WEBVTT - Selects: Bridges: Nature Abhors Them

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<v Speaker 1>Hello, s y s K Fam. It's Josh and for

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<v Speaker 1>this week's Stuff you Should Know selects. I've chosen Bridges

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<v Speaker 1>Nature Abhores Them, which we released back in June of

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<v Speaker 1>two fift and it's a pretty good one. It's got

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<v Speaker 1>a lot of engineering, believe it or not. But it's

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<v Speaker 1>not like the eye glazy kind. It's like the oh

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<v Speaker 1>my god, this is amazingly fascinating kind. I hope you

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<v Speaker 1>feel that way at least, and I'll bet you will

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<v Speaker 1>so enjoy Bridges Nature Abhores Them. Starting now, welcome to

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<v Speaker 1>Stuff you Should Know, a production of I Heart Radio. Hey,

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<v Speaker 1>and welcome to the podcast. I'm Josh Clark with Charles

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<v Speaker 1>w Chuck Bryant with Jerry Rowland with me Josh Clark,

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<v Speaker 1>and this is You Should Know featuring Josh Clark's about

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<v Speaker 1>to say, you never introduce yourself, and then you done

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<v Speaker 1>did it twice? Three three times? Oh yeah, you always

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<v Speaker 1>introduce your but you never say your last name. I

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<v Speaker 1>think that's extruct me. John, No, I say I'm Josh Clark,

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<v Speaker 1>do you Yeah? Every time I should listen to these sometimes, yeah,

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<v Speaker 1>that explains the glazed overlook in your eyes. Whenever we

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<v Speaker 1>start um Bridges. Yeah, is that your intro? Yep, I

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<v Speaker 1>like him. Maybe we can add like a scat drummer

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<v Speaker 1>on top of that. We have that kind of um

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<v Speaker 1>when we're doing uh listener mail, there's a little bit

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<v Speaker 1>of dan Oh yeah, well that's not scat drumming. I

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<v Speaker 1>would say that's more of a shuffle mhm scats like

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<v Speaker 1>bood Yeah like that. Yeah, you should get Hodgment to

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<v Speaker 1>scat for you sometime. He's going He's get a lot

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<v Speaker 1>of boot boot badus going on when he's scatting any

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<v Speaker 1>jazz hands. No, No, it's not exactly Manhattan transfer level.

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<v Speaker 1>He's intermediate. Yeah. Uh yeah so again Bridges. Yeah, you know,

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<v Speaker 1>I bet we're going to hear from some folks because

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<v Speaker 1>there are bridge enthusiasts Yeah, which I think is kind

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<v Speaker 1>of neat. Yeah. Well, I mean they're like modern marvels

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<v Speaker 1>of engineering, and actually there's some ancient marvels of engineering too,

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<v Speaker 1>as far as they are, um, yeah, they're basically I

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<v Speaker 1>was talking to our pal um Adam the architect o,

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<v Speaker 1>the bridge builder. No, uh, he's a building builder or

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<v Speaker 1>a building designer. I don't know if he actually knows

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<v Speaker 1>how to build the buildings. He just knows how to

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<v Speaker 1>tell other people how to build that. Adam can't swing

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<v Speaker 1>a hammer, so he was saying that, um uh the um.

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<v Speaker 1>Basically the structural engineers who designed bridges are just straight

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<v Speaker 1>up geniuses. Like it requires a basically a genius to

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<v Speaker 1>to factor in all of this stuff. Yeah, anyone can

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<v Speaker 1>design a building, you know, there's just four walls and

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<v Speaker 1>a bunch of floors. Put a roof on it. Bridge

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<v Speaker 1>though it's different. Yes, right, there aren't walls really, Um,

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<v Speaker 1>there can be bridges of Madison County they had walls.

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<v Speaker 1>Oh yeah, they have walls. I was going to mention

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<v Speaker 1>the bridges of Madison County. Yeah, I love those that

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<v Speaker 1>that'd be a beam bridge, I guess, yeah, with a truss, right,

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<v Speaker 1>a top trust, what's the top trust called a through

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<v Speaker 1>trust through trusts, and then below that. If it were

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<v Speaker 1>below it would be a deck trust. But I don't

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<v Speaker 1>know if that counts as a trust. It's more just

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<v Speaker 1>like a house on top of the bridge. I bet

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<v Speaker 1>their structural support there. I guess they thought it was

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<v Speaker 1>mainly just to keep the rain off of you when

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<v Speaker 1>you crossed the bridge, like just an extra little thank

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<v Speaker 1>you for crossing the bridge. I thought it was just

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<v Speaker 1>to draw in Lackey tourists who wanted to have their

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<v Speaker 1>picture made. Another famous bridge, the one that the headless

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<v Speaker 1>Horseman couldn't cross in the Legend of Sleepy Halla. Oh yeah,

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<v Speaker 1>it wouldn't that a bridge. Sure, trolls of under bridges,

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<v Speaker 1>bats drawbridges are pretty cool. Have you ever seen Maximum

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<v Speaker 1>Overdrive the beginning of that movie. Um, it's been many

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<v Speaker 1>many years. I saw it again. I saw it again

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<v Speaker 1>very recently, like this year, and it is it's maybe

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<v Speaker 1>better than it was before. It holds up as a

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<v Speaker 1>crappy movie still. Yes. Yeah. The whole soundtrack is a

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<v Speaker 1>C d C by the way, which you should love

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<v Speaker 1>the whole soundtrack. I do love that, and I do

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<v Speaker 1>remember that. And didn't Stephen King directs that, which he

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<v Speaker 1>doesn't do much right. No, that maybe it's only one

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<v Speaker 1>is definitely his first interesting. But there's a great draw

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<v Speaker 1>drawbridge scene in there. Did someone jump it, jump the

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<v Speaker 1>span as it raised? No, I think their car fell

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<v Speaker 1>into their truck fell in. Okay, because usually the drawbridge

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<v Speaker 1>scene is like I can make it. Uh No, this

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<v Speaker 1>one was You're all doomed and uh. Let me also

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<v Speaker 1>recommend Budapest for bridges. You mean I went to Budapest

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<v Speaker 1>a couple of years ago. Yeah, I went there like

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<v Speaker 1>twenty years ago. Okay, so yeah, you know the bridges

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<v Speaker 1>are amazing that I think like five because they connect

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<v Speaker 1>the two sides. Yeah, Buddha and Pesht, right, and each

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<v Speaker 1>one is totally different, like it's just a completely different design. Yeah,

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<v Speaker 1>and they're just all gorgeous. Yeah, let's just start with

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<v Speaker 1>a bunch of bridge recommendations. I'm going to recommend the

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<v Speaker 1>city of Pittsburgh. Oh yeah, I went through a baseball

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<v Speaker 1>game there, and it's just just gorgeous. Those beautiful bridges

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<v Speaker 1>that you can see from the baseball stadium and the river.

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<v Speaker 1>That was when we were a Toyota commercial from its ring, right. Yeah,

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<v Speaker 1>I stayed in the hotel and just eight um sog

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<v Speaker 1>copenny r no chicken sog. Right, it's just like a

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<v Speaker 1>chord of it. But you can see the baseball stadium

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<v Speaker 1>out your hotel window. Yeah. And I saw some bridges too. Yeah,

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<v Speaker 1>you walk across the bridge to get there. Really, swe

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<v Speaker 1>did what else any other bridges? Well, Brooklyn Bridge, sure,

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<v Speaker 1>Golden Gate Bridge, those are like the famous ones are

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<v Speaker 1>barely even worth mentioning, Yeah, but the Brooklyn Bridge is

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<v Speaker 1>for your money. It's which is free. It's a pretty

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<v Speaker 1>great thing to do to walk across it. It's it's

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<v Speaker 1>just beautiful. I've never done that. You should do it.

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<v Speaker 1>Even the Geico Lizard did it, and I haven't. That

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<v Speaker 1>guy's like Australian or something. Well, maybe we should just

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<v Speaker 1>animate you and have you walk across it. Uh. One

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<v Speaker 1>more thing, if you want to know more about the

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<v Speaker 1>Brooklyn Bridge, I don't remember which one we talked about

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<v Speaker 1>it and but there is a really cool documentary about

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<v Speaker 1>the Brooklyn Bridge and it's building by Ken Burns. Oh wow,

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<v Speaker 1>I believe it's on Netflix. I'll have to check that

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<v Speaker 1>out then, yep, because I like kin Burns and Brooklyn bridges.

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<v Speaker 1>All right, you ready? Uh yeah. In so, bridges have

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<v Speaker 1>been around for a very long time. This article is

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<v Speaker 1>by Robert lam and another dude named Michael Morrissey together.

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<v Speaker 1>I believe they were locked away in a closet for

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<v Speaker 1>like a couple of months while they worked this out together. Well,

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<v Speaker 1>he the one of the first ones that're talking about

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<v Speaker 1>ancient bridges that they mentioned in here. The Arcadeco Bridge

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<v Speaker 1>in ancient Greece, did you see that thing? It's really neat.

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<v Speaker 1>I mean it still stands. It's a three thousand year

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<v Speaker 1>old bridge, and uh, it's just kind of cool to

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<v Speaker 1>think about. You know, ancient civilizations. In ancient times, people said, well,

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<v Speaker 1>I want to get over there, right and I'm here,

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<v Speaker 1>and uh so let's build something to do that. I

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<v Speaker 1>need something to walk on, yeah, or drive my card over?

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<v Speaker 1>Is that simple? Um? I saw that. I saw the

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<v Speaker 1>world's oldest bridge that's still in use, um Is in

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<v Speaker 1>Turkey over the um Melis River, I believe, from eight

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<v Speaker 1>b c. Do you know what that one's h How

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<v Speaker 1>it's constructed a single It is a single stone slab archy. No,

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<v Speaker 1>it is a stone slab, single arch. Yeah, that makes sense,

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<v Speaker 1>very basic. Yeah, but the arch it's super old. But

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<v Speaker 1>it's still in use today because whoever figured it out

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<v Speaker 1>came upon this very elegant solution to a lot of

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<v Speaker 1>problems that a bridge poses. Because, as you were saying,

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<v Speaker 1>when when you come upon like a river or creek

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<v Speaker 1>or something, you say, I'm on this side and I

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<v Speaker 1>need to be on the other side, so I need

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<v Speaker 1>something to walk across. Yeah, Okay, that's a basic solution.

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<v Speaker 1>But the further and further you get, the more and

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<v Speaker 1>more problems. Like as bridge billers say, most span more problems. Yeah,

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<v Speaker 1>I guess what we should have said is I want

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<v Speaker 1>to walk across and live. I want to walk all

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<v Speaker 1>the way across, right, I don't want to fall down. No,

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<v Speaker 1>I don't want to get halfway across and have it snapped.

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<v Speaker 1>So over the years, as people have come upon problems

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<v Speaker 1>where you are going to build a bridge that will

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<v Speaker 1>snapping and kill you, they've come up with solutions to

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<v Speaker 1>prevent that from happening. That's pretty much the pursuit of

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<v Speaker 1>bridge building is coming up with ways to prevent a

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<v Speaker 1>bridge from collapsing, and a lot of trial and error

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<v Speaker 1>over the years, you know, and a lot of real

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<v Speaker 1>significant disasters. In fact, there's a Time magazine slide show

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<v Speaker 1>um called worst Bridge Collapses in Past one years, um,

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<v Speaker 1>and it's got all these photos of collapse bridges and

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<v Speaker 1>little descriptions and the number of fatalities and everything. But um,

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<v Speaker 1>it's it's really interesting all these different bridges have collapsed

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<v Speaker 1>and failed for all these different reasons. Well and after

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<v Speaker 1>each one, uh it's very sad, of course, but after

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<v Speaker 1>each one someone goes, oh, well we should do this

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<v Speaker 1>for the next one. We should not forget that bolt

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<v Speaker 1>next time. Well, that's that could be human Ara, True,

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<v Speaker 1>that's happened. Yeah, I'm sure. All right. So should we

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<v Speaker 1>start off with the bats? Be a t s. Beams, arches, trusses,

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<v Speaker 1>and suspensions are the main components of the structural components

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<v Speaker 1>of a bridge. It's very simple. That's it. That's all

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<v Speaker 1>you need to know to construct your own bridge. And

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<v Speaker 1>with these four things you can make almost any kind

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<v Speaker 1>of bridge. Um, we're gonna cover mainly beam bridges, arch bridges,

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<v Speaker 1>trust bridges, suspension bridges, and then the super cool looking

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<v Speaker 1>cable stayed bridge. It is super cool looking, probably my

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<v Speaker 1>favorite looking bridge in the world that I came across

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<v Speaker 1>and reach researching. This is a cable stayed bridge, the

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<v Speaker 1>one that's in the article. Oh yeah, they look like

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<v Speaker 1>look like sales gorgeous, the big triangles rising up. It's lovely.

