1 00:00:00,080 --> 00:00:02,880 Speaker 1: Hello, and welcome back to Movie Mix Movie Podcast. I 2 00:00:02,920 --> 00:00:06,320 Speaker 1: am movie Mike on Twitter and Instagram at Mike Destro. 3 00:00:06,519 --> 00:00:09,160 Speaker 1: That's d E. S. T r Oh. Got a good 4 00:00:09,160 --> 00:00:11,080 Speaker 1: one for you guys this week where I am talking 5 00:00:11,080 --> 00:00:14,480 Speaker 1: about box office bombs that went on to be classics. 6 00:00:14,520 --> 00:00:17,160 Speaker 1: So this means movies that we all whole near and 7 00:00:17,239 --> 00:00:20,840 Speaker 1: dear to our hearts and love. Yeah, we love these movies, 8 00:00:20,840 --> 00:00:23,560 Speaker 1: but when they first came out, turns out they didn't 9 00:00:23,560 --> 00:00:26,000 Speaker 1: do so well at the box office. And I'll explain 10 00:00:26,520 --> 00:00:28,600 Speaker 1: why they didn't do so well and how they were 11 00:00:28,640 --> 00:00:31,880 Speaker 1: able to kind of recoup their money after the losses 12 00:00:31,960 --> 00:00:33,680 Speaker 1: and go on to be the movies that we know 13 00:00:33,720 --> 00:00:37,240 Speaker 1: and love, or even go into detail what actually qualifies 14 00:00:37,280 --> 00:00:39,400 Speaker 1: to the box office bombs. So it's actually a pretty 15 00:00:39,440 --> 00:00:42,080 Speaker 1: cool eclectic list I got for you guys, so stick 16 00:00:42,120 --> 00:00:45,200 Speaker 1: around and listen to that one. I'll also be reviewing 17 00:00:45,200 --> 00:00:47,840 Speaker 1: the brand new jet Aptol movies starring Pete Davidson called 18 00:00:47,840 --> 00:00:50,519 Speaker 1: The King of Staten Island. I posted on my Instagram 19 00:00:50,520 --> 00:00:52,320 Speaker 1: story over the weekend that I was watching it had 20 00:00:52,360 --> 00:00:55,000 Speaker 1: a bunch of messages wondering what I thought about it, 21 00:00:55,040 --> 00:00:56,480 Speaker 1: because I think a bunch of people are kind of 22 00:00:56,480 --> 00:00:59,240 Speaker 1: wondering is it worth the twenty bucks to rent? So 23 00:00:59,360 --> 00:01:01,960 Speaker 1: I will let you know if it is in fact 24 00:01:02,040 --> 00:01:04,440 Speaker 1: worth that money. And it was also bound to happen. 25 00:01:04,520 --> 00:01:06,600 Speaker 1: I hate to do it, but we have another round 26 00:01:07,240 --> 00:01:10,280 Speaker 1: of movies delayed because of the coronavirus and some pretty 27 00:01:10,280 --> 00:01:11,960 Speaker 1: big ones on the list, and it's kind of starting 28 00:01:12,000 --> 00:01:14,120 Speaker 1: to look like well, and it's kind of starting to 29 00:01:14,160 --> 00:01:16,319 Speaker 1: look like, well, we get any kind of a summer 30 00:01:16,360 --> 00:01:20,280 Speaker 1: blockbuster season looking pretty slim, So we'll get into all 31 00:01:20,360 --> 00:01:23,080 Speaker 1: that again. Thanks to everybody for hanging out and coming 32 00:01:23,400 --> 00:01:25,840 Speaker 1: and checking out the podcast every single Monday when I 33 00:01:25,920 --> 00:01:28,720 Speaker 1: put brand new episodes of this up there on the feed. 34 00:01:28,760 --> 00:01:31,440 Speaker 1: If you don't mind, hey, take a screenshot wherever you're 35 00:01:31,440 --> 00:01:34,039 Speaker 1: listening to this episode right now and tag me in 36 00:01:34,040 --> 00:01:36,600 Speaker 1: it in your Instagram story. I'll repost a bunch of those, 37 00:01:36,840 --> 00:01:38,360 Speaker 1: and if you post it on your main feed and 38 00:01:38,360 --> 00:01:39,960 Speaker 1: make sure you tag me in that so I can 39 00:01:40,000 --> 00:01:42,280 Speaker 1: add those to my story too. And if you don't mind, 40 00:01:42,319 --> 00:01:45,040 Speaker 1: you're listening on Apple podcasts, hit that five star rating 41 00:01:45,160 --> 00:01:47,200 Speaker 1: right a quick little review because I'm trying to knock 42 00:01:47,240 --> 00:01:49,440 Speaker 1: out some of these other movie podcasts in the category 43 00:01:49,480 --> 00:01:51,280 Speaker 1: I'm trying to get it up there towards that top spot. 44 00:01:51,360 --> 00:01:53,480 Speaker 1: So so if you do that, it helps me climb 45 00:01:53,560 --> 00:01:56,520 Speaker 1: up and get past those podcasts I've been looking to overcome. 46 00:01:56,920 --> 00:01:59,640 Speaker 1: All Right, with all that said, how about yeah, let's 47 00:01:59,640 --> 00:02:02,560 Speaker 1: do it. Let's get started. In a world where everyone 48 00:02:02,600 --> 00:02:06,400 Speaker 1: and their mother has a podcast, one man stands to 49 00:02:06,560 --> 00:02:09,920 Speaker 1: infiltrate the ears of listeners like never before in a 50 00:02:10,040 --> 00:02:14,600 Speaker 1: movie podcast. A man with so much movie knowledge, he's 51 00:02:14,720 --> 00:02:19,120 Speaker 1: basically like a walking I MTV with classes from the 52 00:02:19,200 --> 00:02:25,679 Speaker 1: Nashville Podcast Network is movie movie podcast. So today we're 53 00:02:25,720 --> 00:02:28,960 Speaker 1: talking about box office bombs that went on to be classics. 54 00:02:29,040 --> 00:02:32,000 Speaker 1: These are all movies that you probably know and love, 55 00:02:32,160 --> 00:02:34,240 Speaker 1: but what you may not know or may not remember, 56 00:02:34,320 --> 00:02:36,919 Speaker 1: is they actually didn't perform well at the box office. 57 00:02:36,919 --> 00:02:39,680 Speaker 1: So first of all, let's get into what a box 58 00:02:39,760 --> 00:02:43,080 Speaker 1: office bomb is. So essentially, it's a movie that either 59 00:02:43,200 --> 00:02:45,960 Speaker 1: made no profit or it was a profit that was 60 00:02:46,040 --> 00:02:49,799 Speaker 1: much smaller than was anticipated. Because sometimes they put these 61 00:02:49,840 --> 00:02:52,200 Speaker 1: really big budgets in these movies that are supposed to 62 00:02:52,240 --> 00:02:55,880 Speaker 1: be big, instant Hollywood hits, but then when they get 63 00:02:55,880 --> 00:02:57,440 Speaker 1: out of the theaters, they're like, oh, we only made 64 00:02:57,520 --> 00:03:00,120 Speaker 1: that amount of money that's really not what we expecting. 65 00:03:00,560 --> 00:03:02,960 Speaker 1: And then in other cases it's where they pumped so 66 00:03:03,080 --> 00:03:06,560 Speaker 1: much money into a movie and then they got absolutely 67 00:03:06,760 --> 00:03:10,160 Speaker 1: nothing in return. So those are just the biggest bombs 68 00:03:10,200 --> 00:03:12,640 Speaker 1: that you can imagine. And what I'm talking about in 69 00:03:12,680 --> 00:03:15,600 Speaker 1: this episode are not movies that were the biggest box 70 00:03:15,639 --> 00:03:17,720 Speaker 1: office bombs of all time. I'm talking about movies that 71 00:03:17,800 --> 00:03:19,640 Speaker 1: just did it perform well at the box office, But 72 00:03:20,080 --> 00:03:23,120 Speaker 1: now that doesn't even really matter because they are so beloved, 73 00:03:23,440 --> 00:03:26,440 Speaker 1: whether it was through DVD sales, VHS sales back in 74 00:03:26,480 --> 00:03:29,320 Speaker 1: the day, or over time, they have just become classics 75 00:03:29,320 --> 00:03:31,480 Speaker 1: that we know when are a part of our lives. 76 00:03:31,520 --> 00:03:33,520 Speaker 1: But really they didn't do so well when they first 77 00:03:33,560 --> 00:03:36,080 Speaker 1: came out. So I'll explain why some of these didn't 78 00:03:36,080 --> 00:03:38,800 Speaker 1: do so well and how they ended up coming back 79 00:03:38,920 --> 00:03:42,320 Speaker 1: and becoming classics. So first of all, let's go way 80 00:03:42,360 --> 00:03:44,680 Speaker 1: back to the o G I'm talking about The Wizard 81 00:03:44,720 --> 00:03:47,880 Speaker 1: of Oz, which came out in nineteen thirty nine, a 82 00:03:48,000 --> 00:03:51,480 Speaker 1: long time ago, and not only is this a classic, 83 00:03:51,680 --> 00:03:54,720 Speaker 1: it is essentially one of the most iconic movies of 84 00:03:54,720 --> 00:03:58,440 Speaker 1: all time because everybody remembers this story, whether you've even 85 00:03:58,520 --> 00:04:00,840 Speaker 1: seen it, or not. I knew refer this to this movie. 