WEBVTT - Episode 283 w/ Affion Crockett

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<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

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<v Speaker 1>and I Heart Radio and his Drink Chess motherfucking podcast. Mason,

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<v Speaker 1>he's a legendary queen's rapper, He's Segre's your boy in

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<v Speaker 1>o R. He's a Miami hippop pioneers d j e FN.

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<v Speaker 1>Together they drink it up with some of the biggest

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<v Speaker 1>players in the most professional, unprofessional podcast. And your number

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<v Speaker 1>one sort for drunk drink is New year Z just

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<v Speaker 1>for Drink Champs. Trink up mother Mother when it could

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<v Speaker 1>be Hopeully's when it should be. It's your point in

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<v Speaker 1>R what it was dj e FM, this drink Chat

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<v Speaker 1>motherfucker every right now, you know as usual we started

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<v Speaker 1>this show. We wanted to do legends, not only hip

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<v Speaker 1>hop legends, but we want to do legends in the

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<v Speaker 1>community and the entertainment. And when we talk about this

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<v Speaker 1>brother right here to the left, he could interview Mannipaka

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<v Speaker 1>y'all better than Mannipoca. Y'all could act like manipokast he could,

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<v Speaker 1>he could, he can act. He can, He's comedic genius

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<v Speaker 1>and he can. He has this way of just getting

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<v Speaker 1>into other people and he's a dancing maniac. I feel

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<v Speaker 1>like he's gonna do the new fast flame the other way,

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<v Speaker 1>you know, the flame when they pulled out the thing Aniac.

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<v Speaker 1>So in case you want like he's gonna do with

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<v Speaker 1>we're talking about legends I had. I had a bar research,

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<v Speaker 1>and you had a bar research and you and just

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<v Speaker 1>researching all the different characters that you take on and

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<v Speaker 1>I only take on. But something that you've been doing lately, uh,

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<v Speaker 1>that has been very essential to the game. You''ve been

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<v Speaker 1>recapping the Yeah fact Joe did the best job. Did

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<v Speaker 1>you see Fat Joe's No, he really recappcause the orders

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<v Speaker 1>of him just explaining it, him moving about the locks

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<v Speaker 1>and um yeah, he just kept saying I can't hide.

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<v Speaker 1>I said, oh yeah, like that's like that's real hip hop.

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<v Speaker 1>But what made you and what's my man name? Spice?

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<v Speaker 1>An old Spice commercial and all that? Um um, what

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<v Speaker 1>made y'all get together and say you know what we're

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<v Speaker 1>gonna be? Because the first year I was recapping, like

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<v Speaker 1>asked the guest, right, yeah, I think he was like

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<v Speaker 1>Teddy Riley and he he was Teddy was a baby face.

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<v Speaker 1>So what made you do that? Was it? The Teddy

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<v Speaker 1>in the baby face was the first verses that had

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<v Speaker 1>a major technical debacle, right, and so me and Spice

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<v Speaker 1>didn't even know each other. We were just fans and

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<v Speaker 1>we never met in person and were online like yo

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<v Speaker 1>we he d M. He's like, yo, should we spook this?

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<v Speaker 1>And that's way random DM, without y'all really having we

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<v Speaker 1>had already like commenting on each other ship before and

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<v Speaker 1>was like, yo, you're funny man. He's like, are you funny?

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<v Speaker 1>Like we was always showing flowers and giving flowers to

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<v Speaker 1>each other, but we never worked together or even met

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<v Speaker 1>in person. We didn't know each other. And so that

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<v Speaker 1>was when UM I G first had when you go

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<v Speaker 1>live with multiple people, which is why they had the verses,

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<v Speaker 1>and so yeah, we was like, yo, should we spook this?

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<v Speaker 1>And he was that's during the pandemic. That's when the

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<v Speaker 1>teddy were still may happened, right, right, but when we

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<v Speaker 1>was all inside and so he was like, yo, man,

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<v Speaker 1>we we gotta do it. And then he got he

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<v Speaker 1>jumped the gun. He's like, yo, I gotta do this

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<v Speaker 1>as a video. I'm just gonna post it as a sketch.

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<v Speaker 1>I was like do that. I'll do one too, and

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<v Speaker 1>then tomorrow night we'll go live and reenact the whole thing,

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<v Speaker 1>and people tuned in the Timberland and swizz. They was

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<v Speaker 1>all tuning in and laughing and ship. So I was like, Okay,

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<v Speaker 1>we got a little something here, and then we just

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<v Speaker 1>doing it from there and it just grew and grew

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<v Speaker 1>and group. Now have you done Russell Simmons impersonation since

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<v Speaker 1>he've been me too, don't go right to it. Huh,

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<v Speaker 1>I'm just gonna go right to it. He'd he back

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<v Speaker 1>off side. Wrong, he's very very dis perspect Okay, you know,

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<v Speaker 1>maybe come back. Look, I've been in Bali, you know,

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<v Speaker 1>getting getting very you know, centered, But you're gonna maybe

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<v Speaker 1>come back to queens. Don't bring the queens. Don't maybe

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<v Speaker 1>queen come on? Are you gonna you know what it is?

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<v Speaker 1>I was glad to do a yoga kid over. I

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<v Speaker 1>was glad to see Russell outside because you know, I

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<v Speaker 1>don't know. I'm not familiar with the case. I'm not

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<v Speaker 1>familiar what's going on. And as much as I try

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<v Speaker 1>to be familiar, it's it's just it's a lot. It's

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<v Speaker 1>not stuff. We would never know the fact that when

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<v Speaker 1>he was over there just made him look somewhat more guilty.

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<v Speaker 1>But so the fact that he's outside and you don't

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<v Speaker 1>think so that's what certain people were taking. I feel

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<v Speaker 1>like it made him look like, uh, you know, he's

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<v Speaker 1>going to get peace. What I want to be Like,

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<v Speaker 1>he just looked like, I'm rich, I want to be

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<v Speaker 1>where I want to be. Yeah, he's like, I'm getting

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<v Speaker 1>away from the bullshit. I'm just gonna be zen with

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<v Speaker 1>it and I'm gonna go to Bali and live off

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<v Speaker 1>the tree, live up the land. Now. You was like

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<v Speaker 1>the first um like um cancel culture like you had.

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<v Speaker 1>It was on Fox TV and you did something to

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<v Speaker 1>funk up pistol off the white boys larious just the

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<v Speaker 1>white boys, just the white where you can your research.

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<v Speaker 1>We're all frugal dot com. This is a totally different

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<v Speaker 1>thing because it's black rugle. You know what. Man just playing?

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<v Speaker 1>But you had you did have a show. Yeah meThe

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<v Speaker 1>man Man, Wow, Wow Jads no Red methyell my people,

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<v Speaker 1>y'all go that right? So this before notice after? Okay,

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<v Speaker 1>so so what was the show scuts comedy comedy? Yeah,

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<v Speaker 1>this was back when um I was I was doing

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<v Speaker 1>a lot of stuff on YouTube before everybody was doing

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<v Speaker 1>a viral Instagram and all that ship and Fox got

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<v Speaker 1>wind of it and they saw how many millions of

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<v Speaker 1>views I had with the sketches and parodies and all

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<v Speaker 1>that kind of ship. So you had an opportunity to

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<v Speaker 1>do a sketch. Well I got that man. Annoys for

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<v Speaker 1>that guy. Now you're drinking. I'm drinking water. I think

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<v Speaker 1>I'm the first sober. No, okay, I'm gonna they said,

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<v Speaker 1>because you're a black man, They're just going to drink

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<v Speaker 1>some knjact. That's what they said. What they said, that's

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<v Speaker 1>that's what they said, saying who they is. It's the

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<v Speaker 1>same Google that. Yeah, it's the wrong one. Yeah, well

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<v Speaker 1>keep it going. I gotta get you to do the

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<v Speaker 1>right websites. We're gonna get fund up if it makes you.

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<v Speaker 1>But okay, so boom. Now you also a lot of

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<v Speaker 1>people they discovered you on the internet, right, they discovered

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<v Speaker 1>for the first time running for people that know like

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<v Speaker 1>you on with the Real Death Comedy Jam, like you

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<v Speaker 1>had the motherfucking head and all that like and to me,

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<v Speaker 1>that's like a writer of passage, like like if you,

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<v Speaker 1>if you are artist, you gotta go to the to

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<v Speaker 1>the tunnel, you gotta go to the music. You gotta

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<v Speaker 1>go to speed. There's certain things that you gotta go

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<v Speaker 1>through and and that goes in ERAa and for me,

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<v Speaker 1>and that goes in the area comedy. Um. Again, I'm

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<v Speaker 1>just outside of looking in. You had to go through

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<v Speaker 1>that Death Comedy Jam. You had to. Yeah. So so

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<v Speaker 1>as a person who did that, how did that feel? Like?

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<v Speaker 1>How does it? How do you even get on Death

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<v Speaker 1>Comedy Jam? I gotta shout out Bob Sumner. Bob Sumner

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<v Speaker 1>was the talent scout for Death Comedy Jam, and he

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<v Speaker 1>went everywhere. He found everybody that was on that stage,

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<v Speaker 1>from Bill Bellamy, Bernie Man, Chris Tucker. How was he

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<v Speaker 1>finding the people? He literally would travel fly to every

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<v Speaker 1>club around the nation and he would hold Death Comedy

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<v Speaker 1>Jam auditions. Literally just one man would go around and

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<v Speaker 1>see all these people. And he found it del givings everybody,

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<v Speaker 1>every every legend that's on that show. He's responsible for that.

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<v Speaker 1>And how did he find you? The same thing? I

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<v Speaker 1>was in Charlotte just starting now and uh, you fumed

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<v Speaker 1>the cargo all right? You know I'm from North Carolina,

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<v Speaker 1>Jay Coole, We're from the same sea that you got

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<v Speaker 1>the same kind of light skins ship going on. Yeah,

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<v Speaker 1>military military brass light skins. Okay, you know, you know what,

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<v Speaker 1>do you play ball? Not at all? I never played

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<v Speaker 1>ball in my life. So I'm the last niggaty picked

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<v Speaker 1>on the court. I didn't all I'm gonna waiste of

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<v Speaker 1>six one? But how did he discovered Let's get back

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<v Speaker 1>to that. Okay, Oh yeah, so Bob something. He was

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<v Speaker 1>held an audition in um in Charlotte, and I was like, yo,

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<v Speaker 1>I'm I was influenced by de Commy jam I was.

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<v Speaker 1>It was the biggest fucking show at the time. And

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<v Speaker 1>then Jamie Fox brought you out to Jamie. Was that

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<v Speaker 1>first time you met Jamie Fox? Yeah, that's the first

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<v Speaker 1>time I met him. But but here's the weird trick

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<v Speaker 1>of editing the show I actually was on. Queen Latifa

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<v Speaker 1>was my host. They edited me on one of Jamie's

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<v Speaker 1>shows because one of the comedian or two of the

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<v Speaker 1>comedians they got booed and so they didn't have an

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<v Speaker 1>enough people in that slot, so they put it was

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<v Speaker 1>me Corey Holk on Barbara Carlisle and I'm forgetting one

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<v Speaker 1>more name, but yeah, we we ended up on Jamie show.

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<v Speaker 1>Do you know it's crazy? I went to death Comedy

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<v Speaker 1>Jam Live, and I did see people get booed before

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<v Speaker 1>boring television. They never showed that. They don't show them.

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<v Speaker 1>You just brew my fucking mind. I just remember that.

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<v Speaker 1>It's not like Apolo where they showed the boost So

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<v Speaker 1>so did you know that they were bored before? Before

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<v Speaker 1>we was in everybody was in the studio, like in

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<v Speaker 1>the theater, you see everything. Like if you you know

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<v Speaker 1>how New York theaters are, Apolo is the same way,

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<v Speaker 1>Like everyone's in the building, whether you downstairs, in addressing room,

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<v Speaker 1>even down there, everyone's in the same kind of shared space.

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<v Speaker 1>There's no exclusive like V I, P and this and that.

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<v Speaker 1>Everybody's bleeding over into the so we all are watching

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<v Speaker 1>the show and seeing everything happened in real time, you

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<v Speaker 1>know what I mean. And so when somebody getting booed,

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<v Speaker 1>everybody's like, I ain't name you might want to find

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<v Speaker 1>another job. You ain't gonna make it on TV because

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<v Speaker 1>because we interview other comedians, and I'm gonna tell you something,

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<v Speaker 1>comedians don't seem nice to upcoming other comedians. Is that

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<v Speaker 1>like kind of true? It's like, like, could you not

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<v Speaker 1>interview other comedians and they always be like him? I'll

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<v Speaker 1>just kid you not about the wrappers on the low.

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<v Speaker 1>But don't get it twisted. Once y'all making to a

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<v Speaker 1>certain extent, then y'all all accept each other. But like

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<v Speaker 1>when I'm coming up level, it just felt like Mike

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<v Speaker 1>apps on here and there was a um, what's my man?

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<v Speaker 1>Red brown man? Mike thought going in one man, and

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<v Speaker 1>it's like, is it is it like that? Like is

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<v Speaker 1>it hazing going on? MC? Yeah, but I don't want

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<v Speaker 1>to know about the comedy world drawing a parallel. Okay, right,

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<v Speaker 1>you know what it's like to have an m C

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<v Speaker 1>who's hungry when you already made it. You already norry

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<v Speaker 1>and MC like yoke man. Let me just listen to

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<v Speaker 1>my ship. You make the funk out of here? Yeah,

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<v Speaker 1>you gotta do so. With comedians is kind of it's

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<v Speaker 1>the same thing. It's a big brother little brother energy.

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<v Speaker 1>You know what comedians is ettle. I'm gonna tell you

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<v Speaker 1>why it's ella because y'all have the right to see

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<v Speaker 1>you some foul ship like y'all can say, man, I

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<v Speaker 1>don't even with you, and like you can that could

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<v Speaker 1>be truthful, but it comes back. It's a comedian like

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<v Speaker 1>y'all can get away with that ship. Yeah. But but

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<v Speaker 1>again it's there's always gonna be a rights to passage

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<v Speaker 1>with anything you're doing. Right, there's gonna be hungry comedians

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<v Speaker 1>just trying to be funny all the time. We stand

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<v Speaker 1>around talking to girls and then they can trying to

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<v Speaker 1>do his whole set in front of you. You're gonna

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<v Speaker 1>treat them, You're gonna addicted that a little bit, right,

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<v Speaker 1>But it depends on the comedian. Like some O g s,

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<v Speaker 1>some some of the guys that have made it, but

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<v Speaker 1>they might be a little bitter because they feel like

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<v Speaker 1>they haven't gotten a certain level of whatever that is.

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<v Speaker 1>They become bitter and now they're addict to everybody, not

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<v Speaker 1>just younger comedians. So there's there's always uh, just depends

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<v Speaker 1>on who it is. It's like it's like the older guys,

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<v Speaker 1>remember we spoke about it. The older guys used to

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<v Speaker 1>always give us a hard time. It used to be

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<v Speaker 1>like they're the real hip hop, we're the fake. And

0:12:13.840 --> 0:12:15.480
<v Speaker 1>then now we're probably saying that to the to the

0:12:15.480 --> 0:12:17.599
<v Speaker 1>younger generation. So now it was a part. It was

0:12:17.640 --> 0:12:20.640
<v Speaker 1>a time Kevin Hart, right, Kevin Hark got caught in

0:12:20.640 --> 0:12:25.240
<v Speaker 1>the scandal whatever whatever um and most comedians did not

0:12:25.240 --> 0:12:28.280
<v Speaker 1>attack him at all. Right, most comedians like, hey man,

0:12:28.280 --> 0:12:31.000
<v Speaker 1>it happens. But then it was Michael Blacksman, Right, Michael

0:12:31.000 --> 0:12:33.840
<v Speaker 1>Blacksman comes out and he's just going at him, and

0:12:33.920 --> 0:12:36.680
<v Speaker 1>everyone is kind of saying he went too far or

0:12:37.000 --> 0:12:40.079
<v Speaker 1>it's too soon. Isn't ever for a comedian? Isn't ever

0:12:40.160 --> 0:12:42.640
<v Speaker 1>a place of going too far? And there's the ever

0:12:42.960 --> 0:12:45.600
<v Speaker 1>too soon? I know it's two part question. No for sure,

0:12:45.720 --> 0:12:48.439
<v Speaker 1>too soon? For sure? I think too soon, too far

0:12:48.600 --> 0:12:52.280
<v Speaker 1>and also too familiar if you know the person like

0:12:52.320 --> 0:12:55.320
<v Speaker 1>if that's my mids and yeah, I'm not I'm not

0:12:55.679 --> 0:12:58.280
<v Speaker 1>I'm not going at him. I'm just I'm gonna I'm

0:12:58.280 --> 0:13:01.040
<v Speaker 1>gonna just leave it alone. I'm gonna keep it really tame,

0:13:01.400 --> 0:13:02.800
<v Speaker 1>you know what I'm saying. So I don't think so.

0:13:03.080 --> 0:13:08.320
<v Speaker 1>But how about too soon? Yeah? Both too soon? Um,

0:13:08.360 --> 0:13:10.920
<v Speaker 1>anytime there's like you know, a death or something like that, Yeah,

0:13:10.960 --> 0:13:14.679
<v Speaker 1>there's too soon. There's too far. There's talking about you know,

0:13:15.760 --> 0:13:19.240
<v Speaker 1>religious beliefs, there's there's there's again to each their own.

0:13:19.360 --> 0:13:22.040
<v Speaker 1>Some people don't give a funk and they talk about whatever.

0:13:22.679 --> 0:13:25.240
<v Speaker 1>You know, is that what that's that a comedian's rule.

0:13:25.280 --> 0:13:27.280
<v Speaker 1>It's just that if it's funny I have to talk

0:13:27.320 --> 0:13:30.800
<v Speaker 1>about It depends on the person, you know what I'm saying.

0:13:30.800 --> 0:13:32.760
<v Speaker 1>So you you you saying you have there's a there's

0:13:32.760 --> 0:13:35.840
<v Speaker 1>a there's a tactful way to be funny. I believe

0:13:36.440 --> 0:13:39.120
<v Speaker 1>there's a tactful way, and then there's a mean I

0:13:39.160 --> 0:13:41.320
<v Speaker 1>just don't give a funk about your soul kind of well,

0:13:41.920 --> 0:13:44.839
<v Speaker 1>you know what I'm saying, Like human, Yeah, like if

0:13:44.840 --> 0:13:47.320
<v Speaker 1>somebody lost a daughter, a little girl, Like why would

0:13:47.320 --> 0:13:50.960
<v Speaker 1>someone come around and joke about that a comedian like ever,

0:13:51.240 --> 0:13:54.080
<v Speaker 1>not even just two weeks later, but ever, why would

0:13:54.120 --> 0:13:56.360
<v Speaker 1>you joke It's just funny. It's never fun It's never

0:13:56.360 --> 0:13:59.240
<v Speaker 1>funny that someone lost that that little girl. So for me,

0:13:59.320 --> 0:14:01.440
<v Speaker 1>there's there's a ways boundaries to this ship. I feel

0:14:01.440 --> 0:14:04.040
<v Speaker 1>like you look at the living color and and and

0:14:05.440 --> 0:14:09.640
<v Speaker 1>the the boundaries that they set like they were they

0:14:09.640 --> 0:14:12.679
<v Speaker 1>were still tactful, they were edgy fire marks, but there

0:14:12.679 --> 0:14:15.040
<v Speaker 1>were certain things. Yeah, there's certain things that they just

0:14:15.160 --> 0:14:17.520
<v Speaker 1>they relied on their skill as opposed to I'm gonna

0:14:17.520 --> 0:14:19.880
<v Speaker 1>just say mean dirty ship and try to get a

0:14:19.920 --> 0:14:22.880
<v Speaker 1>reaction out of people, you know what I mean. There's

0:14:22.920 --> 0:14:25.840
<v Speaker 1>a craft to it. Yeah, yeah, I could see that,

0:14:26.400 --> 0:14:29.040
<v Speaker 1>But I also agree with comedians when they there's no

0:14:29.080 --> 0:14:31.560
<v Speaker 1>whole bars neither, like like like for the first time

0:14:31.640 --> 0:14:34.560
<v Speaker 1>and place for it, like like at first, joking about

0:14:34.600 --> 0:14:37.680
<v Speaker 1>COVID was like funked up, but now joking about COVID

0:14:37.760 --> 0:14:40.160
<v Speaker 1>is like I want to head the jokes like. And

0:14:40.160 --> 0:14:42.280
<v Speaker 1>there's a lot of people who have been affected by COVID,

0:14:42.280 --> 0:14:45.040
<v Speaker 1>as people who passed away from COVID, but still at

0:14:45.080 --> 0:14:47.560
<v Speaker 1>all I think that I look for comediens to make

0:14:48.240 --> 0:14:53.680
<v Speaker 1>something beautiful out a whole ten minutes on COVID. Yeah, yeah, okay,

0:14:53.800 --> 0:14:57.400
<v Speaker 1>because there's so much misinformation, and you know, there's people

0:14:57.440 --> 0:15:00.000
<v Speaker 1>that got COVID and was at the party and still

0:15:00.000 --> 0:15:02.400
<v Speaker 1>it was all right. I just got them to see

0:15:02.400 --> 0:15:06.440
<v Speaker 1>you up or whatever and they survived and then it's

0:15:06.480 --> 0:15:11.280
<v Speaker 1>called atlantic. But yeah, it's so much misinformation, and so

0:15:11.760 --> 0:15:15.920
<v Speaker 1>the deaths that are associated with COVID don't feel as

0:15:15.960 --> 0:15:18.960
<v Speaker 1>direct unless you know somebody in your family personally that

0:15:18.960 --> 0:15:22.800
<v Speaker 1>that got affected by it. But I mean, we police

0:15:22.920 --> 0:15:25.440
<v Speaker 1>killed niggers in the street, and that's that's a real thing.

0:15:25.480 --> 0:15:28.080
<v Speaker 1>But there's still some humor that could be made out

0:15:28.080 --> 0:15:31.200
<v Speaker 1>of that towards the cops. What I'm saying towards the reasons.

0:15:31.240 --> 0:15:36.120
<v Speaker 1>So what do you think about the vaccine? M hmm.

0:15:37.600 --> 0:15:43.360
<v Speaker 1>My thing is, um, I've never seen the flu vaccine

0:15:43.440 --> 0:15:48.760
<v Speaker 1>or any other vaccine. So you see the commercial the

0:15:48.840 --> 0:15:51.400
<v Speaker 1>other day, Homeboy had the white shirt on that I'm

0:15:51.440 --> 0:15:55.000
<v Speaker 1>a hustler and what I gotta do. I gotta be

0:15:55.040 --> 0:15:58.520
<v Speaker 1>out there. I'm an entrepreneur. Ism commerciers were weird. But

0:15:58.560 --> 0:16:01.200
<v Speaker 1>the argument could be made that because the hustle don't

0:16:01.240 --> 0:16:03.160
<v Speaker 1>know what I'm saying, but because how bad ship is

0:16:03.200 --> 0:16:05.480
<v Speaker 1>and how many deaths, it has to be pushed. But

0:16:05.520 --> 0:16:08.080
<v Speaker 1>the way that it's marketed it like they're marketing the album.

0:16:09.440 --> 0:16:12.040
<v Speaker 1>It's just weird. You know. It would be funny to

0:16:12.080 --> 0:16:14.400
<v Speaker 1>me because I always have friends that's close to black,

0:16:14.760 --> 0:16:17.000
<v Speaker 1>next to black, and they always be like, how you

0:16:17.040 --> 0:16:18.960
<v Speaker 1>know I'm you know, I'm black, I'm black. I'm black.

0:16:19.160 --> 0:16:21.400
<v Speaker 1>But when they came time for the vaccine, they was

0:16:21.440 --> 0:16:24.280
<v Speaker 1>not black at all, like they actually went. It was

0:16:24.320 --> 0:16:27.000
<v Speaker 1>the first people in line to get that vaccine. If

0:16:27.000 --> 0:16:29.080
<v Speaker 1>you if you identify and you were late to black

0:16:29.120 --> 0:16:31.280
<v Speaker 1>people in the black struggle, you know that we're not

0:16:31.720 --> 0:16:34.920
<v Speaker 1>We're not cool with no vaccines. It's never worked out

0:16:35.000 --> 0:16:38.040
<v Speaker 1>for us, So for them to market and direct and

0:16:38.080 --> 0:16:41.480
<v Speaker 1>have ads towards us getting it, it's you got. You

0:16:41.800 --> 0:16:45.480
<v Speaker 1>can't knock us for being a skeptical deal thousands pent

0:16:46.240 --> 0:16:49.960
<v Speaker 1>I landed in Baltimore one time and uh got crab legs.

