WEBVTT - How the Moonwalk Works

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<v Speaker 1>Welcome to you stuff you should know from House Stuff

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<v Speaker 1>Works dot com. Hey, and welcome to the podcast. I'm

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<v Speaker 1>Josh Clark. There's Charles W Chuck Bryant, and Jerry. So

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<v Speaker 1>it's just moon walks right in this joint. Can you moonwalk? Now?

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<v Speaker 1>I think everybody at the Bellhouse on Junet knows I

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<v Speaker 1>can moonwalk. Okay, I didn't moonwalk, but I think you

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<v Speaker 1>could just based based on my moves, you could. You

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<v Speaker 1>could make the assumption that I'm an awesome moonwalker. I've

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<v Speaker 1>seen your moonwalk. It's you know, herky jerky. You know,

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<v Speaker 1>it's that kind of moonwalk that guys like us do.

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<v Speaker 1>I don't understand, you know you kind of it kind

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<v Speaker 1>of simulates the moonwalk. I see, you know what I mean.

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<v Speaker 1>It's a it's an echo of a moonwalk. I wouldn't

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<v Speaker 1>call it smooth and floaty, oh I would. Yeah, Now,

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<v Speaker 1>I know it's not a great moonwalks, right. I never

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<v Speaker 1>learned the moonwalk because I didn't try to practice the

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<v Speaker 1>moonwalk more than like once, and I was like, I

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<v Speaker 1>can't do that. Oh yeah. I just bailed on it

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<v Speaker 1>like my brother practiced and got okay at it. I'm

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<v Speaker 1>surprised he didn't like teach it as a class for

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<v Speaker 1>free to children in need. Now he got uh, he

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<v Speaker 1>got okay at it? Um, But I just I don't

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<v Speaker 1>know if I I think I bail on things that

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<v Speaker 1>aren't easy for me. Well, that's definitely a candidate for that. Um. Yeah,

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<v Speaker 1>I think that's a trait I have. I don't like

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<v Speaker 1>to spend a lot of time on something that I

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<v Speaker 1>don't think i'm good at. I'm not one of those like, no, man,

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<v Speaker 1>I'm gonna try the moonwalk until I learn it. I see.

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<v Speaker 1>I was like, maybe I just im not a moonwalker,

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<v Speaker 1>don't you? Didn't you say you bail on books too

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<v Speaker 1>that don't like capture your attention at this point in

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<v Speaker 1>your life? Was that you? I don't think I said that,

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<v Speaker 1>but I I didn't say that. But I will you

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<v Speaker 1>work your way through a book? Well, I'll give it

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<v Speaker 1>a fair shot. It's been a while since I've bailed

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<v Speaker 1>on a book, though, because I usually just pick good

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<v Speaker 1>books like that. I know we're really good. Uh. I

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<v Speaker 1>don't know how long I give a book. How long

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<v Speaker 1>do you give a book? I will give a book

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<v Speaker 1>two pages, yeah, but like three or four times? Right? Like,

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<v Speaker 1>what am I missing? Let me try that again. Yeah, yeah,

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<v Speaker 1>that's fair. I just write a book called Head Full

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<v Speaker 1>of Ghosts, which is pretty neat. It's like a psychological thriller. Huh.

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<v Speaker 1>I haven't read a fiction booking forever, and then right

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<v Speaker 1>now either I'm reading the right stuff, Wolf Classic, and

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<v Speaker 1>it's that. I think Tom Wolf might be the greatest

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<v Speaker 1>reporter of all time. Oh yeah, oh yeah, I don't

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<v Speaker 1>think there's anybody better. Our buddy Joe Randazzoh oh yeah.

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<v Speaker 1>At midnight fame people are quaite. A minute, I thought

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<v Speaker 1>he was at the Onion. Now he said at midnight.

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<v Speaker 1>He used to work at the Onion. Uh. He just

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<v Speaker 1>recommended a book which I'm really interested in that I

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<v Speaker 1>wanted to tell you about because it sounds like it's

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<v Speaker 1>right up your one alley called Sapiens A Brief History

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<v Speaker 1>of Humankind by You've All Noah Harari and the It

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<v Speaker 1>had has a pretty remarkable thesis, which is that humans

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<v Speaker 1>can Humans didn't kill each other off because they can

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<v Speaker 1>cooperate in large numbers, because we have an ability, a

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<v Speaker 1>unique ability. Animals don't have two believe in things that

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<v Speaker 1>exist only in our imagination. Huh, Like government and money

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<v Speaker 1>and God. And he said, all of these things allow

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<v Speaker 1>us to cooperate. Like we talked about in our money episode.

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<v Speaker 1>It's like money has that paper has no value. We

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<v Speaker 1>just all agreed. So it's essentially fiction, the cool concept

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<v Speaker 1>of money. It's just something we've all agreed on. And

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<v Speaker 1>he said, is it's this cooperation by believing in these

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<v Speaker 1>fictional things that is the only reason that humans didn't

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<v Speaker 1>kill each other off, like you know, any other weird species. Yeah,

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<v Speaker 1>I've got to check that out. Said it sounds super interesting.

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<v Speaker 1>He said it was amazing, so and thank you for

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<v Speaker 1>relating that. Yeah, I want to Maybe you should read

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<v Speaker 1>it and just tell me about it, because I'm still

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<v Speaker 1>have never read four Man. I'm a fiction reader. I

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<v Speaker 1>try to I try to read nonfiction, and this I

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<v Speaker 1>don't know. I just like a good fictional yarn more.

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<v Speaker 1>I'm I'm quite the opposite. Like I told you, I

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<v Speaker 1>wanted to be a Civil War buff. I got one

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<v Speaker 1>of those huge books that's supposed to be great, and

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<v Speaker 1>I just can't do it. Like The Moonwalk, you don't

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<v Speaker 1>like fiction, I do like it, it's just for the

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<v Speaker 1>so much of the time I'm reading for work that

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<v Speaker 1>see I think he would enjoy fiction as a break. Well,

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<v Speaker 1>that's why I read head Fellow Ghosts. I was like,

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<v Speaker 1>I'm reading a fiction book. I need to just like

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<v Speaker 1>read something different and use my imagination again. And um

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<v Speaker 1>it worked. It was like it had an effect on

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<v Speaker 1>me that what was it? Yeah? What was it about?

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<v Speaker 1>It was about a girl who may or may not

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<v Speaker 1>be possessed and like how her family unravels around her.

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<v Speaker 1>Is it like poplit? I don't know that. It's you know,

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<v Speaker 1>like easy to read. Dean Coontzon, Oh no, no, it was.

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<v Speaker 1>It was a little more literary than that, and I

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<v Speaker 1>wish I'm sorry to the author who who wrote the book.

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<v Speaker 1>I don't remember the dude's name, but he does a

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<v Speaker 1>good job. I'm sorry to Dean Counts and John Grisham

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<v Speaker 1>all of a sudden, Uh, they know, they know what

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<v Speaker 1>they are. Let guys know what they are. Although Dean

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<v Speaker 1>Coutz man, that guy's imagination is fantastic. Man, I always

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<v Speaker 1>assumed that he was better than Stephen King because he

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<v Speaker 1>could finish the story. I've never read a Stephen King book. What,

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<v Speaker 1>I don't read a lot of that stuff. Okay, I

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<v Speaker 1>read one Dean Kuntz Book in my early twenties and

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<v Speaker 1>one night. That's the only time I've ever done that. Well, yeah,

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<v Speaker 1>that was a good thing about it Kuntz Book because

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<v Speaker 1>you can go through it like crazy. Started reading it

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<v Speaker 1>like eight or nine and I stopped at like five

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<v Speaker 1>in the morning. But each one is way different than

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<v Speaker 1>the others, I mean really differently. The guy's got a

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<v Speaker 1>great imagination. You should read some of Stephen King's work

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<v Speaker 1>like he is. He's he's so unfairly I was actually

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<v Speaker 1>talking to Hodgman about this the other day. He's like,

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<v Speaker 1>very unfairly criticized as a hack, but he's actually, oh yeah,

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<v Speaker 1>a lot of people are doing couldn't sucks. But if

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<v Speaker 1>you just because he's so prolific and because he very

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<v Speaker 1>famously has trouble finishing a story, Yeah, but he's like

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<v Speaker 1>nobody can get inside the mind, like the dark side

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<v Speaker 1>of a person's the average person's mind better than Stephen King.