86 00:04:01,240 --> 00:04:03,360 Speaker 1: I know what this movie is was about as a kid, 87 00:04:03,400 --> 00:04:06,160 Speaker 1: even before I watched it. And it's iconic in the 88 00:04:06,200 --> 00:04:09,720 Speaker 1: sense of you have that scene from it going to 89 00:04:09,800 --> 00:04:12,040 Speaker 1: black and white to color, and then the story through 90 00:04:12,640 --> 00:04:15,120 Speaker 1: Dorothy that it tells all these things are just really 91 00:04:15,160 --> 00:04:18,680 Speaker 1: classic elements in the movie. But that movie didn't perform 92 00:04:18,839 --> 00:04:20,720 Speaker 1: so well at the box office when it came out 93 00:04:20,760 --> 00:04:23,839 Speaker 1: back in the day, when it first opened in nineteen 94 00:04:23,960 --> 00:04:26,640 Speaker 1: thirty nine, it wasn't even able to recuperate the three 95 00:04:26,680 --> 00:04:29,400 Speaker 1: million dollars that it what cost to make the movie. 96 00:04:29,800 --> 00:04:32,679 Speaker 1: It ended up being a one point one million dollar 97 00:04:32,800 --> 00:04:35,760 Speaker 1: loss for MGM, which is the studio that made the movie, 98 00:04:35,839 --> 00:04:39,000 Speaker 1: and was considered a failure at the box office. And 99 00:04:39,040 --> 00:04:41,600 Speaker 1: the thing about The Wizard of Oz and kind of 100 00:04:41,600 --> 00:04:43,599 Speaker 1: what I see a lot of in box office bombs 101 00:04:43,720 --> 00:04:47,320 Speaker 1: is that fantasy is a really hard genre to sell 102 00:04:47,640 --> 00:04:49,919 Speaker 1: and to be successful because it can go one of 103 00:04:50,000 --> 00:04:53,760 Speaker 1: two ways. Was fantasy, it's already putting out a kind 104 00:04:53,760 --> 00:04:56,279 Speaker 1: of movie out there that's going to take some just 105 00:04:56,360 --> 00:04:58,840 Speaker 1: adaptation for the audience to get. And if you don't 106 00:04:58,920 --> 00:05:01,760 Speaker 1: get the story in a fantasy movie, it could easily 107 00:05:01,800 --> 00:05:04,040 Speaker 1: be seen. Is just something that you're not interested in 108 00:05:04,400 --> 00:05:06,599 Speaker 1: a lot of these big box office bombs that you 109 00:05:06,640 --> 00:05:08,960 Speaker 1: see our movies that either spent so much in like 110 00:05:09,040 --> 00:05:11,560 Speaker 1: special effects or this all this crazy stuff that they 111 00:05:11,600 --> 00:05:13,960 Speaker 1: put into it to create this whole entire c g 112 00:05:14,080 --> 00:05:17,119 Speaker 1: I world that they end up losing a lot of money. 113 00:05:17,160 --> 00:05:19,920 Speaker 1: And when you're creating a story about fantasy, there was 114 00:05:20,000 --> 00:05:22,200 Speaker 1: always that risk you run that maybe you spent too 115 00:05:22,279 --> 00:05:24,800 Speaker 1: much on graphics and not enough on the story and 116 00:05:24,839 --> 00:05:27,800 Speaker 1: people don't get it, and therefore you're setting yourself up 117 00:05:27,839 --> 00:05:30,480 Speaker 1: for either to lose a lot of money or if 118 00:05:30,520 --> 00:05:32,720 Speaker 1: it is a successful movie, you make a lot of 119 00:05:32,720 --> 00:05:34,880 Speaker 1: money on the end. But fantasy is just a tricky 120 00:05:35,000 --> 00:05:38,680 Speaker 1: genre altogether. But where a Wizard of Oz kind of 121 00:05:38,680 --> 00:05:41,599 Speaker 1: made their money back is in all the red broadcasts 122 00:05:41,640 --> 00:05:44,680 Speaker 1: of the movie being shown on TV, and after it 123 00:05:44,800 --> 00:05:47,480 Speaker 1: started to be played year after year and ended up 124 00:05:47,520 --> 00:05:50,000 Speaker 1: making money a lot that it wasn't able to make 125 00:05:50,040 --> 00:05:52,919 Speaker 1: it the box office. It was made by bringing it 126 00:05:52,960 --> 00:05:55,000 Speaker 1: to people's homes and actually being able to take it 127 00:05:55,000 --> 00:05:56,960 Speaker 1: in and digest it and watch the movie for what 128 00:05:57,040 --> 00:05:59,160 Speaker 1: it was. And then it's the movie that we know 129 00:05:59,320 --> 00:06:01,760 Speaker 1: today that spa enough, many plays and all these other 130 00:06:01,800 --> 00:06:04,520 Speaker 1: things that just a movie that we see as a classic, 131 00:06:04,600 --> 00:06:06,640 Speaker 1: but you know, when it first came out, didn't do 132 00:06:06,720 --> 00:06:09,040 Speaker 1: so well. And since we're back in the day right now, 133 00:06:09,080 --> 00:06:11,240 Speaker 1: I'll keep it there and I'll talk about Willy Wonka 134 00:06:11,279 --> 00:06:13,160 Speaker 1: and the Charcoal Factory, which is actually one of my 135 00:06:13,200 --> 00:06:15,719 Speaker 1: favorite movies of all time. But when it came out 136 00:06:15,760 --> 00:06:19,840 Speaker 1: back in one, it didn't really get received so well, 137 00:06:19,839 --> 00:06:23,719 Speaker 1: mainly because it was made and seen as a kids movie, 138 00:06:23,720 --> 00:06:26,280 Speaker 1: but it had a lot of dark humor, some even 139 00:06:26,360 --> 00:06:29,279 Speaker 1: like some cynicism. It was just wasn't your typical kids 140 00:06:29,320 --> 00:06:32,960 Speaker 1: movie that moms didn't really want their kids to see it, 141 00:06:33,000 --> 00:06:34,679 Speaker 1: so it didn't do so well at the box office. 142 00:06:34,760 --> 00:06:37,200 Speaker 1: It came in on the opening weekend, it made about 143 00:06:37,200 --> 00:06:40,080 Speaker 1: a million dollars and ended up making around four million, 144 00:06:40,160 --> 00:06:42,280 Speaker 1: but it cost three million to make, so it did 145 00:06:42,400 --> 00:06:45,000 Speaker 1: make some money, but really not what they were expecting 146 00:06:45,040 --> 00:06:47,479 Speaker 1: with what they put into this movie. So much so 147 00:06:47,680 --> 00:06:50,320 Speaker 1: that Paramount Pictures is the one who originally made this movie. 148 00:06:50,360 --> 00:06:53,880 Speaker 1: They sold the rights to Warner Brothers, and Warner Brothers 149 00:06:53,920 --> 00:06:56,000 Speaker 1: got it for like a really great deal. They bought 150 00:06:56,040 --> 00:06:59,320 Speaker 1: it for about five hundred thousand dollars and then they 151 00:06:59,320 --> 00:07:01,640 Speaker 1: swooped in or you know what we're gonna do. We're 152 00:07:01,640 --> 00:07:04,240 Speaker 1: gonna market this movie to TV stations. And as soon 153 00:07:04,279 --> 00:07:06,679 Speaker 1: as they started doing that and started getting this played 154 00:07:06,720 --> 00:07:09,520 Speaker 1: on TV, they made a lot of money. And not 155 00:07:09,560 --> 00:07:13,000 Speaker 1: only that, they kept the rights and made the remake 156 00:07:13,040 --> 00:07:15,400 Speaker 1: of Willie Wanka to the Chocolate Factory and still own 157 00:07:15,520 --> 00:07:17,680 Speaker 1: the rights to Willie Wanka franchise to this day, like 158 00:07:17,720 --> 00:07:21,800 Speaker 1: they have creative control over the story. All because Paramount 159 00:07:21,920 --> 00:07:25,080 Speaker 1: thought it wasn't a great investment and decided to sell 160 00:07:25,120 --> 00:07:27,080 Speaker 1: it off. So they were able to essentially get a 161 00:07:27,120 --> 00:07:30,680 Speaker 1: three million dollar movie for about five dollars and now 162 00:07:31,000 --> 00:07:33,040 Speaker 1: own a classic because it didn't do so well to 163 00:07:33,120 --> 00:07:34,880 Speaker 1: box office when it came out back in the day. 164 00:07:35,240 --> 00:07:37,320 Speaker 1: All right, let's now go kind of closer to the 165 00:07:37,320 --> 00:07:40,200 Speaker 1: present time. A movie that I recently just watched for 166 00:07:40,200 --> 00:07:42,280 Speaker 1: the first time because it's on Netflix right now is 167 00:07:42,280 --> 00:07:45,040 