WEBVTT - Weirdhouse Cinema: The Humanoid

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<v Speaker 1>Welcome to Stuff to Blow your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Weird House Cinema. This is Rob Lamb.

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<v Speaker 3>And this is Joe McCormick, and it's Star Wars Clone

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<v Speaker 3>week here on Weird House Cinema. We just did a

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<v Speaker 3>week of regular episodes concerning Star Wars on Tuesday and Thursday,

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<v Speaker 3>and so we figured we would look into yet another

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<v Speaker 3>ripoff of the George Lucas classic Star Wars. This will

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<v Speaker 3>actually not even be the first Star Wars clone we're

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<v Speaker 3>doing on Weird House Cinema because a few months back

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<v Speaker 3>we watched Message from Space, which I absolutely adored. It was,

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<v Speaker 3>you know, like many movies of the late seventies, a

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<v Speaker 3>blatant ripoff of Star Wars, but it brought a lot

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<v Speaker 3>of its own weirdness and texture. I remember it had

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<v Speaker 3>some really beautiful, highly colorful costumes and great sets and stuff.

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<v Speaker 3>Today we're looking at a dirtier, dustier, more drab attempt

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<v Speaker 3>to rip off Star Wars of a more Italian persuasion.

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<v Speaker 3>But this one's got a lot of pleasures of its own. Yeah.

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<v Speaker 2>Now, but before we get into it, I do want

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<v Speaker 2>to speak just a little bit more about the idea

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<v Speaker 2>of the Star Wars ripoff, because there's kind of this,

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<v Speaker 2>I mean, it's almost kind of like a wave effect

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<v Speaker 2>through cinema after Star Wars comes out, because the nineteen

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<v Speaker 2>seventy seven original film that is often known today as

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<v Speaker 2>Star Wars a New Hope, you know, it really set

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<v Speaker 2>the world on fire. It created this global phenomenon. But

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<v Speaker 2>then it also it opened the door for various filmmakers

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<v Speaker 2>to come in and in some cases, you know, just

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<v Speaker 2>blatantly try and get in on the cash grab to

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<v Speaker 2>get some of that Star Wars energy and some of

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<v Speaker 2>that Star Wars money.

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<v Speaker 3>Other times it.

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<v Speaker 2>Just allowed projects that would not have come to light

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<v Speaker 2>to actually take form, you know, like because the people

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<v Speaker 2>with the money realized, Hey, look at this. People are

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<v Speaker 2>lining up to see stuff that's fantastic, stuff that's got

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<v Speaker 2>space in it. Hey, what do we have lined up

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<v Speaker 2>that has space in it? And so I think sometimes

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<v Speaker 2>you see this with other hits as well, Like you'll

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<v Speaker 2>see projects that that maybe at some point in their

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<v Speaker 2>development they weren't as Star Wars y, but maybe they

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<v Speaker 2>got Star Wars up.

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<v Speaker 3>Or you'll see a Star Wars.

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<v Speaker 2>The project that you know, has a lot of knockoff

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<v Speaker 2>elements in it, but then also some original ideas or

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<v Speaker 2>maybe ideas at least inspired by other properties in there.

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<v Speaker 2>So they're often really fun to look at because you

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<v Speaker 2>never know exactly what you're gonna find once you really

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<v Speaker 2>immerse yourself in it, once you sort of wage your

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<v Speaker 2>way through the initial like seaweed of just of just

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<v Speaker 2>you know, utter Star warseness, and get out into the

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<v Speaker 2>perhaps the more original aspects of the picture.

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<v Speaker 3>Yeah, there are a few different things you can look

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<v Speaker 3>at here. I mean, one is, as you say, I

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<v Speaker 3>think Star Wars helped sort of push the door wide

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<v Speaker 3>or open for big budget mainstreams science fiction and fantasy.

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<v Speaker 3>You know, the idea is, okay, plenty of people in

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<v Speaker 3>the public are hungry for this sort of thing. People

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<v Speaker 3>went and saw Star Wars twenty times in the theater.

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<v Speaker 3>You know, we can make big budget sci fi and

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<v Speaker 3>fantasy movies and they can be a huge hit. The

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<v Speaker 3>other thing is, as you say, movies that are not

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<v Speaker 3>really Star wars y in any sense, except you get

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<v Speaker 3>the feeling somebody was like, hey, what if we Star

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<v Speaker 3>warsed up this thing just a little bit. So one

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<v Speaker 3>example that I think of that we'll have several connections

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<v Speaker 3>to today's movie. Is the James Bond film Moonraker from

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<v Speaker 3>nineteen seventy nine, starring Roger Moore, the driest and goobriest

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<v Speaker 3>of James Bond's and starring several cast members of the

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<v Speaker 3>movie we're looking at today, which is in many respects

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<v Speaker 3>just a bad James Bond movie. Like it's very goofy.

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<v Speaker 3>It's the James Bond movie where a pigeon does a

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<v Speaker 3>double take. But also it has a space battle in

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<v Speaker 3>the end of it. There are and you just really

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<v Speaker 3>get the feelings. But he was like, hey, could we

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<v Speaker 3>you know, could we like han solo this up just

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<v Speaker 3>a bit. So you've got Michael Lonsdale playing the villain

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<v Speaker 3>Hugo Drax, and Moonraker and his soldiers go out on

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<v Speaker 3>a spacewalk where they're shooting lasers at these I think,

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<v Speaker 3>I don't know US or British soldiers who were space

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<v Speaker 3>soldiers shooting lasers. I mean, obviously no forces of the

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<v Speaker 3>kind existed at this time, but but I think they

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<v Speaker 3>just wanted to get in on some of that Lucas magic.

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<v Speaker 3>And and this is what we ended up with.

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<v Speaker 2>Moonraker is a Bond film that there was a time

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<v Speaker 2>in my life where I thought I would have said

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<v Speaker 2>it was the worst Bond film. I'm now at the

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<v Speaker 2>point in my life where I can, without a shadow

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<v Speaker 2>of a doubt say it is the best Bond film,

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<v Speaker 2>and it will never be surpassed.

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<v Speaker 3>It is one of the most rewatchable of Bond films

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<v Speaker 3>because it is absolutely ludicrous and tonally all over the

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<v Speaker 3>place in a way that most James Bond movies aren't.

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<v Speaker 3>I mean the earlier James Bond movies, you know, they

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<v Speaker 3>had a more kind of realistic, sardonic, cynical edge, a

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<v Speaker 3>kind of mean sense of humor and all that. Moonraker.

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<v Speaker 3>It's like got this ridiculous, hilarious subplot where Jaws, the

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<v Speaker 3>assassin who kills people by biting their necks, falls in

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<v Speaker 3>love with a woman with braces. But then on the

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<v Speaker 3>other hand, it's got like really dark stuff in it,

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<v Speaker 3>like the villain kills people by sicking dogs on them.

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<v Speaker 3>Is brutal.

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<v Speaker 2>Yeah, yeah, yeah, brutal dog scenes. Michael Lonsdale, who I

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<v Speaker 2>love in that and everything. He would fit into this

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<v Speaker 2>movie that we're going to discuss today, because Michael Lonsdale

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<v Speaker 2>has that wonderful, like low energy performance style like he's in.

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<v Speaker 2>He's been in many films over the years, but he's

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<v Speaker 2>in the original film adaptation of the Name of the Rose,

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<v Speaker 2>playing the abbot, and he's great in that. But he's

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<v Speaker 2>so low energy. There are times where I can't quite

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<v Speaker 2>understand what he's even saying. He's practically mumbling. But what

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<v Speaker 2>a vision learned of his on accord. I don't know

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<v Speaker 2>what you said, Michael Lonsdale, but I love it. I

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<v Speaker 2>still love your energy.

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<v Speaker 3>I think you will find mister.

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<v Speaker 2>It's yeah, and it's like, what, I can't hear your

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<v Speaker 2>villainous monologue because it's so you're hitting such a low

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<v Speaker 2>energy level there.

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<v Speaker 3>Yeah. Oh, But to come back to what you were

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<v Speaker 3>saying earlier, speaking of low energy, we should get to

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<v Speaker 3>this Star Wars ripoff that we're looking at today, because,

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<v Speaker 3>of course, the other class of films is just movies

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<v Speaker 3>that blatantly rip off Star Wars. They're not like taking

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<v Speaker 3>a pre existing movie concept and trying to Star Wars

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<v Speaker 3>it up a bit. They're instead taking elements from Star

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<v Speaker 3>Wars and saying, Okay, if we were to directly rip

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<v Speaker 3>off the Darth Vader suit, how could we write a

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<v Speaker 3>movie around a character who wears that suit.

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<v Speaker 2>Yeah, yeah, exactly. That's the caliber of film we're dealing

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<v Speaker 2>with today. It is nineteen seventy nine's the Humanoid?

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<v Speaker 3>The Humanoid?

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<v Speaker 2>Yes, the basic elevator pitch here is in an attempt

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<v Speaker 2>to overthrow the planet Metropolis, which is our planet. But

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<v Speaker 2>in the future, the evil warlord Grawl turns to a

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<v Speaker 2>doctor with a recipe for the perfect super soldier, which

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<v Speaker 2>you're probably saying, that doesn't sound like Star Wars at all. Well,

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<v Speaker 2>the basic plot, yeah, is not very Star Wars. And

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<v Speaker 2>we'll get into what that means here in a bit.

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<v Speaker 3>What's it some of that trailer audio?

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<v Speaker 2>I'm the little option me only tend to see you.

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<v Speaker 3>Shut up all right now.

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<v Speaker 2>I'm not sure how much we really got out of

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<v Speaker 2>that trailer audio because I think, given our choices, that

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<v Speaker 2>was either mostly all music or that was in Italian.

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<v Speaker 3>See what we were able to pull together. I think

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<v Speaker 3>I found a trailer that had some English narration, but

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<v Speaker 3>maybe it's not original. I don't know. We'll we'll work

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<v Speaker 3>that out in post. It'll depend you you've already heard it.

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<v Speaker 3>Whatever it is, Ye, it's one.

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<v Speaker 2>This is one of those films where it's it's I

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<v Speaker 2>was having trouble finding the trailer, but what I would

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<v Speaker 2>find on YouTube is just uploads of the entire film,

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<v Speaker 2>uploads that have been on YouTube for you know, half

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<v Speaker 2>a decade or so, or you know, approaching ten years.

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<v Speaker 3>In some cases, they do not have their lawyers on

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<v Speaker 3>the case of the Humanoid. Yeah. Now, as we get

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<v Speaker 3>into the connections on this movie, there's something that you

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<v Speaker 3>should know from the get go, which is that this

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<v Speaker 3>movie has extensive Roger Moore era Bond overlap. It has

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<v Speaker 3>no less than three major cast members who were in

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<v Speaker 3>back to back Roger Moore James Bond movies. Yeah.

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<v Speaker 2>Yeah, so it's kind of a fun exercise and looking

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<v Speaker 2>at the like the Moonreaker casting especially.

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<v Speaker 3>Okay, so who directed this?

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<v Speaker 2>All right, so this was directed by Aldo Laddo. Credited

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<v Speaker 2>I believe is George B. Lewis, which sometimes argued that

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<v Speaker 2>that was because it kind of sounds like George Lucas.

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<v Speaker 2>I don't know, but anyway, it's like.

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<v Speaker 3>They were trying to do the trans Morpher's thing. What

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<v Speaker 3>is like these asylum studios?

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<v Speaker 2>Yeah, yeah, maybe, but anyway. A Alatto was born in

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<v Speaker 2>nineteen thirty four. I will say this is we look

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<v Speaker 2>at a lot of films, and certainly some older films too,

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<v Speaker 2>where like everybody's dead or most of the people were dead.

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<v Speaker 2>I was kind of surprised at how many folks are

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<v Speaker 2>still kicking from this one. I don't know if they were,

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<v Speaker 2>you know, getting some of that Iron Maiden Fountain of

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<v Speaker 2>Youth's sci fi juice from the plot of this film,

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<v Speaker 2>but a lot of folks are hanging in there that

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<v Speaker 2>were involved in this anyway. Laddo was an Italian writer

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<v Speaker 2>and director, perhaps best known, at least in some circles,

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<v Speaker 2>for writing and directing short Night of Glass Dolls from

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<v Speaker 2>nineteen seventy one, horror movie that also featured Barber Bach

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<v Speaker 2>who will get to in a bed?

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<v Speaker 3>Who is in this?

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<v Speaker 2>And he also did an assortment of thrillers for TV

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<v Speaker 2>and cinema.

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<v Speaker 3>I'm not really super familiar with this guy, but there's

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<v Speaker 3>a guy we're coming up on that fans of weird

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<v Speaker 3>House cinema will recognize. Yeah.

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<v Speaker 2>So apparently Zog Castellari did some uncredited directing on this.

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<v Speaker 2>Now he was born in nineteen thirty eight, still alive

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<v Speaker 2>as of this recording, and he apparently did the opening

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<v Speaker 2>assault sequence in this film. We've mentioned him on the

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<v Speaker 2>show before because he directed nineteen eighty three's Warriors of

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<v Speaker 2>the Wasteland, eighty two's nineteen ninety The Bronx Warriors, and

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<v Speaker 2>nineteen eighty threes Escaped from the Bronx, all wonderful Italian

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<v Speaker 2>post apocalyptic films. He also did nineteen eighty one's The

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<v Speaker 2>Last Shark, starring.

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<v Speaker 3>Vic Morrow, who was in Message from Space.

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<v Speaker 2>Yeah, The Last Shark is a Jaws rip off essentially

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<v Speaker 2>in which Vic Morrow plays, well, what's the character from Jaws,

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<v Speaker 2>the old guy Quinn. Yeah, he'd be essentially played Quinn,

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<v Speaker 2>and then he Castellaria also directed The Inglorious Bastards from

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<v Speaker 2>nineteen seventy eight.

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<v Speaker 3>So Castellari has been mentioned on this show before because

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<v Speaker 3>we talked about him in the episode Hands of Steel,

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<v Speaker 3>where I think there was an extensive overlap with his

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<v Speaker 3>work there. I don't know, did he actually work on

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<v Speaker 3>Hands of Steel or did it just have a lot

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<v Speaker 3>of his regular actors, And.

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<v Speaker 2>I think it was just the connection to Georgia Eastman

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<v Speaker 2>and also the connection to the music of Goblin and Okay, yeah,

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<v Speaker 2>I think I think that was the main thing. I

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<v Speaker 2>don't know that we've actually covered an NZG costellary picture

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<v Speaker 2>on Weird House, or at least not yet, but hopefully we'll.

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<v Speaker 3>Get to one. L Ultimo squalo all right.

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<v Speaker 2>There are various writers involved on this one, but I'm

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<v Speaker 2>just going to mention in passing that Adriano Balzani was

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<v Speaker 2>on here, who lived nineteen nineteen through two thousand and five.

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<v Speaker 2>He was also one of the writers on nineteen sixty

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<v Speaker 2>four's A Fistful of Dollars spaghetti western classic.

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<v Speaker 3>Now there's a term I'd never come across before, but

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<v Speaker 3>it makes sense because I think there were a number

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<v Speaker 3>of Italian Star Wars clones in the late seventies, and

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<v Speaker 3>that term was It was actually on a website that

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<v Speaker 3>we were both looking at. The term is spaghetti star Wars.

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<v Speaker 2>Ha Well, I missed that. I was looking at that website,

0:12:18.160 --> 0:12:20.280
<v Speaker 2>but I missed that term. I think that would be

0:12:20.280 --> 0:12:21.720
<v Speaker 2>be accurate spaghetti star Wars.

0:12:21.800 --> 0:12:24.840
<v Speaker 3>I like it. Now, getting into the actual cast, we

0:12:24.880 --> 0:12:28.280
<v Speaker 3>should introduce the real star of this film. You want

0:12:28.320 --> 0:12:32.800
<v Speaker 3>somebody with just like unbeatable charisma, a screen presence that

0:12:33.480 --> 0:12:36.520
<v Speaker 3>sucks you in and you're hanging on their every word,

0:12:36.880 --> 0:12:39.959
<v Speaker 3>and so who'd they get. They got Richard Keel, who

0:12:40.040 --> 0:12:42.200
<v Speaker 3>played Jaws in the James Bond movies.

0:12:42.679 --> 0:12:44.640
<v Speaker 2>Yeah, and this isn't just a case where we were

0:12:44.679 --> 0:12:47.000
<v Speaker 2>most familiar with him, and so we're saying he's the star. No,

0:12:47.160 --> 0:12:49.320
<v Speaker 2>they said he's the star. He had top billing, like

0:12:49.400 --> 0:12:50.640
<v Speaker 2>he's the star of this picture.

0:12:52.040 --> 0:12:54.360
<v Speaker 3>I mean he'd gotten top billing in something before. I

0:12:54.360 --> 0:12:56.040
<v Speaker 3>think he got top billion ega.

0:12:56.480 --> 0:12:58.720
<v Speaker 2>Well yeah, yeah, and that was years earlier. That was

0:12:58.840 --> 0:13:03.840
<v Speaker 2>nineteen sixty two. So yeah, Richard Keel who lived nineteen

0:13:03.880 --> 0:13:08.760
<v Speaker 2>thirty nine through twenty fourteen. So he's a giant of

0:13:08.800 --> 0:13:13.880
<v Speaker 2>a man. He had the medical condition acromegaly and thus

0:13:13.960 --> 0:13:16.959
<v Speaker 2>attained the height of seven to two in his life,

0:13:16.960 --> 0:13:19.680
<v Speaker 2>which in show business that's like being nine feet tall,

0:13:19.760 --> 0:13:22.120
<v Speaker 2>you know. I mean, you see people who are like six'

0:13:22.240 --> 0:13:26.720
<v Speaker 2>eight and if you don't put their coworkers on apple,

0:13:26.720 --> 0:13:30.120
<v Speaker 2>boxes then they're you, know they come off like. Giants

0:13:30.120 --> 0:13:33.520
<v Speaker 2>but But keel was an extremely tall, man and he

0:13:33.559 --> 0:13:37.160
<v Speaker 2>also had a very signature. Look you know that in

0:13:37.240 --> 0:13:40.080
<v Speaker 2>part due to his condition that certainly played well with monster.

0:13:40.200 --> 0:13:42.280
<v Speaker 2>Makeup THOUGH i think it's also fair to say that

0:13:42.320 --> 0:13:44.160
<v Speaker 2>he was still a very handsome. Guy by most.

0:13:44.160 --> 0:13:47.240
<v Speaker 3>Standards, YEAH i, say he especially looks good with the,

0:13:47.280 --> 0:13:50.040
<v Speaker 3>beard which they give him in part of this, film

0:13:50.080 --> 0:13:52.480
<v Speaker 3>but not the whole. Thing and the beard is like

0:13:52.600 --> 0:13:55.360
<v Speaker 3>an on off switch that indicates in this movie whether

0:13:55.400 --> 0:13:57.920
<v Speaker 3>he's in regular human mode or in humanoid.

0:13:58.040 --> 0:14:01.040
<v Speaker 2>Mode, yeah so he gets to both in this which

0:14:01.080 --> 0:14:02.520
<v Speaker 2>is kind of fun because a lot of times he

0:14:02.600 --> 0:14:06.800
<v Speaker 2>was playing monsters and, heavies you, know and in this

0:14:06.880 --> 0:14:08.920
<v Speaker 2>he does get to play the snarling. Monster but he

0:14:08.920 --> 0:14:12.960
<v Speaker 2>also plays this, likable, big kind of goofy bearded, guy you.

0:14:12.960 --> 0:14:17.000
<v Speaker 2>Know And i'm not saying that that's Where keel's acting strength,

0:14:17.480 --> 0:14:20.280
<v Speaker 2>was but he's still it's kind of neat to watch.

0:14:20.360 --> 0:14:23.120
<v Speaker 3>Him oh He's, Yeah i'd never seen him playing just

0:14:23.160 --> 0:14:25.440
<v Speaker 3>like a regular guy, before but in the parts of

0:14:25.440 --> 0:14:27.640
<v Speaker 3>this movie where he's just you, know he's just some space.

0:14:27.680 --> 0:14:29.560
<v Speaker 3>Trucker he's just a regular dude out there in a.

0:14:29.600 --> 0:14:33.640
<v Speaker 3>Spaceship he's quite. Likable actually he's. Not, again AS i was,

0:14:33.720 --> 0:14:36.760
<v Speaker 3>JOKING i, mean he's not somebody who has natural like screen,

0:14:36.840 --> 0:14:39.880
<v Speaker 3>charisma but he comes off his suite. Likable you, know

0:14:39.920 --> 0:14:40.840
<v Speaker 3>you would be friends with this.

0:14:40.920 --> 0:14:44.360
<v Speaker 2>Dude, yeah and we do have to against distress his

0:14:44.440 --> 0:14:49.600
<v Speaker 2>importance in The bond movie series because he Played jaws

0:14:49.640 --> 0:14:52.080
<v Speaker 2>in two, films not Only moonraker but Also The Spy

0:14:52.120 --> 0:14:55.440
<v Speaker 2>Who Loved me from nineteen seventy, Seven so they brought him.

0:14:55.480 --> 0:14:58.200
<v Speaker 2>Back you, know you see, that of course With bond

0:14:58.280 --> 0:15:01.360
<v Speaker 2>himself and some Of bond's auxiliary, characters and you, know

0:15:01.400 --> 0:15:06.000
<v Speaker 2>occasionally with the main, villain like A blowfield comes back

0:15:06.000 --> 0:15:06.280
<v Speaker 2>over in.

0:15:06.280 --> 0:15:07.600
<v Speaker 3>A low, field.

