WEBVTT - Culture Clash

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<v Speaker 1>I think the thing that I want to most say

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<v Speaker 1>about what we're doing here is that we've always had

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<v Speaker 1>this feeling that somehow we can just work it out.

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<v Speaker 1>But there's another species that wants to talk to us.

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<v Speaker 1>They'll say what's on their mind, We'll say what's on

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<v Speaker 1>our mind. Some kind of confusion will exist, and maybe

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<v Speaker 1>harmony will happen. But then again, Brent, I remember back

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<v Speaker 1>to the very beginning, of course, when we were much younger,

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<v Speaker 1>and there was the Twilight Zone episode called to Serve Man, right, yes,

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<v Speaker 1>and what happened this other race?

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<v Speaker 2>And I loved it as a kid.

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<v Speaker 1>The super tall, weird looking dudes showed up and they

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<v Speaker 1>wore these long kind of gowns and they had their

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<v Speaker 1>spacecraft and they said that they were here to help us.

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<v Speaker 2>And they did right.

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<v Speaker 1>Then they made the Desert's bloom and yes, yep, it

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<v Speaker 1>was great. And then we got a hold of their

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<v Speaker 1>book and it said to Serve Man, and everybody.

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<v Speaker 2>Is this is so freaking great. Are here to help

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<v Speaker 2>right now?

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<v Speaker 1>As a kid, I didn't realize that, but today you'd say,

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<v Speaker 1>thank god, somebody is here.

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<v Speaker 2>To help, right exactly?

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<v Speaker 1>We sure need some help. But so the main character

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<v Speaker 1>and the Twilight Zone that is like twenty two and

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<v Speaker 1>a half minutes of programming or something, so it goes fast.

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<v Speaker 1>But this one guy who's been sort of the leader

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<v Speaker 1>of the band is getting on this flight. He's going

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<v Speaker 1>to go to their home planet. And the people who

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<v Speaker 1>have been looking into trying to translate the How to

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<v Speaker 1>Serve a Man book yell at him, don't get on

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<v Speaker 1>the ship.

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<v Speaker 2>And why because he's going to be dinner. It's a cookbook. Wow.

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<v Speaker 1>I don't know when you first saw that one as

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<v Speaker 1>a kid. What's your what was your take?

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<v Speaker 2>Honestly, I was of the age when I first started

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<v Speaker 2>watching The Twilight Zone where pretty much every episode upset

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<v Speaker 2>me or scared me or something, and that I think

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<v Speaker 2>that probably the idea that aliens were going to eat

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<v Speaker 2>us stayed with me for longer than I would have liked.

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<v Speaker 2>I think the interest things, it's something that we culturally

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<v Speaker 2>still carry around with us, that we still worry about.

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<v Speaker 2>What if that's their intent, what if they're fattening us up,

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<v Speaker 2>or what if they're keeping us alive so that and

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<v Speaker 2>that they're farming us. We've heard all of these these theories.

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<v Speaker 1>All of it, and in fact we hear it often

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<v Speaker 1>with the cattle mutilations out there, It's like, Okay, if

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<v Speaker 1>it's really NHI that are mutilating cattle and draining in

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<v Speaker 1>them of their blood and taking their vital organs, how

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<v Speaker 1>do we know they're not doing that to us? There

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<v Speaker 1>have been reports of human mutilations, fewer, I think, I hope. Anyway,

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<v Speaker 1>the thing I want to just land the table for

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<v Speaker 1>us right now is back when Dolan and I were

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<v Speaker 1>writing Ad After Disclosure, it was I believe it was.

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<v Speaker 2>Twenty ten when we were writing it.

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<v Speaker 1>Okay, so yeah, I know it does seem it's like

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<v Speaker 1>the how time flies, right. So we were thinking about

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<v Speaker 1>a lot of things, and we were kicking things like

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<v Speaker 1>you and I do all the time, right, It's like

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<v Speaker 1>testing theories, what about this?

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<v Speaker 2>What about that?

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<v Speaker 1>And then something happens in the middle of that process

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<v Speaker 1>that just laid something out onto the table for us.

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<v Speaker 1>And we had a chapter I believe called threat Narrative.

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<v Speaker 1>And here's what got laid on the table. It turns

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<v Speaker 1>out that Stephen Hawking in the famous scientist, right, the

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<v Speaker 1>man who was he was super super bright, but his

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<v Speaker 1>body at afterpheed and it was all very strange but

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<v Speaker 1>he was on a Discovery Channel mini series Into the

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<v Speaker 1>Universe with Stephen Hawking is like April of twenty ten,

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<v Speaker 1>and Dolan and I are like, our sleeves are rolled

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<v Speaker 1>up and we're working on this book. And then he

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<v Speaker 1>ends up saying, and this is the part that's famous.

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<v Speaker 1>The quote is if aliens visit us, the outcome would

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<v Speaker 1>be much as when Columbus landed in America, which didn't

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<v Speaker 1>turn out well for the Native Americans. And I kind

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<v Speaker 1>of love that because it's the role reversal. If indeed

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<v Speaker 1>there are aliens here or an Nhi that is technology

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<v Speaker 1>advanced over us, aren't they, in fact the people from

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<v Speaker 1>the Old World coming to the New World?

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<v Speaker 2>The conquerors? Yeah, yeah, the invaders. No, it's true. And

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<v Speaker 2>going back to your original point of the hope is

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<v Speaker 2>that we could work it out with aliens, but in fact,

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<v Speaker 2>there's a lot of historical precedent that we can't work

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<v Speaker 2>it out with ourselves, right, So it's a hard kind

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<v Speaker 2>of wish to see coming true that aliens are going

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<v Speaker 2>to come down, and as we're going to take a

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<v Speaker 2>look at in at least one of the movies here,

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<v Speaker 2>But really I think it is a theme across all

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<v Speaker 2>of these movies is communication right. When cultures clash, communication

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<v Speaker 2>is key, And if they don't understand each other, or

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<v Speaker 2>they can't even speak to each other, then so much

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<v Speaker 2>for trying to work things out. I remember that Hawking

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<v Speaker 2>made the argument. He wasn't saying that aliens were going

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<v Speaker 2>to be evil. That was not his point.

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<v Speaker 1>His point was that any civilization capable of crossing interstellar

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<v Speaker 1>distances to get here, against all the odds and all

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<v Speaker 1>the distance and time, they would possess technology that was

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<v Speaker 1>so overwhelmingly superior to ours that any meeting with them

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<v Speaker 1>might not accrue to our benefit. And in fact, I

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<v Speaker 1>remember watching that episode and it was just mind bending.

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<v Speaker 1>He's talking about imagining things, and I always thought, listen,

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<v Speaker 1>the guy super bright, but he was limited physically and

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<v Speaker 1>what he could do. So what he did is he thought.

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<v Speaker 1>He used that brilliant minded to think. And one of

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<v Speaker 1>the things he did and talked about in that first

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<v Speaker 1>program was he imagined an advanced civilization that had exhausted

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<v Speaker 1>its home planet's resources and had become space bearing nomads.

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<v Speaker 1>And the quote was looking to conquer and colonize whatever

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<v Speaker 1>planets they can reach. So the problem is of we

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<v Speaker 1>have rather naively sent out voyager, unmanned craft with gold records,

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<v Speaker 1>telling people what we look like, what we know, how

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<v Speaker 1>to find us. And it wasn't that Hawking was saying

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<v Speaker 1>don't don't listen for signals. He was in favor of SETI.

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<v Speaker 1>He was saying, listen. If somebody is sending out something,

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<v Speaker 1>you want to receive it. He was just saying, exercise

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<v Speaker 1>a little caution before you send it out. I think

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<v Speaker 1>that's what is the what's driving us in this episode.

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<v Speaker 1>This is a chance for us to talk about are

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<v Speaker 1>there movies that demonstrate contact between not just individual aliens

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<v Speaker 1>and individual humans, but civilizations if you will, And sometimes

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<v Speaker 1>movies are. There's a bunch of them. There's everything from

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<v Speaker 1>Alien Nation in District nine, where actually it goes worse

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<v Speaker 1>for the aliens than it does for us, right, And

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<v Speaker 1>then of course there's the Day the Earth Stood Still

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<v Speaker 1>where they show up and give us an ultimatum. There's

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<v Speaker 1>Independence Day, of course, where it's just playing bad. They're

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<v Speaker 1>looking for trouble, they're not looking for help.

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<v Speaker 2>Yeah, yeah, I think the headline here is that when

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<v Speaker 2>humans and aliens meet spoiler alert, it doesn't end well. No,

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<v Speaker 2>for one side or the other. And again going back

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<v Speaker 2>to kind of historical precedent, the equivalent of aliens is

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<v Speaker 2>when the earth was still being explored, a dominant culture

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<v Speaker 2>would go to a indigenous culture and they would be

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<v Speaker 2>overtaken and conquered. I think the only example I can

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<v Speaker 2>think of was New Zealand, where the Maori were not conquered,

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<v Speaker 2>they were integrated into culture, which is why New Zealand's

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<v Speaker 2>such an interesting place to visit. It is and you've

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<v Speaker 2>lived haven't you lived there before? No? I thought about

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<v Speaker 2>living there. I visited it for a month and I

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<v Speaker 2>love it. I would highly recommend it to everyone, and

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<v Speaker 2>not just if you're a Lord of the Rings fan.

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<v Speaker 1>And let's move on to a kind of a movie

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<v Speaker 1>that again, I bet very few people are thinking about

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<v Speaker 1>the movie that we want to start this conversation with.

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<v Speaker 2>So I'm going to start us down this road with

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<v Speaker 2>yet another quote. And the quote is a great civilis

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<v Speaker 2>a is not conquered from without until it has been

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<v Speaker 2>destroyed from within. Now, Yeah, powerful quote. That's actually by

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<v Speaker 2>a man named Will Durant, who was a twentieth century

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<v Speaker 2>storian and philosopher. And it's the first image that you

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<v Speaker 2>see on the movie we'll now be talking about, which

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<v Speaker 2>is Apocalypto. That's a movie by Mel Gibson that came

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<v Speaker 2>out in two thousand and six. And the interesting thing

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<v Speaker 2>is that quote was actually an excerpt of something larger,

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<v Speaker 2>which is equally relevant to the world we're living in today.

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<v Speaker 2>Here's the full quote. A great civilization is not conquered

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<v Speaker 2>from without until it has destroyed itself from within. The

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<v Speaker 2>essential causes of Rome's decline lay in her people, her morals,

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<v Speaker 2>her class struggle, her failing trade, her bureaucratic despotism, her

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<v Speaker 2>stifling taxes, her consuming wars. Now is America a modern

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<v Speaker 2>day Rome? Are we right to be conquered? Could it be?

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<v Speaker 2>I've wondered lately, is this the reason that we are

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<v Speaker 2>on the verge of disclosure? That the powers that be

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<v Speaker 2>want to maybe prepare us for the potential alien invasion coming?

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<v Speaker 2>Obviously we can't answer that today, and I know that's

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<v Speaker 2>a scary thought. But I think the most important thing

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<v Speaker 2>to take away from this is what we talked about

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<v Speaker 2>in the beginning, which is there is a culture clash

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<v Speaker 2>that happens in Apocalypto that does not go well for

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<v Speaker 2>the indigenous tribes, and yet the whole movie becomes a

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<v Speaker 2>metaphor for that idea that there's always a bigger fish. Yeah.

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<v Speaker 1>Boy, I got to tell you, I love Apocalypto, and

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<v Speaker 1>I know Mel Gibson is a controversial character, and I

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<v Speaker 1>would like us to be able folks, to separate ourselves

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<v Speaker 1>from his personality or whether you love him or hate

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<v Speaker 1>him or whatever, concentrate on what this film is about,

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<v Speaker 1>because it really does ask a brilliantly large question, and

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<v Speaker 1>it doesn't really ask it even until the very end

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<v Speaker 1>of the film. So the one thing I do have

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<v Speaker 1>to say is, look, this movie, as Brent said, was

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<v Speaker 1>made in two thousand and six. This is not the

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<v Speaker 1>kind of show where we can respect people that call

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<v Speaker 1>spoiler alert. The ability to discuss what this film does

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<v Speaker 1>needs for us to actually look at what it says

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<v Speaker 1>in its entirety. So I guess if that's the problem,

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<v Speaker 1>maybe bounce ahead ten minutes and you'll be okay. But

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<v Speaker 1>here's the thing. This is the story that takes place

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<v Speaker 1>with the is it the Aztec or the Mayan civilism?

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<v Speaker 1>It's of course yeah. And the main character is a guy.

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<v Speaker 1>It's so great.

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<v Speaker 2>There's no English in it, there's no it's just all subtitled.

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<v Speaker 1>Yep, it's all subtitled, and very little dialogue at that.

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<v Speaker 1>And the main character is this guy named Jaguar Paw

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<v Speaker 1>who is a hunter from a peaceful forest village. But

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<v Speaker 1>he gets captured by these Mayan warriors, right and they

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<v Speaker 1>just destroy his community. His wife and his child end

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<v Speaker 1>up in a pit. He ends up captive, and he's

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<v Speaker 1>forced to go back to this really horrific He described

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<v Speaker 1>the civilization that's falling apart from within. I think that

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<v Speaker 1>describes what was going on with the Mayans at that point.

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<v Speaker 2>Absolutely.

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<v Speaker 1>Their plan is to march Jaguar Pauw and his other

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<v Speaker 1>fellow captives up to the top of a pyramid and

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<v Speaker 1>behead them and as sacrifices to the gods to try

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<v Speaker 1>to cut them a deal. So all I can say

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<v Speaker 1>is this, it's creepy. It's like being on a bad

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<v Speaker 1>acid trip. It's just like his reality is shattered. He

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<v Speaker 1>can't even imagine the cruelty that he's about to experience.

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<v Speaker 1>The fear was probably so high that he can barely

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<v Speaker 1>stand on his own two legs.

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<v Speaker 2>It's so bad.

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<v Speaker 1>Plus he's worried about what's going to happen to his

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<v Speaker 1>wife and child? Are they going to die in this pit?

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<v Speaker 1>What's going to happen? And that is the only thing

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<v Speaker 1>that motivates this character. He wants to save his family

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<v Speaker 1>and so he manages to escape, but then things go badly.

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<v Speaker 2>A couple things to touch on here, which is, as

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<v Speaker 2>you pointed out, the Mayans are basically playing the part

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<v Speaker 2>of the Romans. Their whole culture has fallen apart because

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<v Speaker 2>of kind of the moral decay. They believe they are

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<v Speaker 2>the people of destiny. They have the arrogance, they have

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<v Speaker 2>the hubris, they're on the downfall, and in fact, the

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<v Speaker 2>reason that they are sacrificing others to the gods is

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<v Speaker 2>they believe that all the problems that have befallen their

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<v Speaker 2>culture were because of the gods, not because of themselves.

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<v Speaker 2>We didn't do this to ourselves. This is because we

0:12:32.800 --> 0:12:35.200
<v Speaker 2>haven't killed enough people to make the gods happy. A

0:12:35.320 --> 0:12:38.320
<v Speaker 2>very twisted point in the Mayan culture there, and I

0:12:38.360 --> 0:12:42.400
<v Speaker 2>think to the other points. As creepy and as visceral

0:12:42.520 --> 0:12:45.880
<v Speaker 2>and as savage as the movie is, I actually before

0:12:45.880 --> 0:12:47.960
<v Speaker 2>we get to the ending, which is in some ways

0:12:48.000 --> 0:12:50.040
<v Speaker 2>the whole point of the movie at least for our podcast.

0:12:50.400 --> 0:12:52.960
<v Speaker 2>I took away one thing that I was very empowered

0:12:53.000 --> 0:12:57.359
<v Speaker 2>by the thought that how can somebody in that situation

0:12:57.440 --> 0:13:00.520
<v Speaker 2>when Jaguar Paw is on the cusp of being sackcrificed,

0:13:00.760 --> 0:13:03.640
<v Speaker 2>he's left his wife and son behind him. By the way,

0:13:03.679 --> 0:13:06.440
<v Speaker 2>his wife is pregnant about to give birth. That's the

0:13:06.480 --> 0:13:10.600
<v Speaker 2>other complication in this sinkhole, what gets him through, what

0:13:10.800 --> 0:13:14.160
<v Speaker 2>pulls him through. Early on in the movie, he says

0:13:14.200 --> 0:13:18.680
<v Speaker 2>to his son before they're separated, don't be afraid. Don't

0:13:18.679 --> 0:13:22.160
<v Speaker 2>be afraid, right, And the only thing that keeps the

0:13:22.200 --> 0:13:25.480
<v Speaker 2>sun going with the mother to help her through giving

0:13:25.559 --> 0:13:28.360
<v Speaker 2>birth to a child in a sinkhole. And the only

0:13:28.400 --> 0:13:32.120
<v Speaker 2>thing that gets Jaguar Paw through this hole ordeal is

0:13:32.400 --> 0:13:36.319
<v Speaker 2>he stays poised, He doesn't give into the fear, He

0:13:36.960 --> 0:13:40.120
<v Speaker 2>sticks through it, and he has the courage to endure.

0:13:40.520 --> 0:13:43.679
<v Speaker 2>And I that Mel Gibson, obviously having made it also

0:13:43.760 --> 0:13:46.600
<v Speaker 2>the passion of the Christ is a spiritual man. And

0:13:47.200 --> 0:13:50.040
<v Speaker 2>I don't think it's a coincidence that the key idea

0:13:50.200 --> 0:13:52.960
<v Speaker 2>of this is don't be afraid. When the world becomes

0:13:53.040 --> 0:13:56.960
<v Speaker 2>dark all around you. That phrase don't be afraid is

0:13:57.000 --> 0:14:01.120
<v Speaker 2>in the Bible seventy times, and just to tie things

0:14:01.120 --> 0:14:04.840
<v Speaker 2>all together, it's one of the key lines in Disclosure Day,

0:14:05.280 --> 0:14:08.480
<v Speaker 2>don't be afraid of the unknown. And so I think,

0:14:08.520 --> 0:14:12.400
<v Speaker 2>as we talk about what could be a possible terrifying

0:14:12.440 --> 0:14:15.200
<v Speaker 2>outcome for humanity if we were ever to be invaded

0:14:15.240 --> 0:14:18.040
<v Speaker 2>by aliens, I think that is something to hold on to,

0:14:18.280 --> 0:14:21.880
<v Speaker 2>like that life preserver in the dark ocean. Don't be afraid.

