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Speaker 1: I leave in I you wanna way back home? Either way,

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Speaker 1: we want to be there, doesn't matter how much baggage

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Speaker 1: you claim and give us time and a germanol and gay.

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Speaker 2: We want to send you off inside.

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Speaker 3: You want to welcome you back home.

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Speaker 1: Tell us all about every scared he was it fine?

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Speaker 1: Now porn?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need ride?

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Speaker 2: With Karen and Chris Boom.

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Speaker 1: The air conditioner is going to be on one.

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Speaker 2: Okay, perfect, welcome to Do you need a ride? This

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Speaker 2: is Chris Fairbanks, Kilgariff. The air conditioner is on one.

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Speaker 2: We are going down a windy road, the windiest.

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Speaker 1: You really sprung that on me.

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Speaker 2: I'm sorry, No, I liked it. That was the most

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Speaker 2: abrupt start we've ever had.

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Speaker 1: It was really fun. It was like you were trying

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Speaker 1: to capture something.

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Speaker 2: Yeah. Yeah, there was a lot of organic stuff was happening.

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Speaker 1: Well, we're both vegan and octo lavo vegan.

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Speaker 2: A lot of like non high fruitose corn syrupy stuff

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Speaker 2: was happening before we started, so I wanted to capture it.

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Speaker 1: But then almost no fast food was taking place.

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Speaker 2: I think, certainly, Yeah, let's go the wrong way. We were,

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Speaker 2: we're leaving. We were just at a party, or I

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Speaker 2: was at the party. You picked me up, and I

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Speaker 2: thank you. I need a ride?

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Speaker 1: Did you need to ride from a party?

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Speaker 2: I do need to ride?

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Speaker 1: Actually, if there was a service, and I might start

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Speaker 1: this in my old age, where someone would come and

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Speaker 1: get you from a party. This second you felt uncomfortable,

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Speaker 1: come on, oh, like.

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Speaker 2: A more specific than our podcast. It's actually like a

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Speaker 2: I fell down type button.

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Speaker 1: Yes, exactly, but for party discomfort where you're like, oh,

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Speaker 1: I thought I knew people here, and I actually only

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Speaker 1: know one person who's not talking to me. I gotta

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Speaker 1: get out of here.

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Speaker 2: I'm high and reading in a framed inspirational quote in

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Speaker 2: a bathroom.

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Speaker 1: Please pluck me, please, I'm gonna crawl out this window

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Speaker 1: you pull up along the back fence.

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Speaker 2: Well, this was not This was people I haven't seen

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Speaker 2: for a while, most of them very successful now, and

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Speaker 2: I did not. I thought it would be an opportunity

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Speaker 2: because we didn't have a guest today. I thought it

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Speaker 2: was an opportunity to just say, hey, who wants to podcast?

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Speaker 2: But I kind of I just turned it into a

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Speaker 2: regular dinner day and I can you can tell by

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Speaker 2: my slurring that I had a few drinks.

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Speaker 1: No, you don't seem drunk at all.

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Speaker 2: No.

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Speaker 1: Also the question, hey, who wants to podcast?

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Speaker 2: It's the worst?

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Speaker 1: The answer is no, I no one. We don't want

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Speaker 1: to be doing this right right. It feels dumb. No

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Speaker 1: one wants to do it. I know it's self indulgent.

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Speaker 1: It's like saying, who wants to go brush each other's hair?

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Speaker 2: Yeah, and we're just doing it because we have an

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Speaker 2: obligation to. Ship flute blogger, yeah.

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Speaker 1: Should keep.

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Speaker 2: It was ship flute blogger. Someone trying to play flute,

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Speaker 2: but there's like ship in the holes that make you.

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Speaker 1: They just keep blowing out ship, which would be a

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Speaker 1: different entertainment.

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Speaker 2: Follow that would I was having a concert and my

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Speaker 2: notes were off feces again, ship flute blogger.

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Speaker 1: Look at the beautiful We are the most beautiful part

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Speaker 1: of this. I guess we should.

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Speaker 2: Yeah, we're in Uh it's where that little old lady

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Speaker 2: is from, Pasady.

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Speaker 1: But it's really beautiful. Lots of willow trees.

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Speaker 2: It's amazing here. This is why this is where everyone

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Speaker 2: goes to buy a beautiful home.

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Speaker 1: Yes, well, this is if you save your money and

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Speaker 1: do things right.

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Speaker 2: I mean that the parody was at and I'll just

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Speaker 2: say all Madrigal. I mean he runs the All Things Common.

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Speaker 2: This is not a podcast related, but it was at

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Speaker 2: his house and has the if when it rains enough,

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Speaker 2: there's a thing that has a blockage for a moment,

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Speaker 2: then it is suddenly triggered and a waterfall cascades down

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Speaker 2: the side. There's a window. They watch it go down

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Speaker 2: and it goes under the house. But everyone in the

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Speaker 2: house stands on what appears to be a bridge and

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Speaker 2: you watch the water go under the house. It was

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Speaker 2: like a weird It's you might as well have a

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Speaker 2: wind or a watermill or something that also accumulates energy.

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Speaker 2: I don't know. It was just a very modern home and.

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Speaker 1: Very beautiful architecture.

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Speaker 2: Sounds like as a guy who lives with another guy

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Speaker 2: with only two rooms and we wake up and just

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Speaker 2: press our foreheads together. I just it's so amazing to

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Speaker 2: see like modern people just doing it correctly. I want

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Speaker 2: to live like modern people do.

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Speaker 1: I want to be the modern people.

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Speaker 2: I want to be with modern people like you.

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Speaker 1: I know that song, but strangely, I don't know the

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Speaker 1: worst to be.

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Speaker 2: Okay, it's made more popular by star trek Face, but

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Speaker 2: originally it was a pulp song.

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Speaker 1: Star trek Face, Leonard meanwoy h still.

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Speaker 2: Alive face, William Shatner, Bill Shatner, Yeah, Billy Shatner, Little

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Speaker 2: Bill Shatner.

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Speaker 1: So just doing Kris and Karen recap episode. Oh yeah,

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Speaker 1: because it's been so long. We haven't done one of

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Speaker 1: these in months and months.

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Speaker 2: And I think that everyone likes them. I think, I

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Speaker 2: know I do. I'm drunk right now.

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Speaker 1: You're not.

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Speaker 2: I am, though, you go ahead and face it. I

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Speaker 2: know you've found a better place with sobriety. You're not

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Speaker 2: even you're you have zero to no vices right now.

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Speaker 2: That's right. I said zero to know. And what's that

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Speaker 2: guy do? Is he a restaurant tour?

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Speaker 1: Oh? You mean the kingpin that lives on the house.

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Speaker 3: Well, that is the house from Lethal Weapon?

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Speaker 1: Is there? To drive up there?

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Speaker 2: There's stilts on it, and remember yanks him down with

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Speaker 2: an F one fifty.

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Speaker 1: We're going up there.

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Speaker 2: You can see it from the That is the house?

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Speaker 1: Is it really?

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Speaker 2: Yeah? That is the fancy house from Lethal Weapon where

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Speaker 2: it's so those of you listening and there's dozens of you.

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Speaker 2: There's a house on stilts that is in Lethal Weapon too.

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Speaker 1: Is that the one where Taylor Negron's the bad guy

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Speaker 1: and they end up having that shootout by the pool.

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Speaker 2: Oh my god, it was Taylor Negron.

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Speaker 1: Yes, the late, amazing, the late amazing, never to be replaced.

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Speaker 1: Taylor Negro the best, right. He was so goddamn funny.

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Speaker 1: He grew up with a monkey. His family had a monkey. Really, yes,

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Speaker 1: he this. He would tell stories at the Uncabaret that

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Speaker 1: were the most incredible things you've ever heard.

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Speaker 2: Every time I hear a story about pre me being

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Speaker 2: in La Comedy, it's on cabaret stories.

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Speaker 1: Yeah, that was when I That's right, when I moved

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Speaker 1: there in ninety.

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Speaker 2: Four, moved here. Oh we aren't there, we pass Oh

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Speaker 2: I was in I was in Houston all weekend and

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Speaker 2: I was like, oh no, And then I moved here

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Speaker 2: about four. Uh we're in Houston. No, I've never been here.

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Speaker 2: I kept forgetting where I was. Oh yeah, I love

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Speaker 2: Taylor Negro.

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Speaker 1: Yeah, he was amazing and so funny. Also great in

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Speaker 1: shit the Rodney Dangerfield movie where his daughter gets married

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Speaker 1: and they have the backyard wedding.

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Speaker 2: Is it it's.

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Speaker 1: It's the one where he it's about betting. Oh fuck

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Speaker 1: what remember that he wants to get.

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Speaker 2: There. It's like a coach of a team.

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Speaker 1: I know.

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Speaker 2: Oh my five wives? Is it that? And it's not

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Speaker 2: back to school?

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Speaker 1: No easy money?

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Speaker 2: Oh easy Billy.

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Speaker 1: Joel song Easy Money was the theme song to the movie,

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Speaker 1: and it was it was Rodney Jane Danderfield trying. I'm

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Speaker 1: going up here to seephen get near that house.

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Speaker 2: Oh right, yeah, oh god, yes, let's let we're about

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Speaker 2: to uh witness the house from lethal weapon too.

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Speaker 1: If we can get up here.

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Speaker 2: You're right. I think I love that you're doing this,

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Speaker 2: taking the initiative.

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Speaker 1: Yeah, that's my way.

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Speaker 2: God, most of these houses were made by people who

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Speaker 2: worked at Disneyland. Look at that cottage, this proof, Look

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Speaker 2: at that gorgeous.

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Speaker 1: This makes me realize, realize I should really start it.

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Speaker 1: Stopped motive saving money.

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Speaker 2: What if you could just go to a place that

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Speaker 2: had a Southby's sign. I just hey, here's the down

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Speaker 2: payment briefcase.

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Speaker 1: Could you imagine just open a briefcase and how could

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Speaker 1: we do that? We could sell drugs. We can introduce

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Speaker 1: crack back into the popular mainstream. Oh I'm doing this,

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Speaker 1: I'm going down here.

