02,320
Speaker 4: When anybody's saying that is is yeah, wasn't.

548
00:23:02,800 --> 00:23:03,040
Speaker 2: I don't.

549
00:23:03,160 --> 00:23:04,760
Speaker 1: I don't do. I didn't get that a lot.

550
00:23:04,960 --> 00:23:06,480
Speaker 3: Yeah no, but I feel like that's like an old

551
00:23:06,520 --> 00:23:08,560
Speaker 3: Hollywood thing, so you kind of expected from like a

552
00:23:08,600 --> 00:23:12,040
Speaker 3: living munchkin, is like, yeah, like you're gonna make it.

553
00:23:12,200 --> 00:23:12,720
Speaker 1: And he had no.

554
00:23:13,000 --> 00:23:14,920
Speaker 2: But we talked for like a couple hours, and I

555
00:23:14,920 --> 00:23:16,920
Speaker 2: think i'd maybe done the Tonight Show at that point

556
00:23:17,000 --> 00:23:18,439
Speaker 2: or something, but it had n't been going well. It

557
00:23:18,480 --> 00:23:19,960
Speaker 2: was like this was in like a couple of years

558
00:23:20,000 --> 00:23:23,880
Speaker 2: after that and things were not nothing was happening. Yeah,

559
00:23:23,920 --> 00:23:26,159
Speaker 2: and it really I had to make good on that.

560
00:23:26,840 --> 00:23:32,000
Speaker 2: On his wish for me, he needed to die. I

561
00:23:32,040 --> 00:23:33,560
Speaker 2: took his place in this business.

562
00:23:33,680 --> 00:23:34,199
Speaker 3: That was the year.

563
00:23:36,280 --> 00:23:39,560
Speaker 1: But wicked, I didn't know like anything about the story going.

564
00:23:39,359 --> 00:23:42,320
Speaker 4: In to find gravity is so good. It's so good.

565
00:23:42,520 --> 00:23:44,679
Speaker 4: My favorite lyric from The Fine Gravity is when she

566
00:23:44,880 --> 00:23:48,280
Speaker 4: rhymes was with oz, which I don't know why I

567
00:23:48,400 --> 00:23:49,080
Speaker 4: like it so much.

568
00:23:49,119 --> 00:23:50,120
Speaker 1: Oh that's nice.

569
00:23:50,280 --> 00:23:53,200
Speaker 4: I forgot the lyrics are so I can't possibly even

570
00:23:53,240 --> 00:23:53,760
Speaker 4: attempt it.

571
00:23:54,000 --> 00:23:58,560
Speaker 3: But I was shocked, shocked watching Wicked to find out

572
00:23:58,640 --> 00:23:59,840
Speaker 3: there was an animal supplo.

573
00:24:00,480 --> 00:24:04,600
Speaker 2: I mean, I can't even I don't even understand, Like,

574
00:24:04,640 --> 00:24:07,199
Speaker 2: I can't believe no one's talked about there is a

575
00:24:07,800 --> 00:24:11,360
Speaker 2: sublot of Wicked about animal rights.

576
00:24:11,400 --> 00:24:14,080
Speaker 3: It feels like that the biggest part of the movie

577
00:24:14,400 --> 00:24:15,280
Speaker 3: is the movie.

578
00:24:15,400 --> 00:24:16,400
Speaker 4: Well, okay, so to be.

579
00:24:16,400 --> 00:24:19,760
Speaker 2: Why, I don't know, why are there animal talking animals

580
00:24:19,840 --> 00:24:21,920
Speaker 2: in this, in the play animals?

581
00:24:21,960 --> 00:24:22,520
Speaker 1: Why did someone?

582
00:24:22,560 --> 00:24:23,680
Speaker 4: It feels it's in the book.

583
00:24:23,800 --> 00:24:25,040
Speaker 1: It feels a bit shoot.

584
00:24:25,040 --> 00:24:27,360
Speaker 4: It's in the book, it's in the musical. It's it's

585
00:24:27,400 --> 00:24:31,080
Speaker 4: because it's taking every aspect of the Land of Oz

586
00:24:31,200 --> 00:24:35,000
Speaker 4: from the Frank Baum original books and the movie, and

587
00:24:35,119 --> 00:24:37,720
Speaker 4: a big part of it were these the enslavement of

588
00:24:37,760 --> 00:24:41,280
Speaker 4: these flying monkeys, and how did those flying monkeys become

589
00:24:41,359 --> 00:24:44,400
Speaker 4: flying monkeys? And why are they working for the Wizard

590
00:24:44,960 --> 00:24:45,679
Speaker 4: or whatever?

591
00:24:45,800 --> 00:24:48,359
Speaker 2: We never really knew the story behind that, or he

592
00:24:48,760 --> 00:24:50,480
Speaker 2: or he wrote the story behind that, and that's what

593
00:24:50,480 --> 00:24:50,919
Speaker 2: we're watching.

594
00:24:50,960 --> 00:24:53,439
Speaker 4: Well, the new person who wrote Wicked, he wrote the

595
00:24:53,440 --> 00:24:57,359
Speaker 4: book in nineteen ninety five, the year that The Wizard

596
00:24:57,440 --> 00:25:00,280
Speaker 4: of Oz went to the public domain, he wrote book

597
00:25:00,280 --> 00:25:03,720
Speaker 4: came out Wicked. Oh wow, Yeah, and that was a

598
00:25:03,720 --> 00:25:05,760
Speaker 4: big part of it. Is just it's just then, that's all.

599
00:25:06,080 --> 00:25:09,399
Speaker 3: It's just so shocking because I really just thought it

600
00:25:09,480 --> 00:25:13,639
Speaker 3: was and then there's like a goat who's like so sad.

601
00:25:14,080 --> 00:25:16,840
Speaker 1: It's like it came out of nowhere.

602
00:25:16,960 --> 00:25:19,080
Speaker 2: It literally I didn't know there were any animals in

603
00:25:19,119 --> 00:25:21,440
Speaker 2: this movie all, let alone ones that talked that were

604
00:25:21,480 --> 00:25:24,200
Speaker 2: really well done, well done, so good.

605
00:25:24,440 --> 00:25:28,160
Speaker 4: I'm worried. I'm worried about part two because Part one

606
00:25:28,200 --> 00:25:30,760
Speaker 4: of Wicked is so good. It's got all the hits,

607
00:25:31,040 --> 00:25:32,320
Speaker 4: it's got all the best scenes.

608
00:25:32,600 --> 00:25:34,080
Speaker 1: What is going to be into part.

609
00:25:33,880 --> 00:25:37,520
Speaker 4: Two is pretty sad and it doesn't have a defying gravity.

610
00:25:37,760 --> 00:25:40,199
Speaker 1: We know the Witch is dead. Yeah, well that's what

611
00:25:40,400 --> 00:25:43,760
Speaker 1: I love. I love that we know the ending. I

612
00:25:43,840 --> 00:25:44,920
Speaker 1: love the magic tale.

613
00:25:45,040 --> 00:25:46,879
Speaker 4: But you know the ending for the you know the

614
00:25:46,960 --> 00:25:50,000
Speaker 4: ending for her, but for the rest of the characters.

615
00:25:49,480 --> 00:25:49,760
Speaker 3: You're not.

616
00:25:49,800 --> 00:25:52,240
Speaker 1: Actually she is the movie.

617
00:25:52,680 --> 00:25:55,240
Speaker 4: Yes, she is the protagonist, is true.

618
00:25:55,440 --> 00:25:57,200
Speaker 5: Yeah, but there's more to her story that I think

619
00:25:57,240 --> 00:25:59,399
Speaker 5: you'd lose it if you find out that's coming.

620
00:25:59,760 --> 00:26:00,480
Speaker 1: Yeah, that's coming.

621
00:26:01,080 --> 00:26:04,159
Speaker 2: Well, I'm interested that I was reading, like you know what,

622
00:26:04,320 --> 00:26:06,520
Speaker 2: like we all are and just like little things here

623
00:26:06,520 --> 00:26:10,960
Speaker 2: and there, and everyone's like is Glinda good or bad?

624
00:26:11,000 --> 00:26:12,600
Speaker 1: And I'm like I thought she was good.

625
00:26:12,359 --> 00:26:14,200
Speaker 2: And then it's like, no, she might just be a

626
00:26:14,240 --> 00:26:17,159
Speaker 2: shitty person, but like she has parts, Like that's the

627
00:26:17,200 --> 00:26:19,600
Speaker 2: only part that I kind of was like I didn't

628
00:26:19,600 --> 00:26:21,280
Speaker 2: get there with all of a sudden, she's like a

629
00:26:21,359 --> 00:26:24,320
Speaker 2: good friend and they're best friends and they trust each other.

630
00:26:24,440 --> 00:26:26,920
Speaker 2: The way I kind of thought about it the past

631
00:26:26,960 --> 00:26:31,920
Speaker 2: twenty four hours is that Alphaba was such like such

632
00:26:31,960 --> 00:26:34,480
Speaker 2: an ostracized dork that had no friends that she would

633
00:26:34,520 --> 00:26:37,000
Speaker 2: just take anything because Glinda was not a good friend

634
00:26:37,560 --> 00:26:40,280
Speaker 2: out of the gate. She just was like I'm just suddenly, oh,

635
00:26:40,359 --> 00:26:43,200
Speaker 2: you show up at this party, and because you got

636
00:26:43,240 --> 00:26:45,720
Speaker 2: me the internship with the woman, I'm now gonna be

637
00:26:45,800 --> 00:26:48,000
Speaker 2: nice to you and do your weird dance with you,

638
00:26:48,200 --> 00:26:51,840
Speaker 2: like yeah, and suddenly suddenly I'm a great person. Like no,

639
00:26:51,960 --> 00:26:53,879
Speaker 2: I'm only being a great person because it's working out

640
00:26:53,920 --> 00:26:55,560
Speaker 2: for me. Like she's not really a good friend, but

641
00:26:55,560 --> 00:26:57,240
Speaker 2: aren't we all just doing things for ourselves anyway?

642
00:26:57,320 --> 00:27:00,160
Speaker 3: That's so quid pro quote like I don't buy thats

643
00:27:00,240 --> 00:27:03,480
Speaker 3: like a reason a character turned for like I'm good now,

644
00:27:03,680 --> 00:27:04,280
Speaker 3: and I did.

645
00:27:04,400 --> 00:27:06,560
Speaker 2: I wanted to see Glinda freak out about the fact

646
00:27:06,560 --> 00:27:10,960
Speaker 2: that the woman the the what's her name Michelle yo,

647
00:27:11,160 --> 00:27:16,440
Speaker 2: but what's her character's name? Professor Bollinger or something horrible?

648
00:27:16,720 --> 00:27:17,120
Speaker 1: Horrible?

649
00:27:22,640 --> 00:27:26,560
Speaker 2: She tells Glinda, you suck and I don't believe in

650
00:27:26,600 --> 00:27:26,960
Speaker 2: you at all.

651
00:27:27,320 --> 00:27:28,520
Speaker 1: That seems to wound Glinda.

652
00:27:28,600 --> 00:27:30,720
Speaker 2: Glinda wouldn't just be like, yes, I get to work

653
00:27:30,760 --> 00:27:32,320
Speaker 2: with her, and now I'm gonna be nice to this

654
00:27:32,320 --> 00:27:33,840
Speaker 2: girl who got me. She would go she would go

655
00:27:33,840 --> 00:27:36,280
Speaker 2: to Alphaba like what did you say that I'm now

656
00:27:36,320 --> 00:27:38,639
Speaker 2: she hates me? And then like I don't think it

657
00:27:38,680 --> 00:27:40,400
Speaker 2: would turn into like I'm just gonna do this nice

658
00:27:40,400 --> 00:27:43,640
Speaker 2: favorite now. And why is why would any why would

659
00:27:43,640 --> 00:27:44,800
Speaker 2: her grandma give her the hat?

