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Speaker 1: He just kind of isn't afraid to say what he thinks.

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Speaker 1: I think he's very entertaining. He is a great leader,

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Speaker 1: he's awesome, funny. He just makes my morning. All we

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Speaker 1: want to do is just go to brunch with him.

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Speaker 1: He's psycho. Do I want to see you naked? Patrick?

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Speaker 1: Wrong in the world to Rain in the Morning Show.

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Speaker 1: Good morning, and welcome to November seventeen. Already, so Elvis

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Speaker 1: is getting his stuffing ready for the big stuff off.

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Speaker 1: I guess he's putting the final touches on his stuffing.

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Speaker 1: That's what I'm guessing. He's on his way in anyway,

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Speaker 1: Good morning, everybody, morning. Let's go around the room. Let's

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Speaker 1: go let's go to the first caller. And he wants

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Speaker 1: us to go to the first caller. All right, out

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Speaker 1: of hers here? Hi, Oh my god, good morning. I'm

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Speaker 1: gonna cry. Oh my gosh, cry. It's okay. We're all

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Speaker 1: in this together. How was your waited? Looks like your

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Speaker 1: weekend was really good? Oh my goodness. For my boyfriend

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Speaker 1: finally proposed to me the weekend. Finally. How long have

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Speaker 1: you two been together? Um? Seven years? And it was

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Speaker 1: just absolutely amazing. He took me out East. We were

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Speaker 1: supposed to spend the day there and we rented a house,

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Speaker 1: so he took me to the beach and it was

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Speaker 1: an absolute windstorm. We nearly blew over. He proposed to

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Speaker 1: me and I'm like, oh my god, please tell me

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Speaker 1: my family's here. And he was like, no, I'm sorry,

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Speaker 1: I don't want to rift you down. They're not here, though,

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Speaker 1: I couldn't make them come all lay out. And then

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Speaker 1: he took me back to the house that we rented

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Speaker 1: and they were all there. Yes, he's a keeper. I

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Speaker 1: hope you said yes. I sure did. And the ring

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Speaker 1: didn't whip away in the wind as he held it out. No,

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Speaker 1: thank God. Could you imagine would be a horror part.

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Speaker 1: That's awesome. Well, congratulations Jennifer on your engagement. Also, because

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Speaker 1: you're the first caller of the day, you win a

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Speaker 1: Hello Lady pin Uh courtesy of Stephen I hate Stephen

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Speaker 1: Singer and it benefits the American Association for Cancer Research.

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Speaker 1: I'm dot com keyword feel goods, but you get yours

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Speaker 1: for free. Congratulations. I am so excited. Thank you so much.

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Speaker 1: I absolutely love your radio station. I just can't get

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Speaker 1: it off of it. Thank you, Thank you, congratulations, good

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Speaker 1: luck with all the planning you have a head. Hang

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Speaker 1: out a second, don't feel bride Zilla would never Okay, good,

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Speaker 1: all right, it's gonna do your horror scopes. Guys. Alright.

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Speaker 1: It is future's birthday today, Happy birthday, Future Capricorn. Success

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Speaker 1: is near, but it may require change. Go with the flow.

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Speaker 1: Don't let self doubt hold you back. Your Days and

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Speaker 1: nine Aquarius, things seem to be unclear, but not for long.

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Speaker 1: Everything will become obvious once you put your plans into motion.

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Speaker 1: Your day isn't eight hey, Pissy's. Being optimistic is the

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Speaker 1: perfect way to propel you into a more positive frame

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Speaker 1: of mind. Don't dwell on the negative. It'll get you nowhere.

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Speaker 1: Your days and nine areas your dreams maybe trying to

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Speaker 1: tell you something. Keep track of them as they may

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Speaker 1: contain messages to help you accomplish whatever you want. Your

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Speaker 1: day is an eight, hey, Taurus. An old friend is

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Speaker 1: making their way back into your life. That's gonna be

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Speaker 1: a turning point in your relationship. Make the most of it.

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Speaker 1: Your days of ten Gemini, there's gonna be a big

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Speaker 1: change at work. Stay patient and keep an open mind.

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Speaker 1: It's all for the best. Your days of nine cancer.

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Speaker 1: A close friend may surprise you with a new trip

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Speaker 1: to a foreign place in preparation for what's to come.

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Speaker 1: Learn a new language. Your days of ten Leo. An

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Speaker 1: unexpected some of money could cause chaos in your home.

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Speaker 1: Don't let it change the person you are. Your day

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Speaker 1: isn't eight, hey, Virgo. You may have gotten good news

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Speaker 1: about a new job. These changes are for the better.

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Speaker 1: Don't be afraid to take that leap of faith. Your

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Speaker 1: days of nine Libra. Your education will help you succeed,

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Speaker 1: and increasing your technical skills could earn you an increase

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Speaker 1: in income. Your day is a ten Scarpio. A new

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Speaker 1: person could change your life. They'll help you start to

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Speaker 1: feel happier, funnier, and stronger. Your days and nine and Sagittarius.

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Speaker 1: An issue with a close friend could be weighing on

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Speaker 1: your mind. Invite the friend over to talk about it.

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Speaker 1: Your day is a seven and those are your Monday

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Speaker 1: morning horoscope and ready to the headline. Let's do this alright.

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Speaker 1: Cult leader and convicted murderer Charles Manson has died. He

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Speaker 1: was a d three. Prison officials say he died of

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Speaker 1: natural causes. Back in nineteen sixty nine, he was responsible

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Speaker 1: for a two day killing spree that killed seven people,

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Speaker 1: including pregnant actress Sharon Tate. We have more men being

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Speaker 1: accused of sexual assault and harassment. Jeffrey Tambor says that

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Speaker 1: he may be leaving his show Transparent. He's denying allegations

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Speaker 1: from two transgender women, but he says that his actions

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Speaker 1: may have been misinterpreted and he regrets that. Also, music

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Speaker 1: producer Russell simmons Um says that he did not assault

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Speaker 1: a model back in the nineties. She says she was

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Speaker 1: seventeen years old when it happened. We lost another music legend.

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Speaker 1: Country music legend Mel Tillis has passed away. He was

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Speaker 1: eighty five. It's believed he died of respiratory failure. He

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Speaker 1: had recorded over sixty albums, wrote more than a thousand songs,

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Speaker 1: including those for artists like George Strait and Kenny Rogers.

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Speaker 1: He was inducted into the Country Music Hall of Fame

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Speaker 1: in two thousand seven. This is your hourly reminder to

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Speaker 1: take a deep breath, and it is Thanksgiving weeks, so

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Speaker 1: if you are trying to find the best dates to travel,

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Speaker 1: the second best day we missed it over the weekend

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Speaker 1: was the first best day, but rewind. Thanksgiving Day itself

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Speaker 1: is the best second best day to travel. The worst

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Speaker 1: days the Sunday and Tuesday before Thanksgiving, so yesterday or

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Speaker 1: tomorrow and then going home. The best day is uh,

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Speaker 1: the Monday or Tuesday after Thanksgiving. You don't want to

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Speaker 1: go back like Black Friday. The best day is never.

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Speaker 1: You're stuck, and that's are your headline. Got the Elvis

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Speaker 1: duran stuff off coming up today. Elvis is on his

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Speaker 1: way up and we got your phone tap replay coming

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Speaker 1: up next. You never know when we might go live

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Speaker 1: on Facebook. We decided to put great tea in a

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Speaker 1: huge suitcase. But yeah, follow us now Facebook dot com

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Speaker 1: slash Elvis Durant. I may have to get out hold

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Speaker 1: on a dog is sniffing the suitcase. Elvis Durant in

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Speaker 1: the Morning Show. My favorite time of year, cuddling up

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Speaker 1: with someone I love and watching hours of movies and

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Speaker 1: live shows. Thanks to direct tv Now celebrating its first

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Speaker 1: birthday with a great offer on live TV. Had to

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Speaker 1: direct tv now dot com slash I heart and enter

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Speaker 1: promo code I heart to redeem phone tap replay Elvis,

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Speaker 1: Elvis Duranty, Elvis durant phone tap. Scary, Yes, what's it

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Speaker 1: all about? Well, Chris's girlfriend Kelsey hates telemarketers. She doesn't

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Speaker 1: listen to the show, so that's why she'd be a

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Speaker 1: perfect phone tap victim, especially by our relentless telephone telemarketer,

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Speaker 1: Mr Michael Oppenheimer. I like how you speak about him

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Speaker 1: in the third person, like exactly, like I'm not Henderson

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Speaker 1: and you really are. So here we go. Let's see

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Speaker 1: what it's all about. Scary, I mean Mr Oppenheimer's phone tap. Hello,

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Speaker 1: good afternoon. This is Mr Michael Oppenheimer with Zachary's Nuts.

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Speaker 1: How are you doing today? News? Zacharias Nuts offers a

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Speaker 1: wide array of nuts for your holiday season. This handsome

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Speaker 1: handled tree basket includes sundroid as honey roosted peanuts. Thank you.

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Speaker 1: I'm really not interested. Thank you so much. Which is

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Speaker 1: the quantity you'd like to add to your cart? Hello? Good,

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Speaker 1: This is Mr Michael Open with Zacharies. How are you

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Speaker 1: doing today? I wasn't interested. We have for you today

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Speaker 1: a special offer that you can't refuse. It's the Holiday

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Speaker 1: Entertaining Nuts ampler basket from Zachary. I'm not interested. Thank you.

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Speaker 1: This gormy wicker nut basket comes with interested thank you.

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Speaker 1: Certainly you celebrate the holidays, don't you. Hello? Hello, this

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Speaker 1: is Mr Michael Oppenheimer with Zacharis nuts. Are you kidding me?

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Speaker 1: Do you know what I'm gonna do to your not

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Speaker 1: if you don't stop calling me? Just imagine, just imagine

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Speaker 1: the look on your guest's face when you PLoP Zachari's

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Speaker 1: nuts on your coffee table for the holidays. I don't

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Speaker 1: can I want to speak to a manager. And let

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Speaker 1: me speak to a manager right now. What's your name?

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Speaker 1: I am the manager name. My name is Mr Michael Oppenheimer.

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Speaker 1: You need to jump off a clip because you're the

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Speaker 1: worst manager I've ever heard in my life. I'm tell

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Speaker 1: me anymore. Do you know Zachary's nuts can also be

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Speaker 1: put in the oven? What is wrong with you? You

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Speaker 1: can actually recording? Can you hear me? Can you can

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Speaker 1: you hear what I'm saying? I can hear what you're saying.

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Speaker 1: I can hear what you're saying. Which credit card would

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Speaker 1: you like to use today? Are you nuts? Yes? In fact,

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Speaker 1: we're full of nuts. Zacharis also offers the holiday party

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Speaker 1: tray of uncooked nuts, where you massage each nut with

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Speaker 1: some oil, then you stuff them in the oven and nuts.

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Speaker 1: My kids are allergic nuts. Everyone in my family's allergic

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Speaker 1: to nuts. Introducing for this holiday season our Bavarian nut lollipomps.

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Speaker 1: You lick on the hard candy and when you get

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Speaker 1: to the center, you've still got a nut to suck on.

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Speaker 1: You're wasting my day the most I've ever heard. You

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Speaker 1: can refuse. You should not be making calls because I

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Speaker 1: want to kill myself right now. Let me dangle these

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Speaker 1: nuts in front of your fish nuts. Listen to me.

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Speaker 1: Will also throw in this Christmas ribbon which will be

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Speaker 1: tied around Zachary nuts. We have the Merry Christmas Harvest

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Speaker 1: Nuts sampler gift box pants off of this company. You're

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Speaker 1: insulting me and you're assaulting me with this phone call.

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Speaker 1: We do have assaulted and an unsalted gift box in

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Speaker 1: case you have high blood pressure. Oh my god, really really,

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Speaker 1: oh a gift box? Stop calling hello? Hey for brains. Continue,

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Speaker 1: This is Mr Michael up and Armor with Zachary's holiday

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Speaker 1: entertaining basket. Don't want your nuts? Are you having family

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Speaker 1: you were for the holidays? No, we're all going to

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Speaker 1: your house to kill you, But nuts bring cheer to

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Speaker 1: the mouths of so many nuts weighed two pounds. Now

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Speaker 1: you can have the nut mix, including Cashier's dry fruit almonds.

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Speaker 1: But there's more. Why don't your family? But you're not

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Speaker 1: on the coffee tables. We also have little nut sax

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Speaker 1: for just five dollars a little nuts? You married? Are

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Speaker 1: you married to your wife? Hate you? Because right now

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Speaker 1: I make a great talking stuffer. Hello. Hello, this is

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Speaker 1: Mr Michael. Halloo. How are you? This isna, This is

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Speaker 1: Mr Michael. What do you want to say? All of

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Speaker 1: Zachary's nuts are carefully handled and hand picked. What what?

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Speaker 1: I can't hear you expert team of fifteen nuts pluckers

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Speaker 1: who sort through and choose only the finest nuts. What

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Speaker 1: did you say? What did you say? I said that

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Speaker 1: how many trays of these would you like to buy? Today?

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Speaker 1: I want I've been handling Zachari's nuts for four years myself,

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Speaker 1: and I got to say that Zacharis are the best

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Speaker 1: nuts I've ever swallowed. I don't want to recommend you

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Speaker 1: swallowing nuts home, Chris, it's going on right now? What

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Speaker 1: is going on? Is this is? This is scary Jones

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Speaker 1: with Alvis to Rand in the Morning Show, laughing, that's

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Speaker 1: your boyfriend. I'm gonna kill you, going to kill you?

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Speaker 1: Are you kidding me? What to do with your friends

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Speaker 1: is what you junior guys get together? You pick on me.

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Speaker 1: It's the radio. It's Elvis Durrand the Morning said, don't

201
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Speaker 1: you listen to the radio in the morning. I'm trying

202
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Speaker 1: to do phone tab. Have an idea for a phone tab.

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Speaker 1: Go to Alvis Ran dot com. Click on the phone

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Speaker 1: tap tab. Tell us what you want to do. This

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Speaker 1: phone table was prerecorded for me and granted by All

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Speaker 1: Party Space. El stand plan tad on Elvie Strand in

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Speaker 1: the Morning Show. Elvie Strand in the Morning Show, I mean,

208
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Speaker 1: don't you think Jack anton Off is like a porn star? Namely? Yes,

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Speaker 1: well he's coming in all the way. How was your weekend?

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Speaker 1: It was amazing. Why does your hair look so great?

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Speaker 1: It's it's like a titanium color. Um. We wrapped on

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Speaker 1: season one of my web series, and so I didn't

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Speaker 1: have to be blonde anymore, so I decided to go

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Speaker 1: slate for the winter. It looks fantastic. I miss it.

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Speaker 1: I miss going blonde. And you why are you looking

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Speaker 1: so hot. I don't look so hot, but I appreciate it. Thanks,

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Speaker 1: take the thanks. Drink that coffee, Honey, I am still asleep.

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Speaker 1: Your eyes are only half opening your words. It takes

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Speaker 1: me an hour to wake up in the morning, so

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Speaker 1: this morning I didn't wake up. Alex says, it's six o'clock,

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Speaker 1: you should get up. I'm like, I wait for you

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Speaker 1: to not remember this show. Later you'll be like, hey,

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Speaker 1: what who was on the show? The show? I was

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Speaker 1: up at one am making stuffing? Why? Why so early

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Speaker 1: slash late? Well, we had a long day, but didn't

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Speaker 1: you make stuffing for the show? It's our stuff off

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Speaker 1: now see. I opted to watch television with my children

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Speaker 1: last night. We watched a movie, Daddy's Home One, because

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Speaker 1: Daddy's Home too is down. We want to see that.

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Speaker 1: Wait wait, wait wait, that was more important than today?

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Speaker 1: Is the stuff off? Bobby Flays coming in, Well, didn't

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Speaker 1: you make stuffing? Eight people are making stuffing? Yeah, but

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Speaker 1: Benny didn't even remember when the invitation came on our calendar.

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Speaker 1: We both put hit decline great, didn't you make stuffing? Um?

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Speaker 1: I did, but I wasn't sure if you really wanted

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Speaker 1: mind to be a part of the contest. Of course,

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Speaker 1: this isn't work here there, So you made this stuffing,

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Speaker 1: but you left at home have it. I just didn't

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Speaker 1: know if you really wanted me to participate, because I

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Speaker 1: have to bring in our special jest as well, so

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Speaker 1: I didn't know if you wanted me to be a

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Speaker 1: part of the contest. But I brought it in anyway,

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Speaker 1: just to throw it in there. But yeah, you know chef,

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Speaker 1: and he can't wait to see you. I did have

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Speaker 1: a taste of great tea stuffing. Yeah it has a

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Speaker 1: smoky taste because you know he smokes Marlborough. It tastes

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Speaker 1: like smoked stuffing. Look, I love that about you great tea.

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Speaker 1: I mean scary. I get you guys confused. You brought

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Speaker 1: your own stuff again. Yeah, last year I did stove top.

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Speaker 1: It was kind of a joke. This year I took

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Speaker 1: it very seriously and I really think I'm a contender

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Speaker 1: to win this thing. He's feeling. He came in this

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Speaker 1: morning and said, I feel very confident, good a lot

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Speaker 1: of time and Froggy, I wish you were here. Oh

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Speaker 1: me too, because I'm such stuff cook. But there's money

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Speaker 1: on the line this year, apparently we're winning thanks to

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Speaker 1: butter Ball. Yes, they're paying us. You're doing stuffing. All right, Well,

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Speaker 1: let's get into the Daniel report. I gotta wake up,

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Speaker 1: Yes I do. I know you want to so kind

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Speaker 1: we would both come here, Come here, Come here. Bethany's

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Speaker 1: gonna slap me. Oh no, I know I need slapping,

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Speaker 1: but I know that Bethany wants to slap me. Come here.

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Speaker 1: Oh my god, that was hard. I didn't wake you up. No,

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Speaker 1: but I know that she wants to. I love her

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Speaker 1: and hate her at the same time. All right, that said,

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Speaker 1: let's get into it, all right. So last night was

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Speaker 1: the American Music Awards. Pink was amazing. Want to care

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Speaker 1: about them? Not really, but this was a cool part

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Speaker 1: about it was pretty awesome. Yeah, Pink, you in love

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Speaker 1: with her? Pink was on wires. She was halfway up

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Speaker 1: the side of a building. It was crazy. Dimmi Lavado

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Speaker 1: kicked ass. Yes, according to Kelly Rowland, it was Neil Horne.

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Speaker 1: So anyway, Diana Ross got the Lifetime a Chieven Award

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Speaker 1: brunto Mars Kicks, but seven awards, including Artist of the

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Speaker 1: Year Now and Christina Aguilera did the Mariah tribute Whitney. Whitney,

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Speaker 1: What did Whitney die? Yes? Yes, well, okay, so here's

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Speaker 1: the thing there. They went to pink in the audience

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Speaker 1: and it looked like she was making cringe frowny face

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Speaker 1: when Christina was performing, So of course people were, you know,

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Speaker 1: given her hell on Twitter, she says it's not true.

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Speaker 1: She says she loves Christina, she loved what Christina did,

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Speaker 1: and that's not why she had that face on. So

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Speaker 1: I'm just telling you that's what she does, an unbelievable performance.

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Speaker 1: But all anybody's talking about is cringe e face that

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Speaker 1: she had. Terrible. Yeah, does Harrison Ford have a new

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Speaker 1: movie coming out? Maybe he's just a great guy. He

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Speaker 1: was driving on the freeway yesterday stopped to help a

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Speaker 1: woman who had run her car off the road into

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Speaker 1: an embankment. Luckily she only suffered minor injuries. Um, but

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Speaker 1: you know, we always think that they've got something in

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Speaker 1: the works when they do something heroic. This is so sad.

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Speaker 1: David Cassidy, who played Keith Partridge in The Partridge Family,

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Speaker 1: is in the hospital in Florida and critical condition. Sources

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Speaker 1: say his organs are shutting down. He's sixty seven. He

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Speaker 1: recently announced that he's battling dementia, So I don't know,

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Speaker 1: you know, I don't even know what's going on right

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Speaker 1: now as I read this article with him. Yeah, oh

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Speaker 1: my gosh. Of course, and Justice League had a nineties

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Speaker 1: six million dollar opening weekend, but that is actually considered

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Speaker 1: a big disappointment. It was the worst opening for a

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Speaker 1: DC movie since Green Lantern back in two thousand and eleven.

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Speaker 1: Let's see tonight on television. You've got the Seahawks and

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Speaker 1: the Falcons, Dancing with the Stars is on. Julianne Huff

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Speaker 1: returns as a celebrity guest. Pit Boat performs with Fifth Harmony,

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Speaker 1: You've got the Voice, You've got Ride with Norman ritas Uh,

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Speaker 1: and of course your normal stuff, and if you want

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Speaker 1: to go over and watch your Netflix, which we always

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Speaker 1: like to do. Next hour, we're gonna talk about Rihanna.

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Speaker 1: Her fenty beauty just got named Invention of the Year,

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Speaker 1: So let's talk about synchronicity. So yesterday, alex I, we're

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Speaker 1: having lunch at a whatever restaurant. We're talking about our

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Speaker 1: friend Meryl. So god, these Lysol wipes are fabulous. This

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Speaker 1: smells so good. They kill nine nine of viruses in bacteria.

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Speaker 1: What about the other point zero one? We don't worry

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Speaker 1: about that one anyway. So we're having a lunch, We're

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Speaker 1: talking about our friend Meryl, and then out of nowhere,

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Speaker 1: Meryl texts. She sent me a text like, hey, how

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Speaker 1: are you guys doing. Good morning, Good to see you that.

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Speaker 1: I'm like, oh my god. Synchronicity, right, So we're like

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Speaker 1: talking about Meryl, and then uh, I put my phone down.

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Speaker 1: We're talking about the bar that I'm opening in l

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Speaker 1: A with Darren Chris and are partnering in a bar

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Speaker 1: drunk Grandma or something. What's it called your Grandma's Drunk.

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Speaker 1: It's called tramps, tramp, stamp, granty something. So we're talking

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Speaker 1: about that, and then my phone rings again and it's

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Speaker 1: around saying, oh my god, I love the name of

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Speaker 1: your new bar. I'm like, really, we're just talking about

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Speaker 1: my bar. So twice we were talking about Meryl and

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Speaker 1: then we're talking about the bar, and she was texting

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Speaker 1: me as if she was in the room with us.

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Speaker 1: I'm looking I'm looking around saying, oh my god, she's

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Speaker 1: actually in the room with us. She's hearing our conversation.

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Speaker 1: Isn't that weird? But she wasn't. I was waiting for

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Speaker 1: you to be like and there she was. No, she wasn't.

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Speaker 1: Have you ever been so connected to someone they're texting

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Speaker 1: you about what you're thinking? Yeah? Yeah, like that, talk

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Speaker 1: about it. Yeah, my mom was like that. Well, she'll

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Speaker 1: like I'll be thinking about something and she will text

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Speaker 1: me about that thing. Or if I'm having a particularly

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Speaker 1: bad day and I call her, she'll be like, I

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Speaker 1: was about to call you because she just gets a

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Speaker 1: feeling or stomach. She knows. It's like she knows. It's

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Speaker 1: so real, so scary. Called somebody and they'll go hello,

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Speaker 1: and I'll go hello, and they I'll go, what do

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Speaker 1: you on? No, No, I called you because we were

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Speaker 1: calling each other at the same exact time, so we

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Speaker 1: don't know who called the other person. And I'm like,

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Speaker 1: that is weird. Or where you text somebody at the

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Speaker 1: exact time they text you about the same thing and

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Speaker 1: you both get the same text from each other. I've

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Speaker 1: had that happen moment. Because of texting, we can connect

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Speaker 1: that quickly. But at the same time, you're like, oh

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Speaker 1: my god, hey, straight and eight, so talk about it. Yes,

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Speaker 1: drops this microphone for a second. Well, then Mercy and Retrograde.

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Speaker 1: Let's look, I think it is is Mercury. By the way,

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Speaker 1: if you ever want to wonder, just go to the

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Speaker 1: website is Mercury and Retrograde dot com. And the answer

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Speaker 1: is the answer is no, it's not. I've had that

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Speaker 1: had that's happened with you because I've been wanting to

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Speaker 1: tell you something and it always happens with a text,

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Speaker 1: and I'll go to type something and then I see

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Speaker 1: there's bubbles or something and you're already typing me and

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Speaker 1: it's about the same thing I was going to text exactly.

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Speaker 1: So let's not dismiss this. This is real. Yeah, And

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Speaker 1: I think the more you are aware of it, the

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Speaker 1: more it will happen. And then what's the other thing

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Speaker 1: that happens when like say, I never heard of something before,

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Speaker 1: but then we talk about it, I hear about that

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Speaker 1: thing everywhere, like a product or the same thing that

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Speaker 1: I'm like, I never heard of this damn thing before.

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Speaker 1: Now it's everywhere. Same thing. Well, this happened the other morning,

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Speaker 1: and you was talking about it. Elvis. Elvis was singing

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Speaker 1: a song talking about it. He was singing Love Is

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Speaker 1: Gone by David Getta, Love is gone. I had no idea,

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Speaker 1: I had no contact with him, but somehow I knew

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Speaker 1: to start the show with it that morning. Yeah, that's

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Speaker 1: that same. That was a big one last week, I

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Speaker 1: remember that or this week it was weird. So can

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Speaker 1: we talk about how hot straight and it is today? Look? Look,

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Speaker 1: look how hot he is. He looks like as hot

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Speaker 1: as he normally looks. It's not he's extra haunted. He

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Speaker 1: your girlfriend came back. You got some sex. I did,

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Speaker 1: So today's the stuff off. So I brought my stuffing

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Speaker 1: in that I made, which is not that good this year.

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Speaker 1: But whatever sounds like exactly. Froggy is right. It sounds

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Speaker 1: like you had this stuff off. Put your headphones on.

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Speaker 1: Hold on, uhould hear the show with Foggy. So he

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Speaker 1: says he burnt his stuffing because he was having sex

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Speaker 1: with his girlfriend. Were talking about that she got home, okay,

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Speaker 1: So I was cooking dinner and preparing stuff stuffing, and

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Speaker 1: she got home around seven eight. So I got seven eight.

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Speaker 1: You had her clothes off, exactly, So no, I had

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Speaker 1: it in there, and then I'm sorry I had it

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Speaker 1: in there. And then we stopped something else. We went

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Speaker 1: a little long and some of the ingredients burned, so

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Speaker 1: it go get it. I couldn't even bring it in.

