1 00:00:00,440 --> 00:00:05,119 Speaker 1: Warning, today's episode contains spoilers for the finale of Skeleton 2 00:00:05,200 --> 00:00:08,719 Speaker 1: Crew and the whole series in general, so watch that 3 00:00:09,280 --> 00:00:29,120 Speaker 1: before you listen to this. Hellop and I'm rosy night 4 00:00:29,400 --> 00:00:31,720 Speaker 1: and welcome back to x Ray Vision of the podcast 5 00:00:31,800 --> 00:00:35,440 Speaker 1: where we done thee dear favorite shows, movies, comics and 6 00:00:35,440 --> 00:00:38,240 Speaker 1: pop culture. Coming to you from my Heart podcast where 7 00:00:38,240 --> 00:00:41,320 Speaker 1: we're bringing you three three three episodes a week every 8 00:00:41,360 --> 00:00:44,440 Speaker 1: Tuesday Thursday, with an extra episode on Wednesday. 9 00:00:45,080 --> 00:00:50,279 Speaker 2: Exciting. In today's episode, we are covering the finale of Star. 10 00:00:50,120 --> 00:00:52,560 Speaker 3: Wars Skeleton Crew? 11 00:00:52,840 --> 00:00:55,560 Speaker 2: Do the kids survive? Is Jo a bad guy? What's 12 00:00:55,600 --> 00:00:58,600 Speaker 2: going on in attin? All these questions and more will 13 00:00:58,640 --> 00:00:59,440 Speaker 2: be answered. 14 00:01:00,160 --> 00:01:05,440 Speaker 1: Let's get right to it, Okay, Episode eight, the finale 15 00:01:05,520 --> 00:01:08,200 Speaker 1: the real good Guys. We pick up right after the 16 00:01:08,280 --> 00:01:12,440 Speaker 1: end of the previous episode. Jod with his lightsaber ignited 17 00:01:12,600 --> 00:01:18,399 Speaker 1: for some reason, is like pretending to be the new 18 00:01:18,440 --> 00:01:22,959 Speaker 1: Republic emissary. He greets the parents, He gives them a 19 00:01:22,959 --> 00:01:25,399 Speaker 1: big lecture about how bad their kids have been, and 20 00:01:25,440 --> 00:01:29,280 Speaker 1: they're in trouble and security is very important, as you 21 00:01:29,360 --> 00:01:32,160 Speaker 1: know on ad Adam, and so these kids should be 22 00:01:32,200 --> 00:01:34,639 Speaker 1: grounded immediately and confined to their homes. 23 00:01:34,720 --> 00:01:35,039 Speaker 3: That's it. 24 00:01:35,160 --> 00:01:37,880 Speaker 1: They can't go out because, you know, you just be 25 00:01:37,959 --> 00:01:41,000 Speaker 1: lucky that they're not in bigger trouble. Fern at this 26 00:01:41,120 --> 00:01:44,200 Speaker 1: point makes it a little too obvious that she's not 27 00:01:44,560 --> 00:01:48,120 Speaker 1: going to being not good at it. 28 00:01:48,360 --> 00:01:52,200 Speaker 2: She's being like tough and I'm like, babe, just like 29 00:01:52,320 --> 00:01:53,600 Speaker 2: pretend to go. 30 00:01:53,360 --> 00:01:54,240 Speaker 3: Go along to ghet along. 31 00:01:55,840 --> 00:01:56,120 Speaker 4: Yeah. 32 00:01:56,200 --> 00:01:59,960 Speaker 1: She like is clearly signaling with her eyes to her mom, 33 00:02:00,000 --> 00:02:02,160 Speaker 1: I'm under secretary of Farah and all this other stuff, 34 00:02:02,560 --> 00:02:06,720 Speaker 1: trying to say with gestures and with looks like hey, 35 00:02:06,760 --> 00:02:08,520 Speaker 1: something's wrong here. So John is like, you know what 36 00:02:08,600 --> 00:02:10,800 Speaker 1: Fern and Pharah want, don't you come with me and 37 00:02:10,880 --> 00:02:14,760 Speaker 1: let's go meet the supervisor. Wendell takes Wim home, where 38 00:02:14,760 --> 00:02:19,160 Speaker 1: he makes him a sad single dad dinner. It's come 39 00:02:19,200 --> 00:02:23,720 Speaker 1: on straight out of the microwave. Wendel stand before this episode. 40 00:02:23,720 --> 00:02:26,120 Speaker 1: But I've gotta say, Wendel, he's not he's not living 41 00:02:26,200 --> 00:02:27,640 Speaker 1: up to it. I hope Wim will be able to 42 00:02:27,720 --> 00:02:30,840 Speaker 1: inspire him to be like a more dynamic dad after this. 43 00:02:31,639 --> 00:02:34,760 Speaker 1: So Wendell is eager for Wim to just get right 44 00:02:34,800 --> 00:02:37,760 Speaker 1: back to studying for placement exams, and Wim is like, 45 00:02:37,960 --> 00:02:41,200 Speaker 1: are you fucking kidding me, Like, I just found out 46 00:02:41,240 --> 00:02:45,120 Speaker 1: that the galaxy is a big, violent, dangerous place filled 47 00:02:45,160 --> 00:02:48,000 Speaker 1: with lots of different kinds of people and like failed 48 00:02:48,080 --> 00:02:51,200 Speaker 1: Jedi and the New Republic and X Wing fighters and 49 00:02:51,240 --> 00:02:55,600 Speaker 1: all this like owls with telescopes and maps all this stuff, 50 00:02:56,080 --> 00:02:59,880 Speaker 1: and I'm still like processing all of that information, like 51 00:02:59,880 --> 00:03:01,760 Speaker 1: I can't just like get back to school. 52 00:03:02,320 --> 00:03:05,080 Speaker 2: Yeah, and there's an evil guy on our planet trying 53 00:03:05,080 --> 00:03:05,840 Speaker 2: to take overall. 