0:14:22.360 --> 0:14:24.040
<v Speaker 2>I commend the thought.

0:14:24.320 --> 0:14:26.480
<v Speaker 1>But I have to tell you if what was happening

0:14:26.520 --> 0:14:30.000
<v Speaker 1>to Jaguar all was happening to me, I'd be so afraid.

0:14:30.200 --> 0:14:31.160
<v Speaker 2>I don't know what I would do.

0:14:31.480 --> 0:14:33.800
<v Speaker 1>And before we get into that ending, I have to

0:14:33.840 --> 0:14:36.440
<v Speaker 1>tell you that a few years back, I was in

0:14:36.680 --> 0:14:40.880
<v Speaker 1>an Anytime fitness gym working out and I'm just pushing

0:14:40.920 --> 0:14:43.560
<v Speaker 1>some weights around and I look over and there's Mel

0:14:43.600 --> 0:14:47.800
<v Speaker 1>Gibson doing the same thing and my local gem. So

0:14:47.880 --> 0:14:49.920
<v Speaker 1>I just went up and said hello, and I told

0:14:50.000 --> 0:14:53.360
<v Speaker 1>him how much I enjoyed his film, and he was

0:14:53.480 --> 0:14:55.720
<v Speaker 1>very nice about it, and he was appreciative. I think

0:14:55.760 --> 0:14:58.640
<v Speaker 1>it's always nice if you're a director and somebody seeks

0:14:58.680 --> 0:15:01.840
<v Speaker 1>you out to say mental lot. To me, that's important,

0:15:02.200 --> 0:15:04.920
<v Speaker 1>And so I told him that but then I went

0:15:05.080 --> 0:15:07.160
<v Speaker 1>the one step further and I said, and you know

0:15:07.240 --> 0:15:10.040
<v Speaker 1>what's so interesting to me is and I don't know

0:15:10.320 --> 0:15:12.920
<v Speaker 1>mel if you're involved in this, or you think about this,

0:15:13.280 --> 0:15:15.760
<v Speaker 1>or whether it was part of it, but it sure

0:15:16.200 --> 0:15:21.800
<v Speaker 1>felt like a metaphor for the UFO alien contact issue.

0:15:23.120 --> 0:15:26.440
<v Speaker 1>He looks at me kind of the scance like really

0:15:27.880 --> 0:15:30.720
<v Speaker 1>he did, by the way, as we talked, acknowledge, Yeah,

0:15:30.760 --> 0:15:33.400
<v Speaker 1>that would make a certain amount of sense, but it

0:15:33.480 --> 0:15:36.000
<v Speaker 1>wasn't what he had in mind. So all I have

0:15:36.040 --> 0:15:37.800
<v Speaker 1>to say, Brent, is if you and I are seeing

0:15:37.800 --> 0:15:41.040
<v Speaker 1>it in this movie. The director of the movie apparently

0:15:41.080 --> 0:15:43.200
<v Speaker 1>didn't see it himself when he was making it, or

0:15:43.200 --> 0:15:45.080
<v Speaker 1>at least that's what he seemed to say to me.

0:15:45.160 --> 0:15:48.680
<v Speaker 1>But Okay, so this doesn't go on forever because we

0:15:48.720 --> 0:15:50.680
<v Speaker 1>have a lot of other things to cover. We've got

0:15:50.680 --> 0:15:53.600
<v Speaker 1>a couple of great personal stories. We've got several other

0:15:53.680 --> 0:15:56.200
<v Speaker 1>films that we want to talk about in passing. So

0:15:56.240 --> 0:16:00.200
<v Speaker 1>what happens here is Jaguar Pop breaks free and he

0:16:00.320 --> 0:16:05.360
<v Speaker 1>is pursued by the baddest ass Mayan hunters around, including

0:16:05.440 --> 0:16:08.680
<v Speaker 1>one dude who is just he just burns to kill

0:16:08.760 --> 0:16:12.040
<v Speaker 1>this guy in a violent torturing way. That's all he

0:16:12.080 --> 0:16:15.160
<v Speaker 1>can say is you know that if he catches him,

0:16:15.440 --> 0:16:19.040
<v Speaker 1>that's that. And it's this incredible chase. It's not a

0:16:19.040 --> 0:16:21.760
<v Speaker 1>car chase. It's so much better than a car chase.

0:16:22.200 --> 0:16:29.080
<v Speaker 1>This is like a gang of highly talented, brutal mofos

0:16:29.240 --> 0:16:34.640
<v Speaker 1>chasing you who has no chance through the jungle. It's unbelievable.

0:16:35.200 --> 0:16:39.440
<v Speaker 1>And so you know, you just know if they catch him,

0:16:39.680 --> 0:16:42.000
<v Speaker 1>that's it, and that's game over.

0:16:42.280 --> 0:16:42.760
<v Speaker 2>We're done.

0:16:43.480 --> 0:16:47.880
<v Speaker 1>And nothing really appears to be available to stop them,

0:16:48.040 --> 0:16:50.360
<v Speaker 1>and yet something does.

0:16:51.440 --> 0:16:54.960
<v Speaker 2>And that's what's so great about it, Yes, and what

0:16:55.040 --> 0:16:58.840
<v Speaker 2>that something is. When they reach the beach, they see

0:16:59.520 --> 0:17:04.640
<v Speaker 2>these credible craft on the water, right, it's the boats

0:17:04.680 --> 0:17:09.600
<v Speaker 2>coming of the Spanish explorers coming to conquer the New World.

0:17:10.359 --> 0:17:15.440
<v Speaker 2>And oh my goodness, it the looks on their faces.

0:17:16.240 --> 0:17:20.320
<v Speaker 2>It's the way we would look if alien spaceships landed

0:17:20.760 --> 0:17:23.359
<v Speaker 2>on our planet. And that's where I think you got

0:17:23.400 --> 0:17:25.080
<v Speaker 2>the idea of that great metaphor.

0:17:25.760 --> 0:17:29.719
<v Speaker 1>It's so great about it is Okay, these two this

0:17:29.800 --> 0:17:32.480
<v Speaker 1>guy is caught, gotten dead to right, and once he's

0:17:32.520 --> 0:17:35.240
<v Speaker 1>at the beach, he ain't getting off the beach. There's

0:17:35.320 --> 0:17:39.239
<v Speaker 1>more of them than him. And so that's the end

0:17:39.240 --> 0:17:40.920
<v Speaker 1>of the movie. And I think at the first time

0:17:40.920 --> 0:17:43.600
<v Speaker 1>I saw it, I'm almost checking my watch, going, isn't

0:17:43.600 --> 0:17:46.320
<v Speaker 1>this the end of the movie? There seems like so

0:17:46.400 --> 0:17:49.320
<v Speaker 1>much they're just going to kill it. What and then

0:17:49.359 --> 0:17:53.840
<v Speaker 1>they stop in their tracks and they have never seen

0:17:53.880 --> 0:17:57.720
<v Speaker 1>anything like it. These are the Spanish galleons. These are

0:17:57.920 --> 0:18:01.560
<v Speaker 1>major craft, and I believe at the same time there

0:18:01.600 --> 0:18:05.000
<v Speaker 1>are the guys getting out of it with the metal,

0:18:06.000 --> 0:18:09.399
<v Speaker 1>the head gear and the head gear and the breastplates

0:18:09.440 --> 0:18:13.439
<v Speaker 1>and the swords, and just so there's technology for that time.

0:18:13.760 --> 0:18:18.080
<v Speaker 1>These ships are technology. The protective gear is technology, and

0:18:18.119 --> 0:18:22.919
<v Speaker 1>everybody just stops in their tracks because they don't know

0:18:23.040 --> 0:18:26.240
<v Speaker 1>what it is the same way some of us might

0:18:26.320 --> 0:18:29.600
<v Speaker 1>stop in our tracks if we were having a fight.

0:18:29.760 --> 0:18:32.080
<v Speaker 1>Was say, you're having a fight with your next door

0:18:32.080 --> 0:18:35.320
<v Speaker 1>neighbor about the law, about the fence and where it

0:18:35.359 --> 0:18:38.440
<v Speaker 1>needs to be, and people are threatening to sue each other,

0:18:38.600 --> 0:18:41.480
<v Speaker 1>and suddenly there's this craft above you. You're going to stop

0:18:41.520 --> 0:18:44.720
<v Speaker 1>your fight. It's just going to stop you. There's just

0:18:44.760 --> 0:18:47.199
<v Speaker 1>no way around it. So what I think is so

0:18:47.320 --> 0:18:51.359
<v Speaker 1>interesting if you replace the Spanish ships with alien craft,

0:18:51.560 --> 0:18:55.800
<v Speaker 1>what happens is that everything changes because what the Mayans

0:18:55.840 --> 0:18:58.679
<v Speaker 1>don't know, these Mayans who have been chasing him, is

0:18:58.720 --> 0:19:01.320
<v Speaker 1>they don't know are the gods they're looking at?

0:19:02.200 --> 0:19:05.440
<v Speaker 2>Are they traders? Are they explorers? Are they invaders? Are

0:19:05.440 --> 0:19:07.200
<v Speaker 2>they refugees? They don't know anything.

0:19:07.680 --> 0:19:10.720
<v Speaker 1>No, just in a way, given that we've had eighty

0:19:10.840 --> 0:19:14.440
<v Speaker 1>years to study what's going on with whatever is going

0:19:14.440 --> 0:19:17.359
<v Speaker 1>on right now, we don't know exactly what's goed.

0:19:17.359 --> 0:19:20.920
<v Speaker 2>There may be people that do know they haven't told us. Yeah,

0:19:20.960 --> 0:19:24.440
<v Speaker 2>And I think that's one of the major reasons why

0:19:24.480 --> 0:19:27.280
<v Speaker 2>everyone wants to know the truth. I think a lot

0:19:27.359 --> 0:19:29.960
<v Speaker 2>of people believe they are out there, they may even

0:19:30.000 --> 0:19:33.520
<v Speaker 2>be here. The big question is why what do they want?

0:19:34.200 --> 0:19:37.200
<v Speaker 2>Are we being threatened? Are we being observed? Is someone

0:19:37.240 --> 0:19:39.600
<v Speaker 2>here to help us? It's a big spectrum, and I

0:19:39.600 --> 0:19:43.840
<v Speaker 2>think the anxiety that people have about what the potential

0:19:43.880 --> 0:19:47.680
<v Speaker 2>motives might be is legitimate. And again, if you look

0:19:47.720 --> 0:19:51.800
<v Speaker 2>to history, most of the time a conquering race meets

0:19:51.920 --> 0:19:55.440
<v Speaker 2>a lesser race or a less developed race, it does

0:19:55.480 --> 0:19:59.679
<v Speaker 2>not end well. So anyway, it's a really interesting movie.

0:20:00.119 --> 0:20:02.800
<v Speaker 2>Glad you got to run your theory past Mel Gibson.

0:20:03.200 --> 0:20:06.240
<v Speaker 2>It's very funny when we come back. We are going

0:20:06.280 --> 0:20:10.479
<v Speaker 2>to talk about Arrival and another movie which I'm going

0:20:10.560 --> 0:20:12.840
<v Speaker 2>to hold out the surprise of what that last third

0:20:12.880 --> 0:20:15.720
<v Speaker 2>movie is. And we're also going to hear about Bryce's

0:20:16.200 --> 0:20:38.920
<v Speaker 2>personal Apocalyptos story. I can't wait. Let's do this. I'm

0:20:38.920 --> 0:20:41.800
<v Speaker 2>Brent Friedman. Years ago, a family friend who became a

0:20:41.840 --> 0:20:45.000
<v Speaker 2>cabinet member in the Reagan administration just closed to me

0:20:45.119 --> 0:20:49.080
<v Speaker 2>that aliens are real. They're here, and he'd seen them.

0:20:49.200 --> 0:20:50.119
<v Speaker 2>I'm Bryce's able.

0:20:50.400 --> 0:20:54.280
<v Speaker 1>Later, when we were producing Dark Skies, an NBCTV series

0:20:54.320 --> 0:20:57.400
<v Speaker 1>about an alien invasion, we were approached by men who

0:20:57.400 --> 0:21:00.280
<v Speaker 1>said they were from the Office of Naval Intelligence and

0:21:00.359 --> 0:21:04.400
<v Speaker 1>they wanted to give us inside information in exchange for access.

0:21:04.119 --> 0:21:07.320
<v Speaker 2>To our show. We didn't take that deal, but we

0:21:07.440 --> 0:21:09.160
<v Speaker 2>have never stopped thinking about it.

0:21:09.680 --> 0:21:13.040
<v Speaker 1>That's why we do this podcast. We're working out ideas

0:21:13.040 --> 0:21:17.480
<v Speaker 1>in real time about how Hollywood is portrayed aliens and why.

0:21:17.800 --> 0:21:22.000
<v Speaker 2>Every episode is different because there are so many questions.

0:21:21.960 --> 0:21:25.560
<v Speaker 1>We're looking for answers. It's an active investigation. Let's do

0:21:25.680 --> 0:21:26.199
<v Speaker 1>this together.

0:21:56.880 --> 0:22:02.560
<v Speaker 2>Bryce, without further ado, tell us you're Apocalypto story. First.

0:22:02.600 --> 0:22:04.840
<v Speaker 1>I apologize it's probably going to be a little long.

0:22:05.320 --> 0:22:07.440
<v Speaker 1>It because I feel like I need to tell the

0:22:07.480 --> 0:22:10.080
<v Speaker 1>whole thing, and Brent, it's a real story. I just

0:22:10.119 --> 0:22:13.480
<v Speaker 1>wanted everyone to understand there's nothing made up about it.

0:22:13.520 --> 0:22:16.080
<v Speaker 1>The whole thing is true, and in fact, it's a

0:22:16.119 --> 0:22:19.880
<v Speaker 1>story that for years since it happened, and it happened

0:22:19.920 --> 0:22:24.080
<v Speaker 1>forty years ago, okay, forty years ago, since that time

0:22:24.119 --> 0:22:27.560
<v Speaker 1>my wife is at dinner time would tell people, Hey, Bryce,

0:22:27.640 --> 0:22:31.399
<v Speaker 1>tell them that story. And I was one of those stories. Yeah,

0:22:31.440 --> 0:22:33.760
<v Speaker 1>And I would tell it like it was a comedy.

0:22:34.600 --> 0:22:37.160
<v Speaker 1>And then I realized a few years ago I could

0:22:37.200 --> 0:22:39.879
<v Speaker 1>no longer do that. It was just too wrong, and

0:22:39.920 --> 0:22:42.320
<v Speaker 1>I said, I have to tell this for what it is,

0:22:42.840 --> 0:22:47.719
<v Speaker 1>which was one of the worst, most fearsome moments of

0:22:47.760 --> 0:22:48.320
<v Speaker 1>my life.

0:22:48.400 --> 0:22:50.440
<v Speaker 2>We're talking about like nineteen eighty six.

0:22:50.640 --> 0:22:55.520
<v Speaker 1>Okay, I am recently married and I have a pregnant wife,

0:22:55.520 --> 0:22:58.520
<v Speaker 1>so I'm about to be a father, and I'm working

0:22:58.560 --> 0:23:02.160
<v Speaker 1>for a show in Los Angele as a director, producer,

0:23:02.480 --> 0:23:04.359
<v Speaker 1>and the show is called I in LA. It's one

0:23:04.400 --> 0:23:06.800
<v Speaker 1>of those magazine shows where they do a lot of

0:23:06.840 --> 0:23:10.399
<v Speaker 1>travel specials kind of thing. And I had done certain

0:23:10.440 --> 0:23:12.679
<v Speaker 1>things for I in La that had already been a

0:23:12.680 --> 0:23:13.440
<v Speaker 1>little dangerous.

0:23:13.480 --> 0:23:14.199
<v Speaker 2>One of them was.

0:23:14.440 --> 0:23:17.480
<v Speaker 1>I did a Baja travel special where I nearly died

0:23:17.800 --> 0:23:20.600
<v Speaker 1>because I ate some street food that the guide said, oh,

0:23:20.640 --> 0:23:23.760
<v Speaker 1>this will be great, no problem, so that nearly killed me.

0:23:23.800 --> 0:23:26.560
<v Speaker 1>At the l Presidente Hotel, I went to Cheech and

0:23:26.640 --> 0:23:30.639
<v Speaker 1>Eaza where they had a pyramid very similar to the

0:23:30.640 --> 0:23:31.120
<v Speaker 1>one from.

0:23:31.080 --> 0:23:33.320
<v Speaker 2>Apocalypto, and I got two.

0:23:33.160 --> 0:23:35.080
<v Speaker 1>Thirds of the way up and they there was an

0:23:35.080 --> 0:23:36.960
<v Speaker 1>opening and they said you can go out through there

0:23:37.000 --> 0:23:37.920
<v Speaker 1>and then go down.

0:23:38.080 --> 0:23:38.920
<v Speaker 2>I went out there.

0:23:39.600 --> 0:23:41.639
<v Speaker 1>I was way far up and I got down about

0:23:41.680 --> 0:23:45.040
<v Speaker 1>ten ten steps, and I realized the steps were teeny

0:23:45.080 --> 0:23:49.040
<v Speaker 1>tiny and I could fall off this thing, and I froze.

0:23:49.040 --> 0:23:51.800
<v Speaker 1>I couldn't go up, couldn't go down, nearly got killed

0:23:51.840 --> 0:23:57.240
<v Speaker 1>on the Cheech you eatsa pyramid. Then came Borneo. Okay, okay,

0:23:57.480 --> 0:24:00.560
<v Speaker 1>So I get paired with this guy named Claude who's

0:24:00.600 --> 0:24:03.080
<v Speaker 1>a Texan, and he's got this thing that we're supposed

0:24:03.119 --> 0:24:06.480
<v Speaker 1>to do. He and I are being sent to Malaysia

0:24:06.920 --> 0:24:09.320
<v Speaker 1>to scout locations, and then we're going to go to

0:24:09.359 --> 0:24:13.000
<v Speaker 1>Borneo and we're going to scout locations there. And as

0:24:13.080 --> 0:24:16.600
<v Speaker 1>Clyde assures me, we're going to go stay with some

0:24:17.080 --> 0:24:21.359
<v Speaker 1>former Headhunters in the middle of Borneo. Now, most people

0:24:21.359 --> 0:24:23.200
<v Speaker 1>think Borneo is a place where it's the.