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<v Speaker 1>He's just a he's a great storyteller. Aside from the

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<v Speaker 1>ending part. So what's the Shining? It is probably the

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<v Speaker 1>one I should read, Probably not because you're so used

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<v Speaker 1>to Kubrick's Shining and it's just so radically. That's the one. Right,

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<v Speaker 1>that's a big one. I've never read the stand I

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<v Speaker 1>would start with the short stories. They're fantastic, right, those

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<v Speaker 1>he can finish. It's the largest What do you mean

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<v Speaker 1>not finish like this amazing build up and then the resolutions, like,

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<v Speaker 1>so he finishes you just mean it's okay, right, it's

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<v Speaker 1>it's not left unfinished. It's the resolution is um The

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<v Speaker 1>payoff is not so great. Yeah, interesting, and it's still fine,

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<v Speaker 1>but it's he's so good at building things up that

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<v Speaker 1>it's almost it would be almost impossible to finish it.

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<v Speaker 1>I don't know if we should call this beginning book

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<v Speaker 1>talk with Josh and Chuck or patting the episode. You

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<v Speaker 1>want to talk moon walk? Yeah, we needed a little something.

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<v Speaker 1>This is a short one. Well, you were saying that,

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<v Speaker 1>you're like you just couldn't do it. This is Let me.

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<v Speaker 1>Let me tell you how I approached the moonwalk. All right.

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<v Speaker 1>My left hand was covered in a white glove with

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<v Speaker 1>sequence sewn on that my mom made for me. Did

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<v Speaker 1>you really wearing the thriller jacket a little black pants? Yeah,

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<v Speaker 1>that's how my moon walked. I was still not that

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<v Speaker 1>great at it. You were, you were in man, this

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<v Speaker 1>is so in my wheelhouse. Yeah, yeah, I wasn't. I

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<v Speaker 1>mean I listened to pop music. But I was also

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<v Speaker 1>the influenced by my well he's now my brother in law,

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<v Speaker 1>but the General. The General started dating my sister when

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<v Speaker 1>I was twelve, Okay, so like he was always around

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<v Speaker 1>and he was like, you're twelve years old. You need

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<v Speaker 1>to listen to the Almond Brothers and Leonard Skinnered and

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<v Speaker 1>Molly Hatchett and Blackfoot in the Atlanta Rhythm section, the

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<v Speaker 1>Doobie Brothers, like heck yeah. But I also listened to

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<v Speaker 1>the American Top forty every week. So, I mean I

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<v Speaker 1>was an MTV. I was glued to so you can't

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<v Speaker 1>be glued to MTV and not like digest ing some

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<v Speaker 1>of that stuff. But I was never never owned parachute

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<v Speaker 1>pants or but so that was the only sequence thing

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<v Speaker 1>I eve w owed. But that's very sweet that your

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<v Speaker 1>mom did that. I think so too, and it was

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<v Speaker 1>a very sweet gesture. Um. But I think one of

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<v Speaker 1>the other reasons the Moonwalk spoke to me and I

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<v Speaker 1>didn't realize it until researching this article, Chuck that I

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<v Speaker 1>was also super into break dancing at the time, and

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<v Speaker 1>the moonwalk is actually not a breaking move. It's a

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<v Speaker 1>popping move. But for all but actual breaking and popping dancers,

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<v Speaker 1>it was the same thing. Yeah, I don't I don't

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<v Speaker 1>see how it's a popping move. I saw that in

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<v Speaker 1>the article and I couldn't put it together because thing

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<v Speaker 1>is so herky jerky, and a good moonwalk is so

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<v Speaker 1>smooth and buttery. Well, so lockin is herky jerky, right, Well,

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<v Speaker 1>no popping is too popping? Is that? Like? Yeah, but

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<v Speaker 1>it's also I wish this is really not good for audio,

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<v Speaker 1>but it's also so you know, the one where you

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<v Speaker 1>hold out one hand and make a wave, the wave

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<v Speaker 1>goes through your body to the other hand, the classic

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<v Speaker 1>popping is it? Yeah? And I was like, okay, I'll

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<v Speaker 1>bet the worms popping wrong. The worms are breaking move.

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<v Speaker 1>I clearly don't know, but the average person who's who's

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<v Speaker 1>doing these dances is probably popping, locking and breaking it

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<v Speaker 1>at the same time. Yeah. And and I know we

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<v Speaker 1>covered breakdancing some in the hip hop episode, but we

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<v Speaker 1>should do it total breakdance, like give it its full do, Okay,

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<v Speaker 1>and we're gonna call it the total breakdance episode. But

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<v Speaker 1>we I mean, we've got to cover some of it here,

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<v Speaker 1>because there's there's there's such a basis of it in

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<v Speaker 1>the moonwalk. The moonwalk castletch a basis in it. But

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<v Speaker 1>the moonwalk goes even further back than popping and lock in,

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<v Speaker 1>which we'll talk about in a minute. It goes all

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<v Speaker 1>the way back to the thirties. Should we take a break?

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<v Speaker 1>Oh man, yes, stop, all right. Josh just taught me

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<v Speaker 1>how a moon walking. Now I'm great at it. And

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<v Speaker 1>this I can't remember what that's called. The wave the

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<v Speaker 1>waves where you stand up at a baseball game. So

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<v Speaker 1>what is this? I don't know. I mean, people that

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<v Speaker 1>don't know what Josh is doing right now are probably frustrated.

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<v Speaker 1>But it's that you know that move you do where

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<v Speaker 1>you wave the one arm and it goes to your

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<v Speaker 1>body and the other arm waves and then you pass

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<v Speaker 1>it to your friend. Yes, that's a popping move, is it? Yeah?

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<v Speaker 1>Body popping clearly doesn't. I don't know what popping means.

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<v Speaker 1>I think the name is a bit of a misnomer. Yeah,

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<v Speaker 1>probably all right. And by the way, people, you might

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<v Speaker 1>as well get to this. I'm not gonna be able

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<v Speaker 1>to gush much about Michael Jackson because I'm one of

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<v Speaker 1>the people who thinks he did bad things in his

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<v Speaker 1>private life. So if you don't hear me talking about

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<v Speaker 1>how awesome he is, that's why I have a hard

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<v Speaker 1>time separating the art from the artist. Well you want

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<v Speaker 1>to throw it out there, man, if you believe that,

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<v Speaker 1>how could you? Yeah, I'm unconvinced at this point, all right,

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<v Speaker 1>But I mean seeing my own a. Yeah, that's a

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<v Speaker 1>good one, good one. A bunch of people are like,

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<v Speaker 1>that's what c o amy covering my own a. Speaking

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<v Speaker 1>for myself anyway, if you hear a little bit of

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<v Speaker 1>like callousness in my voice, that's that's why. So, uh,

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<v Speaker 1>going back in time, Uh, it was not invented by

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<v Speaker 1>that man. It was like you said, it goes back

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<v Speaker 1>to the nineties. If you look on the YouTube's they're

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<v Speaker 1>like history of the Moonwalk, you will see a nice video.

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<v Speaker 1>It shows the evolution of this dance, starting with Cab

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<v Speaker 1>Callaway in the nineteen thirties doing something called the Buzz.

0:13:08.480 --> 0:13:11.720
<v Speaker 1>The Great band Leader Jazz big band leader. He remains

0:13:11.800 --> 0:13:16.400
<v Speaker 1>unaccused of anything. He was also awesome in the Blues Brothers.

0:13:17.160 --> 0:13:19.520
<v Speaker 1>Oh yeah, wow, he was still around for that. That's right.

0:13:19.840 --> 0:13:22.839
<v Speaker 1>I forgot about that about fifty years on. Yeah. Uh

0:13:22.920 --> 0:13:24.680
<v Speaker 1>so in the nineteen thirties he did something called the

0:13:24.679 --> 0:13:27.480
<v Speaker 1>Buzz and it was a little more herky jerky and

0:13:27.520 --> 0:13:30.920
<v Speaker 1>not as smooth. Then there was something that this article

0:13:30.960 --> 0:13:34.040
<v Speaker 1>mentions called the camel Walk, which I looked into, or

0:13:34.040 --> 0:13:37.880
<v Speaker 1>the collegiate walk that like Sammy Davis Jr. Did in

0:13:37.880 --> 0:13:40.360
<v Speaker 1>this video. I don't think it looks anything like the moonwalk,

0:13:41.760 --> 0:13:44.680
<v Speaker 1>not really. I think they're going forward first of all, right,

0:13:44.720 --> 0:13:46.680
<v Speaker 1>which is a big one, and it's cool. It's a

0:13:46.720 --> 0:13:50.320
<v Speaker 1>cool move. Sure, James Brown dares Sammy to do it.

0:13:50.480 --> 0:13:55.320
<v Speaker 1>Sammy's like, all right, I'll do it. So, boy, could

0:13:55.320 --> 0:13:58.640
<v Speaker 1>you imagine being in that audience, Man, Sammy Davis Junior

0:13:58.640 --> 0:14:00.440
<v Speaker 1>and James Brown on the same stage. Who do we

0:14:00.480 --> 0:14:07.840
<v Speaker 1>have now? Bieber and whoever else? I don't even know him,

0:14:07.960 --> 0:14:15.280
<v Speaker 1>Bieber and Bieber. It's a nightmare group. Yeah. So uh sorry, man,

0:14:15.320 --> 0:14:18.599
<v Speaker 1>it's not old. You're not old because you're trash and

0:14:18.679 --> 0:14:23.520
<v Speaker 1>justin Bieber you're just saying it's a jerk. You know.