Speaker 1: Scott Pilgrim Versus the World. Now. I heard a lot 168 00:07:45,080 --> 00:07:47,440 Speaker 1: of buzz about this movie, and among my friend group, 169 00:07:47,480 --> 00:07:49,760 Speaker 1: a lot of people liked this movie. But for some reason, 170 00:07:49,880 --> 00:07:51,960 Speaker 1: I just thought it wasn't for me. And I think 171 00:07:52,000 --> 00:07:54,320 Speaker 1: that's kind of what the problem that this movie had 172 00:07:54,360 --> 00:07:56,240 Speaker 1: when it came out is it didn't really know it's 173 00:07:56,280 --> 00:07:59,720 Speaker 1: audience because it's kind of a movie that transcends a 174 00:07:59,760 --> 00:08:03,080 Speaker 1: bunch of genres. You have Michael Sarah who's in the movie, 175 00:08:03,400 --> 00:08:05,360 Speaker 1: and it kind of plays this balance to being a 176 00:08:05,400 --> 00:08:10,040 Speaker 1: comedy but then like being like almost the anime, video game, 177 00:08:10,760 --> 00:08:13,240 Speaker 1: action drama, so it has all those things going for it. 178 00:08:13,320 --> 00:08:16,000 Speaker 1: I think when it came out, it just really wasn't 179 00:08:16,080 --> 00:08:18,840 Speaker 1: known how to market this movie. So I think for 180 00:08:18,920 --> 00:08:21,480 Speaker 1: the mainstream it really wasn't seen as having like a 181 00:08:21,520 --> 00:08:23,400 Speaker 1: clear like Okay, this is what this movie is about. 182 00:08:23,480 --> 00:08:25,280 Speaker 1: I think it was kind of like marketed as like 183 00:08:25,320 --> 00:08:28,680 Speaker 1: a superhero kind of comedy movie. But really, what's I 184 00:08:28,800 --> 00:08:31,320 Speaker 1: like about this movie is that it is so different, 185 00:08:31,520 --> 00:08:34,080 Speaker 1: and it's so weird and quirky and has this personality 186 00:08:34,120 --> 00:08:36,560 Speaker 1: that within about ten minutes you're like, oh, this is 187 00:08:36,600 --> 00:08:39,400 Speaker 1: something like I've never seen before. So the movie cost 188 00:08:39,440 --> 00:08:41,920 Speaker 1: about sixty million to make, but it only made about 189 00:08:41,960 --> 00:08:44,080 Speaker 1: forty seven million dollars in the box office, so it 190 00:08:44,200 --> 00:08:46,840 Speaker 1: is kind of a flop when you think about it 191 00:08:46,840 --> 00:08:49,120 Speaker 1: in those terms. But it's a movie that I know 192 00:08:49,200 --> 00:08:51,400 Speaker 1: a lot of people say it's one of their favorite movies, 193 00:08:51,480 --> 00:08:53,320 Speaker 1: and I think it's a lot of because it is 194 00:08:53,320 --> 00:08:55,720 Speaker 1: so different and it's kind of in his own genre. 195 00:08:56,120 --> 00:08:58,079 Speaker 1: But not only that, it has like a really great 196 00:08:58,120 --> 00:09:00,600 Speaker 1: cast that when you go and look at it, you're like, 197 00:09:00,600 --> 00:09:03,200 Speaker 1: holy crap. Chris Evans is in this movie, Albredy Plausa 198 00:09:03,280 --> 00:09:06,839 Speaker 1: is in this movie, and Kendrick is in this movie. 199 00:09:06,840 --> 00:09:09,200 Speaker 1: There's all these people in this movie, like a very 200 00:09:09,200 --> 00:09:11,320 Speaker 1: early point in their career, and you watch it and 201 00:09:11,320 --> 00:09:13,400 Speaker 1: you're like, holy crap, this is like a time capsule 202 00:09:13,720 --> 00:09:16,439 Speaker 1: for all these great actors, and it's really cool, unique movie. 203 00:09:16,480 --> 00:09:19,240 Speaker 1: So I ended up really enjoying it and liking a 204 00:09:19,240 --> 00:09:21,000 Speaker 1: lot more than I thought I was. I know, I'm 205 00:09:21,000 --> 00:09:23,400 Speaker 1: ten years late on this one, but for me, I'm 206 00:09:23,400 --> 00:09:25,959 Speaker 1: a big comic book movie fan, and this one kind 207 00:09:25,960 --> 00:09:28,120 Speaker 1: of not really in that world, but kind of a 208 00:09:28,200 --> 00:09:30,160 Speaker 1: steps to the side of that where it took like 209 00:09:30,200 --> 00:09:32,440 Speaker 1: almost like video games and made it into a great 210 00:09:32,480 --> 00:09:35,319 Speaker 1: movie and brought all this action into it in quirkiness 211 00:09:35,360 --> 00:09:38,160 Speaker 1: that I ended up really enjoying. And I can see 212 00:09:38,200 --> 00:09:40,640 Speaker 1: why it's such a cult classic now. So if you're 213 00:09:40,640 --> 00:09:43,240 Speaker 1: into that kind of superhero sci fi genre, and you 214 00:09:43,280 --> 00:09:46,440 Speaker 1: haven't seen Scott Pilgrim Versus the World, I suggest checking 215 00:09:46,440 --> 00:09:48,600 Speaker 1: it out right now on Netflix. All right, here's one 216 00:09:48,640 --> 00:09:51,240 Speaker 1: from my childhood and maybe years two. So every year 217 00:09:51,280 --> 00:09:54,160 Speaker 1: when Halloween rolls around, I love that because I love 218 00:09:54,160 --> 00:09:56,320 Speaker 1: a good horror movie, but not only that, I just 219 00:09:56,440 --> 00:09:59,880 Speaker 1: like the regular, happy, fun Halloween movies, and I think 220 00:10:00,080 --> 00:10:03,679 Speaker 1: when embodies that to a t. I'm talking about hocus Pocus. Now, 221 00:10:03,679 --> 00:10:05,760 Speaker 1: when it came out, it was seen as a flop 222 00:10:05,800 --> 00:10:08,000 Speaker 1: and didn't do so well. But I think I had 223 00:10:08,000 --> 00:10:10,560 Speaker 1: a lot of things going against it when it came out. 224 00:10:10,640 --> 00:10:12,719 Speaker 1: So when this movie first came out, it didn't do 225 00:10:12,800 --> 00:10:15,199 Speaker 1: so well at the box office, and it's opening weekend 226 00:10:15,200 --> 00:10:18,280 Speaker 1: it only made about eight million dollars. And all in all, 227 00:10:18,360 --> 00:10:20,880 Speaker 1: this movie cost twenty eight million dollars to make, so 228 00:10:20,960 --> 00:10:23,680 Speaker 1: that opening weekend you're not really making your money back. 229 00:10:23,840 --> 00:10:25,960 Speaker 1: But over its course, it ended up making about thirty 230 00:10:26,080 --> 00:10:27,960 Speaker 1: nine million. But what I think this one had going 231 00:10:28,000 --> 00:10:31,440 Speaker 1: against it was that it was released on the very 232 00:10:31,480 --> 00:10:35,040 Speaker 1: same day as Free Willie. Now, back in the nineties, 233 00:10:35,480 --> 00:10:37,679 Speaker 1: one of the biggest movies I remember was Free Willie. 234 00:10:37,720 --> 00:10:40,080 Speaker 1: Everybody talking about that movie. So when you go up 235 00:10:40,080 --> 00:10:42,480 Speaker 1: against something like that, And I mean it came out 236 00:10:42,480 --> 00:10:44,720 Speaker 1: in the summer, so it was really targeted as you know, 237 00:10:44,960 --> 00:10:47,480 Speaker 1: a summer kids movie to get those kids in the theaters, 238 00:10:47,760 --> 00:10:49,920 Speaker 1: and then later once Halloween rolled around, it would be 239 00:10:49,960 --> 00:10:52,680 Speaker 1: ready to you know, buy on VHS at the time, 240 00:10:53,080 --> 00:10:54,560 Speaker 1: which is kind of when it started to make its 241 00:10:54,600 --> 00:10:57,400 Speaker 1: money back. But now really it's making its money by 242 00:10:57,440 --> 00:11:01,080 Speaker 1: being shown every single year around Halloween. And for me, 243 00:11:01,120 --> 00:11:03,880 Speaker 1: it's not really Halloween without watching this movie on TV. 244 00:11:04,240 --> 00:11:06,480 Speaker 1: And it's one you've probably seen more than once without 245 00:11:06,520 --> 00:11:09,040 Speaker 1: even trying. So of course you've got to call it 246 00:11:09,080 --> 00:11:12,000 Speaker 1: a Halloween classics, but just know that when it first 247 00:11:12,000 --> 00:11:14,640 Speaker 1: came out, it really wasn't even seen as a success. 