1 00:00:01,280 --> 00:00:04,320 Speaker 1: Welcome to Stuff You Missed in History Class, A production 2 00:00:04,360 --> 00:00:14,000 Speaker 1: of I Heart Radio, Hello and Happy Friday and Tracy V. 3 00:00:14,160 --> 00:00:17,720 Speaker 1: Wilson and I'm Holly Fry. This week we talked about 4 00:00:17,840 --> 00:00:23,880 Speaker 1: Hortense and Marie Mancini Love. So this this episode went 5 00:00:23,920 --> 00:00:29,560 Speaker 1: through a process of what is the episode about? Because 6 00:00:29,600 --> 00:00:36,760 Speaker 1: what I originally started out with was just Hortense specifically, uh, 7 00:00:36,800 --> 00:00:38,760 Speaker 1: And then I was like, maybe it needs to be 8 00:00:38,840 --> 00:00:42,239 Speaker 1: an episode on all of the Mazarinettes. And then I 9 00:00:42,320 --> 00:00:46,680 Speaker 1: was like, that is way too much. But then as 10 00:00:46,720 --> 00:00:49,440 Speaker 1: I was taking all of these notes about Hortense, Marie 11 00:00:49,560 --> 00:00:51,519 Speaker 1: just kept coming up over and over and over, and 12 00:00:51,560 --> 00:00:53,279 Speaker 1: I was like, I think I just need to have 13 00:00:53,360 --> 00:00:56,040 Speaker 1: the episode be about both of them because their lives 14 00:00:56,960 --> 00:00:59,560 Speaker 1: were intertwined so much, and they did intersect with each 15 00:00:59,560 --> 00:01:04,360 Speaker 1: other and so many ways, um, and at different times 16 00:01:04,400 --> 00:01:08,319 Speaker 1: of their life, one of them often seems to have 17 00:01:08,520 --> 00:01:13,039 Speaker 1: like the slightly better end of the stick, like but 18 00:01:13,120 --> 00:01:17,920 Speaker 1: it shifts, it shifts back and forth. Yeah. Um. I 19 00:01:18,160 --> 00:01:23,399 Speaker 1: also originally had in some notes about like there effects 20 00:01:23,480 --> 00:01:29,679 Speaker 1: on people's attitudes toward divorce, because like this was not 21 00:01:29,959 --> 00:01:35,600 Speaker 1: something that women generally did, and they're like, while there 22 00:01:35,760 --> 00:01:39,360 Speaker 1: was a legal option to have this, like separation in 23 00:01:39,480 --> 00:01:43,560 Speaker 1: France specifically like it, it wasn't something that was really 24 00:01:43,560 --> 00:01:49,120 Speaker 1: widely available, but divorce continued to be illegal for like 25 00:01:49,560 --> 00:01:55,000 Speaker 1: another almost century after they lived in France. In England, 26 00:01:55,040 --> 00:01:56,840 Speaker 1: I think you had to have an Act of Parliament 27 00:01:56,880 --> 00:02:02,560 Speaker 1: to get divorced. Like divorce just wasn't something that wasn't 28 00:02:02,600 --> 00:02:07,000 Speaker 1: an available legal, no remedy to a lot of people 29 00:02:07,040 --> 00:02:10,000 Speaker 1: in Europe, and continued not to be even though even 30 00:02:10,040 --> 00:02:12,799 Speaker 1: after they had broken all this new ground and published 31 00:02:12,800 --> 00:02:16,880 Speaker 1: their memoirs and become famous almost like today's social media 32 00:02:16,960 --> 00:02:22,840 Speaker 1: Darling's um We like their effect on on people's abilities 33 00:02:22,880 --> 00:02:26,320 Speaker 1: to get out of marriages that were really abusive or 34 00:02:26,400 --> 00:02:29,880 Speaker 1: terrible like that continued to be really limited. It's interesting 35 00:02:29,919 --> 00:02:32,040 Speaker 1: because you know, we talked in this episode about the 36 00:02:32,040 --> 00:02:36,600 Speaker 1: affair of the poisons and how many people were accused 37 00:02:36,600 --> 00:02:38,959 Speaker 1: of poisoning and how much poisoning was going on. We did, 38 00:02:39,080 --> 00:02:41,960 Speaker 1: like our whole first season of Criminalia was about women poisoners, 39 00:02:41,960 --> 00:02:44,280 Speaker 1: and I'm like, did nobody just slip these gals some 40 00:02:44,440 --> 00:02:49,079 Speaker 1: arsenic They could have gotten out of those? Maybe her 41 00:02:49,280 --> 00:02:54,560 Speaker 1: their sisters could have, because two of their sisters they 42 00:02:54,720 --> 00:02:59,960 Speaker 1: got banished. Yeah, yeah, so I kept thinking about that throughout. 