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Speaker 1: Yeah, Yeah, Yes, Brandon Bang and Iron rapports stereo podcast

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Speaker 1: this year he did. He have no fear. Museum quality

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Speaker 1: podcasting coming live and direct on today's podcast. More from

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Speaker 1: the very Juicy Juicy Jesse Small lay Case plus what

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Speaker 1: to watch, What not to watch with movies coming up

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Speaker 1: for this holiday season, and what the is Madonna doing

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Speaker 1: on her Instagram all that morning? Brand new Bangy I

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Speaker 1: am Rapports stereo podcasts with the Young Shooter coming up

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Speaker 1: right now Miles jourdan Ak, The Bleached Brothers a k a.

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Speaker 1: The Dust Brothers starts poppy off with something real nice,

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Speaker 1: start to Poppy off with something real out, but most

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Speaker 1: supported to start to Poppy off with something real funk.

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Speaker 1: It's I Am Wrap Reports stereo podcast. Let's fucking go.

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Speaker 1: Thank you to Express VPN for supporting the I Am

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Speaker 1: Wrap Reports Areal podcast. Protect yourself and stop handing your

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Speaker 1: on a one year package. You protect yourself and all

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Speaker 1: your information. Alright, check check, all right, we're good. Okay,

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Speaker 1: we're good. Now I'm gonna tell you something, Dean. I

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Speaker 1: know you mentioned twice that you were just in bed

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Speaker 1: ten minutes ago. I don't, I don't care. I don't care,

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Speaker 1: I don't. I just thought i'd let you know that

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Speaker 1: I got dressed and like, I'm I'm preparing for a podcast,

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Speaker 1: like I could have done this from my bed, but

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Speaker 1: I have a backdrop, I have a light, Like I'm

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Speaker 1: showing you that I'm dedicated to the podcast. Great as

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Speaker 1: you should be. It's not only should you be dedicated

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Speaker 1: to the podcast. You should spring. You should spring out

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Speaker 1: of bed knowing that you're gonna be recording the Iron

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Speaker 1: Wrap Ports stereo podcast. It shouldn't be like, oh, I

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Speaker 1: just got out of bed ten minutes ago, guys, and

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Speaker 1: guys should be like like everybody should be like, oh okay,

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Speaker 1: well we'll go slow, because because Dean just just got

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Speaker 1: out of bed ten minutes ago, no one can. What

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Speaker 1: would Kobe say, honest, don't bring Kobe into this, No,

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Speaker 1: but what would Kobe say? What would Kobe say? He

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Speaker 1: would say, you should have started getting ready at four

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Speaker 1: in the morning for Michael's podcast. So but but I

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Speaker 1: have to tell you, like this is my what five

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Speaker 1: appearance on this podcast, like I'm not on the Barack

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Speaker 1: Obama's podcast where I had to like really get myself pampered,

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Speaker 1: like I rolled out of bed. Man, my man, my man.

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Speaker 1: Just just be humble and happy that you're on the

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Speaker 1: Iron wrap Up, I am. I don't care that she

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Speaker 1: just got out of bed. Ten minutes goes to point. Okay,

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Speaker 1: so you got your hat on. I see you got

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Speaker 1: your hat on. Right, you're on your succession? I see?

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Speaker 1: Are you ready? Are you? The question is are you

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Speaker 1: ready to go? Not even ready to go? I don't

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Speaker 1: have to ask you. You're ready to go? Boom? Yes,

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Speaker 1: m brand New Being and Iron Rapp Reports Stereo podcast

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Speaker 1: is here. Hig have no fear. The I Am Rapp

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Speaker 1: Report Stereo podcast is Intukasa. The name is Michael Rapp

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Speaker 1: Report a K. The Gringo Man Dingo a K. The

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Speaker 1: Sultan of Sniff a K. The Dapper Dingo a KA.

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Speaker 1: The inflamed Oshca Nazi a K. The King of Kashmir

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Speaker 1: a K. The Jewish James Dean And you're now rocking

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Speaker 1: with the very very best the I am Rapports Stereo podcast,

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Speaker 1: coming live and direct, the world's most disruptive podcast. Welcome

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Speaker 1: to the the Zone of Disruption, the Iron Dignity Dome

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Speaker 1: of Disruption. I have him here with me, the Young

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Speaker 1: Shooter Dean Collins, fresh out of bed twelve minutes ago

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Speaker 1: to record this. Coming to the end of the year,

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Speaker 1: I am wrapped port Stereo podcast. I always like, I

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Speaker 1: always like my guest co host and just roll out

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Speaker 1: of bed so I know that they're up in at him. Uh.

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Speaker 1: We covered that the first seventeen minutes of the show,

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Speaker 1: and maybe we'll just I don't know, you got more

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Speaker 1: to talk about being out of bed, Dave sipping coffee

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Speaker 1: the Dust procause the Dust Brothers have been up doing

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Speaker 1: god knows what. Dude, I didn't know we were recording

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Speaker 1: when I said, I just got out of bed, and

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Speaker 1: you don't have to bring that up like I'm dressed,

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Speaker 1: I'm I'm presentable. I didn't have to pants on. Yes,

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Speaker 1: of course I have pants on. Their sweatpants, but I

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Speaker 1: have something on. Absolutely, Okay. I wouldn't disrespect you like

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Speaker 1: that because Dave's already confused and he doesn't want to

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Speaker 1: know what listen, but I listen. I see that you

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Speaker 1: have a lot of new clothing. You see what's popping.

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Speaker 1: You're more excited, I think, and anybody else's yes. Champ

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Speaker 1: to quote the great Shannon, the Cannon Briggs. You see

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Speaker 1: the Kashmir, the King of Kashmir. Just something light. You

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Speaker 1: see the Kashmere scarf, something light, boom, Dave, pull up

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Speaker 1: that picture of me on the street today looking like

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Speaker 1: the Jewish James Dean. That's what they're That's what they're

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Speaker 1: calling me when I'm out on those streets. Yo. New

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Speaker 1: York is so crazy because full transparency. I got into

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Speaker 1: a little spat again with my wife because my wife

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Speaker 1: does many, many, many things that are fantastic. Let alone

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Speaker 1: deal with me. And I said, Babe, while we were

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Speaker 1: on the train, I said, you know, snap a pick

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Speaker 1: of me. She snapped his less less than average photograph

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Speaker 1: of me, and she's like that, and we're getting a

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Speaker 1: little spout. I'm like, Yo, why don't you just listen

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Speaker 1: to the subject. She said, listen to the photographer. I said,

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Speaker 1: but the subjects not happy with the photograph. And then

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Speaker 1: we got into a whole thing. She's never gonna take

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Speaker 1: photos of me again, and I said fine. So she

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Speaker 1: went into a store and I ran into this guy

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Speaker 1: at Chino Visions on Instagram. Nice guy shoots all this

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Speaker 1: stuff from you. He said, Yo, can I take a

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Speaker 1: photo of you? I said yes, I said, I wish

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Speaker 1: my wife was here. You could take photos of both

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Speaker 1: of us. Anyway, he took a beautiful photo of me.

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Speaker 1: You see it up there? Pull that up there, Dave,

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Speaker 1: look at me. That's row down. I'm rowed down, Kashmir

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Speaker 1: to the below the knees on the streets. That's ship

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Speaker 1: in the cannon. Let's go champ. Let's go Champ. And

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Speaker 1: and I face timed you earlier when I was rocking

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Speaker 1: that outfit in the street. I said, you see it?

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Speaker 1: And then you said what you said? Listen because I'm

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Speaker 1: I gotta. I haven't told you this like off camera

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Speaker 1: and all that stuff, but like it's it's time for

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Speaker 1: me to really be transparent with you. I'm all about

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Speaker 1: the way that you know you're upgrading your style. I

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Speaker 1: think it's great. I don't want to rain on your parade.

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Speaker 1: I think it's great. I think the jacket was great.

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Speaker 1: I think the Kashmir is great. But this is not

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Speaker 1: to mention being in in let me, let me, let

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Speaker 1: me finish, because Q and being okay, quoted as the

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Speaker 1: king of kash not to mention. Okay, this is what

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Speaker 1: I'm talking about. Okay, we're on month three now. I

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Speaker 1: think I was in New York and we were doing

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Speaker 1: the podcast and we were talking about how you were

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Speaker 1: in g Q. You're the king of Kashmir. My point is,

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Speaker 1: every time that you face time me and you're wearing

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Speaker 1: a jacket or you're wearing a scarf, you don't need

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Speaker 1: to say you see it, you see me, look at

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Speaker 1: the Kashmir, look at the jacket. Wait for people to say, oh, dude,

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Speaker 1: that's a dope jacket, because then it just ruins the

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Speaker 1: whole thing. Like you're talking about humbling yourself, right, I

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Speaker 1: think the nothing humble about that. I want to tell

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Speaker 1: you something. I had the fourth person today on God

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Speaker 1: on God Bible, as they say on God, fourth person,

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Speaker 1: a doorman said, nice jacket. I'm not down outing it

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Speaker 1: and keep telling but this is what I'm talking about.

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Speaker 1: I'm sorry, I'm sorry, what do you mean? I'm now,

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Speaker 1: I'm not doubting it. Are some people doubting it? Oh? Absolutely?

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Speaker 1: I think a lot of people are doubting it. I mean, look,

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Speaker 1: just because you posted a photo of you and a

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Speaker 1: jacket doesn't mean the whole world has stopped and is

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Speaker 1: looking at you. And you know what, all these all

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Speaker 1: these pictures of you, I hope they're great, so many

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Speaker 1: of them. There's so many of them, and you post

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Speaker 1: them and you're zooming in on your shoes and it's like,

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Speaker 1: let someone, let a paparazzi take the take the photo.

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Speaker 1: We don't need something. You're doing this and you're doing

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Speaker 1: hold on and you're doing this face too. I don't

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Speaker 1: know what it is, but you got this like influencer face.

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Speaker 1: Every time you take these fucking pictures, you're like pouding

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Speaker 1: your lips. So I'm talking about I see it, but

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Speaker 1: it's like I don't want to see it, you know

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Speaker 1: what I mean, I'm sick of seeing it. I I

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Speaker 1: think it's great, but it's like we're month three now

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Speaker 1: into this ship, and you know, I don't need to

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Speaker 1: just you're shoving it down my throat here. I will

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Speaker 1: be honest with Bruno, full full transparency. Since we're going

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Speaker 1: full transparency, paparazzi caught me in this outfit today, so

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Speaker 1: we might see that outfit from paparazzi um on the

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Speaker 1: streets because paparazzi is out in Soho all the time,

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Speaker 1: and they caught me to that. I said, Yo, you

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Speaker 1: get a good one. He said, how could I not?

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Speaker 1: I hope that he got one of your wife taking

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Speaker 1: it of you. That would be sick, Yo, he said,

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Speaker 1: how could I not? So what I'm saying to you, man,

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Speaker 1: you see it here, bro, I just don't want you

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Speaker 1: to turn into like one of these, you know, Kim

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Speaker 1: Kardashian type of people where it's like you're just constantly

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Speaker 1: taking selfies in the mirror like it. I hate myself

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Speaker 1: too much, but when I'm out there, look, I told

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Speaker 1: my wife. She said the same thing pretty much. I said, Babe,

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Speaker 1: I could go back to just the north Face jacket

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Speaker 1: that I got in two thousand and nine, the black

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Speaker 1: New balances and the dad jeans in a in a boom.

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Speaker 1: I could do that. She said, well, you're only hurting yourself.

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Speaker 1: I said, okay, So when I'm out feeling good and

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Speaker 1: this is good for somebody at my age to be like, yo,

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Speaker 1: motherfucker's are complimenting me. When I walked up dudes, let

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Speaker 1: alone with the women are probably thinking it, probably like God, damn,

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Speaker 1: it is that the Jewish James Dean And I'm like, yeah,

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Speaker 1: it's me happy Anica. Well do I have to change

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Speaker 1: to be in front of you now? Like I feel

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Speaker 1: like my sweatshirt isn't isn't enough? Like I don't judge

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Speaker 1: anybody else's ship. I'm not at I don't know you

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Speaker 1: do because I brought a trench coat and you didn't.

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Speaker 1: You didn't let me live that down. I wasn't. I wasn't.

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Speaker 1: I wasn't where I'm at the last time on the podcast,

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Speaker 1: the last time. Do I need to put my jacket

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Speaker 1: on right now? No, please don't. I've seen the jacket.

