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Speaker 1: The volume.

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Speaker 2: I see that you guys finally did the lighting that

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Speaker 2: I would have preferred the week that I'm gone.

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Speaker 1: What are you talking about?

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Speaker 2: Lighting that would have done well on my pigment?

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Speaker 1: You guys do when I lose no light exactly? So

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Speaker 1: you don't want no light?

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Speaker 2: Yes, I've been saying that for five years now. It's

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Speaker 2: so bright I look insane.

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Speaker 1: Every time you wanted so you want them to kill

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Speaker 1: this light or.

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Speaker 2: That light, mainly this light. But every time we've done that,

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Speaker 2: it looked weird because you were too dark. And but

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Speaker 2: now that I know you guys can do it, I

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Speaker 2: feel like every single episode should be a Halloween episode.

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Speaker 2: I would have strived in that lighting. Yeah, Instead it

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Speaker 2: has blown out lack of melanin that I have here.

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Speaker 3: Baby, do you see how when the White Man comes back,

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Speaker 3: there's always negativity issue.

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Speaker 1: It's always like what else? What else? What else? Did

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Speaker 1: you notice why you were going, sir, that.

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Speaker 2: You guys did an amazing job held it down and

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Speaker 2: I enjoyed both episodes.

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Speaker 1: Baby, that's called gas lighting.

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Speaker 4: Yeah, you didn't not watch the episodes.

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Speaker 2: I watched the Halloween one. I saw the clips of

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Speaker 2: the first one.

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Speaker 1: You watched the whole Halloween episode.

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Speaker 2: Yeah, it was really good. You guys are cute.

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Speaker 1: Did you enjoy that one?

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Speaker 2: I can't enjoy an episode. He only enjoyed this.

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Speaker 4: He only watched it because he liked the lightning.

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Speaker 2: That's why he was like, oh no, I was kind

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Speaker 2: of I was. I went in with hate.

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Speaker 1: Oh yeah, and I was like this, Oh so the lighting.

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Speaker 2: I was like, visually, it's amazing. This is what I've

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Speaker 2: always wanted for the podcast because of you know, my

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Speaker 2: my very much lack of melanin and pigmantly challenged skin. Here,

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Speaker 2: that's what I've always wanted. And then I was like,

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Speaker 2: but the audio is going to suck, And I was like, damn, damn.

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Speaker 2: They're funny.

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Speaker 1: Yeah, but what happened? You didn't get a tend and

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Speaker 1: you still look the same complexion when you.

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Speaker 2: Love Oh listen, man, the cruise ships they got canopies.

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Speaker 2: You don't even got to be in the sun top

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Speaker 2: on the islands.

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Speaker 1: Yeah, so you didn't. You didn't get out.

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Speaker 2: And golf cart and had a thing over it. There

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Speaker 2: was a canopy at the pool party, palm tree, the

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Speaker 2: ponem tree.

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Speaker 1: I was scooting around. How was it?

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Speaker 2: Well, first, I'll say we are back as a squad

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Speaker 2: sponsored by Boost Mergers. Available right now Newbroymall dot com.

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Speaker 3: Unlimited talk, text data and Carnival Cruise and.

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Speaker 1: Carnival Cruises you just got for free. You just type

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Speaker 1: that in. Yeah, just just go to God to the

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Speaker 1: Gate to say I'm with Boost here right in. That's

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Speaker 1: how I got it, actually exactly.

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Speaker 2: Also, if you want to listen to all of our

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Speaker 2: episodes with no ads, five dollars a month on Patreon

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Speaker 2: dot com forward slash newbroy Mole also a ten dollars tier,

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Speaker 2: twenty dollars tier with a bunch of great episodes and

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Speaker 2: bonus content and all that fun stuff.

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Speaker 5: Including me and Maw's blog that just came out last

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Speaker 5: this morning last night, which I was hoping.

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Speaker 2: It would hit the chat so I could watch it.

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Speaker 2: Because I hit the maras right, this is how you

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Speaker 2: knew I was hating. I barely had WiFi. I did

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Speaker 2: want to check in on you guys. I even brought

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Speaker 2: my little camera from my laptop, but wi Fi was tough.

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Speaker 2: I saw you guys post a photo after the episode

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Speaker 2: or whatever. I'm like, wait, it takes me to leave

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Speaker 2: for y'all to hang out.

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Speaker 4: The whole time you thought I was the problem.

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Speaker 1: No, baby, No, you.

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Speaker 2: And I hang out. I was shocked you got more

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Speaker 2: to hang out. But I didn't know it's for flock.

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Speaker 1: I mean, yeah, it was hanging out. We went to

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Speaker 1: eat and with sneakers shopping.

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Speaker 2: Oh so you finally got your sneakers. No, but you

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Speaker 2: know watch them crazy that he brought you to the

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Speaker 2: water and didn't teach you how to fish. That's fucking nuts.

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Speaker 3: No, they didn't have a size there, okay, but you

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Speaker 3: ordered it for it right, Well I hit I sent

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Speaker 3: them to Fresh Goods. No response, I just he just responded.

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Speaker 3: I'm just told him. Now, you know, he had his

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Speaker 3: thing all weekend. So yeah, I wasn't like on his.

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Speaker 2: Line which he may put out my two favorite sneakers

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Speaker 2: of his ever, which is saying something hm that like

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Speaker 2: cream version might be my favorite sneaker I've ever seen,

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Speaker 2: even Damaris DM.

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Speaker 1: And it was like this, this shoe is you. Yeah,

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Speaker 1: it's a silhouette of you. Shout out to Joe Fresh

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Speaker 1: Goods man.

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Speaker 2: But yeah, look, the cruise was amazing. You know, I

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Speaker 2: was in I was in hip hop Heaven.

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Speaker 1: How was it?

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Speaker 2: I was a little nervous going on, because again, I've

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Speaker 2: never been on a cruise.

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Speaker 1: I had a few friends on a cruise too. It

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Speaker 1: was posting. I was like, oh shit, like a few

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Speaker 1: of the homies.

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Speaker 2: Went okay, yeah, there was a few people yelled out,

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Speaker 2: was up all pretty usual?

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Speaker 1: That is crazy.

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Speaker 2: I think Twister called me mall.

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Speaker 1: That's funny. Twisted the elevator.

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Speaker 2: Twist watches our show, like for real, watches our show

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Speaker 2: like people say that, and then he started bringing stuff up.

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Speaker 1: But I was like, oh, sh like twist to really watches.

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Speaker 1: That's kind of cool. Twist that's but.

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Speaker 2: Yeah, I was nervous going in because you can't escape

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Speaker 2: when you're on a boat. And I had a fucking blast,

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Speaker 2: like it was the aunties and uncles for sure, but

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Speaker 2: everybody danced at parties. Nobody really had their phone out,

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Speaker 2: like everybody was in the moment enjoying what was going on.

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Speaker 2: Nineties babies, well, I'm a nineties baby. You think I'm

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Speaker 2: auntie uncle?

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Speaker 1: Well. Eighties babies, man, it was.

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Speaker 2: The seventies babies on there for sure. Seventies babies was performing,

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Speaker 2: for sure. There were some sixties babies is one of

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Speaker 2: the best performers I've ever seen. Col might even in

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Speaker 2: the fifties. Yeah, but it was like it was weird

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Speaker 2: because I've had the privilege to be around a lot

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Speaker 2: of like my favorite rappers, and I know everyone doesn't

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Speaker 2: get that, but on this cruise, literally you could just

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Speaker 2: be in the cafeteria and you just see Jadakiss getting eggs,

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Speaker 2: Like it's not like wow, it's not like super segregated,

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Speaker 2: like you just chilling like, you know what, let me

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Speaker 2: get a bottle of water.

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Speaker 1: Yeah, right there.

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Speaker 2: And it was cool because like it was just that

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Speaker 2: crowd where like, yeah, shit, that's Jadakis, but like nobody

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Speaker 2: was tripping out, like let him eat his ex. Yeah,

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Speaker 2: nobody was freaking out. But then you get off the

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Speaker 2: elevator and you see Little SE's playing Corrupt ghost Faces

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Speaker 2: new album. It's like, what what the fuck is going on?

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Speaker 1: Right?

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Speaker 2: Like here's a dog Pound jacket on Little Seeds if

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Speaker 2: you know that whole history, and it's Sea's trying to

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Speaker 2: put Corrupt onto the new ghost Face album and Corrupt

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Speaker 2: is sitting there.

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Speaker 1: Like when it's come out. Yeah, yeah, it was.

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Speaker 2: It was incredible. I'd also never seen the dog Pound

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Speaker 2: perform live.

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Speaker 1: Holy shit.

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Speaker 2: We was all upstairs drinking.

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Speaker 1: A little bit.

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Speaker 2: I was like, how are they gonna how they gonna

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Speaker 2: turn this one on?

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Speaker 1: M hm?

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Speaker 2: Because I could hear some mumbles and words. It was

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Speaker 2: the most professional shit I've ever seen. I've never seen

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Speaker 2: two people get so sober so quickly and put on

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Speaker 2: one of the greatest performances I've ever seen.

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Speaker 1: How was the sound system?

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Speaker 3: Because that was one thing I was like thinking about

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Speaker 3: the whole time, like, what is the sound system?

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Speaker 1: Like?

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Speaker 2: Truthfully, the first day it was it was a little,

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Speaker 2: a tiny bit shaky, just because I think they switched

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Speaker 2: the ship. We were a little delayed just because of that.

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Speaker 2: It wasn't rock the Bell's fault. I think it was

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Speaker 2: something with orange and cruise. But they made up for

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Speaker 2: it pretty pretty quickly. I had never really seen loop

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Speaker 2: A perform live, and if I have, I think maybe

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Speaker 2: it was opening for Kanye. Loope is one of the

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Speaker 2: better rap performers I've ever seen. Like if you just

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Speaker 2: give somebody a microphone and the DJ holds a crowd here,

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Speaker 2: it sounds like you're listening to the actual fucking song,

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Speaker 2: doesn't miss a fucking lyric. It was incredible, Like I

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Speaker 2: can't say enough about it. The locks is the lox.

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Speaker 2: We already that's gonna go ghost miss' flight. He flew

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Speaker 2: and rights to the Bahama se as they should. He

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Speaker 2: got on a kayak and made his way from the.

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Speaker 3: I don't think he missed the cruise. I think he

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Speaker 3: meant this like I'm not flying to the BOM.

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Speaker 2: I meet you out on the bomb. Yeah, but no,

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Speaker 2: it was It was just a It was just a

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Speaker 2: lot of fun, like I got to chop it up

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Speaker 2: with dead preys on a panel, like just such random

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Speaker 2: ship like go upstairs about to smoke with an unnamed

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Speaker 2: rapper because I don't think people know he smoked, and

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Speaker 2: it's just nappy roofs chilling there.

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Speaker 1: People don't know rapper smokes.

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Speaker 2: Yeah, there's a lot of rappers that pretend to be

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Speaker 2: sober on the microphone and they're not.

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Speaker 3: So I just know that's part of the rapperesthetic, Like

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Speaker 3: you learn how to rap before you know how to

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Speaker 3: count bar. I mean smoke before you count bar.

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Speaker 2: But you know there's some like rappers that put out

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Speaker 2: like that. They're like they give logic that ship where

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Speaker 2: he was like the sober rapper and they've caught him

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Speaker 2: being drunk mad times. It's like no, no, come on,

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Speaker 2: I'm taking any load of shit.

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Speaker 3: But no, if this rapper says he doesn't smoke, then

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Speaker 3: that's different.

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Speaker 2: That's what I'm saying. He has that perception of.

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Speaker 1: That perception or has he said he doesn't smoke?

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Speaker 2: He said he doesn't like that part of his rhyme

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Speaker 2: being dead sober.

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Speaker 1: He was dead not okay, he was dead high.

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Speaker 2: I had a moment you had when you told the

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Speaker 2: Styles peace story at SOBS, when you were like, he

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Speaker 2: was smoking security guard. I was like, let me see

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Speaker 2: if he's really like that. So we were upstairs, like

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Speaker 2: on the highest deck where like all the talent stayed

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Speaker 2: or whatever. It's like five o'clock in the morning. Music

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Speaker 2: is blaring. Many fresh as djam just off a set

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Speaker 2: that he took out of his room. He's like, I

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Speaker 2: plug this shit up. It's not like they had to

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Speaker 2: set there already. Security comes in. Corrupts right there, he said,

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Speaker 2: but a chill security guard went with all the aggression

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Speaker 2: in the fucking world.

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Speaker 1: Was like, yo, my bad, my bad. I was like, yes,

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Speaker 1: corrupt like that, But what was he telling crypt not

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Speaker 1: to do?

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Speaker 2: Stop playing music?

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Speaker 1: Oh? They didn't want to be playing music?

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Speaker 3: Yeah, okay, you can't tell rappers on a rock to

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Speaker 3: bells cruise not to play music.

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Speaker 2: Oh I can. I thought I thought I could hang

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Speaker 2: they was up. I went down at like six o'clock

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Speaker 2: in the morning. They went to like eight am. All

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Speaker 2: the guys older than me, way older than me, still drinking.

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Speaker 1: I don't.

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Speaker 2: I cannot hang with the old folks anymore.

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Speaker 3: So it's just gonna be ah, Are they going to

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Speaker 3: continue to do the cruise?

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Speaker 1: Yeah?

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Speaker 2: I mean this this year went extremely well. I don't

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Speaker 2: see why not.

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Speaker 1: I would have to imagine the overhead as much lower. Yeah.

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Speaker 2: I mean I don't know much about how cruise overhead

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Speaker 2: stuff works in that regard, but I mean it was

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Speaker 2: every day was fucking amazing. It was just hip hop

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Speaker 2: heaven the entire time. So your first cruise was successful,

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Speaker 2: for sure, you want to go on another one. I

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Speaker 2: will say, I think we caught some of well prayers

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Speaker 2: everyone in Jamaica her game, Melissa. It completely avoided us.

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Speaker 2: That was also why we were delayed a bit, because we're

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Speaker 2: trying to figure out what the weather was going to

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Speaker 2: look like. We caught like, obviously, not any storm. It

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Speaker 2: was clear skies. But you know, you know how tides work. Yeah,

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Speaker 2: you know chop. Yeah, it's a little bit of chop.

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Speaker 1: That's all. You don't know about chop.

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Speaker 2: So it was a little choppy going back to Miami.

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Speaker 3: Yeah, I did do it. I did do a choppy

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Speaker 3: on a cruise ship. Like if you could fill that

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Speaker 3: on a cruise ship.

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Speaker 1: Yeah, yeah, I was sitting that.

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Speaker 2: Uh. Shout out to my my homegirl now, Brandy Denise.

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Speaker 2: I want to have her on the pod. She's very,

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Speaker 2: very funny. As a special on Hulu, we hosted a

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Speaker 2: wine panel the last day.

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Speaker 1: Hm. When I tell you we were, we might as well.

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Speaker 2: Uh snorted. Uh what's that ship called that you take

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Speaker 2: now for motion sickness? Oh starts with a d D

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Speaker 2: media t.

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Speaker 1: Yeah, we was ready to snort that ship. I was

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Speaker 1: fucked up. Yeah wine.

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Speaker 2: I was taking one little sip like what it tastes like,

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Speaker 2: I don't know, I'm gonna throw up.

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Speaker 1: Yeah that's the Yeah, that's that's that's a bad combination.

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Speaker 1: But yeah, it was kind of hurricane ship. Yeah it was.

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Speaker 1: It was bad, but us dope through that. Everybody had

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Speaker 1: a good time.

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Speaker 3: Like I said, a few of my friends was was

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Speaker 3: on a cruise and start I saw people posting videos

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Speaker 3: and ship, so it looked like it was It was dope.

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Speaker 1: It was good.

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Speaker 2: Yeah, you would do it again, Oh absolutely, without question

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Speaker 2: next year, whether we're booked or not.

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Speaker 1: What was the sleeping quarters like?

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Speaker 2: They were nice? It was like, all right, well, I

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Speaker 2: will say I went into a little brother's room. You

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Speaker 2: might as well have been in fucking Trump's penthouse of

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Speaker 2: how No, I'm not, I'm not even exaggerating. I said, wait,

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Speaker 2: they got this type of shit on this boat. That

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Speaker 2: ship looked like a New York's you know, what's billionaire's roll.

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Speaker 2: It looked like that.

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Speaker 1: My shit was cool.

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Speaker 2: I mean, your brother headlined like two nights, so I

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Speaker 2: mean I could see the difference. But yeah, the fourteenth

285
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Speaker 2: floor was insane as far as that, but but mine was.

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Speaker 2: I was on nine and it was cool. It was

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Speaker 2: a nice hotel room. Water pressure was all right too.

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Speaker 1: That was my.

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Speaker 2: Biggest thing, Like I might have to shower.

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Speaker 1: What's the water pressure gonna be like, because you have.

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Speaker 2: To understand, like with the amount of sunscreen I put on,

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Speaker 2: I got to shower like three times a day to

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Speaker 2: get all that shit off. So that was my biggest worry.

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Speaker 1: But it was cool.

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Speaker 2: I mean outside of you know, being mistaken for Paul

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Speaker 2: Wall on camera.

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Speaker 3: Yeah, I mean naturally you knew that was gonna happen

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Speaker 3: on a rock the Bells.

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Speaker 5: Crew, you know, nothing like Paul Paul Wall is hot. No,

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Speaker 5: but you guys all right, damn well, I mean, well,

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Speaker 5: hold on, okay, those are two separate statements. I'm not

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Speaker 5: saying you don't look like Paul Wall because you're not hot.

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00:11:59,880 --> 00:12:03,200
Speaker 5: I'm saying you like Paul Wall period, and Paul Wall

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Speaker 5: is hot, two separate statements.

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Speaker 2: I don't think that was as good a clean up

306
00:12:06,000 --> 00:12:06,600
Speaker 2: as you think it was.

307
00:12:06,720 --> 00:12:09,000
Speaker 1: Yeah, I mean I liked it. I liked that it

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00:12:09,000 --> 00:12:10,880
Speaker 1: didn't make much try to save it. Yeah, I get it.

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Speaker 4: You're in the grammar, like you get it, you know,

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Speaker 4: so you trying.

311
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Speaker 1: I feel like that's another shot. So you try to

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Speaker 1: say we're not in the grammar.

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Speaker 4: No, I'm like, it's not your thing.

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Speaker 1: Grammar isn't my thing.

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Speaker 3: Like I have you know, I had the highest you know,

316
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Speaker 3: I had the highest SAT school on my school.

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Speaker 1: When it came to that, I could one thing I

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00:12:30,040 --> 00:12:32,000
Speaker 1: could do. I may not be able to add good,

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Speaker 1: but I can read God, damn it.

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Speaker 4: Have you know it's funny.

321
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Speaker 2: I have no yea, but no, it was a funnier

322
00:12:38,160 --> 00:12:40,400
Speaker 2: backstory to that Paul Wall shit because I posted on

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00:12:40,440 --> 00:12:43,240
Speaker 2: Instagram and of course everyone laughed, but if you knew

324
00:12:44,200 --> 00:12:47,120
Speaker 2: the loser backstory to it, you would laugh even harder

325
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Speaker 2: at me.

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Speaker 1: So I was with.

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Speaker 2: The PR team that worked with Rock the Bells and

328
00:12:53,040 --> 00:12:56,000
Speaker 2: six Man put the whole thing together. So Matt dinner

329
00:12:56,040 --> 00:13:00,239
Speaker 2: with that third party PR team, meeting everyone.

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00:13:00,320 --> 00:13:02,680
Speaker 1: Musing, you know that whole fucking thing, doing the thing. Yeah,

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Speaker 1: you know.

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00:13:03,080 --> 00:13:07,640
Speaker 2: Like, so we get up after dinner and this girl

333
00:13:07,880 --> 00:13:10,200
Speaker 2: approached like yo, like hugging me, like what's up. I'm

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00:13:10,520 --> 00:13:13,679
Speaker 2: your biggest fan, love you. And in my head I

335
00:13:13,679 --> 00:13:15,640
Speaker 2: got all the PR execs behind me, and I'm like,

336
00:13:16,280 --> 00:13:19,200
Speaker 2: perfect Tom, it's me.

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00:13:19,760 --> 00:13:21,160
Speaker 1: Of course it's gonna happen right away.

338
00:13:21,280 --> 00:13:23,199
Speaker 2: Now they know. Now they know who they went to

339
00:13:23,280 --> 00:13:26,480
Speaker 2: dinner with, they know what Tom is. Pandemonium. The second I.

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Speaker 1: Leave the table, I was like, I gotcha. I'll do

341
00:13:29,280 --> 00:13:31,160
Speaker 1: a video for you. What's your names?

342
00:13:31,360 --> 00:13:35,200
Speaker 2: What's your name? All the exacts standing around, just see

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00:13:35,240 --> 00:13:38,960
Speaker 2: her go. I've been listening to Paul Wall since the nineties.

344
00:13:39,480 --> 00:13:42,360
Speaker 2: All of me deflated, and then I had to walk

345
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Speaker 2: out with all those.

346
00:13:43,080 --> 00:13:45,199
Speaker 1: Pr sects right after.

347
00:13:46,400 --> 00:13:51,959
Speaker 2: After feeling like the fucking man, it's me man, these

348
00:13:52,000 --> 00:13:56,640
Speaker 2: pr see they know who they hired, but I should

349
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Speaker 2: host the whole crew.

350
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Speaker 1: See what happens like this didn't happen. When left left

351
00:14:01,040 --> 00:14:09,680
Speaker 1: the spot, she thought she was Oh my god, man,

352
00:14:10,679 --> 00:14:14,480
Speaker 1: it was fun. Spulled that picture up, or Josh for

353
00:14:14,600 --> 00:14:15,040
Speaker 1: that picture up.

354
00:14:15,040 --> 00:14:17,800
Speaker 2: You looked nothing like not even a little bit. And

355
00:14:17,920 --> 00:14:21,760
Speaker 2: it's not lying close. Imagine seeing like Paul outside without grills.

356
00:14:23,000 --> 00:14:24,720
Speaker 4: Paul kind of looked like Sean a little bit when

357
00:14:24,720 --> 00:14:25,560
Speaker 4: he smiled like that.

358
00:14:25,600 --> 00:14:28,880
Speaker 2: It's a good call. That's a good Halloween costume for Sean.

359
00:14:29,040 --> 00:14:32,320
Speaker 2: It's the hair, it's the comb over caw lick and

360
00:14:32,360 --> 00:14:33,680
Speaker 2: I think with the gray beard.

361
00:14:33,480 --> 00:14:36,080
Speaker 1: Yeah yeah, and then the gray yeah.

362
00:14:35,880 --> 00:14:38,760
Speaker 2: That would be easy Halloween costume though. But Paul was

363
00:14:38,760 --> 00:14:40,120
Speaker 2: on the boat. I didn't see him. I think he

364
00:14:40,160 --> 00:14:44,160
Speaker 2: did the like the DOC party where he got off

365
00:14:44,320 --> 00:14:46,760
Speaker 2: because Juvenile did the same thing. I was tighted. I

366
00:14:46,760 --> 00:14:48,560
Speaker 2: thought I thought it was gonna leave with Juvie for

367
00:14:48,560 --> 00:14:51,120
Speaker 2: the week. I was just wait, they just performed on

368
00:14:51,120 --> 00:14:53,280
Speaker 2: the island, because all right, so you doc and you

369
00:14:53,400 --> 00:14:56,640
Speaker 2: leave like late that night. So there's the day everyone

370
00:14:56,680 --> 00:14:58,720
Speaker 2: boards get situated, because getting a bunch of people on

371
00:14:58,760 --> 00:15:02,160
Speaker 2: a cruise ship is very difficult getting a plane. So

372
00:15:02,200 --> 00:15:04,960
Speaker 2: they do a party that night and then everyone goes

373
00:15:05,000 --> 00:15:07,040
Speaker 2: to sleep and then they leave, like you wake up

374
00:15:07,120 --> 00:15:09,960
Speaker 2: and you're in the ocean. So people that perform that

375
00:15:10,080 --> 00:15:12,440
Speaker 2: day just got off the boat like treated it just

376
00:15:12,480 --> 00:15:15,320
Speaker 2: like a Miami Got You performance or whatever. But you know,

377
00:15:15,360 --> 00:15:16,760
Speaker 2: I was I was hoping you we was gonna be

378
00:15:16,800 --> 00:15:18,520
Speaker 2: on the boat the whole time. That would have been

379
00:15:18,560 --> 00:15:19,560
Speaker 2: fucking hilarious.

380
00:15:19,600 --> 00:15:20,000
Speaker 1: Baby.

381
00:15:20,040 --> 00:15:22,840
Speaker 3: How much do you care about the hotel rooms when

382
00:15:22,840 --> 00:15:23,400
Speaker 3: you're going vacation?

383
00:15:23,400 --> 00:15:27,080
Speaker 5: That's the most important thing.

384
00:15:25,800 --> 00:15:26,240
Speaker 1: On that side.

385
00:15:26,280 --> 00:15:28,240
Speaker 3: I'm on that side too, Like I never understand how

386
00:15:28,240 --> 00:15:30,400
Speaker 3: people say they don't care about the room, like as

387
00:15:30,400 --> 00:15:33,400
Speaker 3: long as like the resort is nice, and I'm like no,

388
00:15:33,840 --> 00:15:35,600
Speaker 3: and even know how sometimes you don't want to like

389
00:15:35,680 --> 00:15:37,680
Speaker 3: jump into a conversation for like you the outcast because

390
00:15:37,680 --> 00:15:40,440
Speaker 3: I'm like, wait, y'all don't care about the room at all.

391
00:15:40,520 --> 00:15:42,360
Speaker 3: Like I'm if I go on vacation in the room

392
00:15:42,440 --> 00:15:47,040
Speaker 3: is trash, I'm pissed off. My vacation is ruined. Me

393
00:15:47,160 --> 00:15:48,840
Speaker 3: be like, oh, I only need a room to sleep

394
00:15:48,880 --> 00:15:53,360
Speaker 3: and shot. I'm like, not on vacation, the vacation, you

395
00:15:53,440 --> 00:15:56,640
Speaker 3: need a nice room, comfortable you know, everything.

396
00:15:56,320 --> 00:15:57,240
Speaker 4: Is we house.

397
00:15:59,520 --> 00:16:02,840
Speaker 5: Read this like I can't like also and I even

398
00:16:02,840 --> 00:16:04,280
Speaker 5: want to do that, Let me stop as jokes. A

399
00:16:04,280 --> 00:16:07,760
Speaker 5: lot of people are like excursioners. They want to like

400
00:16:07,880 --> 00:16:10,480
Speaker 5: excursion it. I just like to sleep on vacation. I

401
00:16:10,520 --> 00:16:13,360
Speaker 5: sleep and I relaxed. So yes, the room is very important,

402
00:16:13,680 --> 00:16:15,360
Speaker 5: but I can understand that for somebody who wants to

403
00:16:15,400 --> 00:16:17,320
Speaker 5: leave the room in time. But so you still got

404
00:16:17,320 --> 00:16:19,360
Speaker 5: to come back and sleep like you not comfy like

405
00:16:19,400 --> 00:16:19,960
Speaker 5: the beds not.

406
00:16:20,040 --> 00:16:20,440
Speaker 4: I don't know.

407
00:16:21,440 --> 00:16:24,680
Speaker 3: I was out yesterday. I went out, but I was

408
00:16:24,720 --> 00:16:27,640
Speaker 3: out later than I expected. So I'm on my way

409
00:16:27,680 --> 00:16:29,600
Speaker 3: back home, so I'm like, dah man, I get to

410
00:16:29,640 --> 00:16:31,160
Speaker 3: shower and just go right to sleep.

411
00:16:32,560 --> 00:16:34,240
Speaker 1: This is like when you know you're an adult, What

412
00:16:34,240 --> 00:16:38,400
Speaker 1: do y'all think happened ship yourself?

413
00:16:38,920 --> 00:16:43,960
Speaker 3: No, I realized on my way home then I had

414
00:16:43,960 --> 00:16:45,280
Speaker 3: to make my bed when I got in.

415
00:16:45,640 --> 00:16:46,320
Speaker 4: That's the worst.

416
00:16:47,080 --> 00:16:51,560
Speaker 1: Dog, I just don't understand that ruined fucking night. Wait,

417
00:16:51,600 --> 00:16:54,040
Speaker 1: like sheets off completely bed was bear.

418
00:16:54,280 --> 00:16:56,440
Speaker 4: Oh that's the worst. That's the worst.

419
00:16:56,680 --> 00:16:58,120
Speaker 2: Actually, just recently saw a funny me.

420
00:16:58,640 --> 00:16:59,960
Speaker 1: My god, y'all don't understand.

421
00:16:59,960 --> 00:17:01,920
Speaker 3: Like I'm on the way home and I'm like, yo,

422
00:17:02,120 --> 00:17:08,000
Speaker 3: I gotta go make a beds.

423
00:17:05,600 --> 00:17:06,720
Speaker 1: Like that's one of the worst.

424
00:17:06,800 --> 00:17:09,280
Speaker 3: Like you be out having a good time and on

425
00:17:09,320 --> 00:17:11,600
Speaker 3: your way home you realize like, oh, ship.

426
00:17:11,560 --> 00:17:14,720
Speaker 5: Like that's why you can't do that though you can't

427
00:17:15,240 --> 00:17:15,720
Speaker 5: you can't.

428
00:17:15,960 --> 00:17:17,840
Speaker 1: Oh my, that fucked my night. I'm gonna be real

429
00:17:17,880 --> 00:17:20,160
Speaker 1: with you, that little that little thing.

430
00:17:20,160 --> 00:17:22,320
Speaker 3: Fucked my entire night up. I've been the like I

431
00:17:22,400 --> 00:17:24,119
Speaker 3: made that bed up so upset. I don't even know

432
00:17:24,119 --> 00:17:24,880
Speaker 3: if the right sheet.

433
00:17:24,800 --> 00:17:27,520
Speaker 1: Is on the bed right now. That's how that was there.

434
00:17:27,560 --> 00:17:30,119
Speaker 3: It was just a big I was like what I

435
00:17:30,240 --> 00:17:33,000
Speaker 3: was disclose to doing some ignorant ship and sleeping like

436
00:17:33,080 --> 00:17:35,480
Speaker 3: on the bed bed just like like wrap yourself in

437
00:17:35,480 --> 00:17:37,720
Speaker 3: the blanket on the done.

438
00:17:37,880 --> 00:17:39,240
Speaker 1: Yeah, I was on that type of time.