54 00:03:06,080 --> 00:03:08,600 Speaker 3: Yeah, Like, man, like, can you give me a second 55 00:03:08,680 --> 00:03:09,760 Speaker 3: to try and deal with this? 56 00:03:10,200 --> 00:03:13,640 Speaker 1: And he tries to hint at that, but Wendel is like, 57 00:03:13,720 --> 00:03:17,080 Speaker 1: don't worry about it. The Supervisor's got this. The Supervisor's great, 58 00:03:17,200 --> 00:03:18,600 Speaker 1: and he's got this under control. 59 00:03:18,760 --> 00:03:21,200 Speaker 2: And the reason that Wim can't just tell him is 60 00:03:21,240 --> 00:03:25,680 Speaker 2: because Jod has all the Supervisor droids kind of spying 61 00:03:25,800 --> 00:03:27,640 Speaker 2: on the family and making. 62 00:03:27,360 --> 00:03:29,720 Speaker 1: Its threatened to kill the parents if they. 63 00:03:29,919 --> 00:03:32,680 Speaker 3: Yeah, in a very brutal way, said he would call 64 00:03:32,760 --> 00:03:33,200 Speaker 3: him up. 65 00:03:33,880 --> 00:03:41,040 Speaker 1: So Wim, though, begins plotting to like get Fern back 66 00:03:41,080 --> 00:03:44,120 Speaker 1: from Jod's clutches. He's walking talking with Neil, but then 67 00:03:44,160 --> 00:03:46,800 Speaker 1: the droids are just like all over his ass, so 68 00:03:46,840 --> 00:03:49,760 Speaker 1: it's very hard to do anything. Pharah takes John and 69 00:03:49,800 --> 00:03:52,840 Speaker 1: Fern up to see the supervisor and guess what's It's 70 00:03:52,920 --> 00:03:56,360 Speaker 1: like an Arnhem Zola from the Winter Soldier situation, only 71 00:03:57,080 --> 00:03:59,360 Speaker 1: if Zola was a droid. I guess the whole time. 72 00:03:59,280 --> 00:04:02,760 Speaker 3: Like a whole time, like a giant one eyed android, 73 00:04:03,000 --> 00:04:06,520 Speaker 3: one eyed droid slash Ai. Maybe I'm taking this as 74 00:04:06,520 --> 00:04:08,120 Speaker 3: that we were right. I think we can ring the 75 00:04:08,200 --> 00:04:09,440 Speaker 3: bell we were right. 76 00:04:09,520 --> 00:04:12,920 Speaker 2: Yeah, I guessed he was a droid very how from 77 00:04:12,920 --> 00:04:16,200 Speaker 2: two thousand and one with that big red blinking eye. 78 00:04:17,000 --> 00:04:21,080 Speaker 2: And yeah, that is not a surprise, especially because it 79 00:04:21,160 --> 00:04:24,520 Speaker 2: seems like the whole and is kind of running on 80 00:04:24,560 --> 00:04:27,760 Speaker 2: an automated system where all the humans just do whatever 81 00:04:27,800 --> 00:04:28,720 Speaker 2: the droids. 82 00:04:28,320 --> 00:04:30,599 Speaker 3: Say, and now we know why because the supervisor is 83 00:04:30,640 --> 00:04:31,200 Speaker 3: a droid. 84 00:04:31,640 --> 00:04:36,039 Speaker 2: Also, Farah does not seem surprised he's a droid. So 85 00:04:36,080 --> 00:04:38,720 Speaker 2: I guess they knew that, the parents obviously, and they. 86 00:04:38,640 --> 00:04:40,280 Speaker 3: Think it's great. They I love this. 87 00:04:41,040 --> 00:04:45,800 Speaker 1: So the supervisor sniffs out that John is a pirate 88 00:04:45,880 --> 00:04:48,680 Speaker 1: for a variety of reasons. One he's acting really kind 89 00:04:48,680 --> 00:04:51,960 Speaker 1: of evil and scary. Two he said he was a Jedi, 90 00:04:52,000 --> 00:04:55,159 Speaker 1: and the last that at Aton heard was the Jedi 91 00:04:55,240 --> 00:04:58,040 Speaker 1: were all traders. So the last time they've heard about 92 00:04:58,120 --> 00:04:59,920 Speaker 1: Jedi was around the time of Lord is sixty. 93 00:05:00,120 --> 00:05:03,320 Speaker 2: Yes, and when Palpatine sent out that little email, he 94 00:05:03,400 --> 00:05:05,640 Speaker 2: made sure Yes likes two. 95 00:05:05,680 --> 00:05:06,880 Speaker 3: He's like, hey, CC. 96 00:05:06,960 --> 00:05:09,400 Speaker 1: Everybody on the planets, like. 97 00:05:09,520 --> 00:05:12,760 Speaker 2: Just CC those old Republic gems and just let him 98 00:05:12,760 --> 00:05:15,440 Speaker 2: know those Jedi who would have bad boys that trait is. 99 00:05:16,000 --> 00:05:19,160 Speaker 1: Also, Jod keeps asking about his other ship and whether 100 00:05:19,200 --> 00:05:21,360 Speaker 1: he can like break protocol and just have his other 101 00:05:21,520 --> 00:05:24,760 Speaker 1: ship land. And then also Fern just like yells out 102 00:05:24,760 --> 00:05:25,440 Speaker 1: he's a pirate. 103 00:05:25,800 --> 00:05:27,799 Speaker 3: Yeah, She's like they're unto him. 104 00:05:27,839 --> 00:05:32,599 Speaker 1: Like, so the supervisor triggers the security protocols, but Jod 105 00:05:32,839 --> 00:05:38,920 Speaker 1: then stabs the supervisor through the eye and basically brings 106 00:05:38,960 --> 00:05:42,599 Speaker 1: down the entire global network of power, of infrastructure, of 107 00:05:42,640 --> 00:05:45,919 Speaker 1: security droids. The whole thing just like shuts down, which 108 00:05:46,080 --> 00:05:48,479 Speaker 1: is like, why did you bring him all the way 109 00:05:48,560 --> 00:05:50,680 Speaker 1: up there? They should have there should be like a 110 00:05:50,680 --> 00:05:53,120 Speaker 1: waiting room and then you can interrogate him from there. 