43 00:03:00,160 --> 00:03:02,760 Speaker 1: I'm like, I know, I know who you could have contacted, 44 00:03:02,760 --> 00:03:07,120 Speaker 1: Like they're going to call me, give them a historical 45 00:03:07,240 --> 00:03:11,080 Speaker 1: hook up. It's another one of our very bad uses 46 00:03:11,160 --> 00:03:14,320 Speaker 1: for time machines, right, I can I can tell you 47 00:03:14,320 --> 00:03:16,120 Speaker 1: who can get you out of this marriage. That's terrible. 48 00:03:16,160 --> 00:03:19,160 Speaker 1: Don't do that. Um. Yeah. I love their story so 49 00:03:19,240 --> 00:03:22,480 Speaker 1: much because it is so mind blowing. The thing that 50 00:03:22,600 --> 00:03:27,760 Speaker 1: always strikes me is one when you look at their story, 51 00:03:27,840 --> 00:03:31,400 Speaker 1: how much this this dovetails on what you were saying 52 00:03:31,400 --> 00:03:34,560 Speaker 1: about divorced not being an option. How much women were 53 00:03:34,639 --> 00:03:39,120 Speaker 1: kind of viewed as an asset and not people. Right. 54 00:03:39,240 --> 00:03:41,920 Speaker 1: Even their uncle, who in many ways seemed to treat 55 00:03:41,960 --> 00:03:45,680 Speaker 1: them very well, still was using them as tools of 56 00:03:45,760 --> 00:03:52,760 Speaker 1: his own um legacy and desires. And you know, they 57 00:03:52,960 --> 00:03:57,320 Speaker 1: were like they were part of a financial transaction, which 58 00:03:57,440 --> 00:04:00,040 Speaker 1: is just like and then the other thing that I 59 00:04:00,120 --> 00:04:03,560 Speaker 1: think about a lot, you know, Hortense being the younger 60 00:04:03,560 --> 00:04:05,920 Speaker 1: of the two. You know, we're talking about her having 61 00:04:06,000 --> 00:04:08,600 Speaker 1: kids and leaving her kids and running around and I'm 62 00:04:08,640 --> 00:04:12,880 Speaker 1: I guarantee to many people's ears, it's like, what what 63 00:04:13,040 --> 00:04:16,440 Speaker 1: kind of mother would do that? Dude. By the time 64 00:04:16,480 --> 00:04:20,840 Speaker 1: they're late in the game, like sixeventy one, when they 65 00:04:20,839 --> 00:04:25,040 Speaker 1: are running away together, she was still only she was 66 00:04:25,160 --> 00:04:29,920 Speaker 1: so young. And I know that, you know, maturity ages 67 00:04:30,000 --> 00:04:33,880 Speaker 1: were slightly different than but that's still very very young 68 00:04:34,120 --> 00:04:37,160 Speaker 1: to have lived the life she had to, for both 69 00:04:37,200 --> 00:04:41,440 Speaker 1: of them, to have never really had a life of 70 00:04:41,480 --> 00:04:44,479 Speaker 1: their own. And then be like, and you're responsible for 71 00:04:45,000 --> 00:04:47,000 Speaker 1: all of this. Oh, you're not a human, but you 72 00:04:47,040 --> 00:04:50,960 Speaker 1: are absolutely responsible for other humans. It's just a lot 73 00:04:51,080 --> 00:04:53,240 Speaker 1: I have. I can't help but have sympathy for them, 74 00:04:53,279 --> 00:04:57,359 Speaker 1: even in their moments of their worst behavior. I So 75 00:04:57,600 --> 00:05:03,800 Speaker 1: I don't think Hortense ever saw her children after leaving. 76 00:05:03,880 --> 00:05:07,839 Speaker 1: I could be wrong. It's like if she did, that's 77 00:05:08,000 --> 00:05:10,839 Speaker 1: not one of the things that stuck in my brain 78 00:05:11,120 --> 00:05:15,400 Speaker 1: while doing research. Um, but it it also does seem 79 00:05:15,480 --> 00:05:19,279 Speaker 1: like when she left, she thought if she could find 80 00:05:19,320 --> 00:05:23,080 Speaker 1: somebody who was sympathetic to her and could help her 81 00:05:23,120 --> 00:05:26,040 Speaker 1: make a case, that maybe she would be able to 82 00:05:26,320 --> 00:05:29,440 Speaker 1: better advocate for them, like not in the house with 83 