439
00:17:39,280 --> 00:17:41,080
Speaker 3: I was like, yo, I ain't gonna lie like getting

440
00:17:41,119 --> 00:17:43,560
Speaker 3: out the shower and do you make the bed before

441
00:17:43,560 --> 00:17:44,600
Speaker 3: you get in the shower after that.

442
00:17:44,760 --> 00:17:46,639
Speaker 4: Show, I've got to do it before.

443
00:17:46,880 --> 00:17:53,560
Speaker 5: No, hell, I gotta be after baby, whole body touching

444
00:17:53,560 --> 00:17:55,760
Speaker 5: the sheets, like just wash your hands.

445
00:17:55,400 --> 00:17:59,399
Speaker 2: And make you gotta tie. I gotta get inside. I

446
00:17:59,400 --> 00:18:02,720
Speaker 2: gotta get to the trench. You don't do the army

447
00:18:02,720 --> 00:18:05,120
Speaker 2: crawl andy, he said, he gets into.

448
00:18:05,480 --> 00:18:10,640
Speaker 1: Straight pull it out like this. You all forgot.

449
00:18:10,680 --> 00:18:14,199
Speaker 2: You said that that's the only way I do it.

450
00:18:14,200 --> 00:18:19,120
Speaker 2: To this day, I have to Lieutenant dan my whole

451
00:18:19,440 --> 00:18:21,919
Speaker 2: duvet to do it properly, because I gotta do the

452
00:18:22,000 --> 00:18:24,280
Speaker 2: ties like I turn to a Navy seal.

453
00:18:24,320 --> 00:18:26,919
Speaker 1: And my god, I forgot. You said that's how you

454
00:18:26,960 --> 00:18:28,720
Speaker 1: may change the duke cover.

455
00:18:30,640 --> 00:18:34,560
Speaker 3: Crawling inside the duvet is fucking wild, like a challenge. Yes,

456
00:18:34,680 --> 00:18:37,199
Speaker 3: that was my small convenience that almost ruled my fucking night.

457
00:18:37,240 --> 00:18:39,320
Speaker 3: I was like, God, damn it. There's nothing worse than

458
00:18:39,400 --> 00:18:42,080
Speaker 3: going home after hanging out and you realize I got

459
00:18:42,080 --> 00:18:42,520
Speaker 3: to clean up.

460
00:18:42,520 --> 00:18:43,199
Speaker 1: I gotta straighten up.

461
00:18:43,240 --> 00:18:45,200
Speaker 2: Nothing's worse than coming home from vacation in your houses

462
00:18:45,200 --> 00:18:45,560
Speaker 2: and clean.

463
00:18:46,080 --> 00:18:48,240
Speaker 1: Oh, you can't go on vacation with a dirty house.

464
00:18:48,800 --> 00:18:51,040
Speaker 2: You did not, No, I didn't know. I've done that

465
00:18:51,080 --> 00:18:53,800
Speaker 2: many times. But I've gotten to the age now where

466
00:18:53,800 --> 00:18:55,840
Speaker 2: I'm going on the rock the bells mature cruise. I'm

467
00:18:55,840 --> 00:18:57,680
Speaker 2: cleaning my whole crib. So when I get home, the

468
00:18:57,720 --> 00:18:59,639
Speaker 2: ship douve cover already crawled through it.

469
00:18:59,680 --> 00:19:00,600
Speaker 1: Everything is good.

470
00:19:00,920 --> 00:19:04,360
Speaker 3: Everything that's it's crazy how you like that's something you're

471
00:19:04,359 --> 00:19:06,280
Speaker 3: not told? Like you just have you picked up on that. Yeah,

472
00:19:06,280 --> 00:19:08,720
Speaker 3: as you get I got to make sure everything is straight.

473
00:19:08,920 --> 00:19:11,640
Speaker 3: There's nothing worse than coming back from vacation and your

474
00:19:11,680 --> 00:19:12,600
Speaker 3: house is a mess.

475
00:19:12,640 --> 00:19:13,400
Speaker 1: That's the worst ship ever.

476
00:19:13,440 --> 00:19:15,399
Speaker 2: Now, there's a funny meme that I just recently saw.

477
00:19:15,400 --> 00:19:17,280
Speaker 2: It's funny that you brought that up of It was

478
00:19:17,320 --> 00:19:18,920
Speaker 2: a guy and girl that looked like there was a

479
00:19:18,960 --> 00:19:20,840
Speaker 2: couple and he was standing up on a couch with

480
00:19:20,880 --> 00:19:23,040
Speaker 2: a bottle and she's looking up at him and says,

481
00:19:23,200 --> 00:19:23,840
Speaker 2: he doesn't know.

482
00:19:23,880 --> 00:19:26,119
Speaker 1: We haven't put the sheets on the bed yet. Oh my.

483
00:19:26,400 --> 00:19:31,480
Speaker 1: In the club, we got the tele room.

484
00:19:31,440 --> 00:19:35,679
Speaker 4: We get in a hotel room. At that we hit

485
00:19:35,760 --> 00:19:40,359
Speaker 4: the hotel room. I'm not going we stayed in.

486
00:19:40,600 --> 00:19:42,639
Speaker 3: We stayed at the hotel. Like, that's crazy. Just go

487
00:19:42,800 --> 00:19:43,520
Speaker 3: make the bed up.

488
00:19:43,560 --> 00:19:43,920
Speaker 1: Fuck it.

489
00:19:44,440 --> 00:19:46,600
Speaker 3: Yeah, that's crazy being in the club and you realize

490
00:19:46,800 --> 00:19:48,800
Speaker 3: you got to make the bed when you nah, that's wild,

491
00:19:49,320 --> 00:19:51,280
Speaker 3: that's what that's why that a fuck your old night up.

492
00:19:51,440 --> 00:19:53,320
Speaker 1: I'm so bad after that. Yeah, no matter how much

493
00:19:53,320 --> 00:19:54,200
Speaker 1: I was drinking, I'm sober.

494
00:19:54,280 --> 00:19:55,399
Speaker 2: Did you guys do anything following.

495
00:19:56,760 --> 00:19:59,880
Speaker 3: No, we was oh no, Halloween was Friday. I didn't

496
00:19:59,880 --> 00:20:03,600
Speaker 3: do ship folloween. It didn't even feel like Halloween, honestly,

497
00:20:03,680 --> 00:20:04,720
Speaker 3: like you, it.

498
00:20:04,680 --> 00:20:06,760
Speaker 5: Didn't until I went outside. I went outside and then

499
00:20:06,800 --> 00:20:09,080
Speaker 5: like I saw like a man in a flintstone costume,

500
00:20:09,119 --> 00:20:11,040
Speaker 5: no shoes. I said, oh, you took this ship all

501
00:20:11,080 --> 00:20:14,520
Speaker 5: the way. You committed to the bit no shoes in Bedstide, Brooklyn.

502
00:20:15,720 --> 00:20:18,080
Speaker 5: I don't Was he flintstone costume? No, he was just

503
00:20:18,080 --> 00:20:19,000
Speaker 5: a regular white dude.

504
00:20:19,600 --> 00:20:21,280
Speaker 1: Was you sure that was he was a flintstone or

505
00:20:21,359 --> 00:20:25,680
Speaker 1: was he unhoused? Was he just on orange?

506
00:20:25,960 --> 00:20:26,040
Speaker 2: No?

507
00:20:26,200 --> 00:20:28,480
Speaker 5: He had like the real like the little tie like

508
00:20:28,520 --> 00:20:29,920
Speaker 5: he had the flintstone costume.

509
00:20:30,320 --> 00:20:32,320
Speaker 2: I think I think it just happened to be Halloween.

510
00:20:32,680 --> 00:20:33,520
Speaker 2: That's what I'm going with.

511
00:20:33,720 --> 00:20:34,880
Speaker 1: Bidfoot is crazy.

512
00:20:35,080 --> 00:20:38,040
Speaker 3: It was wild and the streets was flooded like the

513
00:20:38,119 --> 00:20:41,120
Speaker 3: day before, Like what you're doing.

514
00:20:41,960 --> 00:20:44,359
Speaker 2: Yeah, So they gave me a two hundred and fifty

515
00:20:44,359 --> 00:20:45,919
Speaker 2: dollars like spot certificate.

516
00:20:46,320 --> 00:20:48,639
Speaker 1: Well, you definitely used that when I arrived, right.

517
00:20:48,800 --> 00:20:51,840
Speaker 2: And I was doing shit for like the first three days,

518
00:20:51,880 --> 00:20:53,399
Speaker 2: I didn't have like much time to go use it.

519
00:20:53,920 --> 00:20:55,520
Speaker 2: So I tried to use it on the last day

520
00:20:55,560 --> 00:20:57,320
Speaker 2: and most of the ship was already booked. So they

521
00:20:57,320 --> 00:21:00,600
Speaker 2: had like this this like Select five thing where you

522
00:21:00,640 --> 00:21:06,200
Speaker 2: get a facial pause, uh, calf and foot massage, forearmhand whatever.

523
00:21:06,240 --> 00:21:08,439
Speaker 2: Like I couldn't get the full rub down. There's only

524
00:21:08,440 --> 00:21:12,560
Speaker 2: a few slides left. And there was this very kind

525
00:21:12,960 --> 00:21:15,760
Speaker 2: Indian gentleman that was the only one that was left.

526
00:21:15,760 --> 00:21:17,440
Speaker 2: But they ain't give me a name until I sat down.

527
00:21:17,480 --> 00:21:19,000
Speaker 2: So I'm already in the chair, I got the towel

528
00:21:20,200 --> 00:21:25,920
Speaker 2: mall and I think I have nerve damage in my

529
00:21:26,000 --> 00:21:29,880
Speaker 2: right forearm. So like I'm like, I need this I've

530
00:21:29,880 --> 00:21:41,680
Speaker 2: never had. I'll just say this really gentle hands that

531
00:21:43,000 --> 00:21:46,600
Speaker 2: that Indian man had his way with me in the

532
00:21:46,640 --> 00:21:47,440
Speaker 2: most gentle way.

533
00:21:48,359 --> 00:21:49,240
Speaker 4: I had to make a gear.

534
00:21:49,480 --> 00:21:52,399
Speaker 3: Yeah, there's no way I'm letting no man massage me

535
00:21:52,520 --> 00:21:53,680
Speaker 3: though it's not happening.

536
00:21:54,359 --> 00:21:57,359
Speaker 1: It's not Gary. What's the what's the legondary laking training?

537
00:21:57,359 --> 00:21:57,680
Speaker 1: To Gary?

538
00:21:57,680 --> 00:22:01,080
Speaker 3: If you though, if that you ain't him, don't touch

539
00:22:01,160 --> 00:22:03,800
Speaker 3: me like you ain't rubbing me down?

540
00:22:04,440 --> 00:22:05,199
Speaker 1: You kidding me?

541
00:22:05,880 --> 00:22:09,240
Speaker 2: And mind you he put he put the h Gary Vedy.

542
00:22:09,600 --> 00:22:13,000
Speaker 2: Only Gary veed he could massage men. He massage Kobe.

543
00:22:13,320 --> 00:22:16,280
Speaker 2: That man massage on your neck. That man massage Kobe,

544
00:22:16,320 --> 00:22:18,399
Speaker 2: he cold massaged me. No other man is touching me.

545
00:22:18,560 --> 00:22:21,800
Speaker 2: So I had the not even like the cucumber ship whatever,

546
00:22:21,920 --> 00:22:26,000
Speaker 2: like lotion things they put over over your eyes. He's

547
00:22:26,240 --> 00:22:29,119
Speaker 2: rubbing my form. I can feel him right here, like, so,

548
00:22:29,119 --> 00:22:30,119
Speaker 2: where are you from?

549
00:22:30,600 --> 00:22:32,480
Speaker 3: I was like, oh, he started asking you, just started

550
00:22:32,520 --> 00:22:33,280
Speaker 3: you was trying to get to.

551
00:22:33,200 --> 00:22:35,280
Speaker 1: Know you, like where my airpop's at.

552
00:22:37,760 --> 00:22:40,920
Speaker 2: He did a phenomenal job, like I would have felt

553
00:22:40,960 --> 00:22:43,760
Speaker 2: weirder if it was bad, like just letting the man

554
00:22:43,840 --> 00:22:44,880
Speaker 2: rub you down, and it was bad.

555
00:22:44,920 --> 00:22:46,480
Speaker 3: The only thing worse than the man rubbing you down

556
00:22:46,560 --> 00:22:48,040
Speaker 3: is a man rubbing your girl. Now, like when y'all

557
00:22:48,040 --> 00:22:48,960
Speaker 3: get the couple massage.

558
00:22:49,200 --> 00:22:51,680
Speaker 2: Oh and I always I always say to them, I'm

559
00:22:51,680 --> 00:22:53,160
Speaker 2: just saying, you get to It's the first time I've

560
00:22:53,160 --> 00:22:53,840
Speaker 2: never had to request.

561
00:22:54,000 --> 00:22:54,160
Speaker 1: Yeah.

562
00:22:54,200 --> 00:22:57,400
Speaker 3: But like letting the man massage, I don't care. I'm

563
00:22:57,440 --> 00:22:58,320
Speaker 3: not that like my body.

564
00:22:58,359 --> 00:22:58,720
Speaker 1: I'm cool.

565
00:22:58,800 --> 00:23:02,600
Speaker 2: I'm all right in my situation though I'm committed. I

566
00:23:02,640 --> 00:23:05,560
Speaker 2: waited an hour to put the appointment. I sat down,

567
00:23:05,720 --> 00:23:08,880
Speaker 2: they gave me the towel, like got me all situated

568
00:23:11,040 --> 00:23:12,560
Speaker 2: by the time he walked up, Like if I would

569
00:23:12,560 --> 00:23:14,640
Speaker 2: have been like, nah, no, no, how would I have fucking.

570
00:23:14,480 --> 00:23:17,840
Speaker 1: Looked usually your drugs? No, I was fully clothed. It

571
00:23:17,920 --> 00:23:19,359
Speaker 1: was just it was I don't know.

572
00:23:19,359 --> 00:23:21,600
Speaker 2: I don't think I couldn't get the full rub down

573
00:23:21,600 --> 00:23:23,600
Speaker 2: because it wasn't a fail all the bookings. He just

574
00:23:23,640 --> 00:23:26,960
Speaker 2: massaged your form, my forearms, my hands, my cat somehow

575
00:23:28,040 --> 00:23:29,080
Speaker 2: that's weird.

576
00:23:29,119 --> 00:23:29,439
Speaker 1: I don't know.

577
00:23:30,000 --> 00:23:31,640
Speaker 2: I kind of felt like it would have been better

578
00:23:31,680 --> 00:23:33,359
Speaker 2: if I was like half naked in my back.

579
00:23:33,520 --> 00:23:36,560
Speaker 5: Yeah, like nigga just rubbing your arms down.

580
00:23:36,640 --> 00:23:38,080
Speaker 4: It's crazy. I'm not gonna hold.

581
00:23:37,960 --> 00:23:38,480
Speaker 1: It was crazier.

582
00:23:38,520 --> 00:23:42,399
Speaker 2: I was like, yep, right, there ain't even that you know.

583
00:23:42,480 --> 00:23:43,919
Speaker 2: I think I had like nerve damage for real?

584
00:23:44,119 --> 00:23:45,960
Speaker 1: Right on? Oh so he got you right?

585
00:23:46,440 --> 00:23:48,399
Speaker 2: No, not still there, but like he eased it for

586
00:23:48,400 --> 00:23:52,280
Speaker 2: at least the day. A returning customer like, I need

587
00:23:52,280 --> 00:23:52,720
Speaker 2: to go back.

588
00:23:53,760 --> 00:23:55,520
Speaker 1: I ain't let no man massage ye.

589
00:23:55,800 --> 00:23:56,879
Speaker 2: But what would you have done in that?

590
00:23:57,000 --> 00:23:58,960
Speaker 1: Like, I'm committed, it's the last day go home.

591
00:24:00,600 --> 00:24:02,520
Speaker 2: You're telling me I should get up with the fucking

592
00:24:03,080 --> 00:24:03,960
Speaker 2: towel everything.

593
00:24:05,000 --> 00:24:07,960
Speaker 3: Yea yeah, man, like y'all don't have any uh, you know,

594
00:24:08,240 --> 00:24:09,960
Speaker 3: the other gender available.

595
00:24:10,640 --> 00:24:13,880
Speaker 4: The other genders is fucking sick if not, I'm.

596
00:24:13,720 --> 00:24:14,920
Speaker 1: Cool my fault.

597
00:24:14,920 --> 00:24:17,040
Speaker 3: I don't need like I never was like, oh my

598
00:24:17,200 --> 00:24:20,480
Speaker 3: forms are so fucking I'm never went Homie was like

599
00:24:20,800 --> 00:24:26,000
Speaker 3: somebody would just like my former Mark McGuire, So what's

600
00:24:26,000 --> 00:24:26,879
Speaker 3: wrong with your forms?

601
00:24:26,920 --> 00:24:27,040
Speaker 5: Bro?

602
00:24:27,800 --> 00:24:28,320
Speaker 1: My forms?

603
00:24:29,040 --> 00:24:31,119
Speaker 2: You'd be surprised in your hands and your forms, especially

604
00:24:31,119 --> 00:24:32,080
Speaker 2: with the computers.

605
00:24:32,680 --> 00:24:33,000
Speaker 1: Somebody.

606
00:24:33,640 --> 00:24:36,439
Speaker 3: It's a lot of like tense pressure here. Now I

607
00:24:36,520 --> 00:24:38,919
Speaker 3: get that, but I mean just a man doing that

608
00:24:39,080 --> 00:24:39,600
Speaker 3: is just like.

609
00:24:40,280 --> 00:24:43,719
Speaker 2: Even my the messeuse I use in La Tracy, Like

610
00:24:43,760 --> 00:24:45,919
Speaker 2: the first time she got to my forums, I was like, oh,

611
00:24:45,960 --> 00:24:48,280
Speaker 2: I've never gotten a real massage before. I've never had

612
00:24:48,280 --> 00:24:51,000
Speaker 2: my forms like fuel this this tense and the bottom

613
00:24:51,040 --> 00:24:53,960
Speaker 2: of my feet m So I mean, listen, man, I'm

614
00:24:54,000 --> 00:24:55,479
Speaker 2: not going to say his name because you guys are

615
00:24:55,520 --> 00:24:58,399
Speaker 2: think I'm lying and racist with you know how he

616
00:24:58,440 --> 00:24:58,840
Speaker 2: did a good.

617
00:24:58,920 --> 00:25:02,280
Speaker 1: Could have been at seven eleven? Got it, baby did?

618
00:25:02,280 --> 00:25:02,880
Speaker 1: What's up? Man?

619
00:25:04,160 --> 00:25:07,320
Speaker 4: And you made that soul racist? Could have been at

620
00:25:07,359 --> 00:25:08,000
Speaker 4: seven eleven.

621
00:25:08,400 --> 00:25:10,679
Speaker 1: We know that they cornered the market at seven eleven.

622
00:25:11,080 --> 00:25:12,800
Speaker 5: You can't get it downe pop Eyes and the dunkin

623
00:25:12,880 --> 00:25:14,720
Speaker 5: Donuts too. But we ain't gonna talk about.

624
00:25:14,440 --> 00:25:17,680
Speaker 3: That Pope's Dunky Donts, basket Robins, all of that, paul A,

625
00:25:17,880 --> 00:25:18,400
Speaker 3: all of that.

626
00:25:18,400 --> 00:25:20,960
Speaker 1: That was just telling you a few episodes ago attendance.

627
00:25:21,000 --> 00:25:23,560
Speaker 2: They got that old ship Popeyes on Francis Lewis is

628
00:25:23,560 --> 00:25:25,840
Speaker 2: all Indian. Now that should be hitting like it doesn't

629
00:25:25,880 --> 00:25:28,760
Speaker 2: even taste like the Pope's usually getting that. It's incredible.

630
00:25:29,080 --> 00:25:30,879
Speaker 2: They putting their own ingredients.

631
00:25:32,640 --> 00:25:33,359
Speaker 4: And curry.

632
00:25:34,600 --> 00:25:35,360
Speaker 1: Curry pop.

633
00:25:36,680 --> 00:25:38,800
Speaker 2: Francis Lewis and Jamaica avenue of the corner.

634
00:25:38,800 --> 00:25:41,520
Speaker 1: You'll see what Pope's It's ran only by Indians and

635
00:25:41,560 --> 00:25:43,560
Speaker 1: that ship hits. They don't have biscuit roat.

636
00:25:47,440 --> 00:25:50,040
Speaker 2: We should be so lucky. Give it a year, give it.

637
00:25:50,280 --> 00:25:54,040
Speaker 2: I guarantee you get rot. Oh my, but they had

638
00:25:54,160 --> 00:25:57,880
Speaker 2: they had a Halloween night on the boat. Some people participated.

639
00:25:57,920 --> 00:26:00,520
Speaker 2: Somethingn't but you know there was like ten old Kim's

640
00:26:00,520 --> 00:26:03,040
Speaker 2: on there all with the titty out. So you know

641
00:26:03,080 --> 00:26:05,560
Speaker 2: we was all happy in that regard. Every corner you took,

642
00:26:05,600 --> 00:26:06,600
Speaker 2: it was just another little Kim.

643
00:26:06,640 --> 00:26:07,560
Speaker 4: It was some baddies there.

644
00:26:07,920 --> 00:26:11,200
Speaker 1: Yeah, they was you know, of.

645
00:26:11,200 --> 00:26:14,720
Speaker 4: Age of age of your age.

646
00:26:14,680 --> 00:26:17,560
Speaker 1: No, I might no, there was some people in my age.

647
00:26:18,560 --> 00:26:20,119
Speaker 1: You was like the youngest person on the boat.

648
00:26:20,359 --> 00:26:22,359
Speaker 2: Now there was other talent that was my age, but

649
00:26:22,600 --> 00:26:25,399
Speaker 2: yeah it was. I was probably the youngest person, but

650
00:26:25,480 --> 00:26:29,160
Speaker 2: it's like youthful people, youthful older people. I loved that

651
00:26:29,440 --> 00:26:32,400
Speaker 2: those older people, everyone on the fourteenth floor out drank

652
00:26:32,440 --> 00:26:34,879
Speaker 2: me and then they they was spry in the morning.

653
00:26:35,800 --> 00:26:37,640
Speaker 1: Kis hit me like you got some roll up? How

654
00:26:37,640 --> 00:26:38,240
Speaker 1: are you awake?

655
00:26:39,480 --> 00:26:42,960
Speaker 3: I just left like six am. It's nine niggas is up.

656
00:26:44,640 --> 00:26:48,840
Speaker 2: And not that uh not that seas ever needs anyone

657
00:26:48,960 --> 00:26:50,720
Speaker 2: to care of them, because that's a grown ass man.

658
00:26:51,200 --> 00:26:53,159
Speaker 2: But I do want to say it was beautiful to

659
00:26:53,200 --> 00:26:56,600
Speaker 2: watch Kiss bring seeds on that boat to be the

660
00:26:56,600 --> 00:26:59,120
Speaker 2: surprise guest for the lock set, Like if you listen

661
00:26:59,200 --> 00:27:01,480
Speaker 2: a letter to big By Kiss and like talking to

662
00:27:01,520 --> 00:27:03,399
Speaker 2: his friend that I'm gonna take care of your people.

663
00:27:03,400 --> 00:27:04,760
Speaker 2: Not in that type of way. They've grown that they

664
00:27:04,760 --> 00:27:07,520
Speaker 2: can take care of themselves, but kids being like have

665
00:27:07,560 --> 00:27:10,800
Speaker 2: you booken us studies? Is our surprise guests and were

666
00:27:10,800 --> 00:27:13,840
Speaker 2: getting seize a bagg Yeah, like again caesars own man.

667
00:27:13,840 --> 00:27:14,880
Speaker 2: I don't want to make it sound.

668
00:27:14,720 --> 00:27:16,440
Speaker 1: Like that, but I just thought that shit was beautiful

669
00:27:16,480 --> 00:27:20,720
Speaker 1: to see, like going that they still have a relationship.

670
00:27:20,800 --> 00:27:24,080
Speaker 2: Yeah, I thought that was great because when we doctor

671
00:27:24,160 --> 00:27:26,439
Speaker 2: was like, is that little SI's I didn't see him

672
00:27:26,440 --> 00:27:28,600
Speaker 2: on the bill, and kids was like, yeah, bringing him

673
00:27:28,600 --> 00:27:30,560
Speaker 2: out for our ship. And I was like, see that,

674
00:27:31,200 --> 00:27:33,200
Speaker 2: that's the type of shit. I like, yeah, that's the

675
00:27:33,320 --> 00:27:35,679
Speaker 2: same way we talk about massive peel, same way I

676
00:27:35,680 --> 00:27:37,639
Speaker 2: want to talk about kiss, Like that's what you're supposed

677
00:27:37,680 --> 00:27:39,680
Speaker 2: to do, take care of your pears.

678
00:27:39,720 --> 00:27:41,600
Speaker 3: Yeah, Kis's always been that guy though. Yeah, but you

679
00:27:41,680 --> 00:27:45,159
Speaker 3: never heard no foul stories about but the Locks period.

680
00:27:45,440 --> 00:27:48,040
Speaker 3: Put styles in there, put pushkin that you've never heard

681
00:27:48,640 --> 00:27:51,320
Speaker 3: any negative stories about either one of those guys. There's

682
00:27:51,320 --> 00:27:54,879
Speaker 3: always nothing but solid stories and and good energy whenever

683
00:27:54,920 --> 00:27:57,280
Speaker 3: you around those guys, So you know, shouts.

684
00:27:56,920 --> 00:27:57,280
Speaker 1: To the Locks.

685
00:27:57,359 --> 00:28:00,400
Speaker 2: The funniest shit was so behind the stage right, that's

686
00:28:00,440 --> 00:28:03,480
Speaker 2: where all the Trump penthouseh It is like it's the

687
00:28:03,480 --> 00:28:07,359
Speaker 2: curtains to their rooms and ship. So during Juvie, I

688
00:28:07,400 --> 00:28:09,479
Speaker 2: don't think I think she thought it was like a

689
00:28:09,960 --> 00:28:13,240
Speaker 2: like a tinted ship, Like you couldn't see the people there,

690
00:28:14,040 --> 00:28:16,720
Speaker 2: but you could see the silhouette and it was clearly chic.

691
00:28:17,040 --> 00:28:20,439
Speaker 2: So it's it's kiss, It's the real me, all like

692
00:28:20,480 --> 00:28:24,159
Speaker 2: trying to wave chek down to let everyone like, we

693
00:28:24,200 --> 00:28:28,480
Speaker 2: could see you.

694
00:28:27,400 --> 00:28:29,080
Speaker 1: Before you start doing anything crazy.

695
00:28:29,240 --> 00:28:31,280
Speaker 2: Jeff and Eric have a video of kiss just like

696
00:28:31,320 --> 00:28:34,080
Speaker 2: in the crowd trying to wave Sheik down like everyone could.

697
00:28:33,920 --> 00:28:36,359
Speaker 1: See you, and then she looking like who they waving up?

698
00:28:36,480 --> 00:28:38,000
Speaker 2: Like he was just sitting there like bobbing his head

699
00:28:38,040 --> 00:28:38,680
Speaker 2: to the Juvie ship.

700
00:28:38,720 --> 00:28:41,080
Speaker 1: He was like if he better not do no because

701
00:28:41,120 --> 00:28:44,600
Speaker 1: he could be seen. That's so funny. Yeah, that would

702
00:28:44,600 --> 00:28:47,960
Speaker 1: have been crazy. That would have been a crazy story,

703
00:28:48,080 --> 00:28:48,560
Speaker 1: but no, it was.

704
00:28:48,600 --> 00:28:50,280
Speaker 2: It was a great time. Shouts of rock, the bells,

705
00:28:50,600 --> 00:28:54,360
Speaker 2: six man oisin cruise. I tried to I tried to

706
00:28:54,400 --> 00:28:57,240
Speaker 2: link with with the six God, but you know, I

707
00:28:57,320 --> 00:29:02,720
Speaker 2: was busy, okay cool, I think he was too, but

708
00:29:04,080 --> 00:29:04,720
Speaker 2: he wanted.

709
00:29:04,480 --> 00:29:06,720
Speaker 1: Me to slide through it, you know, ship to do. Yeah.

710
00:29:06,760 --> 00:29:09,120
Speaker 2: I don't even think we were remotely close to the

711
00:29:09,120 --> 00:29:11,720
Speaker 2: same Ayas, not at all, but the Bombas is nice.

712
00:29:11,920 --> 00:29:13,040
Speaker 1: It was a nice ay uh.

713
00:29:14,560 --> 00:29:17,240
Speaker 2: I guess redemption story of everything that happened with when

714
00:29:17,240 --> 00:29:19,720
Speaker 2: me ky and Omara tried to go because I've never been.

715
00:29:19,600 --> 00:29:22,360
Speaker 1: To the Bamas. Yeah, so so this time around was better.

716
00:29:22,640 --> 00:29:24,880
Speaker 2: Yeah, I know he actually made it to the Bombas.

717
00:29:24,880 --> 00:29:26,560
Speaker 5: You were there for like y'all were doctor at the

718
00:29:26,600 --> 00:29:27,960
Speaker 5: Bahamas for how many days?

719
00:29:28,040 --> 00:29:29,600
Speaker 1: Just to day. Oh but it was cool.

720
00:29:29,640 --> 00:29:31,200
Speaker 2: I mean yeah, I got to have fun for sure,

721
00:29:31,760 --> 00:29:34,480
Speaker 2: but it was It was a fun time for sure.

722
00:29:35,520 --> 00:29:38,840
Speaker 2: But yeah, if you guys have no Halloween recaps, I

723
00:29:38,960 --> 00:29:41,240
Speaker 2: was baby Shark. I'm sorry, Daddy Shark and baby Shark.

724
00:29:41,720 --> 00:29:42,880
Speaker 2: Oh that was my Halloween.

725
00:29:43,800 --> 00:29:45,080
Speaker 1: Very cute Daddy Shark.

726
00:29:45,320 --> 00:29:48,080
Speaker 2: Yeah, I'm deady, like it's a thing. I didn't like

727
00:29:48,120 --> 00:29:49,720
Speaker 2: come up with that in like a weird way.

728
00:29:50,120 --> 00:29:51,480
Speaker 1: That's part of the baby Shark thing.

729
00:29:51,680 --> 00:29:54,520
Speaker 2: Yes, yeah, daddy Shark. Dude, dude, I don't I don't

730
00:29:54,520 --> 00:29:57,200
Speaker 2: want to get flagged on YouTube. They're worse than Universal,

731
00:29:57,400 --> 00:29:58,640
Speaker 2: but I don't want to. I don't even want to

732
00:29:58,640 --> 00:30:02,600
Speaker 2: sing that that fucking but yeah, it's the whole thing.