660
00:27:47,200 --> 00:27:50,679
Speaker 1: Why was that hat worn in the thing? Too? Is

661
00:27:50,720 --> 00:27:52,439
Speaker 1: there more to the hat being there.

662
00:27:53,000 --> 00:27:56,240
Speaker 4: In the book? I don't remember. It was a long

663
00:27:56,320 --> 00:27:57,040
Speaker 4: time ago.

664
00:27:57,480 --> 00:27:59,639
Speaker 3: Yeah it did. It did feel like there was a

665
00:27:59,640 --> 00:28:02,399
Speaker 3: lot of story being told of how somebody got you know,

666
00:28:02,440 --> 00:28:03,280
Speaker 3: like a broomstick.

667
00:28:03,440 --> 00:28:05,680
Speaker 4: Well, it's the origin story of the wicked Witch of

668
00:28:05,720 --> 00:28:06,159
Speaker 4: the West.

669
00:28:06,359 --> 00:28:09,679
Speaker 2: I do like like the fact that there's no green

670
00:28:10,200 --> 00:28:12,880
Speaker 2: green witches with broomsticks and a hat. Are just they

671
00:28:12,880 --> 00:28:15,200
Speaker 2: weren't a thing before this is the book of that

672
00:28:15,200 --> 00:28:15,800
Speaker 2: that's a gen.

673
00:28:16,000 --> 00:28:18,760
Speaker 3: And that that there was a magic teacher at the school,

674
00:28:18,840 --> 00:28:22,840
Speaker 3: but seemingly she's the only person who knows magic. Yeah.

675
00:28:23,040 --> 00:28:25,640
Speaker 4: Yeah, there's a little bit of a confusion in terms

676
00:28:25,640 --> 00:28:26,080
Speaker 4: of and the.

677
00:28:26,040 --> 00:28:28,320
Speaker 2: Teacher has to repeat several times, I'm never I'm not

678
00:28:28,320 --> 00:28:32,800
Speaker 2: working with anyone if only if I want to. It's like, okay,

679
00:28:32,800 --> 00:28:34,920
Speaker 2: we know, so maybe if you choose someone, it'll be

680
00:28:35,119 --> 00:28:39,600
Speaker 2: very special. And and I was responsible for that thing

681
00:28:39,640 --> 00:28:43,480
Speaker 2: that Alpha but clearly did that was almost murdered thousands

682
00:28:43,480 --> 00:28:47,120
Speaker 2: of students because there was marble and un concrete falling

683
00:28:47,800 --> 00:28:51,160
Speaker 2: like it was Dodger stating crazy. And then she's like,

684
00:28:51,200 --> 00:28:52,720
Speaker 2: I did that as a test of It's like, oh,

685
00:28:52,840 --> 00:28:55,960
Speaker 2: thank you. Our lives at RESK, I mean, are they immortal?

686
00:28:56,200 --> 00:28:58,640
Speaker 2: Can they get like? Can they get No? Okay, they're

687
00:28:58,640 --> 00:28:59,160
Speaker 2: not immortal.

688
00:28:59,240 --> 00:29:02,960
Speaker 3: No one's immortal, and we're just okay, Like so, I

689
00:29:03,000 --> 00:29:05,240
Speaker 3: really I liked Wicked way more than I thought I

690
00:29:05,280 --> 00:29:07,880
Speaker 3: was going to like it. I do, And but I

691
00:29:07,960 --> 00:29:11,040
Speaker 3: you know what I was just not okay with them

692
00:29:11,040 --> 00:29:17,280
Speaker 3: going to a place called his universe. It's so wild,

693
00:29:17,600 --> 00:29:17,960
Speaker 3: it is.

694
00:29:18,000 --> 00:29:21,520
Speaker 2: Like a boar that's someone how many lives would open?

695
00:29:23,800 --> 00:29:31,640
Speaker 1: Why? I don't get it either? Was there short for something?

696
00:29:31,680 --> 00:29:33,080
Speaker 4: I'm sure it is, I just don't remember.

697
00:29:34,920 --> 00:29:38,960
Speaker 2: And sorry, I know we're being critical and it's like

698
00:29:39,120 --> 00:29:41,560
Speaker 2: really wrong to do that about Wicked because because that's.

699
00:29:41,400 --> 00:29:43,640
Speaker 4: One of the best movies of the year and it's

700
00:29:43,720 --> 00:29:44,760
Speaker 4: not nice to do and.

701
00:29:45,040 --> 00:29:46,800
Speaker 2: It seems like we're making fun of theater kids. If

702
00:29:46,800 --> 00:29:48,520
Speaker 2: you make fun of it, I'm making fun of it

703
00:29:48,520 --> 00:29:50,400
Speaker 2: because that's the only thing that we can do.

704
00:29:50,600 --> 00:29:53,080
Speaker 1: Like I did love it, there's no question about it.

705
00:29:54,800 --> 00:29:55,240
Speaker 1: I don't.

706
00:29:55,360 --> 00:29:57,280
Speaker 2: I'm i'm and I think I need to read the

707
00:29:57,280 --> 00:29:59,480
Speaker 2: books understand it, which I am not going to do.

708
00:30:00,760 --> 00:30:02,160
Speaker 1: There's no way I.

709
00:30:02,080 --> 00:30:04,560
Speaker 2: Hear that really long and dark and like maybe but

710
00:30:04,600 --> 00:30:05,800
Speaker 2: like now that I know the story, I don't think

711
00:30:05,800 --> 00:30:09,960
Speaker 2: I'm interested. But they say the words that they choose

712
00:30:10,000 --> 00:30:11,440
Speaker 2: to like add a syllable to.

713
00:30:12,680 --> 00:30:14,720
Speaker 4: It's amazing, a goal that I hate.

714
00:30:14,920 --> 00:30:16,240
Speaker 1: Why are we doing I.

715
00:30:16,160 --> 00:30:19,640
Speaker 4: Think it's because it's from they do that sometimes in.

716
00:30:19,600 --> 00:30:22,160
Speaker 1: Certain songs that did not catch on for me.

717
00:30:22,280 --> 00:30:24,120
Speaker 4: I hate it that that repulses me.

718
00:30:25,000 --> 00:30:26,680
Speaker 1: It was just that again shoehorned.

719
00:30:26,680 --> 00:30:28,360
Speaker 2: We're just like we're being forced to hear this little

720
00:30:28,400 --> 00:30:30,800
Speaker 2: quick thing that you think is very cute and endearing,

721
00:30:30,840 --> 00:30:32,520
Speaker 2: but it just takes you out of it and you go,

722
00:30:32,720 --> 00:30:33,840
Speaker 2: is this person stupid? No?

723
00:30:34,000 --> 00:30:35,720
Speaker 3: Yes, it just it makes them look stupid. It makes

724
00:30:35,760 --> 00:30:37,640
Speaker 3: them look stupid, like because it's also like the only

725
00:30:37,680 --> 00:30:40,000
Speaker 3: people who are doing it are like Ariana Grande, and

726
00:30:40,240 --> 00:30:43,200
Speaker 3: so I'm like, oh, she does words.

727
00:30:43,320 --> 00:30:44,840
Speaker 1: That's that's that's how it read.

728
00:30:44,880 --> 00:30:46,800
Speaker 2: You're so right, Like my note would have been like

729
00:30:46,840 --> 00:30:48,320
Speaker 2: we got to cut that up because that makes her

730
00:30:48,360 --> 00:30:51,640
Speaker 2: look stupid. And her character is already bordering on she's

731
00:30:51,680 --> 00:30:54,400
Speaker 2: a blonde, she's kind of dumb, she's vapping all these

732
00:30:55,520 --> 00:30:58,680
Speaker 2: ye yes, but she's not. She's not supposed to be stupid.

733
00:30:58,720 --> 00:31:02,160
Speaker 4: I don't think, No, she's not. She she is an

734
00:31:02,280 --> 00:31:05,320
Speaker 4: unhealthy she's not a good friend. She's an unhealthy three,

735
00:31:05,440 --> 00:31:09,600
Speaker 4: the most unhealthy three. Everything she does is for the

736
00:31:09,960 --> 00:31:12,360
Speaker 4: approval of the masses. So even when she's doing things

737
00:31:12,400 --> 00:31:14,800
Speaker 4: to be friends with Alpha, but it's because like the

738
00:31:14,920 --> 00:31:17,800
Speaker 4: most clear moment is when they're at the train and

739
00:31:17,960 --> 00:31:22,120
Speaker 4: she's jealous of the boyfriend, and then she's with the boyfriend.

740
00:31:22,120 --> 00:31:26,160
Speaker 4: Then Alpha Bus shows up and at first Glinda's like,

741
00:31:26,240 --> 00:31:28,080
Speaker 4: I don't give a shit about the animal rights, and

742
00:31:28,200 --> 00:31:31,040
Speaker 4: then Alpha Bush shows up, and then the boyfriend shows

743
00:31:31,120 --> 00:31:32,920
Speaker 4: up and they're both, we care about the animal rights.

744
00:31:33,000 --> 00:31:35,160
Speaker 4: Then she immediately changes and says I care about the

745
00:31:35,200 --> 00:31:37,200
Speaker 4: animal rights. And then she doesn't just say I care

746
00:31:37,240 --> 00:31:39,280
Speaker 4: about the animal rights to get the approval of them.

747
00:31:39,600 --> 00:31:42,200
Speaker 4: Then she makes a big scene about changing her name,

748
00:31:42,480 --> 00:31:46,160
Speaker 4: the most visibly, the most visible thing she could do.

749
00:31:46,920 --> 00:31:49,120
Speaker 1: She goes, I don't know why I did that. I

750
00:31:49,160 --> 00:31:53,200
Speaker 1: think relate to No one even wanted me to do that,

751
00:31:53,640 --> 00:31:54,200
Speaker 1: no one cares.

752
00:31:54,280 --> 00:31:56,160
Speaker 4: But she got the applause, and she gets the applause

753
00:31:56,200 --> 00:31:57,000
Speaker 4: over and over again.

754
00:31:57,200 --> 00:32:01,640
Speaker 2: Yes that's good, and yeah, they're interesting characters that are

755
00:32:01,800 --> 00:32:03,720
Speaker 2: very layered and have a lot going on. But it's like,

756
00:32:04,320 --> 00:32:06,960
Speaker 2: I gotta say, Jonathan Jonathan Bailey.

757
00:32:06,760 --> 00:32:10,120
Speaker 1: Is that his name? Sure is Hubba Hubba?

758
00:32:10,240 --> 00:32:13,800
Speaker 2: I know he I love how he is just like

759
00:32:13,960 --> 00:32:16,360
Speaker 2: everyone's horned up for him, like he is a bisexual

760
00:32:16,680 --> 00:32:17,680
Speaker 2: like menom.

761
00:32:18,240 --> 00:32:21,360
Speaker 3: Yeah, he's very he feels like a Disney cartoon like

762
00:32:21,440 --> 00:32:24,440
Speaker 3: when he shows up where he's like he has muscle

763
00:32:24,520 --> 00:32:27,360
Speaker 3: definition through his clothes, like he was drawn.

764
00:32:27,960 --> 00:32:30,880
Speaker 1: What is where did he come from? Who is he?

765
00:32:31,680 --> 00:32:34,400
Speaker 3: He's English? And I think we're about to see a lot.