0:14:23.640 --> 0:14:25.360
<v Speaker 1>He really has done a lot of stuff to say

0:14:25.440 --> 0:14:27.680
<v Speaker 1>to earn that. Yeah, it's not like he's some like

0:14:27.720 --> 0:14:30.800
<v Speaker 1>super nice guy. People are just unfair to like look

0:14:30.840 --> 0:14:33.480
<v Speaker 1>at some of the videos and like pan in a

0:14:33.520 --> 0:14:36.160
<v Speaker 1>bucket in a restaurant. Did you ever see that one? No?

0:14:36.280 --> 0:14:40.320
<v Speaker 1>I heard about that one, though. Well, I think he's

0:14:40.720 --> 0:14:43.880
<v Speaker 1>just too much wealth and not enough guidance and probably

0:14:43.920 --> 0:14:46.200
<v Speaker 1>too much booze and stuff. I think maybe he might

0:14:46.240 --> 0:14:49.520
<v Speaker 1>be somewhat reformed now, but really I think he's grown

0:14:49.600 --> 0:14:51.840
<v Speaker 1>up a little bit, but I don't follow it that closely.

0:14:53.120 --> 0:14:55.560
<v Speaker 1>Just the p in the bucket thing, Yeah, I mean

0:14:55.560 --> 0:14:59.200
<v Speaker 1>that was enough to turn me off forever. Win him back,

0:14:59.280 --> 0:15:04.000
<v Speaker 1>justin win back, good luck. So we were talking about

0:15:04.000 --> 0:15:07.840
<v Speaker 1>the walk or the camel walk, right, so, um, you

0:15:07.880 --> 0:15:09.840
<v Speaker 1>were saying it doesn't look like a moonwalk. In fact,

0:15:09.920 --> 0:15:12.160
<v Speaker 1>it looks kind of like a reverse moonwalk sort of.

0:15:12.560 --> 0:15:17.240
<v Speaker 1>But the point is it was it's somebody Sammy Davis Jr.

0:15:17.480 --> 0:15:20.640
<v Speaker 1>Floating Their feet are floating a little bit. They appear

0:15:20.680 --> 0:15:24.200
<v Speaker 1>to be floating while they move, al Right, So it's

0:15:24.240 --> 0:15:27.000
<v Speaker 1>related to the moonwalk, right, I'll give you that. The

0:15:27.040 --> 0:15:30.040
<v Speaker 1>one that's like dead on though is Bill Bailey in

0:15:30.280 --> 0:15:33.880
<v Speaker 1>nineteen fifty five full on moonwalks off the stage. Yeah,

0:15:33.920 --> 0:15:37.000
<v Speaker 1>in nineteen at the Apollo. Yeah, and there's a great

0:15:37.120 --> 0:15:39.920
<v Speaker 1>video and it's at the very end of the video,

0:15:40.040 --> 0:15:42.640
<v Speaker 1>but I urge you to not just skip to the end,

0:15:43.080 --> 0:15:47.320
<v Speaker 1>because you've got two or three minutes of some sweet,

0:15:47.400 --> 0:15:50.600
<v Speaker 1>sweet tap dancing. Yeah, which I didn't realize how much

0:15:50.640 --> 0:15:53.680
<v Speaker 1>I loved until I saw this guy and he was

0:15:53.720 --> 0:15:57.600
<v Speaker 1>supposedly trained by Mr bo Jangles himself. Really Ye, that

0:15:57.680 --> 0:15:59.600
<v Speaker 1>was a real person. Yeah, I don't remember his name,

0:15:59.640 --> 0:16:02.920
<v Speaker 1>but Bojangles. Yeah. I love tap dancing. I didn't know

0:16:02.960 --> 0:16:04.840
<v Speaker 1>it and I watched this sound was like, man, that's amazing.

0:16:05.200 --> 0:16:08.240
<v Speaker 1>You should go see Gregory Hines. Is he still doing it?

0:16:08.440 --> 0:16:12.560
<v Speaker 1>Probably there's no way he's just like I'm done tapping.

0:16:12.840 --> 0:16:16.200
<v Speaker 1>Yeah it tap was life for that guy. Yeah, I

0:16:16.200 --> 0:16:18.400
<v Speaker 1>mean that stuff is amazing. And what's the guy's name?

0:16:19.200 --> 0:16:25.040
<v Speaker 1>I can't remember, Well, I did see that movie. Um

0:16:25.400 --> 0:16:29.680
<v Speaker 1>there was a guy, uh savyon Glover. Oh I know

0:16:29.720 --> 0:16:32.160
<v Speaker 1>who you're talking about, like much more recent Yeah, like

0:16:32.360 --> 0:16:35.920
<v Speaker 1>mean mean tap dancer, Like he just shouting insults while

0:16:35.960 --> 0:16:44.240
<v Speaker 1>he was you. He looks stupid, but watch me dance.

0:16:45.480 --> 0:16:48.960
<v Speaker 1>So Bill Bailey in nineteen fifty five, like legit moonwalked

0:16:49.880 --> 0:16:52.800
<v Speaker 1>and um, it's hard to say, like he's the guy

0:16:52.840 --> 0:16:55.920
<v Speaker 1>that invented it, because dance, like any art form, is

0:16:56.000 --> 0:17:00.680
<v Speaker 1>just borrowed and changed and morphs along the years to

0:17:00.800 --> 0:17:03.440
<v Speaker 1>where I don't know that anyone can specifically say, like

0:17:03.760 --> 0:17:06.199
<v Speaker 1>Bill Bailey might have seen it from someone else and

0:17:06.200 --> 0:17:09.080
<v Speaker 1>then like that's a hot move. Yeah, he seems like

0:17:09.160 --> 0:17:13.240
<v Speaker 1>the type of um talent that he could have come

0:17:13.320 --> 0:17:16.320
<v Speaker 1>up with it himself. Yeah. But what's weird, Chuck, is

0:17:16.359 --> 0:17:22.120
<v Speaker 1>that that's apparently where it went and died, Like he

0:17:22.320 --> 0:17:27.040
<v Speaker 1>created the moonwalk and it's stopped with him for a while. No,

0:17:27.440 --> 0:17:29.359
<v Speaker 1>if you go back in the history of it, the

0:17:29.480 --> 0:17:32.680
<v Speaker 1>people who popularized the moonwalk didn't know that he had

0:17:32.680 --> 0:17:34.600
<v Speaker 1>done that. Oh yeah, yeah, I see what you means.

0:17:34.600 --> 0:17:39.040
<v Speaker 1>So simultaneously, there's also some movement that's similar called the

0:17:39.080 --> 0:17:43.560
<v Speaker 1>air walk, but it's mine. Yea like Marcel Marcel's walking

0:17:43.600 --> 0:17:47.640
<v Speaker 1>against the wind, very famous routine where his feet are floating.

0:17:47.680 --> 0:17:50.960
<v Speaker 1>It's called air walking and it's strictly mine, right. Yeah.

0:17:51.040 --> 0:17:53.120
<v Speaker 1>The difference between that and the moonwalk is that they're

0:17:53.240 --> 0:17:58.040
<v Speaker 1>stationary and acting like they're walking forward and the wind

0:17:58.080 --> 0:18:00.600
<v Speaker 1>is blowing them, but they're not going backwards. It's but

0:18:00.640 --> 0:18:04.320
<v Speaker 1>it's also not part of a dance either. Correct, some

0:18:05.960 --> 0:18:07.679
<v Speaker 1>this is but this is a weird little thing that

0:18:07.720 --> 0:18:12.680
<v Speaker 1>I didn't realize. There was apparently a mime. There's a

0:18:12.720 --> 0:18:16.639
<v Speaker 1>period of the seventies where mimes were cool. Did you

0:18:16.680 --> 0:18:19.280
<v Speaker 1>know that? Yeah? I mean that was I remember watching

0:18:19.280 --> 0:18:21.840
<v Speaker 1>Shields and Yarnell as a kid on television on major

0:18:21.880 --> 0:18:24.520
<v Speaker 1>network TV. I was all brainstem at the time because

0:18:24.520 --> 0:18:27.359
<v Speaker 1>I was totally unaware of that. Yeah, miming was a

0:18:27.359 --> 0:18:30.760
<v Speaker 1>big deal and that like I would practice that, Okay,

0:18:30.800 --> 0:18:34.320
<v Speaker 1>okay a little bit, not for years, but yeah, I

0:18:34.359 --> 0:18:38.280
<v Speaker 1>practice miming. What a bizarre period of American pop culture.

