1
00:00:00,360 --> 00:00:02,759
Speaker 1: Welcome to Drink Champs, the production of The Black Effect

2
00:00:02,800 --> 00:00:18,160
Speaker 1: and I Heart Radio and his Drink Chess motherfucking podcast. Mason,

3
00:00:19,120 --> 00:00:22,439
Speaker 1: he's a legendary queen's rapper, He's Segre's your boy in

4
00:00:22,480 --> 00:00:26,880
Speaker 1: o R. He's a Miami hippop pioneers d j e FN.

5
00:00:26,960 --> 00:00:29,400
Speaker 1: Together they drink it up with some of the biggest

6
00:00:29,400 --> 00:00:34,560
Speaker 1: players in the most professional, unprofessional podcast. And your number

7
00:00:34,560 --> 00:00:38,760
Speaker 1: one sort for drunk drink is New year Z just

8
00:00:40,000 --> 00:00:49,400
Speaker 1: for Drink Champs. Trink up mother Mother when it could

9
00:00:49,400 --> 00:00:51,040
Speaker 1: be Hopeully's when it should be. It's your point in

10
00:00:51,479 --> 00:00:53,880
Speaker 1: R what it was dj e FM, this drink Chat

11
00:00:53,920 --> 00:01:02,200
Speaker 1: motherfucker every right now, you know as usual we started

12
00:01:02,240 --> 00:01:04,560
Speaker 1: this show. We wanted to do legends, not only hip

13
00:01:04,600 --> 00:01:06,160
Speaker 1: hop legends, but we want to do legends in the

14
00:01:06,160 --> 00:01:08,560
Speaker 1: community and the entertainment. And when we talk about this

15
00:01:08,600 --> 00:01:11,319
Speaker 1: brother right here to the left, he could interview Mannipaka

16
00:01:11,360 --> 00:01:15,720
Speaker 1: y'all better than Mannipoca. Y'all could act like manipokast he could,

17
00:01:15,840 --> 00:01:20,000
Speaker 1: he could, he can act. He can, He's comedic genius

18
00:01:20,240 --> 00:01:23,240
Speaker 1: and he can. He has this way of just getting

19
00:01:23,280 --> 00:01:27,119
Speaker 1: into other people and he's a dancing maniac. I feel

20
00:01:27,160 --> 00:01:30,880
Speaker 1: like he's gonna do the new fast flame the other way,

21
00:01:31,440 --> 00:01:34,640
Speaker 1: you know, the flame when they pulled out the thing Aniac.

22
00:01:41,720 --> 00:01:43,520
Speaker 1: So in case you want like he's gonna do with

23
00:01:44,040 --> 00:01:51,920
Speaker 1: we're talking about legends I had. I had a bar research,

24
00:01:51,960 --> 00:01:53,560
Speaker 1: and you had a bar research and you and just

25
00:01:53,600 --> 00:01:57,600
Speaker 1: researching all the different characters that you take on and

26
00:01:57,640 --> 00:02:02,720
Speaker 1: I only take on. But something that you've been doing lately, uh,

27
00:02:02,920 --> 00:02:06,000
Speaker 1: that has been very essential to the game. You''ve been

28
00:02:06,040 --> 00:02:11,280
Speaker 1: recapping the Yeah fact Joe did the best job. Did

29
00:02:11,280 --> 00:02:16,040
Speaker 1: you see Fat Joe's No, he really recappcause the orders

30
00:02:16,080 --> 00:02:19,760
Speaker 1: of him just explaining it, him moving about the locks

31
00:02:19,760 --> 00:02:23,040
Speaker 1: and um yeah, he just kept saying I can't hide.

32
00:02:24,040 --> 00:02:27,799
Speaker 1: I said, oh yeah, like that's like that's real hip hop.

33
00:02:28,040 --> 00:02:31,160
Speaker 1: But what made you and what's my man name? Spice?

34
00:02:31,200 --> 00:02:34,760
Speaker 1: An old Spice commercial and all that? Um um, what

35
00:02:34,800 --> 00:02:36,919
Speaker 1: made y'all get together and say you know what we're

36
00:02:36,919 --> 00:02:38,800
Speaker 1: gonna be? Because the first year I was recapping, like

37
00:02:38,840 --> 00:02:41,920
Speaker 1: asked the guest, right, yeah, I think he was like

38
00:02:41,919 --> 00:02:45,040
Speaker 1: Teddy Riley and he he was Teddy was a baby face.

39
00:02:46,560 --> 00:02:49,760
Speaker 1: So what made you do that? Was it? The Teddy

40
00:02:49,800 --> 00:02:51,919
Speaker 1: in the baby face was the first verses that had

41
00:02:51,919 --> 00:02:56,000
Speaker 1: a major technical debacle, right, and so me and Spice

42
00:02:56,000 --> 00:02:57,880
Speaker 1: didn't even know each other. We were just fans and

43
00:02:57,919 --> 00:03:01,079
Speaker 1: we never met in person and were online like yo

44
00:03:01,320 --> 00:03:03,480
Speaker 1: we he d M. He's like, yo, should we spook this?

45
00:03:04,440 --> 00:03:08,200
Speaker 1: And that's way random DM, without y'all really having we

46
00:03:08,240 --> 00:03:10,679
Speaker 1: had already like commenting on each other ship before and

47
00:03:10,840 --> 00:03:12,840
Speaker 1: was like, yo, you're funny man. He's like, are you funny?

48
00:03:12,919 --> 00:03:15,200
Speaker 1: Like we was always showing flowers and giving flowers to

49
00:03:15,200 --> 00:03:17,959
Speaker 1: each other, but we never worked together or even met

50
00:03:17,960 --> 00:03:20,720
Speaker 1: in person. We didn't know each other. And so that

51
00:03:20,800 --> 00:03:23,440
Speaker 1: was when UM I G first had when you go

52
00:03:23,520 --> 00:03:25,840
Speaker 1: live with multiple people, which is why they had the verses,

53
00:03:26,400 --> 00:03:29,000
Speaker 1: and so yeah, we was like, yo, should we spook this?

54
00:03:29,880 --> 00:03:32,680
Speaker 1: And he was that's during the pandemic. That's when the

55
00:03:32,680 --> 00:03:36,240
Speaker 1: teddy were still may happened, right, right, but when we

56
00:03:36,240 --> 00:03:40,520
Speaker 1: was all inside and so he was like, yo, man,

57
00:03:41,280 --> 00:03:43,360
Speaker 1: we we gotta do it. And then he got he

58
00:03:43,440 --> 00:03:44,880
Speaker 1: jumped the gun. He's like, yo, I gotta do this

59
00:03:44,920 --> 00:03:46,840
Speaker 1: as a video. I'm just gonna post it as a sketch.

60
00:03:47,200 --> 00:03:48,880
Speaker 1: I was like do that. I'll do one too, and

61
00:03:48,880 --> 00:03:51,880
Speaker 1: then tomorrow night we'll go live and reenact the whole thing,

62
00:03:52,440 --> 00:03:55,160
Speaker 1: and people tuned in the Timberland and swizz. They was

63
00:03:55,240 --> 00:03:57,400
Speaker 1: all tuning in and laughing and ship. So I was like, Okay,

64
00:03:57,400 --> 00:03:59,680
Speaker 1: we got a little something here, and then we just

65
00:04:00,080 --> 00:04:01,839
Speaker 1: doing it from there and it just grew and grew

66
00:04:01,880 --> 00:04:05,080
Speaker 1: and group. Now have you done Russell Simmons impersonation since

67
00:04:05,120 --> 00:04:10,880
Speaker 1: he've been me too, don't go right to it. Huh,

68
00:04:10,960 --> 00:04:14,760
Speaker 1: I'm just gonna go right to it. He'd he back

69
00:04:14,800 --> 00:04:22,800
Speaker 1: off side. Wrong, he's very very dis perspect Okay, you know,

70
00:04:25,560 --> 00:04:27,960
Speaker 1: maybe come back. Look, I've been in Bali, you know,

71
00:04:28,480 --> 00:04:31,400
Speaker 1: getting getting very you know, centered, But you're gonna maybe

72
00:04:31,440 --> 00:04:33,880
Speaker 1: come back to queens. Don't bring the queens. Don't maybe

73
00:04:34,160 --> 00:04:40,760
Speaker 1: queen come on? Are you gonna you know what it is?

74
00:04:41,040 --> 00:04:44,159
Speaker 1: I was glad to do a yoga kid over. I

75
00:04:44,240 --> 00:04:47,760
Speaker 1: was glad to see Russell outside because you know, I

76
00:04:47,760 --> 00:04:49,160
Speaker 1: don't know. I'm not familiar with the case. I'm not

77
00:04:49,200 --> 00:04:51,720
Speaker 1: familiar what's going on. And as much as I try

78
00:04:51,760 --> 00:04:54,400
Speaker 1: to be familiar, it's it's just it's a lot. It's

79
00:04:54,440 --> 00:04:56,640
Speaker 1: not stuff. We would never know the fact that when

80
00:04:56,680 --> 00:04:59,919
Speaker 1: he was over there just made him look somewhat more guilty.

81
00:05:00,080 --> 00:05:02,640
Speaker 1: But so the fact that he's outside and you don't

82
00:05:02,640 --> 00:05:04,320
Speaker 1: think so that's what certain people were taking. I feel

83
00:05:04,360 --> 00:05:06,839
Speaker 1: like it made him look like, uh, you know, he's

84
00:05:07,160 --> 00:05:09,960
Speaker 1: going to get peace. What I want to be Like,

85
00:05:10,000 --> 00:05:11,240
Speaker 1: he just looked like, I'm rich, I want to be

86
00:05:11,279 --> 00:05:13,119
Speaker 1: where I want to be. Yeah, he's like, I'm getting

87
00:05:13,120 --> 00:05:15,000
Speaker 1: away from the bullshit. I'm just gonna be zen with

88
00:05:15,080 --> 00:05:17,120
Speaker 1: it and I'm gonna go to Bali and live off

89
00:05:17,160 --> 00:05:19,320
Speaker 1: the tree, live up the land. Now. You was like

90
00:05:19,360 --> 00:05:22,719
Speaker 1: the first um like um cancel culture like you had.

91
00:05:23,000 --> 00:05:24,640
Speaker 1: It was on Fox TV and you did something to

92
00:05:24,680 --> 00:05:28,240
Speaker 1: funk up pistol off the white boys larious just the

93
00:05:28,320 --> 00:05:30,799
Speaker 1: white boys, just the white where you can your research.

94
00:05:36,680 --> 00:05:39,159
Speaker 1: We're all frugal dot com. This is a totally different

95
00:05:39,240 --> 00:05:43,400
Speaker 1: thing because it's black rugle. You know what. Man just playing?

96
00:05:43,400 --> 00:05:46,520
Speaker 1: But you had you did have a show. Yeah meThe

97
00:05:46,600 --> 00:05:52,640
Speaker 1: man Man, Wow, Wow Jads no Red methyell my people,

98
00:05:52,680 --> 00:05:56,880
Speaker 1: y'all go that right? So this before notice after? Okay,

99
00:05:57,080 --> 00:06:00,560
Speaker 1: so so what was the show scuts comedy comedy? Yeah,

100
00:06:00,640 --> 00:06:02,719
Speaker 1: this was back when um I was I was doing

101
00:06:02,920 --> 00:06:05,760
Speaker 1: a lot of stuff on YouTube before everybody was doing

102
00:06:05,760 --> 00:06:08,560
Speaker 1: a viral Instagram and all that ship and Fox got

103
00:06:08,640 --> 00:06:10,520
Speaker 1: wind of it and they saw how many millions of

104
00:06:10,560 --> 00:06:12,800
Speaker 1: views I had with the sketches and parodies and all

105
00:06:12,800 --> 00:06:14,599
Speaker 1: that kind of ship. So you had an opportunity to

106
00:06:14,600 --> 00:06:17,080
Speaker 1: do a sketch. Well I got that man. Annoys for

107
00:06:17,080 --> 00:06:23,080
Speaker 1: that guy. Now you're drinking. I'm drinking water. I think

108
00:06:23,080 --> 00:06:31,520
Speaker 1: I'm the first sober. No, okay, I'm gonna they said,

109
00:06:31,520 --> 00:06:33,279
Speaker 1: because you're a black man, They're just going to drink

110
00:06:33,279 --> 00:06:35,400
Speaker 1: some knjact. That's what they said. What they said, that's

111
00:06:35,640 --> 00:06:38,120
Speaker 1: that's what they said, saying who they is. It's the

112
00:06:38,120 --> 00:06:42,160
Speaker 1: same Google that. Yeah, it's the wrong one. Yeah, well

113
00:06:42,400 --> 00:06:43,960
Speaker 1: keep it going. I gotta get you to do the

114
00:06:44,000 --> 00:06:48,440
Speaker 1: right websites. We're gonna get fund up if it makes you.

115
00:06:49,200 --> 00:06:53,200
Speaker 1: But okay, so boom. Now you also a lot of

116
00:06:53,200 --> 00:06:56,960
Speaker 1: people they discovered you on the internet, right, they discovered

117
00:06:57,000 --> 00:06:59,080
Speaker 1: for the first time running for people that know like

118
00:06:59,120 --> 00:07:02,960
Speaker 1: you on with the Real Death Comedy Jam, like you

119
00:07:03,040 --> 00:07:07,080
Speaker 1: had the motherfucking head and all that like and to me,

120
00:07:07,160 --> 00:07:09,039
Speaker 1: that's like a writer of passage, like like if you,

121
00:07:09,240 --> 00:07:10,920
Speaker 1: if you are artist, you gotta go to the to

122
00:07:11,000 --> 00:07:12,600
Speaker 1: the tunnel, you gotta go to the music. You gotta

123
00:07:12,600 --> 00:07:14,560
Speaker 1: go to speed. There's certain things that you gotta go

124
00:07:14,640 --> 00:07:16,640
Speaker 1: through and and that goes in ERAa and for me,

125
00:07:16,880 --> 00:07:19,720
Speaker 1: and that goes in the area comedy. Um. Again, I'm

126
00:07:19,720 --> 00:07:21,760
Speaker 1: just outside of looking in. You had to go through

127
00:07:21,800 --> 00:07:23,960
Speaker 1: that Death Comedy Jam. You had to. Yeah. So so

128
00:07:24,520 --> 00:07:27,040
Speaker 1: as a person who did that, how did that feel? Like?

129
00:07:27,200 --> 00:07:29,080
Speaker 1: How does it? How do you even get on Death

130
00:07:29,120 --> 00:07:32,040
Speaker 1: Comedy Jam? I gotta shout out Bob Sumner. Bob Sumner

131
00:07:32,160 --> 00:07:34,600
Speaker 1: was the talent scout for Death Comedy Jam, and he

132
00:07:34,640 --> 00:07:37,640
Speaker 1: went everywhere. He found everybody that was on that stage,

133
00:07:37,640 --> 00:07:40,040
Speaker 1: from Bill Bellamy, Bernie Man, Chris Tucker. How was he

134
00:07:40,120 --> 00:07:42,840
Speaker 1: finding the people? He literally would travel fly to every

135
00:07:42,840 --> 00:07:46,080
Speaker 1: club around the nation and he would hold Death Comedy

136
00:07:46,160 --> 00:07:49,640
Speaker 1: Jam auditions. Literally just one man would go around and

137
00:07:50,040 --> 00:07:53,120
Speaker 1: see all these people. And he found it del givings everybody,

138
00:07:53,160 --> 00:07:56,680
Speaker 1: every every legend that's on that show. He's responsible for that.

139
00:07:57,000 --> 00:07:58,720
Speaker 1: And how did he find you? The same thing? I

140
00:07:58,800 --> 00:08:02,320
Speaker 1: was in Charlotte just starting now and uh, you fumed

141
00:08:02,320 --> 00:08:05,640
Speaker 1: the cargo all right? You know I'm from North Carolina,

142
00:08:05,720 --> 00:08:09,440
Speaker 1: Jay Coole, We're from the same sea that you got

143
00:08:09,480 --> 00:08:11,080
Speaker 1: the same kind of light skins ship going on. Yeah,

144
00:08:11,160 --> 00:08:16,040
Speaker 1: military military brass light skins. Okay, you know, you know what,

145
00:08:16,560 --> 00:08:19,960
Speaker 1: do you play ball? Not at all? I never played

146
00:08:19,960 --> 00:08:22,680
Speaker 1: ball in my life. So I'm the last niggaty picked

147
00:08:22,680 --> 00:08:26,320
Speaker 1: on the court. I didn't all I'm gonna waiste of

148
00:08:26,400 --> 00:08:28,600
Speaker 1: six one? But how did he discovered Let's get back

149
00:08:28,600 --> 00:08:30,320
Speaker 1: to that. Okay, Oh yeah, so Bob something. He was

150
00:08:30,800 --> 00:08:33,559
Speaker 1: held an audition in um in Charlotte, and I was like, yo,

151
00:08:33,679 --> 00:08:36,439
Speaker 1: I'm I was influenced by de Commy jam I was.

152
00:08:36,520 --> 00:08:39,120
Speaker 1: It was the biggest fucking show at the time. And

153
00:08:39,120 --> 00:08:41,880
Speaker 1: then Jamie Fox brought you out to Jamie. Was that

154
00:08:41,960 --> 00:08:43,959
Speaker 1: first time you met Jamie Fox? Yeah, that's the first

155
00:08:44,000 --> 00:08:46,520
Speaker 1: time I met him. But but here's the weird trick

156
00:08:46,679 --> 00:08:51,199
Speaker 1: of editing the show I actually was on. Queen Latifa

157
00:08:51,320 --> 00:08:55,000
Speaker 1: was my host. They edited me on one of Jamie's

158
00:08:55,000 --> 00:08:57,200
Speaker 1: shows because one of the comedian or two of the

159
00:08:57,200 --> 00:09:00,000
Speaker 1: comedians they got booed and so they didn't have an

160
00:09:00,040 --> 00:09:02,600
Speaker 1: enough people in that slot, so they put it was

161
00:09:02,640 --> 00:09:06,200
Speaker 1: me Corey Holk on Barbara Carlisle and I'm forgetting one

162
00:09:06,240 --> 00:09:09,520
Speaker 1: more name, but yeah, we we ended up on Jamie show.

163
00:09:09,679 --> 00:09:12,160
Speaker 1: Do you know it's crazy? I went to death Comedy

164
00:09:12,240 --> 00:09:15,280
Speaker 1: Jam Live, and I did see people get booed before

165
00:09:15,360 --> 00:09:17,600
Speaker 1: boring television. They never showed that. They don't show them.

166
00:09:17,720 --> 00:09:20,320
Speaker 1: You just brew my fucking mind. I just remember that.

167
00:09:21,960 --> 00:09:26,920
Speaker 1: It's not like Apolo where they showed the boost So

168
00:09:26,920 --> 00:09:29,160
Speaker 1: so did you know that they were bored before? Before

169
00:09:29,480 --> 00:09:32,160
Speaker 1: we was in everybody was in the studio, like in

170
00:09:32,200 --> 00:09:35,400
Speaker 1: the theater, you see everything. Like if you you know

171
00:09:35,440 --> 00:09:38,520
Speaker 1: how New York theaters are, Apolo is the same way,

172
00:09:38,559 --> 00:09:43,160
Speaker 1: Like everyone's in the building, whether you downstairs, in addressing room,

173
00:09:43,160 --> 00:09:46,079
Speaker 1: even down there, everyone's in the same kind of shared space.

174
00:09:46,520 --> 00:09:49,480
Speaker 1: There's no exclusive like V I, P and this and that.

175
00:09:49,520 --> 00:09:52,240
Speaker 1: Everybody's bleeding over into the so we all are watching

176
00:09:52,360 --> 00:09:55,280
Speaker 1: the show and seeing everything happened in real time, you

177
00:09:55,280 --> 00:09:57,240
Speaker 1: know what I mean. And so when somebody getting booed,

178
00:09:57,280 --> 00:10:01,120
Speaker 1: everybody's like, I ain't name you might want to find

179
00:10:01,240 --> 00:10:06,600
Speaker 1: another job. You ain't gonna make it on TV because

180
00:10:06,679 --> 00:10:10,040
Speaker 1: because we interview other comedians, and I'm gonna tell you something,

181
00:10:10,320 --> 00:10:13,560
Speaker 1: comedians don't seem nice to upcoming other comedians. Is that

182
00:10:13,720 --> 00:10:17,280
Speaker 1: like kind of true? It's like, like, could you not

183
00:10:17,559 --> 00:10:23,240
Speaker 1: interview other comedians and they always be like him? I'll

184
00:10:23,240 --> 00:10:26,959
Speaker 1: just kid you not about the wrappers on the low.

185
00:10:27,240 --> 00:10:29,240
Speaker 1: But don't get it twisted. Once y'all making to a

186
00:10:29,240 --> 00:10:32,280
Speaker 1: certain extent, then y'all all accept each other. But like

187
00:10:32,320 --> 00:10:35,120
Speaker 1: when I'm coming up level, it just felt like Mike

188
00:10:35,160 --> 00:10:37,679
Speaker 1: apps on here and there was a um, what's my man?

189
00:10:37,720 --> 00:10:43,440
Speaker 1: Red brown man? Mike thought going in one man, and

190
00:10:43,480 --> 00:10:46,320
Speaker 1: it's like, is it is it like that? Like is

191
00:10:46,320 --> 00:10:49,120
Speaker 1: it hazing going on? MC? Yeah, but I don't want

192
00:10:49,120 --> 00:10:52,360
Speaker 1: to know about the comedy world drawing a parallel. Okay, right,

193
00:10:52,440 --> 00:10:53,959
Speaker 1: you know what it's like to have an m C

194
00:10:54,520 --> 00:10:57,120
Speaker 1: who's hungry when you already made it. You already norry

195
00:10:57,760 --> 00:11:00,760
Speaker 1: and MC like yoke man. Let me just listen to

196
00:11:00,840 --> 00:11:04,800
Speaker 1: my ship. You make the funk out of here? Yeah,

197
00:11:04,840 --> 00:11:08,319
Speaker 1: you gotta do so. With comedians is kind of it's

198
00:11:08,320 --> 00:11:11,120
Speaker 1: the same thing. It's a big brother little brother energy.

199
00:11:11,320 --> 00:11:13,600
Speaker 1: You know what comedians is ettle. I'm gonna tell you

200
00:11:13,600 --> 00:11:16,800
Speaker 1: why it's ella because y'all have the right to see

201
00:11:16,800 --> 00:11:19,360
Speaker 1: you some foul ship like y'all can say, man, I

202
00:11:19,400 --> 00:11:22,600
Speaker 1: don't even with you, and like you can that could

203
00:11:22,600 --> 00:11:26,439
Speaker 1: be truthful, but it comes back. It's a comedian like

204
00:11:26,520 --> 00:11:29,720
Speaker 1: y'all can get away with that ship. Yeah. But but

205
00:11:29,800 --> 00:11:33,160
Speaker 1: again it's there's always gonna be a rights to passage

206
00:11:33,320 --> 00:11:36,040
Speaker 1: with anything you're doing. Right, there's gonna be hungry comedians

207
00:11:36,040 --> 00:11:38,360
Speaker 1: just trying to be funny all the time. We stand

208
00:11:38,360 --> 00:11:40,440
Speaker 1: around talking to girls and then they can trying to

209
00:11:40,480 --> 00:11:42,559
Speaker 1: do his whole set in front of you. You're gonna

210
00:11:42,720 --> 00:11:44,920
Speaker 1: treat them, You're gonna addicted that a little bit, right,

211
00:11:45,240 --> 00:11:50,800
Speaker 1: But it depends on the comedian. Like some O g s,

212
00:11:50,920 --> 00:11:52,760
Speaker 1: some some of the guys that have made it, but

213
00:11:52,800 --> 00:11:54,319
Speaker 1: they might be a little bitter because they feel like

214
00:11:54,360 --> 00:11:58,000
Speaker 1: they haven't gotten a certain level of whatever that is.

215
00:11:58,400 --> 00:12:01,400
Speaker 1: They become bitter and now they're addict to everybody, not

216
00:12:01,480 --> 00:12:04,720
Speaker 1: just younger comedians. So there's there's always uh, just depends

217
00:12:04,720 --> 00:12:07,400
Speaker 1: on who it is. It's like it's like the older guys,

218
00:12:08,000 --> 00:12:09,719
Speaker 1: remember we spoke about it. The older guys used to

219
00:12:09,720 --> 00:12:11,800
Speaker 1: always give us a hard time. It used to be

220
00:12:11,840 --> 00:12:13,840
Speaker 1: like they're the real hip hop, we're the fake. And

221
00:12:13,840 --> 00:12:15,480
Speaker 1: then now we're probably saying that to the to the

222
00:12:15,480 --> 00:12:17,599
Speaker 1: younger generation. So now it was a part. It was

223
00:12:17,640 --> 00:12:20,640
Speaker 1: a time Kevin Hart, right, Kevin Hark got caught in

224
00:12:20,640 --> 00:12:25,240
Speaker 1: the scandal whatever whatever um and most comedians did not

225
00:12:25,240 --> 00:12:28,280
Speaker 1: attack him at all. Right, most comedians like, hey man,

226
00:12:28,280 --> 00:12:31,000
Speaker 1: it happens. But then it was Michael Blacksman, Right, Michael

227
00:12:31,000 --> 00:12:33,840
Speaker 1: Blacksman comes out and he's just going at him, and

228
00:12:33,920 --> 00:12:36,680
Speaker 1: everyone is kind of saying he went too far or

229
00:12:37,000 --> 00:12:40,079
Speaker 1: it's too soon. Isn't ever for a comedian? Isn't ever

230
00:12:40,160 --> 00:12:42,640
Speaker 1: a place of going too far? And there's the ever

231
00:12:42,960 --> 00:12:45,600
Speaker 1: too soon? I know it's two part question. No for sure,

232
00:12:45,720 --> 00:12:48,439
Speaker 1: too soon? For sure? I think too soon, too far

233
00:12:48,600 --> 00:12:52,280
Speaker 1: and also too familiar if you know the person like

234
00:12:52,320 --> 00:12:55,320
Speaker 1: if that's my mids and yeah, I'm not I'm not

235
00:12:55,679 --> 00:12:58,280
Speaker 1: I'm not going at him. I'm just I'm gonna I'm

236
00:12:58,280 --> 00:13:01,040
Speaker 1: gonna just leave it alone. I'm gonna keep it really tame,

237
00:13:01,400 --> 00:13:02,800
Speaker 1: you know what I'm saying. So I don't think so.

