1 00:00:02,960 --> 00:00:08,280 Speaker 1: Hey guys, a special bring It All Back episode from 2 00:00:08,320 --> 00:00:11,000 Speaker 1: So This Is to Neil Arts. She came by the house. 3 00:00:11,960 --> 00:00:13,960 Speaker 1: She brought her guitar, which people don't normally do for this. 4 00:00:14,040 --> 00:00:16,560 Speaker 1: We were super pumped she did and just got to 5 00:00:16,600 --> 00:00:19,759 Speaker 1: know her. And at this point she hadn't had a 6 00:00:19,840 --> 00:00:22,200 Speaker 1: hit yet. You know, we were talking about in last 7 00:00:22,239 --> 00:00:25,480 Speaker 1: Friday's episode of Bobby Cast where she may break a 8 00:00:25,560 --> 00:00:29,720 Speaker 1: record soon enough. Her song Somebody Like That has cracked 9 00:00:29,720 --> 00:00:31,560 Speaker 1: the top ten on the Country Airplay chart, which is 10 00:00:31,600 --> 00:00:34,000 Speaker 1: a big deal. It took her fifty eight weeks to 11 00:00:34,040 --> 00:00:37,080 Speaker 1: get there. Think about that. We talked to her in 12 00:00:37,159 --> 00:00:42,839 Speaker 1: like a hundred weeks agoin and so that this song 13 00:00:42,960 --> 00:00:45,320 Speaker 1: started forty I mean almost a year after we talked 14 00:00:45,360 --> 00:00:47,040 Speaker 1: to her like this is in the early early to 15 00:00:47,080 --> 00:00:51,400 Speaker 1: Neil Arts time. But that set the record for the 16 00:00:51,440 --> 00:00:54,000 Speaker 1: longest climb to top ten for a solo female artist. 17 00:00:54,120 --> 00:00:55,960 Speaker 1: Who knows if she breaks the all time record, I 18 00:00:55,960 --> 00:00:58,240 Speaker 1: don't they keep going with this song. But I wanted 19 00:00:58,240 --> 00:00:59,640 Speaker 1: to play this interview for you guys in case you 20 00:00:59,640 --> 00:01:02,040 Speaker 1: missed it way back then, eighty episodes ago, because that's 21 00:01:02,080 --> 00:01:04,280 Speaker 1: a long time ago, A long time. That's over a 22 00:01:04,360 --> 00:01:06,760 Speaker 1: year on this feed that probably people are probably aren't 23 00:01:06,760 --> 00:01:09,240 Speaker 1: scrolling back that far to here. So here is Taniel Arts. 24 00:01:09,240 --> 00:01:10,479 Speaker 1: I hope you take some time get to know her. 25 00:01:10,640 --> 00:01:13,120 Speaker 1: Remember this is before she had any success or any fame. Really, 26 00:01:13,160 --> 00:01:14,760 Speaker 1: she'd been on The Bachelor a couple of times, not 27 00:01:14,840 --> 00:01:17,640 Speaker 1: as a contestant, but as a performer. Um, so enjoy this. 28 00:01:17,640 --> 00:01:20,640 Speaker 1: This is Tenniel Arts from the house here on the 29 00:01:20,640 --> 00:01:23,360 Speaker 1: Bobby Cast. Here we go episode two or three with 30 00:01:23,520 --> 00:01:26,000 Speaker 1: tannil Arts. How are you hey? I'm good? How are 31 00:01:26,000 --> 00:01:29,959 Speaker 1: you good? All right? Pretty good? I was looking at 32 00:01:29,959 --> 00:01:32,840 Speaker 1: your instagram. You have a lot of followers. Where did that? 33 00:01:32,880 --> 00:01:34,720 Speaker 1: What's the deal? Where'd that come from? I don't know. 34 00:01:34,840 --> 00:01:36,920 Speaker 1: I mean I've been on social media for a really 35 00:01:36,920 --> 00:01:39,880 Speaker 1: long time and on YouTube, and yeah, I've just been 36 00:01:40,000 --> 00:01:42,840 Speaker 1: like really trying to keep up the online presence. I 37 00:01:42,920 --> 00:01:45,560 Speaker 1: was doing a little deep dive about you and I 38 00:01:45,560 --> 00:01:47,880 Speaker 1: had seen that you were on The Bachelor twice, not 39 00:01:47,960 --> 00:01:50,080 Speaker 1: as a contestant, although that'd be a good story here, 40 00:01:50,600 --> 00:01:52,080 Speaker 1: but you played to why how do you how do 41 00:01:52,120 --> 00:01:55,640 Speaker 1: you land getting on the Bachelor? To play? Well? My 42 00:01:55,680 --> 00:01:58,040 Speaker 1: manager had been sending my music into them for a 43 00:01:58,080 --> 00:02:01,880 Speaker 1: really long time and they just came across some of 44 00:02:01,880 --> 00:02:03,960 Speaker 1: my music that they loved. The first song was called 45 00:02:04,000 --> 00:02:06,240 Speaker 1: Moment of Weakness, and it pretty much sounded like we 46 00:02:06,320 --> 00:02:08,359 Speaker 1: had written it for the show. So it worked out 47 00:02:08,400 --> 00:02:10,680 Speaker 1: really well and I performed on one on one date? 48 00:02:10,919 --> 00:02:13,440 Speaker 1: Could you remember who it was? Um? It was Ari 49 00:02:13,800 --> 00:02:17,160 Speaker 1: and Chelsea? Okay, so, Mike, do you know who Ari is? 50 00:02:17,320 --> 00:02:20,480 Speaker 1: I do? Okay, help me out. Good looking dude. I 51 00:02:20,480 --> 00:02:23,200 Speaker 1: think it's like kind of great here right? Oh yeah, okay, 52 00:02:23,200 --> 00:02:24,880 Speaker 1: So I got it. And that was the season. I 53 00:02:24,880 --> 00:02:27,080 Speaker 1: don't really watch the show. I don't hate people to do. 54 00:02:27,200 --> 00:02:30,040 Speaker 1: By the way, don't get mad at me. Bachelor Nation. 55 00:02:30,480 --> 00:02:32,040 Speaker 1: He's the one that was like he broke up with 56 00:02:32,040 --> 00:02:33,519 Speaker 1: the girl at the end of the season. Yeah, he 57 00:02:33,760 --> 00:02:36,079 Speaker 1: makes someone and then broke up with her and then 58 00:02:36,520 --> 00:02:38,800 Speaker 1: picked the like second place girl. Like now that I 59 00:02:38,800 --> 00:02:41,520 Speaker 1: can admire anyone that kind of is not status quo 60 00:02:41,639 --> 00:02:44,200 Speaker 1: on that show. I like, okay, so you you played 61 00:02:44,240 --> 00:02:47,919 Speaker 1: for him and Chelsea? Did they stay together? Was it 62 00:02:48,040 --> 00:02:50,079 Speaker 1: your song? Was that the reason they didn't stay together? Don't? 63 00:02:50,120 --> 00:02:53,959 Speaker 1: I hope not? No, she left she had a kid, 64 00:02:54,040 --> 00:02:55,640 Speaker 1: so she wanted she had a kid on the show, 65 00:02:57,200 --> 00:02:59,160 Speaker 1: not on the show. But I think she wanted to 66 00:02:59,160 --> 00:03:01,360 Speaker 1: get back to her her son, so I think she 67 00:03:01,440 --> 00:03:03,359 Speaker 1: ended up leaving the show. So tell me what that's 68 00:03:03,400 --> 00:03:05,640 Speaker 1: like them playing do you have played over and over 69 00:03:05,639 --> 00:03:07,679 Speaker 1: and over again for the cameras. Yeah, we play it 70 00:03:07,720 --> 00:03:10,520 Speaker 1: a few times. Not it's like definitely a surprise for 71 00:03:10,639 --> 00:03:13,400 Speaker 1: the girl. I think the bachelor knows that this is 72 00:03:13,440 --> 00:03:15,000 Speaker 1: going down because I think he has like a hand 73 00:03:15,000 --> 00:03:17,919 Speaker 1: in picking the dates. But uh, the girl was completely 74 00:03:17,919 --> 00:03:20,040 Speaker 1: surprised when she walked in and we played the song 75 00:03:20,080 --> 00:03:22,360 Speaker 1: a couple of times for them to get their shots 76 00:03:22,360 --> 00:03:25,280 Speaker 1: and everything. But then we play it again multiple times, 77 00:03:25,800 --> 00:03:28,480 Speaker 1: and that makes sense so they can shoot you. Yeah, 78 00:03:28,760 --> 00:03:30,720 Speaker 1: they can get close ups and stuff. But it was 79 00:03:30,960 --> 00:03:33,400 Speaker 1: really awkward because nobody told me if I should look 80 00:03:33,440 --> 00:03:35,600 Speaker 1: at the cameras or not. So I just found myself 81 00:03:35,640 --> 00:03:39,520 Speaker 1: staring at the couple dancing and making out, and it 82 00:03:39,600 --> 00:03:41,400 Speaker 1: was so awkward. I didn't not know what to do. 83 00:03:41,560 --> 00:03:44,360 Speaker 1: It was Yeah, that was that. But so let me 84 00:03:44,440 --> 00:03:46,000 Speaker 1: hear some of this moment of weakness and I'm gonna 85 00:03:46,040 --> 00:03:57,960 Speaker 1: imagine a couple of dancing right that is quite a 86 00:03:58,000 --> 00:04:00,640 Speaker 1: bachelor song. Yeah, because you're based be begging them to 87 00:04:00,680 --> 00:04:03,200 Speaker 1: make out right there, you're playing that song, like, all right, 88 00:04:03,560 --> 00:04:05,280 Speaker 1: have your moment weakness, right, You're on camera, so we 89 00:04:05,280 --> 00:04:08,400 Speaker 1: can document it. Okay, So you go on the show 90 00:04:08,400 --> 00:04:10,280 Speaker 1: and I would imagine, because I've had some friends go 91 00:04:10,360 --> 00:04:12,120 Speaker 1: on that show and play, there's a nice pop with 92 00:04:12,120 --> 00:04:14,360 Speaker 1: your music to day after it airs. Oh yeah, so 93 00:04:14,400 --> 00:04:16,320 Speaker 1: that was pretty cool, right, that was really cool. That 94 00:04:16,440 --> 00:04:18,960 Speaker 1: had a huge part to do with my social media 95 00:04:19,080 --> 00:04:21,640 Speaker 1: and just my music getting out there in general. So 96 00:04:21,640 --> 00:04:26,039 Speaker 1: but then you go back again. Yeah, So then they're like, hey, 97 00:04:26,279 --> 00:04:28,200 Speaker 1: you riveted our couple so much, we want you to 98 00:04:28,200 --> 00:04:30,479 Speaker 1: bring that back for another couple. Is that what happened 99 00:04:30,480 --> 00:04:32,600 Speaker 1: the next time? I don't know. They're just like they 100 00:04:32,640 --> 00:04:34,640 Speaker 1: became a fan of my music and they wanted to 101 00:04:34,680 --> 00:04:36,480 Speaker 1: help me out as a new artist. And I think 102 00:04:36,480 --> 00:04:39,479 Speaker 1: it's really cool and kind of unexpected to be a 103 00:04:39,520 --> 00:04:41,640 Speaker 1: part of something like The Bachelor, Like you wouldn't think 104 00:04:41,680 --> 00:04:44,400 Speaker 1: that's a great way to promote your music, but it 105 00:04:44,480 --> 00:04:46,360 Speaker 1: kind of is. I mean, there's a lot of people 106 00:04:46,760 --> 00:04:49,479 Speaker 1: that watch that show and it's like the perfect age 107 00:04:49,480 --> 00:04:51,599 Speaker 1: for my music. So they asked me to come back. 108 00:04:51,760 --> 00:04:54,280 Speaker 1: So you go back and then you play for this 109 00:04:54,320 --> 00:04:57,200 Speaker 1: one was Colton and a Lease Okay. Now, if I 110 00:04:57,240 --> 00:05:00,479 Speaker 1: remember they're not together, you're over too. I just telling 111 00:05:00,520 --> 00:05:02,599 Speaker 1: you your success right on this show is not good 112 00:05:02,640 --> 00:05:05,240 Speaker 1: for the couple stand together. I've played really early on 113 00:05:05,279 --> 00:05:07,359 Speaker 1: in the show, so I feel like, you know, you 114 00:05:07,480 --> 00:05:09,440 Speaker 1: never know what's going to happen at that point. So 115 00:05:09,560 --> 00:05:16,440 Speaker 1: Colton and Elie and what are they doing? Like, yeah, 116 00:05:16,520 --> 00:05:18,800 Speaker 1: it was in a big theater in l A. So 117 00:05:18,839 --> 00:05:21,320 Speaker 1: there was actually an audience there. Okay, so a little 118 00:05:21,360 --> 00:05:25,680 Speaker 1: more natural way. So you're playing in a theater and 119 00:05:25,720 --> 00:05:28,200 Speaker 1: how does that And part of me for not knowing this, 120 00:05:28,560 --> 00:05:30,640 Speaker 1: how did they set that up? Do they fake like 121 00:05:30,680 --> 00:05:32,520 Speaker 1: they're walking in on a show or they're both big 122 00:05:32,520 --> 00:05:35,680 Speaker 1: Tannil Arts fans? Yeah, sometimes they do it like that, 123 00:05:35,800 --> 00:05:37,840 Speaker 1: not that they'd be faking it, but I'm gonna work. 124 00:05:37,880 --> 00:05:39,120 Speaker 1: I do a lot of TV two and we fake 125 00:05:39,160 --> 00:05:42,719 Speaker 1: a lot of stuff, not not originally, but in order 126 00:05:42,760 --> 00:05:44,159 Speaker 1: to redo it again and again and again, we have 127 00:05:44,200 --> 00:05:46,559 Speaker 1: to sometimes go all right, let's shoot this again. Yeah, 128 00:05:46,800 --> 00:05:49,479 Speaker 1: So they walk in like, oh, yeah, we're big fans 129 00:05:49,480 --> 00:05:51,440 Speaker 1: of Tannil Arts. Let's go Is that what it? Yeah? 130 00:05:51,480 --> 00:05:54,159 Speaker 1: Basically that's what that's what happened. It was like a 131 00:05:54,200 --> 00:05:57,280 Speaker 1: surprise for the girl and everything, but she ended up 132 00:05:57,520 --> 00:05:59,480 Speaker 1: messaging me like right after that episode and was like, 133 00:05:59,520 --> 00:06:02,359 Speaker 1: I'm gonna remember that night forever. I love your music. 134 00:06:02,440 --> 00:06:04,880 Speaker 1: So she definitely like dove into my music after that, 135 00:06:05,400 --> 00:06:08,520 Speaker 1: and so and then there you have it too. We 136 00:06:08,600 --> 00:06:10,760 Speaker 1: need one more that you gotta get on a successful 137 00:06:10,880 --> 00:06:12,440 Speaker 1: You gotta get on a couple of the stays together. 