1 00:00:01,760 --> 00:00:04,439 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,519 --> 00:00:07,160 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,240 --> 00:00:13,480 Speaker 1: Welcome to and that's what you really miss podcast. It's 4 00:00:13,480 --> 00:00:16,320 Speaker 1: a special, special day because I get to be with 5 00:00:16,400 --> 00:00:17,239 Speaker 1: Kevin McHale. 6 00:00:17,760 --> 00:00:20,400 Speaker 2: That's right, You're welcome. Welcome everyone. It's especially for all 7 00:00:20,480 --> 00:00:23,880 Speaker 2: of you because I'm here with you. 8 00:00:23,880 --> 00:00:26,640 Speaker 1: You graced us for your presence. We're so very lucky. 9 00:00:26,840 --> 00:00:29,000 Speaker 2: You never know who'm going to show, but I did. 10 00:00:29,680 --> 00:00:33,800 Speaker 1: He did, he showed up. Hello, everybody home to the show. 11 00:00:33,840 --> 00:00:35,680 Speaker 1: I just have to say I have not sat in 12 00:00:35,720 --> 00:00:38,680 Speaker 1: a live theater and I don't even know how long. 13 00:00:39,159 --> 00:00:42,919 Speaker 1: And last night I saw The Whiz, which is a 14 00:00:43,000 --> 00:00:46,440 Speaker 1: touring production that is going to be transferred to Broadway 15 00:00:46,560 --> 00:00:53,200 Speaker 1: very shortly, and it is so damn good. I mean, Kevin. 16 00:00:53,240 --> 00:00:55,520 Speaker 1: I was like Kevin would be hooting and hollering and 17 00:00:55,560 --> 00:00:59,280 Speaker 1: standing and doing his things because I truly could not 18 00:00:59,320 --> 00:01:02,040 Speaker 1: stop thinking about you. It was like the time you 19 00:01:02,120 --> 00:01:05,240 Speaker 1: just immediately after I did in the intermission because I said, 20 00:01:05,280 --> 00:01:09,840 Speaker 1: Kevin has to see this. The voices are like like 21 00:01:10,120 --> 00:01:12,560 Speaker 1: imagine melted butter, and then you melt it again. 22 00:01:12,720 --> 00:01:15,000 Speaker 2: It's I know exactly what you're talking. Good. 23 00:01:15,120 --> 00:01:18,800 Speaker 1: Oh, it's so good and it's funny and it's colorful, 24 00:01:18,840 --> 00:01:21,600 Speaker 1: and it's soulful and inspired and boy, oh boy, if 25 00:01:21,640 --> 00:01:24,959 Speaker 1: you are in LA or if the production comes to you, 26 00:01:25,400 --> 00:01:28,360 Speaker 1: or you're you go to New York, go see it. 27 00:01:28,360 --> 00:01:30,959 Speaker 1: It is really really great. 28 00:01:31,840 --> 00:01:34,360 Speaker 2: Do you know when it ends up on Broadway? 29 00:01:35,160 --> 00:01:41,120 Speaker 1: I think like soon the Marquee is up, so March probably, yeah. 30 00:01:40,200 --> 00:01:43,640 Speaker 2: This season. So okay, I need to get ticketswealtz. 31 00:01:43,040 --> 00:01:45,880 Speaker 1: Here, you gotta. It just opened last night, so you 32 00:01:45,880 --> 00:01:50,000 Speaker 1: have time. But yeah, we went, We went, and it 33 00:01:50,120 --> 00:01:54,360 Speaker 1: was glorious. I'm so it was well worth it, well 34 00:01:54,400 --> 00:01:55,000 Speaker 1: worth the visit. 35 00:01:55,400 --> 00:01:58,000 Speaker 2: You know me, If you text me during intermission, then 36 00:01:58,000 --> 00:01:58,680 Speaker 2: that's a half. 37 00:01:59,400 --> 00:02:01,040 Speaker 1: Yeah. I won't. I won't make you go see a 38 00:02:01,080 --> 00:02:02,680 Speaker 1: lot of theater, but this is you got to go. 39 00:02:03,160 --> 00:02:04,720 Speaker 2: I do love the Wiz in general. Anyway. 40 00:02:04,960 --> 00:02:07,960 Speaker 1: Oh it's so good. Okay, it's so good. 41 00:02:08,240 --> 00:02:10,760 Speaker 2: How exciting? Though, you know, I love a revival that. 42 00:02:10,800 --> 00:02:15,960 Speaker 1: Is just good. Every song is so excellent in its own, 43 00:02:16,480 --> 00:02:19,480 Speaker 1: like on its own, and then you put these amazing 44 00:02:19,560 --> 00:02:23,880 Speaker 1: vocalists on them and it is gold. I mean, I 45 00:02:23,919 --> 00:02:27,040 Speaker 1: cannot wait for this recording. I am. I am literally 46 00:02:27,120 --> 00:02:29,800 Speaker 1: waiting on Baated both I'm so excited they found this. 47 00:02:30,200 --> 00:02:33,200 Speaker 1: Michelle Lewis, she's twenty four. She plays drothy and they 48 00:02:33,200 --> 00:02:37,720 Speaker 1: found her on TikTok. What She's a star, like, such 49 00:02:37,760 --> 00:02:41,240 Speaker 1: a big career ahead of her twenty four years old. 50 00:02:41,520 --> 00:02:42,720 Speaker 2: Oh, Kyle's in it. 51 00:02:43,560 --> 00:02:47,040 Speaker 1: M M. Kyle is very amazing, wonderful. He plays the lion. 52 00:02:47,160 --> 00:02:53,160 Speaker 1: He's so good. Kyle is so stupidly talented, stupid. 53 00:02:53,560 --> 00:02:56,440 Speaker 2: I saw that great and strange loop, strange loop, and 54 00:02:56,480 --> 00:02:59,000 Speaker 2: I did a workshop with him. Oh that's right, and 55 00:02:59,200 --> 00:03:03,200 Speaker 2: just like the most insane voice and like sweet person. 56 00:03:03,480 --> 00:03:07,480 Speaker 1: He's so funny in this, so funny. Anyway, I'm so 57 00:03:07,560 --> 00:03:09,360 Speaker 1: excited for them. It's going to be a great broway 58 00:03:09,400 --> 00:03:13,679 Speaker 1: around there in such great shape. It's really excellent. Yeah, 59 00:03:13,800 --> 00:03:14,360 Speaker 1: very exciting. 60 00:03:15,320 --> 00:03:18,800 Speaker 2: They weren't even getting paid for this. Jenna's just exciting. 61 00:03:19,320 --> 00:03:24,920 Speaker 1: Yeah. And I don't lie, oh't lie anyway. It was 62 00:03:24,960 --> 00:03:29,520 Speaker 1: worth the eleven o'clock I'll go heading home. Its right 63 00:03:29,600 --> 00:03:33,080 Speaker 1: for me. Yes, I don't see eleven o'clock very often. Okay, 64 00:03:33,160 --> 00:03:35,920 Speaker 1: let's talk about some music. This is season three, episode sixteen, 65 00:03:36,000 --> 00:03:37,040 Speaker 1: Saturday Night Gleever. 66 00:03:38,280 --> 00:03:44,840 Speaker 2: I have such specific memories and non memories of this 67 00:03:45,920 --> 00:03:49,040 Speaker 2: and we'll we'll talk about it when we arrived there. 68 00:03:49,080 --> 00:03:51,040 Speaker 2: But it was funny. I was like, why is my 69 00:03:51,160 --> 00:03:53,280 Speaker 2: memory working this way with this episode? And then I 70 00:03:53,360 --> 00:03:59,080 Speaker 2: saw the scenes happening and in real time could remember 71 00:03:59,120 --> 00:04:01,160 Speaker 2: the feeling and I don't. I can't always do that 72 00:04:01,240 --> 00:04:03,320 Speaker 2: most of the time, I can't, but I remember the 73 00:04:03,400 --> 00:04:07,080 Speaker 2: feeling of how I felt during these scenes, Like That's 74 00:04:07,080 --> 00:04:10,120 Speaker 2: why my memory is like this for this episode. 75 00:04:10,360 --> 00:04:11,520 Speaker 1: That's so interesting. 76 00:04:12,040 --> 00:04:13,760 Speaker 2: It was really strangers, very out of body. 77 00:04:14,520 --> 00:04:15,320 Speaker 1: Okay, you. 78 00:04:16,880 --> 00:04:21,039 Speaker 2: Need speaking of way, have you heard Beyonce's new country songs? 79 00:04:21,960 --> 00:04:26,040 Speaker 1: No, Jenna, I know. I'm sorry. 80 00:04:26,320 --> 00:04:30,279 Speaker 2: I look to you for all this, Jenna. Did you 81 00:04:30,320 --> 00:04:31,520 Speaker 2: watch the Super Bowl? 82 00:04:33,279 --> 00:04:34,320 Speaker 1: Yeah, a little bit. 83 00:04:34,720 --> 00:04:36,440 Speaker 2: And did you see the Beyonce commercial? 84 00:04:37,080 --> 00:04:37,200 Speaker 1: No? 85 00:04:38,800 --> 00:04:41,880 Speaker 2: Oh god, Okay, I don't know how we're going to 86 00:04:41,920 --> 00:04:42,599 Speaker 2: get through this now. 87 00:04:42,960 --> 00:04:46,840 Speaker 1: I'm sorry. I was chasing a toddler, Okay. I sat 88 00:04:46,880 --> 00:04:52,919 Speaker 1: down for usher, a toddler and me and and over tiler. 89 00:04:53,000 --> 00:04:55,640 Speaker 1: It's probably the two times I looked at the screen. 