1 00:00:00,040 --> 00:00:03,480 Speaker 1: First of all, you don't know me. We're all about 2 00:00:03,480 --> 00:00:06,320 Speaker 1: that high school drama. Girl drama girl, all about them 3 00:00:06,360 --> 00:00:08,959 Speaker 1: high school queens and forever. We'll take you for a 4 00:00:09,119 --> 00:00:12,720 Speaker 1: ride in our comic girl Cheering for the right drama 5 00:00:12,800 --> 00:00:17,080 Speaker 1: queens girl fashion. But you'll tough, girls, you could sit 6 00:00:17,120 --> 00:00:20,920 Speaker 1: with us. Girl Drama, Queen's Drawn, m Queen's DRAWNA Queen's Drama, 7 00:00:20,960 --> 00:00:25,720 Speaker 1: John mc Queen's Drama, Queen's You. Guys, we just finished 8 00:00:25,720 --> 00:00:29,640 Speaker 1: watching episode two. Places we have come to fear the most, Um, 9 00:00:30,920 --> 00:00:35,360 Speaker 1: I expect to be affected. Friends. We all cried at 10 00:00:35,400 --> 00:00:38,600 Speaker 1: the end. I know what you were saying, like during 11 00:00:38,640 --> 00:00:41,280 Speaker 1: the zoom, I mean when we were just watching the episode, Hillary, 12 00:00:41,320 --> 00:00:45,360 Speaker 1: you were saying that you you're it's you're really realizing 13 00:00:45,479 --> 00:00:48,400 Speaker 1: what it is that Um was capturing people's hearts, because 14 00:00:48,400 --> 00:00:49,720 Speaker 1: you know, at the time when we were on the show, 15 00:00:49,800 --> 00:00:52,000 Speaker 1: it's harder to it's harder to see because it's all 16 00:00:52,080 --> 00:00:55,560 Speaker 1: mixed in with everything that we're experiencing behind the scenes too. 17 00:00:56,240 --> 00:00:59,800 Speaker 1: So to just watch it back kind of pure, uh 18 00:01:00,600 --> 00:01:04,479 Speaker 1: with fresh eyes is um. I'm getting it too. I'm 19 00:01:04,560 --> 00:01:06,760 Speaker 1: starting to really get it. Yeah, And when you see 20 00:01:06,800 --> 00:01:09,720 Speaker 1: it put together, you know, edited just right, and the 21 00:01:09,920 --> 00:01:12,440 Speaker 1: music is just right, and it ends on that beautiful 22 00:01:12,480 --> 00:01:16,040 Speaker 1: Gavin Degrass song What's so emotional? And and then Lucas 23 00:01:16,160 --> 00:01:24,000 Speaker 1: turns and looks and says, your art matters again. Three 24 00:01:25,760 --> 00:01:28,839 Speaker 1: choked up who admitted at first it's what got in first, 25 00:01:29,160 --> 00:01:34,560 Speaker 1: I did. I'm such a crier. I just wow, I 26 00:01:34,720 --> 00:01:38,520 Speaker 1: feel crazy, I'm crying. But it was such a you know, 27 00:01:38,800 --> 00:01:41,400 Speaker 1: that's what was great about this show is that, like 28 00:01:41,560 --> 00:01:44,400 Speaker 1: we were saying before, where everything now in this um 29 00:01:44,880 --> 00:01:47,560 Speaker 1: genre is really heightened and high stakes and like that 30 00:01:47,760 --> 00:01:52,320 Speaker 1: Riverdale Vampire Diaries, like sort of high concept stuff, the 31 00:01:52,400 --> 00:01:54,680 Speaker 1: superheroes and all that, which is so great. I love 32 00:01:54,760 --> 00:01:58,040 Speaker 1: those shows. But but we what we don't have a 33 00:01:58,080 --> 00:02:01,600 Speaker 1: lot of right now is just um teenagers with an 34 00:02:01,640 --> 00:02:04,000 Speaker 1: attention span that can like sit and watch. I guess 35 00:02:04,040 --> 00:02:05,360 Speaker 1: maybe that's what it is. I don't know if it's 36 00:02:05,440 --> 00:02:07,280 Speaker 1: lack of content or if it's just the fact that 37 00:02:07,360 --> 00:02:10,400 Speaker 1: the world has changed, But it seems harder to sell 38 00:02:10,480 --> 00:02:12,480 Speaker 1: this kind of a show now that it did then. 39 00:02:12,560 --> 00:02:14,799 Speaker 1: But back then, like all you all you needed was 40 00:02:15,200 --> 00:02:19,320 Speaker 1: the very genuine, real um emotion of the human experience 41 00:02:19,400 --> 00:02:23,919 Speaker 1: and something that's simple of the struggle of somebody wanting answers, 42 00:02:24,680 --> 00:02:27,760 Speaker 1: and how they built it up the whole episode until 43 00:02:27,800 --> 00:02:31,120 Speaker 1: the end when it's just one small, vulnerable moment and 44 00:02:31,200 --> 00:02:33,600 Speaker 1: he just says that one thing to you, your art matters. 45 00:02:33,680 --> 00:02:35,639 Speaker 1: It's what got me here. You didn't have to say that, 46 00:02:35,720 --> 00:02:38,560 Speaker 1: but it was vulnerable, and it's exactly what every teenage 47 00:02:38,639 --> 00:02:41,120 Speaker 1: girl wants a cute boy to turn and say something 48 00:02:41,400 --> 00:02:44,120 Speaker 1: vulnerable and meaningful to her. I mean immediately I was 49 00:02:44,200 --> 00:02:47,160 Speaker 1: like sixteen again, like, oh my god, I just want 50 00:02:47,240 --> 00:02:50,280 Speaker 1: that well, And I think what's really interesting is it 51 00:02:50,320 --> 00:02:53,080 Speaker 1: in a way that that never goes away, right, Yeah, 52 00:02:53,240 --> 00:02:56,880 Speaker 1: y'all we grow up and then we realize inside of 53 00:02:56,960 --> 00:03:01,320 Speaker 1: us are still scared kids everything like this show. I 54 00:03:01,520 --> 00:03:04,959 Speaker 1: think so, maybe because one thing I will say is 55 00:03:05,680 --> 00:03:09,240 Speaker 1: I get what you mean. Like these high concept shows 56 00:03:09,280 --> 00:03:12,760 Speaker 1: have really evolved now, but people are still watching our show. 57 00:03:13,400 --> 00:03:16,519 Speaker 1: And I think it's because at the root of it, 58 00:03:17,080 --> 00:03:20,840 Speaker 1: it gave a bunch of people permission to be scared, 59 00:03:21,440 --> 00:03:25,959 Speaker 1: to be vulnerable, to beings, to feel feelings, and like, 60 00:03:26,120 --> 00:03:28,919 Speaker 1: no matter in what ways they might have been succeeding, 61 00:03:29,600 --> 00:03:32,079 Speaker 1: or or how good their lives were at home, or 62 00:03:32,200 --> 00:03:35,000 Speaker 1: perhaps how rough their lives were at home, they had 63 00:03:35,000 --> 00:03:39,240 Speaker 1: a place to come and feel vulnerable and feel like 64 00:03:39,360 --> 00:03:42,200 Speaker 1: they could take risks. You know, it's a risk to 65 00:03:42,280 --> 00:03:44,480 Speaker 1: turn around and look at the girl at the basketball 66 00:03:44,520 --> 00:03:47,200 Speaker 1: game and say that to her when her boyfriend is 67 00:03:47,240 --> 00:03:50,680 Speaker 1: standing over there. But but we took these risks to 68 00:03:50,800 --> 00:03:54,480 Speaker 1: be seen on screen, and I think so many people 69 00:03:54,720 --> 00:03:58,240 Speaker 1: crave that now. It's such a teeny tiny moment, and 70 00:03:58,440 --> 00:04:02,200 Speaker 1: I honestly like that line is the line that fans 71 00:04:02,280 --> 00:04:05,880 Speaker 1: say to me more than any other, and it is 72 00:04:06,080 --> 00:04:09,680 Speaker 1: ingrained in I have it embroidered from a fan, like 73 00:04:09,880 --> 00:04:12,560 Speaker 1: hanging up on a wall in my house. Um. And 74 00:04:12,680 --> 00:04:15,160 Speaker 1: it's to watch it back because I haven't seen it 75 00:04:15,440 --> 00:04:19,200 Speaker 1: since it aired is so weird because it's such a 76 00:04:19,240 --> 00:04:21,760 Speaker 1: small moment and it made such a big impact, And like, 77 00:04:22,000 --> 00:04:24,880 Speaker 1: I'm coming off of a weird weekend. I literally just 78 00:04:25,040 --> 00:04:27,880 Speaker 1: drove through my hometown and hung out with some friends 79 00:04:27,920 --> 00:04:32,880 Speaker 1: from high school and and shared all these like vulnerable 80 00:04:33,000 --> 00:04:36,880 Speaker 1: things with them that I didn't have the moxie or 81 00:04:37,839 --> 00:04:41,440 Speaker 1: um confidence to tell them when we were seventeen in 82 00:04:41,520 --> 00:04:44,880 Speaker 1: real life. So to watch these seventeen year olds on TV, 83 00:04:45,320 --> 00:04:47,200 Speaker 1: I mean, it could be us playing these people are 84 00:04:47,279 --> 00:04:50,360 Speaker 1: like total strangers. But just to watch these seventeen year 85 00:04:50,360 --> 00:04:54,920 Speaker 1: olds on TV like say things that are earnest, it's 86 00:04:54,960 --> 00:04:57,240 Speaker 1: everything you want to have the guts to say when 87 00:04:57,279 --> 00:05:00,719 Speaker 1: you're that age, but it's just so hard. It's shocking 88 00:05:00,880 --> 00:05:06,760 Speaker 1: to watch. Yeah, but in that moment on the court, 89 00:05:06,920 --> 00:05:09,440 Speaker 1: did it feel like a big Did you feel it 90 00:05:09,960 --> 00:05:12,880 Speaker 1: in that moment how powerful that was or only within 91 00:05:12,960 --> 00:05:15,800 Speaker 1: the storytelling that we're watching back. I think I was 92 00:05:15,880 --> 00:05:18,159 Speaker 1: so scared of the process of filmmaking while we were 93 00:05:18,240 --> 00:05:21,480 Speaker 1: doing it that everything to me was like, how do 94 00:05:21,600 --> 00:05:23,599 Speaker 1: I hit my mark, how do I find lens? How 95 00:05:23,640 --> 00:05:28,120 Speaker 1: do I do all these things? And and I joke 96 00:05:28,160 --> 00:05:30,520 Speaker 1: all the time about how at the time, like Chad, 97 00:05:30,760 --> 00:05:32,880 Speaker 1: I was so mean to Chad when we first started 98 00:05:32,920 --> 00:05:34,480 Speaker 1: doing the show. It's just like, don't even look at me, 99 00:05:34,600 --> 00:05:38,520 Speaker 1: You're just a dumb boy whatever, um, because I was 100 00:05:38,520 --> 00:05:43,560 Speaker 1: such a snarky little brat, and so watching it, I 101 00:05:43,800 --> 00:05:45,480 Speaker 1: have this joke where I'm like, I believe in the 102 00:05:45,560 --> 00:05:48,120 Speaker 1: power of the edit right where you can like do 103 00:05:48,200 --> 00:05:50,360 Speaker 1: a totally dorky scene, but when they lay some good 104 00:05:50,480 --> 00:05:52,920 Speaker 1: music on it, I mean, you know what I mean, 105 00:05:53,200 --> 00:05:56,840 Speaker 1: they piece it together. The end of that episode. I 106 00:05:57,000 --> 00:05:59,640 Speaker 1: believe in the power of that edit. They did a 107 00:05:59,720 --> 00:06:04,280 Speaker 1: really solid job making that feel like a punch in 108 00:06:04,320 --> 00:06:08,560 Speaker 1: the gut. Yeah, And when you watch it, you get 109 00:06:09,200 --> 00:06:11,160 Speaker 1: you get the narrative of the edit, you get the 110 00:06:11,320 --> 00:06:15,560 Speaker 1: melody of the episode. And when we're doing it, you know, 111 00:06:15,680 --> 00:06:18,760 Speaker 1: we're in the gym for eighteen hours that day. You're 112 00:06:18,800 --> 00:06:21,599 Speaker 1: not you're not conscious of it. And and it's funny, 113 00:06:21,839 --> 00:06:24,680 Speaker 1: you know, Joy, you were saying something earlier when we 114 00:06:24,800 --> 00:06:29,479 Speaker 1: were watching about how it's a blur for us because 115 00:06:29,560 --> 00:06:31,080 Speaker 1: we did it for so long and it was so 116 00:06:31,200 --> 00:06:34,040 Speaker 1: many years. And I did something and I don't know 117 00:06:34,080 --> 00:06:35,640 Speaker 1: if I told you guys this, and this was just 118 00:06:35,760 --> 00:06:39,800 Speaker 1: an averaging, but I went through and looked at, you know, 119 00:06:39,960 --> 00:06:42,440 Speaker 1: some time sheets and was like, okay, So if I 120 00:06:42,600 --> 00:06:45,200 Speaker 1: wanted to make an average of how many hours we 121 00:06:45,240 --> 00:06:48,599 Speaker 1: shot every episode, and then what that means over eighty 122 00:06:48,640 --> 00:06:52,880 Speaker 1: seven episodes, it means that from you guys starting the 123 00:06:53,000 --> 00:06:57,920 Speaker 1: pilot to us finishing episode, we filmed this show. The 124 00:06:58,080 --> 00:07:02,039 Speaker 1: conservative estimate is thirty five thousand hours of our lives. 125 00:07:03,320 --> 00:07:06,640 Speaker 1: What So that's why we don't remember anything, you guys. 126 00:07:07,839 --> 00:07:14,960 Speaker 1: So the cool thing is math I that French I 127 00:07:15,000 --> 00:07:17,400 Speaker 1: got the graph paper out, you know, like, this is 128 00:07:17,440 --> 00:07:19,520 Speaker 1: the way in which I'm like, this is why when 129 00:07:19,680 --> 00:07:21,720 Speaker 1: people asked me if Brooke Davis and I are similar, 130 00:07:21,800 --> 00:07:23,920 Speaker 1: I'm like, so in some ways we became similar and 131 00:07:23,960 --> 00:07:26,920 Speaker 1: in many ways not at all. I love math and 132 00:07:27,160 --> 00:07:31,000 Speaker 1: and I needed like a data point to understand why 133 00:07:31,120 --> 00:07:35,160 Speaker 1: I couldn't always remember things that fans were asking. And 134 00:07:35,520 --> 00:07:39,520 Speaker 1: I'm actually so excited to be here a because we 135 00:07:39,680 --> 00:07:41,280 Speaker 1: get to do this every week, and I get to 136 00:07:41,320 --> 00:07:44,240 Speaker 1: do these two of my favorite women and be because 137 00:07:44,720 --> 00:07:47,320 Speaker 1: now we're going to get to experience what they did, 138 00:07:47,480 --> 00:07:50,240 Speaker 1: because at the time, we never did even if we 139 00:07:50,360 --> 00:07:52,960 Speaker 1: saw an episode, even if there was like a big something, 140 00:07:53,080 --> 00:07:57,560 Speaker 1: we had a watch party. We were still filming thousands 141 00:07:57,640 --> 00:08:00,920 Speaker 1: of hours a year, and so now we're just gonna 142 00:08:01,000 --> 00:08:06,360 Speaker 1: like watch the show and just see the edits. Did 143 00:08:06,440 --> 00:08:08,760 Speaker 1: we ever have a watch party? The only watch party 144 00:08:08,760 --> 00:08:11,240 Speaker 1: I remember is Honey Grove, Texas, where we sat down 145 00:08:11,320 --> 00:08:12,960 Speaker 1: with some fans and watched the show. But did we 146 00:08:13,080 --> 00:08:18,960 Speaker 1: ever I remember one in uh somewhere in Landfalls Center. 