238
00:13:03,080 --> 00:13:08,320
Speaker 1: But how about too soon? Yeah? Both too soon? Um,

239
00:13:08,360 --> 00:13:10,920
Speaker 1: anytime there's like you know, a death or something like that, Yeah,

240
00:13:10,960 --> 00:13:14,679
Speaker 1: there's too soon. There's too far. There's talking about you know,

241
00:13:15,760 --> 00:13:19,240
Speaker 1: religious beliefs, there's there's there's again to each their own.

242
00:13:19,360 --> 00:13:22,040
Speaker 1: Some people don't give a funk and they talk about whatever.

243
00:13:22,679 --> 00:13:25,240
Speaker 1: You know, is that what that's that a comedian's rule.

244
00:13:25,280 --> 00:13:27,280
Speaker 1: It's just that if it's funny I have to talk

245
00:13:27,320 --> 00:13:30,800
Speaker 1: about It depends on the person, you know what I'm saying.

246
00:13:30,800 --> 00:13:32,760
Speaker 1: So you you you saying you have there's a there's

247
00:13:32,760 --> 00:13:35,840
Speaker 1: a there's a tactful way to be funny. I believe

248
00:13:36,440 --> 00:13:39,120
Speaker 1: there's a tactful way, and then there's a mean I

249
00:13:39,160 --> 00:13:41,320
Speaker 1: just don't give a funk about your soul kind of well,

250
00:13:41,920 --> 00:13:44,839
Speaker 1: you know what I'm saying, Like human, Yeah, like if

251
00:13:44,840 --> 00:13:47,320
Speaker 1: somebody lost a daughter, a little girl, Like why would

252
00:13:47,320 --> 00:13:50,960
Speaker 1: someone come around and joke about that a comedian like ever,

253
00:13:51,240 --> 00:13:54,080
Speaker 1: not even just two weeks later, but ever, why would

254
00:13:54,120 --> 00:13:56,360
Speaker 1: you joke It's just funny. It's never fun It's never

255
00:13:56,360 --> 00:13:59,240
Speaker 1: funny that someone lost that that little girl. So for me,

256
00:13:59,320 --> 00:14:01,440
Speaker 1: there's there's a ways boundaries to this ship. I feel

257
00:14:01,440 --> 00:14:04,040
Speaker 1: like you look at the living color and and and

258
00:14:05,440 --> 00:14:09,640
Speaker 1: the the boundaries that they set like they were they

259
00:14:09,640 --> 00:14:12,679
Speaker 1: were still tactful, they were edgy fire marks, but there

260
00:14:12,679 --> 00:14:15,040
Speaker 1: were certain things. Yeah, there's certain things that they just

261
00:14:15,160 --> 00:14:17,520
Speaker 1: they relied on their skill as opposed to I'm gonna

262
00:14:17,520 --> 00:14:19,880
Speaker 1: just say mean dirty ship and try to get a

263
00:14:19,920 --> 00:14:22,880
Speaker 1: reaction out of people, you know what I mean. There's

264
00:14:22,920 --> 00:14:25,840
Speaker 1: a craft to it. Yeah, yeah, I could see that,

265
00:14:26,400 --> 00:14:29,040
Speaker 1: But I also agree with comedians when they there's no

266
00:14:29,080 --> 00:14:31,560
Speaker 1: whole bars neither, like like like for the first time

267
00:14:31,640 --> 00:14:34,560
Speaker 1: and place for it, like like at first, joking about

268
00:14:34,600 --> 00:14:37,680
Speaker 1: COVID was like funked up, but now joking about COVID

269
00:14:37,760 --> 00:14:40,160
Speaker 1: is like I want to head the jokes like. And

270
00:14:40,160 --> 00:14:42,280
Speaker 1: there's a lot of people who have been affected by COVID,

271
00:14:42,280 --> 00:14:45,040
Speaker 1: as people who passed away from COVID, but still at

272
00:14:45,080 --> 00:14:47,560
Speaker 1: all I think that I look for comediens to make

273
00:14:48,240 --> 00:14:53,680
Speaker 1: something beautiful out a whole ten minutes on COVID. Yeah, yeah, okay,

274
00:14:53,800 --> 00:14:57,400
Speaker 1: because there's so much misinformation, and you know, there's people

275
00:14:57,440 --> 00:15:00,000
Speaker 1: that got COVID and was at the party and still

276
00:15:00,000 --> 00:15:02,400
Speaker 1: it was all right. I just got them to see

277
00:15:02,400 --> 00:15:06,440
Speaker 1: you up or whatever and they survived and then it's

278
00:15:06,480 --> 00:15:11,280
Speaker 1: called atlantic. But yeah, it's so much misinformation, and so

279
00:15:11,760 --> 00:15:15,920
Speaker 1: the deaths that are associated with COVID don't feel as

280
00:15:15,960 --> 00:15:18,960
Speaker 1: direct unless you know somebody in your family personally that

281
00:15:18,960 --> 00:15:22,800
Speaker 1: that got affected by it. But I mean, we police

282
00:15:22,920 --> 00:15:25,440
Speaker 1: killed niggers in the street, and that's that's a real thing.

283
00:15:25,480 --> 00:15:28,080
Speaker 1: But there's still some humor that could be made out

284
00:15:28,080 --> 00:15:31,200
Speaker 1: of that towards the cops. What I'm saying towards the reasons.

285
00:15:31,240 --> 00:15:36,120
Speaker 1: So what do you think about the vaccine? M hmm.

286
00:15:37,600 --> 00:15:43,360
Speaker 1: My thing is, um, I've never seen the flu vaccine

287
00:15:43,440 --> 00:15:48,760
Speaker 1: or any other vaccine. So you see the commercial the

288
00:15:48,840 --> 00:15:51,400
Speaker 1: other day, Homeboy had the white shirt on that I'm

289
00:15:51,440 --> 00:15:55,000
Speaker 1: a hustler and what I gotta do. I gotta be

290
00:15:55,040 --> 00:15:58,520
Speaker 1: out there. I'm an entrepreneur. Ism commerciers were weird. But

291
00:15:58,560 --> 00:16:01,200
Speaker 1: the argument could be made that because the hustle don't

292
00:16:01,240 --> 00:16:03,160
Speaker 1: know what I'm saying, but because how bad ship is

293
00:16:03,200 --> 00:16:05,480
Speaker 1: and how many deaths, it has to be pushed. But

294
00:16:05,520 --> 00:16:08,080
Speaker 1: the way that it's marketed it like they're marketing the album.

295
00:16:09,440 --> 00:16:12,040
Speaker 1: It's just weird. You know. It would be funny to

296
00:16:12,080 --> 00:16:14,400
Speaker 1: me because I always have friends that's close to black,

297
00:16:14,760 --> 00:16:17,000
Speaker 1: next to black, and they always be like, how you

298
00:16:17,040 --> 00:16:18,960
Speaker 1: know I'm you know, I'm black, I'm black. I'm black.

299
00:16:19,160 --> 00:16:21,400
Speaker 1: But when they came time for the vaccine, they was

300
00:16:21,440 --> 00:16:24,280
Speaker 1: not black at all, like they actually went. It was

301
00:16:24,320 --> 00:16:27,000
Speaker 1: the first people in line to get that vaccine. If

302
00:16:27,000 --> 00:16:29,080
Speaker 1: you if you identify and you were late to black

303
00:16:29,120 --> 00:16:31,280
Speaker 1: people in the black struggle, you know that we're not

304
00:16:31,720 --> 00:16:34,920
Speaker 1: We're not cool with no vaccines. It's never worked out

305
00:16:35,000 --> 00:16:38,040
Speaker 1: for us, So for them to market and direct and

306
00:16:38,080 --> 00:16:41,480
Speaker 1: have ads towards us getting it, it's you got. You

307
00:16:41,800 --> 00:16:45,480
Speaker 1: can't knock us for being a skeptical deal thousands pent

308
00:16:46,240 --> 00:16:49,960
Speaker 1: I landed in Baltimore one time and uh got crab legs.

309
00:16:50,480 --> 00:16:55,640
Speaker 1: Nah Okay, I heard a commercial what it was offering

310
00:16:56,720 --> 00:16:58,640
Speaker 1: for black people to come down and have the vaccine

311
00:16:58,640 --> 00:17:00,200
Speaker 1: tested on them. This is when they weren't even sure

312
00:17:00,240 --> 00:17:03,080
Speaker 1: what it was gonna do. This sounds like the kezy Sperriman,

313
00:17:03,160 --> 00:17:05,919
Speaker 1: That's what I'm saying. Something like I've never seen a

314
00:17:06,000 --> 00:17:09,400
Speaker 1: push offered meals, drinks if you got the vacone kind

315
00:17:09,400 --> 00:17:12,760
Speaker 1: of crazy getting Shade Stadium for free everything that they

316
00:17:12,760 --> 00:17:15,280
Speaker 1: had a whole section in Massater Square Garden for the verses.

317
00:17:15,600 --> 00:17:19,639
Speaker 1: There's vaccinated people, so like my folk's getting vaccinated just

318
00:17:19,640 --> 00:17:22,919
Speaker 1: to go in the garden. They're trying to make it sexy.

319
00:17:23,040 --> 00:17:25,080
Speaker 1: Yeah yeah, yeah, yeah, Like I got that VACS man,

320
00:17:26,480 --> 00:17:29,760
Speaker 1: I got that VACS that. But you know what's up

321
00:17:29,760 --> 00:17:31,680
Speaker 1: about the VACS card. The hood is always going to

322
00:17:31,720 --> 00:17:33,399
Speaker 1: figure out a way to bootleg it. They already have,

323
00:17:39,800 --> 00:17:43,159
Speaker 1: especially when they're not really checking the you know, dential.

324
00:17:43,240 --> 00:17:45,320
Speaker 1: It's just you gotta flash it and getting a restaurant

325
00:17:45,400 --> 00:17:49,080
Speaker 1: or something. Who ain't gonna bootleg that by any means necessary.

326
00:17:49,160 --> 00:17:51,360
Speaker 1: Now I picked up fulage of you at the Apollo.

327
00:17:51,520 --> 00:17:55,800
Speaker 1: What the funny ship was? It wasn't you performing comedy?

328
00:17:56,800 --> 00:17:59,720
Speaker 1: You was a part of a three twin group. Yeah,

329
00:18:00,320 --> 00:18:04,399
Speaker 1: twin flex the two twins and me. Yeah, y'all was

330
00:18:04,440 --> 00:18:06,480
Speaker 1: like the kid and play without the kid and play.

331
00:18:06,640 --> 00:18:10,119
Speaker 1: We were we We were not kidding or planes was

332
00:18:10,160 --> 00:18:14,919
Speaker 1: getting there. Yeah, this is before us, this before I

333
00:18:14,920 --> 00:18:16,359
Speaker 1: even did stand up. I thought I was gonna be

334
00:18:16,359 --> 00:18:20,720
Speaker 1: a dancer. Really yeah, but that was after all of that.

335
00:18:21,280 --> 00:18:22,679
Speaker 1: This is the first one. This is that was my

336
00:18:22,800 --> 00:18:26,080
Speaker 1: first like TV appearance as a dancer as opposed to

337
00:18:26,119 --> 00:18:27,879
Speaker 1: like the local shows and a bill like you know

338
00:18:28,320 --> 00:18:31,480
Speaker 1: or you dancing the little green screen local TV shows

339
00:18:31,560 --> 00:18:36,439
Speaker 1: and yeah exactly. Um, but now that was when I

340
00:18:36,480 --> 00:18:39,520
Speaker 1: was on my dance ship and I thought I was

341
00:18:39,560 --> 00:18:41,919
Speaker 1: gonna be a dancer, like full time? Do you did you?

342
00:18:41,960 --> 00:18:43,480
Speaker 1: Did you think he was gonna get bulled off? Or

343
00:18:43,480 --> 00:18:45,800
Speaker 1: you knew you had it? We kind of knew we

344
00:18:45,840 --> 00:18:48,200
Speaker 1: had it. Because before you get on the air with Apolo,

345
00:18:48,760 --> 00:18:54,200
Speaker 1: you have to do a Wednesday night there that's not televised. Yeah,

346
00:18:54,280 --> 00:18:56,960
Speaker 1: just go up and perform in front of Apollo crowd.

347
00:18:57,160 --> 00:18:58,959
Speaker 1: And we rocked it, you know what I'm saying. So

348
00:18:59,080 --> 00:19:01,920
Speaker 1: we we just we had cocky energy with that ship.

349
00:19:02,320 --> 00:19:04,719
Speaker 1: Three y'all from North Carolina. Yeah, okay, no North Carolina

350
00:19:04,920 --> 00:19:06,640
Speaker 1: because it wasn't that school to go to this big

351
00:19:06,680 --> 00:19:11,040
Speaker 1: city at the time, it was, I mean, it was terrified,

352
00:19:11,680 --> 00:19:13,280
Speaker 1: you know. And then Steve Harvey with his big gass

353
00:19:13,320 --> 00:19:23,840
Speaker 1: suit came out. Now, three y'all, no Carolina, what's your name? Okay,

354
00:19:25,960 --> 00:19:29,880
Speaker 1: so yeah, get up there. If Steve was doing this thing,

355
00:19:29,880 --> 00:19:32,200
Speaker 1: and this is early Steve, he wasn't even the main

356
00:19:32,240 --> 00:19:34,240
Speaker 1: host at the time. Mark Perry was the main host

357
00:19:34,280 --> 00:19:36,680
Speaker 1: of the show. Like his hair was real, like it

358
00:19:36,720 --> 00:19:38,560
Speaker 1: wasn't packed up that it was. That was you see

359
00:19:38,560 --> 00:19:41,840
Speaker 1: the funny Okay, it wasn't that. It was it was

360
00:19:41,840 --> 00:19:48,760
Speaker 1: a little glow when he turned, when he turned when

361
00:19:49,920 --> 00:19:51,800
Speaker 1: like like right here he was quit Maine, right here

362
00:19:51,880 --> 00:19:57,199
Speaker 1: he was to Yeah, so yeah, that was it was.

363
00:19:57,240 --> 00:19:59,240
Speaker 1: It was terrified, man, when was behind the curtain waiting

364
00:19:59,520 --> 00:20:02,000
Speaker 1: to rub the log and all that ship, I'm scared

365
00:20:02,040 --> 00:20:05,080
Speaker 1: of ship. God damn it. Man. Now when we looked

366
00:20:05,119 --> 00:20:07,400
Speaker 1: up your movie log. You want a lot of white people. Ship,

367
00:20:07,440 --> 00:20:12,000
Speaker 1: let's makes a noise for you. Come on, man, don't

368
00:20:12,080 --> 00:20:17,720
Speaker 1: chex cash every time? And you and haunted the house too. Yeah, okay, okay,

369
00:20:17,760 --> 00:20:20,199
Speaker 1: one and two were pulled up. Number two. That's a

370
00:20:20,240 --> 00:20:25,120
Speaker 1: black movie. That's a black Yeah, that's yeah, that's my guy. Man.

371
00:20:25,520 --> 00:20:27,000
Speaker 1: We get him high every time you come here, even

372
00:20:27,040 --> 00:20:28,920
Speaker 1: though you don't smoke. We just like to slip blow

373
00:20:29,000 --> 00:20:33,560
Speaker 1: the smoking and look, we got the the A C

374
00:20:33,800 --> 00:20:35,480
Speaker 1: right for you, but we usually make the A C

375
00:20:35,640 --> 00:20:46,360
Speaker 1: hottes have just stand there look like me. So what what? What?

376
00:20:45,600 --> 00:20:48,520
Speaker 1: What is it? Is it? What do you prefer more

377
00:20:48,560 --> 00:20:54,159
Speaker 1: movies or getting up on that stage? Movies? Movies? Yea? Why? Um?

378
00:20:54,200 --> 00:20:57,040
Speaker 1: I love them both. But for me, movies is the

379
00:20:58,080 --> 00:21:00,440
Speaker 1: it's a way that you can control what you're presenting

380
00:21:00,480 --> 00:21:03,600
Speaker 1: to the audience. You can you can like polish them it,

381
00:21:04,000 --> 00:21:07,919
Speaker 1: polish it, edited, rewrite it, and really get it to

382
00:21:08,080 --> 00:21:12,200
Speaker 1: your perfection. Um. So that's my preference. But I love

383
00:21:12,280 --> 00:21:14,280
Speaker 1: the stage. To the stage is you're in front of

384
00:21:14,359 --> 00:21:17,520
Speaker 1: real people and you're getting that real time reaction and

385
00:21:17,680 --> 00:21:22,560
Speaker 1: energy and so it's uh. But if I had my preference.

386
00:21:22,640 --> 00:21:26,720
Speaker 1: It's movies because with it and then I see your stage.

387
00:21:26,720 --> 00:21:29,280
Speaker 1: You had the black and the red like it was like, oh,

388
00:21:29,359 --> 00:21:35,439
Speaker 1: you watched the special. Okay it was leather, right, No,

389
00:21:35,560 --> 00:21:39,400
Speaker 1: it wasn't. It wasn't what I did because every comedian

390
00:21:39,440 --> 00:21:42,400
Speaker 1: does that because we pay how much, That's what I say.

391
00:21:42,520 --> 00:21:45,320
Speaker 1: I felt like it was the goat. So I came

392
00:21:45,320 --> 00:21:48,200
Speaker 1: out with a leather jacket on and took it off

393
00:21:48,240 --> 00:21:52,760
Speaker 1: before the music even stopped. Look about about performing. This

394
00:21:52,760 --> 00:21:57,760
Speaker 1: ship already sweat. So so every time a comedian wear leather,

395
00:21:57,920 --> 00:22:01,000
Speaker 1: is that that's Eddie And none of that's because there's

396
00:22:01,000 --> 00:22:03,240
Speaker 1: a clear Eddie had a purple suit on once and

397
00:22:03,240 --> 00:22:07,480
Speaker 1: then he had the red and then he had a

398
00:22:07,560 --> 00:22:10,960
Speaker 1: purple bluish joint in rule. Yeah, that's when he get

399
00:22:11,080 --> 00:22:12,719
Speaker 1: That's when he was You could tell because he had

400
00:22:12,720 --> 00:22:14,320
Speaker 1: a scarf on and all that he got he was

401
00:22:14,320 --> 00:22:20,959
Speaker 1: getting a little. Yeah, he had a diamond ring. Outside

402
00:22:21,000 --> 00:22:23,879
Speaker 1: the Love of Black Gloves. You saw that. It was

403
00:22:23,960 --> 00:22:34,000
Speaker 1: different money. Let me tell you. Let me tell you this, right,

404
00:22:34,400 --> 00:22:36,000
Speaker 1: Kevin Hart is good from him. I know Kevin Hat

405
00:22:36,040 --> 00:22:38,880
Speaker 1: is good from you. Guys have some hilarious moments, especially

406
00:22:38,880 --> 00:22:40,880
Speaker 1: on the ground We're gonna bring that up a little later.

407
00:22:42,400 --> 00:22:46,160
Speaker 1: I love Kevin harts One. I love what it represents,

408
00:22:46,200 --> 00:22:49,159
Speaker 1: what it stands for. The only thing I'm saying is

409
00:22:49,240 --> 00:22:51,959
Speaker 1: I've never seen a run like Eddie Murphy. And what

410
00:22:52,000 --> 00:22:55,240
Speaker 1: I mean by that is I used to see people

411
00:22:55,359 --> 00:23:00,600
Speaker 1: go get rest to go to the movie to see

412
00:23:00,680 --> 00:23:02,959
Speaker 1: Eddie Murphy, like they were getting dressed as if they

413
00:23:02,960 --> 00:23:06,280
Speaker 1: were in the damn movie. Like. I used to see

414
00:23:06,359 --> 00:23:09,600
Speaker 1: lines around the court like corner like. When Eddie Murphy

415
00:23:09,680 --> 00:23:13,440
Speaker 1: movie dropped, it was like Christmas almost. I had never

416
00:23:13,520 --> 00:23:16,320
Speaker 1: seen nothing like that before that. And since I wasn't

417
00:23:16,320 --> 00:23:19,520
Speaker 1: really around for the Richard prior days, me either. So

418
00:23:19,680 --> 00:23:22,000
Speaker 1: what what didn't you were supposed to play? Probably we

419
00:23:22,040 --> 00:23:25,000
Speaker 1: get you that. I think he should come goddamn it.

420
00:23:25,320 --> 00:23:31,800
Speaker 1: But yeah, so what did you see Eddie's running when

421
00:23:31,840 --> 00:23:34,679
Speaker 1: it was so at the height I see, I'm like you.

422
00:23:34,760 --> 00:23:37,199
Speaker 1: I came up during the Eddie era, so that was

423
00:23:37,400 --> 00:23:39,159
Speaker 1: he was the hero. He's the guy, you know what

424
00:23:39,160 --> 00:23:41,679
Speaker 1: I mean? I think. But the difference with Eddie and

425
00:23:41,680 --> 00:23:46,680
Speaker 1: everybody else is no one has ever seen what Eddie did.

426
00:23:47,280 --> 00:23:49,280
Speaker 1: Eddie was the first to do a lot of ship

427
00:23:49,920 --> 00:23:52,720
Speaker 1: you know what I mean? Even though he patterned himself

428
00:23:52,760 --> 00:23:55,639
Speaker 1: after Richard, he just took it. He took it a

429
00:23:55,640 --> 00:23:59,440
Speaker 1: different place, the same way Michael Jordan's uh patterns of

430
00:23:59,440 --> 00:24:02,680
Speaker 1: about the doctor j Dr J Nasty on the dunks.

431
00:24:03,200 --> 00:24:05,960
Speaker 1: Jordans just put a lot more extra flare into what

432
00:24:06,040 --> 00:24:08,280
Speaker 1: he did. So I feel like Eddie was that guy

433
00:24:08,359 --> 00:24:11,720
Speaker 1: with the versatility with the characters and the movies and

434
00:24:11,760 --> 00:24:15,080
Speaker 1: all that kind of ship. So you know, Kevin gets

435
00:24:15,160 --> 00:24:18,680
Speaker 1: compared because he's hasting, so he gets compared to Eddie

436
00:24:18,680 --> 00:24:20,480
Speaker 1: all the time. But the difference between Kevin and Eddie

437
00:24:20,680 --> 00:24:24,600
Speaker 1: is Kevin. By the time we see Kevin's success, we've

438
00:24:24,640 --> 00:24:29,320
Speaker 1: already seen Eddie and Martin and the Wayne's family, so

439
00:24:29,359 --> 00:24:33,399
Speaker 1: we have so many people before. But when Eddie broke,

440
00:24:33,840 --> 00:24:36,440
Speaker 1: there was no one doing it like Eddie. That rock

441
00:24:36,560 --> 00:24:41,080
Speaker 1: starship in the eighties, leaping over white people and having

442
00:24:41,440 --> 00:24:44,639
Speaker 1: box office success, hanging out with Rick James, hanging out

443
00:24:44,680 --> 00:24:48,639
Speaker 1: with Rip James, all that music career everything. My girl

444
00:24:48,880 --> 00:24:53,760
Speaker 1: just fun to party all that time, party, party all

445
00:24:53,800 --> 00:25:03,440
Speaker 1: the time. I was saying, That's what I'm trying to

446
00:25:03,440 --> 00:25:07,600
Speaker 1: say in the videos. In the video James, you could

447
00:25:07,600 --> 00:25:09,720
Speaker 1: just picture there was a lot of cocaine in background.

448
00:25:09,880 --> 00:25:16,800
Speaker 1: There was a whole bunch of y um but Kevin.

449
00:25:16,960 --> 00:25:18,960
Speaker 1: You know, I get I get mad sometimes when I

450
00:25:19,000 --> 00:25:23,199
Speaker 1: go on the clubhouses and I go on um, you know,

451
00:25:23,240 --> 00:25:25,360
Speaker 1: Twitter and things like that, and they have trending topics

452
00:25:25,400 --> 00:25:28,800
Speaker 1: like Kevin Hart ain't funny. I can't. I don't understand that.