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<v Speaker 1>But they look a little more modern to me. They

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<v Speaker 1>don't have that classic architecture like the Brooklyn Bridge does,

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<v Speaker 1>or like the Tower Bridge in London. Yeah, I think

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<v Speaker 1>that's why I like it. Yeah you like the modern look. Yeah, yeah,

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<v Speaker 1>you're a modern guy. I'm super mod alright. Um. They

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<v Speaker 1>point out in the article, which is very key. What

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<v Speaker 1>you talked about. The span of the bridge is the

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<v Speaker 1>distance between the supports, and that's where Um, that's where

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<v Speaker 1>it all goes down. Basically, Yes, that's got to be

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<v Speaker 1>strong there. Those are something that every single bridge has

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<v Speaker 1>is a span and at least one support most likely

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<v Speaker 1>to yeah, you know, um, and there's different The reason

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<v Speaker 1>that there are different types of bridges because different bridge

0:11:36.840 --> 0:11:42.160
<v Speaker 1>designs that that bats designs what is it, beams, arches, trusses,

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<v Speaker 1>and suspension. They provide stability for varying span lengths. So

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<v Speaker 1>like a beam, if you have like a fifty ft

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<v Speaker 1>UM span, just put a like a very long log

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<v Speaker 1>over over the span and there you go. There's your bridge.

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<v Speaker 1>But as you get further and further along, you have

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<v Speaker 1>more and more problems supporting that span, So you need

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<v Speaker 1>different types of solutions, and the different length of the

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<v Speaker 1>span calls usually for a specific type of bridge design. Yeah,

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<v Speaker 1>and generally it'll I mean there's a lot of overlap,

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<v Speaker 1>of course, but UM beam bridges tend to be the shortest,

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<v Speaker 1>followed by arch bridges and then suspension bridges, and I

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<v Speaker 1>think those UM the cable stayed bridge is is kind

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<v Speaker 1>of a suspension bridge, so that counts. It's like a

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<v Speaker 1>kind of a variation that can be very long as well. Yeah,

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<v Speaker 1>not quite as long as suspension bridges, though from what

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<v Speaker 1>I understand and this um, the suspension bridge affords the

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<v Speaker 1>longest span. Okay, so you've got a big long span,

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<v Speaker 1>it's it's suspension time. And they're also super expensive. Yeah,

0:12:46.520 --> 0:12:49.679
<v Speaker 1>suspension bridges because all the bridge builders know that you've

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<v Speaker 1>got a long span that you're trying to cross, you

0:12:51.559 --> 0:12:53.720
<v Speaker 1>probably got some deep pockets and they're gonna milk you

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<v Speaker 1>for it. Oh yeah, every penny. Yeah yeah, Like you

0:12:57.240 --> 0:13:00.840
<v Speaker 1>need a suspension bridge, I'm your guy. Yep. Um. All right,

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<v Speaker 1>so let's talk about there are a lot of different

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<v Speaker 1>forces that can act on a bridge to make it

0:13:06.840 --> 0:13:10.040
<v Speaker 1>not as stable. UM will cover a few of the

0:13:10.920 --> 0:13:14.079
<v Speaker 1>other ones later, but the main two here early on

0:13:14.240 --> 0:13:18.160
<v Speaker 1>our tension and compression. And the very easy way to

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<v Speaker 1>think about these two things is tension is like if

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<v Speaker 1>you if you and I are pulling a rope, like

0:13:23.080 --> 0:13:24.839
<v Speaker 1>you're on one end and I'm on the other, We're

0:13:24.840 --> 0:13:28.199
<v Speaker 1>gonna pull that sucker tight and I'm gonna fall over

0:13:28.400 --> 0:13:33.000
<v Speaker 1>due to your massive strength. I'm pretty huge, But there

0:13:33.000 --> 0:13:37.640
<v Speaker 1>will be some tension in that rope. Yeah, is f

0:13:37.760 --> 0:13:40.679
<v Speaker 1>do you fall down? Yeah, and I'd start laughing. There

0:13:40.679 --> 0:13:44.200
<v Speaker 1>would be tension, sure, But tension is the lengthening of something. Yes,

0:13:44.400 --> 0:13:47.800
<v Speaker 1>Compression is the shortening of something, Yeah, like a spring collapse. Right.

0:13:47.840 --> 0:13:50.280
<v Speaker 1>So it's easy to visualize when you're talking like springs

0:13:50.280 --> 0:13:52.040
<v Speaker 1>and ropes and that kind of thing. But if you're

0:13:52.040 --> 0:13:55.200
<v Speaker 1>talking about just a single deck of a bridge, which

0:13:55.200 --> 0:13:58.600
<v Speaker 1>you think of as one piece, Um, it's tough too.

0:13:58.960 --> 0:14:02.280
<v Speaker 1>It starts to get tough to visualize it until you

0:14:02.360 --> 0:14:04.800
<v Speaker 1>realize that you have to look at like a bridge

0:14:04.840 --> 0:14:08.960
<v Speaker 1>deck like the roadway on the bridge, as really having

0:14:09.000 --> 0:14:12.480
<v Speaker 1>a top and a bottom. Yes, and forces, Well, the

0:14:12.520 --> 0:14:15.760
<v Speaker 1>compression acts in the downward motion on the top, and

0:14:15.880 --> 0:14:20.240
<v Speaker 1>the tension acts from the underneath coming up on the bottom. Right,

0:14:20.280 --> 0:14:24.480
<v Speaker 1>So the bottom of the bridge, underneath it of the

0:14:24.560 --> 0:14:28.440
<v Speaker 1>deck is going to be spread out under the force

0:14:28.440 --> 0:14:32.560
<v Speaker 1>of tension. We're on top where it's being pushed down compressed.

0:14:33.320 --> 0:14:36.960
<v Speaker 1>That's compression. Yeah, And they kind of, in a weird way,

0:14:37.000 --> 0:14:40.520
<v Speaker 1>work together. Even though they're sort of opposite things, they're

0:14:40.520 --> 0:14:45.520
<v Speaker 1>definitely related. Uh, And what will happen is if these uh,

0:14:45.880 --> 0:14:49.680
<v Speaker 1>if you aren't a very good bridge builder, um, buckling

0:14:49.680 --> 0:14:54.040
<v Speaker 1>will occur when it's compressed on the top, and snapping

0:14:54.080 --> 0:14:58.200
<v Speaker 1>can occur on the bottom when tension is at work.

0:14:58.480 --> 0:15:00.600
<v Speaker 1>That's right, all sounds very can using. But if you

0:15:00.720 --> 0:15:03.080
<v Speaker 1>just I gotta do is like put your hand out

0:15:03.120 --> 0:15:05.880
<v Speaker 1>and look at it, right, you know, and so or

0:15:06.080 --> 0:15:08.400
<v Speaker 1>if you take and push down on your hand or

0:15:08.640 --> 0:15:12.600
<v Speaker 1>on your hand, right, you know what I'm saying like that, yeah,

0:15:12.720 --> 0:15:17.280
<v Speaker 1>like that. Um, the whole thing becomes very very evident

0:15:17.520 --> 0:15:20.920
<v Speaker 1>when you look at a beam bridge, right, the most

0:15:20.960 --> 0:15:23.280
<v Speaker 1>basic form of a bridge, like if you dropped a

0:15:23.320 --> 0:15:26.320
<v Speaker 1>log over a river, right, and this this thing. Um.

0:15:26.440 --> 0:15:29.000
<v Speaker 1>This article used the example of like taking a pair

0:15:29.040 --> 0:15:31.920
<v Speaker 1>of milk crates and putting like a two by four

0:15:31.920 --> 0:15:35.080
<v Speaker 1>across them. Right, if you put like a bowling ball

0:15:36.200 --> 0:15:39.440
<v Speaker 1>on a bowling ball stand so it doesn't roll around

0:15:39.520 --> 0:15:42.360
<v Speaker 1>on top of the um on top of or right

0:15:42.360 --> 0:15:45.360
<v Speaker 1>in the middle of your two by four, which makes

0:15:45.400 --> 0:15:49.480
<v Speaker 1>up your beam bridge deck. Right, Um, you're gonna see

0:15:49.480 --> 0:15:51.840
<v Speaker 1>that it bows. And what you're seeing is that on

0:15:51.880 --> 0:15:54.680
<v Speaker 1>the top it's being compressed. On the bottom, it's being

0:15:54.880 --> 0:15:59.320
<v Speaker 1>um tensed. Right. Um, And what you've just done is

0:15:59.360 --> 0:16:02.360
<v Speaker 1>at a low to that bridge. And there's two kinds

0:16:02.400 --> 0:16:05.000
<v Speaker 1>of loads to start out with. There's a deadload, which

0:16:05.040 --> 0:16:07.200
<v Speaker 1>is the weight of the bridge and all of its

0:16:07.240 --> 0:16:11.000
<v Speaker 1>materials combined. And then there's a live load, which is say,

0:16:11.080 --> 0:16:13.680
<v Speaker 1>like the cars and the people and the trains and

0:16:13.720 --> 0:16:16.640
<v Speaker 1>everything that that add the extra weight while they're moving

0:16:16.680 --> 0:16:19.480
<v Speaker 1>across it and everything. And as you add this extra load,

0:16:19.560 --> 0:16:22.000
<v Speaker 1>first of all, the bridge is already dealing with its deadload.

0:16:22.400 --> 0:16:24.600
<v Speaker 1>It's got to hold that up. That's job number one

0:16:24.680 --> 0:16:26.680
<v Speaker 1>for a bridge. Yeah, Like if you had a three

0:16:26.800 --> 0:16:29.640
<v Speaker 1>hundred foot two by four and two milk crates is

0:16:29.640 --> 0:16:32.560
<v Speaker 1>gonna sag in the middle just naturally, right, and it

0:16:32.640 --> 0:16:34.800
<v Speaker 1>might even break. And there have been bridges that have

0:16:34.880 --> 0:16:37.400
<v Speaker 1>been built that where the guy forgot to carry the

0:16:37.440 --> 0:16:40.280
<v Speaker 1>one or whatever and they couldn't stand up under their

0:16:40.280 --> 0:16:42.600
<v Speaker 1>own weight and they collapse from their own weight. They

0:16:42.640 --> 0:16:45.280
<v Speaker 1>collapse from the deadload. So job number one of the

0:16:45.360 --> 0:16:48.720
<v Speaker 1>bridge is to support its own weight. Job number one

0:16:48.880 --> 0:16:53.000
<v Speaker 1>point one is to support all of the live load

0:16:53.120 --> 0:16:56.960
<v Speaker 1>the traffic that goes across it as well. Uh. And

0:16:57.000 --> 0:16:59.440
<v Speaker 1>the two ways that you're going to do this to counteract.

0:17:00.000 --> 0:17:05.280
<v Speaker 1>Tension and compression are dissipation and transference force or transferring

0:17:05.320 --> 0:17:09.560
<v Speaker 1>the force. So with dissipation you spread out that force equally,

0:17:09.600 --> 0:17:13.720
<v Speaker 1>you spread out over a wide area, and with transferring um,

0:17:13.800 --> 0:17:17.560
<v Speaker 1>you move the area of weakness to an area of strength, right,

0:17:17.600 --> 0:17:21.840
<v Speaker 1>which pretty simple. Yeah, they're kind of tough to distinguish sometimes, Yeah,

0:17:22.080 --> 0:17:24.560
<v Speaker 1>you know what I mean. But for example, like the

0:17:24.600 --> 0:17:28.040
<v Speaker 1>best example of dissipation is the arch, which we'll talk

0:17:28.080 --> 0:17:31.000
<v Speaker 1>about how that works in a second. Yea, um, but

0:17:31.240 --> 0:17:37.280
<v Speaker 1>suspension bridges are best at transferring the um the tension

0:17:37.520 --> 0:17:41.200
<v Speaker 1>and compression forces. That's right. So if you're if you're

0:17:41.200 --> 0:17:43.840
<v Speaker 1>talking about a beam bridge, that most basic kind. Uh.