248 00:11:14,800 --> 00:11:16,600 Speaker 1: All right, Let's keep it in the nineties with a 249 00:11:16,640 --> 00:11:21,080 Speaker 1: movie called Office Space, a classic cult comedy when it 250 00:11:21,160 --> 00:11:22,960 Speaker 1: came out back in the nineties and one that I 251 00:11:22,960 --> 00:11:24,880 Speaker 1: know a lot of people say is their favorite movie 252 00:11:24,880 --> 00:11:27,679 Speaker 1: of all time. Written and directed by Mike Judge, who 253 00:11:27,679 --> 00:11:29,679 Speaker 1: was one of my favorite people. He also did King 254 00:11:29,679 --> 00:11:33,080 Speaker 1: of the Hill, Idiocracy, he did Beavis and butt Head. 255 00:11:33,120 --> 00:11:34,920 Speaker 1: I actually got a chance one time to go see 256 00:11:35,000 --> 00:11:37,640 Speaker 1: him speak, and I thought it was amazing. I liked 257 00:11:37,720 --> 00:11:41,640 Speaker 1: my Judges humor because while it's seen has come almost 258 00:11:41,640 --> 00:11:45,199 Speaker 1: like very like symboled down like comedy. I think it's 259 00:11:45,280 --> 00:11:49,320 Speaker 1: really smart. Like I know, Beavis and butt Head probably 260 00:11:49,400 --> 00:11:52,040 Speaker 1: isn't the most like intellectual thing you can watch, but 261 00:11:52,120 --> 00:11:54,480 Speaker 1: I find his comedy just has like this kind of 262 00:11:54,640 --> 00:11:56,880 Speaker 1: edge to it that it does take a lot of 263 00:11:56,880 --> 00:11:59,480 Speaker 1: creativity and it just is it does take some thought 264 00:11:59,520 --> 00:12:02,160 Speaker 1: to be that juvenile sometimes, and that's what I like 265 00:12:02,200 --> 00:12:05,200 Speaker 1: about his work. And I think Office Space is probably 266 00:12:05,240 --> 00:12:08,600 Speaker 1: his best movie because it kind of combines that. But 267 00:12:08,679 --> 00:12:11,600 Speaker 1: unfortunately it was seen at the box office disappointment when 268 00:12:11,600 --> 00:12:14,480 Speaker 1: it cost ten million dollars to make and only made 269 00:12:14,520 --> 00:12:17,079 Speaker 1: about twelve point two million dollars at the box office 270 00:12:17,080 --> 00:12:19,920 Speaker 1: and opening weekend and landed and about the eighth slot, 271 00:12:19,960 --> 00:12:22,440 Speaker 1: which isn't great because at the time he was really 272 00:12:22,480 --> 00:12:24,960 Speaker 1: only known for his animated stuff Bavius and But Had 273 00:12:25,000 --> 00:12:27,160 Speaker 1: To America just came out. But this was his first 274 00:12:27,200 --> 00:12:30,320 Speaker 1: live action comedy and the first real depiction of I 275 00:12:30,400 --> 00:12:32,440 Speaker 1: ever saw of a comedy taking place in like an 276 00:12:32,440 --> 00:12:35,000 Speaker 1: office workspace, at least is what I remember growing up. 277 00:12:35,120 --> 00:12:37,559 Speaker 1: But now you see this movie everywhere if you're on 278 00:12:37,640 --> 00:12:41,320 Speaker 1: the internet at all, you've probably seen an Office Space 279 00:12:41,400 --> 00:12:44,720 Speaker 1: meme without realizing it. You've maybe even seen it parody 280 00:12:44,920 --> 00:12:47,360 Speaker 1: in like TV shows like Family Guy. I think it's 281 00:12:47,360 --> 00:12:50,000 Speaker 1: a very funny movie. It's a very quotable movie, and 282 00:12:50,040 --> 00:12:52,480 Speaker 1: a movie you go back and realize, whoa Jennifer Aniston 283 00:12:52,520 --> 00:12:55,120 Speaker 1: did something else in the nineties that wasn't Friends. So 284 00:12:55,160 --> 00:12:57,280 Speaker 1: while it didn't do so great at the box office, 285 00:12:57,320 --> 00:12:58,679 Speaker 1: it was able to make a lot of money what 286 00:12:58,800 --> 00:13:01,000 Speaker 1: it came out of VHS and back in the day 287 00:13:01,000 --> 00:13:03,400 Speaker 1: when you went to Blockbusters to buy the actual VHS 288 00:13:03,440 --> 00:13:06,439 Speaker 1: tape or rent it, that's where it kind of was like, Okay, 289 00:13:06,480 --> 00:13:09,240 Speaker 1: it's a movie I'll go see and watch at my house. Instead, 290 00:13:09,280 --> 00:13:11,880 Speaker 1: we're going to see it in theaters. And then Comedy 291 00:13:11,960 --> 00:13:14,679 Speaker 1: Central once it came around, they played this. I felt 292 00:13:14,720 --> 00:13:16,880 Speaker 1: like every single day you would turn on Comedy Centro 293 00:13:17,000 --> 00:13:18,720 Speaker 1: and there would be Office Base. I think it's a 294 00:13:18,720 --> 00:13:20,960 Speaker 1: great movie and one that will still make me laugh today. 295 00:13:21,080 --> 00:13:24,840 Speaker 1: This next one is pretty surprising, not only because it 296 00:13:24,920 --> 00:13:28,199 Speaker 1: went on to win and be nominated for so many awards, 297 00:13:28,280 --> 00:13:30,560 Speaker 1: but when it came out was just seen as not 298 00:13:30,679 --> 00:13:33,680 Speaker 1: a great success. But I feel now makes the list. 299 00:13:33,679 --> 00:13:36,160 Speaker 1: It's probably one of the greatest movies of the nineties, 300 00:13:36,360 --> 00:13:37,800 Speaker 1: but it came out in a year where it was 301 00:13:37,840 --> 00:13:40,040 Speaker 1: like maybe one of the greatest movie years of all time, 302 00:13:41,040 --> 00:13:43,800 Speaker 1: where you have like Forrest Gump, Pulp Fiction, The Lon King, 303 00:13:44,360 --> 00:13:47,800 Speaker 1: and Here Comes Shawshank Redemption, which went on to receive 304 00:13:47,880 --> 00:13:50,360 Speaker 1: a bunch of Academy Awards, didn't win for Best Picture, 305 00:13:50,640 --> 00:13:53,839 Speaker 1: but overall had seven Oscar nominations and became the most 306 00:13:53,920 --> 00:13:56,959 Speaker 1: rented film of So that's a bunch of things going 307 00:13:57,040 --> 00:14:00,720 Speaker 1: for it. What it didn't have, though, was the cloud 308 00:14:00,760 --> 00:14:03,480 Speaker 1: at the box office, because it cost million dollars to 309 00:14:03,559 --> 00:14:07,080 Speaker 1: make and only made about eight million dollars in its 310 00:14:07,280 --> 00:14:10,120 Speaker 1: entire run, so not very great. The opening weekend only 311 00:14:10,520 --> 00:14:12,959 Speaker 1: made close to a million, didn't even cross that million 312 00:14:12,960 --> 00:14:15,760 Speaker 1: dollar marks, so kind of flopped out of the gate. 313 00:14:15,840 --> 00:14:18,880 Speaker 1: But it had so many great reviews and so many 314 00:14:18,960 --> 00:14:21,280 Speaker 1: just positive things said about the movie that it was 315 00:14:21,360 --> 00:14:23,520 Speaker 1: kind of eclipse that it came out and debuted at 316 00:14:23,560 --> 00:14:27,240 Speaker 1: number nine, behind a Rosie O'Donnell comedy at the Dime. 317 00:14:27,560 --> 00:14:29,800 Speaker 1: And I think what's kind of surprising about this is 318 00:14:29,800 --> 00:14:32,640 Speaker 1: that we know it as the kind of movie that 319 00:14:32,680 --> 00:14:35,720 Speaker 1: we maybe sometimes associate Morgan Freeman with and just overall 320 00:14:35,760 --> 00:14:38,360 Speaker 1: Seen is one of the greatest movies. But a lot 321 00:14:38,400 --> 00:14:40,640 Speaker 1: of the times, a lot of these movies that win 322 00:14:40,720 --> 00:14:44,200 Speaker 1: for Best Picture or earned such high critical praise, they 323 00:14:44,320 --> 00:14:47,080 Speaker 1: often don't perform so well at the box office. And 324 00:14:47,120 --> 00:14:49,880 Speaker 1: I think the Oscars get you know, kind of criticized 325 00:14:49,920 --> 00:14:51,960 Speaker 1: a lot for this every year because they put in 326 00:14:52,000 --> 00:14:54,920 Speaker 1: movies to the Best Picture nomination that a lot of 327 00:14:54,920 --> 00:14:57,640 Speaker 1: people sometimes haven't seen, and you look at their box 328 00:14:57,680 --> 00:14:59,680 Speaker 1: office numbers and you're like, whoa, they made like a 329 00:14:59,800 --> 00:15:02,960 Speaker 1: s exteenth of what the Avengers me. So sometimes it 330 00:15:03,080 --> 00:15:07,000 Speaker 1: is surprising to see such a highly praised movie just 331 00:15:07,080 --> 00:15:09,720 Speaker 1: not do so well as a box office And sometimes 