WEBVTT - QLS Classic: Spike Lee (Part 2)

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. This classic

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<v Speaker 1>episode was produced by the team at Pandora. Ladies and gentlemen,

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<v Speaker 1>welcome to part two of q LS Classic with the

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<v Speaker 1>Great Spike Lee. We have so many questions about the

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<v Speaker 1>illustrious cinematic history. You know, we're just nerves here at

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<v Speaker 1>Quest Love Supreme. We hope you enjoy part two of

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<v Speaker 1>our journey with Spike Lee. Let's go.

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<v Speaker 2>Again another film. The last time I father scored were

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<v Speaker 2>my films, and he.

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<v Speaker 3>Was ready and willing to be actually in the film

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<v Speaker 3>because that was like his first life.

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<v Speaker 1>Part part of the part of the score. Did I

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<v Speaker 1>not hear some of those score motifs in later films?

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<v Speaker 1>The I felt there's one particular score piece.

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<v Speaker 2>There's one piece of Terrence Blanchet wrote that that we

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<v Speaker 2>used later to say, it's the thing. It's called song

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<v Speaker 2>for Soweto I love. Yeah, and that's the one he's

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<v Speaker 2>playing on the Brooklyn Bridge. Terrence blanche wrote that, Okay,

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<v Speaker 2>so here's the thing. Note with those scores with the

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<v Speaker 2>school Day's score, do the right thing, and Branford with

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<v Speaker 2>school Days do the right thing. Mo better blues in

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<v Speaker 2>the orchestra. My father scored. You had Terrence Blanchard. I

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<v Speaker 2>mean you had Terrence so for more better blues. When

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<v Speaker 2>you hear Wesley, that's Branford. Denzel is Terrence blanche So

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<v Speaker 2>they were both given the actors. You know, my favorite

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<v Speaker 2>got to be a musician how to play the instruments.

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<v Speaker 1>This is one I want to ask you because there's

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<v Speaker 1>a scene that you do that not many musicians notice.

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<v Speaker 1>But because I was coming up and starting about the

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<v Speaker 1>inter college and stuff and like mo, I'll say that

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<v Speaker 1>it's where even though I don't pick mo Beta Blues

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<v Speaker 1>as like, okay, that might be my spike leave film

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<v Speaker 1>of choice. It's just like maybe it chose me. But

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<v Speaker 1>so there's the scene where Denzel interrupts uh.

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<v Speaker 2>Yeah.

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<v Speaker 1>So there's a point you watch if you watch Wesley

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<v Speaker 1>and it's done and it's even on the soundtrack. It's like,

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<v Speaker 1>how did you Is it written in the script that okay, uh,

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<v Speaker 1>Denzel's character is going to interrupt Wesley's sack solo.

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<v Speaker 2>Yeah, because that desk that's all done the playback, so

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<v Speaker 2>we had to had to be in the script. So

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<v Speaker 2>when we recorded it.

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<v Speaker 1>So at what point did you say exactly five minutes

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<v Speaker 1>and thirty four seconds, I want you to interrupt.

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<v Speaker 2>It wasn't exactly, but but the script says he has

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<v Speaker 2>I mean structurally and for a dramatic Denzel his character

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<v Speaker 2>but get him has been humiliated. And so these two

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<v Speaker 2>brothers who are at odds, want to show shadow Henderson's

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<v Speaker 2>his humanity, his love for his brother. So he's like

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<v Speaker 2>picking him up, let me save you, saving him.

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<v Speaker 1>I'm not even talking about the end. I'm talking at

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<v Speaker 1>the very beginning, the very not even the battle just

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<v Speaker 1>and that's this thing.

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<v Speaker 2>It was so much that see what I'm talking about.

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<v Speaker 1>It was so minuscule at the very beginning, when you're

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<v Speaker 1>you're egging on Denzel like yo, man, he's so in

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<v Speaker 1>for thirty six bars, get him, go and get him.

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<v Speaker 2>And then we worked out in the recording stoo because

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<v Speaker 2>all this stuff is done, done, done, done, and you

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<v Speaker 2>know the playback.

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<v Speaker 1>I realized you were on some next ship because any

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<v Speaker 1>in lesser hands, I felt like that scene would have

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<v Speaker 1>been an interrupted scene. I don't know. Just as a musician,

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<v Speaker 1>I hate watching music, miss.

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<v Speaker 2>It the same way I hate watching basketball films.

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<v Speaker 4>Really, yes, even though I want the dog that.

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<v Speaker 2>Somebody shoots, there's the cut to the basket and the

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<v Speaker 2>ball goes in.

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<v Speaker 1>So why were you not allowed to call it a

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<v Speaker 1>Love Supreme?

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<v Speaker 2>Oh? Alice Cole tranp uh did not like the profanity

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<v Speaker 2>and sex in the film in the script, so I said,

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<v Speaker 2>you let her read it first. Yeah, I mean that,

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<v Speaker 2>that's she she requested that. But I did care about

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<v Speaker 2>the title. I just wanted love.

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<v Speaker 1>Supreme because when doing that period.

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<v Speaker 2>Because we do. It's funny because every film we had,

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<v Speaker 2>like we make Jackets, the crew Jackets, the Crew Jackets

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<v Speaker 2>said Love Supreme.

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<v Speaker 1>I was gonna say, why do you because like with rappers,

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<v Speaker 1>we will send the clean version of that song for

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<v Speaker 1>the sample to get cleared.

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<v Speaker 2>Yeah, yeah, I cannot do that. The junk cold Tran's

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<v Speaker 2>wife could not.

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<v Speaker 1>Yeah, but in the name of art, you know, older

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<v Speaker 1>people don't.

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<v Speaker 2>I cannot do that. But I think most In fact,

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<v Speaker 2>a friend of mine who I went to school with,

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<v Speaker 2>Patty Hale's, She's one that came up with the title

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<v Speaker 2>MO Better Wow.

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<v Speaker 3>By this time, I'm not that I'm adding, but I

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<v Speaker 3>will say I'm I too. Am a fan of the

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<v Speaker 3>spike love scenes. So by more Better Blues, the numbers

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<v Speaker 3>had come up, you know, what I'm saying, like from

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<v Speaker 3>school days.

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<v Speaker 2>From junkle Fever, what do you mean numbers?

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<v Speaker 5>Numbers? Like as many scenes? It was more. It was like, yeah,

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<v Speaker 5>more sex, more sex.

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<v Speaker 3>It was Denzel and Senda, and then it was Senda

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<v Speaker 3>and Wesley and then it.

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<v Speaker 1>Was the scenes. What's the question?

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<v Speaker 3>The question is what is your love scene philosophy? I

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<v Speaker 3>guess I would ask Spike because they are so a

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<v Speaker 3>party of movies.

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<v Speaker 2>People think those things sexy, but they are hard to shoot.

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<v Speaker 2>It's hard, people uncomfortable and.

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<v Speaker 5>You shot your sister, So what is that like?

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<v Speaker 1>Yeah, she read the script.

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<v Speaker 2>Then they read the script and they were cool. I

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<v Speaker 2>was cool.

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<v Speaker 6>And so the scene, uh, where she delivers the baby,

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<v Speaker 6>we had.

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<v Speaker 2>We went up to Harlem hospital and we knew about

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<v Speaker 2>the We we we went to the doctor and say

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<v Speaker 2>when is somebody can be born this day? Hm hmmm.

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<v Speaker 2>So they can predict, you know. So we we had

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<v Speaker 2>several people who signed up and uh, we got the call.

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<v Speaker 2>We rushed to the hospital and filmed the birth.

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<v Speaker 1>I was going to say this point, you had leverage

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<v Speaker 1>because you were Spike Lee and.

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<v Speaker 2>It was a Harlem hospital.

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<v Speaker 1>I'm just I'm just saying that by that point, I

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<v Speaker 1>doubt like you got that. I mean, I'm sure you've

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<v Speaker 1>gotten your share of nose from the Hollywood system.

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<v Speaker 2>But like, but the whole the hospitals found as long

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<v Speaker 2>as you get permission from the moms and the family.

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<v Speaker 1>People film births all the time.

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<v Speaker 6>So if the people that you know, if they prove it,

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<v Speaker 6>then they approve of it being used in the film,

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<v Speaker 6>then what's the problem.

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<v Speaker 1>But I'm certain that I would get well not I'm

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<v Speaker 1>sure that your Joe Schmoe filmmaker would get funk out

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<v Speaker 1>of here. I'm not, you know, as opposed to it's

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<v Speaker 1>an honor.

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<v Speaker 2>I met her too, okay one day, said, you know

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<v Speaker 2>I was in More Better Blues, So yeah, what role

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<v Speaker 2>you feel it being booked? She was like a teenager.

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<v Speaker 1>That's crazy. That's where I wanted to see, Like as

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<v Speaker 1>the VC, this is my.

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<v Speaker 2>First immortalized forever man.

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<v Speaker 1>Nothing that film. I didn't expect it to take the

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<v Speaker 1>turn that it took f the end and every musician.

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<v Speaker 2>Man, but here's the thing, though, A mirror that doesn't

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<v Speaker 2>come from music, that comes from sports. So you just

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<v Speaker 2>what I did, because you know, any athlete. Now let's

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<v Speaker 2>say let's let's say, most athletes, whatever sport is, they

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<v Speaker 2>started playing it. They started playing it when they're a

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<v Speaker 2>little kid.

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<v Speaker 1>And so.

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<v Speaker 2>At a certain point, you see, I'm going to try

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<v Speaker 2>this is what I want to do. So just like musicians, athletes,

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<v Speaker 2>whatever sport, they spend all their time developing the skill.

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<v Speaker 2>So what happens I was thought about these athletes who

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<v Speaker 2>are very young blow out their knee or their armed.

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<v Speaker 1>I want you to save my life, you.

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<v Speaker 2>Know, and then they're like, they're like twenty twenty five and.

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<v Speaker 1>Like and retiring.

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<v Speaker 2>Yeah, so I just that premise of a career and

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<v Speaker 2>an injury. I just moved that to music to a

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<v Speaker 2>trumpet player.

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<v Speaker 5>That's still one of the hardest things to watch.

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<v Speaker 1>Yeah, that was a Yeah.

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<v Speaker 6>That was another movie that I saw it as a kid,

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<v Speaker 6>but seeing it older, that was when it really guys like.

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<v Speaker 2>And musicians they turn that yes, yeah, child, they turned

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<v Speaker 2>no musician like I actually played.

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<v Speaker 7>They know they know what you know what this time

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<v Speaker 7>out what I'm jumping in?

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<v Speaker 8>Uh?

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<v Speaker 1>Like through middle school, I was like first chair, all

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<v Speaker 1>State ban all that. Can you be a guest on

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<v Speaker 1>your own reas? I don't know this, I thought, I

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<v Speaker 1>tell yeah, yeah you Grammy nominated freaking acting man, you

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<v Speaker 1>do everything?

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<v Speaker 5>He missed The Humble Tea Manids.

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<v Speaker 1>How did you discover Williams audition? Was she Robbie Reid

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<v Speaker 1>still Robbie Reid cool? So we gotta get right yes,

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<v Speaker 1>here into the street.

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<v Speaker 2>Or it's a combination of both. You have to go

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<v Speaker 2>find new talent or does she have interns that like, no,

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<v Speaker 2>you go to you go you find new talent. Also

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<v Speaker 2>people sending her agents are sending her people to the

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<v Speaker 2>combination of both.

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<v Speaker 1>Mm hmm.

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<v Speaker 2>Wow was her first film Williams?

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<v Speaker 3>I mean fast forward years years later. But were you

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<v Speaker 3>proud when you kind when you watched the new Additional

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<v Speaker 3>Story because that was really great?

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<v Speaker 5>Cast into that she she did.

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<v Speaker 2>Rob Yeah, did do that.

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<v Speaker 1>That's right.

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<v Speaker 2>She's I mean, she's a top executive at BT. No,

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<v Speaker 2>I mean she's done great. I mean Ruth Carter one

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<v Speaker 2>of the top costume designers again her class of Hanton

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<v Speaker 2>two chemical nominations for Malcolm X and Amistad. So Rufe's

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<v Speaker 2>doing the thing, you know.

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<v Speaker 1>Speaking of Academy, how did you feel about that? That

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<v Speaker 1>was a very awkward thing, like thesenger, Oh.

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<v Speaker 2>I know you're talking about why do you explain it

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<v Speaker 2>because I remember.

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<v Speaker 1>Yeah, I remember watching the Academy and it's basically like

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<v Speaker 1>Kim bassengers just went off script and said that. You know,

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<v Speaker 1>it was like the very first Oscars a white moment

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<v Speaker 1>where the the the glaring omission of Do the Right

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<v Speaker 1>Thing getting nominated for Best Picture, Best Picture, and it

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<v Speaker 1>made literally everyone.

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<v Speaker 2>We had two nominations. Danny got one for supporting Supporting

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<v Speaker 2>Yeah he lost the Denzel Denzel cried right and and screenplay.

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<v Speaker 1>Yeah. So you know, she just made mentioned that, you know,

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<v Speaker 1>you know, it's the glaring omission of and I almost

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<v Speaker 1>feel like even I mean back.

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<v Speaker 2>Then said said, yeah, she said it like she really

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<v Speaker 2>went off script and went rogue.

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<v Speaker 1>But I was just like, m she didn't get black balled.

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<v Speaker 1>Let me find out. They just not like, yeah, let's

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<v Speaker 1>script it in just to you know, keep them at

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<v Speaker 1>bay and to keep them satisfied and not protesting us

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<v Speaker 1>and whatever. But were you in the art I was there,

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<v Speaker 1>How did you feel? Were you shocked? I was shocked

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<v Speaker 1>because you lost the driving His Days that was that

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<v Speaker 1>the year.

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<v Speaker 2>Was Driving as motherfucking Day.

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<v Speaker 1>I like that movie Wait.

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<v Speaker 2>The best picture of the year that date.

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<v Speaker 1>Were you was do the Right thing up for the

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<v Speaker 1>palmdor that year or was that for ju No we

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<v Speaker 1>lost it to h Was that Jungle Fever?

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<v Speaker 2>Or no, do the right thing? We lost to uh

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<v Speaker 2>Sex Lives of the Tape? Wow?

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<v Speaker 1>So was that that another movie I haven't thought about

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<v Speaker 1>in thirty exactly? Was that that we was robbed?

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<v Speaker 6>Here?

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<v Speaker 1>Damn you damn near the Kanye of your pre Kanye

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<v Speaker 1>Kanye is a spike of his.

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<v Speaker 3>No wonder you ain't show up to get that jo

0:13:25.400 --> 0:13:27.800
<v Speaker 3>on that look look bested up?

0:13:28.120 --> 0:13:32.440
<v Speaker 1>So with with with Jungle Fever? I know that com

0:13:32.480 --> 0:13:36.160
<v Speaker 1>Film Festival was so moved by Samuel Jackson's performance. Did

0:13:36.160 --> 0:13:40.280
<v Speaker 1>they invented best supporting? The category?

0:13:40.559 --> 0:13:41.520
<v Speaker 2>Just made it up right?

0:13:41.720 --> 0:13:44.520
<v Speaker 1>So they decided to have supporting categories so that Sam

0:13:44.520 --> 0:13:46.560
<v Speaker 1>could win. Did he win or no he won?

0:13:47.160 --> 0:13:47.680
<v Speaker 2>They made up?

0:13:48.400 --> 0:13:49.559
<v Speaker 1>He better went if they made up.

0:13:51.760 --> 0:13:55.439
<v Speaker 2>It was all stand I mean, Sam, I mean that

0:13:55.440 --> 0:13:57.800
<v Speaker 2>that for me. You know people might talk about, uh

0:13:59.440 --> 0:14:02.120
<v Speaker 2>that turned yeah, but it was really jungle for you.

0:14:02.760 --> 0:14:04.600
<v Speaker 2>And the Sam has even said to himself, was.

0:14:04.600 --> 0:14:08.040
<v Speaker 6>He actually still going through fighting his addiction at the time?

0:14:08.040 --> 0:14:11.640
<v Speaker 2>He was, but he just I was the last one

0:14:11.679 --> 0:14:12.760
<v Speaker 2>to find out.

0:14:13.080 --> 0:14:14.240
<v Speaker 1>You didn't know I didn't know.

0:14:14.520 --> 0:14:18.440
<v Speaker 3>Wow, So how much of that role is scripted? Like

0:14:18.559 --> 0:14:20.440
<v Speaker 3>I really I kind of want to even go like

0:14:20.480 --> 0:14:21.080
<v Speaker 3>scene by scene.

0:14:21.080 --> 0:14:23.680
<v Speaker 5>It's weird. I'm like, how much did he improve at

0:14:23.920 --> 0:14:24.400
<v Speaker 5>the dance?

0:14:27.400 --> 0:14:31.560
<v Speaker 1>You know how I do it.

0:14:32.040 --> 0:14:35.720
<v Speaker 2>Here's the thing though, so again, this is how it

0:14:35.800 --> 0:14:40.320
<v Speaker 2>buries first film. So while we rehearse in rehearsal process,

0:14:41.400 --> 0:14:44.320
<v Speaker 2>he's taking hoghly all his former spots.

0:14:45.000 --> 0:14:48.960
<v Speaker 5>Wow, what she said he taught her how to be

0:14:49.000 --> 0:14:49.480
<v Speaker 5>a crackhead.

0:14:49.880 --> 0:14:53.760
<v Speaker 2>Damn he was taking like so that I mean, that's

0:14:54.040 --> 0:14:55.880
<v Speaker 2>I mean due to the right. Then here's the thing though,

0:14:55.880 --> 0:14:57.360
<v Speaker 2>I like to say real quick because I know we

0:14:57.400 --> 0:15:01.880
<v Speaker 2>gotta want to move move ahead. But people, we all

0:15:01.920 --> 0:15:06.640
<v Speaker 2>know what a misdirection play is in football, right. The

0:15:06.680 --> 0:15:15.440
<v Speaker 2>misdirection and Jungle Fever was the inter racial relationship between

0:15:17.920 --> 0:15:23.240
<v Speaker 2>and Wes Annabella Shore and wealthy character. The real story,

0:15:23.880 --> 0:15:27.360
<v Speaker 2>which a lot of people miss, is the effect of

0:15:27.480 --> 0:15:30.720
<v Speaker 2>crack on black families. That's what Jungle Fever is about.

0:15:30.840 --> 0:15:34.520
<v Speaker 1>See, I've always about religion and black family because to.

0:15:34.440 --> 0:15:37.200
<v Speaker 2>Me that that things, but that that comes with Ozzy

0:15:37.280 --> 0:15:40.080
<v Speaker 2>and Ruby. But also we also get the whole thing

0:15:40.080 --> 0:15:41.320
<v Speaker 2>with Marvin gay senr.

0:15:42.040 --> 0:15:46.040
<v Speaker 6>Right, and mar You know that that comes directly from Yeah,

0:15:47.000 --> 0:15:50.800
<v Speaker 6>I felt that the that's that's where it.

0:15:50.720 --> 0:15:54.240
<v Speaker 2>Came from Senior killing his son, Marvin.

0:15:53.920 --> 0:15:57.400
<v Speaker 1>Gay, because I felt like that was the father. Maybe

0:15:57.680 --> 0:15:59.880
<v Speaker 1>the son was the crack story and the Holy Ghost

0:16:00.120 --> 0:16:04.320
<v Speaker 1>was the interracial relationship as far as like subplot lines whatever.

0:16:04.440 --> 0:16:10.160
<v Speaker 1>But dude, no scene has ever scared the ship out

0:16:10.200 --> 0:16:14.320
<v Speaker 1>me more than Charlie Murphy. He was how.

0:16:15.720 --> 0:16:18.360
<v Speaker 2>Yes, No, that was that was the old ballroom. I

0:16:18.360 --> 0:16:21.400
<v Speaker 2>think of Abostinian Ballroom, which which is in it was just.

0:16:23.400 --> 0:16:23.920
<v Speaker 1>In decay.

0:16:24.960 --> 0:16:30.040
<v Speaker 2>But what I do is there great songs. Why just

0:16:30.160 --> 0:16:36.240
<v Speaker 2>make a mental checklist, And I said, one day I'm

0:16:36.280 --> 0:16:40.880
<v Speaker 2>going to use I just gotta find the right scene.

0:16:41.280 --> 0:16:44.560
<v Speaker 9>But motherfucker, I'm gonna use that.

0:16:45.440 --> 0:16:45.640
<v Speaker 1>Yeah.

0:16:45.640 --> 0:16:48.320
<v Speaker 3>And the way it matched up with the lyrics and and.

0:16:48.400 --> 0:16:50.760
<v Speaker 1>The touch of I don't know if it was maybe

0:16:50.760 --> 0:16:52.600
<v Speaker 1>on television at the time, but when I seen it

0:16:53.520 --> 0:16:55.880
<v Speaker 1>as he got closer to the crackhouse, there was more

0:16:55.920 --> 0:17:00.200
<v Speaker 1>of like a green tint of I don't don't know

0:17:00.200 --> 0:17:02.080
<v Speaker 1>if you guys used to filter or not, or what.

0:17:02.520 --> 0:17:13.600
<v Speaker 2>Kind of TV do you sody? Why would the TV?

0:17:14.080 --> 0:17:20.400
<v Speaker 1>I how many extras was that? How many extras.

0:17:20.240 --> 0:17:24.679
<v Speaker 2>Had a thousand. We wanted we wanted that to be

0:17:24.800 --> 0:17:27.639
<v Speaker 2>like that famous scene from God with the Wind where

0:17:27.640 --> 0:17:30.959
<v Speaker 2>they all the Confederate soldiers are like on the ground

0:17:31.000 --> 0:17:31.800
<v Speaker 2>and injured.

0:17:33.359 --> 0:17:34.640
<v Speaker 1>Did you have to pay them all?

0:17:34.800 --> 0:17:43.439
<v Speaker 2>Yes? At the point did the sack rules up a

0:17:43.480 --> 0:17:46.359
<v Speaker 2>certain point that to be SAG members. After that we

0:17:46.400 --> 0:17:49.080
<v Speaker 2>said number then you just they don't have to be.

0:17:49.040 --> 0:17:52.919
<v Speaker 5>Sacked non unions like me, I take that dollars.

0:17:53.119 --> 0:17:58.440
<v Speaker 2>Really, but that that that that and then the thing.

0:17:58.760 --> 0:18:02.439
<v Speaker 2>It's a great scene. But then at the Wesley Leaves

0:18:02.560 --> 0:18:06.560
<v Speaker 2>where the whole when when divin the crack coat golsness

0:18:06.680 --> 0:18:10.240
<v Speaker 2>pocket goes and makes some pockets and sees it here

0:18:10.320 --> 0:18:12.960
<v Speaker 2>he's been holding on crack like I mean here sucking

0:18:13.000 --> 0:18:15.720
<v Speaker 2>dicks for you, and I mean like and she was

0:18:16.560 --> 0:18:20.080
<v Speaker 2>she was, yes, she was smacking this ship out of us.

0:18:20.280 --> 0:18:21.800
<v Speaker 3>Then she came around and then she was like, now

0:18:21.800 --> 0:18:23.280
<v Speaker 3>smoked this ship because she's seen that he was in.

0:18:24.840 --> 0:18:27.160
<v Speaker 2>Yeah, I mean that's that's one.

0:18:27.240 --> 0:18:30.040
<v Speaker 1>I mean, how take how many hours was it? That

0:18:30.160 --> 0:18:30.760
<v Speaker 1>was one day?

0:18:31.560 --> 0:18:33.640
<v Speaker 2>That whole scene an entire day in there?

0:18:34.400 --> 0:18:34.760
<v Speaker 1>Damn?

0:18:35.040 --> 0:18:35.760
<v Speaker 5>When did you know that?

0:18:35.840 --> 0:18:38.880
<v Speaker 3>Like Ruby d and Ozzie Davis just believed in what

0:18:39.040 --> 0:18:40.000
<v Speaker 3>you were going to do.

0:18:40.040 --> 0:18:41.320
<v Speaker 5>That's an amazing accomplished.

