1 00:00:01,440 --> 00:00:05,600 Speaker 1: This is becoming an icon. Last episode, we told you 2 00:00:05,720 --> 00:00:09,840 Speaker 1: all about Bad Bunny and his journey to superstardom, how 3 00:00:09,920 --> 00:00:12,160 Speaker 1: he made his way from a small town in Puerto 4 00:00:12,200 --> 00:00:15,520 Speaker 1: Rico to SoundCloud to one of the hottest collaborators in 5 00:00:15,520 --> 00:00:20,560 Speaker 1: the music industry. Homeboy spread his wings and were featured 6 00:00:20,640 --> 00:00:23,760 Speaker 1: on one of the best summer songs of all time. 7 00:00:24,480 --> 00:00:28,200 Speaker 1: According to me, I was gonna say, where did you 8 00:00:28,240 --> 00:00:32,080 Speaker 1: fact check that? Joseph think just me? I like it 9 00:00:32,120 --> 00:00:35,159 Speaker 1: with Cardi b and Jay Balvin had taken Bad Bunny's 10 00:00:35,200 --> 00:00:38,360 Speaker 1: career to new heights and beneath them, well, he was 11 00:00:38,400 --> 00:00:41,520 Speaker 1: determined to stay there. He rushed to release his debut 12 00:00:41,560 --> 00:00:44,680 Speaker 1: album Porcimp before the year was out, and jumped on 13 00:00:44,720 --> 00:00:48,000 Speaker 1: collabs with some of the hottest stars in the world. 14 00:00:48,400 --> 00:00:53,760 Speaker 1: I'm talking Jlo Maluma. Bad Bunny was not throwing away 15 00:00:53,880 --> 00:00:59,520 Speaker 1: his Joseph. Yeah, we don't have Clarence for him on songs. 16 00:01:00,040 --> 00:01:05,560 Speaker 1: Oh okay, Well then he wasn't going to lose himself 17 00:01:05,600 --> 00:01:08,720 Speaker 1: in the moment. Oh yeah, you know what, we can't 18 00:01:08,720 --> 00:01:13,720 Speaker 1: afford eminem either, Like can I just okay, just sin 19 00:01:13,920 --> 00:01:17,279 Speaker 1: because we're gonna tell you all about Bad Bunny's career 20 00:01:17,520 --> 00:01:20,520 Speaker 1: it was on the rise, and he was on the 21 00:01:20,600 --> 00:01:24,560 Speaker 1: verge of kicking off a cultural renaissance. But before the 22 00:01:24,600 --> 00:01:27,480 Speaker 1: world heard him Ryme with Cardi b his beloved island 23 00:01:27,520 --> 00:01:30,920 Speaker 1: faced a challenge it hadn't seen in generations, and Bad 24 00:01:30,920 --> 00:01:37,280 Speaker 1: Bunny put everything in Boosa. I'm your host, Liliana Vaskaz 25 00:01:37,520 --> 00:01:41,679 Speaker 1: and I'm Joseph Carrillo and this is Becoming an Icon 26 00:01:42,319 --> 00:01:44,880 Speaker 1: a weekly podcast where we give you the rundown on 27 00:01:44,920 --> 00:01:48,360 Speaker 1: how today's most famous Latin X stars have shaped pop 28 00:01:48,400 --> 00:01:52,680 Speaker 1: culture and given the world some expressable Sit back and 29 00:01:52,800 --> 00:01:57,240 Speaker 1: get comfortable because we are going in the only way 30 00:01:57,280 --> 00:02:02,240 Speaker 1: we know how. With Buena has resays, sound cheese and 31 00:02:02,440 --> 00:02:05,919 Speaker 1: a lot of opinions as we relive their greatest achievements 32 00:02:06,000 --> 00:02:09,000 Speaker 1: on our journey to find out what makes them so icon. 33 00:02:09,120 --> 00:02:19,440 Speaker 1: It quick trigger warning. We can't talk about bad money 34 00:02:19,520 --> 00:02:23,360 Speaker 1: and not mention how a hurricane Madia halted his world domination. 35 00:02:23,800 --> 00:02:26,120 Speaker 1: So it's going to get a little emo up in here. 36 00:02:26,400 --> 00:02:29,280 Speaker 1: But just for a minute, Hey, not to worry. I 37 00:02:29,360 --> 00:02:32,680 Speaker 1: brought the tissues. As you're trusted host, we do have 38 00:02:32,720 --> 00:02:36,360 Speaker 1: a responsibility to tell you everything that makes these artists icons, 39 00:02:36,520 --> 00:02:40,240 Speaker 1: and this is important. But afterwards, Can we take a 40 00:02:40,280 --> 00:02:43,720 Speaker 1: betil break and shake that ass. There's always time for that. 41 00:02:47,720 --> 00:02:51,760 Speaker 1: The bond between Beneathal and Puerto Rico runs deep. In 42 00:02:51,800 --> 00:02:54,760 Speaker 1: an interview with Apple Music, he said this, I keep 43 00:02:54,760 --> 00:02:56,919 Speaker 1: making music from here to the walls. I just want 44 00:02:56,960 --> 00:02:58,880 Speaker 1: people to feel like they're really here on the island 45 00:02:58,960 --> 00:03:02,239 Speaker 1: in the Caribbean. The best part of all my accomplishments 46 00:03:02,360 --> 00:03:04,960 Speaker 1: is when people say, yo, but he's from Puerto Rico. 47 00:03:05,520 --> 00:03:07,760 Speaker 1: I just want people to understand that you can be 48 00:03:07,840 --> 00:03:11,680 Speaker 1: from Puerto Rico and be a star. This bond was 49 00:03:11,680 --> 00:03:15,360 Speaker 1: on display like never before when Hurricane Maria made landfall 50 00:03:15,440 --> 00:03:21,080 Speaker 1: in twenty seventeen. Well, the rest of the world kept going. 51 00:03:21,520 --> 00:03:25,920 Speaker 1: Life on the island stopped for everyone, three point four 52 00:03:26,240 --> 00:03:32,080 Speaker 1: million people with no electricity. Now I still get goosebumps 53 00:03:32,120 --> 00:03:35,880 Speaker 1: thinking about Hurricane Maria. Joseph, where were you when you 54 00:03:36,000 --> 00:03:39,160 Speaker 1: heard the news? Well, actually I was back in New York, 55 00:03:39,280 --> 00:03:42,280 Speaker 1: but I had just been to Puerto Rico, like the 56 00:03:42,400 --> 00:03:45,080 Speaker 1: last week of August, and I was seeing all of 57 00:03:45,120 --> 00:03:47,960 Speaker 1: this stuff on the news. It was just sad because 58 00:03:48,000 --> 00:03:50,760 Speaker 1: I was there, seeing how beautiful it was and seeing 59 00:03:50,760 --> 00:03:53,800 Speaker 1: what happened is nuts. Think about how many people on 60 00:03:53,840 --> 00:03:57,640 Speaker 1: the island aren't going to have electricity and don't have generators. 