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Speaker 1: I've seen it. We've all seen it. Pull a photo

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Speaker 1: up again, Dave, see me out there looking like that,

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Speaker 1: looking looking ridiculous, looking fantastic. Anyway, anyway, I think it's great.

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Speaker 1: Thank you very much. Let's move on. We don't have

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Speaker 1: to talk about Listen, the clothes don't make the man.

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Speaker 1: The man makes the clothes, whatever it is. But but

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Speaker 1: you seem a little bit um. How do I put it? Auntie? Today?

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Speaker 1: What do you got going on? I know yesterday you

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Speaker 1: said you had to put on your your tux. You

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Speaker 1: had no audition to play a limo driver? What were

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Speaker 1: you doing yesterday? Everybody likes to hear about your auditions.

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Speaker 1: People don't know your life of an actor, you know,

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Speaker 1: I don't think it's been properly documented. And has there

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Speaker 1: been a film really about the life of an actor

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Speaker 1: in the modern day? Oh, I don't know. It sounds

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Speaker 1: insufferable to me, but I think people, I think the

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Speaker 1: real world would be like, oh, because they're like Hollywood pedophiles,

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Speaker 1: baby eaters, you know, and all this crazy ship and

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Speaker 1: tom Cruise and that that that that that I think

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Speaker 1: that they really knew what it was like for of

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Speaker 1: what it's like to be an actor. I think that

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Speaker 1: they would be like, they'd have a different understanding of it.

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Speaker 1: I told you to make that short film. I know,

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Speaker 1: I know, we'll look. It's it's fun to be an

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Speaker 1: actor and to dress up and and you know, the

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Speaker 1: auditions come through and you gotta were different things, right.

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Speaker 1: But you know, in in the day and age of

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Speaker 1: COVID and all this ship, you've had to do a

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Speaker 1: lot of this stuff in your apartment and you're not

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Speaker 1: doing in person auditions, which which makes it a lot

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Speaker 1: more interesting and kind of more fun and relaxing because

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Speaker 1: you can go at your own pace, and you know,

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Speaker 1: in the nerves are kind of out the window. So

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Speaker 1: you know, we talked last I think last week, I

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Speaker 1: auditioned for an ELF and you know, I get I'm

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Speaker 1: see that's the thing. I'm not auditioning for people that

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Speaker 1: are like the good looking James Dean type, the hiker,

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Speaker 1: the masculine guy. I get elf, I get butler, I

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Speaker 1: get limo driver. I don't know what that is. I

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Speaker 1: am seeing a pattern. But um, yes, so today, So

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Speaker 1: yesterday I auditioned for a um Um caterer caterer employees.

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Speaker 1: So I had a boat tie and they were really

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Speaker 1: I was on zoom and they were really impressed. It

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Speaker 1: was a call back and they said thank you so

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Speaker 1: much for for busting off the boat tie and the

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Speaker 1: vest and everything. And then last night I got a

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Speaker 1: self tape to play a butler, a butler's butler. Uh,

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Speaker 1: there's like a butler and he has an assistant that's

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Speaker 1: at butler junior butler. So I was learning I was

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Speaker 1: the junior butler butler and training. So I had to

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Speaker 1: have a towel wrapped around my arm and uh like

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Speaker 1: a little tray with a with a coffee mug and

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Speaker 1: I and I busted out the bow tie in the

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Speaker 1: back of these casting people. You should be You're gonna

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Speaker 1: have your break I know it sucks, everybody says it,

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Speaker 1: and I know everybody listening to the Iron Wrap Ports

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Speaker 1: stereo podcast is a fan of the Young Shooter. Dave's

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Speaker 1: a fan of the Young Shooter. Um the listeners are

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Speaker 1: you're gonna have your breakout role? Because I usually like

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Speaker 1: to fucking stuff you down during the podcast. Yes, but

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Speaker 1: but since it's just a couple of days past Hanuka,

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Speaker 1: we're heading into Christmas slash quans of the New Year,

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Speaker 1: I just know how talented and how funny you are.

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Speaker 1: And I didn't even see you in that Butler costume.

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Speaker 1: Thank you man. You would have loved to see me.

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Speaker 1: I mean, I texted you, That's the thing. I texted

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Speaker 1: you last night and I said, Hey, I'm I'm doing

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Speaker 1: a second audition where I have to put the Butler

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Speaker 1: uniform on. I'm getting my bowtie invest out and you

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Speaker 1: said kay. And it kind of hurt my feelings because

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Speaker 1: it didn't sound like it just didn't sound like you

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Speaker 1: were as excited as as I thought. Maybe I wasn't bid.

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Speaker 1: My man, you you knew that because I know what

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Speaker 1: you were. You were inviting me to maybe like I

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Speaker 1: g live, and I was getting no, no, no. I

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Speaker 1: just wanted you to see it. You know what you think.

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Speaker 1: Let's think about this the next time we podcast. Would

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Speaker 1: you consider oh an entire podcast in the Butler outfit

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Speaker 1: or at least part of the outcook podcast in the

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Speaker 1: Butler off I mean, if if you waited, I would

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Speaker 1: go do it right now. I mean, I'm so proud

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Speaker 1: of that MS to me, although I cannot respond, yes, well,

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Speaker 1: maybe in this podcast, maybe I'll be off suspension. Twenty

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Speaker 1: five d M s saying please have Dean or Young Shooter.

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Speaker 1: Would you please do one of the next podcasts in

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Speaker 1: a Butler in your Butler outfit. All we need is

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Speaker 1: twenty either of them. We'll do it. I'm so down.

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Speaker 1: I would love to put the boats one on. I

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Speaker 1: feel good. It's like you feel good in the row code,

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Speaker 1: you feel good in your cash, so when you're in

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Speaker 1: your butler's uniform. If I started going, okay, who cares

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Speaker 1: about your butler? I know you'd have a little bit

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Speaker 1: of pepper and step. That's why, like when you get

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Speaker 1: out of bed taking you don't have you Maybe you

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Speaker 1: should have put that Butler's uniform more on today. I

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Speaker 1: think it would have changed my my mentality. But look,

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Speaker 1: I mean we're not talking about the Butler's outfit three

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Speaker 1: months later, you know what I mean? Like that's the

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Speaker 1: but you'd still have that if you still had that

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Speaker 1: pep in your step, I wouldn't I wouldn't shoot on you.

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Speaker 1: You're right, Okay, I apologize, I apologize. I I look,

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Speaker 1: I think I'll be a different person with the Butler's

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Speaker 1: outfit on next podcast we do. I'm going to whip

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Speaker 1: it out, and I do feel good in it. And

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Speaker 1: I understand it because I know you're gonna whip it out. No, no, Bruno,

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Speaker 1: I understand what you're saying. I wanted you're gonna whip

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Speaker 1: it out. No, no, no, no, I understand what you're saying. Okay,

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Speaker 1: because I said I don't want to shove it down

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Speaker 1: your throat, no Bruno, And and I don't want to

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Speaker 1: whip it out, no Bruno. Now, now we mentioned um

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Speaker 1: my black new balances. Dave pulled a picture up that

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Speaker 1: I sent you of the This is really frustrating, really frustrating.

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Speaker 1: The Rich Paul. Rich Paul, the agent to Lebron James

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Speaker 1: and many other basketball players, has a signature New Balance sneaker. Now,

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Speaker 1: I'm always gonna wear New Balance at because they are

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Speaker 1: comfortable and their stylish. I've been talking about New Balance

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Speaker 1: sneakers for damn near shit ever since the podcast, but

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Speaker 1: I've been rocking them for years. Five Dog shouted out

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Speaker 1: New Balance sneakers in three other rappers shouted out New Balance.

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Speaker 1: No one cared, Larry David, New Balances. Motherfucker's have been

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Speaker 1: rocking New Balances, and you decide to make a signature

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Speaker 1: Rich Paul New Balance sneaker, and it's a dope looking

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Speaker 1: sneaker if you if you like that style. But I'm

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Speaker 1: thinking as who wants as New Balance sneaker? That's as

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Speaker 1: Rich Paul on it. Why does a New Balance make

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Speaker 1: a Fife Dog commemorative New Balance sneaker or some homage

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Speaker 1: to hip hop when no, when New Balants wasn't with

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Speaker 1: the quote unquote culture, When New Balance wasn't changing their

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Speaker 1: styles flipping their styles, people like Five Dogs, people like myself,

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Speaker 1: hip hop was holding down New Balances and now you

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Speaker 1: make a fucking signature Rich Paul sneaker. That's why I'm

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Speaker 1: glad I'm on this Jordan's ship. That's why I'm not

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Speaker 1: I'm glad that I'm not just fully dependent to the

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Speaker 1: New Balance ship because to me, that's disrespectful. Who's gonna

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Speaker 1: be like, yo, I need to get them Rich Paul sneakers.

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Speaker 1: I mean, they look good, but who really wants to have, Like,

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Speaker 1: to have your name on a sneaker, you gotta be

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Speaker 1: like a dude, not a fucking agent to Lebron. Do

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Speaker 1: you understand what I'm saying, Shooter. I mean, I just

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Speaker 1: found out who Rich Paul was from you just saying

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Speaker 1: it right now. I had no idea who that was.

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Speaker 1: I thought you were talking about Chris Paul, to be

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Speaker 1: honest with you, but I think that if anybody has

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Speaker 1: their name on a sneaker on a New Balance sneaker,

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Speaker 1: like you said, the top the number one, the top

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Speaker 1: person on that list has to be Larry David because

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Speaker 1: he goes against the culture. It's not someone you would

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Speaker 1: expect to be rocking those and and I mean he's

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Speaker 1: but he's had He's been rocking those for years and

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Speaker 1: I would or the I wear my new Balance sneakers.

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Speaker 1: So it's something narrow path, avoid a narrow path? To

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Speaker 1: what to avoid a narrow path in the ass? I mean,

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Speaker 1: do a do a Fife sneaker? You know how much

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Speaker 1: that would mean to his family and to the fans,

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00:18:54,240 --> 00:19:00,199
Speaker 1: doing new balants Fife commemorative sneaker. That would be sin

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00:19:00,400 --> 00:19:02,719
Speaker 1: better way late than never. But I know, I know

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Speaker 1: that the fans and his family would love that doing

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Speaker 1: balance sneakers to avoid a narrow path. Put a number

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Speaker 1: in yes. No, I'm not good with lyrics anyway. You

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Speaker 1: directed the Tribe call Quest documentary, I feel like you

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Speaker 1: should know the lyric, and you know what, at the time,

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Speaker 1: I knew all the lyrics and then they left and

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Speaker 1: then they'll start coming back because okay, before I get it,

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Speaker 1: what's been up with you? Man? Well, another thing I

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Speaker 1: wanted to ask you about. Did you see the photograph?

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Speaker 1: There's been a lot of a lot of controversy. I've

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Speaker 1: talked about her, the material girl, herself, UM Madonna posted

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Speaker 1: some photographs on Instagram a photo shoot um, and there's

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Speaker 1: been a lot of discussion on Instagram her and fifty

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Speaker 1: Cent the rapper Slash producers. Slash Mogul got into it

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Speaker 1: about her photos, and I I, did you see the

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Speaker 1: photo the photo shoot, and particularly the one photo? Pull

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Speaker 1: it up Dave of Madonna. I don't know if she's

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Speaker 1: like looking for something under the bed, or she lost

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Speaker 1: her remote control, or maybe like you know, like a

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Speaker 1: quarter rolled under the bed and you know, like, oh,

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Speaker 1: where is it? I don't know, it must be under there.

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Speaker 1: Maybe she's got a cat. Where's the cat? I don't

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Speaker 1: know the cat's under the bed. Or did you see

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Speaker 1: these photographs? Of course I saw that. I saw the

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Speaker 1: uncensored versions of them right when they came out with

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Speaker 1: her topless, and then Instagram took it down and so

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Speaker 1: she had to, you know, put some emojis over her

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Speaker 1: kids and all that kind of stuff, and um, but

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Speaker 1: I did see her under the bed. I think the

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Speaker 1: fishnets look great, you know. I think she's getting a

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Speaker 1: lot of flak from it, and I think a lot

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Speaker 1: of people are talking about it in fifty cents making

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Speaker 1: fun of her. I think a lot of people are

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Speaker 1: making fun of her. I think it's it's ages. Um.