0:18:41.359 --> 0:18:44.840
<v Speaker 2>My father had done this thing called I Forgot the play,

0:18:45.280 --> 0:18:46.760
<v Speaker 2>but he did the music for it, and they were

0:18:46.760 --> 0:18:50.440
<v Speaker 2>in it. So I've always known them and loved their work.

0:18:51.680 --> 0:18:55.359
<v Speaker 2>And uh just I've been blessed to work with Ruby

0:18:55.440 --> 0:18:59.800
<v Speaker 2>d I mean with first, as you mentioned before school days,

0:18:59.800 --> 0:19:04.840
<v Speaker 2>co Oldham didn't do the right thing, the mayor Ruby

0:19:04.880 --> 0:19:08.760
<v Speaker 2>mother's sister. Then you got them playing together, husband and

0:19:08.800 --> 0:19:15.919
<v Speaker 2>wife and jungle fever. Then uh, Ozzie getting and get on.

0:19:15.960 --> 0:19:16.720
<v Speaker 1>The bus, get on the bus.

0:19:17.040 --> 0:19:19.600
<v Speaker 2>But then we brought his people. And remember, don't forget this.

0:19:21.320 --> 0:19:25.040
<v Speaker 2>We bought Ozzie back. Did we do.

0:19:26.560 --> 0:19:27.440
<v Speaker 1>Malcolm eulogy?

0:19:30.040 --> 0:19:35.720
<v Speaker 2>He back and Steard? We do that? So giants, giants.

0:19:37.320 --> 0:19:41.320
<v Speaker 1>By that point, Uh, Spike Lee, the media star, I

0:19:41.359 --> 0:19:48.040
<v Speaker 1>mean you were constantly on Nightline. Uh seen you on

0:19:48.080 --> 0:19:52.119
<v Speaker 1>Phil Donahue, Seeing you on I mean you were like,

0:19:52.280 --> 0:19:55.399
<v Speaker 1>you know, well the point where you're like the the

0:19:55.520 --> 0:20:00.320
<v Speaker 1>black spokesperson or the angry militant black spokesperson. And I

0:20:00.359 --> 0:20:03.399
<v Speaker 1>remember doing your Donna Hue appearances that you were, you know,

0:20:03.480 --> 0:20:06.639
<v Speaker 1>a little myth that you were being asked like where

0:20:06.680 --> 0:20:09.280
<v Speaker 1>the drugs like, how come you haven't dealt with the

0:20:09.320 --> 0:20:11.879
<v Speaker 1>crack epidemic? Kettering where you know? How come there was

0:20:11.920 --> 0:20:13.680
<v Speaker 1>no crack? And do the right Wall Street?

0:20:13.720 --> 0:20:15.800
<v Speaker 2>I mean we that was a big criticism of do

0:20:15.920 --> 0:20:20.200
<v Speaker 2>the right thing, that the streets were clean, that that

0:20:20.200 --> 0:20:24.000
<v Speaker 2>that there was no crack and stuff like that.

0:20:24.040 --> 0:20:26.080
<v Speaker 1>But that was.

0:20:26.640 --> 0:20:30.639
<v Speaker 2>A conscious decision. That was another film, which was was

0:20:30.960 --> 0:20:35.800
<v Speaker 2>Jungle Fever. But I mean, I mean I made the

0:20:35.840 --> 0:20:39.639
<v Speaker 2>comment because Wall Street. You know those marvels, right, I

0:20:39.720 --> 0:20:42.879
<v Speaker 2>mean there was no any I mean any of that

0:20:42.920 --> 0:20:43.520
<v Speaker 2>stuff in there.

0:20:43.640 --> 0:20:45.720
<v Speaker 1>But did you feel the pressure at that point like Okay,

0:20:45.800 --> 0:20:48.320
<v Speaker 1>I gotta I gotta do a crack movie now, or

0:20:48.520 --> 0:20:48.880
<v Speaker 1>you know.

0:20:50.080 --> 0:20:53.280
<v Speaker 2>No, it wasn't the pressure. It was just seeing the

0:20:53.440 --> 0:20:56.760
<v Speaker 2>devastation of a crack. I mean, we're still dealing with

0:20:56.840 --> 0:21:01.919
<v Speaker 2>crack because we had a generation of people who are

0:21:02.200 --> 0:21:05.480
<v Speaker 2>beautiful Black people grew up without parents in the homes

0:21:06.160 --> 0:21:07.720
<v Speaker 2>and mothers.

0:21:07.760 --> 0:21:09.960
<v Speaker 1>They killed the moms. Like every other drug was kind

0:21:10.000 --> 0:21:11.200
<v Speaker 1>of like social whatever.

0:21:12.920 --> 0:21:16.280
<v Speaker 2>Took people's soul. I mean, we always had drugs, be hairmal.

0:21:16.040 --> 0:21:16.560
<v Speaker 1>Stuff like that.

0:21:16.600 --> 0:21:20.080
<v Speaker 2>But crack. This thing was was a devilish.

0:21:19.920 --> 0:21:26.359
<v Speaker 1>The infamous uh Sister Girls scene, I forgot what you

0:21:26.400 --> 0:21:26.800
<v Speaker 1>called it.

0:21:28.480 --> 0:21:33.160
<v Speaker 6>Yeah, I forgot what you're going one day, I'm going

0:21:33.280 --> 0:21:34.240
<v Speaker 6>back to the vaults.

0:21:34.480 --> 0:21:36.960
<v Speaker 5>I want to see the full what do.

0:21:36.920 --> 0:21:38.199
<v Speaker 1>You call it in the film? Don't go in there

0:21:38.200 --> 0:21:41.239
<v Speaker 1>there because that's the you had a special title for it.

0:21:41.440 --> 0:21:43.600
<v Speaker 1>Told them don't go in there because they're having.

0:21:43.400 --> 0:21:44.320
<v Speaker 2>A Yeah you did.

0:21:44.520 --> 0:21:47.000
<v Speaker 1>I forget the title. But was that.

0:21:48.280 --> 0:21:51.800
<v Speaker 2>No, that was not around it.

0:21:52.240 --> 0:21:54.600
<v Speaker 1>You just let the cameras run, talk about all your

0:21:54.720 --> 0:21:56.119
<v Speaker 1>all the bags when you ever had your life with

0:21:56.160 --> 0:21:56.600
<v Speaker 1>black men?

0:22:00.720 --> 0:22:05.479
<v Speaker 6>So basically it was it was a day on Twitter.

0:22:06.119 --> 0:22:10.439
<v Speaker 3>Wait so then that was there each their individual real experiences. Yes, wow,

0:22:10.520 --> 0:22:12.480
<v Speaker 3>so Teresa when Theresa was like.

0:22:12.520 --> 0:22:14.840
<v Speaker 5>How data mall? And you know, oh.

0:22:14.720 --> 0:22:19.280
<v Speaker 2>My god, that could have been a movie alone we

0:22:19.320 --> 0:22:22.399
<v Speaker 2>have that was the the least that for two hours.

0:22:22.440 --> 0:22:25.960
<v Speaker 1>Wow. I have to okay, I have to play Devil's

0:22:26.000 --> 0:22:30.880
<v Speaker 1>advocate because I know that there's been criticism of your

0:22:31.000 --> 0:22:35.760
<v Speaker 1>representation of women and how the scripted, which I was

0:22:35.800 --> 0:22:38.520
<v Speaker 1>asking like, well, damn, that seemed pretty realistic. But they

0:22:38.520 --> 0:22:46.000
<v Speaker 1>were so how especially with Phillis yvon Stickney, who always

0:22:46.000 --> 0:22:52.320
<v Speaker 1>felt was so underutilized. At no point did you think like, okay,

0:22:52.359 --> 0:22:55.000
<v Speaker 1>I have to give her a piece so that she can.

0:22:55.600 --> 0:22:58.320
<v Speaker 2>No, I saw Phyllis her One man Shows, I mean

0:22:58.359 --> 0:23:01.119
<v Speaker 2>one woman shows. She's a she's a great talent, so

0:23:01.160 --> 0:23:03.800
<v Speaker 2>that's why I put her down, right.

0:23:03.680 --> 0:23:07.639
<v Speaker 1>But I felt like, especially she stole that scene like

0:23:08.840 --> 0:23:11.320
<v Speaker 1>she's going to have a movie by herself and you

0:23:11.359 --> 0:23:15.800
<v Speaker 1>know it, but it never happened. Is it hard to

0:23:15.920 --> 0:23:20.439
<v Speaker 1>really write for for? Is it hard for you to

0:23:20.480 --> 0:23:21.320
<v Speaker 1>write for women?

0:23:22.080 --> 0:23:25.119
<v Speaker 2>And I think it really depends on that.

0:23:25.200 --> 0:23:30.160
<v Speaker 1>Are you concerned with their development as much as your

0:23:30.240 --> 0:23:31.159
<v Speaker 1>your male characters?

0:23:31.240 --> 0:23:31.359
<v Speaker 5>Oh?

0:23:31.440 --> 0:23:33.320
<v Speaker 2>Yes, I think I think I got a lot much

0:23:33.320 --> 0:23:34.600
<v Speaker 2>better than once I got married.

0:23:36.280 --> 0:23:38.200
<v Speaker 5>When when she hated me? Was that post marriage?

0:23:39.119 --> 0:23:40.640
<v Speaker 2>That was pre marriage?

0:23:40.960 --> 0:23:43.440
<v Speaker 5>Okay, Okay, you're right, you're right, you're right, you're right.

0:23:45.160 --> 0:23:50.520
<v Speaker 2>You you can definitely look where I got married as

0:23:50.680 --> 0:23:55.280
<v Speaker 2>us before and after, and so I would definitely say

0:23:55.320 --> 0:23:58.320
<v Speaker 2>that my woman, my betrayals of women more fuller and

0:23:58.400 --> 0:23:59.879
<v Speaker 2>more layered after I got married.

0:24:00.200 --> 0:24:03.879
<v Speaker 1>Damn girl, how long was Malcolm X in your pocket

0:24:03.920 --> 0:24:07.920
<v Speaker 1>before you finally felt the need to unleash it as

0:24:07.920 --> 0:24:10.399
<v Speaker 1>far as the script was concerned, and you wanting to

0:24:10.400 --> 0:24:13.439
<v Speaker 1>because I can imagine that you had Malcolm X in

0:24:13.480 --> 0:24:13.960
<v Speaker 1>your pocket.

0:24:14.480 --> 0:24:16.840
<v Speaker 2>No, it wasn't that that wasn't the case at all. Uh.

0:24:17.280 --> 0:24:20.800
<v Speaker 2>The late producer of Marvel Worker bought the rights to

0:24:20.920 --> 0:24:26.680
<v Speaker 2>the book from the late great Alex Haley and the

0:24:26.760 --> 0:24:28.440
<v Speaker 2>late great doctor Betty Shabbaz.

0:24:28.840 --> 0:24:31.560
<v Speaker 1>Was it instantly yours or you had to know.

0:24:31.600 --> 0:24:33.399
<v Speaker 2>He's been trying to make that film for twenty years

0:24:33.480 --> 0:24:37.920
<v Speaker 2>sh And so finally it was announced that Norman Jewison

0:24:38.040 --> 0:24:41.080
<v Speaker 2>was going to direct the film with Denzel and I

0:24:41.200 --> 0:24:46.280
<v Speaker 2>started saying the press, hell no, and then the Marvel

0:24:46.280 --> 0:24:49.399
<v Speaker 2>worf got in touching me and said, Spike stopped, stopped

0:24:49.440 --> 0:24:51.879
<v Speaker 2>speaking the press, and I'm going to arrange a meeting

0:24:51.920 --> 0:24:57.040
<v Speaker 2>between you and Norman Jewison. Very fine directed work, yeah,

0:24:57.920 --> 0:25:03.400
<v Speaker 2>and heated a night with ste Poitier, and I explained

0:25:03.400 --> 0:25:05.639
<v Speaker 2>to Norman Jewis and why I think that I was

0:25:05.640 --> 0:25:08.879
<v Speaker 2>the right director for the film, And to his credit,

0:25:09.320 --> 0:25:12.879
<v Speaker 2>he gracely bowed out because he had the gig. He

0:25:13.040 --> 0:25:18.439
<v Speaker 2>had the gig, He had the gig Denzel or Denzel

0:25:18.520 --> 0:25:21.360
<v Speaker 2>was going to play Malcolm X, so that that thing

0:25:21.440 --> 0:25:24.840
<v Speaker 2>was together before me. Denzel Will played Malcolm X and

0:25:24.840 --> 0:25:27.240
<v Speaker 2>Norma Jewis and direct the film was.

0:25:27.200 --> 0:25:30.280
<v Speaker 1>The final product your vision?

0:25:31.640 --> 0:25:33.119
<v Speaker 2>Yes, that's why three hours?

0:25:33.240 --> 0:25:34.800
<v Speaker 1>Was there any scene that You're like.

0:25:35.480 --> 0:25:38.280
<v Speaker 2>Damn if we could just only No, it was it

0:25:38.400 --> 0:25:39.880
<v Speaker 2>was three hours convening long.

0:25:41.240 --> 0:25:41.679
<v Speaker 1>I mean.

0:25:45.000 --> 0:25:49.520
<v Speaker 2>We I always saw this film as an epic film.

0:25:50.760 --> 0:25:52.840
<v Speaker 2>I mean Ernest Dickerson and I. He was very we

0:25:52.840 --> 0:25:56.520
<v Speaker 2>were very lucky that somehow there was a restoration of

0:25:56.760 --> 0:25:58.919
<v Speaker 2>lawnser Ray. But right when you were in preproduction at

0:25:58.920 --> 0:26:02.480
<v Speaker 2>the Zigfield and we said, that's the shit we gotta do.

0:26:03.480 --> 0:26:08.399
<v Speaker 2>So we wanted to tell the autobiography his life and

0:26:08.440 --> 0:26:10.280
<v Speaker 2>not just pick us a certain dis and that. No,

0:26:10.320 --> 0:26:15.000
<v Speaker 2>we want to show the evolution of man, Malcolm Little Detroit, Red,

0:26:15.600 --> 0:26:20.280
<v Speaker 2>Malcolm x Elhaa, you know, to show the whole evolution

0:26:20.400 --> 0:26:25.200
<v Speaker 2>of many. And you can't show his transformations from this

0:26:25.240 --> 0:26:28.239
<v Speaker 2>person for that person in a two hour film. And

0:26:28.320 --> 0:26:32.360
<v Speaker 2>so trouble began from the very beginning because we never

0:26:32.440 --> 0:26:35.800
<v Speaker 2>had the correct budget, enough budget for the shoot.

0:26:35.800 --> 0:26:37.439
<v Speaker 1>That film was the initial budget.

0:26:38.440 --> 0:26:39.280
<v Speaker 2>It wasn't enough.

0:26:39.400 --> 0:26:44.680
<v Speaker 1>I forgot, Okay, were you given rat budgets? In other words?

0:26:45.040 --> 0:26:46.000
<v Speaker 2>Uh uh?

0:26:47.720 --> 0:26:52.320
<v Speaker 1>Cypress Hill's first album sixty one thousand. Meanwhile, Metallica's Black

0:26:52.359 --> 0:26:56.560
<v Speaker 1>Album was four million. Double standard.

0:26:56.600 --> 0:27:00.240
<v Speaker 2>No, it wasn't a double standard, just wasn't enough due

0:27:00.280 --> 0:27:04.560
<v Speaker 2>to epic film we wanted to do, and also Warner

0:27:04.640 --> 0:27:06.879
<v Speaker 2>Brothers did not want the film to be that length

0:27:06.960 --> 0:27:12.160
<v Speaker 2>because three hours, that's one less screening in the theater.

0:27:13.200 --> 0:27:17.360
<v Speaker 2>Funny story, not funny, but the first time we screened

0:27:17.359 --> 0:27:22.040
<v Speaker 2>the film for the two heads of Warner Brothers co chairman,

0:27:22.080 --> 0:27:28.040
<v Speaker 2>it was Bob Daily and I keep forgetting the other

0:27:28.080 --> 0:27:33.840
<v Speaker 2>guy's name. Anyway, the first time they saw the film

0:27:34.200 --> 0:27:35.399
<v Speaker 2>was the day of the La.

0:27:35.359 --> 0:27:37.399
<v Speaker 1>Riots show.

0:27:38.520 --> 0:27:43.560
<v Speaker 2>Wow, and to their credit, they both stayed. And that

0:27:43.640 --> 0:27:47.320
<v Speaker 2>was a four hour cut. But the secretaries would come

0:27:47.400 --> 0:27:49.560
<v Speaker 2>in and throughout the whole thing, or notices and stuff

0:27:49.600 --> 0:27:53.879
<v Speaker 2>like that. So it's ironic that the first time we

0:27:54.040 --> 0:27:57.440
<v Speaker 2>showed the film, the Warner Brothers La was up in flames.

0:27:57.600 --> 0:28:00.399
<v Speaker 1>Damn, do you remember any of the celebrity these that

0:28:01.160 --> 0:28:01.920
<v Speaker 1>didn't help.

0:28:04.480 --> 0:28:09.320
<v Speaker 2>No, here's a thing, let me get the story. So

0:28:11.160 --> 0:28:14.760
<v Speaker 2>I will not cut the So Warner Brothers wants the

0:28:14.760 --> 0:28:18.280
<v Speaker 2>film to be two hours. I said, look, it can't

0:28:18.280 --> 0:28:21.399
<v Speaker 2>be two hours. And so I know that all the

0:28:21.560 --> 0:28:27.040
<v Speaker 2>Stone is getting ready to finish. JFK preproduction and water

0:28:27.040 --> 0:28:31.119
<v Speaker 2>brought us film. So I say, how long is JEFFK?

0:28:31.359 --> 0:28:32.639
<v Speaker 2>They say it's two hours.

0:28:33.960 --> 0:28:42.920
<v Speaker 9>They're knowing I knew al the stone, I think, yo, alva,

0:28:43.320 --> 0:28:44.280
<v Speaker 9>how long is the okay?

0:28:44.360 --> 0:28:50.800
<v Speaker 2>The spikes? Three hours? Don't tell us mother etn cursed,

0:28:50.960 --> 0:28:53.800
<v Speaker 2>he said, don't tell me my I said, so, so wait

0:28:53.800 --> 0:28:56.640
<v Speaker 2>a minute, jaff case me three hours and we can't

0:28:56.640 --> 0:28:59.640
<v Speaker 2>be three hours. I wouldn't. I wouldn't cut the film.

0:29:00.640 --> 0:29:03.560
<v Speaker 2>So Warner Brothers let the Bond Company take over the film.

0:29:04.240 --> 0:29:04.920
<v Speaker 1>Oh no.

0:29:05.200 --> 0:29:10.040
<v Speaker 2>And so then all the people post production got a

0:29:12.880 --> 0:29:19.800
<v Speaker 2>letter saying you're no longer. You're fired. So we had

0:29:19.800 --> 0:29:22.160
<v Speaker 2>no money and I got paid one million dollars for

0:29:22.240 --> 0:29:25.040
<v Speaker 2>Malcolm X. I put that money into the budget right

0:29:26.000 --> 0:29:30.240
<v Speaker 2>towards the film. And so in the eight nine months

0:29:30.280 --> 0:29:36.000
<v Speaker 2>in pre production for Malcolm X, this these I kept

0:29:36.200 --> 0:29:40.600
<v Speaker 2>thinking about what Malcolm talked about, self reliance, self determination,

0:29:41.680 --> 0:29:45.680
<v Speaker 2>self religned, self determination, and I kept thinking about that.

0:29:46.400 --> 0:29:49.440
<v Speaker 2>Then it hit me like a motherfucker tongue of bricks.

0:29:50.360 --> 0:29:54.200
<v Speaker 2>I got people I could call. I got the number.

0:29:57.000 --> 0:30:01.440
<v Speaker 2>And here's the tricky thing. It it It couldn't. It

0:30:01.480 --> 0:30:04.440
<v Speaker 2>was not gonna be a investment in the film. It

0:30:04.440 --> 0:30:07.000
<v Speaker 2>cannot be a tax break. It just had to be

0:30:07.600 --> 0:30:08.120
<v Speaker 2>a gift.

0:30:08.800 --> 0:30:09.160
<v Speaker 1>Mm hmm.

0:30:09.800 --> 0:30:14.240
<v Speaker 2>The first call was Bill Cosby, so called Bill was

0:30:14.360 --> 0:30:18.080
<v Speaker 2>up and he said, what do you want to spike?

0:30:18.800 --> 0:30:23.200
<v Speaker 2>I told him he knew, so he said, I'll put

0:30:23.240 --> 0:30:26.000
<v Speaker 2>the check in. I said, no, no, no, I'm coming now.

0:30:27.000 --> 0:30:28.160
<v Speaker 2>So I jumped on the subway.

0:30:28.800 --> 0:30:29.160
<v Speaker 1>Mm hmm.

0:30:30.640 --> 0:30:33.200
<v Speaker 2>Just where you live up east.

0:30:33.000 --> 0:30:34.960
<v Speaker 1>Side, you went to him.

0:30:35.240 --> 0:30:38.400
<v Speaker 2>Yeah, So I got on the subway.

0:30:40.480 --> 0:30:42.120
<v Speaker 1>He was like, I don't believe you. I'm gonna get it.

0:30:44.240 --> 0:30:46.480
<v Speaker 2>He opened the door, had the check. I snatched the

0:30:46.600 --> 0:30:49.240
<v Speaker 2>check and even come in the house and it ran

0:30:49.320 --> 0:30:58.480
<v Speaker 2>to the bank before ran the bank before you could

0:30:58.520 --> 0:31:04.960
<v Speaker 2>cancel that ships. So we had Janet Jackson.

0:31:06.080 --> 0:31:08.239
<v Speaker 1>Did you have a relationship with her like that you

0:31:08.280 --> 0:31:09.080
<v Speaker 1>could ask her?

0:31:09.280 --> 0:31:11.360
<v Speaker 2>I had a number, you know.

0:31:11.600 --> 0:31:13.320
<v Speaker 1>She just said the strangers for a million?

0:31:15.080 --> 0:31:22.080
<v Speaker 2>So Janet Prince, Tracy Chapman, Wow, ms Oprah Winfrey. There's

0:31:22.120 --> 0:31:26.360
<v Speaker 2>a woman, an African American woman whose entrepreneur name is

0:31:26.400 --> 0:31:29.520
<v Speaker 2>Pegga Cooper k for it's from DC. So there's two

0:31:29.560 --> 0:31:35.040
<v Speaker 2>more people on my list, Magic Johnson. Now one more

0:31:35.040 --> 0:31:40.360
<v Speaker 2>person my list, Michael m hm. So the only thing

0:31:40.440 --> 0:31:44.000
<v Speaker 2>that people said, please do not discount, Please do not,

0:31:44.520 --> 0:31:48.800
<v Speaker 2>you know, disclose how much? So I said, my mother's grave.

0:31:49.400 --> 0:31:52.360
<v Speaker 2>No one's ever gonna know. So I called my last

0:31:52.400 --> 0:31:58.160
<v Speaker 2>call my main man money. So Michael Jordan is very

0:31:58.320 --> 0:31:59.280
<v Speaker 2>very competitive.

0:32:00.600 --> 0:32:02.680
<v Speaker 1>Oh wow, you want to know how much everybody else get?

0:32:02.800 --> 0:32:07.880
<v Speaker 2>You know, I just mentioned the range of what Magic gave.

0:32:15.280 --> 0:32:16.120
<v Speaker 1>He wanted to make it rain.

0:32:18.680 --> 0:32:25.560
<v Speaker 7>He said, fuck that you're getting this. So that money

0:32:26.560 --> 0:32:31.120
<v Speaker 7>enabled me to rehire Oh yeah, that's dope my people.