733
00:30:02,680 --> 00:30:06,120
Speaker 2: So we did that and even this morning, Amara, can

734
00:30:06,120 --> 00:30:10,000
Speaker 2: we go trick or treating? So it was a day, yeah,

735
00:30:10,360 --> 00:30:10,840
Speaker 2: one day.

736
00:30:10,960 --> 00:30:15,840
Speaker 1: Yeah, Laul.

737
00:30:15,880 --> 00:30:17,360
Speaker 2: So I know you're thinking about upgrading to the all

738
00:30:17,400 --> 00:30:20,600
Speaker 2: new iPhone seventeen pro design to be the most powerful

739
00:30:20,640 --> 00:30:23,200
Speaker 2: iPhone ever, but are you also thinking about the traffic

740
00:30:23,280 --> 00:30:26,360
Speaker 2: on your way to the store or transferring all your data? Well,

741
00:30:26,360 --> 00:30:28,959
Speaker 2: there's good news when you order a new phone online

742
00:30:28,960 --> 00:30:31,160
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743
00:30:31,320 --> 00:30:34,680
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744
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745
00:30:37,360 --> 00:30:39,880
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746
00:30:39,880 --> 00:30:42,240
Speaker 3: for select devices purchased at boostmobile dot Com.

747
00:30:42,400 --> 00:30:42,960
Speaker 1: Terms apply.

748
00:30:48,920 --> 00:30:51,000
Speaker 2: But a ton of music came out on Friday, the

749
00:30:51,000 --> 00:30:53,719
Speaker 2: Big L album Drop Yes, Mass Appeal release that we

750
00:30:53,760 --> 00:30:59,520
Speaker 2: was waiting on once again, Mass Appeal batting a thousand listen.

751
00:30:59,520 --> 00:31:02,240
Speaker 3: Man, I don't who got a Massive Pill pissed off

752
00:31:02,240 --> 00:31:04,040
Speaker 3: in the last two years, but they decided they was

753
00:31:04,080 --> 00:31:05,720
Speaker 3: gonna put their foot on the gas and not let

754
00:31:05,800 --> 00:31:06,360
Speaker 3: up at all.

755
00:31:06,880 --> 00:31:09,480
Speaker 1: Yeah, I mean damn.

756
00:31:09,520 --> 00:31:14,400
Speaker 2: I felt like after the Big Picture we didn't have

757
00:31:14,560 --> 00:31:17,800
Speaker 2: any more like Big L versus just chilling around, And

758
00:31:18,240 --> 00:31:20,640
Speaker 2: clearly I was wrong. I mean some had been like

759
00:31:20,760 --> 00:31:23,520
Speaker 2: leaked a little bit, but with new production. But this

760
00:31:23,680 --> 00:31:27,320
Speaker 2: is again it's a no skip album from Massapiel, Like

761
00:31:27,320 --> 00:31:29,240
Speaker 2: there's not There's not one thing on here that I

762
00:31:29,240 --> 00:31:31,480
Speaker 2: would skip over. Even though I've listened to seven minute

763
00:31:31,480 --> 00:31:35,360
Speaker 2: freestyle a thousand times, hearing it in like a sequence

764
00:31:36,240 --> 00:31:40,440
Speaker 2: was incredible. I mean, this is it's Big L the

765
00:31:40,480 --> 00:31:42,360
Speaker 2: biggest what if to you?

766
00:31:44,520 --> 00:31:55,440
Speaker 3: And Rat Yeah, not gonna maybe. Unfortunately, you know, his

767
00:31:55,440 --> 00:32:00,840
Speaker 3: his passion so young, we didn't get the full Big L,

768
00:32:01,280 --> 00:32:04,800
Speaker 3: you know, glimpse of his career and things like that.

769
00:32:04,880 --> 00:32:08,400
Speaker 3: But I don't know if he's the biggest because it

770
00:32:08,440 --> 00:32:09,880
Speaker 3: was my thing is.

771
00:32:12,360 --> 00:32:13,560
Speaker 1: Again we lost Big L.

772
00:32:14,280 --> 00:32:17,080
Speaker 3: It's guys that we didn't lose that still never did

773
00:32:17,120 --> 00:32:18,840
Speaker 3: nothing with their talent, So to me.

774
00:32:18,840 --> 00:32:22,640
Speaker 2: That would be a bigger like I'm saying on the

775
00:32:23,480 --> 00:32:26,040
Speaker 2: on the the death side of things, like, of course

776
00:32:26,120 --> 00:32:28,520
Speaker 2: Big and POC are huge what ifs, but we did

777
00:32:28,560 --> 00:32:31,040
Speaker 2: get what three or four pop albums won't being a

778
00:32:31,040 --> 00:32:34,760
Speaker 2: double disc. We got a double disc and first album

779
00:32:34,800 --> 00:32:37,560
Speaker 2: from Big Like obviously they're what ifs, but we got

780
00:32:38,080 --> 00:32:42,080
Speaker 2: like bodies of work from the mac Miller who's on this, Like, yes,

781
00:32:42,200 --> 00:32:43,600
Speaker 2: he's a huge whatef to me because I don't even

782
00:32:43,640 --> 00:32:47,120
Speaker 2: think he even came remotely close to the musicianship that

783
00:32:47,200 --> 00:32:49,400
Speaker 2: he was going to eventually have. But we got a

784
00:32:49,440 --> 00:32:52,239
Speaker 2: lot of music from him. Hun, we just got one

785
00:32:52,240 --> 00:32:53,120
Speaker 2: album from so I have.

786
00:32:53,120 --> 00:32:57,680
Speaker 1: Him up there as well, but Big L, like, we.

787
00:32:57,600 --> 00:32:59,720
Speaker 2: Got one real album, then we got the big picture

788
00:32:59,760 --> 00:33:03,040
Speaker 2: after that he was going to sign a Rockefeller. Clearly,

789
00:33:03,080 --> 00:33:06,200
Speaker 2: his style is very easily digestible and can move around,

790
00:33:06,200 --> 00:33:08,640
Speaker 2: like there's even girl records on this ship that don't

791
00:33:08,640 --> 00:33:13,280
Speaker 2: sound weird to L. His his flow and deliveries is

792
00:33:13,800 --> 00:33:16,440
Speaker 2: so straight to the point, like anyone can hear it

793
00:33:16,520 --> 00:33:19,200
Speaker 2: and get into it. To me, he's a huge what if,

794
00:33:19,280 --> 00:33:23,000
Speaker 2: Like he could have navigated through every single sound to

795
00:33:23,080 --> 00:33:25,920
Speaker 2: me because he was that good, Whereas there's a lot

796
00:33:25,920 --> 00:33:28,120
Speaker 2: of other people that are unorthodox, like they could only

797
00:33:28,160 --> 00:33:30,480
Speaker 2: work in the time that they were there. I think

798
00:33:30,600 --> 00:33:35,080
Speaker 2: L could work now on those same trap drums that

799
00:33:35,080 --> 00:33:37,120
Speaker 2: everyone wraps all kill that shit.

800
00:33:37,240 --> 00:33:40,120
Speaker 3: But when you say what if, I'm leaning towards the

801
00:33:40,160 --> 00:33:42,680
Speaker 3: guys that are still here that never did nothing.

802
00:33:42,720 --> 00:33:45,360
Speaker 1: I'm saying the death with ifs. That's that's all I'm

803
00:33:45,400 --> 00:33:45,800
Speaker 1: getting at.

804
00:33:46,400 --> 00:33:50,080
Speaker 3: Then Yeah, definitely, Big L is one of the biggest

805
00:33:50,080 --> 00:33:52,280
Speaker 3: ones that you know, we obviously lost way too soon,

806
00:33:53,480 --> 00:33:56,840
Speaker 3: who had tremendous talent, Like you said, even now today,

807
00:33:58,440 --> 00:34:01,920
Speaker 3: his style, his rhyme, everything, it doesn't feel out of

808
00:34:01,960 --> 00:34:05,600
Speaker 3: place in this era of hip hop. So yeah, he's

809
00:34:05,600 --> 00:34:08,400
Speaker 3: definitely high on that list of you know, I mean, like,

810
00:34:08,400 --> 00:34:10,719
Speaker 3: if we had more time with him the things that

811
00:34:10,760 --> 00:34:13,279
Speaker 3: he would have been doing. But the album is the album.

812
00:34:13,400 --> 00:34:15,239
Speaker 3: They did a great job though, really really good. You

813
00:34:15,239 --> 00:34:16,520
Speaker 3: know how I feel about well, we both feel the

814
00:34:16,520 --> 00:34:19,600
Speaker 3: same with about the posthumous albums and like, you know,

815
00:34:19,760 --> 00:34:22,359
Speaker 3: don't ruin it, like it's so such a sensitive thing.

816
00:34:23,000 --> 00:34:24,520
Speaker 1: But they definitely did right by.

817
00:34:24,520 --> 00:34:28,839
Speaker 2: Yeah, they didn't Biggie duets the beats, like yeah, right right.

818
00:34:29,280 --> 00:34:32,080
Speaker 2: It felt like an l album, you know, the same

819
00:34:32,080 --> 00:34:34,080
Speaker 2: way they did with the Mob Deep one. But you

820
00:34:34,080 --> 00:34:37,000
Speaker 2: know that one we had more trust in because Havoc

821
00:34:37,080 --> 00:34:38,200
Speaker 2: and Alchemists.

822
00:34:37,719 --> 00:34:40,080
Speaker 1: Who were there, you know, still hands on with it.

823
00:34:40,239 --> 00:34:44,319
Speaker 2: Yeah, so I can't say enough about that. I did

824
00:34:44,360 --> 00:34:49,600
Speaker 2: listen to the DJ Premiere and Ransom Project seven records

825
00:34:50,760 --> 00:34:54,759
Speaker 2: straight to the fucking point, But like, what more do

826
00:34:54,760 --> 00:34:57,080
Speaker 2: you need than Ransom in his highest form?

827
00:34:57,120 --> 00:34:58,160
Speaker 1: And DJ Premier.

828
00:34:57,840 --> 00:35:00,320
Speaker 3: Beats Ransom and he been on a heat on a

829
00:35:00,400 --> 00:35:04,359
Speaker 3: run for how many years now, Like he's not letting up.

830
00:35:04,320 --> 00:35:07,960
Speaker 2: At all, He's just getting better at this point. Forgiveness

831
00:35:07,960 --> 00:35:11,200
Speaker 2: Survivors or more, it's reinvention is fire on there. I

832
00:35:11,280 --> 00:35:14,279
Speaker 2: like that they added the rap Radar ship into that.

833
00:35:14,400 --> 00:35:15,839
Speaker 2: I would have liked them to put the whole rap

834
00:35:15,920 --> 00:35:18,840
Speaker 2: Radar interview in the track list, Like, I think that

835
00:35:18,880 --> 00:35:20,840
Speaker 2: would have been cool. They added just a snippet on

836
00:35:20,880 --> 00:35:22,480
Speaker 2: the third part. I think that would have been cool

837
00:35:22,480 --> 00:35:24,560
Speaker 2: to put that whole episode.

838
00:35:24,920 --> 00:35:27,240
Speaker 1: How'd you feel about that? Seeing beat Out and Elliott.

839
00:35:28,160 --> 00:35:31,200
Speaker 2: I think they came They came together for two people

840
00:35:31,239 --> 00:35:34,560
Speaker 2: that deserved it, which is Ransom and DJ Premiere. I'm

841
00:35:34,600 --> 00:35:37,720
Speaker 2: curious what behind the scenes how that that came together.

842
00:35:38,520 --> 00:35:40,759
Speaker 2: But we gotta beat Out on to ask them.

843
00:35:40,840 --> 00:35:42,399
Speaker 1: Do you think they you think they spoke to each other?

844
00:35:43,520 --> 00:35:45,160
Speaker 2: I mean on the mic they did, or you're saying

845
00:35:45,160 --> 00:35:50,920
Speaker 2: that it was AI or they shot their parts separately, like.

846
00:35:51,480 --> 00:35:56,160
Speaker 1: You promise you that's not what happened.

847
00:35:56,360 --> 00:35:58,160
Speaker 3: But do you think that Elliott and beat Out, like

848
00:35:58,200 --> 00:36:00,160
Speaker 3: you know, when the cameras weren't rolling, Like, do you

849
00:36:00,200 --> 00:36:02,080
Speaker 3: think there was any conversation?

850
00:36:02,160 --> 00:36:04,200
Speaker 1: Do you think it was, like, you know, awkward.

851
00:36:04,760 --> 00:36:06,680
Speaker 2: I don't think it was awkward. I'm sure they obviously

852
00:36:06,760 --> 00:36:10,080
Speaker 2: did pre production prior to but in between you now,

853
00:36:10,080 --> 00:36:12,200
Speaker 2: I don't think there was probably like full blown conversation.

854
00:36:12,480 --> 00:36:13,920
Speaker 2: But both of them have even said that they were

855
00:36:13,920 --> 00:36:16,759
Speaker 2: never like close close friends, right, I don't even know

856
00:36:16,760 --> 00:36:19,200
Speaker 2: if there was really conversation the years before, like like

857
00:36:19,320 --> 00:36:21,640
Speaker 2: let's break for a second, and they was like talking

858
00:36:21,680 --> 00:36:23,439
Speaker 2: to each other like best friends and helping and shit.

859
00:36:23,600 --> 00:36:26,200
Speaker 2: So I mean, it's good to see them back together.

860
00:36:26,360 --> 00:36:29,799
Speaker 1: Yeah, it was cool. I'm but I am curious what

861
00:36:29,880 --> 00:36:30,359
Speaker 1: led up.

862
00:36:30,239 --> 00:36:32,319
Speaker 3: To that, Like, I mean, I think it was I

863
00:36:32,320 --> 00:36:35,279
Speaker 3: think it was Ransom. I think Ransom reached out and

864
00:36:35,440 --> 00:36:37,480
Speaker 3: was like, you know, he wanted he wanted them to

865
00:36:37,520 --> 00:36:40,239
Speaker 3: do it, so obviously they you know, to have a relationship.

866
00:36:40,239 --> 00:36:41,560
Speaker 3: So for Ransom, they made it happen.

867
00:36:41,719 --> 00:36:43,680
Speaker 2: Yeah, but now Rann is going crazy on that. He

868
00:36:43,719 --> 00:36:46,360
Speaker 2: said the fucking broach was moving the light come on

869
00:36:46,400 --> 00:36:48,120
Speaker 2: because it's in the anatomy. I was like, all right,

870
00:36:48,120 --> 00:36:50,560
Speaker 2: that that bar is fucking it's Ransom.

871
00:36:50,800 --> 00:36:52,640
Speaker 1: What's up with you? Yeah, man, he's just sitting there.

872
00:36:52,880 --> 00:36:54,400
Speaker 1: That's what you're thinking about. That's what you're right.

873
00:36:54,520 --> 00:36:56,759
Speaker 2: That bought There's so many layers to that fucking bar.

874
00:36:59,120 --> 00:37:01,520
Speaker 2: What else Gel Chaos, which we had him on and

875
00:37:01,600 --> 00:37:04,040
Speaker 2: we had listened to it prior. I'm gonna be that

876
00:37:04,120 --> 00:37:05,919
Speaker 2: hipster like, oh you guys are finally getting that album.

877
00:37:06,160 --> 00:37:10,719
Speaker 1: Yeah that's old, like that old thing, like I had

878
00:37:10,760 --> 00:37:11,279
Speaker 1: that for a month.

879
00:37:11,360 --> 00:37:13,520
Speaker 2: Now I didn't really get a moment to see what

880
00:37:13,560 --> 00:37:17,919
Speaker 2: the reaction to the fans were on that side, because

881
00:37:17,920 --> 00:37:20,240
Speaker 2: again of the service thing. But I like the direction

882
00:37:20,280 --> 00:37:21,400
Speaker 2: that Miguel took on it.

883
00:37:22,120 --> 00:37:25,319
Speaker 3: I still it's good music. Yeah, it's good music. And

884
00:37:25,360 --> 00:37:27,759
Speaker 3: Miguel obviously you know vocally he's gonna do. But I

885
00:37:27,840 --> 00:37:30,120
Speaker 3: like to sound like the energy he used a lot of,

886
00:37:30,160 --> 00:37:34,200
Speaker 3: you know, like more electric guitar. Normal it's not as

887
00:37:34,280 --> 00:37:36,000
Speaker 3: you know, heavy R and B, but this R and

888
00:37:36,040 --> 00:37:36,440
Speaker 3: B on there.

889
00:37:36,520 --> 00:37:44,040
Speaker 2: Yeah, alternative Rockside Paul's Lloyd Banks Halloween Havoc Part six.

890
00:37:44,920 --> 00:37:46,840
Speaker 2: That's getting up there with with one of my favorite

891
00:37:46,840 --> 00:37:50,600
Speaker 2: Banks series, Halloween Havoc, which is saying something. I don't

892
00:37:50,600 --> 00:37:52,640
Speaker 2: know if it could pass more money in the bank or

893
00:37:52,880 --> 00:37:56,040
Speaker 2: cold corner, but it's getting there. This this one's crazy.

894
00:37:56,040 --> 00:37:57,560
Speaker 2: I don't if you have time to listen to it,

895
00:37:58,239 --> 00:38:00,120
Speaker 2: but changed up as probably my favorite record on there.

896
00:38:00,320 --> 00:38:01,400
Speaker 1: I didn't hear the Banks one yet.

897
00:38:01,480 --> 00:38:06,040
Speaker 2: It's listen, man, I repeat myself every time, but mature

898
00:38:06,080 --> 00:38:09,200
Speaker 2: Banks is the best banks. You save me the punchline,

899
00:38:09,239 --> 00:38:11,880
Speaker 2: king shit, you give me forty year old banks?

900
00:38:12,040 --> 00:38:15,000
Speaker 1: You like this style of rapping better? Yeah? He has.

901
00:38:15,160 --> 00:38:18,280
Speaker 2: It's a fucking grown adult that has elite level bars

902
00:38:18,880 --> 00:38:21,120
Speaker 2: instead of just using them just for punch. There's punchlines

903
00:38:21,120 --> 00:38:23,759
Speaker 2: on here. Don't get me wrong, but I prefer this,

904
00:38:23,880 --> 00:38:25,600
Speaker 2: this type of banks that at this point in my life.

905
00:38:25,960 --> 00:38:30,480
Speaker 1: Daniel Caesar. Did you guys talk about that? No? I

906
00:38:30,520 --> 00:38:33,000
Speaker 1: mean I don't think. Do you listen to Daniel Caesar? Uh?

907
00:38:33,239 --> 00:38:33,600
Speaker 1: I do.

908
00:38:33,800 --> 00:38:37,400
Speaker 5: I've used to, but not religiously, like if he drops,

909
00:38:37,400 --> 00:38:39,160
Speaker 5: I'm not running to it, like give you on, but

910
00:38:39,640 --> 00:38:40,560
Speaker 5: he's very talented.

911
00:38:41,400 --> 00:38:42,400
Speaker 1: I didn't know you're wanting.

912
00:38:42,200 --> 00:38:45,560
Speaker 4: To give you I'll run to give you on toxicox it.

913
00:38:46,440 --> 00:38:47,600
Speaker 2: We discovered that in that clip.

914
00:38:49,320 --> 00:38:49,840
Speaker 4: You cool?

915
00:38:51,000 --> 00:38:51,640
Speaker 1: Are you cool?

916
00:38:52,680 --> 00:38:54,919
Speaker 2: Ain't mad at me for I wasn't even here now?

917
00:38:55,280 --> 00:38:55,799
Speaker 1: Please a he.

918
00:38:55,840 --> 00:38:57,360
Speaker 5: Gonna throw this shit out every five seconds.

919
00:38:57,360 --> 00:38:59,200
Speaker 1: I wasn't even here. How's everything?

920
00:38:59,480 --> 00:38:59,840
Speaker 4: Everything?

921
00:39:00,120 --> 00:39:02,640
Speaker 1: Home is fine? The home front is good.

922
00:39:02,760 --> 00:39:05,520
Speaker 4: It's fine. Niggas are happy, overjoyed.

923
00:39:05,560 --> 00:39:07,319
Speaker 5: So that's why when the comments were we were sitting

924
00:39:07,320 --> 00:39:09,560
Speaker 5: there giggling at the comments like, oh he need to leave.

925
00:39:09,400 --> 00:39:13,560
Speaker 1: Her, giggling at the comments together. Where are you going? Playing?

926
00:39:14,120 --> 00:39:18,880
Speaker 1: That's always fun? Yeah, he ain't going the reduction from scratch?

927
00:39:19,160 --> 00:39:19,960
Speaker 1: Did so?

928
00:39:20,040 --> 00:39:21,360
Speaker 2: Did you have to get ahead of that, because I

929
00:39:21,400 --> 00:39:23,040
Speaker 2: know he does. He's like not on the internet like that.

930
00:39:23,080 --> 00:39:23,840
Speaker 2: He doesn't pay attention.

931
00:39:24,080 --> 00:39:24,640
Speaker 4: He did not see that.

932
00:39:24,680 --> 00:39:26,320
Speaker 2: That's one of those when it started to get viral,

933
00:39:26,360 --> 00:39:28,400
Speaker 2: you had to be like, hey, babe, lol with what

934
00:39:28,440 --> 00:39:28,879
Speaker 2: they're doing.

935
00:39:29,520 --> 00:39:32,200
Speaker 5: No, he would have never saw it. But I wanted

936
00:39:32,280 --> 00:39:34,479
Speaker 5: him to hear the poem because the poem had bars.

937
00:39:34,480 --> 00:39:35,400
Speaker 4: Shout out nervous.

938
00:39:35,440 --> 00:39:37,120
Speaker 5: He went crazy with that. Yeah, the poem had bar.

939
00:39:37,239 --> 00:39:44,160
Speaker 5: Somebody called him little krit and that ship send me

940
00:39:44,239 --> 00:39:46,440
Speaker 5: to the moon. So I let him here like.

941
00:39:46,360 --> 00:39:48,000
Speaker 1: The way baby. The boyfriend said, he ain't on the

942
00:39:48,000 --> 00:39:49,080
Speaker 1: internet that niggas on.

943
00:39:49,400 --> 00:39:52,040
Speaker 5: No, he's on the internet, he just don't pay enough

944
00:39:52,040 --> 00:39:54,360
Speaker 5: attention to like that. And then once I got on

945
00:39:54,400 --> 00:39:56,600
Speaker 5: his podcast, he was like, I've seen clips before, but

946
00:39:56,640 --> 00:39:59,440
Speaker 5: once I started dating you, I scroll past the bitches now. Yeah,

947
00:39:59,719 --> 00:40:01,440
Speaker 5: because what you're gonna do listen to a clip that

948
00:40:01,520 --> 00:40:04,040
Speaker 5: might piss you off when you know, like the reality,

949
00:40:04,080 --> 00:40:04,759
Speaker 5: you don't listen.

950
00:40:04,840 --> 00:40:07,120
Speaker 3: There's no way he's scrolling past. He looking. He looking

951
00:40:07,160 --> 00:40:08,120
Speaker 3: at them clips more than.

952
00:40:08,040 --> 00:40:11,120
Speaker 5: When you talk to somebody fucking twelve hours a day,

953
00:40:11,440 --> 00:40:12,960
Speaker 5: a lot of time you not watching them.

954
00:40:13,400 --> 00:40:18,520
Speaker 1: Shit, Your lady that's you're right, that's what any niggas do.

955
00:40:18,560 --> 00:40:18,960
Speaker 1: I'm telling you.

956
00:40:19,040 --> 00:40:21,040
Speaker 3: I'm telling you about Yeah, I'm telling you what men do.

957
00:40:21,280 --> 00:40:23,839
Speaker 3: Like yeah, absolutely, that's my lady. Yeah, I need to

958
00:40:24,360 --> 00:40:26,040
Speaker 3: she pop up my time. I need to see. I

959
00:40:26,040 --> 00:40:27,080
Speaker 3: need to see what's going on.

960
00:40:27,200 --> 00:40:27,439
Speaker 2: See.

961
00:40:27,520 --> 00:40:29,399
Speaker 5: No, if I was dating a podcast or I would

962
00:40:29,400 --> 00:40:30,480
Speaker 5: scroll past their clips too.

963
00:40:30,760 --> 00:40:33,240
Speaker 4: No, yes I would, Yes, I would.

964
00:40:33,400 --> 00:40:33,680
Speaker 1: I don't.

965
00:40:33,719 --> 00:40:37,040
Speaker 5: I don't want to because sometimes our job is cringe. Like,

966
00:40:37,120 --> 00:40:39,200
Speaker 5: sometimes our job can come off as cringe, and when

967
00:40:39,239 --> 00:40:40,400
Speaker 5: you're dates sposed to I don't want to.

968
00:40:40,360 --> 00:40:40,799
Speaker 1: See that ship.

969
00:40:41,239 --> 00:40:42,920
Speaker 3: Yeah, but anything could be cringe. You can be in

970
00:40:42,920 --> 00:40:44,520
Speaker 3: the house and you say do something in the house

971
00:40:44,520 --> 00:40:45,560
Speaker 3: and that like.

972
00:40:45,760 --> 00:40:47,800
Speaker 5: Yeah, but you don't have it. You have a choice,

973
00:40:47,840 --> 00:40:49,960
Speaker 5: like this is a choice. If I was dating a

974
00:40:49,960 --> 00:40:51,839
Speaker 5: male podcast, I just like, I don't hear that shit.

975
00:40:52,400 --> 00:40:53,680
Speaker 5: I don't want to hear you be entertaining.

976
00:40:53,719 --> 00:40:54,160
Speaker 4: I'm cool.

977
00:40:54,640 --> 00:40:56,319
Speaker 5: The same thing like when your nigga do it being

978
00:40:56,320 --> 00:40:58,080
Speaker 5: too funny, It's like you not that funny, Like I

979
00:40:58,080 --> 00:40:59,840
Speaker 5: don't want to make other.

980
00:40:59,680 --> 00:41:08,040
Speaker 2: People being himself, just being himself around other people.

981
00:41:08,600 --> 00:41:10,200
Speaker 4: Why are you entertaining people like that shit?

982
00:41:11,440 --> 00:41:13,600
Speaker 3: It's something that women do because I like, I know

983
00:41:13,760 --> 00:41:16,200
Speaker 3: how men act like once women are in a room,

984
00:41:16,400 --> 00:41:18,520
Speaker 3: but like, what do women? What are some things y'all

985
00:41:18,520 --> 00:41:20,520
Speaker 3: do like that only y'all would notice about each other

986
00:41:20,560 --> 00:41:23,719
Speaker 3: when like men walk in the room like men like

987
00:41:24,440 --> 00:41:26,480
Speaker 3: we'll start doing like, you know, trying to be like

988
00:41:27,920 --> 00:41:31,479
Speaker 3: extra like just loud and obnoxious some men, But like what.

989
00:41:31,400 --> 00:41:31,920
Speaker 1: Do women do?

990
00:41:31,960 --> 00:41:32,440
Speaker 4: Women do this?

991
00:41:32,520 --> 00:41:35,400
Speaker 5: So women do the same thing. But we hate this girl,

992
00:41:35,480 --> 00:41:37,880
Speaker 5: like the cool girls. We hate this bitch, the girl

993
00:41:37,920 --> 00:41:39,960
Speaker 5: that when men get around their voices getting like this,

994
00:41:40,080 --> 00:41:41,239
Speaker 5: suddenly their voices are.

995
00:41:41,160 --> 00:41:45,600
Speaker 4: So high, and like, why is your voice so fucking high? Bitch?

996
00:41:45,920 --> 00:41:47,959
Speaker 4: You sound like Lola Brook any other time.

997
00:41:48,840 --> 00:41:51,040
Speaker 2: I don't know if I ever noticed that they eyelashes

998
00:41:51,120 --> 00:41:52,720
Speaker 2: be going way crazier than they were before.

999
00:41:52,920 --> 00:41:54,880
Speaker 4: Yeah, they just.

1000
00:41:55,960 --> 00:41:57,120
Speaker 1: I've noticed the blinking thing now.

1001
00:41:57,160 --> 00:41:59,040
Speaker 2: But there there's subtle ship like that. And then there's

1002
00:41:59,040 --> 00:42:03,480
Speaker 2: also what's cardi b your boyfriend named Stefan that video

1003
00:42:03,560 --> 00:42:05,560
Speaker 2: when he was on the boat and they were surrounding him,

1004
00:42:05,600 --> 00:42:09,120
Speaker 2: touching his knee and elbow. That's the extreme version. That's

1005
00:42:09,160 --> 00:42:12,880
Speaker 2: like when men start dirty macking of like saying like

1006
00:42:13,560 --> 00:42:15,920
Speaker 2: isn't that my coat? Or don't you owe me money.

1007
00:42:15,840 --> 00:42:18,440
Speaker 1: Like that my coat is crazy, yelling that out.

1008
00:42:21,360 --> 00:42:24,680
Speaker 2: My coat, like the woman's version of that with men,

1009
00:42:24,960 --> 00:42:27,040
Speaker 2: like when you start dirty macking your own friends when

1010
00:42:27,040 --> 00:42:27,680
Speaker 2: there's there's.

1011
00:42:27,520 --> 00:42:29,279
Speaker 4: Women, Yeah, they do that, they do that ship too.

1012
00:42:29,360 --> 00:42:31,080
Speaker 2: Like for women, I think it's it's the knees and

1013
00:42:31,080 --> 00:42:33,560
Speaker 2: the elbows and like touching your farm, like oh did

1014
00:42:33,600 --> 00:42:34,080
Speaker 2: you order that?

1015
00:42:34,320 --> 00:42:36,759
Speaker 5: And it's like or your friends say something and they'll

1016
00:42:36,800 --> 00:42:39,480
Speaker 5: be like girl like they just like try to it's

1017
00:42:39,520 --> 00:42:40,960
Speaker 5: just nasty, it's nasty.

1018
00:42:41,040 --> 00:42:42,759
Speaker 2: Or you know what I love the most is when

1019
00:42:43,040 --> 00:42:45,719
Speaker 2: the girl that does too much gets around a guy

1020
00:42:45,719 --> 00:42:46,600
Speaker 2: that she hasn't.

1021
00:42:46,320 --> 00:42:48,560
Speaker 1: Met and be like, just doing too much.

1022
00:42:49,560 --> 00:42:51,440
Speaker 4: You always do too between, do too much.