0:18:38.880 --> 0:18:42.840
<v Speaker 1>Shields and Yarnell. This mime couple had a were they

0:18:42.880 --> 0:18:47.360
<v Speaker 1>two dudes or a man and a woman? You were married? Okay? Um?

0:18:47.400 --> 0:18:51.040
<v Speaker 1>That they They had their own TV show, Shields and

0:18:51.119 --> 0:18:53.960
<v Speaker 1>Yarnell was watched apparently by a lot of people, including you.

0:18:54.960 --> 0:18:59.120
<v Speaker 1>It was also watched by a dude named Jeffrey Daniel. Yeah. Man,

0:19:00.040 --> 0:19:05.160
<v Speaker 1>Frey Daniel was a great dancer, probably still is he is? Uh.

0:19:05.280 --> 0:19:08.480
<v Speaker 1>Not only was he on Solid Gold, he was in

0:19:08.520 --> 0:19:13.280
<v Speaker 1>the band Shalomar with Jody Whatley. Yeah, Jody Whatley and um.

0:19:13.520 --> 0:19:16.560
<v Speaker 1>Shalimar was created by the great Don Cornelius of soul

0:19:16.640 --> 0:19:19.480
<v Speaker 1>train R I P I believe did he die a

0:19:19.520 --> 0:19:23.440
<v Speaker 1>few years ago? And uh, Gary Mumford was the original singer.

0:19:23.480 --> 0:19:25.520
<v Speaker 1>And then on album number two, Gerald Brown took over,

0:19:26.280 --> 0:19:31.320
<v Speaker 1>like you said, with Jody Whatley of Shallomar Fame, I

0:19:31.320 --> 0:19:34.000
<v Speaker 1>guess and then later on her own fame. Yeah she

0:19:34.080 --> 0:19:37.040
<v Speaker 1>was she had her own solo career, right and uh

0:19:37.080 --> 0:19:40.760
<v Speaker 1>and this guy Jeffrey Daniel, Right, So Jeffrey Daniel was

0:19:40.840 --> 0:19:44.080
<v Speaker 1>dancing in the sheets. Remember that hit. Yes, it's great

0:19:44.119 --> 0:19:48.840
<v Speaker 1>Footloose soundtrack song Dancing and the Sheets, dude, dude, and

0:19:48.920 --> 0:19:51.399
<v Speaker 1>that that was the eighties. The eighties stuff they you know,

0:19:51.480 --> 0:19:53.439
<v Speaker 1>came around in the seventies with more disco. It was

0:19:53.480 --> 0:19:57.960
<v Speaker 1>super disco. We to start with. Um. But this dude,

0:19:58.040 --> 0:20:00.439
<v Speaker 1>Jeffrey Daniels who was in Shalimar, who's also a solid

0:20:00.440 --> 0:20:04.879
<v Speaker 1>gold dancer. He had a pretty awesome move called the backslide.

0:20:05.040 --> 0:20:09.040
<v Speaker 1>And when you watch him backslide, uh, he's he's moonwalking,

0:20:09.320 --> 0:20:13.080
<v Speaker 1>total total moonwalk. It totally is and um. Later on

0:20:13.520 --> 0:20:15.520
<v Speaker 1>he was interviewed like where did you get this? Where

0:20:15.600 --> 0:20:18.600
<v Speaker 1>you know where? Where you know? Where did you come

0:20:18.640 --> 0:20:20.520
<v Speaker 1>up with the idea? He was like, I was super

0:20:20.560 --> 0:20:24.960
<v Speaker 1>into Shields and Yarnelle at the time. So miming influenced

0:20:24.960 --> 0:20:27.520
<v Speaker 1>the backslide, which, as we'll find out in a second,

0:20:27.960 --> 0:20:30.520
<v Speaker 1>directly led to the moonwalk. And we'll get to that

0:20:30.880 --> 0:20:50.399
<v Speaker 1>finally after this. You alright, Chuck, we're back. Yes, Jeffrey Daniel.

0:20:51.040 --> 0:20:53.040
<v Speaker 1>I watched that interview that's on the YouTube. It was

0:20:53.080 --> 0:20:56.640
<v Speaker 1>on a British talk show called soccer a m of

0:20:56.680 --> 0:21:00.600
<v Speaker 1>the two thousand seven things. They had him on Soccer Am.

0:21:00.640 --> 0:21:03.080
<v Speaker 1>Apparently it's not just about sports, but they have like

0:21:03.119 --> 0:21:08.600
<v Speaker 1>comedy bits and pop culture stuff. Uh So he was

0:21:08.640 --> 0:21:12.320
<v Speaker 1>surprised on that show. They showed the clip of of

0:21:12.440 --> 0:21:15.880
<v Speaker 1>Bailey in the in the fifties and he was like,

0:21:16.160 --> 0:21:19.760
<v Speaker 1>what's that. He's like, I've never even seen that. He

0:21:19.880 --> 0:21:23.159
<v Speaker 1>was surprised to see that someone was legit moonwalking, you

0:21:23.200 --> 0:21:27.840
<v Speaker 1>know whatever, fifties something years earlier, the same move. It's

0:21:27.880 --> 0:21:30.199
<v Speaker 1>not like, oh, that's kind of close, like maybe the

0:21:30.240 --> 0:21:33.520
<v Speaker 1>camel walk or um the buzz like Cab calloway. It

0:21:33.560 --> 0:21:35.719
<v Speaker 1>was a moonwalk. It was the moonwalk. But that's what

0:21:35.760 --> 0:21:38.800
<v Speaker 1>I'm saying, that's what's so bizarre is that this guy

0:21:38.960 --> 0:21:42.160
<v Speaker 1>invented the moonwalk in ve and it began and ended

0:21:42.160 --> 0:21:47.080
<v Speaker 1>with him, and it took mimes getting a TV show

0:21:47.200 --> 0:21:52.480
<v Speaker 1>to create the moonwalk as we understand it today. Talk

0:21:52.520 --> 0:21:55.439
<v Speaker 1>about chaos theory, you know what I'm saying, though, like

0:21:55.520 --> 0:21:58.400
<v Speaker 1>other people could have influenced the mimes that knew about

0:21:58.440 --> 0:22:01.440
<v Speaker 1>Bill Bailey, like it could guess, guess, that's entirely possible.

0:22:01.480 --> 0:22:04.320
<v Speaker 1>But Marcel Marceau was doing the air walk as far

0:22:04.359 --> 0:22:08.840
<v Speaker 1>back as the thirties before Bill Bailey. Was he around

0:22:08.880 --> 0:22:11.919
<v Speaker 1>in the thirties from what I understand, Okay, which is

0:22:11.960 --> 0:22:13.960
<v Speaker 1>weird because well he was pretty old when in the

0:22:14.000 --> 0:22:16.480
<v Speaker 1>seventies when he hit it big. So yeah, I think

0:22:16.520 --> 0:22:18.360
<v Speaker 1>then he was doing it in the thirties, because that's

0:22:18.359 --> 0:22:22.000
<v Speaker 1>what this article says in it. I didn't find anything.

0:22:23.200 --> 0:22:26.080
<v Speaker 1>I didn't find any footage of him from the thirties,

0:22:26.119 --> 0:22:27.800
<v Speaker 1>like all of it seemed to be from the seventies

0:22:27.840 --> 0:22:31.080
<v Speaker 1>or early eighties. Well, the heyday of mimes also looked.

0:22:31.320 --> 0:22:34.679
<v Speaker 1>I was curious why people hate mimes and did little research,

0:22:34.720 --> 0:22:37.560
<v Speaker 1>and of course there's no no like definitive thing. It's

0:22:37.560 --> 0:22:40.879
<v Speaker 1>not like a phobia, no. But everything I saw I

0:22:40.880 --> 0:22:43.120
<v Speaker 1>came down to a few things. They look like clowns

0:22:43.520 --> 0:22:47.400
<v Speaker 1>in clowns. We did a whole episode on that, and uh,

0:22:47.520 --> 0:22:51.520
<v Speaker 1>the silent thing seems to bug people. And then just

0:22:51.600 --> 0:22:54.960
<v Speaker 1>the notion that there, you know, they'll get up all

0:22:55.000 --> 0:22:57.919
<v Speaker 1>in your face in the part you're out just enjoying

0:22:57.920 --> 0:22:59.760
<v Speaker 1>your day and a mime will come up and be like,

0:23:00.480 --> 0:23:03.719
<v Speaker 1>you know, to start doing their like intruding upon you

0:23:03.760 --> 0:23:05.919
<v Speaker 1>to do their act, which I don't even know is

0:23:06.480 --> 0:23:08.680
<v Speaker 1>I don't even know if that's the case over there.