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Speaker 1: I think because she's sixty three, and I have to

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Speaker 1: say I'm starting to realize, like I think I like

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Speaker 1: older women, like I would love to to take Madonna

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Speaker 1: out as well. Like people are like, oh, cookie Madonna.

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Speaker 1: She she's you know, doing like a virgin at sixty three.

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Speaker 1: I'm like Madonna, I think it's great. Do the photo shoots. Um,

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Speaker 1: I'll be your photographer. I'll be your photographer. I will

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Speaker 1: do it for you. I would love to go out

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Speaker 1: with her. But but if you were shooting Madonna and

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Speaker 1: she was like, wait, I'm gonna stick my head underneath

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Speaker 1: the fucking bed to where like I could maybe spraying

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Speaker 1: a back muscle or like funk with a vertebrae, would

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Speaker 1: you be like, yeah, you look great with your with

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Speaker 1: your head stuffed under the bed, or are you like, yo,

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Speaker 1: are you looking for something? Or is somebody coming in

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Speaker 1: the house and we need to hide? And I should

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Speaker 1: stop taking photos because here's my thing of my Madonna.

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Speaker 1: It's not the ages. Um, if you're of a certain

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Speaker 1: age and I'm one of them, the authentic sexuality that

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00:21:46,840 --> 00:21:51,199
Speaker 1: Madonna brought along with her great music, her dancing, and

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Speaker 1: her just charisma for her to sort of it feels

404
00:21:56,640 --> 00:22:00,360
Speaker 1: like she's trying to recreate herself in her and E's

405
00:22:00,840 --> 00:22:06,439
Speaker 1: like she's so botoxed up and so plastic surgeons up,

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Speaker 1: and the photos are so filtered, and they're so heavily

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Speaker 1: made up for me. And I know nobody should tell

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Speaker 1: anybody how to make them feel or what makes them

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Speaker 1: feel good about themselves. Trust me. I know that I'm

410
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Speaker 1: not fucking Paul Newman. But I think it's disappointing for

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Speaker 1: me as a fan. And I was a huge fan

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Speaker 1: of Madonnas. To see her like be the sexy person

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Speaker 1: your age. Like, I'm not saying don't do a little work.

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Speaker 1: Everybody's entitled to do a little work. Filter here, change

415
00:22:37,840 --> 00:22:41,240
Speaker 1: stuff there, stay in shape. But I think it's because

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Speaker 1: she was so natural when she first came out. Get

417
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Speaker 1: into the crew. Boy, you have to sue but Dune

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Speaker 1: need everybody come on, dance and sing, everybody get up

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Speaker 1: and do you think like so just see her like this,

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00:23:01,400 --> 00:23:04,960
Speaker 1: I think I could see why fifty seven be like, yo,

421
00:23:05,119 --> 00:23:08,480
Speaker 1: your Madonna, Like, don't try so hard. That's I think

422
00:23:08,480 --> 00:23:11,400
Speaker 1: the thing is, it's don't try so hard. But this

423
00:23:11,480 --> 00:23:13,600
Speaker 1: is the trend. This is how I feel. I mean,

424
00:23:14,160 --> 00:23:16,120
Speaker 1: this is how I feel about Will Smith. I think

425
00:23:16,119 --> 00:23:18,440
Speaker 1: it's like an Instagram problem. I think it's like you're

426
00:23:18,480 --> 00:23:21,080
Speaker 1: talking too much problem and you're too public. It's like

427
00:23:21,119 --> 00:23:24,719
Speaker 1: Will Smith, you're talking about Jada and how you know,

428
00:23:24,800 --> 00:23:28,159
Speaker 1: you're talking about how he used to have sex and

429
00:23:28,280 --> 00:23:31,080
Speaker 1: after he would bust off, after he was skeet skeet, skeet,

430
00:23:31,080 --> 00:23:36,480
Speaker 1: skeat skeet, he would throw up. I don't I don't

431
00:23:36,480 --> 00:23:38,119
Speaker 1: want to know that, my man. I don't give a

432
00:23:38,119 --> 00:23:42,520
Speaker 1: fuck what kind of book you're writing. And I funk

433
00:23:42,600 --> 00:23:48,600
Speaker 1: with Will Smith. He's the But that's what I'm saying. Iconic, Yeah, man,

434
00:23:49,119 --> 00:23:51,800
Speaker 1: Like take a page out of shares playbook or something like,

435
00:23:52,359 --> 00:23:54,760
Speaker 1: you know, she's she's got this a lure and mystery

436
00:23:54,800 --> 00:23:56,400
Speaker 1: about her, Like, I don't know what Share is doing

437
00:23:56,480 --> 00:23:59,560
Speaker 1: right now, but she's iconic. Like, I think the problem

438
00:23:59,600 --> 00:24:02,480
Speaker 1: is just Instagram and social media. It's like funk, some

439
00:24:02,520 --> 00:24:05,000
Speaker 1: people just should not have it. It's and it's it

440
00:24:05,040 --> 00:24:07,600
Speaker 1: brings out mental illness and maybe these people are mentally ill.

441
00:24:07,680 --> 00:24:09,880
Speaker 1: And you know what, if she is mentally ill, I

442
00:24:09,920 --> 00:24:13,480
Speaker 1: wouldn't mind taking care of her. Okay, Okay, that's all

443
00:24:13,520 --> 00:24:21,639
Speaker 1: I'm saying, man, Like, Hey, okay, Dave, you see it? Yo, okay, Um,

444
00:24:21,800 --> 00:24:24,360
Speaker 1: no problem with that. So, so you're saying, right now,

445
00:24:24,480 --> 00:24:26,840
Speaker 1: would you like to say something directly to Madonna because

446
00:24:26,840 --> 00:24:30,120
Speaker 1: this is the platform she listens, of course, I well,

447
00:24:30,119 --> 00:24:32,160
Speaker 1: I would just want to say I've been following you.

448
00:24:32,160 --> 00:24:35,160
Speaker 1: You know. I think Vogue came out and I think

449
00:24:35,200 --> 00:24:37,639
Speaker 1: that I I think that was the song of the

450
00:24:37,720 --> 00:24:39,760
Speaker 1: month when I was born. So I kind of like

451
00:24:39,880 --> 00:24:43,000
Speaker 1: I was born into Madonna. UM, and I grew up

452
00:24:43,040 --> 00:24:45,840
Speaker 1: with Madonna, and UM, I am just such a big

453
00:24:45,880 --> 00:24:47,720
Speaker 1: fan of hers, and I would take pictures of her

454
00:24:48,200 --> 00:24:51,760
Speaker 1: looking for car keys underneath her bed or uncensored photos.

455
00:24:51,800 --> 00:24:53,000
Speaker 1: And if she wants me to take her to the

456
00:24:53,000 --> 00:24:55,760
Speaker 1: plastic surgeon's office, I would. I would be happy to

457
00:24:55,800 --> 00:24:57,879
Speaker 1: do it, and I would not post about it or

458
00:24:57,920 --> 00:25:00,440
Speaker 1: give her like the side eye or quite her. I'd

459
00:25:00,440 --> 00:25:02,800
Speaker 1: be like, look, you're Madonna, You're sixty three, You're a

460
00:25:02,800 --> 00:25:05,000
Speaker 1: grown woman. This is what you want to do. This

461
00:25:05,080 --> 00:25:06,600
Speaker 1: is what you want to do. And I take her

462
00:25:06,640 --> 00:25:09,359
Speaker 1: to David Busters. I'll take her wherever she wants to go.

463
00:25:09,440 --> 00:25:11,600
Speaker 1: I got a place in Joshua Tree that would be cool.

464
00:25:11,640 --> 00:25:14,480
Speaker 1: We can get away from the the media and insane.

465
00:25:14,520 --> 00:25:19,040
Speaker 1: If you and Madonna were dating, and if I was

466
00:25:19,160 --> 00:25:23,400
Speaker 1: dating Madonna. Oh man, that would be sick. That would

467
00:25:23,400 --> 00:25:27,399
Speaker 1: be sick, that would be ill, Like, yo, who you

468
00:25:27,520 --> 00:25:29,320
Speaker 1: would be? Like? Yo, I'm gonna let you guys. You know,

469
00:25:29,359 --> 00:25:31,840
Speaker 1: I'm bringing my girlfriend to the to the party Madonna

470
00:25:32,160 --> 00:25:35,160
Speaker 1: and you show up with Madonna. That's way cooler than

471
00:25:35,280 --> 00:25:37,600
Speaker 1: Kim Kardashi in my opinion, Like fuck Pete Davidson and

472
00:25:37,680 --> 00:25:39,560
Speaker 1: Kim Kay. And did you see did you see Pete

473
00:25:39,640 --> 00:25:43,080
Speaker 1: Davidson and Machine Gun Kelly doing their underwear ads? Yo,

474
00:25:43,200 --> 00:25:47,280
Speaker 1: looking like straight fucking Yahoo's straight look like straight fucking

475
00:25:47,359 --> 00:25:51,159
Speaker 1: dummies looking looking straight stupid? You know what? You know?

476
00:25:51,160 --> 00:25:54,440
Speaker 1: What's crazy thing is Calvin Klein Underwear was so desperate

477
00:25:55,080 --> 00:25:57,840
Speaker 1: to to get some attention. They had these dudes and

478
00:25:57,880 --> 00:26:01,159
Speaker 1: you the thing about Pete Dave, it's in that that

479
00:26:01,280 --> 00:26:03,880
Speaker 1: I don't like. He always seems like he doesn't want

480
00:26:03,880 --> 00:26:06,320
Speaker 1: to be there, but they keep paying him to show up.

481
00:26:07,000 --> 00:26:11,480
Speaker 1: And I'm like, YO, have some appreciation that you're like.

482
00:26:11,560 --> 00:26:14,679
Speaker 1: First of all, that model campaign Marky Mark at the

483
00:26:14,760 --> 00:26:17,399
Speaker 1: time was yo. But when Marky Mark came out in

484
00:26:17,440 --> 00:26:20,720
Speaker 1: the Calvin's with Kate Moss, it was a fucking pop.

485
00:26:20,800 --> 00:26:23,159
Speaker 1: You don't understand because you weren't there. It was a

486
00:26:23,200 --> 00:26:27,919
Speaker 1: pop culture moment. And these dudes are up there eating popcorn,

487
00:26:28,000 --> 00:26:31,639
Speaker 1: doing all this goofy ship like and like they're just

488
00:26:31,720 --> 00:26:34,439
Speaker 1: collecting a check. Like why doesn't Calvi Klein have you

489
00:26:34,560 --> 00:26:37,560
Speaker 1: and knee up there? And we'll do it with some respect.

490
00:26:38,320 --> 00:26:41,120
Speaker 1: I'll flash the Calvin Klein's you know, I'll be like

491
00:26:41,200 --> 00:26:44,320
Speaker 1: making that face, that duck lip face. I'm not gonna

492
00:26:44,359 --> 00:26:47,040
Speaker 1: belittle what they brought me there to do. I get

493
00:26:47,080 --> 00:26:48,879
Speaker 1: a little spray to it. I know you'd be at

494
00:26:48,920 --> 00:26:52,159
Speaker 1: the gym, yeah, but you know it's like we wouldn't

495
00:26:52,200 --> 00:26:55,600
Speaker 1: make a mockery of it. I'd throw popcorn and let

496
00:26:55,600 --> 00:26:57,600
Speaker 1: you catch it and all that stuff. I mean, like, yo,

497
00:26:57,680 --> 00:26:59,600
Speaker 1: you want to see the flex, you want to see

498
00:26:59,600 --> 00:27:02,000
Speaker 1: the low. I'd unfold like you. I'd show you what

499
00:27:02,040 --> 00:27:04,399
Speaker 1: you want to see in the underwear and m g K.

500
00:27:04,800 --> 00:27:07,000
Speaker 1: There was there was no pp two be seen in that.

501
00:27:07,320 --> 00:27:09,600
Speaker 1: I mean, I might look like like a Kendall. My

502
00:27:09,640 --> 00:27:12,160
Speaker 1: man looked like a key got that Kendall dick. But

503
00:27:12,440 --> 00:27:14,760
Speaker 1: we didn't see he had that Kendall dick. He had

504
00:27:14,760 --> 00:27:17,600
Speaker 1: that Kendall dick. He had that g I Joe dick.