0:16:50.480 --> 0:16:55.640
<v Speaker 1>Nah Okay, I heard a commercial what it was offering

0:16:56.720 --> 0:16:58.640
<v Speaker 1>for black people to come down and have the vaccine

0:16:58.640 --> 0:17:00.200
<v Speaker 1>tested on them. This is when they weren't even sure

0:17:00.240 --> 0:17:03.080
<v Speaker 1>what it was gonna do. This sounds like the kezy Sperriman,

0:17:03.160 --> 0:17:05.919
<v Speaker 1>That's what I'm saying. Something like I've never seen a

0:17:06.000 --> 0:17:09.400
<v Speaker 1>push offered meals, drinks if you got the vacone kind

0:17:09.400 --> 0:17:12.760
<v Speaker 1>of crazy getting Shade Stadium for free everything that they

0:17:12.760 --> 0:17:15.280
<v Speaker 1>had a whole section in Massater Square Garden for the verses.

0:17:15.600 --> 0:17:19.639
<v Speaker 1>There's vaccinated people, so like my folk's getting vaccinated just

0:17:19.640 --> 0:17:22.919
<v Speaker 1>to go in the garden. They're trying to make it sexy.

0:17:23.040 --> 0:17:25.080
<v Speaker 1>Yeah yeah, yeah, yeah, Like I got that VACS man,

0:17:26.480 --> 0:17:29.760
<v Speaker 1>I got that VACS that. But you know what's up

0:17:29.760 --> 0:17:31.680
<v Speaker 1>about the VACS card. The hood is always going to

0:17:31.720 --> 0:17:33.399
<v Speaker 1>figure out a way to bootleg it. They already have,

0:17:39.800 --> 0:17:43.159
<v Speaker 1>especially when they're not really checking the you know, dential.

0:17:43.240 --> 0:17:45.320
<v Speaker 1>It's just you gotta flash it and getting a restaurant

0:17:45.400 --> 0:17:49.080
<v Speaker 1>or something. Who ain't gonna bootleg that by any means necessary.

0:17:49.160 --> 0:17:51.360
<v Speaker 1>Now I picked up fulage of you at the Apollo.

0:17:51.520 --> 0:17:55.800
<v Speaker 1>What the funny ship was? It wasn't you performing comedy?

0:17:56.800 --> 0:17:59.720
<v Speaker 1>You was a part of a three twin group. Yeah,

0:18:00.320 --> 0:18:04.399
<v Speaker 1>twin flex the two twins and me. Yeah, y'all was

0:18:04.440 --> 0:18:06.480
<v Speaker 1>like the kid and play without the kid and play.

0:18:06.640 --> 0:18:10.119
<v Speaker 1>We were we We were not kidding or planes was

0:18:10.160 --> 0:18:14.919
<v Speaker 1>getting there. Yeah, this is before us, this before I

0:18:14.920 --> 0:18:16.359
<v Speaker 1>even did stand up. I thought I was gonna be

0:18:16.359 --> 0:18:20.720
<v Speaker 1>a dancer. Really yeah, but that was after all of that.

0:18:21.280 --> 0:18:22.679
<v Speaker 1>This is the first one. This is that was my

0:18:22.800 --> 0:18:26.080
<v Speaker 1>first like TV appearance as a dancer as opposed to

0:18:26.119 --> 0:18:27.879
<v Speaker 1>like the local shows and a bill like you know

0:18:28.320 --> 0:18:31.480
<v Speaker 1>or you dancing the little green screen local TV shows

0:18:31.560 --> 0:18:36.439
<v Speaker 1>and yeah exactly. Um, but now that was when I

0:18:36.480 --> 0:18:39.520
<v Speaker 1>was on my dance ship and I thought I was

0:18:39.560 --> 0:18:41.919
<v Speaker 1>gonna be a dancer, like full time? Do you did you?

0:18:41.960 --> 0:18:43.480
<v Speaker 1>Did you think he was gonna get bulled off? Or

0:18:43.480 --> 0:18:45.800
<v Speaker 1>you knew you had it? We kind of knew we

0:18:45.840 --> 0:18:48.200
<v Speaker 1>had it. Because before you get on the air with Apolo,

0:18:48.760 --> 0:18:54.200
<v Speaker 1>you have to do a Wednesday night there that's not televised. Yeah,

0:18:54.280 --> 0:18:56.960
<v Speaker 1>just go up and perform in front of Apollo crowd.

0:18:57.160 --> 0:18:58.959
<v Speaker 1>And we rocked it, you know what I'm saying. So

0:18:59.080 --> 0:19:01.920
<v Speaker 1>we we just we had cocky energy with that ship.

0:19:02.320 --> 0:19:04.719
<v Speaker 1>Three y'all from North Carolina. Yeah, okay, no North Carolina

0:19:04.920 --> 0:19:06.640
<v Speaker 1>because it wasn't that school to go to this big

0:19:06.680 --> 0:19:11.040
<v Speaker 1>city at the time, it was, I mean, it was terrified,

0:19:11.680 --> 0:19:13.280
<v Speaker 1>you know. And then Steve Harvey with his big gass

0:19:13.320 --> 0:19:23.840
<v Speaker 1>suit came out. Now, three y'all, no Carolina, what's your name? Okay,

0:19:25.960 --> 0:19:29.880
<v Speaker 1>so yeah, get up there. If Steve was doing this thing,

0:19:29.880 --> 0:19:32.200
<v Speaker 1>and this is early Steve, he wasn't even the main

0:19:32.240 --> 0:19:34.240
<v Speaker 1>host at the time. Mark Perry was the main host

0:19:34.280 --> 0:19:36.680
<v Speaker 1>of the show. Like his hair was real, like it

0:19:36.720 --> 0:19:38.560
<v Speaker 1>wasn't packed up that it was. That was you see

0:19:38.560 --> 0:19:41.840
<v Speaker 1>the funny Okay, it wasn't that. It was it was

0:19:41.840 --> 0:19:48.760
<v Speaker 1>a little glow when he turned, when he turned when

0:19:49.920 --> 0:19:51.800
<v Speaker 1>like like right here he was quit Maine, right here

0:19:51.880 --> 0:19:57.199
<v Speaker 1>he was to Yeah, so yeah, that was it was.

0:19:57.240 --> 0:19:59.240
<v Speaker 1>It was terrified, man, when was behind the curtain waiting

0:19:59.520 --> 0:20:02.000
<v Speaker 1>to rub the log and all that ship, I'm scared

0:20:02.040 --> 0:20:05.080
<v Speaker 1>of ship. God damn it. Man. Now when we looked

0:20:05.119 --> 0:20:07.400
<v Speaker 1>up your movie log. You want a lot of white people. Ship,

0:20:07.440 --> 0:20:12.000
<v Speaker 1>let's makes a noise for you. Come on, man, don't

0:20:12.080 --> 0:20:17.720
<v Speaker 1>chex cash every time? And you and haunted the house too. Yeah, okay, okay,

0:20:17.760 --> 0:20:20.199
<v Speaker 1>one and two were pulled up. Number two. That's a

0:20:20.240 --> 0:20:25.120
<v Speaker 1>black movie. That's a black Yeah, that's yeah, that's my guy. Man.

0:20:25.520 --> 0:20:27.000
<v Speaker 1>We get him high every time you come here, even

0:20:27.040 --> 0:20:28.920
<v Speaker 1>though you don't smoke. We just like to slip blow

0:20:29.000 --> 0:20:33.560
<v Speaker 1>the smoking and look, we got the the A C

0:20:33.800 --> 0:20:35.480
<v Speaker 1>right for you, but we usually make the A C

0:20:35.640 --> 0:20:46.360
<v Speaker 1>hottes have just stand there look like me. So what what? What?

0:20:45.600 --> 0:20:48.520
<v Speaker 1>What is it? Is it? What do you prefer more

0:20:48.560 --> 0:20:54.159
<v Speaker 1>movies or getting up on that stage? Movies? Movies? Yea? Why? Um?

0:20:54.200 --> 0:20:57.040
<v Speaker 1>I love them both. But for me, movies is the

0:20:58.080 --> 0:21:00.440
<v Speaker 1>it's a way that you can control what you're presenting

0:21:00.480 --> 0:21:03.600
<v Speaker 1>to the audience. You can you can like polish them it,

0:21:04.000 --> 0:21:07.919
<v Speaker 1>polish it, edited, rewrite it, and really get it to

0:21:08.080 --> 0:21:12.200
<v Speaker 1>your perfection. Um. So that's my preference. But I love

0:21:12.280 --> 0:21:14.280
<v Speaker 1>the stage. To the stage is you're in front of

0:21:14.359 --> 0:21:17.520
<v Speaker 1>real people and you're getting that real time reaction and

0:21:17.680 --> 0:21:22.560
<v Speaker 1>energy and so it's uh. But if I had my preference.

0:21:22.640 --> 0:21:26.720
<v Speaker 1>It's movies because with it and then I see your stage.

0:21:26.720 --> 0:21:29.280
<v Speaker 1>You had the black and the red like it was like, oh,

0:21:29.359 --> 0:21:35.439
<v Speaker 1>you watched the special. Okay it was leather, right, No,

0:21:35.560 --> 0:21:39.400
<v Speaker 1>it wasn't. It wasn't what I did because every comedian

0:21:39.440 --> 0:21:42.400
<v Speaker 1>does that because we pay how much, That's what I say.

0:21:42.520 --> 0:21:45.320
<v Speaker 1>I felt like it was the goat. So I came

0:21:45.320 --> 0:21:48.200
<v Speaker 1>out with a leather jacket on and took it off

0:21:48.240 --> 0:21:52.760
<v Speaker 1>before the music even stopped. Look about about performing. This

0:21:52.760 --> 0:21:57.760
<v Speaker 1>ship already sweat. So so every time a comedian wear leather,

0:21:57.920 --> 0:22:01.000
<v Speaker 1>is that that's Eddie And none of that's because there's

0:22:01.000 --> 0:22:03.240
<v Speaker 1>a clear Eddie had a purple suit on once and

0:22:03.240 --> 0:22:07.480
<v Speaker 1>then he had the red and then he had a

0:22:07.560 --> 0:22:10.960
<v Speaker 1>purple bluish joint in rule. Yeah, that's when he get

0:22:11.080 --> 0:22:12.719
<v Speaker 1>That's when he was You could tell because he had

0:22:12.720 --> 0:22:14.320
<v Speaker 1>a scarf on and all that he got he was

0:22:14.320 --> 0:22:20.959
<v Speaker 1>getting a little. Yeah, he had a diamond ring. Outside

0:22:21.000 --> 0:22:23.879
<v Speaker 1>the Love of Black Gloves. You saw that. It was

0:22:23.960 --> 0:22:34.000
<v Speaker 1>different money. Let me tell you. Let me tell you this, right,

0:22:34.400 --> 0:22:36.000
<v Speaker 1>Kevin Hart is good from him. I know Kevin Hat

0:22:36.040 --> 0:22:38.880
<v Speaker 1>is good from you. Guys have some hilarious moments, especially

0:22:38.880 --> 0:22:40.880
<v Speaker 1>on the ground We're gonna bring that up a little later.

0:22:42.400 --> 0:22:46.160
<v Speaker 1>I love Kevin harts One. I love what it represents,

0:22:46.200 --> 0:22:49.159
<v Speaker 1>what it stands for. The only thing I'm saying is

0:22:49.240 --> 0:22:51.959
<v Speaker 1>I've never seen a run like Eddie Murphy. And what

0:22:52.000 --> 0:22:55.240
<v Speaker 1>I mean by that is I used to see people

0:22:55.359 --> 0:23:00.600
<v Speaker 1>go get rest to go to the movie to see

0:23:00.680 --> 0:23:02.959
<v Speaker 1>Eddie Murphy, like they were getting dressed as if they

0:23:02.960 --> 0:23:06.280
<v Speaker 1>were in the damn movie. Like. I used to see

0:23:06.359 --> 0:23:09.600
<v Speaker 1>lines around the court like corner like. When Eddie Murphy

0:23:09.680 --> 0:23:13.440
<v Speaker 1>movie dropped, it was like Christmas almost. I had never

0:23:13.520 --> 0:23:16.320
<v Speaker 1>seen nothing like that before that. And since I wasn't

0:23:16.320 --> 0:23:19.520
<v Speaker 1>really around for the Richard prior days, me either. So

0:23:19.680 --> 0:23:22.000
<v Speaker 1>what what didn't you were supposed to play? Probably we

0:23:22.040 --> 0:23:25.000
<v Speaker 1>get you that. I think he should come goddamn it.

0:23:25.320 --> 0:23:31.800
<v Speaker 1>But yeah, so what did you see Eddie's running when

0:23:31.840 --> 0:23:34.679
<v Speaker 1>it was so at the height I see, I'm like you.

0:23:34.760 --> 0:23:37.199
<v Speaker 1>I came up during the Eddie era, so that was

0:23:37.400 --> 0:23:39.159
<v Speaker 1>he was the hero. He's the guy, you know what

0:23:39.160 --> 0:23:41.679
<v Speaker 1>I mean? I think. But the difference with Eddie and

0:23:41.680 --> 0:23:46.680
<v Speaker 1>everybody else is no one has ever seen what Eddie did.

0:23:47.280 --> 0:23:49.280
<v Speaker 1>Eddie was the first to do a lot of ship

0:23:49.920 --> 0:23:52.720
<v Speaker 1>you know what I mean? Even though he patterned himself

0:23:52.760 --> 0:23:55.639
<v Speaker 1>after Richard, he just took it. He took it a

0:23:55.640 --> 0:23:59.440
<v Speaker 1>different place, the same way Michael Jordan's uh patterns of

0:23:59.440 --> 0:24:02.680
<v Speaker 1>about the doctor j Dr J Nasty on the dunks.

0:24:03.200 --> 0:24:05.960
<v Speaker 1>Jordans just put a lot more extra flare into what

0:24:06.040 --> 0:24:08.280
<v Speaker 1>he did. So I feel like Eddie was that guy

0:24:08.359 --> 0:24:11.720
<v Speaker 1>with the versatility with the characters and the movies and

0:24:11.760 --> 0:24:15.080
<v Speaker 1>all that kind of ship. So you know, Kevin gets

0:24:15.160 --> 0:24:18.680
<v Speaker 1>compared because he's hasting, so he gets compared to Eddie

0:24:18.680 --> 0:24:20.480
<v Speaker 1>all the time. But the difference between Kevin and Eddie

0:24:20.680 --> 0:24:24.600
<v Speaker 1>is Kevin. By the time we see Kevin's success, we've

0:24:24.640 --> 0:24:29.320
<v Speaker 1>already seen Eddie and Martin and the Wayne's family, so

0:24:29.359 --> 0:24:33.399
<v Speaker 1>we have so many people before. But when Eddie broke,

0:24:33.840 --> 0:24:36.440
<v Speaker 1>there was no one doing it like Eddie. That rock

0:24:36.560 --> 0:24:41.080
<v Speaker 1>starship in the eighties, leaping over white people and having

0:24:41.440 --> 0:24:44.639
<v Speaker 1>box office success, hanging out with Rick James, hanging out

0:24:44.680 --> 0:24:48.639
<v Speaker 1>with Rip James, all that music career everything. My girl

0:24:48.880 --> 0:24:53.760
<v Speaker 1>just fun to party all that time, party, party all

0:24:53.800 --> 0:25:03.440
<v Speaker 1>the time. I was saying, That's what I'm trying to

0:25:03.440 --> 0:25:07.600
<v Speaker 1>say in the videos. In the video James, you could

0:25:07.600 --> 0:25:09.720
<v Speaker 1>just picture there was a lot of cocaine in background.

0:25:09.880 --> 0:25:16.800
<v Speaker 1>There was a whole bunch of y um but Kevin.

0:25:16.960 --> 0:25:18.960
<v Speaker 1>You know, I get I get mad sometimes when I

0:25:19.000 --> 0:25:23.199
<v Speaker 1>go on the clubhouses and I go on um, you know,

0:25:23.240 --> 0:25:25.360
<v Speaker 1>Twitter and things like that, and they have trending topics

0:25:25.400 --> 0:25:28.800
<v Speaker 1>like Kevin Hart ain't funny. I can't. I don't understand that.

0:25:28.920 --> 0:25:30.800
<v Speaker 1>I went into a room like that one time with

0:25:31.160 --> 0:25:34.159
<v Speaker 1>they said Tiffany Hatch ain't funny. And normally what that

0:25:34.280 --> 0:25:36.160
<v Speaker 1>is is trolls. So when I went in that room,

0:25:36.440 --> 0:25:40.919
<v Speaker 1>she jumped in into and about. She stayed in for

0:25:40.920 --> 0:25:44.320
<v Speaker 1>about an hour, but I spent about ten minutes telling them, niggas,

0:25:44.760 --> 0:25:47.440
<v Speaker 1>don't do that corny ship. You know what I'm saying,

0:25:47.440 --> 0:25:50.000
<v Speaker 1>because no matter if you affect five people, the people

0:25:51.000 --> 0:25:54.520
<v Speaker 1>I don't just winning then started screaming, Okay, look man,

0:25:55.080 --> 0:25:56.680
<v Speaker 1>y'all here doing this troll ship. It was like, no,

0:25:56.800 --> 0:25:58.399
<v Speaker 1>we just wanted to get her in here so we

0:25:58.440 --> 0:26:00.760
<v Speaker 1>could talk to her about some issue was over in

0:26:00.760 --> 0:26:04.840
<v Speaker 1>in Africa. All right, cool, fuck, I get that right,

0:26:05.520 --> 0:26:09.119
<v Speaker 1>But to go and say someone's not funny, to go

0:26:09.160 --> 0:26:12.040
<v Speaker 1>against to post something against their livelihood. Black people always

0:26:12.040 --> 0:26:13.840
<v Speaker 1>talking about we don't have enough and we don't have this,

0:26:13.840 --> 0:26:15.879
<v Speaker 1>but we're the first people to do some dumbship like

0:26:15.920 --> 0:26:18.480
<v Speaker 1>that to troll each other. So you're gonna potentially take

0:26:18.600 --> 0:26:22.240
<v Speaker 1>money out this lady's pocket and food off our table

0:26:22.400 --> 0:26:24.919
<v Speaker 1>because you want to get a room started. So I

0:26:24.960 --> 0:26:27.520
<v Speaker 1>was just barking about that kind of ship, like guess

0:26:28.160 --> 0:26:32.280
<v Speaker 1>to Kevin, to whoever, I do on'tly really see Kevin.

0:26:32.280 --> 0:26:34.040
<v Speaker 1>I've never seen the Tiffany how to stay. I think

0:26:34.080 --> 0:26:36.440
<v Speaker 1>Tiffany islas I think Kevin is that. I think every

0:26:36.520 --> 0:26:39.320
<v Speaker 1>comedian is great for their own rights. Yeah, everybody got

0:26:39.320 --> 0:26:44.040
<v Speaker 1>a lane. Everybody's eat didn't get there by accident, And

0:26:44.200 --> 0:26:48.720
<v Speaker 1>like to tell the truth, I think the only thing

0:26:48.840 --> 0:26:52.199
<v Speaker 1>getting on harder from the bottom and happen to get

0:26:52.240 --> 0:26:54.480
<v Speaker 1>all the way to the top is comedian ship. When

0:26:54.480 --> 0:26:57.119
<v Speaker 1>you hear, like the growing up stories, people getting a

0:26:57.160 --> 0:26:59.840
<v Speaker 1>hundred dollars a night and then happen to wait, like

0:27:00.000 --> 0:27:01.400
<v Speaker 1>you know, to the end of the night to get

0:27:01.440 --> 0:27:04.960
<v Speaker 1>ten minutes or two minutes on the stage get oh yeah,

0:27:05.040 --> 0:27:09.200
<v Speaker 1>like a big, bigger comedian or coming, and they're like, yo, yeah,

0:27:09.280 --> 0:27:12.040
<v Speaker 1>you can't like that. That to me, that's like almost

0:27:12.119 --> 0:27:14.920
<v Speaker 1>maybe a little rougher than hip hopably got the chickling

0:27:15.000 --> 0:27:18.880
<v Speaker 1>circuit in hip hop, which is pretty fine, but commedian.

0:27:18.880 --> 0:27:22.760
<v Speaker 1>So in order to be somebody in the comedian comedic world,

0:27:22.960 --> 0:27:24.399
<v Speaker 1>you gotta go through this. This is no one who

0:27:24.480 --> 0:27:27.359
<v Speaker 1>just comes out and just gets It's le let me

0:27:27.440 --> 0:27:31.359
<v Speaker 1>change this question, because there is some comedians who just

0:27:31.400 --> 0:27:35.560
<v Speaker 1>get on Instagram get some followers. Are they considered the

0:27:35.600 --> 0:27:40.920
<v Speaker 1>comedian or they considered Instagram funny. That's a that's a

0:27:40.920 --> 0:27:42.880
<v Speaker 1>a big debate that that's been going on for years.

0:27:42.920 --> 0:27:45.840
<v Speaker 1>Now here's what I say to that, and I always

0:27:45.920 --> 0:27:49.200
<v Speaker 1>drew a parallel, So just bear with me, Um Jesus

0:27:49.200 --> 0:27:52.960
<v Speaker 1>smoking parallels exactly. Come on, now, I'm on point. Let's

0:27:53.119 --> 0:27:56.040
<v Speaker 1>getting your work, Okay, let me get some by um.

0:27:56.040 --> 0:27:59.400
<v Speaker 1>When it comes to comedians, and I think, no matter

0:27:59.440 --> 0:28:03.159
<v Speaker 1>the platform them you use, although they may not be

0:28:03.240 --> 0:28:06.879
<v Speaker 1>traditional stand up comedians with that title, if you on

0:28:07.040 --> 0:28:09.199
<v Speaker 1>the on the Gram or on social media and you

0:28:09.320 --> 0:28:12.639
<v Speaker 1>have funny ship and you're funny to me, you're funny.

0:28:13.320 --> 0:28:15.880
<v Speaker 1>You may not be labeled a comedian, but you're funniest, right.

0:28:16.080 --> 0:28:18.040
<v Speaker 1>But I draw a parallel of hip hop in the

0:28:18.119 --> 0:28:22.240
<v Speaker 1>seventies when when rap first started, the bands of the

0:28:22.280 --> 0:28:24.520
<v Speaker 1>seventies was mad As ship, and they were like, oh,

0:28:24.560 --> 0:28:27.480
<v Speaker 1>they're not doing it right. They're taking eye music and

0:28:27.560 --> 0:28:31.240
<v Speaker 1>just saying they're bullshit over it. That's not real music.

0:28:31.920 --> 0:28:33.639
<v Speaker 1>It's a fat it's not gonna be around for a

0:28:33.680 --> 0:28:35.720
<v Speaker 1>long time. We said the same ship about some of

0:28:35.720 --> 0:28:40.360
<v Speaker 1>these TikTokers and some of these uh snapchatters and instagram

0:28:40.360 --> 0:28:45.959
<v Speaker 1>people anders YouTubers. If you're funny, you're funny. I use

0:28:46.040 --> 0:28:50.000
<v Speaker 1>all platforms because I could do it though, So my

0:28:50.080 --> 0:28:52.520
<v Speaker 1>thing is, if you're funny, you funny. But if the

0:28:52.600 --> 0:28:55.479
<v Speaker 1>platforms are available, use all of that ship. You know,

0:28:55.680 --> 0:28:58.760
<v Speaker 1>hip hop is a billion dollar industry now because if

0:28:58.800 --> 0:29:00.640
<v Speaker 1>if they would have listened to the ends back then

0:29:00.680 --> 0:29:03.320
<v Speaker 1>and gave up, we wouldn't have you, We wouldn't have

0:29:03.760 --> 0:29:05.560
<v Speaker 1>nobody know what I'm saying, jay Z Now, we wouldn't

0:29:05.600 --> 0:29:08.040
<v Speaker 1>have none of that ship. So I don't I don't

0:29:08.080 --> 0:29:09.480
<v Speaker 1>sit back and be like, now this person is not

0:29:09.520 --> 0:29:11.600
<v Speaker 1>a comedian or knocked the hustle or whatever. I jump

0:29:11.600 --> 0:29:13.840
<v Speaker 1>in the collab video with him, gonna do whatever if

0:29:13.880 --> 0:29:15.280
<v Speaker 1>if they if they're nice with it, because I guess

0:29:15.320 --> 0:29:17.280
<v Speaker 1>what they're saying. There's some some some of these guys

0:29:17.440 --> 0:29:19.680
<v Speaker 1>on Instagram they're just funny on Instagram and you put

0:29:19.720 --> 0:29:22.400
<v Speaker 1>them in a live show, live show people. Oh no,

0:29:22.480 --> 0:29:24.719
<v Speaker 1>that happens though, Like you gotta know what your lane is.