00:05:29,480 --> 00:05:33,640 Speaker 1: her husband. Um, And like I like that. I can 84 00:05:33,720 --> 00:05:37,359 Speaker 1: totally see it, Like she's in this marriage with this 85 00:05:37,440 --> 00:05:41,080 Speaker 1: person who just is terrifying to me and whose behavior 86 00:05:41,200 --> 00:05:44,800 Speaker 1: is really erratic and controlling. Um, I can totally see 87 00:05:44,800 --> 00:05:49,160 Speaker 1: her being like I, I cannot I cannot fix this here. 88 00:05:50,160 --> 00:05:52,279 Speaker 1: I don't have the means to take them with me, 89 00:05:53,360 --> 00:05:57,120 Speaker 1: So maybe if I go somewhere else, somebody can help me. 90 00:05:57,680 --> 00:05:59,520 Speaker 1: Like a lot, I can sort of see that pross 91 00:05:59,520 --> 00:06:02,560 Speaker 1: thought press us. But then like later I'm a little 92 00:06:02,720 --> 00:06:06,120 Speaker 1: fuzzier on like now I'm a party girl and now 93 00:06:06,160 --> 00:06:11,120 Speaker 1: what happened? Yeah, but you know, both of them, it 94 00:06:11,279 --> 00:06:14,800 Speaker 1: was clear that they felt like and we're expected to 95 00:06:16,080 --> 00:06:21,800 Speaker 1: have a male heir for their husband. Um, and that uh, 96 00:06:21,839 --> 00:06:24,200 Speaker 1: that hortense once she once she had a boy after 97 00:06:24,279 --> 00:06:28,880 Speaker 1: having had daughters, was like done finished with this? Yeah? 98 00:06:29,000 --> 00:06:34,120 Speaker 1: I also, um, armand what a case of projection? Right, 99 00:06:34,440 --> 00:06:38,080 Speaker 1: you can't turn butter. People will think it's sexy. People 100 00:06:38,080 --> 00:06:40,400 Speaker 1: will think it's sexy, or you think it's sexy. Right, 101 00:06:41,400 --> 00:06:44,279 Speaker 1: this is your issue. I'm trying to actually make food, 102 00:06:44,560 --> 00:06:49,360 Speaker 1: like I didn't. Um, he had a lot of issues. 103 00:06:50,279 --> 00:06:53,400 Speaker 1: It's the most gentle way I can put it. Yeah, 104 00:06:53,480 --> 00:06:56,719 Speaker 1: it sort of makes you wonder about whether Cardinal Mazarin 105 00:06:56,960 --> 00:07:01,480 Speaker 1: was that good of a judge of character, right. Well, 106 00:07:01,520 --> 00:07:04,719 Speaker 1: and it also becomes that that question that you know, 107 00:07:04,760 --> 00:07:06,960 Speaker 1: they all layer like an onion of like maybe he 108 00:07:07,040 --> 00:07:10,760 Speaker 1: was absolutely wonderful and seemed completely together around men, but 109 00:07:10,800 --> 00:07:16,000 Speaker 1: around women he became a complete nutbag, just like obsessive 110 00:07:16,040 --> 00:07:22,000 Speaker 1: and bizarre and fixated on their every move being somehow 111 00:07:22,520 --> 00:07:29,160 Speaker 1: gonna lure men to dangerous thoughts. Yeah, Armand I wish 112 00:07:29,200 --> 00:07:33,480 Speaker 1: there were therapists century France for you. I know that's 113 00:07:33,520 --> 00:07:37,960 Speaker 1: not the cure for everything, but holy Moses, yoursel. Yeah, 114 00:07:38,360 --> 00:07:42,880 Speaker 1: it's really had problems. So yeah, I find all of 115 00:07:42,880 --> 00:07:46,320 Speaker 1: their stories really fascinating, and trying to write about all 116 00:07:46,400 --> 00:07:50,320 Speaker 1: seven of those nieces would have been way too many, 117 00:07:50,480 --> 00:07:53,280 Speaker 1: so you have done any of them justice. But I 118 00:07:53,280 --> 00:07:57,280 Speaker 1: think Marian Hortense together, yes hopefully worked out. I will 119 00:07:57,320 --> 00:08:01,680 Speaker 1: forever think about um no uns in a convent dipping 120 00:08:01,680 --> 00:08:05,000 Speaker 1: their fingers in holy water before the Sign of the 121 00:08:05,000 --> 00:08:07,800 Speaker 1: Cross and getting ink all over their habit to think 122 00:08:07,840 --> 00:08:10,160 Speaker 1: about that all the time, because I think that's funny. 