1 00:00:00,720 --> 00:00:03,040 Speaker 1: I Am all In. 2 00:00:04,840 --> 00:00:18,480 Speaker 2: All I Kiss you, I Am all in with Scott 3 00:00:18,520 --> 00:00:20,840 Speaker 2: Patterson an iHeartRadio podcast, He. 4 00:00:20,800 --> 00:00:23,880 Speaker 1: Everybody, Scott Patterson, I Am all In Podcast one on 5 00:00:23,880 --> 00:00:28,680 Speaker 1: one interview with Arden Marine. A few facts about Arden. 6 00:00:28,960 --> 00:00:32,000 Speaker 1: She portrayed Claude for one episode of Gilmore Girls. Claude 7 00:00:32,040 --> 00:00:36,400 Speaker 1: was one of honors of Bride'smaids. She's an actress and comedian. 8 00:00:36,960 --> 00:00:39,800 Speaker 1: She was cast as a member of Mad TV for 9 00:00:39,840 --> 00:00:42,600 Speaker 1: eighty two episodes and was featured on Chelsea Lately for 10 00:00:42,640 --> 00:00:46,839 Speaker 1: over one hundred episodes. She was on a Netflix series Insatiable, 11 00:00:47,680 --> 00:00:50,559 Speaker 1: playing the role of Regina Sinclaarenen starred in the twenty 12 00:00:50,680 --> 00:00:54,680 Speaker 1: sixteen production of Steve Martin's play Meteor Shower at the 13 00:00:54,680 --> 00:00:59,360 Speaker 1: Long Wharf Theater. Her television credits include Insecure, grais It, Oatomy, 14 00:00:59,440 --> 00:01:02,680 Speaker 1: Conan Arne, Just a New Black, Hung Key and Peel Inside, 15 00:01:02,720 --> 00:01:07,399 Speaker 1: Amy Schumer, Psyched Bones, Fresh off the Boat, Subpurgatory two, Two, 16 00:01:07,440 --> 00:01:11,600 Speaker 1: Broke Girls, Reno nine one one, Shameless, Gilmore Girls, and 17 00:01:11,720 --> 00:01:18,160 Speaker 1: Secret Chef. Let's bring Arden in, Hi, How are you hi? Arden? 18 00:01:18,360 --> 00:01:20,760 Speaker 1: Thanks for joining us? How'd you get the role on 19 00:01:20,800 --> 00:01:21,920 Speaker 1: Gilmore Girls? 20 00:01:22,160 --> 00:01:26,279 Speaker 3: You know I remember I went I had just booked 21 00:01:26,280 --> 00:01:29,520 Speaker 3: Mad TV. And I got the audition for Gilmore Girls, 22 00:01:29,520 --> 00:01:31,840 Speaker 3: and I remember it was for that day and as 23 00:01:31,880 --> 00:01:36,119 Speaker 3: you know, like it's a wordy show, and usually most 24 00:01:36,120 --> 00:01:41,400 Speaker 3: auditions are not like same day. And I remember driving 25 00:01:41,440 --> 00:01:44,000 Speaker 3: to Warner Brothers and going into like that cute the 26 00:01:44,240 --> 00:01:46,959 Speaker 3: casting offices that are like all the cute Victorian houses 27 00:01:47,760 --> 00:01:50,520 Speaker 3: and Jess, I remember I'd gone to my friend Steve 28 00:01:50,520 --> 00:01:53,800 Speaker 3: Heidner that played Kenny Banya on Seinfeld, the guy that's 29 00:01:53,800 --> 00:01:57,440 Speaker 3: like dear Gold, and I there's sort of a fun part, 30 00:01:57,440 --> 00:01:58,600 Speaker 3: and I wanted to but you know, I liked the 31 00:01:58,640 --> 00:02:02,040 Speaker 3: show and I wanted to book it, and so I 32 00:02:02,120 --> 00:02:05,560 Speaker 3: drove over to Bania's house and then Bania like he 33 00:02:06,120 --> 00:02:09,080 Speaker 3: like ran it with me by wrote like you know 34 00:02:09,440 --> 00:02:11,600 Speaker 3: ten or fifteen times. I mean, I had just gotten 35 00:02:11,639 --> 00:02:15,880 Speaker 3: it and before the days of zoom, et cetera. And 36 00:02:15,960 --> 00:02:18,120 Speaker 3: I ran over to Banier. We ran in a bunch 37 00:02:18,680 --> 00:02:20,840 Speaker 3: uh Mad TV. Let me come in a little bit later, 38 00:02:21,120 --> 00:02:23,840 Speaker 3: and I drove over and I was just so concerned 39 00:02:23,880 --> 00:02:26,480 Speaker 3: about being word and grammar. 40 00:02:26,160 --> 00:02:32,519 Speaker 1: Profit when you realize that the audition is the job. 41 00:02:32,600 --> 00:02:36,000 Speaker 1: There's a there's a great video going around Michael Keaton's 42 00:02:36,040 --> 00:02:38,359 Speaker 1: talking about it, and he says, you know what changed, 43 00:02:38,560 --> 00:02:41,119 Speaker 1: what changed everything for him was he realized the auditions 44 00:02:41,120 --> 00:02:43,120 Speaker 1: were not auditions, but you got to treat him like 45 00:02:43,240 --> 00:02:45,240 Speaker 1: you got the job and this is your first day 46 00:02:45,280 --> 00:02:47,040 Speaker 1: on the set, so be right. 47 00:02:47,200 --> 00:02:47,760 Speaker 4: I like that. 48 00:02:47,960 --> 00:02:50,080 Speaker 1: Yeah, I like that, isn't that cool? 49 00:02:50,320 --> 00:02:52,920 Speaker 3: Well it also feel like that almost gives me more confidence, 50 00:02:53,000 --> 00:02:56,080 Speaker 3: like if I actually picturing it, because I do think 51 00:02:56,120 --> 00:02:58,040 Speaker 3: the job of the job is getting the job, like 52 00:02:58,080 --> 00:03:00,160 Speaker 3: as an actor, like that that's the job. 53 00:03:00,200 --> 00:03:01,800 Speaker 4: Like the rest of the stuff is like the bells 54 00:03:01,800 --> 00:03:02,639 Speaker 4: and whistle some time. 55 00:03:02,760 --> 00:03:04,440 Speaker 1: Right right, it's the job. It's like how do you 56 00:03:04,480 --> 00:03:06,200 Speaker 1: flip the psychology in the room. 57 00:03:06,280 --> 00:03:09,560 Speaker 3: Yeah, I like the idea of first take, like that's 58 00:03:09,960 --> 00:03:12,239 Speaker 3: basically Also, when you're a guest star, you know, you 59 00:03:12,760 --> 00:03:15,760 Speaker 3: really you don't have time to mess around, like you 60 00:03:15,800 --> 00:03:19,280 Speaker 3: got to come in hit it. Like I think guest 61 00:03:19,320 --> 00:03:22,000 Speaker 3: starring is like such a hard Like I've done both. 62 00:03:22,080 --> 00:03:23,720 Speaker 3: I've been a regular and I've been a guest star 63 00:03:23,840 --> 00:03:26,239 Speaker 3: and I and I remember seeing you know, on a 64 00:03:26,280 --> 00:03:29,040 Speaker 3: lot of show it's particularly multicamps. I did like they 65 00:03:29,080 --> 00:03:31,040 Speaker 3: would just see people at the table reader at the 66 00:03:31,080 --> 00:03:32,480 Speaker 3: run through and then they just be gone. 67 00:03:32,680 --> 00:03:33,280 Speaker 4: Wednesday. 