0:29:25.000 --> 0:29:27.600
<v Speaker 1>If you're not about that, don't jump on the goddamn stage.

0:29:27.600 --> 0:29:32.400
<v Speaker 1>You're gonna get your ass a right they real, I'm sure,

0:29:33.920 --> 0:29:38.880
<v Speaker 1>don't do it? Have you have you seen that? We're seen? Yes,

0:29:39.560 --> 0:29:44.840
<v Speaker 1>my boy Brandon Lewis, we talked about this. Yeah, you know,

0:29:45.120 --> 0:29:53.800
<v Speaker 1>like because we talked about all the time. And there's

0:29:53.840 --> 0:29:55.760
<v Speaker 1>comedians that be like, yo' I'm gonna stage time. Let

0:29:55.800 --> 0:29:58.000
<v Speaker 1>me get on. Let me open up for you, all right.

0:29:59.080 --> 0:30:01.480
<v Speaker 1>Every city I go too, I don't. I don't shun

0:30:01.600 --> 0:30:03.560
<v Speaker 1>no young comedians and they'll be like, oh, let me

0:30:03.840 --> 0:30:06.720
<v Speaker 1>let me go on stage tonight, Like I'm ready, all right.

0:30:07.200 --> 0:30:10.840
<v Speaker 1>There's only been once that that somebody was like nice

0:30:10.880 --> 0:30:13.280
<v Speaker 1>with it on the spot about that life, about that life.

0:30:13.440 --> 0:30:16.960
<v Speaker 1>Was his name, what's his name down in Jacksonville, Florida.

0:30:18.080 --> 0:30:23.840
<v Speaker 1>I forget it's out Florida, little Duvall das alleged, Das Allegend.

0:30:24.760 --> 0:30:27.000
<v Speaker 1>I forget his name. But anyway, he was funny. It

0:30:27.080 --> 0:30:31.280
<v Speaker 1>was funny. Everybody else ate it. Every other city It's

0:30:31.280 --> 0:30:34.320
<v Speaker 1>different when you're get in front of the audience. Man, audiences,

0:30:34.360 --> 0:30:36.880
<v Speaker 1>you could be funny as fun on your camera and

0:30:36.920 --> 0:30:39.640
<v Speaker 1>then your shower. When you're in front of people, you're

0:30:39.640 --> 0:30:42.760
<v Speaker 1>gonna freeze up and changes the rhythm and changes the stakes.

0:30:43.720 --> 0:30:46.560
<v Speaker 1>You ain't on your right foot, start making excuses. Oh man,

0:30:46.600 --> 0:30:48.360
<v Speaker 1>I just want to come up here and say with something. Y'all, man,

0:30:50.080 --> 0:30:56.840
<v Speaker 1>you don't mother an your mother's in the house. You're

0:30:56.880 --> 0:30:59.440
<v Speaker 1>trying to get that stinch of bad comedy off you.

0:31:00.040 --> 0:31:06.400
<v Speaker 1>Whatever you could fucking find. Anybody ever got shot trying

0:31:06.400 --> 0:31:11.640
<v Speaker 1>to relate to anything, anything, anybody ever came late, anybody

0:31:11.680 --> 0:31:16.680
<v Speaker 1>have a wake up. So when you see like the

0:31:16.800 --> 0:31:19.400
<v Speaker 1>transition from like like Chris Rock, like like, right, I

0:31:19.480 --> 0:31:27.160
<v Speaker 1>just seen Chris Rock Chris Rock, what I see? What transition? Okay,

0:31:27.360 --> 0:31:36.320
<v Speaker 1>fun out of transition ain't transition. I was always me, man, God,

0:31:36.640 --> 0:31:42.480
<v Speaker 1>I was always men always. Literally watched him in Chris

0:31:42.600 --> 0:31:47.760
<v Speaker 1>Rock Chris Rock. I literally watched Chris rocking Saul and

0:31:47.840 --> 0:31:50.520
<v Speaker 1>I was like, wow, Like he did a role where

0:31:50.560 --> 0:31:53.040
<v Speaker 1>he wasn't being funny that he was trying. He was

0:31:53.120 --> 0:31:55.720
<v Speaker 1>being real, real serious, and it was like at some

0:31:55.800 --> 0:31:58.000
<v Speaker 1>point I was like, oh, he's not a comedian in here.

0:31:58.280 --> 0:32:00.440
<v Speaker 1>I thought he was gonna take Saul That's what it

0:32:00.600 --> 0:32:04.720
<v Speaker 1>was like. It was he took a franchise. So I'm

0:32:04.760 --> 0:32:07.240
<v Speaker 1>thinking at some point it's gonna be funny and it's not.

0:32:07.320 --> 0:32:10.360
<v Speaker 1>It's Samuel Jackson and the serious is motherfucker. Like I'm like, oh,

0:32:10.800 --> 0:32:13.560
<v Speaker 1>this is not a comedy. I've never saw that, like

0:32:13.680 --> 0:32:16.960
<v Speaker 1>even no, no, they say the best actors are comedians first,

0:32:17.280 --> 0:32:18.960
<v Speaker 1>like Robin Williams. I think he was one of the

0:32:19.040 --> 0:32:23.440
<v Speaker 1>best actors. Yeah, Mrs Joe Will Hunting was my favorite

0:32:23.560 --> 0:32:27.080
<v Speaker 1>rock Williams performance. Yeah, I thot good Will Hunting. It's

0:32:27.120 --> 0:32:29.200
<v Speaker 1>been been after like negat no, but he's in. You

0:32:29.240 --> 0:32:38.000
<v Speaker 1>didn't see it after Adam Adam Dandon. Who Man, you

0:32:38.120 --> 0:32:47.800
<v Speaker 1>sound like the guy Matt David Matt Bender Man, Marry.

0:32:50.520 --> 0:32:55.160
<v Speaker 1>So why would you think that he said Kevin be

0:32:55.320 --> 0:32:58.200
<v Speaker 1>election election. You never heard that that comedians make some

0:32:58.280 --> 0:33:01.040
<v Speaker 1>of the best like dramatic actor, you know what it is.

0:33:01.400 --> 0:33:04.280
<v Speaker 1>I've never seen like Dave Chappelle sip into that. Yeah

0:33:04.320 --> 0:33:07.720
<v Speaker 1>he did. What are you talking about? Yeah exactly, Yeah,

0:33:07.920 --> 0:33:09.680
<v Speaker 1>you can tell them, nigga, Nick, I ain't watched that.

0:33:15.160 --> 0:33:18.040
<v Speaker 1>He only watched us. Okay, hold on, hold on, I

0:33:18.120 --> 0:33:20.320
<v Speaker 1>do that movie. You got guys in that movie. They

0:33:20.480 --> 0:33:23.240
<v Speaker 1>got guys in that movie. So you know what I'm saying.

0:33:24.560 --> 0:33:26.760
<v Speaker 1>So I'm a used pun fan by the way, speaking

0:33:26.760 --> 0:33:29.840
<v Speaker 1>with terrorist Okay, he was punch fan. Yeah that's my man.

0:33:30.520 --> 0:33:37.640
<v Speaker 1>I ran Tris with him. I heard a couple of

0:33:37.720 --> 0:33:44.080
<v Speaker 1>things together. Yeah. I never usually want to admit that,

0:33:44.160 --> 0:33:47.600
<v Speaker 1>but I went to his He has a big pun

0:33:48.280 --> 0:33:52.760
<v Speaker 1>um streets. Visit that up. You go visit that, go

0:33:52.960 --> 0:33:59.840
<v Speaker 1>visit that. So performing, how do you prepare for performing?

0:34:00.040 --> 0:34:05.400
<v Speaker 1>Do you do your fingerpop something something making me anything?

0:34:06.240 --> 0:34:10.719
<v Speaker 1>Maybe the night before. Now, I just get into the work,

0:34:10.760 --> 0:34:12.080
<v Speaker 1>the work that has to be done. You know what

0:34:12.120 --> 0:34:13.759
<v Speaker 1>I'm saying. If I'm doing stand up, I gotta go

0:34:13.960 --> 0:34:15.760
<v Speaker 1>over my set. I gotta make sure I know I'm

0:34:15.840 --> 0:34:20.000
<v Speaker 1>hitting my my beats, make sure my energies right. Because

0:34:20.040 --> 0:34:23.120
<v Speaker 1>I like to perform like sweat, you know what I'm saying,

0:34:23.160 --> 0:34:25.600
<v Speaker 1>Like I'm I like to give the audience a show,

0:34:25.840 --> 0:34:29.120
<v Speaker 1>come out with a rag everything Well, tow, I gotta

0:34:29.160 --> 0:34:33.440
<v Speaker 1>twent on stage. Yeah, I'm I go in um just

0:34:33.560 --> 0:34:35.680
<v Speaker 1>making sure I'm prepared and I know my ship. That's

0:34:35.800 --> 0:34:38.400
<v Speaker 1>that's how that's what it is when it's movies, TV.

0:34:39.920 --> 0:34:42.400
<v Speaker 1>Yourne no. No. But let's take a performing for a

0:34:42.440 --> 0:34:46.279
<v Speaker 1>little while, because performing is about timing. Oh yeah, because

0:34:46.280 --> 0:34:48.480
<v Speaker 1>you can say something. Now, let me ask you. I

0:34:48.560 --> 0:34:49.800
<v Speaker 1>want to get back to timing, but I want to

0:34:49.840 --> 0:34:51.960
<v Speaker 1>also ask you. Do you change your material based on

0:34:52.080 --> 0:34:53.880
<v Speaker 1>what you're going for him? Like, if you performing in

0:34:53.960 --> 0:34:55.719
<v Speaker 1>North Hollywood, you ain't can perform the same way at

0:34:55.760 --> 0:34:59.400
<v Speaker 1>South cent you right, you know you do. But you

0:34:59.800 --> 0:35:02.640
<v Speaker 1>you go to every every city and you have to

0:35:02.800 --> 0:35:06.400
<v Speaker 1>acknowledge the city in some way, you know. I mean,

0:35:06.400 --> 0:35:07.800
<v Speaker 1>you don't gotta spend a bunch of time on it,

0:35:08.280 --> 0:35:09.960
<v Speaker 1>but you do have to acknowledge the difference and that

0:35:10.040 --> 0:35:12.520
<v Speaker 1>you realize where you are and who you with, you

0:35:12.560 --> 0:35:14.240
<v Speaker 1>know what I'm saying. So like if you go to Seattle,

0:35:14.239 --> 0:35:16.520
<v Speaker 1>you gotta recognize they've got good coffee, you gotta talk

0:35:16.560 --> 0:35:19.160
<v Speaker 1>about whatever, or they got a lot of clouds and

0:35:19.520 --> 0:35:23.440
<v Speaker 1>raining over the time I'm saying fireworks. Yeah, so you

0:35:23.480 --> 0:35:25.520
<v Speaker 1>do save it up a little bit. You have to, okay,

0:35:26.000 --> 0:35:27.560
<v Speaker 1>I mean some people don't. Some people just go out

0:35:27.560 --> 0:35:31.239
<v Speaker 1>and just do this ship but I do. Okay, But

0:35:31.360 --> 0:35:33.640
<v Speaker 1>we got this segment of the show we called it's

0:35:33.640 --> 0:35:36.200
<v Speaker 1>called quick time with Slim. So usually when we do this,

0:35:36.520 --> 0:35:38.759
<v Speaker 1>it's the guests who take a shot, but me and

0:35:38.840 --> 0:35:40.440
<v Speaker 1>e fn Is gonna step up for you because he's

0:35:41.080 --> 0:35:44.359
<v Speaker 1>you're not drinking. Appreciate that his boy, But somebody needs

0:35:44.360 --> 0:35:49.719
<v Speaker 1>to drink. You want to drink from? Okay, let's happens

0:35:51.560 --> 0:35:55.919
<v Speaker 1>that you're killing me to take man Jesus Si, Okay,

0:35:56.440 --> 0:35:59.000
<v Speaker 1>I give me there. You gotta take a drink. You

0:35:59.120 --> 0:36:05.879
<v Speaker 1>want your boss thing, Mr Lee, Mr Lee? Come on right, yeah,

0:36:06.600 --> 0:36:11.680
<v Speaker 1>come on, Sonny, you want to drink from? Go on

0:36:11.760 --> 0:36:17.440
<v Speaker 1>some moonshine. That's how big that's that's what is in that.

0:36:20.920 --> 0:36:24.160
<v Speaker 1>I don't know. He turned your white in. That's hard.

0:36:24.320 --> 0:36:28.600
<v Speaker 1>That's hard from that on? Um yeah, alright cool. I

0:36:28.680 --> 0:36:31.480
<v Speaker 1>can smell that ship from Yeah, that's that's that's that's

0:36:31.520 --> 0:36:34.200
<v Speaker 1>what they say that from pro Berndy. That's like you're

0:36:34.239 --> 0:36:42.240
<v Speaker 1>definitely white. Pungent sings. What's your favorite movie coming to America?

0:36:43.440 --> 0:36:46.880
<v Speaker 1>Wait a minute now, because I don't want to. I

0:36:46.920 --> 0:36:49.680
<v Speaker 1>don't want to fight right now, we're not gonna fight.

0:36:49.760 --> 0:36:52.440
<v Speaker 1>How do you feel about part two? It's not part one.

0:36:54.239 --> 0:36:57.400
<v Speaker 1>I'm not listening, but listen, I'm I'm friends with the

0:36:57.480 --> 0:37:00.680
<v Speaker 1>Murphy family. I talked to us, talked to his brother

0:37:00.680 --> 0:37:03.920
<v Speaker 1>the other day. My personal feeling was they should have

0:37:03.960 --> 0:37:06.360
<v Speaker 1>never did a sequel. You should just never touched a classic.

0:37:06.440 --> 0:37:08.800
<v Speaker 1>That's that classic. You know what I'm saying. That's my

0:37:08.960 --> 0:37:12.399
<v Speaker 1>personal opinion. And Part two is not Part one. It's

0:37:12.480 --> 0:37:15.040
<v Speaker 1>it's for what it is, you know school. I love

0:37:15.120 --> 0:37:19.359
<v Speaker 1>Part two too, That's cool. I really really love part too.

0:37:20.160 --> 0:37:21.759
<v Speaker 1>Are you love part too? Yeah? I love part too.

0:37:22.080 --> 0:37:25.480
<v Speaker 1>Only seeing this whack is when the kids starts to rap,

0:37:25.560 --> 0:37:27.800
<v Speaker 1>Like what the fund is that? Like, what the what

0:37:27.880 --> 0:37:29.440
<v Speaker 1>the are you doing? Like? It was it was a

0:37:29.440 --> 0:37:32.279
<v Speaker 1>little that who wrote that the kids start rapping and

0:37:32.320 --> 0:37:35.640
<v Speaker 1>ship and they get married and they were doing and

0:37:35.840 --> 0:37:38.239
<v Speaker 1>get off or something. I don't know, the Pettiana Taylor.

0:37:38.280 --> 0:37:39.759
<v Speaker 1>It was just it was just that part was just

0:37:39.920 --> 0:37:43.120
<v Speaker 1>what's going on? Okay? So this is you picking one

0:37:43.320 --> 0:37:45.200
<v Speaker 1>or the other, or you pick both. We take a shot,

0:37:45.800 --> 0:37:48.319
<v Speaker 1>all right, or or neither or neither. We take a shot.

0:37:48.880 --> 0:37:55.520
<v Speaker 1>All you ready? Jay z or nas nas DMX A

0:37:55.560 --> 0:37:59.520
<v Speaker 1>two pop DMX. He's watching you too, in case you

0:37:59.560 --> 0:38:04.600
<v Speaker 1>don't know that, all right, Eddie Murphy or Richard Pry Eddie,

0:38:06.320 --> 0:38:14.560
<v Speaker 1>Chris Rockemar Allowance. I'm gonna take a shot of water.

0:38:16.400 --> 0:38:22.759
<v Speaker 1>Who's step it up? Look I was posting it, I

0:38:22.920 --> 0:38:24.600
<v Speaker 1>was coasting. But you know I'm gonna taking a shot,

0:38:25.360 --> 0:38:27.879
<v Speaker 1>my guys. Man, I don't know if I'm saving this ship,

0:38:28.800 --> 0:38:30.480
<v Speaker 1>if I'm sharing this. This is just that good ship

0:38:30.600 --> 0:38:40.319
<v Speaker 1>right here. Okay, it's that biggie baby, this ship. Yeah,

0:38:40.880 --> 0:38:43.560
<v Speaker 1>this ship. Put here in your chest, even though I

0:38:43.640 --> 0:38:48.759
<v Speaker 1>got too much already, y'all. You know, we don't know

0:38:48.800 --> 0:38:50.520
<v Speaker 1>if you know what our show was about giving our

0:38:50.600 --> 0:38:53.680
<v Speaker 1>legends day respect by they here. You deserve your flowers. Man.

0:38:54.760 --> 0:38:56.440
<v Speaker 1>We can't sing it with water. That's bad luck. But

0:38:56.520 --> 0:39:03.200
<v Speaker 1>we're going I do on puarter Veacan. I'm trinting that

0:39:03.320 --> 0:39:09.279
<v Speaker 1>in drink your shot, you're drinking on his bath. Yeah,

0:39:09.719 --> 0:39:12.920
<v Speaker 1>good looking out, okay. Mike Epps, Mike Epps or Chris

0:39:13.000 --> 0:39:17.000
<v Speaker 1>Tucker Mike Epps forty eight, I was a Beverly Hills cop.

0:39:18.200 --> 0:39:21.359
<v Speaker 1>Forty was Beverly Hills cop. Okay, Hollom Knights are coming

0:39:21.400 --> 0:39:27.640
<v Speaker 1>to America, first America. Why isn't there Hollom Knights too? Man?

0:39:28.320 --> 0:39:32.520
<v Speaker 1>I wish make that ship. No, no, no, no, no,

0:39:32.840 --> 0:39:35.160
<v Speaker 1>they should have made that movie maybe a year after

0:39:35.200 --> 0:39:36.840
<v Speaker 1>the first one, but not Hold On Knights Too. But

0:39:36.880 --> 0:39:39.000
<v Speaker 1>I've versioned up that. No, no, no, no, I'm talking

0:39:39.000 --> 0:39:44.360
<v Speaker 1>about Richard Eddie red Fox, the whole cast they should have.

0:39:44.719 --> 0:39:46.560
<v Speaker 1>I wanted to see that. I wanted to see where

0:39:46.600 --> 0:39:50.120
<v Speaker 1>they moved to after they they killed the mobsters off

0:39:50.160 --> 0:39:53.399
<v Speaker 1>and all that. Damn, that's a he got my whole ship.

0:39:55.920 --> 0:40:02.040
<v Speaker 1>Say Matt Damon, Macaul Damon, Michael Dammit made a new

0:40:02.120 --> 0:40:09.200
<v Speaker 1>nigga Okay, biggie, big punt Punt and Leving couple on

0:40:09.320 --> 0:40:12.799
<v Speaker 1>Mad TV. This is a whack one man. The Living

0:40:12.920 --> 0:40:16.200
<v Speaker 1>Color Man, come on, let me rephrase that. And Living

0:40:16.239 --> 0:40:21.320
<v Speaker 1>Color or Dave Chappelle Living Color. Much love to Chappelle

0:40:21.360 --> 0:40:23.560
<v Speaker 1>though like he would he would. I'm sure he was

0:40:23.600 --> 0:40:25.960
<v Speaker 1>influenced by the Living Color too. Okay Friday or house

0:40:26.040 --> 0:40:30.319
<v Speaker 1>party for me, House party because he would kid play,

0:40:31.200 --> 0:40:35.839
<v Speaker 1>Yeah what you did with your rock video. We're gonna

0:40:35.840 --> 0:40:39.759
<v Speaker 1>get that. You don't get to that. Hold On treat

0:40:39.880 --> 0:40:45.359
<v Speaker 1>him Ja Cole or Kendrick Cole. The hometown from North

0:40:45.400 --> 0:40:48.360
<v Speaker 1>Carolina homes no he but he got the bars to

0:40:48.440 --> 0:40:51.360
<v Speaker 1>back it up. But also because he's from Faying Okay,

0:40:52.600 --> 0:40:58.440
<v Speaker 1>I'll cast them all. D D the Locks or me

0:40:58.560 --> 0:41:01.560
<v Speaker 1>goes Locks? Are you saying a lot of this ship

0:41:01.640 --> 0:41:06.080
<v Speaker 1>with confidence? I liked Face scared face or ice cube

0:41:06.800 --> 0:41:13.279
<v Speaker 1>Q podcast or radio podcast? This one? I'm sure? How

0:41:13.320 --> 0:41:17.480
<v Speaker 1>are you going to answer this camera? Or Jada kiss kiss? Okay?

0:41:18.360 --> 0:41:26.759
<v Speaker 1>L A or Miami l A. You're in Miami where

0:41:27.080 --> 0:41:33.279
<v Speaker 1>man Ray Coron or ghost Face, ghosts Red or math

0:41:34.160 --> 0:41:40.560
<v Speaker 1>Red nineties or two thousand Hip hop nineties. Loyalty or respect? Loyalty?

0:41:41.080 --> 0:41:44.600
<v Speaker 1>Will Farrell or Jim Carrey. Jim because the fire Marsha

0:41:44.640 --> 0:41:49.720
<v Speaker 1>Bill he's before Will so he inspired that Jim carries

0:41:49.719 --> 0:41:59.479
<v Speaker 1>a genius. Dave Chappelle or Kevin Hart, keV. I'm gonna

0:41:59.480 --> 0:42:01.960
<v Speaker 1>take a big because of that. I don't know, Jesus.

0:42:02.800 --> 0:42:05.960
<v Speaker 1>You know Davis out here? You know? Oh yeah, do

0:42:06.080 --> 0:42:09.040
<v Speaker 1>you comedians? You got like a group chat when you're

0:42:09.040 --> 0:42:11.840
<v Speaker 1>all in the same you know we actually do you

0:42:11.920 --> 0:42:15.759
<v Speaker 1>actually do? All comedians is literally a group chat that

0:42:15.840 --> 0:42:18.400
<v Speaker 1>I got that barely talking because some people it's like

0:42:18.480 --> 0:42:20.200
<v Speaker 1>two or three people that talk too much in there

0:42:20.480 --> 0:42:22.279
<v Speaker 1>in the group chat, but everybody's in the Davis and

0:42:22.280 --> 0:42:24.080
<v Speaker 1>the like they type too much. You can't be talking

0:42:24.080 --> 0:42:26.839
<v Speaker 1>in the group chat two months. They do voicemails too.

0:42:27.440 --> 0:42:30.279
<v Speaker 1>I like voice because they disappeared. Yeah, you didn't do

0:42:30.360 --> 0:42:34.000
<v Speaker 1>none of his shows and Ohio, you didn't go to

0:42:34.040 --> 0:42:39.000
<v Speaker 1>the summer cat. Nah. Nah, I wasn't invited. Okay, we neither. Yeah,

0:42:40.000 --> 0:42:42.920
<v Speaker 1>I only go where I'm invited. I was somewhat invited.