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Speaker 2: It's perfect timing because of that nw A movie coming out.

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Speaker 1: That's right. It would be like a little retro fun

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Speaker 1: drug thing. If kids are doing crocodeal and they then

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Speaker 1: I'm sure they'd be willing to do crash.

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Speaker 2: What a pretty view that none of you can see?

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Speaker 1: You up here to propose to you?

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Speaker 2: Why am I on my knee in the car?

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Speaker 1: We're in a what's that a flywater zip line?

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Speaker 2: Oh? I would like for it to eat a flywater?

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Speaker 2: What's that fly water zip wire? I hope it's a

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Speaker 2: flywater a zip wire?

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Speaker 1: What's this? Just whatever's coming out of my mouth?

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Speaker 2: Oh?

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Speaker 1: I see it's actually a telephone.

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Speaker 2: Oh that was a good God.

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Speaker 1: This is gorgeous. It's like sundown over over Pasadena.

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Speaker 2: It's the best time to have a fly rod. It's

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Speaker 2: just now look at this. Let me ask you about

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Speaker 2: There are so many guests at this party that I

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Speaker 2: could have, but I'm not persistent enough. I just want

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Speaker 2: everyone to know right now that we have the ability

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Speaker 2: to get the top people in comedy. I'm not going

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Speaker 2: to go through a list of who was at the.

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Speaker 1: Party because that is des class a.

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Speaker 2: Yeah, it's cachet. It's it's it's passe.

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Speaker 1: It is.

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Speaker 2: A foxcap where away. Yeah, anyway, I'm glad that it's

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Speaker 2: just you.

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Speaker 1: And I me too. It's fun. We get more jokes

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Speaker 1: and we don't have to ask people about things that

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Speaker 1: we actually care about. But we do. Should we say this?

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Speaker 1: We do have a guest booked coming up for a

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Speaker 1: two parter that's kind of huge, Okay because I did

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Speaker 1: his show A Lardo the other night. Yes, I told you,

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Speaker 1: Patten Oswald, Yeah, wants to do this podcast's hands. Oh

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Speaker 1: did we book him? Yeah? Yeah, yeah, Oh that's cool.

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Speaker 1: So Patt's going to do a two parter where we

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Speaker 1: drop him off before he does a run that will

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Speaker 1: end what he has to do a casino at the

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Speaker 1: end of this run and then he flies home.

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Speaker 2: Is Patten doing casinos?

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Speaker 1: Well, I mean he says he's really excited that that's

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Speaker 1: the last gig because then he'll be really upset and

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Speaker 1: miserable by the time we pick him up. I mean,

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Speaker 1: like casino gigs are.

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Speaker 2: So he knows he's been listening then, I believe, so

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Speaker 2: he knows that. You think our better episodes have been

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Speaker 2: where we're picking someone up from a gig, which I

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Speaker 2: don't think we should do anymore. Just drop offs.

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Speaker 1: Only drop offs, I mean, because they're drowned.

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Speaker 2: It's easy when we're picking someone up, you have to

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Speaker 2: circle around. It's impossible to you know, to be yourself. Yeah,

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Speaker 2: and to then be yourself you're tired by the time

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Speaker 2: the guest is in.

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Speaker 1: Well. Also, you you know what's really funny, I think

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Speaker 1: on this corner, Okay, I'm gonna but I'm gonna take

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Speaker 1: it hairpin style.

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Speaker 3: Oh God, that'll be loud.

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Speaker 2: That peaked. I didn't, that's all right. My mic had

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Speaker 2: the winds?

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Speaker 1: Was that the whole zoom?

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Speaker 2: It's no, No, it's just the mica. Oh look at

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Speaker 2: that dog. Oh, I'd like for it to be actual animals.

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Speaker 2: But it's a pretty great lab. Yeah, chocolate lab just

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Speaker 2: cascading down the hill for attweiler.

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Speaker 1: Oh you didn't jump the fence.

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Speaker 2: I've never I've never seen a chocolate lab just act

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Speaker 2: like melted chocolate, just cascaded down a hill, which in

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Speaker 2: this case is earth, but it could have been ice cream.

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Speaker 1: What if those people had just a humongous backyard chocolate fountain.

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Speaker 1: That's actually what we are looking at. Oh, gloss us clump,

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Speaker 1: august dust, clump needles in your chocolate.

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Speaker 2: I think it's clump, but there's a noom lot above

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Speaker 2: the us, so we have to say, do.

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Speaker 1: You mean augustus gloop from Willy Wonka?

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Speaker 2: Is it glop?

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Speaker 1: Yes?

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Speaker 2: Really it is g l U and the neom lot yellow.

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Speaker 2: Another you the neom lot and then P.

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Speaker 1: So it actually looks like an ellipses across the top

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Speaker 1: of the ears. Wait for it.

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Speaker 2: Give me a minute. Oh I'm so glad that you're

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Speaker 2: willing to be drunk with me.

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Speaker 1: I love it. Oh my god, it's my.

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Speaker 2: I'm gonna go ahead. And I was curbing it for

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Speaker 2: a while. I'm like, I can't get all saucy right,

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Speaker 2: but you know what you can? I mean I can

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Speaker 2: and I you know, I've been real.

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Speaker 1: Good lately, by the way, Yeah you were at a party.

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Speaker 1: I know I was.

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Speaker 2: I jogged on the beach yesterday. My feet hurt from that.

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Speaker 1: Oh good.

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Speaker 2: Yeah. I'm really trying to balance, you know, like a

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Speaker 2: normal person as you get older.

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Speaker 1: That's what I'm trying to do lately too. I've removed

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Speaker 1: all my vices except for I did eat lazed potato

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Speaker 1: chips today.

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Speaker 2: Oh come on, I'm a weak So you're as much

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Speaker 2: of an addict as a ten year old child. Oh,

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Speaker 2: scold you, scold, scoldie, scoldie.

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Speaker 1: On Uh should wait? What we were talking about before

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Speaker 1: the hairpin turn?

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Speaker 2: Oh oh, there's a chocolate lab diming down before that bounding. Really,

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Speaker 2: prior to that, we were talking about something.

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Speaker 1: There's something I want to say.

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Speaker 2: Oh god, oh, I can just feel the tweets coming

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Speaker 2: in now and they just listened and they get a rewind.

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Speaker 1: Right, and then they're like, it was this. It won't

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Speaker 1: help us now, that's not real time.

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Speaker 2: God, you're just scolding.

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Speaker 1: There's a no, I'm sorry that did sound judgmental. Uh,

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Speaker 1: there would It would be cool if there was a

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Speaker 1: way we could figure.

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Speaker 2: Out we should keep it down. Mike Judges sleep in

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Speaker 2: the peck seat.

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Speaker 1: We're gonna ask him a couple of questions. He said

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Speaker 1: about King of the Hill.

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Speaker 2: He was like, oh, I'd love to like, but I

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Speaker 2: was like, when you need a ride, like I made

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Speaker 2: that rule. He's like, oh, okay, I guess I'll figure

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Speaker 2: out when I have a flight. He probably would have

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Speaker 2: done it to the grocery store, yoga studio or something.

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Speaker 1: Yeah, yeah, we could take it.

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Speaker 2: I'm an obstacle with the success of this.

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Speaker 1: It's no. I think it's it's all going in exactly

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Speaker 1: the way we want. There's the house again. I basically

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Speaker 1: just did the que circles.

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Speaker 2: Right, there's a reason we can't get to it. We

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Speaker 2: really tried to get to that. Now we are almost

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Speaker 2: at the same sport. We were getting right back to

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Speaker 2: the freeway. We just went around a mountain.

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Speaker 1: Yeah, that's pretty cool.

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Speaker 2: Well they yeah, in the movie they pulled it down

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Speaker 2: and uh, that's the house.

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Speaker 1: That's really cool.

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Speaker 2: Someone told me recently and pointed at it, and I'm like, oh,

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Speaker 2: I don't know, but.

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Speaker 1: That's yeah, that's very cool. Oh that's what I was

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Speaker 1: gonna say. I just came back from Montreal and.

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Speaker 3: You were at the Montreal Fast not to perform.

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Speaker 1: I was working with Wanda Sykes, who I love in

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Speaker 1: your industry now right. I'm I was looking to see

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Speaker 1: if I could find young talent, and I can't. There

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Speaker 1: was none but new faces, just brand new face, just

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Speaker 1: my new face that I had replaced at passages.

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Speaker 2: I know you're not I I know that you can

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Speaker 2: rap because I've heard it. But if you could come

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Speaker 2: up with a rap. That is my new face that

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Speaker 2: I got replaced. I will, I will do all the

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Speaker 2: other producing.

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Speaker 1: You would you really?

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Speaker 2: Yeah?

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Speaker 1: And can it be the kind of rap you do

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Speaker 1: which sounds like accidental rhythmic time.

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Speaker 2: My new face that I got replaced, I had some wrinkles.

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Speaker 2: Now I got a face. I'm the only one brave

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Speaker 2: enough to rhyme face with face.

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Speaker 1: It's a bold new that's why you're featured in me

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Speaker 1: A bold New World. Now we're on a front. But

341
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Speaker 1: I was gonna say that when I flew back, there

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Speaker 1: was nothing Saturday to me than walking off that plane

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Speaker 1: and knowing I had to get into a cab. I

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Speaker 1: was like the great irony that I don't have a

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Speaker 1: ride home from the airport right now.

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Speaker 2: And yeah, every time I'm you know, I've been. I've

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Speaker 2: been traveling a bit. And we don't have to get

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Speaker 2: into it.

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Speaker 1: Most we should get into it though.

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Speaker 2: Two different commercials with football players, well, Joe Flacco, he's

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Speaker 2: Baltimore is a oriole no as a Baltimore felt No, yeah,

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Speaker 2: thank you Ravens. And then this JJ Watt guy for

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Speaker 2: the Houston is it Oilers?

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Speaker 1: Yeah?

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Speaker 2: No? What year is it? Eighty seven? The Houston Houstonians,

356
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Speaker 2: the Houston Texans. What a stupid fuck. If I can't

357
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Speaker 2: believe that, They're like, we're gonna have a new football team.

