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Speaker 1: Judy Sweeten, Andrea Barbera.

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Speaker 2: I was wondering who was going to start it, you

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Speaker 2: or me.

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Speaker 1: Well, it's almost like a vocal warm up, you know,

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Speaker 1: it really is.

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Speaker 3: And what I find is sometimes I should do a

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Speaker 3: vocal warm up before the vocal warm up because I

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Speaker 3: try and go for a little nah, and it just.

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Speaker 2: It's not happening.

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Speaker 1: You're going through puberty.

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Speaker 2: Yeah, And it's with the rain and everything today and

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Speaker 2: the Yeah, it's just it's a lot. It's a lot

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Speaker 2: of the holidays.

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Speaker 1: Everything may agoraphobia is in full effect. I don't want

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Speaker 1: to go. I don't want to leave the house and

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Speaker 1: deal with the traffic. The holiday traffic.

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Speaker 3: Was I was at the mall yesterday. It wasn't too terrible.

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Speaker 3: It wasn't too terrible.

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Speaker 1: Yeah, no, I'm impressed you went. I won't go within

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Speaker 1: a three mile radius.

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Speaker 3: Well it's middle of the day on like Monday. Well, yeah,

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Speaker 3: it was Monday, so yeah, it definitely was good.

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Speaker 2: Uh oh yeah.

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Speaker 3: And this, well, this episode's airing after all this, so

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Speaker 3: nobody cares. Nobody cares what we were doing over.

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Speaker 2: The holidays weeks ago. We've moved back.

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Speaker 3: In fact, no one wants to hear us mention the holidays,

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Speaker 3: they're so over it.

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Speaker 2: We're a week into January now.

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Speaker 3: They're like, please, let us just not think about that

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Speaker 3: until the end of next year. I should say right

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Speaker 3: now how many days are left till Christmas?

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Speaker 1: But no, no, no, I.

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Speaker 3: Wouldn't do I wouldn't do that. I wouldn't do it

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Speaker 3: because I don't I would feel bad.

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Speaker 1: That's yeah, Well, the stores have already moved on to

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Speaker 1: probably Saint Patrick's Day at this point, right right.

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Speaker 3: It's they've got uh it's bathing suit season now, so

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Speaker 3: all of the bikinis are out. You better get him

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Speaker 3: now before they go on sale in February. So, oh

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Speaker 3: dear it just actually the kids ask me, uh Be

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Speaker 3: asked me. She was like, doesn't it just feel like

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Speaker 3: like it's only been like two years, Like it doesn't

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Speaker 3: feel like we're heading into twenty twenty four. She's like,

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Speaker 3: it's true that time really goes faster the older you get.

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Speaker 3: And I just wanted to look at her and be like,

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Speaker 3: you have no idea. If you think it's going fast now,

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Speaker 3: you literally have no idea how fast it's going to

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Speaker 3: go by the time you're my.

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Speaker 1: Age, no clue no, it's so true. It goes way

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Speaker 1: too fast, and then you forget. You forget things at

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Speaker 1: a fast rate as.

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Speaker 3: Well, and I forget things already, so I don't need

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Speaker 3: any help forgetting. But one thing I have not forgotten

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Speaker 3: is that we are now in season two.

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Speaker 1: I'm blown away that we made it through season one

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Speaker 1: and so I didn't screw up too badly yet.

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Speaker 3: I'm in only the outros, only the outros, and that's

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Speaker 3: pretty good. It's like I can hold it together just

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Speaker 3: long enough to get to the end, and then my

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Speaker 3: brain just goes whoa.

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Speaker 1: Like I'm done right, but your brain is on hiatus.

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Speaker 3: I can't believe we're into the second season already. I

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Speaker 3: gotta say, though, how did you feel about the ending

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Speaker 3: of season one? Maybe I'm just too used to like

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Speaker 3: modern television and how like you have to make people

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Speaker 3: be like, oh my god, what's going to happen in

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Speaker 3: order to come back for the next season. And I

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Speaker 3: feel like it used to be a little more like

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Speaker 3: you could just have a show and it would be done,

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Speaker 3: and then you'd wait, and you'd wait till it came back,

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Speaker 3: or you'd see the next one.

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Speaker 2: I just wondered how you.

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Speaker 3: Felt like we left things season one of Full House like,

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Speaker 3: was it, Oh my god, I've got to come back

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Speaker 3: and see what the Tanners are doing?

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Speaker 2: No?

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Speaker 1: I mean, I love the season overall, but as far

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Speaker 1: as that final episode, it didn't really feel like a

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Speaker 1: final episode for a season. I almost feel like the

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Speaker 1: season should have ended with the seven Month Itch Part two,

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Speaker 1: because that was definitely right that Jesse come back or not.

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Speaker 3: I wonder if they maybe wanted it to be, if

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Speaker 3: maybe that was what they wanted to I don't know.

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Speaker 1: Yeah, I don't know, Yeah, but it did.

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Speaker 2: It did. I was like, Oh, I like, what's the

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Speaker 2: thing that keeps you coming back? But I guess, like.

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Speaker 3: I said, it's also where we've sort of become jaded

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Speaker 3: in our television watching, like now we expect, we expect

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Speaker 3: the cliffhanger, the cliffhanger something to you know, because you

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Speaker 3: it's just competing for your attention. But but overall, I

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Speaker 3: thought season one was great. I love watching sort of

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Speaker 3: where everyone has wound up and seeing where we're going now.

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Speaker 1: Yeah, and it's it's so cool to see how much

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Speaker 1: we've all aged in this. It was what like a

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Speaker 1: five month hiatus between seasons.

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Speaker 2: Usually so usually it wasn't that.

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Speaker 3: Usually it was like three months, I think because we

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Speaker 3: worked like nine eight, like eight and a half nine

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Speaker 3: months out of the year, and then it was like

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Speaker 3: we'd have kind of usually like April through like like

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Speaker 3: July off. Well, I think we would usually come back

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Speaker 3: right after fourth of July, wasn't it. Yeah, I feel

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Speaker 3: like like like I feel like we had the barbecues

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Speaker 3: at John's house around like July ish and then we'd

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Speaker 3: all be back to But but I did I want

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Speaker 3: My first note was we all have just back from

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Speaker 3: hiatus hair and looks, which basically some of our hair

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Speaker 3: is longer, some of it's shorter. Mine is lighter, Candice

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Speaker 3: is more permed. I definitely was out in the backyards

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Speaker 3: in the pool because I was way I was very

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Speaker 3: tan and my hair was very blonde. And that was

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Speaker 3: always the thing they had to tell me in between

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Speaker 3: like weeks, was don't go out in the sun because

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Speaker 3: I just tanned really tan so easily.

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Speaker 1: Yeah, I remember that.

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Speaker 2: But yes, we had hiatus hair.

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Speaker 3: It was because by the end the last episode of

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Speaker 3: season one, those men needed a haircut, all of them.

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Speaker 3: I can see they it was it was long, it

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Speaker 3: was a lot. It was to Gabes, was longer than

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Speaker 3: I've ever seen it the whole season.

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Speaker 1: Yes, well that's the thing.

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Speaker 3: Had very mill Gibson. Uh uh, what's that movie? The

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Speaker 3: eighties cop?

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Speaker 2: What like that? Just that hair?

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Speaker 1: Oh not die Hard? No, what is it now?

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Speaker 2: The other?

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Speaker 1: Yeah, but anyway, it's the melody of the hair.

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Speaker 3: It was a really it was. It was Dave really

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Speaker 3: was rocking some hair.

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Speaker 1: He had quite a large mullet, quite a large mullet.

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Speaker 1: And and it's it's this is very timely because it's

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Speaker 1: time for Jesse to get rid of the mullet.

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Speaker 2: To get rid of the mullet.

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Speaker 3: And this this is actually one of my favorite episodes.

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Speaker 2: I love this episode.

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Speaker 3: I forgot it was the season two opener for the

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Speaker 3: reason I thought it came in season one, Like I

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Speaker 3: kept expecting it in season one. I thought it was

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Speaker 3: tied in with when Jesse leaves. I thought it had

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Speaker 3: to do with the haircut in the arm and then

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Speaker 3: he broke his arm when he was out there.

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Speaker 2: What I'm mad?

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Speaker 1: Right, he was feelings so right right right in it.

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Speaker 3: Out on the road and yeah again Jesse and his

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Speaker 3: feeling just just feeling Jesse and his feelings are having problems,

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Speaker 3: and now he broke his arms.

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Speaker 1: Yeah, that's what you get for taking it out A.

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Speaker 3: Well, I'm getting ahead of myself, so we haven't. We're

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Speaker 3: let's set it up blowing surprises.

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Speaker 1: But spoiler alert thirty six years later, right, yeah.

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Speaker 3: As Jesse cuts his hair and and breaks his arms.

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Speaker 3: But yeah, let's get let's get into our official let's

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Speaker 3: official two.

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Speaker 1: Yeah.

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Speaker 2: I don't need to be screwing it up from the time.

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Speaker 1: I'm not screaming. I don't screw up my intro. Okay,

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Speaker 1: because you can screw up your outro, but.

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Speaker 2: I am not going to Oh right now, those are

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Speaker 2: big words. Right now.

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Speaker 3: Then them's fighting words, and that's what I'm saying. I'm

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Speaker 3: not going to screw it up today.

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Speaker 1: Okay. Forty five minutes from now, we're going to find

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Speaker 1: out that it's going to come true or not. Oh boy,

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Speaker 1: Welcome back to how Rude Tannerito's I'm Andrea Barber and

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Speaker 1: I'm Jody Sweeten, and today we are discussing season two,

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Speaker 1: episode one, called Cutting It Close. It originally aired on

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Speaker 1: October fourteenth, nineteen eighty eight, and it goes a little

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Speaker 1: something like this, Stephanie forces Jesse to play beauty parlor

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Speaker 1: with her, and she accidentally cuts off a hunk of

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Speaker 1: his hair, so he is forced to go to his

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Speaker 1: hairdresser to repair the damage. These are high stakes here

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Speaker 1: because we all know how much Jesse loves his hair.

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Speaker 2: The hair, not the hair, not the hair.

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Speaker 1: Hunh. This episode was directed by Joels Wick and it

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Speaker 1: was written by none other than Jeff Franklin. We have

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Speaker 1: one guest star this week, Charlie Spradlean as Ronda, and

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Speaker 1: she has had some guest appearances in David Lynch's Wild

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Speaker 1: at Heart also Twin Peaks, and she was a B

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Speaker 1: movie horror star in films like puppet Master two and Meridian,

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Speaker 1: Kiss of the Beast.

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Speaker 3: Ooh yeah, all right, didn't I even mention puppet Master

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Speaker 3: in the show we did with Dave?

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Speaker 2: Oh did? Yeah?

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Speaker 1: I think you did.

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Speaker 3: It's weird, spooky, spooky and also, uh, another woman with

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Speaker 3: an a name.

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Speaker 1: Ronda. Oh geez, that's okay. We're gonna we gotta ask

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Speaker 1: Jeff about this. He's gonna be on the show in

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Speaker 1: a few weeks, so this is definitely timely. Yes, okay,

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Speaker 1: so we open, we have our first cold open.

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Speaker 2: We have our first teaser, but we have a teaser,

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Speaker 2: but which right?

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Speaker 3: Which now I believe they call cold opens, but back

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Speaker 3: then we call them teasers. But what's up with this

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Speaker 3: weird little graphic thing that pops in?

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Speaker 1: Yeah?

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Speaker 2: And I was it was like startling.

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Speaker 1: It was startling. It was like it was like a yeah,

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Speaker 1: like a not almost like a cartoonish graphic of the

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Speaker 1: bridge and the the full house logo. And I think

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Speaker 1: that's because we're starting we're starting to do teasers cold

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Speaker 1: opens now, so it's like, Okay, this is a house,

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Speaker 1: here's your cold open. The opening credits.

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Speaker 3: Shows always I felt like that wasn't a thing that

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Speaker 3: shows did, but they started doing them, and that was

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Speaker 3: I don't know.

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Speaker 1: Ye, I don't the graph it was it was weird.

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Speaker 3: I wasn't quite sure, but it felt super nostalgic, and

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Speaker 3: it felt like something that I designed in my seventh

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Speaker 3: grade computer science class, where you like learned on floppy

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Speaker 3: discs how to like write basic code on those right

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Speaker 3: on those like those gigantic monitors with like the little

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Speaker 3: green doss you know thing.

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Speaker 2: Yeah, yeah, that's basically what that cold open that's.

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Speaker 1: That's that's what that is is exactly super.

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Speaker 2: Pixelated height of technology.

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Speaker 1: It's very eighties. It's very eighties. But yeah, so this

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Speaker 1: is the start of cold opens, which is this is okay,

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Speaker 1: So a cold open or a teaser is just a

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Speaker 1: short little scene that sometimes has to do with the

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Speaker 1: episode but oftentimes doesn't. It's just it's literally a teaser.

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Speaker 1: It teases you know, these are our characters. This is

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Speaker 1: a fun way to get the audience engaged before we

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Speaker 1: roll the opening credits. Yeah, so this cold open opens

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Speaker 1: with Joey holding Michelle, who is visibly older at this point.

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Speaker 1: She's full of hair, a lot more hair, a lot

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Speaker 1: more expressions.

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Speaker 2: Like she's definitely oh my gosh, a.

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Speaker 1: Lot more teeth, a lot more teeth, yeah, a.

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Speaker 2: Lot more teeth. Yeah.

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Speaker 1: So Joey says she's ready this time, and he summons

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Speaker 1: the entire family into the living room. There is this

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Speaker 1: sense of urgency. He announces that Michelle is going to

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Speaker 1: try again, and everyone groans. Steph tells him she's just

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Speaker 1: gonna do it to us again, and Joey assures them

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Speaker 1: that Michelle is psyched. Jesse agrees that they can give

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Speaker 1: the little ankle biter one more try. We don't know

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Speaker 1: what this thing is. But that's the teaser part of

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Speaker 1: this teaser. What is Michelle going to do? So they

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Speaker 1: all grab hands, they start doing ring around the rosie,

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Speaker 1: and once everyone falls down, Michelle's stays standing, sticking her

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Speaker 1: tongue out at the rest of the family. DJ admits

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Speaker 1: that kid's got a real mean streak. So this was

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Speaker 1: like a new skill that Michelle had learned right around

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Speaker 1: the rosy.