0:23:09.200 --> 0:23:12.800
<v Speaker 1>Oh it is, believe me, mine very interestive like to

0:23:12.840 --> 0:23:18.639
<v Speaker 1>start static and I finish it. Uh So back to

0:23:18.720 --> 0:23:21.119
<v Speaker 1>Jeffrey Daniel. He's dancing on Soul Train, He's dancing on

0:23:21.160 --> 0:23:24.880
<v Speaker 1>Solid Gold. There's another couple of dancers name Jeron Casper

0:23:24.960 --> 0:23:29.560
<v Speaker 1>candidate great name, and Derek Cooley Jackson j A X

0:23:30.000 --> 0:23:34.560
<v Speaker 1>s O N. Another cool name, and they were moonwalking

0:23:34.600 --> 0:23:38.920
<v Speaker 1>around or backsliding around, and so all these dudes were

0:23:38.960 --> 0:23:43.560
<v Speaker 1>basically kind of laying the foundation for what the moonwalk

0:23:43.600 --> 0:23:45.600
<v Speaker 1>would come to be. It got real, like even if

0:23:45.640 --> 0:23:48.320
<v Speaker 1>you watch Bailey's it's a legit moonwalk, but it's not

0:23:48.400 --> 0:23:53.000
<v Speaker 1>as smooth as Daniel ended up doing it. You know,

0:23:53.640 --> 0:23:56.879
<v Speaker 1>like when you see him on solid Gold, he like

0:23:57.160 --> 0:23:59.560
<v Speaker 1>that's one of the smoother moonwalks you'll ever see, and

0:23:59.640 --> 0:24:03.879
<v Speaker 1>he probably debuted it for the first time in American

0:24:03.960 --> 0:24:09.880
<v Speaker 1>history on TV on Top of the Pops. Was talking

0:24:09.880 --> 0:24:13.720
<v Speaker 1>about yeah, smooth, so um, people thought he was cheating. Yeah,

0:24:13.720 --> 0:24:16.359
<v Speaker 1>They're like, this is the floor oils or something like

0:24:16.359 --> 0:24:20.960
<v Speaker 1>what is that we watching? Right? It blew everybody away, right,

0:24:21.400 --> 0:24:25.360
<v Speaker 1>but everybody's no one knew who this guy was. Really,

0:24:25.400 --> 0:24:27.840
<v Speaker 1>it was a solid gold answer at the time, everybody

0:24:27.880 --> 0:24:32.600
<v Speaker 1>knew who Michael Jackson was. So in about a year later,

0:24:33.119 --> 0:24:37.920
<v Speaker 1>almost exactly a year later, UM, NBC broadcast this special

0:24:38.359 --> 0:24:44.879
<v Speaker 1>called Motown Retrospective and it was a huge, huge thing. Um.

0:24:45.000 --> 0:24:48.160
<v Speaker 1>Diana Ross did her first appearance with the Supreme since

0:24:48.240 --> 0:24:53.399
<v Speaker 1>nineteen sixty nine. Marvin Gaye played, Um. There was a

0:24:53.560 --> 0:24:56.080
<v Speaker 1>battle of the bands between the Temptations and the Four

0:24:56.160 --> 0:25:00.280
<v Speaker 1>Tops Stevie Wonder Um, I'm sure everybody when it was

0:25:00.280 --> 0:25:05.760
<v Speaker 1>like a soccer game. UM, and Michael Jackson comes out right,

0:25:06.400 --> 0:25:09.119
<v Speaker 1>and people like, who's he? I mean he was pretty

0:25:09.160 --> 0:25:10.639
<v Speaker 1>big at the time. Now, of course he was. He

0:25:10.680 --> 0:25:13.240
<v Speaker 1>was huge, but so was Marvin Gaye in the Four

0:25:13.320 --> 0:25:16.560
<v Speaker 1>Tops and Stevie Wonder, Right, Michael Jackson comes out and

0:25:16.600 --> 0:25:19.919
<v Speaker 1>brings the house down. And one of the reasons he

0:25:19.960 --> 0:25:22.600
<v Speaker 1>brought the house sound was because he's doing Billy Jean,

0:25:23.080 --> 0:25:25.080
<v Speaker 1>which when the thing came out was the number one

0:25:25.080 --> 0:25:29.240
<v Speaker 1>song in America. But during the dance he did the moonwalk,

0:25:29.320 --> 0:25:31.679
<v Speaker 1>and it was the first time basically anybody who had

0:25:31.720 --> 0:25:37.560
<v Speaker 1>seen uh had ever seen the moonwalk. Yeah, like, like

0:25:37.640 --> 0:25:41.080
<v Speaker 1>no one in America watching this NBC special had been

0:25:41.119 --> 0:25:44.399
<v Speaker 1>watching Top of the Pops stuff on solid gold here

0:25:44.400 --> 0:25:47.200
<v Speaker 1>and there. But it was definitely like a mind blower

0:25:47.280 --> 0:25:55.720
<v Speaker 1>for because it was such a widely watched special for sure. Um, well,

0:25:55.760 --> 0:25:59.560
<v Speaker 1>here's the deal. He was taught the moonwalk depends on

0:25:59.560 --> 0:26:03.240
<v Speaker 1>who right. Some people say he sought out Daniel said,

0:26:03.240 --> 0:26:07.520
<v Speaker 1>you teach me. Other people say no, it was Casper

0:26:07.560 --> 0:26:12.200
<v Speaker 1>Candidate or Coolie Jackson. But from what I gather it,

0:26:12.200 --> 0:26:14.879
<v Speaker 1>it sounds like all those guys eventually worked with him

0:26:14.920 --> 0:26:19.760
<v Speaker 1>over the years. Is like either choreographers or choreographers slash

0:26:19.920 --> 0:26:24.680
<v Speaker 1>backup dancers. So he he learned it from some or

0:26:24.720 --> 0:26:29.920
<v Speaker 1>all of those people. Yeah, Like, um, Daniel choreographed like

0:26:30.119 --> 0:26:36.240
<v Speaker 1>his smooth Criminal video, and Coolie and Casper are the

0:26:36.320 --> 0:26:39.960
<v Speaker 1>dudes who like lean with him on other that very famous,

0:26:40.000 --> 0:26:43.320
<v Speaker 1>like crazy side lane that he did in the video.

0:26:43.960 --> 0:26:46.800
<v Speaker 1>Does he do one of those de lean move? The

0:26:47.440 --> 0:26:50.360
<v Speaker 1>crazy side lean, I think is what it's called. Can

0:26:50.400 --> 0:26:52.720
<v Speaker 1>I say what happened to me yesterday? What did you

0:26:52.760 --> 0:26:55.600
<v Speaker 1>do a lean? Well? I was looking at videos on

0:26:55.640 --> 0:26:59.320
<v Speaker 1>how to moonwalk tutorials okay, uh, to see if I

0:26:59.320 --> 0:27:01.200
<v Speaker 1>could get it. And when you watch it slowed down

0:27:01.240 --> 0:27:03.840
<v Speaker 1>and broken down, it's like, oh, well, I get it.

0:27:03.840 --> 0:27:06.520
<v Speaker 1>It's not that complex, but it's hard to master. And

0:27:06.520 --> 0:27:09.480
<v Speaker 1>we'll get to all that coming up, Like I'm sure

0:27:09.480 --> 0:27:12.400
<v Speaker 1>we're gonna bumble our way through a description about the moonwalk,

0:27:13.119 --> 0:27:15.840
<v Speaker 1>but we're gonna try. But then I started following into

0:27:15.880 --> 0:27:20.960
<v Speaker 1>that little YouTube vortex of videos and I saw this

0:27:21.000 --> 0:27:24.520
<v Speaker 1>guy saying, here's how you do the lean, and I

0:27:24.560 --> 0:27:26.000
<v Speaker 1>was like, I want to know how to do that

0:27:26.040 --> 0:27:28.760
<v Speaker 1>because it's cool. It is it's like an illusion. It

0:27:28.960 --> 0:27:37.000
<v Speaker 1>is well, it's not, it's real. And there's a guy, well,

0:27:37.080 --> 0:27:40.160
<v Speaker 1>I don't and there's a guy named Robert Hoffman who

0:27:40.200 --> 0:27:42.280
<v Speaker 1>It turns out this guy is great. He does he's

0:27:42.359 --> 0:27:46.640
<v Speaker 1>dance tutorials and he's kind of funny and and does

0:27:46.640 --> 0:27:48.520
<v Speaker 1>it in such a way that it's interesting to watch,

0:27:49.119 --> 0:27:51.439
<v Speaker 1>and so I encourage everyone to go watch Robert Hoffman's

0:27:51.480 --> 0:27:53.880
<v Speaker 1>tutori on how to do the lean, and he kind

0:27:53.880 --> 0:27:56.960
<v Speaker 1>of explains, He fully explains the illusion and how to

0:27:57.080 --> 0:27:58.399
<v Speaker 1>how to do it well. And I look at it

0:27:58.440 --> 0:28:00.479
<v Speaker 1>and I'm like, oh man, you're about to follow over right,

0:28:00.800 --> 0:28:02.400
<v Speaker 1>And then he pulls it back, and I thought, I'm

0:28:02.400 --> 0:28:05.760
<v Speaker 1>gonna practice the lean because that will be like I've

0:28:05.760 --> 0:28:08.399
<v Speaker 1>always wanted to know how to dance, but I'm just

0:28:08.520 --> 0:28:10.520
<v Speaker 1>not good at it. But I want to get like

0:28:10.560 --> 0:28:12.360
<v Speaker 1>the lean down at least so I can bust that out.