0:24:23.119 --> 0:24:23.920
<v Speaker 2>Middle of nowhere.

0:24:24.000 --> 0:24:27.600
<v Speaker 1>We're going to go into the middle of nowhere with Headhunters. Now,

0:24:27.640 --> 0:24:30.560
<v Speaker 1>Clyde assured me, don't worry about a thing. Man, they

0:24:30.560 --> 0:24:35.159
<v Speaker 1>haven't taken head since nineteen forty six, so that's not

0:24:35.320 --> 0:24:39.600
<v Speaker 1>that far removed. No, no, it really isn't. So what

0:24:39.640 --> 0:24:42.200
<v Speaker 1>I did is back then. Now we think of Banana

0:24:42.240 --> 0:24:44.120
<v Speaker 1>Republic right now is a place where you can get

0:24:44.119 --> 0:24:46.760
<v Speaker 1>some upscale clothing or whatever. But back then it was

0:24:46.760 --> 0:24:50.359
<v Speaker 1>more like a travel adventure place. So I know I'm

0:24:50.400 --> 0:24:53.119
<v Speaker 1>going into the jungle. I go to Banana Republic and

0:24:53.160 --> 0:24:55.880
<v Speaker 1>I buy a shirt with epaulets and with the big

0:24:55.960 --> 0:25:01.520
<v Speaker 1>pockets and I'm you look the call cargo pants. And

0:25:01.560 --> 0:25:04.439
<v Speaker 1>I get this hat that I kind of love because

0:25:04.480 --> 0:25:08.960
<v Speaker 1>the hat looks like Indiana Jones. It's an Indiana Jones

0:25:09.000 --> 0:25:13.720
<v Speaker 1>at brand new, very nice looking hat. Really enjoyed having that.

0:25:13.840 --> 0:25:16.320
<v Speaker 1>I probably looked like a complete goofball. And on the

0:25:16.400 --> 0:25:18.520
<v Speaker 1>video version of this people will be able to see

0:25:18.520 --> 0:25:23.040
<v Speaker 1>that for themselves. Okay, that's exciting. Here I am with Clyde.

0:25:23.760 --> 0:25:26.600
<v Speaker 1>We get on the plane to set the tone. We

0:25:26.680 --> 0:25:28.600
<v Speaker 1>end up in first class, so I'm thinking this is

0:25:28.640 --> 0:25:31.080
<v Speaker 1>pretty cool, and there's nobody else in first class, so

0:25:31.160 --> 0:25:34.160
<v Speaker 1>all these flight attendants are doing whatever we want, which

0:25:34.200 --> 0:25:37.200
<v Speaker 1>is giving us don peren yone to drink. So Clyde

0:25:37.240 --> 0:25:39.600
<v Speaker 1>and I drink two two and a half bottles of

0:25:39.640 --> 0:25:42.440
<v Speaker 1>this over the eighteen hour flight. And when we get

0:25:42.440 --> 0:25:45.560
<v Speaker 1>to Malaysia, we're walking off the plane. We're having a

0:25:45.600 --> 0:25:48.879
<v Speaker 1>good time and we see a sign and it's a

0:25:48.920 --> 0:25:52.840
<v Speaker 1>skull and cross bumps and it says Dowda is death,

0:25:53.760 --> 0:25:57.439
<v Speaker 1>which means drugs are death. Okay, so that kind of

0:25:57.480 --> 0:26:00.680
<v Speaker 1>sobered us up a little bit. WHOA, what's going on there?

0:26:00.680 --> 0:26:03.400
<v Speaker 1>And as it turns out, shortly after we were there,

0:26:03.480 --> 0:26:07.520
<v Speaker 1>two Australians who were under sentence of death four drugs

0:26:07.640 --> 0:26:12.360
<v Speaker 1>were hanged oh in malaysiing in Kuala Lumpur not long

0:26:12.400 --> 0:26:15.000
<v Speaker 1>after our visit, so there was a tone a tone

0:26:15.040 --> 0:26:17.879
<v Speaker 1>thing going there. So we did our thing in Malaysia

0:26:18.040 --> 0:26:21.120
<v Speaker 1>and that was a beautiful country. People can go there

0:26:21.160 --> 0:26:23.640
<v Speaker 1>now and enjoy it very much. But then it came

0:26:23.720 --> 0:26:28.080
<v Speaker 1>time to go do this scouting trip. So we get

0:26:28.080 --> 0:26:31.200
<v Speaker 1>on a flight from Kuala Lumpur to I believe we're

0:26:31.240 --> 0:26:34.119
<v Speaker 1>flying east to a Kuching, which is the capital of

0:26:34.160 --> 0:26:37.600
<v Speaker 1>Sarawak and the gateway to the rest of our adventure.

0:26:37.960 --> 0:26:39.960
<v Speaker 1>And I know this seems like a lot of setup,

0:26:40.200 --> 0:26:44.240
<v Speaker 1>but I just feel that you got to really understand

0:26:44.560 --> 0:26:46.919
<v Speaker 1>the state of mind of what's going on here. We

0:26:47.040 --> 0:26:50.480
<v Speaker 1>landed this small airport and right now, if a visitor

0:26:51.160 --> 0:26:55.000
<v Speaker 1>was retracing my steps forty years later, man, you'd be

0:26:55.359 --> 0:26:58.520
<v Speaker 1>on an air conditioned coach. Right, things have changed, but

0:26:58.560 --> 0:27:00.800
<v Speaker 1>this is forty years ago. That's not what happened to us.

0:27:01.200 --> 0:27:04.440
<v Speaker 1>We get to this small airport and there's this ramshackle

0:27:04.560 --> 0:27:08.120
<v Speaker 1>like jeep there, and there's a guide, this Malaysian guide

0:27:08.119 --> 0:27:10.919
<v Speaker 1>who's about seventeen years old. He's just a kid. His

0:27:11.000 --> 0:27:14.160
<v Speaker 1>English is broken. He's not the best guide around. It's

0:27:14.200 --> 0:27:16.920
<v Speaker 1>what Clyde has found, okay. And by the way, we're

0:27:16.920 --> 0:27:19.359
<v Speaker 1>completely sober by this way. We've had a week to

0:27:19.720 --> 0:27:20.800
<v Speaker 1>get our hope together.

0:27:21.080 --> 0:27:21.280
<v Speaker 2>Right.

0:27:21.680 --> 0:27:25.600
<v Speaker 1>So this guy looks very young, his English is barely

0:27:25.680 --> 0:27:30.040
<v Speaker 1>passable for tourism. And so we get in this jeep

0:27:30.080 --> 0:27:32.919
<v Speaker 1>and we drive for about three hours and at first

0:27:33.080 --> 0:27:35.119
<v Speaker 1>it's dirt roads and the roads kind of give up

0:27:35.119 --> 0:27:38.720
<v Speaker 1>they're not even roads anymore. They're just dirt, right, and

0:27:38.760 --> 0:27:41.520
<v Speaker 1>then they become something else. They're just nothing. And we

0:27:41.640 --> 0:27:44.920
<v Speaker 1>just weren't like bouncing up and down. And I'm thinking

0:27:44.960 --> 0:27:48.240
<v Speaker 1>to myself as we're doing this print during this three hours,

0:27:48.240 --> 0:27:51.560
<v Speaker 1>I'm like, Clyde hasn't told anybody where we are.

0:27:51.600 --> 0:27:52.159
<v Speaker 2>How could he?

0:27:52.720 --> 0:27:55.320
<v Speaker 1>No one knows where we are. My wife doesn't know

0:27:55.320 --> 0:27:57.920
<v Speaker 1>where I am. The people at I in La don't

0:27:57.960 --> 0:28:00.600
<v Speaker 1>know where we are. We don't have a sad light phone,

0:28:00.640 --> 0:28:04.600
<v Speaker 1>we got nothing. Nobody knows where we are. And we

0:28:04.640 --> 0:28:07.400
<v Speaker 1>have just gone three hours into the middle of nowhere

0:28:07.760 --> 0:28:10.800
<v Speaker 1>and we reach the Skrang River that's what it's called.

0:28:10.880 --> 0:28:12.080
<v Speaker 2>You can look it up on the map.

0:28:12.640 --> 0:28:15.480
<v Speaker 1>And we're on our way to what's called the Long

0:28:15.520 --> 0:28:18.680
<v Speaker 1>House where the Ebon tribe, the ones that were the headhunters.

0:28:19.320 --> 0:28:21.400
<v Speaker 1>I think later I found out they were headhunters through

0:28:21.480 --> 0:28:24.199
<v Speaker 1>nineteen fifty two, but at the time we thought nineteen

0:28:24.280 --> 0:28:26.679
<v Speaker 1>forty six, so I would have been even more scared.

0:28:27.080 --> 0:28:27.879
<v Speaker 2>How do you spell that?

0:28:28.040 --> 0:28:33.760
<v Speaker 1>The Ebon Iban and Sprang skrin g Sprang river looks

0:28:33.800 --> 0:28:35.960
<v Speaker 1>that looks like something made up And anyway, so we

0:28:36.040 --> 0:28:38.200
<v Speaker 1>get to the Sprang and there is this kind of

0:28:38.280 --> 0:28:43.360
<v Speaker 1>dugout like boada fair and it's not great. It's small,

0:28:43.760 --> 0:28:46.200
<v Speaker 1>and there's this motor on it that looks like it's

0:28:46.200 --> 0:28:50.080
<v Speaker 1>from World War two, and we get in it and

0:28:50.120 --> 0:28:52.520
<v Speaker 1>we start going up the Sprang River. It's like heart

0:28:52.560 --> 0:28:55.560
<v Speaker 1>of darkness time, right, because at first there were a

0:28:55.560 --> 0:28:58.280
<v Speaker 1>few settlements on the side, and then pretty soon nothing

0:28:58.440 --> 0:29:01.760
<v Speaker 1>and we just keep going. We've gone three hours under jeep.

0:29:02.000 --> 0:29:04.640
<v Speaker 1>Now we're three hours on the spray, and as we

0:29:04.720 --> 0:29:08.520
<v Speaker 1>get up there, we just realize how very alone we

0:29:08.560 --> 0:29:12.520
<v Speaker 1>are because soon nobody's there. It's just jungle cutting in

0:29:12.600 --> 0:29:15.760
<v Speaker 1>on the river. But then eventually there is a long

0:29:15.800 --> 0:29:19.360
<v Speaker 1>house and there are the ebonds and we get off

0:29:19.760 --> 0:29:23.000
<v Speaker 1>and our guide is the one that translates for us,

0:29:23.560 --> 0:29:26.920
<v Speaker 1>and it's been okay thing for a moment. They used

0:29:27.000 --> 0:29:29.400
<v Speaker 1>to take these long what would you call it, the

0:29:29.440 --> 0:29:32.600
<v Speaker 1>blow darts blow darts, and so they gave me a chance.

0:29:32.640 --> 0:29:34.960
<v Speaker 1>I thought, oh wow, this is great. I get to

0:29:35.240 --> 0:29:37.600
<v Speaker 1>practice with the blow dart. There's a picture of me

0:29:37.680 --> 0:29:40.920
<v Speaker 1>doing that, and I'm thinking this is intriguing. Blow darts

0:29:40.960 --> 0:29:43.920
<v Speaker 1>because they would pull they would actually paralyze people before

0:29:43.960 --> 0:29:47.040
<v Speaker 1>they would probably behead them Okay. The other thing is

0:29:47.240 --> 0:29:50.320
<v Speaker 1>we were told that the people that had actually taken

0:29:50.400 --> 0:29:52.960
<v Speaker 1>heads had tattoos on their hands, and there were some

0:29:53.000 --> 0:29:56.960
<v Speaker 1>old dudes that did. So we're doing blow darts. We're

0:29:56.960 --> 0:30:01.480
<v Speaker 1>doing that, and at one point with the blowpipe, that's

0:30:01.480 --> 0:30:04.760
<v Speaker 1>all happening, and then they say, now come with us,

0:30:05.040 --> 0:30:06.920
<v Speaker 1>and that's where they show us the skulls.

0:30:07.680 --> 0:30:09.880
<v Speaker 2>And I'm not only showed you the skulls, they showed me

0:30:09.960 --> 0:30:12.240
<v Speaker 2>the skulls. There were numerous skulls.

0:30:12.280 --> 0:30:13.920
<v Speaker 1>And I don't remember if it was a room or

0:30:13.920 --> 0:30:17.000
<v Speaker 1>some raised storage erry, or whether it was actually in

0:30:17.080 --> 0:30:20.040
<v Speaker 1>the long house or outside that part. I can't quite

0:30:20.040 --> 0:30:24.280
<v Speaker 1>but I just know they were not Halloween decorations, Brent, Okay.

0:30:24.680 --> 0:30:27.440
<v Speaker 1>And they were not replicas. They were trophies from this

0:30:27.640 --> 0:30:31.960
<v Speaker 1>earlier era that had been preserved as objects of ritual

0:30:32.240 --> 0:30:36.280
<v Speaker 1>and ancestral significance. They were important to this tribe, all right.

0:30:36.800 --> 0:30:40.760
<v Speaker 1>And I just I just this was outside of my perspective.

0:30:41.160 --> 0:30:45.400
<v Speaker 1>I didn't even quite really understand what I was seeing. Okay,

0:30:45.880 --> 0:30:48.280
<v Speaker 1>history was not buried at this point, Brent, it was.

0:30:48.480 --> 0:30:50.480
<v Speaker 2>I was in the room with it. Okay.

0:30:50.600 --> 0:30:55.320
<v Speaker 1>It was just very strange, all right. And now I

0:30:55.320 --> 0:30:57.440
<v Speaker 1>also want to make clear, because I don't want to

0:30:57.480 --> 0:31:00.280
<v Speaker 1>be misinterpreted. This is not a story about villain I

0:31:00.280 --> 0:31:02.840
<v Speaker 1>don't think there were any villains in this village. This

0:31:02.880 --> 0:31:06.000
<v Speaker 1>is a story, and the reason why we're incorporating it

0:31:06.040 --> 0:31:09.840
<v Speaker 1>is this is a story about communication where two different

0:31:09.840 --> 0:31:14.320
<v Speaker 1>cultures are going to see things slightly differently. So that night,

0:31:15.000 --> 0:31:18.120
<v Speaker 1>we got fed and it was fine. I don't remember

0:31:18.120 --> 0:31:22.200
<v Speaker 1>what we ate, but then afterwards the community gathered around

0:31:22.240 --> 0:31:24.680
<v Speaker 1>a fire with the chief. Now I don't remember how

0:31:24.720 --> 0:31:28.320
<v Speaker 1>many people were in this community. I want to say

0:31:28.320 --> 0:31:31.120
<v Speaker 1>a hundred, but I bet it was less. And we're

0:31:31.160 --> 0:31:35.400
<v Speaker 1>sitting around this fire, me Clyde and our young seventeen

0:31:35.480 --> 0:31:39.680
<v Speaker 1>year old guide, and the only diplomatic tool I possessed

0:31:39.680 --> 0:31:42.560
<v Speaker 1>at this point print was to smile. I tried to

0:31:42.640 --> 0:31:46.200
<v Speaker 1>smile so that people could see I mean them no harm.

0:31:46.240 --> 0:31:48.280
<v Speaker 1>And of course I was dressed like an idiot, and

0:31:48.320 --> 0:31:52.920
<v Speaker 1>they were smiling back at me. Okay, now this is

0:31:52.920 --> 0:31:54.719
<v Speaker 1>where things get a little weird.

0:31:55.040 --> 0:31:55.360
<v Speaker 2>All right.

0:31:55.880 --> 0:32:01.880
<v Speaker 1>I was sitting there wearing my hat and I thought

0:32:01.960 --> 0:32:05.240
<v Speaker 1>it made me look competent, but the chief apparently thought

0:32:05.280 --> 0:32:09.200
<v Speaker 1>it made me look like negotiable. Okay, At some point,

0:32:09.360 --> 0:32:12.840
<v Speaker 1>he says something, and the Guide gets a funny look

0:32:12.880 --> 0:32:16.200
<v Speaker 1>on his face, and he's interpreting what the Chief is

0:32:16.240 --> 0:32:19.160
<v Speaker 1>saying in this imperfect English of his and I'm getting

0:32:19.240 --> 0:32:23.000
<v Speaker 1>the translation and getting increasingly frightened by the whole thing.

0:32:23.560 --> 0:32:26.400
<v Speaker 1>And the Chief is looking at my hat, and the

0:32:26.440 --> 0:32:28.760
<v Speaker 1>guide is getting a little concerned, and I said, what's

0:32:28.800 --> 0:32:31.959
<v Speaker 1>going on? And he says he likes your hat, and

0:32:32.000 --> 0:32:35.680
<v Speaker 1>I said, tell him thank you, and more conversation. He goes,

0:32:35.760 --> 0:32:40.840
<v Speaker 1>he wants your hat and I said, oh, at this point,

0:32:40.920 --> 0:32:42.640
<v Speaker 1>it's just a hat. I don't know what I paid

0:32:42.680 --> 0:32:45.040
<v Speaker 1>for it. And I said, fine, I'll give him the hat.

0:32:46.520 --> 0:32:49.280
<v Speaker 1>And then the Guide shakes his head and he says, no,

0:32:49.880 --> 0:32:52.800
<v Speaker 1>you can't give it to him. That would dishonor him.

0:32:53.120 --> 0:32:54.320
<v Speaker 1>He has to trade for it.

0:32:55.840 --> 0:32:56.240
<v Speaker 2>All right.

0:32:56.320 --> 0:33:00.600
<v Speaker 1>This is getting strange, but not quite apocalypse Dick yet.

0:33:00.800 --> 0:33:04.800
<v Speaker 1>And I said, would I trade for it? And I'm

0:33:04.800 --> 0:33:07.840
<v Speaker 1>not making this up. I am not making this up.

0:33:07.920 --> 0:33:14.240
<v Speaker 1>He says his daughter for tonight. Oh, And I said,

0:33:14.320 --> 0:33:16.520
<v Speaker 1>you've got that translator wrong. That can't be right, and

0:33:16.560 --> 0:33:19.160
<v Speaker 1>he goes, no, I think that's what he's saying. So

0:33:19.520 --> 0:33:22.080
<v Speaker 1>the chief's daughter was there sitting next to him.

