WEBVTT - Conversations About Mexicans In Hip Hop

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<v Speaker 1>What's up? And welcome back to another episode of No

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<v Speaker 1>Sealer's podcast with your hosts now fuck that with your

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<v Speaker 1>loaw glasses, Malone. That's the problem, Like when you have

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<v Speaker 1>a podcast and ship and you have a conversation before

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<v Speaker 1>you flush out really good ideas, you know what I'm

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<v Speaker 1>saying for, Like, you could have talked about this shit

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<v Speaker 1>on the fucking podcast.

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<v Speaker 2>It's like, shit we do in our thread, yeah, having

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<v Speaker 2>long ass conversations and we're.

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<v Speaker 1>Like, why we didn't talk about this on the podcast, Like,

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<v Speaker 1>and then you get in front of the podcast and

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<v Speaker 1>you don't got nothing to talk about? That shit is

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<v Speaker 1>the worst. That's fucked up. Damn hold up, I got

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<v Speaker 1>to use the background girl? What is that? What's up

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<v Speaker 1>with pause? Let's start with that? What is pause?

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<v Speaker 3>Yeah?

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<v Speaker 1>What is that? Fucking are you trying to be young?

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<v Speaker 4>No? No, I'm young.

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<v Speaker 3>First of all, was made by some old ass motherfuckers

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<v Speaker 3>that are older than us and Dame Dash and camera on.

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<v Speaker 3>What it is is for East Coast sympathizers like myself

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<v Speaker 3>who mimic New York slang. I'm glad you know that

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<v Speaker 3>it's okay. I can't accept that that's okay. But it's funny.

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<v Speaker 3>I don't care it's funny. But you know what though,

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<v Speaker 3>that's one of the things that we be talking about

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<v Speaker 3>sometimes it's like everything's kind of like blurred lines now,

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<v Speaker 3>Like I know that, so I do it because it's funny.

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<v Speaker 3>Pause to me is funny because obviously they use it

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<v Speaker 3>as like no homo. That's how they used to use it, right.

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<v Speaker 3>But you can't say no home anymore because it's it's

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<v Speaker 3>not politically correct. You can say what you want to say,

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<v Speaker 3>you can say what you want, but I'm saying you

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<v Speaker 3>could you know you're gonna get some back life.

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<v Speaker 1>I'm not scared of cancel culture.

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<v Speaker 3>Nah. No. So pause is basically like you said, pull

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<v Speaker 3>the mic clothes like yo, pause, Yo, what you're talking

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<v Speaker 3>about pulling mic closer? Relax or just you could have

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<v Speaker 3>just what you could have just said you need you need.

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<v Speaker 1>You said what you call your digging mic.

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<v Speaker 3>No, not at all.

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<v Speaker 1>It's just that what you tell your girl talking to

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<v Speaker 1>the mic. That is that the new way to say.

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<v Speaker 1>Give me some man talking to the micro.

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<v Speaker 3>And I've heard tell another man, hey man, grab grabbed

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<v Speaker 3>the mic and pull it closer, to grab the mic

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<v Speaker 3>and pull it closer to you.

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<v Speaker 1>You just don't know how the sexual indue windows came from. Hey,

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<v Speaker 1>grab the microphone and pull it closer. Pause, pause, You

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<v Speaker 1>don't know how the sexual inn windows came to that. See,

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<v Speaker 1>it comes to a certain place where that ship just

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<v Speaker 1>get out of hand. And this is why I feel

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<v Speaker 1>like people on the West should not listen to too

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<v Speaker 1>much East Coast hip hop because you'll have some ship

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<v Speaker 1>that don't apply. It does apply, though, pulling the microphone closer.

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<v Speaker 3>To you not the act of a man telling another.

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<v Speaker 1>Man to pull the microphone closer to your mouth, Like.

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<v Speaker 3>Hey, bro, I need to hear a little bit louder

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<v Speaker 3>on the mic. You could just say it like that.

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<v Speaker 3>See how more manly that?

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<v Speaker 5>No that I don't understand why that had to be done.

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<v Speaker 1>Yeah, I don't get it. I don't get it.

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<v Speaker 3>Yeah, that's pause. That's Cam run and Mace.

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<v Speaker 4>I don't care what you say.

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<v Speaker 1>And that's the problem again, because you don't needies either.

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<v Speaker 1>That being that Cam like I think Cam would say

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<v Speaker 1>you're taking this out of context.

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<v Speaker 3>Cam, No, because they tell Cam he's taking it out

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<v Speaker 3>of context.

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<v Speaker 1>No, no, No, People on the East Coast understand the context

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<v Speaker 1>because maybe they would tell somebody to speak into the

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<v Speaker 1>mic like that's giving head or getting head or whatever.

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<v Speaker 1>I don't know how we me and you we've known

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<v Speaker 1>each other twenty years, because twenty years and I've never

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<v Speaker 1>told you, Yeah, that girl was blowing into my mic.

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<v Speaker 3>No, you've never done that.

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<v Speaker 1>No, so you've never told me too. I had that

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<v Speaker 1>bitch speaking into the mic last night. I've never heard that,

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<v Speaker 1>So I don't understand the sexual innuindow you feel me

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<v Speaker 1>of Hey, pull the mic the microphone closer to your mouth.

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<v Speaker 3>That just doesn't sound right.

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<v Speaker 1>It actually sounds perfect.

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<v Speaker 3>You can just hey, speak loud.

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<v Speaker 1>Like yeah, like we're in the studio and you're like, yo,

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<v Speaker 1>like that was just And that's why you can't adopt

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<v Speaker 1>East Coast culture. Son, This is what's wrong. I've thought

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<v Speaker 1>about this. Hey done, yo, son, Yo done? That's word.

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<v Speaker 3>God, I do done talk so done.

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<v Speaker 1>And see that's the problem, you know what. And honestly,

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<v Speaker 1>since since we've always talked about this, that's always been

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<v Speaker 1>my point, Like you're going to mishandle it and it's

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<v Speaker 1>going to come across. Forgive me for using the time

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<v Speaker 1>warning corny, because you're going to mishandle it.

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<v Speaker 2>But this is a conversation wearing a buffy coat at

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<v Speaker 2>Cintamonica peer in the summer night.

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<v Speaker 3>I never did on the summer night. Definitely did it

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<v Speaker 3>in the winter.

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<v Speaker 1>Was it like seventy one? It's risk.

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<v Speaker 3>Sixty thirty sixty four And I used to have the

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<v Speaker 3>bubble jacket without the sleeves, likell, what the fuck it?

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<v Speaker 3>I really did. I'm being honest. I'm just being honest.

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<v Speaker 3>But this is what I'd be trying to tell you,

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<v Speaker 3>though you think I'm joking, Bro, there is a demographic

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<v Speaker 3>of Mexicans on the West coast, Bro, that didn't know

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<v Speaker 3>how to relate to being westcast, Like how we talked

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<v Speaker 3>about like if in theory now it would be like

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<v Speaker 3>sack of Dom Kennedy, right, like West La Okay, I

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<v Speaker 3>grew up in Englewood, but I'm over here, you know,

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<v Speaker 3>in Santa Monica.

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<v Speaker 1>Right, there's a way to talk. But we had we

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<v Speaker 1>had a mod. We had we had a mod.

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<v Speaker 3>Yeah, but a mad even a MOD in them wasn't

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<v Speaker 3>like that was more to us. That sounded more like

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<v Speaker 3>J five, that was like more East coast.

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<v Speaker 1>Why did a mod sound like East coast?

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<v Speaker 3>Because he did it didn't sound West Coast, not to

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<v Speaker 3>the traditional idea of what we were thinking was West Coast,

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<v Speaker 3>which was at that time, like yeah, kangster rap, sound

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<v Speaker 3>like that.

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<v Speaker 1>But West Coast hip hop has always been more than

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<v Speaker 1>gangster rep.

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<v Speaker 4>I understand that.

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<v Speaker 3>I'm just telling you when you didn't know what as

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<v Speaker 3>a Mexican hip hops, what I'm telling you, when you

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<v Speaker 3>didn't know what direction to go in. That's why a

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<v Speaker 3>lot of us more so kind of like drifted into

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<v Speaker 3>into the East Coast. What about sound?

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<v Speaker 4>What about Look?

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<v Speaker 1>What about farce? Why what about farcide?

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<v Speaker 3>That was also that's that's like hieroglyphics and like Dell

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<v Speaker 3>the funky Homo Sapien, like all that sound was kind

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<v Speaker 3>of like East Coast, even though it was West Coast.

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<v Speaker 1>I mean, I can understand that, but I'm saying we've

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<v Speaker 1>always on the west right T and Spade, like Toddy

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<v Speaker 1>t and Spade since you know, the mid eighties. It

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<v Speaker 1>wasn't about being a gang member. Like that's the thing, like,

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<v Speaker 1>and this is why I've always like disputed y'all. It's

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<v Speaker 1>like NWA is not about being gang members.

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<v Speaker 3>But there was a Look at what I'm saying, So

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<v Speaker 3>if you didn't want to. So one thing about La

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<v Speaker 3>g and we've talked about this. When you it can

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<v Speaker 3>be anyone. But if you look a specific way, you

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<v Speaker 3>open yourself up to get pressed for sure, hands down, No, yes,

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<v Speaker 3>you do. If you back then, if you was wearing

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<v Speaker 3>if you looked or dressed like food, like the Mexicans

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<v Speaker 3>and colors, or like.

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<v Speaker 1>Uh, if you look at the streets.

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<v Speaker 3>Yes, if you look like the streets of La right,

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<v Speaker 3>like Caine and and Old Dog.

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<v Speaker 1>Caine and Old Dog didn't really wear nothing.

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<v Speaker 3>I mean it was white teas Levi's and that's my point.

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<v Speaker 3>I'm not but not everyone did. And if you did

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<v Speaker 3>wear it, and you was in the in the neighborhoods

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<v Speaker 3>that we were in, you were liable to somebody be like, hey, Holmie,

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<v Speaker 3>where are you from. So if you didn't want to

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<v Speaker 3>deal with that, you'd be like, yo, son, what's up?

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<v Speaker 4>Sun?

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<v Speaker 1>Defense?

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<v Speaker 3>Defense, the defense mechanism. So you you're like, yeah, I'm

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<v Speaker 3>I wrap like the East Coast guys because I don't

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<v Speaker 3>want to sound like you gang bangers.

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<v Speaker 1>So that okay.

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<v Speaker 3>So I'm taking you back to very early trans that's

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<v Speaker 3>we're talking about ninety three ninety four.

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<v Speaker 1>So so this is no siblings. I got a headache already.

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<v Speaker 1>Glasses Malone. My homeboy brought his homeboy.

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<v Speaker 3>Jazz are the jugging that I say, what's up going on?

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<v Speaker 1>Shout out to my brother Alcatraz Tony Nadio. So it's

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<v Speaker 1>fantastic MC and a hip hop history in his own riot.

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<v Speaker 1>He's been on the podcast before. But Trass is a

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<v Speaker 1>Mexican hip hop artist. Jazz is mixed s Guatemalan, I

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<v Speaker 1>mean for the most part, but he grew up in Southgate.

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<v Speaker 1>Trash grew up in eigglehood, and I think that's the cornerstone.

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<v Speaker 1>Well that's not even important, right because culturally, because culturally

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<v Speaker 1>how you was raised is more important than how white

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<v Speaker 1>people treat you. Yeah, I was raised hispanic got you

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<v Speaker 1>or don't mean that he ain't no nigga. Everybody that

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<v Speaker 1>don't know gonna treat him like a nigga for sure

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<v Speaker 1>because he is mixed with black. But culturally he grew

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<v Speaker 1>up in Southgate, So I know what time it is.

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<v Speaker 1>I learned. I learned more like junior high high school.

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<v Speaker 1>That's because I was Because you're gonna start You're gonna

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<v Speaker 1>start meeting other Mexican people. Gonna start got out of Southgate.

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<v Speaker 2>My mom put me from because I was in elementary

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<v Speaker 2>and Southgate and then I got expelled and then she

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<v Speaker 2>she was she working at Sony. Where'd you get expelled

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<v Speaker 2>from from a fucking private school, Redeemer Long Beach Boulevard.

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<v Speaker 2>So then my mom took me to uh to Culver City.

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<v Speaker 2>And that's what was discussing the day he was talking

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<v Speaker 2>about coverd City wasn't racially diverse, that motherfucker every Culver.

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<v Speaker 1>City because Culver City has a really underrated poor part

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<v Speaker 1>that nobody talks about.

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<v Speaker 3>The projects.

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<v Speaker 1>I wouldn't call those projects project project. I know they're

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<v Speaker 1>housing projects, but I just wouldn't reference because it's in

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<v Speaker 1>Culver City, right But it very much is some bushes.

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<v Speaker 1>So I'm not saying it ain't bullshit. I'm just saying

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<v Speaker 1>when you go to Culver City, like in that poor,

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<v Speaker 1>like that small, because they do have a ghetto right there.

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<v Speaker 1>I have no idea why it's this little fucking ghetto

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<v Speaker 1>right in the smack dead center of fucking Culver City,

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<v Speaker 1>cause that shit's crazy. But this is something that's it

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<v Speaker 1>was just on my mind. But did growing up, you know,

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<v Speaker 1>because your skin is darker? Did did did any Mexicans

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<v Speaker 1>treat you like a nigga.

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<v Speaker 3>At that time?

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<v Speaker 2>And it's crazy my whole life. So my moms, even

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<v Speaker 2>though you grow up just believing whatever your.

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<v Speaker 1>Sure, they raised you.

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<v Speaker 2>The moms told me that my father was of a

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<v Speaker 2>different race growing up, sure, but it never computed.

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<v Speaker 1>Like why is my skin color this dark?

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<v Speaker 3>Then?

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<v Speaker 1>Yeah, because there are some.

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<v Speaker 2>So you guys earn them around black folk. They embraced

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<v Speaker 2>me so much and I'd be young, always wondering, like

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<v Speaker 2>and I remember one time I was somewhere in somebody

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<v Speaker 2>was playing and somebody says something like about nigga, my nigga,

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<v Speaker 2>and I was like, I'm not black, and the mom

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<v Speaker 2>was like, son, he was a nigga.

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<v Speaker 1>And I was like what.

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<v Speaker 5>And I went home and I told my mom like

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<v Speaker 5>this lady said I was a nigga.

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<v Speaker 1>And she was all mad. She was like, who was

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<v Speaker 1>it was a white lady.

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<v Speaker 5>I said no, she was a black lady.

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<v Speaker 2>Oh, And my mom gave me a look like it's

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<v Speaker 2>gonna be deep.

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<v Speaker 5>But yeah, your question you always like in Southgate.

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<v Speaker 1>Because I know Southgate is for sure one of them

0:11:34.800 --> 0:11:35.840
<v Speaker 1>plays that's like.

0:11:35.760 --> 0:11:38.360
<v Speaker 3>The Homie Horn that we have. He's Mexican and black

0:11:38.400 --> 0:11:39.800
<v Speaker 3>and his mom is Mexican.

0:11:39.920 --> 0:11:42.840
<v Speaker 1>He you know, it's different. I was always the black

0:11:42.920 --> 0:11:45.640
<v Speaker 1>g I Joe. You always had to be the black

0:11:45.679 --> 0:11:46.520
<v Speaker 1>power rolls.

0:11:46.280 --> 0:11:49.120
<v Speaker 2>Always the black whatever ever, like we got our own now,

0:11:49.520 --> 0:11:50.800
<v Speaker 2>I would always be that guy.

0:11:51.000 --> 0:11:53.960
<v Speaker 1>It's different for him because so wine like Jay grew

0:11:54.000 --> 0:11:56.840
<v Speaker 1>up ju So shout out to the boy ju Wan Williams.

0:11:56.880 --> 0:12:00.320
<v Speaker 1>His nigga name is Wan Williams. That's like the most

0:12:00.400 --> 0:12:03.400
<v Speaker 1>Mexican and black shit ever. But it's funny because like

0:12:03.520 --> 0:12:06.320
<v Speaker 1>he grew up in Southgate. So even as a person

0:12:06.360 --> 0:12:12.440
<v Speaker 1>of what's the correct words Spanish speaking people descent over

0:12:12.480 --> 0:12:15.880
<v Speaker 1>here on this side of the motherfucking globe, and to

0:12:15.960 --> 0:12:18.880
<v Speaker 1>be he grew up in Southgate and South Grade is

0:12:18.960 --> 0:12:22.800
<v Speaker 1>like a real Mexican type of place.

0:12:24.000 --> 0:12:25.040
<v Speaker 4>He did, no, he did?

0:12:25.160 --> 0:12:25.800
<v Speaker 3>Yes? Okay?

0:12:25.960 --> 0:12:29.360
<v Speaker 1>So Jay, you grew up in West Long Beach, right,

0:12:29.559 --> 0:12:32.760
<v Speaker 1>and West Loan Beach is like a for real black

0:12:32.840 --> 0:12:36.120
<v Speaker 1>experience as far as poor people go. So where you

0:12:36.280 --> 0:12:38.880
<v Speaker 1>raised that is different because he right, like in Southgate,

0:12:38.880 --> 0:12:40.839
<v Speaker 1>they probably might treat him like a nigga, you know

0:12:40.840 --> 0:12:43.160
<v Speaker 1>what I'm saying. But where Jay is at, they gonna

0:12:43.200 --> 0:12:46.319
<v Speaker 1>make sure the Mexico treat your ass like a nigga too.

0:12:46.280 --> 0:12:48.760
<v Speaker 3>And by him being over there is why his whole

0:12:48.840 --> 0:12:52.280
<v Speaker 3>style has also been East Coast too, I guarantee you

0:12:52.320 --> 0:12:52.920
<v Speaker 3>that's part of it.

0:12:53.160 --> 0:12:57.240
<v Speaker 2>No, it wasn't my style being East Coast actually came

0:12:57.280 --> 0:13:04.360
<v Speaker 2>from me always being interested in the hip hop culture. Right.

0:13:04.559 --> 0:13:07.680
<v Speaker 2>My first concert was I told you it was nineteen

0:13:08.720 --> 0:13:12.640
<v Speaker 2>eighty nine and it was Beastie Boys and run DMC.

0:13:13.000 --> 0:13:15.120
<v Speaker 2>But I was growing up like my mom's friends in

0:13:15.160 --> 0:13:18.160
<v Speaker 2>the disco times and all that shit. All her friends'

0:13:18.280 --> 0:13:22.000
<v Speaker 2>kids was DJs and breakdancers. Yeah, so I grew up

0:13:22.040 --> 0:13:26.200
<v Speaker 2>watching them. They was in the hip hop. I started

0:13:26.200 --> 0:13:30.360
<v Speaker 2>getting into the music then rap, and that's how they

0:13:30.520 --> 0:13:32.520
<v Speaker 2>Then I started getting to the was discussing earlier the

0:13:32.559 --> 0:13:34.920
<v Speaker 2>Wu Tang, and I got that ship on my leg,

0:13:35.280 --> 0:13:36.000
<v Speaker 2>the Wu Tang.

0:13:36.600 --> 0:13:39.600
<v Speaker 5>But that's where that's where my music at that.

0:13:39.640 --> 0:13:42.160
<v Speaker 1>Point was was listening to.

0:13:42.320 --> 0:13:46.360
<v Speaker 2>Yeah, the the nwas and all that wasn't was because

0:13:46.400 --> 0:13:47.480
<v Speaker 2>I didn't grow up that way either.

0:13:47.760 --> 0:13:48.520
<v Speaker 3>That's my point.

0:13:49.480 --> 0:13:50.920
<v Speaker 4>He just was my point.

0:13:51.000 --> 0:13:53.080
<v Speaker 1>But both of y'all are really not making a point.

0:13:53.520 --> 0:13:54.280
<v Speaker 1>I'm gonna tell you what.

0:13:55.040 --> 0:13:56.760
<v Speaker 4>We might not be making the right point.

0:13:56.840 --> 0:13:59.559
<v Speaker 1>No, no, but that's not even making a point at all. Right,

0:14:00.160 --> 0:14:02.080
<v Speaker 1>you can make a point, right, but I'm saying the

0:14:02.120 --> 0:14:06.400
<v Speaker 1>reality is, if you're from here and you're our age, nigga,

0:14:06.440 --> 0:14:10.760
<v Speaker 1>you grew up on death row. Period. It don't matter

0:14:10.800 --> 0:14:13.320
<v Speaker 1>what you chose. I did grow up on it. Like

0:14:13.360 --> 0:14:15.520
<v Speaker 1>you don't have a choice, like none of us had

0:14:15.520 --> 0:14:16.000
<v Speaker 1>a choice.

0:14:16.000 --> 0:14:18.000
<v Speaker 4>But death row was a small part.

0:14:18.240 --> 0:14:22.080
<v Speaker 3>No, death row was a small part that came and

0:14:22.120 --> 0:14:25.200
<v Speaker 3>took over after already being flooded with.

0:14:25.280 --> 0:14:28.720
<v Speaker 1>Wan there was death row.

0:14:29.200 --> 0:14:30.240
<v Speaker 3>Well, yeah, I.

0:14:30.200 --> 0:14:33.640
<v Speaker 1>Guess you got that wrong. So you were purposely avoiding

0:14:33.720 --> 0:14:34.280
<v Speaker 1>real life.

0:14:34.400 --> 0:14:36.480
<v Speaker 3>No, I think I think they were. They was all

0:14:36.520 --> 0:14:37.840
<v Speaker 3>being played at the same time.

0:14:38.040 --> 0:14:40.000
<v Speaker 1>They were. It wasn't even yes, they were.

0:14:42.680 --> 0:14:43.960
<v Speaker 4>Chambers came out and what.

0:14:45.400 --> 0:14:49.520
<v Speaker 1>Exactly you are from Inglewood? Trust? For sure they were

0:14:49.520 --> 0:14:51.960
<v Speaker 1>playing the Chronic everywhere.

0:14:52.160 --> 0:14:54.800
<v Speaker 4>I remember that you don't have you don't.

0:14:54.640 --> 0:14:58.520
<v Speaker 1>Have to remember it. It literally shaped your existence. So

0:14:58.600 --> 0:15:01.680
<v Speaker 1>as much as you don't understand in this your desire

0:15:01.760 --> 0:15:05.200
<v Speaker 1>right to choose outside of it is kind of the choice.

0:15:05.240 --> 0:15:08.560
<v Speaker 1>It's not a reality for you because we all grew

0:15:08.640 --> 0:15:12.360
<v Speaker 1>up shaped by excuse me, the uh the Chronic is

0:15:12.480 --> 0:15:16.480
<v Speaker 1>ninety two, So that was before Doggie Style is ninety three.

0:15:16.760 --> 0:15:21.440
<v Speaker 1>So wasn't no Illmatic, wasn't no fucking Wu Tang like

0:15:21.520 --> 0:15:24.200
<v Speaker 1>you might have if you were lucky one or two

0:15:24.240 --> 0:15:27.840
<v Speaker 1>people around you might have played Wu Tang or illmatic

0:15:28.320 --> 0:15:30.520
<v Speaker 1>in real life. I don't give a fuck which part

0:15:30.560 --> 0:15:34.280
<v Speaker 1>of the motherfucking West you was at. There was nothing

0:15:34.320 --> 0:15:38.720
<v Speaker 1>else going to happen outside of the chronic Doggie style

0:15:39.080 --> 0:15:43.240
<v Speaker 1>murder was the case dog fool at Cuver City, though.

0:15:43.280 --> 0:15:44.640
<v Speaker 1>Who I was hanging with.

0:15:45.040 --> 0:15:49.320
<v Speaker 2>Was just gonna be quote unquote backpackers, So they was

0:15:49.440 --> 0:15:51.920
<v Speaker 2>all on the east.

0:15:51.640 --> 0:15:53.960
<v Speaker 3>Coast, right, and that's what it is.

0:15:54.040 --> 0:15:54.200
<v Speaker 1>It was.

0:15:54.400 --> 0:15:55.880
<v Speaker 4>It was the West side.

