1 00:00:00,080 --> 00:00:03,320 Speaker 1: I'm Dessa, and this is deeply human? Why you do 2 00:00:03,440 --> 00:00:09,440 Speaker 1: what you do before you were old enough to know 3 00:00:09,480 --> 00:00:12,640 Speaker 1: any real swear words. Some of the spiciest epithets hold 4 00:00:12,680 --> 00:00:16,439 Speaker 1: that your peers may have sounded like this, Hey, no 5 00:00:16,640 --> 00:00:24,919 Speaker 1: blood gen Alternately, no cutting in line, no skipping, no budding. 6 00:00:25,680 --> 00:00:27,840 Speaker 1: If you grew up in Ohio, you might have called 7 00:00:27,880 --> 00:00:33,199 Speaker 1: it ditching. In the UK, que jumping or barging. In Brazil, 8 00:00:33,680 --> 00:00:38,080 Speaker 1: you pierced the line Arkansas. You broke it for pint 9 00:00:38,120 --> 00:00:41,040 Speaker 1: sized tweakers and the grown ups they turned into. The 10 00:00:41,159 --> 00:00:46,960 Speaker 1: standing line evokes strong feelings about fairness, about justice. But 11 00:00:47,120 --> 00:00:50,479 Speaker 1: why now is the time to insert your mouth guards, 12 00:00:50,840 --> 00:00:53,080 Speaker 1: because we are going into the dark heart of this 13 00:00:53,200 --> 00:00:58,720 Speaker 1: standing line, a place full of violence, sex, power, struggles, 14 00:00:58,960 --> 00:01:06,920 Speaker 1: and time under bits. When you're surfing, there is a 15 00:01:07,080 --> 00:01:10,640 Speaker 1: very distinct queue for the wave. Once you start to 16 00:01:10,760 --> 00:01:13,360 Speaker 1: learn the rhythms of it, you can see there is 17 00:01:13,400 --> 00:01:16,000 Speaker 1: a line for the wave, and if you break that 18 00:01:16,120 --> 00:01:18,720 Speaker 1: or do what's called dropping in on somebody, that can 19 00:01:18,800 --> 00:01:23,039 Speaker 1: lead to fist fights. That's Jason Farman when not surfing, 20 00:01:23,319 --> 00:01:27,520 Speaker 1: he's a psychologist who studies how humans wait. Well, technically, 21 00:01:27,520 --> 00:01:29,880 Speaker 1: I guess he's still a psychologist. While he was surfing, 22 00:01:30,280 --> 00:01:32,679 Speaker 1: the wave will break at a particular point, and if 23 00:01:32,680 --> 00:01:34,200 Speaker 1: you're too far to the left or too far to 24 00:01:34,240 --> 00:01:36,280 Speaker 1: the right, you won't be able to catch that wave. 25 00:01:36,400 --> 00:01:39,399 Speaker 1: So people know where that point is, and then the 26 00:01:39,440 --> 00:01:41,399 Speaker 1: next person in line kind of drifts over to that 27 00:01:41,480 --> 00:01:45,600 Speaker 1: exact point. But sometimes somebody's on the wave already, somebody 28 00:01:45,640 --> 00:01:48,720 Speaker 1: who's new will drop in on that person further down 29 00:01:48,720 --> 00:01:51,200 Speaker 1: the wave and cause that person to fall off. So 30 00:01:51,240 --> 00:01:55,639 Speaker 1: there's a very clear hierarchy when it comes to waiting 31 00:01:55,640 --> 00:01:58,320 Speaker 1: in line for waves. I was next and you have 32 00:01:58,400 --> 00:02:01,400 Speaker 1: to So then what is that confrontation actually look like? 33 00:02:01,520 --> 00:02:04,400 Speaker 1: Is it just like are you kidding me? Yeah, I've 34 00:02:04,400 --> 00:02:07,600 Speaker 1: been in those kind of encounters before. Where as soon 35 00:02:07,600 --> 00:02:09,760 Speaker 1: as you start to paddle back out to the waves, 36 00:02:09,800 --> 00:02:13,520 Speaker 1: there's there's an argument, usually like you broke decorum, you 37 00:02:13,600 --> 00:02:16,120 Speaker 1: broke the rules, you dropped in on me. I bet 38 00:02:16,200 --> 00:02:18,600 Speaker 1: that's not the words that are used. No, yeah, it's 39 00:02:18,600 --> 00:02:22,280 Speaker 1: a little yes, you broke decorum. I'm very disappointed in you. Yeah, no, 40 00:02:22,360 --> 00:02:25,040 Speaker 1: it doesn't quite sound like that. But can it actually escalate? 41 00:02:25,160 --> 00:02:27,839 Speaker 1: I mean, two fists being drowned? Oh yeah, yeah, yeah, 42 00:02:27,840 --> 00:02:34,919 Speaker 1: that's not uncommon beach bronzed vegans in hand to hand 43 00:02:34,960 --> 00:02:38,520 Speaker 1: combat in the warm sands of Paradise. Even surfers like 44 00:02:38,639 --> 00:02:41,560 Speaker 1: freak out when they think that they've been skipped, which 45 00:02:41,560 --> 00:02:45,360 Speaker 1: can feel like a disproportionate response because it's not like 46 00:02:45,400 --> 00:02:48,000 Speaker 1: the ocean is out of waves. There's another one right 47 00:02:48,000 --> 00:02:53,920 Speaker 1: behind you. Jason has studied weighting behaviors all over the 48 00:02:53,919 --> 00:02:56,960 