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Speaker 1: Hey, everybody, welcome to another episode of I Saw What

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Speaker 1: You Did. My name is Millie to Jericho.

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Speaker 2: I'm Daniel Henderson, and we're a couple.

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Speaker 1: Of film goals today, yesterday, and tomorrow.

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Speaker 2: We're all time for all time sake.

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Speaker 1: How's it going.

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Speaker 2: It's going well. I have a short list of things

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Speaker 2: that I need to calm down, and I'm wondering if

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Speaker 2: you agree or.

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Speaker 1: Not, so you need to calm down about them? Or

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Speaker 1: these things need to calm down, These.

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Speaker 2: Things need to calm down.

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Speaker 1: Oh okay, yeah.

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Speaker 2: I'm just wondering if you if you agree with this

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Speaker 2: short list that I'm going to provide you of three

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Speaker 2: things that need to calm down.

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Speaker 1: Okay, okay, let's go. I'm ready.

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Speaker 2: So I was catching up on some back issues of

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Speaker 2: like New York Magazine, and one of the covers from

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Speaker 2: the past couple of weeks months is a pit like

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Speaker 2: a weird picture of a cat behind a window and

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Speaker 2: the article is are are cats Prisoners? Is on the

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Speaker 2: fucking front cover of New York Magazine? And I'm like,

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Speaker 2: do we need a whole article for this, because the

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Speaker 2: answer is yes, all of my pets are fucking prisoners.

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Speaker 2: Otherwise it would be a fucking Cormack McCarthy novel around here, Like,

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Speaker 2: are you kidding me? Yes?

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Speaker 1: Isn't that the point? Yeah, of pets?

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Speaker 2: Otherwise you just have like your animals in your yard

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Speaker 2: like I do the other ones that I don't even

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Speaker 2: consider pets. They're not considered pets unless they're stuck in

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Speaker 2: your house. Yeah.

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Speaker 1: I feel like pets are prisoners by design. Yeah, right,

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Speaker 1: like wolves?

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Speaker 2: All those years ago was our chatting with wolves so

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Speaker 2: that we could domesticate them one hundreds of years down

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Speaker 2: the line and keep them in our fucking house.

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Speaker 1: Yeah. We took them out of the wild, we trapped them,

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Speaker 1: We made them love us, We put clothes on them,

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Speaker 1: we gave them snacks. Like it's over, Like are we

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Speaker 1: talking about, Like is this some sort of article that's

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Speaker 1: like promoting some kind of like animal liberation scenario where

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Speaker 1: we no longer own pets and they just run free everywhere?

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Speaker 1: Is that what you're about to tell me?

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Speaker 2: Yes? What I didn't read it. I was so mad. Oh,

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Speaker 2: I was so mad at the cover. I didn't even

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Speaker 2: read it.

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Speaker 1: Well, yes, they're prisoners because if they weren't, they would

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Speaker 1: die in the wild and get hit by cars. And

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Speaker 1: get scooped up by fucking eagles and shit, what the hell.

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Speaker 2: Also, even if your pets are outdoor pets, because I

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Speaker 2: know people have out door cats and what have you,

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Speaker 2: there's still your fucking pet because you still feed them

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Speaker 2: and are responsible for them and take them to the

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Speaker 2: vet and give them frontline and shit.

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Speaker 1: Yeah, I don't see them as prisoners. We're like the

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Speaker 1: we're guardians. Is that a prison Is that?

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Speaker 2: Are we? Like?

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Speaker 1: Are they saying that we're prison guards? Is that what

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Speaker 1: they're saying? Like we're a prison guard? Guardians?

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Speaker 2: Like?

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Speaker 1: I mean, I kind of see myself as more of

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Speaker 1: a parent than a prison guard.

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Speaker 2: But I mean, look at look at the cats in

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Speaker 2: my house, all three of them. Yes, I genuinely took

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Speaker 2: two of them from living under a barn and put

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Speaker 2: them in the lap of goddamn luxury. They have their

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Speaker 2: own room. Yeah, there are toys everywhere. They lay in

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Speaker 2: the sun and sleep all day long. They play with

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Speaker 2: each other, they frolic. These pets are not fucking prisoners.

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Speaker 2: What is what is the point of this? Why even

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Speaker 2: ask the question?

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Speaker 1: You have a mere century ship box for them? They

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Speaker 1: are they must be like, you know, white collar criminals

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Speaker 1: pose if that's what we're if we're going to use

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Speaker 1: this analogy to the end, like they're like sitting like

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Speaker 1: in the lapp Beloxury, like you know, Warren Buffett or

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Speaker 1: something in jail. Not what wid somebody read the article?

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Speaker 1: Because I haven't getting mad and I don't even know

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Speaker 1: anything about it.

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Speaker 2: I'm gonna put it in the chat, not for you

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Speaker 2: to read right now, but also just if you were

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Speaker 2: to look at this picture of what showed up in

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Speaker 2: my fucking mailbox. But the whole article is about ethical

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Speaker 2: questions about our pets, right, So it's like are we

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Speaker 2: forcing them to live too long? You know what events

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Speaker 2: really think about us in our pets, you know, like

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Speaker 2: should I give my terrier experiences? It's all like pet ethics.

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Speaker 1: Shit, Okay, I see what's going on.

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Speaker 2: It's like it's for board, Like why are we asking

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Speaker 2: this question? It's for me. It's for sure the are

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Speaker 2: they prisoners? Question that got me because the answer is

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Speaker 2: yes they are, and what of it? They were the

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Speaker 2: most well kept prisoners of all time. But just look

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Speaker 2: at the picture associated with this.

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Speaker 1: Oh, this is like Cats the movie, right or the

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Speaker 1: play the movie, which is worse than the play. From

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Speaker 1: what we've figured out.

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Speaker 2: It's disturbing. Shit human hands, cat face.

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Speaker 1: Yeah, this is like some Zubale zoo shit. I don't

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Speaker 1: really like this at all. What is this AI or worse?

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Speaker 1: Did they graft some is this Zuebli zoo? This is

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Speaker 1: a terrifying cover. This has to be the worst cover,

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Speaker 1: the most the most least purchased issue of this is

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Speaker 1: the cover.

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Speaker 2: And this ship just showed up in my mailbox and

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Speaker 2: I got mad about I was mad about it before

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Speaker 2: I even reached the front door.

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Speaker 1: Like, nobody's putting this in the doctor's office or the

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Speaker 1: or the coffee table. This is disturbing.

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Speaker 2: Well, everything about this needs to calm down, both asking

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Speaker 2: the question and putting this picture with it. Like everything

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Speaker 2: calmed down.

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Speaker 1: Okay, this is what happens when essentially we have pretty

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Speaker 1: much phased out of, you know, being like a Catholic

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Speaker 1: woman that gives birth to twelve children, you know, like

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Speaker 1: nineteen seventies Catholics. We've phased out of that ritual. So

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Speaker 1: people are having less children or no children at all,

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Speaker 1: and people are caring more about their animals. So now

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Speaker 1: this is what we're swaying to. Is this terrifying photo

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Speaker 1: of like a mime in a window with cat makeup on,

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Speaker 1: with silky cat hair, and then the question, the rhetorical question,

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Speaker 1: is my cat a prisoner? So that's your answer.

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Speaker 2: Thank you for holding space for that. I just needed

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Speaker 2: to share.

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Speaker 1: It needs to calm down though, ultimately that's what I'm

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Speaker 1: I tell you. I agree with you, it needs to

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Speaker 1: calm down.

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Speaker 2: Another thing that needs to calm down desserts.

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Speaker 1: Uh oh, what's this?

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Speaker 2: I already sent you that thing on Instagram of what

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Speaker 2: is essentially somebody asking just ordering and paying for the

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Speaker 2: ability to have diarrhea in an hour, like within the hour.

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Speaker 1: Tell the people what you sent me.

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Speaker 2: It was this chabblee glass, like this huge fucking glass

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Speaker 2: just jammed in. Like first they put fucking frosting on

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Speaker 2: the outside rim and like rolled it through some sprinkles

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Speaker 2: like margarita style, like salting a margarita rim, except it

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Speaker 2: was frosting and sprinkles. Then they fucking drizzled some icing

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Speaker 2: jis on the inside, threw a bunch of ice cream

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Speaker 2: in there, put a fucking waffle on top, full as

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Speaker 2: a waffle on top donuts, and a stick on top

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Speaker 2: of that with more ice cream sparklers, those fucking Charlie

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Speaker 2: like and the chocolate factory really walk around lollipops it is,

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Speaker 2: and then lit it on fire, like lit the sparklers

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Speaker 2: on fire and brought it out to like a toddler,

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Speaker 2: like what are you why dessert needs to calm down?

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Speaker 2: We don't need all this shit.

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Speaker 1: I will say that I agree with you, not just

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Speaker 1: for that monstrosity that you sent me, but I actually

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Speaker 1: experienced a little bit of what you're talking about. The

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Speaker 1: other night, I went to dinner with two of my

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Speaker 1: friends who were in town, Mike and Jeremy, my beloved

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Speaker 1: friends who just moved to Austin but I've known for

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Speaker 1: a long time, and we went to a restaurant here

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Speaker 1: in Atlanta where, you know, it was kind of a

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Speaker 1: frue free place where the waiters like, uh, do you

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Speaker 1: want to see the dessert menu and we're like duh,

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Speaker 1: And there's like four desserts on it, and one of

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Speaker 1: them the last one. He was like, Oh, that's our

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Speaker 1: dessert challenge. And I was like, I'm sorry, challenge, what

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Speaker 1: do you What do you mean by that? He's like,

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Speaker 1: it's like the biggest chocolate cake in the history of

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Speaker 1: the planet Earth like ch cake slice.

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Speaker 2: I should say remember that episode we have a couple

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Speaker 2: of weeks ago that was the theme was maybe we

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Speaker 2: deserve it. This is what I'm fucking talking about. You

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Speaker 2: gotta have the biggest goddamn piece of chocolate cake for

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Speaker 2: no fucking reason.

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Speaker 1: But like to present it as a challenge means that

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Speaker 1: you're you're you're being provocative.

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Speaker 2: Yeah bottom line.

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Speaker 1: Okay, So I'm gonna show this to you. I don't

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Speaker 1: think you can see it. Maybe I'm gonna show it

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Speaker 1: to you in the camera. You guys can't see it

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Speaker 1: because you're not my friend.

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Speaker 2: Because it's an audio meeting.

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Speaker 1: Damn. So that's that is a maybe that's a shabbili glass.

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Speaker 1: I don't know how big the glasses. But it was

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Speaker 1: like lutruly the biggest slice of cake.

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Speaker 2: Where slice of cake onel its like an actual entire cake.

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Speaker 1: It was four cakes, essentially, four tiers of it of

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Speaker 1: actual not thinly not thin cakes, but like actual cakes

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Speaker 1: on their own. And then this part is this ganache

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Speaker 1: that was truly the structural integrity of the entire thing

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Speaker 1: where we were afraid to eat it because we were

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Speaker 1: like it's going to literally fall over and fall on

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Speaker 1: the ground. We actually had to turn it on its

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Speaker 1: side in order to even eat it. It was so stupid.

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Speaker 1: I mean, it was delicious, but it was like that

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Speaker 1: kind of thing where I was like, why is this happening?

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Speaker 2: You know what? I don't need at the end of

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Speaker 2: any meal, a fucking challenge, even if I'm meeting the

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Speaker 2: hot dog over the sink, I don't need a challenge.

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Speaker 2: What is that wire dessert? So fucking crazy? Right now?

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Speaker 1: I think it like I'm trying to give you a

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Speaker 1: practical answer all these questions, even though I probably shouldn't

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Speaker 1: because there's probably like no, there's like no practicality. But

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Speaker 1: I swear to god, it's like ever since the dawn

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Speaker 1: of like viral things, now we have challenges like food

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Speaker 1: challenges at restaurants, you know, and I'm just like, just

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Speaker 1: I hate it.

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Speaker 2: Freely wasteful, so wasteful. Here's the thing. It's not only wasteful,

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Speaker 2: but even if the thing that you have is delicious,

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Speaker 2: there's no way you're gonna enjoy it if you've thrown

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Speaker 2: down a gauntlet in front of me. Like the whole

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Speaker 2: time I'm eating it, I feel like I'm not doing

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Speaker 2: well enough on this dessert, even if it's completely delicious.

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Speaker 2: But there's no way that diarrhea in a cup is good.

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Speaker 2: You can't taste anything. By the time you get one spoonful,

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Speaker 2: all of that shit's melting together and you just have

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Speaker 2: five fucking lollipops and some sprinkle ash over a pile

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Speaker 2: of goo on a wall.

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Speaker 1: Yeah. And then it was funny because I was like,

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Speaker 1: we weren't going to finish it, obviously, and I was like,

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Speaker 1: take it home, Like, take it back to your hotel.

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Speaker 1: There's nothing like eating cake in a hotel bed. So

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Speaker 1: I was like, just take the rest of it home.

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Speaker 1: But my thing is that it was super expensive, right

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Speaker 1: of course, I'm sure you glasses too, right, That's what

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Speaker 1: I mean.

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Speaker 2: The shit is not like here here it is for

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Speaker 2: two dollars. It always costs like twenty five to thirty

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Speaker 2: bucks and up at again at the end of a

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Speaker 2: meal that you've already paid for.

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Speaker 1: Yeah, it's a grift. It's definitely a drift.

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Speaker 2: You know what I want When someone says, do you

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Speaker 2: want some dessert? I want like a ramikin of like

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Speaker 2: one tiny scoop of ice cream. Maybe like give me

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Speaker 2: a tiny crimberw leg because that's the other thing. Everything's

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Speaker 2: massive now, all deserts are huge. I ordered crimberl at

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Speaker 2: a fucking restaurant a couple of weeks ago, and it

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Speaker 2: was the size of a hubcap, and I'm like, yeah,

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Speaker 2: ma'am and sir ams and sirrs. Traditional crember let is

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Speaker 2: not the size of a dinner plate.

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Speaker 1: What is your like, so you're saying you're perfect dessert

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Speaker 1: of all time? Is just a tiny ramikin of vanilla

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Speaker 1: ice cream or something?

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Speaker 2: Was that really a tiny crimber let, a tiny bit

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Speaker 2: of tira massou, just something small at the end of

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Speaker 2: a meal. I do not want to feel like, because

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Speaker 2: here's what's going to happen. I guarantee even an ice

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Speaker 2: cream cone. I went and played trivia with Tim and

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Speaker 2: Corey a couple of weeks ago. We had dinner. It

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Speaker 2: was at the farm that we like to go to.

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Speaker 2: But we went and had dinner, so I already had

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Speaker 2: a burger and fries and like a diet coke. Then

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Speaker 2: I thought, well, there's an ice cream stand right there,

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Speaker 2: there's like fresh farm ice cream. I'll get a small cone.

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Speaker 2: I went and got a small vanilla cone on a

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Speaker 2: small cone. They put three scoops and I had diarrhea

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Speaker 2: by the time I got to my front door twenty

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Speaker 2: minutes later, like ruin my fucking like, I was on

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Speaker 2: the toilet for three hours. I wanted a scoop of

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Speaker 2: ice cream. When they handed it to me, I'm like,

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Speaker 2: you're literally handing me the worst night of my life. Yeah, Like,

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Speaker 2: this isn't good for our bodies, It's not good for

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Speaker 2: our brains. It's not good in that like over consumptive

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Speaker 2: mentality that we have in this country and in this world.

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Speaker 2: I just need small things to be small. I need

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Speaker 2: you to like not think of dessert as a continuation

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Speaker 2: of the meal. Yeah, just let me enjoy something. Give

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Speaker 2: you a little bit of fruit something like.

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Speaker 1: Damn, you're so healthy, because I'm like, I'm like, I'm

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Speaker 1: not saying that you shouldn't be given out giant piece

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Speaker 1: as a fucking cake. I'm just saying I don't like

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Speaker 1: the challenge. I don't like the dare. I don't like

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Speaker 1: how you've made it, Like it's like you've you've made

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Speaker 1: it into something that I have to like work for. Like,

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Speaker 1: I'm just like, just just serve of a giant cake.

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Speaker 1: Don't make it super expensive. Because honestly, you're just making

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Speaker 1: it expensive because you know you can make money off

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Speaker 1: of the challenge aspect of it. Just charge a respectable

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Speaker 1: amount for a giant piece of cake, and then no

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Speaker 1: challenge involves. Don't dare people to eat it, just let

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Speaker 1: them fucking eat it.

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Speaker 2: They have to charge that much because the batter has

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Speaker 2: forty five eggs in it, and eggs costs seven dollars

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Speaker 2: a carton. They have to charge that much because they

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Speaker 2: put so much money into making this thing. What used

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Speaker 2: to be a normal cake, like a one or two

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Speaker 2: tier cake, is now a monstrosity. They also don't ever

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Speaker 2: look good. Like if I'm getting dessert to split with people,

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Speaker 2: one big thing is fine if we're all gonna jump in,

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Speaker 2: But I just I don't prefer it. I just don't

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Speaker 2: prefer it. And you're talking to a reformed sugar addict. Yeah,

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Speaker 2: like that is a shot to me.