0:33:22.120 --> 0:33:22.880
<v Speaker 2>She's smiling.

0:33:23.000 --> 0:33:26.520
<v Speaker 1>Everyone else is smiling, right, And they're all saying that

0:33:26.560 --> 0:33:28.560
<v Speaker 1>the chief is going to trade his daughter to me

0:33:29.000 --> 0:33:33.080
<v Speaker 1>to sleep with that night, and he's going to get

0:33:33.080 --> 0:33:37.040
<v Speaker 1>the hat and everybody will be respected. And I said

0:33:37.080 --> 0:33:39.800
<v Speaker 1>to the guide, look, I'm married, I've got a pregnant

0:33:39.840 --> 0:33:44.480
<v Speaker 1>wife at home. I'm not sleeping with any anybody for

0:33:44.600 --> 0:33:48.040
<v Speaker 1>the hat, right. And at that point, I said, you've

0:33:48.040 --> 0:33:49.959
<v Speaker 1>got to tell him, no, I can't do it. And

0:33:50.000 --> 0:33:53.160
<v Speaker 1>he says, if you refuse, you will now dishonor his daughter.

0:33:54.280 --> 0:33:59.280
<v Speaker 1>Oh so now I'm not trying to dishonor anyone. I'm

0:33:59.280 --> 0:34:02.800
<v Speaker 1>marriedah blah blah. And I make that very clear to him.

0:34:04.000 --> 0:34:09.839
<v Speaker 1>And he's not happy. He's concerned. You can see it

0:34:10.200 --> 0:34:14.040
<v Speaker 1>in his face. And we're all sitting around there and

0:34:14.560 --> 0:34:16.760
<v Speaker 1>we're all having the same event, but we're all seeing

0:34:16.760 --> 0:34:22.120
<v Speaker 1>it so very differently, right, And it was tense. There's

0:34:22.160 --> 0:34:27.600
<v Speaker 1>a fire, there's people, there's me, there's everybody. And I

0:34:27.719 --> 0:34:30.800
<v Speaker 1>got an idea. I don't know where it came from.

0:34:30.880 --> 0:34:33.640
<v Speaker 1>I just said, okay, listen, here's what you got to

0:34:33.719 --> 0:34:36.839
<v Speaker 1>tell him. You got to tell him that this is

0:34:36.920 --> 0:34:40.080
<v Speaker 1>not the best hat that we make in the United States,

0:34:40.320 --> 0:34:42.879
<v Speaker 1>we make a much better hat, and for a chief

0:34:42.960 --> 0:34:45.840
<v Speaker 1>who's as important as he is, he should have the

0:34:45.880 --> 0:34:49.840
<v Speaker 1>best hat available, and that when we come back, we

0:34:49.960 --> 0:34:51.840
<v Speaker 1>will bring the best hat for him.

0:34:52.080 --> 0:34:54.200
<v Speaker 2>Now, I was never going to come back at this point,

0:34:54.360 --> 0:34:56.440
<v Speaker 2>but I'm telling him it's a good pitch. Though. It's

0:34:56.480 --> 0:34:57.080
<v Speaker 2>a good pitch.

0:34:57.200 --> 0:34:58.800
<v Speaker 1>And I said, that's exactly what I said to the

0:34:58.800 --> 0:35:01.440
<v Speaker 1>guy brand, I go, you got to sell this. So

0:35:02.120 --> 0:35:04.319
<v Speaker 1>he tries to talk me out of it, but he

0:35:04.360 --> 0:35:06.920
<v Speaker 1>agrees and he tells him this, and this is the.

0:35:06.880 --> 0:35:08.440
<v Speaker 2>Part where it gets really strange.

0:35:08.440 --> 0:35:11.200
<v Speaker 1>Then I guess it's already strange, right, So we're all

0:35:11.200 --> 0:35:15.440
<v Speaker 1>sitting around there. The guide has told the chief that

0:35:15.480 --> 0:35:17.640
<v Speaker 1>we're going to bring him a better hat, and suddenly

0:35:17.680 --> 0:35:22.600
<v Speaker 1>nobody's smiling and nobody's talking. There's just all these people

0:35:22.640 --> 0:35:24.960
<v Speaker 1>sitting around this fire, and they're all kind of looking

0:35:24.960 --> 0:35:26.800
<v Speaker 1>at me, and then they look at the chief, and

0:35:26.800 --> 0:35:30.319
<v Speaker 1>then they look back to me. And I'm looking at

0:35:30.320 --> 0:35:32.879
<v Speaker 1>the chief, going what is he thinking? Because I have

0:35:32.960 --> 0:35:35.960
<v Speaker 1>no idea. I don't know what he's thinking. And then

0:35:36.440 --> 0:35:39.040
<v Speaker 1>this goes on for about a minute. Now, if listen,

0:35:39.080 --> 0:35:43.000
<v Speaker 1>a minute is nothing. If you're screwing around, it goes,

0:35:43.120 --> 0:35:46.360
<v Speaker 1>but if everybody's quiet in a tense situation, it feels

0:35:46.400 --> 0:35:48.080
<v Speaker 1>like an hour or ten.

0:35:48.440 --> 0:35:49.960
<v Speaker 2>Yeah, ok, stops.

0:35:50.400 --> 0:35:54.719
<v Speaker 1>And then finally the chief kind of studies me, and

0:35:54.800 --> 0:35:57.720
<v Speaker 1>then after about this minute he breaks into a smile

0:35:57.800 --> 0:36:03.480
<v Speaker 1>and everybody's happy, and it sounds like he's accepted this thing, right, Okay,

0:36:03.520 --> 0:36:06.520
<v Speaker 1>all right? So I think now we've set the stage

0:36:06.600 --> 0:36:10.680
<v Speaker 1>up that cultures can collide and see things very differently.

0:36:10.920 --> 0:36:13.160
<v Speaker 1>And looked like I was getting out of that one.

0:36:13.400 --> 0:36:15.799
<v Speaker 1>So then they take us to where we're going to

0:36:15.800 --> 0:36:19.440
<v Speaker 1>spend the night, and there's some mats or cots or something,

0:36:19.480 --> 0:36:23.480
<v Speaker 1>and me and Clyde and the guide are there, and

0:36:24.400 --> 0:36:27.160
<v Speaker 1>now I was scared, right because I thought, what if

0:36:27.160 --> 0:36:29.960
<v Speaker 1>they changed their mind or whatever about this head hunting thing.

0:36:30.000 --> 0:36:30.520
<v Speaker 2>I don't know.

0:36:31.239 --> 0:36:33.440
<v Speaker 1>And all I can say is because I was a

0:36:33.520 --> 0:36:36.200
<v Speaker 1>CNN correspondent in another lifetime before that, I've met a

0:36:36.239 --> 0:36:39.000
<v Speaker 1>lot of people, so I'm pretty good at studying people

0:36:39.040 --> 0:36:41.880
<v Speaker 1>and seeing what I think they're thinking. And all I

0:36:41.920 --> 0:36:44.280
<v Speaker 1>can say is I looked at the kid, the guide,

0:36:45.719 --> 0:36:55.839
<v Speaker 1>and he looked more scared than me. So I said

0:36:55.840 --> 0:36:59.239
<v Speaker 1>to him, why are you looking like that? And his

0:36:59.320 --> 0:37:04.960
<v Speaker 1>take was I'm worried that he only was saving He

0:37:04.960 --> 0:37:07.520
<v Speaker 1>didn't use the phrase saving face because he didn't have

0:37:07.560 --> 0:37:11.680
<v Speaker 1>that language, but he said, basically, he was only doing

0:37:11.719 --> 0:37:16.600
<v Speaker 1>that for the group that you have dishonored him and

0:37:16.640 --> 0:37:21.279
<v Speaker 1>his daughter, and that we're in trouble now. Clyde, good

0:37:21.280 --> 0:37:23.719
<v Speaker 1>old Texan boys like ah, I forget about it.

0:37:23.719 --> 0:37:25.720
<v Speaker 2>It's nothing. Everything's going to be great.

0:37:26.400 --> 0:37:29.440
<v Speaker 1>So all I knew is I had a wife and

0:37:29.480 --> 0:37:33.040
<v Speaker 1>a son i'd never met back home, and I intended

0:37:33.040 --> 0:37:34.560
<v Speaker 1>to meet them somehow.

0:37:34.800 --> 0:37:38.000
<v Speaker 2>So I said to the guy, we're leaving because just

0:37:38.040 --> 0:37:40.160
<v Speaker 2>like that. Yeah, and now.

0:37:40.040 --> 0:37:43.279
<v Speaker 1>Everybody's supposed to be asleep. So we realize we're going

0:37:43.320 --> 0:37:45.520
<v Speaker 1>to have to start up this engine. So we wait

0:37:45.600 --> 0:37:49.000
<v Speaker 1>till dawn because it's pitch black. We couldn't turn on

0:37:49.120 --> 0:37:50.839
<v Speaker 1>we didn't have we.

0:37:50.880 --> 0:37:51.359
<v Speaker 2>Had to wait.

0:37:51.680 --> 0:37:54.680
<v Speaker 1>So at the break of dawn, Clyde and me and

0:37:54.719 --> 0:37:58.359
<v Speaker 1>the guide sneak out to that boat that we've got

0:37:58.400 --> 0:38:01.480
<v Speaker 1>parked out there. We get in the boat as quietly

0:38:01.520 --> 0:38:04.440
<v Speaker 1>as we can. We floated out into the river and

0:38:04.480 --> 0:38:08.200
<v Speaker 1>then we hit the engine and we start motoring up

0:38:08.239 --> 0:38:10.799
<v Speaker 1>the scrang and I've got images of guys with blow

0:38:10.880 --> 0:38:14.640
<v Speaker 1>darts chasing us, Oh, with machetes or whatever. They took

0:38:14.680 --> 0:38:18.319
<v Speaker 1>the heads with who knows wow, and they mercifully that

0:38:18.440 --> 0:38:21.920
<v Speaker 1>didn't happen. We got three hours up the scrang, we

0:38:22.040 --> 0:38:24.400
<v Speaker 1>got three hours on the jeep. When we got to

0:38:24.440 --> 0:38:27.600
<v Speaker 1>the airport, I wanted to kiss the freaking tarmac. And

0:38:27.640 --> 0:38:30.040
<v Speaker 1>all I can tell you is this, If you want

0:38:30.080 --> 0:38:33.200
<v Speaker 1>to know a little bit more about it, Anthony Bourdain

0:38:33.320 --> 0:38:36.320
<v Speaker 1>went there first, I believe, in two thousand and five,

0:38:36.680 --> 0:38:39.760
<v Speaker 1>and had a weird experience himself. But that was twenty

0:38:39.840 --> 0:38:42.880
<v Speaker 1>years after me, and he still freaked out. Then he

0:38:42.920 --> 0:38:47.200
<v Speaker 1>went back ten years later for another show. And Okay,

0:38:47.280 --> 0:38:49.359
<v Speaker 1>I know that's gone on forever. I know how these

0:38:49.360 --> 0:38:52.040
<v Speaker 1>things work, and we'll probably have to cut it in post.

0:38:52.560 --> 0:38:55.680
<v Speaker 1>But I feel like I've always I've never told that

0:38:55.719 --> 0:38:57.680
<v Speaker 1>story as a scary story.

0:38:57.719 --> 0:39:01.120
<v Speaker 2>It's always been a comedy. So in the comedy and no,

0:39:01.480 --> 0:39:04.160
<v Speaker 2>it felt nerve racking. I like it had the classic

0:39:04.400 --> 0:39:06.520
<v Speaker 2>aspects of the story where it just kept ratcheting up,

0:39:07.080 --> 0:39:10.200
<v Speaker 2>getting worse and worse. I'm glad that you survived it.

0:39:10.239 --> 0:39:12.720
<v Speaker 2>I'm glad you're not a skull in their trophy case,

0:39:13.040 --> 0:39:15.439
<v Speaker 2>because we wouldn't be doing this podcast among other things.

0:39:15.760 --> 0:39:15.960
<v Speaker 3>You know.

0:39:15.960 --> 0:39:17.800
<v Speaker 2>By the way, Brent, that's what's so interesting.

0:39:17.920 --> 0:39:20.759
<v Speaker 1>If it had gone badly, I'd have just been erased, true,

0:39:21.080 --> 0:39:23.480
<v Speaker 1>would ever have known what happened to me. My body

0:39:23.480 --> 0:39:26.719
<v Speaker 1>would never have been recovered, My to be born son

0:39:26.760 --> 0:39:29.040
<v Speaker 1>would never have met me, and the people at I

0:39:29.160 --> 0:39:31.960
<v Speaker 1>in La would always have this mythical story of the

0:39:32.000 --> 0:39:33.719
<v Speaker 1>producer they said, who never came back.

0:39:34.400 --> 0:39:39.920
<v Speaker 2>Yeah. Wow, it's so funny because that your story reminds

0:39:39.960 --> 0:39:42.239
<v Speaker 2>me of one of my favorite movies, which is Cool

0:39:42.239 --> 0:39:45.880
<v Speaker 2>Hand Luke and that famous quote. What we have here

0:39:46.440 --> 0:39:50.319
<v Speaker 2>is a failure to communicate, and back on point to

0:39:50.360 --> 0:39:52.640
<v Speaker 2>the theme of the episode. You were left there with

0:39:52.880 --> 0:39:56.800
<v Speaker 2>a translator, a seventeen year old trying to broker a deal,

0:39:57.120 --> 0:39:59.319
<v Speaker 2>and you had no idea, Like you said, what the

0:39:59.400 --> 0:40:02.160
<v Speaker 2>chief was acting thinking correct, of course, I probably would

0:40:02.160 --> 0:40:04.200
<v Speaker 2>have done the same thing and just high tailed it

0:40:04.200 --> 0:40:06.360
<v Speaker 2>out of there at the middle of night and hope

0:40:06.400 --> 0:40:07.720
<v Speaker 2>that you weren't going to be chased.

0:40:08.520 --> 0:40:10.919
<v Speaker 1>So I guess the moral of the story to try

0:40:10.960 --> 0:40:13.000
<v Speaker 1>to bring I'm glad to have a chance to tell

0:40:13.000 --> 0:40:15.640
<v Speaker 1>that story publicly, frankly, because it gets it off my chest.

0:40:15.680 --> 0:40:20.040
<v Speaker 1>I feel better having exercised that little ghost here. But

0:40:20.320 --> 0:40:23.319
<v Speaker 1>I do think it's important because this was just these

0:40:23.360 --> 0:40:29.120
<v Speaker 1>are human beings. This chief was intelligent. I'm intelligent. We

0:40:29.120 --> 0:40:32.839
<v Speaker 1>we weren't trying to be in a conflict and yet

0:40:33.040 --> 0:40:33.520
<v Speaker 1>we were.

0:40:35.160 --> 0:40:39.080
<v Speaker 2>Yes, well yeah, and so I think it's a nice

0:40:39.080 --> 0:40:41.680
<v Speaker 2>segue into our next movie we're going to talk about,

0:40:41.680 --> 0:40:45.640
<v Speaker 2>which is Arrival. And Arrival for those who have not

0:40:45.719 --> 0:40:47.600
<v Speaker 2>seen it. And oh, by the way, all the spoiler

0:40:47.640 --> 0:40:51.600
<v Speaker 2>alert cautions that Bryce said earlier apply obviously to this movie.

0:40:51.920 --> 0:40:56.759
<v Speaker 2>Arrival really quickly was directed by and somebody helped me

0:40:56.800 --> 0:41:02.440
<v Speaker 2>out here, Denis Villeneuve. Yeah, I think that's my best shot.

0:41:02.600 --> 0:41:04.759
<v Speaker 2>Sounds like the way Google pronounced it. So I think

0:41:04.800 --> 0:41:10.200
<v Speaker 2>you're safe there. Yes, And that director also has done

0:41:10.239 --> 0:41:12.800
<v Speaker 2>some really remarkable movies. He did a movie called Prisoners,

0:41:13.239 --> 0:41:16.160
<v Speaker 2>He did a Blade Runner twenty forty nine, which was

0:41:16.200 --> 0:41:18.720
<v Speaker 2>the sequel to Blade Runner, and then he is the

0:41:18.760 --> 0:41:21.680
<v Speaker 2>director behind the current Doom trilogy that is playing out

0:41:21.680 --> 0:41:24.080
<v Speaker 2>and I believe the third movie comes out next year

0:41:24.160 --> 0:41:27.440
<v Speaker 2>or later this year. Yeah, so a really accomplished director.

0:41:27.480 --> 0:41:30.960
<v Speaker 2>And the movie is about Amy Adams, who plays a

0:41:31.760 --> 0:41:35.560
<v Speaker 2>linguist that is recruited by the government, recruited in the

0:41:35.600 --> 0:41:38.280
<v Speaker 2>sense of you can't say no to come and figure

0:41:38.320 --> 0:41:42.000
<v Speaker 2>out how to communicate with aliens who have just landed

0:41:42.040 --> 0:41:46.919
<v Speaker 2>these huge ships all over the Earth. And because that's

0:41:47.000 --> 0:41:50.840
<v Speaker 2>not a one person job. Her co star is Jeremy Renner,

0:41:51.040 --> 0:41:54.600
<v Speaker 2>who plays a theoretical physicist that has also been recruited.

0:41:55.000 --> 0:41:57.560
<v Speaker 2>And their whole job is to try and analyze the

0:41:57.560 --> 0:42:00.560
<v Speaker 2>alien language and make sense of it so that they

0:42:00.560 --> 0:42:04.160
<v Speaker 2>can actually communicate, so that humans and aliens can communicate.

0:42:04.200 --> 0:42:06.520
<v Speaker 2>And that really is the whole gist of the movie.

0:42:06.600 --> 0:42:08.239
<v Speaker 2>That's the whole plot, really.

0:42:08.400 --> 0:42:12.239
<v Speaker 1>The whole conceit is that somehow they must teach us

0:42:12.360 --> 0:42:16.480
<v Speaker 1>their language. Yes, right now, there's advanced beings. They're the

0:42:16.480 --> 0:42:19.480
<v Speaker 1>ones that cross the galaxy to get to Earth. And

0:42:19.600 --> 0:42:23.640
<v Speaker 1>I kept wondering two things. She uses a little dry

0:42:23.640 --> 0:42:26.000
<v Speaker 1>erase board, and I'm like, why is she doing that?