Speaker 1: world to see what we're really doing when we're in line. 49 00:02:57,400 --> 00:03:00,079 Speaker 1: What's interesting for me is that we all tend to 50 00:03:00,800 --> 00:03:03,480 Speaker 1: kind of despise waiting. We tend to want to use 51 00:03:03,480 --> 00:03:08,079 Speaker 1: our time well. But within cultures, what waiting looks like 52 00:03:08,240 --> 00:03:12,120 Speaker 1: is dramatically different. In Japan, there are very strict rules 53 00:03:12,120 --> 00:03:15,080 Speaker 1: around waiting. As you approach the Tokyo Metro, there are 54 00:03:15,120 --> 00:03:18,280 Speaker 1: even little lines that everybody is supposed to line up on, 55 00:03:18,639 --> 00:03:22,880 Speaker 1: and anybody who breaks those norms it is very frowned upon. 56 00:03:23,400 --> 00:03:25,720 Speaker 1: And then you see that in the wake of something 57 00:03:25,760 --> 00:03:28,840 Speaker 1: like the Tohoku earthquake and the Fukushima crisis, where people 58 00:03:29,400 --> 00:03:33,440 Speaker 1: queued up for rations of food and water, and the 59 00:03:33,520 --> 00:03:37,240 Speaker 1: lines would be just tremendously long, but they were very orderly, 60 00:03:37,360 --> 00:03:40,640 Speaker 1: very single file. There was no disruption to that because culturally, 61 00:03:41,320 --> 00:03:45,280 Speaker 1: lining up comes with very specific notions of decorum to 62 00:03:45,400 --> 00:03:54,040 Speaker 1: maintain the cultural identity of the people in Japan. In 63 00:03:54,080 --> 00:03:58,040 Speaker 1: some Latin countries, a customer entering a shop just calls out, ultimo, 64 00:03:58,440 --> 00:04:01,040 Speaker 1: who's last. Then there's no need to stand in line, 65 00:04:01,080 --> 00:04:03,440 Speaker 1: because everybody has made mental note of their position in 66 00:04:03,440 --> 00:04:07,280 Speaker 1: the sequence. In Britain, where I'm recording this podcast, the 67 00:04:07,280 --> 00:04:09,880 Speaker 1: ability to form meat waiting lines is a point of 68 00:04:09,960 --> 00:04:13,920 Speaker 1: national pride, which I find both endearing and totally bizarre. 69 00:04:14,400 --> 00:04:18,360 Speaker 1: The author George mccash wrote, an Englishman, even if he's alone, 70 00:04:18,640 --> 00:04:22,640 Speaker 1: forms an orderly queue of one. In the US, feverish 71 00:04:22,680 --> 00:04:25,919 Speaker 1: capitalists that we are, we get a special variety of 72 00:04:25,960 --> 00:04:33,719 Speaker 1: line standard. The hired gun meet Robert Samuel's who waits 73 00:04:33,720 --> 00:04:35,919 Speaker 1: in line for a living, queuing on behalf of his 74 00:04:36,040 --> 00:04:40,360 Speaker 1: clients for Saturday Night Live tickets, Limited edition merged book 75 00:04:40,360 --> 00:04:43,719 Speaker 1: signings by heavy hitters. I've met Hillary Clinton, I've met 76 00:04:43,720 --> 00:04:48,120 Speaker 1: Michelle Obama, I've met Bernie Sanders, I've met Jimmy Carter. Yeah, 77 00:04:48,200 --> 00:04:50,640 Speaker 1: so that that's a cool part. And sometimes if the 78 00:04:50,680 --> 00:04:53,920 Speaker 1: customer only wants one book and it's two poor persons, 79 00:04:53,920 --> 00:04:55,760 Speaker 1: and I score, and I get one for me. So 80 00:04:57,240 --> 00:05:00,599 Speaker 1: before the pandemic closed Broadway productions, I met with Robert 81 00:05:00,640 --> 00:05:04,080 Speaker 1: in Manhattan waiting for Hamilton's tickets, and when I texted 82 00:05:04,160 --> 00:05:06,400 Speaker 1: him to arrange our meeting, I asked for a photos 83 00:05:06,440 --> 00:05:08,239 Speaker 1: so that I'd be able to recognize him on the street, 84 00:05:08,720 --> 00:05:11,240 Speaker 1: and he just wrote back, I'll be the first one 85 00:05:11,240 --> 00:05:14,640 Speaker 1: in line, which seemed like such a total boss move 86 00:05:14,880 --> 00:05:17,880 Speaker 1: for a professional line water. I asked if his job 87 00:05:17,920 --> 00:05:20,360 Speaker 1: made him better or worse at waiting in his own 88 00:05:20,440 --> 00:05:23,479 Speaker 1: personal lines. If I'm going to wait in line for 89 00:05:23,600 --> 00:05:26,520 Speaker 1: a customer, yeah, I'm happy. It's cool. I know I 90 00:05:26,600 --> 00:05:28,520 Speaker 1: got paid for it, But if it's something I had 91 00:05:28,560 --> 00:05:31,080 Speaker 1: to do for myself, there are times, well, I'll hire 92 00:05:31,200 --> 00:05:36,640 Speaker 1: my own line to this God. I love that Robert 93 00:05:36,760 --> 00:05:40,159 Speaker 1: is intimately familiar with all the codified rules of waiting 94 00:05:40,200 --> 00:05:43,600 Speaker 1: in line and how serious we can get when they're broken. 