WEBVTT - Mini Crush #79

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Good morning everyone, and welcome to Mini Crush with Chuck

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<v Speaker 1>and Nol. What's so good about it? Chuck, guys, Nol

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<v Speaker 1>is so cranky. I'm fired up. Let me tell you. Well,

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<v Speaker 1>we might as well tell everyone. You just came in

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<v Speaker 1>the room bitching in moning like, look, talk about bougie

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<v Speaker 1>first world problem, you know, at the same time I

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<v Speaker 1>need my coffee. Chuck. Well, here's the deal, everybody. We

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<v Speaker 1>used to have this uh, you know, reliable but a

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<v Speaker 1>pretty dope machine that would make a cappuccino or whatever

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<v Speaker 1>you want, absolutely just but the press of a button.

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<v Speaker 1>And then they said, you know what, this thing is

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<v Speaker 1>so great, let's get rid of it. Le's get rid

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<v Speaker 1>of it. It was also the thing where I think,

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<v Speaker 1>you know, the fresh the cost of the fresh beans

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<v Speaker 1>outweighed the cost of the K cups. I roll. What Yeah,

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<v Speaker 1>it doesn't make any sense, does it. This is a

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<v Speaker 1>bean cost apparently, yeah, apparently it's literally people are there's

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<v Speaker 1>bean counters involved, you know. So now we got this

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<v Speaker 1>k machine what do you call it? A kurig? Yeah,

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<v Speaker 1>which I'm totally again, Well, they're they're awful because they're

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<v Speaker 1>very wasteful. They have, you know, like it's it's not

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<v Speaker 1>a good thing. The other one, the Beau, the beans

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<v Speaker 1>were directly in the machine. It would grind them right there. Whatever,

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<v Speaker 1>it was great. But this one, here's the problem. Apparently

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<v Speaker 1>the reservoir in the machine, the k machines don't want

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<v Speaker 1>to call it, uh, is like it doesn't fill up

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<v Speaker 1>properly with our water filter. So the machine never thinks

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<v Speaker 1>that's enough water in it. So when you do is

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<v Speaker 1>you'll walk up to it and be like, I'm getting

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<v Speaker 1>a cup of coffee. You put in your cake cup,

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<v Speaker 1>and then it says please eight indefinitely no progress bar.

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<v Speaker 1>You know, give me the courtesy of a progress bar,

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<v Speaker 1>so I know how long I'm waiting for? What am

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<v Speaker 1>I waiting for? You? And then everybody, uh, in a

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<v Speaker 1>in a big Noel has been sort of the squeaky

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<v Speaker 1>wheel about this. And then in a not company wide

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<v Speaker 1>but our office at least a podcast network wide email,

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<v Speaker 1>I got put on blast, got called out, called out

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<v Speaker 1>very passive aggressively. It's okay, but but the problem persists. Uh.

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<v Speaker 1>So I'm gonna write my congressman about it. Basically, yeah,

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<v Speaker 1>I'm gonna take this all the way to city Hall. No,

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<v Speaker 1>you're witnessing a rare occasion. I'm having one of probably

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<v Speaker 1>three Coca Colas a year that I drank Ina Vanilla coke.

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<v Speaker 1>It is um. I don't know why I don't, especially

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<v Speaker 1>my three cokes a year. I don't drink him in

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<v Speaker 1>the morning. I just saw it in there and I went,

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<v Speaker 1>I don't know, morning coke, and morning coke is nice.

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<v Speaker 1>Black ask burn is what they call it? Has that right?

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<v Speaker 1>I had a little bit of wine last night, black goals.

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<v Speaker 1>If we're being on, it's Texas tea. But I'm drinking

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<v Speaker 1>this and it's so delicious. But how do people drink

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<v Speaker 1>this ship every day? Like multiple times a day? You don't,

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<v Speaker 1>It's crazy. I don't. It tastes like a dessert. It

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<v Speaker 1>does tastes like a dessert. I that's why I like

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<v Speaker 1>soda water, because I realized I like the bubbly burn soda,

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<v Speaker 1>the carbonated drink. Yeah, but not the sugar. We got

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<v Speaker 1>those what are those? Uh for? Buzz marketing mont That's

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<v Speaker 1>that's the Atlanta Lacroix equivalent. It's true, that was it

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<v Speaker 1>out of Atlanta. It's out of Atlanta. Okay, support local Chuck.

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<v Speaker 1>I notice you have a bit of extra rasp in

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<v Speaker 1>your voice today. I do for sure you have rasps.

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<v Speaker 1>I have rasp and I have rest. You have a

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<v Speaker 1>little bit extra rasp. Well it's early. Yeah, I'm like,

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<v Speaker 1>I'm actually sick. Oh no, I just said a couple

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<v Speaker 1>of drinks, like, no, this is what fu forty eight

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<v Speaker 1>sounds like? Forty eight? Yeah, see, I'm about to be

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<v Speaker 1>thirty six. Pardon me every yeah, August eight, send me presents. Well, no,

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<v Speaker 1>I mean this will be out sort of right around then. Yeah, okay,

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<v Speaker 1>it's my birthday. It's a happy birthday. Many think, dude,

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<v Speaker 1>thirty six looks good on you. Thanks dude, I appreciate that. Um,

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<v Speaker 1>I guess I can mark check on the catch up section.

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<v Speaker 1>I think you can. So, No, what we're gonna do

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<v Speaker 1>this week is and it has been a minute. I've

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<v Speaker 1>missed you. Yeah, I listened. We got ahead, so we

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<v Speaker 1>took a couple of weeks, right. I noticed something funny

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<v Speaker 1>kind of happened on one of those episodes we recorded

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<v Speaker 1>ahead of time. We remarked on Midsummer yeard that and

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<v Speaker 1>then we had already had already crushed it. Yeah, it's fine,

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<v Speaker 1>it doesn't matter. It's not worth going in and editing

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<v Speaker 1>out of those sences, right, But it was funny to

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<v Speaker 1>me at the time. I was like, oh, here's how

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<v Speaker 1>we felt, and this was like like this is It

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<v Speaker 1>was like I was like looking back through time and

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<v Speaker 1>seeing the precursor to how I just coming together and

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<v Speaker 1>kind of like mutually making that movie right when you

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<v Speaker 1>were thirty five, When when I was thirty it was

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<v Speaker 1>pretty okay. Um, god, that's one of the best Sinatra

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<v Speaker 1>jams ever. Yeah, gotta love that song. Have you seen this.

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<v Speaker 1>There's an opening sequence in one of the later seasons

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<v Speaker 1>of The Sopranos that uses that song. Oh yeah, as

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<v Speaker 1>it like it's like narrating what's going on and man,

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<v Speaker 1>so good. That was a big I went to a

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<v Speaker 1>big Sinatra phase in college. Never left it. So yeah,

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<v Speaker 1>that's why we don't like to get to ahead of

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<v Speaker 1>the game, NOL, because we like these to be fresh

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<v Speaker 1>and current, not weeks and weeks old. It's true, but

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<v Speaker 1>sometimes you gotta do what you gotta do. Sometimes you

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<v Speaker 1>gotta do it. Because Josh and I did a couple

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<v Speaker 1>of live shows. They went great Chicago and Toronto. Toronto

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<v Speaker 1>as they say, don't say Toronto. That's like saying Atlanta.

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<v Speaker 1>It's Atlanta Toronto. Uh. They were great, They're awesome, great crowds,

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<v Speaker 1>fun people, great show. Uh we just you know, it's

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<v Speaker 1>good to be back on stage with my pal. Hadn't

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<v Speaker 1>done it since January, so we had a nice long

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<v Speaker 1>layoff and it was just great. I had a great time.

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<v Speaker 1>I'm heading to New York to do a live show

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<v Speaker 1>myself today. Oh yeah, with ridiculous No, with stuff they

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<v Speaker 1>don't want you to know. We're doing an event for

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<v Speaker 1>Warner Brothers that's like surrounding this movie The Kitchen that

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<v Speaker 1>they've got coming out that's about badass women, mobsters and

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<v Speaker 1>Hell's Kitchen. So you're doing a special live appearance as

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<v Speaker 1>a part of it, like an overall ad deal. Yes,

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<v Speaker 1>that's great, it's cool, good for you, really fun. It's

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<v Speaker 1>at an old theater in the in the East village

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<v Speaker 1>called uh Theater eighties. St. Mark's amazing. Yeah, it should

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<v Speaker 1>be fun on St. Mark's. I imagine on St. Mark's. Yeah. No,

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<v Speaker 1>I'm so jelly. I'm very looking forward to It's gonna

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<v Speaker 1>be fun, alright. So no longer in the front load

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<v Speaker 1>this one with a kind of a quickie stream this

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<v Speaker 1>slash crush to judgment because Sir, I would like to

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<v Speaker 1>reckon with you about The Black Coat's Daughter. What about it?