453
00:25:28,920 --> 00:25:30,800
Speaker 1: I went into a room like that one time with

454
00:25:31,160 --> 00:25:34,159
Speaker 1: they said Tiffany Hatch ain't funny. And normally what that

455
00:25:34,280 --> 00:25:36,160
Speaker 1: is is trolls. So when I went in that room,

456
00:25:36,440 --> 00:25:40,919
Speaker 1: she jumped in into and about. She stayed in for

457
00:25:40,920 --> 00:25:44,320
Speaker 1: about an hour, but I spent about ten minutes telling them, niggas,

458
00:25:44,760 --> 00:25:47,440
Speaker 1: don't do that corny ship. You know what I'm saying,

459
00:25:47,440 --> 00:25:50,000
Speaker 1: because no matter if you affect five people, the people

460
00:25:51,000 --> 00:25:54,520
Speaker 1: I don't just winning then started screaming, Okay, look man,

461
00:25:55,080 --> 00:25:56,680
Speaker 1: y'all here doing this troll ship. It was like, no,

462
00:25:56,800 --> 00:25:58,399
Speaker 1: we just wanted to get her in here so we

463
00:25:58,440 --> 00:26:00,760
Speaker 1: could talk to her about some issue was over in

464
00:26:00,760 --> 00:26:04,840
Speaker 1: in Africa. All right, cool, fuck, I get that right,

465
00:26:05,520 --> 00:26:09,119
Speaker 1: But to go and say someone's not funny, to go

466
00:26:09,160 --> 00:26:12,040
Speaker 1: against to post something against their livelihood. Black people always

467
00:26:12,040 --> 00:26:13,840
Speaker 1: talking about we don't have enough and we don't have this,

468
00:26:13,840 --> 00:26:15,879
Speaker 1: but we're the first people to do some dumbship like

469
00:26:15,920 --> 00:26:18,480
Speaker 1: that to troll each other. So you're gonna potentially take

470
00:26:18,600 --> 00:26:22,240
Speaker 1: money out this lady's pocket and food off our table

471
00:26:22,400 --> 00:26:24,919
Speaker 1: because you want to get a room started. So I

472
00:26:24,960 --> 00:26:27,520
Speaker 1: was just barking about that kind of ship, like guess

473
00:26:28,160 --> 00:26:32,280
Speaker 1: to Kevin, to whoever, I do on'tly really see Kevin.

474
00:26:32,280 --> 00:26:34,040
Speaker 1: I've never seen the Tiffany how to stay. I think

475
00:26:34,080 --> 00:26:36,440
Speaker 1: Tiffany islas I think Kevin is that. I think every

476
00:26:36,520 --> 00:26:39,320
Speaker 1: comedian is great for their own rights. Yeah, everybody got

477
00:26:39,320 --> 00:26:44,040
Speaker 1: a lane. Everybody's eat didn't get there by accident, And

478
00:26:44,200 --> 00:26:48,720
Speaker 1: like to tell the truth, I think the only thing

479
00:26:48,840 --> 00:26:52,199
Speaker 1: getting on harder from the bottom and happen to get

480
00:26:52,240 --> 00:26:54,480
Speaker 1: all the way to the top is comedian ship. When

481
00:26:54,480 --> 00:26:57,119
Speaker 1: you hear, like the growing up stories, people getting a

482
00:26:57,160 --> 00:26:59,840
Speaker 1: hundred dollars a night and then happen to wait, like

483
00:27:00,000 --> 00:27:01,400
Speaker 1: you know, to the end of the night to get

484
00:27:01,440 --> 00:27:04,960
Speaker 1: ten minutes or two minutes on the stage get oh yeah,

485
00:27:05,040 --> 00:27:09,200
Speaker 1: like a big, bigger comedian or coming, and they're like, yo, yeah,

486
00:27:09,280 --> 00:27:12,040
Speaker 1: you can't like that. That to me, that's like almost

487
00:27:12,119 --> 00:27:14,920
Speaker 1: maybe a little rougher than hip hopably got the chickling

488
00:27:15,000 --> 00:27:18,880
Speaker 1: circuit in hip hop, which is pretty fine, but commedian.

489
00:27:18,880 --> 00:27:22,760
Speaker 1: So in order to be somebody in the comedian comedic world,

490
00:27:22,960 --> 00:27:24,399
Speaker 1: you gotta go through this. This is no one who

491
00:27:24,480 --> 00:27:27,359
Speaker 1: just comes out and just gets It's le let me

492
00:27:27,440 --> 00:27:31,359
Speaker 1: change this question, because there is some comedians who just

493
00:27:31,400 --> 00:27:35,560
Speaker 1: get on Instagram get some followers. Are they considered the

494
00:27:35,600 --> 00:27:40,920
Speaker 1: comedian or they considered Instagram funny. That's a that's a

495
00:27:40,920 --> 00:27:42,880
Speaker 1: a big debate that that's been going on for years.

496
00:27:42,920 --> 00:27:45,840
Speaker 1: Now here's what I say to that, and I always

497
00:27:45,920 --> 00:27:49,200
Speaker 1: drew a parallel, So just bear with me, Um Jesus

498
00:27:49,200 --> 00:27:52,960
Speaker 1: smoking parallels exactly. Come on, now, I'm on point. Let's

499
00:27:53,119 --> 00:27:56,040
Speaker 1: getting your work, Okay, let me get some by um.

500
00:27:56,040 --> 00:27:59,400
Speaker 1: When it comes to comedians, and I think, no matter

501
00:27:59,440 --> 00:28:03,159
Speaker 1: the platform them you use, although they may not be

502
00:28:03,240 --> 00:28:06,879
Speaker 1: traditional stand up comedians with that title, if you on

503
00:28:07,040 --> 00:28:09,199
Speaker 1: the on the Gram or on social media and you

504
00:28:09,320 --> 00:28:12,639
Speaker 1: have funny ship and you're funny to me, you're funny.

505
00:28:13,320 --> 00:28:15,880
Speaker 1: You may not be labeled a comedian, but you're funniest, right.

506
00:28:16,080 --> 00:28:18,040
Speaker 1: But I draw a parallel of hip hop in the

507
00:28:18,119 --> 00:28:22,240
Speaker 1: seventies when when rap first started, the bands of the

508
00:28:22,280 --> 00:28:24,520
Speaker 1: seventies was mad As ship, and they were like, oh,

509
00:28:24,560 --> 00:28:27,480
Speaker 1: they're not doing it right. They're taking eye music and

510
00:28:27,560 --> 00:28:31,240
Speaker 1: just saying they're bullshit over it. That's not real music.

511
00:28:31,920 --> 00:28:33,639
Speaker 1: It's a fat it's not gonna be around for a

512
00:28:33,680 --> 00:28:35,720
Speaker 1: long time. We said the same ship about some of

513
00:28:35,720 --> 00:28:40,360
Speaker 1: these TikTokers and some of these uh snapchatters and instagram

514
00:28:40,360 --> 00:28:45,959
Speaker 1: people anders YouTubers. If you're funny, you're funny. I use

515
00:28:46,040 --> 00:28:50,000
Speaker 1: all platforms because I could do it though, So my

516
00:28:50,080 --> 00:28:52,520
Speaker 1: thing is, if you're funny, you funny. But if the

517
00:28:52,600 --> 00:28:55,479
Speaker 1: platforms are available, use all of that ship. You know,

518
00:28:55,680 --> 00:28:58,760
Speaker 1: hip hop is a billion dollar industry now because if

519
00:28:58,800 --> 00:29:00,640
Speaker 1: if they would have listened to the ends back then

520
00:29:00,680 --> 00:29:03,320
Speaker 1: and gave up, we wouldn't have you, We wouldn't have

521
00:29:03,760 --> 00:29:05,560
Speaker 1: nobody know what I'm saying, jay Z Now, we wouldn't

522
00:29:05,600 --> 00:29:08,040
Speaker 1: have none of that ship. So I don't I don't

523
00:29:08,080 --> 00:29:09,480
Speaker 1: sit back and be like, now this person is not

524
00:29:09,520 --> 00:29:11,600
Speaker 1: a comedian or knocked the hustle or whatever. I jump

525
00:29:11,600 --> 00:29:13,840
Speaker 1: in the collab video with him, gonna do whatever if

526
00:29:13,880 --> 00:29:15,280
Speaker 1: if they if they're nice with it, because I guess

527
00:29:15,320 --> 00:29:17,280
Speaker 1: what they're saying. There's some some some of these guys

528
00:29:17,440 --> 00:29:19,680
Speaker 1: on Instagram they're just funny on Instagram and you put

529
00:29:19,720 --> 00:29:22,400
Speaker 1: them in a live show, live show people. Oh no,

530
00:29:22,480 --> 00:29:24,719
Speaker 1: that happens though, Like you gotta know what your lane is.

531
00:29:25,000 --> 00:29:27,600
Speaker 1: If you're not about that, don't jump on the goddamn stage.

532
00:29:27,600 --> 00:29:32,400
Speaker 1: You're gonna get your ass a right they real, I'm sure,

533
00:29:33,920 --> 00:29:38,880
Speaker 1: don't do it? Have you have you seen that? We're seen? Yes,

534
00:29:39,560 --> 00:29:44,840
Speaker 1: my boy Brandon Lewis, we talked about this. Yeah, you know,

535
00:29:45,120 --> 00:29:53,800
Speaker 1: like because we talked about all the time. And there's

536
00:29:53,840 --> 00:29:55,760
Speaker 1: comedians that be like, yo' I'm gonna stage time. Let

537
00:29:55,800 --> 00:29:58,000
Speaker 1: me get on. Let me open up for you, all right.

538
00:29:59,080 --> 00:30:01,480
Speaker 1: Every city I go too, I don't. I don't shun

539
00:30:01,600 --> 00:30:03,560
Speaker 1: no young comedians and they'll be like, oh, let me

540
00:30:03,840 --> 00:30:06,720
Speaker 1: let me go on stage tonight, Like I'm ready, all right.

541
00:30:07,200 --> 00:30:10,840
Speaker 1: There's only been once that that somebody was like nice

542
00:30:10,880 --> 00:30:13,280
Speaker 1: with it on the spot about that life, about that life.

543
00:30:13,440 --> 00:30:16,960
Speaker 1: Was his name, what's his name down in Jacksonville, Florida.

544
00:30:18,080 --> 00:30:23,840
Speaker 1: I forget it's out Florida, little Duvall das alleged, Das Allegend.

545
00:30:24,760 --> 00:30:27,000
Speaker 1: I forget his name. But anyway, he was funny. It

546
00:30:27,080 --> 00:30:31,280
Speaker 1: was funny. Everybody else ate it. Every other city It's

547
00:30:31,280 --> 00:30:34,320
Speaker 1: different when you're get in front of the audience. Man, audiences,

548
00:30:34,360 --> 00:30:36,880
Speaker 1: you could be funny as fun on your camera and

549
00:30:36,920 --> 00:30:39,640
Speaker 1: then your shower. When you're in front of people, you're

550
00:30:39,640 --> 00:30:42,760
Speaker 1: gonna freeze up and changes the rhythm and changes the stakes.

551
00:30:43,720 --> 00:30:46,560
Speaker 1: You ain't on your right foot, start making excuses. Oh man,

552
00:30:46,600 --> 00:30:48,360
Speaker 1: I just want to come up here and say with something. Y'all, man,

553
00:30:50,080 --> 00:30:56,840
Speaker 1: you don't mother an your mother's in the house. You're

554
00:30:56,880 --> 00:30:59,440
Speaker 1: trying to get that stinch of bad comedy off you.

555
00:31:00,040 --> 00:31:06,400
Speaker 1: Whatever you could fucking find. Anybody ever got shot trying

556
00:31:06,400 --> 00:31:11,640
Speaker 1: to relate to anything, anything, anybody ever came late, anybody

557
00:31:11,680 --> 00:31:16,680
Speaker 1: have a wake up. So when you see like the

558
00:31:16,800 --> 00:31:19,400
Speaker 1: transition from like like Chris Rock, like like, right, I

559
00:31:19,480 --> 00:31:27,160
Speaker 1: just seen Chris Rock Chris Rock, what I see? What transition? Okay,

560
00:31:27,360 --> 00:31:36,320
Speaker 1: fun out of transition ain't transition. I was always me, man, God,

561
00:31:36,640 --> 00:31:42,480
Speaker 1: I was always men always. Literally watched him in Chris

562
00:31:42,600 --> 00:31:47,760
Speaker 1: Rock Chris Rock. I literally watched Chris rocking Saul and

563
00:31:47,840 --> 00:31:50,520
Speaker 1: I was like, wow, Like he did a role where

564
00:31:50,560 --> 00:31:53,040
Speaker 1: he wasn't being funny that he was trying. He was

565
00:31:53,120 --> 00:31:55,720
Speaker 1: being real, real serious, and it was like at some

566
00:31:55,800 --> 00:31:58,000
Speaker 1: point I was like, oh, he's not a comedian in here.

567
00:31:58,280 --> 00:32:00,440
Speaker 1: I thought he was gonna take Saul That's what it

568
00:32:00,600 --> 00:32:04,720
Speaker 1: was like. It was he took a franchise. So I'm

569
00:32:04,760 --> 00:32:07,240
Speaker 1: thinking at some point it's gonna be funny and it's not.

570
00:32:07,320 --> 00:32:10,360
Speaker 1: It's Samuel Jackson and the serious is motherfucker. Like I'm like, oh,

571
00:32:10,800 --> 00:32:13,560
Speaker 1: this is not a comedy. I've never saw that, like

572
00:32:13,680 --> 00:32:16,960
Speaker 1: even no, no, they say the best actors are comedians first,

573
00:32:17,280 --> 00:32:18,960
Speaker 1: like Robin Williams. I think he was one of the

574
00:32:19,040 --> 00:32:23,440
Speaker 1: best actors. Yeah, Mrs Joe Will Hunting was my favorite

575
00:32:23,560 --> 00:32:27,080
Speaker 1: rock Williams performance. Yeah, I thot good Will Hunting. It's

576
00:32:27,120 --> 00:32:29,200
Speaker 1: been been after like negat no, but he's in. You

577
00:32:29,240 --> 00:32:38,000
Speaker 1: didn't see it after Adam Adam Dandon. Who Man, you

578
00:32:38,120 --> 00:32:47,800
Speaker 1: sound like the guy Matt David Matt Bender Man, Marry.

579
00:32:50,520 --> 00:32:55,160
Speaker 1: So why would you think that he said Kevin be

580
00:32:55,320 --> 00:32:58,200
Speaker 1: election election. You never heard that that comedians make some

581
00:32:58,280 --> 00:33:01,040
Speaker 1: of the best like dramatic actor, you know what it is.

582
00:33:01,400 --> 00:33:04,280
Speaker 1: I've never seen like Dave Chappelle sip into that. Yeah

583
00:33:04,320 --> 00:33:07,720
Speaker 1: he did. What are you talking about? Yeah exactly, Yeah,

584
00:33:07,920 --> 00:33:09,680
Speaker 1: you can tell them, nigga, Nick, I ain't watched that.

585
00:33:15,160 --> 00:33:18,040
Speaker 1: He only watched us. Okay, hold on, hold on, I

586
00:33:18,120 --> 00:33:20,320
Speaker 1: do that movie. You got guys in that movie. They

587
00:33:20,480 --> 00:33:23,240
Speaker 1: got guys in that movie. So you know what I'm saying.

588
00:33:24,560 --> 00:33:26,760
Speaker 1: So I'm a used pun fan by the way, speaking

589
00:33:26,760 --> 00:33:29,840
Speaker 1: with terrorist Okay, he was punch fan. Yeah that's my man.

590
00:33:30,520 --> 00:33:37,640
Speaker 1: I ran Tris with him. I heard a couple of

591
00:33:37,720 --> 00:33:44,080
Speaker 1: things together. Yeah. I never usually want to admit that,

592
00:33:44,160 --> 00:33:47,600
Speaker 1: but I went to his He has a big pun

593
00:33:48,280 --> 00:33:52,760
Speaker 1: um streets. Visit that up. You go visit that, go

594
00:33:52,960 --> 00:33:59,840
Speaker 1: visit that. So performing, how do you prepare for performing?

595
00:34:00,040 --> 00:34:05,400
Speaker 1: Do you do your fingerpop something something making me anything?

596
00:34:06,240 --> 00:34:10,719
Speaker 1: Maybe the night before. Now, I just get into the work,

597
00:34:10,760 --> 00:34:12,080
Speaker 1: the work that has to be done. You know what

598
00:34:12,120 --> 00:34:13,759
Speaker 1: I'm saying. If I'm doing stand up, I gotta go

599
00:34:13,960 --> 00:34:15,760
Speaker 1: over my set. I gotta make sure I know I'm

600
00:34:15,840 --> 00:34:20,000
Speaker 1: hitting my my beats, make sure my energies right. Because

601
00:34:20,040 --> 00:34:23,120
Speaker 1: I like to perform like sweat, you know what I'm saying,

602
00:34:23,160 --> 00:34:25,600
Speaker 1: Like I'm I like to give the audience a show,

603
00:34:25,840 --> 00:34:29,120
Speaker 1: come out with a rag everything Well, tow, I gotta

604
00:34:29,160 --> 00:34:33,440
Speaker 1: twent on stage. Yeah, I'm I go in um just

605
00:34:33,560 --> 00:34:35,680
Speaker 1: making sure I'm prepared and I know my ship. That's

606
00:34:35,800 --> 00:34:38,400
Speaker 1: that's how that's what it is when it's movies, TV.

607
00:34:39,920 --> 00:34:42,400
Speaker 1: Yourne no. No. But let's take a performing for a

608
00:34:42,440 --> 00:34:46,279
Speaker 1: little while, because performing is about timing. Oh yeah, because

609
00:34:46,280 --> 00:34:48,480
Speaker 1: you can say something. Now, let me ask you. I

610
00:34:48,560 --> 00:34:49,800
Speaker 1: want to get back to timing, but I want to

611
00:34:49,840 --> 00:34:51,960
Speaker 1: also ask you. Do you change your material based on

612
00:34:52,080 --> 00:34:53,880
Speaker 1: what you're going for him? Like, if you performing in

613
00:34:53,960 --> 00:34:55,719
Speaker 1: North Hollywood, you ain't can perform the same way at

614
00:34:55,760 --> 00:34:59,400
Speaker 1: South cent you right, you know you do. But you

615
00:34:59,800 --> 00:35:02,640
Speaker 1: you go to every every city and you have to

616
00:35:02,800 --> 00:35:06,400
Speaker 1: acknowledge the city in some way, you know. I mean,

617
00:35:06,400 --> 00:35:07,800
Speaker 1: you don't gotta spend a bunch of time on it,

618
00:35:08,280 --> 00:35:09,960
Speaker 1: but you do have to acknowledge the difference and that

619
00:35:10,040 --> 00:35:12,520
Speaker 1: you realize where you are and who you with, you

620
00:35:12,560 --> 00:35:14,240
Speaker 1: know what I'm saying. So like if you go to Seattle,

621
00:35:14,239 --> 00:35:16,520
Speaker 1: you gotta recognize they've got good coffee, you gotta talk

622
00:35:16,560 --> 00:35:19,160
Speaker 1: about whatever, or they got a lot of clouds and

623
00:35:19,520 --> 00:35:23,440
Speaker 1: raining over the time I'm saying fireworks. Yeah, so you

624
00:35:23,480 --> 00:35:25,520
Speaker 1: do save it up a little bit. You have to, okay,

625
00:35:26,000 --> 00:35:27,560
Speaker 1: I mean some people don't. Some people just go out

626
00:35:27,560 --> 00:35:31,239
Speaker 1: and just do this ship but I do. Okay, But

627
00:35:31,360 --> 00:35:33,640
Speaker 1: we got this segment of the show we called it's

628
00:35:33,640 --> 00:35:36,200
Speaker 1: called quick time with Slim. So usually when we do this,

629
00:35:36,520 --> 00:35:38,759
Speaker 1: it's the guests who take a shot, but me and

630
00:35:38,840 --> 00:35:40,440
Speaker 1: e fn Is gonna step up for you because he's

631
00:35:41,080 --> 00:35:44,359
Speaker 1: you're not drinking. Appreciate that his boy, But somebody needs

632
00:35:44,360 --> 00:35:49,719
Speaker 1: to drink. You want to drink from? Okay, let's happens

633
00:35:51,560 --> 00:35:55,919
Speaker 1: that you're killing me to take man Jesus Si, Okay,

634
00:35:56,440 --> 00:35:59,000
Speaker 1: I give me there. You gotta take a drink. You

635
00:35:59,120 --> 00:36:05,879
Speaker 1: want your boss thing, Mr Lee, Mr Lee? Come on right, yeah,

636
00:36:06,600 --> 00:36:11,680
Speaker 1: come on, Sonny, you want to drink from? Go on

637
00:36:11,760 --> 00:36:17,440
Speaker 1: some moonshine. That's how big that's that's what is in that.

638
00:36:20,920 --> 00:36:24,160
Speaker 1: I don't know. He turned your white in. That's hard.

639
00:36:24,320 --> 00:36:28,600
Speaker 1: That's hard from that on? Um yeah, alright cool. I

640
00:36:28,680 --> 00:36:31,480
Speaker 1: can smell that ship from Yeah, that's that's that's that's

641
00:36:31,520 --> 00:36:34,200
Speaker 1: what they say that from pro Berndy. That's like you're

642
00:36:34,239 --> 00:36:42,240
Speaker 1: definitely white. Pungent sings. What's your favorite movie coming to America?

643
00:36:43,440 --> 00:36:46,880
Speaker 1: Wait a minute now, because I don't want to. I

644
00:36:46,920 --> 00:36:49,680
Speaker 1: don't want to fight right now, we're not gonna fight.

645
00:36:49,760 --> 00:36:52,440
Speaker 1: How do you feel about part two? It's not part one.

646
00:36:54,239 --> 00:36:57,400
Speaker 1: I'm not listening, but listen, I'm I'm friends with the

647
00:36:57,480 --> 00:37:00,680
Speaker 1: Murphy family. I talked to us, talked to his brother

648
00:37:00,680 --> 00:37:03,920
Speaker 1: the other day. My personal feeling was they should have

649
00:37:03,960 --> 00:37:06,360
Speaker 1: never did a sequel. You should just never touched a classic.

650
00:37:06,440 --> 00:37:08,800
Speaker 1: That's that classic. You know what I'm saying. That's my

651
00:37:08,960 --> 00:37:12,399
Speaker 1: personal opinion. And Part two is not Part one. It's

652
00:37:12,480 --> 00:37:15,040
Speaker 1: it's for what it is, you know school. I love

653
00:37:15,120 --> 00:37:19,359
Speaker 1: Part two too, That's cool. I really really love part too.

654
00:37:20,160 --> 00:37:21,759
Speaker 1: Are you love part too? Yeah? I love part too.

655
00:37:22,080 --> 00:37:25,480
Speaker 1: Only seeing this whack is when the kids starts to rap,

656
00:37:25,560 --> 00:37:27,800
Speaker 1: Like what the fund is that? Like, what the what

657
00:37:27,880 --> 00:37:29,440
Speaker 1: the are you doing? Like? It was it was a

658
00:37:29,440 --> 00:37:32,279
Speaker 1: little that who wrote that the kids start rapping and

659
00:37:32,320 --> 00:37:35,640
Speaker 1: ship and they get married and they were doing and

660
00:37:35,840 --> 00:37:38,239
Speaker 1: get off or something. I don't know, the Pettiana Taylor.

661
00:37:38,280 --> 00:37:39,759
Speaker 1: It was just it was just that part was just

662
00:37:39,920 --> 00:37:43,120
Speaker 1: what's going on? Okay? So this is you picking one

663
00:37:43,320 --> 00:37:45,200
Speaker 1: or the other, or you pick both. We take a shot,

664
00:37:45,800 --> 00:37:48,319
Speaker 1: all right, or or neither or neither. We take a shot.

665
00:37:48,880 --> 00:37:55,520
Speaker 1: All you ready? Jay z or nas nas DMX A

666
00:37:55,560 --> 00:37:59,520
Speaker 1: two pop DMX. He's watching you too, in case you

667
00:37:59,560 --> 00:38:04,600
Speaker 1: don't know that, all right, Eddie Murphy or Richard Pry Eddie,

668
00:38:06,320 --> 00:38:14,560
Speaker 1: Chris Rockemar Allowance. I'm gonna take a shot of water.

669
00:38:16,400 --> 00:38:22,759
Speaker 1: Who's step it up? Look I was posting it, I

670
00:38:22,920 --> 00:38:24,600
Speaker 1: was coasting. But you know I'm gonna taking a shot,

671
00:38:25,360 --> 00:38:27,879
Speaker 1: my guys. Man, I don't know if I'm saving this ship,

672
00:38:28,800 --> 00:38:30,480
Speaker 1: if I'm sharing this. This is just that good ship

673
00:38:30,600 --> 00:38:40,319
Speaker 1: right here. Okay, it's that biggie baby, this ship. Yeah,

674
00:38:40,880 --> 00:38:43,560
Speaker 1: this ship. Put here in your chest, even though I

675
00:38:43,640 --> 00:38:48,759
Speaker 1: got too much already, y'all. You know, we don't know

676
00:38:48,800 --> 00:38:50,520
Speaker 1: if you know what our show was about giving our

677
00:38:50,600 --> 00:38:53,680
Speaker 1: legends day respect by they here. You deserve your flowers. Man.

678
00:38:54,760 --> 00:38:56,440
Speaker 1: We can't sing it with water. That's bad luck. But

679
00:38:56,520 --> 00:39:03,200
Speaker 1: we're going I do on puarter Veacan. I'm trinting that

680
00:39:03,320 --> 00:39:09,279
Speaker 1: in drink your shot, you're drinking on his bath. Yeah,

681
00:39:09,719 --> 00:39:12,920
Speaker 1: good looking out, okay. Mike Epps, Mike Epps or Chris

682
00:39:13,000 --> 00:39:17,000
Speaker 1: Tucker Mike Epps forty eight, I was a Beverly Hills cop.

683
00:39:18,200 --> 00:39:21,359
Speaker 1: Forty was Beverly Hills cop. Okay, Hollom Knights are coming

684
00:39:21,400 --> 00:39:27,640
Speaker 1: to America, first America. Why isn't there Hollom Knights too? Man?