505
00:27:17,640 --> 00:27:19,439
Speaker 1: You ever, you ever have g I Joe. When you're

506
00:27:19,440 --> 00:27:21,320
Speaker 1: a kid, you unstripped and he got no dick. He

507
00:27:21,359 --> 00:27:23,720
Speaker 1: had that g I Joe. We call that dick not

508
00:27:23,800 --> 00:27:29,440
Speaker 1: Found DNF Dick DNF dick not found. Gun Kelly had

509
00:27:29,480 --> 00:27:33,520
Speaker 1: that DNF and machine gun Kelly also just and I'm

510
00:27:33,600 --> 00:27:36,200
Speaker 1: sure I know machine Gun Kelly, just like Pete Davidson,

511
00:27:36,280 --> 00:27:40,280
Speaker 1: just like everybody of the people that I've come across

512
00:27:40,280 --> 00:27:42,800
Speaker 1: in Hollywood, except from Mel Gibson. You can eat a dick.

513
00:27:43,200 --> 00:27:46,520
Speaker 1: I gotta be honest. If you had to choose one

514
00:27:48,960 --> 00:27:50,879
Speaker 1: right now, they give you a starring role and you

515
00:27:50,960 --> 00:27:54,160
Speaker 1: have to choose one, you don't get to turn down both.

516
00:27:57,119 --> 00:27:59,560
Speaker 1: You have to start in a movie from mel Gibson,

517
00:28:00,080 --> 00:28:02,439
Speaker 1: or you have to start in a movie that Woody

518
00:28:02,480 --> 00:28:05,080
Speaker 1: Allen's directing. It's a Mel Gibson written and directed by

519
00:28:05,080 --> 00:28:08,360
Speaker 1: mel Gibson, or to Woody Allen written and directed by

520
00:28:08,359 --> 00:28:11,600
Speaker 1: Woody Allen. It's so easy. I I have to go

521
00:28:11,680 --> 00:28:14,720
Speaker 1: with mel Gibson because there's not a documentary right now

522
00:28:15,359 --> 00:28:19,480
Speaker 1: against mel Gibson. Somehow he slipped through the cracks special

523
00:28:19,640 --> 00:28:22,119
Speaker 1: I agree with you, but I'm just saying, Woody Allen,

524
00:28:22,359 --> 00:28:23,760
Speaker 1: you know and I know you did a couple of

525
00:28:23,840 --> 00:28:28,159
Speaker 1: movies with the guy, but there's that documentary was but

526
00:28:28,240 --> 00:28:32,080
Speaker 1: there's still like they investigated him top to bottom and

527
00:28:32,119 --> 00:28:34,679
Speaker 1: I watched the documentary. He was disturbing. And I'm not

528
00:28:35,600 --> 00:28:39,000
Speaker 1: discrediting the allegations. It's just a question I'm throwing out there.

529
00:28:39,040 --> 00:28:41,440
Speaker 1: You'd say, mel Gibson, that jew hating. You would know

530
00:28:41,520 --> 00:28:43,720
Speaker 1: that every day when he says action cut, great job,

531
00:28:43,960 --> 00:28:48,040
Speaker 1: he's really that great job? You Jew? Fuck you? Well.

532
00:28:49,120 --> 00:28:51,360
Speaker 1: I just think we should bring back the Oxana tapes?

533
00:28:51,440 --> 00:28:55,200
Speaker 1: Is that who it was? Axana? His girl? What was

534
00:28:55,200 --> 00:28:59,000
Speaker 1: her name? Miles Jordan? Play the Axona tapes? I don't

535
00:28:59,080 --> 00:29:08,240
Speaker 1: work around clothes, embark and if you get ripped by

536
00:29:08,240 --> 00:29:10,719
Speaker 1: a pack of the nigger lily, your ball all right?

537
00:29:11,520 --> 00:29:16,240
Speaker 1: Because you are provocatively dressed ball at the time your faith?

538
00:29:16,960 --> 00:29:19,160
Speaker 1: Do you feel you have to show off? I don't

539
00:29:19,240 --> 00:29:22,160
Speaker 1: like it. I don't want that woman. I don't want

540
00:29:22,200 --> 00:29:27,520
Speaker 1: to I don't believe you anymore. I don't I don't

541
00:29:27,680 --> 00:29:30,680
Speaker 1: love you. What do you think of those? I mean,

542
00:29:31,080 --> 00:29:34,240
Speaker 1: I think I think the world needs to hear that again, man,

543
00:29:34,320 --> 00:29:38,760
Speaker 1: I mean again, is this there's a ship bag? He's well,

544
00:29:38,800 --> 00:29:40,840
Speaker 1: he was a ship what he called the girl sugar tits,

545
00:29:40,920 --> 00:29:42,520
Speaker 1: and how he you know, he hates the Jews. And

546
00:29:42,600 --> 00:29:45,960
Speaker 1: you know his father doesn't believe that the Holocaust is

547
00:29:46,080 --> 00:29:50,160
Speaker 1: father alive, probably not because Mel gives old probably not.

548
00:29:50,280 --> 00:29:54,440
Speaker 1: But and you know that kind of rubbed off on

549
00:29:54,520 --> 00:29:58,040
Speaker 1: his son. I'm sure he got a Mel Gibson, well,

550
00:29:58,600 --> 00:30:02,000
Speaker 1: senior Gibson. Okay, okay, you know, and when Mel Gibson

551
00:30:02,040 --> 00:30:05,680
Speaker 1: gets drunk, a lot of that inner jew hate comes out.

552
00:30:05,960 --> 00:30:18,280
Speaker 1: No Ship, Let me ask you something. You ever look

553
00:30:18,320 --> 00:30:20,120
Speaker 1: at something online that you don't want other people to

554
00:30:20,200 --> 00:30:22,160
Speaker 1: know that you're looking at? You know what I'm talking about,

555
00:30:22,600 --> 00:30:25,760
Speaker 1: maybe a surprise gift for a loved one, or maybe uh,

556
00:30:25,960 --> 00:30:29,880
Speaker 1: you know, something a little bit more insidious. You know

557
00:30:29,920 --> 00:30:33,240
Speaker 1: what I'm talking about? To prevent I sps IS from

558
00:30:33,360 --> 00:30:38,280
Speaker 1: seeing your Internet activity? Okay, what I do? I protect

559
00:30:38,360 --> 00:30:40,840
Speaker 1: all my devices because every now and then I like

560
00:30:40,960 --> 00:30:43,719
Speaker 1: to look at something like a gift or something, as

561
00:30:43,760 --> 00:30:48,160
Speaker 1: I said, a little bit more insidious. I protect myself

562
00:30:48,240 --> 00:30:52,000
Speaker 1: on all my devices with express VP, and and you

563
00:30:52,560 --> 00:30:56,200
Speaker 1: should too. With all the things to buy and sell,

564
00:30:56,480 --> 00:31:00,200
Speaker 1: plus the public wifis you use, do not get act

565
00:31:00,400 --> 00:31:04,479
Speaker 1: and fall through the cracks people. What is Express VPN.

566
00:31:04,520 --> 00:31:07,600
Speaker 1: It's a simple app for your computer your smartphone that

567
00:31:07,760 --> 00:31:10,920
Speaker 1: encrypts all your network data and tunnels it through a

568
00:31:11,000 --> 00:31:13,760
Speaker 1: secure VPN service so that your I s P cannot

569
00:31:13,840 --> 00:31:17,960
Speaker 1: see your activity. Sadly, the list of people you've messaged, okay,

570
00:31:18,360 --> 00:31:20,360
Speaker 1: you know what I'm talking about, the sites you've visited,

571
00:31:20,560 --> 00:31:23,520
Speaker 1: you know what I'm talking about, the videos you've wanted,

572
00:31:23,640 --> 00:31:26,640
Speaker 1: You know what I'm talking about. They get tracked by

573
00:31:26,760 --> 00:31:30,800
Speaker 1: tech giants who want all your information for private and

574
00:31:30,880 --> 00:31:33,680
Speaker 1: who knows what else. That's the reason I recommend Express

575
00:31:33,800 --> 00:31:36,800
Speaker 1: VPN is the best way to hide your online activity

576
00:31:38,080 --> 00:31:40,160
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577
00:31:40,320 --> 00:31:43,920
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578
00:31:44,160 --> 00:31:48,720
Speaker 1: Stop handing your information data to I sps and other

579
00:31:48,880 --> 00:31:52,280
Speaker 1: tech giants who mind your activity and sell off your information.

580
00:31:52,440 --> 00:31:57,960
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581
00:31:58,360 --> 00:32:02,320
Speaker 1: slash rapp report to get three months free and protect

582
00:32:02,760 --> 00:32:06,200
Speaker 1: yourself at all times. Go to Express vpn dot slash

583
00:32:06,280 --> 00:32:10,920
Speaker 1: rapport right now to learn more. What else is going

584
00:32:10,960 --> 00:32:12,560
Speaker 1: on with you? What out? What else have you seen?

585
00:32:12,840 --> 00:32:15,880
Speaker 1: Did you did you see? Is that? Leonardo DiCaprio, Jennifer

586
00:32:15,960 --> 00:32:18,000
Speaker 1: Lawrence movie out yet? What is it? Don't look up?

587
00:32:18,520 --> 00:32:22,240
Speaker 1: Yeah that's not out yet. But um, that's not out yet.

588
00:32:22,320 --> 00:32:24,240
Speaker 1: I've I've been watching a lot of stuff. Actually, I

589
00:32:24,440 --> 00:32:28,080
Speaker 1: watched the whole Beatles Get Back documentary. What's your takeaway?

590
00:32:28,880 --> 00:32:31,200
Speaker 1: It's incredible. I mean you have to be a Beatles fan.

591
00:32:31,480 --> 00:32:33,440
Speaker 1: I mean, how look, how can you not be a

592
00:32:33,480 --> 00:32:35,560
Speaker 1: Beatles fan? But to see them in such an intimate

593
00:32:36,200 --> 00:32:39,120
Speaker 1: um setting and then coming up with some of the

594
00:32:39,280 --> 00:32:41,800
Speaker 1: greatest songs of all time, and that's the thing about

595
00:32:41,840 --> 00:32:43,880
Speaker 1: them that that's the one thing about this documentary is

596
00:32:43,960 --> 00:32:48,240
Speaker 1: like these guys were going through so many personal and

597
00:32:48,440 --> 00:32:51,200
Speaker 1: creative differences between each other. They were really at the

598
00:32:51,400 --> 00:32:53,680
Speaker 1: end of their rope. You know. It was at the

599
00:32:53,840 --> 00:32:56,400
Speaker 1: very end of the Beatles career. George Martin had died,

600
00:32:57,280 --> 00:33:00,040
Speaker 1: not George Martin, um Brian Epstein their manager at it,

601
00:33:00,240 --> 00:33:02,320
Speaker 1: and Paul McCartney kind of had to take on that

602
00:33:02,560 --> 00:33:06,960
Speaker 1: manager role, which I think really had them all butting heads.

603
00:33:07,000 --> 00:33:10,080
Speaker 1: There's so much tension between George and Paul, and there's

604
00:33:10,160 --> 00:33:13,400
Speaker 1: all these things within the documentary. But what's crazy is

605
00:33:13,480 --> 00:33:16,120
Speaker 1: you think that, you know, with a band when there's

606
00:33:16,120 --> 00:33:19,200
Speaker 1: all this tension the product probably isn't going to be

607
00:33:19,240 --> 00:33:21,640
Speaker 1: that great. Whatever they're creating is probably not gonna be

608
00:33:21,680 --> 00:33:23,880
Speaker 1: that great when there's a lot of creative and personal differences.