138 00:06:13,400 --> 00:06:17,080 Speaker 1: Right right now, you're the Clayton Kershaw of of the 139 00:06:17,120 --> 00:06:19,320 Speaker 1: Bachelor's just not working out for you so far. That's 140 00:06:19,320 --> 00:06:20,720 Speaker 1: pretty cool that they brought you back. And what song 141 00:06:20,760 --> 00:06:23,320 Speaker 1: did you do there? Well? It ended up being a 142 00:06:23,320 --> 00:06:25,320 Speaker 1: song called I Hate This, which was a breakup song 143 00:06:25,680 --> 00:06:28,719 Speaker 1: which you predicted. What was I do? I like that 144 00:06:28,760 --> 00:06:30,760 Speaker 1: song this? I hate the song I've programmed into the 145 00:06:30,880 --> 00:06:32,480 Speaker 1: heart the women of by our country show. This is 146 00:06:32,480 --> 00:06:33,960 Speaker 1: a good one. Not that the other one wasn't. I 147 00:06:34,000 --> 00:06:39,440 Speaker 1: just had never heard it. I liked this one a lot. 148 00:06:44,800 --> 00:06:46,839 Speaker 1: When you hear your own music, you kind of bob 149 00:06:46,880 --> 00:06:48,120 Speaker 1: your head and you still do you like listen to 150 00:06:48,160 --> 00:06:50,960 Speaker 1: your own music? I do, yeah, because when when we 151 00:06:50,960 --> 00:06:52,200 Speaker 1: played that, I felt like you kind of felt that 152 00:06:52,200 --> 00:06:55,760 Speaker 1: a little bit. Yeah. I immediately started thinking about when 153 00:06:55,760 --> 00:06:57,960 Speaker 1: I like wrote it and who it's about, And yeah, 154 00:06:58,440 --> 00:07:01,599 Speaker 1: I go there every time. So you wrote that. Okay, good, 155 00:07:01,600 --> 00:07:03,200 Speaker 1: it's a perfect segue into this. We have a lot 156 00:07:03,200 --> 00:07:05,080 Speaker 1: of songwriters that come on the show, which you are 157 00:07:05,240 --> 00:07:08,680 Speaker 1: obviously um and and they talk about songs. So let's 158 00:07:08,680 --> 00:07:10,600 Speaker 1: talk about this song specifically. How long ago did you 159 00:07:10,600 --> 00:07:13,640 Speaker 1: write it? It would have been like a year and 160 00:07:13,720 --> 00:07:17,160 Speaker 1: a half ago. Oh still pretty fresh? Yeah, pretty new. 161 00:07:17,200 --> 00:07:19,280 Speaker 1: And it's funny because when I had originally written it, 162 00:07:19,920 --> 00:07:21,960 Speaker 1: I wasn't going through a breakup or anything like. I 163 00:07:22,000 --> 00:07:24,400 Speaker 1: was kind of imagining what that would be like and everything, 164 00:07:24,840 --> 00:07:27,800 Speaker 1: and then I went through a breakup and that song 165 00:07:27,960 --> 00:07:29,680 Speaker 1: it was so hard to go out and sing that 166 00:07:29,720 --> 00:07:32,640 Speaker 1: song at every show. So a song that you didn't 167 00:07:32,640 --> 00:07:34,880 Speaker 1: write about your breakup ended up being hard to sing 168 00:07:34,960 --> 00:07:37,680 Speaker 1: because later on you went through a breakup. Yeah, that's 169 00:07:37,720 --> 00:07:40,160 Speaker 1: kind of Mike. We've never heard a story like that, right, Like, 170 00:07:40,200 --> 00:07:41,680 Speaker 1: they write a song and then it comes back into 171 00:07:41,720 --> 00:07:44,000 Speaker 1: their lives about their lives the breakup, and then it's 172 00:07:44,000 --> 00:07:46,040 Speaker 1: hard to think about that. But yeah, not the only way. 173 00:07:46,040 --> 00:07:47,880 Speaker 1: You're like Carly when she would come in, like yew, 174 00:07:47,920 --> 00:07:49,760 Speaker 1: I wrote every little thing, and you know, I would 175 00:07:49,760 --> 00:07:52,280 Speaker 1: play and think about the breakup every time, but you 176 00:07:52,320 --> 00:07:54,640 Speaker 1: didn't break up with the song. It just came back 177 00:07:54,680 --> 00:07:58,400 Speaker 1: to haunt you later. It did. Interesting, So you write 178 00:07:58,400 --> 00:08:00,480 Speaker 1: this song and you did you write it about the 179 00:08:00,480 --> 00:08:02,600 Speaker 1: boyfriend you had at the time, and at least, like, 180 00:08:02,640 --> 00:08:05,920 Speaker 1: did you predict predicting the breakup? Aren't you? It wasn't 181 00:08:05,960 --> 00:08:08,320 Speaker 1: that far before we ended up breaking up, So I 182 00:08:08,320 --> 00:08:10,240 Speaker 1: think that I had a little bit of that in 183 00:08:10,280 --> 00:08:12,320 Speaker 1: my mind. But I always try to like take from 184 00:08:12,400 --> 00:08:14,800 Speaker 1: personal experiences or try to imagine what it would be 185 00:08:14,880 --> 00:08:17,040 Speaker 1: like if I was going through that. Wrote You wrote 186 00:08:17,040 --> 00:08:19,080 Speaker 1: this with the guy name Adam Wheeler, So you guys 187 00:08:19,080 --> 00:08:21,480 Speaker 1: hop in a room together, and how does that work 188 00:08:21,520 --> 00:08:25,720 Speaker 1: with you? You go, hey, I got this idea, I'm 189 00:08:25,720 --> 00:08:27,880 Speaker 1: probably gonna break up with the dude, Like, how does 190 00:08:27,920 --> 00:08:32,080 Speaker 1: that work? I didn't say, yeah, no, it was. I 191 00:08:32,120 --> 00:08:35,400 Speaker 1: had written a lot with him around that same like 192 00:08:35,640 --> 00:08:38,320 Speaker 1: time period, so we knew what was going on in 193 00:08:38,360 --> 00:08:41,520 Speaker 1: each other's lives and and he knew that things were 194 00:08:41,600 --> 00:08:44,040 Speaker 1: like a little bit rocky in my relationship, and he 195 00:08:44,240 --> 00:08:46,400 Speaker 1: had talked about some of his past relationships and we 196 00:08:46,440 --> 00:08:48,800 Speaker 1: really just kind of dove into it and the song. 197 00:08:48,880 --> 00:08:52,880 Speaker 1: It's weird because the song isn't really about like a breakup. 198 00:08:52,920 --> 00:08:55,600 Speaker 1: It's about that time period right after you break up 199 00:08:55,640 --> 00:08:56,960 Speaker 1: where you don't know if you're going to end up 200 00:08:56,960 --> 00:08:59,120 Speaker 1: getting back together or if you're just going to actually 201 00:08:59,120 --> 00:09:00,679 Speaker 1: stay broken up. Because so I feel like there's a 202 00:09:00,720 --> 00:09:03,000 Speaker 1: little bit of hope during that time where you still 203 00:09:03,000 --> 00:09:05,280 Speaker 1: love that person and you still think maybe you know, 204 00:09:05,360 --> 00:09:08,520 Speaker 1: something might work out, but then you know eventually you 205 00:09:08,600 --> 00:09:10,400 Speaker 1: have to deal with the fact that okay, maybe it 206 00:09:10,440 --> 00:09:12,600 Speaker 1: really is over. Let's talk about that for a second 207 00:09:12,720 --> 00:09:15,120 Speaker 1: away from music. Like most times, let's still a little 208 00:09:15,120 --> 00:09:19,120 Speaker 1: public service announcement. It doesn't work out. If you're gonna 209 00:09:19,120 --> 00:09:22,200 Speaker 1: break up, it doesn't work. I'll tell you from my experience, 210 00:09:22,240 --> 00:09:24,199 Speaker 1: you feel like you know I might work out, let's 211 00:09:24,200 --> 00:09:27,839 Speaker 1: give it another try. But I'm gonna say probably of 212 00:09:27,920 --> 00:09:31,079 Speaker 1: the time, if you break up and you're like, m, 213 00:09:31,440 --> 00:09:33,120 Speaker 1: maybe we should give it a try, because it could 214 00:09:33,800 --> 00:09:36,200 Speaker 1: it's not going yeah, because I think once you break up, 215 00:09:36,240 --> 00:09:39,040 Speaker 1: you think that those those things will maybe like work 216 00:09:39,080 --> 00:09:41,160 Speaker 1: themselves out, and then when you get back together it'll 217 00:09:41,200 --> 00:09:42,960 Speaker 1: just be like a fresh start. But it's not. There's 218 00:09:42,960 --> 00:09:45,760 Speaker 1: still like all of those things that you all of 219 00:09:45,800 --> 00:09:47,679 Speaker 1: those issues. I guess that you had before. You know 220 00:09:47,760 --> 00:09:50,120 Speaker 1: what you should do. This is maybe a lesson for 221 00:09:50,160 --> 00:09:52,560 Speaker 1: you, you you little younger than I am, or anyone watching 222 00:09:52,559 --> 00:09:55,000 Speaker 1: this or listening to this. If you're struggling in your 223 00:09:55,000 --> 00:09:59,320 Speaker 1: relationship and you don't know really what to do to 224 00:09:59,480 --> 00:10:02,679 Speaker 1: make it work. Have a baby. Oh my gosh, what 225 00:10:02,760 --> 00:10:06,120 Speaker 1: do you say? That's a go? I just have a baby. 226 00:10:06,720 --> 00:10:10,360 Speaker 1: Then you're stuck and you have to make it work. Problem. Yeah, 227 00:10:10,440 --> 00:10:12,560 Speaker 1: I would say, yeah, fixes fixes all the problems. You 228 00:10:12,559 --> 00:10:16,840 Speaker 1: don't agree with that, Um, why don't we do somebody 229 00:10:16,880 --> 00:10:20,440 Speaker 1: like that? Which is this is the single? Now it is? Okay? 230 00:10:20,600 --> 00:10:37,440 Speaker 1: Here is somebody like that? All right? Tell me about 231 00:10:37,480 --> 00:10:40,800 Speaker 1: this one? All right? Well, I wrote this one after 232 00:10:40,840 --> 00:10:44,640 Speaker 1: writing a ton of breakup songs. I was like, I'm done, Like, 233 00:10:44,679 --> 00:10:48,000 Speaker 1: I'm done writing these breakup songs. I want to start 234 00:10:48,040 --> 00:10:50,160 Speaker 1: looking for somebody again. I want to, you know, start 235 00:10:50,200 --> 00:10:52,680 Speaker 1: putting myself out there. So I got in the writing 236 00:10:52,760 --> 00:10:56,199 Speaker 1: room with Alex Klein and Allison Belts and we were 237 00:10:56,240 --> 00:10:59,600 Speaker 1: just kind of reflecting on relationships that we had seen 238 00:11:00,000 --> 00:11:02,600 Speaker 1: a really well, like looking at our parents, looking at 239 00:11:02,640 --> 00:11:05,599 Speaker 1: our grandparents, you know, just kind of those relationships that 240 00:11:05,679 --> 00:11:09,680 Speaker 1: we idolized as kids and looked up to. And you know, 241 00:11:09,720 --> 00:11:12,199 Speaker 1: I have a lot of great relationships in my life, 242 00:11:12,240 --> 00:11:14,559 Speaker 1: and and I feel like we just looked back on, 243 00:11:15,520 --> 00:11:19,000 Speaker 1: you know, maybe love that we had or love that 244 00:11:19,040 --> 00:11:22,320 Speaker 1: went really well, love that went bad, and just kind 245 00:11:22,320 --> 00:11:25,560 Speaker 1: of looking for the right kind of love this time 246 00:11:25,760 --> 00:11:27,720 Speaker 1: and not settling until we find it. And how long 247 00:11:27,800 --> 00:11:29,880 Speaker 1: would you write this song? This one would have been 248 00:11:30,600 --> 00:11:33,000 Speaker 1: about six months ago? And did you predict the future? 249 00:11:33,120 --> 00:11:36,640 Speaker 1: Much like you predicted the demise of the Bachelor? You'd 250 00:11:36,720 --> 00:11:39,240 Speaker 1: make this song? And did somebody like that come along 251 00:11:39,960 --> 00:11:42,960 Speaker 1: predicted the future? What you need to do? You need 252 00:11:43,000 --> 00:11:47,480 Speaker 1: to write more song predicting, predicting future songs. Yeah, my 253 00:11:47,520 --> 00:11:49,480 Speaker 1: therapist says, you got to like see the good stuff, 254 00:11:51,040 --> 00:11:52,400 Speaker 1: But then I do and it never happens, so then 255 00:11:52,440 --> 00:11:55,240 Speaker 1: I start seeing the bad stuff again. You have an accent, 256 00:11:55,320 --> 00:11:59,160 Speaker 1: which is interesting, not so much of a Canadian one 257 00:12:00,160 --> 00:12:02,280 Speaker 1: a little bit. I dated a Canadian girl for a 258 00:12:02,320 --> 00:12:06,120 Speaker 1: long time, so I'm very experienced with the Canadian talk. 259 00:12:06,160 --> 00:12:11,680 Speaker 1: And your your your little hybrid English French a type language. 