123 00:08:10,200 --> 00:08:14,200 Speaker 1: I know it's sacrilegious, I just think it's funny. Yeah, 124 00:08:14,560 --> 00:08:18,320 Speaker 1: it really seemed almost like I don't know that the 125 00:08:19,000 --> 00:08:26,360 Speaker 1: accounts of um of Hortense and uh Marie Sudny like 126 00:08:26,440 --> 00:08:31,640 Speaker 1: it reminds me not even of my brother's summer camp 127 00:08:31,680 --> 00:08:37,280 Speaker 1: experiences and the boy Scouts, but like a comedy fix 128 00:08:37,440 --> 00:08:44,760 Speaker 1: a fictional comedy of like boys and boy Scouts, uh 129 00:08:44,960 --> 00:08:48,360 Speaker 1: doing pranks, doing pranks on people like it. Just um, 130 00:08:50,600 --> 00:08:53,000 Speaker 1: I know there's a gendered element to all of that, 131 00:08:53,120 --> 00:08:55,040 Speaker 1: but like that's what it kind of reminded me of 132 00:08:55,080 --> 00:08:57,840 Speaker 1: when it was all the various types of pranks that 133 00:08:57,920 --> 00:09:00,319 Speaker 1: they did on the nuns. See what it were minded 134 00:09:00,400 --> 00:09:03,360 Speaker 1: me of is I think a lot of people have 135 00:09:04,160 --> 00:09:07,480 Speaker 1: those one or two friends where you're just like there 136 00:09:07,559 --> 00:09:10,080 Speaker 1: is a chemical reaction that happens when the two of 137 00:09:10,080 --> 00:09:13,400 Speaker 1: you were together and you just behave badly. I have 138 00:09:13,559 --> 00:09:16,160 Speaker 1: a handful of them. It's like I have friends when 139 00:09:16,200 --> 00:09:18,840 Speaker 1: Brian and I are like traveling and meeting people in 140 00:09:18,920 --> 00:09:20,800 Speaker 1: other sit meeting up with our friends and other cities 141 00:09:20,880 --> 00:09:23,200 Speaker 1: or whatever. I'm like if so and so is coming 142 00:09:23,240 --> 00:09:25,240 Speaker 1: to dinner and Brian just gets that look like, well, 143 00:09:26,040 --> 00:09:28,120 Speaker 1: I'm not gonna drink so that I can keep on 144 00:09:28,160 --> 00:09:31,319 Speaker 1: top of everything, and also like this could go off 145 00:09:31,360 --> 00:09:34,080 Speaker 1: the rails in anybody. Yeah, there are a few of 146 00:09:34,120 --> 00:09:39,720 Speaker 1: those in my life. We have great fun together. Yeah, 147 00:09:40,040 --> 00:09:45,880 Speaker 1: no jail time so far. So Yeah, their whole story 148 00:09:45,960 --> 00:09:58,280 Speaker 1: is a whole wild pride. Yes. This week we talked 149 00:09:58,320 --> 00:10:02,800 Speaker 1: about the Coconut Grove fire uh, and I thought I 150 00:10:02,800 --> 00:10:07,560 Speaker 1: would elaborate on why I find the fires so difficult, 151 00:10:07,600 --> 00:10:09,240 Speaker 1: because I know that is a thing that I have 152 00:10:09,320 --> 00:10:12,320 Speaker 1: said on the show before. Um. I know there are 153 00:10:12,320 --> 00:10:15,880 Speaker 1: a whole podcasts whose whole thing is disasters, and people 154 00:10:15,920 --> 00:10:20,320 Speaker 1: who listen to disaster podcasts and like they just that's 155 00:10:20,320 --> 00:10:23,400 Speaker 1: the thing that personally interested in They like it, love it. 156 00:10:24,000 --> 00:10:27,440 Speaker 1: I find a lot of the disasters difficult. I find 157 00:10:27,480 --> 00:10:33,160 Speaker 1: the fires specifically difficult because so so so often, so 158 00:10:33,320 --> 00:10:36,760 Speaker 1: often we're talking about people who were just trying to 159 00:10:36,840 --> 00:10:39,760 Speaker 1: go to work or go to a play or have 160 00:10:39,960 --> 00:10:45,800 Speaker 1: dinner or whatever, and the person who was in charge 161 00:10:45,800 --> 00:10:49,960 Speaker 1: of this business and had a responsibility for the safety 162 00:10:50,000 --> 00:10:54,520 Speaker 1: of their patrons instead decided that they wanted to make 163 00:10:54,720 --> 00:10:57,680 Speaker 1: some extra money, or that they wanted to cut corners 164 00:10:57,720 --> 00:11:02,320 Speaker 1: and have a cheaper building process for their building or whatever, uh, 165 00:11:02,400 --> 00:11:05,440 Speaker 1: and