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<v Speaker 1>I saw it, he didn't like it. I did not

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<v Speaker 1>well ship Josh Clark loves this movie. Backstage in Chicago,

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<v Speaker 1>one of the first things I said was I gotta

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<v Speaker 1>talk to you about The Black Coat's Daughter, and he went,

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<v Speaker 1>you know you saw it and I said yeah, and

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<v Speaker 1>he I said, I hated it pretty much. And he

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<v Speaker 1>said it's probably my favorite horror movie of all time.

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<v Speaker 1>And I was like, really favorite. I don't know about

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<v Speaker 1>all the time, but I thought it was great. And

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<v Speaker 1>then he asked what the deal was and I started

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<v Speaker 1>to pick it apart and he said to stop, and

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<v Speaker 1>he said, because that your all your points are valid.

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<v Speaker 1>I don't want to hear him. Well, but you could

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<v Speaker 1>also argue that you're missing the point. Oh well, is

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<v Speaker 1>that it's you know all right, Well, let's talk about it.

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<v Speaker 1>And folks, if you haven't seen The Black Coat's Daughter, uh,

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<v Speaker 1>you might not want to listen because I'm gonna spoil

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<v Speaker 1>some stuff. I think it's still streaming. I think it's

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<v Speaker 1>either on Netflix or Hulu or one of those. Yeah,

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<v Speaker 1>I think I think I watched on Netflix or maybe

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<v Speaker 1>it was Amazon. So my biggest problem, no, overall, overall,

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<v Speaker 1>my biggest problem was the fact that they flash nine

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<v Speaker 1>years in the future and Emma Roberts is supposed to

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<v Speaker 1>be Karen Schipka. I didn't get it. I literally had

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<v Speaker 1>to google afterward are those the same? Is that supposed

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<v Speaker 1>to be the same person? And I just thought it

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<v Speaker 1>was terrible. I don't even remember that. I know what

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<v Speaker 1>you're talking. That's the whole point of the movie, is like,

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<v Speaker 1>nine years in the future, Emma Roberts is kills the

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<v Speaker 1>parents of the person we're talking about the same movie. Yea,

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<v Speaker 1>kills the parents of the kids that she killed, and

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<v Speaker 1>uh school or all the other people, and like it

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<v Speaker 1>was it was supposed to be heard nine years later

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<v Speaker 1>and they don't look alike. I was just I didn't

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<v Speaker 1>get it. I was like, I thought Satan had possessed

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<v Speaker 1>multiple girls or something, and I was like, why didn't

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<v Speaker 1>they flash forward twenty five years in the future and

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<v Speaker 1>cast a middle age actor. You know, I didn't make

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<v Speaker 1>that connection either, Chuck, that's the whole point of the movie. Well,

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<v Speaker 1>but that but that's my whole point about missing the

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<v Speaker 1>point that was the big twist. I didn't care about

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<v Speaker 1>the twist. It's her. I didn't care about that. I

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<v Speaker 1>just thought it was atmospherically cool and I enjoyed it.

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<v Speaker 1>I enjoyed the build and the slow bird and the tension.

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<v Speaker 1>I thought it was. The kids were good. I thought

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<v Speaker 1>the you know, I don't know, I like a slow burn.

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<v Speaker 1>To me. It was so slow though that like almost

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<v Speaker 1>nothing happened, and the whole Satan thing it just seemed

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<v Speaker 1>thrown into, like, oh man, this will be fucked up.

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<v Speaker 1>It was never explored, it was never like. It just

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<v Speaker 1>seemed very tached on and lazy. It's hard for me

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<v Speaker 1>to do this with you right now, Chuck, because I

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<v Speaker 1>haven't seen it in probably a year. It is a

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<v Speaker 1>lot of there's a lot of subtle things going on

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<v Speaker 1>in that movie, and I remember vaguely what you're talking

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<v Speaker 1>about with the actor not matching up. But I also,

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<v Speaker 1>in my mind, I don't think I even connected that,

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<v Speaker 1>and maybe that's my bad. I don't know, but I

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<v Speaker 1>still remember enjoying the film so fair enough. I also

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<v Speaker 1>remember there being some problems, but I know there were problems.

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<v Speaker 1>I was willing to overlook because I thought the overall

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<v Speaker 1>vibe was pretty cool. I mean, I enjoyed the vibe.

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<v Speaker 1>I do like a slow burn, Like I said, it

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<v Speaker 1>just I don't know, man, it did not do it

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<v Speaker 1>for me, Like the big twist that that was her

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<v Speaker 1>nine years later. It was like nine years and she

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<v Speaker 1>would she had plastic surgery. I seem to recall having

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<v Speaker 1>googled some stuff as well. Yeah, yeah, all right, fair enough,

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<v Speaker 1>but hey, people like it. I had a bit of

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<v Speaker 1>a discussion on the Facebook page here, and a lot

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<v Speaker 1>of people have the same problem I did. We're totally

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<v Speaker 1>confused by this nine years later thing. And then a

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<v Speaker 1>lot of people were like, I really liked it so

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<v Speaker 1>and who is the black coat anyway? I guess that's Satan, Oh,

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<v Speaker 1>I guess. And I had the most low key, kind

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<v Speaker 1>of lame exorcism I've ever seen in a movie. It

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<v Speaker 1>was like thirty seconds long. I don't know, man, did

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<v Speaker 1>not didn't need a more beefy exorcism in your in

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<v Speaker 1>your horror films. I mean, if you're gonna have an exorcism,

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<v Speaker 1>have an exorcism, you know, throw it away. Here's black

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<v Speaker 1>Coat's daughter explained I'll read this for my own personal

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<v Speaker 1>but well, that's the idea. She kills uh what's her face,

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<v Speaker 1>Freddie Mercury's wife from Lucy uh Boynton. She kills her,

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<v Speaker 1>the cool girl in school. They're they're stuck together. And

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<v Speaker 1>then nine years later she is released from the mental

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<v Speaker 1>or escapes from the mental institution, and just so happens

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<v Speaker 1>to get picked up by her parents, which like, come on,

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<v Speaker 1>talk about a coincidence. And the parents don't know what

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<v Speaker 1>their daughter's killer looks like, and they're just like, hey,

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<v Speaker 1>you need a ride, let me help you out. I

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<v Speaker 1>had so many problems. No, they just stacked upon one

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<v Speaker 1>of I'm gonna give this a rewatch through the eyes

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<v Speaker 1>of Chuck. I'm willing to allow you to ruin this

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<v Speaker 1>movie for me in a way that Josh was not.

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<v Speaker 1>So that's where I that's where I separate myself from

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<v Speaker 1>the josh Is of the world. I'm willing to have

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<v Speaker 1>something ruined for me. Well, all right, So I watched that.

0:11:45.360 --> 0:11:46.880
<v Speaker 1>And then the other thing I watched NOL, which I

0:11:46.880 --> 0:11:49.920
<v Speaker 1>think you have seen, which I really really loved, was

0:11:49.960 --> 0:11:52.960
<v Speaker 1>the documentary about Harry Nelson. Did you see that? I

0:11:53.000 --> 0:11:55.600
<v Speaker 1>have not seen it? It's called who is Harry Nelson?

0:11:56.080 --> 0:11:58.800
<v Speaker 1>And why is everyone? Why is everybody talking about him? Ye?

0:11:59.000 --> 0:12:01.280
<v Speaker 1>A little clunky title, but I could play on his

0:12:01.320 --> 0:12:04.839
<v Speaker 1>famous song. He also had some clunky album titles too,

0:12:04.960 --> 0:12:09.200
<v Speaker 1>like Nielsen, Schmilson and Son that became a thing. But

0:12:09.240 --> 0:12:11.040
<v Speaker 1>I think it's maybe even a little nod to that.