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Speaker 1: It was that. Wasn't you burn your stuffing because you

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Speaker 1: have your raving sex? Yeah, I hadn't seen it for

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Speaker 1: a week, black and blacking stuffing and bring it in

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Speaker 1: a reason A good reason to burn your stuffing. Sex

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Speaker 1: is a good It was great. I mean not the stuffing,

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Speaker 1: but the stuffing. So Garrett pointed out that you posted

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Speaker 1: a picture on Instagram of your stuffing with a big

404
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Speaker 1: heart over it. Where is it? Let me see it's

405
00:23:28,119 --> 00:23:32,280
Speaker 1: because it's not. You can't really look at it. So

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Speaker 1: you're stuffing burned because you were having sex with your girlfriend,

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Speaker 1: making stuffing, says Instagram, making stuffing and adding my secret ingredient.

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Speaker 1: So now we know what that means. Well, we don't

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Speaker 1: know what his secret ingredient is. What was your I'm

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Speaker 1: not telling you my secret ingredient. I don't want to know.

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Speaker 1: So your girlfriend was away for a week and she

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Speaker 1: came home and you're like, oh my god, I missed

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Speaker 1: you so much, and you're like, I started like doing

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Speaker 1: her talk about it. We had a little dinner first

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Speaker 1: because I made dinner, and then I put the stuffing

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Speaker 1: in and then dinner. You just keep on. I don't

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Speaker 1: even mean any of these things I'm saying. But then

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00:24:12,760 --> 00:24:14,560
Speaker 1: I put the stuffing in because I figured I had to.

419
00:24:15,040 --> 00:24:17,720
Speaker 1: I love how Bethany's you put the inner in dinner,

420
00:24:21,800 --> 00:24:26,480
Speaker 1: you put well done, I know, but look how Bethany's

421
00:24:26,520 --> 00:24:29,240
Speaker 1: kind of stretching. Yeah, I think you're a little jealous.

422
00:24:29,560 --> 00:24:32,840
Speaker 1: Not at all you want you want his girlfriend. I

423
00:24:32,880 --> 00:24:35,680
Speaker 1: mean I'm jealous of him for his girlfriend. She's gorgeous

424
00:24:36,280 --> 00:24:42,200
Speaker 1: and very nice. I think he had that d inner dinner, Froggy.

425
00:24:44,160 --> 00:24:47,760
Speaker 1: You're like milking this for all it's worth. Sorry, but really,

426
00:24:48,359 --> 00:24:51,280
Speaker 1: his girlfriend is gorgeous, He's beautiful. I mean, I'm gay,

427
00:24:51,520 --> 00:24:54,600
Speaker 1: but I would I would date her. Mean, she's she's

428
00:24:54,640 --> 00:24:57,440
Speaker 1: so beautiful. I mean, don't you think she's beautiful. Perfect teeth.

429
00:24:58,080 --> 00:25:00,960
Speaker 1: Oh yeah, she has her perfect teeth, Like if you

430
00:25:01,080 --> 00:25:02,919
Speaker 1: two were to have children, your children would come out

431
00:25:03,359 --> 00:25:09,600
Speaker 1: like teeth first scary. Oh my god, it was awesome.

432
00:25:09,640 --> 00:25:12,640
Speaker 1: I spent yesterday cooking. At night, I got a little drunk,

433
00:25:12,760 --> 00:25:15,320
Speaker 1: It's okay. While I was cooking, my girlfriend helped me out.

434
00:25:15,600 --> 00:25:17,800
Speaker 1: I was mixing the vegetables, I did everything. It was

435
00:25:17,880 --> 00:25:20,080
Speaker 1: It was fantastic. Did you have sex while you were making?

436
00:25:20,600 --> 00:25:23,560
Speaker 1: But I did post online a little video, So here's

437
00:25:23,720 --> 00:25:28,400
Speaker 1: the sound of Scary making stuffing with his girlfriend. I'm

438
00:25:28,400 --> 00:25:31,960
Speaker 1: gonna win the Thanksgiving stuff off with my personal recipe

439
00:25:32,080 --> 00:25:37,800
Speaker 1: that I decided I didn't met that. I'm drunk anyway.

440
00:25:38,400 --> 00:25:40,800
Speaker 1: It's a red stuffing with sausage in it. This is

441
00:25:40,840 --> 00:25:43,600
Speaker 1: my my replex right here. I got those carots that

442
00:25:43,640 --> 00:25:46,640
Speaker 1: all use working with the what else is in there?

443
00:25:47,080 --> 00:25:50,119
Speaker 1: Parrots on you, celery and garlic is coming up, sausage

444
00:25:51,440 --> 00:25:54,840
Speaker 1: and I got bread. It's gonna all get together just

445
00:25:54,880 --> 00:25:57,400
Speaker 1: a little bit. I'm gonna win a gift card. What's

446
00:25:57,400 --> 00:26:02,600
Speaker 1: a microplex, it's to me a mirror poa mirror plaw is.

447
00:26:03,040 --> 00:26:06,959
Speaker 1: What's a mirror plaise? It's carrots onion, and when it's

448
00:26:07,000 --> 00:26:09,320
Speaker 1: all chopped up together and you buy it in this store,

449
00:26:09,440 --> 00:26:13,119
Speaker 1: it says it across the thing, my replex, it's mirror.

450
00:26:13,440 --> 00:26:17,120
Speaker 1: It's a mirror plaise. I thought it was a machine.

451
00:26:17,200 --> 00:26:21,040
Speaker 1: He was using to pronounced mirror plaise. And you call

452
00:26:21,040 --> 00:26:24,080
Speaker 1: it me plex. When those three are put together, chopped

453
00:26:24,160 --> 00:26:30,560
Speaker 1: up in a container, it's called that whatever mirra POI mirror. POI, Okay,

454
00:26:30,760 --> 00:26:31,920
Speaker 1: that's like, why did I have to make it so

455
00:26:32,000 --> 00:26:33,840
Speaker 1: fancy sounding. It's like when you have like a plate

456
00:26:33,920 --> 00:26:36,159
Speaker 1: of vegetables and they call it a crude, Totech, just

457
00:26:36,240 --> 00:26:40,119
Speaker 1: call it a platter of vegetables, a crude. It's a crude. No,

458
00:26:40,400 --> 00:26:43,560
Speaker 1: it's a mirror, I said, my replex, because that's how

459
00:26:43,600 --> 00:26:46,840
Speaker 1: it looks. I'm gonna win the Thanksgiving stuff off with

460
00:26:47,080 --> 00:26:50,680
Speaker 1: my personal recipe that I decided that I didn't met

461
00:26:50,720 --> 00:26:56,720
Speaker 1: that I'm drunk. It's a blood stuffing with sausage in it.

462
00:26:57,000 --> 00:27:00,080
Speaker 1: This is my my replex right here, my replex that

463
00:27:00,160 --> 00:27:05,080
Speaker 1: on you freaking serious? It's a mirror, plase, I'm starting

464
00:27:05,119 --> 00:27:07,200
Speaker 1: it on the stove, and I was showing everybody drug.

465
00:27:07,440 --> 00:27:09,320
Speaker 1: So last night Alex and I went out with our

466
00:27:09,359 --> 00:27:12,480
Speaker 1: Frank Gavin and we got a little twisty and so

467
00:27:12,600 --> 00:27:14,440
Speaker 1: I got I got home and like, I have to

468
00:27:14,520 --> 00:27:18,520
Speaker 1: make a stuffing for tomorrow, and they're like, no, it's

469
00:27:18,520 --> 00:27:20,480
Speaker 1: got his name, and no, I have to make it.

470
00:27:20,720 --> 00:27:22,240
Speaker 1: So I made it. It's I brought it in a

471
00:27:22,320 --> 00:27:26,240
Speaker 1: bowl over there? Where is it? Bring it? Bring it

472
00:27:26,280 --> 00:27:30,680
Speaker 1: over here? It's uncovered though, is that? Okay? Yes, it's

473
00:27:30,720 --> 00:27:33,480
Speaker 1: not that gross in here? Well, no, it's gross in here.

474
00:27:35,600 --> 00:27:38,920
Speaker 1: I don't think I'm so Bobby. Bobby Flay is coming

475
00:27:38,960 --> 00:27:42,159
Speaker 1: into um to a judge. Yeah, I don't think he's

476
00:27:42,200 --> 00:27:44,240
Speaker 1: gonna like my stuffing. But he doesn't look at it,

477
00:27:44,359 --> 00:27:46,280
Speaker 1: and he just taste it? Does he looked at it?

478
00:27:46,440 --> 00:27:49,080
Speaker 1: I sent him a text yesterday. He didn't text me back.

479
00:27:49,160 --> 00:27:53,920
Speaker 1: Maybe not coming, he's coming? You know what? He should

480
00:27:53,960 --> 00:27:56,959
Speaker 1: text me back. Don't you think it's like a respect

481
00:27:57,080 --> 00:28:01,000
Speaker 1: text him if it was something? Next I told him,

482
00:28:01,040 --> 00:28:04,720
Speaker 1: I said, I'm nervous about tomorrow. And yesterday I watched

483
00:28:04,760 --> 00:28:08,760
Speaker 1: his show Brunch with Bobby, and he used the word pecton.

484
00:28:09,400 --> 00:28:11,200
Speaker 1: I said, I'm not sure how I feel about the

485
00:28:11,200 --> 00:28:13,840
Speaker 1: word pecton. I've always felt uncomfortable about it. I don't

486
00:28:13,880 --> 00:28:16,440
Speaker 1: like the word pecton. Do you know what pecton is?

487
00:28:17,280 --> 00:28:20,040
Speaker 1: Is it like a mirra? Please? Do you know what

488
00:28:20,160 --> 00:28:22,720
Speaker 1: the word pecton is? Isn't it fruit sugar? Yeah? Like

489
00:28:23,080 --> 00:28:30,159
Speaker 1: gummy something? It's like it's like a pecton pecton. It's like,

490
00:28:30,640 --> 00:28:33,600
Speaker 1: is it made from cows? No? Is that anything to

491
00:28:33,640 --> 00:28:37,080
Speaker 1: do with like pecker? Or no? Is that close or no? Dude?

492
00:28:37,119 --> 00:28:42,280
Speaker 1: Are you horny? Are you talking about his sex. Look

493
00:28:42,320 --> 00:28:47,320
Speaker 1: at the word pecton. I know it's like a can

494
00:28:47,360 --> 00:28:50,120
Speaker 1: you hold on a second? I gotta get Oh my god,

495
00:28:50,400 --> 00:28:54,239
Speaker 1: everything my tongue is like squirting. Hey, can you keep

496
00:28:54,320 --> 00:28:58,600
Speaker 1: it down? People are listening in the Morning show. Try

497
00:28:58,640 --> 00:29:01,280
Speaker 1: the new buttermilk biscuit bread for sandwiches just two for

498
00:29:01,360 --> 00:29:05,120
Speaker 1: four dollars only at burging restaurants. Offer includes to sausage,

499
00:29:05,120 --> 00:29:08,200
Speaker 1: egg and cheese, ham, egg and cheese, or bacon, egg

500
00:29:08,240 --> 00:29:12,520
Speaker 1: and cheese biscuit no substitutions. At participating restaurants, single sandwich

501
00:29:12,560 --> 00:29:21,840
Speaker 1: at regular price on menu restrictions. Thank god you're listening.

502
00:29:22,400 --> 00:29:26,480
Speaker 1: So did you watch them? The only thing I loved

503
00:29:26,520 --> 00:29:31,440
Speaker 1: about the MS? I mean, I'm so over these freaking

504
00:29:31,840 --> 00:29:37,520
Speaker 1: award shows. Yeah. Demi Lavado her date, Her date was

505
00:29:38,040 --> 00:29:41,719
Speaker 1: so hot. I love that she went with Her name

506
00:29:41,800 --> 00:29:45,360
Speaker 1: is Danica Danica Rome. Yep, she's the first openly transgender

507
00:29:45,440 --> 00:29:50,000
Speaker 1: state legislator. I love that our little Demi went with her.

508
00:29:51,040 --> 00:29:53,600
Speaker 1: I love Demi Lavado. Whatever she does. Say one thing,

509
00:29:54,840 --> 00:29:57,280
Speaker 1: So if you're going to go, if you have a

510
00:29:57,400 --> 00:29:59,360
Speaker 1: date on the red carpet, I think the two of

511
00:29:59,440 --> 00:30:01,600
Speaker 1: you need to agree ahead of time how you're going

512
00:30:01,680 --> 00:30:05,440
Speaker 1: to pose because Dannika Rome is smiling a giant smile,

513
00:30:05,720 --> 00:30:09,320
Speaker 1: but Demielvado is smizing, so it looks like Demie Lovado

514
00:30:09,400 --> 00:30:13,680
Speaker 1: is not happy. Obviously not the case. Also, last night

515
00:30:13,840 --> 00:30:16,040
Speaker 1: at the AMS, the only other thing I loved was

516
00:30:16,120 --> 00:30:21,000
Speaker 1: there Lincoln Park tribute so great. Yeah, I still. I

517
00:30:21,120 --> 00:30:23,640
Speaker 1: was going through old videos on my phone because I

518
00:30:23,720 --> 00:30:25,440
Speaker 1: have no memories, so it was time to delete some

519
00:30:25,520 --> 00:30:29,080
Speaker 1: stuff and I found it, and I found the video

520
00:30:29,280 --> 00:30:32,360
Speaker 1: of Chester Bennington when he was in here, and I

521
00:30:32,480 --> 00:30:36,000
Speaker 1: just got really sad because he was so happy and

522
00:30:36,200 --> 00:30:38,280
Speaker 1: outgoing and bubbly, and it just shows that, like you

523
00:30:38,400 --> 00:30:40,040
Speaker 1: never know what somebody is facing. It was a good

524
00:30:40,120 --> 00:30:42,720
Speaker 1: day for him that day when Chester Bennington was here.

525
00:30:43,120 --> 00:30:45,240
Speaker 1: It was such a it was a great day for us.

526
00:30:45,560 --> 00:30:48,239
Speaker 1: He really gave us quite a gift by being here

527
00:30:48,280 --> 00:30:50,280
Speaker 1: and being such a great guy. You know what, Get

528
00:30:50,360 --> 00:30:52,040
Speaker 1: that in mind. You know what, when you're hanging out

529
00:30:52,080 --> 00:30:54,680
Speaker 1: with friends or family and they're being really cool with you,

530
00:30:55,680 --> 00:30:57,760
Speaker 1: cherish it because you don't know, you don't know what

531
00:30:57,840 --> 00:31:01,160
Speaker 1: they're going through. You just don't know. Oh god, this

532
00:31:01,280 --> 00:31:07,320
Speaker 1: is the worst call ever. Jessica, Jessica, this is the

533
00:31:07,400 --> 00:31:11,520
Speaker 1: worst call ever. Tell everyone what you're seeing right now.

534
00:31:12,120 --> 00:31:19,360
Speaker 1: I am in Queenstoria and snow. Yeah. I hate snow,

535
00:31:21,240 --> 00:31:26,920
Speaker 1: very light, fuzzy. So wherever you're listening right now, maybe

536
00:31:26,960 --> 00:31:31,400
Speaker 1: you're in Florida. Jessica is in Queens, New York City,

537
00:31:32,000 --> 00:31:35,240
Speaker 1: and it's snowing where she's calling from, and I'm like,

538
00:31:36,000 --> 00:31:41,280
Speaker 1: happy holidays. What do you think about that? I can

539
00:31:41,320 --> 00:31:45,920
Speaker 1: get a load of crap. That's a big I like

540
00:31:46,120 --> 00:31:48,600
Speaker 1: the first snow. The first snow is always lovely, and

541
00:31:48,680 --> 00:31:51,280
Speaker 1: then after that it's like if it's a light dusting

542
00:31:51,360 --> 00:31:53,080
Speaker 1: and it's nice. But when I have to shove, I

543
00:31:53,200 --> 00:31:56,000
Speaker 1: like the first ray of sunshine in the morning. I'm

544
00:31:56,120 --> 00:31:58,920
Speaker 1: with you, So, Jessica, no offense. If I want to

545
00:31:58,960 --> 00:32:01,320
Speaker 1: see snow, I want to lie to it. I don't

546
00:32:01,360 --> 00:32:04,400
Speaker 1: want it to do It's the thing on me. You

547
00:32:04,400 --> 00:32:05,720
Speaker 1: don't want it to come to you. You want to

548
00:32:05,720 --> 00:32:08,560
Speaker 1: go to it. I'm gonna go to it. I don't

549
00:32:08,560 --> 00:32:10,760
Speaker 1: want it to come to me. Well, okay, so you're

550
00:32:10,840 --> 00:32:13,400
Speaker 1: you're seeing the first snow in New York City. Story

551
00:32:13,480 --> 00:32:18,480
Speaker 1: am yes, I am amazing. Oh my god, this is

552
00:32:18,560 --> 00:32:23,200
Speaker 1: for Jessica and everyone in Queen's. The weather outside is

553
00:32:23,320 --> 00:32:29,080
Speaker 1: frightening and so like blah blah blah blah blah blah.

554
00:32:30,000 --> 00:32:33,480
Speaker 1: Let us know, let us let us Oh god, I

555
00:32:33,560 --> 00:32:38,800
Speaker 1: hate it. We're loving you, Jessica. Thanks for listening. I

556
00:32:38,840 --> 00:32:44,160
Speaker 1: appreciate it. Thank you so much. Appreciate great. It's snowing

557
00:32:44,280 --> 00:32:46,880
Speaker 1: in Queens. Yeah, I can't believe it. I mean there's

558
00:32:46,880 --> 00:32:49,560
Speaker 1: a couple of flurries. Although people in Colorado laugh at

559
00:32:49,640 --> 00:32:51,280
Speaker 1: us because here in the Tri State, like all of

560
00:32:51,320 --> 00:32:53,280
Speaker 1: a sudden, we see like a glimpse of snow and

561
00:32:53,320 --> 00:32:55,760
Speaker 1: we're like everybody in school closed the finished. People in

562
00:32:55,840 --> 00:32:58,560
Speaker 1: Colorado they live with like five ft of snow all

563
00:32:58,640 --> 00:33:01,560
Speaker 1: year around. They like every day a foot of snow

564
00:33:02,400 --> 00:33:08,840
Speaker 1: every hour. Bethany, you're from Minneapolis, right from Wisconsin, Wisconsin.

565
00:33:09,040 --> 00:33:11,080
Speaker 1: But seriously, you guys too had snow all year round.

566
00:33:11,520 --> 00:33:14,960
Speaker 1: No you think, don't you don't you laugh round in

567
00:33:15,040 --> 00:33:17,000
Speaker 1: the summer it gets a hundred with like full humidity.

568
00:33:17,560 --> 00:33:22,360
Speaker 1: Win it's amazing. So you guys know, Jack Antonov's coming in. Yeah,

569
00:33:22,680 --> 00:33:26,240
Speaker 1: I love him. He's already here. He's already I heard

570
00:33:26,320 --> 00:33:29,840
Speaker 1: he's talking about Will Ferrell's penis. Well, where is he

571
00:33:30,200 --> 00:33:35,400
Speaker 1: bring him? Who is he talking to me? Hello about

572
00:33:35,400 --> 00:33:38,000
Speaker 1: old school and he started talking about Will Ferrell's penis.

573
00:33:38,600 --> 00:33:40,920
Speaker 1: Why is he talking about Will because there's that famous

574
00:33:40,960 --> 00:33:44,240
Speaker 1: scene in Old School where Will Farrell goes streaking and

575
00:33:44,320 --> 00:33:48,040
Speaker 1: we didn't know if Will Farrell had his. But wait,

576
00:33:48,120 --> 00:33:52,520
Speaker 1: Jack Anthonov's coming in for like another thirty minutes. He's here,

577
00:33:52,680 --> 00:33:55,000
Speaker 1: he's on time. Go get him. You want bring him in.

578
00:33:55,080 --> 00:33:58,680
Speaker 1: Let's talk about Will Ferrell's penis. You want to? I mean,

579
00:33:58,720 --> 00:34:04,120
Speaker 1: what else are we gonna talk about? What a little Yeah? Yeah,

580
00:34:04,160 --> 00:34:08,920
Speaker 1: your your microphone is over. Uh we have the news

581
00:34:09,040 --> 00:34:11,400
Speaker 1: coming up with Bethany. I gonna tell you. I was

582
00:34:11,440 --> 00:34:14,560
Speaker 1: reading the news this weekend. It's so depressing. I'm done.

583
00:34:14,960 --> 00:34:18,560
Speaker 1: I'm done with you and your news. I find you responsible.

584
00:34:19,480 --> 00:34:22,520
Speaker 1: I can skip it. Where's Jack? I love Jack? Jack

585
00:34:22,560 --> 00:34:24,959
Speaker 1: anson Off is the most incredible guy. Come here, Jack,

586
00:34:25,280 --> 00:34:28,839
Speaker 1: come here, no faster, Come on, run run run run run.

587
00:34:29,080 --> 00:34:33,440
Speaker 1: We're on the radio on the radio. Hey Jack, are you?

588
00:34:33,600 --> 00:34:36,239
Speaker 1: How are you? Buddy? What's going on? So? Well? You know,

589
00:34:36,320 --> 00:34:39,479
Speaker 1: we're just doing a show. Yeah. I love that jacket. Thanks,

590
00:34:39,560 --> 00:34:44,920
Speaker 1: it was New Orleans. I love New Orleans jacket. It

591
00:34:44,960 --> 00:34:47,279
Speaker 1: looks good. So the dog's yours in the green room.

592
00:34:47,920 --> 00:34:50,640
Speaker 1: Uh yeah, that's my dad, explained that to me. He's

593
00:34:50,640 --> 00:34:54,719
Speaker 1: not here. Your dad's here. Well, he's here because I

594
00:34:54,719 --> 00:34:56,480
Speaker 1: think he looks a lot like you, and I think

595
00:34:56,520 --> 00:34:58,880
Speaker 1: that's a compliment to both of you. Well, so I

596
00:34:58,960 --> 00:35:05,400
Speaker 1: could be your father. Come on, come on, your father

597
00:35:05,760 --> 00:35:08,280
Speaker 1: is your father is like a good looking version of me, basical.

598
00:35:08,280 --> 00:35:10,279
Speaker 1: There's two things I want to bring up about number one.

599
00:35:10,440 --> 00:35:12,239
Speaker 1: Number one is that you guys look alike, which is

600
00:35:12,280 --> 00:35:14,960
Speaker 1: a comment to both of you. All right, more to him, ever,

601
00:35:15,080 --> 00:35:17,640
Speaker 1: comment to him. And he's the biggest fan of this show.

602
00:35:19,239 --> 00:35:21,120
Speaker 1: He knows. He's the one back there who just told

603
00:35:21,160 --> 00:35:23,240
Speaker 1: me that the dog is yours. I know that's Max

604
00:35:23,480 --> 00:35:26,600
Speaker 1: that's told me that. Dad. What's your name? Dad? Come

605
00:35:26,640 --> 00:35:30,759
Speaker 1: to the microphone? What's your name? Rick? Even more like

606
00:35:30,880 --> 00:35:35,799
Speaker 1: in person? But you're both from Jersey, Jersey? What part

607
00:35:35,840 --> 00:35:42,480
Speaker 1: of Jersey North? Where? No? Well, Burton countyeld Like like

608
00:35:45,320 --> 00:35:48,719
Speaker 1: he was born in Burgenfield. I love you guys. Yeah,

609
00:35:49,280 --> 00:35:50,920
Speaker 1: isn't this crazy? I know you're not supposed to talk

610
00:35:50,920 --> 00:35:52,919
Speaker 1: about the visual stuff on the radio, but it's pretty

611
00:35:52,960 --> 00:35:56,480
Speaker 1: wild pictures. Don't get mad at me. I want to

612
00:35:56,520 --> 00:35:59,720
Speaker 1: have sex with your father, Um, what is it okay?

613
00:36:00,080 --> 00:36:01,920
Speaker 1: I know people have been fired for this kind of thing,

614
00:36:02,000 --> 00:36:06,680
Speaker 1: but can it just happen now? Is that illegal? Can

615
00:36:06,719 --> 00:36:09,480
Speaker 1: you and my father? Can you and my father get

616
00:36:09,520 --> 00:36:13,800
Speaker 1: together and make another one? When when when Jack was

617
00:36:13,840 --> 00:36:18,040
Speaker 1: growing up, did you know how talented he was? Not?

618
00:36:18,160 --> 00:36:20,320
Speaker 1: For a while, actually, I mean he was. What was

619
00:36:20,400 --> 00:36:23,160
Speaker 1: the first sign of talent with your son? When he

620
00:36:23,280 --> 00:36:25,600
Speaker 1: was about twelve or thirteen. We used to play guitar

621
00:36:25,840 --> 00:36:28,239
Speaker 1: when he was really little. And then one day I

622
00:36:28,320 --> 00:36:31,279
Speaker 1: came home and he had an electric guitar and he

623
00:36:31,400 --> 00:36:33,719
Speaker 1: was getting the craziest sounds out of his out of

624
00:36:33,800 --> 00:36:38,400
Speaker 1: his room. Look at you keep going. And he just

625
00:36:38,600 --> 00:36:40,600
Speaker 1: from one day to the next day, he just went

626
00:36:40,680 --> 00:36:44,839
Speaker 1: from a kid playing guitar to like somebody who was great. Oh,

627
00:36:45,320 --> 00:36:48,000
Speaker 1: like in a day. I remember when I was in

628
00:36:48,080 --> 00:36:50,279
Speaker 1: my room when I was a kid, and craziest are

629
00:36:50,320 --> 00:36:52,960
Speaker 1: coming to my bedroom. It wasn't guitar because I was

630
00:36:53,000 --> 00:36:56,719
Speaker 1: discovering my penis. It was you and my dad created me.

631
00:36:59,400 --> 00:37:01,320
Speaker 1: I mean love, I'm in love with your father. I

632
00:37:01,400 --> 00:37:03,279
Speaker 1: mean Jack, you can leave. We're gonna just hang out

633
00:37:03,320 --> 00:37:05,600
Speaker 1: with your your father. How can how can the people

634
00:37:05,719 --> 00:37:08,680
Speaker 1: listening eventually see the resemblance? What can you do. I mean,

635
00:37:08,880 --> 00:37:10,960
Speaker 1: we can take a picture of It's really crazy. You're

636
00:37:10,960 --> 00:37:15,400
Speaker 1: not Jewish? Are you? How is that? I think some

637
00:37:15,520 --> 00:37:18,040
Speaker 1: were way back there has have you done twenty three?