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Speaker 2: Very dark history. Really, do you know what it is about?

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Speaker 1: No, it's about the black plag It's about the plague.

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Speaker 3: Ring around, yeah, yeah, ring around the rosy. Pocket full

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Speaker 3: of posy you would put posey was a type of

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Speaker 3: flower in your like in your pocket. They thought it

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Speaker 3: wore it would ward away. Uh, the black plag and

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Speaker 3: ring around the rosy you would get like rosy cheeks,

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Speaker 3: but you could get these little rings around certain things

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Speaker 3: and then pocket philloposy ashes ashes. We all fall down

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Speaker 3: because everyone was dying.

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Speaker 2: What how did you know? Of course you know that.

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Speaker 3: I don't know why or how I knew it or

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Speaker 3: what it's that's horrifying. Yeah, but it's a song, right, well,

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Speaker 3: I mean, you know the you got the baby in

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Speaker 3: the tree song.

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Speaker 2: We got the ring around the rosy song.

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Speaker 1: Why are these why are they teaching this in nursery school? Like,

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Speaker 1: why is it the thing very that's dark and dark? Wow?

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Speaker 2: Okay, well this is this has started in something. She

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Speaker 2: was like, look, I'm not trying to kill you guys off,

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Speaker 2: just say wow.

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Speaker 1: Okay. So this took a turn, but that leads us

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Speaker 1: into these slightly new opening credits. Wooo okay, so most

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Speaker 1: of these opening credits are the same as season one,

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Speaker 1: but the kids, you guys.

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Speaker 3: Haven't always got updated every ones every year because we change.

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Speaker 1: Because you changed so much. That's right, You grow your taller,

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Speaker 1: your hair is different, your tanner, the tanner. So Candae

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Speaker 1: has showing off a cool sweater. Jody, you're walking out

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Speaker 1: the front door with your backpack, lunch pail, and Mary,

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Speaker 1: Kate and Ashley finally have their opening title card. I'm

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Speaker 1: very excited for them of one of them in a

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Speaker 1: shopping cart, super super cute, very exciting. So yes, and

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Speaker 1: I'm very interested to see what changes in the next

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Speaker 1: episode because I believe a lot of this footage from

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Speaker 1: the opening credits is the same as season one. Because

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Speaker 1: Jeff didn't want.

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Speaker 2: To give away the hair hair so that's true. So

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Speaker 2: it might be all new opening credits for season two.

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Speaker 1: We'll see you know, because Jesse Jesse still has the

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Speaker 1: mullet in this in this opening credit, So stay tuned.

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Speaker 1: So we uh, we opened, well, we we've already opened

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Speaker 1: the show. We continue the show in Jesse's room, where

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Speaker 1: Jesse is working on some new rock star moves. Stephanie

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Speaker 1: walks in, sporting a smock and she turns off his amp.

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Speaker 1: Jesse hops back over to her and says, first roll

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Speaker 1: of rock and roll. Never cut a guy's power off

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Speaker 1: when he's duck walking. Yeah, did you know this duck walking?

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Speaker 1: I've never heard.

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Speaker 2: Yeah, it was like a rock and roll thing.

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Speaker 3: I I feel like it was a sort of a

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Speaker 3: van Halen esque like of the you know, eighties hair band,

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Speaker 3: and it was a thing. But I think it started

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Speaker 3: even earlier than that, Like you know, Scot like Chuck

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Speaker 3: Berry probably was duck walking.

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Speaker 2: I don't know.

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Speaker 3: It looks very uh, it looks very.

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Speaker 2: Weird and rather uncomfortable.

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Speaker 1: It's very awkward. I mean, John's forming it well, but

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Speaker 1: it's it's still yeah, just it doesn't.

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Speaker 2: I actually wrote down I was like, did cool people

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Speaker 2: ever duck walk? But yeah, I'm gonna go with no.

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Speaker 1: But yeah, yeah.

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Speaker 3: And now and now, duck walking is more of like

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Speaker 3: a drag show thing, and it's more voguing and you're

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Speaker 3: down on the ground, and it has nothing to do

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Speaker 3: with playing guitar or doing any sort of movement like that, So.

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Speaker 1: Nothing to do with ducks.

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Speaker 3: I would say the drag show duck walking would give

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Speaker 3: you more of an impression of a duck because you're

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Speaker 3: sort of crouched down.

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Speaker 2: While doing it. But guitar duck walking is very odd,

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Speaker 2: very odd.

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Speaker 1: Anyways, Okay, moving on, but.

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Speaker 2: But we know the rule now, which is never cut

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Speaker 2: a guy's power off when he's duck walking, right, okay,

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Speaker 2: rule number one.

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Speaker 1: That's a rule to live by. Okay, right, So Stephanie apologizes,

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Speaker 1: but she informs Jesse that he's late for his haircut

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Speaker 1: appointment with mister Stephanie. Ooh, but Jesse doesn't want to

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Speaker 1: play Yeah, very gender forward here, Yeah, yes, mister Stephanie.

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Speaker 1: This is great. So Jesse doesn't want to play beauty parlor,

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Speaker 1: but stephan he insists, yes he does. Here we go,

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Speaker 1: I love this. They go back and forth. No he doesn't,

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Speaker 1: Yes he does, and steph of course, cries.

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Speaker 2: Yes, he does it wins every time.

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Speaker 1: I like this bit, I enjoy it. I'm glad they

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Speaker 1: brought it back for season two. Yep, Jesse tells her,

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Speaker 1: you're six years old, you're in first grade. This fine,

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Speaker 1: This phony crying routine and lip motif doesn't work anymore.

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Speaker 1: She admits I knew this would happen someday. She walks

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Speaker 1: over to the door and slumps down, giving him a

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Speaker 1: big fake sigh. Jesse caves so dramatic ans. Jesse caves immediately,

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Speaker 1: asking why am I such a sucker? Steph responds, because

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Speaker 1: you love me, and Jesse agrees. Stephanie drags him into

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Speaker 1: her beauty parlor also known as her bedroom. Joey is

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Speaker 1: already in this beauty parlor with a hairnet on and

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Speaker 1: freshly polished toes. He's reading a book. He's reading Horton,

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Speaker 1: Here's a who.

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Speaker 3: Very fabulous, fabulous the sus voice you prefer to say it.

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Speaker 1: Jesse laughs at him, but Joey assures him that Stephanie

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Speaker 1: isn't finished yet. Steph fake blow dries his hair and announces,

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Speaker 1: thank goodness you came to me when you did. If

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Speaker 1: you don't look good, I don't look good.

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Speaker 2: I mean, it's true that we saw for the end

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Speaker 2: of season one hair it was. Yeah, it needed some.

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Speaker 1: Work, it needed some work. Yes, Joey advises her, You're

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Speaker 1: gonna need a what weed whacker for that bush, pointing

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Speaker 1: to Jesse's hair, and John clearly is wearing a wig

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Speaker 1: in this scene.

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Speaker 2: I wrote down.

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Speaker 3: I wrote down that the real that the mullet wig

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Speaker 3: was worse than the real mullet, and that is saying something.

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Speaker 1: That is I don't know how it can get worse

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Speaker 1: than the real mullet.

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Speaker 3: But well, I also think, you know, wig technology was

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Speaker 3: not what it is today, and so it was John

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Speaker 3: had short hair and then they just put long hair

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Speaker 3: over it, you know.

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Speaker 1: Matter it's kind of like sticking out in the bag.

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Speaker 1: I swear it changes lengths throughout this It.

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Speaker 2: Does scene, and for sure does. Yeah.

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Speaker 3: At times I was like, wow, that's long, and then

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Speaker 3: I was like, what's not long? And then it was

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Speaker 3: like like shoulder length.

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Speaker 1: You know, there was no continuity with this week, that's

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Speaker 1: for sure. Hey, it was the eighties. So Stephanie reveals

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Speaker 1: a giant pair of scissors, which scares Jesse away.

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Speaker 2: Edward scissorhands right, Jesse says, those are real scissors.

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Speaker 1: Isn't this a pretend haircut? Stephanie tells him yes, but

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Speaker 1: Jesse insists that she needs pretend scissors. Steph looks at

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Speaker 1: her watch and tells him, mister, Stephanie does have other appointments,

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Speaker 1: so they got to get a move on.

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Speaker 2: Seriously.

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Speaker 1: Jesse obliges, telling her to be very careful because, as

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Speaker 1: we know, no one really cuts his hair except for Alejandro.

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Speaker 2: Oh, the Great and fabulous Alejandro.

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Speaker 1: So Stephanie starts to make small talk with her client,

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Speaker 1: asking have you heard who Miss Piggy's been dating lately?

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Speaker 1: Joey asks if he's able to watch the girls tonight

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Speaker 1: because he wants to try his Roger Rabbit impression at

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Speaker 1: the laugh machine. Jesse rolls his eyes, emphasizing, hey, it

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Speaker 1: is Saturday night. Joey turns on the Roger Rabbit voice

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Speaker 1: and begs, Oh, come on, Jess, please, I'm not doing

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Speaker 1: that impressions. As Joey's doing his impressions, Stephanie is laughing.

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Speaker 1: She's loving this, and without realizing it, she accidentally cuts

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Speaker 1: a huge chunk of Jesse's hair off of his head.

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Speaker 3: I remember that because I remember having to like have

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Speaker 3: the scissors at the wig, and it was like, don't

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Speaker 3: cut it before we're you know, because once you cut it,

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Speaker 3: that's you cut the wig.

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Speaker 2: And uh, yeah, I do remember.

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Speaker 3: And I also was like, don't cut my fingers because

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Speaker 3: I had to be like looking away when I did it.

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Speaker 1: Yeah, that was a lot of coordination for you.

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Speaker 2: Oh my digit survived and uh and the joke worked.

404
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Speaker 1: And John's head survived.

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Speaker 2: All of this had survived. No one, Yeah worked.

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Speaker 1: Yeah, No, that is because you practice in rehearsal. You

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Speaker 1: don't actually cut the hair in rehearsal, and so you

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Speaker 1: have to wait until they actually roll roll cameras.

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Speaker 2: Yeah, you can't be buying wigs.

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Speaker 1: We were on a budget and we're only in so

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Speaker 1: many wigs, so that was pretty obvious with that. So

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Speaker 1: Stephanie says oops out loud, and Jesse's trying to figure

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Speaker 1: out what happened. Dan.

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Speaker 2: Never a sound you want to hear when someone's giving

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Speaker 2: you a haircut.

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Speaker 1: Never, Oops. It's the worst thing to say. Danny walks

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Speaker 1: in with DJ and tells everyone breakfast is ready. We're

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Speaker 1: having pan cuts instead of pancakes. DJ gasps, telling steph

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Speaker 1: I can't believe you did that. Jesse questions steph as

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Speaker 1: she pulls out a huge, long chunk of his hair,

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Speaker 1: and Jesse whimpers.

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Speaker 3: Pulled out a small animal off his head. Again, it

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Speaker 3: was so not again it grew. It's like it's six

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Speaker 3: inches in my hand. I was like, where did all

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Speaker 3: of that hair come from?

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Speaker 1: Yeah, it was not the same hair that you cut

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Speaker 1: off hair.

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Speaker 2: It was a whole other wig in my hand was

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Speaker 2: what it was.

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Speaker 1: Uh. So Stephanie pleads have mercy. Jesse is upset. He

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Speaker 1: runs out, and DJ says again, I can't believe you

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Speaker 1: did that.

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Speaker 2: I've spoken like a true sibling.

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Speaker 1: Oh yeah, she's she's not letting you live it down.

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Speaker 2: You're wrong. So you did a bad Yeah.

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Speaker 1: So we cut to the bathroom where Jesse is examining

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Speaker 1: his hair with two handheld mirrors, looking horrified. Danny tries

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Speaker 1: to assure him that it's just hair, but Jesse snaps back,

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00:21:35,040 --> 00:21:39,080
Speaker 1: telling Danny, your hair is just hair. My hair is

440
00:21:39,160 --> 00:21:43,280
Speaker 1: in her hand. Oh. DJ repeats to Stephanie, I can't

441
00:21:43,320 --> 00:21:47,240
Speaker 1: believe you did that. Jesse snatches his hair back from Stephanie,

442
00:21:47,320 --> 00:21:49,960
Speaker 1: saying Alejandro may be able to sew it back on

443
00:21:50,520 --> 00:21:52,760
Speaker 1: Danny yells after him, would you like me to pack

444
00:21:52,840 --> 00:21:56,359
Speaker 1: it in some ice? And Joey laughs, adding maybe we

445
00:21:56,400 --> 00:21:58,719
Speaker 1: can get Eric Estrada to be a hair donor.

446
00:21:59,800 --> 00:22:01,439
Speaker 3: And for those of you that don't know who are

447
00:22:01,440 --> 00:22:03,840
Speaker 3: too young, Eric Estrada was on a show called Chips

448
00:22:03,840 --> 00:22:06,199
Speaker 3: and was known for having also fabulous hair.

449
00:22:06,280 --> 00:22:09,520
Speaker 1: He did have fabulous hair. That's right, that's how that

450
00:22:09,920 --> 00:22:12,399
Speaker 1: hurts me that some of our listeners don't know who

451
00:22:12,600 --> 00:22:15,399
Speaker 1: Eric Astrata is. You're right though, it's a lot of

452
00:22:15,440 --> 00:22:19,000
Speaker 1: our listeners probably don't know who Eric e Strada is everybody,

453
00:22:19,080 --> 00:22:19,600
Speaker 1: nor have they.

454
00:22:19,480 --> 00:22:25,000
Speaker 3: Ever seen a landline so you know, let's or anything

455
00:22:25,040 --> 00:22:26,800
Speaker 3: in the in the nineteenth century.