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Speaker 2: I think we should name it the Texans because our

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Speaker 2: flag has one star, and our flag is what the

360
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Speaker 2: America would be if it weren't for all you other

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Speaker 2: pussy as states.

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Speaker 1: Let's keep it simple, stupid. Yeah, let's let's not go

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00:18:02,400 --> 00:18:05,720
Speaker 1: totally on Texas though, because I'm positive we have a

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Speaker 1: lot of fans.

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Speaker 2: I love all all joking, which we've done previously about

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Speaker 2: that Stata side. I love Texas, and I was so

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Speaker 2: happy when I was in Houston and I missed the

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Speaker 2: Left Stop and I miss all of the people that

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Speaker 2: used to come and watch comedy in Houston. I love

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Speaker 2: it there.

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Speaker 1: Okay, that's all I have to say.

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Speaker 2: I am from Austin Comedically.

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Speaker 1: You know that prior to that, which football player was cool?

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Speaker 2: Both? You know what? JJ Watt I didn't actually meet.

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Speaker 2: He was being shot the next day.

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Speaker 1: He was being shot the next day.

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00:18:49,119 --> 00:18:52,600
Speaker 2: Yeah, they just bread in the marketplace and they lined

378
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Speaker 2: up a bunch of fellows and just ended up at NASA.

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00:19:00,760 --> 00:19:04,120
Speaker 2: You guys are taking welter, Okay, Okay, if we can.

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00:19:05,480 --> 00:19:08,800
Speaker 2: In the bottom of the description of this episode, there

381
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Speaker 2: will be a picture of us being in NASA and

382
00:19:11,119 --> 00:19:13,880
Speaker 2: we are not in Houston, even though I just mentioned Houston.

383
00:19:14,160 --> 00:19:15,159
Speaker 2: I'm taking a picture.

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Speaker 1: Also, it's this is This is Jet Propulsion Laboratories.

385
00:19:18,680 --> 00:19:20,520
Speaker 2: This is where, this is where space camp.

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Speaker 1: This is where the Mars Rover team. Remember when Mars

387
00:19:23,440 --> 00:19:24,000
Speaker 1: Rover and the.

388
00:19:24,000 --> 00:19:28,480
Speaker 2: Assisting Institute of Technology. What this is the California It's

389
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Speaker 2: the Institute of Technology. There's more than NASA here. This

390
00:19:31,960 --> 00:19:33,440
Speaker 2: is where genius has come to work.

391
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Speaker 1: Yes, this is we're surrounded, but this is so weird.

392
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Speaker 2: We just we just this.

393
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Speaker 1: I'm so excited and I didn't even know this guy.

394
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Speaker 2: Oh they're not They're not okay, we're not sorry. I'm sorry,

395
00:19:46,440 --> 00:19:50,280
Speaker 2: we're waving. We're happy. Oh as you would suspect. Some

396
00:19:50,560 --> 00:19:53,360
Speaker 2: soldiers came out and we did a quick U turn.

397
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Speaker 1: I love that they were like for the movies, and they.

398
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Speaker 2: Both leaned up all nonchalant, like you are you gonna

399
00:20:00,720 --> 00:20:02,280
Speaker 2: make us do what you know we can do?

400
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Speaker 1: I mean, you know what that?

401
00:20:03,920 --> 00:20:04,920
Speaker 2: How did we end up there?

402
00:20:05,040 --> 00:20:07,280
Speaker 1: That was fucking weird and exciting.

403
00:20:07,440 --> 00:20:08,760
Speaker 2: That was really exciting.

404
00:20:08,920 --> 00:20:11,639
Speaker 1: JP l that's where remember in Mars Rover they landed

405
00:20:11,680 --> 00:20:13,800
Speaker 1: it and they showed the team that was landing it

406
00:20:13,840 --> 00:20:16,600
Speaker 1: and moving the like machine around and there was the

407
00:20:16,680 --> 00:20:19,000
Speaker 1: one guy with the mohawk, and that guy got kind

408
00:20:19,000 --> 00:20:22,680
Speaker 1: of popular on social media. That's where they were. That's

409
00:20:22,760 --> 00:20:25,359
Speaker 1: the that's the lab they do all that from that

410
00:20:25,640 --> 00:20:29,120
Speaker 1: was That was that was a huge deal.

411
00:20:29,320 --> 00:20:30,800
Speaker 2: That was Yeah, that made me nervous.

412
00:20:30,840 --> 00:20:31,520
Speaker 3: I got scared.

413
00:20:31,960 --> 00:20:32,959
Speaker 2: I'm a little shaken.

414
00:20:33,760 --> 00:20:35,680
Speaker 1: The car, but now there's a car following us and

415
00:20:35,800 --> 00:20:37,400
Speaker 1: the two of us are going to disappear.

416
00:20:40,160 --> 00:20:42,480
Speaker 2: That's a scientists ran in my pocket. I've been carrying

417
00:20:42,520 --> 00:20:45,920
Speaker 2: it for about seven months. I do.

418
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Speaker 1: I believe.

419
00:20:47,200 --> 00:20:54,640
Speaker 2: I'm ready. I'm ready. I've been he's not. Okay, there's

420
00:20:54,640 --> 00:20:55,200
Speaker 2: a pad.

421
00:20:55,400 --> 00:20:58,680
Speaker 1: Okay, But tell me about the football player that you

422
00:20:58,760 --> 00:20:59,879
Speaker 1: actually did get to work with.

423
00:21:01,080 --> 00:21:04,840
Speaker 2: Joe Flacco is the sweetest, Like I don't I don't

424
00:21:04,880 --> 00:21:08,840
Speaker 2: follow football really, but he's a quarterback. But he is

425
00:21:10,200 --> 00:21:13,640
Speaker 2: Conan and O'Brien tall. He's like nine feet tall. Yeah.

426
00:21:14,160 --> 00:21:16,800
Speaker 2: That girl just graduated from college and she's on a

427
00:21:16,880 --> 00:21:17,639
Speaker 2: dirt bike and.

428
00:21:17,960 --> 00:21:22,080
Speaker 1: She's really good at cosmology.

429
00:21:22,200 --> 00:21:27,040
Speaker 2: Yeah, and limpesting the handlebars. He was really funny, and

430
00:21:27,119 --> 00:21:29,959
Speaker 2: he kept making fun of himself. He's like, we were

431
00:21:30,000 --> 00:21:33,200
Speaker 2: in this big mansion. It wasn't his house, but and

432
00:21:33,320 --> 00:21:36,920
Speaker 2: it was. It was a commercial for Tostitos, nice for

433
00:21:37,119 --> 00:21:43,560
Speaker 2: Pepsi and Walmart. WHOA, It's okay. Just for the record,

434
00:21:44,080 --> 00:21:48,200
Speaker 2: Aaron put her arm in front of me, stiffed it

435
00:21:48,640 --> 00:21:51,440
Speaker 2: and I would have flown through the windshield had she not.

436
00:21:52,440 --> 00:21:54,200
Speaker 2: I really thought I was a gunner there.

437
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Speaker 1: But just it was a combination. It was the combination

438
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Speaker 1: of Tostito's Pepsi, I.

439
00:22:01,440 --> 00:22:04,080
Speaker 3: Stop the presses, all those products.

440
00:22:04,119 --> 00:22:06,359
Speaker 2: It wants What I thought it was because you were

441
00:22:06,400 --> 00:22:08,960
Speaker 2: slamming on the brakes, but it's really because he wants

442
00:22:09,000 --> 00:22:10,760
Speaker 2: some chips and chips.

443
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Speaker 1: And I'm going to turn in my turn in my

444
00:22:14,600 --> 00:22:17,840
Speaker 1: Laise and now I'm gonna go Tostito's Walmart Pepsi.

445
00:22:18,160 --> 00:22:21,000
Speaker 2: So every time I was like going to take a

446
00:22:21,080 --> 00:22:24,680
Speaker 2: drink of a Pepsi, I mean, I'm The best part

447
00:22:24,840 --> 00:22:27,280
Speaker 2: is bag of chips falls on the floor and I

448
00:22:27,359 --> 00:22:31,040
Speaker 2: grab it. And the whole thing is this football player

449
00:22:31,080 --> 00:22:34,280
Speaker 2: does not want to throw party, so he's pouring salsa

450
00:22:34,440 --> 00:22:37,040
Speaker 2: into the bag of chips, shaking it and then offering

451
00:22:37,119 --> 00:22:41,800
Speaker 2: it to people. Oh he's tossing, you know, he's.

452
00:22:42,280 --> 00:22:43,760
Speaker 1: He's quarterbacking.

453
00:22:45,520 --> 00:22:46,040
Speaker 2: At a party.

454
00:22:46,119 --> 00:22:48,800
Speaker 1: Does he not have a wife? Or that was partly?

455
00:22:49,680 --> 00:22:51,720
Speaker 2: That was the whole point of it. He doesn't have

456
00:22:51,840 --> 00:22:56,119
Speaker 2: a kitchen lady who's his partner, and so he's in

457
00:22:56,200 --> 00:23:00,840
Speaker 2: the kitchen like fumbling around literally because he's a right

458
00:23:01,880 --> 00:23:05,280
Speaker 2: just can't get it straight because men will be men.

459
00:23:05,840 --> 00:23:08,720
Speaker 2: Men don't belong with the fix and of food.

460
00:23:08,520 --> 00:23:13,000
Speaker 1: Makings, and if you leave it to leave to them,

461
00:23:13,359 --> 00:23:15,399
Speaker 1: they're just going to pour things and other things.

462
00:23:15,600 --> 00:23:18,960
Speaker 2: He started biting people because he didn't know what to do.

463
00:23:19,119 --> 00:23:22,439
Speaker 2: He just bit fingers for real. No, im.

464
00:23:25,720 --> 00:23:29,200
Speaker 1: Tree that shah years ago.

465
00:23:29,400 --> 00:23:32,480
Speaker 2: But no, there was every time I grab this PEPs there,

466
00:23:32,560 --> 00:23:34,480
Speaker 2: like the logo has to be aimed at the camera,

467
00:23:34,560 --> 00:23:35,320
Speaker 2: and so I had to grab it.