68 00:03:33,480 --> 00:03:35,600 Speaker 3: You know, it's like you got to come in and 69 00:03:35,640 --> 00:03:38,000 Speaker 3: do it. Like there's like eighteen people in a jet 70 00:03:38,040 --> 00:03:41,320 Speaker 3: pack covering over the backlock, like happy to come in 71 00:03:41,360 --> 00:03:42,120 Speaker 3: and do your job. 72 00:03:42,200 --> 00:03:44,520 Speaker 4: And so yeah, I definitely wanted to come do a 73 00:03:44,560 --> 00:03:45,040 Speaker 4: good job. 74 00:03:45,560 --> 00:03:49,120 Speaker 1: You know. Once I tried because I heard some advice. 75 00:03:49,160 --> 00:03:51,720 Speaker 1: I got some advice. I tried this thing where you 76 00:03:51,760 --> 00:03:54,200 Speaker 1: come in the room, you put your finger up and say, 77 00:03:54,280 --> 00:03:55,800 Speaker 1: just give me a minute, and you turn your back 78 00:03:55,840 --> 00:03:59,920 Speaker 1: on them. Oh, and you just focus. You just demand 79 00:04:00,240 --> 00:04:03,920 Speaker 1: that attention and that moment that's interesting, and then you 80 00:04:04,000 --> 00:04:07,000 Speaker 1: flip around and go, okay, let's go. So now now 81 00:04:07,040 --> 00:04:08,400 Speaker 1: they're locked on you, and it will. 82 00:04:08,720 --> 00:04:09,320 Speaker 4: Do you do that? 83 00:04:09,880 --> 00:04:10,800 Speaker 1: I only did it once. 84 00:04:11,640 --> 00:04:13,120 Speaker 4: Did you get the job I did? 85 00:04:13,360 --> 00:04:16,640 Speaker 1: I did? But I was feeling so nervy that day, 86 00:04:16,800 --> 00:04:18,159 Speaker 1: I know, you know what I mean. 87 00:04:18,600 --> 00:04:19,520 Speaker 4: Yeah, yeah, yeah, yeah. 88 00:04:19,640 --> 00:04:21,760 Speaker 3: It was also now everything's like a self tape too, 89 00:04:21,920 --> 00:04:23,920 Speaker 3: so it's like, okay. 90 00:04:23,520 --> 00:04:25,200 Speaker 4: Girl, give me a minute. 91 00:04:25,240 --> 00:04:27,520 Speaker 1: Like actually, the second time I tried it, nobody was 92 00:04:27,560 --> 00:04:30,599 Speaker 1: in the room, so I was like, jokes on, oh, 93 00:04:30,600 --> 00:04:30,800 Speaker 1: it was. 94 00:04:30,839 --> 00:04:31,440 Speaker 2: My cat there. 95 00:04:32,080 --> 00:04:33,320 Speaker 1: Everything quiet there. 96 00:04:33,560 --> 00:04:36,560 Speaker 3: It's October twenty twenty, so you know, me and my 97 00:04:37,000 --> 00:04:37,280 Speaker 3: me and. 98 00:04:37,240 --> 00:04:40,680 Speaker 4: My Tiger King has pulled to the other room. Give 99 00:04:40,680 --> 00:04:41,320 Speaker 4: me a minute. 100 00:04:41,440 --> 00:04:43,320 Speaker 1: So what was it like shooting those scenes? Because they 101 00:04:43,320 --> 00:04:45,719 Speaker 1: were really fun scenes. I thought they were some of 102 00:04:45,720 --> 00:04:48,520 Speaker 1: the funnest stuff i've and the best acted stuff that 103 00:04:48,560 --> 00:04:49,000 Speaker 1: i'd seen. 104 00:04:49,400 --> 00:04:51,240 Speaker 4: Well, thank you, you know, I had it. 105 00:04:51,240 --> 00:04:53,279 Speaker 3: It's funny again when you go in and do your 106 00:04:53,279 --> 00:04:54,919 Speaker 3: guest spot and then it's like like we were a 107 00:04:54,960 --> 00:04:56,760 Speaker 3: pack of bridesmaids and it was fun to be in 108 00:04:56,800 --> 00:04:59,920 Speaker 3: like the you know, the early adds, juicy couture sweatsuit 109 00:05:00,080 --> 00:05:04,760 Speaker 3: and the giants like thug boots and like I was 110 00:05:04,920 --> 00:05:07,960 Speaker 3: me and Abigail Spencer, who I just ran into on 111 00:05:08,040 --> 00:05:10,360 Speaker 3: the like running the reservoir, and we had an like 112 00:05:10,400 --> 00:05:12,640 Speaker 3: I felt like a few of us kind. 113 00:05:12,440 --> 00:05:16,560 Speaker 4: Of bonded, you know. And it was Marley Shelton's sister Sam. 114 00:05:16,839 --> 00:05:20,159 Speaker 3: And it's sort of usually you're when you are a 115 00:05:20,200 --> 00:05:22,279 Speaker 3: guest star, you're kind of a lone wolf, you know, 116 00:05:22,440 --> 00:05:24,040 Speaker 3: you kind of it's like party of one. 117 00:05:24,120 --> 00:05:26,200 Speaker 4: You're not quite sure who to sit with that time. 118 00:05:26,320 --> 00:05:28,599 Speaker 3: You know, I'm always like, I guess I'll sit with 119 00:05:28,839 --> 00:05:29,960 Speaker 3: like hair and makeup. 120 00:05:30,040 --> 00:05:31,520 Speaker 4: You don't know, you know. 121 00:05:31,560 --> 00:05:33,279 Speaker 3: When I did Friends, I was like I'm gonna sit 122 00:05:33,320 --> 00:05:36,160 Speaker 3: with Monica like I don't think I did. 123 00:05:36,240 --> 00:05:41,320 Speaker 1: Seinfeld and and and uh and Jason Alexander actually sat 124 00:05:41,360 --> 00:05:42,039 Speaker 1: with me at lunch. 125 00:05:42,240 --> 00:05:45,800 Speaker 4: Did kicked What season was it? Like how early on? 126 00:05:46,279 --> 00:05:48,800 Speaker 1: I mean it was they were they were at least 127 00:05:48,839 --> 00:05:49,799 Speaker 1: six or seven season. 128 00:05:49,920 --> 00:05:51,760 Speaker 4: I mean that says a lot about a person. 129 00:05:51,839 --> 00:05:54,839 Speaker 3: That season seven, you know, and it's like the biggest 130 00:05:54,880 --> 00:05:56,000 Speaker 3: show in the. 131 00:05:55,880 --> 00:05:58,000 Speaker 1: World, in the history of the world. 