0:15:56.800 --> 0:16:00.920
<v Speaker 1>It's not it's not even west A listen to. It's

0:16:01.000 --> 0:16:02.160
<v Speaker 1>not like I.

0:16:02.200 --> 0:16:04.160
<v Speaker 2>Was going to school when Big Boy was there from

0:16:04.160 --> 0:16:07.680
<v Speaker 2>Barbweo six so he was DJing with Ray at them

0:16:07.760 --> 0:16:10.640
<v Speaker 2>times as a student in the school. No, but he

0:16:10.800 --> 0:16:13.400
<v Speaker 2>was influencing our music a lot because he did all

0:16:13.400 --> 0:16:13.920
<v Speaker 2>the day.

0:16:14.040 --> 0:16:16.280
<v Speaker 3>No, no, no, but I get what he's said. He's right,

0:16:16.400 --> 0:16:19.840
<v Speaker 3>like all of you pockets, Yeah yeah, yeah, No, no, no,

0:16:19.960 --> 0:16:20.520
<v Speaker 3>what I'm saying.

0:16:20.440 --> 0:16:23.000
<v Speaker 1>If you if you like Wu Tang, forgive me. If

0:16:23.040 --> 0:16:26.120
<v Speaker 1>you like Wu Tang or nas Eomatic at that time,

0:16:26.440 --> 0:16:31.200
<v Speaker 1>those were pockets inside of our real world, Like that

0:16:31.400 --> 0:16:34.280
<v Speaker 1>was like a kind of a dream outside. Like you

0:16:34.680 --> 0:16:36.520
<v Speaker 1>on the West Coast, Yeah, you went into the bubble

0:16:37.000 --> 0:16:39.200
<v Speaker 1>to me, even on the East Coast, like in real life,

0:16:39.280 --> 0:16:41.920
<v Speaker 1>like the East Coast, it probably played way more. But

0:16:42.680 --> 0:16:45.880
<v Speaker 1>these you gotta think like in real life, bro, Like

0:16:46.480 --> 0:16:49.440
<v Speaker 1>people talk about Ellmatic in real time, like it was

0:16:49.480 --> 0:16:51.760
<v Speaker 1>bigger than the Wu Tang album, And it wasn't. It

0:16:51.920 --> 0:16:54.240
<v Speaker 1>just wasn't. That's not to say it wasn't more critically

0:16:54.280 --> 0:16:58.680
<v Speaker 1>acclaimed and people celebrated. But Wu Tang was infectious. Ill

0:16:58.760 --> 0:17:01.160
<v Speaker 1>maadic was kind of like a thing on the island,

0:17:01.360 --> 0:17:03.560
<v Speaker 1>and this is verified from all the gray minds from

0:17:03.600 --> 0:17:08.560
<v Speaker 1>over there. Wu Tang became infectious almost across the country immedia,

0:17:09.520 --> 0:17:11.040
<v Speaker 1>you know what I mean, Like where people was like

0:17:11.040 --> 0:17:13.760
<v Speaker 1>because they were street. They was fucking grimy and dirty,

0:17:13.800 --> 0:17:16.960
<v Speaker 1>so any poor person could love them. Nas kind of

0:17:17.080 --> 0:17:19.880
<v Speaker 1>was like a clean kind of college you know, came

0:17:19.920 --> 0:17:23.600
<v Speaker 1>across as a college educated theorist, so it made people

0:17:23.600 --> 0:17:26.919
<v Speaker 1>feel superior and intellectual. But Wu Tang was for the

0:17:27.000 --> 0:17:31.560
<v Speaker 1>everyday person living outside. But I don't give a fuck

0:17:31.640 --> 0:17:35.320
<v Speaker 1>which part of the West you was on there was

0:17:35.480 --> 0:17:39.600
<v Speaker 1>no fucking way possible. The majority of your experience hearing

0:17:39.720 --> 0:17:42.720
<v Speaker 1>music and seeing life, you could have ever got away

0:17:42.720 --> 0:17:46.760
<v Speaker 1>from the chronic doggie style murder was the case. Dog

0:17:46.840 --> 0:17:50.240
<v Speaker 1>food all lies on me. This is nineteen ninety two,

0:17:50.320 --> 0:17:53.159
<v Speaker 1>ninety three, ninety four, ninety five, ninety six. These are

0:17:53.200 --> 0:17:57.280
<v Speaker 1>the biggest records. Yeah, these are exactly that's my point.

0:17:57.560 --> 0:18:02.040
<v Speaker 1>These are the biggest records in hip hop. Peers like listen.

0:18:02.359 --> 0:18:05.439
<v Speaker 1>These are the biggest records in hip hop period at

0:18:05.480 --> 0:18:08.840
<v Speaker 1>the time. It ain't like ill Madic was close to

0:18:09.000 --> 0:18:12.879
<v Speaker 1>fucking Illmatic came out in ninety four, you know what

0:18:13.000 --> 0:18:16.160
<v Speaker 1>came out in fucking ninety four, Like Snoop was right there,

0:18:16.960 --> 0:18:21.840
<v Speaker 1>like Nigga. Illmatic is not even in the same global

0:18:21.920 --> 0:18:25.160
<v Speaker 1>impact as Doggies. Doggie style is a phenomenon on its own.

0:18:25.720 --> 0:18:30.440
<v Speaker 1>So it's like you had to avoid it purposely.

0:18:31.760 --> 0:18:32.879
<v Speaker 4>And that's what I'm saying.

0:18:33.000 --> 0:18:35.639
<v Speaker 3>That's but that's what I'm saying, though, Like I agree

0:18:35.680 --> 0:18:38.199
<v Speaker 3>with that because I think what it was now that

0:18:38.240 --> 0:18:42.160
<v Speaker 3>I'm thinking, like really thinking back, most of the homies

0:18:42.400 --> 0:18:48.440
<v Speaker 3>in Inglewood, not my Mexican homies, the black homies were

0:18:48.560 --> 0:18:51.600
<v Speaker 3>listening to death Row.

0:18:51.800 --> 0:18:56.879
<v Speaker 1>Most of the Mexican homies in Inglewood. Yeah, yes, and

0:18:57.040 --> 0:18:59.680
<v Speaker 1>they were listening if they were listening to rap.

0:18:59.760 --> 0:19:02.359
<v Speaker 4>Mut I'm not saying they didn't hear it. They did.

0:19:02.480 --> 0:19:05.240
<v Speaker 1>No, No, I'm saying if they were listening to Because

0:19:05.240 --> 0:19:08.679
<v Speaker 1>you gotta realize, like we don't stimulate the actual economy.

0:19:08.760 --> 0:19:11.560
<v Speaker 1>We could say, hey, this is the trending thing. But

0:19:11.600 --> 0:19:14.280
<v Speaker 1>if you're on the West and you having success, it's

0:19:14.320 --> 0:19:17.280
<v Speaker 1>because Mexican audiences is buying your shit. This is where

0:19:17.320 --> 0:19:20.840
<v Speaker 1>we've been at for the last twenty thirty years. This

0:19:20.960 --> 0:19:24.280
<v Speaker 1>ain't something new, Like Mexican people make up the majority

0:19:24.280 --> 0:19:27.639
<v Speaker 1>of the buying population outside of white folks on the West.

0:19:27.880 --> 0:19:29.720
<v Speaker 3>So I think I was part of that group that

0:19:29.800 --> 0:19:31.360
<v Speaker 3>you're talking about as well.

0:19:31.200 --> 0:19:33.719
<v Speaker 4>Where you just whatever, did it get it?

0:19:33.720 --> 0:19:36.560
<v Speaker 3>Well, No, I wouldn't say maybe, I wouldn't say avoided it.

0:19:36.640 --> 0:19:40.960
<v Speaker 3>I think for me, whoever, I gotta think back really well.

0:19:41.040 --> 0:19:44.320
<v Speaker 3>But whatever crew I was hanging around with, like I

0:19:44.359 --> 0:19:48.280
<v Speaker 3>remember the homie Indefinite remember in Depth or SUBI we

0:19:48.400 --> 0:19:50.240
<v Speaker 3>listened to all that shit, but I remember he was

0:19:50.359 --> 0:19:54.439
<v Speaker 3>always really big on raz Caz and like you know,

0:19:54.600 --> 0:19:56.480
<v Speaker 3>corrupt and the way they rhymed.

0:19:56.640 --> 0:19:57.480
<v Speaker 4>Right, So then.

0:19:57.400 --> 0:20:00.800
<v Speaker 1>Yeah, I'm not saying you couldn't find one dude around

0:20:01.000 --> 0:20:03.760
<v Speaker 1>or a few dudes in your crew. I'm telling you

0:20:03.840 --> 0:20:05.960
<v Speaker 1>that don't make up your nigga. If you went to

0:20:06.000 --> 0:20:07.480
<v Speaker 1>a party, that's what they was playing.

0:20:07.800 --> 0:20:10.600
<v Speaker 5>I liked.

0:20:11.240 --> 0:20:11.320
<v Speaker 3>I.

0:20:11.520 --> 0:20:13.480
<v Speaker 2>So you're right on your age what you're saying. But me,

0:20:13.520 --> 0:20:19.680
<v Speaker 2>I'll say I avoided I liked the army pants. I

0:20:19.840 --> 0:20:24.480
<v Speaker 2>liked the things that came with the Wu Tang and

0:20:24.520 --> 0:20:27.639
<v Speaker 2>all that because at the time though, well at the

0:20:27.680 --> 0:20:31.560
<v Speaker 2>because because I wasn't gang banging. And this is but

0:20:31.760 --> 0:20:33.919
<v Speaker 2>at the time when the doggy style came out, I

0:20:33.960 --> 0:20:36.919
<v Speaker 2>was living on sixty seventh and Cimarron, a Horseman with

0:20:36.960 --> 0:20:40.720
<v Speaker 2>my grandma and auto on everybody. That's what was That's

0:20:40.760 --> 0:20:43.600
<v Speaker 2>what was being heard. So I was listening to it

0:20:43.640 --> 0:20:46.040
<v Speaker 2>on a daily but I would still go into my

0:20:46.240 --> 0:20:50.520
<v Speaker 2>room and put on because I was avoiding that culture.

0:20:50.560 --> 0:20:52.240
<v Speaker 5>I guess I would say of a gang.

0:20:53.040 --> 0:20:56.280
<v Speaker 1>But this is what throws me off right about this

0:20:56.359 --> 0:21:00.000
<v Speaker 1>whole conversation, Doctor Dre is not a gang banger.

0:21:00.840 --> 0:21:04.800
<v Speaker 3>Yeah, but you couldn't tell us that one we're thirteen, fourteen.

0:21:04.400 --> 0:21:06.560
<v Speaker 1>Flying years Did he say cousin blood?

0:21:06.680 --> 0:21:09.040
<v Speaker 5>That didn't I didn't understand that at that.

0:21:09.280 --> 0:21:13.159
<v Speaker 3>You know what's funny is I never really associated.

0:21:12.400 --> 0:21:15.280
<v Speaker 1>Like how how did it not register to you that

0:21:15.359 --> 0:21:18.880
<v Speaker 1>Wu Tang was way more street than Doctor Dre. That's

0:21:18.920 --> 0:21:23.399
<v Speaker 1>the problem because that's and that's the bias. I've always kind.

0:21:23.280 --> 0:21:25.800
<v Speaker 3>Of accused you of it because because we're.

0:21:25.400 --> 0:21:28.160
<v Speaker 1>Talking about Wu Tang, who's rapping on they album about

0:21:28.200 --> 0:21:32.040
<v Speaker 1>doing cocaine, shooting niggas, doing dust. But you look at

0:21:32.080 --> 0:21:34.360
<v Speaker 1>Doctor Dre and like, man, you know them niggas right,

0:21:34.400 --> 0:21:39.399
<v Speaker 1>there's gang bangers. These niggas are the worst niggas in

0:21:39.800 --> 0:21:42.040
<v Speaker 1>you know what I mean at the time. And it's

0:21:42.119 --> 0:21:47.000
<v Speaker 1>nine of these crazy niggas right, and all of their raps.

0:21:47.040 --> 0:21:48.720
<v Speaker 1>And that's the point, Like you would think they was

0:21:48.840 --> 0:21:51.240
<v Speaker 1>like Cipher, they'd be just rapping about hey dope bars.

0:21:51.320 --> 0:21:54.760
<v Speaker 1>Them niggas is talking about beating people up, shooting people

0:21:54.800 --> 0:21:57.960
<v Speaker 1>and killing people. But somehow you judge the niggas around

0:21:57.960 --> 0:21:58.320
<v Speaker 1>the corner.

0:21:58.359 --> 0:22:00.200
<v Speaker 3>So what do you think, Jazz, do you think maybe

0:22:00.280 --> 0:22:02.480
<v Speaker 3>it was the fact that maybe we just gravitated more

0:22:02.520 --> 0:22:04.879
<v Speaker 3>to like the beats and didn't really listen to the

0:22:04.960 --> 0:22:07.240
<v Speaker 3>rhymes the way we were supposed to. As much as

0:22:07.240 --> 0:22:10.399
<v Speaker 3>I know rhymes from Wu Tang like he's right in

0:22:10.440 --> 0:22:12.719
<v Speaker 3>what he's saying. I have to think that maybe I

0:22:12.760 --> 0:22:15.160
<v Speaker 3>was just more attracted to the beats the way they

0:22:15.240 --> 0:22:17.600
<v Speaker 3>sounded as opposed to the West Coast where they were

0:22:17.600 --> 0:22:20.840
<v Speaker 3>dope beats as well. But I just liked that harder boom.

0:22:21.680 --> 0:22:24.280
<v Speaker 3>What I think I thought was harder.

0:22:24.440 --> 0:22:26.840
<v Speaker 2>I think mine, like I just say a second ago,

0:22:29.080 --> 0:22:33.160
<v Speaker 2>was the fashion part of it that fas came with it.

0:22:33.720 --> 0:22:36.679
<v Speaker 5>I wasn't a Chucks and you had money.

0:22:37.840 --> 0:22:38.520
<v Speaker 1>No, I didn't.

0:22:38.520 --> 0:22:41.080
<v Speaker 5>I stole ship, so I made sure that.

0:22:41.359 --> 0:22:44.280
<v Speaker 1>So you was gonna steal army pants.

0:22:44.960 --> 0:22:54.639
<v Speaker 3>And Tim's and phone posits though still.

0:22:57.280 --> 0:23:02.000
<v Speaker 1>As too to you know, let's say Chikano rap artists, right,

0:23:02.080 --> 0:23:04.679
<v Speaker 1>both of y'all are Chicano. I get the connotation, but

0:23:04.720 --> 0:23:07.760
<v Speaker 1>we all know what Chicano means. So as as street

0:23:07.960 --> 0:23:11.159
<v Speaker 1>urban guys that grew up in street urban with that

0:23:11.240 --> 0:23:14.840
<v Speaker 1>Spanish influence on the West, we know that's a Chicano person, right,

0:23:14.920 --> 0:23:19.880
<v Speaker 1>So why weren't you playing Cypress Hill or let's say

0:23:19.960 --> 0:23:21.040
<v Speaker 1>Kid Frost at the time.

0:23:21.280 --> 0:23:23.760
<v Speaker 3>I actually I did pay play Kid Frost and I

0:23:23.840 --> 0:23:25.040
<v Speaker 3>did play Cypress Hill.

0:23:25.760 --> 0:23:27.240
<v Speaker 1>You want to know something, I'm gonna be honest, Like,

0:23:27.320 --> 0:23:31.040
<v Speaker 1>why wasn't you celebrating Cypress Hill? Who are street guys

0:23:31.320 --> 0:23:33.160
<v Speaker 1>as much as let's say, a Wu Tang and they

0:23:33.240 --> 0:23:35.120
<v Speaker 1>was rapping the same way I did as a sound.

0:23:35.200 --> 0:23:36.920
<v Speaker 1>Sure yeah that Cypress Hill?

0:23:37.040 --> 0:23:40.800
<v Speaker 2>Yeah, uh we just because earlier Kid Frost was That's

0:23:40.800 --> 0:23:41.639
<v Speaker 2>the whole other side.

0:23:42.600 --> 0:23:43.600
<v Speaker 3>Sure of l A.

0:23:43.880 --> 0:23:45.760
<v Speaker 1>You know what I'm saying. Still a lot of people.

0:23:45.560 --> 0:23:47.760
<v Speaker 3>Don't know when did that come out? What year did

0:23:48.119 --> 0:23:49.080
<v Speaker 3>come out? Ninety one?

0:23:49.840 --> 0:23:52.439
<v Speaker 1>Soon around ninety two, ninety three? All this isn't the

0:23:52.480 --> 0:23:53.160
<v Speaker 1>same time.

0:23:53.080 --> 0:23:55.960
<v Speaker 3>Right was ninety ninety three? It had to be about

0:23:56.040 --> 0:23:56.600
<v Speaker 3>ninety one?

0:23:56.800 --> 0:24:01.159
<v Speaker 1>Hold on, let me look at it. Yeah, but I'm saying,

0:24:01.280 --> 0:24:02.399
<v Speaker 1>why weren't you?

0:24:02.800 --> 0:24:04.439
<v Speaker 3>Well, No, what I was going to say was, I

0:24:04.480 --> 0:24:06.600
<v Speaker 3>know for me, let me speak for me, because you know,

0:24:06.720 --> 0:24:11.320
<v Speaker 3>Jazz has his own you know the way he ninety

0:24:11.400 --> 0:24:14.520
<v Speaker 3>ninety right, so in nineteen ninety I had to be

0:24:14.720 --> 0:24:18.760
<v Speaker 3>what about eleven twelve years old something like that. All right,

0:24:18.840 --> 0:24:20.800
<v Speaker 3>So for me, what I start, what I do start?

0:24:20.840 --> 0:24:22.520
<v Speaker 3>Remember right now that you're talking about, like, why did

0:24:22.560 --> 0:24:27.119
<v Speaker 3>you do that? I thought in my mind that because

0:24:27.119 --> 0:24:29.360
<v Speaker 3>this is the thing and you actually pointed this out

0:24:29.359 --> 0:24:31.080
<v Speaker 3>to me, It's like you used to tell me when

0:24:31.080 --> 0:24:32.920
<v Speaker 3>we first made it, like you do a lot of

0:24:32.960 --> 0:24:35.560
<v Speaker 3>West Coast shit, but you but you, but you still

0:24:35.600 --> 0:24:38.800
<v Speaker 3>try to act like East Coast kind of. And I

0:24:38.800 --> 0:24:41.040
<v Speaker 3>think what it was was I think I was trying

0:24:41.119 --> 0:24:44.280
<v Speaker 3>to be different from what it was here, not understanding

0:24:44.320 --> 0:24:46.479
<v Speaker 3>that that kind of looked dumb.

0:24:46.720 --> 0:24:47.720
<v Speaker 4>I didn't get it.

0:24:48.119 --> 0:24:51.359
<v Speaker 1>Especially trying to do like a boy wearing a dress.

0:24:52.000 --> 0:24:54.640
<v Speaker 3>I mean, if I wouldn't use that comparison.

0:24:54.080 --> 0:24:55.840
<v Speaker 1>But yeah, I mean because it don't have it, don't

0:24:55.840 --> 0:24:57.320
<v Speaker 1>it don't have to have a sec. I know we

0:24:57.400 --> 0:25:00.159
<v Speaker 1>attach a section wind do we do right to what

0:25:00.160 --> 0:25:02.320
<v Speaker 1>we do. But that's not what I'm saying. I give

0:25:02.400 --> 0:25:03.800
<v Speaker 1>it just saying you don't have to be gay to

0:25:03.840 --> 0:25:06.719
<v Speaker 1>wear a dress and heels. You know why you associated

0:25:06.760 --> 0:25:08.320
<v Speaker 1>with being gay because you like, why would you wear

0:25:08.280 --> 0:25:10.560
<v Speaker 1>a dress and heels? That's how I like, why would

0:25:10.600 --> 0:25:11.680
<v Speaker 1>you dress like the East Coast?

0:25:12.480 --> 0:25:14.080
<v Speaker 3>And I think it was just because it's trying to

0:25:14.320 --> 0:25:16.840
<v Speaker 3>my bad. It was just trying to be different. I

0:25:16.880 --> 0:25:19.440
<v Speaker 3>wanted to be different. I didn't want to be When

0:25:19.480 --> 0:25:22.320
<v Speaker 3>you started hearing Chicano rap like, I was like, oh

0:25:22.400 --> 0:25:24.920
<v Speaker 3>they ainate doing they rapping like this dog that's how

0:25:25.400 --> 0:25:28.720
<v Speaker 3>it's just right. Listen, I'm just being honest so I

0:25:28.760 --> 0:25:29.360
<v Speaker 3>can try.

0:25:29.160 --> 0:25:32.840
<v Speaker 1>To I'm just saying make racist to like real Mexican rap.

0:25:33.000 --> 0:25:34.840
<v Speaker 1>Well again as a Mexican.

0:25:34.440 --> 0:25:36.639
<v Speaker 2>Person, and I used to always tell y'all that no, no, no,

0:25:36.680 --> 0:25:39.680
<v Speaker 2>but see again, A big part of it and this

0:25:39.720 --> 0:25:42.119
<v Speaker 2>is and we that's a whole nother conversation, but a

0:25:42.160 --> 0:25:45.640
<v Speaker 2>big part of that was being the fact like when

0:25:45.640 --> 0:25:47.840
<v Speaker 2>Oscar de la Hoya with his crazy ass now.

0:25:47.720 --> 0:25:50.800
<v Speaker 3>But when he talks about how Mexicans treated him for

0:25:50.920 --> 0:25:54.600
<v Speaker 3>being too whitewashed or because he spoke a little bit

0:25:54.640 --> 0:25:58.159
<v Speaker 3>too proper, like Mexicans really do shit like that. So

0:25:58.200 --> 0:26:01.639
<v Speaker 3>then it makes you go, well, fuck you whoever, whatever

0:26:01.680 --> 0:26:05.080
<v Speaker 3>you're going to be, No, no, no, not Mexican people a

0:26:05.200 --> 0:26:07.760
<v Speaker 3>group of whatever they are. So for me in particular,

0:26:08.040 --> 0:26:10.760
<v Speaker 3>at one time, it was Cholo's that acted that way.

0:26:11.000 --> 0:26:13.520
<v Speaker 3>So now when I see Cholo's talking about, oh, I

0:26:13.560 --> 0:26:16.040
<v Speaker 3>got the New Jordans and I got this, it's like

0:26:16.160 --> 0:26:18.760
<v Speaker 3>not now per se in this moment, but like as

0:26:18.760 --> 0:26:20.119
<v Speaker 3>I was getting older, as.

0:26:20.000 --> 0:26:21.840
<v Speaker 4>I'm watching them do this, I'm like.

0:26:21.840 --> 0:26:25.520
<v Speaker 3>You guys are fucking posers, perpetrators.

0:26:25.560 --> 0:26:27.680
<v Speaker 1>When you did it, you were a Mayotheto.

0:26:27.200 --> 0:26:29.720
<v Speaker 3>When I did it, I was a Mayatheto, sure, right,

0:26:30.040 --> 0:26:32.840
<v Speaker 3>but I also didn't understand that A big part of

0:26:32.880 --> 0:26:35.280
<v Speaker 3>why they were telling me that was because I was

0:26:35.359 --> 0:26:40.320
<v Speaker 3>imitating East Coast hip hop in my dressing, so to them,

0:26:40.520 --> 0:26:42.200
<v Speaker 3>I was trying to be Not only was I trying

0:26:42.240 --> 0:26:43.600
<v Speaker 3>to be black, I was trying to be black from

0:26:43.640 --> 0:26:46.040
<v Speaker 3>a whole nother coast. So it really stuck out.

0:26:46.080 --> 0:26:49.520
<v Speaker 1>Well, you gotta realize, La, the most underrated part of

0:26:49.520 --> 0:26:52.320
<v Speaker 1>where we all from, right is there's really one culture

0:26:53.520 --> 0:26:55.800
<v Speaker 1>that's the problem. Like if you're from where we're from,

0:26:56.000 --> 0:26:59.200
<v Speaker 1>not you you from Inglewood, So y'all still have some shit.