0:15:10.560 --> 0:15:14.680
<v Speaker 2>The bald guy's Since i've watched the guy who is

0:15:14.760 --> 0:15:19.280
<v Speaker 2>Sometimes Donald, pleasants but also many times sadly Not Donald.

0:15:19.280 --> 0:15:20.720
<v Speaker 3>Pleasants sometimes He's Charles.

0:15:20.760 --> 0:15:25.760
<v Speaker 2>Gray oh, okay, well when he Was Charles Charles gray

0:15:25.840 --> 0:15:28.480
<v Speaker 2>was pretty. GOOD i, MEAN i pretend to have good

0:15:28.520 --> 0:15:31.440
<v Speaker 2>actors play, him but Still pleasance was the was the.

0:15:31.480 --> 0:15:34.520
<v Speaker 3>Best the weird thing, IS i feel like how MUCH

0:15:34.560 --> 0:15:38.240
<v Speaker 3>i enjoy the actor Playing blowfeld is directly correlated to

0:15:38.360 --> 0:15:41.800
<v Speaker 3>how silly the actor Playing blofeld. Is SO i REALLY

0:15:41.840 --> 0:15:44.240
<v Speaker 3>i really like the silly. ONES i Like Donald, PLEASANCE

0:15:44.280 --> 0:15:47.760
<v Speaker 3>i Like Charles. GRAY i THINK i Like Telly. Savalis

0:15:47.840 --> 0:15:48.440
<v Speaker 3>when When.

0:15:49.480 --> 0:15:51.960
<v Speaker 2>Telly was a different type of a, villain BUT i liked.

0:15:52.000 --> 0:15:53.360
<v Speaker 2>Him who plays him in the newer?

0:15:53.360 --> 0:15:56.200
<v Speaker 3>Ones oh, well they Got Christoph waltz to Play, inspector

0:15:56.240 --> 0:15:58.920
<v Speaker 3>which would have been great casting if the role had been. Written,

0:15:58.960 --> 0:16:02.680
<v Speaker 3>well but that movie was just a snoozefest A. SPECTER

0:16:02.840 --> 0:16:04.760
<v Speaker 3>i don't know if you saw. IT i have never seen. It,

0:16:04.800 --> 0:16:07.920
<v Speaker 3>NO i found it incredibly, boring not very good at.

0:16:07.920 --> 0:16:11.400
<v Speaker 3>All but but But christoph fold's great casting choice if

0:16:11.400 --> 0:16:12.600
<v Speaker 3>you give him something interesting to.

0:16:12.680 --> 0:16:16.200
<v Speaker 2>Do. YEAH i haven't seen a New bond film Since Casino.

0:16:16.280 --> 0:16:18.920
<v Speaker 2>Royale OH i like that, One, yeah like. It mad's

0:16:19.000 --> 0:16:19.360
<v Speaker 2>was great in.

0:16:19.440 --> 0:16:22.880
<v Speaker 3>That. Yeah my advice is stick with the odd. Numbers

0:16:23.200 --> 0:16:26.960
<v Speaker 3>Skip quantum Of, solace c Sky. Fall that one's. Good Skip. Specter,

0:16:27.560 --> 0:16:28.280
<v Speaker 3>okay good to.

0:16:28.360 --> 0:16:30.760
<v Speaker 2>Know of, course all of these, MOVIES i THINK i

0:16:30.800 --> 0:16:35.880
<v Speaker 2>can just safely say they needed More. Jaws but at any,

0:16:35.960 --> 0:16:38.840
<v Speaker 2>rate you, know jaws't hasn't been around in A bond

0:16:38.840 --> 0:16:40.720
<v Speaker 2>film for a. WHILE i don't think they've quite decided

0:16:40.760 --> 0:16:42.760
<v Speaker 2>to bring him, back though they've kind of echoed that

0:16:42.960 --> 0:16:46.000
<v Speaker 2>sort of second in command HEAVY i think in some

0:16:46.040 --> 0:16:47.040
<v Speaker 2>of the more recent ones as.

0:16:47.040 --> 0:16:48.520
<v Speaker 3>Well who would be the New?

0:16:48.680 --> 0:16:51.760
<v Speaker 2>JAWS i mean it's hard to. DO i, mean what

0:16:51.800 --> 0:16:54.760
<v Speaker 2>do you certainly there are other big guys you could

0:16:54.840 --> 0:16:58.360
<v Speaker 2>you could hire to be a new version Of. Jaws

0:16:58.440 --> 0:17:01.520
<v Speaker 2>BUT i don't. Know the thing Is keel had that.

0:17:01.640 --> 0:17:03.560
<v Speaker 2>MAGIC i, mean you, could you could get you, know

0:17:03.680 --> 0:17:06.600
<v Speaker 2>various super big wrestlers to step in and play the.

0:17:06.680 --> 0:17:09.520
<v Speaker 2>Role BUT i don't. Know keel was. Likable AND i

0:17:09.520 --> 0:17:11.200
<v Speaker 2>think that's one of the things that shines through In,

0:17:11.280 --> 0:17:14.560
<v Speaker 2>Moonraker like they clearly, realize let's bring this guy back

0:17:14.600 --> 0:17:17.480
<v Speaker 2>and people like. Him and he looks you, know he's

0:17:17.560 --> 0:17:19.520
<v Speaker 2>kind of a gentle he has this gentle giant. Vibe

0:17:19.600 --> 0:17:21.320
<v Speaker 2>let's lean into. That let's have him fall in love

0:17:21.359 --> 0:17:22.680
<v Speaker 2>with a girl in braces on a space.

0:17:22.680 --> 0:17:25.080
<v Speaker 3>Ship. OH i, mean it's a classic evolution of a

0:17:25.119 --> 0:17:28.000
<v Speaker 3>villain character across a multiple film arc because when he

0:17:28.040 --> 0:17:31.240
<v Speaker 3>comes in In Spy Who Loved, me he's actually rather.

0:17:31.320 --> 0:17:33.720
<v Speaker 3>MENACING i, mean he murders people in a way that

0:17:33.760 --> 0:17:36.760
<v Speaker 3>is kind of. Creepy they're not playing him for laughs,

0:17:36.840 --> 0:17:39.440
<v Speaker 3>Yet but as with the arc of Say Freddy, krueger

0:17:39.560 --> 0:17:42.120
<v Speaker 3>he becomes more a source of comedy as the as

0:17:42.119 --> 0:17:42.720
<v Speaker 3>the films go.

0:17:42.840 --> 0:17:45.240
<v Speaker 2>On, yeah why didn't he get a spin? Off that's

0:17:45.280 --> 0:17:46.160
<v Speaker 2>that's the thing that gets.

0:17:46.200 --> 0:17:50.480
<v Speaker 3>Me oh my, God Agent, jaws he, goes he goes

0:17:50.520 --> 0:17:52.879
<v Speaker 3>to work FOR i, six he becomes like double oh

0:17:52.960 --> 0:17:55.560
<v Speaker 3>two or, whatever and, yeah they send him on missions

0:17:55.560 --> 0:17:57.639
<v Speaker 3>where he always ends up biting the bad guy's.

0:17:57.680 --> 0:18:00.400
<v Speaker 2>Neck, yeah maybe he could be double oh fourteen since

0:18:00.400 --> 0:18:00.960
<v Speaker 2>he's twice as.

0:18:01.040 --> 0:18:02.199
<v Speaker 3>TALL i don't, know very.

0:18:02.240 --> 0:18:05.359
<v Speaker 2>Good so, Anyway keel was in many other things as.

0:18:05.400 --> 0:18:08.639
<v Speaker 2>Well we already Mentioned IgA from sixty. Two he was

0:18:08.680 --> 0:18:11.680
<v Speaker 2>the ALIEN i believe what is cannimate from the Classic

0:18:11.720 --> 0:18:14.320
<v Speaker 2>Twilight zone episode To Serve, man WHICH.

0:18:14.080 --> 0:18:15.400
<v Speaker 3>I know is one of your, Favorites. Joe.

0:18:15.560 --> 0:18:17.560
<v Speaker 2>Oh. Yeah but he also did a ton OF tv,

0:18:17.680 --> 0:18:19.560
<v Speaker 2>work like he was just popping up on, everything like

0:18:19.600 --> 0:18:22.920
<v Speaker 2>hell pop up On Gilligan's. Island so anytime you needed

0:18:23.400 --> 0:18:26.040
<v Speaker 2>a giant or a likable big, guy there's a chance

0:18:26.280 --> 0:18:28.399
<v Speaker 2>That Richard keel would wander into the.

0:18:28.400 --> 0:18:30.840
<v Speaker 3>SHOT i know he was cast in this, movie so

0:18:30.880 --> 0:18:33.840
<v Speaker 3>they could have him turning into the humanoid and hulking.

0:18:33.880 --> 0:18:36.560
<v Speaker 3>Out BUT i would have enjoyed having more of the

0:18:36.600 --> 0:18:39.840
<v Speaker 3>movie with him in regular mode with his cute little robot,

0:18:39.840 --> 0:18:42.119
<v Speaker 3>friend because in this movie he's got a robot dog

0:18:42.240 --> 0:18:44.959
<v Speaker 3>that is. Adorable, yeah, YEAH i love that robot.

0:18:45.000 --> 0:18:47.280
<v Speaker 2>Dog we'll talk about it a bit in a Bit

0:18:47.840 --> 0:18:50.359
<v Speaker 2>in a second, here but let's move on to some

0:18:50.400 --> 0:18:53.360
<v Speaker 2>of the other actors in this. Film the next one

0:18:53.440 --> 0:18:58.040
<v Speaker 2>is also A bond. Connection it's the Actor Corene, clary

0:18:58.520 --> 0:19:01.240
<v Speaker 2>who was born in nineteen fifty still alive as of this,

0:19:01.320 --> 0:19:07.600
<v Speaker 2>recording plays the space character the sci fi Character Barbara.

0:19:07.640 --> 0:19:11.439
<v Speaker 3>Gibson it's. GREAT i love how this movie has a

0:19:11.480 --> 0:19:16.040
<v Speaker 3>scene where a character Named Lord grawl sends his forces

0:19:16.080 --> 0:19:19.920
<v Speaker 3>to Kill Barbara. Gibson. Yeah it reminds me of When

0:19:20.000 --> 0:19:23.040
<v Speaker 3>Darth vader took out his lightsaber to go assassinate The

0:19:23.080 --> 0:19:25.040
<v Speaker 3>jedi Master Fred. Nelson.

0:19:26.480 --> 0:19:29.960
<v Speaker 2>YEAH i, mean this is not The lucas approach to naming.

0:19:30.040 --> 0:19:32.840
<v Speaker 2>Characters this is not Even David cronenberg approach to naming.

0:19:32.920 --> 0:19:36.480
<v Speaker 2>CHARACTERS i was, Thinking Barbara gibson sounds like the name

0:19:36.600 --> 0:19:39.439
<v Speaker 2>that a child would give their imaginary friend if that

0:19:39.480 --> 0:19:45.720
<v Speaker 2>imaginary friend were like a stereotypical. Adult but, Anyway cleary.

0:19:46.080 --> 0:19:49.000
<v Speaker 2>Was she was In moonraker as well as the story

0:19:49.000 --> 0:19:52.320
<v Speaker 2>OF o from nineteen seventy, five And You're The hunter

0:19:52.359 --> 0:19:53.880
<v Speaker 2>from The future from nineteen eighty.

0:19:53.880 --> 0:19:56.520
<v Speaker 3>Three Your hunter from The future is an all time

0:19:56.640 --> 0:19:59.960
<v Speaker 3>great leather Diaper barbarian. Movie, yes, yeah and it will

0:20:00.080 --> 0:20:00.359
<v Speaker 3>come up.

0:20:00.400 --> 0:20:03.080
<v Speaker 2>Again it is connected in several ways to this.

0:20:03.160 --> 0:20:06.920
<v Speaker 3>Picture it's one of the best ludicrous barbarian movies because

0:20:07.560 --> 0:20:11.359
<v Speaker 3>it is simultaneously A conan ripoff and A Star wars.

0:20:11.480 --> 0:20:15.520
<v Speaker 3>Ripoff so it stars the guy From Space, mutiny Reb,

0:20:15.560 --> 0:20:18.760
<v Speaker 3>brown you, know a blast hard, cheese and he's wearing

0:20:18.760 --> 0:20:21.720
<v Speaker 3>the leather diaper and running around like killing dinosaurs with a.

0:20:21.760 --> 0:20:23.800
<v Speaker 3>Hammer but then at the end of the movie he

0:20:23.840 --> 0:20:26.959
<v Speaker 3>has to Fight Darth. Vader all.

0:20:27.040 --> 0:20:30.520
<v Speaker 2>Right the next Character Leonard, mann who Plays nick born

0:20:30.600 --> 0:20:34.240
<v Speaker 2>nineteen forty, Seven american actor who was also in eighty

0:20:34.320 --> 0:20:36.760
<v Speaker 2>Seven flowers in The attic in nineteen eighty One's Night,

0:20:36.840 --> 0:20:38.840
<v Speaker 2>school in addition to a number Of italian.

0:20:38.880 --> 0:20:41.920
<v Speaker 3>Productions he's gonna be Our han solo for this, movie

0:20:41.960 --> 0:20:46.640
<v Speaker 3>but a really sort of, faded washed out. Solo, yeah,

0:20:46.680 --> 0:20:48.000
<v Speaker 3>absolutely all.

0:20:48.119 --> 0:20:51.440
<v Speaker 2>Right Our Darth vader in this picture Is Lord, graul

0:20:52.000 --> 0:20:55.600
<v Speaker 2>played By Ivan rasimov who lived nineteen thirty eight through

0:20:55.600 --> 0:20:57.720
<v Speaker 2>two thousand and, three An italian actor who played a

0:20:57.720 --> 0:21:00.720
<v Speaker 2>lot of. Heavies he was In mario Bob those nineteen

0:21:00.800 --> 0:21:04.239
<v Speaker 2>sixty five sci fi Classic planet of The. VAMPIRES i

0:21:04.280 --> 0:21:07.800
<v Speaker 2>love that. Movie, yeah wonderful. Style that's one we might

0:21:07.880 --> 0:21:09.879
<v Speaker 2>have to come back to on the. Show he was

0:21:09.920 --> 0:21:13.439
<v Speaker 2>also In Sergio martino's nineteen seventy two Movie all The

0:21:13.480 --> 0:21:14.040
<v Speaker 2>colors of The.

0:21:14.119 --> 0:21:16.920
<v Speaker 3>Dark we've mentioned that one. Before that's A jello movie

0:21:16.920 --> 0:21:19.560
<v Speaker 3>That i've. SEEN i recall thinking that one was kind of, interesting,

0:21:19.600 --> 0:21:23.840
<v Speaker 3>though like pretty much All, jello it's, vile, TRASH i,

0:21:23.880 --> 0:21:26.679
<v Speaker 3>think but IT'S i recall it being about like a

0:21:26.720 --> 0:21:29.359
<v Speaker 3>woman who thinks she's being pursued by a coven Of

0:21:29.400 --> 0:21:31.720
<v Speaker 3>satanists somewhere In. England but then there's a.

0:21:31.720 --> 0:21:35.199
<v Speaker 2>Twist, YEAH i love the. Title it's slightly, nonsensical BUT

0:21:35.600 --> 0:21:38.240
<v Speaker 2>i like. It and then he was also In Mario

0:21:38.320 --> 0:21:42.120
<v Speaker 2>bova's nineteen seventy seven Film shock and just various Other italian.

0:21:42.119 --> 0:21:45.280
<v Speaker 2>Productions now that character has a brother in this, picture

0:21:45.359 --> 0:21:50.119
<v Speaker 2>played By Massimo, serrato and the character's name is just

0:21:50.240 --> 0:21:55.560
<v Speaker 2>great brother and this Actor serrato lived nineteen sixteen through

0:21:55.600 --> 0:21:59.159
<v Speaker 2>nineteen eighty, Nine italian. Actor he was In Nicholas Rogues

0:21:59.240 --> 0:22:02.480
<v Speaker 2>Don't Look, now Starring Julie christy And Donald. Sutherland that

0:22:02.560 --> 0:22:03.800
<v Speaker 2>was the main picture that jumped out of.

0:22:03.880 --> 0:22:05.199
<v Speaker 3>Me oh, man have you seen that?

0:22:05.240 --> 0:22:07.280
<v Speaker 2>ONE i, haven't BUT i know it's very well.

0:22:07.320 --> 0:22:11.680
<v Speaker 3>Regarded, yeah that one's a classic horror, movie very opposite

0:22:11.760 --> 0:22:14.000
<v Speaker 3>end of the spectrum from the goofiness we're talking about.

0:22:14.000 --> 0:22:18.320
<v Speaker 3>Here that one's like very weird but also like, deep

0:22:18.440 --> 0:22:23.520
<v Speaker 3>emotionally powerful. Dark, yeah that one's don't screw around with that,

0:22:23.560 --> 0:22:25.560
<v Speaker 3>One like put yourself in the right state of mind

0:22:25.560 --> 0:22:26.200
<v Speaker 3>if you're gonna watch.

0:22:26.240 --> 0:22:30.560
<v Speaker 2>It, Okay now the next actor and the next character.

0:22:30.640 --> 0:22:34.720
<v Speaker 2>Here this is very pretty exciting because it's a very

0:22:34.880 --> 0:22:38.080
<v Speaker 2>esteemed actor kind of slumming it, UP i, guess you,

0:22:38.119 --> 0:22:41.800
<v Speaker 2>know collecting a paycheck in This Italian Star wars. Film

0:22:42.359 --> 0:22:47.240
<v Speaker 2>the actor Is Author kennedy and he plays our second tier,

0:22:47.440 --> 0:22:49.959
<v Speaker 2>villain our mad scientist, villain Doctor.

0:22:50.080 --> 0:22:55.200
<v Speaker 3>Craspin Arthur kennedy is fantastic in. This you can tell

0:22:55.240 --> 0:22:58.000
<v Speaker 3>he like all of the roles in this. Film it's,

0:22:58.119 --> 0:23:00.919
<v Speaker 3>underwritten but you can tell he is doing his best

0:23:01.000 --> 0:23:03.320
<v Speaker 3>to chew the, scenery even though there's not a whole

0:23:03.320 --> 0:23:03.920
<v Speaker 3>lot to chew.

0:23:04.000 --> 0:23:07.719
<v Speaker 2>On, yeah in a film that is just packed with

0:23:07.800 --> 0:23:12.160
<v Speaker 2>low energy, performances you, know and you, know poor writing

0:23:12.200 --> 0:23:15.480
<v Speaker 2>and just this stuff that just falls, Flat, Yeah kennedy

0:23:15.880 --> 0:23:19.120
<v Speaker 2>brings the most energy to his. Performance at, times he's

0:23:19.400 --> 0:23:23.919
<v Speaker 2>he's snarling like a mad, dog and it really stands

0:23:23.920 --> 0:23:26.919
<v Speaker 2>out on a picture again where everybody else is really

0:23:27.240 --> 0:23:28.560
<v Speaker 2>almost quelutic in their.

0:23:28.600 --> 0:23:31.760
<v Speaker 3>Performance. YEAH i would say one of the main characteristics

0:23:31.800 --> 0:23:33.959
<v Speaker 3>of the acting in this film is that it's almost

0:23:33.960 --> 0:23:36.520
<v Speaker 3>as if the, director you, know you've heard the story

0:23:36.560 --> 0:23:39.560
<v Speaker 3>that What George lucas would say to people on the

0:23:39.560 --> 0:23:42.640
<v Speaker 3>set Of Star wars was like, faster, louder more intense

0:23:42.720 --> 0:23:45.439
<v Speaker 3>in their line. Deliveries in this, case the director was

0:23:45.480 --> 0:23:48.320
<v Speaker 3>just always telling, PEOPLE i don't want you to emphasize

0:23:48.359 --> 0:23:51.520
<v Speaker 3>any particular word in the. Sentence they should all sound

0:23:51.560 --> 0:23:52.320
<v Speaker 3>exactly the.

0:23:52.359 --> 0:23:55.600
<v Speaker 2>Same, Yeah, yeah like bring it down a.

0:23:55.640 --> 0:23:57.640
<v Speaker 3>Notch. Yeah.

0:23:57.800 --> 0:24:01.680
<v Speaker 2>So Arthur Kennedy american act of stage and screen who

0:24:01.760 --> 0:24:04.600
<v Speaker 2>won a nineteen forty Nine Tony award for his role

0:24:04.640 --> 0:24:08.480
<v Speaker 2>in the original stage production Of Arthur Miller's death of A. Salesman.

0:24:08.880 --> 0:24:12.840
<v Speaker 2>Wow he was a five Time oscar. Nominee he was

0:24:12.880 --> 0:24:15.679
<v Speaker 2>in such major films of the nineteen, forties, fifties and

0:24:15.720 --> 0:24:20.439
<v Speaker 2>sixties As lawrence Of, Arabia Bright, Victory Peyton, place And.

0:24:20.560 --> 0:24:23.159
<v Speaker 2>Champion this was only this is just one of the

0:24:23.240 --> 0:24:25.959
<v Speaker 2>last four films he did at the very end of his,

0:24:26.000 --> 0:24:28.640
<v Speaker 2>career but he had had a pretty long. History NOW

0:24:28.760 --> 0:24:31.640
<v Speaker 2>i don't know how how well he is remembered by

0:24:31.960 --> 0:24:35.760
<v Speaker 2>today's movie going, audience like especially if you look at

0:24:35.840 --> 0:24:39.560
<v Speaker 2>The oscars he was nominated. For he lost in all

0:24:39.640 --> 0:24:42.080
<v Speaker 2>those cases to actors WHO i think had more star

0:24:42.200 --> 0:24:45.560
<v Speaker 2>power and more staying, power at least in the public.