90 00:04:56,160 --> 00:04:59,240 Speaker 2: Okay, fine, fair, I'll allow it. I'll send you a 91 00:04:59,240 --> 00:05:04,120 Speaker 2: link after this, Okay, I think you Okay. Anyway, Saturday Night, 92 00:05:04,120 --> 00:05:08,520 Speaker 2: Gleaver in the News this week in twenty twelve and 93 00:05:08,600 --> 00:05:12,760 Speaker 2: April seventeenth, We Are Young is still number one by fun, 94 00:05:13,320 --> 00:05:20,039 Speaker 2: I mean also crazy that Jack Antonoff isn't fun. And 95 00:05:20,080 --> 00:05:25,159 Speaker 2: then they had this like gigantic album one best new artist, 96 00:05:25,440 --> 00:05:27,320 Speaker 2: but they're not new, like they've all they're all season 97 00:05:27,560 --> 00:05:30,520 Speaker 2: musicians have been around for forever, right, and Jack Antonov 98 00:05:30,600 --> 00:05:36,159 Speaker 2: becomes the go to producer for all things great female music, 99 00:05:36,960 --> 00:05:41,720 Speaker 2: right like shortly after this water launching pad. Yeah, right, crazy, 100 00:05:42,080 --> 00:05:45,480 Speaker 2: that is crazy anyway, the number one movie Hunger Games 101 00:05:45,480 --> 00:05:49,120 Speaker 2: still you know, we're just keeping it the same because 102 00:05:49,720 --> 00:05:52,800 Speaker 2: it is a gigantic snapshot. I feel like Hunger Games 103 00:05:52,839 --> 00:05:56,839 Speaker 2: and We Are Young were just huge. Yeah, they changed 104 00:05:57,320 --> 00:06:01,760 Speaker 2: music because of Jack Antonov. It changed movies because Jennifer 105 00:06:01,800 --> 00:06:04,479 Speaker 2: Lawrence became a bona fide movie star after this. 106 00:06:05,160 --> 00:06:08,520 Speaker 1: Right. I remember when we were at the SAG Awards 107 00:06:08,560 --> 00:06:11,440 Speaker 1: and Winter's Bone just had it was a season of 108 00:06:11,480 --> 00:06:14,240 Speaker 1: Winter's Bone, and she came on the carpet. Nobody really 109 00:06:14,320 --> 00:06:17,160 Speaker 1: knew who she was, like unless you'd seen the movie, 110 00:06:17,279 --> 00:06:19,600 Speaker 1: and everybody's like, she's the one to look out for. 111 00:06:20,120 --> 00:06:22,839 Speaker 2: Yeah, and then she filmed this Silver Lenning's Playbook and 112 00:06:22,880 --> 00:06:24,640 Speaker 2: something else and none of them had come out yet 113 00:06:26,279 --> 00:06:26,760 Speaker 2: all of them. 114 00:06:26,880 --> 00:06:31,479 Speaker 1: Yeah did it girl? Glee is this week on April nineteenth, 115 00:06:31,760 --> 00:06:35,920 Speaker 1: and this episode aired on April seventeenth, twenty twelve. Cupcake 116 00:06:35,960 --> 00:06:38,360 Speaker 1: Wars was filmed on the set. It was season six, 117 00:06:38,440 --> 00:06:42,160 Speaker 1: episode three, Cupcake Champions Glee, and this was Aaron May 118 00:06:42,720 --> 00:06:45,400 Speaker 1: and the cup artists created sweets inspired by Glee, and 119 00:06:45,400 --> 00:06:47,640 Speaker 1: then the waitning treats were served to the Glee cast 120 00:06:47,760 --> 00:06:52,520 Speaker 1: and crew. Now I have zero memory of this, but 121 00:06:52,680 --> 00:06:54,640 Speaker 1: Kevin had been looking at a picture in a document 122 00:06:54,680 --> 00:06:59,960 Speaker 1: where you are with Amber, the host of Cupcake Wars 123 00:07:00,640 --> 00:07:01,760 Speaker 1: and holding cookcakes. 124 00:07:02,000 --> 00:07:04,760 Speaker 2: Yeah, did you eat to do cooking? Of course I did. 125 00:07:05,520 --> 00:07:07,960 Speaker 2: I also very much looks like I am in a 126 00:07:08,240 --> 00:07:09,880 Speaker 2: shirt I borrowed from wardrobe. 127 00:07:10,680 --> 00:07:14,160 Speaker 1: Yeah, like a like a purple piano project exactly. 128 00:07:14,320 --> 00:07:18,120 Speaker 2: Yeah, it's just a random, random shirt. Amber looks like 129 00:07:18,120 --> 00:07:22,080 Speaker 2: she's in costume, right, Because we also did this for 130 00:07:22,160 --> 00:07:24,200 Speaker 2: Master Chef and so I loved this sort of thing 131 00:07:24,240 --> 00:07:26,840 Speaker 2: because it was a break in the day. We got 132 00:07:26,880 --> 00:07:29,760 Speaker 2: some treats and I ran out there and ate everything. 133 00:07:30,080 --> 00:07:31,880 Speaker 1: Yeah. I'm not a cocaine crowl but I am a 134 00:07:31,880 --> 00:07:34,880 Speaker 1: Mastership girl. So we'll get there. But I don't love cupcakes, 135 00:07:35,040 --> 00:07:37,240 Speaker 1: but you like sweets. Yeah, And the fact that like 136 00:07:37,280 --> 00:07:39,640 Speaker 1: another show was doing a Glee theme show. It just 137 00:07:39,680 --> 00:07:40,480 Speaker 1: felt crazy. 138 00:07:40,880 --> 00:07:44,880 Speaker 2: Yeah, like these things didn't really ever feel real old, 139 00:07:45,600 --> 00:07:47,160 Speaker 2: like you never got really used to it. 140 00:07:55,560 --> 00:07:59,720 Speaker 1: This was directed by Brad Beeker this episode, and there's 141 00:08:00,200 --> 00:08:04,040 Speaker 1: that happens and Jay Groff comes back as Jesse Saint 142 00:08:04,120 --> 00:08:05,960 Speaker 1: James and it's the first. 143 00:08:05,760 --> 00:08:07,400 Speaker 2: Time he is an only time he's back and has 144 00:08:07,440 --> 00:08:11,440 Speaker 2: no scenes with Leah. Well that's right, yeah, fun fact. 145 00:08:11,840 --> 00:08:15,520 Speaker 1: So Alex Nolan makes his first appearance is Unique and 146 00:08:16,120 --> 00:08:20,080 Speaker 1: tears that ship up. I mean, I was so nervous 147 00:08:20,120 --> 00:08:23,720 Speaker 1: because I don't remember Alex coming into this episode and 148 00:08:23,760 --> 00:08:25,960 Speaker 1: then you have that whole beautiful moment where you have 149 00:08:26,120 --> 00:08:30,000 Speaker 1: out and you have a unique birth. 150 00:08:32,040 --> 00:08:35,640 Speaker 2: And it's just funny, like that is Alex in real 151 00:08:35,640 --> 00:08:39,800 Speaker 2: life all the time. And so to see Alex not 152 00:08:39,960 --> 00:08:43,959 Speaker 2: being that first, it's like, Okay, we're acting, right, and 153 00:08:44,000 --> 00:08:50,520 Speaker 2: then Unique happens. I'm like, and we're not acting. Alex 154 00:08:50,600 --> 00:08:57,520 Speaker 2: is just like oozing oozing with charm and wit and 155 00:08:57,800 --> 00:09:00,959 Speaker 2: just everyone knows like the stupid, just amount of talent 156 00:09:01,600 --> 00:09:05,680 Speaker 2: right exactly, Like thank god Alex ended up on the show. 157 00:09:06,800 --> 00:09:11,599 Speaker 1: Thank god right, so good and so fun and we 158 00:09:11,800 --> 00:09:14,680 Speaker 1: just said the best time. It's it's crazy to me 159 00:09:14,720 --> 00:09:21,080 Speaker 1: that he starts so early on because I really I 160 00:09:21,280 --> 00:09:26,320 Speaker 1: just associate Alex with the new class. I do too, 161 00:09:27,040 --> 00:09:28,920 Speaker 1: very much so because that's when we all kind of 162 00:09:29,000 --> 00:09:33,959 Speaker 1: melded in a different way. Yeah, but man, oh man, 163 00:09:34,080 --> 00:09:38,080 Speaker 1: Alex has does some bangers in this show, right. 164 00:09:39,320 --> 00:09:40,760 Speaker 2: I was like, Yeah, let's just get this going. Can 165 00:09:40,800 --> 00:09:43,200 Speaker 2: we get a highlight reel? Like, I just need to 166 00:09:43,200 --> 00:09:44,440 Speaker 2: see all of the uniqueness. 167 00:09:44,480 --> 00:09:47,000 Speaker 1: I'm sure it's up there, all right, we gotta get 168 00:09:47,040 --> 00:09:51,200 Speaker 1: him on. Let's talk about the songs in this episode. 169 00:09:52,040 --> 00:09:54,040 Speaker 1: So can you do a lot of music? And it's 170 00:09:54,280 --> 00:09:59,400 Speaker 1: all disco. You should be dancing by the Beg's Night Fever, 171 00:10:01,240 --> 00:10:04,520 Speaker 1: Disco Inferno by the Tramps. If I can't have you, 172 00:10:05,200 --> 00:10:11,079 Speaker 1: Beg's How Deep Is Your Love? Beg's Boogie Shoes by 173 00:10:11,120 --> 00:10:14,480 Speaker 1: Casey in the Sunshine Band, More than a Woman, Beg's 174 00:10:14,559 --> 00:10:19,560 Speaker 1: and Staying Alive Way for It, the Beg's. Damn, that 175 00:10:19,760 --> 00:10:20,440 Speaker 1: is crazy. 176 00:10:20,760 --> 00:10:21,720 Speaker 2: That's so many hits. 177 00:10:21,760 --> 00:10:24,920 Speaker 1: I don't think I realized it was all of Beg's. 178 00:10:26,160 --> 00:10:27,960 Speaker 2: I mean, because the whole thing is based off of 179 00:10:27,960 --> 00:10:30,360 Speaker 2: that soundtrack. And the Beaches to the soundtrack and. 180 00:10:30,600 --> 00:10:32,400 Speaker 1: Right, right, right, It's. 181 00:10:32,400 --> 00:10:34,560 Speaker 2: Just it's a little funny. I feel like that we're 182 00:10:34,559 --> 00:10:40,000 Speaker 2: doing a tribute episode for Saturday Night Fever, Right, that 183 00:10:40,000 --> 00:10:41,079 Speaker 2: feels funny to me. 184 00:10:41,640 --> 00:10:44,920 Speaker 1: Right, And like we've been on like this, like Top forty, 185 00:10:45,679 --> 00:10:50,320 Speaker 1: like Streak recently, lots of current music, lots of pop music. 186 00:10:50,440 --> 00:10:53,760 Speaker 1: So this feels like a departure from the norm of 187 00:10:53,800 --> 00:10:54,640 Speaker 1: season three. 188 00:10:54,920 --> 00:11:00,520 Speaker 2: But reminiscent of the earlier seasons because seventies hit and 189 00:11:00,840 --> 00:11:04,000 Speaker 2: Satay Night Fever was a gigantic cultural phenomenon. 190 00:11:04,480 --> 00:11:07,920 Speaker 1: Yes, I think also the fact that, like Will, we 191 00:11:08,000 --> 00:11:12,040 Speaker 1: associate like a lot of disco with Will Schuster to 192 00:11:12,120 --> 00:11:13,080 Speaker 1: use that clip. 193 00:11:13,520 --> 00:11:17,040 Speaker 2: Of young Will that was shot during the pilot. 194 00:11:17,080 --> 00:11:19,720 Speaker 1: Right, they used it and cut it where they shot 195 00:11:19,760 --> 00:11:24,760 Speaker 1: it and cut it. Yeah, Okay, there's some fun facts 196 00:11:24,960 --> 00:11:25,600 Speaker 1: in this episode. 197 00:11:26,040 --> 00:11:27,640 Speaker 2: My favorite part. I love fun facts. 198 00:11:27,679 --> 00:11:28,360 Speaker 1: Let's go tell me. 199 00:11:28,640 --> 00:11:34,640 Speaker 2: Okay. This is the first tribute episode not written by Ryan, Well, 200 00:11:35,600 --> 00:11:39,280 Speaker 2: not to Ryan on the page. Yes, but Ryan's in 201 00:11:39,320 --> 00:11:41,360 Speaker 2: that room telling everybody what's happening. 202 00:11:42,000 --> 00:11:43,440 Speaker 1: That's what always. 