95 00:05:43,880 --> 00:05:47,200 Speaker 1: There was one instance where I was waiting for a 96 00:05:47,279 --> 00:05:51,280 Speaker 1: pair of Nikes and a bunch of people in front 97 00:05:51,279 --> 00:05:56,599 Speaker 1: of me decided to put chairs down and leave like 98 00:05:56,720 --> 00:05:59,560 Speaker 1: maybe fifteen or so chairs in front of me, and 99 00:05:59,600 --> 00:06:02,800 Speaker 1: it was by myself, and then people came behind me, 100 00:06:03,200 --> 00:06:07,440 Speaker 1: and they're like other people started arriving and they're asking, uh, 101 00:06:07,680 --> 00:06:11,640 Speaker 1: what's with the chairs? And Robert says, oh, those people 102 00:06:11,680 --> 00:06:15,640 Speaker 1: just want to grab food. And the new arrivals asked when, like, 103 00:06:15,880 --> 00:06:18,280 Speaker 1: what time do they leave? And I'm being honest, so 104 00:06:18,360 --> 00:06:20,320 Speaker 1: they left about an hour hour and a half ago. 105 00:06:21,080 --> 00:06:23,600 Speaker 1: Um I said, oh no, if this, we're not we're 106 00:06:23,600 --> 00:06:27,560 Speaker 1: not tolerating this. They start clearing the chairs, and I 107 00:06:27,640 --> 00:06:30,640 Speaker 1: knew when the other group came back that holy hell 108 00:06:30,760 --> 00:06:33,280 Speaker 1: is going to break out. So I called nine one 109 00:06:33,320 --> 00:06:37,680 Speaker 1: one and said, please get to this block because all 110 00:06:37,720 --> 00:06:40,200 Speaker 1: hell's gonna break loose when these other guys come back. 111 00:06:40,480 --> 00:06:41,599 Speaker 1: And I didn't want to be a part of it. 112 00:06:41,680 --> 00:06:43,359 Speaker 1: And I knew, I knew what it had the potential 113 00:06:43,400 --> 00:06:46,960 Speaker 1: to turn into, which it could have got physical. Robert 114 00:06:47,000 --> 00:06:49,880 Speaker 1: is essentially a mercenary here, but there is still a 115 00:06:49,880 --> 00:06:55,359 Speaker 1: code of conduct. Also. The chair stuff, it's it's just 116 00:06:55,400 --> 00:07:00,240 Speaker 1: not very civilized. Now. That's just being inconsiderate and you're 117 00:07:00,279 --> 00:07:03,599 Speaker 1: having an inanamant object hold your spot and think you 118 00:07:03,600 --> 00:07:06,520 Speaker 1: can come back at any time. That's just rude and disrespectful. 119 00:07:06,520 --> 00:07:09,120 Speaker 1: It doesn't count, and it just goes against the sperrit 120 00:07:09,200 --> 00:07:11,480 Speaker 1: of line sitting. If there's any you know that makes 121 00:07:11,480 --> 00:07:15,960 Speaker 1: any sense. Lines are supposed to work first come, first served, 122 00:07:16,480 --> 00:07:19,920 Speaker 1: which makes them fundamentally egalitarian. Everyone has to wait their 123 00:07:19,920 --> 00:07:22,560 Speaker 1: turn no matter who you are, so it isn't just 124 00:07:22,720 --> 00:07:25,560 Speaker 1: an inconvenience when someone cuts in front of you. It's 125 00:07:25,600 --> 00:07:31,280 Speaker 1: a moral transgression. In some cases, even hiring a line 126 00:07:31,280 --> 00:07:35,240 Speaker 1: sitter compose a real problem. Years ago, CNN reported that 127 00:07:35,360 --> 00:07:38,880 Speaker 1: line sitters, some homeless, were being paid to hold spots 128 00:07:38,880 --> 00:07:42,600 Speaker 1: for lobbyists to gain access to congressional hearings. In two 129 00:07:42,600 --> 00:07:46,000 Speaker 1: thousand fifteen, the Supreme Court of the United States banned 130 00:07:46,080 --> 00:07:49,040 Speaker 1: lawyers from hiring line sitters to hold spots in the 131 00:07:49,160 --> 00:07:54,080 Speaker 1: lawyer's only line to hear oral arguments. As surfing psychologist 132 00:07:54,280 --> 00:07:58,360 Speaker 1: Jason explains, people in power can buy themselves better shorter 133 00:07:58,600 --> 00:08:02,800 Speaker 1: weights they're is a meme that's been going around It 134 00:08:02,800 --> 00:08:05,320 Speaker 1: as a picture Beyonce, and it says, why aren't you Beyonce? 