didn't take the necessary steps to make the building 166 00:11:05,480 --> 00:11:09,280 Speaker 1: safe and maybe even locked the doors. Or you know, 167 00:11:09,440 --> 00:11:12,280 Speaker 1: when we're talking about things like the Triangle shirt waste factory, 168 00:11:12,320 --> 00:11:14,440 Speaker 1: people who were just trying to go to work, and 169 00:11:14,640 --> 00:11:17,079 Speaker 1: had the doors locked behind them so they couldn't get out. 170 00:11:17,120 --> 00:11:20,800 Speaker 1: There's just, over and over and over and over, some 171 00:11:21,600 --> 00:11:28,559 Speaker 1: either greedy or incompetent, or maybe both person making decisions 172 00:11:28,640 --> 00:11:32,920 Speaker 1: that made a building they were responsible for unsafe, and 173 00:11:32,960 --> 00:11:34,880 Speaker 1: then a whole lot of people who were just trying 174 00:11:34,920 --> 00:11:38,080 Speaker 1: to go about their lives dying because of it. Over 175 00:11:38,160 --> 00:11:40,760 Speaker 1: and over. We've talked about so many fires that have 176 00:11:40,920 --> 00:11:45,000 Speaker 1: so many common elements uh with them. Plus they're just 177 00:11:45,559 --> 00:11:49,560 Speaker 1: so deadly and so terrifying. They happened so quickly. I 178 00:11:49,600 --> 00:11:53,240 Speaker 1: don't want to throw any venues under the bus. Um, 179 00:11:53,280 --> 00:11:57,920 Speaker 1: but prior to the pandemic, I had season tickets to 180 00:11:58,200 --> 00:12:03,480 Speaker 1: a particular areas of performances at a particular venue um 181 00:12:03,559 --> 00:12:07,120 Speaker 1: and our tickets were in the mezzanine, And every single 182 00:12:07,160 --> 00:12:09,720 Speaker 1: time the show would be over and we would be 183 00:12:09,840 --> 00:12:14,600 Speaker 1: joining this incredibly slow shuffle of people down the steps 184 00:12:14,640 --> 00:12:17,079 Speaker 1: to the main floor and out this one exit. I 185 00:12:17,120 --> 00:12:21,040 Speaker 1: would be like, are there other exits from this building? 186 00:12:21,480 --> 00:12:24,520 Speaker 1: Because what if there is a fire, Like it is 187 00:12:24,559 --> 00:12:26,880 Speaker 1: taking us so long just to get out of the 188 00:12:26,920 --> 00:12:29,840 Speaker 1: building in an orderly way after the show is over. 189 00:12:29,920 --> 00:12:35,640 Speaker 1: I cannot imagine if everyone were panicked in a fire situation. Yeah, 190 00:12:35,720 --> 00:12:37,400 Speaker 1: I mean I think we've all been in places like 191 00:12:37,440 --> 00:12:41,480 Speaker 1: that where you're like, this is a little scary. Do 192 00:12:41,520 --> 00:12:45,000 Speaker 1: you know what? I thought about a lot? Uh, not 193 00:12:45,120 --> 00:12:47,880 Speaker 1: to not to laugh about it, but it was just it. 194 00:12:47,880 --> 00:12:49,880 Speaker 1: It made me chuckle in that I was like, I 195 00:12:50,080 --> 00:12:52,760 Speaker 1: just talked about this some behind the scenes. Do you 196 00:12:52,840 --> 00:12:59,160 Speaker 1: remember when we were talking about what a lazy science 197 00:12:59,200 --> 00:13:01,480 Speaker 1: fair person I was and how I did, Like my 198 00:13:01,520 --> 00:13:05,320 Speaker 1: best one was on how different fabrics burn. I know 199 00:13:05,400 --> 00:13:07,840 Speaker 1: a lot about what happens to satin when it burns, 200 00:13:08,840 --> 00:13:11,000 Speaker 1: and I want to also be very clear in case 201 00:13:11,040 --> 00:13:13,720 Speaker 1: anybody doesn't know because to to Layman, and I'm not 202 00:13:13,800 --> 00:13:15,640 Speaker 1: dogging anybody for not knowing this. If you're not a 203 00:13:15,679 --> 00:13:19,320 Speaker 1: textiles person, you might not know. Satin and silk get 204 00:13:19,400 --> 00:13:21,760 Speaker 1: used interchangeably. Those are not the same thing at all. 205 00:13:22,720 --> 00:13:25,480 Speaker 1: Silk refers to the fiber, which is a natural fiber 206 00:13:25,559 --> 00:13:28,560 Speaker 1: made of course by