456
00:22:26,920 --> 00:22:31,640
Speaker 1: So yeah, so my poor heart here. Okay, So Stephanie

457
00:22:31,640 --> 00:22:34,800
Speaker 1: tells Jesse she's sorry and he snaps back, so am

458
00:22:34,840 --> 00:22:40,159
Speaker 1: I oh. DJ tells Steph again, I can't believe you

459
00:22:40,240 --> 00:22:43,080
Speaker 1: did that, and Stephanie finally yells back, I can't believe

460
00:22:43,119 --> 00:22:49,000
Speaker 1: you're still saying that. Seriously enough, just rubbing it in, DJ,

461
00:22:49,200 --> 00:22:53,560
Speaker 1: come on. So back in Stephanie's room, Steph is packing

462
00:22:53,680 --> 00:22:56,200
Speaker 1: up all of her toys, telling her dad that she's

463
00:22:56,280 --> 00:23:00,280
Speaker 1: punishing herself. She tells her toys I'm sorry. I don't

464
00:23:00,320 --> 00:23:03,359
Speaker 1: deserve to play with you anymore. She hands her doll

465
00:23:03,400 --> 00:23:07,359
Speaker 1: Emily to her dad and solemnly announces goodbye. Fun.

466
00:23:08,680 --> 00:23:11,720
Speaker 2: You know, I didn't remember Steph being this much of

467
00:23:11,720 --> 00:23:15,200
Speaker 2: a martyr. First of all. Oh, I was like, girl, come.

468
00:23:15,040 --> 00:23:18,800
Speaker 3: On, she's she feels terrible. She is, right, she is, like,

469
00:23:18,920 --> 00:23:20,120
Speaker 3: I'm the worst person ever.

470
00:23:20,280 --> 00:23:20,480
Speaker 1: Yep.

471
00:23:20,720 --> 00:23:23,600
Speaker 2: Yeah, but also still not mister Bear.

472
00:23:24,440 --> 00:23:27,440
Speaker 1: This would have been a great mister Bear moment. Where's

473
00:23:27,520 --> 00:23:28,160
Speaker 1: mister Bear?

474
00:23:28,560 --> 00:23:31,400
Speaker 3: Where's mister Bear? Instead, we have this weird, creepy Small

475
00:23:31,440 --> 00:23:32,240
Speaker 3: Wonder looking doll.

476
00:23:33,119 --> 00:23:34,440
Speaker 2: Yes, yes, it.

477
00:23:34,440 --> 00:23:37,600
Speaker 1: Is a very creepy looking doll, right, same red dress.

478
00:23:37,680 --> 00:23:41,480
Speaker 3: Yeah, yeah, no, it's actually it is the person from

479
00:23:41,520 --> 00:23:45,840
Speaker 3: Small Wonder. Just they've they've spent their hiatus on the bookshelf.

480
00:23:45,880 --> 00:23:50,160
Speaker 1: They miniaturized her, yes, exactly. It inserted her into full house.

481
00:23:51,040 --> 00:23:53,600
Speaker 1: So Danny tells Stephanie she doesn't need to do this,

482
00:23:53,800 --> 00:23:57,480
Speaker 1: and Stephanie responds, yes I do. I'm too dumb to

483
00:23:57,560 --> 00:24:01,600
Speaker 1: have toys. Oh my god, that's really taking this hard right.

484
00:24:01,760 --> 00:24:04,439
Speaker 1: She walks over to her bed, deciding to add on

485
00:24:04,520 --> 00:24:07,919
Speaker 1: to her punishment, telling Danny, I don't deserve pillows or

486
00:24:08,000 --> 00:24:11,400
Speaker 1: blankets or sheets too, and she just strips her bed.

487
00:24:11,280 --> 00:24:13,640
Speaker 2: Completely, not even a mattress cover.

488
00:24:13,920 --> 00:24:17,959
Speaker 1: No. Danny tries consoling her, saying, Uncle Jesse knows that

489
00:24:18,000 --> 00:24:20,679
Speaker 1: she didn't do this on purpose, so there's no reason

490
00:24:20,760 --> 00:24:23,840
Speaker 1: for her to feel bad. Danny tells her to come

491
00:24:23,880 --> 00:24:26,520
Speaker 1: downstairs and eat some breakfast. She tells him, I can't

492
00:24:26,600 --> 00:24:29,479
Speaker 1: leave my room. I've grounded myself until I'm eighty two.

493
00:24:30,560 --> 00:24:31,879
Speaker 2: I'm technically still grounded.

494
00:24:31,920 --> 00:24:34,159
Speaker 1: You're still grounded right now. You've got forty more.

495
00:24:34,080 --> 00:24:36,879
Speaker 2: Years to go, forty more years ago. You know what,

496
00:24:36,960 --> 00:24:37,640
Speaker 2: I'll take it down.

497
00:24:37,800 --> 00:24:40,080
Speaker 1: You've been in that little room right there for just.

498
00:24:40,040 --> 00:24:43,560
Speaker 3: Sitting right there, not even a sheet, for forty years.

499
00:24:44,280 --> 00:24:47,440
Speaker 1: Danny responds, you are not grounded. I am your father,

500
00:24:47,600 --> 00:24:52,119
Speaker 1: and I'm ordering you to play with your toys. Steph

501
00:24:52,160 --> 00:24:55,520
Speaker 1: gives him the dollback, saying, please don't make me have fun.

502
00:24:56,359 --> 00:25:00,280
Speaker 2: He tells her, doll that's definitely got some poor child sold.

503
00:25:00,840 --> 00:25:03,359
Speaker 1: No, there's no fun to be had with this creepy doll,

504
00:25:03,480 --> 00:25:06,720
Speaker 1: that's for sure. So Danny tells her that one day,

505
00:25:07,040 --> 00:25:10,680
Speaker 1: when she's a parent, she'll understand. He hands the doll

506
00:25:10,720 --> 00:25:13,680
Speaker 1: back to her, cheerfully, telling her to have fun. Stephanie

507
00:25:13,680 --> 00:25:15,800
Speaker 1: pretends to play with the doll for a few seconds

508
00:25:15,800 --> 00:25:21,240
Speaker 1: and then sighs sarcastically, saying, hot dog, Hmm, she's not

509
00:25:21,280 --> 00:25:22,280
Speaker 1: gonna she's not gonna have fun.

510
00:25:22,359 --> 00:25:24,520
Speaker 3: She's she's just not having fun, not having fun, and

511
00:25:24,600 --> 00:25:26,119
Speaker 3: also bringing it back to the hot dogs.

512
00:25:26,240 --> 00:25:30,199
Speaker 1: So it was oh love that we cut to the

513
00:25:30,240 --> 00:25:33,360
Speaker 1: living room where Danny is reading the paper as he's

514
00:25:33,400 --> 00:25:37,960
Speaker 1: continuously telling Michelle don't do that. As she's slowly pushing

515
00:25:38,000 --> 00:25:42,440
Speaker 1: the magazines off the table. Danny tells her that now

516
00:25:42,440 --> 00:25:44,439
Speaker 1: they have to play a game called Let's clean up

517
00:25:44,520 --> 00:25:48,520
Speaker 1: our mess, see Danny. They're they're bringing back Danny and

518
00:25:48,560 --> 00:25:50,000
Speaker 1: his uh cleanliness.

519
00:25:50,480 --> 00:25:54,960
Speaker 3: This feels like an introduction really onto Danny as a

520
00:25:54,960 --> 00:25:58,080
Speaker 3: clean freak, Like what's happened between season one and season

521
00:25:58,119 --> 00:26:03,199
Speaker 3: two that Danny is now having this like reactionary anxiety cleaning,

522
00:26:03,280 --> 00:26:03,800
Speaker 3: you know what I mean?

523
00:26:04,119 --> 00:26:04,320
Speaker 2: Right?

524
00:26:04,440 --> 00:26:06,600
Speaker 1: Yeah, we got hints of it in season one, but

525
00:26:06,680 --> 00:26:07,240
Speaker 1: now it's fun.

526
00:26:07,400 --> 00:26:12,920
Speaker 3: But now this episode he's dustbusting, the vacuum, he's organized,

527
00:26:12,920 --> 00:26:17,000
Speaker 3: he's alphabetizing magazines. Feels a little like maybe this might

528
00:26:17,040 --> 00:26:19,479
Speaker 3: be how he's dealing with some things and it's becoming

529
00:26:19,520 --> 00:26:21,280
Speaker 3: a little He's been wound a little tight.

530
00:26:21,760 --> 00:26:24,240
Speaker 1: Danny's got feelings and he's taking it out on the

531
00:26:24,400 --> 00:26:25,440
Speaker 1: organization of house.

532
00:26:25,840 --> 00:26:27,600
Speaker 3: Right, and not to mention the fact that there are

533
00:26:27,880 --> 00:26:32,200
Speaker 3: toys that are obviously on the stairs which are a hazard.

534
00:26:32,680 --> 00:26:38,040
Speaker 3: But y, yeah, like turned upside down. But we have

535
00:26:38,160 --> 00:26:41,080
Speaker 3: alphabetized people magazine, you know what I mean?

536
00:26:41,280 --> 00:26:44,160
Speaker 2: Like that to me, I was like, your priorities need

537
00:26:44,200 --> 00:26:47,280
Speaker 2: to be switched around, Sir Danny's priorities.

538
00:26:47,320 --> 00:26:51,720
Speaker 1: Oh, yeah, it is something. So Michelle helps him put

539
00:26:51,720 --> 00:26:55,480
Speaker 1: the magazines back on the coffee table in order, and

540
00:26:55,600 --> 00:26:58,879
Speaker 1: Danny applauds her. Joey butts in, telling Danny not to

541
00:26:58,960 --> 00:27:03,720
Speaker 1: turn this sweet, innocent girl into a compulsive, neurotic nutcase

542
00:27:04,000 --> 00:27:07,200
Speaker 1: like him. Joey picks Michelle up, telling her it's time

543
00:27:07,240 --> 00:27:10,920
Speaker 1: for a nap. He sarcastically mentions, when you're sleeping, don't

544
00:27:10,960 --> 00:27:12,160
Speaker 1: wrinkle your pajamas.

545
00:27:13,160 --> 00:27:14,800
Speaker 2: She was not happy when she got picked up. You know,

546
00:27:14,920 --> 00:27:18,120
Speaker 2: she didn't believe. They were very much not happy it.

547
00:27:18,160 --> 00:27:20,560
Speaker 1: Which is true. Kid wants to take a nap. No,

548
00:27:20,920 --> 00:27:23,440
Speaker 1: that's true, and now I live for naps. But when

549
00:27:23,440 --> 00:27:27,000
Speaker 1: you're a kid na right now, go ahead, we'll wait,

550
00:27:28,640 --> 00:27:32,399
Speaker 1: so DJ is Steph walk in. The girls say that

551
00:27:32,440 --> 00:27:35,440
Speaker 1: they're done with the dishes. Dj tells her dad exactly

552
00:27:35,520 --> 00:27:38,119
Speaker 1: how she stacked the dishes, which sounds a lot like

553
00:27:38,240 --> 00:27:40,159
Speaker 1: the way he organizes the magazines.

554
00:27:40,440 --> 00:27:42,920
Speaker 3: Again, Danny is all of a sudden like everything has

555
00:27:42,960 --> 00:27:46,160
Speaker 3: to be in size alphabetical order.

556
00:27:46,480 --> 00:27:50,399
Speaker 1: Oh, he's hardcore. Danny salutes them, telling them good work.

557
00:27:51,200 --> 00:27:54,720
Speaker 1: Stephanie tells her dad, I've really tried hard to have fun.

558
00:27:55,000 --> 00:27:57,840
Speaker 1: Now can I please go back to being sad? Danny

559
00:27:57,880 --> 00:27:58,840
Speaker 1: tells me that's very emo.

560
00:27:59,200 --> 00:28:02,520
Speaker 3: She's like, so she Yeah, she's gonna be a big

561
00:28:02,640 --> 00:28:03,840
Speaker 3: like my chemical romance.

562
00:28:04,040 --> 00:28:04,280
Speaker 1: Yeah.

563
00:28:04,280 --> 00:28:09,160
Speaker 2: Fan and in like twenty years the guilty the hairli

564
00:28:09,359 --> 00:28:11,600
Speaker 2: I was gonna have Like she'd be like, yes, I'm

565
00:28:11,600 --> 00:28:12,520
Speaker 2: so email.

566
00:28:12,280 --> 00:28:14,680
Speaker 1: Yeah, this is the start of it.

567
00:28:15,040 --> 00:28:15,280
Speaker 2: Yep.

568
00:28:16,560 --> 00:28:19,280
Speaker 1: So Danny tells her she's been too hard on herself.

569
00:28:19,320 --> 00:28:22,359
Speaker 1: It was just a little chunk of Uncle Jesse's hair.

570
00:28:23,400 --> 00:28:26,280
Speaker 1: Right then, the doorbell rings and Danny tells Steph it

571
00:28:26,440 --> 00:28:29,000
Speaker 1: wasn't even a chunk of hair. It was a chunk.

572
00:28:29,119 --> 00:28:33,000
Speaker 1: At When Dj answers the door, a hot nurse is

573
00:28:33,000 --> 00:28:34,919
Speaker 1: there to help Jesse into the house.

574
00:28:36,760 --> 00:28:39,240
Speaker 2: Of course, where did this woman come from.

575
00:28:39,240 --> 00:28:42,120
Speaker 1: I don't know, does she seems like a concierge service,

576
00:28:42,200 --> 00:28:43,600
Speaker 1: Like is he wearing a helmet?

577
00:28:44,000 --> 00:28:45,920
Speaker 2: I have so many questions.

578
00:28:45,600 --> 00:28:47,320
Speaker 1: So many questions.

579
00:28:47,160 --> 00:28:51,200
Speaker 2: It's so many things that I.

580
00:28:50,560 --> 00:28:52,880
Speaker 1: Yes, they're clearly setting up for this and the Joe

581
00:28:52,960 --> 00:28:53,480
Speaker 1: cast to work.

582
00:28:53,560 --> 00:28:54,960
Speaker 2: So there's the joke cast of work.