135 00:08:05,560 --> 00:08:08,080 Speaker 1: She has the same twenty four hours you do, um, 136 00:08:08,200 --> 00:08:11,480 Speaker 1: and I don't think that's accurate at all. We all 137 00:08:11,560 --> 00:08:15,040 Speaker 1: do have objectively twenty four hours, but we are often 138 00:08:15,080 --> 00:08:18,360 Speaker 1: forced to use those hours in very distinct ways. I 139 00:08:18,400 --> 00:08:22,000 Speaker 1: think about people who have very long commutes to their 140 00:08:22,040 --> 00:08:25,480 Speaker 1: second job, and time is very different for them. The 141 00:08:25,560 --> 00:08:29,040 Speaker 1: people in a grocery store line who have to, you know, 142 00:08:29,240 --> 00:08:33,080 Speaker 1: use food stamps or cash and count coupons. They're using 143 00:08:33,120 --> 00:08:36,400 Speaker 1: their time at that check outstand very differently than I 144 00:08:36,520 --> 00:08:38,760 Speaker 1: have to. I don't know this for sure, but I 145 00:08:38,760 --> 00:08:41,600 Speaker 1: have the strong suspicion that Beyonce doesn't spend too much 146 00:08:41,600 --> 00:08:43,920 Speaker 1: time in line. Yeah, exactly. I think if you look 147 00:08:44,040 --> 00:08:47,600 Speaker 1: at lines in general and think about how people are 148 00:08:47,640 --> 00:08:51,080 Speaker 1: afforded the ability to skip the line or to reduce 149 00:08:51,160 --> 00:08:54,040 Speaker 1: the line, you can see some really interesting power disparities 150 00:08:54,080 --> 00:08:57,720 Speaker 1: going on. Who can afford two board, you know, with 151 00:08:57,840 --> 00:09:01,319 Speaker 1: pre boarding or platinum atis? And I sometimes do it, 152 00:09:01,320 --> 00:09:05,960 Speaker 1: and I feel such class skilled, feel so humiliated, right O, God, 153 00:09:06,240 --> 00:09:08,640 Speaker 1: do you do it? Can? I ask? No? I don't. 154 00:09:10,280 --> 00:09:14,200 Speaker 1: I wish I did. No, you don't. I take the 155 00:09:14,240 --> 00:09:20,520 Speaker 1: overhead compartment, but Jason takes the high road. Social class 156 00:09:20,559 --> 00:09:23,040 Speaker 1: can effect not just how long we wait, but how 157 00:09:23,120 --> 00:09:26,800 Speaker 1: much that waiting sucks. Take for example, the research on 158 00:09:26,840 --> 00:09:29,520 Speaker 1: the waiting rooms in Buenos Aires and in other parts 159 00:09:29,520 --> 00:09:33,199 Speaker 1: of South America. Were welfare recipients queue for their benefits, 160 00:09:33,480 --> 00:09:35,480 Speaker 1: they might talk to somebody to say I'm here to 161 00:09:35,520 --> 00:09:38,600 Speaker 1: pick up my check, and they'll have them wait in 162 00:09:38,640 --> 00:09:41,760 Speaker 1: the waiting room, and there's no feedback in the space. 163 00:09:42,960 --> 00:09:44,760 Speaker 1: You know, at the Department of Motor Vehicles, you take 164 00:09:44,760 --> 00:09:47,760 Speaker 1: a number and you have a sense of maybe where 165 00:09:47,800 --> 00:09:51,240 Speaker 1: that number falls in a queue. There's none of that 166 00:09:51,360 --> 00:09:54,320 Speaker 1: in this space. Not knowing how long the line is 167 00:09:54,559 --> 00:09:57,400 Speaker 1: or your position in it makes the whole experience worse. 168 00:09:58,000 --> 00:10:00,720 Speaker 1: That's why we prefer a progress bar on a computer 169 00:10:00,840 --> 00:10:04,959 Speaker 1: to that spinning beach ball of death, because uncertainty creates anxiety. 170 00:10:05,400 --> 00:10:08,079 Speaker 1: There are two few chairs, so people are often standing around, 171 00:10:08,080 --> 00:10:10,760 Speaker 1: their kids crawling around on the ground. So it's a 172 00:10:10,800 --> 00:10:15,600 Speaker 1: space where it emphasizes your lack of agency and also 173 00:10:16,000 --> 00:10:19,400 Speaker 1: emphasizes your position within the society that somebody else is 174 00:10:19,440 --> 00:10:22,960 Speaker 1: controlling your time. The way we structure our waiting lines 175 00:10:23,280 --> 00:10:28,160 Speaker 1: reinforces who is considered unimportant, whose experience really just doesn't 176 00:10:28,200 --> 00:10:33,920 Speaker 1: matter because they're broke or otherwise powerless. Conversely, the waiting 177 00:10:33,960 --> 00:10:37,640 Speaker 1: experience can also be designed to elevate the people in line. 178 00:10:40,480 --> 00:10:43,160 Speaker 1: Here is Dick Larson of m I T, also known 179 00:10:43,200 --> 00:10:46,359 Speaker 1: as Doctor Q, for his work on queuing theory, describing 180 00:10:46,400 --> 00:10:48,680 Speaker 1: a top of the line line. There used to be 181 00:10:48,679 --> 00:10:51,640 Speaker 1: something called the Manhattan Savings Bank in New York. People 182 00:10:51,640 --> 00:10:54,120 Speaker 1: would come in over their lunch breaks, which created a 183 00:10:54,200 --> 00:10:57,800 Speaker 1: big midday rush and a bunch of complaints. So then 184 00:10:57,800 --> 00:11:01,040 Speaker 1: one of the managers thought, I'm going to hire a 185 00:11:01,080 --> 00:11:04,920 Speaker 1: concert pianist from am to one thirty pm every day. 186 00:11:05,120 --> 00:11:08,439 Speaker 1: They hired the concert pianist, the complaints about the delays 187 00:11:08,720 --> 00:11:12,800 Speaker 1: dropped to zero. Customers were