468
00:23:35,400 --> 00:23:36,920
Speaker 1: Wait are you allowed to talk about this?

469
00:23:37,280 --> 00:23:40,159
Speaker 2: Yeah? I think so. Yeah, Oh it's non union. I

470
00:23:40,280 --> 00:23:43,280
Speaker 2: got a thousand bucks. Jesus Christ. I'll talk about it

471
00:23:43,400 --> 00:23:45,840
Speaker 2: till the cows come home. It was also a commercial

472
00:23:45,880 --> 00:23:46,439
Speaker 2: for cows.

473
00:23:46,880 --> 00:23:49,320
Speaker 1: Oh, I was thinking of buying a cow.

474
00:23:49,640 --> 00:23:52,760
Speaker 2: Oh really as a pattern as a means of income.

475
00:23:53,040 --> 00:23:56,560
Speaker 1: I'll decide that after. I just want a red and

476
00:23:56,560 --> 00:23:56,960
Speaker 1: white cat.

477
00:23:57,080 --> 00:23:59,639
Speaker 2: Have you seen these dwarf donkeys?

478
00:24:00,320 --> 00:24:05,000
Speaker 1: Have you seen throw up tonight? Have you.

479
00:24:06,560 --> 00:24:07,959
Speaker 2: Common in the air tonight?

480
00:24:09,400 --> 00:24:09,680
Speaker 1: Lord?

481
00:24:11,000 --> 00:24:13,359
Speaker 2: So long? Or O Lord? I don't know.

482
00:24:13,720 --> 00:24:14,639
Speaker 1: I thought it was a lord.

483
00:24:15,440 --> 00:24:17,320
Speaker 2: Oh, I don't think it's Lord.

484
00:24:18,320 --> 00:24:20,720
Speaker 1: I was raised Catholic, so I like.

485
00:24:22,720 --> 00:24:25,560
Speaker 2: O Lord. I wasn't raised Catholic, but I listened to

486
00:24:25,560 --> 00:24:26,959
Speaker 2: All Genesis while kneeling.

487
00:24:30,640 --> 00:24:33,359
Speaker 1: What if those two what if those two security guards

488
00:24:33,400 --> 00:24:34,520
Speaker 1: and JPL shot us.

489
00:24:36,720 --> 00:24:37,840
Speaker 2: I think they were armed.

490
00:24:38,000 --> 00:24:43,480
Speaker 1: They thought that we were back to the future style

491
00:24:43,560 --> 00:24:45,040
Speaker 1: drive up terrorists.

492
00:24:44,680 --> 00:24:48,920
Speaker 2: But well, we didn't stop a weird didn't like we

493
00:24:49,160 --> 00:24:52,200
Speaker 2: have a rocket launcher. That's why we're exactly a block away.

494
00:24:52,600 --> 00:24:55,600
Speaker 2: Were stop because we were watching. We were so excited

495
00:24:55,640 --> 00:25:00,359
Speaker 2: about the Institute of Technology suddenly springing upon us. And

496
00:25:00,480 --> 00:25:03,000
Speaker 2: then they came out and sash ate up on their little,

497
00:25:03,880 --> 00:25:05,240
Speaker 2: their little freeway.

498
00:25:04,920 --> 00:25:08,560
Speaker 1: Barrier as if to say, hey, hey, we'll kind of

499
00:25:08,760 --> 00:25:11,280
Speaker 1: bump you with our chests. Do you think you're gonna

500
00:25:11,880 --> 00:25:12,880
Speaker 1: hello this bit joke?

501
00:25:13,440 --> 00:25:16,520
Speaker 3: We're not getting that close. You better have a rifle, motherfucker.

502
00:25:16,840 --> 00:25:20,560
Speaker 2: And then they didn't. They didn't have them. That's when

503
00:25:20,600 --> 00:25:22,240
Speaker 2: we did a quick U turn and got the hell

504
00:25:22,280 --> 00:25:22,680
Speaker 2: out of there.

505
00:25:22,720 --> 00:25:24,600
Speaker 1: I also put my hands up as if to say, hey,

506
00:25:24,800 --> 00:25:29,040
Speaker 1: hey brothers, Hey guys, we're one of you. We're also

507
00:25:29,119 --> 00:25:29,879
Speaker 1: security guards.

508
00:25:30,680 --> 00:25:31,760
Speaker 2: Oh that was the best.

509
00:25:31,920 --> 00:25:35,480
Speaker 1: That was fucking great. But anyway, sorry, So Joe Flacca

510
00:25:35,680 --> 00:25:39,320
Speaker 1: Walk a Flame was the best to work with.

511
00:25:39,560 --> 00:25:40,240
Speaker 2: He was the best.

512
00:25:40,880 --> 00:25:41,720
Speaker 1: Was very uh.

513
00:25:42,720 --> 00:25:44,920
Speaker 2: He just seemed to be making fun of himself the

514
00:25:44,960 --> 00:25:48,240
Speaker 2: whole time. And he's like, I'm not an actor. I

515
00:25:48,320 --> 00:25:52,240
Speaker 2: don't know, I'm an idiot. Oh, I messed up. And

516
00:25:52,359 --> 00:25:56,320
Speaker 2: everyone was rushing to talk to him because all the extras,

517
00:25:56,560 --> 00:25:58,920
Speaker 2: like all these people. There was a party situation. So

518
00:25:59,040 --> 00:26:06,200
Speaker 2: there's people I'll look at some cocks, cops. Oh man,

519
00:26:06,440 --> 00:26:09,000
Speaker 2: oh we're in one of these neighborhoods, cops everywhere.

520
00:26:09,800 --> 00:26:11,040
Speaker 1: Yeah, let's get out of here.

521
00:26:12,400 --> 00:26:16,200
Speaker 2: You left, or do another U turn and that were

522
00:26:16,359 --> 00:26:19,760
Speaker 2: very excited to meet him, and he was. He was

523
00:26:19,960 --> 00:26:24,840
Speaker 2: anticipating someone wanting to talk to him by them glancing

524
00:26:24,960 --> 00:26:29,359
Speaker 2: over and just approaching people and I love. Yeah. One

525
00:26:29,400 --> 00:26:32,040
Speaker 2: of the guys was paying playing a football coach and

526
00:26:32,240 --> 00:26:35,680
Speaker 2: he was like he wanted to meet him. But he's like, well,

527
00:26:35,680 --> 00:26:37,119
Speaker 2: I'm not going to go up to the guy and

528
00:26:37,280 --> 00:26:41,920
Speaker 2: bother him. But at one point he said, hey, if

529
00:26:42,080 --> 00:26:44,840
Speaker 2: later on, if I can get a picture with you,

530
00:26:45,119 --> 00:26:48,200
Speaker 2: that would be great. And when the whole thing was wrapped,

531
00:26:49,200 --> 00:26:52,400
Speaker 2: this this young quarterback who's like on top of the world,

532
00:26:53,000 --> 00:26:57,399
Speaker 2: had left, and then he remembered that the guy playing

533
00:26:57,440 --> 00:26:59,280
Speaker 2: the coach wanted a picture with him, and he came

534
00:26:59,359 --> 00:27:01,960
Speaker 2: back and he said, oh, did you want to still

535
00:27:02,000 --> 00:27:06,280
Speaker 2: get that picture? I saw him leave and he came back. So, yeah,

536
00:27:06,359 --> 00:27:10,160
Speaker 2: this Joe Flacco guy is about the sweetest, the real deal.

537
00:27:10,240 --> 00:27:10,400
Speaker 1: Yeah.

538
00:27:10,480 --> 00:27:14,760
Speaker 2: Yeah, he was very nice. He looked a little bit

539
00:27:15,040 --> 00:27:18,520
Speaker 2: like here's a swimmer that got like everyone smokes weed

540
00:27:18,560 --> 00:27:22,560
Speaker 2: and Michael Yeah, he looked PHELPSI and photos, but in

541
00:27:22,760 --> 00:27:24,640
Speaker 2: person was like, uh.

542
00:27:25,280 --> 00:27:27,880
Speaker 1: Uh terribly gorgeous.

543
00:27:28,119 --> 00:27:30,879
Speaker 2: Yeah he I mean, you saw me stammer. Because I'm

544
00:27:31,400 --> 00:27:34,320
Speaker 2: comfortable with my own sexuality, but there's times where I'm like,

545
00:27:34,920 --> 00:27:37,800
Speaker 2: I would fuck that man that where I am like

546
00:27:38,400 --> 00:27:40,600
Speaker 2: it gets a little scattered in my head. You know,

547
00:27:40,720 --> 00:27:43,440
Speaker 2: I'm forty. I should know where I'm at and I

548
00:27:43,840 --> 00:27:46,520
Speaker 2: can tell and it's like, that's the jaw I want,

549
00:27:47,080 --> 00:27:50,400
Speaker 2: that's the body, that's the ad, that's the dick I want. Yeah,

550
00:27:50,400 --> 00:27:54,840
Speaker 2: you know what I mean, my body on dick that

551
00:27:54,960 --> 00:27:59,920
Speaker 2: he was swearing like these weird tight pants we've we've

552
00:28:00,240 --> 00:28:02,800
Speaker 2: heard away from the main what I was trying to

553
00:28:02,880 --> 00:28:03,400
Speaker 2: talk about.

554
00:28:04,000 --> 00:28:06,520
Speaker 3: I'm not talking about, but talk about dicks.

555
00:28:06,520 --> 00:28:07,719
Speaker 2: We're not doing my stand up.

556
00:28:07,880 --> 00:28:11,600
Speaker 1: Athletes are like magical creatures because you know, they've dedicated

557
00:28:11,640 --> 00:28:15,800
Speaker 1: their entire lives to like working out essentially in different

558
00:28:15,840 --> 00:28:19,359
Speaker 1: ways to the peak performance. They're peak examples of the

559
00:28:19,480 --> 00:28:20,960
Speaker 1: human body and what it can achieve.