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Speaker 1: I'm I'm quite not reformed. You know what the best

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Speaker 1: dessert would be if I had a if I as

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Speaker 1: a dessert place I would put I would make a

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Speaker 1: chocolate cake homemade in like a nine by nine square pan.

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Speaker 1: Mm hmm, scoop scoot, scoop out like maybe a fourth

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Speaker 1: or a third of it, put some tinfoil over it,

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Speaker 1: and serve it at the table. That's that's like what

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Speaker 1: should that's what dessert should be. Its basically a half

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Speaker 1: or oh you know, like a third of a of

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Speaker 1: a homemade cake, eaten and shoved in a refrigerator with

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Speaker 1: some tinfoil, and then one of the corners is like

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Speaker 1: bent up to where you've like inserted a spoon, so

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Speaker 1: you take a couple of bites out of it periodically

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Speaker 1: throughout the week. Yeah, so that's the dessert honestly for

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Speaker 1: your restaurant.

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Speaker 2: A plus would go to that restaurant every day.

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Speaker 1: And if you're thinking about actually serving it into a restaurant,

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Speaker 1: you must email us that I saw you did pot

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Speaker 1: at gmail dot com and give me credit. You can

307
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Speaker 1: name it after me or or you can venmo me

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Speaker 1: uh money. You were coming up with that idea, both

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00:17:04,359 --> 00:17:07,880
Speaker 1: you both. So yeah, that's that's kind of my But see,

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Speaker 1: that's not a challenge. That's just that's just normal dessert.

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Speaker 1: That's just one layer, no four layers, you know. Yeah,

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Speaker 1: And here's.

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Speaker 2: The thing I like to bake. I love baking. I

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Speaker 2: love a nice gallete. I love doing a tart. I

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Speaker 2: love doing a crumble. I love busting out the mixer

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Speaker 2: and making a cake from scratch. I love that shit.

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Speaker 2: But I'm not challenging anyone who's coming over to eat it. Yeah,

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Speaker 2: and I'm not serving it at the end of a

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Speaker 2: meal and being like, well, how much time do you

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Speaker 2: want to spend on the toilet today? You're gonna get

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Speaker 2: home before that happens, because you might not. Do you

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Speaker 2: know what it's like to nearly shit your pants when

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Speaker 2: you have four bathrooms? Do you have fucking dehumanizing that is,

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Speaker 2: to nearly shit your pants? You have four fucking bathrooms

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Speaker 2: in your house.

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Speaker 1: That's because you licked the frosting on the outside of

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Speaker 1: the ginormous glass when you went to that four year

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Speaker 1: old's birthday party. And I can't figure out which bathroom

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Speaker 1: to take a dump in.

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Speaker 2: This is another reason to calm down. We're doing all

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Speaker 2: this fanfare for kids. Kids don't give a fuck.

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Speaker 1: Is that I was gonna say, is that your final

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Speaker 1: final item on your list's kids?

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Speaker 2: No, you would think it would be with the vehemence

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00:18:22,440 --> 00:18:24,000
Speaker 2: that I just said that last sentence.

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Speaker 1: Kids need to calm down.

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Speaker 2: Kids always need to calm down. But truly, you're doing

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Speaker 2: all of this for kids. The people who care the

339
00:18:32,920 --> 00:18:36,400
Speaker 2: least about the most. They don't care about anything. They're

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Speaker 2: not surprised by anything.

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Speaker 1: Do you remember any of your birthday cakes?

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Speaker 2: Did I ever have a birthday cake? Maybe that's why

343
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Speaker 2: I'm so upset. I never had a birthday party.

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Speaker 1: What what?

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Speaker 2: When I was a kid, I never had a birthday

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Speaker 2: party at all. Again, my family is super duper fucking black.

347
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Speaker 2: They're just like, you're alive. Congratulations, We're not paying for

348
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Speaker 2: us all your little friends to come over here and

349
00:19:01,040 --> 00:19:01,840
Speaker 2: tear up our shit.

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Speaker 1: Oh god. I mean, I'm not saying my parents wanted

351
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Speaker 1: anybody in the house, but well, they.

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Speaker 2: Like they would give me a small cake or like

353
00:19:10,359 --> 00:19:13,600
Speaker 2: a cupcake or something. It wasn't like I was completely bereft,

354
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Speaker 2: but like no one was like baking a cake from

355
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Speaker 2: scratch for my birthday. Maybe that's why, maybe I need

356
00:19:17,960 --> 00:19:19,520
Speaker 2: to go to therapy about this. Maybe that's why I'm

357
00:19:19,560 --> 00:19:21,880
Speaker 2: mad at these desserts. But I do think it's more

358
00:19:22,040 --> 00:19:25,879
Speaker 2: a social responsibility that I have to not wasting food

359
00:19:26,000 --> 00:19:28,119
Speaker 2: and challenging people. The diarrhea at the end of a

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Speaker 2: very lovely.

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Speaker 1: Meal yeah again, my Marxist queen, weighing in on the wasteful,

362
00:19:33,520 --> 00:19:39,040
Speaker 1: the wastefulness of the dessert industry and it's current iteration. God,

363
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Speaker 1: all right, awful.

364
00:19:40,800 --> 00:19:45,920
Speaker 2: My last item of things that need to calm down

365
00:19:46,840 --> 00:19:48,399
Speaker 2: is my fucking Apple Watch.

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Speaker 1: Okay, let's talk about it. What's going on with this

367
00:19:52,680 --> 00:19:53,280
Speaker 1: Apple Watch?

368
00:19:53,520 --> 00:19:56,280
Speaker 2: So I've started wearing it with regularity because I'm going

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Speaker 2: to yoga a lot more now. I go to Yogo Holmst.

370
00:19:58,680 --> 00:20:01,520
Speaker 2: I go to a class almost every day, and then

371
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Speaker 2: the days that I don't go to class, I work

372
00:20:03,320 --> 00:20:05,439
Speaker 2: out at home like I do yoga at home. I

373
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Speaker 2: love the stretching. I love it. I'm completely fine with it.

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00:20:08,880 --> 00:20:13,960
Speaker 2: Tracking my activity that you know, those activity rings, Yes,

375
00:20:14,040 --> 00:20:15,600
Speaker 2: if you don't have an Apple Watch, it's like a

376
00:20:17,000 --> 00:20:19,760
Speaker 2: little graphic that pops up and has a red ring.

377
00:20:20,080 --> 00:20:25,000
Speaker 2: Red indicates your activity, green indicates your exercise, and then blue,

378
00:20:25,240 --> 00:20:27,160
Speaker 2: which is the one I have a fucking problem with,

379
00:20:27,960 --> 00:20:31,880
Speaker 2: is how often you stand up during the day. Now listen, Yeah,

380
00:20:32,119 --> 00:20:34,359
Speaker 2: I don't mind you tracking my activity, my exercise. That's

381
00:20:34,400 --> 00:20:35,600
Speaker 2: what I need. I need you to tell me what

382
00:20:35,680 --> 00:20:37,120
Speaker 2: my fucking heart rate is. Let me know if I'm

383
00:20:37,119 --> 00:20:38,199
Speaker 2: in the verge of a heart attack.

384
00:20:38,680 --> 00:20:39,720
Speaker 1: I don't want to know that.

385
00:20:39,920 --> 00:20:43,720
Speaker 2: By the way, actually, fuck those other rings too.

386
00:20:44,040 --> 00:20:46,200
Speaker 1: No, no, no, I don't don't tell me about my sleep,

387
00:20:46,240 --> 00:20:48,199
Speaker 1: don't tell me about my pulse. Don't tell me if

388
00:20:48,200 --> 00:20:50,920
Speaker 1: I'm having arrhythmia. I don't want to know it. Does

389
00:20:52,200 --> 00:20:52,920
Speaker 1: that's scary?

390
00:20:53,160 --> 00:20:55,439
Speaker 2: Do tell me about my pulse? Has to be the

391
00:20:55,480 --> 00:20:59,520
Speaker 2: title of this spot, No way.

392
00:21:00,080 --> 00:21:02,240
Speaker 1: I have enough anxiety as it is. I'm not gonna

393
00:21:02,240 --> 00:21:04,440
Speaker 1: sit around and be like, uh, your heart stopped beating

394
00:21:04,480 --> 00:21:06,320
Speaker 1: for like two seconds, right.

395
00:21:06,720 --> 00:21:08,720
Speaker 2: And there's the other thing, like why are you encouraging

396
00:21:08,760 --> 00:21:10,560
Speaker 2: us to be our own doctors at home? And like

397
00:21:10,640 --> 00:21:11,840
Speaker 2: reading all this fucking data.

398
00:21:12,160 --> 00:21:13,320
Speaker 1: I don't need the data.

399
00:21:13,480 --> 00:21:15,679
Speaker 2: But the one, the one that fucks me up the

400
00:21:15,720 --> 00:21:18,679
Speaker 2: most is that blue stand up ring because when that

401
00:21:18,680 --> 00:21:21,760
Speaker 2: shit vibrates on my arm, I'm just like, do you

402
00:21:21,880 --> 00:21:24,600
Speaker 2: really think I'm not gonna stand up six times today?

403
00:21:24,640 --> 00:21:25,399
Speaker 2: You motherfucker?

404
00:21:25,920 --> 00:21:26,400
Speaker 1: Yeah?

405
00:21:26,480 --> 00:21:28,080
Speaker 2: You don't think I'm gonna go to the bathroom and

406
00:21:28,080 --> 00:21:30,080
Speaker 2: get up to get food and get like why are

407
00:21:30,080 --> 00:21:33,960
Speaker 2: you tracking this? I am standing up six six times

408
00:21:34,000 --> 00:21:36,119
Speaker 2: a day is what that watch is asking me to

409
00:21:36,160 --> 00:21:40,200
Speaker 2: stand up? Yeah, and it makes me angry. Every time

410
00:21:40,240 --> 00:21:41,800
Speaker 2: it goes off, because I'm like, one, you're not the

411
00:21:41,840 --> 00:21:48,560
Speaker 2: Bossamie at all. But do do you really I know

412
00:21:48,640 --> 00:21:50,720
Speaker 2: that I'm lazy? Do you really think that I'm that

413
00:21:51,200 --> 00:21:55,400
Speaker 2: lethargic that I'm not standing up six times a day? Uh?

414
00:21:55,480 --> 00:21:57,080
Speaker 1: Do you have it? Do you have the one where

415
00:21:57,160 --> 00:21:59,879
Speaker 1: it tells you it gives you, like the hand washing

416
00:22:00,119 --> 00:22:00,879
Speaker 1: Captain clock.

417
00:22:00,920 --> 00:22:02,160
Speaker 2: I turned that shit off.

418
00:22:02,680 --> 00:22:04,520
Speaker 1: Oh you can turn it off. Okay, I need to

419
00:22:04,560 --> 00:22:05,240
Speaker 1: do that. It drives you.

420
00:22:05,520 --> 00:22:08,040
Speaker 2: Yeah. I turned it off because I'm like, of course

421
00:22:08,080 --> 00:22:10,080
Speaker 2: I'm watching my Fuck, I'm still the only person washing

422
00:22:10,119 --> 00:22:11,760
Speaker 2: my hands for twenty seconds? Are you kidding me?

423
00:22:12,080 --> 00:22:15,359
Speaker 1: But I'm also like, how do you know I'm watching it?

424
00:22:16,440 --> 00:22:19,040
Speaker 1: That's the weirdest part, Like how'd you know I put

425
00:22:19,400 --> 00:22:20,879
Speaker 1: water on my hand?

426
00:22:21,200 --> 00:22:23,800
Speaker 2: Like? Why are you so spooky? Why are you so spooky?

427
00:22:24,720 --> 00:22:27,080
Speaker 1: I don't know. I feel like that I am with

428
00:22:27,200 --> 00:22:28,680
Speaker 1: you in the sense that I feel like the Apple

429
00:22:28,680 --> 00:22:32,280
Speaker 1: Watch is giving too much information. And again my practical

430
00:22:32,440 --> 00:22:35,760
Speaker 1: reasoning is that they're like Apple is so stupid that

431
00:22:35,800 --> 00:22:39,440
Speaker 1: they have to like completely they they have so many

432
00:22:39,560 --> 00:22:42,040
Speaker 1: like new products rolling out that they just have to

433
00:22:42,080 --> 00:22:46,199
Speaker 1: think of like random shit to include as like to

434
00:22:46,359 --> 00:22:48,960
Speaker 1: entice you to buy the new product. They're like, you know,

435
00:22:49,280 --> 00:22:51,679
Speaker 1: let's like, I'm sure. The first Apple Watch was like

436
00:22:51,680 --> 00:22:53,439
Speaker 1: we're just gonna give them the time, and that is

437
00:22:53,560 --> 00:22:56,280
Speaker 1: literally all this is good for. And now they're like, yeah,

438
00:22:56,280 --> 00:22:59,080
Speaker 1: we're gonna tell you if you have fucking gout or whatever.

439
00:22:59,680 --> 00:23:02,919
Speaker 1: You know, who's your favorite? What is your go to

440
00:23:03,720 --> 00:23:08,080
Speaker 1: ailment that you always bring up that makes me laugh?

441
00:23:08,480 --> 00:23:14,440
Speaker 1: It's either gout or there's some ailment that you bring

442
00:23:14,600 --> 00:23:17,320
Speaker 1: up every time we talk about any kind of ailment

443
00:23:17,400 --> 00:23:26,960
Speaker 1: that makes me laugh, it's trench foot foot.

444
00:23:30,400 --> 00:23:32,600
Speaker 2: If my Apple Watch tells me I am trench foot?

445
00:23:32,720 --> 00:23:39,720
Speaker 2: What am I gonna do with that information? Why are

446
00:23:39,720 --> 00:23:41,199
Speaker 2: you keeping this data on me?

447
00:23:44,200 --> 00:23:47,440
Speaker 1: I look up trench foot? Do I know what trench foot?

448
00:23:47,760 --> 00:23:48,280
Speaker 1: You'll play with?

449
00:23:48,480 --> 00:23:53,480
Speaker 2: Five today? Looking at Oh my god, okay, I.

450
00:23:53,400 --> 00:23:58,200
Speaker 1: Had to literally close out that fucking creepy prisoner cat photo. First.

451
00:23:59,320 --> 00:24:01,680
Speaker 2: Those two last search is have put you on a list.

452
00:24:01,760 --> 00:24:04,520
Speaker 2: That fucking New york Er New York magazine cover and

453
00:24:04,640 --> 00:24:07,120
Speaker 2: trench foot. They're like, who is this first?

454
00:24:07,400 --> 00:24:10,880
Speaker 1: The first under people also ask how many soldiers died

455
00:24:10,960 --> 00:24:14,560
Speaker 1: from trench foot in World War One? That's your go

456
00:24:14,760 --> 00:24:16,280
Speaker 1: to ailmen, is trench foot?

457
00:24:18,920 --> 00:24:20,679
Speaker 2: Say that probably doesn't even accident anymore.

458
00:24:20,680 --> 00:24:23,040
Speaker 1: Tell me if you have trench foot.

459
00:24:23,960 --> 00:24:25,320
Speaker 2: I can't with this watch.

460
00:24:25,960 --> 00:24:27,119
Speaker 1: Yeah, it's too much.

461
00:24:27,280 --> 00:24:29,840
Speaker 2: I can't with this watch. Like you missed, you missed

462
00:24:29,840 --> 00:24:33,040
Speaker 2: flossing one space between a tooth, Like, fuck off, dude,

463
00:24:33,400 --> 00:24:36,760
Speaker 2: let me live, Let me live. You just track the exercise.

464
00:24:37,640 --> 00:24:40,359
Speaker 2: Do not tell me to stand up. I'm not a toddler.

465
00:24:40,920 --> 00:24:44,960
Speaker 1: Yeah, I I I basically start switching it out because

466
00:24:45,240 --> 00:24:47,520
Speaker 1: I will wear the Apple Watch during my workouts, like

467
00:24:47,520 --> 00:24:49,240
Speaker 1: if I go to dance class or I if I

468
00:24:49,280 --> 00:24:51,560
Speaker 1: go to a barbel club, I'll wear the watch. But

469
00:24:51,600 --> 00:24:53,600
Speaker 1: then I'm like, I can't wear it all the time

470
00:24:53,720 --> 00:24:57,960
Speaker 1: because again, it's two in metals medling in my life.

471
00:24:58,320 --> 00:25:01,280
Speaker 1: And I get it. You're trying to get me to

472
00:25:01,320 --> 00:25:04,520
Speaker 1: be healthy and walk around and wash my hands properly

473
00:25:04,640 --> 00:25:06,800
Speaker 1: and all those shit. Make sure I'm not eating giant

474
00:25:06,800 --> 00:25:09,359
Speaker 1: slices of cake. I guess, but I'm like, it's too

475
00:25:09,720 --> 00:25:12,679
Speaker 1: meddling because since then and then sometimes it feels like

476
00:25:12,720 --> 00:25:14,879
Speaker 1: I'm it's going off and it's not going off.