61 00:03:57,760 --> 00:04:01,280 Speaker 1: This wasn't something that affected a small population. The entire 62 00:04:01,440 --> 00:04:05,160 Speaker 1: island was impacted by what happened. And the second I 63 00:04:05,240 --> 00:04:09,800 Speaker 1: found out, I just went into action. I'm lucky enough 64 00:04:09,800 --> 00:04:12,560 Speaker 1: to work with an incredible board in New York City. 65 00:04:12,560 --> 00:04:15,520 Speaker 1: I'm on the board of Montfeur Hospital, and the second 66 00:04:15,560 --> 00:04:17,200 Speaker 1: they heard of what happened, of course, the doctors in 67 00:04:17,240 --> 00:04:19,040 Speaker 1: Puerto Rico that they're connected to because they have a 68 00:04:19,120 --> 00:04:22,600 Speaker 1: huge presence in the Bronx, reached out and they actually 69 00:04:22,600 --> 00:04:25,120 Speaker 1: had access to about two hundred and fifty thousand dollars 70 00:04:25,240 --> 00:04:29,479 Speaker 1: in a cash grant, and that grant had not been 71 00:04:29,480 --> 00:04:32,880 Speaker 1: distributed yet, and so we created an emergency fund and 72 00:04:32,960 --> 00:04:36,200 Speaker 1: basically petitioned the Greater Hospital Network of New York City 73 00:04:36,400 --> 00:04:40,160 Speaker 1: to redistribute that grant money to Puerto Rico. I still 74 00:04:40,160 --> 00:04:42,440 Speaker 1: feel the impact today, Like when I talked to my 75 00:04:42,520 --> 00:04:45,000 Speaker 1: uncle's they still talk about it hasn't gone away. It 76 00:04:45,120 --> 00:04:48,400 Speaker 1: just brought to light the disparity that exists for these 77 00:04:48,440 --> 00:04:52,280 Speaker 1: Americans because we are Americans living on this island. So 78 00:04:52,400 --> 00:04:54,599 Speaker 1: it was big, it was scary, it was heavy, and 79 00:04:54,680 --> 00:04:57,360 Speaker 1: it was just so sad. You know, when you think 80 00:04:57,360 --> 00:05:00,880 Speaker 1: about the impact of the storm, it's a Category story four. 81 00:05:01,080 --> 00:05:04,000 Speaker 1: Winds were sustained at one hundred and fifty five miles 82 00:05:04,080 --> 00:05:07,560 Speaker 1: per hour. This entire storm washes over Puerto Rico on 83 00:05:07,600 --> 00:05:12,400 Speaker 1: September twentieth, twenty seventeen, and bam, the entire electrical grid 84 00:05:12,600 --> 00:05:17,279 Speaker 1: completely collapsed. That means that one hundred percent of the 85 00:05:17,400 --> 00:05:20,919 Speaker 1: island was without electricity. We go without power in New 86 00:05:21,000 --> 00:05:25,160 Speaker 1: York for three minutes and people lose their fucking minds gone, 87 00:05:25,200 --> 00:05:28,480 Speaker 1: it's like my fridge, my air conditioning. Well, it's not 88 00:05:28,600 --> 00:05:33,360 Speaker 1: three minutes. The island was without electricity or months. There 89 00:05:33,480 --> 00:05:37,760 Speaker 1: was no access to clean water, Food was scarce and limited. 90 00:05:38,080 --> 00:05:41,760 Speaker 1: People had to cross rivers just to buy water and gas. 91 00:05:43,880 --> 00:05:47,200 Speaker 1: People were spending five to six hours of their day 92 00:05:47,279 --> 00:05:50,400 Speaker 1: in lining gas stations just to fill up their cars 93 00:05:50,480 --> 00:05:55,440 Speaker 1: or get gasoline for all of the generators. A study 94 00:05:55,480 --> 00:05:58,120 Speaker 1: by Harvard would later determine that the total number of 95 00:05:58,160 --> 00:06:01,400 Speaker 1: Puerto Rican's lost during Hurricane Marie was over four thousand, 96 00:06:01,680 --> 00:06:05,640 Speaker 1: six hundred and forty five people. It was the worst 97 00:06:05,680 --> 00:06:10,120 Speaker 1: storm to hit Puerto Rico in over eighty years. The 98 00:06:10,200 --> 00:06:13,680 Speaker 1: people of Puerto Rico would never forget, and neither has 99 00:06:13,720 --> 00:06:20,719 Speaker 1: been Nito. On the one year anniversary of Maria, he 100 00:06:20,760 --> 00:06:23,440 Speaker 1: went on to Jimmy Fallon to perform his song Estellas 101 00:06:23,480 --> 00:06:26,359 Speaker 1: fian But more than that, he told a story, which 102 00:06:26,720 --> 00:06:28,680 Speaker 1: isn't that kind of what artists are supposed to do. 103 00:06:29,240 --> 00:06:32,159 Speaker 1: They tell their stories through their music, and that night, 104 00:06:32,400 --> 00:06:35,000 Speaker 1: I feel like he chose to tell his a different way, 105 00:06:35,200 --> 00:06:38,080 Speaker 1: through his language and his imagery. And for me it 106 00:06:38,160 --> 00:06:41,120 Speaker 1: was even more powerful because he opened that performance with 107 00:06:41,120 --> 00:06:45,440 Speaker 1: that monologue in English. If you remember, Bad Bunny doesn't 108 00:06:45,440 --> 00:06:49,000 Speaker 1: often speak in English. He usually prefers to speak in Spanish. 109 00:06:49,040 --> 00:06:52,600 Speaker 1: But that night his message was so important that he 110 00:06:52,680 --> 00:06:56,440 Speaker 1: wanted everyone watching across the United States to hear exactly 111 00:06:56,480 --> 00:07:00,200 Speaker 1: what his message was. We're looking at you, Nebraska or 112 00:07:00,240 --> 00:07:04,880 Speaker 1: my homestate, Texas, pick your poison. He also continued the 113 00:07:04,960 --> 00:07:08,280 Speaker 1: strength of his message with that video because a lot 114 00:07:08,279 --> 00:07:11,160 Speaker 1: of the images that most people had seen from Maria 115 00:07:11,240 --> 00:07:15,320 Speaker 1: were devastating, but on Jimmy Fallon, he was showing us 116 00:07:15,400 --> 00:07:18,440 Speaker 1: the real Puerto Rico, the joy that lives on that island. 117 00:07:18,640 --> 00:07:21,400 Speaker 1: Look at the people, Look how beautiful and how strong 118 00:07:21,440 --> 00:07:25,040 Speaker 1: and resilient. We are, and that's exactly what those images proved. 