560
00:28:21,080 --> 00:28:26,400
Speaker 2: And he was a combination of born just born ability,

561
00:28:26,680 --> 00:28:30,440
Speaker 2: and you know he's tall, he's this physical specimen already

562
00:28:30,880 --> 00:28:34,480
Speaker 2: on top of that dedication, you know. And I don't

563
00:28:34,480 --> 00:28:37,080
Speaker 2: even like football. You're not a football person, right, I.

564
00:28:37,119 --> 00:28:38,840
Speaker 1: Mean I just I kind of like all of it.

565
00:28:39,080 --> 00:28:42,160
Speaker 1: I respect people who do it. That's respect it too.

566
00:28:42,320 --> 00:28:44,800
Speaker 1: I really like the accomplishment of it. It makes me

567
00:28:44,920 --> 00:28:47,960
Speaker 1: feel better as a human being that that's a representative. Well,

568
00:28:48,080 --> 00:28:51,840
Speaker 1: especially like that the women's soccer that we just watched.

569
00:28:51,960 --> 00:28:54,560
Speaker 1: All I thought was I need to start walking a lot,

570
00:28:54,800 --> 00:28:57,160
Speaker 1: like an hour every day, right because they were so

571
00:28:58,400 --> 00:29:02,120
Speaker 1: beautiful looking, and it's like your skin and your everything, and.

572
00:29:02,320 --> 00:29:06,040
Speaker 2: With women with soccer, it's always been the case. And

573
00:29:06,120 --> 00:29:11,520
Speaker 2: then also women's you know, like college basketball, there's there's

574
00:29:12,080 --> 00:29:16,320
Speaker 2: a teamwork with women, there's not this, and I'd hate

575
00:29:16,360 --> 00:29:19,800
Speaker 2: to just reference, you know, Michael Jordan or whatever, like

576
00:29:19,880 --> 00:29:25,760
Speaker 2: the show Bodie players that like do ninety percent of

577
00:29:25,840 --> 00:29:29,080
Speaker 2: the work offensively or whatever. And then and I don't

578
00:29:29,080 --> 00:29:30,880
Speaker 2: talk about sports. I think I know what I'm saying

579
00:29:30,960 --> 00:29:32,560
Speaker 2: right now, and I might be just repeating. I can

580
00:29:32,760 --> 00:29:35,680
Speaker 2: tell you I would say, but women work as a team.

581
00:29:35,800 --> 00:29:39,680
Speaker 2: They were and with soccer it is one hundred percent

582
00:29:39,720 --> 00:29:41,520
Speaker 2: of the case, and it's really fun to watch.

583
00:29:41,760 --> 00:29:42,560
Speaker 1: Yeah, it's cool.

584
00:29:42,880 --> 00:29:45,400
Speaker 2: And same when I went to the University of Montana,

585
00:29:45,480 --> 00:29:49,960
Speaker 2: the women's basketball team was much more fun to watch

586
00:29:50,080 --> 00:29:55,080
Speaker 2: because it was with the exception of like spinning the

587
00:29:55,160 --> 00:29:59,920
Speaker 2: ball and everything. They're they're ball handling among each other

588
00:30:00,240 --> 00:30:04,120
Speaker 2: and like the way they would pass and it was artful.

589
00:30:04,240 --> 00:30:07,440
Speaker 2: And then you watch the dudes and it's like just

590
00:30:07,600 --> 00:30:09,480
Speaker 2: like I get the ball and I'm gonna run and

591
00:30:09,520 --> 00:30:11,920
Speaker 2: slam duncan. It's not as fun to watch, you know.

592
00:30:12,160 --> 00:30:14,120
Speaker 1: Well, it's kind of like they they have to do

593
00:30:14,280 --> 00:30:17,560
Speaker 1: it a little bit better to get the same job done.

594
00:30:17,960 --> 00:30:19,600
Speaker 1: And that's the thing that I always think. It's funny

595
00:30:19,640 --> 00:30:21,960
Speaker 1: when like people go like I don't watch WNBA. It's boring,

596
00:30:22,440 --> 00:30:24,840
Speaker 1: and it's like that means you haven't watched it, because

597
00:30:25,560 --> 00:30:28,480
Speaker 1: it's you have to do more to accomplish the same

598
00:30:28,560 --> 00:30:32,520
Speaker 1: thing on the same court as people who are larger

599
00:30:32,720 --> 00:30:34,040
Speaker 1: and more.

600
00:30:34,480 --> 00:30:39,320
Speaker 2: Yeah, I think it's that. It's also just the the

601
00:30:39,600 --> 00:30:42,560
Speaker 2: tendency to want to work together. Yes, it's cool.

602
00:30:42,800 --> 00:30:45,400
Speaker 1: Well, yeah, that's kind of women's minds work that way. Yeah,

603
00:30:45,440 --> 00:30:46,120
Speaker 1: a little bit better.

604
00:30:46,280 --> 00:30:49,000
Speaker 2: Yeah, not with comedy. I wish. I wish women work

605
00:30:49,040 --> 00:30:53,160
Speaker 2: together with commony. A lot of girls in comedy are like,

606
00:30:53,880 --> 00:30:56,560
Speaker 2: they're very hard on each other. Well, I don't know,

607
00:30:56,720 --> 00:30:58,800
Speaker 2: that's just what I think. I'm putting it out there.

608
00:30:58,920 --> 00:31:02,160
Speaker 1: You can say what you well, I get, don't name names. Uh,

609
00:31:02,640 --> 00:31:05,000
Speaker 1: you know, that's that's the other thing is because there's

610
00:31:05,080 --> 00:31:08,520
Speaker 1: fewer maybe, so it's like people are it's you're I'm

611
00:31:08,600 --> 00:31:12,120
Speaker 1: definitely more judgmental when I see people who I wish

612
00:31:12,240 --> 00:31:13,880
Speaker 1: weren't doing the thing they're doing, because I feel like

613
00:31:13,920 --> 00:31:18,240
Speaker 1: it represents female comedy, right yeah, yeah, oh no, you

614
00:31:18,360 --> 00:31:20,840
Speaker 1: just did a seven minute set all about hand jobs.

615
00:31:21,120 --> 00:31:23,560
Speaker 2: Right, Oh, don't do that of course, yeah, of course

616
00:31:23,640 --> 00:31:24,120
Speaker 2: that kind of thing.

617
00:31:24,440 --> 00:31:26,680
Speaker 1: But whatever, that's my I'm kind of an old prude.

618
00:31:27,600 --> 00:31:30,320
Speaker 2: I'm a bit of a prude myself. I'm kind of prudent,

619
00:31:31,160 --> 00:31:33,400
Speaker 2: and I'm the same way. Actually, there's a bunch of

620
00:31:33,560 --> 00:31:37,120
Speaker 2: comedian dudes, and I'm like, I wish you weren't just

621
00:31:39,120 --> 00:31:41,320
Speaker 2: telling stories about how you hate your kids.

622
00:31:42,680 --> 00:31:45,360
Speaker 1: Well, you know it's funny. Go in Montreal, you had

623
00:31:45,640 --> 00:31:47,600
Speaker 1: you just saw, I saw a bunch of comedy.

624
00:31:47,880 --> 00:31:50,120
Speaker 2: Okay, could you re explain what you were doing there?

625
00:31:50,320 --> 00:31:53,760
Speaker 1: Yes, So Wanda Sykes had a gala, which I like,

626
00:31:54,480 --> 00:31:57,440
Speaker 1: she's the greatest. She's so fucking funny. Yeah, and she's

627
00:31:57,520 --> 00:32:01,280
Speaker 1: so nice and cool and real. And so she had

628
00:32:01,320 --> 00:32:03,560
Speaker 1: a gala, so she had to do like ten or

629
00:32:03,600 --> 00:32:06,000
Speaker 1: fifteen minutes at the top and then in the middle

630
00:32:06,480 --> 00:32:10,280
Speaker 1: she had to do something different. So she was like,

631
00:32:10,400 --> 00:32:12,480
Speaker 1: I just need help figuring out what I should do

632
00:32:12,600 --> 00:32:14,400
Speaker 1: for my middle thing. So that's what I did. I

633
00:32:14,480 --> 00:32:16,880
Speaker 1: got I worked with her and we figured out the

634
00:32:16,960 --> 00:32:18,800
Speaker 1: bit she was going to do for her second time.

635
00:32:19,040 --> 00:32:21,600
Speaker 2: You know when did you ever know where? Well?

636
00:32:21,720 --> 00:32:24,400
Speaker 1: She my friend Paige her Wits has a production company.

637
00:32:24,440 --> 00:32:29,280
Speaker 1: Was there no, But Paige recommended me and want to

638
00:32:29,400 --> 00:32:31,960
Speaker 1: see me like we did Moon Tower at the same time.

639
00:32:32,400 --> 00:32:35,040
Speaker 1: Want to see me do stand up. And then I

640
00:32:35,120 --> 00:32:37,320
Speaker 1: think Page just said you should get Karen to help you,

641
00:32:37,520 --> 00:32:38,360
Speaker 1: because she's done.

642
00:32:38,240 --> 00:32:40,880
Speaker 2: Stuff like that before. Well, you know how horrified I

643
00:32:41,040 --> 00:32:43,600
Speaker 2: did that last comic standing thing. They are the producers

644
00:32:43,640 --> 00:32:48,240
Speaker 2: of that. I did not do well, right, I did poorly. Actually,

645
00:32:48,520 --> 00:32:50,960
Speaker 2: some might say I didn't do poorly. They just the

646
00:32:51,040 --> 00:32:53,640
Speaker 2: audience liked me. But the judge has turned on me. Yeah,

647
00:32:54,000 --> 00:32:59,000
Speaker 2: because you know, and I said something haphazard about about

648
00:33:00,760 --> 00:33:04,400
Speaker 2: Norm MacDonald being stung by bees. People realize that I

649
00:33:04,520 --> 00:33:05,640
Speaker 2: meant his face swelling.

650
00:33:06,680 --> 00:33:06,800
Speaker 1: Uh.