0:32:31.640 --> 0:32:34.360
<v Speaker 2>And we kept it quiet so there was no interaction

0:32:34.400 --> 0:32:38.280
<v Speaker 2>between myself and it's still for months. And on Malcolm

0:32:38.360 --> 0:32:41.760
<v Speaker 2>Ex's birthday, May nineteenth, we had a press conference at

0:32:41.800 --> 0:32:44.880
<v Speaker 2>the Schomberg Library one hundred and thirty fifth Street in Lennox,

0:32:45.280 --> 0:32:48.760
<v Speaker 2>where we had a press conference announced the names these

0:32:48.800 --> 0:32:53.240
<v Speaker 2>prominent African Americans who came through out of goodness their heart,

0:32:53.880 --> 0:32:57.600
<v Speaker 2>so the vision so the world can see our vision

0:32:57.680 --> 0:33:00.480
<v Speaker 2>of Malcolm X. And the next day, you know happened.

0:33:01.040 --> 0:33:05.840
<v Speaker 2>Warner Brother started putting back on the payroll man true story.

0:33:06.040 --> 0:33:08.080
<v Speaker 2>So how long?

0:33:08.320 --> 0:33:11.600
<v Speaker 1>Okay? Can I ask you who's who was the hardest pitch?

0:33:12.160 --> 0:33:14.560
<v Speaker 1>Because it's weird because like I have a hard time

0:33:14.640 --> 0:33:19.520
<v Speaker 1>getting people to come to my DJ gigs. It's like

0:33:19.720 --> 0:33:23.840
<v Speaker 1>as a virtual stranger. I mean, I have a hard

0:33:23.880 --> 0:33:29.959
<v Speaker 1>time getting people to do this show. So it's like,

0:33:30.360 --> 0:33:33.360
<v Speaker 1>how's your pitch? Is it lengthy or is it just

0:33:33.400 --> 0:33:35.320
<v Speaker 1>like black people education?

0:33:36.200 --> 0:33:40.000
<v Speaker 2>It's like it's nation time. Wow, It's Nation time.

0:33:40.120 --> 0:33:41.720
<v Speaker 5>And nobody was scared. Did their name?

0:33:43.320 --> 0:33:44.960
<v Speaker 1>Was this your first conversation with Prince?

0:33:45.000 --> 0:33:45.040
<v Speaker 10>Like?

0:33:45.040 --> 0:33:48.120
<v Speaker 1>Who was your first? Like? Did you have That's what

0:33:48.200 --> 0:33:48.480
<v Speaker 1>I'm saying.

0:33:48.520 --> 0:33:51.640
<v Speaker 2>As knew everybody, not like friends, but I knew enough

0:33:51.680 --> 0:33:55.120
<v Speaker 2>that I had that number. And it wasn't like, look,

0:33:55.120 --> 0:33:55.880
<v Speaker 2>here's the story.

0:33:56.040 --> 0:33:58.760
<v Speaker 1>How'd you even get to Prince to be like, yo,

0:33:58.920 --> 0:34:02.640
<v Speaker 1>I gotta ask him because he's kind of elusive.

0:34:03.960 --> 0:34:06.400
<v Speaker 2>I don't remember, but I got his check, I talked,

0:34:07.440 --> 0:34:11.680
<v Speaker 2>I told everybody people because it had been the pressed though,

0:34:12.160 --> 0:34:14.319
<v Speaker 2>I mean it was in the press. This, I mean,

0:34:14.360 --> 0:34:17.320
<v Speaker 2>the whole thing of Malcolm X was huge, the whole baking,

0:34:17.360 --> 0:34:18.120
<v Speaker 2>all this stuff.

0:34:17.960 --> 0:34:20.800
<v Speaker 1>And at that point by that point too.

0:34:21.000 --> 0:34:23.600
<v Speaker 2>You know, so it was known. And then the fact

0:34:23.640 --> 0:34:27.440
<v Speaker 2>that there was known, that that that that they pulled

0:34:27.440 --> 0:34:32.320
<v Speaker 2>the plug on the money, and so people people understood

0:34:32.280 --> 0:34:35.839
<v Speaker 2>what was at stake and they would just say how

0:34:35.920 --> 0:34:38.200
<v Speaker 2>much you need? And so here's the thing, though, so

0:34:39.320 --> 0:34:42.279
<v Speaker 2>I have a list. Everybody asked in the list came through,

0:34:43.920 --> 0:34:47.600
<v Speaker 2>but every time one said no one said no, how

0:34:47.600 --> 0:34:49.000
<v Speaker 2>can you even go to the other Michael.

0:34:49.120 --> 0:34:57.920
<v Speaker 1>That's about that matter of fact, the two other Michaels.

0:34:56.200 --> 0:34:59.440
<v Speaker 2>Who both were Muslim at some point, because at a

0:34:59.480 --> 0:35:03.960
<v Speaker 2>point I had my money. Okay, so you didn't want

0:35:03.960 --> 0:35:05.839
<v Speaker 2>to go over just no, no, I just I didn't

0:35:05.840 --> 0:35:06.520
<v Speaker 2>want to be greedy.

0:35:06.880 --> 0:35:09.960
<v Speaker 1>And you knew that you needed nine million more.

0:35:10.160 --> 0:35:11.880
<v Speaker 2>That wasn't a million. There was at nine million, But

0:35:11.880 --> 0:35:13.960
<v Speaker 2>I just knew what I needed. So every time I

0:35:14.000 --> 0:35:16.360
<v Speaker 2>would asked, I would go up and get more confidence,

0:35:16.440 --> 0:35:20.120
<v Speaker 2>getting pepping my step. So it's like a scale. Every

0:35:20.120 --> 0:35:21.480
<v Speaker 2>next call, I'm asking for more?

0:35:21.520 --> 0:35:22.239
<v Speaker 5>Are you hitting your chest?

0:35:24.760 --> 0:35:27.800
<v Speaker 2>Like self determination, self alliance? And these prida black people

0:35:27.880 --> 0:35:31.840
<v Speaker 2>came together and gave us the money to make the

0:35:31.880 --> 0:35:33.160
<v Speaker 2>feeling way he wanted to make it.

0:35:33.320 --> 0:35:36.080
<v Speaker 1>So Tracy Chapman wasn't like, Okay, well maybe I'll need

0:35:36.160 --> 0:35:38.920
<v Speaker 1>two videos like no one.

0:35:39.239 --> 0:35:41.759
<v Speaker 2>No, it was all love. It's all love. It had

0:35:41.760 --> 0:35:44.200
<v Speaker 2>nothing to do with me. It's about Malcolm X. It

0:35:44.280 --> 0:35:44.960
<v Speaker 2>was about Malcolm.

0:35:45.640 --> 0:35:47.360
<v Speaker 1>Even more importantly, how did you get them all in

0:35:47.360 --> 0:35:49.280
<v Speaker 1>the room at the same time to shoot that last

0:35:49.320 --> 0:35:51.279
<v Speaker 1>the credit scene where they're.

0:35:51.000 --> 0:35:53.960
<v Speaker 2>All they weren't the same room. You just made it

0:35:54.360 --> 0:35:57.239
<v Speaker 2>seem no, we we just where we could find them

0:35:57.520 --> 0:35:58.920
<v Speaker 2>put on the.

0:35:59.480 --> 0:36:01.000
<v Speaker 5>Wait is that a X men? And I swear I

0:36:01.040 --> 0:36:03.280
<v Speaker 5>didn't know past that and credits.

0:36:03.440 --> 0:36:06.800
<v Speaker 1>It just looks like when revolution explained by arrested development.

0:36:07.160 --> 0:36:12.320
<v Speaker 2>Who's where to have Ganet, Michael and Magic are together?

0:36:13.280 --> 0:36:16.080
<v Speaker 1>Right? Okay? The way you cut it, though, I just

0:36:16.160 --> 0:36:17.960
<v Speaker 1>thought everybody was in the room at the same time.

0:36:18.080 --> 0:36:20.640
<v Speaker 1>I was more impressed with that. I'm like, it was different.

0:36:20.680 --> 0:36:23.320
<v Speaker 1>This prince got a Malcolm X, this crib or something.

0:36:23.719 --> 0:36:25.279
<v Speaker 1>Did you give him a baseball gap just in case

0:36:25.320 --> 0:36:26.879
<v Speaker 1>he wanted one? Prince? That's where I at.

0:36:32.800 --> 0:36:37.479
<v Speaker 2>But that was that was the main because I don't

0:36:37.480 --> 0:36:38.120
<v Speaker 2>know what it's gonna do.

0:36:38.440 --> 0:36:40.479
<v Speaker 1>How did you pull off the mega sine?

0:36:41.440 --> 0:36:45.040
<v Speaker 2>We were the first, yes, we were the first people

0:36:45.239 --> 0:36:49.440
<v Speaker 2>ever allowed to bring a thirty five millimeters camera in

0:36:49.520 --> 0:36:52.640
<v Speaker 2>the Holy City of Mecca during Hajj, and so we

0:36:52.760 --> 0:36:54.640
<v Speaker 2>just had to hire a Muslim crew.

0:36:55.080 --> 0:36:57.400
<v Speaker 5>Why why why would they they say they let you

0:36:57.480 --> 0:36:57.719
<v Speaker 5>do it.

0:36:59.280 --> 0:37:02.120
<v Speaker 2>They respect my welcome mix as a Muslim.

0:37:02.640 --> 0:37:06.360
<v Speaker 1>And again, who's pitching them? I don't know. It's just

0:37:06.680 --> 0:37:08.799
<v Speaker 1>the then of miracles.

0:37:09.080 --> 0:37:13.279
<v Speaker 2>One of the social producers of Fernando Sultan. Somehow he

0:37:13.480 --> 0:37:16.520
<v Speaker 2>talked the High Islamic Court into grant this permission to shoot.

0:37:16.800 --> 0:37:19.479
<v Speaker 1>Was the resistance or is there a sex in the film?

0:37:19.640 --> 0:37:19.920
<v Speaker 1>Is there?

0:37:21.239 --> 0:37:22.879
<v Speaker 2>We had to send describe mean, look, I'm not gonna

0:37:23.040 --> 0:37:29.759
<v Speaker 2>mess around with the High Islamic Court. So thank thank

0:37:29.840 --> 0:37:32.520
<v Speaker 2>Allah they gave us permission to shoot it because you

0:37:32.640 --> 0:37:35.520
<v Speaker 2>cannot recreate what we did when when that stuff?

0:37:35.600 --> 0:37:37.560
<v Speaker 1>I mean, come on, well, on the other side of

0:37:37.600 --> 0:37:42.360
<v Speaker 1>the coin, how did you avoid the ire or anger

0:37:42.760 --> 0:37:43.480
<v Speaker 1>of the nation?

0:37:44.360 --> 0:37:47.600
<v Speaker 2>Easy? In pre production, I flew to Chicago and had

0:37:47.640 --> 0:37:55.399
<v Speaker 2>a meeting with the minister. Minister far Khan gotcha, I had.

0:37:55.480 --> 0:37:59.560
<v Speaker 2>I don't want no problems. So I got on a plane,

0:38:00.920 --> 0:38:04.600
<v Speaker 2>flew Chicago and sat down on the minister and the

0:38:04.680 --> 0:38:07.480
<v Speaker 2>minister was really not concerned how he portrayed Malcolm X.

0:38:08.080 --> 0:38:09.759
<v Speaker 1>I was more concerned with.

0:38:11.719 --> 0:38:13.880
<v Speaker 2>Only concerned about honor Olije Muhammad.

0:38:13.560 --> 0:38:13.800
<v Speaker 1>That's what.

0:38:14.200 --> 0:38:19.120
<v Speaker 2>And he said, Spike, I wish you well, but there

0:38:20.600 --> 0:38:26.239
<v Speaker 2>hopefully you will do say that, what do you let

0:38:26.280 --> 0:38:31.440
<v Speaker 2>me do all the time? Terms like it could possibly?

0:38:31.960 --> 0:38:33.960
<v Speaker 5>Was he cool because you gave a couple of gems

0:38:34.040 --> 0:38:36.160
<v Speaker 5>in the movie, bro, I mean, but.

0:38:38.000 --> 0:38:40.560
<v Speaker 2>It's deeper.

0:38:41.360 --> 0:38:41.799
<v Speaker 1>There is two.

0:38:41.960 --> 0:38:44.719
<v Speaker 2>He liked the film. He did say Spike, I saw

0:38:44.800 --> 0:38:47.080
<v Speaker 2>him eventually after he did like the film, did not

0:38:47.440 --> 0:38:47.879
<v Speaker 2>Who played?

0:38:50.000 --> 0:38:52.440
<v Speaker 1>Was he nominated for Best Supporting Actor?

0:38:53.120 --> 0:38:54.080
<v Speaker 2>Should have been was any?

0:38:54.200 --> 0:38:54.640
<v Speaker 5>It was any?

0:38:55.480 --> 0:39:00.680
<v Speaker 2>Only the nominations were Denzel and Ruth Carter. And that's

0:39:00.719 --> 0:39:07.000
<v Speaker 2>a lost Alpacino for Center one number Wait, that's the

0:39:07.200 --> 0:39:10.680
<v Speaker 2>NBA makeup call because Pino is a great actor. Did

0:39:10.760 --> 0:39:16.839
<v Speaker 2>not win for Godfather One. Curp Cold the Afternoon, right,

0:39:17.320 --> 0:39:22.880
<v Speaker 2>and so Denzil's young You'll be back boom want anyway?

0:39:23.040 --> 0:39:26.920
<v Speaker 1>Center A Woman was stupid though that It's amazing disappoint

0:39:27.600 --> 0:39:30.680
<v Speaker 1>you had a good it was such a classic film.

0:39:31.040 --> 0:39:36.200
<v Speaker 2>But look, Pacino did not win for Godfather One, Godfather Circle,

0:39:36.680 --> 0:39:42.960
<v Speaker 2>do the right thing. At least one of those you

0:39:43.000 --> 0:39:45.600
<v Speaker 2>should have won too, At least.

0:39:50.320 --> 0:39:53.320
<v Speaker 6>Malcolm X was so crazy. I remember it's it's just

0:39:53.360 --> 0:39:55.000
<v Speaker 6>so crazy to be sitting there with you. It came

0:39:55.040 --> 0:39:56.720
<v Speaker 6>out when I was in seventh grade. You cut school,

0:39:57.160 --> 0:40:01.480
<v Speaker 6>no even better. I tried to get my class to

0:40:01.600 --> 0:40:05.680
<v Speaker 6>go see it, and I almost got it done, but

0:40:05.960 --> 0:40:08.960
<v Speaker 6>something happened and the principle was like nah, and it

0:40:09.080 --> 0:40:09.920
<v Speaker 6>ended up in the paper.

0:40:10.840 --> 0:40:13.000
<v Speaker 2>They ended up in the papers.

0:40:16.239 --> 0:40:24.560
<v Speaker 1>It was as the school I went to. Ready, Yeah, we're.

0:40:24.440 --> 0:40:27.120
<v Speaker 2>Gonna go see cut school play Hooky.

0:40:30.040 --> 0:40:31.959
<v Speaker 1>The school I went to men in the Hall Middle.

0:40:32.040 --> 0:40:34.560
<v Speaker 6>It was like it was like a school that was

0:40:34.640 --> 0:40:37.439
<v Speaker 6>in the middle of a very affluent neighborhood in our city.

0:40:37.600 --> 0:40:39.960
<v Speaker 5>But it's still Carolina And uh, I mean, yeah, but

0:40:40.080 --> 0:40:41.920
<v Speaker 5>niggas got money. I'm saying that.

0:40:41.960 --> 0:40:43.320
<v Speaker 1>I was just saying, you know, but yeah, but it

0:40:43.440 --> 0:40:45.239
<v Speaker 1>was you know so but yeah, But I was like, Yo,

0:40:45.480 --> 0:40:46.920
<v Speaker 1>we should go see it. We could make it a

0:40:46.960 --> 0:40:50.360
<v Speaker 1>class trip and all this ship and it was happening

0:40:50.440 --> 0:40:52.200
<v Speaker 1>and then all of a sudden it just got shut down.

0:40:52.239 --> 0:40:54.600
<v Speaker 6>And I remember reading it in the paper. So apparently

0:40:54.680 --> 0:40:56.360
<v Speaker 6>something went down with the principal of some ship. But

0:40:56.440 --> 0:40:58.640
<v Speaker 6>they were like nah, But I ended up going to

0:40:58.640 --> 0:41:02.239
<v Speaker 6>see it myself, of course. So were you fine with

0:41:02.480 --> 0:41:06.120
<v Speaker 6>the parting of you and Ernest at that period? I

0:41:06.200 --> 0:41:08.840
<v Speaker 6>don't know, Oh, yeah, you'd stopped working with each other after.

0:41:09.200 --> 0:41:12.880
<v Speaker 2>Because Ernest wanted to do the day he came to

0:41:13.080 --> 0:41:16.120
<v Speaker 2>film school told me I'm gonna be a director. So

0:41:16.160 --> 0:41:18.839
<v Speaker 2>I always knew that day was coming when he would,

0:41:19.480 --> 0:41:22.839
<v Speaker 2>you know, direct the film and continue on that path.

0:41:22.920 --> 0:41:25.279
<v Speaker 1>See, we're just like give me five years. And no,

0:41:25.400 --> 0:41:26.680
<v Speaker 1>we never talked about.

0:41:26.440 --> 0:41:31.360
<v Speaker 2>It, you know, but it was at Malcolm X. I

0:41:31.440 --> 0:41:32.960
<v Speaker 2>knew that was going to be the end that he

0:41:33.200 --> 0:41:34.560
<v Speaker 2>was looking to direct.

0:41:34.719 --> 0:41:37.719
<v Speaker 1>But you couldn't do both. I'm sorry, that's not.

0:41:37.719 --> 0:41:39.359
<v Speaker 2>What we wanted to do. And so look, I mean

0:41:39.360 --> 0:41:40.480
<v Speaker 2>I want people do what they want to do.

0:41:41.120 --> 0:41:44.840
<v Speaker 1>But aren't you afraid that the formula will be different?

0:41:45.000 --> 0:41:47.320
<v Speaker 1>Like damn? Like you you have such a good marriage

0:41:47.400 --> 0:41:49.760
<v Speaker 1>and such an identity with these shots.

0:41:49.800 --> 0:41:54.080
<v Speaker 2>I've worked with great deep peace, Malik said Ellen curis

0:41:55.520 --> 0:41:59.040
<v Speaker 2>uh a whole bunch of people, you know. So we

0:41:59.160 --> 0:42:02.879
<v Speaker 2>had we had a great time together. You know, we're

0:42:02.920 --> 0:42:05.080
<v Speaker 2>away to have those films and he's doing what he

0:42:05.160 --> 0:42:06.400
<v Speaker 2>wants to do, which is direct.

0:42:06.560 --> 0:42:10.840
<v Speaker 1>What did you think of Juice? Loved it? This was it. Damn.

0:42:11.360 --> 0:42:13.520
<v Speaker 1>It just hit me that you never worked with Tupac

0:42:14.480 --> 0:42:17.440
<v Speaker 1>And now I wonder what would have come of it

0:42:17.680 --> 0:42:22.920
<v Speaker 1>had Tupac acted in one of your films. I mean

0:42:22.920 --> 0:42:26.759
<v Speaker 1>he had he had conversations at all.

0:42:26.840 --> 0:42:29.480
<v Speaker 2>I don't think I ever met him. I don't I

0:42:29.520 --> 0:42:32.680
<v Speaker 2>don't really remember meeting him. Wow, because when I came

0:42:32.719 --> 0:42:33.839
<v Speaker 2>to the set, he wasn't there.

0:42:34.560 --> 0:42:38.000
<v Speaker 1>Juice, no have you ever met Tubac. I don't think

0:42:38.320 --> 0:42:41.120
<v Speaker 1>I remember. I remember was Distance spit in the interview

0:42:41.239 --> 0:42:45.000
<v Speaker 1>like this was a while. I mean this is he was.

0:42:45.920 --> 0:42:49.200
<v Speaker 6>He was saying, because I didn't come to the premiere

0:42:49.320 --> 0:42:50.279
<v Speaker 6>or Juice or something like that.

0:42:50.719 --> 0:42:53.520
<v Speaker 2>No, that I wasn't around the set. I mean me

0:42:53.560 --> 0:42:55.800
<v Speaker 2>and Ernst were like we grew up together. I have

0:42:55.880 --> 0:42:58.000
<v Speaker 2>to be on this first of all, when i'm when

0:42:58.000 --> 0:43:00.000
<v Speaker 2>i'm when I'm on when i'm if I'm a direct

0:43:00.080 --> 0:43:01.000
<v Speaker 2>in the film, I don't.

0:43:00.840 --> 0:43:01.040
<v Speaker 3>Go to this.

0:43:01.560 --> 0:43:03.719
<v Speaker 2>I just I just feel awkward on all the people's sense.

0:43:03.760 --> 0:43:04.160
<v Speaker 1>I don't go.

0:43:05.200 --> 0:43:12.240
<v Speaker 8>And also, you visited Graffiti Bridge anywhere I wanted any Prince,

0:43:14.440 --> 0:43:15.360
<v Speaker 8>you couldn't stop that.

0:43:15.719 --> 0:43:17.200
<v Speaker 1>You couldn't stop that from half.

0:43:19.880 --> 0:43:23.719
<v Speaker 2>I wanted, when Prince calls for you, I'm coming right

0:43:23.920 --> 0:43:24.319
<v Speaker 2>right right?

0:43:24.520 --> 0:43:26.360
<v Speaker 1>Is that how y'all got girls sick? And how you

0:43:26.640 --> 0:43:27.320
<v Speaker 1>got him to do this?

0:43:27.440 --> 0:43:27.560
<v Speaker 3>Oh?

0:43:27.600 --> 0:43:29.759
<v Speaker 2>Yeah, I had this script and I said, look, I

0:43:29.840 --> 0:43:32.919
<v Speaker 2>said the script, want use all your songs? So okay,

0:43:33.040 --> 0:43:35.319
<v Speaker 2>And he said, can I choose a song? Said yeah,

0:43:35.360 --> 0:43:41.320
<v Speaker 2>go ahead, Wow, So he wrote the theme song title.

0:43:42.440 --> 0:43:46.600
<v Speaker 1>So I guess for crooking. Well, even though it's the

0:43:46.680 --> 0:43:48.719
<v Speaker 1>story of your mother, that could have been more the.

0:43:48.760 --> 0:43:53.320
<v Speaker 2>Lee family story, the Lee family growing up and for

0:43:55.840 --> 0:43:58.759
<v Speaker 2>true was it anything that was I mean, the dog

0:43:58.800 --> 0:44:03.680
<v Speaker 2>didn't pop about of the castle, the character that.

0:44:03.760 --> 0:44:07.160
<v Speaker 5>You played with, and the dude the neighbor down.

0:44:07.840 --> 0:44:11.279
<v Speaker 1>But I'm just saying that even though you're talking about

0:44:11.320 --> 0:44:14.520
<v Speaker 1>your family, that is really something on a biographical But

0:44:14.760 --> 0:44:18.399
<v Speaker 1>to me it was like a lighthearted Okay, it wasn't

0:44:18.400 --> 0:44:20.920
<v Speaker 1>in the days. Yeah, that could have been your romantic

0:44:20.960 --> 0:44:23.080
<v Speaker 1>comedy or you're you're lighthearted.

0:44:23.200 --> 0:44:25.920
<v Speaker 2>We want to do something after Malcolm X different.

0:44:26.239 --> 0:44:27.759
<v Speaker 3>That was the first time I say my daddy cry

0:44:27.800 --> 0:44:29.799
<v Speaker 3>after he saw Crookly because people want to raise.

0:44:29.719 --> 0:44:32.960
<v Speaker 6>The New York the scene in Crookland where when she

0:44:33.120 --> 0:44:38.600
<v Speaker 6>goes south down and what was the thought behind That's.

0:44:38.880 --> 0:44:40.800
<v Speaker 2>Well, it was ours in Wonderland Ash.

0:44:41.040 --> 0:44:42.680
<v Speaker 1>She's in a strange place, and you.

0:44:42.719 --> 0:44:46.839
<v Speaker 2>Know it's crazy because people were I was TV.