0:17:43.920 --> 0:17:45.600
<v Speaker 1>The other thing they're gonna do to make it stronger,

0:17:45.640 --> 0:17:47.800
<v Speaker 1>of course is use back in the old days to

0:17:47.880 --> 0:17:51.119
<v Speaker 1>use wood than later iron and then steel, maybe some

0:17:51.200 --> 0:17:55.119
<v Speaker 1>concrete mixed in um. But the size of the beam

0:17:55.400 --> 0:17:57.560
<v Speaker 1>is going to be really important. Like the height of

0:17:57.600 --> 0:18:00.840
<v Speaker 1>the beam is important because the the top is gonna

0:18:00.840 --> 0:18:03.399
<v Speaker 1>experience stress, the bottom is gonna experience stress in the

0:18:03.440 --> 0:18:06.919
<v Speaker 1>middle not as much. So a good I beam, a

0:18:06.920 --> 0:18:08.840
<v Speaker 1>good tall I beam, is what you want. Yeah, and

0:18:08.880 --> 0:18:11.000
<v Speaker 1>I didn't realize that that's why I beams are made

0:18:11.200 --> 0:18:15.919
<v Speaker 1>like I beam, the center of like the deck or

0:18:15.960 --> 0:18:18.720
<v Speaker 1>the beam or whatever. Any kind of beam is going

0:18:18.760 --> 0:18:22.000
<v Speaker 1>to experience the least amount of compression or tension. It's

0:18:22.000 --> 0:18:24.560
<v Speaker 1>really the top or the bottom. So you don't have

0:18:24.600 --> 0:18:26.960
<v Speaker 1>to put quite as much material into the center of

0:18:27.000 --> 0:18:29.240
<v Speaker 1>the beam as you do the top and the bottom

0:18:29.400 --> 0:18:33.359
<v Speaker 1>to prevent buckling and snapping. That's right. So the beam bridge,

0:18:33.400 --> 0:18:36.359
<v Speaker 1>you're gonna add what's called a truss uh to make

0:18:36.400 --> 0:18:38.960
<v Speaker 1>it stronger. This we'll talk about trust is more but

0:18:39.400 --> 0:18:44.600
<v Speaker 1>it's basically triangulated strength. And you'll see a trust if

0:18:44.600 --> 0:18:48.879
<v Speaker 1>you've ever seen like a a train bridge, like you

0:18:48.920 --> 0:18:53.200
<v Speaker 1>see a truss on top, or like in areas where

0:18:53.400 --> 0:18:56.760
<v Speaker 1>they get a lot of snow, roof supports will frequently

0:18:56.800 --> 0:18:59.600
<v Speaker 1>be trusses. Yeah, and that's a three trust on top

0:18:59.640 --> 0:19:02.480
<v Speaker 1>we already said. And if it's underneath then it is

0:19:02.800 --> 0:19:06.919
<v Speaker 1>uh the deck trust. And you can have both, but usually,

0:19:06.960 --> 0:19:09.879
<v Speaker 1>like with the railroads, you'll see like that top trust

0:19:10.680 --> 0:19:14.200
<v Speaker 1>not the same as a trestle. That's different. It's like

0:19:14.200 --> 0:19:17.960
<v Speaker 1>like a roller coaster, you know. So after this break,

0:19:17.960 --> 0:19:43.159
<v Speaker 1>why don't we talk more about trust bridges? Nice? So, Chuck,

0:19:43.280 --> 0:19:46.280
<v Speaker 1>no joke, trusses are one of my favorite things. Now

0:19:46.560 --> 0:19:49.399
<v Speaker 1>it's pretty neat. After doing some research into them, I'm like,

0:19:49.680 --> 0:19:53.560
<v Speaker 1>I love trust is your trust guy? Yeah? And it's

0:19:53.600 --> 0:19:59.240
<v Speaker 1>because they're so elegant and simple. They're elegantly simple basically.

0:19:59.760 --> 0:20:04.159
<v Speaker 1>So um. I saw this really great explanation where it

0:20:04.280 --> 0:20:06.720
<v Speaker 1>was on Make magazine, and I think it was called like,

0:20:06.800 --> 0:20:11.480
<v Speaker 1>ask Make, how do trust his work? Pretty straightforward? Um,

0:20:11.520 --> 0:20:14.359
<v Speaker 1>And it basically had like a really get a great

0:20:14.400 --> 0:20:20.199
<v Speaker 1>graphic of taking using popsicle sticks. Right, Let's say you

0:20:20.240 --> 0:20:22.800
<v Speaker 1>make a square out of popsicle sticks and you join

0:20:22.880 --> 0:20:25.840
<v Speaker 1>the popsicle sticks together at the corners where the ends

0:20:25.880 --> 0:20:28.800
<v Speaker 1>all meet. Yeah, a little Elmer's paste maybe makes sense,

0:20:29.400 --> 0:20:32.840
<v Speaker 1>seems pretty supportive. Right, But when you pressed down on

0:20:33.160 --> 0:20:35.679
<v Speaker 1>any one of those joints, which is where the load's

0:20:35.720 --> 0:20:41.320
<v Speaker 1>going to be centered or distributed most remember the ends

0:20:41.600 --> 0:20:44.280
<v Speaker 1>the square shift to the side, and all of a

0:20:44.280 --> 0:20:47.320
<v Speaker 1>sudden you have a rhombus. Well, rambus is inherently less

0:20:47.320 --> 0:20:51.159
<v Speaker 1>structurally sound than square, which is why you very rarely

0:20:51.200 --> 0:20:55.600
<v Speaker 1>see rambus as in architecture. Right, with a triangle, when

0:20:55.600 --> 0:20:58.439
<v Speaker 1>you press down at any one of the joints it

0:20:58.560 --> 0:21:03.479
<v Speaker 1>distributes that can pression or tension directly through the center

0:21:04.119 --> 0:21:08.359
<v Speaker 1>of the beam, so the triangle stays totally rigid. And

0:21:08.400 --> 0:21:10.520
<v Speaker 1>when you add, the more triangles you add, the more

0:21:10.560 --> 0:21:14.440
<v Speaker 1>support you have. So they're like basically like as far

0:21:14.480 --> 0:21:18.720
<v Speaker 1>as the shape goes, the superconductor of transferring or distributing

0:21:19.560 --> 0:21:22.840
<v Speaker 1>compression or tension. Yeah, that's a good way to put it.

0:21:22.880 --> 0:21:25.480
<v Speaker 1>And that's why when you see that that train tress

0:21:25.560 --> 0:21:28.000
<v Speaker 1>alone that has that trust on top, it's got all

0:21:28.000 --> 0:21:33.000
<v Speaker 1>those beautiful diagonal uh pieces of metal and it's not

0:21:33.080 --> 0:21:35.320
<v Speaker 1>just for for looks, even though it is cool looking. Now,

0:21:35.640 --> 0:21:38.439
<v Speaker 1>one of the other great things about a trust is

0:21:38.480 --> 0:21:41.359
<v Speaker 1>that there you know, it's like just a three steel

0:21:41.400 --> 0:21:45.320
<v Speaker 1>beams or three whatever aluminum beams. They're just three pieces

0:21:45.320 --> 0:21:49.480
<v Speaker 1>of metal, usually fixed together. And that's that's the other

0:21:49.560 --> 0:21:52.480
<v Speaker 1>key that I left out. They have to be connected

0:21:52.520 --> 0:21:57.280
<v Speaker 1>at the ends equally distributed from each end. Right, So

0:21:57.359 --> 0:21:59.840
<v Speaker 1>let's say you you drill a hole to to rivet

0:22:00.040 --> 0:22:02.720
<v Speaker 1>one side of the trust to another, or one end

0:22:02.760 --> 0:22:06.080
<v Speaker 1>of the trust to another end, the the other end

0:22:06.119 --> 0:22:09.440
<v Speaker 1>has to be equally far away, right. Do you see

0:22:09.440 --> 0:22:11.520
<v Speaker 1>what I'm saying? Yeah, yeah, okay. They wouldn't just be

0:22:11.520 --> 0:22:14.119
<v Speaker 1>like just droll that other one wherever. So anyway you

0:22:14.160 --> 0:22:18.520
<v Speaker 1>have to the place where the trust sides join together

0:22:18.560 --> 0:22:21.000
<v Speaker 1>has to be on the ends and then but one

0:22:21.000 --> 0:22:23.800
<v Speaker 1>of the things that it allows for is for wind

0:22:23.840 --> 0:22:27.520
<v Speaker 1>to blow through it easily. That's a huge point about trusses.

0:22:28.080 --> 0:22:33.080
<v Speaker 1>They're not solid in that they don't they don't put

0:22:33.160 --> 0:22:35.240
<v Speaker 1>up a lot of resistance to when they allow it

0:22:35.280 --> 0:22:37.320
<v Speaker 1>to flow through, which is really kind of what you want.

0:22:37.440 --> 0:22:40.760
<v Speaker 1>We'll see when you're building bridges. Yeah. I think even

0:22:40.800 --> 0:22:43.480
<v Speaker 1>the covered bridges have is more of a lattice type

0:22:43.480 --> 0:22:47.560
<v Speaker 1>thing on the sides. Right, Yes, it's not solid, is it.

0:22:47.600 --> 0:22:50.280
<v Speaker 1>That'd be dumb a covered bridge. Yeah, yeah, they're solid.

0:22:50.720 --> 0:22:52.719
<v Speaker 1>I thought the walls were usually like a lattice so

0:22:52.800 --> 0:22:55.280
<v Speaker 1>wind could pass through. Now and they had that had

0:22:55.280 --> 0:23:00.280
<v Speaker 1>a roof and like a lattice e side is the right. Yeah,

0:23:00.359 --> 0:23:04.000
<v Speaker 1>maybe there's all kinds. I think those are just to

0:23:04.080 --> 0:23:07.840
<v Speaker 1>keep the rain off. Oh yeah, that's what you said

0:23:07.840 --> 0:23:13.240
<v Speaker 1>earlier and keep shooting down the theoris structure. Yeah. But anyway,

0:23:13.280 --> 0:23:16.119
<v Speaker 1>trust is rock, I guess, is what I'm trying to say. Yes,

0:23:16.440 --> 0:23:20.199
<v Speaker 1>there's your T shirt. Trust is rock. So are we

0:23:20.240 --> 0:23:24.480
<v Speaker 1>at arches? Do we say that they frequently used trusses

0:23:24.560 --> 0:23:30.760
<v Speaker 1>to support beam bridges. Yeah, arches. Now, when we say

0:23:30.800 --> 0:23:33.679
<v Speaker 1>a bridge is an arch bridge, the deck is not

0:23:34.520 --> 0:23:38.080
<v Speaker 1>some big hill that you drive over. The deck is

0:23:38.080 --> 0:23:43.959
<v Speaker 1>flat the arches underneath. Uh right, yeah. And you can

0:23:44.000 --> 0:23:46.640
<v Speaker 1>have a single arch if your span isn't it long,

0:23:46.720 --> 0:23:49.000
<v Speaker 1>or you can have a big one with like six

0:23:49.080 --> 0:23:52.280
<v Speaker 1>or eight arches. Although I've seen I think there are

0:23:52.359 --> 0:23:55.760
<v Speaker 1>like short arch bridges that actually do go up and down,

0:23:56.560 --> 0:23:59.040
<v Speaker 1>you know, like if I mean there's natural arch bridges

0:23:59.240 --> 0:24:01.200
<v Speaker 1>like rock form a sans like that, and that's why

0:24:01.200 --> 0:24:05.400
<v Speaker 1>they're still standing. There's um there's there's a bridge that

0:24:06.520 --> 0:24:10.439
<v Speaker 1>forms like a perfect circle. So like when when you

0:24:10.480 --> 0:24:12.520
<v Speaker 1>see it reflected in the water, it just looks like

0:24:13.040 --> 0:24:17.399
<v Speaker 1>a circle. Arch bridges are pretty cool too. There are

0:24:17.400 --> 0:24:21.040
<v Speaker 1>no trusses, but they're beautiful in their own way. That's true.