111 00:05:53,240 --> 00:05:54,600 Speaker 1: Don't let him get close to you. 112 00:05:54,760 --> 00:05:59,479 Speaker 2: What are you doing if your entire system is like 113 00:05:59,560 --> 00:06:03,039 Speaker 2: a high mind of robots that will be shut down 114 00:06:03,160 --> 00:06:05,920 Speaker 2: if you stab your big robot in the eye. 115 00:06:06,200 --> 00:06:08,280 Speaker 3: I feel like that's a security issue. I'd put like 116 00:06:08,360 --> 00:06:09,000 Speaker 3: a little. 117 00:06:08,720 --> 00:06:12,560 Speaker 2: Cage over the eye or something, just a little security protocol. 118 00:06:12,720 --> 00:06:16,360 Speaker 2: But you know what if this is from Order sixty six, 119 00:06:16,440 --> 00:06:19,400 Speaker 2: but we are in you know, a kind of closer 120 00:06:19,480 --> 00:06:22,240 Speaker 2: to like a Rise of Skywalker era that is. 121 00:06:22,320 --> 00:06:23,680 Speaker 3: Very old technology as well. 122 00:06:23,800 --> 00:06:27,200 Speaker 2: Yes, so you know what, sure, But Jod, he did it, 123 00:06:27,279 --> 00:06:29,400 Speaker 2: He did it, He beat him, And I just have 124 00:06:29,520 --> 00:06:32,039 Speaker 2: to say so many times throughout this episode, which I 125 00:06:32,080 --> 00:06:35,120 Speaker 2: did personally love, I felt like they stuck the landing. 126 00:06:35,160 --> 00:06:38,720 Speaker 2: But to me, I just kept having that same feeling 127 00:06:38,800 --> 00:06:43,920 Speaker 2: like they are so lucky that they got Jude Law 128 00:06:44,160 --> 00:06:44,880 Speaker 2: for this role. 129 00:06:45,240 --> 00:06:48,880 Speaker 3: He has got so much emotion, and he can switch 130 00:06:48,960 --> 00:06:54,200 Speaker 3: between smiley and scary and trustworthy and untrustworthy, and he's 131 00:06:54,320 --> 00:06:59,040 Speaker 3: just so perfect as this kind of heel turning, face 132 00:06:59,200 --> 00:07:01,640 Speaker 3: turning pirate who you never know what you're gonna get, 133 00:07:01,680 --> 00:07:06,440 Speaker 3: and every kind of moment that he was going through 134 00:07:06,480 --> 00:07:10,800 Speaker 3: this and face acting his horror or his resignedness or 135 00:07:10,840 --> 00:07:13,640 Speaker 3: his frustration. I was just thinking, if there was any 136 00:07:13,800 --> 00:07:16,360 Speaker 3: justice in this world, this man would be nominated for 137 00:07:16,560 --> 00:07:18,920 Speaker 3: awards because he is just so good in this role. 138 00:07:19,960 --> 00:07:25,120 Speaker 1: Jod insists that if under secretary Pharaoh will help him 139 00:07:25,120 --> 00:07:29,120 Speaker 1: get his ship down, which does not need to include 140 00:07:29,160 --> 00:07:31,440 Speaker 1: turning off the barrier all the way. You just have to, 141 00:07:31,480 --> 00:07:36,520 Speaker 1: like whatever, use your navigational network to just open up 142 00:07:36,520 --> 00:07:38,760 Speaker 1: a path and let my ship come down. He and 143 00:07:38,800 --> 00:07:41,680 Speaker 1: his pirate friends will simply take credits and leave. There 144 00:07:41,720 --> 00:07:45,040 Speaker 1: will be no enslaving of the population, none of that's 145 00:07:45,320 --> 00:07:51,760 Speaker 1: they're not gonna stick around, yeah, or loot the surrounding suburbs. 146 00:07:52,200 --> 00:07:56,360 Speaker 1: And then so Parah agrees whim. Meanwhile, now back at 147 00:07:56,400 --> 00:07:59,120 Speaker 1: their house with no power, tells Wendell the truth about 148 00:07:59,160 --> 00:08:01,640 Speaker 1: Jod and just in that moment, they look up in 149 00:08:01,680 --> 00:08:04,480 Speaker 1: the sky and here's the pirate cruiser, and the pirate 150 00:08:04,520 --> 00:08:09,320 Speaker 1: cruiser just immediately begins shelling the area. And it's just 151 00:08:09,360 --> 00:08:12,840 Speaker 1: like completely mindlessly, Like you see a bus get blown up, 152 00:08:12,880 --> 00:08:16,679 Speaker 1: you see a cam get blown ups. Family, They almost 153 00:08:16,720 --> 00:08:20,240 Speaker 1: hit Neil's family. There's no way there are not oh 154 00:08:20,360 --> 00:08:20,920 Speaker 1: dozens of. 155 00:08:21,200 --> 00:08:22,160 Speaker 3: So many casualties. 156 00:08:22,320 --> 00:08:24,360 Speaker 2: Also, I just want to say, if there is a 157 00:08:24,400 --> 00:08:27,560 Speaker 2: way that you can allow a ship to come down, 158 00:08:27,840 --> 00:08:31,200 Speaker 2: surely couldn't they have just sent a ship up with 159 00:08:31,760 --> 00:08:34,160 Speaker 2: some credits for the pirates. I feel like, don't let 160 00:08:34,240 --> 00:08:36,440 Speaker 2: them on the planet. Look, I'm a pirate fan. I 161 00:08:36,440 --> 00:08:38,680 Speaker 2: have to say I was feeling for the pirates in 162 00:08:38,720 --> 00:08:41,440 Speaker 2: this episode. I do think the pirates get a bad rap. 163 00:08:41,720 --> 00:08:43,680 Speaker 2: Even though there's a lot of murder. They are working 164 00:08:43,720 --> 00:08:45,760 Speaker 2: in a different system that's kind of in this outer 165 00:08:45,920 --> 00:08:49,480 Speaker 2: Rim galaxy politics, like outside of the New Republic. So 166 00:08:49,559 --> 00:08:53,480 Speaker 2: I don't necessarily, you know, see pirates as some all 167 00:08:53,920 --> 00:08:56,959 Speaker 2: big bad situation. It's very complex, you know, when you're 168 00:08:56,960 --> 00:08:59,320 Speaker 2: trying to struggle out there with no Republic credits. 