0:12:11.760 --> 0:12:13.360
<v Speaker 1>Oh you think a little bit, maybe just the fact

0:12:13.360 --> 0:12:16.640
<v Speaker 1>that there's some goofy, goofy title. You know, I certainly

0:12:16.679 --> 0:12:20.800
<v Speaker 1>love his work. Everybody's talking as a great song. You

0:12:20.800 --> 0:12:24.839
<v Speaker 1>put the line in the coconut drank the drank them

0:12:24.880 --> 0:12:26.640
<v Speaker 1>both up, drank the bowl up. I think that's a

0:12:27.520 --> 0:12:29.640
<v Speaker 1>great song. One is the loneliest number he wrote that

0:12:30.600 --> 0:12:33.800
<v Speaker 1>h what else? Oh? Of course? Uh, his biggest hit

0:12:33.920 --> 0:12:38.480
<v Speaker 1>was probably without You, Without You amazing. But I didn't

0:12:38.480 --> 0:12:41.920
<v Speaker 1>know much about the guy, and he has uh sort

0:12:41.960 --> 0:12:46.240
<v Speaker 1>of lived in not obscurity, to be sure, but certainly

0:12:46.360 --> 0:12:50.120
<v Speaker 1>underrated and underappreciated as far as singer songwriters go in

0:12:50.160 --> 0:12:53.280
<v Speaker 1>the history of popular music. And one of the big

0:12:53.280 --> 0:12:54.640
<v Speaker 1>reasons and all. I don't know if you know this,

0:12:54.720 --> 0:12:57.960
<v Speaker 1>but he never performed live. And not only it's not

0:12:58.000 --> 0:13:00.560
<v Speaker 1>like I'm not gonna tour like he didn't play live.

0:13:01.280 --> 0:13:03.920
<v Speaker 1>He had a crippling fear of doing so. Yeah, but

0:13:04.160 --> 0:13:07.360
<v Speaker 1>that beautiful tenor three octave three and a half octave

0:13:07.440 --> 0:13:12.600
<v Speaker 1>range or whatever he had gorgeous Yeah, really interesting, interesting songwriter.

0:13:12.679 --> 0:13:14.360
<v Speaker 1>Two And like I mean he did like the Popeye

0:13:14.400 --> 0:13:16.840
<v Speaker 1>soundtrack and stuff, you know. And then that movie the

0:13:16.840 --> 0:13:19.440
<v Speaker 1>point that Alan loves so much that I still haven't

0:13:19.440 --> 0:13:22.040
<v Speaker 1>seen an animated I have the soundtrack of that. It

0:13:22.120 --> 0:13:23.720
<v Speaker 1>was gifted to me and I haven't listened to yet

0:13:23.720 --> 0:13:26.120
<v Speaker 1>because it literally is kind of like a play that

0:13:26.160 --> 0:13:28.280
<v Speaker 1>the soundtrack is is like an opera or like a

0:13:28.360 --> 0:13:31.480
<v Speaker 1>musical or listened to. I gotta dig it out. He's

0:13:31.559 --> 0:13:34.360
<v Speaker 1>just a true artist. He did one he uh did

0:13:34.520 --> 0:13:36.959
<v Speaker 1>at sort of the peak of his fame. He did

0:13:36.960 --> 0:13:42.040
<v Speaker 1>a cover of Randy Newman songs like Nelson does Newman

0:13:42.160 --> 0:13:46.080
<v Speaker 1>or or sings Newman all Randy Newman. So they talk

0:13:46.120 --> 0:13:48.800
<v Speaker 1>about his u infamous friendship with John Lennon and the

0:13:48.880 --> 0:13:52.640
<v Speaker 1>documentary a lot in Ringo Star Um. He worshiped the Beatles,

0:13:52.640 --> 0:13:54.440
<v Speaker 1>of course, and in up being palaced with those guys,

0:13:54.679 --> 0:13:56.679
<v Speaker 1>especially Lennon and Star doing a lot of a lot

0:13:56.679 --> 0:13:59.480
<v Speaker 1>of Heroin together. I imagine, Well, I don't have that

0:13:59.520 --> 0:14:01.320
<v Speaker 1>lost week and thing right, wasn't that when they're hanging

0:14:01.320 --> 0:14:03.200
<v Speaker 1>out with each other? Yeah, I mean he was a

0:14:03.200 --> 0:14:07.319
<v Speaker 1>part of the Hollywood Vampires, which was um Ringo star

0:14:07.840 --> 0:14:15.000
<v Speaker 1>Keith Moon, John Lennon Um unlikely, maybe most unlikely of all.

0:14:15.080 --> 0:14:17.160
<v Speaker 1>Mickey Dolan's of the Monkeys was part of that group,

0:14:17.960 --> 0:14:23.200
<v Speaker 1>and they were notorious for um just really getting down

0:14:23.280 --> 0:14:27.920
<v Speaker 1>and partying in l a hardcore alcoholics and drug users.

0:14:28.720 --> 0:14:30.680
<v Speaker 1>I don't know about heroin. He was definitely on the

0:14:30.720 --> 0:14:34.800
<v Speaker 1>cocaine um, but his main thing was booze. And I

0:14:35.080 --> 0:14:38.320
<v Speaker 1>didn't realize like they said, And this was Mickey Dolan's

0:14:38.400 --> 0:14:42.880
<v Speaker 1>talking about like hanging out with like he out mooned

0:14:42.960 --> 0:14:46.320
<v Speaker 1>Keith Moon, Harry Nilson did. He said he was just

0:14:46.440 --> 0:14:49.720
<v Speaker 1>like there was no ramp up. It was out of

0:14:49.720 --> 0:14:52.520
<v Speaker 1>the gate, a hundred miles an hour. And they're at

0:14:52.560 --> 0:14:55.560
<v Speaker 1>one point in the documentary they're talking about, um the

0:14:55.640 --> 0:14:57.800
<v Speaker 1>call coming in, like do you want to go out

0:14:57.920 --> 0:15:00.840
<v Speaker 1>from Harry Nilson, and two or three people were like, boy,

0:15:00.960 --> 0:15:03.880
<v Speaker 1>the call. When the call comes you, you gotta know

0:15:04.120 --> 0:15:08.560
<v Speaker 1>like it's not like a night of drinking, like Harry

0:15:08.560 --> 0:15:10.600
<v Speaker 1>will come pick you up for lunch. And three days

0:15:10.640 --> 0:15:14.320
<v Speaker 1>later you will come home and and maybe beat end

0:15:14.400 --> 0:15:18.240
<v Speaker 1>up in a different city like crazy crazy ship. So

0:15:18.320 --> 0:15:20.640
<v Speaker 1>he's like, he's kind of the bad influence in the situation.

0:15:20.880 --> 0:15:25.000
<v Speaker 1>He yeah, it's big. And you know he his his marriage. Uh,

0:15:25.440 --> 0:15:27.920
<v Speaker 1>he's married three times. His first marriage was kind of

0:15:27.960 --> 0:15:30.920
<v Speaker 1>didn't even count. His second marriage really suffered because of that.

0:15:31.240 --> 0:15:34.760
<v Speaker 1>Then eventually settles down and has like six children with

0:15:34.800 --> 0:15:37.560
<v Speaker 1>this third wife that he really loved, but you know,

0:15:37.640 --> 0:15:42.040
<v Speaker 1>alcohol recked his body. Very sad, really really really insightful. Doc.

0:15:42.360 --> 0:15:44.520
<v Speaker 1>You you're gonna love it. I'll check it out. Very good.

0:15:45.400 --> 0:15:49.360
<v Speaker 1>All right, everyone, we are going to slide right into

0:15:49.400 --> 0:15:57.680
<v Speaker 1>a couple of social studies. Social studies and one of

0:15:57.720 --> 0:16:04.600
<v Speaker 1>them was curated by a super pal and I said,

0:16:04.640 --> 0:16:06.360
<v Speaker 1>can I use this? Or actually I think he maybe

0:16:06.360 --> 0:16:10.880
<v Speaker 1>even just suggested it. Uh. Andrew Ryan White said, dude,

0:16:10.880 --> 0:16:12.600
<v Speaker 1>why don't you do one on your favorite movie here?

0:16:12.600 --> 0:16:15.480
<v Speaker 1>Because you always talk about two? And I said that

0:16:15.480 --> 0:16:18.440
<v Speaker 1>that is a great idea, So thank you, Andrew, And

0:16:18.480 --> 0:16:20.680
<v Speaker 1>we're gonna go with that. What's your favorite movie year?