0:24:21.440 --> 0:24:25.199
<v Speaker 1>Uh So the arches obviously semi circular um and like

0:24:25.240 --> 0:24:27.200
<v Speaker 1>you said, if it meets the water and reflects nicely

0:24:27.640 --> 0:24:32.639
<v Speaker 1>fully circular, fully circular, uh and the entire form is

0:24:32.640 --> 0:24:36.640
<v Speaker 1>gonna divert weight onto what are called abutments, and this

0:24:36.680 --> 0:24:39.680
<v Speaker 1>is what takes on the pressure. It's like I mean,

0:24:39.720 --> 0:24:41.960
<v Speaker 1>if it's just a single arch. Those abutments are probably

0:24:41.960 --> 0:24:45.359
<v Speaker 1>going to be part of the earth on one side

0:24:45.400 --> 0:24:47.879
<v Speaker 1>or the other. Yeah. Um. And the whole point of

0:24:47.880 --> 0:24:50.960
<v Speaker 1>an abutment is when you press down in an arch,

0:24:51.240 --> 0:24:54.000
<v Speaker 1>or when you know, gravity pushes down on it or

0:24:54.160 --> 0:24:58.679
<v Speaker 1>it's compressed, that force goes downward and it makes the

0:24:58.720 --> 0:25:02.680
<v Speaker 1>sides of the arch go out out. Those abutments press inward,

0:25:03.200 --> 0:25:07.000
<v Speaker 1>so that the force of compression just goes straight down

0:25:07.000 --> 0:25:10.640
<v Speaker 1>through the arch circle the semicircle and into the earth

0:25:10.760 --> 0:25:13.480
<v Speaker 1>or into the ground or whatever. Yeah. And and it's

0:25:13.800 --> 0:25:16.160
<v Speaker 1>the arch. The what I thought was interesting, it's really

0:25:16.200 --> 0:25:18.879
<v Speaker 1>all about fighting that compression. There isn't a lot of

0:25:19.040 --> 0:25:22.119
<v Speaker 1>tension that comes into play with an arch bridge. I

0:25:22.119 --> 0:25:25.880
<v Speaker 1>think the tension is grows more and more possible when

0:25:26.160 --> 0:25:31.560
<v Speaker 1>the degree of the arc or arch grows. Okay, yeah,

0:25:31.680 --> 0:25:33.679
<v Speaker 1>so that could come into play. It can, But for

0:25:33.720 --> 0:25:36.080
<v Speaker 1>the most part, when you're building an arch, you have

0:25:36.200 --> 0:25:39.800
<v Speaker 1>to worry about compression more than tension, gotcha. So there's

0:25:39.840 --> 0:25:44.560
<v Speaker 1>a stylistically and artistically design wise. They're all kinds of arches,

0:25:44.960 --> 0:25:49.320
<v Speaker 1>Baroque arches, Renaissance arches, Roman arches. They were the Romans

0:25:49.320 --> 0:25:53.880
<v Speaker 1>built you know arch bridges that are still standing today. Um.

0:25:53.920 --> 0:25:56.639
<v Speaker 1>Have you been to Rome? Yeah? Man, it's just like

0:25:56.680 --> 0:25:58.919
<v Speaker 1>you're walking along and all of a sudden you look

0:25:58.960 --> 0:26:01.040
<v Speaker 1>to your left and there's like a two thousand year

0:26:01.040 --> 0:26:06.160
<v Speaker 1>old aqueduct, you know, hundred year old arch just sitting there. Yeah.

0:26:06.200 --> 0:26:08.240
<v Speaker 1>I remember the first time I went to Europe coming

0:26:08.240 --> 0:26:11.439
<v Speaker 1>back and being sort of like bummed out, you know,

0:26:11.480 --> 0:26:13.560
<v Speaker 1>because we're walking along and then there's a burger king.

0:26:14.520 --> 0:26:19.359
<v Speaker 1>You know, this house is two hundred years old. She

0:26:19.480 --> 0:26:22.119
<v Speaker 1>could Rome. I know, my house is like eighty years old,

0:26:22.160 --> 0:26:27.359
<v Speaker 1>and it seems super old. Nothing by Roman standards. No,

0:26:27.840 --> 0:26:30.879
<v Speaker 1>but you know, a little drafty in those thousand year

0:26:30.880 --> 0:26:33.240
<v Speaker 1>old apartments. Yeah. But it's so neat though, because I mean,

0:26:33.320 --> 0:26:38.440
<v Speaker 1>like there's so much old surviving stuff that not all

0:26:38.480 --> 0:26:40.680
<v Speaker 1>of it's even meant to be preserved. Some of it's

0:26:40.720 --> 0:26:43.960
<v Speaker 1>just like just there. It's not like a part of

0:26:43.960 --> 0:26:46.960
<v Speaker 1>a park or an historic exhibit. It's just part of

0:26:46.960 --> 0:26:52.000
<v Speaker 1>the city. Yeah. You know. Yeah, I've heard other tours

0:26:52.080 --> 0:26:55.919
<v Speaker 1>complaining about how dirty Romans and I'm always just like,

0:26:56.000 --> 0:26:58.960
<v Speaker 1>come on, it's like focusing on the wrong part. It's

0:26:58.960 --> 0:27:02.920
<v Speaker 1>been around for a long time time. Um. Oh yeah, yeah,

0:27:03.000 --> 0:27:06.480
<v Speaker 1>and also, yeah, don't be stupid and just look around

0:27:06.480 --> 0:27:09.040
<v Speaker 1>you like they're complaining in front of a two thousand

0:27:09.080 --> 0:27:12.840
<v Speaker 1>year old fountain. I didn't notice that was particularly dirty.

0:27:12.920 --> 0:27:15.280
<v Speaker 1>I mean, it wasn't any more dirty than like New

0:27:15.359 --> 0:27:19.119
<v Speaker 1>York or anything any other big city. But the thing

0:27:19.160 --> 0:27:22.080
<v Speaker 1>with the arch though, very stable once you get it built.

0:27:22.560 --> 0:27:26.920
<v Speaker 1>But the building process it's tricky because until you connect

0:27:26.920 --> 0:27:30.240
<v Speaker 1>those two ends, um, that's what gives it its strength.

0:27:30.280 --> 0:27:33.560
<v Speaker 1>So until that happens, it's a little dicey. Yeah. Oh yeah,

0:27:33.640 --> 0:27:36.320
<v Speaker 1>I had some scaffolding going fine. Yeah, And they used

0:27:36.359 --> 0:27:40.280
<v Speaker 1>to build wood scalf scaffolds and supports to hold the

0:27:40.320 --> 0:27:43.200
<v Speaker 1>thing and then you just would build it in um.

0:27:43.560 --> 0:27:47.000
<v Speaker 1>Now they used suspension cables, like I think the biggest

0:27:47.200 --> 0:27:51.520
<v Speaker 1>arch bridge on the planet is West Virginia's New River

0:27:51.600 --> 0:27:54.639
<v Speaker 1>Gorge Bridge, and that thing is unbelievable. It really is.

0:27:54.720 --> 0:27:57.520
<v Speaker 1>And what's cool is when you look at it, um,

0:27:57.600 --> 0:28:01.240
<v Speaker 1>it just it uses the clip falls or the walls

0:28:01.240 --> 0:28:05.440
<v Speaker 1>of the gorge as the abutments. Beautiful stuff, super strong.

0:28:05.520 --> 0:28:08.760
<v Speaker 1>And that's where we're going to talk about that in

0:28:08.800 --> 0:28:11.119
<v Speaker 1>our base Jumping. I know that's the fact that ties

0:28:11.200 --> 0:28:13.840
<v Speaker 1>these two podcasts together. It's where they have bridge day

0:28:14.080 --> 0:28:19.840
<v Speaker 1>talk about elegantly simple. So suspension bridges, for my money,

0:28:20.080 --> 0:28:23.240
<v Speaker 1>are where it's at. I think they deserve their own

0:28:23.560 --> 0:28:28.400
<v Speaker 1>um episode. Oh yeah, pretty, I'm pretty much they're they're

0:28:28.440 --> 0:28:32.320
<v Speaker 1>that complex. Like this is just the briefest overview of

0:28:32.400 --> 0:28:36.359
<v Speaker 1>bridges in general, but especially with suspension bridges. It feels

0:28:36.400 --> 0:28:39.480
<v Speaker 1>like there's just so much going on with those things. Yeah,

0:28:39.520 --> 0:28:41.680
<v Speaker 1>I agree. I mean ken Burns did like an eight

0:28:41.680 --> 0:28:45.680
<v Speaker 1>hour long documentary on the Brooklyn Bridge alone. Yeah, that's true.

0:28:46.120 --> 0:28:50.280
<v Speaker 1>He's a deep diver. We're over of you guys with

0:28:50.400 --> 0:28:54.360
<v Speaker 1>a giant helmet to go over his giant haircuts a

0:28:54.480 --> 0:28:59.280
<v Speaker 1>pretty big hair do. Um. Alright, So suspension bridges we mentioned,

0:28:59.280 --> 0:29:02.160
<v Speaker 1>of course olden Gate Bridge and the Brooklyn Bridge. This

0:29:02.240 --> 0:29:06.280
<v Speaker 1>is when you have your deck, your roadway is suspended

0:29:06.280 --> 0:29:10.800
<v Speaker 1>by cables between can be a number of them, but

0:29:11.440 --> 0:29:14.880
<v Speaker 1>uh to at least two tall towers that are supporting

0:29:14.880 --> 0:29:19.480
<v Speaker 1>all of this weight and compression is pushing down, traveling

0:29:19.520 --> 0:29:22.280
<v Speaker 1>up through those cables, and its transferring all that compression

0:29:22.640 --> 0:29:25.520
<v Speaker 1>through all those lovely cables. Right. So, I mean another

0:29:25.560 --> 0:29:27.719
<v Speaker 1>way to look at it is exactly what it sounds like.

0:29:27.800 --> 0:29:31.680
<v Speaker 1>It's the bridge is suspended from cables, right, But if

0:29:31.720 --> 0:29:34.920
<v Speaker 1>you really start looking into what it's doing, it's not

0:29:35.040 --> 0:29:38.000
<v Speaker 1>just holding these things up. What's what's going on is

0:29:38.080 --> 0:29:41.840
<v Speaker 1>there's a transfer of that natural compression of the deck

0:29:42.440 --> 0:29:45.680
<v Speaker 1>up through the lines up, through the cables up down

0:29:45.800 --> 0:29:48.120
<v Speaker 1>up to the towers, which, like you said, send them

0:29:48.120 --> 0:29:51.720
<v Speaker 1>down to the earth. Right. So the towers that hold

0:29:51.720 --> 0:29:56.720
<v Speaker 1>the bridge up are at the same time distributing or

0:29:56.760 --> 0:30:00.240
<v Speaker 1>dissipating the forces of compression that are trying to hold

0:30:00.240 --> 0:30:03.280
<v Speaker 1>the bridge down into the water below it. Yes, and

0:30:03.360 --> 0:30:05.760
<v Speaker 1>the tension you also have to deal with as well,

0:30:06.120 --> 0:30:09.560
<v Speaker 1>and apparently you deal with that using another part of

0:30:09.600 --> 0:30:14.320
<v Speaker 1>the structure of suspension bridges, which are called anchorages. Yeah.

0:30:14.400 --> 0:30:17.360
<v Speaker 1>Now that's just what the towers connected to at the

0:30:17.360 --> 0:30:20.240
<v Speaker 1>base right now. No, huh So it's like, um, the

0:30:20.280 --> 0:30:23.880
<v Speaker 1>anchorages is like the abutment essentially, Yes, yeah, yeah, they're

0:30:24.040 --> 0:30:26.960
<v Speaker 1>left and right, they're like a suspension bridges abutments. Whereas

0:30:27.000 --> 0:30:29.479
<v Speaker 1>as you get closer to the middle of the bridges,

0:30:29.560 --> 0:30:32.280
<v Speaker 1>that's where the towers are. But on the very ends,

0:30:32.320 --> 0:30:35.160
<v Speaker 1>like say where the roadway hits the bridge, you're gonna

0:30:35.200 --> 0:30:38.840
<v Speaker 1>have a massive piece of rock or massive piece of

0:30:38.880 --> 0:30:44.120
<v Speaker 1>concrete and those are the anchorages. And you have horizontal

0:30:44.160 --> 0:30:47.920
<v Speaker 1>cables that distribute the compression from the bottom of the

0:30:47.960 --> 0:30:53.120
<v Speaker 1>bridge to um the anchorages and those those transfer those

0:30:53.160 --> 0:30:55.800
<v Speaker 1>into the earth. Yeah. And you might also, depending on

0:30:55.840 --> 0:30:58.040
<v Speaker 1>the size of your suspension bridge, have to have that

0:30:58.120 --> 0:31:03.160
<v Speaker 1>below deck us as well to help stiffen the deck um.

0:31:03.360 --> 0:31:06.080
<v Speaker 1>And you know, if you're a four thousand foot bridge,

0:31:06.480 --> 0:31:10.040
<v Speaker 1>you're gonna have all all kinds of trusses and decks

0:31:10.160 --> 0:31:13.000
<v Speaker 1>and cables. And I think I finally figured out what

0:31:13.040 --> 0:31:16.840
<v Speaker 1>it is about bridges that I love is that the

0:31:16.840 --> 0:31:20.680
<v Speaker 1>the arc, the structural design that it needs to be strong,

0:31:21.480 --> 0:31:24.720
<v Speaker 1>also happens to be beautiful. Yeah, you know what I mean,

0:31:25.200 --> 0:31:27.640
<v Speaker 1>Like the way the cables are arranged. It's not like

0:31:27.640 --> 0:31:29.880
<v Speaker 1>they're like, oh, this looks great. It's like, well, it

0:31:29.920 --> 0:31:32.440
<v Speaker 1>has to be like this, but it also happens to

0:31:32.480 --> 0:31:37.640
<v Speaker 1>be very striking like Grace Jones, you know what I mean? Yeah,

0:31:38.240 --> 0:31:43.680
<v Speaker 1>absolutely so. Um So suspension bridges are your favorite, huh.