silkworms. Satin is a weave that 207 00:13:28,640 --> 00:13:31,319 Speaker 1: gives you that satiny, smooth texture. But you can have 208 00:13:31,360 --> 00:13:33,800 Speaker 1: a satin made out of all kinds of things. And 209 00:13:33,920 --> 00:13:38,080 Speaker 1: it really jumped out at me when reading this, because 210 00:13:38,120 --> 00:13:42,000 Speaker 1: I am a textile dorc that synthetic textile started to 211 00:13:42,040 --> 00:13:45,040 Speaker 1: be made in the nineteen thirties and they burned very differently, 212 00:13:45,080 --> 00:13:48,440 Speaker 1: and they burned very differently then, but like um, like 213 00:13:48,520 --> 00:13:53,120 Speaker 1: I think nylon was and then just early in the 214 00:13:53,200 --> 00:13:58,880 Speaker 1: year before this, DuPont had started making polyester and another 215 00:13:58,960 --> 00:14:03,560 Speaker 1: company I think UM but like satin from like the forties. 216 00:14:03,600 --> 00:14:06,480 Speaker 1: Because I have played with fire on some of that 217 00:14:06,920 --> 00:14:11,480 Speaker 1: turns into lava. So if it was on the ceiling 218 00:14:11,600 --> 00:14:14,040 Speaker 1: and it was burning, in addition to its spreading in 219 00:14:14,080 --> 00:14:17,480 Speaker 1: that little air pocket, it would also have potentially been 220 00:14:17,600 --> 00:14:23,280 Speaker 1: dropping onto people and things below and catching fire. So 221 00:14:23,360 --> 00:14:25,680 Speaker 1: that's what I was thinking of. It's like, oh my gosh, 222 00:14:26,360 --> 00:14:30,360 Speaker 1: red hot fabric lava on everybody, like there's and it's sticky. 223 00:14:30,480 --> 00:14:33,240 Speaker 1: So it's like when you if you've ever made candy 224 00:14:33,440 --> 00:14:35,480 Speaker 1: and you get it really really hot, and you know, 225 00:14:35,520 --> 00:14:38,200 Speaker 1: it's very dangerous at that point because you can burn 226 00:14:38,240 --> 00:14:40,040 Speaker 1: really easily because it sticks to you and you can't 227 00:14:40,080 --> 00:14:44,480 Speaker 1: just get it off. It's like that, yeah, yeah, that's 228 00:14:44,480 --> 00:14:48,120 Speaker 1: what makes that super terrifying. Yeah, one of the things 229 00:14:48,120 --> 00:14:52,600 Speaker 1: that's really contradictory. And there are several books about about 230 00:14:52,640 --> 00:14:54,920 Speaker 1: this fire and they all sort of take a different, 231 00:14:55,040 --> 00:14:58,360 Speaker 1: slightly different approach and focus to it. Um, Like there's 232 00:14:58,400 --> 00:15:03,240 Speaker 1: some contradictions in terms of what materials were used in 233 00:15:03,280 --> 00:15:07,720 Speaker 1: the decor and how much Wellanski knew about what they 234 00:15:07,800 --> 00:15:12,760 Speaker 1: were made of. Apparently, when that fire inspector um came 235 00:15:12,800 --> 00:15:14,640 Speaker 1: and declared that the building was safe, one of the 236 00:15:14,680 --> 00:15:16,640 Speaker 1: things that he had done was like held a match 237 00:15:16,680 --> 00:15:21,400 Speaker 1: to a piece of like the papery artificial palm tree leaf, 238 00:15:21,480 --> 00:15:26,400 Speaker 1: and it didn't burn, but in court, a much bigger 239 00:15:26,440 --> 00:15:30,080 Speaker 1: piece of it burned almost like flash paper. So there 240 00:15:30,120 --> 00:15:31,920 Speaker 1: was a lot of stuff of like there there were 241 00:15:32,000 --> 00:15:35,320 Speaker 1: not as many standards about how do we test for 242 00:15:35,400 --> 00:15:39,080 Speaker 1: whether something is fire resistant, because if you know, if 243 00:15:39,120 --> 00:15:41,040 Speaker 1: somebody held a match up to a thing, it might 244 00:15:41,080 --> 00:15:43,600 Speaker 1: be fine, but if you were in a space that 245 00:15:43,720 --> 00:15:46,880 Speaker 1: was as hot as a room on fire, it might 246 00:15:46,960 --> 00:15:50,440 Speaker 1: suddenly become something that could flash up. And so a 247 00:15:50,520 --> 00:15:53,040 Speaker 