609
00:33:24,000 --> 00:33:26,360
Speaker 1: But they came out with Let it Be. That album

610
00:33:26,480 --> 00:33:30,440
Speaker 1: from top to bottom is so fucking iconic and so great,

611
00:33:30,480 --> 00:33:33,200
Speaker 1: and it didn't affect the music, like none of that tension,

612
00:33:33,320 --> 00:33:36,480
Speaker 1: none of that stuff affected the music. And to see them,

613
00:33:36,680 --> 00:33:39,400
Speaker 1: I mean, George quits in the middle of the thing,

614
00:33:40,160 --> 00:33:43,880
Speaker 1: and uh, it's kind of like The Nine Bulls. It

615
00:33:43,960 --> 00:33:46,360
Speaker 1: had a little bit of a last Dance vibe to

616
00:33:46,440 --> 00:33:50,000
Speaker 1: it in terms of the tension between but it's like, uh,

617
00:33:50,200 --> 00:33:52,920
Speaker 1: you know sometimes Steele sharp and Steel and you know

618
00:33:53,000 --> 00:33:54,800
Speaker 1: when you get on that quarter, when you get behind

619
00:33:54,840 --> 00:33:56,959
Speaker 1: those instruments and you're able to perform the way they

620
00:33:57,080 --> 00:34:00,160
Speaker 1: and the talent level of them and the time and

621
00:34:00,200 --> 00:34:03,960
Speaker 1: all that stuff, it's it's insane. But you know, Yoko

622
00:34:04,040 --> 00:34:06,640
Speaker 1: sitting right next to him throughout everything, you like, doing

623
00:34:06,720 --> 00:34:10,279
Speaker 1: tarot cards. Like what is Yoko doing? She's nitty's reading newspapers,

624
00:34:10,440 --> 00:34:12,839
Speaker 1: She's doing tarot cards and then she she gets up

625
00:34:12,840 --> 00:34:15,960
Speaker 1: on the mic during rehearsal and she's doing that. He Yoko,

626
00:34:16,120 --> 00:34:17,960
Speaker 1: check this out. Can you can you go get like

627
00:34:18,080 --> 00:34:19,920
Speaker 1: I don't know, is there's Starbucks? Can you go get

628
00:34:19,920 --> 00:34:22,680
Speaker 1: a coffee for the bank? Just get guys who want

629
00:34:22,719 --> 00:34:26,200
Speaker 1: to let me, Like, hey, Paul, you want something, Ringo, Georgie,

630
00:34:26,239 --> 00:34:28,960
Speaker 1: you guys, do anybody wants something? Because you're making me

631
00:34:29,080 --> 00:34:32,080
Speaker 1: nervous sitting here creeping around, Like what the funk are

632
00:34:32,080 --> 00:34:36,200
Speaker 1: you doing here? Yoko the baby, We're we're we're we're

633
00:34:36,239 --> 00:34:39,120
Speaker 1: coming up with some iconic ship. Right, you've been sitting

634
00:34:39,200 --> 00:34:41,000
Speaker 1: here for four hours. Don't you got something to do?

635
00:34:41,600 --> 00:34:43,200
Speaker 1: Don't you want to go do something? You got a

636
00:34:43,280 --> 00:34:45,359
Speaker 1: friend you want to go see? Like you could leave

637
00:34:45,440 --> 00:34:47,680
Speaker 1: for a half hour forty five minutes? Oh no, No,

638
00:34:47,960 --> 00:34:50,040
Speaker 1: she won't do No, she's up there like I don't know,

639
00:34:50,160 --> 00:34:52,120
Speaker 1: doing magic tricks, Like I don't know what she's doing

640
00:34:52,160 --> 00:34:54,920
Speaker 1: with what is she doing? But the other wives are

641
00:34:54,920 --> 00:34:56,320
Speaker 1: in like a whole other room. So I just I

642
00:34:56,360 --> 00:34:59,240
Speaker 1: didn't understand that. Just I'm saying, go with the other wives,

643
00:34:59,320 --> 00:35:00,920
Speaker 1: come sit down. You don't have to be here the

644
00:35:00,960 --> 00:35:05,560
Speaker 1: whole time because even when when when John's not there,

645
00:35:05,640 --> 00:35:09,920
Speaker 1: sometimes she's there. Oh yeah, she's singing. Are you the

646
00:35:10,000 --> 00:35:12,480
Speaker 1: school teacher? Like are you the whole monitor, like what

647
00:35:12,600 --> 00:35:15,759
Speaker 1: the funk are you doing here? Lady? And I think

648
00:35:15,840 --> 00:35:18,239
Speaker 1: everyone thinks that she broke up the band, but it's

649
00:35:18,280 --> 00:35:20,440
Speaker 1: like it's a big misconception. I mean, I'm sure that

650
00:35:20,560 --> 00:35:22,480
Speaker 1: played a part of it, but you know they were

651
00:35:22,560 --> 00:35:25,400
Speaker 1: all like ready to go their separate ways, like the

652
00:35:25,520 --> 00:35:29,040
Speaker 1: ninety six Bulls. At a certain point, things just whatever

653
00:35:29,160 --> 00:35:31,360
Speaker 1: the forces are and they come to an end. I

654
00:35:31,440 --> 00:35:37,480
Speaker 1: haven't finished yet. Um. You encouraged me to watch something

655
00:35:37,600 --> 00:35:41,440
Speaker 1: that brought back memories from my childhood because I remember

656
00:35:42,400 --> 00:35:46,640
Speaker 1: watching these documentaries on HBO at a time when there

657
00:35:46,760 --> 00:35:49,560
Speaker 1: was no I didn't think there was showtime there there was,

658
00:35:49,640 --> 00:35:55,080
Speaker 1: there was nothing. HBO was king but the There's a

659
00:35:55,120 --> 00:35:59,719
Speaker 1: documentary on HBO called what is it called? The documentaries

660
00:35:59,760 --> 00:36:06,080
Speaker 1: called Life of Crime about a trio two guys and

661
00:36:06,120 --> 00:36:09,960
Speaker 1: a girl who are doing like petty theft robberies out

662
00:36:10,000 --> 00:36:13,720
Speaker 1: in New Jersey. And it goes from them doing petty

663
00:36:13,760 --> 00:36:17,600
Speaker 1: theft like this documentary filmmaker follows them like robbing stores

664
00:36:18,120 --> 00:36:20,920
Speaker 1: and like having fun robbing stores literally not with gun

665
00:36:21,040 --> 00:36:25,680
Speaker 1: robb like shoplifting. Shoplifting. Documentary opens in Newark, New Jersey,

666
00:36:26,200 --> 00:36:31,360
Speaker 1: which just the backdrop of Newark, the cars, the stores,

667
00:36:31,800 --> 00:36:34,799
Speaker 1: the texture of new work, the fucking just the way

668
00:36:34,880 --> 00:36:38,080
Speaker 1: it looked was a trip. And just to tell people

669
00:36:38,080 --> 00:36:41,279
Speaker 1: who have never seen it, in four, Life of Crime

670
00:36:41,400 --> 00:36:44,960
Speaker 1: came out on HBO, and I remember watching it in

671
00:36:45,040 --> 00:36:49,040
Speaker 1: my father's apartment in my bedroom, like you know you again,

672
00:36:49,080 --> 00:36:50,960
Speaker 1: you you didn't know when it would be on, how

673
00:36:51,080 --> 00:36:53,040
Speaker 1: it would come on. You'd catch apart here, a catch

674
00:36:53,080 --> 00:36:55,560
Speaker 1: apart there, and it was so like, what is this,

675
00:36:56,760 --> 00:37:02,080
Speaker 1: what is this? Like this is insane? And he kept

676
00:37:02,120 --> 00:37:03,960
Speaker 1: filming because it was Life of Crime Part two. But

677
00:37:04,080 --> 00:37:06,520
Speaker 1: then over the last I think, I don't know, twenty

678
00:37:06,640 --> 00:37:10,600
Speaker 1: years since the last for since the last Life of Crime,

679
00:37:10,880 --> 00:37:16,359
Speaker 1: he kept filming these people and it is such brilliant filmmaking.

680
00:37:16,920 --> 00:37:22,920
Speaker 1: And it's so just noir cinema, veririte filmmaking. There's no confessionals,

681
00:37:23,239 --> 00:37:27,440
Speaker 1: there's no sit down interviews. It's all happening in in

682
00:37:27,520 --> 00:37:30,600
Speaker 1: the real time, in the real space, in the real place.

683
00:37:31,120 --> 00:37:34,040
Speaker 1: And I'm gonna tell you if you there are there

684
00:37:34,080 --> 00:37:37,840
Speaker 1: are moments that are graphic, there are moments that are disturbing.

685
00:37:38,840 --> 00:37:42,200
Speaker 1: Um But and then for some people that might be

686
00:37:42,280 --> 00:37:46,560
Speaker 1: too much because it's so it's about the life of crime,

687
00:37:46,640 --> 00:37:49,640
Speaker 1: and it's really about drug addiction. It's it's less about

688
00:37:49,719 --> 00:37:51,880
Speaker 1: it's less about a life of crime and more about

689
00:37:52,400 --> 00:37:56,040
Speaker 1: people with really really terrible drug addictions that are going

690
00:37:56,120 --> 00:37:58,440
Speaker 1: in and out of prison and they have kids, and

691
00:37:58,640 --> 00:38:02,360
Speaker 1: how it affects their family reason and and then there's

692
00:38:02,400 --> 00:38:05,600
Speaker 1: no resources for these people, and how funck the you know,

693
00:38:05,680 --> 00:38:09,600
Speaker 1: criminal justice system is and um and it is. So

694
00:38:10,239 --> 00:38:13,960
Speaker 1: it really is so disturbing, but it's such it really

695
00:38:14,080 --> 00:38:16,520
Speaker 1: is a must watch. A lot of my friends about it,

696
00:38:16,760 --> 00:38:18,680
Speaker 1: and they haven't they don't have the stomach for it

697
00:38:18,760 --> 00:38:21,640
Speaker 1: and all that kind of stuff, but it's really devastating

698
00:38:21,760 --> 00:38:24,120
Speaker 1: and but it's important. And you know what, I just

699
00:38:24,280 --> 00:38:26,880
Speaker 1: remembered the movie that I've mentioned a few times on

700
00:38:26,920 --> 00:38:30,879
Speaker 1: the podcast. It's um Edie Falco's first film. It's called

701
00:38:30,960 --> 00:38:34,400
Speaker 1: Laws of Gravity, directed by Nick Gomez, who I worked with,

702
00:38:34,440 --> 00:38:36,440
Speaker 1: who I love him as a filmmaker. He directed New

703
00:38:36,520 --> 00:38:39,279
Speaker 1: Jersey Drive, which was also a dope movie. He was

704
00:38:39,760 --> 00:38:43,240
Speaker 1: very very inspired um in that movie Laws of Gravity,

705
00:38:43,239 --> 00:38:45,120
Speaker 1: which I don't know where you could find it, but

706
00:38:45,160 --> 00:38:48,000
Speaker 1: it's Eadie Falco's first movie. Peter Green, the actor who

707
00:38:48,080 --> 00:38:50,759
Speaker 1: you recognize from other stuff, and some other actors you've

708
00:38:50,800 --> 00:38:53,600
Speaker 1: never seen before, some some other actors that popped up

709
00:38:53,600 --> 00:38:57,080
Speaker 1: another stuff. But it's a dope, true blue New York

710
00:38:57,320 --> 00:39:01,120
Speaker 1: film that took place in Williamsburg. Pre gentrific Haitian and

711
00:39:01,320 --> 00:39:04,960
Speaker 1: his his movie Laws of Gravity was very visually inspired

712
00:39:05,600 --> 00:39:08,960
Speaker 1: by Life of Crime, uh, down to the sunglasses, to

713
00:39:09,120 --> 00:39:11,920
Speaker 1: just the handheld camera, which at the time became a

714
00:39:11,960 --> 00:39:15,359
Speaker 1: whole new thing. And I remember that TV show Homicide

715
00:39:16,120 --> 00:39:19,640
Speaker 1: UM on Channel four UM, which took place in Baltimore,

716
00:39:20,080 --> 00:39:22,880
Speaker 1: which was ahead of its time, which also inspired the

717
00:39:22,920 --> 00:39:26,880
Speaker 1: wire UM was also heavily inspired by Life for Crime

718
00:39:27,400 --> 00:39:30,080
Speaker 1: UH and the Laws of Gravity. Anyway, Life for Crime

719
00:39:32,400 --> 00:39:37,200
Speaker 1: on HBO is excellent, It really is. I think you

720
00:39:37,280 --> 00:39:39,120
Speaker 1: were the most affected by it from everyone that I've

721
00:39:39,160 --> 00:39:41,279
Speaker 1: told by, I was. I can't stop thinking about it.

722
00:39:41,360 --> 00:39:44,120
Speaker 1: It really affected me. That was incredible. That was an

723
00:39:44,160 --> 00:39:49,440
Speaker 1: incredible doc um. I watched another incredible doc on Netflix yesterday.