583
00:28:55,000 --> 00:28:59,680
Speaker 1: The joke, right, So Jesse has casts all over his arms,

584
00:28:59,720 --> 00:29:04,040
Speaker 1: which sticking straight out like Frankenstein, and he's wearing his

585
00:29:04,120 --> 00:29:06,160
Speaker 1: motorcycle helmet. Like you pointed out, what did.

586
00:29:06,000 --> 00:29:10,000
Speaker 2: He break in order to have that be the remedy

587
00:29:10,080 --> 00:29:10,480
Speaker 2: for it?

588
00:29:10,560 --> 00:29:13,080
Speaker 1: Yeah, it's like a full like a full body cast

589
00:29:13,120 --> 00:29:15,480
Speaker 1: from the waist, like is it right?

590
00:29:15,680 --> 00:29:18,520
Speaker 2: What what did you break? And how are you just

591
00:29:18,560 --> 00:29:20,720
Speaker 2: walking in the house if that was the case?

592
00:29:20,840 --> 00:29:24,240
Speaker 1: Yeah? No, yeah, no, he's like how much time in

593
00:29:24,320 --> 00:29:24,880
Speaker 1: the spry?

594
00:29:25,080 --> 00:29:30,160
Speaker 3: He's awfully spry for having broken the entire upper half

595
00:29:30,160 --> 00:29:30,720
Speaker 3: of his body.

596
00:29:30,880 --> 00:29:33,320
Speaker 1: Well nothing else, like his face is still perfect, like

597
00:29:33,440 --> 00:29:36,120
Speaker 1: nothing else scratch on his face.

598
00:29:36,080 --> 00:29:40,400
Speaker 2: Was I'm starting to question Jesse's, uh, the.

599
00:29:40,560 --> 00:29:43,280
Speaker 3: Insurance practices here because you know, first he did it

600
00:29:43,320 --> 00:29:46,880
Speaker 3: with bullet Oh yeah, gotten a car accident, car destroyed.

601
00:29:46,960 --> 00:29:51,000
Speaker 2: He's fine, he was. Now it's the motorcycle. I'm just saying, yeah,

602
00:29:51,280 --> 00:29:54,600
Speaker 2: you get money for these destroyed vehicles? Is some insurance

603
00:29:54,640 --> 00:29:57,040
Speaker 2: for all the Jesse s dreda pull. All of a sudden,

604
00:29:57,040 --> 00:29:58,160
Speaker 2: he's like, you know what, I'm not going to be

605
00:29:58,160 --> 00:30:00,640
Speaker 2: an exterminator anymore. My new gig.

606
00:30:00,960 --> 00:30:03,120
Speaker 1: This is saying that, you know what, I am here

607
00:30:03,160 --> 00:30:06,680
Speaker 1: for this theory. I love it. Okay, So just insurance.

608
00:30:06,680 --> 00:30:09,560
Speaker 3: That's how he's getting his money is it's insurance fraud

609
00:30:09,840 --> 00:30:12,720
Speaker 3: so that he can keep being an Elvis impersonator.

610
00:30:12,120 --> 00:30:14,120
Speaker 1: On the side, because that's what he wants to do.

611
00:30:14,200 --> 00:30:15,520
Speaker 3: That's what he really wants to do. So he's like,

612
00:30:15,520 --> 00:30:17,160
Speaker 3: I'm just gonna start crashing things.

613
00:30:17,000 --> 00:30:19,560
Speaker 2: Right, yeah, got it. That's why he's so obsessive.

614
00:30:19,560 --> 00:30:22,400
Speaker 1: Have lost the mullet. Yeah, he's lost his identity here,

615
00:30:22,760 --> 00:30:23,120
Speaker 1: got it?

616
00:30:23,200 --> 00:30:23,840
Speaker 2: This makes sense.

617
00:30:23,880 --> 00:30:26,720
Speaker 3: So Jesse, he's got to cut his hair because he's

618
00:30:26,760 --> 00:30:28,400
Speaker 3: there onto him for the last fraud.

619
00:30:28,480 --> 00:30:30,880
Speaker 2: So he's got to look like somebody different, changing because

620
00:30:30,920 --> 00:30:32,880
Speaker 2: I did not spittle this time, right, right. They're like,

621
00:30:32,920 --> 00:30:35,120
Speaker 2: can't look like the same guy. Got to be different.

622
00:30:35,280 --> 00:30:39,480
Speaker 1: So he's wearing the helmet, right, So Jesse explains, well,

623
00:30:39,480 --> 00:30:43,360
Speaker 1: thanks to mister Stephanie's pretend haircut. I was forced to

624
00:30:43,400 --> 00:30:46,400
Speaker 1: get a real one, which I hate. I hopped on

625
00:30:46,440 --> 00:30:49,320
Speaker 1: my Harley and raced out of the parking lot, failing

626
00:30:49,360 --> 00:30:52,520
Speaker 1: to see the tiny sign that says severe tire damage.

627
00:30:53,160 --> 00:30:55,720
Speaker 1: He tells everyone he wrecked his bike and now he

628
00:30:55,840 --> 00:31:01,640
Speaker 1: has these concrete sleeves. Stephanie hears this and look devastated.

629
00:31:02,400 --> 00:31:05,360
Speaker 1: The sad Violins take us to a very sad commercial

630
00:31:05,400 --> 00:31:09,280
Speaker 1: break and when we returned, sadness. It's so much sadness.

631
00:31:09,760 --> 00:31:12,160
Speaker 1: When we return, the nurse is getting ready to leave.

632
00:31:12,680 --> 00:31:15,360
Speaker 1: She tells Jesse, if you ever need a sponge bath,

633
00:31:15,520 --> 00:31:16,680
Speaker 1: give me a call.

634
00:31:16,760 --> 00:31:19,840
Speaker 2: As she writes number to hit on people. Hey are

635
00:31:19,880 --> 00:31:26,880
Speaker 2: you do you need help? You wiping yourself? Yeah? Right,

636
00:31:27,080 --> 00:31:28,760
Speaker 2: Like that's not sexy.

637
00:31:28,840 --> 00:31:31,800
Speaker 1: She needs to work on our game. Yes, I mean

638
00:31:31,840 --> 00:31:33,720
Speaker 1: she didn't meet him in a hospital, so I'm just

639
00:31:33,760 --> 00:31:36,239
Speaker 1: surprised he didn't flirt back like I was expecting him

640
00:31:36,280 --> 00:31:38,520
Speaker 1: to be, Like, oh, I got concrete arms. Let's go

641
00:31:38,640 --> 00:31:40,680
Speaker 1: make out. You know, nothing is stopped him before.

642
00:31:40,920 --> 00:31:43,600
Speaker 2: What's I mean? Couldn't even shake her hand? No?

643
00:31:43,480 --> 00:31:49,120
Speaker 1: Noah. So Joey walks up to her, trying to flirt

644
00:31:49,200 --> 00:31:51,880
Speaker 1: by saying, well, if you need a sponge bath, well

645
00:31:51,920 --> 00:31:54,880
Speaker 1: you look like a shower person. And there's a missed

646
00:31:54,880 --> 00:31:57,640
Speaker 1: opportunity here, like the nur's his name is Ron.

647
00:31:57,480 --> 00:32:00,040
Speaker 2: Bro a sponge bath, no, no, well.

648
00:32:00,120 --> 00:32:02,960
Speaker 1: Yes, but the nurse's name is Ronda, and there's no

649
00:32:03,320 --> 00:32:07,800
Speaker 1: help me Ronda joke, come on, like missed opportunity. I

650
00:32:07,880 --> 00:32:08,560
Speaker 1: was waiting for it.

651
00:32:08,640 --> 00:32:11,640
Speaker 3: I feel like they're maybe they're I feel like there

652
00:32:11,640 --> 00:32:12,760
Speaker 3: had to have been at some point.

653
00:32:12,800 --> 00:32:15,800
Speaker 1: Well maybe he says, thank you, Ron, thank you for

654
00:32:15,840 --> 00:32:18,720
Speaker 1: helping me Ronda. But it's not like it's not delivered

655
00:32:18,760 --> 00:32:20,560
Speaker 1: like a joke. It's not written like a joke, it's

656
00:32:20,560 --> 00:32:22,160
Speaker 1: not set up like a joke. And I'm like, this

657
00:32:22,200 --> 00:32:23,600
Speaker 1: is a same You got to set up a joke.

658
00:32:23,720 --> 00:32:25,560
Speaker 2: Yeah, maybe it was just a joke that didn't go

659
00:32:25,640 --> 00:32:26,680
Speaker 2: over well didn't land.

660
00:32:26,760 --> 00:32:27,960
Speaker 1: Maybe it got cut in the edit.

661
00:32:28,120 --> 00:32:31,000
Speaker 3: Yeah, yeah, because that is the Yeah, thanks for helping me, Ronda.

662
00:32:31,160 --> 00:32:33,960
Speaker 2: I think that that is that's that qualifies a joke.

663
00:32:34,360 --> 00:32:35,280
Speaker 1: Okay, that is the joke.

664
00:32:35,360 --> 00:32:36,120
Speaker 2: That a very funny one.

665
00:32:36,160 --> 00:32:39,400
Speaker 1: Okay, Okay. So Jesse is wondering what he is going

666
00:32:39,480 --> 00:32:42,960
Speaker 1: to do for the next six weeks with two broken arms,

667
00:32:43,480 --> 00:32:45,920
Speaker 1: Joey tells him, I think you can scratch bowling off

668
00:32:45,920 --> 00:32:49,760
Speaker 1: the list. DJ adds, I think you can scratch scratching

669
00:32:49,960 --> 00:32:55,360
Speaker 1: off the list. Seriously. Stephanie apologizes again, saying it's all

670
00:32:55,480 --> 00:32:59,040
Speaker 1: her fault. Danny comforts her, saying, well, it's not all

671
00:32:59,120 --> 00:33:02,480
Speaker 1: her fault. He tries to get Jesse to say the same,

672
00:33:02,560 --> 00:33:06,800
Speaker 1: and Jesse reluctantly, reluctantly tells her, well, it's not all

673
00:33:06,960 --> 00:33:11,960
Speaker 1: your fault, thanks, Jesse, just mostly, just mostly, it's like

674
00:33:12,040 --> 00:33:15,760
Speaker 1: ninety eight percent her fault. Yeah. DJ says, well, let's

675
00:33:15,800 --> 00:33:18,600
Speaker 1: see your new haircut, and Jesse tells them no, no, no,

676
00:33:18,800 --> 00:33:22,520
Speaker 1: but everyone insists. Joey walks over to him, taking his

677
00:33:22,640 --> 00:33:28,560
Speaker 1: helmet off and revealing a short haired Jesse. Everyone is shocked,

678
00:33:28,560 --> 00:33:30,480
Speaker 1: including the audience.

679
00:33:30,560 --> 00:33:33,080
Speaker 2: And including all of the eighties. All of the eighties

680
00:33:33,080 --> 00:33:35,360
Speaker 2: were shocked, all of the eighties, all of the eighties.

681
00:33:35,400 --> 00:33:37,520
Speaker 2: Was like, the bullet's out.

682
00:33:37,560 --> 00:33:40,240
Speaker 1: Now, the bullet is out. But he looks so much better,

683
00:33:40,560 --> 00:33:43,560
Speaker 1: Like this is a massive improvement, so much better.

684
00:33:44,680 --> 00:33:45,880
Speaker 2: I felt so much better.

685
00:33:45,960 --> 00:33:49,080
Speaker 1: Actual relief. Yes, right, I was like, oh my god, yeah,

686
00:33:50,600 --> 00:33:53,600
Speaker 1: the better haircut. Yeah, no, it's it's a huge improvement.

687
00:33:54,200 --> 00:33:56,440
Speaker 2: But people like the audience like kind of laughed. I

688
00:33:56,520 --> 00:33:57,360
Speaker 2: was like, I didn't.

689
00:33:57,560 --> 00:33:59,440
Speaker 3: I mean, I guess they laughed just because it was

690
00:33:59,520 --> 00:34:01,840
Speaker 3: Jesse his beloved hair was now.

691
00:34:02,120 --> 00:34:04,600
Speaker 1: Maybe yeah, I was trying to hear it. Do they

692
00:34:04,600 --> 00:34:07,360
Speaker 1: think it was a joke? Like? And that's why I

693
00:34:07,360 --> 00:34:09,120
Speaker 1: think it was just more like they stunned.

694
00:34:09,719 --> 00:34:12,480
Speaker 2: Well, because everyone knows I think the attachment to Jesse's hair.

695
00:34:12,520 --> 00:34:15,120
Speaker 2: I don't necessarily think it was the haircut itself.

696
00:34:15,120 --> 00:34:17,319
Speaker 1: That was not the hair hunt.

697
00:34:17,360 --> 00:34:20,160
Speaker 2: Although Joey does say he looked like pee wee Van Herman.

698
00:34:20,440 --> 00:34:23,279
Speaker 1: Oh, that's true. That's true. And Stephanie says, I think

699
00:34:23,320 --> 00:34:24,920
Speaker 1: you look very handsome.

700
00:34:25,360 --> 00:34:27,600
Speaker 2: Oh yeah.

701
00:34:27,719 --> 00:34:30,719
Speaker 1: So John obviously cut his hair over this hiatus. Do

702
00:34:30,800 --> 00:34:33,759
Speaker 1: we know why we should have asked him this on

703
00:34:33,920 --> 00:34:35,400
Speaker 1: when he was here? Well, I ask him.

704
00:34:35,719 --> 00:34:37,520
Speaker 2: My only question would be why not sooner?

705
00:34:37,719 --> 00:34:38,080
Speaker 1: Yeah?

706
00:34:38,200 --> 00:34:41,080
Speaker 2: You know what I mean? Like that? Yeah, how did

707
00:34:41,080 --> 00:34:42,080
Speaker 2: you get there in the first place?

708
00:34:42,120 --> 00:34:42,640
Speaker 1: What was wrong?

709
00:34:43,880 --> 00:34:46,600
Speaker 2: No? I love you John, that hair a lot.

710
00:34:47,080 --> 00:34:49,120
Speaker 1: Yeah. I don't know what prompted the haircut.