119 00:07:25,720 --> 00:07:28,480 Speaker 1: He was just showing proof of you know what, we 120 00:07:28,520 --> 00:07:33,080 Speaker 1: are doing good. But months later, Benito was still pissed, 121 00:07:33,720 --> 00:07:39,400 Speaker 1: so pissed that Benito came out wearing a shirt that said, 122 00:07:39,800 --> 00:07:44,120 Speaker 1: I mean a literal virtual slable And it was all 123 00:07:44,200 --> 00:07:46,960 Speaker 1: because Trump was in a Twitter feud with the mayor 124 00:07:47,080 --> 00:07:50,920 Speaker 1: of San Juan. That's giving petty. Trump is giving petty. 125 00:07:51,040 --> 00:07:52,960 Speaker 1: But like I would wear that shirt. I wear label 126 00:07:53,000 --> 00:07:55,040 Speaker 1: stuff all the time. I have a shirt that says, 127 00:07:55,280 --> 00:07:57,600 Speaker 1: f I think I love you. You're making a statement 128 00:07:57,680 --> 00:08:01,160 Speaker 1: here and I'm here for it. Benito often crosses that 129 00:08:01,240 --> 00:08:04,960 Speaker 1: line between artists and activists, and it's what we love 130 00:08:05,000 --> 00:08:08,360 Speaker 1: about him, because when you care so deeply about an issue, 131 00:08:08,440 --> 00:08:13,640 Speaker 1: how do you pretend it just doesn't exist. He had 132 00:08:13,680 --> 00:08:16,800 Speaker 1: taken a break from performing and social media to focus 133 00:08:16,880 --> 00:08:19,280 Speaker 1: on his mental health, but now that he was in 134 00:08:19,320 --> 00:08:22,280 Speaker 1: a good place, it was time for some hits. So 135 00:08:23,680 --> 00:08:29,160 Speaker 1: let's reset. It's late summer twenty eighteen and Bad Bunny 136 00:08:29,480 --> 00:08:32,000 Speaker 1: just stepped off the stage at the tonight show. I 137 00:08:32,080 --> 00:08:35,599 Speaker 1: like it is dominating. The chart is almost bien is 138 00:08:35,640 --> 00:08:39,120 Speaker 1: an anthem in Puerto Rico. The next obvious step was 139 00:08:39,600 --> 00:08:43,120 Speaker 1: that album. I mean, he was collaborating with major players 140 00:08:43,160 --> 00:08:46,560 Speaker 1: like Drake and j lo um Babes. Where is the 141 00:08:46,600 --> 00:08:51,679 Speaker 1: freaking album? Well, clearly hiding out with rerease album Don't 142 00:08:51,720 --> 00:08:57,440 Speaker 1: Get Me started. On December twenty third, Eljolo tweeted that 143 00:08:57,480 --> 00:09:02,160 Speaker 1: he would be dropping an album that night. Yes, the 144 00:09:02,280 --> 00:09:08,600 Speaker 1: Bad Bunny who stole Christmas. Think like buy Mariah. All 145 00:09:08,760 --> 00:09:13,679 Speaker 1: I want for Christmas is Benito exactly. Santa had to 146 00:09:13,760 --> 00:09:17,680 Speaker 1: take a backseat to Benito because the entire holiday season 147 00:09:18,000 --> 00:09:25,360 Speaker 1: suddenly became all about him. Florimbut was everywhere and it's 148 00:09:25,400 --> 00:09:28,200 Speaker 1: now become somewhat of a Christmas tradition on the island, 149 00:09:28,480 --> 00:09:32,800 Speaker 1: you know, jingle bells and when Bad Bunny drops a 150 00:09:32,840 --> 00:09:36,040 Speaker 1: new album, you can't go anywhere without three or four 151 00:09:36,040 --> 00:09:39,280 Speaker 1: cars in the same vicinity, the last in that shit 152 00:09:39,480 --> 00:09:44,440 Speaker 1: and on repeat. But here's the craziest part about this 153 00:09:44,640 --> 00:09:51,360 Speaker 1: entire album. It had absolutely zero advanced marketing. One day 154 00:09:51,559 --> 00:09:55,520 Speaker 1: out of nowhere, all of these eye catching billboards just 155 00:09:55,600 --> 00:09:59,199 Speaker 1: went up around Puerto Rico. All they said was Bad 156 00:09:59,200 --> 00:10:03,280 Speaker 1: Bunny Orde and of course the iconic eye from the 157 00:10:03,320 --> 00:10:06,480 Speaker 1: cover art of the album, which would later become a 158 00:10:06,480 --> 00:10:11,440 Speaker 1: fashion signature for the singer. Honestly, I don't think anybody 159 00:10:11,520 --> 00:10:16,360 Speaker 1: knew what it was. There was no context, there was 160 00:10:16,400 --> 00:10:19,920 Speaker 1: no advance warning. When you saw the Bad Bunny, which 161 00:10:19,920 --> 00:10:23,320 Speaker 1: was meant to look like fire burning, right, then you 162 00:10:23,360 --> 00:10:27,160 Speaker 1: see the eye and then you have your X one 163 00:10:27,360 --> 00:10:30,199 Speaker 1: zero zero pr That shit could be anything. But also 164 00:10:30,280 --> 00:10:33,160 Speaker 1: another thing about the billboards that they were only going 165 00:10:33,240 --> 00:10:36,760 Speaker 1: around in Puerto Rico. Yeah, it gives you a window 166 00:10:37,360 --> 00:10:43,240 Speaker 1: into how beneath the prioritizes his success right exactly, He's 167 00:10:43,280 --> 00:10:47,640 Speaker 1: not interested in global superstardom. What he wanted and what 168 00:10:47,720 --> 00:10:52,680 Speaker 1: he's always wanted was to make music that represented his island. 169 00:10:53,080 --> 00:10:56,760 Speaker 1: And that music is made for Puerto Ricans, right, And 170 00:10:56,800 --> 00:11:00,000 Speaker 1: that's just what made it so like organic. Yes, because 171 00:11:00,480 --> 00:11:03,240 Speaker 1: while the whole world loves that sound and loves that music, 172 00:11:03,559 --> 00:11:06,200 Speaker 1: he did it for his island. He did it for 173 00:11:06,280 --> 00:11:10,000 Speaker 1: his Buddhai. So the fact that he focused on very 174 00:11:10,000 --> 00:11:13,280 Speaker 1: little promotion just on puer Rico, it really gives you 175 00:11:13,360 --> 00:11:15,600 Speaker 1: insight into who he is. All of this was really 176 00:11:16,000 --> 00:11:19,400 Speaker 1: kind of an experiment. Bad Bunny said that he wanted 177 00:11:19,440 --> 00:11:22,760 Speaker 1: to create something that played with different genres and sounds. 