685
00:39:28,320 --> 00:39:32,520
Speaker 1: I wish make that ship. No, no, no, no, no,

686
00:39:32,840 --> 00:39:35,160
Speaker 1: they should have made that movie maybe a year after

687
00:39:35,200 --> 00:39:36,840
Speaker 1: the first one, but not Hold On Knights Too. But

688
00:39:36,880 --> 00:39:39,000
Speaker 1: I've versioned up that. No, no, no, no, I'm talking

689
00:39:39,000 --> 00:39:44,360
Speaker 1: about Richard Eddie red Fox, the whole cast they should have.

690
00:39:44,719 --> 00:39:46,560
Speaker 1: I wanted to see that. I wanted to see where

691
00:39:46,600 --> 00:39:50,120
Speaker 1: they moved to after they they killed the mobsters off

692
00:39:50,160 --> 00:39:53,399
Speaker 1: and all that. Damn, that's a he got my whole ship.

693
00:39:55,920 --> 00:40:02,040
Speaker 1: Say Matt Damon, Macaul Damon, Michael Dammit made a new

694
00:40:02,120 --> 00:40:09,200
Speaker 1: nigga Okay, biggie, big punt Punt and Leving couple on

695
00:40:09,320 --> 00:40:12,799
Speaker 1: Mad TV. This is a whack one man. The Living

696
00:40:12,920 --> 00:40:16,200
Speaker 1: Color Man, come on, let me rephrase that. And Living

697
00:40:16,239 --> 00:40:21,320
Speaker 1: Color or Dave Chappelle Living Color. Much love to Chappelle

698
00:40:21,360 --> 00:40:23,560
Speaker 1: though like he would he would. I'm sure he was

699
00:40:23,600 --> 00:40:25,960
Speaker 1: influenced by the Living Color too. Okay Friday or house

700
00:40:26,040 --> 00:40:30,319
Speaker 1: party for me, House party because he would kid play,

701
00:40:31,200 --> 00:40:35,839
Speaker 1: Yeah what you did with your rock video. We're gonna

702
00:40:35,840 --> 00:40:39,759
Speaker 1: get that. You don't get to that. Hold On treat

703
00:40:39,880 --> 00:40:45,359
Speaker 1: him Ja Cole or Kendrick Cole. The hometown from North

704
00:40:45,400 --> 00:40:48,360
Speaker 1: Carolina homes no he but he got the bars to

705
00:40:48,440 --> 00:40:51,360
Speaker 1: back it up. But also because he's from Faying Okay,

706
00:40:52,600 --> 00:40:58,440
Speaker 1: I'll cast them all. D D the Locks or me

707
00:40:58,560 --> 00:41:01,560
Speaker 1: goes Locks? Are you saying a lot of this ship

708
00:41:01,640 --> 00:41:06,080
Speaker 1: with confidence? I liked Face scared face or ice cube

709
00:41:06,800 --> 00:41:13,279
Speaker 1: Q podcast or radio podcast? This one? I'm sure? How

710
00:41:13,320 --> 00:41:17,480
Speaker 1: are you going to answer this camera? Or Jada kiss kiss? Okay?

711
00:41:18,360 --> 00:41:26,759
Speaker 1: L A or Miami l A. You're in Miami where

712
00:41:27,080 --> 00:41:33,279
Speaker 1: man Ray Coron or ghost Face, ghosts Red or math

713
00:41:34,160 --> 00:41:40,560
Speaker 1: Red nineties or two thousand Hip hop nineties. Loyalty or respect? Loyalty?

714
00:41:41,080 --> 00:41:44,600
Speaker 1: Will Farrell or Jim Carrey. Jim because the fire Marsha

715
00:41:44,640 --> 00:41:49,720
Speaker 1: Bill he's before Will so he inspired that Jim carries

716
00:41:49,719 --> 00:41:59,479
Speaker 1: a genius. Dave Chappelle or Kevin Hart, keV. I'm gonna

717
00:41:59,480 --> 00:42:01,960
Speaker 1: take a big because of that. I don't know, Jesus.

718
00:42:02,800 --> 00:42:05,960
Speaker 1: You know Davis out here? You know? Oh yeah, do

719
00:42:06,080 --> 00:42:09,040
Speaker 1: you comedians? You got like a group chat when you're

720
00:42:09,040 --> 00:42:11,840
Speaker 1: all in the same you know we actually do you

721
00:42:11,920 --> 00:42:15,759
Speaker 1: actually do? All comedians is literally a group chat that

722
00:42:15,840 --> 00:42:18,400
Speaker 1: I got that barely talking because some people it's like

723
00:42:18,480 --> 00:42:20,200
Speaker 1: two or three people that talk too much in there

724
00:42:20,480 --> 00:42:22,279
Speaker 1: in the group chat, but everybody's in the Davis and

725
00:42:22,280 --> 00:42:24,080
Speaker 1: the like they type too much. You can't be talking

726
00:42:24,080 --> 00:42:26,839
Speaker 1: in the group chat two months. They do voicemails too.

727
00:42:27,440 --> 00:42:30,279
Speaker 1: I like voice because they disappeared. Yeah, you didn't do

728
00:42:30,360 --> 00:42:34,000
Speaker 1: none of his shows and Ohio, you didn't go to

729
00:42:34,040 --> 00:42:39,000
Speaker 1: the summer cat. Nah. Nah, I wasn't invited. Okay, we neither. Yeah,

730
00:42:40,000 --> 00:42:42,920
Speaker 1: I only go where I'm invited. I was somewhat invited.

731
00:42:42,960 --> 00:42:45,160
Speaker 1: It was brought up, so I just felt like they

732
00:42:45,200 --> 00:42:51,080
Speaker 1: just felt like invitation. But when when it came to travel,

733
00:42:51,200 --> 00:42:54,200
Speaker 1: players and arrangements, nobody's gotta go here. I was like, wait,

734
00:42:54,800 --> 00:42:56,759
Speaker 1: let me tell you who I was growing up. My

735
00:42:56,920 --> 00:42:58,839
Speaker 1: neighbor can have a party and tell me he as

736
00:42:58,840 --> 00:43:00,920
Speaker 1: a party. Or if they don't, remind me and say, hey,

737
00:43:00,920 --> 00:43:02,520
Speaker 1: you still come to the park. I ain't gone, but

738
00:43:02,600 --> 00:43:04,600
Speaker 1: you're still like that. Yeah, I still like I. I

739
00:43:04,719 --> 00:43:07,080
Speaker 1: just I need to feel special, like you need to

740
00:43:07,120 --> 00:43:10,480
Speaker 1: be like you. Yeah, yeah, you need to invite me twice.

741
00:43:10,560 --> 00:43:13,640
Speaker 1: He won't do that the other way around. Yes I will, Yes,

742
00:43:13,719 --> 00:43:15,800
Speaker 1: I will. If I'm don't forget. Okay, you're taking a

743
00:43:15,840 --> 00:43:21,560
Speaker 1: shot just that Japanese whiskey. You never drink at all,

744
00:43:21,840 --> 00:43:25,120
Speaker 1: never for man, even when you was Russell getting the models.

745
00:43:27,719 --> 00:43:32,719
Speaker 1: We're gonna strike that from the record, I never drink

746
00:43:32,719 --> 00:43:36,040
Speaker 1: it all never never, never drink, never smoked, never done drugs.

747
00:43:36,160 --> 00:43:39,600
Speaker 1: And I'm sure women try to convince you. I'm sure

748
00:43:39,800 --> 00:43:43,319
Speaker 1: chick put a little cocaine or as the military, army

749
00:43:43,320 --> 00:43:46,560
Speaker 1: brat side of you, I don't with coked. Is that

750
00:43:46,640 --> 00:43:48,560
Speaker 1: the army brat side of you? Like your parents? No

751
00:43:49,320 --> 00:43:51,640
Speaker 1: keeping a buck. I grew up in a family of adders,

752
00:43:52,640 --> 00:43:55,320
Speaker 1: So it was just something that I saw early and

753
00:43:55,920 --> 00:43:59,040
Speaker 1: just decided it wasn't for me. For us, I wouldn't

754
00:43:59,040 --> 00:44:01,640
Speaker 1: to drink if I don't do that. The stables here

755
00:44:01,680 --> 00:44:04,239
Speaker 1: recently and I didn't drink because he had the same

756
00:44:04,280 --> 00:44:06,400
Speaker 1: type of story and how I knew that. But now

757
00:44:06,440 --> 00:44:08,480
Speaker 1: I'm already and leaving there. Don't don't judge me, no, no,

758
00:44:08,640 --> 00:44:10,640
Speaker 1: it's all looks. I love my family, like, don't get

759
00:44:10,640 --> 00:44:13,920
Speaker 1: a twisted but mind you, your drunk cousin was like

760
00:44:13,960 --> 00:44:17,000
Speaker 1: I wanted them to drink it a little bit, a

761
00:44:17,040 --> 00:44:21,120
Speaker 1: little bit. Let's makes a noise of me. You get

762
00:44:21,160 --> 00:44:26,120
Speaker 1: about a quarter a quarter down on that? Yeah, yeah, yeah, yeah,

763
00:44:26,160 --> 00:44:27,960
Speaker 1: that's it. That's it. Be seen te pain stand with

764
00:44:28,000 --> 00:44:33,000
Speaker 1: you that he drank a whole bottle of and stop standing. Yeah,

765
00:44:33,280 --> 00:44:37,400
Speaker 1: we were warried. What you're serious? Yeah? What funny? I know.

766
00:44:37,480 --> 00:44:39,600
Speaker 1: While we got worried, he was like, you don't got

767
00:44:39,680 --> 00:44:42,359
Speaker 1: to drink no more. I was like, I'm always trying

768
00:44:42,360 --> 00:44:45,040
Speaker 1: to stop it, and you're the worst. He was like yes.

769
00:44:45,640 --> 00:44:47,320
Speaker 1: His people was like that people trying to stop He

770
00:44:47,400 --> 00:44:50,320
Speaker 1: was like, no, I'm staying for me some more. So.

771
00:44:50,440 --> 00:44:52,560
Speaker 1: You ever seen one of your homies get get get

772
00:44:52,760 --> 00:44:58,360
Speaker 1: bucked up? And he was embarrassed. Yeah, that's that. He

773
00:44:58,520 --> 00:45:00,560
Speaker 1: keep calling this thing that. Well, I didn't got the

774
00:45:00,600 --> 00:45:04,640
Speaker 1: best shot in the building. It's his name again, Brandon Coople,

775
00:45:04,840 --> 00:45:07,160
Speaker 1: Brandon Lewis, Brandon Lewis. He gave you. That's how you

776
00:45:07,239 --> 00:45:09,719
Speaker 1: know he know you when they hit you with the

777
00:45:09,800 --> 00:45:12,879
Speaker 1: first and last name. He got next, he got Okay,

778
00:45:12,920 --> 00:45:15,560
Speaker 1: you know you're funny. Okay, I'm gonna put you out.

779
00:45:16,840 --> 00:45:18,680
Speaker 1: You're gonna crash today. He gonna take a shot at

780
00:45:18,680 --> 00:45:20,360
Speaker 1: hebeke right. Damn man, come on, you're gonna take a

781
00:45:20,400 --> 00:45:22,200
Speaker 1: shot of this guy. This is this is that good.

782
00:45:22,200 --> 00:45:23,520
Speaker 1: It's this is with jay Z and them drink. You

783
00:45:23,520 --> 00:45:25,840
Speaker 1: know what I'm saying. You know I never got to

784
00:45:25,840 --> 00:45:29,200
Speaker 1: be responsible? Yes, Okayan, he got next, Yeah, he got next.

785
00:45:29,719 --> 00:45:33,239
Speaker 1: Where are you from Atlanta? Okay, y'all, niggas is wide

786
00:45:33,280 --> 00:45:38,800
Speaker 1: open out there. Boys. Yeah, they didn't close, they didn't clothes,

787
00:45:38,840 --> 00:45:43,799
Speaker 1: the right, nothing, the ship down. So when the last

788
00:45:43,800 --> 00:45:47,120
Speaker 1: time you put the many pakia? But I didn't? Then,

789
00:45:49,160 --> 00:45:53,040
Speaker 1: actually I did, I did. I met him once. He

790
00:45:53,719 --> 00:45:57,120
Speaker 1: showed him the parody and he was laughing like he

791
00:45:57,239 --> 00:45:58,920
Speaker 1: was hitting my arm and she hurt. He was like

792
00:45:59,040 --> 00:46:02,840
Speaker 1: hitting your ship like that is very funny. I like,

793
00:46:03,680 --> 00:46:10,279
Speaker 1: I enjoyed that. It's comedies and it's very good. It's

794
00:46:10,360 --> 00:46:14,600
Speaker 1: very good. I can't wait to fight lord. Maybe that's

795
00:46:14,600 --> 00:46:30,040
Speaker 1: again and very happy to be times. How about Mr Orby?

796
00:46:30,080 --> 00:46:32,640
Speaker 1: When the last time you see Mr? Or Mr Orby?

797
00:46:32,719 --> 00:46:36,920
Speaker 1: Drake Drake? Actually I did see Drake about a month ago.

798
00:46:37,200 --> 00:46:44,359
Speaker 1: What did he say to you? Tell me? He said, uh,

799
00:46:44,960 --> 00:46:47,160
Speaker 1: that's all he said. You don't he don't talk to

800
00:46:48,680 --> 00:46:54,320
Speaker 1: you ladies. But like, do you go to light skin meetings?

801
00:46:54,400 --> 00:47:00,120
Speaker 1: You Drake, mb do you have like sanctuaries? Good up?

802
00:47:00,120 --> 00:47:03,719
Speaker 1: And you'll say this, I mean, I can't. I can't

803
00:47:03,760 --> 00:47:06,960
Speaker 1: tell you because you're not in brow. I'm trying to

804
00:47:06,960 --> 00:47:09,200
Speaker 1: get you brough the dogskin community. I'm just saying I

805
00:47:09,320 --> 00:47:11,040
Speaker 1: just got passed with BROWNSI give me. I'm trying to

806
00:47:11,080 --> 00:47:14,120
Speaker 1: get down with a carn in the group. But in

807
00:47:14,160 --> 00:47:18,960
Speaker 1: the middle you too much of a spy. You do

808
00:47:19,120 --> 00:47:25,000
Speaker 1: on the fence. Oh because and he told me you

809
00:47:25,040 --> 00:47:28,279
Speaker 1: got to go to karate class. Yeah, he said it's

810
00:47:28,280 --> 00:47:33,960
Speaker 1: a light skin karate class. Jersey's karate class. They really

811
00:47:33,960 --> 00:47:39,840
Speaker 1: take karate in my mind. Oh, y'all stick around. I

812
00:47:40,000 --> 00:47:43,360
Speaker 1: do know how to kick? Yeah, real, real, okay, some

813
00:47:43,680 --> 00:47:46,200
Speaker 1: some blood spoil ship. Yeah, some Bruce Lee ship. Really,

814
00:47:46,480 --> 00:47:50,799
Speaker 1: Holy moly moly, you just do it all? Which is what? Oh? Yeah,

815
00:47:50,880 --> 00:47:53,480
Speaker 1: that's right. You fun with Bruce Lee. Yeah that's right.

816
00:47:53,920 --> 00:47:56,719
Speaker 1: I saw that too. What's going on? What's going on?

817
00:47:57,360 --> 00:48:04,239
Speaker 1: What's going on at right? You know? Yeah, how did

818
00:48:04,280 --> 00:48:08,880
Speaker 1: you develop that? Like, Bruce Lee? How did you develop that? Like?

819
00:48:09,400 --> 00:48:11,200
Speaker 1: You know, I was a Bruce Lee fan and I

820
00:48:11,320 --> 00:48:13,879
Speaker 1: developed kicks kicking and you went to see the movies.

821
00:48:13,920 --> 00:48:17,839
Speaker 1: The movies different like this exactly all that ship. Bruce

822
00:48:18,000 --> 00:48:20,880
Speaker 1: spoke English though, I'm talking about the count fool fixed.

823
00:48:21,320 --> 00:48:31,640
Speaker 1: Yeah that's the yeah, semur run run short movies us

824
00:48:31,760 --> 00:48:35,839
Speaker 1: my ship. Yeah, send the pede. I don't do it again,

825
00:48:35,920 --> 00:48:40,719
Speaker 1: do it again? I must look The one thing you

826
00:48:40,840 --> 00:48:45,480
Speaker 1: have to understand. Sleep spoke English really tall like this

827
00:48:46,520 --> 00:48:48,640
Speaker 1: and if you watched Into the Dragon, that's my real hoints.

828
00:48:49,760 --> 00:48:53,400
Speaker 1: So don't you understand. Don't concentrate on the finger or

829
00:48:53,760 --> 00:48:59,360
Speaker 1: you will miss all that heavenly goal spot Be like

830
00:48:59,440 --> 00:49:05,160
Speaker 1: water said, be water water. That's why I only dream water.

831
00:49:06,600 --> 00:49:10,120
Speaker 1: I always thought that was some hot ship. Be like water. No,

832
00:49:10,280 --> 00:49:13,560
Speaker 1: it's that's real. It's a dope philosophy. Also feel like

833
00:49:13,600 --> 00:49:16,080
Speaker 1: that if you are masculine, I'm just going like, that's

834
00:49:16,120 --> 00:49:19,399
Speaker 1: a that's a masculiney be like water like what then?

835
00:49:19,520 --> 00:49:23,560
Speaker 1: Does that mean? Yeah, you're ready? Yeah, it took thirty

836
00:49:23,640 --> 00:49:28,320
Speaker 1: years to get come up with that ship flow. So

837
00:49:31,400 --> 00:49:33,560
Speaker 1: you when when a person calls you for a movie,

838
00:49:33,960 --> 00:49:38,120
Speaker 1: do you tell them you accept the role? Do you

839
00:49:38,200 --> 00:49:42,120
Speaker 1: always make it a little bit piece of yours? Like

840
00:49:42,520 --> 00:49:44,359
Speaker 1: you mean, do I accept it as it is? Like? Yeah,

841
00:49:44,400 --> 00:49:46,000
Speaker 1: that's what somebody got you, They get your page. You

842
00:49:46,880 --> 00:49:50,920
Speaker 1: have to bring your own essence to it, you know

843
00:49:50,960 --> 00:49:54,760
Speaker 1: what I'm saying, Like you have to while creating the character.

844
00:49:55,200 --> 00:49:57,480
Speaker 1: Does that make sense? Yeah? But when could you not

845
00:49:57,680 --> 00:50:00,080
Speaker 1: like you're saying, like, be strict. I mean that's to

846
00:50:00,120 --> 00:50:02,360
Speaker 1: play this role this way or else. Yeah, I'm not.

847
00:50:02,800 --> 00:50:04,480
Speaker 1: I mean there's there's a bit of that. Like the

848
00:50:04,560 --> 00:50:06,480
Speaker 1: director and the writer have their vision of who the

849
00:50:06,560 --> 00:50:09,920
Speaker 1: character is, and so you do sometimes lose yourself in

850
00:50:10,040 --> 00:50:12,480
Speaker 1: that character in the dialect if you're good at it.

851
00:50:12,560 --> 00:50:15,799
Speaker 1: Some people do dialects. But she shouldn't try him. Um,

852
00:50:16,200 --> 00:50:19,040
Speaker 1: But like if they told you to be a gang

853
00:50:19,120 --> 00:50:22,080
Speaker 1: member named Pedro, how are you coming out? Well, I

854
00:50:22,200 --> 00:50:24,480
Speaker 1: was a gang member named right right nig in that house,

855
00:50:24,560 --> 00:50:27,520
Speaker 1: so I already knew how to do that. NIGGI. All right,

856
00:50:27,800 --> 00:50:30,520
Speaker 1: I'm seeing him what I'm saying, Amy, all right from

857
00:50:30,560 --> 00:50:33,000
Speaker 1: that light NIGGI. But how about the Mexican gang mbo

858
00:50:33,200 --> 00:50:38,839
Speaker 1: from l A Pedro Pedro? I mean, come on, you're

859
00:50:38,880 --> 00:50:42,200
Speaker 1: asking me to do some very simple ship. Asked me

860
00:50:42,239 --> 00:50:47,759
Speaker 1: to do some hard ship. Bro, Bro, you're sucking you.

861
00:50:51,680 --> 00:50:57,360
Speaker 1: I know that food. I know that that's exactly the

862
00:50:57,440 --> 00:51:03,680
Speaker 1: guy he comes out in the rap stuff. So how

863
00:51:03,719 --> 00:51:06,040
Speaker 1: I don't have you live in l A three years,

864
00:51:06,120 --> 00:51:11,400
Speaker 1: twenty three years coming from off Carolina? Man, I love that.

865
00:51:11,520 --> 00:51:18,560
Speaker 1: Later that's I'm in Woodland Hills. Oh that's the black area. No,

866
00:51:18,719 --> 00:51:31,759
Speaker 1: that's Boarding Hills, Okay, Woodland Hills. Okay, um remember Will

867
00:51:31,840 --> 00:51:34,840
Speaker 1: Farrell had a Um, yeah, Tyler Daga Knights and he

868
00:51:34,880 --> 00:51:39,400
Speaker 1: was getting high with the Woodland Ferries. What the connection

869
00:51:39,480 --> 00:51:42,960
Speaker 1: you You don't you don't remember that, but I don't

870
00:51:42,960 --> 00:51:45,680
Speaker 1: know how you connected this. Does anybody know what? Listen

871
00:51:46,320 --> 00:51:49,120
Speaker 1: one little fairy? Yeah he was, he was getting high.

872
00:51:49,160 --> 00:51:51,200
Speaker 1: He was working for the skating ring and then they

873
00:51:51,280 --> 00:51:53,040
Speaker 1: caught him and it was like, yo, when I met you,

874
00:51:53,160 --> 00:51:55,520
Speaker 1: you was a top rate skater and now you get

875
00:51:55,640 --> 00:51:57,640
Speaker 1: hired with the Wooden Ferries. And he said, me and

876
00:51:57,719 --> 00:52:01,239
Speaker 1: the Wooden Ferries in the area nine. That's not telling that.

877
00:52:01,640 --> 00:52:07,399
Speaker 1: That's some blades of yay. I love dumb movies, me too.

878
00:52:07,880 --> 00:52:15,080
Speaker 1: What's your favorite dumb movie? Dumber to only ship one

879
00:52:15,200 --> 00:52:18,239
Speaker 1: or two? They snipped up one. You're telling me too?

880
00:52:18,239 --> 00:52:22,319
Speaker 1: Didn't live it up? Damn for real? It did look

881
00:52:22,480 --> 00:52:24,600
Speaker 1: like we said about coming to America. I feel like

882
00:52:24,719 --> 00:52:27,920
Speaker 1: some movies just don't need you don't need to. It's

883
00:52:27,960 --> 00:52:30,520
Speaker 1: so classic you don't need to touch them. I mean,

884
00:52:30,640 --> 00:52:37,799
Speaker 1: but Godfather disputed that. But it's different because they they

885
00:52:38,120 --> 00:52:40,200
Speaker 1: was in the same time. They got worse, they didn't

886
00:52:40,200 --> 00:52:41,560
Speaker 1: get better. The last one was not That was the

887
00:52:41,600 --> 00:52:44,480
Speaker 1: worst one. Yeah, the last one was the second one

888
00:52:44,520 --> 00:52:47,840
Speaker 1: was probably the first to the second one. There you go.

889
00:52:47,920 --> 00:52:51,000
Speaker 1: That's saying rocky movies got better. I even think that

890
00:52:51,160 --> 00:52:55,560
Speaker 1: the new ones were the best ones. Yeah, not curious

891
00:52:55,680 --> 00:52:58,399
Speaker 1: got better, but they don't subscribe. I saw a fast

892
00:52:58,400 --> 00:53:01,319
Speaker 1: and furious one. That's it, fast furious. I've never seen

893
00:53:01,320 --> 00:53:03,560
Speaker 1: anything so whole. There was too much, I think. But

894
00:53:03,960 --> 00:53:09,080
Speaker 1: rule was in there. That's it. It was even on ludicrous. Nobody, nobody, jeez, Louise,

895
00:53:09,120 --> 00:53:11,600
Speaker 1: Papa cheese. So yeah, so the golf all there is

896
00:53:11,680 --> 00:53:14,080
Speaker 1: one that got better. I don't know. The last one

897
00:53:14,160 --> 00:53:16,759
Speaker 1: was the worst one. But that's three. Two got better.

898
00:53:16,880 --> 00:53:19,600
Speaker 1: So two was better than one too, example of I mean,

899
00:53:19,640 --> 00:53:21,680
Speaker 1: but yeah, I'm just saying it doesn't get better all

900
00:53:21,719 --> 00:53:23,640
Speaker 1: the way through all the time and doesn't get better,

901
00:53:23,760 --> 00:53:27,520
Speaker 1: but it has been scenarios. Stay property too is definitely

902
00:53:27,520 --> 00:53:34,120
Speaker 1: better than Stay Property one. Let's just make some she say, Cady, Caddy,

903
00:53:34,520 --> 00:53:38,640
Speaker 1: Caddy check too. Reber Hill's Comfortable was not the first one.

904
00:53:39,280 --> 00:53:42,480
Speaker 1: Part two didn't. It wasn't Number one another forty eight

905
00:53:42,560 --> 00:53:47,000
Speaker 1: hours pretty coming to America just went through this. Brother,

906
00:53:47,200 --> 00:53:50,520
Speaker 1: Are you in this room with those yea it's not.

907
00:53:50,920 --> 00:53:54,800
Speaker 1: It's not part one. But I did love Coming to

908
00:53:54,840 --> 00:53:57,320
Speaker 1: America too. I was one of those guys that stood

909
00:53:57,360 --> 00:54:00,399
Speaker 1: on it. I said, I only didn't like the rapping part.