203 00:11:43,679 --> 00:11:46,440 Speaker 2: Yes, this is the second episode to be a tribute 204 00:11:46,480 --> 00:11:49,520 Speaker 2: to a film, after a Rocky Horror, Glee show. 205 00:11:49,880 --> 00:11:50,320 Speaker 1: Mm hmm. 206 00:11:50,760 --> 00:11:53,160 Speaker 2: It's the second episode to be a tribute to an album, 207 00:11:53,320 --> 00:11:58,760 Speaker 2: the first being Rumors. Obviously best fun fact Jenna, Uh, 208 00:11:58,880 --> 00:12:01,160 Speaker 2: do you want to say it? No, you say it? 209 00:12:01,880 --> 00:12:04,679 Speaker 2: The disco floor used in the choir room is the 210 00:12:04,880 --> 00:12:08,760 Speaker 2: actual disco floor from Saturday Night Fever. I mean, that's 211 00:12:08,880 --> 00:12:12,320 Speaker 2: really cool. And I don't actually know that I remembered that, 212 00:12:12,440 --> 00:12:15,719 Speaker 2: but now that I think about it, I'm pretty sure 213 00:12:15,720 --> 00:12:17,960 Speaker 2: we knew that. When we were shooting. I think we 214 00:12:18,040 --> 00:12:21,760 Speaker 2: knew that, and I think by that point we were like, 215 00:12:22,080 --> 00:12:25,160 Speaker 2: oh my god, that's crazy. But also, all right, this 216 00:12:25,280 --> 00:12:29,000 Speaker 2: is a long day. That's my feeling of this episode 217 00:12:29,360 --> 00:12:30,319 Speaker 2: was just like. 218 00:12:30,559 --> 00:12:32,640 Speaker 1: One really long day. Yeah. 219 00:12:32,720 --> 00:12:36,679 Speaker 2: Yeah, yeah, because there's not I mean you can tell 220 00:12:36,720 --> 00:12:39,360 Speaker 2: by the song list going into this episode there's not 221 00:12:39,480 --> 00:12:44,000 Speaker 2: a lot outside of the songs take up a majority 222 00:12:44,000 --> 00:12:47,520 Speaker 2: of this episode, that's right. And this dialogue scenes are 223 00:12:47,880 --> 00:12:53,120 Speaker 2: very expeditious. They trim the fat, you say only what 224 00:12:53,160 --> 00:12:55,480 Speaker 2: you need to say, and then we're out into another song. 225 00:12:56,400 --> 00:12:56,800 Speaker 1: That's it. 226 00:12:57,440 --> 00:13:01,120 Speaker 2: Yeah, So it's efficient because there's this not a lot. 227 00:13:02,280 --> 00:13:06,360 Speaker 1: There's not a lot of time, No a lot happening. Okay, 228 00:13:06,400 --> 00:13:09,360 Speaker 1: So Blaine is seen in class with both Mike and 229 00:13:09,400 --> 00:13:13,520 Speaker 1: Brittany despite being younger. Yes, we can call that honors 230 00:13:13,559 --> 00:13:17,760 Speaker 1: a pe whatever. You know. I took classes with younger 231 00:13:17,800 --> 00:13:20,600 Speaker 1: and older students when I was in school. When asked 232 00:13:20,600 --> 00:13:24,439 Speaker 1: how old Blaine actually was, Ryan said, Blaine is ambiguous. 233 00:13:26,200 --> 00:13:28,000 Speaker 1: Darren had said that he had no idea how old 234 00:13:28,000 --> 00:13:29,880 Speaker 1: Blaine is, as when he first joined the show, he 235 00:13:29,920 --> 00:13:31,719 Speaker 1: was told Blaine was a year older than Kurt, but 236 00:13:31,760 --> 00:13:35,480 Speaker 1: then was somehow a year younger when he transferred. So 237 00:13:36,960 --> 00:13:42,320 Speaker 1: beat that because no, And and when Ian was talking 238 00:13:42,360 --> 00:13:45,520 Speaker 1: about it, I remember he was like he was supposed 239 00:13:45,520 --> 00:13:49,240 Speaker 1: to kind of be this like time doesn't really existing, 240 00:13:49,360 --> 00:13:52,320 Speaker 1: and that's and I think that's why they It was 241 00:13:52,360 --> 00:13:54,720 Speaker 1: started that way. And then when we started getting into 242 00:13:54,760 --> 00:13:58,199 Speaker 1: like talking about senior year and juniors and blah blah 243 00:13:58,240 --> 00:14:00,640 Speaker 1: blah and all of these things like it it had 244 00:14:00,679 --> 00:14:03,800 Speaker 1: to be and so a lot of these things were ambiguous, 245 00:14:03,840 --> 00:14:07,320 Speaker 1: Like Ryan said, Blaine yes, and that's how we found 246 00:14:07,360 --> 00:14:09,959 Speaker 1: out we were juniors and comic gon on a panel 247 00:14:10,000 --> 00:14:13,160 Speaker 1: in front of hundreds of people. This is the second 248 00:14:13,200 --> 00:14:15,360 Speaker 1: time that Quinn doesn't speak at all in the episode, 249 00:14:15,400 --> 00:14:18,800 Speaker 1: and the first time was in the Spanish Teacher If. 250 00:14:18,640 --> 00:14:20,480 Speaker 2: Only we could say the same thing about ourselves. 251 00:14:23,320 --> 00:14:26,160 Speaker 1: Rory and Sugar are not in this episode, shame. 252 00:14:26,200 --> 00:14:27,120 Speaker 2: And we missed them. 253 00:14:27,240 --> 00:14:28,040 Speaker 1: Yes, of course. 254 00:14:28,200 --> 00:14:29,960 Speaker 2: Yeah, and Curt is. 255 00:14:29,880 --> 00:14:32,200 Speaker 1: The only one to interact with all the Glee Projects 256 00:14:32,240 --> 00:14:34,800 Speaker 1: season one characters as of this episode. 257 00:14:35,080 --> 00:14:38,240 Speaker 2: Chris is the best acting partner, like put them in there, 258 00:14:38,560 --> 00:14:42,480 Speaker 2: put them in training, wheels off deep. Chris is warm 259 00:14:42,720 --> 00:14:43,520 Speaker 2: and hilarious. 260 00:14:44,000 --> 00:14:46,680 Speaker 1: May get better. We'll always make it better too. Absolutely, 261 00:14:48,920 --> 00:14:50,640 Speaker 1: when Will was talking to Thing about his feature in 262 00:14:50,680 --> 00:14:54,800 Speaker 1: the classroom, that amazing, wonderful scene. You can see he's 263 00:14:54,840 --> 00:14:57,760 Speaker 1: already begun teaching history as the line of succession is 264 00:14:57,760 --> 00:15:01,560 Speaker 1: written on the board behind Will and arrious history posters 265 00:15:01,680 --> 00:15:02,720 Speaker 1: cover the walls. 266 00:15:03,680 --> 00:15:07,440 Speaker 2: Interesting. This is the first time another show choir competition 267 00:15:07,600 --> 00:15:11,760 Speaker 2: is seen that New Directions does not participate in. And 268 00:15:11,840 --> 00:15:14,080 Speaker 2: More Than a Woman is the first song this season 269 00:15:14,080 --> 00:15:17,880 Speaker 2: that features only the active couples of the Glee Club 270 00:15:18,280 --> 00:15:21,920 Speaker 2: at the time of filming, Britannaventel, Tyke and Clay. 271 00:15:22,640 --> 00:15:23,080 Speaker 1: Wow. 272 00:15:23,640 --> 00:15:27,320 Speaker 2: Yeah, this is the third time Sue is seen in 273 00:15:27,360 --> 00:15:30,040 Speaker 2: an outfit not related to a track suit. It's like 274 00:15:30,080 --> 00:15:31,400 Speaker 2: once per season that's all you get. 275 00:15:32,920 --> 00:15:34,720 Speaker 1: Very very rare sighting. 276 00:15:35,200 --> 00:15:38,000 Speaker 2: Yes, and there's some cool behind the scenes stuff. My 277 00:15:38,040 --> 00:15:42,640 Speaker 2: favorite there's this time lapse video, yeah, of Disco Inferno 278 00:15:43,000 --> 00:15:47,680 Speaker 2: being filmed. Yeah, Harry got into time laps at some point, yes, 279 00:15:47,800 --> 00:15:48,080 Speaker 2: and it. 280 00:15:48,080 --> 00:15:52,040 Speaker 1: Was probably this episode. Yes, Harry would always document a lot, 281 00:15:52,360 --> 00:15:55,240 Speaker 1: he'd always have his camera up and document it well. 282 00:15:55,360 --> 00:15:57,480 Speaker 1: And then Darren as well. So they have a lot 283 00:15:57,480 --> 00:16:00,720 Speaker 1: of footage, a lot of deep footage in the vault between. 284 00:16:00,480 --> 00:16:05,200 Speaker 2: Two of them, Like Megan Doyle, there's everything fault. Yes, 285 00:16:06,520 --> 00:16:09,400 Speaker 2: So this episode, the Glee Club does disco and a 286 00:16:09,440 --> 00:16:12,440 Speaker 2: tribute to Saturday Night Fever in order to help Finn, Santana, 287 00:16:12,480 --> 00:16:15,880 Speaker 2: and Mercedes figure out what to do after they graduate. 288 00:16:16,040 --> 00:16:18,680 Speaker 2: Will's assignment is songs from the movie that would show 289 00:16:18,720 --> 00:16:23,320 Speaker 2: how they feel about their lives. It's a little crazy 290 00:16:23,440 --> 00:16:25,720 Speaker 2: the premise, right, like forcing these kids in front of 291 00:16:25,760 --> 00:16:30,000 Speaker 2: everybody to think about again, what are these like monumental 292 00:16:30,520 --> 00:16:35,240 Speaker 2: life changing decisions and trying to rush that is insane. 293 00:16:35,720 --> 00:16:38,080 Speaker 1: But you know, well, clocks a different it was a 294 00:16:38,080 --> 00:16:41,880 Speaker 1: different time and gap year wasn't even a thing yet. Kevin, 295 00:16:43,080 --> 00:16:46,600 Speaker 1: where you it does seem a little antiquated, like you 296 00:16:46,680 --> 00:16:49,000 Speaker 1: have to know what you want to do. But I 297 00:16:49,040 --> 00:16:51,400 Speaker 1: think we can focus what we can focus on. What 298 00:16:51,440 --> 00:16:53,320 Speaker 1: I think maybe mister Shu was trying to get at 299 00:16:53,440 --> 00:16:57,440 Speaker 1: was like the motivation to try to figure it versus 300 00:16:57,480 --> 00:16:58,920 Speaker 1: like figuring it out. 301 00:16:59,360 --> 00:17:01,200 Speaker 2: Yeah, And I think it is nice to see Will 302 00:17:02,360 --> 00:17:04,720 Speaker 2: teaching investing. 