0:26:59.640 --> 0:27:02.040
<v Speaker 1>But on our side of town, right on the east side,

0:27:02.080 --> 0:27:05.520
<v Speaker 1>Watch Concis, South south Gate, Lynnwood, all that Long Beach,

0:27:05.920 --> 0:27:10.280
<v Speaker 1>we're one culture. I grew up my whole life eating

0:27:10.320 --> 0:27:15.400
<v Speaker 1>savice to Molly's, Mexican food, Mexican friends, the whole thing.

0:27:15.520 --> 0:27:18.200
<v Speaker 1>I've been going to Kensonata since I was a teenager,

0:27:19.280 --> 0:27:22.359
<v Speaker 1>different people, so it's always been one culture. That's the

0:27:22.440 --> 0:27:24.920
<v Speaker 1>one thing about the East Side. It's pretty much one culture.

0:27:25.840 --> 0:27:29.880
<v Speaker 1>So that's why I don't understand like kind of the talk.

0:27:29.960 --> 0:27:31.520
<v Speaker 1>You know what I'm saying, like a lot of the

0:27:31.560 --> 0:27:33.600
<v Speaker 1>things that we do, like we all were at the

0:27:33.600 --> 0:27:36.520
<v Speaker 1>hest of it, low riding, fashion, dickies. All of this

0:27:36.520 --> 0:27:38.200
<v Speaker 1>stuff was things we all shared.

0:27:38.600 --> 0:27:42.480
<v Speaker 2>So imagine being go ahead Jae my thing too, he said,

0:27:42.760 --> 0:27:48.399
<v Speaker 2>personal differences like I said, being black and watermelon and

0:27:48.440 --> 0:27:52.879
<v Speaker 2>then having beef all the time with Mexicans and getting confused.

0:27:52.920 --> 0:27:54.800
<v Speaker 5>I had a major identity thing.

0:27:55.040 --> 0:27:58.679
<v Speaker 2>Sure then knowing yo, like why black folks suckled me

0:27:58.720 --> 0:28:01.879
<v Speaker 2>so much? And it seemed like my mom it was

0:28:01.920 --> 0:28:03.960
<v Speaker 2>a toiler so.

0:28:04.040 --> 0:28:09.359
<v Speaker 1>Cortes, No, no, I was a quartet. No, you're not

0:28:09.359 --> 0:28:10.840
<v Speaker 1>gonna be a game. You're not one of us.

0:28:10.960 --> 0:28:14.520
<v Speaker 2>You're not gonna dress like I'm like, so what the

0:28:14.520 --> 0:28:15.359
<v Speaker 2>fuck do I wear it?

0:28:15.400 --> 0:28:15.560
<v Speaker 1>Then?

0:28:15.920 --> 0:28:18.960
<v Speaker 2>So now I'm trying to find And then when I

0:28:19.000 --> 0:28:21.200
<v Speaker 2>got the transition from Southgate to Culver.

0:28:21.119 --> 0:28:29.160
<v Speaker 1>City culture, yeah, WHOA, now on your pants. I'm it's

0:28:29.240 --> 0:28:32.080
<v Speaker 1>really less culture in Cuver City compared and and shout

0:28:32.080 --> 0:28:35.400
<v Speaker 1>out to the covers projects. No culture it is.

0:28:35.640 --> 0:28:35.959
<v Speaker 4>It's not.

0:28:36.160 --> 0:28:38.280
<v Speaker 3>It's more mixed cultures.

0:28:38.360 --> 0:28:39.800
<v Speaker 1>It's not. That's not how it.

0:28:39.760 --> 0:28:42.680
<v Speaker 3>Works, right, culture tell you that's why it gets confused.

0:28:43.320 --> 0:28:44.880
<v Speaker 1>It's not because it's mainstream.

0:28:45.840 --> 0:28:47.680
<v Speaker 3>That's fine, but there's no when you.

0:28:48.880 --> 0:28:52.120
<v Speaker 1>Listen, there's no culture in Santa Monica. It's a it's

0:28:52.120 --> 0:28:56.440
<v Speaker 1>just tradition. Like and in affluent communities, there's no cultures,

0:28:56.440 --> 0:29:00.240
<v Speaker 1>just tradition. It's a mainstream thing. Culture is birth out

0:29:00.240 --> 0:29:05.280
<v Speaker 1>of poverty. It's only in poverty. That's why I'm not

0:29:06.120 --> 0:29:08.680
<v Speaker 1>no say to Santa Monica, Culver City, because Converce City

0:29:08.720 --> 0:29:11.080
<v Speaker 1>you got some ship. But they just like Tolos from

0:29:11.080 --> 0:29:13.960
<v Speaker 1>East La. When you get to the culture part of them,

0:29:16.120 --> 0:29:19.440
<v Speaker 1>the real part like them niggas is them motherfuckers is

0:29:19.520 --> 0:29:22.040
<v Speaker 1>like East La. You're gonna go over there, have a problem,

0:29:22.120 --> 0:29:24.200
<v Speaker 1>You're finna be a Mayata. You're gonna get the whole

0:29:24.640 --> 0:29:28.200
<v Speaker 1>treatment over there. And the gangs that's close over there,

0:29:28.240 --> 0:29:31.000
<v Speaker 1>you will get the cripp and blood treatment. Them niggas

0:29:31.040 --> 0:29:32.960
<v Speaker 1>look the same I told you we were talking about.

0:29:33.120 --> 0:29:34.480
<v Speaker 1>But that's what I was saying.

0:29:34.520 --> 0:29:36.600
<v Speaker 5>That was like the richer you know what I'm saying,

0:29:37.440 --> 0:29:39.400
<v Speaker 5>But Darryl Heights getting you.

0:29:39.360 --> 0:29:42.840
<v Speaker 1>Over here, You're closer, You're closer to it over there.

0:29:43.560 --> 0:29:45.920
<v Speaker 1>But the point I'm saying is, so that's what I'm

0:29:45.920 --> 0:29:48.040
<v Speaker 1>saying a lot of the ideas, and I think that's

0:29:48.120 --> 0:29:52.360
<v Speaker 1>part of it right is because the further you go west,

0:29:52.600 --> 0:29:57.880
<v Speaker 1>it is less culture, not so culture being this thing

0:29:58.000 --> 0:30:01.400
<v Speaker 1>rooted like you know, in poverty, in oppression. That's why

0:30:01.440 --> 0:30:03.640
<v Speaker 1>you birth it. The lingo in the slang right comes

0:30:03.680 --> 0:30:08.480
<v Speaker 1>from bad education programs that are not translating to educating students.

0:30:08.800 --> 0:30:11.840
<v Speaker 1>Dickies are not like some nigga shows like oh these

0:30:11.920 --> 0:30:14.400
<v Speaker 1>is gonna be the freshest pants. These were the pens

0:30:14.440 --> 0:30:17.040
<v Speaker 1>you could afford to get six pairs for school year.

0:30:17.080 --> 0:30:21.080
<v Speaker 1>That year, r Chucks were fourteen fifteen, sixteen dollars in HP.

0:30:21.760 --> 0:30:24.960
<v Speaker 1>All my older homies, their parents took them to HP

0:30:25.240 --> 0:30:28.200
<v Speaker 1>Huntington Park, the shopping If anybody know what HP is,

0:30:28.920 --> 0:30:34.600
<v Speaker 1>that's Mexico. Yeah. So again the culture is birth out

0:30:34.640 --> 0:30:37.200
<v Speaker 1>of necessity. It's what you can afford.

0:30:37.960 --> 0:30:38.120
<v Speaker 3>Right.

0:30:38.200 --> 0:30:42.040
<v Speaker 1>Cortez was cheap. They were not like they had tennis

0:30:42.080 --> 0:30:46.320
<v Speaker 1>shoes that were more expensive. These were cheaply and cheaper

0:30:46.400 --> 0:30:53.080
<v Speaker 1>made running shoes. I could get anything but Cortes and Chucks.

0:30:53.240 --> 0:30:55.760
<v Speaker 3>And it's funny that you said that because my dad,

0:30:56.000 --> 0:30:59.640
<v Speaker 3>who grew up in Santa Monica, from Santa Monica, who

0:30:59.720 --> 0:31:03.880
<v Speaker 3>wore pendletons, Dickies wallabies in his time, which that's what

0:31:03.920 --> 0:31:04.239
<v Speaker 3>it was.

0:31:04.600 --> 0:31:06.440
<v Speaker 4>It was wallabies and hard bottom.

0:31:06.160 --> 0:31:06.719
<v Speaker 3>Shoes for them.

0:31:07.000 --> 0:31:08.640
<v Speaker 1>Wallabes just steal that shit for us.

0:31:08.800 --> 0:31:12.200
<v Speaker 3>Right for sure? You know. And that's funny, right because

0:31:12.200 --> 0:31:14.360
<v Speaker 3>that was nothing. I used to love wearing with wallabies,

0:31:14.360 --> 0:31:20.520
<v Speaker 3>but I always identified it with ghosts and yeah, crazy right,

0:31:21.360 --> 0:31:24.640
<v Speaker 3>But no, I get I get what you're saying. I

0:31:24.640 --> 0:31:27.040
<v Speaker 3>get everything that you're saying. Gee, I think so were

0:31:27.080 --> 0:31:29.760
<v Speaker 3>you guys would you say, let me ask you a question, now,

0:31:30.080 --> 0:31:33.800
<v Speaker 3>would you say that maybe that's why we got the

0:31:34.680 --> 0:31:36.640
<v Speaker 3>hate so to speak. I guess, if you want to

0:31:36.640 --> 0:31:41.840
<v Speaker 3>call it, that was because maybe we didn't grow up

0:31:42.320 --> 0:31:44.400
<v Speaker 3>with a lot of money, right, Like we didn't. We weren't

0:31:44.440 --> 0:31:46.840
<v Speaker 3>rich or nothing, but maybe our families had a little

0:31:46.880 --> 0:31:50.640
<v Speaker 3>bit more money than the ones on the east, so

0:31:50.680 --> 0:31:53.960
<v Speaker 3>we were able. Like you know, my my mom's you know,

0:31:53.960 --> 0:31:55.280
<v Speaker 3>she didn't have the money, but she would put it

0:31:55.280 --> 0:31:58.040
<v Speaker 3>together because I wanted Carl Kanai or I wanted a

0:31:58.040 --> 0:32:00.920
<v Speaker 3>pair of cross colors, because that's what was being worn

0:32:01.280 --> 0:32:03.440
<v Speaker 3>in middle school when I went to school in Santa

0:32:03.480 --> 0:32:04.920
<v Speaker 3>Monica at Lincoln Middle School.

0:32:05.120 --> 0:32:06.760
<v Speaker 4>So and it was all the white boys.

0:32:06.800 --> 0:32:09.120
<v Speaker 3>But even now that I think back, the brothers that

0:32:09.160 --> 0:32:12.800
<v Speaker 3>were there, even if they were from Venice or Inglewood

0:32:13.040 --> 0:32:15.600
<v Speaker 3>or even up to the sixth fashion show, it was

0:32:15.640 --> 0:32:16.760
<v Speaker 3>more like a fashion show.

0:32:16.880 --> 0:32:21.000
<v Speaker 2>Yeah, sixties created like a show, right, that's what we're saying.

0:32:21.200 --> 0:32:23.840
<v Speaker 2>But the West Side is like that, like the sixties created.

0:32:24.320 --> 0:32:26.920
<v Speaker 2>The sixties created kind of to me the gang banger

0:32:27.040 --> 0:32:30.640
<v Speaker 2>nerdy docker looks. They were the first ones wearing dockers

0:32:30.680 --> 0:32:33.200
<v Speaker 2>to me as a gang banger, because it's in my time,

0:32:33.640 --> 0:32:36.959
<v Speaker 2>the sixth old started wearing dockers first and butting up

0:32:37.040 --> 0:32:40.320
<v Speaker 2>shirts and all that, and that's the West Side thing.

0:32:40.360 --> 0:32:44.520
<v Speaker 2>But it's also I agree, because you motherfuckers had money, so.

0:32:44.480 --> 0:32:46.640
<v Speaker 3>Eddie Bower and shit, that's what it're just talking about.

0:32:46.680 --> 0:32:49.440
<v Speaker 1>So it's like, so what's starting to make sense to

0:32:49.480 --> 0:32:51.920
<v Speaker 1>me is I never caught this part?

0:32:52.000 --> 0:32:52.200
<v Speaker 3>Well?

0:32:52.240 --> 0:32:54.360
<v Speaker 1>And then when he said it y'all parents, is why

0:32:54.440 --> 0:32:58.080
<v Speaker 1>y'all not like that? Yeah, your parents like it, like

0:32:58.160 --> 0:33:02.080
<v Speaker 1>most people, parents bought them dickies. They didn't have a choice, right,

0:33:02.640 --> 0:33:04.040
<v Speaker 1>you know what I mean? You didn't have a choice.

0:33:04.280 --> 0:33:07.000
<v Speaker 1>Wasn't nobody finna drop you off at Santa Monica, Nigga,

0:33:07.040 --> 0:33:11.200
<v Speaker 1>You're going to school at Inglewood High School on Morningside.

0:33:11.400 --> 0:33:13.600
<v Speaker 1>That's where culture is born at. But when your parents

0:33:13.600 --> 0:33:16.680
<v Speaker 1>got some money and some will, I mean, they can

0:33:16.800 --> 0:33:19.800
<v Speaker 1>keep you away from her, say the culture, which kind

0:33:19.800 --> 0:33:22.239
<v Speaker 1>of because most of this shit, like I said, if

0:33:22.280 --> 0:33:24.960
<v Speaker 1>your mom says, okay, well look your mom being a Chola,

0:33:25.040 --> 0:33:26.720
<v Speaker 1>and she's like all right, well look I'm finna go

0:33:26.760 --> 0:33:29.200
<v Speaker 1>take you and she finished she by you Ben Davis's

0:33:29.560 --> 0:33:33.320
<v Speaker 1>she boy you Ben Dave, excuse me, and some quartees.

0:33:33.440 --> 0:33:37.440
<v Speaker 1>For sure, that begins to enter into everything else. You

0:33:37.480 --> 0:33:39.840
<v Speaker 1>start to look like what's outside and you're beginning to

0:33:39.880 --> 0:33:43.480
<v Speaker 1>take in more culture outside. Same for you, right, your pops,

0:33:43.840 --> 0:33:46.280
<v Speaker 1>you know, he was your pops to me, like when

0:33:46.280 --> 0:33:49.240
<v Speaker 1>we always talk about him as an original Trolo, Like

0:33:49.400 --> 0:33:52.080
<v Speaker 1>the feel of what a real solo is like, not

0:33:52.280 --> 0:33:54.960
<v Speaker 1>the modern version of this hyper violent thing you know soon,

0:33:55.040 --> 0:33:58.440
<v Speaker 1>but like a real proud Mexican American, Like, Yo, I'm here,

0:33:58.480 --> 0:34:01.600
<v Speaker 1>but this is still I came from a real struggle

0:34:01.640 --> 0:34:04.360
<v Speaker 1>in the third world country. So I'm gonna represent and

0:34:04.400 --> 0:34:06.680
<v Speaker 1>I'm gonna wear these clothes even though I can afford better.

0:34:06.760 --> 0:34:09.560
<v Speaker 1>Now I'm gonna remind you it's like when black people

0:34:09.640 --> 0:34:12.120
<v Speaker 1>eat sould. For even though we far removed from slavery.

0:34:12.440 --> 0:34:15.759
<v Speaker 1>I guess the reminder of the struggle. Wat's up with it?

0:34:16.040 --> 0:34:18.440
<v Speaker 1>G l A double dollar sign the shot, that's right,

0:34:18.520 --> 0:34:22.960
<v Speaker 1>Glasses Malone, And on motherfucking September twenty second, I'm dropping

0:34:23.000 --> 0:34:26.560
<v Speaker 1>my new album, Cancel These Nuts. But for anybody that

0:34:26.640 --> 0:34:29.799
<v Speaker 1>want to support right now, hop online go to the

0:34:29.880 --> 0:34:33.840
<v Speaker 1>cryptstore dot com. That's right, the crypt Store th h

0:34:33.920 --> 0:34:36.759
<v Speaker 1>E c R I P S t O r E

0:34:36.960 --> 0:34:40.360
<v Speaker 1>dot com and buy a physical copy right now, autograph

0:34:40.640 --> 0:34:43.160
<v Speaker 1>from me, right now. You can have it ahead of

0:34:43.200 --> 0:34:46.040
<v Speaker 1>time before it's on all streaming sites. So social support

0:34:46.080 --> 0:34:47.759
<v Speaker 1>to the real you know what I'm saying. Jump on

0:34:47.760 --> 0:34:50.400
<v Speaker 1>the cryptstore dot com and buy my new album, Cancel

0:34:50.480 --> 0:34:53.640
<v Speaker 1>These Nuts, buy it right now before it drops online.

0:34:53.680 --> 0:35:00.439
<v Speaker 1>September twenty second. Yeah, the cryptstore dot com. I never

0:35:00.480 --> 0:35:02.759
<v Speaker 1>thought about it, but it's your parents, right it is

0:35:02.800 --> 0:35:04.520
<v Speaker 1>because they kept out on the side.

0:35:04.800 --> 0:35:07.799
<v Speaker 3>Well, they were trying to keep us away from now

0:35:08.120 --> 0:35:08.840
<v Speaker 3>it makes sense.

0:35:08.880 --> 0:35:10.360
<v Speaker 4>Actually that's why I didn't.

0:35:10.880 --> 0:35:13.719
<v Speaker 3>I did have a dad that was like, now, you're

0:35:13.760 --> 0:35:15.759
<v Speaker 3>not gonna wear that because you're not going to look

0:35:15.840 --> 0:35:19.680
<v Speaker 3>like the little, you know, little gang banger out there

0:35:19.719 --> 0:35:21.440
<v Speaker 3>on the corner. That's how he would look at it,

0:35:22.280 --> 0:35:24.560
<v Speaker 3>mind you he comes from that. See, I went to

0:35:24.560 --> 0:35:27.600
<v Speaker 3>school in Inglewood, Like, I didn't grow up in Santa

0:35:27.600 --> 0:35:30.160
<v Speaker 3>Monica per se. Originally we moved to Inglewood. I went

0:35:30.160 --> 0:35:32.880
<v Speaker 3>to school all of my elementary And the only reason

0:35:32.920 --> 0:35:35.399
<v Speaker 3>I got into Santa Monica was because my pops got

0:35:35.400 --> 0:35:38.480
<v Speaker 3>a job as a sanitation driver. And during that time,

0:35:38.600 --> 0:35:42.880
<v Speaker 3>they actually allowed your child to go on a permit

0:35:43.200 --> 0:35:45.359
<v Speaker 3>if you worked in the city. Sure, and that's why

0:35:45.360 --> 0:35:47.560
<v Speaker 3>I was at COVID City was a work work permit.

0:35:47.760 --> 0:35:50.480
<v Speaker 3>So and it was different, bro, because again, even the

0:35:50.560 --> 0:35:55.160
<v Speaker 3>Mexicans in Santa Monica and like the graveyards that were

0:35:55.160 --> 0:35:58.000
<v Speaker 3>over there, the crips and all that like that. So

0:35:58.320 --> 0:36:00.839
<v Speaker 3>that's funny you're talking about cover city Santa Monica right

0:36:00.880 --> 0:36:04.400
<v Speaker 3>by the college is the whole section of Mexican and

0:36:04.440 --> 0:36:07.000
<v Speaker 3>black gangs in this one small ass.

0:36:06.840 --> 0:36:09.480
<v Speaker 1>Radius because it's really cheap living right there.

0:36:09.360 --> 0:36:12.839
<v Speaker 3>Right and there's rent control and all that. So you know,

0:36:13.000 --> 0:36:18.000
<v Speaker 3>going going going to Santa Monica. Though those Mexicans, oddly enough,

0:36:18.160 --> 0:36:22.160
<v Speaker 3>most of them were choloslos like you said, like maybe

0:36:22.200 --> 0:36:25.280
<v Speaker 3>like an East Lacholo. So when I went to school,

0:36:25.880 --> 0:36:27.960
<v Speaker 3>you know, I remember going to school even in Lincoln

0:36:28.000 --> 0:36:31.279
<v Speaker 3>Middle School. They was already looking at me like that

0:36:31.360 --> 0:36:33.840
<v Speaker 3>because I was already into what I was into. You know,

0:36:33.920 --> 0:36:37.480
<v Speaker 3>you got you know, digital underground, And even though that's

0:36:38.320 --> 0:36:42.480
<v Speaker 3>a West Coast group, the sound to me back then

0:36:42.760 --> 0:36:45.600
<v Speaker 3>was true. Well to me, it felt like what what

0:36:45.920 --> 0:36:49.879
<v Speaker 3>I was listening to already from you know LLL And.

0:36:49.840 --> 0:36:52.720
<v Speaker 1>You know it's not like that. Remember ll is produced

0:36:52.719 --> 0:36:55.360
<v Speaker 1>by West Coast, the nigga who started forties producer.

0:36:55.840 --> 0:36:58.560
<v Speaker 2>I didn't know that it's weird because I was banging

0:36:58.600 --> 0:37:01.200
<v Speaker 2>you know what album I was banging banging on X

0:37:01.840 --> 0:37:02.960
<v Speaker 2>and I wasn't a game member.

0:37:03.040 --> 0:37:06.880
<v Speaker 1>Well that's Battlecat right. So again a lot of the music.

0:37:06.920 --> 0:37:08.640
<v Speaker 1>So the album you talk about, because you're not talking

0:37:08.640 --> 0:37:10.480
<v Speaker 1>about the first L record, we're too young for that.

0:37:10.840 --> 0:37:14.439
<v Speaker 1>You're talking about Bigger and Deafer Bad, I Need Love

0:37:14.760 --> 0:37:16.680
<v Speaker 1>that's produced by somebody right here.

0:37:16.480 --> 0:37:19.560
<v Speaker 3>From the West Coast pool and bodcast. So then what

0:37:19.640 --> 0:37:22.279
<v Speaker 3>I was clearly being influenced by was television.

0:37:22.320 --> 0:37:25.840
<v Speaker 2>Then well I don't think I don't think that what

0:37:26.200 --> 0:37:27.520
<v Speaker 2>I think happened was right.

0:37:29.880 --> 0:37:32.640
<v Speaker 1>This is gonna sound crazy, right, but most people parents

0:37:32.800 --> 0:37:34.719
<v Speaker 1>raise them. When you don't have money, you have to

0:37:34.719 --> 0:37:39.600
<v Speaker 1>buy what's affordable clothes. The clothes began to send different

0:37:39.640 --> 0:37:43.120
<v Speaker 1>type of people your way. That's when the people start

0:37:43.120 --> 0:37:45.279
<v Speaker 1>to influence you. But when you on the West Side

0:37:45.320 --> 0:37:47.799
<v Speaker 1>and you were in like these affluent places. Because I

0:37:47.880 --> 0:37:50.319
<v Speaker 1>went to Arteesa High school for one year, my mom

0:37:50.320 --> 0:37:54.000
<v Speaker 1>wouldn't let me go to Compton High, No Jordan, no

0:37:54.200 --> 0:37:56.560
<v Speaker 1>Lock because they didn't have AP classes. She's like, yo,

0:37:56.600 --> 0:37:59.560
<v Speaker 1>you're gonna continue to achieve. I'm not gonna put you

0:37:59.560 --> 0:38:01.359
<v Speaker 1>in classes that don't have eight I'm not gonna put

0:38:01.360 --> 0:38:03.680
<v Speaker 1>you in school that don't have AP classes Advanced placement.

0:38:04.120 --> 0:38:07.799
<v Speaker 1>So the only schools was schools outside of the ghetto. Right,

0:38:07.880 --> 0:38:11.239
<v Speaker 1>So I went to our teacher for one year. Right.