178 00:11:23,160 --> 00:11:26,960 Speaker 1: He mixed grunge punk rock with Dembo to create a 179 00:11:27,000 --> 00:11:30,960 Speaker 1: totally unique sound. He says that people had tried to 180 00:11:31,080 --> 00:11:34,680 Speaker 1: change his concept of what music is, that music is work, 181 00:11:34,760 --> 00:11:36,720 Speaker 1: but it's not like that, and he says that in 182 00:11:36,760 --> 00:11:39,840 Speaker 1: this album, I said no, I need to do something 183 00:11:39,840 --> 00:11:44,840 Speaker 1: that fulfills me and makes me happy. Benico was finally 184 00:11:44,920 --> 00:11:48,160 Speaker 1: making the music he wanted to make, but he wasn't 185 00:11:48,160 --> 00:11:51,200 Speaker 1: done experimenting, and for his next project, he needed his 186 00:11:51,440 --> 00:11:56,199 Speaker 1: partner in crime, his Colombian counterpart, his minister in this 187 00:11:56,280 --> 00:12:07,040 Speaker 1: new religion, Bang Bang. On June twenty eight, twenty nineteen, 188 00:12:07,400 --> 00:12:11,160 Speaker 1: Bad Bunny released Oasses, an eight track collaborative album with 189 00:12:11,280 --> 00:12:15,880 Speaker 1: Jose Alvaro Osorio Baldwin, also known as Jay Balvin. The 190 00:12:15,960 --> 00:12:19,440 Speaker 1: two artists met during Bad Bunny's SoundCloud era back in 191 00:12:19,600 --> 00:12:23,160 Speaker 1: twenty sixteen. So Jay Balvin was visiting Puerto Rico for 192 00:12:23,200 --> 00:12:26,920 Speaker 1: a show at Choli when DJ Luian, already confident in 193 00:12:26,960 --> 00:12:30,240 Speaker 1: Bad Bunny as an artist, introduced the two. So on 194 00:12:30,320 --> 00:12:36,360 Speaker 1: March third, twenty seventeen, they released Citola Mister and Mister 195 00:12:36,480 --> 00:12:40,000 Speaker 1: Stelio Girl Up in Here. The song entered the Hot 196 00:12:40,080 --> 00:12:44,080 Speaker 1: Latin Songs Start at number fourteen. It also went on 197 00:12:44,160 --> 00:12:46,600 Speaker 1: to earn the two artists a Latin Grammy nomination for 198 00:12:46,720 --> 00:12:50,800 Speaker 1: Best Urban Fusion Performance. This video is also such a 199 00:12:50,880 --> 00:12:55,040 Speaker 1: great starting point for the evolution of Bad Bunny and 200 00:12:55,280 --> 00:13:00,880 Speaker 1: Jay Balvin's personal style. When I've watched the video, I 201 00:13:00,880 --> 00:13:03,600 Speaker 1: feel like we were getting like a baby bad Bunny, 202 00:13:03,600 --> 00:13:07,280 Speaker 1: like a baby Bunny. There was no denying the chemistry 203 00:13:07,440 --> 00:13:11,400 Speaker 1: between Bad Bunny and Jay Balvin, and this was just 204 00:13:11,520 --> 00:13:15,120 Speaker 1: the beginning of a beautiful friendship and a string of hits. 205 00:13:15,440 --> 00:13:18,400 Speaker 1: Like big hits. The two of them went on to 206 00:13:18,480 --> 00:13:21,880 Speaker 1: collab on more tracks like since Bali that with Prince Royce, 207 00:13:22,160 --> 00:13:26,440 Speaker 1: I have to say it Royce, and of course I 208 00:13:26,480 --> 00:13:30,160 Speaker 1: like it with Cardi B. By the way, I'm still 209 00:13:30,280 --> 00:13:33,040 Speaker 1: so fucking angry that Bad Bunny did not hop on 210 00:13:33,080 --> 00:13:36,640 Speaker 1: stage at MSG went outside Joy Balvin, that's not cool. 211 00:13:38,320 --> 00:13:41,120 Speaker 1: Jay Balvin hinted at a possible album with the Puerto 212 00:13:41,200 --> 00:13:44,679 Speaker 1: Rican rapper. Balvin shared, he likes what I like, and 213 00:13:44,679 --> 00:13:47,280 Speaker 1: he's all about the culture and he's super humble. I 214 00:13:47,360 --> 00:13:49,280 Speaker 1: just love him and I love what he does, and 215 00:13:49,320 --> 00:13:51,360 Speaker 1: of course I would love to have him an album 216 00:13:51,440 --> 00:13:56,520 Speaker 1: like that. Bad Bunny shared about the album we've been 217 00:13:56,520 --> 00:13:58,880 Speaker 1: working on it for a long time and finally we 218 00:13:58,960 --> 00:14:02,319 Speaker 1: found its moment. Working with Jay Balvin has undoubtedly been 219 00:14:02,360 --> 00:14:06,160 Speaker 1: an unparalleled experience. I've always admired and respected him a lot, 220 00:14:06,200 --> 00:14:08,679 Speaker 1: and we have an excellent vibe throughout this whole process. 221 00:14:08,960 --> 00:14:10,160 Speaker 1: And by the way, when you hear him say this 222 00:14:10,200 --> 00:14:12,600 Speaker 1: in Spanish, it's way better me translating this English like 223 00:14:12,800 --> 00:14:15,360 Speaker 1: no is't not good. He says vivid as like ten times, 224 00:14:15,440 --> 00:14:18,040 Speaker 1: it's so bad. Bunny in the Puerto Rican accent is 225 00:14:18,080 --> 00:14:20,640 Speaker 1: just so good. And then of course Balvin jumps in 226 00:14:20,680 --> 00:14:23,280 Speaker 1: and then here's what he said. I am proud to 227 00:14:23,320 --> 00:14:26,320 Speaker 1: say I love that Bunny. We always seem to be 228 00:14:26,400 --> 00:14:29,000 Speaker 1: on the same wave limb as he likes what I like. 229 00:14:29,400 --> 00:14:32,880 Speaker 1: He's also all about celebrating our culture while remaining super humble. 230 00:14:33,160 --> 00:14:35,600 Speaker 1: Working with Beneatho again has been a musical joy. I 231 00:14:35,640 --> 00:14:38,000 Speaker 1: am blessed to not only call him my brother, but 232 00:14:38,120 --> 00:14:40,840 Speaker 1: now a partner on an album that has even become 233 00:14:40,920 --> 00:14:45,800 Speaker 1: a personal oasis. I just love how they really enjoy 234 00:14:45,840 --> 00:14:47,960 Speaker 1: each other's company, like you can just tell by what 235 00:14:48,000 --> 00:14:50,400 Speaker 1: they're saying like, and this is you know, when people 236 00:14:50,440 --> 00:14:53,720 Speaker 1: collaborate in different albums, they don't necessarily speak so highly 237 00:14:53,760 --> 00:14:57,280 Speaker 1: about one another, and here that's all they've been doing 238 00:14:57,600 --> 00:15:02,560 Speaker 1: the whole time. They have so much fun. When Oasses 239 00:15:02,640 --> 00:15:04,720 Speaker 1: came out, I liked it a lot. I thought the 240 00:15:04,760 --> 00:15:09,480 Speaker 1: songs were like fire. Now, looking back, I realize how 241 00:15:09,680 --> 00:15:13,840 Speaker 1: pivotal and impactful that album actually was. The fact that 242 00:15:13,880 --> 00:15:17,200 Speaker 1: we got that album from Jay Balvin and Bad Bunny. 