260 00:12:11,679 --> 00:12:15,520 Speaker 1: But it's a little country accent too. Yeah, So what like, 261 00:12:15,559 --> 00:12:17,200 Speaker 1: what tell me about like a town you grew up in? 262 00:12:17,800 --> 00:12:20,480 Speaker 1: I grew up in a really small town in Saskatchewan 263 00:12:20,640 --> 00:12:25,040 Speaker 1: in Canada, and my dad's a wheat farmer, so we 264 00:12:25,120 --> 00:12:27,000 Speaker 1: grew up like in the small town. But then we 265 00:12:27,080 --> 00:12:29,720 Speaker 1: also had the family farm, so I spent a lot 266 00:12:29,760 --> 00:12:32,559 Speaker 1: of time out there. And because a wheat farmer, huh, 267 00:12:32,800 --> 00:12:36,440 Speaker 1: what is that entail day to day? I mean, for 268 00:12:36,559 --> 00:12:39,600 Speaker 1: us being in Canada, there's like a very short sound 269 00:12:39,679 --> 00:12:42,439 Speaker 1: like a week right where it's warm enough to grow anything. Yeah, 270 00:12:42,600 --> 00:12:44,960 Speaker 1: I mean it pretty much starts like end of May June, 271 00:12:45,040 --> 00:12:47,800 Speaker 1: and harvest time is lake September October. So is it 272 00:12:47,880 --> 00:12:50,040 Speaker 1: vacat is it like snow vacation? They're all the rest 273 00:12:50,040 --> 00:12:51,800 Speaker 1: of the year as a wheat farmer. Well, my dad 274 00:12:51,840 --> 00:12:55,680 Speaker 1: had another job that he worked that whole time as well. Um, 275 00:12:55,720 --> 00:12:58,040 Speaker 1: but yeah, I guess for most people or they've got 276 00:12:58,080 --> 00:13:00,600 Speaker 1: like cattle or something, but we don't we eat farmer 277 00:13:00,640 --> 00:13:03,720 Speaker 1: in Canada. I didn't think about that. Like when I 278 00:13:03,760 --> 00:13:06,520 Speaker 1: flow to Toronto Wish by the way, I don't know 279 00:13:06,559 --> 00:13:08,280 Speaker 1: what's in the water up there, but you guys are 280 00:13:08,280 --> 00:13:10,600 Speaker 1: way too nice and I enjoy it. I enjoy it. 281 00:13:11,400 --> 00:13:13,679 Speaker 1: But even with my ex girlfriends, she's way too nice. 282 00:13:13,760 --> 00:13:16,240 Speaker 1: And now we'll be like, why are you being so 283 00:13:16,320 --> 00:13:17,559 Speaker 1: nice to me all the time? But it was just 284 00:13:17,600 --> 00:13:19,440 Speaker 1: a natural. It was just like in you guys blood. 285 00:13:19,679 --> 00:13:21,360 Speaker 1: And I didn't really realize that until I went to 286 00:13:21,360 --> 00:13:24,160 Speaker 1: Toronto and people would just like stop on the road 287 00:13:24,160 --> 00:13:25,840 Speaker 1: and talk to me. And this is Toronto, to which 288 00:13:25,840 --> 00:13:28,400 Speaker 1: is very metropolitan by the way, It really close to 289 00:13:28,400 --> 00:13:29,840 Speaker 1: New York, and you would think would be a little 290 00:13:29,840 --> 00:13:33,959 Speaker 1: different than than you know, Saskatchewan or um Vancouver or 291 00:13:33,960 --> 00:13:35,440 Speaker 1: a lot of these other places that I was feeling with. 292 00:13:35,600 --> 00:13:37,880 Speaker 1: But people were just like, hey, sir, and I'll be like, 293 00:13:37,880 --> 00:13:40,480 Speaker 1: what's up? Would you like a dollar? Not asking for 294 00:13:40,679 --> 00:13:43,240 Speaker 1: the homeless. People were offering me money in Canada. It 295 00:13:43,320 --> 00:13:45,240 Speaker 1: was so different than here in the States. Were like, 296 00:13:45,280 --> 00:13:46,840 Speaker 1: gonna get a dollar? They were like, so I don't 297 00:13:46,880 --> 00:13:48,480 Speaker 1: how much, but why don't you have my last dollar? 298 00:13:49,080 --> 00:13:52,400 Speaker 1: Canadians are nuts, man, It's awesome. So um. It was 299 00:13:52,480 --> 00:13:55,880 Speaker 1: my point with all that might really nice. Yeah, I 300 00:13:55,920 --> 00:13:58,280 Speaker 1: feel like I was onto something there, but so your dad, 301 00:13:58,840 --> 00:14:00,559 Speaker 1: oh but but oh my point is I'll flying in 302 00:14:00,880 --> 00:14:03,600 Speaker 1: and I would see golf courses in Canada and I 303 00:14:03,679 --> 00:14:06,920 Speaker 1: was like, what week do you get to play golf here? 304 00:14:07,880 --> 00:14:11,280 Speaker 1: It's so cold all the time. And so you're do 305 00:14:11,280 --> 00:14:13,959 Speaker 1: you have tractors? Yeah? Okay? And how big was his 306 00:14:13,960 --> 00:14:17,240 Speaker 1: wheat farm? Um? People always ask me this, and I 307 00:14:17,280 --> 00:14:19,800 Speaker 1: always forget to ask him how big it is. But 308 00:14:19,880 --> 00:14:21,560 Speaker 1: I mean, we've got a lot of land. Do we 309 00:14:21,600 --> 00:14:23,400 Speaker 1: need to call your dad? And ask? Might have to 310 00:14:23,640 --> 00:14:25,800 Speaker 1: because we have a phone connected right there, we can 311 00:14:25,840 --> 00:14:28,200 Speaker 1: call your dad. We want to get your dad on 312 00:14:28,200 --> 00:14:32,200 Speaker 1: the phone. I'll call him, okay, Nil, don't press me. Hey, Mike, 313 00:14:32,240 --> 00:14:34,800 Speaker 1: can you call her dad? Okay, We're gonna call her 314 00:14:34,840 --> 00:14:36,680 Speaker 1: dad and see if he'll even just answer the phone. 315 00:14:36,920 --> 00:14:39,160 Speaker 1: All right? Does he what's he doing? Is he? Is he? 316 00:14:39,520 --> 00:14:42,360 Speaker 1: What is today? Today's Yeah, they're trying to harvest right now, 317 00:14:42,400 --> 00:14:44,440 Speaker 1: but it just snows. Get interrupted by a phone call 318 00:14:44,480 --> 00:14:47,840 Speaker 1: and his daughter? Has your dad ever been an interview before? No? Okay, 319 00:14:47,880 --> 00:14:52,160 Speaker 1: it's first. Is it gonna be nervous? Yeah, we're gonna 320 00:14:52,160 --> 00:14:53,920 Speaker 1: plug the phone up something. We have this phone here 321 00:14:53,960 --> 00:14:56,760 Speaker 1: to Neil, and so sometimes we'll do phone interviews if 322 00:14:56,800 --> 00:14:58,680 Speaker 1: people are in Los Angeles. Are you freaked out about 323 00:14:58,680 --> 00:15:00,480 Speaker 1: your dad being on Well, I'm just like, he never 324 00:15:00,520 --> 00:15:02,240 Speaker 1: answers this phone. So we might go through all of 325 00:15:02,280 --> 00:15:04,720 Speaker 1: this or nothing. That's all right. I didn't say we 326 00:15:04,720 --> 00:15:08,160 Speaker 1: didn't try, right, Mike, And this might this phone rings 327 00:15:08,360 --> 00:15:10,920 Speaker 1: all that I'll be because this is in my house, which, 328 00:15:10,920 --> 00:15:12,320 Speaker 1: by the way, if you're a dog barking and you're 329 00:15:12,360 --> 00:15:14,640 Speaker 1: listening to this is because my have a bulldog puppy 330 00:15:14,840 --> 00:15:17,240 Speaker 1: kind of put him away for this interview, but I 331 00:15:17,280 --> 00:15:19,720 Speaker 1: can hear them barking down. Do you hear them barking? No? No, 332 00:15:19,840 --> 00:15:24,080 Speaker 1: he does this some time. Are you's so cute? All 333 00:15:24,080 --> 00:15:28,520 Speaker 1: he does? Um? And so this this phone as soon 334 00:15:28,520 --> 00:15:30,680 Speaker 1: as we bought the line to start calling people, it rings. 335 00:15:30,760 --> 00:15:33,280 Speaker 1: It'll be one o'clock in the morning. Oh, is it 336 00:15:33,400 --> 00:15:35,600 Speaker 1: just like random? It's like people trying to sell me stuff. 337 00:15:36,200 --> 00:15:38,000 Speaker 1: I thought it'd be like Janet Kramer, who we call 338 00:15:38,040 --> 00:15:39,920 Speaker 1: on it and they're like, what up? No, it's it's 339 00:15:39,920 --> 00:15:42,840 Speaker 1: some people trying to sell me stuff. All right, you 340 00:15:43,080 --> 00:15:46,160 Speaker 1: wanted to show you the number off the camera? All right, 341 00:15:46,520 --> 00:15:49,720 Speaker 1: let's see, by the way, everyone listening right now as 342 00:15:49,720 --> 00:15:52,760 Speaker 1: we as we look at this followed to Neil on Instagram, 343 00:15:53,440 --> 00:15:57,040 Speaker 1: t E N I L L E Arts to Neil Arts. 344 00:15:57,080 --> 00:15:59,480 Speaker 1: That is her name? There? Do I have a dial tone? Mike? 345 00:15:59,600 --> 00:16:02,320 Speaker 1: We do all right, let's see if we and what 346 00:16:02,440 --> 00:16:07,680 Speaker 1: is his name? Well, Kevin, know that an unnamed Nashville 347 00:16:07,680 --> 00:16:12,560 Speaker 1: phone number is probably specific to you, maybe, okay, because 348 00:16:12,960 --> 00:16:14,520 Speaker 1: I never would answer a call if I didn't know 349 00:16:14,520 --> 00:16:17,880 Speaker 1: who it was. Yeah, I mean, well, he's just like, 350 00:16:18,080 --> 00:16:20,440 Speaker 1: he'll leave his phone. Does he have any idea who 351 00:16:20,440 --> 00:16:22,240 Speaker 1: Bobby Bones is at all? I just I was just 352 00:16:22,280 --> 00:16:23,960 Speaker 1: talking to him last night and I was like, I'm 353 00:16:23,960 --> 00:16:27,800 Speaker 1: doing this this show. Okay, I don't hear anything, but 354 00:16:29,800 --> 00:16:34,840 Speaker 1: you have reached Okay, text him and say, hey, we're 355 00:16:34,840 --> 00:16:37,200 Speaker 1: trying to call you. Can you answer the call here? Okay? 356 00:16:37,640 --> 00:16:39,560 Speaker 1: All right, um, let me read you a little bit 357 00:16:39,560 --> 00:16:42,280 Speaker 1: about tanil lest she does this here. Let's see she 358 00:16:42,360 --> 00:16:45,560 Speaker 1: won five of the Saskatchewan Country Music Association Awards for 359 00:16:45,600 --> 00:16:48,000 Speaker 1: All which you were nominated. Okay, might you still have 360 00:16:48,040 --> 00:16:50,360 Speaker 1: his number? I don't. Okay, he needs a phone again. 361 00:16:51,880 --> 00:16:54,560 Speaker 1: What we're doing is really hacking your phone? Does what's 362 00:16:54,600 --> 00:16:57,920 Speaker 1: the trick we do with everyone? So maybe he'll see that. 363 00:16:57,960 --> 00:16:59,720 Speaker 1: All right, we're gonna keep going, Mike, I guess we 364 00:16:59,720 --> 00:17:02,000 Speaker 1: have to here at huh. Yeah, okay, that's all right, 365 00:17:02,040 --> 00:17:04,479 Speaker 1: We're good. So tell me you're on revival Records, How 366 00:17:04,520 --> 00:17:06,760 Speaker 1: long you've been how'd you get that? That deal about 367 00:17:06,800 --> 00:17:09,679 Speaker 1: a year and a half ago, and so how did 368 00:17:09,680 --> 00:17:12,240 Speaker 1: they get onto you to sign you? It was actually 369 00:17:12,240 --> 00:17:14,160 Speaker 1: it had a lot to do with The Bachelor. I 370 00:17:14,200 --> 00:17:18,240 Speaker 1: performed on the first time I've performed it was, yeah, 371 00:17:18,240 --> 00:17:21,439 Speaker 1: completely without a label. And we were having like a 372 00:17:21,520 --> 00:17:24,760 Speaker 1: viewing party for the episode here in Nashville, and we 373 00:17:24,840 --> 00:17:28,320 Speaker 1: had Gator from Revivor Records come out to the show 374 00:17:28,320 --> 00:17:31,480 Speaker 1: because I played like a little set before the episode aired, 375 00:17:31,920 --> 00:17:34,840 Speaker 1: and it was pretty instant, like I met with him 376 00:17:34,840 --> 00:17:36,439 Speaker 1: and the whole team, and I was just like, this 377 00:17:36,480 --> 00:17:40,200 Speaker 1: feels like a perfect place for me. Were good for you? Yeah? Wow? 378 00:17:40,320 --> 00:17:42,000 Speaker 1: And so then you become a millionaire soon as you 379 00:17:42,000 --> 00:17:44,520 Speaker 1: get signed. Yeah, of course that's that's that's how it works, right, 380 00:17:44,560 --> 00:17:47,119 Speaker 1: and you're just loaded. Yeah, Mike, if we don't get 381 00:17:47,160 --> 00:17:48,879 Speaker 1: him this time, we'll just give it a rest for 382 00:17:48,880 --> 00:17:52,160 Speaker 1: a bit. Yeah, Okay, that's all right, We're still gonna 383 00:17:52,160 --> 00:17:55,200 Speaker 1: get him. He's gonna text he maybe listen, well he 384 00:17:55,240 --> 00:17:58,760 Speaker 1: listened to this, Yeah, oh yeah, he he loves to 385 00:17:59,000 --> 00:18:01,160 Speaker 1: listen to it like all the home and I'll hear 386 00:18:01,240 --> 00:18:03,840 Speaker 1: him watching and listening to my YouTube videos. I'm like, 387 00:18:03,880 --> 00:18:07,200 Speaker 1: dadham right here, super supportive dad. Yeah. So what about 388 00:18:07,200 --> 00:18:09,359 Speaker 1: your mom? They still together? Yeah? Okay, and what does 389 00:18:09,400 --> 00:18:12,640 Speaker 1: she do? She used to work as a lab tech 390 00:18:12,760 --> 00:18:14,800 Speaker 1: in the hospital, but she is was a stay at 391 00:18:14,800 --> 00:18:17,400 Speaker 1: home mom from my entire life a lab tech like needles, 392 00:18:19,119 --> 00:18:20,800 Speaker 1: you know. I had a cousin once who was training 393 00:18:20,800 --> 00:18:23,080 Speaker 1: to be a lab tech and she said, Hey, I 394 00:18:23,119 --> 00:18:26,080 Speaker 1: need to borrow you for needle practice. And I was like, 395 00:18:26,280 --> 00:18:27,639 Speaker 1: first of all, it's not gonna happen. I don't do 396 00:18:27,760 --> 00:18:29,320 Speaker 1: needles very well. That she was like, I need to 397 00:18:29,400 --> 00:18:31,399 Speaker 1: do needles in your knuckles because apparently they have to 398 00:18:31,440 --> 00:18:33,080 Speaker 1: learn if they can't get it from your arm, they 399 00:18:33,080 --> 00:18:35,679 Speaker 1: have to draw it from your knuckles. And so I 400 00:18:35,680 --> 00:18:37,480 Speaker 1: don't do I didn't let her do it, obviously, but 401 00:18:37,480 --> 00:18:39,680 Speaker 1: I didn't know you could draw needle from knuckles either. 