303 00:17:04,280 --> 00:17:05,400 Speaker 1: In yeah, yeah, yeah. 304 00:17:05,400 --> 00:17:07,400 Speaker 2: And I think what I best at too was yes, 305 00:17:07,480 --> 00:17:10,800 Speaker 2: investing in like personal lives when it's not crossing a 306 00:17:10,800 --> 00:17:15,760 Speaker 2: weird boundary, right, And like the storyline with each of 307 00:17:15,760 --> 00:17:20,199 Speaker 2: them is ends up being really special. It's important to 308 00:17:20,240 --> 00:17:22,080 Speaker 2: these characters going forward. 309 00:17:22,600 --> 00:17:26,320 Speaker 1: That's right. Okay, So overall, I think all of these 310 00:17:26,320 --> 00:17:31,480 Speaker 1: storylines fit into this one storyline, which graduation is coming up. 311 00:17:31,600 --> 00:17:34,800 Speaker 1: We open up with Will saying like he's a little 312 00:17:34,840 --> 00:17:37,000 Speaker 1: nervous for some of the seniors who don't seem to 313 00:17:37,040 --> 00:17:40,880 Speaker 1: have a plan for their future yet or have thought 314 00:17:40,880 --> 00:17:46,520 Speaker 1: about it. And so the theme for Nationals is vintage 315 00:17:46,680 --> 00:17:48,720 Speaker 1: I guess, which I don't know that I even knew 316 00:17:48,720 --> 00:17:52,840 Speaker 1: that while we were shooting. And so for inspo, we'll 317 00:17:52,880 --> 00:17:55,040 Speaker 1: decide to do Saturday Night Fever for this. 318 00:17:54,920 --> 00:17:57,040 Speaker 2: Week, and you get an opening number two you should 319 00:17:57,040 --> 00:18:00,919 Speaker 2: be dancing with Blaine and Brittany and Mike, and it 320 00:18:00,920 --> 00:18:02,760 Speaker 2: comes in like that doesn't really happen. Also, like the 321 00:18:02,760 --> 00:18:04,359 Speaker 2: structure of this episode, I think because there is so 322 00:18:04,440 --> 00:18:08,119 Speaker 2: much music, like You're just slam here's an opening musical 323 00:18:08,200 --> 00:18:12,160 Speaker 2: number which feels like an actual musical, which is fun. 324 00:18:12,359 --> 00:18:15,880 Speaker 2: It does put you into that tribute episode mode. It's 325 00:18:15,920 --> 00:18:21,040 Speaker 2: a little Michael, Yeah, reminiscent of Michael. I think we 326 00:18:21,040 --> 00:18:34,360 Speaker 2: should talk about this Mercedes storyline. Oh Mercedes. So Mercedes 327 00:18:35,400 --> 00:18:38,239 Speaker 2: is part of the trio that Will is sort of 328 00:18:38,400 --> 00:18:45,199 Speaker 2: putting on blasted from everybody, right, And I was personally 329 00:18:46,640 --> 00:18:50,880 Speaker 2: just very happy that Amber was getting a storyline right 330 00:18:51,200 --> 00:18:56,000 Speaker 2: like this, right, there was no Tater Tots involved. 331 00:18:55,240 --> 00:19:00,680 Speaker 1: Right, Yes, it's just it's being. 332 00:19:00,560 --> 00:19:05,639 Speaker 2: Kids, yes, And it's like there's more Sam Sades, which 333 00:19:06,200 --> 00:19:12,399 Speaker 2: we know we love and again yeah, just so cute. 334 00:19:12,800 --> 00:19:16,600 Speaker 2: And she decides that she gets up there and she's, 335 00:19:16,800 --> 00:19:19,840 Speaker 2: oh my god, can we talk about that number? I mean, 336 00:19:21,359 --> 00:19:24,680 Speaker 2: k H Disco Inferno. 337 00:19:25,280 --> 00:19:31,200 Speaker 1: It's so crazy. I remember watching it being like, oh 338 00:19:31,240 --> 00:19:32,320 Speaker 1: my god, they. 339 00:19:32,200 --> 00:19:33,960 Speaker 2: Were a full girl group, the three of them. 340 00:19:34,280 --> 00:19:36,800 Speaker 1: I love them, We love them like they're. 341 00:19:36,640 --> 00:19:42,040 Speaker 2: An actual like that is the Troubletones basically, yes, and 342 00:19:42,080 --> 00:19:46,320 Speaker 2: like they fire is there just feel I keep thinking 343 00:19:46,359 --> 00:19:48,760 Speaker 2: about you know what when We've had these episodes with 344 00:19:48,800 --> 00:19:53,920 Speaker 2: fan questions and fans coming on about how the level 345 00:19:53,920 --> 00:19:57,240 Speaker 2: at which some of the Glee Club was performing completely 346 00:19:57,240 --> 00:20:00,520 Speaker 2: set unrealistic expectations for what people should expect high school 347 00:20:01,480 --> 00:20:04,679 Speaker 2: to hear. And that's all you could think about watching 348 00:20:04,720 --> 00:20:10,440 Speaker 2: them because it felt so perfect and polished, like this 349 00:20:10,480 --> 00:20:13,639 Speaker 2: is an actual record, like put it on the radio, 350 00:20:14,080 --> 00:20:18,440 Speaker 2: put them on tour. There's no notes. 351 00:20:18,720 --> 00:20:22,480 Speaker 1: No notes. Do you remember we shot? Do you think? 352 00:20:22,840 --> 00:20:25,600 Speaker 1: I can't remember, But it feels like sitting in the 353 00:20:25,680 --> 00:20:28,240 Speaker 1: choir room that day when we're sitting like you know, 354 00:20:28,440 --> 00:20:30,360 Speaker 1: the seats are a little bit below and we're watching 355 00:20:31,320 --> 00:20:32,919 Speaker 1: It was a Saturday. 356 00:20:34,520 --> 00:20:36,680 Speaker 2: It might have been we started to get into that. 357 00:20:36,760 --> 00:20:43,160 Speaker 1: Territory here Saturday shooting when we had when we were behind. Yeah, anyway, 358 00:20:43,280 --> 00:20:46,800 Speaker 1: I love to see that and her scene like just 359 00:20:46,840 --> 00:20:49,320 Speaker 1: sort of owning up to it, like I want to 360 00:20:49,320 --> 00:20:50,600 Speaker 1: be one of the greats. 361 00:20:50,760 --> 00:20:54,560 Speaker 2: I want to be a recording artist. I need to 362 00:20:54,560 --> 00:20:59,639 Speaker 2: to start. Yes, which is so real and all these 363 00:20:59,720 --> 00:21:02,960 Speaker 2: entertain things are I mean that can be applied to anything, 364 00:21:03,000 --> 00:21:06,000 Speaker 2: and it was. It's always nice when the Glee clup, 365 00:21:06,040 --> 00:21:10,000 Speaker 2: which is so fantastical and like sarcastic does some of 366 00:21:10,000 --> 00:21:13,600 Speaker 2: that stuff for It's like, okay, I don't who knows 367 00:21:13,600 --> 00:21:15,040 Speaker 2: how to do that? You know how times you and 368 00:21:15,080 --> 00:21:18,000 Speaker 2: I get asked like how does somebody find an agent 369 00:21:18,119 --> 00:21:18,760 Speaker 2: or a manager? 370 00:21:20,040 --> 00:21:23,480 Speaker 1: I know, I know it is true that Mercedes is 371 00:21:23,480 --> 00:21:27,440 Speaker 1: the most relatable I think of the group, well, I 372 00:21:27,480 --> 00:21:30,400 Speaker 1: don't want to say most, but I feel like it 373 00:21:30,440 --> 00:21:34,280 Speaker 1: was for me the most relatable. I want to move 374 00:21:34,320 --> 00:21:36,919 Speaker 1: to LA or I want to go pursue this, but like, 375 00:21:37,640 --> 00:21:41,040 Speaker 1: where do I start? It's very scary versus like a 376 00:21:41,160 --> 00:21:45,639 Speaker 1: Rachel who knows exactly what she wants, exactly where she's going, 377 00:21:46,080 --> 00:21:49,200 Speaker 1: exactly where she's aiming, or what her goals are. I think, 378 00:21:49,440 --> 00:21:52,640 Speaker 1: you know, she's the minority in this of like yeah, 379 00:21:53,200 --> 00:21:57,080 Speaker 1: and so I really liked this storyline of somebody who 380 00:21:57,160 --> 00:22:00,520 Speaker 1: had goals other than Broadway and musical theater. That's kind 381 00:22:00,560 --> 00:22:02,359 Speaker 1: of like the world we were in with Clee a 382 00:22:02,359 --> 00:22:07,600 Speaker 1: lot and Mercedes, you know, being honest about it. But 383 00:22:07,600 --> 00:22:12,119 Speaker 1: then Sam posting it Sweetcord posting these the video of 384 00:22:12,160 --> 00:22:16,760 Speaker 1: her so she could see like how she impacts others, 385 00:22:17,000 --> 00:22:19,720 Speaker 1: you know, and not just be like a recording artist 386 00:22:19,840 --> 00:22:23,320 Speaker 1: was really so sweet. Why can't we have more. 387 00:22:23,200 --> 00:22:25,639 Speaker 2: Of them true to the times, like that was just 388 00:22:25,680 --> 00:22:28,600 Speaker 2: starting people getting famous off of YouTube, off of vine. 389 00:22:29,240 --> 00:22:31,600 Speaker 2: Never mind where we are today, Oh yeah, forget it. 390 00:22:39,880 --> 00:22:42,960 Speaker 2: One of my biggest pet peeves about musicals or movies 391 00:22:43,040 --> 00:22:47,760 Speaker 2: that involve the music business is some of the tropes 392 00:22:47,800 --> 00:22:51,320 Speaker 2: and cliches and how it's like, I don't think anybody 393 00:22:51,359 --> 00:22:53,240 Speaker 2: working in the music business was a part of making 394 00:22:53,280 --> 00:22:59,320 Speaker 2: these movies. But Mercedes saying that and how she doesn't 395 00:22:59,320 --> 00:23:03,119 Speaker 2: know how to get into it is perfect, right, is 396 00:23:03,160 --> 00:23:08,120 Speaker 2: so grounded in the realities of the entertainment business. And 397 00:23:08,240 --> 00:23:10,879 Speaker 2: Sam just like posting that thing and they're not overly 398 00:23:10,880 --> 00:23:13,359 Speaker 2: doing it. She had four hundred and twenty something likes 399 00:23:13,480 --> 00:23:17,480 Speaker 2: or views or comments. Yes, and so it was nice 400 00:23:17,480 --> 00:23:20,000 Speaker 2: that it was as crazy and out of this world 401 00:23:20,040 --> 00:23:24,800 Speaker 2: as Glee can be. That that felt actually very realistic. Yes, yes, 402 00:23:24,880 --> 00:23:31,160 Speaker 2: I agree, and aspirational and something that anybody could do right. 