seeing waiting in the lobby 188 00:11:12,960 --> 00:11:17,560 Speaker 1: after their banking was over until the current musical piece 189 00:11:17,640 --> 00:11:20,560 Speaker 1: was completed. And I read in the New York Times 190 00:11:21,080 --> 00:11:24,440 Speaker 1: that some a guy was arrested for selling tickets five 191 00:11:24,440 --> 00:11:29,800 Speaker 1: dollars a piece to get into the bank lobby. One 192 00:11:29,880 --> 00:11:34,040 Speaker 1: particular American company has really delved into both the math 193 00:11:34,160 --> 00:11:38,200 Speaker 1: and psychology of standing lines. If you visited one of 194 00:11:38,360 --> 00:11:41,760 Speaker 1: Disney's theme parks, you've probably seen the fruits of their efforts. 195 00:11:42,320 --> 00:11:45,000 Speaker 1: The imagineers can throw a hell of a line, and 196 00:11:45,040 --> 00:11:49,480 Speaker 1: here's Dr Q on Disney's Mastery. One example is the 197 00:11:49,559 --> 00:11:52,319 Speaker 1: Q channel. You never can see the length of the queue. 198 00:11:52,800 --> 00:11:55,400 Speaker 1: The line is chunked up into little bite sized segments, 199 00:11:55,480 --> 00:11:57,560 Speaker 1: so you're not daunted by how long the tucker is. 200 00:11:57,800 --> 00:12:00,840 Speaker 1: They lined the Q channels with amusements. Don't look now, 201 00:12:01,360 --> 00:12:05,080 Speaker 1: but here comes Goofy. Be cool, back cool, stay cool, Goofy. 202 00:12:05,360 --> 00:12:08,000 Speaker 1: That's the law you. They might have a sign out 203 00:12:08,040 --> 00:12:10,040 Speaker 1: say if the line is out there here, you might 204 00:12:10,080 --> 00:12:14,280 Speaker 1: expect an hour of delay, but they intentionally pad the times, 205 00:12:14,800 --> 00:12:18,040 Speaker 1: so forty five minutes later, husband says to the wife, Honey, 206 00:12:18,080 --> 00:12:21,080 Speaker 1: we're fifteen minutes ahead of schedule. The lines at Disney 207 00:12:21,120 --> 00:12:24,360 Speaker 1: are so good that gaggles of kids think they're already 208 00:12:24,360 --> 00:12:27,240 Speaker 1: on the ride, which reveals the fact that are our 209 00:12:27,280 --> 00:12:30,160 Speaker 1: real problem with most cues isn't the time we spend waiting. 210 00:12:30,520 --> 00:12:34,840 Speaker 1: It's the idle boredom. If you're relentlessly entertained, you'll happily 211 00:12:34,880 --> 00:12:47,600 Speaker 1: spend most of a vacation day standing in line. Let's 212 00:12:47,600 --> 00:12:50,800 Speaker 1: now take leave of our costumed princesses sweating into their 213 00:12:50,800 --> 00:12:55,560 Speaker 1: polyester corsets and meet another sort of protagonist, Trader Joe. 214 00:12:58,240 --> 00:13:01,079 Speaker 1: Trader Joe's is a grocery chain in the US. I 215 00:13:01,200 --> 00:13:03,880 Speaker 1: write hard for their crunchy lentil curls. They're known for 216 00:13:03,920 --> 00:13:08,320 Speaker 1: their store brand organics and the epic lines, like the 217 00:13:08,520 --> 00:13:11,960 Speaker 1: entire floor plan is sometimes occupied by a single line 218 00:13:12,080 --> 00:13:15,160 Speaker 1: snaking through every aisle, there is an employee paid to 219 00:13:15,200 --> 00:13:18,120 Speaker 1: hold a sign on an eight foot poll that reads 220 00:13:18,559 --> 00:13:22,800 Speaker 1: end of the line. Experts call this a serpentine line. 221 00:13:23,040 --> 00:13:26,120 Speaker 1: It's long, single file and folds back on itself, and 222 00:13:26,200 --> 00:13:29,080 Speaker 1: it's actually preferable to the parallel lines you see at 223 00:13:29,120 --> 00:13:33,680 Speaker 1: most grocery stores for two reasons. First, a serpentine line 224 00:13:33,760 --> 00:13:37,480 Speaker 1: ensures first come are first served, whereas with parallel lines 225 00:13:37,880 --> 00:13:47,040 Speaker 1: you're plagued by that anxiety the other line is moving faster. Second, 226 00:13:47,320 --> 00:13:50,720 Speaker 1: a serpentine line is good at distributing any delays, so 227 00:13:50,800 --> 00:13:53,840 Speaker 1: if a register goes down, traffic is simply rerouted to 228 00:13:53,840 --> 00:13:57,040 Speaker 1: the other stations, as opposed to leaving a single line 229 00:13:57,040 --> 00:14:00,480 Speaker 1: of stalled out customers boiling with enough grocery rage to 230 00:14:00,520 --> 00:14:03,080 Speaker 1: air fry their lintil curls and their own cupped hands. 