0:42:42.960 --> 0:42:45.160
<v Speaker 1>It was brought up, so I just felt like they

0:42:45.200 --> 0:42:51.080
<v Speaker 1>just felt like invitation. But when when it came to travel,

0:42:51.200 --> 0:42:54.200
<v Speaker 1>players and arrangements, nobody's gotta go here. I was like, wait,

0:42:54.800 --> 0:42:56.759
<v Speaker 1>let me tell you who I was growing up. My

0:42:56.920 --> 0:42:58.839
<v Speaker 1>neighbor can have a party and tell me he as

0:42:58.840 --> 0:43:00.920
<v Speaker 1>a party. Or if they don't, remind me and say, hey,

0:43:00.920 --> 0:43:02.520
<v Speaker 1>you still come to the park. I ain't gone, but

0:43:02.600 --> 0:43:04.600
<v Speaker 1>you're still like that. Yeah, I still like I. I

0:43:04.719 --> 0:43:07.080
<v Speaker 1>just I need to feel special, like you need to

0:43:07.120 --> 0:43:10.480
<v Speaker 1>be like you. Yeah, yeah, you need to invite me twice.

0:43:10.560 --> 0:43:13.640
<v Speaker 1>He won't do that the other way around. Yes I will, Yes,

0:43:13.719 --> 0:43:15.800
<v Speaker 1>I will. If I'm don't forget. Okay, you're taking a

0:43:15.840 --> 0:43:21.560
<v Speaker 1>shot just that Japanese whiskey. You never drink at all,

0:43:21.840 --> 0:43:25.120
<v Speaker 1>never for man, even when you was Russell getting the models.

0:43:27.719 --> 0:43:32.719
<v Speaker 1>We're gonna strike that from the record, I never drink

0:43:32.719 --> 0:43:36.040
<v Speaker 1>it all never never, never drink, never smoked, never done drugs.

0:43:36.160 --> 0:43:39.600
<v Speaker 1>And I'm sure women try to convince you. I'm sure

0:43:39.800 --> 0:43:43.319
<v Speaker 1>chick put a little cocaine or as the military, army

0:43:43.320 --> 0:43:46.560
<v Speaker 1>brat side of you, I don't with coked. Is that

0:43:46.640 --> 0:43:48.560
<v Speaker 1>the army brat side of you? Like your parents? No

0:43:49.320 --> 0:43:51.640
<v Speaker 1>keeping a buck. I grew up in a family of adders,

0:43:52.640 --> 0:43:55.320
<v Speaker 1>So it was just something that I saw early and

0:43:55.920 --> 0:43:59.040
<v Speaker 1>just decided it wasn't for me. For us, I wouldn't

0:43:59.040 --> 0:44:01.640
<v Speaker 1>to drink if I don't do that. The stables here

0:44:01.680 --> 0:44:04.239
<v Speaker 1>recently and I didn't drink because he had the same

0:44:04.280 --> 0:44:06.400
<v Speaker 1>type of story and how I knew that. But now

0:44:06.440 --> 0:44:08.480
<v Speaker 1>I'm already and leaving there. Don't don't judge me, no, no,

0:44:08.640 --> 0:44:10.640
<v Speaker 1>it's all looks. I love my family, like, don't get

0:44:10.640 --> 0:44:13.920
<v Speaker 1>a twisted but mind you, your drunk cousin was like

0:44:13.960 --> 0:44:17.000
<v Speaker 1>I wanted them to drink it a little bit, a

0:44:17.040 --> 0:44:21.120
<v Speaker 1>little bit. Let's makes a noise of me. You get

0:44:21.160 --> 0:44:26.120
<v Speaker 1>about a quarter a quarter down on that? Yeah, yeah, yeah, yeah,

0:44:26.160 --> 0:44:27.960
<v Speaker 1>that's it. That's it. Be seen te pain stand with

0:44:28.000 --> 0:44:33.000
<v Speaker 1>you that he drank a whole bottle of and stop standing. Yeah,

0:44:33.280 --> 0:44:37.400
<v Speaker 1>we were warried. What you're serious? Yeah? What funny? I know.

0:44:37.480 --> 0:44:39.600
<v Speaker 1>While we got worried, he was like, you don't got

0:44:39.680 --> 0:44:42.359
<v Speaker 1>to drink no more. I was like, I'm always trying

0:44:42.360 --> 0:44:45.040
<v Speaker 1>to stop it, and you're the worst. He was like yes.

0:44:45.640 --> 0:44:47.320
<v Speaker 1>His people was like that people trying to stop He

0:44:47.400 --> 0:44:50.320
<v Speaker 1>was like, no, I'm staying for me some more. So.

0:44:50.440 --> 0:44:52.560
<v Speaker 1>You ever seen one of your homies get get get

0:44:52.760 --> 0:44:58.360
<v Speaker 1>bucked up? And he was embarrassed. Yeah, that's that. He

0:44:58.520 --> 0:45:00.560
<v Speaker 1>keep calling this thing that. Well, I didn't got the

0:45:00.600 --> 0:45:04.640
<v Speaker 1>best shot in the building. It's his name again, Brandon Coople,

0:45:04.840 --> 0:45:07.160
<v Speaker 1>Brandon Lewis, Brandon Lewis. He gave you. That's how you

0:45:07.239 --> 0:45:09.719
<v Speaker 1>know he know you when they hit you with the

0:45:09.800 --> 0:45:12.879
<v Speaker 1>first and last name. He got next, he got Okay,

0:45:12.920 --> 0:45:15.560
<v Speaker 1>you know you're funny. Okay, I'm gonna put you out.

0:45:16.840 --> 0:45:18.680
<v Speaker 1>You're gonna crash today. He gonna take a shot at

0:45:18.680 --> 0:45:20.360
<v Speaker 1>hebeke right. Damn man, come on, you're gonna take a

0:45:20.400 --> 0:45:22.200
<v Speaker 1>shot of this guy. This is this is that good.

0:45:22.200 --> 0:45:23.520
<v Speaker 1>It's this is with jay Z and them drink. You

0:45:23.520 --> 0:45:25.840
<v Speaker 1>know what I'm saying. You know I never got to

0:45:25.840 --> 0:45:29.200
<v Speaker 1>be responsible? Yes, Okayan, he got next, Yeah, he got next.

0:45:29.719 --> 0:45:33.239
<v Speaker 1>Where are you from Atlanta? Okay, y'all, niggas is wide

0:45:33.280 --> 0:45:38.800
<v Speaker 1>open out there. Boys. Yeah, they didn't close, they didn't clothes,

0:45:38.840 --> 0:45:43.799
<v Speaker 1>the right, nothing, the ship down. So when the last

0:45:43.800 --> 0:45:47.120
<v Speaker 1>time you put the many pakia? But I didn't? Then,

0:45:49.160 --> 0:45:53.040
<v Speaker 1>actually I did, I did. I met him once. He

0:45:53.719 --> 0:45:57.120
<v Speaker 1>showed him the parody and he was laughing like he

0:45:57.239 --> 0:45:58.920
<v Speaker 1>was hitting my arm and she hurt. He was like

0:45:59.040 --> 0:46:02.840
<v Speaker 1>hitting your ship like that is very funny. I like,

0:46:03.680 --> 0:46:10.279
<v Speaker 1>I enjoyed that. It's comedies and it's very good. It's

0:46:10.360 --> 0:46:14.600
<v Speaker 1>very good. I can't wait to fight lord. Maybe that's

0:46:14.600 --> 0:46:30.040
<v Speaker 1>again and very happy to be times. How about Mr Orby?

0:46:30.080 --> 0:46:32.640
<v Speaker 1>When the last time you see Mr? Or Mr Orby?

0:46:32.719 --> 0:46:36.920
<v Speaker 1>Drake Drake? Actually I did see Drake about a month ago.

0:46:37.200 --> 0:46:44.359
<v Speaker 1>What did he say to you? Tell me? He said, uh,

0:46:44.960 --> 0:46:47.160
<v Speaker 1>that's all he said. You don't he don't talk to

0:46:48.680 --> 0:46:54.320
<v Speaker 1>you ladies. But like, do you go to light skin meetings?

0:46:54.400 --> 0:47:00.120
<v Speaker 1>You Drake, mb do you have like sanctuaries? Good up?

0:47:00.120 --> 0:47:03.719
<v Speaker 1>And you'll say this, I mean, I can't. I can't

0:47:03.760 --> 0:47:06.960
<v Speaker 1>tell you because you're not in brow. I'm trying to

0:47:06.960 --> 0:47:09.200
<v Speaker 1>get you brough the dogskin community. I'm just saying I

0:47:09.320 --> 0:47:11.040
<v Speaker 1>just got passed with BROWNSI give me. I'm trying to

0:47:11.080 --> 0:47:14.120
<v Speaker 1>get down with a carn in the group. But in

0:47:14.160 --> 0:47:18.960
<v Speaker 1>the middle you too much of a spy. You do

0:47:19.120 --> 0:47:25.000
<v Speaker 1>on the fence. Oh because and he told me you

0:47:25.040 --> 0:47:28.279
<v Speaker 1>got to go to karate class. Yeah, he said it's

0:47:28.280 --> 0:47:33.960
<v Speaker 1>a light skin karate class. Jersey's karate class. They really

0:47:33.960 --> 0:47:39.840
<v Speaker 1>take karate in my mind. Oh, y'all stick around. I

0:47:40.000 --> 0:47:43.360
<v Speaker 1>do know how to kick? Yeah, real, real, okay, some

0:47:43.680 --> 0:47:46.200
<v Speaker 1>some blood spoil ship. Yeah, some Bruce Lee ship. Really,

0:47:46.480 --> 0:47:50.799
<v Speaker 1>Holy moly moly, you just do it all? Which is what? Oh? Yeah,

0:47:50.880 --> 0:47:53.480
<v Speaker 1>that's right. You fun with Bruce Lee. Yeah that's right.

0:47:53.920 --> 0:47:56.719
<v Speaker 1>I saw that too. What's going on? What's going on?

0:47:57.360 --> 0:48:04.239
<v Speaker 1>What's going on at right? You know? Yeah, how did

0:48:04.280 --> 0:48:08.880
<v Speaker 1>you develop that? Like, Bruce Lee? How did you develop that? Like?

0:48:09.400 --> 0:48:11.200
<v Speaker 1>You know, I was a Bruce Lee fan and I

0:48:11.320 --> 0:48:13.879
<v Speaker 1>developed kicks kicking and you went to see the movies.

0:48:13.920 --> 0:48:17.839
<v Speaker 1>The movies different like this exactly all that ship. Bruce

0:48:18.000 --> 0:48:20.880
<v Speaker 1>spoke English though, I'm talking about the count fool fixed.

0:48:21.320 --> 0:48:31.640
<v Speaker 1>Yeah that's the yeah, semur run run short movies us

0:48:31.760 --> 0:48:35.839
<v Speaker 1>my ship. Yeah, send the pede. I don't do it again,

0:48:35.920 --> 0:48:40.719
<v Speaker 1>do it again? I must look The one thing you

0:48:40.840 --> 0:48:45.480
<v Speaker 1>have to understand. Sleep spoke English really tall like this

0:48:46.520 --> 0:48:48.640
<v Speaker 1>and if you watched Into the Dragon, that's my real hoints.

0:48:49.760 --> 0:48:53.400
<v Speaker 1>So don't you understand. Don't concentrate on the finger or

0:48:53.760 --> 0:48:59.360
<v Speaker 1>you will miss all that heavenly goal spot Be like

0:48:59.440 --> 0:49:05.160
<v Speaker 1>water said, be water water. That's why I only dream water.

0:49:06.600 --> 0:49:10.120
<v Speaker 1>I always thought that was some hot ship. Be like water. No,

0:49:10.280 --> 0:49:13.560
<v Speaker 1>it's that's real. It's a dope philosophy. Also feel like

0:49:13.600 --> 0:49:16.080
<v Speaker 1>that if you are masculine, I'm just going like, that's

0:49:16.120 --> 0:49:19.399
<v Speaker 1>a that's a masculiney be like water like what then?

0:49:19.520 --> 0:49:23.560
<v Speaker 1>Does that mean? Yeah, you're ready? Yeah, it took thirty

0:49:23.640 --> 0:49:28.320
<v Speaker 1>years to get come up with that ship flow. So

0:49:31.400 --> 0:49:33.560
<v Speaker 1>you when when a person calls you for a movie,

0:49:33.960 --> 0:49:38.120
<v Speaker 1>do you tell them you accept the role? Do you

0:49:38.200 --> 0:49:42.120
<v Speaker 1>always make it a little bit piece of yours? Like

0:49:42.520 --> 0:49:44.359
<v Speaker 1>you mean, do I accept it as it is? Like? Yeah,

0:49:44.400 --> 0:49:46.000
<v Speaker 1>that's what somebody got you, They get your page. You

0:49:46.880 --> 0:49:50.920
<v Speaker 1>have to bring your own essence to it, you know

0:49:50.960 --> 0:49:54.760
<v Speaker 1>what I'm saying, Like you have to while creating the character.

0:49:55.200 --> 0:49:57.480
<v Speaker 1>Does that make sense? Yeah? But when could you not

0:49:57.680 --> 0:50:00.080
<v Speaker 1>like you're saying, like, be strict. I mean that's to

0:50:00.120 --> 0:50:02.360
<v Speaker 1>play this role this way or else. Yeah, I'm not.

0:50:02.800 --> 0:50:04.480
<v Speaker 1>I mean there's there's a bit of that. Like the

0:50:04.560 --> 0:50:06.480
<v Speaker 1>director and the writer have their vision of who the

0:50:06.560 --> 0:50:09.920
<v Speaker 1>character is, and so you do sometimes lose yourself in

0:50:10.040 --> 0:50:12.480
<v Speaker 1>that character in the dialect if you're good at it.

0:50:12.560 --> 0:50:15.799
<v Speaker 1>Some people do dialects. But she shouldn't try him. Um,

0:50:16.200 --> 0:50:19.040
<v Speaker 1>But like if they told you to be a gang

0:50:19.120 --> 0:50:22.080
<v Speaker 1>member named Pedro, how are you coming out? Well, I

0:50:22.200 --> 0:50:24.480
<v Speaker 1>was a gang member named right right nig in that house,

0:50:24.560 --> 0:50:27.520
<v Speaker 1>so I already knew how to do that. NIGGI. All right,

0:50:27.800 --> 0:50:30.520
<v Speaker 1>I'm seeing him what I'm saying, Amy, all right from

0:50:30.560 --> 0:50:33.000
<v Speaker 1>that light NIGGI. But how about the Mexican gang mbo

0:50:33.200 --> 0:50:38.839
<v Speaker 1>from l A Pedro Pedro? I mean, come on, you're

0:50:38.880 --> 0:50:42.200
<v Speaker 1>asking me to do some very simple ship. Asked me

0:50:42.239 --> 0:50:47.759
<v Speaker 1>to do some hard ship. Bro, Bro, you're sucking you.

0:50:51.680 --> 0:50:57.360
<v Speaker 1>I know that food. I know that that's exactly the

0:50:57.440 --> 0:51:03.680
<v Speaker 1>guy he comes out in the rap stuff. So how

0:51:03.719 --> 0:51:06.040
<v Speaker 1>I don't have you live in l A three years,

0:51:06.120 --> 0:51:11.400
<v Speaker 1>twenty three years coming from off Carolina? Man, I love that.

0:51:11.520 --> 0:51:18.560
<v Speaker 1>Later that's I'm in Woodland Hills. Oh that's the black area. No,

0:51:18.719 --> 0:51:31.759
<v Speaker 1>that's Boarding Hills, Okay, Woodland Hills. Okay, um remember Will

0:51:31.840 --> 0:51:34.840
<v Speaker 1>Farrell had a Um, yeah, Tyler Daga Knights and he

0:51:34.880 --> 0:51:39.400
<v Speaker 1>was getting high with the Woodland Ferries. What the connection

0:51:39.480 --> 0:51:42.960
<v Speaker 1>you You don't you don't remember that, but I don't

0:51:42.960 --> 0:51:45.680
<v Speaker 1>know how you connected this. Does anybody know what? Listen

0:51:46.320 --> 0:51:49.120
<v Speaker 1>one little fairy? Yeah he was, he was getting high.

0:51:49.160 --> 0:51:51.200
<v Speaker 1>He was working for the skating ring and then they

0:51:51.280 --> 0:51:53.040
<v Speaker 1>caught him and it was like, yo, when I met you,

0:51:53.160 --> 0:51:55.520
<v Speaker 1>you was a top rate skater and now you get

0:51:55.640 --> 0:51:57.640
<v Speaker 1>hired with the Wooden Ferries. And he said, me and

0:51:57.719 --> 0:52:01.239
<v Speaker 1>the Wooden Ferries in the area nine. That's not telling that.

0:52:01.640 --> 0:52:07.399
<v Speaker 1>That's some blades of yay. I love dumb movies, me too.

0:52:07.880 --> 0:52:15.080
<v Speaker 1>What's your favorite dumb movie? Dumber to only ship one

0:52:15.200 --> 0:52:18.239
<v Speaker 1>or two? They snipped up one. You're telling me too?

0:52:18.239 --> 0:52:22.319
<v Speaker 1>Didn't live it up? Damn for real? It did look

0:52:22.480 --> 0:52:24.600
<v Speaker 1>like we said about coming to America. I feel like

0:52:24.719 --> 0:52:27.920
<v Speaker 1>some movies just don't need you don't need to. It's

0:52:27.960 --> 0:52:30.520
<v Speaker 1>so classic you don't need to touch them. I mean,

0:52:30.640 --> 0:52:37.799
<v Speaker 1>but Godfather disputed that. But it's different because they they

0:52:38.120 --> 0:52:40.200
<v Speaker 1>was in the same time. They got worse, they didn't

0:52:40.200 --> 0:52:41.560
<v Speaker 1>get better. The last one was not That was the

0:52:41.600 --> 0:52:44.480
<v Speaker 1>worst one. Yeah, the last one was the second one

0:52:44.520 --> 0:52:47.840
<v Speaker 1>was probably the first to the second one. There you go.

0:52:47.920 --> 0:52:51.000
<v Speaker 1>That's saying rocky movies got better. I even think that

0:52:51.160 --> 0:52:55.560
<v Speaker 1>the new ones were the best ones. Yeah, not curious

0:52:55.680 --> 0:52:58.399
<v Speaker 1>got better, but they don't subscribe. I saw a fast

0:52:58.400 --> 0:53:01.319
<v Speaker 1>and furious one. That's it, fast furious. I've never seen

0:53:01.320 --> 0:53:03.560
<v Speaker 1>anything so whole. There was too much, I think. But

0:53:03.960 --> 0:53:09.080
<v Speaker 1>rule was in there. That's it. It was even on ludicrous. Nobody, nobody, jeez, Louise,

0:53:09.120 --> 0:53:11.600
<v Speaker 1>Papa cheese. So yeah, so the golf all there is

0:53:11.680 --> 0:53:14.080
<v Speaker 1>one that got better. I don't know. The last one

0:53:14.160 --> 0:53:16.759
<v Speaker 1>was the worst one. But that's three. Two got better.

0:53:16.880 --> 0:53:19.600
<v Speaker 1>So two was better than one too, example of I mean,

0:53:19.640 --> 0:53:21.680
<v Speaker 1>but yeah, I'm just saying it doesn't get better all

0:53:21.719 --> 0:53:23.640
<v Speaker 1>the way through all the time and doesn't get better,

0:53:23.760 --> 0:53:27.520
<v Speaker 1>but it has been scenarios. Stay property too is definitely

0:53:27.520 --> 0:53:34.120
<v Speaker 1>better than Stay Property one. Let's just make some she say, Cady, Caddy,

0:53:34.520 --> 0:53:38.640
<v Speaker 1>Caddy check too. Reber Hill's Comfortable was not the first one.

0:53:39.280 --> 0:53:42.480
<v Speaker 1>Part two didn't. It wasn't Number one another forty eight

0:53:42.560 --> 0:53:47.000
<v Speaker 1>hours pretty coming to America just went through this. Brother,

0:53:47.200 --> 0:53:50.520
<v Speaker 1>Are you in this room with those yea it's not.

0:53:50.920 --> 0:53:54.800
<v Speaker 1>It's not part one. But I did love Coming to

0:53:54.840 --> 0:53:57.320
<v Speaker 1>America too. I was one of those guys that stood

0:53:57.360 --> 0:54:00.399
<v Speaker 1>on it. I said, I only didn't like the rapping part.

0:54:00.640 --> 0:54:02.600
<v Speaker 1>Other than that, and when they said that they was

0:54:02.640 --> 0:54:05.759
<v Speaker 1>getting married in Queen's and they clearly said East elm Hurst,

0:54:05.800 --> 0:54:07.680
<v Speaker 1>and I was like, that's not East elm Hurst because

0:54:07.920 --> 0:54:12.000
<v Speaker 1>I'm too a catched to that area. But other than that,

0:54:12.080 --> 0:54:13.640
<v Speaker 1>I thought it was dope. I thought it was dope

0:54:13.680 --> 0:54:15.919
<v Speaker 1>for it to be twenty years later and still have something.

0:54:16.320 --> 0:54:22.560
<v Speaker 1>I thought Tracy Morgan, Tracy Morgan was crazy. I thought

0:54:22.640 --> 0:54:26.800
<v Speaker 1>the woman Lastlie, Yeah, I thought she really looked. I

0:54:26.960 --> 0:54:30.839
<v Speaker 1>love everyone in it, Everybody like, that's my fan, right.

0:54:31.000 --> 0:54:33.239
<v Speaker 1>I just think the structure of the movie, compared to

0:54:33.320 --> 0:54:35.279
<v Speaker 1>the first one, you didn't do it for me the

0:54:35.360 --> 0:54:37.240
<v Speaker 1>same way the first one. Have you Have you watched

0:54:37.320 --> 0:54:40.919
<v Speaker 1>the first one in recent years to know what I'm saying,

0:54:40.920 --> 0:54:43.360
<v Speaker 1>because there's something to say about when you're younger and

0:54:43.440 --> 0:54:46.560
<v Speaker 1>you watch something and coming to America. Never gonna have

0:54:46.640 --> 0:54:50.399
<v Speaker 1>that again. You know, it's at least a hundred times

0:54:51.640 --> 0:54:55.600
<v Speaker 1>throughout my years. I know that movie inside of McDowell's

0:54:55.719 --> 0:54:58.880
<v Speaker 1>is up the block. In my hood. That's serious. You know,

0:54:59.440 --> 0:55:01.640
<v Speaker 1>that's serious. I rolled the bike up there to see

0:55:01.719 --> 0:55:03.640
<v Speaker 1>Eddie Murphy. There's like no little. I think the building

0:55:03.760 --> 0:55:05.959
<v Speaker 1>is going now though, right, I don't. I think because

0:55:05.960 --> 0:55:07.880
<v Speaker 1>it's the McDonald's is actually a real mcdown. I think

0:55:07.880 --> 0:55:09.560
<v Speaker 1>they think they got rid of it. Oh no, no, no, no,

0:55:09.760 --> 0:55:12.080
<v Speaker 1>that's there. It's there. It's there, right, But that's there

0:55:12.160 --> 0:55:15.719
<v Speaker 1>like a motherfucker. Yeah, McDonald's is actually a McDonald's. Yeah no,

0:55:15.800 --> 0:55:19.160
<v Speaker 1>I know, but I thought they put an apartment building

0:55:19.200 --> 0:55:22.200
<v Speaker 1>over there. All the other ship with the barbershop was

0:55:22.320 --> 0:55:25.000
<v Speaker 1>all that. That's all going, all that's made up, but

0:55:26.200 --> 0:55:28.120
<v Speaker 1>that mcdown. I mean they didn't used that McDowell's on

0:55:28.239 --> 0:55:31.600
<v Speaker 1>his part too. Part one, Like I really drove up there.

0:55:31.640 --> 0:55:34.160
<v Speaker 1>They put the mcdowals into in the desert. Yeah it was.

0:55:34.239 --> 0:55:36.359
<v Speaker 1>It was hilarious. They put it in the jungle. They

0:55:36.400 --> 0:55:38.879
<v Speaker 1>wild it out, they wild it out. So what's next

0:55:38.920 --> 0:55:44.479
<v Speaker 1>for you? Producing? Man? I just I just produced another show.