132 00:05:57,960 --> 00:06:01,240 Speaker 3: In the history of the world. And he's up with you. 133 00:06:01,320 --> 00:06:03,200 Speaker 3: That's because you know what, that's not always. 134 00:06:03,600 --> 00:06:07,359 Speaker 1: I had lunch with George Costanza that I did. He 135 00:06:07,480 --> 00:06:07,920 Speaker 1: was great. 136 00:06:08,240 --> 00:06:09,400 Speaker 4: That's fun. That's fun. 137 00:06:09,839 --> 00:06:12,800 Speaker 1: I think they realized as a cast, it's like they 138 00:06:12,880 --> 00:06:17,000 Speaker 1: probably take turns like we know they're going to be 139 00:06:17,120 --> 00:06:20,960 Speaker 1: so nervous. We gotta calm them down, yes, because they're 140 00:06:20,960 --> 00:06:22,919 Speaker 1: always trying too hard or they're too nervous. That too 141 00:06:23,000 --> 00:06:26,840 Speaker 1: much energy and the comedy suffers. So George, take this 142 00:06:26,960 --> 00:06:29,680 Speaker 1: high string guy who's too happy to be here. 143 00:06:29,800 --> 00:06:33,920 Speaker 3: And because your thunderblanket is your way to blanket. It 144 00:06:34,160 --> 00:06:37,520 Speaker 3: was your thunderblanket that's got sent to you. 145 00:06:37,520 --> 00:06:40,640 Speaker 1: You know. I feel like Michael Richards gave me a 146 00:06:40,640 --> 00:06:45,360 Speaker 1: box of really nice Cuban cigars. Oh yes, they were fantastic. 147 00:06:45,400 --> 00:06:46,480 Speaker 1: To me, they were great. 148 00:06:46,800 --> 00:06:50,600 Speaker 3: Stay Julia Louis Dreyfus and like a galling comedy. Not 149 00:06:50,800 --> 00:06:56,919 Speaker 3: only is she a chiller comedian, she is so stunningly beautiful, 150 00:06:57,200 --> 00:06:59,080 Speaker 3: always hasband, always will be. 151 00:06:59,440 --> 00:07:02,680 Speaker 4: To be such a smart babe. And the podcast is great, 152 00:07:02,760 --> 00:07:04,200 Speaker 4: like it is like. 153 00:07:04,279 --> 00:07:08,320 Speaker 3: When you you forget what a knockout you're like every 154 00:07:08,400 --> 00:07:11,120 Speaker 3: role she's never done, like she is such a star. 155 00:07:11,520 --> 00:07:13,160 Speaker 4: Just shout out Julia Louis drips. 156 00:07:13,800 --> 00:07:15,119 Speaker 1: It was very distracting. 157 00:07:15,760 --> 00:07:17,200 Speaker 4: I'm sure I was. 158 00:07:17,440 --> 00:07:20,120 Speaker 1: I don't think I've ever been that nervous, you know, 159 00:07:20,480 --> 00:07:23,120 Speaker 1: in my life to do a couple of scenes with her, 160 00:07:23,200 --> 00:07:25,680 Speaker 1: and I was just like, wow, what am I doing here? 161 00:07:26,200 --> 00:07:29,080 Speaker 3: A multi caam too, and again I called I started 162 00:07:29,080 --> 00:07:31,760 Speaker 3: a multicams. But I remember when I did Friends, I 163 00:07:31,840 --> 00:07:34,960 Speaker 3: booked it day of. It was another day of and 164 00:07:34,960 --> 00:07:37,480 Speaker 3: and the other guest star was Sean Penn and it 165 00:07:37,560 --> 00:07:41,400 Speaker 3: was like season seven and you're like the panic of 166 00:07:41,480 --> 00:07:44,960 Speaker 3: like there was a lot of props and like they 167 00:07:45,040 --> 00:07:46,000 Speaker 3: don't they didn't need. 168 00:07:45,920 --> 00:07:46,960 Speaker 4: To run it, you know what I mean? 169 00:07:47,160 --> 00:07:49,680 Speaker 3: Well, they are the Friends. They're a well oiled machine 170 00:07:49,760 --> 00:07:53,840 Speaker 3: and like just the terror of like having to be 171 00:07:53,880 --> 00:07:57,720 Speaker 3: a self content like your own energy, right of nervous, 172 00:07:57,800 --> 00:08:00,160 Speaker 3: like you have to go in not only pretend like 173 00:08:00,200 --> 00:08:02,880 Speaker 3: these are the other characters, but be cool and then 174 00:08:02,880 --> 00:08:05,440 Speaker 3: pretend to be somebody else interacting with someone that's not 175 00:08:05,960 --> 00:08:09,520 Speaker 3: an iconic character. I mean, did you see people come 176 00:08:09,600 --> 00:08:11,520 Speaker 3: in and just panic on Gilmore Girls because I thought 177 00:08:11,560 --> 00:08:13,600 Speaker 3: there a raditat tat they did. 178 00:08:13,760 --> 00:08:17,160 Speaker 1: They would they would lock up due to the speed. Yeah, 179 00:08:17,160 --> 00:08:20,480 Speaker 1: you know, like we're talking experienced Broadway veterans. Yeah, and 180 00:08:20,520 --> 00:08:22,960 Speaker 1: then it was like, what is happening here? This is 181 00:08:23,160 --> 00:08:25,440 Speaker 1: I can't do this? And really, now you can do it, 182 00:08:25,440 --> 00:08:27,200 Speaker 1: we can do it, you can do it, and then 183 00:08:27,200 --> 00:08:27,640 Speaker 1: they do it. 184 00:08:27,720 --> 00:08:28,680 Speaker 4: Yeah, and then they do it. 185 00:08:28,760 --> 00:08:31,080 Speaker 1: Yeah, it relax into it a little bit. Yeah. 186 00:08:31,520 --> 00:08:33,280 Speaker 3: No, I just did MAZ the last season, and I 187 00:08:33,280 --> 00:08:37,360 Speaker 3: remember like I was thankful that I knew in advance, 188 00:08:37,480 --> 00:08:40,440 Speaker 3: like you better run, you better run and run like 189 00:08:40,440 --> 00:08:43,840 Speaker 3: like so that you so that that's the machine of 190 00:08:43,880 --> 00:08:46,280 Speaker 3: these like that's how they write, and that's the machine 191 00:08:46,280 --> 00:08:48,400 Speaker 3: and that's what makes them great and that's what's fun 192 00:08:48,440 --> 00:08:48,960 Speaker 3: to watch. 193 00:08:49,040 --> 00:08:50,920 Speaker 4: And it's like what instrument are you in there? Like 194 00:08:50,960 --> 00:08:52,319 Speaker 4: this is what the orchestra. 195 00:08:52,040 --> 00:08:55,640 Speaker 3: Is this is what the music is like, just just run, 196 00:08:56,200 --> 00:08:58,160 Speaker 3: run your stuff, get ready so you can go be 197 00:08:58,240 --> 00:08:59,600 Speaker 3: the best piccolo or whatever. 