332 00:15:09,760 --> 00:15:12,200 Speaker 1: you wonder why Best Picture nominees are in the Best 333 00:15:12,200 --> 00:15:15,120 Speaker 1: Picture category when they're not earning as much money as 334 00:15:15,160 --> 00:15:16,640 Speaker 1: some of these big movies that a lot of people 335 00:15:16,640 --> 00:15:18,720 Speaker 1: are actually going to see. In Love, I think when 336 00:15:18,760 --> 00:15:21,520 Speaker 1: it comes down to it, with the Best Picture, you know, category, 337 00:15:21,560 --> 00:15:23,760 Speaker 1: they're trying to find movies that are novel in or 338 00:15:23,840 --> 00:15:26,480 Speaker 1: doing something that no one else has done before. So 339 00:15:26,520 --> 00:15:28,760 Speaker 1: that kind of holds true to that. But I don't know, 340 00:15:28,880 --> 00:15:31,800 Speaker 1: maybe sometimes you have to consider and take into consideration, 341 00:15:31,920 --> 00:15:33,720 Speaker 1: like did this movie even do so well at the 342 00:15:33,760 --> 00:15:35,760 Speaker 1: box office, Like, I wonder if they'll ever add that 343 00:15:35,840 --> 00:15:38,720 Speaker 1: kind of stipulation to the Best Picture nomination. I don't 344 00:15:38,720 --> 00:15:40,920 Speaker 1: think they'll do it right now, because even with Parasite 345 00:15:40,960 --> 00:15:43,400 Speaker 1: that just won this year, that didn't do so great 346 00:15:43,400 --> 00:15:45,120 Speaker 1: at the box office. But I think once it came 347 00:15:45,160 --> 00:15:47,280 Speaker 1: out and people actually watched it and gave it a chance, 348 00:15:47,480 --> 00:15:49,200 Speaker 1: and they kind of saw, huh, maybe I should have 349 00:15:49,240 --> 00:15:52,040 Speaker 1: watched it in theaters. Another big cult classic that didn't 350 00:15:52,040 --> 00:15:53,880 Speaker 1: do so well at the box office was one that 351 00:15:53,920 --> 00:15:57,960 Speaker 1: was probably in dorm rooms of America all across the country. 352 00:15:58,400 --> 00:16:02,840 Speaker 1: Back in movie starring Brad Pitt and Edward Norton talking 353 00:16:02,840 --> 00:16:05,400 Speaker 1: about Flight Club, which is a great movie. And I 354 00:16:05,440 --> 00:16:08,360 Speaker 1: think the problem with this movie it was really hard 355 00:16:08,400 --> 00:16:10,560 Speaker 1: for them to market this one. So the movie had 356 00:16:10,560 --> 00:16:13,720 Speaker 1: a sixty three million dollar budget but only may thirty 357 00:16:13,760 --> 00:16:17,040 Speaker 1: seven million dollars in the course um in theatrical release. 358 00:16:17,720 --> 00:16:20,600 Speaker 1: And with this movie, it's so kind of dark, twisted 359 00:16:20,640 --> 00:16:24,080 Speaker 1: and sinister that you wonder how you sell this movie, 360 00:16:24,080 --> 00:16:25,600 Speaker 1: Like how do you make a trailer and how do 361 00:16:25,640 --> 00:16:28,680 Speaker 1: you advertise this movie to people? Like Okay, um, well 362 00:16:28,680 --> 00:16:31,320 Speaker 1: it's this really weird guy who has this voice in 363 00:16:31,360 --> 00:16:33,600 Speaker 1: his head and he starts a flight club. All right, 364 00:16:34,000 --> 00:16:36,560 Speaker 1: come watch our movie. And even with the star power 365 00:16:36,640 --> 00:16:40,760 Speaker 1: like Brad Pitt and Edward Norton, didn't really have any 366 00:16:40,800 --> 00:16:43,000 Speaker 1: return when he came out into the theater. So the 367 00:16:43,080 --> 00:16:45,520 Speaker 1: director was so determined to kind of make this movie 368 00:16:45,520 --> 00:16:47,520 Speaker 1: a hit that what he ended up doing was putting 369 00:16:47,520 --> 00:16:50,480 Speaker 1: in a lot of money into the home release of 370 00:16:50,520 --> 00:16:53,720 Speaker 1: this movie. So he like really strategized how he was 371 00:16:53,760 --> 00:16:56,120 Speaker 1: going to package this DVD. So they put it out. 372 00:16:56,200 --> 00:16:58,400 Speaker 1: They put the director's commentary on this thing, and he 373 00:16:58,560 --> 00:17:01,040 Speaker 1: kind of explained and shed light to the film of 374 00:17:01,040 --> 00:17:02,760 Speaker 1: what it was actually trying to say in this movie 375 00:17:02,760 --> 00:17:05,480 Speaker 1: and what it was about. And that ended up doing 376 00:17:05,560 --> 00:17:07,960 Speaker 1: a lot for this movie, and it went on to 377 00:17:08,040 --> 00:17:10,840 Speaker 1: be one of the highest selling DVDs for Fox when 378 00:17:10,880 --> 00:17:13,000 Speaker 1: it came out. Again. This is a really big movie 379 00:17:13,040 --> 00:17:14,720 Speaker 1: that I feel kind of fitting with a fight club 380 00:17:14,760 --> 00:17:17,280 Speaker 1: scenario of not being able to know how to market 381 00:17:17,320 --> 00:17:20,480 Speaker 1: the movie. It's Days and Confused that came out and 382 00:17:20,520 --> 00:17:22,840 Speaker 1: the movie only made about a million dollar profit when 383 00:17:22,880 --> 00:17:25,359 Speaker 1: it came out back in the day, and Universal when 384 00:17:25,359 --> 00:17:28,720 Speaker 1: they put out the movie again, like Fox, they struggled 385 00:17:28,720 --> 00:17:32,439 Speaker 1: with the marketing struggles because here you have essentially like 386 00:17:32,480 --> 00:17:34,760 Speaker 1: a stoner coming of age movie with these you know, 387 00:17:34,840 --> 00:17:38,280 Speaker 1: really raunchy sex scenes and this humor that you don't 388 00:17:38,280 --> 00:17:41,239 Speaker 1: really know what the audience is for this one. So 389 00:17:41,280 --> 00:17:43,119 Speaker 1: that's what led days to confused to kind of be 390 00:17:43,160 --> 00:17:45,919 Speaker 1: a flop when it came out. But now we know 391 00:17:46,000 --> 00:17:48,760 Speaker 1: it as the movie that pretty much put Mitthew McConaughey 392 00:17:48,800 --> 00:17:51,520 Speaker 1: on the map. And like Fight Club, I think once 393 00:17:51,640 --> 00:17:54,080 Speaker 1: this movie came out on VHS, it was like one 394 00:17:54,119 --> 00:17:55,919 Speaker 1: of those movies that you would tell your friends about. 395 00:17:56,320 --> 00:17:57,880 Speaker 1: And I think even for me, it was a movie 396 00:17:57,960 --> 00:18:00,720 Speaker 1: that existed as a VHS that was just passed around 397 00:18:00,760 --> 00:18:02,840 Speaker 1: from my friend group to friend group, and that's how 398 00:18:02,880 --> 00:18:04,800 Speaker 1: I first watched it. I remember taking the tabe and 399 00:18:04,800 --> 00:18:07,399 Speaker 1: putting it in the BCR and being like, whoa, this 400 00:18:07,480 --> 00:18:10,520 Speaker 1: is like a crazy story at least people hanging out 401 00:18:10,520 --> 00:18:13,480 Speaker 1: and partying. But I could see how there's something really 402 00:18:13,600 --> 00:18:16,000 Speaker 1: huge and cinematic about it, like you would go to 403 00:18:16,040 --> 00:18:18,359 Speaker 1: a movie theater and tell people to go see it. 404 00:18:18,400 --> 00:18:20,879 Speaker 1: But in your early teenage years, it's scene as a 405 00:18:20,920 --> 00:18:23,479 Speaker 1: movie like oh man, that's such a great movie, and 406 00:18:23,600 --> 00:18:25,920 Speaker 1: gives us one of the most iconic movie lines from 407 00:18:25,960 --> 00:18:29,760 Speaker 1: Matthew McConaughey, which is actually the first ever words that 408 00:18:29,800 --> 00:18:31,600 Speaker 1: he said on film. Like, I heard this interview with 409 00:18:31,680 --> 00:18:33,679 Speaker 1: him when he was talking about, you know, how he 410 00:18:33,800 --> 00:18:36,560 Speaker 1: got that part where he wasn't even an actor yet, 411 00:18:36,560 --> 00:18:38,600 Speaker 1: he was just kind of hanging out and doing this 412 00:18:38,680 --> 00:18:41,240 Speaker 1: other random work back in Austin, Texas, got the part, 413 00:18:41,240 --> 00:18:42,919 Speaker 1: and then he was trying to put himself in the 414 00:18:42,920 --> 00:18:45,960 Speaker 1: space of this character and the line wasn't even written 415 00:18:46,000 --> 00:18:47,720 Speaker 1: in the movie. So I actually found this clip, but 416 00:18:47,760 --> 00:18:51,320 Speaker 1: Matthew McConaughey talking about that and how this iconic line 417 00:18:51,359 --> 00:18:53,600 Speaker 1: came to be about to shoot the scene, and it's 418 00:18:53,640 --> 00:18:56,239 Speaker 1: all improvisers, not a line, not a line written. Right, 419 00:18:56,280 --> 00:18:58,520 Speaker 1: Who's my man? Who's waters? And Who's Waters? And I 420 00:18:58,560 --> 00:19:00,639 Speaker 1: said what am I about? I said, well, I'm about 421 00:19:00,680 --> 00:19:02,720 Speaker 1: my car. And I said, man, I'm in my seventies 422 00:19:02,760 --> 00:19:07,040 Speaker 1: chavel we got one. I said, I'm about rock and roll. 423 00:19:07,119 --> 00:19:09,040 Speaker 1: I said, well, I got ted NWS just trangle hold 424 00:19:09,040 --> 00:19:11,920 Speaker 1: on the eight track. I got too. Then I said 425 00:19:11,960 --> 00:19:14,800 Speaker 1: I'm about getting high and I said, well, Slater's riding shotgun. 