402 00:18:39,840 --> 00:18:42,719 Speaker 1: Did your mom draw black from people? She did? Yeah, 403 00:18:43,000 --> 00:18:46,639 Speaker 1: if you were sick, could she help you, like giving 404 00:18:46,640 --> 00:18:49,200 Speaker 1: you I V S or medicine. She never did any 405 00:18:49,200 --> 00:18:51,320 Speaker 1: of that stuff, but I mean she had medical knowledge, 406 00:18:51,320 --> 00:18:53,919 Speaker 1: so she I mean, she would help us out as 407 00:18:54,000 --> 00:18:55,720 Speaker 1: much as she could. All Right, So you moved to 408 00:18:55,760 --> 00:18:59,159 Speaker 1: the States when four years ago you've only been here 409 00:18:59,160 --> 00:19:01,680 Speaker 1: four years. So okay, so do you do the whole 410 00:19:01,720 --> 00:19:03,840 Speaker 1: Canada thing first, where you're you know, you like, I'm 411 00:19:03,840 --> 00:19:05,959 Speaker 1: gonna be a star in Canada? Not really. I mean 412 00:19:06,000 --> 00:19:08,240 Speaker 1: I was a little bit involved in like the Canadian 413 00:19:08,240 --> 00:19:12,440 Speaker 1: country music industry up there, um, and they had a 414 00:19:12,480 --> 00:19:14,080 Speaker 1: really cool program that I was a part of that 415 00:19:14,200 --> 00:19:16,080 Speaker 1: was like the Discovery program where they help you out, 416 00:19:16,119 --> 00:19:19,640 Speaker 1: give you the connections and everything. But I always knew 417 00:19:19,640 --> 00:19:21,280 Speaker 1: that I wanted to be in Nashville. I made my 418 00:19:21,320 --> 00:19:24,359 Speaker 1: first trip. It was it's almost exactly ten years ago 419 00:19:24,600 --> 00:19:27,120 Speaker 1: when I first came here to you know, write and 420 00:19:27,240 --> 00:19:29,879 Speaker 1: get involved in everything. So I always had my site 421 00:19:29,880 --> 00:19:33,040 Speaker 1: set on Nashville, and so I didn't spend a ton 422 00:19:33,080 --> 00:19:36,240 Speaker 1: of time focusing on on the Canadian scene. So what 423 00:19:36,280 --> 00:19:38,320 Speaker 1: was it for you that made you go I gotta 424 00:19:38,320 --> 00:19:42,199 Speaker 1: move down there. I think I had just seen so 425 00:19:42,359 --> 00:19:46,760 Speaker 1: many people. It's just such a community, like Canada is 426 00:19:46,800 --> 00:19:48,960 Speaker 1: so spread out. I wish they had a place that 427 00:19:49,280 --> 00:19:51,920 Speaker 1: everybody could go and write with each other because there's 428 00:19:51,920 --> 00:19:54,720 Speaker 1: really there's nothing. I mean, it's everybody's so spread out. 429 00:19:54,960 --> 00:19:57,359 Speaker 1: So I knew that Nashville was just such a community. 430 00:19:57,800 --> 00:20:00,159 Speaker 1: I knew that some of my favorite songwriters, some of 431 00:20:00,240 --> 00:20:03,440 Speaker 1: my favorite artists. That's what they did. They once they could, 432 00:20:03,520 --> 00:20:05,840 Speaker 1: they moved to Nashville and they made their connections and 433 00:20:05,880 --> 00:20:08,080 Speaker 1: they just started building it from the ground up. And 434 00:20:08,119 --> 00:20:10,280 Speaker 1: that's what I wanted to do. So you tell your 435 00:20:10,280 --> 00:20:15,880 Speaker 1: parents what. Well, the first time I actually came down, 436 00:20:16,040 --> 00:20:18,320 Speaker 1: I was fourteen or fifteen, and I had just been 437 00:20:18,359 --> 00:20:21,800 Speaker 1: putting up YouTube videos and stuff and a manager called 438 00:20:21,800 --> 00:20:25,159 Speaker 1: our house and he was like, Hey, I want to 439 00:20:25,160 --> 00:20:26,920 Speaker 1: bring you to Nashville and I want to see if 440 00:20:27,160 --> 00:20:29,080 Speaker 1: you know you work well with this girl, because he 441 00:20:29,119 --> 00:20:31,280 Speaker 1: was proposing me to be in this duo. So what 442 00:20:31,320 --> 00:20:32,840 Speaker 1: you got? Justin Bieber a little bit, They see you 443 00:20:32,880 --> 00:20:34,600 Speaker 1: in a little bit as a kid, someone says you 444 00:20:34,640 --> 00:20:37,280 Speaker 1: on YouTube and says, let's do it that. I bet 445 00:20:37,359 --> 00:20:39,040 Speaker 1: that would be creepy to me that I'll be like, really, 446 00:20:39,040 --> 00:20:41,399 Speaker 1: what's happening here? Yeah? I mean, oh, my dad was 447 00:20:41,440 --> 00:20:44,199 Speaker 1: super skeptical about it. My mom was excited because I 448 00:20:44,240 --> 00:20:47,520 Speaker 1: was excited, but yeah, it was definitely kind of like 449 00:20:47,560 --> 00:20:50,280 Speaker 1: a well, let's just go see what happens, Like let's 450 00:20:50,280 --> 00:20:52,720 Speaker 1: me say about it, but yeah, let's go see what happens. 451 00:20:52,720 --> 00:20:56,400 Speaker 1: And it was so They always knew that that's where 452 00:20:56,440 --> 00:20:58,639 Speaker 1: I wanted to go, so they were supportive of it. 453 00:20:58,720 --> 00:21:00,639 Speaker 1: And when I moved, they were like, oh yeah, go 454 00:21:00,720 --> 00:21:04,040 Speaker 1: for it. So what happened with that duo? It just 455 00:21:04,080 --> 00:21:07,600 Speaker 1: didn't work out. Our music ideas were so different and 456 00:21:07,960 --> 00:21:10,080 Speaker 1: it was kind of like a Maddie and Tae thing before, 457 00:21:10,440 --> 00:21:12,959 Speaker 1: like pretty much right before Maddie and te So, well, 458 00:21:13,000 --> 00:21:15,840 Speaker 1: who was the girl? Is she around? Um? I think 459 00:21:15,880 --> 00:21:22,000 Speaker 1: she's still say it? We thought so, she's still in town. 460 00:21:22,720 --> 00:21:24,800 Speaker 1: I don't think so. I think she went to college somewhere. 461 00:21:24,960 --> 00:21:27,440 Speaker 1: Has hated each other. Huh. We didn't get along. Oh, 462 00:21:27,440 --> 00:21:29,800 Speaker 1: I was just kidding, but yeah, we didn't get along. Oh, 463 00:21:30,080 --> 00:21:32,080 Speaker 1: Mike and I don't get along. Yeah, we just kind 464 00:21:32,080 --> 00:21:34,240 Speaker 1: of stare and okay, so you come and you go. Okay, 465 00:21:34,240 --> 00:21:36,080 Speaker 1: well Nashville will want to be so you go back home. 466 00:21:36,600 --> 00:21:39,280 Speaker 1: Did you finish school? I did? I finished high school? Okay, 467 00:21:39,280 --> 00:21:41,040 Speaker 1: and then you go. As soon as I'm done, I'm 468 00:21:41,040 --> 00:21:43,520 Speaker 1: out of here. And so when did you actually pack 469 00:21:43,600 --> 00:21:46,800 Speaker 1: up and moved down. I stayed for just like a 470 00:21:46,840 --> 00:21:48,960 Speaker 1: couple of years, just saving up. I still lived with 471 00:21:49,000 --> 00:21:52,320 Speaker 1: my parents and everything. And yeah, I was twenty one 472 00:21:52,440 --> 00:21:54,480 Speaker 1: when I moved down the first time I had ever 473 00:21:54,560 --> 00:21:57,960 Speaker 1: lived on my own, got a one bedroom apartment, the 474 00:21:57,960 --> 00:22:00,600 Speaker 1: whole thing. Who moved with you? My mom in a 475 00:22:00,680 --> 00:22:03,560 Speaker 1: What tell me the story? You get int the U 476 00:22:03,600 --> 00:22:07,040 Speaker 1: haul with the trailer. We we did the drive twice. 477 00:22:07,160 --> 00:22:09,719 Speaker 1: The first time we took her car and just loaded 478 00:22:09,760 --> 00:22:12,400 Speaker 1: it up and drove as much as we could down 479 00:22:12,480 --> 00:22:15,560 Speaker 1: just to get moved in, and then I ended up 480 00:22:15,640 --> 00:22:17,879 Speaker 1: driving back again. I can't really remember why that happened, 481 00:22:17,880 --> 00:22:21,240 Speaker 1: but I took I have like a little yellow Pontiac 482 00:22:21,320 --> 00:22:25,840 Speaker 1: G five from when I was like sixteen, and we 483 00:22:25,960 --> 00:22:27,840 Speaker 1: loaded that thing up and I still have that car. 484 00:22:27,960 --> 00:22:30,399 Speaker 1: We drove it all the way down here, and my 485 00:22:30,440 --> 00:22:32,880 Speaker 1: mom stayed for about a week to just get me settled, 486 00:22:32,920 --> 00:22:34,960 Speaker 1: and then she hopped on a plane and left me 487 00:22:35,000 --> 00:22:38,320 Speaker 1: by myself. What's the drive? Full? Twenty five hours of 488 00:22:38,400 --> 00:22:41,160 Speaker 1: driving still took us about two days. Do you still 489 00:22:41,200 --> 00:22:43,040 Speaker 1: have that car? At least? Do you still drive that car? 490 00:22:45,119 --> 00:22:48,400 Speaker 1: With this millionaire record deal, you should have like Mercedes? 491 00:22:48,680 --> 00:22:50,679 Speaker 1: You know, talk about that for a second, because that 492 00:22:50,760 --> 00:22:56,080 Speaker 1: is a quite the misconception because you signed a record 493 00:22:56,080 --> 00:22:59,040 Speaker 1: and listen, when I signed my record deal, I actually 494 00:22:59,080 --> 00:23:01,400 Speaker 1: think I went in the hole. I think I lost money. 495 00:23:01,680 --> 00:23:04,160 Speaker 1: And people think when you sign a deal that it's 496 00:23:04,200 --> 00:23:05,840 Speaker 1: just like a whole bunch of money given to you. 497 00:23:06,480 --> 00:23:08,840 Speaker 1: Um you're a bit different than I am. You're better 498 00:23:09,720 --> 00:23:12,440 Speaker 1: tell me what happens when you sign a deal. Well, 499 00:23:12,480 --> 00:23:18,240 Speaker 1: for me, my deal was pretty unique because my publisher, Um, 500 00:23:18,320 --> 00:23:20,120 Speaker 1: so I had been living off of, you know, being 501 00:23:20,200 --> 00:23:25,080 Speaker 1: a songwriter and sign a publishing deal first, and about 502 00:23:25,080 --> 00:23:28,600 Speaker 1: halfway through that first year, my publisher was like, we 503 00:23:28,640 --> 00:23:30,600 Speaker 1: should record this stuff on you. He knew that I 504 00:23:30,600 --> 00:23:32,880 Speaker 1: wanted to be an artist, and so he really started 505 00:23:33,520 --> 00:23:36,200 Speaker 1: just helping me out with all of that stuff, which 506 00:23:36,240 --> 00:23:38,680 Speaker 1: was really really cool, and I ended up signing kind 507 00:23:38,720 --> 00:23:42,159 Speaker 1: of he created a label, I guess for me to 508 00:23:42,280 --> 00:23:45,960 Speaker 1: release music, and so when I ended up signing with 509 00:23:46,000 --> 00:23:48,679 Speaker 1: Reviver like that, all still kind of stayed together. So 510 00:23:48,840 --> 00:23:51,639 Speaker 1: not much really changed for me other than having you know, 511 00:23:52,040 --> 00:23:54,680 Speaker 1: all of the label and everything. But yeah, I know, 512 00:23:54,800 --> 00:23:56,560 Speaker 1: it's not like you're just like handed a bunch of 513 00:23:56,560 --> 00:23:59,920 Speaker 1: money and like, yeah, you're as signed artist now. Mostly 514 00:24:00,040 --> 00:24:02,840 Speaker 1: they go, we're gonna pay for you to do things, 515 00:24:03,680 --> 00:24:05,920 Speaker 1: and even then you got to pay us back. Yeah, 516 00:24:06,280 --> 00:24:10,359 Speaker 1: that's really unless you're a major artist switching labels and 517 00:24:10,359 --> 00:24:13,399 Speaker 1: they're trying to woo you. They're going, Okay, we're now 518 00:24:13,400 --> 00:24:14,879 Speaker 1: going to pay for you to make a record, and 519 00:24:14,880 --> 00:24:16,359 Speaker 1: we're gonna pay for you to travel and do what 520 00:24:16,400 --> 00:24:19,440 Speaker 1: they call radio tour, but you will pay us back 521 00:24:20,119 --> 00:24:21,640 Speaker 1: or we would drop you. One of the two things 522 00:24:21,640 --> 00:24:25,520 Speaker 1: will happen. And so it sounds sounds amazing, doesn't it. 523 00:24:25,560 --> 00:24:27,000 Speaker 1: But it is cool to actually get a deal because 524 00:24:27,040 --> 00:24:28,919 Speaker 1: they're actually supporting you to go out and try all 525 00:24:28,920 --> 00:24:30,760 Speaker 1: this stuff. It is and I mean without that, it 526 00:24:30,760 --> 00:24:33,399 Speaker 1: would be really really hard to to do all of 527 00:24:33,440 --> 00:24:35,919 Speaker 1: those things if you didn't have that support. Would you 528 00:24:35,920 --> 00:24:39,159 Speaker 1: put on YouTube? What song like the one that I had, 529 00:24:39,200 --> 00:24:42,280 Speaker 1: the one that There's Always There's Always a video? It 530 00:24:42,400 --> 00:24:46,040 Speaker 1: was fifteen by Taylor Swift and I was fifteen singing it. 531 00:24:46,240 --> 00:24:49,720 Speaker 1: So that's what got me here. And when they called, 532 00:24:49,760 --> 00:24:51,360 Speaker 1: they asked for you, how why how do they get 533 00:24:51,400 --> 00:24:53,679 Speaker 1: your number? That's the whole thing that I still have 534 00:24:53,760 --> 00:24:55,480 Speaker 1: not figured out. I don't know how they found me, 535 00:24:55,720 --> 00:24:58,200 Speaker 1: but I mean I'm glad that they did because I 536 00:24:58,280 --> 00:25:00,800 Speaker 1: learned a lot from it. But um, yeah, they literally 537 00:25:00,840 --> 00:25:03,760 Speaker 1: just were like, hey is to kneel there and to 538 00:25:03,960 --> 00:25:06,639 Speaker 1: answered the phone and talk to them for a little while, 539 00:25:06,760 --> 00:25:12,240 Speaker 1: and yeah, it was weird, grand old opry debut just happened. Amazing, 540 00:25:12,720 --> 00:25:15,280 Speaker 1: Oh my gosh. I still can't even believe that it happened. 