477
00:25:15,119 --> 00:25:18,960
Speaker 2: Yeah you know, and it's it's just it's too And listen,

478
00:25:19,000 --> 00:25:23,080
Speaker 2: listen to us speaking of Marxist queens, listen to the

479
00:25:23,119 --> 00:25:25,520
Speaker 2: capitalist and nightmare we are that. We're like this expensive

480
00:25:25,560 --> 00:25:29,520
Speaker 2: watch I bought is bothering me meat, But listen, Okay,

481
00:25:29,600 --> 00:25:32,479
Speaker 2: I got it for a couple of reasons, and I

482
00:25:32,520 --> 00:25:34,280
Speaker 2: really waited. I did not get it. I did not

483
00:25:34,359 --> 00:25:36,240
Speaker 2: rush out and get an Apple Watch. But I got

484
00:25:36,280 --> 00:25:39,440
Speaker 2: it because, yes, exercise, want to track some shit, want

485
00:25:39,480 --> 00:25:42,200
Speaker 2: to track some sleep stuff, the medical stuff going on.

486
00:25:42,840 --> 00:25:44,760
Speaker 2: But I also got it for when I travel because

487
00:25:44,800 --> 00:25:47,040
Speaker 2: I like having the backup of if you need to

488
00:25:47,080 --> 00:25:50,000
Speaker 2: tap and pay, if you need to you know, have

489
00:25:50,040 --> 00:25:51,040
Speaker 2: tickets on it or whatever.

490
00:25:51,080 --> 00:25:53,280
Speaker 1: Like I just you can wear it at in the

491
00:25:53,320 --> 00:25:56,560
Speaker 1: movie theater, so you know, in case your house is

492
00:25:56,600 --> 00:25:57,800
Speaker 1: getting broken into.

493
00:25:58,200 --> 00:26:01,000
Speaker 2: Right now, all my alarm shit, it's on there. Like yeah,

494
00:26:01,119 --> 00:26:04,880
Speaker 2: So that's why I got it, But I also resent

495
00:26:04,960 --> 00:26:08,399
Speaker 2: it deeply every time I put it on. So I

496
00:26:08,560 --> 00:26:10,840
Speaker 2: so I try to only wear it when I'm exercising,

497
00:26:11,320 --> 00:26:14,199
Speaker 2: and then I get all those little fucking oh you

498
00:26:14,240 --> 00:26:16,400
Speaker 2: didn't close you didn't close your rings, Because that's where

499
00:26:16,440 --> 00:26:18,760
Speaker 2: it really gets me. They know how we are. They

500
00:26:18,800 --> 00:26:20,359
Speaker 2: know I'm not going to be able to not close

501
00:26:20,359 --> 00:26:22,760
Speaker 2: those rings. If I close two rings and I got

502
00:26:22,760 --> 00:26:24,600
Speaker 2: the stand up ring, and I take my watch off,

503
00:26:24,640 --> 00:26:26,720
Speaker 2: and I've been standing up forty five times today and

504
00:26:26,760 --> 00:26:29,359
Speaker 2: the watch doesn't doesn't register it because I'm not wearing it.

505
00:26:29,960 --> 00:26:31,920
Speaker 2: I'm mad. I want I'm a completist. I want to

506
00:26:31,920 --> 00:26:33,040
Speaker 2: close those fucking rings.

507
00:26:33,480 --> 00:26:37,800
Speaker 1: Yeah, I mean that's That's the thing too, is it's

508
00:26:37,840 --> 00:26:42,520
Speaker 1: it's also easy to game in ways like I've done

509
00:26:42,520 --> 00:26:44,480
Speaker 1: that thing where I've tried to get steps in and

510
00:26:44,520 --> 00:26:48,760
Speaker 1: I'll just like move my arms back and forth sitting down.

511
00:26:51,640 --> 00:26:54,439
Speaker 2: See, I just I just sticulate when I talk, So

512
00:26:54,520 --> 00:26:58,240
Speaker 2: that's never a problem for me to get those those things.

513
00:26:59,000 --> 00:27:01,840
Speaker 1: So the information is like not even I mean, trust me,

514
00:27:01,960 --> 00:27:04,560
Speaker 1: I don't think it's for me. I don't think it's

515
00:27:04,960 --> 00:27:09,159
Speaker 1: accurately counting killer or burn during a workout anyway. Like,

516
00:27:09,200 --> 00:27:10,919
Speaker 1: I just don't think it's that. I don't think it

517
00:27:10,960 --> 00:27:14,560
Speaker 1: for at least in my experience, like having worn like

518
00:27:14,640 --> 00:27:17,919
Speaker 1: heart rate monitors that go around the chest versus like

519
00:27:17,960 --> 00:27:20,800
Speaker 1: Apple Watch. I'm like, I don't even know if that's

520
00:27:20,920 --> 00:27:23,639
Speaker 1: as accurate as I want it to be. So i

521
00:27:23,680 --> 00:27:25,200
Speaker 1: don't want it to tell me that I'm having a

522
00:27:25,240 --> 00:27:27,119
Speaker 1: heart attack, because I'm like, what if I'm actually not

523
00:27:27,160 --> 00:27:30,959
Speaker 1: having a heart attack. What if I just drank four

524
00:27:32,080 --> 00:27:33,840
Speaker 1: duncan iced coffees.

525
00:27:34,520 --> 00:27:36,440
Speaker 2: What if I just have go out and I'm fine

526
00:27:36,440 --> 00:27:36,720
Speaker 2: with it.

527
00:27:37,920 --> 00:27:39,359
Speaker 1: What if it's just my trench foot.

528
00:27:40,400 --> 00:27:41,840
Speaker 2: What if old trench he's acting.

529
00:27:41,800 --> 00:27:43,000
Speaker 1: Been real nasty.

530
00:27:43,760 --> 00:27:45,520
Speaker 2: I just take it a little bit, just acting up.

531
00:27:45,560 --> 00:27:47,000
Speaker 2: Sometimes trench foot acts up.

532
00:27:47,600 --> 00:27:50,200
Speaker 1: Sometimes you are in the bunker and you're just waiting

533
00:27:50,240 --> 00:27:54,920
Speaker 1: in the fox hole for the enemy. That's it.

534
00:27:56,600 --> 00:28:00,960
Speaker 2: I definitely. I also like, I am not doing anything

535
00:28:00,960 --> 00:28:03,199
Speaker 2: with the information it's collecting, So I resent that it's

536
00:28:03,200 --> 00:28:05,520
Speaker 2: to collecting any information at all because I'm like, I

537
00:28:05,560 --> 00:28:06,960
Speaker 2: know how hard it is, I know how much I'm

538
00:28:06,960 --> 00:28:10,360
Speaker 2: sweating in these classes. I don't need to know exactly

539
00:28:10,359 --> 00:28:13,000
Speaker 2: how many calories you think I'm burning because I don't

540
00:28:13,040 --> 00:28:15,600
Speaker 2: care about calories. I'm not counting in that shit.

541
00:28:16,240 --> 00:28:18,840
Speaker 1: Yeah, you should just go on a feeling.

542
00:28:19,040 --> 00:28:20,040
Speaker 2: Exactly how do I feel?

543
00:28:20,000 --> 00:28:21,440
Speaker 1: You're hooked on a feeling?

544
00:28:21,720 --> 00:28:24,040
Speaker 2: So that's absolutely, and I really am like I am

545
00:28:24,080 --> 00:28:27,200
Speaker 2: hooked on the feeling for sure. I'm glad that's awesome,

546
00:28:27,560 --> 00:28:30,720
Speaker 2: But I resent this watch and that needs to calm

547
00:28:30,760 --> 00:28:31,560
Speaker 2: the fuck down.

548
00:28:32,200 --> 00:28:36,400
Speaker 1: Well, that's in. This is an incredible list. Three huge

549
00:28:36,960 --> 00:28:41,520
Speaker 1: huge things that I actually have agreed with you on

550
00:28:41,600 --> 00:28:44,160
Speaker 1: every point. I have not disagreed with you, you know,

551
00:28:44,240 --> 00:28:44,800
Speaker 1: on any of it.

552
00:28:44,920 --> 00:28:47,720
Speaker 2: So I appreciate it greatly because I feel and the

553
00:28:47,760 --> 00:28:49,600
Speaker 2: reason I wanted to bring it to you is that

554
00:28:49,640 --> 00:28:51,000
Speaker 2: I you know how I am. I sit in my

555
00:28:51,040 --> 00:28:54,000
Speaker 2: house all day, feel like I'm going fucking insane just

556
00:28:54,000 --> 00:28:57,760
Speaker 2: having these thoughts, and I feelt, you know what, let

557
00:28:57,800 --> 00:28:59,680
Speaker 2: me bring it to Millie. Let me see what's going

558
00:28:59,720 --> 00:29:02,200
Speaker 2: on here. Let me have and then my Apple Watch

559
00:29:02,200 --> 00:29:06,120
Speaker 2: will tell me, Yes, you're going insane. It'll ding or I.

560
00:29:06,040 --> 00:29:08,360
Speaker 1: Think it's a matter of time before it starts clocking

561
00:29:08,440 --> 00:29:12,400
Speaker 1: like mental health. Oh be ready, folks.

562
00:29:12,080 --> 00:29:15,200
Speaker 2: We are doomed. This can be a lot of misdiagnoses,

563
00:29:16,760 --> 00:29:18,600
Speaker 2: a lot of self diagnosis happening.

564
00:29:19,200 --> 00:29:25,040
Speaker 1: Yeah, we're gonna have to start charging ourselves extremely expensive premiums.

565
00:29:26,360 --> 00:29:29,120
Speaker 2: If the Apple Watch takes place of insurance, I will

566
00:29:29,160 --> 00:29:30,080
Speaker 2: walk into the ocean.

567
00:29:31,720 --> 00:29:33,520
Speaker 1: Let's be dead before that happens.

568
00:29:33,640 --> 00:29:35,480
Speaker 2: They're like, oh, we can afford to give you five

569
00:29:35,760 --> 00:29:38,400
Speaker 2: give everyone in America five hundred dollars to buy a

570
00:29:38,440 --> 00:29:41,760
Speaker 2: fucking watch. What we can't do is take care of

571
00:29:41,840 --> 00:29:43,720
Speaker 2: anything that happens to you as a result of the

572
00:29:43,720 --> 00:29:45,400
Speaker 2: information that this watch is giving you.

573
00:29:45,600 --> 00:29:48,040
Speaker 1: Man, I didn't even buy the five hundred dollars one.

574
00:29:48,080 --> 00:29:52,200
Speaker 1: I got the shitty one. I did too, the shitty

575
00:29:52,240 --> 00:29:53,840
Speaker 1: one from like two years ago.

576
00:29:54,200 --> 00:29:55,280
Speaker 2: Exactly my soul.

577
00:29:56,480 --> 00:29:57,560
Speaker 1: But now I looked it up.

578
00:29:57,600 --> 00:30:00,320
Speaker 2: Now they're like five hundred bucks and their water proof

579
00:30:00,320 --> 00:30:02,280
Speaker 2: and all kinds of shit, And I'm like, take your

580
00:30:02,280 --> 00:30:04,200
Speaker 2: watch off when you go in a pool. Everybody knows that.

581
00:30:04,240 --> 00:30:06,480
Speaker 2: Come on, why are you playing with fire? If you

582
00:30:07,280 --> 00:30:10,240
Speaker 2: if an Apple product gets a millimeter away from water,

583
00:30:10,280 --> 00:30:10,920
Speaker 2: it shuts down.

584
00:30:12,440 --> 00:30:14,560
Speaker 1: Yeah, I think we should go back to wearing twenty

585
00:30:14,600 --> 00:30:16,760
Speaker 1: five thousand dollars Cardier washes.

586
00:30:16,800 --> 00:30:22,240
Speaker 2: So I'm about a time X calculator watch. I will

587
00:30:22,240 --> 00:30:23,840
Speaker 2: calculate my own fucking calories.

588
00:30:29,720 --> 00:30:36,760
Speaker 1: So our famous week is super fun. Hard to top

589
00:30:36,760 --> 00:30:38,520
Speaker 1: from last week. I gotta say.

590
00:30:39,000 --> 00:30:41,560
Speaker 2: That might be the best theme we've ever come up

591
00:30:41,600 --> 00:30:42,280
Speaker 2: with of all time.

592
00:30:42,840 --> 00:30:48,160
Speaker 1: I I loved talking about those movies last week, to

593
00:30:48,240 --> 00:30:52,040
Speaker 1: the point where I have snuck back and listen to

594
00:30:52,200 --> 00:31:04,160
Speaker 1: you imitate John Wick villains a few times. Yeah, and

595
00:31:04,240 --> 00:31:08,160
Speaker 1: also you're talking about how you've dated men with assassin

596
00:31:08,280 --> 00:31:10,280
Speaker 1: tattoos on their backs.

597
00:31:11,000 --> 00:31:13,680
Speaker 2: I got, I got a rough history. My resume looks

598
00:31:13,720 --> 00:31:15,000
Speaker 2: like I've been on the run from the law, and

599
00:31:15,040 --> 00:31:17,320
Speaker 2: my dating history looks like I broke out of prison.

600
00:31:17,840 --> 00:31:21,400
Speaker 2: Like so I'm so jealous, like raising Arizona style through

601
00:31:21,400 --> 00:31:21,880
Speaker 2: the mud.

602
00:31:22,800 --> 00:31:24,080
Speaker 1: I feel like I haven't lived.

603
00:31:24,480 --> 00:31:25,360
Speaker 2: I haven't lived.

604
00:31:26,240 --> 00:31:29,680
Speaker 1: What about like a baby vampire kept in isolation.

605
00:31:31,480 --> 00:31:34,880
Speaker 2: No, You've been a woman who developed boundaries and standards

606
00:31:35,120 --> 00:31:36,120
Speaker 2: well before I did.

607
00:31:36,960 --> 00:31:44,160
Speaker 1: Hm an interesting take. Interesting. Why don't you tell everybody

608
00:31:45,040 --> 00:31:46,320
Speaker 1: what your theme.

609
00:31:46,160 --> 00:31:49,840
Speaker 2: Is this week? Your theme this week is give me

610
00:31:49,880 --> 00:31:51,760
Speaker 2: all your money.

611
00:31:51,880 --> 00:31:55,520
Speaker 1: Give me may give me your money after midnight.

612
00:31:56,680 --> 00:31:59,400
Speaker 2: We're doing heist films.

613
00:31:59,440 --> 00:32:03,000
Speaker 1: Still love a heist film, you know me?

614
00:32:03,760 --> 00:32:06,120
Speaker 2: So do I and yours is a first watch for me.

615
00:32:06,240 --> 00:32:09,840
Speaker 2: And that shit is I cannot wait to talk about.

616
00:32:10,320 --> 00:32:12,360
Speaker 1: Yeah, buddy, yeah, buddy.

617
00:32:12,080 --> 00:32:14,400
Speaker 2: Intense and you got your boy in there, your main

618
00:32:14,480 --> 00:32:15,600
Speaker 2: man Ali.

619
00:32:15,680 --> 00:32:20,880
Speaker 1: Yeah, he recently passed by the way RP King and

620
00:32:21,200 --> 00:32:25,680
Speaker 1: he was impossibly hot about his entire career, but also

621
00:32:26,120 --> 00:32:29,760
Speaker 1: like was a great actor and looked tough. He was

622
00:32:29,800 --> 00:32:32,480
Speaker 1: like a tough like he I mean, this movie, amongst

623
00:32:32,480 --> 00:32:35,720
Speaker 1: many of the kind of French crime stuff that he did,

624
00:32:36,680 --> 00:32:41,560
Speaker 1: was like, I mean, he's like hot and cool and

625
00:32:42,320 --> 00:32:46,560
Speaker 1: tough and beautiful like he managed to get it all right,

626
00:32:46,920 --> 00:32:49,120
Speaker 1: you know he really did.

627
00:32:49,280 --> 00:32:53,320
Speaker 2: He's he's he was the full package. Yeah, so I

628
00:32:53,320 --> 00:32:56,480
Speaker 2: would not have dated him because he's not grimy enough.

629
00:32:57,040 --> 00:33:00,560
Speaker 1: Oh like, give me an example, then, who who's more

630
00:33:00,680 --> 00:33:06,240
Speaker 1: of your type griminess on the grimy scale, Mattey Yeah,

631
00:33:06,280 --> 00:33:08,280
Speaker 1: uh huh okay, Mattay.

632
00:33:09,000 --> 00:33:09,280
Speaker 3: Sure.

633
00:33:10,720 --> 00:33:12,800
Speaker 1: Actually I feel like he's your type because he loves

634
00:33:12,920 --> 00:33:15,000
Speaker 1: cats so much? Am I wrong? I love cats?

635
00:33:15,240 --> 00:33:19,560
Speaker 2: Loves cats, oldest shit, always transporting prisoners bye three for three.

636
00:33:20,800 --> 00:33:25,480
Speaker 1: Not only loves cats, but this motherfucker has three right,

637
00:33:26,080 --> 00:33:29,480
Speaker 1: he calls them his children. At one point in the movie,

638
00:33:29,440 --> 00:33:31,400
Speaker 1: he says, this is my children. And he also has

639
00:33:31,760 --> 00:33:33,560
Speaker 1: cat framed cat.