638
00:37:18,080 --> 00:37:22,319
Speaker 1: In me? What percent is the unfl percentage Jewish? I'm

639
00:37:22,440 --> 00:37:27,520
Speaker 1: all from Africa. Fascinating so and rich wearing in Austin

640
00:37:27,640 --> 00:37:31,080
Speaker 1: City Limits shirt. His wardrobe is things acquired at my shows.

641
00:37:31,120 --> 00:37:34,239
Speaker 1: Oh my god, Rick, you're like the bet jack. Your

642
00:37:34,280 --> 00:37:37,719
Speaker 1: father is the best You've been on the tour. I mean,

643
00:37:37,800 --> 00:37:39,520
Speaker 1: can you leave and just leave your father? You want

644
00:37:39,520 --> 00:37:43,560
Speaker 1: me to leave? So we have a lot to do

645
00:37:43,719 --> 00:37:47,640
Speaker 1: with you. Are you wait? Take a picture? Yeah, it's

646
00:37:47,680 --> 00:37:49,400
Speaker 1: actually gonna be on Instagram in a second. We got

647
00:37:49,440 --> 00:37:53,239
Speaker 1: the pictures already at Elvis Durant Elvis. I need some

648
00:37:53,320 --> 00:37:55,279
Speaker 1: help on my on my account. Who are these people

649
00:37:55,320 --> 00:37:57,080
Speaker 1: on here? I just met Greg Tea and he's all like,

650
00:37:57,160 --> 00:37:58,640
Speaker 1: I'm a fan of here, and I'm like, you're Greg

651
00:37:58,680 --> 00:38:01,239
Speaker 1: t I grew up. Have no idea how much he

652
00:38:01,600 --> 00:38:04,319
Speaker 1: loves you. I have no He knows all your music,

653
00:38:04,480 --> 00:38:07,799
Speaker 1: he has followed you. He's so excited you're here. Greg

654
00:38:08,120 --> 00:38:10,000
Speaker 1: was a voice when I was going to Jewish school

655
00:38:10,000 --> 00:38:14,120
Speaker 1: in the morning that I that's with me. I just

656
00:38:14,400 --> 00:38:17,080
Speaker 1: I find talk to him to be honest, Jack, Like

657
00:38:17,120 --> 00:38:18,480
Speaker 1: when you came in. I saw you in the hall

658
00:38:18,719 --> 00:38:20,160
Speaker 1: and I was like, hey, nice to meet You're like, hey,

659
00:38:20,200 --> 00:38:22,200
Speaker 1: nice to meet you, and I was like, it's a pleasure,

660
00:38:22,239 --> 00:38:23,680
Speaker 1: and then You're like, no, it's pleasure to meet you.

661
00:38:24,120 --> 00:38:27,200
Speaker 1: I wanted to say to you that I think that

662
00:38:27,320 --> 00:38:30,680
Speaker 1: you are such an amazing talent, like you're a true artist,

663
00:38:31,320 --> 00:38:33,959
Speaker 1: Like the words that you write, the things that you say.

664
00:38:34,640 --> 00:38:37,080
Speaker 1: I don't want to I don't want to embarrass myself

665
00:38:37,239 --> 00:38:39,440
Speaker 1: like ask you, like what your inspiration is, Like it's

666
00:38:39,440 --> 00:38:42,440
Speaker 1: so ridiculous because the things that you say in your

667
00:38:42,480 --> 00:38:45,040
Speaker 1: songs and the music you've written for so many artists

668
00:38:45,080 --> 00:38:48,680
Speaker 1: and yourself just go beyond that cheesy question of like

669
00:38:48,760 --> 00:38:51,440
Speaker 1: what is your inspiration? Are you serious? I think you're

670
00:38:51,480 --> 00:38:54,960
Speaker 1: saying this person like him is like the Lebron James

671
00:38:55,160 --> 00:38:59,360
Speaker 1: of like, but we don't we don't get it. We

672
00:38:59,400 --> 00:39:02,080
Speaker 1: don't get many opportunities to get a talent like yourself.

673
00:39:02,200 --> 00:39:04,160
Speaker 1: Like back in the day, there were so many artists

674
00:39:04,160 --> 00:39:07,760
Speaker 1: that came through the lyrics were amazing, but today's artists,

675
00:39:08,360 --> 00:39:11,640
Speaker 1: very few of you around, and you're just that's high praise.

676
00:39:13,000 --> 00:39:16,320
Speaker 1: This means a lot to me. It doesn't like anyone

677
00:39:16,680 --> 00:39:20,920
Speaker 1: really know. He hates everyone of your music and that's

678
00:39:20,960 --> 00:39:22,360
Speaker 1: what he's telling me in the back this point, Like,

679
00:39:22,400 --> 00:39:24,200
Speaker 1: I don't want to come off as a Jackaske No, no,

680
00:39:24,400 --> 00:39:27,800
Speaker 1: but the real answer is people amazing. So like what

681
00:39:27,880 --> 00:39:29,719
Speaker 1: you're saying, that's a big part of it. It's um,

682
00:39:30,080 --> 00:39:32,239
Speaker 1: it takes a lot of inspiration from what people will

683
00:39:32,280 --> 00:39:34,840
Speaker 1: go through. It's crazy to be a life. I don't know.

684
00:39:35,480 --> 00:39:37,239
Speaker 1: I don't know the questions that I'm allowed to ask you,

685
00:39:37,360 --> 00:39:39,480
Speaker 1: but like I can go through anything like talking to

686
00:39:39,560 --> 00:39:41,480
Speaker 1: you is like talking to like a favorite author. You

687
00:39:41,520 --> 00:39:44,279
Speaker 1: know about asking Jack anything you want to ask ask Jack?

688
00:39:44,640 --> 00:39:46,759
Speaker 1: All right, it's a big question to have your question.

689
00:39:46,800 --> 00:39:49,919
Speaker 1: I'm not gonna answer this. So in the song Foreign Girls, yeah,

690
00:39:50,480 --> 00:39:54,319
Speaker 1: Greg really the last song on the we have less

691
00:39:54,320 --> 00:39:57,440
Speaker 1: than one minute, a big debating like at the end,

692
00:39:57,920 --> 00:40:00,000
Speaker 1: does he kill himself at the end, doesn't kill himself.

693
00:40:00,040 --> 00:40:02,560
Speaker 1: But the album is from the perspective not being dead

694
00:40:02,600 --> 00:40:05,960
Speaker 1: but not being here, and I think there's a difference. Um,

695
00:40:06,160 --> 00:40:07,719
Speaker 1: not everything has to be more. But so I wanted

696
00:40:07,719 --> 00:40:09,399
Speaker 1: to write an album which the new album is about

697
00:40:09,400 --> 00:40:11,160
Speaker 1: It's why it's called Gone. Now. It's not about death,

698
00:40:11,239 --> 00:40:13,560
Speaker 1: but it's just about what if I wasn't here and

699
00:40:13,640 --> 00:40:16,120
Speaker 1: I'm reflecting on everything going on, and I want to

700
00:40:16,200 --> 00:40:17,960
Speaker 1: separate that because I read a lot about death, but

701
00:40:18,000 --> 00:40:19,880
Speaker 1: it's not death. It's just gone because at the end,

702
00:40:19,920 --> 00:40:21,719
Speaker 1: he's saying goodbye to every day thing. I loved you

703
00:40:21,760 --> 00:40:23,880
Speaker 1: all on goodbye, But that's it's just you sort of

704
00:40:24,080 --> 00:40:26,200
Speaker 1: wrote this album kind of looking down on myself and

705
00:40:26,600 --> 00:40:28,879
Speaker 1: documented my life up to this point. By the way,

706
00:40:29,560 --> 00:40:36,719
Speaker 1: Jack Antono than on for another thirty minutes. Wait is

707
00:40:36,719 --> 00:40:41,040
Speaker 1: great tea still the frat boy. Just never get this

708
00:40:41,160 --> 00:40:44,239
Speaker 1: series about anybody ever, Greg, I guess Okay, A big

709
00:40:44,280 --> 00:40:46,080
Speaker 1: part of the reason why wait, obviously we're going off

710
00:40:46,120 --> 00:40:48,600
Speaker 1: the here. Okay, Well, well I'll say this either way.

711
00:40:49,320 --> 00:40:51,640
Speaker 1: Those uh, what you used to call a Custer Christmas

712
00:40:51,680 --> 00:40:54,399
Speaker 1: but jingle balls That's how I first saw Weezer Green Day.

713
00:40:55,280 --> 00:40:59,360
Speaker 1: That's that's yeah, because we're coming from Jersey and like

714
00:40:59,480 --> 00:41:02,080
Speaker 1: those really one concertate city every year. Oh my god.

715
00:41:02,239 --> 00:41:04,480
Speaker 1: The big part of me playing music that everyone Billy

716
00:41:04,560 --> 00:41:09,400
Speaker 1: Joe took his clothes off. I was there, Yeah, there

717
00:41:09,480 --> 00:41:12,080
Speaker 1: was there was no there was no, like the internet

718
00:41:12,160 --> 00:41:13,719
Speaker 1: kind of stuff. So I went to school the next day.

719
00:41:13,760 --> 00:41:15,880
Speaker 1: Everyone just had to believe me. I was like, he

720
00:41:16,040 --> 00:41:18,719
Speaker 1: took everything out and waved it around, and everyone was like,

721
00:41:18,840 --> 00:41:22,360
Speaker 1: that's probably not true. So the moments that turned you

722
00:41:22,560 --> 00:41:26,359
Speaker 1: into who you are and what you do, all right,

723
00:41:26,640 --> 00:41:29,200
Speaker 1: we have to take a break. I feel like we've

724
00:41:29,480 --> 00:41:34,319
Speaker 1: opened a package and we've like rewrap it to go away. Okay,

725
00:41:34,360 --> 00:41:36,120
Speaker 1: I'm gonna go away, but at some point I need

726
00:41:36,520 --> 00:41:38,320
Speaker 1: my dad to sit in that chair and put the

727
00:41:38,400 --> 00:41:43,120
Speaker 1: headphone on, put your shirt on, and just so we can,

728
00:41:43,320 --> 00:41:45,560
Speaker 1: you know, to have I was tweeted out and be like,

729
00:41:45,600 --> 00:41:46,960
Speaker 1: I love It's so great to be on hel It

730
00:41:47,040 --> 00:41:50,000
Speaker 1: isn't you see? If anyone, If anyone knows so Jack

731
00:41:50,080 --> 00:41:53,400
Speaker 1: anson Off, not only is he an amazing artist, but

732
00:41:53,520 --> 00:41:57,560
Speaker 1: he works with amazing artists, and so there's so much

733
00:41:57,719 --> 00:41:59,680
Speaker 1: to talk about. Are you I'm gonna leave, I'm gonna leave,

734
00:42:00,280 --> 00:42:04,040
Speaker 1: go away. We're talking about going It looks like you're

735
00:42:04,040 --> 00:42:08,839
Speaker 1: coming here. Pretend you weren't here, Goodbye, goodbye. I'm sorry, guys.

736
00:42:11,520 --> 00:42:14,640
Speaker 1: He's the most talented guy we've ever met. He really mean,

737
00:42:15,239 --> 00:42:18,080
Speaker 1: he is the most to Are you serious? You really

738
00:42:18,160 --> 00:42:21,279
Speaker 1: hit the button. Yeah, yeah, because I talked about having

739
00:42:21,400 --> 00:42:24,759
Speaker 1: oral sex with Rick Antonov's I mean, Jack Absonov's father.

740
00:42:25,200 --> 00:42:28,359
Speaker 1: All right, he's a great day, it really is. Today

741
00:42:28,440 --> 00:42:30,759
Speaker 1: is an awesome day. I love that you're so into

742
00:42:30,880 --> 00:42:34,840
Speaker 1: him though. There's so many things he explains pain, but

743
00:42:35,080 --> 00:42:38,319
Speaker 1: he's explains pain like beauty and artwork. It's it's uh

744
00:42:38,760 --> 00:42:43,520
Speaker 1: pretty cool anyway, let's hear it for explaining pain. Cool

745
00:42:43,640 --> 00:42:46,480
Speaker 1: man A Right, So Jack Ansonov coming up in like

746
00:42:46,560 --> 00:42:48,640
Speaker 1: thirty minutes. You have a phone tap coming up next

747
00:42:49,680 --> 00:42:57,200
Speaker 1: Ei in the Morning show with identity theft. What you

748
00:42:57,280 --> 00:43:00,759
Speaker 1: can't see can hurt you, but LifeLock can actually see

749
00:43:00,800 --> 00:43:03,040
Speaker 1: threats to your identity and stuff you missed just by

750
00:43:03,120 --> 00:43:06,960
Speaker 1: monitoring your credit. If something happens, US based specialists can

751
00:43:07,080 --> 00:43:09,920
Speaker 1: work to fix it. Go to LifeLock dot com use

752
00:43:09,960 --> 00:43:15,040
Speaker 1: promo code Elvis to save ten percent. Right now, I

753
00:43:15,200 --> 00:43:17,000
Speaker 1: have a two and a half hour drive to work

754
00:43:17,120 --> 00:43:19,040
Speaker 1: every day, and you guys make it so much better.

755
00:43:20,760 --> 00:43:24,040
Speaker 1: In the morning show, I'm so excited Jack Antonof we

756
00:43:24,200 --> 00:43:27,279
Speaker 1: talked to him for a few moments, but he's here.

757
00:43:27,480 --> 00:43:31,120
Speaker 1: He's performing. But you know what, he's such a talented guy.

758
00:43:31,280 --> 00:43:34,960
Speaker 1: I mean we we don't deserve his presence. Let's ask

759
00:43:35,040 --> 00:43:43,120
Speaker 1: him to leave. Also, our friends from Virgils are here Thanksgiving.

760
00:43:44,600 --> 00:43:47,120
Speaker 1: Yeah it is. It's hard to believe it's Thanksgiving week?

761
00:43:48,400 --> 00:43:52,480
Speaker 1: Is it really? Wait? Wait? Wait? Is it really? Stop?

762
00:43:53,320 --> 00:43:56,960
Speaker 1: Oh my god, it's Thanksgiving week? Thank you? Thank you

763
00:43:57,040 --> 00:44:00,080
Speaker 1: to our friends at butter Ball by the way, we

764
00:44:00,200 --> 00:44:03,359
Speaker 1: um what what do we have a butterball turkey? Yeah?

765
00:44:03,600 --> 00:44:07,640
Speaker 1: But can we go bowling with a butterball turkey? What

766
00:44:07,680 --> 00:44:10,279
Speaker 1: are you doing? What are you talking to? Oh? I'm

767
00:44:10,320 --> 00:44:12,800
Speaker 1: not bending over and talking to Scotty b and the speaker.

768
00:44:13,600 --> 00:44:16,920
Speaker 1: I have to bend over to talk to Scott's over

769
00:44:17,040 --> 00:44:19,279
Speaker 1: and and Scary is like bending over, like, oh my god,

770
00:44:19,480 --> 00:44:20,799
Speaker 1: you have you have a nice butt. By the way,

771
00:44:20,920 --> 00:44:24,320
Speaker 1: thank you. My equipment is not made for me, but

772
00:44:24,440 --> 00:44:29,040
Speaker 1: your butt is than you. Yeah, I was looking over

773
00:44:29,120 --> 00:44:33,080
Speaker 1: in Scary was bending over talking into a microphone. I've

774
00:44:33,080 --> 00:44:34,600
Speaker 1: never seen you do that. I do it a lot

775
00:44:34,680 --> 00:44:37,360
Speaker 1: when you're not looking. I didn't know that. Yeah, over

776
00:44:37,480 --> 00:44:42,440
Speaker 1: quite often. Lets here for an engineered Jeff. How are

777
00:44:42,480 --> 00:44:45,760
Speaker 1: we doing, Jeff? But doing fantastic? So you have Jack

778
00:44:46,000 --> 00:44:48,480
Speaker 1: all set up? So, yes, he's all set up, ready

779
00:44:48,480 --> 00:44:49,800
Speaker 1: to go. He's gonna sound check in a couple of

780
00:44:49,800 --> 00:44:53,360
Speaker 1: minutes in We'll be good, all right. So he's performing

781
00:44:53,400 --> 00:44:56,120
Speaker 1: in here right, not in the Elvis Ram Performing Art Center.

782
00:44:56,640 --> 00:44:59,640
Speaker 1: He's in our studio. The thing about Jack Antonof is

783
00:44:59,760 --> 00:45:03,239
Speaker 1: he's a writer, a producer, and then on top of that,

784
00:45:03,360 --> 00:45:06,520
Speaker 1: he performs. So I mean what he's doing for us

785
00:45:06,560 --> 00:45:09,000
Speaker 1: today is like a gift. I mean it's beyond what

786
00:45:09,080 --> 00:45:12,760
Speaker 1: he usually does. Do you like my sweatshirt? Yes, it's embroidered,

787
00:45:12,800 --> 00:45:16,640
Speaker 1: it's got a monkey on it. I've an embroidered monkey shirt. Smith.

788
00:45:18,600 --> 00:45:21,480
Speaker 1: Let's not use brands? What what? Gregory? I don't know

789
00:45:21,520 --> 00:45:23,759
Speaker 1: who Paul Smith is. It doesn't matter to me. You

790
00:45:23,800 --> 00:45:27,600
Speaker 1: could have gotten out of Walmart. I would have bought

791
00:45:27,600 --> 00:45:32,040
Speaker 1: a Walmart anyway. I think it's got a cool alrighty

792
00:45:33,640 --> 00:45:35,480
Speaker 1: do they not sell Paul Smith at Walmart? I don't

793
00:45:35,480 --> 00:45:38,040
Speaker 1: even know who that is. I can't get Paul Smith

794
00:45:38,120 --> 00:45:41,759
Speaker 1: on Canal Street for you that you can once again

795
00:45:41,800 --> 00:45:44,719
Speaker 1: this weekend, I'm walking on Canal Street and someone took

796
00:45:44,840 --> 00:45:49,400
Speaker 1: the sea off a Canal Street sign. People love like

797
00:45:49,600 --> 00:45:54,160
Speaker 1: Anal Street. Really, can we just all grow up? Nope,

798
00:45:55,480 --> 00:45:58,600
Speaker 1: it's probably froggy. Last time he was here right? What

799
00:45:58,800 --> 00:46:05,440
Speaker 1: is it down? It's canal leave the sea alone? At

800
00:46:06,200 --> 00:46:08,920
Speaker 1: see where you found it? Alright, ready for your free

801
00:46:08,960 --> 00:46:12,520
Speaker 1: money phone to happen in the morning shows Free money phone.

802
00:46:12,719 --> 00:46:15,040
Speaker 1: It's worth one tho dollars thanks to our friends at

803
00:46:15,080 --> 00:46:18,120
Speaker 1: Brooklyn Betting and Brooklyn Betting dot Com. Yeah, Brooklyn Betting

804
00:46:18,200 --> 00:46:21,399
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805
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806
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Speaker 1: up at four am to get it. Uh, there's no

807
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808
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809
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811
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812
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813
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814
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815
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816
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817
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Speaker 1: all right, here we go your one thousand dollar Brooklyn

818
00:46:59,360 --> 00:47:02,719
Speaker 1: Betting phone tap. We're still doing the best of Thanksgiving.

819
00:47:03,280 --> 00:47:08,000
Speaker 1: Oh yeah, they're getting even better. Elvis, Elvis durand Elvis

820
00:47:08,080 --> 00:47:10,279
Speaker 1: durand phone tap. All right, Brodie, what's your phone tap

821
00:47:10,280 --> 00:47:12,239
Speaker 1: about today? Hel us I listen to. Miguel wanted us

822
00:47:12,280 --> 00:47:15,160
Speaker 1: to phone tap his wife, Linda. Linda is was extra

823
00:47:15,239 --> 00:47:18,200
Speaker 1: stressed about Thanksgiving. She was making dinner for his family

824
00:47:18,280 --> 00:47:21,600
Speaker 1: and her family. So I called her the day before

825
00:47:21,640 --> 00:47:23,440
Speaker 1: Thanksgiving and told her there was a problem with the

826
00:47:23,480 --> 00:47:28,400
Speaker 1: turkey they ordered. Okay, that's a Thanksgiving that's a good

827
00:47:28,400 --> 00:47:30,120
Speaker 1: way to mess with some one's head. Let's listen to

828
00:47:30,160 --> 00:47:34,080
Speaker 1: Brodie's phone towp. Hi, I'm looking for Linda pretty Hi.

829
00:47:34,200 --> 00:47:37,200
Speaker 1: This is her. Hi, this is Pete camp Pie from Rush.

830
00:47:37,360 --> 00:47:39,279
Speaker 1: I'm just calling to confirm your order that's being picked

831
00:47:39,360 --> 00:47:42,960
Speaker 1: up today. Oh yeah, that's great, thank you. Huh. So

832
00:47:43,239 --> 00:47:45,759
Speaker 1: we've got four pounds of potato salad, four pounds of

833
00:47:45,800 --> 00:47:48,960
Speaker 1: macaroni salad, three pounds a half sour pickle, and of

834
00:47:49,040 --> 00:47:52,920
Speaker 1: course the turkey. Yes, that's correct. Now, your order is

835
00:47:53,000 --> 00:47:55,000
Speaker 1: very hard to fill for the turkey, but we got

836
00:47:55,080 --> 00:47:57,960
Speaker 1: it's all taken care of. Why well, because I just

837
00:47:58,040 --> 00:47:59,960
Speaker 1: found your order a little strange. But it's all to

838
00:48:00,000 --> 00:48:01,440
Speaker 1: don't care. We were able to do it. We got

839
00:48:01,480 --> 00:48:05,000
Speaker 1: twenty two pound turkeys. How many two pound turkeys? We

840
00:48:05,040 --> 00:48:06,960
Speaker 1: just need one? No, no, no, no, not twenty two

841
00:48:06,960 --> 00:48:09,960
Speaker 1: pound turkeys like you have twenty two pound turkeys. We

842
00:48:10,040 --> 00:48:11,560
Speaker 1: have them all for you. I had to call some

843
00:48:11,680 --> 00:48:16,280
Speaker 1: other stores. No, no, no, no, no. We ordered one

844
00:48:16,880 --> 00:48:20,359
Speaker 1: twenty two pounds turkey. Yeah. No. I took the order

845
00:48:20,400 --> 00:48:24,040
Speaker 1: from let me see here, your husband, Miguel. He said, hey,

846
00:48:24,239 --> 00:48:26,439
Speaker 1: you got twenty two pound turkeys, and I said yeah.

847
00:48:26,600 --> 00:48:29,040
Speaker 1: He said, I'll take them, sign me up. So that's

848
00:48:29,040 --> 00:48:32,440
Speaker 1: what we got. No, who in the right mind orders

849
00:48:32,920 --> 00:48:37,160
Speaker 1: what what is it to to twenty two pound turkeys?

850
00:48:37,440 --> 00:48:38,680
Speaker 1: We went to a lot of a lot of trouble

851
00:48:38,719 --> 00:48:40,560
Speaker 1: to get these. I had to call four other stores

852
00:48:40,600 --> 00:48:44,040
Speaker 1: in the area. How about a thank you? I'm sorry

853
00:48:44,239 --> 00:48:47,040
Speaker 1: that who? Why wouldn't you know? This doesn't even make

854
00:48:47,040 --> 00:48:51,520
Speaker 1: any sense? That doesn't I've sixteen people coming tomorrow. I

855
00:48:51,680 --> 00:48:54,680
Speaker 1: can't I can't serve that to people. I don't understand

856
00:48:56,120 --> 00:48:57,520
Speaker 1: give one person a turkey. I thought it was a

857
00:48:57,560 --> 00:48:59,520
Speaker 1: cute idea. I figured you haven't like a get your

858
00:48:59,560 --> 00:49:01,640
Speaker 1: own turkey kind of party. But I don't understand. You

859
00:49:01,719 --> 00:49:03,719
Speaker 1: do this all the time, Like, are you stupid? You

860
00:49:03,800 --> 00:49:06,880
Speaker 1: had to realize that that was like that, excuse me

861
00:49:07,160 --> 00:49:10,440
Speaker 1: I am. I am a supermarket professional, ma'am. I've been

862
00:49:10,480 --> 00:49:13,320
Speaker 1: doing a seventeen years. I think I've heard turkey festival.

863
00:49:13,440 --> 00:49:15,279
Speaker 1: Then you would know that nobody in the right mind

864
00:49:15,400 --> 00:49:18,360
Speaker 1: is going to order twenty two pound turkeys. It's like,

865
00:49:18,480 --> 00:49:20,600
Speaker 1: literally doesn't make any sense. You had to have known

866
00:49:20,640 --> 00:49:22,880
Speaker 1: that that was a mistake. Listen, people are into different things.

867
00:49:22,920 --> 00:49:24,439
Speaker 1: I don't know what you what you people are into

868
00:49:24,520 --> 00:49:27,080
Speaker 1: these days? Hey back, you know my culture? Wherever you

869
00:49:27,120 --> 00:49:29,080
Speaker 1: were from, I don't know that's what you do. I

870
00:49:29,120 --> 00:49:32,400
Speaker 1: don't question people where we're from. What are you talking from? Ohio?

871
00:49:32,560 --> 00:49:36,000
Speaker 1: This doesn't make any sense? And something needs to be done.

872
00:49:36,080 --> 00:49:39,640
Speaker 1: And I need an actual twenty two pound turkey because

873
00:49:39,680 --> 00:49:43,160
Speaker 1: it's tomorrow and I think people coming over here. Hey,

874
00:49:43,320 --> 00:49:45,160
Speaker 1: where am I going to find a twenty two pound turkey?

875
00:49:45,200 --> 00:49:46,480
Speaker 1: You know what I mean? Well, maybe you should have

876
00:49:46,520 --> 00:49:47,920
Speaker 1: thought of that when you were placing that order. That

877
00:49:48,000 --> 00:49:50,120
Speaker 1: something seems at all. Does that mean you don't want

878
00:49:50,160 --> 00:49:52,920
Speaker 1: the three pounds a half sour pickles? I don't want

879
00:49:52,920 --> 00:49:54,640
Speaker 1: to speak to you anymore. What I want is for

880
00:49:54,719 --> 00:49:56,600
Speaker 1: my I'm going to call my husband. Someone will get

881
00:49:56,640 --> 00:49:58,279
Speaker 1: back to you. Okay, you sound like you could use

882
00:49:58,320 --> 00:50:00,879
Speaker 1: the pickles, if you know what I mean. Oh my god,

883
00:50:00,920 --> 00:50:04,399
Speaker 1: you're disgusted. Who doesn't love pickles? You know what? Having great?