541 00:25:15,320 --> 00:25:17,359 Speaker 1: Like it was just one of those moments where you're like, 542 00:25:17,720 --> 00:25:19,480 Speaker 1: it feels like a pad on the back from the 543 00:25:19,560 --> 00:25:22,439 Speaker 1: country music industry, you know, just everybody here being like 544 00:25:22,680 --> 00:25:25,359 Speaker 1: you deserve to be on that stage and make your debut. 545 00:25:25,520 --> 00:25:27,600 Speaker 1: So I think that's what meant so much to me. 546 00:25:28,040 --> 00:25:31,000 Speaker 1: And I had a ton of family and friends, everybody 547 00:25:31,000 --> 00:25:33,119 Speaker 1: in town for it, so it was just a really 548 00:25:33,200 --> 00:25:36,600 Speaker 1: big deal and it made me feel very special. Yeah, 549 00:25:36,880 --> 00:25:40,640 Speaker 1: so the the opera the first time is like a 550 00:25:41,200 --> 00:25:44,440 Speaker 1: your eyes wide open thing. You'll like the second through 551 00:25:44,520 --> 00:25:46,920 Speaker 1: the ninth or tenth time because you actually can take 552 00:25:46,920 --> 00:25:49,000 Speaker 1: it in. There's just a lot of people there in 553 00:25:49,040 --> 00:25:50,960 Speaker 1: the first one. The first time that I played it, 554 00:25:51,000 --> 00:25:52,840 Speaker 1: I was like, holy crap. And I do comedy a 555 00:25:52,880 --> 00:25:54,480 Speaker 1: little bit of music, right, so it's not definitely not 556 00:25:54,520 --> 00:25:56,280 Speaker 1: the same like you're a legitimate artist. I'm a joke, 557 00:25:56,920 --> 00:26:01,119 Speaker 1: so you it's just so many people like oh my goodness, 558 00:26:01,119 --> 00:26:03,800 Speaker 1: oh my goodness, that it's really hard to take it in. Yeah, 559 00:26:03,800 --> 00:26:05,520 Speaker 1: I feel like that would be what a wedding is like. 560 00:26:05,600 --> 00:26:09,520 Speaker 1: Even it's like the build up is like so crazy, 561 00:26:09,520 --> 00:26:12,560 Speaker 1: and then it's like over in a second, and you're like, oh, 562 00:26:12,680 --> 00:26:15,159 Speaker 1: it is quick. But I will say, I don't know 563 00:26:15,160 --> 00:26:18,320 Speaker 1: if you're playing it at anytime soon, but you you 564 00:26:18,359 --> 00:26:23,480 Speaker 1: actually enjoy the operay experience from now on more. Yeah, yeah, 565 00:26:23,560 --> 00:26:26,320 Speaker 1: because you look. And for me, I struggle with even 566 00:26:26,440 --> 00:26:28,080 Speaker 1: seeing anyone in the audience because I was just like, 567 00:26:28,080 --> 00:26:30,760 Speaker 1: oh my god, this is crazy. I'm up here playing 568 00:26:30,800 --> 00:26:33,680 Speaker 1: them in the circle. Um, and so I really didn't 569 00:26:33,720 --> 00:26:36,000 Speaker 1: see the people out there. From now, I walk out 570 00:26:36,040 --> 00:26:38,960 Speaker 1: there and it's it goes much slower. Yeah, that's good. 571 00:26:39,119 --> 00:26:41,280 Speaker 1: It's you can take it in. You can actually breathe 572 00:26:41,280 --> 00:26:43,840 Speaker 1: and talk in between segments if you want to. There's 573 00:26:43,880 --> 00:26:46,920 Speaker 1: not the pressure of all your family being there. Good pressure, 574 00:26:47,480 --> 00:26:49,960 Speaker 1: but there's still a lot of pressure there with everybody watching. Yeah, 575 00:26:50,000 --> 00:26:52,240 Speaker 1: it definitely was like a little bit of pressure. But 576 00:26:52,280 --> 00:26:54,800 Speaker 1: I tried to. When I walked out there, I was like, 577 00:26:54,880 --> 00:26:57,359 Speaker 1: for whatever reason, I wanted to like watch my foot 578 00:26:57,359 --> 00:26:59,359 Speaker 1: step into the circle. So I made sure to just 579 00:26:59,400 --> 00:27:02,120 Speaker 1: like take them moment to like see that moment. That's cool. 580 00:27:02,119 --> 00:27:03,359 Speaker 1: Are you that kind of person? Are you take a 581 00:27:03,440 --> 00:27:06,240 Speaker 1: moment person? Yeah? I try to be, especially with those 582 00:27:06,280 --> 00:27:09,320 Speaker 1: like really big moments. Otherwise it just gets away from 583 00:27:09,359 --> 00:27:17,840 Speaker 1: you sometimes, right, Top three Big moments in your life. Okay, 584 00:27:17,920 --> 00:27:20,320 Speaker 1: let's let's let's walk backward on this. I know I've 585 00:27:20,320 --> 00:27:23,000 Speaker 1: given you a second on this one. You're twenty five 586 00:27:23,080 --> 00:27:25,920 Speaker 1: years old. Top three Big Moments of your life at 587 00:27:26,000 --> 00:27:29,439 Speaker 1: number three, at number three, at number three in America, 588 00:27:29,480 --> 00:27:31,240 Speaker 1: we go backward to one. It's like a big build up. 589 00:27:31,880 --> 00:27:34,160 Speaker 1: Can I still use the operation? Of course? Yeah? Nothing? 590 00:27:34,240 --> 00:27:39,399 Speaker 1: Number three? Number three? Uh? Performing on The Bachelor? Okay? 591 00:27:39,440 --> 00:27:43,960 Speaker 1: Which one or two? Two? Because it was it was 592 00:27:44,000 --> 00:27:46,560 Speaker 1: just bigger and more people are like that. So that's 593 00:27:46,680 --> 00:27:51,359 Speaker 1: number three. Life moment, number two life momentum performing the 594 00:27:51,400 --> 00:27:55,720 Speaker 1: Canadian national anthem at the NBA Finals recently. Yeah, that's 595 00:27:55,720 --> 00:27:57,919 Speaker 1: pretty cool. It was a big one. It was something 596 00:27:57,960 --> 00:28:02,280 Speaker 1: that literally when I it I started working with my manager, 597 00:28:02,359 --> 00:28:03,800 Speaker 1: I was like, the one thing I do not want 598 00:28:03,800 --> 00:28:07,960 Speaker 1: to do is sing any anthems. I am terrified. And 599 00:28:08,040 --> 00:28:10,600 Speaker 1: that was when I got the call for that. Obviously, 600 00:28:10,680 --> 00:28:13,800 Speaker 1: I was excited and wanted to take that that opportunity 601 00:28:13,840 --> 00:28:16,400 Speaker 1: and take that risk. But it was the most terrifying 602 00:28:16,440 --> 00:28:20,000 Speaker 1: moment of my entire life so far. Uh what did 603 00:28:20,000 --> 00:28:23,760 Speaker 1: you sing with any a band or totally? But yeah, 604 00:28:24,880 --> 00:28:27,560 Speaker 1: So was there any sort of echo back on top 605 00:28:27,560 --> 00:28:32,199 Speaker 1: of you? Yes, because that was tough. There was a 606 00:28:32,240 --> 00:28:35,879 Speaker 1: lot of people and just you're kind of trying to 607 00:28:35,920 --> 00:28:38,320 Speaker 1: keep my note in my head walking out to the 608 00:28:38,320 --> 00:28:40,320 Speaker 1: spot where I'm supposed to sing. I was so worried 609 00:28:40,320 --> 00:28:42,720 Speaker 1: about that. And then they have all these rules about 610 00:28:42,720 --> 00:28:44,760 Speaker 1: like you have to take a hard left to like 611 00:28:44,880 --> 00:28:46,640 Speaker 1: walk off so that you don't get hit by the 612 00:28:46,680 --> 00:28:49,200 Speaker 1: flag that's coming out for the American anthem. And there 613 00:28:49,200 --> 00:28:52,920 Speaker 1: were just so many things to think about. So I 614 00:28:53,000 --> 00:28:54,880 Speaker 1: explain how we're gonna get to number one in a second, 615 00:28:55,080 --> 00:28:57,440 Speaker 1: but explain how you're holding your note all the stuffs 616 00:28:57,440 --> 00:28:59,080 Speaker 1: happening around you. What are you doing inside your head? 617 00:28:59,400 --> 00:29:02,360 Speaker 1: If you watch back any of the clips, I'm literally 618 00:29:02,360 --> 00:29:06,600 Speaker 1: just like, um like singing it in my head constantly. 619 00:29:06,680 --> 00:29:08,880 Speaker 1: But you got it? Yeah, And the thing, well, I 620 00:29:08,920 --> 00:29:11,040 Speaker 1: don't know about the Canadian anthem, but the American anthem, 621 00:29:11,160 --> 00:29:13,120 Speaker 1: if you start a little higher than you're supposed to, 622 00:29:13,360 --> 00:29:16,640 Speaker 1: you're done. Oh yeah, what what's the Canadian anthem? Like 623 00:29:17,000 --> 00:29:21,000 Speaker 1: it's not difficult to to sing, like the range isn't 624 00:29:21,040 --> 00:29:25,280 Speaker 1: as crazy as the American anthem. But I think for me, 625 00:29:25,560 --> 00:29:28,400 Speaker 1: I overthink anthem so much. I'll go over the lyrics 626 00:29:28,440 --> 00:29:32,640 Speaker 1: in my head a hundred times. There's almost a no win. No, 627 00:29:32,840 --> 00:29:34,440 Speaker 1: there isn't way because it's number two on your list, 628 00:29:34,560 --> 00:29:37,959 Speaker 1: so that's a win. However, in the grand scheme of 629 00:29:38,000 --> 00:29:40,800 Speaker 1: doing the anthem, if you go out and you nail 630 00:29:40,880 --> 00:29:44,320 Speaker 1: the anthem, you were supposed to nail the anthem, life 631 00:29:44,320 --> 00:29:48,440 Speaker 1: just moves on. If you screw up the anthem any anthem, 632 00:29:48,520 --> 00:29:51,840 Speaker 1: life does not move on. People get piste. So it's 633 00:29:51,880 --> 00:29:54,200 Speaker 1: a lot of pressure where if you nail it, you 634 00:29:54,240 --> 00:29:56,400 Speaker 1: were supposed to thank you go about your day. But 635 00:29:56,440 --> 00:29:59,160 Speaker 1: if you don't, holy crap. I mean I actually ended 636 00:29:59,240 --> 00:30:04,120 Speaker 1: up getting a lot of criticism. Why because I changed 637 00:30:04,160 --> 00:30:06,400 Speaker 1: it up a little bit. But we took it. You 638 00:30:06,520 --> 00:30:11,040 Speaker 1: made it your own. It's not American idols. But okay, 639 00:30:11,240 --> 00:30:13,680 Speaker 1: Like the anthem is like oh Canada, and I went, 640 00:30:13,760 --> 00:30:17,640 Speaker 1: oh Canada, probably wouldn't done that for me. I just 641 00:30:17,640 --> 00:30:20,120 Speaker 1: got Robert Gooley and watched him and done that. Well, 642 00:30:20,600 --> 00:30:24,400 Speaker 1: oh Goda, but that's not me. So I went out 643 00:30:24,400 --> 00:30:25,880 Speaker 1: there and I did it the way that you know 644 00:30:25,960 --> 00:30:29,680 Speaker 1: Robert Gouley is he's I think he's. I think he's Canadian. 645 00:30:29,680 --> 00:30:31,720 Speaker 1: Do you know he is? I do know he is. Yeah. 646 00:30:31,920 --> 00:30:35,000 Speaker 1: I saw him saying that the the Canadian WrestleMania once and 647 00:30:35,040 --> 00:30:37,200 Speaker 1: for some reason, he's stuck in my head. You see 648 00:30:37,200 --> 00:30:39,120 Speaker 1: if Robert Gooley is Canadian, because if he's not, I 649 00:30:39,160 --> 00:30:41,400 Speaker 1: feel I could do. Okay, good for you. That's a 650 00:30:41,480 --> 00:30:45,440 Speaker 1: number two singing the Canadian national anthem at the NBA finals. 651 00:30:45,840 --> 00:30:48,560 Speaker 1: And who was the game? What was the game? It 652 00:30:48,720 --> 00:30:52,400 Speaker 1: was Toronto and it was the last one gold State. Yeah, 653 00:30:52,400 --> 00:30:54,840 Speaker 1: it wasn't the last but they were, yeah they were. Yes, 654 00:30:54,960 --> 00:30:57,480 Speaker 1: it was in the finals. It wasn't Okay, I don't 655 00:30:57,520 --> 00:30:59,480 Speaker 1: know sports, but yes, that's what happened. Okay, So but 656 00:30:59,520 --> 00:31:02,960 Speaker 1: who won the game? Ah, don't say Golden State because 657 00:31:02,960 --> 00:31:05,480 Speaker 1: if you do, this may be the cursive to Neil. 658 00:31:06,320 --> 00:31:09,400 Speaker 1: You don't know. We'll go with Toronto then and Kauai 659 00:31:09,440 --> 00:31:11,760 Speaker 1: A big game as a whole thing. Yeah, it's a 660 00:31:11,760 --> 00:31:16,320 Speaker 1: big yeah. Um, Mike. He is of Canadian descent, boom 661 00:31:16,320 --> 00:31:19,600 Speaker 1: from where well he was born in the US, but 662 00:31:19,680 --> 00:31:24,680 Speaker 1: ancestry is in Canadian Canadians, Canadian. Who's the most famous 663 00:31:24,680 --> 00:31:28,080 Speaker 1: person you're growing up in Canada? The most famous person 664 00:31:28,120 --> 00:31:32,480 Speaker 1: to me? Okay, because she was from Canada and also 665 00:31:32,640 --> 00:31:36,160 Speaker 1: massive and probably the most famous everybody period in North America. Okay, 666 00:31:36,360 --> 00:31:39,920 Speaker 1: so Shania Twain, who anybody else? Because we're I'm on 667 00:31:39,960 --> 00:31:44,440 Speaker 1: the radio and saskatchwe is that a town or a province? Okay? 668 00:31:44,840 --> 00:31:49,200 Speaker 1: So dumb, forgive me, because here's what happened. I love 669 00:31:49,240 --> 00:31:51,600 Speaker 1: the people in Canada. Can't get enough of them. That 670 00:31:51,720 --> 00:31:54,080 Speaker 1: being said, I was thrown into so many places at 671 00:31:54,080 --> 00:31:57,360 Speaker 1: once that they're like, you're in all that and I'm 672 00:31:57,400 --> 00:31:59,240 Speaker 1: trying to learn as fast as I can. I'm a 673 00:31:59,240 --> 00:32:03,240 Speaker 1: big Ottawa said Hitters fan, although they suck, so I 674 00:32:03,320 --> 00:32:05,760 Speaker 1: wear the hat proudly. But that may be the worst 675 00:32:05,840 --> 00:32:09,560 Speaker 1: run hockey organization in the NHL. Are you a hockey 676 00:32:09,560 --> 00:32:13,320 Speaker 1: fan a little bit? Okay? Who's your team? Well? I'm 677 00:32:13,360 --> 00:32:15,720 Speaker 1: I just hop on the bandwagon of wherever I am. 678 00:32:15,800 --> 00:32:19,880 Speaker 1: So freds, Oh, you don't have like a Canadian team? 679 00:32:19,960 --> 00:32:22,840 Speaker 1: I don't. You didn't did your dad like watch a team? 680 00:32:22,880 --> 00:32:25,440 Speaker 1: I mean like we grew up as a family. My 681 00:32:25,480 --> 00:32:28,360 Speaker 1: brother played, so I mean the most hockey I watched 682 00:32:28,440 --> 00:32:30,240 Speaker 1: was him playing and I also played for a year, 683 00:32:30,600 --> 00:32:34,560 Speaker 1: just saying but yeah, um played hockey. Yet you don't 684 00:32:34,600 --> 00:32:38,600 Speaker 1: have like a team that you watched. Okay, so you're 685 00:32:38,600 --> 00:32:41,440 Speaker 1: a Preds fan. Yeah, I like to actually go to games. 