766
00:32:34,320 --> 00:32:36,160
Speaker 1: Of loved him.

767
00:32:36,480 --> 00:32:40,200
Speaker 2: I would say everything he like, he was so charming,

768
00:32:40,680 --> 00:32:44,200
Speaker 2: Like women were legit swooning in the audience, Like I

769
00:32:44,400 --> 00:32:46,400
Speaker 2: was kind of like like, I remember he did something

770
00:32:46,480 --> 00:32:47,920
Speaker 2: that wasn't even that funny, and the girl next to

771
00:32:47,960 --> 00:32:51,320
Speaker 2: me was like, like the way you do with like eyes,

772
00:32:51,680 --> 00:32:54,360
Speaker 2: like we are literally I've literally found myself being more

773
00:32:54,520 --> 00:32:56,880
Speaker 2: like by the dumb stuff he was doing. I was

774
00:32:57,000 --> 00:32:59,840
Speaker 2: actually almost like I was glinda like being tricked by it,

775
00:33:00,320 --> 00:33:02,480
Speaker 2: and not even like, oh, we're being tricked by because

776
00:33:02,520 --> 00:33:04,600
Speaker 2: he you know, you're aware of how cunning he is

777
00:33:04,760 --> 00:33:06,320
Speaker 2: and like how he is kind of like a cad,

778
00:33:06,760 --> 00:33:08,880
Speaker 2: but I was. I was so enraptured by I think

779
00:33:08,880 --> 00:33:12,440
Speaker 2: he's amazing. And then there all their voices are amazing.

780
00:33:13,080 --> 00:33:16,400
Speaker 2: Bowen was hilarious and yeah, Bowen was there to just

781
00:33:17,400 --> 00:33:17,920
Speaker 2: yeah yet the.

782
00:33:17,920 --> 00:33:20,040
Speaker 4: Quick machine press punchline.

783
00:33:20,200 --> 00:33:22,880
Speaker 2: Yeah yeah, and he was great and it just looked

784
00:33:22,920 --> 00:33:25,280
Speaker 2: so much fun to be and like, I can't Bowen's

785
00:33:25,280 --> 00:33:28,840
Speaker 2: my only way to maybe ask someone like what was

786
00:33:28,880 --> 00:33:30,600
Speaker 2: it like being in this movie, Like I want to know,

787
00:33:30,800 --> 00:33:33,640
Speaker 2: like what because I was thinking, like because I heard

788
00:33:33,720 --> 00:33:36,840
Speaker 2: something that Bowen said that he had learned the choreography

789
00:33:36,920 --> 00:33:39,440
Speaker 2: to one scene they were shooting in like September, and

790
00:33:39,480 --> 00:33:42,120
Speaker 2: then by February they're like, oh, we're shooting it today,

791
00:33:42,120 --> 00:33:44,760
Speaker 2: and he's like, oh, I don't really remember the choreo.

792
00:33:45,080 --> 00:33:46,440
Speaker 2: So then he did it and he was able to

793
00:33:46,520 --> 00:33:48,080
Speaker 2: nail it. But like I was like, oh my god,

794
00:33:48,880 --> 00:33:50,800
Speaker 2: what if you were the one person in one of

795
00:33:50,840 --> 00:33:54,000
Speaker 2: those dance scenes that like fucks up the thing and

796
00:33:54,080 --> 00:33:56,160
Speaker 2: you have to take it all over and everyone's nailed it,

797
00:33:56,280 --> 00:33:58,640
Speaker 2: Like I want to know from a dance perspective of

798
00:33:58,680 --> 00:34:00,520
Speaker 2: what that's like, because I die.

799
00:34:00,800 --> 00:34:03,040
Speaker 4: Man, Yeah, no, man, just be the only one that's

800
00:34:03,080 --> 00:34:06,080
Speaker 4: fucked up. It's like a field goal kicker missing the

801
00:34:06,160 --> 00:34:07,480
Speaker 4: kick that is, but.

802
00:34:07,520 --> 00:34:09,000
Speaker 1: If everyone on the team was kicking at the same

803
00:34:09,000 --> 00:34:09,800
Speaker 1: time and they all made it.

804
00:34:09,880 --> 00:34:13,200
Speaker 3: Yeah, It's literally why I quit improv is I did

805
00:34:13,320 --> 00:34:17,839
Speaker 3: not like having other people I could like, I don't

806
00:34:17,960 --> 00:34:19,759
Speaker 3: like being part of that kind of team.

807
00:34:20,040 --> 00:34:22,640
Speaker 2: Yeah, Like because we were doing the TNF thing, the

808
00:34:22,800 --> 00:34:24,840
Speaker 2: Thursday Night Football pre tape that we were doing the

809
00:34:24,880 --> 00:34:26,920
Speaker 2: other day, and I kept fucking up.

810
00:34:27,000 --> 00:34:28,960
Speaker 1: Like I'd get a real long line of something and

811
00:34:28,960 --> 00:34:29,400
Speaker 1: it'd be like.

812
00:34:29,400 --> 00:34:31,919
Speaker 2: Going, and then I fuck of the last line and yeah,

813
00:34:31,920 --> 00:34:34,160
Speaker 2: it's like everyone's like, oh damn it, you know, and

814
00:34:34,239 --> 00:34:35,640
Speaker 2: we all feel a little bit of like but it's

815
00:34:35,680 --> 00:34:38,960
Speaker 2: not you guys don't have like the it's you weren't

816
00:34:39,360 --> 00:34:41,880
Speaker 2: performing in that moment. I didn't just waste your performance.

817
00:34:41,920 --> 00:34:44,120
Speaker 2: I was did your time watching it, but it didn't

818
00:34:44,160 --> 00:34:46,080
Speaker 2: feel as like I would. I don't know what I

819
00:34:46,120 --> 00:34:49,040
Speaker 2: would do if like the very last step or something

820
00:34:49,239 --> 00:34:51,600
Speaker 2: during a number where it's everyone it does their best job,

821
00:34:51,760 --> 00:34:53,000
Speaker 2: Oh my god, because it must happen.

822
00:34:53,200 --> 00:34:55,640
Speaker 4: There was one time on a set I won't say

823
00:34:55,640 --> 00:34:57,160
Speaker 4: what sex. I don't want to want to figure it out,

824
00:34:57,160 --> 00:34:58,920
Speaker 4: but there was one time on a set where there

825
00:34:59,040 --> 00:35:02,200
Speaker 4: was this this guy who had one really long line

826
00:35:02,640 --> 00:35:04,200
Speaker 4: and it was so long that they even did like

827
00:35:04,200 --> 00:35:06,880
Speaker 4: a special camera move so that he could say the

828
00:35:06,960 --> 00:35:09,440
Speaker 4: line it wouldn't be boring, and he just could not

829
00:35:09,600 --> 00:35:11,480
Speaker 4: get it. It took We were sitting there for like

830
00:35:12,239 --> 00:35:14,879
Speaker 4: forty five minutes while he tried it over and over again,

831
00:35:15,120 --> 00:35:16,480
Speaker 4: and it got to the point where we were like,

832
00:35:16,600 --> 00:35:18,040
Speaker 4: should we just cut the line?

833
00:35:18,040 --> 00:35:19,759
Speaker 3: It's like, like you do it? Was he not like

834
00:35:20,239 --> 00:35:23,120
Speaker 3: he just she just he had to memorize it, you know,

835
00:35:23,200 --> 00:35:25,640
Speaker 3: start panicking. Yeah, and the moment where you're just like,

836
00:35:26,160 --> 00:35:28,640
Speaker 3: I know I can do this, and because you've now

837
00:35:28,760 --> 00:35:31,840
Speaker 3: lost the confidence to do it, yeah, it's impossible to

838
00:35:31,880 --> 00:35:32,359
Speaker 3: get it right.

839
00:35:32,600 --> 00:35:34,960
Speaker 4: And at first you just go like, oh, sorry about that.

840
00:35:35,160 --> 00:35:36,680
Speaker 4: And then then you start doing the thing where you

841
00:35:36,800 --> 00:35:39,440
Speaker 4: like kind of do that laugh where you go like

842
00:35:39,800 --> 00:35:43,919
Speaker 4: I'm drinking a CANVASI I'm drinking a canvas vivia.

843
00:35:45,160 --> 00:35:46,680
Speaker 3: Yeah, yeah, yeah, and.

844
00:35:46,719 --> 00:35:48,879
Speaker 4: Then you and that's embarrassing because we all know what's

845
00:35:48,920 --> 00:35:51,520
Speaker 4: happening in your head when you're making faces and noises

846
00:35:51,640 --> 00:35:53,800
Speaker 4: like that. And then he got the equivalent of the

847
00:35:53,920 --> 00:35:56,279
Speaker 4: yips I would say, and it was like maybe like

848
00:35:56,440 --> 00:35:58,840
Speaker 4: fourteen fifteen times, and we were like, we're gonna have

849
00:35:58,920 --> 00:36:00,920
Speaker 4: to bring someone else in or just cut the line.

850
00:36:01,360 --> 00:36:03,560
Speaker 2: And at that point I would have said I can't.

851
00:36:04,200 --> 00:36:05,719
Speaker 2: I would have been the one as the actor to

852
00:36:05,800 --> 00:36:08,200
Speaker 2: be like, I got you, guys, should bring someone else.

853
00:36:08,600 --> 00:36:11,319
Speaker 2: Let me like, don't don't make I'm not gonna make

854
00:36:11,400 --> 00:36:12,080
Speaker 2: you tell me this.

855
00:36:12,400 --> 00:36:13,200
Speaker 1: I will myself.

856
00:36:13,239 --> 00:36:15,839
Speaker 4: And we couldn't break it up into easier lines because

857
00:36:15,840 --> 00:36:17,839
Speaker 4: there was a camera movement. It was like a one shot.

858
00:36:18,040 --> 00:36:19,719
Speaker 4: Oh God, and then we were like we're gonna have

859
00:36:19,800 --> 00:36:22,320
Speaker 4: to break for lunch at least, and then we're like, okay,

860
00:36:22,920 --> 00:36:26,080
Speaker 4: one last one before lunch, and then he just nailed.

861
00:36:27,200 --> 00:36:30,640
Speaker 4: He didn't crush it, but he cash barely crossed the

862
00:36:30,680 --> 00:36:33,000
Speaker 4: finish line, but he was there and it was This.

863
00:36:33,080 --> 00:36:35,960
Speaker 2: Happened to me for one of the first commercials I

864
00:36:36,040 --> 00:36:38,200
Speaker 2: ever did, and it was I only got the commercial

865
00:36:38,239 --> 00:36:40,640
Speaker 2: because they hired Nicky and Sarah from Nicky and Sarah

866
00:36:40,680 --> 00:36:43,919
Speaker 2: Live on MTV to do this like VM as kind

867
00:36:43,960 --> 00:36:47,600
Speaker 2: of cross promo with the Kia Hamsters, like we had delayed.

868
00:36:48,280 --> 00:36:49,239
Speaker 3: You can't say no to that.

869
00:36:54,600 --> 00:37:04,000
Speaker 1: It's l m f A, oh sexy and a lot

870
00:37:04,040 --> 00:37:05,120
Speaker 1: of like party.

871
00:37:08,160 --> 00:37:08,440
Speaker 4: They were.

872
00:37:09,800 --> 00:37:20,359
Speaker 2: They were like the song I remember the Hamster Dance.