0:55:44.760 --> 0:55:47.680
<v Speaker 1>I can't say what it is anything yet. What white

0:55:47.680 --> 0:55:53.440
<v Speaker 1>people again? Again? It's big. You've been getting a white chair.

0:55:53.520 --> 0:55:59.520
<v Speaker 1>This makes you use point. It's big. But yeah, I'm

0:55:59.520 --> 0:56:02.680
<v Speaker 1>putting on my producer hat Um, we gotta we're about

0:56:02.719 --> 0:56:06.920
<v Speaker 1>to produce stand up specials for people like Brandon Lewis, Um,

0:56:07.239 --> 0:56:10.640
<v Speaker 1>people that have voices that that networks don't necessarily come

0:56:10.680 --> 0:56:13.239
<v Speaker 1>and give them a shot right away. But because I'm

0:56:13.280 --> 0:56:15.320
<v Speaker 1>in the trenches with them, I'm like, I want to

0:56:15.360 --> 0:56:17.520
<v Speaker 1>produce the ship because I produced my special. So it's like,

0:56:18.160 --> 0:56:21.480
<v Speaker 1>I know what it takes to to really take that

0:56:21.560 --> 0:56:25.480
<v Speaker 1>budget and make it make a special look great. I

0:56:25.520 --> 0:56:28.600
<v Speaker 1>mean now recently, it was not recently. A couple of

0:56:28.680 --> 0:56:31.400
<v Speaker 1>years ago, I was a big dispute about Monique and

0:56:31.640 --> 0:56:35.880
<v Speaker 1>she figured out what she was worth nothing. You have

0:56:36.000 --> 0:56:39.080
<v Speaker 1>to go through something like that where always you you

0:56:39.239 --> 0:56:42.399
<v Speaker 1>always have to fight for what you're worth. There's gonna

0:56:42.400 --> 0:56:44.480
<v Speaker 1>be people sometimes even on your own team, that don't

0:56:44.480 --> 0:56:47.640
<v Speaker 1>see your worth, and you have to take your stands

0:56:47.680 --> 0:56:49.840
<v Speaker 1>if you really, if you know that you can deliver,

0:56:51.320 --> 0:56:54.480
<v Speaker 1>fight for what you are worth. That's what I believe

0:56:54.480 --> 0:56:56.960
<v Speaker 1>in that. You know what I'm saying. Um, you know

0:56:57.040 --> 0:56:59.399
<v Speaker 1>the Monique situation, I don't. I don't know enough about

0:56:59.440 --> 0:57:01.960
<v Speaker 1>it to comment on it. But she she did what

0:57:02.080 --> 0:57:04.920
<v Speaker 1>she felt was right, So I ain't. I'm never mad

0:57:04.960 --> 0:57:08.480
<v Speaker 1>at somebody trying to get their food. Why would I

0:57:08.480 --> 0:57:11.000
<v Speaker 1>be mad at that? Yeah, I don't know. I ain't

0:57:11.040 --> 0:57:13.600
<v Speaker 1>mad at me taking another habiki. Neither you should. What's

0:57:13.640 --> 0:57:15.440
<v Speaker 1>his name, Brandon, Let's bring him in. Let's bring him on,

0:57:17.800 --> 0:57:19.440
<v Speaker 1>bring up a chat man. We're gonna we're gonna give

0:57:19.520 --> 0:57:22.200
<v Speaker 1>him a minke gut that. If this is your next special,

0:57:22.480 --> 0:57:34.160
<v Speaker 1>we gotta do it. Man, let's work. Brandon Lewis, Brandon Lewis, Okay,

0:57:34.240 --> 0:57:40.120
<v Speaker 1>are you come let yeah, yeah, yeah, yeah, so we

0:57:40.200 --> 0:57:42.600
<v Speaker 1>got it. It's working. That might work with no wires.

0:57:42.760 --> 0:57:46.600
<v Speaker 1>Let me see. Yeah, I think that. I think they're

0:57:46.640 --> 0:57:55.160
<v Speaker 1>trying to jerk you man, like you've been talking all

0:57:55.240 --> 0:57:57.360
<v Speaker 1>kind of ship. Don't get picked up. It would be like,

0:57:57.480 --> 0:58:01.920
<v Speaker 1>yeah you like the sound, We're gonna get you one

0:58:01.920 --> 0:58:06.040
<v Speaker 1>shot of Japanese whiskey man, one shot. No you can't

0:58:06.080 --> 0:58:08.280
<v Speaker 1>take water, no, no, no, I gotta okay up on

0:58:08.400 --> 0:58:12.640
<v Speaker 1>the side. Okay, solute whisky inside of the water. I

0:58:12.760 --> 0:58:17.560
<v Speaker 1>respect you because we form the cat where the great

0:58:17.760 --> 0:58:20.400
<v Speaker 1>Cob County, Cobb County. Oh, that's outside of that, that's

0:58:20.400 --> 0:58:22.440
<v Speaker 1>where the police don't play. They don't play at all.

0:58:22.440 --> 0:58:25.840
<v Speaker 1>They don't play no game. I left some weed in

0:58:25.880 --> 0:58:28.280
<v Speaker 1>the hotel one time I called the hotel. They said,

0:58:28.320 --> 0:58:32.560
<v Speaker 1>don't come back. I said, no, I said that work.

0:58:32.600 --> 0:58:34.640
<v Speaker 1>I got the funk up out of the carb County world.

0:58:35.120 --> 0:58:38.880
<v Speaker 1>So how did you link with um? I'm moved to

0:58:39.000 --> 0:58:44.000
<v Speaker 1>l just was grinding, as you know, coming just because

0:58:44.000 --> 0:58:45.520
<v Speaker 1>that's what we gotta do. You gotta grind. Mak your

0:58:45.600 --> 0:58:49.400
<v Speaker 1>name and the clubs are literally in the ship and

0:58:49.480 --> 0:58:51.680
<v Speaker 1>the club, like going from club the club, you know,

0:58:51.800 --> 0:58:54.240
<v Speaker 1>before the pandemic, so you know, just grinding and then

0:58:54.440 --> 0:58:57.040
<v Speaker 1>you know, when you grind, you run into you know,

0:58:57.160 --> 0:59:00.720
<v Speaker 1>and ye would laugh out loud. What is that? That's

0:59:00.800 --> 0:59:05.040
<v Speaker 1>Kevin Hasn's network. Yeah, you're not down with that? With that? No,

0:59:05.240 --> 0:59:08.480
<v Speaker 1>I did my They licensed my special again, which one

0:59:08.560 --> 0:59:12.480
<v Speaker 1>the Black, Black and Red Ship's your favorite marror to society.

0:59:12.560 --> 0:59:15.600
<v Speaker 1>I shot that independently. I own it and I licensed

0:59:15.640 --> 0:59:18.240
<v Speaker 1>it to them. They didn't buy it. It wasn't something

0:59:18.280 --> 0:59:21.880
<v Speaker 1>where they gave me the money to do it. I

0:59:22.040 --> 0:59:24.480
<v Speaker 1>licensed it. So now I'm about to get another deal

0:59:24.560 --> 0:59:26.840
<v Speaker 1>for it because I own it. I like to tell

0:59:26.920 --> 0:59:29.760
<v Speaker 1>that story because the rights revert back to you. God

0:59:29.840 --> 0:59:36.800
<v Speaker 1>damn it. Come on, you know about the rights reverting back? Yes,

0:59:36.840 --> 0:59:44.919
<v Speaker 1>we do that episode so boom. So you see him performing, Yeah,

0:59:45.000 --> 0:59:46.400
<v Speaker 1>what do you say, I'm gonna put him under my

0:59:46.480 --> 0:59:49.280
<v Speaker 1>when you say at the time, I had another feature

0:59:49.680 --> 0:59:51.560
<v Speaker 1>he u he booked a TV show and so I

0:59:51.640 --> 0:59:55.040
<v Speaker 1>was looking for another feature and okay, what's the feature

0:59:55.200 --> 0:59:58.360
<v Speaker 1>feature is? Uh? So when we do clubs, right, there's

0:59:58.400 --> 1:00:00.720
<v Speaker 1>a host who does about ten minutes feature that's about

1:00:00.720 --> 1:00:03.320
<v Speaker 1>thirty and I'll do an hour headline does it out? Um?

1:00:03.400 --> 1:00:05.160
<v Speaker 1>So I was looking for a feature going to roll

1:00:05.200 --> 1:00:06.560
<v Speaker 1>with me because the hip hop featured me something to

1:00:06.840 --> 1:00:12.720
<v Speaker 1>features the man opening. Yeah, that's called the feature. That's

1:00:12.760 --> 1:00:15.440
<v Speaker 1>fine because I know what the feature feature in the

1:00:15.600 --> 1:00:19.120
<v Speaker 1>hip hop. You just get it. Somebody'll call somebody who

1:00:19.160 --> 1:00:23.080
<v Speaker 1>doing before you open calling? Open up? That's what I

1:00:25.280 --> 1:00:34.600
<v Speaker 1>didn't want to make a kill one. Sorry, but yeah,

1:00:34.600 --> 1:00:36.360
<v Speaker 1>I was looking for a feature. And I was just

1:00:37.000 --> 1:00:40.520
<v Speaker 1>asking around for different different people because it's not just

1:00:40.520 --> 1:00:42.400
<v Speaker 1>about who's funny, it's about who I'm going to get

1:00:42.400 --> 1:00:45.800
<v Speaker 1>along with on the road personality wise. Who got good energy?

1:00:46.360 --> 1:00:49.280
<v Speaker 1>And my men said? He said Brandon Lewis, and I

1:00:49.400 --> 1:00:52.440
<v Speaker 1>was like, oh ship. And I remember seeing him at

1:00:52.480 --> 1:00:55.680
<v Speaker 1>at a club in l A. And I was like, yo, no, no, no,

1:00:56.200 --> 1:00:59.360
<v Speaker 1>trying to makeup ship. I know, I know Chinese that

1:00:59.400 --> 1:01:02.960
<v Speaker 1>Matt Damon's up and that's not Matt Damon's other guy.

1:01:06.640 --> 1:01:10.440
<v Speaker 1>We did um Western Yeah, Westley snics brun me to

1:01:10.440 --> 1:01:14.320
<v Speaker 1>the Chinese movie did for are the Wall at the

1:01:14.400 --> 1:01:18.840
<v Speaker 1>Wall places and he had I'm sorry, I'm sorry, but

1:01:19.200 --> 1:01:22.000
<v Speaker 1>hit him. But philippinovnges around. I'm sorry. You're talking about

1:01:22.000 --> 1:01:24.040
<v Speaker 1>this spot in Hollywood, right, it's not called the Chinese

1:01:24.080 --> 1:01:31.040
<v Speaker 1>Movie Theater. Yeah, that's the Chinese Theater. Yeah, well I

1:01:31.120 --> 1:01:32.680
<v Speaker 1>know that's seen kind of racist, but he really did.

1:01:34.000 --> 1:01:37.520
<v Speaker 1>I went to see all the way but yeah, they

1:01:37.600 --> 1:01:39.960
<v Speaker 1>used to have a comedy night there and and I

1:01:40.000 --> 1:01:44.040
<v Speaker 1>saw him performing, and yeah, the first show we did.

1:01:45.160 --> 1:01:48.360
<v Speaker 1>What I what I liked about his style was he

1:01:48.560 --> 1:01:52.880
<v Speaker 1>was freestyling the first fifteen minutes, Like we talked about earlier,

1:01:52.960 --> 1:01:55.320
<v Speaker 1>we got into a new city, neither neither of us

1:01:55.360 --> 1:01:57.520
<v Speaker 1>had been there. How you know he frees styling because

1:01:57.640 --> 1:01:59.320
<v Speaker 1>he was talking about just the same way. You know

1:02:00.040 --> 1:02:02.280
<v Speaker 1>he talked about the ship on the wall, you're talking

1:02:02.280 --> 1:02:04.400
<v Speaker 1>about people in the crowd. You're talking about some ship

1:02:04.480 --> 1:02:06.240
<v Speaker 1>we just saw in traffic on the way up to

1:02:06.360 --> 1:02:09.000
<v Speaker 1>the I knew, Yeah, I know, you know, you know

1:02:09.080 --> 1:02:11.600
<v Speaker 1>Bars when you were Bars and so he was. He

1:02:11.720 --> 1:02:14.280
<v Speaker 1>was going in and I was like, this motherfucker is

1:02:14.840 --> 1:02:17.680
<v Speaker 1>like timing is crazy. And his material was dope. So

1:02:17.880 --> 1:02:20.760
<v Speaker 1>when he flowed right into the material, it was flawless.

1:02:20.800 --> 1:02:22.720
<v Speaker 1>I was like, Yeah, we're rocking, and we'll be rocking

1:02:22.760 --> 1:02:31.200
<v Speaker 1>for how many years now? Three? Three? Almost four? Tuss

1:02:31.240 --> 1:02:36.760
<v Speaker 1>me up. I want to line the line of the

1:02:36.920 --> 1:02:48.520
<v Speaker 1>marketing right, look at it. You bet your performer tonight? Yeah,

1:02:48.760 --> 1:02:57.320
<v Speaker 1>before we have performer, yeah, exact social Let me sorry,

1:02:57.720 --> 1:03:08.520
<v Speaker 1>sets already committed, already committed. Let me let me say this, man,

1:03:08.880 --> 1:03:10.920
<v Speaker 1>I back you up, man. I want to take a shot.

1:03:11.160 --> 1:03:15.080
<v Speaker 1>You take a shot, not just big you up man,

1:03:15.120 --> 1:03:16.880
<v Speaker 1>because you know we've been we've been seeing each other

1:03:17.120 --> 1:03:19.760
<v Speaker 1>over the years. We'll running to each other. You always like, yo,

1:03:19.920 --> 1:03:24.440
<v Speaker 1>come down to come down, let's build. You know what

1:03:24.520 --> 1:03:26.160
<v Speaker 1>I'm saying. And you check your word. And as soon

1:03:26.160 --> 1:03:28.320
<v Speaker 1>as I knew I was coming to Miami that first place,

1:03:28.360 --> 1:03:34.840
<v Speaker 1>I said, I need to come to make I'm taking

1:03:34.880 --> 1:03:45.960
<v Speaker 1>my shot. Baby. That makes some noises classic. Yeah, we

1:03:46.040 --> 1:03:48.920
<v Speaker 1>were just trying with the horns. Classic, bro, That just that,

1:03:49.040 --> 1:03:51.520
<v Speaker 1>that's what makes the show so this this African guy.

1:03:52.000 --> 1:03:54.640
<v Speaker 1>He runs around, He's doing ship on the side of

1:03:54.680 --> 1:04:02.000
<v Speaker 1>the car. He's happiest guy. Cousin Skeeter, he got a name,

1:04:03.320 --> 1:04:06.160
<v Speaker 1>he was he was. We just called him to dance

1:04:06.200 --> 1:04:08.760
<v Speaker 1>of African you know what I'm saying, Like, and then

1:04:09.440 --> 1:04:12.200
<v Speaker 1>do not only do a video with him, you find

1:04:12.280 --> 1:04:16.240
<v Speaker 1>the same outfit. Yeah, he brought that, brought that because

1:04:16.240 --> 1:04:18.520
<v Speaker 1>he got his own that's his brand. That's his brand.

1:04:18.760 --> 1:04:21.960
<v Speaker 1>Oh he's a marketing genius. Because I didn't want to

1:04:22.000 --> 1:04:26.720
<v Speaker 1>tell y'all talking about who is this person? He just

1:04:26.840 --> 1:04:28.640
<v Speaker 1>be looking too happy. But he jumped out the car

1:04:28.680 --> 1:04:31.880
<v Speaker 1>and you know, he came to l A and he

1:04:31.960 --> 1:04:34.160
<v Speaker 1>was just like running around doing different collapsed and he

1:04:34.280 --> 1:04:37.360
<v Speaker 1>was always like again showing each other flowers and giving

1:04:37.360 --> 1:04:39.680
<v Speaker 1>each other flowers and saying we need to collapse meet

1:04:39.760 --> 1:04:42.920
<v Speaker 1>up and we did it and the j But what

1:04:43.080 --> 1:04:45.760
<v Speaker 1>what was what was what was crazy was I thought

1:04:45.840 --> 1:04:49.960
<v Speaker 1>he was gonna smoke you like when because it was

1:04:50.040 --> 1:04:52.680
<v Speaker 1>like a dance off. It was like because y'all was kicking,

1:04:53.320 --> 1:04:56.040
<v Speaker 1>he wasn't battling though to me, to me, I'm outside,

1:04:56.080 --> 1:04:59.160
<v Speaker 1>look no cap I'm I'm really a dancer. You really

1:04:59.440 --> 1:05:01.360
<v Speaker 1>really the way he said, we wasn't batting like you

1:05:01.400 --> 1:05:03.760
<v Speaker 1>would have happen. No, No, he's dope. He's dope. But

1:05:04.040 --> 1:05:07.480
<v Speaker 1>what you're saying, I'm from the b boy ever the

1:05:07.600 --> 1:05:09.920
<v Speaker 1>rock Steady Crew to beefing right now. You know what

1:05:09.920 --> 1:05:12.200
<v Speaker 1>I'm saying. I feel like right, I feel like you

1:05:12.320 --> 1:05:15.960
<v Speaker 1>beat your right life. He's not lying like this, nigga,

1:05:16.200 --> 1:05:18.720
<v Speaker 1>be like, you can tell it. This nigga gets stretched

1:05:18.800 --> 1:05:23.000
<v Speaker 1>like because we're ship like because you and Chris Brown,

1:05:23.160 --> 1:05:25.000
<v Speaker 1>I felt like you and Chris man like if you

1:05:25.160 --> 1:05:26.800
<v Speaker 1>if you ever talked to Chris Brown, just asked him

1:05:27.200 --> 1:05:30.680
<v Speaker 1>about Apians dance pedigree. He know that's my guy. That's

1:05:30.680 --> 1:05:33.360
<v Speaker 1>a little bro. I'm saying the way you just said

1:05:33.640 --> 1:05:37.560
<v Speaker 1>dance pedigree. I'm gonna tell you, I'm gonna talk my ship.

1:05:38.000 --> 1:05:40.480
<v Speaker 1>I'm gonna do you like Jadid. Look, this is what

1:05:40.680 --> 1:05:46.560
<v Speaker 1>I do. We had my I don't live in Cleveland.

1:05:46.880 --> 1:05:48.720
<v Speaker 1>Put the live in Cleveland. Why did he say that?

1:05:49.040 --> 1:05:52.760
<v Speaker 1>He said, he said Colorado, lived at Colorado. He just

1:05:52.840 --> 1:06:00.000
<v Speaker 1>just naming the school places. That sounded great everywhere. He said,

1:06:02.080 --> 1:06:05.120
<v Speaker 1>Holy what you stood up with the dance so you

1:06:05.200 --> 1:06:08.560
<v Speaker 1>said you're really a dancer. You really smoke chrism No,

1:06:08.680 --> 1:06:13.160
<v Speaker 1>I didn't say. I didn't say Rusher an he smoked

1:06:13.200 --> 1:06:16.040
<v Speaker 1>any competitive you got the bet that's the verse you

1:06:16.120 --> 1:06:18.520
<v Speaker 1>want to say. This is no, not to nobody. I'm

1:06:18.640 --> 1:06:22.160
<v Speaker 1>just I'm a school y'all on on dance knowledge. I

1:06:22.280 --> 1:06:26.000
<v Speaker 1>would battle Usher. I would not battle Chris Brown. And

1:06:26.040 --> 1:06:29.520
<v Speaker 1>I'm gonna tell you why. Ussher is not a natural dancer.

1:06:30.440 --> 1:06:33.000
<v Speaker 1>He's choreographed and over the years he's gotten really good.

1:06:33.800 --> 1:06:38.640
<v Speaker 1>Chris Brown is a natural born dancer and is incredible.

1:06:38.840 --> 1:06:48.400
<v Speaker 1>Light sking. You were not invited. You might be giving

1:06:48.440 --> 1:06:50.960
<v Speaker 1>you too much to you and ushers in the same class,

1:06:51.080 --> 1:06:54.480
<v Speaker 1>like saw the whole house just for them. You got

1:06:54.560 --> 1:07:03.680
<v Speaker 1>a cart car Highlights, you gotta see the sketch up

1:07:03.680 --> 1:07:05.840
<v Speaker 1>put up my idea a few days ago from my

1:07:06.160 --> 1:07:09.360
<v Speaker 1>old show. But Highlight it's like like scooping Twilight about

1:07:09.360 --> 1:07:12.320
<v Speaker 1>the first light skinner, the first light skin thing. What

1:07:12.480 --> 1:07:15.520
<v Speaker 1>the first light skinning they ever? Wow? Okay, okay, I

1:07:15.600 --> 1:07:20.200
<v Speaker 1>need that. It's a parallel universe. She was fine, right, So, um,

1:07:20.840 --> 1:07:29.320
<v Speaker 1>you you got a girl. Where's that going? Yeah? I'm

1:07:29.320 --> 1:07:36.120
<v Speaker 1>asking like, is this going a family? Man? I'm saying,

1:07:36.200 --> 1:07:38.560
<v Speaker 1>look at when you're a new artist, when you're a

1:07:38.600 --> 1:07:41.680
<v Speaker 1>new artist in hip hop, you want to be smashing anything.

1:07:41.720 --> 1:07:45.000
<v Speaker 1>I don't there. So I'm saying you, as a new comedian,

1:07:45.400 --> 1:07:49.720
<v Speaker 1>you're not finger popping. No, no, you know out there.

1:07:50.800 --> 1:07:54.080
<v Speaker 1>Look comedian, we don't get the same love as rappers.

1:07:54.640 --> 1:07:56.800
<v Speaker 1>Like comedians. We don't get like the group e's and

1:07:56.920 --> 1:08:03.200
<v Speaker 1>like they're hanging out and screaming like but I like that.

1:08:03.960 --> 1:08:07.600
<v Speaker 1>I like said, we get big women bringing us food backstage,

1:08:07.800 --> 1:08:12.120
<v Speaker 1>but it's not let's get flu shirts like Mama today

1:08:12.840 --> 1:08:16.960
<v Speaker 1>like that. Yeah, yeah, that's a group of come come

1:08:17.000 --> 1:08:22.360
<v Speaker 1>by the restaurant tomorrow where yeah it ain't like a picture.

1:08:22.439 --> 1:08:24.080
<v Speaker 1>What the men you and we'll get your free meal.

1:08:24.560 --> 1:08:26.639
<v Speaker 1>I went to I went to a Mic Epps show

1:08:27.720 --> 1:08:33.759
<v Speaker 1>backstage in Miami and it was the calmest er curtsy backstage,

1:08:33.800 --> 1:08:36.600
<v Speaker 1>and I was like, what the Had it been a

1:08:36.680 --> 1:08:38.400
<v Speaker 1>hip hop show, it would have been so much. I

1:08:38.479 --> 1:08:41.120
<v Speaker 1>was the only guy smoking weed. People were looking at me.

1:08:41.200 --> 1:08:43.840
<v Speaker 1>I was like, no, I got my medical car because

1:08:43.840 --> 1:08:45.120
<v Speaker 1>I really do you know what I mean? But I

1:08:45.240 --> 1:08:46.640
<v Speaker 1>was sitting and I was like it was calm. No

1:08:46.760 --> 1:08:51.880
<v Speaker 1>one touched each other's chicken like you was safe. Comedians

1:08:51.880 --> 1:08:54.479
<v Speaker 1>are serious and hip hop. I'm going to Jaida room.

1:08:54.520 --> 1:08:58.960
<v Speaker 1>He say you, I'll give you that bottle back after

1:08:58.960 --> 1:09:00.639
<v Speaker 1>the show, you know what I mean, Like like we've

1:09:00.800 --> 1:09:03.839
<v Speaker 1>vilated each other. Different you guys, you guys have respect

1:09:03.880 --> 1:09:07.760
<v Speaker 1>for each other. It's different. Yeah, we're serious, that's it.

1:09:08.960 --> 1:09:15.200
<v Speaker 1>It's just I think it's it really takes a lot nothing.