910
00:54:00,640 --> 00:54:02,600
Speaker 1: Other than that, and when they said that they was

911
00:54:02,640 --> 00:54:05,759
Speaker 1: getting married in Queen's and they clearly said East elm Hurst,

912
00:54:05,800 --> 00:54:07,680
Speaker 1: and I was like, that's not East elm Hurst because

913
00:54:07,920 --> 00:54:12,000
Speaker 1: I'm too a catched to that area. But other than that,

914
00:54:12,080 --> 00:54:13,640
Speaker 1: I thought it was dope. I thought it was dope

915
00:54:13,680 --> 00:54:15,919
Speaker 1: for it to be twenty years later and still have something.

916
00:54:16,320 --> 00:54:22,560
Speaker 1: I thought Tracy Morgan, Tracy Morgan was crazy. I thought

917
00:54:22,640 --> 00:54:26,800
Speaker 1: the woman Lastlie, Yeah, I thought she really looked. I

918
00:54:26,960 --> 00:54:30,839
Speaker 1: love everyone in it, Everybody like, that's my fan, right.

919
00:54:31,000 --> 00:54:33,239
Speaker 1: I just think the structure of the movie, compared to

920
00:54:33,320 --> 00:54:35,279
Speaker 1: the first one, you didn't do it for me the

921
00:54:35,360 --> 00:54:37,240
Speaker 1: same way the first one. Have you Have you watched

922
00:54:37,320 --> 00:54:40,919
Speaker 1: the first one in recent years to know what I'm saying,

923
00:54:40,920 --> 00:54:43,360
Speaker 1: because there's something to say about when you're younger and

924
00:54:43,440 --> 00:54:46,560
Speaker 1: you watch something and coming to America. Never gonna have

925
00:54:46,640 --> 00:54:50,399
Speaker 1: that again. You know, it's at least a hundred times

926
00:54:51,640 --> 00:54:55,600
Speaker 1: throughout my years. I know that movie inside of McDowell's

927
00:54:55,719 --> 00:54:58,880
Speaker 1: is up the block. In my hood. That's serious. You know,

928
00:54:59,440 --> 00:55:01,640
Speaker 1: that's serious. I rolled the bike up there to see

929
00:55:01,719 --> 00:55:03,640
Speaker 1: Eddie Murphy. There's like no little. I think the building

930
00:55:03,760 --> 00:55:05,959
Speaker 1: is going now though, right, I don't. I think because

931
00:55:05,960 --> 00:55:07,880
Speaker 1: it's the McDonald's is actually a real mcdown. I think

932
00:55:07,880 --> 00:55:09,560
Speaker 1: they think they got rid of it. Oh no, no, no, no,

933
00:55:09,760 --> 00:55:12,080
Speaker 1: that's there. It's there. It's there, right, But that's there

934
00:55:12,160 --> 00:55:15,719
Speaker 1: like a motherfucker. Yeah, McDonald's is actually a McDonald's. Yeah no,

935
00:55:15,800 --> 00:55:19,160
Speaker 1: I know, but I thought they put an apartment building

936
00:55:19,200 --> 00:55:22,200
Speaker 1: over there. All the other ship with the barbershop was

937
00:55:22,320 --> 00:55:25,000
Speaker 1: all that. That's all going, all that's made up, but

938
00:55:26,200 --> 00:55:28,120
Speaker 1: that mcdown. I mean they didn't used that McDowell's on

939
00:55:28,239 --> 00:55:31,600
Speaker 1: his part too. Part one, Like I really drove up there.

940
00:55:31,640 --> 00:55:34,160
Speaker 1: They put the mcdowals into in the desert. Yeah it was.

941
00:55:34,239 --> 00:55:36,359
Speaker 1: It was hilarious. They put it in the jungle. They

942
00:55:36,400 --> 00:55:38,879
Speaker 1: wild it out, they wild it out. So what's next

943
00:55:38,920 --> 00:55:44,479
Speaker 1: for you? Producing? Man? I just I just produced another show.

944
00:55:44,760 --> 00:55:47,680
Speaker 1: I can't say what it is anything yet. What white

945
00:55:47,680 --> 00:55:53,440
Speaker 1: people again? Again? It's big. You've been getting a white chair.

946
00:55:53,520 --> 00:55:59,520
Speaker 1: This makes you use point. It's big. But yeah, I'm

947
00:55:59,520 --> 00:56:02,680
Speaker 1: putting on my producer hat Um, we gotta we're about

948
00:56:02,719 --> 00:56:06,920
Speaker 1: to produce stand up specials for people like Brandon Lewis, Um,

949
00:56:07,239 --> 00:56:10,640
Speaker 1: people that have voices that that networks don't necessarily come

950
00:56:10,680 --> 00:56:13,239
Speaker 1: and give them a shot right away. But because I'm

951
00:56:13,280 --> 00:56:15,320
Speaker 1: in the trenches with them, I'm like, I want to

952
00:56:15,360 --> 00:56:17,520
Speaker 1: produce the ship because I produced my special. So it's like,

953
00:56:18,160 --> 00:56:21,480
Speaker 1: I know what it takes to to really take that

954
00:56:21,560 --> 00:56:25,480
Speaker 1: budget and make it make a special look great. I

955
00:56:25,520 --> 00:56:28,600
Speaker 1: mean now recently, it was not recently. A couple of

956
00:56:28,680 --> 00:56:31,400
Speaker 1: years ago, I was a big dispute about Monique and

957
00:56:31,640 --> 00:56:35,880
Speaker 1: she figured out what she was worth nothing. You have

958
00:56:36,000 --> 00:56:39,080
Speaker 1: to go through something like that where always you you

959
00:56:39,239 --> 00:56:42,399
Speaker 1: always have to fight for what you're worth. There's gonna

960
00:56:42,400 --> 00:56:44,480
Speaker 1: be people sometimes even on your own team, that don't

961
00:56:44,480 --> 00:56:47,640
Speaker 1: see your worth, and you have to take your stands

962
00:56:47,680 --> 00:56:49,840
Speaker 1: if you really, if you know that you can deliver,

963
00:56:51,320 --> 00:56:54,480
Speaker 1: fight for what you are worth. That's what I believe

964
00:56:54,480 --> 00:56:56,960
Speaker 1: in that. You know what I'm saying. Um, you know

965
00:56:57,040 --> 00:56:59,399
Speaker 1: the Monique situation, I don't. I don't know enough about

966
00:56:59,440 --> 00:57:01,960
Speaker 1: it to comment on it. But she she did what

967
00:57:02,080 --> 00:57:04,920
Speaker 1: she felt was right, So I ain't. I'm never mad

968
00:57:04,960 --> 00:57:08,480
Speaker 1: at somebody trying to get their food. Why would I

969
00:57:08,480 --> 00:57:11,000
Speaker 1: be mad at that? Yeah, I don't know. I ain't

970
00:57:11,040 --> 00:57:13,600
Speaker 1: mad at me taking another habiki. Neither you should. What's

971
00:57:13,640 --> 00:57:15,440
Speaker 1: his name, Brandon, Let's bring him in. Let's bring him on,

972
00:57:17,800 --> 00:57:19,440
Speaker 1: bring up a chat man. We're gonna we're gonna give

973
00:57:19,520 --> 00:57:22,200
Speaker 1: him a minke gut that. If this is your next special,

974
00:57:22,480 --> 00:57:34,160
Speaker 1: we gotta do it. Man, let's work. Brandon Lewis, Brandon Lewis, Okay,

975
00:57:34,240 --> 00:57:40,120
Speaker 1: are you come let yeah, yeah, yeah, yeah, so we

976
00:57:40,200 --> 00:57:42,600
Speaker 1: got it. It's working. That might work with no wires.

977
00:57:42,760 --> 00:57:46,600
Speaker 1: Let me see. Yeah, I think that. I think they're

978
00:57:46,640 --> 00:57:55,160
Speaker 1: trying to jerk you man, like you've been talking all

979
00:57:55,240 --> 00:57:57,360
Speaker 1: kind of ship. Don't get picked up. It would be like,

980
00:57:57,480 --> 00:58:01,920
Speaker 1: yeah you like the sound, We're gonna get you one

981
00:58:01,920 --> 00:58:06,040
Speaker 1: shot of Japanese whiskey man, one shot. No you can't

982
00:58:06,080 --> 00:58:08,280
Speaker 1: take water, no, no, no, I gotta okay up on

983
00:58:08,400 --> 00:58:12,640
Speaker 1: the side. Okay, solute whisky inside of the water. I

984
00:58:12,760 --> 00:58:17,560
Speaker 1: respect you because we form the cat where the great

985
00:58:17,760 --> 00:58:20,400
Speaker 1: Cob County, Cobb County. Oh, that's outside of that, that's

986
00:58:20,400 --> 00:58:22,440
Speaker 1: where the police don't play. They don't play at all.

987
00:58:22,440 --> 00:58:25,840
Speaker 1: They don't play no game. I left some weed in

988
00:58:25,880 --> 00:58:28,280
Speaker 1: the hotel one time I called the hotel. They said,

989
00:58:28,320 --> 00:58:32,560
Speaker 1: don't come back. I said, no, I said that work.

990
00:58:32,600 --> 00:58:34,640
Speaker 1: I got the funk up out of the carb County world.

991
00:58:35,120 --> 00:58:38,880
Speaker 1: So how did you link with um? I'm moved to

992
00:58:39,000 --> 00:58:44,000
Speaker 1: l just was grinding, as you know, coming just because

993
00:58:44,000 --> 00:58:45,520
Speaker 1: that's what we gotta do. You gotta grind. Mak your

994
00:58:45,600 --> 00:58:49,400
Speaker 1: name and the clubs are literally in the ship and

995
00:58:49,480 --> 00:58:51,680
Speaker 1: the club, like going from club the club, you know,

996
00:58:51,800 --> 00:58:54,240
Speaker 1: before the pandemic, so you know, just grinding and then

997
00:58:54,440 --> 00:58:57,040
Speaker 1: you know, when you grind, you run into you know,

998
00:58:57,160 --> 00:59:00,720
Speaker 1: and ye would laugh out loud. What is that? That's

999
00:59:00,800 --> 00:59:05,040
Speaker 1: Kevin Hasn's network. Yeah, you're not down with that? With that? No,

1000
00:59:05,240 --> 00:59:08,480
Speaker 1: I did my They licensed my special again, which one

1001
00:59:08,560 --> 00:59:12,480
Speaker 1: the Black, Black and Red Ship's your favorite marror to society.

1002
00:59:12,560 --> 00:59:15,600
Speaker 1: I shot that independently. I own it and I licensed

1003
00:59:15,640 --> 00:59:18,240
Speaker 1: it to them. They didn't buy it. It wasn't something

1004
00:59:18,280 --> 00:59:21,880
Speaker 1: where they gave me the money to do it. I

1005
00:59:22,040 --> 00:59:24,480
Speaker 1: licensed it. So now I'm about to get another deal

1006
00:59:24,560 --> 00:59:26,840
Speaker 1: for it because I own it. I like to tell

1007
00:59:26,920 --> 00:59:29,760
Speaker 1: that story because the rights revert back to you. God

1008
00:59:29,840 --> 00:59:36,800
Speaker 1: damn it. Come on, you know about the rights reverting back? Yes,

1009
00:59:36,840 --> 00:59:44,919
Speaker 1: we do that episode so boom. So you see him performing, Yeah,

1010
00:59:45,000 --> 00:59:46,400
Speaker 1: what do you say, I'm gonna put him under my

1011
00:59:46,480 --> 00:59:49,280
Speaker 1: when you say at the time, I had another feature

1012
00:59:49,680 --> 00:59:51,560
Speaker 1: he u he booked a TV show and so I

1013
00:59:51,640 --> 00:59:55,040
Speaker 1: was looking for another feature and okay, what's the feature

1014
00:59:55,200 --> 00:59:58,360
Speaker 1: feature is? Uh? So when we do clubs, right, there's

1015
00:59:58,400 --> 01:00:00,720
Speaker 1: a host who does about ten minutes feature that's about

1016
01:00:00,720 --> 01:00:03,320
Speaker 1: thirty and I'll do an hour headline does it out? Um?

1017
01:00:03,400 --> 01:00:05,160
Speaker 1: So I was looking for a feature going to roll

1018
01:00:05,200 --> 01:00:06,560
Speaker 1: with me because the hip hop featured me something to

1019
01:00:06,840 --> 01:00:12,720
Speaker 1: features the man opening. Yeah, that's called the feature. That's

1020
01:00:12,760 --> 01:00:15,440
Speaker 1: fine because I know what the feature feature in the

1021
01:00:15,600 --> 01:00:19,120
Speaker 1: hip hop. You just get it. Somebody'll call somebody who

1022
01:00:19,160 --> 01:00:23,080
Speaker 1: doing before you open calling? Open up? That's what I

1023
01:00:25,280 --> 01:00:34,600
Speaker 1: didn't want to make a kill one. Sorry, but yeah,

1024
01:00:34,600 --> 01:00:36,360
Speaker 1: I was looking for a feature. And I was just

1025
01:00:37,000 --> 01:00:40,520
Speaker 1: asking around for different different people because it's not just

1026
01:00:40,520 --> 01:00:42,400
Speaker 1: about who's funny, it's about who I'm going to get

1027
01:00:42,400 --> 01:00:45,800
Speaker 1: along with on the road personality wise. Who got good energy?

1028
01:00:46,360 --> 01:00:49,280
Speaker 1: And my men said? He said Brandon Lewis, and I

1029
01:00:49,400 --> 01:00:52,440
Speaker 1: was like, oh ship. And I remember seeing him at

1030
01:00:52,480 --> 01:00:55,680
Speaker 1: at a club in l A. And I was like, yo, no, no, no,

1031
01:00:56,200 --> 01:00:59,360
Speaker 1: trying to makeup ship. I know, I know Chinese that

1032
01:00:59,400 --> 01:01:02,960
Speaker 1: Matt Damon's up and that's not Matt Damon's other guy.

1033
01:01:06,640 --> 01:01:10,440
Speaker 1: We did um Western Yeah, Westley snics brun me to

1034
01:01:10,440 --> 01:01:14,320
Speaker 1: the Chinese movie did for are the Wall at the

1035
01:01:14,400 --> 01:01:18,840
Speaker 1: Wall places and he had I'm sorry, I'm sorry, but

1036
01:01:19,200 --> 01:01:22,000
Speaker 1: hit him. But philippinovnges around. I'm sorry. You're talking about

1037
01:01:22,000 --> 01:01:24,040
Speaker 1: this spot in Hollywood, right, it's not called the Chinese

1038
01:01:24,080 --> 01:01:31,040
Speaker 1: Movie Theater. Yeah, that's the Chinese Theater. Yeah, well I

1039
01:01:31,120 --> 01:01:32,680
Speaker 1: know that's seen kind of racist, but he really did.

1040
01:01:34,000 --> 01:01:37,520
Speaker 1: I went to see all the way but yeah, they

1041
01:01:37,600 --> 01:01:39,960
Speaker 1: used to have a comedy night there and and I

1042
01:01:40,000 --> 01:01:44,040
Speaker 1: saw him performing, and yeah, the first show we did.

1043
01:01:45,160 --> 01:01:48,360
Speaker 1: What I what I liked about his style was he

1044
01:01:48,560 --> 01:01:52,880
Speaker 1: was freestyling the first fifteen minutes, Like we talked about earlier,

1045
01:01:52,960 --> 01:01:55,320
Speaker 1: we got into a new city, neither neither of us

1046
01:01:55,360 --> 01:01:57,520
Speaker 1: had been there. How you know he frees styling because

1047
01:01:57,640 --> 01:01:59,320
Speaker 1: he was talking about just the same way. You know

1048
01:02:00,040 --> 01:02:02,280
Speaker 1: he talked about the ship on the wall, you're talking

1049
01:02:02,280 --> 01:02:04,400
Speaker 1: about people in the crowd. You're talking about some ship

1050
01:02:04,480 --> 01:02:06,240
Speaker 1: we just saw in traffic on the way up to

1051
01:02:06,360 --> 01:02:09,000
Speaker 1: the I knew, Yeah, I know, you know, you know

1052
01:02:09,080 --> 01:02:11,600
Speaker 1: Bars when you were Bars and so he was. He

1053
01:02:11,720 --> 01:02:14,280
Speaker 1: was going in and I was like, this motherfucker is

1054
01:02:14,840 --> 01:02:17,680
Speaker 1: like timing is crazy. And his material was dope. So

1055
01:02:17,880 --> 01:02:20,760
Speaker 1: when he flowed right into the material, it was flawless.

1056
01:02:20,800 --> 01:02:22,720
Speaker 1: I was like, Yeah, we're rocking, and we'll be rocking

1057
01:02:22,760 --> 01:02:31,200
Speaker 1: for how many years now? Three? Three? Almost four? Tuss

1058
01:02:31,240 --> 01:02:36,760
Speaker 1: me up. I want to line the line of the

1059
01:02:36,920 --> 01:02:48,520
Speaker 1: marketing right, look at it. You bet your performer tonight? Yeah,

1060
01:02:48,760 --> 01:02:57,320
Speaker 1: before we have performer, yeah, exact social Let me sorry,

1061
01:02:57,720 --> 01:03:08,520
Speaker 1: sets already committed, already committed. Let me let me say this, man,

1062
01:03:08,880 --> 01:03:10,920
Speaker 1: I back you up, man. I want to take a shot.

1063
01:03:11,160 --> 01:03:15,080
Speaker 1: You take a shot, not just big you up man,

1064
01:03:15,120 --> 01:03:16,880
Speaker 1: because you know we've been we've been seeing each other

1065
01:03:17,120 --> 01:03:19,760
Speaker 1: over the years. We'll running to each other. You always like, yo,

1066
01:03:19,920 --> 01:03:24,440
Speaker 1: come down to come down, let's build. You know what

1067
01:03:24,520 --> 01:03:26,160
Speaker 1: I'm saying. And you check your word. And as soon

1068
01:03:26,160 --> 01:03:28,320
Speaker 1: as I knew I was coming to Miami that first place,

1069
01:03:28,360 --> 01:03:34,840
Speaker 1: I said, I need to come to make I'm taking

1070
01:03:34,880 --> 01:03:45,960
Speaker 1: my shot. Baby. That makes some noises classic. Yeah, we

1071
01:03:46,040 --> 01:03:48,920
Speaker 1: were just trying with the horns. Classic, bro, That just that,

1072
01:03:49,040 --> 01:03:51,520
Speaker 1: that's what makes the show so this this African guy.

1073
01:03:52,000 --> 01:03:54,640
Speaker 1: He runs around, He's doing ship on the side of

1074
01:03:54,680 --> 01:04:02,000
Speaker 1: the car. He's happiest guy. Cousin Skeeter, he got a name,

1075
01:04:03,320 --> 01:04:06,160
Speaker 1: he was he was. We just called him to dance

1076
01:04:06,200 --> 01:04:08,760
Speaker 1: of African you know what I'm saying, Like, and then

1077
01:04:09,440 --> 01:04:12,200
Speaker 1: do not only do a video with him, you find

1078
01:04:12,280 --> 01:04:16,240
Speaker 1: the same outfit. Yeah, he brought that, brought that because

1079
01:04:16,240 --> 01:04:18,520
Speaker 1: he got his own that's his brand. That's his brand.

1080
01:04:18,760 --> 01:04:21,960
Speaker 1: Oh he's a marketing genius. Because I didn't want to

1081
01:04:22,000 --> 01:04:26,720
Speaker 1: tell y'all talking about who is this person? He just

1082
01:04:26,840 --> 01:04:28,640
Speaker 1: be looking too happy. But he jumped out the car

1083
01:04:28,680 --> 01:04:31,880
Speaker 1: and you know, he came to l A and he

1084
01:04:31,960 --> 01:04:34,160
Speaker 1: was just like running around doing different collapsed and he

1085
01:04:34,280 --> 01:04:37,360
Speaker 1: was always like again showing each other flowers and giving

1086
01:04:37,360 --> 01:04:39,680
Speaker 1: each other flowers and saying we need to collapse meet

1087
01:04:39,760 --> 01:04:42,920
Speaker 1: up and we did it and the j But what

1088
01:04:43,080 --> 01:04:45,760
Speaker 1: what was what was what was crazy was I thought

1089
01:04:45,840 --> 01:04:49,960
Speaker 1: he was gonna smoke you like when because it was

1090
01:04:50,040 --> 01:04:52,680
Speaker 1: like a dance off. It was like because y'all was kicking,

1091
01:04:53,320 --> 01:04:56,040
Speaker 1: he wasn't battling though to me, to me, I'm outside,

1092
01:04:56,080 --> 01:04:59,160
Speaker 1: look no cap I'm I'm really a dancer. You really

1093
01:04:59,440 --> 01:05:01,360
Speaker 1: really the way he said, we wasn't batting like you

1094
01:05:01,400 --> 01:05:03,760
Speaker 1: would have happen. No, No, he's dope. He's dope. But

1095
01:05:04,040 --> 01:05:07,480
Speaker 1: what you're saying, I'm from the b boy ever the

1096
01:05:07,600 --> 01:05:09,920
Speaker 1: rock Steady Crew to beefing right now. You know what

1097
01:05:09,920 --> 01:05:12,200
Speaker 1: I'm saying. I feel like right, I feel like you

1098
01:05:12,320 --> 01:05:15,960
Speaker 1: beat your right life. He's not lying like this, nigga,

1099
01:05:16,200 --> 01:05:18,720
Speaker 1: be like, you can tell it. This nigga gets stretched

1100
01:05:18,800 --> 01:05:23,000
Speaker 1: like because we're ship like because you and Chris Brown,

1101
01:05:23,160 --> 01:05:25,000
Speaker 1: I felt like you and Chris man like if you

1102
01:05:25,160 --> 01:05:26,800
Speaker 1: if you ever talked to Chris Brown, just asked him

1103
01:05:27,200 --> 01:05:30,680
Speaker 1: about Apians dance pedigree. He know that's my guy. That's

1104
01:05:30,680 --> 01:05:33,360
Speaker 1: a little bro. I'm saying the way you just said

1105
01:05:33,640 --> 01:05:37,560
Speaker 1: dance pedigree. I'm gonna tell you, I'm gonna talk my ship.

1106
01:05:38,000 --> 01:05:40,480
Speaker 1: I'm gonna do you like Jadid. Look, this is what

1107
01:05:40,680 --> 01:05:46,560
Speaker 1: I do. We had my I don't live in Cleveland.

1108
01:05:46,880 --> 01:05:48,720
Speaker 1: Put the live in Cleveland. Why did he say that?

1109
01:05:49,040 --> 01:05:52,760
Speaker 1: He said, he said Colorado, lived at Colorado. He just

1110
01:05:52,840 --> 01:06:00,000
Speaker 1: just naming the school places. That sounded great everywhere. He said,

1111
01:06:02,080 --> 01:06:05,120
Speaker 1: Holy what you stood up with the dance so you

1112
01:06:05,200 --> 01:06:08,560
Speaker 1: said you're really a dancer. You really smoke chrism No,

1113
01:06:08,680 --> 01:06:13,160
Speaker 1: I didn't say. I didn't say Rusher an he smoked

1114
01:06:13,200 --> 01:06:16,040
Speaker 1: any competitive you got the bet that's the verse you

1115
01:06:16,120 --> 01:06:18,520
Speaker 1: want to say. This is no, not to nobody. I'm

1116
01:06:18,640 --> 01:06:22,160
Speaker 1: just I'm a school y'all on on dance knowledge. I

1117
01:06:22,280 --> 01:06:26,000
Speaker 1: would battle Usher. I would not battle Chris Brown. And

1118
01:06:26,040 --> 01:06:29,520
Speaker 1: I'm gonna tell you why. Ussher is not a natural dancer.

1119
01:06:30,440 --> 01:06:33,000
Speaker 1: He's choreographed and over the years he's gotten really good.

1120
01:06:33,800 --> 01:06:38,640
Speaker 1: Chris Brown is a natural born dancer and is incredible.

1121
01:06:38,840 --> 01:06:48,400
Speaker 1: Light sking. You were not invited. You might be giving

1122
01:06:48,440 --> 01:06:50,960
Speaker 1: you too much to you and ushers in the same class,

1123
01:06:51,080 --> 01:06:54,480
Speaker 1: like saw the whole house just for them. You got

1124
01:06:54,560 --> 01:07:03,680
Speaker 1: a cart car Highlights, you gotta see the sketch up

1125
01:07:03,680 --> 01:07:05,840
Speaker 1: put up my idea a few days ago from my

1126
01:07:06,160 --> 01:07:09,360
Speaker 1: old show. But Highlight it's like like scooping Twilight about

1127
01:07:09,360 --> 01:07:12,320
Speaker 1: the first light skinner, the first light skin thing. What

1128
01:07:12,480 --> 01:07:15,520
Speaker 1: the first light skinning they ever? Wow? Okay, okay, I

1129
01:07:15,600 --> 01:07:20,200
Speaker 1: need that. It's a parallel universe. She was fine, right, So, um,

1130
01:07:20,840 --> 01:07:29,320
Speaker 1: you you got a girl. Where's that going? Yeah? I'm

1131
01:07:29,320 --> 01:07:36,120
Speaker 1: asking like, is this going a family? Man? I'm saying,

1132
01:07:36,200 --> 01:07:38,560
Speaker 1: look at when you're a new artist, when you're a

1133
01:07:38,600 --> 01:07:41,680
Speaker 1: new artist in hip hop, you want to be smashing anything.

1134
01:07:41,720 --> 01:07:45,000
Speaker 1: I don't there. So I'm saying you, as a new comedian,

1135
01:07:45,400 --> 01:07:49,720
Speaker 1: you're not finger popping. No, no, you know out there.