0:16:20.840 --> 0:16:24.560
<v Speaker 1>And why We're gonna start out with Oh, my old

0:16:24.560 --> 0:16:28.840
<v Speaker 1>friend Lea Mitchell Um five. She says, back to the future, Goonies,

0:16:29.320 --> 0:16:33.440
<v Speaker 1>Desperately Seeking Susan Clue, Breakfast Club, Weird Science, Pee's Big Adventure,

0:16:33.440 --> 0:16:36.720
<v Speaker 1>saying almost fire teen Wolf, better off dead. Hard to argue, No,

0:16:37.000 --> 0:16:44.800
<v Speaker 1>that's a very good year. Uh. Andre Camrud says, I

0:16:44.840 --> 0:16:46.840
<v Speaker 1>think he reference ninety nine a lot, don't you. I'm

0:16:46.840 --> 0:16:49.160
<v Speaker 1>about to do. That's what I'll have to drop. Is that? Okay?

0:16:49.360 --> 0:16:52.400
<v Speaker 1>Well let's talk about it then, because he lists sorry

0:16:52.440 --> 0:16:54.880
<v Speaker 1>to argue with these American beauty fight Club toy story

0:16:54.880 --> 0:17:00.760
<v Speaker 1>to Green Mile being John Malkovich Malkovich, Three Kings, Phantom Menace,

0:17:02.320 --> 0:17:05.800
<v Speaker 1>cruel Intentions even says, which I actually liked that movie,

0:17:06.600 --> 0:17:12.720
<v Speaker 1>notting Hill, bro Blair Witch pair which eyes wide shut?

0:17:12.760 --> 0:17:15.200
<v Speaker 1>I mean like love it or hate It's final Kobrick movie.

0:17:15.480 --> 0:17:18.040
<v Speaker 1>Big Daddy, Remember a Big Daddy when he peas on

0:17:18.080 --> 0:17:20.320
<v Speaker 1>the wall with the kid, that's hi serious, that's Gold,

0:17:20.560 --> 0:17:24.600
<v Speaker 1>that's Adam Sandler Gold, Austin Powers too. Boys Don't Cry,

0:17:24.640 --> 0:17:27.640
<v Speaker 1>Boys Don't Cry? Is the great movie Office Space? Oh sure?

0:17:27.760 --> 0:17:32.359
<v Speaker 1>Three Kings, Yeah, I love that movie. Good Year, Dogma.

0:17:32.520 --> 0:17:35.200
<v Speaker 1>I like Bringing Out the Dead very much with Nicholas Cage.

0:17:35.200 --> 0:17:36.920
<v Speaker 1>It was a Squares Stacey movie. He's an ambulance driver.

0:17:37.119 --> 0:17:38.800
<v Speaker 1>I didn't care for you care for I liked it

0:17:38.800 --> 0:17:40.880
<v Speaker 1>when I was a kid. I mean in that year

0:17:40.960 --> 0:17:42.439
<v Speaker 1>that was that was also for me. That was a

0:17:42.440 --> 0:17:45.840
<v Speaker 1>formative movie year for me. You're also obsessed with E

0:17:45.960 --> 0:17:47.680
<v Speaker 1>M T S growing up. So how ol would have

0:17:47.760 --> 0:17:51.400
<v Speaker 1>been in let's do the do the birthday math? I'm

0:17:51.440 --> 0:17:56.000
<v Speaker 1>thirty five and nineteen. Oh that's easy. Ten years so

0:17:56.040 --> 0:18:00.600
<v Speaker 1>I was nineteen Yeah, yeah, that was it checks out. Uh,

0:18:00.640 --> 0:18:07.080
<v Speaker 1>My old buddy, Mike Anderson, former guest, says, and he said,

0:18:07.119 --> 0:18:12.600
<v Speaker 1>here's why Cable TV contacted my neighborhood. I definitely know

0:18:12.640 --> 0:18:14.760
<v Speaker 1>what Mike saying, because I got Cable sort of around

0:18:14.760 --> 0:18:18.160
<v Speaker 1>the same time. Cramer versus Cramer, my bodyguard, Caddy check

0:18:18.280 --> 0:18:22.320
<v Speaker 1>the Big Red One, Urban Cowboy, Flash Gordon, Private Benjamin,

0:18:22.359 --> 0:18:27.560
<v Speaker 1>American Gigglow, Blue Lagoon, Stir Crazy, somewhere in time, airplane,

0:18:27.640 --> 0:18:33.320
<v Speaker 1>any which way you can. Man, they don't make him

0:18:33.359 --> 0:18:36.879
<v Speaker 1>like that anymore. Nol. My buddy Jack Hale says nineteen

0:18:36.920 --> 0:18:40.480
<v Speaker 1>eighty two, as well. Our old friends Stellan Carlson says.

0:18:42.760 --> 0:18:46.320
<v Speaker 1>Nicole Park's old friends says, n to Tanic men in

0:18:46.359 --> 0:18:49.040
<v Speaker 1>black good Well hunting. I know what you did last summer,

0:18:49.760 --> 0:18:56.800
<v Speaker 1>My best friend's wedding, Dante's Peak, Romeo Michelle. But hey, Nicole,

0:18:59.200 --> 0:19:02.800
<v Speaker 1>I like what you're throwing down there. I'm gonna stand by.

0:19:03.200 --> 0:19:07.800
<v Speaker 1>The list goes on, Centennial Man by Centennial Man, Chuck

0:19:09.080 --> 0:19:13.880
<v Speaker 1>Probin Williams is a robot. He was a robot? Where

0:19:13.880 --> 0:19:16.280
<v Speaker 1>was John Hodge would say a robot? Wild wild West,

0:19:16.520 --> 0:19:19.399
<v Speaker 1>Deep Blue Sea. Wild wild West was terrible. Yeah, but

0:19:19.440 --> 0:19:22.000
<v Speaker 1>it was beautifully terrible. Man in the Moon. You like

0:19:22.000 --> 0:19:24.800
<v Speaker 1>Man on the Moon, didn't you? Okay? It was Andy Kaufman,

0:19:26.359 --> 0:19:30.040
<v Speaker 1>straight story. That's a great movie. Great movie, David Lynch,

0:19:30.359 --> 0:19:32.040
<v Speaker 1>and it's the one we've made talking about this, but

0:19:32.040 --> 0:19:33.919
<v Speaker 1>it's the one David Lynch movie that has all the

0:19:33.960 --> 0:19:38.639
<v Speaker 1>hallmarks of David Lynchy nous but like it's it's and

0:19:38.680 --> 0:19:41.200
<v Speaker 1>it's such a touching movie but still very lynchy and weird.

0:19:41.200 --> 0:19:43.760
<v Speaker 1>I like, yeah it is. Uh. Well, let's go with

0:19:43.800 --> 0:19:46.760
<v Speaker 1>Andrew Ryan White, who curated this whole thing to begin with.

0:19:46.840 --> 0:19:49.960
<v Speaker 1>He says ninety seven, he said two films stood up

0:19:50.000 --> 0:19:54.720
<v Speaker 1>better than what one. Best picture l A Confidential, all

0:19:54.760 --> 0:19:58.080
<v Speaker 1>time great good. Wild Hunting might be the best first

0:19:58.359 --> 0:20:04.680
<v Speaker 1>screenplay written. And also Titanic, Boogie Nights, Jackie Brown, Men

0:20:04.680 --> 0:20:09.720
<v Speaker 1>in Black, Austin Powers, Fifth Element, Gross point Blank. Yeah,

0:20:10.040 --> 0:20:13.199
<v Speaker 1>I gotta say those are all good. Let's go with

0:20:13.320 --> 0:20:18.400
<v Speaker 1>Top Fan and Old Pal, Teresa Barker, eighty three, Flash Dance, Vacation,

0:20:18.440 --> 0:20:21.560
<v Speaker 1>The Dead Zone, Trading Places, Mr Mom in terms of endearment,

0:20:21.600 --> 0:20:26.480
<v Speaker 1>A Christmas Story, and Yental. I gotta say no, it

0:20:26.520 --> 0:20:30.679
<v Speaker 1>seems like these days it's just not very good. I mean,

0:20:30.720 --> 0:20:33.399
<v Speaker 1>I love these Marvel movies, but when you look at

0:20:33.520 --> 0:20:37.000
<v Speaker 1>January through December in the last six, eight, ten years,

0:20:37.560 --> 0:20:39.720
<v Speaker 1>it's not that great. Well, it's also like what makes

0:20:39.760 --> 0:20:42.159
<v Speaker 1>the cut on these lists? They have to be you know,

0:20:42.160 --> 0:20:45.960
<v Speaker 1>there's certainly some under the radar one some gems or whatever.