169 00:08:59,360 --> 00:09:02,040 Speaker 3: But don't let them on the planet, guy. 170 00:09:02,000 --> 00:09:06,120 Speaker 1: You kid, don't let them, especially when credits without any 171 00:09:06,200 --> 00:09:08,319 Speaker 1: kind of provocation at all. They're just like get their 172 00:09:08,360 --> 00:09:15,960 Speaker 1: cannons off, like at that publication. Okay, So Whim, Fern 173 00:09:16,000 --> 00:09:20,640 Speaker 1: and Neil show up at excuse me, Fern and Neil 174 00:09:20,920 --> 00:09:23,240 Speaker 1: and KB show up at Whim's house and they're like, 175 00:09:23,320 --> 00:09:27,040 Speaker 1: here's the plan. We go to our ship and we 176 00:09:27,400 --> 00:09:29,640 Speaker 1: get out into the atmosphere. We send a message to 177 00:09:29,679 --> 00:09:32,160 Speaker 1: the bird lady Kim with all the maps, and we 178 00:09:32,480 --> 00:09:35,600 Speaker 1: have her contact the X Wing pilot. Good guys, and 179 00:09:35,600 --> 00:09:37,680 Speaker 1: then they come and save the day. So they race 180 00:09:37,720 --> 00:09:40,560 Speaker 1: off to do this with Wendell in tow and he's 181 00:09:40,640 --> 00:09:41,959 Speaker 1: like not happy about it. 182 00:09:43,240 --> 00:09:46,080 Speaker 2: He's on his little uh on his little speeder bike 183 00:09:46,120 --> 00:09:48,360 Speaker 2: that he got from a random passer by, and the 184 00:09:48,400 --> 00:09:51,880 Speaker 2: speeder bike seeing here where they're kind of going through 185 00:09:52,480 --> 00:09:55,240 Speaker 2: the darkened streets of Attain. 186 00:09:55,720 --> 00:09:57,959 Speaker 3: Very easy, very good, very fun. 187 00:09:58,679 --> 00:10:03,800 Speaker 1: Next thing, you know, though, the pirate invasion is really intensifying. 188 00:10:03,840 --> 00:10:07,000 Speaker 1: They're rounding up civilians. Now they're looting the areas. They're 189 00:10:07,080 --> 00:10:08,640 Speaker 1: like invading homes. 190 00:10:08,679 --> 00:10:09,160 Speaker 3: It's bad. 191 00:10:09,720 --> 00:10:14,600 Speaker 1: Wendell figures out after they get to their ship, there's 192 00:10:14,600 --> 00:10:17,160 Speaker 1: a chase. The kids get to the ship. They evade 193 00:10:17,200 --> 00:10:19,400 Speaker 1: the pirates. They get to the ship, but the ship 194 00:10:19,480 --> 00:10:22,560 Speaker 1: can't fly because it doesn't have power and windows, Like, oh, 195 00:10:22,600 --> 00:10:25,480 Speaker 1: I know how to get the power. There's a switch. 196 00:10:25,600 --> 00:10:28,440 Speaker 1: It's up in the supervisor's tower, so we have to 197 00:10:28,480 --> 00:10:31,960 Speaker 1: go there. Meanwhile, Neil is like, I'm gonna go off 198 00:10:32,000 --> 00:10:34,800 Speaker 1: to this rooftop superlaser, which I now know is up 199 00:10:34,800 --> 00:10:37,520 Speaker 1: there because of the civil war planet we were on, 200 00:10:38,360 --> 00:10:43,520 Speaker 1: and I'm going to use that to cover our our 201 00:10:43,600 --> 00:10:48,000 Speaker 1: ship when it goes up into orbit. Fern plans to grab. Meanwhile, 202 00:10:48,040 --> 00:10:50,880 Speaker 1: up in the Supervisor's tower means to grab a blaster 203 00:10:50,960 --> 00:10:54,479 Speaker 1: from a downdroid. But John is like, sees her whispering 204 00:10:54,520 --> 00:10:55,240 Speaker 1: with her mom. 205 00:10:55,080 --> 00:10:58,200 Speaker 5: And they're not very good at this. Stop mom, stop 206 00:10:58,320 --> 00:11:04,040 Speaker 5: plotting the pluting. He's like, stop plotting and listen to this. 207 00:11:04,120 --> 00:11:05,840 Speaker 5: And he turns on the mic for the PA and 208 00:11:05,840 --> 00:11:08,439 Speaker 5: he begins addressing the entire planet and he basically says, 209 00:11:09,840 --> 00:11:13,319 Speaker 5: at at and you are my slaves. 210 00:11:13,360 --> 00:11:14,920 Speaker 3: Now I'm in charge. 211 00:11:15,200 --> 00:11:17,200 Speaker 1: I'm in charge of you work for me. Just keep 212 00:11:17,240 --> 00:11:20,560 Speaker 1: making credits and no one will be hurt. But basically like, 213 00:11:20,679 --> 00:11:23,959 Speaker 1: I'm the boss now. Wim arrives at the tower holding 214 00:11:24,080 --> 00:11:25,960 Speaker 1: a walkie talking and he's like, guess what I just 215 00:11:26,000 --> 00:11:27,880 Speaker 1: called the X the X Wings I just called The 216 00:11:27,880 --> 00:11:29,640 Speaker 1: cops are on their way. John's like, oh yeah, what 217 00:11:29,640 --> 00:11:31,760 Speaker 1: about the barrier? How's the single gonna get through the barrier? 