0:24:45.600 --> 0:24:48.159
<v Speaker 2>Memory but he was a real, talent and again he

0:24:48.240 --> 0:24:51.960
<v Speaker 2>is just clearly light years ahead of any other actor

0:24:52.000 --> 0:24:52.239
<v Speaker 2>in this.

0:24:52.320 --> 0:24:54.280
<v Speaker 3>Film agreed a good casting.

0:24:54.320 --> 0:24:57.600
<v Speaker 2>DECISION i did read that they initially Wanted Donald pleasants

0:24:57.640 --> 0:25:02.240
<v Speaker 2>for this. Role, Yeah pleasants would have been perfect for this.

0:25:02.359 --> 0:25:04.679
<v Speaker 2>Role he was in a lot of other you, know

0:25:05.400 --> 0:25:08.040
<v Speaker 2>international pictures, though where he played this sort of, thing

0:25:08.119 --> 0:25:10.440
<v Speaker 2>like the evil guy in a funny. Costume, oh but he.

0:25:10.359 --> 0:25:13.960
<v Speaker 3>Would have been absolutely on tone for the rest of

0:25:14.000 --> 0:25:16.200
<v Speaker 3>the acting in this film Because Donald. Pleasants one of

0:25:16.200 --> 0:25:18.320
<v Speaker 3>the weird things about him is that he has striking

0:25:18.440 --> 0:25:20.560
<v Speaker 3>monotone delivery so, often.

0:25:20.680 --> 0:25:24.439
<v Speaker 2>Yeah almost almost. Always it's. Rare there are some, there

0:25:24.520 --> 0:25:26.399
<v Speaker 2>there are some films you'll find where he plays a

0:25:26.400 --> 0:25:30.119
<v Speaker 2>more high energy. Character but, generally, yeah he. Was he

0:25:30.200 --> 0:25:33.119
<v Speaker 2>was very much in That Michael lonsdale school of low key,

0:25:33.200 --> 0:25:34.399
<v Speaker 2>performance but.

0:25:34.280 --> 0:25:36.879
<v Speaker 3>In a different with the kind of more nasal. VERSION

0:25:36.960 --> 0:25:39.840
<v Speaker 3>i remember the main line of his that illustrates this

0:25:40.040 --> 0:25:42.600
<v Speaker 3>is In escape From New york when he plays The

0:25:42.640 --> 0:25:46.560
<v Speaker 3>president of The United states and he gets into that

0:25:46.760 --> 0:25:49.680
<v Speaker 3>escape pod egg to get out of his airplane and

0:25:49.720 --> 0:25:53.240
<v Speaker 3>he says something, like May god have messy on you? All.

0:25:55.840 --> 0:25:58.360
<v Speaker 3>Yeah he always good in that, One so, yeah he would.

0:25:58.400 --> 0:26:00.399
<v Speaker 3>Have he would have been right on the same page

0:26:00.400 --> 0:26:02.280
<v Speaker 3>with all the other actors in. This but NOW i

0:26:02.280 --> 0:26:04.480
<v Speaker 3>think it's good that they Got Arthur. Kennedy he mixes it.

0:26:04.560 --> 0:26:07.119
<v Speaker 3>Up you get the sense That Arthur kennedy can like

0:26:07.200 --> 0:26:09.480
<v Speaker 3>tell a part the different parts of speech in a

0:26:09.520 --> 0:26:12.000
<v Speaker 3>sentence when he says them it's. Nice.

0:26:12.280 --> 0:26:16.680
<v Speaker 2>Yes now his character has sort of a companion. Villain

0:26:16.760 --> 0:26:19.480
<v Speaker 2>we'll get into the details in a. Bit Lady agatha

0:26:19.520 --> 0:26:23.679
<v Speaker 2>played By Barbara bach in forty. Seven this was the

0:26:23.720 --> 0:26:26.879
<v Speaker 2>bond girl from The Spy Who Loved me from seventy, seven.

0:26:27.200 --> 0:26:30.840
<v Speaker 3>Right she plays A soviet spy who comes up Against

0:26:30.960 --> 0:26:33.240
<v Speaker 3>Roger moore In The Spy Who Loved. Me The Spy

0:26:33.280 --> 0:26:35.240
<v Speaker 3>Loved me is a little. BIT i, mean all The

0:26:35.359 --> 0:26:38.560
<v Speaker 3>Roger moore movies are. Goofy The Spy Love me is

0:26:38.560 --> 0:26:42.400
<v Speaker 3>a little bit less goofy Than, Moonraker and so there's

0:26:42.440 --> 0:26:45.920
<v Speaker 3>some spy versus spy action In The Spy Who Loved?

0:26:45.920 --> 0:26:48.240
<v Speaker 3>Me where she's the she sort of starts off as a.

0:26:48.320 --> 0:26:50.600
<v Speaker 3>Villain then of course they end up falling in, love

0:26:50.760 --> 0:26:55.200
<v Speaker 3>as always. Happens BUT i recall her being actually pretty

0:26:55.200 --> 0:26:58.040
<v Speaker 3>good in That bond. Movie in, THIS i, mean she's

0:26:58.080 --> 0:27:00.520
<v Speaker 3>great in the role because she like wears these these

0:27:00.640 --> 0:27:04.560
<v Speaker 3>unbelievable wigs well and. Stuff BUT i gotta, say abs

0:27:04.920 --> 0:27:08.440
<v Speaker 3>like the flattest DELIVERY i have ever heard of any

0:27:08.680 --> 0:27:11.320
<v Speaker 3>line delivery at all in this, film.

0:27:11.000 --> 0:27:13.919
<v Speaker 2>Right so it basically it fits the tapestry of this.

0:27:13.960 --> 0:27:15.760
<v Speaker 3>Movie. Well, yeah but she.

0:27:15.720 --> 0:27:17.120
<v Speaker 2>Was in a lot of things back in the. Day

0:27:17.160 --> 0:27:19.920
<v Speaker 2>she was In Sergio Martino screamers from nineteen seventy nine

0:27:19.920 --> 0:27:23.560
<v Speaker 2>That i've mentioned several times, Here Forced ten From navarone

0:27:24.680 --> 0:27:26.880
<v Speaker 2>from seventy, eight and also a film THAT i think

0:27:26.920 --> 0:27:29.320
<v Speaker 2>you have told me, About Joe, Black belly of The

0:27:29.359 --> 0:27:30.800
<v Speaker 2>tarantula from nineteen seventy.

0:27:30.840 --> 0:27:35.040
<v Speaker 3>One oh, yeah that's Another jallo. Movie it's one of these,

0:27:35.600 --> 0:27:39.439
<v Speaker 3>slashery Trashy italian murder. Mysteries but this one has a

0:27:39.480 --> 0:27:41.800
<v Speaker 3>really good. Cast she HAS i think a smaller part in.

0:27:41.840 --> 0:27:43.960
<v Speaker 3>It the main character in that one is actually played

0:27:43.960 --> 0:27:46.040
<v Speaker 3>By Giancarlo jannini and he's. Wonderful.

0:27:46.920 --> 0:27:49.399
<v Speaker 2>Now a bit character in, this And i'm just gonna

0:27:49.400 --> 0:27:53.879
<v Speaker 2>mention quickly is Hal, yamanucci who was born in nineteen forty,

0:27:53.920 --> 0:27:58.720
<v Speaker 2>six A japanese born actor who plays just humanoid soldier in.

0:27:58.720 --> 0:28:01.320
<v Speaker 2>This so it's a very bit. Part but this is

0:28:01.359 --> 0:28:03.359
<v Speaker 2>an actor that shows up in a ton Of italian

0:28:03.400 --> 0:28:06.159
<v Speaker 2>and international. Pictures he's also been in such films As The,

0:28:06.200 --> 0:28:10.840
<v Speaker 2>Wolverine The, Life, Aquatic zoolander. Two he's been in over

0:28:10.880 --> 0:28:14.439
<v Speaker 2>one hundred films and was in several films from the

0:28:14.560 --> 0:28:18.040
<v Speaker 2>likes Of Sergio martino And Zog. Castellari he began his

0:28:18.080 --> 0:28:21.679
<v Speaker 2>career as a. Mime he translated and Dubbed japanese language

0:28:21.680 --> 0:28:25.040
<v Speaker 2>films Into, italian and he was even In Stuart Gordon's

0:28:25.119 --> 0:28:29.840
<v Speaker 2>Robot jocks from nineteen, ninety, which to remind everybody our

0:28:29.880 --> 0:28:33.240
<v Speaker 2>favorite battling robots film here. WAS i believe it was

0:28:33.280 --> 0:28:34.679
<v Speaker 2>at least An italian co.

0:28:34.720 --> 0:28:37.719
<v Speaker 3>Production oh, OKAY i had forgotten that fact about. It.

0:28:38.080 --> 0:28:41.040
<v Speaker 3>NOW i was not on the lookout for howl in,

0:28:41.120 --> 0:28:43.440
<v Speaker 3>this so where do you remember what part of the

0:28:43.480 --> 0:28:44.200
<v Speaker 3>movie he shows.

0:28:44.280 --> 0:28:47.280
<v Speaker 2>UP i never saw, him or if he showed, UP

0:28:47.280 --> 0:28:49.240
<v Speaker 2>i missed. Him he might have been in one of

0:28:48.600 --> 0:28:52.680
<v Speaker 2>those fabulous sort of stormtrooper costumes that we. See i'm

0:28:52.720 --> 0:28:55.720
<v Speaker 2>not entirely sure about, that, okay but he has a

0:28:55.800 --> 0:28:58.000
<v Speaker 2>very distinctive. Face so you can look up ON IMDb

0:28:58.120 --> 0:29:00.280
<v Speaker 2>and you might well recognize him and, go, oh, guy,

0:29:00.360 --> 0:29:00.920
<v Speaker 2>Yeah i've seen.

0:29:01.000 --> 0:29:03.040
<v Speaker 3>Him thanks for. Sure i'll have to look him up after.

0:29:03.080 --> 0:29:06.840
<v Speaker 2>This, now we Mentioned you're The hunter from The future,

0:29:06.880 --> 0:29:11.680
<v Speaker 2>earlier and the director of, That Antonio, margaretti was the

0:29:11.720 --> 0:29:13.560
<v Speaker 2>special effects supervisor in this.

0:29:13.680 --> 0:29:17.360
<v Speaker 3>Film now that would make sense of something THAT i

0:29:17.520 --> 0:29:20.800
<v Speaker 3>caught here BECAUSE i was watching this movie AND i

0:29:20.960 --> 0:29:27.000
<v Speaker 3>noticed a reused. Costume humanoid has costume overlap with Your

0:29:27.120 --> 0:29:29.840
<v Speaker 3>hunter from The. Future, now AS i, Mentioned your is

0:29:29.880 --> 0:29:33.480
<v Speaker 3>a very strange movie because it it's you, know it's

0:29:33.480 --> 0:29:37.240
<v Speaker 3>Put genres in a particle collider where it's Part conan

0:29:37.240 --> 0:29:40.800
<v Speaker 3>The barbarian with Reb brown From Space mutiny Playing conan

0:29:40.880 --> 0:29:44.320
<v Speaker 3>but like less. Smart and then the villain is just

0:29:44.360 --> 0:29:47.280
<v Speaker 3>straight Up Darth, vader and he has stormtroopers who work for,

0:29:47.400 --> 0:29:51.320
<v Speaker 3>him and so the stormtroopers who work for The Darth

0:29:51.400 --> 0:29:55.160
<v Speaker 3>vader In your where the exact same costumes as some

0:29:55.200 --> 0:29:57.840
<v Speaker 3>of the stormtroopers in this. Movie And i've attached some

0:29:57.960 --> 0:29:59.800
<v Speaker 3>pictures for you to look, At, rob so you can

0:29:59.800 --> 0:30:00.880
<v Speaker 3>se That i'm telling the.

0:30:00.880 --> 0:30:03.880
<v Speaker 2>TRUTH, YEP i looked at these, earlier and it is

0:30:03.920 --> 0:30:06.080
<v Speaker 2>the same, costume if or at least the same, mask

0:30:06.520 --> 0:30:07.280
<v Speaker 2>mostly the same.

0:30:07.320 --> 0:30:09.680
<v Speaker 3>COSTUME i. THINK i don't know if i'd actually recommend

0:30:09.720 --> 0:30:12.920
<v Speaker 3>people try to Watch your BUT i would recommend everyone

0:30:13.080 --> 0:30:16.240
<v Speaker 3>listen to the theme song of Your hunter from The, Future.

0:30:16.480 --> 0:30:26.480
<v Speaker 3>Seth can we get a little clip of? That those

0:30:26.520 --> 0:30:27.480
<v Speaker 3>are the sounds of yours.

0:30:27.520 --> 0:30:31.480
<v Speaker 2>World, well since we're talking about, music let's talk about

0:30:31.480 --> 0:30:35.160
<v Speaker 2>the music in this, film because this may come as

0:30:35.160 --> 0:30:37.880
<v Speaker 2>a shock given everything that we, Said but the score

0:30:38.800 --> 0:30:44.880
<v Speaker 2>for The humanoid is by none other Than Ineo Morricone Indio.

0:30:44.680 --> 0:30:49.800
<v Speaker 3>Morricone Has is it? Okay? ROB i feel like you're

0:30:49.960 --> 0:30:54.640
<v Speaker 3>you're SOMEBODY i respect your like all encompassing enthusiasm for

0:30:54.680 --> 0:30:57.840
<v Speaker 3>electronically based, music because it seems to me usually if

0:30:57.880 --> 0:31:00.280
<v Speaker 3>a movie score is, electronic you're gonna give it a

0:31:00.280 --> 0:31:03.400
<v Speaker 3>lot of, latitude and you're you're giving yourself space to love.

0:31:03.440 --> 0:31:08.160
<v Speaker 3>It AND i appreciate that about. YOU I i wanted

0:31:08.200 --> 0:31:10.720
<v Speaker 3>to love, this BECAUSE i do Love Anyo. Morriconi BUT

0:31:10.760 --> 0:31:14.160
<v Speaker 3>i thought the music in this movie was. Terrible it

0:31:14.200 --> 0:31:17.360
<v Speaker 3>had that that that theme that kept playing over and

0:31:17.400 --> 0:31:20.480
<v Speaker 3>over that sounded, LIKE i don't, know it sounded like

0:31:20.480 --> 0:31:24.040
<v Speaker 3>like the trophy ceremony music at The olympics or, something

0:31:24.120 --> 0:31:25.440
<v Speaker 3>but but synthed.

0:31:25.520 --> 0:31:29.200
<v Speaker 2>UP I i readily admit that the music in this

0:31:29.360 --> 0:31:32.400
<v Speaker 2>is kind of all over the, place but there but

0:31:32.480 --> 0:31:35.640
<v Speaker 2>The cynthia parts of, it WHICH i think we're gonna

0:31:35.640 --> 0:31:37.800
<v Speaker 2>play a sample off here in a. Minute The cynthier

0:31:37.880 --> 0:31:41.120
<v Speaker 2>parts of it really struck a chord with, me in

0:31:41.240 --> 0:31:45.800
<v Speaker 2>part because they remind me a lot of some elements

0:31:45.800 --> 0:31:49.080
<v Speaker 2>that pop up in the early work of the electronic

0:31:49.160 --> 0:31:54.640
<v Speaker 2>Duo boards Of, Canada, oh particularly some stuff on music

0:31:54.680 --> 0:31:57.520
<v Speaker 2>has A right To children there they're their classic. Album

0:31:57.800 --> 0:32:00.400
<v Speaker 2>AND i actually went down a rabbit hole of like

0:32:00.680 --> 0:32:03.600
<v Speaker 2>listening back To boards Of canada tracks BECAUSE i was

0:32:03.640 --> 0:32:05.360
<v Speaker 2>curd BECAUSE i also was, like, well maybe it was

0:32:05.400 --> 0:32:07.560
<v Speaker 2>a mix or some of their very early, stuff like

0:32:07.560 --> 0:32:11.640
<v Speaker 2>maybe they actually utilized a sample from this. SCORE i

0:32:11.680 --> 0:32:13.960
<v Speaker 2>know THAT i know they were inspired by a lot

0:32:14.000 --> 0:32:17.520
<v Speaker 2>of different elements AND i Imagine morricconi was in the

0:32:17.560 --> 0:32:20.560
<v Speaker 2>mix for them as far AS i can, tell, Though,

0:32:21.240 --> 0:32:23.040
<v Speaker 2>yeah there are just some things that kind of sound

0:32:23.120 --> 0:32:25.400
<v Speaker 2>similar in some boards Of canada. FILMS i don't know

0:32:25.400 --> 0:32:27.920
<v Speaker 2>if it's a direct connection there or they were kind

0:32:27.920 --> 0:32:33.280
<v Speaker 2>of breathing the same synthetic, ambiance but it does remind

0:32:33.280 --> 0:32:36.320
<v Speaker 2>me a lot of some moments in boards Of canada's.

0:32:36.360 --> 0:32:39.160
<v Speaker 3>Work there's even some visual tie, in because toward the

0:32:39.280 --> 0:32:41.320
<v Speaker 3>end of the movie there's a part WHERE i was

0:32:41.480 --> 0:32:44.600
<v Speaker 3>enjoying the cheesy synth score and they were like flying

0:32:44.640 --> 0:32:47.240
<v Speaker 3>off into the sunset with the color scheme that looked

0:32:47.320 --> 0:32:49.000
<v Speaker 3>very much like boards Of canada. Art.

0:32:49.480 --> 0:32:52.440
<v Speaker 2>Yeah, Yeah so now that we're talking about, it let's

0:32:52.480 --> 0:32:55.480
<v Speaker 2>go ahead and have just a sample from this Seth

0:32:56.360 --> 0:33:07.320
<v Speaker 2>this would be the. Track this Is infansia evolutione E Ritorno. Ritorno,

0:33:07.480 --> 0:33:11.640
<v Speaker 2>yes this is off the soundtrack for The Humanoid Buy. Morricone,

0:33:21.560 --> 0:33:24.640
<v Speaker 2>SEE i really like. THAT i think, THAT i, say

0:33:24.640 --> 0:33:27.040
<v Speaker 2>it strikes a chord with me and, okay, okay it

0:33:28.000 --> 0:33:30.840
<v Speaker 2>that the little ditty that we heard there is probably

0:33:30.960 --> 0:33:34.200
<v Speaker 2>like responsible for seventy five percent of my enjoyment of this.

0:33:34.240 --> 0:33:36.720
<v Speaker 3>Film, WELL i want to meet you halfway on this

0:33:36.760 --> 0:33:39.600
<v Speaker 3>because WHILE i do still think the music was surprisingly,

0:33:39.680 --> 0:33:43.000
<v Speaker 3>TERRIBLE i mean any of. More connie is an amazing film.

0:33:43.040 --> 0:33:44.920
<v Speaker 3>COMPOSER i mean he did the, Film he did the

0:33:45.000 --> 0:33:48.280
<v Speaker 3>music For The, thing, which like Several carpenter. MOVIES i,

0:33:48.280 --> 0:33:50.640
<v Speaker 3>Mean John carpenter is a great, director but he has

0:33:50.680 --> 0:33:52.840
<v Speaker 3>a number of movies that in a way are just

0:33:53.080 --> 0:33:56.600
<v Speaker 3>made by the. Score you, know like his own score

0:33:56.720 --> 0:33:59.120
<v Speaker 3>for For, HALLOWEEN i think makes the. Movie you take

0:33:59.120 --> 0:34:01.360
<v Speaker 3>that music out of the, movie the movie isn't half as.

0:34:01.440 --> 0:34:03.760
<v Speaker 3>GOOD i, mean it's still, good but you, know that's

0:34:03.760 --> 0:34:06.800
<v Speaker 3>what pushes it over the. Edge similar thing For morconi's

0:34:06.880 --> 0:34:09.279
<v Speaker 3>music In The, thing like that Dunt dune thing that

0:34:09.880 --> 0:34:13.840
<v Speaker 3>drives the feeling of the. Movie it defines the whole. Tone, yeah, yeah.

0:34:13.880 --> 0:34:17.680
<v Speaker 2>Absolutely another couple Of Morricone and again there's so Many

0:34:17.680 --> 0:34:20.719
<v Speaker 2>morricone SCORES i think HE i mean it, WAS i

0:34:20.719 --> 0:34:22.960
<v Speaker 2>think it's hundreds of things that he. Did as four

0:34:23.040 --> 0:34:25.319
<v Speaker 2>hundred scores on the big and small. SCREEN i believe

0:34:25.360 --> 0:34:28.280
<v Speaker 2>it's the NUMBER i, saw but a couple that really stand.

0:34:28.320 --> 0:34:30.200
<v Speaker 2>Out you have The, good The, bad And ugly from

0:34:30.280 --> 0:34:34.880
<v Speaker 2>nineteen sixty, six just really iconic, work and then nineteen eighty.

0:34:34.920 --> 0:34:37.799
<v Speaker 2>Six the nineteen eighty six Film The, mission which is

0:34:38.520 --> 0:34:42.080
<v Speaker 2>a beautiful and, tragedy just a wonderful. Film probably it

0:34:42.160 --> 0:34:44.640
<v Speaker 2>got to be one of my top like serious motion.

0:34:44.760 --> 0:34:46.640
<v Speaker 3>Pictures, OH i don't Think i've ever seen that.