0:38:11.800 --> 0:38:15.480
<v Speaker 1>The problem with it is that's where you know, if

0:38:15.520 --> 0:38:17.440
<v Speaker 1>you listen to Wu Tang High School, it's because you're

0:38:17.440 --> 0:38:20.480
<v Speaker 1>a mainstream person out here, you're at a mainstream place.

0:38:20.840 --> 0:38:24.319
<v Speaker 1>Mainstream is you start to everything is available to you,

0:38:25.320 --> 0:38:28.520
<v Speaker 1>everything is available. None of it has to represent anything

0:38:28.560 --> 0:38:32.040
<v Speaker 1>because whatever you choose is fine because this is the

0:38:32.440 --> 0:38:34.160
<v Speaker 1>That's how it was at our teacher that one year.

0:38:34.200 --> 0:38:36.799
<v Speaker 3>Shout out, Manny, So we're the Manning's of our generations.

0:38:36.880 --> 0:38:40.239
<v Speaker 1>Actually, right, So well, it's different because Manny didn't grow

0:38:40.320 --> 0:38:42.640
<v Speaker 1>up on nothing else. But hell no, Manny is a

0:38:42.680 --> 0:38:45.640
<v Speaker 1>poor motherfucker. Shout out to Manny. Manny's on Ace Boy

0:38:46.160 --> 0:38:50.560
<v Speaker 1>Worldwide podcast every Friday, Homy Punisher, how many trade.

0:38:50.239 --> 0:38:51.360
<v Speaker 3>He lives everything?

0:38:51.840 --> 0:38:56.000
<v Speaker 1>But now that's because guess what, he's a traveling, paid,

0:38:57.280 --> 0:39:00.760
<v Speaker 1>affluent black man. So at this point he's just he's mainstream.

0:39:00.800 --> 0:39:03.080
<v Speaker 1>Like if you see man he has no cultural identity,

0:39:03.400 --> 0:39:06.560
<v Speaker 1>like he'll just listen to whatever, because that's how it

0:39:06.680 --> 0:39:09.800
<v Speaker 1>is in mainstream America. So when you at Santa Monica

0:39:09.880 --> 0:39:12.560
<v Speaker 1>or you go to these really nice, affluent schools where

0:39:12.600 --> 0:39:16.480
<v Speaker 1>people don't need anything to create the identity. Like, remember,

0:39:16.640 --> 0:39:20.720
<v Speaker 1>poverty creates this personal need to hold on to something.

0:39:21.000 --> 0:39:23.480
<v Speaker 1>You don't have nothing else, so you hold on to

0:39:23.920 --> 0:39:26.279
<v Speaker 1>everything that you are, you know what I mean. So

0:39:26.640 --> 0:39:29.120
<v Speaker 1>you know the music if it's representing you, like, that's me.

0:39:29.400 --> 0:39:31.759
<v Speaker 1>This is all I gotten, is me. But when you

0:39:31.800 --> 0:39:35.000
<v Speaker 1>go to Santa Monica and these are really more like

0:39:35.640 --> 0:39:38.560
<v Speaker 1>middle class communities, it's like, yeah, we don't need anything,

0:39:38.600 --> 0:39:40.799
<v Speaker 1>We'll play whatever I like and then guess what, you

0:39:40.880 --> 0:39:43.400
<v Speaker 1>have this choice. But when you come from where we

0:39:43.480 --> 0:39:45.840
<v Speaker 1>come from, you know what I mean, like if you

0:39:45.880 --> 0:39:48.200
<v Speaker 1>would have went to it's not no big Wu tang

0:39:48.440 --> 0:39:53.000
<v Speaker 1>group of niggas at Inglewood. Them niggas is playing death row. Yeah.

0:39:53.840 --> 0:39:57.040
<v Speaker 5>And it was like that because me going I always

0:39:57.040 --> 0:39:58.520
<v Speaker 5>lived in Southgate.

0:39:58.400 --> 0:39:59.759
<v Speaker 1>But I was going to school course City.

0:40:00.960 --> 0:40:03.680
<v Speaker 2>I dressed and fit in when I went to school.

0:40:04.320 --> 0:40:06.880
<v Speaker 2>When I came back to Southgate, you look crazy. I

0:40:06.880 --> 0:40:09.680
<v Speaker 2>look crazy, same to me for me, And because Southgate

0:40:09.760 --> 0:40:14.560
<v Speaker 2>is still a poor place exactly, it's really a poor place.

0:40:14.600 --> 0:40:16.440
<v Speaker 2>And me and him, me and I was discussing this

0:40:17.000 --> 0:40:19.279
<v Speaker 2>all my friends in Kobe City and he was like, no,

0:40:19.400 --> 0:40:23.560
<v Speaker 2>I said, it was all gang members, but their parents

0:40:23.680 --> 0:40:26.720
<v Speaker 2>was fucking lawyers, doctors, all.

0:40:26.640 --> 0:40:27.160
<v Speaker 1>Kinds of shit.

0:40:27.239 --> 0:40:30.080
<v Speaker 2>Well that's that's west Side game, banging, west Side game, maan.

0:40:30.200 --> 0:40:32.520
<v Speaker 2>And necessarily they all came to school fresh as shit

0:40:32.680 --> 0:40:34.760
<v Speaker 2>with money. I told one of my friends was sixteen,

0:40:35.320 --> 0:40:37.040
<v Speaker 2>was coming to school and his dad's Porsche.

0:40:37.120 --> 0:40:39.759
<v Speaker 1>Well what I'm saying. So it's like, so there are

0:40:39.840 --> 0:40:42.200
<v Speaker 1>some gangs that are in affluent communities, you know what

0:40:42.239 --> 0:40:44.040
<v Speaker 1>I mean, And they do got these little because don't

0:40:44.040 --> 0:40:46.120
<v Speaker 1>get me wrong, like where the grave yards at it's

0:40:46.160 --> 0:40:49.919
<v Speaker 1>a poor little niche. Yeah, but the sound of fucking Monica, right,

0:40:50.040 --> 0:40:50.640
<v Speaker 1>you know what I'm saying.

0:40:50.680 --> 0:40:53.400
<v Speaker 2>So it is this little poor spot, but the nigga

0:40:53.560 --> 0:40:55.600
<v Speaker 2>is as soon as you step a couple of blocks, you.

0:40:55.640 --> 0:40:58.840
<v Speaker 1>And some coin. Same with Venice, like the shore lines

0:40:58.840 --> 0:41:01.120
<v Speaker 1>where they from. You know, one thing that you ever

0:41:01.160 --> 0:41:03.879
<v Speaker 1>don't know about Venice is like there's a part over

0:41:03.920 --> 0:41:06.960
<v Speaker 1>there that's like one of the earliest places black people

0:41:07.040 --> 0:41:11.680
<v Speaker 1>settled in Los Angeles, Oakwood. I forgot what it's called.

0:41:11.680 --> 0:41:15.520
<v Speaker 1>I'm gonna look it up, but like nineteen twenties, thirties,

0:41:15.600 --> 0:41:18.720
<v Speaker 1>like that's how long black people was in Venice. So Venice,

0:41:18.760 --> 0:41:21.680
<v Speaker 1>that whole area, the shorelines and all that. Some of

0:41:21.719 --> 0:41:25.080
<v Speaker 1>them people, their famili's been over there, like they're working

0:41:25.080 --> 0:41:27.640
<v Speaker 1>on a couple generations. And that's not normal, you know

0:41:27.680 --> 0:41:30.520
<v Speaker 1>what I mean. Most black people where we are from, they

0:41:30.680 --> 0:41:33.920
<v Speaker 1>started in the low bottoms. That's in the forties, fifties

0:41:33.960 --> 0:41:37.759
<v Speaker 1>and sixties. Them niggas in the shorelines and Venice, shout

0:41:37.760 --> 0:41:40.400
<v Speaker 1>out to them, them niggas families. Some of their family's

0:41:40.400 --> 0:41:44.399
<v Speaker 1>been over there since the fucking twenties. So again, as

0:41:44.400 --> 0:41:47.080
<v Speaker 1>soon as you step out from that little poor niche

0:41:47.160 --> 0:41:51.800
<v Speaker 1>of you know, Venice is Venice yeah, so you know

0:41:51.840 --> 0:41:55.000
<v Speaker 1>what I mean, Like it's some coins. So a lot

0:41:55.040 --> 0:41:58.120
<v Speaker 1>of people birth gangs because they're close to so some

0:41:58.200 --> 0:42:01.120
<v Speaker 1>of these middle class communities birth get because they're close

0:42:01.200 --> 0:42:04.040
<v Speaker 1>to poor communities. And you need to protect your ship.

0:42:04.760 --> 0:42:09.200
<v Speaker 1>That's why you get Graveyard. That's why you get you know,

0:42:09.719 --> 0:42:12.320
<v Speaker 1>by yourself. That's why you get Playboy, you know what

0:42:12.320 --> 0:42:14.160
<v Speaker 1>I mean, you get those you get that's where you

0:42:14.160 --> 0:42:18.080
<v Speaker 1>get a mansfield because you're not finna bring that bullshit

0:42:18.120 --> 0:42:18.720
<v Speaker 1>over here.

0:42:18.920 --> 0:42:21.080
<v Speaker 3>Right, and we're gonna protect ourselves.

0:42:21.160 --> 0:42:22.680
<v Speaker 1>And guess what, now you got a gang.

0:42:23.600 --> 0:42:26.719
<v Speaker 4>Yeah that makes sense, but it's it's just weird to me.

0:42:26.840 --> 0:42:34.400
<v Speaker 1>Like I said that you culturally don't well, I guess

0:42:34.400 --> 0:42:38.080
<v Speaker 1>that's the truth. That's what's wrong. You didn't have if

0:42:38.120 --> 0:42:41.400
<v Speaker 1>you go to Santa Monica, right, like, yeah, you from Inglewood,

0:42:41.400 --> 0:42:43.719
<v Speaker 1>and Inglewood is already like a place that could be

0:42:44.160 --> 0:42:48.120
<v Speaker 1>considered a middle class community. It was it isn't kind

0:42:48.120 --> 0:42:50.480
<v Speaker 1>of not well, the Bottoms has its area and some

0:42:50.560 --> 0:42:56.400
<v Speaker 1>of the families. Yeah a couple of dollars sure, but

0:42:56.560 --> 0:43:00.520
<v Speaker 1>so so yeah, you're from somewhat that we could be

0:43:00.520 --> 0:43:03.520
<v Speaker 1>considered a suburb of Los Angeles, right from south Gate

0:43:03.560 --> 0:43:05.759
<v Speaker 1>and if you're from Inglewood, yeah you're in Yeah, you

0:43:05.840 --> 0:43:06.239
<v Speaker 1>for sure.

0:43:06.680 --> 0:43:08.320
<v Speaker 3>If you from where we're from, you go Inglewood.

0:43:08.360 --> 0:43:08.799
<v Speaker 1>You moved up.

0:43:08.840 --> 0:43:10.799
<v Speaker 4>Yeah, you moved one clove.

0:43:11.040 --> 0:43:13.480
<v Speaker 1>Make sense, Well, it's just a better place.

0:43:13.640 --> 0:43:17.440
<v Speaker 3>It's better. Well no, no, no, no, you don't know what

0:43:17.560 --> 0:43:19.600
<v Speaker 3>to wats it was like, it makes even Yeah, but

0:43:19.640 --> 0:43:22.080
<v Speaker 3>it makes sense even in the grand scheme of history,

0:43:22.160 --> 0:43:25.360
<v Speaker 3>like going back to the fifties when blacks and Latinos

0:43:25.360 --> 0:43:30.160
<v Speaker 3>couldn't come past the East La Bridge and then Alameda.

0:43:29.760 --> 0:43:31.960
<v Speaker 5>Right, nothing across Alamedia nothing.

0:43:32.040 --> 0:43:34.719
<v Speaker 3>And then and then once you once you were allowed to,

0:43:34.880 --> 0:43:37.040
<v Speaker 3>it was like you're you were getting in this better area.

0:43:37.320 --> 0:43:39.680
<v Speaker 3>And that's how it was always looked at. So I

0:43:39.760 --> 0:43:43.480
<v Speaker 3>get it, man, But listen, I understood it. I'm glad

0:43:43.520 --> 0:43:45.759
<v Speaker 3>that it's even though it's come a lot later for me,

0:43:46.000 --> 0:43:49.600
<v Speaker 3>Like I get it now. You know. I was able to,

0:43:49.760 --> 0:43:51.920
<v Speaker 3>you know, shout out to the homie Midget local, you

0:43:51.960 --> 0:43:52.680
<v Speaker 3>know what I mean.

0:43:52.560 --> 0:43:54.000
<v Speaker 1>Like shout out to Midget you know.

0:43:55.120 --> 0:43:59.000
<v Speaker 3>Him, the guy the brother Burst Rock, twenty seven Junkies, Oreo,

0:43:59.200 --> 0:44:02.640
<v Speaker 3>the homie Breeze, Shout out to Breeze, OBM. You know,

0:44:02.680 --> 0:44:05.160
<v Speaker 3>those were the guys that really started connecting me with

0:44:05.560 --> 0:44:10.359
<v Speaker 3>working with like you know, Spanky Local and like you

0:44:10.400 --> 0:44:14.520
<v Speaker 3>know Midget Local who I met Spanky Local through Midget

0:44:14.680 --> 0:44:17.960
<v Speaker 3>and just being able to talk to him, you know.

0:44:18.000 --> 0:44:20.160
<v Speaker 3>And I've told the story many times. It's like I

0:44:20.280 --> 0:44:23.799
<v Speaker 3>really grasped everything. And he even kind of goes, yeah,

0:44:23.840 --> 0:44:25.439
<v Speaker 3>we did look at you guys like that, he goes,

0:44:25.480 --> 0:44:28.120
<v Speaker 3>But now I kind of understand. We just kind of

0:44:28.280 --> 0:44:32.640
<v Speaker 3>were still Mexican. We're just throwing a different area has money.

0:44:33.360 --> 0:44:35.319
<v Speaker 3>Well he didn't say that, but I mean, I guess

0:44:35.360 --> 0:44:36.719
<v Speaker 3>that would be the idea.

0:44:36.719 --> 0:44:39.000
<v Speaker 1>But you did say your pop's got the job. That's

0:44:39.040 --> 0:44:42.040
<v Speaker 1>a good job. So that yeah, yeah, that good job. Yeah,

0:44:42.040 --> 0:44:43.719
<v Speaker 1>a good job. So yeah, for sure.

0:44:43.880 --> 0:44:47.520
<v Speaker 2>My mom's was working at as Sony at Columbia Pictures, right, right,

0:44:47.640 --> 0:44:48.279
<v Speaker 2>you know what I'm saying.

0:44:48.360 --> 0:44:49.279
<v Speaker 1>So yeah, he's right.

0:44:49.640 --> 0:44:51.680
<v Speaker 2>We did have I and I didn't think of it

0:44:51.719 --> 0:44:54.359
<v Speaker 2>that way because when it was school shopping, it wasn't

0:44:54.360 --> 0:44:57.520
<v Speaker 2>to the Swami, right, it was to maybe the less

0:44:57.600 --> 0:45:00.440
<v Speaker 2>was like shoe city to buy some shoes. But my

0:45:00.520 --> 0:45:04.359
<v Speaker 2>call canis my cross colors was Fox Hills mall right, right,

0:45:04.440 --> 0:45:06.840
<v Speaker 2>and even everybody can go to Fox Hills Mall and

0:45:06.880 --> 0:45:09.080
<v Speaker 2>go shopping and that's kind of shopping. And that's kind

0:45:09.080 --> 0:45:11.279
<v Speaker 2>of crazy, bro, because look, thinking about it back then

0:45:11.320 --> 0:45:13.160
<v Speaker 2>as a kid too, you got to think about this.

0:45:13.880 --> 0:45:17.359
<v Speaker 3>You did it, Yeah, shout out.

0:45:17.760 --> 0:45:19.359
<v Speaker 4>I was just gonna say that, But think about it.

0:45:19.400 --> 0:45:21.759
<v Speaker 3>We used to probably think, oh, well, we're not like

0:45:21.840 --> 0:45:25.120
<v Speaker 3>the rich white kids who have every color on every shoe.

0:45:25.480 --> 0:45:28.600
<v Speaker 3>So yeah we got this, but we're not rich.

0:45:28.640 --> 0:45:32.279
<v Speaker 2>I got bottom cross colors, right, but it was still

0:45:32.280 --> 0:45:33.160
<v Speaker 2>from fox Hill's mall.

0:45:34.520 --> 0:45:36.640
<v Speaker 3>And as kids, you don't think because you're you know,

0:45:36.760 --> 0:45:39.040
<v Speaker 3>at that time, like I didn't really start realizing a

0:45:39.080 --> 0:45:41.560
<v Speaker 3>lot of the cultural shock to me came once I

0:45:41.600 --> 0:45:44.480
<v Speaker 3>got into high school, bro at Santa Monica, and I

0:45:44.520 --> 0:45:48.160
<v Speaker 3>started messing with chicks from East La or El Sereno

0:45:48.480 --> 0:45:50.000
<v Speaker 3>or you know, El Sad I know, you know what

0:45:50.040 --> 0:45:52.520
<v Speaker 3>I mean, Like, and I would be in those areas

0:45:52.760 --> 0:45:56.040
<v Speaker 3>and you kind of were like, you know, like I'd

0:45:56.040 --> 0:45:58.960
<v Speaker 3>be like, you know, oh ship, Like you know, at

0:45:58.960 --> 0:46:02.799
<v Speaker 3>one time you was like what is this? Like you know, yeah,

0:46:02.840 --> 0:46:05.799
<v Speaker 3>but it felt like too yeah, but it felt like

0:46:05.840 --> 0:46:09.280
<v Speaker 3>too much, right, Like at one point it felt like

0:46:09.280 --> 0:46:11.400
<v Speaker 3>like I knew what thacos were. I knew what it

0:46:11.480 --> 0:46:12.400
<v Speaker 3>was to be Mexican.

0:46:12.480 --> 0:46:14.440
<v Speaker 1>But again it come money.

0:46:14.680 --> 0:46:16.160
<v Speaker 4>We had some money and.

0:46:16.040 --> 0:46:18.600
<v Speaker 1>Not a ton of money. Because that's the problem with

0:46:18.880 --> 0:46:22.520
<v Speaker 1>LA because we know money is really close. Like that's

0:46:22.560 --> 0:46:25.520
<v Speaker 1>the thing. Even in Why to Southgate money is fucking

0:46:25.520 --> 0:46:28.719
<v Speaker 1>fifteen minutes away, So Inglewood money is four minutes away.

0:46:29.000 --> 0:46:31.279
<v Speaker 1>So you always looked at real money. It was like,

0:46:31.280 --> 0:46:34.239
<v Speaker 1>well I don't got money like that, but compared to

0:46:34.520 --> 0:46:39.480
<v Speaker 1>East La Southgate, that's money. So yeah, it's that town

0:46:39.520 --> 0:46:42.160
<v Speaker 1>in Venice. That part of Venice, LA is called Oakwood.

0:46:42.440 --> 0:46:44.320
<v Speaker 1>It's called Dog Oakwood Town.

0:46:44.480 --> 0:46:45.239
<v Speaker 3>Now, yes, for.

0:46:45.320 --> 0:46:47.839
<v Speaker 1>There was Dog Town, there was Oakwood. In the early

0:46:47.920 --> 0:46:52.080
<v Speaker 1>nineteen hundred, real estate developer Abbic Kenny hired African Americans

0:46:52.080 --> 0:46:55.880
<v Speaker 1>to construct the canals and name the district the Venice

0:46:55.920 --> 0:47:01.160
<v Speaker 1>of California, which is after Italy. The nineteen twenties, a

0:47:01.200 --> 0:47:05.120
<v Speaker 1>small black community, mainly employees of Abby Kenny, were centered

0:47:05.600 --> 0:47:09.960
<v Speaker 1>north of Electric Avenue between Westminster and San Juan Avenues.

0:47:10.680 --> 0:47:15.640
<v Speaker 1>This area will become Oakwood, an African American neighborhood separated

0:47:15.800 --> 0:47:21.200
<v Speaker 1>geographically but geographically centered in the middle of a white community.

0:47:21.600 --> 0:47:24.560
<v Speaker 1>In the nineteen forties and fifties, during World War Two,

0:47:24.640 --> 0:47:28.600
<v Speaker 1>the population of African Americans would triple. This was when

0:47:28.640 --> 0:47:31.360
<v Speaker 1>my great grandfather moved to Venice from Markasaw's part of

0:47:31.400 --> 0:47:34.920
<v Speaker 1>the gray migration of African Americans out of the South.

0:47:35.719 --> 0:47:39.000
<v Speaker 1>Oakwood was segregated by the Covenant and section as the

0:47:39.040 --> 0:47:43.400
<v Speaker 1>only area in Venice where African Americans could own property.

0:47:44.200 --> 0:47:47.719
<v Speaker 1>There was only a nine square mile area that they

0:47:47.840 --> 0:47:50.839
<v Speaker 1>fenced off so black people could buy homes fenced off.

0:47:51.160 --> 0:47:54.560
<v Speaker 3>Well, that's when they call the redlining, that's what that was.

0:47:55.200 --> 0:47:57.920
<v Speaker 1>So that's one of the first I think that is

0:47:57.960 --> 0:48:00.000
<v Speaker 1>the first place on the West Side that black people.

0:48:00.160 --> 0:48:02.360
<v Speaker 1>That might be the first place in l A.

0:48:03.160 --> 0:48:06.160
<v Speaker 3>That city allowed it and.

0:48:07.920 --> 0:48:10.440
<v Speaker 1>Only have like you y'all gonna build this year, but

0:48:10.480 --> 0:48:16.520
<v Speaker 1>you niggas can live right here. What's dope about this

0:48:16.640 --> 0:48:21.520
<v Speaker 1>podcast today? And and I finally figured it out. It's poverty.

0:48:22.280 --> 0:48:27.080
<v Speaker 1>So you had the choice to to to kind of

0:48:27.200 --> 0:48:31.879
<v Speaker 1>integrate with people, and your parents gave you better. So

0:48:32.480 --> 0:48:35.360
<v Speaker 1>at that point you had so again like because you

0:48:35.440 --> 0:48:38.000
<v Speaker 1>went to this school, there was no need to hold

0:48:38.040 --> 0:48:39.640
<v Speaker 1>on to the coat because if you would have went

0:48:39.680 --> 0:48:42.080
<v Speaker 1>to Morning Side, you was gonna be this because you

0:48:42.160 --> 0:48:45.000
<v Speaker 1>know the type of it's not no, ain't no indefinities

0:48:45.120 --> 0:48:47.040
<v Speaker 1>like that at shout out to the end Death, But

0:48:47.080 --> 0:48:49.600
<v Speaker 1>there's no indefinites at well fucking morning side.

0:48:49.640 --> 0:48:54.000
<v Speaker 5>That's why moms didn't let me south Gate and it hands.

0:48:53.760 --> 0:48:55.919
<v Speaker 4>Down, Yeah, and you for sure.

0:48:57.320 --> 0:48:59.400
<v Speaker 3>And it's funny you said, because then Death was raised

0:48:59.400 --> 0:49:02.279
<v Speaker 3>by his grandmother, right, and grandma lived right on Sentinella

0:49:02.400 --> 0:49:05.879
<v Speaker 3>in Santa Monica like that Westwood, kind of like mar

0:49:05.960 --> 0:49:09.000
<v Speaker 3>Vista almost area, which is a really nice area. I

0:49:09.040 --> 0:49:11.920
<v Speaker 3>think she was an educated, really nice woman too. But

0:49:11.960 --> 0:49:14.200
<v Speaker 3>that's crazy now that i'm thinking about. You're right, even

0:49:14.320 --> 0:49:17.319
<v Speaker 3>like the homie Roy Davidson, they was all venice, you

0:49:17.360 --> 0:49:17.839
<v Speaker 3>know what I mean.