711
00:34:49,120 --> 00:34:51,319
Speaker 2: I'm just it was just it was just time.

712
00:34:51,480 --> 00:34:53,040
Speaker 1: It was time for a change.

713
00:34:53,040 --> 00:34:53,640
Speaker 2: Time. Yeah.

714
00:34:54,120 --> 00:34:57,800
Speaker 1: So DJ hugs Jesse, saying she's glad he's okay. Steph

715
00:34:57,880 --> 00:35:00,520
Speaker 1: comes up to him, saying she's happy he's ok k two,

716
00:35:00,880 --> 00:35:03,520
Speaker 1: and she grabs his concrete arm and tries hugging it

717
00:35:03,560 --> 00:35:07,359
Speaker 1: as he yelps in pain. Jesse scolds her, telling her

718
00:35:07,400 --> 00:35:10,440
Speaker 1: to be a little more careful. He walks away, getting

719
00:35:10,440 --> 00:35:13,680
Speaker 1: the door for himself and announcing it takes more than

720
00:35:13,719 --> 00:35:16,000
Speaker 1: some broken bones to slow down Big Jay.

721
00:35:17,200 --> 00:35:23,160
Speaker 2: Apparently, I'm what destroys Jesse. Car accidents, motorcycle accidents.

722
00:35:23,200 --> 00:35:29,400
Speaker 1: He just feelings that's what destroys connections. So Michelle starts

723
00:35:29,400 --> 00:35:32,120
Speaker 1: crying off camera, and Jesse and Joey start up the

724
00:35:32,160 --> 00:35:34,920
Speaker 1: stairs to go grab her. Joey stops him and asks

725
00:35:35,000 --> 00:35:37,880
Speaker 1: was that a hungry cry or a wet cry. Danny

726
00:35:37,920 --> 00:35:40,319
Speaker 1: confirms it's a hungry cry, and Joey says, well, in

727
00:35:40,360 --> 00:35:45,759
Speaker 1: that case, I'll help you. Steph tells sorry. Dj tells

728
00:35:45,760 --> 00:35:48,800
Speaker 1: Steph that they should go help uncle Jesse. Steph asks

729
00:35:48,960 --> 00:35:52,719
Speaker 1: help him. I can't even hug him. She runs upstairs

730
00:35:52,760 --> 00:35:57,799
Speaker 1: to stay far away from Uncle Jesse. Wam so. In

731
00:35:57,840 --> 00:36:01,120
Speaker 1: the kitchen, Jesse is trying to grab a box of

732
00:36:01,120 --> 00:36:04,200
Speaker 1: oat boats that is perched on top of the fridge, but.

733
00:36:04,160 --> 00:36:05,520
Speaker 2: He boats, making a comeback.

734
00:36:05,640 --> 00:36:07,520
Speaker 1: But the oat boats I love that they're like a

735
00:36:07,560 --> 00:36:09,000
Speaker 1: recruiting character at this point.

736
00:36:09,120 --> 00:36:11,080
Speaker 2: Yes, they kind of a little uh.

737
00:36:11,200 --> 00:36:13,439
Speaker 3: I mean, it's not an official everywhere you look moment,

738
00:36:13,480 --> 00:36:15,320
Speaker 3: but it's a it's kind of yeah.

739
00:36:15,520 --> 00:36:17,720
Speaker 1: No, I'm always looking for the box of oat boats

740
00:36:17,880 --> 00:36:20,640
Speaker 1: in evidence in the kitchen, and this time it's a

741
00:36:20,800 --> 00:36:23,560
Speaker 1: major part of this, this wonderful bit that we're about

742
00:36:23,560 --> 00:36:26,960
Speaker 1: to watch here. So Jesse can't quite grab this because

743
00:36:27,000 --> 00:36:30,160
Speaker 1: of his concrete arms. A DJ walks in and offers

744
00:36:30,160 --> 00:36:33,480
Speaker 1: her help. Jesse says he's more than capable of making

745
00:36:33,520 --> 00:36:37,360
Speaker 1: a simple bowl of cereal. What follows is another classic

746
00:36:37,719 --> 00:36:41,600
Speaker 1: hysterical physical comedy bit by John in the kitchen.

747
00:36:41,600 --> 00:36:45,239
Speaker 3: He does so much of this great physical comedy, particularly

748
00:36:45,239 --> 00:36:47,640
Speaker 3: in the kitchen. Always in the kitchen, I don't know,

749
00:36:47,760 --> 00:36:49,480
Speaker 3: because it sets up good comedy.

750
00:36:49,840 --> 00:36:51,959
Speaker 2: It gives you time to get from a stupid moment.

751
00:36:52,040 --> 00:36:54,160
Speaker 3: Then you've got laugh beats as you're walking around the

752
00:36:54,239 --> 00:36:58,120
Speaker 3: Highland the next Yeah, it's a he really he uses

753
00:36:59,120 --> 00:37:01,640
Speaker 3: the space and the time of the joke really well.

754
00:37:01,760 --> 00:37:04,480
Speaker 1: He really does. We last saw this in the Knock

755
00:37:04,520 --> 00:37:07,720
Speaker 1: Yourself Out episode where the girls are saying, don't forget

756
00:37:07,719 --> 00:37:10,280
Speaker 1: the ice cream right, and he's piling all the food

757
00:37:10,640 --> 00:37:13,560
Speaker 1: on top of himself. And he does it in fuller

758
00:37:13,560 --> 00:37:16,120
Speaker 1: house too, where he sets the kitchen on fire. So yeah,

759
00:37:16,440 --> 00:37:19,680
Speaker 1: Dawn is very good at funny physical comedy bits. In

760
00:37:19,680 --> 00:37:22,840
Speaker 1: the kitchen, yes, he grabs a broom to knock the

761
00:37:22,880 --> 00:37:25,600
Speaker 1: cereal onto the floor. He then grabs a meat fork

762
00:37:25,680 --> 00:37:27,800
Speaker 1: to pick it up and brings the box to the

763
00:37:27,880 --> 00:37:30,920
Speaker 1: kitchen table. Now several times during the scene, Jesse suddenly

764
00:37:30,960 --> 00:37:33,719
Speaker 1: makes a turn with his outstretched concrete arms and nearly

765
00:37:33,760 --> 00:37:37,560
Speaker 1: clobbers DJ, who has to duck to avoid him. Danny

766
00:37:37,680 --> 00:37:41,160
Speaker 1: enters the room carrying Michelle. DJ leaves telling her dad

767
00:37:41,320 --> 00:37:44,840
Speaker 1: Jesse's perfectly capable of making a simple bowl of cereal.

768
00:37:45,840 --> 00:37:48,160
Speaker 1: Jesse is now at the cupboards trying to grab a

769
00:37:48,239 --> 00:37:51,520
Speaker 1: cereal bowl with his teeth. Danny asks to give him

770
00:37:51,520 --> 00:37:54,480
Speaker 1: a hand, and Jesse asks, well, do I look like

771
00:37:54,520 --> 00:37:57,680
Speaker 1: somebody who needs a hand. He pulls the bowl out

772
00:37:57,719 --> 00:38:00,160
Speaker 1: far enough with his teeth to stick it on his

773
00:38:00,200 --> 00:38:02,960
Speaker 1: head and he wears it like a hat to the table.

774
00:38:03,840 --> 00:38:06,680
Speaker 1: Big applause from the audience, like this is just such

775
00:38:06,680 --> 00:38:09,239
Speaker 1: a funny. He looks so cute with that bowl on

776
00:38:09,320 --> 00:38:13,040
Speaker 1: his head right, So at the kitchen table, Jesse pours

777
00:38:13,080 --> 00:38:17,160
Speaker 1: the entire box of oat boats into the bowl. Danny

778
00:38:17,239 --> 00:38:19,279
Speaker 1: leaves Michelle with Jesse to keep an eye on him

779
00:38:19,320 --> 00:38:22,680
Speaker 1: as he goes to change for work. He hands Jesse

780
00:38:22,800 --> 00:38:25,759
Speaker 1: a carton of milk, and Jesse pours the milk, but

781
00:38:25,920 --> 00:38:28,920
Speaker 1: needs to add the finishing touch by putting bananas on

782
00:38:29,040 --> 00:38:29,920
Speaker 1: top of his cereal.

783
00:38:30,560 --> 00:38:32,320
Speaker 3: I would have given up with the bananas, you know

784
00:38:32,320 --> 00:38:33,840
Speaker 3: what I mean. I would have been like, I don't

785
00:38:34,000 --> 00:38:35,560
Speaker 3: need the bananas.

786
00:38:35,120 --> 00:38:37,360
Speaker 1: Right, you don't. It's not worth it. It's not worth it.

787
00:38:37,360 --> 00:38:40,000
Speaker 1: But he's doing He's trying to make it a point

788
00:38:40,040 --> 00:38:43,760
Speaker 1: that nothing has changed. Yes, so he shakes one banana

789
00:38:43,840 --> 00:38:46,759
Speaker 1: off of the bunch. He places the cereal bowl on

790
00:38:46,840 --> 00:38:49,840
Speaker 1: the chair and sticks the banana on the kitchen table,

791
00:38:50,360 --> 00:38:54,080
Speaker 1: grabs a rolling pin and squeezes the banana or rolls

792
00:38:54,120 --> 00:38:57,680
Speaker 1: the banana out of its peel directly into the cereal bowl.

793
00:38:58,040 --> 00:38:59,520
Speaker 1: The audience is so impressed.

794
00:39:00,400 --> 00:39:03,040
Speaker 3: I was like, how is he gonna do this without

795
00:39:03,080 --> 00:39:05,239
Speaker 3: like just yeah, I thought the banana was gonna go

796
00:39:05,320 --> 00:39:05,719
Speaker 3: flying right.

797
00:39:05,680 --> 00:39:08,240
Speaker 2: Across the table. Me too, Quite a technique.

798
00:39:08,440 --> 00:39:10,200
Speaker 1: He I wonder how many times they had to shoot

799
00:39:10,200 --> 00:39:12,960
Speaker 1: that because it's not easy to roll a banana out

800
00:39:13,000 --> 00:39:13,359
Speaker 1: of his eyes.

801
00:39:13,560 --> 00:39:15,920
Speaker 2: No, I don't know, especially with your arms stuck in

802
00:39:15,920 --> 00:39:16,440
Speaker 2: that position.

803
00:39:16,600 --> 00:39:21,800
Speaker 1: Yeah. So, Jesse grabs a long wooden spoon and tells

804
00:39:21,800 --> 00:39:24,280
Speaker 1: Michelle it's time for him to enjoy his oat boats.

805
00:39:25,160 --> 00:39:27,840
Speaker 1: Except when he tries to eat the cereal, he realizes

806
00:39:27,880 --> 00:39:30,680
Speaker 1: he can't reach the spoon to his mouth. He even

807
00:39:30,719 --> 00:39:34,480
Speaker 1: tries flicking the cereal towards him, but it just splashes

808
00:39:34,680 --> 00:39:39,560
Speaker 1: everything on his face. Jesse resorts to sticking his entire

809
00:39:39,719 --> 00:39:43,239
Speaker 1: head in the bowl and eating the cereal face down like.

810
00:39:43,200 --> 00:39:46,840
Speaker 2: A pig and a trough right just in there.

811
00:39:47,040 --> 00:39:50,080
Speaker 1: Danny re enters the room and looks at him concerned,

812
00:39:50,800 --> 00:39:53,920
Speaker 1: and Jesse defensively asks, what's the matter. Never seen a

813
00:39:53,960 --> 00:39:57,400
Speaker 1: grown man eat cereal before? And Danny admits, well, not

814
00:39:57,520 --> 00:39:58,560
Speaker 1: like a great Dane.

815
00:39:59,080 --> 00:40:01,200
Speaker 2: Yeah, very much like a great Dane.

816
00:40:01,640 --> 00:40:06,640
Speaker 1: Danny encourages Jesse to let let them help him. Jesse groans,

817
00:40:06,719 --> 00:40:10,440
Speaker 1: admitting defeat. Danny takes Michelle's bib off of her, saying

818
00:40:10,640 --> 00:40:12,840
Speaker 1: I think your uncle needs this more than you do.

819
00:40:13,480 --> 00:40:16,200
Speaker 1: He puts the bib on Jesse and starts to spoon

820
00:40:16,320 --> 00:40:20,359
Speaker 1: feed him. This cues a musical montage.

821
00:40:20,560 --> 00:40:23,680
Speaker 2: He was a montage set to the song.

822
00:40:24,360 --> 00:40:27,240
Speaker 1: Yes, this is set to the song Help by somebody

823
00:40:27,280 --> 00:40:28,440
Speaker 1: covering the Beatles.

824
00:40:29,000 --> 00:40:34,560
Speaker 3: I believe it's the It's probably the Rippers, probably like Griffin. Yeah,

825
00:40:34,600 --> 00:40:37,120
Speaker 3: because Gary produced the all the music for the show.

826
00:40:37,280 --> 00:40:42,200
Speaker 3: Oh yeah, so I would think that maybe or they

827
00:40:42,239 --> 00:40:43,239
Speaker 3: covered a song too.

828
00:40:43,320 --> 00:40:46,000
Speaker 1: That's a great gut Maybe let's go with that. I

829
00:40:46,239 --> 00:40:49,000
Speaker 1: think that's great the Rippers. So the Rippers are singing help. Sure,

830
00:40:49,280 --> 00:40:51,759
Speaker 1: we see we see in this montage the family is

831
00:40:51,800 --> 00:40:55,920
Speaker 1: helping Jesse brush his teeth, tucking him into bed, helping

832
00:40:56,000 --> 00:40:59,000
Speaker 1: him get out of bed, shaving his face, putting a

833
00:40:59,040 --> 00:41:03,000
Speaker 1: T shirt on, looking stamps, and spoon feeding him. And

834
00:41:03,040 --> 00:41:06,200
Speaker 1: throughout all of this Jesse is not happy.

835
00:41:06,760 --> 00:41:08,600
Speaker 2: No, not loving it, not loving this.