0:44:49.080 --> 0:44:56.759
<v Speaker 1>I was confused at first, but straight it took me

0:44:56.760 --> 0:44:58.400
<v Speaker 1>a minute to figure out what you were going for.

0:45:00.480 --> 0:45:01.839
<v Speaker 1>I love that. That's one of my favorite movies.

0:45:02.520 --> 0:45:09.960
<v Speaker 2>The other day Raising and Beads and you know what,

0:45:11.120 --> 0:45:18.360
<v Speaker 2>people if I if I took score, people come up

0:45:19.800 --> 0:45:21.920
<v Speaker 2>of all the things I done. People say Crookland want

0:45:22.000 --> 0:45:25.359
<v Speaker 2>any other film more to do the right thing more

0:45:25.400 --> 0:45:30.520
<v Speaker 2>than Malcolm X. Just on the street, just strangers, they say, Crook.

0:45:31.000 --> 0:45:35.560
<v Speaker 1>Yeah, because yeah, and it's like a not a workingman's film.

0:45:35.600 --> 0:45:39.320
<v Speaker 1>But you know, I feel like your your initial arsenal.

0:45:39.440 --> 0:45:44.879
<v Speaker 1>The first five or six were so larger than life

0:45:44.920 --> 0:45:47.600
<v Speaker 1>and epic and you know, again you have the pressure

0:45:47.640 --> 0:45:51.520
<v Speaker 1>of being our spokesperson and you have to cross every team,

0:45:51.640 --> 0:45:55.520
<v Speaker 1>dot every I I was gonna ask like, is there

0:45:56.680 --> 0:45:58.840
<v Speaker 1>I mean, do you have writers block? And I'm paralleling

0:45:58.920 --> 0:46:02.120
<v Speaker 1>this the songwriting, Like, okay, so obviously Malcolm X is

0:46:02.200 --> 0:46:05.640
<v Speaker 1>your thriller, your Purple Rain or whatever. Like when you're

0:46:05.680 --> 0:46:07.719
<v Speaker 1>trying to follow up a film, are you just like

0:46:08.360 --> 0:46:12.440
<v Speaker 1>I'm out of ideas or I just like, where do

0:46:12.560 --> 0:46:16.759
<v Speaker 1>you go to? Well, I've been to your crib before.

0:46:17.760 --> 0:46:19.640
<v Speaker 2>But here's the thing though, is that is that I've

0:46:19.719 --> 0:46:23.160
<v Speaker 2>done films I didn't direct. I mean, excuse me, I

0:46:23.200 --> 0:46:28.440
<v Speaker 2>didn't write. So the original script A Crook was called

0:46:28.480 --> 0:46:31.040
<v Speaker 2>hot Piece and Butters written my brother SANKI and my

0:46:31.560 --> 0:46:34.759
<v Speaker 2>sister JOI. So they brought it to me. I said,

0:46:34.760 --> 0:46:37.759
<v Speaker 2>I want to, you know, rewrite it. And so that's

0:46:37.800 --> 0:46:40.759
<v Speaker 2>where that that was the origin of that. So I

0:46:41.239 --> 0:46:44.120
<v Speaker 2>always have I have a bunch of stuff to make,

0:46:45.400 --> 0:46:47.680
<v Speaker 2>So it's nothing about writers blocks about getting the money

0:46:48.320 --> 0:46:49.640
<v Speaker 2>to make those films.

0:46:50.200 --> 0:46:53.000
<v Speaker 6>My question for you one thing I've always admired about you,

0:46:53.120 --> 0:46:55.440
<v Speaker 6>and I don't know how you do it. You always

0:46:55.480 --> 0:46:58.239
<v Speaker 6>seem to be like right on time, like timely, so

0:46:58.360 --> 0:47:01.880
<v Speaker 6>like particularly thinking of twenty fifth hour, I mean that

0:47:02.040 --> 0:47:04.799
<v Speaker 6>came like right, you know, on the hills of nine eleven.

0:47:04.960 --> 0:47:06.800
<v Speaker 6>How how did that come together?

0:47:07.000 --> 0:47:10.560
<v Speaker 2>Well, twenty thous a novel by David Bennioff of Games

0:47:10.560 --> 0:47:17.000
<v Speaker 2>of Throne Fame, and the novel takes place before Nane eleven.

0:47:17.600 --> 0:47:19.040
<v Speaker 1>Ah, so.

0:47:20.560 --> 0:47:24.399
<v Speaker 2>Edward Norton I got the idea to make it take

0:47:24.480 --> 0:47:27.680
<v Speaker 2>place post nan eleven. So that's that's how that happened.

0:47:27.920 --> 0:47:30.240
<v Speaker 6>Yeah, that's one of my I think, in my opinion,

0:47:30.280 --> 0:47:32.959
<v Speaker 6>that's one of your underrated joints. Like, I mean, people

0:47:33.000 --> 0:47:34.640
<v Speaker 6>they talk about do the right thing and all the

0:47:34.760 --> 0:47:36.960
<v Speaker 6>early but twenty four that one really spoke to me.

0:47:37.000 --> 0:47:38.400
<v Speaker 6>I thought you really did a great joy was just

0:47:38.520 --> 0:47:41.520
<v Speaker 6>capturing the city post nine eleven.

0:47:41.320 --> 0:47:43.400
<v Speaker 1>Like it just felt so empty and like it was

0:47:43.480 --> 0:47:44.400
<v Speaker 1>fucked up. I loved it.

0:47:44.640 --> 0:47:49.000
<v Speaker 2>Thank you. Look at The Barry Pepper, Edward Norton, The

0:47:49.120 --> 0:47:53.440
<v Speaker 2>Lake Phillis, te Mahawfin Rosario, Brian Cox.

0:47:53.840 --> 0:47:57.440
<v Speaker 3>I mean the cast was killing, you know, don't you

0:47:57.520 --> 0:48:00.279
<v Speaker 3>think every person because that's Fante says, that's his favor.

0:48:00.360 --> 0:48:02.120
<v Speaker 3>But I feel like every person who's a Spike fan

0:48:02.239 --> 0:48:05.680
<v Speaker 3>has their list of classics and then the ones that

0:48:05.800 --> 0:48:07.560
<v Speaker 3>I think people slept on, like I think people slept

0:48:07.600 --> 0:48:09.000
<v Speaker 3>on Miracle as Saint Anna, you know what I mean.

0:48:09.080 --> 0:48:10.960
<v Speaker 5>But it seems like you have those two lists of

0:48:11.440 --> 0:48:11.960
<v Speaker 5>you slept.

0:48:14.200 --> 0:48:14.359
<v Speaker 1>Well.

0:48:14.360 --> 0:48:17.720
<v Speaker 2>Here's the thing, though, you know, you really it's like music.

0:48:17.880 --> 0:48:20.840
<v Speaker 2>You know, we sleep on albums, you know, you sleep

0:48:20.880 --> 0:48:25.279
<v Speaker 2>on plays, and and you just gotta hope that sooner

0:48:25.360 --> 0:48:30.000
<v Speaker 2>or later people get it, you know, and that's that's

0:48:30.080 --> 0:48:32.239
<v Speaker 2>all you can do as an artist. You know, you

0:48:32.360 --> 0:48:34.960
<v Speaker 2>just put it out there, and once it's out in

0:48:35.000 --> 0:48:38.480
<v Speaker 2>the public, you know, really, what can you do? You know,

0:48:38.640 --> 0:48:41.759
<v Speaker 2>you can't really, especially when you don't have millions of

0:48:41.760 --> 0:48:45.360
<v Speaker 2>million dollars behind you to push it. You know, I

0:48:45.520 --> 0:48:47.800
<v Speaker 2>just gotta you just gotta leave it out there, you know,

0:48:47.880 --> 0:48:48.520
<v Speaker 2>see what happens.

0:48:48.600 --> 0:48:51.640
<v Speaker 1>Yes, I'm slightly and I'm jumping ahead of a lot

0:48:51.680 --> 0:48:55.240
<v Speaker 1>of films because I felt that one of the films

0:48:56.880 --> 0:49:06.040
<v Speaker 1>that has proved itself there very accurate in time. Yeah. Yeah, Actually,

0:49:06.160 --> 0:49:10.520
<v Speaker 1>in this very room that we're in, you came to me, uh,

0:49:14.360 --> 0:49:18.720
<v Speaker 1>sixteen seventeen years ago with all of these menstrual toys

0:49:18.920 --> 0:49:19.120
<v Speaker 1>in a.

0:49:19.200 --> 0:49:22.680
<v Speaker 2>Bag which I still have.

0:49:23.040 --> 0:49:28.080
<v Speaker 1>You pitched us bamboozle and ask you a question.

0:49:28.320 --> 0:49:30.040
<v Speaker 2>Yes, did you guys take a lot of heat for

0:49:30.120 --> 0:49:32.600
<v Speaker 2>playing Alabama porch Monkeys once?

0:49:33.640 --> 0:49:39.839
<v Speaker 1>NAS tried to use that against us because okay, well,

0:49:40.719 --> 0:49:45.000
<v Speaker 1>because we had backed up jay z It's it was

0:49:45.040 --> 0:49:47.560
<v Speaker 1>like we chose sides during that Nas jay Z war,

0:49:48.040 --> 0:49:52.560
<v Speaker 1>and we chose when we did jay Z's Unplugged, but

0:49:52.680 --> 0:49:57.520
<v Speaker 1>you were choosing size though we were supposed to be Switzerland.

0:49:57.760 --> 0:49:58.000
<v Speaker 5>Yeah.

0:49:59.360 --> 0:50:01.640
<v Speaker 1>But the thing was when we did take over, like

0:50:01.800 --> 0:50:05.680
<v Speaker 1>we started your music, yeah right, we started doing like

0:50:05.760 --> 0:50:08.000
<v Speaker 1>non music, so like really like you know, put the

0:50:08.560 --> 0:50:11.279
<v Speaker 1>put the dagger in the heart and so you know,

0:50:11.400 --> 0:50:13.520
<v Speaker 1>he he had words for us on Hot ninety seven,

0:50:13.600 --> 0:50:19.360
<v Speaker 1>but we didn't we didn't catch words. However, when what's it?

0:50:19.520 --> 0:50:19.640
<v Speaker 3>Uh?

0:50:19.960 --> 0:50:24.040
<v Speaker 1>Who played? Uh, I'm about to say not not the

0:50:24.120 --> 0:50:31.400
<v Speaker 1>Detta Man Roger Smith. Yeah, yeah, he had visited the

0:50:31.840 --> 0:50:36.239
<v Speaker 1>fallon set and on like day one. He happened to

0:50:36.280 --> 0:50:39.080
<v Speaker 1>be like a the NBC building and he he had

0:50:39.160 --> 0:50:40.440
<v Speaker 1>a h he's a.

0:50:46.840 --> 0:50:47.040
<v Speaker 2>Man.

0:50:53.719 --> 0:50:56.840
<v Speaker 1>A matter of fact, we did Barefoot Pregnant for Spikes

0:50:56.920 --> 0:51:01.239
<v Speaker 1>walk Out Late Night with Jimmy fo.

0:51:02.880 --> 0:51:04.880
<v Speaker 6>Is that an original song or is that? Yeah, we

0:51:05.040 --> 0:51:07.560
<v Speaker 6>just made on on the spot. I've been waiting for

0:51:07.640 --> 0:51:08.719
<v Speaker 6>that to show up on the Roots album for the

0:51:08.800 --> 0:51:09.560
<v Speaker 6>last sixteen years.

0:51:11.600 --> 0:51:14.080
<v Speaker 5>When you think porch Monkeys or.

0:51:16.400 --> 0:51:19.880
<v Speaker 1>The thing is, here's the thing was? It was like.

0:51:22.040 --> 0:51:22.760
<v Speaker 2>I was warned.

0:51:22.920 --> 0:51:25.879
<v Speaker 1>I regret it. No hell, no good, here's the thing.

0:51:26.040 --> 0:51:26.560
<v Speaker 2>I was like.

0:51:28.719 --> 0:51:35.120
<v Speaker 1>At first, I thought, come on, man, like, all right,

0:51:35.200 --> 0:51:35.759
<v Speaker 1>here's the deal.

0:51:36.719 --> 0:51:36.759
<v Speaker 6>You.

0:51:37.520 --> 0:51:39.160
<v Speaker 1>I didn't know if you were doing the school days

0:51:39.200 --> 0:51:43.800
<v Speaker 1>on us, but for some reason, the trailer for the

0:51:43.920 --> 0:51:46.680
<v Speaker 1>Roots and we had to put on black face and

0:51:46.719 --> 0:51:49.680
<v Speaker 1>all that ship the trailer for the Roots and wearing

0:51:49.719 --> 0:51:55.280
<v Speaker 1>those jail suits. The trail, the our dressing room trailer

0:51:56.800 --> 0:51:59.760
<v Speaker 1>was three blocks away from where we had to shoot

0:52:00.120 --> 0:52:08.960
<v Speaker 1>that school you being with no context whatsoever, I don't know.

0:52:09.880 --> 0:52:12.640
<v Speaker 1>And you know this nineteen ninety nine two thousand was

0:52:12.640 --> 0:52:17.560
<v Speaker 1>our breakout year, so you know, pre things fall apart,

0:52:18.320 --> 0:52:19.959
<v Speaker 1>you know, I was like the guy with the weird

0:52:20.000 --> 0:52:21.800
<v Speaker 1>head or you know, you have the Snoop Dogg haircut.

0:52:22.320 --> 0:52:27.799
<v Speaker 1>Here comes. But I was definitely quest love at that point,

0:52:28.600 --> 0:52:31.279
<v Speaker 1>and there was a thank god social media wasn't out

0:52:31.520 --> 0:52:34.319
<v Speaker 1>man at that point. It was it was like.

0:52:35.840 --> 0:52:37.400
<v Speaker 5>When there was okay.

0:52:37.400 --> 0:52:41.080
<v Speaker 6>No, they were just confused, like what the how was this?

0:52:42.520 --> 0:52:46.120
<v Speaker 6>And because I had the red lipstick. Yeah, so it

0:52:46.239 --> 0:52:48.680
<v Speaker 6>wasn't even like y'all could do the Dead Presidents with

0:52:48.800 --> 0:52:49.520
<v Speaker 6>the white.

0:52:51.600 --> 0:52:55.160
<v Speaker 1>Get sat doing it for a week, just doing it

0:52:55.560 --> 0:52:58.480
<v Speaker 1>without context. So people just think there was no cell

0:52:58.560 --> 0:53:01.839
<v Speaker 1>phone back then on this stuff. And by the last day,

0:53:01.880 --> 0:53:03.520
<v Speaker 1>I was like, let me find out Spike's trying to

0:53:03.520 --> 0:53:07.800
<v Speaker 1>school days us. And so when I saw the film,

0:53:09.800 --> 0:53:11.600
<v Speaker 1>I was like, damn, this is this is a hard

0:53:11.680 --> 0:53:15.160
<v Speaker 1>feel to swallow, Like what's the likelihood? Because I knew

0:53:15.400 --> 0:53:18.400
<v Speaker 1>by that point the only menstrual we really truly had

0:53:18.440 --> 0:53:20.880
<v Speaker 1>to worry about was like, you know, upn had that

0:53:21.440 --> 0:53:25.400
<v Speaker 1>home and yeah, he's a secret diary of Desmond BI.

0:53:25.880 --> 0:53:27.320
<v Speaker 1>Yeah that's stuff.

0:53:27.400 --> 0:53:29.719
<v Speaker 5>And that was a funny slave show.

0:53:29.800 --> 0:53:33.840
<v Speaker 1>I was like a slave rom com. I mean, we

0:53:33.920 --> 0:53:35.920
<v Speaker 1>were excited because this is like our first feature thing.

0:53:36.000 --> 0:53:38.799
<v Speaker 1>But in the bad I was like, maybe Spike went

0:53:38.880 --> 0:53:42.480
<v Speaker 1>over the top with this one. But then maybe five

0:53:42.600 --> 0:53:45.279
<v Speaker 1>years later I was like, oh, just like they said

0:53:45.320 --> 0:53:49.799
<v Speaker 1>in Bamboozle. Next year, oh yeah, that's right, just like Bamboozle.

0:53:50.280 --> 0:53:52.920
<v Speaker 1>But then by year ten I remember hitting up like,

0:53:53.920 --> 0:53:55.480
<v Speaker 1>I was like, Yo, do you find it strange that

0:53:55.680 --> 0:53:57.960
<v Speaker 1>all the things that Spike was talking about back in

0:53:58.000 --> 0:54:01.160
<v Speaker 1>two thousands happening now?

0:54:02.480 --> 0:54:06.239
<v Speaker 6>It's like bamboozo and Idiocracy or like films, Yeah, their

0:54:06.320 --> 0:54:08.200
<v Speaker 6>documentaries squat.

0:54:08.320 --> 0:54:13.920
<v Speaker 1>I just want to say, yeah, so I mean you,

0:54:15.400 --> 0:54:16.919
<v Speaker 1>I mean, if you have the dart in your hand,

0:54:16.960 --> 0:54:19.160
<v Speaker 1>I would said that, you know, you weren't exactly one

0:54:19.239 --> 0:54:22.840
<v Speaker 1>hundred maybe you were kind of like sixty one percent

0:54:24.239 --> 0:54:31.080
<v Speaker 1>back in two thousand. Now I'm thinking that you went

0:54:31.160 --> 0:54:37.440
<v Speaker 1>a little light, like, well, did you really foresee that

0:54:37.640 --> 0:54:43.239
<v Speaker 1>we wound up in the post minstrel entertainment hell that

0:54:43.400 --> 0:54:44.279
<v Speaker 1>we are in right now?

0:54:44.400 --> 0:54:49.800
<v Speaker 2>Where I saw it coming and what I wanted to

0:54:50.480 --> 0:54:51.319
<v Speaker 2>coming though, I mean.

0:54:51.560 --> 0:54:54.239
<v Speaker 5>Tyler, it was just.

0:54:55.760 --> 0:55:05.279
<v Speaker 1>The Korea, not where are you listening this album? Totally

0:55:05.320 --> 0:55:06.239
<v Speaker 1>forgot what you're talking about.

0:55:07.080 --> 0:55:09.160
<v Speaker 2>I just think I've always felt that you could tell

0:55:09.360 --> 0:55:12.200
<v Speaker 2>who we are as a people. Bar music that really

0:55:12.360 --> 0:55:12.799
<v Speaker 2>tells you.

0:55:12.880 --> 0:55:15.640
<v Speaker 1>Know who we are. Boy, damn muse.

0:55:18.200 --> 0:55:23.719
<v Speaker 2>And I just saw it going south and uh literally or.

0:55:26.360 --> 0:55:30.680
<v Speaker 1>No Southland, No south I'm not doing that. No Southlander.

0:55:31.880 --> 0:55:40.200
<v Speaker 1>Don't you live down south? But come on, bruh. But

0:55:40.520 --> 0:55:47.360
<v Speaker 1>you know you from Queens, you know, and we adopted you, brom.

0:55:47.640 --> 0:55:49.760
<v Speaker 1>I'm Carolina born and raised. Man. I ain't going nowhere

0:55:52.480 --> 0:55:55.160
<v Speaker 1>claim man. We claimed you. Okay, that's cool. I just

0:55:55.239 --> 0:55:59.560
<v Speaker 1>saw where's your heart? Line? My heart it's still line.

0:56:00.160 --> 0:56:01.640
<v Speaker 5>You have a Northeast liberal, you are.

0:56:02.040 --> 0:56:03.080
<v Speaker 1>I'm a Northeast liberal.

0:56:03.239 --> 0:56:04.200
<v Speaker 5>Half a Northeast liberal.

0:56:04.320 --> 0:56:04.760
<v Speaker 1>Oh okay.

0:56:04.960 --> 0:56:09.520
<v Speaker 2>Maybe I just think that it was going, you know, down,

0:56:09.640 --> 0:56:16.359
<v Speaker 2>not south, but down, and that we were losing. We're

0:56:16.400 --> 0:56:20.439
<v Speaker 2>forgetting who we are. We're great people, come from great ancestors,

0:56:20.600 --> 0:56:24.840
<v Speaker 2>and we were losing that for the fame of money

0:56:24.920 --> 0:56:31.279
<v Speaker 2>and fame praying at the on our knees, praying at

0:56:31.320 --> 0:56:37.560
<v Speaker 2>the altar, the almighty dollar. And this was an examination

0:56:37.760 --> 0:56:44.120
<v Speaker 2>of this character De la Croix, who lost his soul

0:56:44.520 --> 0:56:50.959
<v Speaker 2>trying to be successful and then once he got woke,

0:56:52.400 --> 0:56:55.040
<v Speaker 2>it was too late. It was too late. And it

0:56:55.120 --> 0:56:59.600
<v Speaker 2>was also when that film was made. It was one

0:56:59.640 --> 0:57:05.319
<v Speaker 2>hundred anniversary of film and was the fifth one hundred

0:57:05.320 --> 0:57:09.040
<v Speaker 2>and it was the fiftieth anniversary of television. So why

0:57:09.080 --> 0:57:14.000
<v Speaker 2>did this show how these two mediums have the based

0:57:16.680 --> 0:57:21.439
<v Speaker 2>our ancestors are people who we are. But that same

0:57:21.600 --> 0:57:26.920
<v Speaker 2>film can be made about the debasement of Native Americans women.

0:57:29.040 --> 0:57:31.120
<v Speaker 2>So it's how I mean, if you look at look

0:57:31.160 --> 0:57:34.480
<v Speaker 2>at the films of John Ford and John Wayne, look

0:57:34.560 --> 0:57:41.440
<v Speaker 2>what the Native Americans are savages and this whole the

0:57:41.560 --> 0:57:48.000
<v Speaker 2>humanization of people through the powerful mediums of television and Cinnamon.

0:57:48.040 --> 0:57:51.560
<v Speaker 2>That's why we have that that very very hard, hard

0:57:51.720 --> 0:57:57.000
<v Speaker 2>hard montage at the end, which is really painful to see.

0:57:57.120 --> 0:57:59.640
<v Speaker 2>But I felt that, you know, we need to Why

0:57:59.800 --> 0:58:03.120
<v Speaker 2>is it that that your people, Jewish people talk every

0:58:03.160 --> 0:58:08.040
<v Speaker 2>day about the Holocaust and that's great, you know, we

0:58:08.240 --> 0:58:12.920
<v Speaker 2>should deal with our own Holocaust too, and that's what

0:58:13.040 --> 0:58:13.720
<v Speaker 2>that film is about.

0:58:13.880 --> 0:58:18.160
<v Speaker 1>But I was just what was yeah you said, because

0:58:18.160 --> 0:58:19.240
<v Speaker 1>that means I get the floor.

0:58:23.640 --> 0:58:27.280
<v Speaker 4>Just coincidentally maybe or I don't know, my favorite one

0:58:27.320 --> 0:58:30.439
<v Speaker 4>of your films, bimbos. Yeah, with the just the most

0:58:30.520 --> 0:58:35.680
<v Speaker 4>direct message, most in your favorite message, Malcolm X. And

0:58:35.760 --> 0:58:39.439
<v Speaker 4>then that's the truth.

0:58:40.200 --> 0:58:41.200
<v Speaker 2>I believe you. I believe you.

0:58:41.640 --> 0:58:42.920
<v Speaker 1>So it was a very very.

0:58:44.880 --> 0:58:48.600
<v Speaker 2>I mean, just like this stuff that you talked about

0:58:48.680 --> 0:58:53.240
<v Speaker 2>those those the memorabilia, the Jolly Nigger Bank and all

0:58:53.320 --> 0:58:58.440
<v Speaker 2>that stuff. That is the real thing, real things.

0:58:58.760 --> 0:59:00.560
<v Speaker 3>And I invite everybody to go to the National Museum

0:59:00.600 --> 0:59:02.240
<v Speaker 3>of African American History and Culture where they have a

0:59:02.760 --> 0:59:06.160
<v Speaker 3>crazy display of the history of the menstrual and that stuff.