0:42:26.360 --> 0:42:29.360
<v Speaker 1>But as you explained it to me, it's probably because

0:42:29.760 --> 0:42:31.799
<v Speaker 1>they couldn't have they didn't want to have the technology

0:42:31.840 --> 0:42:34.359
<v Speaker 1>in there or whatever. Yeah, so I'm giving them.

0:42:34.280 --> 0:42:36.680
<v Speaker 2>Because they're going by the way, they're going inside their

0:42:36.719 --> 0:42:39.280
<v Speaker 2>spaceship to talk to them. Yes, alien, they're.

0:42:39.120 --> 0:42:43.080
<v Speaker 1>The advanced beings, Brent, why didn't they do more to

0:42:43.480 --> 0:42:47.200
<v Speaker 1>help learn our language. Why was it important that first

0:42:47.280 --> 0:42:49.400
<v Speaker 1>we had to learn theirs. Even if they were going

0:42:49.480 --> 0:42:52.360
<v Speaker 1>to teach us something important, wouldn't they be able to

0:42:52.400 --> 0:42:55.279
<v Speaker 1>do basic things like she's at the very beginning, she's

0:42:55.320 --> 0:42:59.520
<v Speaker 1>pointing at herself and saying your name, Yes, I'm walking

0:43:00.120 --> 0:43:01.160
<v Speaker 1>walks and things like that.

0:43:01.560 --> 0:43:04.200
<v Speaker 2>No, it's a great point, and obviously we'll get to

0:43:04.239 --> 0:43:08.000
<v Speaker 2>it in a bit, but that us learning them language

0:43:08.080 --> 0:43:10.719
<v Speaker 2>is a whole plot twist at the end of the movie,

0:43:10.840 --> 0:43:12.840
<v Speaker 2>and so you just have to kind of go along

0:43:12.840 --> 0:43:15.239
<v Speaker 2>with it. I will say, if you haven't seen the movie,

0:43:15.760 --> 0:43:19.640
<v Speaker 2>one of the more interesting depiction of aliens that I've seen,

0:43:20.080 --> 0:43:22.919
<v Speaker 2>because they are not humanoid in any way, shape or form.

0:43:23.640 --> 0:43:27.239
<v Speaker 2>They're called heptapods. The best way I can describe them

0:43:27.280 --> 0:43:30.200
<v Speaker 2>as a cross between octopus and jab of the Hut.

0:43:31.080 --> 0:43:33.520
<v Speaker 2>But they're scary, they're large, and they're formidable, and you

0:43:33.640 --> 0:43:35.839
<v Speaker 2>got the sense that if they really got upset, things

0:43:35.880 --> 0:43:39.160
<v Speaker 2>would go poorly for humans. But needless to say, they

0:43:39.480 --> 0:43:41.759
<v Speaker 2>I think the idea was that they couldn't come out

0:43:41.800 --> 0:43:44.440
<v Speaker 2>of the ship. They were not ready to interact with

0:43:44.480 --> 0:43:47.040
<v Speaker 2>our environment, so we had to go to them. And

0:43:47.160 --> 0:43:50.240
<v Speaker 2>the way that they spoke, was this kind of visual

0:43:50.320 --> 0:43:54.120
<v Speaker 2>language that would appear on kind of the glass between

0:43:54.440 --> 0:43:57.720
<v Speaker 2>us and them, almost like us going to visit fish

0:43:57.760 --> 0:43:59.560
<v Speaker 2>in an aquarium. Right, That was kind of what the

0:43:59.640 --> 0:44:02.120
<v Speaker 2>whole thing is felt like. And we'll come back to

0:44:02.160 --> 0:44:04.319
<v Speaker 2>the whole language thing, because it really is the key

0:44:04.400 --> 0:44:07.239
<v Speaker 2>to the whole movie, and not just thematically, but from

0:44:07.280 --> 0:44:10.040
<v Speaker 2>a plot standpoint. I think one of the things that

0:44:10.160 --> 0:44:12.920
<v Speaker 2>I thought was so fascinating about the movie was actually

0:44:13.680 --> 0:44:16.560
<v Speaker 2>the poster. I remember when I saw the poster, the

0:44:16.600 --> 0:44:20.239
<v Speaker 2>marketing slogan was why are they here? And this goes

0:44:20.280 --> 0:44:23.040
<v Speaker 2>back to what we talked about in the beginning, Yes,

0:44:23.320 --> 0:44:26.160
<v Speaker 2>exactly why are they here? To have a whole movie

0:44:26.160 --> 0:44:29.279
<v Speaker 2>that just explores why are they here? I was really

0:44:29.320 --> 0:44:32.399
<v Speaker 2>excited for that. And one of the other things that

0:44:32.719 --> 0:44:36.560
<v Speaker 2>comes of that is that this is something that we

0:44:36.640 --> 0:44:39.640
<v Speaker 2>didn't even consider, the notion of are they coming here

0:44:39.719 --> 0:44:43.480
<v Speaker 2>to farm us? Are they coming here to conquer us?

0:44:43.840 --> 0:44:47.120
<v Speaker 2>I think the why are they here is something that

0:44:47.280 --> 0:44:50.319
<v Speaker 2>was not on my bingo card in terms of what

0:44:50.400 --> 0:44:53.520
<v Speaker 2>aliens would be coming to Earth for. What was your

0:44:53.560 --> 0:44:56.600
<v Speaker 2>thought about, ultimately the reveal of the movie and the

0:44:56.640 --> 0:44:59.120
<v Speaker 2>whole point of the movie I saw this film.

0:44:59.560 --> 0:45:02.440
<v Speaker 1>My family and I had gone to the Telluride Film Festival,

0:45:02.920 --> 0:45:06.120
<v Speaker 1>and it was like the talk of the festival, and

0:45:06.280 --> 0:45:09.160
<v Speaker 1>I remember we had to campaign and fight to get

0:45:09.160 --> 0:45:12.800
<v Speaker 1>in to see it because it was just sending shockwaves.

0:45:13.040 --> 0:45:16.239
<v Speaker 1>People were taken by it that yes, of course the

0:45:16.280 --> 0:45:19.040
<v Speaker 1>poster image, because they weren't like it wasn't like a

0:45:19.080 --> 0:45:20.240
<v Speaker 1>flying saucer hovering.

0:45:20.480 --> 0:45:21.400
<v Speaker 2>It was sideways.

0:45:21.960 --> 0:45:23.799
<v Speaker 1>Yes, it was just hanging in the air, and it

0:45:23.840 --> 0:45:26.160
<v Speaker 1>was gigantic, and it didn't look like a saucer.

0:45:26.200 --> 0:45:27.280
<v Speaker 2>It looked very alien.

0:45:27.880 --> 0:45:30.759
<v Speaker 1>So I was very intrigued to see it, and believe me,

0:45:30.800 --> 0:45:33.480
<v Speaker 1>any questions I have about it now, I have because

0:45:33.600 --> 0:45:37.040
<v Speaker 1>I've seen it several times enough to even think about it.

0:45:37.160 --> 0:45:40.000
<v Speaker 1>When I first saw it, I didn't actually have any

0:45:40.040 --> 0:45:43.279
<v Speaker 1>issues because I didn't understand half of it. And part

0:45:43.280 --> 0:45:45.799
<v Speaker 1>of the reason I didn't is because it really is

0:45:45.880 --> 0:45:49.239
<v Speaker 1>about time. It is about space obviously, and that they

0:45:49.239 --> 0:45:52.879
<v Speaker 1>have traveled space, but it's about time. The reason they're

0:45:52.880 --> 0:45:56.080
<v Speaker 1>trying to teach us their language, as I understood it,

0:45:56.239 --> 0:46:00.200
<v Speaker 1>or I understand it now, is that that was necessary

0:46:00.800 --> 0:46:04.720
<v Speaker 1>because in the way they view time, and in fact,

0:46:04.760 --> 0:46:06.880
<v Speaker 1>I guess the way time is in the laws of

0:46:06.920 --> 0:46:09.920
<v Speaker 1>the movie's we think of it as a linear thing.

0:46:09.960 --> 0:46:11.759
<v Speaker 1>It's like a river. You get more and you go

0:46:11.840 --> 0:46:14.919
<v Speaker 1>down the river, and it's not like the Skrang River

0:46:15.040 --> 0:46:18.439
<v Speaker 1>or anything, but it is a river. And they're saying, no,

0:46:18.719 --> 0:46:22.560
<v Speaker 1>all time is going on, and they're aware of all time,

0:46:22.840 --> 0:46:25.640
<v Speaker 1>and they're saying that some three thousand years in the future,

0:46:26.080 --> 0:46:30.680
<v Speaker 1>mankind is going to they're going to need mankind's and

0:46:30.800 --> 0:46:34.000
<v Speaker 1>kinds help, yes, and so they have to teach us

0:46:34.239 --> 0:46:38.400
<v Speaker 1>how to think about time. So they're coming in advance

0:46:38.480 --> 0:46:41.399
<v Speaker 1>in preparation of an event in the future where they're

0:46:41.400 --> 0:46:43.280
<v Speaker 1>going to need mankind.

0:46:43.120 --> 0:46:45.640
<v Speaker 2>To be upgraded. And I thought that was the most

0:46:45.640 --> 0:46:47.800
<v Speaker 2>interesting thing, is that when you can learn to speak

0:46:47.840 --> 0:46:52.600
<v Speaker 2>their language, it rewrites human DNA. It upgrades us. It

0:46:52.600 --> 0:46:56.040
<v Speaker 2>gives us this whole ability to see time and experience

0:46:56.120 --> 0:46:59.960
<v Speaker 2>time in a different way. Right now, that's cool for humans,

0:47:00.040 --> 0:47:02.080
<v Speaker 2>it's like we get this new power. But at the

0:47:02.160 --> 0:47:03.920
<v Speaker 2>end of the day, it was a very self serving

0:47:03.960 --> 0:47:07.120
<v Speaker 2>motive to come and upgrade humans because they're going to

0:47:07.160 --> 0:47:09.439
<v Speaker 2>need our help in the future really fast.

0:47:09.480 --> 0:47:13.520
<v Speaker 1>Absolutely, and listen again, I did not understand that. I

0:47:13.600 --> 0:47:16.560
<v Speaker 1>knew it was about time, but I didn't get all

0:47:16.640 --> 0:47:20.040
<v Speaker 1>of that right off the top, because on another level,

0:47:20.200 --> 0:47:23.239
<v Speaker 1>they're playing it as more of the me and the

0:47:23.320 --> 0:47:25.799
<v Speaker 1>chief talking about the daughter and the hat kind of thing,

0:47:25.840 --> 0:47:29.400
<v Speaker 1>where it's like there's some exchange going on, but people

0:47:29.440 --> 0:47:33.560
<v Speaker 1>maybe are misunderstanding because the whole thing comes down to

0:47:33.680 --> 0:47:37.480
<v Speaker 1>us rather trying to translate them. And with those, as

0:47:37.520 --> 0:47:40.440
<v Speaker 1>you said, the kind of the dark inky circle kind

0:47:40.520 --> 0:47:45.839
<v Speaker 1>of communication, they've gotten down a heptpod phrase. That is,

0:47:46.080 --> 0:47:51.640
<v Speaker 1>they translate as quote, offer weapon, and that freaks everybody

0:47:51.719 --> 0:47:54.000
<v Speaker 1>out because there's twelve of these things.

0:47:54.000 --> 0:47:56.200
<v Speaker 2>They're all over the world. The Chinese had one and

0:47:56.560 --> 0:47:59.520
<v Speaker 2>we've got just one. But there's people all over and

0:47:59.560 --> 0:48:00.120
<v Speaker 2>we're all.

0:48:00.200 --> 0:48:04.319
<v Speaker 1>And because people don't trust each other humans in this thing,

0:48:05.200 --> 0:48:08.760
<v Speaker 1>we can't work together. So we've got twelve different groups

0:48:08.800 --> 0:48:11.200
<v Speaker 1>trying to figure out what to do about this thing.

0:48:11.440 --> 0:48:14.800
<v Speaker 1>But when they translate offer weapon, that's when we finally

0:48:14.840 --> 0:48:18.080
<v Speaker 1>start getting together, which I think is the movie's metaphor

0:48:18.160 --> 0:48:22.680
<v Speaker 1>for saying, see, we only respond to fear, yes, right,

0:48:23.040 --> 0:48:26.600
<v Speaker 1>But in reality, what the Amy Adams character is trying

0:48:26.640 --> 0:48:30.760
<v Speaker 1>to state is that weapon can be translated in English

0:48:30.800 --> 0:48:37.120
<v Speaker 1>anyway into tool or gift or capability and so she's

0:48:37.160 --> 0:48:40.320
<v Speaker 1>trying to exercise caution, saying we're not one hundred percent sure,

0:48:40.719 --> 0:48:42.719
<v Speaker 1>but everyone else is getting ready for war.

0:48:43.480 --> 0:48:46.880
<v Speaker 2>Yes, that kind of thing. Yeah, thank goodness for Amy Adams,

0:48:47.520 --> 0:48:51.080
<v Speaker 2>because that story would have gone awry and probably ended

0:48:51.080 --> 0:48:54.600
<v Speaker 2>in the destruction of mankind were it not for Amy Adams.

0:48:54.800 --> 0:48:58.239
<v Speaker 1>Cool later, of course, you have the same kind of

0:48:58.320 --> 0:49:03.239
<v Speaker 1>time weirdness Interstellar, which also confused me the first time

0:49:03.280 --> 0:49:05.560
<v Speaker 1>I saw it. But to get back to Arrival, I

0:49:05.600 --> 0:49:09.680
<v Speaker 1>think Arrival is an important film because it is clear

0:49:10.160 --> 0:49:14.400
<v Speaker 1>as opposed to Interstellar for different reasons. But it is

0:49:14.520 --> 0:49:18.520
<v Speaker 1>clear to me anyway that some form of NHI or

0:49:18.560 --> 0:49:23.040
<v Speaker 1>non human intelligence from some other place might be extraterrestrial

0:49:23.160 --> 0:49:27.000
<v Speaker 1>something else don't know, But somebody else is trying to

0:49:27.080 --> 0:49:31.239
<v Speaker 1>interact with us, or is interacting. Whether they're trying or not,

0:49:31.280 --> 0:49:34.640
<v Speaker 1>they may just be doing it. And so the idea

0:49:35.400 --> 0:49:41.160
<v Speaker 1>that they are a technologically advanced civilization to us means

0:49:41.239 --> 0:49:43.480
<v Speaker 1>we're going to have to we need to do a

0:49:43.480 --> 0:49:48.000
<v Speaker 1>little extra homework. We can't necessarily plan on the other

0:49:48.160 --> 0:49:52.360
<v Speaker 1>guy doing the right thing by us, so we better

0:49:52.400 --> 0:49:56.520
<v Speaker 1>be a little more proactive about how So we may

0:49:56.840 --> 0:50:00.480
<v Speaker 1>need fewer generals and more linguists out there is the

0:50:00.520 --> 0:50:01.560
<v Speaker 1>moral of that story.

0:50:02.160 --> 0:50:07.000
<v Speaker 2>Yeah, And I think even going back to Apocalypto, I

0:50:07.040 --> 0:50:11.040
<v Speaker 2>think if fear is your first response, you will be

0:50:11.160 --> 0:50:15.200
<v Speaker 2>creating a world based on fear, and it will end badly.

0:50:15.719 --> 0:50:21.360
<v Speaker 2>Don't be afraid, be open minded. Now, if you're conditioned

0:50:21.360 --> 0:50:24.279
<v Speaker 2>to think to serve man and that it's going to

0:50:24.400 --> 0:50:28.120
<v Speaker 2>end badly, then it probably will. And so I think

0:50:28.239 --> 0:50:30.759
<v Speaker 2>that's a message we should all absorb, not just in

0:50:30.840 --> 0:50:33.359
<v Speaker 2>terms of how we interpret the movies, but whatever is

0:50:33.360 --> 0:50:36.880
<v Speaker 2>to come with disclosure. Keep an open mind. We don't know.

0:50:37.400 --> 0:50:40.400
<v Speaker 2>We just don't know. Which brings us to our third movie,

0:50:41.080 --> 0:50:44.520
<v Speaker 2>The New World and the New World, which I'll let

0:50:44.600 --> 0:50:47.040
<v Speaker 2>you set that one up a little bit, but I

0:50:47.080 --> 0:50:49.359
<v Speaker 2>just want to frame it in the sense that it's

0:50:49.440 --> 0:50:53.319
<v Speaker 2>really a continuation of the end of Apocalypto. It's why

0:50:53.360 --> 0:50:58.160
<v Speaker 2>we put Apocalypto and The New World in the same episode,

0:50:58.719 --> 0:51:01.480
<v Speaker 2>even though neither one are a movies in any way,

0:51:01.960 --> 0:51:05.600
<v Speaker 2>they're metaphorically alien movies. The New World came out in

0:51:05.640 --> 0:51:08.680
<v Speaker 2>two thousand and five. Terrence Malick directed it. He's an

0:51:08.800 --> 0:51:12.719
<v Speaker 2>enormously talented director, but it's nice and slow and that

0:51:12.800 --> 0:51:14.880
<v Speaker 2>kind of thing, So you either like that stuff for

0:51:14.960 --> 0:51:18.240
<v Speaker 2>you don't. But that's not why it's such an interesting movie.

0:51:18.480 --> 0:51:21.880
<v Speaker 2>It's the story of the founding of Jamestown. And of course,

0:51:22.160 --> 0:51:25.000
<v Speaker 2>for those of you who know, this is not the

0:51:25.000 --> 0:51:29.160
<v Speaker 2>story of Thanksgiving, it's the story of Jamestown. Thanksgiving is

0:51:29.360 --> 0:51:32.080
<v Speaker 2>up in Plymouth. This is the relationship though you've all

0:51:32.120 --> 0:51:37.040
<v Speaker 2>heard of, between John Smith and Pocahontas. That's the story, right,

0:51:37.360 --> 0:51:41.080
<v Speaker 2>which has been enormously simplified to kids over the years.