0:49:17.880 --> 0:49:21.680
<v Speaker 2>So they you said it earlier though she could afford it,

0:49:22.239 --> 0:49:23.520
<v Speaker 2>your parents can afford it.

0:49:24.120 --> 0:49:26.720
<v Speaker 1>I was able to buy. And that's why I'm saying,

0:49:27.040 --> 0:49:32.080
<v Speaker 1>like the hip hop part of culture is you have

0:49:32.200 --> 0:49:35.000
<v Speaker 1>to be proud of it because it's fucked up, so

0:49:35.360 --> 0:49:37.880
<v Speaker 1>you don't want to be insecure, so you compensate with

0:49:37.960 --> 0:49:41.560
<v Speaker 1>a pride of it as a representation like Dickie's it's

0:49:41.600 --> 0:49:45.200
<v Speaker 1>a work pants, nigga, that's a work pants. That's a

0:49:45.320 --> 0:49:48.719
<v Speaker 1>factory pants for people working in a factory. And this

0:49:48.880 --> 0:49:51.520
<v Speaker 1>was the only thing people moms and dads could afford

0:49:51.600 --> 0:49:53.960
<v Speaker 1>to start a school year, and you didn't have no money.

0:49:54.080 --> 0:49:56.200
<v Speaker 1>So I can get you you can get one pair

0:49:56.200 --> 0:49:58.120
<v Speaker 1>of these, or you can get ten pair of them.

0:49:58.280 --> 0:50:01.359
<v Speaker 1>You wanted ten fucking pair of pants, you know. I mean,

0:50:01.880 --> 0:50:05.120
<v Speaker 1>you can get this one pair of tennis shoes which

0:50:05.160 --> 0:50:08.719
<v Speaker 1>is Feli's, or these k Swiss, you know, because these

0:50:08.760 --> 0:50:11.680
<v Speaker 1>motherfuckers is fifty six dollars, or you could get this

0:50:11.760 --> 0:50:15.920
<v Speaker 1>motherfucking three pair of these sixteen dollars chuck tails, or

0:50:15.920 --> 0:50:19.160
<v Speaker 1>this twenty two dollars cortes. That's deep. So once you

0:50:19.280 --> 0:50:22.640
<v Speaker 1>walked outside in these new clothes, that started to set

0:50:22.760 --> 0:50:25.960
<v Speaker 1>how everybody else interacted with you, the type of other

0:50:26.000 --> 0:50:29.400
<v Speaker 1>poor people you attracted, right, and then how you started

0:50:29.440 --> 0:50:33.040
<v Speaker 1>to hold on to it as an identity because everybody

0:50:33.080 --> 0:50:35.120
<v Speaker 1>else where you went would make fun because you didn't

0:50:35.160 --> 0:50:35.720
<v Speaker 1>have no money.

0:50:35.800 --> 0:50:37.799
<v Speaker 3>So now I have a question that has nothing to

0:50:37.880 --> 0:50:41.480
<v Speaker 3>do with us. Maybe you can answer it for us.

0:50:41.560 --> 0:50:45.719
<v Speaker 3>What is your thoughts and maybe your thoughts to what

0:50:45.840 --> 0:50:47.600
<v Speaker 3>you could think when you think about it too, But

0:50:47.680 --> 0:50:49.279
<v Speaker 3>I know he'll be able to for sure answer this.

0:50:49.920 --> 0:50:53.239
<v Speaker 3>What about the guys who did grow up like that

0:50:54.400 --> 0:50:57.480
<v Speaker 3>then got a little money and switched up. So like

0:50:58.040 --> 0:51:00.839
<v Speaker 3>I know that there was Charlo's, the guys that I

0:51:00.960 --> 0:51:05.319
<v Speaker 3>know that wore the Chucks, that wore the vans, that

0:51:05.440 --> 0:51:08.120
<v Speaker 3>wore the dickies. Maybe their parents didn't have the money,

0:51:08.160 --> 0:51:12.080
<v Speaker 3>like you're saying, right, But then later on as we

0:51:12.160 --> 0:51:15.640
<v Speaker 3>got older and obviously they started getting money. Now they're

0:51:15.680 --> 0:51:18.400
<v Speaker 3>doing what me and him have already been doing because

0:51:18.520 --> 0:51:20.080
<v Speaker 3>our parents had a little bit of bread.

0:51:20.360 --> 0:51:24.600
<v Speaker 1>But that's that's the point of that's why, that's the point, right.

0:51:24.640 --> 0:51:26.400
<v Speaker 4>So then, but how do they lose themselves?

0:51:26.520 --> 0:51:27.040
<v Speaker 3>Is what I'm saying.

0:51:27.120 --> 0:51:30.080
<v Speaker 1>Didn't lose They only held it because you had to

0:51:30.120 --> 0:51:34.440
<v Speaker 1>be proud of being that poor. That's how you was

0:51:34.560 --> 0:51:36.920
<v Speaker 1>proud to be poor. You couldn't make fun of me

0:51:36.960 --> 0:51:39.080
<v Speaker 1>with your nice shoes and I got my chucks. Bitch,

0:51:39.120 --> 0:51:42.440
<v Speaker 1>I'm the real deal out here. This is me. You

0:51:42.640 --> 0:51:43.320
<v Speaker 1>just a sellout.

0:51:43.400 --> 0:51:45.240
<v Speaker 3>You look like That's what they were trying.

0:51:45.280 --> 0:51:48.160
<v Speaker 2>You didn't look like you didn't look like us, you know,

0:51:48.200 --> 0:51:51.160
<v Speaker 2>I mean you didn't look Yeah, you didn't look poor.

0:51:51.960 --> 0:51:56.920
<v Speaker 1>You looked at like choice. That's all the translation. So

0:51:57.080 --> 0:51:59.279
<v Speaker 1>that's why they had to put the pressure on you,

0:51:59.440 --> 0:52:01.719
<v Speaker 1>because it's like either if they gonna say, look at

0:52:01.760 --> 0:52:04.120
<v Speaker 1>him over there with money. That's what it is.

0:52:04.680 --> 0:52:07.480
<v Speaker 4>And that's what they was hating on, not so much weapons.

0:52:08.080 --> 0:52:11.640
<v Speaker 1>It's not even I wouldn't even call it hating poor

0:52:11.680 --> 0:52:15.480
<v Speaker 1>people looking at people with money. It's not hating, like

0:52:15.520 --> 0:52:18.480
<v Speaker 1>I hate that. That's the narrative today, Like there's.

0:52:18.280 --> 0:52:19.640
<v Speaker 3>A fucking real eason.

0:52:19.719 --> 0:52:20.319
<v Speaker 4>Why I call it?

0:52:20.440 --> 0:52:23.240
<v Speaker 1>I understand, But listen to what I'm saying poor people.

0:52:23.520 --> 0:52:25.960
<v Speaker 1>Like if a motherfucker is starving outside, he's looking at

0:52:25.960 --> 0:52:27.960
<v Speaker 1>a window and you got a big ass steak and

0:52:27.960 --> 0:52:30.360
<v Speaker 1>he like, bitch ass nigga got that steak. He's not hating,

0:52:30.719 --> 0:52:35.400
<v Speaker 1>he's hungry. Hating is when you're making a conscious choice

0:52:35.600 --> 0:52:39.799
<v Speaker 1>to react. I'm tired of hating being the go to thing.

0:52:40.040 --> 0:52:43.040
<v Speaker 1>It's not bro. People are poor. I'm not saying they

0:52:43.040 --> 0:52:45.720
<v Speaker 1>should be mad at you. That's a complex of poverty,

0:52:46.440 --> 0:52:49.040
<v Speaker 1>but they're not hating on you. They like damn. I

0:52:49.080 --> 0:52:51.160
<v Speaker 1>wish I had a choice, but I don't. So I

0:52:51.200 --> 0:52:53.880
<v Speaker 1>have to be proud of this poverty because this is

0:52:53.920 --> 0:52:55.560
<v Speaker 1>all I have. I have to be proud of this

0:52:55.680 --> 0:52:59.759
<v Speaker 1>culture because I can't make a choice to choose anything else.

0:52:59.880 --> 0:53:04.560
<v Speaker 1>I have to use pride to overcome. You know, America

0:53:05.120 --> 0:53:08.759
<v Speaker 1>is built on you know, fuck the poor people. You

0:53:08.800 --> 0:53:11.520
<v Speaker 1>know what I mean, you being superior. You know what

0:53:11.560 --> 0:53:14.160
<v Speaker 1>I'm saying. That's what makes low riding so great. Low

0:53:14.200 --> 0:53:17.919
<v Speaker 1>riding is taking old cars, fixing them up and making

0:53:17.920 --> 0:53:19.880
<v Speaker 1>them special because you don't want to go finance a

0:53:19.920 --> 0:53:24.359
<v Speaker 1>brand new fucking car. It's cheaper to rebuild a car.

0:53:24.440 --> 0:53:25.800
<v Speaker 1>Didn't go buy a new car. You could build it

0:53:25.840 --> 0:53:28.799
<v Speaker 1>in payments, in limpsums, exactly how you want it.

0:53:29.000 --> 0:53:31.920
<v Speaker 3>Yeah, So are you talking about in terms of putting

0:53:31.920 --> 0:53:34.640
<v Speaker 3>that up against a high end luxury car, because now

0:53:34.640 --> 0:53:36.640
<v Speaker 3>an old school car, you do that and it's worth

0:53:36.640 --> 0:53:37.879
<v Speaker 3>more than any piece of shit.

0:53:38.719 --> 0:53:42.160
<v Speaker 1>Guess what at this place now, culture is completely different.

0:53:42.680 --> 0:53:44.640
<v Speaker 1>If you went to a soulful restaurant that was the

0:53:44.719 --> 0:53:48.719
<v Speaker 1>highest solful rest they probably charged more than Flemings. You

0:53:48.719 --> 0:53:51.920
<v Speaker 1>know what I'm saying, Because culture right now is poverty

0:53:52.040 --> 0:53:55.279
<v Speaker 1>is fleeting in America right now. You just broke. Ain't

0:53:55.360 --> 0:53:58.279
<v Speaker 1>really no poverty, especially not where we're from. Like a

0:53:58.320 --> 0:53:58.799
<v Speaker 1>house and.

0:53:58.800 --> 0:54:01.600
<v Speaker 2>Watch costs five hundred thousand dollars. This is the worst

0:54:01.600 --> 0:54:05.560
<v Speaker 2>place in Black La Watts. A house on the seven

0:54:05.680 --> 0:54:08.960
<v Speaker 2>is five hundred thousand nigga, you cannot be a poor person.

0:54:09.280 --> 0:54:12.440
<v Speaker 2>You can be broke, but you can't be poor class.

0:54:12.719 --> 0:54:15.359
<v Speaker 1>Ain't no more people in the house doing drugs, not

0:54:15.360 --> 0:54:18.239
<v Speaker 1>paying this rent, you know what I'm saying. It's no

0:54:18.320 --> 0:54:21.000
<v Speaker 1>more that like, ain't no more just hanging out, drinking

0:54:21.040 --> 0:54:25.279
<v Speaker 1>and fucking up. Everybody got a job to pay this rent, this.

0:54:25.320 --> 0:54:29.760
<v Speaker 3>Rent in La but another pushing people to the outskirts, which.

0:54:29.600 --> 0:54:31.000
<v Speaker 1>Is where that is in the jungles.

0:54:31.000 --> 0:54:33.600
<v Speaker 5>That does you in the jungle, she's paying twenty four hundred.

0:54:34.760 --> 0:54:38.400
<v Speaker 3>Yeah, all that is gentrified and just you know for sure.

0:54:38.280 --> 0:54:41.719
<v Speaker 1>So when you gentrified, you lose culture. And that's what

0:54:41.760 --> 0:54:43.120
<v Speaker 1>I was saying to you earlier when you I think

0:54:43.160 --> 0:54:46.080
<v Speaker 1>you was kind of almost got offended. You have tradition

0:54:46.280 --> 0:54:48.840
<v Speaker 1>in middle class, in affluent community, you don't have culture.

0:54:49.080 --> 0:54:51.359
<v Speaker 1>You have tradition. You could have things that we all

0:54:51.360 --> 0:54:54.280
<v Speaker 1>do just because we just want to do them. Culture

0:54:54.440 --> 0:54:56.360
<v Speaker 1>is a force. It's a way of life that you

0:54:56.480 --> 0:54:59.480
<v Speaker 1>live because of the conditions. You don't have a choice,

0:55:00.040 --> 0:55:03.080
<v Speaker 1>you know. I mean, the fashion is cheap. Ain't no

0:55:03.160 --> 0:55:07.800
<v Speaker 1>expensive shit in culture. Gucci is not culture. Louis Vuatana

0:55:07.840 --> 0:55:08.520
<v Speaker 1>is not culture.

0:55:09.000 --> 0:55:09.920
<v Speaker 3>It's white culture.

0:55:10.200 --> 0:55:12.399
<v Speaker 1>It's not culture at all, because white people don't wear

0:55:12.400 --> 0:55:16.400
<v Speaker 1>that shit. It's not culture. It's just it's just clothes,

0:55:17.440 --> 0:55:20.560
<v Speaker 1>don't It don't mean nothing. If you wear some Dickies

0:55:20.680 --> 0:55:23.879
<v Speaker 1>it means something facts, But it didn't mean nothing when

0:55:23.880 --> 0:55:25.640
<v Speaker 1>they first started wearing them. It was just this was

0:55:25.680 --> 0:55:28.279
<v Speaker 1>what the poor people in LA was going to get

0:55:28.280 --> 0:55:31.359
<v Speaker 1>because this is what HP sold. The shit of HP

0:55:31.520 --> 0:55:36.960
<v Speaker 1>had this. HP had Chucks, Cortes and Dickies and Ben

0:55:37.040 --> 0:55:41.520
<v Speaker 1>Davis and Carhart. That's what you want work clothes solo.

0:55:42.800 --> 0:55:46.960
<v Speaker 3>So let's jump around to something real quick. So why

0:55:46.960 --> 0:55:49.840
<v Speaker 3>do you think so at that time thinking about those

0:55:50.680 --> 0:55:53.720
<v Speaker 3>those fabrics of clothing, right, Because that's what we could afford.

0:55:54.120 --> 0:55:57.479
<v Speaker 3>If you think about like our parents, right, or pair

0:55:57.560 --> 0:55:59.640
<v Speaker 3>of our friends' parents even you know what I mean,

0:55:59.719 --> 0:56:04.040
<v Speaker 3>like the way they dressed as adults at the age

0:56:04.040 --> 0:56:06.759
<v Speaker 3>we are now, right, even yourself still right, like you

0:56:06.840 --> 0:56:09.400
<v Speaker 3>still will wear Chucks. You're you know, we're at a

0:56:09.480 --> 0:56:12.880
<v Speaker 3>certain age now that our parents were. So why do

0:56:12.960 --> 0:56:15.360
<v Speaker 3>you think now we look the way we do? Is

0:56:15.360 --> 0:56:19.600
<v Speaker 3>it just culture the evolution? Or like how can I

0:56:19.640 --> 0:56:22.520
<v Speaker 3>say this? Like I know that we're all grown men.

0:56:23.520 --> 0:56:25.920
<v Speaker 3>We take care of our bills, take care of our families.

0:56:25.960 --> 0:56:29.759
<v Speaker 3>We do our thing responsible, but yes, responsibly responsible. But

0:56:29.840 --> 0:56:32.160
<v Speaker 3>when you look at us, still look to me, we

0:56:32.239 --> 0:56:35.480
<v Speaker 3>still look fresh. We're not like kids, but just you know,

0:56:36.160 --> 0:56:40.880
<v Speaker 3>still very fashionable with whatever you consider fashionable, you know

0:56:40.920 --> 0:56:43.239
<v Speaker 3>what I mean? Even when I see you. Back in

0:56:43.280 --> 0:56:46.839
<v Speaker 3>the day, our parents dressed like with a button down

0:56:46.920 --> 0:56:51.600
<v Speaker 3>and slacks. Was that part of coming from poverty? Is

0:56:51.600 --> 0:56:54.920
<v Speaker 3>that what that was? And now because we've our generations

0:56:54.960 --> 0:56:57.600
<v Speaker 3>have grown and made more money, now as adults were

0:56:57.640 --> 0:57:00.480
<v Speaker 3>able to dress a little different. That's what I'm trying

0:57:00.480 --> 0:57:01.040
<v Speaker 3>to figure out.

0:57:01.080 --> 0:57:05.680
<v Speaker 1>Obviously, you're wearing mainstream attire correct, completely topped about. Sure

0:57:06.000 --> 0:57:13.480
<v Speaker 1>I'm dressed like a crip, So he's not. Yeah, like

0:57:13.600 --> 0:57:17.520
<v Speaker 1>you're wearing what you can afford. Sure, you're wearing four

0:57:17.600 --> 0:57:20.720
<v Speaker 1>hundred dollars shoes. Them shoes are seven hundred dollars today.

0:57:21.280 --> 0:57:23.640
<v Speaker 3>But they're but that's not but that's not what they

0:57:23.680 --> 0:57:27.880
<v Speaker 3>cost retail. Yeah, retailer is two thirty something to twenty

0:57:27.920 --> 0:57:28.440
<v Speaker 3>to twenty.

0:57:28.560 --> 0:57:30.800
<v Speaker 1>The retail on my shoes is fifty six dollars.

0:57:31.160 --> 0:57:33.440
<v Speaker 3>That's not true about some for my daughter the other

0:57:33.480 --> 0:57:35.520
<v Speaker 3>day they were almost seventy four dollars. So don't like

0:57:35.600 --> 0:57:35.800
<v Speaker 3>to me.

0:57:35.880 --> 0:57:38.439
<v Speaker 1>Okay, So these were fifty six, so they went up again.

0:57:38.800 --> 0:57:40.480
<v Speaker 1>So the point I'm saying is.

0:57:40.120 --> 0:57:41.640
<v Speaker 3>But I get what you're saying, right.

0:57:41.920 --> 0:57:45.000
<v Speaker 1>That shirt is probably thirty or forty dollars.

0:57:45.360 --> 0:57:48.320
<v Speaker 3>Yes, but it's not anything. This is shout out to.

0:57:48.240 --> 0:57:49.480
<v Speaker 4>The homie law from Germany.

0:57:49.600 --> 0:57:50.840
<v Speaker 1>It says Rock the Bells.

0:57:51.240 --> 0:57:52.880
<v Speaker 4>Yeah, yeah, he did it. He did a collab.

0:57:52.960 --> 0:57:55.440
<v Speaker 3>The artist did a collab and I follow him on Instagram.

0:57:55.520 --> 0:57:57.520
<v Speaker 1>Totally understand that. But that's like Maine.

0:57:57.560 --> 0:57:58.520
<v Speaker 4>It's not mainstream.

0:57:58.800 --> 0:57:59.800
<v Speaker 1>Yes, is mainstream.

0:58:00.080 --> 0:58:01.840
<v Speaker 4>Oh it because Rock the Bells got you.

0:58:03.000 --> 0:58:07.680
<v Speaker 1>It has ODB on the back. Yes, yes, a dead rapper.

0:58:07.760 --> 0:58:12.960
<v Speaker 1>That's black. The whitest thing ever.

0:58:13.960 --> 0:58:15.560
<v Speaker 3>That's the whitest thing ever.

0:58:15.880 --> 0:58:21.360
<v Speaker 2>Shout OUTDB man, like a dead black a dead black

0:58:21.360 --> 0:58:24.200
<v Speaker 2>wrapper on your shirt is the whitest thing you could do.

0:58:24.920 --> 0:58:28.040
<v Speaker 4>Why it's paying homage to hip hop, it's.

0:58:28.000 --> 0:58:30.240
<v Speaker 5>Making it making money off of somebody.

0:58:30.360 --> 0:58:32.520
<v Speaker 1>You know you'll be able to make some money off.

0:58:32.680 --> 0:58:35.080
<v Speaker 1>All I know is, you know, you know white people

0:58:35.320 --> 0:58:37.000
<v Speaker 1>love dead black entertainers.

0:58:37.000 --> 0:58:40.800
<v Speaker 2>How many shirtslive? But how many shirts had O DB's

0:58:40.840 --> 0:58:41.720
<v Speaker 2>face on it alive?

0:58:42.600 --> 0:58:43.360
<v Speaker 1>How many? Is you win?

0:58:46.640 --> 0:58:48.760
<v Speaker 3>I had wo tank shirts and don't play with me.

0:58:48.920 --> 0:58:50.680
<v Speaker 1>No, they didn't really.

0:58:50.520 --> 0:58:53.200
<v Speaker 3>Have merch like that back then. Let's just be honest.

0:58:53.240 --> 0:58:57.040
<v Speaker 3>That's some that's not their merch right now. Huh, that's

0:58:57.160 --> 0:58:58.160
<v Speaker 3>not their merch right now.

0:58:58.160 --> 0:58:59.200
<v Speaker 4>I don't know what's going on.

0:59:00.080 --> 0:59:02.400
<v Speaker 3>Can be tied to his family, You don't know that.

0:59:02.840 --> 0:59:04.320
<v Speaker 3>A matter of fact, I'm gonna ask.

0:59:04.200 --> 0:59:08.760
<v Speaker 1>Law if young throwing under there. So that's about fifty bucks.

0:59:09.080 --> 0:59:11.240
<v Speaker 1>So it's about two seventy in the shoes because them,

0:59:11.240 --> 0:59:12.160
<v Speaker 1>for sure it's to seventy.

0:59:12.360 --> 0:59:15.080
<v Speaker 5>Yeah, no, key to the Adida socks ain't normal.

0:59:15.840 --> 0:59:18.200
<v Speaker 1>The Adida socks is twenty six dollars that had his

0:59:18.280 --> 0:59:18.840
<v Speaker 1>fifty bucks.

0:59:18.920 --> 0:59:21.240
<v Speaker 5>He didn't even argue the twenty six dollars stuff that.

0:59:21.240 --> 0:59:22.440
<v Speaker 3>Had his fifty bucks.

0:59:23.080 --> 0:59:25.400
<v Speaker 4>This is also an independent.

0:59:24.760 --> 0:59:26.680
<v Speaker 1>That had his fiftieth sixty dollars.

0:59:26.680 --> 0:59:28.920
<v Speaker 3>This is an so let me tell you say it

0:59:29.000 --> 0:59:31.440
<v Speaker 3>fifty years hold on, hold on, shout out to the

0:59:31.480 --> 0:59:34.520
<v Speaker 3>homies that X marks the spot twenty two out in

0:59:34.560 --> 0:59:37.560
<v Speaker 3>the Bronx, New York. He makes some fly ass ship

0:59:37.600 --> 0:59:39.960
<v Speaker 3>bro La and West Coast style hats.

0:59:40.480 --> 0:59:41.720
<v Speaker 4>And this is an independent.

0:59:43.360 --> 0:59:47.200
<v Speaker 3>He's been sued by New Error because of his hats

0:59:48.080 --> 0:59:50.480
<v Speaker 3>and like they've shut down his page. So this is

0:59:50.520 --> 0:59:53.760
<v Speaker 3>not mainstream. The idea might be of what's on it.

0:59:53.720 --> 0:59:54.600
<v Speaker 1>It's mainstream.

0:59:54.680 --> 0:59:57.040
<v Speaker 3>No, but it's an independent guy doing this thing. It's

0:59:57.080 --> 0:59:58.000
<v Speaker 3>actually culture.

0:59:58.440 --> 1:00:00.640
<v Speaker 1>It's actually an independent probably white guy.

1:00:00.760 --> 1:00:02.920
<v Speaker 3>No, he's Puerto Rican. It's not white. I know, you

1:00:02.920 --> 1:00:05.360
<v Speaker 3>guys like to call Mexicans and Puerto Ricans. He call

1:00:05.440 --> 1:00:05.840
<v Speaker 3>us white.

1:00:05.920 --> 1:00:09.040
<v Speaker 1>But because it's only black, white, and Asian, that's the

1:00:09.080 --> 1:00:10.640
<v Speaker 1>only three races.