147 00:08:19,080 --> 00:08:21,840 Speaker 1: I think there was some bar maybe that people met 148 00:08:21,920 --> 00:08:26,360 Speaker 1: up in to watch a finale or something. Yeah, I 149 00:08:26,400 --> 00:08:28,080 Speaker 1: think it was near the movie theater. I can't remember, 150 00:08:28,200 --> 00:08:31,760 Speaker 1: but yeah, what are those sports bars like that? I 151 00:08:31,840 --> 00:08:34,240 Speaker 1: don't know. See this, I won't remember, but rarely we 152 00:08:34,360 --> 00:08:37,520 Speaker 1: did that. But wait, let's talk about something that we 153 00:08:37,880 --> 00:08:41,320 Speaker 1: have to address, which is the introduction of Brooke Davis. 154 00:08:44,000 --> 00:08:48,840 Speaker 1: She came in cute with that little flippy hair. Now Rachel, 155 00:08:49,040 --> 00:08:52,760 Speaker 1: it was like the grown out Rachel that hair looked 156 00:08:52,760 --> 00:08:55,600 Speaker 1: back at it and I'm just like, wow, I didn't 157 00:08:55,880 --> 00:08:59,559 Speaker 1: I just didn't really know the hair was so it was. 158 00:09:00,040 --> 00:09:02,199 Speaker 1: I actually sort of find it charming because it is 159 00:09:02,360 --> 00:09:06,560 Speaker 1: very innocent and sweet and and but then the thing 160 00:09:06,640 --> 00:09:08,720 Speaker 1: that is so traumatic for me is that I'd plucked 161 00:09:08,760 --> 00:09:12,520 Speaker 1: out half of my eyebrows. Like, so you talk about this, 162 00:09:12,760 --> 00:09:15,559 Speaker 1: I love it. I love the skinny nineties brows. I 163 00:09:15,640 --> 00:09:18,839 Speaker 1: think there's a girl. I'm telling you. I think it's 164 00:09:19,160 --> 00:09:22,000 Speaker 1: very flattering. But also, like I'm Italian, I can't I 165 00:09:22,080 --> 00:09:24,559 Speaker 1: can't get rid of these. By the way, I'm so 166 00:09:24,800 --> 00:09:28,400 Speaker 1: lucky because they grew back when I stopped plucking them out. 167 00:09:28,640 --> 00:09:31,400 Speaker 1: And I'm very thankful to my mother and her mother 168 00:09:31,640 --> 00:09:35,880 Speaker 1: for that. Your eyebrow grabbing castor oil on my eyebrows. 169 00:09:37,720 --> 00:09:40,920 Speaker 1: So I remember when you showed up. I thought you 170 00:09:41,320 --> 00:09:44,439 Speaker 1: looked like Janine Turner. Is that Is that what I'm 171 00:09:44,480 --> 00:09:49,000 Speaker 1: thinking of exposure? Yes? Yes, because she had that cute mole, 172 00:09:49,720 --> 00:09:52,880 Speaker 1: have a cute mole, and I was like and also 173 00:09:53,000 --> 00:09:56,400 Speaker 1: just that kind of like sultry like raise one eyebrow, 174 00:09:56,960 --> 00:10:00,160 Speaker 1: give you that like side eye look. And I was like, Oh, 175 00:10:00,320 --> 00:10:04,640 Speaker 1: she's got that thing that Sherylyn Fenn has it too, 176 00:10:05,360 --> 00:10:09,360 Speaker 1: you know, like you you embodied those women who just 177 00:10:09,480 --> 00:10:12,600 Speaker 1: kind of had like a little bit of mystery to them. Um. 178 00:10:13,360 --> 00:10:15,400 Speaker 1: And it was such a good introduction to Brooke Davis 179 00:10:15,440 --> 00:10:19,640 Speaker 1: because she does she gives like such good cheerleading side eye. Man. 180 00:10:19,920 --> 00:10:23,280 Speaker 1: You were also exactly what the energy that the show needed. 181 00:10:23,320 --> 00:10:26,400 Speaker 1: I mean that they introduced Jake with the boys and 182 00:10:26,600 --> 00:10:28,280 Speaker 1: you with the with the girls and the Girl's Tea, 183 00:10:28,360 --> 00:10:31,480 Speaker 1: and it was like every everybody got a little we 184 00:10:31,559 --> 00:10:34,520 Speaker 1: have We'll talk more about Jake in a minute, but um, 185 00:10:35,120 --> 00:10:38,000 Speaker 1: I loved what you the energy that you brought. It 186 00:10:38,160 --> 00:10:41,400 Speaker 1: was like just bubbly and fun and but there was 187 00:10:41,480 --> 00:10:44,200 Speaker 1: a depth there which we saw when you were talking 188 00:10:44,280 --> 00:10:48,679 Speaker 1: about um, your future and you know, your fear and 189 00:10:48,760 --> 00:10:52,120 Speaker 1: we were saying um in when we were watching it. 190 00:10:52,200 --> 00:10:55,319 Speaker 1: We were talking with each other and saying that that 191 00:10:55,559 --> 00:10:59,160 Speaker 1: line about you know, I'll here's what's going to happen 192 00:10:59,679 --> 00:11:02,960 Speaker 1: un as I get fat. And it's like, I can 193 00:11:03,040 --> 00:11:05,520 Speaker 1: see how so many girls who went into audition would 194 00:11:05,520 --> 00:11:09,719 Speaker 1: have read that as like a funny line. But you know, 195 00:11:10,080 --> 00:11:14,439 Speaker 1: family talk about why you knew how to nail that line? Yeah, gosh, 196 00:11:14,520 --> 00:11:16,679 Speaker 1: I think because and we've we talked about this a 197 00:11:16,720 --> 00:11:19,080 Speaker 1: little bit. When we first got together to talk about 198 00:11:19,120 --> 00:11:22,440 Speaker 1: this um there was so much about Brooke I didn't 199 00:11:22,520 --> 00:11:26,000 Speaker 1: understand and that I couldn't relate to. And I I 200 00:11:26,160 --> 00:11:28,520 Speaker 1: was so scared to admit I didn't know. So I 201 00:11:29,000 --> 00:11:31,040 Speaker 1: like was desperately trying to figure it out. And so 202 00:11:31,200 --> 00:11:34,680 Speaker 1: the sultry cheerleader, I was like they they yes, side, 203 00:11:34,760 --> 00:11:36,600 Speaker 1: I was like, that's what they do. Like I never 204 00:11:36,679 --> 00:11:39,719 Speaker 1: held a fair of pomp bombs, you know. And and 205 00:11:40,000 --> 00:11:42,959 Speaker 1: and the interesting thing for me was those were the 206 00:11:43,040 --> 00:11:46,160 Speaker 1: things I had to find in her, and like her 207 00:11:46,280 --> 00:11:51,040 Speaker 1: boldness and and her her very over sort of sexiness 208 00:11:51,080 --> 00:11:57,400 Speaker 1: and stuff made me scared. But the the fear I 209 00:11:57,559 --> 00:12:01,839 Speaker 1: could understand because I was a raid. And then that 210 00:12:02,240 --> 00:12:07,800 Speaker 1: fear in particular I really understood because I'd seen girls 211 00:12:07,840 --> 00:12:11,040 Speaker 1: who were in families like that, families that said, you've 212 00:12:11,080 --> 00:12:12,719 Speaker 1: got to do this job, or you've got to be 213 00:12:12,800 --> 00:12:14,800 Speaker 1: in this pageant, or you need to do this, and 214 00:12:14,880 --> 00:12:17,000 Speaker 1: don't you ever gain an ounce, because then you'll never 215 00:12:17,080 --> 00:12:20,640 Speaker 1: get a man, and you'll And I watched girls wither 216 00:12:20,960 --> 00:12:23,160 Speaker 1: under that. I had a friend in high school who 217 00:12:23,679 --> 00:12:26,040 Speaker 1: had to go to rehab for an eating disorder because 218 00:12:26,080 --> 00:12:28,920 Speaker 1: she grew up in a family like that. And it 219 00:12:29,120 --> 00:12:32,520 Speaker 1: was heartbreaking and scary as a teenager to see a 220 00:12:32,640 --> 00:12:36,360 Speaker 1: friend go to the hospital, you know. And and so 221 00:12:36,640 --> 00:12:43,080 Speaker 1: for me that line, to not play it as a joke, 222 00:12:43,240 --> 00:12:47,280 Speaker 1: to play it as a deep seated fear, felt really 223 00:12:48,480 --> 00:12:52,599 Speaker 1: honest for things I'd seen before. That made all the 224 00:12:52,679 --> 00:12:55,480 Speaker 1: difference with your character. Well, did they ever talk to 225 00:12:55,559 --> 00:12:59,000 Speaker 1: you about the trajectory of Brooke, Like, did you know 226 00:12:59,360 --> 00:13:02,360 Speaker 1: that down the road Brooke Davis would become like the 227 00:13:02,559 --> 00:13:06,560 Speaker 1: voice of reason? No? No, no, I mean, my god, 228 00:13:06,679 --> 00:13:10,439 Speaker 1: I I thought in the beginning, And you know, we'll 229 00:13:10,480 --> 00:13:12,200 Speaker 1: get to it in the next episodes. But if our 230 00:13:12,320 --> 00:13:15,360 Speaker 1: if our o G fans are here, they've seen them before. Um, Like, 231 00:13:15,720 --> 00:13:18,079 Speaker 1: you know, I thought that the stunt in the back 232 00:13:18,120 --> 00:13:20,040 Speaker 1: seat of the car, which I think might be in 233 00:13:20,120 --> 00:13:22,920 Speaker 1: the episode after this was like a one time thing, 234 00:13:23,080 --> 00:13:27,440 Speaker 1: was a stunt. I didn't know that. You know, they 235 00:13:27,480 --> 00:13:29,800 Speaker 1: were really going to try to push me to behave 236 00:13:30,000 --> 00:13:33,720 Speaker 1: that way, to be this like outlandish girl. And now 237 00:13:33,800 --> 00:13:35,559 Speaker 1: it's funny because at the time I was like, this 238 00:13:35,720 --> 00:13:38,160 Speaker 1: is ridiculous and high school girls aren't promiscuous like this, 239 00:13:38,320 --> 00:13:40,280 Speaker 1: And now I'm like, who am I to call any 240 00:13:40,320 --> 00:13:43,520 Speaker 1: woman promiscuous? Rude? But you know, at the time, I 241 00:13:43,679 --> 00:13:46,439 Speaker 1: just was like, I don't know, and and you know, 242 00:13:46,720 --> 00:13:48,679 Speaker 1: years into the show, I think they were just like, 243 00:13:48,800 --> 00:13:51,920 Speaker 1: we're so sick of fighting with you that we're just 244 00:13:52,000 --> 00:13:56,080 Speaker 1: going to start to make her more like you, which 245 00:13:56,200 --> 00:13:59,719 Speaker 1: was fun. I won, and then there were there were like, 246 00:13:59,760 --> 00:14:03,560 Speaker 1: way is I got to be so bold? Like later 247 00:14:03,679 --> 00:14:06,200 Speaker 1: down the line, you know when I trashed that cafe 248 00:14:06,280 --> 00:14:09,800 Speaker 1: across from Karen's, Like I would never do that, but god, 249 00:14:09,880 --> 00:14:12,040 Speaker 1: don't you just fantasize about like walking in a room 250 00:14:12,080 --> 00:14:15,480 Speaker 1: and just shoving everything off a table? Like she felt 251 00:14:15,520 --> 00:14:17,719 Speaker 1: so free to me in ways that I never did. 252 00:14:17,800 --> 00:14:20,280 Speaker 1: But but yeah, I had no idea what she was 253 00:14:20,320 --> 00:14:23,880 Speaker 1: going to be. All they said to me was, you know, 254 00:14:23,960 --> 00:14:27,320 Speaker 1: we've got this show, and it's so good and everyone 255 00:14:27,880 --> 00:14:32,400 Speaker 1: everyone's dealing with sadness, and we need somebody who's really 256 00:14:33,520 --> 00:14:36,200 Speaker 1: happy and likes to mix it up. And I thought 257 00:14:36,840 --> 00:14:40,120 Speaker 1: when I read that line about I'll be you know, 258 00:14:40,240 --> 00:14:42,840 Speaker 1: successful and get everything I ever want unless I get fat, 259 00:14:43,560 --> 00:14:47,240 Speaker 1: I thought, Oh, that's the hint. That's a hint for 260 00:14:47,320 --> 00:14:50,000 Speaker 1: who she really is. Didn't you guys grow up hearing 261 00:14:50,120 --> 00:14:52,680 Speaker 1: like I'm going to go to college and get my mrs. 262 00:14:55,280 --> 00:14:57,480 Speaker 1: I knew. I knew girls who grew up in the 263 00:14:57,560 --> 00:15:00,160 Speaker 1: South who said that, I don't know what an mrs is. 264 00:15:00,480 --> 00:15:03,840 Speaker 1: I'm sorry, that's your degree. You're going to go to 265 00:15:03,920 --> 00:15:07,840 Speaker 1: college to whoever you're dating your senior year in college. 266 00:15:08,480 --> 00:15:10,640 Speaker 1: That's such a Southern thing to say. Yeah, I mean 267 00:15:10,680 --> 00:15:12,280 Speaker 1: where I grew up, it was like, oh, yeah, I'm 268 00:15:12,320 --> 00:15:14,360 Speaker 1: going here to get my mrs. You know, all the 269 00:15:14,440 --> 00:15:17,160 Speaker 1: engineers go to this school, all the architects go to 270 00:15:17,240 --> 00:15:19,320 Speaker 1: this school, all the lawyers go to this school. Yeah, 271 00:15:19,360 --> 00:15:22,720 Speaker 1: that's a very Southern and I guess like upper upper 272 00:15:23,160 --> 00:15:25,200 Speaker 1: echelon East Coast too, But I don't know that they'd 273 00:15:25,240 --> 00:15:29,320 Speaker 1: say it that way. I mean, the Rednecks still say it. Joy. Yeah, 274 00:15:30,400 --> 00:15:32,680 Speaker 1: I lived in Dallas till I was twelve. I should know. 275 00:15:32,840 --> 00:15:36,360 Speaker 1: That's how you get out of that lower that lower system. 