0:20:46.080 --> 0:20:49.439
<v Speaker 1>But what even you type in, you know, best of

0:20:49.520 --> 0:20:51.399
<v Speaker 1>this year, Like what does it have to have made

0:20:51.440 --> 0:20:52.960
<v Speaker 1>a certain amount of money for it to like pop

0:20:53.040 --> 0:20:54.760
<v Speaker 1>up on the list? Yeah, I mean, you know a

0:20:54.760 --> 0:20:58.080
<v Speaker 1>lot of it is, uh. I mean, nostalgia plays a role,

0:20:58.119 --> 0:21:01.320
<v Speaker 1>to be sure, but like Karate Kid has got to

0:21:01.320 --> 0:21:02.720
<v Speaker 1>be on a list. It doesn't have to be like

0:21:02.760 --> 0:21:05.760
<v Speaker 1>a Best Picture winner, you know, to say that Karate Kid,

0:21:06.200 --> 0:21:08.320
<v Speaker 1>it was a great film, you know what I mean?

0:21:09.119 --> 0:21:14.520
<v Speaker 1>Do you think Karate Kid was a great film? Yes, yeah, yeah, yeah, interesting,

0:21:15.240 --> 0:21:18.520
<v Speaker 1>Yeah it was yeah for what it was, for what

0:21:18.520 --> 0:21:21.560
<v Speaker 1>it was. Um, I think it's a good film. Absolutely.

0:21:22.400 --> 0:21:24.679
<v Speaker 1>It pushes all my buttons and all still does it

0:21:24.680 --> 0:21:27.720
<v Speaker 1>takes those boxes. Yeah. I mean there's not a time

0:21:27.720 --> 0:21:31.200
<v Speaker 1>that I've watched that movie when uh, the big scene

0:21:31.840 --> 0:21:35.639
<v Speaker 1>when Miagi comes home after a late night after daniel

0:21:35.680 --> 0:21:38.560
<v Speaker 1>Son has been standing the floor and he's had enough

0:21:39.680 --> 0:21:42.879
<v Speaker 1>and he does it, he does the yeah, and he

0:21:42.960 --> 0:21:46.000
<v Speaker 1>realizes that he's been learning karate the whole time. Every

0:21:46.000 --> 0:21:48.040
<v Speaker 1>time I see that ship it it moves me. That

0:21:48.119 --> 0:21:51.600
<v Speaker 1>movie is also like the quintessential montage. Oh sure, I

0:21:51.680 --> 0:21:55.880
<v Speaker 1>mean like that, that's the montage the best what's ever

0:21:55.960 --> 0:21:58.440
<v Speaker 1>going to get? Which was it? Was it one or

0:21:58.520 --> 0:22:00.960
<v Speaker 1>two that had the love theme where it's like I'll

0:22:01.000 --> 0:22:07.320
<v Speaker 1>be the man who will fight. I want to I'm

0:22:07.359 --> 0:22:12.120
<v Speaker 1>not mistaken because like a night and Shining Arm from

0:22:12.119 --> 0:22:20.080
<v Speaker 1>a long time ago, Peter Sitara man that's later Chicago, Chicago. Yeah,

0:22:20.160 --> 0:22:22.639
<v Speaker 1>that's who that is or I actually met that. I

0:22:22.640 --> 0:22:24.920
<v Speaker 1>think that was Stara Solo got it? No, No, I

0:22:24.960 --> 0:22:27.560
<v Speaker 1>mean he's he was in Chicago. I never connected this.

0:22:27.800 --> 0:22:31.119
<v Speaker 1>They didn't for the break Off. Never, I never associated

0:22:31.119 --> 0:22:33.920
<v Speaker 1>a name with Chicago. You know Stara he played bass

0:22:33.920 --> 0:22:36.639
<v Speaker 1>and saying lead. I mean they had a couple of singers.

0:22:37.000 --> 0:22:40.040
<v Speaker 1>But of course Chicago was all about Terry Calf, and

0:22:40.080 --> 0:22:43.520
<v Speaker 1>there's a great documentary on Terry Calf, one of the

0:22:43.600 --> 0:22:47.359
<v Speaker 1>easily most underrated guitar players of all time. Let me

0:22:47.359 --> 0:22:50.320
<v Speaker 1>see Josh Brennan says, eighty five, goon, He's back to

0:22:50.359 --> 0:22:53.240
<v Speaker 1>the Future, Breakfast Club, weird Science. Wait a minute, are

0:22:53.240 --> 0:22:55.320
<v Speaker 1>people getting these years wrong? I felt like someone said

0:22:55.359 --> 0:22:59.720
<v Speaker 1>that was eight seven, Jeremy Green, Summer of ninety three,

0:22:59.760 --> 0:23:02.200
<v Speaker 1>Sam Lot and Rookie of the Year. I was ten

0:23:02.240 --> 0:23:06.040
<v Speaker 1>years old and those were perfect baseball movies. Yeah, eighty

0:23:06.119 --> 0:23:09.680
<v Speaker 1>five was good. Back to the Future, gooonis Breakfast Club?

0:23:10.160 --> 0:23:16.119
<v Speaker 1>Rambo too? Weird science? Color? Purple? Rocky four? Was that

0:23:16.200 --> 0:23:20.119
<v Speaker 1>a good rocky? Uh? That was draw go so medium

0:23:20.200 --> 0:23:24.320
<v Speaker 1>Rocky medium, Rocky cocoon. You know what's funny, We're going

0:23:24.359 --> 0:23:26.000
<v Speaker 1>to get into this, uh in a in an episode,

0:23:26.000 --> 0:23:28.359
<v Speaker 1>We're gonna record a little bit. But see a Stranger

0:23:28.440 --> 0:23:33.800
<v Speaker 1>Things Season three clearly takes place in because in the

0:23:33.840 --> 0:23:38.359
<v Speaker 1>movie Theater at the Mall, they're playing Cocoon. Else it

0:23:38.440 --> 0:23:40.840
<v Speaker 1>back to the future. I felt like there was one more,

0:23:41.200 --> 0:23:46.119
<v Speaker 1>maybe one more, Oh it was it was Night of

0:23:46.160 --> 0:23:48.800
<v Speaker 1>the Living Dead, Return of the Living Dead. Okay, that

0:23:48.840 --> 0:23:53.240
<v Speaker 1>sounds about right. Al old Buddy Craig might have hung

0:23:53.240 --> 0:23:57.200
<v Speaker 1>those signs and all. Yeah, my my daughter's stepdad worked

0:23:57.240 --> 0:23:58.960
<v Speaker 1>on that show as well. Well, we'll get into that

0:23:59.000 --> 0:24:01.679
<v Speaker 1>in the whole We're Gonna crush It. We're gonna crush it.

0:24:02.080 --> 0:24:05.000
<v Speaker 1>Our old pal Banessa Cashman part of the nessa squad.

0:24:07.400 --> 0:24:11.119
<v Speaker 1>She goes with pulp fiction professional Forrest Gump Shawshank interviewed

0:24:11.160 --> 0:24:16.080
<v Speaker 1>the Vampire Natural Born Killers. Not bad? What is that for? Yeah,

0:24:16.200 --> 0:24:18.720
<v Speaker 1>that was a good year. It was a very good year.

0:24:18.760 --> 0:24:21.360
<v Speaker 1>It was I remember that pretty distinctly from being too

0:24:21.400 --> 0:24:23.480
<v Speaker 1>young to see all those movies, but yet still having

0:24:23.480 --> 0:24:25.520
<v Speaker 1>seen them in the theater, Like I saw an interview

0:24:25.640 --> 0:24:27.840
<v Speaker 1>with the Vampire in the theater. I saw pulp fiction

0:24:27.840 --> 0:24:30.399
<v Speaker 1>in the theater. Yeah. Same. Tank Girl came out that

0:24:30.480 --> 0:24:34.119
<v Speaker 1>year too, not on the list probably, but oh it

0:24:34.200 --> 0:24:36.919
<v Speaker 1>was fun enough, not great, but no, it's not a

0:24:36.920 --> 0:24:39.440
<v Speaker 1>good movie. Like what's her face? Was it? Lori Perry petty?

0:24:39.480 --> 0:24:41.600
<v Speaker 1>But it's also got like iced Tea dressed as a

0:24:41.640 --> 0:24:45.280
<v Speaker 1>weird mutant kangaroo. Oh that's right, Yeah, he's got all

0:24:45.280 --> 0:24:48.240
<v Speaker 1>He's like part of a whole gang of weird, puffy

0:24:48.400 --> 0:24:53.480
<v Speaker 1>kangaroo people. And that was a comic book correct Edwin

0:24:53.720 --> 0:25:00.800
<v Speaker 1>Forrest Glenn says, n Truman Show, Rushmore, Lebowski, Private Ryan,

0:25:00.880 --> 0:25:04.800
<v Speaker 1>American History X Wedding Singers, Rounders Meet Joe black Lock Stock.