0:34:46.640 --> 0:34:50.200
<v Speaker 2>One, oh it Has Jeremy, irons it Has robert De,

0:34:50.320 --> 0:34:55.879
<v Speaker 2>niro and it's about missionaries In South america and It's,

0:34:56.280 --> 0:35:00.960
<v Speaker 2>yeah it's a beautiful tragic. Story and it has this beautiful.

0:35:01.000 --> 0:35:04.560
<v Speaker 2>SCORE i, mean The mission sound the score By marconi

0:35:04.920 --> 0:35:10.239
<v Speaker 2>is just absolutely. Breathtaking you've probably heard something from, it and,

0:35:11.080 --> 0:35:13.920
<v Speaker 2>YEAH i can't do it. JUSTICE i can't properly explain.

0:35:14.000 --> 0:35:16.520
<v Speaker 2>It But The mission is a wonderful movie and the

0:35:16.600 --> 0:35:17.239
<v Speaker 2>soundtrack is.

0:35:17.280 --> 0:35:19.799
<v Speaker 3>Amazing, okay, well WELL i owe you watching that. One

0:35:19.800 --> 0:35:21.120
<v Speaker 3>BUT i also SAID i was going to meet you

0:35:21.160 --> 0:35:23.719
<v Speaker 3>halfway about The morricone, score which is. Good WHILE i

0:35:23.840 --> 0:35:27.680
<v Speaker 3>don't REALLY i don't think the movie is well served

0:35:27.719 --> 0:35:32.400
<v Speaker 3>by the melodies composed as like full music pieces this,

0:35:32.480 --> 0:35:35.719
<v Speaker 3>MOVIE i do like the individual, sounds AND i can

0:35:35.760 --> 0:35:38.919
<v Speaker 3>see how the sounds from the score of this movie

0:35:38.960 --> 0:35:42.120
<v Speaker 3>could be well used as samples in electronic. Music.

0:35:42.640 --> 0:35:45.799
<v Speaker 2>Yeah, Yeah and apparently it has resonated. THERE i was

0:35:45.840 --> 0:35:48.279
<v Speaker 2>reading that the two in two thousand and, three The

0:35:48.320 --> 0:35:53.279
<v Speaker 2>german electronic Group Computer jockeys one, word not a GROUP

0:35:53.280 --> 0:35:55.440
<v Speaker 2>i was familiar, with but they apparently did a reworking

0:35:55.600 --> 0:35:58.640
<v Speaker 2>of the TRACK A man In space from the score

0:35:58.760 --> 0:35:59.080
<v Speaker 2>for this.

0:35:59.160 --> 0:36:01.799
<v Speaker 3>Movie you. Know we were also looking at a very

0:36:01.880 --> 0:36:06.120
<v Speaker 3>odd website that IS i don't know how exactly to describe.

0:36:06.120 --> 0:36:09.759
<v Speaker 3>It it's like a fan website for The humanoid and

0:36:09.840 --> 0:36:12.680
<v Speaker 3>For Richard keel that was looks like it was made

0:36:12.719 --> 0:36:14.200
<v Speaker 3>in nineteen ninety, eight.

0:36:14.520 --> 0:36:16.760
<v Speaker 2>Yeah and hasn't Seen it doesn't seem to have, changed

0:36:17.400 --> 0:36:20.640
<v Speaker 2>WHICH i, love SO i do recommend checking that.

0:36:20.680 --> 0:36:22.840
<v Speaker 3>Out what's the web address for? That, okay so we

0:36:22.960 --> 0:36:25.480
<v Speaker 3>just had to look it. Up It's golob The Humanoid

0:36:25.520 --> 0:36:31.279
<v Speaker 3>Glob Golob theehumanoid dot com and it has a page on.

0:36:31.320 --> 0:36:33.839
<v Speaker 3>It it's all about like music that has been made

0:36:34.000 --> 0:36:39.719
<v Speaker 3>as like popfan music about the. Humanoid so they've got

0:36:39.760 --> 0:36:42.960
<v Speaker 3>one song on there that you can download by a

0:36:42.960 --> 0:36:45.840
<v Speaker 3>band Called ganymede THAT i was not otherwise familiar, with

0:36:45.920 --> 0:36:48.400
<v Speaker 3>but it's about the, humanoid AND i think there's other music,

0:36:48.400 --> 0:36:51.360
<v Speaker 3>Too so The, humanoid you, know it really gets under people's.

0:36:51.360 --> 0:36:54.000
<v Speaker 3>Skin it, inspires it makes, it you, know gets those

0:36:54.040 --> 0:36:54.880
<v Speaker 3>creative juices.

0:36:54.920 --> 0:36:57.439
<v Speaker 2>Flowing you're, right it's just an inspiring motion.

0:36:57.520 --> 0:37:10.920
<v Speaker 3>Picture can you, guess, Listener can you guess how this movie?

0:37:10.960 --> 0:37:13.760
<v Speaker 3>Begins what we see on the screen at the beginning

0:37:13.800 --> 0:37:16.040
<v Speaker 3>of the. Film could it be that there is a

0:37:16.280 --> 0:37:20.319
<v Speaker 3>starfield with some nebulae in the, background and then a

0:37:20.400 --> 0:37:23.360
<v Speaker 3>text crawl that rolls from the bottom of the screen

0:37:23.400 --> 0:37:26.040
<v Speaker 3>to the. Top it's, true that is how it, starts

0:37:26.080 --> 0:37:28.600
<v Speaker 3>and so what we get is a text scrawl WITH

0:37:28.840 --> 0:37:31.400
<v Speaker 3>i can't remember is it narrated AS i think it,

0:37:31.480 --> 0:37:33.840
<v Speaker 3>is BECAUSE i think the text is actually In italian

0:37:34.360 --> 0:37:38.479
<v Speaker 3>and gets narrated In. English so we get it read

0:37:38.520 --> 0:37:42.680
<v Speaker 3>to us and we Hear, metropolis known ages ago as

0:37:42.800 --> 0:37:48.279
<v Speaker 3>Planet earth now faces its gravest. Hour Lord grawl has

0:37:48.400 --> 0:37:52.800
<v Speaker 3>just escaped from the prison satellite where his, brother ruler

0:37:52.840 --> 0:37:58.000
<v Speaker 3>of the peaceful galactic, democracy had exiled. Him malevolent and power,

0:37:58.080 --> 0:38:02.320
<v Speaker 3>Hungry grawl has plans of vengeance that might forever alter

0:38:02.600 --> 0:38:06.920
<v Speaker 3>the destiny of. Mankind very, good BECAUSE i love how

0:38:06.960 --> 0:38:10.400
<v Speaker 3>it starts with the prison, satellite as if you already

0:38:10.400 --> 0:38:10.799
<v Speaker 3>know what that.

0:38:10.960 --> 0:38:13.480
<v Speaker 2>Is you, know it's also telling that because you know

0:38:13.600 --> 0:38:16.840
<v Speaker 2>from the very beginning In Star, wars when the text

0:38:17.000 --> 0:38:20.239
<v Speaker 2>moves across the, screen we already have a sense of

0:38:20.280 --> 0:38:23.640
<v Speaker 2>a large, universe you, know and not all the details

0:38:23.680 --> 0:38:25.760
<v Speaker 2>are filled. In there's a lot of stuff that is developed,

0:38:25.800 --> 0:38:28.960
<v Speaker 2>later but we get the idea that this is an,

0:38:29.040 --> 0:38:35.799
<v Speaker 2>expansive fantastic. World and in this picture we already get

0:38:35.800 --> 0:38:39.560
<v Speaker 2>an idea of a small. World like everything feels small

0:38:40.840 --> 0:38:43.759
<v Speaker 2>despite Its star. Warsiness that's a very good.

0:38:43.800 --> 0:38:46.040
<v Speaker 3>POINT i, mean, yeah just the text In Star wars

0:38:46.120 --> 0:38:49.319
<v Speaker 3>makes you feel like the galaxy is, big a lot

0:38:49.320 --> 0:38:51.480
<v Speaker 3>of stuff is, happening and we're coming in right in

0:38:51.520 --> 0:38:56.040
<v Speaker 3>the middle of. Things this text suggests this world is,

0:38:56.080 --> 0:38:59.239
<v Speaker 3>boring not much is, happening and we're starting here at

0:38:59.280 --> 0:39:01.359
<v Speaker 3>the beginning before four things even really ramp.

0:39:01.440 --> 0:39:04.920
<v Speaker 2>Up, yeah and our fantastic location in space Is earth

0:39:05.040 --> 0:39:05.239
<v Speaker 2>in the.

0:39:05.280 --> 0:39:08.480
<v Speaker 3>Future. Yeah like the way things start in this movie

0:39:08.520 --> 0:39:12.200
<v Speaker 3>is not with crisis but with peaceful galactic, democracy and

0:39:12.239 --> 0:39:14.879
<v Speaker 3>the opening text tells you there's a guy who's maybe

0:39:14.920 --> 0:39:18.120
<v Speaker 3>about to mess that. Up but of, course right at

0:39:18.120 --> 0:39:20.680
<v Speaker 3>the beginning we get spaceships, zooming because again this is

0:39:20.719 --> 0:39:23.480
<v Speaker 3>A Star wars, ripoff AND i will say more so

0:39:23.800 --> 0:39:28.000
<v Speaker 3>Than message From space or Even Star. Crash those are

0:39:28.040 --> 0:39:31.000
<v Speaker 3>Both Star wars clones that we've talked about before and

0:39:31.560 --> 0:39:35.640
<v Speaker 3>have their own. Charms this movie does way more direct

0:39:35.800 --> 0:39:39.480
<v Speaker 3>ripping off of set pieces From Star. Wars just blatant

0:39:39.600 --> 0:39:43.239
<v Speaker 3>ripoffs of shots and sets and costumes from the.

0:39:43.280 --> 0:39:47.160
<v Speaker 2>Movie, yeah like A message From, space the star the,

0:39:47.160 --> 0:39:50.040
<v Speaker 2>starships they all they all look different and they had

0:39:50.120 --> 0:39:52.040
<v Speaker 2>kind of a cool, look and the models were very well.

0:39:52.040 --> 0:39:54.960
<v Speaker 2>Done but, man this is just like a straight Up

0:39:55.000 --> 0:39:56.200
<v Speaker 2>Star destroyer In, yes.

0:39:56.320 --> 0:39:59.000
<v Speaker 3>This one just starts with The Star destroyer sliding in

0:39:59.120 --> 0:40:01.880
<v Speaker 3>right over the, camera like the opening shot Of Star. Wars.

0:40:02.160 --> 0:40:04.319
<v Speaker 3>YEAH i know that shot gets copied in a lot of,

0:40:04.320 --> 0:40:07.000
<v Speaker 3>movies but this one is the most blatant That i've ever.

0:40:07.040 --> 0:40:09.600
<v Speaker 2>Seen, yeah it's about as spot on as you could

0:40:09.600 --> 0:40:11.200
<v Speaker 2>get without just actually.

0:40:10.880 --> 0:40:13.600
<v Speaker 3>Using a model of A Star destroyer or or just

0:40:13.719 --> 0:40:17.040
<v Speaker 3>ripping the. Footage, yeah and the model they use is close,

0:40:17.120 --> 0:40:20.359
<v Speaker 3>enough like you, know if you were, squinting you might mistake. It,

0:40:20.680 --> 0:40:23.600
<v Speaker 3>Yeah and so you, know we get The Star destroyer coming.

0:40:23.640 --> 0:40:26.720
<v Speaker 3>IN i think we're to assume already That Lord grawl

0:40:26.800 --> 0:40:28.799
<v Speaker 3>is on this. SHIP i don't know why we know,

0:40:28.880 --> 0:40:31.640
<v Speaker 3>that but that's just, implied and, okay, yeah we get.

0:40:31.640 --> 0:40:34.280
<v Speaker 3>It Darth vader was on The Star. Destroyer Lord grawl's

0:40:34.320 --> 0:40:37.200
<v Speaker 3>on this. Thing and we see a smaller ship approach

0:40:37.280 --> 0:40:39.960
<v Speaker 3>The Star. Destroyer it looks like it's some space cops or,

0:40:40.000 --> 0:40:42.160
<v Speaker 3>something and they radio and they're, like, hey who are,

0:40:42.200 --> 0:40:45.360
<v Speaker 3>you what's? Up and then The Star destroyer just annihilates

0:40:45.360 --> 0:40:50.000
<v Speaker 3>it blasts, it and then we get the monologue Of

0:40:50.160 --> 0:40:54.080
<v Speaker 3>Lord grawl before we see. Him we hear. HIM i

0:40:54.080 --> 0:40:56.920
<v Speaker 3>guess he's like talking in his. Head he, goes those

0:40:56.960 --> 0:41:00.600
<v Speaker 3>pilots were, sheep not. Soldiers my brother has made his

0:41:00.760 --> 0:41:02.640
<v Speaker 3>army bloated with, peace.

0:41:04.640 --> 0:41:04.719
<v Speaker 1>You.

0:41:04.760 --> 0:41:06.640
<v Speaker 3>Know and this reminds me there are actually people who

0:41:06.640 --> 0:41:09.640
<v Speaker 3>have had mentalities like this in history that, like you,

0:41:09.680 --> 0:41:12.680
<v Speaker 3>know war is what makes people strong and peace makes people.

0:41:12.800 --> 0:41:16.719
<v Speaker 3>Soft it's even Infected american thinking at. TIMES i think

0:41:16.920 --> 0:41:19.960
<v Speaker 3>Unfortunately Teddy roosevelt at some points in his life was

0:41:20.000 --> 0:41:22.640
<v Speaker 3>somewhat susceptible to this kind of, thinking, like, oh you

0:41:22.680 --> 0:41:26.040
<v Speaker 3>need a good war to make your culture. Strong and

0:41:26.080 --> 0:41:28.839
<v Speaker 3>this Is graul's philosophy as. Well, yes yes it. Is

0:41:29.200 --> 0:41:33.360
<v Speaker 3>but then we see him and oh my, god This Darth, vader,

0:41:33.440 --> 0:41:38.120
<v Speaker 3>Dude Lord GRAWL i don't even know where to. Start

0:41:38.160 --> 0:41:42.160
<v Speaker 3>he's got belts over his, face and so it's not

0:41:42.239 --> 0:41:45.000
<v Speaker 3>a Full Darth vader. Mask it is A Darth vader

0:41:45.040 --> 0:41:48.440
<v Speaker 3>helmet and Like Darth, vader kind of black leathery looking

0:41:48.520 --> 0:41:51.000
<v Speaker 3>shoulder pads and the rest of the suit is Very vader,

0:41:51.120 --> 0:41:54.840
<v Speaker 3>esque but instead of the robot face Of, vader we

0:41:54.920 --> 0:41:57.600
<v Speaker 3>get a crucifix of black belts over the.

0:41:57.680 --> 0:42:02.160
<v Speaker 2>Face, yeah this Discount Darth vader, COSTUME i, think in

0:42:02.200 --> 0:42:05.720
<v Speaker 2>many ways helps illustrate just how well the Actual Darth

0:42:05.800 --> 0:42:09.800
<v Speaker 2>vader costume was designed and brought to. Life for, Instance

0:42:09.920 --> 0:42:13.440
<v Speaker 2>Darth vader's helmet contains elements of the skull of a,

0:42:13.480 --> 0:42:17.640
<v Speaker 2>samurai heilm of an, insect of a, robot but it

0:42:17.719 --> 0:42:20.719
<v Speaker 2>hits all of these notes in ways that don't overwhelm,

0:42:20.800 --> 0:42:23.840
<v Speaker 2>you you, know like there's a perfect alchemy to the

0:42:23.880 --> 0:42:26.320
<v Speaker 2>way these elements come together In Darth vader's, helmet and

0:42:26.320 --> 0:42:29.640
<v Speaker 2>that's why it's become this just iconic. Symbol but this

0:42:29.800 --> 0:42:33.919
<v Speaker 2>Design grawl's, outfit it leans way too heavily on first

0:42:33.920 --> 0:42:36.600
<v Speaker 2>of all the samurai, Motifs like it's clearly just a

0:42:37.040 --> 0:42:39.760
<v Speaker 2>just a shiny samurai helmet that you, know they painted.

0:42:39.800 --> 0:42:41.040
<v Speaker 3>Black and then he.

0:42:41.080 --> 0:42:44.759
<v Speaker 2>Has that weird face shackle across his face that kind

0:42:44.760 --> 0:42:47.040
<v Speaker 2>of looks like it's it kind of looks like he's

0:42:47.040 --> 0:42:49.520
<v Speaker 2>a punishment you, know like, yes like they've put his

0:42:49.560 --> 0:42:53.040
<v Speaker 2>face in a gibbet or thel.

0:42:52.360 --> 0:42:54.239
<v Speaker 3>He got into the cookie jar and they're like put

0:42:54.280 --> 0:42:55.000
<v Speaker 3>on the punishment.

0:42:55.000 --> 0:42:57.680
<v Speaker 2>Helmet, yeah like it has that man in the iron

0:42:57.719 --> 0:42:58.840
<v Speaker 2>mask kind of a feel to.

0:42:58.960 --> 0:43:01.280
<v Speaker 3>It it just it just comes, off is. Weird Lord

0:43:01.320 --> 0:43:05.000
<v Speaker 3>grawl is, sorry CAN i take the belts? Off so

0:43:05.200 --> 0:43:09.520
<v Speaker 3>they're Approaching, metropolis, which as we've already been, told is Planet.

0:43:09.560 --> 0:43:11.400
<v Speaker 3>EARTH i guess it's Just earth in the, future and

0:43:11.760 --> 0:43:14.960
<v Speaker 3>Barth quator here sends out an attack ship that is

0:43:15.000 --> 0:43:18.560
<v Speaker 3>piloted by a guy in a your, helmet you know

0:43:18.640 --> 0:43:22.680
<v Speaker 3>the ones that are also in your and he, says he,

0:43:22.719 --> 0:43:26.759
<v Speaker 3>says make sure there are no, survivors especially That Barbara.

0:43:26.840 --> 0:43:32.359
<v Speaker 3>Gibson so, YEAH i just love. It Lord grawl has

0:43:32.400 --> 0:43:36.040
<v Speaker 3>put a hit On Barbara. Gibson, Yeah Barbara. Gibson and

0:43:36.080 --> 0:43:38.400
<v Speaker 3>then we Meet Barbara gibson and this Is Koreean. Clary

0:43:38.840 --> 0:43:42.080
<v Speaker 3>she's working at a place called The. Institute The institute

0:43:42.160 --> 0:43:45.400
<v Speaker 3>is one of those places from you know seventies and

0:43:45.400 --> 0:43:48.600
<v Speaker 3>eighties sci fi movies where everybody wears kind of billowy.

0:43:48.800 --> 0:43:51.640
<v Speaker 3>CLOTHES i don't know what you call the texture of that,

0:43:51.680 --> 0:43:55.360
<v Speaker 3>fabric but you, know it's Like Princess leah's. Dress everybody's

0:43:55.360 --> 0:43:58.360
<v Speaker 3>just dressed like, that and it's on a planet THAT

0:43:58.400 --> 0:44:01.200
<v Speaker 3>i think is supposed to look like From Star. Wars

0:44:01.200 --> 0:44:04.000
<v Speaker 3>this is another one of the things that we should

0:44:04.000 --> 0:44:05.560
<v Speaker 3>get into this in more depth as we go. On

0:44:05.680 --> 0:44:09.440
<v Speaker 3>but LIKE i was interested, In, okay when movies are

0:44:09.440 --> 0:44:12.719
<v Speaker 3>trying to rip Off Star, wars what are the elements

0:44:12.800 --> 0:44:17.279
<v Speaker 3>they rip? Off because they don't usually copy the overall

0:44:17.480 --> 0:44:21.719
<v Speaker 3>story structure or anything like. That instead they copy specific

0:44:21.920 --> 0:44:27.880
<v Speaker 3>esthetic elements Like Darth vader's suit and the desert Planet.

0:44:27.920 --> 0:44:30.840
<v Speaker 3>Tattooine all of These Star wars ripoffs have a desert

0:44:30.880 --> 0:44:32.600
<v Speaker 3>planet like this with white earthen.

0:44:32.719 --> 0:44:36.640
<v Speaker 2>Buildings, yeah AND i think so if memory SERVES i

0:44:36.640 --> 0:44:38.600
<v Speaker 2>don't have the figures in front of me, here BUT

0:44:38.800 --> 0:44:42.000
<v Speaker 2>i believe they filmed this In, italy but also a

0:44:42.000 --> 0:44:45.399
<v Speaker 2>little bit In, Israel So i'm not sure in any

0:44:45.440 --> 0:44:48.320
<v Speaker 2>of these desert, scenes if we're looking at At italian

0:44:48.400 --> 0:44:51.680
<v Speaker 2>landscape or we're looking at At Middle eastern.

0:44:52.160 --> 0:44:56.239
<v Speaker 3>Landscape BUT i would guess this Is, Israel, okay.

0:44:56.280 --> 0:44:59.759
<v Speaker 2>BUT i will say these are neat, locations you, know

0:44:59.760 --> 0:45:03.000
<v Speaker 2>they they look interesting and they feel they kind of

0:45:03.000 --> 0:45:05.719
<v Speaker 2>feel suitably, alien even if we're not actually on an

0:45:05.760 --> 0:45:09.680
<v Speaker 2>alien world if this is Just. Earth BUT i liked it.