276 00:15:36,440 --> 00:15:39,160 Speaker 1: You're like, I'm gonna go get my mrs. She got 277 00:15:39,200 --> 00:15:42,480 Speaker 1: into the state school. She's gonna do well. You know. 278 00:15:51,320 --> 00:15:53,880 Speaker 1: Think about the trajectory that Brooke took, though. That's so 279 00:15:54,080 --> 00:15:58,640 Speaker 1: interesting that you would start in that place of genuinely 280 00:15:59,240 --> 00:16:01,600 Speaker 1: like just being like all those other you know, the 281 00:16:01,840 --> 00:16:03,920 Speaker 1: example of all those other type of girls that you 282 00:16:04,080 --> 00:16:07,640 Speaker 1: are just talking about, um, which I hate saying anyway, 283 00:16:07,720 --> 00:16:10,880 Speaker 1: type of anything like the generalization. Everyone's obviously got all 284 00:16:10,920 --> 00:16:14,400 Speaker 1: their own individual struggles, but there is some sort of 285 00:16:14,920 --> 00:16:19,080 Speaker 1: collective community similarity in that way that she would have 286 00:16:19,200 --> 00:16:22,160 Speaker 1: come from. And to see her go from that too, 287 00:16:23,080 --> 00:16:27,640 Speaker 1: the incredibly empowered woman that she became, I mean, that's 288 00:16:27,800 --> 00:16:33,800 Speaker 1: such an interesting and heroic journey. I loved that I 289 00:16:33,920 --> 00:16:37,920 Speaker 1: did too, and I loved I loved that she made 290 00:16:37,920 --> 00:16:41,080 Speaker 1: it feel possible for so many people, and I loved 291 00:16:41,160 --> 00:16:47,320 Speaker 1: that she always found it with women. So many girls 292 00:16:47,360 --> 00:16:50,720 Speaker 1: are raised to seek validation from men, you know. And 293 00:16:50,800 --> 00:16:53,440 Speaker 1: I even think back to all of us being kids 294 00:16:53,560 --> 00:16:56,080 Speaker 1: and you know, trying to figure it out and be 295 00:16:56,240 --> 00:16:59,920 Speaker 1: in relationships while we were there, and that's how you 296 00:17:00,040 --> 00:17:02,840 Speaker 1: think you're a grown up, But really you grow up. 297 00:17:03,240 --> 00:17:06,280 Speaker 1: Really you find your people in the women in your 298 00:17:06,359 --> 00:17:10,280 Speaker 1: lives first and foremost. And you know, we've all been 299 00:17:10,320 --> 00:17:12,880 Speaker 1: together for a hell of a lot longer than most 300 00:17:12,920 --> 00:17:17,119 Speaker 1: of us have been with anybody else. You know, I've 301 00:17:17,160 --> 00:17:21,360 Speaker 1: been in my marriage exactly. And so then I was like, wait, 302 00:17:21,440 --> 00:17:22,920 Speaker 1: how long is a twelve? I was like trying to 303 00:17:22,960 --> 00:17:24,080 Speaker 1: do the math real quick in my head. I need 304 00:17:24,119 --> 00:17:26,119 Speaker 1: to write it down when I do it, um. But 305 00:17:26,840 --> 00:17:30,120 Speaker 1: I I thought that that was so special, like even 306 00:17:30,200 --> 00:17:33,960 Speaker 1: you talking about her trajectory. You know, Brooke launched her 307 00:17:34,080 --> 00:17:38,240 Speaker 1: business living with Haley. Brooke made decisions about her future 308 00:17:38,720 --> 00:17:43,720 Speaker 1: with Peyton, like I loved being able to despite so 309 00:17:43,920 --> 00:17:46,000 Speaker 1: many ways in which like a group of old men 310 00:17:46,200 --> 00:17:49,400 Speaker 1: writing for us made me say that teenage girls would 311 00:17:49,440 --> 00:17:52,240 Speaker 1: never say your poor name. Come on, we would never 312 00:17:54,680 --> 00:18:02,119 Speaker 1: as long as we're addressing, Wait, what your first pets 313 00:18:02,200 --> 00:18:05,360 Speaker 1: in your mother's maiden name? My first pet was Shepherd, 314 00:18:05,600 --> 00:18:08,440 Speaker 1: and my mom's maiden name is well, I can't tell 315 00:18:08,480 --> 00:18:11,000 Speaker 1: people my mother's maiden name. That's like questions at the 316 00:18:11,119 --> 00:18:14,240 Speaker 1: Social Security Office calls and asks you, wait, then, what 317 00:18:14,359 --> 00:18:16,959 Speaker 1: are our characters mother's maiden names. Do we know that? Well, 318 00:18:17,000 --> 00:18:19,119 Speaker 1: then we I just said mine, So you guys go, 319 00:18:19,400 --> 00:18:25,200 Speaker 1: oh yeah, mine's Bunny Regard. Well do you know Ellie's 320 00:18:25,200 --> 00:18:28,400 Speaker 1: maiden name? I don't know Victor Elli Harp it was Harp. Oh. 321 00:18:28,920 --> 00:18:30,800 Speaker 1: I don't think Peyton had a pet. I had a 322 00:18:30,880 --> 00:18:34,879 Speaker 1: dog named Misty. I feel like she would Misty Harp. 323 00:18:35,320 --> 00:18:39,719 Speaker 1: Misty Harp definitely got her. Mrs Misty Harp's out there. 324 00:18:39,720 --> 00:18:44,960 Speaker 1: I'm so sorry. I just want to, um, gosh, I 325 00:18:45,080 --> 00:18:49,680 Speaker 1: don't know that Victoria had a maiden name that I 326 00:18:49,800 --> 00:18:54,160 Speaker 1: was aware of. Um. But my our first dog's name 327 00:18:54,200 --> 00:18:56,520 Speaker 1: was Bouncer because my mom could make that. He was 328 00:18:56,600 --> 00:19:05,960 Speaker 1: from Bodyguard. So Bouncer Davis is kind of hideous. Usual. 329 00:19:07,280 --> 00:19:12,119 Speaker 1: I just see boobs everywhere, but totally not something that 330 00:19:12,200 --> 00:19:18,560 Speaker 1: a teenage girl would talk about. You handled the naughty talk, baby. Why. 331 00:19:18,880 --> 00:19:21,800 Speaker 1: Here's why I had to because, oh my gosh, wait, guys, 332 00:19:21,920 --> 00:19:25,720 Speaker 1: you have a producer. It's Victorian Montgomery. See, this is 333 00:19:25,800 --> 00:19:27,760 Speaker 1: why we have people helping us make this show, because 334 00:19:27,760 --> 00:19:30,159 Speaker 1: they know the things we don't. So Bouncer Montgomery is 335 00:19:30,200 --> 00:19:35,480 Speaker 1: even worse. Yeah, it sounds like an old like Southern gothic. 336 00:19:35,720 --> 00:19:42,200 Speaker 1: Oh my god, William Faulkner character, But go back, go back, 337 00:19:42,240 --> 00:19:45,159 Speaker 1: because you're right, you know, Mail. The reason why I 338 00:19:45,320 --> 00:19:48,399 Speaker 1: had to was, I mean, it's definitely something that I 339 00:19:48,440 --> 00:19:52,119 Speaker 1: would have said something about, like I don't wanna you know, 340 00:19:52,400 --> 00:19:54,480 Speaker 1: why are we talking about this. That's not something teenage 341 00:19:54,480 --> 00:19:58,080 Speaker 1: girls would talk about. And I was also really conservative 342 00:19:58,160 --> 00:20:01,080 Speaker 1: and at the time and just very you know at 343 00:20:01,119 --> 00:20:08,040 Speaker 1: the time at the time. We'll take more about where 344 00:20:08,119 --> 00:20:12,200 Speaker 1: you are now after the show. Um, but look, I 345 00:20:12,280 --> 00:20:14,560 Speaker 1: mean when I joined the show, I was told, in 346 00:20:14,680 --> 00:20:18,240 Speaker 1: no uncertain terms, this show is about geting and sucking. 347 00:20:20,040 --> 00:20:27,240 Speaker 1: I can't believe said that to you. Almost spit what 348 00:20:28,640 --> 00:20:31,720 Speaker 1: it was, like, you, she's going to be prude, she 349 00:20:31,840 --> 00:20:35,920 Speaker 1: needs she can't be on this show. And it was 350 00:20:36,040 --> 00:20:39,119 Speaker 1: just so outrageous. So anyway, so I knew that, you know, 351 00:20:39,280 --> 00:20:42,440 Speaker 1: like I was going to have to like, you know, 352 00:20:42,600 --> 00:20:45,119 Speaker 1: I knew my character, so I wasn't concerned that my 353 00:20:45,280 --> 00:20:46,960 Speaker 1: character was like going to go in a direction that 354 00:20:47,080 --> 00:20:49,280 Speaker 1: I would have felt compromised in or whatever. So I 355 00:20:49,400 --> 00:20:50,600 Speaker 1: was like, OK, I think you were going to wind 356 00:20:50,680 --> 00:20:53,800 Speaker 1: up naked in a back seat. I didn't like if 357 00:20:53,840 --> 00:20:57,280 Speaker 1: it was on too that's right, I'm going to sing 358 00:20:57,359 --> 00:21:01,560 Speaker 1: you a song. Tell Yeah. So when that line showed 359 00:21:01,600 --> 00:21:03,399 Speaker 1: up in the script, I was like, Okay, I'm just 360 00:21:03,480 --> 00:21:06,400 Speaker 1: gonna I'm just gonna pardon the fun I'm gonna suck 361 00:21:06,440 --> 00:21:15,160 Speaker 1: it up, and uh, oh my god, it writes oh 362 00:21:15,320 --> 00:21:20,520 Speaker 1: my god. Yeah, so that's where that came from anyway. 363 00:21:20,640 --> 00:21:22,760 Speaker 1: But by the way, two episodes in a row, now 364 00:21:23,359 --> 00:21:28,080 Speaker 1: Hayley's making comparisons to Dawson and Joey because you say 365 00:21:28,280 --> 00:21:31,879 Speaker 1: it's Dawson's freak, Like, did you think that Hayley and 366 00:21:32,000 --> 00:21:34,639 Speaker 1: Lucas were hooking up in the show? I did. I 367 00:21:34,720 --> 00:21:38,200 Speaker 1: thought for sure, same. Yeah, I think that's what they 368 00:21:38,240 --> 00:21:41,400 Speaker 1: were originally going for. But Chad and I had no chemistry, 369 00:21:41,680 --> 00:21:46,560 Speaker 1: so it just didn't work. Yeah. I mean I kind 370 00:21:46,600 --> 00:21:49,560 Speaker 1: of felt that way with James because when I met 371 00:21:49,680 --> 00:21:52,840 Speaker 1: James on the pilot, like we went out with our parents, 372 00:21:53,400 --> 00:21:58,320 Speaker 1: you know, and like we were buddies, and I I 373 00:21:58,440 --> 00:22:00,800 Speaker 1: also was like such a proof that I hadn't like 374 00:22:01,000 --> 00:22:05,040 Speaker 1: really kissed that many people in real life, So you know, 375 00:22:05,480 --> 00:22:08,560 Speaker 1: kissing kissing James on the show was like weird and 376 00:22:08,680 --> 00:22:13,800 Speaker 1: that was hot and heavy. In the backseats they shot 377 00:22:13,880 --> 00:22:16,480 Speaker 1: that scene multiple times because they realized that neither one 378 00:22:16,520 --> 00:22:19,560 Speaker 1: of us that ever kissed on television before, right, so, 379 00:22:19,840 --> 00:22:24,800 Speaker 1: which means like neither one of us had been being directed. 380 00:22:25,280 --> 00:22:27,159 Speaker 1: The very first scene that you ever have to like, 381 00:22:27,320 --> 00:22:32,359 Speaker 1: hook up is the weirdest thing ever because it's not real. 382 00:22:32,720 --> 00:22:35,280 Speaker 1: So you're like, oh, no tongue, no tongue. Is this 383 00:22:35,359 --> 00:22:39,000 Speaker 1: a conversation? We need to have hands? Where those go? 384 00:22:39,840 --> 00:22:42,399 Speaker 1: And you're a teenager, you're so awkward talking about your 385 00:22:42,400 --> 00:22:45,159 Speaker 1: body or kissing anybody in the first place. And I 386 00:22:45,400 --> 00:22:48,000 Speaker 1: was twenty one and James was seventeen, and there was 387 00:22:48,040 --> 00:22:50,440 Speaker 1: a legality thing in the back of my mind where 388 00:22:50,480 --> 00:22:54,480 Speaker 1: I'm like, God, am I going to prison? Like home men? 389 00:22:55,359 --> 00:22:57,000 Speaker 1: So there was just so much going on, and there's 390 00:22:57,080 --> 00:22:59,520 Speaker 1: forty people staying around and you're shooting it at four 391 00:22:59,560 --> 00:23:01,800 Speaker 1: o'clock in morning and everybody just wants to go home, 392 00:23:01,840 --> 00:23:04,280 Speaker 1: and you're like, god damn, it just kissed me the 393 00:23:04,280 --> 00:23:05,720 Speaker 1: way we're spposed to kiss and like I don't need 394 00:23:05,800 --> 00:23:07,280 Speaker 1: to do and you're supposed to know what to do. 395 00:23:07,359 --> 00:23:09,159 Speaker 1: I don't know what to do. Yeah, They're like, run 396 00:23:09,240 --> 00:23:12,119 Speaker 1: your hand up her leg and he's probably okay, Can 397 00:23:12,160 --> 00:23:15,119 Speaker 1: I don't joy. They did a whole series of inserts 398 00:23:15,200 --> 00:23:17,840 Speaker 1: of just his hands on different body parts of mine, 399 00:23:18,480 --> 00:23:20,280 Speaker 1: and I'm just thinking, like, did I put lotion on? 400 00:23:20,520 --> 00:23:24,119 Speaker 1: Did I shave? Are we supposed to shave from the 401 00:23:24,200 --> 00:23:26,480 Speaker 1: knee up now? Because I've been one of those girls 402 00:23:26,520 --> 00:23:28,960 Speaker 1: who like, you were a slut if you shaved from 403 00:23:29,000 --> 00:23:31,119 Speaker 1: the knee up, you know. And I don't think it 404 00:23:31,200 --> 00:23:32,920 Speaker 1: until I joined the show that I was like, oh, yeah, 405 00:23:32,920 --> 00:23:36,080 Speaker 1: I guess I should do that. When they start doing 406 00:23:36,160 --> 00:23:40,200 Speaker 1: insert work on your thigh, god yeah, And it was 407 00:23:40,280 --> 00:23:45,520 Speaker 1: just that was so um traumatic and oh my god. 408 00:23:45,600 --> 00:23:47,760 Speaker 1: I never I didn't think about this until just now. 409 00:23:48,440 --> 00:23:50,119 Speaker 1: You know what made me realize that James was like 410 00:23:50,160 --> 00:23:54,120 Speaker 1: a child is that we did this like a whole 411 00:23:54,200 --> 00:23:55,800 Speaker 1: take of kissing and it went on and on and 412 00:23:55,840 --> 00:23:58,240 Speaker 1: on and on, and I'm like, somebody cut, somebody will cut. 413 00:23:58,320 --> 00:24:02,280 Speaker 1: This is so uncomfortable. And finally they yell cut and 414 00:24:02,440 --> 00:24:08,440 Speaker 1: James goes sorg and I was like, what I said, Sorg, 415 00:24:08,800 --> 00:24:12,480 Speaker 1: I remember what is sword? And he goes gross backwards 416 00:24:13,040 --> 00:24:21,359 Speaker 1: and you made T shirts, Hillary, I did sure teenage 417 00:24:22,040 --> 00:24:28,080 Speaker 1: a literal teenager. Sorg kissing you is sorg kissing you 418 00:24:28,520 --> 00:24:33,960 Speaker 1: sord right now. Oh my god, it was gross. Guys. Sorry, 419 00:24:34,320 --> 00:24:38,200 Speaker 1: Oh my god, that's so funny. God, I was jealous 420 00:24:38,200 --> 00:24:40,920 Speaker 1: because I was like all the Joy's kisses with James 421 00:24:41,040 --> 00:24:46,240 Speaker 1: seemed really like like passionate and really like gentle and loving, 422 00:24:46,359 --> 00:24:49,280 Speaker 1: and James and I like we were like two um 423 00:24:49,480 --> 00:24:55,560 Speaker 1: cobras just biting each other. They really captured the teenage 424 00:24:55,600 --> 00:24:58,919 Speaker 1: hormones each other. Is this how we do it? Smash 425 00:24:59,000 --> 00:25:01,879 Speaker 1: your face against my come on, let's head about each other, 426 00:25:02,119 --> 00:25:07,120 Speaker 1: chip our teeth. But interestingly, it feels so authentic for sure, 427 00:25:07,600 --> 00:25:10,840 Speaker 1: Like so much of what was so special about the 428 00:25:10,920 --> 00:25:14,439 Speaker 1: show is how authentic things felt and how honest they 429 00:25:14,480 --> 00:25:17,440 Speaker 1: were and like unpolished. Who was your first kiss in 430 00:25:17,520 --> 00:25:23,200 Speaker 1: real life? Sophia go, no, you go okay, my first bread? 