0:59:06.480 --> 0:59:10.600
<v Speaker 1>Well did you Okay? So even even more than just

0:59:10.800 --> 0:59:15.880
<v Speaker 1>the menstrual angle, reality TV, just with reality TV and

0:59:16.800 --> 0:59:20.919
<v Speaker 1>the viral natel that we are in now, snuff film, Yeah,

0:59:21.680 --> 0:59:23.480
<v Speaker 1>the live streaming snuff film.

0:59:23.600 --> 0:59:25.960
<v Speaker 5>Oh my god. Yeah, the girl killing her sister in

0:59:26.040 --> 0:59:27.280
<v Speaker 5>the car like you.

0:59:27.440 --> 0:59:31.240
<v Speaker 2>And Eric the murder Eric Gardner's the snuff film, and

0:59:31.400 --> 0:59:37.320
<v Speaker 2>we go on, I mean every just snuff films we're seeing.

0:59:37.560 --> 0:59:39.280
<v Speaker 5>Because after a certain amount of views is.

0:59:40.560 --> 0:59:44.840
<v Speaker 1>Yeah, h wow. Did I interrupt you?

0:59:45.040 --> 0:59:47.840
<v Speaker 6>Oh? Well, only the question I had about one at

0:59:56.200 --> 0:59:58.960
<v Speaker 6>what was the decision to shoot? Because you shot that

0:59:59.120 --> 1:00:02.560
<v Speaker 6>on digit many TV? So my questions what was it budget?

1:00:02.720 --> 1:00:03.200
<v Speaker 1>Was it a budget?

1:00:03.560 --> 1:00:06.600
<v Speaker 2>It was two things. It was artistic and budget. Chair

1:00:06.720 --> 1:00:12.720
<v Speaker 2>you wanted to shoot the performance on digital tape and

1:00:12.800 --> 1:00:16.200
<v Speaker 2>everything and everything else on film because most TV shows

1:00:16.280 --> 1:00:18.760
<v Speaker 2>are filmed on tape. So that was that was Ellen.

1:00:18.840 --> 1:00:21.720
<v Speaker 2>Curious again, was it the DP did a great job.

1:00:21.800 --> 1:00:23.160
<v Speaker 2>So that was the decision to do it like that?

1:00:24.360 --> 1:00:27.520
<v Speaker 1>Oh no, actually.

1:00:28.840 --> 1:00:36.000
<v Speaker 2>I love the the end for the end title song

1:00:36.440 --> 1:00:43.680
<v Speaker 2>Misrepresented People No Shadow Lands by Bruce Warren. Yeah, great, yeah, great,

1:00:43.720 --> 1:00:44.240
<v Speaker 2>great song.

1:00:45.040 --> 1:00:46.160
<v Speaker 5>It's a good soundtrack too.

1:00:46.360 --> 1:00:48.800
<v Speaker 2>Yeah, Stevie mister, speaking of.

1:00:48.840 --> 1:00:51.560
<v Speaker 1>The soundtracks, how did you and Stevie get together for

1:00:51.640 --> 1:00:52.160
<v Speaker 1>Jungle Fever?

1:00:53.320 --> 1:00:53.520
<v Speaker 3>Job?

1:00:57.920 --> 1:01:01.240
<v Speaker 1>Did you? Had you already chosen to do the the

1:01:01.480 --> 1:01:03.600
<v Speaker 1>Ta Mall scene was living for the city and then.

1:01:03.760 --> 1:01:06.720
<v Speaker 2>But that was the only song that was not written

1:01:06.840 --> 1:01:07.680
<v Speaker 2>for the film.

1:01:07.760 --> 1:01:10.320
<v Speaker 1>After I was asking, like, did you ask Steve after

1:01:10.360 --> 1:01:10.760
<v Speaker 1>you had made this?

1:01:12.120 --> 1:01:14.600
<v Speaker 2>Out of his son wrote to the script. I said,

1:01:14.680 --> 1:01:17.160
<v Speaker 2>see the script and he said, please do this, do

1:01:17.320 --> 1:01:19.680
<v Speaker 2>the songs for us. He said okay, wow. And everybody

1:01:19.800 --> 1:01:21.280
<v Speaker 2>told me that he would not do it in time,

1:01:21.400 --> 1:01:22.080
<v Speaker 2>but he through.

1:01:22.680 --> 1:01:25.480
<v Speaker 1>I was going to say, how did you because one

1:01:25.560 --> 1:01:30.280
<v Speaker 1>he had no no records ready. Between eighty eight and

1:01:30.720 --> 1:01:31.880
<v Speaker 1>nineteen ninety five.

1:01:33.280 --> 1:01:38.520
<v Speaker 2>The script was transcribing to Braille, Wow, and we would

1:01:38.560 --> 1:01:40.600
<v Speaker 2>send them scenes and you know, he goes. Steve goes

1:01:40.600 --> 1:01:45.960
<v Speaker 2>the movies all the time, and he came through. One

1:01:46.000 --> 1:01:49.360
<v Speaker 2>of my favorite songs on that album is a chemical

1:01:49.440 --> 1:01:51.680
<v Speaker 2>Love you remember that.

1:01:51.880 --> 1:01:58.680
<v Speaker 1>Yeah, yeah, some people don't drive drink. Yeah that woman, yeah,

1:01:58.880 --> 1:02:01.360
<v Speaker 1>cover yeah. Me and my band the Forny Change we

1:02:01.520 --> 1:02:07.960
<v Speaker 1>covered heart Yeah. I got that's from from Jungle all right,

1:02:08.000 --> 1:02:12.880
<v Speaker 1>So we get on the bus. Did you knowing that

1:02:12.960 --> 1:02:15.840
<v Speaker 1>the event? How much an advance did you have before?

1:02:15.920 --> 1:02:17.840
<v Speaker 1>You were like, okay, you know what I'm saying, like

1:02:17.880 --> 1:02:18.760
<v Speaker 1>it was so old time.

1:02:19.600 --> 1:02:20.080
<v Speaker 3>We had like.

1:02:22.040 --> 1:02:24.760
<v Speaker 2>Really probably two months. But to shoot it, I mean,

1:02:24.800 --> 1:02:27.480
<v Speaker 2>they came to me, so let's do this film. Were

1:02:27.480 --> 1:02:28.160
<v Speaker 2>shooting eighteen.

1:02:28.360 --> 1:02:28.880
<v Speaker 1>They came to you.

1:02:29.000 --> 1:02:35.920
<v Speaker 2>Who oh, I forget I'm bad with names now, but

1:02:36.080 --> 1:02:39.080
<v Speaker 2>they said, we got this film, I want to shoot it.

1:02:41.880 --> 1:02:43.640
<v Speaker 1>A road movie. And you didn't write it.

1:02:43.840 --> 1:02:48.520
<v Speaker 2>No, Reggie Rock wrote it. Okay, Reggie, Yeah, he wrote it.

1:02:49.200 --> 1:02:54.480
<v Speaker 1>Oh, Gena and okay, oh I didn't know it. Okay, okay, okay.

1:02:54.920 --> 1:02:55.840
<v Speaker 2>So it was a road movie.

1:02:56.040 --> 1:03:00.320
<v Speaker 3>I'm trying to get everything out there were touched Where's

1:03:00.360 --> 1:03:02.480
<v Speaker 3>girl six in the skil?

1:03:02.880 --> 1:03:03.200
<v Speaker 5>Kind of did?

1:03:03.240 --> 1:03:05.960
<v Speaker 3>But I was just had a Teresa always say Randall Randall,

1:03:06.320 --> 1:03:09.520
<v Speaker 3>Teresa Randall question because she had such in Malcolm X

1:03:09.600 --> 1:03:12.160
<v Speaker 3>and in Jungle Fever like especially younger people was a

1:03:12.160 --> 1:03:14.919
<v Speaker 3>smaller role and of course Malcolm x more still small

1:03:14.960 --> 1:03:15.920
<v Speaker 3>but like what why her?

1:03:16.520 --> 1:03:22.520
<v Speaker 2>Like, I mean, it's very hard for black women.

1:03:22.440 --> 1:03:26.640
<v Speaker 5>To say that in the mics, I hear it's very

1:03:26.680 --> 1:03:27.400
<v Speaker 5>hard for black.

1:03:27.240 --> 1:03:35.440
<v Speaker 2>Women to sustain long careers. And uh, very talented, very attractive.

1:03:35.560 --> 1:03:42.200
<v Speaker 2>And I don't know what happened, but I mean, I

1:03:42.280 --> 1:03:44.520
<v Speaker 2>mean bad boys, but I mean.

1:03:44.560 --> 1:03:45.800
<v Speaker 1>She father what.

1:03:50.760 --> 1:03:51.080
<v Speaker 6>He is?

1:03:51.240 --> 1:03:55.960
<v Speaker 1>Fad Jesus? The story? Sorry?

1:03:56.480 --> 1:03:58.800
<v Speaker 6>fIF for is it the story true about him taking

1:03:58.840 --> 1:04:00.560
<v Speaker 6>pictures at the walmart and bring them to you?

1:04:00.960 --> 1:04:01.920
<v Speaker 2>For? Yes? Uh?

1:04:02.320 --> 1:04:03.520
<v Speaker 1>For? She got.

1:04:05.160 --> 1:04:06.720
<v Speaker 2>I don't know that Mackay's cousin.

1:04:06.920 --> 1:04:07.600
<v Speaker 1>What's that story?

1:04:08.240 --> 1:04:18.320
<v Speaker 2>Mackay accompanied his cousin to the audition, and we asked him,

1:04:18.360 --> 1:04:19.160
<v Speaker 2>what do you want audition?

1:04:19.560 --> 1:04:19.960
<v Speaker 1>You're here?

1:04:21.440 --> 1:04:23.840
<v Speaker 2>So he came in and he got the role.

1:04:25.200 --> 1:04:28.400
<v Speaker 5>Wow, okay, seeing you.

1:04:28.600 --> 1:04:31.160
<v Speaker 1>Or seeing Robbie? Does he do all? I was in

1:04:31.200 --> 1:04:33.440
<v Speaker 1>the room, Oh okay, okay.

1:04:33.600 --> 1:04:36.120
<v Speaker 2>Robbie like pre screen stuff. But you know, like I

1:04:36.240 --> 1:04:39.640
<v Speaker 2>was in the room when I saw Mackay said, because

1:04:39.640 --> 1:04:42.360
<v Speaker 2>he was even the comfortable dishes came because he said,

1:04:43.320 --> 1:04:43.760
<v Speaker 2>come with me.

1:04:44.640 --> 1:04:45.840
<v Speaker 5>Wow, look at him now?

1:04:46.280 --> 1:04:50.360
<v Speaker 1>So for he got game? First of all, what irks

1:04:50.400 --> 1:04:52.840
<v Speaker 1>you about basketball films.

1:04:52.480 --> 1:04:56.000
<v Speaker 2>That I don't fake? That what I'm using, I'm not

1:04:56.120 --> 1:04:59.200
<v Speaker 2>saying fake news, just don't look real. And here's the

1:04:59.280 --> 1:05:02.400
<v Speaker 2>thing though, where I sit in masquare a garden, I

1:05:02.560 --> 1:05:05.480
<v Speaker 2>did not want players on the Knicks or opposing teams,

1:05:06.280 --> 1:05:08.880
<v Speaker 2>say Spike, that movie is bullshit.

1:05:10.760 --> 1:05:14.640
<v Speaker 1>So the last scene of Denzel and Ray planning that

1:05:14.760 --> 1:05:15.400
<v Speaker 1>was a real game.

1:05:15.680 --> 1:05:21.400
<v Speaker 2>Oh yeah, it's scripted. This famous famous story is scripted

1:05:22.560 --> 1:05:28.800
<v Speaker 2>that Ray's polls to win. He live in zip. Denzel No,

1:05:29.160 --> 1:05:34.320
<v Speaker 2>Denzel was on Fortum's JV team. His coach was PJ. Chrissimo.

1:05:36.480 --> 1:05:42.040
<v Speaker 2>And Denzel is says, an athlete. So his thing was like,

1:05:42.880 --> 1:05:46.800
<v Speaker 2>fuck what the script says, I'm scoring at least one

1:05:46.880 --> 1:05:49.560
<v Speaker 2>basket and it will be a moral victory. And so

1:05:49.920 --> 1:05:52.880
<v Speaker 2>Denzel started throwing up some humble shit it was going

1:05:52.960 --> 1:05:59.640
<v Speaker 2>in and Ray Allen was shocked because this Ray's first film.

1:06:00.040 --> 1:06:03.760
<v Speaker 2>You gotta do what the script so racist. Spike was up,

1:06:04.120 --> 1:06:07.080
<v Speaker 2>He's not He's not about to get any basket like this,

1:06:07.440 --> 1:06:11.880
<v Speaker 2>What do you want me to do? So after that,

1:06:12.080 --> 1:06:14.680
<v Speaker 2>Race said fun that then they doesn't score another basket,

1:06:15.200 --> 1:06:17.440
<v Speaker 2>but it was a moral victory and it was better

1:06:17.520 --> 1:06:22.600
<v Speaker 2>for the film too, that that that Denzel that that

1:06:22.880 --> 1:06:30.640
<v Speaker 2>that Jake Schulsworth got those baskets the scripted raised Jesu

1:06:30.640 --> 1:06:32.000
<v Speaker 2>supposed to win. He liveing zip.

1:06:35.000 --> 1:06:35.600
<v Speaker 6>And and and.

1:06:37.240 --> 1:06:39.800
<v Speaker 2>Ray did not know basket that the Densil could play.

1:06:41.840 --> 1:06:45.760
<v Speaker 1>I didn't know that Denzel could Playford JV Team on

1:06:45.920 --> 1:06:50.760
<v Speaker 1>the crazy mm hmm. So how did you? I mean,

1:06:52.120 --> 1:06:57.480
<v Speaker 1>just what is it as a non sports junkie asking

1:06:57.560 --> 1:07:02.320
<v Speaker 1>you guys? Shocker? No, I'm not. I'm not. So what

1:07:02.480 --> 1:07:05.560
<v Speaker 1>am I missing in sports films that you see or

1:07:05.640 --> 1:07:07.680
<v Speaker 1>you look at sports film the way that look at

1:07:07.800 --> 1:07:10.120
<v Speaker 1>music films like, Okay, his fingering is not right.

1:07:10.080 --> 1:07:14.800
<v Speaker 2>It's fake and it's not real. Earl Monroe from Philadelphia

1:07:15.480 --> 1:07:19.400
<v Speaker 2>was a basketball consultant on the film, and we just

1:07:19.520 --> 1:07:24.000
<v Speaker 2>wanted that's where we cast real players. We've cast real players,

1:07:24.960 --> 1:07:26.280
<v Speaker 2>so we get the You know.

1:07:26.760 --> 1:07:28.440
<v Speaker 1>Now, how much patience did you have to have with

1:07:28.600 --> 1:07:33.800
<v Speaker 1>your actors who didn't have that much experienced acting.

1:07:39.760 --> 1:07:43.000
<v Speaker 2>Yeah. One of the world's greatest acting coach, Susan Batson,

1:07:43.040 --> 1:07:45.800
<v Speaker 2>who was there every day with him. So I mean,

1:07:45.840 --> 1:07:48.760
<v Speaker 2>I think Ray did a great job, you know, and

1:07:49.240 --> 1:07:53.400
<v Speaker 2>just that whole again, for me, it's more than a

1:07:53.440 --> 1:07:55.920
<v Speaker 2>basketball film. For me, that that is a father and

1:07:56.160 --> 1:07:56.920
<v Speaker 2>Son story.

1:07:58.560 --> 1:07:59.960
<v Speaker 1>I'm gonna get to the end. I swear to.

1:08:01.920 --> 1:08:02.680
<v Speaker 5>Seven more movies.

1:08:04.600 --> 1:08:07.680
<v Speaker 1>I don't know, I've seen I've seen Summer Sam maybe

1:08:07.800 --> 1:08:12.160
<v Speaker 1>at the right time, but I don't know. That's it's

1:08:12.240 --> 1:08:14.760
<v Speaker 1>not like, you know, it wouldn't be in my my

1:08:14.920 --> 1:08:18.439
<v Speaker 1>Spike type top three. But for some reason, you know,

1:08:18.680 --> 1:08:21.880
<v Speaker 1>I'm picking that in my I love that film.

1:08:24.280 --> 1:08:24.400
<v Speaker 5>Uh.

1:08:26.520 --> 1:08:29.839
<v Speaker 1>I like thrillers. I wish you would do more thrillers.

1:08:31.640 --> 1:08:34.720
<v Speaker 1>You know, it's just it. Yeah, and in fact, you

1:08:34.760 --> 1:08:37.639
<v Speaker 1>got Jimmy Breslin to like do it. That was crazy.

1:08:38.120 --> 1:08:42.639
<v Speaker 2>Yeah, the beginning and the end, like the book. Yeah,

1:08:43.000 --> 1:08:47.439
<v Speaker 2>because theo Berg was on Sam. He was writing letters

1:08:47.520 --> 1:08:50.360
<v Speaker 2>to Jimmy Bresling. I mean, that's why I want to

1:08:51.280 --> 1:08:53.639
<v Speaker 2>be the booking And you know he just recently passed

1:08:53.800 --> 1:08:56.680
<v Speaker 2>God bless his soul. Great guy, great guy.

1:08:57.760 --> 1:09:02.360
<v Speaker 1>So my question for Inside Man is was there a

1:09:03.920 --> 1:09:05.960
<v Speaker 1>not Again, I don't know if there's ever a pressure,

1:09:06.320 --> 1:09:11.360
<v Speaker 1>but I mean, Inside Man, you made your Holly film. Yeah, yeah,

1:09:11.720 --> 1:09:16.120
<v Speaker 1>you're you know you're opening The opening was marvelous, know it?

1:09:16.560 --> 1:09:19.639
<v Speaker 1>So for you, was it just like, Okay, I want

1:09:19.680 --> 1:09:22.559
<v Speaker 1>to show Hollywood that I know how to make I'm

1:09:22.600 --> 1:09:25.120
<v Speaker 1>gonna play their game, and you know, not.

1:09:25.360 --> 1:09:31.560
<v Speaker 2>Not really, because it was a great script and it

1:09:31.680 --> 1:09:33.799
<v Speaker 2>was a chance to work again with my men, Denzel

1:09:33.920 --> 1:09:41.560
<v Speaker 2>Washington and I and I like that genre and we

1:09:41.800 --> 1:09:49.400
<v Speaker 2>we we screened Dog Day Afternoon like numerous times by

1:09:49.520 --> 1:09:54.920
<v Speaker 2>the great director Sydney. So it was a fun It

1:09:55.000 --> 1:10:00.840
<v Speaker 2>was a fun film. Russell Russell Gorovitz first, I'm screenwriter.

1:10:01.920 --> 1:10:05.040
<v Speaker 2>And the twist at the end, we know we would

1:10:05.080 --> 1:10:08.800
<v Speaker 2>get people. The funny thing about that film is that

1:10:10.840 --> 1:10:17.960
<v Speaker 2>that the it was critical the fine actor would stand

1:10:18.120 --> 1:10:23.080
<v Speaker 2>up to Denzel because most actors, you know, Denzel could

1:10:23.120 --> 1:10:23.640
<v Speaker 2>run over you.

1:10:24.520 --> 1:10:27.240
<v Speaker 1>How how you see she would tell no.

1:10:30.320 --> 1:10:31.759
<v Speaker 5>The way he does is a quiet attext.

1:10:34.040 --> 1:10:38.280
<v Speaker 1>Is it to direct Denzel is Denzel? You know you

1:10:38.360 --> 1:10:39.720
<v Speaker 1>can't tell me nothing, no, no.

1:10:40.120 --> 1:10:42.240
<v Speaker 2>You let Denzel do his thing. And then there's certain

1:10:42.320 --> 1:10:44.519
<v Speaker 2>things that you know, listen, but you know he doesn't

1:10:44.560 --> 1:10:46.360
<v Speaker 2>need you to say do this, do this this. You

1:10:46.640 --> 1:10:47.960
<v Speaker 2>know that's that's disrespectful.

1:10:48.400 --> 1:10:51.560
<v Speaker 1>You know you never do that, is it? Yes? But

1:10:51.720 --> 1:10:55.240
<v Speaker 1>even though you get the final word, well, I mean

1:10:55.760 --> 1:10:56.360
<v Speaker 1>and we.

1:10:56.479 --> 1:10:58.920
<v Speaker 2>Never we've never ever had had an instant. I mean

1:10:58.960 --> 1:11:02.519
<v Speaker 2>it's like sometimes he says, Spike, I think I got

1:11:02.600 --> 1:11:04.920
<v Speaker 2>us okay, and sometimes I need one more and he said, cool,

1:11:04.960 --> 1:11:07.000
<v Speaker 2>let's do it. But you know we we've it's always

1:11:07.080 --> 1:11:10.800
<v Speaker 2>been me and him been mad, mad cool, but I

1:11:10.840 --> 1:11:13.639
<v Speaker 2>want to get back. The other point is that Denzel

1:11:13.800 --> 1:11:19.240
<v Speaker 2>is so powerful that he makes an actor shrink and

1:11:19.320 --> 1:11:22.759
<v Speaker 2>he's intimidating, so I knew I had to get an actor.

1:11:24.000 --> 1:11:26.360
<v Speaker 2>It was like, there's not going to be afraid of Denzel,

1:11:27.920 --> 1:11:29.920
<v Speaker 2>Like Clyde was like, fuck this, I'm a man too

1:11:31.920 --> 1:11:34.639
<v Speaker 2>over me and you needed that that happens.

1:11:35.120 --> 1:11:37.320
<v Speaker 1>Yes, well, I was just imagining that if you have

1:11:37.479 --> 1:11:38.360
<v Speaker 1>a script.

1:11:40.320 --> 1:11:41.479
<v Speaker 5>A little bit like you can see that.

1:11:41.600 --> 1:11:43.680
<v Speaker 1>But I'm like, if you have a script and say,

1:11:43.880 --> 1:11:46.800
<v Speaker 1>like there's a scene where I have conflict with Denzel's character,

1:11:47.280 --> 1:11:49.680
<v Speaker 1>and I had to argue, you're saying that he's so

1:11:49.840 --> 1:11:53.400
<v Speaker 1>powerful of an actor that I might intimidation. It's like

1:11:53.439 --> 1:11:56.479
<v Speaker 1>if you're playing on stage with somebody this yeah, yeah,

1:11:57.240 --> 1:12:00.559
<v Speaker 1>but I figured that a tier and I'm not doudesn't.

1:12:00.800 --> 1:12:03.360
<v Speaker 1>I'm just saying that I figured that a wise veteran

1:12:03.439 --> 1:12:07.519
<v Speaker 1>actor would want you to shine with them.

1:12:07.760 --> 1:12:09.840
<v Speaker 2>Or is it just because it might be that your

1:12:09.920 --> 1:12:12.920
<v Speaker 2>character's role that you gotta do your thing and so

1:12:13.120 --> 1:12:16.040
<v Speaker 2>if somebody'dn't stand up against you, it's gonna be like

1:12:17.000 --> 1:12:20.479
<v Speaker 2>a slaughter. And that's why, because you had to have

1:12:21.960 --> 1:12:27.960
<v Speaker 2>this conflict where they were like head the head and

1:12:28.120 --> 1:12:31.640
<v Speaker 2>if someone was weak or soft, you won't believe it.

1:12:32.760 --> 1:12:35.960
<v Speaker 2>And that's why it was Thank god we got Clive Owen.

1:12:36.120 --> 1:12:39.640
<v Speaker 1>So can I ask you were you did you know

1:12:40.479 --> 1:12:44.040
<v Speaker 1>that Denzel had in him to do training day? Because

1:12:44.080 --> 1:12:46.040
<v Speaker 1>when I watched that shit, I was like, oh God,

1:12:46.120 --> 1:12:51.519
<v Speaker 1>who knew? I never knew knew it. How come you

1:12:51.640 --> 1:12:54.040
<v Speaker 1>weren't tempted to show that because.