403 00:23:31,359 --> 00:23:35,959 Speaker 2: Obviously not anybody can sing like Amber, but the premise 404 00:23:36,040 --> 00:23:37,919 Speaker 2: of it, it's like, yeah, these are the real questions 405 00:23:37,920 --> 00:23:40,560 Speaker 2: and these are the some of the ways to go 406 00:23:40,600 --> 00:23:42,560 Speaker 2: about doing it. I just really liked it. I was 407 00:23:42,640 --> 00:23:43,879 Speaker 2: very happy. It was refreshing. 408 00:23:44,280 --> 00:23:47,119 Speaker 1: Yeah, I mean the whole storyline of like kids not 409 00:23:47,160 --> 00:23:48,919 Speaker 1: knowing what they want to do with their lives and 410 00:23:48,920 --> 00:23:52,280 Speaker 1: trying to figure it out and changing their minds and 411 00:23:52,400 --> 00:23:56,360 Speaker 1: you know, these three different perspectives of like or approaches 412 00:23:56,400 --> 00:23:59,680 Speaker 1: to things was a really relatable topic. And this is 413 00:23:59,720 --> 00:24:03,600 Speaker 1: why I get like why you love the the more 414 00:24:03,640 --> 00:24:07,240 Speaker 1: high school drama. Yeah, and the reality of like the 415 00:24:07,280 --> 00:24:09,920 Speaker 1: stakes being high because they were for us at that point, 416 00:24:10,080 --> 00:24:13,840 Speaker 1: like everybody was doing their college applications and what were 417 00:24:13,840 --> 00:24:15,520 Speaker 1: they going to major in? It It meant what you 418 00:24:15,560 --> 00:24:17,200 Speaker 1: were going to do for the rest of your life, 419 00:24:17,200 --> 00:24:20,080 Speaker 1: and nobody told you, like it probably won't be what 420 00:24:20,119 --> 00:24:21,840 Speaker 1: you do for the rest of your life, you know. 421 00:24:22,920 --> 00:24:25,560 Speaker 2: And it feels like the clock is ticking, especially when 422 00:24:25,560 --> 00:24:28,720 Speaker 2: you have people like the Rachel's who know what they're 423 00:24:28,760 --> 00:24:30,879 Speaker 2: doing and they're talking about what they're doing all the time. 424 00:24:32,000 --> 00:24:33,600 Speaker 2: And as much as you want to distract yourself and 425 00:24:33,640 --> 00:24:35,960 Speaker 2: be like I'm fine, I have time, it feels like 426 00:24:36,080 --> 00:24:39,320 Speaker 2: there is this countdown, in this impending doom of like 427 00:24:39,520 --> 00:24:44,359 Speaker 2: times running out. I knock out right because it feels 428 00:24:44,400 --> 00:24:48,280 Speaker 2: like it's closing in. There are submission deadlines. What are 429 00:24:48,280 --> 00:24:49,879 Speaker 2: you going to do? What are you going to be 430 00:24:50,320 --> 00:24:52,399 Speaker 2: you're only comparing yourself to other people around you. 431 00:24:52,920 --> 00:24:56,560 Speaker 1: Well, that leads us to Finn, because thing is directly 432 00:24:56,600 --> 00:25:00,439 Speaker 1: impacted by Rachel, who does know what she wants and 433 00:25:00,640 --> 00:25:02,520 Speaker 1: is so clear on it that she's like get on 434 00:25:02,600 --> 00:25:05,520 Speaker 1: board or see you later, you know kind of thing, 435 00:25:06,840 --> 00:25:09,960 Speaker 1: And so he's feeling very lost. Obviously, he decides he's 436 00:25:10,000 --> 00:25:12,560 Speaker 1: not going to move to La with Puck because that's 437 00:25:12,560 --> 00:25:17,760 Speaker 1: not his dream. But you know, and to be fair, 438 00:25:17,880 --> 00:25:20,280 Speaker 1: Rachel says, like this isn't you don't have to do 439 00:25:20,359 --> 00:25:22,840 Speaker 1: what you have to do it for yourself, not just 440 00:25:22,880 --> 00:25:29,480 Speaker 1: for me, but it is really to like he's feeling 441 00:25:29,560 --> 00:25:33,600 Speaker 1: the pressure of somebody knowing so deeply and so clearly 442 00:25:33,640 --> 00:25:36,240 Speaker 1: what they want and he doesn't quite know. And you 443 00:25:36,280 --> 00:25:38,600 Speaker 1: don't want to be affected by that either, right, you 444 00:25:38,600 --> 00:25:43,360 Speaker 1: don't want to be like influenced by that, I think. 445 00:25:45,880 --> 00:25:51,160 Speaker 1: So they all try to help Finn and his number, 446 00:25:51,480 --> 00:25:58,680 Speaker 1: his disco dancing, it's just Corey, Like I think it's 447 00:25:58,680 --> 00:26:00,760 Speaker 1: funny because when you think of all Corey I always 448 00:26:00,760 --> 00:26:03,120 Speaker 1: think about like him trying and dance for her soul, 449 00:26:03,280 --> 00:26:06,640 Speaker 1: so serious, trying to get it right, not really understanding 450 00:26:06,720 --> 00:26:11,280 Speaker 1: like the concept of it, and the only time was right, Yes, 451 00:26:11,400 --> 00:26:15,199 Speaker 1: that's right, and like sometimes like really frustrated and so 452 00:26:16,320 --> 00:26:18,159 Speaker 1: it's like so many when somebody says in the Eugenior 453 00:26:18,240 --> 00:26:19,760 Speaker 1: like I can't remp my head around it, like some 454 00:26:19,800 --> 00:26:22,040 Speaker 1: people like dance just isn't that. And I think for 455 00:26:22,119 --> 00:26:24,639 Speaker 1: Corey though, was not. It's not what it was in 456 00:26:24,760 --> 00:26:29,879 Speaker 1: his fortype, but at some point I think like I 457 00:26:29,880 --> 00:26:32,080 Speaker 1: think he embraced it at some point and was like, okay, 458 00:26:32,240 --> 00:26:35,000 Speaker 1: just like use it right, Finn's not the dancer. 459 00:26:35,840 --> 00:26:38,080 Speaker 2: Yeah, and they wrote for it too, which was nice. 460 00:26:38,160 --> 00:26:41,119 Speaker 2: So then those moments like we could cheer like ourselves. 461 00:26:41,119 --> 00:26:43,760 Speaker 2: The characters are cheering for Finn. 462 00:26:43,760 --> 00:26:47,480 Speaker 1: And we're cheering for Corey. Yeah. 463 00:26:47,960 --> 00:26:53,720 Speaker 2: But his dancing the storyline was I thought so beautiful 464 00:26:53,920 --> 00:26:55,119 Speaker 2: and so beautifully acted. 465 00:26:56,760 --> 00:27:03,399 Speaker 1: I mean, the idea that he could take this any 466 00:27:03,440 --> 00:27:07,480 Speaker 1: storyline that he has and it can be so minuscule, 467 00:27:08,359 --> 00:27:10,800 Speaker 1: so small and even not really supposed to be the 468 00:27:10,800 --> 00:27:14,280 Speaker 1: main storyline of the episode, and he made it though. 469 00:27:14,280 --> 00:27:16,239 Speaker 2: What made it sure felt like it was That's what 470 00:27:16,400 --> 00:27:21,160 Speaker 2: that's my takeaway from this episode. It's not even disco, No, it's. 471 00:27:21,160 --> 00:27:25,840 Speaker 1: In learning what he wants to do. Watching Saturday Night 472 00:27:25,960 --> 00:27:30,560 Speaker 1: Fever realizing. But that scene with him and Will was 473 00:27:30,760 --> 00:27:31,760 Speaker 1: so beautiful. 474 00:27:31,840 --> 00:27:35,560 Speaker 2: The writers like really went in on these storylines like 475 00:27:35,600 --> 00:27:38,520 Speaker 2: they fit each character perfectly. Yes, and they all ended 476 00:27:38,640 --> 00:27:42,760 Speaker 2: up with something really nice, yeah and heartwarming at the end. 477 00:27:42,840 --> 00:27:48,320 Speaker 2: But they gave each of these characters, especially Finn, these 478 00:27:48,520 --> 00:27:53,399 Speaker 2: moments to really like challenge the characters. It's challenging Corey 479 00:27:53,440 --> 00:27:56,200 Speaker 2: as an actor, and challenge the audience to like see 480 00:27:56,240 --> 00:27:59,480 Speaker 2: these characters in a different light and a more relatable light. 481 00:28:00,200 --> 00:28:02,399 Speaker 2: Scene with Will for both of them, I thought they 482 00:28:02,480 --> 00:28:05,560 Speaker 2: both just did really great, great job. 483 00:28:05,680 --> 00:28:09,119 Speaker 1: Yeah when inceans, I mean I did one of those 484 00:28:09,160 --> 00:28:10,960 Speaker 1: quizes online. I was supposed to tell you what job 485 00:28:11,040 --> 00:28:13,880 Speaker 1: you'd be good at, and my result was impetitive eating champion. 486 00:28:14,000 --> 00:28:17,639 Speaker 1: I was like me too, Yeah I could do that. 487 00:28:20,240 --> 00:28:21,879 Speaker 1: I really enjoyed doing more than a woman. 488 00:28:22,760 --> 00:28:23,800 Speaker 2: It was so cute. 489 00:28:24,240 --> 00:28:28,159 Speaker 1: It was really sweet, and I have such vivid memories 490 00:28:28,200 --> 00:28:31,360 Speaker 1: because everyone I was coming off my back injury and 491 00:28:31,440 --> 00:28:34,160 Speaker 1: so this was like dancing again and I was like, God, 492 00:28:34,280 --> 00:28:37,000 Speaker 1: damn it. But I was in flats. You notice they 493 00:28:37,119 --> 00:28:39,160 Speaker 1: put me in all flats because I couldn't wear anything 494 00:28:39,320 --> 00:28:42,240 Speaker 1: with a remote heel at all or any kind of incline. 495 00:28:42,720 --> 00:28:47,760 Speaker 1: But we did this number on the wheel dance floor 496 00:28:48,440 --> 00:28:50,760 Speaker 1: and you know the circles when they looks like you're 497 00:28:50,800 --> 00:28:53,840 Speaker 1: like spinning and they're doing the close ups. It was 498 00:28:54,320 --> 00:28:58,440 Speaker 1: Andrew's camera on this like sea stand that just kind 499 00:28:58,440 --> 00:29:02,840 Speaker 1: of turned like a like a carousel. Oh yeah, we 500 00:29:03,000 --> 00:29:06,160 Speaker 1: just followed it. So we're like staring into the camera 501 00:29:06,240 --> 00:29:08,760 Speaker 1: with Andrew behind us, like supposed to be looking at 502 00:29:08,760 --> 00:29:12,000 Speaker 1: I'm supposed to be looking at Harry, and you're straight 503 00:29:12,000 --> 00:29:14,600 Speaker 1: into the camera. So weird leave it to Breadbeaker to 504 00:29:14,600 --> 00:29:17,120 Speaker 1: do shots like that. But it was so weird, so funny. 