198 00:09:00,040 --> 00:09:00,320 Speaker 2: Mm hm. 199 00:09:00,760 --> 00:09:01,480 Speaker 4: So I had a good time. 200 00:09:01,520 --> 00:09:03,600 Speaker 3: So point being normally your one man band, and I 201 00:09:03,600 --> 00:09:05,239 Speaker 3: got to go in and be part of A Briesmay's 202 00:09:05,320 --> 00:09:08,520 Speaker 3: team and it was fun, like it was it was 203 00:09:08,640 --> 00:09:10,839 Speaker 3: comforting to be part of a little squad. I had 204 00:09:10,840 --> 00:09:13,480 Speaker 3: a really I remember sitting having lunch out by like 205 00:09:13,520 --> 00:09:16,320 Speaker 3: the band, like that little outdoor band area that they 206 00:09:16,320 --> 00:09:18,320 Speaker 3: have in the back lot of Warner Brothers, like right, 207 00:09:18,760 --> 00:09:20,920 Speaker 3: and and it was it was exciting just to see 208 00:09:20,920 --> 00:09:24,000 Speaker 3: the sets. And I love that lot, like it's always 209 00:09:24,040 --> 00:09:25,240 Speaker 3: you know, I grew up in a tiny town in 210 00:09:25,360 --> 00:09:28,000 Speaker 3: Rhode Island. It kind of looks like small town New England. 211 00:09:28,360 --> 00:09:30,839 Speaker 3: But it's also the magic that it's like, oh, this 212 00:09:30,880 --> 00:09:34,000 Speaker 3: is Hollywood like these this is not like it's it's 213 00:09:34,000 --> 00:09:35,600 Speaker 3: a it feels like you're making a. 214 00:09:35,559 --> 00:09:37,880 Speaker 4: Movie doing working on the back lot of Warner Brothers. 215 00:09:37,880 --> 00:09:39,520 Speaker 1: Oh yeah, we had the whole back lot. I don't 216 00:09:39,520 --> 00:09:43,320 Speaker 1: think people realized we had the largest block of real 217 00:09:43,440 --> 00:09:46,800 Speaker 1: estate of any show or film that was for those 218 00:09:46,840 --> 00:09:49,600 Speaker 1: seven years that was filming there. I mean, we even 219 00:09:49,640 --> 00:09:52,520 Speaker 1: had more space than Tom Cruise because he did that, 220 00:09:53,400 --> 00:09:56,520 Speaker 1: he did that last Samurai movie. There they really Yeah, 221 00:09:57,040 --> 00:09:59,560 Speaker 1: they took over one of the streets and it was 222 00:09:59,760 --> 00:10:03,960 Speaker 1: it was it's like you know, medieval. Uh. Yeah, it 223 00:10:04,040 --> 00:10:06,559 Speaker 1: was wild. Because we were on the sound stages that 224 00:10:06,640 --> 00:10:08,080 Speaker 1: day and we were in the back. We still had 225 00:10:08,160 --> 00:10:10,800 Speaker 1: so much real estate. We didn't notice the Tom Cruise film. 226 00:10:11,120 --> 00:10:11,760 Speaker 1: You know what I'm saying. 227 00:10:12,080 --> 00:10:14,400 Speaker 4: Yeah, that's so cool. 228 00:10:14,440 --> 00:10:15,200 Speaker 1: That's fun. 229 00:10:15,320 --> 00:10:17,440 Speaker 4: There's so much history on that line. So that's my 230 00:10:17,480 --> 00:10:18,080 Speaker 4: favorite lite. 231 00:10:18,160 --> 00:10:20,600 Speaker 1: Yeah, and if and if you know, the Batman people 232 00:10:20,640 --> 00:10:22,719 Speaker 1: filming the movie were making too much noise that night. 233 00:10:22,880 --> 00:10:25,000 Speaker 1: We calm them down because. 234 00:10:25,559 --> 00:10:28,040 Speaker 4: That's so cool. It is so cool. 235 00:10:28,320 --> 00:10:29,480 Speaker 1: It was. It was wild. 236 00:10:38,840 --> 00:10:41,680 Speaker 3: Do you get stopped every day still? Like do when 237 00:10:41,679 --> 00:10:44,520 Speaker 3: you go out? Because because when people are super fans 238 00:10:44,559 --> 00:10:47,840 Speaker 3: of something, like when you're like, do you just like, 239 00:10:48,000 --> 00:10:51,400 Speaker 3: I bet it's a very loving, loyal person that wants 240 00:10:51,440 --> 00:10:53,480 Speaker 3: to come tell you what something meant to you. 241 00:10:53,600 --> 00:11:00,079 Speaker 1: Yeah, it's always the heartfelt, emotional encounter. It means so 242 00:11:00,240 --> 00:11:03,720 Speaker 1: much to them. It's always a very very nice and 243 00:11:03,840 --> 00:11:05,840 Speaker 1: tender Yeah. 244 00:11:05,840 --> 00:11:06,680 Speaker 4: It's so sweet. 245 00:11:06,960 --> 00:11:10,000 Speaker 1: Yeah, I mean once you leave, I mean it happens 246 00:11:10,240 --> 00:11:13,640 Speaker 1: every day I go out in la where I live now. 247 00:11:13,880 --> 00:11:17,120 Speaker 1: I moved out of l A. But but once you 248 00:11:17,280 --> 00:11:19,959 Speaker 1: leave the state of California, get it. You get into America, 249 00:11:20,240 --> 00:11:23,160 Speaker 1: you know, proper or whatever. Then it's just like. 250 00:11:23,720 --> 00:11:26,559 Speaker 4: The chart, do you live in America proper? 251 00:11:26,880 --> 00:11:29,400 Speaker 1: I do live in America proper. 252 00:11:29,679 --> 00:11:32,200 Speaker 4: That's so cool. I'm so happy for you. 253 00:11:32,520 --> 00:11:33,880 Speaker 1: I got it. We got out of the bubble. 254 00:11:34,320 --> 00:11:36,800 Speaker 4: That's nice. Congratulations, it's so cool. 255 00:11:37,040 --> 00:11:39,800 Speaker 1: It was time to La is a young city, you know, 256 00:11:40,000 --> 00:11:42,960 Speaker 1: that is a young city. So yeah, it just sort 257 00:11:42,960 --> 00:11:45,640 Speaker 1: of wasn't for us. We're raising a child, and it's like, 258 00:11:45,679 --> 00:11:48,199 Speaker 1: you know, we we let's let's get into a little 259 00:11:48,240 --> 00:11:50,280 Speaker 1: more of a normal place. You know. 260 00:11:50,280 --> 00:11:51,960 Speaker 4: It sounds really really that l. 261 00:11:51,960 --> 00:11:55,040 Speaker 1: A isn't great and exciting a lot that's. 262 00:11:55,000 --> 00:11:58,199 Speaker 3: Really happy Like that sounds like you picked happy. That's great. 