0:28:13.280 --> 0:28:16.359
<v Speaker 1>It's just like standing in place, Yeah, but you know

0:28:16.480 --> 0:28:18.240
<v Speaker 1>you shouldn't even do it on a dance floors while

0:28:18.280 --> 0:28:22.439
<v Speaker 1>you're having a conversation with somebody, like slowly, slowly, just

0:28:22.520 --> 0:28:26.919
<v Speaker 1>start to leave, so they're about to go over, snap

0:28:26.920 --> 0:28:29.280
<v Speaker 1>back into place and be like, what if You're totally right?

0:28:29.600 --> 0:28:31.600
<v Speaker 1>Because I don't go to dance parties anymore anyway, What

0:28:31.600 --> 0:28:33.879
<v Speaker 1>am I talking about? Regular parties? Yeah? I would just

0:28:34.040 --> 0:28:36.920
<v Speaker 1>be in the office one day in the kitchen and

0:28:37.000 --> 0:28:39.800
<v Speaker 1>I'll he's gonna go, oh my god, I didn't go

0:28:39.880 --> 0:28:44.720
<v Speaker 1>over Oh man, um, all right, so where are we?

0:28:45.000 --> 0:28:48.480
<v Speaker 1>So we're talking about how there's a there's a discrepancy

0:28:48.520 --> 0:28:51.040
<v Speaker 1>over who taught Michael Jackson the moonwalk. Correct. The thing

0:28:51.160 --> 0:28:54.160
<v Speaker 1>is is, Michael Jackson never claimed to have invented the moonwalk.

0:28:54.320 --> 0:28:57.160
<v Speaker 1>People just assumed he had because he was huge at

0:28:57.160 --> 0:29:00.320
<v Speaker 1>the time. And he also later said that he didn't

0:29:00.360 --> 0:29:03.560
<v Speaker 1>know what he what his dance routine was gonna be

0:29:03.600 --> 0:29:08.120
<v Speaker 1>for Billy Jean for this motown special. So a lot

0:29:08.120 --> 0:29:11.120
<v Speaker 1>of people say, well, obviously he just did the spur

0:29:11.160 --> 0:29:13.960
<v Speaker 1>of the moment or whatever. No, totally untrue. He employed

0:29:14.080 --> 0:29:17.560
<v Speaker 1>choreographers and including those three guys like you said, all

0:29:17.600 --> 0:29:22.400
<v Speaker 1>three of them worked with him as choreographers. And he also,

0:29:22.680 --> 0:29:26.680
<v Speaker 1>as far as his sister Janet I think, says, they

0:29:26.720 --> 0:29:31.120
<v Speaker 1>went to see Shalamar at Disneyland before this and saw

0:29:31.480 --> 0:29:34.800
<v Speaker 1>um Jeffrey Daniel doing the backslide and said, dude, you

0:29:34.840 --> 0:29:38.760
<v Speaker 1>gotta teach me that. Here's some money, teach me the moonwalk.

0:29:39.200 --> 0:29:41.360
<v Speaker 1>Oh wait, it's not called the moonwalk yet. And he

0:29:41.440 --> 0:29:43.920
<v Speaker 1>also said that he never called it the moonwalk, that

0:29:44.000 --> 0:29:46.080
<v Speaker 1>it was actually the media that came up with that,

0:29:46.480 --> 0:29:49.880
<v Speaker 1>but he adopted it for surely some I mean obviously

0:29:49.920 --> 0:29:53.440
<v Speaker 1>someone named it some Yeah, some ap reporters like named

0:29:54.240 --> 0:29:58.040
<v Speaker 1>there's me. Uh for what it's worth, Daniel said, besides,

0:29:58.040 --> 0:30:02.280
<v Speaker 1>she shields and Yard now that the the Electric boogaloosy

0:30:02.760 --> 0:30:05.200
<v Speaker 1>is who inspired him as well. And I looked up

0:30:05.360 --> 0:30:09.280
<v Speaker 1>those guys. They're the ones who originated body popping. Yeah,

0:30:09.360 --> 0:30:11.080
<v Speaker 1>and they were a dance group and I was looking

0:30:11.080 --> 0:30:14.280
<v Speaker 1>at one of them and I was like, let's rerun. Okay,

0:30:14.800 --> 0:30:18.200
<v Speaker 1>you're talking about locking. Yes, it is Rerun. Yes, he

0:30:18.360 --> 0:30:20.680
<v Speaker 1>was huge, and he was a member of the Lockers,

0:30:20.720 --> 0:30:23.960
<v Speaker 1>which was at one point the Electric Boogaloos. You know

0:30:24.080 --> 0:30:26.440
<v Speaker 1>those are two different Well, no, at one point they were.

0:30:26.480 --> 0:30:29.640
<v Speaker 1>They were merged, okay, and then then that's where popping

0:30:29.720 --> 0:30:32.600
<v Speaker 1>and locking came from, because popping and lock and are

0:30:32.600 --> 0:30:34.680
<v Speaker 1>two different types of day. Originally they were the Electric

0:30:34.680 --> 0:30:39.720
<v Speaker 1>Boogaloo Lockers, and then I guess they diverged at one point. Okay,

0:30:39.720 --> 0:30:41.240
<v Speaker 1>maybe they were like I want to lock, I want

0:30:41.280 --> 0:30:44.800
<v Speaker 1>to pop. Well, the dude who invented locking, it was

0:30:44.840 --> 0:30:47.800
<v Speaker 1>good friends with Rerun and like, if you think of

0:30:47.840 --> 0:30:50.800
<v Speaker 1>Rerun dancing, like those wrist twists and the jumps and

0:30:50.800 --> 0:30:54.600
<v Speaker 1>the suspender stuff, that's lock and totally. And they were

0:30:54.600 --> 0:30:58.080
<v Speaker 1>on that dance squad the Lockers. It was Don Campbell

0:30:58.080 --> 0:31:01.920
<v Speaker 1>who invented locking. Rerun and then Tony Basil, the girl

0:31:02.000 --> 0:31:06.720
<v Speaker 1>who sang mickey. Yeah. So if you don't know who reruns,

0:31:06.760 --> 0:31:08.640
<v Speaker 1>you're like, what in the world are you guys talking about?

0:31:08.880 --> 0:31:12.880
<v Speaker 1>What you oldsters? Um? Oh yeah, it's a It was

0:31:12.920 --> 0:31:17.280
<v Speaker 1>a TV show called What's Happening about these three friends

0:31:17.400 --> 0:31:22.959
<v Speaker 1>in South central l A in the seventies. Very funny. Uh,

0:31:23.000 --> 0:31:25.440
<v Speaker 1>and Rerun was one of the characters played by the

0:31:25.480 --> 0:31:28.880
<v Speaker 1>great Fred Barry who was in the Lockers in the

0:31:28.920 --> 0:31:32.800
<v Speaker 1>electric Googlue Lockers and just go watch go type rerun

0:31:32.920 --> 0:31:38.280
<v Speaker 1>dancing What's happening and uh, what you're watching is pure locking.

0:31:38.640 --> 0:31:41.080
<v Speaker 1>One of the great TV theme songs of all time too. Now,

0:31:41.080 --> 0:31:44.200
<v Speaker 1>if you throw what he's it really is. What instrument

0:31:44.400 --> 0:31:46.680
<v Speaker 1>was that like a klezmer or something. I have no idea.

0:31:47.720 --> 0:31:52.520
<v Speaker 1>It's weird, but it's a great one. Um. The if

0:31:52.560 --> 0:31:57.479
<v Speaker 1>you throw in that, that our movement, that wave and

0:31:57.520 --> 0:32:01.440
<v Speaker 1>the worm, you've got Papa and walking and breaking. Yeah,

0:32:01.680 --> 0:32:05.400
<v Speaker 1>what people think of as breakdancing. That's pretty amazing. Like

0:32:05.440 --> 0:32:07.960
<v Speaker 1>we've I was thinking the other day about how in

0:32:08.040 --> 0:32:11.160
<v Speaker 1>our lifetime is people our age and there's a range.

0:32:11.720 --> 0:32:16.160
<v Speaker 1>But we've seen like a complete, like two complete at

0:32:16.200 --> 0:32:19.920
<v Speaker 1>least two new complete art forms created in hip hop

0:32:20.000 --> 0:32:24.880
<v Speaker 1>music and that and breakdancing created out of whole cloth.