640
00:33:33,440 --> 00:33:37,200
Speaker 2: Art in his apartment, also deranged at a fourth right

641
00:33:37,200 --> 00:33:37,959
Speaker 2: in my wheelhouse.

642
00:33:38,800 --> 00:33:43,000
Speaker 1: Let say, but I mean I had to be honest though.

643
00:33:43,000 --> 00:33:44,800
Speaker 1: I mean, if we're going to talk about, you know,

644
00:33:44,920 --> 00:33:47,840
Speaker 1: le circ Larrouge for a second, the hotties of that movie,

645
00:33:48,160 --> 00:33:49,360
Speaker 1: don't sleep on Eve.

646
00:33:49,200 --> 00:33:54,160
Speaker 2: Montague, don't sleep one, Come on, don't.

647
00:33:54,440 --> 00:33:57,400
Speaker 1: There's a reason why even Marie Saint and Grand Prix

648
00:33:57,520 --> 00:33:59,680
Speaker 1: was like, I would leave my husband of fifty years

649
00:33:59,680 --> 00:34:00,360
Speaker 1: for him.

650
00:34:00,840 --> 00:34:05,480
Speaker 2: Please out here, ruining Lives, Ruin and Lives.

651
00:34:05,440 --> 00:34:08,720
Speaker 1: Y'all, we're going to get into that so much because

652
00:34:08,760 --> 00:34:11,680
Speaker 1: there were so many good, you montane scenes in that film,

653
00:34:12,160 --> 00:34:14,759
Speaker 1: like little Really.

654
00:34:14,520 --> 00:34:17,759
Speaker 2: It really is an extraordinary movie. Like I'm very very

655
00:34:17,800 --> 00:34:19,160
Speaker 2: happy that I finally got to see it.

656
00:34:19,480 --> 00:34:21,480
Speaker 1: Oh good good, And I know it was kind of

657
00:34:21,480 --> 00:34:24,120
Speaker 1: hard to find because it was on the in an archive,

658
00:34:24,360 --> 00:34:27,279
Speaker 1: but I do believe that Criterion has just released a

659
00:34:27,680 --> 00:34:31,440
Speaker 1: if you have a four K Blu ray player. I

660
00:34:31,440 --> 00:34:33,560
Speaker 1: think they just released it on four K, So there

661
00:34:33,560 --> 00:34:34,600
Speaker 1: you go. Nice.

662
00:34:34,880 --> 00:34:38,760
Speaker 2: And your library is also always a good, good resource.

663
00:34:39,520 --> 00:34:42,040
Speaker 2: I didn't didn't have, you know, because we were recording

664
00:34:42,080 --> 00:34:44,719
Speaker 2: on a schedule. I had to cheat it a little bit.

665
00:34:44,840 --> 00:34:49,160
Speaker 2: But yeah, your library's also got it, I'm sure, yeah, yeah,

666
00:34:49,200 --> 00:34:51,200
Speaker 2: And mine was just my movie this week. Is just

667
00:34:51,640 --> 00:34:54,680
Speaker 2: an old fave, of course, And the first thing I

668
00:34:54,719 --> 00:34:57,600
Speaker 2: thought of when I thought heist film. You know, I

669
00:34:57,600 --> 00:34:59,880
Speaker 2: know a lot of people go to more classic like

670
00:35:00,000 --> 00:35:02,000
Speaker 2: Italian Jobs and things like that, and I'm like, now,

671
00:35:02,040 --> 00:35:04,680
Speaker 2: this weird movie from nineteen ninety, Now.

672
00:35:04,560 --> 00:35:06,400
Speaker 1: Can I just tell you first I watched for me

673
00:35:07,800 --> 00:35:11,719
Speaker 1: when I went to letterboxed. Half of my friends who

674
00:35:11,800 --> 00:35:15,560
Speaker 1: had seen it rated it highly because it was like

675
00:35:15,600 --> 00:35:16,799
Speaker 1: a part of their childhood.

676
00:35:17,120 --> 00:35:20,680
Speaker 2: Yeah, so this is real, and you're like, that's why

677
00:35:20,680 --> 00:35:22,800
Speaker 2: I gave it one star because I am not a child.

678
00:35:23,320 --> 00:35:25,799
Speaker 1: No, No, I actually enjoyed the shit out of it.

679
00:35:25,960 --> 00:35:29,359
Speaker 1: I actually think for some reason, when that movie came out,

680
00:35:29,360 --> 00:35:31,120
Speaker 1: I don't know why, I thought it was going to

681
00:35:31,160 --> 00:35:34,080
Speaker 1: be worse than it was. Maybe I was getting confused

682
00:35:34,120 --> 00:35:38,000
Speaker 1: with nothing but trouble. I don't know why quick change

683
00:35:38,560 --> 00:35:42,160
Speaker 1: evaded me. But now that I've seen it, I was

684
00:35:42,960 --> 00:35:47,920
Speaker 1: pleasantly surprised by how much I liked it. Like, it's great.

685
00:35:48,440 --> 00:35:51,160
Speaker 2: That makes me because it's we will definitely talk about it,

686
00:35:51,200 --> 00:35:54,680
Speaker 2: but it's it's it's it's a funny heist film and

687
00:35:54,719 --> 00:35:57,080
Speaker 2: it's one that I like, and because I like a

688
00:35:57,160 --> 00:35:58,680
Speaker 2: heist film where things go wrong.

689
00:36:00,120 --> 00:36:02,719
Speaker 1: Yeah, and it's also like to me, I mean, I'm

690
00:36:02,719 --> 00:36:05,120
Speaker 1: just gonna I'm just gonna say it now. It reminds

691
00:36:05,160 --> 00:36:08,120
Speaker 1: me a lot of a movie like After Hours or something.

692
00:36:08,239 --> 00:36:13,560
Speaker 1: It's like this quirky New York character film, which was

693
00:36:13,600 --> 00:36:15,640
Speaker 1: the best part for me. I loved that. I love

694
00:36:15,680 --> 00:36:16,760
Speaker 1: that part about that movie.

695
00:36:16,880 --> 00:36:20,239
Speaker 2: So all in one night, absolutely well, you are going

696
00:36:20,320 --> 00:36:22,360
Speaker 2: first and I cannot wait to talk about your movie

697
00:36:22,480 --> 00:36:24,000
Speaker 2: or to hear you chat it up.

698
00:36:24,040 --> 00:36:25,880
Speaker 1: So yeah, let's go get away.

699
00:36:26,480 --> 00:36:26,839
Speaker 2: All right.

700
00:36:26,960 --> 00:36:31,759
Speaker 1: So my movie for the theme give me all Your money? Ha.

701
00:36:33,040 --> 00:36:37,640
Speaker 1: I added that obviously was a movie from nineteen seventy.

702
00:36:38,480 --> 00:36:41,680
Speaker 1: It was written, written, and directed by Jean Pierre Melville

703
00:36:41,719 --> 00:36:52,080
Speaker 1: and it's called Laser Claruge. Okay, So I won't go

704
00:36:52,320 --> 00:36:57,239
Speaker 1: much into uh JPM because if you want, if you

705
00:36:57,320 --> 00:37:00,160
Speaker 1: heard the episode about Leon Moren Priest, I mean I talk,

706
00:37:00,200 --> 00:37:01,719
Speaker 1: I went really hard on him in that one, so

707
00:37:01,920 --> 00:37:04,480
Speaker 1: you should listen to that one for sure. But got

708
00:37:04,480 --> 00:37:06,760
Speaker 1: to say he's the top three director for me, easily,

709
00:37:07,400 --> 00:37:13,040
Speaker 1: easily one of my absolute faves. Melville is not his

710
00:37:13,120 --> 00:37:15,560
Speaker 1: real last name, by the way. Did you know that

711
00:37:16,040 --> 00:37:19,320
Speaker 1: his last name is something super boring? But he decided

712
00:37:19,360 --> 00:37:23,720
Speaker 1: to change it to Melville because it's it's just print

713
00:37:23,760 --> 00:37:27,279
Speaker 1: the legend, right. You don't want the the truth. Look

714
00:37:27,280 --> 00:37:33,200
Speaker 1: at me and my government name. Who wants my government name?

715
00:37:33,200 --> 00:37:36,240
Speaker 1: When I can be somebody else completely different?

716
00:37:36,920 --> 00:37:38,880
Speaker 2: Try and find me? I fucking dare you?

717
00:37:39,640 --> 00:37:42,840
Speaker 1: Dare you so? A once sent a synopsis of Le

718
00:37:42,960 --> 00:37:46,080
Speaker 1: circ Lar Rouge. A man who was just released from

719
00:37:46,120 --> 00:37:50,040
Speaker 1: prison finds himself going back to his old life, planning

720
00:37:50,120 --> 00:37:53,359
Speaker 1: a jewelry heights with an escaped convict and an alcoholic

721
00:37:53,520 --> 00:37:59,040
Speaker 1: ex cop. Okay, so this is hilarious to me. I'm

722
00:37:59,080 --> 00:38:01,799
Speaker 1: just gonna say this up front. At the very very

723
00:38:01,840 --> 00:38:05,480
Speaker 1: beginning of this movie, there's a quote that's in the

724
00:38:05,480 --> 00:38:08,640
Speaker 1: intro to the film, and it's totally made up. Did

725
00:38:08,680 --> 00:38:10,760
Speaker 1: you know that it's made up? I know, I looked.

726
00:38:10,800 --> 00:38:12,719
Speaker 2: I didn't know that, but when I watched it, I

727
00:38:12,760 --> 00:38:14,600
Speaker 2: was like looking up information about it, and I was.

728
00:38:14,520 --> 00:38:19,000
Speaker 1: Like, wait, a minute, sounds great. Though it sounds it

729
00:38:19,080 --> 00:38:23,960
Speaker 1: sounds legit, I'll read it to you, said Artha Gotama.

730
00:38:24,040 --> 00:38:26,560
Speaker 1: The Buddha drew a circle with a piece of red

731
00:38:26,640 --> 00:38:31,640
Speaker 1: chalk and said, quote, when men, even unknowingly or to

732
00:38:31,680 --> 00:38:36,880
Speaker 1: meet one day, whatever may befall each, whatever the diverging paths,

733
00:38:37,440 --> 00:38:42,080
Speaker 1: on the said day, they will inevitably come together in

734
00:38:42,120 --> 00:38:44,720
Speaker 1: the red circle. End quote.

735
00:38:45,480 --> 00:38:50,439
Speaker 2: Yeah, that makes no sense. Why they do buddhle like that?

736
00:38:51,280 --> 00:38:55,160
Speaker 1: I mean, doesn't it sound like something that is actually

737
00:38:55,320 --> 00:38:56,520
Speaker 1: completely just made up?

738
00:38:56,719 --> 00:38:59,239
Speaker 2: Like it sounds like the like it sounds like hanging

739
00:38:59,239 --> 00:39:01,000
Speaker 2: out in a coffee shop, but the nineteen nineties and

740
00:39:01,040 --> 00:39:03,120
Speaker 2: some guy smoking a cigarette and being like, you know,

741
00:39:05,080 --> 00:39:06,800
Speaker 2: I do a circle with a piece of red chalk,

742
00:39:06,840 --> 00:39:09,960
Speaker 2: and one day the men will inevitably come together in

743
00:39:10,000 --> 00:39:13,160
Speaker 2: the red circle and you're like, what are you talking about?

744
00:39:13,760 --> 00:39:18,640
Speaker 2: Say something else in my face right now, I'm gotta

745
00:39:18,640 --> 00:39:21,080
Speaker 2: attribute this to the Buddha. Do the Buddha all dirty?

746
00:39:21,800 --> 00:39:26,120
Speaker 1: Yeah? It's like Brian Krakow at lunch is right, let's

747
00:39:26,160 --> 00:39:27,120
Speaker 1: circ laruge.

748
00:39:27,880 --> 00:39:28,880
Speaker 2: I know the meaning of.

749
00:39:30,640 --> 00:39:30,960
Speaker 1: Fate.

750
00:39:32,400 --> 00:39:35,319
Speaker 2: It's Trent from Daria writing a song.

751
00:39:37,800 --> 00:39:41,480
Speaker 1: I love that made up shit. So dramatic, so dramatic?

752
00:39:41,600 --> 00:39:43,719
Speaker 2: Men, Why are you so dramatic?

753
00:39:44,200 --> 00:39:49,279
Speaker 1: You gotta be dramatic? Listen. They were saying that were

754
00:39:49,320 --> 00:39:51,520
Speaker 1: the dramatic ones. They were like, oh, these women in

755
00:39:51,560 --> 00:39:53,919
Speaker 1: their drama. I'm like, no, no, no, have you heard of men?

756
00:39:57,480 --> 00:40:01,440
Speaker 2: Men are so dramatic? This is a roof of the drama,

757
00:40:02,480 --> 00:40:04,760
Speaker 2: Like come on, and again, does not even make sense.

758
00:40:05,000 --> 00:40:08,919
Speaker 2: I drew a chalk, piece of chuck circle red chalk.

759
00:40:09,560 --> 00:40:12,400
Speaker 2: Men will stand in diverging paths like what are you

760
00:40:12,440 --> 00:40:14,960
Speaker 2: any better? What is going on right now? Well?

761
00:40:15,160 --> 00:40:19,200
Speaker 1: Like maybe this is like to the point of maybe

762
00:40:19,280 --> 00:40:22,040
Speaker 1: why I do like Jean Pierre Melville as a director

763
00:40:22,080 --> 00:40:25,960
Speaker 1: because his movies are about groups of men and that

764
00:40:26,080 --> 00:40:32,759
Speaker 1: they have these like he tends to make films about

765
00:40:33,239 --> 00:40:36,920
Speaker 1: a certain type of masculinity. Right, this is kind of like,

766
00:40:38,200 --> 00:40:40,480
Speaker 1: I don't know, almost kind of like a Western hero

767
00:40:40,640 --> 00:40:43,839
Speaker 1: in a way like Man a few words, but has

768
00:40:44,200 --> 00:40:47,200
Speaker 1: kind of like a protocol or integrity, you know that

769
00:40:47,320 --> 00:40:51,600
Speaker 1: it's unbreakable, unflappable, and then also teams up with other

770
00:40:51,680 --> 00:40:56,000
Speaker 1: men to be stoic together. I don't know, but I'm

771
00:40:56,040 --> 00:40:59,120
Speaker 1: just like I watched his movies and I'm fast, and

772
00:40:59,160 --> 00:41:02,759
Speaker 1: it makes me fastd with men in weird ways, like

773
00:41:03,000 --> 00:41:05,960
Speaker 1: it's a peek into like a world that we obviously

774
00:41:05,960 --> 00:41:08,640
Speaker 1: don't know much about because we're not them. But it

775
00:41:08,719 --> 00:41:12,520
Speaker 1: is highly dramatic and kind of a tiny bit gay,

776
00:41:12,600 --> 00:41:13,719
Speaker 1: which I really appreciate.

777
00:41:15,440 --> 00:41:17,800
Speaker 2: But it's highly dramatic and very erotic.

778
00:41:18,320 --> 00:41:21,920
Speaker 1: Yes, he doesn't it get erotic at times in this movie.

779
00:41:22,080 --> 00:41:25,040
Speaker 2: We're just like fucking percent, Like they're jamming guys in

780
00:41:25,160 --> 00:41:29,440
Speaker 2: trunks and like long stairs at each other, across tables

781
00:41:29,480 --> 00:41:33,120
Speaker 2: and shit, and you're like, this is very like romantic.

782
00:41:33,880 --> 00:41:39,359
Speaker 1: Yeah, I was like, imagine like agreeing to you know,

783
00:41:39,480 --> 00:41:44,000
Speaker 1: a caper with someone just by smoking a cigarette in

784
00:41:44,000 --> 00:41:45,440
Speaker 1: front of their face, together.

785
00:41:47,800 --> 00:41:49,760
Speaker 2: How like, okay, have been sealed.

786
00:41:51,040 --> 00:41:55,040
Speaker 1: That's men. What do you like? Why can't they just

787
00:41:55,160 --> 00:41:56,600
Speaker 1: get it together emotionally?

788
00:41:57,600 --> 00:42:02,200
Speaker 2: No, just look into my eyes say nothing, keep smoking,

789
00:42:03,719 --> 00:42:07,680
Speaker 2: and then we will proceed. This is very men will

790
00:42:07,719 --> 00:42:10,120
Speaker 2: do anything except go to therapy. That's like the Jean

791
00:42:10,160 --> 00:42:12,359
Speaker 2: Pier Melville ouvra.

792
00:42:12,719 --> 00:42:15,280
Speaker 1: One hundred percent fact.

793
00:42:16,239 --> 00:42:16,719
Speaker 2: It's like.

794
00:42:18,640 --> 00:42:22,320
Speaker 1: If you were just taught how to love things properly

795
00:42:22,360 --> 00:42:27,040
Speaker 1: and deeply and earnestly, we would not have his career

796
00:42:28,080 --> 00:42:30,359
Speaker 1: in the careers of a lot of male directors. Am

797
00:42:30,400 --> 00:42:30,800
Speaker 1: I wrong?