263 00:11:58,480 --> 00:12:03,440 Speaker 1: Yep, we did. Anyway, You've got a lot of experience 264 00:12:03,440 --> 00:12:05,960 Speaker 1: in comedy comedy. Is just like, did you know early 265 00:12:06,000 --> 00:12:08,520 Speaker 1: on in your training or in your life that you 266 00:12:08,559 --> 00:12:11,200 Speaker 1: were going to end up doing this comedy? Being like 267 00:12:11,440 --> 00:12:16,240 Speaker 1: comedy comedy comedy? Yeah, why tell us? Why? You know? 268 00:12:16,840 --> 00:12:19,680 Speaker 3: I just flew out that way, you know, and I 269 00:12:19,720 --> 00:12:22,240 Speaker 3: was like I was the only redhead. I'man now mad 270 00:12:22,240 --> 00:12:24,760 Speaker 3: TV made me blonde, but I was like the only redhead. 271 00:12:24,480 --> 00:12:26,280 Speaker 4: School, you know what I mean. It's just like I 272 00:12:26,360 --> 00:12:29,960 Speaker 4: just came out like that. And and I remember we didn't. 273 00:12:30,000 --> 00:12:32,200 Speaker 4: I grew up in such a rural area that. 274 00:12:33,880 --> 00:12:38,720 Speaker 3: It was really like I my education was like they 275 00:12:38,720 --> 00:12:41,200 Speaker 3: would play these old movies, so it was like Madeline 276 00:12:41,280 --> 00:12:44,240 Speaker 3: Cohn and Terry garr and like you know, or like 277 00:12:44,800 --> 00:12:47,960 Speaker 3: a young Shirley MacLean. And then my mom like would 278 00:12:48,000 --> 00:12:50,360 Speaker 3: show me like old SNL things. She'd show me like 279 00:12:50,720 --> 00:12:52,960 Speaker 3: Builder Radner, and then my brother would show me like 280 00:12:53,000 --> 00:12:56,120 Speaker 3: Steve Martin movies. So I definitely had the right family, 281 00:12:56,120 --> 00:13:00,200 Speaker 3: the right programming, the engineers of like really a like 282 00:13:00,280 --> 00:13:01,640 Speaker 3: things I shouldn't have seen at like. 283 00:13:01,640 --> 00:13:04,600 Speaker 4: Six, about that right, right, But like it was just. 284 00:13:04,640 --> 00:13:07,760 Speaker 3: Classic like literally like Molly Pi like all this stuff 285 00:13:07,800 --> 00:13:11,560 Speaker 3: at six. The programming was and like looking at those 286 00:13:11,720 --> 00:13:15,200 Speaker 3: those goalths in like you know, Madeline Connor or Terry 287 00:13:15,200 --> 00:13:17,400 Speaker 3: got like like they were the most juice, like they 288 00:13:17,400 --> 00:13:20,120 Speaker 3: were great actresses or even like a young Goldie like 289 00:13:20,440 --> 00:13:22,520 Speaker 3: there was just they just never played anything current. So 290 00:13:22,600 --> 00:13:25,439 Speaker 3: my version of what it was was either going to 291 00:13:25,480 --> 00:13:28,240 Speaker 3: be like a busby Berkeley, like nineteen thirties cigarette girl 292 00:13:28,280 --> 00:13:30,400 Speaker 3: at like the Rainbow Room like it was. It was 293 00:13:30,480 --> 00:13:34,000 Speaker 3: a very it was not a present day vision of it. 294 00:13:34,240 --> 00:13:37,199 Speaker 3: And and it was sort of the best of and 295 00:13:37,880 --> 00:13:40,440 Speaker 3: I'm thankful to my mom for And I grew up 296 00:13:40,440 --> 00:13:42,040 Speaker 3: in like a town with a general store and to 297 00:13:42,120 --> 00:13:44,520 Speaker 3: stop light, so like who and she was from New York, 298 00:13:44,559 --> 00:13:45,920 Speaker 3: so she'd bring us down to New York and I 299 00:13:45,960 --> 00:13:47,120 Speaker 3: had an awareness like. 300 00:13:47,240 --> 00:13:48,640 Speaker 4: That there was to dream big. 301 00:13:49,200 --> 00:13:54,160 Speaker 3: But like there was something about the the lack of 302 00:13:54,200 --> 00:13:56,840 Speaker 3: structure and the lack of proper like classes or whatever, 303 00:13:56,880 --> 00:13:59,520 Speaker 3: like just making my own thing and having this sort 304 00:13:59,520 --> 00:14:02,560 Speaker 3: of education in my brain that I was like, I 305 00:14:02,640 --> 00:14:03,080 Speaker 3: can do that. 306 00:14:03,120 --> 00:14:04,280 Speaker 4: I want to I can do I. 307 00:14:04,240 --> 00:14:06,280 Speaker 3: Want to do what they're doing and I'm absolutely going 308 00:14:06,320 --> 00:14:07,720 Speaker 3: to Wow wow. 309 00:14:07,800 --> 00:14:12,520 Speaker 1: Yeah, So those were so those were your big influences matter, Yeah, Like. 310 00:14:12,400 --> 00:14:16,000 Speaker 3: Yeah, Malican Molly Shannon who I now know and like 311 00:14:16,280 --> 00:14:19,000 Speaker 3: Molly Shannon when I saw and again she's such a 312 00:14:19,040 --> 00:14:21,680 Speaker 3: good actress, Like you forget that, like her characters have 313 00:14:21,760 --> 00:14:24,960 Speaker 3: so much empathy and like and there're these flawed people 314 00:14:25,000 --> 00:14:27,440 Speaker 3: like Mary Catherine Gallagher. She just wants to be loved 315 00:14:27,480 --> 00:14:30,560 Speaker 3: and sometimes can't. She can't get out of her own way. 316 00:14:30,680 --> 00:14:35,560 Speaker 3: Like but like that was I saw these great human, 317 00:14:37,120 --> 00:14:41,360 Speaker 3: flawed with like characters, and I was like, that's what 318 00:14:41,440 --> 00:14:43,600 Speaker 3: I wanted to do, and I wanted to like show 319 00:14:43,720 --> 00:14:45,120 Speaker 3: humanity and make people laugh. 320 00:14:45,400 --> 00:14:50,720 Speaker 1: Wow. Yeah, fascinating, fascinating. And so what was your first 321 00:14:51,280 --> 00:14:54,280 Speaker 1: tell us about the experience on Mad TV? Because wasn't 322 00:14:55,520 --> 00:14:56,600 Speaker 1: was it Alex Borstein? 