426 00:19:14,880 --> 00:19:18,200 Speaker 1: He's always got one rolled up, I got three. I'm 427 00:19:18,240 --> 00:19:21,399 Speaker 1: also back picking up chicks and I look up and 428 00:19:21,440 --> 00:19:24,159 Speaker 1: I go, well, there she is. That'd be the fourth. 429 00:19:24,200 --> 00:19:27,960 Speaker 1: I got three out of four. Alright, alright, alright, so 430 00:19:28,000 --> 00:19:30,000 Speaker 1: there you go. Those are some box office bombs that 431 00:19:30,040 --> 00:19:32,679 Speaker 1: went on to be classics. If you have any others 432 00:19:32,680 --> 00:19:35,199 Speaker 1: to add, just hit me up on Twitter or Instagram 433 00:19:35,240 --> 00:19:43,000 Speaker 1: at Mike Destro. Alright, movie review time. Now, it's actually 434 00:19:43,040 --> 00:19:44,800 Speaker 1: a brand new movie. Look at that. I didn't have 435 00:19:44,880 --> 00:19:47,040 Speaker 1: to go through the theaters to watch it. It was 436 00:19:47,160 --> 00:19:50,200 Speaker 1: right there on demand for a whopping twenty dollars and 437 00:19:50,320 --> 00:19:53,880 Speaker 1: it's called The King of Staten Island, directed by Jedd Apatow, 438 00:19:54,000 --> 00:19:56,760 Speaker 1: starring Pete Davidson. Now, I'm a pretty big Pete Davidson fan. 439 00:19:56,760 --> 00:19:59,080 Speaker 1: I'd like this comedy. I like him on Saturday Night Live, 440 00:19:59,560 --> 00:20:01,880 Speaker 1: and I've kind of been interested to see how he's 441 00:20:02,080 --> 00:20:04,840 Speaker 1: how his whole personality is going to translate into movies. 442 00:20:05,359 --> 00:20:07,240 Speaker 1: And he did a movie that came out last year 443 00:20:08,200 --> 00:20:10,680 Speaker 1: that I was interested in, so I'm kind of following 444 00:20:10,760 --> 00:20:13,280 Speaker 1: him and I was excited for this one. So let's 445 00:20:13,280 --> 00:20:15,720 Speaker 1: figure it out. Is it worth spending the twenty dollars 446 00:20:15,800 --> 00:20:18,600 Speaker 1: to watch this at home. Before I get into my review, 447 00:20:18,760 --> 00:20:21,879 Speaker 1: here's a little bit of the King of Staten Islands. 448 00:20:22,160 --> 00:20:24,800 Speaker 1: What are those numbers on your arm? Oh that's the 449 00:20:24,880 --> 00:20:26,920 Speaker 1: date my dad died. He was a fireman, done to 450 00:20:26,960 --> 00:20:29,719 Speaker 1: fire seventeen years ago. Oh my god, I'm so sorry. 451 00:20:29,800 --> 00:20:35,600 Speaker 1: Don't think it's fine. He's there now, your dad, all right. 452 00:20:35,600 --> 00:20:37,840 Speaker 1: So let's get into this review. A lot to unpack here. 453 00:20:37,920 --> 00:20:40,200 Speaker 1: So I was excited for this one, like I said earlier, 454 00:20:40,560 --> 00:20:42,000 Speaker 1: and I think I was excited for it for a 455 00:20:42,080 --> 00:20:45,000 Speaker 1: couple of reasons. One because we haven't had anything new 456 00:20:45,080 --> 00:20:47,560 Speaker 1: in a while. And I was glad that they stuck 457 00:20:47,560 --> 00:20:49,639 Speaker 1: to putting this one out on demand. It's supposed to 458 00:20:49,760 --> 00:20:51,399 Speaker 1: kind of pushing back the release date to get it 459 00:20:51,440 --> 00:20:53,840 Speaker 1: in theaters. I saw some stuff that jud Epic I 460 00:20:53,880 --> 00:20:55,680 Speaker 1: was saying interviews before the movie came out, and he's 461 00:20:55,720 --> 00:20:57,960 Speaker 1: basically saying like, it's kind of a movie that everybody 462 00:20:58,080 --> 00:21:01,639 Speaker 1: needs right now in this kind of pandemic quarantine world 463 00:21:01,720 --> 00:21:03,560 Speaker 1: or something you can just sit on your couch and watch. 464 00:21:03,600 --> 00:21:05,919 Speaker 1: So he didn't feel like there was any need to 465 00:21:05,960 --> 00:21:08,359 Speaker 1: delay the released to you know, put it out in theaters. 466 00:21:08,400 --> 00:21:10,919 Speaker 1: And he even said which he kind of defends his 467 00:21:11,000 --> 00:21:14,560 Speaker 1: whole like his movie off thinking criticized for being too long, 468 00:21:14,640 --> 00:21:16,840 Speaker 1: like you could always cut out maybe forty to twenty 469 00:21:16,840 --> 00:21:19,960 Speaker 1: minutes of his movies, and he's like, well, it's maybe 470 00:21:19,960 --> 00:21:22,679 Speaker 1: you could pause and then come back to is what 471 00:21:22,720 --> 00:21:24,479 Speaker 1: he says. I also kind of think that was him 472 00:21:24,520 --> 00:21:26,360 Speaker 1: going on to defense a little bit, because he's like, man, 473 00:21:26,359 --> 00:21:28,360 Speaker 1: people are gonna slam me again for a movie being 474 00:21:28,359 --> 00:21:30,560 Speaker 1: too long. But anyway, I just had to point it 475 00:21:30,600 --> 00:21:33,080 Speaker 1: out that this movie is two hours and seventeen minutes, 476 00:21:33,080 --> 00:21:35,120 Speaker 1: which I feel is a long time for a comedy. 477 00:21:35,359 --> 00:21:38,560 Speaker 1: And I don't like to always criticize movies by saying 478 00:21:38,600 --> 00:21:40,520 Speaker 1: they're too long, but I just feel like if you 479 00:21:40,680 --> 00:21:42,960 Speaker 1: can't hold somebody's attention, and if at any point in 480 00:21:42,960 --> 00:21:45,679 Speaker 1: a movie you're like looking how much is left in it, 481 00:21:45,760 --> 00:21:47,480 Speaker 1: I think it takes a little bit away. So first 482 00:21:47,520 --> 00:21:50,040 Speaker 1: of all, that that was my kind of when I 483 00:21:50,160 --> 00:21:52,439 Speaker 1: finished watching it, is how I felt. But going into it, 484 00:21:52,520 --> 00:21:54,199 Speaker 1: let's just talk about what the movie is about. So 485 00:21:54,280 --> 00:21:58,520 Speaker 1: what they semi autobiographical story about Pete Davidson's alive. His 486 00:21:58,640 --> 00:22:01,760 Speaker 1: dad was a firefighter and at on nine eleven, and 487 00:22:01,840 --> 00:22:04,760 Speaker 1: this movie kind of echoes that it's his character in 488 00:22:04,800 --> 00:22:08,239 Speaker 1: the movie whose dad also died as a firefighter, and 489 00:22:08,280 --> 00:22:10,880 Speaker 1: he's kind of now as a twenty four year old, 490 00:22:10,960 --> 00:22:12,920 Speaker 1: has never really been able to move past that because 491 00:22:12,920 --> 00:22:15,720 Speaker 1: he kind of grew up knowing how awesome his dad 492 00:22:15,840 --> 00:22:18,240 Speaker 1: was and then had him taken away from him, and 493 00:22:18,320 --> 00:22:20,760 Speaker 1: he's been struggling with that. He's kind of hasn't really 494 00:22:20,760 --> 00:22:22,720 Speaker 1: gone a lot of places. He's still living with his 495 00:22:22,800 --> 00:22:26,040 Speaker 1: mom and essentially trying to be a tattoo artist but 496 00:22:26,119 --> 00:22:28,160 Speaker 1: doesn't even have a job at the beginning of the movie, 497 00:22:28,960 --> 