1:09:15.240 --> 1:09:17.000
<v Speaker 1>It doesn't take a lot for rappers, but it takes

1:09:17.040 --> 1:09:20.080
<v Speaker 1>a lot to get that dollar with a joke. So

1:09:20.160 --> 1:09:22.120
<v Speaker 1>by the time you get a little bit of something

1:09:22.520 --> 1:09:23.680
<v Speaker 1>and you, you know what I mean, you want to

1:09:23.720 --> 1:09:26.200
<v Speaker 1>make sure you you protect that. And then I think

1:09:27.080 --> 1:09:30.320
<v Speaker 1>I respect his dressing room because I know how hard

1:09:30.360 --> 1:09:31.760
<v Speaker 1>he worked to get what he got. So I'm not

1:09:31.800 --> 1:09:33.880
<v Speaker 1>gonna go in this nigga and take his sa in

1:09:33.960 --> 1:09:37.479
<v Speaker 1>his room. And but this is thing though, just you're different. Yeah,

1:09:37.479 --> 1:09:39.320
<v Speaker 1>you know it's us. It's all rap. We all do

1:09:39.400 --> 1:09:41.720
<v Speaker 1>it to be. But comedy, we don't know how you're

1:09:41.720 --> 1:09:45.320
<v Speaker 1>gonna react. See, Like rappers, y'all know because the record playing,

1:09:45.400 --> 1:09:47.760
<v Speaker 1>like we can play the records exactly, you can know

1:09:47.880 --> 1:09:51.200
<v Speaker 1>the reaction. But even if you know, like a you

1:09:51.320 --> 1:09:53.519
<v Speaker 1>know you came to see him, you still don't how

1:09:54.040 --> 1:09:56.960
<v Speaker 1>ye when you hear him. So it's just like it's

1:09:57.120 --> 1:10:00.240
<v Speaker 1>it's the gratification as far as like if you funny

1:10:00.280 --> 1:10:02.640
<v Speaker 1>at not or if you're not funny, you're gonna get

1:10:02.680 --> 1:10:06.040
<v Speaker 1>it immediately. So let me actually, yall repeat material or

1:10:06.560 --> 1:10:10.400
<v Speaker 1>doesn't always have to be exclusive every every city you repeat,

1:10:10.520 --> 1:10:13.479
<v Speaker 1>Like when you get your act or your set, you

1:10:13.560 --> 1:10:15.280
<v Speaker 1>repeat that show. So if you have an act or

1:10:15.360 --> 1:10:19.639
<v Speaker 1>set for smoke Champs, let's just say that I didn't

1:10:19.640 --> 1:10:26.160
<v Speaker 1>even realize that it's doing a Smoke Champs Shore. There's

1:10:26.200 --> 1:10:28.320
<v Speaker 1>fourteen days. So for those four teen days, as long

1:10:28.360 --> 1:10:30.519
<v Speaker 1>as those cities don't repeat, you use the same act.

1:10:30.960 --> 1:10:33.000
<v Speaker 1>Even if you're in the same city and you're doing

1:10:33.160 --> 1:10:35.479
<v Speaker 1>doing tonight, yeah, like I had two shows to night.

1:10:35.479 --> 1:10:37.280
<v Speaker 1>I'm not gonna do two different hours. You had someone

1:10:37.320 --> 1:10:39.280
<v Speaker 1>that came to multiple shows and they were like, I

1:10:39.320 --> 1:10:41.439
<v Speaker 1>already heard this because they're just ignorant to the fact

1:10:41.479 --> 1:10:44.120
<v Speaker 1>that you do that. Most people that come to the show,

1:10:44.240 --> 1:10:46.040
<v Speaker 1>they want to see it again. It's like seeing the movie.

1:10:46.600 --> 1:10:48.439
<v Speaker 1>They're like, oh man, that ship was funny. So they

1:10:48.520 --> 1:10:51.160
<v Speaker 1>come back they know what to expect and they like

1:10:51.280 --> 1:10:53.400
<v Speaker 1>what you do. So it's not difficult for you to

1:10:53.520 --> 1:10:55.360
<v Speaker 1>repeat it. Not at all I know, I got a

1:10:55.400 --> 1:10:57.800
<v Speaker 1>home fresh audience. So if it's one mother fucking in

1:10:57.840 --> 1:11:00.680
<v Speaker 1>there that's gonna complain about Nick, you came back. I

1:11:00.720 --> 1:11:04.320
<v Speaker 1>didn't ask you to come back. You came back and

1:11:04.360 --> 1:11:07.000
<v Speaker 1>see me. I didn't say, hey, come back to the

1:11:07.080 --> 1:11:11.040
<v Speaker 1>next show. I'm doing a whole new hour. Nigga that

1:11:12.280 --> 1:11:15.600
<v Speaker 1>if you're bombing and the nigga yell, we heard that

1:11:15.720 --> 1:11:20.559
<v Speaker 1>ship already, that's the word. That's somebody already taking. They

1:11:20.600 --> 1:11:25.280
<v Speaker 1>already going, and you know that Walmart ship. That's what

1:11:25.400 --> 1:11:28.320
<v Speaker 1>happens to some people. And and now it's it's getting

1:11:28.320 --> 1:11:29.840
<v Speaker 1>around as a rule of thumb that you don't do.

1:11:30.160 --> 1:11:32.559
<v Speaker 1>But some people, after they release a stand up special,

1:11:33.600 --> 1:11:36.760
<v Speaker 1>they've tried to do those same jokes. I've seen that

1:11:37.800 --> 1:11:41.439
<v Speaker 1>on the Show's disgusting, and the people are like, hey, niked,

1:11:42.439 --> 1:11:45.320
<v Speaker 1>what else you got. I'm a real comedy fan. That's disgusting. Yes,

1:11:45.880 --> 1:11:48.479
<v Speaker 1>if I can see your max and then see your

1:11:48.520 --> 1:11:52.960
<v Speaker 1>ship and the motherfucking the same ship, man, that's why

1:11:53.000 --> 1:11:55.439
<v Speaker 1>it's so hard. Yeah, it's lazy for a comedian, But

1:11:55.479 --> 1:11:58.040
<v Speaker 1>that's why it's so unfair because rappers y'all could do that.

1:11:58.160 --> 1:12:00.960
<v Speaker 1>They want the same ship they want the classics. If

1:12:01.000 --> 1:12:03.599
<v Speaker 1>you don't do the class gonna be mad. That's true

1:12:03.680 --> 1:12:05.360
<v Speaker 1>that when you come to music. But I'm too much

1:12:05.520 --> 1:12:08.479
<v Speaker 1>shaping the same show together. I could do the same classes,

1:12:08.520 --> 1:12:10.400
<v Speaker 1>but I have to do it differently. You have to

1:12:10.439 --> 1:12:12.680
<v Speaker 1>do it. You have to take a beat of a

1:12:12.760 --> 1:12:15.559
<v Speaker 1>superdrug and I gotta replace that with you know something else,

1:12:15.600 --> 1:12:18.000
<v Speaker 1>Like you have to happen this way. You know, you're

1:12:18.040 --> 1:12:20.000
<v Speaker 1>doing the same material, but you're you're, you're, you're, you're

1:12:20.080 --> 1:12:21.960
<v Speaker 1>doing it in a different way. So this way I

1:12:22.280 --> 1:12:24.120
<v Speaker 1>do a tour. I would never do that that way again.

1:12:24.160 --> 1:12:28.439
<v Speaker 1>How are so if you bomb doing the same material,

1:12:28.640 --> 1:12:31.040
<v Speaker 1>do you say okay, how much changes? Or you just

1:12:31.240 --> 1:12:34.439
<v Speaker 1>keep at it. You gotta work out until it gets funny,

1:12:34.960 --> 1:12:36.840
<v Speaker 1>Like there might be a nucleus of an idea, but

1:12:36.920 --> 1:12:38.680
<v Speaker 1>you just haven't worked it out all the way, and

1:12:38.760 --> 1:12:41.080
<v Speaker 1>then there's just some material that's just bad. Like some

1:12:41.200 --> 1:12:43.400
<v Speaker 1>material might be great. It's just how you timed it.

1:12:43.520 --> 1:12:45.680
<v Speaker 1>How you time it, and then how you word it,

1:12:46.040 --> 1:12:48.439
<v Speaker 1>maybe how you place it within the set. It might

1:12:48.720 --> 1:12:51.120
<v Speaker 1>work better at the end or in the middle, or

1:12:51.160 --> 1:12:54.080
<v Speaker 1>if you add another element to it. Never so right now,

1:12:54.200 --> 1:12:57.759
<v Speaker 1>this is this is canceled culture. Right, you say anything

1:12:57.840 --> 1:13:04.000
<v Speaker 1>about anybody, Yeah, you could be kissing. It must be

1:13:04.040 --> 1:13:05.760
<v Speaker 1>the toughest time. I don't mean I don't give a

1:13:05.800 --> 1:13:07.880
<v Speaker 1>funk about but here's the but here's the thing that

1:13:08.040 --> 1:13:11.760
<v Speaker 1>we still get a pass as comedians. It's just it's

1:13:11.800 --> 1:13:16.240
<v Speaker 1>just lately it gets extremely awkward, like like if I

1:13:16.439 --> 1:13:19.479
<v Speaker 1>say since something about you know, the gay community, it

1:13:19.520 --> 1:13:23.800
<v Speaker 1>will get extremely awkward. Where it's like if I don't

1:13:23.840 --> 1:13:28.200
<v Speaker 1>have a reputable name and it doesn't make sense. My brother,

1:13:28.360 --> 1:13:36.960
<v Speaker 1>my brother the jaffrom Carbonne continued the show bro continue

1:13:37.960 --> 1:13:42.960
<v Speaker 1>look Jared or like Miami Vice for contin So no

1:13:43.120 --> 1:13:45.160
<v Speaker 1>not but like you know, it gets awkward and like

1:13:45.240 --> 1:13:48.879
<v Speaker 1>even if you have a name, it has to be funnier.

1:13:49.800 --> 1:13:51.680
<v Speaker 1>Then if I don't have enough, I don't have it's

1:13:51.680 --> 1:13:54.439
<v Speaker 1>gonna offer the crowd. I lost the crowd because because

1:13:54.520 --> 1:13:56.439
<v Speaker 1>comedy used to be the safe place. Like when we

1:13:56.680 --> 1:14:00.600
<v Speaker 1>started the show, I placed us in the comedy category

1:14:00.680 --> 1:14:02.560
<v Speaker 1>and we ended up changing the music because I was like,

1:14:02.840 --> 1:14:05.719
<v Speaker 1>we don't get canceled, say like if we put ourselves

1:14:05.720 --> 1:14:08.439
<v Speaker 1>in the comedy section, there's people will be a little

1:14:08.439 --> 1:14:11.760
<v Speaker 1>bit more like lenient with us and whatever saying they'll

1:14:11.760 --> 1:14:14.320
<v Speaker 1>they'll tolerate some of ship, and then we changed the music.

1:14:14.479 --> 1:14:16.320
<v Speaker 1>In my opinion, you've been threatened to be canceled. No,

1:14:16.800 --> 1:14:18.200
<v Speaker 1>I'm about to I'm about to kill that right now.

1:14:18.880 --> 1:14:23.240
<v Speaker 1>In my opinion, we put too much, we get too

1:14:23.320 --> 1:14:26.639
<v Speaker 1>much power to cancel culture. It's all bullshit. And I'm

1:14:26.640 --> 1:14:30.880
<v Speaker 1>gonna tell you why. Kanye West, he'd been canceled. Kanye West.

1:14:31.160 --> 1:14:36.920
<v Speaker 1>Every he is the genius who this nigga hugged the

1:14:37.080 --> 1:14:41.000
<v Speaker 1>devil with the mega hat on, and everybody's like, fun

1:14:41.120 --> 1:14:42.880
<v Speaker 1>that nigga, We're not dealing with him no more, blah

1:14:42.880 --> 1:14:46.200
<v Speaker 1>blah blah. Multiple times they want to cancel Kanye all

1:14:46.240 --> 1:14:47.960
<v Speaker 1>kind of thing. Are you dealing with him? And you

1:14:48.040 --> 1:14:52.040
<v Speaker 1>got the easy zone? And then and then I'm driving

1:14:52.080 --> 1:14:57.160
<v Speaker 1>a new album. I forgive you man, nigga. Did you

1:14:57.280 --> 1:15:00.960
<v Speaker 1>see how many people in Atlanta last night? Yeah? So

1:15:01.120 --> 1:15:04.160
<v Speaker 1>that's proof that if you just we're in a society

1:15:04.200 --> 1:15:07.640
<v Speaker 1>where everybody's attention span is so fucking short, you can

1:15:07.680 --> 1:15:11.720
<v Speaker 1>say some ship tomorrow and get canceled, and then two

1:15:11.760 --> 1:15:14.439
<v Speaker 1>weeks later you drop a new single. Oh that new noise.

1:15:15.160 --> 1:15:18.000
<v Speaker 1>I agree with his's apart, I don't his apart just

1:15:18.120 --> 1:15:22.360
<v Speaker 1>slightly have a separate opinion. I agree with everything you

1:15:22.439 --> 1:15:26.200
<v Speaker 1>just said, but I feel that Instagram made other people

1:15:26.240 --> 1:15:29.479
<v Speaker 1>feel so important, and even the people that social media

1:15:29.720 --> 1:15:32.200
<v Speaker 1>alsocial media make people feel so important that they were like,

1:15:32.360 --> 1:15:34.240
<v Speaker 1>I'm giving these cancel or not. I want to be

1:15:34.320 --> 1:15:35.800
<v Speaker 1>the first one I have a picture with them, so

1:15:35.960 --> 1:15:38.599
<v Speaker 1>everyone would just go and just disregard to everything else.

1:15:38.680 --> 1:15:41.680
<v Speaker 1>That's what I feel. I feel like this is all

1:15:41.720 --> 1:15:44.559
<v Speaker 1>of that plays into it. I don't believe. I don't.

1:15:44.640 --> 1:15:46.720
<v Speaker 1>I'm not concerned about cancel culture because I know these

1:15:46.760 --> 1:15:48.960
<v Speaker 1>things got short attention span. I think we only got

1:15:49.080 --> 1:15:52.880
<v Speaker 1>one out of my I got three comedians who don't

1:15:52.960 --> 1:15:55.280
<v Speaker 1>give a fuck and will continue to say Paul Mooney,

1:15:55.439 --> 1:15:59.800
<v Speaker 1>Patrise O'Neil, and Koreoker rest to pieces first piece of

1:15:59.840 --> 1:16:03.320
<v Speaker 1>Paul treat to treat my man. That's that's the homie

1:16:03.439 --> 1:16:05.920
<v Speaker 1>only it's Corey Court. Don't give a funk. If you

1:16:05.960 --> 1:16:07.240
<v Speaker 1>go to a court, help me your live, you don't

1:16:07.280 --> 1:16:10.360
<v Speaker 1>give us. He beat up other comedian that we had

1:16:10.400 --> 1:16:12.880
<v Speaker 1>on here, every spars that's Corey hold him right, he

1:16:13.280 --> 1:16:18.040
<v Speaker 1>beat up. He beat him up. Yeah, fucking YouTube, act

1:16:18.120 --> 1:16:23.600
<v Speaker 1>like your question. It was it was the show after this,

1:16:23.800 --> 1:16:26.920
<v Speaker 1>you know it wasn't It wasn't Corey. It wasn't Corey

1:16:27.000 --> 1:16:30.160
<v Speaker 1>because his co host him and he's got yeah, the

1:16:30.240 --> 1:16:31.640
<v Speaker 1>same ship to me, you know what I mean, Like,

1:16:32.000 --> 1:16:36.439
<v Speaker 1>it's not Corey nor bars. Yeah, Corey, you come to

1:16:36.439 --> 1:16:38.479
<v Speaker 1>see us, have a different story. Can come and come

1:16:38.520 --> 1:16:40.960
<v Speaker 1>and see us. So you never got cancer, you never

1:16:41.000 --> 1:16:43.320
<v Speaker 1>got threatened to be canceled. Never, I mean I personally. Again,

1:16:43.360 --> 1:16:45.240
<v Speaker 1>I don't I say what I mean, so I don't.

1:16:45.280 --> 1:16:47.960
<v Speaker 1>I don't. But you also said that you're careful, not careful,

1:16:48.000 --> 1:16:50.439
<v Speaker 1>but I do. I do it tactfully. So I try

1:16:50.439 --> 1:16:52.439
<v Speaker 1>to do everything tactfully. But if someone wants to be

1:16:52.560 --> 1:16:56.840
<v Speaker 1>hyper sensitive to something I say, I said what I said,

1:16:56.840 --> 1:17:00.720
<v Speaker 1>that's the danger cancel cultures just depending on any I

1:17:00.760 --> 1:17:03.280
<v Speaker 1>don't like the way you sounded, the way your mannerism

1:17:03.360 --> 1:17:06.559
<v Speaker 1>worthy me, and then I'm trying to cancel you, right,

1:17:06.640 --> 1:17:08.880
<v Speaker 1>And that's too much freedom for them, for them things

1:17:08.920 --> 1:17:11.559
<v Speaker 1>that I don't. I don't play into that. I'll say

1:17:11.560 --> 1:17:15.040
<v Speaker 1>what I say. Goddamnit, let's make some noise for that said.

1:17:15.640 --> 1:17:20.519
<v Speaker 1>That's that's the proof season because I'm not gonna lie.

1:17:20.560 --> 1:17:24.200
<v Speaker 1>I was scared for comedians at one point because um,

1:17:24.720 --> 1:17:26.760
<v Speaker 1>like I said, I looked to y'all to get me

1:17:26.880 --> 1:17:29.120
<v Speaker 1>out if it's a situation. It was so funked up

1:17:29.120 --> 1:17:32.200
<v Speaker 1>and not eleven, you know, when I'm going through all that,

1:17:32.360 --> 1:17:34.280
<v Speaker 1>that's what I'll look for. I look for the next

1:17:34.320 --> 1:17:36.479
<v Speaker 1>specially for comedian to kind of make fun of it

1:17:36.720 --> 1:17:40.080
<v Speaker 1>without offending somebody. But I'm not a person who can

1:17:40.120 --> 1:17:42.240
<v Speaker 1>say who's offended or not, though you know what I'm saying.

1:17:42.240 --> 1:17:43.880
<v Speaker 1>But I always wanted a person to make fun of it,

1:17:43.960 --> 1:17:45.479
<v Speaker 1>so you can make light of the situation. Not like

1:17:45.560 --> 1:17:49.160
<v Speaker 1>we're making light and it's always gonna situation in its totality,

1:17:49.400 --> 1:17:51.439
<v Speaker 1>but we want to you know, like that ship was.

1:17:51.680 --> 1:17:53.760
<v Speaker 1>That was our first quarantine. I was living in New

1:17:53.840 --> 1:17:56.000
<v Speaker 1>York when I could you live. I love New Jersey

1:17:56.040 --> 1:17:57.519
<v Speaker 1>at the time, when I could just go out and

1:17:57.600 --> 1:18:00.120
<v Speaker 1>look and see the actually twin towers burning like we

1:18:00.160 --> 1:18:02.519
<v Speaker 1>couldn't go into the city. Our phones wasn't working. So

1:18:02.600 --> 1:18:05.360
<v Speaker 1>that's our first quarantine, right. That was one of the

1:18:05.439 --> 1:18:07.720
<v Speaker 1>first things I looked for was not to how do

1:18:07.760 --> 1:18:09.360
<v Speaker 1>they make funny of this situation, but how do we

1:18:09.560 --> 1:18:12.240
<v Speaker 1>how do we have fun period? Find some sunshine? Yeah,

1:18:12.240 --> 1:18:14.880
<v Speaker 1>how do you yeah, yeah, yeah, so now but but

1:18:15.320 --> 1:18:18.000
<v Speaker 1>now with all this ship, like, um, I think I've

1:18:18.000 --> 1:18:23.120
<v Speaker 1>seen the Plastic bag boys. They made up a couple. Yeah,

1:18:23.560 --> 1:18:34.320
<v Speaker 1>it does remake right, everybody names the clicking bag was

1:18:34.360 --> 1:18:39.120
<v Speaker 1>I confident. I was confident. I was just watched bad boys.

1:18:40.040 --> 1:18:42.160
<v Speaker 1>I think I ready to look up the plastic I

1:18:42.200 --> 1:18:44.719
<v Speaker 1>think I can Funny, I think I can Plastic bag boys.

1:18:45.280 --> 1:18:55.880
<v Speaker 1>Crockett what Bavy Crockett rocket cool? Alright, I'm syllables in

1:18:55.920 --> 1:18:59.160
<v Speaker 1>your ship. When I seen the plastic cup boys, I

1:18:59.240 --> 1:19:01.280
<v Speaker 1>was like, I said, I think I could go after them.

1:19:02.320 --> 1:19:03.720
<v Speaker 1>Do you say that I think I could hang with

1:19:03.800 --> 1:19:10.400
<v Speaker 1>them like comedy wise? You think so? No, suy want to.

1:19:10.560 --> 1:19:12.840
<v Speaker 1>I wantch my buck list. I think I'm gonna. I

1:19:12.920 --> 1:19:14.800
<v Speaker 1>think I'm gonna try out. You gonna try to stand

1:19:14.880 --> 1:19:18.320
<v Speaker 1>up or specifically you gotta end against the plastic No, no,

1:19:18.439 --> 1:19:22.000
<v Speaker 1>he wants to do. I want to do but shout out.

1:19:23.160 --> 1:19:24.559
<v Speaker 1>But I want I want, I want to. I want

1:19:24.560 --> 1:19:27.800
<v Speaker 1>to go through plastic coupboy training and your training. All right,

1:19:28.360 --> 1:19:30.960
<v Speaker 1>I'm gonna I'm gonna go through it time type of

1:19:31.720 --> 1:19:33.320
<v Speaker 1>I think. I think I think I can hand. I'm

1:19:33.320 --> 1:19:36.479
<v Speaker 1>gonna take you to I've seen Nick Cannon. Now I'm

1:19:36.479 --> 1:19:39.200
<v Speaker 1>already a buck. You know what I'm saying, Like he good,

1:19:39.600 --> 1:19:42.120
<v Speaker 1>shout out the Nick Canadon. He's good. He could have

1:19:42.280 --> 1:19:44.439
<v Speaker 1>picking talent, but he don't really got it, you know

1:19:44.439 --> 1:19:46.599
<v Speaker 1>what I mean. That's not true though I think he's

1:19:46.920 --> 1:19:51.240
<v Speaker 1>I'm gonna disagree. I ain't let me stop. I'm gonna disagree.

1:19:51.320 --> 1:19:52.960
<v Speaker 1>I'm gonna say. I'm gonna say I said it. I

1:19:53.080 --> 1:19:56.160
<v Speaker 1>said it publicly a lot of times. Nick is he's talking.

1:19:56.280 --> 1:19:59.040
<v Speaker 1>He's hilarious, and he's a genius. Yes. And I was

1:19:59.080 --> 1:20:01.120
<v Speaker 1>able to work with him on Wild and Out, Yes,

1:20:01.680 --> 1:20:06.240
<v Speaker 1>very closely to see how this nigga multitask like six

1:20:06.320 --> 1:20:11.639
<v Speaker 1>different jobs as the producer, creator, host, talent. That is genius. Yea.

1:20:11.880 --> 1:20:15.400
<v Speaker 1>And I might say he's very funny. Sometimes it doesn't

1:20:15.439 --> 1:20:19.479
<v Speaker 1>always translate with the way he delivers it or whatever,

1:20:19.760 --> 1:20:23.040
<v Speaker 1>but with the people, but that nigga is a genius,

1:20:23.160 --> 1:20:25.240
<v Speaker 1>and I feel like he don't get the just due

1:20:25.280 --> 1:20:28.240
<v Speaker 1>for it. I agree. I'll just say I'm coming. I

1:20:28.360 --> 1:20:32.639
<v Speaker 1>got you whenever you're ready, man, I'm coming. Whatever you're

1:20:32.680 --> 1:20:36.160
<v Speaker 1>thinking that thinking it's a joke, that's that's the part

1:20:42.200 --> 1:20:46.680
<v Speaker 1>that's of all man, man, man, I love comedy. I

1:20:46.800 --> 1:20:50.600
<v Speaker 1>love comedy, man, I just love it. Period um with this,

1:20:50.720 --> 1:20:53.000
<v Speaker 1>with this cancel culture, keep going out? Is it is it?