836
00:41:09,920 --> 00:41:12,800
Speaker 1: We cut to DJ's room where DJ is strumming Jesse's

837
00:41:12,880 --> 00:41:16,120
Speaker 1: guitar as he sings, but she is unable to get

838
00:41:16,120 --> 00:41:19,360
Speaker 1: the tempo right. This is a great callback to uh

839
00:41:19,880 --> 00:41:22,920
Speaker 1: but seriously Fox Bangles. Yeah, the Bengals where DJ is

840
00:41:22,960 --> 00:41:25,239
Speaker 1: screwing up screwing up the Venus song too?

841
00:41:25,480 --> 00:41:26,720
Speaker 2: Yes or not? The Bengals.

842
00:41:26,719 --> 00:41:31,080
Speaker 1: The bracelets, the bracelets, Yes, right, we were yes, the bracelets.

843
00:41:30,560 --> 00:41:33,040
Speaker 3: And I and and I do see that Stacey Q

844
00:41:33,280 --> 00:41:35,840
Speaker 3: has been very unceremoniously removed from.

845
00:41:35,920 --> 00:41:38,839
Speaker 2: Uh DJ's wall. So I don't know what Stacey Q did.

846
00:41:39,800 --> 00:41:41,800
Speaker 1: So she hit her off and she never got the

847
00:41:41,840 --> 00:41:45,239
Speaker 1: autograph she got. Joey took her autograph away.

848
00:41:45,000 --> 00:41:47,080
Speaker 3: And right so she was like, I can't even bear

849
00:41:47,120 --> 00:41:48,440
Speaker 3: to look at it anymore. I have to take this

850
00:41:48,480 --> 00:41:51,080
Speaker 3: poster off my wall. Reminds me of of dark time

851
00:41:51,120 --> 00:41:51,600
Speaker 3: in my life.

852
00:41:51,800 --> 00:41:54,719
Speaker 1: Right, so, the Bengals. The Bengals are back on the wall,

853
00:41:54,840 --> 00:41:59,440
Speaker 1: just Stacey Q is out. Jesse explains this is music,

854
00:42:00,000 --> 00:42:02,680
Speaker 1: and DJ hands the guitar to Stephanie, asking her to

855
00:42:02,719 --> 00:42:06,760
Speaker 1: do it instead. DJ adds, all you do is mope around.

856
00:42:06,920 --> 00:42:11,480
Speaker 1: Come on, everybody's helping out, but you. Steph explains that

857
00:42:11,560 --> 00:42:14,960
Speaker 1: she can't help. Jesse puts an end to the argument,

858
00:42:15,080 --> 00:42:17,560
Speaker 1: saying this is so stupid. I can't play my music.

859
00:42:17,840 --> 00:42:21,000
Speaker 1: I can't take care of myself. This is so humiliating,

860
00:42:21,120 --> 00:42:22,960
Speaker 1: and he storms out.

861
00:42:23,600 --> 00:42:25,160
Speaker 2: Wait to be a big baby a bit.

862
00:42:25,360 --> 00:42:29,080
Speaker 1: Yeah, he's just he's really just making Stephanie feel bad.

863
00:42:30,480 --> 00:42:31,440
Speaker 2: Yeah yeah.

864
00:42:32,120 --> 00:42:35,600
Speaker 1: We cut to the kitchen where Danny is dustbusting his

865
00:42:35,760 --> 00:42:36,560
Speaker 1: vacuum bag.

866
00:42:37,400 --> 00:42:37,959
Speaker 2: This is peak.

867
00:42:38,200 --> 00:42:41,120
Speaker 3: Gee, this is like we went from zero to one

868
00:42:41,160 --> 00:42:42,799
Speaker 3: hundred real quick, you know what I mean. We went

869
00:42:42,840 --> 00:42:45,279
Speaker 3: from like, oh, the guy kind of likes we went

870
00:42:45,320 --> 00:42:50,120
Speaker 3: from the house is a disaster to okay, he likes

871
00:42:50,120 --> 00:42:54,000
Speaker 3: a clean house, to now he is compulsively cleaning his

872
00:42:54,080 --> 00:42:58,520
Speaker 3: cleaning products. Yes, and I'm honestly a little alarmed, but.

873
00:42:58,560 --> 00:43:02,239
Speaker 1: It's they Yeah, they're going full boar with it. There's like,

874
00:43:02,320 --> 00:43:03,280
Speaker 1: Danny's a clean.

875
00:43:03,080 --> 00:43:04,800
Speaker 2: Free and he needs to talk to someone.

876
00:43:04,840 --> 00:43:08,440
Speaker 3: Maybe, you know, he's about like controlling his environment doesn't

877
00:43:08,440 --> 00:43:10,240
Speaker 3: mean he can control the world.

878
00:43:10,360 --> 00:43:10,799
Speaker 2: I don't know.

879
00:43:10,920 --> 00:43:12,640
Speaker 1: Yeah, therapist would have a field day with this.

880
00:43:12,880 --> 00:43:15,160
Speaker 2: Oh yeah, yeah yeah.

881
00:43:15,280 --> 00:43:18,359
Speaker 1: So Jesse runs downstairs, telling Danny to open the back

882
00:43:18,360 --> 00:43:21,640
Speaker 1: door so we can leave, and then slam it. DJ

883
00:43:21,760 --> 00:43:25,800
Speaker 1: tells her dad that Stephanie won't help Uncle Jesse. Steph explains,

884
00:43:25,880 --> 00:43:28,319
Speaker 1: I don't want to break him. I don't ever want

885
00:43:28,320 --> 00:43:32,240
Speaker 1: to hurt Uncle Jesse. Again, DJ tells her she didn't

886
00:43:32,320 --> 00:43:36,319
Speaker 1: hurt Uncle Jesse, but Stephanie insists, while I only scalped him,

887
00:43:36,600 --> 00:43:40,479
Speaker 1: wrecked his motorcycle and broke his arms. No wonder he's

888
00:43:40,520 --> 00:43:44,879
Speaker 1: so mad at me. Danny hears this and excuses dj

889
00:43:45,040 --> 00:43:48,400
Speaker 1: from her duties as caretaker, which she's very excited about.

890
00:43:49,239 --> 00:43:52,719
Speaker 1: Danny talks to Stephanie alone, saying, well, okay, you're you're

891
00:43:52,760 --> 00:43:56,520
Speaker 1: a little bit jinxed, and steph asks, jinxd I'm the

892
00:43:56,600 --> 00:43:57,560
Speaker 1: kiss of death.

893
00:43:58,480 --> 00:44:01,040
Speaker 2: Yeah, she's it's taking this really hard.

894
00:44:01,080 --> 00:44:04,640
Speaker 1: She's taking it so hard. We cut to the backyard.

895
00:44:05,040 --> 00:44:09,680
Speaker 1: Danny walks out to find Jesse kicking his wrecked motorcycle.

896
00:44:09,320 --> 00:44:10,319
Speaker 2: Just where Bullet died.

897
00:44:10,440 --> 00:44:12,880
Speaker 1: Right, this is where bullet died. This is the backyard

898
00:44:12,880 --> 00:44:16,800
Speaker 1: where vehicles go to die by the hand of Jesse.

899
00:44:17,680 --> 00:44:21,600
Speaker 2: I'm not telling you, yes, I like your insurance fraud theory.

900
00:44:21,800 --> 00:44:24,080
Speaker 2: I'm just I'm just asking. I'm just asking questions, just

901
00:44:24,480 --> 00:44:25,240
Speaker 2: asking questions.

902
00:44:26,239 --> 00:44:29,080
Speaker 1: So Jesse angrily tells him I don't want to talk

903
00:44:29,120 --> 00:44:31,719
Speaker 1: about it right now. I'd leave, but I can't reach

904
00:44:31,800 --> 00:44:35,319
Speaker 1: the gate hook. Danny lectures him, well, there's nothing you

905
00:44:35,320 --> 00:44:38,200
Speaker 1: can do about your arms, but there is something you

906
00:44:38,239 --> 00:44:42,799
Speaker 1: can do about Stephanie. Jesse's confused, so Danny explains that

907
00:44:42,840 --> 00:44:45,600
Speaker 1: Stephanie is too scared to go near him because she's

908
00:44:45,640 --> 00:44:49,760
Speaker 1: afraid she's gonna hurt him again. Jesse shrugs and says, well,

909
00:44:49,760 --> 00:44:52,000
Speaker 1: tell the little rug rat she's wacko.

910
00:44:52,320 --> 00:44:55,080
Speaker 2: That's always a good but that's that's.

911
00:44:54,880 --> 00:45:01,560
Speaker 1: Right, he's so so loving. Danny's says, well, Jesse should

912
00:45:01,600 --> 00:45:03,840
Speaker 1: be the one to tell her that, and in a

913
00:45:03,960 --> 00:45:07,200
Speaker 1: nicer way, thank you, Danny, Yes, thank you, Danny.

914
00:45:07,360 --> 00:45:07,560
Speaker 2: Yes.

915
00:45:08,320 --> 00:45:12,120
Speaker 1: Jesse finally agrees and asks Danny to send Stephanie out.

916
00:45:13,440 --> 00:45:15,239
Speaker 1: Danny goes back in the house and comes back with

917
00:45:15,280 --> 00:45:18,640
Speaker 1: Stephanie carrying her and places her down on the grass.

918
00:45:19,320 --> 00:45:22,799
Speaker 1: Stephanie shuffles a couple of inches towards Jesse, and Jesse

919
00:45:22,920 --> 00:45:25,800
Speaker 1: says you can come a little closer, but she argues

920
00:45:26,000 --> 00:45:29,440
Speaker 1: I better not. I'm dangerous. That is why you hate me,

921
00:45:30,960 --> 00:45:33,680
Speaker 1: and the audience gives a big, big yeah yeah.

922
00:45:33,840 --> 00:45:36,880
Speaker 2: I mean I did, and it was me, it was you. Yes.

923
00:45:38,239 --> 00:45:43,240
Speaker 1: Jesse is finally taken aback and says, Stephanie Judith Tanner,

924
00:45:43,360 --> 00:45:46,480
Speaker 1: I do not hate you. And I believe this is

925
00:45:46,520 --> 00:45:49,000
Speaker 1: the second episode where he's referenced or someone has referenced

926
00:45:49,000 --> 00:45:51,240
Speaker 1: Stephanie's full name, Stephanie.

927
00:45:50,840 --> 00:45:53,200
Speaker 3: Judash Well, I think in the oat boats, yes, oat boats,

928
00:45:53,239 --> 00:45:57,320
Speaker 3: we call each other Donna Joe Tanner and Stephanie Judith

929
00:45:57,600 --> 00:46:00,440
Speaker 3: or Stephanie, Judah Tanner and Donna Joe Margaret Tanner.

930
00:46:00,520 --> 00:46:04,200
Speaker 1: Yeah, that's right. So Steph asks why he's yelling and

931
00:46:04,239 --> 00:46:08,719
Speaker 1: being so grouchy if he doesn't hate her. Jesse realizes

932
00:46:08,760 --> 00:46:12,040
Speaker 1: that he's been feeling sorry for himself and he's acting

933
00:46:12,200 --> 00:46:17,360
Speaker 1: like a baby. Yeah, yeah, he is. He apologizes to Stephanie,

934
00:46:17,480 --> 00:46:20,919
Speaker 1: saying he didn't mean to blame her. Steph asks, you're

935
00:46:20,920 --> 00:46:24,080
Speaker 1: really not mad at me. Jesse tells her, you made

936
00:46:24,120 --> 00:46:28,600
Speaker 1: one little mistake. Everybody makes mistakes. He gives her an example.

937
00:46:29,160 --> 00:46:32,520
Speaker 1: I'm an expert bike rider and I've never had one problem,

938
00:46:32,840 --> 00:46:35,320
Speaker 1: but I miss one little sign in boom. I'm the

939
00:46:35,400 --> 00:46:38,719
Speaker 1: mummy man. He tells Steph, same with you. How many

940
00:46:38,760 --> 00:46:42,160
Speaker 1: pretend haircuts have you given? She starts to count and

941
00:46:42,200 --> 00:46:43,840
Speaker 1: then lands on one million.

942
00:46:44,360 --> 00:46:44,800
Speaker 2: Yeah.

943
00:46:44,880 --> 00:46:47,759
Speaker 1: He emphasizes that she's an expert too, but she just

944
00:46:47,800 --> 00:46:49,080
Speaker 1: made one little mistake.

945
00:46:50,320 --> 00:46:52,799
Speaker 2: You look away one time, you know, you laugh at

946
00:46:52,800 --> 00:46:54,040
Speaker 2: one joke, You laugh.

947
00:46:53,880 --> 00:46:58,279
Speaker 3: At one joke, and you cut one gigantic piece of

948
00:46:58,360 --> 00:47:01,719
Speaker 3: molly weasels out of hair out of someone's head.

949
00:47:01,800 --> 00:47:03,080
Speaker 2: You know, it's a thing that happens.

950
00:47:03,120 --> 00:47:05,360
Speaker 3: It's the ferret from Season Sun. That's the fit is

951
00:47:05,360 --> 00:47:08,120
Speaker 3: the ferret from season one. It's been in Jesse's hair

952
00:47:08,600 --> 00:47:10,440
Speaker 3: making noise this entire time.

953
00:47:11,160 --> 00:47:13,200
Speaker 1: It's time to exterminate that at times.

954
00:47:13,560 --> 00:47:17,120
Speaker 3: Yep, the ferret is finally gone. Everybody, don't worry, we

955
00:47:17,239 --> 00:47:18,120
Speaker 3: finally got the ferret.

956
00:47:18,239 --> 00:47:22,160
Speaker 1: Okay, So Jesse promises Stephanie that he will be as

957
00:47:22,200 --> 00:47:24,680
Speaker 1: good as new. He tells her, you come over here,

958
00:47:24,800 --> 00:47:27,920
Speaker 1: and you give me the world's biggest hug. Lay it

959
00:47:27,960 --> 00:47:31,640
Speaker 1: on me, baby. She walks up and just squeezes his

960
00:47:31,680 --> 00:47:32,600
Speaker 1: fingers lightly.