505 00:29:17,320 --> 00:29:19,880 Speaker 1: But we all stood around village when each person went 506 00:29:19,960 --> 00:29:22,880 Speaker 1: and we were like cheering for everybody. It was really fun. 507 00:29:23,080 --> 00:29:24,520 Speaker 2: It was really great. I loved it. 508 00:29:25,440 --> 00:29:28,160 Speaker 1: I loved it. I loved it too. I enjoyed shooting 509 00:29:28,160 --> 00:29:30,440 Speaker 1: that one. What did it make you think of when 510 00:29:30,480 --> 00:29:31,600 Speaker 1: you did it? What do you mean? 511 00:29:32,400 --> 00:29:34,880 Speaker 2: I thought it was that scene Titanic, you know, and 512 00:29:34,880 --> 00:29:37,120 Speaker 2: they're dancing on the table. Every time one of those 513 00:29:37,160 --> 00:29:39,040 Speaker 2: things I think about its Titanic when. 514 00:29:38,920 --> 00:29:42,520 Speaker 1: They like spin really fast and the Yeah, I'm disappointed 515 00:29:42,640 --> 00:29:43,480 Speaker 1: I didn't think of them. 516 00:29:43,920 --> 00:29:46,560 Speaker 2: I'm shocked, But it's okay. It's out of the field. Damn. 517 00:29:46,680 --> 00:29:52,320 Speaker 1: Okay, okay, I got it. I got it now. I 518 00:29:52,400 --> 00:29:55,560 Speaker 1: was probably thinking that when we were shooting it. Probably 519 00:29:55,680 --> 00:29:56,520 Speaker 1: I was so excited. 520 00:29:56,680 --> 00:30:00,600 Speaker 2: My main memory from this episode is your back injury. 521 00:30:00,960 --> 00:30:03,560 Speaker 2: Really oh yeah, just being so calm because I didn't 522 00:30:03,600 --> 00:30:06,040 Speaker 2: really do shit in this episode. So I was sitting 523 00:30:06,120 --> 00:30:11,280 Speaker 2: there like around dance floor, watching everything, and so I 524 00:30:11,320 --> 00:30:13,880 Speaker 2: was when you don't have anything to do. Oh, there 525 00:30:13,960 --> 00:30:16,440 Speaker 2: was a full shot of me where I am not 526 00:30:16,600 --> 00:30:20,600 Speaker 2: present behind the eyes. Oh, I'm like looking off because 527 00:30:20,640 --> 00:30:22,440 Speaker 2: you know, normally, like I pride myself and they can 528 00:30:22,440 --> 00:30:25,320 Speaker 2: cut to me and I'll have something for this. Oh, 529 00:30:25,480 --> 00:30:31,160 Speaker 2: it's the thing I got caught Jenny. I would because 530 00:30:31,320 --> 00:30:34,800 Speaker 2: I came on you. Okay, can't you should still be acting, 531 00:30:34,920 --> 00:30:39,840 Speaker 2: you know, like, yeah, I was fully not present because 532 00:30:39,880 --> 00:30:41,880 Speaker 2: I had nothing to do. So I was completely just 533 00:30:42,040 --> 00:30:44,800 Speaker 2: checked out and I was and you were coming to 534 00:30:44,800 --> 00:30:46,360 Speaker 2: me to talk about your back injury. I was watching 535 00:30:46,400 --> 00:30:49,320 Speaker 2: you in the flats and I was just like, how's 536 00:30:49,320 --> 00:30:52,840 Speaker 2: it going. I was scared because you can't put Jenna. 537 00:30:52,920 --> 00:30:55,880 Speaker 2: Jenna was pregnant doing drag race and doing the splits, 538 00:30:55,960 --> 00:30:58,360 Speaker 2: like if you put her on stage or in front 539 00:30:58,360 --> 00:31:00,640 Speaker 2: of a camera. She's going to go full I know. 540 00:31:00,600 --> 00:31:02,640 Speaker 1: You can't not. Yeah, it's true. 541 00:31:03,040 --> 00:31:07,800 Speaker 2: So I remember being very worried and then bored. 542 00:31:10,000 --> 00:31:12,760 Speaker 1: That's fair, that's fair, that's funny. Well, I appreciate your worry. 543 00:31:12,800 --> 00:31:13,560 Speaker 1: You're concerned. 544 00:31:14,720 --> 00:31:16,800 Speaker 2: I was like, oh, Jane had a back injury. It's 545 00:31:16,840 --> 00:31:19,720 Speaker 2: always yellow. I attach it to Halo sunshine. You have 546 00:31:19,760 --> 00:31:24,160 Speaker 2: an injury injury. This disco, I don't know why the. 547 00:31:23,920 --> 00:31:30,640 Speaker 1: Yellow comes to it's like yellow alert. Yeah. Well, anyway, 548 00:31:30,680 --> 00:31:32,600 Speaker 1: these numbers were really fun to do. Even though there 549 00:31:32,680 --> 00:31:36,800 Speaker 1: was it just felt like it still feels out of 550 00:31:36,960 --> 00:31:41,800 Speaker 1: place for where we were in season last episode music. 551 00:31:41,520 --> 00:31:45,320 Speaker 2: Wise, music a little jarring, but it was fun to 552 00:31:45,440 --> 00:31:50,120 Speaker 2: like because the Beg's. You also realize the Beg's are 553 00:31:50,160 --> 00:31:55,440 Speaker 2: not a group to necessarily cover unless you're doing a 554 00:31:55,600 --> 00:32:00,280 Speaker 2: very different version, because those bitches could sing in like 555 00:32:00,360 --> 00:32:01,720 Speaker 2: a very specific way. 556 00:32:02,280 --> 00:32:04,400 Speaker 1: It's high. It is so high. 557 00:32:04,960 --> 00:32:06,160 Speaker 2: Was do you remember recording it? 558 00:32:07,680 --> 00:32:08,080 Speaker 1: No? 559 00:32:08,200 --> 00:32:12,360 Speaker 2: Because I feel like the girls at an easier time probably, Well. 560 00:32:12,360 --> 00:32:16,000 Speaker 1: Right, that's it. I don't think they are peculiar for us. 561 00:32:16,080 --> 00:32:18,280 Speaker 1: So the guy is that's a lot for them, that's 562 00:32:18,320 --> 00:32:21,160 Speaker 1: a lot. You really have to like clench your butt 563 00:32:22,560 --> 00:32:24,560 Speaker 1: just get up. That's like a true singing thing, like 564 00:32:24,600 --> 00:32:29,480 Speaker 1: sometimes you just got a clencher. But yeah, okay, Vinn 565 00:32:29,600 --> 00:32:33,720 Speaker 1: decides that he actually does want to become an actor. 566 00:32:33,800 --> 00:32:36,480 Speaker 1: He watches Saturday Night Fever, he watches the movie. 567 00:32:37,080 --> 00:32:39,520 Speaker 2: He actually does the lesson, probably the only one. 568 00:32:39,880 --> 00:32:44,000 Speaker 1: Yeah, I definitely didn't watch it. He definitely he wants 569 00:32:44,040 --> 00:32:46,720 Speaker 1: to go to the actress studio, which is ironic because 570 00:32:46,720 --> 00:32:49,880 Speaker 1: we've said before they were just on Corey was just 571 00:32:49,960 --> 00:32:52,240 Speaker 1: on the Actors Studio with a few of the other 572 00:32:52,320 --> 00:32:58,280 Speaker 1: cast mates, so it felt like life imitating art, art 573 00:32:58,360 --> 00:33:00,280 Speaker 1: imitating life. 574 00:33:00,080 --> 00:33:01,200 Speaker 2: A little meta. 575 00:33:01,800 --> 00:33:03,080 Speaker 1: But he's going to be an actor, which I love, 576 00:33:03,120 --> 00:33:04,800 Speaker 1: and he's going to go to New York for himself 577 00:33:04,840 --> 00:33:07,040 Speaker 1: and to meet you with Rachel See. 578 00:33:07,120 --> 00:33:10,280 Speaker 2: And that's also being influenced by the people you're around, 579 00:33:10,360 --> 00:33:13,200 Speaker 2: because he's still in the arts, but doing his own thing. 580 00:33:13,600 --> 00:33:18,760 Speaker 1: Right, not musical theater, not a real actor. And then Santana, 581 00:33:18,800 --> 00:33:23,600 Speaker 1: on the other hand, just wants to be famous. 582 00:33:23,640 --> 00:33:30,120 Speaker 2: Just one number is this like beautiful, this beautiful number? 583 00:33:31,200 --> 00:33:36,160 Speaker 1: And then this monologue. 584 00:33:36,480 --> 00:33:39,840 Speaker 2: I did not remember what was coming, and I about 585 00:33:39,920 --> 00:33:44,360 Speaker 2: fell out of the chair because like, of course, this 586 00:33:44,440 --> 00:33:47,320 Speaker 2: is what she would say and of course it's another 587 00:33:47,440 --> 00:33:50,480 Speaker 2: like it's probably true but also probably a defense mechanism. 588 00:33:50,680 --> 00:33:51,960 Speaker 2: It's all very Santana. 589 00:33:52,600 --> 00:33:57,560 Speaker 1: Yes, yes, it is very Santana. Oh god, very funny. 590 00:33:57,720 --> 00:34:02,720 Speaker 2: And Brittany's response to it, M this sex tape. Oh, 591 00:34:04,280 --> 00:34:07,760 Speaker 2: Artie the first one to come in and comment on it. 592 00:34:09,480 --> 00:34:12,360 Speaker 1: Yeah, you know you're the least threatening of the guys. 593 00:34:12,400 --> 00:34:14,239 Speaker 1: So I think that's why they have you do it. 594 00:34:15,440 --> 00:34:18,640 Speaker 1: Maybe you know he has been coming and say it. 595 00:34:18,640 --> 00:34:21,520 Speaker 1: It's it would be really bad, like with you. It's 596 00:34:21,560 --> 00:34:32,839 Speaker 1: just not that. Why, Jenna, why you answer that yourself, Kevin, 597 00:34:33,560 --> 00:34:39,800 Speaker 1: He says, okay, yeah, okay, so exactly. Yes. So Brittany 598 00:34:40,280 --> 00:34:45,000 Speaker 1: releases a sex tape they made and uh to help her, 599 00:34:45,080 --> 00:34:48,600 Speaker 1: but she says, everybody whose famous has eight and infamous 600 00:34:48,640 --> 00:34:53,759 Speaker 1: sex tape, And Santana kind of was like, Brittany, why 601 00:34:53,760 --> 00:34:56,200 Speaker 1: did you do that? Very kindly though very kindly. She's 602 00:34:56,520 --> 00:34:57,080 Speaker 1: I love that. 603 00:34:57,560 --> 00:35:03,399 Speaker 2: I loved how Santana dealt with Brittany. Yeah, yeah, meant 604 00:35:03,440 --> 00:35:08,200 Speaker 2: to No nobody's reaction except Santana's. That was a deep 605 00:35:08,280 --> 00:35:09,360 Speaker 2: understanding of Brittany. 