686 00:32:41,440 --> 00:32:44,640 Speaker 1: Watching sports on TV just does nothing for me. And 687 00:32:44,720 --> 00:32:49,040 Speaker 1: you played hockey. Also a dancer and you answered that confidently. 688 00:32:49,040 --> 00:32:51,880 Speaker 1: So you were a good dancer. I mean I was competitive, 689 00:32:52,280 --> 00:32:56,320 Speaker 1: especially with like tap dancing. That was kind of my thing. Um, 690 00:32:56,320 --> 00:33:00,280 Speaker 1: but my little sister is amazing, and so I once 691 00:33:00,280 --> 00:33:02,320 Speaker 1: I decided that I wasn't going to be a dancer, 692 00:33:02,520 --> 00:33:05,720 Speaker 1: she really she like ran with it. She loves dancing 693 00:33:05,720 --> 00:33:07,600 Speaker 1: and she still does that to this day. How many 694 00:33:07,640 --> 00:33:10,120 Speaker 1: years did you dance? From the time I was like 695 00:33:10,320 --> 00:33:13,040 Speaker 1: three to eighteen? Oh a long time. Did you ever 696 00:33:13,080 --> 00:33:18,000 Speaker 1: winny championships? I? Well, like I went to competitions all around, um, 697 00:33:18,040 --> 00:33:22,680 Speaker 1: like the provinces boarding mine and a few in the States. Trophies, 698 00:33:23,640 --> 00:33:26,600 Speaker 1: I want some stuff crap because I want a trophy dance, 699 00:33:26,640 --> 00:33:28,000 Speaker 1: and I like to brag about it a little bit. 700 00:33:28,400 --> 00:33:32,120 Speaker 1: I danced for four months and well, yeah, there you go. 701 00:33:32,160 --> 00:33:34,440 Speaker 1: That's right, And that's a pretty big trophy, that's right. 702 00:33:34,720 --> 00:33:37,440 Speaker 1: That's right. So probably imagine if I danced for fifteen years, 703 00:33:37,440 --> 00:33:41,400 Speaker 1: all the trophies I would have. Um, Okay, so you're 704 00:33:41,400 --> 00:33:44,000 Speaker 1: in Canada, you moved to the States. You've been here 705 00:33:44,120 --> 00:33:48,160 Speaker 1: for as of today, like four years. That's it. Huh, 706 00:33:49,040 --> 00:33:52,680 Speaker 1: Well you're just a baby and yeah, actual and you 707 00:33:52,680 --> 00:33:54,360 Speaker 1: have a record deal and you've got music that's already. 708 00:33:54,400 --> 00:33:56,320 Speaker 1: That's good for you. Thank you. Kind of popping a 709 00:33:56,360 --> 00:33:58,560 Speaker 1: little bit. Well, I just decided. I was like, if 710 00:33:58,560 --> 00:34:01,080 Speaker 1: I'm gonna be away from everybody, because like I moved 711 00:34:01,080 --> 00:34:03,880 Speaker 1: here not knowing anybody, my entire families back in Canada. 712 00:34:04,120 --> 00:34:05,520 Speaker 1: I was like, if I'm gonna move here, I'm gonna 713 00:34:05,520 --> 00:34:07,040 Speaker 1: put my head down to make sure that this time 714 00:34:07,160 --> 00:34:09,920 Speaker 1: is worth it, and my time away from my family 715 00:34:09,960 --> 00:34:13,000 Speaker 1: and my grandparents everything I needed to make it feel 716 00:34:13,000 --> 00:34:16,520 Speaker 1: like it was worthwhile. Is it frustrating to not find 717 00:34:16,520 --> 00:34:19,680 Speaker 1: a key chain with your name on it? Yes, because 718 00:34:19,719 --> 00:34:21,960 Speaker 1: I don't know. I never met a Tannil until I 719 00:34:22,000 --> 00:34:25,440 Speaker 1: met the other one, and I was like huh and 720 00:34:25,480 --> 00:34:27,879 Speaker 1: then I heard and I was like, there's another. So 721 00:34:28,200 --> 00:34:30,719 Speaker 1: Tennil Towns is a friend and she opened for me 722 00:34:30,719 --> 00:34:31,960 Speaker 1: for a lot of tour for a lot of my 723 00:34:32,200 --> 00:34:34,880 Speaker 1: comedy tour last year, and then I was like they 724 00:34:34,920 --> 00:34:36,000 Speaker 1: were like ten Neil Arts and I was like, no, 725 00:34:36,080 --> 00:34:39,239 Speaker 1: you're saying it wrong. It's aid Town, not Art. And 726 00:34:39,239 --> 00:34:41,560 Speaker 1: they're like, no, there's another Tannil And I was like, 727 00:34:41,560 --> 00:34:43,160 Speaker 1: well how about that. That's kind of weird. What is she? 728 00:34:43,520 --> 00:34:46,200 Speaker 1: You know? What were she from? Like from Canada too? 729 00:34:46,480 --> 00:34:51,319 Speaker 1: Same age? That's confusing, isn't that crazy? Did you guys 730 00:34:51,400 --> 00:34:54,960 Speaker 1: know each other? Oh? You did from like a tenail 731 00:34:55,040 --> 00:34:56,880 Speaker 1: chat room where you guys everybody Toil would get in 732 00:34:56,960 --> 00:34:58,640 Speaker 1: and talk with each other. Actually, the first time I 733 00:34:58,680 --> 00:35:01,040 Speaker 1: met her, she had one of her good friends with 734 00:35:01,080 --> 00:35:04,200 Speaker 1: her and her name was also Tanil. So what's what's happening? 735 00:35:04,200 --> 00:35:07,480 Speaker 1: Is there something Canada where they name him after Captain Intanil? 736 00:35:07,560 --> 00:35:10,880 Speaker 1: Is big? Big thing? Mike is Tanil Canadian? From Captain Intanil? 737 00:35:11,120 --> 00:35:13,120 Speaker 1: I don't know you looked at up. I know that 738 00:35:13,160 --> 00:35:17,040 Speaker 1: she was born in like Montgomery, Alabama or something. So 739 00:35:17,080 --> 00:35:19,279 Speaker 1: you know this already because I thought that was weird 740 00:35:19,320 --> 00:35:23,040 Speaker 1: because I grew up on Montgomery Crescent. She was from Montgomery, Alabama. 741 00:35:23,360 --> 00:35:25,799 Speaker 1: Does that have anything to do with your name? Well, 742 00:35:25,840 --> 00:35:30,759 Speaker 1: my parents named me after after Captain They loved the name, 743 00:35:30,840 --> 00:35:33,000 Speaker 1: but they also gave me two middle names just in case. 744 00:35:34,040 --> 00:35:38,359 Speaker 1: Captain Intanil what sinking songs like muskrat Love. I don't 745 00:35:38,360 --> 00:35:40,160 Speaker 1: know how I know that. Did Kevin hit his back 746 00:35:40,200 --> 00:35:45,320 Speaker 1: on the text? Not yet, They're apparently they're not Canadian. 747 00:35:45,680 --> 00:35:49,400 Speaker 1: You're going to lose. Um, okay, so let's do we 748 00:35:49,440 --> 00:35:53,560 Speaker 1: do this sometimes your Mount Rushmore of artists. Okay, you 749 00:35:53,640 --> 00:35:57,120 Speaker 1: get four, However I allow five because everyone always goes, 750 00:35:57,200 --> 00:35:59,160 Speaker 1: let me add one more. I'm gonna give you five, 751 00:35:59,200 --> 00:36:01,560 Speaker 1: but you can't go let me add one more. We're 752 00:36:01,600 --> 00:36:05,319 Speaker 1: already doing that plus one. So okay, five artists on 753 00:36:05,360 --> 00:36:08,640 Speaker 1: your Mount Rushmore. Who is your first artist? Are they? 754 00:36:08,920 --> 00:36:11,480 Speaker 1: Doesn't matter the genre, it can be any genre first artist, 755 00:36:11,600 --> 00:36:14,960 Speaker 1: Like this is no order? Well, okay, you don't have 756 00:36:15,000 --> 00:36:17,440 Speaker 1: to rank them, but you can if you want. Are 757 00:36:17,440 --> 00:36:20,200 Speaker 1: you saying right now? No order? No order? Because they'll 758 00:36:20,280 --> 00:36:24,319 Speaker 1: probably come to me as as we do this. Um. Well, 759 00:36:24,360 --> 00:36:26,799 Speaker 1: I grew up listening to Paul Simon, so I'm a 760 00:36:26,880 --> 00:36:31,000 Speaker 1: huge fan of his songwriting and everything. Um yeah, the 761 00:36:31,040 --> 00:36:38,160 Speaker 1: whole record, the whole record. Okay, go ahead, um oh man, 762 00:36:38,560 --> 00:36:42,880 Speaker 1: this is already hard and I'm only one person in. Um, 763 00:36:43,080 --> 00:36:47,319 Speaker 1: Shania Twain has to be in there. Ah, I know 764 00:36:47,400 --> 00:36:49,040 Speaker 1: I'm going to do this and forget somebody and be 765 00:36:49,080 --> 00:37:01,520 Speaker 1: really sad. Um Keith Urban, Kelly Clarkson. And you got 766 00:37:01,560 --> 00:37:03,719 Speaker 1: one here that counts. It's not a bonus that you 767 00:37:03,760 --> 00:37:06,520 Speaker 1: get five so so far? Why you're thinking we have 768 00:37:06,600 --> 00:37:13,120 Speaker 1: Paul Simon, Shania Twain, Keith Urban, Kelly Clarkson, Oh my gosh, 769 00:37:13,680 --> 00:37:18,359 Speaker 1: can I call a friend? Um? I don't know. That's 770 00:37:18,400 --> 00:37:20,600 Speaker 1: a hard one. There's so many good artists like I 771 00:37:20,600 --> 00:37:23,520 Speaker 1: feel like, but if you pick nobody, then you get nothing. Yeah, 772 00:37:23,680 --> 00:37:25,640 Speaker 1: you're not balance to this contractually, you know. If you 773 00:37:25,760 --> 00:37:27,879 Speaker 1: leave this house and decide, you can just see me 774 00:37:28,080 --> 00:37:31,480 Speaker 1: overthinking everything right now. I'm like, wait, do I okay, 775 00:37:31,640 --> 00:37:33,880 Speaker 1: pull up a playlist on your phone? What do you Spotify, 776 00:37:33,880 --> 00:37:37,000 Speaker 1: Apple Music whatever you have? Pull it up? Okay, and 777 00:37:37,080 --> 00:37:43,560 Speaker 1: we will. Let's look at the last song? Great, yes, 778 00:37:43,800 --> 00:37:45,680 Speaker 1: love it? Okay? No, no, no, let's look at the playlist. 779 00:37:46,239 --> 00:37:48,320 Speaker 1: I don't really have playlists. You'll have like liked songs 780 00:37:48,400 --> 00:37:50,640 Speaker 1: like the last songs you liked. I don't do that. 781 00:37:51,040 --> 00:37:52,960 Speaker 1: Let me see your let see your playlist here? Like, 782 00:37:53,000 --> 00:37:55,040 Speaker 1: I'm kind of all over the place. Well, you should 783 00:37:55,080 --> 00:37:57,840 Speaker 1: be musically, but how do you find stuff? Chase albums? 784 00:37:58,120 --> 00:38:00,319 Speaker 1: I just like I look up the album like this 785 00:38:00,360 --> 00:38:03,720 Speaker 1: is my You have the last songs you played yours? 786 00:38:04,200 --> 00:38:06,160 Speaker 1: Yours was warming up in the car on the way here. 787 00:38:06,239 --> 00:38:09,200 Speaker 1: Your song, which is interesting. You brought a guitar. We've 788 00:38:09,239 --> 00:38:11,319 Speaker 1: never had anyone bring a guitar. You never know when 789 00:38:11,320 --> 00:38:13,400 Speaker 1: you're gonna need to break out in a song. That's true, 790 00:38:13,719 --> 00:38:15,600 Speaker 1: So to your last song, as I hate this. Do 791 00:38:15,600 --> 00:38:17,200 Speaker 1: you have a list of stuff you played recently? I 792 00:38:17,200 --> 00:38:19,920 Speaker 1: don't know how to get library. I got you. Technology 793 00:38:19,960 --> 00:38:23,080 Speaker 1: is hard for me. Oh check it out. A lot 794 00:38:23,120 --> 00:38:28,200 Speaker 1: of chumba wamba. You're a big fan and I'm just um, 795 00:38:28,360 --> 00:38:33,319 Speaker 1: Carrie Underwood, Casey musk Graves. Who's Paul Sykes. He's a 796 00:38:33,320 --> 00:38:35,360 Speaker 1: friend of mine. He used to play guitar for me. 797 00:38:35,400 --> 00:38:37,640 Speaker 1: Shout out, Paul Sykes. I'm really going through your stuff. 