961
00:47:33,440 --> 00:47:35,880
Speaker 3: I remember that, by the way, I remember, like, I

962
00:47:36,000 --> 00:47:40,120
Speaker 3: just remember like lightly squeezing his lips.

963
00:47:39,280 --> 00:47:43,239
Speaker 1: Oh, it's just like, don't break him. Be done yet? Yeah.

964
00:47:43,320 --> 00:47:45,960
Speaker 1: He asks her if he has the kooties, and he

965
00:47:46,040 --> 00:47:49,000
Speaker 1: tells her to sit on his lap. He admits that

966
00:47:49,040 --> 00:47:51,439
Speaker 1: he's going to need her help since he can't play

967
00:47:51,440 --> 00:47:54,520
Speaker 1: his music. He was thinking about working on some lyrics.

968
00:47:54,920 --> 00:47:57,240
Speaker 1: He tells her. Well, that is, if you could write

969
00:47:57,280 --> 00:48:00,520
Speaker 1: down the lyrics for me. Stephanie exclaimed, I could do

970
00:48:00,560 --> 00:48:04,600
Speaker 1: that if you write about dog, cat Tree and Stephanie

971
00:48:05,560 --> 00:48:10,600
Speaker 1: hit song. Jesse laughs and asks, well, can you spell baby?

972
00:48:11,160 --> 00:48:13,360
Speaker 1: She spells it out for him and he nods, telling

973
00:48:13,400 --> 00:48:15,239
Speaker 1: her good. Then we have a hit.

974
00:48:15,760 --> 00:48:17,840
Speaker 2: It's true. The word baby in a song is proven

975
00:48:17,880 --> 00:48:19,839
Speaker 2: to uh proven to be a hit.

976
00:48:19,760 --> 00:48:23,760
Speaker 1: An instant number one hit. Jesse says that the best

977
00:48:23,800 --> 00:48:26,360
Speaker 1: part about steph helping him is he gets to spend

978
00:48:26,480 --> 00:48:30,440
Speaker 1: more time with his little buddy. She responds, I'm so

979
00:48:30,480 --> 00:48:33,640
Speaker 1: glad you broke your arms and gives him a big hug.

980
00:48:34,719 --> 00:48:37,120
Speaker 1: He excitedly tells her, you're hugging me and I'm not

981
00:48:37,200 --> 00:48:42,240
Speaker 1: even hurting because you quit me in a baby at bat. Finally, finally,

982
00:48:43,080 --> 00:48:46,680
Speaker 1: Stephanie yells, you're right. The curse is broken, and they

983
00:48:46,800 --> 00:48:49,520
Speaker 1: scream in unison have mercy.

984
00:48:50,120 --> 00:48:52,479
Speaker 2: That is so cute. I love that little happener moment.

985
00:48:52,640 --> 00:48:55,440
Speaker 1: This is the sweetest little scene between you and John.

986
00:48:55,480 --> 00:48:59,279
Speaker 1: I just love the bond between Jesse and Stephanie. It

987
00:48:59,320 --> 00:49:01,160
Speaker 1: continues all away through Fuller House.

988
00:49:01,280 --> 00:49:05,200
Speaker 3: True, this was one of those scenes that I watched

989
00:49:05,200 --> 00:49:07,840
Speaker 3: and then it just made me think of, like, you know,

990
00:49:07,920 --> 00:49:10,440
Speaker 3: sort of the later times in Fuller House and all that.

991
00:49:10,480 --> 00:49:13,960
Speaker 1: It was very cute. Yeah, and including walking you down

992
00:49:14,080 --> 00:49:17,120
Speaker 1: the aisle when Stephanie finally gets married and in the

993
00:49:17,160 --> 00:49:21,200
Speaker 1: last season a Fuller Ye so sweet. Well, this feels

994
00:49:21,200 --> 00:49:23,080
Speaker 1: like the end of the episode, but it's not. We

995
00:49:23,120 --> 00:49:25,719
Speaker 1: have one more scene, one more scene, one more scene.

996
00:49:25,719 --> 00:49:29,800
Speaker 1: In Michelle's room, Jesse is sitting next to Michelle's crib

997
00:49:29,880 --> 00:49:33,600
Speaker 1: as she brushes his hair. He stands up and asks, well,

998
00:49:33,640 --> 00:49:35,680
Speaker 1: what do you think of my new haircut? Better than

999
00:49:35,719 --> 00:49:36,759
Speaker 1: Gary Shandling's.

1000
00:49:37,360 --> 00:49:41,000
Speaker 3: And they probably only said that because Bob and Dave

1001
00:49:41,160 --> 00:49:43,200
Speaker 3: and John actually knew Gary, and it.

1002
00:49:43,120 --> 00:49:45,399
Speaker 1: Was just a just a stupid joke, like a little

1003
00:49:45,440 --> 00:49:46,239
Speaker 1: insider joke.

1004
00:49:46,400 --> 00:49:47,879
Speaker 2: Yeah yeah, yeah, yeah.

1005
00:49:47,600 --> 00:49:49,399
Speaker 1: I'm thinking so too, because it seemed kind of out

1006
00:49:49,400 --> 00:49:50,960
Speaker 1: of left field, so I'm like, yeah, this must be

1007
00:49:50,960 --> 00:49:51,960
Speaker 1: an insider although.

1008
00:49:51,800 --> 00:49:54,319
Speaker 2: Gary Shandling was also very, very popular comedian at the time.

1009
00:49:54,440 --> 00:49:58,920
Speaker 1: Yeah yeah, So Michelle promptly says, no, you can tell

1010
00:49:58,920 --> 00:50:01,040
Speaker 1: this is a word she's learned. She's like, no, that's

1011
00:50:01,040 --> 00:50:04,400
Speaker 1: her line now for the rest of the episode. Yes. Uh.

1012
00:50:04,600 --> 00:50:07,719
Speaker 1: Jesse asks her, well, what about Don King's hair, and

1013
00:50:07,760 --> 00:50:12,400
Speaker 1: again she tells him no, sarcastically says that he feels

1014
00:50:12,560 --> 00:50:13,240
Speaker 1: much better.

1015
00:50:14,040 --> 00:50:16,279
Speaker 3: Also, to those of you in their audience going who's

1016
00:50:16,280 --> 00:50:19,000
Speaker 3: Don King? He was a very I'm telling you wow.

1017
00:50:19,200 --> 00:50:24,080
Speaker 3: He was a famous boxing promoter and manager who also

1018
00:50:24,160 --> 00:50:26,320
Speaker 3: notoriously ripped off most of his clients and stole a

1019
00:50:26,360 --> 00:50:28,840
Speaker 3: lot of their money and was kind of not probably

1020
00:50:28,880 --> 00:50:29,480
Speaker 3: a great person.

1021
00:50:29,520 --> 00:50:34,560
Speaker 1: But his hair was that way defied gravity.

1022
00:50:34,880 --> 00:50:39,480
Speaker 3: It yeah, it was very It was what inspired Wicked,

1023
00:50:39,880 --> 00:50:41,720
Speaker 3: but it defied gravity.

1024
00:50:41,880 --> 00:50:43,799
Speaker 2: But yeah, it definitely went up.

1025
00:50:44,280 --> 00:50:47,120
Speaker 3: It did, it went It went very thing, but it

1026
00:50:46,920 --> 00:50:48,960
Speaker 3: was It was sort of a running joke Don King's hair.

1027
00:50:50,000 --> 00:50:53,200
Speaker 1: So Jesse's relieved that he does not look like Don King.

1028
00:50:53,880 --> 00:50:56,520
Speaker 2: His hair looked worse before you did it did.

1029
00:50:56,600 --> 00:51:00,399
Speaker 1: This is a huge improvement. So Jesse walks around Michelle Room,

1030
00:51:00,640 --> 00:51:04,160
Speaker 1: mentioning how he always says that things happen for a reason.

1031
00:51:05,160 --> 00:51:07,960
Speaker 1: He's realized that maybe this is all happening to him

1032
00:51:07,960 --> 00:51:10,520
Speaker 1: because it's time to make some changes in his life.

1033
00:51:11,360 --> 00:51:14,320
Speaker 1: She stares at him blankly, and he continues, you realize

1034
00:51:14,320 --> 00:51:17,399
Speaker 1: that ever since I've been sixteen years old, I've had

1035
00:51:17,440 --> 00:51:21,560
Speaker 1: the exact same haircut, I've ridden the same Harley, dressed

1036
00:51:21,640 --> 00:51:24,400
Speaker 1: the same listened to the same music, and had the

1037
00:51:24,440 --> 00:51:29,080
Speaker 1: same boring job killing bugs. He admits. For someone who

1038
00:51:29,120 --> 00:51:31,680
Speaker 1: likes to live life on the edge, he's been living

1039
00:51:31,719 --> 00:51:33,520
Speaker 1: on the edge of a rut.

1040
00:51:34,239 --> 00:51:35,759
Speaker 2: Yeah, I mean, is.

1041
00:51:35,760 --> 00:51:38,160
Speaker 1: He going through another life crisis like it's only been

1042
00:51:38,160 --> 00:51:39,359
Speaker 1: a few episodes since the last.

1043
00:51:39,960 --> 00:51:42,279
Speaker 3: Yeah, he's got a life crisis, and it's always kind

1044
00:51:42,280 --> 00:51:43,719
Speaker 3: of about the same thing, and he always comes to

1045
00:51:43,760 --> 00:51:46,520
Speaker 3: this realization. But then then he hops on his bike

1046
00:51:46,560 --> 00:51:48,560
Speaker 3: and forgets about it and breaks his art.

1047
00:51:48,640 --> 00:51:50,240
Speaker 1: Yeah yeah, this is this is now a pattern.

1048
00:51:50,239 --> 00:51:50,560
Speaker 2: I feel it.

1049
00:51:50,640 --> 00:51:53,680
Speaker 3: And there's more episodes to come where he freaks out

1050
00:51:53,920 --> 00:51:55,280
Speaker 3: and hops on his bike and leaves.

1051
00:51:55,400 --> 00:51:58,280
Speaker 1: So okay, so it's this is a pattern for a pattern.

1052
00:51:58,360 --> 00:51:59,279
Speaker 2: Yeah. Yeah.

1053
00:51:59,400 --> 00:52:02,800
Speaker 1: So Jesse ends up and announces to Michelle, starting right now,

1054
00:52:02,880 --> 00:52:06,920
Speaker 1: I'm gonna shake my life up a bit. Michelle looks surprised,

1055
00:52:07,000 --> 00:52:09,680
Speaker 1: and Jesse asks, what you think I'm afraid of change?

1056
00:52:10,280 --> 00:52:13,680
Speaker 1: She stares blankly, and he gets defensive, saying, you think

1057
00:52:13,719 --> 00:52:15,600
Speaker 1: I'm caught up in this whole rebel thing and I

1058
00:52:15,680 --> 00:52:18,920
Speaker 1: refuse to grow up. Huh, yes, yes, yes you are, Yes,

1059
00:52:18,960 --> 00:52:21,600
Speaker 1: I do exactly, Yes, I do think that spot on.

1060
00:52:22,719 --> 00:52:25,080
Speaker 1: He reveals that from now on he's going to be

1061
00:52:25,160 --> 00:52:27,360
Speaker 1: a lot more open to change and he's going to

1062
00:52:27,400 --> 00:52:31,239
Speaker 1: start acting like a mature adult. After his speech, he

1063
00:52:31,280 --> 00:52:36,600
Speaker 1: immediately groans, Joey, I need you. Joey walks up in

1064
00:52:36,680 --> 00:52:42,280
Speaker 1: a killer turtleneck and asks again, and he asks again, Yeah,

1065
00:52:42,400 --> 00:52:45,640
Speaker 1: Jesse tells him he did have four glasses of iced tea,

1066
00:52:46,280 --> 00:52:48,760
Speaker 1: and the audience laughs. Here we go more potty humor.

1067
00:52:49,960 --> 00:52:52,480
Speaker 3: You know that there was a moment that got edited

1068
00:52:52,520 --> 00:52:55,720
Speaker 3: out of this, Oh what do tell So if you watch,

1069
00:52:56,200 --> 00:52:58,919
Speaker 3: Dave goes like and reaches behind him, and I don't

1070
00:52:58,920 --> 00:52:59,840
Speaker 3: know if you remember.

1071
00:52:59,600 --> 00:53:03,520
Speaker 2: It's in the gag reel. Oh, he pulls tongs out

1072
00:53:03,520 --> 00:53:07,279
Speaker 2: of his back pocket and goes like like that and

1073
00:53:07,320 --> 00:53:09,880
Speaker 2: goes out after him like as if he's using the

1074
00:53:09,920 --> 00:53:13,560
Speaker 2: tongs to help Uncle Jesse use the restaurant. Oh geez,

1075
00:53:14,239 --> 00:53:16,719
Speaker 2: but that yeah, they cut that out of the episode,

1076
00:53:16,719 --> 00:53:20,120
Speaker 2: but it's definitely in the in the in the season

1077
00:53:20,120 --> 00:53:22,399
Speaker 2: two gagriel. That's so great And if you and if

1078
00:53:22,400 --> 00:53:24,279
Speaker 2: you watch it, you sort of see Dave like go

1079
00:53:24,400 --> 00:53:26,360
Speaker 2: reach back into his pocket. But I think they were like,

1080
00:53:26,360 --> 00:53:28,000
Speaker 2: maybe we shouldn't put that in the final cut.

1081
00:53:28,120 --> 00:53:30,480
Speaker 1: Right, Oh my gosh, that's great that I did not

1082
00:53:30,480 --> 00:53:33,680
Speaker 1: notice that. That's hysterical. We kind of find that gag reel.

1083
00:53:35,320 --> 00:53:37,520
Speaker 1: So the guys stare at each other and Joey tells

1084
00:53:37,560 --> 00:53:40,959
Speaker 1: him to go on, and Michelle waves goodbye as both

1085
00:53:40,960 --> 00:53:43,760
Speaker 1: guys walk out of the room, and that is our show.

1086
00:53:44,320 --> 00:53:46,600
Speaker 1: That is our season two opener.