873
00:37:20,520 --> 00:37:21,759
Speaker 2: It was like one of the first things that you

874
00:37:21,800 --> 00:37:25,440
Speaker 2: could look up on the Internet and it was the

875
00:37:25,640 --> 00:37:30,320
Speaker 2: amsterdamce dot com. I remember that like dance Dancing Hamsters

876
00:37:30,360 --> 00:37:31,759
Speaker 2: that was going twenty four hours a day and you

877
00:37:31,920 --> 00:37:35,000
Speaker 2: just tune in they would go that d I remember

878
00:37:35,360 --> 00:37:36,799
Speaker 2: I had to do a scene where I was gett

879
00:37:36,840 --> 00:37:38,160
Speaker 2: we were getting ready for our date night with the

880
00:37:38,160 --> 00:37:40,240
Speaker 2: Hamsters or whatever. The Hamsters weren't there in this scene,

881
00:37:40,400 --> 00:37:42,320
Speaker 2: but we were in like a dressing room and Sarah's

882
00:37:42,360 --> 00:37:44,359
Speaker 2: on the outside like throwing clothes to me, and I'm

883
00:37:44,400 --> 00:37:47,080
Speaker 2: like saying like, oh, this isn't fit or whatever, and

884
00:37:47,280 --> 00:37:49,759
Speaker 2: I could not get the line. It was the same

885
00:37:49,920 --> 00:37:52,000
Speaker 2: kind of thing, and it probably went on for a

886
00:37:52,120 --> 00:37:55,200
Speaker 2: minute before I started totally freaking out. And then at

887
00:37:55,239 --> 00:37:58,840
Speaker 2: two minutes I fully broke down and started sobbing, like

888
00:37:58,920 --> 00:38:01,600
Speaker 2: I was just in a bad space and I cried.

889
00:38:01,680 --> 00:38:04,800
Speaker 1: It was so awkward. Oh oh, I remember, Oh my god, Okay,

890
00:38:05,239 --> 00:38:09,120
Speaker 1: who's your part of this? So I'm I'm I'm already

891
00:38:09,160 --> 00:38:10,120
Speaker 1: nervous to be on set.

892
00:38:10,280 --> 00:38:13,160
Speaker 2: I start fucking up. I start fucking up the lines

893
00:38:13,200 --> 00:38:15,600
Speaker 2: early on. I don't know what I'm doing. I feel ugly.

894
00:38:15,840 --> 00:38:18,040
Speaker 2: I'm in a fight with my boyfriend. I remember, it

895
00:38:18,080 --> 00:38:21,480
Speaker 2: was just a bad day. And then and then I'm

896
00:38:21,480 --> 00:38:23,600
Speaker 2: fucking up this line. And then there they stopped down

897
00:38:23,640 --> 00:38:25,360
Speaker 2: to change something, probably just to get me to like

898
00:38:25,480 --> 00:38:27,319
Speaker 2: calm down and get rid of the yips or whatever,

899
00:38:27,480 --> 00:38:28,160
Speaker 2: like take a break.

900
00:38:28,480 --> 00:38:29,720
Speaker 1: So they're fixing some lighting.

901
00:38:29,640 --> 00:38:33,719
Speaker 4: Or something, and then one of them you're gonna make it.

902
00:38:35,160 --> 00:38:36,920
Speaker 1: Can I can I change my answer?

903
00:38:38,040 --> 00:38:40,239
Speaker 3: I've always said this to you. And one of the.

904
00:38:43,960 --> 00:38:47,120
Speaker 2: And so this guy that was kind of like not

905
00:38:47,400 --> 00:38:49,680
Speaker 2: a good vibe, just like kind of like didn't want

906
00:38:49,719 --> 00:38:52,879
Speaker 2: to be there, like one of the you know, either

907
00:38:53,080 --> 00:38:55,560
Speaker 2: sound guy lighting guy, but like an older guy that

908
00:38:55,719 --> 00:38:58,359
Speaker 2: was kind of just like smarmy and snarky and saying

909
00:38:58,360 --> 00:38:58,920
Speaker 2: shitty things.

910
00:38:59,320 --> 00:39:01,160
Speaker 1: I already didn't like him, and that's rare for me

911
00:39:01,239 --> 00:39:01,520
Speaker 1: on set.

912
00:39:01,600 --> 00:39:04,799
Speaker 2: I don't even remember not liking anyone else on set

913
00:39:04,840 --> 00:39:06,880
Speaker 2: ever in my life. But so this I remember, this

914
00:39:06,960 --> 00:39:11,000
Speaker 2: guy stood out and then he goes, your comedian, I

915
00:39:11,040 --> 00:39:12,920
Speaker 2: got a joke or no? He no, he goes, he

916
00:39:13,000 --> 00:39:14,960
Speaker 2: didn't say that, sorry most people say that. He goes,

917
00:39:15,160 --> 00:39:15,920
Speaker 2: oh do you guys hear that?

918
00:39:16,080 --> 00:39:16,200
Speaker 4: Uh?

919
00:39:17,200 --> 00:39:18,560
Speaker 1: Who did shit? Hold on?

920
00:39:18,960 --> 00:39:21,719
Speaker 2: Oh do you guys hear Melissa Ethridge died? And it's

921
00:39:21,760 --> 00:39:23,759
Speaker 2: like around the smartphone time, right, And so I go,

922
00:39:23,880 --> 00:39:26,840
Speaker 2: oh my god, what, Like I don't love Melissa Etharts,

923
00:39:26,920 --> 00:39:28,560
Speaker 2: but like her dying would be kind of sad because

924
00:39:28,600 --> 00:39:30,759
Speaker 2: she's like, at this point, this was ten years ago, she.

925
00:39:30,880 --> 00:39:34,959
Speaker 1: Was young, and that's a thing. I was like, what really,

926
00:39:35,000 --> 00:39:37,359
Speaker 1: And he was like, yeah, she drowned in Ricky Lake.

927
00:39:39,680 --> 00:39:43,440
Speaker 2: I was just like what, So I felt dumb because

928
00:39:43,440 --> 00:39:46,000
Speaker 2: I got upset that she was dead, and then I

929
00:39:46,040 --> 00:39:47,680
Speaker 2: felt dumb that it was just a dumb joke, and

930
00:39:47,719 --> 00:39:50,680
Speaker 2: everyone like laughed around and I was just like sickened

931
00:39:50,719 --> 00:39:52,919
Speaker 2: by the dumb joke, like it was didn't even make sense,

932
00:39:53,000 --> 00:39:54,080
Speaker 2: like they're not even connected.

933
00:39:58,600 --> 00:40:02,200
Speaker 4: Lake is not gay at gay And then he was

934
00:40:02,239 --> 00:40:04,320
Speaker 4: eating she was eating her out. Yeah, but then she

935
00:40:04,360 --> 00:40:05,160
Speaker 4: wouldn't die.

936
00:40:05,680 --> 00:40:07,680
Speaker 2: He definitely did not say she died eating someone out,

937
00:40:07,680 --> 00:40:10,200
Speaker 2: and I was like, who, you know, I would not

938
00:40:10,280 --> 00:40:12,320
Speaker 2: have been sad by that setup, So it was definitely

939
00:40:12,520 --> 00:40:15,200
Speaker 2: Melissa Ethwards died. And then I go, oh my god,

940
00:40:15,280 --> 00:40:17,799
Speaker 2: and so I looked so I felt dumb and then

941
00:40:17,920 --> 00:40:20,160
Speaker 2: I like could not. Then I was just so mad

942
00:40:20,239 --> 00:40:22,080
Speaker 2: at him and mad that he tricked me, and everyone

943
00:40:22,200 --> 00:40:24,319
Speaker 2: laughed at me believing it and kind of made fun

944
00:40:24,360 --> 00:40:27,640
Speaker 2: of me for being upset about Melissa Ethern's dying that

945
00:40:27,760 --> 00:40:29,960
Speaker 2: I started crying and I they had to like stop

946
00:40:30,040 --> 00:40:32,240
Speaker 2: down for a really long time so I could like recover.

947
00:40:32,320 --> 00:40:35,200
Speaker 2: And it was so embarrassing, but it likely when it

948
00:40:35,320 --> 00:40:37,640
Speaker 2: happens to you, like there's no getting out of it,

949
00:40:37,719 --> 00:40:40,080
Speaker 2: Like it almost reminded me of that that's show we did.

950
00:40:40,440 --> 00:40:42,400
Speaker 3: I know, because your brain stops working.

951
00:40:42,560 --> 00:40:45,360
Speaker 2: Your brain, your brain stops working when you are failing

952
00:40:45,440 --> 00:40:46,880
Speaker 2: at something that I feeling.

953
00:40:46,920 --> 00:40:47,360
Speaker 1: It took it.

954
00:40:47,520 --> 00:40:50,400
Speaker 3: Yes, it just stops feeding you things to say. And

955
00:40:50,520 --> 00:40:53,800
Speaker 3: you were just so stuck in that moment. Awful, Yeah, awful,

956
00:40:54,040 --> 00:40:55,200
Speaker 3: It's truly terrible.

957
00:40:55,440 --> 00:40:57,879
Speaker 2: But yeah, have you ever, guys, ever gotten the yips

958
00:40:57,920 --> 00:41:00,799
Speaker 2: in any way of your life where you, like FROs.

959
00:41:00,680 --> 00:41:03,239
Speaker 3: Had a bad doing voiceover with the script in front

960
00:41:03,280 --> 00:41:05,879
Speaker 3: of me, Like, I just I just could not nail

961
00:41:05,920 --> 00:41:06,319
Speaker 3: a line.

962
00:41:07,080 --> 00:41:09,080
Speaker 1: It was like with a script to with.

963
00:41:09,200 --> 00:41:11,759
Speaker 3: A script, and like it's just like I'm in my head,

964
00:41:11,800 --> 00:41:14,640
Speaker 3: I'm saying it the correct way and out loud, it

965
00:41:14,800 --> 00:41:17,560
Speaker 3: just was not coming out that way. And then I'm like,

966
00:41:17,640 --> 00:41:19,640
Speaker 3: I got it, and then I just start tripping over

967
00:41:19,719 --> 00:41:20,800
Speaker 3: it even though I'm reading it.

968
00:41:21,080 --> 00:41:21,400
Speaker 1: Sala.

969
00:41:21,680 --> 00:41:24,560
Speaker 3: Yeah, I couldn't.

970
00:41:26,320 --> 00:41:29,400
Speaker 2: We ended up saying like, no, we're sorry, Robert. It

971
00:41:29,440 --> 00:41:32,040
Speaker 2: did make it because I couldn't say Sala. I've seen

972
00:41:32,080 --> 00:41:33,959
Speaker 2: you like Sala, Salid, and then.

973
00:41:33,880 --> 00:41:34,719
Speaker 1: The other guys.

974
00:41:36,800 --> 00:41:39,839
Speaker 2: If you don't, if you read them enough in your head,

975
00:41:39,920 --> 00:41:41,600
Speaker 2: you cement them and then someone says them and you

976
00:41:41,680 --> 00:41:42,279
Speaker 2: go oh shit.

977
00:41:42,400 --> 00:41:44,880
Speaker 3: But yeah, it's it's pretty crazy. I feel like it

978
00:41:44,960 --> 00:41:51,879
Speaker 3: affects literally everyone, like like truly, like even like movie

979
00:41:51,920 --> 00:41:54,520
Speaker 3: stars I've seen do it, like they're just like doing

980
00:41:54,560 --> 00:41:57,160
Speaker 3: the line and me like fuck like and starting over

981
00:41:57,239 --> 00:42:00,640
Speaker 3: and going like fuck Like, it's just non stop. It's

982
00:42:00,719 --> 00:42:02,719
Speaker 3: just I think it's just part of the human conditions. Well,

983
00:42:02,840 --> 00:42:04,520
Speaker 3: we're not supposed to be memorizing.