431 00:25:24,520 --> 00:25:26,359 Speaker 1: I mean I had like a there was there was 432 00:25:26,480 --> 00:25:30,120 Speaker 1: like a summer camp kiss with this really tall, green 433 00:25:30,200 --> 00:25:36,439 Speaker 1: eyed Spanish boy was very tall and and like chubby 434 00:25:36,680 --> 00:25:40,639 Speaker 1: and just super like like a big like a linebacker. 435 00:25:41,160 --> 00:25:42,800 Speaker 1: And he kissed me out on the ropes course at 436 00:25:42,840 --> 00:25:46,399 Speaker 1: summer camp. But there was no tongue. There was no tongue. 437 00:25:46,440 --> 00:25:49,280 Speaker 1: It was just limps and it was it was a 438 00:25:49,359 --> 00:25:51,560 Speaker 1: smooth but it was like slow and sweet. But then 439 00:25:51,640 --> 00:25:54,520 Speaker 1: my French kiss, my first French kiss was this boy 440 00:25:55,880 --> 00:25:59,200 Speaker 1: and we were in his basement and he kissed me, 441 00:25:59,280 --> 00:26:03,680 Speaker 1: but he licked all the outside of my mouth. It 442 00:26:03,800 --> 00:26:05,400 Speaker 1: was like, I don't I guess neither of us knew 443 00:26:05,440 --> 00:26:07,600 Speaker 1: what I definitely know. I was like, I feel like 444 00:26:07,680 --> 00:26:09,359 Speaker 1: this is not the way it's supposed to be done. 445 00:26:12,200 --> 00:26:18,119 Speaker 1: There's not video evidence of that. Oh man, oh no, 446 00:26:19,080 --> 00:26:21,200 Speaker 1: I will say and I will never tell you who. 447 00:26:21,760 --> 00:26:24,320 Speaker 1: But I had one of the most aggressive and inappropriate 448 00:26:24,440 --> 00:26:28,399 Speaker 1: kisses I've ever had on camera on our show What 449 00:26:30,560 --> 00:26:33,040 Speaker 1: About You know what it is? I feel like joy 450 00:26:33,080 --> 00:26:36,080 Speaker 1: I've told you this, but I will never reveal to 451 00:26:36,160 --> 00:26:40,520 Speaker 1: the audience. But I was bitten by someone. Oh that's 452 00:26:40,720 --> 00:26:44,760 Speaker 1: right on our show. And when I said for the 453 00:26:44,800 --> 00:26:47,680 Speaker 1: whole time now, and I don't think that take made 454 00:26:47,720 --> 00:26:49,560 Speaker 1: it because I hit him. I mean I didn't like 455 00:26:49,640 --> 00:26:51,119 Speaker 1: hit him in the face. I just like shoved him 456 00:26:51,160 --> 00:26:53,399 Speaker 1: back because it really hurt. And I said, what are 457 00:26:53,440 --> 00:26:56,720 Speaker 1: you doing? And he goes, I'm being sexy and I 458 00:26:56,880 --> 00:27:01,760 Speaker 1: was like, it's not sexy like I'm being There has 459 00:27:01,840 --> 00:27:04,800 Speaker 1: to be like somewhere there's probably that in an outtake 460 00:27:04,880 --> 00:27:06,359 Speaker 1: and for his sake, I hope it doesn't come out, 461 00:27:06,400 --> 00:27:08,520 Speaker 1: because like I don't want to ruin his future prospects. 462 00:27:08,920 --> 00:27:12,280 Speaker 1: But oh man, I was like, you need to talk 463 00:27:12,359 --> 00:27:16,920 Speaker 1: to someone about this, and don't bite my face again, sir. 464 00:27:17,400 --> 00:27:19,760 Speaker 1: Sexual activity is such a luck of the draw thing 465 00:27:19,960 --> 00:27:21,959 Speaker 1: as you grow up in life, like who you end 466 00:27:22,040 --> 00:27:25,840 Speaker 1: up being able to kiss? Yeah exactly. I mean that 467 00:27:26,320 --> 00:27:28,720 Speaker 1: it makes a big difference. Hillary, who do you kiss 468 00:27:28,800 --> 00:27:32,240 Speaker 1: for the first time? Well, my first like prude kiss, um, 469 00:27:32,840 --> 00:27:38,400 Speaker 1: no tongue kiss, that's the differentiation. Tongue no, Yeah, exactly, first, 470 00:27:38,480 --> 00:27:41,480 Speaker 1: no tongue kiss. I'm doing the Music Man in fifth 471 00:27:41,520 --> 00:27:44,560 Speaker 1: grade and there's a sixth grade boy who has really 472 00:27:44,640 --> 00:27:49,080 Speaker 1: good hair and it's a very good dresser and in 473 00:27:49,160 --> 00:27:51,440 Speaker 1: the play with you, totally in the play with me, 474 00:27:52,800 --> 00:27:55,000 Speaker 1: and it is such a babe, and we get along 475 00:27:55,080 --> 00:27:57,359 Speaker 1: and we like all the same things. And so I 476 00:27:57,720 --> 00:28:02,200 Speaker 1: google him as an adult and he is a hairdresser 477 00:28:02,400 --> 00:28:06,440 Speaker 1: and a flight attendant now and he definitely, um is gay. 478 00:28:07,000 --> 00:28:14,920 Speaker 1: And I feel so like flattered that he thought I 479 00:28:15,119 --> 00:28:17,800 Speaker 1: was worth kissing in my super awkward years. Like it 480 00:28:17,920 --> 00:28:19,480 Speaker 1: was one of those things that I was like, oh 481 00:28:19,600 --> 00:28:24,480 Speaker 1: my God, of course, like yes, our energies were very 482 00:28:24,640 --> 00:28:26,800 Speaker 1: but also that's been a common theme in my life 483 00:28:26,880 --> 00:28:30,520 Speaker 1: ever since, you know. Um, and then tongue kiss was 484 00:28:31,000 --> 00:28:34,439 Speaker 1: I had started dating a really bad boy in high school, 485 00:28:34,480 --> 00:28:38,320 Speaker 1: like a bad and I was not a bad girl. 486 00:28:38,880 --> 00:28:42,760 Speaker 1: And he, I guess that's like the chicken dated before me, 487 00:28:42,960 --> 00:28:45,720 Speaker 1: like had a kid and stuff. Like he was definitely 488 00:28:45,840 --> 00:28:49,120 Speaker 1: is actually active, and I wouldn't kiss him for like 489 00:28:49,360 --> 00:28:54,040 Speaker 1: eight months, Like I was like, no, I'd like peck him, 490 00:28:54,280 --> 00:28:56,600 Speaker 1: but I was like, if you put your tongue in 491 00:28:56,720 --> 00:28:59,480 Speaker 1: my mouth, I'm a whore, Like that's it, it's over. 492 00:29:00,360 --> 00:29:06,120 Speaker 1: And so finally homecoming night we went to homecoming, we 493 00:29:06,320 --> 00:29:10,400 Speaker 1: come home, he's dropping me off. I finally like lean 494 00:29:10,560 --> 00:29:13,000 Speaker 1: over and he puts his tongue in my mouth, and 495 00:29:13,120 --> 00:29:16,040 Speaker 1: it's like he's a very he's very experienced and he's 496 00:29:16,040 --> 00:29:19,440 Speaker 1: a very good kisser. And all of a sudden, the 497 00:29:19,640 --> 00:29:23,640 Speaker 1: brights of my dad's truck flip on behind us, and 498 00:29:23,720 --> 00:29:28,040 Speaker 1: I'm just like, of course, of course, of course. Um 499 00:29:28,600 --> 00:29:32,000 Speaker 1: yeah it was you know, it was like sitcom. I'm 500 00:29:32,080 --> 00:29:35,200 Speaker 1: just like, thanks dead. Finally you ruin into my moment. 501 00:29:35,440 --> 00:29:38,360 Speaker 1: You ruined my tonk is dead. Sophia who are you 502 00:29:38,400 --> 00:29:41,400 Speaker 1: stuck in face with Oh man, it's so sweet. My 503 00:29:42,320 --> 00:29:46,240 Speaker 1: my first no tongue kiss and my first frensh kiss. 504 00:29:47,000 --> 00:29:51,160 Speaker 1: We're with the same person, no are you? Yeah? Yeah? 505 00:29:51,680 --> 00:29:53,560 Speaker 1: You guys my high school sweetheart until the end of 506 00:29:53,600 --> 00:29:55,160 Speaker 1: my junior year in high school. It was my best 507 00:29:55,200 --> 00:29:57,440 Speaker 1: friend from summer camp since I was nine. My god, 508 00:29:58,280 --> 00:30:01,880 Speaker 1: like the sweetest little bunny, just the best person, the 509 00:30:01,960 --> 00:30:05,360 Speaker 1: best person. And I feel so I feel like, on 510 00:30:05,480 --> 00:30:08,640 Speaker 1: the one hand, so lucky, and on the other hand, 511 00:30:08,680 --> 00:30:10,640 Speaker 1: I'm like, you were so nice that you made me 512 00:30:10,720 --> 00:30:14,280 Speaker 1: so naive in the world. God damn it. I just 513 00:30:14,440 --> 00:30:16,960 Speaker 1: had no idea. But yeah, I don't know. It was 514 00:30:17,080 --> 00:30:20,520 Speaker 1: just like so lovely. It was a sweet way to 515 00:30:20,640 --> 00:30:23,240 Speaker 1: kind of grow up and like fall in love and 516 00:30:23,320 --> 00:30:26,720 Speaker 1: have it last for so long. And I remember when 517 00:30:26,800 --> 00:30:29,640 Speaker 1: we were just like we've been together for so long 518 00:30:29,840 --> 00:30:33,760 Speaker 1: and we'd never experienced anything else, And um, I mean, 519 00:30:33,800 --> 00:30:36,760 Speaker 1: did you think you were going to get married? Oh? 520 00:30:38,800 --> 00:30:40,640 Speaker 1: You were? I was like, I was the Haley James. 521 00:30:40,800 --> 00:30:43,760 Speaker 1: I was like, this is it. And I also think 522 00:30:43,800 --> 00:30:45,760 Speaker 1: back and I'm like that sweet teenage boy who never 523 00:30:45,840 --> 00:30:48,640 Speaker 1: pressured me into having sex with him, who just was like, 524 00:30:48,680 --> 00:30:52,760 Speaker 1: it's okay that you're not ready, like literally for years, 525 00:30:53,000 --> 00:30:55,760 Speaker 1: for almost a decade. My god, when you consider the 526 00:30:55,840 --> 00:30:57,400 Speaker 1: fact that we like fell in love and hell to 527 00:30:57,480 --> 00:31:00,760 Speaker 1: hands at summer camp at nine. Um, you know, we 528 00:31:00,880 --> 00:31:06,760 Speaker 1: broke up when we were sixteen, and I remember just 529 00:31:07,120 --> 00:31:10,480 Speaker 1: being devastated. I remember laying on the floor, like the 530 00:31:10,880 --> 00:31:14,760 Speaker 1: cold tile floor of the bathroom, just sobbing because I 531 00:31:14,880 --> 00:31:16,720 Speaker 1: was like, Okay, I don't know how this has happened, 532 00:31:16,840 --> 00:31:18,960 Speaker 1: and I know it was right, but what's going on? 533 00:31:19,240 --> 00:31:22,320 Speaker 1: And I went to school and I had told my 534 00:31:22,440 --> 00:31:26,440 Speaker 1: best friend and when I like walked into school, she 535 00:31:26,560 --> 00:31:28,880 Speaker 1: came to meet me. And we walked in and everyone 536 00:31:28,960 --> 00:31:30,480 Speaker 1: was like, oh my god, what happened? Because I think 537 00:31:30,520 --> 00:31:33,959 Speaker 1: I looked really sad. And she said she looked at 538 00:31:34,000 --> 00:31:35,520 Speaker 1: two of the girls we were friends with, and she goes, 539 00:31:35,600 --> 00:31:37,800 Speaker 1: the couple of the century just broke up and said 540 00:31:38,040 --> 00:31:41,440 Speaker 1: we heard about Brad Pitton Jennifer Aniston and they were like, no, 541 00:31:41,760 --> 00:31:46,320 Speaker 1: you ding Dons or Brad and Gwyneth back then actually yeah, 542 00:31:46,720 --> 00:31:48,320 Speaker 1: And we were all so sad because they were like 543 00:31:48,400 --> 00:31:50,240 Speaker 1: so emo and hot and they had the same haircut 544 00:31:50,760 --> 00:31:54,800 Speaker 1: and yeah, and she was like no self, and everyone 545 00:31:54,920 --> 00:31:59,000 Speaker 1: was like no, we were like the teenage love story. 546 00:31:59,080 --> 00:32:11,200 Speaker 1: It was so sweet. Eat. Speaking of sweetness, let's talk 547 00:32:11,240 --> 00:32:20,920 Speaker 1: about Brian green Man. The sweetest he was. He really was. 548 00:32:21,720 --> 00:32:23,840 Speaker 1: We got robbed when he went and did his other show, 549 00:32:24,200 --> 00:32:29,040 Speaker 1: like an HBO show. Fine. I feel like we'd all 550 00:32:29,080 --> 00:32:31,360 Speaker 1: have had a much. I just feel like things would 551 00:32:31,360 --> 00:32:33,400 Speaker 1: have been better if he'd stayed. I might be giving 552 00:32:33,640 --> 00:32:39,040 Speaker 1: my cards away here. Listen, Sophia and I at the time, 553 00:32:39,280 --> 00:32:42,240 Speaker 1: it's so in love with him. We really were joy. 554 00:32:43,200 --> 00:32:45,320 Speaker 1: You were hanging out with Chef. You were like on 555 00:32:45,400 --> 00:32:48,360 Speaker 1: the Chef train, and Sophia and I over at the 556 00:32:48,480 --> 00:32:51,880 Speaker 1: Riverview Sweets. I remember writing down in the elevator of 557 00:32:51,920 --> 00:32:54,840 Speaker 1: the Riverview Sweets with you. And I was in a relationship, 558 00:32:54,960 --> 00:32:57,440 Speaker 1: so I could not say I think Greenberg is cute, 559 00:32:57,640 --> 00:33:00,480 Speaker 1: but I was like he's so he's self fun. It 560 00:33:00,680 --> 00:33:04,280 Speaker 1: is just like he's really cool, you know. And you 561 00:33:04,360 --> 00:33:07,760 Speaker 1: were like, oh yeah, yeah, Well you and I were 562 00:33:07,840 --> 00:33:10,400 Speaker 1: like little girls just being like, oh my god, he's 563 00:33:10,440 --> 00:33:12,480 Speaker 1: so cute. Oh my god. Like when you're so young 564 00:33:12,640 --> 00:33:15,120 Speaker 1: that you get excited that someone else thinks the person 565 00:33:15,200 --> 00:33:17,400 Speaker 1: you think is cute is cute because it's just so 566 00:33:17,520 --> 00:33:22,840 Speaker 1: exciting and validation and you have that damn guitar everywhere. 567 00:33:23,760 --> 00:33:27,080 Speaker 1: That's right. Yeah, he was a babe and by the way, 568 00:33:27,160 --> 00:33:29,560 Speaker 1: like stay to babe, like he's still the nicest suite 569 00:33:29,640 --> 00:33:32,920 Speaker 1: on the planet. Love how much he loves his wife, 570 00:33:33,120 --> 00:33:36,640 Speaker 1: like he is the guy that he was then, like 571 00:33:36,760 --> 00:33:40,000 Speaker 1: there was nothing false about him. That's what I loved 572 00:33:40,000 --> 00:33:41,840 Speaker 1: about him as an actor too, is when you watch 573 00:33:41,960 --> 00:33:44,440 Speaker 1: him on screen, he there's there's nothing fake. He's he 574 00:33:44,600 --> 00:33:49,760 Speaker 1: can't be um anything other than just real in that way. 575 00:33:49,920 --> 00:33:53,040 Speaker 1: You know, he's so genuine when he takes that bag 576 00:33:56,920 --> 00:34:01,040 Speaker 1: in just my heart because it's such a thing Dan 577 00:34:01,200 --> 00:34:04,880 Speaker 1: does to Lucas going his son and then it's you know, 578 00:34:05,040 --> 00:34:09,920 Speaker 1: his son again another double entendre um. But and you 579 00:34:10,120 --> 00:34:13,960 Speaker 1: see the heartbreak on Chad's face playing Lucas in that scene, 580 00:34:14,040 --> 00:34:17,279 Speaker 1: and you're just like it knocks the wind out of you. 581 00:34:18,160 --> 00:34:21,440 Speaker 1: And then Brian comes in don't let him take it, 582 00:34:21,640 --> 00:34:24,000 Speaker 1: and just takes the bag and puts it over his shoulder. 