798
00:42:31,200 --> 00:42:34,200
Speaker 2: I want to write a short story so badly about

799
00:42:34,239 --> 00:42:37,120
Speaker 2: a world where men are taught to love, and it

800
00:42:37,239 --> 00:42:40,680
Speaker 2: just wipes out the careers of ninety nine percent of

801
00:42:41,120 --> 00:42:43,960
Speaker 2: everyone's favorite creators and artists.

802
00:42:47,800 --> 00:42:53,440
Speaker 1: Just love each other in the old normal style.

803
00:42:54,600 --> 00:42:56,799
Speaker 2: Just chat, don't just smoke a cigarette and stare at

804
00:42:56,840 --> 00:43:03,760
Speaker 2: each other. Say some words are about to perform heist Kimunnicado.

805
00:43:07,200 --> 00:43:11,160
Speaker 2: So okay, So we had this like made up Buddha quote,

806
00:43:13,520 --> 00:43:17,160
Speaker 2: but so basically the thing is is that fate brings

807
00:43:17,200 --> 00:43:19,880
Speaker 2: people together. That's the message of that fate quote aka

808
00:43:19,960 --> 00:43:22,839
Speaker 2: the Red Circle, the Red Circle's fate and the men

809
00:43:22,840 --> 00:43:26,960
Speaker 2: that step into the Red Circle are packed bowed by by.

810
00:43:26,760 --> 00:43:29,279
Speaker 1: The circle to uh, you know, be together forever. I

811
00:43:29,360 --> 00:43:33,480
Speaker 1: suppose so that the lead of this film is named

812
00:43:33,560 --> 00:43:37,040
Speaker 1: Cory and he's played by our King Ellen Delon. Of course.

813
00:43:37,680 --> 00:43:40,560
Speaker 1: So at the very beginning of the movie, it's like

814
00:43:40,600 --> 00:43:44,000
Speaker 1: this last night in prison. He's been in prison, and

815
00:43:44,880 --> 00:43:48,520
Speaker 1: like the night before, he's visited by this like crooked

816
00:43:48,640 --> 00:43:51,239
Speaker 1: prison guard who basically he walks into his cell and

817
00:43:51,280 --> 00:43:54,719
Speaker 1: he's basically like, okay, a, you're getting out tomorrow. Did

818
00:43:54,760 --> 00:43:58,560
Speaker 1: you know that you are b You should rob this

819
00:43:58,719 --> 00:44:00,919
Speaker 1: jewelry store the it you get out.

820
00:44:02,280 --> 00:44:08,879
Speaker 2: It's like the worst Bob Cratchet of all time. He's

821
00:44:08,960 --> 00:44:11,560
Speaker 2: jangling his keys instead of his chains, and he's like,

822
00:44:11,600 --> 00:44:14,960
Speaker 2: you're gonna be visited by me now telling you to

823
00:44:14,960 --> 00:44:18,839
Speaker 2: go rob a fucking pang tomorrow and get your ass

824
00:44:18,960 --> 00:44:24,680
Speaker 2: right back in here. Yeah. Again, here's another opportunity for you.

825
00:44:25,480 --> 00:44:28,120
Speaker 2: I can't just say, you know what, I really like you.

826
00:44:28,120 --> 00:44:30,319
Speaker 2: You're a cool guy. I love hanging out with you.

827
00:44:30,440 --> 00:44:33,000
Speaker 2: We should get a beer. Nope, go rob a fucking

828
00:44:33,080 --> 00:44:34,960
Speaker 2: bag and come back so we can hang out without

829
00:44:34,960 --> 00:44:36,640
Speaker 2: me having to express myself.

830
00:44:38,920 --> 00:44:46,520
Speaker 1: Emotionally. Stunted men that's what we should call every French

831
00:44:46,560 --> 00:44:51,560
Speaker 1: crime film that was ever made. Let's get serious. So okay.

832
00:44:51,600 --> 00:44:53,880
Speaker 1: So at the same time this is happening, Corey's like

833
00:44:54,320 --> 00:44:56,759
Speaker 1: coming out the Pokey. He's considering whether or not he

834
00:44:56,840 --> 00:44:59,920
Speaker 1: wants to, you know, take this one last job again

835
00:45:00,480 --> 00:45:03,560
Speaker 1: my favorite, my favorite kind of movie. So at the

836
00:45:03,600 --> 00:45:06,520
Speaker 1: same time this is happening, there's a man named Vogel

837
00:45:07,040 --> 00:45:11,000
Speaker 1: who is played by gian Maria Volante. I believe that's

838
00:45:11,000 --> 00:45:15,320
Speaker 1: how I say it. So he's being transported by train

839
00:45:16,080 --> 00:45:20,600
Speaker 1: by this detective named Mattie, who is Danielle's crush in

840
00:45:20,680 --> 00:45:21,200
Speaker 1: this film.

841
00:45:21,320 --> 00:45:23,719
Speaker 2: That's my boy. Eight hundred years old.

842
00:45:24,160 --> 00:45:27,279
Speaker 1: Yeah, as soon as you meet him, eight hundred years old.

843
00:45:27,560 --> 00:45:31,799
Speaker 1: Mattie is handcuffed to Vogel and puts him on the

844
00:45:31,800 --> 00:45:35,680
Speaker 1: top bunk of this like sleeper car, and he's like

845
00:45:35,760 --> 00:45:37,839
Speaker 1: trying real hard to watch him. But guess what, this

846
00:45:37,880 --> 00:45:41,480
Speaker 1: guy is fucking slick, and he escapes. And when I

847
00:45:41,640 --> 00:45:47,840
Speaker 1: say escapes, I mean that he takes a pin, undoes

848
00:45:47,920 --> 00:45:51,600
Speaker 1: the handcuffs, kicks the window out of the moving train,

849
00:45:51,719 --> 00:45:53,880
Speaker 1: and then just jumps out of it feet first.

850
00:45:54,080 --> 00:45:58,719
Speaker 2: It is a fluid movement, like he does not care

851
00:45:58,840 --> 00:46:01,560
Speaker 2: where he is jumping what he is jumping off, He's like,

852
00:46:01,600 --> 00:46:05,560
Speaker 2: you know what cuffs her off? By he just kicks

853
00:46:05,600 --> 00:46:08,200
Speaker 2: the window and goes out of it into the night

854
00:46:08,320 --> 00:46:11,560
Speaker 2: or into the day, just goes out into the day.

855
00:46:12,239 --> 00:46:16,520
Speaker 1: His body, his whole body just disappears like he's about

856
00:46:16,520 --> 00:46:20,319
Speaker 1: to he's like falling down a water slide in action park.

857
00:46:20,360 --> 00:46:24,200
Speaker 1: Like he's just like like I'm out of the train,

858
00:46:24,760 --> 00:46:27,160
Speaker 1: Like that's amazing. I was like, how did he do that?

859
00:46:28,160 --> 00:46:33,640
Speaker 2: Like not a fuck, that's.

860
00:46:33,760 --> 00:46:39,440
Speaker 1: Incredible, what the fuck had just happened? So he pulls

861
00:46:39,440 --> 00:46:41,799
Speaker 1: the ripcord to stop the train, and then you know,

862
00:46:41,880 --> 00:46:44,719
Speaker 1: tries to go by foot, and it's it's totally useless,

863
00:46:45,280 --> 00:46:50,280
Speaker 1: Like Vogel is gone. Vogel is gone. Uh, they organize

864
00:46:50,280 --> 00:46:53,360
Speaker 1: a man hunt. They're putting roadblocks all over France. That

865
00:46:53,440 --> 00:46:56,960
Speaker 1: shit is not successful. So and what ends up happening

866
00:46:57,000 --> 00:46:59,800
Speaker 1: is that Vogels like, fuck it, I gotta like figure

867
00:46:59,840 --> 00:47:02,080
Speaker 1: out away past these roadblocks because I can't do this

868
00:47:02,120 --> 00:47:05,239
Speaker 1: on foot. So he goes to a car in a

869
00:47:05,320 --> 00:47:09,839
Speaker 1: parking lot, hides in the trunk and guess what it is,

870
00:47:10,080 --> 00:47:14,600
Speaker 1: Corey's car. So he is effectively Vogel has effectively uh

871
00:47:15,280 --> 00:47:17,800
Speaker 1: stowed away in the trunk of Corey's car.

872
00:47:17,880 --> 00:47:19,480
Speaker 2: And Corey's cool with it. He's like, yeah, I live

873
00:47:19,520 --> 00:47:22,320
Speaker 2: my trunk unlocked for that exact reason. I heard and

874
00:47:22,440 --> 00:47:24,319
Speaker 2: I've listening to the radio. I knew you were out there.

875
00:47:24,320 --> 00:47:25,759
Speaker 2: I knew you. I knew you'd find me.

876
00:47:26,400 --> 00:47:30,000
Speaker 1: Yeah, and Game recognized Game in that way, because Corey's like,

877
00:47:30,000 --> 00:47:31,799
Speaker 1: guess what, I'll help you. What the fuck? Ever Like,

878
00:47:32,000 --> 00:47:34,440
Speaker 1: we're both we're both bad boys.

879
00:47:34,880 --> 00:47:40,240
Speaker 2: It's very Fible goes West looking at the same moon energy. Yes,

880
00:47:40,840 --> 00:47:42,839
Speaker 2: the men are in love. These men are in love.

881
00:47:43,080 --> 00:47:45,600
Speaker 1: They are in love. They're smoking right in front of

882
00:47:45,640 --> 00:47:50,280
Speaker 1: each other, and there's a there's an agreement that Vogel

883
00:47:50,400 --> 00:47:53,680
Speaker 1: is going to help Corey with his jewelry heights that

884
00:47:53,719 --> 00:47:56,640
Speaker 1: he wants to do right. So at some point, I'm

885
00:47:56,640 --> 00:47:58,360
Speaker 1: not going beat by beat here. I'm just kind of

886
00:47:58,360 --> 00:48:00,360
Speaker 1: giving you a you know, just like the sum of

887
00:48:00,400 --> 00:48:03,320
Speaker 1: what the film is about. Vogel is like, Okay, listen,

888
00:48:03,400 --> 00:48:05,399
Speaker 1: I know, I know somebody can be our third man.

889
00:48:06,640 --> 00:48:10,799
Speaker 1: He's an expert marksman, and he will probably blow the

890
00:48:10,880 --> 00:48:13,239
Speaker 1: lock off of a safe in one fail swoop. No

891
00:48:13,360 --> 00:48:18,880
Speaker 1: fucking shards, no noise, like he's he's incredible and he

892
00:48:18,960 --> 00:48:21,440
Speaker 1: used to be a cop and now he just is

893
00:48:21,520 --> 00:48:26,440
Speaker 1: a raging alcoholic. His name is Jansen, who is played

894
00:48:26,440 --> 00:48:30,320
Speaker 1: by eve Montante as we know the King eve Montande.

895
00:48:31,120 --> 00:48:36,480
Speaker 1: And what I mean alcoholic, I mean this man is

896
00:48:36,600 --> 00:48:43,839
Speaker 1: so down bad with his alcoholism that he dreams that

897
00:48:44,000 --> 00:48:47,439
Speaker 1: giant spiders and lizards and rats are walking on him

898
00:48:47,520 --> 00:48:50,200
Speaker 1: while he's in his bed, like he's in the fucking

899
00:48:50,400 --> 00:48:52,000
Speaker 1: Owner of a Lonely Heart video.

900
00:48:55,800 --> 00:48:59,680
Speaker 3: Thank you with these references to like, I'm sitting here

901
00:48:59,719 --> 00:49:02,960
Speaker 3: going like every time I see this movie, I oh,

902
00:49:03,160 --> 00:49:06,799
Speaker 3: I forget that that part happens, and I'm like, what's

903
00:49:06,880 --> 00:49:09,200
Speaker 3: up with these weird crabs that are just like walking

904
00:49:09,280 --> 00:49:10,160
Speaker 3: in the door.

905
00:49:12,200 --> 00:49:13,799
Speaker 2: And because it's French, they don't mention it.

906
00:49:13,800 --> 00:49:16,160
Speaker 1: They're like, you know, yes, they don't mention it. The

907
00:49:16,200 --> 00:49:20,080
Speaker 1: only context clues that you have is that eve Montane

908
00:49:20,160 --> 00:49:22,919
Speaker 1: is in bed, he looks like absolute shit, and there's

909
00:49:22,960 --> 00:49:25,839
Speaker 1: literally like thirty empty liquor bottles next to his bed.

910
00:49:25,920 --> 00:49:28,000
Speaker 1: That's the only reason why you're like, oh, this could

911
00:49:28,000 --> 00:49:30,600
Speaker 1: be like a drunk dream.

912
00:49:31,080 --> 00:49:33,120
Speaker 2: They're like this tracks we've all been so drunk, We've

913
00:49:33,200 --> 00:49:36,919
Speaker 2: envisioned giant rats crawling on us. Right, let explain this shit.

914
00:49:37,200 --> 00:49:40,840
Speaker 1: Here's the thing that I noticed this time. Honestly, the

915
00:49:41,000 --> 00:49:45,839
Speaker 1: French are so fucking cool because they are. You can

916
00:49:45,960 --> 00:49:51,359
Speaker 1: be like down and out having hallucinations from the thirty

917
00:49:51,400 --> 00:49:55,879
Speaker 1: bottles of fucking Evan Williams that you just drank in

918
00:49:55,920 --> 00:50:00,520
Speaker 1: your flophouse, but you still have Louis Vatan trunks.

919
00:50:00,880 --> 00:50:04,960
Speaker 4: Oh shit, I didn't even notice that this motherfucker has

920
00:50:05,000 --> 00:50:08,840
Speaker 4: probably like seventy five thousand dollars worth of movie baton

921
00:50:09,560 --> 00:50:13,600
Speaker 4: in his flop house hotel room.

922
00:50:14,560 --> 00:50:20,080
Speaker 1: I was like, and that's nineteen seventy's money.

923
00:50:19,560 --> 00:50:23,760
Speaker 2: Like today's value in that flop house, seven million dollars

924
00:50:23,760 --> 00:50:25,480
Speaker 2: worth of me.

925
00:50:25,960 --> 00:50:28,840
Speaker 1: I could not believe it. I was like, yo, that

926
00:50:29,000 --> 00:50:32,000
Speaker 1: is they're like steamer trunks, like what you would take

927
00:50:32,040 --> 00:50:35,479
Speaker 1: on the Titanic, those big giant Louis Vuton things.

928
00:50:35,520 --> 00:50:40,720
Speaker 2: I'm like, wow, yeah, those Joe versus the Volcano trunks.

929
00:50:40,960 --> 00:50:44,879
Speaker 1: Yes, exactly, exactly. Or I also like to call them

930
00:50:45,400 --> 00:50:47,120
Speaker 1: the Blanche du Bois trunks.

931
00:50:47,440 --> 00:50:47,839
Speaker 2: And she.

932
00:50:50,200 --> 00:50:54,880
Speaker 1: When she's like shows up and she's like, my sister

933
00:50:56,320 --> 00:51:01,040
Speaker 1: on my furs, my beautiful furs. Good. So okay, you've

934
00:51:01,080 --> 00:51:05,439
Speaker 1: got so you've got Corey and Vogelu like, Jansen's our guy.

935
00:51:05,560 --> 00:51:08,800
Speaker 1: He's gonna help us. When they go to ask him,

936
00:51:08,960 --> 00:51:12,520
Speaker 1: you know, you're like, holy fuck, he's hallucinatory. He's that

937
00:51:12,760 --> 00:51:15,560
Speaker 1: bad of a drinker. But then he's like, guess what,

938
00:51:15,719 --> 00:51:19,160
Speaker 1: I don't drink on the job ever, I don't touch it.

939
00:51:19,200 --> 00:51:20,840
Speaker 2: That's all I need is a little motivation.

940
00:51:21,200 --> 00:51:24,440
Speaker 1: Yeah, which is incredible and I think is part of

941
00:51:24,480 --> 00:51:28,000
Speaker 1: the because I feel like the eve Monton character has

942
00:51:28,040 --> 00:51:31,600
Speaker 1: like such a great mythology around him, and that's part

943
00:51:31,640 --> 00:51:35,040
Speaker 1: of it, is that he's like a raging alcoholic accept

944
00:51:35,040 --> 00:51:39,440
Speaker 1: when he's working, then he's clear minded. Right. There's a

945
00:51:39,480 --> 00:51:41,880
Speaker 1: part of the film, by the way, one of my

946
00:51:42,000 --> 00:51:45,600
Speaker 1: favorite parts where during the actual heist, where he like

947
00:51:46,280 --> 00:51:49,480
Speaker 1: is doing his thing, he opens up his suit pocket

948
00:51:49,880 --> 00:51:54,280
Speaker 1: and he pulls out a flask and all done. Yeah,

949
00:51:54,280 --> 00:51:56,279
Speaker 1: but then he just takes this. He just takes a

950
00:51:56,320 --> 00:51:59,320
Speaker 1: whiff and then just puts it back in his pocket.