218 00:11:31,760 --> 00:11:35,319 Speaker 1: And He's like, well, guess what. We're able to get 219 00:11:35,320 --> 00:11:37,720 Speaker 1: a signal past the barrier because of the crystal of 220 00:11:37,760 --> 00:11:47,120 Speaker 1: the founder yeshs. John obviously knows that Wim is bullshitting, 221 00:11:47,600 --> 00:11:51,240 Speaker 1: but he doesn't know that this is a stall play 222 00:11:51,720 --> 00:11:56,400 Speaker 1: so that Wendel can flip aforementioned power switch. Flips the switch, 223 00:11:57,400 --> 00:12:02,640 Speaker 1: Kab manages to get there pirate ship up into the 224 00:12:02,640 --> 00:12:05,120 Speaker 1: sky and up into orbit with this in thirty three's help, 225 00:12:05,160 --> 00:12:09,520 Speaker 1: He's just ahead now. Meanwhile, John has taken everybody prisoner again. 226 00:12:10,679 --> 00:12:15,360 Speaker 1: Neil manages to cover kb's escape with the super laser, 227 00:12:15,400 --> 00:12:17,760 Speaker 1: but then has to retreat because the pirate's begin shooting 228 00:12:17,800 --> 00:12:21,080 Speaker 1: at the super laser. KB up in orbit, gets the 229 00:12:21,120 --> 00:12:24,040 Speaker 1: message to Kim, who's like, guess what the X Wings 230 00:12:24,040 --> 00:12:26,200 Speaker 1: are coming. They'll be there very very fast. She's like, 231 00:12:26,280 --> 00:12:28,679 Speaker 1: I've been waiting, and I've been waiting for this. 232 00:12:28,800 --> 00:12:30,640 Speaker 3: Look. I love Kim, I love KB. 233 00:12:30,760 --> 00:12:33,680 Speaker 2: I want to support this plan holy but I will 234 00:12:33,720 --> 00:12:38,800 Speaker 2: say Kim, she sounds pretty excited that they got back 235 00:12:38,840 --> 00:12:42,800 Speaker 2: to At, and I think she may have ulterior motives, 236 00:12:43,320 --> 00:12:46,280 Speaker 2: as would I do believe. 237 00:12:46,080 --> 00:12:49,000 Speaker 3: Also that the X Wing New Republics. 238 00:12:49,240 --> 00:12:51,640 Speaker 2: I believe they too may have been looking for At 239 00:12:51,640 --> 00:12:53,920 Speaker 2: at Tim because they just see him very eager to 240 00:12:54,000 --> 00:12:57,320 Speaker 2: get there very quickly, and I would be in And 241 00:12:57,360 --> 00:13:00,480 Speaker 2: also the fact that this episode's called The Real Good 242 00:13:00,520 --> 00:13:03,880 Speaker 2: Guys kind of like I think, adds to that complexity 243 00:13:03,960 --> 00:13:05,480 Speaker 2: of like who is a good guy, who is the 244 00:13:05,520 --> 00:13:08,040 Speaker 2: bad guy in this situation, But obviously in this moment 245 00:13:08,080 --> 00:13:10,640 Speaker 2: seems great love to see him again. Love to see 246 00:13:10,679 --> 00:13:28,480 Speaker 2: how and KB team back up. Well a bore pat Yeah. 247 00:13:29,960 --> 00:13:33,760 Speaker 1: KB gets shot down out of orbit by the Powers 248 00:13:33,880 --> 00:13:36,920 Speaker 1: and the Chip. The ship crashes and the kids watch 249 00:13:37,000 --> 00:13:39,800 Speaker 1: it crash, looking on with horror as it does so, 250 00:13:39,920 --> 00:13:41,120 Speaker 1: and John is like, see what you did. 251 00:13:41,640 --> 00:13:42,720 Speaker 3: That's your fault. 252 00:13:43,240 --> 00:13:43,960 Speaker 1: You did that. 253 00:13:43,960 --> 00:13:45,959 Speaker 3: Seem really upset about it too. 254 00:13:46,000 --> 00:13:48,960 Speaker 1: He was saying, but he was like, that's one hundred 255 00:13:48,960 --> 00:13:54,240 Speaker 1: percent your fault, definitely. Wim takes this opportunity to grab 256 00:13:54,840 --> 00:13:58,720 Speaker 1: the barrier switch and start trying to turn it off. 257 00:13:59,200 --> 00:14:03,360 Speaker 1: There's a struggle now, Jod with his lightsabred to Wendell's neck. 258 00:14:03,920 --> 00:14:07,040 Speaker 1: Wim saying, you were never a Jedi. Jod giving us 259 00:14:07,080 --> 00:14:09,400 Speaker 1: a little bit of a backstory, saying, I was kind 260 00:14:09,480 --> 00:14:12,000 Speaker 1: of raised and trained for a very short while by 261 00:14:12,920 --> 00:14:15,280 Speaker 1: a person that was clearly an on the run post 262 00:14:15,440 --> 00:14:18,240 Speaker 1: Order sixty six Jedi who was then hunted down and killed. 263 00:14:18,720 --> 00:14:19,480 Speaker 1: Very sad story. 264 00:14:20,160 --> 00:14:26,000 Speaker 2: Confirmation here in multiple ways that Jod actually is for sensitive. 265 00:14:26,080 --> 00:14:28,880 Speaker 3: We see him force push, we see him you watch 266 00:14:28,960 --> 00:14:29,600 Speaker 3: him do stuff. 267 00:14:29,800 --> 00:14:32,040 Speaker 2: Yeah, and he doesn't have a lot of power, but 268 00:14:32,120 --> 00:14:37,000 Speaker 2: it's very clear that this desperate woman, as he describes her, 269 00:14:37,840 --> 00:14:41,280 Speaker 2: was somebody who trained him at least a little while, 270 00:14:41,400 --> 00:14:44,320 Speaker 2: and that's helped him kind of get through the galaxy. 