243 00:15:17,720 --> 00:15:23,000 Speaker 1: It's like if Taylor Swift and Beyonce did an album 244 00:15:23,080 --> 00:15:27,040 Speaker 1: where they were co build together, it's absurd, like it 245 00:15:27,120 --> 00:15:29,960 Speaker 1: doesn't happen. So the fact that we had two huge 246 00:15:30,000 --> 00:15:33,560 Speaker 1: stars coming together and working together, that is why this 247 00:15:33,600 --> 00:15:37,880 Speaker 1: album is just fucking insanity. It is so good. I 248 00:15:37,920 --> 00:15:41,360 Speaker 1: listened to this all the time. La Cancion is so 249 00:15:41,480 --> 00:15:44,720 Speaker 1: relatable to me. It has that like slow jam vibes 250 00:15:44,800 --> 00:15:48,600 Speaker 1: to it. Mmmmmm and how many times have you been there? 251 00:15:48,760 --> 00:15:52,560 Speaker 1: Like in your car when like our song with your 252 00:15:52,600 --> 00:15:58,320 Speaker 1: Ex comes on and like transports to Joseph is going 253 00:15:58,320 --> 00:16:01,400 Speaker 1: through a breakup currently whatever. I'm not even going to 254 00:16:01,480 --> 00:16:05,640 Speaker 1: address it, but without a doubt, this collab upped Bad 255 00:16:05,680 --> 00:16:09,600 Speaker 1: Bunny's visibility and it also kept Jay Balvin at the 256 00:16:09,680 --> 00:16:13,280 Speaker 1: top of the charts. I said this earlier, but the 257 00:16:13,360 --> 00:16:17,960 Speaker 1: impact of this album is not something that we understood 258 00:16:18,000 --> 00:16:20,160 Speaker 1: in the moment. It's something that we can look back 259 00:16:20,200 --> 00:16:23,640 Speaker 1: on now and understand how pivotal it was. And there's 260 00:16:23,760 --> 00:16:25,800 Speaker 1: no way that I could sum up how important it is. 261 00:16:25,960 --> 00:16:29,000 Speaker 1: So I'm going to defer to Vulture, which wrote this 262 00:16:29,160 --> 00:16:32,600 Speaker 1: about Oasis. Oasis marks the first time that a pair 263 00:16:32,680 --> 00:16:35,480 Speaker 1: of Latin urbunal stars at the height of their careers 264 00:16:35,520 --> 00:16:38,240 Speaker 1: have teamed up for an album designed to shift the 265 00:16:38,280 --> 00:16:42,800 Speaker 1: tectonic plates of the global music industry. Beyond that, it's 266 00:16:42,840 --> 00:16:45,920 Speaker 1: the official long form union of two titans who have 267 00:16:46,000 --> 00:16:50,640 Speaker 1: defied the expectations and confines of Latin artistry by giving 268 00:16:50,680 --> 00:16:55,080 Speaker 1: an effective middle finger to the so called Anglo crossover model. 269 00:16:55,440 --> 00:16:59,400 Speaker 1: Dam I'm not even done. Yeah, yeah, I'm not even 270 00:16:59,480 --> 00:17:03,360 Speaker 1: done done. Let's go back. While some Latin artists have 271 00:17:03,360 --> 00:17:06,080 Speaker 1: had to mold their look in music to meet standards 272 00:17:06,200 --> 00:17:10,520 Speaker 1: formulated for the Anglo mainstream, I'm getting goosebumps. Bad Bunny 273 00:17:10,560 --> 00:17:15,280 Speaker 1: and Baldvin have shown that radically unique esthetics, highlighter colored hair, 274 00:17:15,359 --> 00:17:19,400 Speaker 1: painted nails, and eclectic wardrobe choices and sonic innovations sung 275 00:17:19,800 --> 00:17:26,040 Speaker 1: entirely in Spanish attract international audiences with magnetic intensity that 276 00:17:26,119 --> 00:17:29,320 Speaker 1: they represent different parts of Latin America and the Caribbean 277 00:17:29,600 --> 00:17:33,280 Speaker 1: makes Oassi's a broader symbol of Latin unity and evidence 278 00:17:33,280 --> 00:17:36,520 Speaker 1: of the role that Latin genres have had in mowing 279 00:17:36,560 --> 00:17:44,240 Speaker 1: down music's language and cultural lines. Okay, literally, damn, that's 280 00:17:44,240 --> 00:17:47,600 Speaker 1: all we needed to say. That's all. Moving on. Thank 281 00:17:47,640 --> 00:17:53,640 Speaker 1: you Vulture, thank you Jay and Bad Bunny. His commitment 282 00:17:53,720 --> 00:17:58,040 Speaker 1: to Puerto Rico didn't stop with Hurricane Maria. In twenty nineteen, 283 00:17:58,280 --> 00:18:01,320 Speaker 1: Benito dropped everything and went home to march in the 284 00:18:01,320 --> 00:18:06,680 Speaker 1: streets with his people. During the Rique Renuncia movement, thousands 285 00:18:06,720 --> 00:18:09,200 Speaker 1: and thousands of Puerto Ricans flooded the streets of San 286 00:18:09,280 --> 00:18:13,400 Speaker 1: Juan from July eighth to August twelve to Auspricardo Rosseo. 287 00:18:14,640 --> 00:18:17,840 Speaker 1: It all started after a series of messages from a 288 00:18:17,880 --> 00:18:22,800 Speaker 1: telegram chat between Rosseo and his clique were exposed. In 289 00:18:22,880 --> 00:18:25,720 Speaker 1: more than nine hundred pages of messages, the governor and 290 00:18:25,800 --> 00:18:30,879 Speaker 1: his inner circle insulted women, members of the LGBTQIA plus community, 291 00:18:31,240 --> 00:18:36,080 Speaker 1: including Ricky Martin, and even mocked victims of Hurricane Maria. 