884
00:50:04,600 --> 00:50:10,040
Speaker 1: Thank you being Miguel. All right, so we're gonna have

885
00:50:10,080 --> 00:50:11,960
Speaker 1: to follow me right now. I was gonna say we

886
00:50:11,960 --> 00:50:13,880
Speaker 1: should call her. Okay, great, let it go, Estion, we

887
00:50:13,920 --> 00:50:19,680
Speaker 1: call her back. Here we go. He's going on right now.

888
00:50:19,920 --> 00:50:21,719
Speaker 1: You talk for the people from g POSH because I'm

889
00:50:21,760 --> 00:50:26,200
Speaker 1: gonna kill them. Were you talking about? No, No, you

890
00:50:26,520 --> 00:50:32,440
Speaker 1: ordered twenty two pound turkeys. Twenty turkeys that aren't two pounds.

891
00:50:33,040 --> 00:50:34,960
Speaker 1: You're still the same amount of turkeys. What's the problem?

892
00:50:35,440 --> 00:50:38,279
Speaker 1: What what's the problem. I don't even know how to cook?

893
00:50:38,680 --> 00:50:41,040
Speaker 1: What do you mean? What's the does the small turkeys

894
00:50:41,120 --> 00:50:42,839
Speaker 1: just a lot of them? The cooking instructions are going

895
00:50:42,880 --> 00:50:44,160
Speaker 1: to be different. I don't even know how I'm gonna

896
00:50:44,160 --> 00:50:46,920
Speaker 1: get twenty turkeys enough coming like I don't understand how

897
00:50:46,960 --> 00:50:50,480
Speaker 1: to cook that? Like that's that's ridiculous and embarrassing for

898
00:50:50,560 --> 00:50:54,799
Speaker 1: that matter, Piggins, Linda, who is that? Does Dave Rody

899
00:50:54,880 --> 00:50:56,680
Speaker 1: Melvis try in the Morning Show with Phones happening right now.

900
00:50:56,920 --> 00:50:59,600
Speaker 1: Your turkey is really on the way. It's fine. I

901
00:50:59,640 --> 00:51:02,439
Speaker 1: don't know I should be mad or relieved, like wait,

902
00:51:02,840 --> 00:51:05,480
Speaker 1: oh my god, oh my god, I'm sound like a

903
00:51:05,560 --> 00:51:11,319
Speaker 1: crazy person on the radio. Elvis Durand in the Morning

904
00:51:11,360 --> 00:51:15,839
Speaker 1: Shows Free Money Phone Tap. That phone tap was worth

905
00:51:15,960 --> 00:51:19,959
Speaker 1: one thousand dollars. Can you imagine one thousand dollars? Alright,

906
00:51:20,239 --> 00:51:22,440
Speaker 1: if you're calling one hundred, you win it thanks to

907
00:51:22,560 --> 00:51:27,680
Speaker 1: Brooklyn Betting dot Com zero one else. Durand in the

908
00:51:27,719 --> 00:51:30,080
Speaker 1: Morning Shows Free Money Phone Tap, Entry and Foe and

909
00:51:30,200 --> 00:51:34,680
Speaker 1: Rules So Busy Elvis Durand dot Com Sword Contests. Elvis

910
00:51:34,760 --> 00:51:38,400
Speaker 1: Durrand in the Morning Shows, Free Money Phone Tap, Hello Natalie,

911
00:51:38,440 --> 00:51:41,600
Speaker 1: how are you doing good? How are you well? I

912
00:51:41,719 --> 00:51:46,359
Speaker 1: think we're okay. Yeah, so your caller one, Oh my god,

913
00:51:46,440 --> 00:51:49,560
Speaker 1: I cannot believe it. You just won one thousand dollars. Yeah,

914
00:51:49,600 --> 00:51:53,000
Speaker 1: it's all courtesy of Brooklyn Betting and Brooklyn Betting dot Com.

915
00:51:53,120 --> 00:51:55,560
Speaker 1: Make sure this Black Friday go on the website Brooklyn

916
00:51:55,600 --> 00:51:57,320
Speaker 1: Betting dot com because they have amazing deals and you

917
00:51:57,360 --> 00:52:00,560
Speaker 1: don't have to stand in line for them on Thank

918
00:52:00,600 --> 00:52:05,160
Speaker 1: you guys. So much. Thank you for listening. I know you,

919
00:52:05,440 --> 00:52:09,560
Speaker 1: we love you. You smell good. How do you know

920
00:52:09,760 --> 00:52:13,640
Speaker 1: she's on the phone delivery nurse? I must smell good.

921
00:52:14,000 --> 00:52:17,839
Speaker 1: You smell very prenatal. Hold on one second, so there

922
00:52:17,920 --> 00:52:20,239
Speaker 1: you go, one tho dollar free money phone tap again

923
00:52:20,239 --> 00:52:22,560
Speaker 1: tomorrow morning. Are you ready for Jack Anson office? Here

924
00:52:22,600 --> 00:52:26,200
Speaker 1: we go. Please welcome the one and only Jack Anton.

925
00:52:28,239 --> 00:52:31,640
Speaker 1: So you grew up listening to us? Turn him on

926
00:52:31,880 --> 00:52:34,000
Speaker 1: for real? So? I mean, I mean, this is this

927
00:52:34,120 --> 00:52:35,960
Speaker 1: is kind of weird for you. It's bizarre. That's why

928
00:52:35,960 --> 00:52:40,879
Speaker 1: I brought my dad. Hey, reg So, so you grew

929
00:52:40,960 --> 00:52:43,080
Speaker 1: up listening to our show? Is I wake up in

930
00:52:43,120 --> 00:52:45,120
Speaker 1: the morning? It was hell because kids have to wake

931
00:52:45,200 --> 00:52:48,040
Speaker 1: up so early for no reason. Um get picked up

932
00:52:48,239 --> 00:52:51,120
Speaker 1: with the Jewish school and it was thirty minute drive

933
00:52:51,160 --> 00:52:53,399
Speaker 1: and we listened to pretty much everyone in this room.

934
00:52:53,440 --> 00:52:55,520
Speaker 1: The only one missing is John Bell, I think the

935
00:52:55,600 --> 00:52:59,040
Speaker 1: only one that I remember that. But is it how weird?

936
00:52:59,200 --> 00:53:01,919
Speaker 1: Is that bizarre? And now your music, I mean your

937
00:53:02,040 --> 00:53:05,040
Speaker 1: music plus the music that you produce and write and

938
00:53:05,800 --> 00:53:09,160
Speaker 1: contribute to. It's it's on our station every day. That's crazy.

939
00:53:09,200 --> 00:53:10,719
Speaker 1: The first time I heard anything I did on zero

940
00:53:10,719 --> 00:53:14,719
Speaker 1: one hundred it was it was what was that? Um?

941
00:53:15,400 --> 00:53:17,880
Speaker 1: It was actually I never it was the funds on

942
00:53:18,000 --> 00:53:19,880
Speaker 1: carry on, because when funds started to happen, I was

943
00:53:19,920 --> 00:53:22,120
Speaker 1: traveling so much that I never, like when we're young,

944
00:53:22,239 --> 00:53:25,240
Speaker 1: was going wild, like I was in Asia and Europe

945
00:53:25,440 --> 00:53:29,080
Speaker 1: more than America. And I got home. I toured for

946
00:53:29,200 --> 00:53:31,200
Speaker 1: so long and and be a musician for such a

947
00:53:31,239 --> 00:53:33,440
Speaker 1: long time. But remember I got home after that that

948
00:53:33,600 --> 00:53:36,560
Speaker 1: stretch when everything got real crazy and I was driving

949
00:53:37,120 --> 00:53:41,960
Speaker 1: um in Hackensack and uh lisenasay one hundred and carry

950
00:53:42,040 --> 00:53:44,080
Speaker 1: on came on and I couldn't believe it. And I

951
00:53:44,200 --> 00:53:47,040
Speaker 1: remember meeting you backstage at one of our shows, probably

952
00:53:47,080 --> 00:53:50,719
Speaker 1: acrossed you. Yeah you can. We started talking and you said,

953
00:53:50,840 --> 00:53:56,040
Speaker 1: I want You're going to ruin his life. So the

954
00:53:56,120 --> 00:54:00,719
Speaker 1: phone taps are theater, man, I hate them. I want

955
00:54:00,760 --> 00:54:03,560
Speaker 1: the phone taps to go away. I've always hated I mean,

956
00:54:03,760 --> 00:54:05,680
Speaker 1: people listen to our show because of the phone taps.

957
00:54:05,880 --> 00:54:08,920
Speaker 1: I hate them. Really so stressful, and they're stressful. I

958
00:54:08,960 --> 00:54:11,400
Speaker 1: can't believe. That's why I don't do that. We love them.

959
00:54:11,480 --> 00:54:14,080
Speaker 1: The people. The people are you are you? Are you

960
00:54:14,120 --> 00:54:15,320
Speaker 1: part of the people have come to talk to you.

961
00:54:15,360 --> 00:54:19,239
Speaker 1: Guys about the people? Are you representing the people? I'm

962
00:54:19,280 --> 00:54:20,800
Speaker 1: the people man. I've been there for a while, so

963
00:54:21,000 --> 00:54:24,080
Speaker 1: you for a while. Yeah, I've been hanging out for

964
00:54:24,080 --> 00:54:25,920
Speaker 1: a while on this day. So your your dad Rick

965
00:54:26,080 --> 00:54:29,000
Speaker 1: is here. Yeah, you've said some pretty unsavory things about

966
00:54:29,360 --> 00:54:33,080
Speaker 1: or aren't you technically savory? Very very savory, deeply savory?

967
00:54:33,200 --> 00:54:36,600
Speaker 1: I mean, where's your mother? My mother is? I called

968
00:54:36,640 --> 00:54:38,640
Speaker 1: her and said you should turn on the radio. Elvis

969
00:54:38,760 --> 00:54:43,480
Speaker 1: is talking about connecting with my father and a biblical fashion.

970
00:54:43,560 --> 00:54:44,960
Speaker 1: Is it rude? Is it rude? I want to have

971
00:54:45,040 --> 00:54:46,840
Speaker 1: sex with your father, so we can just say that

972
00:54:48,760 --> 00:54:50,520
Speaker 1: take the more poetic way that you said it, though,

973
00:54:50,600 --> 00:54:52,560
Speaker 1: connecting in the biblical fast. There's many ways to say it.

974
00:54:52,600 --> 00:54:55,080
Speaker 1: I don't know which ones are available for me on

975
00:54:55,160 --> 00:54:57,920
Speaker 1: the radio, you know. Yeah? I mean I like that

976
00:54:57,960 --> 00:55:00,640
Speaker 1: you're being careful, but mostly the four letter one. Here's

977
00:55:00,680 --> 00:55:03,680
Speaker 1: the question. Why was my dad looks so much alike exactly?

978
00:55:03,800 --> 00:55:06,560
Speaker 1: I think, the same high, same skin tone, the same

979
00:55:06,960 --> 00:55:10,600
Speaker 1: sort of general vibe, hair, all of it. If they

980
00:55:10,800 --> 00:55:13,839
Speaker 1: were to have sex, does the world just like zip

981
00:55:13,920 --> 00:55:17,560
Speaker 1: into a black Yeah? I think then and we slip

982
00:55:17,640 --> 00:55:19,920
Speaker 1: into an be like having sex with myself or do

983
00:55:20,080 --> 00:55:23,120
Speaker 1: I cease to exist? There's time backwards, so you could

984
00:55:23,200 --> 00:55:27,000
Speaker 1: be my son. I am here to tell you anyway.

985
00:55:27,120 --> 00:55:31,440
Speaker 1: So so so we love bleachers. We love all the

986
00:55:31,520 --> 00:55:33,840
Speaker 1: work you do with all the superstars like Taylor and

987
00:55:34,080 --> 00:55:38,040
Speaker 1: you know all those But you're gonna sing it first,

988
00:55:38,600 --> 00:55:40,320
Speaker 1: right like right now, right if you want me to

989
00:55:40,360 --> 00:55:41,759
Speaker 1: do it right now, I'll do it. Should we do it?

990
00:55:41,760 --> 00:55:44,440
Speaker 1: All right? Now? All right? Pick up your guitar. All right,

991
00:55:44,480 --> 00:55:47,000
Speaker 1: let me make sure it's in tune. I'm gonna like

992
00:55:47,960 --> 00:55:52,279
Speaker 1: look at your father longingly across the room. You ever

993
00:55:52,320 --> 00:55:54,560
Speaker 1: do the show with someone that you have a crushed

994
00:55:54,600 --> 00:55:57,360
Speaker 1: on before? Is the first time? Oh? No? I always,

995
00:55:57,640 --> 00:56:00,800
Speaker 1: I always people on the show that no, no, but

996
00:56:00,920 --> 00:56:05,240
Speaker 1: with my dad has been on this lest your father? Okay, Elvis,

997
00:56:05,360 --> 00:56:07,160
Speaker 1: I do the song? Yeah, all right, you would you

998
00:56:07,239 --> 00:56:09,239
Speaker 1: you will get to know my dad. So I'm gonna

999
00:56:09,320 --> 00:56:11,799
Speaker 1: like googly I your dad while you do your song.

1000
00:56:11,960 --> 00:56:14,839
Speaker 1: Please welcome the one and only what song are you singing?

1001
00:56:14,880 --> 00:56:18,640
Speaker 1: By the way, I don't take the money exactly. I

1002
00:56:18,719 --> 00:56:21,920
Speaker 1: wrote this for you, and I appreciate it. Jack Antonov,

1003
00:56:22,000 --> 00:56:33,479
Speaker 1: listen to this amazing, amazing, Seriously, I love I missed

1004
00:56:33,520 --> 00:56:35,160
Speaker 1: those days. By the way, what a great song that

1005
00:56:35,280 --> 00:56:41,640
Speaker 1: is to well bring the guitar back. Let's so Jack,

1006
00:56:41,840 --> 00:56:47,720
Speaker 1: seriously the bleachers. We love bleachers, but Greg Man a bleacher.

1007
00:56:47,960 --> 00:56:50,600
Speaker 1: Great t Actually we invited him to your show tonight.

1008
00:56:51,280 --> 00:56:53,799
Speaker 1: I invited him. He gave me a washy answer. Yeah,

1009
00:56:54,040 --> 00:56:55,680
Speaker 1: you know you're not going. You're not going on the show.

1010
00:56:55,680 --> 00:56:57,200
Speaker 1: Of course I want to go. I I just I

1011
00:56:57,239 --> 00:56:59,560
Speaker 1: can tell you of a commitment. It's not it's not

1012
00:56:59,680 --> 00:57:02,160
Speaker 1: my way. It's just not that would be nice. He

1013
00:57:02,239 --> 00:57:05,520
Speaker 1: lives in South Jersey. Where down in Moreboro. Oh, my

1014
00:57:05,640 --> 00:57:09,040
Speaker 1: uncle lives there really a town named after cigarettes. Just

1015
00:57:09,160 --> 00:57:11,560
Speaker 1: run around the town shouting Uncle Lewis. See if anyone

1016
00:57:14,480 --> 00:57:19,280
Speaker 1: so Jack Antonof is here. What do you say about

1017
00:57:19,320 --> 00:57:24,160
Speaker 1: an artist that's so fantastic? I mean, without like blowing

1018
00:57:24,240 --> 00:57:28,280
Speaker 1: their ego up? You are amazing, Elvis. You're being sweet? No, no, no,

1019
00:57:28,440 --> 00:57:30,320
Speaker 1: you are you are You can't help you just want

1020
00:57:30,320 --> 00:57:35,600
Speaker 1: to sleep with my dad, Elvis, Jack, how do you sorry?

1021
00:57:35,600 --> 00:57:36,880
Speaker 1: I don't mean to enter up, but how do you

1022
00:57:37,800 --> 00:57:43,680
Speaker 1: um stays so normal and approachable, And because you know

1023
00:57:44,200 --> 00:57:46,480
Speaker 1: you've been in this industry for long enough now that

1024
00:57:46,600 --> 00:57:49,160
Speaker 1: you know that there are some people here who the

1025
00:57:49,280 --> 00:57:51,800
Speaker 1: more successful they become, the crazier they become, or that

1026
00:57:51,840 --> 00:57:54,560
Speaker 1: they start to drink their ownkool aid. Is because you

1027
00:57:54,840 --> 00:57:56,520
Speaker 1: have your dad and your mom with you, how do

1028
00:57:56,600 --> 00:57:59,880
Speaker 1: you kind of maintain that normalcy? I spent so many

1029
00:58:00,080 --> 00:58:03,440
Speaker 1: years um not being invited, is how I like to

1030
00:58:03,480 --> 00:58:08,400
Speaker 1: put it. Explain that. Well, everyone in this room knows

1031
00:58:08,440 --> 00:58:10,400
Speaker 1: what I mean. It's like, like, how many years were

1032
00:58:10,480 --> 00:58:13,120
Speaker 1: you on the air before anyone cared? You know, like

1033
00:58:13,920 --> 00:58:16,760
Speaker 1: like or doing whatever, working in you know, a mail

1034
00:58:16,800 --> 00:58:18,280
Speaker 1: or remove the station or whatever it is. You weren't

1035
00:58:18,280 --> 00:58:20,720
Speaker 1: invited And you have to believe this delusion. That's what

1036
00:58:20,840 --> 00:58:23,120
Speaker 1: it is to do something out of the ordinary or

1037
00:58:23,240 --> 00:58:25,160
Speaker 1: make any kind of art. Right. Is So I toured

1038
00:58:25,240 --> 00:58:28,080
Speaker 1: for so long and no one would come right. So

1039
00:58:28,280 --> 00:58:31,320
Speaker 1: the universe is yelling at me to stop. They're asking

1040
00:58:31,400 --> 00:58:33,440
Speaker 1: me to stop. They're saying, hey, we're not not only

1041
00:58:33,480 --> 00:58:35,240
Speaker 1: are we not paying you, not only you're losing money

1042
00:58:35,280 --> 00:58:37,520
Speaker 1: living in your parents house, and you're not going to

1043
00:58:37,760 --> 00:58:40,280
Speaker 1: college or starting your life in this way or that.

1044
00:58:40,440 --> 00:58:42,160
Speaker 1: But no one's coming. And you go to Salt Lake

1045
00:58:42,200 --> 00:58:44,000
Speaker 1: City and there's ten people. You go back, there's eight people.

1046
00:58:44,000 --> 00:58:45,880
Speaker 1: You go back, there's twelve people, there's six people, there's

1047
00:58:45,920 --> 00:58:49,320
Speaker 1: no sign, So you believe your own delusion and you don't.

1048
00:58:49,320 --> 00:58:50,960
Speaker 1: You never let go of those experiences. So if I

1049
00:58:51,000 --> 00:58:53,040
Speaker 1: play a show and it's sold out, there's still a

1050
00:58:53,080 --> 00:58:56,000
Speaker 1: piece of me that's like, I hope they come because

1051
00:58:56,040 --> 00:58:58,480
Speaker 1: I remember when they didn't um and you don't let

1052
00:58:58,520 --> 00:59:02,200
Speaker 1: go of that, and so you start to remember, you know.

1053
00:59:02,280 --> 00:59:03,680
Speaker 1: So if I play for a lot of people, even

1054
00:59:03,680 --> 00:59:07,440
Speaker 1: if it's like an arena, I feel, you know, connected

1055
00:59:07,440 --> 00:59:09,360
Speaker 1: to everyone. I kind of understand because when you play

1056
00:59:09,400 --> 00:59:12,840
Speaker 1: for ten people, you're like, God, everyone put gas in

1057
00:59:12,880 --> 00:59:14,600
Speaker 1: their car and they bought a ticket. You can see it.

1058
00:59:14,680 --> 00:59:17,960
Speaker 1: So I hold on another those times now as best

1059
00:59:17,960 --> 00:59:19,680
Speaker 1: as I can. You're not the only artist to say that.

1060
00:59:20,000 --> 00:59:21,600
Speaker 1: A lot of times when an artist is sitting there

1061
00:59:21,600 --> 00:59:23,400
Speaker 1: and we ask these questions there they say something I

1062
00:59:23,520 --> 00:59:25,640
Speaker 1: just hope someone will come. I just hope someone will

1063
00:59:25,680 --> 00:59:28,240
Speaker 1: buy it. It's almost as if you don't think they

1064
00:59:28,640 --> 00:59:32,280
Speaker 1: like you. Well, there's some so I think the inherent

1065
00:59:32,400 --> 00:59:37,200
Speaker 1: nature of saying here's what I think, listen to it,

1066
00:59:37,360 --> 00:59:41,160
Speaker 1: by it, come see it, there's some there's some self

1067
00:59:41,200 --> 00:59:43,120
Speaker 1: hatred that comes with that. If you didn't have it

1068
00:59:43,240 --> 00:59:45,440
Speaker 1: I think I think you'd become one of those jerks

1069
00:59:45,680 --> 00:59:47,880
Speaker 1: if you didn't step back occasionally and say, well, I'm

1070
00:59:47,880 --> 00:59:50,000
Speaker 1: asking a lot of people. And then you silence that

1071
00:59:50,120 --> 00:59:51,280
Speaker 1: voice and you go do it and you get on

1072
00:59:51,320 --> 00:59:53,480
Speaker 1: the stage and you make the records. But there has

1073
00:59:53,520 --> 00:59:55,120
Speaker 1: to be that some part that's like, wow, I'm really

1074
00:59:55,160 --> 00:59:57,760
Speaker 1: biting off a lot here. That's why I don't mind

1075
00:59:59,000 --> 01:00:01,560
Speaker 1: anyone's opinions, is like, I'm I put myself here, like

1076
01:00:01,680 --> 01:00:04,440
Speaker 1: I you know, it wasn't some big accident. I always

1077
01:00:04,480 --> 01:00:06,080
Speaker 1: get pissed of those artists that are like, oh, it's

1078
01:00:06,120 --> 01:00:07,440
Speaker 1: all a big accidents, Like I know what you go

1079
01:00:07,560 --> 01:00:09,880
Speaker 1: through every day. You know, I woke up at six

1080
01:00:09,880 --> 01:00:11,640
Speaker 1: of the morning to be here. I'm I love doing it.

1081
01:00:11,680 --> 01:00:13,920
Speaker 1: I'm cool with that, But like, you put yourself there,

1082
01:00:14,480 --> 01:00:18,479
Speaker 1: and so it's it's a it's a strange line of work.

1083
01:00:18,760 --> 01:00:22,040
Speaker 1: So so Jack, if someone just arrived from another planet

1084
01:00:22,080 --> 01:00:24,680
Speaker 1: and said who are you? How do I know you?

1085
01:00:25,480 --> 01:00:28,240
Speaker 1: You would tell them what because your resume is I

1086
01:00:28,240 --> 01:00:33,680
Speaker 1: would say, I'm not Rick Moranes. You resemble him probably

1087
01:00:33,680 --> 01:00:38,040
Speaker 1: on the upper side beyond you and bleachers. I mean,

1088
01:00:38,200 --> 01:00:42,040
Speaker 1: there's a vast amount of work that you're doing. It's

1089
01:00:42,040 --> 01:00:44,400
Speaker 1: hard to describe and do it. I want to hear you.

1090
01:00:44,440 --> 01:00:46,320
Speaker 1: I've had trouble with it. And one thing that actually

1091
01:00:46,360 --> 01:00:48,200
Speaker 1: kind of drives me crazy sometimes if I do ever

1092
01:00:48,280 --> 01:00:51,360
Speaker 1: like Google myself, is watching people try to contextualize it,

1093
01:00:51,400 --> 01:00:53,800
Speaker 1: because to me, I'm just like I just I make records.

1094
01:00:53,840 --> 01:00:56,080
Speaker 1: I write my own records. I write records with other people.

1095
01:00:56,680 --> 01:01:01,160
Speaker 1: Um who uh. This year I made a record with

1096
01:01:01,240 --> 01:01:05,120
Speaker 1: Lord called Melodrama Julian Michaels, A bunch of Julian Michaels

1097
01:01:05,680 --> 01:01:08,280
Speaker 1: didn't al that came out recently with st vincycoll Mass Seduction.

1098
01:01:08,800 --> 01:01:13,120
Speaker 1: UM did half a reputation with Taylor, which was a thrill. Um.

1099
01:01:13,160 --> 01:01:16,520
Speaker 1: There's some cue cards going on. And then I put

1100
01:01:16,520 --> 01:01:19,440
Speaker 1: out the Bleachers record. This year I did a you

1101
01:01:19,520 --> 01:01:21,200
Speaker 1: know what I'm really proud of. What she did on

1102
01:01:21,240 --> 01:01:24,080
Speaker 1: the AMS is a Pink song called Beautiful Trauma. Um right,

1103
01:01:24,240 --> 01:01:26,720
Speaker 1: I'm really proud of that one. But but I've just

1104
01:01:27,720 --> 01:01:29,520
Speaker 1: tour like crazy. I'm in the studio like crazy, and

1105
01:01:29,560 --> 01:01:32,840
Speaker 1: I really, uh, I don't know. It's not an endless well.

1106
01:01:32,880 --> 01:01:34,240
Speaker 1: So you put out the work while you have it.

1107
01:01:34,360 --> 01:01:36,240
Speaker 1: When you write a song, are you thinking of like

1108
01:01:36,520 --> 01:01:38,320
Speaker 1: pink in your head thinking oh, this is gonna be

1109
01:01:38,360 --> 01:01:41,480
Speaker 1: good for her, or are you, you know, afterwards sending

1110
01:01:41,520 --> 01:01:43,760
Speaker 1: it out or do they call you? That's that's a misconcession.