271 00:14:44,360 --> 00:14:47,480 Speaker 2: But as he says, the galaxy, it's a dark, horrible place, 272 00:14:47,680 --> 00:14:51,320 Speaker 2: like nobody's going to help you. This isn't something that's 273 00:14:51,360 --> 00:14:54,400 Speaker 2: going to go well for you, And he wants Wim 274 00:14:54,440 --> 00:14:59,120 Speaker 2: to be as depressed and hopeless about it as as 275 00:14:59,120 --> 00:14:59,440 Speaker 2: he is. 276 00:15:00,200 --> 00:15:04,960 Speaker 1: Eventually, once Farah adds her strength to this little struggle, 277 00:15:05,000 --> 00:15:07,480 Speaker 1: they managed to get the barrier turned off. Barrier turns off, 278 00:15:07,480 --> 00:15:10,240 Speaker 1: it disappears. Here come the X Wings. 279 00:15:09,960 --> 00:15:11,960 Speaker 3: And I think the barrier has gone forever. 280 00:15:12,120 --> 00:15:15,240 Speaker 1: It seems like it's like once it's off, you can't 281 00:15:15,560 --> 00:15:18,880 Speaker 1: turn it on again. Seem to be what they were 282 00:15:18,920 --> 00:15:21,960 Speaker 1: saying with the way you were watching it disappear. The 283 00:15:22,120 --> 00:15:25,920 Speaker 1: X Wings then immediately go ape shit on the pirate 284 00:15:25,960 --> 00:15:29,840 Speaker 1: ship and take it down, clearly resulting in another couple 285 00:15:29,960 --> 00:15:33,320 Speaker 1: hundred days both on the ship and on the ground. 286 00:15:33,520 --> 00:15:37,320 Speaker 5: Don't do not feel like the people over and are 287 00:15:37,320 --> 00:15:40,720 Speaker 5: gonna look on this one as a oh, the Jedi came. 288 00:15:40,600 --> 00:15:43,040 Speaker 3: And saved today, save to day. 289 00:15:43,160 --> 00:15:46,720 Speaker 5: No, I think they're gonna be hayen on this situation, 290 00:15:46,880 --> 00:15:50,920 Speaker 5: because very very clearly, the very violent crash. 291 00:15:50,480 --> 00:15:53,320 Speaker 3: Yes, very violent, very wild. 292 00:15:54,760 --> 00:15:59,200 Speaker 1: Everybody, all our heroes that is run to see where 293 00:15:59,240 --> 00:16:03,320 Speaker 1: the kids ship crashed with KB on it, and luckily 294 00:16:03,360 --> 00:16:05,440 Speaker 1: it was caught by like some weird name, like it's 295 00:16:05,480 --> 00:16:10,200 Speaker 1: in one piece basically, and the cargo hold pops open 296 00:16:10,440 --> 00:16:13,040 Speaker 1: and all these credits starts spilling out onto the ground 297 00:16:13,200 --> 00:16:16,720 Speaker 1: and out comes KB washed along, you know, like a 298 00:16:16,880 --> 00:16:20,760 Speaker 1: like a piece of food down the drain on these 299 00:16:20,880 --> 00:16:25,360 Speaker 1: tide of credits, and she's fine, She's okay. Also okay, 300 00:16:25,520 --> 00:16:27,440 Speaker 1: s M thirty three, who is just ahead, He's okay, 301 00:16:29,000 --> 00:16:31,480 Speaker 1: hold his own head, also okay? Is the rat that 302 00:16:31,520 --> 00:16:34,760 Speaker 1: lived in SM thirty three's head that Neil is apparently 303 00:16:34,760 --> 00:16:37,240 Speaker 1: now gonna get AFTA love that. 304 00:16:37,640 --> 00:16:40,240 Speaker 2: And then we kind of get this moment where we 305 00:16:40,280 --> 00:16:43,240 Speaker 2: see all of the planet looking up at the stars, 306 00:16:43,360 --> 00:16:46,560 Speaker 2: something they've never seen. The barriers kept them out of that, 307 00:16:46,760 --> 00:16:49,800 Speaker 2: they've only had fake electric lighting. They're all looking up, 308 00:16:50,120 --> 00:16:52,560 Speaker 2: but who is looking up the most Whim He's looking 309 00:16:52,600 --> 00:16:55,840 Speaker 2: up at those stars and he's like, I'm gonna get 310 00:16:55,840 --> 00:16:58,400 Speaker 2: involved with this galactic I want to chop. 311 00:16:58,160 --> 00:17:01,120 Speaker 3: Some heads off, I want to kill some people. And 312 00:17:01,240 --> 00:17:03,200 Speaker 3: he's looking up at the sky and his dad's. 313 00:17:02,920 --> 00:17:07,760 Speaker 4: Like Whim, but Whim's like, no, sorry, Dad, He's like, 314 00:17:08,160 --> 00:17:15,320 Speaker 4: I love violence, I love ships, shooting blasters. 315 00:17:15,440 --> 00:17:17,840 Speaker 1: I love it. I want to do it again. 316 00:17:18,520 --> 00:17:20,720 Speaker 3: And will he do it again? That's the big question. 317 00:17:21,000 --> 00:17:24,719 Speaker 3: Scouting Crew has not yet been renewed for a second season. 318 00:17:25,080 --> 00:17:27,080 Speaker 3: I don't believe and we. 319 00:17:27,119 --> 00:17:29,280 Speaker 2: But I loved it. I thought it was great, Jason. 