0:32:27.280 --> 0:32:33.280
<v Speaker 1>It's amazing. And the new sports like what like you know,

0:32:33.480 --> 0:32:36.800
<v Speaker 1>X games and snowboarding and skateboarding, like we've like seen

0:32:36.880 --> 0:32:39.880
<v Speaker 1>these new things created. And you always think that, well,

0:32:39.960 --> 0:32:43.959
<v Speaker 1>music is, what else can you do? I guess chechnow

0:32:44.040 --> 0:32:47.800
<v Speaker 1>and all that stuff that was created as well, Um, jazz,

0:32:48.600 --> 0:32:52.600
<v Speaker 1>well that was before us a little, but no, it's true.

0:32:53.160 --> 0:32:54.640
<v Speaker 1>I just think it's pretty neat to look you know,

0:32:54.720 --> 0:32:56.360
<v Speaker 1>I know what you're talking about. Two you you're like, well,

0:32:56.400 --> 0:32:58.880
<v Speaker 1>there's grunge. Well grunge is an offshoot of like rock

0:32:58.920 --> 0:33:00.800
<v Speaker 1>and roll or whatever. But yeah, no, I mean these

0:33:00.800 --> 0:33:03.600
<v Speaker 1>were completely new art forms that some people still think

0:33:03.600 --> 0:33:06.640
<v Speaker 1>are a fad, which is funny. Really well, you know

0:33:06.760 --> 0:33:09.480
<v Speaker 1>you hear like older Mudgeons like rap is gonna be

0:33:09.520 --> 0:33:13.440
<v Speaker 1>a fad. No, wrap is brand new art form here forever,

0:33:14.160 --> 0:33:16.960
<v Speaker 1>and it changes in morphs and is you know, it's amazing.

0:33:17.080 --> 0:33:20.160
<v Speaker 1>It's neat. So we did a hip hop episode. You

0:33:20.200 --> 0:33:23.160
<v Speaker 1>mentioned that, Yeah, it was good. I thought for you know,

0:33:23.400 --> 0:33:25.120
<v Speaker 1>a couple of shamos like us. I think we did

0:33:25.160 --> 0:33:28.240
<v Speaker 1>a pretty decent job, agreed. Um, alright, So do we

0:33:28.280 --> 0:33:31.080
<v Speaker 1>need to explain how to break dance? I want to

0:33:31.120 --> 0:33:35.080
<v Speaker 1>hear you explain it. No, I can't. You mean moonwalk? Yeah?

0:33:35.080 --> 0:33:37.200
<v Speaker 1>What to say? Break dance? Break? Yeah? Yeah, we need

0:33:37.240 --> 0:33:40.560
<v Speaker 1>to say how to moonwalk? Okay, so go ahead, take

0:33:40.560 --> 0:33:42.480
<v Speaker 1>it away. Well you're the one who does it so well,

0:33:42.520 --> 0:33:45.600
<v Speaker 1>all right, all right, are you ready? So you start?

0:33:46.240 --> 0:33:48.080
<v Speaker 1>First of all, you want to take off your shoes

0:33:48.080 --> 0:33:51.720
<v Speaker 1>and put on some socks on a nice slick floor. Yeah,

0:33:51.920 --> 0:33:56.680
<v Speaker 1>don't try to do it on like um uh pine bark. No.

0:33:57.160 --> 0:34:00.920
<v Speaker 1>Maybe pour yourself a vodka gimlet. Yeah, well that's the

0:34:01.040 --> 0:34:05.320
<v Speaker 1>that's the drink of the moonwalker. So um. You you

0:34:05.560 --> 0:34:09.440
<v Speaker 1>are on a slick floor, wearing socks, and you stand

0:34:09.480 --> 0:34:13.480
<v Speaker 1>straight up and down right, and you take your right

0:34:13.520 --> 0:34:15.759
<v Speaker 1>foot and you put it out in front of you

0:34:15.960 --> 0:34:19.879
<v Speaker 1>with your foot flat on the floor. Okay, bend your

0:34:19.960 --> 0:34:22.439
<v Speaker 1>left knee and go up on the ball of your

0:34:22.520 --> 0:34:28.640
<v Speaker 1>left foot. Okay, now holding yourself in place with just

0:34:28.800 --> 0:34:31.120
<v Speaker 1>your the ball of your foot. All of everything is

0:34:31.200 --> 0:34:35.040
<v Speaker 1>on whatever foot you have up, the ball of whatever

0:34:35.080 --> 0:34:37.480
<v Speaker 1>foot you have up. Take a sip of that gimlet, right,

0:34:37.640 --> 0:34:40.799
<v Speaker 1>maybe another one too, I need one now, And then

0:34:40.840 --> 0:34:44.280
<v Speaker 1>you drag your foot back the foot that's on the floor,

0:34:44.680 --> 0:34:47.680
<v Speaker 1>and as you drag your right foot back past your left,

0:34:48.280 --> 0:34:51.640
<v Speaker 1>you drop your left and you drop your left heel

0:34:51.840 --> 0:34:54.880
<v Speaker 1>and raise your right and then you repeat the same

0:34:54.920 --> 0:35:00.839
<v Speaker 1>process and you're floating. There's the moonwalk, a k. The backslide.

0:35:00.920 --> 0:35:03.440
<v Speaker 1>You're pretty square if you call it the moonwalk. These days,

0:35:03.600 --> 0:35:06.520
<v Speaker 1>we had to title this episode moonwalk because we wanted

0:35:06.520 --> 0:35:09.160
<v Speaker 1>everybody to know what we were talking about. But it's

0:35:09.280 --> 0:35:13.600
<v Speaker 1>called the backslide. Okay, that is correct. And I watched

0:35:13.600 --> 0:35:16.040
<v Speaker 1>the tutorial, which the guy who did the tutorial actually

0:35:16.040 --> 0:35:19.799
<v Speaker 1>wasn't great at it. Um like he he had it

0:35:19.840 --> 0:35:21.520
<v Speaker 1>down like how to teach you. But when he did it,

0:35:21.560 --> 0:35:25.360
<v Speaker 1>I was going, yeah, it's not great. Was Steve Brule? No, God,

0:35:25.520 --> 0:35:27.400
<v Speaker 1>that would be great. I just think the guy had

0:35:27.400 --> 0:35:30.680
<v Speaker 1>the wrong shoes on personally, But I'll bet that's what

0:35:30.760 --> 0:35:33.719
<v Speaker 1>he blames it onto. The thing he stressed for a

0:35:33.760 --> 0:35:39.400
<v Speaker 1>good moonwalk is a long stride, which is where you're lacking.

0:35:39.440 --> 0:35:41.800
<v Speaker 1>If I can be honest. Oh am, I doing it

0:35:41.880 --> 0:35:47.400
<v Speaker 1>too too short? Yeah, okay, long stride Josh Okay, I

0:35:47.440 --> 0:35:54.320
<v Speaker 1>didn't realize you've had so many formed opinions about my moonwalk. Uh.

0:35:54.480 --> 0:35:57.759
<v Speaker 1>That foot that you're keeping flat needs to be so

0:35:57.760 --> 0:36:02.120
<v Speaker 1>so flat to create the illusion. What what am I doing?

0:36:02.320 --> 0:36:04.439
<v Speaker 1>I'm not talking about you know, your foot was pretty

0:36:04.480 --> 0:36:08.320
<v Speaker 1>good and flat. That's your stride. I pretend like it's dead,

0:36:08.520 --> 0:36:12.000
<v Speaker 1>like my foot is dead when I drag it. Uh.

0:36:12.040 --> 0:36:13.960
<v Speaker 1>And then when you when you go to switch feet,

0:36:14.360 --> 0:36:16.960
<v Speaker 1>he said, you really just snap them both real hard

0:36:17.520 --> 0:36:22.400
<v Speaker 1>to create that illusion like a good completely synchronized simultaneous

0:36:22.719 --> 0:36:26.040
<v Speaker 1>snap up and down with those two feet, your long stride,

0:36:26.320 --> 0:36:30.400
<v Speaker 1>keep that foot flat, keep that vodka gimlet flowing, and

0:36:30.440 --> 0:36:32.960
<v Speaker 1>you're gonna be moonwalking in no time. And then you

0:36:32.960 --> 0:36:35.640
<v Speaker 1>can also because what you're doing is it's supposed to

0:36:35.680 --> 0:36:38.800
<v Speaker 1>look like you're walking while you're moving backward. You're walking

0:36:38.840 --> 0:36:41.000
<v Speaker 1>forward but moving backwards, and that's the definition of the

0:36:41.000 --> 0:36:44.120
<v Speaker 1>moonwal So you can, um, you can like add your

0:36:44.239 --> 0:36:48.320
<v Speaker 1>arms swinging, lean like your till till your body forward

0:36:48.360 --> 0:36:50.279
<v Speaker 1>a little bit if you're real good. Michael Jackson used

0:36:50.320 --> 0:36:52.760
<v Speaker 1>to like move his head up and down in rhythm

0:36:52.800 --> 0:36:57.320
<v Speaker 1>to his walking or whatever, and it adds to the effect.