231 00:14:04,040 --> 00:14:08,400 Speaker 1: Before doing this podcast, I hated serpentine lines. Entering Trader 232 00:14:08,520 --> 00:14:12,560 Speaker 1: Joe's I thought, are you kidding me? But now, knowing 233 00:14:12,600 --> 00:14:15,920 Speaker 1: what I do about queuing theory, I'm like, okay, okay, 234 00:14:16,000 --> 00:14:18,440 Speaker 1: these guys know what's up. Where's the poll guy at 235 00:14:18,440 --> 00:14:22,240 Speaker 1: the end of the line thing. Now, let's take this 236 00:14:22,320 --> 00:14:28,960 Speaker 1: shopping cart underwater. Okay, easy, careful, please, Those are those 237 00:14:29,000 --> 00:14:34,480 Speaker 1: eggs in there. Some of them are green with red spots. 238 00:14:35,120 --> 00:14:40,080 Speaker 1: Others are orange with neon blue stripes. And they've got 239 00:14:40,120 --> 00:14:42,920 Speaker 1: a bit of an underbyte, so you'll see that their 240 00:14:43,120 --> 00:14:46,480 Speaker 1: little teeth on the lower jaws sticking up. That's Marry 241 00:14:46,480 --> 00:14:50,600 Speaker 1: and Wong. She's a behavioral ecologist who studies little tropical 242 00:14:50,640 --> 00:14:53,840 Speaker 1: fish called gobies. I have colleagues that have told me 243 00:14:53,920 --> 00:14:58,560 Speaker 1: that they think they're the ugliest official but for me, 244 00:14:58,760 --> 00:15:01,200 Speaker 1: I just think they're beautiful. For it's like they're so 245 00:15:01,320 --> 00:15:05,360 Speaker 1: ugly that they're beautiful. Marian lurks around coral reefs spying 246 00:15:05,360 --> 00:15:08,160 Speaker 1: on fish for a living, and she's discovered that the 247 00:15:08,240 --> 00:15:12,400 Speaker 1: social order of the gobies involves a strictly controlled waiting line. 248 00:15:12,600 --> 00:15:14,880 Speaker 1: I'm British, so I know a lot about queues. We 249 00:15:15,000 --> 00:15:17,880 Speaker 1: spend a lot of our time in queues, I told you, 250 00:15:18,400 --> 00:15:20,440 Speaker 1: and these fish do a similar thing. But what they're 251 00:15:20,480 --> 00:15:25,880 Speaker 1: queuing for is access to very limited breeding positions. So 252 00:15:25,920 --> 00:15:29,600 Speaker 1: in their group, breeding is monopolized by just the most 253 00:15:29,640 --> 00:15:33,160 Speaker 1: dominant male and female, and everyone else in a group 254 00:15:33,640 --> 00:15:37,120 Speaker 1: is reproductively suppressed. So they're just not allowed to breed, 255 00:15:37,640 --> 00:15:40,560 Speaker 1: and so what happens is is they're queuing. They're waiting 256 00:15:40,600 --> 00:15:44,520 Speaker 1: for the dominance to disappear or die, and once that happens, 257 00:15:44,680 --> 00:15:49,360 Speaker 1: the next largest non breeder will then ascend in that 258 00:15:49,760 --> 00:15:53,600 Speaker 1: hierarchy to become the new breeder, and everyone else ascends 259 00:15:53,680 --> 00:15:58,320 Speaker 1: one rank up. In the realm of the gobies, only 260 00:15:58,360 --> 00:16:00,600 Speaker 1: the homecoming King and Queen are have in any sex, 261 00:16:01,080 --> 00:16:03,359 Speaker 1: and every other fish is in a line of succession 262 00:16:03,440 --> 00:16:05,840 Speaker 1: behind the power couple, waiting for one of them to 263 00:16:05,880 --> 00:16:08,720 Speaker 1: get eaten by a predator or wander off, or to die, 264 00:16:09,160 --> 00:16:11,800 Speaker 1: and every fish knows exactly where they are in line. 265 00:16:12,280 --> 00:16:15,160 Speaker 1: And Marian and a team No. Two. Because each fish 266 00:16:15,200 --> 00:16:18,040 Speaker 1: controls its body size to make sure they're a little 267 00:16:18,080 --> 00:16:20,680 Speaker 1: smaller than the fish in front of them, they essentially 268 00:16:20,760 --> 00:16:24,440 Speaker 1: diet to make sure they maintain their exact position in queue. 269 00:16:24,880 --> 00:16:27,320 Speaker 1: So when they first come into a coral, they're just 270 00:16:27,440 --> 00:16:30,600 Speaker 1: really tiny babies. They've just spent three weeks in the 271 00:16:30,600 --> 00:16:33,840 Speaker 1: ocean is larvae, and then they settle into a coral, 272 00:16:34,160 --> 00:16:37,080 Speaker 1: so they're automatically right at the end of the queue, 273 00:16:37,520 --> 00:16:40,360 Speaker 1: and gradually, over time they might be able to ascend 274 00:16:40,360 --> 00:16:42,520 Speaker 1: in rank, and every time they do they grow just 275 00:16:42,720 --> 00:16:45,680 Speaker 1: incrementally a bit more? So? If I'm rank one and 276 00:16:45,760 --> 00:16:48,720 Speaker 1: my dominant gets eaten, how long does it take for 277 00:16:48,760 --> 00:16:54,359 Speaker 1: me to develop into the dominant? You know, behavi really immediately? 278 00:16:54,720 --> 00:16:57,680 Speaker 1: Why you will start to notice that the subordinate is 279 00:16:58,600 --> 00:17:02,920 Speaker 1: just really happy, and they'll just be a little more aggressive. 