606 00:35:09,880 --> 00:35:13,040 Speaker 1: Yeah, but she thought she genuinely thought she was doing 607 00:35:13,120 --> 00:35:14,000 Speaker 1: something good for her. 608 00:35:14,719 --> 00:35:18,680 Speaker 2: You know Matt Hodson gets a lot of ship for 609 00:35:20,880 --> 00:35:23,680 Speaker 2: some of this. Hmmm, but his name is also on 610 00:35:23,760 --> 00:35:27,359 Speaker 2: this script and the right thing is going down. 611 00:35:27,880 --> 00:35:30,560 Speaker 1: Yeah, very good. And then in the end, which is 612 00:35:30,680 --> 00:35:36,400 Speaker 1: very nice, Brittany and Sue helps Santanna get a full scholarship, 613 00:35:36,440 --> 00:35:39,880 Speaker 1: a full ride to the University of Lowville for cheering, 614 00:35:40,040 --> 00:35:42,239 Speaker 1: and even though cheering isn't exactly what she wants to do, 615 00:35:42,360 --> 00:35:45,880 Speaker 1: She's going to college. It's a way in. Yeah, go Brittany, 616 00:35:46,400 --> 00:35:50,279 Speaker 1: Sue streak. Yeah, yeah, I'll take it. It's not gonna 617 00:35:50,320 --> 00:35:51,520 Speaker 1: last very long, I don't think. 618 00:35:51,320 --> 00:35:54,680 Speaker 2: But it never does. But she's doing life changing things 619 00:35:54,680 --> 00:35:57,360 Speaker 2: for people here. This is great, This is true. She 620 00:35:57,440 --> 00:36:04,640 Speaker 2: is pregnant, she's feeling feeling the feelings. Now you Nick, 621 00:36:05,320 --> 00:36:08,719 Speaker 2: Oh my god, Alex and you all get in here. 622 00:36:09,040 --> 00:36:16,160 Speaker 2: Look again, I don't know what type of security or 623 00:36:16,239 --> 00:36:19,400 Speaker 2: lack thereof McKinley had, because people were just walking in 624 00:36:19,440 --> 00:36:24,040 Speaker 2: and out of the school, my school, my middle school. Wait, 625 00:36:24,360 --> 00:36:26,880 Speaker 2: before Gleet, this would never have been allowed to happen. 626 00:36:27,600 --> 00:36:29,319 Speaker 2: You couldn't just walk in and out of school without 627 00:36:29,320 --> 00:36:32,880 Speaker 2: like checking in and stuff. Anyway, Wade shows up in 628 00:36:32,920 --> 00:36:37,000 Speaker 2: the hallway, introduces themselves to Curt and Mercedes says, the 629 00:36:37,000 --> 00:36:41,560 Speaker 2: biggest fan, and they love it. This trio also magical. 630 00:36:43,040 --> 00:36:45,520 Speaker 1: I love the three of them. 631 00:36:45,040 --> 00:36:51,719 Speaker 2: And asking them like coming to them like queer entertainment senseys, 632 00:36:53,000 --> 00:36:57,120 Speaker 2: what do I do? Because Wade wants to perform as Unique, 633 00:36:57,480 --> 00:37:02,560 Speaker 2: who is a woman and dreams of being Unique and 634 00:37:02,600 --> 00:37:07,640 Speaker 2: knows the power that Unique has. And then Sue catches 635 00:37:07,719 --> 00:37:14,520 Speaker 2: wind of it and tells Kurt and Mercedes to encourage 636 00:37:14,560 --> 00:37:16,319 Speaker 2: Wade to do it because she thinks it's going to 637 00:37:16,320 --> 00:37:23,960 Speaker 2: sabotage them. So you're right, the yeah, and that will 638 00:37:24,000 --> 00:37:26,680 Speaker 2: knock Vocal Journaline now and then New Directions has a 639 00:37:26,719 --> 00:37:30,040 Speaker 2: better chance at winning nationals. YadA, YadA, YadA. And they 640 00:37:30,239 --> 00:37:34,360 Speaker 2: try and they give Wade the shoes, the high heel shoes. 641 00:37:34,719 --> 00:37:36,760 Speaker 2: It's like, yeah, go do it, which is a little 642 00:37:37,239 --> 00:37:39,839 Speaker 2: you know, it's like I couldn't believe they actually did 643 00:37:39,840 --> 00:37:42,960 Speaker 2: it because their intent was bad. 644 00:37:43,680 --> 00:37:44,959 Speaker 1: Right they did. 645 00:37:45,400 --> 00:37:48,120 Speaker 2: Yeah, Because at first they said, don't do it because, 646 00:37:48,440 --> 00:37:51,000 Speaker 2: like we know, the ridicule in this very conservative place, 647 00:37:51,680 --> 00:37:53,279 Speaker 2: You're just going to put yourself through a lot that 648 00:37:53,320 --> 00:37:58,320 Speaker 2: you don't need to, right, And then after Sue encouraging 649 00:37:58,360 --> 00:38:07,680 Speaker 2: them to, you know, do the back. They do it. However, Unique, Unique. 650 00:38:06,760 --> 00:38:09,880 Speaker 1: Are you kidding? Like, are you kidding? 651 00:38:11,920 --> 00:38:12,160 Speaker 2: Weak? 652 00:38:13,840 --> 00:38:15,120 Speaker 1: Coming in hat? 653 00:38:16,480 --> 00:38:18,600 Speaker 2: That's Tony Win or Alex No for you on that stage, 654 00:38:19,840 --> 00:38:22,760 Speaker 2: I mean, that's you see that, and it's someone who's undeniable. 655 00:38:23,560 --> 00:38:24,040 Speaker 1: Mm hmmm. 656 00:38:24,200 --> 00:38:28,239 Speaker 2: It's beyond just the character when you're able to do 657 00:38:28,320 --> 00:38:33,799 Speaker 2: that as a performer at any point, like wrap it up, 658 00:38:33,880 --> 00:38:36,560 Speaker 2: that call to day that, yeah. 659 00:38:36,880 --> 00:38:39,279 Speaker 1: That's go home. Just everybody else go home. 660 00:38:40,880 --> 00:38:44,239 Speaker 2: And like John Groff getting on that stage trying to 661 00:38:44,440 --> 00:38:52,040 Speaker 2: yell Unique was crazy crazy. Also, why were those wings full? 662 00:38:53,440 --> 00:38:57,480 Speaker 2: I don't know. I don't know, because it was everybody 663 00:38:57,560 --> 00:39:01,359 Speaker 2: just shocked that, I guess, honest, Unique, I guess. 664 00:39:01,480 --> 00:39:01,560 Speaker 1: So. 665 00:39:01,760 --> 00:39:04,080 Speaker 2: But do all these other people know who Wade or 666 00:39:04,160 --> 00:39:04,719 Speaker 2: Unique is? 667 00:39:04,880 --> 00:39:08,960 Speaker 1: No? I don't think so. Maybe Mercedes and that called everybody. 668 00:39:09,000 --> 00:39:09,480 Speaker 1: I don't know. 669 00:39:11,480 --> 00:39:13,200 Speaker 2: No, But a star is born. 670 00:39:13,920 --> 00:39:17,480 Speaker 1: Well star was born, and we had the infamous Johnathan 671 00:39:17,560 --> 00:39:23,319 Speaker 1: Groff spitting oh yeah, oh yeah, we love it, we 672 00:39:23,360 --> 00:39:26,480 Speaker 1: love it. Alex Noles, this is only the beginning. 673 00:39:26,760 --> 00:39:28,399 Speaker 2: This is an Alex Nel fan club over here. 674 00:39:29,120 --> 00:39:32,120 Speaker 1: Trouble turns no Alex Nole. Yeah, let's read these numbers. 675 00:39:32,160 --> 00:39:37,280 Speaker 2: Kevin, Oh my god, Okay, so you should be dancing. 676 00:39:38,040 --> 00:39:45,319 Speaker 2: I give it a B plus. Oh you give it more? 677 00:39:45,680 --> 00:39:48,600 Speaker 1: Are you giving any minus for the dancing? I think, Yeah, 678 00:39:48,680 --> 00:39:51,960 Speaker 1: the dancing was really nice. Yeah, but I'm giving it 679 00:39:51,960 --> 00:39:54,680 Speaker 1: a B plus and the plus is for Darren's splits. 680 00:39:55,239 --> 00:39:58,680 Speaker 1: Oh my god, he really kept up with them, he did. 681 00:39:58,719 --> 00:40:01,040 Speaker 1: I feel I just want to dance. Nobody wants to 682 00:40:01,120 --> 00:40:03,360 Speaker 1: dance in between them. No, exactly, he really did. 683 00:40:05,200 --> 00:40:10,480 Speaker 2: Okay, night Fever B B B for Beg's, B for 684 00:40:10,600 --> 00:40:12,640 Speaker 2: Beg's and BE for me being bored. 685 00:40:13,239 --> 00:40:18,400 Speaker 1: Yeah, during Let's Go Inferno, A plus, A plus plus. Yes, 686 00:40:18,880 --> 00:40:22,480 Speaker 1: if I can't have you A plus. I feel like 687 00:40:22,880 --> 00:40:24,840 Speaker 1: my back was really bad during that time. 688 00:40:25,040 --> 00:40:28,000 Speaker 2: Yeah, I think. I think you were miserable during that 689 00:40:28,040 --> 00:40:29,439 Speaker 2: episode because of that. 690 00:40:30,000 --> 00:40:32,760 Speaker 1: I remember sitting in those seats being like, please somebody 691 00:40:32,760 --> 00:40:33,919 Speaker 1: help me. Yeah. 692 00:40:34,000 --> 00:40:38,279 Speaker 2: I remember you being in pain, pain a lot. I 693 00:40:38,320 --> 00:40:40,480 Speaker 2: think you even had like the medic might have come 694 00:40:40,480 --> 00:40:41,600 Speaker 2: to help you a couple of times. 695 00:40:42,160 --> 00:40:45,359 Speaker 1: You're so right, I had these like light king patches. Yes, 696 00:40:45,440 --> 00:40:47,759 Speaker 1: I was. I was really struggling. Still. It wasn't this 697 00:40:47,880 --> 00:40:49,000 Speaker 1: wasn't like the up and up. 698 00:40:49,080 --> 00:40:51,839 Speaker 2: This was you weren't out of the world deep in it. Yeah, 699 00:40:52,200 --> 00:40:55,800 Speaker 2: and like it got irritated like very quickly during night fever, 700 00:40:57,040 --> 00:40:59,640 Speaker 2: so like it was immediately back on. 701 00:40:59,719 --> 00:41:01,960 Speaker 1: Yeah. I was like, was that even in that number? 