00:22:30,840 Speaker 1: and that's kind of where the movie stays. It's him 498 00:22:30,880 --> 00:22:33,280 Speaker 1: hanging out with his friends just trying to tattoo people 499 00:22:34,080 --> 00:22:36,760 Speaker 1: and then getting into this quick little ends up getting 500 00:22:36,760 --> 00:22:38,520 Speaker 1: into a little bit of trouble where he gets his 501 00:22:38,680 --> 00:22:41,400 Speaker 1: dad who gets mad at him, and that dad ends 502 00:22:41,480 --> 00:22:43,800 Speaker 1: up being also a firefighter who ends up meeting his 503 00:22:43,880 --> 00:22:46,200 Speaker 1: mom and then they too get together. In the movie 504 00:22:46,240 --> 00:22:47,800 Speaker 1: kind of takes away from there of like, oh, you're 505 00:22:47,800 --> 00:22:50,720 Speaker 1: trying to replace my dad with another guy who's also 506 00:22:50,760 --> 00:22:53,320 Speaker 1: a firefighter, and the whole movie is kind of him 507 00:22:53,359 --> 00:22:57,359 Speaker 1: struggling with that relationship forming and also of him trying 508 00:22:57,359 --> 00:22:59,760 Speaker 1: to get his life together So, first of all, I 509 00:22:59,760 --> 00:23:01,520 Speaker 1: don't feel like this movie was intended to be a 510 00:23:01,520 --> 00:23:03,520 Speaker 1: straight up comedy. I think Jedd Apatow kind of said 511 00:23:03,560 --> 00:23:06,359 Speaker 1: that is he was trying to make a dramatic movie, 512 00:23:06,480 --> 00:23:09,080 Speaker 1: kind of his most serious movie to date. But I 513 00:23:09,119 --> 00:23:11,879 Speaker 1: think anything Jeddappatow does, it's kind of going to be 514 00:23:11,920 --> 00:23:15,120 Speaker 1: seen and packaged as a comedy. So that's when kind 515 00:23:15,119 --> 00:23:17,000 Speaker 1: of when you see the trailer, that's the feeling you 516 00:23:17,040 --> 00:23:18,679 Speaker 1: get for it. So I think it did have some 517 00:23:18,720 --> 00:23:21,680 Speaker 1: good last especially in the first fifteen to twenty minutes. 518 00:23:21,720 --> 00:23:23,600 Speaker 1: You get those lass and you get those jokes that 519 00:23:23,720 --> 00:23:26,320 Speaker 1: kind of you feel like Jedd Apatow is a writer, 520 00:23:26,400 --> 00:23:28,439 Speaker 1: Pete Davidson as a writer on it. You kind of 521 00:23:28,440 --> 00:23:30,679 Speaker 1: feel their humor in that, and then it kind of 522 00:23:30,720 --> 00:23:33,639 Speaker 1: gets into this, I feel like, kind of convoluted story 523 00:23:33,680 --> 00:23:36,280 Speaker 1: where it kind of loses what the movie is about, 524 00:23:36,359 --> 00:23:39,639 Speaker 1: because while it's about Pete Davidson and his struggles of 525 00:23:39,680 --> 00:23:41,800 Speaker 1: not having his dad around and now having this new 526 00:23:41,840 --> 00:23:44,080 Speaker 1: father figure in his life, it kind of goes in 527 00:23:44,160 --> 00:23:46,720 Speaker 1: all different kinds of directions with him and its love life, 528 00:23:46,800 --> 00:23:49,720 Speaker 1: him with his friends, and then him trying to be 529 00:23:49,920 --> 00:23:52,160 Speaker 1: his own person and have his own job and kind 530 00:23:52,160 --> 00:23:54,640 Speaker 1: of find his identity in that sense. I just think 531 00:23:54,680 --> 00:23:57,600 Speaker 1: it gets lost in all that because it never really 532 00:23:57,720 --> 00:24:01,160 Speaker 1: follows like any kind of direction, And there's some parts 533 00:24:01,160 --> 00:24:03,760 Speaker 1: of the movie that exists for no other reason than existing, 534 00:24:04,160 --> 00:24:07,080 Speaker 1: which is how I feel that Jetapata just puts too 535 00:24:07,160 --> 00:24:10,359 Speaker 1: much into his movies. There's like too much scenes of 536 00:24:10,440 --> 00:24:13,119 Speaker 1: like things that don't really matter, and I feel it 537 00:24:13,200 --> 00:24:15,320 Speaker 1: kind of had a loss in like the middle to 538 00:24:15,400 --> 00:24:17,679 Speaker 1: where it kind of didn't even fit the rest of 539 00:24:17,680 --> 00:24:19,199 Speaker 1: the movie, like right in the middle of it. It 540 00:24:19,240 --> 00:24:20,879 Speaker 1: just kind of goes into all these directions and it 541 00:24:20,920 --> 00:24:24,040 Speaker 1: comes kind of back to that story of him and 542 00:24:24,119 --> 00:24:26,240 Speaker 1: Bill Burr's character in the movie, who's playing the guy 543 00:24:26,320 --> 00:24:28,399 Speaker 1: dating his mom. It kind of goes away from that. 544 00:24:28,440 --> 00:24:30,560 Speaker 1: But I get what Jeapata is trying to say in 545 00:24:30,560 --> 00:24:33,639 Speaker 1: this movie is trying to be a movie that deals 546 00:24:33,720 --> 00:24:36,000 Speaker 1: with loss and deals with grief and deals with that 547 00:24:36,240 --> 00:24:38,879 Speaker 1: idea of losing somebody. And don't get me wrong, I 548 00:24:38,880 --> 00:24:41,080 Speaker 1: get that has some really great emotional moments worth that 549 00:24:41,160 --> 00:24:44,439 Speaker 1: of Pete Davidson kind of getting over and accepting his 550 00:24:44,520 --> 00:24:46,960 Speaker 1: father's death and also like meeting some of the people 551 00:24:46,960 --> 00:24:48,960 Speaker 1: who knew him and getting stories out of them, Like 552 00:24:49,000 --> 00:24:51,320 Speaker 1: I think that part of the movie was actually pretty good, 553 00:24:51,960 --> 00:24:54,679 Speaker 1: but it takes a long time to get there, and 554 00:24:54,680 --> 00:24:57,160 Speaker 1: it gets lost so many times before you even get 555 00:24:57,160 --> 00:24:59,720 Speaker 1: to feeling anything that by the time you do get 556 00:24:59,720 --> 00:25:01,439 Speaker 1: to that kind of nice moment where like, oh, I 557 00:25:01,440 --> 00:25:04,040 Speaker 1: actually kind of like this movie, you think it's about 558 00:25:04,040 --> 00:25:06,720 Speaker 1: to end, and then there's still like another thirty forty 559 00:25:06,720 --> 00:25:09,199 Speaker 1: minutes left of it. So at any moment that it 560 00:25:09,240 --> 00:25:11,679 Speaker 1: gets you know, personal and actually like in depth to 561 00:25:11,720 --> 00:25:15,040 Speaker 1: the characters, it's lost in all other directions because you 562 00:25:15,119 --> 00:25:18,000 Speaker 1: don't really care at some points to follow along. That's 563 00:25:18,000 --> 00:25:20,280 Speaker 1: how I felt watching it. So by no means am 564 00:25:20,280 --> 00:25:22,680 Speaker 1: I saying this is even a bad movie. It's very 565 00:25:22,720 --> 00:25:25,320 Speaker 1: i'd say mediocre, like middle of the Path, Like you're 566 00:25:25,359 --> 00:25:27,119 Speaker 1: not gonna watched this and be like this is terrible. 567 00:25:27,119 --> 00:25:28,960 Speaker 1: Why am I watching this? But you're also just gonna 568 00:25:29,040 --> 00:25:31,520 Speaker 1: kind of watch just enough to see what happens, but 569 00:25:31,640 --> 00:25:33,760 Speaker 1: you almost don't even care about the characters in it. 570 00:25:34,359 --> 00:25:36,119 Speaker 1: And the other thing I kind of just worry or 571 00:25:36,160 --> 00:25:39,120 Speaker 1: wonder about Pete Davidson is if he's gonna get kind 572 00:25:39,119 --> 00:25:41,520 Speaker 1: of typecast a little bit because he wasn't. Another movie 573 00:25:41,520 --> 00:25:44,520 Speaker 1: that I just watched recently called Big Time Adolescence, and 574 00:25:44,560 --> 00:25:47,280 Speaker 1: I actually really like that movie, probably enjoyed it more 575 00:25:47,320 --> 00:25:49,280 Speaker 1: than I did this one. But I also felt like 576 00:25:49,400 --> 00:25:53,159 Speaker 1: he was playing the exact same character again, and I 577 00:25:53,160 --> 00:25:55,280 Speaker 1: don't know, maybe he's just looking for that right role 578 00:25:55,440 --> 00:25:58,919 Speaker 1: that that's kind of him, which I get. It's you know, 579 00:25:59,600 --> 00:26:02,040 Speaker 1: when you play and your act as a different character, 580 