1023
00:42:51,520 --> 00:42:53,640
Speaker 2: Now you're so now you're sitting down like you above

1024
00:42:53,680 --> 00:42:55,239
Speaker 2: all that shit that's going on around you.

1025
00:42:55,360 --> 00:42:58,040
Speaker 5: Yeah, yeah, I hate I hate shit like that is

1026
00:42:58,040 --> 00:42:59,759
Speaker 5: one of my biggest pet pee's I can't be around.

1027
00:42:59,800 --> 00:43:01,279
Speaker 3: But I got to pay attention to that. I never

1028
00:43:01,320 --> 00:43:04,360
Speaker 3: noticed that women you'd be falling for it, that's no,

1029
00:43:04,680 --> 00:43:07,160
Speaker 3: but I just thought, I just it's just funny, like

1030
00:43:07,200 --> 00:43:10,000
Speaker 3: to know that women do because I'm paying attention to

1031
00:43:10,000 --> 00:43:13,959
Speaker 3: what the guys is doing, like that's my focus, Like yes,

1032
00:43:14,239 --> 00:43:14,400
Speaker 3: I have.

1033
00:43:14,400 --> 00:43:15,160
Speaker 2: An Indian masseuse.

1034
00:43:15,200 --> 00:43:17,600
Speaker 1: If he's like one, no, I'm cool. I'm cool on

1035
00:43:17,640 --> 00:43:18,400
Speaker 1: the Indian masuits.

1036
00:43:18,560 --> 00:43:20,440
Speaker 3: But yeah, like I just you know, it's just funny

1037
00:43:20,440 --> 00:43:22,720
Speaker 3: to see when women walk in, like just start watching

1038
00:43:22,760 --> 00:43:23,719
Speaker 3: what the guys start doing.

1039
00:43:23,840 --> 00:43:24,560
Speaker 1: Like that's when I'm on.

1040
00:43:24,800 --> 00:43:27,120
Speaker 5: Or bitches who they just got to keep going to

1041
00:43:27,160 --> 00:43:29,000
Speaker 5: they gotta keep getting up and going to the bathroom

1042
00:43:29,040 --> 00:43:30,000
Speaker 5: so they could walk past.

1043
00:43:30,440 --> 00:43:32,160
Speaker 4: They just gotta walk past.

1044
00:43:32,320 --> 00:43:34,279
Speaker 1: They got as we appreciate them.

1045
00:43:34,719 --> 00:43:36,800
Speaker 4: That's a parade as down.

1046
00:43:37,880 --> 00:43:38,600
Speaker 2: We're just looking at the.

1047
00:43:38,560 --> 00:43:44,520
Speaker 1: Float we love, Like that's that's it. That's a train.

1048
00:43:45,680 --> 00:43:45,879
Speaker 5: Yeah.

1049
00:43:45,920 --> 00:43:47,040
Speaker 2: Look, you don't want to go with your home girl

1050
00:43:47,080 --> 00:43:47,560
Speaker 2: in the bathroom.

1051
00:43:47,600 --> 00:43:50,000
Speaker 1: She gotta be saying I can walk to the bathroom together.

1052
00:43:50,120 --> 00:43:51,160
Speaker 1: We don't mind that. Yeah.

1053
00:43:51,360 --> 00:43:54,240
Speaker 5: And there's also the pick me girls, which are somehow

1054
00:43:54,280 --> 00:43:56,520
Speaker 5: worse than the annoying girls. The pick me girls how

1055
00:43:56,560 --> 00:43:58,759
Speaker 5: to be like, yeah, I mean she a whole, like

1056
00:43:58,800 --> 00:44:01,040
Speaker 5: you could suck her dumb. The one that tries to

1057
00:44:01,080 --> 00:44:03,480
Speaker 5: act like the home as the homie the real homie.

1058
00:44:03,480 --> 00:44:05,360
Speaker 5: The bitches that try to act like the homie to

1059
00:44:05,520 --> 00:44:08,200
Speaker 5: like pore their friends out and be like oh yeah,

1060
00:44:08,200 --> 00:44:10,479
Speaker 5: she she going this this and that and like paint

1061
00:44:10,520 --> 00:44:13,160
Speaker 5: themselves as white huw material bitch y'all all here together.

1062
00:44:13,480 --> 00:44:16,719
Speaker 4: You are a whole too. Tweet tweet You're to get me.

1063
00:44:16,680 --> 00:44:18,000
Speaker 2: Again at all?

1064
00:44:18,080 --> 00:44:22,279
Speaker 1: That's your friend? Would you going to pop the balloon show? Fuck?

1065
00:44:23,000 --> 00:44:25,200
Speaker 5: We had this conversation we did yes, and I told

1066
00:44:25,200 --> 00:44:27,239
Speaker 5: you fuck no then, and it's fuck no now. I

1067
00:44:27,239 --> 00:44:28,799
Speaker 5: told you the only way I would do that is

1068
00:44:28,880 --> 00:44:31,520
Speaker 5: if I was going as a parody, like if I

1069
00:44:31,600 --> 00:44:34,600
Speaker 5: was going for entertainment purposes. Thinking I'm gonna sit up

1070
00:44:34,600 --> 00:44:36,279
Speaker 5: there and stand up there for niggas to rape me

1071
00:44:36,440 --> 00:44:39,560
Speaker 5: is the sickest shit. That's the funniest shit, You craziest

1072
00:44:39,600 --> 00:44:41,520
Speaker 5: fun that ship. Watching that ship is like one of

1073
00:44:41,520 --> 00:44:42,160
Speaker 5: my favorite things.

1074
00:44:42,239 --> 00:44:43,920
Speaker 2: We try to do that on the Live show with you.

1075
00:44:44,760 --> 00:44:47,160
Speaker 2: I just pe me and Peach went and bought the

1076
00:44:47,200 --> 00:44:49,840
Speaker 2: blue I went to a party city in Toronto to

1077
00:44:50,080 --> 00:44:52,680
Speaker 2: do that shit. I bought Canadian balloons.

1078
00:44:52,760 --> 00:44:52,880
Speaker 5: Yo.

1079
00:44:52,960 --> 00:44:53,960
Speaker 1: That shit is just funny.

1080
00:44:54,000 --> 00:44:56,120
Speaker 3: Just like you, you asking for somebody to just go

1081
00:44:56,200 --> 00:44:58,520
Speaker 3: up there and just like break you down in front

1082
00:44:58,520 --> 00:45:00,920
Speaker 3: of like a bunch of people, Like, yeah, why you

1083
00:45:00,920 --> 00:45:02,080
Speaker 3: don't watch you pop your bloom?

1084
00:45:02,239 --> 00:45:05,759
Speaker 1: I'm not really feeling her feet like day, like.

1085
00:45:05,760 --> 00:45:09,080
Speaker 2: It's mad people that can see this hilarious on that

1086
00:45:09,080 --> 00:45:12,600
Speaker 2: because you noticed like weird and funny shit, Like to me,

1087
00:45:13,360 --> 00:45:15,120
Speaker 2: that show starts to get played out when it's like

1088
00:45:15,600 --> 00:45:17,759
Speaker 2: a guy comes on and she possibly like he's not

1089
00:45:17,880 --> 00:45:18,399
Speaker 2: six or five.

1090
00:45:18,520 --> 00:45:20,879
Speaker 1: It's like, that's not that's in the last six months

1091
00:45:20,880 --> 00:45:21,279
Speaker 1: of that show.

1092
00:45:21,719 --> 00:45:24,680
Speaker 2: You'd be hilarious finding out like, Yo, your second toe

1093
00:45:24,920 --> 00:45:27,279
Speaker 2: goes past your first toe and I don't fuck with that.

1094
00:45:28,760 --> 00:45:30,799
Speaker 1: I ain't gonna lie. I'm trying to get out of that. Man.

1095
00:45:30,880 --> 00:45:33,640
Speaker 3: I can't be like I can't be that petty anymore

1096
00:45:34,880 --> 00:45:36,080
Speaker 3: like those years.

1097
00:45:36,160 --> 00:45:38,680
Speaker 2: Yeah, but on YouTube to be funny, Oh yeah, yeah,

1098
00:45:38,719 --> 00:45:40,960
Speaker 2: like just if I'm trying to be we were out, Yeah,

1099
00:45:40,960 --> 00:45:44,319
Speaker 2: I would look at you fucking insane, like who's just

1100
00:45:44,320 --> 00:45:47,600
Speaker 2: showing out to dinner? Like, Yo, what's you'll be single?

1101
00:45:47,680 --> 00:45:50,000
Speaker 1: Fat? Yeah, I can't do that.

1102
00:45:50,960 --> 00:45:53,600
Speaker 2: But I'm surprised you haven't like ran into the the

1103
00:45:53,680 --> 00:45:56,360
Speaker 2: extra chick that tries to not be extra around you.

1104
00:45:57,000 --> 00:45:59,520
Speaker 2: I'm shocked because you're the very calm in the corner person.

1105
00:45:59,520 --> 00:46:01,640
Speaker 2: I feel like that girl would do that with you.

1106
00:46:02,560 --> 00:46:05,200
Speaker 2: And yeah, no, the extra girl pretends not to be

1107
00:46:05,239 --> 00:46:07,920
Speaker 2: extra because she realizes you're kind of low key, like

1108
00:46:08,000 --> 00:46:10,160
Speaker 2: she'll be at that spot every Wednesday and be like,

1109
00:46:10,160 --> 00:46:12,799
Speaker 2: I'm so over this that you're here every Wednesday.

1110
00:46:13,200 --> 00:46:14,080
Speaker 1: You're not over there.

1111
00:46:14,440 --> 00:46:17,400
Speaker 2: You were excited on your story today getting ready for this.

1112
00:46:18,239 --> 00:46:19,120
Speaker 1: He was promoting this.

1113
00:46:20,640 --> 00:46:23,960
Speaker 2: Yeah, you listen to west Side album. I didn't get it.

1114
00:46:24,040 --> 00:46:24,640
Speaker 1: Chance, I didn't get it.

1115
00:46:24,680 --> 00:46:28,080
Speaker 3: I saw west Side. I went to the Conway show Thursday.

1116
00:46:28,680 --> 00:46:32,480
Speaker 3: Shout out to Conway. West was there, so I saw West.

1117
00:46:32,480 --> 00:46:36,320
Speaker 3: Shout out the West, Shout out to Chase, Uh, shout

1118
00:46:36,320 --> 00:46:41,040
Speaker 3: out the Skis, shout out the flea shooter. Saw saw

1119
00:46:41,040 --> 00:46:42,239
Speaker 3: a lot of the guys that I ain't see in

1120
00:46:42,280 --> 00:46:44,640
Speaker 3: a minute. But it was good to see Conway. He

1121
00:46:44,680 --> 00:46:46,719
Speaker 3: got some new, some new heat coming, new music coming.

1122
00:46:48,040 --> 00:46:51,000
Speaker 1: But I didn't hear the Gun album yet, though, got you?

1123
00:46:51,560 --> 00:46:54,520
Speaker 1: How does? How does want to get to get that nickname? Shooter?

1124
00:46:57,000 --> 00:47:01,160
Speaker 1: You shoot your shott.

1125
00:46:59,600 --> 00:47:02,360
Speaker 2: Shout the spot, Yeah, shoots your shot, watches the parade.

1126
00:47:03,280 --> 00:47:06,520
Speaker 1: Shoot your shot. That's all that's how they crown you

1127
00:47:06,560 --> 00:47:06,880
Speaker 1: shoot it?

1128
00:47:07,360 --> 00:47:07,560
Speaker 2: Get it?

1129
00:47:10,040 --> 00:47:11,040
Speaker 1: Yeah?

1130
00:47:11,480 --> 00:47:11,680
Speaker 5: Uh?

1131
00:47:11,760 --> 00:47:16,279
Speaker 2: Well, I saw on Friday that the Grammys were going

1132
00:47:16,320 --> 00:47:20,440
Speaker 2: to announce all the categories Grammy Smammis and then there

1133
00:47:20,520 --> 00:47:25,080
Speaker 2: was one specific uh category that was being split. Grammys

1134
00:47:25,080 --> 00:47:28,400
Speaker 2: will announce nominations next week. Following Beyonce's historic win as

1135
00:47:28,440 --> 00:47:30,759
Speaker 2: the first black woman to win Best Country Album, the

1136
00:47:30,800 --> 00:47:35,160
Speaker 2: category has been retired and split into two Best Contemporary

1137
00:47:35,160 --> 00:47:39,760
Speaker 2: Country Album in parentheses Black Dominated and Best Traditional Country

1138
00:47:39,800 --> 00:47:40,920
Speaker 2: Album in parentheses.

1139
00:47:41,800 --> 00:47:42,480
Speaker 1: More segregation.

1140
00:47:42,600 --> 00:47:44,799
Speaker 2: I'm sure the Grammys didn't put black dominated and white

1141
00:47:44,800 --> 00:47:48,400
Speaker 2: dominated more segregation. This is from pop fusion.

1142
00:47:48,440 --> 00:47:54,040
Speaker 3: Eh, Keep that contemporary country ship over there, ye'all don't

1143
00:47:54,040 --> 00:47:57,319
Speaker 3: even wear wranglers. I don't know nothing about wranglers in

1144
00:47:57,320 --> 00:47:59,800
Speaker 3: a Ford Bronco. You don't know Brett Forbes's volleyballa you

1145
00:47:59,840 --> 00:48:00,239
Speaker 3: don't know.

1146
00:48:00,480 --> 00:48:03,399
Speaker 1: I don't know a game. Keep that contemporary country ship

1147
00:48:03,440 --> 00:48:03,759
Speaker 1: over there.

1148
00:48:03,800 --> 00:48:07,200
Speaker 3: Don't come over here with Johnny Cash and the niggas

1149
00:48:07,400 --> 00:48:08,920
Speaker 3: Johnny Cash.

1150
00:48:08,719 --> 00:48:09,040
Speaker 1: All right?

1151
00:48:09,040 --> 00:48:12,160
Speaker 2: Do we think that Cowboy Carter would have been in

1152
00:48:12,360 --> 00:48:13,600
Speaker 2: Contemporary Country.

1153
00:48:13,280 --> 00:48:16,840
Speaker 1: Album this year if the years were switched?

1154
00:48:16,920 --> 00:48:17,800
Speaker 4: Of course?

1155
00:48:17,400 --> 00:48:21,120
Speaker 1: What about that is a contemporary I don't even know

1156
00:48:21,800 --> 00:48:24,480
Speaker 1: that's country album.

1157
00:48:24,680 --> 00:48:27,800
Speaker 2: It's not a traditional country traditional. She went out of

1158
00:48:27,800 --> 00:48:30,279
Speaker 2: her way to make a traditional This.

1159
00:48:30,239 --> 00:48:33,040
Speaker 1: Is just more like just bullshit with the music industry.

1160
00:48:33,080 --> 00:48:36,680
Speaker 2: And yeah, I get like Shaboozi has experimented and I

1161
00:48:36,680 --> 00:48:38,640
Speaker 2: could see that type of stuff. But I mean, we

1162
00:48:38,719 --> 00:48:39,799
Speaker 2: know what this is.

1163
00:48:40,600 --> 00:48:41,239
Speaker 1: Of course we do.

1164
00:48:41,320 --> 00:48:44,560
Speaker 2: Black country artists are smoking, y'all, so we gotta split

1165
00:48:44,600 --> 00:48:44,799
Speaker 2: it up.

1166
00:48:44,800 --> 00:48:47,200
Speaker 3: We gotta split it up. It's not gonna be fair here.

1167
00:48:47,239 --> 00:48:49,440
Speaker 3: We come taking back our sound first of all. We

1168
00:48:49,480 --> 00:48:50,279
Speaker 3: gotta get into that.

1169
00:48:50,680 --> 00:48:52,200
Speaker 1: We got it. It's our music.

1170
00:48:53,000 --> 00:48:55,120
Speaker 2: So you don't find it funny when Maga says we

1171
00:48:55,160 --> 00:48:57,680
Speaker 2: need to take back our country.

1172
00:48:58,320 --> 00:49:01,120
Speaker 1: Yeah, I do find that funny for y'all to begin with.

1173
00:49:01,440 --> 00:49:03,960
Speaker 1: Very funny. Yeah, but this is that's that's what this is.

1174
00:49:04,200 --> 00:49:06,120
Speaker 3: It's like, come on, man, cut the shit, bro, like

1175
00:49:06,160 --> 00:49:08,840
Speaker 3: it's twenty twenty five. Let's just all be honest, like

1176
00:49:09,440 --> 00:49:11,560
Speaker 3: it's okay. Like I just think that everybody kind of

1177
00:49:11,600 --> 00:49:13,560
Speaker 3: like it's, you know, trying to walk on eggshells.

1178
00:49:14,000 --> 00:49:14,960
Speaker 1: Just have the conversation.

1179
00:49:15,480 --> 00:49:18,960
Speaker 3: Contemporary country album, Okay.

1180
00:49:19,239 --> 00:49:22,359
Speaker 2: I do. I know why they did this, and it's

1181
00:49:22,400 --> 00:49:25,640
Speaker 2: a direct response to what happened with Beyonce.

1182
00:49:26,000 --> 00:49:28,960
Speaker 1: Absolutely with that set.

1183
00:49:29,880 --> 00:49:32,480
Speaker 2: I do like that they have split up categories within

1184
00:49:33,400 --> 00:49:35,279
Speaker 2: R and B and other genres, Like I like that

1185
00:49:35,320 --> 00:49:37,000
Speaker 2: there's a traditional R and B category. I like that

1186
00:49:37,000 --> 00:49:39,120
Speaker 2: there's a contemporary R and B alternative art Like. I

1187
00:49:39,200 --> 00:49:42,400
Speaker 2: like that they're doing subgenres because it does give artists

1188
00:49:42,680 --> 00:49:46,920
Speaker 2: that don't make, you know, the highest form of R

1189
00:49:46,960 --> 00:49:50,160
Speaker 2: and B right now, gives them a chance to be recognized. Now,

1190
00:49:50,200 --> 00:49:52,279
Speaker 2: I know that's not what they're doing here, no, but

1191
00:49:52,480 --> 00:49:55,000
Speaker 2: I do like the contemporary categories in a lot of

1192
00:49:55,040 --> 00:49:57,719
Speaker 2: other genres. Matter of fact, I think raps should be

1193
00:49:58,239 --> 00:50:01,239
Speaker 2: split up in sub genre rusk for Grammy, So I

1194
00:50:01,239 --> 00:50:02,400
Speaker 2: don't think it should definitely.

1195
00:50:02,160 --> 00:50:04,279
Speaker 1: Rap album of the Year. It definitely needs to be.

1196
00:50:04,800 --> 00:50:07,320
Speaker 2: Like, I think it's great that, like, you know, Gibbs

1197
00:50:07,320 --> 00:50:10,440
Speaker 2: and Alchemists are nominated, Royce gets like, I think all

1198
00:50:10,480 --> 00:50:14,000
Speaker 2: that ship is great. But some years it's like the

1199
00:50:14,120 --> 00:50:18,480
Speaker 2: real what should be a rap album isn't even nominated.

1200
00:50:18,760 --> 00:50:22,719
Speaker 2: So I do think these subcategories are cool. Like I'm

1201
00:50:22,760 --> 00:50:24,160
Speaker 2: not mad at I just know what this one is.

1202
00:50:24,280 --> 00:50:28,480
Speaker 2: This is this is the whites being upset. Yeah, that's

1203
00:50:28,480 --> 00:50:30,719
Speaker 2: what that is. If this was if this, if this

1204
00:50:30,840 --> 00:50:35,240
Speaker 2: happened before Beyonce's album, I'd be I'd be like, all right, cool.

1205
00:50:35,120 --> 00:50:35,839
Speaker 1: Like okay, cool.

1206
00:50:35,880 --> 00:50:37,960
Speaker 3: They trying to, you know, make sure everybody kind of

1207
00:50:37,960 --> 00:50:41,239
Speaker 3: gets recognition. They understand that you know, the sound the

1208
00:50:41,320 --> 00:50:43,840
Speaker 3: music changes. Artists come in and you know, create a

1209
00:50:43,840 --> 00:50:46,880
Speaker 3: different type of sound, like okay, we understand it, but

1210
00:50:46,920 --> 00:50:50,360
Speaker 3: this coming off of the wind, Yeah, it's just blatant

1211
00:50:50,480 --> 00:50:51,319
Speaker 3: in your face, like.

1212
00:50:51,360 --> 00:50:52,560
Speaker 1: All right, man, like we get it.

1213
00:50:52,640 --> 00:50:55,839
Speaker 3: Like in case Beyonce decides to make another country album,

1214
00:50:55,840 --> 00:50:58,799
Speaker 3: she's gonna dominate again, and then you know, like yeah,

1215
00:50:58,600 --> 00:51:01,560
Speaker 3: I mean, just have the conversation, man, like, I don't

1216
00:51:01,560 --> 00:51:04,480
Speaker 3: know how much longer we gotta, you know, try to

1217
00:51:04,520 --> 00:51:07,359
Speaker 3: sit and act like we don't know what this is,

1218
00:51:07,520 --> 00:51:09,960
Speaker 3: and it's just like, you know, it's first of what's

1219
00:51:10,040 --> 00:51:12,640
Speaker 3: unfortunate that we even still have to do or feel

1220
00:51:12,640 --> 00:51:13,600
Speaker 3: like we have to do shit like.

1221
00:51:13,560 --> 00:51:13,920
Speaker 1: This, but.

1222
00:51:15,440 --> 00:51:19,000
Speaker 2: Like I do, they added progressive R and B album,

1223
00:51:19,000 --> 00:51:22,839
Speaker 2: which I think is cool. Like to me, those categories work,

1224
00:51:23,040 --> 00:51:28,560
Speaker 2: but you might as well just say urban urban country and.

1225
00:51:28,960 --> 00:51:32,680
Speaker 1: Urban country and real country urban.

1226
00:51:32,400 --> 00:51:36,600
Speaker 2: Country, like just just say what it is at this point,

1227
00:51:36,719 --> 00:51:41,400
Speaker 2: or add more subcategories than just two, because country has

1228
00:51:41,160 --> 00:51:43,759
Speaker 2: a bunch of different Like the ship that wins is

1229
00:51:43,840 --> 00:51:44,720
Speaker 2: usually pop country.

1230
00:51:45,200 --> 00:51:46,640
Speaker 1: It's not like country country.

1231
00:51:46,760 --> 00:51:49,320
Speaker 2: Like just because someone talks about a fucking golden retriever

1232
00:51:49,400 --> 00:51:50,960
Speaker 2: a pickup truck and radio.

1233
00:51:52,160 --> 00:51:53,279
Speaker 1: That's a pop record.

1234
00:51:53,920 --> 00:52:00,000
Speaker 3: Urban country in this country country country with a kuntry.

1235
00:52:00,880 --> 00:52:05,359
Speaker 2: Definitely with a k absolutely, But I'm curious to see

1236
00:52:05,360 --> 00:52:09,439
Speaker 2: what with nominations are looking like this year for sure.

1237
00:52:09,440 --> 00:52:11,880
Speaker 2: I mean, we'll cover it next week once they actually

1238
00:52:11,880 --> 00:52:14,680
Speaker 2: come out. But RAPS should be really interesting this year.

1239
00:52:14,880 --> 00:52:15,759
Speaker 2: R and B should be really.

1240
00:52:15,680 --> 00:52:18,720
Speaker 1: Interesting this year. Should it be interesting?

1241
00:52:18,800 --> 00:52:20,640
Speaker 2: I think Leon Thomas is going to clean up everything,

1242
00:52:20,719 --> 00:52:21,640
Speaker 2: but that's just my opinion.

1243
00:52:22,239 --> 00:52:24,920
Speaker 1: Hopefully you had a great album. Yeah, and I think

1244
00:52:25,000 --> 00:52:27,799
Speaker 1: Mutt we'll clear up singles as well.

1245
00:52:28,760 --> 00:52:32,399
Speaker 5: No man might have to compete with Folded. Folded might

1246
00:52:32,440 --> 00:52:33,160
Speaker 5: come through a crush.

1247
00:52:34,760 --> 00:52:39,160
Speaker 2: Folded is one of those, and Folding made it in

1248
00:52:39,239 --> 00:52:44,040
Speaker 2: time right, it's ship Yeah, August, I believe the deadline

1249
00:52:44,080 --> 00:52:46,200
Speaker 2: was August beginning of September.

1250
00:52:46,239 --> 00:52:48,440
Speaker 1: Folded I think made it right there. Yeah, No, Folded

1251
00:52:48,520 --> 00:52:51,319
Speaker 1: is crazy. Yeah, but the Folding ain't Mutt though.

1252
00:52:52,560 --> 00:52:55,200
Speaker 2: M just it came out like everything came out right

1253
00:52:55,280 --> 00:52:58,880
Speaker 2: after the last Grammy deadline. June Levey saw a dominance

1254
00:52:58,880 --> 00:53:01,000
Speaker 2: of a full year of That's why I feel like

1255
00:53:01,040 --> 00:53:02,000
Speaker 2: it's a cleanup.

1256
00:53:03,400 --> 00:53:05,080
Speaker 4: June eleventh is when Folded came out.

1257
00:53:05,280 --> 00:53:06,319
Speaker 2: Okay, oh yeah, all right, cool.

1258
00:53:06,520 --> 00:53:08,719
Speaker 1: Well, you got that record.

1259
00:53:08,080 --> 00:53:11,160
Speaker 5: Folded got so crazy that everybody, you know, how many

1260
00:53:11,160 --> 00:53:12,920
Speaker 5: people went and just made a remix. She didn't ask

1261
00:53:12,960 --> 00:53:20,160
Speaker 5: these Brandy fucking Brandy, Tony Braxton, Tank Mario, Plies have

1262
00:53:20,280 --> 00:53:24,160
Speaker 5: all made folded folded remixes. Neo just volunteer was like,

1263
00:53:24,160 --> 00:53:26,680
Speaker 5: I want to fold a remix. That's how like big

1264
00:53:26,719 --> 00:53:27,080
Speaker 5: that song?

1265
00:53:27,120 --> 00:53:30,920
Speaker 1: Who wrote them? Dixon roll folded Fire?

1266
00:53:31,160 --> 00:53:34,160
Speaker 2: I don't quote really he did.

1267
00:53:34,400 --> 00:53:36,640
Speaker 1: Yeah, I'm Klinie Dixon.

1268
00:53:37,360 --> 00:53:41,640
Speaker 5: There's a couple other people, Donovan Knight, Andre Harris, DeWitt Wilson,

1269
00:53:42,040 --> 00:53:44,239
Speaker 5: Christopher Riddick, Times, Milosh.

1270
00:53:45,719 --> 00:53:50,239
Speaker 1: Yeah, that record is incredible. Milos, the guy that did.

1271
00:53:50,280 --> 00:53:55,000
Speaker 2: My massage, it's the same guy.

1272
00:53:54,960 --> 00:53:55,800
Speaker 1: Multi fascination.

1273
00:53:56,560 --> 00:54:00,320
Speaker 2: He performed on the boat and then rubbed my hands.

1274
00:54:01,120 --> 00:54:01,920
Speaker 1: I love that though.

1275
00:54:01,960 --> 00:54:03,680
Speaker 3: When you go on like a vacation and the guy

1276
00:54:03,719 --> 00:54:07,319
Speaker 3: that works like at the restaurants, like Michael Jackson at night,

1277
00:54:08,239 --> 00:54:09,000
Speaker 3: that's the best shit.

1278
00:54:09,400 --> 00:54:10,640
Speaker 1: That's my man right there.

1279
00:54:11,120 --> 00:54:13,319
Speaker 2: That's what I was telling the PR people. I was like, Yo,

1280
00:54:13,440 --> 00:54:16,120
Speaker 2: the way they do Michael Jackson and Elvis, Like, if

1281
00:54:16,120 --> 00:54:17,960
Speaker 2: you need me to do Paul Wall, I do Paul Wall.

1282
00:54:18,800 --> 00:54:22,360
Speaker 2: You just gotta pay for my grill. Oh my, but

1283
00:54:22,440 --> 00:54:24,640
Speaker 2: all music and Leon Thomas. We left out the Folks

1284
00:54:24,920 --> 00:54:27,239
Speaker 2: EP album. I don't know whatever it was called that

1285
00:54:27,320 --> 00:54:31,399
Speaker 2: Leon just put out October twenty fourth. Did you listen

1286
00:54:31,440 --> 00:54:32,719
Speaker 2: to Folks?

1287
00:54:33,400 --> 00:54:33,600
Speaker 1: Yeah?

1288
00:54:33,719 --> 00:54:36,760
Speaker 2: Leon has not fucking missed in three projects straight.

1289
00:54:37,000 --> 00:54:38,120
Speaker 1: That came out last week.

1290
00:54:38,040 --> 00:54:42,880
Speaker 2: Right October twenty fourth. Yeah, my muse incredible. Like, I

1291
00:54:42,920 --> 00:54:47,320
Speaker 2: didn't think he could even top the not Fair record

1292
00:54:47,360 --> 00:54:50,480
Speaker 2: off the deluxe of Mutt and Listen, Man, I can't

1293
00:54:50,480 --> 00:54:52,160
Speaker 2: say I think he's going to clean up.

1294
00:54:52,200 --> 00:54:55,560
Speaker 1: But Folder deserves all the credit period. Yeah, now I

1295
00:54:55,600 --> 00:54:57,760
Speaker 1: know Dixon wrote that. Yeah, I like to see that one.

1296
00:54:57,840 --> 00:54:59,800
Speaker 2: I think for that that deluxe because Folder was on

1297
00:54:59,840 --> 00:55:03,920
Speaker 2: the Looks right DeMars of Carolinie's album.

1298
00:55:04,160 --> 00:55:06,000
Speaker 4: I don't even think of No. I think she just

1299
00:55:06,080 --> 00:55:07,880
Speaker 4: dropped old. It was just a single.

1300
00:55:08,160 --> 00:55:11,200
Speaker 2: I think it was records on the deluxegue as a

1301
00:55:11,200 --> 00:55:15,359
Speaker 2: feature outside of just producing. Yeah, they've been working for

1302
00:55:15,400 --> 00:55:18,000
Speaker 2: a while now and everything that kay Lonnie and Dixon

1303
00:55:18,000 --> 00:55:18,399
Speaker 2: do together.

1304
00:55:18,640 --> 00:55:21,120
Speaker 3: Yeah, I love seeing kayl get like have this moment though,

1305
00:55:21,320 --> 00:55:23,440
Speaker 3: me too, She's been dope for so many years. Like

1306
00:55:24,320 --> 00:55:26,880
Speaker 3: it's just good to see Kaylannie like finally being spoken

1307
00:55:26,920 --> 00:55:30,760
Speaker 3: about like everywhere, like everybody's in tune with everybody's listening

1308
00:55:30,800 --> 00:55:31,080
Speaker 3: to her.