0:25:05.560 --> 0:25:09.320
<v Speaker 1>Not a bad year, boy, really, when you stack these

0:25:09.400 --> 0:25:11.600
<v Speaker 1>up next to each other. What I have not seen, really,

0:25:11.680 --> 0:25:19.919
<v Speaker 1>is anyone do anything from the past twelve to fifteen years. No, well,

0:25:19.960 --> 0:25:23.560
<v Speaker 1>I'm just for as an experiment looking up. Yeah, it's

0:25:23.560 --> 0:25:25.520
<v Speaker 1>not bad, dude, it's not bad. All right. Let's here.

0:25:25.600 --> 0:25:29.480
<v Speaker 1>We've got mad Max, Fury Road, We've got The Martian. Uh.

0:25:29.520 --> 0:25:34.200
<v Speaker 1>I see how people liked it Inside Out fantastic animated film,

0:25:34.680 --> 0:25:38.040
<v Speaker 1>Creed people seem to enjoy I haven't seen it. The Revenant. Uh.

0:25:38.400 --> 0:25:41.520
<v Speaker 1>Leo DiCaprio climbs inside of a bear like that movie

0:25:41.800 --> 0:25:43.640
<v Speaker 1>much like as much as you can like it. Well,

0:25:43.680 --> 0:25:46.720
<v Speaker 1>you know he uh he definitely deserved that Oscar did

0:25:46.720 --> 0:25:48.480
<v Speaker 1>he get it? I don't even remember seeing That's how

0:25:48.560 --> 0:25:50.959
<v Speaker 1>little I care about that movie. The Big Short that

0:25:51.040 --> 0:25:53.960
<v Speaker 1>was good. Yeah, but here's the deal to me, No, uh,

0:25:54.320 --> 0:25:56.320
<v Speaker 1>these movies have to I think I know what it is.

0:25:56.320 --> 0:25:58.560
<v Speaker 1>They have to stand the test of time. Time. So

0:25:58.600 --> 0:26:02.080
<v Speaker 1>in twenty years, are people are gonna look back and say, oh, boy, man,

0:26:02.320 --> 0:26:04.960
<v Speaker 1>remember that you're the Martian came out Share Love train Wreck.

0:26:05.240 --> 0:26:07.639
<v Speaker 1>I don't think so. Gosh, that was a that was

0:26:07.680 --> 0:26:10.159
<v Speaker 1>a romp. They're just okay, They're not long lasting. I

0:26:10.160 --> 0:26:13.119
<v Speaker 1>don't think. Yeah, I mean even like a movie like

0:26:13.200 --> 0:26:16.840
<v Speaker 1>the Marvel movies, which are so fun. They're fun, like

0:26:16.880 --> 0:26:19.359
<v Speaker 1>a ride is fun, like a like a you know,

0:26:19.400 --> 0:26:21.960
<v Speaker 1>amusement park ride is fun. Yeah, I'm not gonna like,

0:26:22.000 --> 0:26:25.879
<v Speaker 1>I'm not losing sleep thinking about you know, the Pathos

0:26:25.960 --> 0:26:29.280
<v Speaker 1>and ant Man, you know, I mean, it's just not happening,

0:26:30.400 --> 0:26:32.480
<v Speaker 1>all right. I think we Uh, I think we covered

0:26:32.480 --> 0:26:42.359
<v Speaker 1>our bases there. Uh. So I'm gonna move on finally,

0:26:42.400 --> 0:26:44.720
<v Speaker 1>no to in one more social studies, and I'm gonna

0:26:44.720 --> 0:26:46.439
<v Speaker 1>start doing some of these. I decided to get kind

0:26:46.480 --> 0:26:50.399
<v Speaker 1>of specific. And if I'm not mistaken, this may be

0:26:50.480 --> 0:26:53.040
<v Speaker 1>coming out just a couple of days after Mr Robert

0:26:53.119 --> 0:26:56.440
<v Speaker 1>de Niro's birthday, and so we're going to salute him

0:26:56.480 --> 0:27:00.280
<v Speaker 1>and I simply asked, what is your favorite Robert de

0:27:00.359 --> 0:27:03.399
<v Speaker 1>Niro performance one of the great actors of all time?

0:27:04.240 --> 0:27:07.879
<v Speaker 1>Not best, not favorite movie, favorite performance. I know it

0:27:07.960 --> 0:27:09.840
<v Speaker 1>right off the top of my head. I'm gonna make

0:27:09.840 --> 0:27:14.000
<v Speaker 1>a guess, Noll, what do you think I'm going to

0:27:14.040 --> 0:27:22.040
<v Speaker 1>say you loved Raging Bull? No, mind's a mind's way

0:27:22.040 --> 0:27:25.120
<v Speaker 1>off the beaten path, Mad Dog and Glory, The King

0:27:25.160 --> 0:27:29.679
<v Speaker 1>of Comedy, Oh God, great, Rupert, Rupert Pupkin. If you

0:27:29.680 --> 0:27:31.800
<v Speaker 1>guys haven't seen The King of Comedy. It's sort of

0:27:31.840 --> 0:27:35.560
<v Speaker 1>a lesser Scorsese. It's like a weird mad cap kind

0:27:35.600 --> 0:27:39.200
<v Speaker 1>of like obsession obsession movie, dark comedy, dark comedy, not

0:27:39.359 --> 0:27:43.160
<v Speaker 1>really a thriller, definitely no mob stuff at all. It's

0:27:43.200 --> 0:27:46.080
<v Speaker 1>just a character study. Lewis so great about Sander Bernhard

0:27:46.600 --> 0:27:49.159
<v Speaker 1>thought this kind of not even a has been and

0:27:49.240 --> 0:27:51.840
<v Speaker 1>never was comedian who like lives in his mother's basement.

0:27:52.119 --> 0:27:55.359
<v Speaker 1>It becomes obsessed with this talk show host. Yeah, like

0:27:55.400 --> 0:27:58.119
<v Speaker 1>the sort of the Carson Johnny Carson character, which was

0:27:58.200 --> 0:27:59.680
<v Speaker 1>Erry Lewis. And that's all you need to know about it,

0:27:59.680 --> 0:28:01.600
<v Speaker 1>because so many good things that happened in that movie.

0:28:01.600 --> 0:28:04.159
<v Speaker 1>Sandra Bernhard is in it, and plays a fellow obsessive

0:28:04.760 --> 0:28:07.359
<v Speaker 1>and it's just so good. I don't man, I wish

0:28:07.359 --> 0:28:11.760
<v Speaker 1>he was around more. She was great. She popped up

0:28:11.760 --> 0:28:14.000
<v Speaker 1>in an episode of Sopranos. I've been rewatching The Sopranos

0:28:14.000 --> 0:28:18.160
<v Speaker 1>and there's an episode where Jon Favreau plays himself directing

0:28:18.200 --> 0:28:20.560
<v Speaker 1>like a gangster movie, and Chris Malta santi one of

0:28:20.560 --> 0:28:24.760
<v Speaker 1>the younger soprano protege or wherever, kind of starts up

0:28:25.000 --> 0:28:27.360
<v Speaker 1>what's the word, consulting a little bit on it, and

0:28:27.640 --> 0:28:31.560
<v Speaker 1>I think Sandra Bernhardt and um Janine Garoffalo are in

0:28:31.560 --> 0:28:34.640
<v Speaker 1>the movie, and that's the last time I've really seen

0:28:34.680 --> 0:28:38.360
<v Speaker 1>Sandra Bernhard. She's great. Mr Alright, So we're going with

0:28:38.640 --> 0:28:42.640
<v Speaker 1>Charles martin Acres. When a Burl Pal says Casino, Jim

0:28:42.680 --> 0:28:45.920
<v Speaker 1>Bousa says, meet the parents, even though good Fellows is

0:28:45.960 --> 0:28:48.320
<v Speaker 1>one of my favorite movies. So he gets it, old

0:28:48.320 --> 0:28:53.680
<v Speaker 1>pal and top pan Barry King says, uh, well, he

0:28:53.720 --> 0:28:57.240
<v Speaker 1>didn't really say. He just says he's one of my

0:28:57.280 --> 0:29:01.600
<v Speaker 1>favorite actor holes. Oh, one of his biggest actor holes.