0:31:43.960 --> 0:31:46.360
<v Speaker 1>I like him because there's so much going on, Like

0:31:46.440 --> 0:31:49.479
<v Speaker 1>trust is, because they're so elegantly simple and they're just

0:31:49.680 --> 0:31:51.880
<v Speaker 1>tough as nails. There's a bridge for everyone. I think

0:31:51.920 --> 0:31:55.880
<v Speaker 1>there is um the cable stayed bridge, and we should

0:31:55.880 --> 0:31:59.120
<v Speaker 1>say that suspension bridges. When you think of a suspension bridge,

0:31:59.160 --> 0:32:01.960
<v Speaker 1>probably probably think of the Golden gate Bridge or something

0:32:02.000 --> 0:32:05.440
<v Speaker 1>like that, right, Just a classic suspension bridge two towers

0:32:05.840 --> 0:32:10.600
<v Speaker 1>to um anchorages, lets of suspension cables. It's a suspension

0:32:10.600 --> 0:32:14.280
<v Speaker 1>bridge and you think, well, then they're probably pretty new. Wrong.

0:32:14.760 --> 0:32:19.280
<v Speaker 1>Suspension bridges have been found in various forms for hundreds

0:32:19.320 --> 0:32:23.320
<v Speaker 1>of years at least, and apparently the INCA were um

0:32:23.560 --> 0:32:28.360
<v Speaker 1>masters at building rope suspension bridges out of woven grass.

0:32:28.400 --> 0:32:32.680
<v Speaker 1>Crazy man, Yeah, hundreds they've discovered. The Spanish concut sators

0:32:33.360 --> 0:32:35.520
<v Speaker 1>stumbled upon these were like, what in the world is

0:32:35.560 --> 0:32:39.640
<v Speaker 1>going on here? Because the smart Europeans didn't figure this

0:32:39.680 --> 0:32:42.920
<v Speaker 1>out for another like few hundred years after that. That's right, Um,

0:32:43.240 --> 0:32:46.160
<v Speaker 1>the INCA is still have one of these bridges intact.

0:32:46.200 --> 0:32:50.040
<v Speaker 1>It's it spans ninety ft um and they remake it

0:32:50.080 --> 0:32:52.560
<v Speaker 1>every year as part of a three day festival. So

0:32:52.680 --> 0:32:56.400
<v Speaker 1>really nice, which is why it's still attact because the

0:32:56.520 --> 0:33:00.719
<v Speaker 1>grass woven grass rope bridge didn't last all that long necessarily,

0:33:00.760 --> 0:33:03.880
<v Speaker 1>even though why when it's fresh and new, it's strong. Yeah,

0:33:04.640 --> 0:33:08.000
<v Speaker 1>as an expiration date what you're saying. But apparently, as

0:33:08.000 --> 0:33:11.440
<v Speaker 1>we'll learn, all bridges have an expiration date. All right,

0:33:11.520 --> 0:33:13.880
<v Speaker 1>Well we'll take a break then with that tease and

0:33:13.920 --> 0:33:17.240
<v Speaker 1>talk about the cable stayed bridge and then um, how

0:33:17.280 --> 0:33:39.560
<v Speaker 1>you might die on a bridge one day. Alright, so

0:33:39.880 --> 0:33:43.800
<v Speaker 1>we're onto your favorite, my friend, the super sleek, modern

0:33:43.880 --> 0:33:49.720
<v Speaker 1>looking cable stayed bridge, which is actually actually actually has

0:33:49.720 --> 0:33:53.360
<v Speaker 1>been around since like World War two. Yeah, but the idea,

0:33:53.480 --> 0:33:56.440
<v Speaker 1>which is still modern. The idea came from a dude

0:33:56.520 --> 0:34:00.680
<v Speaker 1>named um Fast Ranchic, yeah man, and he was a

0:34:00.680 --> 0:34:06.000
<v Speaker 1>contemporary of Kepler and Brahi Um and he basically came

0:34:06.080 --> 0:34:08.840
<v Speaker 1>up with the first design for a cable stayed bridge

0:34:08.880 --> 0:34:11.479
<v Speaker 1>back in the sixteenth century. So what's what's the nuts

0:34:11.480 --> 0:34:15.279
<v Speaker 1>and bolts of this thing? So basically it is a

0:34:15.600 --> 0:34:19.560
<v Speaker 1>rather than two towers like a suspension bridge uses, a

0:34:19.600 --> 0:34:23.160
<v Speaker 1>cable state bridge uses one tower. Well not always, um,

0:34:23.239 --> 0:34:26.080
<v Speaker 1>there's plenty of them that have more than one, but okay,

0:34:26.120 --> 0:34:30.080
<v Speaker 1>but for a particular span of bridge, there's one tower

0:34:30.120 --> 0:34:33.960
<v Speaker 1>supporting that one span, right, Um, So it's basically you

0:34:34.280 --> 0:34:36.279
<v Speaker 1>can't use it for as long of a span as

0:34:36.320 --> 0:34:39.680
<v Speaker 1>a suspension bridge. But if you have a slightly shorter span,

0:34:40.040 --> 0:34:41.840
<v Speaker 1>and you don't want to spend quite as much money,

0:34:42.120 --> 0:34:44.640
<v Speaker 1>and you don't want as many wires up there and everything.

0:34:44.960 --> 0:34:46.799
<v Speaker 1>You can go with a cable stay bridge. So you

0:34:46.880 --> 0:34:52.560
<v Speaker 1>have one usually one UM tower holding up all the cables,

0:34:52.560 --> 0:34:54.880
<v Speaker 1>and the cables can either all connect to one point

0:34:55.719 --> 0:35:01.480
<v Speaker 1>which is called a UM radio pad. Right, So it's

0:35:01.520 --> 0:35:05.520
<v Speaker 1>like all these different cables are connecting on the bridge

0:35:05.600 --> 0:35:08.480
<v Speaker 1>deck at different points, but they're all connecting at about

0:35:08.520 --> 0:35:12.359
<v Speaker 1>a single point on the tower. Again architecturally lovely, very

0:35:12.400 --> 0:35:15.000
<v Speaker 1>neat looking. And then another way that you can do

0:35:15.040 --> 0:35:18.520
<v Speaker 1>it is UM in a parallel pattern, so they're connected

0:35:18.560 --> 0:35:20.719
<v Speaker 1>at different points on the deck and they connect at

0:35:20.719 --> 0:35:24.920
<v Speaker 1>different points on the tower. And that's the case with

0:35:25.080 --> 0:35:28.720
<v Speaker 1>the Erasmus Bridge, which I think is the most beautiful

0:35:28.760 --> 0:35:31.920
<v Speaker 1>bridge in the World's in Holland. Well that doesn't surprise me.

0:35:32.000 --> 0:35:34.680
<v Speaker 1>I mean, look at that thing. Look at that pal

0:35:35.640 --> 0:35:38.360
<v Speaker 1>Oh yeah, that's something else. Yeah, I wish you guys

0:35:38.400 --> 0:35:40.239
<v Speaker 1>could see this. Well they can look at up. It

0:35:40.280 --> 0:35:45.880
<v Speaker 1>doesn't look like very Dutch though, No, it looks very um.

0:35:45.920 --> 0:35:50.000
<v Speaker 1>It's like the New Holland, I guess, yeah, new Amsterdam.

0:35:50.120 --> 0:35:52.839
<v Speaker 1>I'm just picturing like Holland. I think of uh you know,

0:35:53.000 --> 0:35:57.000
<v Speaker 1>wooden windmills and like tulips and stuff like that. Sure, yeah,

0:35:57.000 --> 0:35:58.920
<v Speaker 1>this is modern halland for it looks like something that

0:35:58.920 --> 0:36:01.719
<v Speaker 1>would be in like Sydney, Australia. Well they have great

0:36:01.719 --> 0:36:05.879
<v Speaker 1>bridge to they do. Maybe that's what I'm thinking, um,

0:36:06.080 --> 0:36:07.880
<v Speaker 1>living bridge, Well you are you done with those? Well

0:36:08.040 --> 0:36:10.440
<v Speaker 1>I was gonna say another design for cable state bridge

0:36:10.640 --> 0:36:15.560
<v Speaker 1>looks a lot like a sailboat with them the tower

0:36:15.840 --> 0:36:18.640
<v Speaker 1>standing straight up and then on each side cables going

0:36:18.680 --> 0:36:20.839
<v Speaker 1>down at a diagonal from it to make it look

0:36:20.920 --> 0:36:24.760
<v Speaker 1>like a sailboat, sail and masked and again for structural

0:36:24.800 --> 0:36:31.319
<v Speaker 1>integrity more than anything, right, um living bridges. Sure, Uh,

0:36:31.360 --> 0:36:33.640
<v Speaker 1>well I guess we should say cable state bridges are

0:36:34.480 --> 0:36:36.680
<v Speaker 1>uh they can't be as long as suspension bridges, but

0:36:36.719 --> 0:36:39.960
<v Speaker 1>they can be pretty long. Yeah, like up to close

0:36:40.000 --> 0:36:41.920
<v Speaker 1>to three thousand feet. But that's what I'm saying, Like,

0:36:41.960 --> 0:36:45.200
<v Speaker 1>if you have a shorter span and you don't want

0:36:45.239 --> 0:36:48.160
<v Speaker 1>to use as many materials enhance you spend as much money,

0:36:48.200 --> 0:36:50.320
<v Speaker 1>a cable state bridge is a great alternative. Yeah. I

0:36:50.360 --> 0:36:55.200
<v Speaker 1>wonder when cities, Uh, I wonder what the considerations are, um,

0:36:55.239 --> 0:36:58.239
<v Speaker 1>like money what you. I would guess money first and

0:36:58.280 --> 0:37:02.160
<v Speaker 1>foremost money, what you probably is best for the land.

0:37:02.320 --> 0:37:05.919
<v Speaker 1>And but I also bet that that architecture comes into play,

0:37:05.960 --> 0:37:08.160
<v Speaker 1>like how it looks in the city escape, But don't

0:37:08.200 --> 0:37:11.279
<v Speaker 1>you think like it. Usually a city will have some

0:37:11.400 --> 0:37:16.239
<v Speaker 1>sort of well accept several designs, competing designs, and then

0:37:16.280 --> 0:37:19.880
<v Speaker 1>probably well, like in Atlanta's case with the seventeenth Street bridge,

0:37:20.080 --> 0:37:22.480
<v Speaker 1>goes with the cheapest one and then half of it

0:37:22.520 --> 0:37:24.840
<v Speaker 1>falls down on the traffic later, like a couple of

0:37:24.880 --> 0:37:29.560
<v Speaker 1>years later. Did that happen? Yeah? Uh, when um, like

0:37:29.719 --> 0:37:32.120
<v Speaker 1>to two years ago? Really? Yeah, man, it was a

0:37:32.120 --> 0:37:34.680
<v Speaker 1>big deal. Luckily it happened at like four in the

0:37:34.719 --> 0:37:37.120
<v Speaker 1>morning or five in the morning. But like when you're

0:37:37.160 --> 0:37:40.879
<v Speaker 1>walking on the bridge, you know the side stuff, one

0:37:41.080 --> 0:37:46.240
<v Speaker 1>whole side fell over onto onto the onto the connector

0:37:46.320 --> 0:37:48.759
<v Speaker 1>right below. Yeah, I kind of remember that. Yeah, but

0:37:48.840 --> 0:37:51.439
<v Speaker 1>it's an ugly bridge to begin with. Three allion dude,

0:37:51.440 --> 0:37:53.680
<v Speaker 1>if you're listening, the guy who designed it, I'm sorry,

0:37:53.680 --> 0:37:56.719
<v Speaker 1>I don't mean to insult your work, but I but

0:37:56.800 --> 0:37:59.960
<v Speaker 1>do better. It just the city could have done better,

0:38:00.040 --> 0:38:02.560
<v Speaker 1>I think. Yeah, But I think what it came down to,

0:38:02.640 --> 0:38:05.600
<v Speaker 1>I'm sure it was all of these are beautiful, but

0:38:05.960 --> 0:38:08.239
<v Speaker 1>we're just going to spend the money on this one,

0:38:08.360 --> 0:38:11.719
<v Speaker 1>you know, or whoever got the biggest kick back or

0:38:11.760 --> 0:38:17.600
<v Speaker 1>wherever that came from, not to be cynical living bridges. Yeah,

0:38:17.719 --> 0:38:21.480
<v Speaker 1>we're talking about that. Um. If you go to northern

0:38:21.520 --> 0:38:26.360
<v Speaker 1>India to the here we go, uh, the Meghalaya region,

0:38:26.680 --> 0:38:29.799
<v Speaker 1>I think that was good. All right, close enough, Um,

0:38:29.840 --> 0:38:34.160
<v Speaker 1>they have something pretty remarkable and they are called living bridges.