951
00:51:59,360 --> 00:52:03,760
Speaker 1: He doesn't drink from it, he just sniffs it.

952
00:52:03,880 --> 00:52:07,359
Speaker 2: It made me sad. I know, that's enough.

953
00:52:07,480 --> 00:52:09,680
Speaker 1: It's enough juice for him. That's all the juice that

954
00:52:09,680 --> 00:52:14,880
Speaker 1: he needs to continue his job. So, speaking of hot

955
00:52:14,920 --> 00:52:17,359
Speaker 1: I mean, like, let's let's get this out of the way.

956
00:52:18,200 --> 00:52:20,880
Speaker 1: Alan delann is so hot in this movie. He is

957
00:52:20,920 --> 00:52:23,680
Speaker 1: so hot in The Circle Rouge, but in a completely

958
00:52:23,680 --> 00:52:25,600
Speaker 1: different way than he's been hot to me.

959
00:52:26,480 --> 00:52:28,800
Speaker 2: Well, yeah, because he's got that mustache.

960
00:52:29,560 --> 00:52:33,840
Speaker 1: I mean, everyone says, okay, who, Where's how who the

961
00:52:33,840 --> 00:52:39,319
Speaker 1: hottest Ellen de Lawn? Is it fucking purple noon? Is

962
00:52:39,360 --> 00:52:43,880
Speaker 1: it Rocco and his brothers? I love his like Grecian formula,

963
00:52:44,000 --> 00:52:49,560
Speaker 1: fucking black mustache. Look in La Circle Rouge. I'm like,

964
00:52:49,600 --> 00:52:55,759
Speaker 1: he's so hot in this movie. How is this unnatural

965
00:52:55,800 --> 00:52:58,200
Speaker 1: haircle or like this is it's never looked better.

966
00:52:58,680 --> 00:53:01,239
Speaker 2: I need you to go to his Wikipedia page right now.

967
00:53:01,239 --> 00:53:03,120
Speaker 2: They have a picture of him from nineteen seventy two,

968
00:53:04,000 --> 00:53:07,520
Speaker 2: and tell me how in the world you're picking this

969
00:53:07,560 --> 00:53:09,080
Speaker 2: as his hottest film.

970
00:53:10,040 --> 00:53:12,520
Speaker 1: I just can't. I can't describe it.

971
00:53:12,600 --> 00:53:16,680
Speaker 2: I love with this shoe, polish, black hair, and mustache.

972
00:53:17,520 --> 00:53:19,320
Speaker 1: It does something to me, like, I don't know, I

973
00:53:19,440 --> 00:53:22,440
Speaker 1: earn like Le Samurai, which is La Samurai is my

974
00:53:22,440 --> 00:53:25,239
Speaker 1: favorite Landolon movie. I think he looks.

975
00:53:25,000 --> 00:53:33,280
Speaker 2: Hotter circ this is scandalous. I don't know, it's a scandalous,

976
00:53:33,320 --> 00:53:34,240
Speaker 2: scandalous news.

977
00:53:34,480 --> 00:53:36,799
Speaker 1: I know I mean, it's so his. His look in

978
00:53:36,880 --> 00:53:42,680
Speaker 1: this movie is kind of like Wayne Newton in Las Vegas,

979
00:53:42,960 --> 00:53:46,799
Speaker 1: which again explained or like that's hot to you, uh

980
00:53:47,560 --> 00:53:51,160
Speaker 1: like maybe Season ten Tom Sandoval even like it looks

981
00:53:51,400 --> 00:53:55,400
Speaker 1: very it's not like it looks phony, like it's a

982
00:53:55,520 --> 00:53:59,200
Speaker 1: it's a phony black dye job. But I love it.

983
00:53:59,239 --> 00:54:03,200
Speaker 1: I don't know, I just can't can't get over it.

984
00:54:03,520 --> 00:54:06,640
Speaker 2: You have an actual cardboard cutout of this man behind

985
00:54:06,680 --> 00:54:11,200
Speaker 2: you right now, and you have the nerve to say

986
00:54:11,239 --> 00:54:16,440
Speaker 2: that this is his hottest.

987
00:54:16,040 --> 00:54:18,400
Speaker 1: I'm a diseased individual.

988
00:54:18,440 --> 00:54:22,880
Speaker 2: I think it's just interesting. It's more information, it's just interesting.

989
00:54:24,040 --> 00:54:26,640
Speaker 1: Well, and like to this question, So, I've already talked

990
00:54:26,640 --> 00:54:30,280
Speaker 1: about Eve Montauante, I've talked about Grecian formula, Alan Delon,

991
00:54:30,520 --> 00:54:32,120
Speaker 1: but you know, the guy who plays vocals kind of

992
00:54:32,120 --> 00:54:35,319
Speaker 1: hot too, Like everyone's kind of hot in this film.

993
00:54:35,320 --> 00:54:36,960
Speaker 1: I guess the only people that are hot are the

994
00:54:37,360 --> 00:54:42,080
Speaker 1: jewelry dealers and the other cops. But there's at least

995
00:54:42,080 --> 00:54:45,640
Speaker 1: four hotties in this film, right by both of our estimations.

996
00:54:46,880 --> 00:54:50,320
Speaker 1: Four at minimum four, which again is great for purposes

997
00:54:50,360 --> 00:54:54,480
Speaker 1: that Jean Pierre Melville accidentally makes kind of gay movies.

998
00:54:54,560 --> 00:54:57,759
Speaker 2: So this is great ro on board, it tracks, It

999
00:54:58,120 --> 00:55:02,280
Speaker 2: stays in line with his usual fair yea of casting

1000
00:55:02,440 --> 00:55:06,760
Speaker 2: very across the board hot dudes, Yeah, to do modly

1001
00:55:06,800 --> 00:55:07,640
Speaker 2: erotic films.

1002
00:55:08,160 --> 00:55:11,280
Speaker 1: Listen, doesn't get any hotter than Belmondo and Leon Moren.

1003
00:55:11,320 --> 00:55:13,960
Speaker 1: I mean we've talked about that ad nauseum at the THA.

1004
00:55:14,560 --> 00:55:18,040
Speaker 2: Go back and listen for sure to that episode. Well,

1005
00:55:18,080 --> 00:55:20,680
Speaker 2: this was a great movie. I know that everyone there

1006
00:55:20,719 --> 00:55:24,440
Speaker 2: are like film, there are sinophiles listening to us right

1007
00:55:24,480 --> 00:55:26,920
Speaker 2: now and just stabbing their own eyeballs out with what

1008
00:55:26,960 --> 00:55:28,839
Speaker 2: we just did to this film and how we talked

1009
00:55:28,840 --> 00:55:30,880
Speaker 2: about it. And guess what, too bad. It's still a

1010
00:55:30,920 --> 00:55:33,040
Speaker 2: great film. We just took a different way into it

1011
00:55:33,200 --> 00:55:34,319
Speaker 2: and we're allowed to do that.

1012
00:55:34,640 --> 00:55:37,920
Speaker 1: And honestly, the rest of the film is like the

1013
00:55:37,920 --> 00:55:39,960
Speaker 1: only thing that I want to mention because I all

1014
00:55:39,960 --> 00:55:42,480
Speaker 1: want to give it away. It's a heist film. The

1015
00:55:42,520 --> 00:55:44,879
Speaker 1: most memorable part of the film, and I'm talking about

1016
00:55:44,880 --> 00:55:48,239
Speaker 1: memorable in terms of like film cinema history, right is

1017
00:55:48,280 --> 00:55:51,799
Speaker 1: the actual heist. Because it's a very long sequence. It's

1018
00:55:51,800 --> 00:55:55,000
Speaker 1: probably like maybe at least a half hour, I would say,

1019
00:55:55,239 --> 00:56:00,000
Speaker 1: and it's almost entirely silent there's no dialogue, and it's fascinating.

1020
00:56:00,239 --> 00:56:03,719
Speaker 1: It's so And I'm not just saying this because I

1021
00:56:03,760 --> 00:56:08,200
Speaker 1: love stuff like Thief and Heat and to live in

1022
00:56:08,239 --> 00:56:11,120
Speaker 1: die La, like movies that have like parts where they're

1023
00:56:11,239 --> 00:56:14,920
Speaker 1: very methodically doing the like minute by minute play by

1024
00:56:14,960 --> 00:56:17,800
Speaker 1: play of a crime, right like a heighst or whatever.

1025
00:56:18,200 --> 00:56:21,880
Speaker 1: I'm saying that even in spite of my love for

1026
00:56:21,920 --> 00:56:28,320
Speaker 1: those sequences, this sequence is incredible because it's like, I mean, honestly,

1027
00:56:28,360 --> 00:56:30,719
Speaker 1: you've got like all these different parts. You've got like

1028
00:56:30,800 --> 00:56:33,160
Speaker 1: Corey and Vogel, who were like sneaking into the building

1029
00:56:33,520 --> 00:56:37,160
Speaker 1: cat burglar style. They're barely making any noise. They're like that,

1030
00:56:37,320 --> 00:56:40,200
Speaker 1: you can't even hear footsteps, you can't hear anything. And

1031
00:56:40,239 --> 00:56:43,440
Speaker 1: then you've got Jansen showing up was the eve Montane

1032
00:56:43,520 --> 00:56:46,520
Speaker 1: character in his like trench coat. He's carrying around this

1033
00:56:46,600 --> 00:56:50,000
Speaker 1: like guitar case which has this like sharp shooter gun

1034
00:56:50,040 --> 00:56:52,200
Speaker 1: in It is like so cool. Then they all are

1035
00:56:52,200 --> 00:56:55,120
Speaker 1: in the same room, they put on their oral peck masks,

1036
00:56:55,560 --> 00:56:59,359
Speaker 1: and then they fucking get to work and like the

1037
00:56:59,360 --> 00:57:04,560
Speaker 1: best part two is that eve Montan Jansen is like,

1038
00:57:05,200 --> 00:57:09,160
Speaker 1: let me set up my fucking sharp shooting tripod or whatever. Right,

1039
00:57:09,520 --> 00:57:12,440
Speaker 1: So he gets the exact shot because his job is

1040
00:57:12,520 --> 00:57:16,160
Speaker 1: to shoot the lock out of the you know whatever,

1041
00:57:16,240 --> 00:57:19,760
Speaker 1: the safe or whatever. And he sets it all up

1042
00:57:20,040 --> 00:57:23,440
Speaker 1: all perfect, and then at the last minute he rips

1043
00:57:23,480 --> 00:57:25,600
Speaker 1: it off. The tripaths, I fucking I got this shit

1044
00:57:25,760 --> 00:57:28,280
Speaker 1: with my hands. I don't eat it. I don't eat

1045
00:57:28,280 --> 00:57:30,680
Speaker 1: a steady shot a dog on my own.

1046
00:57:31,200 --> 00:57:32,320
Speaker 2: I am raw dog in it.

1047
00:57:32,840 --> 00:57:35,840
Speaker 1: Yeah, And then he nails it, and then he takes

1048
00:57:35,840 --> 00:57:39,800
Speaker 1: a whiff of his flask and it is like, job done.

1049
00:57:40,040 --> 00:57:43,200
Speaker 1: It's incredible. It's such an incredible sequence. And if you

1050
00:57:43,280 --> 00:57:46,480
Speaker 1: haven't seen this film, you should just watch it for that, honestly.

1051
00:57:47,000 --> 00:57:50,320
Speaker 2: Fully agree, fully agree. It is a beautiful, beautiful film.

1052
00:57:50,360 --> 00:57:52,840
Speaker 2: It is almost two and a half hours long, but

1053
00:57:52,920 --> 00:57:56,120
Speaker 2: it is two and a half hours of you don't

1054
00:57:56,120 --> 00:57:58,360
Speaker 2: even notice. It's just in so intensely good. The time

1055
00:57:58,440 --> 00:58:01,200
Speaker 2: just you just engrossed in it, and in time just flies,

1056
00:58:01,280 --> 00:58:02,960
Speaker 2: and I just I loved it. I loved it. I'm

1057
00:58:03,000 --> 00:58:04,200
Speaker 2: so glad you picked it.

1058
00:58:04,240 --> 00:58:08,960
Speaker 1: Thanks great wallpaper, great cast, great director. It really lucks

1059
00:58:09,000 --> 00:58:16,880
Speaker 1: in for me. So your film, let's move on.

1060
00:58:17,600 --> 00:58:24,160
Speaker 2: My film is decidedly less cinematic, and its importance but

1061
00:58:24,440 --> 00:58:28,360
Speaker 2: so entertaining. Come on, but so entertaining. So my movie

1062
00:58:28,760 --> 00:58:32,000
Speaker 2: was released in nineteen ninety the screenplays by Howard Franklin.

1063
00:58:32,160 --> 00:58:34,560
Speaker 2: It was directed by Howard Franklin and Bill Murray. And

1064
00:58:34,600 --> 00:58:36,560
Speaker 2: my movie is quick Change.

1065
00:58:37,120 --> 00:58:39,680
Speaker 1: What the hell kind of clown are you to? Crying

1066
00:58:39,760 --> 00:58:41,080
Speaker 1: on the inside kind of guess?

1067
00:58:41,480 --> 00:58:45,000
Speaker 2: So I'll give you my one sentence synopsis. After successfully

1068
00:58:45,080 --> 00:58:47,720
Speaker 2: robbing a New York City bank, a group of thieves

1069
00:58:47,800 --> 00:58:49,720
Speaker 2: have a hell of a time getting out of the city.

1070
00:58:50,640 --> 00:58:53,600
Speaker 2: Hell of a time, for sure, hell of a time. Now.

1071
00:58:53,600 --> 00:58:56,640
Speaker 2: I will also preface this by saying that the research

1072
00:58:56,680 --> 00:58:59,320
Speaker 2: I did in the reason reason I had to stop

1073
00:59:00,040 --> 00:59:03,320
Speaker 2: because I did not know a lot of this. But

1074
00:59:04,040 --> 00:59:10,040
Speaker 2: apparently Bill Murray has been canceled or has been pred like,

1075
00:59:10,160 --> 00:59:13,200
Speaker 2: has been accused of some things and they're not great.

1076
00:59:13,280 --> 00:59:16,600
Speaker 2: You can look them up, but I didn't want to

1077
00:59:16,640 --> 00:59:19,400
Speaker 2: not mention that. But I didn't know that until I

1078
00:59:19,400 --> 00:59:20,840
Speaker 2: had chosen this film.

1079
00:59:21,080 --> 00:59:23,760
Speaker 1: So, yeah, I feel like there's a lot of problematic

1080
00:59:23,880 --> 00:59:26,400
Speaker 1: elements to all movies at this point.

1081
00:59:26,800 --> 00:59:30,320
Speaker 2: Yeah, but especially the Night like You by eighties, nineties

1082
00:59:30,320 --> 00:59:32,960
Speaker 2: and old films like We're doing. I mean, just assume

1083
00:59:33,040 --> 00:59:37,280
Speaker 2: that somebody has done something fucked agreed, Yeah, in the cast,

1084
00:59:37,440 --> 00:59:39,800
Speaker 2: but I just wanted to let you know that I

1085
00:59:39,840 --> 00:59:45,640
Speaker 2: know and go forth from there. So the movie itself

1086
00:59:45,840 --> 00:59:48,320
Speaker 2: breaks down to me into two parts, the robbery and

1087
00:59:48,360 --> 00:59:53,160
Speaker 2: the escape. And I absolutely loved this movie from the

1088
00:59:53,160 --> 00:59:55,080
Speaker 2: minute I first saw it, and it used to be

1089
00:59:55,120 --> 00:59:59,720
Speaker 2: a hard to find film. My first when I found

1090
00:59:59,760 --> 01:00:02,480
Speaker 2: it on scooped up as fast as I could. But

1091
01:00:02,560 --> 01:00:04,400
Speaker 2: it was one of those like on HBO all the

1092
01:00:04,400 --> 01:00:08,600
Speaker 2: time movies that I would watch and was just so

1093
01:00:08,960 --> 01:00:14,560
Speaker 2: dry and funny to me. And Gina Davis especially is

1094
01:00:14,920 --> 01:00:17,480
Speaker 2: so funny to me in this movie. Just her asides

1095
01:00:17,520 --> 01:00:22,160
Speaker 2: and her like exasperation is hilarious to me. And then

1096
01:00:22,280 --> 01:00:26,480
Speaker 2: you also have you know, it's just a very good

1097
01:00:26,640 --> 01:00:32,800
Speaker 2: cast of New York color characters. So basically we've got

1098
01:00:33,240 --> 01:00:37,840
Speaker 2: grim the Bill Murray character, Phyllis the Geena Davis character,

1099
01:00:38,240 --> 01:00:42,720
Speaker 2: and Loomis the Randy Quaid character. Now, Loomis also cracks

1100
01:00:42,760 --> 01:00:47,080
Speaker 2: me the fuck up because he is a mess. He

1101
01:00:47,160 --> 01:00:49,320
Speaker 2: has not built for this life at all. He's just

1102
01:00:49,400 --> 01:00:53,600
Speaker 2: Loomis's friend from childhood that's tagging on and he plays

1103
01:00:53,600 --> 01:00:56,080
Speaker 2: that part in his role in the robbery. But you

1104
01:00:56,120 --> 01:00:58,120
Speaker 2: don't realize that until later in the film that the

1105
01:00:58,160 --> 01:01:00,440
Speaker 2: part he was playing in the robbery is actually very

1106
01:01:00,480 --> 01:01:03,760
Speaker 2: close to who he is as a person, and same

1107
01:01:03,800 --> 01:01:07,400
Speaker 2: with same with Phyllis. So the robbery is that the

1108
01:01:07,520 --> 01:01:10,160
Speaker 2: end of the day bank's about to close. Bill Murray

1109
01:01:10,280 --> 01:01:14,760
Speaker 2: is fully dressed as a clown, face, makeup, balloons, wig, everything,

1110
01:01:15,640 --> 01:01:18,080
Speaker 2: goes to a bank and is like, yo, I'm here

1111
01:01:18,200 --> 01:01:21,600
Speaker 2: to rob you, and the security guard asks him what

1112
01:01:21,680 --> 01:01:23,480
Speaker 2: kind of what the hell kind of clown are you?