1:00:12.240 --> 1:00:15.000
<v Speaker 3>Did you you know that? Did you know that it's cacazoid,

1:00:15.800 --> 1:00:21.880
<v Speaker 3>Lloyd and Nero, those three original men of that everything nigga,

1:00:22.360 --> 1:00:29.120
<v Speaker 3>what rod no, even no niggas is not talking about

1:00:29.280 --> 1:00:30.720
<v Speaker 3>the original is Cocazoid?

1:00:32.960 --> 1:00:36.640
<v Speaker 1>Is that where Caucasian comes from? For white even mountains.

1:00:37.360 --> 1:00:38.800
<v Speaker 4>And the Mongoloids there was.

1:00:40.960 --> 1:00:44.560
<v Speaker 1>Like you, I mean, it's the initial place of where

1:00:44.800 --> 1:00:51.400
<v Speaker 1>that race came came from. Sure, all that stuff it's

1:00:51.400 --> 1:00:54.360
<v Speaker 1>just sound racist, but so what I'm saying is yeah,

1:00:54.360 --> 1:00:56.920
<v Speaker 1>but I'm saying so the concept is, yes, your money

1:00:57.520 --> 1:01:00.040
<v Speaker 1>right you you you're making a living. I mean, and

1:01:00.040 --> 1:01:01.680
<v Speaker 1>and don't get me wrong, I'm not trying to get

1:01:01.680 --> 1:01:03.760
<v Speaker 1>on a podcast act like you're rich, but you can

1:01:03.840 --> 1:01:06.320
<v Speaker 1>afford to take care of yourself and show you. So

1:01:06.400 --> 1:01:09.360
<v Speaker 1>it's it's not like the Tolos didn't want to wear

1:01:09.440 --> 1:01:12.640
<v Speaker 1>the hip thing. They couldn't afford to wear the.

1:01:12.640 --> 1:01:15.400
<v Speaker 3>Hip thing, so so talk shit about you well, and

1:01:15.400 --> 1:01:17.880
<v Speaker 3>then when they can afford it later, then they decided

1:01:17.920 --> 1:01:19.280
<v Speaker 3>they would go ahead and wear that.

1:01:19.280 --> 1:01:21.440
<v Speaker 4>That's always the cake got you. I get it.

1:01:21.600 --> 1:01:25.040
<v Speaker 1>I just again have mercy on us. I know, because

1:01:25.040 --> 1:01:27.480
<v Speaker 1>I can't say understanding. I can't even say us no,

1:01:27.520 --> 1:01:29.760
<v Speaker 1>because I didn't have to wear none of that shit.

1:01:29.800 --> 1:01:32.360
<v Speaker 1>I had crawl canine, cross colored, yous damage all that shit.

1:01:32.960 --> 1:01:35.240
<v Speaker 1>But growing up in Compton and watch, I kind of

1:01:35.280 --> 1:01:38.280
<v Speaker 1>had an affinity for our people. So even though you

1:01:38.400 --> 1:01:39.320
<v Speaker 1>had something there.

1:01:40.320 --> 1:01:42.560
<v Speaker 4>I think from my understanding, you was also a good fighter.

1:01:42.560 --> 1:01:43.680
<v Speaker 3>See I wasn't the best fighting.

1:01:43.680 --> 1:01:46.160
<v Speaker 1>I didn't really become I could fight even before I knew,

1:01:46.200 --> 1:01:47.640
<v Speaker 1>but I didn't realize I could fight till I was

1:01:47.680 --> 1:01:50.560
<v Speaker 1>about eighteen nineteen. Okay, but that's not the point. My

1:01:50.680 --> 1:01:53.640
<v Speaker 1>mom even though prime example, like right my mom where

1:01:53.640 --> 1:01:55.760
<v Speaker 1>I grew up at in Compton, at my mom's house

1:01:55.760 --> 1:01:57.920
<v Speaker 1>my dad is the seven right, which is like this

1:01:58.400 --> 1:02:03.160
<v Speaker 1>super enterprise community right enterprise like there are is like

1:02:03.200 --> 1:02:07.800
<v Speaker 1>a it's like an economic tyrant in the in the

1:02:07.960 --> 1:02:10.400
<v Speaker 1>d Boy community at these times. I mean, so it's

1:02:10.400 --> 1:02:13.640
<v Speaker 1>an earning place. You earned here. And then my mom

1:02:14.120 --> 1:02:15.600
<v Speaker 1>we lived in the Richland farms.

1:02:15.640 --> 1:02:15.760
<v Speaker 3>Right.

1:02:15.760 --> 1:02:17.400
<v Speaker 1>I knew how to ride a horse at six. I

1:02:17.480 --> 1:02:20.840
<v Speaker 1>knew how to swim at six in Compton, smack dad

1:02:20.880 --> 1:02:21.360
<v Speaker 1>in Compton.

1:02:21.440 --> 1:02:23.720
<v Speaker 3>So if you you because I remember you told me this,

1:02:23.840 --> 1:02:26.760
<v Speaker 3>you know at Rest in Peace Olivia. She was also

1:02:26.800 --> 1:02:29.640
<v Speaker 3>a nurse, right, yeah, so if you had Brad, she

1:02:29.680 --> 1:02:32.480
<v Speaker 3>could afford these things. What made you stick to what

1:02:32.640 --> 1:02:33.200
<v Speaker 3>it was?

1:02:34.040 --> 1:02:38.840
<v Speaker 1>It wasn't what it was? Right, I identified with poor black people.

1:02:38.840 --> 1:02:41.160
<v Speaker 4>Why if you weren't poor.

1:02:42.080 --> 1:02:46.200
<v Speaker 1>Everybody else was. So that's the problem because I didn't

1:02:46.240 --> 1:02:49.960
<v Speaker 1>get to So maybe if I go to school somewhere else.

1:02:50.800 --> 1:02:53.360
<v Speaker 1>You know, I didn't go to Kennedy. I didn't go

1:02:53.400 --> 1:02:54.600
<v Speaker 1>to Walton Middle School.

1:02:55.240 --> 1:02:55.360
<v Speaker 3>You know.

1:02:55.400 --> 1:02:57.120
<v Speaker 1>I went to our teacher one year and I was

1:02:57.160 --> 1:02:59.880
<v Speaker 1>at Paramount. At Paramount got ap classes. But Paramount is

1:02:59.880 --> 1:03:02.600
<v Speaker 1>like a baby Southgate shut out. No disrespect to all

1:03:02.640 --> 1:03:04.280
<v Speaker 1>the homies in Paramount. That's not what I'm saying. I'm

1:03:04.280 --> 1:03:07.560
<v Speaker 1>saying as far as like how fucking gang infested? It is,

1:03:07.640 --> 1:03:09.640
<v Speaker 1>like that's some shit, you know what I mean, so

1:03:09.840 --> 1:03:13.600
<v Speaker 1>I was never separated far enough from poor people to

1:03:13.720 --> 1:03:17.160
<v Speaker 1>ever see myself outside of them, like in your like

1:03:17.440 --> 1:03:20.360
<v Speaker 1>wherever I went except Artisa because Artisia had the Wu

1:03:20.440 --> 1:03:25.120
<v Speaker 1>Tang niggas. Artisia had the East Coast sympathizes. When it

1:03:25.160 --> 1:03:26.919
<v Speaker 1>came to music, that became their thing.

1:03:27.040 --> 1:03:29.080
<v Speaker 3>Wait, I have a question. I know that this is

1:03:29.160 --> 1:03:31.880
<v Speaker 3>jumping into the two thousands, but how did you Didn't

1:03:31.920 --> 1:03:33.320
<v Speaker 3>you have a homie that thought of you from the

1:03:33.320 --> 1:03:34.720
<v Speaker 3>Saint Lunatics? Yes?

1:03:35.680 --> 1:03:36.360
<v Speaker 4>But why?

1:03:37.040 --> 1:03:39.520
<v Speaker 1>But it wats like it's different because Watts is like

1:03:39.600 --> 1:03:43.880
<v Speaker 1>this really weird connection to other black communities outside of

1:03:44.000 --> 1:03:46.840
<v Speaker 1>La Like there was a time niggas in wicht I

1:03:46.880 --> 1:03:49.520
<v Speaker 1>think it was no limit. Like so his older brothers,

1:03:49.560 --> 1:03:52.000
<v Speaker 1>so Snoopy's older brothers, because that's how you talking about Junior.

1:03:52.360 --> 1:03:54.360
<v Speaker 1>Junior used to wear the band aid on his eye,

1:03:54.800 --> 1:03:59.040
<v Speaker 1>wear vocal all the time. His older brother changed his

1:03:59.320 --> 1:04:01.560
<v Speaker 1>name to His name was Chocolate since he was little

1:04:01.560 --> 1:04:03.960
<v Speaker 1>because he was dark as fuck, right, But he changed

1:04:04.000 --> 1:04:07.200
<v Speaker 1>his name to Soldier Chok because of no limit. Oh shit,

1:04:07.800 --> 1:04:09.560
<v Speaker 1>you know what I'm saying. And then so, but I

1:04:09.600 --> 1:04:12.400
<v Speaker 1>think Watts has this really black connection to all the

1:04:12.440 --> 1:04:16.160
<v Speaker 1>other black places like the South, the Midwest. Like, so

1:04:16.240 --> 1:04:19.640
<v Speaker 1>if it's niggas there, we identify with niggas from any

1:04:19.680 --> 1:04:22.000
<v Speaker 1>poor party. But I don't know why. It's like the bait.

1:04:22.440 --> 1:04:27.840
<v Speaker 1>We just identified with niggas. But Compton is different. Right,

1:04:27.880 --> 1:04:30.280
<v Speaker 1>So even like I grew up having voc, I mean,

1:04:30.320 --> 1:04:32.680
<v Speaker 1>excuse me, I grew up having used damaged Carl kanin

1:04:33.160 --> 1:04:33.480
<v Speaker 1>all that.

1:04:33.560 --> 1:04:36.760
<v Speaker 3>I never cared because it was poor people right there.

1:04:37.720 --> 1:04:39.680
<v Speaker 3>You know he told me about used. I didn't even

1:04:39.760 --> 1:04:40.440
<v Speaker 3>know what that was.

1:04:40.840 --> 1:04:43.840
<v Speaker 1>That was the script pants that looked like they were used,

1:04:43.960 --> 1:04:46.240
<v Speaker 1>except they were brand new jackets we're.

1:04:46.120 --> 1:04:51.680
<v Speaker 3>Wearing now with purple brand. Basically, No, it looked like ridgeings.

1:04:52.080 --> 1:04:58.520
<v Speaker 1>It looks like clothing damage was the same way damaged damage.

1:04:59.000 --> 1:05:01.960
<v Speaker 1>Yeah it was. I had all design and ship growing up.

1:05:02.040 --> 1:05:05.200
<v Speaker 1>I never had to wear Chuck's quarte till I started

1:05:05.200 --> 1:05:08.640
<v Speaker 1>buying my ship. Yes, right, But I also would dress

1:05:08.720 --> 1:05:11.200
<v Speaker 1>it down. I would just have a sub chose to

1:05:11.280 --> 1:05:13.880
<v Speaker 1>dress down. Yeah right, Like I had to bro, Like

1:05:13.920 --> 1:05:15.600
<v Speaker 1>when I tell you I had Carl Knni Bro, I

1:05:15.600 --> 1:05:18.240
<v Speaker 1>had to kral Kni with it. I had probably it

1:05:18.280 --> 1:05:20.360
<v Speaker 1>was school years bro. Shout out to Olivia, rest her

1:05:20.400 --> 1:05:23.040
<v Speaker 1>soul I love my mama because she was even though

1:05:23.040 --> 1:05:25.040
<v Speaker 1>we grew up in in the ghetto. She was like, nigga,

1:05:25.080 --> 1:05:27.480
<v Speaker 1>you finna have it. I had to cal Kanad the

1:05:27.520 --> 1:05:30.280
<v Speaker 1>original ship with the brass plate on the chest, nigga

1:05:30.840 --> 1:05:33.640
<v Speaker 1>and I might have went the school my school shopping

1:05:33.720 --> 1:05:34.880
<v Speaker 1>might have been five of those.

1:05:35.320 --> 1:05:37.560
<v Speaker 3>But that was still some West Coast shit, though, wasn't it.

1:05:37.840 --> 1:05:41.640
<v Speaker 1>No, No, no, that was money ship. That's black money.

1:05:42.200 --> 1:05:44.760
<v Speaker 1>That was looking that was looking like tretch. Yeah, that's

1:05:44.800 --> 1:05:48.920
<v Speaker 1>black money, right, black money. Just look at it like this,

1:05:49.080 --> 1:05:52.440
<v Speaker 1>that's black money, got you. I mean like those brands

1:05:52.440 --> 1:05:56.040
<v Speaker 1>were the beginning of black money. Caral Kanad to me, now,

1:05:56.040 --> 1:05:57.720
<v Speaker 1>I don't know it could be like because I think

1:05:57.800 --> 1:06:00.400
<v Speaker 1>Sergio Tacini and all that ship was like Italian designers

1:06:00.480 --> 1:06:03.920
<v Speaker 1>or something. But black money, initially on a mainstream level

1:06:04.120 --> 1:06:07.880
<v Speaker 1>was Carl Kanikujie Kougie was black money. That's all the

1:06:07.920 --> 1:06:12.040
<v Speaker 1>first black money. So all this ship Puff and Puff

1:06:12.160 --> 1:06:14.919
<v Speaker 1>was doing because aver Rex is a white company. But yes,

1:06:15.000 --> 1:06:17.360
<v Speaker 1>that was something. But I'm saying the black companies that

1:06:17.520 --> 1:06:20.120
<v Speaker 1>first started, like Carl Kani being one of the first

1:06:20.160 --> 1:06:23.640
<v Speaker 1>mainstream black designers that niggas was promoting his blackness and

1:06:23.680 --> 1:06:26.600
<v Speaker 1>this is why you buy it. And they charged designer

1:06:26.600 --> 1:06:31.160
<v Speaker 1>foob that's black money, wasn't it? Yeah, black money, So

1:06:31.240 --> 1:06:32.120
<v Speaker 1>it's it's different.

1:06:32.640 --> 1:06:35.400
<v Speaker 3>So so now I guess that's exactly what it was

1:06:35.840 --> 1:06:39.360
<v Speaker 3>being black, because I loved all that ship. I didn't

1:06:39.400 --> 1:06:41.680
<v Speaker 3>know it was mainstream, but I guess that's the thing

1:06:41.880 --> 1:06:43.120
<v Speaker 3>that would look at it.

1:06:43.240 --> 1:06:47.080
<v Speaker 1>That was the beginning of mainstream success culture like if that,

1:06:47.240 --> 1:06:49.080
<v Speaker 1>if that, if you want to call that culture that

1:06:49.240 --> 1:06:52.520
<v Speaker 1>was mainstream black, like we started that's the first time.

1:06:52.680 --> 1:06:56.120
<v Speaker 1>And then obviously Jay comes with Rocker, where what's come

1:06:56.200 --> 1:07:00.520
<v Speaker 1>with fat from Sean John? All of those followed, Karl

1:07:00.600 --> 1:07:02.720
<v Speaker 1>Kanai and Fooble and all of these ideas.

1:07:02.800 --> 1:07:05.360
<v Speaker 3>But that makes sense by you saying that was rich

1:07:06.240 --> 1:07:07.600
<v Speaker 3>black attire.

1:07:07.960 --> 1:07:10.160
<v Speaker 1>But that's not that's not I don't. I don't. So

1:07:10.200 --> 1:07:12.360
<v Speaker 1>when I'm saying rich black, I mean like I mean,

1:07:12.520 --> 1:07:16.680
<v Speaker 1>they were like mainstream black designers.

1:07:16.320 --> 1:07:19.760
<v Speaker 3>Sure, but white kids wasn't wearing them yet. That was

1:07:19.800 --> 1:07:22.240
<v Speaker 3>still in the hoods for a minute before it really

1:07:22.360 --> 1:07:22.880
<v Speaker 3>kind of like.

1:07:23.520 --> 1:07:26.680
<v Speaker 1>Sure it was. It was we powered it. Black people

1:07:26.880 --> 1:07:29.520
<v Speaker 1>powered it. Because if you had if you had some

1:07:29.560 --> 1:07:31.800
<v Speaker 1>money used from where we're from, or you was black.

1:07:31.880 --> 1:07:32.720
<v Speaker 1>You powered it.

1:07:33.360 --> 1:07:36.520
<v Speaker 4>So imagine being the Mexican kid doing that. Who was

1:07:36.520 --> 1:07:37.480
<v Speaker 4>was able to do that?

1:07:37.800 --> 1:07:40.080
<v Speaker 1>Well, you grew up in Inglewood, it's not That's my point.

1:07:40.120 --> 1:07:43.160
<v Speaker 1>So that's why I'm really careful with We had this

1:07:43.200 --> 1:07:45.600
<v Speaker 1>conversation earlier. I don't like having it. But like, black

1:07:45.640 --> 1:07:48.000
<v Speaker 1>culture is an overstated thing. There's very few things out

1:07:48.000 --> 1:07:50.640
<v Speaker 1>are black culture. Like right, most of the things we

1:07:50.680 --> 1:07:53.640
<v Speaker 1>referred to as black culture is poor street urban culture.

1:07:53.920 --> 1:07:56.000
<v Speaker 1>M you know, I mean, like we talked about hip hop.

1:07:56.000 --> 1:07:59.000
<v Speaker 1>We've had this conversation. It's some really respected minds people

1:07:59.040 --> 1:08:01.720
<v Speaker 1>I respect Treaknas, those people that be like hip hop

1:08:01.840 --> 1:08:04.240
<v Speaker 1>is black, like no, hip hop is street and anybody

1:08:04.280 --> 1:08:05.960
<v Speaker 1>that was street at that time from that area was

1:08:06.000 --> 1:08:08.480
<v Speaker 1>doing this shit. Now I'm not saying it wasn't probably

1:08:08.480 --> 1:08:11.120
<v Speaker 1>one nigga that made it for me, but trust me,

1:08:11.600 --> 1:08:14.120
<v Speaker 1>it was Spanish people to making people all that shit

1:08:14.320 --> 1:08:15.439
<v Speaker 1>right close to.

1:08:15.360 --> 1:08:17.800
<v Speaker 3>It, especially being on the East Coast you had the attack.

1:08:18.920 --> 1:08:21.479
<v Speaker 1>They wasn't at that, but we were influenced by them.

1:08:21.640 --> 1:08:24.960
<v Speaker 1>Like remember they Jewish people had the ghetto, so certain

1:08:25.000 --> 1:08:28.400
<v Speaker 1>things passed from street culture to street culture. Like that's

1:08:28.439 --> 1:08:33.120
<v Speaker 1>why you hear rappers with names like Capone. You hear rappers,

1:08:33.200 --> 1:08:35.840
<v Speaker 1>you know, white people, nor Riega. You hear rappers like

1:08:35.960 --> 1:08:41.600
<v Speaker 1>with different names from different walks of street life. You

1:08:41.600 --> 1:08:45.000
<v Speaker 1>know what I mean? Like those are not you know, black.

1:08:45.280 --> 1:08:49.320
<v Speaker 1>You know, Black street life is not old, right, It's

1:08:49.400 --> 1:08:52.479
<v Speaker 1>not like street life is old, but not Black street

1:08:52.479 --> 1:08:56.439
<v Speaker 1>life not black, not not not you know, outlaw life

1:08:56.479 --> 1:09:00.000
<v Speaker 1>is old, not black. Outlaw life black Like black people

1:09:00.120 --> 1:09:02.680
<v Speaker 1>get such a bad rap, bro, and I'm not I

1:09:02.720 --> 1:09:05.640
<v Speaker 1>don't like to try to, you know, do the comparison,

1:09:05.680 --> 1:09:09.000
<v Speaker 1>but like, bro, black black, outlaw life ain't that old.

1:09:09.080 --> 1:09:12.000
<v Speaker 1>That's not a like that's new. That shit ain't even

1:09:12.000 --> 1:09:15.479
<v Speaker 1>one hundred years old. Outlaw life been going off for ever.

1:09:15.800 --> 1:09:20.040
<v Speaker 1>Like the term gangs like in Americas New York, but

1:09:20.200 --> 1:09:24.479
<v Speaker 1>before that, like outlaw gangs, cowboy gangs. That's where that

1:09:24.520 --> 1:09:27.000
<v Speaker 1>title comes from. And that's why it's prominent on the West.

1:09:27.479 --> 1:09:30.400
<v Speaker 1>People don't look at it like this. Cowboys. I mean,

1:09:30.439 --> 1:09:35.040
<v Speaker 1>game bankers ain't numb, but cowboys, that's it. Robin stage

1:09:35.040 --> 1:09:37.880
<v Speaker 1>coaches and shit like that. That's all they are. They

1:09:37.960 --> 1:09:42.560
<v Speaker 1>just that's why it's out here. The term gangs. You

1:09:42.600 --> 1:09:45.679
<v Speaker 1>know what I'm saying. So again it's like we take

1:09:45.720 --> 1:09:48.439
<v Speaker 1>a lot of the brunt for everything because we oh,

1:09:48.520 --> 1:09:50.080
<v Speaker 1>you know, it's part of the culture. It's not a

1:09:50.120 --> 1:09:51.759
<v Speaker 1>part of the culture. It's a lot of black people.

1:09:51.760 --> 1:09:53.960
<v Speaker 1>That why I grew up at again, why I grew

1:09:54.040 --> 1:09:56.000
<v Speaker 1>up at the Richling Forums. I know how to ride

1:09:56.000 --> 1:09:57.840
<v Speaker 1>a horse and swim when I was six seven years old,

1:09:58.840 --> 1:10:00.960
<v Speaker 1>this affluent black communit. But soon as you cross the

1:10:00.960 --> 1:10:02.400
<v Speaker 1>bridge that was next door to my house, I'm talking

1:10:02.400 --> 1:10:05.760
<v Speaker 1>about twenty steps you back in the real world. This

1:10:05.800 --> 1:10:08.519
<v Speaker 1>little shit ain't what it is. And I never lost that.

1:10:08.720 --> 1:10:11.040
<v Speaker 1>And maybe my mom that was her deal too. She

1:10:11.160 --> 1:10:13.920
<v Speaker 1>was like, yo, she was thinking about moving the Lakewood

1:10:13.920 --> 1:10:15.640
<v Speaker 1>when she bought her house. She was like, now I

1:10:15.680 --> 1:10:17.920
<v Speaker 1>want my kids to have a black experience. That means

1:10:17.960 --> 1:10:20.160
<v Speaker 1>she wanted kids to have a poor and oppress experience.

1:10:20.760 --> 1:10:22.719
<v Speaker 1>We might not be poor and oppress in this house,

1:10:22.960 --> 1:10:25.599
<v Speaker 1>but your friends are going to be that way.

1:10:25.640 --> 1:10:26.599
<v Speaker 5>And you know it's just y'all.

1:10:26.680 --> 1:10:28.000
<v Speaker 1>Do Southgate.

1:10:28.960 --> 1:10:30.840
<v Speaker 2>People always be like, oh, that's the Ridge site, and

1:10:30.840 --> 1:10:33.519
<v Speaker 2>I'd be like, but the homies like from Watts say,

1:10:33.640 --> 1:10:36.120
<v Speaker 2>but I remember being younger and being in Southgate and

1:10:36.240 --> 1:10:39.479
<v Speaker 2>literally crossover the track, literally cross over the tracks and

1:10:39.560 --> 1:10:45.240
<v Speaker 2>be like, wow, I Southgate is a poor place till

1:10:45.280 --> 1:10:47.400
<v Speaker 2>you cross the watch. He'd be like, what.

1:10:47.200 --> 1:10:49.800
<v Speaker 1>The fuck you just went to a fucking Africa? What

1:10:50.120 --> 1:10:52.879
<v Speaker 1>just happened here to third world country?

1:10:53.000 --> 1:10:53.200
<v Speaker 3>Yeah?