0:38:34.440 --> 0:38:37.799
<v Speaker 1>And what they did was it's so rainy there that

0:38:37.960 --> 0:38:40.480
<v Speaker 1>all of their natural bridges were having a hard time

0:38:40.600 --> 0:38:44.400
<v Speaker 1>staying intact because of all the moisture from monsoon season. Yeah,

0:38:44.440 --> 0:38:46.720
<v Speaker 1>and that's you know, you can't have a natural bridge

0:38:46.760 --> 0:38:49.440
<v Speaker 1>with that much water. So they said, why don't we

0:38:50.160 --> 0:38:55.160
<v Speaker 1>take these tree roots and grow them out of the

0:38:55.200 --> 0:38:59.400
<v Speaker 1>ground and span a river over the course of years

0:38:59.440 --> 0:39:02.880
<v Speaker 1>and years and years and then basically plant on the

0:39:02.880 --> 0:39:06.239
<v Speaker 1>other side into the ground. And this is now a

0:39:06.320 --> 0:39:09.480
<v Speaker 1>natural tree root bridge. Right. It's like giant living bonds.

0:39:09.560 --> 0:39:12.040
<v Speaker 1>I like you're they were training routes to go a

0:39:12.040 --> 0:39:15.360
<v Speaker 1>certain way, and they would take a um, a tree,

0:39:15.400 --> 0:39:18.319
<v Speaker 1>a felled tree and split it in half and use

0:39:18.440 --> 0:39:21.480
<v Speaker 1>that as the guide. Right, it's like the structure so

0:39:21.600 --> 0:39:23.520
<v Speaker 1>that they were building an arch, but they weren't making

0:39:23.520 --> 0:39:26.000
<v Speaker 1>an arch like sort of a temporary bridge exactly, and

0:39:26.040 --> 0:39:28.520
<v Speaker 1>they let the roots grow along that and like they

0:39:28.560 --> 0:39:30.399
<v Speaker 1>would plan these things out, or they do plan these

0:39:30.400 --> 0:39:32.880
<v Speaker 1>things out over the course of like a decade. And

0:39:32.960 --> 0:39:36.440
<v Speaker 1>I get the impression it's, um, the whole town's responsibilityly,

0:39:36.480 --> 0:39:39.160
<v Speaker 1>some people in the town's responsibility to make sure that

0:39:39.239 --> 0:39:40.960
<v Speaker 1>if you see your route starting and go down in

0:39:41.000 --> 0:39:43.120
<v Speaker 1>the wrong place, you just suck it up and put

0:39:43.160 --> 0:39:46.040
<v Speaker 1>it back on that fell log that's guiding it across

0:39:46.160 --> 0:39:49.600
<v Speaker 1>the way. Yeah, it's pretty neat, like it requires patients obviously,

0:39:49.640 --> 0:39:53.080
<v Speaker 1>but it also, um, I imagine just once a day

0:39:53.080 --> 0:39:56.239
<v Speaker 1>someone walks down and it's like, yep, looking good, and

0:39:56.239 --> 0:39:59.560
<v Speaker 1>then just walks away again. Pets. The bridge says, keep growing,

0:40:00.000 --> 0:40:02.719
<v Speaker 1>walk across you in ten years, buddy. And apparently those

0:40:02.760 --> 0:40:05.239
<v Speaker 1>things can last up to fifty years or the the

0:40:05.320 --> 0:40:08.600
<v Speaker 1>largest one that they have up to a hundred feet,

0:40:08.600 --> 0:40:11.560
<v Speaker 1>which is thirty meters for our friends in India. Um,

0:40:11.640 --> 0:40:14.080
<v Speaker 1>and it can bear the way to fifty people and

0:40:14.160 --> 0:40:16.840
<v Speaker 1>last up to five hundred years, not fifty. That's what

0:40:16.920 --> 0:40:20.439
<v Speaker 1>I said. Oh, I thought you said fifty people. Well,

0:40:20.520 --> 0:40:24.560
<v Speaker 1>it's crazy, like you got to google these things. Yeah,

0:40:24.560 --> 0:40:29.240
<v Speaker 1>they're very pretty, very pretty. It looks very um dark crystally.

0:40:29.760 --> 0:40:32.439
<v Speaker 1>Oh yeah, totally. You know what I mean. But they're

0:40:32.440 --> 0:40:36.879
<v Speaker 1>not unsettling at all like the Dark Crystal, which, by

0:40:36.920 --> 0:40:39.600
<v Speaker 1>the way, if you're ever in Atlanta, sometimes people say, Hey,

0:40:39.600 --> 0:40:42.640
<v Speaker 1>I'm coming to Atlanta. What should I do? Uh, go

0:40:42.760 --> 0:40:45.920
<v Speaker 1>to the Center for Popetry Arts and just look at

0:40:45.920 --> 0:40:52.319
<v Speaker 1>their free exhibit, which includes a full size Skexy. It's terrifying. Yeah,

0:40:52.360 --> 0:40:55.120
<v Speaker 1>they have We've talked about this before. They have emmett Otter.

0:40:56.440 --> 0:40:59.960
<v Speaker 1>That's right for me. That was pretty pretty magnificent mental

0:41:00.040 --> 0:41:03.160
<v Speaker 1>lot for emm and Otter to meet you too. They're

0:41:03.160 --> 0:41:05.320
<v Speaker 1>doing Actually I saw it was just at the Museum

0:41:05.320 --> 0:41:07.759
<v Speaker 1>of the Moving Image and Queens. Oh yeah, I saw

0:41:07.800 --> 0:41:10.000
<v Speaker 1>you post something about that. Yeah, they have a Madman

0:41:10.040 --> 0:41:12.120
<v Speaker 1>exhibit right now, which is pretty neat, but it was

0:41:12.880 --> 0:41:16.200
<v Speaker 1>they I was not there in time for the Jim Henson.

0:41:16.239 --> 0:41:18.359
<v Speaker 1>When they're they're putting that in place, I think for later.

0:41:18.400 --> 0:41:22.239
<v Speaker 1>It's coming. It's coming. What's good You didn't miss it yet? Well, yeah,

0:41:22.600 --> 0:41:24.960
<v Speaker 1>I'll just go back. We went to the Yoko on

0:41:25.120 --> 0:41:30.520
<v Speaker 1>No exhibit at MoMA awesome. She's something else, dude. She's

0:41:30.520 --> 0:41:34.080
<v Speaker 1>got a pretty cool mind. Yeah, she had she had

0:41:34.120 --> 0:41:37.799
<v Speaker 1>this one display and it was titled three Spoons and

0:41:37.840 --> 0:41:42.080
<v Speaker 1>it was just four spoons in a row. It wasn't three.

0:41:43.280 --> 0:41:46.719
<v Speaker 1>I love that stuff, So I recommend that as well.

0:41:46.800 --> 0:41:49.320
<v Speaker 1>I'm not a fan of her music, though I actually

0:41:49.360 --> 0:41:51.600
<v Speaker 1>got turned onto her music in the listening room there

0:41:51.760 --> 0:41:55.080
<v Speaker 1>Plastic Band. It's crazy, it's weird stuff, but I kind

0:41:55.080 --> 0:41:57.279
<v Speaker 1>of like it. I mean, she's definitely one of the

0:41:57.320 --> 0:42:01.839
<v Speaker 1>most like original thinkers you know out there, and she's

0:42:01.840 --> 0:42:03.319
<v Speaker 1>been at it for a while, like a lot of

0:42:03.320 --> 0:42:06.279
<v Speaker 1>the stuff went back to the sixties, like the early sixties. Yeah,

0:42:06.320 --> 0:42:09.319
<v Speaker 1>and talk about weathering criticism and still just being like

0:42:09.600 --> 0:42:12.120
<v Speaker 1>screw you. Yeah, I'm Yoko. Oh no, I don't care

0:42:12.160 --> 0:42:15.000
<v Speaker 1>what you say. Well, she was exonerated to recently, remember

0:42:15.040 --> 0:42:17.200
<v Speaker 1>Paul McCartney came out and said like, it was not

0:42:17.360 --> 0:42:19.920
<v Speaker 1>Yoko owner that broke up the Beetles and saying that

0:42:20.200 --> 0:42:22.319
<v Speaker 1>it just took him like fifty years to come out

0:42:22.320 --> 0:42:25.040
<v Speaker 1>and see it. Yeah, you know, she's like, would it

0:42:25.160 --> 0:42:28.680
<v Speaker 1>kill you? Right? You've told me privately many times, but

0:42:29.280 --> 0:42:33.960
<v Speaker 1>we'll press release, tweet it alright. So we talked about

0:42:34.080 --> 0:42:38.120
<v Speaker 1>compression and uh tension being the two main forces. Uh.

0:42:38.200 --> 0:42:41.239
<v Speaker 1>There are quite a few other forces, dozens even that

0:42:41.320 --> 0:42:43.400
<v Speaker 1>can act on a bridge in a negative way, And

0:42:43.440 --> 0:42:48.359
<v Speaker 1>the scariest one, for my money, is torsion. Um. If

0:42:48.400 --> 0:42:51.320
<v Speaker 1>you've ever seen the video, it's a very famous video

0:42:52.120 --> 0:42:56.560
<v Speaker 1>of the bridge. What is it the Tacoma the Tacoma

0:42:56.640 --> 0:42:59.000
<v Speaker 1>Narrows Bridge to Comma Narrows Bridge when it looks like

0:42:59.600 --> 0:43:02.480
<v Speaker 1>a wet noodle twisting in the wind. Yeah, it was.

0:43:03.760 --> 0:43:06.319
<v Speaker 1>It's nuts. And they have like footage of this whole

0:43:06.360 --> 0:43:10.960
<v Speaker 1>thing just undergoing this destruction that kept just going on

0:43:11.000 --> 0:43:13.719
<v Speaker 1>and on and on, and finally the bridges comes down. Yeah.

0:43:13.760 --> 0:43:16.239
<v Speaker 1>The craziest part is when you're watching it, you just think, oh, man,

0:43:16.280 --> 0:43:18.239
<v Speaker 1>look at that thing. It's nuts, and thank god there's

0:43:18.280 --> 0:43:20.239
<v Speaker 1>no one on it. And then you see I con

0:43:20.280 --> 0:43:22.480
<v Speaker 1>dude walking on it in a car. Yeah, and a

0:43:22.560 --> 0:43:25.160
<v Speaker 1>guy ran. There was a dog. There's one car in there,

0:43:25.160 --> 0:43:27.719
<v Speaker 1>and there's a dog trapped in the car and some

0:43:27.800 --> 0:43:32.960
<v Speaker 1>guy ran and got the dog. Yes, pretty great heroic stuff. Sure.

0:43:33.160 --> 0:43:35.279
<v Speaker 1>Then later on, I don't know if he's the same

0:43:35.280 --> 0:43:37.640
<v Speaker 1>guy and another guy or just two completely new guys.

0:43:38.120 --> 0:43:40.439
<v Speaker 1>They're just walking along it. This is after a whole

0:43:40.440 --> 0:43:43.399
<v Speaker 1>section is falling into the river. But the section they're

0:43:43.400 --> 0:43:47.040
<v Speaker 1>walking on is still swaying. But the only way from

0:43:47.160 --> 0:43:51.200
<v Speaker 1>the bridge step back from the bridge, man, So that's

0:43:51.320 --> 0:43:54.040
<v Speaker 1>torsion at work. Yeah, and that's a big problem that

0:43:54.520 --> 0:43:58.279
<v Speaker 1>designers a suspension bridges face because you have a deck

0:43:58.480 --> 0:44:02.040
<v Speaker 1>that's being held from being held alof by cables. Right,

0:44:02.400 --> 0:44:07.000
<v Speaker 1>it's not like fixed to anything below. It necessarily mean

0:44:07.000 --> 0:44:09.960
<v Speaker 1>it's being suspended. So just like on like a rope

0:44:09.960 --> 0:44:13.279
<v Speaker 1>bridge or something like that, it sways very easily. Right. Yeah,

0:44:13.280 --> 0:44:16.280
<v Speaker 1>those towers are strong, but it's not, you know, directly

0:44:16.280 --> 0:44:20.040
<v Speaker 1>connected to those towers. So if you have a swaying

0:44:20.120 --> 0:44:24.440
<v Speaker 1>bridge in between them, right, and the thing is swaying

0:44:24.480 --> 0:44:27.800
<v Speaker 1>back and forth, but if one side starts to sway

0:44:27.880 --> 0:44:29.880
<v Speaker 1>over the other side and all of a sudden, you

0:44:29.920 --> 0:44:34.680
<v Speaker 1>have an opposing circular force, and that's torsion, and that

0:44:34.719 --> 0:44:39.920
<v Speaker 1>can basically rip the bridge in into which is sheer. Yeah.