0:29:01.600 --> 0:29:06.920
<v Speaker 1>Sorry he does. He mentions Casino for best performance. I

0:29:07.040 --> 0:29:09.280
<v Speaker 1>just put it that, Verry. I'll apologies. So it's fine.

0:29:09.320 --> 0:29:11.760
<v Speaker 1>Casino is good because it's like it's sort of an

0:29:11.840 --> 0:29:14.960
<v Speaker 1>understated DeNiro performance as well. He's not the heavy Yeah,

0:29:15.000 --> 0:29:18.520
<v Speaker 1>he's not the yuck he hamming it up or whatever

0:29:18.600 --> 0:29:21.040
<v Speaker 1>too in the scenery as much. He's a little more understated. Well,

0:29:21.200 --> 0:29:23.360
<v Speaker 1>the whole point of that character is to be very

0:29:23.360 --> 0:29:25.400
<v Speaker 1>common in control the radar, kind of like he's the

0:29:25.400 --> 0:29:28.280
<v Speaker 1>guy that doesn't actually kill anybody. He just kind of

0:29:28.320 --> 0:29:32.000
<v Speaker 1>like he's the boss kind of, but he's also boy,

0:29:32.080 --> 0:29:35.160
<v Speaker 1>he has to be like the legitimate businessman, right exactly.

0:29:35.760 --> 0:29:38.760
<v Speaker 1>I really love Casino. I think I think it got

0:29:38.800 --> 0:29:42.479
<v Speaker 1>sort of I mean, people like Casino, but I think

0:29:42.520 --> 0:29:44.680
<v Speaker 1>it was a scene as lesser at the time compared

0:29:44.680 --> 0:29:47.920
<v Speaker 1>to like a good Fellas. That's fair maybe a little bit.

0:29:47.920 --> 0:29:49.800
<v Speaker 1>But no, no, no, I'm not I'm not saying I know, yeah,

0:29:49.840 --> 0:29:51.800
<v Speaker 1>I don't agree with you. I'm saying I I think,

0:29:51.880 --> 0:29:55.920
<v Speaker 1>I honestly think they're equal, and I think it's maybe

0:29:56.160 --> 0:29:59.800
<v Speaker 1>a hair below good Fellas. But Sharon Stone and James Woods,

0:29:59.840 --> 0:30:02.680
<v Speaker 1>he and though he's an awful human, was great in

0:30:02.680 --> 0:30:07.600
<v Speaker 1>that movie, isn't he. Yeah, God, he's terrible. Old pal

0:30:07.680 --> 0:30:13.480
<v Speaker 1>Brian Throckmorton, uh says the Captain and Star Dust. I

0:30:13.480 --> 0:30:18.040
<v Speaker 1>don't know that. What is that? Oh? Stardust is a

0:30:18.120 --> 0:30:21.920
<v Speaker 1>Neil Gaiman movie based on a comic based on a

0:30:22.000 --> 0:30:24.960
<v Speaker 1>novel by Neil Game. It's sort of a fantasy princess

0:30:25.000 --> 0:30:28.440
<v Speaker 1>bride fairy tale kind of thing, because he does play

0:30:28.600 --> 0:30:32.280
<v Speaker 1>kind of a goofy airship captain in that. And I

0:30:32.320 --> 0:30:34.320
<v Speaker 1>don't really remember much else about it. I didn't I

0:30:34.320 --> 0:30:36.120
<v Speaker 1>wasn't a huge fan of even I love Neil Gaming.

0:30:36.160 --> 0:30:39.520
<v Speaker 1>But what's your name? Michelle Pfeiffer's in it? Uh, somebody

0:30:39.560 --> 0:30:41.160
<v Speaker 1>else kind of famous is in it, But it's Neil

0:30:41.160 --> 0:30:44.760
<v Speaker 1>Game and Mary too. To Amanda Palmer, Right, that's right.

0:30:46.120 --> 0:30:48.720
<v Speaker 1>Helen Lyons, old Pal says, I love how he chewed

0:30:48.720 --> 0:30:51.600
<v Speaker 1>the scenery in Cape Fear, my first to nero experience.

0:30:52.920 --> 0:30:55.200
<v Speaker 1>Didn't that come up with bad accents? I think before

0:30:55.280 --> 0:30:58.360
<v Speaker 1>where we're like so bad also so good, you know,

0:30:58.440 --> 0:31:00.280
<v Speaker 1>like you just kind of like look past it's gotta

0:31:00.320 --> 0:31:02.000
<v Speaker 1>go with it. I think it was so over the top.

0:31:02.480 --> 0:31:05.840
<v Speaker 1>I certainly loved that Cape Fear movie. Uh, that one

0:31:06.040 --> 0:31:08.240
<v Speaker 1>as opposed to the other one, although they're both great.

0:31:08.680 --> 0:31:12.640
<v Speaker 1>Old Pal Don Morris's Silver Linings playbook hands down such

0:31:12.680 --> 0:31:16.080
<v Speaker 1>a specific and flawed character. Yeah, boy, he was good

0:31:16.080 --> 0:31:19.480
<v Speaker 1>in that. Austin Handler Old friends says Jimmy Conway and

0:31:19.520 --> 0:31:22.800
<v Speaker 1>Goodfellas of course, and a lifetime of great roles. My

0:31:22.920 --> 0:31:27.560
<v Speaker 1>hands down favorite DeNiro roll hard to argue. Robert Paulson,

0:31:27.920 --> 0:31:31.160
<v Speaker 1>pipe down, Paulson, our old pal says, Mean Streets so

0:31:31.280 --> 0:31:33.520
<v Speaker 1>real and so raw? Have you ever seen mean streets

0:31:33.520 --> 0:31:35.960
<v Speaker 1>and all? That's what I haven't seen. Get on it, brother,

0:31:36.800 --> 0:31:41.600
<v Speaker 1>classic song at the beginning? Is there rolling stones? Oh?

0:31:41.680 --> 0:31:43.440
<v Speaker 1>I mean this is course aisy movie, so there's got

0:31:43.440 --> 0:31:47.800
<v Speaker 1>to be rolling stets? Yeah? Mein streets man so good?

0:31:48.600 --> 0:31:51.120
<v Speaker 1>I mean, I definitely I like the range of DeNiro,

0:31:51.240 --> 0:31:54.880
<v Speaker 1>but when he was like in his early twenties, just

0:31:54.960 --> 0:32:00.200
<v Speaker 1>crushing it, man, crushing it. R J. Revniac says it's

0:32:00.200 --> 0:32:03.440
<v Speaker 1>gotta be Jay Clamta and Raging Bull transformed his body

0:32:04.160 --> 0:32:11.080
<v Speaker 1>and oscillated between Despicable Husband and pitiable has been so good.

0:32:12.200 --> 0:32:16.120
<v Speaker 1>Old friend David Mills says stereotypical, gotta be good Fellas.

0:32:16.560 --> 0:32:21.240
<v Speaker 1>Here you go, Noel, our old friend Alex Alex Glasnovich says,

0:32:21.320 --> 0:32:25.200
<v Speaker 1>King of Comedy is Scorsese's best film, which one King

0:32:25.240 --> 0:32:28.040
<v Speaker 1>of Comedy? Yes, absolutely. I don't know if it's his

0:32:28.080 --> 0:32:30.160
<v Speaker 1>best film, but it's one to me that is remarkable

0:32:30.320 --> 0:32:33.360
<v Speaker 1>because it's so him trying something else and stepping out,

0:32:33.400 --> 0:32:35.880
<v Speaker 1>and it doesn't feel like a Scorsese movie, but it's

0:32:35.880 --> 0:32:39.080
<v Speaker 1>just like so uniquely itself. For I love that. And

0:32:39.080 --> 0:32:40.760
<v Speaker 1>he's one of those directors that kind of tends to

0:32:40.840 --> 0:32:43.480
<v Speaker 1>lean on a thing, you know, and this one doesn't

0:32:43.480 --> 0:32:46.160
<v Speaker 1>really this goes outside of that. Yeah. Yeah. Our old

0:32:46.160 --> 0:32:49.560
<v Speaker 1>friend Sean McFarland says, Bronx Tale such a humble character.

0:32:49.600 --> 0:32:53.040
<v Speaker 1>He wants nothing but to protect his family. What I

0:32:53.080 --> 0:32:54.840
<v Speaker 1>like here, Noel, is you're getting We're getting a lot

0:32:54.880 --> 0:32:57.640
<v Speaker 1>of different We're getting a nice variety. It's not like

0:32:57.680 --> 0:33:00.240
<v Speaker 1>good Fellows straight down, you know, Jimmy Conway or burn

0:33:00.280 --> 0:33:04.400
<v Speaker 1>Over Um. Valerie burns his heat a dinner scene with Pacino.