1309
00:55:31,239 --> 00:55:35,279
Speaker 5: When I was that one music fest Kailanie performed and

1310
00:55:36,320 --> 00:55:38,399
Speaker 5: I was, of course like in heaven. But I've been

1311
00:55:38,440 --> 00:55:40,400
Speaker 5: a Klannie fan. I hate being those people that's like

1312
00:55:40,440 --> 00:55:42,240
Speaker 5: I've been a Caiana for so I've been a Kilnie

1313
00:55:42,239 --> 00:55:45,680
Speaker 5: fan for over ten years. So when I was she

1314
00:55:45,800 --> 00:55:47,799
Speaker 5: was performing older songs and I'm screaming to the top

1315
00:55:47,800 --> 00:55:49,640
Speaker 5: of my lungs and I'm looking around and I have

1316
00:55:49,680 --> 00:55:51,120
Speaker 5: a video where my drunk ass is like I'm like,

1317
00:55:51,200 --> 00:55:53,920
Speaker 5: y'all folded fans, these aint Kilinni fans, these folded fans.

1318
00:55:53,960 --> 00:55:56,640
Speaker 5: But at the same time, I'm happy that there are

1319
00:55:56,640 --> 00:55:59,520
Speaker 5: people that are now they get to discover Kailanie's beautiful

1320
00:55:59,520 --> 00:56:03,160
Speaker 5: catalog she's had for years and near redd like they're

1321
00:56:03,200 --> 00:56:05,279
Speaker 5: hearing songs that I love for the first time and

1322
00:56:05,320 --> 00:56:07,879
Speaker 5: like that's like beautiful. I'm happy she's getting this moment.

1323
00:56:07,960 --> 00:56:10,360
Speaker 2: So as a Kailnnie fan for ten years, well, I

1324
00:56:10,360 --> 00:56:12,799
Speaker 2: think we forget that she was like sixteen when she

1325
00:56:12,840 --> 00:56:15,560
Speaker 2: came out. Yeah, like she's just coming into her own

1326
00:56:15,640 --> 00:56:17,400
Speaker 2: now as an artist. She came out when she was

1327
00:56:17,680 --> 00:56:21,160
Speaker 2: a child, like We definitely didn't get the best of

1328
00:56:21,200 --> 00:56:23,120
Speaker 2: her music in the beginning because she was still she

1329
00:56:23,200 --> 00:56:25,760
Speaker 2: was a kid. Yeah, and we still thought it was amazing.

1330
00:56:26,120 --> 00:56:28,680
Speaker 2: So I think we'll get better in music from Kaylannie

1331
00:56:28,680 --> 00:56:31,000
Speaker 2: in the second half of her career that we did

1332
00:56:31,280 --> 00:56:33,840
Speaker 2: on the first because everything she's been doing has been incredible.

1333
00:56:33,920 --> 00:56:36,480
Speaker 1: Yeah, listen, man, do we have to be whole?

1334
00:56:36,480 --> 00:56:39,080
Speaker 2: Avengers? Tomline was going nuts?

1335
00:56:39,200 --> 00:56:40,040
Speaker 1: What now? Man?

1336
00:56:40,840 --> 00:56:43,919
Speaker 2: I remember the space is from like three years ago.

1337
00:56:44,080 --> 00:56:47,760
Speaker 2: I believe Rob Markman was on with jay Z on spaces.

1338
00:56:47,840 --> 00:56:49,000
Speaker 2: I think Elliott was there too.

1339
00:56:49,520 --> 00:56:51,560
Speaker 1: Wait, is this something that just went viral again?

1340
00:56:51,760 --> 00:56:53,560
Speaker 2: You know when shit that's like five years old goes

1341
00:56:53,640 --> 00:56:56,440
Speaker 2: viral again? Okay, and everyone just assumed that jay Z

1342
00:56:56,600 --> 00:56:59,759
Speaker 2: randomly said on Thursday, no one has a chance and

1343
00:57:00,040 --> 00:57:04,799
Speaker 2: against in verses, because like verses are still going every week,

1344
00:57:04,960 --> 00:57:09,440
Speaker 2: so clearly Hove would say something. H they caught this quote.

1345
00:57:09,760 --> 00:57:12,560
Speaker 2: There's not a chance anyone can stand on that stage

1346
00:57:12,560 --> 00:57:14,439
Speaker 2: with me in regards to verses. But this was from

1347
00:57:14,520 --> 00:57:18,120
Speaker 2: years and years ago on Twitter spaces and the Internet

1348
00:57:18,400 --> 00:57:21,160
Speaker 2: lost it. And I'm not going to take too much

1349
00:57:21,160 --> 00:57:23,600
Speaker 2: serious because like most of the shit that was going

1350
00:57:23,680 --> 00:57:26,680
Speaker 2: viral was like can you even name two jay Z songs? Like, oh,

1351
00:57:26,960 --> 00:57:30,160
Speaker 2: they started putting up the numbers. Yeah, they put up

1352
00:57:30,160 --> 00:57:35,480
Speaker 2: all the numbers of a Drake, Nikki, Kanye, Beyonce, Taylor Swift,

1353
00:57:35,880 --> 00:57:38,040
Speaker 2: and like jay Z was like number six and I'm like,

1354
00:57:39,000 --> 00:57:41,440
Speaker 2: you realize he was rapping about crack for the first

1355
00:57:42,400 --> 00:57:44,000
Speaker 2: like the fact that he's number six on like the

1356
00:57:44,040 --> 00:57:46,520
Speaker 2: highest stream artists of all time people.

1357
00:57:46,640 --> 00:57:50,880
Speaker 3: Pure rap though, yes, like not like melodic rap, not

1358
00:57:51,080 --> 00:57:53,400
Speaker 3: like you know, it's like we told him about pure

1359
00:57:53,760 --> 00:57:58,320
Speaker 3: bars and he's has all of these accolades and Rock

1360
00:57:58,360 --> 00:58:00,720
Speaker 3: and Roll Hall of Fame and song He's in a

1361
00:58:00,800 --> 00:58:03,040
Speaker 3: rock and roll Hall of Fame, right, yeah, rock and

1362
00:58:03,160 --> 00:58:04,680
Speaker 3: roll for a songwriters Hall of Fame?

1363
00:58:04,760 --> 00:58:06,479
Speaker 1: Did what happend? Sorry? I had to remind you all again.

1364
00:58:07,280 --> 00:58:08,040
Speaker 1: Thank you for that.

1365
00:58:09,800 --> 00:58:10,080
Speaker 2: I got you.

1366
00:58:11,240 --> 00:58:14,240
Speaker 3: Yeah, So to have all those accolades with just bars,

1367
00:58:14,960 --> 00:58:20,080
Speaker 3: just rap, I mean, yes, people will have a tough

1368
00:58:20,120 --> 00:58:23,680
Speaker 3: time now. They're artists that can stand on the stage

1369
00:58:23,720 --> 00:58:27,280
Speaker 3: and and and play big red Absolutely, there's a bunch

1370
00:58:27,280 --> 00:58:28,760
Speaker 3: of artists that can stand on stage jay Z and

1371
00:58:28,760 --> 00:58:32,120
Speaker 3: play big records. But I think what Jay was saying

1372
00:58:32,360 --> 00:58:35,040
Speaker 3: as far as like if we're talking about rapping like

1373
00:58:35,120 --> 00:58:36,720
Speaker 3: songs that what is our bars?

1374
00:58:37,400 --> 00:58:39,280
Speaker 1: There's nobody that can stand next to Jay And.

1375
00:58:39,240 --> 00:58:42,200
Speaker 2: If I remember the actual Spaces because I was a

1376
00:58:42,280 --> 00:58:46,280
Speaker 2: listener on the Spaces after that, he was like like,

1377
00:58:46,360 --> 00:58:49,960
Speaker 2: Grammy family is just a freestyle and that would be

1378
00:58:50,080 --> 00:58:52,640
Speaker 2: some of your biggest rats. Yeah, And I feel him

1379
00:58:52,640 --> 00:58:55,280
Speaker 2: because that's why I guess I didn't even really care

1380
00:58:55,280 --> 00:58:57,640
Speaker 2: to argue about this because everyone's bringing up billboards and

1381
00:58:57,680 --> 00:59:00,320
Speaker 2: like how many number ones people have? Like if you haven't,

1382
00:59:01,440 --> 00:59:04,800
Speaker 2: we're arguing with people from post Kendrick and Drake Beef

1383
00:59:04,880 --> 00:59:08,160
Speaker 2: that are They're not hip hop fans, they're Twitter fans.

1384
00:59:09,560 --> 00:59:12,240
Speaker 2: That doesn't matter in a verses. We've seen that for

1385
00:59:12,280 --> 00:59:14,440
Speaker 2: the whole year of twenty twenty and twenty twenty one.

1386
00:59:15,880 --> 00:59:18,000
Speaker 2: Jay Z's not putting Empire state of mind in his

1387
00:59:18,120 --> 00:59:22,200
Speaker 2: verses twenty and that's his biggest record according to billboards. Like,

1388
00:59:22,800 --> 00:59:24,360
Speaker 2: why are we bringing up numbers in a verses? And

1389
00:59:24,400 --> 00:59:27,880
Speaker 2: I'm not saying that jay Z would smoke everybody. I

1390
00:59:27,880 --> 00:59:30,240
Speaker 2: think him and Kanye would be a great matchup. Him

1391
00:59:30,240 --> 00:59:32,360
Speaker 2: and Drake would be a cool matchup. There's plenty of

1392
00:59:32,440 --> 00:59:37,080
Speaker 2: artists that I think would be cool to stand y'all

1393
00:59:37,120 --> 00:59:39,760
Speaker 2: say in Future would clean up Jay I'm like, all right, man,

1394
00:59:40,520 --> 00:59:41,480
Speaker 2: where are we at right now?

1395
00:59:43,560 --> 00:59:45,760
Speaker 3: You can't even have that argument though, because again it's

1396
00:59:45,800 --> 00:59:49,640
Speaker 3: just generations. It's different people that they herald these guys

1397
00:59:49,640 --> 00:59:52,320
Speaker 3: as their jay Z, like Future as somebody else's jay Z.

1398
00:59:52,400 --> 00:59:55,040
Speaker 2: But that would never even be like a matchup to me,

1399
00:59:55,640 --> 00:59:56,560
Speaker 2: to you you.

1400
00:59:56,960 --> 00:59:59,160
Speaker 5: And that was one of the biggest things that was

1401
00:59:59,160 --> 01:00:01,360
Speaker 5: always on Twitter, like Jazy get no Smoke in Atlanta,

1402
01:00:01,400 --> 01:00:06,200
Speaker 5: And it's like these younger fans, when you don't live

1403
01:00:06,240 --> 01:00:08,280
Speaker 5: with music, it doesn't mean the same to you. So

1404
01:00:08,360 --> 01:00:10,960
Speaker 5: like there are people who would argue you down that

1405
01:00:11,080 --> 01:00:14,800
Speaker 5: Drake would be jay Z a versus right, and he

1406
01:00:14,800 --> 01:00:16,000
Speaker 5: could depending on the room.

1407
01:00:16,240 --> 01:00:17,120
Speaker 4: It depends on the room.

1408
01:00:17,400 --> 01:00:18,480
Speaker 1: No, I agree with you.

1409
01:00:18,520 --> 01:00:21,160
Speaker 2: I guess I was. If we're going off versus, that's

1410
01:00:21,160 --> 01:00:23,520
Speaker 2: the only word. I'm really focused on. How versus is

1411
01:00:23,560 --> 01:00:26,360
Speaker 2: set up. We've never seen like it started with Swizz

1412
01:00:26,440 --> 01:00:29,480
Speaker 2: and Timberland, which is a great matchup, Like everything was

1413
01:00:29,520 --> 01:00:31,480
Speaker 2: a good matchup that they were trying to find the pairings.

1414
01:00:31,560 --> 01:00:34,120
Speaker 2: Eric about Dude Jill Scott, Like that was the point

1415
01:00:34,920 --> 01:00:39,160
Speaker 2: jay Z versus Future for what, Yeah, they don't even

1416
01:00:39,240 --> 01:00:40,680
Speaker 2: they're not the same era, they don't make the same

1417
01:00:40,720 --> 01:00:41,320
Speaker 2: type of music.

1418
01:00:41,400 --> 01:00:43,680
Speaker 1: Like, what the why are we even debating this.

1419
01:00:44,160 --> 01:00:46,240
Speaker 2: If we're going off the versus thing now, if I'm

1420
01:00:46,280 --> 01:00:49,200
Speaker 2: in a hookahspot or at the club in Atlanta, do

1421
01:00:49,280 --> 01:00:52,600
Speaker 2: I think that future may clean jay z up twenty nothing? Probably?

1422
01:00:53,880 --> 01:00:56,880
Speaker 2: But who would even think that that would be a thing?

1423
01:00:57,440 --> 01:01:01,280
Speaker 1: What's the words versus that? With Tiata one twelve jacket Es,

1424
01:01:03,600 --> 01:01:06,640
Speaker 1: I didn't see it. Nah, it was bad. Snooping DMX.

1425
01:01:07,880 --> 01:01:09,640
Speaker 1: That wasn't terrible. I hated that match up.

1426
01:01:10,040 --> 01:01:13,640
Speaker 2: It was I thought it was the weirdest matchup wise.

1427
01:01:13,680 --> 01:01:16,320
Speaker 2: I thought you meant like performance wise. No, like matchup

1428
01:01:16,920 --> 01:01:19,200
Speaker 2: one twelve and jacket Edge made a lot of sense.

1429
01:01:19,560 --> 01:01:21,720
Speaker 2: It was snooping DMX that made no sense.

1430
01:01:21,720 --> 01:01:23,960
Speaker 3: I agree with It was only because they both did

1431
01:01:23,960 --> 01:01:26,480
Speaker 3: dog ship like they tried to put yeah, and I'm like, bro,

1432
01:01:26,600 --> 01:01:28,680
Speaker 3: cut this shit, like Snoop and DMX don't. That's the

1433
01:01:28,840 --> 01:01:31,960
Speaker 3: terrible match terrible like that was the verses that I

1434
01:01:32,000 --> 01:01:33,480
Speaker 3: was like, I wish we never saw that.

1435
01:01:34,320 --> 01:01:37,240
Speaker 2: Yeah, it was cool to see them together, but yeah

1436
01:01:37,280 --> 01:01:37,640
Speaker 2: it was cool.

1437
01:01:38,360 --> 01:01:40,040
Speaker 3: I mean it's Snoop and X, So of course, any

1438
01:01:40,040 --> 01:01:42,720
Speaker 3: time you get them in the room, but like the most.

1439
01:01:41,720 --> 01:01:44,800
Speaker 2: Like laid back ship to the most aggressive.

1440
01:01:44,920 --> 01:01:46,920
Speaker 1: Yeah, I just it just I didn't like that matchup.

1441
01:01:47,400 --> 01:01:47,760
Speaker 1: I didn't.

1442
01:01:47,800 --> 01:01:50,760
Speaker 3: That was the one that I was just like, it

1443
01:01:50,800 --> 01:01:52,600
Speaker 3: was dope that they got a chance to get X and.

1444
01:01:52,800 --> 01:01:55,920
Speaker 1: Snoop in the room. That was fire. But for versus,

1445
01:01:56,400 --> 01:01:58,400
Speaker 1: I didn't like that snooping.

1446
01:01:58,520 --> 01:02:03,000
Speaker 2: Snoop and jay Z would be interesting different sounds, but

1447
01:02:03,080 --> 01:02:07,480
Speaker 2: I think that one would still make sense. I think

1448
01:02:07,520 --> 01:02:09,120
Speaker 2: Snooping and Hole would be a cool test.

1449
01:02:09,280 --> 01:02:14,600
Speaker 1: Does Snoop perform still dreg I mean you have to.

1450
01:02:14,840 --> 01:02:18,520
Speaker 2: But then Hove he can clearly saying that he could

1451
01:02:18,560 --> 01:02:24,200
Speaker 2: wrap it with him, you know, wrapping the reference. That

1452
01:02:24,200 --> 01:02:26,560
Speaker 2: would be some petty ship that Jay would do. Yeah,

1453
01:02:27,000 --> 01:02:30,520
Speaker 2: but he wrote all the Snoops verse on that. Jay

1454
01:02:30,560 --> 01:02:33,680
Speaker 2: wrote that entire thing, yeah record, which I mean, I'm

1455
01:02:33,680 --> 01:02:36,360
Speaker 2: not I'm not mad at that because we've heard that

1456
01:02:36,400 --> 01:02:37,720
Speaker 2: about Snoop with a bunch of stuff.

1457
01:02:37,800 --> 01:02:41,480
Speaker 1: Yeah, and that wee no snoops right. Yeah, I don't know.

1458
01:02:41,520 --> 01:02:42,720
Speaker 1: That was just I don't know.

1459
01:02:43,080 --> 01:02:44,840
Speaker 2: I have to get certain things out of my algorithms,

1460
01:02:44,840 --> 01:02:46,840
Speaker 2: and I don't know how to do it. You gotta

1461
01:02:46,880 --> 01:02:49,520
Speaker 2: start liking a whole bunch of other ship block the

1462
01:02:49,560 --> 01:02:52,480
Speaker 2: people you see talking about it, okay, and like a

1463
01:02:52,480 --> 01:02:56,000
Speaker 2: whole bunch of other ship got it because and it's

1464
01:02:56,040 --> 01:02:57,600
Speaker 2: like any other app, like hey, did you like this?

1465
01:02:57,760 --> 01:02:59,360
Speaker 2: I don't get that on Twitter? Like I just look

1466
01:02:59,400 --> 01:03:01,520
Speaker 2: at one thing and not in this world forever.

1467
01:03:01,880 --> 01:03:04,000
Speaker 5: I'm stuck in stand Twitter and I'm trying so hard

1468
01:03:04,000 --> 01:03:06,360
Speaker 5: to get up, but then I somehow I ended up

1469
01:03:06,360 --> 01:03:08,400
Speaker 5: in toxic podcast Twitter, trying to get out of stan

1470
01:03:08,480 --> 01:03:14,360
Speaker 5: Twitter stand Twitter, Stan Twitter. I can female rap stand Twitter.

1471
01:03:14,440 --> 01:03:16,080
Speaker 5: I have been stuck there.

1472
01:03:17,360 --> 01:03:21,480
Speaker 1: Sounds like you like the mag tweet probably something.

1473
01:03:21,640 --> 01:03:25,240
Speaker 4: That sounds like actual, it's actually literally hell yeah?

1474
01:03:25,360 --> 01:03:27,920
Speaker 1: What's like? What do they talk about? Is it just like.

1475
01:03:28,040 --> 01:03:31,120
Speaker 5: Constant constant numbers and who's being funny?

1476
01:03:31,160 --> 01:03:31,640
Speaker 1: To who?

1477
01:03:32,240 --> 01:03:33,080
Speaker 4: Who made who?

1478
01:03:33,520 --> 01:03:33,720
Speaker 5: Yeah?

1479
01:03:33,960 --> 01:03:35,280
Speaker 1: That sounds like that.

1480
01:03:34,880 --> 01:03:37,800
Speaker 2: That sounds like that sounds like male rap Twitter.

1481
01:03:37,560 --> 01:03:39,880
Speaker 4: To who was the real first bitch on the cover

1482
01:03:39,920 --> 01:03:41,920
Speaker 4: of Folk? Like I just can't. I was going to

1483
01:03:41,960 --> 01:03:43,160
Speaker 4: get the fuck out of here. I can't do this.

1484
01:03:43,480 --> 01:03:47,520
Speaker 1: It's ridiculous, That's what they were talking about.

1485
01:03:47,640 --> 01:03:50,920
Speaker 2: It where they talking about that in male rap Twitter

1486
01:03:51,120 --> 01:03:51,800
Speaker 2: stand ship too?

1487
01:03:53,080 --> 01:03:54,200
Speaker 1: That ship is so funny.

1488
01:03:54,480 --> 01:03:56,360
Speaker 3: Nothing is funny than not being on social media and

1489
01:03:56,360 --> 01:03:59,400
Speaker 3: they're just jumping back on one day and just like reading

1490
01:03:59,440 --> 01:04:02,480
Speaker 3: everything that ship is the fust like walking in the

1491
01:04:02,520 --> 01:04:05,600
Speaker 3: fucking on the stock on the trading floor the stock market.

1492
01:04:05,600 --> 01:04:08,360
Speaker 3: It's like, what the fuck are y'all talking about? Like

1493
01:04:08,440 --> 01:04:11,160
Speaker 3: Nigga's just me yelling like, Yo, what the fuck are

1494
01:04:11,160 --> 01:04:11,800
Speaker 3: you'all talking about?

1495
01:04:12,480 --> 01:04:15,080
Speaker 2: When I got off the boat, I refreshed my timeline.

1496
01:04:15,120 --> 01:04:17,360
Speaker 2: It was clearly like an old clip I believe from

1497
01:04:17,400 --> 01:04:21,120
Speaker 2: Maths podcast with Cannabis, and he was like, eminem ros

1498
01:04:21,120 --> 01:04:23,760
Speaker 2: stand about me, just like.

1499
01:04:23,840 --> 01:04:26,040
Speaker 1: Where are we? Where are we?

1500
01:04:26,680 --> 01:04:28,400
Speaker 2: This is a simulate? Like this is a simulation.

1501
01:04:28,480 --> 01:04:31,000
Speaker 1: I keep trying to tell you that you never never

1502
01:04:31,040 --> 01:04:36,200
Speaker 1: put that together. No, I never what you're saying about

1503
01:04:36,200 --> 01:04:38,760
Speaker 1: yourself cannabis. Yeah, yeah, no, I never put that one together.

1504
01:04:39,880 --> 01:04:42,600
Speaker 2: I guess we can. We can stay in gossip Twitter

1505
01:04:42,640 --> 01:04:43,160
Speaker 2: for a second.

1506
01:04:43,880 --> 01:04:46,000
Speaker 1: Because I saw Jenny and Big Sean broke up.

1507
01:04:46,400 --> 01:04:48,400
Speaker 2: So I saw a non credible source on.

1508
01:04:48,480 --> 01:04:52,320
Speaker 3: Tnah man don't say that.

1509
01:04:52,400 --> 01:04:56,800
Speaker 2: She posted a record on her Instagram that had some

1510
01:04:56,920 --> 01:04:59,800
Speaker 2: quote of like uh missed me with the lies or something,

1511
01:05:00,000 --> 01:05:03,400
Speaker 2: and there was like they're over. That's really what happened.

1512
01:05:03,600 --> 01:05:05,760
Speaker 4: Yeah, I doubt it. I don't know, I doubt it.

1513
01:05:05,800 --> 01:05:07,680
Speaker 4: But the funniest is not confirmed.

1514
01:05:08,160 --> 01:05:11,040
Speaker 1: No, all right, so let's keep ob alive. Let's keep obilive.

1515
01:05:11,160 --> 01:05:14,120
Speaker 5: I mean, but I feel like if they were still together,

1516
01:05:14,200 --> 01:05:15,480
Speaker 5: they might, but I mean maybe not.

1517
01:05:15,520 --> 01:05:16,680
Speaker 4: Maybe they don't want to clear it up.

1518
01:05:16,800 --> 01:05:18,480
Speaker 5: I feel like, if I've been with somebody in every

1519
01:05:18,480 --> 01:05:20,880
Speaker 5: five seconds they saying we breaking up, I ain't clarifying

1520
01:05:20,880 --> 01:05:21,720
Speaker 5: that ship for them either.

1521
01:05:21,920 --> 01:05:23,400
Speaker 2: Does that happen every five seconds?

1522
01:05:23,720 --> 01:05:25,600
Speaker 4: This happened a couple more than once that they broken.

1523
01:05:25,760 --> 01:05:27,600
Speaker 2: I remember when they like actually broke up and then

1524
01:05:27,680 --> 01:05:30,160
Speaker 2: got back together. But I feel like for the last

1525
01:05:30,840 --> 01:05:33,560
Speaker 2: six years it's been like they've just been minding their

1526
01:05:33,560 --> 01:05:34,760
Speaker 2: business a child, and.

1527
01:05:34,760 --> 01:05:36,000
Speaker 1: Like, yeah, I hope this ain't true.

1528
01:05:36,000 --> 01:05:36,160
Speaker 5: Man.

1529
01:05:36,160 --> 01:05:38,400
Speaker 1: I like and Big Sean together. Man, what you like

1530
01:05:38,440 --> 01:05:40,200
Speaker 1: about them together? I mean, I just like, you know.

1531
01:05:40,400 --> 01:05:41,680
Speaker 1: I want music.

1532
01:05:42,280 --> 01:05:44,400
Speaker 2: Well, listen, I wanted to we could get another album

1533
01:05:44,400 --> 01:05:46,120
Speaker 2: that would be I wanted a twenty ninety nine, thirty

1534
01:05:46,160 --> 01:05:47,400
Speaker 2: eighty eight, whatever the fuck you want to call it.

1535
01:05:47,560 --> 01:05:51,200
Speaker 2: I wanted a part whatever, just give it to us. Shit,

1536
01:05:51,240 --> 01:05:54,600
Speaker 2: I don't care, give us something to give us. That

1537
01:05:54,640 --> 01:05:55,680
Speaker 2: first one was crazy, I.

1538
01:05:55,640 --> 01:05:58,480
Speaker 5: Said, roryal text messages warning from It was a tweet

1539
01:05:58,520 --> 01:06:00,560
Speaker 5: that say, yeah, he waited till Biggie went to jail

1540
01:06:00,600 --> 01:06:01,160
Speaker 5: to do that ship.

1541
01:06:01,240 --> 01:06:04,640
Speaker 4: Huh that ship. I was like, why y'all, why are

1542
01:06:04,720 --> 01:06:05,840
Speaker 4: y'all on the internet.

1543
01:06:06,960 --> 01:06:09,240
Speaker 2: If you don't get the reference one much? Get it

1544
01:06:09,280 --> 01:06:13,440
Speaker 2: on one of Jane's projects after she had left Doctor Genius,

1545
01:06:13,480 --> 01:06:17,920
Speaker 2: they had gotten divorced, corrupt had left her a voicemail

1546
01:06:18,440 --> 01:06:21,480
Speaker 2: pretty much threatening her ex husband, and she put it

1547
01:06:21,520 --> 01:06:26,120
Speaker 2: on the album. Okay and you say same, Like I

1548
01:06:26,240 --> 01:06:28,959
Speaker 2: understood the joke right away, gotcha of Like, if y'all

1549
01:06:28,960 --> 01:06:31,120
Speaker 2: know Jane's cryptos.

1550
01:06:30,560 --> 01:06:33,640
Speaker 1: Yeah, I hope that's not true though, man, I mean

1551
01:06:33,680 --> 01:06:37,520
Speaker 1: they had a child leave like.

1552
01:06:39,880 --> 01:06:43,240
Speaker 2: Six or eight months before. Tomor's probably three years old now, Like, hm,

1553
01:06:44,080 --> 01:06:44,800
Speaker 2: it could be tough.

1554
01:06:45,880 --> 01:06:46,600
Speaker 1: Yeah, but that's something.

1555
01:06:47,160 --> 01:06:49,880
Speaker 2: Yeah, you're right, yes, Like I don't want to speculate

1556
01:06:50,040 --> 01:06:54,120
Speaker 2: too personally on their actual situation because again, all she

1557
01:06:54,200 --> 01:06:57,360
Speaker 2: did was post a song where she's talking about somebody lying,

1558
01:06:57,400 --> 01:06:59,720
Speaker 2: which Jane has been doing for I don't know the

1559
01:06:59,760 --> 01:07:03,600
Speaker 2: last years. Maybe that's the first. So that's that's what

1560
01:07:03,640 --> 01:07:06,520
Speaker 2: I want to that's the coke Pusher rapp. So that's

1561
01:07:06,520 --> 01:07:10,680
Speaker 2: what coke. He I don't want to like. I love

1562
01:07:10,760 --> 01:07:13,280
Speaker 2: New Balance by Jeanne, but I do love more of

1563
01:07:13,280 --> 01:07:14,200
Speaker 2: the toxic last shit.

1564
01:07:14,400 --> 01:07:15,520
Speaker 1: Yeah.

1565
01:07:15,840 --> 01:07:17,720
Speaker 2: So I didn't think when I heard that, like, oh,

1566
01:07:17,720 --> 01:07:21,400
Speaker 2: they must have broken up when they were in Bliss.

1567
01:07:21,000 --> 01:07:23,320
Speaker 1: Like there was still Janey's gonna sing about that type

1568
01:07:23,360 --> 01:07:25,960
Speaker 1: of stuff. Yeah, hopefully that's just a room man.

1569
01:07:26,240 --> 01:07:28,480
Speaker 2: And I mean everyone brought up that, uh that clip

1570
01:07:28,600 --> 01:07:31,280
Speaker 2: when Sean interviewed with Charlemne, which was actually a really

1571
01:07:31,280 --> 01:07:35,160
Speaker 2: good interview. Charloagne asked Sean, like, why haven't they gotten married?

1572
01:07:35,160 --> 01:07:38,080
Speaker 2: And you know, Sean went into his you know, his

1573
01:07:38,200 --> 01:07:40,800
Speaker 2: man rent when you're at Thanksgiving and somebody asked, like,

1574
01:07:40,800 --> 01:07:42,040
Speaker 2: why why you ain't marry my Nie?

1575
01:07:42,040 --> 01:07:43,840
Speaker 1: Shit, you just like hell, you know.

1576
01:07:43,840 --> 01:07:47,000
Speaker 2: Timing and like you just start saying ship. He got

1577
01:07:47,040 --> 01:07:49,320
Speaker 2: in one of those bags, which but I understood.

1578
01:07:48,880 --> 01:07:51,720
Speaker 1: What he started. It was a word salad, you know.

1579
01:07:51,720 --> 01:07:54,280
Speaker 2: We're getting our bag, like yo, listen, like a piece

1580
01:07:54,280 --> 01:07:56,560
Speaker 2: of paper from the government. What means I love her?

1581
01:07:56,880 --> 01:07:58,680
Speaker 1: Yeah, yeah, I don't. I ain't doing all of that.

1582
01:07:58,880 --> 01:08:02,080
Speaker 2: It was one of those so everyone thought they put

1583
01:08:02,080 --> 01:08:04,040
Speaker 2: those two and two together, even though it's been like

1584
01:08:04,080 --> 01:08:05,320
Speaker 2: a two year difference between them.