1:12:53.960 --> 1:12:57.320
<v Speaker 2>Because the films I did didn't that wasn't a role.

1:12:58.680 --> 1:13:00.240
<v Speaker 2>I mean, you get someone, you see someone, and he

1:13:00.360 --> 1:13:00.720
<v Speaker 2>got game.

1:13:00.840 --> 1:13:04.920
<v Speaker 1>No, yeah, yeah, but he he was also at the

1:13:05.000 --> 1:13:07.200
<v Speaker 1>mercy of you know, like he was on his knee,

1:13:07.520 --> 1:13:10.640
<v Speaker 1>not on his but or or he was on his

1:13:10.760 --> 1:13:13.439
<v Speaker 1>knees and humbled because he was in prison and trying

1:13:13.479 --> 1:13:14.240
<v Speaker 1>to broker deal.

1:13:14.320 --> 1:13:16.720
<v Speaker 2>Yeah, but when he came out though, he was smacking.

1:13:19.120 --> 1:13:23.960
<v Speaker 1>Throat punch And I'm not going to say that.

1:13:32.200 --> 1:13:34.280
<v Speaker 2>But amir, here's the thing I'm gonna repeat this though,

1:13:34.960 --> 1:13:38.400
<v Speaker 2>is that I knew Denzel had a train date. But

1:13:40.439 --> 1:13:43.400
<v Speaker 2>what what film would that would that was not working

1:13:43.479 --> 1:13:45.519
<v Speaker 2>mo better, I.

1:13:47.000 --> 1:13:49.040
<v Speaker 1>Did you come up with a vehicle that would maybe

1:13:49.040 --> 1:13:52.559
<v Speaker 1>even he looked he like the Detroit red O come

1:13:52.600 --> 1:13:55.760
<v Speaker 1>on out. Yeah, with the gun.

1:13:56.920 --> 1:14:00.320
<v Speaker 2>He was pure gangster hit hit the upside in in

1:14:00.520 --> 1:14:05.000
<v Speaker 2>in the Great Bar to just close the Harlem Linux Louns. Yeah,

1:14:05.040 --> 1:14:08.439
<v Speaker 2>Lynus lounge. They even took the sign down. It's crazy side.

1:14:08.439 --> 1:14:12.479
<v Speaker 2>The guys have the bottle. Oh, he's definitely a gang American.

1:14:12.640 --> 1:14:17.560
<v Speaker 2>That's just that's that's that's the American gangster and trendated

1:14:18.520 --> 1:14:20.040
<v Speaker 2>which you read would.

1:14:19.840 --> 1:14:23.040
<v Speaker 1>You ever have? Do you think it's in you to

1:14:23.439 --> 1:14:27.400
<v Speaker 1>come up with a fifth vehicle? Fourth vehicle for you

1:14:27.520 --> 1:14:28.200
<v Speaker 1>and him to work in.

1:14:28.360 --> 1:14:31.080
<v Speaker 2>Be the fifth Yeah, I'm sorry, but all the time,

1:14:31.120 --> 1:14:33.920
<v Speaker 2>you know, just gotta to be the right right. First

1:14:33.920 --> 1:14:37.519
<v Speaker 2>of all, you got to get him because it's just

1:14:37.600 --> 1:14:40.559
<v Speaker 2>stacked them like at JFK mean, I mean like got

1:14:42.760 --> 1:14:44.200
<v Speaker 2>movies the next two years and.

1:14:44.200 --> 1:14:47.160
<v Speaker 5>Ship were you were you really proud of the defenses?

1:14:47.320 --> 1:14:52.559
<v Speaker 5>I mean that was his to my but him him

1:14:52.600 --> 1:14:54.880
<v Speaker 5>doing it if I'm directing just the.

1:14:54.960 --> 1:14:57.120
<v Speaker 1>Product itself, but I know that he also did the

1:14:57.320 --> 1:15:01.680
<v Speaker 1>Great Debaters, but say director.

1:15:01.479 --> 1:15:03.719
<v Speaker 5>Yeah, he was more. That was like his passion project.

1:15:04.200 --> 1:15:08.599
<v Speaker 1>Did he direct Antoine Fisher too? What did it? Yeah?

1:15:09.400 --> 1:15:11.920
<v Speaker 1>That's where Derek Luke, Yeah, I forgot.

1:15:15.200 --> 1:15:17.280
<v Speaker 2>Is a total package.

1:15:17.800 --> 1:15:20.080
<v Speaker 1>All right, we can go on forever. I'm I'm gonna

1:15:20.080 --> 1:15:24.639
<v Speaker 1>try and I'm gonna rapid fire this. Okay. So as

1:15:24.760 --> 1:15:29.320
<v Speaker 1>as a musician, there are songs that I wish I

1:15:29.400 --> 1:15:32.559
<v Speaker 1>had written as a director.

1:15:32.720 --> 1:15:33.320
<v Speaker 2>What songs?

1:15:34.920 --> 1:15:38.680
<v Speaker 1>I really I got really under my skin when I

1:15:38.760 --> 1:15:43.880
<v Speaker 1>first heard outcasts Potiolicious. It's not a hit, but I

1:15:44.160 --> 1:15:47.320
<v Speaker 1>just wish I came up with that. Well, yeah, it's

1:15:47.360 --> 1:15:52.920
<v Speaker 1>in the hearts of But I really wish I had

1:15:53.000 --> 1:15:54.680
<v Speaker 1>my hand in that because I got something to say.

1:15:54.720 --> 1:15:59.760
<v Speaker 1>That's all I got to say. Shut up. But are

1:15:59.880 --> 1:16:06.759
<v Speaker 1>there movies or projects that you well besides Jackie Robinson

1:16:06.800 --> 1:16:11.160
<v Speaker 1>and James Brown, but films specifically, one film that you

1:16:11.360 --> 1:16:17.160
<v Speaker 1>wish you directed, be it success or failure, that you

1:16:17.240 --> 1:16:19.600
<v Speaker 1>wish he had your version of it? I wish he

1:16:19.680 --> 1:16:21.080
<v Speaker 1>directed Ali for the record, but.

1:16:22.960 --> 1:16:26.880
<v Speaker 2>I wanted direct I had interviewed for it. I didn't

1:16:26.920 --> 1:16:27.439
<v Speaker 2>get the job.

1:16:27.960 --> 1:16:33.280
<v Speaker 5>Wow, who did you have to talk to for Colored Girls?

1:16:39.400 --> 1:16:40.320
<v Speaker 1>Ali? Yeah?

1:16:40.840 --> 1:16:40.960
<v Speaker 6>Was it?

1:16:41.320 --> 1:16:42.160
<v Speaker 1>Who was the executive?

1:16:42.479 --> 1:16:44.960
<v Speaker 2>Was the Will and James? Last?

1:16:46.120 --> 1:16:46.479
<v Speaker 1>Yikes?

1:16:47.240 --> 1:16:48.360
<v Speaker 5>You know that's interesting.

1:16:49.040 --> 1:16:52.639
<v Speaker 3>Never mind, I'm not getting anybody. And that's yeah, because

1:16:52.640 --> 1:16:55.120
<v Speaker 3>they're both I was just thinking that's interesting. They're both brothers.

1:16:55.400 --> 1:16:56.240
<v Speaker 3>It's over brook.

1:16:56.439 --> 1:16:58.439
<v Speaker 5>They had to you know, and they chose.

1:16:58.520 --> 1:16:59.920
<v Speaker 1>They chose Michael Mann exactly.

1:17:00.200 --> 1:17:01.400
<v Speaker 5>So I was just thinking, that's interesting.

1:17:01.400 --> 1:17:03.120
<v Speaker 2>I mean, it wasn't I mean, it was a I

1:17:03.160 --> 1:17:06.280
<v Speaker 2>mean does the studio have to say to mm hmm?

1:17:06.800 --> 1:17:10.400
<v Speaker 1>So you wish that Ali was your I would like

1:17:10.479 --> 1:17:10.960
<v Speaker 1>to direct that.

1:17:11.920 --> 1:17:14.680
<v Speaker 2>I would like to director Jackie Robbinson, James Brown too.

1:17:15.479 --> 1:17:19.920
<v Speaker 1>I wish Brown movie. I still think there's others to do.

1:17:24.760 --> 1:17:26.840
<v Speaker 1>We didn't talk about your documentary work at all. Whoa

1:17:27.360 --> 1:17:29.000
<v Speaker 1>that could be oversight.

1:17:30.960 --> 1:17:31.200
<v Speaker 5>Movies.

1:17:32.760 --> 1:17:35.240
<v Speaker 6>We won't get into it now. If you could do

1:17:35.280 --> 1:17:37.320
<v Speaker 6>a director cut of any of your movies, which one

1:17:37.360 --> 1:17:37.760
<v Speaker 6>would you do?

1:17:42.400 --> 1:17:45.000
<v Speaker 1>Wait? Is there a four hour Malcolm X?

1:17:46.520 --> 1:17:48.120
<v Speaker 2>We knew that it was never gonna be four hours,

1:17:48.160 --> 1:17:49.800
<v Speaker 2>but that was the first cut that we showed to.

1:17:50.160 --> 1:17:52.760
<v Speaker 1>Is there a version of it unscathed? Is there a

1:17:52.840 --> 1:17:53.599
<v Speaker 1>four hour cut?

1:17:53.720 --> 1:17:56.439
<v Speaker 2>We think somewhere out there, I think a Warner Brothers.

1:17:57.600 --> 1:17:59.280
<v Speaker 1>You don't have a copy for yourself, you don't keep

1:17:59.280 --> 1:17:59.639
<v Speaker 1>a demo.

1:18:00.200 --> 1:18:06.080
<v Speaker 2>Keep we were That was the last thing we would

1:18:06.080 --> 1:18:07.800
<v Speaker 2>think about then damn.

1:18:09.439 --> 1:18:09.880
<v Speaker 1>It made.

1:18:10.280 --> 1:18:13.280
<v Speaker 2>But for the documentaries, I mean, I'm very proud of them,

1:18:15.000 --> 1:18:26.360
<v Speaker 2>the two Katrina, uh God, and then Jesus Story about

1:18:26.400 --> 1:18:32.439
<v Speaker 2>Full Little Girls. So while we're in pre production, uh,

1:18:33.160 --> 1:18:37.240
<v Speaker 2>we found the post more than pictures of the Full

1:18:37.280 --> 1:18:46.800
<v Speaker 2>Little Girls, and I kept praying and praying, should I

1:18:46.880 --> 1:18:51.080
<v Speaker 2>include these photographs? And final just made the decision.

1:18:51.360 --> 1:18:52.839
<v Speaker 1>We have to show.

1:18:55.720 --> 1:19:00.360
<v Speaker 2>How hate looks like, how the clan looks like, how

1:19:00.439 --> 1:19:04.000
<v Speaker 2>these murders look like, how these Reddinneck racists look like.

1:19:05.360 --> 1:19:09.200
<v Speaker 2>And so we included the photographs. And I did not

1:19:09.360 --> 1:19:16.200
<v Speaker 2>tell the parents that we included. You know, they were shook.

1:19:17.120 --> 1:19:19.639
<v Speaker 1>Were they still alive them or some of them.

1:19:20.840 --> 1:19:26.920
<v Speaker 2>That then uh Dan's parents were and then they were

1:19:26.960 --> 1:19:33.200
<v Speaker 2>shook then, but they understood why, uh why I did it?

1:19:35.280 --> 1:19:40.800
<v Speaker 2>And this who we are as a people. I mean,

1:19:41.720 --> 1:19:46.840
<v Speaker 2>you know, it's amazing that we as black people don't

1:19:46.880 --> 1:19:50.080
<v Speaker 2>go off man, who I mean, we're talking about p

1:19:50.240 --> 1:19:54.800
<v Speaker 2>s what's it called? We had that from slavery, that's

1:19:54.840 --> 1:19:59.920
<v Speaker 2>still with us, that is still with us, and we're

1:20:00.120 --> 1:20:02.160
<v Speaker 2>not a lot of us aren't. Mentally you know, we're

1:20:02.200 --> 1:20:06.320
<v Speaker 2>not right because we're still dealing with the vestages of slavery,

1:20:06.360 --> 1:20:10.479
<v Speaker 2>and and and and washing television and seen as being

1:20:10.520 --> 1:20:18.200
<v Speaker 2>shot down like dogs and then cops walk away like nothing,

1:20:18.600 --> 1:20:24.160
<v Speaker 2>nothing even happened. And I mean it's crazy. Now today,

1:20:24.200 --> 1:20:25.880
<v Speaker 2>I know this is not gonna be this will be

1:20:25.920 --> 1:20:30.240
<v Speaker 2>seen dated. But today that they passed, uh, you know,

1:20:30.280 --> 1:20:32.880
<v Speaker 2>getting rid of Obamacare, I mean, and and those are

1:20:32.920 --> 1:20:39.720
<v Speaker 2>these guys. They have no heart, no love. They're just

1:20:41.200 --> 1:20:44.479
<v Speaker 2>cold blood and murderers because people are gonna die if

1:20:45.160 --> 1:20:49.680
<v Speaker 2>they can't get the stuff they got through Obamacare, and

1:20:50.760 --> 1:20:53.280
<v Speaker 2>they don't want to give a fuck, so what poor

1:20:55.880 --> 1:21:00.160
<v Speaker 2>it's it's it's, it's it's And that's why I to

1:21:00.160 --> 1:21:02.320
<v Speaker 2>give a shout out to man jay Z. That album.

1:21:03.640 --> 1:21:05.519
<v Speaker 2>I gotta give it up. You know, I've always been

1:21:05.560 --> 1:21:09.839
<v Speaker 2>a fan, but this new album, I mean, it's it's amazing.

1:21:10.360 --> 1:21:12.080
<v Speaker 1>Have you ever worked with or anything?

1:21:12.160 --> 1:21:14.920
<v Speaker 2>I did one thing for him? There's a short film

1:21:15.040 --> 1:21:18.360
<v Speaker 2>called to be jay Z for one Day. It was

1:21:18.439 --> 1:21:21.080
<v Speaker 2>for as for his rock aware Well other than that,

1:21:21.200 --> 1:21:21.519
<v Speaker 2>that's it.

1:21:23.200 --> 1:21:25.080
<v Speaker 5>Did your son listen to the album? I wonder because

1:21:25.080 --> 1:21:26.720
<v Speaker 5>I know, okay.

1:21:27.120 --> 1:21:30.280
<v Speaker 2>Oh yeah, my son, he's on it. We'll be hipping

1:21:30.320 --> 1:21:31.639
<v Speaker 2>me ship because.

1:21:31.439 --> 1:21:32.880
<v Speaker 3>Folks, you know, sometimes they say, that's a little bit

1:21:32.880 --> 1:21:34.400
<v Speaker 3>of an older person's album in that way.

1:21:35.160 --> 1:21:37.240
<v Speaker 2>The certain things that the certain things that my wife

1:21:37.280 --> 1:21:39.680
<v Speaker 2>and I town, you know, they ask questions like so

1:21:39.760 --> 1:21:42.080
<v Speaker 2>we have to break it down, but you know there's

1:21:42.080 --> 1:21:45.480
<v Speaker 2>something they don't know. My daughter too, who just graduate.

1:21:45.280 --> 1:21:52.360
<v Speaker 1>N y U. Yeah, yeah, yeah, yeah doing she graduated.

1:21:52.479 --> 1:21:57.160
<v Speaker 2>Yeah, she's working at MTV the new RTL show.

1:21:58.600 --> 1:22:00.960
<v Speaker 1>One question I have for you is about remakes. Uh,

1:22:01.800 --> 1:22:03.120
<v Speaker 1>how do you determine what the remake?

1:22:03.120 --> 1:22:05.920
<v Speaker 6>Because when you did The Sweet Blood of Jesus, which

1:22:05.960 --> 1:22:09.840
<v Speaker 6>was the Gonjas, that was a very odd I mean.

1:22:12.120 --> 1:22:16.320
<v Speaker 1>Yeah, yeah, really odd.

1:22:16.400 --> 1:22:19.640
<v Speaker 2>So I haven't seen that very early on when I

1:22:19.760 --> 1:22:22.599
<v Speaker 2>was in film school. It was written by a really

1:22:22.720 --> 1:22:26.960
<v Speaker 2>underrated black filmmaker, playwright Bill Gunn and uh so on

1:22:27.040 --> 1:22:31.800
<v Speaker 2>the film school and always loved that film and thought about,

1:22:31.800 --> 1:22:36.120
<v Speaker 2>you know what, how how we do that today with

1:22:36.240 --> 1:22:42.040
<v Speaker 2>this whole religious you know impact, you know, and then

1:22:42.439 --> 1:22:46.960
<v Speaker 2>going back to Africa and stuff like that. And it's

1:22:47.120 --> 1:22:51.920
<v Speaker 2>not a horror film. And I never saw doctor Hess

1:22:52.160 --> 1:23:01.320
<v Speaker 2>as a vampire, but these are people who blood, and

1:23:01.640 --> 1:23:05.040
<v Speaker 2>you really use blood as a for a lot of

1:23:05.120 --> 1:23:10.040
<v Speaker 2>other things. So that that film was great about that

1:23:10.120 --> 1:23:12.240
<v Speaker 2>film was shooting Marla's Vinie because I've always wanted to

1:23:12.240 --> 1:23:15.519
<v Speaker 2>shoot a film Marlin's Vienna. I ne't even heard of

1:23:15.600 --> 1:23:18.760
<v Speaker 2>mars Vinia in one of my classmates. There's always been

1:23:18.800 --> 1:23:21.120
<v Speaker 2>a large black community in mars Vinyon up and down

1:23:21.120 --> 1:23:23.439
<v Speaker 2>the East coast, you know, professional black folks. And my

1:23:23.560 --> 1:23:28.639
<v Speaker 2>friend was from Philly, John Wilson. One we were in school.

1:23:28.680 --> 1:23:30.400
<v Speaker 2>We said, you should come to Martins have a house.

1:23:30.439 --> 1:23:32.400
<v Speaker 2>My grandma's the house of mars Vina said Marla's viny

1:23:33.600 --> 1:23:35.679
<v Speaker 2>I went there loved and I said, one day, Lord,

1:23:35.760 --> 1:23:37.880
<v Speaker 2>if you ever get any money, I want to buy

1:23:37.920 --> 1:23:42.120
<v Speaker 2>a Brownston Brooklyn season ticket to Knicks.

1:23:42.320 --> 1:23:47.760
<v Speaker 1>In the house, would you consider doing the Kickstarter route again?

1:23:47.960 --> 1:23:48.320
<v Speaker 1>Like for that?

1:23:48.640 --> 1:23:53.960
<v Speaker 2>That was my questions, That was, I can't do that again.

1:23:54.680 --> 1:24:00.880
<v Speaker 2>But what people might not know we were using the

1:24:01.040 --> 1:24:05.560
<v Speaker 2>strategy a Kickstarter marketing to make them no, no, to

1:24:05.680 --> 1:24:10.479
<v Speaker 2>make she's gonna have it right, you know. So we

1:24:10.600 --> 1:24:14.639
<v Speaker 2>just have the technology. And so it's always been my thing,

1:24:14.800 --> 1:24:17.120
<v Speaker 2>like you gotta you gotta whatever you gotta do, you know,

1:24:17.240 --> 1:24:22.400
<v Speaker 2>show up killing somebody and going to jail and still

1:24:22.479 --> 1:24:24.479
<v Speaker 2>be honest. You gotta do what we gotta do. To

1:24:24.520 --> 1:24:27.760
<v Speaker 2>get the films made, because this is an industry, an

1:24:27.920 --> 1:24:32.560
<v Speaker 2>art phone where you need money. And now with the technology,

1:24:32.640 --> 1:24:36.200
<v Speaker 2>people making films with their their iPhones.

1:24:36.479 --> 1:24:40.000
<v Speaker 6>Yeah, you and Tyler Perry, or maybe Tyler Perry had

1:24:40.080 --> 1:24:43.560
<v Speaker 6>beef with you. He had words for you, and he

1:24:43.760 --> 1:24:47.000
<v Speaker 6>was very vocal at one time saying, well, if you

1:24:47.040 --> 1:24:48.960
<v Speaker 6>think my movies are bad, you know, why don't you

1:24:49.080 --> 1:24:49.680
<v Speaker 6>try to help me?

1:24:49.880 --> 1:24:50.200
<v Speaker 1>Or whatever?

1:24:51.000 --> 1:24:53.880
<v Speaker 6>What would you say as a director and director speak,

1:24:54.080 --> 1:24:55.479
<v Speaker 6>what could make his movies better?

1:24:56.240 --> 1:24:59.200
<v Speaker 2>Me and Tyler Perry are cool. All that stuff it's

1:24:59.240 --> 1:25:03.479
<v Speaker 2>been squashed like four or five years ago. So I

1:25:03.560 --> 1:25:07.120
<v Speaker 2>mean it's it's there's really, you know, nothing to dig up.

1:25:07.560 --> 1:25:11.000
<v Speaker 2>You know, we're cool. He's doing all things. You know,

1:25:11.080 --> 1:25:12.840
<v Speaker 2>we got love for each other. And you know, I

1:25:12.920 --> 1:25:16.920
<v Speaker 2>flew down to Atlanta. I said, Yo, we gotta speak.

1:25:18.160 --> 1:25:22.200
<v Speaker 2>I got got on the plane delta, went to his house.

1:25:22.560 --> 1:25:26.080
<v Speaker 2>We sat down, we talked. You know, we said, well,

1:25:26.160 --> 1:25:29.000
<v Speaker 2>whatever we discuss, will just keep between us and say

1:25:29.080 --> 1:25:31.759
<v Speaker 2>we're cool. And that was and that's that's what happened.

1:25:31.880 --> 1:25:34.759
<v Speaker 5>I'm I had that conversation before Color for Colored Girls.

1:25:37.840 --> 1:25:42.600
<v Speaker 1>You know, I I wish I can't wait for the

1:25:42.680 --> 1:25:49.439
<v Speaker 1>day where he's just a producer and not star. I

1:25:49.600 --> 1:25:52.280
<v Speaker 1>like him as an actor, and uh, girl, baby girl,

1:25:53.520 --> 1:25:54.519
<v Speaker 1>the lawyer, he was the lawyer.

1:25:56.400 --> 1:25:58.080
<v Speaker 6>But I couldn't have to sit through the trailer for

1:25:58.240 --> 1:26:04.639
<v Speaker 6>Boom too, so Boom Boom, there's a second, the second one.

1:26:08.240 --> 1:26:09.759
<v Speaker 1>Halloween Halloween.

1:26:10.560 --> 1:26:16.320
<v Speaker 2>Lord, how I'm just doing trails for Halloween films already.

1:26:16.720 --> 1:26:19.000
<v Speaker 1>I saw when I went to one.

1:26:21.439 --> 1:26:23.719
<v Speaker 2>Next year that Black History Month.

1:26:26.600 --> 1:26:31.120
<v Speaker 1>So well, yeah, I'm just saying that I can't wait

1:26:31.200 --> 1:26:34.599
<v Speaker 1>for the where he's just producer and that he finds

1:26:35.680 --> 1:26:39.400
<v Speaker 1>and he he's just you know, or the curator of

1:26:39.720 --> 1:26:48.360
<v Speaker 1>other to come in and precious the studio. Speaking of which, okay, yes,

1:26:49.760 --> 1:26:54.000
<v Speaker 1>red Stone and Ship, did you and Eddie Murphy ever

1:26:54.160 --> 1:27:02.920
<v Speaker 1>have a Kumbay conversation moment just since never found the project? Wait?

1:27:03.000 --> 1:27:03.040
<v Speaker 5>What?

1:27:04.040 --> 1:27:07.880
<v Speaker 1>No? He just never We just never found the work together.