0:33:05.520 --> 0:33:07.640
<v Speaker 1>Another vote for start Us from our old friend John

0:33:07.680 --> 0:33:12.360
<v Speaker 1>millsap Dan Turk says Wag the Dog. Christopher Rennie, her

0:33:12.400 --> 0:33:15.840
<v Speaker 1>old pal, says Travis Bickle easily. Yeah, I mean we

0:33:15.880 --> 0:33:18.920
<v Speaker 1>haven't even talked about Oh here we go, Oh. Pete

0:33:18.960 --> 0:33:23.920
<v Speaker 1>Drummond Man After My Own Heart Midnight Run one of

0:33:23.960 --> 0:33:28.239
<v Speaker 1>my favorite favorite all time comedies. So so good. Our

0:33:28.280 --> 0:33:32.800
<v Speaker 1>old friend Jeff Clark's Cape fear tied with Awakenings, as

0:33:32.840 --> 0:33:36.800
<v Speaker 1>did Tracy de Martini said Awakenings, she said, oh my god,

0:33:36.960 --> 0:33:39.360
<v Speaker 1>I could start crying just thinking about it. I forgot

0:33:39.400 --> 0:33:43.400
<v Speaker 1>how good that movie was. Did you like that one Awakening? Yeah?

0:33:43.400 --> 0:33:45.200
<v Speaker 1>I haven't seen it. Is that the one where all

0:33:45.200 --> 0:33:51.240
<v Speaker 1>the old people are in the cocoons? Jesus No. Awakenings

0:33:51.280 --> 0:33:54.960
<v Speaker 1>is a true story of of the doctor. I can't

0:33:54.960 --> 0:33:57.400
<v Speaker 1>remember the doctor's real name. What was it? Come on,

0:33:57.480 --> 0:34:02.480
<v Speaker 1>Chuck Robin Williams though, where he works with bringing um

0:34:02.600 --> 0:34:05.640
<v Speaker 1>the de Niro character out of his not a coma

0:34:05.720 --> 0:34:08.640
<v Speaker 1>but his conditions. Okay, Oh, I can't remember what the

0:34:08.640 --> 0:34:11.680
<v Speaker 1>condition is exactly. It's really good. That's interesting. I'll to

0:34:11.719 --> 0:34:13.520
<v Speaker 1>check it out. I remember it. I remember there had

0:34:13.560 --> 0:34:17.080
<v Speaker 1>there was some coma nests going on and awakening. Right,

0:34:17.080 --> 0:34:20.040
<v Speaker 1>it's about like awake, awakening from a fugue state or

0:34:20.040 --> 0:34:25.000
<v Speaker 1>some times. Yeah. Another vote for Stardust from John SHAWL.

0:34:25.360 --> 0:34:28.200
<v Speaker 1>I'm interested to see that now. Actually, it's coming up enough.

0:34:28.360 --> 0:34:30.239
<v Speaker 1>I'd like to rewatch it because it's definitely like a

0:34:30.320 --> 0:34:34.080
<v Speaker 1>rollicking kind of adventure in you know, a fairytale world.

0:34:34.120 --> 0:34:36.120
<v Speaker 1>Kind of movie. But for some reason, it didn't grab

0:34:36.200 --> 0:34:38.080
<v Speaker 1>me when I saw it, and I was primed to

0:34:38.160 --> 0:34:40.920
<v Speaker 1>like it. That was really into Neil Gaiman, and I

0:34:40.960 --> 0:34:42.719
<v Speaker 1>was like, oh, this is greatly great, and I just

0:34:42.800 --> 0:34:44.880
<v Speaker 1>for some reason, I didn't remember caring that much about it.

0:34:45.000 --> 0:34:48.600
<v Speaker 1>I know nothing about Neil Gaiman The Sandman. You never

0:34:48.600 --> 0:34:53.360
<v Speaker 1>read the Sandman comics, never read it, So don't read comics,

0:34:53.360 --> 0:34:56.080
<v Speaker 1>that's okay. I didn't either until I read Watchman and

0:34:56.120 --> 0:34:57.759
<v Speaker 1>then I got into like, so I did read watch

0:34:57.880 --> 0:35:00.480
<v Speaker 1>Key graphic novels. I'm not like a comic guy, but

0:35:00.560 --> 0:35:04.040
<v Speaker 1>like I like a handful. And they're starting to see

0:35:04.120 --> 0:35:08.320
<v Speaker 1>him turning into movies and Netflix properties and stuff. Now

0:35:08.360 --> 0:35:10.880
<v Speaker 1>Sandman just got signed on to do a Netflix series

0:35:11.200 --> 0:35:13.400
<v Speaker 1>and it's a great story, really cool. I want to

0:35:13.480 --> 0:35:16.160
<v Speaker 1>check it up. Oh, here's the one we haven't heard yet.

0:35:16.239 --> 0:35:21.480
<v Speaker 1>Beatriz uh As Evedo says al Capone in The Intouchables. Yeah,

0:35:21.640 --> 0:35:23.600
<v Speaker 1>I would argue with that he kind of goes full

0:35:23.800 --> 0:35:26.839
<v Speaker 1>full Pesci in that. Doesn't he like smash somebody up

0:35:26.840 --> 0:35:29.080
<v Speaker 1>with a baseball bat, like he goes full al Capone.

0:35:29.120 --> 0:35:32.319
<v Speaker 1>Well that's fair. I guess maybe Pesci goes full to Nero.

0:35:33.200 --> 0:35:36.200
<v Speaker 1>Well past, she's just known for smashing people up and

0:35:36.200 --> 0:35:38.440
<v Speaker 1>getting upset. You know. He came out of retirement for

0:35:38.480 --> 0:35:41.960
<v Speaker 1>this new Scorsese pick The Irishman, The Irishman. Yeah, I

0:35:42.000 --> 0:35:45.080
<v Speaker 1>can't wait. Maybe help will be good Sean McCaulay. Finally

0:35:45.080 --> 0:35:46.880
<v Speaker 1>we get to The Godfather Part two. I was waiting

0:35:46.880 --> 0:35:50.319
<v Speaker 1>for someone to say that, Um yeah, Like, why hasn't

0:35:50.320 --> 0:35:52.399
<v Speaker 1>anyone said that yet? Craig Reynolds Once upon a Time

0:35:52.400 --> 0:35:59.880
<v Speaker 1>in America, another King of Comedy fan from Johnny Mockney,

0:36:00.040 --> 0:36:01.680
<v Speaker 1>and a lot of people like Meet the Parents. No,

0:36:02.840 --> 0:36:06.080
<v Speaker 1>a lot of people are going with the with the

0:36:06.120 --> 0:36:08.439
<v Speaker 1>comedies there. Well, it's sort of like it revealed him

0:36:08.440 --> 0:36:12.239
<v Speaker 1>to be a pretty spot on comedic actor, and I

0:36:12.280 --> 0:36:15.200
<v Speaker 1>think people appreciated his willingness to take the piss out

0:36:15.200 --> 0:36:17.200
<v Speaker 1>of himself kind of right yeah yeah, and kind of

0:36:17.200 --> 0:36:20.520
<v Speaker 1>play on his persona. I like it. All Right, We're

0:36:20.520 --> 0:36:23.600
<v Speaker 1>gonna finish this up with this great comment from Heather

0:36:24.360 --> 0:36:31.239
<v Speaker 1>dub Coba Casino or good Fellas or ship taxi driver

0:36:31.440 --> 0:36:34.160
<v Speaker 1>is great too. See that's what happens. And only start

0:36:34.200 --> 0:36:38.560
<v Speaker 1>to type a comment and then everything just starts popping

0:36:38.560 --> 0:36:43.760
<v Speaker 1>into your head, you know, what I mean. Alrighty, that's it. Everyone.

0:36:44.880 --> 0:36:47.759
<v Speaker 1>You got anything else? No, no, no, love the King

0:36:47.800 --> 0:36:51.359
<v Speaker 1>of Comedy. Love, the King of Comedy. I do too.

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<v Speaker 1>Good day everyone. Yeah. For more podcasts for my Heart Radio,

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<v Speaker 1>visit the I Heart Radio app, Apple Podcasts, or wherever

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<v Speaker 1>you listen to your favorite shows.