583 00:34:24,160 --> 00:34:26,800 Speaker 1: Hold on. I love how we refer to most of 584 00:34:26,880 --> 00:34:29,520 Speaker 1: the actors by their character's name, but with Greenberg, were 585 00:34:29,560 --> 00:34:35,279 Speaker 1: like Brian, like it was really his joy. Brian's a hero. 586 00:34:38,000 --> 00:34:43,120 Speaker 1: I was told you know in like season two, the 587 00:34:43,239 --> 00:34:46,080 Speaker 1: Peyton and Jake were in game and I was like, hey, 588 00:34:47,840 --> 00:34:50,040 Speaker 1: and I think they just said that to throw me 589 00:34:50,800 --> 00:34:54,440 Speaker 1: off the trail. Okay, this is a good place for 590 00:34:54,600 --> 00:34:56,560 Speaker 1: us to talk about this because we all got told 591 00:34:56,640 --> 00:34:59,239 Speaker 1: lots of things that weren't the same. And I was 592 00:34:59,360 --> 00:35:03,560 Speaker 1: told by the away from day one that Peyton and 593 00:35:03,760 --> 00:35:07,400 Speaker 1: Lucas were endgame, Like I signed up for a pilot 594 00:35:07,480 --> 00:35:10,960 Speaker 1: in which Peyton was not willing to admit that she 595 00:35:11,640 --> 00:35:15,600 Speaker 1: loved the you know, the emo boy, And so you 596 00:35:15,800 --> 00:35:18,480 Speaker 1: got told Peyton and Jake were endgame? But did you 597 00:35:18,640 --> 00:35:21,879 Speaker 1: did that because they wanted me to not lean into 598 00:35:21,880 --> 00:35:23,359 Speaker 1: the chat of it? Do you know what I mean? 599 00:35:23,640 --> 00:35:26,680 Speaker 1: Like it was it was a mind game. Oh heaven forbid. 600 00:35:26,719 --> 00:35:28,480 Speaker 1: They just tell us what our jobs are as actors 601 00:35:28,480 --> 00:35:32,040 Speaker 1: because we're professionals. Um, It's like, why did they want 602 00:35:32,120 --> 00:35:35,520 Speaker 1: us to like be weirdly invested in things behind the scenes? Joy? 603 00:35:35,640 --> 00:35:38,080 Speaker 1: Did you did you always know it was gonna be 604 00:35:38,160 --> 00:35:39,920 Speaker 1: Haley and Nathan or did you think it was going 605 00:35:39,960 --> 00:35:42,720 Speaker 1: to be something or someone else? No? I was surprised. 606 00:35:42,760 --> 00:35:44,440 Speaker 1: I thought it was going to be Haley and Lucas 607 00:35:44,520 --> 00:35:46,759 Speaker 1: for a little bit, but then our energy was so 608 00:35:47,280 --> 00:35:52,440 Speaker 1: sibling nous that there was just no Yeah, I just 609 00:35:52,560 --> 00:35:56,799 Speaker 1: didn't that didn't happen. Um, So I don't know, I'm 610 00:35:56,880 --> 00:36:00,239 Speaker 1: trying to remember. I think it was yeah once. Uh. 611 00:36:01,880 --> 00:36:04,000 Speaker 1: I'll be interested to see when this happens, because I 612 00:36:04,040 --> 00:36:06,920 Speaker 1: think it's later on in season one, when Haley starts 613 00:36:06,960 --> 00:36:12,600 Speaker 1: tutoring Nathan, And I think that was originally just supposed 614 00:36:12,640 --> 00:36:17,560 Speaker 1: to be an extra conflict of interest with Lucas, like 615 00:36:17,760 --> 00:36:21,200 Speaker 1: Lucas's best friend is now has to work with Nathan. 616 00:36:21,880 --> 00:36:24,239 Speaker 1: But James and I, you know who knew we had 617 00:36:24,400 --> 00:36:27,240 Speaker 1: chemistry and on screen and as soon as we started, 618 00:36:27,480 --> 00:36:30,280 Speaker 1: you know, getting on together, it was like people started 619 00:36:30,360 --> 00:36:32,279 Speaker 1: liking it. And there were message boards back then, and 620 00:36:32,400 --> 00:36:35,160 Speaker 1: I so, I'm I don't know, it would be nice 621 00:36:35,239 --> 00:36:36,919 Speaker 1: to talk with some of the writers on our show 622 00:36:36,960 --> 00:36:39,080 Speaker 1: who were there at that. I was told after the pilot. 623 00:36:39,480 --> 00:36:42,360 Speaker 1: I was told after the pilot that that Nathan and 624 00:36:42,440 --> 00:36:47,840 Speaker 1: Haley we're going to be like really, oh yeah, that 625 00:36:47,960 --> 00:36:50,480 Speaker 1: was part of the reason they recast because they were like, no, 626 00:36:50,800 --> 00:36:54,799 Speaker 1: we need Nathan and Haley like she's gonna fix him. 627 00:36:55,600 --> 00:36:58,839 Speaker 1: And I was like, interesting, yeah, So, I I mean 628 00:36:58,920 --> 00:37:01,440 Speaker 1: they told me and that's why they were like, you know, 629 00:37:01,560 --> 00:37:06,240 Speaker 1: we need someone who is sexy so but like doesn't 630 00:37:06,280 --> 00:37:10,000 Speaker 1: act like it, you know, so that Nathan gets drawn 631 00:37:10,120 --> 00:37:14,880 Speaker 1: in by this understated thing. And so so all of 632 00:37:15,000 --> 00:37:22,600 Speaker 1: my codependent issues really worked for me in this life. Yeah, 633 00:37:23,160 --> 00:37:27,440 Speaker 1: I was here to save him. High school girl with 634 00:37:27,480 --> 00:37:31,320 Speaker 1: codependent issues. Guys, we cannot bring home the fixer uppers. 635 00:37:31,560 --> 00:37:36,439 Speaker 1: Like for any teenage girl listening right now, don't bring 636 00:37:36,600 --> 00:37:42,160 Speaker 1: home the baggage. Just leave it at school. And anyone 637 00:37:42,239 --> 00:37:46,480 Speaker 1: who tells you you make me want to be better, no, 638 00:37:46,600 --> 00:37:50,600 Speaker 1: no run for the hills. I remember my dad using 639 00:37:50,600 --> 00:37:52,719 Speaker 1: a metaphor that he thought I would understand because my 640 00:37:52,840 --> 00:37:57,440 Speaker 1: parents literally in college, I rescued so many dogs and 641 00:37:57,440 --> 00:37:59,239 Speaker 1: I would always bring them in my parents house for 642 00:37:59,280 --> 00:38:01,040 Speaker 1: a night before I could figure out where to take them. 643 00:38:03,040 --> 00:38:05,480 Speaker 1: It is, it'll get there, it'll come back around. My 644 00:38:05,680 --> 00:38:08,160 Speaker 1: dad was like, if you bring home one more straight 645 00:38:08,239 --> 00:38:10,520 Speaker 1: dog into this house where we already have dogs, I 646 00:38:10,600 --> 00:38:12,960 Speaker 1: will literally change the locks and never let you back in. 647 00:38:13,719 --> 00:38:16,600 Speaker 1: So I was like, Okay, I guess six was too many, 648 00:38:16,719 --> 00:38:21,360 Speaker 1: but okay fine. And years later, you know, fast forward, 649 00:38:22,680 --> 00:38:24,800 Speaker 1: I don't know we're in our like mid twenties and 650 00:38:24,920 --> 00:38:29,320 Speaker 1: my dad just said, no more sick puppies. Rescue dogs, 651 00:38:29,440 --> 00:38:34,480 Speaker 1: not people. And I just remember being like just sobbing 652 00:38:34,520 --> 00:38:38,359 Speaker 1: because I never I didn't understand that that the sort 653 00:38:38,400 --> 00:38:45,239 Speaker 1: of I don't know that that desire or that subconscious thing. Basically, Joy, 654 00:38:45,280 --> 00:38:47,520 Speaker 1: what I'm saying is I have codependency issues, said them, 655 00:38:47,520 --> 00:38:50,960 Speaker 1: I'm glad we share that, and I just I didn't 656 00:38:51,040 --> 00:38:54,520 Speaker 1: know that that was bleeding into spaces where it could be, 657 00:38:54,880 --> 00:38:59,680 Speaker 1: you know, detrimental to me. And so, yeah, baggage at school, puppies, 658 00:39:00,080 --> 00:39:04,279 Speaker 1: the shelter, just keep just keep your keep on moving 659 00:39:05,000 --> 00:39:10,120 Speaker 1: out there kids, the promise. Um, can we talk about 660 00:39:10,400 --> 00:39:15,600 Speaker 1: Dan because this really was like a dance centric episode 661 00:39:16,239 --> 00:39:19,319 Speaker 1: manipulating all the kids. But it's so weird to see 662 00:39:20,120 --> 00:39:24,440 Speaker 1: how young all the parents are show, and as a 663 00:39:24,560 --> 00:39:29,000 Speaker 1: parent now, it is interesting to watch those storylines which 664 00:39:29,920 --> 00:39:35,200 Speaker 1: we noted earlier that it was well, I'm recognizing for 665 00:39:35,239 --> 00:39:37,799 Speaker 1: the first time why one of the reasons why our 666 00:39:37,880 --> 00:39:41,399 Speaker 1: show is so popular among such a broad age range 667 00:39:41,560 --> 00:39:45,000 Speaker 1: because you could watch it with your kids, um, in 668 00:39:45,440 --> 00:39:47,520 Speaker 1: high school or you know whatever. I don't know what 669 00:39:47,600 --> 00:39:51,040 Speaker 1: age is appropriate for this show, but um, at the 670 00:39:51,160 --> 00:39:54,120 Speaker 1: time you would watch it with your young adults, and 671 00:39:54,400 --> 00:39:56,920 Speaker 1: then the grownups would watch it as well because they 672 00:39:57,000 --> 00:40:00,319 Speaker 1: had storylines that they were interested in. And I think 673 00:40:00,360 --> 00:40:02,799 Speaker 1: it's really cool. I'm liking watching the parents storyline now. 674 00:40:02,800 --> 00:40:04,879 Speaker 1: I didn't really care much when I was twenty. When 675 00:40:05,040 --> 00:40:09,080 Speaker 1: Dan tells Nathan, Nathan says, oh, he's hitting on my 676 00:40:09,120 --> 00:40:12,600 Speaker 1: girlfriend right in front of me, And Dan says, you know, 677 00:40:13,160 --> 00:40:14,480 Speaker 1: if you're going to get in a fight, getting a 678 00:40:14,480 --> 00:40:18,040 Speaker 1: fight over something important. I remember feeling so slighted as 679 00:40:18,080 --> 00:40:21,160 Speaker 1: a young person, but now as an adult, like if 680 00:40:21,280 --> 00:40:22,960 Speaker 1: my son came home, I was like, I'm going to 681 00:40:23,000 --> 00:40:25,760 Speaker 1: fight over a girl. I feel like you big idiot, 682 00:40:25,960 --> 00:40:30,080 Speaker 1: Like what are you doing? And so to find myself 683 00:40:30,160 --> 00:40:33,719 Speaker 1: as a grown up siding with Dan Scott like what 684 00:40:33,840 --> 00:40:41,480 Speaker 1: if I become that's crazy? Yeah? And Karen watching Karen um, 685 00:40:41,920 --> 00:40:43,600 Speaker 1: you know, not go to the game and wrestle with 686 00:40:43,800 --> 00:40:45,560 Speaker 1: Like I want to support my son, but I just 687 00:40:45,760 --> 00:40:49,000 Speaker 1: can't go beat That must have been hard. I'll be 688 00:40:49,080 --> 00:40:51,440 Speaker 1: curious to know what Moira has to say about that, 689 00:40:52,160 --> 00:40:56,040 Speaker 1: because that's that's a hard choice to justify, Like to 690 00:40:56,200 --> 00:40:59,840 Speaker 1: not be able to get past your own uh issues 691 00:41:00,080 --> 00:41:03,040 Speaker 1: with the you know, for her for Karen not to 692 00:41:03,080 --> 00:41:05,440 Speaker 1: be able to get past her issues with Dan and 693 00:41:06,120 --> 00:41:08,600 Speaker 1: you guys not show up. Have you gone back to 694 00:41:08,680 --> 00:41:18,160 Speaker 1: your high schools in real life? Yes? When'd you go? Um? Five? Six, 695 00:41:18,680 --> 00:41:22,480 Speaker 1: seven years ago? Seven years ago? Probably just walked through 696 00:41:22,520 --> 00:41:25,719 Speaker 1: the halls. I went back for a fundraiser, but I 697 00:41:25,760 --> 00:41:27,680 Speaker 1: don't even remember when it's gotta it's got to be 698 00:41:27,719 --> 00:41:31,160 Speaker 1: at least that long. It's just so weird because we 699 00:41:31,280 --> 00:41:33,840 Speaker 1: have these like fake high school memories and like the 700 00:41:33,960 --> 00:41:37,760 Speaker 1: sets that we walked through as as as many times 701 00:41:37,840 --> 00:41:41,480 Speaker 1: as we walked through a real high school halls, you know, 702 00:41:42,360 --> 00:41:45,560 Speaker 1: and so to go back to like the real space 703 00:41:46,080 --> 00:41:49,759 Speaker 1: that's seen with Karen being like, you know what, what 704 00:41:49,840 --> 00:41:53,279 Speaker 1: did she say? That place knows too much. I can't 705 00:41:53,320 --> 00:41:57,839 Speaker 1: go back there. That too much, too much. I got 706 00:41:58,040 --> 00:42:04,160 Speaker 1: chills when she said that, Uh I did? I think 707 00:42:04,200 --> 00:42:06,319 Speaker 1: we all have places that feel like that, And I think, 708 00:42:06,360 --> 00:42:10,960 Speaker 1: in a way, isn't it interesting that our show has 709 00:42:11,000 --> 00:42:14,000 Speaker 1: carried that energy for us in a sense until we've 710 00:42:14,120 --> 00:42:15,960 Speaker 1: been like, no, wait, this is ours and we made 711 00:42:16,000 --> 00:42:18,320 Speaker 1: it and it was awesome. We're taking it back, you know, 712 00:42:20,320 --> 00:42:22,440 Speaker 1: it's a big thing and enjoy to your point, what 713 00:42:22,719 --> 00:42:24,800 Speaker 1: when you asked like how, I wonder how m mairear 714 00:42:24,880 --> 00:42:30,000 Speaker 1: did that. I think our experience in Wilmington actually being 715 00:42:30,080 --> 00:42:32,080 Speaker 1: so isolated on our show because it was like it 716 00:42:32,160 --> 00:42:36,640 Speaker 1: was all college kids and retired people mostly like you. 717 00:42:38,040 --> 00:42:40,360 Speaker 1: It really was like we just had each other. It 718 00:42:40,480 --> 00:42:43,200 Speaker 1: was very insular. It was very small, and so I 719 00:42:43,320 --> 00:42:46,400 Speaker 1: think at times when we were figuring ourselves out, it 720 00:42:46,440 --> 00:42:51,480 Speaker 1: could make failure feel so much bigger. And I don't know. 721 00:42:51,760 --> 00:42:57,120 Speaker 1: I would almost wager that maybe for her it was 722 00:42:57,440 --> 00:43:00,239 Speaker 1: every single person who's in that gym tonight has a 723 00:43:00,280 --> 00:43:03,520 Speaker 1: story about me, Like there's no anonymity in a town 724 00:43:03,640 --> 00:43:05,440 Speaker 1: like tree Hill. That was kind of part of the point, 725 00:43:06,440 --> 00:43:10,279 Speaker 1: um was how in everybody's everybody else was So I 726 00:43:10,320 --> 00:43:13,919 Speaker 1: don't know, I'd be curious to know that. Yeah, for sure. Yeah. 727 00:43:14,440 --> 00:43:18,719 Speaker 1: This was also the episode where we got to hear 728 00:43:18,840 --> 00:43:21,600 Speaker 1: the theme song for the first time. Yeah, we had 729 00:43:21,600 --> 00:43:24,560 Speaker 1: our opening credits. Yes, I don't want to be in 730 00:43:29,200 --> 00:43:31,560 Speaker 1: That song comes on and I like walk into a 731 00:43:31,640 --> 00:43:35,080 Speaker 1: restaurant or whatever I'm liked or am I like proud 732 00:43:35,160 --> 00:43:39,840 Speaker 1: of it? Do I like walk around secretly being punked? 