280 00:17:03,080 --> 00:17:05,399 Speaker 1: They will keep checking up on their own suborders to 281 00:17:05,440 --> 00:17:08,040 Speaker 1: make sure that you know they're in their proper place 282 00:17:08,119 --> 00:17:13,879 Speaker 1: in the coral. They may also start to flirt a 283 00:17:13,920 --> 00:17:17,480 Speaker 1: little bit with the remaining breeder. If I just got 284 00:17:17,520 --> 00:17:21,960 Speaker 1: promoted to breeding gobie, what does my flirtation look like 285 00:17:22,040 --> 00:17:25,840 Speaker 1: with the other dominant? Um? You tend to sort of 286 00:17:25,840 --> 00:17:31,359 Speaker 1: swim up to them, um and wiggle. Okay, not safe 287 00:17:31,359 --> 00:17:34,720 Speaker 1: for work, Let's move on, Family shall, Family Shall. If 288 00:17:34,720 --> 00:17:38,000 Speaker 1: a goilbie tries to jump the cueue, things can get ugly. 289 00:17:38,359 --> 00:17:43,280 Speaker 1: They will lock jaws, which we sometimes call mouth fighting, 290 00:17:44,200 --> 00:17:47,520 Speaker 1: and when they lock the jewels, they are just basically 291 00:17:47,520 --> 00:17:50,520 Speaker 1: in the throes of a full on brawl. It can 292 00:17:50,560 --> 00:17:54,320 Speaker 1: last for several minutes, and after that usually they break 293 00:17:54,320 --> 00:17:58,840 Speaker 1: away and the loser will then get kicked out of 294 00:17:58,920 --> 00:18:04,240 Speaker 1: the coral. Once it's evicted, it doesn't have much chance. 295 00:18:04,560 --> 00:18:08,160 Speaker 1: I'm afraid, so back on land. How does Marian herself 296 00:18:08,200 --> 00:18:13,240 Speaker 1: respond when someone tries to skip her jaw lock, headlock, matlock. 297 00:18:13,840 --> 00:18:17,359 Speaker 1: I usually will say something because a lot of the 298 00:18:17,440 --> 00:18:25,119 Speaker 1: time this kind of negative social behavior goes unchecked, and 299 00:18:25,200 --> 00:18:29,040 Speaker 1: so that allows for it to continue. We are actually doing, 300 00:18:29,400 --> 00:18:32,920 Speaker 1: you know, what would be defined as a social service, 301 00:18:33,160 --> 00:18:36,560 Speaker 1: because we're trying to stop Q jumpers wherever they are. 302 00:18:36,800 --> 00:18:43,520 Speaker 1: You sounds like the Batman of lines, aquatic researcher, slash 303 00:18:43,600 --> 00:18:48,280 Speaker 1: line vigilante Marian Wong The secret of your identity is safe. 304 00:18:48,400 --> 00:18:55,920 Speaker 1: With this internationally distributed podcast, Marian's gobies can spend the 305 00:18:55,960 --> 00:18:58,679 Speaker 1: better part of their lives in line, and some people 306 00:18:58,920 --> 00:19:04,960 Speaker 1: do too. Hello, Hello, Hi, Hey, is this Mr Janosh? 307 00:19:05,160 --> 00:19:10,040 Speaker 1: This is Brian Janosh wants something very badly and he's 308 00:19:10,080 --> 00:19:11,960 Speaker 1: prepared to wait a very long time to get it. 309 00:19:14,119 --> 00:19:17,920 Speaker 1: Like what's your current position online? I am one hundred 310 00:19:18,000 --> 00:19:22,320 Speaker 1: and seventeen thousand, two hundred and ten, so only a 311 00:19:22,400 --> 00:19:25,400 Speaker 1: hundred and seventeen thousand, two hundred nine people in front 312 00:19:25,400 --> 00:19:28,520 Speaker 1: of him. Brian is in line for Green Bay Packers 313 00:19:28,520 --> 00:19:31,600 Speaker 1: season tickets. For those of you who don't follow American football, 314 00:19:31,880 --> 00:19:34,159 Speaker 1: the Green Bay Packers played for the state of Wisconsin, 315 00:19:34,359 --> 00:19:37,200 Speaker 1: and they are incidentally the arch rivals of my home 316 00:19:37,280 --> 00:19:41,680 Speaker 1: states team, the Minnesota Vikings. Demand for Packers tickets is insane. 317 00:19:42,040 --> 00:19:45,080 Speaker 1: You can call them. The lovely woman who was on 318 00:19:45,119 --> 00:19:47,040 Speaker 1: the phone with me, I could only assume her name 319 00:19:47,080 --> 00:19:49,960 Speaker 1: was like Doris Um. I asked her then, how many 320 00:19:50,119 --> 00:19:52,560 Speaker 1: people are in the line total? She said it's hundred 321 00:19:52,600 --> 00:19:56,240 Speaker 1: and thirty nine thousand, and I said, okay, so that's 322 00:19:56,280 --> 00:19:58,320 Speaker 1: what thirty forty years And the first thing she did 323 00:19:58,400 --> 00:20:01,840 Speaker 1: was laughed. Is that probably longer than that? So I 324 00:20:01,840 --> 00:20:04,040 Speaker 1: don't know. I mean, like at this point, for reality, 325 00:20:04,680 --> 00:20:07,200 Speaker 1: it's not so much for me, Like if this