1585
01:08:05,720 --> 01:08:07,360
Speaker 1: Yeah, I don't know. I'm not putting no stock in that.

1586
01:08:07,600 --> 01:08:11,080
Speaker 3: Hopefully they sow together hopefully, but if not hopefully, you

1587
01:08:11,160 --> 01:08:12,200
Speaker 3: know they're happy as well.

1588
01:08:12,240 --> 01:08:13,880
Speaker 2: And if they don't want to be hopefully they're not.

1589
01:08:14,240 --> 01:08:16,640
Speaker 3: No, I think it better for them not to be

1590
01:08:16,680 --> 01:08:19,559
Speaker 3: together then, you know, whatever's best. But that is one

1591
01:08:19,560 --> 01:08:22,920
Speaker 3: of those relationships that we all just have watched for

1592
01:08:23,000 --> 01:08:24,680
Speaker 3: so many years, like.

1593
01:08:24,640 --> 01:08:25,760
Speaker 2: We were all rooting for each other.

1594
01:08:25,840 --> 01:08:26,200
Speaker 1: Yeah.

1595
01:08:26,200 --> 01:08:28,280
Speaker 3: Like, and it's like, okay, they they look like they

1596
01:08:28,320 --> 01:08:30,400
Speaker 3: look we don't have to worry about them. They're doing

1597
01:08:30,439 --> 01:08:32,840
Speaker 3: their own thing. They stay out of the mess. They

1598
01:08:32,880 --> 01:08:35,320
Speaker 3: never get a headlines with no bullshit, you know what

1599
01:08:35,360 --> 01:08:37,439
Speaker 3: I'm saying. They got a family, so it's kind of

1600
01:08:37,479 --> 01:08:40,120
Speaker 3: like you kind of that's auto piler, Like they're good.

1601
01:08:40,120 --> 01:08:41,200
Speaker 1: We ain't got to worry about them.

1602
01:08:41,120 --> 01:08:43,280
Speaker 2: All right, But do we put too much Well, not us,

1603
01:08:43,280 --> 01:08:45,160
Speaker 2: I'm just saying the public in general, do we put

1604
01:08:45,240 --> 01:08:47,679
Speaker 2: too much pressure on, yes, those couples.

1605
01:08:47,840 --> 01:08:48,040
Speaker 1: Yes.

1606
01:08:48,160 --> 01:08:49,760
Speaker 2: I don't ever want to be in a relationship that

1607
01:08:49,760 --> 01:08:52,400
Speaker 2: everyone's rooting for because I'm a human being. It happens

1608
01:08:52,439 --> 01:08:54,680
Speaker 2: in relationships like I don't want you all to be

1609
01:08:54,760 --> 01:08:57,559
Speaker 2: mad about some shit, y'all don't even know about Yeah, no,

1610
01:08:57,640 --> 01:08:59,080
Speaker 2: I get that part, but you if you want to

1611
01:09:00,120 --> 01:09:02,920
Speaker 2: wake up like whatever, like the way the off Sudden

1612
01:09:02,920 --> 01:09:05,360
Speaker 2: Cards was and he's tweeting like y'all want in this net.

1613
01:09:05,400 --> 01:09:07,479
Speaker 2: I'm not told about that relationship. I'm talking about the

1614
01:09:07,520 --> 01:09:11,160
Speaker 2: one that everyone's like, goals, but for real, not goals

1615
01:09:11,160 --> 01:09:13,080
Speaker 2: for the week because you saw a photo of us

1616
01:09:13,120 --> 01:09:14,400
Speaker 2: walking out fucking soul house.

1617
01:09:14,960 --> 01:09:16,759
Speaker 1: It's all about the ten years. Don't put that pressure

1618
01:09:16,800 --> 01:09:17,000
Speaker 1: on me.

1619
01:09:17,240 --> 01:09:18,720
Speaker 3: Yeah, I mean, I get it, but I mean it

1620
01:09:18,880 --> 01:09:23,160
Speaker 3: is good to have examples of what we deemed to

1621
01:09:23,200 --> 01:09:27,000
Speaker 3: be healthy relationships, relationships where people actually like each other,

1622
01:09:27,000 --> 01:09:28,840
Speaker 3: are in love with each other. Yeah, it is good

1623
01:09:28,840 --> 01:09:30,599
Speaker 3: to have examples of that because we have so many

1624
01:09:30,640 --> 01:09:33,759
Speaker 3: examples of people just dating for a rollout, and people

1625
01:09:33,800 --> 01:09:36,160
Speaker 3: just shop for a moment, and people just so when

1626
01:09:36,200 --> 01:09:39,439
Speaker 3: you see a couple that you see over the years

1627
01:09:39,960 --> 01:09:42,680
Speaker 3: every time you see them again, the house could be

1628
01:09:43,400 --> 01:09:46,160
Speaker 3: in turmoil. We don't know that, and from what we

1629
01:09:46,200 --> 01:09:47,920
Speaker 3: see in the energy that we can pick up on,

1630
01:09:48,000 --> 01:09:50,240
Speaker 3: it seems like they're happy and that they're you know,

1631
01:09:50,760 --> 01:09:53,839
Speaker 3: enjoying each other. So it's good to have those examples

1632
01:09:53,880 --> 01:09:55,160
Speaker 3: of happy relationships as well.

1633
01:09:55,040 --> 01:09:57,240
Speaker 2: Because even in a casual way, like you just assume

1634
01:09:57,280 --> 01:10:00,840
Speaker 2: they both woke up, did yoga together, we grass shots

1635
01:10:00,840 --> 01:10:04,360
Speaker 2: when they when they had their their beautiful child, no vaccines,

1636
01:10:04,640 --> 01:10:07,479
Speaker 2: they probably even doing a hospital that's where six people congregate.

1637
01:10:07,760 --> 01:10:09,840
Speaker 2: Probably not where we should have kids, like right room

1638
01:10:09,880 --> 01:10:12,160
Speaker 2: for that type of relationship. So yeah, that I guess

1639
01:10:12,200 --> 01:10:14,080
Speaker 2: that is a little sad. Yeah, because you feel like

1640
01:10:14,080 --> 01:10:15,080
Speaker 2: it's it's a healthy one.

1641
01:10:15,160 --> 01:10:18,200
Speaker 3: Yeah, speaking of sad. Uh, congrats to the Dodgers.

1642
01:10:18,760 --> 01:10:21,080
Speaker 2: I didn't care this year. I was obviously it.

1643
01:10:21,080 --> 01:10:22,800
Speaker 3: Was a it was a great world series. That was

1644
01:10:22,800 --> 01:10:25,280
Speaker 3: a top five world yet that was a great, a

1645
01:10:25,680 --> 01:10:31,040
Speaker 3: great world series. Seven games, even the last no Game

1646
01:10:31,080 --> 01:10:35,599
Speaker 3: seven went extra innings. It looked like the Blue Jays

1647
01:10:35,640 --> 01:10:38,519
Speaker 3: had it that I think eleventh or twelfth, and then

1648
01:10:38,560 --> 01:10:41,599
Speaker 3: they gave up the home run and it was just

1649
01:10:41,680 --> 01:10:44,320
Speaker 3: like shit. You kind of felt the air go out

1650
01:10:44,320 --> 01:10:46,360
Speaker 3: of the stadium at that point, like fuck.

1651
01:10:46,960 --> 01:10:48,479
Speaker 1: But it was a good match up I did. I

1652
01:10:48,479 --> 01:10:49,320
Speaker 1: was room for the Blue Jays.

1653
01:10:49,360 --> 01:10:51,240
Speaker 3: I wanted to see one of my favorite Yankees ever,

1654
01:10:51,280 --> 01:10:53,519
Speaker 3: Don Mattenly. He's a coach, yeah Blue Jays. I wanted

1655
01:10:53,560 --> 01:10:55,600
Speaker 3: to see him showing your age finally get Yeah, I.

1656
01:10:55,600 --> 01:10:56,000
Speaker 1: Mean it is.

1657
01:10:56,920 --> 01:10:59,679
Speaker 3: I wanted to see him get a ring, but they didn't.

1658
01:11:00,040 --> 01:11:01,519
Speaker 3: They didn't finish it out. But shout out to the

1659
01:11:01,560 --> 01:11:06,479
Speaker 3: Dodgers back to back. Yeah, World champions. But yeah, it was.

1660
01:11:06,560 --> 01:11:08,400
Speaker 3: It was a great series. Definitely entertained. I think it

1661
01:11:08,439 --> 01:11:11,120
Speaker 3: was great for baseball. People that probably didn't watch a

1662
01:11:11,160 --> 01:11:13,960
Speaker 3: game all year paid attention to that series. It was

1663
01:11:14,000 --> 01:11:16,200
Speaker 3: definitely one of the one of the best world series

1664
01:11:16,439 --> 01:11:17,920
Speaker 3: that I can remember watching.

1665
01:11:18,000 --> 01:11:20,200
Speaker 2: Definitely, the billion dollar investment was worth it.

1666
01:11:20,320 --> 01:11:22,720
Speaker 1: Yeah, but yeah.

1667
01:11:22,400 --> 01:11:24,599
Speaker 2: One of the best World series I've seen. I didn't

1668
01:11:24,720 --> 01:11:27,439
Speaker 2: This was one where I was rooting against the Dodgers

1669
01:11:27,439 --> 01:11:29,519
Speaker 2: obviously last year and was very sad because they were

1670
01:11:29,640 --> 01:11:31,599
Speaker 2: against the Yankees this year. I just wanted to see

1671
01:11:31,640 --> 01:11:33,720
Speaker 2: a good series, and I got what I asked for.

1672
01:11:33,880 --> 01:11:34,599
Speaker 1: Yeah, I didn't.

1673
01:11:34,640 --> 01:11:35,880
Speaker 2: It was a great I didn't really carry a.

1674
01:11:35,920 --> 01:11:37,400
Speaker 1: Great series, can't.

1675
01:11:37,479 --> 01:11:40,240
Speaker 3: It doesn't get better than its seven game, seven games,

1676
01:11:40,360 --> 01:11:41,760
Speaker 3: extra innings in the seventh game.

1677
01:11:42,439 --> 01:11:43,840
Speaker 1: I mean, you can't ask them for more.

1678
01:11:43,880 --> 01:11:46,000
Speaker 3: I mean, obviously people in Toronto could ask for a

1679
01:11:46,000 --> 01:11:49,559
Speaker 3: different but you know, just overall great series.

1680
01:11:49,560 --> 01:11:50,559
Speaker 1: So shout out to the Dodgers.

1681
01:11:50,720 --> 01:11:53,040
Speaker 2: Yeah, remember last year, I told you all of like

1682
01:11:53,080 --> 01:11:55,559
Speaker 2: avant gardener, all from La like for real, born and

1683
01:11:55,640 --> 01:11:57,599
Speaker 2: raised there, gave me so much shit last year. They

1684
01:11:57,640 --> 01:11:58,120
Speaker 2: was hitting me.

1685
01:11:58,920 --> 01:11:59,320
Speaker 1: Look at this.

1686
01:11:59,360 --> 01:12:02,280
Speaker 2: I was like, y'all are not like a rival to us.

1687
01:12:03,240 --> 01:12:04,960
Speaker 2: You're acting like you're Red Sox fans. Like I don't

1688
01:12:04,960 --> 01:12:07,880
Speaker 2: give that like congrats. I'm happy to be in the

1689
01:12:08,160 --> 01:12:10,240
Speaker 2: There's not a Yankee Dodger rivalry.

1690
01:12:10,680 --> 01:12:13,519
Speaker 1: Congrat definitely not a Yankee Dodger rivalry.

1691
01:12:13,600 --> 01:12:16,320
Speaker 2: No dog smoked us yet last year, Like I had

1692
01:12:16,320 --> 01:12:16,760
Speaker 2: to give it up.

1693
01:12:16,800 --> 01:12:18,519
Speaker 3: But I mean, and if we keep them the Dodgers,

1694
01:12:18,520 --> 01:12:20,120
Speaker 3: do you know where the Dodge Dodgers started at.

1695
01:12:20,720 --> 01:12:22,640
Speaker 1: We're gonna have that conversation, bring you down to that.

1696
01:12:22,840 --> 01:12:24,800
Speaker 1: It's okay, you can have our hand me downs.

1697
01:12:25,080 --> 01:12:29,840
Speaker 2: It's a win for us. The trophy too, is hitting

1698
01:12:29,840 --> 01:12:37,200
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Speaker 2: This episode is sponsored by Better Help. Seasons are changing

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Speaker 2: and are fully licensed in the US. Better help does

1746
01:14:47,320 --> 01:14:49,639
Speaker 2: the initial matching work for you so you can focus

1747
01:14:49,760 --> 01:14:53,920
Speaker 2: on your therapy goals. A short questionnaire helps identify your needs, preferences,

1748
01:14:54,160 --> 01:14:56,960
Speaker 2: and their twelve plus years of experience in the industry

1749
01:14:57,000 --> 01:14:59,040
Speaker 2: leading match fulfillment rate with.

1750
01:14:59,080 --> 01:15:00,599
Speaker 1: Over thirty thousand therapists.

1751
01:15:00,640 --> 01:15:03,800
Speaker 2: Betterhelp is one of the world's largest online therapy platforms,

1752
01:15:03,840 --> 01:15:07,599
Speaker 2: having served over five million people globally, and it works

1753
01:15:08,040 --> 01:15:10,559
Speaker 2: with an average rate of four point nine out of

1754
01:15:10,560 --> 01:15:13,320
Speaker 2: five stars with every live session based over one point

1755
01:15:13,560 --> 01:15:17,240
Speaker 2: seven million client reviews this month. Don't wait to reach out,

1756
01:15:17,280 --> 01:15:19,320
Speaker 2: whether you're checking in on a friend or reaching out

1757
01:15:19,400 --> 01:15:22,040
Speaker 2: to a therapist yourself, Better help makes it easy to

1758
01:15:22,080 --> 01:15:24,599
Speaker 2: take that first step. Our listeners get ten percent off

1759
01:15:24,600 --> 01:15:27,360
Speaker 2: their first month at betterhelp dot com slash roymore. That's

1760
01:15:27,360 --> 01:15:36,320
Speaker 2: better h e lp dot com slash roy more. I

1761
01:15:36,360 --> 01:15:39,040
Speaker 2: saw this the Billboard Hot one hundred tweeks's rules along

1762
01:15:39,080 --> 01:15:41,080
Speaker 2: with the Grammys. Everything is scrambling.

1763
01:15:41,360 --> 01:15:43,120
Speaker 5: Yeah, we waited to talk about this to you guy

1764
01:15:43,160 --> 01:15:46,559
Speaker 5: here because we knew you wanted to nerd out.

1765
01:15:46,800 --> 01:15:49,800
Speaker 2: I mean, there's not much nerding out that I want

1766
01:15:49,800 --> 01:15:50,800
Speaker 2: to do on this. I mean, we can give a

1767
01:15:50,840 --> 01:15:53,439
Speaker 2: quick rundown effective this week. If a song drops below

1768
01:15:53,560 --> 01:15:55,880
Speaker 2: number five after seventy eight weeks, it's removed. If a

1769
01:15:56,040 --> 01:15:59,120
Speaker 2: song drops below number ten after fifty two weeks, it's removed,

1770
01:15:59,840 --> 01:16:02,799
Speaker 2: and so on and so forth. I think this, along

1771
01:16:02,800 --> 01:16:05,519
Speaker 2: with what's going on Spotify, what's going on with radio,

1772
01:16:05,520 --> 01:16:07,679
Speaker 2: which you guys didn't believe me about, everyone is scrambling

1773
01:16:07,680 --> 01:16:11,280
Speaker 2: to change everything because everything is about to change. Spots

1774
01:16:11,320 --> 01:16:15,520
Speaker 2: have ruined everything, Everything needs to switch up, and Billboard

1775
01:16:15,920 --> 01:16:20,120
Speaker 2: labels DSPs. Everyone is getting ahead of everything changing. We're

1776
01:16:20,200 --> 01:16:23,400
Speaker 2: changing rules, Okay, changing rules, I'm with Are.

1777
01:16:23,320 --> 01:16:27,040
Speaker 3: They changing the way artists are paid out or is

1778
01:16:27,080 --> 01:16:29,920
Speaker 3: that going to remain the same exactly.

1779
01:16:31,120 --> 01:16:34,439
Speaker 5: I'm with you on the everybody scrambling. I also think

1780
01:16:34,520 --> 01:16:38,080
Speaker 5: that Billboard. I think that this makes things a little

1781
01:16:38,080 --> 01:16:40,160
Speaker 5: bit fair. And I think the reason why Billboard did

1782
01:16:40,200 --> 01:16:42,680
Speaker 5: this is I don't think that's that big of a conspiracy.

1783
01:16:42,840 --> 01:16:45,280
Speaker 5: There are some songs that are so well loved that

1784
01:16:45,320 --> 01:16:49,559
Speaker 5: they will stay on the charts for years, and it

1785
01:16:49,600 --> 01:16:52,360
Speaker 5: doesn't make room for other artists to enter into those

1786
01:16:52,600 --> 01:16:54,080
Speaker 5: smaller spots, especially if.

1787
01:16:54,000 --> 01:16:57,040
Speaker 2: An icon dies and your song can't get another one.

1788
01:16:58,640 --> 01:16:58,920
Speaker 4: Cool.

1789
01:16:59,120 --> 01:17:01,160
Speaker 2: I'm fine, Yeah, I'm not okay, I get it.

1790
01:17:01,400 --> 01:17:04,080
Speaker 1: I'm not okay, No, I'm not good.

1791
01:17:04,320 --> 01:17:07,040
Speaker 2: No, I hear you. And I think this does make

1792
01:17:07,120 --> 01:17:11,600
Speaker 2: things much more fair. But I think with all the

1793
01:17:11,680 --> 01:17:14,439
Speaker 2: rules changing that there's a specific reason for it, this

1794
01:17:14,600 --> 01:17:17,200
Speaker 2: being one of them that I agree with, like even

1795
01:17:17,200 --> 01:17:20,400
Speaker 2: but again, like I think Teddy Swims lose control deserved

1796
01:17:20,400 --> 01:17:22,200
Speaker 2: to be on the Billboard as long as it was.

1797
01:17:22,240 --> 01:17:25,280
Speaker 2: It's an incredible record, and it kept streaming fairly.

1798
01:17:25,120 --> 01:17:27,400
Speaker 5: Like yes, but I mean, but we get it, like

1799
01:17:27,560 --> 01:17:29,120
Speaker 5: you know what I'm saying, Like because okay, so if

1800
01:17:29,160 --> 01:17:33,240
Speaker 5: the Billboard was getting you, if you were being paid

1801
01:17:33,320 --> 01:17:36,040
Speaker 5: every week for being on Billboard, then that makes sense

1802
01:17:36,080 --> 01:17:38,240
Speaker 5: because then you're taking food out of the out of

1803
01:17:38,240 --> 01:17:38,920
Speaker 5: their mouths.

1804
01:17:38,960 --> 01:17:40,840
Speaker 4: But if it's just like, okay, we get it.

1805
01:17:40,880 --> 01:17:43,320
Speaker 5: You've been number one for such and such many weeks

1806
01:17:43,360 --> 01:17:46,479
Speaker 5: after two hundred weeks, Like it's fine, Okay, you were

1807
01:17:47,000 --> 01:17:48,840
Speaker 5: on the charts for two hundred weeks. Kick him the

1808
01:17:48,840 --> 01:17:51,519
Speaker 5: fuck off and let somebody else come on, Like it's

1809
01:17:51,720 --> 01:17:52,400
Speaker 5: that's insane.

1810
01:17:54,920 --> 01:17:55,280
Speaker 1: I don't know.

1811
01:17:55,280 --> 01:17:59,080
Speaker 2: I mean to me again, if you're taking away any

1812
01:17:59,360 --> 01:18:01,280
Speaker 2: and I don't even want to say bots because when

1813
01:18:01,320 --> 01:18:06,519
Speaker 2: it was CDs, let's not act like even Universal Deaf

1814
01:18:06,560 --> 01:18:08,960
Speaker 2: Jam Cash Money. Everyone is admitted they were buying hundreds

1815
01:18:08,960 --> 01:18:11,320
Speaker 2: of thousands of CDs to make sure they got to

1816
01:18:11,439 --> 01:18:13,040
Speaker 2: number one. Like this isn't a new thing, it's just

1817
01:18:13,080 --> 01:18:17,280
Speaker 2: now it's it's bots because it's tech. Yeah, I do

1818
01:18:17,360 --> 01:18:21,560
Speaker 2: think if it's fair, why shouldn't the one that's streaming

1819
01:18:21,920 --> 01:18:22,840
Speaker 2: the most stay there.

1820
01:18:24,520 --> 01:18:26,519
Speaker 1: I don't think that's a bad thing.

1821
01:18:26,960 --> 01:18:29,639
Speaker 2: Like as much as as annoying as it was that

1822
01:18:29,720 --> 01:18:32,120
Speaker 2: the Spurs were in the fucking finals every year, or

1823
01:18:32,120 --> 01:18:34,160
Speaker 2: the Patriots were in the Super Bowl every year, or

1824
01:18:34,200 --> 01:18:37,719
Speaker 2: the Kansas City Chiefs have been there, Like, we about

1825
01:18:37,720 --> 01:18:39,320
Speaker 2: to do what the NBA did and block the Chris

1826
01:18:39,560 --> 01:18:42,479
Speaker 2: Paul deal because that's fucked up. Like, if this is

1827
01:18:42,520 --> 01:18:45,240
Speaker 2: how the system is set up, why what's wrong with that?

1828
01:18:45,320 --> 01:18:49,400
Speaker 2: They're fairly doing it. I'd be pissed if they told

1829
01:18:49,400 --> 01:18:53,000
Speaker 2: Tom Brady, yo, you're too good, no more super Bowls

1830
01:18:53,000 --> 01:18:58,200
Speaker 2: for you, bro. But you're not fucked up with that complete.

1831
01:18:57,960 --> 01:19:02,160
Speaker 5: That's completely different because cause a Super Bowl is such

1832
01:19:02,200 --> 01:19:03,120
Speaker 5: a huge moment.

1833
01:19:03,320 --> 01:19:04,240
Speaker 4: They're not saying.

1834
01:19:04,000 --> 01:19:06,880
Speaker 5: They're ruin recordoard, but it's not. They're not removing number one.

1835
01:19:06,960 --> 01:19:09,320
Speaker 5: That's not the rule. That's not the rule. The rule

1836
01:19:09,439 --> 01:19:11,960
Speaker 5: is the motherfuckers that's over there sitting at ninety seven

1837
01:19:12,040 --> 01:19:15,200
Speaker 5: for five years. They can go like you see what

1838
01:19:15,240 --> 01:19:17,120
Speaker 5: I'm saying, Like that's if they're not taking people from

1839
01:19:17,200 --> 01:19:19,880
Speaker 5: number one or number two or number three or number

1840
01:19:19,960 --> 01:19:21,200
Speaker 5: four or number five.

1841
01:19:21,280 --> 01:19:24,040
Speaker 1: Okay, but I'm saying too, all right, let me let

1842
01:19:24,080 --> 01:19:24,639
Speaker 1: me not say.

1843
01:19:24,479 --> 01:19:25,840
Speaker 3: But do you want to be the artist that enters

1844
01:19:25,840 --> 01:19:29,600
Speaker 3: the Billboard because they remove somebody that was just like stagnant,

1845
01:19:29,640 --> 01:19:31,679
Speaker 3: like oh I got in because they took Homie off.

1846
01:19:32,160 --> 01:19:36,760
Speaker 5: Yeah, music from no No, because it's because no no,

1847
01:19:36,800 --> 01:19:38,479
Speaker 5: it's not about you making bad music.

1848
01:19:38,520 --> 01:19:39,200
Speaker 4: It has nothing to.

1849
01:19:39,160 --> 01:19:39,519
Speaker 1: Do with that.

1850
01:19:39,600 --> 01:19:42,960
Speaker 5: Because we all know when Taylor Swift releases a fucking album,

1851
01:19:43,160 --> 01:19:46,240
Speaker 5: she knocks like ten people off because her entire album

1852
01:19:46,320 --> 01:19:48,880
Speaker 5: is going to go to slots number one through ten.

1853
01:19:49,439 --> 01:19:51,880
Speaker 5: That doesn't and it's gonna stay there for a while.

1854
01:19:52,080 --> 01:19:54,000
Speaker 5: So the people who are inching in it. And then

1855
01:19:54,600 --> 01:19:55,240
Speaker 5: you said, what.

1856
01:19:55,120 --> 01:19:55,840
Speaker 1: It's good music?

1857
01:19:56,960 --> 01:19:58,880
Speaker 2: No, I know, I hear what you're saying as fucked up.

1858
01:19:58,880 --> 01:20:00,519
Speaker 2: And I won't use the Tom Brady thing again. It's

1859
01:20:00,520 --> 01:20:02,680
Speaker 2: not the number one. But like, okay, that'd be like

1860
01:20:03,320 --> 01:20:05,320
Speaker 2: Mike Vrabel, you can't go to the super Bowl this year,

1861
01:20:05,720 --> 01:20:07,599
Speaker 2: Like you're not the best player, but you're in five

1862
01:20:07,640 --> 01:20:10,360
Speaker 2: super Bowls and you play really well. Robert Rory can't

1863
01:20:10,360 --> 01:20:12,280
Speaker 2: get a ring and just stay at number seventy eight

1864
01:20:12,320 --> 01:20:14,400
Speaker 2: on the Billboard charts. Like if I'm there for one

1865
01:20:14,479 --> 01:20:16,200
Speaker 2: hundred weeks here, that's a stat for me. That's cool

1866
01:20:16,240 --> 01:20:18,439
Speaker 2: that I stayed in the Billboard Hot one hundred. That's

1867
01:20:18,439 --> 01:20:20,559
Speaker 2: a stat for an artist. But do you know it's

1868
01:20:20,920 --> 01:20:23,320
Speaker 2: just because you're not number one. The hot one hundred

1869
01:20:23,360 --> 01:20:25,200
Speaker 2: is like a thing for an artist.

1870
01:20:25,560 --> 01:20:29,479
Speaker 5: Yes, but it's not like he hit the Hot one hundred, like,

1871
01:20:29,560 --> 01:20:32,320
Speaker 5: oh my god, it's not like he's climbing right, Like,

1872
01:20:32,360 --> 01:20:35,639
Speaker 5: for example, we just spoke about Folded. Shoutouts of Folded.

1873
01:20:35,680 --> 01:20:37,679
Speaker 5: It just hit number seven on the Billboard charts. Right,

1874
01:20:37,880 --> 01:20:40,599
Speaker 5: Folded is climbing. It's been there for a little while,

1875
01:20:40,640 --> 01:20:41,360
Speaker 5: but it's climbing.

1876
01:20:41,439 --> 01:20:42,559
Speaker 1: The record is not number one.

1877
01:20:42,640 --> 01:20:43,680
Speaker 4: No, it didn't go number one.

1878
01:20:43,760 --> 01:20:46,160
Speaker 5: I think y'all like misundersd like records don't be going

1879
01:20:46,240 --> 01:20:48,000
Speaker 5: number one. I feel like me and you have this issue.

1880
01:20:48,000 --> 01:20:50,080
Speaker 5: A lot record, A lot of the records that we

1881
01:20:50,160 --> 01:20:51,320
Speaker 5: love don't go number one.

1882
01:20:51,360 --> 01:20:54,439
Speaker 2: Teddy Swims losing Control just left the top ten. And

1883
01:20:54,479 --> 01:20:58,400
Speaker 2: I believe that came out two years ago. Wow, through

1884
01:20:58,439 --> 01:21:01,160
Speaker 2: the Taylor Swift thing, through everything or folded with number one,

1885
01:21:01,280 --> 01:21:06,519
Speaker 2: No no, And I mean, I get it. You have

1886
01:21:06,560 --> 01:21:09,200
Speaker 2: to adjust because of streaming because that can keep things

1887
01:21:09,200 --> 01:21:13,240
Speaker 2: weekly outside of album sales, and like there wasn't so sales.

1888
01:21:15,479 --> 01:21:18,000
Speaker 5: We all know, the bigger the artists and the bigger

1889
01:21:18,040 --> 01:21:20,360
Speaker 5: the label and the more money that is behind them,

1890
01:21:20,400 --> 01:21:22,920
Speaker 5: you can get playlisted. If playlisted is going to keep

1891
01:21:22,960 --> 01:21:25,439
Speaker 5: you on the Billboard charts longer, that doesn't mean that

1892
01:21:25,520 --> 01:21:27,439
Speaker 5: you have a better song, or it means that you

1893
01:21:27,520 --> 01:21:29,880
Speaker 5: have access to more money and more funding. So it's

1894
01:21:29,920 --> 01:21:33,040
Speaker 5: not make better music, it's they're gonna make sure that

1895
01:21:33,120 --> 01:21:37,680
Speaker 5: Taylor Swift or Taylor Swift or Drake or Kendrick or

1896
01:21:37,760 --> 01:21:40,879
Speaker 5: all of these people are on all of these fucking playlists.

1897
01:21:40,920 --> 01:21:44,400
Speaker 5: So yes, their songs are going to stay longer because

1898
01:21:44,400 --> 01:21:47,960
Speaker 5: people who are discovering them or listening to them sometimes

1899
01:21:47,960 --> 01:21:48,800
Speaker 5: against their will.

1900
01:21:48,960 --> 01:21:49,840
Speaker 4: Are you seeing what I'm saying?

1901
01:21:49,840 --> 01:21:52,160
Speaker 5: Whereas you might have a small artist that's right there,

1902
01:21:52,640 --> 01:21:54,280
Speaker 5: right there, it's okay.

1903
01:21:54,000 --> 01:21:56,000
Speaker 4: To take Taylor's song off that's been on that bitch

1904
01:21:56,000 --> 01:21:56,479
Speaker 4: for a hundred.

1905
01:21:56,560 --> 01:21:58,960
Speaker 5: It's been okay to take Teddy Swims off or Benson boons,

1906
01:21:59,160 --> 01:22:02,400
Speaker 5: it's okay to socialism they hit. No, it's not because

1907
01:22:02,439 --> 01:22:04,160
Speaker 5: you hit number one or you hit where you were

1908
01:22:04,160 --> 01:22:04,559
Speaker 5: gonna hit.

1909
01:22:04,600 --> 01:22:05,320
Speaker 2: You hit your peak.

1910
01:22:05,600 --> 01:22:09,040
Speaker 5: You'd done drop down, you'd done drop down, and now

1911
01:22:09,040 --> 01:22:10,559
Speaker 5: it's time for other people to get the chance. You

1912
01:22:10,640 --> 01:22:13,519
Speaker 5: have the accolade. Nobody's taking that accolae from you. No,

1913
01:22:13,640 --> 01:22:16,680
Speaker 5: nothing they sat after seventy eight weeks. Bro y'all fucking long.