984
00:42:05,000 --> 00:42:06,440
Speaker 1: Oh yeah, that's probably it.

985
00:42:06,920 --> 00:42:11,480
Speaker 4: Steve Martin famously got stage fright in his fifties or something,

986
00:42:11,520 --> 00:42:13,640
Speaker 4: and he didn't step on stage for like fifteen twenty

987
00:42:13,719 --> 00:42:14,239
Speaker 4: years or something.

988
00:42:14,400 --> 00:42:15,160
Speaker 1: Wasn't stage right.

989
00:42:15,640 --> 00:42:17,800
Speaker 2: He said it was like the Friday Late Show was

990
00:42:17,880 --> 00:42:21,880
Speaker 2: his reason for quitting comedy because like drunk crowds.

991
00:42:21,440 --> 00:42:24,479
Speaker 4: Just well in born standing up. I think he talked

992
00:42:24,480 --> 00:42:26,879
Speaker 4: about how he got stage fright. God he couldn't step

993
00:42:26,920 --> 00:42:28,160
Speaker 4: on stage anymore all of a sudden.

994
00:42:28,320 --> 00:42:31,440
Speaker 3: He also couldn't go to his own movie premieres because

995
00:42:31,480 --> 00:42:34,560
Speaker 3: he like had his first panic attack at a movie

996
00:42:34,680 --> 00:42:37,399
Speaker 3: because he smoked a little bit of weed and attack.

997
00:42:37,719 --> 00:42:39,720
Speaker 3: So he just never went to his premieres and stuff.

998
00:42:40,000 --> 00:42:41,640
Speaker 3: But yeah, it was the Saturday Light Show and also

999
00:42:41,719 --> 00:42:45,040
Speaker 3: I think he was like Saturday doing or Friday light show.

1000
00:42:45,200 --> 00:42:47,440
Speaker 1: Because they work all day and then they're tired and.

1001
00:42:47,560 --> 00:42:51,200
Speaker 3: Drunk and doing like the amphitheaters. Everyone like was not

1002
00:42:51,320 --> 00:42:53,319
Speaker 3: They weren't listening to him. They were just shouting out

1003
00:42:53,400 --> 00:42:55,879
Speaker 3: like wild and crazy guy or like Duke King tut.

1004
00:42:56,160 --> 00:42:57,360
Speaker 1: Yeah, it wasn't fun anymore.

1005
00:42:57,560 --> 00:42:59,279
Speaker 3: It's stopped being fun for him. Like I saw that

1006
00:42:59,360 --> 00:43:01,360
Speaker 3: with Norm. Like one time Norm was at the Irvine

1007
00:43:01,360 --> 00:43:05,360
Speaker 3: Improv and he like was truly bombing, like like bombing

1008
00:43:05,520 --> 00:43:08,680
Speaker 3: from getting insane. Yeah, I would bomb. He was like

1009
00:43:08,840 --> 00:43:11,279
Speaker 3: you know, like he was just completely they were not

1010
00:43:11,719 --> 00:43:13,279
Speaker 3: he was not in sync with the audience. But at

1011
00:43:13,280 --> 00:43:14,480
Speaker 3: one point like forty.

1012
00:43:14,360 --> 00:43:16,759
Speaker 1: Well hold on please, when he when he would not

1013
00:43:16,840 --> 00:43:18,200
Speaker 1: be in sync with him, would he give a fuck?

1014
00:43:18,320 --> 00:43:19,680
Speaker 1: Was it really? Like it didn't seem to.

1015
00:43:19,880 --> 00:43:22,120
Speaker 3: If anything, he'd double and triple down, like.

1016
00:43:22,200 --> 00:43:24,000
Speaker 1: Did he enjoy it? Like so he felt it? It

1017
00:43:24,080 --> 00:43:26,000
Speaker 1: wasn't like he didn't feel the bomb. Was he get

1018
00:43:26,040 --> 00:43:28,600
Speaker 1: a kick out of it? And then like afterwards would

1019
00:43:28,600 --> 00:43:28,759
Speaker 1: he be.

1020
00:43:28,800 --> 00:43:30,640
Speaker 3: Like, man, I bombed, that was awesome or no, he

1021
00:43:30,800 --> 00:43:33,960
Speaker 3: was like bummed he was bombing, but he cared a lot,

1022
00:43:34,320 --> 00:43:37,920
Speaker 3: but he would like run the light when he was bombing.

1023
00:43:38,800 --> 00:43:42,439
Speaker 3: I guess maybe like somewhere trying to get them back.

1024
00:43:42,560 --> 00:43:44,640
Speaker 3: I think he thought he could get them back even

1025
00:43:45,000 --> 00:43:47,640
Speaker 3: with this, but like interesting, like he ran the light

1026
00:43:47,719 --> 00:43:49,719
Speaker 3: by an hour, like it was. Adam Egan and I

1027
00:43:49,840 --> 00:43:52,200
Speaker 3: were sitting there and we were just like we could

1028
00:43:52,280 --> 00:43:54,600
Speaker 3: not believe it because people were just like walking out.

1029
00:43:54,560 --> 00:43:56,759
Speaker 2: And know you would hear that worm would walk rooms

1030
00:43:56,760 --> 00:43:58,600
Speaker 2: all the time. Yeah, and I wouldn't believe it. And

1031
00:43:58,680 --> 00:44:00,759
Speaker 2: then I got confirmationed because I go, well, people are

1032
00:44:00,800 --> 00:44:03,640
Speaker 2: just saying that, like, but it happened a lot. It was.

1033
00:44:03,800 --> 00:44:05,759
Speaker 3: It was crazy, like forty minutes into a show, like

1034
00:44:05,920 --> 00:44:08,359
Speaker 3: I he got like the five minutes of laughter when

1035
00:44:08,360 --> 00:44:10,880
Speaker 3: he first walked on stage, and then like for the

1036
00:44:10,960 --> 00:44:13,239
Speaker 3: next thirty five minutes he had completely lost them. And

1037
00:44:13,280 --> 00:44:16,000
Speaker 3: they don't even know how. I think he like smoked

1038
00:44:16,040 --> 00:44:20,600
Speaker 3: weed before him before. It was not climbing, nothing was

1039
00:44:20,680 --> 00:44:23,799
Speaker 3: clicking as timing was messed up, and like at one point,

1040
00:44:24,000 --> 00:44:26,360
Speaker 3: forty minutes in, someone yelled out.

1041
00:44:26,360 --> 00:44:27,760
Speaker 4: To dirty work.

1042
00:44:30,520 --> 00:44:34,880
Speaker 3: Adam Egan and I laughed for five minutes straight, and

1043
00:44:34,960 --> 00:44:39,160
Speaker 3: I think it kind of reinvigorated norm a little bit. Yeah,

1044
00:44:39,320 --> 00:44:43,560
Speaker 3: when was this laughing at twenty twelve thirteen, oh, my god.

1045
00:44:43,800 --> 00:44:46,080
Speaker 3: But yeah, he walked. I like it was a sold

1046
00:44:46,080 --> 00:44:48,520
Speaker 3: out show, so there's like four hundred people there, probably

1047
00:44:48,640 --> 00:44:52,720
Speaker 3: walked more than half the room. Oh and did two hours,

1048
00:44:53,239 --> 00:44:55,080
Speaker 3: including several poems.

1049
00:44:55,160 --> 00:44:57,640
Speaker 1: Is he is he is he commenting on the people

1050
00:44:57,680 --> 00:44:59,480
Speaker 1: walking out or is not noticing it or.

1051
00:44:59,840 --> 00:45:02,160
Speaker 3: Just sticking with it like doing his material, and then

1052
00:45:02,200 --> 00:45:04,239
Speaker 3: he's like, oh, you guys don't like jokes. Uh, And

1053
00:45:04,320 --> 00:45:06,480
Speaker 3: then he'd be like, oh, here's a poem that I

1054
00:45:06,560 --> 00:45:09,880
Speaker 3: remember reading. Hey, do you like a poem about like

1055
00:45:09,920 --> 00:45:11,960
Speaker 3: the nineteen twenties Yankees from memory?

1056
00:45:12,320 --> 00:45:15,000
Speaker 2: Well, it is interesting, like you were saying, getting like

1057
00:45:15,160 --> 00:45:17,560
Speaker 2: late in life phobias or when they just come out

1058
00:45:17,560 --> 00:45:18,040
Speaker 2: of nowhere.

1059
00:45:18,120 --> 00:45:19,799
Speaker 1: And we talked about it before, but I think nay.

1060
00:45:19,719 --> 00:45:22,880
Speaker 2: Porgazi said he got clauster phobia out of nowhere, like

1061
00:45:23,000 --> 00:45:23,399
Speaker 2: one day.

1062
00:45:23,320 --> 00:45:25,279
Speaker 4: It just appeared to well, I think I have that

1063
00:45:25,360 --> 00:45:27,440
Speaker 4: I have something going on because of the MRI.

1064
00:45:27,920 --> 00:45:29,360
Speaker 3: That I'd so, oh, yeah, that's right, that's right.

1065
00:45:29,360 --> 00:45:30,000
Speaker 1: We talked about it, and.

1066
00:45:29,960 --> 00:45:31,640
Speaker 4: Now there's a lot of things that I'm like, I

1067
00:45:32,080 --> 00:45:34,160
Speaker 4: can feel that anxiety building up, and it's like I

1068
00:45:34,200 --> 00:45:35,359
Speaker 4: didn't used to have this at all.

1069
00:45:35,520 --> 00:45:38,360
Speaker 2: I know, I don't like this adult getting new Like

1070
00:45:38,520 --> 00:45:40,640
Speaker 2: anxieties in adult really have to work on it, you.

1071
00:45:40,680 --> 00:45:42,600
Speaker 1: Do, You have to, Like, I think meditation is kind of.

1072
00:45:42,600 --> 00:45:49,080
Speaker 4: Well speaking of I'm tomorrow I'm getting hypnotized. Well not tomorrow, still,

1073
00:45:49,160 --> 00:45:52,120
Speaker 4: I'm not gonna do it. I am having a consultation

1074
00:45:52,239 --> 00:45:53,600
Speaker 4: with the hypnot therapist tomorrow.

1075
00:45:53,920 --> 00:45:54,200
Speaker 2: Nice.

1076
00:45:54,360 --> 00:45:56,160
Speaker 4: Yeah, and so I'm going to get hip for what

1077
00:45:56,800 --> 00:45:57,920
Speaker 4: to try to stop clenching.

1078
00:45:58,480 --> 00:46:02,560
Speaker 1: Oh, yes, it's like your jaw or just your minds.

1079
00:46:02,800 --> 00:46:07,000
Speaker 3: Yes, it's just my jaw.

1080
00:46:07,080 --> 00:46:10,440
Speaker 4: Yeah, to stop clenching my jaw because it's subconscious. A

1081
00:46:10,480 --> 00:46:12,440
Speaker 4: lot of people say it's based on stress and so,

1082
00:46:13,000 --> 00:46:14,759
Speaker 4: and you have no control over it because it happens

1083
00:46:14,800 --> 00:46:15,520
Speaker 4: while you're sleeping.

1084
00:46:15,960 --> 00:46:16,400
Speaker 2: God it.