292 00:18:36,240 --> 00:18:39,520 Speaker 1: People were even calling this Ricky Leaks. It was an 293 00:18:39,680 --> 00:18:46,280 Speaker 1: escandalon artists like Bad Bunny Residente and Ricky Martin all 294 00:18:46,359 --> 00:18:50,919 Speaker 1: joined the protests in support of their fellow Hinte and 295 00:18:51,400 --> 00:18:53,960 Speaker 1: you know, my boy is all about the successes and 296 00:18:54,400 --> 00:18:59,560 Speaker 1: Ricky renuncion so Benito could get back to making those beats. Well, 297 00:18:59,720 --> 00:19:02,439 Speaker 1: right after a quick stop in Miami for the super Bowl, 298 00:19:04,320 --> 00:19:08,600 Speaker 1: like a no big deal. That year's Super Bowl was 299 00:19:08,680 --> 00:19:14,159 Speaker 1: in Miami, so you know they had to represent lack Wulguda, Jlo, Shakida, 300 00:19:14,400 --> 00:19:20,680 Speaker 1: Jay Balvin, and Bad Bunny. It's going to be insanity, Kane. 301 00:19:21,480 --> 00:19:24,040 Speaker 1: When they announced that Shakida and Jaylo were doing the 302 00:19:24,040 --> 00:19:26,959 Speaker 1: Super Bowl, I was like, no, what not because they 303 00:19:26,960 --> 00:19:30,639 Speaker 1: didn't deserve it, but just because I can't imagine a 304 00:19:30,680 --> 00:19:33,879 Speaker 1: bunch of white men at the NFL saying this is 305 00:19:33,920 --> 00:19:37,840 Speaker 1: a great idea. But then it was true. It was 306 00:19:38,040 --> 00:19:41,720 Speaker 1: Jlo and Chekida and all these other people, so I 307 00:19:41,720 --> 00:19:45,000 Speaker 1: couldn't really imagine how they were going to do it. Well, 308 00:19:45,280 --> 00:19:47,760 Speaker 1: here's the thing. We've got all the insight on the 309 00:19:47,800 --> 00:19:50,119 Speaker 1: Super Bowl when it comes to Shaki and Jlo, but 310 00:19:50,359 --> 00:19:53,320 Speaker 1: you're going to have to stay tuned for later episodes. 311 00:19:53,960 --> 00:19:57,600 Speaker 1: Let's go back to Bad Bunny because if I remember correctly, 312 00:19:58,200 --> 00:20:03,000 Speaker 1: Jay Balvin and Bad Bunny were surprise guests. Usually at 313 00:20:03,000 --> 00:20:06,480 Speaker 1: the Super Bowl there's always a surprise in the halftime show. Personally, 314 00:20:06,600 --> 00:20:08,560 Speaker 1: I thought it was going to be Pitbull. He's like 315 00:20:08,640 --> 00:20:11,720 Speaker 1: the mayor of Miami. He sings the hooks on all 316 00:20:11,720 --> 00:20:15,000 Speaker 1: the song and nothing against Pitbull, no shade Pitbull. I 317 00:20:15,040 --> 00:20:17,879 Speaker 1: love you, My mom loves you. I thought. At that moment, 318 00:20:17,920 --> 00:20:20,280 Speaker 1: I was like, you know what would be so good 319 00:20:20,840 --> 00:20:25,879 Speaker 1: is if they brought this current generation's music front and center. 320 00:20:26,000 --> 00:20:29,080 Speaker 1: And not that Jlo and Shikida aren't this generation's music, 321 00:20:29,240 --> 00:20:31,200 Speaker 1: but they were playing like their old bangers. I wanted 322 00:20:31,240 --> 00:20:33,680 Speaker 1: to hear the current bangers. I wanted to hear reggae Thorne. 323 00:20:33,760 --> 00:20:35,719 Speaker 1: I wanted to hear Bad Bunny and Jay Balvin. So 324 00:20:36,119 --> 00:20:40,320 Speaker 1: can you imagine my delight and surprise when out come 325 00:20:40,760 --> 00:20:44,640 Speaker 1: Jay and Bad Bunny. Can we just talk about what 326 00:20:44,680 --> 00:20:48,560 Speaker 1: Bad Bunny was wearing, Like, how many hundreds and thousands 327 00:20:48,600 --> 00:20:51,360 Speaker 1: of crystals really were on there? The fact that you're 328 00:20:51,359 --> 00:20:53,600 Speaker 1: asking me that, thinking that I don't actually know the 329 00:20:53,640 --> 00:20:56,840 Speaker 1: exact number as a style expert is pretty amazing. It 330 00:20:56,960 --> 00:21:02,080 Speaker 1: had thirteen thousand soroskik He was giving Shakida a run 331 00:21:02,160 --> 00:21:05,119 Speaker 1: for her money. He looked a little bit like the 332 00:21:05,240 --> 00:21:10,919 Speaker 1: tin Man, not gonna lie stop it. It was a 333 00:21:11,000 --> 00:21:13,600 Speaker 1: lot of silver. But the first thing I thought when 334 00:21:13,600 --> 00:21:16,399 Speaker 1: I saw his outfit was he's got to be so hot. 335 00:21:16,600 --> 00:21:20,120 Speaker 1: I was actually in Miami at the Super Bowl. Now 336 00:21:20,160 --> 00:21:22,440 Speaker 1: I didn't actually get to go to the game because 337 00:21:22,440 --> 00:21:23,920 Speaker 1: I had to fly home because I had to host 338 00:21:23,960 --> 00:21:27,320 Speaker 1: E News at seven am the next day, but I 339 00:21:27,400 --> 00:21:31,040 Speaker 1: remember how freaking hot it was in Miami that weekend. 340 00:21:31,160 --> 00:21:33,680 Speaker 1: And then there's Bad Bunny in a silver dow rag, 341 00:21:33,800 --> 00:21:37,720 Speaker 1: a silver, chunky knit turtleneck with a coat that probably 342 00:21:37,800 --> 00:21:40,440 Speaker 1: weighed ten thousand pounds. What a way to go out 343 00:21:40,480 --> 00:21:42,879 Speaker 1: with a bang, because that was the last time that 344 00:21:43,000 --> 00:21:46,680 Speaker 1: Bad Bunny performed on stage before the pandemic. That's right, 345 00:21:46,760 --> 00:21:50,840 Speaker 1: that was pretty much everyone's big last raw before COVID 346 00:21:50,960 --> 00:22:02,160 Speaker 1: came to take everything away. So post Super Bowl, Bad 347 00:22:02,200 --> 00:22:05,560 Speaker 1: Bunny was writing a big way that crashed right into 348 00:22:05,560 --> 00:22:08,960 Speaker 1: the Tonight Show starring Jimmy Fallon. On the show, he 349 00:22:09,080 --> 00:22:11,879 Speaker 1: hyped up the crowd by revealing the cover art for 350 00:22:12,280 --> 00:22:16,680 Speaker 1: y hlq MDLG and announcing it would be released just 351 00:22:16,960 --> 00:22:21,560 Speaker 1: two days later. When I said that title, Joseph, did 352 00:22:21,560 --> 00:22:24,040 Speaker 1: you catch it? No, I thought there was a glitch 353 00:22:24,040 --> 00:22:27,320 Speaker 1: in the matrix because you were just saying all these letters. Well, 354 00:22:27,359 --> 00:22:32,160 Speaker 1: apparently it wasn't just you. Jimmy Fallon was also very confused. 