724
00:39:49,440 --> 00:39:53,280
Speaker 1: I thing called fourteen Summits about a guy from Nepal

725
00:39:53,480 --> 00:39:58,200
Speaker 1: who climbs all four of the highest mountains um. Like

726
00:39:58,800 --> 00:40:01,800
Speaker 1: the record I think is you know, to climb the

727
00:40:01,880 --> 00:40:04,840
Speaker 1: Summits is in like seven or eight years or twelve

728
00:40:04,960 --> 00:40:07,560
Speaker 1: years or something. And he does it in seven months

729
00:40:08,200 --> 00:40:12,520
Speaker 1: and he goes and it's it's pretty unbelievable. That's really good.

730
00:40:12,680 --> 00:40:14,880
Speaker 1: I saw a movie also, when where can you watch that?

731
00:40:15,920 --> 00:40:20,600
Speaker 1: Netflix summits? I think it's called and uh Netflix, you

732
00:40:20,640 --> 00:40:25,000
Speaker 1: watch about the dogs in the Yeah, yeah, yeah, the horses. No,

733
00:40:25,200 --> 00:40:30,120
Speaker 1: the other the other horses and dogs the other the

734
00:40:30,239 --> 00:40:34,879
Speaker 1: other movie. No, it's called Power of the Dog. The Dog.

735
00:40:35,239 --> 00:40:37,000
Speaker 1: So what is it about? Like dogs like in the

736
00:40:37,120 --> 00:40:39,640
Speaker 1: A s p c. A Film. Well, it's about a

737
00:40:39,719 --> 00:40:44,040
Speaker 1: domineering rancher who responds with mocking cruelty when his brother

738
00:40:44,160 --> 00:40:46,960
Speaker 1: brings home a new wife and her son, until the

739
00:40:47,080 --> 00:40:51,000
Speaker 1: unexpected comes to pass. It's a Jane Campion film. She's

740
00:40:51,000 --> 00:40:53,719
Speaker 1: a director. She did the movie The Piano and its

741
00:40:53,760 --> 00:40:58,360
Speaker 1: stars Benedict Cumberbotch as the He's the domineering rancher. His

742
00:40:58,480 --> 00:41:01,840
Speaker 1: brother is played by Jesse Plemmons. He's good to Jesse Plems,

743
00:41:01,920 --> 00:41:04,440
Speaker 1: great kid from he was from Breaking Bad, he was

744
00:41:04,520 --> 00:41:07,640
Speaker 1: in The Irishman. He's he's been in a bunch of

745
00:41:07,880 --> 00:41:09,520
Speaker 1: he's got a face only her mother could love. But

746
00:41:09,600 --> 00:41:12,200
Speaker 1: he's a very he's great man. He's a great actor,

747
00:41:12,360 --> 00:41:15,719
Speaker 1: really good actor. And he's married. To Kirsten Dunns, who

748
00:41:15,840 --> 00:41:18,480
Speaker 1: plays Who's also in the movie and plays his wife

749
00:41:18,520 --> 00:41:21,200
Speaker 1: in the movie, who uh you know gets all the

750
00:41:21,320 --> 00:41:25,080
Speaker 1: mocking cruelty when she brings her brother, her son or whatever.

751
00:41:25,480 --> 00:41:27,719
Speaker 1: It's a really good movie. It's kind of a slow burn.

752
00:41:27,880 --> 00:41:33,680
Speaker 1: Johnny Greenwood does the score and he's he's the lead

753
00:41:33,760 --> 00:41:37,080
Speaker 1: guitarist of Radiohead and he also scored There Will Be Blood.

754
00:41:37,200 --> 00:41:40,359
Speaker 1: He's an incredible, incredible composer. It's got a very there

755
00:41:41,800 --> 00:41:43,680
Speaker 1: because you said to me, you know, you said it

756
00:41:43,760 --> 00:41:45,800
Speaker 1: was kind of a slow burn, and then it was

757
00:41:45,840 --> 00:41:49,000
Speaker 1: about you know, dogs and horses. You No, it's it's

758
00:41:49,080 --> 00:41:55,160
Speaker 1: it's it's like, no, that's just that's is it like Benji?

759
00:41:55,320 --> 00:41:58,520
Speaker 1: Are we talking like there's no dogs? There's no dogs

760
00:41:58,560 --> 00:42:01,919
Speaker 1: in it. The domineering rancher is kind of he's the dog,

761
00:42:02,120 --> 00:42:04,920
Speaker 1: like the power of the dog. Do they call him

762
00:42:05,000 --> 00:42:07,319
Speaker 1: dog No, they don't call him that. They don't call

763
00:42:07,400 --> 00:42:10,279
Speaker 1: him dog face. They don't call him dog faces. No

764
00:42:10,480 --> 00:42:14,600
Speaker 1: dogs um dog breath. No. But you I think you

765
00:42:14,640 --> 00:42:17,759
Speaker 1: would like it. It's like nive Western. It's slow, but

766
00:42:17,840 --> 00:42:22,200
Speaker 1: you're a film guy. You can handle it. And it's

767
00:42:22,280 --> 00:42:24,080
Speaker 1: two it should be two hours. I think all right,

768
00:42:24,080 --> 00:42:26,239
Speaker 1: because I ain't doing that two and a half, three hours,

769
00:42:26,680 --> 00:42:29,520
Speaker 1: two hours, two hours. Have you've seen any other thing?

770
00:42:29,800 --> 00:42:32,160
Speaker 1: What else do you eyeballing? What else do you have

771
00:42:32,239 --> 00:42:35,840
Speaker 1: eyeballs on? What do you mean like? What else you

772
00:42:35,920 --> 00:42:38,640
Speaker 1: got your just movie wise? What what else are you

773
00:42:38,719 --> 00:42:41,360
Speaker 1: looking forward to? Come out? There's been a lot of stuff.

774
00:42:41,400 --> 00:42:43,200
Speaker 1: I mean, I saw this great movie. One of the

775
00:42:43,280 --> 00:42:46,880
Speaker 1: best movies I saw was um called come On, Come On.

776
00:42:47,239 --> 00:42:51,120
Speaker 1: It's a Mike Mills movie. He did uh Beginners, twenty

777
00:42:51,239 --> 00:42:54,560
Speaker 1: Century Women. This this movie called Thumbsucker. It's it's a

778
00:42:54,640 --> 00:42:58,760
Speaker 1: movie called come On, Come On. It stars joking Phoenix Phoenix.

779
00:42:58,800 --> 00:43:01,360
Speaker 1: He's at the point where you the great walking Phoenix,

780
00:43:01,880 --> 00:43:06,160
Speaker 1: the Great Walking Pholix. He's sick. It's it's about It's

781
00:43:06,200 --> 00:43:07,880
Speaker 1: one of the best movies I've seen this year. It's

782
00:43:07,920 --> 00:43:12,319
Speaker 1: about walking Phoenix, who's a soft spoken radio journalist who

783
00:43:12,360 --> 00:43:16,480
Speaker 1: travels tell us your I am description of it. No,

784
00:43:16,560 --> 00:43:18,840
Speaker 1: you're reading something you don't say always a soft spoken

785
00:43:18,880 --> 00:43:20,800
Speaker 1: you don't talk like that. Yeah, I do talk like that. That.

786
00:43:20,840 --> 00:43:23,239
Speaker 1: I'm just saying. He's a soft spoken radio journalist, right

787
00:43:23,280 --> 00:43:26,799
Speaker 1: who he travels the country interviewing a variety of kids about,

788
00:43:27,120 --> 00:43:29,680
Speaker 1: you know, their thoughts concerning the hold on a second

789
00:43:29,760 --> 00:43:34,360
Speaker 1: cut to me, I'm looking up the description on IMDb.

790
00:43:34,520 --> 00:43:37,200
Speaker 1: I see the same description. Those are not your words.

791
00:43:37,640 --> 00:43:39,759
Speaker 1: No I came up. I don't know what you're looking at?

792
00:43:39,800 --> 00:43:43,239
Speaker 1: Your words? What do you five usual words? I am

793
00:43:43,440 --> 00:43:45,960
Speaker 1: that's that's the words. I'm just saying that Johnny saddled with,

794
00:43:46,120 --> 00:43:51,040
Speaker 1: you know, caring for his young nephew, Jesse. He's what, well,

795
00:43:51,160 --> 00:43:56,440
Speaker 1: Johnny's saddled with caring for his young nephew, Jesse, And well,

796
00:43:56,560 --> 00:43:59,000
Speaker 1: Jesse really brings a new perspective as they travel from

797
00:43:59,040 --> 00:44:02,719
Speaker 1: state to state of actively turns the emotional tables on John. Okay, so,

798
00:44:03,000 --> 00:44:05,200
Speaker 1: but but you said this Joaquin Phoenix, what is it called?

799
00:44:05,239 --> 00:44:08,719
Speaker 1: Come on, come on, that's great. I saw the movie

800
00:44:08,800 --> 00:44:11,759
Speaker 1: Licorice Pizza. Did we talk about that. I don't know

801
00:44:11,840 --> 00:44:14,160
Speaker 1: if we did. I'll just say I saw King Richard.

802
00:44:14,360 --> 00:44:17,640
Speaker 1: I liked King Richard Richard too. I liked King Richard.

803
00:44:17,680 --> 00:44:20,040
Speaker 1: I didn't love it. I didn't love it either, But

804
00:44:20,080 --> 00:44:21,960
Speaker 1: it seems like everyone really loves it. I mean, it's

805
00:44:22,000 --> 00:44:24,520
Speaker 1: a it's a nice Hollywood popcorn flame. It's nice. It's

806
00:44:24,520 --> 00:44:27,840
Speaker 1: a nice film that King Richard is the Uma and

807
00:44:27,960 --> 00:44:32,680
Speaker 1: Venus Serena and Venus Father who you know, what a

808
00:44:32,800 --> 00:44:36,120
Speaker 1: story and that ain't made up? I mean, and they

809
00:44:36,200 --> 00:44:40,040
Speaker 1: produced it. So what a fucking story. And the what

810
00:44:40,200 --> 00:44:42,640
Speaker 1: a what a guy? What a fucking man? And I'm

811
00:44:42,680 --> 00:44:46,279
Speaker 1: sure he was a motherfucker. But to have that kind

812
00:44:46,320 --> 00:44:50,120
Speaker 1: of vision, to get done what he got done, and

813
00:44:50,360 --> 00:44:54,480
Speaker 1: to raise these two incredible girls and this family that

814
00:44:54,719 --> 00:44:58,560
Speaker 1: loves each other to death, it's definitely worth seeing the

815
00:44:58,640 --> 00:45:02,120
Speaker 1: Will Smith movie King Richard. Not to mention that I

816
00:45:02,200 --> 00:45:03,920
Speaker 1: did write about it in my soon to be New

817
00:45:04,040 --> 00:45:07,040
Speaker 1: York Times best selling book. Oh and it's it's gonna be.

818
00:45:07,920 --> 00:45:10,359
Speaker 1: It's gonna it's gonna get there at some point. It's

819
00:45:10,360 --> 00:45:11,960
Speaker 1: gonna get there. At some point, it's gonna get You

820
00:45:12,000 --> 00:45:13,400
Speaker 1: know what I did with the books right when it

821
00:45:13,480 --> 00:45:15,640
Speaker 1: came out, right, this book has balls. You know what

822
00:45:15,680 --> 00:45:17,279
Speaker 1: I did with those books. I went to Barnes and

823
00:45:17,320 --> 00:45:21,800
Speaker 1: Noble and I took all of the copies of this

824
00:45:21,960 --> 00:45:25,000
Speaker 1: book has Balls Sports from the MVP of Talking Trash,

825
00:45:25,360 --> 00:45:29,120
Speaker 1: New Listeners, I have a book out. This book has

826
00:45:29,239 --> 00:45:31,920
Speaker 1: Balls Sports Rants from the m v P of Talking Trash,

827
00:45:32,080 --> 00:45:34,839
Speaker 1: Simon and Schuster I also did the audio book, which

828
00:45:34,920 --> 00:45:38,680
Speaker 1: I have to say is quite entertaining. Go on. I

829
00:45:38,800 --> 00:45:41,000
Speaker 1: went to Barnes and Noble when it came out. They

830
00:45:41,000 --> 00:45:44,200
Speaker 1: were all on the shelf, and I grabbed a handful.