733 00:43:40,160 --> 00:43:43,880 Speaker 1: I think it used to be that, like in supermarkets 734 00:43:43,960 --> 00:43:45,759 Speaker 1: or in restaurants. It was on a loop, so you 735 00:43:45,840 --> 00:43:48,279 Speaker 1: knew that like no one. It was just like a 736 00:43:48,400 --> 00:43:51,919 Speaker 1: block of music that played over and over again. Now 737 00:43:52,239 --> 00:43:55,560 Speaker 1: with the way like Spotify or like technology works, I 738 00:43:55,760 --> 00:43:59,640 Speaker 1: feel like I'm being punked because it's everywhere. I'm like, 739 00:43:59,680 --> 00:44:02,399 Speaker 1: are we've followed? Are they tracking our phones? Does someone 740 00:44:02,480 --> 00:44:05,480 Speaker 1: think this is funny that they're like, it could be 741 00:44:05,600 --> 00:44:07,880 Speaker 1: her or it could not be her, But this is 742 00:44:07,920 --> 00:44:12,120 Speaker 1: how we're going to find out. And then and then 743 00:44:12,200 --> 00:44:15,520 Speaker 1: if you get weird, if you get socially awkward, it's her, 744 00:44:15,760 --> 00:44:19,239 Speaker 1: it's her. It's totally. Oh god, I do love that song. 745 00:44:19,360 --> 00:44:20,919 Speaker 1: I still love it. I think it's such a good 746 00:44:21,000 --> 00:44:25,279 Speaker 1: so that whole album is really strong. Gavin degras what's 747 00:44:25,280 --> 00:44:28,160 Speaker 1: the album? It's Chariot, right. The album is called Chariot 748 00:44:28,600 --> 00:44:30,279 Speaker 1: and the song at the end of the episode was 749 00:44:30,320 --> 00:44:33,080 Speaker 1: a Gavin Degrass song also called Belief, which is a 750 00:44:33,160 --> 00:44:37,120 Speaker 1: super powerful song. He's such an amazing songwriter. Her partying 751 00:44:37,200 --> 00:44:39,479 Speaker 1: with him at fire Belly. When did he come visit? 752 00:44:39,880 --> 00:44:43,080 Speaker 1: Was it the show flo episode? Yeah, the Yokra episode. 753 00:44:43,120 --> 00:44:44,839 Speaker 1: He came back to visit. He was there a few times. 754 00:44:44,880 --> 00:44:46,400 Speaker 1: He came back in the end Yeah, he was in 755 00:44:46,520 --> 00:44:50,759 Speaker 1: and out. Yeah, he played like our kickoff party. I 756 00:44:50,840 --> 00:44:54,560 Speaker 1: think like we premiered. He came to Wilmington's and like 757 00:44:54,719 --> 00:44:57,240 Speaker 1: played at a bar or something. But I just remember 758 00:44:57,440 --> 00:45:00,200 Speaker 1: like being around a pool table with Gavin de All 759 00:45:00,280 --> 00:45:05,920 Speaker 1: being like, wow, he's really famous. Yeah, so cool that 760 00:45:06,000 --> 00:45:09,920 Speaker 1: he's sang our song. Yeah, he's fun time too. He's 761 00:45:09,920 --> 00:45:13,839 Speaker 1: a great guy. Did you tour with him? Yeah, yep, 762 00:45:14,000 --> 00:45:18,080 Speaker 1: I went on tour with him and Michelle Branch and, Um, yeah, 763 00:45:18,200 --> 00:45:21,840 Speaker 1: he's just like he's got that swagger. He's got that 764 00:45:22,040 --> 00:45:26,080 Speaker 1: like you know, deep artistic soulful heart, but has also 765 00:45:26,200 --> 00:45:28,759 Speaker 1: like got a he's a great time. He'll just you know, 766 00:45:28,800 --> 00:45:31,120 Speaker 1: shoot the shop with anybody, who'll have a conversation with 767 00:45:31,239 --> 00:45:34,880 Speaker 1: anybody from anywhere. He's a curious person. And I just 768 00:45:34,960 --> 00:45:38,480 Speaker 1: think he's a super cool guy. Um to catch on 769 00:45:38,600 --> 00:45:40,960 Speaker 1: and off and yeah, he's a good guy. Has he 770 00:45:41,080 --> 00:45:44,400 Speaker 1: ever come to one of the conventions? No, but he should. 771 00:45:44,680 --> 00:45:49,360 Speaker 1: They should bring him out, Gavin. If you're listening, Gavin, 772 00:45:49,760 --> 00:45:52,120 Speaker 1: don't be a dork. Come hang out with us. It's 773 00:45:52,160 --> 00:45:55,120 Speaker 1: so fun. We'll just bring him on this show is 774 00:45:55,160 --> 00:45:56,759 Speaker 1: what we need to do. I had one of my 775 00:45:56,920 --> 00:46:01,040 Speaker 1: coolest moments with Gavin he when he opened for Billy 776 00:46:01,320 --> 00:46:03,200 Speaker 1: years later after the show was ended, he opened for 777 00:46:03,239 --> 00:46:06,399 Speaker 1: Billy Joel on Billy Joel's tour, and everybody that knows 778 00:46:06,480 --> 00:46:08,919 Speaker 1: me knows what a freak I am about Billy Joel. 779 00:46:09,040 --> 00:46:11,480 Speaker 1: Like I know every song, I know every word every song. 780 00:46:11,840 --> 00:46:14,760 Speaker 1: He's my favorite. So I went to a Joel concert 781 00:46:14,800 --> 00:46:17,440 Speaker 1: and he was opening, and I I had like I 782 00:46:17,600 --> 00:46:20,000 Speaker 1: texted him, but you know, I didn't hear. I was like, 783 00:46:20,160 --> 00:46:22,000 Speaker 1: you know, he's getting ready to go do a show. 784 00:46:22,040 --> 00:46:24,080 Speaker 1: He's not gonna respond. So I was sitting in the 785 00:46:24,160 --> 00:46:26,320 Speaker 1: front and he and Gavin does his song, and he 786 00:46:26,360 --> 00:46:29,879 Speaker 1: starts doing our theme song and he's like walking down 787 00:46:30,000 --> 00:46:31,759 Speaker 1: around the audience and it's like a Hollywood bowl, so 788 00:46:31,800 --> 00:46:33,960 Speaker 1: you can come down the side of the stage and 789 00:46:34,080 --> 00:46:36,319 Speaker 1: come around the middle and up the middle. And as 790 00:46:36,400 --> 00:46:38,759 Speaker 1: he comes around up the middle, he's got security around him. 791 00:46:38,800 --> 00:46:40,640 Speaker 1: And I was like and I just like I told 792 00:46:40,680 --> 00:46:42,239 Speaker 1: my friend who was with us, off the right back, 793 00:46:42,560 --> 00:46:44,680 Speaker 1: and I just ran out into the aisle and like 794 00:46:44,960 --> 00:46:48,080 Speaker 1: rushed him like a crazy fan. And I got right 795 00:46:48,160 --> 00:46:49,800 Speaker 1: up in his space like and I was like and 796 00:46:49,880 --> 00:46:51,960 Speaker 1: I and I was like, either he's gonna see me 797 00:46:52,120 --> 00:46:54,320 Speaker 1: and he's gonna let me sing this with him, or 798 00:46:54,480 --> 00:46:56,440 Speaker 1: he's going to be totally freaked out, and like they're 799 00:46:56,480 --> 00:46:58,520 Speaker 1: gonna the security is gonna take me away, but I'm 800 00:46:58,560 --> 00:47:01,480 Speaker 1: gonna take the reds gut he w. I'm at a 801 00:47:01,560 --> 00:47:04,000 Speaker 1: Belly Joel concert. I have to do it. So I 802 00:47:04,160 --> 00:47:07,960 Speaker 1: ran up and uh, and he definitely was like uh. 803 00:47:08,120 --> 00:47:09,920 Speaker 1: And then his face wished when he saw me and 804 00:47:09,960 --> 00:47:12,359 Speaker 1: recognized me, and it was like, oh god, it brought 805 00:47:12,400 --> 00:47:13,960 Speaker 1: me in and we sang on the mic together for 806 00:47:14,040 --> 00:47:17,200 Speaker 1: a second but it was so great, and then he 807 00:47:17,280 --> 00:47:18,919 Speaker 1: went up. They put us up on the big tron 808 00:47:19,080 --> 00:47:21,800 Speaker 1: or whatever the big screen is. We were singing together. 809 00:47:21,960 --> 00:47:24,240 Speaker 1: So I staying at a Billy Joel talk concert. Technically 810 00:47:28,120 --> 00:47:30,239 Speaker 1: he texted me afterwards he was like, I have a cold. 811 00:47:30,280 --> 00:47:34,799 Speaker 1: You might want to take some vitamins see when you go. Also, though, 812 00:47:34,880 --> 00:47:38,200 Speaker 1: I just love your boldness. You're like, I'm going to 813 00:47:39,640 --> 00:47:43,200 Speaker 1: rush the performer joy your iconic Yeah, I would have 814 00:47:43,239 --> 00:47:45,440 Speaker 1: been too scared, Like what if had been there to 815 00:47:45,520 --> 00:47:50,640 Speaker 1: catch me getting like, you know, clotheslines by security? Who's 816 00:47:50,680 --> 00:47:55,239 Speaker 1: the broad you know? Life is short? Yeah? I like 817 00:47:55,400 --> 00:47:59,080 Speaker 1: that you went for it. Um speaking of going for it, 818 00:47:59,440 --> 00:48:03,799 Speaker 1: this whole Peyton art thing. Um, people all the time, 819 00:48:04,080 --> 00:48:07,400 Speaker 1: I want to know who drew those pictures. Like, I'm 820 00:48:07,440 --> 00:48:10,600 Speaker 1: just gonna say it wasn't me. We had like trained 821 00:48:10,719 --> 00:48:13,880 Speaker 1: professionals that did all the artwork and so all the 822 00:48:13,920 --> 00:48:16,960 Speaker 1: stuff that you see. Um, maybe our awesome producer can 823 00:48:17,000 --> 00:48:18,440 Speaker 1: pull up her name. Yeah, be nice to know the 824 00:48:18,520 --> 00:48:20,320 Speaker 1: name of the person that did all that. I don't know. 825 00:48:20,400 --> 00:48:23,480 Speaker 1: I don't know if it was the same person. We 826 00:48:23,600 --> 00:48:26,480 Speaker 1: had such a great art department. You know. Some of 827 00:48:26,600 --> 00:48:28,919 Speaker 1: the artwork though that was taped up to the wall 828 00:48:29,200 --> 00:48:34,000 Speaker 1: that Peyton tears down was stuff that I drawn during 829 00:48:34,040 --> 00:48:36,400 Speaker 1: the pilot and then they just like ripped it out 830 00:48:36,440 --> 00:48:38,560 Speaker 1: of the notebooks that they've given me and taped it 831 00:48:38,640 --> 00:48:41,440 Speaker 1: up because it was like we gotta cover some wall space. Um. 832 00:48:41,760 --> 00:48:44,920 Speaker 1: So all of my real art is the trash art 833 00:48:45,480 --> 00:48:47,719 Speaker 1: and it was drawn by It's on their Hillary and 834 00:48:47,760 --> 00:48:51,360 Speaker 1: the chat they just Helen Ward. Did Helen do all seasons? 835 00:48:51,760 --> 00:48:54,960 Speaker 1: I mean it's iconic. People make you know, those canvases 836 00:48:55,040 --> 00:48:57,080 Speaker 1: that they want us to sign a conquestion making money 837 00:48:57,440 --> 00:49:00,959 Speaker 1: that I do too. There's a little coffee table book 838 00:49:01,520 --> 00:49:08,400 Speaker 1: Peyton Pictures Sad stuff. You know, what's so weird is 839 00:49:08,480 --> 00:49:11,600 Speaker 1: that when the show started, it was like our art, 840 00:49:12,120 --> 00:49:16,120 Speaker 1: but I'd come from MTV and I'm like not an 841 00:49:16,239 --> 00:49:20,920 Speaker 1: arty lady, but I did have like the music thing going, 842 00:49:21,520 --> 00:49:25,680 Speaker 1: and so the transition from art to music for Peyton, 843 00:49:26,600 --> 00:49:27,920 Speaker 1: it was one of those things where it was like 844 00:49:29,160 --> 00:49:34,000 Speaker 1: art imitating life, you know, and and Sophia. You just 845 00:49:34,120 --> 00:49:37,480 Speaker 1: talked about this like your character had to turn into 846 00:49:37,920 --> 00:49:40,719 Speaker 1: Sophia a little bit more in order for it to 847 00:49:40,800 --> 00:49:43,360 Speaker 1: fit right, Joy, did you feel, I mean they added 848 00:49:43,400 --> 00:49:45,840 Speaker 1: you becoming a musician because you were such a skilled 849 00:49:45,920 --> 00:49:50,880 Speaker 1: musician in real life. You know, yeah, they did. I 850 00:49:50,960 --> 00:49:54,880 Speaker 1: mean I think that our I did love that about 851 00:49:54,960 --> 00:49:57,960 Speaker 1: the show, that there was a heavy, heavy bent on 852 00:49:58,600 --> 00:50:05,680 Speaker 1: our artists, um prowess being whether it was writers or 853 00:50:05,800 --> 00:50:08,799 Speaker 1: people who were reading you know, great literature or art, 854 00:50:09,320 --> 00:50:12,839 Speaker 1: great music. Um, I mean those are cornerstones of our show. 855 00:50:13,040 --> 00:50:17,279 Speaker 1: That um again something that is a little harder to 856 00:50:17,440 --> 00:50:21,279 Speaker 1: find now in this genre. And I just love that. 857 00:50:21,400 --> 00:50:27,440 Speaker 1: And yes, I think, you know, it's just total providence, uh, coincidence, 858 00:50:27,520 --> 00:50:29,840 Speaker 1: whatever you want to call it, that I was able 859 00:50:29,920 --> 00:50:32,840 Speaker 1: to um be cast on a show that had that 860 00:50:33,400 --> 00:50:35,640 Speaker 1: one of the music as a major cornerstone, and that 861 00:50:36,080 --> 00:50:37,880 Speaker 1: you know, I never came on the show thinking I 862 00:50:37,960 --> 00:50:39,799 Speaker 1: was going to play a musician ever, and I don't 863 00:50:39,840 --> 00:50:44,319 Speaker 1: think anyone planned that. UM And uh yeah, Mark heard 864 00:50:44,360 --> 00:50:47,279 Speaker 1: me singing to myself in a parking lot um and 865 00:50:47,840 --> 00:50:50,239 Speaker 1: just decided to He was like, hey, do you want 866 00:50:50,239 --> 00:50:52,160 Speaker 1: to sing on the show? I was like, I don't know, 867 00:50:52,400 --> 00:50:56,600 Speaker 1: do I I really didn't