355 00:22:32,240 --> 00:22:34,359 Speaker 1: And now, of course we all know what it stands 356 00:22:34,359 --> 00:22:38,760 Speaker 1: for your Ago lagana. And what's amazing is that Bad 357 00:22:38,840 --> 00:22:42,280 Speaker 1: Bunny does this thing where he releases something it's great, 358 00:22:42,560 --> 00:22:45,280 Speaker 1: and then he upstages himself with a new project that 359 00:22:45,320 --> 00:22:50,320 Speaker 1: makes the old project, while great, look like nad that. 360 00:22:50,320 --> 00:22:55,160 Speaker 1: That was the case with your aga. The music was popping, 361 00:22:55,560 --> 00:22:59,600 Speaker 1: the video was a lock in. Everything about this era 362 00:22:59,800 --> 00:23:04,120 Speaker 1: was poppin and lock in. But something else happened that night. 363 00:23:06,440 --> 00:23:09,720 Speaker 1: During the performance of the Noorantez, Benetho paid tribute to 364 00:23:09,920 --> 00:23:13,600 Speaker 1: Alexa Negro Muciano, a transgender woman that was stocked and 365 00:23:13,720 --> 00:23:16,680 Speaker 1: murdered by three men in Puerto Rico. Singing with such 366 00:23:16,800 --> 00:23:19,960 Speaker 1: that night, on stage, Beneito opened his coat to reveal 367 00:23:20,000 --> 00:23:24,440 Speaker 1: a message written on his shirt. Mataron Alexa no an 368 00:23:24,560 --> 00:23:29,040 Speaker 1: mbre confalda translated to they killed Alexa, not a man 369 00:23:29,119 --> 00:23:33,359 Speaker 1: in a skirt. Bad Money made waves again by speaking up. 370 00:23:33,880 --> 00:23:37,080 Speaker 1: That's what he does. We don't know. I'm gonna correct 371 00:23:37,119 --> 00:23:46,879 Speaker 1: myself it's who he is. Now. Let's get into the album. 372 00:23:46,920 --> 00:23:52,720 Speaker 1: If people thought Porciempre was experimental, yhlq MDLG was out 373 00:23:52,760 --> 00:23:55,800 Speaker 1: of this world. It was a throwback to parties that 374 00:23:56,040 --> 00:23:58,720 Speaker 1: macasin as garage parties for those of you who aren't 375 00:23:58,760 --> 00:24:02,320 Speaker 1: in the No yea to and it was filled with 376 00:24:02,359 --> 00:24:05,439 Speaker 1: throwbacks to the early auts reggae thone, which of course 377 00:24:05,640 --> 00:24:10,400 Speaker 1: means tracks with Daddy, Yankee Joel and Mango Flow, among others. 378 00:24:10,800 --> 00:24:13,840 Speaker 1: But what critics loved most about the album was the 379 00:24:13,960 --> 00:24:17,879 Speaker 1: musical diversity and its mix of trap, rap and bassa 380 00:24:18,000 --> 00:24:22,679 Speaker 1: nova and it was the highest debuting all Spanish album ever. 381 00:24:23,880 --> 00:24:27,680 Speaker 1: Think of the impact ever in the history of music. 382 00:24:27,720 --> 00:24:29,920 Speaker 1: I don't even know how long they've been keeping musical 383 00:24:29,960 --> 00:24:34,520 Speaker 1: records for, however long that is, this all Spanish album 384 00:24:34,520 --> 00:24:38,800 Speaker 1: made the highest debut and when you listen to this album, 385 00:24:39,280 --> 00:24:42,800 Speaker 1: it's incredible. It's a treat for your ears. The way 386 00:24:42,840 --> 00:24:45,320 Speaker 1: that he did all of the videos for the album 387 00:24:45,520 --> 00:24:48,560 Speaker 1: are also really part of the impact of the album. 388 00:24:48,600 --> 00:24:51,640 Speaker 1: It's almost like the videos have to accompany the songs 389 00:24:51,640 --> 00:24:55,200 Speaker 1: and you have to digest the music and the visuals together. 390 00:24:55,720 --> 00:24:57,560 Speaker 1: It's art. That's the only way I can really explain it. 391 00:24:57,560 --> 00:25:00,360 Speaker 1: It's truly just art. Do you have a favorite song 392 00:25:00,400 --> 00:25:05,160 Speaker 1: off the album? I would pick because if you really 393 00:25:05,400 --> 00:25:08,119 Speaker 1: dig deep and look at the words about what he's saying, 394 00:25:08,240 --> 00:25:10,679 Speaker 1: he always has a message or like a mini story 395 00:25:10,720 --> 00:25:14,159 Speaker 1: in each one of these really upbeat songs. So I 396 00:25:14,160 --> 00:25:16,840 Speaker 1: think it really sparks an amazing conversation if you're really 397 00:25:16,840 --> 00:25:21,280 Speaker 1: into music like that to address mental health or your emotions. 398 00:25:21,600 --> 00:25:23,320 Speaker 1: I think a lot of times when people if you 399 00:25:23,359 --> 00:25:26,760 Speaker 1: don't know Bad Bunny or you're not understanding the lyrics, 400 00:25:26,760 --> 00:25:28,280 Speaker 1: you're not taking the time to look them up. I 401 00:25:28,320 --> 00:25:31,760 Speaker 1: think just on the surface, it all sounds like party 402 00:25:31,840 --> 00:25:34,440 Speaker 1: music and happy, but when you really get in your 403 00:25:34,720 --> 00:25:38,800 Speaker 1: feelings about the songs, you realize how powerful the lyrics are, 404 00:25:38,920 --> 00:25:41,879 Speaker 1: and like what a powerful lyricist he is as an artist. 405 00:25:42,400 --> 00:25:45,159 Speaker 1: For me, what also struck was the little boy in 406 00:25:45,200 --> 00:25:47,760 Speaker 1: all the videos. That little boy is the thread through 407 00:25:47,760 --> 00:25:50,880 Speaker 1: all the videos, and I actually thought the little boy 408 00:25:50,880 --> 00:25:55,240 Speaker 1: in the videos was a little Bad Bunny like represent him. Yes, 409 00:25:55,359 --> 00:25:58,240 Speaker 1: but he did an interview with Pitchfork he actually says 410 00:25:58,320 --> 00:26:01,520 Speaker 1: that that little boy could pretty much be any kid 411 00:26:01,600 --> 00:26:03,800 Speaker 1: growing up in the United States or Latin America. In 412 00:26:03,920 --> 00:26:06,240 Speaker 1: nineteen ninety nine. You know, he sees his parents fighting. 