1: lot of those details I did not get into as 248 00:15:53,120 --> 00:15:56,560 Speaker 1: deeply just because like there was so much, so much 249 00:15:56,600 --> 00:15:59,240 Speaker 1: that's still not known. That I watched a lecture about this. 250 00:15:59,600 --> 00:16:02,200 Speaker 1: One of the points that they made was if this 251 00:16:02,280 --> 00:16:07,200 Speaker 1: were a fire that happened today with today's technologies for 252 00:16:07,360 --> 00:16:14,440 Speaker 1: like uh an analyzing things that have been burned. Uh, 253 00:16:14,480 --> 00:16:17,640 Speaker 1: it would probably be a lot clearer exactly how the 254 00:16:17,640 --> 00:16:21,200 Speaker 1: fire started and exactly how exactly why it burned as 255 00:16:21,200 --> 00:16:24,240 Speaker 1: fast as as it did. Um with the caveat that, 256 00:16:24,320 --> 00:16:28,440 Speaker 1: there are four sure fire investigation techniques that have been 257 00:16:28,560 --> 00:16:32,160 Speaker 1: used within the last few decades that like, as people 258 00:16:32,160 --> 00:16:36,160 Speaker 1: study them further, don't actually hold up as being a 259 00:16:36,200 --> 00:16:38,760 Speaker 1: conclusive way to bread point the starting point of a 260 00:16:38,800 --> 00:16:43,520 Speaker 1: fire and how it's bread. But yeah, fires are are 261 00:16:43,640 --> 00:16:47,200 Speaker 1: terrifying and uh and just they may it makes me 262 00:16:47,240 --> 00:16:51,480 Speaker 1: angry how often it's the same story of somebody didn't 263 00:16:51,520 --> 00:16:54,680 Speaker 1: want to pay for something, or they didn't want people 264 00:16:54,720 --> 00:16:57,800 Speaker 1: to be able to leave without paying or whatever, um 265 00:16:58,120 --> 00:17:01,760 Speaker 1: or just didn't pray or tie safety right. In some cases, 266 00:17:01,840 --> 00:17:06,440 Speaker 1: they're not thinking even nefariously. They're just being sloppy and thoughtless, 267 00:17:06,480 --> 00:17:08,880 Speaker 1: which is something you can't really afford to do when 268 00:17:08,960 --> 00:17:19,880 Speaker 1: you are a space that is open to the public. Yeah, 269 00:17:21,920 --> 00:17:25,919 Speaker 1: so definitely did a lot to revolutionize burn care, and 270 00:17:25,960 --> 00:17:29,199 Speaker 1: of course burn care has been further revised since the 271 00:17:29,280 --> 00:17:32,720 Speaker 1: nineteen forties. We were not saying that like they solved 272 00:17:32,800 --> 00:17:36,239 Speaker 1: burn care. That's not the case. But they did make 273 00:17:36,280 --> 00:17:40,200 Speaker 1: a lot of advancements um, through treating those people, which 274 00:17:40,240 --> 00:17:43,280 Speaker 1: still something like half the people that made it to 275 00:17:43,359 --> 00:17:46,600 Speaker 1: the hospital still died very soon after. It was just 276 00:17:46,920 --> 00:17:49,320 Speaker 1: getting to the hospital did not necessarily mean somebody was 277 00:17:49,359 --> 00:17:54,360 Speaker 1: gonna able to survive. So we are recording this more 278 00:17:54,440 --> 00:17:58,360 Speaker 1: than a month before the actual anniversary. Um and so 279 00:17:58,440 --> 00:18:01,679 Speaker 1: I am curious to see what kinds of memorials and 280 00:18:01,720 --> 00:18:05,119 Speaker 1: things happened around Boston, because I know there were some 281 00:18:05,359 --> 00:18:08,280 Speaker 1: for the seventy five anniversary. I don't know as much 282 00:18:08,320 --> 00:18:12,600 Speaker 1: from before that because I am a more recent transplant 283 00:18:12,640 --> 00:18:17,000 Speaker 1: to the area. Dare I opened the Pandora's box as 284 00:18:17,000 --> 00:18:19,720 Speaker 1: someone who lives in Boston. Of your thoughts on the 285 00:18:19,760 --> 00:18:25,399 Speaker 1: condom memorial scandal, Oh well, I only know about this 286 00:18:25,520 --> 00:18:29,560 Speaker 1: scandal what I read about it because for somehow I 287 00:18:29,640 --> 00:18:33,160 Speaker 1: absolutely missed it a hundred percent when it was happening. 