0:45:09.840 --> 0:45:12.799
<v Speaker 3>ENOUGH i was wondering, Though so it's an. Institute what

0:45:12.880 --> 0:45:16.480
<v Speaker 3>do they study at this? Institute? Everything, yeah, Everything, okay

0:45:16.520 --> 0:45:19.600
<v Speaker 3>it's the place of. Knowledge and So Barbara gibson is

0:45:19.600 --> 0:45:21.520
<v Speaker 3>hanging out at work and then she gets a video

0:45:21.640 --> 0:45:24.560
<v Speaker 3>call from a child who pops up on the video.

0:45:24.560 --> 0:45:27.640
<v Speaker 3>Screen we learned that the child's name Is Tom, tom

0:45:28.280 --> 0:45:30.799
<v Speaker 3>And Tom tom tells her that she must leave the

0:45:30.880 --> 0:45:34.200
<v Speaker 3>institute and come home at. Once and so you, think,

0:45:34.239 --> 0:45:36.080
<v Speaker 3>okay how is he going to convince her to? Leave

0:45:36.160 --> 0:45:38.560
<v Speaker 3>but he doesn't need to do any. Convincing it's almost

0:45:38.600 --> 0:45:43.360
<v Speaker 3>like the video call the child hypnotizes her with like

0:45:43.480 --> 0:45:47.920
<v Speaker 3>secret magic, words and then she just robotically in a trance,

0:45:48.000 --> 0:45:52.680
<v Speaker 3>state walks out of work and goes. Home so immediately

0:45:52.719 --> 0:45:54.880
<v Speaker 3>we know that That Tom tom there's something up with,

0:45:54.920 --> 0:45:55.600
<v Speaker 3>him like he's got.

0:45:55.640 --> 0:46:01.240
<v Speaker 2>Powers, yeah this is, Yeah Tom tom as a magical,

0:46:01.400 --> 0:46:04.880
<v Speaker 2>Child AND i Like Tom Tom Tom tom has a

0:46:04.880 --> 0:46:08.280
<v Speaker 2>cool energy about. Him whenever he's he seems in control

0:46:08.360 --> 0:46:10.200
<v Speaker 2>the whole. Time he's never really in peril in a

0:46:10.200 --> 0:46:13.560
<v Speaker 2>way that made me feel. Uncomfortable so, Yeah i'm a big.

0:46:13.600 --> 0:46:16.080
<v Speaker 3>Fan oh were you kind of The Gene sisco school

0:46:16.120 --> 0:46:17.719
<v Speaker 3>that you don't like it when a movie puts a

0:46:17.800 --> 0:46:18.279
<v Speaker 3>child in?

0:46:18.360 --> 0:46:25.000
<v Speaker 2>DANGER i not, necessarily BUT i do find in some

0:46:25.080 --> 0:46:27.520
<v Speaker 2>films that a child is put in danger in a

0:46:27.560 --> 0:46:30.600
<v Speaker 2>way that the acting is a little too. Real oh,

0:46:30.760 --> 0:46:33.000
<v Speaker 2>YEAH i don't, know and not a way that That

0:46:33.080 --> 0:46:36.200
<v Speaker 2>i'm like completely like taken out of the viewing experience per.

0:46:36.239 --> 0:46:39.560
<v Speaker 2>Se BUT i have seen particularly Some italian horror films

0:46:39.560 --> 0:46:41.040
<v Speaker 2>Where i'm, like, oh, MAN i think that.

0:46:41.040 --> 0:46:41.800
<v Speaker 3>Child was really.

0:46:41.880 --> 0:46:44.440
<v Speaker 2>Terrified oh AND i don't. KNOW i just really Liked

0:46:44.440 --> 0:46:46.440
<v Speaker 2>Tam tam here AND i didn't WANT i didn't want

0:46:46.440 --> 0:46:48.720
<v Speaker 2>anything bad to happen to. Him but luckily he's super.

0:46:48.800 --> 0:46:51.040
<v Speaker 2>Chill he's not worried about, it SO i be worried

0:46:51.040 --> 0:46:51.360
<v Speaker 2>about it.

0:46:51.400 --> 0:46:54.080
<v Speaker 3>Either, yeah he never seems upset a single bit in this.

0:46:54.160 --> 0:46:58.200
<v Speaker 3>Movie he is like amazingly. Calm he has clearly mastered

0:46:58.280 --> 0:47:03.440
<v Speaker 3>some some techniques of emotional CAN i believe so immediately

0:47:03.520 --> 0:47:06.839
<v Speaker 3>After Barbara gibson leaves the, institute there's just a stormtrooper.

0:47:06.880 --> 0:47:10.359
<v Speaker 3>Attack they wander through blasting everything that. Moves they kill,

0:47:10.400 --> 0:47:14.280
<v Speaker 3>everybody and they steal some mcguffin from inside the vault

0:47:14.440 --> 0:47:18.560
<v Speaker 3>at the institute that is called The. Capitron AND i

0:47:18.640 --> 0:47:21.000
<v Speaker 3>was just, thinking, like why does this sound so, familiar

0:47:21.040 --> 0:47:24.120
<v Speaker 3>BECAUSE i thought on a previous episode Of Weird House,

0:47:24.160 --> 0:47:26.920
<v Speaker 3>cinema we have discussed a mcguffin from a movie that

0:47:27.160 --> 0:47:31.960
<v Speaker 3>sounded like the dental device called a. Cavitron it's not

0:47:32.040 --> 0:47:32.360
<v Speaker 3>ringing a.

0:47:32.360 --> 0:47:35.960
<v Speaker 2>BELL i, mean capatron sounds like it should be some

0:47:36.000 --> 0:47:41.040
<v Speaker 2>sort of synthesizer from the late nineteen, seventies but it's.

0:47:41.080 --> 0:47:45.879
<v Speaker 3>Not And Anio morricone on The. Capitron but the lead

0:47:45.920 --> 0:47:49.360
<v Speaker 3>stormtrooper has to go back and report to Barth quader

0:47:50.320 --> 0:47:53.080
<v Speaker 3>That Barbara gibson was not at the institute when they,

0:47:53.160 --> 0:47:57.680
<v Speaker 3>arrived and then Barth quader punishes. Him he's, like you

0:47:57.719 --> 0:48:00.920
<v Speaker 3>are stripped of your privileges for one hun hundred. Days

0:48:01.360 --> 0:48:03.440
<v Speaker 3>and THEN i was, like, ooh what are these? Privileges

0:48:03.480 --> 0:48:07.040
<v Speaker 3>we're going to learn something about stormtroopers. Society what special

0:48:07.080 --> 0:48:09.560
<v Speaker 3>privileges do they? Get and what is the punishment when

0:48:09.560 --> 0:48:12.080
<v Speaker 3>they're stripped of? Them but then. Nothing we never learned

0:48:12.080 --> 0:48:12.960
<v Speaker 3>what that, means.

0:48:13.040 --> 0:48:15.960
<v Speaker 2>Like is it are the toilet privileges or is it

0:48:16.480 --> 0:48:18.560
<v Speaker 2>or is it something like really nice like you don't

0:48:18.560 --> 0:48:21.640
<v Speaker 2>get to play The xbox or something that is there

0:48:21.680 --> 0:48:24.120
<v Speaker 2>for the. Stormtroopers you, Know i'm not sure how much

0:48:24.200 --> 0:48:24.520
<v Speaker 2>this hurt.

0:48:24.600 --> 0:48:27.600
<v Speaker 3>Him clearly it was not The stormtrooper's. Fault The Barbara

0:48:27.640 --> 0:48:30.760
<v Speaker 3>gibson was not at the. Institute Tom tom got ahead

0:48:30.760 --> 0:48:32.600
<v Speaker 3>of them and he had no way of controlling. That

0:48:32.680 --> 0:48:34.960
<v Speaker 3>BUT i think this is to show us That Lord

0:48:35.000 --> 0:48:38.200
<v Speaker 3>grawl is, Unfair like he doesn't care if the reason

0:48:38.239 --> 0:48:40.680
<v Speaker 3>you failed was actually your. Fault he'll take away your

0:48:40.680 --> 0:48:44.280
<v Speaker 3>privileges for one hundred days. Anyway, yeah he's a terrible.

0:48:44.320 --> 0:48:46.600
<v Speaker 3>Boss so then we go back to The Barbara gibson

0:48:47.080 --> 0:48:50.279
<v Speaker 3>And tom tomhouse And Tom tom is just wiping the

0:48:50.360 --> 0:48:52.719
<v Speaker 3>floor with her at some kind of strategy. Game it

0:48:52.719 --> 0:48:56.440
<v Speaker 3>looks like it's battleship or, something or chess on a

0:48:56.480 --> 0:48:58.879
<v Speaker 3>computer in some, way and they talk about how even

0:48:58.920 --> 0:49:02.080
<v Speaker 3>the computer can't beat, him and then she's, like where

0:49:02.080 --> 0:49:04.000
<v Speaker 3>do you come? From and he, SAYS i come from

0:49:04.000 --> 0:49:07.160
<v Speaker 3>a place far far away Where i've learned very. Much

0:49:07.200 --> 0:49:10.560
<v Speaker 3>and my real name means Great ocean of, wisdom and

0:49:10.600 --> 0:49:14.600
<v Speaker 3>so it. Is so he's not like her, child he

0:49:14.719 --> 0:49:17.920
<v Speaker 3>is her. PUPIL i think she's a teacher and she's teaching,

0:49:18.000 --> 0:49:21.200
<v Speaker 3>him but what is she teaching? Him he already appears

0:49:21.200 --> 0:49:21.440
<v Speaker 3>to know.

0:49:21.520 --> 0:49:25.640
<v Speaker 2>Everything, yeah he is an all powerful space. Child, Yeah

0:49:26.000 --> 0:49:28.719
<v Speaker 2>and you, know that's that's basically all you need to

0:49:28.719 --> 0:49:30.839
<v Speaker 2>know about. It and, honestly the movie gives us very

0:49:30.840 --> 0:49:31.840
<v Speaker 2>little else in the way of.

0:49:31.880 --> 0:49:35.000
<v Speaker 3>Answers but then we meet some more. Characters we're going

0:49:35.040 --> 0:49:37.120
<v Speaker 3>to get into the politics of this. World so we

0:49:37.200 --> 0:49:41.200
<v Speaker 3>meet a guy Named Great, brother which is pretty close

0:49:41.239 --> 0:49:43.319
<v Speaker 3>To Big, brother but they say he's the leader of

0:49:43.400 --> 0:49:47.600
<v Speaker 3>The Utopian order Of. Earth and you, know an alternate

0:49:47.640 --> 0:49:50.719
<v Speaker 3>way of reading this film is that Actually earth is

0:49:50.760 --> 0:49:53.919
<v Speaker 3>not a. Utopia it is An orwellian nightmare state under

0:49:53.960 --> 0:49:56.880
<v Speaker 3>the control Of Great. Brother and the movie is just

0:49:57.440 --> 0:50:00.120
<v Speaker 3>like it happens to be written By Inner party members

0:50:00.160 --> 0:50:02.439
<v Speaker 3>that are loyal To Great. Brother and in, Fact Lord

0:50:02.520 --> 0:50:05.440
<v Speaker 3>graul is the good. Guy he's like the he's being

0:50:05.480 --> 0:50:09.160
<v Speaker 3>held up as The Emmanuel goldstein of this world so

0:50:09.200 --> 0:50:11.520
<v Speaker 3>that all of our heroes can have a two minutes

0:50:11.560 --> 0:50:14.799
<v Speaker 3>haite against, him but, No instead we Meet Great brother

0:50:14.880 --> 0:50:17.840
<v Speaker 3>and he's, like he's chatting with this young guy Named,

0:50:17.960 --> 0:50:21.239
<v Speaker 3>nick who is some kind of soldier And. METROPOLIS i

0:50:21.239 --> 0:50:23.800
<v Speaker 3>think he's the young hunk of the. Movie he's supposed

0:50:23.800 --> 0:50:28.560
<v Speaker 3>to Be Han solo, basically but far less, interesting dopier

0:50:28.600 --> 0:50:32.759
<v Speaker 3>and mopier with longer curly. Hair and they talk about

0:50:32.800 --> 0:50:35.680
<v Speaker 3>the theft of The capatron. Device Great brother, says if

0:50:35.680 --> 0:50:38.680
<v Speaker 3>word gets, out there will be a. Panic why would that, be,

0:50:38.840 --> 0:50:41.759
<v Speaker 3>well he. Explains he, says it was the discovery of

0:50:41.800 --> 0:50:45.000
<v Speaker 3>the most ingenious scientists That metropolis has had in this,

0:50:45.200 --> 0:50:49.759
<v Speaker 3>century Doctor. Craspin it has the power to modify a

0:50:49.800 --> 0:50:53.520
<v Speaker 3>man's cell structure and transmute him into some sort of

0:50:53.600 --> 0:50:58.719
<v Speaker 3>monstrosity with superhuman. Powers and So nick, asks, well why

0:50:58.840 --> 0:51:02.760
<v Speaker 3>was the institute create a monstrosity beam And Great brother,

0:51:02.880 --> 0:51:05.759
<v Speaker 3>SAYS i don't remember exactly what he. SAID i, mean,

0:51:05.840 --> 0:51:08.279
<v Speaker 3>basically seems, like Well craspin had, tenure you, know he

0:51:08.320 --> 0:51:11.359
<v Speaker 3>could do what he, wanted but somebody sniffed him. Out

0:51:11.640 --> 0:51:14.440
<v Speaker 3>the person who learned what he was doing Was Dunda

0:51:14.480 --> 0:51:18.880
<v Speaker 3>Da Da Barbara. Gibson Once Barbara gibson got on his.

0:51:18.920 --> 0:51:22.080
<v Speaker 3>Trail everybody found out his evil, plans and he was

0:51:22.200 --> 0:51:26.480
<v Speaker 3>arrested because she tattled To Big, brother and The capatron was.

0:51:26.520 --> 0:51:31.279
<v Speaker 3>Confiscated but now it's been stolen and nobody knows where

0:51:31.400 --> 0:51:35.719
<v Speaker 3>Doctor craspin, is so there's definitely trouble. Afoot and So

0:51:36.280 --> 0:51:39.040
<v Speaker 3>nick is given a. Mission Big brother tells, him you

0:51:39.120 --> 0:51:42.719
<v Speaker 3>need to go Find Barbara, gibson SO i think he

0:51:42.760 --> 0:51:46.359
<v Speaker 3>calls her Miss, gibson so you can Find craspin and

0:51:46.400 --> 0:51:49.160
<v Speaker 3>save the. Planet and this part really made. IT i

0:51:49.239 --> 0:51:52.040
<v Speaker 3>laughed out loud here because there's no refusing the. Call

0:51:52.320 --> 0:51:54.839
<v Speaker 3>there's No luke, saying you, know it's so far away from,

0:51:54.880 --> 0:51:57.799
<v Speaker 3>here what CAN i? Do No Han solo saying you,

0:51:57.800 --> 0:52:00.439
<v Speaker 3>know that's not bravery, kid it's more like sue. Side

0:52:00.800 --> 0:52:02.400
<v Speaker 3>nick just says like all, right, boss.

0:52:03.719 --> 0:52:05.680
<v Speaker 2>Yeah and this brings this brings us back to some

0:52:05.719 --> 0:52:09.120
<v Speaker 2>of the points we're making about About Star wars copies

0:52:09.160 --> 0:52:12.239
<v Speaker 2>And Star wars. Rebuffs they they'd certainly go for the.

0:52:12.320 --> 0:52:15.080
<v Speaker 2>Esthetics they go for these elements like desert planets and

0:52:15.120 --> 0:52:18.400
<v Speaker 2>stormtroopers and laser. Guns maybe if they have the budget for,

0:52:18.440 --> 0:52:20.680
<v Speaker 2>it they'll throw in some droids and some. Aliens But

0:52:20.800 --> 0:52:24.200
<v Speaker 2>the thing that they never copy is they never copy

0:52:24.239 --> 0:52:29.359
<v Speaker 2>the hero's. Journey they never get into the mythological underpinnings

0:52:29.719 --> 0:52:32.520
<v Speaker 2>that were that are so central To lucas's. Creations so

0:52:32.560 --> 0:52:35.200
<v Speaker 2>there's there's never the hero of a thousand. Faces there's

0:52:35.239 --> 0:52:39.040
<v Speaker 2>never any connection to the er. Myth you, know that's

0:52:39.120 --> 0:52:39.960
<v Speaker 2>always what is.

0:52:40.000 --> 0:52:43.279
<v Speaker 3>Missing, yeah the ripping off is of the most superficial.

0:52:43.320 --> 0:52:47.520
<v Speaker 4>Elements, yeah and, ULTIMATELY i mean that's if you if

0:52:47.560 --> 0:52:49.600
<v Speaker 4>you just get those superficial, Elements, yeah you don't Have

0:52:49.640 --> 0:52:52.280
<v Speaker 4>Star wars because one of the things that always worked

0:52:52.320 --> 0:52:55.359
<v Speaker 4>in The Star wars films is that you had that

0:52:55.360 --> 0:52:59.560
<v Speaker 4>that mythological skeleton to the thing that was propelling things.

0:52:59.600 --> 0:53:02.319
<v Speaker 3>Along oh, yeah. Totally but, HEY i know a way

0:53:02.400 --> 0:53:05.239
<v Speaker 3>to fix the hollowness of this, story which is Introduce

0:53:05.520 --> 0:53:09.880
<v Speaker 3>Richard keel and a cute. Robot, finally that's immediately what happens,

0:53:09.920 --> 0:53:12.200
<v Speaker 3>Next and thank god we got, here because up to

0:53:12.239 --> 0:53:14.520
<v Speaker 3>this point the movie is rather. Dull.

0:53:15.080 --> 0:53:17.400
<v Speaker 2>YEAH i was having a very hard time paying attention

0:53:17.480 --> 0:53:20.880
<v Speaker 2>to anything in this film until Finally Richard keele and

0:53:20.880 --> 0:53:23.439
<v Speaker 2>the robot dogs show, up and then suddenly it's kind

0:53:23.440 --> 0:53:25.839
<v Speaker 2>of interesting And i'm Like, Okay i'm beginning to see

0:53:25.840 --> 0:53:26.439
<v Speaker 2>where we're going.

0:53:26.440 --> 0:53:29.480
<v Speaker 3>Here. Yeah, Yeah So Richard keel is cruising in space

0:53:29.560 --> 0:53:32.480
<v Speaker 3>in his spaceship and he encounters some kind of. Problem

0:53:32.680 --> 0:53:35.360
<v Speaker 3>he's trying to Contact. Metropolis they're not getting back to.

0:53:35.440 --> 0:53:38.759
<v Speaker 3>Him his ship's breaking. Down. Oh his character's name is

0:53:38.880 --> 0:53:43.320
<v Speaker 3>Go law But, golob and he's just generally having a hard.

0:53:43.400 --> 0:53:46.240
<v Speaker 3>Time and then we see him take out his frustrations

0:53:46.280 --> 0:53:50.520
<v Speaker 3>on his adorable robot, Dog. Kip he's, Like, Kip i'm

0:53:50.520 --> 0:53:53.600
<v Speaker 3>mad at, you but then he immediately feels bad about,

0:53:53.600 --> 0:53:56.880
<v Speaker 3>it And kip is just the cutest. Thing this movie.

0:53:56.880 --> 0:54:01.359
<v Speaker 3>SUCCEEDS i, Mean kip is not as effective emotional as

0:54:01.400 --> 0:54:03.600
<v Speaker 3>The droids And Star wars. Are it doesn't have as

0:54:03.680 --> 0:54:06.480
<v Speaker 3>much personality AS r TWO d, Two but because they

0:54:06.520 --> 0:54:11.160
<v Speaker 3>went with with robot dog instead of just general, robot

0:54:11.480 --> 0:54:13.680
<v Speaker 3>it gets automatic mileage out of dog.

0:54:13.840 --> 0:54:17.759
<v Speaker 2>Similarities, yeah and it. Is it is very cute in

0:54:17.800 --> 0:54:19.600
<v Speaker 2>a kind of kind of analog.

0:54:19.719 --> 0:54:20.080
<v Speaker 3>Way you.

0:54:20.120 --> 0:54:22.520
<v Speaker 2>Know it's like, this it's a dog made out of

0:54:22.640 --> 0:54:23.600
<v Speaker 2>keyboard parts and.

0:54:23.640 --> 0:54:24.000
<v Speaker 3>Stuff.

0:54:24.160 --> 0:54:28.160
<v Speaker 2>Yeah SO i enjoyed all the scenes Involving Richard keele's

0:54:28.239 --> 0:54:29.200
<v Speaker 2>character and the robot.

0:54:29.239 --> 0:54:31.360
<v Speaker 3>Dog me, too AND i laughed out loud when the

0:54:31.440 --> 0:54:35.239
<v Speaker 3>robot dog extended its telescoping antenna tail and wagged. It

0:54:37.080 --> 0:54:38.480
<v Speaker 3>BUT i feel like this is sort of where the

0:54:38.480 --> 0:54:41.759
<v Speaker 3>movie really picks, up when we Meet Richard keel and

0:54:41.800 --> 0:54:44.840
<v Speaker 3>when we start meeting more of the bad. Guys, so,

0:54:45.280 --> 0:54:47.959
<v Speaker 3>Yeah Richard keel is, fun the robot dog is, great

0:54:48.040 --> 0:54:51.759
<v Speaker 3>and so they're flying around in. Space but then we

0:54:51.880 --> 0:54:56.360
<v Speaker 3>cut to the evil enemy base on a planet Called Planet,

0:54:56.520 --> 0:55:00.960
<v Speaker 3>knoxun which outside looks exactly the is the other. Planet

0:55:01.000 --> 0:55:01.840
<v Speaker 3>it's just a. Desert.