1:20:53.120 --> 1:20:54.880
<v Speaker 1>Is it gonna be watered down? Now we're gonna get

1:20:55.240 --> 1:20:57.960
<v Speaker 1>that version of Mike absence. He can't say this, He

1:20:58.000 --> 1:21:00.880
<v Speaker 1>can't say this the next your next special, you can't

1:21:00.920 --> 1:21:03.360
<v Speaker 1>say this, is it? I mean, because that's just where

1:21:03.360 --> 1:21:05.559
<v Speaker 1>it seems like like kind of my heart. Actually literally

1:21:05.640 --> 1:21:08.760
<v Speaker 1>went on apology toil and still didn't get the job,

1:21:09.240 --> 1:21:11.120
<v Speaker 1>Like you know what I'm saying, like like, I mean,

1:21:12.080 --> 1:21:13.720
<v Speaker 1>you know, he's rich as ship, so I don't feel

1:21:13.760 --> 1:21:15.920
<v Speaker 1>sorry for him like that, but I didn't. I'm sorry

1:21:16.000 --> 1:21:18.759
<v Speaker 1>for the situation because I was like a stand though, okay.

1:21:18.760 --> 1:21:22.240
<v Speaker 1>I mean he apologized first, and then when they wanted

1:21:22.320 --> 1:21:24.479
<v Speaker 1>him to keep apologizing, that's when he was just like, no,

1:21:24.600 --> 1:21:26.880
<v Speaker 1>I'm not gonna keep I'm not gonna keep tap dance

1:21:26.960 --> 1:21:30.560
<v Speaker 1>for you, and that sincerely said what I said, I

1:21:30.680 --> 1:21:35.080
<v Speaker 1>apologize sincerely, and and y'all keep wanting to and every

1:21:35.080 --> 1:21:36.439
<v Speaker 1>talk show he went on, he was like, yo, I'm

1:21:36.439 --> 1:21:38.080
<v Speaker 1>not talking about to stop asking me about this ship.

1:21:38.680 --> 1:21:41.880
<v Speaker 1>So he declined the job, and I think the difference

1:21:42.000 --> 1:21:45.519
<v Speaker 1>is going forward. That probably is like he apologized for

1:21:45.600 --> 1:21:50.720
<v Speaker 1>that particular gig, which is this the structure that you

1:21:50.800 --> 1:21:52.880
<v Speaker 1>know is asking for him to apologize. We just gotta

1:21:52.920 --> 1:21:57.040
<v Speaker 1>keep creating our own jobs, what I'm saying, and make

1:21:57.120 --> 1:21:59.920
<v Speaker 1>those and amplify those jobs to pay well. And then

1:22:00.040 --> 1:22:02.160
<v Speaker 1>that that well, you don't have to succumb to those

1:22:02.200 --> 1:22:11.320
<v Speaker 1>type of situations. That's the real TALKO. Ownership for me

1:22:11.479 --> 1:22:13.920
<v Speaker 1>is key. So we don't have to keep asking. I don't.

1:22:13.960 --> 1:22:17.960
<v Speaker 1>I don't like asking. I just produced. God damn it,

1:22:18.640 --> 1:22:23.280
<v Speaker 1>God damn it. So Paul Mooney, oh, I don't trust

1:22:23.320 --> 1:22:27.479
<v Speaker 1>none of these niggas. Oh you don't. Don't say my

1:22:27.560 --> 1:22:29.479
<v Speaker 1>name unless you want all this smoke that comes along

1:22:29.520 --> 1:22:33.920
<v Speaker 1>with the niggas. Okay, I've seen you know. I met

1:22:34.000 --> 1:22:37.080
<v Speaker 1>Paul Mooney on and your teeth are whitter than those people.

1:22:39.600 --> 1:22:44.439
<v Speaker 1>These people. I said, I said, well, I want you

1:22:44.439 --> 1:22:46.320
<v Speaker 1>to come up my show. It was this is the

1:22:46.400 --> 1:22:52.200
<v Speaker 1>time with your guys. Ran into um black panther. Oh

1:22:54.479 --> 1:22:57.519
<v Speaker 1>man yeah yeah. And I see Paul Mooney and passed

1:22:57.560 --> 1:22:59.120
<v Speaker 1>and he was walking by. I was like, yo, man,

1:22:59.200 --> 1:23:01.160
<v Speaker 1>I got it. Must have told him like yo, that's nori.

1:23:01.560 --> 1:23:03.880
<v Speaker 1>The rapper, and then I asked about the show and

1:23:03.920 --> 1:23:05.680
<v Speaker 1>he was he like, what does they just say? They

1:23:05.760 --> 1:23:08.760
<v Speaker 1>just just said he just said he's rapp show and

1:23:08.800 --> 1:23:10.240
<v Speaker 1>it must have said yo, and he said, oh no,

1:23:10.320 --> 1:23:12.280
<v Speaker 1>no no, this is before cancer goes. It was hot.

1:23:12.760 --> 1:23:14.840
<v Speaker 1>I can't do home when pressure like you. He's like

1:23:15.439 --> 1:23:16.760
<v Speaker 1>you no, no, no, young brother, you don't want me

1:23:16.760 --> 1:23:20.600
<v Speaker 1>on your show that you want to get cancle. We

1:23:20.720 --> 1:23:25.720
<v Speaker 1>wanted him on the show. And I looked at him

1:23:25.720 --> 1:23:29.479
<v Speaker 1>and because that word wasn't popular at the time castle,

1:23:29.880 --> 1:23:31.360
<v Speaker 1>so I really didn't know what the funk he meant.

1:23:31.439 --> 1:23:33.759
<v Speaker 1>So I was just like, Okay, it was hilarious. I laughed.

1:23:33.960 --> 1:23:35.800
<v Speaker 1>But then I thought about it after he passed, said,

1:23:35.840 --> 1:23:37.280
<v Speaker 1>oh ship, he might have was trying to give me

1:23:37.360 --> 1:23:39.680
<v Speaker 1>a jewel, like because he definitely what he meant the

1:23:39.720 --> 1:23:45.960
<v Speaker 1>show getting canceled, which the TV before the cancer. He

1:23:46.120 --> 1:23:47.920
<v Speaker 1>was like, if you don't want you want your show

1:23:47.960 --> 1:23:50.840
<v Speaker 1>to last? Yeah, he thought we was the network owners,

1:23:51.960 --> 1:23:55.320
<v Speaker 1>They just don't want me. One were black TV. We

1:24:00.040 --> 1:24:03.360
<v Speaker 1>oh man, So who I think we established it? Who

1:24:03.400 --> 1:24:06.240
<v Speaker 1>your favorite comedian was? Wasn't that Eddie right? Who's your

1:24:06.280 --> 1:24:10.320
<v Speaker 1>favorite comedian? Earthquake m hm and Earthquake is the first

1:24:10.360 --> 1:24:14.920
<v Speaker 1>comedian that discovered me and gave me my first comedy dollar. Okay,

1:24:15.560 --> 1:24:17.840
<v Speaker 1>I gotta figure out who Earthquake is. Let me figure

1:24:17.840 --> 1:24:21.439
<v Speaker 1>You don't know who earthquake? Is it the big homie? No,

1:24:21.600 --> 1:24:26.320
<v Speaker 1>he's not big. He chunky? Um, that's the y think.

1:24:27.160 --> 1:24:28.360
<v Speaker 1>Is he the one who just hung out with Dave

1:24:28.400 --> 1:24:34.320
<v Speaker 1>Chappelle on the rooftop of Okay? Yeah, yeah, just shot

1:24:34.479 --> 1:24:37.160
<v Speaker 1>special he just produced. I think he shot off. He's

1:24:37.200 --> 1:24:39.760
<v Speaker 1>a d C O g yea oh wow, because it's

1:24:40.240 --> 1:24:42.320
<v Speaker 1>from d C two, right, he in the middle class

1:24:42.320 --> 1:24:44.000
<v Speaker 1>of d C two. He's saying that he's like he

1:24:44.040 --> 1:24:48.160
<v Speaker 1>ain't from the hood. I like that he'd been rigging down.

1:24:52.600 --> 1:24:55.880
<v Speaker 1>Your favorite comedian is ef question because he was the

1:24:55.880 --> 1:24:58.880
<v Speaker 1>first comedian to take me on the road. Yeah. Also,

1:25:00.640 --> 1:25:03.240
<v Speaker 1>but it's not that, but you got out the step.

1:25:03.320 --> 1:25:06.240
<v Speaker 1>But yeah, you guys knew you had that in common.

1:25:06.280 --> 1:25:07.880
<v Speaker 1>You said he was the first comedian to give you back.

1:25:08.320 --> 1:25:10.680
<v Speaker 1>Didn't know that, you know, Yeah, we didn't know when

1:25:10.720 --> 1:25:14.040
<v Speaker 1>you was his feature. No, No, you saw me before

1:25:14.120 --> 1:25:15.800
<v Speaker 1>Bob something that saw me in Charlotte and put me

1:25:15.840 --> 1:25:18.839
<v Speaker 1>on that comedy jam. Earthquake was the first big comedian

1:25:19.400 --> 1:25:22.000
<v Speaker 1>that saw me and thought I had potential and brought

1:25:22.040 --> 1:25:24.040
<v Speaker 1>me down to his club in Atlanta and paid me.

1:25:24.120 --> 1:25:26.559
<v Speaker 1>That was my first money that I made as a comedian,

1:25:26.840 --> 1:25:28.360
<v Speaker 1>because he was in a young comedian. I was only

1:25:28.479 --> 1:25:32.920
<v Speaker 1>months in. He was interning before that. No, nigga, he

1:25:33.000 --> 1:25:39.000
<v Speaker 1>made up his own body after you worked at Jennis.

1:25:39.040 --> 1:25:43.000
<v Speaker 1>You know what I'm saying, because that's how a lot

1:25:43.080 --> 1:25:45.040
<v Speaker 1>of comedians you don't want to do. They do it

1:25:45.160 --> 1:25:48.360
<v Speaker 1>for free right until sure know, well, we don't call

1:25:48.360 --> 1:25:51.680
<v Speaker 1>it interning, but we definitely we had a point. He

1:25:51.760 --> 1:26:00.200
<v Speaker 1>had a point at that though. In Soyphisticated had a

1:26:00.240 --> 1:26:05.559
<v Speaker 1>lot of interning radio Radio two radio is that I'm

1:26:05.560 --> 1:26:07.920
<v Speaker 1>not gonna say the name. But in Charlotte, okay, I'm

1:26:07.960 --> 1:26:11.320
<v Speaker 1>gonna do name Nick Quick in radio sounds familiar. No,

1:26:11.400 --> 1:26:16.479
<v Speaker 1>you don't know you name? I should started asking this

1:26:16.520 --> 1:26:20.320
<v Speaker 1>thing about names. I just gotta gotta google a face.

1:26:20.360 --> 1:26:24.599
<v Speaker 1>I know you do know who knows? Is right? Come on? Brother? Yeah?

1:26:25.880 --> 1:26:30.280
<v Speaker 1>Absolutely not? Can you explain pick up the nas new

1:26:30.439 --> 1:26:35.080
<v Speaker 1>album Kick? Do you know what I'm on? That? On

1:26:35.400 --> 1:26:40.080
<v Speaker 1>that on that happened to a lot of this publicly.

1:26:40.560 --> 1:26:43.240
<v Speaker 1>I've done a lot of this on the side I'm

1:26:43.320 --> 1:26:48.920
<v Speaker 1>saying Eminem, I thought Eminem dumb this stuff. Now you're

1:26:49.040 --> 1:26:52.000
<v Speaker 1>like my opinion this and this is him and all

1:26:52.080 --> 1:26:54.439
<v Speaker 1>that I've been having that so I can never say

1:26:54.520 --> 1:26:57.720
<v Speaker 1>this and I've been having an opinion. And I don't

1:26:57.760 --> 1:27:02.360
<v Speaker 1>know if Eminem made this verse for me shifically pacifically.

1:27:05.360 --> 1:27:15.080
<v Speaker 1>I heard pacifically though it spurs spur, but spur spuracifically.

1:27:16.160 --> 1:27:18.960
<v Speaker 1>But let me tell you, Eminem, you made me proud

1:27:19.160 --> 1:27:26.320
<v Speaker 1>man that nas verse? He I don't know he we

1:27:27.040 --> 1:27:29.599
<v Speaker 1>because this is what this is what I want from him, honestly,

1:27:29.800 --> 1:27:32.439
<v Speaker 1>So sorry, I know's gonna sound sucked up. I want

1:27:32.479 --> 1:27:37.080
<v Speaker 1>Eminem to sound like he's on drugs, so what so

1:27:37.320 --> 1:27:40.760
<v Speaker 1>what I mean? I like that. I'm honest. I like

1:27:41.000 --> 1:27:43.880
<v Speaker 1>when Eminem was drugged out. It's my favorite's my favorite

1:27:43.920 --> 1:27:46.599
<v Speaker 1>artist when he's druged out. So what not so much? Right?

1:27:48.800 --> 1:27:54.559
<v Speaker 1>He sounded dropped out again? I love it? Are you vias?

1:27:56.880 --> 1:27:59.240
<v Speaker 1>I mean? I always think m Is is incredible. No,

1:27:59.320 --> 1:28:02.479
<v Speaker 1>he's increasable. Him is incredible. When he starts talking about drugs,

1:28:02.560 --> 1:28:05.240
<v Speaker 1>I love it. I love it. He talked about PURGOSECT

1:28:05.280 --> 1:28:09.280
<v Speaker 1>Molly puts some in sober, because I'm a sober guy.

1:28:10.040 --> 1:28:14.080
<v Speaker 1>You don't really prefer the sober. That that's that's I

1:28:14.280 --> 1:28:21.240
<v Speaker 1>rocked with him here, Lever, let you go. That's ecstasy.

1:28:23.160 --> 1:28:26.160
<v Speaker 1>I guarantee hasing on ecstasy on that. It's something that's

1:28:26.240 --> 1:28:29.120
<v Speaker 1>some type of us, some type of one, that's some

1:28:29.280 --> 1:28:31.800
<v Speaker 1>type of some ship. He writes some incredible I would

1:28:31.800 --> 1:28:34.280
<v Speaker 1>like to think that he's on drugs every time, because

1:28:34.680 --> 1:28:37.040
<v Speaker 1>he was definitely thinking about and the way he bends

1:28:37.320 --> 1:28:40.439
<v Speaker 1>whole sentences that this new verse, he was definitely on drugs.

1:28:40.479 --> 1:28:43.040
<v Speaker 1>He wasn't on drugs. I'm just telling you, I feel

1:28:43.040 --> 1:28:44.840
<v Speaker 1>like that's serious, Like you listen to it, that's like,

1:28:44.880 --> 1:28:47.920
<v Speaker 1>that's drug that's that's the dude. I've been in love

1:28:48.000 --> 1:29:03.160
<v Speaker 1>with Eminem over data lyrically, you ask you, are you

1:29:03.280 --> 1:29:24.640
<v Speaker 1>asking affiliation? I will answer this. I won't answer that,

1:29:25.600 --> 1:29:29.120
<v Speaker 1>but I will answer this also. Oh just I said

1:29:29.320 --> 1:29:33.720
<v Speaker 1>old eminem apology. I also owe Jada kiss apology. And

1:29:33.720 --> 1:29:36.880
<v Speaker 1>I'm gonna tell you why he's my friend. I get

1:29:36.960 --> 1:29:40.240
<v Speaker 1>him on face size, very close friend of mine, but

1:29:40.400 --> 1:29:44.080
<v Speaker 1>for years I never put him in that category with

1:29:44.320 --> 1:29:49.439
<v Speaker 1>jay Z and with Naas and even with Biggie and

1:29:49.600 --> 1:29:52.520
<v Speaker 1>Pop for years. I had him in that second category.

1:29:52.800 --> 1:29:57.160
<v Speaker 1>Right after that class, I had Jada there, and I

1:29:57.320 --> 1:30:00.640
<v Speaker 1>tell you, he shut me the funk up a lot

1:30:00.640 --> 1:30:04.320
<v Speaker 1>of people. He showed me knock me guys. I'm your friend, Nori,

1:30:04.920 --> 1:30:16.920
<v Speaker 1>but I'm really top five, he said it. I said, silly,

1:30:16.920 --> 1:30:21.000
<v Speaker 1>apologize maybe because he's we're see. I understand your ranking though,

1:30:21.160 --> 1:30:25.519
<v Speaker 1>because there's so many m c s, right, But when

1:30:25.520 --> 1:30:31.439
<v Speaker 1>you're talking about that ten slot, yeah, I understand why

1:30:31.560 --> 1:30:36.639
<v Speaker 1>you think of the classes because the class you're talking about,

1:30:37.520 --> 1:30:41.600
<v Speaker 1>I have how live com in challenges like yeah, he

1:30:41.680 --> 1:30:46.040
<v Speaker 1>texts me to yeah, any time with you, and but

1:30:46.120 --> 1:30:48.600
<v Speaker 1>there's there's tears. I feel like it's not it's not

1:30:48.680 --> 1:30:51.240
<v Speaker 1>I'm not. It's like the the generation that came after

1:30:51.400 --> 1:30:53.639
<v Speaker 1>the rock him And you know what, I'm saying, we'll

1:30:53.680 --> 1:30:57.080
<v Speaker 1>take one more shot. Two, ain't gonna do not? What

1:30:57.160 --> 1:31:04.160
<v Speaker 1>the hell are you doing? Drink chance Zepplin down, let's

1:31:04.160 --> 1:31:06.040
<v Speaker 1>seven will buy to help it off of a pigeon.

1:31:06.240 --> 1:31:10.760
<v Speaker 1>You know what, that's the same same thing to me,

1:31:10.880 --> 1:31:18.040
<v Speaker 1>SAME's the same thing, but not saying I get, I

1:31:18.160 --> 1:31:20.840
<v Speaker 1>get I killed you. And I still haven't told that

1:31:20.880 --> 1:31:22.200
<v Speaker 1>to Jay because I got to tell him that in

1:31:22.280 --> 1:31:25.960
<v Speaker 1>his face. Yeah, no, that's not real. Face to face.

1:31:26.040 --> 1:31:28.880
<v Speaker 1>Now we need him, Yeah, I gotta and the whole lots,

1:31:28.960 --> 1:31:32.360
<v Speaker 1>the whole lots of elite like always been what comedians

1:31:32.360 --> 1:31:34.720
<v Speaker 1>ever do versus like a version of versus you and

1:31:34.800 --> 1:31:37.960
<v Speaker 1>Kevin they do No, no, no, they do roast me,

1:31:38.840 --> 1:31:41.280
<v Speaker 1>which to me is the funniest fucking show, and it's

1:31:41.320 --> 1:31:43.600
<v Speaker 1>the funniest version of what the versus is. If you

1:31:43.680 --> 1:31:45.880
<v Speaker 1>do a versus like I kind of after me and

1:31:45.960 --> 1:31:49.160
<v Speaker 1>Kevin went viral, it would just me and him, like

1:31:49.800 --> 1:31:55.320
<v Speaker 1>Pepper just what Peper? The group like, like what what?

1:31:57.000 --> 1:31:59.479
<v Speaker 1>Like y'all was so Pepper like the g it was

1:31:59.479 --> 1:32:14.720
<v Speaker 1>like little, it's a little a little bit. It's I think,

1:32:15.800 --> 1:32:17.640
<v Speaker 1>if you do it versus in the same way that

1:32:17.680 --> 1:32:20.120
<v Speaker 1>the artists do it and it's just comedians to comedians

1:32:20.680 --> 1:32:23.639
<v Speaker 1>going back and forth, I think that's gonna get old

1:32:24.000 --> 1:32:27.720
<v Speaker 1>in about seven minutes. It's not gonna last hour long,

1:32:27.840 --> 1:32:29.840
<v Speaker 1>Like you're gonna be over talking to each other. Yeah,

1:32:30.240 --> 1:32:31.720
<v Speaker 1>but don't got to be that way. Just doing the

1:32:31.800 --> 1:32:34.920
<v Speaker 1>material like the original versus. Remember the original versus wasn't

1:32:34.960 --> 1:32:38.800
<v Speaker 1>so much of a battle. It's just you do your song.

1:32:38.880 --> 1:32:41.360
<v Speaker 1>I do my song comedians, that's what they're gonna want.

1:32:41.800 --> 1:32:43.840
<v Speaker 1>Right now, Let's just say it was one versus just

1:32:43.960 --> 1:32:46.559
<v Speaker 1>to funk it up. It messed up. What two comedians

1:32:46.600 --> 1:32:48.120
<v Speaker 1>do you think it would be? And who got the

1:32:48.160 --> 1:32:52.240
<v Speaker 1>best WiFi? I don't see it. I don't see comedian

1:32:52.320 --> 1:32:56.639
<v Speaker 1>versus I see who do you see? What do you see?

1:32:56.760 --> 1:32:59.800
<v Speaker 1>What were we talking about? Face to face in the theater?

1:33:00.200 --> 1:33:07.080
<v Speaker 1>Gucci manever dip set locks just at the bunch of

1:33:07.160 --> 1:33:11.720
<v Speaker 1>niggers on stage, A lot of comedian niggas, and to

1:33:12.040 --> 1:33:14.080
<v Speaker 1>who's your top? Who's your two comedians that you want

1:33:14.080 --> 1:33:17.320
<v Speaker 1>to see? You go at it? Kevin Hark mm hmm,

1:33:18.000 --> 1:33:21.439
<v Speaker 1>that's actually hit though, I want Mike. But what are

1:33:21.439 --> 1:33:24.240
<v Speaker 1>they doing? Are they just snapping on each other doing?

1:33:25.080 --> 1:33:29.360
<v Speaker 1>I think it should be material to do the next

1:33:29.479 --> 1:33:32.200
<v Speaker 1>two minutes too minutes? Yeah, yeah, that's that's probably the

1:33:32.240 --> 1:33:34.040
<v Speaker 1>better way. But that's too difficult. That's too difficult. You

1:33:34.160 --> 1:33:36.799
<v Speaker 1>would have to let them go like either and twenty.

1:33:36.800 --> 1:33:38.240
<v Speaker 1>You would have to let them do their whole set,

1:33:38.320 --> 1:33:40.519
<v Speaker 1>because no, I shouldn't be I don't think it should be.

1:33:40.560 --> 1:33:42.840
<v Speaker 1>A key said, it got to be like whatever the

1:33:42.960 --> 1:33:46.559
<v Speaker 1>one joke is boom and then then then whatever, maybe

1:33:46.560 --> 1:33:48.760
<v Speaker 1>it's not time, it's too fragment. Boom, you go and

1:33:48.880 --> 1:33:50.280
<v Speaker 1>tell you why. That's another world. I don't know. I'm

1:33:50.280 --> 1:33:57.559
<v Speaker 1>gonna tell you what just jointed? Okay, you're going too far. Okay.

1:33:58.360 --> 1:34:01.519
<v Speaker 1>But Chris Rocks of the Greats, he's one of my favorites.

1:34:02.680 --> 1:34:04.920
<v Speaker 1>I love all of his specials. But the one he

1:34:05.040 --> 1:34:08.360
<v Speaker 1>did where he was in three different locations and he

1:34:08.720 --> 1:34:12.560
<v Speaker 1>edited together. No, it was called Kill the Messenger. He

1:34:12.640 --> 1:34:14.320
<v Speaker 1>was in the UK, right, he's in the UK, he's

1:34:14.360 --> 1:34:17.320
<v Speaker 1>in Africa, and he was somewhere in the US and

1:34:18.479 --> 1:34:22.759
<v Speaker 1>he edited mid sentence some of the jokes. It doesn't

1:34:23.000 --> 1:34:28.000
<v Speaker 1>it doesn't feel cohesive. So when you have comedians, what

1:34:28.280 --> 1:34:30.760
<v Speaker 1>Mike Ebbs does one joke and then keV does one joke,

1:34:30.800 --> 1:34:33.240
<v Speaker 1>I don't know that that what if it was Mark?