1111
01:01:43,760 --> 01:01:46,160
Speaker 1: I mean, I don't write songs for other people or

1112
01:01:46,320 --> 01:01:49,000
Speaker 1: songs with other people. So if I'm alone, that's bleachers

1113
01:01:49,360 --> 01:01:51,760
Speaker 1: and the sound of that is a person in a

1114
01:01:51,840 --> 01:01:54,320
Speaker 1: room struggling with their own thoughts, which I'm kind of

1115
01:01:54,480 --> 01:01:56,800
Speaker 1: terms with. If I'm something that I do is with

1116
01:01:56,920 --> 01:01:58,400
Speaker 1: someone else, it's because me and them were in a

1117
01:01:58,520 --> 01:02:01,520
Speaker 1: room creating it together. I don't really believe like if

1118
01:02:01,600 --> 01:02:03,640
Speaker 1: like you know, because if you're gonna write something for

1119
01:02:03,720 --> 01:02:06,120
Speaker 1: someone else, it's based on what you know about them,

1120
01:02:06,160 --> 01:02:07,880
Speaker 1: not where they want to go. So I can't come

1121
01:02:07,920 --> 01:02:10,160
Speaker 1: here and I can't write the Elvis Show tomorrow because

1122
01:02:10,440 --> 01:02:11,960
Speaker 1: all I know is your past. You're the only one

1123
01:02:11,960 --> 01:02:13,920
Speaker 1: who knows your future. So you have to be with

1124
01:02:13,960 --> 01:02:17,040
Speaker 1: an artist. Oh my god, that's that's that's amazing. No

1125
01:02:17,080 --> 01:02:19,160
Speaker 1: one's ever made that because if I'm like, hey, let's

1126
01:02:19,200 --> 01:02:20,920
Speaker 1: write a Rihanna song, it's like all we have is

1127
01:02:20,960 --> 01:02:23,400
Speaker 1: the information she's given us, where the heart and soul

1128
01:02:23,400 --> 01:02:25,200
Speaker 1: of Rihanna is whatever he's going on in her head

1129
01:02:25,280 --> 01:02:35,040
Speaker 1: right now. What I heard I heard an interview where

1130
01:02:35,440 --> 01:02:38,160
Speaker 1: Lord is sitting with you and the two of you

1131
01:02:38,480 --> 01:02:41,040
Speaker 1: are on a hot summer day in Central Park, like

1132
01:02:41,120 --> 01:02:44,320
Speaker 1: sitting there writing a song. And it seems so weird

1133
01:02:44,400 --> 01:02:47,560
Speaker 1: to me that like two amazing powerhouses are just like

1134
01:02:47,680 --> 01:02:51,480
Speaker 1: spending a day in Central Park like writing a song. So, dude,

1135
01:02:51,600 --> 01:02:53,480
Speaker 1: which song was that you guys are sitting there writing

1136
01:02:53,480 --> 01:02:56,160
Speaker 1: in Central she said. She's like, She's like, I'm sitting

1137
01:02:56,160 --> 01:02:58,680
Speaker 1: there with Jack and I'm just sitting there going you know, Jack,

1138
01:02:58,720 --> 01:03:01,160
Speaker 1: it's just a nice day. And I hear the horns honking.

1139
01:03:01,360 --> 01:03:04,360
Speaker 1: But she took Beauty out of the taxicabs and the

1140
01:03:04,440 --> 01:03:07,320
Speaker 1: horns are honking. The world's going around New York City.

1141
01:03:07,600 --> 01:03:11,760
Speaker 1: New York's good for writing that compared to everyone goes

1142
01:03:11,760 --> 01:03:13,840
Speaker 1: to l A now. But New York's like brough Like,

1143
01:03:14,080 --> 01:03:18,040
Speaker 1: you know, I think, I think, especially if you as

1144
01:03:18,120 --> 01:03:20,600
Speaker 1: your life changes, you don't want to lose contact with

1145
01:03:20,880 --> 01:03:23,800
Speaker 1: the world, you know. And I think in places like

1146
01:03:23,960 --> 01:03:25,280
Speaker 1: l A you can get sort of like you could

1147
01:03:25,320 --> 01:03:28,600
Speaker 1: put yourself on a hill and and and take cars around,

1148
01:03:28,840 --> 01:03:30,120
Speaker 1: you know how it is in New York it's like

1149
01:03:30,240 --> 01:03:33,360
Speaker 1: no matter who you are, how rich or poor you are,

1150
01:03:33,400 --> 01:03:35,840
Speaker 1: or whatever it is, you just see every person on

1151
01:03:35,920 --> 01:03:38,439
Speaker 1: the street and you come in contact with every person.

1152
01:03:38,560 --> 01:03:41,480
Speaker 1: That's what's special about New Yorkers. I'm not from here,

1153
01:03:41,520 --> 01:03:43,880
Speaker 1: by like living here. It's good for writing, though, you know,

1154
01:03:43,960 --> 01:03:46,440
Speaker 1: you write something I work in my apartment UM in

1155
01:03:46,520 --> 01:03:48,640
Speaker 1: Brooklyn Heights. I write something that I walk around and

1156
01:03:48,720 --> 01:03:51,640
Speaker 1: I imagine people hearing it, and you see all different

1157
01:03:51,720 --> 01:03:54,000
Speaker 1: kinds of people of every walk of life. Helps. And

1158
01:03:54,080 --> 01:03:57,280
Speaker 1: you were saying earlier before our official interview, our pre

1159
01:03:57,440 --> 01:04:01,040
Speaker 1: interview that that's what inspires you overall, is just people

1160
01:04:01,160 --> 01:04:03,680
Speaker 1: meeting different people. Have you always been someone who kind

1161
01:04:03,680 --> 01:04:08,000
Speaker 1: of studies all My music up to this album is

1162
01:04:08,080 --> 01:04:12,760
Speaker 1: very like hy me centric um, Like, uh, I read

1163
01:04:12,800 --> 01:04:15,760
Speaker 1: a lot about loss and experiences I've had, and so

1164
01:04:16,480 --> 01:04:18,880
Speaker 1: I right very much from that place. And then on

1165
01:04:18,960 --> 01:04:22,160
Speaker 1: this album I really started a song called Everybody Lost Somebody,

1166
01:04:22,160 --> 01:04:25,439
Speaker 1: which uh, it is a perfect example. I started looking

1167
01:04:25,440 --> 01:04:29,200
Speaker 1: around being like, God, everyone is so heavy, right, So

1168
01:04:29,280 --> 01:04:32,000
Speaker 1: it's like everyone's got this thing they're dragging around with them.

1169
01:04:33,000 --> 01:04:36,280
Speaker 1: It's been that kind of big suitcase. I feel like

1170
01:04:36,320 --> 01:04:38,120
Speaker 1: it's been a really heavy year for a lot of people.

1171
01:04:38,400 --> 01:04:41,320
Speaker 1: So that's coming up. You know, everything going on in

1172
01:04:41,400 --> 01:04:43,240
Speaker 1: the world's like it's very easy to be like, we're

1173
01:04:43,280 --> 01:04:45,480
Speaker 1: so upset about this, this and this, But you know,

1174
01:04:45,560 --> 01:04:47,680
Speaker 1: my therapist always says, like, who's the trump in you?

1175
01:04:49,680 --> 01:04:52,960
Speaker 1: It does, so it's like it's you know, like it

1176
01:04:53,240 --> 01:04:55,080
Speaker 1: brings up a lot of personal stuff, everything going on.

1177
01:04:55,600 --> 01:04:58,800
Speaker 1: So what do you think about Taylor's album? Well, I

1178
01:05:00,440 --> 01:05:03,480
Speaker 1: made half of it. What do you think about it? Well,

1179
01:05:03,520 --> 01:05:06,800
Speaker 1: I think the most important thing taking myself out of it,

1180
01:05:06,880 --> 01:05:10,960
Speaker 1: that I think is her ability to shift and never do.

1181
01:05:11,120 --> 01:05:13,680
Speaker 1: What she's done is the heart of what it means

1182
01:05:13,720 --> 01:05:16,320
Speaker 1: to be an artist. All my favorite artists in history

1183
01:05:16,360 --> 01:05:17,920
Speaker 1: and the ones that have catched my attention for a

1184
01:05:18,000 --> 01:05:19,680
Speaker 1: long period of time have done that. I mean, think

1185
01:05:19,680 --> 01:05:21,200
Speaker 1: about this, I'd say it's about her all the time.

1186
01:05:22,080 --> 01:05:25,320
Speaker 1: Who else goes out on tour and and and doesn't

1187
01:05:25,360 --> 01:05:30,160
Speaker 1: do the greatest hit show? That is so wild. When

1188
01:05:30,160 --> 01:05:33,280
Speaker 1: I saw her play the record, she did two or

1189
01:05:33,360 --> 01:05:35,880
Speaker 1: three old songs. There was like eight number one song

1190
01:05:36,000 --> 01:05:39,240
Speaker 1: she didn't play because it was about now and that's

1191
01:05:39,280 --> 01:05:41,720
Speaker 1: what you need. You need artists that are about right now,

1192
01:05:41,840 --> 01:05:44,280
Speaker 1: and that's that album. That's that's where she's at. That's

1193
01:05:44,280 --> 01:05:46,920
Speaker 1: what she wanted to say, and it's you know, it's

1194
01:05:46,920 --> 01:05:50,320
Speaker 1: it's that moment when an artist steps into heritage. She's

1195
01:05:50,360 --> 01:05:52,800
Speaker 1: just not there, she's so present. They were saying that

1196
01:05:53,120 --> 01:05:55,120
Speaker 1: she's obviously gonna have the number one album, but they

1197
01:05:55,680 --> 01:05:58,919
Speaker 1: didn't have the exact statistics yet because they couldn't count

1198
01:05:59,000 --> 01:06:02,680
Speaker 1: that high yet. It's true a lot of fans, you know,

1199
01:06:02,880 --> 01:06:04,840
Speaker 1: and that's real. There's a lot of famous people that

1200
01:06:04,880 --> 01:06:07,280
Speaker 1: don't have a lot of fans, especially nowadays, and there's

1201
01:06:07,280 --> 01:06:10,240
Speaker 1: a different than being famous and having people who really

1202
01:06:10,320 --> 01:06:13,040
Speaker 1: give a damn about what you do. So, you know,

1203
01:06:13,280 --> 01:06:15,360
Speaker 1: there's a lot of chatter about her, but the bottom

1204
01:06:15,360 --> 01:06:18,120
Speaker 1: line is there's a lot of people who really give

1205
01:06:18,160 --> 01:06:20,080
Speaker 1: a damn about her music and her lyrics and what

1206
01:06:20,160 --> 01:06:22,200
Speaker 1: she says. Well, I gotta say, this is the first

1207
01:06:22,760 --> 01:06:26,760
Speaker 1: album from Taylor Swift that I love. I actually like.

1208
01:06:27,160 --> 01:06:30,720
Speaker 1: This is the first time Bobby Flay is here. Good God,

1209
01:06:30,800 --> 01:06:33,720
Speaker 1: Bobby Flay is here. Oh that that really is Bobby No,

1210
01:06:34,040 --> 01:06:35,920
Speaker 1: it really, it really is Bobby Flay. I want to

1211
01:06:35,960 --> 01:06:39,040
Speaker 1: go I want to go on the The Challenge Show

1212
01:06:39,200 --> 01:06:44,120
Speaker 1: and just suck No. But this is the first album

1213
01:06:44,280 --> 01:06:48,480
Speaker 1: from Taylor Swift. I love I mean, I've liked her

1214
01:06:48,520 --> 01:06:51,120
Speaker 1: other stuff, but I love this. We did all in

1215
01:06:51,320 --> 01:06:54,200
Speaker 1: my apartment, which was cool because it was like she

1216
01:06:54,360 --> 01:06:56,160
Speaker 1: was like a friend. She'd come over, she bring a

1217
01:06:56,160 --> 01:06:57,960
Speaker 1: bottle of wine, we'd have dinner, and then we'd record

1218
01:06:58,680 --> 01:07:02,400
Speaker 1: and it was very not like big studio vibes, which

1219
01:07:02,400 --> 01:07:06,640
Speaker 1: I appreciate. So Jack answer off, Bobby, are you doing?

1220
01:07:06,720 --> 01:07:08,440
Speaker 1: Were you meant to come by? Is this is a surprise?

1221
01:07:09,000 --> 01:07:14,040
Speaker 1: I live here, dude, I'm Elvis's personal chef. I't you

1222
01:07:14,120 --> 01:07:15,800
Speaker 1: know that? I can. I ask you a question about

1223
01:07:15,800 --> 01:07:18,840
Speaker 1: the show, Redhead? Is it all? Like, like, how long

1224
01:07:19,000 --> 01:07:22,439
Speaker 1: is the actual show? Because because it's happened so quick,

1225
01:07:22,800 --> 01:07:24,760
Speaker 1: is it really that quick? It's very quick. I mean

1226
01:07:24,960 --> 01:07:26,840
Speaker 1: you only see twenty two minutes, but it probably takes

1227
01:07:26,840 --> 01:07:28,120
Speaker 1: like about it about nine. You know what I have

1228
01:07:28,160 --> 01:07:30,200
Speaker 1: a hard time with on the show. Wait, wait a

1229
01:07:30,240 --> 01:07:32,840
Speaker 1: look second. I feel really I feel so bad for

1230
01:07:32,880 --> 01:07:36,320
Speaker 1: the people who don't who don't come through too, because

1231
01:07:36,360 --> 01:07:38,000
Speaker 1: you get their story and it means so much, and

1232
01:07:38,080 --> 01:07:40,080
Speaker 1: everyone says the same thing, like this is my ticket.

1233
01:07:40,480 --> 01:07:43,920
Speaker 1: You're like you're crushing people's dreams. I'm not getting in

1234
01:07:44,000 --> 01:07:47,560
Speaker 1: the stage for for for national attention. It's probably what

1235
01:07:47,640 --> 01:07:50,120
Speaker 1: makes it a great show. But it really get Jack

1236
01:07:50,200 --> 01:07:53,280
Speaker 1: answered Off is piste off at you? This is like interazine?

1237
01:07:53,320 --> 01:07:55,680
Speaker 1: What did I do wrong? I just got here. I'm

1238
01:07:55,720 --> 01:08:01,240
Speaker 1: here to eat some rip be flaying? Yeah did you um?

1239
01:08:01,800 --> 01:08:03,960
Speaker 1: Did you make a stuffing to enter it to the contest?

1240
01:08:04,520 --> 01:08:06,600
Speaker 1: No one asked me. We're having a stuff off today.

1241
01:08:06,680 --> 01:08:09,640
Speaker 1: We're doing our stuffing challenge. I don't cook. I do

1242
01:08:09,720 --> 01:08:12,440
Speaker 1: a lot of things and I don't know at least

1243
01:08:12,480 --> 01:08:18,639
Speaker 1: people don't cook either, but they bring this stuff. We're

1244
01:08:18,720 --> 01:08:20,840
Speaker 1: having a moment. This is really a moment. I know

1245
01:08:21,160 --> 01:08:23,320
Speaker 1: Jack ends and Off and Bobby play in the same studio.

1246
01:08:23,439 --> 01:08:27,040
Speaker 1: Oh my god, chefs going to show up. Chef is

1247
01:08:27,080 --> 01:08:29,679
Speaker 1: coming up, Chef Late's he doesn't make stuff and he's French.

1248
01:08:30,920 --> 01:08:34,200
Speaker 1: They don't get But Jack, thank you for coming in.

1249
01:08:34,439 --> 01:08:37,600
Speaker 1: I like being here. You can say all day, we

1250
01:08:37,720 --> 01:08:40,679
Speaker 1: have we have, we have lunch, we have Bobby Flay?

1251
01:08:41,120 --> 01:08:45,720
Speaker 1: Is that for us or is that like sting? How

1252
01:08:45,840 --> 01:08:47,519
Speaker 1: shocked he is that you got him something to eat?

1253
01:08:48,280 --> 01:08:50,880
Speaker 1: So so straight and Ate is our producer. He gets

1254
01:08:50,920 --> 01:08:52,840
Speaker 1: mad at me when I go over. I want to

1255
01:08:52,880 --> 01:08:59,000
Speaker 1: play a song. Can I play talk to Bobby about

1256
01:08:59,040 --> 01:09:02,240
Speaker 1: how much you hate me? Right now? There's no words

1257
01:09:02,360 --> 01:09:05,040
Speaker 1: for how much I want to play another Bleacher song?

1258
01:09:05,680 --> 01:09:07,720
Speaker 1: The song what song? Is it? The one from the

1259
01:09:07,800 --> 01:09:09,479
Speaker 1: last album I want to get better? You want to

1260
01:09:09,520 --> 01:09:11,040
Speaker 1: play that when you like that one? But you just

1261
01:09:11,120 --> 01:09:13,160
Speaker 1: did the other one? Yeah, play it, it's it's it's yeah,

1262
01:09:13,200 --> 01:09:15,720
Speaker 1: go for it. Jack. Thank you for coming in. And

1263
01:09:16,120 --> 01:09:17,880
Speaker 1: you know your father, Rick, I want to have sex

1264
01:09:17,920 --> 01:09:20,840
Speaker 1: with your father? Is that okay? If you can make

1265
01:09:20,960 --> 01:09:22,639
Speaker 1: this you're like, you know how like Kimball is always

1266
01:09:22,640 --> 01:09:25,360
Speaker 1: like apologizing to Matt Damon, Yes, and every broadcast with

1267
01:09:25,479 --> 01:09:28,880
Speaker 1: I want to sex with your father? Okay, Bobby, are

1268
01:09:28,920 --> 01:09:32,800
Speaker 1: you okay? If I have sex with Jack's father? Alright?

1269
01:09:33,760 --> 01:09:35,840
Speaker 1: You can see the comparison. What's up? It'd be like

1270
01:09:35,920 --> 01:09:37,920
Speaker 1: having sex with myself because your father and I look

1271
01:09:37,920 --> 01:09:39,760
Speaker 1: a luck. That's this is what we love about this.

1272
01:09:39,840 --> 01:09:42,599
Speaker 1: We love you, Rick, I love you. I mean your

1273
01:09:42,680 --> 01:09:45,080
Speaker 1: son could be my son in a way. But this

1274
01:09:45,200 --> 01:09:47,000
Speaker 1: is getting very strange. I just want I'm gonna eat

1275
01:09:47,040 --> 01:09:50,000
Speaker 1: some stuffing. See the comparison at Elvis Duran on the

1276
01:09:50,200 --> 01:09:52,880
Speaker 1: insta right now, all right, thank you for coming in.

1277
01:09:53,080 --> 01:09:59,720
Speaker 1: Thanks Jack answered off tabus. You never know when we

1278
01:10:00,200 --> 01:10:03,080
Speaker 1: go live on Facebook. Now we're on Facebook Live at

1279
01:10:03,120 --> 01:10:06,960
Speaker 1: Elvis Durand's show. Search the words Elvie Strand show and

1280
01:10:07,120 --> 01:10:09,320
Speaker 1: follow us. Now we're gonna put us up on Facebook

1281
01:10:09,360 --> 01:10:12,759
Speaker 1: Live this He's Elvie Strain. In the Morning Show Tomorrow

1282
01:10:12,880 --> 01:10:16,439
Speaker 1: night on MTV ten Entertainment heavyweights face off against ten

1283
01:10:16,680 --> 01:10:20,880
Speaker 1: Challenge champions watches, Terrell Owens, Olympian Seawan Johnson, Riff Raff,

1284
01:10:20,960 --> 01:10:23,679
Speaker 1: and more, fight, claw and scheme their way to try

1285
01:10:23,720 --> 01:10:26,759
Speaker 1: and conquer the champs. It's the Challenge Champs Versus Stars

1286
01:10:26,920 --> 01:10:33,479
Speaker 1: tomorrow at ten nine Central on MTV. He just kinda

1287
01:10:34,040 --> 01:10:36,160
Speaker 1: isn't afraid to say what he thinks. I think he's

1288
01:10:36,240 --> 01:10:40,719
Speaker 1: very entertaining. He is a great leader, He's awesome, funny.

1289
01:10:40,880 --> 01:10:43,040
Speaker 1: He just makes my morning. All we want to do

1290
01:10:43,160 --> 01:10:49,320
Speaker 1: is just go to brunch with him. Hey, he's psycho.

1291
01:10:53,200 --> 01:10:57,160
Speaker 1: I want to see you naked. Patrick Wrong in the world,

1292
01:11:00,120 --> 01:11:04,120
Speaker 1: Hellstrand in the Morning Show. You know what I'm in love.

1293
01:11:05,040 --> 01:11:09,320
Speaker 1: I'm in love with Bobby Flay with Jack's dad, Jack

1294
01:11:09,439 --> 01:11:12,680
Speaker 1: Enson Off and his dad. They're gone. He's Yesterday's moon

1295
01:11:14,240 --> 01:11:17,600
Speaker 1: throwing it around like it's nothing. I know I'm in

1296
01:11:17,720 --> 01:11:22,120
Speaker 1: love with Bobby Flay. Please bring me Bobby Flay. Okay,

1297
01:11:22,120 --> 01:11:26,840
Speaker 1: I'm here. It's a new show called Bring Me Bobby Flame.

1298
01:11:26,880 --> 01:11:29,120
Speaker 1: Can we just talk about one thing before we get going? Here? Everyone?

1299
01:11:29,200 --> 01:11:31,559
Speaker 1: Why do we? How come I everybody's change their hair

1300
01:11:31,640 --> 01:11:36,600
Speaker 1: color in the studio, I haven't, bethany. I hear that

1301
01:11:36,680 --> 01:11:41,280
Speaker 1: your care color is called slate. It's so good. It's

1302
01:11:41,320 --> 01:11:44,760
Speaker 1: that silvery slate. Keep it. Danielle has definitely up their

1303
01:11:44,800 --> 01:11:48,320
Speaker 1: game in the sort of reddish orange department and straighten

1304
01:11:49,040 --> 01:11:55,320
Speaker 1: straighten ate. What color is that green? No, you know

1305
01:11:55,400 --> 01:11:57,719
Speaker 1: what it looks like, looks like the Statue of Liberty.

1306
01:11:59,320 --> 01:12:03,880
Speaker 1: It's like that's silvery green kind of situation. His hair

1307
01:12:04,160 --> 01:12:07,439
Speaker 1: for Halloween, he went and dyed it. Yeah, I went

1308
01:12:07,520 --> 01:12:10,320
Speaker 1: all out and froggy, froggy, Your hair is natural, right,

1309
01:12:10,360 --> 01:12:12,080
Speaker 1: What a little bit I have left is not dyed?

1310
01:12:12,160 --> 01:12:16,000
Speaker 1: Any color? You ever die your hair? Elvis? Yeah, last

1311
01:12:16,080 --> 01:12:18,760
Speaker 1: year I was a blown last year? Remember remember that? Yes,

1312
01:12:18,840 --> 01:12:23,920
Speaker 1: he looked like Guy Fiery. Let me tell you, I'm

1313
01:12:23,960 --> 01:12:27,439
Speaker 1: not taking you to flavor town. Okay, I love Guy Fiery.

1314
01:12:27,479 --> 01:12:31,080
Speaker 1: But by the way, chefs in the like serious chef world,

1315
01:12:31,520 --> 01:12:34,599
Speaker 1: they hate Guy fiery. I love him. He's a good guy.

1316
01:12:34,960 --> 01:12:37,640
Speaker 1: I love him. He's a good guy guy. I love

1317
01:12:37,680 --> 01:12:41,719
Speaker 1: his food. I love him, I loved like. I passed

1318
01:12:41,760 --> 01:12:45,560
Speaker 1: by Flavor Town on the regular and it's always population

1319
01:12:45,760 --> 01:12:48,519
Speaker 1: many many years. You mean his restaurant in Times Square. Yeah,

1320
01:12:48,560 --> 01:12:50,160
Speaker 1: he does very well. What are you doing over there?

1321
01:12:50,400 --> 01:12:52,439
Speaker 1: I have a class that's down the block, A class

1322
01:12:54,560 --> 01:12:57,320
Speaker 1: like like like like a like a cycling class, like

1323
01:12:57,720 --> 01:13:01,000
Speaker 1: like an acting class. Like you're acting, oh and acting? Question,

1324
01:13:01,120 --> 01:13:02,560
Speaker 1: but you're a good actor, but maybe you do the

1325
01:13:02,600 --> 01:13:05,240
Speaker 1: impression of what you hear when you walk by. Welcome

1326
01:13:07,520 --> 01:13:12,639
Speaker 1: fun they like, I'm gonna do that outside at come

1327
01:13:12,680 --> 01:13:16,240
Speaker 1: on in. I was. I had dinner, Bobby. I had

1328
01:13:16,280 --> 01:13:19,400
Speaker 1: dinner at GAT with some friends several like last week.

1329
01:13:20,000 --> 01:13:22,040
Speaker 1: It was so good. Okay, thank you very much. I

1330
01:13:22,160 --> 01:13:24,320
Speaker 1: thank god you weren't there. I think when you're not there,

1331
01:13:24,320 --> 01:13:26,280
Speaker 1: I think the food is better when you're not there. Well,

1332
01:13:26,320 --> 01:13:28,320
Speaker 1: it just comes out faster because I'm like fussing over

1333
01:13:28,400 --> 01:13:31,320
Speaker 1: it for you. So, Bobby's here for many reasons. First

1334
01:13:31,360 --> 01:13:33,559
Speaker 1: of all, I'm only here for one reason. I here

1335
01:13:33,600 --> 01:13:35,880
Speaker 1: to eat some stuffing. It's the stuff all I haven't

1336
01:13:35,920 --> 01:13:37,800
Speaker 1: eaten for four days. I told them it would have

1337
01:13:37,800 --> 01:13:40,840
Speaker 1: been funnier if nobody made stuffing and you showed up. Well,

1338
01:13:40,920 --> 01:13:43,680
Speaker 1: I made stuffing. I'll tell you about my stuffing in

1339
01:13:43,720 --> 01:13:46,800
Speaker 1: a minute. But thanks to butter ball, they're paying for

1340
01:13:46,880 --> 01:13:51,040
Speaker 1: this butter ball everyone. I mean, who doesn't love a

1341
01:13:51,080 --> 01:13:53,040
Speaker 1: good butter ball? You know what I'm saying. You know,

1342
01:13:53,080 --> 01:13:55,599
Speaker 1: I was reading something in the paper this morning about turkeys.

1343
01:13:55,720 --> 01:13:59,040
Speaker 1: Some people pay up to two for a turkey. You do?

1344
01:13:59,320 --> 01:14:01,880
Speaker 1: He orders the william Sonoma What do you get? I

1345
01:14:01,960 --> 01:14:05,360
Speaker 1: get the organic, free range Willie bird from Sonoma County,

1346
01:14:05,640 --> 01:14:08,639
Speaker 1: from william Sonoma. They send it to my house fresh tomorrow.