0:55:02.200 --> 0:55:04.319
<v Speaker 2>YEAH i WHEN i watched, IT i thought they Said,

0:55:04.400 --> 0:55:06.800
<v Speaker 2>Nixon SO i was, like the Planet. Nixon that's, great

0:55:06.840 --> 0:55:09.480
<v Speaker 2>that's a perfect evil planet for the late nineteen.

0:55:09.520 --> 0:55:12.360
<v Speaker 3>Seventies, YEAH i mean it's pretty. Close but here we

0:55:12.440 --> 0:55:15.799
<v Speaker 3>meet another. Villain It's Barbara bach and the first thing

0:55:15.840 --> 0:55:17.640
<v Speaker 3>you will notice about her is that she's wearing an

0:55:17.680 --> 0:55:23.840
<v Speaker 3>absolutely astounding. Wig it's kind of hair, metal but it's

0:55:23.880 --> 0:55:26.200
<v Speaker 3>it's also something else that you've just never seen on a.

0:55:26.280 --> 0:55:29.920
<v Speaker 3>Human the wig she's wearing is at the same time

0:55:30.480 --> 0:55:33.799
<v Speaker 3>hair and a hood and a.

0:55:33.920 --> 0:55:39.120
<v Speaker 2>Helmet, yeah, yeah it's it's it's interesting, looking but you,

0:55:39.160 --> 0:55:41.400
<v Speaker 2>know she's.

0:55:40.920 --> 0:55:41.880
<v Speaker 3>She's a very stylish.

0:55:41.920 --> 0:55:44.719
<v Speaker 2>Lady she's, uh you, know she's able to pull it off, somehow,

0:55:45.200 --> 0:55:48.319
<v Speaker 2>somehow this doesn't look completely goofy on.

0:55:48.360 --> 0:55:51.239
<v Speaker 3>Her so like the front of this hair looks like

0:55:51.280 --> 0:55:54.240
<v Speaker 3>the McDonald's, Arches like it goes up on each side

0:55:54.239 --> 0:55:56.359
<v Speaker 3>and then comes, down and it's kind of fluffy in the,

0:55:56.360 --> 0:55:59.000
<v Speaker 3>front which makes it look like a you, know fur

0:55:59.120 --> 0:56:02.440
<v Speaker 3>lined hood on a. Jacket but then behind, that the

0:56:02.480 --> 0:56:06.400
<v Speaker 3>hair suddenly turns rigid and flat and it's like A

0:56:06.480 --> 0:56:10.040
<v Speaker 3>Darth vader helmet on the, back but it's. Hair, Yeah

0:56:10.080 --> 0:56:12.080
<v Speaker 3>and she's wearing a really funny dress with like a

0:56:12.200 --> 0:56:15.000
<v Speaker 3>riveted metal. Neckline all the bad guys in this were

0:56:15.000 --> 0:56:18.759
<v Speaker 3>stuff with riveted metal hymns on. It and it's pretty

0:56:18.840 --> 0:56:21.160
<v Speaker 3>much immediately clear that what we're dealing with With barbara

0:56:21.160 --> 0:56:24.759
<v Speaker 3>bak here is a space bathory because we get her

0:56:25.000 --> 0:56:29.240
<v Speaker 3>and she's meeting with Doctor, craspin who remember the scientist

0:56:29.280 --> 0:56:32.600
<v Speaker 3>who made The capatron who, Escaped and what they're doing

0:56:32.680 --> 0:56:34.719
<v Speaker 3>when we first meet them is they put some poor

0:56:34.760 --> 0:56:39.040
<v Speaker 3>woman into a plastic iron maiden that jabs her with

0:56:39.080 --> 0:56:42.120
<v Speaker 3>a million hypodermic needles and it sucks out her life.

0:56:42.120 --> 0:56:45.680
<v Speaker 3>Force And barbara back is just like, yes, yes.

0:56:47.120 --> 0:56:49.279
<v Speaker 2>Yeah it's kind of a horrific. Scene it's also the

0:56:49.280 --> 0:56:52.040
<v Speaker 2>only scene like the scene that has any nudity in,

0:56:52.080 --> 0:56:53.319
<v Speaker 2>it because the woman they.

0:56:53.280 --> 0:56:56.600
<v Speaker 3>Put into The Iron maiden is. Nude, yeah it's very

0:56:56.600 --> 0:56:59.239
<v Speaker 3>strange because otherwise this could be a kid's, movie but

0:56:59.280 --> 0:57:02.239
<v Speaker 3>then there's just unseen like ten seconds long that has

0:57:02.360 --> 0:57:04.840
<v Speaker 3>nudity and brutal, violence and then if you were to

0:57:05.000 --> 0:57:08.120
<v Speaker 3>just remove those ten, seconds it's a kids. Movie.

0:57:08.440 --> 0:57:11.440
<v Speaker 2>Yeah, Absolutely so it's totally weird that we suddenly go

0:57:11.480 --> 0:57:14.040
<v Speaker 2>to this place and then we then we're back into

0:57:15.320 --> 0:57:17.520
<v Speaker 2>everything that's come before.

0:57:17.720 --> 0:57:20.280
<v Speaker 3>Totally but SO i think we figure out what's going

0:57:20.280 --> 0:57:23.360
<v Speaker 3>on here is that they are extracting the, fluids like

0:57:23.600 --> 0:57:26.400
<v Speaker 3>it's Like Elizabeth, bathory you, know they're draining the liquids

0:57:26.440 --> 0:57:30.400
<v Speaker 3>out of the local peasant girls so That Lady agatha

0:57:30.400 --> 0:57:34.440
<v Speaker 3>here played By Barbara, back can can use this life

0:57:34.440 --> 0:57:38.920
<v Speaker 3>force of these other women to stay young. Forever but doctor, Craspin,

0:57:39.120 --> 0:57:41.400
<v Speaker 3>oh and this is a system that has been designed

0:57:41.400 --> 0:57:44.680
<v Speaker 3>by Doctor, craspan much To Barbara back's, liking but he

0:57:44.760 --> 0:57:47.400
<v Speaker 3>has to warn. Her he says science may have conquered,

0:57:47.440 --> 0:57:52.200
<v Speaker 3>age but it will never succeed in conquering, death and

0:57:52.360 --> 0:57:54.520
<v Speaker 3>for some reason she's mad at. HIM i don't remember.

0:57:54.520 --> 0:57:56.760
<v Speaker 3>Why she starts kind of sniping at, him but Then

0:57:56.800 --> 0:58:01.919
<v Speaker 3>craspin is very smooth that deflecting. Hers he, says don't

0:58:01.920 --> 0:58:04.760
<v Speaker 3>you trust, Me Lady, agatha DON'T i give you daily.

0:58:04.880 --> 0:58:08.640
<v Speaker 3>Doses you haven't aged one minute since you've been. Here

0:58:09.120 --> 0:58:12.760
<v Speaker 3>AND i, thought would you normally notice having aged one minute.

0:58:12.680 --> 0:58:14.600
<v Speaker 2>During the early parts of this, FILM i would, say,

0:58:14.680 --> 0:58:16.880
<v Speaker 2>yes you definitely feel those minutes go.

0:58:16.960 --> 0:58:20.200
<v Speaker 3>By but, yeah they're talking about it like people can

0:58:20.240 --> 0:58:22.800
<v Speaker 3>normally look At barbara back and say, like, oh you've

0:58:22.800 --> 0:58:25.320
<v Speaker 3>really aged one minute SINCE i saw you one minute.

0:58:25.360 --> 0:58:29.200
<v Speaker 3>Ago but she says to doctor crasp AND i trust

0:58:29.280 --> 0:58:31.720
<v Speaker 3>no one and you know. It so this is clearly

0:58:31.760 --> 0:58:35.439
<v Speaker 3>just a fully transactional. Relationship and then, oh the next

0:58:35.480 --> 0:58:39.560
<v Speaker 3>thing Is Lord. Grawl remember Barth quader arrives and we

0:58:39.600 --> 0:58:42.600
<v Speaker 3>realize That Lord grawl And Lady agatha are an. Item

0:58:43.120 --> 0:58:46.240
<v Speaker 3>they are. Together and when he arrives and Meets Lady

0:58:46.280 --> 0:58:50.720
<v Speaker 3>agatha and crasp and he's, like, wow you are so.

0:58:50.960 --> 0:58:55.800
<v Speaker 3>Beautiful you have not aged one. Minute and of course

0:58:56.000 --> 0:58:59.320
<v Speaker 3>it's especially hilarious because he's still wearing the face. Belts.

0:58:59.640 --> 0:59:02.400
<v Speaker 2>Yeah, yeah this never comes. Off he never takes off this.

0:59:02.480 --> 0:59:05.120
<v Speaker 3>Helmet, yeah so the face belts are always fully. On

0:59:05.360 --> 0:59:07.600
<v Speaker 3>even in scenes where it looks like he and he

0:59:07.680 --> 0:59:10.320
<v Speaker 3>And Barbara bach are about to like have some, romance

0:59:10.440 --> 0:59:14.680
<v Speaker 3>the face belts are just right in the. Way AND i,

0:59:14.760 --> 0:59:16.880
<v Speaker 3>think you, KNOW i was thinking about, this AND i was,

0:59:16.880 --> 0:59:20.640
<v Speaker 3>Like Star wars made a smart decision by Keeping Darth,

0:59:20.760 --> 0:59:25.480
<v Speaker 3>vader at least post his vadering basically, asexual because If

0:59:25.520 --> 0:59:28.040
<v Speaker 3>Darth vader was trying to like have a dating life

0:59:28.120 --> 0:59:30.920
<v Speaker 3>while he was building The Death, STAR i think that

0:59:30.960 --> 0:59:33.200
<v Speaker 3>would not have added the right kind of depth to the.

0:59:33.240 --> 0:59:36.840
<v Speaker 3>Film but here we get to see Their Darth vader's love.

0:59:36.920 --> 0:59:38.920
<v Speaker 3>Life he And Lady. Agatha it seems like they're going

0:59:38.960 --> 0:59:40.440
<v Speaker 3>to be very happy together though.

0:59:40.400 --> 0:59:44.080
<v Speaker 2>In, away, like you, know she's worried about aging one

0:59:44.160 --> 0:59:50.160
<v Speaker 2>minute and and absorbs the liquids of slaughtered peasants so

0:59:50.200 --> 0:59:53.040
<v Speaker 2>that she can live. Longer he is a cold and

0:59:53.120 --> 0:59:57.160
<v Speaker 2>motionless man inside of a face. Shackle that, so, yeah

0:59:57.160 --> 0:59:58.120
<v Speaker 2>they seem perfect for each.

0:59:58.120 --> 1:00:09.360
<v Speaker 3>Other, oh but here we learn about the plan that's

1:00:09.440 --> 1:00:11.720
<v Speaker 3>driving the plot of the. Movie so we learn that

1:00:11.840 --> 1:00:15.920
<v Speaker 3>Doctor craspin is going to create For Lord grawl And

1:00:16.040 --> 1:00:21.680
<v Speaker 3>Lady agatha an army of humanoids that will be indestructible human. Robots,

1:00:21.840 --> 1:00:23.720
<v Speaker 3>again this is another one of those movies where they

1:00:24.040 --> 1:00:27.120
<v Speaker 3>they pronounce it. Robot and then pretty much right after,

1:00:27.200 --> 1:00:30.920
<v Speaker 3>this Doctor craspan notices he like looks on a telescreen

1:00:30.960 --> 1:00:34.240
<v Speaker 3>and he Sees Richard keel zooming around in space. Nearby you,

1:00:34.280 --> 1:00:37.440
<v Speaker 3>know he's flying a spaceship outside The Star destroyer and,

1:00:37.560 --> 1:00:39.840
<v Speaker 3>uh crasp or, OUTSIDE i guess they're at the base

1:00:39.880 --> 1:00:42.480
<v Speaker 3>on Knox in at this. Point And craspin sees him

1:00:42.480 --> 1:00:44.960
<v Speaker 3>on THIS tv and he's, like, oh that, guy that,

1:00:45.040 --> 1:00:47.760
<v Speaker 3>GUY i want to turn him into an indestructible Human

1:00:47.880 --> 1:00:50.680
<v Speaker 3>robut that's the Guy i'm going to. Humanoid so he

1:00:51.000 --> 1:00:53.640
<v Speaker 3>uses he like messes with some switches on a panel

1:00:54.000 --> 1:00:57.000
<v Speaker 3>to Make Richard keel crash land his ship on this.

1:00:57.160 --> 1:00:59.880
<v Speaker 2>Planet and then they they like he has some to

1:01:00.160 --> 1:01:03.240
<v Speaker 2>another cute scene interacting with the, dog and then he's

1:01:03.280 --> 1:01:07.840
<v Speaker 2>just basically hit with a missile that just blows his

1:01:07.920 --> 1:01:11.440
<v Speaker 2>ship up, right, yeah and transforms him into a.

1:01:11.640 --> 1:01:14.760
<v Speaker 3>Humanoid, Right so he gets humanoided by a missile from.

1:01:14.840 --> 1:01:18.160
<v Speaker 3>Space it's very beast Of yucca flats because he pops

1:01:18.240 --> 1:01:21.240
<v Speaker 3>up and suddenly his beard is, gone like the moment he's.

1:01:21.320 --> 1:01:25.320
<v Speaker 3>Humanoided he is now clean, shaven and let's see other transformation.

1:01:25.400 --> 1:01:29.040
<v Speaker 3>Elements he can no longer. Talk he, Grunts, yeah he

1:01:29.080 --> 1:01:33.200
<v Speaker 3>grunts and groans a, lot just rages around waving his. Arms,

1:01:34.080 --> 1:01:37.000
<v Speaker 3>immediately some soldiers show up to shoot at, him and

1:01:37.040 --> 1:01:39.680
<v Speaker 3>it does, nothing and he tosses them around like sacks of.

1:01:39.720 --> 1:01:44.680
<v Speaker 3>Flour And craspin's dudes capture the Rage golob by knocking

1:01:44.840 --> 1:01:48.280
<v Speaker 3>him out with What crassman calls a very special narcotic.

1:01:48.480 --> 1:01:51.720
<v Speaker 3>Gas and then they take him back to the base and, say,

1:01:51.760 --> 1:01:54.400
<v Speaker 3>okay we can control him now because we put an

1:01:54.440 --> 1:01:55.440
<v Speaker 3>implant on his.

1:01:55.600 --> 1:01:58.360
<v Speaker 2>Head, yeah there's this kind of third eye jewelry thing

1:01:58.400 --> 1:02:01.200
<v Speaker 2>that they put on him and controls him.

1:02:01.400 --> 1:02:04.640
<v Speaker 3>Right And crasban says To, grawl in seven, Days metropolis

1:02:04.640 --> 1:02:08.240
<v Speaker 3>will be populated by an army of humanoids at your. Command,

1:02:08.760 --> 1:02:10.640
<v Speaker 3>oh when we skipped over one thing THAT i thought

1:02:10.680 --> 1:02:13.160
<v Speaker 3>was really, funny because there's like a there's like an

1:02:13.160 --> 1:02:18.000
<v Speaker 3>interrupted romance scene Between Barber brock And Lord. Grawl here

1:02:18.640 --> 1:02:21.880
<v Speaker 3>they're like in a room, together And Lady agatha says

1:02:21.960 --> 1:02:23.720
<v Speaker 3>to him it is a great honor for me to

1:02:23.720 --> 1:02:26.960
<v Speaker 3>be loved by the future ruler Of metropolis and the entire,

1:02:27.080 --> 1:02:31.600
<v Speaker 3>galaxy and is the most absolutely flat line Delivery i've ever.

1:02:31.640 --> 1:02:36.320
<v Speaker 3>Heard like, Yeah but Then Lord grawl's, like so you

1:02:36.480 --> 1:02:39.200
<v Speaker 3>just want my power and she's, like only IF i

1:02:39.200 --> 1:02:41.200
<v Speaker 3>can share it with, You AND i think they're about to,

1:02:41.280 --> 1:02:43.520
<v Speaker 3>kiss BUT i don't know how they would kiss because

1:02:43.520 --> 1:02:46.919
<v Speaker 3>his face belts are in the. Way and then Immediately

1:02:47.680 --> 1:02:50.800
<v Speaker 3>Doctor craspan like interrupts them by coming on the telescreen

1:02:50.880 --> 1:02:52.840
<v Speaker 3>on the wall and he's, like, hey what's. Up i've

1:02:52.840 --> 1:02:57.720
<v Speaker 3>got you a. Humanoid he's so, tall let's turn him.

1:02:57.720 --> 1:02:57.800
<v Speaker 4>In.

1:02:58.120 --> 1:03:00.680
<v Speaker 2>Yeah it is stupid, too because it's, like, okay he

1:03:00.840 --> 1:03:03.960
<v Speaker 2>can only he. Directly he's like a mindless killing machine

1:03:03.960 --> 1:03:08.200
<v Speaker 2>that's directly controlled by the implant on his. Head and

1:03:08.280 --> 1:03:12.120
<v Speaker 2>yet he's going to command an. Army what how does this?

1:03:12.160 --> 1:03:15.640
<v Speaker 3>Work, Yeah i'm not quite. Sure but so they give

1:03:15.840 --> 1:03:18.960
<v Speaker 3>a mission to the now humanoid did go, law but

1:03:19.040 --> 1:03:21.520
<v Speaker 3>they send him on a hit job to kill great,

1:03:21.600 --> 1:03:26.160
<v Speaker 3>brother remember Big brother from earlier In, metropolis And Lord

1:03:26.160 --> 1:03:28.360
<v Speaker 3>grahl says to, him you will not stop until my

1:03:28.480 --> 1:03:31.760
<v Speaker 3>brother is crushed to a pulp at your. Feet so

1:03:31.800 --> 1:03:33.919
<v Speaker 3>they send him into this, place the city that looks

1:03:33.960 --> 1:03:36.320
<v Speaker 3>like in the establishing. Shots it looks like when people

1:03:36.360 --> 1:03:41.360
<v Speaker 3>make those aluminum casts of ant colony. Tunnels, yeah and

1:03:41.520 --> 1:03:42.160
<v Speaker 3>it looks pretty.

1:03:42.160 --> 1:03:44.480
<v Speaker 2>Interesting and it reminds me of another thing that you

1:03:44.520 --> 1:03:50.400
<v Speaker 2>see In Star wars ripoff movies is, that, certainly if

1:03:50.400 --> 1:03:54.160
<v Speaker 2>you can create an alien, city you, know like, this that's.

1:03:54.200 --> 1:03:57.320
<v Speaker 2>Great but also if you can shoot as, many like

1:03:57.480 --> 1:04:00.520
<v Speaker 2>late seventies futuristic bits of, architects, sure you know that

1:04:00.600 --> 1:04:04.240
<v Speaker 2>kind of future shot kind of, architecture, ye that also

1:04:04.360 --> 1:04:05.840
<v Speaker 2>is a great, idea and they do that in this.

1:04:05.920 --> 1:04:09.880
<v Speaker 2>Film there's some really interesting architectural choices that they use

1:04:09.920 --> 1:04:10.680
<v Speaker 2>as backdrops at.

1:04:10.680 --> 1:04:13.000
<v Speaker 3>TIMES i think there are a lot of public library

1:04:13.040 --> 1:04:16.000
<v Speaker 3>buildings that end up in these sci fi movies BECAUSE

1:04:16.120 --> 1:04:18.240
<v Speaker 3>i don't, know you, know they've got some weird looking.

1:04:18.280 --> 1:04:20.560
<v Speaker 2>Staircase, yeah any, Oh, yeah if you can get a

1:04:20.560 --> 1:04:25.560
<v Speaker 2>weird looking staircase and interesting hotel, atrium then.

1:04:25.520 --> 1:04:27.480
<v Speaker 3>Yeah you've got to put it in your. Movie so

1:04:27.520 --> 1:04:30.280
<v Speaker 3>they Send Richard keel into the city Of. Metropolis, AGAIN

1:04:30.360 --> 1:04:32.840
<v Speaker 3>i think the planet Is metropolis and the city Is,

1:04:32.920 --> 1:04:36.120
<v Speaker 3>metropolis and the guards try to stop, him but of

1:04:36.160 --> 1:04:38.480
<v Speaker 3>course nothing's going to stop. Him he's a. Humanoid so

1:04:38.600 --> 1:04:40.920
<v Speaker 3>they shoot him with. Lasers it doesn't do. Anything he

1:04:40.960 --> 1:04:44.120
<v Speaker 3>throws him on the. Ground the palace guards are being

1:04:44.120 --> 1:04:47.680
<v Speaker 3>commanded by Again Nick, nick the guy from, earlier and

1:04:48.000 --> 1:04:50.760
<v Speaker 3>the lasers have no, effect And golob is very.

1:04:50.800 --> 1:04:54.160
<v Speaker 2>Angry, yeah he's basically a Rampaging frankenstein in all of.

1:04:54.160 --> 1:04:58.160
<v Speaker 3>This, Yeah i'm throwing people on the. Ground the bad,

1:04:58.400 --> 1:04:59.040
<v Speaker 3>yeah laser.

1:04:59.080 --> 1:04:59.280
<v Speaker 2>Bad.

1:04:59.400 --> 1:05:02.600
<v Speaker 3>Yeah and So nick goes to talk To Great brother

1:05:03.280 --> 1:05:05.560
<v Speaker 3>and he, Says Great, brother you must leave the building at.