0:51:41.440 --> 0:51:43.880
<v Speaker 2>And so what's lovely about this thing is they really

0:51:43.920 --> 0:51:46.520
<v Speaker 2>stretch it out and make it come to life. And

0:51:46.640 --> 0:51:49.680
<v Speaker 2>John Smith is played by Colin Ferrell. If you think

0:51:49.719 --> 0:51:53.799
<v Speaker 2>about Apocalypto, it's all the prequel. It's like the society

0:51:54.200 --> 0:51:58.080
<v Speaker 2>before anybody else shows up to disrupt it. So nine

0:51:58.200 --> 0:52:02.080
<v Speaker 2>tenths of that movie is about that society. Then that

0:52:02.200 --> 0:52:08.160
<v Speaker 2>one tenth at the end of Apocalypto is where you see, oh,

0:52:08.600 --> 0:52:11.399
<v Speaker 2>new technological society shows up.

0:52:11.680 --> 0:52:14.239
<v Speaker 1>Now what's going to happen? And it doesn't answer that.

0:52:14.680 --> 0:52:18.320
<v Speaker 1>You feel that blanket. Now, what's great about watching these

0:52:18.360 --> 0:52:21.239
<v Speaker 1>back to back, which I did just last week for

0:52:21.360 --> 0:52:24.200
<v Speaker 1>this thing, is if you start watching The New World,

0:52:24.520 --> 0:52:28.319
<v Speaker 1>it literally is that scene, The New World begins with

0:52:28.640 --> 0:52:32.719
<v Speaker 1>the ships, this time belonged to the white European settlers.

0:52:32.960 --> 0:52:36.520
<v Speaker 1>These people are coming from Europe. They've got the big ships,

0:52:36.760 --> 0:52:41.719
<v Speaker 1>they've got the breastplates, they've got the they've got guns. Right,

0:52:43.320 --> 0:52:46.879
<v Speaker 1>these people are showing up. And then you got the Palatans,

0:52:47.560 --> 0:52:52.120
<v Speaker 1>the Native Americans. They've not seen this before. They're leading nice,

0:52:52.160 --> 0:52:56.000
<v Speaker 1>peaceful lives and suddenly these people just show up on

0:52:56.080 --> 0:52:56.520
<v Speaker 1>their shore.

0:53:00.880 --> 0:53:03.800
<v Speaker 2>In the movie A New World, John Smith, the English

0:53:03.960 --> 0:53:07.960
<v Speaker 2>kind of settler, finds himself basically a stranger in a

0:53:07.960 --> 0:53:11.120
<v Speaker 2>strange land. Right. He's coming in and he is living

0:53:11.160 --> 0:53:14.880
<v Speaker 2>amongst what feels like savages, and what he discovers is

0:53:14.920 --> 0:53:17.720
<v Speaker 2>the beauty of this new culture, right to the point

0:53:17.719 --> 0:53:21.280
<v Speaker 2>that he falls in love with Pocahontas. Now, my story

0:53:21.320 --> 0:53:24.120
<v Speaker 2>is not a love story, but I was a stranger

0:53:24.120 --> 0:53:26.760
<v Speaker 2>in a strange land. And the way it all began

0:53:27.440 --> 0:53:31.279
<v Speaker 2>was back in the early nineties. I was doing some

0:53:31.400 --> 0:53:34.400
<v Speaker 2>work for a movie studio called Cannon Studios, and they

0:53:34.440 --> 0:53:37.160
<v Speaker 2>did a lot of big action movies in the eighties

0:53:37.160 --> 0:53:40.680
<v Speaker 2>and nineties, and they had made Get This a ten

0:53:40.760 --> 0:53:43.520
<v Speaker 2>picture deal, maybe it was even a twenty picture deal

0:53:43.719 --> 0:53:48.799
<v Speaker 2>with Chuck Norris. Right, Chuck Norris, before he became the

0:53:49.360 --> 0:53:53.520
<v Speaker 2>Internet meme, was a big action starr. Even before Texas

0:53:53.560 --> 0:53:56.359
<v Speaker 2>Walker Ranger. He was making movies like Delta Force and

0:53:56.360 --> 0:53:58.520
<v Speaker 2>Missing An Action and it was a big action star

0:53:59.040 --> 0:54:02.840
<v Speaker 2>and action. In case you don't know, action movies translate

0:54:03.160 --> 0:54:07.640
<v Speaker 2>very well internationally. Okay, so all of that's important. So

0:54:07.719 --> 0:54:11.640
<v Speaker 2>I get hired to write a new action movie for

0:54:11.719 --> 0:54:16.000
<v Speaker 2>Chuck Norris. Wow, okay, this is exciting. Yeah, what's the story?

0:54:17.000 --> 0:54:19.000
<v Speaker 2>They said, What we want to do is we want

0:54:19.040 --> 0:54:21.840
<v Speaker 2>to film this movie in Israel, where we have a

0:54:21.880 --> 0:54:24.880
<v Speaker 2>movie studio that we just built and we'd love to

0:54:24.920 --> 0:54:27.160
<v Speaker 2>film it there. And because we're going to be filming

0:54:27.200 --> 0:54:31.120
<v Speaker 2>it there, why not use that culture. Now, this is

0:54:31.160 --> 0:54:33.960
<v Speaker 2>a very different Israel from the Israel we know today.

0:54:34.000 --> 0:54:37.799
<v Speaker 2>This was in the early nineties, and so I had

0:54:37.800 --> 0:54:40.319
<v Speaker 2>never been to Israel, and despite my name, I am

0:54:40.480 --> 0:54:43.160
<v Speaker 2>not Jewish. But I thought, wow, this sounds like an

0:54:43.200 --> 0:54:46.840
<v Speaker 2>amazing adventure. And what they wanted me to do was

0:54:46.880 --> 0:54:50.719
<v Speaker 2>to write a movie that paired Chuck Norris with an

0:54:50.760 --> 0:54:55.279
<v Speaker 2>Israeli cop and do an action buddy comedy. What can

0:54:55.320 --> 0:54:58.719
<v Speaker 2>you go wrong? What could go wrong? So I was

0:54:58.760 --> 0:55:03.560
<v Speaker 2>being sent to Israel to spend two weeks as a

0:55:03.680 --> 0:55:06.919
<v Speaker 2>ride along with an Israeli cop so I could get

0:55:06.960 --> 0:55:10.480
<v Speaker 2>to know what it would be like to be in Israel,

0:55:10.680 --> 0:55:14.320
<v Speaker 2>to be a policeman, get to know that character, so

0:55:14.360 --> 0:55:17.400
<v Speaker 2>I could actually maybe even base everything that I was

0:55:17.440 --> 0:55:19.400
<v Speaker 2>going to write on this cop who was going to

0:55:19.480 --> 0:55:21.840
<v Speaker 2>take me around, and of course Chuck Norris would be

0:55:21.880 --> 0:55:25.480
<v Speaker 2>playing some version of himself. So off I go to

0:55:25.600 --> 0:55:27.959
<v Speaker 2>Israel and they put me up in a really nice

0:55:27.960 --> 0:55:31.399
<v Speaker 2>hotel on Tel Aviv, and I'm told for the next

0:55:31.440 --> 0:55:34.040
<v Speaker 2>two weeks, I'm going to be meeting with this cop

0:55:34.120 --> 0:55:38.319
<v Speaker 2>and he's going to be driving me around and so fantastic.

0:55:38.800 --> 0:55:41.520
<v Speaker 2>He's what I was told was, he's an Israeli vice cop.

0:55:42.120 --> 0:55:45.120
<v Speaker 2>So the first day comes and I get dressed up

0:55:45.200 --> 0:55:47.040
<v Speaker 2>to go. I think I'm going to go to the

0:55:47.040 --> 0:55:50.080
<v Speaker 2>police headquarters and learn about procedures and how they do

0:55:50.160 --> 0:55:53.479
<v Speaker 2>their work. And up in front of this very nice

0:55:53.480 --> 0:55:59.680
<v Speaker 2>hotel pulls this old rickety Ford Fiesta, grumbling and shaking

0:55:59.719 --> 0:56:03.040
<v Speaker 2>and smoking and whatnot. And this guy gets out who

0:56:03.120 --> 0:56:07.440
<v Speaker 2>looks like a cab driver, introduces himself as Shabby and

0:56:07.480 --> 0:56:11.800
<v Speaker 2>says you must be friends. Get in and so I'm like, wait,

0:56:11.880 --> 0:56:13.680
<v Speaker 2>what are you taking me to? The cop? He goes,

0:56:13.680 --> 0:56:14.400
<v Speaker 2>I am the cop.

0:56:14.880 --> 0:56:17.480
<v Speaker 1>Oh shabby the cop.

0:56:17.600 --> 0:56:21.000
<v Speaker 2>So I get into his Ford Fiesta and we start

0:56:21.080 --> 0:56:26.680
<v Speaker 2>driving and I was like, so is this your car? Oh? Yeah, yeah,

0:56:26.719 --> 0:56:30.239
<v Speaker 2>this is my car. I'm like, wow, okay, this is

0:56:30.440 --> 0:56:32.759
<v Speaker 2>what standard issue for police people. No, we don't have

0:56:32.800 --> 0:56:36.040
<v Speaker 2>police vehicles here. What I come to learn is that

0:56:37.280 --> 0:56:41.440
<v Speaker 2>the actual vice cops in Israel have no budget. All

0:56:41.480 --> 0:56:44.160
<v Speaker 2>of the budget goes to the military defense. And so

0:56:45.280 --> 0:56:47.920
<v Speaker 2>not only that he doesn't have a gun. He's a

0:56:48.000 --> 0:56:51.080
<v Speaker 2>vice cop. He's going to go arrest drug traffickers and

0:56:51.120 --> 0:56:53.239
<v Speaker 2>all sorts of stuff. He has no gun. They don't

0:56:53.239 --> 0:57:00.320
<v Speaker 2>believe in them for police work. And so I'm like, wow, okay,

0:57:00.360 --> 0:57:02.719
<v Speaker 2>this is I can already see Chuck Norris is going

0:57:02.760 --> 0:57:05.080
<v Speaker 2>to have a field day with you. This is really interesting.

0:57:05.400 --> 0:57:10.040
<v Speaker 2>This will be fun. So he says, I'm told that

0:57:10.120 --> 0:57:12.799
<v Speaker 2>you're here to research for a Chuck Norris movie. This

0:57:12.880 --> 0:57:15.399
<v Speaker 2>is very exciting to me. I'm a big Chuck Norris fan.

0:57:15.880 --> 0:57:20.040
<v Speaker 2>I'm gonna let you do my job today. I was like, whoa, whoa,

0:57:20.360 --> 0:57:22.960
<v Speaker 2>we're just getting started. And so he says, we're going

0:57:23.000 --> 0:57:24.680
<v Speaker 2>to go make a drug bust, and I'm going to

0:57:24.720 --> 0:57:28.600
<v Speaker 2>show you how it works. And I'm like, okay, thinking

0:57:29.200 --> 0:57:30.760
<v Speaker 2>we're going to make a drug bust, and this is

0:57:30.800 --> 0:57:33.760
<v Speaker 2>where I'm really getting anxious about this idea. But you

0:57:33.800 --> 0:57:36.480
<v Speaker 2>don't have a gun. I'm coming from America, where it's

0:57:36.480 --> 0:57:38.960
<v Speaker 2>like always ends in a shootout when you're trying to

0:57:39.000 --> 0:57:39.240
<v Speaker 2>make it.

0:57:39.560 --> 0:57:43.800
<v Speaker 1>He's asking an unarmed American to make trug busts in

0:57:43.840 --> 0:57:45.480
<v Speaker 1>a foreign country.

0:57:45.560 --> 0:57:47.920
<v Speaker 2>Yes, also, I need to do a sidebar on the

0:57:48.000 --> 0:57:51.800
<v Speaker 2>unarmed American. I am wearing khaki pants and a polo

0:57:51.920 --> 0:57:55.560
<v Speaker 2>shirt appropriate of the times, and I am in no

0:57:55.680 --> 0:57:59.800
<v Speaker 2>way dressed for Dea style work. I'm just to set

0:57:59.840 --> 0:58:02.720
<v Speaker 2>the stage here. So we're going to go make a

0:58:02.760 --> 0:58:05.280
<v Speaker 2>drug bust. And we keep driving further and further out

0:58:05.320 --> 0:58:07.520
<v Speaker 2>of Tel Aviv. Now, if you've been to Israel, you

0:58:07.560 --> 0:58:09.240
<v Speaker 2>know the further you go out of Tel Aviv, you're

0:58:09.480 --> 0:58:12.800
<v Speaker 2>it's getting a little sketchy. And it's not even that

0:58:12.880 --> 0:58:14.880
<v Speaker 2>it's a worse part of town. It's just that it's

0:58:14.960 --> 0:58:17.919
<v Speaker 2>like there's less and less town. You're getting further away

0:58:18.000 --> 0:58:21.240
<v Speaker 2>from civilization. And we drive for I don't know what

0:58:21.320 --> 0:58:23.280
<v Speaker 2>seemed like an hour or so and we get to

0:58:23.400 --> 0:58:27.760
<v Speaker 2>what he defined as an Arab ghetto. Now I actually

0:58:28.520 --> 0:58:32.360
<v Speaker 2>didn't know that there were Arab ghettos outside of Tel Aviv,

0:58:32.440 --> 0:58:35.600
<v Speaker 2>but there are. And it was a big cinder block

0:58:36.160 --> 0:58:40.120
<v Speaker 2>building and it's just getting dusk about the time that

0:58:40.160 --> 0:58:44.600
<v Speaker 2>we pull up there, and he says, Okay, here's how

0:58:44.600 --> 0:58:49.200
<v Speaker 2>it's going to work. Everyone here is selling opium. And

0:58:49.680 --> 0:58:52.400
<v Speaker 2>you're going to see lights start flashing in the windows

0:58:52.560 --> 0:58:55.200
<v Speaker 2>right that that are the code for this is what

0:58:55.280 --> 0:58:57.800
<v Speaker 2>I have, and this is how much it is. Okay,

0:58:58.040 --> 0:58:59.560
<v Speaker 2>so all we have to do is sit here and

0:58:59.600 --> 0:59:02.280
<v Speaker 2>you pick window, and that's the person we'll go up

0:59:02.320 --> 0:59:06.760
<v Speaker 2>and bust. And I'm thinking we I thought I was

0:59:06.800 --> 0:59:09.440
<v Speaker 2>gonna sit in the car and wait for you to

0:59:09.480 --> 0:59:11.880
<v Speaker 2>go make the drug bust, or maybe I'll watch from

0:59:11.880 --> 0:59:15.400
<v Speaker 2>a distance or something. But he's making it sound like

0:59:15.480 --> 0:59:18.280
<v Speaker 2>I'm going to be part of this drug bust. So

0:59:19.040 --> 0:59:23.880
<v Speaker 2>I'm like, okay, we're so he we pick. I'm like, okay,

0:59:23.960 --> 0:59:26.920
<v Speaker 2>I that window that looks good. So up we go.

0:59:26.960 --> 0:59:29.240
<v Speaker 2>There's no elevator. We walk up all through these stairs.

0:59:29.280 --> 0:59:31.480
<v Speaker 2>We get up to the fourth floor. We come up

0:59:31.520 --> 0:59:35.400
<v Speaker 2>to the door and he says, okay, mister Hollywood, I'm

0:59:35.440 --> 0:59:37.000
<v Speaker 2>sure you're gonna have a scene in the movie where

0:59:37.040 --> 0:59:39.320
<v Speaker 2>Chuck Norris kicks down a door. You need to know

0:59:39.360 --> 0:59:42.080
<v Speaker 2>what that feels like. So kick it down. Oh my god,

0:59:42.160 --> 0:59:44.360
<v Speaker 2>I'm like me, you want me to kick it down?

0:59:44.360 --> 0:59:46.080
<v Speaker 2>He's like, come on, You're a big guy. You can

0:59:46.080 --> 0:59:50.440
<v Speaker 2>do it. So I'm like, ah, okay, So there I go.

0:59:50.520 --> 0:59:52.680
<v Speaker 2>I try and do the Hollywood move to kick it down.

0:59:52.760 --> 0:59:55.600
<v Speaker 2>I almost blow out my knee. My whole knee just

0:59:55.760 --> 1:00:00.880
<v Speaker 2>reverberates with pain. He's laughing hysterically, and he go and

1:00:01.000 --> 1:00:05.560
<v Speaker 2>knocks on the door. An old woman opens it, looking

1:00:05.560 --> 1:00:08.560
<v Speaker 2>at us, like what are you doing here? And he

1:00:08.720 --> 1:00:11.560
<v Speaker 2>says something to her, he speaks her language, and she

1:00:11.760 --> 1:00:13.840
<v Speaker 2>rolls her eyes and opens the door and lets us in,

1:00:14.480 --> 1:00:16.720
<v Speaker 2>and he kind of motions to me, now I'm limping.

1:00:17.000 --> 1:00:19.720
<v Speaker 2>I come in the house and this little apartment and

1:00:19.760 --> 1:00:23.640
<v Speaker 2>there's two teenagers, these Arab teenagers that are sitting on

1:00:23.640 --> 1:00:25.840
<v Speaker 2>the floor watching an old black and white TV and

1:00:25.880 --> 1:00:30.480
<v Speaker 2>they're watching The Love Boat, for whatever that's worth. And

1:00:30.680 --> 1:00:32.760
<v Speaker 2>he turns to me and he says, go ahead, ransack

1:00:32.840 --> 1:00:37.480
<v Speaker 2>the place. Look for the drugs. I'm like, ransacked the place.

1:00:38.080 --> 1:00:40.280
<v Speaker 2>I don't feel comfortable doing this, and he's like, no,

1:00:40.360 --> 1:00:42.200
<v Speaker 2>it's fine, we do this all the time. Just go ahead.

1:00:43.280 --> 1:00:46.600
<v Speaker 2>So I'm like very carefully going and opening drawers and

1:00:46.640 --> 1:00:49.480
<v Speaker 2>being very polite. And meanwhile, the grandmother is in cooking

1:00:49.600 --> 1:00:52.960
<v Speaker 2>dinner in the kitchen, looking at me, glaring at me,

1:00:53.000 --> 1:00:55.840
<v Speaker 2>and I'm like, I'm just I'm trying to be very respectful.

1:00:56.120 --> 1:00:58.680
<v Speaker 2>I'm like, after a couple minutes of just pretending to

1:00:58.680 --> 1:01:00.840
<v Speaker 2>look for drugs, I'm like, no, no drugs here, let's go.