know because I was like 868 00:50:56,719 --> 00:50:58,879 Speaker 1: I just it was so much I was uncertain about 869 00:50:58,880 --> 00:51:00,960 Speaker 1: at the time. But yeah, really glad that I did. 870 00:51:01,040 --> 00:51:03,839 Speaker 1: It was just super cool. UM opened up a lot 871 00:51:03,880 --> 00:51:07,719 Speaker 1: of doors for me, and I think, you know, to 872 00:51:07,880 --> 00:51:11,280 Speaker 1: your point, the idea that we got to talk about 873 00:51:11,640 --> 00:51:19,840 Speaker 1: music and writing and and really elevate there sort of 874 00:51:19,960 --> 00:51:25,080 Speaker 1: pathways into feeling and human experience and catharsis. Those are 875 00:51:25,160 --> 00:51:27,880 Speaker 1: things that a lot of people weren't getting and and 876 00:51:28,040 --> 00:51:32,600 Speaker 1: we were all talking during the episode about how interesting 877 00:51:32,680 --> 00:51:35,440 Speaker 1: it was, Like even in that scene with Lucas and 878 00:51:35,520 --> 00:51:39,760 Speaker 1: Karen in the cafe when he's so mad and she's 879 00:51:39,800 --> 00:51:42,600 Speaker 1: yelling at him because he got in a fight with 880 00:51:42,760 --> 00:51:46,880 Speaker 1: Nathan at school and he's just he's being a boy, 881 00:51:47,640 --> 00:51:52,920 Speaker 1: you know, he's expressing anger and frustration and and to 882 00:51:53,160 --> 00:51:56,959 Speaker 1: see that in that character. And then on the flip 883 00:51:57,080 --> 00:52:02,200 Speaker 1: side to have Nathan's character being a little boy who 884 00:52:02,280 --> 00:52:05,560 Speaker 1: has been pressured to behave like a man and like 885 00:52:05,719 --> 00:52:09,719 Speaker 1: the wrong kind of man, you know, a petty, um 886 00:52:09,920 --> 00:52:14,640 Speaker 1: narcissistic man. It was so incredible to kind of have 887 00:52:14,840 --> 00:52:18,920 Speaker 1: these men on this seesaw of feeling. It gave all 888 00:52:18,960 --> 00:52:23,480 Speaker 1: these people permission and and we, obviously as as the girls, 889 00:52:23,560 --> 00:52:27,080 Speaker 1: got to do so much of our own um you know. 890 00:52:27,880 --> 00:52:29,239 Speaker 1: I was going to say leg work, and I'm like, 891 00:52:29,239 --> 00:52:33,279 Speaker 1: I guess it's heart work, like emotional stuff. But I 892 00:52:33,400 --> 00:52:35,480 Speaker 1: think that's part of why it's really lived for a 893 00:52:35,560 --> 00:52:39,160 Speaker 1: lot of people still is because they no matter what 894 00:52:39,320 --> 00:52:41,400 Speaker 1: end of the spectrum you come in on you you 895 00:52:41,640 --> 00:52:45,200 Speaker 1: feel represented in some way. And and I would like 896 00:52:45,360 --> 00:52:49,240 Speaker 1: to think you feel permission to like feel your feelings 897 00:52:49,280 --> 00:52:52,600 Speaker 1: in your own complexities and things. Well, did boys cry 898 00:52:52,680 --> 00:52:55,880 Speaker 1: on TEA? I see? I was never watching teen dramas, 899 00:52:55,920 --> 00:52:59,279 Speaker 1: so the only boy I ever like no, cried on TV? 900 00:52:59,600 --> 00:53:03,280 Speaker 1: Was awesome because I see that meme of James Vanderby 901 00:53:03,440 --> 00:53:10,279 Speaker 1: now it's like a meme. But did boys cry on TV? Back? Oh? 902 00:53:10,600 --> 00:53:14,120 Speaker 1: I'm sure they did. I'm sure they really know I 903 00:53:14,200 --> 00:53:18,319 Speaker 1: feel like this was an episode of Luke Perry crying cha. 904 00:53:18,840 --> 00:53:24,480 Speaker 1: Chad was really really good about being vulnerable as a boy, 905 00:53:25,239 --> 00:53:29,239 Speaker 1: you know, and not having to play that toxic masculinity 906 00:53:29,360 --> 00:53:32,840 Speaker 1: thing of like I don't feel anything, I'm dead inside. 907 00:53:33,080 --> 00:53:36,200 Speaker 1: You know, he went for it, And I think that's 908 00:53:36,239 --> 00:53:38,440 Speaker 1: such an interesting thing too, you know that that they 909 00:53:38,520 --> 00:53:42,440 Speaker 1: wanted him to play Nathan, and he wanted to do 910 00:53:42,600 --> 00:53:45,600 Speaker 1: something different than he had been doing for his career, 911 00:53:46,560 --> 00:53:49,480 Speaker 1: and and you know, isn't it so funny that then 912 00:53:50,400 --> 00:53:52,200 Speaker 1: and we've talked about this before, but like you had 913 00:53:52,239 --> 00:53:56,040 Speaker 1: sweet little baby James coming to play Nathan. He's such 914 00:53:56,080 --> 00:53:59,040 Speaker 1: a sensitive soul and then had to come in and 915 00:53:59,200 --> 00:54:02,360 Speaker 1: be bad and it's I don't know, it's just so 916 00:54:02,600 --> 00:54:05,960 Speaker 1: it's so interesting all the things that we all were 917 00:54:06,000 --> 00:54:09,080 Speaker 1: able to try and and the ways we had to 918 00:54:09,200 --> 00:54:12,719 Speaker 1: push ourselves to be these people. Have you guys ever 919 00:54:12,800 --> 00:54:18,160 Speaker 1: seen James's audition tape, because like room and it's like, hey, 920 00:54:18,200 --> 00:54:20,000 Speaker 1: it's nice to see you. Cool, cool, you know what 921 00:54:20,080 --> 00:54:23,040 Speaker 1: it's like so chill, and then when they just start 922 00:54:23,160 --> 00:54:26,640 Speaker 1: the scene like I can't imagine that, like turn in 923 00:54:26,760 --> 00:54:30,320 Speaker 1: the audition, It's like, oh no, I'm evil, you know, 924 00:54:31,280 --> 00:54:34,439 Speaker 1: so wild. I also it's striking me in this moment 925 00:54:34,520 --> 00:54:37,160 Speaker 1: because you know, Hillary, you were talking about how um 926 00:54:37,640 --> 00:54:39,759 Speaker 1: like even in your scenes, like when when Peyton and 927 00:54:39,840 --> 00:54:43,239 Speaker 1: Lucas would be doing these emotional scenes, like Chad would 928 00:54:43,280 --> 00:54:47,440 Speaker 1: always you know, meet you there and then Joy, I 929 00:54:47,560 --> 00:54:51,240 Speaker 1: remember asking you something when we were working early early 930 00:54:51,360 --> 00:54:53,680 Speaker 1: years and I was like, how do you do that? Though? 931 00:54:53,800 --> 00:54:56,960 Speaker 1: Like what what's the mechanism to cry like that? Like 932 00:54:57,200 --> 00:54:59,279 Speaker 1: I have to get so sad? And you just looked 933 00:54:59,320 --> 00:55:01,600 Speaker 1: at me and you were like, well, you know, I 934 00:55:01,719 --> 00:55:04,560 Speaker 1: just kind of and you did this thing. You went 935 00:55:04,680 --> 00:55:06,560 Speaker 1: somewhere in your head and you looked to the side 936 00:55:06,640 --> 00:55:09,920 Speaker 1: and then you were crying, and I was like, what 937 00:55:10,800 --> 00:55:13,040 Speaker 1: are you kidding me? It was like the most magical 938 00:55:13,120 --> 00:55:15,319 Speaker 1: thing I've ever seen. And in this moment, it's hitting 939 00:55:15,400 --> 00:55:18,080 Speaker 1: me that, you know, you guys, you and Chad really 940 00:55:18,200 --> 00:55:21,600 Speaker 1: came in having had the most experience on sets and 941 00:55:22,200 --> 00:55:28,000 Speaker 1: like me, Hillary and James didn't know anything. And yeah, man, 942 00:55:28,120 --> 00:55:31,080 Speaker 1: but it's but it's cool because I realized that in 943 00:55:31,200 --> 00:55:33,080 Speaker 1: this moment, I'm like, ah, right, you guys had like 944 00:55:33,200 --> 00:55:38,080 Speaker 1: these amazing performer skill sets that I just remember. I 945 00:55:38,160 --> 00:55:40,480 Speaker 1: remember watching you do things and just being like, Wow, 946 00:55:42,800 --> 00:55:44,239 Speaker 1: we had a lot of fun. We had a lot 947 00:55:44,280 --> 00:55:46,480 Speaker 1: of opportunities to do that, and you got a lot 948 00:55:46,560 --> 00:55:49,319 Speaker 1: more opportunities to do all that too. So I I mean, 949 00:55:49,520 --> 00:55:52,319 Speaker 1: I think Brooke took you built it for yourself. Yeah, 950 00:55:52,480 --> 00:55:54,560 Speaker 1: you really did, and I'm so excited for us to 951 00:55:54,560 --> 00:55:56,920 Speaker 1: see more of that. The next episode is the famous 952 00:55:57,000 --> 00:55:58,399 Speaker 1: one of you in the back seat of the car. 953 00:55:58,960 --> 00:56:02,200 Speaker 1: I um, but you know, we get to know a 954 00:56:02,239 --> 00:56:05,399 Speaker 1: little bit more about Brook. So to all our friends 955 00:56:05,440 --> 00:56:08,040 Speaker 1: at home, we heard you all really liked are most 956 00:56:08,120 --> 00:56:10,480 Speaker 1: likely to his last week? And so the three of 957 00:56:10,640 --> 00:56:13,200 Speaker 1: us did a little digging on the internet and we 958 00:56:13,360 --> 00:56:17,160 Speaker 1: dug up some pretty excellent most likely too excited about 959 00:56:17,360 --> 00:56:22,160 Speaker 1: like they're so ridiculous. We would like if you guys 960 00:56:22,440 --> 00:56:25,200 Speaker 1: continue to find this fun to pick one every week 961 00:56:25,360 --> 00:56:28,520 Speaker 1: and decide who we want to attribute it to. What 962 00:56:28,680 --> 00:56:38,200 Speaker 1: is the one for this week? Okay, who is mostly 963 00:56:38,239 --> 00:56:42,600 Speaker 1: likely to go on The Bachelor? Not that we've seen 964 00:56:42,680 --> 00:56:46,399 Speaker 1: her yet, But the moment I saw that come out 965 00:56:46,440 --> 00:56:51,239 Speaker 1: of the hat, my first thought was deb oh, yes, yes, 966 00:56:53,760 --> 00:56:56,680 Speaker 1: I deserve a second chapter. I've been dealing with Scott 967 00:56:56,760 --> 00:57:04,279 Speaker 1: for decades. Yeah, I'm gonna say a probably Rachel. Oh 968 00:57:04,360 --> 00:57:10,879 Speaker 1: my god, Daniel hasn't a periodet, but Rachel did. Maxim. Um, yeah, 969 00:57:10,920 --> 00:57:12,440 Speaker 1: I mean she had all sorts of weird stuff and 970 00:57:12,480 --> 00:57:14,480 Speaker 1: it didn't after I left. Didn't she end up doing 971 00:57:14,520 --> 00:57:17,560 Speaker 1: like a TV show with Dan Scott or something weird? Oh? Yeah, 972 00:57:18,120 --> 00:57:21,000 Speaker 1: she ended up Well do we give away the spoiler? 973 00:57:21,600 --> 00:57:24,240 Speaker 1: I heard a rumor that they ended up together, Like, 974 00:57:24,480 --> 00:57:27,640 Speaker 1: she's totally the person to end up on the Bachelor. Yeah, 975 00:57:27,720 --> 00:57:29,720 Speaker 1: she ended up with the rich guy on a private jet. 976 00:57:29,800 --> 00:57:34,240 Speaker 1: You're right, it's Rachel. God bless, I love her. Okay, 977 00:57:34,360 --> 00:57:37,560 Speaker 1: you guys are flooding our inbox. We love it so much. 978 00:57:37,720 --> 00:57:40,920 Speaker 1: It's so cool to hear from all of you. Um okay, 979 00:57:40,960 --> 00:57:43,600 Speaker 1: So we have some questions with listener questions. Are you 980 00:57:43,640 --> 00:57:52,120 Speaker 1: girls ready for this? How invasive are there? I'm not 981 00:57:52,160 --> 00:57:54,160 Speaker 1: feeling witty today. I'm sorry. I was going to say 982 00:57:54,520 --> 00:57:56,720 Speaker 1: something about my last kynecology appointment, but that would be 983 00:57:56,800 --> 00:58:05,000 Speaker 1: totally appropriate, okay. Um. Simon was wondering what your first 984 00:58:05,040 --> 00:58:07,480 Speaker 1: impressions of each other were, which we talked about a 985 00:58:07,480 --> 00:58:10,400 Speaker 1: little bit, and whether they still remain the same now, 986 00:58:10,720 --> 00:58:13,760 Speaker 1: and do you think filming on location in particular made 987 00:58:13,800 --> 00:58:19,840 Speaker 1: you all much closer. Well, I still think Sophia is beautiful, 988 00:58:20,040 --> 00:58:21,600 Speaker 1: and I was blown away to find out that she 989 00:58:21,720 --> 00:58:24,560 Speaker 1: was so incredibly brilliant as well, Like what a what 990 00:58:24,680 --> 00:58:29,880 Speaker 1: an amazing um double double header double hitter? What do 991 00:58:29,920 --> 00:58:32,600 Speaker 1: they call it? God really told out with both hands 992 00:58:32,640 --> 00:58:36,920 Speaker 1: on you, kiddo, She's a winner. Listen. I remember realizing 993 00:58:36,960 --> 00:58:40,200 Speaker 1: how smart Sophia was when we started doing Crew Christmas 994 00:58:40,280 --> 00:58:42,560 Speaker 1: presents and we would get the entire crew best Buy 995 00:58:42,600 --> 00:58:45,680 Speaker 1: gift certificates, and Sophia was a person that was like, 996 00:58:45,840 --> 00:58:47,800 Speaker 1: you guys are stressing me out. I'm going to handle this. 997 00:58:48,080 --> 00:58:50,640 Speaker 1: And she would go to best Buy by like a 998 00:58:50,920 --> 00:58:54,680 Speaker 1: thousand gifts certificates and then have the lists of names 999 00:58:54,720 --> 00:58:58,080 Speaker 1: and figure out who got what and like being her trailer, 1000 00:58:58,240 --> 00:59:01,840 Speaker 1: just managing that and it was a task. Girlfriend. You 1001 00:59:01,960 --> 00:59:07,040 Speaker 1: got the money, she got all the money from everything. Yes, 1002 00:59:07,200 --> 00:59:10,960 Speaker 1: and that's pre Venmo and Hillary, I still think you're 1003 00:59:11,040 --> 00:59:14,320 Speaker 1: also beautiful and so cool and so soulful and smart, 1004 00:59:14,480 --> 00:59:17,120 Speaker 1: and I mean yes, our for my first impressionce of 1005 00:59:17,200 --> 00:59:21,240 Speaker 1: both of you stuck and have deepened for sure a 1006 00:59:21,400 --> 00:59:27,280 Speaker 1: hundred percent. Hillary, You're like wickedly intimidatingly cool and so 1007 00:59:27,600 --> 00:59:31,600 Speaker 1: yourself and and actually something you share. I was just 1008 00:59:31,640 --> 00:59:33,440 Speaker 1: about to pivot to you, Joy, but I realized one 1009 00:59:33,480 --> 00:59:36,080 Speaker 1: of the things that like, I love the most about 1010 00:59:36,160 --> 00:59:38,800 Speaker 1: you both, and that also makes me feel intimidated because 1011 00:59:38,800 --> 00:59:40,080 Speaker 1: I feel like I don't know anything, is you have 1012 00:59:40,200 --> 00:59:45,640 Speaker 1: such a deep well of like expert level musical theater knowledge. 