1347
01:14:08,680 --> 01:14:11,080
Speaker 1: It's pre brined and it goes right in the oven,

1348
01:14:11,120 --> 01:14:13,920
Speaker 1: and it's the juiciest damn bird every year. My father

1349
01:14:14,000 --> 01:14:16,799
Speaker 1: Tony said, this is a freaking juicy bird. It's organic,

1350
01:14:16,840 --> 01:14:19,639
Speaker 1: and it's free range, and it's worth every sect. It's

1351
01:14:19,680 --> 01:14:22,120
Speaker 1: the only thing that I will spend crazy. Call your dad, No,

1352
01:14:22,280 --> 01:14:24,600
Speaker 1: it's nice. I mean like that. There's a place of

1353
01:14:24,680 --> 01:14:27,040
Speaker 1: town called Lowbell's which is like a very high end butcher.

1354
01:14:27,200 --> 01:14:30,519
Speaker 1: I love them. Eleven dollars a pound for turkey. Yes,

1355
01:14:30,800 --> 01:14:34,680
Speaker 1: what didn't it? Froggy is less expensive? I am. I

1356
01:14:34,760 --> 01:14:37,080
Speaker 1: cooked my turkey last year and I got my recipe

1357
01:14:37,160 --> 01:14:39,360
Speaker 1: directly from Bobby Flight. I cooked it on my big green,

1358
01:14:39,720 --> 01:14:47,360
Speaker 1: big green. Yeah. It was calling Scy's dada, What's what's up?

1359
01:14:47,400 --> 01:14:55,760
Speaker 1: Tony Ain't doing Tony, Tony hate doing Tony? Hello dad? Hello?

1360
01:14:58,680 --> 01:15:05,760
Speaker 1: Is he flying? Is plain? You've reached? And I was

1361
01:15:05,800 --> 01:15:07,439
Speaker 1: so looking, you know, I watched and I fever the

1362
01:15:07,479 --> 01:15:10,840
Speaker 1: other night. I was like Tony to try again. I

1363
01:15:10,960 --> 01:15:14,200
Speaker 1: love I love your dad again. Call him, call him.

1364
01:15:14,439 --> 01:15:16,360
Speaker 1: We're calling him. Call your dad and tell him we're

1365
01:15:16,360 --> 01:15:18,880
Speaker 1: calling him. All right, uh straight, And it is telling

1366
01:15:18,920 --> 01:15:22,840
Speaker 1: me that we're way late. Quick break just got here.

1367
01:15:22,880 --> 01:15:24,720
Speaker 1: I can hear you. I mean, just talk to me.

1368
01:15:25,479 --> 01:15:27,519
Speaker 1: So let's take a quick break and then come back

1369
01:15:28,800 --> 01:15:32,320
Speaker 1: and signals. We just started the break. And now you're

1370
01:15:32,520 --> 01:15:34,880
Speaker 1: really late with Jack anton off and you had to play. See,

1371
01:15:34,920 --> 01:15:36,880
Speaker 1: this is why you're a serious. XM show is not

1372
01:15:36,960 --> 01:15:39,599
Speaker 1: gonna work. You don't have straight already. It doesn't matter.

1373
01:15:39,800 --> 01:15:41,880
Speaker 1: So how was that experience? It was just it was

1374
01:15:41,920 --> 01:15:46,120
Speaker 1: a limited engagement. Six weeks. Bobby Flay Radio is totally

1375
01:15:46,160 --> 01:15:48,400
Speaker 1: I listen, you know, I love sitting next to you

1376
01:15:48,479 --> 01:15:50,840
Speaker 1: on this microphone. I know it's not. I have to

1377
01:15:51,000 --> 01:15:52,880
Speaker 1: I have to admit it was not as fun without

1378
01:15:52,920 --> 01:15:54,680
Speaker 1: you guys. You had a lot of guests on though

1379
01:15:54,720 --> 01:15:57,200
Speaker 1: I was I was falling along. You know, you had

1380
01:15:57,320 --> 01:15:59,880
Speaker 1: great guests, and I found the person who was listening.

1381
01:16:00,000 --> 01:16:04,600
Speaker 1: Don't know, I wasn't actually listening. We saw it on Instagram. No,

1382
01:16:04,720 --> 01:16:08,120
Speaker 1: we had to call each other. You had great guests,

1383
01:16:08,240 --> 01:16:11,320
Speaker 1: you had great shows. Unfortunately you're on Serious and no

1384
01:16:11,400 --> 01:16:14,800
Speaker 1: one listens to Serious, you know. Michael Rappaport, Oh my god,

1385
01:16:16,080 --> 01:16:19,400
Speaker 1: he is my new best friend. And that is my boy.

1386
01:16:19,800 --> 01:16:22,840
Speaker 1: Michael Rappaport. Where are you? Racked him on the street

1387
01:16:22,880 --> 01:16:25,320
Speaker 1: the other day, actually fairly near Flavortown. He was on

1388
01:16:25,360 --> 01:16:27,040
Speaker 1: the phone. Otherwise I love he was talking to me

1389
01:16:27,120 --> 01:16:29,720
Speaker 1: and he's not political at all. We love him. All right,

1390
01:16:29,800 --> 01:16:32,280
Speaker 1: let's take a break, Bobby Flays here for the stuff off.

1391
01:16:33,240 --> 01:16:36,240
Speaker 1: We all made stuffing. I made stuffing last night, did

1392
01:16:36,320 --> 01:16:38,280
Speaker 1: not make stuff I know you two years in a

1393
01:16:38,360 --> 01:16:41,600
Speaker 1: row you have like balked because here's the deal. You

1394
01:16:41,640 --> 01:16:43,320
Speaker 1: don't like being criticized. I just want you to know,

1395
01:16:43,640 --> 01:16:45,559
Speaker 1: because you know, my kids wanted to watch a movie

1396
01:16:45,640 --> 01:16:47,400
Speaker 1: last night. I thought the time I spent with them

1397
01:16:47,479 --> 01:16:49,720
Speaker 1: was more important than making stuffing that was just going

1398
01:16:49,760 --> 01:16:52,960
Speaker 1: to get made fun of. And actually, when the invitation

1399
01:16:53,320 --> 01:16:56,160
Speaker 1: came through for the stuff off, Bethany and I both

1400
01:16:56,200 --> 01:16:59,920
Speaker 1: hit decline on the invitation. Hold on, I got scary

1401
01:17:00,080 --> 01:17:03,160
Speaker 1: dad on the phone, Tony, how are we going over

1402
01:17:03,200 --> 01:17:08,360
Speaker 1: there to say good morning to Bobby Flay? Hey? Boy,

1403
01:17:08,439 --> 01:17:12,040
Speaker 1: what's up? What's going on? Going on? Not much? Man?

1404
01:17:12,120 --> 01:17:14,760
Speaker 1: What's what's what's going on? So we want to hear

1405
01:17:14,800 --> 01:17:17,519
Speaker 1: about the your your son is claiming that you have

1406
01:17:17,680 --> 01:17:20,000
Speaker 1: that he makes the best turkey ever, the two hundred

1407
01:17:20,040 --> 01:17:23,320
Speaker 1: dollar turkey every year. Oh you mean the one that

1408
01:17:23,400 --> 01:17:29,720
Speaker 1: comes with golden nuggets around. So, Tony, you're on the

1409
01:17:29,760 --> 01:17:32,679
Speaker 1: phone with one and only Bobby Flay. I mean, don't

1410
01:17:33,160 --> 01:17:35,320
Speaker 1: don't waste this moment. What do you want to ask

1411
01:17:35,520 --> 01:17:41,320
Speaker 1: the best chef in America? I don't know. There's so

1412
01:17:41,439 --> 01:17:44,360
Speaker 1: much I could ask him, But I heard my stuffing,

1413
01:17:44,920 --> 01:17:50,840
Speaker 1: my wife's stuffing. Uh came in sorry one year. Yeah,

1414
01:17:53,880 --> 01:17:55,360
Speaker 1: your son had to give you a hundred to get

1415
01:17:55,400 --> 01:17:59,920
Speaker 1: in third. Because all right, well we love you, Tony.

1416
01:18:00,320 --> 01:18:02,160
Speaker 1: I hope you haven't got to tell you. Go ahead,

1417
01:18:02,200 --> 01:18:05,360
Speaker 1: tell you. I gotta tell you, Bobby it takes hours

1418
01:18:05,400 --> 01:18:07,840
Speaker 1: and hours because I'm part of this thing making this

1419
01:18:08,080 --> 01:18:11,439
Speaker 1: stuff and every year and it uh, it involves about

1420
01:18:11,560 --> 01:18:14,759
Speaker 1: eight different ingredients, chopped up small, chopped this up, chopped

1421
01:18:14,800 --> 01:18:17,280
Speaker 1: that up, brought in the frying pan, do this, mix

1422
01:18:17,320 --> 01:18:19,560
Speaker 1: and point and then it comes and doted on you

1423
01:18:19,720 --> 01:18:23,360
Speaker 1: on the on the stuff ball. Tony, you and I

1424
01:18:23,439 --> 01:18:25,080
Speaker 1: have never met, but I'm gonna tell you straight up,

1425
01:18:25,120 --> 01:18:28,479
Speaker 1: I'm afraid of you. I can hear it in your voice.

1426
01:18:29,120 --> 01:18:32,800
Speaker 1: I love Tony. Yes, what are you coming back in again?

1427
01:18:32,880 --> 01:18:34,760
Speaker 1: This is Bethany, Tony. I don't know you any money,

1428
01:18:34,800 --> 01:18:39,360
Speaker 1: do I are you coming in? I don't think you're

1429
01:18:39,400 --> 01:18:42,599
Speaker 1: on my list? Okay, So Tony, Bethany and I want

1430
01:18:42,600 --> 01:18:44,080
Speaker 1: to know when you're coming in again. We miss you.

1431
01:18:45,240 --> 01:18:47,280
Speaker 1: I think the last time I came in, my son

1432
01:18:47,400 --> 01:18:50,920
Speaker 1: gave me these directions that I I met it over

1433
01:18:51,000 --> 01:18:54,280
Speaker 1: the bridge. That's as far as I coming in Manhattan

1434
01:18:54,360 --> 01:18:58,160
Speaker 1: is a difficult thing. We love you, Tony. We have

1435
01:18:58,240 --> 01:19:01,639
Speaker 1: to hang out because Nata screaming at me. Okay, okay,

1436
01:19:01,720 --> 01:19:09,960
Speaker 1: but anyway, listen, all right, let's take a break. Coming

1437
01:19:10,040 --> 01:19:13,400
Speaker 1: up next, Bobby's gonna eat our stuffing and he's gonna

1438
01:19:13,640 --> 01:19:15,720
Speaker 1: judge it. He's gonna tell us which is the best

1439
01:19:15,760 --> 01:19:19,400
Speaker 1: one mine. I'm not gonna win. I can't. I can't

1440
01:19:19,400 --> 01:19:21,120
Speaker 1: win this year. You cooked it at what time this morning?

1441
01:19:21,479 --> 01:19:27,120
Speaker 1: One thirty am? Alright? Did you really? Yeah? Late? Can

1442
01:19:27,200 --> 01:19:30,360
Speaker 1: you tell? Yes? I'm still drunk? You texted me? I

1443
01:19:30,439 --> 01:19:32,800
Speaker 1: did you drunk? Texted me? I did not copy about

1444
01:19:32,840 --> 01:19:36,080
Speaker 1: pecton that you didn't text him back. I hate the

1445
01:19:36,120 --> 01:19:39,360
Speaker 1: word pecton when you didn't text him back. Bobby, Yeah,

1446
01:19:39,560 --> 01:19:41,960
Speaker 1: thank you. All right, he deserves better. Let's take a break.

1447
01:19:42,000 --> 01:19:46,960
Speaker 1: We'll be right back. Did I just say I love you? Guys?

1448
01:19:47,040 --> 01:19:49,160
Speaker 1: You are the bad thing. You all are so amazing,

1449
01:19:49,240 --> 01:19:51,960
Speaker 1: like I would chase my head, like to meet you, guys.

1450
01:19:52,920 --> 01:19:56,639
Speaker 1: Elvistran in the Morning Show tomorrow night on MTV ten

1451
01:19:56,920 --> 01:20:00,960
Speaker 1: Entertainment heavyweights face off against ten Challenge champions. Watch as

1452
01:20:01,000 --> 01:20:04,280
Speaker 1: Tarrell Owens, Olympian Sean Johnson, rip, rap, and more, fight,

1453
01:20:04,360 --> 01:20:07,000
Speaker 1: claw and scheme their way to try and conquer the champs.

1454
01:20:07,280 --> 01:20:10,280
Speaker 1: It's the Challenge at Champs versus Stars tomorrow at ten

1455
01:20:10,439 --> 01:20:31,040
Speaker 1: nine Central on Empty No, you didn't have us like that, Seriously,

1456
01:20:31,120 --> 01:20:34,000
Speaker 1: it took me a long time to record that. Let

1457
01:20:34,040 --> 01:20:36,960
Speaker 1: me tell you something to have Bobby Flay in your

1458
01:20:37,000 --> 01:20:42,600
Speaker 1: studio judging you're stuffing you know, I just want to

1459
01:20:42,640 --> 01:20:44,680
Speaker 1: say something. We've been doing this for years now and

1460
01:20:45,240 --> 01:20:48,479
Speaker 1: I love doing it, but everybody that participates gets really

1461
01:20:48,600 --> 01:20:50,880
Speaker 1: nervous about doing it, and some people actually don't do

1462
01:20:50,920 --> 01:20:53,000
Speaker 1: it anymore because they don't like being criticized, because you're like,

1463
01:20:53,280 --> 01:20:55,519
Speaker 1: you're like a total home No I'm not. This is

1464
01:20:55,760 --> 01:20:58,000
Speaker 1: I do this every day in my life. I criticized

1465
01:20:58,000 --> 01:21:00,599
Speaker 1: by my customers, by people on my show of the Judges.

1466
01:21:00,880 --> 01:21:02,760
Speaker 1: It is what it is. You gotta bring, you gotta

1467
01:21:02,800 --> 01:21:05,479
Speaker 1: bring it. What else they do? They get belligerent with

1468
01:21:05,560 --> 01:21:07,800
Speaker 1: body when they don't win. Oh yes, and they hold

1469
01:21:07,800 --> 01:21:10,040
Speaker 1: grudges for years and they call him names and then

1470
01:21:10,080 --> 01:21:13,439
Speaker 1: they declined invite the grudge long before the stuff on.

1471
01:21:16,000 --> 01:21:18,479
Speaker 1: Danielle has hated me for years. Danielle has never been

1472
01:21:18,479 --> 01:21:19,840
Speaker 1: a fan of yours. I know, I don't know what

1473
01:21:19,920 --> 01:21:21,880
Speaker 1: I get to her. I don't know. Bobby and I

1474
01:21:21,920 --> 01:21:25,400
Speaker 1: have a love hate. Yes, it's it's it's a certain

1475
01:21:25,439 --> 01:21:27,000
Speaker 1: kind of tent. You love to hate her. I love

1476
01:21:27,080 --> 01:21:30,759
Speaker 1: to hate your So okay, So we have our stuffings

1477
01:21:30,840 --> 01:21:34,479
Speaker 1: in here. Look I made mine at one o'clock this morning.

1478
01:21:34,760 --> 01:21:38,560
Speaker 1: Sounds great. I totally forgot to make it, so I

1479
01:21:38,720 --> 01:21:40,559
Speaker 1: made it at one this morning. I wish you could

1480
01:21:40,560 --> 01:21:43,240
Speaker 1: have seen how he came in. The bowl was uncovered.

1481
01:21:43,520 --> 01:21:48,160
Speaker 1: He walks in twenty five minutes late for the show. Great,

1482
01:21:48,240 --> 01:21:52,120
Speaker 1: so it's gotten. It has bacterial all over it. Here,

1483
01:21:52,800 --> 01:21:57,320
Speaker 1: it has flavoring. It's been to flavor toown so anyway,

1484
01:21:57,800 --> 01:22:00,639
Speaker 1: but we have another friend of yours here, Bobby, who

1485
01:22:00,960 --> 01:22:04,519
Speaker 1: please welcome to the room, the one and only chef Letty. Yeah,

1486
01:22:05,920 --> 01:22:09,760
Speaker 1: chef Letty. I would not say he's my friend. The

1487
01:22:09,840 --> 01:22:13,439
Speaker 1: micros not on. What has it done? Now? I only

1488
01:22:13,520 --> 01:22:17,280
Speaker 1: go on, let's start over time for this crapp this

1489
01:22:17,439 --> 01:22:23,960
Speaker 1: it's not my friend mcflay. And American they love you

1490
01:22:24,080 --> 01:22:28,280
Speaker 1: just called him mcflay. I don't get it to America

1491
01:22:28,400 --> 01:22:32,000
Speaker 1: they love this man. I don't know why. This teacher

1492
01:22:32,680 --> 01:22:37,960
Speaker 1: is a gingerbread? Know what? Okay, cheff Letty, welcome to

1493
01:22:38,080 --> 01:22:41,840
Speaker 1: the stuff. Bobby is our judge. He tells a little

1494
01:22:41,840 --> 01:22:44,920
Speaker 1: about food. Hello, Bobby, you know nothing about the food,

1495
01:22:45,000 --> 01:22:48,080
Speaker 1: but a right, So, chef let Y, are you late

1496
01:22:48,120 --> 01:22:49,720
Speaker 1: to the show because you were making love to the

1497
01:22:49,800 --> 01:22:53,439
Speaker 1: people in the kitchen what we we? What we doing?

1498
01:22:53,560 --> 01:22:58,160
Speaker 1: They add plane? I said, WI all thirty two thousand

1499
01:22:58,240 --> 01:23:01,360
Speaker 1: feet in the air autumn all like club is getting

1500
01:23:01,400 --> 01:23:09,000
Speaker 1: bigger and bigger. I see my my Danielle, Danielle, I

1501
01:23:09,120 --> 01:23:14,280
Speaker 1: put stuffing in that and shut out. You love Bethany.

1502
01:23:14,600 --> 01:23:17,519
Speaker 1: Let me tell you about my bet. I love you.

1503
01:23:18,200 --> 01:23:21,400
Speaker 1: You know, even though I'm a breast man, for your bet,

1504
01:23:22,439 --> 01:23:26,000
Speaker 1: I'd be a leg mat You know what that means?

1505
01:23:27,840 --> 01:23:31,680
Speaker 1: You can actually suit the company for this. You from

1506
01:23:31,760 --> 01:23:36,400
Speaker 1: my Eiffel town and I know, banging your face? Stop it?

1507
01:23:37,040 --> 01:23:39,960
Speaker 1: You know what about Froggy? He's all the way in Miami. Froggy?

1508
01:23:40,640 --> 01:23:44,320
Speaker 1: What audio my pal? You remember what we did eat Vegas?

1509
01:23:44,400 --> 01:23:54,880
Speaker 1: Froggy look everywhere talking about all right? So Bobby's Bobby

1510
01:23:54,920 --> 01:23:58,000
Speaker 1: plays here and he's a very busy man, but he

1511
01:23:58,920 --> 01:24:01,000
Speaker 1: carved out some time to be here for the stuff off.

1512
01:24:02,080 --> 01:24:04,320
Speaker 1: What do you think about Bobby Flay? Of course is

1513
01:24:04,560 --> 01:24:08,120
Speaker 1: missing You're Nomericans. You know, I don't know food. So

1514
01:24:08,280 --> 01:24:13,840
Speaker 1: you have a Bobby flat I got my chef boy

1515
01:24:14,520 --> 01:24:18,760
Speaker 1: is what I got? This? I missing out fire over here.

1516
01:24:19,560 --> 01:24:22,680
Speaker 1: So so Bobby Flay, as accomplished as he is, you

1517
01:24:22,720 --> 01:24:26,639
Speaker 1: don't think he's really a great chef lazy. I don't

1518
01:24:26,640 --> 01:24:29,400
Speaker 1: want to come to his continy and disappoint you all,

1519
01:24:29,800 --> 01:24:36,799
Speaker 1: but I mean even wrong, Donald, better go your palace.

1520
01:24:37,760 --> 01:24:45,920
Speaker 1: Come on now, so Bobby's burger palace, you're nothing, no king,

1521
01:24:46,080 --> 01:24:52,840
Speaker 1: maybe the McDonald's. Well, we have to thank our friends

1522
01:24:52,880 --> 01:24:58,640
Speaker 1: at butter Ball sponsoring sponsoring today's stuffing tasty? Yes, what

1523
01:24:58,720 --> 01:25:02,519
Speaker 1: am I doing here? That's a very good question coming

1524
01:25:02,560 --> 01:25:07,559
Speaker 1: back from more. What are you eating now? Biscuit? Yeah,

1525
01:25:07,880 --> 01:25:10,799
Speaker 1: Virgils brought in biscuits, I tell you so good Glenn

1526
01:25:11,040 --> 01:25:15,160
Speaker 1: from Virgil's, in my opinion, the best chef last year.

1527
01:25:15,439 --> 01:25:23,599
Speaker 1: I know, Glen, come here. This is a chef much

1528
01:25:24,120 --> 01:25:28,880
Speaker 1: much more accomplished than Bob, Like, hey, how are what's

1529
01:25:28,920 --> 01:25:32,320
Speaker 1: on on? So Bobby's here doing this stuff? What's going on? Chef?

1530
01:25:32,479 --> 01:25:39,479
Speaker 1: Let see? This is a real chef. Okay, stop kissing

1531
01:25:39,560 --> 01:25:50,120
Speaker 1: him in the air. That okay? So, so here we

1532
01:25:50,200 --> 01:25:53,000
Speaker 1: are with stuffings galore, which is my drag name, by

1533
01:25:53,040 --> 01:25:55,719
Speaker 1: the way, How comes? How comes chef? L Two stuffings

1534
01:25:55,880 --> 01:25:58,360
Speaker 1: I kicked it off with you today is number one,

1535
01:25:58,520 --> 01:26:00,920
Speaker 1: and this, of course it's a number two. You have

1536
01:26:01,080 --> 01:26:05,280
Speaker 1: two stuffings? Okay, So the che che l, I have

1537
01:26:05,360 --> 01:26:08,320
Speaker 1: to say the first stuffing. Okay, it looks literally looks

1538
01:26:08,320 --> 01:26:10,160
Speaker 1: like it came out of a can. It's the same

1539
01:26:10,240 --> 01:26:13,240
Speaker 1: shape of a can. That could be that could be dogs.

1540
01:26:14,920 --> 01:26:18,360
Speaker 1: Hold on before you get started, so, Chef Latie, thanks

1541
01:26:18,400 --> 01:26:21,960
Speaker 1: to butter Ball, we're having our stuff off. How many

1542
01:26:22,000 --> 01:26:24,639
Speaker 1: stuffings do we have here? One to three and four?

1543
01:26:25,280 --> 01:26:27,960
Speaker 1: We have seven stuffings for Bobby fla. I do those

1544
01:26:28,080 --> 01:26:36,599
Speaker 1: turkeys and turkeys not stop bang on my bang bangy. Okay,

1545
01:26:36,800 --> 01:26:41,560
Speaker 1: so I'll put that button in the ball so you

1546
01:26:41,600 --> 01:26:46,120
Speaker 1: actually have sex with turkeys all day. I'm okay. So

1547
01:26:46,320 --> 01:26:51,720
Speaker 1: here we go. Um, right, so we are in flavor toown.

1548
01:26:52,560 --> 01:26:55,240
Speaker 1: SWEE have seven stuffings for you to try, Bobby. Okay,

1549
01:26:55,439 --> 01:26:59,120
Speaker 1: so I can't wait. I've only won this contest one year, right,

1550
01:26:59,360 --> 01:27:03,960
Speaker 1: so this is number one. What are you tasting? Mm hmm, yeah,

1551
01:27:04,560 --> 01:27:07,839
Speaker 1: talk about it. I have to taste it first. Elvis

1552
01:27:08,960 --> 01:27:13,799
Speaker 1: um taste, I taste bread, I taste selery, I taste

1553
01:27:13,800 --> 01:27:19,240
Speaker 1: saget pitch too. I did you make that? No, it's

1554
01:27:19,280 --> 01:27:22,559
Speaker 1: not the mind of God. It's green because of all

1555
01:27:22,600 --> 01:27:27,520
Speaker 1: the sage. It's very herby a little, a little overpowering.

1556
01:27:27,800 --> 01:27:32,320
Speaker 1: I bet that's that's web girl, Kathleen's I bet you don't.

1557
01:27:32,360 --> 01:27:37,200
Speaker 1: Don't say try a stuffing. Number two. Number two is

1558
01:27:37,200 --> 01:27:39,360
Speaker 1: actually very good looking. I like the carrots in there.

1559
01:27:39,400 --> 01:27:42,000
Speaker 1: It's got a nice crust on top of it. Don't

1560
01:27:42,000 --> 01:27:46,519
Speaker 1: tell me who it is. I will not good like that.

1561
01:27:46,600 --> 01:27:50,120
Speaker 1: This is very good. Like the contrast of texture, nice

1562
01:27:50,160 --> 01:27:53,280
Speaker 1: crust nous. See you like the crusty plus the kind

1563
01:27:53,320 --> 01:27:56,240
Speaker 1: of chewy. Yeah. I don't make stuffing. I make dressing.

1564
01:27:56,320 --> 01:27:58,680
Speaker 1: So it's on the side, a good crust on the

1565
01:27:58,720 --> 01:28:02,960
Speaker 1: outside from the south. We came on dressing. Put gravy

1566
01:28:03,040 --> 01:28:08,360
Speaker 1: all over the stuffing. You don't want to have you eaten?

1567
01:28:08,400 --> 01:28:15,000
Speaker 1: Two stuff is w to take notes? So you like

1568
01:28:15,120 --> 01:28:19,000
Speaker 1: number two, I I'll write your notes for you. This one, Um,

1569
01:28:21,080 --> 01:28:23,559
Speaker 1: it's a little crumbly, so I probably need could use.

1570
01:28:23,880 --> 01:28:25,599
Speaker 1: But you know I'm going to give it a pass

1571
01:28:25,680 --> 01:28:27,759
Speaker 1: only because it's been sitting here for a minute, tasted

1572
01:28:28,080 --> 01:28:34,680
Speaker 1: and it doesn't look good. It's corn bread. Yeah, uh, mushrooms,

1573
01:28:35,640 --> 01:28:40,120
Speaker 1: it's crap. It's crazy chicken stock. It's got say that.