651
00:33:07,120 --> 00:33:10,800
Speaker 2: And then and then Roseanne, I said, but thank god

652
00:33:10,840 --> 00:33:13,280
Speaker 2: you're not Roseanne from the nineties, otherwise I might care

653
00:33:13,320 --> 00:33:15,880
Speaker 2: what you're saying. I did none of that, but the

654
00:33:16,000 --> 00:33:18,160
Speaker 2: audience liked I said that, but I got upset, my

655
00:33:18,240 --> 00:33:20,520
Speaker 2: feelings got hurt, and I lashed out. Yeah, and then

656
00:33:20,560 --> 00:33:23,680
Speaker 2: I called and Uh. A friend of mine was working

657
00:33:23,720 --> 00:33:26,400
Speaker 2: on a show. She called Page and said, absolutely, no way,

658
00:33:26,520 --> 00:33:29,320
Speaker 2: we're gonna make Chris look bad. And I trust her.

659
00:33:29,520 --> 00:33:32,760
Speaker 2: I trust her, and I trust Wanda Syke cause I

660
00:33:32,800 --> 00:33:33,960
Speaker 2: think they're like good people.

661
00:33:34,200 --> 00:33:37,400
Speaker 1: Oh yeah, no, no, no, they really are. I mean

662
00:33:37,440 --> 00:33:38,560
Speaker 1: there they are.

663
00:33:39,560 --> 00:33:42,320
Speaker 2: I would definitely so back to you you were there.

664
00:33:42,400 --> 00:33:44,040
Speaker 1: No, no, no, I just I hear what you're saying.

665
00:33:45,000 --> 00:33:48,040
Speaker 1: But she yeah, they're they're trying to they're trying to

666
00:33:48,080 --> 00:33:49,600
Speaker 1: make good things, and they're trying to give voice to

667
00:33:49,680 --> 00:33:52,400
Speaker 1: people who never get seen, you know, and make kind

668
00:33:52,480 --> 00:33:56,520
Speaker 1: of definitely stuff for black people, stuff for women. Like

669
00:33:56,640 --> 00:33:58,960
Speaker 1: they're just they're just kind of trying to represent them. Yeah,

670
00:33:59,240 --> 00:34:02,720
Speaker 1: it doesn't get the doesn't happen that much anyhow. So

671
00:34:02,920 --> 00:34:06,240
Speaker 1: what we ended up doing was a slide show where

672
00:34:06,280 --> 00:34:10,359
Speaker 1: it was wan and this was Wanda's ideas genius and awesomes.

673
00:34:10,800 --> 00:34:12,600
Speaker 1: So my id is, it's a slide show where you

674
00:34:12,719 --> 00:34:15,440
Speaker 1: go around showing all the different sites and sounds of Montreal.

675
00:34:15,520 --> 00:34:18,160
Speaker 1: But you you know, it's your version, and I call

676
00:34:18,200 --> 00:34:25,640
Speaker 1: it your Montreal. And so she started letting people cry,

677
00:34:25,760 --> 00:34:28,000
Speaker 1: I don't like that dog. That's a very cute dog.

678
00:34:28,840 --> 00:34:30,799
Speaker 1: All these dogs are pure breadths around.

679
00:34:30,560 --> 00:34:34,080
Speaker 2: Here, bounding everywhere. They all are reminded me of ice

680
00:34:34,160 --> 00:34:37,279
Speaker 2: cream desserts cascading down.

681
00:34:37,800 --> 00:34:41,879
Speaker 1: So Wanda's idea is she's gonna do that, but she's

682
00:34:41,920 --> 00:34:43,840
Speaker 1: gonna go out and take pictures of herself standing in

683
00:34:43,880 --> 00:34:46,640
Speaker 1: front of the places with a selfie stick and then

684
00:34:46,719 --> 00:34:48,600
Speaker 1: she goes and have them make me a shirt that

685
00:34:48,680 --> 00:34:52,759
Speaker 1: says America rules, so that she basically played the ugly

686
00:34:52,800 --> 00:34:56,560
Speaker 1: American walking around Montreal and it was really really funny

687
00:34:56,560 --> 00:34:57,799
Speaker 1: and she was great.

688
00:34:57,960 --> 00:35:01,480
Speaker 2: Did you ever see the train the insult comic dog

689
00:35:01,680 --> 00:35:06,919
Speaker 2: going around talking to French Canadians. No, it was kind

690
00:35:06,960 --> 00:35:09,239
Speaker 2: of the same thing where he was pretending to be

691
00:35:09,600 --> 00:35:14,200
Speaker 2: an American Pride insult comic dog, but people were punching.

692
00:35:15,160 --> 00:35:17,759
Speaker 2: I guess it's Robert Smichael's hand that's in it. Yeah,

693
00:35:17,920 --> 00:35:21,440
Speaker 2: but they were like so mad. It was. It was

694
00:35:21,600 --> 00:35:24,800
Speaker 2: kind of funny, but he was actually being a little

695
00:35:25,480 --> 00:35:27,120
Speaker 2: racist towards French people. Yeah.

696
00:35:27,520 --> 00:35:30,080
Speaker 1: Well, and also they kind of all remembered they're very Frenchy,

697
00:35:30,480 --> 00:35:33,640
Speaker 1: you know, like there's a real French element to those people.

698
00:35:33,680 --> 00:35:33,960
Speaker 1: They're not.

699
00:35:35,239 --> 00:35:37,120
Speaker 2: When I was looking on I was like, this, it's

700
00:35:37,200 --> 00:35:38,800
Speaker 2: a European country, it really is.

701
00:35:38,880 --> 00:35:40,080
Speaker 1: It felt like it to me.

702
00:35:40,360 --> 00:35:43,520
Speaker 2: Did you go to Old Yeah? I did New Faces

703
00:35:43,600 --> 00:35:46,680
Speaker 2: in two thousand and three, and and Chad Daniels and

704
00:35:46,719 --> 00:35:49,400
Speaker 2: I went to Old Montreal, the Cobblestony Park where you

705
00:35:49,440 --> 00:35:52,640
Speaker 2: can pay five bucks and be a Trappis artist and

706
00:35:52,760 --> 00:35:55,600
Speaker 2: there's all this and we hung out with these clowns

707
00:35:55,640 --> 00:35:57,600
Speaker 2: and they were off duty and they picked popped it.

708
00:35:58,200 --> 00:36:02,080
Speaker 2: They pulled money out of Chad's wallet and we had

709
00:36:02,120 --> 00:36:06,000
Speaker 2: to go back and oh yeah, yeah, yeah, it was

710
00:36:06,200 --> 00:36:09,080
Speaker 2: very you know, it's very eyes wide shut. I've never

711
00:36:09,160 --> 00:36:13,160
Speaker 2: been to another country type of situation without any orgy.

712
00:36:13,520 --> 00:36:13,640
Speaker 1: Right.

713
00:36:14,440 --> 00:36:15,320
Speaker 2: I really loved it.

714
00:36:15,640 --> 00:36:17,400
Speaker 1: I really liked it a lot. I thought it was

715
00:36:17,480 --> 00:36:23,520
Speaker 1: super cool. Yeah so, but but also since I wasn't performing,

716
00:36:24,280 --> 00:36:25,400
Speaker 1: I didn't feel.

717
00:36:25,400 --> 00:36:29,160
Speaker 2: Did you should have been? Well, you and Drenna not doing.

718
00:36:30,280 --> 00:36:32,120
Speaker 1: Oh, we just I don't know. I don't think people

719
00:36:32,239 --> 00:36:33,640
Speaker 1: know that we're doing it that much.

720
00:36:33,760 --> 00:36:36,839
Speaker 2: But oh, I think everyone knows you're doing it that much.

721
00:36:36,960 --> 00:36:37,600
Speaker 1: Does everyone know?

722
00:36:37,920 --> 00:36:39,799
Speaker 2: Well, it's doing a thing with my hands where it's

723
00:36:39,840 --> 00:36:42,200
Speaker 2: like that much, and as far as a fish goes,

724
00:36:42,360 --> 00:36:43,200
Speaker 2: it's Actually.

725
00:36:45,280 --> 00:36:51,480
Speaker 1: It was kind of a merout. Okay, so it suddenly

726
00:36:51,520 --> 00:36:56,879
Speaker 1: got so dark. I mean, well, I guess that topic's over.

727
00:36:57,440 --> 00:36:59,040
Speaker 1: That was the extent of it. I got to go

728
00:36:59,120 --> 00:37:01,279
Speaker 1: to a hotel room with I love. My favorite thing

729
00:37:01,440 --> 00:37:04,840
Speaker 1: is traveling, getting to a hotel room, ordering room service,

730
00:37:04,960 --> 00:37:07,239
Speaker 1: and staying in that hotel for as long as I

731
00:37:07,480 --> 00:37:07,680
Speaker 1: did it.

732
00:37:07,719 --> 00:37:10,040
Speaker 2: In Baltimore, I did it in Houston. The last couple

733
00:37:10,080 --> 00:37:13,120
Speaker 2: of weeks has been me in hotel rooms. And you

734
00:37:13,239 --> 00:37:16,920
Speaker 2: feel validated though, because you're working, You're somewhere, you're getting

735
00:37:16,960 --> 00:37:20,480
Speaker 2: a paycheck, you're being picked up and dropped off. There's

736
00:37:20,520 --> 00:37:24,840
Speaker 2: a flight. I'm working right now. Why not since you know,

737
00:37:24,960 --> 00:37:27,080
Speaker 2: I know when I have to work, why not spend

738
00:37:27,120 --> 00:37:28,200
Speaker 2: the rest of the time in bed?

739
00:37:28,800 --> 00:37:31,479
Speaker 1: Yeah, comfortable bed watching weird TV.

740
00:37:32,040 --> 00:37:35,600
Speaker 2: Oh, just so many weird documentaries about murders and lovings,

741
00:37:35,800 --> 00:37:39,000
Speaker 2: all of it. I am Oh, so, I just what

742
00:37:39,200 --> 00:37:42,120
Speaker 2: if you watch gang, this gangland thing about the LA

743
00:37:43,000 --> 00:37:48,000
Speaker 2: like Venice thirteen, this hatchet gang. I mean machete, not hatchet.

744
00:37:48,120 --> 00:37:49,040
Speaker 1: Literal machetes.