323 00:14:57,480 --> 00:14:59,720 Speaker 3: Yes, she was, so she she was on I think 324 00:14:59,760 --> 00:15:01,880 Speaker 3: like the first five years and then I was on 325 00:15:01,920 --> 00:15:05,200 Speaker 3: the last four years. So it was the hardest job 326 00:15:05,200 --> 00:15:07,600 Speaker 3: I ever had because I didn't come from like growlings. 327 00:15:07,640 --> 00:15:10,040 Speaker 3: I didn't like I'd made a tape in my living room, 328 00:15:10,080 --> 00:15:12,040 Speaker 3: you know, like I'd come from like sitcoms and stuff. 329 00:15:12,320 --> 00:15:13,680 Speaker 4: So when I was on, it. 330 00:15:13,680 --> 00:15:16,200 Speaker 3: Was like Key and Peel and Bobby Lee and like 331 00:15:17,240 --> 00:15:22,960 Speaker 3: Baron Holt, and like the best parts were incredibly it 332 00:15:23,000 --> 00:15:25,200 Speaker 3: was sort of the butt was like as tough as 333 00:15:25,360 --> 00:15:31,360 Speaker 3: SNL with none of the vanity fair conson. So it 334 00:15:31,520 --> 00:15:35,000 Speaker 3: was like it like made you officially like a comedian, 335 00:15:35,160 --> 00:15:37,760 Speaker 3: like it like it put me from character actress to 336 00:15:37,840 --> 00:15:41,960 Speaker 3: like character asher's slash like comedian, which I appreciated, but 337 00:15:42,120 --> 00:15:45,280 Speaker 3: it was hard because you know, on a if we 338 00:15:45,280 --> 00:15:47,240 Speaker 3: were on a job together, like you might play Billy 339 00:15:47,280 --> 00:15:49,320 Speaker 3: and I play Sarah, and we almost have no hand 340 00:15:49,320 --> 00:15:51,680 Speaker 3: in our fates, like the you know, the writer's hand 341 00:15:51,720 --> 00:15:54,480 Speaker 3: on your script to the script mad TV, Like every 342 00:15:54,480 --> 00:15:56,840 Speaker 3: week there's like two slots open that aren't for a 343 00:15:56,880 --> 00:15:59,880 Speaker 3: recurring character or the celebrity, and like it's like forty 344 00:16:00,040 --> 00:16:02,640 Speaker 3: sketches that everybody's reading to try to get those two slots. 345 00:16:02,800 --> 00:16:07,120 Speaker 3: And the competition of that was just something I'd never 346 00:16:07,280 --> 00:16:11,440 Speaker 3: experienced before and was wild. It was wild, but the 347 00:16:11,440 --> 00:16:12,600 Speaker 3: fun parts were amazing. 348 00:16:13,440 --> 00:16:17,040 Speaker 1: Wow, what's the favorite thing? What's your favorite thing you've 349 00:16:17,040 --> 00:16:17,680 Speaker 1: ever done? 350 00:16:17,920 --> 00:16:19,760 Speaker 4: You know, I think I had the most fun. 351 00:16:19,880 --> 00:16:21,680 Speaker 3: I was on a Netflix show for two years right 352 00:16:21,680 --> 00:16:25,800 Speaker 3: before the pandemic called Insatiable, and I got to play 353 00:16:25,840 --> 00:16:29,600 Speaker 3: like a villain and a pageant mom and it was 354 00:16:29,640 --> 00:16:31,680 Speaker 3: a comedy, but also it was like a one hour 355 00:16:32,320 --> 00:16:35,000 Speaker 3: and the experience of filming at the people that were 356 00:16:35,000 --> 00:16:37,640 Speaker 3: on it. We filmed in Atlanta and it was like 357 00:16:37,760 --> 00:16:41,360 Speaker 3: again this big, flawed Southern nightmare. 358 00:16:41,480 --> 00:16:43,720 Speaker 4: I think that was my favorite part I ever played 359 00:16:43,760 --> 00:16:45,000 Speaker 4: with Connan Tatable. 360 00:16:45,080 --> 00:16:47,560 Speaker 1: Really, so you do a lot of stand. 361 00:16:47,320 --> 00:16:49,560 Speaker 4: Up I do, I do do stand up? 362 00:16:49,680 --> 00:16:49,840 Speaker 3: Yeah? 363 00:16:50,160 --> 00:16:51,400 Speaker 1: Do you tour the country? 364 00:16:51,440 --> 00:16:53,880 Speaker 3: And you know, I just started touring again, like I 365 00:16:53,920 --> 00:16:56,800 Speaker 3: had it towards this before the pandemic and so like 366 00:16:57,360 --> 00:16:59,720 Speaker 3: this fall I did, I did an East Coast tour. 367 00:17:00,680 --> 00:17:01,560 Speaker 4: But it was interesting. 368 00:17:01,600 --> 00:17:04,920 Speaker 3: I you know, I think it's different now, but I 369 00:17:04,960 --> 00:17:08,760 Speaker 3: remember for a while. Sometimes it's like a weird balance 370 00:17:08,840 --> 00:17:11,680 Speaker 3: when it's not your main thing. Now you can self 371 00:17:11,680 --> 00:17:14,920 Speaker 3: tape auditions anywhere, but I felt like when you're not 372 00:17:15,119 --> 00:17:17,240 Speaker 3: trying to your main thing isn't trying to be the 373 00:17:17,240 --> 00:17:20,600 Speaker 3: biggest stand up, Like like I felt like I had 374 00:17:20,960 --> 00:17:22,879 Speaker 3: my ladder wasn't quite on the right wall because I 375 00:17:22,880 --> 00:17:26,199 Speaker 3: felt like I was gone a lot. So like like 376 00:17:26,520 --> 00:17:28,560 Speaker 3: you go on lea fly on like Thursday, maybe you 377 00:17:28,560 --> 00:17:30,679 Speaker 3: come back Monday. More like I felt like I was 378 00:17:30,680 --> 00:17:33,080 Speaker 3: starting to miss auditions and stuff like that, which I 379 00:17:33,119 --> 00:17:36,480 Speaker 3: think that self tapes have changed that. But it was 380 00:17:36,560 --> 00:17:38,400 Speaker 3: one of those things where I think people to start 381 00:17:38,560 --> 00:17:40,880 Speaker 3: so I had to like but it was interesting touring 382 00:17:41,960 --> 00:17:44,439 Speaker 3: because you really get to like meet the country and 383 00:17:44,520 --> 00:17:46,359 Speaker 3: like how well, like people want to show you a 384 00:17:46,359 --> 00:17:48,480 Speaker 3: good time, people want you to experience their city. 385 00:17:48,560 --> 00:17:52,040 Speaker 4: Like it was a. You know, when I've done. 386 00:17:51,880 --> 00:17:53,880 Speaker 3: It, it's like so nice to meet, as you were saying, 387 00:17:53,880 --> 00:17:55,800 Speaker 3: when you meet people that come to your shows or 388 00:17:55,800 --> 00:17:58,720 Speaker 3: come up to like, I'm proud that I've done it 389 00:17:58,720 --> 00:18:00,720 Speaker 3: and that I do it, and I am enjoy getting 390 00:18:00,720 --> 00:18:01,399 Speaker 3: to meet people. 