happens, 326 00:20:07,240 --> 00:20:11,920 Speaker 1: you know, I'll be in my seventies, my eighties. It's 327 00:20:11,960 --> 00:20:14,399 Speaker 1: sort of like throwing a wish in a well. I 328 00:20:14,440 --> 00:20:18,840 Speaker 1: feel so wealthy or something. You are more or less 329 00:20:18,880 --> 00:20:22,040 Speaker 1: at this point thinking as much about your children and 330 00:20:22,080 --> 00:20:25,520 Speaker 1: the next generation as you are yourself. Do you have kids? No, 331 00:20:25,640 --> 00:20:28,040 Speaker 1: I don't get on that. If there's anything you know, 332 00:20:28,320 --> 00:20:31,720 Speaker 1: high on my list of why to procreate and have kids, 333 00:20:31,760 --> 00:20:34,399 Speaker 1: it's like someone's got to keep my place in line. 334 00:20:35,160 --> 00:20:38,200 Speaker 1: It is impossible to overstate the length that people will 335 00:20:38,240 --> 00:20:41,080 Speaker 1: go to for these tickets. The team doesn't allow people 336 00:20:41,080 --> 00:20:43,240 Speaker 1: to sell them, and they can only be willed to 337 00:20:43,320 --> 00:20:46,280 Speaker 1: a spouse or blood relative, which prompted a dude on 338 00:20:46,359 --> 00:20:49,479 Speaker 1: Craigslist to offer to marry and divorce a ticket holder 339 00:20:49,840 --> 00:20:52,800 Speaker 1: or to be adapted by one to get the transfer done. 340 00:20:53,160 --> 00:20:55,919 Speaker 1: There was someone one point in time who offered like 341 00:20:56,040 --> 00:20:59,440 Speaker 1: money to legally change his name so that he could 342 00:20:59,480 --> 00:21:03,160 Speaker 1: take some one's tickets. There have been things like that 343 00:21:03,160 --> 00:21:05,520 Speaker 1: that I've heard about. You know, I'm not a fan 344 00:21:05,600 --> 00:21:07,560 Speaker 1: of that. I feel like it's not very Green Bay. 345 00:21:07,840 --> 00:21:10,920 Speaker 1: It's not very like Packers spirit. You know, we're all 346 00:21:10,920 --> 00:21:14,399 Speaker 1: in this together, and that attitude is one of like 347 00:21:14,760 --> 00:21:17,040 Speaker 1: looking out for one another more than it is for 348 00:21:17,960 --> 00:21:19,879 Speaker 1: you know, jump in your place inline. That sounds a 349 00:21:19,880 --> 00:21:25,360 Speaker 1: little more like Vikings fan behavior. Not cool, Brad guy, 350 00:21:25,480 --> 00:21:27,800 Speaker 1: let's back off. Does it feel worth it to stand 351 00:21:27,840 --> 00:21:32,000 Speaker 1: in this line? Sure? This line is like a way 352 00:21:32,040 --> 00:21:34,560 Speaker 1: of identification. It's a badge of honor. You know, It's 353 00:21:34,560 --> 00:21:38,480 Speaker 1: like I'm happy to be number one. Two. Do you 354 00:21:38,480 --> 00:21:41,119 Speaker 1: ever wonder like, are those people getting tickets? Are they dying? 355 00:21:41,720 --> 00:21:47,000 Speaker 1: It's probably a bit of both. There's a little morbidity 356 00:21:47,080 --> 00:21:50,800 Speaker 1: to uh standing in this line, because you know there's 357 00:21:50,800 --> 00:21:55,679 Speaker 1: only two ways out of it. We'll check back with 358 00:21:55,720 --> 00:21:58,040 Speaker 1: Brian every decade or so to see how he's faring, 359 00:21:58,119 --> 00:22:05,560 Speaker 1: so you know, stay tuned. We all spend a decent 360 00:22:05,600 --> 00:22:08,720 Speaker 1: share of our lives in line for tacos, at the 361 00:22:08,760 --> 00:22:12,560 Speaker 1: emergency room for the last train home back from more tacos. 362 00:22:13,520 --> 00:22:16,399 Speaker 1: We hold positions in a web of invisible lines too, 363 00:22:17,000 --> 00:22:20,240 Speaker 1: waiting for an unknown clerk to approve alone or run 364 00:22:20,240 --> 00:22:24,679 Speaker 1: a background check or grant a marriage license. Lines, with 365 00:22:24,720 --> 00:22:28,360 Speaker 1: all their potential for foul play and righteous violence, are 366 00:22:28,400 --> 00:22:34,080 Speaker 1: like tiny, single file republics, self governed temporary sovereignties where 367 00:22:34,080 --> 00:22:37,760 Speaker 1: we are asked to regard one another equally. Bring a book, 368 00:22:37,960 --> 00:22:42,200 Speaker 1: but also like bring your best self next time. On 369 00:22:42,320 --> 00:22:46,800 Speaker 1: Deeply Human, we're investigating symmetry and beauty. Why are we 370 00:22:46,840 --> 00:22:56,840 Speaker 1: so attracted to symmetrical faces? Deeply Human is hosted Bydessa 371 00:22:57,720 --> 00:23:01,000 Speaker 1: Classic Third person Maneuver and as co production of the 372 00:23:01,040 --> 00:23:04,919 Speaker 1: BBC World Service in American Public Media with iHeartMedia