831
00:45:44,239 --> 00:45:47,080
Speaker 1: I probably grabbed like ten books. And I walked with

832
00:45:47,200 --> 00:45:49,000
Speaker 1: these books. I didn't even put him in a basket.

833
00:45:49,080 --> 00:45:50,960
Speaker 1: I walked through these books. I carried them to the

834
00:45:51,080 --> 00:45:54,920
Speaker 1: front Barnes and Noble. What I said, that's what the

835
00:45:54,960 --> 00:45:56,520
Speaker 1: funk I'm talking about. You put them up there in

836
00:45:56,560 --> 00:45:58,880
Speaker 1: the front where they should have been. I put them

837
00:45:58,920 --> 00:46:01,399
Speaker 1: on like the new table that's like right at the front,

838
00:46:01,440 --> 00:46:03,840
Speaker 1: like a specialty table, the top selling books, and I

839
00:46:04,120 --> 00:46:06,360
Speaker 1: put them all in front of all of the books

840
00:46:06,440 --> 00:46:09,400
Speaker 1: that were the best sellers, so we can get eyeballs

841
00:46:09,440 --> 00:46:11,840
Speaker 1: on those. And uh, it's a great book. It is.

842
00:46:12,080 --> 00:46:15,080
Speaker 1: You know what, I don't listen. I've done movies that

843
00:46:15,200 --> 00:46:18,240
Speaker 1: are dogshit. I've done some television shows that are dogshit.

844
00:46:18,719 --> 00:46:21,000
Speaker 1: I've had some comedy nights that are dogshit. I won't

845
00:46:21,000 --> 00:46:23,160
Speaker 1: say that I've ever I don't think i've ever done

846
00:46:23,200 --> 00:46:25,320
Speaker 1: a podcast that I think his dogshit, to be honest

847
00:46:25,360 --> 00:46:28,000
Speaker 1: with you, but that book is fucking good. And the

848
00:46:28,160 --> 00:46:32,759
Speaker 1: chapter about it's called Venus and Serena kicked all the ass,

849
00:46:33,040 --> 00:46:35,480
Speaker 1: But Richard is the real m v P. I wrote

850
00:46:35,520 --> 00:46:37,800
Speaker 1: that three or four years ago, you were on that.

851
00:46:38,040 --> 00:46:40,080
Speaker 1: You should have been a fucking executive producer. You knew

852
00:46:40,120 --> 00:46:42,920
Speaker 1: about it because my father and I my father, you know,

853
00:46:43,000 --> 00:46:45,760
Speaker 1: when they first came out, my father was still playing tennis,

854
00:46:45,800 --> 00:46:48,759
Speaker 1: and my father loves tennis, and and he was on

855
00:46:49,040 --> 00:46:52,440
Speaker 1: them and on Richard Williams and on the on Serena

856
00:46:52,640 --> 00:46:56,800
Speaker 1: and Venus, Venus and Serena um from Jump Street, and

857
00:46:56,960 --> 00:46:59,160
Speaker 1: he was always like, he's always like the father is

858
00:46:59,600 --> 00:47:01,960
Speaker 1: this guy is a trip. This guy is unbelievable. This

859
00:47:02,080 --> 00:47:04,400
Speaker 1: guy hasn't take any ship. This guy's you know, in

860
00:47:04,840 --> 00:47:06,799
Speaker 1: out there in this tennis because my father knew very

861
00:47:06,840 --> 00:47:10,880
Speaker 1: well what the tennis culture was, which was super duper,

862
00:47:11,400 --> 00:47:16,279
Speaker 1: you know, uppity, white, um elite, and and Richard came

863
00:47:16,320 --> 00:47:20,120
Speaker 1: in there and he wasn't placating or pulling punches to anybody.

864
00:47:20,200 --> 00:47:22,040
Speaker 1: So I, you know what, you gotta watch the film,

865
00:47:22,239 --> 00:47:24,320
Speaker 1: I would say, doesn't it's really good and he and

866
00:47:24,440 --> 00:47:27,120
Speaker 1: he his vision was correct, like every step of the

867
00:47:27,160 --> 00:47:33,040
Speaker 1: way their careers unbelievable. It's really unbelievable. Have you been

868
00:47:33,080 --> 00:47:38,920
Speaker 1: following any of the Jesse Smilette stuff. Have I been

869
00:47:39,000 --> 00:47:45,680
Speaker 1: following the Juicy Jesse Smolette trial? Oh yeah, Juicy Jesse.

870
00:47:46,880 --> 00:47:50,359
Speaker 1: What you what you should have did? I've talked about

871
00:47:50,400 --> 00:47:55,359
Speaker 1: it since it came out, Juicy Jesse, What you should

872
00:47:55,360 --> 00:47:59,600
Speaker 1: have did? Because apparently he admits to being having drug problems.

873
00:47:59,680 --> 00:48:03,120
Speaker 1: He made to doing coke, he admits his smoking marijuana,

874
00:48:03,600 --> 00:48:06,960
Speaker 1: I believe allegedly admits to being on those percocets. What

875
00:48:07,120 --> 00:48:09,360
Speaker 1: you should have did when this was backfiring on you,

876
00:48:09,800 --> 00:48:18,239
Speaker 1: when you're attempt to become the gay Tupac incarnated, when

877
00:48:18,280 --> 00:48:24,640
Speaker 1: you staged and financed a hate crime against yourself, when

878
00:48:24,719 --> 00:48:27,279
Speaker 1: you knew you were losing control of the situation. What

879
00:48:27,440 --> 00:48:31,839
Speaker 1: you should have did, Juicy Jesse Smolean. I was saying, Yo,

880
00:48:32,080 --> 00:48:35,480
Speaker 1: I'm addicted to heron I'm addicted to cocaine, and that

881
00:48:35,680 --> 00:48:38,560
Speaker 1: night I was whacked out of my tree. I just

882
00:48:38,760 --> 00:48:43,520
Speaker 1: came from masturbating one or two of these brothers off

883
00:48:44,440 --> 00:48:47,520
Speaker 1: I was. I was on a bender. I was fucked

884
00:48:47,600 --> 00:48:51,279
Speaker 1: up out of my tree, and I lied. But but

885
00:48:51,560 --> 00:48:54,120
Speaker 1: the reason why I lied because I was addicted to drugs.

886
00:48:54,239 --> 00:48:58,000
Speaker 1: I'm going to Betty Ford clinic and I am so

887
00:48:58,280 --> 00:49:03,160
Speaker 1: sincerely sorry. That would have saved your ass. But you're

888
00:49:03,280 --> 00:49:06,440
Speaker 1: still up there on the stand with your hand on

889
00:49:06,520 --> 00:49:11,040
Speaker 1: a bible in front of a judge lying. They didn't

890
00:49:11,239 --> 00:49:15,719
Speaker 1: attack you. You those two black men, didn't put on

891
00:49:15,880 --> 00:49:19,439
Speaker 1: those fucking mega hats. Get a fucking piece of rope

892
00:49:19,480 --> 00:49:21,640
Speaker 1: and be like the same guy that we were just

893
00:49:21,840 --> 00:49:26,120
Speaker 1: having jerk off parties with, sniffing that that cocaine, that

894
00:49:26,239 --> 00:49:31,239
Speaker 1: coca cola, possibly shooting that hander on or sniffing that

895
00:49:31,320 --> 00:49:34,759
Speaker 1: hand on. Oh now we're gonna attack him and fake

896
00:49:34,880 --> 00:49:37,600
Speaker 1: lynch him and throw fake bleach on him. All the while.

897
00:49:38,760 --> 00:49:42,560
Speaker 1: There's another little detail. All the while, he never dropped

898
00:49:43,120 --> 00:49:47,440
Speaker 1: his subway sandwich, did he not? He made it back

899
00:49:47,440 --> 00:49:49,200
Speaker 1: to the crib with the subway sandwich. So after you

900
00:49:49,280 --> 00:49:54,080
Speaker 1: got these two cock diesel Nigerian brothers who are probably

901
00:49:54,200 --> 00:50:02,440
Speaker 1: hopped up on that damn grace, guys, they fuck you up, literally,

902
00:50:03,120 --> 00:50:07,040
Speaker 1: not figuratively. They try to lynch you, they throw bleach

903
00:50:07,160 --> 00:50:11,120
Speaker 1: on you. You still, and it's one degrees below zero,

904
00:50:12,000 --> 00:50:14,359
Speaker 1: You still make it back to the crib with your

905
00:50:14,360 --> 00:50:17,840
Speaker 1: subway sandwich. How fucking dumb do you think? The world is.

906
00:50:18,320 --> 00:50:20,160
Speaker 1: I am telling you the only way he could have

907
00:50:20,239 --> 00:50:22,280
Speaker 1: saved himselves to be like, Yeo, I'm a drug addict.

908
00:50:23,400 --> 00:50:25,760
Speaker 1: I wanted to be the Gate Tupac. Now I realized

909
00:50:25,800 --> 00:50:29,000
Speaker 1: I'm just I'm just a drug addict, and I apologize

910
00:50:29,360 --> 00:50:32,440
Speaker 1: and this would all went away. But dude, I know

911
00:50:32,719 --> 00:50:36,520
Speaker 1: people who do cocaine, and I know people who have

912
00:50:36,640 --> 00:50:39,600
Speaker 1: done that, and they don't they don't start race wars,

913
00:50:39,840 --> 00:50:41,759
Speaker 1: like they don't just go, oh my god, I was

914
00:50:41,840 --> 00:50:44,320
Speaker 1: so fucked up on coke, Like I accidentally started a

915
00:50:44,440 --> 00:50:48,359
Speaker 1: race war, right, I end on the Gate and then

916
00:50:48,480 --> 00:50:50,480
Speaker 1: I don't know anyone that's called themselves the Gate two buck.

917
00:50:50,520 --> 00:50:53,440
Speaker 1: And I want to know what subway he ordered, Like

918
00:50:53,480 --> 00:50:55,160
Speaker 1: I want to know what the sandwich was. No one's

919
00:50:55,200 --> 00:50:57,400
Speaker 1: talking about what the sandwich was, like, was it a

920
00:50:57,440 --> 00:51:00,239
Speaker 1: six inch? Wasn't a footlong? Did you get turkey improve loan?

921
00:51:00,440 --> 00:51:02,640
Speaker 1: Did you get a meatball sub Like? Nobody seems to

922
00:51:02,719 --> 00:51:05,719
Speaker 1: be asking the real hard hitting questions, and that's something

923
00:51:05,760 --> 00:51:09,160
Speaker 1: that I want to know. And also what would bleach like,

924
00:51:09,320 --> 00:51:11,560
Speaker 1: what would that have done? Because I've spilled bleach on

925
00:51:11,640 --> 00:51:13,840
Speaker 1: my hand before and it's done nothing. Like I'm white

926
00:51:13,880 --> 00:51:16,120
Speaker 1: as can be and it doesn't really bleach can fuck

927
00:51:16,160 --> 00:51:18,239
Speaker 1: your skin up, It could, it could fun It can

928
00:51:18,280 --> 00:51:24,279
Speaker 1: also blind you fucking heavy on water. Yeah, back to

929
00:51:24,360 --> 00:51:26,720
Speaker 1: your question there, Back to your question. Who's the interview

930
00:51:26,760 --> 00:51:30,359
Speaker 1: with interview? What's Oprah's girl's name, What's what's her name?

931
00:51:30,400 --> 00:51:35,560
Speaker 1: What's your name? Robin Robin Robin not Robin Quivers, Gail

932
00:51:36,480 --> 00:51:40,120
Speaker 1: Gayl King. You just got big dick by my guy,

933
00:51:40,520 --> 00:51:44,680
Speaker 1: Dean Collins. You had the opportunity he did. You had

934
00:51:44,719 --> 00:51:48,880
Speaker 1: the opportunity to ask the hard hitting questions, except for

935
00:51:49,600 --> 00:51:54,320
Speaker 1: the most important one, juicy Jesse, What what did you

936
00:51:54,480 --> 00:51:56,640
Speaker 1: order from Subway that night, that night that got you

937
00:51:56,680 --> 00:51:58,400
Speaker 1: out of the house at two thirty in the morning,

938
00:51:59,000 --> 00:52:02,239
Speaker 1: in the most cold night of two thousand nineteen. What

939
00:52:02,360 --> 00:52:05,200
Speaker 1: what were you craving? Because that would have solved the

940
00:52:05,200 --> 00:52:07,239
Speaker 1: whole case. That would have solved the whole case. And

941
00:52:07,360 --> 00:52:09,879
Speaker 1: you think about Subway might have been like, yeah, we're

942
00:52:09,880 --> 00:52:12,919
Speaker 1: no local calling this the foot long ham and cheese,

943
00:52:12,960 --> 00:52:15,680
Speaker 1: when no, little Colman is the chicken part. We're calling

944
00:52:15,760 --> 00:52:19,239
Speaker 1: this the juicy Jesse Smallway sandwich. They could have capitalized

945
00:52:19,280 --> 00:52:22,399
Speaker 1: one it man, and you know what they really could

946
00:52:22,440 --> 00:52:24,960
Speaker 1: have And I was also reading that some people on

947
00:52:25,120 --> 00:52:28,239
Speaker 1: on Twitter because there's incredible jokes and memes on Twitter.