413 00:26:06,280 --> 00:26:08,240 Speaker 1: He spends his days in his bedroom, playing in Dundo 414 00:26:08,320 --> 00:26:11,560 Speaker 1: sixty four and listening to cassettes of his favorite artist, who, 415 00:26:11,560 --> 00:26:14,679 Speaker 1: of course happens to be Bad Bunny. Hello. But the 416 00:26:14,720 --> 00:26:17,679 Speaker 1: way he was able to link all of these songs 417 00:26:17,720 --> 00:26:21,000 Speaker 1: through this little boy's eyes and experience, it's just a 418 00:26:21,160 --> 00:26:24,919 Speaker 1: very cool way to do it. There is one video 419 00:26:25,359 --> 00:26:29,520 Speaker 1: that stands out. Wait, I know what you're going to say. 420 00:26:29,880 --> 00:26:40,200 Speaker 1: It's three words. Oh, I say it. I freaking love 421 00:26:40,400 --> 00:26:44,680 Speaker 1: that song, that video, that hair, that makeup. Now, if 422 00:26:44,840 --> 00:26:47,840 Speaker 1: you are just learning about Bad Bunny for the first 423 00:26:47,840 --> 00:26:51,800 Speaker 1: time on our episode, congratulations and welcome to the Bad 424 00:26:51,800 --> 00:26:55,560 Speaker 1: Bunny world. And if by chance you have not seen 425 00:26:55,640 --> 00:27:04,280 Speaker 1: the video for La Joseph, you better work. It is 426 00:27:04,359 --> 00:27:10,520 Speaker 1: absolutely amazing. The boots, the makeup, the hair, the breastplates. 427 00:27:10,760 --> 00:27:15,280 Speaker 1: Oh yes, Bad Bunny is in full on a door 428 00:27:15,760 --> 00:27:19,680 Speaker 1: rag serving looks. My favorite part of that video. We've 429 00:27:19,720 --> 00:27:23,400 Speaker 1: talked about this before, is when the flowers start bumping 430 00:27:23,440 --> 00:27:27,320 Speaker 1: and tworking next to the car. I literally I couldn't 431 00:27:27,359 --> 00:27:30,120 Speaker 1: take it. I was shook because I don't know. When 432 00:27:30,119 --> 00:27:31,920 Speaker 1: you're watching the video, you kind of just can't really 433 00:27:31,920 --> 00:27:34,000 Speaker 1: make out what's happening, and then they fully stand up 434 00:27:34,119 --> 00:27:37,040 Speaker 1: and they start twerking on the car next to him. 435 00:27:37,119 --> 00:27:40,440 Speaker 1: I was like, this is this is everything. That video 436 00:27:40,480 --> 00:27:42,720 Speaker 1: gives people life. Like you hear that about me, It's like, oh, 437 00:27:42,720 --> 00:27:45,480 Speaker 1: the song gives me life. No, that video gives me life. 438 00:27:45,480 --> 00:27:48,040 Speaker 1: And you know what that video gave beneath the life 439 00:27:48,119 --> 00:27:50,280 Speaker 1: in a new way. I think him being able to 440 00:27:50,320 --> 00:27:56,400 Speaker 1: express his feelings about gender norms and breaking through barriers 441 00:27:56,440 --> 00:27:58,720 Speaker 1: when it comes to gender norms all came through in 442 00:27:58,720 --> 00:28:01,919 Speaker 1: this video and video was perfect timing because it was 443 00:28:01,920 --> 00:28:06,320 Speaker 1: released under the album Yo Agua and if Bad Bunny 444 00:28:06,560 --> 00:28:10,240 Speaker 1: wants to be in a breastplate in drag red latex 445 00:28:10,440 --> 00:28:13,480 Speaker 1: boots to his thighs twerking it out for the whole 446 00:28:13,520 --> 00:28:17,080 Speaker 1: world on display, guess what, that's exactly what he did 447 00:28:17,080 --> 00:28:19,760 Speaker 1: in the video. Yeah, and you know, he was kind 448 00:28:19,760 --> 00:28:24,200 Speaker 1: of making it seem like he q feels like that girl, 449 00:28:24,640 --> 00:28:28,600 Speaker 1: you know, like he does he does, and the visuals 450 00:28:28,680 --> 00:28:32,080 Speaker 1: are so powerful, but the song and the words are 451 00:28:32,080 --> 00:28:34,320 Speaker 1: really powerful. And here's what he said about it. He said, 452 00:28:34,560 --> 00:28:36,520 Speaker 1: I wrote it from the perspective of a woman. I 453 00:28:36,560 --> 00:28:39,880 Speaker 1: wanted a woman's voice to sing it, because it doesn't 454 00:28:39,880 --> 00:28:41,800 Speaker 1: mean the same thing when a man sings it. But 455 00:28:41,880 --> 00:28:44,840 Speaker 1: I do feel like that woman sometimes. And even in 456 00:28:44,880 --> 00:28:47,920 Speaker 1: the final frame of the video, he denounces sexual harassment 457 00:28:47,960 --> 00:28:50,520 Speaker 1: of women and reads, if she doesn't want to dance 458 00:28:50,520 --> 00:28:58,160 Speaker 1: with you, respect her. She tworks alone. Y hlq md 459 00:28:58,360 --> 00:29:03,520 Speaker 1: LG became Spotify's streamed album globally in twenty twenty. Not 460 00:29:03,680 --> 00:29:08,560 Speaker 1: in Spain, not in Mexico or even Latin America. No 461 00:29:09,360 --> 00:29:14,360 Speaker 1: Bad Bunny success had no boundaries, Sin Barrera Henny, his 462 00:29:14,560 --> 00:29:20,400 Speaker 1: music is global. The world had zero chill when it 463 00:29:20,440 --> 00:29:24,280 Speaker 1: came to Bad Funny. He was the world's biggest pop star, 464 00:29:24,920 --> 00:29:28,120 Speaker 1: adored by fans and critics alike. But if you listen 465 00:29:28,160 --> 00:29:30,280 Speaker 1: to the last song of the album, he was also 466 00:29:30,320 --> 00:29:33,120 Speaker 1: ready to call it quits and go out while he 467 00:29:33,160 --> 00:29:36,520 Speaker 1: was on top. In that song, he says, in nine months, 468 00:29:36,520 --> 00:29:41,680 Speaker 1: I'll release another to retire calmly like Miguel Wait wait, wait, wait, wait, 469 00:29:41,840 --> 00:29:45,920 Speaker 1: Little tell me the truth. Did he retire? Well, Joseph, 470 00:29:46,120 --> 00:29:48,280 Speaker 1: you'll just have to listen to the next episode to 471 00:29:48,280 --> 00:29:52,800 Speaker 1: find out. You the next episode of Becoming an Icon, 472 00:29:53,720 --> 00:29:59,080 Speaker 1: Bad Bunny's retirement beneatho at the met Gala and when 473 00:29:59,280 --> 00:30:07,000 Speaker 1: Nana se d. Becoming an Icon is presented by Sonoro 474 00:30:07,120 --> 00:30:11,400 Speaker 1: and Ihearts Michael Kuda podcast Network. Listen to Becoming an 475 00:30:11,600 --> 00:30:15,680 Speaker 1: Icon on the iHeartRadio app, Apple podcast, or wherever you 476 00:30:15,840 --> 00:30:16,880 Speaker 1: get your podcast