702 00:41:02,000 --> 00:41:06,520 Speaker 1: And then I was like I could have not been. Yeah, okay, sorry, 703 00:41:06,520 --> 00:41:12,400 Speaker 1: we digress. How deep is your love? B plus? Yeah? Yeah, 704 00:41:12,560 --> 00:41:17,279 Speaker 1: solid number. I love that song. Yeah Boogey Shoes, I 705 00:41:17,320 --> 00:41:19,520 Speaker 1: mean A plus plus. 706 00:41:19,560 --> 00:41:27,000 Speaker 2: That's just wild, more than a woman a a mm hmmm. 707 00:41:27,560 --> 00:41:33,400 Speaker 2: Staying alivee with the white suits. We were, uh, we 708 00:41:33,400 --> 00:41:35,799 Speaker 2: were giving it. I remember my back must have been. 709 00:41:36,000 --> 00:41:39,160 Speaker 2: I have a bunch of photos from this this number, 710 00:41:39,520 --> 00:41:43,040 Speaker 2: like behind the scenes, like one of my trailer and suits, 711 00:41:43,080 --> 00:41:43,960 Speaker 2: and I like the suits. 712 00:41:44,239 --> 00:41:46,520 Speaker 1: I remember I must have been on a happy day 713 00:41:46,520 --> 00:41:48,880 Speaker 1: that day, like a good back day, because I don't 714 00:41:51,040 --> 00:41:51,840 Speaker 1: we were all given it. 715 00:41:52,680 --> 00:41:54,919 Speaker 2: So what I think happened for you was, I think 716 00:41:54,920 --> 00:41:57,479 Speaker 2: we only had that floor for like a day or two, 717 00:41:57,600 --> 00:41:59,399 Speaker 2: and I think we shot all of that and that's 718 00:41:59,440 --> 00:42:02,320 Speaker 2: when you're back was not okay. 719 00:42:01,719 --> 00:42:03,840 Speaker 1: Because they were not going to all out. I was 720 00:42:03,880 --> 00:42:06,000 Speaker 1: in most of them. Yeah, you're right, You're right. We 721 00:42:06,040 --> 00:42:08,800 Speaker 1: did only have that flare for a few days. Okay, 722 00:42:09,160 --> 00:42:11,320 Speaker 1: I give it a a B plus. 723 00:42:11,560 --> 00:42:12,520 Speaker 2: I agree. 724 00:42:13,719 --> 00:42:17,439 Speaker 1: It's fine. It's it's typical. I think that's why. 725 00:42:17,800 --> 00:42:19,160 Speaker 2: It's like, how many what are you going to do 726 00:42:19,160 --> 00:42:20,120 Speaker 2: with another disco number? 727 00:42:20,960 --> 00:42:23,759 Speaker 1: Right? Put us in cool, cute looking suits and give 728 00:42:23,800 --> 00:42:30,040 Speaker 1: us some good choreography. This episode is like if you 729 00:42:30,040 --> 00:42:33,640 Speaker 1: love disco music, great, we had some great performances. The 730 00:42:33,680 --> 00:42:34,720 Speaker 1: storyline was good. 731 00:42:35,520 --> 00:42:35,839 Speaker 2: I think. 732 00:42:35,920 --> 00:42:37,200 Speaker 1: Did I love this episode? 733 00:42:37,400 --> 00:42:42,120 Speaker 2: Yeah, not really, but it's one of those ones where 734 00:42:42,239 --> 00:42:45,200 Speaker 2: sometimes the music makes up for the storylines. This is 735 00:42:45,239 --> 00:42:47,120 Speaker 2: one of those ones where I think the storylines that 736 00:42:47,120 --> 00:42:47,920 Speaker 2: were happening made up. 737 00:42:48,480 --> 00:42:49,440 Speaker 1: Yeah. 738 00:42:49,520 --> 00:42:51,919 Speaker 2: I think disco has been back in a big way 739 00:42:51,960 --> 00:42:54,200 Speaker 2: for the past couple of years, and this episode now 740 00:42:54,320 --> 00:42:59,120 Speaker 2: seems much more prevalent and like important then back then. 741 00:42:59,320 --> 00:43:11,719 Speaker 1: Agreed, Okay, let's do some tarty takes, auchies, cringe moments. 742 00:43:12,440 --> 00:43:13,680 Speaker 1: I mean, I think the sex. 743 00:43:14,480 --> 00:43:17,200 Speaker 2: That's just you can't do that. You can't. It's I 744 00:43:17,200 --> 00:43:18,040 Speaker 2: think that's illegal. 745 00:43:19,080 --> 00:43:22,719 Speaker 1: It is okay. She could have filed the lawsuit, but 746 00:43:22,800 --> 00:43:24,319 Speaker 1: instead she was very understanding. 747 00:43:24,480 --> 00:43:27,160 Speaker 2: There were some mature moments in here, you know, there 748 00:43:27,160 --> 00:43:31,279 Speaker 2: were oh yeah, okay, best dance move. There was a 749 00:43:31,280 --> 00:43:32,480 Speaker 2: lot of dancing you. 750 00:43:32,480 --> 00:43:35,200 Speaker 1: Should be dancing I think was the best one. 751 00:43:35,440 --> 00:43:38,640 Speaker 2: Yes, I mean they danced non stop. I mean Boogie 752 00:43:38,680 --> 00:43:41,680 Speaker 2: Shoots was also really good. I know, but I want 753 00:43:41,680 --> 00:43:43,960 Speaker 2: to give it to you should be dancing, I think. 754 00:43:44,320 --> 00:43:46,439 Speaker 1: Yeah, let's give it to Jaron. Yeah, okay. Best song. 755 00:43:47,719 --> 00:43:51,000 Speaker 2: I mean I'm going to go with this in Yeah, Okay, 756 00:43:51,120 --> 00:43:52,080 Speaker 2: obviously we're biased. 757 00:43:52,960 --> 00:43:55,840 Speaker 1: Yeah there, Okay, best for Ruins by a prop. 758 00:43:56,719 --> 00:43:57,880 Speaker 2: I think the disco floor. 759 00:43:58,520 --> 00:44:01,680 Speaker 1: Oh that's good, Kevin. I'm going with the VHS tape. 760 00:44:01,719 --> 00:44:09,200 Speaker 1: Oh that's very good. Nine watching seeing that, Well, the 761 00:44:09,280 --> 00:44:14,560 Speaker 1: kids today would be like, what's half? And that hurts? Okay. 762 00:44:14,960 --> 00:44:21,560 Speaker 1: Best line. There's a lot Sam's lying about. You ain't 763 00:44:21,560 --> 00:44:23,919 Speaker 1: no skim milk, baby, You're the cream rising to the top. 764 00:44:23,960 --> 00:44:27,920 Speaker 1: I don't know if it's absolutely cringey or absolutely brilliant. 765 00:44:28,320 --> 00:44:33,280 Speaker 2: Oh my god, Brittany had some crazy ass lines. The 766 00:44:33,400 --> 00:44:36,160 Speaker 2: number one I see how you keep your car, so 767 00:44:36,200 --> 00:44:37,880 Speaker 2: you could totally be on hoarders. You just need to 768 00:44:37,880 --> 00:44:40,839 Speaker 2: start storing your poops in the trunk and I'm sure 769 00:44:40,840 --> 00:44:43,640 Speaker 2: they'll book you. Also, the thing about the bull testicle, 770 00:44:43,800 --> 00:44:44,720 Speaker 2: I drove all the way Spencer. 771 00:44:44,960 --> 00:44:45,400 Speaker 1: You need it. 772 00:44:45,880 --> 00:44:47,680 Speaker 2: You know it came with a pair, but I got hungry, 773 00:44:49,200 --> 00:44:53,560 Speaker 2: so it tastes just like a chicken testicle. It feels 774 00:44:53,600 --> 00:44:55,520 Speaker 2: like a hitchcock. I feel like a hitchcock was written 775 00:44:55,560 --> 00:44:55,879 Speaker 2: that joke. 776 00:44:56,200 --> 00:44:57,760 Speaker 1: Yeah, that's definitely. 777 00:44:57,800 --> 00:45:03,120 Speaker 2: Also I think. Okay, Sue fully reads will It says, oh, 778 00:45:03,200 --> 00:45:05,440 Speaker 2: let's be honest, William, you've been out of ideas since 779 00:45:05,480 --> 00:45:08,320 Speaker 2: Madonna week. Why don't you just embrace that lazy, horrible, 780 00:45:08,560 --> 00:45:12,120 Speaker 2: triackly style of teaching and the signs of a famous album, 781 00:45:12,280 --> 00:45:13,799 Speaker 2: you know, calling ourselves out, you. 782 00:45:13,719 --> 00:45:20,160 Speaker 1: Know, let's do it, let's do it. Yeah, performance MVP Croy, Yes, 783 00:45:21,280 --> 00:45:22,000 Speaker 1: pretty obvious. 784 00:45:22,160 --> 00:45:27,880 Speaker 2: Yeah, okay, so the ship we found a TikTok this week. 785 00:45:27,960 --> 00:45:31,080 Speaker 2: This is a pretty special one. I have been sent 786 00:45:31,160 --> 00:45:37,600 Speaker 2: this for the past forty eight hours tame by everyone. Yes, 787 00:45:37,800 --> 00:45:42,720 Speaker 2: Amber sent this to me. Yes, and it is justin 788 00:45:44,239 --> 00:45:52,160 Speaker 2: fukum hm doing the best, most accurate impression of Rachel Berry. 789 00:45:52,600 --> 00:46:00,520 Speaker 1: It's the detail, the eye movements like it's so well 790 00:46:00,560 --> 00:46:02,600 Speaker 1: thought out and very funny. 791 00:46:02,920 --> 00:46:07,279 Speaker 2: The detail like everything, the editing, the music, the outfits, 792 00:46:07,719 --> 00:46:13,160 Speaker 2: the storyline, like what all right? 793 00:46:13,239 --> 00:46:17,279 Speaker 1: Well that is thank you for sharing that with us. Everybody. 794 00:46:18,239 --> 00:46:21,759 Speaker 1: Next week is dance with Somebody. It's Whitney, Let's do it. 795 00:46:22,239 --> 00:46:26,280 Speaker 1: Oh God, I sneak peeked into it. After watching this episode, 796 00:46:26,440 --> 00:46:27,359 Speaker 1: was like, oh my. 797 00:46:27,360 --> 00:46:29,680 Speaker 2: God, what did you see? What did you sneak peak? 798 00:46:29,920 --> 00:46:30,480 Speaker 1: How I know? 799 00:46:30,880 --> 00:46:32,880 Speaker 2: Oh god, I'm not ready. 800 00:46:33,040 --> 00:46:36,120 Speaker 1: Yeah, it's really good. Okay, come back next week. Thanks 801 00:46:36,160 --> 00:46:39,160 Speaker 1: for joining us for a weekt up and That's what 802 00:46:39,239 --> 00:46:40,000 Speaker 1: you really missed. 803 00:46:40,600 --> 00:46:43,759 Speaker 2: Thanks for listening and follow us on Instagram at and 804 00:46:43,840 --> 00:46:46,080 Speaker 2: That's what you really miss pod. Make sure to write 805 00:46:46,120 --> 00:46:48,360 Speaker 2: us a review and leave us five stars. See you 806 00:46:48,400 --> 00:46:48,839 Speaker 2: next time.