798 00:38:37,640 --> 00:38:40,440 Speaker 1: This is this is some stuff here. Um. You have 799 00:38:40,480 --> 00:38:43,640 Speaker 1: a lot of some artists named tennial arts a lot. Wow, 800 00:38:44,040 --> 00:38:46,879 Speaker 1: are you in the fan club? Who's Twin Kennedy? They're 801 00:38:46,920 --> 00:38:49,239 Speaker 1: also friends of mine. Okay, so we get a lot 802 00:38:49,280 --> 00:38:51,120 Speaker 1: of shout outs here, and that's all you have, all 803 00:38:51,120 --> 00:38:53,799 Speaker 1: your songs, you listen to yourself and your friends. I 804 00:38:53,880 --> 00:38:57,600 Speaker 1: like that. Well, I gotta download my own stuff and 805 00:38:57,600 --> 00:38:59,719 Speaker 1: make sure that like nothing's wrong with it, you know, 806 00:39:00,000 --> 00:39:03,239 Speaker 1: when it goes out there? All right, Um, well, why 807 00:39:03,280 --> 00:39:05,400 Speaker 1: don't we let's let's I'm not gonna ask you like 808 00:39:05,440 --> 00:39:07,000 Speaker 1: really sing or anything, but let's grab this guitar, Mike. 809 00:39:07,080 --> 00:39:08,440 Speaker 1: Let's see what's happened over here. If we can get 810 00:39:08,480 --> 00:39:10,520 Speaker 1: Kevin to call us back. Kevin's big time and it's 811 00:39:10,600 --> 00:39:13,799 Speaker 1: right now. Do you know, let's play a game while 812 00:39:13,840 --> 00:39:17,680 Speaker 1: he's doing that. Okay? Canadian or not Canadian? Are you ready? 813 00:39:17,960 --> 00:39:21,239 Speaker 1: I'll give you, I'll give you a celebt. You tell 814 00:39:21,280 --> 00:39:25,080 Speaker 1: me if they're Canadian or not. Jake Jillen Hall not 815 00:39:25,440 --> 00:39:31,520 Speaker 1: okay correct, Ryan Reynolds Canadian? Right, Hayley Bieber not correct? 816 00:39:31,600 --> 00:39:39,880 Speaker 1: James Franco not, Ryan Gosling Canadian? Yeah, Ann Hathaway not not. 817 00:39:40,280 --> 00:39:42,520 Speaker 1: Does the Canadians have dominate any interview? You ever? Do? Are? 818 00:39:42,560 --> 00:39:46,160 Speaker 1: They always tell me about Canada a little bit? But yeah? 819 00:39:46,239 --> 00:39:48,799 Speaker 1: What about the double to Neils? Does it happen a lot? 820 00:39:50,520 --> 00:39:51,839 Speaker 1: Do you ever think if it doesn't work, you too 821 00:39:51,840 --> 00:39:54,320 Speaker 1: can form a group? Maybe and just be called Tenniel 822 00:39:54,400 --> 00:39:57,239 Speaker 1: took at this. What kind of guitar we have here? 823 00:39:57,440 --> 00:40:00,080 Speaker 1: This is a PRS acoustic. So what we're gonna to 824 00:40:00,120 --> 00:40:02,000 Speaker 1: do here, because we're gonna play very light I have 825 00:40:02,000 --> 00:40:03,239 Speaker 1: We've never done this before. So let's see what it 826 00:40:03,280 --> 00:40:05,920 Speaker 1: sounds like. Well, let me make sure. I like to 827 00:40:05,960 --> 00:40:09,000 Speaker 1: go no tuning. Yeah, we like to go out of tune. 828 00:40:09,040 --> 00:40:18,120 Speaker 1: It's kind of our style here on the show. Okay, Mike, 829 00:40:18,200 --> 00:40:19,719 Speaker 1: you wanna see how this sounds. You have to check 830 00:40:19,719 --> 00:40:21,439 Speaker 1: it out. Okay, Um, you want her to back away 831 00:40:21,440 --> 00:40:23,960 Speaker 1: from Mike just a little bit, maybe just a little bit. Okay, 832 00:40:24,160 --> 00:40:26,200 Speaker 1: it's the opposite what we just did. We have Now 833 00:40:26,200 --> 00:40:27,600 Speaker 1: we're gonna have you moved back just a little bit, 834 00:40:27,840 --> 00:40:30,160 Speaker 1: all right, So um, play me a little bit of 835 00:40:30,239 --> 00:40:32,440 Speaker 1: I Hate this because that's the one you had up 836 00:40:32,480 --> 00:40:34,600 Speaker 1: on your phone. Okay, and then we're going to the 837 00:40:34,640 --> 00:40:38,200 Speaker 1: Canadian national anthem. I'm just kidding. I was like, no, 838 00:40:38,400 --> 00:40:42,200 Speaker 1: maybe not all right. For the first time on this podcast, 839 00:40:42,280 --> 00:40:43,960 Speaker 1: someone's gonna play. We'll do a little bit of I 840 00:40:44,000 --> 00:40:45,600 Speaker 1: hate this. Go ahead, you let me just do like 841 00:40:45,680 --> 00:40:54,319 Speaker 1: verst course Yeah, okay, I hate this. Here I am 842 00:40:54,480 --> 00:41:00,560 Speaker 1: running into you China. I hate this excellent. I it's 843 00:41:00,640 --> 00:41:06,880 Speaker 1: not killing me when it now? Watch the game still 844 00:41:07,120 --> 00:41:12,279 Speaker 1: looks good on you. Don't you think it's time we 845 00:41:12,560 --> 00:41:19,600 Speaker 1: in this little lips bement because I know we said 846 00:41:20,040 --> 00:41:29,160 Speaker 1: we just be friends. I can by care pretson boy, 847 00:41:29,600 --> 00:41:46,160 Speaker 1: I shouting bottom. I still love you and that's good. 848 00:41:46,320 --> 00:41:49,480 Speaker 1: Thank you. Look at that, it's good, thank you. Well 849 00:41:49,840 --> 00:41:52,040 Speaker 1: look okay, well, let me can put the mic, put 850 00:41:52,080 --> 00:41:53,680 Speaker 1: the guitar down. That's good. How does sound? Do we know? 851 00:41:53,680 --> 00:41:56,480 Speaker 1: I found pretty good? Popped or anything? Okay, Well, if 852 00:41:56,480 --> 00:41:57,360 Speaker 1: you have it, you want to do a little bit 853 00:41:57,360 --> 00:41:59,000 Speaker 1: your new song, then sure. I mean, if that's the 854 00:41:59,000 --> 00:42:08,640 Speaker 1: new single, let's it's her somebody like that. I've seen 855 00:42:08,800 --> 00:42:13,200 Speaker 1: pick up lines and dye bar stranger slow dance. I've 856 00:42:13,200 --> 00:42:17,200 Speaker 1: seen Happy Hour two for once turned one nice dance. 857 00:42:17,719 --> 00:42:27,200 Speaker 1: I've seen on rather lay night, drunk dies. I've seen 858 00:42:27,280 --> 00:42:31,080 Speaker 1: that sent to rether, fairy tale, go up in cigarettes smoke. 859 00:42:31,680 --> 00:42:35,040 Speaker 1: I've seen two hearts beat it all and still end 860 00:42:35,160 --> 00:42:42,239 Speaker 1: up bron Your thing won't be easy, yeah, my tay wise, 861 00:42:44,800 --> 00:42:50,200 Speaker 1: but I want that all. I keep the fire burning 862 00:42:50,400 --> 00:42:54,759 Speaker 1: like the first time feeling, no matter what, if I'm 863 00:42:54,840 --> 00:43:11,320 Speaker 1: gonna I'm gonna love somebody forever. Take it back. I'm 864 00:43:11,440 --> 00:43:20,200 Speaker 1: gonna somebody like, holy crap, man, it's really good. You're 865 00:43:20,239 --> 00:43:22,960 Speaker 1: like two ft tall Mongus boys. Thank you, Michael. Take 866 00:43:23,000 --> 00:43:25,319 Speaker 1: your guitar from you. He'll be sure to drop it. 867 00:43:25,360 --> 00:43:27,920 Speaker 1: There it is. Let's check one more time for Kevin. 868 00:43:28,360 --> 00:43:30,560 Speaker 1: I would love to have had him on the show. Kevin, 869 00:43:31,200 --> 00:43:35,799 Speaker 1: did he respond to your text? No? Mm hmmm. He 870 00:43:35,840 --> 00:43:37,879 Speaker 1: probably likes your brother and sister better. Huh. I bet 871 00:43:37,920 --> 00:43:40,440 Speaker 1: if they texted, he probably would have been like he 872 00:43:40,560 --> 00:43:42,919 Speaker 1: literally just never has his phone on him. So what's 873 00:43:42,920 --> 00:43:44,440 Speaker 1: the story with your brothers and sisters? You have one? 874 00:43:44,560 --> 00:43:47,080 Speaker 1: You have to total one each. I have two sisters 875 00:43:47,080 --> 00:43:49,120 Speaker 1: and a brother. Okay, and you are in the mix? 876 00:43:49,200 --> 00:43:53,160 Speaker 1: What what what level? Second youngest? Okay? And your oldest 877 00:43:53,280 --> 00:43:58,480 Speaker 1: is Brittany? Okay, what's Brittany do music at all? It's 878 00:43:58,560 --> 00:44:02,160 Speaker 1: not really no. She her husband was in the military 879 00:44:02,200 --> 00:44:04,759 Speaker 1: in Canada. They moved around a lot, and now they're 880 00:44:04,800 --> 00:44:07,799 Speaker 1: back in Saskatchewan starting their own company. So they're they're 881 00:44:07,800 --> 00:44:10,799 Speaker 1: working on stuff there. It's a drone company. Oh that's cool. 882 00:44:10,880 --> 00:44:12,960 Speaker 1: My coat husband has a drone company. He was in 883 00:44:12,960 --> 00:44:15,160 Speaker 1: the military too. Yeah, and now they apparently all fly 884 00:44:15,320 --> 00:44:18,799 Speaker 1: drones and looking our windows and who knows everything about 885 00:44:18,800 --> 00:44:21,120 Speaker 1: our lives? And then your brother is older than you, 886 00:44:21,520 --> 00:44:23,600 Speaker 1: and what does he do? He went to school, um 887 00:44:23,760 --> 00:44:26,960 Speaker 1: for finance stuff, but he's also been working at the 888 00:44:26,960 --> 00:44:29,520 Speaker 1: farm as well, so he's We're all just kind of 889 00:44:29,520 --> 00:44:31,719 Speaker 1: all over the place doing our own thing. And your 890 00:44:31,760 --> 00:44:34,840 Speaker 1: youngest sister is a hockey plant dancer? Is that true? 891 00:44:35,280 --> 00:44:38,640 Speaker 1: She just dances? Now? Okay, are they very proud of you? Yeah? 892 00:44:38,960 --> 00:44:41,399 Speaker 1: They like keeping up. Are they super excited? Yeah, they 893 00:44:41,440 --> 00:44:44,080 Speaker 1: keep up. And my little sister and I talked like 894 00:44:44,200 --> 00:44:47,520 Speaker 1: really often. But um so since we're both kind of 895 00:44:47,760 --> 00:44:50,680 Speaker 1: very I guess you know, we like hair and makeup 896 00:44:50,760 --> 00:44:53,920 Speaker 1: and photos and and doing all of the fun stuff. 897 00:44:54,040 --> 00:44:58,200 Speaker 1: My older two siblings felt like they were not in 898 00:44:58,320 --> 00:45:01,799 Speaker 1: the group or whatever of us performing sisters. So they 899 00:45:01,840 --> 00:45:04,880 Speaker 1: created their own Instagram called like the other two Siblings 900 00:45:04,960 --> 00:45:08,320 Speaker 1: or something, and they recreate our photos on the farm. 901 00:45:08,360 --> 00:45:12,680 Speaker 1: It is hilarious. Yeah, it's it's pretty funny. So they 902 00:45:12,920 --> 00:45:17,560 Speaker 1: they're all supportive and yeah, so parents, four kids, Any 903 00:45:17,600 --> 00:45:21,040 Speaker 1: animals growing up? Yeah, we had a dog, a dog, yeah, 904 00:45:21,400 --> 00:45:25,560 Speaker 1: just one. Okay, No cows, No, no cows. What kind 905 00:45:25,560 --> 00:45:28,279 Speaker 1: of animals are on farms in Canada. We had just 906 00:45:28,360 --> 00:45:30,560 Speaker 1: like a lot of straight cats, like farm cats just 907 00:45:30,680 --> 00:45:34,759 Speaker 1: running around. All right, Mike, anything for Tanil. We're about 908 00:45:34,920 --> 00:45:37,040 Speaker 1: about to wrap this up. I was just amazing good 909 00:45:37,040 --> 00:45:38,919 Speaker 1: that was That was awesome. Yeah, that was really good. 910 00:45:39,440 --> 00:45:41,480 Speaker 1: What's cool? As we could hear everybody saying I hear 911 00:45:41,480 --> 00:45:44,840 Speaker 1: about on the show or out, it's really good. I 912 00:45:44,840 --> 00:45:46,759 Speaker 1: don't know that. I was not expecting it to be, 913 00:45:47,360 --> 00:45:49,719 Speaker 1: but it's really good. And we've never done that before. Yeah, 914 00:45:49,960 --> 00:45:51,440 Speaker 1: you gotta brought your guitar and a ball or move. 915 00:45:51,480 --> 00:45:52,840 Speaker 1: It's like, I just have my guitar. If you need it, 916 00:45:52,920 --> 00:45:55,879 Speaker 1: let me. That's it's cool. I like that. Here's so. 917 00:45:56,360 --> 00:45:58,480 Speaker 1: I work on American Idol and I mentor a lot 918 00:45:58,480 --> 00:46:00,799 Speaker 1: of these these kids. A lot of the kids need 919 00:46:00,880 --> 00:46:02,879 Speaker 1: more of the music mentorship. A lot of the older 920 00:46:02,880 --> 00:46:04,719 Speaker 1: people kind of need the kind of the life how 921 00:46:04,719 --> 00:46:06,799 Speaker 1: to go to the reality show. But I tell them, 922 00:46:06,840 --> 00:46:08,480 Speaker 1: and I think you could probably speak on this too. 923 00:46:08,880 --> 00:46:10,959 Speaker 1: If someone asked you to play, just freaking play, Yeah 924 00:46:11,239 --> 00:46:13,719 Speaker 1: that's it. If someone's like, hey do you play, don't 925 00:46:13,760 --> 00:46:15,040 Speaker 1: take a thing and be like, well, I'm not really 926 00:46:15,120 --> 00:46:18,719 Speaker 1: right now, and you know, let me think it, go like, 927 00:46:18,800 --> 00:46:22,800 Speaker 1: play your freaking song always because you never know who's listening. 928 00:46:23,080 --> 00:46:25,040 Speaker 1: Who may that person is not going to get your 929 00:46:25,040 --> 00:46:27,560 Speaker 1: record deal, but they may hear you and go, oh 930 00:46:27,600 --> 00:46:30,440 Speaker 1: this person you should you should hear that. That's the thing. 931 00:46:30,480 --> 00:46:32,799 Speaker 1: You never know when you're going to be discovered. And 932 00:46:32,840 --> 00:46:34,520 Speaker 1: I think the more you play, the more you get 933 00:46:34,560 --> 00:46:36,480 Speaker 1: out there, the more chances there are. You know, you 934 00:46:36,480 --> 00:46:38,279 Speaker 1: can't just sit in your bedroom and sing songs all 935 00:46:38,320 --> 00:46:40,080 Speaker 1: the time and think that you're going to get somewhere. 