1085
00:46:17,320 --> 00:46:18,919
Speaker 4: I'm going to see if that works. And then maybe

1086
00:46:19,000 --> 00:46:21,920
Speaker 4: they said, like sometimes when you get hypnotherapy for something,

1087
00:46:22,280 --> 00:46:26,680
Speaker 4: other things start to like unravel, and then you release

1088
00:46:27,360 --> 00:46:29,680
Speaker 4: unravel and things go downhill fast. Then you go crazy.

1089
00:46:30,520 --> 00:46:32,279
Speaker 4: It starts to unwind or something and.

1090
00:46:32,280 --> 00:46:34,600
Speaker 1: It releases some sort of I'm so excited about this.

1091
00:46:34,760 --> 00:46:37,480
Speaker 4: Yeah, like maybe some kind of like deep rooted stress

1092
00:46:37,680 --> 00:46:41,440
Speaker 4: or cause of the anxiety will be tempered because of whatever.

1093
00:46:41,560 --> 00:46:44,080
Speaker 1: Maybe the clenching is just the tip of the iceberg.

1094
00:46:44,120 --> 00:46:46,440
Speaker 4: We definitely, yeah, it definitely is.

1095
00:46:46,480 --> 00:46:46,520
Speaker 2: So.

1096
00:46:46,600 --> 00:46:48,480
Speaker 4: Yeah, I'm excited to report back on whether or not

1097
00:46:48,600 --> 00:46:51,080
Speaker 4: this works great. I have no idea what to expect,

1098
00:46:51,120 --> 00:46:54,000
Speaker 4: but I'm going into it one one hundred percent believing

1099
00:46:54,120 --> 00:46:57,280
Speaker 4: it will work because I am I'm absolutely desperate.

1100
00:46:57,600 --> 00:47:00,440
Speaker 2: Well that's that's when you start praying. Yeah, and you're

1101
00:47:00,560 --> 00:47:05,000
Speaker 2: right away hypnotize, like you'll maybe meditate and start to

1102
00:47:05,040 --> 00:47:07,759
Speaker 2: pray like at the thing. I remember I was like

1103
00:47:07,840 --> 00:47:09,719
Speaker 2: praying during COVID because I was so depressed and I

1104
00:47:09,800 --> 00:47:11,400
Speaker 2: was like I don't know what else to do, like

1105
00:47:12,320 --> 00:47:14,279
Speaker 2: and I was like, oh, this is why people like

1106
00:47:14,400 --> 00:47:16,560
Speaker 2: turn to God when there's really no other option, Like

1107
00:47:17,040 --> 00:47:19,120
Speaker 2: this doesn't work. Same with those books that I read

1108
00:47:19,160 --> 00:47:22,920
Speaker 2: to quit drinking and quit smoking. Like I just I

1109
00:47:23,000 --> 00:47:25,360
Speaker 2: think it really helps going into something being like this

1110
00:47:25,520 --> 00:47:28,040
Speaker 2: is going to work, because I think that's that's.

1111
00:47:27,880 --> 00:47:28,640
Speaker 4: The reason it worked.

1112
00:47:29,360 --> 00:47:29,560
Speaker 3: Yeah.

1113
00:47:30,080 --> 00:47:31,880
Speaker 4: Well, there was a joke I don't I don't know

1114
00:47:31,880 --> 00:47:33,759
Speaker 4: if it's Patrice or Neil Brennan or someone like that

1115
00:47:33,800 --> 00:47:36,239
Speaker 4: who had a joke about like, why why is it

1116
00:47:36,400 --> 00:47:42,480
Speaker 4: that all the o'nil brennan Pat Brennan, Yes, yeah, from Ireland?

1117
00:47:44,280 --> 00:47:47,200
Speaker 4: Why is it that all the poor people that get

1118
00:47:48,320 --> 00:47:51,600
Speaker 4: are victims of natural disasters are always so religious. And

1119
00:47:51,680 --> 00:47:54,960
Speaker 4: there was like walking through these flood waters praying. I

1120
00:47:55,000 --> 00:47:57,799
Speaker 4: mean it was Louis actually yeah, praying to their to God,

1121
00:47:57,880 --> 00:48:00,200
Speaker 4: and it's like God just fucked you. Like he's you're

1122
00:48:00,280 --> 00:48:01,640
Speaker 4: like his least favorite person.

1123
00:48:03,640 --> 00:48:06,200
Speaker 2: But that reminds me of the pat Oswald joke maybe

1124
00:48:06,920 --> 00:48:09,000
Speaker 2: feel kind of pattern where he was like, uh, it

1125
00:48:09,160 --> 00:48:10,960
Speaker 2: was talking about Bush, like this was back when we

1126
00:48:11,000 --> 00:48:11,680
Speaker 2: didn't like Bush.

1127
00:48:11,960 --> 00:48:14,160
Speaker 1: Yeah, he's He's like, it's so funny when you meet.

1128
00:48:14,040 --> 00:48:16,319
Speaker 2: Someone who loves but when they're Bush and they're like, yeah,

1129
00:48:16,480 --> 00:48:19,200
Speaker 2: fucking love Bush, and he goes, Bush fucking hates you.

1130
00:48:20,400 --> 00:48:23,440
Speaker 1: He caught dead. You know that, right? Like Matt, the

1131
00:48:23,560 --> 00:48:26,440
Speaker 1: kind of like what why of all people, why do

1132
00:48:26,640 --> 00:48:28,520
Speaker 1: you like this person? Yeah?

1133
00:48:28,920 --> 00:48:31,000
Speaker 2: I you know what, we have to take a break,

1134
00:48:31,040 --> 00:48:33,000
Speaker 2: So let's do that and we'll come back to Finally.

1135
00:48:35,760 --> 00:48:37,759
Speaker 2: I found that the thing that is new for me

1136
00:48:38,040 --> 00:48:41,800
Speaker 2: is like I gotta get better. Final thought for me,

1137
00:48:42,200 --> 00:48:44,440
Speaker 2: I feel like my anxiety that I want to conquer

1138
00:48:44,680 --> 00:48:46,160
Speaker 2: that is like showing up that I'm like, oh this

1139
00:48:46,280 --> 00:48:51,800
Speaker 2: could spiral or unravel, is not wanting to watch myself

1140
00:48:52,360 --> 00:48:52,920
Speaker 2: or not even what.

1141
00:48:53,080 --> 00:48:56,080
Speaker 1: Like it's gotten so bad that like even the Gracie Abrams, Uh,

1142
00:48:56,480 --> 00:48:58,400
Speaker 1: that might be sad that you didn't watch that. No,

1143
00:48:58,480 --> 00:48:59,680
Speaker 1: I did watch her talking about it, but I did

1144
00:48:59,719 --> 00:49:00,960
Speaker 1: watch it, Okay, But no.

1145
00:49:01,120 --> 00:49:03,480
Speaker 2: Even that's okay for me to see people. I don't

1146
00:49:03,520 --> 00:49:06,720
Speaker 2: even really like watching people talk about me, but anything

1147
00:49:06,800 --> 00:49:08,359
Speaker 2: that has to do with me, I don't want to watch,

1148
00:49:08,440 --> 00:49:13,040
Speaker 2: Like even people who did my TikTok, like the TikTok

1149
00:49:13,080 --> 00:49:16,680
Speaker 2: I did. I couldn't watch people do the TikTok. That's like,

1150
00:49:16,840 --> 00:49:19,239
Speaker 2: Nikki Glazer, you slay this. I tried it too, Like

1151
00:49:19,640 --> 00:49:21,560
Speaker 2: I don't even want to watch that. And I don't

1152
00:49:21,560 --> 00:49:24,400
Speaker 2: even know what that is because I I, oh, you

1153
00:49:24,480 --> 00:49:26,160
Speaker 2: know what what it is. Because I feel like if

1154
00:49:26,160 --> 00:49:28,239
Speaker 2: there's a part of it that's not good, it's my fault.

1155
00:49:28,239 --> 00:49:29,920
Speaker 2: I should have made a cool move for them to

1156
00:49:29,960 --> 00:49:31,200
Speaker 2: make it this part and they didn't know what to

1157
00:49:31,280 --> 00:49:33,360
Speaker 2: do with their hands at that part, and that's my fault,

1158
00:49:33,719 --> 00:49:35,839
Speaker 2: and I like made them come up with something new

1159
00:49:36,239 --> 00:49:39,040
Speaker 2: and it was my respont. Like I have to get

1160
00:49:39,080 --> 00:49:41,560
Speaker 2: over this because I hate watching myself for me and

1161
00:49:41,680 --> 00:49:43,400
Speaker 2: the only way to cause whenever I have to edit

1162
00:49:43,480 --> 00:49:46,720
Speaker 2: a special and I have to do it. I eventually,

1163
00:49:46,800 --> 00:49:48,560
Speaker 2: by the end of it, I could watch anything of myself.

1164
00:49:48,680 --> 00:49:50,879
Speaker 2: It's it's like trial by fire, like you just get

1165
00:49:50,960 --> 00:49:53,680
Speaker 2: used to it. And but then I then I go

1166
00:49:53,760 --> 00:49:55,080
Speaker 2: step away from it, and I go, Okay, now I

1167
00:49:55,120 --> 00:49:57,120
Speaker 2: can watch myself, and I step away too long, and

1168
00:49:57,200 --> 00:50:01,200
Speaker 2: then it becomes like I would rather do anything than

1169
00:50:01,239 --> 00:50:04,080
Speaker 2: watch myself literally anything, and it's just not It's not

1170
00:50:04,239 --> 00:50:06,600
Speaker 2: okay because that's what I do for a living, is

1171
00:50:06,680 --> 00:50:07,560
Speaker 2: ask people to watch me.

1172
00:50:07,640 --> 00:50:08,279
Speaker 1: Why can't I do?

1173
00:50:08,400 --> 00:50:09,239
Speaker 2: That's what I do for living?

1174
00:50:09,239 --> 00:50:12,120
Speaker 1: Ask ye? But do you not watch the stand up

1175
00:50:12,120 --> 00:50:12,800
Speaker 1: clips I send you?

1176
00:50:13,120 --> 00:50:16,480
Speaker 2: No? I I turn them down and then I scroll

1177
00:50:16,560 --> 00:50:18,400
Speaker 2: through to make sure the captions are right, what the

1178
00:50:18,480 --> 00:50:19,160
Speaker 2: capsules are.

1179
00:50:20,360 --> 00:50:23,560
Speaker 1: That I would's my job. I've already I already.

1180
00:50:23,680 --> 00:50:26,080
Speaker 2: I trust that the sound's gonna be good, the audio,

1181
00:50:26,200 --> 00:50:27,880
Speaker 2: the visually it looks good. But I'm not going to

1182
00:50:27,920 --> 00:50:29,879
Speaker 2: listen to myself and and like watch it back.

1183
00:50:30,040 --> 00:50:33,120
Speaker 1: No fucking way. Can I watch every any anything I

1184
00:50:33,200 --> 00:50:34,680
Speaker 1: send you? What do you mean?

1185
00:50:35,239 --> 00:50:38,520
Speaker 5: Like TikTok's like did you watch the full? Like karaoke

1186
00:50:38,640 --> 00:50:41,719
Speaker 5: like US Karaoke thing, us Karaoke, the one where you're

1187
00:50:41,719 --> 00:50:42,800
Speaker 5: like guessing the lyrics.

1188
00:50:43,360 --> 00:50:44,640
Speaker 1: Uh, yeah, I did watch that whole thing.

1189
00:50:44,800 --> 00:50:49,200
Speaker 2: I don't mind watching myself if I'm not like performing,

1190
00:50:49,280 --> 00:50:51,200
Speaker 2: if it's like something that I'm just like it's clipped

1191
00:50:51,239 --> 00:50:53,799
Speaker 2: together and it's just me talking because the expectations are

1192
00:50:53,880 --> 00:50:54,920
Speaker 2: lower for myself because I'm like.