391 00:18:01,760 --> 00:18:06,760 Speaker 1: Yeah yeah, So what kind of who writes your material? 392 00:18:06,840 --> 00:18:10,679 Speaker 4: You write your own my material? Yeah, uff, yeah, you 393 00:18:10,680 --> 00:18:11,120 Speaker 4: got to write. 394 00:18:12,040 --> 00:18:14,840 Speaker 1: And when when did you start writing your own comedy? 395 00:18:14,880 --> 00:18:16,560 Speaker 1: When did you start writing your own jokes? 396 00:18:16,760 --> 00:18:17,080 Speaker 3: Oh? 397 00:18:17,320 --> 00:18:18,920 Speaker 4: Well, I wrote the book behind me too. 398 00:18:19,320 --> 00:18:23,000 Speaker 1: Ah yeah, let me see the book. 399 00:18:23,480 --> 00:18:24,400 Speaker 3: This is my book. 400 00:18:24,920 --> 00:18:26,119 Speaker 1: Let me see this book. 401 00:18:26,400 --> 00:18:32,280 Speaker 3: Little miss little Compton like Chelsea Handler quote Wenons. 402 00:18:33,240 --> 00:18:35,920 Speaker 4: Yeah, you know, I. 403 00:18:35,880 --> 00:18:38,480 Speaker 3: Started doing improv and then when I was on my TV, 404 00:18:38,520 --> 00:18:42,359 Speaker 3: then I started doing Chelsea Lately. Bobby Lee said to me. 405 00:18:43,000 --> 00:18:46,320 Speaker 3: Bobby was like, Ardent, You're the only like you know, 406 00:18:46,400 --> 00:18:49,400 Speaker 3: he was like, we have the same credits, Like you're 407 00:18:49,440 --> 00:18:52,919 Speaker 3: the only one that's not like touring and monetizing. He's like, 408 00:18:53,240 --> 00:18:55,560 Speaker 3: he's like, you can understand. I was really purely just 409 00:18:55,680 --> 00:18:59,520 Speaker 3: fear of like, and so I actually moved to New York. 410 00:18:59,600 --> 00:19:00,879 Speaker 3: So I was like, well, if I'm gonna do it, 411 00:19:00,880 --> 00:19:02,560 Speaker 3: I want to do a good job, and I feel 412 00:19:02,560 --> 00:19:05,600 Speaker 3: like in La it's like you already have those credits. 413 00:19:05,600 --> 00:19:07,280 Speaker 3: People were like I thought they were like, you know, 414 00:19:07,440 --> 00:19:09,680 Speaker 3: just because he played soccer doesn't mean you can play baseball. 415 00:19:09,760 --> 00:19:12,480 Speaker 3: So it's like, let me just go like practice and 416 00:19:12,520 --> 00:19:14,720 Speaker 3: like goes do small rooms in Brooklyn and like get 417 00:19:14,760 --> 00:19:17,919 Speaker 3: my sea legs and figure out my act. And my 418 00:19:18,000 --> 00:19:20,240 Speaker 3: friend says, I'm like kiddy that got into the champagne 419 00:19:20,240 --> 00:19:25,720 Speaker 3: bottle and Kitty wants to play. 420 00:19:25,920 --> 00:19:28,920 Speaker 4: Yeah, yeah, yeah, wow. 421 00:19:29,280 --> 00:19:31,439 Speaker 1: So when's your next show? Tell us when your next 422 00:19:31,440 --> 00:19:31,760 Speaker 1: show is. 423 00:19:31,840 --> 00:19:35,760 Speaker 3: Well, I'm actually about to go film a movie in Arkansas, 424 00:19:36,200 --> 00:19:37,560 Speaker 3: so I'm going to do that, and then I have 425 00:19:37,600 --> 00:19:41,480 Speaker 3: a podcast also on iHeart that is called will You 426 00:19:41,480 --> 00:19:43,520 Speaker 3: Except This Rose about the Bachelor of franchise, and I'm 427 00:19:43,560 --> 00:19:45,960 Speaker 3: going to be up at San Francisco Sketch Fest doing 428 00:19:46,080 --> 00:19:48,760 Speaker 3: the podcast and a bunch of comedy shows the weekend 429 00:19:48,880 --> 00:19:50,320 Speaker 3: of January twentieth. 430 00:19:50,560 --> 00:20:03,959 Speaker 1: Fantastic, Yeah, so great, thank you. All right, We're going 431 00:20:04,000 --> 00:20:09,080 Speaker 1: to do a little section now called uh a rapid fire, 432 00:20:09,119 --> 00:20:11,920 Speaker 1: which does not mean you have to answer quickly. Okay, 433 00:20:12,080 --> 00:20:13,720 Speaker 1: so we should probably change the name of this is 434 00:20:13,920 --> 00:20:15,800 Speaker 1: like just take your own time fire. 435 00:20:16,240 --> 00:20:16,800 Speaker 4: I love it. 436 00:20:17,280 --> 00:20:18,840 Speaker 1: How do you like your coffee? 437 00:20:19,440 --> 00:20:19,720 Speaker 2: Oh? 438 00:20:19,880 --> 00:20:24,639 Speaker 3: I like it strong, I like it with a little milk, 439 00:20:24,720 --> 00:20:26,840 Speaker 3: and I like it with something that's going to kill me, 440 00:20:26,960 --> 00:20:30,960 Speaker 3: like a splendor, like a screen lower s TVs. 441 00:20:31,000 --> 00:20:34,080 Speaker 1: Gotcha? Are you team Logan, team Jess or team Dean? 442 00:20:34,800 --> 00:20:40,080 Speaker 3: Oh that's a real Oh my god, Like I don't 443 00:20:40,200 --> 00:20:41,360 Speaker 3: want to say Logan. 444 00:20:42,320 --> 00:20:44,680 Speaker 1: It's one of the burning questions of the century. Let's 445 00:20:44,680 --> 00:20:48,200 Speaker 1: face it, which one are you? I'm the one asking 446 00:20:48,280 --> 00:20:49,600 Speaker 1: the questions here, young lady. 447 00:20:51,040 --> 00:20:53,199 Speaker 4: I mean, look, she didn't have chemistry with Logan. 448 00:20:53,520 --> 00:20:54,800 Speaker 1: Logan Logan for me? 449 00:20:55,080 --> 00:20:57,960 Speaker 3: Okay, I know, I gotta say Logan like watching him 450 00:20:57,960 --> 00:21:01,000 Speaker 3: when they kiss, just like they have chemistry. 