0:44:40.200 --> 0:44:42.320
<v Speaker 1>Well that's the other awful thing that can happen. It

0:44:42.360 --> 0:44:45.520
<v Speaker 1>can just snap, well not snap, I guess, but just

0:44:45.640 --> 0:44:49.360
<v Speaker 1>breaking to two parts. Yeah. Well, I mean snapping is

0:44:49.400 --> 0:44:54.040
<v Speaker 1>the result of compression shearing would be what it's called technically,

0:44:54.480 --> 0:44:59.040
<v Speaker 1>where to the same span of bridge has the two

0:44:59.040 --> 0:45:02.400
<v Speaker 1>opposing four is acting on it at once UM in

0:45:02.480 --> 0:45:08.200
<v Speaker 1>opposite directions and it goes it makes that terrible sound. UM.

0:45:08.239 --> 0:45:12.040
<v Speaker 1>If you want to combat torsion, UM many ways to

0:45:12.080 --> 0:45:14.360
<v Speaker 1>do this, you're you're probably gonna have a deck trust

0:45:14.520 --> 0:45:18.920
<v Speaker 1>going on to help out. Trust saves the day. That

0:45:19.040 --> 0:45:21.279
<v Speaker 1>trust saves a day you're gonna have. You're gonna do

0:45:21.640 --> 0:45:25.839
<v Speaker 1>wind tunnel tests if it's a modern bridge beforehand, well

0:45:25.840 --> 0:45:29.120
<v Speaker 1>you're gonna make a model, yeah, and do tests and

0:45:29.160 --> 0:45:31.160
<v Speaker 1>see like how does wind affect this bridge and what

0:45:31.160 --> 0:45:34.719
<v Speaker 1>do we need to do. But the thing is with

0:45:34.880 --> 0:45:38.919
<v Speaker 1>the um With the Tacoma Narrows Bridge in particular, they

0:45:38.960 --> 0:45:42.560
<v Speaker 1>did tests. They had that thing rated with standing winds

0:45:42.680 --> 0:45:45.040
<v Speaker 1>up to a hundred and twenty miles an hour, but

0:45:45.160 --> 0:45:47.680
<v Speaker 1>the winds that day that brought it down, we're only

0:45:47.760 --> 0:45:50.480
<v Speaker 1>forty miles an hour. And for a long time they

0:45:50.480 --> 0:45:54.319
<v Speaker 1>were like, what happened, and somebody said, you know what

0:45:54.360 --> 0:45:59.239
<v Speaker 1>it was? It was mechanical residents. It was. Yeah, the

0:46:00.520 --> 0:46:04.319
<v Speaker 1>deck trust was not sufficient for the span that was

0:46:04.400 --> 0:46:06.880
<v Speaker 1>part of it and the way that the wind hit it. Right,

0:46:07.000 --> 0:46:09.960
<v Speaker 1>and the angle calls the final thing that he just

0:46:10.040 --> 0:46:13.840
<v Speaker 1>mentioned resonance, which is um sort of. It's a vibration

0:46:13.880 --> 0:46:16.279
<v Speaker 1>basically that gets out of hands. So resonance, to me,

0:46:16.320 --> 0:46:20.320
<v Speaker 1>I think deserves its own podcast too. It's awesome. Everything

0:46:20.440 --> 0:46:23.360
<v Speaker 1>every especially anything that we build, from an airplane to

0:46:23.400 --> 0:46:29.840
<v Speaker 1>a bridge, to watch it has a certain frequency um

0:46:29.920 --> 0:46:34.279
<v Speaker 1>where it will really pick up force, really absorbed force,

0:46:34.320 --> 0:46:36.400
<v Speaker 1>it will run through it. Right, So let's say that

0:46:36.440 --> 0:46:40.640
<v Speaker 1>your bridge um has a resonance Uh, that's like at

0:46:40.640 --> 0:46:44.880
<v Speaker 1>a frequency of ten. That's probably a totally ridiculous number

0:46:44.920 --> 0:46:46.879
<v Speaker 1>that I just said, But let's say it's tent right.

0:46:47.400 --> 0:46:49.480
<v Speaker 1>And then let's say that wind comes at it at

0:46:49.520 --> 0:46:51.799
<v Speaker 1>forty at just the right angle, and it makes it

0:46:51.880 --> 0:46:55.319
<v Speaker 1>sway at a frequency of nine, Well, that bridge is

0:46:55.360 --> 0:46:57.719
<v Speaker 1>gonna be It's just gonna sit there and sway. Not

0:46:57.800 --> 0:47:00.080
<v Speaker 1>a big problem. If that wind hits it at just

0:47:00.160 --> 0:47:02.360
<v Speaker 1>the right angle at just the right speed it's and

0:47:02.400 --> 0:47:06.880
<v Speaker 1>it starts swaying at eleven, it's still not quite a problem.

0:47:06.920 --> 0:47:09.160
<v Speaker 1>But if it gets it just right and it starts

0:47:09.160 --> 0:47:11.840
<v Speaker 1>it swaying at ten, all of a sudden, those sways

0:47:11.880 --> 0:47:14.200
<v Speaker 1>are going to become more and more pronounced, because all

0:47:14.239 --> 0:47:18.840
<v Speaker 1>that energy is flowing through at its maximum potential and

0:47:18.840 --> 0:47:23.239
<v Speaker 1>at its freest flow, because it's hitting the bridge at

0:47:23.239 --> 0:47:28.560
<v Speaker 1>its natural resonance, right, And that's what caused the Tacoma

0:47:28.680 --> 0:47:32.359
<v Speaker 1>Narrows Bridge to come down, because once that thing starts going,

0:47:32.480 --> 0:47:35.480
<v Speaker 1>there's no coming back from it because it's just happening.

0:47:35.520 --> 0:47:38.240
<v Speaker 1>It gets worse and worse, exactly, and that's that's because

0:47:38.239 --> 0:47:40.560
<v Speaker 1>it hit it at just the right frequency. Yeah, they

0:47:40.600 --> 0:47:42.120
<v Speaker 1>like in it in the article, which I think is

0:47:42.200 --> 0:47:46.360
<v Speaker 1>pretty uh down to earth of a snowball rolling downhill exactly.

0:47:46.400 --> 0:47:48.799
<v Speaker 1>It just keeps getting worse and worse and you can't

0:47:48.800 --> 0:47:51.359
<v Speaker 1>stop it. So, but isn't that bizarre that you a

0:47:51.400 --> 0:47:55.399
<v Speaker 1>bridge has a natural resonance and natural frequency. I don't

0:47:55.400 --> 0:47:58.799
<v Speaker 1>think so. I like, I would assume it would vibrate. Yeah,

0:47:59.160 --> 0:48:00.960
<v Speaker 1>it did not occurred to me at all. And I

0:48:01.000 --> 0:48:04.279
<v Speaker 1>was talking to Adam about this too, and I was like,

0:48:04.320 --> 0:48:08.640
<v Speaker 1>so I saw that building designers, bridge designers. They will

0:48:08.680 --> 0:48:12.759
<v Speaker 1>fine tune like a structure so that it resonates at

0:48:12.800 --> 0:48:16.319
<v Speaker 1>a frequency that it's probably never gonna encounter from an

0:48:16.360 --> 0:48:19.200
<v Speaker 1>earthquake or from winds or whatever. I'm like, how do

0:48:19.239 --> 0:48:21.799
<v Speaker 1>you do that. And apparently it comes down to the

0:48:21.800 --> 0:48:25.359
<v Speaker 1>building materials you use, the shapes you use to form

0:48:25.400 --> 0:48:29.719
<v Speaker 1>the structure, the way you join those shapes together. And

0:48:29.760 --> 0:48:33.799
<v Speaker 1>you can basically say, I'm giving this building a frequency

0:48:34.040 --> 0:48:38.000
<v Speaker 1>of one point five, whereas I know all of the

0:48:38.000 --> 0:48:41.279
<v Speaker 1>wind in the area and the ground movement from an

0:48:41.360 --> 0:48:44.720
<v Speaker 1>earthquake is going to make it vibrated a frequency of seven,

0:48:45.120 --> 0:48:48.680
<v Speaker 1>so it'll be fine. Yeah. And one way, like you said,

0:48:48.680 --> 0:48:50.480
<v Speaker 1>they can do that is by not having like one

0:48:50.960 --> 0:48:54.759
<v Speaker 1>like shortening the sections of the deck, let's say, And

0:48:55.200 --> 0:48:57.920
<v Speaker 1>that way the vibration when you have these overlapping plates

0:48:57.920 --> 0:49:01.160
<v Speaker 1>and smaller sections, Uh, it's going to create enough friction

0:49:01.200 --> 0:49:04.160
<v Speaker 1>to disrupt that frequency. Right, it'll change the frequency that

0:49:04.239 --> 0:49:06.360
<v Speaker 1>the bridge is moving at. But I mean and not

0:49:06.480 --> 0:49:08.560
<v Speaker 1>just bridges too. You have to take this and take

0:49:08.600 --> 0:49:12.759
<v Speaker 1>into account like airplanes, right, you can't use engines on

0:49:12.800 --> 0:49:16.800
<v Speaker 1>airplanes that create vibrations at a frequency that's at the

0:49:17.400 --> 0:49:20.560
<v Speaker 1>natural residence of the airplane body. Whuls the airplane body

0:49:20.600 --> 0:49:23.400
<v Speaker 1>is going to come apart just from turning the engines on.

0:49:23.719 --> 0:49:26.360
<v Speaker 1>Could you imagine seeing the airplane wings starting to flap

0:49:26.640 --> 0:49:30.480
<v Speaker 1>like harder and harder, Right, But apparently the more common

0:49:30.520 --> 0:49:34.040
<v Speaker 1>thing when you have a disaster catastrophe from a resonance,

0:49:34.200 --> 0:49:38.279
<v Speaker 1>a mechanical resonance problem. Um, it's like one bolt. It's

0:49:38.320 --> 0:49:40.520
<v Speaker 1>like I can't take it anymore and stops, and then

0:49:40.560 --> 0:49:44.799
<v Speaker 1>that leads to a cascade of failures that ultimately has

0:49:44.880 --> 0:49:49.200
<v Speaker 1>the bridge coming down. Interesting. I think that's fascinating. I

0:49:49.239 --> 0:49:52.240
<v Speaker 1>had no idea that you had to worry about frequencies

0:49:52.280 --> 0:49:56.040
<v Speaker 1>and vibrations. Why all the bridges you've built of collapse?

0:49:56.080 --> 0:49:59.279
<v Speaker 1>They collapse pretty easy. Well, if you've ever heard the

0:49:59.320 --> 0:50:04.200
<v Speaker 1>old they go down like a French boxer. That means

0:50:04.320 --> 0:50:07.520
<v Speaker 1>I don't need um. But it was a glass Joe reference.

0:50:07.560 --> 0:50:13.680
<v Speaker 1>Remember him from Tyson's punch Out, Oh No counter. He

0:50:13.760 --> 0:50:17.879
<v Speaker 1>says he was French. Glass Joe said, a glass jaw,

0:50:18.280 --> 0:50:20.120
<v Speaker 1>and he went down just like a sack of potato.

0:50:20.280 --> 0:50:23.200
<v Speaker 1>So easy, man, Well, which was it a sack of

0:50:23.200 --> 0:50:26.680
<v Speaker 1>potatoes or a French boxer? He was both. He went

0:50:26.680 --> 0:50:29.760
<v Speaker 1>down like a sack of French potatoes. Yes, French fries.

0:50:30.360 --> 0:50:33.759
<v Speaker 1>My bridges go down like a French boxer. But Glass Joe,

0:50:33.800 --> 0:50:37.280
<v Speaker 1>the French boxer went down like a sack of potatoes. Ergo,

0:50:37.560 --> 0:50:41.960
<v Speaker 1>my bridges go down like a sack of potatoes. Um,

0:50:42.080 --> 0:50:44.319
<v Speaker 1>if you've ever heard the old wives tale that like

0:50:44.440 --> 0:50:48.080
<v Speaker 1>an army marching across the bridge and step can cause

0:50:48.200 --> 0:50:52.120
<v Speaker 1>enough vibration to take down that bridge, it's true that

0:50:52.160 --> 0:50:56.359
<v Speaker 1>could happen. So if at the right frequency, right yeah,

0:50:56.360 --> 0:50:59.360
<v Speaker 1>and wartime, that's they will break step. In other words,

0:50:59.360 --> 0:51:03.040
<v Speaker 1>their rhythm isn't all the same to avoid that scenario.