1:27:08.000 --> 1:27:10.280
<v Speaker 1>So I know he was excited. I know Chris Rock

1:27:10.720 --> 1:27:12.680
<v Speaker 1>told when he was on the show, he spoke of

1:27:14.280 --> 1:27:17.519
<v Speaker 1>Eddie Murphy and all of them coming to see she's

1:27:17.520 --> 1:27:20.439
<v Speaker 1>got to have it and you know, having a screening

1:27:20.479 --> 1:27:25.479
<v Speaker 1>of it. But just during that period, like, did you

1:27:25.560 --> 1:27:29.080
<v Speaker 1>guys ever did he ever try to invite you to

1:27:29.120 --> 1:27:31.320
<v Speaker 1>be in the Black Pack and that sort of.

1:27:31.400 --> 1:27:37.879
<v Speaker 2>Thing and funny story during Do the Right Thing. Halfway

1:27:37.960 --> 1:27:40.120
<v Speaker 2>through said Spike, I want to give you guys a party.

1:27:40.200 --> 1:27:42.000
<v Speaker 2>That's when he lived in that was it called Bubble Hill.

1:27:46.280 --> 1:27:57.120
<v Speaker 2>We tourist house up this broken. I left when people

1:27:57.160 --> 1:27:59.360
<v Speaker 2>started jumping in the pool naked. That's all I get

1:27:59.400 --> 1:27:59.760
<v Speaker 2>out of here.

1:28:04.320 --> 1:28:07.320
<v Speaker 6>Do the do the younger guys, the young cats come

1:28:07.400 --> 1:28:10.519
<v Speaker 6>up like with Ava she you know, and like Ryan Coogler,

1:28:10.600 --> 1:28:12.280
<v Speaker 6>did they chop it up with you today?

1:28:12.400 --> 1:28:14.519
<v Speaker 1>Come to you for advice or game or whatever.

1:28:15.280 --> 1:28:19.280
<v Speaker 2>Uh my man did when he was doing uh Rocky,

1:28:19.560 --> 1:28:24.000
<v Speaker 2>he came to mind office and your office, n y U.

1:28:26.000 --> 1:28:28.439
<v Speaker 2>But here's the thing though, you know, like look, people

1:28:29.680 --> 1:28:32.559
<v Speaker 2>people have my number, so it's you know, people want

1:28:32.560 --> 1:28:34.920
<v Speaker 2>to speak. I'm available, so it's not like I'm trying to.

1:28:36.600 --> 1:28:41.800
<v Speaker 1>You know. What about with your cousin Malcolm, Yeah, I.

1:28:41.840 --> 1:28:48.679
<v Speaker 2>Mean by the way, yeah girls, and yeah, big shout

1:28:48.680 --> 1:28:52.280
<v Speaker 2>out to my first cousin Malcolm Lee, my father, his father, brothers,

1:28:52.360 --> 1:28:55.640
<v Speaker 2>and uh he's doing this thing, doing that thing.

1:28:56.160 --> 1:28:58.280
<v Speaker 1>What's the what's the age gap between you two?

1:28:58.360 --> 1:29:01.960
<v Speaker 2>Like were you when I was in fact, when I

1:29:02.040 --> 1:29:04.040
<v Speaker 2>was in n y U. I was living in his basement.

1:29:04.760 --> 1:29:08.639
<v Speaker 2>Oh wow, in Crown Heights. So Malcolm was in high

1:29:08.680 --> 1:29:12.120
<v Speaker 2>school when I was in grad film?

1:29:12.200 --> 1:29:13.840
<v Speaker 1>Were you the reason why he got in the film.

1:29:14.520 --> 1:29:16.400
<v Speaker 2>That's what he said, That's what he says.

1:29:18.479 --> 1:29:19.040
<v Speaker 6>I can take that.

1:29:19.479 --> 1:29:22.639
<v Speaker 2>I mean, I mean his cousin was a big movie director,

1:29:22.760 --> 1:29:26.040
<v Speaker 2>so it was it was an influence. But you know

1:29:26.439 --> 1:29:29.519
<v Speaker 2>he's done it on his own, you know, so power

1:29:29.600 --> 1:29:30.719
<v Speaker 2>to them. Happy form.

1:29:31.360 --> 1:29:32.800
<v Speaker 5>Whose images are you feeling? Like?

1:29:32.840 --> 1:29:35.400
<v Speaker 3>Who's what's the last couple of projects that you saw?

1:29:35.479 --> 1:29:37.599
<v Speaker 3>You was like, I'm appreciating his voice.

1:29:39.880 --> 1:29:46.600
<v Speaker 2>Well, my two films I saw last year, I'm Not

1:29:46.680 --> 1:29:52.760
<v Speaker 2>Your Negro, Roe Peck and o J in America those

1:29:52.840 --> 1:29:56.760
<v Speaker 2>are my joints. I mean those those were monumental.

1:29:57.040 --> 1:29:57.840
<v Speaker 1>Did you see get Out?

1:29:58.520 --> 1:29:59.479
<v Speaker 2>You loved it too, but.

1:30:01.320 --> 1:30:04.920
<v Speaker 1>But I loved it. But for me, I just.

1:30:06.600 --> 1:30:09.400
<v Speaker 2>Those two films I mentioned before, I'm not Your Negro

1:30:09.720 --> 1:30:11.519
<v Speaker 2>and uh Older in America?

1:30:11.600 --> 1:30:12.719
<v Speaker 1>Did you see Moonlight?

1:30:13.160 --> 1:30:13.360
<v Speaker 2>Yeah?

1:30:13.439 --> 1:30:14.439
<v Speaker 1>What what was your take on it?

1:30:14.800 --> 1:30:18.080
<v Speaker 2>Like it too? But my two favorite, I.

1:30:18.120 --> 1:30:21.760
<v Speaker 5>Mean just my Yeah, you know I'm not your Negro?

1:30:21.920 --> 1:30:22.320
<v Speaker 5>Need to view?

1:30:22.479 --> 1:30:25.599
<v Speaker 1>So yes, yeah, I saw that. I saw that one

1:30:25.640 --> 1:30:26.800
<v Speaker 1>time I was up here we were taping.

1:30:27.040 --> 1:30:29.760
<v Speaker 6>Yeah, I'm just always curious to hear just what you know,

1:30:29.840 --> 1:30:32.960
<v Speaker 6>the movies that we like as consumers, but you as

1:30:33.000 --> 1:30:35.080
<v Speaker 6>a director, like what you see?

1:30:35.160 --> 1:30:39.400
<v Speaker 2>You know the new joint that is dunk Kirk, Is

1:30:39.439 --> 1:30:44.719
<v Speaker 2>it like her? Yeah? You gotta goes Christopher Nolan's no joke.

1:30:45.040 --> 1:30:48.840
<v Speaker 6>So I wasn't big on Interstellar, but I heard because

1:30:48.880 --> 1:30:50.680
<v Speaker 6>like that, do we need to do the seventy millimeters?

1:30:51.160 --> 1:30:56.240
<v Speaker 2>Yeah, you gotta see the Imax sixty eighth and Andy.

1:30:55.600 --> 1:30:58.560
<v Speaker 1>Okay seven million? Oh that I heard they are in

1:30:58.600 --> 1:31:00.960
<v Speaker 1>their ninety three Rotten Tomatoes, so that ship.

1:31:01.840 --> 1:31:06.519
<v Speaker 2>Look, Christopher Nolan is a serious director. He's dope. And

1:31:06.600 --> 1:31:09.720
<v Speaker 2>there's hardly any dialogue in it too, and no and

1:31:09.840 --> 1:31:13.519
<v Speaker 2>no and no blue screens. All that'sh's real. No green screens.

1:31:14.200 --> 1:31:17.280
<v Speaker 1>Wow, Okay, I'm gonna take it. Yea, I'm gonna let

1:31:17.320 --> 1:31:20.400
<v Speaker 1>you because I'm getting the last question on this.

1:31:21.680 --> 1:31:25.559
<v Speaker 6>How can I see the entire last hustle in Brooklyn

1:31:25.680 --> 1:31:28.720
<v Speaker 6>aside from just a clip in the Off the Wall documentary.

1:31:29.280 --> 1:31:31.120
<v Speaker 2>One day when when I'm going to have to go

1:31:31.240 --> 1:31:33.400
<v Speaker 2>back do color correction, pick up the sound. But the

1:31:33.479 --> 1:31:35.479
<v Speaker 2>thing about a lot of that music was never cleared,

1:31:35.720 --> 1:31:37.719
<v Speaker 2>you know, there's all disco music.

1:31:39.760 --> 1:31:41.960
<v Speaker 1>She's got to have it. Netflix series. Yes, when is

1:31:42.000 --> 1:31:42.439
<v Speaker 1>that dropping?

1:31:42.760 --> 1:31:51.120
<v Speaker 2>Thanksgiving Day? Can we talk all black excellence bene day?

1:31:51.160 --> 1:31:51.680
<v Speaker 2>We will do that.

1:31:51.840 --> 1:31:55.880
<v Speaker 3>Yes, the Wanda Miller I recently found I'm sorry, I

1:31:56.000 --> 1:31:59.519
<v Speaker 3>recently fell in love with her underground shots fired. But

1:32:00.000 --> 1:32:01.680
<v Speaker 3>I don't even know the sequence of the cast and

1:32:01.720 --> 1:32:04.920
<v Speaker 3>if you were third or whatever, but we were after that? Okay, okay,

1:32:05.080 --> 1:32:07.840
<v Speaker 3>So what made you decide she was no dope?

1:32:08.200 --> 1:32:10.439
<v Speaker 5>Yeah, she's like dope.

1:32:11.320 --> 1:32:13.639
<v Speaker 2>You know who's gonna be gonna know who's gonna surprise

1:32:13.720 --> 1:32:14.200
<v Speaker 2>people in this?

1:32:14.600 --> 1:32:18.280
<v Speaker 1>Who fat Joe? Wow?

1:32:18.479 --> 1:32:19.120
<v Speaker 2>Bad joke.

1:32:20.160 --> 1:32:22.800
<v Speaker 1>I'm telling you what's here for Joe?

1:32:25.000 --> 1:32:26.960
<v Speaker 2>This character is called winn he Win and he plays

1:32:27.920 --> 1:32:31.400
<v Speaker 2>the MC owner of a burless club called the Hot

1:32:31.479 --> 1:32:31.840
<v Speaker 2>and Trot.

1:32:33.280 --> 1:32:35.599
<v Speaker 1>Wow. How many episodes? Ten?

1:32:35.960 --> 1:32:36.680
<v Speaker 2>I directed them?

1:32:36.680 --> 1:32:38.639
<v Speaker 1>All? Is it our half hour?

1:32:38.800 --> 1:32:39.160
<v Speaker 2>Half hour?

1:32:39.240 --> 1:32:39.559
<v Speaker 1>Half hour?

1:32:40.960 --> 1:32:42.000
<v Speaker 2>What's this given day?

1:32:42.360 --> 1:32:45.040
<v Speaker 1>What's that? Can you give us? Like the premise or like,

1:32:45.120 --> 1:32:47.360
<v Speaker 1>what's the kind of Well it's.

1:32:47.240 --> 1:32:50.920
<v Speaker 2>Really an updating of the original film, but now it

1:32:51.000 --> 1:32:56.439
<v Speaker 2>takes an a gentrified Ford Green, gentrified for Green.

1:32:56.680 --> 1:32:59.080
<v Speaker 1>So is there Mars black Men and the Noble Darling?

1:32:59.200 --> 1:33:03.439
<v Speaker 2>Yes, marsh Blackness Now Black and Puerto Rican. It's played

1:33:03.479 --> 1:33:07.200
<v Speaker 2>by the Great Triple Threat Anthony Raymonds from Used to

1:33:07.240 --> 1:33:15.280
<v Speaker 2>Have Oh, Hamilton Black, Hamilton, Hamilton.

1:33:14.840 --> 1:33:16.400
<v Speaker 5>I know the dude from Hamilton is on Blackish.

1:33:17.600 --> 1:33:19.600
<v Speaker 1>Boy, that's that one day I'll take you.

1:33:20.320 --> 1:33:22.160
<v Speaker 5>I'm not I've never been to see Hamilton, sir. I'm

1:33:22.200 --> 1:33:24.320
<v Speaker 5>not that rich. I'm so sorry.

1:33:24.840 --> 1:33:27.320
<v Speaker 10>You know the producer of it, I always told not

1:33:28.040 --> 1:33:35.920
<v Speaker 10>Hamilton yet. Hamilton's before for twenty years. Mars Blacks now

1:33:36.080 --> 1:33:38.120
<v Speaker 10>a week wad black and Puerto Rican?

1:33:38.160 --> 1:33:38.360
<v Speaker 5>Wow?

1:33:38.760 --> 1:33:39.000
<v Speaker 3>Wow?

1:33:42.320 --> 1:33:47.000
<v Speaker 6>Oh well this last one Red Hook Summer Nola Darlings. Uh,

1:33:47.479 --> 1:33:49.760
<v Speaker 6>I was like sad to see. I was like, damn,

1:33:49.920 --> 1:33:53.639
<v Speaker 6>Like she really just is the church lady that's like life?

1:33:55.600 --> 1:33:57.280
<v Speaker 6>It was so that was based on a real.

1:33:57.200 --> 1:34:00.599
<v Speaker 1>Character or she that's strange Camelo John's real life.

1:34:00.640 --> 1:34:03.360
<v Speaker 2>Now, yes, she's a pentecost preacher.

1:34:03.960 --> 1:34:05.720
<v Speaker 1>Oh wow, wow.

1:34:07.080 --> 1:34:09.640
<v Speaker 5>Wow see your picture? Want you?

1:34:10.920 --> 1:34:10.960
<v Speaker 1>So?

1:34:11.200 --> 1:34:14.200
<v Speaker 5>She changed her life?

1:34:14.240 --> 1:34:20.559
<v Speaker 2>So she left music, left movies and found the lord. Wow,

1:34:20.880 --> 1:34:21.320
<v Speaker 2>where do you go?

1:34:21.960 --> 1:34:24.000
<v Speaker 1>The only reason I consented to do this is because

1:34:24.000 --> 1:34:25.080
<v Speaker 1>I wish to clear my nyme.

1:34:28.840 --> 1:34:32.000
<v Speaker 2>Wow, that's it, that's what we brought that back.

1:34:32.040 --> 1:34:36.120
<v Speaker 6>Oh so Tracey, he's in the in the cameo, Okay,

1:34:36.200 --> 1:34:41.200
<v Speaker 6>that's dope, Bill. Anything you got left, I think, oh miracle,

1:34:41.720 --> 1:34:44.840
<v Speaker 6>you got a questions. But okay, I want to go

1:34:44.960 --> 1:34:48.719
<v Speaker 6>back to twenty fifth hour with the nightclub scene with Bra. Yeah,

1:34:49.280 --> 1:34:51.840
<v Speaker 6>did you choose the song? I choose all the music

1:34:51.880 --> 1:34:54.920
<v Speaker 6>and mine. Did you choose it before you shot it

1:34:55.640 --> 1:34:56.720
<v Speaker 6>or did it come afterwards?

1:34:57.880 --> 1:34:57.920
<v Speaker 1>No?

1:34:58.160 --> 1:34:59.760
<v Speaker 2>Bra is one of one of those songs where I

1:34:59.800 --> 1:35:02.880
<v Speaker 2>knew you know it okay because you said somewhere like.

1:35:02.920 --> 1:35:05.280
<v Speaker 1>That is just so. It was so working.

1:35:05.680 --> 1:35:08.160
<v Speaker 2>Who was on the cipher right was the.

1:35:10.120 --> 1:35:10.240
<v Speaker 3>Yea?

1:35:10.320 --> 1:35:15.559
<v Speaker 1>Yeah, mixed up like that's comedian extraordinary, that's what I've heard. Yeah,

1:35:15.840 --> 1:35:17.320
<v Speaker 1>he's in the comedy.

1:35:17.439 --> 1:35:19.160
<v Speaker 2>Rosario was dancing.

1:35:19.400 --> 1:35:21.760
<v Speaker 1>She was mad at me, Yes, she was. You know,

1:35:21.880 --> 1:35:33.240
<v Speaker 1>we weren't. Okay, I'm done, I have.

1:35:33.720 --> 1:35:36.639
<v Speaker 2>But the first first time my stres are was film Kids.

1:35:36.840 --> 1:35:39.120
<v Speaker 1>Yeah, yeah, yeah, yes.

1:35:40.320 --> 1:35:44.559
<v Speaker 5>It's like show she hate me. I'm going to start

1:35:44.600 --> 1:35:45.520
<v Speaker 5>by saying.

1:35:46.880 --> 1:35:55.040
<v Speaker 3>Before Carrie Washington and Diana Ramirez, I too enjoyed that situation, Anthony, Yes,

1:35:56.960 --> 1:35:59.560
<v Speaker 3>any regrets. I always thought it was interesting that so

1:35:59.640 --> 1:36:01.559
<v Speaker 3>manysbians wanted to have sex with one man.

1:36:01.640 --> 1:36:03.840
<v Speaker 5>It was lesbians.

1:36:04.720 --> 1:36:08.599
<v Speaker 1>She feels like it was your uh midlife crisis film,

1:36:08.640 --> 1:36:09.840
<v Speaker 1>and that was your Porsche.

1:36:12.240 --> 1:36:13.800
<v Speaker 5>Is that's true?

1:36:18.680 --> 1:36:21.840
<v Speaker 6>That's exactly how I feel it was properly make mo

1:36:23.080 --> 1:36:25.960
<v Speaker 6>Like that's when I was like, oh damn, Carrie, what's

1:36:26.080 --> 1:36:26.760
<v Speaker 6>what's it for?

1:36:27.040 --> 1:36:30.519
<v Speaker 1>Like that was not Carrie Washington from say The Last Dance,

1:36:31.160 --> 1:36:31.840
<v Speaker 1>not at all.

1:36:33.040 --> 1:36:35.720
<v Speaker 2>So that it was a film we want to do

1:36:35.760 --> 1:36:38.600
<v Speaker 2>at the time what people think? What I really liked

1:36:38.640 --> 1:36:41.400
<v Speaker 2>about that film as well? We had the Tewetai character.

1:36:43.000 --> 1:36:47.800
<v Speaker 1>Yes, was he the guard? Was the guard?

1:36:47.960 --> 1:36:48.160
<v Speaker 2>Yeah?

1:36:48.320 --> 1:36:51.000
<v Speaker 1>Yeah, Frank.

1:36:51.680 --> 1:36:51.840
<v Speaker 3>Yes.

1:36:52.360 --> 1:36:55.200
<v Speaker 2>Here's the thing though, if you watch CNN with this

1:36:55.280 --> 1:36:58.160
<v Speaker 2>whole stuff happened with the White House, all these guys

1:36:58.200 --> 1:37:03.760
<v Speaker 2>are half dead. They're talking about Watergate and John Dino's motherfuckers.

1:37:03.800 --> 1:37:07.800
<v Speaker 2>They never talk about Frank Wells. It was this guy,

1:37:07.960 --> 1:37:12.320
<v Speaker 2>this brother. If he didn't cast those crooks, the whole

1:37:12.360 --> 1:37:13.679
<v Speaker 2>War Day thing would never happen.

1:37:14.640 --> 1:37:16.960
<v Speaker 1>And he's dead.

1:37:17.600 --> 1:37:21.200
<v Speaker 2>He died painless, and every time they talk about Watergate,

1:37:21.240 --> 1:37:29.240
<v Speaker 2>they never mentioned his brother, Frank Wells. But look, I'm

1:37:29.280 --> 1:37:31.680
<v Speaker 2>not ashamedly. Here's the thing though, I say this all

1:37:31.720 --> 1:37:36.240
<v Speaker 2>the time, all the films I've done. The only thing

1:37:36.240 --> 1:37:43.960
<v Speaker 2>I ever regret because the only thing I regret was

1:37:44.040 --> 1:37:49.400
<v Speaker 2>the rape scene, and she because that was immature and

1:37:49.520 --> 1:37:55.840
<v Speaker 2>made light of such a horrible act that one can

1:37:55.880 --> 1:38:00.720
<v Speaker 2>do another human being. That is the only thing every.

1:38:00.680 --> 1:38:03.519
<v Speaker 6>That's interesting because I remember we watched that in a

1:38:03.680 --> 1:38:08.120
<v Speaker 6>class in college, and I remember we watched it and

1:38:08.200 --> 1:38:10.519
<v Speaker 6>it was it was mixed crowd, it was men and women,

1:38:11.160 --> 1:38:13.680
<v Speaker 6>and the teacher, our professor, came up and she was like,

1:38:14.439 --> 1:38:16.560
<v Speaker 6>after we were discussing, she's like, so, what do you

1:38:16.600 --> 1:38:17.519
<v Speaker 6>think about the rape scene?

1:38:17.640 --> 1:38:18.519
<v Speaker 1>And like half the.

1:38:18.560 --> 1:38:21.800
<v Speaker 6>Class was like, huh, like that was a rare rape, right, yeah,

1:38:21.920 --> 1:38:24.360
<v Speaker 6>Like it's just odd. Just I mean, you say that

1:38:24.439 --> 1:38:27.479
<v Speaker 6>you regret it, like because I didn't read it that way.

1:38:28.520 --> 1:38:30.080
<v Speaker 5>When I first know, I was trying to think I

1:38:30.120 --> 1:38:31.600
<v Speaker 5>was I can't even remember it to be when I.

1:38:31.600 --> 1:38:34.320
<v Speaker 1>First eighteen, I just thought it was in passion love scene.

1:38:34.800 --> 1:38:38.040
<v Speaker 1>And then when I started reading more and stuff than

1:38:38.080 --> 1:38:40.960
<v Speaker 1>I realized like, oh, that's supposed to be a rape scene. Yeah.

1:38:41.080 --> 1:38:43.280
<v Speaker 1>I read the screenplay first before I saw the movie,

1:38:43.840 --> 1:38:45.160
<v Speaker 1>and I knew.

1:38:48.439 --> 1:38:52.720
<v Speaker 5>So there's no regrets about she taking them none.

1:38:53.120 --> 1:38:55.960
<v Speaker 2>So none.

1:38:56.560 --> 1:38:58.600
<v Speaker 6>What about like specific shots of the specific shots you

1:38:58.640 --> 1:38:59.479
<v Speaker 6>wish you could shoot over?

1:39:01.240 --> 1:39:06.920
<v Speaker 1>You guys are kind of stepping the mart Wait, can

1:39:07.000 --> 1:39:15.599
<v Speaker 1>I just ask ask Steve, do you have anything? Yes,

1:39:15.720 --> 1:39:19.519
<v Speaker 1>mister Lee, what what can I as a white person

1:39:23.600 --> 1:39:25.320
<v Speaker 1>if you make your films nothing.

1:39:28.720 --> 1:39:29.080
<v Speaker 2>Supreme?

1:39:29.400 --> 1:39:29.560
<v Speaker 3>You know?

1:39:31.160 --> 1:39:35.920
<v Speaker 2>That was one of Malcolm's regrets that he told that, yes,

1:39:36.040 --> 1:39:38.000
<v Speaker 2>the white coch student, that.

1:39:38.600 --> 1:39:42.240
<v Speaker 1>I watched your extras, heady told her nothing, that is

1:39:42.280 --> 1:39:43.439
<v Speaker 1>the one you're you're extras?

1:39:43.479 --> 1:39:45.640
<v Speaker 5>What did he I didn't see the extras? What did

1:39:45.680 --> 1:39:46.879
<v Speaker 5>he wished he would have said.

1:39:47.200 --> 1:39:49.120
<v Speaker 2>Go back and talk to your people.

1:39:49.760 --> 1:39:55.200
<v Speaker 3>There you go, Steve, Yeah, I told her white girlfriend

1:39:55.240 --> 1:39:56.560
<v Speaker 3>who is starting to date black dudes, you can't do

1:39:56.640 --> 1:39:58.120
<v Speaker 3>that if you ain't seen those spike Ly movies.

1:39:58.320 --> 1:40:00.479
<v Speaker 5>That's the way I'm because tributing.

1:40:02.479 --> 1:40:12.599
<v Speaker 1>You can see the collective? All right, so Spike Spike Thriller?

1:40:12.840 --> 1:40:13.280
<v Speaker 1>Yes or no?