1136
01:07:50,800 --> 01:07:54,080
Speaker 1: Look comedian, we don't get the same love as rappers.

1137
01:07:54,640 --> 01:07:56,800
Speaker 1: Like comedians. We don't get like the group e's and

1138
01:07:56,920 --> 01:08:03,200
Speaker 1: like they're hanging out and screaming like but I like that.

1139
01:08:03,960 --> 01:08:07,600
Speaker 1: I like said, we get big women bringing us food backstage,

1140
01:08:07,800 --> 01:08:12,120
Speaker 1: but it's not let's get flu shirts like Mama today

1141
01:08:12,840 --> 01:08:16,960
Speaker 1: like that. Yeah, yeah, that's a group of come come

1142
01:08:17,000 --> 01:08:22,360
Speaker 1: by the restaurant tomorrow where yeah it ain't like a picture.

1143
01:08:22,439 --> 01:08:24,080
Speaker 1: What the men you and we'll get your free meal.

1144
01:08:24,560 --> 01:08:26,639
Speaker 1: I went to I went to a Mic Epps show

1145
01:08:27,720 --> 01:08:33,759
Speaker 1: backstage in Miami and it was the calmest er curtsy backstage,

1146
01:08:33,800 --> 01:08:36,600
Speaker 1: and I was like, what the Had it been a

1147
01:08:36,680 --> 01:08:38,400
Speaker 1: hip hop show, it would have been so much. I

1148
01:08:38,479 --> 01:08:41,120
Speaker 1: was the only guy smoking weed. People were looking at me.

1149
01:08:41,200 --> 01:08:43,840
Speaker 1: I was like, no, I got my medical car because

1150
01:08:43,840 --> 01:08:45,120
Speaker 1: I really do you know what I mean? But I

1151
01:08:45,240 --> 01:08:46,640
Speaker 1: was sitting and I was like it was calm. No

1152
01:08:46,760 --> 01:08:51,880
Speaker 1: one touched each other's chicken like you was safe. Comedians

1153
01:08:51,880 --> 01:08:54,479
Speaker 1: are serious and hip hop. I'm going to Jaida room.

1154
01:08:54,520 --> 01:08:58,960
Speaker 1: He say you, I'll give you that bottle back after

1155
01:08:58,960 --> 01:09:00,639
Speaker 1: the show, you know what I mean, Like like we've

1156
01:09:00,800 --> 01:09:03,839
Speaker 1: vilated each other. Different you guys, you guys have respect

1157
01:09:03,880 --> 01:09:07,760
Speaker 1: for each other. It's different. Yeah, we're serious, that's it.

1158
01:09:08,960 --> 01:09:15,200
Speaker 1: It's just I think it's it really takes a lot nothing.

1159
01:09:15,240 --> 01:09:17,000
Speaker 1: It doesn't take a lot for rappers, but it takes

1160
01:09:17,040 --> 01:09:20,080
Speaker 1: a lot to get that dollar with a joke. So

1161
01:09:20,160 --> 01:09:22,120
Speaker 1: by the time you get a little bit of something

1162
01:09:22,520 --> 01:09:23,680
Speaker 1: and you, you know what I mean, you want to

1163
01:09:23,720 --> 01:09:26,200
Speaker 1: make sure you you protect that. And then I think

1164
01:09:27,080 --> 01:09:30,320
Speaker 1: I respect his dressing room because I know how hard

1165
01:09:30,360 --> 01:09:31,760
Speaker 1: he worked to get what he got. So I'm not

1166
01:09:31,800 --> 01:09:33,880
Speaker 1: gonna go in this nigga and take his sa in

1167
01:09:33,960 --> 01:09:37,479
Speaker 1: his room. And but this is thing though, just you're different. Yeah,

1168
01:09:37,479 --> 01:09:39,320
Speaker 1: you know it's us. It's all rap. We all do

1169
01:09:39,400 --> 01:09:41,720
Speaker 1: it to be. But comedy, we don't know how you're

1170
01:09:41,720 --> 01:09:45,320
Speaker 1: gonna react. See, Like rappers, y'all know because the record playing,

1171
01:09:45,400 --> 01:09:47,760
Speaker 1: like we can play the records exactly, you can know

1172
01:09:47,880 --> 01:09:51,200
Speaker 1: the reaction. But even if you know, like a you

1173
01:09:51,320 --> 01:09:53,519
Speaker 1: know you came to see him, you still don't how

1174
01:09:54,040 --> 01:09:56,960
Speaker 1: ye when you hear him. So it's just like it's

1175
01:09:57,120 --> 01:10:00,240
Speaker 1: it's the gratification as far as like if you funny

1176
01:10:00,280 --> 01:10:02,640
Speaker 1: at not or if you're not funny, you're gonna get

1177
01:10:02,680 --> 01:10:06,040
Speaker 1: it immediately. So let me actually, yall repeat material or

1178
01:10:06,560 --> 01:10:10,400
Speaker 1: doesn't always have to be exclusive every every city you repeat,

1179
01:10:10,520 --> 01:10:13,479
Speaker 1: Like when you get your act or your set, you

1180
01:10:13,560 --> 01:10:15,280
Speaker 1: repeat that show. So if you have an act or

1181
01:10:15,360 --> 01:10:19,639
Speaker 1: set for smoke Champs, let's just say that I didn't

1182
01:10:19,640 --> 01:10:26,160
Speaker 1: even realize that it's doing a Smoke Champs Shore. There's

1183
01:10:26,200 --> 01:10:28,320
Speaker 1: fourteen days. So for those four teen days, as long

1184
01:10:28,360 --> 01:10:30,519
Speaker 1: as those cities don't repeat, you use the same act.

1185
01:10:30,960 --> 01:10:33,000
Speaker 1: Even if you're in the same city and you're doing

1186
01:10:33,160 --> 01:10:35,479
Speaker 1: doing tonight, yeah, like I had two shows to night.

1187
01:10:35,479 --> 01:10:37,280
Speaker 1: I'm not gonna do two different hours. You had someone

1188
01:10:37,320 --> 01:10:39,280
Speaker 1: that came to multiple shows and they were like, I

1189
01:10:39,320 --> 01:10:41,439
Speaker 1: already heard this because they're just ignorant to the fact

1190
01:10:41,479 --> 01:10:44,120
Speaker 1: that you do that. Most people that come to the show,

1191
01:10:44,240 --> 01:10:46,040
Speaker 1: they want to see it again. It's like seeing the movie.

1192
01:10:46,600 --> 01:10:48,439
Speaker 1: They're like, oh man, that ship was funny. So they

1193
01:10:48,520 --> 01:10:51,160
Speaker 1: come back they know what to expect and they like

1194
01:10:51,280 --> 01:10:53,400
Speaker 1: what you do. So it's not difficult for you to

1195
01:10:53,520 --> 01:10:55,360
Speaker 1: repeat it. Not at all I know, I got a

1196
01:10:55,400 --> 01:10:57,800
Speaker 1: home fresh audience. So if it's one mother fucking in

1197
01:10:57,840 --> 01:11:00,680
Speaker 1: there that's gonna complain about Nick, you came back. I

1198
01:11:00,720 --> 01:11:04,320
Speaker 1: didn't ask you to come back. You came back and

1199
01:11:04,360 --> 01:11:07,000
Speaker 1: see me. I didn't say, hey, come back to the

1200
01:11:07,080 --> 01:11:11,040
Speaker 1: next show. I'm doing a whole new hour. Nigga that

1201
01:11:12,280 --> 01:11:15,600
Speaker 1: if you're bombing and the nigga yell, we heard that

1202
01:11:15,720 --> 01:11:20,559
Speaker 1: ship already, that's the word. That's somebody already taking. They

1203
01:11:20,600 --> 01:11:25,280
Speaker 1: already going, and you know that Walmart ship. That's what

1204
01:11:25,400 --> 01:11:28,320
Speaker 1: happens to some people. And and now it's it's getting

1205
01:11:28,320 --> 01:11:29,840
Speaker 1: around as a rule of thumb that you don't do.

1206
01:11:30,160 --> 01:11:32,559
Speaker 1: But some people, after they release a stand up special,

1207
01:11:33,600 --> 01:11:36,760
Speaker 1: they've tried to do those same jokes. I've seen that

1208
01:11:37,800 --> 01:11:41,439
Speaker 1: on the Show's disgusting, and the people are like, hey, niked,

1209
01:11:42,439 --> 01:11:45,320
Speaker 1: what else you got. I'm a real comedy fan. That's disgusting. Yes,

1210
01:11:45,880 --> 01:11:48,479
Speaker 1: if I can see your max and then see your

1211
01:11:48,520 --> 01:11:52,960
Speaker 1: ship and the motherfucking the same ship, man, that's why

1212
01:11:53,000 --> 01:11:55,439
Speaker 1: it's so hard. Yeah, it's lazy for a comedian, But

1213
01:11:55,479 --> 01:11:58,040
Speaker 1: that's why it's so unfair because rappers y'all could do that.

1214
01:11:58,160 --> 01:12:00,960
Speaker 1: They want the same ship they want the classics. If

1215
01:12:01,000 --> 01:12:03,599
Speaker 1: you don't do the class gonna be mad. That's true

1216
01:12:03,680 --> 01:12:05,360
Speaker 1: that when you come to music. But I'm too much

1217
01:12:05,520 --> 01:12:08,479
Speaker 1: shaping the same show together. I could do the same classes,

1218
01:12:08,520 --> 01:12:10,400
Speaker 1: but I have to do it differently. You have to

1219
01:12:10,439 --> 01:12:12,680
Speaker 1: do it. You have to take a beat of a

1220
01:12:12,760 --> 01:12:15,559
Speaker 1: superdrug and I gotta replace that with you know something else,

1221
01:12:15,600 --> 01:12:18,000
Speaker 1: Like you have to happen this way. You know, you're

1222
01:12:18,040 --> 01:12:20,000
Speaker 1: doing the same material, but you're you're, you're, you're, you're

1223
01:12:20,080 --> 01:12:21,960
Speaker 1: doing it in a different way. So this way I

1224
01:12:22,280 --> 01:12:24,120
Speaker 1: do a tour. I would never do that that way again.

1225
01:12:24,160 --> 01:12:28,439
Speaker 1: How are so if you bomb doing the same material,

1226
01:12:28,640 --> 01:12:31,040
Speaker 1: do you say okay, how much changes? Or you just

1227
01:12:31,240 --> 01:12:34,439
Speaker 1: keep at it. You gotta work out until it gets funny,

1228
01:12:34,960 --> 01:12:36,840
Speaker 1: Like there might be a nucleus of an idea, but

1229
01:12:36,920 --> 01:12:38,680
Speaker 1: you just haven't worked it out all the way, and

1230
01:12:38,760 --> 01:12:41,080
Speaker 1: then there's just some material that's just bad. Like some

1231
01:12:41,200 --> 01:12:43,400
Speaker 1: material might be great. It's just how you timed it.

1232
01:12:43,520 --> 01:12:45,680
Speaker 1: How you time it, and then how you word it,

1233
01:12:46,040 --> 01:12:48,439
Speaker 1: maybe how you place it within the set. It might

1234
01:12:48,720 --> 01:12:51,120
Speaker 1: work better at the end or in the middle, or

1235
01:12:51,160 --> 01:12:54,080
Speaker 1: if you add another element to it. Never so right now,

1236
01:12:54,200 --> 01:12:57,759
Speaker 1: this is this is canceled culture. Right, you say anything

1237
01:12:57,840 --> 01:13:04,000
Speaker 1: about anybody, Yeah, you could be kissing. It must be

1238
01:13:04,040 --> 01:13:05,760
Speaker 1: the toughest time. I don't mean I don't give a

1239
01:13:05,800 --> 01:13:07,880
Speaker 1: funk about but here's the but here's the thing that

1240
01:13:08,040 --> 01:13:11,760
Speaker 1: we still get a pass as comedians. It's just it's

1241
01:13:11,800 --> 01:13:16,240
Speaker 1: just lately it gets extremely awkward, like like if I

1242
01:13:16,439 --> 01:13:19,479
Speaker 1: say since something about you know, the gay community, it

1243
01:13:19,520 --> 01:13:23,800
Speaker 1: will get extremely awkward. Where it's like if I don't

1244
01:13:23,840 --> 01:13:28,200
Speaker 1: have a reputable name and it doesn't make sense. My brother,

1245
01:13:28,360 --> 01:13:36,960
Speaker 1: my brother the jaffrom Carbonne continued the show bro continue

1246
01:13:37,960 --> 01:13:42,960
Speaker 1: look Jared or like Miami Vice for contin So no

1247
01:13:43,120 --> 01:13:45,160
Speaker 1: not but like you know, it gets awkward and like

1248
01:13:45,240 --> 01:13:48,879
Speaker 1: even if you have a name, it has to be funnier.

1249
01:13:49,800 --> 01:13:51,680
Speaker 1: Then if I don't have enough, I don't have it's

1250
01:13:51,680 --> 01:13:54,439
Speaker 1: gonna offer the crowd. I lost the crowd because because

1251
01:13:54,520 --> 01:13:56,439
Speaker 1: comedy used to be the safe place. Like when we

1252
01:13:56,680 --> 01:14:00,600
Speaker 1: started the show, I placed us in the comedy category

1253
01:14:00,680 --> 01:14:02,560
Speaker 1: and we ended up changing the music because I was like,

1254
01:14:02,840 --> 01:14:05,719
Speaker 1: we don't get canceled, say like if we put ourselves

1255
01:14:05,720 --> 01:14:08,439
Speaker 1: in the comedy section, there's people will be a little

1256
01:14:08,439 --> 01:14:11,760
Speaker 1: bit more like lenient with us and whatever saying they'll

1257
01:14:11,760 --> 01:14:14,320
Speaker 1: they'll tolerate some of ship, and then we changed the music.

1258
01:14:14,479 --> 01:14:16,320
Speaker 1: In my opinion, you've been threatened to be canceled. No,

1259
01:14:16,800 --> 01:14:18,200
Speaker 1: I'm about to I'm about to kill that right now.

1260
01:14:18,880 --> 01:14:23,240
Speaker 1: In my opinion, we put too much, we get too

1261
01:14:23,320 --> 01:14:26,639
Speaker 1: much power to cancel culture. It's all bullshit. And I'm

1262
01:14:26,640 --> 01:14:30,880
Speaker 1: gonna tell you why. Kanye West, he'd been canceled. Kanye West.

1263
01:14:31,160 --> 01:14:36,920
Speaker 1: Every he is the genius who this nigga hugged the

1264
01:14:37,080 --> 01:14:41,000
Speaker 1: devil with the mega hat on, and everybody's like, fun

1265
01:14:41,120 --> 01:14:42,880
Speaker 1: that nigga, We're not dealing with him no more, blah

1266
01:14:42,880 --> 01:14:46,200
Speaker 1: blah blah. Multiple times they want to cancel Kanye all

1267
01:14:46,240 --> 01:14:47,960
Speaker 1: kind of thing. Are you dealing with him? And you

1268
01:14:48,040 --> 01:14:52,040
Speaker 1: got the easy zone? And then and then I'm driving

1269
01:14:52,080 --> 01:14:57,160
Speaker 1: a new album. I forgive you man, nigga. Did you

1270
01:14:57,280 --> 01:15:00,960
Speaker 1: see how many people in Atlanta last night? Yeah? So

1271
01:15:01,120 --> 01:15:04,160
Speaker 1: that's proof that if you just we're in a society

1272
01:15:04,200 --> 01:15:07,640
Speaker 1: where everybody's attention span is so fucking short, you can

1273
01:15:07,680 --> 01:15:11,720
Speaker 1: say some ship tomorrow and get canceled, and then two

1274
01:15:11,760 --> 01:15:14,439
Speaker 1: weeks later you drop a new single. Oh that new noise.

1275
01:15:15,160 --> 01:15:18,000
Speaker 1: I agree with his's apart, I don't his apart just

1276
01:15:18,120 --> 01:15:22,360
Speaker 1: slightly have a separate opinion. I agree with everything you

1277
01:15:22,439 --> 01:15:26,200
Speaker 1: just said, but I feel that Instagram made other people

1278
01:15:26,240 --> 01:15:29,479
Speaker 1: feel so important, and even the people that social media

1279
01:15:29,720 --> 01:15:32,200
Speaker 1: alsocial media make people feel so important that they were like,

1280
01:15:32,360 --> 01:15:34,240
Speaker 1: I'm giving these cancel or not. I want to be

1281
01:15:34,320 --> 01:15:35,800
Speaker 1: the first one I have a picture with them, so

1282
01:15:35,960 --> 01:15:38,599
Speaker 1: everyone would just go and just disregard to everything else.

1283
01:15:38,680 --> 01:15:41,680
Speaker 1: That's what I feel. I feel like this is all

1284
01:15:41,720 --> 01:15:44,559
Speaker 1: of that plays into it. I don't believe. I don't.

1285
01:15:44,640 --> 01:15:46,720
Speaker 1: I'm not concerned about cancel culture because I know these

1286
01:15:46,760 --> 01:15:48,960
Speaker 1: things got short attention span. I think we only got

1287
01:15:49,080 --> 01:15:52,880
Speaker 1: one out of my I got three comedians who don't

1288
01:15:52,960 --> 01:15:55,280
Speaker 1: give a fuck and will continue to say Paul Mooney,

1289
01:15:55,439 --> 01:15:59,800
Speaker 1: Patrise O'Neil, and Koreoker rest to pieces first piece of

1290
01:15:59,840 --> 01:16:03,320
Speaker 1: Paul treat to treat my man. That's that's the homie

1291
01:16:03,439 --> 01:16:05,920
Speaker 1: only it's Corey Court. Don't give a funk. If you

1292
01:16:05,960 --> 01:16:07,240
Speaker 1: go to a court, help me your live, you don't

1293
01:16:07,280 --> 01:16:10,360
Speaker 1: give us. He beat up other comedian that we had

1294
01:16:10,400 --> 01:16:12,880
Speaker 1: on here, every spars that's Corey hold him right, he

1295
01:16:13,280 --> 01:16:18,040
Speaker 1: beat up. He beat him up. Yeah, fucking YouTube, act

1296
01:16:18,120 --> 01:16:23,600
Speaker 1: like your question. It was it was the show after this,

1297
01:16:23,800 --> 01:16:26,920
Speaker 1: you know it wasn't It wasn't Corey. It wasn't Corey

1298
01:16:27,000 --> 01:16:30,160
Speaker 1: because his co host him and he's got yeah, the

1299
01:16:30,240 --> 01:16:31,640
Speaker 1: same ship to me, you know what I mean, Like,

1300
01:16:32,000 --> 01:16:36,439
Speaker 1: it's not Corey nor bars. Yeah, Corey, you come to

1301
01:16:36,439 --> 01:16:38,479
Speaker 1: see us, have a different story. Can come and come

1302
01:16:38,520 --> 01:16:40,960
Speaker 1: and see us. So you never got cancer, you never

1303
01:16:41,000 --> 01:16:43,320
Speaker 1: got threatened to be canceled. Never, I mean I personally. Again,

1304
01:16:43,360 --> 01:16:45,240
Speaker 1: I don't I say what I mean, so I don't.

1305
01:16:45,280 --> 01:16:47,960
Speaker 1: I don't. But you also said that you're careful, not careful,

1306
01:16:48,000 --> 01:16:50,439
Speaker 1: but I do. I do it tactfully. So I try

1307
01:16:50,439 --> 01:16:52,439
Speaker 1: to do everything tactfully. But if someone wants to be

1308
01:16:52,560 --> 01:16:56,840
Speaker 1: hyper sensitive to something I say, I said what I said,

1309
01:16:56,840 --> 01:17:00,720
Speaker 1: that's the danger cancel cultures just depending on any I

1310
01:17:00,760 --> 01:17:03,280
Speaker 1: don't like the way you sounded, the way your mannerism

1311
01:17:03,360 --> 01:17:06,559
Speaker 1: worthy me, and then I'm trying to cancel you, right,

1312
01:17:06,640 --> 01:17:08,880
Speaker 1: And that's too much freedom for them, for them things

1313
01:17:08,920 --> 01:17:11,559
Speaker 1: that I don't. I don't play into that. I'll say

1314
01:17:11,560 --> 01:17:15,040
Speaker 1: what I say. Goddamnit, let's make some noise for that said.

1315
01:17:15,640 --> 01:17:20,519
Speaker 1: That's that's the proof season because I'm not gonna lie.

1316
01:17:20,560 --> 01:17:24,200
Speaker 1: I was scared for comedians at one point because um,

1317
01:17:24,720 --> 01:17:26,760
Speaker 1: like I said, I looked to y'all to get me

1318
01:17:26,880 --> 01:17:29,120
Speaker 1: out if it's a situation. It was so funked up

1319
01:17:29,120 --> 01:17:32,200
Speaker 1: and not eleven, you know, when I'm going through all that,

1320
01:17:32,360 --> 01:17:34,280
Speaker 1: that's what I'll look for. I look for the next

1321
01:17:34,320 --> 01:17:36,479
Speaker 1: specially for comedian to kind of make fun of it

1322
01:17:36,720 --> 01:17:40,080
Speaker 1: without offending somebody. But I'm not a person who can

1323
01:17:40,120 --> 01:17:42,240
Speaker 1: say who's offended or not, though you know what I'm saying.

1324
01:17:42,240 --> 01:17:43,880
Speaker 1: But I always wanted a person to make fun of it,

1325
01:17:43,960 --> 01:17:45,479
Speaker 1: so you can make light of the situation. Not like

1326
01:17:45,560 --> 01:17:49,160
Speaker 1: we're making light and it's always gonna situation in its totality,

1327
01:17:49,400 --> 01:17:51,439
Speaker 1: but we want to you know, like that ship was.

1328
01:17:51,680 --> 01:17:53,760
Speaker 1: That was our first quarantine. I was living in New

1329
01:17:53,840 --> 01:17:56,000
Speaker 1: York when I could you live. I love New Jersey

1330
01:17:56,040 --> 01:17:57,519
Speaker 1: at the time, when I could just go out and

1331
01:17:57,600 --> 01:18:00,120
Speaker 1: look and see the actually twin towers burning like we

1332
01:18:00,160 --> 01:18:02,519
Speaker 1: couldn't go into the city. Our phones wasn't working. So

1333
01:18:02,600 --> 01:18:05,360
Speaker 1: that's our first quarantine, right. That was one of the

1334
01:18:05,439 --> 01:18:07,720
Speaker 1: first things I looked for was not to how do

1335
01:18:07,760 --> 01:18:09,360
Speaker 1: they make funny of this situation, but how do we

1336
01:18:09,560 --> 01:18:12,240
Speaker 1: how do we have fun period? Find some sunshine? Yeah,

1337
01:18:12,240 --> 01:18:14,880
Speaker 1: how do you yeah, yeah, yeah, so now but but

1338
01:18:15,320 --> 01:18:18,000
Speaker 1: now with all this ship, like, um, I think I've

1339
01:18:18,000 --> 01:18:23,120
Speaker 1: seen the Plastic bag boys. They made up a couple. Yeah,

1340
01:18:23,560 --> 01:18:34,320
Speaker 1: it does remake right, everybody names the clicking bag was

1341
01:18:34,360 --> 01:18:39,120
Speaker 1: I confident. I was confident. I was just watched bad boys.

1342
01:18:40,040 --> 01:18:42,160
Speaker 1: I think I ready to look up the plastic I

1343
01:18:42,200 --> 01:18:44,719
Speaker 1: think I can Funny, I think I can Plastic bag boys.

1344
01:18:45,280 --> 01:18:55,880
Speaker 1: Crockett what Bavy Crockett rocket cool? Alright, I'm syllables in

1345
01:18:55,920 --> 01:18:59,160
Speaker 1: your ship. When I seen the plastic cup boys, I

1346
01:18:59,240 --> 01:19:01,280
Speaker 1: was like, I said, I think I could go after them.

1347
01:19:02,320 --> 01:19:03,720
Speaker 1: Do you say that I think I could hang with

1348
01:19:03,800 --> 01:19:10,400
Speaker 1: them like comedy wise? You think so? No, suy want to.

1349
01:19:10,560 --> 01:19:12,840
Speaker 1: I wantch my buck list. I think I'm gonna. I

1350
01:19:12,920 --> 01:19:14,800
Speaker 1: think I'm gonna try out. You gonna try to stand

1351
01:19:14,880 --> 01:19:18,320
Speaker 1: up or specifically you gotta end against the plastic No, no,

1352
01:19:18,439 --> 01:19:22,000
Speaker 1: he wants to do. I want to do but shout out.

1353
01:19:23,160 --> 01:19:24,559
Speaker 1: But I want I want, I want to. I want

1354
01:19:24,560 --> 01:19:27,800
Speaker 1: to go through plastic coupboy training and your training. All right,

1355
01:19:28,360 --> 01:19:30,960
Speaker 1: I'm gonna I'm gonna go through it time type of

1356
01:19:31,720 --> 01:19:33,320
Speaker 1: I think. I think I think I can hand. I'm

1357
01:19:33,320 --> 01:19:36,479
Speaker 1: gonna take you to I've seen Nick Cannon. Now I'm

1358
01:19:36,479 --> 01:19:39,200
Speaker 1: already a buck. You know what I'm saying, Like he good,

1359
01:19:39,600 --> 01:19:42,120
Speaker 1: shout out the Nick Canadon. He's good. He could have

1360
01:19:42,280 --> 01:19:44,439
Speaker 1: picking talent, but he don't really got it, you know

1361
01:19:44,439 --> 01:19:46,599
Speaker 1: what I mean. That's not true though I think he's

1362
01:19:46,920 --> 01:19:51,240
Speaker 1: I'm gonna disagree. I ain't let me stop. I'm gonna disagree.