1:05:05.600 --> 1:05:10.000
<v Speaker 3>Once there's some sort of mutant, outside and so they

1:05:10.000 --> 1:05:14.400
<v Speaker 3>Evacuate Great brother And. Golob. Oh Then golob hijacks a

1:05:14.520 --> 1:05:17.080
<v Speaker 3>land speeder just Like luke has in the First Star

1:05:17.120 --> 1:05:20.840
<v Speaker 3>wars movie to go to the institute from, earlier because

1:05:21.080 --> 1:05:24.280
<v Speaker 3>Somehow crasman knows that's Where Great brother has been evacuated.

1:05:24.320 --> 1:05:26.520
<v Speaker 3>To and then he busts in there and they try

1:05:26.560 --> 1:05:28.280
<v Speaker 3>to set a trap for him where they're going to

1:05:28.320 --> 1:05:31.919
<v Speaker 3>Crush golob in a hydraulic, press but that doesn't work

1:05:31.960 --> 1:05:34.720
<v Speaker 3>because he's too strong for. It he just pushes it

1:05:34.800 --> 1:05:37.760
<v Speaker 3>right back. Up and then there's an interesting moment Where

1:05:37.800 --> 1:05:40.640
<v Speaker 3>golob has a chance to Smash Great, brother like he's

1:05:40.680 --> 1:05:43.040
<v Speaker 3>got him right. There he breaks through the traps and all,

1:05:43.080 --> 1:05:46.440
<v Speaker 3>that But craspin for some reason gets greedy with his

1:05:46.480 --> 1:05:49.520
<v Speaker 3>personal grudge and he's, like, no don't Kill Great brother,

1:05:49.600 --> 1:05:51.240
<v Speaker 3>yet go Kill Barbara gibson.

1:05:51.320 --> 1:05:55.800
<v Speaker 2>First, Yeah crasman cares more about Killing Barbara gibson than

1:05:55.840 --> 1:05:57.560
<v Speaker 2>anyone else in this movie cares about.

1:05:57.560 --> 1:06:01.120
<v Speaker 3>Anything, Yes and it's all for revenge Because Barbara gibson

1:06:01.240 --> 1:06:05.640
<v Speaker 3>uncovered his illicit activities at the. Institute so he's, like you.

1:06:05.680 --> 1:06:08.720
<v Speaker 3>Can't you can't Do Great brother until you do my

1:06:08.800 --> 1:06:12.800
<v Speaker 3>revenge mission. First So golob then goes To Barbara gibson's

1:06:12.840 --> 1:06:14.760
<v Speaker 3>house and there's a big chase scene where he's running,

1:06:14.760 --> 1:06:17.720
<v Speaker 3>around smashing through walls and you think he's gonna Kill Korean,

1:06:17.760 --> 1:06:20.840
<v Speaker 3>clary but instead It's Tom tom to the. Rescue Tom

1:06:20.920 --> 1:06:23.480
<v Speaker 3>tom is there and he uses some kind of psychic

1:06:23.600 --> 1:06:27.640
<v Speaker 3>powers On golob to calm, him stop the, raging stop

1:06:27.720 --> 1:06:30.680
<v Speaker 3>the hulking, out and they sort of kneel down together

1:06:31.120 --> 1:06:33.880
<v Speaker 3>And Tom tom says to, him may your essence return

1:06:33.920 --> 1:06:36.200
<v Speaker 3>to your. Body let me reach into your heart and

1:06:36.240 --> 1:06:37.520
<v Speaker 3>into your soul and it.

1:06:37.600 --> 1:06:40.280
<v Speaker 2>Works, yeah and it's kind of. SWEET i don't, KNOW

1:06:40.320 --> 1:06:41.760
<v Speaker 2>i kind of like the energy of, this you, know,

1:06:41.840 --> 1:06:42.280
<v Speaker 2>yeah yeah.

1:06:42.360 --> 1:06:47.320
<v Speaker 3>Yeah but Then Korean clary this Is Barbara. Gibson she

1:06:47.400 --> 1:06:49.600
<v Speaker 3>runs out into the desert BECAUSE i think she doesn't

1:06:49.680 --> 1:06:53.080
<v Speaker 3>realize That Tom tom has successfully tamed the, beast and

1:06:53.320 --> 1:06:56.200
<v Speaker 3>she is ambushed by. Stormtroopers but then we get this

1:06:56.440 --> 1:07:00.320
<v Speaker 3>really weird sequence where the stormtroopers that are out to

1:07:00.400 --> 1:07:05.480
<v Speaker 3>kill her are instead shot with like plastic neon arrows

1:07:05.600 --> 1:07:09.720
<v Speaker 3>by these two mimes In Obi Wan kenobi robes that

1:07:09.840 --> 1:07:13.760
<v Speaker 3>Are Tom tom's friends from another. Dimension he says they're foreign.

1:07:13.800 --> 1:07:19.160
<v Speaker 2>Travelers, yeah they're they're kind of like space, elves not

1:07:19.320 --> 1:07:21.920
<v Speaker 2>in any like kind of like warhammer, sense but like

1:07:22.000 --> 1:07:24.200
<v Speaker 2>in like they're just sort of like fantasy.

1:07:24.240 --> 1:07:27.240
<v Speaker 3>Elves, yeah very. Strange they come and go a lot

1:07:27.280 --> 1:07:30.000
<v Speaker 3>in the. Movie they appear at random times to Aid

1:07:30.080 --> 1:07:33.520
<v Speaker 3>Tom tom by shooting people with bow and. Arrow the

1:07:33.560 --> 1:07:36.800
<v Speaker 3>movie has a lot of psychic powers and, clairvoyance and

1:07:36.960 --> 1:07:41.040
<v Speaker 3>So Tom tom And golob then use psychic powers to

1:07:41.240 --> 1:07:44.360
<v Speaker 3>reveal the location Of Lord grawl And craspin they find

1:07:44.360 --> 1:07:48.920
<v Speaker 3>out they're On noxon and then When barbara goes to

1:07:49.440 --> 1:07:52.200
<v Speaker 3>reveal this to the, authorities she gets, kidnapped kidnapped by

1:07:52.240 --> 1:07:55.640
<v Speaker 3>a spaceship and taken to the evil Planet, noxon Leaving

1:07:55.720 --> 1:07:59.640
<v Speaker 3>golob along With Tom. Tom and of Course barbara's taken

1:07:59.680 --> 1:08:03.840
<v Speaker 3>to The Lord grawl and she says with again absolutely flat.

1:08:03.880 --> 1:08:06.600
<v Speaker 3>Delivery it's, like great brother will crush you like a.

1:08:06.600 --> 1:08:10.959
<v Speaker 3>Worm and she's Now Princess leah from the Original Star.

1:08:11.000 --> 1:08:14.200
<v Speaker 3>Wars she's held prisoner on The Death. Star and now

1:08:14.880 --> 1:08:17.200
<v Speaker 3>we're toward the end of the, movie but we finally

1:08:17.280 --> 1:08:21.240
<v Speaker 3>kick into very familiar Original Star wars. Territory, right it's

1:08:21.240 --> 1:08:25.120
<v Speaker 3>a rescue mission To Lord grawl's star, base And nick

1:08:25.200 --> 1:08:28.080
<v Speaker 3>has to. GO i, guess BECAUSE i don't. Know he's

1:08:28.080 --> 1:08:30.600
<v Speaker 3>the young honky, guy and he, says, Well i'm going

1:08:30.680 --> 1:08:33.559
<v Speaker 3>to go on a single commando raid because that has

1:08:33.640 --> 1:08:35.880
<v Speaker 3>the best chance of. SUCCESS i don't know why that

1:08:35.880 --> 1:08:37.680
<v Speaker 3>would have the best chance of. Success why don't they

1:08:37.720 --> 1:08:41.400
<v Speaker 3>send an entire. Army don't they have? One they're bloated by? Peace, Right,

1:08:41.600 --> 1:08:43.960
<v Speaker 3>yeah that's, right they're bloated by. Peace Lord grawl was,

1:08:44.040 --> 1:08:46.160
<v Speaker 3>Right so he's going to go on a mission to

1:08:46.200 --> 1:08:51.320
<v Speaker 3>Rescue Barbara gibson and recover The. Capatron and then this

1:08:51.360 --> 1:08:54.720
<v Speaker 3>part made me laugh out. Loud golob goes up to

1:08:54.720 --> 1:08:58.000
<v Speaker 3>great brother and he's, like Go, lob Go barbara my.

1:08:58.280 --> 1:09:02.760
<v Speaker 3>Friend and so he's sort of regained some ability to,

1:09:02.800 --> 1:09:05.040
<v Speaker 3>speak but not the full ability to. Speak he can

1:09:05.040 --> 1:09:08.479
<v Speaker 3>only talk in the caveman monosyllable. Thing oh and then

1:09:08.520 --> 1:09:11.040
<v Speaker 3>of Course Tom tom comes. Along he sneaks onto the.

1:09:11.080 --> 1:09:15.720
<v Speaker 3>Ship so Like nick And golob are flying to the

1:09:15.760 --> 1:09:18.720
<v Speaker 3>base And Tom tom just shows. Up and what Does

1:09:18.840 --> 1:09:20.680
<v Speaker 3>nick say to? Him he's, like are you are you

1:09:20.840 --> 1:09:23.960
<v Speaker 3>out of your space dimensions or something something like.

1:09:23.960 --> 1:09:26.960
<v Speaker 2>That it gets Very Star wars for a little bit,

1:09:27.000 --> 1:09:30.400
<v Speaker 2>here and Just Star wars stuff, happens but it's still

1:09:30.439 --> 1:09:32.479
<v Speaker 2>worth sticking with because there's a lot of cool stuff

1:09:32.520 --> 1:09:32.680
<v Speaker 2>at the.

1:09:32.800 --> 1:09:35.559
<v Speaker 3>End, yes, yes, Yes so there's a space dog fight

1:09:35.680 --> 1:09:37.679
<v Speaker 3>on the way there where they get attacked by, ships

1:09:37.760 --> 1:09:40.360
<v Speaker 3>and this is again one of those like blatant ripoff.

1:09:40.360 --> 1:09:42.880
<v Speaker 3>Scenes is just a direct copy of the scene In

1:09:42.920 --> 1:09:45.840
<v Speaker 3>Star wars Where luke And hahn go into the ball

1:09:45.920 --> 1:09:48.599
<v Speaker 3>turret guns on The Millennium falcon and fight off the tie.

1:09:48.600 --> 1:09:53.439
<v Speaker 3>Fighters it's a direct ripoff of, that except here instead

1:09:53.479 --> 1:09:57.120
<v Speaker 3>Of luke And. Han it Is, nick the Lovable. NICK

1:09:57.479 --> 1:09:59.800
<v Speaker 3>i did like in the scene, though How golob not

1:10:00.000 --> 1:10:04.800
<v Speaker 3>approvingly every Time nick destroys an enemy, fighter looks At

1:10:04.800 --> 1:10:08.519
<v Speaker 3>Tom tom and he's, like. Yep but Then nick gets

1:10:08.600 --> 1:10:11.640
<v Speaker 3>knocked out and they crash land On Planet knox in

1:10:11.720 --> 1:10:14.679
<v Speaker 3>which again looks exactly Like. Metropolis it's the same, desert

1:10:15.000 --> 1:10:18.120
<v Speaker 3>and they get a reunion With kip the, robodog which

1:10:18.160 --> 1:10:20.120
<v Speaker 3>is again truly very.

1:10:20.160 --> 1:10:23.760
<v Speaker 2>Cute, yeah this relationship is the heart and soul of

1:10:23.760 --> 1:10:24.639
<v Speaker 2>this motion, picture.

1:10:25.080 --> 1:10:27.880
<v Speaker 3>Right so they have to infiltrate The. Bass so you've

1:10:27.880 --> 1:10:30.200
<v Speaker 3>Got Richard keel And nick And Tom tom and Now

1:10:30.280 --> 1:10:33.040
<v Speaker 3>kip the robot. Dog they're all working. Together they infiltrate

1:10:33.080 --> 1:10:37.240
<v Speaker 3>the bad Guy bass by Having kip the robot distract

1:10:37.280 --> 1:10:39.000
<v Speaker 3>the guards and then they all just run in the.

1:10:39.040 --> 1:10:44.439
<v Speaker 3>Door and their method for Finding Barbara gibson in The

1:10:44.479 --> 1:10:48.919
<v Speaker 3>secret Grawl lair is That golob says to the robot

1:10:48.960 --> 1:10:52.840
<v Speaker 3>dog Bar bra and then somehow the dog leads them to.

1:10:52.880 --> 1:10:55.439
<v Speaker 3>HER i don't know how that.

1:10:55.520 --> 1:10:58.720
<v Speaker 2>Works, yeah it's a. DOG i guess it can lead

1:10:58.760 --> 1:11:02.400
<v Speaker 2>people to. Places that's how it works IN tv.

1:11:02.479 --> 1:11:05.799
<v Speaker 3>SHOWS i have several questions about the fighting that starts.

1:11:05.800 --> 1:11:08.280
<v Speaker 3>Here so they have to fight some stormtroopers along the,

1:11:08.320 --> 1:11:10.799
<v Speaker 3>way and a lot of this is hand to hand

1:11:10.840 --> 1:11:15.360
<v Speaker 3>fighting with Like nick doing wrestling moves on. Stormtroopers why

1:11:15.360 --> 1:11:18.600
<v Speaker 3>are they Having nick do the? Fighting Isn't golob indestructible

1:11:18.640 --> 1:11:20.320
<v Speaker 3>at this? Point shouldn't they let him do the?

1:11:20.320 --> 1:11:23.600
<v Speaker 2>Fighting they, should because he certainly does a lot of

1:11:23.200 --> 1:11:27.120
<v Speaker 2>the melee combat before and, afterwards doing all sorts of

1:11:27.120 --> 1:11:29.880
<v Speaker 2>fun giant, moves you, know throwing guys. Around at one,

1:11:29.920 --> 1:11:32.160
<v Speaker 2>point he does this wonderful number where he grabs a

1:11:32.200 --> 1:11:35.320
<v Speaker 2>guy and like just pounds his head into the ceiling several. Times,

1:11:35.439 --> 1:11:38.720
<v Speaker 2>Yea and yet he never does a move THAT i was,

1:11:38.760 --> 1:11:41.680
<v Speaker 2>anticipating the one where you come up behind two stormtroopers

1:11:41.840 --> 1:11:44.519
<v Speaker 2>and you grab their heads and you knock them together like.

1:11:44.600 --> 1:11:46.519
<v Speaker 3>Coconuts, yeah, yeah that stunds like.

1:11:46.479 --> 1:11:49.360
<v Speaker 2>That would be just a that's just a go to giant,

1:11:49.439 --> 1:11:50.679
<v Speaker 2>move and it doesn't.

1:11:50.720 --> 1:11:53.840
<v Speaker 3>Happen that's that's money left on the, table my number

1:11:53.840 --> 1:11:58.280
<v Speaker 3>one complain about this huge missed. Opportunity but then, meanwhile

1:11:58.320 --> 1:12:00.880
<v Speaker 3>of course we got to have some some. Peril so

1:12:01.439 --> 1:12:04.280
<v Speaker 3>we find out that Doctor crassman is going to Drain

1:12:04.479 --> 1:12:07.599
<v Speaker 3>Barbara gibson with The Iron maiden Of needles to create

1:12:07.640 --> 1:12:10.800
<v Speaker 3>the most potent dose of serum yet For barbara. Back

1:12:11.960 --> 1:12:13.680
<v Speaker 3>and so she's in the setup and they got the

1:12:13.680 --> 1:12:16.040
<v Speaker 3>needles going in for, her but then the heroes bust

1:12:16.040 --> 1:12:20.080
<v Speaker 3>in to rescue, her and Doctor crassman looks so betrayed

1:12:20.200 --> 1:12:22.800
<v Speaker 3>in this scene when When golob shows back up and

1:12:22.840 --> 1:12:26.080
<v Speaker 3>now he's working for the good, guys he, says the

1:12:26.160 --> 1:12:30.840
<v Speaker 3>humanoids fighting for, them it's not possible and he seems really. Hurt.

1:12:31.240 --> 1:12:34.640
<v Speaker 2>Again best actor in the. Movie, yeah and it's in

1:12:34.880 --> 1:12:38.120
<v Speaker 2>the in the bar is very, low you, know so

1:12:38.520 --> 1:12:42.320
<v Speaker 2>when when Author kennedy's busting out those those, emotions like

1:12:42.360 --> 1:12:44.599
<v Speaker 2>you feel them extra. Hard you're, like what is? This

1:12:45.080 --> 1:12:46.080
<v Speaker 2>what AM i watching?

1:12:46.120 --> 1:12:48.920
<v Speaker 3>Here so the bad guys have to run out of

1:12:48.920 --> 1:12:51.120
<v Speaker 3>the room and escape while they rest while the good

1:12:51.120 --> 1:12:55.400
<v Speaker 3>guys Rescue Barbara. Gibson But Lady agatha is distraught about

1:12:55.439 --> 1:12:58.200
<v Speaker 3>this because she needs her. Serum she's repeatedly saying, LIKE

1:12:58.240 --> 1:13:01.720
<v Speaker 3>i need my seerum. Immediately IF i don't get, IT

1:13:01.760 --> 1:13:04.320
<v Speaker 3>i might age one. Minute and then there is a

1:13:04.360 --> 1:13:07.240
<v Speaker 3>hallway blaster fight that again is ripped straight out Of Star.

1:13:07.280 --> 1:13:10.160
<v Speaker 3>Wars it's just the scene From Cell BLOCK aa twenty,

1:13:10.160 --> 1:13:13.840
<v Speaker 3>three and then this evolves into a big blaster fight

1:13:13.880 --> 1:13:16.920
<v Speaker 3>and a spaceship. Hangar there's a great moment in this

1:13:17.000 --> 1:13:20.479
<v Speaker 3>fight Where kip the robot dog defeats some stormtroopers by

1:13:20.520 --> 1:13:22.760
<v Speaker 3>peeing on the floor and then they slip on it

1:13:22.800 --> 1:13:26.040
<v Speaker 3>and fall. Over it's good at. First golob is Defeating

1:13:26.080 --> 1:13:29.160
<v Speaker 3>stormtroopers by like knocking them on the, ground but then

1:13:29.200 --> 1:13:31.559
<v Speaker 3>he gets a laser gun and he really tears up the.

1:13:31.600 --> 1:13:35.800
<v Speaker 3>Place and this big action scene is, cheap but it's pretty.

1:13:35.840 --> 1:13:36.760
<v Speaker 3>Fun yeah it.

1:13:36.840 --> 1:13:38.519
<v Speaker 2>IS i enjoyed this one a. Lot and again this

1:13:38.600 --> 1:13:41.639
<v Speaker 2>is where you have A golob like smashing people's heads

1:13:41.680 --> 1:13:42.519
<v Speaker 2>into the ceiling and so.

1:13:42.600 --> 1:13:46.120
<v Speaker 3>Forth. Yeah and so when this fight is going, on

1:13:46.280 --> 1:13:48.680
<v Speaker 3>the bad guys are not doing so. Hot LIKE i

1:13:48.720 --> 1:13:50.920
<v Speaker 3>said With Doctor crassman a minute, ago he sounds so,

1:13:51.000 --> 1:13:54.040
<v Speaker 3>hurt like the bad guys really Seem you start kind

1:13:54.040 --> 1:13:56.640
<v Speaker 3>of feeling bad for them Because Lady agatha is just

1:13:56.800 --> 1:13:59.879
<v Speaker 3>clawing at the. Walls she's, LIKE i need my. Serum

1:14:00.400 --> 1:14:04.320
<v Speaker 3>and Then Lord grawl issues the most forlorn and defeated

1:14:04.560 --> 1:14:07.160
<v Speaker 3>order to kill them That i've ever. Heard do you

1:14:07.160 --> 1:14:09.280
<v Speaker 3>remember this part where he says like kill?

1:14:09.439 --> 1:14:14.479
<v Speaker 2>Them, yeah, YEAH i mean you kill them or shoot

1:14:14.520 --> 1:14:19.120
<v Speaker 2>them is as a frequent order given by by, villains

1:14:19.160 --> 1:14:22.760
<v Speaker 2>but generally there's a certain amount of whimsy or or

1:14:23.280 --> 1:14:25.200
<v Speaker 2>evil to. IT i MEAN i always come back to

1:14:25.360 --> 1:14:28.040
<v Speaker 2>the Excellent Ronald lacy And raiders of The Lost. Arc

1:14:28.120 --> 1:14:31.040
<v Speaker 2>you know where he, goes shoot, them shoot them, both you,

1:14:31.120 --> 1:14:34.360
<v Speaker 2>know like that's such great. Delivery and, yeah Gral is

1:14:34.439 --> 1:14:36.920
<v Speaker 2>JUST i don't think he believes what he's.

1:14:36.920 --> 1:14:39.519
<v Speaker 3>Saying he sounds like he knows he's. Lost he's just

1:14:39.760 --> 1:14:43.920
<v Speaker 3>he's just. Begging he's, like kill. Them and then we

1:14:43.960 --> 1:14:46.160
<v Speaker 3>get maybe my favorite special effect in this.

1:14:46.240 --> 1:14:49.840
<v Speaker 2>Movie, yeah that's, right because time has run out For Lady.

1:14:49.880 --> 1:14:52.799
<v Speaker 3>Agatha she aged one. Minute oh, no.

1:14:53.040 --> 1:14:55.840
<v Speaker 2>That one minute that was that was the last, MINUTE i. Guess,

1:14:56.479 --> 1:14:58.680
<v Speaker 2>yeah so she ages that one minute and then she

1:14:58.840 --> 1:15:03.400
<v Speaker 2>just Completely it's kind of a rapid aging, effect kind

1:15:03.400 --> 1:15:07.760
<v Speaker 2>of a melting, effect but not done nearly anywhere near

1:15:08.760 --> 1:15:10.519
<v Speaker 2>as well as what you would see and Say.