948
00:52:28,320 --> 00:52:30,480
Speaker 1: But someone was saying, this is the first time that

949
00:52:30,600 --> 00:52:35,320
Speaker 1: an American has ever scammed in Nigerian and I love that.

950
00:52:35,640 --> 00:52:37,920
Speaker 1: And you know what, I was really looking forward to

951
00:52:37,960 --> 00:52:40,600
Speaker 1: seeing Juicy Jesse because he after all this happened, he

952
00:52:40,719 --> 00:52:43,080
Speaker 1: went up on stage at the at the Troubadoor at

953
00:52:43,080 --> 00:52:45,719
Speaker 1: the world famous Trubodoor in Los Angeles and said he

954
00:52:45,840 --> 00:52:48,680
Speaker 1: was the gay tupac. I would have I would have

955
00:52:48,760 --> 00:52:50,560
Speaker 1: loved to see a world tour. I would have loved

956
00:52:50,600 --> 00:52:52,800
Speaker 1: to see I would have been at one of those shows,

957
00:52:52,840 --> 00:52:54,479
Speaker 1: like I would have been bought tickets, like I would

958
00:52:54,520 --> 00:52:57,120
Speaker 1: be strokes to go see him. He's still up there

959
00:52:57,560 --> 00:53:01,759
Speaker 1: talking ship. Where's the suspects to see Jesse? Or was

960
00:53:01,840 --> 00:53:06,000
Speaker 1: it the two Nigerian brothers? Are like, are you conceiving them?

961
00:53:07,080 --> 00:53:09,960
Speaker 1: Is he saying that it was them? I don't really know.

962
00:53:10,120 --> 00:53:13,239
Speaker 1: Before you two white guys because also they were wearing

963
00:53:13,280 --> 00:53:15,239
Speaker 1: ski masks with holes. I don't care if you've got

964
00:53:15,280 --> 00:53:18,160
Speaker 1: ski masks with holes, you're gonna see that it's the

965
00:53:18,200 --> 00:53:20,959
Speaker 1: two black dudes that you were just in the jerk

966
00:53:21,000 --> 00:53:23,399
Speaker 1: off in in the bath house. These are his words.

967
00:53:23,520 --> 00:53:26,959
Speaker 1: He said they were having a masturbation party. You're gonna

968
00:53:27,000 --> 00:53:29,000
Speaker 1: know that's like, oh yo, I just saw you. You

969
00:53:29,120 --> 00:53:31,880
Speaker 1: just had you would just cock you would just what

970
00:53:32,040 --> 00:53:34,080
Speaker 1: was the term I used so eloquently a few weeks ago,

971
00:53:34,239 --> 00:53:38,040
Speaker 1: um cock naked me and you were just cock naked

972
00:53:38,480 --> 00:53:42,239
Speaker 1: in the bathhouse on percocets and heron, and now you're

973
00:53:42,280 --> 00:53:44,919
Speaker 1: beating me up. Maybe it was some b DSM ship

974
00:53:45,080 --> 00:53:47,440
Speaker 1: like put the ski mask on, beat me up, like

975
00:53:47,520 --> 00:53:49,360
Speaker 1: we were just at the bath house doing some kinkie.

976
00:53:49,480 --> 00:53:52,239
Speaker 1: Should have said, man, he got out of control. I

977
00:53:52,400 --> 00:53:54,719
Speaker 1: lost my mind and I got scared. It got a

978
00:53:54,760 --> 00:53:57,759
Speaker 1: little too rough. I was on those gray skies, uh

979
00:53:57,880 --> 00:54:00,880
Speaker 1: that have run And I'm sorry. He should have did

980
00:54:00,960 --> 00:54:03,719
Speaker 1: that week two and went to fucking Betty Ford. You

981
00:54:03,760 --> 00:54:05,640
Speaker 1: didn't do that, And you're still up there talking that

982
00:54:05,840 --> 00:54:09,280
Speaker 1: dumb ship. You are still up there talking that. Where's

983
00:54:09,320 --> 00:54:13,120
Speaker 1: the suspects? The biggest disappointment in this entire case is

984
00:54:13,160 --> 00:54:16,000
Speaker 1: that there's not a camera in that courtroom. I would

985
00:54:16,040 --> 00:54:20,400
Speaker 1: have loved not not seeing a camera in that core.

986
00:54:20,520 --> 00:54:22,360
Speaker 1: And why is there not a camera in the in

987
00:54:22,440 --> 00:54:25,319
Speaker 1: the gaily Maxwell, Why don't we just get to see

988
00:54:25,400 --> 00:54:28,120
Speaker 1: fucking Rittenhouse and these other trials like like court TV

989
00:54:28,280 --> 00:54:31,480
Speaker 1: or they had a business. Yeah, we'd have the whole

990
00:54:31,520 --> 00:54:33,480
Speaker 1: world stopped looking at this, like the O J trial.

991
00:54:33,520 --> 00:54:35,719
Speaker 1: And people want to see these things on television. People

992
00:54:36,000 --> 00:54:38,960
Speaker 1: love to see Juicy Jesse up there talking that goofy shit.

993
00:54:39,600 --> 00:54:41,920
Speaker 1: I would have loved if I was the prosecuting attorney.

994
00:54:41,920 --> 00:54:46,080
Speaker 1: I'd be like, what made you think that you were

995
00:54:46,160 --> 00:54:49,480
Speaker 1: the guy to be the gay Tupac, Because you know,

996
00:54:49,560 --> 00:54:51,600
Speaker 1: at the time, I was like that ain't a bad moniker.

997
00:54:52,640 --> 00:54:56,000
Speaker 1: Now now no one else can call themselves the gay Tupac.

998
00:54:56,440 --> 00:55:04,160
Speaker 1: You've stayed that title, Andrew staying Tupac. Shakoor mcavelli like

999
00:55:04,520 --> 00:55:08,879
Speaker 1: you put that stink on Tupac, Like he's like, leave

1000
00:55:08,920 --> 00:55:11,160
Speaker 1: my fucking name out of leave my name out of this.

1001
00:55:11,239 --> 00:55:13,279
Speaker 1: And I'm sure there's some other young artist who is

1002
00:55:13,320 --> 00:55:15,560
Speaker 1: probably like, Yo, I'm the fucking Gate Tupac, and now

1003
00:55:15,560 --> 00:55:18,120
Speaker 1: I can't call myself the Gate Tubac because this fucking

1004
00:55:18,160 --> 00:55:20,279
Speaker 1: asshole has claimed that he's the Gate two back, and

1005
00:55:20,320 --> 00:55:23,239
Speaker 1: nobody wants to be associated with the Gate Tupac. He

1006
00:55:23,480 --> 00:55:26,879
Speaker 1: ruined it for everybody, This piece of shit, fucking Juicy Jesse.

1007
00:55:27,200 --> 00:55:32,720
Speaker 1: Juicy Juicy Jesse gets some justice. You say, yeah, justice

1008
00:55:32,760 --> 00:55:37,200
Speaker 1: for Juicy Jesse. Small like, all right, listen anyway, it's

1009
00:55:37,239 --> 00:55:42,160
Speaker 1: that time again. I didn't know the listener listen. I

1010
00:55:42,280 --> 00:55:44,400
Speaker 1: know the listeners are probably like fun, you gotta stop.

1011
00:55:44,560 --> 00:55:48,960
Speaker 1: It's museum quality. Yeah, we we gotta stop. I don't

1012
00:55:49,000 --> 00:55:54,719
Speaker 1: do this is an hour fifty minutes d m s

1013
00:55:55,200 --> 00:55:58,000
Speaker 1: saying that you want the young shooter to rock that tuxedo,

1014
00:55:58,960 --> 00:56:00,920
Speaker 1: and tell a friend to tell a friend you're listening

1015
00:56:00,960 --> 00:56:03,840
Speaker 1: to it, Share it with a friend, whether you're listening

1016
00:56:03,880 --> 00:56:08,000
Speaker 1: on Spotify, whether you're listening on iTunes, whether you're watching

1017
00:56:08,120 --> 00:56:12,440
Speaker 1: on YouTube, tell a friend to tell a friend to

1018
00:56:12,600 --> 00:56:15,879
Speaker 1: listen to the I Am Rapp Reports Stereo podcast. Because again,

1019
00:56:16,480 --> 00:56:19,120
Speaker 1: I've said I've been in ship movies. I've said I've

1020
00:56:19,160 --> 00:56:22,240
Speaker 1: done some ship TV shows. I've never done a ship podcast.

1021
00:56:22,320 --> 00:56:26,719
Speaker 1: And this I mean Dave. You see, Dave, Dave sees

1022
00:56:26,760 --> 00:56:30,680
Speaker 1: all sorts of ship Dave. I'm sure sometimes you're ready

1023
00:56:30,719 --> 00:56:34,279
Speaker 1: to fall asleep back there, and I am my bull,

1024
00:56:34,280 --> 00:56:40,320
Speaker 1: shouldn't you, Dave? Dave fucking knows Anyway, Dean appreciate it.

1025
00:56:40,480 --> 00:56:43,160
Speaker 1: You raised the level of the podcast. We want to

1026
00:56:43,640 --> 00:56:47,880
Speaker 1: we want to see you uh in that tuxedo, and

1027
00:56:48,000 --> 00:56:49,560
Speaker 1: we just wish you well. I'll be out in Los

1028
00:56:49,600 --> 00:56:52,800
Speaker 1: Angeles soon. I'll be in Rockchester this weekend. I'll be

1029
00:56:52,920 --> 00:56:56,160
Speaker 1: in Rhode Island next weekend. I'll be in Denver the

1030
00:56:56,280 --> 00:57:00,560
Speaker 1: first week of January, and then I got plenty of

1031
00:57:00,600 --> 00:57:05,040
Speaker 1: places to go February, March, April, May, and so on

1032
00:57:05,200 --> 00:57:07,400
Speaker 1: and so on. All tickets, all information is available at

1033
00:57:07,400 --> 00:57:11,560
Speaker 1: Michael Rappaport Comedy dot com. We came, we saw, We disrupted,

1034
00:57:12,560 --> 00:57:15,600
Speaker 1: despite the fact that you know, we started off a

1035
00:57:15,600 --> 00:57:18,400
Speaker 1: little rocky Dean I didn't know we were recording. I

1036
00:57:18,440 --> 00:57:20,280
Speaker 1: would have never said I would have never told people

1037
00:57:20,280 --> 00:57:21,680
Speaker 1: that I just got out of bed like I was

1038
00:57:21,720 --> 00:57:23,320
Speaker 1: on a hike this morning at seven am. I was

1039
00:57:23,400 --> 00:57:26,040
Speaker 1: on that Kobe. But you had to fund you go.

1040
00:57:27,040 --> 00:57:30,400
Speaker 1: Where would hike this morning? And we could just end

1041
00:57:30,440 --> 00:57:32,720
Speaker 1: the podcast. However, you were just gonna end it all right,

1042
00:57:34,080 --> 00:57:36,800
Speaker 1: Myles Jordan ak the Bleached Brothers a k. The Dust Brothers.

1043
00:57:36,960 --> 00:57:38,600
Speaker 1: Take me out of here with something real nice, Yes,

1044
00:57:39,000 --> 00:57:41,640
Speaker 1: take me out of here with something real proper, but

1045
00:57:41,720 --> 00:57:45,360
Speaker 1: most importantly and this puppy with something real loud and

1046
00:57:45,520 --> 00:57:49,680
Speaker 1: something real funky. I am rappaport s dareol pokus, I'm out.