0:51:03.280 --> 0:51:05.680
<v Speaker 1>And there was a bridge disaster I saw on that

0:51:05.719 --> 0:51:10.080
<v Speaker 1>Time magazine slide show where that happened. Um, there were

0:51:10.120 --> 0:51:13.520
<v Speaker 1>there were a pair of skywalk bridges inside the Higher

0:51:13.680 --> 0:51:18.319
<v Speaker 1>Regency Kansas City Hotel. Um in the lobby. They were

0:51:18.360 --> 0:51:21.920
<v Speaker 1>just like you know, raised bridges going through the lobby,

0:51:22.040 --> 0:51:25.680
<v Speaker 1>and they collapsed in and killed like a bunch of

0:51:25.680 --> 0:51:30.359
<v Speaker 1>people because thirty something people people marching dancing. They were

0:51:30.440 --> 0:51:32.839
<v Speaker 1>dancing on the on the skywalk. And you think, like

0:51:34.480 --> 0:51:37.440
<v Speaker 1>up to today or yesterday when I started researching this,

0:51:37.600 --> 0:51:42.040
<v Speaker 1>right like, I just thought that's weight or pressure something

0:51:42.080 --> 0:51:44.680
<v Speaker 1>like if everybody's dancing, it didn't. It never occurred to

0:51:44.719 --> 0:51:48.400
<v Speaker 1>me that the rhythm had something to do. I had

0:51:48.440 --> 0:51:51.279
<v Speaker 1>always heard that, well, you're far more advanced than I

0:51:51.320 --> 0:51:54.160
<v Speaker 1>am in structural engineering. My friend, Now that it's just

0:51:54.239 --> 0:51:56.320
<v Speaker 1>always heard that, like, you know, even a bunch of

0:51:56.400 --> 0:52:00.000
<v Speaker 1>kittens walking across could cause that. And the reason they

0:52:00.000 --> 0:52:02.080
<v Speaker 1>said kittens of course, so it has nothing to do

0:52:02.120 --> 0:52:06.719
<v Speaker 1>with weight, right, because kittens knowing nothing. And consequently, I

0:52:06.719 --> 0:52:08.560
<v Speaker 1>think Lina Richie had to change the name of that

0:52:08.600 --> 0:52:11.080
<v Speaker 1>song because of the accident. I think originally it was

0:52:11.600 --> 0:52:14.799
<v Speaker 1>what a feeling when you're dancing on the skywalk and

0:52:14.880 --> 0:52:17.799
<v Speaker 1>he had to change it to ceiling and everyone's like,

0:52:17.840 --> 0:52:20.400
<v Speaker 1>that's weird, held dance on the ceiling, but it rhymes

0:52:20.640 --> 0:52:23.160
<v Speaker 1>and he's like, yeah, but nobody ever died from dancing

0:52:23.160 --> 0:52:26.239
<v Speaker 1>on this on the ceiling. I guess the final thing

0:52:26.320 --> 0:52:29.879
<v Speaker 1>we should mention is that weather um obviously will play

0:52:29.880 --> 0:52:33.640
<v Speaker 1>a big impact. We already talked about wind, but um

0:52:33.680 --> 0:52:36.480
<v Speaker 1>over the years, the materials they use and the design

0:52:36.600 --> 0:52:40.160
<v Speaker 1>is gone in to take account things like wind and

0:52:41.239 --> 0:52:43.799
<v Speaker 1>uh what sun damage. I don't know what. I think

0:52:44.000 --> 0:52:48.000
<v Speaker 1>the Freese thaw cycle is huge. Salt salt exposure if

0:52:48.000 --> 0:52:50.799
<v Speaker 1>it's going over like a salty body of water. Yeah,

0:52:50.840 --> 0:52:54.120
<v Speaker 1>that makes sense. Yeah, there's a lot of things that

0:52:54.160 --> 0:52:57.320
<v Speaker 1>are trying to bring a bridge down. Nature abhores a

0:52:57.400 --> 0:53:01.719
<v Speaker 1>bridge basically as much as a vacuum. Um, I've got one.

0:53:02.120 --> 0:53:06.200
<v Speaker 1>What you got? There's probably around six hundred and thirty

0:53:06.280 --> 0:53:09.839
<v Speaker 1>thousand bridges in the US alone, because there were six

0:53:09.920 --> 0:53:12.480
<v Speaker 1>hundred and seventeen thousand, nine hundred and thirty five and

0:53:12.520 --> 0:53:15.799
<v Speaker 1>a two thousand two census, and they add them. They

0:53:15.800 --> 0:53:18.359
<v Speaker 1>were adding them at about a thousand a year, maybe

0:53:18.440 --> 0:53:21.960
<v Speaker 1>nine hundred a year. That's just the US. The world's

0:53:22.000 --> 0:53:25.640
<v Speaker 1>longest bridge completed in two thousand and ten, the Danyang

0:53:26.000 --> 0:53:29.000
<v Speaker 1>Coon Shawn Bridge. I think I've seen pictures of that.

0:53:29.200 --> 0:53:32.440
<v Speaker 1>It serves as a railway bridge for the Beijing and

0:53:32.520 --> 0:53:35.840
<v Speaker 1>Shanghai railway. It's a hundred and two mile long bridge.

0:53:36.040 --> 0:53:39.759
<v Speaker 1>That's nutty over water. I'm a big fan of of

0:53:39.840 --> 0:53:44.600
<v Speaker 1>cities with multiple water bridges. Well, that's why you liked

0:53:44.640 --> 0:53:50.120
<v Speaker 1>Pittsburgh and Pittsburgh, Portland, Budapest. I'm a big fan Atlanta.

0:53:50.160 --> 0:53:52.680
<v Speaker 1>Doesn't mean we have bridges, but it's not like you

0:53:52.680 --> 0:53:55.880
<v Speaker 1>have to go to the Chattahoochee River Lakes. Nobody goes

0:53:55.920 --> 0:54:00.120
<v Speaker 1>to the Chattahoochie You know what, Um, I got One

0:54:00.160 --> 0:54:02.360
<v Speaker 1>more thing I want to shout out to PBS is

0:54:02.480 --> 0:54:06.120
<v Speaker 1>build it big website, which is like beyond nineties as

0:54:06.160 --> 0:54:10.000
<v Speaker 1>far as websites go. But it was extremely helpful and

0:54:10.120 --> 0:54:14.120
<v Speaker 1>understanding the forces that work on bridges, different types of bridges,

0:54:14.480 --> 0:54:18.640
<v Speaker 1>different specific bridges. Great website and thanks to Adam. I

0:54:18.640 --> 0:54:21.000
<v Speaker 1>guess you got some information from him. Yeah, thanks Adam.

0:54:21.160 --> 0:54:22.680
<v Speaker 1>Was he into talking to you about it or was

0:54:22.719 --> 0:54:25.160
<v Speaker 1>he on the other end going, oh my god, just

0:54:25.320 --> 0:54:27.680
<v Speaker 1>shut up, I'm watching Tim and Eric he was he

0:54:27.719 --> 0:54:30.799
<v Speaker 1>was into talking about it. I figured he would be. Yeah. Uh.

0:54:30.800 --> 0:54:32.680
<v Speaker 1>And I actually have to shout out to you me too,

0:54:32.719 --> 0:54:34.839
<v Speaker 1>because I told her we were building bridges or well,

0:54:34.920 --> 0:54:36.680
<v Speaker 1>that we were talking about bridges. She sent me a

0:54:36.719 --> 0:54:40.360
<v Speaker 1>bunch of stuff on popsicle bridges. Um, apparently there's a

0:54:40.360 --> 0:54:45.200
<v Speaker 1>a Indie go go for the world's strongest or Canada's

0:54:45.239 --> 0:54:50.080
<v Speaker 1>strongest popsicle bridge. Yeah, they're trying to build that. Yes,

0:54:51.520 --> 0:54:55.319
<v Speaker 1>and they have like six grand already, man for out

0:54:55.320 --> 0:54:59.160
<v Speaker 1>of popsicle sticks. Good for them. So that's everybody getting

0:54:59.160 --> 0:55:01.719
<v Speaker 1>shouted out to all all over the place in this one. Huh.

0:55:01.760 --> 0:55:04.839
<v Speaker 1>That's nice stuff, bam. If you want to know more

0:55:04.880 --> 0:55:07.200
<v Speaker 1>about bridges, you can type that word into the search

0:55:07.280 --> 0:55:10.359
<v Speaker 1>bar at how stuff works dot com. And since I

0:55:10.360 --> 0:55:16.480
<v Speaker 1>said search parts time for listener, mayl I'm gonna call this,

0:55:16.960 --> 0:55:20.200
<v Speaker 1>I get a couple of street gang responses, will read

0:55:20.200 --> 0:55:24.319
<v Speaker 1>over the next couple of shows. Um, here's one. I

0:55:24.360 --> 0:55:26.239
<v Speaker 1>had to write in about your street gangs episode as

0:55:26.239 --> 0:55:29.040
<v Speaker 1>it was interesting and pertains to my job. Short version

0:55:29.040 --> 0:55:31.200
<v Speaker 1>is that I worked for a hospital based program and

0:55:31.239 --> 0:55:33.720
<v Speaker 1>we see every gunshot wound victim and stab wound victim

0:55:33.719 --> 0:55:37.000
<v Speaker 1>who comes through, which is about four year UM, and

0:55:37.040 --> 0:55:40.080
<v Speaker 1>about ten percent of those are gang involved. How you

0:55:40.120 --> 0:55:41.799
<v Speaker 1>guys have mentioned how you found the number of gangs

0:55:41.840 --> 0:55:43.719
<v Speaker 1>to be hard to believe, but I think you may

0:55:43.760 --> 0:55:46.000
<v Speaker 1>be thinking of street gangs is one entity that has

0:55:46.040 --> 0:55:49.160
<v Speaker 1>strict borders and lots of people. Uh, And my experience,

0:55:49.280 --> 0:55:52.720
<v Speaker 1>larger gangs will sometimes incorporate smaller gangs, and sometimes larger

0:55:52.719 --> 0:55:56.440
<v Speaker 1>gangs will split off into many many smaller groups. UH.

0:55:56.480 --> 0:55:58.160
<v Speaker 1>People go in and out of gangs and are sometimes

0:55:58.200 --> 0:56:00.640
<v Speaker 1>affiliated with more than one. Currently, we have about at

0:56:00.719 --> 0:56:03.640
<v Speaker 1>least seventy in our city alone, on a substantial amount

0:56:03.680 --> 0:56:07.479
<v Speaker 1>of those have less than twenty members, so like mini gangs,

0:56:07.520 --> 0:56:10.440
<v Speaker 1>not super gangs, not super ganks. According to this paper

0:56:10.440 --> 0:56:13.400
<v Speaker 1>on street gangs in Boston, of the gangs in the

0:56:13.440 --> 0:56:17.600
<v Speaker 1>city have less than ten members and have ten to

0:56:17.719 --> 0:56:22.759
<v Speaker 1>nineteen members. So while the numbers you gave seem shockingly high,

0:56:22.760 --> 0:56:25.120
<v Speaker 1>they also seem to be in step with the current climate.

0:56:25.600 --> 0:56:29.000
<v Speaker 1>And that is from Arianna. And what city did she say?

0:56:29.200 --> 0:56:31.480
<v Speaker 1>You know, I don't see that. I don't think she said.

0:56:32.640 --> 0:56:33.840
<v Speaker 1>I don't know if it was Boston or if she

0:56:33.920 --> 0:56:37.239
<v Speaker 1>just referenced Boston. Well, thanks a lot, Ariana. We appreciate

0:56:37.320 --> 0:56:39.799
<v Speaker 1>that email. And yeah, keep them coming. We wanted them

0:56:39.800 --> 0:56:41.919
<v Speaker 1>more about gangs. I just had the impression the whole

0:56:41.920 --> 0:56:45.240
<v Speaker 1>time that like one way or another, we were officially

0:56:45.360 --> 0:56:51.600
<v Speaker 1>or unofficially misinformed. We maybe uh. And also let us

0:56:51.600 --> 0:56:55.080
<v Speaker 1>know who's the coolest famous person you've ever met? Uh.

0:56:55.280 --> 0:56:58.320
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0:56:58.800 --> 0:57:00.839
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0:57:00.880 --> 0:57:02.680
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0:57:02.760 --> 0:57:05.760
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0:57:05.800 --> 0:57:07.800
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0:57:07.880 --> 0:57:13.600
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0:57:13.680 --> 0:57:16.400
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