1:01:00.960 --> 1:01:04.320
<v Speaker 2>Didn't work out. Sorry, this was great learning experience. He's like, no,

1:01:04.440 --> 1:01:07.000
<v Speaker 2>I know they're selling drugs and he so we walk

1:01:07.040 --> 1:01:08.600
<v Speaker 2>out and he says, I'm going to catch you. We're

1:01:08.600 --> 1:01:12.160
<v Speaker 2>going to catch you tonight. We close the door, we

1:01:12.200 --> 1:01:14.200
<v Speaker 2>go back downstairs. I'm like, wow, that was great. You

1:01:14.200 --> 1:01:16.080
<v Speaker 2>can I've learned a lot. I need to go write

1:01:16.080 --> 1:01:17.440
<v Speaker 2>all of this down. You can take me back to

1:01:17.480 --> 1:01:20.000
<v Speaker 2>the hotel now, and he said, no, you're going to

1:01:20.080 --> 1:01:22.439
<v Speaker 2>be with me for two weeks. I'm like, yeah, every

1:01:22.560 --> 1:01:24.120
<v Speaker 2>day for two weeks, I'm going to come in. We're

1:01:24.160 --> 1:01:25.760
<v Speaker 2>going to do some version of this. He goes, no,

1:01:26.120 --> 1:01:30.320
<v Speaker 2>we're together for the next two weeks. I go what, No,

1:01:30.360 --> 1:01:32.480
<v Speaker 2>I didn't pack anything, so you don't know any you

1:01:32.480 --> 1:01:35.640
<v Speaker 2>don't need anything, You'll be fine. I don't need anything

1:01:35.760 --> 1:01:38.560
<v Speaker 2>at least I don't even have toothbrush, So now you'll

1:01:38.600 --> 1:01:40.960
<v Speaker 2>be fine, you Americans. We get back to the car

1:01:41.040 --> 1:01:42.760
<v Speaker 2>and I'm like, okay, so where are we going now?

1:01:42.800 --> 1:01:44.440
<v Speaker 2>And he's, oh, no, we're going anywhere where. You're going

1:01:44.520 --> 1:01:46.880
<v Speaker 2>to arrest this guy. I'm like, I'm going to arrest him.

1:01:46.920 --> 1:01:48.520
<v Speaker 2>I'm not a copy. He said, no, you'll you do

1:01:48.600 --> 1:01:51.960
<v Speaker 2>the arrest and then I'll step in. I'm like, what

1:01:52.000 --> 1:01:53.760
<v Speaker 2>if he shoots me. He's like, he doesn't have a gun.

1:01:53.800 --> 1:01:58.360
<v Speaker 2>I'm like, how do you know? He's like, nobody has guns. Like, okay,

1:01:58.880 --> 1:02:03.400
<v Speaker 2>So sure enough, After about fifteen minutes, one of those

1:02:03.520 --> 1:02:06.360
<v Speaker 2>the older of the two teens, comes down to make

1:02:06.400 --> 1:02:09.040
<v Speaker 2>a sale and he pushes me out of the car

1:02:09.120 --> 1:02:11.840
<v Speaker 2>and he go get him. Now. By now, it's like

1:02:11.840 --> 1:02:14.360
<v Speaker 2>a hot summer night, and there's a bunch of people

1:02:14.400 --> 1:02:16.480
<v Speaker 2>out in the parking lot milling around like it's a

1:02:16.520 --> 1:02:21.720
<v Speaker 2>social thing. And now I'm chasing this teenager and everyone

1:02:21.760 --> 1:02:24.800
<v Speaker 2>starts clapping and cheering, and I'm chasing him around and

1:02:24.880 --> 1:02:30.520
<v Speaker 2>circles in the parking lot, and I mean long khaki pants,

1:02:30.840 --> 1:02:35.120
<v Speaker 2>not dressed in any way appropriately for this, and sure

1:02:35.240 --> 1:02:38.760
<v Speaker 2>enough I can't catch him, and Shabby steps in and

1:02:38.800 --> 1:02:42.320
<v Speaker 2>trips the kid when he runs by him and goes

1:02:42.360 --> 1:02:45.120
<v Speaker 2>over and picks the kid up by the shirt, slaps

1:02:45.160 --> 1:02:47.959
<v Speaker 2>him twice across the face and says, what are you doing.

1:02:48.000 --> 1:02:52.720
<v Speaker 2>You're embarrassing yourself. Now get to jail. And the kid

1:02:52.800 --> 1:02:55.280
<v Speaker 2>kind of nodded and that was that, and he was

1:02:55.320 --> 1:02:57.880
<v Speaker 2>going to go put check himself into jail the next day.

1:02:57.880 --> 1:03:00.680
<v Speaker 2>And I was like, that's not how it works in America,

1:03:01.040 --> 1:03:03.520
<v Speaker 2>and he said, no, this is these people. They have

1:03:03.600 --> 1:03:06.880
<v Speaker 2>problems and it doesn't matter what culture you're from. If

1:03:06.880 --> 1:03:10.520
<v Speaker 2>you've stooped to crime, you need help, and that's when

1:03:10.600 --> 1:03:13.360
<v Speaker 2>you go to prison to get help. And there's honor

1:03:13.400 --> 1:03:17.280
<v Speaker 2>in that in asking for help. And I was like, wow, okay,

1:03:17.360 --> 1:03:20.040
<v Speaker 2>I'm this is going to be a very interesting movie

1:03:20.040 --> 1:03:23.560
<v Speaker 2>with Chuck Norris, because that's not how Chuck operates. So

1:03:23.600 --> 1:03:26.920
<v Speaker 2>I'm thinking, okay, now it's eight nine pm. I said, okay,

1:03:26.960 --> 1:03:28.400
<v Speaker 2>so now what are we gonna do? Where am I

1:03:28.440 --> 1:03:30.120
<v Speaker 2>going to sleep? And he goes, We're going to sleep

1:03:30.160 --> 1:03:33.360
<v Speaker 2>in the desert. Tonight. I'm like what. He goes, Oh,

1:03:33.400 --> 1:03:36.120
<v Speaker 2>it'll be beautiful. You're gonna love this, and so I'm

1:03:36.160 --> 1:03:38.480
<v Speaker 2>like okay, and he goes, yeah, I have a special

1:03:38.520 --> 1:03:41.560
<v Speaker 2>treat for you. So we start driving, and as we

1:03:41.640 --> 1:03:44.480
<v Speaker 2>get off the highway and we get further and further

1:03:44.560 --> 1:03:48.800
<v Speaker 2>into the middle of Israel, just like you, suddenly we're

1:03:48.840 --> 1:03:50.640
<v Speaker 2>not on roads anymore. We're on dirt roads. And then

1:03:50.640 --> 1:03:53.680
<v Speaker 2>pretty soon we're not on anything. We're just driving right,

1:03:54.280 --> 1:03:57.160
<v Speaker 2>And that's when I noticed that the passenger seat is

1:03:57.200 --> 1:04:00.800
<v Speaker 2>not bolted to the floor of his Ford Fiesta. Yeah.

1:04:00.840 --> 1:04:03.560
<v Speaker 2>And by the way, he was one of those Middle

1:04:03.600 --> 1:04:07.640
<v Speaker 2>Eastern drivers who drives with two things, his gas pedal

1:04:07.640 --> 1:04:10.640
<v Speaker 2>and his horn. There is no break, so he's got

1:04:10.720 --> 1:04:14.280
<v Speaker 2>music blaring, he's smoking a cigarette, he's got the gas

1:04:14.320 --> 1:04:17.320
<v Speaker 2>pedal to the floor. We're going we are off roading

1:04:17.360 --> 1:04:19.800
<v Speaker 2>in an old Ford Fiesta, and my seat is not

1:04:19.920 --> 1:04:22.160
<v Speaker 2>bolted to the floor. So I am like on a

1:04:22.280 --> 1:04:25.560
<v Speaker 2>roller coaster ride from hell, getting sicker by the moment.

1:04:25.960 --> 1:04:28.440
<v Speaker 2>And we're just driving for what feels like hours, and

1:04:28.520 --> 1:04:31.240
<v Speaker 2>it was hours. It was probably like one thirty two

1:04:31.280 --> 1:04:34.880
<v Speaker 2>in the morning. When we finally come to a rest mercifully,

1:04:35.280 --> 1:04:38.760
<v Speaker 2>and we hit this kind of crest, this ridge, looking

1:04:38.800 --> 1:04:42.360
<v Speaker 2>down into this massive valley, and it actually wasn't the valley.

1:04:42.360 --> 1:04:44.720
<v Speaker 2>It was an old dry river, like a massive like

1:04:44.720 --> 1:04:48.600
<v Speaker 2>I'm talking like Mississippi River, like huge thing. But that's

1:04:48.640 --> 1:04:51.520
<v Speaker 2>not the interesting thing. What was amazing was as far

1:04:51.600 --> 1:04:55.080
<v Speaker 2>as you could see in every direction were tents. It

1:04:55.120 --> 1:04:58.440
<v Speaker 2>was a tent city stretched out across the in the

1:04:58.440 --> 1:05:01.959
<v Speaker 2>middle of the desert with lantern and every like. I've

1:05:02.040 --> 1:05:03.920
<v Speaker 2>never seen anything like that, and I was like, what

1:05:04.080 --> 1:05:06.880
<v Speaker 2>is this? And he goes, these are the Bedouins. Now,

1:05:06.920 --> 1:05:09.960
<v Speaker 2>for those of you who don't know, the Bedouins are

1:05:10.280 --> 1:05:14.320
<v Speaker 2>this ancient culture that is basically allowed to roam as

1:05:14.400 --> 1:05:17.680
<v Speaker 2>nomads all across the Middle East and they don't recognize

1:05:17.720 --> 1:05:20.720
<v Speaker 2>borders and they have this kind of mystical way about them.

1:05:20.920 --> 1:05:25.520
<v Speaker 2>And most people don't get to meet the Bedouins. But Shabi,

1:05:26.040 --> 1:05:32.160
<v Speaker 2>my guide, knows how to speak Bedouin and so language

1:05:32.720 --> 1:05:36.320
<v Speaker 2>apparently whatever it's a, it's a I guess it's a nuance.

1:05:36.360 --> 1:05:39.520
<v Speaker 2>It's like a dialect or something. But he had interact

1:05:39.560 --> 1:05:41.760
<v Speaker 2>with them before and he knows how to speak their language.

1:05:41.800 --> 1:05:46.600
<v Speaker 2>So down we drive this into this old dry river bed,

1:05:46.800 --> 1:05:49.840
<v Speaker 2>and we start just driving through the tent city, and

1:05:49.880 --> 1:05:52.320
<v Speaker 2>in the middle of the tent city is this big

1:05:52.360 --> 1:05:55.560
<v Speaker 2>top and it's where the elders all meet and they

1:05:55.560 --> 1:05:57.920
<v Speaker 2>sit around making plans for the next day and the

1:05:57.960 --> 1:06:02.120
<v Speaker 2>future and whatnot. So he pulls up his Ford Fiesta

1:06:02.160 --> 1:06:06.680
<v Speaker 2>and we walk right into the elder tent. And inside

1:06:06.680 --> 1:06:10.600
<v Speaker 2>this tent, which was square, there's sitting around the perimeter

1:06:11.000 --> 1:06:13.120
<v Speaker 2>of about three a little more than three quarters of

1:06:13.120 --> 1:06:17.200
<v Speaker 2>it are all these old men in robes with long beards,

1:06:18.080 --> 1:06:21.040
<v Speaker 2>and they're sitting on pillows. And we walk in and

1:06:21.080 --> 1:06:22.120
<v Speaker 2>everyone goes.

1:06:22.000 --> 1:06:28.360
<v Speaker 3>Shobby and I'm standing there, not quite sure what I'm

1:06:28.400 --> 1:06:31.520
<v Speaker 3>supposed to do, and they're talking to him and asking

1:06:31.560 --> 1:06:34.680
<v Speaker 3>him questions, and he's pointing at me and saying something

1:06:34.760 --> 1:06:37.440
<v Speaker 3>or other, and I'm thinking, Wow, this is amazing.

1:06:37.440 --> 1:06:39.640
<v Speaker 2>I've seen a Bedouin tent. But they've got a lot

1:06:39.680 --> 1:06:41.320
<v Speaker 2>of big work to do here. So we're going to leave,

1:06:41.320 --> 1:06:44.160
<v Speaker 2>and then he waves me over and he goes, they

1:06:44.200 --> 1:06:46.880
<v Speaker 2>want you to stay, and they're going to do a

1:06:46.960 --> 1:06:51.240
<v Speaker 2>ceremonial tea coffee for you. And I'm like why, and

1:06:51.280 --> 1:06:54.040
<v Speaker 2>he's like, here's the thing I tried to explain to

1:06:54.120 --> 1:06:57.240
<v Speaker 2>them that you were here doing research for a Chuck

1:06:57.320 --> 1:07:01.880
<v Speaker 2>Norris movie, and all they could really understand is that

1:07:01.920 --> 1:07:07.200
<v Speaker 2>you're Chuck Norris. Oh my god. And so I noticed

1:07:07.240 --> 1:07:09.880
<v Speaker 2>everyone's looking at me, and I'm like, do they even

1:07:09.960 --> 1:07:12.360
<v Speaker 2>know who Chuck Norris is? And he goes, he's very

1:07:12.400 --> 1:07:16.240
<v Speaker 2>popular here and they are very honored to have you here,

1:07:16.880 --> 1:07:21.040
<v Speaker 2>and so just play along with it. And I'm like, okay,

1:07:21.240 --> 1:07:22.560
<v Speaker 2>what do I have to do? And he go sit

1:07:22.600 --> 1:07:25.080
<v Speaker 2>down and look important, look tough, and I'm like, okay.

1:07:25.520 --> 1:07:28.480
<v Speaker 2>So everyone scoots and moves and they give me this

1:07:28.640 --> 1:07:31.120
<v Speaker 2>honorable pillow where I'm like sitting in the middle of

1:07:31.160 --> 1:07:33.880
<v Speaker 2>this whole big tent. On the side. I'm looking and

1:07:33.960 --> 1:07:36.200
<v Speaker 2>these elders are looking at me like this is a

1:07:36.280 --> 1:07:38.440
<v Speaker 2>moment where if we had cell phones back then, they

1:07:38.440 --> 1:07:41.200
<v Speaker 2>would have wanted a selfie or Chuck Norris. By the way,

1:07:41.960 --> 1:07:43.720
<v Speaker 2>I met Chuck Norris through all of this. He's about

1:07:43.720 --> 1:07:46.240
<v Speaker 2>a foot shorter than me. Very nice man. I look

1:07:46.400 --> 1:07:50.040
<v Speaker 2>nothing like Chuck Norris, but there I am. I'm sitting

1:07:50.040 --> 1:07:53.400
<v Speaker 2>there and over in one corner of the tent, it's

1:07:53.440 --> 1:07:55.760
<v Speaker 2>all partitioned off and there's a bunch of women in

1:07:55.880 --> 1:07:59.680
<v Speaker 2>veils making coffee and fresh peeda bread. And now that

1:07:59.680 --> 1:08:03.800
<v Speaker 2>we're having this ceremonial drink, outcome all of the platters

1:08:03.840 --> 1:08:08.200
<v Speaker 2>and everyone's getting their coffee and their peeda bread. Before

1:08:08.240 --> 1:08:09.800
<v Speaker 2>I get on with the rest of the story, I

1:08:09.800 --> 1:08:12.080
<v Speaker 2>will say it was the best pieda bread I've ever had.

1:08:12.400 --> 1:08:15.480
<v Speaker 2>It was amazing also, but I had Shabby hadn't fed

1:08:15.520 --> 1:08:19.479
<v Speaker 2>me yet for hours, so I was voraciously eating pea bread.

1:08:19.640 --> 1:08:22.679
<v Speaker 2>And I was given what looked like a double shot

1:08:22.720 --> 1:08:27.479
<v Speaker 2>glass of coffee. And I, at the time did not

1:08:27.560 --> 1:08:30.200
<v Speaker 2>drink coffee. I just didn't drink coffee. And so I

1:08:30.240 --> 1:08:32.479
<v Speaker 2>really and I really didn't even drink soda pop, so

1:08:32.520 --> 1:08:35.759
<v Speaker 2>I didn't really have a lot of experience with caffeine.

1:08:36.600 --> 1:08:40.439
<v Speaker 2>But they make a toast, they say something or other.

1:08:40.800 --> 1:08:44.160
<v Speaker 2>Shaby's not translated. He said, they're talking about how wonderful

1:08:44.160 --> 1:08:46.960
<v Speaker 2>you are and this great American who's come to visit them,

1:08:47.000 --> 1:08:49.240
<v Speaker 2>and so he says, now it's time to drink. So

1:08:50.120 --> 1:08:52.320
<v Speaker 2>everyone takes the thing and they put it to their mouth,

1:08:52.880 --> 1:08:55.200
<v Speaker 2>and I'm okay, I don't drink coffee, but I guess

1:08:55.200 --> 1:08:58.360
<v Speaker 2>I'm going to do what the natives do. I put

1:08:58.360 --> 1:09:00.960
<v Speaker 2>the thing to my mouth and it's like a can

1:09:01.000 --> 1:09:04.280
<v Speaker 2>of wet dog food. It's like it's not even liquid,

1:09:04.320 --> 1:09:07.640
<v Speaker 2>it's like this gunk. And I'm going like this, like

1:09:07.720 --> 1:09:10.240
<v Speaker 2>it won't come out, and then all of a sudden,

1:09:10.680 --> 1:09:15.920
<v Speaker 2>the entire contents of that little double shot glass go

1:09:16.040 --> 1:09:20.639
<v Speaker 2>into my mouth, and not only is it horrible tasting,

1:09:21.640 --> 1:09:24.280
<v Speaker 2>it's gushy, and I don't know what to do with it.