1574
01:28:41,520 --> 01:28:46,760
Speaker 1: I would say it's a little dry. Number four, it's

1575
01:28:46,840 --> 01:28:50,639
Speaker 1: god number four. Um, try to have a lot of color.

1576
01:28:50,720 --> 01:28:54,000
Speaker 1: To it? What is you know? What? Neither? Neither? Do

1577
01:28:54,120 --> 01:28:57,479
Speaker 1: you good? What is wrong with you? What do you

1578
01:28:57,520 --> 01:29:02,640
Speaker 1: think of number four? Oh? Oh no, he's okay. I

1579
01:29:02,720 --> 01:29:07,080
Speaker 1: like number two better? Whoa something offensive? Hit you? Just now?

1580
01:29:07,840 --> 01:29:09,680
Speaker 1: I didn't like the texture of it. No, no, no, no, no,

1581
01:29:09,720 --> 01:29:11,160
Speaker 1: no no. I just didn't love the texture of it.

1582
01:29:11,240 --> 01:29:13,720
Speaker 1: It's a little That one was a little wet. So

1583
01:29:14,600 --> 01:29:19,000
Speaker 1: it's so wet. Okay, here's number five. What is this?

1584
01:29:19,400 --> 01:29:22,000
Speaker 1: Is there eggs in here? Just eat it? No, I

1585
01:29:22,080 --> 01:29:25,639
Speaker 1: wouldn't do that. Was people put a lot of effort

1586
01:29:25,680 --> 01:29:26,720
Speaker 1: in these. I have to. I have to give it

1587
01:29:26,760 --> 01:29:29,040
Speaker 1: its due. I made this at one thirty of them?

1588
01:29:29,240 --> 01:29:33,760
Speaker 1: You made this? I was, I was drinking in the morning.

1589
01:29:34,920 --> 01:29:40,200
Speaker 1: This was actually good. I know it's not good. Let

1590
01:29:40,280 --> 01:29:43,040
Speaker 1: him talk. Let's say you're jealous of these American stuffings.

1591
01:29:43,080 --> 01:29:45,559
Speaker 1: I can tell me that was mine. That was number six, right,

1592
01:29:46,479 --> 01:29:48,960
Speaker 1: that was number five? Eat eat that one. Okay. By

1593
01:29:48,960 --> 01:29:51,040
Speaker 1: the way, you're just turning us on Bobby Flays eating

1594
01:29:51,080 --> 01:29:53,720
Speaker 1: our stuff. This one is very pretty. How many are there?

1595
01:29:55,120 --> 01:29:59,519
Speaker 1: That is a beautiful stuffing? Who made that? M that's

1596
01:30:00,240 --> 01:30:03,200
Speaker 1: dried cranberries or dried cherries? That's nice? Who made that.

1597
01:30:03,479 --> 01:30:07,479
Speaker 1: I like this, okay, very interesting. We can't say who

1598
01:30:07,560 --> 01:30:09,599
Speaker 1: made that, but I like that one. That's a good one.

1599
01:30:09,720 --> 01:30:12,719
Speaker 1: Give me that one. I'm gonna eat that one. And finally,

1600
01:30:13,800 --> 01:30:16,760
Speaker 1: here's a and the last but not least. I can't

1601
01:30:16,800 --> 01:30:19,920
Speaker 1: believe I got through it. Is there sausage in here? Oh?

1602
01:30:19,960 --> 01:30:25,200
Speaker 1: I know this? This is what? Who made that? Taste

1603
01:30:25,240 --> 01:30:30,519
Speaker 1: like lots of wine? That's we know her, Yeah she was.

1604
01:30:30,920 --> 01:30:35,599
Speaker 1: This is very good too. There's the that's number seven. Alright,

1605
01:30:35,640 --> 01:30:40,840
Speaker 1: so those are your stuff? Okay, uh bring back to

1606
01:30:41,080 --> 01:30:43,479
Speaker 1: what was that number six? By the way, we're live

1607
01:30:43,479 --> 01:30:46,080
Speaker 1: on the radio. If you could like just like, are

1608
01:30:46,120 --> 01:30:51,559
Speaker 1: you ready taste? Okay, thanks thanks to Butterball number three. Okay,

1609
01:30:51,720 --> 01:30:54,960
Speaker 1: hold on, thanks to Butterball. Butterball is paying for this.

1610
01:30:55,040 --> 01:30:56,599
Speaker 1: We have to be nice to butter Ball, of course,

1611
01:30:57,240 --> 01:31:01,360
Speaker 1: talk about talk about it, about it. They've sell turkeys

1612
01:31:01,520 --> 01:31:04,240
Speaker 1: and the rest thing about them. Did you try to

1613
01:31:04,280 --> 01:31:07,160
Speaker 1: call the hotline? Can we called butter Ball. We've been

1614
01:31:07,200 --> 01:31:09,240
Speaker 1: trying and we got a busy signal. Well, it is

1615
01:31:09,320 --> 01:31:12,320
Speaker 1: Thanksgiving week. They're very busy in February. You can get

1616
01:31:12,439 --> 01:31:19,719
Speaker 1: right through the people that work at the butter Ball hotline.

1617
01:31:19,760 --> 01:31:22,200
Speaker 1: In February. I mean, what do they do? They talk

1618
01:31:22,240 --> 01:31:26,720
Speaker 1: about turkey people people cooked turkuylara along. They're busy, the

1619
01:31:26,880 --> 01:31:31,320
Speaker 1: butter Ball busy. Thanks to Glenn. Okay, are you ready

1620
01:31:31,360 --> 01:31:34,000
Speaker 1: for you? Ready for results? Thanks to Glenn at virgils

1621
01:31:34,680 --> 01:31:37,280
Speaker 1: the smoked turkey from butter Ball. First of all, Glenn,

1622
01:31:37,400 --> 01:31:39,160
Speaker 1: thank you very much for the smoked turkey. I didn't

1623
01:31:39,160 --> 01:31:42,800
Speaker 1: get any though. Elvis is eating at all? Do you

1624
01:31:42,880 --> 01:31:45,080
Speaker 1: need to? He said it was delicious? Alright, So no,

1625
01:31:45,160 --> 01:31:48,400
Speaker 1: I'm GONNB three, number two, number one in there in

1626
01:31:48,560 --> 01:31:59,160
Speaker 1: third place? Number seven? Who's that? Thank goodness? What do

1627
01:31:59,240 --> 01:32:07,320
Speaker 1: you think? What do you think? I couldn't go? In

1628
01:32:07,479 --> 01:32:15,599
Speaker 1: second place? In second place is number two scary Scary?

1629
01:32:16,560 --> 01:32:20,240
Speaker 1: Yes from Scary from the episode Boy Meets Grill. Really

1630
01:32:20,280 --> 01:32:22,479
Speaker 1: it was your recipe? Oh no, wonder I like that

1631
01:32:24,840 --> 01:32:31,120
Speaker 1: you like your own food? Very nice, very nice. In

1632
01:32:31,240 --> 01:32:34,280
Speaker 1: first place, Bobby Flame And in first place the grand

1633
01:32:34,600 --> 01:32:39,920
Speaker 1: prize winner two thousand and seventeen stuff off number six?

1634
01:32:41,000 --> 01:32:48,880
Speaker 1: Who is Scott st You won? Are they are? They

1635
01:32:48,960 --> 01:32:51,760
Speaker 1: dried cranberries and dried cherry cranberry? All right? Good move?

1636
01:32:52,240 --> 01:32:54,639
Speaker 1: So talk about it? Did you make it? Or your wife?

1637
01:32:54,720 --> 01:32:57,560
Speaker 1: I made my daughter Ashley helped me, but this is

1638
01:32:57,600 --> 01:33:00,479
Speaker 1: my own tweeted, had pictures of it. I was trying

1639
01:33:00,520 --> 01:33:02,960
Speaker 1: to do the King's Hawaiian Um stuffing, but they don't.

1640
01:33:03,000 --> 01:33:04,680
Speaker 1: They don't have the mix anymore. I couldn't find it,

1641
01:33:04,760 --> 01:33:06,719
Speaker 1: so I kind of just put my own stuff together.

1642
01:33:06,800 --> 01:33:13,639
Speaker 1: That is a potato bread, uh, carrots, celery and some mushrooms, onions,

1643
01:33:13,760 --> 01:33:17,320
Speaker 1: dried cranberry and some finely chopped up macadamia nuts. Well done,

1644
01:33:17,840 --> 01:33:22,120
Speaker 1: Well done, Well done, sir, Try that on chef let

1645
01:33:23,800 --> 01:33:29,440
Speaker 1: tried on? Can you can you try it? Bobby mcflague

1646
01:33:31,720 --> 01:33:37,679
Speaker 1: pushing me do Medican I like Bobby mcflay. I'm gonna

1647
01:33:37,680 --> 01:33:43,320
Speaker 1: go with that from now in France with them to

1648
01:33:43,360 --> 01:33:51,240
Speaker 1: make this in France this bad? Ye know what? Chunk's

1649
01:33:51,320 --> 01:33:54,679
Speaker 1: right though? You know, you know, Bobby mcflay, they don't

1650
01:33:54,680 --> 01:33:57,200
Speaker 1: really do stuffing in France. Do you go back and

1651
01:33:57,280 --> 01:33:59,880
Speaker 1: forth from France to America. I don't know what I'm going.

1652
01:34:00,680 --> 01:34:03,280
Speaker 1: People tell me. I don't know. I said with the

1653
01:34:03,320 --> 01:34:06,720
Speaker 1: women everywhere, I give it them my stuffing. You know

1654
01:34:06,800 --> 01:34:09,639
Speaker 1: what I mean. I'm gonna stop it. You d yelling?

1655
01:34:09,960 --> 01:34:15,920
Speaker 1: Can each to let me tell your secret? No one

1656
01:34:16,200 --> 01:34:21,120
Speaker 1: is as in love with Chef L as Bethany, I

1657
01:34:21,560 --> 01:34:24,360
Speaker 1: talk about happy, so happy. I know you got the

1658
01:34:24,400 --> 01:34:26,479
Speaker 1: biggest crush and I can see it. Yeah, I will

1659
01:34:26,800 --> 01:34:29,479
Speaker 1: great tease friends. Chef l is the only one who's

1660
01:34:29,520 --> 01:34:33,200
Speaker 1: happy and smiles all the time. I'll tell you about

1661
01:34:33,840 --> 01:34:37,559
Speaker 1: give you my stuff. I put a sprinkle my gravy

1662
01:34:37,680 --> 01:34:41,160
Speaker 1: on your body, and then I want to climb your

1663
01:34:41,280 --> 01:34:46,559
Speaker 1: legs and losing myself and you you know what I mean.

1664
01:34:46,720 --> 01:34:50,720
Speaker 1: I to lose you want to say hi to well?

1665
01:34:50,920 --> 01:34:53,400
Speaker 1: Of course I want you do Bobby, I mean you

1666
01:34:53,479 --> 01:34:57,559
Speaker 1: and Elvis. I want to do you so many times, frontboards, backwards,

1667
01:34:57,640 --> 01:35:02,640
Speaker 1: I do inside now, the naked everywhere. I love that.

1668
01:35:02,920 --> 01:35:06,040
Speaker 1: I don't know. I know Kathleen, I do, but never Dan, Yelly.

1669
01:35:06,640 --> 01:35:09,880
Speaker 1: I want to beat you down. I don't like your food.

1670
01:35:10,000 --> 01:35:11,800
Speaker 1: I would do your sold it off. I would just

1671
01:35:11,920 --> 01:35:17,000
Speaker 1: bag your ahead. Chef. You have a question for you, um,

1672
01:35:17,400 --> 01:35:19,639
Speaker 1: this is like an age old debate. Do you when

1673
01:35:19,680 --> 01:35:21,680
Speaker 1: you're having sex do you keep your socks on or

1674
01:35:21,720 --> 01:35:24,000
Speaker 1: do you take your socks on? I keep them on

1675
01:35:24,320 --> 01:35:30,680
Speaker 1: and keeps my waggy while he keeps his socks on

1676
01:35:30,880 --> 01:35:33,760
Speaker 1: during sex. Froggy, why you keep him on because you

1677
01:35:33,840 --> 01:35:38,120
Speaker 1: get more gripped that way. Crip. I tell you, I

1678
01:35:38,200 --> 01:35:41,280
Speaker 1: want to Mattie up, but dally here because what I

1679
01:35:41,320 --> 01:35:46,120
Speaker 1: don't understand. What is that I don't understand you? You

1680
01:35:46,240 --> 01:35:50,240
Speaker 1: just read anything. They get this dad, So we just

1681
01:35:50,280 --> 01:35:53,920
Speaker 1: say thank you, yes, thank you? He too? Was I

1682
01:35:54,040 --> 01:35:58,719
Speaker 1: gentle enough this year? Okay, you're better. You were nicer

1683
01:35:58,840 --> 01:36:01,120
Speaker 1: to the loser, I said, Danielle. You'll have to you

1684
01:36:01,200 --> 01:36:05,160
Speaker 1: have to re enter next year. We'll see, Okay. Congratulations

1685
01:36:05,200 --> 01:36:08,080
Speaker 1: to Scotty B. By the way, Scotty, your wife just

1686
01:36:08,200 --> 01:36:12,519
Speaker 1: texted me. You're cooking tonight. And thank you to our

1687
01:36:12,560 --> 01:36:20,080
Speaker 1: friend Glenn. Glenn from Virgil and Carmines. Glenn is responsible

1688
01:36:20,080 --> 01:36:22,720
Speaker 1: for making more food than anyone in the university. You

1689
01:36:22,800 --> 01:36:25,200
Speaker 1: guys make so much food, it's crazy, and it's delicious.

1690
01:36:25,280 --> 01:36:28,000
Speaker 1: Thanks to butter Ball. How else did we charge them

1691
01:36:28,040 --> 01:36:31,600
Speaker 1: for this? Not enough? I don't know. We should. We

1692
01:36:31,640 --> 01:36:34,680
Speaker 1: should send them a bigger bill. Butter Ball everyone. But

1693
01:36:35,160 --> 01:36:37,840
Speaker 1: they did a beautiful job outside with all the decorating

1694
01:36:37,880 --> 01:36:39,640
Speaker 1: and stuff. I know, I didn't get any turkey. What

1695
01:36:39,800 --> 01:36:41,479
Speaker 1: is going on around now? We're about to have turkey.

1696
01:36:41,479 --> 01:36:43,280
Speaker 1: We're gonna take a break. It is time for Bobby

1697
01:36:43,320 --> 01:36:50,120
Speaker 1: to go back to Flavor down in Saty. I love you, man,

1698
01:36:50,360 --> 01:36:52,519
Speaker 1: but you know you're no good chip, But I love you.

1699
01:36:53,280 --> 01:36:59,240
Speaker 1: Thank you very much, a good man. I have Bobby

1700
01:36:59,280 --> 01:37:03,960
Speaker 1: play the key of Flavor Town. I want to be

1701
01:37:04,080 --> 01:37:07,320
Speaker 1: known as Bobby mcflay from now on. I'm getting that

1702
01:37:07,400 --> 01:37:09,040
Speaker 1: in my life. This plate, all right, should be taking

1703
01:37:09,040 --> 01:37:13,040
Speaker 1: a break, yeah, straight, should be taking a break after

1704
01:37:13,120 --> 01:37:18,160
Speaker 1: this celebrity interviews needs studio performances or at that time,

1705
01:37:18,200 --> 01:37:20,600
Speaker 1: Greg T wore at diaper. So Greg T has his

1706
01:37:20,720 --> 01:37:23,200
Speaker 1: legs in the air and he's wearing his diaper. Our

1707
01:37:23,280 --> 01:37:28,240
Speaker 1: snapchat stories capture everything. Search the words Elvis Durant show

1708
01:37:28,400 --> 01:37:31,680
Speaker 1: on Snapchat and follow us today Elvis Durand in the

1709
01:37:31,720 --> 01:37:39,040
Speaker 1: morning show, call us zero. I'm like about to because

1710
01:37:39,040 --> 01:37:45,760
Speaker 1: I'm so el Durant in the Morning Show. So, you know,

1711
01:37:45,760 --> 01:37:49,200
Speaker 1: it's kind of weird that butter Ball was responsible for

1712
01:37:49,360 --> 01:37:52,920
Speaker 1: our stuff off this year. Butter Ball is like something

1713
01:37:53,000 --> 01:37:56,280
Speaker 1: you grow up with. I know, it's like you just

1714
01:37:56,640 --> 01:37:59,920
Speaker 1: you think of butter Ball is you don't think of

1715
01:38:00,000 --> 01:38:02,240
Speaker 1: them as a company. You think of them as it's

1716
01:38:02,280 --> 01:38:05,200
Speaker 1: the gold standard. I know, I know that's my point.

1717
01:38:07,240 --> 01:38:09,640
Speaker 1: Someone said, well, butter Ball is gonna be sponsoring the

1718
01:38:09,720 --> 01:38:12,960
Speaker 1: stuff off today. I'm like, well, butter Ball, there's like

1719
01:38:13,000 --> 01:38:16,000
Speaker 1: a it's a real company. I mean they're like working

1720
01:38:16,400 --> 01:38:19,320
Speaker 1: people that I know. But butter Ball to me is

1721
01:38:19,360 --> 01:38:21,280
Speaker 1: like something I just grew up with it. It continues

1722
01:38:21,320 --> 01:38:23,519
Speaker 1: to be a part of my life. Anyway, Thank you

1723
01:38:23,600 --> 01:38:28,599
Speaker 1: to butter Ball. Uh have you seen the butter Ball emoji?

1724
01:38:29,320 --> 01:38:32,639
Speaker 1: Have you seen that? Yeah? They want to get an emogi.

1725
01:38:32,720 --> 01:38:35,080
Speaker 1: Yeah there is none if you take a look at

1726
01:38:35,120 --> 01:38:37,439
Speaker 1: the phone. So we want one. So we're there's a

1727
01:38:37,479 --> 01:38:40,200
Speaker 1: petition out there and we want to get a Butterball

1728
01:38:40,600 --> 01:38:44,400
Speaker 1: turkey emoji. Exactly. Look at all the stupid emojis we

1729
01:38:44,479 --> 01:38:47,200
Speaker 1: use every day. I would rather use a butter Ball emoji.

1730
01:38:47,240 --> 01:38:49,320
Speaker 1: I use that upside down smiley face all the time.

1731
01:38:51,080 --> 01:38:53,160
Speaker 1: It's always appropriate. I wanted to be that, to be

1732
01:38:53,280 --> 01:38:56,960
Speaker 1: second place after the butter Ball emoji. So you can

1733
01:38:57,040 --> 01:39:00,160
Speaker 1: call one butter Ball if you have some question. Him

1734
01:39:00,200 --> 01:39:01,880
Speaker 1: is about your turkey? We try to call. I mean

1735
01:39:01,920 --> 01:39:06,560
Speaker 1: they're very busy right now. It again, No no, no, no,

1736
01:39:06,880 --> 01:39:09,479
Speaker 1: I don't I don't think we should. They have more

1737
01:39:09,560 --> 01:39:13,080
Speaker 1: important people to talk to. But a recent survey by

1738
01:39:13,160 --> 01:39:19,000
Speaker 1: butter Ball found that of us are so concerned about

1739
01:39:19,000 --> 01:39:23,760
Speaker 1: getting the turkey right for Thanksgiving that we're afraid, we're

1740
01:39:23,760 --> 01:39:27,080
Speaker 1: afraid to cook them. Don't don't ever be afraid of

1741
01:39:27,120 --> 01:39:32,120
Speaker 1: your turkey. Mom always said, don't be afraid of your turkey.

1742
01:39:32,720 --> 01:39:35,160
Speaker 1: But thank you to butter Ball. We appreciate you being

1743
01:39:35,160 --> 01:39:37,160
Speaker 1: a part of our stuff off this year. This year,

1744
01:39:38,400 --> 01:39:41,120
Speaker 1: I know, did you have this smoked turkey that Glenn

1745
01:39:41,160 --> 01:39:46,759
Speaker 1: brought in? Glenn, come here, Glenn. Wait, hold on, Stephen Levine,

1746
01:39:47,200 --> 01:39:53,080
Speaker 1: you know we're on the radio. Smoked turkey it is.

1747
01:39:53,160 --> 01:39:55,360
Speaker 1: It's probably my favorite turkey I've ever put in my mouth.

1748
01:39:58,240 --> 01:40:01,439
Speaker 1: By the way, Stephen Levine doesn't doesn't have a gag reflex,

1749
01:40:01,520 --> 01:40:04,040
Speaker 1: and we love him. This guy, Stevens a great guy.

1750
01:40:05,160 --> 01:40:08,240
Speaker 1: So I mean, where'd you get Where did you get this?

1751
01:40:08,520 --> 01:40:11,639
Speaker 1: This this turkey? This is butter Ball right, it's Butterball turkey. Yep,

1752
01:40:11,960 --> 01:40:13,920
Speaker 1: they brought it in for us. We actually did it

1753
01:40:14,000 --> 01:40:16,080
Speaker 1: the same way we do for the holidays of Virgils.

1754
01:40:16,120 --> 01:40:19,680
Speaker 1: We use Brian it for two days and we have

1755
01:40:19,760 --> 01:40:23,599
Speaker 1: to four hundred pounds smokers of virgils going at once,

1756
01:40:24,320 --> 01:40:28,400
Speaker 1: probably a uh sixty. The last time I tried to

1757
01:40:28,439 --> 01:40:32,040
Speaker 1: smoke a turkey. Well, I couldn't ignite it. I was like,

1758
01:40:33,720 --> 01:40:37,000
Speaker 1: you know, I mean, look, butter Ball is it's one

1759
01:40:37,000 --> 01:40:39,439
Speaker 1: of those brands that you grew up with. You don't

1760
01:40:39,479 --> 01:40:42,479
Speaker 1: think of them as being real. I mean, it's just

1761
01:40:42,560 --> 01:40:44,559
Speaker 1: a part of our lives. You're going to supermarkets now,

1762
01:40:44,640 --> 01:40:46,200
Speaker 1: and the first thing you look for his butter Ball.

1763
01:40:46,280 --> 01:40:48,599
Speaker 1: Because some of the other name brands that like followed

1764
01:40:48,640 --> 01:40:51,479
Speaker 1: the supermarket names like butter Ball, you just know you're

1765
01:40:51,520 --> 01:40:55,080
Speaker 1: gonna get a quality turkey. All that game. Name another turkey,

1766
01:40:55,479 --> 01:40:58,160
Speaker 1: you can't. Butter Ball is the only one, only one

1767
01:40:58,479 --> 01:41:01,960
Speaker 1: that's it. That's it. Good stuff. Thank you for coming.

1768
01:41:02,000 --> 01:41:05,960
Speaker 1: Thank you, appreciate it. Everywhere. He was up all night

1769
01:41:06,000 --> 01:41:13,040
Speaker 1: smoking a butter ball. Me to love them. Oh my gosh.

1770
01:41:13,120 --> 01:41:16,080
Speaker 1: Let's get into headlines, Bethany. Yes, you haven't done headlines

1771
01:41:16,160 --> 01:41:20,840
Speaker 1: since like last Friday. I think I'm sorry. We've been

1772
01:41:20,880 --> 01:41:24,000
Speaker 1: very busy. Bobby Flay came in. He looks good. By

1773
01:41:24,000 --> 01:41:29,639
Speaker 1: the way, anyone, I'm the only one. What are you eating,

1774
01:41:30,600 --> 01:41:34,120
Speaker 1: Stephen Levine? I'm having an encrusted macaroni and cheese. Isn't

1775
01:41:34,120 --> 01:41:41,160
Speaker 1: it great? From Virgels From virgals. I'm sorry so much

1776
01:41:41,200 --> 01:41:46,880
Speaker 1: cross that virgels. All right into the headlines, Bethany, what's

1777
01:41:46,880 --> 01:41:50,200
Speaker 1: going on? Okay. Cult leader and convicted murderer Charles Manson

1778
01:41:50,320 --> 01:41:52,840
Speaker 1: has died. He was eighty three years old. I'm gonna

1779
01:41:52,880 --> 01:41:55,400
Speaker 1: miss him. Oh God, prison officials sake. He died of

1780
01:41:55,520 --> 01:41:58,599
Speaker 1: natural causes. He was responsible for a two day killing

1781
01:41:58,600 --> 01:42:01,840
Speaker 1: spree that killed seven people, including pregnant actress Sharon Tate.

1782
01:42:02,600 --> 01:42:04,720
Speaker 1: There's a lot of death in the news today. We

1783
01:42:04,800 --> 01:42:07,080
Speaker 1: lost a lot of people over the weekend. Country music

1784
01:42:07,160 --> 01:42:11,160
Speaker 1: legend and melt Tillis passed away at a Yes, he

1785
01:42:11,280 --> 01:42:14,320
Speaker 1: had a stuttering thing and people people used to like

1786
01:42:14,600 --> 01:42:17,920
Speaker 1: use that as their funny go to thing for mel Tillis.

1787
01:42:18,040 --> 01:42:21,160
Speaker 1: What a talented guy when he's saying he was perfect,

1788
01:42:21,280 --> 01:42:24,439
Speaker 1: more world, more than a thousand songs, sixty albums. A

1789
01:42:24,600 --> 01:42:26,960
Speaker 1: C d C co founder and guitarist Malcolm Young died

1790
01:42:27,000 --> 01:42:29,200
Speaker 1: over the weekend at the age of sixty four, and

1791
01:42:29,280 --> 01:42:32,000
Speaker 1: former Wimbledon champion Janinavatna passed away at the age of

1792
01:42:32,080 --> 01:42:36,120
Speaker 1: just forty nine. Um. She won seventeen Grand Slam titles.

1793
01:42:36,680 --> 01:42:38,920
Speaker 1: This is your hourly reminder to take a deep breath.