1:10:53.240 --> 1:10:55.320
<v Speaker 1>You know what I'm saying. So, but that's how that's

1:10:55.320 --> 1:10:58.599
<v Speaker 1>how each that LA looks at Southgate because Southgate is

1:10:58.640 --> 1:11:01.080
<v Speaker 1>poor like in the grand skin of Los Angeles. But

1:11:01.160 --> 1:11:03.280
<v Speaker 1>compared to these La, Southgate is some money.

1:11:03.479 --> 1:11:03.800
<v Speaker 4>You know what.

1:11:03.840 --> 1:11:06.360
<v Speaker 1>I Like if somebody moved from East LA to south Gate,

1:11:06.479 --> 1:11:06.960
<v Speaker 1>they moved.

1:11:07.720 --> 1:11:09.840
<v Speaker 3>But you know, it always tripped me out about about

1:11:09.880 --> 1:11:12.360
<v Speaker 3>East La though, Like when I started going over there

1:11:12.400 --> 1:11:15.640
<v Speaker 3>and I understood that it was gang infested, and you

1:11:15.680 --> 1:11:19.240
<v Speaker 3>know that it was I guess quote unquote poor right.

1:11:19.680 --> 1:11:22.080
<v Speaker 1>Quote unquote nigga East LA is poor.

1:11:22.120 --> 1:11:25.280
<v Speaker 2>Still, well, okay, you could buy houses east to eighty

1:11:25.479 --> 1:11:28.559
<v Speaker 2>east a lot of right now, there's houses in East

1:11:28.720 --> 1:11:31.040
<v Speaker 2>Lafe for too eighty. You know a lot of where

1:11:31.600 --> 1:11:33.559
<v Speaker 2>in East La it's a.

1:11:33.640 --> 1:11:35.040
<v Speaker 4>Ship for to eighty.

1:11:35.240 --> 1:11:36.840
<v Speaker 1>Still you don't want to move over there.

1:11:36.880 --> 1:11:40.320
<v Speaker 2>I don't know what even even if you buy okay

1:11:41.320 --> 1:11:43.080
<v Speaker 2>that it made you jump you didn't jump up and

1:11:43.120 --> 1:11:45.000
<v Speaker 2>be like you know what, I'm finna go you still

1:11:45.120 --> 1:11:46.200
<v Speaker 2>like to.

1:11:46.479 --> 1:11:47.400
<v Speaker 4>But what trips me out?

1:11:47.439 --> 1:11:49.840
<v Speaker 3>Though? Okay, let's say that that is true, true, or

1:11:49.840 --> 1:11:52.400
<v Speaker 3>it is true right then I still used to trip

1:11:52.439 --> 1:11:56.120
<v Speaker 3>out how big their houses were on DALs.

1:11:56.600 --> 1:11:59.400
<v Speaker 1>They have some ship. That's cool, but that's not really

1:11:59.479 --> 1:12:01.840
<v Speaker 1>what we am. We say, Yeah, so what part of

1:12:01.880 --> 1:12:04.280
<v Speaker 1>EA were talking about the places that's really next door

1:12:04.320 --> 1:12:06.400
<v Speaker 1>to each other that ain't had parking since the fifties?

1:12:07.600 --> 1:12:09.400
<v Speaker 1>Like how you know how the rest of LA don't

1:12:09.400 --> 1:12:11.880
<v Speaker 1>got parking now because everybody's there and everybody live on

1:12:11.920 --> 1:12:14.120
<v Speaker 1>top of everybody and all that. This was like that,

1:12:14.520 --> 1:12:17.679
<v Speaker 1>This was like that in the fifties there, Like remember

1:12:17.720 --> 1:12:19.879
<v Speaker 1>like when we grew up at there was parking spaces,

1:12:19.880 --> 1:12:22.280
<v Speaker 1>me and your whole life where we lived in Inglewood.

1:12:22.280 --> 1:12:25.360
<v Speaker 1>Counter Wise, there was parking spaces. It was never no

1:12:25.520 --> 1:12:31.120
<v Speaker 1>parking spaces since the fifties. Over there, the fucking fifties

1:12:31.160 --> 1:12:32.759
<v Speaker 1>and sixties, there was no parking spaces.

1:12:32.800 --> 1:12:34.400
<v Speaker 4>Park down down the hill they had.

1:12:34.320 --> 1:12:37.000
<v Speaker 1>The park, it wasn't no fucking hill. That's that's a

1:12:37.040 --> 1:12:40.000
<v Speaker 1>specific party. East l A is the real motherfucking deal.

1:12:40.360 --> 1:12:42.240
<v Speaker 3>I'm trying to figure out where you're talking about.

1:12:42.280 --> 1:12:44.080
<v Speaker 1>What part of you gotta go through it. That's what

1:12:44.120 --> 1:12:46.280
<v Speaker 1>I said. That sh it ain't all on no motherfucking.

1:12:45.960 --> 1:12:49.720
<v Speaker 3>Is, because everything I see over there seems super gentrified. Now,

1:12:49.760 --> 1:12:51.519
<v Speaker 3>like all I see are cafes and.

1:12:51.680 --> 1:12:52.479
<v Speaker 1>Nah, you're talking.

1:12:52.600 --> 1:12:55.040
<v Speaker 2>Yeah they changed the name of that. Yeah, they changed

1:12:55.040 --> 1:12:57.400
<v Speaker 2>the name of that park area. They actually changed the

1:12:57.520 --> 1:12:58.400
<v Speaker 2>name of that party.

1:12:58.479 --> 1:13:00.840
<v Speaker 4>You start coming Heights is like that.

1:13:01.040 --> 1:13:04.599
<v Speaker 2>But yeah, but you gotta keep coming mores like because

1:13:04.640 --> 1:13:06.639
<v Speaker 2>all of that was East l A by the seven

1:13:06.720 --> 1:13:08.040
<v Speaker 2>ten freeway, all.

1:13:07.920 --> 1:13:08.960
<v Speaker 1>Of that was East LA.

1:13:09.200 --> 1:13:11.040
<v Speaker 3>Oh that's considered east.

1:13:11.240 --> 1:13:12.360
<v Speaker 1>That's the real East LA.

1:13:12.880 --> 1:13:17.240
<v Speaker 3>By the seventeen you're talking about it hit Terrace and

1:13:18.000 --> 1:13:24.439
<v Speaker 3>by even there that's yeah, Hazard projects that backside of

1:13:24.479 --> 1:13:25.839
<v Speaker 3>a cow state.

1:13:25.800 --> 1:13:27.120
<v Speaker 1>We shot the Kanye video.

1:13:27.200 --> 1:13:29.560
<v Speaker 3>You know, it's crazy. I never considered that East. I

1:13:29.600 --> 1:13:31.040
<v Speaker 3>thought that was already going into.

1:13:30.840 --> 1:13:36.840
<v Speaker 1>Like that is. But that's a yeah. But what I'm

1:13:36.840 --> 1:13:40.160
<v Speaker 1>saying to you is those places are gingerfied. That's why,

1:13:40.479 --> 1:13:43.920
<v Speaker 1>like nobody called those places Boyle Heights all the whole time,

1:13:44.360 --> 1:13:47.080
<v Speaker 1>or the other place, Echo Park for a long time.

1:13:47.479 --> 1:13:49.679
<v Speaker 1>I remember when it happened. I'm saying. What I'm telling

1:13:49.680 --> 1:13:52.120
<v Speaker 1>you is when you start going there, that's not what

1:13:52.160 --> 1:13:53.920
<v Speaker 1>we were talking about we was talking about East l A. No,

1:13:54.240 --> 1:13:56.439
<v Speaker 1>like nobody black was ever scared to go to Boil Heights.

1:13:56.439 --> 1:13:58.240
<v Speaker 1>Shout out to boy, he got some gangsters. But I'm

1:13:58.240 --> 1:14:01.200
<v Speaker 1>saying you probably be okay. It wasn't as racist and

1:14:01.240 --> 1:14:04.439
<v Speaker 1>Boil Heights. You East LA nigga, you know what's up?

1:14:05.120 --> 1:14:09.799
<v Speaker 1>White fans like the real East LA, Like that's okay,

1:14:10.200 --> 1:14:12.080
<v Speaker 1>shout out to all the East LA. But I'm talking

1:14:12.120 --> 1:14:18.360
<v Speaker 1>about like remember again Mexicans. Yeah, Mexican Mexicans had the

1:14:18.439 --> 1:14:24.559
<v Speaker 1>first street gang in LA. Yes, it's like thirties. So yeah,

1:14:24.720 --> 1:14:27.839
<v Speaker 1>I'm just I'm saying to you there's this really super

1:14:27.960 --> 1:14:31.719
<v Speaker 1>dope one culture on our side of the one ten Freeway.

1:14:32.000 --> 1:14:35.000
<v Speaker 1>It's one coature Like I can go to Southgate, Bro,

1:14:35.400 --> 1:14:37.880
<v Speaker 1>and it'll be okay. I used to go to bed

1:14:38.000 --> 1:14:39.800
<v Speaker 1>Like I said, don't gonna be Bill guards can't be

1:14:39.840 --> 1:14:41.320
<v Speaker 1>a bit racist. But I used to go there and

1:14:41.400 --> 1:14:43.559
<v Speaker 1>it be cool. We have some gangs and play some basketball.

1:14:43.600 --> 1:14:46.479
<v Speaker 1>It be cool. It's one culture. As long as you

1:14:46.600 --> 1:14:51.360
<v Speaker 1>of the coaching. It can get racist. It has. I'm

1:14:51.400 --> 1:14:55.000
<v Speaker 1>not saying that. Yeah, I'm saying it has, right, But

1:14:55.040 --> 1:14:57.760
<v Speaker 1>I'm saying anytime I went to East La. I was

1:14:57.800 --> 1:15:01.160
<v Speaker 1>a maa thay unless I knew somebody and I still was.

1:15:01.840 --> 1:15:05.040
<v Speaker 1>And you and you don't let that word nigga come out.

1:15:05.120 --> 1:15:08.360
<v Speaker 3>No no, no, no, no no. They know I've been over

1:15:08.439 --> 1:15:10.599
<v Speaker 3>there and I did say it, and it was an issue.

1:15:10.640 --> 1:15:11.680
<v Speaker 4>But what I was gonna say.

1:15:11.720 --> 1:15:15.560
<v Speaker 3>They used to refer to us any they used to

1:15:15.640 --> 1:15:17.759
<v Speaker 3>work anyway as west side Mexicans.

1:15:18.760 --> 1:15:21.479
<v Speaker 4>They used to say, like those are west.

1:15:21.360 --> 1:15:22.840
<v Speaker 3>Side, like you could tell by the way.

1:15:22.760 --> 1:15:27.839
<v Speaker 2>They even even east La. It's changed, it's changed recently.

1:15:28.120 --> 1:15:31.080
<v Speaker 2>You said it over you just said it earlier. Another thing,

1:15:31.880 --> 1:15:37.840
<v Speaker 2>low riding, it's still l a low slow bombs that's

1:15:38.080 --> 1:15:42.360
<v Speaker 2>considered the other Mexicans or y'all be hopping the six four.

1:15:42.760 --> 1:15:45.200
<v Speaker 1>But I used to talk ship about the other Mexicans.

1:15:45.840 --> 1:15:47.240
<v Speaker 4>I didn't even know because.

1:15:47.040 --> 1:15:50.400
<v Speaker 5>Bombs on the bombs slow cruise.

1:15:50.880 --> 1:15:51.719
<v Speaker 1>We don't hop ship.

1:15:52.000 --> 1:15:54.680
<v Speaker 4>Oh that makes sense, blackt hop it.

1:15:55.760 --> 1:16:00.320
<v Speaker 1>And that's not just the complete truth because he was

1:16:00.320 --> 1:16:02.320
<v Speaker 1>at the beginning of that too. But they talk shit

1:16:02.720 --> 1:16:04.880
<v Speaker 1>because it costs more money to hop your shit.

1:16:05.320 --> 1:16:08.760
<v Speaker 4>So if you had more money, you were food food basically.

1:16:08.760 --> 1:16:13.120
<v Speaker 1>Well, you just was putting on like nobody likes.

1:16:13.479 --> 1:16:17.360
<v Speaker 2>Nobody likes money, bro, you think you're upity, Well it's

1:16:17.439 --> 1:16:19.560
<v Speaker 2>not up at the it's not they think you think you.

1:16:19.840 --> 1:16:22.479
<v Speaker 1>They have to feel that way because they're holding on

1:16:22.760 --> 1:16:26.479
<v Speaker 1>to the not havels, so they make it a cultural identity.

1:16:26.560 --> 1:16:29.240
<v Speaker 1>We have to like you like poor people have to

1:16:29.800 --> 1:16:32.479
<v Speaker 1>because you don't have anything else. That's why son as

1:16:32.560 --> 1:16:35.000
<v Speaker 1>niggas get something else, they start dressing different. Niggas. I

1:16:35.040 --> 1:16:35.479
<v Speaker 1>got some money.

1:16:35.520 --> 1:16:37.120
<v Speaker 3>So let me ask you a question. Do you think

1:16:37.200 --> 1:16:40.200
<v Speaker 3>that still is relevant? I mean, obviously it is. And

1:16:40.320 --> 1:16:43.439
<v Speaker 3>today I was talking to Jazz earlier. So Jazz is

1:16:43.479 --> 1:16:46.320
<v Speaker 3>the person if you watch his Instagram right like funny ass,

1:16:46.439 --> 1:16:50.120
<v Speaker 3>colorful dude, great personality, Yo, he can wrap his ass off.

1:16:50.200 --> 1:16:52.639
<v Speaker 3>But he likes at one time, and you know, I'm

1:16:52.640 --> 1:16:54.720
<v Speaker 3>sure it wasn't the only one. I would telling him like, oh,

1:16:54.840 --> 1:16:57.320
<v Speaker 3>stop focusing on the people that are hating on you.

1:16:57.520 --> 1:17:00.479
<v Speaker 3>Focus on people that you know support you. But now

1:17:00.520 --> 1:17:03.160
<v Speaker 3>I'm wondering where those people. And we don't like to

1:17:03.200 --> 1:17:04.920
<v Speaker 3>call it hate, but do you think they look at

1:17:05.400 --> 1:17:08.280
<v Speaker 3>the way he dresses. He he has his own clothing line,

1:17:08.479 --> 1:17:10.760
<v Speaker 3>you know, he presses his own shirts, and they look

1:17:10.840 --> 1:17:14.280
<v Speaker 3>at it as like, you know, he not that he

1:17:14.439 --> 1:17:16.920
<v Speaker 3>thinks he's better, but they feel like he's better and

1:17:17.000 --> 1:17:19.519
<v Speaker 3>they have less. And that's why they feel like they

1:17:19.640 --> 1:17:22.080
<v Speaker 3>because they'll come on his page and be like like

1:17:22.200 --> 1:17:24.080
<v Speaker 3>if he posts something he says, oh man, you know

1:17:24.600 --> 1:17:26.800
<v Speaker 3>doors are opening, you know things are going great.

1:17:26.840 --> 1:17:28.720
<v Speaker 4>I'm getting to the next level, and somebody.

1:17:28.439 --> 1:17:30.200
<v Speaker 3>Will come and be like, you ain't getting to no

1:17:30.320 --> 1:17:33.120
<v Speaker 3>other level, Like what the fuck? Because I've never been that,

1:17:33.240 --> 1:17:34.880
<v Speaker 3>you know me. Huh.

1:17:35.000 --> 1:17:39.439
<v Speaker 1>He's black, he's black with a Spanish following. He's a

1:17:39.520 --> 1:17:40.720
<v Speaker 1>target going for sure.

1:17:40.920 --> 1:17:44.160
<v Speaker 3>Damn are the people leaving the comments Mexican or like

1:17:44.240 --> 1:17:47.639
<v Speaker 3>Spanish or whatever? Yeah, ah, that kind of makes sense.

1:17:47.880 --> 1:17:48.920
<v Speaker 3>So they just being racist.

1:17:49.320 --> 1:17:52.479
<v Speaker 2>It's not it's not racist. It's like, yes it is,

1:17:52.600 --> 1:17:55.320
<v Speaker 2>but yes, it's not like it's more it's deep.

1:17:55.760 --> 1:17:59.040
<v Speaker 1>It's deep because let's always tell people talking is way

1:17:59.120 --> 1:18:02.280
<v Speaker 1>different than you said. Always because me is deep. Because

1:18:02.840 --> 1:18:05.920
<v Speaker 1>he makes people from he's going to Yeah, he's he's

1:18:06.000 --> 1:18:09.840
<v Speaker 1>gonna make people uncomfortable. He represents something that I can't

1:18:09.880 --> 1:18:10.599
<v Speaker 1>speak up.

1:18:11.760 --> 1:18:15.360
<v Speaker 5>For the Hispanic Latino whatever without.

1:18:15.080 --> 1:18:16.200
<v Speaker 1>Some of them on black size.

1:18:16.960 --> 1:18:18.599
<v Speaker 5>I knew he was gonna flip and go back to them,

1:18:18.720 --> 1:18:21.960
<v Speaker 5>like what niggas what are you talking about? Or I'll

1:18:22.000 --> 1:18:24.280
<v Speaker 5>get hey, dog, you're always defending the blacks food.

1:18:24.280 --> 1:18:26.360
<v Speaker 1>What's up with that ship? Like, what do you mean?

1:18:26.400 --> 1:18:28.800
<v Speaker 1>I'm always the fa I'm fucking black? What is he

1:18:28.880 --> 1:18:29.400
<v Speaker 1>talking about?

1:18:29.479 --> 1:18:31.680
<v Speaker 3>I get that till this day, which is weird, you know,

1:18:31.920 --> 1:18:32.640
<v Speaker 3>not weird, but I.

1:18:32.680 --> 1:18:36.240
<v Speaker 1>Mean he was sure as a sellout, always defending the blacks.

1:18:37.520 --> 1:18:39.120
<v Speaker 1>I love when they use the blacks.

1:18:39.200 --> 1:18:39.840
<v Speaker 4>That ship is the.

1:18:41.720 --> 1:18:46.360
<v Speaker 3>Blackie, bro.

1:18:46.479 --> 1:18:48.800
<v Speaker 2>And he always said, I think it's because he like Nigerious,

1:18:48.840 --> 1:18:50.200
<v Speaker 2>so he be like the blacks on the.

1:18:51.360 --> 1:18:58.880
<v Speaker 1>Nigerians don't see hold up, yeah different, that's how they

1:18:58.960 --> 1:19:03.479
<v Speaker 1>really feel. Damn sellout man, that's not And I know

1:19:03.600 --> 1:19:05.960
<v Speaker 1>that's a tender spot for you right as a Mexican person,

1:19:06.080 --> 1:19:08.719
<v Speaker 1>because but that's why they feel like that, bro, because

1:19:08.840 --> 1:19:12.120
<v Speaker 1>people define a lot of like Mexican is defined in poverty.

1:19:13.240 --> 1:19:17.400
<v Speaker 1>Black is defined in poverty. Everything that we forgive me

1:19:17.520 --> 1:19:19.400
<v Speaker 1>this is niggas is gonna be on my head when

1:19:19.400 --> 1:19:22.439
<v Speaker 1>I say this, but fuck these niggas. The truth we

1:19:22.680 --> 1:19:27.040
<v Speaker 1>defined it in poverty. Think about it. Like most people

1:19:27.080 --> 1:19:29.719
<v Speaker 1>who don't know shit about Mexicans or know the bare minimum,

1:19:29.960 --> 1:19:32.000
<v Speaker 1>the number one food they gonna bring up is the

1:19:32.120 --> 1:19:33.679
<v Speaker 1>poorest shit you can get in Mexico.

1:19:34.840 --> 1:19:36.080
<v Speaker 3>That's not even a real food though.

1:19:36.120 --> 1:19:37.519
<v Speaker 1>You know, it's not just the poor shit.

1:19:37.560 --> 1:19:39.040
<v Speaker 2>It's the way you put some shit together to make

1:19:39.120 --> 1:19:43.040
<v Speaker 2>sure you fool you put you put all the starches.

1:19:42.560 --> 1:19:44.439
<v Speaker 1>And the meats and shit together and you just be like,

1:19:44.560 --> 1:19:49.040
<v Speaker 1>this is feel him up. It's cheap poor. So so

1:19:49.280 --> 1:19:53.000
<v Speaker 1>again made a whole day over it. Yes we didn't exactly,

1:19:53.200 --> 1:19:56.280
<v Speaker 1>Like poverty has created a day claim to day, Like

1:19:57.120 --> 1:20:00.280
<v Speaker 1>that's the thing about that's dope about poor people and

1:20:00.680 --> 1:20:04.200
<v Speaker 1>the influence that we can have. Right, It's like we

1:20:04.479 --> 1:20:07.040
<v Speaker 1>celebrated so hard that people be like, damn, maybe I'm

1:20:07.080 --> 1:20:11.360
<v Speaker 1>sleeping on these tacos. I need you know this tacos.

1:20:11.479 --> 1:20:13.640
<v Speaker 1>You know what I mean. And that's how it is,

1:20:13.760 --> 1:20:15.560
<v Speaker 1>you know what I'm saying. That's that's like what we

1:20:15.760 --> 1:20:20.720
<v Speaker 1>that's what so culturally, being black an American and being

1:20:20.840 --> 1:20:24.000
<v Speaker 1>Mexican in American, you know, in America, being black in

1:20:24.000 --> 1:20:29.080
<v Speaker 1>America and Mexican America, right, is literally defined by the poverty.

1:20:29.880 --> 1:20:32.479
<v Speaker 1>Like don't nobody care about no rich nigga here. If

1:20:32.520 --> 1:20:36.040
<v Speaker 1>that ain't from where we're from, they don't ain't nobody

1:20:36.240 --> 1:20:38.840
<v Speaker 1>ain't nobody stop. Barac ain't styling up. He from Chicago.

1:20:38.880 --> 1:20:40.920
<v Speaker 1>That's why niggas be like, oh, he's from Chicago, Like

1:20:41.000 --> 1:20:42.760
<v Speaker 1>he lied and was like niggas really thought he was

1:20:42.760 --> 1:20:43.320
<v Speaker 1>from Chicago.

1:20:43.880 --> 1:20:44.519
<v Speaker 3>Where's he from?

1:20:44.840 --> 1:20:45.439
<v Speaker 1>Like Hawaii?

1:20:45.840 --> 1:20:46.000
<v Speaker 3>Oh?

1:20:47.200 --> 1:20:50.080
<v Speaker 1>If Obama had just really laid out the real story,

1:20:50.200 --> 1:20:52.519
<v Speaker 1>niggas would have not connected with him. It makes sense,

1:20:52.680 --> 1:20:54.720
<v Speaker 1>like it'll be some niggas that's seen him and be like,

1:20:54.880 --> 1:20:57.720
<v Speaker 1>yeah he but if he like nigga, everybody I know

1:20:57.840 --> 1:20:59.559
<v Speaker 1>was like, he's from Chicago, So you know a nigga

1:20:59.560 --> 1:21:01.160
<v Speaker 1>from Chicago as a boy.

1:21:02.479 --> 1:21:04.559
<v Speaker 3>Well, that's funny that you're saying that too, because I've

1:21:04.640 --> 1:21:07.920
<v Speaker 3>noticed that maybe a little bit more now because he

1:21:08.040 --> 1:21:10.599
<v Speaker 3>tries to make it a point. But motherfuckers, wasn't really

1:21:10.680 --> 1:21:12.360
<v Speaker 3>fucking with the rock like that.