1:09:24.840 --> 1:09:27.360
<v Speaker 2>And I'm it's in my mouth. I can't spit it

1:09:27.400 --> 1:09:30.360
<v Speaker 2>out in the middle of this like ceremony, so I

1:09:30.479 --> 1:09:33.479
<v Speaker 2>just swallow the whole thing. And as I swallow the

1:09:33.479 --> 1:09:35.920
<v Speaker 2>whole thing, I noticed that Shabby is looking at me

1:09:36.080 --> 1:09:40.680
<v Speaker 2>like with just this blank face, and every elder is

1:09:40.760 --> 1:09:45.160
<v Speaker 2>leaning in and looking at me, and the elder next

1:09:45.160 --> 1:09:51.719
<v Speaker 2>to me goes, Chuck Norris, and I'm looking at Shoppy

1:09:51.760 --> 1:09:55.200
<v Speaker 2>and he goes, you're going to die, and I go,

1:09:55.280 --> 1:09:58.080
<v Speaker 2>what are you talking about? He goes that coffee is

1:09:58.080 --> 1:10:01.080
<v Speaker 2>supposed to last a whole day. You touch your tongue

1:10:01.080 --> 1:10:02.920
<v Speaker 2>to it, you drag the whole thing. We have to

1:10:02.920 --> 1:10:07.880
<v Speaker 2>get you out of here. You're gonna die. And I'm like, okay,

1:10:08.560 --> 1:10:11.400
<v Speaker 2>So I get up, and everyone's like Chuck Norris like

1:10:11.520 --> 1:10:14.000
<v Speaker 2>looking and waving at me like they just saw the

1:10:14.000 --> 1:10:17.960
<v Speaker 2>most incredible feat. Chuck Norris just lived up to his name,

1:10:18.240 --> 1:10:21.040
<v Speaker 2>and in fact, years later I started to wonder, was

1:10:21.080 --> 1:10:24.040
<v Speaker 2>I the one that started those internet memes where Chuck

1:10:24.080 --> 1:10:27.720
<v Speaker 2>Norris is indestructible? Did it start in that tent? I

1:10:27.720 --> 1:10:32.240
<v Speaker 2>think it might. So there I am, and I am

1:10:33.040 --> 1:10:35.439
<v Speaker 2>I'm thinking, okay, I'm not feeling anything yet, and Shabby

1:10:35.479 --> 1:10:37.479
<v Speaker 2>gets me in the car and he's like, the happy,

1:10:37.520 --> 1:10:40.200
<v Speaker 2>go lucky guy is gone. Now he's like looking like,

1:10:40.280 --> 1:10:42.720
<v Speaker 2>oh my god, I'm gonna get this guy killed. And

1:10:42.760 --> 1:10:45.439
<v Speaker 2>we're just He's driving like a madman, and all of

1:10:45.439 --> 1:10:48.639
<v Speaker 2>a sudden, I start to feel the good chunk, good chunk,

1:10:49.000 --> 1:10:51.960
<v Speaker 2>good chunk on my heart and I'm like, oh boy, okay,

1:10:52.080 --> 1:10:55.719
<v Speaker 2>here we go and I feel like I am having

1:10:55.720 --> 1:10:59.040
<v Speaker 2>a heart attack. I can't my brain is throbbing. Everything

1:10:59.280 --> 1:11:03.040
<v Speaker 2>in my body is off, and I go, Chobby, this

1:11:03.160 --> 1:11:04.920
<v Speaker 2>is not It's really hard to breathe. You. I know,

1:11:05.040 --> 1:11:07.879
<v Speaker 2>I know it's gonna be okay. So we're just driving

1:11:08.080 --> 1:11:09.800
<v Speaker 2>for I don't even know how long is It was

1:11:09.840 --> 1:11:12.800
<v Speaker 2>a blur, but he takes us to the coast to

1:11:12.920 --> 1:11:15.679
<v Speaker 2>a Kabbutz where he knows somebody, right and a kibbuts

1:11:15.760 --> 1:11:19.719
<v Speaker 2>is this like living community, right, a shared living community?

1:11:20.080 --> 1:11:22.639
<v Speaker 2>And it's this beautiful beach. And by now we've been driving,

1:11:22.640 --> 1:11:24.840
<v Speaker 2>it's six am and the sun is starting to come up.

1:11:25.040 --> 1:11:26.639
<v Speaker 2>We get to the beach and he goes get out

1:11:26.640 --> 1:11:28.320
<v Speaker 2>of the car. I'm like, is there a doctor here?

1:11:28.360 --> 1:11:31.120
<v Speaker 2>He goes, no, doctor, you just need to walk this off.

1:11:31.520 --> 1:11:33.320
<v Speaker 2>Just walk back and forth on the beach and do

1:11:33.439 --> 1:11:36.960
<v Speaker 2>not stop and keep breathing. You'll be okay. You have

1:11:37.000 --> 1:11:41.519
<v Speaker 2>to be reminded. Okay, all right. So that's what I

1:11:41.520 --> 1:11:44.040
<v Speaker 2>do for the next I don't know, eight nine hours.

1:11:44.160 --> 1:11:46.439
<v Speaker 2>I just keep walking on the beach. Meanwhile, he falls

1:11:46.479 --> 1:11:50.920
<v Speaker 2>asleep on the beach right, And pretty soon my heart

1:11:50.960 --> 1:11:54.280
<v Speaker 2>starts to slowly work down, and I'm like, okay, I

1:11:54.320 --> 1:11:56.600
<v Speaker 2>think I'm going to survive this. I go over and

1:11:56.600 --> 1:11:58.920
<v Speaker 2>I wake him up, and I'm like, can I please

1:11:58.960 --> 1:12:00.960
<v Speaker 2>go back to the hotel? When he goes, yes, I

1:12:01.000 --> 1:12:03.800
<v Speaker 2>will take you back. Now. That was the first day

1:12:03.840 --> 1:12:07.479
<v Speaker 2>of two weeks on that research trip. By the way,

1:12:07.640 --> 1:12:10.320
<v Speaker 2>the movie did get made. I was only one of

1:12:10.640 --> 1:12:12.599
<v Speaker 2>a number of writers that worked on it. It's called

1:12:12.680 --> 1:12:15.960
<v Speaker 2>hell Bound. It is said in Israel. It is the

1:12:15.960 --> 1:12:19.759
<v Speaker 2>story of Chuck Norris, a cop from I Believe Detroit

1:12:19.880 --> 1:12:23.519
<v Speaker 2>who works to solve a crime with an Israeli cop.

1:12:23.800 --> 1:12:24.639
<v Speaker 2>So there you go.

1:12:29.840 --> 1:12:32.639
<v Speaker 1>I just enjoyed the hell out of that story. Wow,

1:12:33.080 --> 1:12:36.719
<v Speaker 1>I'm just imagining you as too much coffee man walking

1:12:37.160 --> 1:12:40.080
<v Speaker 1>on the beach for nine hours while the guy who

1:12:40.120 --> 1:12:43.120
<v Speaker 1>said you're going to die is sleeping. I can't even

1:12:43.160 --> 1:12:46.080
<v Speaker 1>imagine what you're thinking. There's a lot of similarities in

1:12:46.120 --> 1:12:50.920
<v Speaker 1>our two stories, though. We're both on assignment doing preliminary

1:12:51.040 --> 1:12:54.920
<v Speaker 1>research for what will become a shoot. And by the way,

1:12:55.160 --> 1:12:58.240
<v Speaker 1>my thing became a shoot. They Clyde went back later

1:12:58.360 --> 1:13:01.880
<v Speaker 1>to the Headhunters and actually shot a show there.

1:13:02.040 --> 1:13:02.680
<v Speaker 2>I did not get.

1:13:03.320 --> 1:13:05.200
<v Speaker 1>And I want to tell you something because I want

1:13:05.240 --> 1:13:08.720
<v Speaker 1>to see what your relationship in your story to it is.

1:13:09.040 --> 1:13:13.760
<v Speaker 1>I came home from what happened with the Headhunters and

1:13:13.800 --> 1:13:17.040
<v Speaker 1>I quit my job. That's how I went into I

1:13:17.160 --> 1:13:20.679
<v Speaker 1>in LA and I just said, you guys, you didn't

1:13:20.720 --> 1:13:24.880
<v Speaker 1>care about me. You put my life in danger, you

1:13:25.280 --> 1:13:29.559
<v Speaker 1>had no plan, and you barely paid me, so see

1:13:29.600 --> 1:13:32.519
<v Speaker 1>you later, and I quit. That was the last thing

1:13:32.600 --> 1:13:35.120
<v Speaker 1>I ever did for that company, which is interesting, and

1:13:35.160 --> 1:13:38.360
<v Speaker 1>I'm wondering did you have any reaction to what had

1:13:38.360 --> 1:13:42.320
<v Speaker 1>happened to you, where you made any life changing decisions

1:13:42.400 --> 1:13:42.839
<v Speaker 1>or anything.

1:13:44.200 --> 1:13:46.519
<v Speaker 2>They offered to send me back to Israel to do

1:13:46.600 --> 1:13:49.880
<v Speaker 2>research on another movie, which I politely declined, and not

1:13:49.960 --> 1:13:53.400
<v Speaker 2>because of the country. I just felt like I've been

1:13:53.439 --> 1:13:56.200
<v Speaker 2>the stranger in a strange land long enough, and who

1:13:56.240 --> 1:13:59.360
<v Speaker 2>knows who they would misrepresent me or recognize me for

1:13:59.520 --> 1:14:02.479
<v Speaker 2>if I go back over there. Look, I think, I

1:14:02.560 --> 1:14:04.280
<v Speaker 2>know this is all crazy. This is one of those

1:14:04.320 --> 1:14:07.800
<v Speaker 2>episodes where it's like wow, the way they're trying to

1:14:07.840 --> 1:14:10.320
<v Speaker 2>weave all of this together. But I do think that

1:14:10.360 --> 1:14:12.559
<v Speaker 2>this all kind of leads us back to that idea

1:14:12.680 --> 1:14:14.960
<v Speaker 2>of the New World. And I think if you look

1:14:14.960 --> 1:14:17.479
<v Speaker 2>at the three movies we've talked about, and the New

1:14:17.479 --> 1:14:21.719
<v Speaker 2>World is granted it is not an alien or UFO movie,

1:14:21.840 --> 1:14:24.559
<v Speaker 2>but it is about that the culture clashes. It is

1:14:24.600 --> 1:14:27.840
<v Speaker 2>about the assimilation, right, And I think we can now

1:14:27.880 --> 1:14:30.479
<v Speaker 2>look at America and we can see what happened to

1:14:30.600 --> 1:14:36.439
<v Speaker 2>the indigenous people of North America, and I think when

1:14:36.439 --> 1:14:39.080
<v Speaker 2>we step back out and we try and extrapolate, what

1:14:39.120 --> 1:14:43.000
<v Speaker 2>would that mean for first contact for us with aliens?

1:14:43.479 --> 1:14:47.400
<v Speaker 2>Have we learned any lessons in the history of human

1:14:47.439 --> 1:14:51.800
<v Speaker 2>civilization about the best way to approach this, Because for

1:14:51.920 --> 1:14:56.599
<v Speaker 2>many times some subset of human has been the dominant race,

1:14:57.080 --> 1:14:59.320
<v Speaker 2>right that has come in and been the conquering race,

1:14:59.320 --> 1:15:03.479
<v Speaker 2>and we as a Mamurricans certainly have experienced that. But

1:15:03.560 --> 1:15:05.519
<v Speaker 2>what happens when the shoe is on the other foot.

1:15:06.040 --> 1:15:10.360
<v Speaker 2>What happens when somebody that is far more advanced than us,

1:15:10.560 --> 1:15:15.599
<v Speaker 2>that has more technology, more intelligence, more capability in terms

1:15:15.680 --> 1:15:19.320
<v Speaker 2>of maybe they exist above time, like the aliens in Arrival?

1:15:19.960 --> 1:15:24.280
<v Speaker 2>How will we respond to that? What lessons can we

1:15:24.400 --> 1:15:28.439
<v Speaker 2>take from these movies from history and hopefully do the

1:15:28.520 --> 1:15:31.639
<v Speaker 2>right thing. Is it as simple as just don't be afraid,

1:15:31.720 --> 1:15:34.200
<v Speaker 2>be open minded? I don't think so. I think that's

1:15:34.200 --> 1:15:37.400
<v Speaker 2>a good place to start. But I actually think this

1:15:37.439 --> 1:15:40.200
<v Speaker 2>is going to be one of those situations where when

1:15:40.240 --> 1:15:43.519
<v Speaker 2>first contact is made, it's going to be essential that

1:15:43.560 --> 1:15:47.439
<v Speaker 2>we have the right people like Amy Adams on the

1:15:47.479 --> 1:15:52.839
<v Speaker 2>front line, making the right decisions and most importantly, figuring

1:15:52.840 --> 1:15:56.240
<v Speaker 2>out how to communicate in the most mutually beneficial way.

1:15:56.479 --> 1:15:58.280
<v Speaker 1>In a future episode, by the way, we are going

1:15:58.360 --> 1:16:01.439
<v Speaker 1>to take a look at some more alien like films

1:16:01.479 --> 1:16:05.200
<v Speaker 1>where the clash of civilizations is alien to human I

1:16:05.240 --> 1:16:07.320
<v Speaker 1>just wanted to end on one thought here. We have

1:16:07.400 --> 1:16:10.080
<v Speaker 1>talked about some great films that you should see. Most

1:16:10.120 --> 1:16:12.880
<v Speaker 1>people who are into this world probably know about it

1:16:12.880 --> 1:16:14.240
<v Speaker 1>and have seen Arrival.

1:16:14.439 --> 1:16:15.599
<v Speaker 2>It does get better on.

1:16:15.560 --> 1:16:17.920
<v Speaker 1>A second viewing, even though because you do tend to

1:16:17.920 --> 1:16:21.720
<v Speaker 1>get a little deeper in it. Definitely enjoyed Apocalypto in

1:16:21.760 --> 1:16:24.280
<v Speaker 1>the New World, and frankly, if you're going to watch them,

1:16:24.320 --> 1:16:27.879
<v Speaker 1>probably watch them in that order. But a thought for everyone.

1:16:28.400 --> 1:16:31.360
<v Speaker 1>Something that's brand new out there is something on Apple

1:16:31.560 --> 1:16:34.479
<v Speaker 1>TV Plus called Chief of War, and that's our good

1:16:34.520 --> 1:16:37.960
<v Speaker 1>friend Jason Momoa, of course, and it's about the same

1:16:38.000 --> 1:16:42.400
<v Speaker 1>thing that basically in the eighteenth century in the Hawaiian Islands,

1:16:42.680 --> 1:16:47.040
<v Speaker 1>where the Hawaiians themselves were in the middle of internal

1:16:47.080 --> 1:16:52.800
<v Speaker 1>conflict between themselves when the colonists show up and the

1:16:52.840 --> 1:16:56.120
<v Speaker 1>whole thing you have the collision between the indigenous culture

1:16:56.160 --> 1:16:59.679
<v Speaker 1>and this other culture that has guns, for example, right,

1:17:00.080 --> 1:17:02.680
<v Speaker 1>And that's very interesting. I've only watched a few of

1:17:02.720 --> 1:17:05.200
<v Speaker 1>the episodes, so I can't comment more than that, other

1:17:05.280 --> 1:17:08.000
<v Speaker 1>than to say, if you're intrigued by this idea, it

1:17:08.000 --> 1:17:10.200
<v Speaker 1>does sound like a good one, and the one thing

1:17:10.840 --> 1:17:14.559
<v Speaker 1>that first contact. I think the commonality between them all

1:17:14.600 --> 1:17:19.040
<v Speaker 1>brand of this try to summarize this first contact doesn't

1:17:19.120 --> 1:17:23.040
<v Speaker 1>happen all at once, at least in these films. First

1:17:23.040 --> 1:17:28.439
<v Speaker 1>contact unfolds through stages, so at first it may be

1:17:28.560 --> 1:17:32.479
<v Speaker 1>jaw dropping curiosity, but it's still curiosity. Then there's this

1:17:32.520 --> 1:17:37.240
<v Speaker 1>sort of period, at least in these of cautious trade misunderstanding,

1:17:37.960 --> 1:17:42.839
<v Speaker 1>things become unequal in the exchange. Then one society becomes

1:17:42.920 --> 1:17:47.439
<v Speaker 1>dependent on the other, and obviously the less technological one does.

1:17:47.800 --> 1:17:51.600
<v Speaker 1>And then this transformation. And if we don't want to

1:17:51.640 --> 1:17:55.679
<v Speaker 1>be the society that's transformed negatively, we should be thinking

1:17:55.760 --> 1:17:58.680
<v Speaker 1>about these things now. And I guess the way I

1:17:58.720 --> 1:18:02.040
<v Speaker 1>look at it is, if indeed we have been contacted

1:18:02.120 --> 1:18:06.080
<v Speaker 1>or in the middle of Nhi contact for eighty years,

1:18:07.120 --> 1:18:09.920
<v Speaker 1>we as a society have been deprived of the time

1:18:10.360 --> 1:18:14.240
<v Speaker 1>to get our brain around what's happening, our communal brain.

1:18:14.560 --> 1:18:17.599
<v Speaker 1>And I think that's unfair. So I wish the powers

1:18:17.600 --> 1:18:21.760
<v Speaker 1>that be will take that seriously and at least move

1:18:21.880 --> 1:18:27.520
<v Speaker 1>forward in again not laying out every single detail. Certainly

1:18:28.000 --> 1:18:29.040
<v Speaker 1>there are other ways we're going to.

1:18:29.040 --> 1:18:29.559
<v Speaker 2>Have to look at it.

1:18:29.560 --> 1:18:32.360
<v Speaker 1>But at least let's get on with the idea that

1:18:32.439 --> 1:18:36.960
<v Speaker 1>it's happening. If it's truly happening, let's get prepared for

1:18:37.800 --> 1:18:40.599
<v Speaker 1>the best possible outcome that we can manage.

1:18:40.960 --> 1:18:48.320
<v Speaker 2>That's where I leave. Hallelujah agree.

1:18:49.439 --> 1:18:52.519
<v Speaker 1>Sound, Light and Frequency is an iHeart podcast produced by

1:18:52.600 --> 1:18:56.360
<v Speaker 1>Stellar Productions. It's executive produced by Nick Johnson and for

1:18:56.439 --> 1:18:59.719
<v Speaker 1>Stellar Jackie's Abel. Our show's music was written by Anna

1:18:59.760 --> 1:19:03.600
<v Speaker 1>Stone and Hamilton Lighthouser, and your hosts and executive producers

1:19:03.640 --> 1:19:06.920
<v Speaker 1>are Bryce Able. That's me and Brent Friedman watch the

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<v Speaker 1>Skies