1:34:33.840 --> 1:34:35.840
<v Speaker 1>I feel like you're being two professionals between the end

1:34:35.880 --> 1:34:38.439
<v Speaker 1>of the day. What makes your comedians be able to bag,

1:34:38.800 --> 1:34:41.200
<v Speaker 1>to be able to joke on each other? But that's

1:34:41.200 --> 1:34:43.800
<v Speaker 1>their shows. Yeah, that's how I feel like it should

1:34:43.840 --> 1:34:45.599
<v Speaker 1>go back to. I feel like one night, one night,

1:34:45.800 --> 1:34:50.200
<v Speaker 1>a bunch of nis in the class against said the entertainer,

1:34:51.000 --> 1:34:54.519
<v Speaker 1>just snapping snapping on suits, who who got the better?

1:34:55.120 --> 1:34:57.040
<v Speaker 1>I just feel like to make people sign up for

1:34:57.080 --> 1:35:02.639
<v Speaker 1>it though, because comedy subject, yes, meaning like the hip Joe.

1:35:03.080 --> 1:35:04.960
<v Speaker 1>You might not be feeling to be you don't want

1:35:04.960 --> 1:35:06.800
<v Speaker 1>to laugh today, but you can always feel the record

1:35:06.920 --> 1:35:09.439
<v Speaker 1>like the Redding can always end up making you do something.

1:35:09.680 --> 1:35:11.519
<v Speaker 1>You know, but Joe could always make me laugh though

1:35:11.640 --> 1:35:14.160
<v Speaker 1>I could be in the worst mood whatever. Snapping still

1:35:14.200 --> 1:35:16.880
<v Speaker 1>a little bit more freestyle. Yeah, and what happened was snapping.

1:35:17.080 --> 1:35:19.120
<v Speaker 1>And you can tell from their show Your Mama, all

1:35:19.160 --> 1:35:23.920
<v Speaker 1>them shows at some point, even the best roasters hit

1:35:24.000 --> 1:35:26.920
<v Speaker 1>a string of bad ones and it just it gets boring,

1:35:27.000 --> 1:35:29.320
<v Speaker 1>like everybody's like, that's a bad one. Try again, like

1:35:29.360 --> 1:35:32.160
<v Speaker 1>when they roasted Donald Trump. Yeah, even those shows they

1:35:32.680 --> 1:35:38.040
<v Speaker 1>get get sale quick. Yeah, jokes are not like hits.

1:35:39.360 --> 1:35:41.760
<v Speaker 1>You put on what what what? What? What? What? That's

1:35:41.800 --> 1:35:44.720
<v Speaker 1>just gonna bang everywhere? Correct, you know what I'm saying.

1:35:45.800 --> 1:35:48.080
<v Speaker 1>Come on, so maybe you should do a stand up

1:35:48.120 --> 1:35:55.200
<v Speaker 1>to the beat. Gotta relax. I agree, I agree, it's timeless.

1:35:57.560 --> 1:36:00.000
<v Speaker 1>Oh my god, oh my god, that's what I feel.

1:36:00.000 --> 1:36:05.759
<v Speaker 1>I feel like Kevin Hark one night only, Kevin against

1:36:05.880 --> 1:36:10.080
<v Speaker 1>Mike Gaps. Let me keep going. Make the call Steve Harvey.

1:36:10.640 --> 1:36:15.160
<v Speaker 1>You're gonna keep going with a c keep going. I'll

1:36:15.200 --> 1:36:29.839
<v Speaker 1>be on Crockey. Who your drink again? You're ready against

1:36:29.840 --> 1:36:35.400
<v Speaker 1>who you're digging? I go salt and pepper again. Michael

1:36:35.479 --> 1:36:47.280
<v Speaker 1>Blastman Blacksman, who is Michael Blashman was? Who's Michael Blacksmith him?

1:36:48.479 --> 1:36:50.360
<v Speaker 1>Do you ever see him eat with his hands? He

1:36:50.439 --> 1:36:56.880
<v Speaker 1>got to stop that. Man, stop man, that's what's no.

1:36:57.160 --> 1:36:59.640
<v Speaker 1>Man's the way he do it like he's doing it.

1:37:01.439 --> 1:37:06.880
<v Speaker 1>Me eat. I'm this guy goes like this. I'm like,

1:37:07.040 --> 1:37:10.720
<v Speaker 1>I literally and it made me feel like I don't

1:37:10.760 --> 1:37:12.960
<v Speaker 1>like African food. I don't think I don't like African food.

1:37:13.040 --> 1:37:18.519
<v Speaker 1>I don't like that. Michael blacks East Ship Niggers, Michael Blacksmith,

1:37:19.560 --> 1:37:23.000
<v Speaker 1>Michael Blacksmith Smith Nor he got a good you got

1:37:23.120 --> 1:37:25.519
<v Speaker 1>a good ten minutes, bro, stand up? You can do.

1:37:30.240 --> 1:37:32.200
<v Speaker 1>Look at his Instagram this He almost made me talk

1:37:32.400 --> 1:37:34.040
<v Speaker 1>to day. He was like this, and I don't know

1:37:34.160 --> 1:37:36.920
<v Speaker 1>he's doing this on purpose. He like you, he's looking

1:37:36.920 --> 1:37:41.519
<v Speaker 1>at this ship. He goes sorry, he goes like that

1:37:43.800 --> 1:37:47.080
<v Speaker 1>didn't then he licks all his fingers. I'm like, he's

1:37:47.080 --> 1:37:49.960
<v Speaker 1>definitely doing It's not the right way it's supposed to eat.

1:37:49.960 --> 1:37:53.760
<v Speaker 1>The African scene. He trying to show America that you know,

1:37:54.320 --> 1:37:56.040
<v Speaker 1>we eat and you know what they like you, They give,

1:37:56.160 --> 1:38:01.400
<v Speaker 1>they feed you. Yeah, we gotta stop an listen, man,

1:38:01.760 --> 1:38:04.680
<v Speaker 1>we gotta stop. Even in Africa, they're gonna keep keep

1:38:04.720 --> 1:38:06.080
<v Speaker 1>you if you go to Africa. I just throwing it

1:38:06.160 --> 1:38:07.800
<v Speaker 1>out there. They don't got light skid brothers like you.

1:38:07.800 --> 1:38:17.080
<v Speaker 1>They're gonna think you drink they wore in South Africa

1:38:17.160 --> 1:38:21.320
<v Speaker 1>right now. Yeah, going down what's the wildest place you

1:38:21.360 --> 1:38:25.240
<v Speaker 1>ever went to? Say comedy? To say comedy, say you

1:38:25.320 --> 1:38:29.840
<v Speaker 1>gotta just go there and say the word comedy. It's hilarious.

1:38:33.960 --> 1:38:41.400
<v Speaker 1>Wild you take off the Saudi Arabia when it was

1:38:41.439 --> 1:38:44.759
<v Speaker 1>like you can't curse. No, I've never been with it. Really, okay,

1:38:45.160 --> 1:38:49.200
<v Speaker 1>do none of that. I don't even money, he said,

1:38:49.600 --> 1:38:53.200
<v Speaker 1>pose Saudi Arabia, do buy right he places where he

1:38:53.240 --> 1:38:56.680
<v Speaker 1>gets a bad guy say that a long time now,

1:38:56.720 --> 1:39:01.880
<v Speaker 1>a long time. Nothing always be wondering because comedians go

1:39:02.000 --> 1:39:06.280
<v Speaker 1>out there and you know, I went to um get

1:39:06.320 --> 1:39:09.759
<v Speaker 1>what part of the Middle East, the Middle East because

1:39:09.960 --> 1:39:13.000
<v Speaker 1>the government actually hired us to actually performed for the

1:39:13.160 --> 1:39:17.000
<v Speaker 1>for the for the troops oh you mean the US government.

1:39:17.240 --> 1:39:21.320
<v Speaker 1>US government. Yeah, one time he was just going to

1:39:21.360 --> 1:39:23.800
<v Speaker 1>the ira not to making it about me. One time

1:39:23.840 --> 1:39:25.439
<v Speaker 1>he was going to Iraq because you know, in my

1:39:25.600 --> 1:39:27.880
<v Speaker 1>rhymes I say I'm from Iraq, but I don't mean

1:39:28.040 --> 1:39:30.599
<v Speaker 1>Iraq there. So we wrote the US government and said

1:39:30.600 --> 1:39:33.000
<v Speaker 1>we're going to Iraq. This was this was right how

1:39:33.040 --> 1:39:36.360
<v Speaker 1>he explained that if we don't know his like like

1:39:36.439 --> 1:39:37.960
<v Speaker 1>we're not no re fans and we know what the

1:39:38.240 --> 1:39:39.920
<v Speaker 1>I and you know what you thought he was in

1:39:40.040 --> 1:39:42.400
<v Speaker 1>the go for Listen, you know what the US government

1:39:42.479 --> 1:39:45.800
<v Speaker 1>told us you can We can't tell you you can't go,

1:39:47.000 --> 1:39:51.519
<v Speaker 1>but don't call us anything something for you. You didn't

1:39:51.520 --> 1:39:53.880
<v Speaker 1>go that US. And this is when I wanted to

1:39:54.400 --> 1:39:58.680
<v Speaker 1>the US. But there was a show that we had.

1:39:58.720 --> 1:40:01.680
<v Speaker 1>It was like in cool, wait some real ship so

1:40:01.800 --> 1:40:04.120
<v Speaker 1>like some terrorist him you like wenna have you know

1:40:04.760 --> 1:40:07.880
<v Speaker 1>we were like fucking state did say we're not coming

1:40:07.880 --> 1:40:11.599
<v Speaker 1>to get you if the ship happened. We definitely said

1:40:11.800 --> 1:40:14.920
<v Speaker 1>the show like you want to feel like your country

1:40:15.000 --> 1:40:17.760
<v Speaker 1>gonna come get you right like you you hope. So

1:40:17.960 --> 1:40:22.639
<v Speaker 1>so where's the wildest place you told Carmedy at after

1:40:22.680 --> 1:40:25.240
<v Speaker 1>you said it, where did you do like, yeah, like

1:40:25.560 --> 1:40:31.880
<v Speaker 1>you in Kentucky, like you speaking bourbon Kentucky with the

1:40:31.920 --> 1:40:36.400
<v Speaker 1>whitest place. That's the show about that. That was, you know, whites,

1:40:36.520 --> 1:40:38.719
<v Speaker 1>the whitest place. I haven't been early in my career,

1:40:38.760 --> 1:40:40.240
<v Speaker 1>I had to. I had to go to West Virginia

1:40:42.560 --> 1:40:47.479
<v Speaker 1>in this mountain tavern and and it worked. I mean

1:40:48.040 --> 1:40:49.799
<v Speaker 1>that's when I first learned you could just be yourself

1:40:49.880 --> 1:40:52.559
<v Speaker 1>and they're gonna laugh instead of trying to like play Kate.

1:40:52.640 --> 1:40:55.679
<v Speaker 1>But what I did was I pulled one of the guys.

1:40:56.400 --> 1:40:57.920
<v Speaker 1>He had cowboy boots. He had the whole shot on

1:40:57.960 --> 1:41:00.920
<v Speaker 1>the cowboy had cowboy boots, and that it. I bet

1:41:00.960 --> 1:41:02.559
<v Speaker 1>you know how to line dance. He's like, you got

1:41:02.640 --> 1:41:05.120
<v Speaker 1>damn around out the Okay, I don't know how line dance?

1:41:05.160 --> 1:41:08.360
<v Speaker 1>What is that did your best? Yeah? I bet I

1:41:08.400 --> 1:41:11.160
<v Speaker 1>could do everything he does on the on the line dance.

1:41:11.200 --> 1:41:13.040
<v Speaker 1>I ain't know what the he's gonna do, but I

1:41:13.160 --> 1:41:16.840
<v Speaker 1>just to get that camaraderie into come got damn it.

1:41:17.240 --> 1:41:19.320
<v Speaker 1>I was like, let's get him up here and get

1:41:19.400 --> 1:41:22.160
<v Speaker 1>him to uh to do with line dance. And so

1:41:22.280 --> 1:41:23.880
<v Speaker 1>he got up there and everybody was like, oh yeah,

1:41:23.920 --> 1:41:27.120
<v Speaker 1>go ahead, Jimbo, go ahead, show him, show him how

1:41:27.200 --> 1:41:29.880
<v Speaker 1>to do it. Now his name is Jimbo. I don't remember.

1:41:30.000 --> 1:41:32.640
<v Speaker 1>It just sounds like what they call you, Jimbo. No, no, no, no,

1:41:32.840 --> 1:41:38.000
<v Speaker 1>that sounds it's whatever they would calling him. And so yeah,

1:41:38.320 --> 1:41:40.800
<v Speaker 1>that's that was the whitest place. They didn't call you Jimbo.

1:41:40.880 --> 1:41:52.960
<v Speaker 1>Though you're not sure, get drink Africa. It's the whitest

1:41:52.960 --> 1:41:59.320
<v Speaker 1>place you have transforms the whitest place you ever. Cleveland, Tennessee, Cleveland, Cleveland,

1:41:59.360 --> 1:42:03.960
<v Speaker 1>Tennessee's Cleveland Tennessee. Um, you know there's Cleveland, there's a Miami, Cleveland, Ohio,

1:42:04.720 --> 1:42:07.080
<v Speaker 1>and Miami, Ohio. It's a Miami, Ohio. I didn't know

1:42:07.120 --> 1:42:10.200
<v Speaker 1>that that's a Cleveland, Tennessee. And there's a Cleveland, Tennessee.

1:42:10.280 --> 1:42:13.280
<v Speaker 1>And let me just guess it's in Tennessee, right, yes,

1:42:15.080 --> 1:42:20.080
<v Speaker 1>just to be clear, said, so what happened in Cleveland, Tennessee.

1:42:20.520 --> 1:42:24.800
<v Speaker 1>It's white people get silent, using like when even like

1:42:24.880 --> 1:42:26.880
<v Speaker 1>when you're not doing good, it's early on, like if

1:42:26.880 --> 1:42:29.599
<v Speaker 1>they don't if they can't relate initially, they just get quiet.

1:42:29.760 --> 1:42:31.760
<v Speaker 1>So now it's like you're talking in the mirror. It

1:42:31.800 --> 1:42:33.640
<v Speaker 1>could be a room for the people and it's just

1:42:33.760 --> 1:42:36.240
<v Speaker 1>just quiet so you could be there. And that's what

1:42:36.400 --> 1:42:42.519
<v Speaker 1>I told. Did you crack? You didn't know that. You

1:42:42.560 --> 1:42:46.040
<v Speaker 1>haven't let zeppter shirt on sooner. That's what you because

1:42:46.040 --> 1:42:47.720
<v Speaker 1>you weren't there to try. You met your girl. You

1:42:47.800 --> 1:42:50.639
<v Speaker 1>was taking down things in Tennessee white girls doing before

1:42:50.720 --> 1:42:56.200
<v Speaker 1>you met your girl, his wife, before you met a

1:42:56.280 --> 1:43:01.760
<v Speaker 1>little bit shot. I'll take a real shot. You good.

1:43:02.000 --> 1:43:06.000
<v Speaker 1>Two shots want to be and you got a girl too.

1:43:06.680 --> 1:43:08.840
<v Speaker 1>I'm chilling, man, man, I don't know what that means.

1:43:09.080 --> 1:43:10.840
<v Speaker 1>You don't need to know. It's the lights can meet.

1:43:11.520 --> 1:43:14.880
<v Speaker 1>That's one of the lights can meet. The ground them up.

1:43:14.960 --> 1:43:17.160
<v Speaker 1>Nor he's starting to dating service. That's why he's asked,

1:43:17.560 --> 1:43:25.519
<v Speaker 1>why not they got I'm gonna get you know what

1:43:25.560 --> 1:43:30.240
<v Speaker 1>I'm saying. You know what I'm making right now? Nanny box,

1:43:31.160 --> 1:43:36.280
<v Speaker 1>Nanni box, nanny box, this nanny box box robot and

1:43:36.439 --> 1:43:40.200
<v Speaker 1>just watch your baby. So anyway you at, you just

1:43:40.760 --> 1:43:45.640
<v Speaker 1>put off. I got to I got two daughters. I

1:43:45.640 --> 1:43:48.320
<v Speaker 1>would not trust him, no robot, No, I got the

1:43:48.360 --> 1:43:51.439
<v Speaker 1>real nanny box is a real one, all right. I

1:43:52.439 --> 1:43:54.160
<v Speaker 1>have Ray Jay make it, but I feel like I'm

1:43:54.200 --> 1:44:01.240
<v Speaker 1>going to another contents. That's my brother Ray. He get products,

1:44:01.280 --> 1:44:08.200
<v Speaker 1>but they only work on his career is a terrible

1:44:08.479 --> 1:44:13.120
<v Speaker 1>Orsman broke it as soon as he career Like, oait,

1:44:13.160 --> 1:44:14.640
<v Speaker 1>did I see the work? No more like those are

1:44:14.640 --> 1:44:19.960
<v Speaker 1>the protocols, protocol same ship, Let's do it, let's do it.

1:44:23.800 --> 1:44:26.479
<v Speaker 1>Ever anything else you want to say before you get

1:44:26.520 --> 1:44:31.000
<v Speaker 1>about it, Man, just you know, appreciate you'all having us,

1:44:31.240 --> 1:44:35.599
<v Speaker 1>you know, my brother brand for bringing in Yes, yes,

1:44:35.680 --> 1:44:38.160
<v Speaker 1>hell yeah, but yeah. Proud of your journey man from

1:44:38.600 --> 1:44:41.360
<v Speaker 1>MC two. Yeah. Now you you know you button out

1:44:41.400 --> 1:44:45.040
<v Speaker 1>here podcast, mogul ship, you're doing it. You're doing a

1:44:45.040 --> 1:44:48.080
<v Speaker 1>big last thing. How about Bernie mac Man, because I

1:44:48.320 --> 1:44:50.120
<v Speaker 1>remember you did a sketch with Bernie mac pulled you

1:44:50.160 --> 1:44:52.320
<v Speaker 1>over and everything. Yeah. Yeah, that was on my Deaf

1:44:52.400 --> 1:44:55.040
<v Speaker 1>comedy jam set and then I ended up doing him.

1:44:55.120 --> 1:44:59.479
<v Speaker 1>Yeah yeah, said yeah, yeah, don't tell me it was

1:44:59.720 --> 1:45:03.439
<v Speaker 1>so man. Yeah. Yeah, you came out. He was like,

1:45:04.880 --> 1:45:07.559
<v Speaker 1>I'm gonna give you your character was off ter. Yeah,

1:45:07.760 --> 1:45:20.960
<v Speaker 1>lest to the chest of them. No, no, no, that's

1:45:21.000 --> 1:45:28.360
<v Speaker 1>not it. Lester the court Jester kind of used to

1:45:28.400 --> 1:45:36.200
<v Speaker 1>be no station. But you sample Bernie Mack record him

1:45:36.240 --> 1:45:40.599
<v Speaker 1>and Sam Jackson's characters. The real deal, The real deal.

1:45:40.720 --> 1:45:43.439
<v Speaker 1>Sample the record. It was, you know, bootlegging down in

1:45:43.479 --> 1:45:45.960
<v Speaker 1>the basement and sample in front of him. You knew

1:45:46.000 --> 1:45:51.719
<v Speaker 1>he was there. Listen, I'll take you to school, to semester,

1:45:52.120 --> 1:45:54.760
<v Speaker 1>take you to court, in to quester under judge and

1:45:54.880 --> 1:45:57.720
<v Speaker 1>the Jerry Ruth Lee fifty beary. You don't want to

1:45:57.760 --> 1:46:00.920
<v Speaker 1>immediately it's t e Ira in the grab my girl

1:46:01.040 --> 1:46:03.400
<v Speaker 1>by the way, slat my girl in the face, one

1:46:03.400 --> 1:46:05.439
<v Speaker 1>of my dad I moved inside of the crib. Now

1:46:05.640 --> 1:46:09.559
<v Speaker 1>is my place? C e o she bess be home.

1:46:09.800 --> 1:46:12.160
<v Speaker 1>Every time I get back with another bit breaking me.

1:46:13.080 --> 1:46:15.920
<v Speaker 1>I never waste time. I just simple based Laine. I

1:46:15.960 --> 1:46:18.200
<v Speaker 1>don't make music. I just abused when I'm spending these

1:46:18.240 --> 1:46:20.880
<v Speaker 1>fake rhymes. This is my hustle. Blow. You were the

1:46:20.960 --> 1:46:23.479
<v Speaker 1>nagas hustle slow, bust up blow. You ain't making money.

1:46:23.560 --> 1:46:34.040
<v Speaker 1>Funny what you hustle? For Get the gig. That's the

1:46:34.080 --> 1:46:43.240
<v Speaker 1>whole we're supposed to be from in the movie. You're

1:46:43.240 --> 1:46:46.000
<v Speaker 1>supposed to be from Tulsa. But that's based off a

1:46:46.120 --> 1:46:48.280
<v Speaker 1>character that I used to do it in Carolina. So

1:46:48.400 --> 1:46:51.360
<v Speaker 1>that's why it's not so like just Southern in this Carson.

1:46:51.479 --> 1:47:02.960
<v Speaker 1>You wrote that rhyme. Yeah, sure, what's Jester forking to

1:47:03.000 --> 1:47:10.360
<v Speaker 1>talk about? Before you leave? Jay's not coming here, So

1:47:10.479 --> 1:47:12.800
<v Speaker 1>we got you gotta do the you gotta do jay Z.

1:47:16.280 --> 1:47:18.920
<v Speaker 1>This is this baby, what you're talking about. We told

1:47:19.520 --> 1:47:21.000
<v Speaker 1>I don't have to I don't have to do anything

1:47:21.040 --> 1:47:24.800
<v Speaker 1>I don't want to do. I'm sure you don't want

1:47:24.800 --> 1:47:26.519
<v Speaker 1>to a man, have one more shot, two egg going

1:47:26.560 --> 1:47:28.479
<v Speaker 1>to know you can't have that. We have to work today.

1:47:29.840 --> 1:47:33.920
<v Speaker 1>If you're a bad influence, can we come to the brunch?

1:47:35.200 --> 1:47:40.720
<v Speaker 1>That's that's that's a coveted that's a coveted invitation a fan.

1:47:40.800 --> 1:47:45.240
<v Speaker 1>I don't know if you want that. It's a lot

1:47:45.280 --> 1:47:48.640
<v Speaker 1>of things you gotta do in order to get that devitation.

1:47:49.960 --> 1:47:53.120
<v Speaker 1>I don't know what that is. I have no clue

1:47:53.160 --> 1:47:55.120
<v Speaker 1>what that is. But you know, I'm just talking about

1:47:55.160 --> 1:47:58.519
<v Speaker 1>being fresh. I'm you gotta write a lot of balls.

1:47:59.520 --> 1:48:12.400
<v Speaker 1>Nor he wrote me the rock is in the building

1:48:13.040 --> 1:48:20.920
<v Speaker 1>here because yeah, God damn, that was a great way

1:48:20.960 --> 1:48:23.519
<v Speaker 1>to end it. Let's do it. Let's do it, Let's

1:48:23.520 --> 1:48:26.400
<v Speaker 1>take pictures, you do some drops, and then then you're

1:48:26.439 --> 1:48:32.320
<v Speaker 1>released it then you're released. Thanks for joining us for

1:48:32.360 --> 1:48:35.080
<v Speaker 1>another episode of Drink Champs, hosted by Yours Truly d

1:48:35.200 --> 1:48:37.760
<v Speaker 1>j e F and N O r E. Please make

1:48:37.800 --> 1:48:40.040
<v Speaker 1>sure to follow us on all our socials. Let's add

1:48:40.080 --> 1:48:43.600
<v Speaker 1>Drink Champs across all platforms at the Real Noriegan I

1:48:43.760 --> 1:48:47.439
<v Speaker 1>g at Noriega on Twitter, mine is at Who's Crazy

1:48:47.640 --> 1:48:50.519
<v Speaker 1>on I g at d j e F N on Twitter,

1:48:50.920 --> 1:48:53.439
<v Speaker 1>and most importantly, stay up to date with the latest releases,

1:48:53.840 --> 1:48:57.040
<v Speaker 1>news and merged by going to drink champs dot com.

1:49:01.280 --> 1:49:06.520
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcast,

1:49:06.720 --> 1:49:08.639
<v Speaker 1>or wherever you listen to your favorite shows.