1:21:12.760 --> 1:21:16.479
<v Speaker 1>No, because because he not from he's not from where

1:21:17.000 --> 1:21:20.960
<v Speaker 1>he's black, but he's like not from where we from black, right,

1:21:21.040 --> 1:21:22.680
<v Speaker 1>you know what I'm saying. But think about it. Who

1:21:22.760 --> 1:21:25.760
<v Speaker 1>you think is the most influential Mexican in all of

1:21:26.240 --> 1:21:29.200
<v Speaker 1>the world, Like, excuse me, in all of America? Chapel,

1:21:30.280 --> 1:21:34.519
<v Speaker 1>you know who the guy is, mister cartoon. Oh shit,

1:21:35.360 --> 1:21:38.040
<v Speaker 1>I was in the fucking Allder part store of the

1:21:38.160 --> 1:21:42.200
<v Speaker 1>day O'riley's This nigga got a line because of tire

1:21:42.280 --> 1:21:47.680
<v Speaker 1>cleaners like arm roll waxes. He got a sidekickcuz had

1:21:47.680 --> 1:21:52.240
<v Speaker 1>a sidekick when sidekicks was popping because got sh it's

1:21:52.360 --> 1:21:57.920
<v Speaker 1>fucking mister cartoon. Bro. Because Mexican in America and Black

1:21:57.960 --> 1:22:01.840
<v Speaker 1>in America is defined by poverty. He did the super

1:22:01.880 --> 1:22:03.560
<v Speaker 1>bat car everything.

1:22:04.320 --> 1:22:06.600
<v Speaker 3>Maybe that's why I never made it really like as a.

1:22:07.080 --> 1:22:10.320
<v Speaker 1>Exactly That's what I've been doing. That's what I just

1:22:10.479 --> 1:22:11.040
<v Speaker 1>was telling you.

1:22:12.080 --> 1:22:15.360
<v Speaker 2>But everything we talk about culchally, I'm telling you your

1:22:15.520 --> 1:22:19.200
<v Speaker 2>job is to represent poor people. And it's a trick

1:22:19.280 --> 1:22:21.559
<v Speaker 2>because people tell me, you see the way I'm dressed.

1:22:21.560 --> 1:22:25.760
<v Speaker 2>I'm dressed just like you, but there's a story behind me.

1:22:27.080 --> 1:22:30.080
<v Speaker 1>And I thought this. Now, people always tell me, Bro,

1:22:30.200 --> 1:22:32.120
<v Speaker 1>you fuck you mean you from skid row? What do

1:22:32.160 --> 1:22:33.840
<v Speaker 1>you mean you did that? That's what people want.

1:22:34.000 --> 1:22:35.800
<v Speaker 5>People want to hear that you lived on skid row

1:22:35.920 --> 1:22:36.759
<v Speaker 5>for ten years.

1:22:37.080 --> 1:22:39.720
<v Speaker 1>Who the fuck wants I have this? I have this

1:22:39.840 --> 1:22:45.000
<v Speaker 1>conversation multiple times, Bro Kanye. People always ask me if

1:22:45.040 --> 1:22:47.000
<v Speaker 1>somebody is a plant, Kanye would have been a plant.

1:22:48.040 --> 1:22:50.280
<v Speaker 1>That's you know. I love Kanye's in my top five.

1:22:51.360 --> 1:22:53.920
<v Speaker 1>Kanye is the first nigga that did not grow up.

1:22:54.040 --> 1:22:57.200
<v Speaker 1>But because he says Chicago, we're like, oh, he like

1:22:57.280 --> 1:22:59.880
<v Speaker 1>one of us. But nigga, Chicago is like a black

1:23:00.120 --> 1:23:04.040
<v Speaker 1>place that has levels. Nigga's a wealthy Chicago Black people

1:23:04.560 --> 1:23:06.559
<v Speaker 1>just like it's a poor one. See that ain't out here,

1:23:06.960 --> 1:23:09.160
<v Speaker 1>ain't no wealthy. The closest is a therer and it

1:23:09.280 --> 1:23:12.400
<v Speaker 1>ain't wealthy. Like they got some wealthy in Chicago for

1:23:12.520 --> 1:23:15.639
<v Speaker 1>black people. They got middle class and they got poverty.

1:23:15.760 --> 1:23:17.960
<v Speaker 1>So when he said Chicago, niggas like, oh, you got

1:23:18.040 --> 1:23:18.400
<v Speaker 1>to shy.

1:23:19.040 --> 1:23:21.480
<v Speaker 3>He says south Side Chicago even.

1:23:21.320 --> 1:23:26.040
<v Speaker 1>Crazier because you're like, ooh right, But bro, nobody's ever

1:23:26.200 --> 1:23:34.200
<v Speaker 1>been intrigue with Eddie Winslow. Nobody's ever been intrigued with theo.

1:23:34.080 --> 1:23:38.320
<v Speaker 3>Huxtable until never wasn't I'm saying until Kanye.

1:23:38.479 --> 1:23:43.120
<v Speaker 1>No, they didn't know that. Nobody realized. Nobody realized he

1:23:43.280 --> 1:23:48.120
<v Speaker 1>was theo Huxtable. Nobody realized he was Eddie Winslow. Nobody

1:23:48.240 --> 1:23:48.920
<v Speaker 1>realized that.

1:23:49.160 --> 1:23:51.760
<v Speaker 2>They all thought he said south Side Chicago, We're like, oh, oh,

1:23:52.439 --> 1:23:53.559
<v Speaker 2>he dropped out of college too.

1:23:53.640 --> 1:23:56.040
<v Speaker 1>Oh, this nigga kind of smart and he from South

1:23:56.200 --> 1:23:57.000
<v Speaker 1>Side Chicago.

1:23:57.720 --> 1:23:59.720
<v Speaker 3>That makes me think of that episode on The Fresh

1:23:59.720 --> 1:24:05.080
<v Speaker 3>Prince when Carlton went to MacArthur Park.

1:24:05.280 --> 1:24:07.960
<v Speaker 1>Do you remember that he was hanging with the gangs

1:24:08.040 --> 1:24:08.960
<v Speaker 1>and he was zeus and them.

1:24:09.120 --> 1:24:13.040
<v Speaker 3>Yeah, he's like what they call we like seat low

1:24:14.840 --> 1:24:16.880
<v Speaker 3>and he was trying hard to be from the hood

1:24:17.120 --> 1:24:17.680
<v Speaker 3>because he was.

1:24:17.960 --> 1:24:23.040
<v Speaker 1>Loved yo Ma. So so again it's like, you have

1:24:23.240 --> 1:24:26.200
<v Speaker 1>to represent hip hop is all about representation, and it's

1:24:26.240 --> 1:24:30.240
<v Speaker 1>about representing poor people like it don't have to be poor.

1:24:30.360 --> 1:24:34.000
<v Speaker 1>But it's densely populated, crime written communities. That's not a

1:24:34.080 --> 1:24:37.479
<v Speaker 1>lot of affluent, middle class communities. Crime written that ain't

1:24:37.720 --> 1:24:40.639
<v Speaker 1>opportunities are present. So you know, there's not a huge

1:24:41.439 --> 1:24:45.599
<v Speaker 1>need for crimes when there's jobs and opportunities and success

1:24:45.720 --> 1:24:47.679
<v Speaker 1>in view. You know what I'm saying that you don't

1:24:47.720 --> 1:24:50.040
<v Speaker 1>need to really commit crimes when you know, if it's

1:24:50.160 --> 1:24:52.519
<v Speaker 1>a thousand jobs at this place down there warehouse that

1:24:52.560 --> 1:24:54.719
<v Speaker 1>you could buy a house with, crime is not needed.

1:24:55.520 --> 1:24:58.519
<v Speaker 1>I mean, so hip hop is street urban culture. Street

1:24:58.680 --> 1:25:05.000
<v Speaker 1>urban being densely populated, crime written communities densely populated that

1:25:05.160 --> 1:25:08.960
<v Speaker 1>means huge populations in these small places. That's riddle in crime.

1:25:09.760 --> 1:25:12.920
<v Speaker 1>It don't mean you have to be a criminal. It

1:25:13.000 --> 1:25:14.880
<v Speaker 1>don't mean you got to be a criminal. It don't

1:25:14.920 --> 1:25:18.920
<v Speaker 1>mean it just means crime in that poverty shaped your life,

1:25:19.000 --> 1:25:22.400
<v Speaker 1>your livelihood. Now it might be the slang you use.

1:25:23.360 --> 1:25:25.280
<v Speaker 1>You might not have stolen nothing from nobody, but the

1:25:25.360 --> 1:25:29.840
<v Speaker 1>slang you use, it's just both. So I think that's

1:25:29.880 --> 1:25:31.960
<v Speaker 1>why I've always told you it means to go easy.

1:25:32.120 --> 1:25:34.320
<v Speaker 1>Like I get it. You know, maybe you kind of

1:25:34.360 --> 1:25:35.880
<v Speaker 1>got bullied, you know what I mean. I don't mean

1:25:35.920 --> 1:25:37.840
<v Speaker 1>bully bag, because you could stand up for yourself, but

1:25:38.240 --> 1:25:40.200
<v Speaker 1>maybe you felt that pressure. But it was just poor

1:25:40.320 --> 1:25:44.519
<v Speaker 1>people like damn dog, Like you get a choice, and

1:25:44.600 --> 1:25:46.920
<v Speaker 1>you didn't see it that way. You're like, yo, you

1:25:47.000 --> 1:25:49.200
<v Speaker 1>get a choice. You mean you don't have to go

1:25:49.280 --> 1:25:52.160
<v Speaker 1>get the nineteen dollar shoes. You don't have to get

1:25:52.200 --> 1:25:55.560
<v Speaker 1>the ten dollar pans, Like somebody gave you an alternative,

1:25:55.720 --> 1:25:57.840
<v Speaker 1>like nigga. The people where we grew up at, they

1:25:57.840 --> 1:26:00.960
<v Speaker 1>didn't have a choice. That was it's a problem. So

1:26:01.400 --> 1:26:03.360
<v Speaker 1>they had to be like yo, look at him, he

1:26:03.439 --> 1:26:05.960
<v Speaker 1>got a choice. He could get what he wants. You know,

1:26:06.040 --> 1:26:08.720
<v Speaker 1>they gonna be feeling lower and less than because you

1:26:08.880 --> 1:26:12.080
<v Speaker 1>live next door to the make that a bitch, you

1:26:12.160 --> 1:26:14.760
<v Speaker 1>I mean, and we got a bad habit and as

1:26:14.840 --> 1:26:17.519
<v Speaker 1>much shit as you talk, A lot more people made

1:26:17.600 --> 1:26:19.400
<v Speaker 1>fun of poor people than they made fun of you.

1:26:20.200 --> 1:26:22.000
<v Speaker 1>A lot of more people made fun of the shit

1:26:22.080 --> 1:26:26.040
<v Speaker 1>they was wearing then they made fun of you. Even

1:26:26.080 --> 1:26:29.160
<v Speaker 1>where I lived at, everybody was poor for the most part.

1:26:29.960 --> 1:26:32.040
<v Speaker 1>Now I lived in the middle class part the forums.

1:26:32.320 --> 1:26:34.320
<v Speaker 1>But soon as you cross the bridge which was next

1:26:34.360 --> 1:26:36.479
<v Speaker 1>to mo like you see where this walkway at, I

1:26:36.600 --> 1:26:40.040
<v Speaker 1>walk out this door twenty feet I'm in the Casion block. Poverty.

1:26:41.120 --> 1:26:43.639
<v Speaker 1>This ain't no middle class, ain't nobody. That's some shit.

1:26:44.000 --> 1:26:47.840
<v Speaker 1>Niggas on drugs, fucked up niggas would talk shit and

1:26:47.880 --> 1:26:49.680
<v Speaker 1>make fun of niggas because they didn't have Jordan's like

1:26:49.720 --> 1:26:51.160
<v Speaker 1>they didn't live next door to niggas.

1:26:52.160 --> 1:26:54.000
<v Speaker 3>But that's also and that's what me and Jazz were

1:26:54.000 --> 1:26:56.320
<v Speaker 3>talking about this the other day, you know, because we're

1:26:56.400 --> 1:26:59.160
<v Speaker 3>trying to put together this podcast, sneaker podcast I told

1:26:59.160 --> 1:27:01.639
<v Speaker 3>you about. We were talking about that was also during

1:27:01.680 --> 1:27:03.840
<v Speaker 3>the time too, where when you floss like that, that's

1:27:03.880 --> 1:27:05.120
<v Speaker 3>why you got jacks for your.

1:27:05.560 --> 1:27:09.960
<v Speaker 2>Yeah, because motherfuckers, And it's not just floss and it's

1:27:10.040 --> 1:27:13.280
<v Speaker 2>just like, Nigga, I can't get this right. And it's

1:27:13.360 --> 1:27:15.599
<v Speaker 2>crazy you said that because Means told me the other

1:27:15.720 --> 1:27:19.840
<v Speaker 2>day he said, be careful what you're putting out there,

1:27:20.360 --> 1:27:22.280
<v Speaker 2>and he said, cause niggas is watching you. And you

1:27:22.479 --> 1:27:25.240
<v Speaker 2>touched under the second and going so that you you

1:27:25.400 --> 1:27:28.080
<v Speaker 2>be out taking your wife to dinner. You got gold

1:27:28.200 --> 1:27:30.679
<v Speaker 2>chains on your neck, you got two whips, you dressed nice,

1:27:30.720 --> 1:27:34.360
<v Speaker 2>you forget fresh as shoes, you always fucking You're not

1:27:34.560 --> 1:27:38.519
<v Speaker 2>showing off, You're just sharing this shit. But then you

1:27:38.640 --> 1:27:41.679
<v Speaker 2>might say something for that nigga to be like, fuck this, nigga,

1:27:42.280 --> 1:27:43.479
<v Speaker 2>I'm gonna get this nigg.

1:27:43.360 --> 1:27:45.080
<v Speaker 1>And at the end of the day, it ain't just

1:27:45.479 --> 1:27:47.479
<v Speaker 1>somebody like want to see you down as much as

1:27:47.520 --> 1:27:50.640
<v Speaker 1>somebody want to come up. If you make yourself a

1:27:50.720 --> 1:27:53.760
<v Speaker 1>come up publicly, yeah, if you make yourself a come

1:27:53.840 --> 1:27:57.040
<v Speaker 1>up ship, motherfuck, don't come up right man. I didn't

1:27:57.040 --> 1:28:00.160
<v Speaker 1>been able to afford a thirty million row lessons. It's

1:28:00.240 --> 1:28:02.320
<v Speaker 1>over like I didn't been able to buy a rolex

1:28:02.360 --> 1:28:04.519
<v Speaker 1>every year I've been a rapper. I could have bought

1:28:04.560 --> 1:28:09.599
<v Speaker 1>a rolex afforded it. But why am I giving nigga

1:28:09.600 --> 1:28:11.320
<v Speaker 1>a chance to make ten thousand that way off me.

1:28:12.439 --> 1:28:14.400
<v Speaker 1>You ain't getting that ten thousand off me, nigga, because

1:28:14.439 --> 1:28:15.760
<v Speaker 1>I'm not going for that. You want to have to

1:28:15.840 --> 1:28:17.400
<v Speaker 1>come get yours. You have to come work or something.

1:28:17.439 --> 1:28:19.599
<v Speaker 3>You want to know something what I do like about

1:28:19.680 --> 1:28:23.200
<v Speaker 3>today's society. And here's the thing though, right, like when

1:28:23.200 --> 1:28:25.280
<v Speaker 3>you dress a certain way, like I've learned to do

1:28:25.439 --> 1:28:27.760
<v Speaker 3>that shit like when I go certain places with G.

1:28:28.000 --> 1:28:31.360
<v Speaker 3>Now even though I know I'm I'm I'm good right

1:28:31.400 --> 1:28:34.080
<v Speaker 3>because I got the homie with me, anything can still happen, right,

1:28:34.120 --> 1:28:36.880
<v Speaker 3>But I've noticed when I've gone places with him that

1:28:36.960 --> 1:28:39.639
<v Speaker 3>he takes me certain places in watts or different areas,

1:28:39.960 --> 1:28:41.680
<v Speaker 3>and they look at you a certain way. Now I'm

1:28:41.720 --> 1:28:44.800
<v Speaker 3>with G. So obviously they're not gonna, you know, do nothing.

1:28:45.200 --> 1:28:47.760
<v Speaker 3>But I get what you're saying, Like, so I don't

1:28:47.840 --> 1:28:48.880
<v Speaker 3>go here and there.

1:28:48.920 --> 1:28:51.960
<v Speaker 4>You'd be the lick possibly, but you don't have to be. Yeah,

1:28:51.960 --> 1:28:53.439
<v Speaker 4>but I don't. Well, I mean they could try.

1:28:53.880 --> 1:28:57.200
<v Speaker 1>I'd I'd be offended if they didn't. You if you

1:28:57.479 --> 1:29:00.519
<v Speaker 1>if if you got on one hundred thousd dollar word

1:29:00.560 --> 1:29:02.439
<v Speaker 1>for jewelry and you come to watch and niggas don't

1:29:02.479 --> 1:29:05.400
<v Speaker 1>rob you I'm mad that they didn't. Ain't got a bitch, and.

1:29:05.439 --> 1:29:08.240
<v Speaker 4>That's what you could change your life. But see nowadays

1:29:08.400 --> 1:29:10.760
<v Speaker 4>it's more so like if I go like this, this

1:29:11.000 --> 1:29:12.679
<v Speaker 4>is timple, I mean.

1:29:12.840 --> 1:29:14.639
<v Speaker 1>Yeah, that's that's that's that's that's fair.

1:29:14.640 --> 1:29:17.559
<v Speaker 4>Pretty normal. I'm not doing nothing, got it. You start

1:29:17.640 --> 1:29:21.400
<v Speaker 4>wearing multiple chains and it's definitely pour.

1:29:21.400 --> 1:29:23.280
<v Speaker 1>Enough people that that right there for sure get you

1:29:23.320 --> 1:29:25.479
<v Speaker 1>two nights to dinner. That's probably a real chain. That

1:29:25.760 --> 1:29:28.320
<v Speaker 1>might be about one hundred and fifty dollars. But this

1:29:28.520 --> 1:29:30.840
<v Speaker 1>right here, so you just don't need to be going

1:29:30.920 --> 1:29:33.599
<v Speaker 1>places in that type of shit on where niggas can't

1:29:33.640 --> 1:29:37.240
<v Speaker 1>afford to buy dinner. That's the simple. This is what

1:29:37.320 --> 1:29:40.160
<v Speaker 1>I've been telling rappers forever, like only like all them

1:29:40.240 --> 1:29:42.400
<v Speaker 1>changed you're wearing. Just don't go nowhere when niggas need

1:29:42.439 --> 1:29:44.640
<v Speaker 1>to eat dinner, Cause niggas should really get dinner off

1:29:44.680 --> 1:29:46.479
<v Speaker 1>your neck. If you're gonna, if you're gonna take your

1:29:46.520 --> 1:29:49.479
<v Speaker 1>ass around these poor people, and you know, these niggas poor,

1:29:49.520 --> 1:29:52.760
<v Speaker 1>and you ain't offering dinner, you should be dinner.

1:29:52.680 --> 1:29:56.840
<v Speaker 3>On the flip side, I know, like you know, shout

1:29:56.880 --> 1:29:59.160
<v Speaker 3>out the home and Beezy he's fa mingle with I'm

1:29:59.160 --> 1:30:01.680
<v Speaker 3>gonna fuck get a lot fucking money. He'd be in

1:30:01.760 --> 1:30:03.879
<v Speaker 3>the hood, but he'd be ready for everything.

1:30:03.960 --> 1:30:06.439
<v Speaker 1>They come with it too, But it's not even at

1:30:06.479 --> 1:30:07.880
<v Speaker 1>that point. Why even wear that.

1:30:08.680 --> 1:30:11.840
<v Speaker 3>Because because people like to show off to people.

1:30:11.680 --> 1:30:12.920
<v Speaker 1>Which is fucked up.

1:30:13.640 --> 1:30:14.320
<v Speaker 3>Yeah it is.

1:30:14.600 --> 1:30:18.800
<v Speaker 2>That's people credit hip hop bro for a thousand things

1:30:18.840 --> 1:30:22.120
<v Speaker 2>that I don't think fit like, Oh, you know.

1:30:22.280 --> 1:30:25.000
<v Speaker 1>Hip hop is appropriate. People on drugs. Niggas been on

1:30:25.080 --> 1:30:27.840
<v Speaker 1>drugs since R and B music, since disco. Fuck you

1:30:27.960 --> 1:30:31.160
<v Speaker 1>talking about niggas for sure gonna get high. Oh, violence

1:30:31.520 --> 1:30:34.160
<v Speaker 1>is violence. Niggas been shooting each other since the beginning

1:30:34.160 --> 1:30:35.360
<v Speaker 1>of the time. I had nothing to do with no

1:30:35.439 --> 1:30:38.679
<v Speaker 1>fucking gangster rap records. The one thing that hip hop

1:30:39.800 --> 1:30:43.599
<v Speaker 1>really did really bad will spread the culture of flossing.

1:30:45.760 --> 1:30:48.479
<v Speaker 1>And you never take that shit to Beverly Hills. You

1:30:48.520 --> 1:30:50.799
<v Speaker 1>wouldn't even there, But you won't take it to the projects.

1:30:51.880 --> 1:30:53.320
<v Speaker 1>You can take that shit over. You got this one

1:30:53.360 --> 1:30:55.080
<v Speaker 1>hundred and fifty thousand dollars worth of gold on you

1:30:55.240 --> 1:30:57.400
<v Speaker 1>in somewhere when niggas can't even afford to eat tonight.

1:30:58.240 --> 1:31:02.720
<v Speaker 1>That shit fucked up. Just the mental the mental fortitude

1:31:02.800 --> 1:31:07.080
<v Speaker 1>to even to do that. The audacity, that's what niggas

1:31:07.120 --> 1:31:08.640
<v Speaker 1>for sure, Like that's the thing on the end of that.

1:31:08.720 --> 1:31:10.639
<v Speaker 1>That's the one thing I like niggas be talking about.

1:31:10.880 --> 1:31:14.240
<v Speaker 1>Niggas don't got nothing else, but they got the audacity

1:31:14.840 --> 1:31:18.439
<v Speaker 1>to take your motherfucking ass around. Somebody poor with all

1:31:18.479 --> 1:31:21.720
<v Speaker 1>that shit on Wat's up with it? G l A

1:31:21.840 --> 1:31:25.240
<v Speaker 1>double dollar signe shot. That's right, glasses malone, And on

1:31:25.400 --> 1:31:29.839
<v Speaker 1>motherfucking September twenty second, I'm dropping my new album, Cancel

1:31:29.960 --> 1:31:33.000
<v Speaker 1>These Nuts. But for anybody that want to support right now,

1:31:33.439 --> 1:31:37.080
<v Speaker 1>hop online go to the cryptstore dot com. That's right,

1:31:37.400 --> 1:31:40.160
<v Speaker 1>the crypt Store th h E c R I P

1:31:40.840 --> 1:31:43.479
<v Speaker 1>S t O r E dot com and buy a

1:31:43.560 --> 1:31:47.479
<v Speaker 1>physical copy right now autograph from me right now. You

1:31:47.560 --> 1:31:49.320
<v Speaker 1>can have it ahead of time before it's on all

1:31:49.360 --> 1:31:51.840
<v Speaker 1>streaming sites. So social support to the real was you

1:31:51.880 --> 1:31:53.880
<v Speaker 1>know what I'm saying. Jump on the cryptstore dot com

1:31:53.960 --> 1:31:56.840
<v Speaker 1>and buy my new album, Cancel These Nuts. Buy it

1:31:57.040 --> 1:32:00.679
<v Speaker 1>right now before it drops online. September twenty second. Yeah,

1:32:01.200 --> 1:32:09.320
<v Speaker 1>the cryptstore dot com. Good looking out for tuning in

1:32:09.439 --> 1:32:13.360
<v Speaker 1>to The Note Sellers podcast. Please do us a favorite, subscribe, rate, comment,

1:32:13.439 --> 1:32:16.080
<v Speaker 1>and share. This episode was recorded right here on the

1:32:16.120 --> 1:32:19.160
<v Speaker 1>West coast of the USA and produced by my homeboy

1:32:19.439 --> 1:32:23.720
<v Speaker 1>A King, for the Black Effect podcast network at Notheart Radio. Yeah.