745
00:37:49,400 --> 00:37:50,680
Speaker 2: Yeah, let that guy pass.

746
00:37:50,760 --> 00:37:52,880
Speaker 1: Jeez. Yeah, because I have to figure out where we are. Oh,

747
00:37:53,719 --> 00:37:54,960
Speaker 1: they walk around with machetes.

748
00:37:54,960 --> 00:37:58,480
Speaker 2: You're telling me, Oh, the Venice thirteen. It's it's I

749
00:37:58,600 --> 00:38:03,440
Speaker 2: think based in gridor if I'm not mistaken, I might be.

750
00:38:04,880 --> 00:38:13,160
Speaker 2: I may be mistake. Uh emigrated to LA And then

751
00:38:13,680 --> 00:38:17,200
Speaker 2: there's that they've kind of started in Venice. Venice thirteen

752
00:38:17,400 --> 00:38:20,960
Speaker 2: is a very popular gang. Okay, very popped, but it's

753
00:38:21,400 --> 00:38:23,439
Speaker 2: not for money enough for drugs. They just kill people.

754
00:38:23,480 --> 00:38:25,480
Speaker 2: They just random murders.

755
00:38:25,560 --> 00:38:27,240
Speaker 1: They kill you with the fucking hatchet.

756
00:38:27,440 --> 00:38:31,880
Speaker 2: Yeah, and with machetes usually that's crazy. Sorry, Yeah, Michet

757
00:38:32,680 --> 00:38:36,640
Speaker 2: the guy you remember that song? How bis all? He

758
00:38:36,800 --> 00:38:42,600
Speaker 2: was a fucking total murdering gang member guy that got killed. No, yeah, yeah,

759
00:38:43,000 --> 00:38:46,480
Speaker 2: and you're making me crazy.

760
00:38:46,640 --> 00:38:46,839
Speaker 1: Yeah.

761
00:38:47,000 --> 00:38:49,760
Speaker 2: Every time I look o route, every time I look around,

762
00:38:50,080 --> 00:38:52,719
Speaker 2: that guy is a fuck. He's a total thug that

763
00:38:52,840 --> 00:38:57,520
Speaker 2: got murdered with hatchet with I think he's involved with

764
00:38:57,560 --> 00:39:00,000
Speaker 2: the Venister. I'm not making this up. It always seems

765
00:39:00,200 --> 00:39:02,840
Speaker 2: like I am. I have little snippets of stuff that

766
00:39:02,960 --> 00:39:06,319
Speaker 2: I It may be partially untrue, but I'm pretty sure

767
00:39:06,320 --> 00:39:07,800
Speaker 2: I love that. I don't care if it was a

768
00:39:07,880 --> 00:39:11,959
Speaker 2: machete based gang. He is dead. He made that fun,

769
00:39:12,040 --> 00:39:16,080
Speaker 2: loving kind of song that should have been like Sugar

770
00:39:16,280 --> 00:39:24,359
Speaker 2: a Sugar Ray opening band song. Yes, the Hot Hot Sun.

771
00:39:25,280 --> 00:39:28,280
Speaker 1: He was talking like he was a like a stuck

772
00:39:28,360 --> 00:39:30,960
Speaker 1: up cartoon cat. And then it turns out he's in

773
00:39:31,040 --> 00:39:33,680
Speaker 1: a machete gang. How is this possible?

774
00:39:36,960 --> 00:39:40,640
Speaker 3: Was my toppot? My palls up and bunt.

775
00:39:41,040 --> 00:39:42,719
Speaker 1: I want to eat a whole fish and pull the

776
00:39:42,800 --> 00:39:46,799
Speaker 1: bones out of my mouth just like he pops up.

777
00:39:48,080 --> 00:39:50,759
Speaker 2: I would love, I would love to see a cat.

778
00:39:51,040 --> 00:39:54,759
Speaker 2: Just jump into a trash can spine a fish and

779
00:39:54,880 --> 00:39:56,680
Speaker 2: then pull the bones out like.

780
00:39:57,960 --> 00:39:59,920
Speaker 1: And have a xylophone sound a little bit.

781
00:40:01,520 --> 00:40:03,200
Speaker 2: Oh, that would be the best.

782
00:40:03,360 --> 00:40:05,239
Speaker 1: You know, that's the one thing we haven't seen in

783
00:40:05,320 --> 00:40:08,359
Speaker 1: this gorgeous area is a fucking cat.

784
00:40:08,719 --> 00:40:13,320
Speaker 2: You you're paying way better attention than me. Again, I

785
00:40:13,440 --> 00:40:15,800
Speaker 2: have to admit that I had some margaritas three, but

786
00:40:15,960 --> 00:40:18,440
Speaker 2: these kids and als OL's kids gave.

787
00:40:18,320 --> 00:40:21,040
Speaker 1: Them to me. Don't blame children that you drink.

788
00:40:22,239 --> 00:40:24,360
Speaker 2: I gave them money. It's their fault.

789
00:40:25,920 --> 00:40:27,680
Speaker 1: These kids keep making me drink.

790
00:40:27,920 --> 00:40:29,840
Speaker 2: It was funny, but I think he was like, I

791
00:40:29,920 --> 00:40:32,879
Speaker 2: don't know if anyone's still there, but we'll see.

792
00:40:33,200 --> 00:40:35,239
Speaker 1: Well, you know what it is. It's you know, their

793
00:40:35,440 --> 00:40:39,040
Speaker 1: comics won't leave parties because they want to drink. Most

794
00:40:39,080 --> 00:40:42,040
Speaker 1: comics have terrible fucking manners, so they'll stand around in

795
00:40:42,080 --> 00:40:44,120
Speaker 1: your house till four in the morning, so you ask

796
00:40:44,200 --> 00:40:46,440
Speaker 1: them to leave. So that's I'm sure that's why he

797
00:40:46,560 --> 00:40:47,759
Speaker 1: was just like, I don't want there to be a

798
00:40:47,840 --> 00:40:51,480
Speaker 1: second wave right in my gorgeous architectural digestive.

799
00:40:51,560 --> 00:40:54,879
Speaker 2: It was beautiful. I bet it's like I remember him

800
00:40:55,000 --> 00:40:59,359
Speaker 2: like I was drawing like I did his original cd

801
00:40:59,640 --> 00:41:02,719
Speaker 2: R all these stickers, and he was having me do

802
00:41:02,760 --> 00:41:05,360
Speaker 2: all this all his art for his MySpace page, and

803
00:41:05,880 --> 00:41:06,840
Speaker 2: he was like such.

804
00:41:06,680 --> 00:41:07,879
Speaker 1: So this was back in ninety seven.

805
00:41:08,160 --> 00:41:10,880
Speaker 2: Yeah, I mean, come on, let's give me a little credit.

806
00:41:10,960 --> 00:41:14,839
Speaker 2: I didn't start stand up until ninety nine. Okay, so yeah, yeah,

807
00:41:14,840 --> 00:41:17,879
Speaker 2: about about ninety seven before I started. Oh you're going

808
00:41:18,000 --> 00:41:19,799
Speaker 2: so fast and you're the son of a bitch.

809
00:41:20,000 --> 00:41:22,719
Speaker 1: You know. That was the many famous comedians.

810
00:41:23,000 --> 00:41:26,800
Speaker 2: Yeah, yeah, god, I mean I didn't drop too many names,

811
00:41:26,880 --> 00:41:32,440
Speaker 2: did I. But this place is studded with stars, but

812
00:41:32,600 --> 00:41:35,400
Speaker 2: I did. He was like, Hey, I have kids, I

813
00:41:35,480 --> 00:41:39,080
Speaker 2: have to make money. I need merchandise. I'm on the road.

814
00:41:39,200 --> 00:41:42,080
Speaker 2: We had the same manager. There was one time He's like,

815
00:41:43,600 --> 00:41:45,719
Speaker 2: he Al has tried to help me out a lot.

816
00:41:45,880 --> 00:41:48,319
Speaker 2: That's been the best he's He had a script once

817
00:41:48,480 --> 00:41:50,120
Speaker 2: and he was like, gave it to me. He's like, hey,

818
00:41:50,239 --> 00:41:52,760
Speaker 2: do you want to look at this script to figure

819
00:41:52,760 --> 00:41:54,960
Speaker 2: out how to write a script? Someone else has done

820
00:41:55,000 --> 00:41:59,440
Speaker 2: that for me once too, and yeah, so there's two

821
00:41:59,440 --> 00:42:02,120
Speaker 2: people in a done that for me. And both times

822
00:42:02,160 --> 00:42:04,799
Speaker 2: I'm like I can't, I can't do it.

823
00:42:06,360 --> 00:42:13,200
Speaker 1: Right, But you do, Chris, You do Wait is that it? No?

824
00:42:13,480 --> 00:42:16,239
Speaker 2: No, no, we've just passed it. We're good, okay, yeah, yeah,

825
00:42:16,480 --> 00:42:18,759
Speaker 2: and we're in. You know you have a show to

826
00:42:18,800 --> 00:42:21,359
Speaker 2: get to. I do right now. It's eight thirty three.

827
00:42:21,719 --> 00:42:23,680
Speaker 1: Oh yeah, do we need more time?

828
00:42:23,880 --> 00:42:24,520
Speaker 2: No, we're good.

829
00:42:24,680 --> 00:42:28,200
Speaker 1: Yeah, let's rap. Yeah, I mean listen and then you

830
00:42:28,280 --> 00:42:28,719
Speaker 1: can come in.

831
00:42:28,840 --> 00:42:31,160
Speaker 2: You should say hi to everyone. Everyone be habit to

832
00:42:31,280 --> 00:42:35,160
Speaker 2: see you. But I just I just revealed how I'm drugs.

833
00:42:36,440 --> 00:42:38,920
Speaker 2: Say I ever are gonna be happy to see it.

834
00:42:39,120 --> 00:42:40,799
Speaker 1: I can't tell you how much I'm not gonna go.

835
00:42:43,400 --> 00:42:45,600
Speaker 2: Have some voices with the friends here.

836
00:42:45,880 --> 00:42:49,680
Speaker 1: Oh, if Cosby is there, I'm definitely not going. There's

837
00:42:49,760 --> 00:42:50,720
Speaker 1: no fucking way.