1013 00:59:46,480 --> 00:59:52,280 Speaker 1: Sometimes together, but when the three of us are together, 1014 00:59:52,560 --> 00:59:54,680 Speaker 1: one of you says something and then you go off 1015 00:59:54,720 --> 00:59:56,560 Speaker 1: on a tangent and I'm like, where are they going? 1016 00:59:56,720 --> 00:59:58,720 Speaker 1: What are they talking about? What is this? It's usually 1017 00:59:58,760 --> 01:00:01,800 Speaker 1: straight to Jean Valjean, Yeah, it's it's it's lames her 1018 01:00:01,840 --> 01:00:05,720 Speaker 1: into the woods. It's one of the two. Yeah. My 1019 01:00:06,720 --> 01:00:10,240 Speaker 1: first impression of Joy, and this is something that continues 1020 01:00:10,280 --> 01:00:13,640 Speaker 1: to ring true is Joy is the all American girl 1021 01:00:13,720 --> 01:00:16,680 Speaker 1: next door. She is wholesome and like so easy to 1022 01:00:16,720 --> 01:00:19,240 Speaker 1: love right out of the gates. But Joy has a 1023 01:00:19,400 --> 01:00:24,400 Speaker 1: naughty streak that I always felt so privileged to know about. 1024 01:00:24,760 --> 01:00:27,680 Speaker 1: And so just recently we have a mutual friend and 1025 01:00:27,800 --> 01:00:30,200 Speaker 1: we were talking about Joy and she's like, you know, 1026 01:00:30,440 --> 01:00:33,880 Speaker 1: Joy is just so wholesome and so good, and I'm like, what, Joy, 1027 01:00:34,000 --> 01:00:38,439 Speaker 1: are you hanging out? Because I know, I know party, Joy, 1028 01:00:38,600 --> 01:00:43,240 Speaker 1: and she is fun Joy. When Joy lets you into 1029 01:00:43,320 --> 01:00:46,480 Speaker 1: that cut, loose circle, you've made it, that's the that's 1030 01:00:46,520 --> 01:00:50,000 Speaker 1: the upper echelon. It feels real nice because it's true. 1031 01:00:50,120 --> 01:00:54,640 Speaker 1: You're so beautiful and talented and you sing like an angel. 1032 01:00:54,720 --> 01:00:59,280 Speaker 1: And and I think because you were playing Hayley, we 1033 01:00:59,400 --> 01:01:03,640 Speaker 1: all were like h and then and then we can 1034 01:01:03,720 --> 01:01:06,120 Speaker 1: get into like the Whiskey nights, and you're just like, oh, 1035 01:01:06,200 --> 01:01:08,840 Speaker 1: I've made, I've made. Give me, give me a glass 1036 01:01:08,840 --> 01:01:11,120 Speaker 1: of Johnny Walker and a nice long Virginia Slim and 1037 01:01:11,200 --> 01:01:15,840 Speaker 1: I'll have a real good night. Good bad girls club 1038 01:01:16,080 --> 01:01:20,600 Speaker 1: here we come, bad girls, all right. What's our next question? Oh, Hillary, 1039 01:01:20,680 --> 01:01:24,720 Speaker 1: this one's for you, Stacy says Hillary. In the pilot episode, 1040 01:01:24,840 --> 01:01:28,840 Speaker 1: did you actually almost run over Chad with the comment? Christ? 1041 01:01:30,480 --> 01:01:35,160 Speaker 1: I mean didn't. So here's what's up. I hadn't really 1042 01:01:35,280 --> 01:01:38,080 Speaker 1: driven a car since high school because I lived in Manhattan, 1043 01:01:38,240 --> 01:01:40,520 Speaker 1: Like why would I drive a car? Uh? And so 1044 01:01:40,680 --> 01:01:43,080 Speaker 1: I came down. I don't know that my license was 1045 01:01:43,200 --> 01:01:46,400 Speaker 1: even good, and they give me this car that is 1046 01:01:46,640 --> 01:01:50,080 Speaker 1: you know, it's a vintage car. Brakes aren't awesome. It 1047 01:01:50,240 --> 01:01:52,680 Speaker 1: shifts in and out of gear on its own and 1048 01:01:52,880 --> 01:01:54,960 Speaker 1: they're just like, Okay, honey, what you need to do 1049 01:01:55,040 --> 01:01:57,280 Speaker 1: is pick up a little speed and then like hit 1050 01:01:57,320 --> 01:01:59,480 Speaker 1: the brakes and hit this mark exactly because he's just 1051 01:01:59,520 --> 01:02:03,160 Speaker 1: gonna be standing here and because I couldn't even hit 1052 01:02:03,200 --> 01:02:09,840 Speaker 1: a mark walking, Like, how am I gonna Chad's quick? 1053 01:02:09,960 --> 01:02:17,720 Speaker 1: He's limber, he survived. What do you want to out? Yeah? Um, okay, great. 1054 01:02:17,880 --> 01:02:21,360 Speaker 1: So those are our listener questions. Will you guys keep please, 1055 01:02:21,440 --> 01:02:25,680 Speaker 1: please keep sending them to us to figure out what 1056 01:02:25,840 --> 01:02:28,080 Speaker 1: you want to talk about. We know what we want 1057 01:02:28,120 --> 01:02:30,280 Speaker 1: to talk about. We could just go on and on forever. 1058 01:02:32,480 --> 01:02:36,760 Speaker 1: Can we talk about Joy and her secret talent? This 1059 01:02:37,240 --> 01:02:42,000 Speaker 1: is truly one of the greatest things, and especially you know, 1060 01:02:42,400 --> 01:02:46,880 Speaker 1: a year into not being able to not only be 1061 01:02:47,000 --> 01:02:49,120 Speaker 1: together because we don't live in the same place as 1062 01:02:49,120 --> 01:02:51,640 Speaker 1: all of us, but no one could be together because 1063 01:02:51,720 --> 01:02:54,920 Speaker 1: of this pandemic. And then it was finally safe for 1064 01:02:55,040 --> 01:02:57,480 Speaker 1: us to do this and we got to do our shoot. 1065 01:02:57,960 --> 01:03:00,040 Speaker 1: And I mean listen, we may or may not have 1066 01:03:00,120 --> 01:03:02,120 Speaker 1: taken all those bottles of Jane Walker home from the 1067 01:03:02,160 --> 01:03:06,040 Speaker 1: bar with us. In my in my defense, I did 1068 01:03:06,120 --> 01:03:08,680 Speaker 1: bring them for us. I brought them as presents. And 1069 01:03:08,680 --> 01:03:14,720 Speaker 1: then we opened them all um Joy's Ranch. No, who 1070 01:03:14,800 --> 01:03:17,760 Speaker 1: would ever waste a great bottle of whiskey. We took 1071 01:03:17,840 --> 01:03:20,240 Speaker 1: them to Joy's ranch and we were like out with 1072 01:03:20,400 --> 01:03:23,160 Speaker 1: the horses and the dogs, and then we turn around 1073 01:03:23,320 --> 01:03:27,120 Speaker 1: and this goddess woman with her mermaid hair is mixing 1074 01:03:27,920 --> 01:03:33,120 Speaker 1: the stiffest drinks that were just so good. Well, the 1075 01:03:33,240 --> 01:03:35,280 Speaker 1: rose petals are what got me. Joy goes down to 1076 01:03:35,400 --> 01:03:38,120 Speaker 1: her garden and it's just like plucking rose petals to 1077 01:03:38,200 --> 01:03:44,200 Speaker 1: put in drinks and like she fairy this. It was glorious. Yeah, 1078 01:03:44,280 --> 01:03:47,360 Speaker 1: you made us this like floral version of an old 1079 01:03:47,480 --> 01:03:50,920 Speaker 1: fashioned I mean it's what inspired the cocktails that we 1080 01:03:51,160 --> 01:03:54,720 Speaker 1: literally made with Jack. We got to make boxes of 1081 01:03:54,840 --> 01:03:59,240 Speaker 1: them because of you. So cool, so we got we Okay. 1082 01:03:59,520 --> 01:04:02,600 Speaker 1: I love mixology. It's something that I kind of started 1083 01:04:02,640 --> 01:04:06,920 Speaker 1: over the pandemic, and it's to me, it's kind of 1084 01:04:06,920 --> 01:04:09,360 Speaker 1: like the closest I know how to get to potion making. 1085 01:04:09,720 --> 01:04:13,040 Speaker 1: Like there's like all these pretty bottles and you can 1086 01:04:13,080 --> 01:04:15,120 Speaker 1: pour stuff out and mix things and they taste good 1087 01:04:15,160 --> 01:04:17,400 Speaker 1: and they make you feel certain ways and it's very exciting. 1088 01:04:17,840 --> 01:04:20,640 Speaker 1: So yeah, it's been become a bit of a hobby. 1089 01:04:20,720 --> 01:04:22,880 Speaker 1: And uh yeah, that was one of my favorite I 1090 01:04:23,200 --> 01:04:26,720 Speaker 1: really love there's a rose syrup. It's it's not a syrup, 1091 01:04:26,720 --> 01:04:28,960 Speaker 1: it's a laqueur. It's rose laqueur. And when you mix 1092 01:04:29,040 --> 01:04:31,680 Speaker 1: it into kind of like an old fashioned style drink 1093 01:04:31,720 --> 01:04:37,000 Speaker 1: with whiskey, it's particularly particularly great. So um, yeah, I'll 1094 01:04:37,040 --> 01:04:39,200 Speaker 1: have to post that that recipe as well as our 1095 01:04:39,720 --> 01:04:47,280 Speaker 1: our smokey um Lepsongong smoky syrup t infused cocktail that 1096 01:04:47,520 --> 01:04:49,800 Speaker 1: we got to make with Jane Walker, and it's called 1097 01:04:50,240 --> 01:04:53,200 Speaker 1: the Iconic, So pass the word around. That's the Iconic 1098 01:04:53,440 --> 01:04:56,880 Speaker 1: Drama Queen, and we'll post those recipes soon. But yeah, 1099 01:04:56,960 --> 01:04:58,439 Speaker 1: that was fun, and I'm so glad that you girls 1100 01:04:58,520 --> 01:05:00,680 Speaker 1: came over because it was really haven't been able to 1101 01:05:00,960 --> 01:05:04,160 Speaker 1: really do that just all all together. We were supposed 1102 01:05:04,160 --> 01:05:05,440 Speaker 1: to come to your house just for dinner, and so 1103 01:05:05,560 --> 01:05:07,439 Speaker 1: when I didn't leave to like one o'clock in the morning, 1104 01:05:07,960 --> 01:05:11,200 Speaker 1: it's like like, I hope we get a car out here, 1105 01:05:11,480 --> 01:05:14,160 Speaker 1: and we did. Um, But yeah, it was an adventure. 1106 01:05:14,360 --> 01:05:16,240 Speaker 1: I love it out there, just sitting out on your 1107 01:05:16,280 --> 01:05:19,200 Speaker 1: patio and like seeing the horses and all the stars 1108 01:05:19,360 --> 01:05:21,880 Speaker 1: and being able to catch up. That's like the first 1109 01:05:21,960 --> 01:05:25,120 Speaker 1: time we've gotten to hang out in somebody's backyard since 1110 01:05:25,240 --> 01:05:28,720 Speaker 1: we were in Wilmington's. Oh my gosh, that's right, that's 1111 01:05:28,760 --> 01:05:31,000 Speaker 1: so true. Yeah, because so much of what we've all 1112 01:05:31,040 --> 01:05:34,000 Speaker 1: been able to do, you know, over the last half 1113 01:05:34,080 --> 01:05:37,680 Speaker 1: decade has been in cities around the world, like we'll 1114 01:05:37,720 --> 01:05:40,400 Speaker 1: go to Montreal, we'll go to Paris. We haven't been 1115 01:05:40,440 --> 01:05:44,160 Speaker 1: able to just sit at home. And it felt so nice. 1116 01:05:45,480 --> 01:05:49,200 Speaker 1: Uh so, how should we wrap up? Guys? Should we talk? 1117 01:05:49,240 --> 01:05:51,120 Speaker 1: I mean, well, we need to talk about what our 1118 01:05:51,160 --> 01:05:53,440 Speaker 1: favorite lines of the episode are for sure? Okay, well 1119 01:05:53,520 --> 01:05:56,360 Speaker 1: I don't think there's any I mean I guess, well, 1120 01:05:56,440 --> 01:05:59,120 Speaker 1: your Art Matters is, like, that's the one that's like 1121 01:05:59,240 --> 01:06:03,480 Speaker 1: the star line. Yeah, it's it's tattooed on my heart, 1122 01:06:03,680 --> 01:06:05,680 Speaker 1: Like I'm not in real life, guys, Like I don't 1123 01:06:05,760 --> 01:06:09,760 Speaker 1: really have a tattooed, but um it, yeah, I feel 1124 01:06:09,760 --> 01:06:13,000 Speaker 1: like that's the heart of Peyton, Like that line. Everything 1125 01:06:13,200 --> 01:06:18,680 Speaker 1: comes back to that and and it's your art Matters 1126 01:06:18,800 --> 01:06:23,320 Speaker 1: is that iconic line. But it's it's the support line. 1127 01:06:23,360 --> 01:06:26,600 Speaker 1: It's what got me here, Like that's the whole thing 1128 01:06:26,720 --> 01:06:30,160 Speaker 1: of it. You did something and it made me brave. 1129 01:06:30,680 --> 01:06:33,240 Speaker 1: It didn't matter after you gave him that whole speech, 1130 01:06:33,480 --> 01:06:36,840 Speaker 1: the whole ground up speech at the car and what 1131 01:06:36,960 --> 01:06:39,440 Speaker 1: does it matter, doesn't matter to anybody anyway, and that 1132 01:06:39,560 --> 01:06:41,520 Speaker 1: he took the risk to say that to you in 1133 01:06:41,640 --> 01:06:45,320 Speaker 1: spite of how often you reject him. Boys should always 1134 01:06:45,400 --> 01:06:48,720 Speaker 1: talk to us that way, Just always tell us what 1135 01:06:48,840 --> 01:06:52,760 Speaker 1: we want to hear. Thank you, And I gotta say 1136 01:06:52,840 --> 01:06:56,640 Speaker 1: the sleeper hit for me was definitely that place knows 1137 01:06:56,720 --> 01:07:00,200 Speaker 1: too much. That was a punch in the gut, the 1138 01:07:00,360 --> 01:07:03,760 Speaker 1: grown up line that hits us now as grown ups, 1139 01:07:03,840 --> 01:07:08,919 Speaker 1: where it's like, yeah, yeah, girls, this has been so fun. 1140 01:07:08,960 --> 01:07:11,600 Speaker 1: I can't wait till our next one. I love you. 1141 01:07:13,400 --> 01:07:16,280 Speaker 1: I'm so dirty from farming today, so I love that 1142 01:07:16,400 --> 01:07:18,640 Speaker 1: this is our lady break like where we get to 1143 01:07:18,760 --> 01:07:22,360 Speaker 1: just like pause and the seventeen year old girls again 1144 01:07:22,920 --> 01:07:26,280 Speaker 1: and have great. Al Right, guys, saddle up, we'll see 1145 01:07:26,320 --> 01:07:30,200 Speaker 1: you next week. H as always were your drama queens. 1146 01:07:30,480 --> 01:07:35,320 Speaker 1: We love you. We all about that high school drama girl, 1147 01:07:35,440 --> 01:07:38,280 Speaker 1: drama girl, all about them high school queens, and forever 1148 01:07:38,600 --> 01:07:40,800 Speaker 1: we'll take you for a ride at our comic girl 1149 01:07:41,600 --> 01:07:46,080 Speaker 1: cheering for the right drama cueen up girl fashion. But 1150 01:07:46,200 --> 01:07:49,000 Speaker 1: you'll tough, girls. You could sit with us. Girl drama Queens, 1151 01:07:49,040 --> 01:07:53,000 Speaker 1: John mcqueens, Drawn mc queen's drama John McQueen's drama Queens,