1914
01:22:16,760 --> 01:22:17,840
Speaker 4: Seventy eight weeks is.

1915
01:22:17,880 --> 01:22:20,280
Speaker 2: If it's fair, it's fine with me. Again, I think

1916
01:22:20,360 --> 01:22:23,840
Speaker 2: they're scrambling to change the rules and everything because I'm

1917
01:22:23,840 --> 01:22:27,000
Speaker 2: not saying anything specific to Kendrick or Drake as far

1918
01:22:27,000 --> 01:22:29,240
Speaker 2: as bots, but I think the bot thing has gotten

1919
01:22:29,280 --> 01:22:33,080
Speaker 2: so far out of control for every single artist signed

1920
01:22:33,160 --> 01:22:35,800
Speaker 2: to a major that everyone is changing the rules in

1921
01:22:35,840 --> 01:22:39,200
Speaker 2: the midst of them being caught doing it. I yeah,

1922
01:22:39,200 --> 01:22:41,640
Speaker 2: this is cool, but it's not like it's an asterisk

1923
01:22:41,640 --> 01:22:45,439
Speaker 2: on Roger Maris hitting sixty one home runs because he

1924
01:22:45,479 --> 01:22:47,360
Speaker 2: had an extra few games, Like we're putting at so

1925
01:22:47,439 --> 01:22:49,800
Speaker 2: Taylor still gets the accolade, but someone else's name gets

1926
01:22:49,800 --> 01:22:52,360
Speaker 2: to be put there. Like this is a participation trophy

1927
01:22:52,360 --> 01:22:54,320
Speaker 2: to me, like, this is the real world. If it's fair,

1928
01:22:54,720 --> 01:22:57,080
Speaker 2: she should stay there. If it's fair, it's never gonna

1929
01:22:57,080 --> 01:22:58,880
Speaker 2: be fair. So are we talking about if it's never

1930
01:22:58,920 --> 01:22:59,240
Speaker 2: gonna be.

1931
01:22:59,240 --> 01:23:01,240
Speaker 1: There trying to make a fit or now it's trying

1932
01:23:01,240 --> 01:23:02,360
Speaker 1: to take a while. Of course, the.

1933
01:23:02,400 --> 01:23:05,360
Speaker 5: Face artists and with money and you will always have

1934
01:23:05,400 --> 01:23:07,839
Speaker 5: access to more resources. It's never going to be completely

1935
01:23:07,880 --> 01:23:09,599
Speaker 5: fair to the music industry, will never be fair. But

1936
01:23:09,680 --> 01:23:11,120
Speaker 5: this makes it a little bit more fair.

1937
01:23:12,200 --> 01:23:13,880
Speaker 3: They're trying to they're trying to make it look like

1938
01:23:13,920 --> 01:23:17,320
Speaker 3: they trying to make it fair. Okay, let's make it fair.

1939
01:23:17,439 --> 01:23:19,479
Speaker 3: But I don't think much is going to change as

1940
01:23:19,520 --> 01:23:23,679
Speaker 3: a result of this. I don't honestly, Yeah, I don't

1941
01:23:23,680 --> 01:23:25,680
Speaker 3: think much is going to change, just being honest with I.

1942
01:23:25,680 --> 01:23:26,880
Speaker 4: Think we'll see. We'll see.

1943
01:23:26,920 --> 01:23:29,000
Speaker 5: Maybe you know a couple of new songs hit that

1944
01:23:29,000 --> 01:23:31,360
Speaker 5: that top one hundred that deserve to be there, but

1945
01:23:31,400 --> 01:23:32,400
Speaker 5: they might not have access.

1946
01:23:32,400 --> 01:23:34,720
Speaker 2: But I mean, listen, if you have if you're in

1947
01:23:34,720 --> 01:23:37,880
Speaker 2: the top ten for a year, that's crazy. That's why

1948
01:23:37,880 --> 01:23:39,679
Speaker 2: I was saying after Teddy Swims was there for almost

1949
01:23:39,680 --> 01:23:43,200
Speaker 2: two years, like, yeah, if you dropped to number eleven

1950
01:23:43,320 --> 01:23:43,920
Speaker 2: after a year.

1951
01:23:45,320 --> 01:23:47,280
Speaker 1: Cool, we should be removed, but like, I don't know,

1952
01:23:47,360 --> 01:23:48,280
Speaker 1: that's still fucked up.

1953
01:23:48,400 --> 01:23:50,439
Speaker 2: Like, if my shit is streaming fairly that way, why

1954
01:23:50,439 --> 01:23:53,800
Speaker 2: are you taking me off my Yeah, yeah, this is

1955
01:23:53,840 --> 01:23:55,040
Speaker 2: capitalism versus socialism.

1956
01:23:55,240 --> 01:23:56,800
Speaker 4: I don't even think that. Honestly, I don't even think

1957
01:23:56,840 --> 01:23:57,800
Speaker 4: the people who I think.

1958
01:23:57,840 --> 01:23:59,639
Speaker 5: Once you've been on Spotify for it, I mean, you've

1959
01:23:59,640 --> 01:24:01,280
Speaker 5: been on the Billboard charts for a year, I don't

1960
01:24:01,280 --> 01:24:03,320
Speaker 5: even think them artist is really like, hey, you took

1961
01:24:03,360 --> 01:24:04,800
Speaker 5: me down, like I really wanted it to be a

1962
01:24:04,880 --> 01:24:06,360
Speaker 5: year and three months. Like, I don't think they give

1963
01:24:06,360 --> 01:24:07,800
Speaker 5: a fuck. I was on there for a year. I

1964
01:24:07,800 --> 01:24:08,759
Speaker 5: had that talking point.

1965
01:24:09,880 --> 01:24:11,439
Speaker 3: I mean, if you any and if you like me,

1966
01:24:11,640 --> 01:24:14,160
Speaker 3: I don't give a fuck where they at on the charts.

1967
01:24:14,240 --> 01:24:15,920
Speaker 3: That I don't even check for that type of ship.

1968
01:24:15,960 --> 01:24:17,480
Speaker 3: If the music is good, I'm listening.

1969
01:24:17,160 --> 01:24:19,840
Speaker 4: Well, the artist cares because the artists and the money.

1970
01:24:19,960 --> 01:24:23,080
Speaker 3: Yeah, like the artists obviously care, But I mean fans,

1971
01:24:23,120 --> 01:24:24,960
Speaker 3: I mean I don't. We don't give a fuck about it. Well,

1972
01:24:25,000 --> 01:24:26,280
Speaker 3: let me say I don't give a fuck about any

1973
01:24:26,320 --> 01:24:26,679
Speaker 3: of this ship.

1974
01:24:26,800 --> 01:24:28,639
Speaker 2: Okay, then what does that do to the Billboard Awards?

1975
01:24:29,360 --> 01:24:29,880
Speaker 1: You watched that.

1976
01:24:30,760 --> 01:24:32,360
Speaker 2: No, I've always said it was one of the most

1977
01:24:32,560 --> 01:24:34,680
Speaker 2: pointless award shows because you can just go on the

1978
01:24:34,720 --> 01:24:35,679
Speaker 2: internet and see who wins.

1979
01:24:35,800 --> 01:24:38,720
Speaker 1: Like it's not like I.

1980
01:24:41,160 --> 01:24:42,960
Speaker 2: Can literally just check every week and who's gonna win.

1981
01:24:44,640 --> 01:24:47,960
Speaker 2: But also I think, yeah, this only really affects artists

1982
01:24:48,000 --> 01:24:51,000
Speaker 2: and stand accounts that are doing ship like who is

1983
01:24:51,040 --> 01:24:53,720
Speaker 2: on Vogue for the first time? Like this is all

1984
01:24:53,840 --> 01:24:57,320
Speaker 2: kind of weird to me because it's not and this this.

1985
01:24:57,960 --> 01:24:59,719
Speaker 1: Is effective as of right now.

1986
01:25:00,160 --> 01:25:03,320
Speaker 3: Yeah, all right, well, let's pay close attention in the

1987
01:25:03,320 --> 01:25:06,000
Speaker 3: next year and see see if we notice any changes.

1988
01:25:06,560 --> 01:25:11,599
Speaker 2: I caught the less tailor. I caught the meltdown to

1989
01:25:11,640 --> 01:25:13,400
Speaker 2: some degree over the last week. I'm not sure if

1990
01:25:13,400 --> 01:25:15,519
Speaker 2: you guys touched fully upon it. Of the no rap

1991
01:25:15,560 --> 01:25:17,679
Speaker 2: songs are in the top forty Billboard Hot one hundred

1992
01:25:17,680 --> 01:25:19,719
Speaker 2: for the first time since nineteen ninety.

1993
01:25:19,800 --> 01:25:22,760
Speaker 1: But there is one in the top fifty. They just think,

1994
01:25:22,800 --> 01:25:25,479
Speaker 1: you know, they cut it at forty just because it

1995
01:25:25,520 --> 01:25:28,880
Speaker 1: reads better. Okay, there's a rap song number fifty. I

1996
01:25:28,880 --> 01:25:30,200
Speaker 1: think we should be removed. I think it's a big

1997
01:25:30,200 --> 01:25:32,559
Speaker 1: extra plug. I think he's number fifty. How long has

1998
01:25:32,600 --> 01:25:33,840
Speaker 1: it been there? Because I think it shouldt the fuck

1999
01:25:33,840 --> 01:25:35,800
Speaker 1: out of there. Well, I don't know, I don't know

2000
01:25:35,840 --> 01:25:37,720
Speaker 1: how many weeks he's been here, but I think he

2001
01:25:37,800 --> 01:25:38,840
Speaker 1: is number fifty. I don't know.

2002
01:25:38,920 --> 01:25:40,840
Speaker 2: I don't have like the same meltdown that I saw

2003
01:25:41,000 --> 01:25:44,320
Speaker 2: all of our media peers have, Like I don't think

2004
01:25:44,320 --> 01:25:45,320
Speaker 2: this matters that much.

2005
01:25:45,880 --> 01:25:49,680
Speaker 3: Oh No, it matters to the artist. It matters to us.

2006
01:25:49,720 --> 01:25:53,200
Speaker 3: We don't give a fuck to the artist. To rappers

2007
01:25:53,600 --> 01:25:54,719
Speaker 3: just definitely matters.

2008
01:25:55,240 --> 01:26:00,439
Speaker 2: One bo you're saying on like the Superstar side It

2009
01:26:01,320 --> 01:26:06,240
Speaker 2: or or what like, Yeah, yeah.

2010
01:26:06,080 --> 01:26:07,800
Speaker 3: Labels are not they're not because this is all just

2011
01:26:07,880 --> 01:26:11,759
Speaker 3: labels not putting money behind rap songs.

2012
01:26:11,960 --> 01:26:12,680
Speaker 1: That's all it's is.

2013
01:26:12,720 --> 01:26:14,679
Speaker 3: It's not like people then put out good rap songs.

2014
01:26:15,040 --> 01:26:17,040
Speaker 3: The labels are not putting the money behind these rap

2015
01:26:17,080 --> 01:26:19,720
Speaker 3: songs that they once were. So what does that mean

2016
01:26:19,760 --> 01:26:22,160
Speaker 3: for rappers? What does that mean between them and their labels?

2017
01:26:22,160 --> 01:26:25,920
Speaker 3: Are labels willing to put money behind them still or

2018
01:26:26,200 --> 01:26:28,040
Speaker 3: at all? How much are they putting behind it?

2019
01:26:28,080 --> 01:26:28,240
Speaker 1: Like?

2020
01:26:29,320 --> 01:26:32,200
Speaker 3: So, yeah, the rappers care one thousand percent because this

2021
01:26:32,280 --> 01:26:34,480
Speaker 3: is directly affects them in their business.

2022
01:26:34,240 --> 01:26:36,840
Speaker 2: With the labels, and they should care if they're getting

2023
01:26:36,880 --> 01:26:38,720
Speaker 2: removed after.

2024
01:26:39,040 --> 01:26:42,120
Speaker 1: No, that's they do. The artists care, and us the fans,

2025
01:26:42,120 --> 01:26:43,599
Speaker 1: we don't care. We don't look at thish NBA.

2026
01:26:43,680 --> 01:26:46,800
Speaker 5: Young Boy is number forty three with shot Calling and

2027
01:26:46,880 --> 01:26:49,400
Speaker 5: he's been on the charts for six weeks, So.

2028
01:26:49,800 --> 01:26:51,960
Speaker 1: Good for Young Big Extra Plugs not on that Big X.

2029
01:26:52,040 --> 01:26:54,800
Speaker 4: The Plug is number fifty okay with Hell at Night.

2030
01:26:55,880 --> 01:26:58,800
Speaker 1: Okay. I mean, I don't know. I just think rap

2031
01:26:58,880 --> 01:27:03,000
Speaker 1: isn't like a good place. Oh the music, yeah, yeah,

2032
01:27:03,200 --> 01:27:04,120
Speaker 1: just about the business of.

2033
01:27:04,080 --> 01:27:06,800
Speaker 2: It, Like there's been years since nineteen ninety where it

2034
01:27:06,840 --> 01:27:08,519
Speaker 2: felt really fucking bad and they were still in the

2035
01:27:08,520 --> 01:27:09,080
Speaker 2: top foy.

2036
01:27:09,120 --> 01:27:10,400
Speaker 1: Oh no, for sure, for sure.

2037
01:27:10,439 --> 01:27:11,720
Speaker 2: But I mean, I guess does that just proved that

2038
01:27:11,720 --> 01:27:14,960
Speaker 2: Billboard doesn't mean much if the point is their labels

2039
01:27:14,960 --> 01:27:17,640
Speaker 2: aren't putting money behind those records, which the money that

2040
01:27:18,240 --> 01:27:20,160
Speaker 2: the label puts behind the artists is just gonna have

2041
01:27:20,200 --> 01:27:22,479
Speaker 2: to owe back anyways. It's not like the labels giving

2042
01:27:22,520 --> 01:27:25,760
Speaker 2: them a good gesture push. The money they'd have to

2043
01:27:25,800 --> 01:27:27,519
Speaker 2: put up to get on Billboard, they have to.

2044
01:27:27,439 --> 01:27:28,799
Speaker 1: O back, they have to pay it.

2045
01:27:28,880 --> 01:27:31,320
Speaker 2: So it's like, I just I didn't look at this

2046
01:27:31,479 --> 01:27:33,599
Speaker 2: like it wasn't over for hip hop.

2047
01:27:34,280 --> 01:27:36,200
Speaker 1: No, no, no, it's definitely not all.

2048
01:27:36,200 --> 01:27:38,639
Speaker 2: I understand a few years ago it was the highest

2049
01:27:38,640 --> 01:27:41,840
Speaker 2: stream genre, which was a big w for hip hop,

2050
01:27:41,840 --> 01:27:45,200
Speaker 2: But I don't know. It goes back to the superstar

2051
01:27:45,240 --> 01:27:47,280
Speaker 2: thing for me too. Yes, labels are not investing as

2052
01:27:47,360 --> 01:27:50,320
Speaker 2: much in rap, but there's also no superstars. And I'm

2053
01:27:50,360 --> 01:27:52,720
Speaker 2: not saying that a label putting a bunch of money

2054
01:27:52,760 --> 01:27:54,360
Speaker 2: into an artist is going to make them superstar.

2055
01:27:54,880 --> 01:27:57,160
Speaker 1: No, it just isn't superstars.

2056
01:27:57,439 --> 01:28:02,599
Speaker 2: But like, if Travis drops tomorrow, yeah, Top twenty will

2057
01:28:02,600 --> 01:28:05,599
Speaker 2: be a whole Travis album scattered throughout the top twenty

2058
01:28:05,760 --> 01:28:11,080
Speaker 2: on Billboard, So no one's dropping, like that's of that stature.

2059
01:28:11,200 --> 01:28:12,200
Speaker 2: But I mean, I think shout out to.

2060
01:28:12,200 --> 01:28:14,280
Speaker 1: Big X, the Plug and a Young Boy that they're

2061
01:28:14,360 --> 01:28:14,719
Speaker 1: up there.

2062
01:28:15,360 --> 01:28:18,320
Speaker 2: I think that whole h just drop singles thing is

2063
01:28:18,400 --> 01:28:21,000
Speaker 2: kind of backfired on the labels a bit because we

2064
01:28:21,040 --> 01:28:23,920
Speaker 2: see what the albums do for the charts that matter

2065
01:28:24,040 --> 01:28:27,479
Speaker 2: to the labels and the artists, Like that's why they're

2066
01:28:27,560 --> 01:28:30,559
Speaker 2: changing the rules, because Taylor's fucking there through the whole thing.

2067
01:28:30,880 --> 01:28:34,920
Speaker 2: When Drake dropped for all the Dogs, wasn't at fucking

2068
01:28:35,000 --> 01:28:38,040
Speaker 2: every record. When GNX came out, every fucking record was

2069
01:28:38,080 --> 01:28:40,479
Speaker 2: in the top ten. Like, I think the labels kind

2070
01:28:40,479 --> 01:28:42,439
Speaker 2: of played themselves a bit of like, Yo, we shouldn't

2071
01:28:42,439 --> 01:28:45,240
Speaker 2: do this fucking album thing. Let's just CARDI just do

2072
01:28:45,360 --> 01:28:48,760
Speaker 2: one song a y like, you know, like the Mike

2073
01:28:48,840 --> 01:28:50,760
Speaker 2: Karen strategy. No dispect to Mike Karen. Like, I just

2074
01:28:50,800 --> 01:28:55,040
Speaker 2: think that strategy. They're seeing the result of it. It

2075
01:28:55,080 --> 01:28:57,400
Speaker 2: didn't work in Billboard and streaming the way you guys

2076
01:28:57,479 --> 01:28:59,120
Speaker 2: thought it would when it comes to charts.

2077
01:28:59,320 --> 01:29:01,120
Speaker 1: If you can about the charts, they could not care.

2078
01:29:01,160 --> 01:29:03,960
Speaker 2: I don't know, but albums are the ones that are

2079
01:29:03,960 --> 01:29:06,400
Speaker 2: sticking to the point they got to change the rules.

2080
01:29:06,520 --> 01:29:09,479
Speaker 1: Just continue to make good music. Fuck the charge for

2081
01:29:09,680 --> 01:29:09,840
Speaker 1: all that.

2082
01:29:09,960 --> 01:29:12,400
Speaker 3: I mean, I understand that it's important to their business,

2083
01:29:12,400 --> 01:29:17,519
Speaker 3: but like good good music, great music that always pierces

2084
01:29:17,560 --> 01:29:20,080
Speaker 3: through that that's what stands at test the time. I

2085
01:29:20,080 --> 01:29:22,000
Speaker 3: don't know what some of my favorite songs and favorite

2086
01:29:22,000 --> 01:29:23,640
Speaker 3: albums landed on the charts. I know that I love

2087
01:29:23,680 --> 01:29:25,360
Speaker 3: this fucking album, so I.

2088
01:29:25,320 --> 01:29:28,240
Speaker 5: Mean, yeah, and I want to clarify, I'm sorry Folded

2089
01:29:28,320 --> 01:29:29,759
Speaker 5: is at fourteen, not number seven.

2090
01:29:30,080 --> 01:29:30,840
Speaker 4: That was my mistake.

2091
01:29:31,200 --> 01:29:33,960
Speaker 1: Fourteen is still yeah crazy If that's its peak so far,

2092
01:29:34,080 --> 01:29:36,000
Speaker 1: Thank you for that, baby, dude. They would have killed

2093
01:29:36,040 --> 01:29:36,920
Speaker 1: you for that, you know, they would have got you.

2094
01:29:37,000 --> 01:29:37,720
Speaker 4: Yeah, they would kill me.

2095
01:29:37,720 --> 01:29:39,400
Speaker 2: So I just we don't want them to kill to

2096
01:29:39,439 --> 01:29:44,720
Speaker 2: do my research. Produce her your journalist ed yea. And

2097
01:29:44,760 --> 01:29:47,320
Speaker 2: while we are on the box situation, there was a

2098
01:29:47,439 --> 01:29:52,880
Speaker 2: lawsuit that was filed by Snoop's cousin or nephew nephew.

2099
01:29:52,880 --> 01:29:55,120
Speaker 2: I think he calls everyone nephew though, so I don't.

2100
01:29:55,439 --> 01:29:58,680
Speaker 3: It might be blood nephew though, Okay, might be I

2101
01:29:58,680 --> 01:30:02,920
Speaker 3: don't know. Maybe is his cousin well, I mean crip

2102
01:30:03,000 --> 01:30:03,760
Speaker 3: cause you know how that go.

2103
01:30:04,560 --> 01:30:06,360
Speaker 2: Yeah. But then also when I was a kid, I

2104
01:30:06,439 --> 01:30:10,479
Speaker 2: really thought that bow wows Snoop's nephew. So yes, his

2105
01:30:10,520 --> 01:30:15,920
Speaker 2: cousin or nephew RBX foiled a lawsuit against Spotify, suggesting

2106
01:30:16,200 --> 01:30:20,800
Speaker 2: that they turned a blind eye to bots, specifically with

2107
01:30:20,920 --> 01:30:24,160
Speaker 2: Drake with the no face record that there was an

2108
01:30:24,280 --> 01:30:28,800
Speaker 2: uptick in Turkey. I think a quarter million streams in

2109
01:30:28,880 --> 01:30:31,240
Speaker 2: like one day or something at a specific town in Turkey.

2110
01:30:31,520 --> 01:30:33,960
Speaker 2: But we covered this years and years ago, Maul. We

2111
01:30:33,960 --> 01:30:36,120
Speaker 2: even talked about going to that small town and I

2112
01:30:36,120 --> 01:30:40,519
Speaker 2: think it was somewhere by Minneapolis. This was like year

2113
01:30:40,600 --> 01:30:44,479
Speaker 2: one of New Roory and maow. They had found just

2114
01:30:44,520 --> 01:30:47,600
Speaker 2: in this small town, there was like hundreds of thousands

2115
01:30:47,640 --> 01:30:50,080
Speaker 2: of streams for all these different artists, and it was like,

2116
01:30:50,160 --> 01:30:52,040
Speaker 2: there's not even enough people in this town to do

2117
01:30:52,080 --> 01:30:54,920
Speaker 2: this shit. So it was one of those they said

2118
01:30:54,920 --> 01:30:58,800
Speaker 2: specifically against Drake no face. I don't know how much

2119
01:30:58,840 --> 01:31:00,280
Speaker 2: legs is gonna have. That's all we know.

2120
01:31:00,200 --> 01:31:01,120
Speaker 1: At this point.

2121
01:31:02,880 --> 01:31:07,280
Speaker 2: But I mean I think this this is against everybody eventually.

2122
01:31:08,479 --> 01:31:12,840
Speaker 2: That's all we have at this point. Yeah, but I

2123
01:31:12,880 --> 01:31:21,439
Speaker 2: mean interesting that RBX just like broke this. Listen if

2124
01:31:21,439 --> 01:31:24,680
Speaker 2: he's right, great, But I just laughed, like, wait, this

2125
01:31:24,760 --> 01:31:28,040
Speaker 2: is the most random ship. This isn't a corporation doing it.

2126
01:31:28,080 --> 01:31:29,920
Speaker 2: This is just rb Like, you know what, let me

2127
01:31:29,920 --> 01:31:33,800
Speaker 2: go file against Spotify. Yeah, he was just in like

2128
01:31:33,840 --> 01:31:37,320
Speaker 2: the he was in the dark web of Reddit. It

2129
01:31:37,360 --> 01:31:39,600
Speaker 2: was just just searching in Turkey and found all those streams.

2130
01:31:40,040 --> 01:31:41,720
Speaker 1: Yeah. I don't know how much legs this has, but

2131
01:31:41,880 --> 01:31:42,320
Speaker 1: I mean.

2132
01:31:42,400 --> 01:31:44,600
Speaker 2: It could and I mean shit, I've always been on

2133
01:31:44,640 --> 01:31:47,200
Speaker 2: the side that everybody uses bots, whether they know it

2134
01:31:47,280 --> 01:31:49,160
Speaker 2: or not. If you're at that level, I think you

2135
01:31:49,200 --> 01:31:52,519
Speaker 2: could be an oblivious artist from every a lister you

2136
01:31:52,520 --> 01:31:55,320
Speaker 2: could think of, and somebody's gonna watch your ship, whether

2137
01:31:55,320 --> 01:31:57,400
Speaker 2: you be on a major, whether they hire at their

2138
01:31:57,479 --> 01:31:59,920
Speaker 2: party company. I have been on this side from the beginning.

2139
01:32:00,280 --> 01:32:06,000
Speaker 2: I'm curious to see where where this goes. But again,

2140
01:32:07,080 --> 01:32:09,400
Speaker 2: Spotify and Universal are in bed together.

2141
01:32:09,160 --> 01:32:11,240
Speaker 1: So not far fetched.

2142
01:32:11,280 --> 01:32:13,800
Speaker 2: But it's not far fetched at all, not even a

2143
01:32:13,840 --> 01:32:16,920
Speaker 2: little bit. But I mean, of course there was outrage.

2144
01:32:17,600 --> 01:32:21,799
Speaker 2: Now that's that's either here nor there.

2145
01:32:22,160 --> 01:32:23,200
Speaker 1: Everybody's outraised.

2146
01:32:23,760 --> 01:32:25,080
Speaker 2: But yeah, do we have voicemails?

2147
01:32:25,479 --> 01:32:27,120
Speaker 1: Do we have voicemails?

2148
01:32:27,640 --> 01:32:33,639
Speaker 3: You've got male male voices, blunt by Boost Mobile, unlimited talk,

2149
01:32:33,720 --> 01:32:36,000
Speaker 3: texting data male voices.

2150
01:32:36,000 --> 01:32:40,760
Speaker 1: All right, Yo, this is Dame male voice.

2151
01:32:42,040 --> 01:32:44,720
Speaker 6: I got a question mainly for baby d I want

2152
01:32:44,720 --> 01:32:46,240
Speaker 6: to hear the woman perspective, and I don't want to

2153
01:32:46,280 --> 01:32:47,920
Speaker 6: know for you or if y'all have been through it.

2154
01:32:48,040 --> 01:32:53,280
Speaker 6: Article in a relationship for almost two years now, everything

2155
01:32:53,479 --> 01:32:58,960
Speaker 6: is higher except for oursels. We just we just we

2156
01:32:59,000 --> 01:33:02,479
Speaker 6: don't have it often. We sorry it off having it

2157
01:33:02,479 --> 01:33:05,479
Speaker 6: pretty frequently. Now it's slowed down to like once or

2158
01:33:05,520 --> 01:33:10,760
Speaker 6: twice a month. For me personally, I want it more

2159
01:33:10,880 --> 01:33:13,840
Speaker 6: and I'm trying to be a good faithful nigga. We've

2160
01:33:13,840 --> 01:33:19,040
Speaker 6: had some conversations, she says, that you know, her libido

2161
01:33:19,160 --> 01:33:22,519
Speaker 6: is just lower, and I give her the benefit of

2162
01:33:22,560 --> 01:33:25,720
Speaker 6: the doubt because president ain't gonna do no good. But

2163
01:33:26,240 --> 01:33:30,519
Speaker 6: I'm curious from a woman's perspective and having women friends

2164
01:33:30,560 --> 01:33:32,880
Speaker 6: one and then two from niggas who have dealt with women,

2165
01:33:33,760 --> 01:33:36,559
Speaker 6: how much does a sex drive range naturally with women

2166
01:33:36,800 --> 01:33:40,719
Speaker 6: versus how much it has to do with the nigga

2167
01:33:41,000 --> 01:33:45,680
Speaker 6: that they're with, Like, you know, do we just not mesh?

2168
01:33:46,320 --> 01:33:48,639
Speaker 6: Is there something you know that we just don't click with?

2169
01:33:48,920 --> 01:33:52,440
Speaker 6: Or should I just work at accepting?

2170
01:33:53,840 --> 01:33:54,040
Speaker 1: Well?

2171
01:33:54,080 --> 01:33:56,360
Speaker 6: Either way, I got to accept it, right, But it's

2172
01:33:56,439 --> 01:33:59,360
Speaker 6: just like, should I have a conversation of like I

2173
01:33:59,360 --> 01:34:01,760
Speaker 6: can't live with it and move on? Should we open

2174
01:34:01,840 --> 01:34:02,280
Speaker 6: this up?

2175
01:34:04,439 --> 01:34:05,400
Speaker 1: You?

2176
01:34:05,400 --> 01:34:08,400
Speaker 4: You did so, you asked me.

2177
01:34:08,760 --> 01:34:11,320
Speaker 1: That's how you ended it. Yeah, she must have walked

2178
01:34:11,360 --> 01:34:11,720
Speaker 1: in a room.

2179
01:34:13,880 --> 01:34:15,760
Speaker 5: You asked me a couple of questions, right, So I'm

2180
01:34:15,800 --> 01:34:18,519
Speaker 5: gonna give you a couple of answers. Number one, There

2181
01:34:18,520 --> 01:34:22,160
Speaker 5: could be varying reasons why her libido could be low.

2182
01:34:22,320 --> 01:34:25,519
Speaker 5: I have a few very close friends who have this issue.

2183
01:34:25,520 --> 01:34:27,599
Speaker 5: They love their man, they're attracted to their man, but

2184
01:34:27,680 --> 01:34:31,720
Speaker 5: their libido has just gotten less over the years. There

2185
01:34:31,760 --> 01:34:33,280
Speaker 5: could be a couple of things. Tell her to go

2186
01:34:33,320 --> 01:34:35,400
Speaker 5: get her and this is up. So this leads into

2187
01:34:35,479 --> 01:34:37,160
Speaker 5: the next answer I have for you. But they're a

2188
01:34:37,200 --> 01:34:39,680
Speaker 5: conversation needs to be had. And when I say a

2189
01:34:39,720 --> 01:34:42,720
Speaker 5: conversation needs to be had. When you have this conversation,

2190
01:34:42,920 --> 01:34:45,360
Speaker 5: you need to let her know how serious of an

2191
01:34:45,360 --> 01:34:48,679
Speaker 5: issue this is, because don't let anybody tell you anything different.

2192
01:34:49,040 --> 01:34:52,160
Speaker 5: Sex is extremely important in a relationship. It's one of

2193
01:34:52,160 --> 01:34:56,080
Speaker 5: the indicators of the health of the relationship, and if

2194
01:34:56,160 --> 01:34:59,840
Speaker 5: y'all are not compatible sexually, the relationship will not last.