838
00:42:50,640 --> 00:42:54,080
Speaker 2: Anytime I'm like I want to do an impression, it's

839
00:42:54,160 --> 00:42:55,080
Speaker 2: a Cosby ask.

840
00:42:55,280 --> 00:42:56,800
Speaker 1: You gotta Cosby that thing.

841
00:42:58,200 --> 00:42:59,480
Speaker 2: I tell me you do?

842
00:43:00,600 --> 00:43:03,760
Speaker 1: Okay, Hey, can you do like at Christopher Walking impression?

843
00:43:09,719 --> 00:43:10,360
Speaker 3: Your wife?

844
00:43:11,840 --> 00:43:13,000
Speaker 1: How about Jack Nicholson?

845
00:43:14,000 --> 00:43:20,320
Speaker 2: Hey, the rudey do I'm loving it?

846
00:43:26,480 --> 00:43:31,720
Speaker 1: Sorry, please don't. This has been one of the most

847
00:43:32,000 --> 00:43:33,760
Speaker 1: enjoyable times of my life.

848
00:43:33,840 --> 00:43:36,400
Speaker 2: I think I love these imprecations.

849
00:43:36,719 --> 00:43:41,400
Speaker 1: Okay, how about doctor Ruth West. You first, you.

850
00:43:41,640 --> 00:43:47,280
Speaker 2: Need to drink and no Chi di suction is made.

851
00:43:48,880 --> 00:43:52,359
Speaker 1: It was a perfect plend Thank you. This is an

852
00:43:52,400 --> 00:43:57,080
Speaker 1: accomplishment to transition. It's a it's a it's like a mixtape.

853
00:43:57,120 --> 00:44:01,680
Speaker 1: It's like an overdub. Oh how about some kind of

854
00:44:01,800 --> 00:44:04,320
Speaker 1: Rastafarian star that I wouldn't be able to name except

855
00:44:04,360 --> 00:44:06,680
Speaker 1: for Bob Marley, which who probably doesn't sing that way?

856
00:44:06,719 --> 00:44:10,960
Speaker 1: But what about that? What about a kay.

857
00:44:14,719 --> 00:44:16,400
Speaker 2: Of bands? Rude?

858
00:44:16,840 --> 00:44:17,640
Speaker 1: It's again in.

859
00:44:17,719 --> 00:44:24,560
Speaker 2: The room missed, big parting pants, put the drink and.

860
00:44:26,320 --> 00:44:27,200
Speaker 1: In the mouth.

861
00:44:28,440 --> 00:44:33,560
Speaker 3: Mouth zion, you bet yourself to bed?

862
00:44:34,480 --> 00:44:36,840
Speaker 2: Okay, that one went a little longer. I liked it,

863
00:44:36,920 --> 00:44:39,800
Speaker 2: though it was a little too premeditated.

864
00:44:42,160 --> 00:44:43,839
Speaker 1: I think five impressions is a lot.

865
00:44:44,080 --> 00:44:46,040
Speaker 2: Yeah, yeah, I mean that was That's what they say,

866
00:44:46,160 --> 00:44:48,160
Speaker 2: comedy comes in fine, that's right.

867
00:44:48,480 --> 00:44:55,240
Speaker 1: To put the pentagram of comedy the flaming goat sixty

868
00:44:55,239 --> 00:45:00,319
Speaker 1: sixty six of last these worship Satan always of rule

869
00:45:00,400 --> 00:45:05,320
Speaker 1: of fives? Should we do our goodbyes? And who should

870
00:45:05,360 --> 00:45:08,040
Speaker 1: we say? Thanks? Everybody? For always?

871
00:45:08,440 --> 00:45:10,280
Speaker 2: My judge still sleep in the bag.

872
00:45:12,520 --> 00:45:12,839
Speaker 1: He made?

873
00:45:13,400 --> 00:45:17,160
Speaker 2: I don't think I think he made Daria was Yeah,

874
00:45:17,719 --> 00:45:19,600
Speaker 2: what I wish I could wake him up?

875
00:45:19,680 --> 00:45:21,160
Speaker 1: Well, we'll google it later.

876
00:45:21,160 --> 00:45:25,440
Speaker 2: Baby, Right now, he made Beavis and butthead and Daria

877
00:45:25,719 --> 00:45:29,080
Speaker 2: was a character in it. And then later he just

878
00:45:29,160 --> 00:45:31,520
Speaker 2: sold the rights to that and he didn't ride or anything.

879
00:45:31,640 --> 00:45:35,799
Speaker 1: Yeah, because it wasn't his very special drawing, which I loved.

880
00:45:35,840 --> 00:45:39,160
Speaker 2: And now he's making that HBO like web design.

881
00:45:38,920 --> 00:45:41,320
Speaker 1: Show Silicon Valley.

882
00:45:41,440 --> 00:45:44,560
Speaker 2: Yeah, yeah, it's about debts, debts.

883
00:45:45,440 --> 00:45:48,160
Speaker 1: I love that show. That's the best. Thank you for

884
00:45:48,320 --> 00:45:51,360
Speaker 1: listening and sticking with us when we only do it

885
00:45:51,440 --> 00:45:58,960
Speaker 1: every other week. Always, thank you. Ship flood blogger. I

886
00:45:59,040 --> 00:46:01,279
Speaker 1: think you're a girl, Chris. Do you think she's a

887
00:46:01,320 --> 00:46:05,160
Speaker 1: girl or a boy? She's a lady okay, yeah. Also

888
00:46:05,360 --> 00:46:06,360
Speaker 1: and she has good taste.

889
00:46:06,560 --> 00:46:07,560
Speaker 2: Yeah, she's the best.

890
00:46:07,880 --> 00:46:09,920
Speaker 1: She has a good taste in comedy.

891
00:46:10,719 --> 00:46:12,920
Speaker 2: A lot of people I just you know, individually and

892
00:46:13,000 --> 00:46:16,000
Speaker 2: haphazardly and randomly. I like to call out some people.

893
00:46:16,200 --> 00:46:24,719
Speaker 1: Yes I do too. Kevy metal World. I'll call out

894
00:46:24,760 --> 00:46:25,640
Speaker 1: Kevy metal World.

895
00:46:25,440 --> 00:46:27,319
Speaker 2: Because he's Kevy Metalworth is the best.

896
00:46:27,480 --> 00:46:30,279
Speaker 1: He's the best world. He's my Twitter friends, and he

897
00:46:30,400 --> 00:46:32,960
Speaker 1: listens to us and supports everything we do.

898
00:46:33,360 --> 00:46:35,239
Speaker 2: We should get. I wonder if there's people that reach

899
00:46:35,280 --> 00:46:37,200
Speaker 2: out to you and not to me and vice versa.

900
00:46:37,840 --> 00:46:42,040
Speaker 1: Uh well yeah, probably, Yeah, like I bet you there's

901
00:46:42,080 --> 00:46:44,719
Speaker 1: people that were fans of your comedy first and then

902
00:46:44,840 --> 00:46:46,439
Speaker 1: so then it's like, yeah, you did a thing.

903
00:46:46,400 --> 00:46:48,640
Speaker 2: Again, What what are you talking about? You think they're

904
00:46:48,680 --> 00:46:52,400
Speaker 2: non fans of your comedy first? No, but like just you,

905
00:46:53,040 --> 00:46:55,600
Speaker 2: this is the part where we start fighting each other,

906
00:46:56,320 --> 00:46:59,239
Speaker 2: but it turns into a fight. You had more of

907
00:46:59,320 --> 00:47:03,000
Speaker 2: a career for the thing this.

908
00:47:05,200 --> 00:47:06,919
Speaker 1: No, I don't know. I don't know what the people

909
00:47:06,960 --> 00:47:09,600
Speaker 1: do or why they do it. Let's all admit that.

910
00:47:09,800 --> 00:47:11,719
Speaker 1: I think if if the world could just admit they

911
00:47:11,760 --> 00:47:13,400
Speaker 1: don't know what they're doing and they don't know what

912
00:47:13,480 --> 00:47:14,239
Speaker 1: other people are doing.

913
00:47:14,360 --> 00:47:17,120
Speaker 2: Well, and that's all they need is love, sweet love.

914
00:47:17,719 --> 00:47:19,480
Speaker 1: Absolutely and and you know what, at the end of

915
00:47:19,480 --> 00:47:21,960
Speaker 1: the day, the only thing you can say is how bisal.

916
00:47:23,920 --> 00:47:25,239
Speaker 3: Halt hot sun?

917
00:47:29,400 --> 00:47:31,680
Speaker 2: Uh? Why don't we park you? You have to come

918
00:47:31,719 --> 00:47:32,279
Speaker 2: in and say hi.

919
00:47:32,600 --> 00:47:35,640
Speaker 1: Okay, yeah, so we're gonna go to.

920
00:47:37,239 --> 00:47:38,480
Speaker 2: You will you'll end up in there?

921
00:47:38,760 --> 00:47:39,440
Speaker 1: Wake up, Mike?

922
00:47:39,960 --> 00:47:43,000
Speaker 2: Okay, do you need a ride with Mike?

923
00:47:43,120 --> 00:47:47,640
Speaker 1: Judge and jp L NASA Laboratories they were a new sponsor.

924
00:47:47,800 --> 00:47:49,840
Speaker 2: Oh god, that'd be the We need to get some

925
00:47:49,920 --> 00:47:52,640
Speaker 2: of that sweet sweet NASA money. Yeah, baby, I'll start

926
00:47:52,680 --> 00:47:58,759
Speaker 2: spinning at a playground. Turn turn about just to get ready, ready,

927
00:47:59,040 --> 00:48:02,480
Speaker 2: I got it, thank you. I don't know carousel, whatever

928
00:48:02,560 --> 00:48:08,480
Speaker 2: the FU is. My name is Chris Fairbanks. You've been

929
00:48:08,560 --> 00:48:12,680
Speaker 2: listening to Chris Fairbanks and characters and this is gun

930
00:48:12,719 --> 00:48:14,719
Speaker 2: need Wright d y n A r