1363
01:19:51,320 --> 01:19:52,960
Speaker 1: I'm gonna say. I'm gonna say I said it. I

1364
01:19:53,080 --> 01:19:56,160
Speaker 1: said it publicly a lot of times. Nick is he's talking.

1365
01:19:56,280 --> 01:19:59,040
Speaker 1: He's hilarious, and he's a genius. Yes. And I was

1366
01:19:59,080 --> 01:20:01,120
Speaker 1: able to work with him on Wild and Out, Yes,

1367
01:20:01,680 --> 01:20:06,240
Speaker 1: very closely to see how this nigga multitask like six

1368
01:20:06,320 --> 01:20:11,639
Speaker 1: different jobs as the producer, creator, host, talent. That is genius. Yea.

1369
01:20:11,880 --> 01:20:15,400
Speaker 1: And I might say he's very funny. Sometimes it doesn't

1370
01:20:15,439 --> 01:20:19,479
Speaker 1: always translate with the way he delivers it or whatever,

1371
01:20:19,760 --> 01:20:23,040
Speaker 1: but with the people, but that nigga is a genius,

1372
01:20:23,160 --> 01:20:25,240
Speaker 1: and I feel like he don't get the just due

1373
01:20:25,280 --> 01:20:28,240
Speaker 1: for it. I agree. I'll just say I'm coming. I

1374
01:20:28,360 --> 01:20:32,639
Speaker 1: got you whenever you're ready, man, I'm coming. Whatever you're

1375
01:20:32,680 --> 01:20:36,160
Speaker 1: thinking that thinking it's a joke, that's that's the part

1376
01:20:42,200 --> 01:20:46,680
Speaker 1: that's of all man, man, man, I love comedy. I

1377
01:20:46,800 --> 01:20:50,600
Speaker 1: love comedy, man, I just love it. Period um with this,

1378
01:20:50,720 --> 01:20:53,000
Speaker 1: with this cancel culture, keep going out? Is it is it?

1379
01:20:53,120 --> 01:20:54,880
Speaker 1: Is it gonna be watered down? Now we're gonna get

1380
01:20:55,240 --> 01:20:57,960
Speaker 1: that version of Mike absence. He can't say this, He

1381
01:20:58,000 --> 01:21:00,880
Speaker 1: can't say this the next your next special, you can't

1382
01:21:00,920 --> 01:21:03,360
Speaker 1: say this, is it? I mean, because that's just where

1383
01:21:03,360 --> 01:21:05,559
Speaker 1: it seems like like kind of my heart. Actually literally

1384
01:21:05,640 --> 01:21:08,760
Speaker 1: went on apology toil and still didn't get the job,

1385
01:21:09,240 --> 01:21:11,120
Speaker 1: Like you know what I'm saying, like like, I mean,

1386
01:21:12,080 --> 01:21:13,720
Speaker 1: you know, he's rich as ship, so I don't feel

1387
01:21:13,760 --> 01:21:15,920
Speaker 1: sorry for him like that, but I didn't. I'm sorry

1388
01:21:16,000 --> 01:21:18,759
Speaker 1: for the situation because I was like a stand though, okay.

1389
01:21:18,760 --> 01:21:22,240
Speaker 1: I mean he apologized first, and then when they wanted

1390
01:21:22,320 --> 01:21:24,479
Speaker 1: him to keep apologizing, that's when he was just like, no,

1391
01:21:24,600 --> 01:21:26,880
Speaker 1: I'm not gonna keep I'm not gonna keep tap dance

1392
01:21:26,960 --> 01:21:30,560
Speaker 1: for you, and that sincerely said what I said, I

1393
01:21:30,680 --> 01:21:35,080
Speaker 1: apologize sincerely, and and y'all keep wanting to and every

1394
01:21:35,080 --> 01:21:36,439
Speaker 1: talk show he went on, he was like, yo, I'm

1395
01:21:36,439 --> 01:21:38,080
Speaker 1: not talking about to stop asking me about this ship.

1396
01:21:38,680 --> 01:21:41,880
Speaker 1: So he declined the job, and I think the difference

1397
01:21:42,000 --> 01:21:45,519
Speaker 1: is going forward. That probably is like he apologized for

1398
01:21:45,600 --> 01:21:50,720
Speaker 1: that particular gig, which is this the structure that you

1399
01:21:50,800 --> 01:21:52,880
Speaker 1: know is asking for him to apologize. We just gotta

1400
01:21:52,920 --> 01:21:57,040
Speaker 1: keep creating our own jobs, what I'm saying, and make

1401
01:21:57,120 --> 01:21:59,920
Speaker 1: those and amplify those jobs to pay well. And then

1402
01:22:00,040 --> 01:22:02,160
Speaker 1: that that well, you don't have to succumb to those

1403
01:22:02,200 --> 01:22:11,320
Speaker 1: type of situations. That's the real TALKO. Ownership for me

1404
01:22:11,479 --> 01:22:13,920
Speaker 1: is key. So we don't have to keep asking. I don't.

1405
01:22:13,960 --> 01:22:17,960
Speaker 1: I don't like asking. I just produced. God damn it,

1406
01:22:18,640 --> 01:22:23,280
Speaker 1: God damn it. So Paul Mooney, oh, I don't trust

1407
01:22:23,320 --> 01:22:27,479
Speaker 1: none of these niggas. Oh you don't. Don't say my

1408
01:22:27,560 --> 01:22:29,479
Speaker 1: name unless you want all this smoke that comes along

1409
01:22:29,520 --> 01:22:33,920
Speaker 1: with the niggas. Okay, I've seen you know. I met

1410
01:22:34,000 --> 01:22:37,080
Speaker 1: Paul Mooney on and your teeth are whitter than those people.

1411
01:22:39,600 --> 01:22:44,439
Speaker 1: These people. I said, I said, well, I want you

1412
01:22:44,439 --> 01:22:46,320
Speaker 1: to come up my show. It was this is the

1413
01:22:46,400 --> 01:22:52,200
Speaker 1: time with your guys. Ran into um black panther. Oh

1414
01:22:54,479 --> 01:22:57,519
Speaker 1: man yeah yeah. And I see Paul Mooney and passed

1415
01:22:57,560 --> 01:22:59,120
Speaker 1: and he was walking by. I was like, yo, man,

1416
01:22:59,200 --> 01:23:01,160
Speaker 1: I got it. Must have told him like yo, that's nori.

1417
01:23:01,560 --> 01:23:03,880
Speaker 1: The rapper, and then I asked about the show and

1418
01:23:03,920 --> 01:23:05,680
Speaker 1: he was he like, what does they just say? They

1419
01:23:05,760 --> 01:23:08,760
Speaker 1: just just said he just said he's rapp show and

1420
01:23:08,800 --> 01:23:10,240
Speaker 1: it must have said yo, and he said, oh no,

1421
01:23:10,320 --> 01:23:12,280
Speaker 1: no no, this is before cancer goes. It was hot.

1422
01:23:12,760 --> 01:23:14,840
Speaker 1: I can't do home when pressure like you. He's like

1423
01:23:15,439 --> 01:23:16,760
Speaker 1: you no, no, no, young brother, you don't want me

1424
01:23:16,760 --> 01:23:20,600
Speaker 1: on your show that you want to get cancle. We

1425
01:23:20,720 --> 01:23:25,720
Speaker 1: wanted him on the show. And I looked at him

1426
01:23:25,720 --> 01:23:29,479
Speaker 1: and because that word wasn't popular at the time castle,

1427
01:23:29,880 --> 01:23:31,360
Speaker 1: so I really didn't know what the funk he meant.

1428
01:23:31,439 --> 01:23:33,759
Speaker 1: So I was just like, Okay, it was hilarious. I laughed.

1429
01:23:33,960 --> 01:23:35,800
Speaker 1: But then I thought about it after he passed, said,

1430
01:23:35,840 --> 01:23:37,280
Speaker 1: oh ship, he might have was trying to give me

1431
01:23:37,360 --> 01:23:39,680
Speaker 1: a jewel, like because he definitely what he meant the

1432
01:23:39,720 --> 01:23:45,960
Speaker 1: show getting canceled, which the TV before the cancer. He

1433
01:23:46,120 --> 01:23:47,920
Speaker 1: was like, if you don't want you want your show

1434
01:23:47,960 --> 01:23:50,840
Speaker 1: to last? Yeah, he thought we was the network owners,

1435
01:23:51,960 --> 01:23:55,320
Speaker 1: They just don't want me. One were black TV. We

1436
01:24:00,040 --> 01:24:03,360
Speaker 1: oh man, So who I think we established it? Who

1437
01:24:03,400 --> 01:24:06,240
Speaker 1: your favorite comedian was? Wasn't that Eddie right? Who's your

1438
01:24:06,280 --> 01:24:10,320
Speaker 1: favorite comedian? Earthquake m hm and Earthquake is the first

1439
01:24:10,360 --> 01:24:14,920
Speaker 1: comedian that discovered me and gave me my first comedy dollar. Okay,

1440
01:24:15,560 --> 01:24:17,840
Speaker 1: I gotta figure out who Earthquake is. Let me figure

1441
01:24:17,840 --> 01:24:21,439
Speaker 1: You don't know who earthquake? Is it the big homie? No,

1442
01:24:21,600 --> 01:24:26,320
Speaker 1: he's not big. He chunky? Um, that's the y think.

1443
01:24:27,160 --> 01:24:28,360
Speaker 1: Is he the one who just hung out with Dave

1444
01:24:28,400 --> 01:24:34,320
Speaker 1: Chappelle on the rooftop of Okay? Yeah, yeah, just shot

1445
01:24:34,479 --> 01:24:37,160
Speaker 1: special he just produced. I think he shot off. He's

1446
01:24:37,200 --> 01:24:39,760
Speaker 1: a d C O g yea oh wow, because it's

1447
01:24:40,240 --> 01:24:42,320
Speaker 1: from d C two, right, he in the middle class

1448
01:24:42,320 --> 01:24:44,000
Speaker 1: of d C two. He's saying that he's like he

1449
01:24:44,040 --> 01:24:48,160
Speaker 1: ain't from the hood. I like that he'd been rigging down.

1450
01:24:52,600 --> 01:24:55,880
Speaker 1: Your favorite comedian is ef question because he was the

1451
01:24:55,880 --> 01:24:58,880
Speaker 1: first comedian to take me on the road. Yeah. Also,

1452
01:25:00,640 --> 01:25:03,240
Speaker 1: but it's not that, but you got out the step.

1453
01:25:03,320 --> 01:25:06,240
Speaker 1: But yeah, you guys knew you had that in common.

1454
01:25:06,280 --> 01:25:07,880
Speaker 1: You said he was the first comedian to give you back.

1455
01:25:08,320 --> 01:25:10,680
Speaker 1: Didn't know that, you know, Yeah, we didn't know when

1456
01:25:10,720 --> 01:25:14,040
Speaker 1: you was his feature. No, No, you saw me before

1457
01:25:14,120 --> 01:25:15,800
Speaker 1: Bob something that saw me in Charlotte and put me

1458
01:25:15,840 --> 01:25:18,839
Speaker 1: on that comedy jam. Earthquake was the first big comedian

1459
01:25:19,400 --> 01:25:22,000
Speaker 1: that saw me and thought I had potential and brought

1460
01:25:22,040 --> 01:25:24,040
Speaker 1: me down to his club in Atlanta and paid me.

1461
01:25:24,120 --> 01:25:26,559
Speaker 1: That was my first money that I made as a comedian,

1462
01:25:26,840 --> 01:25:28,360
Speaker 1: because he was in a young comedian. I was only

1463
01:25:28,479 --> 01:25:32,920
Speaker 1: months in. He was interning before that. No, nigga, he

1464
01:25:33,000 --> 01:25:39,000
Speaker 1: made up his own body after you worked at Jennis.

1465
01:25:39,040 --> 01:25:43,000
Speaker 1: You know what I'm saying, because that's how a lot

1466
01:25:43,080 --> 01:25:45,040
Speaker 1: of comedians you don't want to do. They do it

1467
01:25:45,160 --> 01:25:48,360
Speaker 1: for free right until sure know, well, we don't call

1468
01:25:48,360 --> 01:25:51,680
Speaker 1: it interning, but we definitely we had a point. He

1469
01:25:51,760 --> 01:26:00,200
Speaker 1: had a point at that though. In Soyphisticated had a

1470
01:26:00,240 --> 01:26:05,559
Speaker 1: lot of interning radio Radio two radio is that I'm

1471
01:26:05,560 --> 01:26:07,920
Speaker 1: not gonna say the name. But in Charlotte, okay, I'm

1472
01:26:07,960 --> 01:26:11,320
Speaker 1: gonna do name Nick Quick in radio sounds familiar. No,

1473
01:26:11,400 --> 01:26:16,479
Speaker 1: you don't know you name? I should started asking this

1474
01:26:16,520 --> 01:26:20,320
Speaker 1: thing about names. I just gotta gotta google a face.

1475
01:26:20,360 --> 01:26:24,599
Speaker 1: I know you do know who knows? Is right? Come on? Brother? Yeah?

1476
01:26:25,880 --> 01:26:30,280
Speaker 1: Absolutely not? Can you explain pick up the nas new

1477
01:26:30,439 --> 01:26:35,080
Speaker 1: album Kick? Do you know what I'm on? That? On

1478
01:26:35,400 --> 01:26:40,080
Speaker 1: that on that happened to a lot of this publicly.

1479
01:26:40,560 --> 01:26:43,240
Speaker 1: I've done a lot of this on the side I'm

1480
01:26:43,320 --> 01:26:48,920
Speaker 1: saying Eminem, I thought Eminem dumb this stuff. Now you're

1481
01:26:49,040 --> 01:26:52,000
Speaker 1: like my opinion this and this is him and all

1482
01:26:52,080 --> 01:26:54,439
Speaker 1: that I've been having that so I can never say

1483
01:26:54,520 --> 01:26:57,720
Speaker 1: this and I've been having an opinion. And I don't

1484
01:26:57,760 --> 01:27:02,360
Speaker 1: know if Eminem made this verse for me shifically pacifically.

1485
01:27:05,360 --> 01:27:15,080
Speaker 1: I heard pacifically though it spurs spur, but spur spuracifically.

1486
01:27:16,160 --> 01:27:18,960
Speaker 1: But let me tell you, Eminem, you made me proud

1487
01:27:19,160 --> 01:27:26,320
Speaker 1: man that nas verse? He I don't know he we

1488
01:27:27,040 --> 01:27:29,599
Speaker 1: because this is what this is what I want from him, honestly,

1489
01:27:29,800 --> 01:27:32,439
Speaker 1: So sorry, I know's gonna sound sucked up. I want

1490
01:27:32,479 --> 01:27:37,080
Speaker 1: Eminem to sound like he's on drugs, so what so

1491
01:27:37,320 --> 01:27:40,760
Speaker 1: what I mean? I like that. I'm honest. I like

1492
01:27:41,000 --> 01:27:43,880
Speaker 1: when Eminem was drugged out. It's my favorite's my favorite

1493
01:27:43,920 --> 01:27:46,599
Speaker 1: artist when he's druged out. So what not so much? Right?

1494
01:27:48,800 --> 01:27:54,559
Speaker 1: He sounded dropped out again? I love it? Are you vias?

1495
01:27:56,880 --> 01:27:59,240
Speaker 1: I mean? I always think m Is is incredible. No,

1496
01:27:59,320 --> 01:28:02,479
Speaker 1: he's increasable. Him is incredible. When he starts talking about drugs,

1497
01:28:02,560 --> 01:28:05,240
Speaker 1: I love it. I love it. He talked about PURGOSECT

1498
01:28:05,280 --> 01:28:09,280
Speaker 1: Molly puts some in sober, because I'm a sober guy.

1499
01:28:10,040 --> 01:28:14,080
Speaker 1: You don't really prefer the sober. That that's that's I

1500
01:28:14,280 --> 01:28:21,240
Speaker 1: rocked with him here, Lever, let you go. That's ecstasy.

1501
01:28:23,160 --> 01:28:26,160
Speaker 1: I guarantee hasing on ecstasy on that. It's something that's

1502
01:28:26,240 --> 01:28:29,120
Speaker 1: some type of us, some type of one, that's some

1503
01:28:29,280 --> 01:28:31,800
Speaker 1: type of some ship. He writes some incredible I would

1504
01:28:31,800 --> 01:28:34,280
Speaker 1: like to think that he's on drugs every time, because

1505
01:28:34,680 --> 01:28:37,040
Speaker 1: he was definitely thinking about and the way he bends

1506
01:28:37,320 --> 01:28:40,439
Speaker 1: whole sentences that this new verse, he was definitely on drugs.

1507
01:28:40,479 --> 01:28:43,040
Speaker 1: He wasn't on drugs. I'm just telling you, I feel

1508
01:28:43,040 --> 01:28:44,840
Speaker 1: like that's serious, Like you listen to it, that's like,

1509
01:28:44,880 --> 01:28:47,920
Speaker 1: that's drug that's that's the dude. I've been in love

1510
01:28:48,000 --> 01:29:03,160
Speaker 1: with Eminem over data lyrically, you ask you, are you

1511
01:29:03,280 --> 01:29:24,640
Speaker 1: asking affiliation? I will answer this. I won't answer that,

1512
01:29:25,600 --> 01:29:29,120
Speaker 1: but I will answer this also. Oh just I said

1513
01:29:29,320 --> 01:29:33,720
Speaker 1: old eminem apology. I also owe Jada kiss apology. And

1514
01:29:33,720 --> 01:29:36,880
Speaker 1: I'm gonna tell you why he's my friend. I get

1515
01:29:36,960 --> 01:29:40,240
Speaker 1: him on face size, very close friend of mine, but

1516
01:29:40,400 --> 01:29:44,080
Speaker 1: for years I never put him in that category with

1517
01:29:44,320 --> 01:29:49,439
Speaker 1: jay Z and with Naas and even with Biggie and

1518
01:29:49,600 --> 01:29:52,520
Speaker 1: Pop for years. I had him in that second category.

1519
01:29:52,800 --> 01:29:57,160
Speaker 1: Right after that class, I had Jada there, and I

1520
01:29:57,320 --> 01:30:00,640
Speaker 1: tell you, he shut me the funk up a lot

1521
01:30:00,640 --> 01:30:04,320
Speaker 1: of people. He showed me knock me guys. I'm your friend, Nori,

1522
01:30:04,920 --> 01:30:16,920
Speaker 1: but I'm really top five, he said it. I said, silly,

1523
01:30:16,920 --> 01:30:21,000
Speaker 1: apologize maybe because he's we're see. I understand your ranking though,

1524
01:30:21,160 --> 01:30:25,519
Speaker 1: because there's so many m c s, right, But when

1525
01:30:25,520 --> 01:30:31,439
Speaker 1: you're talking about that ten slot, yeah, I understand why

1526
01:30:31,560 --> 01:30:36,639
Speaker 1: you think of the classes because the class you're talking about,

1527
01:30:37,520 --> 01:30:41,600
Speaker 1: I have how live com in challenges like yeah, he

1528
01:30:41,680 --> 01:30:46,040
Speaker 1: texts me to yeah, any time with you, and but

1529
01:30:46,120 --> 01:30:48,600
Speaker 1: there's there's tears. I feel like it's not it's not

1530
01:30:48,680 --> 01:30:51,240
Speaker 1: I'm not. It's like the the generation that came after

1531
01:30:51,400 --> 01:30:53,639
Speaker 1: the rock him And you know what, I'm saying, we'll

1532
01:30:53,680 --> 01:30:57,080
Speaker 1: take one more shot. Two, ain't gonna do not? What

1533
01:30:57,160 --> 01:31:04,160
Speaker 1: the hell are you doing? Drink chance Zepplin down, let's

1534
01:31:04,160 --> 01:31:06,040
Speaker 1: seven will buy to help it off of a pigeon.

1535
01:31:06,240 --> 01:31:10,760
Speaker 1: You know what, that's the same same thing to me,

1536
01:31:10,880 --> 01:31:18,040
Speaker 1: SAME's the same thing, but not saying I get, I

1537
01:31:18,160 --> 01:31:20,840
Speaker 1: get I killed you. And I still haven't told that

1538
01:31:20,880 --> 01:31:22,200
Speaker 1: to Jay because I got to tell him that in

1539
01:31:22,280 --> 01:31:25,960
Speaker 1: his face. Yeah, no, that's not real. Face to face.

1540
01:31:26,040 --> 01:31:28,880
Speaker 1: Now we need him, Yeah, I gotta and the whole lots,

1541
01:31:28,960 --> 01:31:32,360
Speaker 1: the whole lots of elite like always been what comedians

1542
01:31:32,360 --> 01:31:34,720
Speaker 1: ever do versus like a version of versus you and

1543
01:31:34,800 --> 01:31:37,960
Speaker 1: Kevin they do No, no, no, they do roast me,

1544
01:31:38,840 --> 01:31:41,280
Speaker 1: which to me is the funniest fucking show, and it's

1545
01:31:41,320 --> 01:31:43,600
Speaker 1: the funniest version of what the versus is. If you

1546
01:31:43,680 --> 01:31:45,880
Speaker 1: do a versus like I kind of after me and

1547
01:31:45,960 --> 01:31:49,160
Speaker 1: Kevin went viral, it would just me and him, like

1548
01:31:49,800 --> 01:31:55,320
Speaker 1: Pepper just what Peper? The group like, like what what?

1549
01:31:57,000 --> 01:31:59,479
Speaker 1: Like y'all was so Pepper like the g it was

1550
01:31:59,479 --> 01:32:14,720
Speaker 1: like little, it's a little a little bit. It's I think,

1551
01:32:15,800 --> 01:32:17,640
Speaker 1: if you do it versus in the same way that

1552
01:32:17,680 --> 01:32:20,120
Speaker 1: the artists do it and it's just comedians to comedians

1553
01:32:20,680 --> 01:32:23,639
Speaker 1: going back and forth, I think that's gonna get old

1554
01:32:24,000 --> 01:32:27,720
Speaker 1: in about seven minutes. It's not gonna last hour long,

1555
01:32:27,840 --> 01:32:29,840
Speaker 1: Like you're gonna be over talking to each other. Yeah,

1556
01:32:30,240 --> 01:32:31,720
Speaker 1: but don't got to be that way. Just doing the

1557
01:32:31,800 --> 01:32:34,920
Speaker 1: material like the original versus. Remember the original versus wasn't

1558
01:32:34,960 --> 01:32:38,800
Speaker 1: so much of a battle. It's just you do your song.

1559
01:32:38,880 --> 01:32:41,360
Speaker 1: I do my song comedians, that's what they're gonna want.

1560
01:32:41,800 --> 01:32:43,840
Speaker 1: Right now, Let's just say it was one versus just

1561
01:32:43,960 --> 01:32:46,559
Speaker 1: to funk it up. It messed up. What two comedians

1562
01:32:46,600 --> 01:32:48,120
Speaker 1: do you think it would be? And who got the

1563
01:32:48,160 --> 01:32:52,240
Speaker 1: best WiFi? I don't see it. I don't see comedian

1564
01:32:52,320 --> 01:32:56,639
Speaker 1: versus I see who do you see? What do you see?

1565
01:32:56,760 --> 01:32:59,800
Speaker 1: What were we talking about? Face to face in the theater?

1566
01:33:00,200 --> 01:33:07,080
Speaker 1: Gucci manever dip set locks just at the bunch of

1567
01:33:07,160 --> 01:33:11,720
Speaker 1: niggers on stage, A lot of comedian niggas, and to

1568
01:33:12,040 --> 01:33:14,080
Speaker 1: who's your top? Who's your two comedians that you want

1569
01:33:14,080 --> 01:33:17,320
Speaker 1: to see? You go at it? Kevin Hark mm hmm,

1570
01:33:18,000 --> 01:33:21,439
Speaker 1: that's actually hit though, I want Mike. But what are

1571
01:33:21,439 --> 01:33:24,240
Speaker 1: they doing? Are they just snapping on each other doing?

1572
01:33:25,080 --> 01:33:29,360
Speaker 1: I think it should be material to do the next

1573
01:33:29,479 --> 01:33:32,200
Speaker 1: two minutes too minutes? Yeah, yeah, that's that's probably the

1574
01:33:32,240 --> 01:33:34,040
Speaker 1: better way. But that's too difficult. That's too difficult. You

1575
01:33:34,160 --> 01:33:36,799
Speaker 1: would have to let them go like either and twenty.

1576
01:33:36,800 --> 01:33:38,240
Speaker 1: You would have to let them do their whole set,

1577
01:33:38,320 --> 01:33:40,519
Speaker 1: because no, I shouldn't be I don't think it should be.

1578
01:33:40,560 --> 01:33:42,840
Speaker 1: A key said, it got to be like whatever the

1579
01:33:42,960 --> 01:33:46,559
Speaker 1: one joke is boom and then then then whatever, maybe

1580
01:33:46,560 --> 01:33:48,760
Speaker 1: it's not time, it's too fragment. Boom, you go and

1581
01:33:48,880 --> 01:33:50,280
Speaker 1: tell you why. That's another world. I don't know. I'm

1582
01:33:50,280 --> 01:33:57,559
Speaker 1: gonna tell you what just jointed? Okay, you're going too far. Okay.

1583
01:33:58,360 --> 01:34:01,519
Speaker 1: But Chris Rocks of the Greats, he's one of my favorites.