2195
01:35:00,439 --> 01:35:02,920
Speaker 5: This needs to be a serious, sit down conversation, not

2196
01:35:02,960 --> 01:35:06,080
Speaker 5: an in passing conversation. She might get offended by it.

2197
01:35:06,280 --> 01:35:08,559
Speaker 5: You need to be very obviously, very sensitive to her

2198
01:35:08,600 --> 01:35:10,519
Speaker 5: feelings and let her know that you're working with her

2199
01:35:10,840 --> 01:35:12,479
Speaker 5: as a team and that you're not giving her an

2200
01:35:12,560 --> 01:35:15,000
Speaker 5: ultimatum of this needs to be fixed or I'm going

2201
01:35:15,040 --> 01:35:15,519
Speaker 5: to cheat.

2202
01:35:15,640 --> 01:35:17,920
Speaker 4: Don't come with that energy. But you do need to

2203
01:35:17,920 --> 01:35:18,439
Speaker 4: be honest.

2204
01:35:18,840 --> 01:35:20,840
Speaker 5: Now, if you want to tell her that you got

2205
01:35:20,840 --> 01:35:22,920
Speaker 5: this suggestion from a female friend or whatever, tell her

2206
01:35:22,920 --> 01:35:25,479
Speaker 5: to go get her hormone levels checked. It might be

2207
01:35:25,520 --> 01:35:27,640
Speaker 5: a piece of e O S issue. It could be

2208
01:35:27,760 --> 01:35:30,759
Speaker 5: anything right, one of the things that I always suggest

2209
01:35:30,840 --> 01:35:33,080
Speaker 5: is taking mocka roop powder. Me and Rory have joked

2210
01:35:33,080 --> 01:35:35,880
Speaker 5: about how taking mocker root makes you horny enough to

2211
01:35:35,960 --> 01:35:37,479
Speaker 5: fuck damnit or anything in sight.

2212
01:35:39,160 --> 01:35:40,320
Speaker 4: Yes, that is one of the things.

2213
01:35:40,960 --> 01:35:43,080
Speaker 2: And I'm saying for men and for women it works.

2214
01:35:43,120 --> 01:35:50,280
Speaker 2: For saying you and Homie, I'm saying it doesn't just

2215
01:35:50,400 --> 01:35:51,000
Speaker 2: work for women.

2216
01:35:51,040 --> 01:35:51,360
Speaker 1: It works.

2217
01:35:51,400 --> 01:35:54,200
Speaker 5: But yes, try have her try mocker root, even if

2218
01:35:54,240 --> 01:35:55,880
Speaker 5: you want to buy it and say, hey, I heard

2219
01:35:55,880 --> 01:35:57,479
Speaker 5: this is because it's good for other things. It's good

2220
01:35:57,520 --> 01:35:59,400
Speaker 5: for energy and things like that. So you guys want

2221
01:35:59,400 --> 01:36:01,280
Speaker 5: to take it together. You make the smoothies in the morning.

2222
01:36:01,320 --> 01:36:02,800
Speaker 5: It has the mocker root in it. Let her know

2223
01:36:02,840 --> 01:36:04,639
Speaker 5: what it's for and what it helps, right, as well

2224
01:36:04,640 --> 01:36:08,000
Speaker 5: as ostragonda, which also helps with stress relief and things

2225
01:36:08,040 --> 01:36:12,600
Speaker 5: like that. I personally have taken both in it intensely

2226
01:36:12,600 --> 01:36:13,439
Speaker 5: increased lipido.

2227
01:36:13,560 --> 01:36:13,720
Speaker 3: Right.

2228
01:36:13,920 --> 01:36:16,200
Speaker 5: But again, still, she needs to go to a doctor

2229
01:36:16,479 --> 01:36:18,560
Speaker 5: if she's interested.

2230
01:36:17,800 --> 01:36:18,439
Speaker 4: In changing it.

2231
01:36:19,560 --> 01:36:22,920
Speaker 5: If she is not open to those suggestions, you need

2232
01:36:22,960 --> 01:36:25,680
Speaker 5: to sit down and really have a real conversation with

2233
01:36:25,720 --> 01:36:30,000
Speaker 5: yourself and see if if this sex pattern continues, can

2234
01:36:30,080 --> 01:36:32,120
Speaker 5: you stay in this relationship? Will you be happy in

2235
01:36:32,120 --> 01:36:34,160
Speaker 5: this relationship. You're calling into a podcast, so I'm gonna

2236
01:36:34,160 --> 01:36:37,040
Speaker 5: assume that you're not happy with it, and that is important.

2237
01:36:37,120 --> 01:36:40,800
Speaker 5: You might have to eventually leave, and you're not a

2238
01:36:40,800 --> 01:36:44,160
Speaker 5: bad guy. You're not an asshole for leaving for that reason.

2239
01:36:44,280 --> 01:36:47,720
Speaker 5: Because again, sex is extremely Are they married? I don't

2240
01:36:47,720 --> 01:36:47,960
Speaker 5: think so.

2241
01:36:48,040 --> 01:36:49,760
Speaker 1: Okay, you didn't say a long they were together. Yeah,

2242
01:36:49,760 --> 01:36:50,280
Speaker 1: I don't think so.

2243
01:36:51,320 --> 01:36:55,719
Speaker 5: But yeah, it's it's it's important, So good luck with everything.

2244
01:36:55,800 --> 01:36:58,320
Speaker 5: I do hope that everything is okay with her health wise.

2245
01:36:58,479 --> 01:37:00,120
Speaker 5: Health wise, it might be a stress issue, so it

2246
01:37:00,160 --> 01:37:02,200
Speaker 5: might be anything. But you guys need to try to

2247
01:37:02,240 --> 01:37:04,360
Speaker 5: work it out. And again, if you decide to leave

2248
01:37:04,400 --> 01:37:06,519
Speaker 5: because of that, you're not wrong for that.

2249
01:37:06,760 --> 01:37:08,599
Speaker 3: I hate when the marriage do that because she's right.

2250
01:37:08,680 --> 01:37:10,160
Speaker 3: But like I want to have I want to joke

2251
01:37:10,200 --> 01:37:11,920
Speaker 3: on them.

2252
01:37:12,000 --> 01:37:13,400
Speaker 4: You can still joke I opened the floor.

2253
01:37:13,640 --> 01:37:14,840
Speaker 3: I don't want to joke on them because that was

2254
01:37:14,880 --> 01:37:16,559
Speaker 3: that what you said was one hundred percent correct.

2255
01:37:16,720 --> 01:37:18,280
Speaker 1: So that was great, great advice. I don't want to

2256
01:37:18,280 --> 01:37:19,120
Speaker 1: step on it with a joke.

2257
01:37:19,760 --> 01:37:21,360
Speaker 2: No, you can still joke about it. No, I mean

2258
01:37:21,360 --> 01:37:22,639
Speaker 2: I agree with everything the marriage said.

2259
01:37:22,640 --> 01:37:23,360
Speaker 1: I'll do it on the next step.

2260
01:37:23,479 --> 01:37:26,920
Speaker 2: And when people say that of like physical features and

2261
01:37:26,960 --> 01:37:29,639
Speaker 2: sex isn't the most like, of course, not the most

2262
01:37:29,640 --> 01:37:32,640
Speaker 2: important thing, but if you're not fucking, your relationship is

2263
01:37:32,760 --> 01:37:35,840
Speaker 2: going to slowly implode elsewhere. Yeah, that is a soul

2264
01:37:35,920 --> 01:37:39,920
Speaker 2: detector of where things are at. So if it's not

2265
01:37:40,040 --> 01:37:44,080
Speaker 2: like having a child, where things, you know, can get

2266
01:37:44,200 --> 01:37:46,240
Speaker 2: weird because the kids in the house and y'all just

2267
01:37:46,320 --> 01:37:49,280
Speaker 2: two adults that are not fucking, you should leave.

2268
01:37:50,000 --> 01:37:52,160
Speaker 3: Like, yeah, yeah, you don't want to be in a

2269
01:37:52,200 --> 01:37:55,120
Speaker 3: relationship where you're not sexually satisfied.

2270
01:37:55,240 --> 01:37:57,720
Speaker 2: Now you told that's your like, that's your friend.

2271
01:37:58,960 --> 01:38:00,679
Speaker 5: If you listen to this podcas as you too young

2272
01:38:00,720 --> 01:38:04,200
Speaker 5: for that. So yeah, no, definitely if if you go

2273
01:38:04,280 --> 01:38:06,760
Speaker 5: to her and she's not willing to try you know,

2274
01:38:06,800 --> 01:38:09,000
Speaker 5: the things that I mentioned, or even any other suggestions

2275
01:38:09,000 --> 01:38:10,920
Speaker 5: that you guys can go on the internet and research together.

2276
01:38:11,160 --> 01:38:13,720
Speaker 5: I know it feels and especially for her, it might

2277
01:38:13,760 --> 01:38:20,240
Speaker 5: feel very uncomfortable because our sexuality as women and desirability

2278
01:38:20,280 --> 01:38:22,080
Speaker 5: and all of those things are so wrapped up in

2279
01:38:22,160 --> 01:38:24,200
Speaker 5: what we've been taught. We've been taught to be sexy

2280
01:38:24,280 --> 01:38:28,439
Speaker 5: and that we're supposed to be these sexual machines for men. Right,

2281
01:38:28,479 --> 01:38:30,680
Speaker 5: it's just that's just how we're raised. You're supposed to cook,

2282
01:38:30,720 --> 01:38:32,040
Speaker 5: clean and fuck, that's what you're supposed to do.

2283
01:38:32,960 --> 01:38:34,880
Speaker 3: So one way, they don't raise them like that. I

2284
01:38:34,920 --> 01:38:36,439
Speaker 3: was about to say, where do you find that. That's

2285
01:38:36,439 --> 01:38:38,640
Speaker 3: the thing of the past. That's like a that's like

2286
01:38:38,640 --> 01:38:39,800
Speaker 3: a VHS.

2287
01:38:41,640 --> 01:38:43,160
Speaker 1: They don't make them like that no more. When they

2288
01:38:43,200 --> 01:38:46,120
Speaker 1: used to make them like that, society was thriving men.

2289
01:38:46,280 --> 01:38:48,360
Speaker 1: It was the industrial revolation. Was everything was on the

2290
01:38:48,439 --> 01:38:53,680
Speaker 1: up and up. Everything, everything was on the up and up.

2291
01:38:53,800 --> 01:38:56,640
Speaker 1: I'm trying to tell you, oh my god, everything was.

2292
01:38:56,680 --> 01:38:59,040
Speaker 3: It's just beautiful. Everything smelled different. It was just like

2293
01:38:59,320 --> 01:39:01,919
Speaker 3: things will happen winning wards. The economy was amazing.

2294
01:39:02,040 --> 01:39:07,040
Speaker 5: Wow, they still had the factories and ship Yeah. But yeah,

2295
01:39:07,160 --> 01:39:10,120
Speaker 5: like if it's very sensitive for us because it makes

2296
01:39:10,200 --> 01:39:12,599
Speaker 5: us feel like less of a woman if we aren't

2297
01:39:12,960 --> 01:39:14,320
Speaker 5: if that libido, I want to.

2298
01:39:14,280 --> 01:39:17,800
Speaker 3: Talk to her so bad, because why baby, this is

2299
01:39:17,840 --> 01:39:22,680
Speaker 3: correcting the advice she's given, and she's one correct, you know,

2300
01:39:22,760 --> 01:39:25,200
Speaker 3: talking to the woman, it's a whole different she's going

2301
01:39:25,280 --> 01:39:26,920
Speaker 3: to give us a whole different side of it.

2302
01:39:26,920 --> 01:39:27,919
Speaker 1: It could be a whole.

2303
01:39:27,680 --> 01:39:31,280
Speaker 3: Different thing, Like why, you're right, she may not hear this,

2304
01:39:31,360 --> 01:39:33,560
Speaker 3: but if she was, she probably like that, ain't it?

2305
01:39:33,280 --> 01:39:36,519
Speaker 1: Like I'm just saying it's a possibility because we don't

2306
01:39:36,560 --> 01:39:37,559
Speaker 1: know who this woman is.

2307
01:39:37,680 --> 01:39:41,320
Speaker 2: But Demari's giving the advice of opening that conversation. He

2308
01:39:41,439 --> 01:39:43,400
Speaker 2: may not know and it could be a completely different reason,

2309
01:39:43,439 --> 01:39:45,080
Speaker 2: like he could find out exactly what it is.

2310
01:39:46,080 --> 01:39:48,080
Speaker 4: Well, he said he's spoken to her about it, and

2311
01:39:48,120 --> 01:39:49,320
Speaker 4: she says she just hasn't.

2312
01:39:49,920 --> 01:39:51,439
Speaker 1: Well how do you go about it? Like?

2313
01:39:51,520 --> 01:39:52,479
Speaker 2: Yo, why were not fucking?

2314
01:39:53,120 --> 01:39:57,960
Speaker 1: Yeah? Hell? Yeah, what's up? I'm ready walking aroom like

2315
01:39:58,000 --> 01:39:58,959
Speaker 1: I'm ready, ready.

2316
01:40:00,400 --> 01:40:06,760
Speaker 3: Walking the Deodorf the dress of the Yeah, yeah, yeah,

2317
01:40:06,760 --> 01:40:07,559
Speaker 3: I'm ready right now?

2318
01:40:08,360 --> 01:40:10,560
Speaker 1: She like, Yo, no, not tonight, not tonight?

2319
01:40:11,280 --> 01:40:13,160
Speaker 2: You walk you walked in from work with a waterbed?

2320
01:40:13,439 --> 01:40:14,639
Speaker 1: Yeah, like not tonight.

2321
01:40:14,680 --> 01:40:16,760
Speaker 5: Well, he did ask the question I want to open

2322
01:40:17,160 --> 01:40:20,200
Speaker 5: ask ask you guys this what you think how often

2323
01:40:20,280 --> 01:40:22,639
Speaker 5: do you think is like a healthy amount to have

2324
01:40:22,720 --> 01:40:25,639
Speaker 5: sex in a relationship? Now us we're overly freaked out,

2325
01:40:26,040 --> 01:40:28,320
Speaker 5: But what do you think is a measure?

2326
01:40:28,760 --> 01:40:32,120
Speaker 2: I hate that y'all live together with like specific numbers,

2327
01:40:32,160 --> 01:40:35,679
Speaker 2: like y'all live together? It depends on schedule, like there's

2328
01:40:35,680 --> 01:40:39,920
Speaker 2: a lot of factors, but it should be frequent for

2329
01:40:40,000 --> 01:40:42,240
Speaker 2: your schedule. Does that make sense?

2330
01:40:42,439 --> 01:40:42,639
Speaker 1: Yeah?

2331
01:40:42,800 --> 01:40:44,679
Speaker 2: I hate that, Like, oh, it should be eight times.

2332
01:40:44,680 --> 01:40:46,679
Speaker 2: Like to me, that's like weirder eight times a day

2333
01:40:47,600 --> 01:40:50,200
Speaker 2: for the week or so, who's fucking eight times and

2334
01:40:50,240 --> 01:40:51,760
Speaker 2: one day twice on Sunday?

2335
01:40:51,960 --> 01:40:53,000
Speaker 1: Yeah, twice on Sundays.

2336
01:40:53,280 --> 01:40:56,559
Speaker 5: I don't like counting times because let's not count orgasm.

2337
01:40:56,640 --> 01:40:58,920
Speaker 4: Let's count days. How many days did we have sex?

2338
01:40:59,200 --> 01:41:03,720
Speaker 1: Every day? We live together? We haveing sex every day.

2339
01:41:04,479 --> 01:41:06,200
Speaker 1: Sometimes people are that's for show.

2340
01:41:06,240 --> 01:41:07,880
Speaker 2: If you actually tired, you had a longer day of

2341
01:41:07,880 --> 01:41:08,720
Speaker 2: work and you don't want to fuck.

2342
01:41:08,720 --> 01:41:09,240
Speaker 1: I get that.

2343
01:41:09,560 --> 01:41:12,200
Speaker 2: It should be frequent to what your schedule is. Yeah,

2344
01:41:12,880 --> 01:41:15,799
Speaker 2: this clearly seems like there's something wrong in their relationship.

2345
01:41:15,840 --> 01:41:16,000
Speaker 1: Yah.

2346
01:41:16,000 --> 01:41:18,120
Speaker 3: But okay, whatever your schedule is, you come home right,

2347
01:41:18,600 --> 01:41:19,880
Speaker 3: you gotta go home at the end of the day.

2348
01:41:19,960 --> 01:41:22,360
Speaker 1: Yeah, that's no mo.

2349
01:41:23,000 --> 01:41:25,879
Speaker 5: Sometimes people are fucking exhausted people sometimes.

2350
01:41:26,000 --> 01:41:27,160
Speaker 1: Yeah. Yeah, I'm just saying.

2351
01:41:27,360 --> 01:41:30,000
Speaker 2: That's why I don't like the number question. That's why

2352
01:41:30,000 --> 01:41:32,519
Speaker 2: my answer is frequent to what your schedule is.

2353
01:41:32,600 --> 01:41:35,080
Speaker 5: If I was to give a number, right, because we

2354
01:41:35,120 --> 01:41:37,400
Speaker 5: can all pity Patty around, If I was to give

2355
01:41:37,439 --> 01:41:40,920
Speaker 5: a number, give or take, I would say let's say

2356
01:41:40,920 --> 01:41:42,800
Speaker 5: a month, because he said one to two times a month,

2357
01:41:43,560 --> 01:41:44,920
Speaker 5: I will go six times a month.

2358
01:41:45,160 --> 01:41:47,000
Speaker 4: If you live together six times.

2359
01:41:46,720 --> 01:41:48,880
Speaker 1: A month, six times a month.

2360
01:41:49,200 --> 01:41:51,439
Speaker 5: At the minimum, six times a month, My shit work

2361
01:41:52,320 --> 01:41:59,639
Speaker 5: six times a month, minimums. Not everybody that's almost once

2362
01:41:59,640 --> 01:42:00,920
Speaker 5: a week? Not okay?

2363
01:42:00,920 --> 01:42:03,280
Speaker 4: But not Some people are okay with sex once a week.

2364
01:42:03,320 --> 01:42:06,040
Speaker 3: No, No, you're changing what you're saying. Yes, some people are

2365
01:42:06,080 --> 01:42:08,280
Speaker 3: okay with once a week. So that's what I'm.

2366
01:42:08,080 --> 01:42:11,439
Speaker 4: Saying with this guy, right, I'm not saying you.

2367
01:42:11,680 --> 01:42:14,080
Speaker 5: I'm saying in a relationship total Like, I know, I'm

2368
01:42:14,120 --> 01:42:16,960
Speaker 5: overly freaked out. I had six sex six times this weekend, right,

2369
01:42:17,320 --> 01:42:19,000
Speaker 5: but for some people.

2370
01:42:22,000 --> 01:42:24,120
Speaker 2: Wait, weekend is just Saturday Sunday. Y'll count Friday to

2371
01:42:24,240 --> 01:42:24,960
Speaker 2: is the weekend.

2372
01:42:25,000 --> 01:42:28,080
Speaker 1: Six times on the weekend, and you know, time went back.

2373
01:42:31,960 --> 01:42:34,880
Speaker 2: They was at five. I went back.

2374
01:42:34,920 --> 01:42:37,600
Speaker 5: I'm gonna I'm gonna literally share in my personal.

2375
01:42:37,280 --> 01:42:39,720
Speaker 1: Life on this yo. You know we got an hour back, right,

2376
01:42:39,760 --> 01:42:41,360
Speaker 1: r baby?

2377
01:42:41,880 --> 01:42:45,439
Speaker 2: That also counting that six times weekt and being able

2378
01:42:45,520 --> 01:42:47,200
Speaker 2: to count that too is crazy. It might head to

2379
01:42:47,200 --> 01:42:47,599
Speaker 2: be like we.

2380
01:42:47,560 --> 01:42:48,559
Speaker 1: Just fucked a lot this weekend.

2381
01:42:49,439 --> 01:42:56,479
Speaker 3: I'm sorry, baby, baby, go ahead, Either.

2382
01:42:56,320 --> 01:42:57,519
Speaker 4: One of y'all got pussy this weekend.

2383
01:42:57,600 --> 01:42:59,840
Speaker 1: That's a fact. Man. Why she had to go to

2384
01:42:59,840 --> 01:43:04,800
Speaker 1: the I'm just now that's all that. But you had

2385
01:43:04,840 --> 01:43:06,600
Speaker 1: to do it like that cool anyway, Like I was,

2386
01:43:07,000 --> 01:43:09,120
Speaker 1: like I could have, I didn't want.

2387
01:43:09,000 --> 01:43:11,920
Speaker 3: To, Like if I'm saving myself, I'm going to my choice.

2388
01:43:14,960 --> 01:43:17,040
Speaker 3: My libido is low. Huh yeah, give me old.

2389
01:43:17,040 --> 01:43:18,559
Speaker 1: I had. I ran out of Mecca, which.

2390
01:43:21,120 --> 01:43:22,559
Speaker 2: I went so hopeful as they was out of the

2391
01:43:22,600 --> 01:43:23,080
Speaker 2: Mecca group.

2392
01:43:24,760 --> 01:43:28,960
Speaker 3: I'm sorry, gentlemen, sir, yes, with baby D said, have

2393
01:43:29,080 --> 01:43:32,880
Speaker 3: the conversation and hopefully that helps, and you know, y'all

2394
01:43:32,960 --> 01:43:34,920
Speaker 3: end up in the healthiest spot in your relationship.

2395
01:43:35,000 --> 01:43:35,719
Speaker 2: And I understand.

2396
01:43:35,920 --> 01:43:36,440
Speaker 1: Uh.

2397
01:43:36,800 --> 01:43:39,320
Speaker 2: I can empathize empathize with Demerius's point of view of

2398
01:43:39,439 --> 01:43:41,800
Speaker 2: women have been trained that they have to fuck all

2399
01:43:41,840 --> 01:43:44,800
Speaker 2: the time, desirable all that, but men have feelings as well,

2400
01:43:44,800 --> 01:43:47,600
Speaker 2: and sometimes it hurts to not feel desirable. If your

2401
01:43:47,640 --> 01:43:49,280
Speaker 2: girl don't want to fuck you, you're gonna start feeling

2402
01:43:49,280 --> 01:43:51,800
Speaker 2: it the type of way. So you know, don't think

2403
01:43:51,920 --> 01:43:53,880
Speaker 2: that Demerics was just being one sided on that. It's

2404
01:43:53,880 --> 01:43:56,200
Speaker 2: okay to feel like, hey, may you know I'm not

2405
01:43:56,240 --> 01:43:57,760
Speaker 2: wanted for sure?

2406
01:43:57,800 --> 01:43:59,720
Speaker 5: And I was just saying it's sensitive because it's like

2407
01:43:59,760 --> 01:44:02,120
Speaker 5: when you go to have the conversation, it might make

2408
01:44:02,120 --> 01:44:04,920
Speaker 5: her uncomfortable to have the conversation, like she might feel

2409
01:44:04,920 --> 01:44:06,320
Speaker 5: like a failure, But.

2410
01:44:06,280 --> 01:44:10,560
Speaker 2: It's also uncomfortable for a man with our ego testosterone.

2411
01:44:10,600 --> 01:44:12,920
Speaker 2: I also have to be like, hey, like do you

2412
01:44:13,120 --> 01:44:16,560
Speaker 2: like not like me? Like am I trashed to you

2413
01:44:16,720 --> 01:44:21,000
Speaker 2: or something? So that's a tough conversation for both sides.

2414
01:44:21,080 --> 01:44:22,760
Speaker 2: But if you're in a long term relationship, I think

2415
01:44:22,800 --> 01:44:25,599
Speaker 2: those conversations need to be had tough.

2416
01:44:25,479 --> 01:44:30,160
Speaker 5: Like financial conversation for sex conversations, financial conversations, health conversations

2417
01:44:30,560 --> 01:44:33,519
Speaker 5: is does your does your mother have diabetes? Are you

2418
01:44:33,720 --> 01:44:36,480
Speaker 5: are my kids prona diavy? All of that shit is uncomfortable,

2419
01:44:36,760 --> 01:44:37,719
Speaker 5: but it needs to happen.

2420
01:44:37,760 --> 01:44:40,960
Speaker 2: And I would overthink that convo because I'd be like, damn,

2421
01:44:40,960 --> 01:44:44,599
Speaker 2: I don't want her to be like want like having

2422
01:44:44,680 --> 01:44:46,559
Speaker 2: to fuck me, Like if you don't want to fuck me,

2423
01:44:46,560 --> 01:44:48,920
Speaker 2: I don't want to fuck like, don't give me no,

2424
01:44:48,960 --> 01:44:50,840
Speaker 2: sh don't. Because we had this conversation, now all of

2425
01:44:50,840 --> 01:44:51,479
Speaker 2: a sudden it's like.

2426
01:44:51,439 --> 01:44:53,280
Speaker 1: All right, all right, I'll fuck you.

2427
01:44:53,439 --> 01:44:55,680
Speaker 2: Like that would make me feel even more uncomfortable if

2428
01:44:55,680 --> 01:44:56,760
Speaker 2: you don't want to have sex with me, I'm not

2429
01:44:56,800 --> 01:45:00,000
Speaker 2: going to force a conversation where you're gonna go all right,

2430
01:45:00,360 --> 01:45:02,920
Speaker 2: to save the relationship, I'll have sex with you.

2431
01:45:02,920 --> 01:45:04,599
Speaker 1: When I don't want to. Yeah, I'm cool.

2432
01:45:04,640 --> 01:45:07,120
Speaker 2: I'm like that would that's where I would overthink the

2433
01:45:07,240 --> 01:45:11,040
Speaker 2: entire thing. Yeah, that's a that's a tough side.

2434
01:45:10,800 --> 01:45:12,000
Speaker 1: For men to to have that combo.

2435
01:45:12,080 --> 01:45:14,600
Speaker 3: Oh definitely, But I mean, you know, have the conversation

2436
01:45:14,760 --> 01:45:17,559
Speaker 3: and call us back and let us know how everything went,

2437
01:45:17,680 --> 01:45:20,000
Speaker 3: because I do want to hear how it turns out.

2438
01:45:20,040 --> 01:45:22,400
Speaker 1: So yeah, thank you for that for sure.

2439
01:45:22,760 --> 01:45:23,679
Speaker 2: All Right, this was fun.

2440
01:45:24,560 --> 01:45:26,120
Speaker 1: This was great man. Welcome back, Rory.

2441
01:45:26,200 --> 01:45:28,439
Speaker 2: Yeah, thank you for having having me back, baby d.

2442
01:45:28,479 --> 01:45:29,479
Speaker 2: Thanks for holding it down.

2443
01:45:29,720 --> 01:45:32,320
Speaker 5: Yes, going, I will say I will give both of

2444
01:45:32,320 --> 01:45:35,360
Speaker 5: you guys your flowers. That was extremely hard. That was

2445
01:45:35,400 --> 01:45:37,160
Speaker 5: not easy for me. It was extremely hard. And I

2446
01:45:37,200 --> 01:45:39,320
Speaker 5: don't know how y'all do it every day, like because

2447
01:45:39,320 --> 01:45:41,000
Speaker 5: I like I was telling people on my live a

2448
01:45:41,000 --> 01:45:42,760
Speaker 5: lot of times, me and peas be back here, like

2449
01:45:42,960 --> 01:45:43,519
Speaker 5: I'm paying.

2450
01:45:43,320 --> 01:45:45,000
Speaker 4: Attention to y'all, but I was on out. Sometimes you

2451
01:45:45,040 --> 01:45:47,719
Speaker 4: can't do that when you're sitting right there, No, you cannot.

2452
01:45:47,800 --> 01:45:51,080
Speaker 1: So was you giving us. Yeah, thank you. I appreciate that.

2453
01:45:51,320 --> 01:45:51,680
Speaker 1: Thank you.

2454
01:45:52,680 --> 01:45:54,759
Speaker 2: Hopefully next episode, maybe we get the lighting.

2455
01:45:55,120 --> 01:45:56,080
Speaker 1: Yeah, we're gonna it's.

2456
01:45:56,000 --> 01:45:59,200
Speaker 5: Gonna go get a teeny.

2457
01:45:59,520 --> 01:46:01,240
Speaker 1: Put the light off. P just cut the light off.

2458
01:46:01,360 --> 01:46:01,840
Speaker 1: It's okay.

2459
01:46:01,960 --> 01:46:02,840
Speaker 2: No, we've tried it before.

2460
01:46:03,000 --> 01:46:03,639
Speaker 1: We're gonna. We're gonna.

2461
01:46:03,640 --> 01:46:05,000
Speaker 3: Were gonna do it again though, just to show you

2462
01:46:05,040 --> 01:46:10,639
Speaker 3: that it's not the lights, it's your DNA, your DNA.

2463
01:46:11,040 --> 01:46:11,680
Speaker 1: I didn't say that.

2464
01:46:12,400 --> 01:46:15,280
Speaker 2: I didn't even say like if I looked ugly or

2465
01:46:15,560 --> 01:46:16,759
Speaker 2: I was just saying I look bright.

2466
01:46:16,920 --> 01:46:19,160
Speaker 1: Yeah, we're gonna will We'll try to dim it down

2467
01:46:19,160 --> 01:46:19,640
Speaker 1: for you a little bit.

2468
01:46:19,640 --> 01:46:21,679
Speaker 2: We'll try to it's like the fourth shot of my appearance.

2469
01:46:21,760 --> 01:46:26,280
Speaker 1: Yeah, it's crazy. I feel like that's the way that's.

2470
01:46:25,640 --> 01:46:26,160
Speaker 4: I don't see.

2471
01:46:26,200 --> 01:46:28,720
Speaker 5: I don't like, I don't beerate Maul when he's here, right, so,

2472
01:46:28,760 --> 01:46:30,519
Speaker 5: like I had nobody to make fun of. Like, so

2473
01:46:30,600 --> 01:46:32,320
Speaker 5: you're here and I love you and I missed you,

2474
01:46:32,360 --> 01:46:33,400
Speaker 5: and I I'm miss making fun.

2475
01:46:33,439 --> 01:46:35,639
Speaker 3: Then you go back to getting verbally abused. You feel good,

2476
01:46:36,160 --> 01:46:38,000
Speaker 3: good to have you back. Word, We'll talk to you soon.

2477
01:46:38,080 --> 01:46:41,400
Speaker 3: Be be blessed. Im that nigga, he's just ginger peace.

2478
01:46:42,320 --> 01:46:42,360
Speaker 6: No