320 00:17:29,280 --> 00:17:31,120 Speaker 2: What we have overall thoughts on the show. 321 00:17:31,520 --> 00:17:35,480 Speaker 1: Really fun and the kind of tone that I think 322 00:17:35,480 --> 00:17:38,199 Speaker 1: that they could do more of. It is you know 323 00:17:38,480 --> 00:17:43,760 Speaker 1: whether or not this story will continue. I think it's 324 00:17:43,760 --> 00:17:48,760 Speaker 1: a I think it's very interesting. I think I would 325 00:17:48,760 --> 00:17:52,040 Speaker 1: love to see many of these characters make their way 326 00:17:52,040 --> 00:17:57,000 Speaker 1: into Star Wars proper job included, and how they do 327 00:17:57,119 --> 00:17:59,639 Speaker 1: that I think will be very interesting to see. Ed 328 00:17:59,720 --> 00:18:02,600 Speaker 1: At now appears to be part of the Wider Galaxy. 329 00:18:03,160 --> 00:18:04,080 Speaker 1: What does that mean? 330 00:18:04,680 --> 00:18:08,080 Speaker 2: Could we see At and be visited by the Mandalorian 331 00:18:09,080 --> 00:18:13,040 Speaker 2: or someone in those I think a big takeaway I 332 00:18:13,119 --> 00:18:15,280 Speaker 2: had and I saw some people in the discord agreeing 333 00:18:15,320 --> 00:18:18,880 Speaker 2: with this. That final moment where Wim was looking up 334 00:18:18,920 --> 00:18:20,879 Speaker 2: and we were kind of getting this vision of his 335 00:18:20,960 --> 00:18:23,240 Speaker 2: face as he saw the stars for the first time 336 00:18:23,560 --> 00:18:26,760 Speaker 2: from his home planet. Definitely feels like he could be 337 00:18:26,840 --> 00:18:29,760 Speaker 2: in the Race Skywalker movie as one of her students 338 00:18:29,840 --> 00:18:32,800 Speaker 2: or a version of him. Jod, is he still alive. 339 00:18:32,920 --> 00:18:35,520 Speaker 2: I think he's still alive. Yeah, he will see it, 340 00:18:35,640 --> 00:18:38,640 Speaker 2: but I think he's still alive. He was a four 341 00:18:38,720 --> 00:18:42,639 Speaker 2: sensitive Jedi. He seems like a very easy could show 342 00:18:42,720 --> 00:18:47,040 Speaker 2: up in a potential TV show or movie something like that. 343 00:18:47,320 --> 00:18:50,080 Speaker 3: We would know not to trust him, but the characters would. 344 00:18:50,200 --> 00:18:53,000 Speaker 1: I could see Jod getting, you know, put on some 345 00:18:53,080 --> 00:18:56,120 Speaker 1: prison planet somewhere, and then his story continuing from there. 346 00:18:57,240 --> 00:19:01,640 Speaker 1: The creator and showrunner of Skeleton and Crew, John Watts 347 00:19:01,720 --> 00:19:05,639 Speaker 1: told Collider that he does have an idea for a 348 00:19:05,720 --> 00:19:09,080 Speaker 1: second season. Quote have an idea for a second season 349 00:19:09,080 --> 00:19:09,720 Speaker 1: and know what. 350 00:19:09,600 --> 00:19:10,240 Speaker 3: We would do. 351 00:19:11,080 --> 00:19:14,879 Speaker 1: Adding quote have a built in ticking clock of the 352 00:19:14,960 --> 00:19:16,720 Speaker 1: kids in their age, and by the time we would 353 00:19:16,720 --> 00:19:18,800 Speaker 1: get production going, we know what age they would be. 354 00:19:18,840 --> 00:19:22,200 Speaker 1: So basically, they're planning to do a time jump to 355 00:19:22,280 --> 00:19:26,480 Speaker 1: catch up with the kids so that it's all their 356 00:19:26,520 --> 00:19:29,240 Speaker 1: ages are correct in the story when they catch back 357 00:19:29,359 --> 00:19:30,440 Speaker 1: up with That would. 358 00:19:30,240 --> 00:19:33,959 Speaker 2: Be history as well, because then you could see an 359 00:19:33,960 --> 00:19:36,480 Speaker 2: old version of Whim who maybe is already seeking out 360 00:19:36,560 --> 00:19:39,560 Speaker 2: Jedi training. I would love to see him in that 361 00:19:39,680 --> 00:19:42,160 Speaker 2: Ray movie. I think he's so fun. I think he's 362 00:19:42,200 --> 00:19:46,320 Speaker 2: got such a hunger for destruction. 363 00:19:45,920 --> 00:19:48,560 Speaker 6: But also hope, which is important when a Jedi in 364 00:19:49,000 --> 00:19:53,600 Speaker 6: could it'll be interesting to see with Ray what the 365 00:19:53,640 --> 00:19:58,359 Speaker 6: paradigm for the Force and force sensitives are going forward. 366 00:19:58,400 --> 00:20:00,520 Speaker 1: Wim did not seem to have any talent no for 367 00:20:00,680 --> 00:20:05,520 Speaker 1: the Force, and I kind of like it like that, Yeah. 368 00:20:05,320 --> 00:20:09,879 Speaker 2: Me too. I think you need Jedi in spite of 369 00:20:10,480 --> 00:20:12,080 Speaker 2: force sensitivity or not. 370 00:20:12,240 --> 00:20:14,720 Speaker 3: You need some kind of force for good in the world. 