1193
00:50:54,880 --> 00:50:57,239
Speaker 1: Well, I didn't I wasn't trying to be. It's just

1194
00:50:57,280 --> 00:51:00,400
Speaker 1: for TikTok. Yeah, not just for TikTok. But it's like I'm.

1195
00:51:02,040 --> 00:51:02,200
Speaker 2: More.

1196
00:51:02,280 --> 00:51:03,360
Speaker 3: Yes, there was no preparation.

1197
00:51:03,520 --> 00:51:05,680
Speaker 1: I didn't like, I couldn't have prepared for this.

1198
00:51:05,920 --> 00:51:08,440
Speaker 3: Yes, and like when when you've actually done the work

1199
00:51:08,760 --> 00:51:12,520
Speaker 3: watching yourself, all you're seeing is the flaws that happened. Yes,

1200
00:51:12,840 --> 00:51:16,160
Speaker 3: it's impossible to not like it sucks so much, Like

1201
00:51:16,239 --> 00:51:17,720
Speaker 3: I can't. I don't like hearing my voice.

1202
00:51:17,840 --> 00:51:19,200
Speaker 1: I don't like see you don't like it either.

1203
00:51:19,880 --> 00:51:20,560
Speaker 3: I hate it.

1204
00:51:20,680 --> 00:51:22,799
Speaker 1: I hate here you bly postings or when you watch

1205
00:51:22,840 --> 00:51:23,600
Speaker 1: them before you post it.

1206
00:51:23,680 --> 00:51:25,280
Speaker 3: Oh, I'm a blind poster.

1207
00:51:25,640 --> 00:51:27,480
Speaker 2: Like I am like, well, that's a good that's a

1208
00:51:27,520 --> 00:51:29,480
Speaker 2: good thing. As long as you don't it doesn't stop

1209
00:51:29,560 --> 00:51:31,239
Speaker 2: you from posting. Because I found it was stopping me

1210
00:51:31,320 --> 00:51:33,239
Speaker 2: from posting. And then as soon as I just go

1211
00:51:33,760 --> 00:51:36,080
Speaker 2: if I don't, if I just post it like and

1212
00:51:36,200 --> 00:51:39,520
Speaker 2: I just separate myself from any kind of feedback on it,

1213
00:51:39,600 --> 00:51:41,080
Speaker 2: so I don't even know if it bombs, Like I

1214
00:51:41,120 --> 00:51:41,880
Speaker 2: don't even get to know.

1215
00:51:42,000 --> 00:51:44,520
Speaker 1: Then I'm able to still do it but not watch

1216
00:51:44,600 --> 00:51:47,480
Speaker 1: myself and still have a career. Yeah, but it does

1217
00:51:47,640 --> 00:51:49,880
Speaker 1: help to review your work, it does it.

1218
00:51:52,560 --> 00:51:54,840
Speaker 2: I'm like, yeah, want that, Like I want to be

1219
00:51:54,840 --> 00:51:56,719
Speaker 2: able to be like, look at it blew up. I

1220
00:51:56,800 --> 00:51:59,120
Speaker 2: can see like a screenshot of the ten or whatever, but.

1221
00:51:59,120 --> 00:52:00,319
Speaker 1: I don't watch it again.

1222
00:52:01,000 --> 00:52:03,800
Speaker 3: I'll list the numbers are the validation.

1223
00:52:03,960 --> 00:52:07,279
Speaker 2: But Chris always says, like, but you you, but you know,

1224
00:52:07,320 --> 00:52:09,040
Speaker 2: why don't you want to rehearse this thing that you

1225
00:52:09,200 --> 00:52:11,799
Speaker 2: have to film and read the script over and over

1226
00:52:11,880 --> 00:52:14,320
Speaker 2: when you do stand up a thousand like you'll do

1227
00:52:14,400 --> 00:52:16,760
Speaker 2: a thousand sets to practice something. And I'm like, because

1228
00:52:16,800 --> 00:52:19,560
Speaker 2: those sets aren't practice. It's a real perform Like it's

1229
00:52:19,600 --> 00:52:22,640
Speaker 2: not just me practicing to a wall, like it's there's

1230
00:52:23,080 --> 00:52:25,719
Speaker 2: it's a performance. So every time I practice, if I

1231
00:52:25,880 --> 00:52:29,360
Speaker 2: work in that each practice is a something's writing on it,

1232
00:52:29,719 --> 00:52:30,520
Speaker 2: then I'll practice.

1233
00:52:30,600 --> 00:52:30,799
Speaker 3: Sure.

1234
00:52:31,000 --> 00:52:33,400
Speaker 1: That's why when I was learning guitar, it helped so

1235
00:52:33,600 --> 00:52:35,440
Speaker 1: much for me to go on.

1236
00:52:37,560 --> 00:52:39,920
Speaker 2: Uh, well, I just haven't played that often because I

1237
00:52:40,120 --> 00:52:42,680
Speaker 2: just don't. I don't have time right now and my

1238
00:52:42,800 --> 00:52:44,120
Speaker 2: nails are always too long to play it.

1239
00:52:44,160 --> 00:52:46,680
Speaker 4: So you haven't lost the No.

1240
00:52:46,840 --> 00:52:48,600
Speaker 1: I love it when I can, but I just don't

1241
00:52:48,640 --> 00:52:49,560
Speaker 1: have time. It sucks.

1242
00:52:49,600 --> 00:52:50,560
Speaker 4: It's like that makes sense.

1243
00:52:50,960 --> 00:52:53,120
Speaker 2: And so but when I was learning how to play,

1244
00:52:53,160 --> 00:52:55,759
Speaker 2: I would go live on Instagram on the Nikki Laser

1245
00:52:55,840 --> 00:52:58,399
Speaker 2: pot and it I wouldn't There's no way I would

1246
00:52:58,400 --> 00:52:59,080
Speaker 2: have gotten good without it.

1247
00:52:59,120 --> 00:53:00,920
Speaker 1: I never would have actice alone.

1248
00:53:01,640 --> 00:53:03,440
Speaker 2: Like when during COVID, before I was going live on

1249
00:53:03,480 --> 00:53:05,360
Speaker 2: a script, I would go like, Mom, Dad, I like,

1250
00:53:05,480 --> 00:53:06,719
Speaker 2: and I was living with them, and I like would

1251
00:53:06,760 --> 00:53:08,400
Speaker 2: learn a song and play it for them, and their

1252
00:53:08,480 --> 00:53:11,760
Speaker 2: responses were not good like they were they were just like, okay,

1253
00:53:11,960 --> 00:53:12,319
Speaker 2: you know, like.

1254
00:53:12,400 --> 00:53:15,839
Speaker 4: I as a guitarist also yeah special yeah.

1255
00:53:15,920 --> 00:53:18,000
Speaker 2: But also I would think that he would be like

1256
00:53:18,239 --> 00:53:20,800
Speaker 2: a more understanding of the learning process than was.

1257
00:53:20,920 --> 00:53:24,040
Speaker 1: I had to have a little confrontation with them, and so, hey, Dad,

1258
00:53:25,320 --> 00:53:26,080
Speaker 1: the same standard as you.

1259
00:53:27,160 --> 00:53:29,440
Speaker 4: Sometimes what if like you had a what if you're

1260
00:53:29,640 --> 00:53:31,960
Speaker 4: if Arlow or somebody was like, I'm gonna want to

1261
00:53:32,000 --> 00:53:33,840
Speaker 4: be a stand up and they're like sixteen at this

1262
00:53:33,920 --> 00:53:35,880
Speaker 4: point or seventeen and they start doing stand up.

1263
00:53:36,080 --> 00:53:39,440
Speaker 2: I would only compliment that. I would only compliment them

1264
00:53:39,520 --> 00:53:41,080
Speaker 2: and tell them the things are good at that are

1265
00:53:41,160 --> 00:53:43,200
Speaker 2: like going to make them better. Like I would realize

1266
00:53:43,239 --> 00:53:45,040
Speaker 2: that everyone's supposed to suck at their stage and they

1267
00:53:45,040 --> 00:53:47,239
Speaker 2: should as good as me out of the gate. Sure, wow,

1268
00:53:47,640 --> 00:53:50,120
Speaker 2: because I have a thing called empathy.

1269
00:53:51,360 --> 00:53:54,520
Speaker 1: That some people lack because they were raised by alcoholics.

1270
00:53:54,600 --> 00:53:58,000
Speaker 2: Empathy and they're not bad people, they just lack it sometimes, Dad,

1271
00:53:58,040 --> 00:54:01,400
Speaker 2: I love you, no, but it's so like yeah, I

1272
00:54:01,640 --> 00:54:04,200
Speaker 2: I it's just I think that's if if if you

1273
00:54:04,280 --> 00:54:07,000
Speaker 2: can get me, if you film me reviewing my work

1274
00:54:07,080 --> 00:54:09,120
Speaker 2: and we make a documentary of it or something, then

1275
00:54:09,160 --> 00:54:09,680
Speaker 2: I will do it.

1276
00:54:09,840 --> 00:54:12,200
Speaker 5: I would love to do that because I didn't that

1277
00:54:12,440 --> 00:54:14,759
Speaker 5: upset because like I feel like for me, it was

1278
00:54:14,800 --> 00:54:16,320
Speaker 5: in social media, like it's so hard, you know, to

1279
00:54:16,320 --> 00:54:18,239
Speaker 5: get a video to go viral. So it's like when

1280
00:54:18,360 --> 00:54:20,480
Speaker 5: for her, like I know, you know, I've never I

1281
00:54:20,600 --> 00:54:22,839
Speaker 5: think of total It's like any roast clip I post

1282
00:54:22,920 --> 00:54:25,120
Speaker 5: on Instagram, we'll get a million views in like fifteen to.

1283
00:54:25,160 --> 00:54:28,040
Speaker 1: Twenty minutes, right, and that's insane, Like that's unheard of.

1284
00:54:28,440 --> 00:54:31,279
Speaker 2: Yeah, well, and then I don't give myself credit for

1285
00:54:31,440 --> 00:54:33,400
Speaker 2: those and then she won't because she's like.

1286
00:54:33,680 --> 00:54:35,759
Speaker 1: Like she'll heart the message, I hope. So she's pissed

1287
00:54:35,800 --> 00:54:37,920
Speaker 1: I sent her this great No, not pissed at all.

1288
00:54:38,000 --> 00:54:41,000
Speaker 1: I'll be like, I just I can't. I can't let

1289
00:54:41,040 --> 00:54:41,239
Speaker 1: it in.

1290
00:54:41,480 --> 00:54:43,120
Speaker 2: I know what I I don't know you because I'm like,

1291
00:54:43,160 --> 00:54:44,759
Speaker 2: look at that, like that she because what do I

1292
00:54:44,840 --> 00:54:47,080
Speaker 2: do if I let it in? Okay, let's explore letting it,

1293
00:54:47,360 --> 00:54:50,799
Speaker 2: edit it. Wow, everyone likes me so much?

1294
00:54:50,800 --> 00:54:51,040
Speaker 1: Okay.