0:36:58.080 --> 0:37:02.080
<v Speaker 1>Totes Shalamar. I feel like I kind of should try it,

0:37:02.840 --> 0:37:04.680
<v Speaker 1>try it right now. Well, I'm not gonna do it now.

0:37:05.120 --> 0:37:08.040
<v Speaker 1>You don't have a vodka gimlet, Nope? Are you got

0:37:08.040 --> 0:37:11.279
<v Speaker 1>anything else? And you go get some cocktail onions. Those

0:37:11.280 --> 0:37:13.960
<v Speaker 1>are great Gibson onions. Oh is that it Gibson and

0:37:14.000 --> 0:37:16.120
<v Speaker 1>I'm thinking of yeah, but that's sim It is the

0:37:16.160 --> 0:37:22.600
<v Speaker 1>lime juice roses lime, Yeah, yeah, yeah. Uh. If you

0:37:22.600 --> 0:37:24.800
<v Speaker 1>want to know more about vodka gimlets, you can type

0:37:24.800 --> 0:37:26.959
<v Speaker 1>that word in the search part how stuff works dot com.

0:37:26.960 --> 0:37:29.200
<v Speaker 1>And since I's a gimlet, it's time for listener now

0:37:32.120 --> 0:37:35.560
<v Speaker 1>before listener mail. This is ah, I'm gonna call this

0:37:35.760 --> 0:37:41.080
<v Speaker 1>correction time. Okay, we need like Lola Vie music. We

0:37:41.160 --> 0:37:44.000
<v Speaker 1>do so you know, we have corrections on the show

0:37:44.000 --> 0:37:45.439
<v Speaker 1>from time to time. This was sort of a big

0:37:45.440 --> 0:37:50.680
<v Speaker 1>one because we really goofed on the Gettysburg Address episode. Um,

0:37:50.719 --> 0:37:53.480
<v Speaker 1>and boy did we hear about it. Remember how I

0:37:53.480 --> 0:37:55.840
<v Speaker 1>said I wanted to be a Civil war buff. I

0:37:55.880 --> 0:37:58.560
<v Speaker 1>don't anymore. You know, you have a rough start to

0:37:58.680 --> 0:38:01.080
<v Speaker 1>your career as a Civil war buff. They're not nice people.

0:38:01.120 --> 0:38:03.200
<v Speaker 1>As it turns out, no one on the internet's a

0:38:03.320 --> 0:38:05.960
<v Speaker 1>nice person. No, I was. I was just very surprised

0:38:06.000 --> 0:38:09.880
<v Speaker 1>if people got angry that we messed something up, just like, so,

0:38:09.920 --> 0:38:12.040
<v Speaker 1>what did we mess up? We said fifty thou dead,

0:38:12.080 --> 0:38:15.000
<v Speaker 1>It was fifty total casualties. Is that what it was?

0:38:15.080 --> 0:38:19.120
<v Speaker 1>So we messed up and said mistaked casualties for dead

0:38:19.160 --> 0:38:23.280
<v Speaker 1>when in fact casualties is dead, missing or wounded. Um.

0:38:23.320 --> 0:38:27.799
<v Speaker 1>And then we also said that while we were talking

0:38:27.800 --> 0:38:29.960
<v Speaker 1>about the percentage of the army, like it was this

0:38:30.120 --> 0:38:33.920
<v Speaker 1>much a percentage of of the Union army and a

0:38:33.960 --> 0:38:36.719
<v Speaker 1>third of Lee's army. But it was just for the

0:38:36.800 --> 0:38:40.200
<v Speaker 1>army fighting in that battle, not the total Union army

0:38:41.239 --> 0:38:45.920
<v Speaker 1>and the total Confederate army. And we very specifically were like,

0:38:47.160 --> 0:38:49.480
<v Speaker 1>this is for the entire army. So we got a

0:38:49.520 --> 0:38:52.840
<v Speaker 1>little excited and a little ahead of ourselves. Well, clearly

0:38:52.840 --> 0:38:56.040
<v Speaker 1>we're the most evil people of the century. So very

0:38:56.040 --> 0:39:00.479
<v Speaker 1>sorry about that. Civil War Buffs you know now, don't

0:39:00.480 --> 0:39:04.239
<v Speaker 1>have a contact Chuck again. Please all right, listener mail

0:39:04.239 --> 0:39:08.720
<v Speaker 1>now yeah, um, I'm just gonna read this one. Hey guys,

0:39:08.719 --> 0:39:12.759
<v Speaker 1>great podcast, especially like how you pointed out, Uh, but

0:39:12.840 --> 0:39:16.040
<v Speaker 1>here's some of the bogus studies how to do good research,

0:39:16.920 --> 0:39:19.520
<v Speaker 1>especially like how you guys pointed out the pressure when

0:39:19.560 --> 0:39:22.000
<v Speaker 1>you're an understudy to do studies that support the current

0:39:22.000 --> 0:39:24.880
<v Speaker 1>theories of your employer, without getting into a ton of detail.

0:39:24.920 --> 0:39:28.040
<v Speaker 1>I've been there, and I left research altogether because I

0:39:28.120 --> 0:39:30.719
<v Speaker 1>became pretty disillusioned with it all. One thing you did

0:39:30.760 --> 0:39:34.560
<v Speaker 1>not mention is that entire industries get erected based on

0:39:35.080 --> 0:39:38.759
<v Speaker 1>the results of a few initial studies. Uh, the sexiness

0:39:38.760 --> 0:39:40.919
<v Speaker 1>of the studies. Aside, which is what you talked about.

0:39:41.360 --> 0:39:43.520
<v Speaker 1>The research or does a good job and does not

0:39:43.600 --> 0:39:46.520
<v Speaker 1>show anything, or has a negative study, their funding is

0:39:46.560 --> 0:39:50.320
<v Speaker 1>often at stake. For my personal experiences, is the largest

0:39:50.360 --> 0:39:54.200
<v Speaker 1>basis for bias. WHOA, that was a mouthful. It's hard

0:39:54.200 --> 0:39:58.719
<v Speaker 1>to say when you're missing the tooth um research. Researchers

0:39:58.760 --> 0:40:02.160
<v Speaker 1>become heavily vested and being right from a face perspective,

0:40:02.560 --> 0:40:06.400
<v Speaker 1>if a c in a monetary perspective, we don't really

0:40:06.440 --> 0:40:09.640
<v Speaker 1>recognize realize this because the scope of the impact of

0:40:09.640 --> 0:40:13.040
<v Speaker 1>the studies are usually small. But that researcher who suddenly

0:40:13.120 --> 0:40:15.759
<v Speaker 1>lost all their grants, it's a pretty high price to

0:40:15.760 --> 0:40:18.360
<v Speaker 1>pay for being ethical. I don't really have any answers

0:40:18.360 --> 0:40:21.279
<v Speaker 1>to how to clean it up. But science is contrarian

0:40:21.360 --> 0:40:24.720
<v Speaker 1>and by nature anti consensus. Instead, we have a system

0:40:24.719 --> 0:40:28.719
<v Speaker 1>that rewards only rewards reinforcement. Good researchers have to be

0:40:28.760 --> 0:40:31.080
<v Speaker 1>allowed to say, if you did this great study and

0:40:31.120 --> 0:40:35.440
<v Speaker 1>found nothing without the fear of losing grant money. Amen,

0:40:35.600 --> 0:40:39.359
<v Speaker 1>that's from Trevor. Thanks Trevor. That was very illuminating. Yeah,

0:40:39.480 --> 0:40:46.760
<v Speaker 1>an enlightening, very very adit. Yeah did you say that? Yeah, Rudy, really,

0:40:47.200 --> 0:40:49.839
<v Speaker 1>I don't. Okay. Uh. If you want to get in

0:40:49.880 --> 0:40:52.000
<v Speaker 1>touch with us, like Trevor did, you can tweak to

0:40:52.080 --> 0:40:54.960
<v Speaker 1>us that. That's why sk podcast. You can join us

0:40:54.960 --> 0:40:57.319
<v Speaker 1>on Facebook, dot com slash stuff you should know. You

0:40:57.360 --> 0:41:00.200
<v Speaker 1>can send us an email to stuff podcast. The work

0:41:00.280 --> 0:41:03.759
<v Speaker 1>out I've already doing on the web costs shouldn't dot

0:41:03.760 --> 0:41:06.000
<v Speaker 1>com for more on this and thousands of other topics

0:41:06.040 --> 0:41:13.360
<v Speaker 1>because it how stuff works. Dot com h