1113
01:01:23,600 --> 01:01:25,200
Speaker 2: And he says, I don't know, the crying on the

1114
01:01:25,200 --> 01:01:28,120
Speaker 2: inside kind. I guess, Like he's just so dry about

1115
01:01:28,160 --> 01:01:31,640
Speaker 2: this approach to like robbing a bank, Like he has

1116
01:01:31,800 --> 01:01:35,000
Speaker 2: no there's no energy at all. He's just Bill Murray throughout.

1117
01:01:35,440 --> 01:01:37,280
Speaker 2: So he says it's a robbery, and in typical New

1118
01:01:37,360 --> 01:01:40,360
Speaker 2: York fashion, absolutely nobody looks up or does anything until

1119
01:01:40,360 --> 01:01:42,720
Speaker 2: he like shoots the gun into the air. Uh, and

1120
01:01:42,760 --> 01:01:48,040
Speaker 2: then he starts loading people into the vault and telling them,

1121
01:01:48,280 --> 01:01:50,600
Speaker 2: you know what, he's what he needs from them to

1122
01:01:50,640 --> 01:01:54,040
Speaker 2: get out of here. We also have at this point

1123
01:01:54,320 --> 01:01:56,520
Speaker 2: a cop show up. A lot of the cops show up,

1124
01:01:56,520 --> 01:02:00,520
Speaker 2: but the chief of police shows up, and it's classic

1125
01:02:00,600 --> 01:02:02,320
Speaker 2: Jason robards.

1126
01:02:02,760 --> 01:02:04,160
Speaker 1: There we go salute.

1127
01:02:04,760 --> 01:02:09,120
Speaker 2: So the chief is there, Chief Ratzinger, and this is

1128
01:02:09,200 --> 01:02:11,800
Speaker 2: kind of his one last job, like he's clearly going

1129
01:02:11,840 --> 01:02:14,040
Speaker 2: to retire soon. He wants to go out with a

1130
01:02:14,080 --> 01:02:17,240
Speaker 2: bang and is trying to do his best to like

1131
01:02:17,440 --> 01:02:20,840
Speaker 2: nab this robber. He kind of has a cute little

1132
01:02:20,840 --> 01:02:25,280
Speaker 2: sidekick with him who's like very supportive and I just

1133
01:02:25,320 --> 01:02:26,200
Speaker 2: love their dynamic.

1134
01:02:27,000 --> 01:02:29,720
Speaker 1: Talk about his little lieutenant, the younger guy, yeah, with

1135
01:02:29,720 --> 01:02:32,960
Speaker 1: this little swoopy hair, Patrick Bateman style. Yeah. So the

1136
01:02:33,120 --> 01:02:37,400
Speaker 1: only thing that I recognized him from was that he

1137
01:02:37,520 --> 01:02:39,680
Speaker 1: was on an episode of Sex and the City where

1138
01:02:39,680 --> 01:02:43,160
Speaker 1: he played an alcoholic. Remember he dated Carrie.

1139
01:02:43,080 --> 01:02:46,680
Speaker 2: Yep, and he was like off the wagon is.

1140
01:02:46,640 --> 01:02:49,200
Speaker 1: Taking his clothes off in the street. Right, That's the

1141
01:02:49,240 --> 01:02:51,280
Speaker 1: only thing I know him from. Unfortunately, I mean, he's

1142
01:02:51,320 --> 01:02:54,360
Speaker 1: a great actor. I should know more, but he's definitely

1143
01:02:54,360 --> 01:02:55,040
Speaker 1: a great actor.

1144
01:02:55,320 --> 01:02:57,680
Speaker 2: And we also have an appearance in this film by

1145
01:02:58,280 --> 01:03:01,960
Speaker 2: our favorite pop up character on the Pod, Reggie Cathy.

1146
01:03:02,720 --> 01:03:04,640
Speaker 1: Love a Reggie Cathy for sure, I.

1147
01:03:04,600 --> 01:03:09,240
Speaker 2: Love a Reggie Kathy sighting. But together they're like, all right,

1148
01:03:09,280 --> 01:03:13,640
Speaker 2: like we will meet this clown's literal clowns demands so

1149
01:03:13,680 --> 01:03:16,320
Speaker 2: we can get these hostages out of here, and the

1150
01:03:16,400 --> 01:03:21,400
Speaker 2: demands are wild. So it's Bill Murray dress as a

1151
01:03:21,400 --> 01:03:25,040
Speaker 2: clown again on the phone and Grim He's like, I

1152
01:03:25,080 --> 01:03:28,040
Speaker 2: want helicopters, I want motorcycles, I want buses, and I

1153
01:03:28,040 --> 01:03:31,720
Speaker 2: want a monster truck. And he agrees to let one

1154
01:03:31,800 --> 01:03:36,080
Speaker 2: hostage go with each demand that's filled. So the first

1155
01:03:36,080 --> 01:03:39,720
Speaker 2: person that they let go is Loomis, the Dennis Quaid character,

1156
01:03:39,760 --> 01:03:42,160
Speaker 2: because everyone in that vault is like, this guy's pukin

1157
01:03:42,240 --> 01:03:44,320
Speaker 2: and a glove. He's gonna fuck our shit up. Like,

1158
01:03:44,320 --> 01:03:45,439
Speaker 2: we got to get him out of here.

1159
01:03:45,800 --> 01:03:46,800
Speaker 1: You made Randy Quaid.

1160
01:03:47,360 --> 01:03:51,040
Speaker 2: Yeah, So they get Loomis out of there, then they

1161
01:03:51,080 --> 01:03:53,720
Speaker 2: get Phyllis out of there to Geena Davis character, because

1162
01:03:53,720 --> 01:03:56,680
Speaker 2: she's like militant, you know, playing the part of like

1163
01:03:56,800 --> 01:03:58,280
Speaker 2: I'm not gonna take your shit, and they're like, you're

1164
01:03:58,280 --> 01:04:00,320
Speaker 2: gonna get us killed. Also take her out.

1165
01:04:00,840 --> 01:04:01,040
Speaker 1: Yeah.

1166
01:04:01,240 --> 01:04:06,439
Speaker 2: So what you realize as she's leaving is that Grim

1167
01:04:06,680 --> 01:04:09,200
Speaker 2: has been taping money this whole time, like making these

1168
01:04:09,280 --> 01:04:12,840
Speaker 2: money belts the whole time, and he leaves with her

1169
01:04:12,960 --> 01:04:15,040
Speaker 2: because they send out to you know, they send him

1170
01:04:15,040 --> 01:04:19,720
Speaker 2: two items, a motorcycle and a bus, and so he

1171
01:04:19,760 --> 01:04:22,120
Speaker 2: goes out dressed as somebody else. He's got all his

1172
01:04:22,160 --> 01:04:26,520
Speaker 2: clown makeup off, and that's how they have escaped this heist,

1173
01:04:26,760 --> 01:04:28,880
Speaker 2: and they've taped the money to their body. And it's

1174
01:04:29,560 --> 01:04:32,720
Speaker 2: pretty pretty genius because the cops even say at one point,

1175
01:04:32,840 --> 01:04:35,040
Speaker 2: Roth Singer even says, at one point, I know what's

1176
01:04:35,040 --> 01:04:37,280
Speaker 2: gonna happen. He's gonna dress all the hostages up as

1177
01:04:37,280 --> 01:04:40,720
Speaker 2: clowns so he won't know who's who. And that is

1178
01:04:40,920 --> 01:04:44,280
Speaker 2: he's already thinking one step ahead. Grim is already is

1179
01:04:44,320 --> 01:04:47,360
Speaker 2: already there because guess what, he has fucking had it

1180
01:04:47,400 --> 01:04:50,000
Speaker 2: with New York City. That is the underlying feeling of

1181
01:04:50,040 --> 01:04:53,040
Speaker 2: this film is that he is done with New York City.

1182
01:04:53,360 --> 01:04:55,480
Speaker 2: Everything that happens, he's like, yep, another reason.

1183
01:04:55,320 --> 01:04:56,800
Speaker 1: To leave New York City.

1184
01:04:56,960 --> 01:05:01,000
Speaker 2: So he's been calling from the and talking to the

1185
01:05:01,080 --> 01:05:05,840
Speaker 2: chief when he leaves. When they escape, and they escape

1186
01:05:05,880 --> 01:05:08,200
Speaker 2: is pretty funny, like when he leaves, he plays his

1187
01:05:08,240 --> 01:05:10,680
Speaker 2: really whiny character and he's like, oh yeah, he went

1188
01:05:10,760 --> 01:05:12,240
Speaker 2: up to this lady and he was like, up, you'll

1189
01:05:12,280 --> 01:05:15,320
Speaker 2: bought with a coconut again, I am a child. That

1190
01:05:15,400 --> 01:05:18,600
Speaker 2: still makes me laugh because he's like and I think

1191
01:05:18,640 --> 01:05:24,560
Speaker 2: he would have done it just silly. So when they escape,

1192
01:05:24,920 --> 01:05:26,920
Speaker 2: they escape in a car and they're looking at the

1193
01:05:26,920 --> 01:05:29,280
Speaker 2: New York City skyline and they're just like, we fucking

1194
01:05:29,360 --> 01:05:32,760
Speaker 2: did it. And they call rot Singer because they said,

1195
01:05:32,840 --> 01:05:37,200
Speaker 2: you know, we'll call him and let him know a

1196
01:05:37,240 --> 01:05:39,480
Speaker 2: progress update, and he's like, yeah, just give me some

1197
01:05:39,520 --> 01:05:43,960
Speaker 2: more time. And as they're on the payphone and Grim

1198
01:05:44,040 --> 01:05:47,760
Speaker 2: is talking to Rotzinger, Loomis accidentally honks the horn of

1199
01:05:47,760 --> 01:05:51,360
Speaker 2: the car. So now the chief is on to them,

1200
01:05:51,720 --> 01:05:53,880
Speaker 2: and they've lost time and they're trying to get to

1201
01:05:53,920 --> 01:05:58,320
Speaker 2: the airport. But Grim is hissed. He's like, we could

1202
01:05:58,320 --> 01:06:01,120
Speaker 2: have called him from anywhere in the world tonight. They

1203
01:06:01,120 --> 01:06:07,360
Speaker 2: would have kept that bank surrounded without going in for hours.

1204
01:06:09,160 --> 01:06:12,560
Speaker 2: So their escape plan has been ruined by this horn

1205
01:06:12,600 --> 01:06:15,200
Speaker 2: because roth Singer listens back and he's like, that sounds

1206
01:06:15,240 --> 01:06:17,320
Speaker 2: like a fucking car horn. I know exactly what's up.

1207
01:06:19,240 --> 01:06:21,360
Speaker 2: So the real tenor of this film it feels very

1208
01:06:21,360 --> 01:06:24,240
Speaker 2: midnight runish, like, you know, the police is chasing the

1209
01:06:24,280 --> 01:06:27,040
Speaker 2: criminal all over the city and you know, kind of

1210
01:06:27,400 --> 01:06:30,080
Speaker 2: this back and forth interplay with the cat and mouse.

1211
01:06:30,120 --> 01:06:32,280
Speaker 2: Are they going to get each other? But what I

1212
01:06:32,320 --> 01:06:35,520
Speaker 2: love about this film so much is all of the

1213
01:06:35,560 --> 01:06:38,480
Speaker 2: mishaps that happen, and there are so many, and they

1214
01:06:38,520 --> 01:06:42,360
Speaker 2: really play into each other as a way of constructing

1215
01:06:42,360 --> 01:06:45,640
Speaker 2: the narrative of not that the robbery was a bad idea,

1216
01:06:45,720 --> 01:06:50,360
Speaker 2: but that New York is so bad, so hard that

1217
01:06:50,560 --> 01:06:54,200
Speaker 2: even trying to escape it during a robbery is almost impossible.

1218
01:06:54,720 --> 01:06:56,960
Speaker 2: So they miss a turn off due to construction, and

1219
01:06:57,000 --> 01:06:58,560
Speaker 2: the guys are like, yeah, we don't fucking know what.

1220
01:06:58,720 --> 01:07:00,400
Speaker 2: We don't put up the signs, we just take them down,

1221
01:07:00,400 --> 01:07:02,560
Speaker 2: like we can't help you. They ask a guy for

1222
01:07:02,640 --> 01:07:06,560
Speaker 2: directions and he's on a bike holding like a mop handle,

1223
01:07:07,120 --> 01:07:09,720
Speaker 2: and it's like a street joust, and they like, basically,

1224
01:07:09,720 --> 01:07:13,880
Speaker 2: just watch someone get killed in a street jouse, which

1225
01:07:13,920 --> 01:07:16,720
Speaker 2: sends Randy Quain's character Loomis over the edge. He's like,

1226
01:07:16,720 --> 01:07:18,640
Speaker 2: oh my god, that is so bad to see a

1227
01:07:18,680 --> 01:07:23,200
Speaker 2: thing like that. Yeah, and then they get robbed. They

1228
01:07:24,200 --> 01:07:27,080
Speaker 2: try to stop for directions to the BQI with this

1229
01:07:27,120 --> 01:07:28,840
Speaker 2: guy who looks a little too good to be true

1230
01:07:29,240 --> 01:07:30,800
Speaker 2: and ends up being too good to be true. He

1231
01:07:30,880 --> 01:07:32,680
Speaker 2: robs them. He doesn't take the bank money, which they

1232
01:07:32,720 --> 01:07:34,720
Speaker 2: have taped to their bodies, but he takes all their clothes,

1233
01:07:35,400 --> 01:07:37,800
Speaker 2: so now they have to go back to Phyllis's apartment

1234
01:07:37,840 --> 01:07:39,680
Speaker 2: to get new clothes because they can't go to the

1235
01:07:39,720 --> 01:07:43,560
Speaker 2: airport and the clothes they're wearing to rob the bank. Yeah,

1236
01:07:43,720 --> 01:07:46,800
Speaker 2: and it's just this like non stop litany of horrors.

1237
01:07:46,880 --> 01:07:50,240
Speaker 2: Like while they're getting clothes, their car gets they park

1238
01:07:50,280 --> 01:07:52,080
Speaker 2: in front of a hydrant and there's a fire across

1239
01:07:52,120 --> 01:07:53,960
Speaker 2: the street and their car gets pushed in the central

1240
01:07:54,000 --> 01:07:58,760
Speaker 2: park and crashes. Yeah, and it's just like non stop, NonStop.

1241
01:07:58,920 --> 01:08:01,640
Speaker 2: So I kind of love the cat and mouse of it.

1242
01:08:01,840 --> 01:08:04,600
Speaker 2: I love that it's just absurd. At one point, they

1243
01:08:04,680 --> 01:08:08,120
Speaker 2: like they rob the mob, like they just walk accidentally

1244
01:08:08,120 --> 01:08:08,880
Speaker 2: going to a mob.

1245
01:08:09,360 --> 01:08:12,920
Speaker 1: Yeah. Like Stanley Tucci's like some fucking He's like the

1246
01:08:12,960 --> 01:08:14,440
Speaker 1: guy that opens the door.

1247
01:08:15,720 --> 01:08:20,040
Speaker 2: And lift thug of all time, Like you're beloved Stanley

1248
01:08:20,080 --> 01:08:22,000
Speaker 2: Tucci playing a greasy little thug.

1249
01:08:22,000 --> 01:08:25,200
Speaker 1: Shirt open looking like shit. He's so funny.

1250
01:08:25,800 --> 01:08:27,880
Speaker 2: They try to get a bus and the driver will

1251
01:08:27,920 --> 01:08:29,559
Speaker 2: not break a hundred and he won't let them on

1252
01:08:29,600 --> 01:08:30,800
Speaker 2: without exact shape.