451 00:21:01,080 --> 00:21:03,080 Speaker 1: Yeah, I like him because I think he's the smartest 452 00:21:03,240 --> 00:21:06,479 Speaker 1: and I think even if it, you know, even if 453 00:21:06,520 --> 00:21:08,800 Speaker 1: it fails, she gets a good settlement. Who's your favorite 454 00:21:09,320 --> 00:21:14,720 Speaker 1: Gilmore Girl's couple, Luke Lorelli or Emily and Richard. I'm 455 00:21:14,760 --> 00:21:18,000 Speaker 1: I go look at Moreli, thank you very much. Would 456 00:21:18,000 --> 00:21:20,159 Speaker 1: you rather work with Michelle or Kirk? 457 00:21:20,680 --> 00:21:24,560 Speaker 4: Ooh boy, I'm gonna go Kirk. 458 00:21:25,400 --> 00:21:27,399 Speaker 1: Why we need an explanation? 459 00:21:27,840 --> 00:21:31,879 Speaker 4: You know what I feel like, I don't know. 460 00:21:32,080 --> 00:21:34,400 Speaker 3: I feel like I enjoy a challenge. 461 00:21:34,480 --> 00:21:37,560 Speaker 4: I feel like I could go with the flow sometimes. 462 00:21:37,560 --> 00:21:39,159 Speaker 3: Look, I grow up with a tough dad, like I 463 00:21:39,160 --> 00:21:40,520 Speaker 3: can try to win somebody over. 464 00:21:40,800 --> 00:21:41,440 Speaker 4: That's why I go. 465 00:21:41,440 --> 00:21:44,639 Speaker 1: Kirk with the with the multiple personalities that Kirk possesses. 466 00:21:44,640 --> 00:21:47,080 Speaker 1: What would you order at Luke Steiner? 467 00:21:47,400 --> 00:21:52,440 Speaker 3: Oh my goodness, I mean, I love I'm on breakfast 468 00:21:52,480 --> 00:21:54,200 Speaker 3: all day, kind of a gall you know what I mean. 469 00:21:54,280 --> 00:21:57,400 Speaker 4: I'm never gonna pack. I'm I could give me an egg, 470 00:21:57,560 --> 00:21:58,280 Speaker 4: give me an. 471 00:21:58,080 --> 00:22:00,679 Speaker 3: Egg and toast, and I'm like, how round, give me 472 00:22:00,720 --> 00:22:02,720 Speaker 3: an omelet. I gotta go breakfast all day. 473 00:22:02,800 --> 00:22:06,800 Speaker 1: You're gonna You're gonna get it, don't worry. Uh Harvard 474 00:22:06,880 --> 00:22:09,960 Speaker 1: or Yale or drop out and move into the poolhouse? 475 00:22:10,000 --> 00:22:10,440 Speaker 1: Which one? 476 00:22:10,640 --> 00:22:13,160 Speaker 3: Oh god, you know growing up in New England where 477 00:22:13,160 --> 00:22:16,239 Speaker 3: people are so excited to tell you that they went 478 00:22:16,359 --> 00:22:20,119 Speaker 3: to Harvard or Yale or I'm gonna say. 479 00:22:20,800 --> 00:22:23,439 Speaker 1: Yale, thank you very much. Yeah, there you go. 480 00:22:23,560 --> 00:22:24,600 Speaker 4: I'm gonna say Yale. 481 00:22:24,720 --> 00:22:28,119 Speaker 1: There you go. Would you rather attend a dar event 482 00:22:28,640 --> 00:22:30,560 Speaker 1: with Emily or a town meeting with Taylor? 483 00:22:31,280 --> 00:22:35,520 Speaker 3: Oh god, well, my grandma. 484 00:22:34,920 --> 00:22:37,159 Speaker 4: Was in the daar, so I gotta go shout out Grandma. 485 00:22:37,440 --> 00:22:41,199 Speaker 1: Okay, there you gotta keep it real Gilmore girl's character 486 00:22:41,600 --> 00:22:45,440 Speaker 1: you would want most want to be a roommate. 487 00:22:46,160 --> 00:22:48,119 Speaker 4: I mean, I gotta go to my girl, Alex bors. 488 00:22:49,480 --> 00:22:51,720 Speaker 3: I got I feel like you know what it's like. 489 00:22:52,200 --> 00:22:53,480 Speaker 3: I feel like we could just let it home. We 490 00:22:53,480 --> 00:22:56,679 Speaker 3: put our sweatpant hag out. I feel like that it's 491 00:22:56,680 --> 00:22:57,120 Speaker 3: gotta be. 492 00:22:57,080 --> 00:23:02,119 Speaker 1: Comfortable, Okay, something in your life if you are all 493 00:23:02,240 --> 00:23:03,359 Speaker 1: in on. 494 00:23:04,240 --> 00:23:10,280 Speaker 3: Oh that's a good question. I am all I got 495 00:23:10,280 --> 00:23:15,080 Speaker 3: to say. I am all in on. I love to 496 00:23:15,080 --> 00:23:18,479 Speaker 3: go dancing. I am never like a dance party. I 497 00:23:18,520 --> 00:23:21,679 Speaker 3: am never. I don't care how tired I am. I 498 00:23:21,760 --> 00:23:23,879 Speaker 3: could be yet, I don't care how bad a wedding is. 499 00:23:24,359 --> 00:23:27,000 Speaker 4: I am all in on. A DJ and a dance floor. 500 00:23:28,800 --> 00:23:29,200 Speaker 1: Can be like. 501 00:23:29,240 --> 00:23:31,040 Speaker 3: I don't care if it's a cool club. I don't 502 00:23:31,040 --> 00:23:32,919 Speaker 3: care how cool, like good or bad. I'm all in 503 00:23:32,960 --> 00:23:34,160 Speaker 3: on a DJ and a dance floor. 504 00:23:34,480 --> 00:23:37,960 Speaker 1: You like to have a good time? Yeah, yeah, good deal. 505 00:23:38,840 --> 00:23:41,000 Speaker 1: Pleasure talking to you likewise. 506 00:23:41,040 --> 00:23:42,840 Speaker 4: It's so nice to me. Thank you, and good luck 507 00:23:42,880 --> 00:23:43,560 Speaker 4: with your internet. 508 00:23:43,840 --> 00:23:46,520 Speaker 1: Thank you, I'm going to need it. And good luck 509 00:23:46,560 --> 00:23:51,800 Speaker 1: with your tour. Thank you book. Go see your ard. Marine. Yes, 510 00:23:52,240 --> 00:23:54,080 Speaker 1: I got that pronunciation marine. 511 00:23:55,560 --> 00:23:57,800 Speaker 4: That's a tuppy. That's a drunk Viking toughie. 512 00:23:58,040 --> 00:24:00,200 Speaker 1: Confidence is growing. I feel really good and. 513 00:24:00,160 --> 00:24:02,520 Speaker 4: Will you accept this rose? Also on iHeart. 514 00:24:02,440 --> 00:24:04,520 Speaker 1: Absolutely, give me, give me A, give me a I 515 00:24:04,520 --> 00:24:06,720 Speaker 1: don't care if it's a four leaf clover, a rose 516 00:24:06,760 --> 00:24:08,280 Speaker 1: of daisy. I'll take it all right. 517 00:24:08,560 --> 00:24:10,520 Speaker 4: I'll give them all to meet you. 518 00:24:11,000 --> 00:24:43,240 Speaker 5: Meeting you, Bye bye, hey everybody. 519 00:24:42,840 --> 00:24:46,160 Speaker 1: And don't forget. Follow us on Instagram at I Am 520 00:24:46,280 --> 00:24:51,200 Speaker 1: all In podcast and email us at Gilmour at iHeartRadio 521 00:24:51,560 --> 00:25:01,880 Speaker 1: dot com