371 00:20:14,760 --> 00:20:18,360 Speaker 3: Maybe there'll be a lack of sensitive kids. 372 00:20:18,000 --> 00:20:20,840 Speaker 2: In a certain generation. That could be an interesting rinkle 373 00:20:20,880 --> 00:20:23,240 Speaker 2: for them to add. Okay, so we've had Tales of 374 00:20:23,280 --> 00:20:25,760 Speaker 2: the Jedi, we've had Tales of the Sith. Are we 375 00:20:25,840 --> 00:20:28,239 Speaker 2: going to get a more generic like Tales of the 376 00:20:28,240 --> 00:20:31,719 Speaker 2: Galaxy or Tales of the Pirates? Not as catchy, But 377 00:20:31,800 --> 00:20:34,160 Speaker 2: you know, I think we could see an episode about 378 00:20:34,240 --> 00:20:37,040 Speaker 2: Jod and his backstory, because it seemed like they were 379 00:20:37,040 --> 00:20:39,880 Speaker 2: telling us about that in the credits, and that really 380 00:20:39,960 --> 00:20:44,280 Speaker 2: beautiful are I also think that we get some interesting 381 00:20:44,400 --> 00:20:47,520 Speaker 2: nods here. The High Republic has for a long time 382 00:20:47,600 --> 00:20:49,280 Speaker 2: been a big part of this show because of the 383 00:20:49,320 --> 00:20:51,600 Speaker 2: great work, which is mentioned in the High Republic, but 384 00:20:51,720 --> 00:20:54,439 Speaker 2: here we also get that the Crystal of the Founders, 385 00:20:54,800 --> 00:20:57,399 Speaker 2: while there is no Crystal of the Founders in like 386 00:20:57,600 --> 00:21:01,040 Speaker 2: Star Wars Law as we know it, like with that name, 387 00:21:01,800 --> 00:21:06,720 Speaker 2: there are twenty two core founders who founded the Galactic Republic, 388 00:21:06,760 --> 00:21:10,040 Speaker 2: and that's part of the High Republic era storytelling. 389 00:21:10,400 --> 00:21:13,720 Speaker 3: So I'm interested to see them kind of digging a 390 00:21:13,760 --> 00:21:17,400 Speaker 3: little bit more into that book Law also as well. 391 00:21:17,640 --> 00:21:20,880 Speaker 2: I just love the idea that we're getting to explore 392 00:21:20,920 --> 00:21:23,600 Speaker 2: these parts of the galaxy that have never been explored, 393 00:21:23,800 --> 00:21:26,000 Speaker 2: and this, to me is a great example of how 394 00:21:26,040 --> 00:21:28,679 Speaker 2: you can do that in a totally unexpected way. 395 00:21:28,680 --> 00:21:31,840 Speaker 3: While still making something that feels familiar and fun. It's 396 00:21:31,880 --> 00:21:33,160 Speaker 3: got that Gooniess. 397 00:21:32,800 --> 00:21:35,639 Speaker 2: Vibe, it's got that et vibe, it's got the Amblan vibe. 398 00:21:36,000 --> 00:21:39,159 Speaker 2: But I think that they did enough to make it 399 00:21:39,320 --> 00:21:43,639 Speaker 2: stand with the modern great Star Wars stories like and 400 00:21:43,880 --> 00:21:46,840 Speaker 2: or you know, these tales where there's more complexity than 401 00:21:46,880 --> 00:21:49,719 Speaker 2: you're expecting, more exploration. 402 00:21:49,200 --> 00:21:50,760 Speaker 3: But they did it through the lens of kids. 403 00:21:50,760 --> 00:21:53,320 Speaker 2: So I would love to see a second season. I 404 00:21:53,359 --> 00:21:56,239 Speaker 2: would love to see what happens to KB. You know, 405 00:21:56,280 --> 00:22:00,639 Speaker 2: I think She's a really great addition. Yeah, I'm excited 406 00:22:00,720 --> 00:22:02,960 Speaker 2: to see where Star Wars goes next and whether or 407 00:22:03,040 --> 00:22:05,159 Speaker 2: not we will see any of these characters. I mean, 408 00:22:05,160 --> 00:22:07,640 Speaker 2: we're so far away from a new Star Wars movie 409 00:22:08,040 --> 00:22:10,119 Speaker 2: that the TV stuff is really what we're gonna have 410 00:22:10,200 --> 00:22:11,399 Speaker 2: for the next couple of years. 411 00:22:11,520 --> 00:22:17,040 Speaker 1: Yeah. Well, next week on Extra Vision, starting Tuesday, we're 412 00:22:17,040 --> 00:22:19,920 Speaker 1: doing a werewolf bonanza. It's a full moon and you're 413 00:22:20,000 --> 00:22:24,320 Speaker 1: beginning to do to the cursed creature that stalks the 414 00:22:24,440 --> 00:22:27,080 Speaker 1: night with blood on your fangs. We're gonna be talking 415 00:22:27,119 --> 00:22:30,560 Speaker 1: about some of our favorite werewolf wolf person projects and 416 00:22:30,640 --> 00:22:34,160 Speaker 1: discussing the latest wolf Man film by Lee Wannell. Then 417 00:22:34,200 --> 00:22:37,400 Speaker 1: on Thursday, as you've been asking, You've won it back 418 00:22:37,640 --> 00:22:40,560 Speaker 1: and it's happen. It goes back to discuss the finale 419 00:22:40,640 --> 00:22:43,719 Speaker 1: of doing Prophecy and what it means for the world 420 00:22:43,760 --> 00:22:45,719 Speaker 1: of Doune. And that's it for this episode. Next we're 421 00:22:45,720 --> 00:22:55,639 Speaker 1: listening Bye x ray Vision is hosted by Jason Concepcion. 422 00:22:55,720 --> 00:22:58,359 Speaker 3: I'm Rosie Knight and is a production of iHeart Podcasts. 423 00:22:58,680 --> 00:23:02,280 Speaker 2: Our executive producers are Joel Monique and Aaron Kurtman. 424 00:23:02,520 --> 00:23:04,560 Speaker 1: Our supervising producer is Abu Zafar. 425 00:23:04,960 --> 00:23:08,880 Speaker 2: Our producers are Common, Laurent Dean Jonathan and Bay Wag. 426 00:23:09,000 --> 00:23:11,800 Speaker 1: A theme song is by Brian Vasquez, with alternate theme 427 00:23:11,840 --> 00:23:13,120 Speaker 1: songs by Aaron Kauffman. 428 00:23:13,280 --> 00:23:16,639 Speaker 2: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and 429 00:23:16,760 --> 00:23:18,520 Speaker 2: Heidi our discord moderator