1:40:15.120 --> 1:40:19.800
<v Speaker 2>Are you going to It's not up to me, it's

1:40:19.920 --> 1:40:20.639
<v Speaker 2>up to the state.

1:40:21.360 --> 1:40:24.680
<v Speaker 1>Was the estate happy with Bad They love it very much.

1:40:24.880 --> 1:40:29.200
<v Speaker 1>Was the state happy with Off the Wall? Yes? So

1:40:32.360 --> 1:40:34.760
<v Speaker 1>you gotta wait for Have you had a conversation yet

1:40:34.800 --> 1:40:36.080
<v Speaker 1>or it hasn't come up yet.

1:40:36.520 --> 1:40:39.880
<v Speaker 2>Well, we had conversations, but they're not I don't think

1:40:39.880 --> 1:40:44.000
<v Speaker 2>they got other stuff they're doing before they get to Thriller.

1:40:44.880 --> 1:40:48.960
<v Speaker 1>I'm sorry, what's What's what else? What else is it?

1:40:49.040 --> 1:40:52.960
<v Speaker 1>Michael Jackson's arsenal that coming out on film?

1:40:53.360 --> 1:40:56.240
<v Speaker 2>If you listen to me, I got some TV shows

1:40:56.320 --> 1:40:56.920
<v Speaker 2>stuff like that.

1:40:57.439 --> 1:41:02.080
<v Speaker 1>Oh okay, nice, I mean asking Spike Lee if he's

1:41:02.120 --> 1:41:04.520
<v Speaker 1>going to direct the Thriller documentary.

1:41:05.640 --> 1:41:08.400
<v Speaker 2>I want to because I would if I was able to,

1:41:08.720 --> 1:41:13.720
<v Speaker 2>if I was blessed to get to do trilogy. I'm

1:41:13.760 --> 1:41:15.880
<v Speaker 2>dumb because I mean to do to do Thrilled, That'd

1:41:15.920 --> 1:41:19.280
<v Speaker 2>be a trilogy for me. Trilogy. I'm done. That's someone

1:41:19.320 --> 1:41:24.600
<v Speaker 2>else dangerous past. I'll be happy to pass the baton on.

1:41:25.200 --> 1:41:28.680
<v Speaker 1>But Dangerous is a New jack classic in my eyes. No,

1:41:28.920 --> 1:41:31.280
<v Speaker 1>I mean, I'm just saying that would be the only

1:41:31.360 --> 1:41:33.160
<v Speaker 1>one that was to do it because he did the

1:41:33.240 --> 1:41:37.840
<v Speaker 1>video for Remember the Time. Actually, yeah, yeah, it's actually

1:41:37.880 --> 1:41:44.960
<v Speaker 1>three parts. Okay, this is kind of my rapid fire. Okay,

1:41:49.120 --> 1:41:52.439
<v Speaker 1>now I'm gonna just running. Can you name me three

1:41:52.560 --> 1:41:58.559
<v Speaker 1>directors uh that came under the leaves of your tree

1:41:59.000 --> 1:42:03.439
<v Speaker 1>or or your family tree, that you've enjoyed their work.

1:42:03.640 --> 1:42:06.479
<v Speaker 1>Three African American directors that you've.

1:42:06.720 --> 1:42:14.519
<v Speaker 2>Malcolm Lee, Ernest Dickison, Uh, d Rees you said, Pariah

1:42:15.200 --> 1:42:17.320
<v Speaker 2>she was she was my student.

1:42:17.479 --> 1:42:25.439
<v Speaker 1>Well, n Yu those three now, uh, three acting students

1:42:25.720 --> 1:42:29.680
<v Speaker 1>or three first timers that didn't have any history and

1:42:29.760 --> 1:42:34.280
<v Speaker 1>films that have now blossomed to actors, Like who's your You're, You're, you're, you're,

1:42:34.760 --> 1:42:37.639
<v Speaker 1>you're starting three squad, like the three students that you're

1:42:37.640 --> 1:42:38.920
<v Speaker 1>proud of in the acting.

1:42:38.720 --> 1:42:41.960
<v Speaker 2>World, Like I didn't teach acting, well not acting.

1:42:41.720 --> 1:42:44.679
<v Speaker 1>But you know that you that you gave the first

1:42:44.720 --> 1:42:48.960
<v Speaker 1>film that are now like, hey, like a halle Berry

1:42:49.160 --> 1:42:49.719
<v Speaker 1>I was first.

1:42:51.600 --> 1:42:59.640
<v Speaker 2>That wasn't I mean halle Berry Rosie. Uh, but that

1:42:59.760 --> 1:43:01.760
<v Speaker 2>you Thiev was Queen Lativa's first film.

1:43:06.840 --> 1:43:08.000
<v Speaker 1>So it's just the black and.

1:43:11.680 --> 1:43:12.519
<v Speaker 2>Remember that lie.

1:43:17.040 --> 1:43:20.360
<v Speaker 1>So those three you're the proudest of that they Okay,

1:43:20.720 --> 1:43:24.320
<v Speaker 1>now the same question but for crew, because I know

1:43:24.520 --> 1:43:28.600
<v Speaker 1>that besides Earnie Dickerson maliks I, I didn't imagine all

1:43:28.600 --> 1:43:30.439
<v Speaker 1>the cematographers and editors.

1:43:30.520 --> 1:43:32.960
<v Speaker 2>Maliks started as electric. I'm Malcolm X and now one

1:43:33.000 --> 1:43:37.880
<v Speaker 2>of the best dps, Ellen Curis, who shot Summer sam

1:43:38.080 --> 1:43:45.080
<v Speaker 2>Full Little Girls Bamboozled. Uh, my newest DP, a gentleman

1:43:45.120 --> 1:43:48.679
<v Speaker 2>named Daniel Patterson morehouse Man. Also, what was my student,

1:43:48.760 --> 1:43:52.360
<v Speaker 2>n y you who shot up all the episodes for

1:43:52.680 --> 1:43:53.439
<v Speaker 2>She's Got to Have It?

1:43:53.920 --> 1:43:58.800
<v Speaker 1>Who who? Side question yes, even side questions to my

1:43:58.880 --> 1:44:06.160
<v Speaker 1>final question, you've been your longest ally employee that's been

1:44:06.240 --> 1:44:08.280
<v Speaker 1>with you since. Has there been someone that's been there

1:44:08.320 --> 1:44:13.280
<v Speaker 1>since the beginning like your editor or your costume designer

1:44:13.400 --> 1:44:15.280
<v Speaker 1>or your craft services?

1:44:16.000 --> 1:44:18.960
<v Speaker 2>Right, I mean they're people that I work with, but

1:44:19.040 --> 1:44:21.160
<v Speaker 2>there has been like every single film, so you know

1:44:21.479 --> 1:44:23.280
<v Speaker 2>a lot of times when I'm shooting something, they have

1:44:23.360 --> 1:44:24.040
<v Speaker 2>another film.

1:44:24.160 --> 1:44:28.600
<v Speaker 1>So okay, what what three actors have you yet to

1:44:28.720 --> 1:44:31.760
<v Speaker 1>work with that you were like, I.

1:44:31.880 --> 1:44:34.000
<v Speaker 2>Want Sean penn is one?

1:44:34.600 --> 1:44:38.599
<v Speaker 1>Wow, dam have more together? I would see I could

1:44:38.600 --> 1:44:40.720
<v Speaker 1>have seen Shan penn in twenty fifth Hour as well.

1:44:41.720 --> 1:44:42.679
<v Speaker 2>Sean Penn.

1:44:54.760 --> 1:45:02.120
<v Speaker 1>Uh ever worked with no never?

1:45:02.320 --> 1:45:02.439
<v Speaker 7>You know?

1:45:02.680 --> 1:45:04.920
<v Speaker 1>You know, will you ever work with DeNiro? Hopefully?

1:45:05.520 --> 1:45:10.080
<v Speaker 2>You know who's potentially be a great actress Solange?

1:45:10.680 --> 1:45:10.920
<v Speaker 5>Wow?

1:45:11.200 --> 1:45:11.400
<v Speaker 2>Wow?

1:45:11.680 --> 1:45:12.680
<v Speaker 5>I think I see that.

1:45:14.760 --> 1:45:16.880
<v Speaker 2>He wants to act, and that's another thing, but I

1:45:17.000 --> 1:45:20.880
<v Speaker 2>think that a great potential.

1:45:22.040 --> 1:45:24.479
<v Speaker 5>Uh, Morgan Freeman. Ain't getting no.

1:45:28.760 --> 1:45:31.639
<v Speaker 2>Nothing against Moran, It's.

1:45:31.520 --> 1:45:33.800
<v Speaker 5>Just funny guys like who has he not just been around?

1:45:34.240 --> 1:45:35.519
<v Speaker 1>You haven't worked with Morgan Freeman?

1:45:36.479 --> 1:45:39.240
<v Speaker 2>That did not happen, but work with.

1:45:41.600 --> 1:45:44.040
<v Speaker 1>I'm just saying to be a black actor.

1:45:44.520 --> 1:45:46.400
<v Speaker 3>No, that was just it was just a random legendary

1:45:46.439 --> 1:45:48.559
<v Speaker 3>black actor that I was like, Oh, that's the one

1:45:48.600 --> 1:45:50.160
<v Speaker 3>that he works a lot.

1:45:51.000 --> 1:45:53.640
<v Speaker 2>But you said that, I mean I liked I was

1:45:53.720 --> 1:45:55.240
<v Speaker 2>too young, but I wish I could have worked with

1:45:55.280 --> 1:46:04.120
<v Speaker 2>Paul Newman. Ah that film, Uh cool hand Lucas. Yeah,

1:46:04.200 --> 1:46:05.439
<v Speaker 2>yeah that's nice.

1:46:06.160 --> 1:46:14.600
<v Speaker 1>So yeah, yes, yes, I'm sorry. Did you ask that

1:46:14.640 --> 1:46:15.559
<v Speaker 1>because it was a white film?

1:46:17.640 --> 1:46:18.200
<v Speaker 2>His head.

1:46:20.120 --> 1:46:23.280
<v Speaker 1>Like, Paul, my head is that was like forty eggs,

1:46:23.360 --> 1:46:28.040
<v Speaker 1>right eggs? Yeah? Okay. So I don't know if directors

1:46:28.160 --> 1:46:32.320
<v Speaker 1>can divide their scenes like their songs from an album whatever.

1:46:33.320 --> 1:46:37.439
<v Speaker 1>But in your arsenal, what do you feel are your

1:46:37.560 --> 1:46:42.320
<v Speaker 1>three most important scenes? Okay, your three most important scenes? Like,

1:46:42.360 --> 1:46:46.080
<v Speaker 1>I'm more than three, you gotta get me three guns

1:46:46.160 --> 1:46:49.560
<v Speaker 1>your head, three, I'm burning all your other world. We

1:46:49.640 --> 1:46:50.920
<v Speaker 1>know his house is burning.

1:46:56.720 --> 1:47:01.680
<v Speaker 2>I would say Mookie throwing a garbage the window. Absolutely

1:47:02.439 --> 1:47:09.200
<v Speaker 2>assassination Malcolm Max and uh that scene in twenty four

1:47:09.280 --> 1:47:11.479
<v Speaker 2>Hour Edwin Norton's talking into the mirror.

1:47:12.080 --> 1:47:19.400
<v Speaker 1>M okay, tricky. I thought the uh, I could swear

1:47:19.439 --> 1:47:22.519
<v Speaker 1>your number one would have been the Times Mahon scene. Oh,

1:47:22.720 --> 1:47:28.000
<v Speaker 1>Oh yeah, you said only three though, Okay, but the

1:47:28.080 --> 1:47:31.960
<v Speaker 1>fact that that wasn't even your got it? I mean, okay, No,

1:47:32.479 --> 1:47:37.720
<v Speaker 1>I'll think those three again, the expanded version that that

1:47:37.880 --> 1:47:42.719
<v Speaker 1>was your songs. You're you're the three albums and three albums,

1:47:42.760 --> 1:47:47.840
<v Speaker 1>the three films that when you're gone and mind if

1:47:47.880 --> 1:47:50.559
<v Speaker 1>we look at your cannon, what are the three films

1:47:50.600 --> 1:47:55.320
<v Speaker 1>that you want representing your work? Wow?

1:47:55.400 --> 1:47:57.559
<v Speaker 5>For me, that's that's it, ain't nothing.

1:47:58.080 --> 1:48:01.600
<v Speaker 1>It's like picking kids. Pick your three favorite kids. You

1:48:02.560 --> 1:48:04.639
<v Speaker 1>have twenties choice.

1:48:05.000 --> 1:48:07.680
<v Speaker 2>But here's the thing, though, you you say you love

1:48:07.760 --> 1:48:11.760
<v Speaker 2>all your children the same. We might like them tell

1:48:11.760 --> 1:48:16.600
<v Speaker 2>about darkness, but I would just say I've done so

1:48:16.720 --> 1:48:21.680
<v Speaker 2>many films that I leave it up to I'm telling you,

1:48:21.720 --> 1:48:23.080
<v Speaker 2>I can't pick three guns to.

1:48:23.120 --> 1:48:26.280
<v Speaker 1>Your head, man, I can't pick three guns to your head,

1:48:26.680 --> 1:48:31.439
<v Speaker 1>House on fire, I can't pick three universal house burning

1:48:31.560 --> 1:48:35.559
<v Speaker 1>all the reels. You can't pick three. Okay, Well, what's

1:48:35.560 --> 1:48:39.680
<v Speaker 1>the opposite. That's the opposite. You gotta kill you three?

1:48:40.280 --> 1:48:47.519
<v Speaker 1>You gotta kill three with three films? With three films,

1:48:47.560 --> 1:48:52.040
<v Speaker 1>do you kind of wish? I'm cool if nobody sees that.

1:48:54.040 --> 1:48:56.880
<v Speaker 2>As I said before, the only thing I wish I

1:48:56.880 --> 1:49:02.800
<v Speaker 2>could do over the rape scene, and she's gonna have it.

1:49:03.880 --> 1:49:09.880
<v Speaker 2>Because everything I've done, for good or bad, is the

1:49:10.000 --> 1:49:13.720
<v Speaker 2>experience that helps me what the next film is. So

1:49:13.880 --> 1:49:18.280
<v Speaker 2>that's that's the way it is, is learning how to

1:49:19.400 --> 1:49:23.200
<v Speaker 2>hone your skills. You know, good, bad, and different. Every

1:49:23.280 --> 1:49:26.160
<v Speaker 2>time out you learn something new, different circumstances, and if

1:49:26.200 --> 1:49:29.160
<v Speaker 2>you're smart, the lessons that you learn, you'll apply that

1:49:29.600 --> 1:49:31.840
<v Speaker 2>to the next film.

1:49:32.600 --> 1:49:35.439
<v Speaker 6>He's not gonna answer your question, what is the most

1:49:35.560 --> 1:49:39.080
<v Speaker 6>overlooked Spike Lee film in your opinion? I got a

1:49:39.080 --> 1:49:40.720
<v Speaker 6>lot of those, like the one you think that most

1:49:40.720 --> 1:49:41.920
<v Speaker 6>people really should see.

1:49:43.320 --> 1:49:43.960
<v Speaker 1>Or see again.

1:49:45.400 --> 1:49:51.120
<v Speaker 2>Well, I don't think people saw Miracle sa. I don't

1:49:51.160 --> 1:49:56.479
<v Speaker 2>think people saw bamboozo Here's the thing, though, there's two

1:49:57.400 --> 1:50:00.519
<v Speaker 2>there's two categories. How do people to see when it

1:50:00.600 --> 1:50:04.200
<v Speaker 2>came out versus people discovered, you know later on so

1:50:04.360 --> 1:50:05.320
<v Speaker 2>Bamboozle goals in.

1:50:05.320 --> 1:50:09.040
<v Speaker 1>That character where people discovered it discovered it. Miracle is

1:50:09.120 --> 1:50:12.080
<v Speaker 1>Saint Ana? What was there? Was a novel it was

1:50:12.120 --> 1:50:14.080
<v Speaker 1>based on James McBride.

1:50:14.280 --> 1:50:17.519
<v Speaker 6>I almost wrote The Color Water, almost entered the casting

1:50:17.560 --> 1:50:18.599
<v Speaker 6>call for extras for that movie.

1:50:18.680 --> 1:50:20.479
<v Speaker 1>Oh for real. I had a homie that was in

1:50:20.560 --> 1:50:22.000
<v Speaker 1>that he was. He was one of the interesting did

1:50:22.040 --> 1:50:23.040
<v Speaker 1>he go overseas? Yeah?

1:50:23.640 --> 1:50:27.000
<v Speaker 6>Thereak no uh Ron he ain't gonna remember the name,

1:50:29.479 --> 1:50:35.160
<v Speaker 6>but uh not Turanron something I can't.

1:50:35.160 --> 1:50:35.519
<v Speaker 2>I don't want to.

1:50:35.520 --> 1:50:36.280
<v Speaker 5>It's embarrassing you called.

1:50:37.240 --> 1:50:40.439
<v Speaker 2>I mean, we had to cast these these guys to

1:50:40.520 --> 1:50:44.120
<v Speaker 2>play the uh the Buffalo soldiers, but none of them

1:50:44.240 --> 1:50:45.160
<v Speaker 2>had passports.

1:50:46.240 --> 1:50:48.400
<v Speaker 1>We had to go to Italy's scrambling, you know, to

1:50:48.479 --> 1:50:50.120
<v Speaker 1>get to get the past. That's why I didn't.

1:50:51.720 --> 1:50:53.200
<v Speaker 2>Sing all about it.

1:50:53.280 --> 1:50:55.320
<v Speaker 3>It's at the top of our list now for requirements.

1:50:55.400 --> 1:50:56.560
<v Speaker 3>He must have a passport.

1:50:56.880 --> 1:50:59.120
<v Speaker 1>I got it. Yeah, he was telling me that was real.

1:50:59.200 --> 1:51:01.240
<v Speaker 6>He was like yo, like he's like, man, we had

1:51:01.280 --> 1:51:02.920
<v Speaker 6>the cannons was going off, and he was like it

1:51:03.080 --> 1:51:05.240
<v Speaker 6>was real, Like there was really like in comebat and

1:51:05.320 --> 1:51:07.200
<v Speaker 6>he's ad for Like when he came back it took

1:51:07.680 --> 1:51:09.679
<v Speaker 6>he like he kind of had PTSD after the shoot,

1:51:09.720 --> 1:51:11.640
<v Speaker 6>Like it was like he was going to sleep and

1:51:11.680 --> 1:51:12.120
<v Speaker 6>he couldn't.

1:51:12.479 --> 1:51:13.960
<v Speaker 1>You know, He's still be hearing the ship going off.

1:51:14.000 --> 1:51:22.439
<v Speaker 1>It was crazy. Okay, this is my final, my final, final,

1:51:23.600 --> 1:51:29.000
<v Speaker 1>final question. It's two parts. Spike the episode absolutely no.

1:51:29.160 --> 1:51:31.160
<v Speaker 1>First of all, I appreciate you for doing this.

1:51:31.760 --> 1:51:32.040
<v Speaker 2>Thank you.

1:51:32.160 --> 1:51:34.280
<v Speaker 1>I been amazing man.

1:51:34.720 --> 1:51:37.840
<v Speaker 5>Yeah, macaroons for you, so that's well.

1:51:37.960 --> 1:51:41.200
<v Speaker 1>I brought it for everybody. But appreciate the ship because

1:51:41.200 --> 1:51:45.280
<v Speaker 1>we is he talking ba people don't eat macaroons. We

1:51:45.439 --> 1:51:48.439
<v Speaker 1>don't you want that on there? Five million people don't

1:51:49.600 --> 1:51:55.479
<v Speaker 1>offer no person ed? Okay anyway, Spike, Uh, there's a

1:51:55.920 --> 1:51:59.679
<v Speaker 1>game that we play on the show. Yes, which one?

1:52:00.080 --> 1:52:08.360
<v Speaker 1>This is your final question of Spike from his four

1:52:08.439 --> 1:52:14.400
<v Speaker 1>million dollars? Can you please tell me what's the original

1:52:14.439 --> 1:52:22.920
<v Speaker 1>sample of this song? Inside joke, ladies and gentlemen. Thank you,

1:52:23.120 --> 1:52:28.519
<v Speaker 1>Spike Lee. We're coming on Quest Love Supreames, take a

1:52:28.560 --> 1:52:32.800
<v Speaker 1>load sugar, Steve Boston, Bill, unpaid Bill and Lie.

1:52:32.880 --> 1:52:33.080
<v Speaker 9>Yeah.

1:52:33.200 --> 1:52:36.280
<v Speaker 1>This is Quest Love signing off Spike Leeve. Thank you

1:52:36.400 --> 1:52:37.920
<v Speaker 1>so much for answering on my question.

1:52:39.080 --> 1:52:42.160
<v Speaker 5>Appreciate doctor now sorry that was my.

1:52:42.240 --> 1:52:44.639
<v Speaker 1>Last man, I'm sorry last words.

1:52:45.080 --> 1:52:46.160
<v Speaker 2>Teacher he's a teacher.

1:52:46.200 --> 1:52:46.840
<v Speaker 5>Okay, thank you?

1:52:47.040 --> 1:52:52.559
<v Speaker 2>Sorry anyway, Harry, Yes, anyway till next week.

1:52:52.680 --> 1:52:56.519
<v Speaker 1>Yeah, if we're still here, Yes, and macaroons for everybody.

1:52:56.600 --> 1:53:00.879
<v Speaker 1>Don't listen. This is Quest Love signing off Only on Pandora.

1:53:00.920 --> 1:53:02.320
<v Speaker 1>This is a Quest Love Supreme. You see all that

1:53:02.400 --> 1:53:02.840
<v Speaker 1>show round.

1:53:02.840 --> 1:53:05.160
<v Speaker 7>Thank you, yo yo yo I'm gone with the wind

1:53:05.720 --> 1:53:07.679
<v Speaker 7>because it is sapapa love the fitness.

1:53:07.720 --> 1:53:09.519
<v Speaker 6>When the ship hits the fan, I got my shake,

1:53:09.560 --> 1:53:12.679
<v Speaker 6>give him my hand, black man with the permanent ten.

1:53:12.920 --> 1:53:14.120
<v Speaker 1>I'll come from the building that.

1:53:14.240 --> 1:53:17.600
<v Speaker 5>For rand Damn, I'm feeling the love the part of reality.

1:53:18.080 --> 1:53:19.600
<v Speaker 1>It me one not represent the f.

1:53:19.680 --> 1:53:22.880
<v Speaker 9>Ap straight from the Bill Hill, then't play the building.

1:53:23.120 --> 1:53:24.479
<v Speaker 2>I mean they're releague or nothing.

1:53:24.560 --> 1:53:26.719
<v Speaker 9>Y'all make a killing for a like see I'm fitting

1:53:26.720 --> 1:53:28.960
<v Speaker 9>in the bus to pipe original head strip to chet

1:53:29.000 --> 1:53:30.240
<v Speaker 9>the brook Man all night.

1:53:30.600 --> 1:53:32.960
<v Speaker 2>Who would die? I'm saying this shot. Will I bring

1:53:33.040 --> 1:53:34.080
<v Speaker 2>your clicks.

1:53:33.720 --> 1:53:36.439
<v Speaker 5>That we can get stone like family slid. We need

1:53:36.520 --> 1:53:39.360
<v Speaker 5>to see ya in the bush, Mighty Maxine, Rock.

1:53:39.240 --> 1:53:41.880
<v Speaker 1>In the rock, Given the Bush quest Love Supreme. It's

1:53:41.920 --> 1:53:45.920
<v Speaker 1>a production iHeartRadio. This classic episode was produced by the

1:53:46.040 --> 1:53:52.040
<v Speaker 1>team at Pandora. For more podcasts from My Heart Radio,

1:53:52.200 --> 1:53:55.560
<v Speaker 1>visit the Ihart Radio app, Apple Podcasts, or wherever you

1:53:55.680 --> 1:53:56.840
<v Speaker 1>listen to your favorite shows.