288 00:18:33,680 --> 00:18:37,760 Speaker 1: Um Like, I did not see anything about it in 289 00:18:37,800 --> 00:18:42,000 Speaker 1: the news at all as it happened in I think 290 00:18:42,040 --> 00:18:45,760 Speaker 1: that was I was not lit like. I have never 291 00:18:45,800 --> 00:18:48,760 Speaker 1: lived like in the city of Boston proper. I've always 292 00:18:48,760 --> 00:18:52,320 Speaker 1: lived outside of it since moving up here. Um and 293 00:18:52,400 --> 00:18:55,640 Speaker 1: so like, I didn't see any news coverage, any tweets 294 00:18:55,640 --> 00:19:00,120 Speaker 1: about it, any whatever. Um. But when I was researchinging 295 00:19:00,240 --> 00:19:04,800 Speaker 1: the podcast, like I was finding you know, video clips 296 00:19:04,840 --> 00:19:08,199 Speaker 1: of the news report about the thing and newspaper articles 297 00:19:08,240 --> 00:19:11,480 Speaker 1: about it. Not living in the neighborhood, it's it's tough 298 00:19:11,520 --> 00:19:14,480 Speaker 1: to get a gauge on what people really thought about it. 299 00:19:14,520 --> 00:19:20,520 Speaker 1: But this quote from the condo owners really comes across 300 00:19:20,560 --> 00:19:28,639 Speaker 1: to me as like thoughtless and inordinately privileged. Yeah, Like 301 00:19:28,720 --> 00:19:30,800 Speaker 1: the one part where I'm like, Okay, I get that, 302 00:19:31,040 --> 00:19:35,680 Speaker 1: is like we don't want like, look you lose. Yeah. 303 00:19:35,760 --> 00:19:39,000 Speaker 1: If they had offered an alternative, like what if we 304 00:19:39,119 --> 00:19:43,400 Speaker 1: designate this part of this property and as long as 305 00:19:43,440 --> 00:19:46,560 Speaker 1: people can keep you know, their reth offerings or whatever 306 00:19:46,600 --> 00:19:49,360 Speaker 1: in that space so that like our kids aren't suddenly 307 00:19:49,400 --> 00:19:52,439 Speaker 1: dealing with strangers they don't know and having that you know, 308 00:19:52,520 --> 00:19:55,200 Speaker 1: confusion about who they trusted who they don't, I would 309 00:19:55,200 --> 00:19:58,360 Speaker 1: feel a little less like, really, are you that thoughtless? 310 00:19:59,520 --> 00:20:02,080 Speaker 1: But they did an offer anything like that other than 311 00:20:02,240 --> 00:20:05,080 Speaker 1: not here. Yeah, And it was sort of moved to 312 00:20:05,240 --> 00:20:08,240 Speaker 1: a corner. It did not move far down the street. 313 00:20:08,920 --> 00:20:10,520 Speaker 1: It moved to a corner that's kind of on the 314 00:20:10,560 --> 00:20:13,920 Speaker 1: back side of the hotel that's there. And like then 315 00:20:13,960 --> 00:20:15,720 Speaker 1: there were people who were trying to kind of well 316 00:20:15,840 --> 00:20:20,280 Speaker 1: actually exactly where the revolving door really would have been. 317 00:20:20,400 --> 00:20:24,359 Speaker 1: It became sort of became a whole thing, right, Yeah, 318 00:20:24,440 --> 00:20:34,560 Speaker 1: it's that quote that we read I found so again, 319 00:20:34,640 --> 00:20:37,920 Speaker 1: Happy Friday. I hope whatever is coming up on your 320 00:20:37,920 --> 00:20:42,240 Speaker 1: weekend is is RESTful and pleasant. Um. We'll be back 321 00:20:42,440 --> 00:20:45,439 Speaker 1: with a Saturday Classic on Saturday. We'll be back Monday 322 00:20:45,520 --> 00:20:47,359 Speaker 1: with a brand new episode. If you haven't, you can 323 00:20:47,400 --> 00:20:50,879 Speaker 1: subscribe to our show on iHeart radio app or wherever 324 00:20:50,920 --> 00:20:58,280 Speaker 1: else you like to get your podcast. Stuff you missed 325 00:20:58,280 --> 00:21:01,159 Speaker 1: in History Class is a production of Heart Radio. For 326 00:21:01,240 --> 00:21:03,920 Speaker 1: more podcasts from I Heart Radio, visit the I heart 327 00:21:03,960 --> 00:21:07,080 Speaker 1: Radio app, Apple Podcasts, or wherever you listen to your 328 00:21:07,080 --> 00:21:08,720 Speaker 1: favorite shows. H