1:15:10.400 --> 1:15:13.879
<v Speaker 3>Raiders The Lost Arc orgon though the third.

1:15:13.640 --> 1:15:17.200
<v Speaker 2>One The Last, crusade where we had a rapid aging

1:15:17.240 --> 1:15:20.240
<v Speaker 2>sequence that was pretty. Great this is neither of. Those

1:15:20.280 --> 1:15:24.040
<v Speaker 2>it's more of a frame by frame, effect similar to

1:15:24.120 --> 1:15:26.920
<v Speaker 2>some early werewolf transformation sequences you see in.

1:15:26.960 --> 1:15:29.120
<v Speaker 3>Pictures but it's still a lot of. Fun, yeah she

1:15:29.160 --> 1:15:30.160
<v Speaker 3>turns into a rotten.

1:15:30.200 --> 1:15:33.920
<v Speaker 2>Skeleton, yeah so that was. Fun that's worth hanging in

1:15:33.960 --> 1:15:34.240
<v Speaker 2>there for.

1:15:34.479 --> 1:15:36.479
<v Speaker 3>Now there's a bunch of other fighting stuff that. Happens

1:15:36.479 --> 1:15:38.559
<v Speaker 3>at one point in the, Fight Tom tom and His

1:15:38.720 --> 1:15:41.120
<v Speaker 3>archer mimes show up again to save the. Day they

1:15:41.120 --> 1:15:43.479
<v Speaker 3>shoot the neon arrows at the bad guys While Tom

1:15:43.520 --> 1:15:47.120
<v Speaker 3>tom does psychic. Stuff and then there was a part

1:15:47.200 --> 1:15:49.639
<v Speaker 3>THAT i thought was very. Funny there was a brief

1:15:49.920 --> 1:15:55.080
<v Speaker 3>hand to hand fight Between nick And Lord. Grawl so

1:15:55.360 --> 1:15:58.599
<v Speaker 3>can you imagine If Star wars had a scene Where

1:15:58.640 --> 1:16:02.000
<v Speaker 3>Hans solo And. Darth we're just punching and kicking each.

1:16:02.080 --> 1:16:05.880
<v Speaker 3>Other but eventually in the, Scene Lord graul whips out

1:16:05.880 --> 1:16:09.280
<v Speaker 3>his secret, weapon which is laser. Fingers this is not

1:16:09.360 --> 1:16:12.000
<v Speaker 3>a power that we knew he. Had it just appears

1:16:12.040 --> 1:16:16.320
<v Speaker 3>out of nowhere and he starts blasting his laser fingers At.

1:16:17.120 --> 1:16:20.240
<v Speaker 3>Nick but, eventually Even Lord grawl is no match For.

1:16:20.360 --> 1:16:24.200
<v Speaker 3>Golob the Humanoid Golob bear hugs him and then he

1:16:24.320 --> 1:16:25.880
<v Speaker 3>disintegrates inside his.

1:16:25.960 --> 1:16:28.720
<v Speaker 2>Suit, yeah this is kind of, weird kind of like

1:16:28.760 --> 1:16:31.719
<v Speaker 2>a green screen. Effect and then the suit is, Empty

1:16:31.920 --> 1:16:33.320
<v Speaker 2>gral is, defeated.

1:16:33.200 --> 1:16:35.800
<v Speaker 3>And of course the heroes escape the base as it is.

1:16:35.880 --> 1:16:38.720
<v Speaker 3>Exploding and then you got the problem with The, capatron

1:16:38.800 --> 1:16:41.000
<v Speaker 3>this thing that's supposed to detonate and create a bunch

1:16:41.040 --> 1:16:44.559
<v Speaker 3>of other humanoids Like, golob And golob decides he's going

1:16:44.640 --> 1:16:49.200
<v Speaker 3>to sacrifice himself by detonating The capatron under a, lake

1:16:49.360 --> 1:16:51.200
<v Speaker 3>so he grabs. It he sort of falls on a

1:16:51.200 --> 1:16:54.800
<v Speaker 3>grenade but, underwater and they think he's. Dead but Then

1:16:55.160 --> 1:16:57.519
<v Speaker 3>Richard keel pops buck back up out of the water

1:16:57.880 --> 1:17:02.280
<v Speaker 3>and somehow he has his beard. Back it has unhumanoided

1:17:02.360 --> 1:17:04.200
<v Speaker 3>him to fall on the grenade of The.

1:17:04.240 --> 1:17:07.640
<v Speaker 2>Capitron, yes it's pretty, great and he's, like like he

1:17:07.680 --> 1:17:10.640
<v Speaker 2>doesn't really have any memory of what. Happened she's, like

1:17:10.680 --> 1:17:12.040
<v Speaker 2>you look great in a, beard and he's, Like i've

1:17:12.040 --> 1:17:15.120
<v Speaker 2>always had a. Beard it's, beautiful beautiful.

1:17:15.160 --> 1:17:20.160
<v Speaker 3>Moment, yeah and then we get absolutely bizarre twist ending

1:17:20.360 --> 1:17:23.519
<v Speaker 3>THAT i have no idea how to, explain but we

1:17:23.560 --> 1:17:26.639
<v Speaker 3>find out That Tom tom has got a sail off

1:17:26.680 --> 1:17:30.800
<v Speaker 3>into the sunset because he explains that he is from

1:17:30.840 --> 1:17:36.200
<v Speaker 3>another place Called. TIBET i assume that is supposed to

1:17:36.240 --> 1:17:39.639
<v Speaker 3>refer To, tibet the place On, earth and so you'd

1:17:39.680 --> 1:17:41.600
<v Speaker 3>think that this, is oh, well maybe this is like

1:17:41.640 --> 1:17:44.400
<v Speaker 3>A i don't, know like one of those sci fi

1:17:44.479 --> 1:17:46.880
<v Speaker 3>endings where, oh Actually earth is here and he's From

1:17:47.000 --> 1:17:50.120
<v Speaker 3>earth and this is somewhere. Else but that doesn't make

1:17:50.160 --> 1:17:53.559
<v Speaker 3>sense because they tell us That metropolis Is, earth so

1:17:53.560 --> 1:17:55.920
<v Speaker 3>it would not make sense to say That Tom tom

1:17:55.960 --> 1:17:58.200
<v Speaker 3>was From earth all along this faraway.

1:17:58.240 --> 1:18:02.760
<v Speaker 2>Place is It is he From tobet in the past

1:18:03.120 --> 1:18:04.040
<v Speaker 2>or DID i take that.

1:18:04.040 --> 1:18:06.640
<v Speaker 3>Up on my? Entering? YEAH i. DON'T i was, like

1:18:06.760 --> 1:18:09.240
<v Speaker 3>is he a time traveler from the. Past that is

1:18:09.280 --> 1:18:11.200
<v Speaker 3>the only thing that really seems to make sense to.

1:18:11.240 --> 1:18:15.320
<v Speaker 2>Me, Yeah i'm not. SURE i have no, answers BUT

1:18:15.760 --> 1:18:18.519
<v Speaker 2>i did really like this this ending because, again it

1:18:18.600 --> 1:18:22.000
<v Speaker 2>feels very boreds Of. Canada, yes it feels like we're

1:18:22.160 --> 1:18:25.400
<v Speaker 2>just straight up teleporting into the hexagon sun here because

1:18:25.400 --> 1:18:29.280
<v Speaker 2>we have that. Analog it's like this analog dreamy summer,

1:18:29.360 --> 1:18:32.639
<v Speaker 2>day psychedelic, vibe the sense of everything's gonna be okay

1:18:33.040 --> 1:18:35.360
<v Speaker 2>because you have the Boy Tom tom saying all these

1:18:35.360 --> 1:18:39.400
<v Speaker 2>positive things while The morricone Dream twinkle music goes on

1:18:39.520 --> 1:18:43.280
<v Speaker 2>in the, background and the glowing cosmic barge floats into

1:18:43.280 --> 1:18:46.200
<v Speaker 2>the movie from The gray havens or to bed or,

1:18:46.240 --> 1:18:49.880
<v Speaker 2>wherever and, uh, yeah it's a good landing for the.

1:18:49.880 --> 1:18:52.599
<v Speaker 3>FILM i. Agree the end is just a slow cruise

1:18:52.640 --> 1:18:57.479
<v Speaker 3>into the. Orange feels, good feels. Warm, yeah you do

1:18:57.520 --> 1:18:59.439
<v Speaker 3>feel warm at the. End oh and we get some

1:18:59.560 --> 1:19:02.920
<v Speaker 3>ending near. Too that was really. Funny it, said once

1:19:02.960 --> 1:19:06.880
<v Speaker 3>again Planet earth had narrowly escaped. Disaster was there another?

1:19:06.960 --> 1:19:11.800
<v Speaker 3>Time once again it had found in itself the, intelligence the,

1:19:11.840 --> 1:19:15.800
<v Speaker 3>insight and the strength to repel a mortal. Enemy once,

1:19:15.840 --> 1:19:19.240
<v Speaker 3>again man was to live at peace in the. Galaxy

1:19:19.760 --> 1:19:22.639
<v Speaker 3>awesome they wrapped it. Up, YEAH i Guess, yoh, Okay

1:19:23.160 --> 1:19:24.360
<v Speaker 3>Star wars wasn't able to do.

1:19:24.439 --> 1:19:26.519
<v Speaker 2>That Like Star, wars they had to come back in

1:19:26.520 --> 1:19:29.240
<v Speaker 2>subsequent films to flash everything. Out this film did it

1:19:29.320 --> 1:19:29.639
<v Speaker 2>in one.

1:19:29.720 --> 1:19:34.680
<v Speaker 3>Picture that's a good. Point, yeah no additional storytelling. Required

1:19:35.560 --> 1:19:42.519
<v Speaker 3>everybody lived happily ever. After, yes, so oh what to?

1:19:42.600 --> 1:19:45.240
<v Speaker 2>SAY i Guess in the, END i found this to

1:19:45.280 --> 1:19:48.880
<v Speaker 2>be an enjoyable viewing, experience THOUGH i did have to

1:19:48.920 --> 1:19:52.200
<v Speaker 2>force myself to keep watching. Through like the first ten

1:19:52.280 --> 1:19:55.360
<v Speaker 2>minutes or. So, yeah and then there was certainly this

1:19:55.479 --> 1:19:58.800
<v Speaker 2>kind of a potential dropout period later. On SO i

1:19:58.800 --> 1:20:02.240
<v Speaker 2>would say that if you're to watch this, film you

1:20:02.600 --> 1:20:04.559
<v Speaker 2>stick with, it or feel free to skip ahead a little,

1:20:04.560 --> 1:20:06.800
<v Speaker 2>bit because you, know honestly you're not going to miss.

1:20:06.880 --> 1:20:09.639
<v Speaker 3>MUCH i would say this one is very different From

1:20:09.720 --> 1:20:12.960
<v Speaker 3>message From, space and that they're Both Star wars. Ripoffs

1:20:13.000 --> 1:20:15.200
<v Speaker 3>But message From SPACE i THINK i already said this,

1:20:15.240 --> 1:20:18.360
<v Speaker 3>earlier but it has a lot more esthetic uniqueness and

1:20:18.439 --> 1:20:20.559
<v Speaker 3>interest to, it like a lot more different colors and

1:20:20.640 --> 1:20:23.280
<v Speaker 3>sets and costumes and alien designs and, things and it

1:20:23.320 --> 1:20:25.479
<v Speaker 3>goes a lot more different places with the. Plot like

1:20:25.720 --> 1:20:27.960
<v Speaker 3>in many, Ways message From space was kind of hard

1:20:27.960 --> 1:20:30.640
<v Speaker 3>to follow because a lot of strange things happen in.

1:20:30.680 --> 1:20:33.320
<v Speaker 3>It this movie, IS i would, say the opposite end

1:20:33.320 --> 1:20:36.920
<v Speaker 3>of the spectrum is it is very simple, plot very.

1:20:36.960 --> 1:20:40.080
<v Speaker 3>Straightforward you might even want to fast forward some, parts

1:20:40.439 --> 1:20:42.360
<v Speaker 3>but enjoyable in a similar.

1:20:42.400 --> 1:20:46.800
<v Speaker 2>Way, Ultimately, yeah and worth it definitely For Richard keel

1:20:46.960 --> 1:20:49.960
<v Speaker 2>and for Author, kennedy both of whom are very very

1:20:50.240 --> 1:20:50.880
<v Speaker 2>entertaining in this.

1:20:50.960 --> 1:20:51.320
<v Speaker 3>Film.

1:20:51.600 --> 1:20:54.000
<v Speaker 2>Yeah now you're probably, wondering, well where CAN i watch?

1:20:54.080 --> 1:20:57.639
<v Speaker 2>It it's been ON dvd. Before i'm sure you can

1:20:57.680 --> 1:21:00.640
<v Speaker 2>probably land it ON dvd if you look around in

1:21:00.680 --> 1:21:03.360
<v Speaker 2>the right, place BUT i could not find a legit

1:21:03.479 --> 1:21:05.720
<v Speaker 2>streaming source for it right. NOW i don't. Know it

1:21:06.240 --> 1:21:09.520
<v Speaker 2>might be on twob but it's definitely been on, YouTube

1:21:09.600 --> 1:21:12.519
<v Speaker 2>like one of the places where it's hosted on. YouTube

1:21:12.520 --> 1:21:15.720
<v Speaker 2>it's been up since twenty, fifteen and nobody's bothered to

1:21:15.760 --> 1:21:18.960
<v Speaker 2>take it. Down it's not pristine. QUALITY i feel like

1:21:19.120 --> 1:21:22.160
<v Speaker 2>you could probably get a better quality version of this

1:21:22.240 --> 1:21:25.160
<v Speaker 2>if you had like a LEGIT dvd or, something but

1:21:26.320 --> 1:21:26.720
<v Speaker 2>it's still.

1:21:26.760 --> 1:21:30.240
<v Speaker 3>Watchable somebody get us the FOUR K. Humanoid, yeah, yeah

1:21:30.240 --> 1:21:32.640
<v Speaker 3>the FOUR k. RESTORATION i want to see. IT i do.

1:21:32.760 --> 1:21:35.519
<v Speaker 3>Too there's several THINGS i need more detail, on one

1:21:35.560 --> 1:21:38.560
<v Speaker 3>of which is barber box wig THAT i need to

1:21:38.600 --> 1:21:41.920
<v Speaker 3>see the define grains and details of the hair that's

1:21:41.960 --> 1:21:45.920
<v Speaker 3>going on there and where the seams. Are that's very. Important,

1:21:46.400 --> 1:21:47.320
<v Speaker 3>yeah it was. Impressive.

1:21:47.320 --> 1:21:49.920
<v Speaker 2>Costume oh, YEAH i will say, overall like the costumes

1:21:49.920 --> 1:21:53.680
<v Speaker 2>and sets and, miniatures, like everything looks pretty. Good some

1:21:53.680 --> 1:21:55.280
<v Speaker 2>of the effects are a little afi, IFY i, guess

1:21:55.280 --> 1:21:57.080
<v Speaker 2>but for the most, part everything looks pretty. Good it's

1:21:57.160 --> 1:22:00.479
<v Speaker 2>Not Star WARS A New hope, quality but it's it's pretty.

1:22:00.479 --> 1:22:02.280
<v Speaker 2>Good so it is the kind of film that would

1:22:02.360 --> 1:22:06.160
<v Speaker 2>benefit from like a clear. RESTORATION i think maybe not FOUR.

1:22:06.240 --> 1:22:08.240
<v Speaker 2>K don't bring it up too don't bring it bring

1:22:08.280 --> 1:22:10.760
<v Speaker 2>it up into too high a, detail but you, know

1:22:10.800 --> 1:22:12.800
<v Speaker 2>it's it's an interesting film to look.

1:22:12.840 --> 1:22:15.000
<v Speaker 3>At put it in FOUR, k put it in EIGHT.

1:22:15.040 --> 1:22:18.639
<v Speaker 3>K i want to see every molecule of this, movie.

1:22:20.640 --> 1:22:22.559
<v Speaker 2>Because that is a real concern with some of these.

1:22:22.600 --> 1:22:26.240
<v Speaker 2>Restorations we've seen those that you restore it a bit

1:22:26.280 --> 1:22:27.720
<v Speaker 2>too much and you're going to see too many of the,

1:22:27.720 --> 1:22:30.280
<v Speaker 2>cracks you see too many of the wires and so,

1:22:30.360 --> 1:22:33.120
<v Speaker 2>forth and in some cases that has to then be digitally.

1:22:33.200 --> 1:22:36.200
<v Speaker 3>Removed effects that used to look good don't look good.

1:22:36.240 --> 1:22:39.559
<v Speaker 3>Anymore yeah, yeah or sometimes not even, effects just you,

1:22:39.600 --> 1:22:42.960
<v Speaker 3>know the colors AND i don't know what you'd always call,

1:22:43.000 --> 1:22:45.599
<v Speaker 3>it maybe the color grading and certain things about the

1:22:45.600 --> 1:22:49.080
<v Speaker 3>film quality of the. Movie classic example THAT i recall

1:22:49.240 --> 1:22:51.920
<v Speaker 3>is that the Movie, predator you, know the sci fi

1:22:51.960 --> 1:22:54.760
<v Speaker 3>action Movie, schwarzenegger looks good on THE vhs. TAPE i

1:22:54.800 --> 1:22:57.160
<v Speaker 3>think it even looked good on the FIRST dvd that came,

1:22:57.200 --> 1:22:59.400
<v Speaker 3>Out BUT i recall at some point there was a

1:22:59.400 --> 1:23:01.439
<v Speaker 3>blu ray of, it and it was just, like, oh

1:23:01.479 --> 1:23:05.240
<v Speaker 3>this is not. Right it looked like waxy. Huh. INTERESTING

1:23:05.520 --> 1:23:06.600
<v Speaker 3>i think sometimes it.

1:23:06.640 --> 1:23:10.880
<v Speaker 2>Happens, yeah all, right, WELL i think we're going to

1:23:10.920 --> 1:23:13.439
<v Speaker 2>go and close this episode out, here but we'd love

1:23:13.479 --> 1:23:16.680
<v Speaker 2>to hear your thoughts on this movie Star wars in,

1:23:16.720 --> 1:23:19.479
<v Speaker 2>general but certainly Other Star wars. Ripoffs what are your

1:23:19.479 --> 1:23:22.920
<v Speaker 2>Favorite Star wars? Ripoffs what do you think about the

1:23:23.040 --> 1:23:26.320
<v Speaker 2>esthetic qualities Of Star wars that tend to be reflected

1:23:26.360 --> 1:23:29.600
<v Speaker 2>in these. Films all that's fair, game let us, know

1:23:30.520 --> 1:23:33.640
<v Speaker 2>and next, WEEK i believe the plan is that we

1:23:33.760 --> 1:23:39.360
<v Speaker 2>will continue and we'll finish our trilogy of Seventies florida.

1:23:39.439 --> 1:23:41.840
<v Speaker 2>Movies so we'll still be in the nineteen seventies next

1:23:41.880 --> 1:23:45.000
<v Speaker 2>time In Weirdow, cinema but we'll be looking at the

1:23:45.040 --> 1:23:49.679
<v Speaker 2>film Shock, waves which interestingly, enough has A Star wars

1:23:49.720 --> 1:23:50.120
<v Speaker 2>actor in.

1:23:50.160 --> 1:23:53.080
<v Speaker 3>It it Has Peter. Cushion oh, well, Yeah so.

1:23:53.040 --> 1:23:56.200
<v Speaker 2>If you want to watch, ahead here's a, rare a

1:23:56.360 --> 1:23:58.920
<v Speaker 2>rare end episode advance on the next.

1:23:58.920 --> 1:24:01.519
<v Speaker 3>EPISODE i haven't seen this, one But i'm looking forward to.

1:24:01.520 --> 1:24:03.400
<v Speaker 2>It in the, meantime if you would like to check

1:24:03.439 --> 1:24:05.760
<v Speaker 2>out other episodes Of Weird, House. Cinema you will find

1:24:05.760 --> 1:24:08.479
<v Speaker 2>this Every friday in The stuff To Blow Your mind

1:24:08.560 --> 1:24:12.200
<v Speaker 2>podcast Feed we're primarily a science, podcast so our core

1:24:12.240 --> 1:24:14.839
<v Speaker 2>episodes On tuesday And thursday are going to be science

1:24:14.880 --> 1:24:17.519
<v Speaker 2>and culture. Base On mondays we do a little bit

1:24:17.520 --> 1:24:20.160
<v Speaker 2>of listener mail about any and everything that we're talking,

1:24:20.200 --> 1:24:24.120
<v Speaker 2>about and On, wednesdays unless we're, preempted we do an

1:24:24.200 --> 1:24:26.760
<v Speaker 2>artifact episode with reruns on the.

1:24:26.760 --> 1:24:30.080
<v Speaker 3>Weekends huge thanks as always to our excellent audio Producer

1:24:30.160 --> 1:24:32.679
<v Speaker 3>Seth Nicholas. Johnson if you'd like to get in touch

1:24:32.680 --> 1:24:34.760
<v Speaker 3>with us with feedback on this episode or any, other

1:24:34.840 --> 1:24:36.880
<v Speaker 3>to suggest a topic for the, future just to say,

1:24:36.880 --> 1:24:39.759
<v Speaker 3>hello you can email us at Contact's stuff To blow

1:24:39.760 --> 1:24:40.599
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