936 00:46:40,560 --> 00:46:43,320 Speaker 1: Here's my my neighbor overheard me singing in my backyard 937 00:46:43,360 --> 00:46:46,640 Speaker 1: and recommend me to get in vocal training. Is that 938 00:46:46,719 --> 00:46:49,920 Speaker 1: familiar at all? Because it didn't happen to me. It 939 00:46:49,960 --> 00:46:53,120 Speaker 1: happened to me. So you're singing and just doing How 940 00:46:53,120 --> 00:46:56,600 Speaker 1: old are you? Oh my gosh, I was probably like seven. 941 00:46:56,800 --> 00:46:59,799 Speaker 1: And your neighbor hears something in your voice and says, 942 00:46:59,800 --> 00:47:02,600 Speaker 1: how you should go and learn to sing the real way. Yeah, 943 00:47:02,640 --> 00:47:05,200 Speaker 1: she came over because I was always just like belting 944 00:47:05,239 --> 00:47:07,080 Speaker 1: out and I ha Twain songs or like whatever I 945 00:47:07,160 --> 00:47:09,919 Speaker 1: was listening to or making songs up belt him out 946 00:47:09,960 --> 00:47:13,120 Speaker 1: in my backyard and my neighbor just came over and 947 00:47:13,160 --> 00:47:14,799 Speaker 1: she's told my mom, She's like, I think she has 948 00:47:14,800 --> 00:47:17,239 Speaker 1: a great voice. I think you should try to, you know, 949 00:47:18,000 --> 00:47:20,040 Speaker 1: take her somewhere, see if she can do something with it. 950 00:47:20,480 --> 00:47:23,960 Speaker 1: And of course I loved that my first voice lesson. 951 00:47:24,080 --> 00:47:27,480 Speaker 1: I was so pumped and just so excited that, like 952 00:47:27,560 --> 00:47:29,400 Speaker 1: that's what made it feel real to me at eight 953 00:47:29,480 --> 00:47:31,759 Speaker 1: years old, seven or eight whatever it was, I was like, 954 00:47:31,880 --> 00:47:33,640 Speaker 1: that's going to be my career. I'm going to do this. 955 00:47:33,719 --> 00:47:38,000 Speaker 1: Where did you start singing as a kid? Publicly, I 956 00:47:38,040 --> 00:47:40,719 Speaker 1: did like a couple of little like local festivals and 957 00:47:40,760 --> 00:47:44,040 Speaker 1: things like that. But also because I was doing classically 958 00:47:44,719 --> 00:47:49,000 Speaker 1: um trained music, I also performed in like the music 959 00:47:49,040 --> 00:47:52,000 Speaker 1: festivals and stuff, and you would sing what kind of 960 00:47:52,000 --> 00:47:55,120 Speaker 1: song is a classical trained performer? There was like a 961 00:47:55,200 --> 00:47:59,439 Speaker 1: book songs out of Okay, Um, you have another record 962 00:47:59,480 --> 00:48:02,400 Speaker 1: coming on the next year. Yeah, yeah, we we know 963 00:48:02,440 --> 00:48:06,719 Speaker 1: when it'll be early, and people listen to these things forever, 964 00:48:06,800 --> 00:48:08,560 Speaker 1: so it may already be out when this thing is. 965 00:48:08,719 --> 00:48:11,200 Speaker 1: You may be hearing the Tinnil Arts podcast because we've 966 00:48:11,239 --> 00:48:12,920 Speaker 1: done a lot of these mike where people have at 967 00:48:12,960 --> 00:48:15,239 Speaker 1: early stages they've got a blown up and you can 968 00:48:15,280 --> 00:48:18,520 Speaker 1: go back and hear them, because this is episode two 969 00:48:18,640 --> 00:48:22,600 Speaker 1: hundred and three, So early on we had some artists 970 00:48:22,600 --> 00:48:25,400 Speaker 1: on in the early stages too, and they were like, 971 00:48:25,400 --> 00:48:27,200 Speaker 1: I don't know, We're just trying to get something going. 972 00:48:27,239 --> 00:48:28,680 Speaker 1: And you go back now and you're like, holy crap, 973 00:48:28,760 --> 00:48:31,560 Speaker 1: Like now they're they're big deals. So hopefully, uh, this 974 00:48:31,560 --> 00:48:33,920 Speaker 1: this is what happens here. Okay, Well, listen, we've I 975 00:48:33,960 --> 00:48:36,200 Speaker 1: think we've said everything that that we need to say. 976 00:48:36,480 --> 00:48:39,799 Speaker 1: You feel like you learn a little bit about you, Yeah, Kevin, 977 00:48:40,000 --> 00:48:42,919 Speaker 1: Kevin will not call us back if you're listening right now, Kevin, 978 00:48:42,960 --> 00:48:45,000 Speaker 1: we tried. Before we wrap it up, we're gonna we're 979 00:48:45,000 --> 00:48:46,879 Speaker 1: gonna give it one more look, not yet. I'm gonna 980 00:48:46,880 --> 00:48:49,120 Speaker 1: ask you a few random questions here and then we'll 981 00:48:49,120 --> 00:48:51,560 Speaker 1: call this a day. What's the last concert you bought 982 00:48:51,600 --> 00:48:54,560 Speaker 1: tickets for? I bought tickets for Casey Musgraves and I 983 00:48:54,600 --> 00:48:58,160 Speaker 1: didn't get to go. Which show? It was the one 984 00:48:58,160 --> 00:49:03,839 Speaker 1: at the Rhyman the Gold Now our tour I did. Yeah, 985 00:49:03,840 --> 00:49:06,399 Speaker 1: I'm really jealous. Yeah you should be. It's it's great. Yeah. 986 00:49:06,560 --> 00:49:07,920 Speaker 1: Why did you not get to go? I had a 987 00:49:07,920 --> 00:49:10,799 Speaker 1: show come up? Great reason to not go? Exactly how 988 00:49:10,800 --> 00:49:14,040 Speaker 1: about that good? Okay, So question number two, what's the 989 00:49:14,080 --> 00:49:18,000 Speaker 1: last movie you saw in theaters? In theaters? Um, I 990 00:49:18,040 --> 00:49:21,600 Speaker 1: think it was that last show, um, last movie of 991 00:49:21,680 --> 00:49:28,200 Speaker 1: the Avengers or whatever that. Yeah, in game it was good. Huh, 992 00:49:28,280 --> 00:49:31,000 Speaker 1: it was long. Yeah. Well, here's the thing, I didn't 993 00:49:31,000 --> 00:49:35,279 Speaker 1: watch any of the other ones, because there were like three. 994 00:49:35,640 --> 00:49:38,440 Speaker 1: I saw most of them, but there were only three 995 00:49:38,520 --> 00:49:40,440 Speaker 1: or four that I didn't see, and I felt a 996 00:49:40,440 --> 00:49:42,320 Speaker 1: little out of it at times. I can only imagine 997 00:49:42,320 --> 00:49:45,680 Speaker 1: what you felt. No, it's knowing. I was very out 998 00:49:45,680 --> 00:49:47,840 Speaker 1: of it. Well, actually, I think I saw the Captain 999 00:49:47,840 --> 00:49:51,840 Speaker 1: Marvel won the Girl. Um. Maybe, yeah, I saw that 1000 00:49:51,880 --> 00:49:53,920 Speaker 1: one before. But also at the end of that, I 1001 00:49:53,960 --> 00:49:55,799 Speaker 1: did not know that this was like a big thing 1002 00:49:55,880 --> 00:49:57,879 Speaker 1: that was going to be coming to an end, and 1003 00:49:58,000 --> 00:50:01,160 Speaker 1: everybody was sitting in the theater like waiting to see 1004 00:50:01,160 --> 00:50:03,480 Speaker 1: whatever they show at the end of those movies. I 1005 00:50:03,520 --> 00:50:05,920 Speaker 1: had no clue. I was completely in the dark that 1006 00:50:06,000 --> 00:50:08,799 Speaker 1: this was a whole series of things. And that's the 1007 00:50:08,840 --> 00:50:10,799 Speaker 1: last movie you saw. Okay, are you on the road 1008 00:50:10,800 --> 00:50:14,200 Speaker 1: a lot? Now? Every weekend? You're going out? This weekend, 1009 00:50:14,840 --> 00:50:17,160 Speaker 1: I am, I'm leaving tomorrow. Where do you go? I'm 1010 00:50:17,200 --> 00:50:22,680 Speaker 1: going to Deadwood, South Dakota. Wow, Yeah, it's a trip. Yeah, 1011 00:50:22,880 --> 00:50:28,680 Speaker 1: you're driving the Pontiac, but I don't even think it 1012 00:50:28,680 --> 00:50:30,920 Speaker 1: would make it there. One final question, what is your 1013 00:50:30,920 --> 00:50:36,080 Speaker 1: hobby and why do you do it? My hobby? Um, 1014 00:50:36,080 --> 00:50:39,000 Speaker 1: it cannot be something you make money at, so don't 1015 00:50:39,040 --> 00:50:41,120 Speaker 1: say music. What is your hobby and why do you 1016 00:50:41,160 --> 00:50:45,680 Speaker 1: do it? Man? It's a lot of my things have 1017 00:50:45,760 --> 00:50:48,440 Speaker 1: to do with music, But like this, one thing that 1018 00:50:48,480 --> 00:50:50,880 Speaker 1: I started doing is like painting on the back of 1019 00:50:51,000 --> 00:50:53,839 Speaker 1: jean jackets. So that's kind of like a hobby thing 1020 00:50:53,880 --> 00:50:58,200 Speaker 1: that has become something that I think. That's a wonderful answer. Um, 1021 00:50:58,239 --> 00:51:01,480 Speaker 1: you're in a jacket now. That is Arry painty, but 1022 00:51:01,600 --> 00:51:04,160 Speaker 1: you didn't paint this one. Okay, let's check one more 1023 00:51:04,200 --> 00:51:10,799 Speaker 1: time for Kevin. This is her dad. Three. Okay, we'll 1024 00:51:10,800 --> 00:51:13,040 Speaker 1: talk to you. We'll do a whole podcast with him, 1025 00:51:13,080 --> 00:51:15,560 Speaker 1: Mike at some point. Listen to Neil. It's been I 1026 00:51:15,880 --> 00:51:17,600 Speaker 1: didn't know you on the way. Had we ever met? 1027 00:51:17,719 --> 00:51:20,359 Speaker 1: I don't feel like we've ever met. Um, it's it's 1028 00:51:20,400 --> 00:51:22,080 Speaker 1: been nice to get to know you. Thank you. Nice 1029 00:51:22,120 --> 00:51:24,200 Speaker 1: to get to know you too. I feel like big 1030 00:51:24,239 --> 00:51:26,239 Speaker 1: things are ahead. Thank you. Do you feel like I'm 1031 00:51:26,239 --> 00:51:27,279 Speaker 1: talking about for me, But do you feel like that, 1032 00:51:27,680 --> 00:51:30,000 Speaker 1: you feel like they're also ahead for you. Yeah, Okay, 1033 00:51:30,080 --> 00:51:32,080 Speaker 1: I'm excited. I feel like this is a time where 1034 00:51:32,400 --> 00:51:34,080 Speaker 1: I just I've been through so much in the past 1035 00:51:34,160 --> 00:51:35,960 Speaker 1: year that i feel like my music has just changed 1036 00:51:36,000 --> 00:51:38,520 Speaker 1: so much and I'm just excited for everything that's coming 1037 00:51:38,560 --> 00:51:41,440 Speaker 1: with it. All Right, Tanil Arts T E N I 1038 00:51:41,840 --> 00:51:44,080 Speaker 1: L L. E. Arts. I've bet you. People ask all 1039 00:51:44,120 --> 00:51:45,839 Speaker 1: the time if that's your real last name. It is 1040 00:51:46,920 --> 00:51:49,560 Speaker 1: Kevin Arts, one of my favorite wheat farmers in Canada, 1041 00:51:50,120 --> 00:51:52,400 Speaker 1: so it's a guy. Um. All right, Well, there we 1042 00:51:52,440 --> 00:51:54,600 Speaker 1: have it, Mike, I believe that I'll wrap us up 1043 00:51:54,640 --> 00:51:57,880 Speaker 1: episode two oh three with Tenille Arts. It's a solid interview, 1044 00:51:57,920 --> 00:52:00,400 Speaker 1: maybe the longest you've ever done it was, but it 1045 00:52:00,440 --> 00:52:03,880 Speaker 1: was great. Yeah, as you walk out the house, and 1046 00:52:04,480 --> 00:52:07,040 Speaker 1: I always wonder if it's weird because this we'd normally 1047 00:52:07,040 --> 00:52:09,600 Speaker 1: do this earlier in the daytime, but because of my schedule, 1048 00:52:09,640 --> 00:52:11,319 Speaker 1: so weird this week we actually did this one at night. 1049 00:52:11,360 --> 00:52:13,440 Speaker 1: It's fully dark right now. Yeah, I'd always think it'd 1050 00:52:13,480 --> 00:52:16,360 Speaker 1: be weird going to somebody's house for a show, like 1051 00:52:16,400 --> 00:52:17,799 Speaker 1: someone's like coming to the come to the house. We're 1052 00:52:17,800 --> 00:52:20,080 Speaker 1: gonna do a show like this gotta be a little weird, right, 1053 00:52:20,160 --> 00:52:22,799 Speaker 1: I mean not really. I was like, I'm coming here 1054 00:52:22,800 --> 00:52:25,920 Speaker 1: with my manager. I don't know, it doesn't matter to me, great, 1055 00:52:26,440 --> 00:52:29,080 Speaker 1: I wouldn't. I just just think, like going to somebody's house, 1056 00:52:29,239 --> 00:52:31,360 Speaker 1: this is a trick. But you can rest assured it 1057 00:52:31,440 --> 00:52:33,439 Speaker 1: is not a trick. All right. But we didn't record 1058 00:52:33,480 --> 00:52:35,640 Speaker 1: any of this is just for me. We're just saving 1059 00:52:35,680 --> 00:52:38,200 Speaker 1: it all right, tonil Arts, I'm gonna talk to everybody. 1060 00:52:38,239 --> 00:52:40,319 Speaker 1: Check out her music. Her new single as of right now, 1061 00:52:40,400 --> 00:52:43,560 Speaker 1: this recording. The song is called Somebody Like That. Um, 1062 00:52:43,600 --> 00:52:45,279 Speaker 1: I really like the song. I hate this. I put 1063 00:52:45,320 --> 00:52:47,399 Speaker 1: it on the National Female Show a couple of times. 1064 00:52:47,760 --> 00:52:49,239 Speaker 1: I'll tell you what, I'll do it again because I 1065 00:52:49,239 --> 00:52:52,520 Speaker 1: I felt like the performance was fantastic and I think 1066 00:52:52,520 --> 00:52:53,920 Speaker 1: that's it. All right to the Arts, thank you,