1584
01:34:02,680 --> 01:34:04,920
Speaker 1: I love all of his specials. But the one he

1585
01:34:05,040 --> 01:34:08,360
Speaker 1: did where he was in three different locations and he

1586
01:34:08,720 --> 01:34:12,560
Speaker 1: edited together. No, it was called Kill the Messenger. He

1587
01:34:12,640 --> 01:34:14,320
Speaker 1: was in the UK, right, he's in the UK, he's

1588
01:34:14,360 --> 01:34:17,320
Speaker 1: in Africa, and he was somewhere in the US and

1589
01:34:18,479 --> 01:34:22,759
Speaker 1: he edited mid sentence some of the jokes. It doesn't

1590
01:34:23,000 --> 01:34:28,000
Speaker 1: it doesn't feel cohesive. So when you have comedians, what

1591
01:34:28,280 --> 01:34:30,760
Speaker 1: Mike Ebbs does one joke and then keV does one joke,

1592
01:34:30,800 --> 01:34:33,240
Speaker 1: I don't know that that what if it was Mark?

1593
01:34:33,840 --> 01:34:35,840
Speaker 1: I feel like you're being two professionals between the end

1594
01:34:35,880 --> 01:34:38,439
Speaker 1: of the day. What makes your comedians be able to bag,

1595
01:34:38,800 --> 01:34:41,200
Speaker 1: to be able to joke on each other? But that's

1596
01:34:41,200 --> 01:34:43,800
Speaker 1: their shows. Yeah, that's how I feel like it should

1597
01:34:43,840 --> 01:34:45,599
Speaker 1: go back to. I feel like one night, one night,

1598
01:34:45,800 --> 01:34:50,200
Speaker 1: a bunch of nis in the class against said the entertainer,

1599
01:34:51,000 --> 01:34:54,519
Speaker 1: just snapping snapping on suits, who who got the better?

1600
01:34:55,120 --> 01:34:57,040
Speaker 1: I just feel like to make people sign up for

1601
01:34:57,080 --> 01:35:02,639
Speaker 1: it though, because comedy subject, yes, meaning like the hip Joe.

1602
01:35:03,080 --> 01:35:04,960
Speaker 1: You might not be feeling to be you don't want

1603
01:35:04,960 --> 01:35:06,800
Speaker 1: to laugh today, but you can always feel the record

1604
01:35:06,920 --> 01:35:09,439
Speaker 1: like the Redding can always end up making you do something.

1605
01:35:09,680 --> 01:35:11,519
Speaker 1: You know, but Joe could always make me laugh though

1606
01:35:11,640 --> 01:35:14,160
Speaker 1: I could be in the worst mood whatever. Snapping still

1607
01:35:14,200 --> 01:35:16,880
Speaker 1: a little bit more freestyle. Yeah, and what happened was snapping.

1608
01:35:17,080 --> 01:35:19,120
Speaker 1: And you can tell from their show Your Mama, all

1609
01:35:19,160 --> 01:35:23,920
Speaker 1: them shows at some point, even the best roasters hit

1610
01:35:24,000 --> 01:35:26,920
Speaker 1: a string of bad ones and it just it gets boring,

1611
01:35:27,000 --> 01:35:29,320
Speaker 1: like everybody's like, that's a bad one. Try again, like

1612
01:35:29,360 --> 01:35:32,160
Speaker 1: when they roasted Donald Trump. Yeah, even those shows they

1613
01:35:32,680 --> 01:35:38,040
Speaker 1: get get sale quick. Yeah, jokes are not like hits.

1614
01:35:39,360 --> 01:35:41,760
Speaker 1: You put on what what what? What? What? What? That's

1615
01:35:41,800 --> 01:35:44,720
Speaker 1: just gonna bang everywhere? Correct, you know what I'm saying.

1616
01:35:45,800 --> 01:35:48,080
Speaker 1: Come on, so maybe you should do a stand up

1617
01:35:48,120 --> 01:35:55,200
Speaker 1: to the beat. Gotta relax. I agree, I agree, it's timeless.

1618
01:35:57,560 --> 01:36:00,000
Speaker 1: Oh my god, oh my god, that's what I feel.

1619
01:36:00,000 --> 01:36:05,759
Speaker 1: I feel like Kevin Hark one night only, Kevin against

1620
01:36:05,880 --> 01:36:10,080
Speaker 1: Mike Gaps. Let me keep going. Make the call Steve Harvey.

1621
01:36:10,640 --> 01:36:15,160
Speaker 1: You're gonna keep going with a c keep going. I'll

1622
01:36:15,200 --> 01:36:29,839
Speaker 1: be on Crockey. Who your drink again? You're ready against

1623
01:36:29,840 --> 01:36:35,400
Speaker 1: who you're digging? I go salt and pepper again. Michael

1624
01:36:35,479 --> 01:36:47,280
Speaker 1: Blastman Blacksman, who is Michael Blashman was? Who's Michael Blacksmith him?

1625
01:36:48,479 --> 01:36:50,360
Speaker 1: Do you ever see him eat with his hands? He

1626
01:36:50,439 --> 01:36:56,880
Speaker 1: got to stop that. Man, stop man, that's what's no.

1627
01:36:57,160 --> 01:36:59,640
Speaker 1: Man's the way he do it like he's doing it.

1628
01:37:01,439 --> 01:37:06,880
Speaker 1: Me eat. I'm this guy goes like this. I'm like,

1629
01:37:07,040 --> 01:37:10,720
Speaker 1: I literally and it made me feel like I don't

1630
01:37:10,760 --> 01:37:12,960
Speaker 1: like African food. I don't think I don't like African food.

1631
01:37:13,040 --> 01:37:18,519
Speaker 1: I don't like that. Michael blacks East Ship Niggers, Michael Blacksmith,

1632
01:37:19,560 --> 01:37:23,000
Speaker 1: Michael Blacksmith Smith Nor he got a good you got

1633
01:37:23,120 --> 01:37:25,519
Speaker 1: a good ten minutes, bro, stand up? You can do.

1634
01:37:30,240 --> 01:37:32,200
Speaker 1: Look at his Instagram this He almost made me talk

1635
01:37:32,400 --> 01:37:34,040
Speaker 1: to day. He was like this, and I don't know

1636
01:37:34,160 --> 01:37:36,920
Speaker 1: he's doing this on purpose. He like you, he's looking

1637
01:37:36,920 --> 01:37:41,519
Speaker 1: at this ship. He goes sorry, he goes like that

1638
01:37:43,800 --> 01:37:47,080
Speaker 1: didn't then he licks all his fingers. I'm like, he's

1639
01:37:47,080 --> 01:37:49,960
Speaker 1: definitely doing It's not the right way it's supposed to eat.

1640
01:37:49,960 --> 01:37:53,760
Speaker 1: The African scene. He trying to show America that you know,

1641
01:37:54,320 --> 01:37:56,040
Speaker 1: we eat and you know what they like you, They give,

1642
01:37:56,160 --> 01:38:01,400
Speaker 1: they feed you. Yeah, we gotta stop an listen, man,

1643
01:38:01,760 --> 01:38:04,680
Speaker 1: we gotta stop. Even in Africa, they're gonna keep keep

1644
01:38:04,720 --> 01:38:06,080
Speaker 1: you if you go to Africa. I just throwing it

1645
01:38:06,160 --> 01:38:07,800
Speaker 1: out there. They don't got light skid brothers like you.

1646
01:38:07,800 --> 01:38:17,080
Speaker 1: They're gonna think you drink they wore in South Africa

1647
01:38:17,160 --> 01:38:21,320
Speaker 1: right now. Yeah, going down what's the wildest place you

1648
01:38:21,360 --> 01:38:25,240
Speaker 1: ever went to? Say comedy? To say comedy, say you

1649
01:38:25,320 --> 01:38:29,840
Speaker 1: gotta just go there and say the word comedy. It's hilarious.

1650
01:38:33,960 --> 01:38:41,400
Speaker 1: Wild you take off the Saudi Arabia when it was

1651
01:38:41,439 --> 01:38:44,759
Speaker 1: like you can't curse. No, I've never been with it. Really, okay,

1652
01:38:45,160 --> 01:38:49,200
Speaker 1: do none of that. I don't even money, he said,

1653
01:38:49,600 --> 01:38:53,200
Speaker 1: pose Saudi Arabia, do buy right he places where he

1654
01:38:53,240 --> 01:38:56,680
Speaker 1: gets a bad guy say that a long time now,

1655
01:38:56,720 --> 01:39:01,880
Speaker 1: a long time. Nothing always be wondering because comedians go

1656
01:39:02,000 --> 01:39:06,280
Speaker 1: out there and you know, I went to um get

1657
01:39:06,320 --> 01:39:09,759
Speaker 1: what part of the Middle East, the Middle East because

1658
01:39:09,960 --> 01:39:13,000
Speaker 1: the government actually hired us to actually performed for the

1659
01:39:13,160 --> 01:39:17,000
Speaker 1: for the for the troops oh you mean the US government.

1660
01:39:17,240 --> 01:39:21,320
Speaker 1: US government. Yeah, one time he was just going to

1661
01:39:21,360 --> 01:39:23,800
Speaker 1: the ira not to making it about me. One time

1662
01:39:23,840 --> 01:39:25,439
Speaker 1: he was going to Iraq because you know, in my

1663
01:39:25,600 --> 01:39:27,880
Speaker 1: rhymes I say I'm from Iraq, but I don't mean

1664
01:39:28,040 --> 01:39:30,599
Speaker 1: Iraq there. So we wrote the US government and said

1665
01:39:30,600 --> 01:39:33,000
Speaker 1: we're going to Iraq. This was this was right how

1666
01:39:33,040 --> 01:39:36,360
Speaker 1: he explained that if we don't know his like like

1667
01:39:36,439 --> 01:39:37,960
Speaker 1: we're not no re fans and we know what the

1668
01:39:38,240 --> 01:39:39,920
Speaker 1: I and you know what you thought he was in

1669
01:39:40,040 --> 01:39:42,400
Speaker 1: the go for Listen, you know what the US government

1670
01:39:42,479 --> 01:39:45,800
Speaker 1: told us you can We can't tell you you can't go,

1671
01:39:47,000 --> 01:39:51,519
Speaker 1: but don't call us anything something for you. You didn't

1672
01:39:51,520 --> 01:39:53,880
Speaker 1: go that US. And this is when I wanted to

1673
01:39:54,400 --> 01:39:58,680
Speaker 1: the US. But there was a show that we had.

1674
01:39:58,720 --> 01:40:01,680
Speaker 1: It was like in cool, wait some real ship so

1675
01:40:01,800 --> 01:40:04,120
Speaker 1: like some terrorist him you like wenna have you know

1676
01:40:04,760 --> 01:40:07,880
Speaker 1: we were like fucking state did say we're not coming

1677
01:40:07,880 --> 01:40:11,599
Speaker 1: to get you if the ship happened. We definitely said

1678
01:40:11,800 --> 01:40:14,920
Speaker 1: the show like you want to feel like your country

1679
01:40:15,000 --> 01:40:17,760
Speaker 1: gonna come get you right like you you hope. So

1680
01:40:17,960 --> 01:40:22,639
Speaker 1: so where's the wildest place you told Carmedy at after

1681
01:40:22,680 --> 01:40:25,240
Speaker 1: you said it, where did you do like, yeah, like

1682
01:40:25,560 --> 01:40:31,880
Speaker 1: you in Kentucky, like you speaking bourbon Kentucky with the

1683
01:40:31,920 --> 01:40:36,400
Speaker 1: whitest place. That's the show about that. That was, you know, whites,

1684
01:40:36,520 --> 01:40:38,719
Speaker 1: the whitest place. I haven't been early in my career,

1685
01:40:38,760 --> 01:40:40,240
Speaker 1: I had to. I had to go to West Virginia

1686
01:40:42,560 --> 01:40:47,479
Speaker 1: in this mountain tavern and and it worked. I mean

1687
01:40:48,040 --> 01:40:49,799
Speaker 1: that's when I first learned you could just be yourself

1688
01:40:49,880 --> 01:40:52,559
Speaker 1: and they're gonna laugh instead of trying to like play Kate.

1689
01:40:52,640 --> 01:40:55,679
Speaker 1: But what I did was I pulled one of the guys.

1690
01:40:56,400 --> 01:40:57,920
Speaker 1: He had cowboy boots. He had the whole shot on

1691
01:40:57,960 --> 01:41:00,920
Speaker 1: the cowboy had cowboy boots, and that it. I bet

1692
01:41:00,960 --> 01:41:02,559
Speaker 1: you know how to line dance. He's like, you got

1693
01:41:02,640 --> 01:41:05,120
Speaker 1: damn around out the Okay, I don't know how line dance?

1694
01:41:05,160 --> 01:41:08,360
Speaker 1: What is that did your best? Yeah? I bet I

1695
01:41:08,400 --> 01:41:11,160
Speaker 1: could do everything he does on the on the line dance.

1696
01:41:11,200 --> 01:41:13,040
Speaker 1: I ain't know what the he's gonna do, but I

1697
01:41:13,160 --> 01:41:16,840
Speaker 1: just to get that camaraderie into come got damn it.

1698
01:41:17,240 --> 01:41:19,320
Speaker 1: I was like, let's get him up here and get

1699
01:41:19,400 --> 01:41:22,160
Speaker 1: him to uh to do with line dance. And so

1700
01:41:22,280 --> 01:41:23,880
Speaker 1: he got up there and everybody was like, oh yeah,

1701
01:41:23,920 --> 01:41:27,120
Speaker 1: go ahead, Jimbo, go ahead, show him, show him how

1702
01:41:27,200 --> 01:41:29,880
Speaker 1: to do it. Now his name is Jimbo. I don't remember.

1703
01:41:30,000 --> 01:41:32,640
Speaker 1: It just sounds like what they call you, Jimbo. No, no, no, no,

1704
01:41:32,840 --> 01:41:38,000
Speaker 1: that sounds it's whatever they would calling him. And so yeah,

1705
01:41:38,320 --> 01:41:40,800
Speaker 1: that's that was the whitest place. They didn't call you Jimbo.

1706
01:41:40,880 --> 01:41:52,960
Speaker 1: Though you're not sure, get drink Africa. It's the whitest

1707
01:41:52,960 --> 01:41:59,320
Speaker 1: place you have transforms the whitest place you ever. Cleveland, Tennessee, Cleveland, Cleveland,

1708
01:41:59,360 --> 01:42:03,960
Speaker 1: Tennessee's Cleveland Tennessee. Um, you know there's Cleveland, there's a Miami, Cleveland, Ohio,

1709
01:42:04,720 --> 01:42:07,080
Speaker 1: and Miami, Ohio. It's a Miami, Ohio. I didn't know

1710
01:42:07,120 --> 01:42:10,200
Speaker 1: that that's a Cleveland, Tennessee. And there's a Cleveland, Tennessee.

1711
01:42:10,280 --> 01:42:13,280
Speaker 1: And let me just guess it's in Tennessee, right, yes,

1712
01:42:15,080 --> 01:42:20,080
Speaker 1: just to be clear, said, so what happened in Cleveland, Tennessee.

1713
01:42:20,520 --> 01:42:24,800
Speaker 1: It's white people get silent, using like when even like

1714
01:42:24,880 --> 01:42:26,880
Speaker 1: when you're not doing good, it's early on, like if

1715
01:42:26,880 --> 01:42:29,599
Speaker 1: they don't if they can't relate initially, they just get quiet.

1716
01:42:29,760 --> 01:42:31,760
Speaker 1: So now it's like you're talking in the mirror. It

1717
01:42:31,800 --> 01:42:33,640
Speaker 1: could be a room for the people and it's just

1718
01:42:33,760 --> 01:42:36,240
Speaker 1: just quiet so you could be there. And that's what

1719
01:42:36,400 --> 01:42:42,519
Speaker 1: I told. Did you crack? You didn't know that. You

1720
01:42:42,560 --> 01:42:46,040
Speaker 1: haven't let zeppter shirt on sooner. That's what you because

1721
01:42:46,040 --> 01:42:47,720
Speaker 1: you weren't there to try. You met your girl. You

1722
01:42:47,800 --> 01:42:50,639
Speaker 1: was taking down things in Tennessee white girls doing before

1723
01:42:50,720 --> 01:42:56,200
Speaker 1: you met your girl, his wife, before you met a

1724
01:42:56,280 --> 01:43:01,760
Speaker 1: little bit shot. I'll take a real shot. You good.

1725
01:43:02,000 --> 01:43:06,000
Speaker 1: Two shots want to be and you got a girl too.

1726
01:43:06,680 --> 01:43:08,840
Speaker 1: I'm chilling, man, man, I don't know what that means.

1727
01:43:09,080 --> 01:43:10,840
Speaker 1: You don't need to know. It's the lights can meet.

1728
01:43:11,520 --> 01:43:14,880
Speaker 1: That's one of the lights can meet. The ground them up.

1729
01:43:14,960 --> 01:43:17,160
Speaker 1: Nor he's starting to dating service. That's why he's asked,

1730
01:43:17,560 --> 01:43:25,519
Speaker 1: why not they got I'm gonna get you know what

1731
01:43:25,560 --> 01:43:30,240
Speaker 1: I'm saying. You know what I'm making right now? Nanny box,

1732
01:43:31,160 --> 01:43:36,280
Speaker 1: Nanni box, nanny box, this nanny box box robot and

1733
01:43:36,439 --> 01:43:40,200
Speaker 1: just watch your baby. So anyway you at, you just

1734
01:43:40,760 --> 01:43:45,640
Speaker 1: put off. I got to I got two daughters. I

1735
01:43:45,640 --> 01:43:48,320
Speaker 1: would not trust him, no robot, No, I got the

1736
01:43:48,360 --> 01:43:51,439
Speaker 1: real nanny box is a real one, all right. I

1737
01:43:52,439 --> 01:43:54,160
Speaker 1: have Ray Jay make it, but I feel like I'm

1738
01:43:54,200 --> 01:44:01,240
Speaker 1: going to another contents. That's my brother Ray. He get products,

1739
01:44:01,280 --> 01:44:08,200
Speaker 1: but they only work on his career is a terrible

1740
01:44:08,479 --> 01:44:13,120
Speaker 1: Orsman broke it as soon as he career Like, oait,

1741
01:44:13,160 --> 01:44:14,640
Speaker 1: did I see the work? No more like those are

1742
01:44:14,640 --> 01:44:19,960
Speaker 1: the protocols, protocol same ship, Let's do it, let's do it.

1743
01:44:23,800 --> 01:44:26,479
Speaker 1: Ever anything else you want to say before you get

1744
01:44:26,520 --> 01:44:31,000
Speaker 1: about it, Man, just you know, appreciate you'all having us,

1745
01:44:31,240 --> 01:44:35,599
Speaker 1: you know, my brother brand for bringing in Yes, yes,

1746
01:44:35,680 --> 01:44:38,160
Speaker 1: hell yeah, but yeah. Proud of your journey man from

1747
01:44:38,600 --> 01:44:41,360
Speaker 1: MC two. Yeah. Now you you know you button out

1748
01:44:41,400 --> 01:44:45,040
Speaker 1: here podcast, mogul ship, you're doing it. You're doing a

1749
01:44:45,040 --> 01:44:48,080
Speaker 1: big last thing. How about Bernie mac Man, because I

1750
01:44:48,320 --> 01:44:50,120
Speaker 1: remember you did a sketch with Bernie mac pulled you

1751
01:44:50,160 --> 01:44:52,320
Speaker 1: over and everything. Yeah. Yeah, that was on my Deaf

1752
01:44:52,400 --> 01:44:55,040
Speaker 1: comedy jam set and then I ended up doing him.

1753
01:44:55,120 --> 01:44:59,479
Speaker 1: Yeah yeah, said yeah, yeah, don't tell me it was

1754
01:44:59,720 --> 01:45:03,439
Speaker 1: so man. Yeah. Yeah, you came out. He was like,

1755
01:45:04,880 --> 01:45:07,559
Speaker 1: I'm gonna give you your character was off ter. Yeah,

1756
01:45:07,760 --> 01:45:20,960
Speaker 1: lest to the chest of them. No, no, no, that's

1757
01:45:21,000 --> 01:45:28,360
Speaker 1: not it. Lester the court Jester kind of used to

1758
01:45:28,400 --> 01:45:36,200
Speaker 1: be no station. But you sample Bernie Mack record him

1759
01:45:36,240 --> 01:45:40,599
Speaker 1: and Sam Jackson's characters. The real deal, The real deal.

1760
01:45:40,720 --> 01:45:43,439
Speaker 1: Sample the record. It was, you know, bootlegging down in

1761
01:45:43,479 --> 01:45:45,960
Speaker 1: the basement and sample in front of him. You knew

1762
01:45:46,000 --> 01:45:51,719
Speaker 1: he was there. Listen, I'll take you to school, to semester,

1763
01:45:52,120 --> 01:45:54,760
Speaker 1: take you to court, in to quester under judge and

1764
01:45:54,880 --> 01:45:57,720
Speaker 1: the Jerry Ruth Lee fifty beary. You don't want to

1765
01:45:57,760 --> 01:46:00,920
Speaker 1: immediately it's t e Ira in the grab my girl

1766
01:46:01,040 --> 01:46:03,400
Speaker 1: by the way, slat my girl in the face, one

1767
01:46:03,400 --> 01:46:05,439
Speaker 1: of my dad I moved inside of the crib. Now

1768
01:46:05,640 --> 01:46:09,559
Speaker 1: is my place? C e o she bess be home.

1769
01:46:09,800 --> 01:46:12,160
Speaker 1: Every time I get back with another bit breaking me.

1770
01:46:13,080 --> 01:46:15,920
Speaker 1: I never waste time. I just simple based Laine. I

1771
01:46:15,960 --> 01:46:18,200
Speaker 1: don't make music. I just abused when I'm spending these

1772
01:46:18,240 --> 01:46:20,880
Speaker 1: fake rhymes. This is my hustle. Blow. You were the

1773
01:46:20,960 --> 01:46:23,479
Speaker 1: nagas hustle slow, bust up blow. You ain't making money.

1774
01:46:23,560 --> 01:46:34,040
Speaker 1: Funny what you hustle? For Get the gig. That's the

1775
01:46:34,080 --> 01:46:43,240
Speaker 1: whole we're supposed to be from in the movie. You're

1776
01:46:43,240 --> 01:46:46,000
Speaker 1: supposed to be from Tulsa. But that's based off a

1777
01:46:46,120 --> 01:46:48,280
Speaker 1: character that I used to do it in Carolina. So

1778
01:46:48,400 --> 01:46:51,360
Speaker 1: that's why it's not so like just Southern in this Carson.

1779
01:46:51,479 --> 01:47:02,960
Speaker 1: You wrote that rhyme. Yeah, sure, what's Jester forking to

1780
01:47:03,000 --> 01:47:10,360
Speaker 1: talk about? Before you leave? Jay's not coming here, So

1781
01:47:10,479 --> 01:47:12,800
Speaker 1: we got you gotta do the you gotta do jay Z.

1782
01:47:16,280 --> 01:47:18,920
Speaker 1: This is this baby, what you're talking about. We told

1783
01:47:19,520 --> 01:47:21,000
Speaker 1: I don't have to I don't have to do anything

1784
01:47:21,040 --> 01:47:24,800
Speaker 1: I don't want to do. I'm sure you don't want

1785
01:47:24,800 --> 01:47:26,519
Speaker 1: to a man, have one more shot, two egg going

1786
01:47:26,560 --> 01:47:28,479
Speaker 1: to know you can't have that. We have to work today.

1787
01:47:29,840 --> 01:47:33,920
Speaker 1: If you're a bad influence, can we come to the brunch?

1788
01:47:35,200 --> 01:47:40,720
Speaker 1: That's that's that's a coveted that's a coveted invitation a fan.

1789
01:47:40,800 --> 01:47:45,240
Speaker 1: I don't know if you want that. It's a lot

1790
01:47:45,280 --> 01:47:48,640
Speaker 1: of things you gotta do in order to get that devitation.

1791
01:47:49,960 --> 01:47:53,120
Speaker 1: I don't know what that is. I have no clue

1792
01:47:53,160 --> 01:47:55,120
Speaker 1: what that is. But you know, I'm just talking about

1793
01:47:55,160 --> 01:47:58,519
Speaker 1: being fresh. I'm you gotta write a lot of balls.

1794
01:47:59,520 --> 01:48:12,400
Speaker 1: Nor he wrote me the rock is in the building

1795
01:48:13,040 --> 01:48:20,920
Speaker 1: here because yeah, God damn, that was a great way

1796
01:48:20,960 --> 01:48:23,519
Speaker 1: to end it. Let's do it. Let's do it, Let's

1797
01:48:23,520 --> 01:48:26,400
Speaker 1: take pictures, you do some drops, and then then you're

1798
01:48:26,439 --> 01:48:32,320
Speaker 1: released it then you're released. Thanks for joining us for

1799
01:48:32,360 --> 01:48:35,080
Speaker 1: another episode of Drink Champs, hosted by Yours Truly d

1800
01:48:35,200 --> 01:48:37,760
Speaker 1: j e F and N O r E. Please make

1801
01:48:37,800 --> 01:48:40,040
Speaker 1: sure to follow us on all our socials. Let's add

1802
01:48:40,080 --> 01:48:43,600
Speaker 1: Drink Champs across all platforms at the Real Noriegan I

1803
01:48:43,760 --> 01:48:47,439
Speaker 1: g at Noriega on Twitter, mine is at Who's Crazy

1804
01:48:47,640 --> 01:48:50,519
Speaker 1: on I g at d j e F N on Twitter,

1805
01:48:50,920 --> 01:48:53,439
Speaker 1: and most importantly, stay up to date with the latest releases,

1806
01:48:53,840 --> 01:48:57,040
Speaker 1: news and merged by going to drink champs dot com.

1807
01:49:01,280 --> 01:49:06,520
Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcast,

1808
01:49:06,720 --> 01:49:08,639
Speaker 1: or wherever you listen to your favorite shows.