1087
00:53:46,800 --> 00:53:49,680
Speaker 2: Yes, season two opener, Jesse's broken arms.

1088
00:53:49,880 --> 00:53:53,919
Speaker 1: Yeah, Jesse's life crisis. They you know, it's it's They're back.

1089
00:53:54,040 --> 00:53:56,680
Speaker 1: They're back. This was a solid season.

1090
00:53:56,400 --> 00:53:59,120
Speaker 2: Open was this was a great season Oprah. Actually, I

1091
00:53:59,200 --> 00:54:02,520
Speaker 2: really yeah, I really enjoyed it. I was very I

1092
00:54:02,560 --> 00:54:03,160
Speaker 2: was very pleased.

1093
00:54:03,200 --> 00:54:03,560
Speaker 1: I did too.

1094
00:54:03,719 --> 00:54:04,040
Speaker 2: Episode.

1095
00:54:04,040 --> 00:54:05,720
Speaker 3: It's one of my it's one of my favorite episodes.

1096
00:54:05,719 --> 00:54:09,240
Speaker 3: I just think it's a cute. There's some cute scenes

1097
00:54:09,239 --> 00:54:11,920
Speaker 3: in it, and some really funny physical comedy bits with

1098
00:54:12,000 --> 00:54:12,959
Speaker 3: John and Read.

1099
00:54:13,640 --> 00:54:15,759
Speaker 1: Yeah, and some emotional beats too. They hit all that.

1100
00:54:16,160 --> 00:54:18,520
Speaker 3: I mean, like some really great, sweet touching scenes, some

1101
00:54:18,560 --> 00:54:22,120
Speaker 3: really funny scenes. It was a well written and well

1102
00:54:22,160 --> 00:54:22,920
Speaker 3: executed episode.

1103
00:54:23,080 --> 00:54:23,880
Speaker 2: I do like this one.

1104
00:54:24,000 --> 00:54:26,759
Speaker 1: Yeah, I did too, and I wrote down that. My

1105
00:54:26,800 --> 00:54:28,799
Speaker 1: only note is that I wish this episode had kind

1106
00:54:28,800 --> 00:54:31,480
Speaker 1: of hinted at any of the storylines to come in

1107
00:54:31,560 --> 00:54:34,160
Speaker 1: season two or the character arcs. But now I'm just

1108
00:54:34,200 --> 00:54:37,439
Speaker 1: realizing in real time that maybe that's what this last

1109
00:54:37,480 --> 00:54:40,040
Speaker 1: scene in Michelle's room was about. Jesse's hinting that he's

1110
00:54:40,080 --> 00:54:43,040
Speaker 1: making changes, and I don't know what's coming in season two.

1111
00:54:43,160 --> 00:54:47,200
Speaker 2: But right, maybe it's the jingle writers. Did they jingle

1112
00:54:47,960 --> 00:54:50,239
Speaker 2: radio host? Did that one of the many jobs that

1113
00:54:50,280 --> 00:54:53,080
Speaker 2: Jesse and Joy do? Yeah, but yeah it does. It

1114
00:54:53,160 --> 00:54:57,759
Speaker 2: is sort of setting that up. Okay for that, but

1115
00:54:57,840 --> 00:54:58,600
Speaker 2: also sit.

1116
00:54:58,440 --> 00:55:01,160
Speaker 3: Comes back then and shows back then. Like I feel

1117
00:55:01,200 --> 00:55:05,439
Speaker 3: like one off episodes were kind of more of the thing.

1118
00:55:05,640 --> 00:55:09,279
Speaker 3: You could jump in really at any point, true, and

1119
00:55:09,320 --> 00:55:12,000
Speaker 3: you didn't necessary. It wasn't like you needed to know

1120
00:55:12,120 --> 00:55:14,280
Speaker 3: what happened, and that's kind of a sitcom thing anyways.

1121
00:55:14,280 --> 00:55:16,839
Speaker 3: You can, you don't need to know as much. There

1122
00:55:16,840 --> 00:55:18,960
Speaker 3: are a little more like individualized episodes.

1123
00:55:19,040 --> 00:55:21,800
Speaker 1: Yeah, you can jump anytime, but yeah.

1124
00:55:22,000 --> 00:55:22,399
Speaker 2: We didn't.

1125
00:55:22,440 --> 00:55:24,759
Speaker 3: There wasn't a lot of long term character arcs other

1126
00:55:24,800 --> 00:55:29,000
Speaker 3: than Jesse's upset.

1127
00:55:27,800 --> 00:55:30,160
Speaker 1: Again yeah, Jesse's upset. Jesse's upset.

1128
00:55:30,200 --> 00:55:31,040
Speaker 2: Yeh, Jesse's upset.

1129
00:55:31,120 --> 00:55:31,680
Speaker 3: Jesse's upset.

1130
00:55:32,080 --> 00:55:35,359
Speaker 1: Well, do you have any everywhere you look moments from

1131
00:55:35,760 --> 00:55:36,520
Speaker 1: this episode?

1132
00:55:36,680 --> 00:55:39,160
Speaker 2: Actually? I do actually have an everywhere you look moments?

1133
00:55:39,640 --> 00:55:41,680
Speaker 2: And it's season.

1134
00:55:41,400 --> 00:55:44,200
Speaker 3: Two and actually this is everywhere you look and something

1135
00:55:44,280 --> 00:55:48,040
Speaker 3: you don't see, Oh what the second couch.

1136
00:55:49,280 --> 00:55:51,560
Speaker 2: The second couch has.

1137
00:55:51,239 --> 00:55:55,280
Speaker 3: Now been replaced with the two blue chairs that remained

1138
00:55:56,160 --> 00:55:57,200
Speaker 3: for the rest of the show.

1139
00:55:57,360 --> 00:55:58,960
Speaker 1: I didn't even notice that.

1140
00:55:58,920 --> 00:56:02,120
Speaker 2: The second couch. Yep, the second couch is gone.

1141
00:56:02,480 --> 00:56:07,759
Speaker 1: I'm kind of relieved because it always every time it's like, right,

1142
00:56:07,960 --> 00:56:09,560
Speaker 1: not two couches, there's only one couch.

1143
00:56:09,920 --> 00:56:12,000
Speaker 3: It was such a pain in the ass every time,

1144
00:56:12,120 --> 00:56:14,520
Speaker 3: Like I can only imagine as a director as it

1145
00:56:14,719 --> 00:56:15,440
Speaker 3: like it would just.

1146
00:56:16,160 --> 00:56:17,240
Speaker 2: Would have driven me nuts.

1147
00:56:17,320 --> 00:56:21,719
Speaker 3: Yeah, okay, so yeah, we finally finally set deck got

1148
00:56:21,880 --> 00:56:24,200
Speaker 3: got it together and replaced it with two blue chairs.

1149
00:56:24,280 --> 00:56:26,279
Speaker 1: And it's much easier to move move those blue chairs

1150
00:56:26,280 --> 00:56:26,799
Speaker 1: out of the way.

1151
00:56:28,320 --> 00:56:31,680
Speaker 2: The couch of people sitting there, you know what I mean.

1152
00:56:31,719 --> 00:56:32,920
Speaker 2: It's yeah, it's uh.

1153
00:56:33,120 --> 00:56:37,040
Speaker 3: The director finally was had Joel probably had burned the

1154
00:56:37,040 --> 00:56:38,399
Speaker 3: couch outside of set or something.

1155
00:56:38,440 --> 00:56:39,480
Speaker 2: It was like, I.

1156
00:56:39,440 --> 00:56:42,160
Speaker 3: Hate this thing, get it out. But that was my

1157
00:56:42,280 --> 00:56:45,120
Speaker 3: ever where you look was the second couch is gone.

1158
00:56:45,239 --> 00:56:47,279
Speaker 1: I love it. I love it. That's a I didn't

1159
00:56:47,320 --> 00:56:49,040
Speaker 1: even notice. I didn't notice that it was that it

1160
00:56:49,080 --> 00:56:51,320
Speaker 1: was gone. All right, that's excellent.

1161
00:56:53,040 --> 00:56:54,000
Speaker 2: Okay, well you have one.

1162
00:56:54,080 --> 00:56:56,799
Speaker 1: I do have one, and it's it's I've been wanting

1163
00:56:56,800 --> 00:56:58,040
Speaker 1: to bring this up for a while because I saw

1164
00:56:58,080 --> 00:57:00,319
Speaker 1: it in season one as well, and it's you're in

1165
00:57:00,360 --> 00:57:04,040
Speaker 1: season two. Okay, if you're in the living room set

1166
00:57:04,480 --> 00:57:07,120
Speaker 1: and you look at the kitchen, the door leading to

1167
00:57:07,160 --> 00:57:08,120
Speaker 1: the kitchen.

1168
00:57:08,160 --> 00:57:11,840
Speaker 2: Right, there's this decor there is this is it the woman,

1169
00:57:12,040 --> 00:57:14,160
Speaker 2: the woman, the mermaid?

1170
00:57:14,320 --> 00:57:14,719
Speaker 1: What is this?

1171
00:57:16,120 --> 00:57:18,520
Speaker 2: It's sticking out what you would see on the bow

1172
00:57:18,760 --> 00:57:19,480
Speaker 2: of a ship.

1173
00:57:19,840 --> 00:57:22,960
Speaker 3: Okay, So which there was always women were always carved

1174
00:57:22,960 --> 00:57:26,280
Speaker 3: into it because they were you were supposed to name

1175
00:57:26,440 --> 00:57:28,480
Speaker 3: your ship after a woman. It was like good luck

1176
00:57:28,520 --> 00:57:30,480
Speaker 3: and whatever, and you put that on the head of

1177
00:57:30,600 --> 00:57:31,800
Speaker 3: on the bow of your ship, and that.

1178
00:57:31,880 --> 00:57:35,600
Speaker 1: Was She's like the beacon. She's like the yeah, this

1179
00:57:35,680 --> 00:57:38,000
Speaker 1: is what you name your ship. Okay, so it's fitting.

1180
00:57:38,120 --> 00:57:41,240
Speaker 3: Maybe they ripped it off of the boat in the

1181
00:57:41,280 --> 00:57:45,120
Speaker 3: Secrets episode and they've mounted it to the to the.

1182
00:57:45,040 --> 00:57:48,560
Speaker 1: Wall ever since the last remaining homage to their bachelor

1183
00:57:48,600 --> 00:57:49,680
Speaker 1: good Yes.

1184
00:57:49,960 --> 00:57:52,160
Speaker 2: It's and it goes.

1185
00:57:52,440 --> 00:57:56,280
Speaker 3: It's a set with that weird woman on the bow

1186
00:57:56,320 --> 00:57:58,960
Speaker 3: of the ship and the sea Pappy's head. So they're

1187
00:57:59,000 --> 00:58:01,760
Speaker 3: a duo sort of a weird salt and pepper shaker Kenna.

1188
00:58:03,200 --> 00:58:07,320
Speaker 3: We got Tot's happy Saltan's poppy shaker salt, pap seeing

1189
00:58:07,440 --> 00:58:08,640
Speaker 3: Pappy shaker.

1190
00:58:10,440 --> 00:58:10,680
Speaker 2: Salt.

1191
00:58:10,880 --> 00:58:14,000
Speaker 1: That's this is what I'm giving you for for Christmas

1192
00:58:14,000 --> 00:58:20,080
Speaker 1: next years. Happy a custom made Sultan tapping it shakey.

1193
00:58:21,040 --> 00:58:22,360
Speaker 2: Yes, Oh my god, amazing.

1194
00:58:23,480 --> 00:58:26,240
Speaker 3: All right, Well, uh, if you guys are enjoying the podcast,

1195
00:58:26,280 --> 00:58:29,560
Speaker 3: make sure you like and subscribe. Follow us on Instagram

1196
00:58:29,680 --> 00:58:32,280
Speaker 3: at how Rude Podcast. You can also send us an

1197
00:58:32,320 --> 00:58:34,120
Speaker 3: email at how rude pop.

1198
00:58:34,240 --> 00:58:35,880
Speaker 2: Uh, damn it.

1199
00:58:36,320 --> 00:58:38,520
Speaker 1: That's okay, that's okay, it's all hard. I was expecting

1200
00:58:38,560 --> 00:58:39,680
Speaker 1: you to screw up, right.

1201
00:58:40,000 --> 00:58:42,560
Speaker 3: You can send us an email at how Rude Podcast

1202
00:58:42,800 --> 00:58:44,240
Speaker 3: at gmail dot com.

1203
00:58:44,400 --> 00:58:45,000
Speaker 2: There we go.

1204
00:58:45,000 --> 00:58:48,280
Speaker 3: Good job, and make sure and tune in next week.

1205
00:58:48,320 --> 00:58:51,800
Speaker 3: We've got mini sodes, we've got episodes with Dave Kiek,

1206
00:58:51,960 --> 00:58:54,240
Speaker 3: we've got interviews, all kinds of fun stuff.

1207
00:58:55,200 --> 00:58:57,520
Speaker 2: So we're so glad to be back with you guys.

1208
00:58:57,240 --> 00:58:59,120
Speaker 3: In twenty twenty four. And we're so happy to be

1209
00:58:59,240 --> 00:59:03,400
Speaker 3: starting season two of our recap of Howard Tandarrito's. And

1210
00:59:03,520 --> 00:59:08,040
Speaker 3: remember everyone, the world is small, but.

1211
00:59:08,080 --> 00:59:08,880
Speaker 2: The house is full.

1212
00:59:09,360 --> 00:59:10,960
Speaker 1: Boom, Mike drop.

1213
00:59:11,040 --> 00:59:11,680
Speaker 2: Mike dropped down.

1214
00:59:12,000 --> 00:59:14,880
Speaker 1: You did it, Joony, sweeten. This is a new era,

1215
00:59:15,240 --> 00:59:15,960
Speaker 1: this is a new you.

1216
00:59:16,240 --> 00:59:18,920
Speaker 2: It is twenty twenty four. What you got? Oh god, no,

1217
00:59:18,960 --> 00:59:25,280
Speaker 2: I shouldn't ask that question. He was terrib