1794
01:42:39,400 --> 01:42:42,400
Speaker 1: Thank you, You're welcome and if you want to is

1795
01:42:42,439 --> 01:42:45,600
Speaker 1: it Yanna? Thank you for correcting me before we go

1796
01:42:45,760 --> 01:42:47,839
Speaker 1: off the air, and then I get a million emails,

1797
01:42:47,960 --> 01:42:51,160
Speaker 1: So thank you. Um. And a new study says that

1798
01:42:51,200 --> 01:42:53,479
Speaker 1: if you want to live longer, get a dog. In

1799
01:42:53,560 --> 01:42:56,560
Speaker 1: addition to getting more physical activity and emotional support. A

1800
01:42:56,640 --> 01:42:58,960
Speaker 1: new study out of Sweden shows that dog ownership is

1801
01:42:58,960 --> 01:43:02,240
Speaker 1: associated with a used risk of cardiovascular disease and death.

1802
01:43:03,640 --> 01:43:06,280
Speaker 1: I think cats are a close second. I don't know.

1803
01:43:07,000 --> 01:43:10,360
Speaker 1: I think so mine? Do? Mine? Are good? Is that it? Yeah?

1804
01:43:10,400 --> 01:43:12,840
Speaker 1: That's fabulous? All right? Your phone tap? Love it coming

1805
01:43:12,920 --> 01:43:17,160
Speaker 1: up next? Search the words Elvis Durant Show on Snapchat

1806
01:43:17,240 --> 01:43:21,559
Speaker 1: and follow us now. In the morning show Tomorrow night

1807
01:43:21,640 --> 01:43:26,799
Speaker 1: on MTV ten Entertainment heavyweights face off against ten Challenge Champions, Watches,

1808
01:43:26,880 --> 01:43:30,320
Speaker 1: Terrell Owens, Olympian Seawan Johnson, Riff Raff and more, fight,

1809
01:43:30,560 --> 01:43:33,240
Speaker 1: claw and scheme their way to try and conquer the champs.

1810
01:43:33,479 --> 01:43:36,559
Speaker 1: It's the Challenge Champs versus Stars tomorrow at ten nine

1811
01:43:36,600 --> 01:43:42,200
Speaker 1: Central on MTV. Elvis, Elvis durand the Elvis Durant Phone Tap.

1812
01:43:42,240 --> 01:43:44,200
Speaker 1: All right, Brodie, what's your phone tap about today? Us?

1813
01:43:44,240 --> 01:43:46,479
Speaker 1: So listen to. Miguel wanted us to phone tap his wife, Linda.

1814
01:43:46,560 --> 01:43:50,320
Speaker 1: Linda is was extra stressed about Thanksgiving. She was making

1815
01:43:50,360 --> 01:43:53,880
Speaker 1: dinner for his family and her family. So I called

1816
01:43:53,920 --> 01:43:56,000
Speaker 1: her the day before Thanksgiving and told her there was

1817
01:43:56,000 --> 01:44:01,120
Speaker 1: a problem with the turkey they ordered. Okay, after Thanksgiving.

1818
01:44:01,200 --> 01:44:02,640
Speaker 1: That's a good way to mess with some one's head.

1819
01:44:02,800 --> 01:44:05,400
Speaker 1: Let's listen to Brodie's phone town. Hi, I'm looking for

1820
01:44:05,479 --> 01:44:10,360
Speaker 1: Linden Penny. Listen he Hi, this is Pete Campie from Rush.

1821
01:44:10,479 --> 01:44:12,439
Speaker 1: I'm just calling to confirm your order that's been picked

1822
01:44:12,520 --> 01:44:16,120
Speaker 1: up today. Oh yeah, that's great, thank you. Huh. So

1823
01:44:16,400 --> 01:44:18,920
Speaker 1: we've got four pounds of potato salad, four pounds of

1824
01:44:18,960 --> 01:44:22,120
Speaker 1: macaroni salad, three pounds a half sour pickle, and of

1825
01:44:22,200 --> 01:44:26,040
Speaker 1: course the turkey. Yes, that's correct. Now, your order is

1826
01:44:26,120 --> 01:44:28,160
Speaker 1: very hard to fill for the turkey, but we got

1827
01:44:28,200 --> 01:44:31,120
Speaker 1: it's all taken care of. Why well, because I just

1828
01:44:31,200 --> 01:44:33,240
Speaker 1: found your order a little strange, but it's all taken

1829
01:44:33,280 --> 01:44:34,559
Speaker 1: care of. We were able to do it. We got

1830
01:44:34,640 --> 01:44:38,120
Speaker 1: twenty two pound turkeys. How many two pounds turkeys? We

1831
01:44:38,200 --> 01:44:40,080
Speaker 1: just need one? No, no, no, no, not twenty two

1832
01:44:40,120 --> 01:44:43,120
Speaker 1: pound turkeys like you have twenty two pound turkeys. We

1833
01:44:43,160 --> 01:44:44,720
Speaker 1: have them all for you. I had to call some

1834
01:44:44,840 --> 01:44:50,760
Speaker 1: other stores. No, no, no, no, we ordered one two

1835
01:44:50,840 --> 01:44:53,840
Speaker 1: pounds turkey. Yeah. No. I took the order from let

1836
01:44:53,880 --> 01:44:57,439
Speaker 1: me see here, your husband, Miguel. He said, hey, you

1837
01:44:57,520 --> 01:45:00,040
Speaker 1: got twenty two pound turkeys, and I said, yeah, he's it.

1838
01:45:00,120 --> 01:45:03,360
Speaker 1: I'll take them. Sign me up. So that's what we got. No,

1839
01:45:03,800 --> 01:45:06,720
Speaker 1: who in the right mind orders what what is it

1840
01:45:06,840 --> 01:45:10,840
Speaker 1: to to to turkey twenty two pound turkeys? We went

1841
01:45:10,880 --> 01:45:12,280
Speaker 1: to a lot of a lot of trouble to get these.

1842
01:45:12,479 --> 01:45:14,240
Speaker 1: I had to call four other stores in the area.

1843
01:45:14,640 --> 01:45:18,080
Speaker 1: How about it? Thank you? I'm sorry that who Why

1844
01:45:18,120 --> 01:45:20,840
Speaker 1: wouldn't you know this doesn't even make any sense that

1845
01:45:20,960 --> 01:45:25,360
Speaker 1: that doesn't I've sixteen people coming tomorrow. I can't. I

1846
01:45:25,800 --> 01:45:29,599
Speaker 1: can't serve that to people. I don't understand give one

1847
01:45:29,600 --> 01:45:31,160
Speaker 1: person a turkey. I thought it was a cute idea.

1848
01:45:31,160 --> 01:45:33,120
Speaker 1: I figured you haven't like a get your own turkey

1849
01:45:33,200 --> 01:45:35,120
Speaker 1: kind of party. But I don't understand you do this

1850
01:45:35,160 --> 01:45:37,160
Speaker 1: all the time, Like are you stupid? You have to

1851
01:45:37,320 --> 01:45:40,800
Speaker 1: realize that that was Like, excuse me, I am, I

1852
01:45:40,880 --> 01:45:44,719
Speaker 1: am a supermarket professional, ma'am. I've been doing this seventeen years.

1853
01:45:44,960 --> 01:45:47,000
Speaker 1: I think I've heard turkey at all, then you would

1854
01:45:47,040 --> 01:45:48,840
Speaker 1: know that nobody in the right mind is going to

1855
01:45:48,960 --> 01:45:52,360
Speaker 1: order twenty two pound turkeys. It's like, literally doesn't make

1856
01:45:52,360 --> 01:45:54,120
Speaker 1: any sense. You had to have known that that was

1857
01:45:54,160 --> 01:45:56,360
Speaker 1: a mistake. People are into different things. I don't know

1858
01:45:56,400 --> 01:45:58,920
Speaker 1: what you what you people are into these days? Hey back,

1859
01:45:58,960 --> 01:46:01,120
Speaker 1: you know my culture review were from. I don't know

1860
01:46:01,560 --> 01:46:04,400
Speaker 1: that's what you do. I don't question people where we're from.

1861
01:46:04,439 --> 01:46:06,599
Speaker 1: What are you talking from? Ohio? This doesn't make any

1862
01:46:06,880 --> 01:46:09,599
Speaker 1: sense and something needs to be done. And I need

1863
01:46:09,640 --> 01:46:15,320
Speaker 1: an actual twenty two pound turkey because it's tomorrow people

1864
01:46:15,400 --> 01:46:17,200
Speaker 1: coming over here. Hey where am I going to find

1865
01:46:17,200 --> 01:46:19,040
Speaker 1: a twenty two pound turkey? You know what I mean? Well,

1866
01:46:19,040 --> 01:46:20,280
Speaker 1: maybe you should have thought of that when you were

1867
01:46:20,280 --> 01:46:22,800
Speaker 1: placing that order. That something seemed off. Does that mean

1868
01:46:22,840 --> 01:46:25,040
Speaker 1: you don't want the three pounds a half sour pickles?

1869
01:46:25,479 --> 01:46:27,320
Speaker 1: I don't want to speak to you anymore. What I

1870
01:46:27,400 --> 01:46:29,040
Speaker 1: want is for my I'm going to call my husband.

1871
01:46:29,120 --> 01:46:30,960
Speaker 1: Someone will get back to you. Okay, do you sound

1872
01:46:31,040 --> 01:46:32,400
Speaker 1: you can use the pickles if you know what I mean?

1873
01:46:33,560 --> 01:46:36,680
Speaker 1: Oh my god, you're disgusted. Who doesn't love pickles? You

1874
01:46:36,760 --> 01:46:42,559
Speaker 1: know what I have a great thankiving Miguel. All right,

1875
01:46:42,600 --> 01:46:44,680
Speaker 1: so we're gonna have to call me right now. I'm

1876
01:46:44,680 --> 01:46:46,400
Speaker 1: gonna say we should call her. Okay, great, let a

1877
01:46:46,400 --> 01:46:52,120
Speaker 1: good question. We call her back. Here we go. He's

1878
01:46:52,160 --> 01:46:53,800
Speaker 1: going on right now. If you talk to the people

1879
01:46:53,800 --> 01:46:58,479
Speaker 1: from you, because I'm gonna kill them. Were you talking about? No,

1880
01:46:59,240 --> 01:47:05,080
Speaker 1: do you order twenty two pound turkeys? Turkeys that aren't

1881
01:47:05,080 --> 01:47:07,720
Speaker 1: two pounds? There's still the same amount of turkeys. What's

1882
01:47:07,720 --> 01:47:11,000
Speaker 1: the problem? What what's the problem? I don't even know

1883
01:47:11,040 --> 01:47:14,160
Speaker 1: how to cook? What do you mean? What's the small turkeys?

1884
01:47:14,240 --> 01:47:16,080
Speaker 1: Just a lot of them. The cooking instructions are gonna

1885
01:47:16,080 --> 01:47:17,439
Speaker 1: be different. I don't even know how I'm gonna get

1886
01:47:17,439 --> 01:47:20,040
Speaker 1: twenty turkeys in a ting, like I don't understand how

1887
01:47:20,080 --> 01:47:23,640
Speaker 1: to cook that like this, that's ridiculous and embarrassing for

1888
01:47:23,720 --> 01:47:27,960
Speaker 1: that matter, Pickens, Linda, who is that? Does Dave Brody

1889
01:47:28,000 --> 01:47:29,519
Speaker 1: Melvins dry in the morning show? We're phone tapping you

1890
01:47:29,600 --> 01:47:31,599
Speaker 1: right now. Your turkey is really on the way. It's fine.

1891
01:47:32,680 --> 01:47:34,360
Speaker 1: I don't know if I should be mad or relieved,

1892
01:47:34,720 --> 01:47:38,280
Speaker 1: like wait, oh my god, oh my god, I'm gonna

1893
01:47:38,320 --> 01:47:43,680
Speaker 1: sound like a crazy person on the radio phone. Have

1894
01:47:43,800 --> 01:47:46,000
Speaker 1: an idea For a phone tab, go to Elvis Duran

1895
01:47:46,120 --> 01:47:48,200
Speaker 1: dot com, click on the phone tab tab tell us

1896
01:47:48,280 --> 01:47:50,800
Speaker 1: what you want to do. This small table was prerecorded

1897
01:47:50,920 --> 01:47:53,639
Speaker 1: with permission granted by all of our two days. See

1898
01:47:53,720 --> 01:47:57,360
Speaker 1: Elvis Duran phone tab. We're on Elvis Duran in the

1899
01:47:57,400 --> 01:48:08,240
Speaker 1: morning show. So excited about the four? You've heard about

1900
01:48:08,240 --> 01:48:12,280
Speaker 1: this show? Right? I Heart Radio is doing a show

1901
01:48:12,360 --> 01:48:17,240
Speaker 1: with Fox. It's a well, it's another music competition show.

1902
01:48:17,960 --> 01:48:21,560
Speaker 1: But it's not just another one. It's better because we

1903
01:48:21,680 --> 01:48:24,639
Speaker 1: know that. Is that Charlie Walking one of the judges.

1904
01:48:24,840 --> 01:48:26,760
Speaker 1: Charlie Walks on the line, Hey Charlie, how are you?

1905
01:48:27,320 --> 01:48:33,160
Speaker 1: What's please? Don't use foul No? I know that? So

1906
01:48:33,479 --> 01:48:39,680
Speaker 1: um so you Megan Trainer who we love? And and

1907
01:48:39,720 --> 01:48:41,400
Speaker 1: who are the other two judges on the on the four?

1908
01:48:42,360 --> 01:48:44,960
Speaker 1: You know you know this, but we'll say it again.

1909
01:48:45,000 --> 01:48:49,280
Speaker 1: It's DJ Khaled and Diddy. Oh that's right. So the

1910
01:48:49,400 --> 01:48:52,200
Speaker 1: four of you are I mean, you're you're judging on

1911
01:48:52,320 --> 01:48:56,000
Speaker 1: the four. The problem is this, we have enough music

1912
01:48:56,080 --> 01:49:01,200
Speaker 1: shows already. What makes this one better and different? I

1913
01:49:01,240 --> 01:49:05,320
Speaker 1: think it's pretty simple. We we start um at the

1914
01:49:05,400 --> 01:49:09,760
Speaker 1: beginning where other shows end. Okay, so the first four

1915
01:49:10,760 --> 01:49:14,559
Speaker 1: um are amazing talent. The other thing that happens here

1916
01:49:15,120 --> 01:49:18,160
Speaker 1: is when the show does end, the work actually begins,

1917
01:49:18,560 --> 01:49:20,560
Speaker 1: and we're all committed to make sure the person that

1918
01:49:20,640 --> 01:49:24,120
Speaker 1: does when becomes if you start and they get the

1919
01:49:24,240 --> 01:49:27,200
Speaker 1: I Heart on the Verge slot, which is basically they

1920
01:49:27,280 --> 01:49:30,519
Speaker 1: treated like a superstar on I Heart UM, that's never

1921
01:49:30,640 --> 01:49:34,600
Speaker 1: happened before. So the odds are that the person that

1922
01:49:34,760 --> 01:49:38,120
Speaker 1: does win as a huge successful career, and that's what

1923
01:49:38,200 --> 01:49:40,120
Speaker 1: we're all committed to do. We're not you know, we're

1924
01:49:40,120 --> 01:49:42,400
Speaker 1: not just trying to do great TV. No one's trying

1925
01:49:42,400 --> 01:49:44,320
Speaker 1: to be famous here. We're trying to make someone famous,

1926
01:49:44,360 --> 01:49:46,839
Speaker 1: and I think the commitment of that is the difference

1927
01:49:46,880 --> 01:49:48,640
Speaker 1: that we haven't seen in a really long time. Are

1928
01:49:48,640 --> 01:49:50,720
Speaker 1: you a little nervous? I mean because look, you're on

1929
01:49:50,840 --> 01:49:55,000
Speaker 1: the panel with Ditty, DJ Kaled, Megan Trainer, and even

1930
01:49:55,080 --> 01:49:57,599
Speaker 1: though you are like a superstar in the world of music,

1931
01:49:58,240 --> 01:50:00,840
Speaker 1: I mean, you've never done TV before. I mean, are

1932
01:50:00,880 --> 01:50:03,719
Speaker 1: you a little nervous? No, because we're not thinking about

1933
01:50:03,720 --> 01:50:06,559
Speaker 1: it like we're doing TV and you know this, I'm

1934
01:50:06,600 --> 01:50:09,439
Speaker 1: close to Diddy and Cold and Megan for years where

1935
01:50:09,439 --> 01:50:11,080
Speaker 1: it was I don't know, I called them earlier. They

1936
01:50:11,080 --> 01:50:16,759
Speaker 1: don't even know who you are, Danielle, laughing stuff, Danielle,

1937
01:50:19,560 --> 01:50:21,599
Speaker 1: you know it's funny. We we got together on Friday

1938
01:50:21,680 --> 01:50:24,559
Speaker 1: for really the first time as a as a as

1939
01:50:24,600 --> 01:50:27,680
Speaker 1: a as a group, as a panel, and we're in

1940
01:50:27,880 --> 01:50:30,599
Speaker 1: We're Smashbox Studios in l A. And I was watching

1941
01:50:30,840 --> 01:50:34,960
Speaker 1: the producers and everyone around us, UM, smiling for the

1942
01:50:35,040 --> 01:50:37,040
Speaker 1: fact that we're all friends, and you can feel that

1943
01:50:37,240 --> 01:50:41,479
Speaker 1: natural energy. You know. This panel wasn't forced together. Um,

1944
01:50:41,840 --> 01:50:44,679
Speaker 1: it was really done out of the fact that Diddie

1945
01:50:44,680 --> 01:50:46,600
Speaker 1: had called me a few months ago. I saw a

1946
01:50:46,720 --> 01:50:49,519
Speaker 1: cow it out and Megan and Megan I speak so much,

1947
01:50:49,600 --> 01:50:52,200
Speaker 1: and it's it's it's like this family kind of thing

1948
01:50:52,320 --> 01:50:56,200
Speaker 1: that I think you'll see that transcend on television. Well,

1949
01:50:56,320 --> 01:50:58,920
Speaker 1: you don't be something that and be something that you

1950
01:50:59,000 --> 01:51:02,080
Speaker 1: guys haven't seen perfect has. It's not like this wasn't

1951
01:51:02,080 --> 01:51:05,080
Speaker 1: like a casted thing. It's a bunch of friends that

1952
01:51:05,160 --> 01:51:08,160
Speaker 1: respect each other. They have one common goal in a

1953
01:51:08,320 --> 01:51:10,920
Speaker 1: very short period of time. Don't forget there's six episodes.

1954
01:51:11,760 --> 01:51:14,240
Speaker 1: That's it, you know. Yeah, other other shows are much

1955
01:51:14,360 --> 01:51:16,720
Speaker 1: much longer. So when I say to you there's six

1956
01:51:16,760 --> 01:51:21,479
Speaker 1: episodes to find the Final four um winner. Then the

1957
01:51:21,560 --> 01:51:25,000
Speaker 1: work starts really from a studio perspective and the I

1958
01:51:25,160 --> 01:51:28,439
Speaker 1: heart perspective when the shows off. Well, hold on, Janielle,

1959
01:51:28,479 --> 01:51:30,920
Speaker 1: what my question was, you don't have to call Danny

1960
01:51:31,040 --> 01:51:37,080
Speaker 1: brother love that that has not been determined yet. Okay,

1961
01:51:37,120 --> 01:51:39,439
Speaker 1: So so you're listening right now, you're wondering who Charlie

1962
01:51:39,479 --> 01:51:42,360
Speaker 1: Walk is. First of all, Charlie Walk and I kind

1963
01:51:42,400 --> 01:51:44,400
Speaker 1: of grew up in this business. I mean, he's almost

1964
01:51:44,439 --> 01:51:48,680
Speaker 1: as old as me. But anyway, I mean, Charlie has

1965
01:51:48,680 --> 01:51:51,920
Speaker 1: been in the music business, I mean since the eighties,

1966
01:51:52,680 --> 01:51:54,960
Speaker 1: since I was a little bitty d me too. But

1967
01:51:55,160 --> 01:51:59,519
Speaker 1: but Charlie in his label Republic Republic, I mean records

1968
01:51:59,720 --> 01:52:03,400
Speaker 1: from On Records. I mean, they have the biggest superstars

1969
01:52:03,439 --> 01:52:07,120
Speaker 1: in the music business on his roster, and Charlie just

1970
01:52:07,200 --> 01:52:09,360
Speaker 1: sits back and lets the stars be stars. I mean,

1971
01:52:09,560 --> 01:52:12,120
Speaker 1: it's not You're not a star maker, You're a star discoverer.

1972
01:52:12,760 --> 01:52:15,080
Speaker 1: That's why I really think that The four is gonna

1973
01:52:15,080 --> 01:52:17,000
Speaker 1: be a big show thanks to you and did he

1974
01:52:17,400 --> 01:52:19,760
Speaker 1: We can do without him. We love you, we love you.

1975
01:52:21,360 --> 01:52:23,280
Speaker 1: He's so passionate about this. I've never seen him so

1976
01:52:23,400 --> 01:52:26,360
Speaker 1: excited about he wants to move culture and have someone

1977
01:52:26,439 --> 01:52:28,680
Speaker 1: popping the show. Finally, the other thing that happens with

1978
01:52:29,400 --> 01:52:32,240
Speaker 1: the prize, along with you know, being an I heeart

1979
01:52:32,240 --> 01:52:35,160
Speaker 1: on the verge artist, is you sign your Republic Records.

1980
01:52:35,680 --> 01:52:38,400
Speaker 1: That's another major reason why I'm doing this. We want

1981
01:52:38,439 --> 01:52:40,719
Speaker 1: new talent. We want to continue to grow our roster

1982
01:52:40,880 --> 01:52:43,679
Speaker 1: of superstars. And I think when you take the panel

1983
01:52:44,240 --> 01:52:47,280
Speaker 1: really smart show, the I heart media platform and the

1984
01:52:47,320 --> 01:52:50,599
Speaker 1: public records and you put all together is one that differ.

1985
01:52:50,760 --> 01:52:52,439
Speaker 1: You don't need more artists that you already have all

1986
01:52:52,439 --> 01:52:55,080
Speaker 1: the superstars, you don't need more artists. Come on anyway.

1987
01:52:55,160 --> 01:52:57,160
Speaker 1: We love you, Charlie. I love you, and I hope

1988
01:52:57,200 --> 01:52:58,920
Speaker 1: you have the most beautiful day. We'll see you on

1989
01:52:59,080 --> 01:53:02,360
Speaker 1: the fourth. By the way, January four on Fox. You

1990
01:53:02,400 --> 01:53:05,599
Speaker 1: gotta watch jour It makes sense. I love you, Charlie,

1991
01:53:06,600 --> 01:53:10,519
Speaker 1: Okay bye. Love him. I mean he is a massive ego,

1992
01:53:10,920 --> 01:53:13,080
Speaker 1: but I love him. He's a sweetheart. I love Charlie.

1993
01:53:13,120 --> 01:53:15,519
Speaker 1: Are you kidding me? Eepen in a little trouble with

1994
01:53:15,560 --> 01:53:18,479
Speaker 1: each other? What are you do? A commercial? Straight? And

1995
01:53:18,479 --> 01:53:20,479
Speaker 1: it's yelling at me? Just hit they hit that button?

1996
01:53:20,560 --> 01:53:23,760
Speaker 1: All right? We gotta take a break. Elvis Duran in

1997
01:53:23,840 --> 01:53:28,880
Speaker 1: the Morning Show have to do a live commercial. Who's

1998
01:53:28,920 --> 01:53:32,800
Speaker 1: this for LifeLock. Let me tell you something. Someone's out

1999
01:53:32,840 --> 01:53:35,280
Speaker 1: there jacking around with your credit and you don't even

2000
01:53:35,320 --> 01:53:37,320
Speaker 1: know it. I guess how excited I was. I gotta

2001
01:53:37,400 --> 01:53:40,879
Speaker 1: notice that my my credit score went up from LifeLock

2002
01:53:41,040 --> 01:53:43,000
Speaker 1: when I went there, and I looked at I go, oh, yeah,

2003
01:53:43,320 --> 01:53:48,800
Speaker 1: my credit shop so excited. So you use your credit

2004
01:53:48,960 --> 01:53:54,720
Speaker 1: at the department show. So look, LifeLock is watching your

2005
01:53:54,760 --> 01:53:57,560
Speaker 1: credit because you can't. We don't know how to do that.

2006
01:53:58,320 --> 01:54:01,599
Speaker 1: But with LifeLock, they monitor or your credit less stress

2007
01:54:01,680 --> 01:54:03,760
Speaker 1: on us. There's a whole world that they're trying to

2008
01:54:04,000 --> 01:54:05,840
Speaker 1: dig into your credit. They're trying to like take out

2009
01:54:05,920 --> 01:54:08,519
Speaker 1: loans in your name, They're trying to like buy stuff

2010
01:54:08,520 --> 01:54:12,160
Speaker 1: in your name. Nope. Look, no one can prevent all

2011
01:54:12,280 --> 01:54:16,120
Speaker 1: identity theft or monitor all your transactions. But LifeLock is

2012
01:54:16,160 --> 01:54:19,400
Speaker 1: the best at it. I say that for personal reasons.

2013
01:54:20,439 --> 01:54:24,040
Speaker 1: They keep an eye on your credit, your stuff that's

2014
01:54:24,080 --> 01:54:26,600
Speaker 1: worth something, even though it's just your credit. If you

2015
01:54:26,640 --> 01:54:28,360
Speaker 1: think about it's just like this thing in outer space.

2016
01:54:28,400 --> 01:54:30,720
Speaker 1: I mean, you can't touch it, you can't smell it,

2017
01:54:30,720 --> 01:54:35,360
Speaker 1: you can't feel it. Look. Membership starts at nine ninety

2018
01:54:35,640 --> 01:54:38,760
Speaker 1: nine a month. Oh my god, that's just under ten

2019
01:54:38,800 --> 01:54:44,480
Speaker 1: dollars by one cent uh plus applicable taxes. Go to

2020
01:54:44,600 --> 01:54:47,640
Speaker 1: live flock dot com. Use the promo code Elvis Saftime percent.

2021
01:54:47,880 --> 01:54:51,080
Speaker 1: See look what Elvis did for you today. Live flock

2022
01:54:51,200 --> 01:54:55,320
Speaker 1: dot com use Elvis as your your code safetime percent. Look,

2023
01:54:55,360 --> 01:54:58,000
Speaker 1: I'm looking up for you to loot. The music's off

2024
01:54:58,360 --> 01:55:01,080
Speaker 1: is a commercial. Maybe you'd like you to move on.

2025
01:55:01,240 --> 01:55:02,960
Speaker 1: Now we're gonna move on. Thank you. Like