1295
00:54:51,120 --> 00:54:53,480
Speaker 2: The thing is it's going to go away at some point,

1296
00:54:53,560 --> 00:54:55,960
Speaker 2: like I'm not gonna this can't sustain and even if

1297
00:54:55,960 --> 00:54:59,439
Speaker 2: it does, great, but when I don't want to tie

1298
00:54:59,600 --> 00:55:03,840
Speaker 2: any my happiness to numbers and fame and like getting

1299
00:55:03,920 --> 00:55:07,319
Speaker 2: things like real happiness, because the second I do, if

1300
00:55:07,360 --> 00:55:09,920
Speaker 2: it goes away, I will. I'm so scared of that feeling,

1301
00:55:10,040 --> 00:55:12,560
Speaker 2: Like that's why I don't spend a lot of money

1302
00:55:12,640 --> 00:55:14,480
Speaker 2: on big things, because I'm always scared it's gonna go

1303
00:55:14,480 --> 00:55:15,960
Speaker 2: away and I'm gonna be on the streets like I

1304
00:55:16,120 --> 00:55:16,680
Speaker 2: need to save.

1305
00:55:16,800 --> 00:55:18,480
Speaker 1: I need to like I can't.

1306
00:55:19,239 --> 00:55:21,759
Speaker 2: Maybe that I'm trying to like psychoanalyze myself, but I

1307
00:55:21,800 --> 00:55:23,440
Speaker 2: think maybe that's it. I like, I don't want to

1308
00:55:23,520 --> 00:55:25,040
Speaker 2: let it in because I'm scared it will go away.

1309
00:55:25,200 --> 00:55:27,239
Speaker 2: I know. And that's why I wouldn't like love Chris

1310
00:55:27,600 --> 00:55:30,440
Speaker 2: my boyfriend until last May, because I was scared it

1311
00:55:30,520 --> 00:55:30,840
Speaker 2: was going to.

1312
00:55:30,880 --> 00:55:33,359
Speaker 1: Go or I wanted to go away.

1313
00:55:33,400 --> 00:55:34,840
Speaker 2: I wanted I want to be able to flee, so

1314
00:55:34,840 --> 00:55:36,160
Speaker 2: I don't want to let you in, Like I want

1315
00:55:36,200 --> 00:55:37,400
Speaker 2: to be able to leave the industry. I want to

1316
00:55:37,400 --> 00:55:38,799
Speaker 2: be able to like if I this is too much,

1317
00:55:38,800 --> 00:55:40,160
Speaker 2: I want to be able to leave. But if you

1318
00:55:40,280 --> 00:55:42,200
Speaker 2: have if you're getting ten million views on everything, like,

1319
00:55:42,239 --> 00:55:44,440
Speaker 2: you can't pull out. There's too many people counting on you.

1320
00:55:44,560 --> 00:55:47,600
Speaker 3: Just sustain the way the only way to keep doing

1321
00:55:47,600 --> 00:55:49,880
Speaker 3: it is to just never stop doing it. You just

1322
00:55:50,040 --> 00:55:52,479
Speaker 3: have to keep going. You have to keep going for egg,

1323
00:55:53,120 --> 00:55:55,600
Speaker 3: never taking a break, Like.

1324
00:55:55,960 --> 00:55:57,000
Speaker 1: No, you can't take a break.

1325
00:55:57,239 --> 00:56:00,560
Speaker 3: Like the break is like like I like look at

1326
00:56:00,640 --> 00:56:03,000
Speaker 3: like somebody like Dane Cook, who was like just such

1327
00:56:03,040 --> 00:56:08,680
Speaker 3: a huge, huge, huge star doing movies, still doing stand up.

1328
00:56:08,840 --> 00:56:10,920
Speaker 3: Then he started doing so many movies he stopped doing

1329
00:56:10,960 --> 00:56:13,120
Speaker 3: stand up and then it just like went away.

1330
00:56:13,400 --> 00:56:15,759
Speaker 2: It went away, and he's building it back, which has

1331
00:56:15,800 --> 00:56:17,719
Speaker 2: been actually really fun to watch, and he's like doing

1332
00:56:17,760 --> 00:56:19,800
Speaker 2: it again. Yeah, Like I just I just subscribed to

1333
00:56:19,840 --> 00:56:22,399
Speaker 2: his YouTube, and I'm like, I'm back on the Dane train.

1334
00:56:22,600 --> 00:56:26,720
Speaker 2: Like I feel like this is like MySpace two thousand

1335
00:56:26,760 --> 00:56:29,360
Speaker 2: and four or something like, I feel like I'm on

1336
00:56:29,440 --> 00:56:31,600
Speaker 2: the ground level of Dane Cook again. Of like I'm

1337
00:56:31,600 --> 00:56:34,600
Speaker 2: actually interested in his He's making me laugh again in

1338
00:56:34,880 --> 00:56:36,840
Speaker 2: ways that like are reminiscent.

1339
00:56:36,440 --> 00:56:38,760
Speaker 3: Of the first time he was super funny on Spades

1340
00:56:38,800 --> 00:56:41,560
Speaker 3: podcast to the and like talking about this documentary made

1341
00:56:41,560 --> 00:56:43,879
Speaker 3: about like his brother's stealing all his money and oh great,

1342
00:56:44,160 --> 00:56:47,360
Speaker 3: I can't wait to watch this documentary. He sold it

1343
00:56:47,760 --> 00:56:50,680
Speaker 3: so well that I'm like, oh, man, for the first

1344
00:56:50,760 --> 00:56:54,520
Speaker 3: time in twenty years, take my money, Dank Cook, Dude.

1345
00:56:54,640 --> 00:56:57,799
Speaker 2: I made Chris watch a really really long Danye Cook

1346
00:56:57,800 --> 00:56:59,600
Speaker 2: clip the other night that was like probably six.

1347
00:56:59,520 --> 00:57:03,600
Speaker 4: Minutes long, and ship, what is it? Relationship is that

1348
00:57:04,160 --> 00:57:06,280
Speaker 4: the title of a that's one of his six minute

1349
00:57:06,360 --> 00:57:07,719
Speaker 4: long bits that it was.

1350
00:57:07,760 --> 00:57:10,000
Speaker 2: Something about It was about texting. It was longer ago

1351
00:57:10,120 --> 00:57:11,920
Speaker 2: than just the other day. It was like months ago,

1352
00:57:12,000 --> 00:57:14,520
Speaker 2: but it was about texting and just like the intricacies

1353
00:57:14,560 --> 00:57:16,440
Speaker 2: of it, and it was reminiscent of his style of

1354
00:57:16,640 --> 00:57:18,680
Speaker 2: like and then we do this, and then the bubbles

1355
00:57:18,760 --> 00:57:20,760
Speaker 2: come up, into the bubbles go away, you ever, the

1356
00:57:20,800 --> 00:57:23,000
Speaker 2: bubbles just don't come back. And it's like it's stuff

1357
00:57:23,000 --> 00:57:26,320
Speaker 2: that maybe standups have it explored, but I just I

1358
00:57:26,520 --> 00:57:28,520
Speaker 2: was there for it there.

1359
00:57:29,280 --> 00:57:32,360
Speaker 4: It's so annoying that people pretend like Dane Cook sucks

1360
00:57:32,400 --> 00:57:35,240
Speaker 4: at stand up. Everybody that's our age.

1361
00:57:35,240 --> 00:57:37,120
Speaker 1: And he'll clip this and it's gonna end up somewhere.

1362
00:57:37,760 --> 00:57:39,640
Speaker 2: I talk about it all the time and say, like

1363
00:57:39,760 --> 00:57:41,600
Speaker 2: it's bullshit that anyone says he's not fine.

1364
00:57:42,480 --> 00:57:45,680
Speaker 4: His first album was one of the best comedy albums ever.

1365
00:57:45,880 --> 00:57:46,120
Speaker 2: Like it.

1366
00:57:50,920 --> 00:57:53,520
Speaker 1: It was like he was so huge, Like you don't

1367
00:57:53,560 --> 00:57:55,240
Speaker 1: understand how huge he was. No, I don't, but you're

1368
00:57:55,280 --> 00:57:56,800
Speaker 1: already saying that I'm saying, and I relate to that.

1369
00:57:57,200 --> 00:57:58,160
Speaker 1: Would you prepare.

1370
00:57:58,000 --> 00:58:01,320
Speaker 3: Him to now? I mean like he was Chapel, I

1371
00:58:01,360 --> 00:58:02,680
Speaker 3: mean yes, kind of it was.

1372
00:58:03,120 --> 00:58:06,360
Speaker 2: It was overnight, overnight, and it was stadium.

1373
00:58:06,640 --> 00:58:09,400
Speaker 4: It wasn't overnight because he was behind the scenes to

1374
00:58:09,480 --> 00:58:10,040
Speaker 4: get emails.

1375
00:58:10,920 --> 00:58:13,120
Speaker 1: Was Sabrina Carpenter. It was it was like years and

1376
00:58:13,240 --> 00:58:14,320
Speaker 1: years and then all of a sudden, it was.

1377
00:58:14,320 --> 00:58:17,640
Speaker 4: Like a millennial millennial. I think boys especially, there were

1378
00:58:17,680 --> 00:58:20,320
Speaker 4: a few things that defined their sense of humor. One

1379
00:58:20,360 --> 00:58:22,480
Speaker 4: of them was family Guy, and one of them was

1380
00:58:22,560 --> 00:58:23,440
Speaker 4: Dangerous Without.

1381
00:58:23,960 --> 00:58:25,520
Speaker 3: But it was like crazy because like I had just

1382
00:58:25,600 --> 00:58:27,920
Speaker 3: started stand up and like I bought that album and

1383
00:58:28,000 --> 00:58:29,640
Speaker 3: I like love that album. I was listening to it

1384
00:58:29,720 --> 00:58:31,840
Speaker 3: and then and but then you kind of noticed, like

1385
00:58:31,960 --> 00:58:35,160
Speaker 3: a year later, everyone you went to high school with,

1386
00:58:35,280 --> 00:58:38,520
Speaker 3: which is still so fresh to me, started liking him,

1387
00:58:38,560 --> 00:58:41,120
Speaker 3: and I'm like, you guys know him was like my

1388
00:58:41,480 --> 00:58:42,240
Speaker 3: secret thing.

1389
00:58:43,520 --> 00:58:46,520
Speaker 2: Until probably like the Basses did, Okay, we gotta go

1390
00:58:46,600 --> 00:58:49,400
Speaker 2: put it enough about Dane, great show.

1391
00:58:49,440 --> 00:58:50,240
Speaker 1: We're gonna have one for you.

1392
00:58:50,320 --> 00:58:51,920
Speaker 2: We're gonna takee it right after this, so it'll be

1393
00:58:51,960 --> 00:58:55,080
Speaker 2: a continuation of this energy. Will see you then, Uh,

1394
00:58:55,320 --> 00:58:59,400
Speaker 2: don't be cud and by. The Nicky Glazer podcast is

1395
00:58:59,440 --> 00:59:03,000
Speaker 2: a production by Will Ferrell's Big Money Players and iHeart Podcasts.

1396
00:59:03,200 --> 00:59:06,200
Speaker 2: Created and hosted by me Nicki Glazer, co hosted by

1397
00:59:06,240 --> 00:59:09,760
Speaker 2: Brian Frangie. Executive produced by Will Ferrell, Hans Sonny and

1398
00:59:09,920 --> 00:59:13,920
Speaker 2: Noah Avior edited it engineered by Lean and Loaf, Video

1399
00:59:14,000 --> 00:59:17,160
Speaker 2: production Mark Canton, and music by Anya Marina.

1400
00:59:17,520 --> 00:59:18,480
Speaker 1: You can now watch full

1401
00:59:18,520 --> 00:59:21,960
Speaker 2: Episodes of the Nicky Glazer Podcast on YouTube, follow at

1402
00:59:22,040 --> 00:59:24,360
Speaker 2: Nicki Glazer Pod and subscribe to our channel