1253
01:08:30,880 --> 01:08:34,759
Speaker 1: Okay, let me just tell you right now. The bus

1254
01:08:34,840 --> 01:08:38,880
Speaker 1: driver is my favorite person in this movie. I had

1255
01:08:38,920 --> 01:08:43,400
Speaker 1: to look him up. The actor's name is Philip Bosco. Yes,

1256
01:08:43,840 --> 01:08:47,320
Speaker 1: I was like, I love this bus driver. He's like

1257
01:08:48,080 --> 01:08:51,640
Speaker 1: real hard ass, like he's not letting them, he's not

1258
01:08:51,720 --> 01:08:53,880
Speaker 1: letting them skate for nothing. He's like, you gotta stand

1259
01:08:53,880 --> 01:08:57,639
Speaker 1: behind the white line. You have to have exact change.

1260
01:08:57,800 --> 01:09:01,160
Speaker 2: He's so good, he's so good this bus. He's like,

1261
01:09:01,200 --> 01:09:03,919
Speaker 2: this bus is leaving in a minute and forty eight seconds,

1262
01:09:06,200 --> 01:09:08,000
Speaker 2: so if you want to go get exact change, that

1263
01:09:08,120 --> 01:09:09,760
Speaker 2: is how long you have. And he does. He goes

1264
01:09:09,760 --> 01:09:11,599
Speaker 2: to a bodega and the woman in front of him

1265
01:09:11,640 --> 01:09:14,600
Speaker 2: is taking forever. It's a very tense scene, but it

1266
01:09:14,680 --> 01:09:17,400
Speaker 2: is made so hilarious by Philip Osco, by this by

1267
01:09:17,400 --> 01:09:18,000
Speaker 2: this bus driver.

1268
01:09:18,240 --> 01:09:21,920
Speaker 1: Yeah. And also the cashier in the grocery store is

1269
01:09:22,479 --> 01:09:26,760
Speaker 1: the guy uh from Farbargo. Yeah yeah, And and the

1270
01:09:27,320 --> 01:09:30,800
Speaker 1: he was in the Wes Anderson movies, the most recent ones.

1271
01:09:30,840 --> 01:09:34,360
Speaker 1: I think it was an asteroid city. That was the

1272
01:09:34,479 --> 01:09:40,120
Speaker 1: French Dispatch maybe no Way, Yeah, yeah, yeah, Steve Stephen

1273
01:09:40,280 --> 01:09:41,559
Speaker 1: Park I think that's his name.

1274
01:09:42,240 --> 01:09:46,400
Speaker 2: But oh my goodness, Argo, he's hilarious too because he's

1275
01:09:46,439 --> 01:09:48,400
Speaker 2: just like I fucking told you, it's this guy, like

1276
01:09:48,479 --> 01:09:50,719
Speaker 2: he's just so fucking yeah.

1277
01:09:50,720 --> 01:09:53,960
Speaker 1: That's what I think I mean about the after Hours

1278
01:09:54,240 --> 01:09:57,320
Speaker 1: quality of this movie because it's like every person that

1279
01:09:57,479 --> 01:10:00,479
Speaker 1: plays like a background character is funny and memorable and weird,

1280
01:10:00,640 --> 01:10:03,080
Speaker 1: like at one point, like so like not just Stanley Tucci,

1281
01:10:03,160 --> 01:10:06,760
Speaker 1: but like at one point, like Phil Hartman shows up,

1282
01:10:06,920 --> 01:10:12,360
Speaker 1: at one point, kurtwood Smith shows up, Tony Shaloub. Yeah,

1283
01:10:12,439 --> 01:10:16,000
Speaker 1: Tony Shalub is like, I mean that obviously is such

1284
01:10:16,040 --> 01:10:18,160
Speaker 1: a great part for him too. But it's like, yeah,

1285
01:10:18,200 --> 01:10:20,640
Speaker 1: there's all these like character actors in the movie and

1286
01:10:20,680 --> 01:10:25,200
Speaker 1: it's like funny and absurd and yeah, yeah, totally totally great.

1287
01:10:25,680 --> 01:10:28,320
Speaker 2: It's wonderful, and they're layered in so that they're they're

1288
01:10:28,320 --> 01:10:32,240
Speaker 2: having these distinct experiences with each of these background characters,

1289
01:10:32,240 --> 01:10:34,960
Speaker 2: with these secondary characters, but then it's layered in in

1290
01:10:35,000 --> 01:10:37,600
Speaker 2: such a way that they there is so much interaction,

1291
01:10:37,680 --> 01:10:41,479
Speaker 2: there's so much crossing of paths, and it just it

1292
01:10:41,720 --> 01:10:45,679
Speaker 2: just cracks me up. There just again Geena Davis's reaction

1293
01:10:45,800 --> 01:10:48,519
Speaker 2: to everything, because they see a plane fly overhead at

1294
01:10:48,560 --> 01:10:50,760
Speaker 2: some point and they're like, is that our plane? And

1295
01:10:50,800 --> 01:10:52,439
Speaker 2: she goes, no, that was our plane. It would be

1296
01:10:52,439 --> 01:10:54,640
Speaker 2: on fire and crashing right now. Like she's just so

1297
01:10:55,240 --> 01:10:58,600
Speaker 2: deadpan and hilarious in this movie, and I just love it.

1298
01:10:58,640 --> 01:11:01,600
Speaker 2: I just it brings back fond memories of watching it

1299
01:11:01,640 --> 01:11:04,519
Speaker 2: as a kid. I think it again is like one

1300
01:11:04,520 --> 01:11:08,519
Speaker 2: of the first movies I saw that was really dryly sarcastic. Yes,

1301
01:11:09,520 --> 01:11:13,960
Speaker 2: and just so many fucking memorable lines like it is

1302
01:11:14,240 --> 01:11:17,679
Speaker 2: just good. It's just a good chill Sunday afternoon, relax

1303
01:11:17,720 --> 01:11:18,639
Speaker 2: and watch a funny movie.

1304
01:11:18,960 --> 01:11:21,479
Speaker 1: Yeah, this is definitely a movie that if I had

1305
01:11:21,520 --> 01:11:24,040
Speaker 1: seen it as a kid, I would have loved it too,

1306
01:11:24,040 --> 01:11:28,520
Speaker 1: because it's absurd. It's like kind of a farce, like

1307
01:11:28,520 --> 01:11:31,080
Speaker 1: like a lot of like characters, like even just like

1308
01:11:31,200 --> 01:11:34,240
Speaker 1: random weirdos, like the hippie guy that tries to get

1309
01:11:34,240 --> 01:11:36,000
Speaker 1: on the bus with a guitar but can't move to

1310
01:11:36,080 --> 01:11:41,040
Speaker 1: the door, like physical humor, absurdist humor, you know. And

1311
01:11:41,080 --> 01:11:44,320
Speaker 1: then you've got like absolutely dead pan Bill Murray and

1312
01:11:44,479 --> 01:11:51,440
Speaker 1: is like in the Prime, in the like Scrooged era prime. Yes, Yeah,

1313
01:11:51,680 --> 01:11:55,639
Speaker 1: totally great. I actually really enjoyed this movie, and I'm

1314
01:11:55,680 --> 01:11:58,320
Speaker 1: ashamed that I had just seen it recently for the

1315
01:11:58,320 --> 01:11:58,760
Speaker 1: first time.

1316
01:11:58,920 --> 01:12:01,280
Speaker 2: No, there's no such thing as too late, as we know.

1317
01:12:02,080 --> 01:12:06,240
Speaker 2: And I will also say that if you were lived

1318
01:12:06,240 --> 01:12:08,040
Speaker 2: in my house and you saw this movie as often

1319
01:12:08,080 --> 01:12:11,280
Speaker 2: as I as a kid with my brother, occasionally, just

1320
01:12:11,320 --> 01:12:14,000
Speaker 2: to make each other laugh, we would scream out Flores,

1321
01:12:14,000 --> 01:12:22,599
Speaker 2: poorlos Wertos because there's the scene of a woman just

1322
01:12:22,840 --> 01:12:27,040
Speaker 2: at their darkest hour. There's a woman who comes rolling

1323
01:12:27,080 --> 01:12:30,920
Speaker 2: through an alley carrying flowers in like a black lace

1324
01:12:31,040 --> 01:12:35,160
Speaker 2: veil and black dress, and Loomis is like, what is

1325
01:12:35,160 --> 01:12:39,519
Speaker 2: she saying? And grim knows what's coming, so he's like, yeah,

1326
01:12:39,520 --> 01:12:41,880
Speaker 2: I don't know, and Phyllis goes, oh, you know what

1327
01:12:41,920 --> 01:12:44,000
Speaker 2: he's saying. He's saying, flowers for the dead, and Lumis

1328
01:12:44,120 --> 01:12:47,040
Speaker 2: just breaks the fuck down, like physically, mentally everything. It

1329
01:12:47,120 --> 01:12:51,439
Speaker 2: is so fucking funny. Yeah, God, but yeah, it's just

1330
01:12:51,640 --> 01:12:56,439
Speaker 2: such a fun movie, just fun, jokey, absurd heists that

1331
01:12:56,479 --> 01:13:01,760
Speaker 2: goes wrong always my favorite genre. Yeah, like that the

1332
01:13:01,800 --> 01:13:04,679
Speaker 2: bank robbery was not the problem they had that figured out.

1333
01:13:04,680 --> 01:13:07,160
Speaker 2: What they didn't count on is that New York is

1334
01:13:07,200 --> 01:13:08,639
Speaker 2: a real motherfucker sometimes.

1335
01:13:09,040 --> 01:13:11,439
Speaker 1: Yeah, yeah, I think, like to your point, I think

1336
01:13:11,479 --> 01:13:14,960
Speaker 1: that that is my So when it comes to heist movies,

1337
01:13:15,280 --> 01:13:17,880
Speaker 1: I feel like we did it perfectly because you've got

1338
01:13:18,240 --> 01:13:23,439
Speaker 1: the very methodical, serious, silent heist, and then you've got

1339
01:13:23,439 --> 01:13:25,559
Speaker 1: the heighs that goes wrong, which are like my two

1340
01:13:25,560 --> 01:13:28,120
Speaker 1: favorite types of heist. It's either got to be super

1341
01:13:28,800 --> 01:13:34,720
Speaker 1: duper methodically serious with like every detail shown, or it's

1342
01:13:34,720 --> 01:13:40,400
Speaker 1: got to just fail spectacularly with like lots of lots

1343
01:13:40,439 --> 01:13:43,519
Speaker 1: of humor. Those are my two favors on opposite ends

1344
01:13:43,520 --> 01:13:44,280
Speaker 1: of the spectrum.

1345
01:13:44,479 --> 01:13:48,280
Speaker 2: Agree, agree, Agree, what a great double feech.

1346
01:13:49,400 --> 01:13:53,040
Speaker 1: Well, okay, guys, if you want to email us, we

1347
01:13:53,080 --> 01:13:56,479
Speaker 1: are at asag did pot at gmail dot com and

1348
01:13:56,960 --> 01:14:00,360
Speaker 1: we're still taking short questions for bonus episode, so we

1349
01:14:00,439 --> 01:14:02,639
Speaker 1: still have a po box if you want to send

1350
01:14:02,640 --> 01:14:03,679
Speaker 1: a snail mail.

1351
01:14:04,320 --> 01:14:06,759
Speaker 2: And you can find that address on our social media.

1352
01:14:06,920 --> 01:14:11,639
Speaker 2: There is a link tree on our Instagram, Blue Sky,

1353
01:14:11,800 --> 01:14:15,519
Speaker 2: and Twitter where we are at. I saw pod on

1354
01:14:15,640 --> 01:14:17,760
Speaker 2: all of them. I said that sentence so weird, but

1355
01:14:17,800 --> 01:14:18,360
Speaker 2: you get it.

1356
01:14:20,560 --> 01:14:22,639
Speaker 1: Powering down. We're both powering down.

1357
01:14:23,400 --> 01:14:28,439
Speaker 2: The coffee's wearing off, the sun is going down. You

1358
01:14:28,479 --> 01:14:30,479
Speaker 2: can also leave us a voicemail to play on the show.

1359
01:14:30,560 --> 01:14:32,519
Speaker 2: Of course, all you have to do is record a

1360
01:14:32,600 --> 01:14:34,680
Speaker 2: voice memo on your phone and email to you I

1361
01:14:34,720 --> 01:14:37,360
Speaker 2: saw it, you did pot at gmail dot com. Please

1362
01:14:37,400 --> 01:14:39,200
Speaker 2: make it sixty seconds or less, and please record it

1363
01:14:39,200 --> 01:14:39,920
Speaker 2: in a quiet space.

1364
01:14:40,120 --> 01:14:43,120
Speaker 1: That's right. And we also have merch as always go

1365
01:14:43,200 --> 01:14:46,559
Speaker 1: to exactly right store dot com if you want that shit.

1366
01:14:47,360 --> 01:14:49,400
Speaker 2: And we have new bonus episodes that drop in the

1367
01:14:49,400 --> 01:14:53,200
Speaker 2: main feed every third Thursday of the month. It might

1368
01:14:53,240 --> 01:14:54,840
Speaker 2: be this week, even might be tomorrow.

1369
01:14:54,880 --> 01:14:57,759
Speaker 1: I think it might be this week. Oh good lord,

1370
01:14:57,960 --> 01:15:01,400
Speaker 1: the name of this the next episodes which we can't

1371
01:15:01,439 --> 01:15:03,600
Speaker 1: reveal to you obviously.

1372
01:15:03,840 --> 01:15:07,560
Speaker 2: The theme is yet again. I went back and dabbled.

1373
01:15:10,760 --> 01:15:15,920
Speaker 1: Like, let's just get serious. You are the creative vision

1374
01:15:16,240 --> 01:15:19,719
Speaker 1: of our themes, like you have named them all except

1375
01:15:19,760 --> 01:15:20,720
Speaker 1: for like four.

1376
01:15:22,240 --> 01:15:22,360
Speaker 2: Right.

1377
01:15:22,479 --> 01:15:24,800
Speaker 1: True. Now, It's true you've named them all like for

1378
01:15:24,840 --> 01:15:28,680
Speaker 1: the most part, and I love that. I want that

1379
01:15:28,800 --> 01:15:33,400
Speaker 1: to happen because anytime I've named it, it's been extremely

1380
01:15:33,439 --> 01:15:35,519
Speaker 1: specific and not funny at all.

1381
01:15:35,720 --> 01:15:39,800
Speaker 2: So I'm gonna go back eventually and listen to every

1382
01:15:39,840 --> 01:15:43,519
Speaker 2: single episode from day one and guarantee that you have

1383
01:15:43,560 --> 01:15:45,040
Speaker 2: definitely come up. I know you've come up with some

1384
01:15:45,080 --> 01:15:46,880
Speaker 2: funny themes, but I get it. We're we have a

1385
01:15:46,920 --> 01:15:48,680
Speaker 2: different approach to our themory.

1386
01:15:48,920 --> 01:15:51,439
Speaker 1: Oh yeah, but maybe like once in a fucking blue moon.

1387
01:15:51,520 --> 01:15:55,720
Speaker 1: I mean, honestly, I love that you do it, So we're.

1388
01:15:56,800 --> 01:15:58,800
Speaker 2: Yeah, you have the wait till next week to find

1389
01:15:58,840 --> 01:16:00,800
Speaker 2: out what the theme is. But you want to tell

1390
01:16:00,840 --> 01:16:02,280
Speaker 2: them what the movies are so they can do their.

1391
01:16:02,160 --> 01:16:07,000
Speaker 1: Homework one hundred I will uh. Your movies are The

1392
01:16:07,120 --> 01:16:10,680
Speaker 1: Day Trippers from nineteen ninety seven and Party Girl from

1393
01:16:10,760 --> 01:16:11,960
Speaker 1: nineteen ninety five.

1394
01:16:13,360 --> 01:16:17,840
Speaker 2: Babe, bebe, We're gonna get some good guesses. I think

1395
01:16:17,880 --> 01:16:18,880
Speaker 2: on that one.

1396
01:16:18,880 --> 01:16:23,040
Speaker 1: I truly agree Daniel. It's always a fucking pleasure doing

1397
01:16:23,120 --> 01:16:24,200
Speaker 1: this podcast with you.

1398
01:16:24,880 --> 01:16:29,479
Speaker 2: The goddamn a best check your trans foot check your

1399
01:16:29,520 --> 01:16:33,559
Speaker 2: trans foot A.

1400
01:16:36,080 --> 01:16:38,040
Speaker 1: Trench foots should be the last words of our podcast

1401
01:16:38,040 --> 01:16:49,639
Speaker 1: every episode.

1402
01:16:51,920 --> 01:16:54,599
Speaker 2: This has been an exactly right production. Our senior producer

1403
01:16:54,640 --> 01:16:58,480
Speaker 2: is Casey O'Brien. Episode mixing and theme music by Tom Bryfogel,

1404
01:16:58,760 --> 01:17:02,519
Speaker 2: artwork by Garrett Ross. Our executive producers are Georgia Hartstart,

1405
01:17:02,560 --> 01:17:05,320
Speaker 2: Karen Kilgarriff, and Daniel Kramer. You can follow us on

1406
01:17:05,360 --> 01:17:08,360
Speaker 2: Instagram and Twitter at I Saw Pod, and you can

1407
01:17:08,400 --> 01:17:10,679
Speaker 2: email us at I Saw What you Did Pod at

1408
01:17:10,720 --> 01:17:11,120
Speaker 2: gmail