00:26:02,080 --> 00:26:03,600 Speaker 1: you're gonna bring out a lot of who you are. 581 00:26:03,600 --> 00:26:05,959 Speaker 1: But I feel like he's just that same exact person 582 00:26:06,480 --> 00:26:08,680 Speaker 1: that you see on SNL that he is in this 583 00:26:08,720 --> 00:26:10,679 Speaker 1: movie that he wasn't the other movie. Like, I like 584 00:26:10,840 --> 00:26:13,280 Speaker 1: him as an actor. I think he's funny. I think 585 00:26:13,280 --> 00:26:15,560 Speaker 1: he's a great comedian, but I just don't know if 586 00:26:15,560 --> 00:26:17,920 Speaker 1: he's going to ever develop into being anything else but 587 00:26:18,640 --> 00:26:21,280 Speaker 1: playing that same kind of twenty four, twenty five year 588 00:26:21,320 --> 00:26:23,800 Speaker 1: old stoner kid who can't get his life together, Like 589 00:26:23,920 --> 00:26:26,040 Speaker 1: is that really all he's gonna do in movies? And 590 00:26:26,080 --> 00:26:28,240 Speaker 1: I like the guy, I'd like to see him do 591 00:26:28,280 --> 00:26:30,240 Speaker 1: a little bit more. And I think maybe that's why 592 00:26:30,280 --> 00:26:32,040 Speaker 1: I was just a little let down about this movie, 593 00:26:32,040 --> 00:26:34,239 Speaker 1: because I was looking for him to kind of, you know, 594 00:26:34,359 --> 00:26:37,000 Speaker 1: take that step up into being more of a leading man, 595 00:26:37,680 --> 00:26:40,919 Speaker 1: a leading comedic role actor type person, and I just 596 00:26:40,960 --> 00:26:43,200 Speaker 1: don't think he's quite there yet. I don't know even 597 00:26:43,240 --> 00:26:46,000 Speaker 1: know if he was like ready for to start in 598 00:26:46,000 --> 00:26:48,159 Speaker 1: a Jet Appatel movie at this point in his career. 599 00:26:48,400 --> 00:26:50,080 Speaker 1: So maybe it was a little bit also that I 600 00:26:50,119 --> 00:26:52,480 Speaker 1: had high house going into this one and was a 601 00:26:52,480 --> 00:26:55,000 Speaker 1: little bit let down. And also I was just really 602 00:26:55,040 --> 00:26:57,760 Speaker 1: hoping that it wasn't going to be another kind of 603 00:26:57,800 --> 00:27:00,720 Speaker 1: long drawn out Jet Apptel movie. I don't know, maybe 604 00:27:00,720 --> 00:27:02,760 Speaker 1: it's more enjoyable, like if you watch it like he said, 605 00:27:02,800 --> 00:27:04,800 Speaker 1: you know, watch half and then watch another half later. 606 00:27:04,880 --> 00:27:07,600 Speaker 1: But I wanted to set down and you know, consume 607 00:27:07,640 --> 00:27:09,199 Speaker 1: it like I would in the movie theaters, and that's 608 00:27:09,280 --> 00:27:11,680 Speaker 1: kind of the experience I went into taking this one 609 00:27:11,680 --> 00:27:14,800 Speaker 1: in and I felt like if I would have watched 610 00:27:14,840 --> 00:27:16,800 Speaker 1: it in theaters, I would have left feeling the same way. 611 00:27:16,880 --> 00:27:21,040 Speaker 1: So I would give it. Oh man, it's it's so 612 00:27:21,119 --> 00:27:24,600 Speaker 1: close to crossing that three mark because I don't feel 613 00:27:24,640 --> 00:27:27,199 Speaker 1: it's bad, but I have to give it two and 614 00:27:27,240 --> 00:27:30,960 Speaker 1: a half out of five tattoos. I just don't feel 615 00:27:31,000 --> 00:27:33,600 Speaker 1: at any point it had my full attention, And even 616 00:27:33,600 --> 00:27:35,760 Speaker 1: though I got some decent laughs out of it. In 617 00:27:35,800 --> 00:27:38,040 Speaker 1: the beginning, I felt it could have been just a 618 00:27:38,080 --> 00:27:41,919 Speaker 1: lot stronger and a lot more interesting with even just 619 00:27:42,000 --> 00:27:44,119 Speaker 1: forty minutes cut out, Like I think, straight up this 620 00:27:44,119 --> 00:27:46,120 Speaker 1: would have stuck to that hour and a half hour 621 00:27:46,359 --> 00:27:48,879 Speaker 1: forty kind of comedic kind of pacing. I think it 622 00:27:48,880 --> 00:27:51,680 Speaker 1: would have been a lot better movie. And I'm no director, 623 00:27:51,800 --> 00:27:53,720 Speaker 1: but but as if you were, I just felt like 624 00:27:53,760 --> 00:27:55,959 Speaker 1: it didn't have enough story to be that long, A 625 00:27:55,960 --> 00:27:58,240 Speaker 1: little long and unjustified for me. Is it worth the 626 00:27:58,240 --> 00:28:00,760 Speaker 1: twenty I would have to say no. I think if 627 00:28:00,800 --> 00:28:02,680 Speaker 1: I had to price it, i'd give it a solid 628 00:28:02,840 --> 00:28:05,600 Speaker 1: ten bucks. And that's because me and my girlfriend watched it, 629 00:28:05,680 --> 00:28:07,639 Speaker 1: so it's essentially I was paying five bucks eats. So 630 00:28:07,960 --> 00:28:09,960 Speaker 1: I think twenty bucks is a little high, maybe way 631 00:28:09,960 --> 00:28:12,160 Speaker 1: till you can read it for like the five dollar fee. 632 00:28:12,400 --> 00:28:14,800 Speaker 1: It's nothing I'm dying to watch again or really tell 633 00:28:14,840 --> 00:28:16,600 Speaker 1: anybody else to be like, oh, you got to see 634 00:28:16,600 --> 00:28:18,600 Speaker 1: this movie. So that's where I stand on it not 635 00:28:18,680 --> 00:28:22,600 Speaker 1: worth the twenty bucks. Alright, So we have another big 636 00:28:22,880 --> 00:28:26,760 Speaker 1: round of movie delays, which isn't surprising. Movie theaters are 637 00:28:26,760 --> 00:28:29,600 Speaker 1: really just kind of starting to slowly open up around 638 00:28:29,600 --> 00:28:32,280 Speaker 1: the country and even in Canada a little bit. But 639 00:28:32,359 --> 00:28:35,960 Speaker 1: it's of course with safety precautions and social distancing guides 640 00:28:36,000 --> 00:28:39,400 Speaker 1: inside the theater. And you know, some theaters are requiring 641 00:28:39,400 --> 00:28:42,120 Speaker 1: people to wear a mask, others are not, which is 642 00:28:42,200 --> 00:28:43,920 Speaker 1: kind of a weird thing because when you go into 643 00:28:43,920 --> 00:28:46,480 Speaker 1: a movie theater, you can be wearing the mask, but 644 00:28:46,560 --> 00:28:48,320 Speaker 1: a glorious if you're gonna buy snacks and stuff, you're 645 00:28:48,320 --> 00:28:49,760 Speaker 1: gonna take it off at some point. So I don't 646 00:28:49,760 --> 00:28:51,240 Speaker 1: know if they've thought of that the whole way through. 647 00:28:51,880 --> 00:28:54,720 Speaker 1: And also there's just a bunch of other kind of 648 00:28:55,360 --> 00:28:57,560 Speaker 1: things that come along, not only with people being in 649 00:28:57,600 --> 00:28:59,800 Speaker 1: the theaters again, but how they're making movies right now. 650 00:29:00,000 --> 00:29:02,880 Speaker 1: There's stuff coming out now about there's gonna be different 651 00:29:02,880 --> 00:29:05,840 Speaker 1: ways that, you know, how close actors can be, Like 652 00:29:05,880 --> 00:29:09,480 Speaker 1: can they kiss still on screen? Can big action fight 653 00:29:09,560 --> 00:29:12,200 Speaker 1: sequence still still happen with all those people filming? So 654 00:29:12,280 --> 00:29:14,280 Speaker 1: I think that's gonna be a lot of a different 655 00:29:14,280 --> 00:29:17,280 Speaker 1: thing to you know, see and and take into consideration 656 00:29:17,360 --> 00:29:19,400 Speaker 1: when the main new movies like a bunch of that stuff, 657 00:29:19,400 --> 00:29:21,560 Speaker 1: it's gonna just be CD. I now how all that 658 00:29:21,600 --> 00:29:24,280 Speaker 1: stuff is gonna work. But I think when we're seeing 659 00:29:24,280 --> 00:29:27,320 Speaker 1: these delays happen. Now we're you know, kind of get 660 00:29:27,360 --> 00:29:29,360 Speaker 1: upset a little bit about the movies we're you know, 661 00:29:29,440 --> 00:29:31,520 Speaker 1: looking forward to being pushed back further and further. But 662 00:29:31,560 --> 00:29:34,960 Speaker 1: it's also pushing back movies that were scheduled to start 663 00:29:35,000 --> 00:29:39,680 Speaker 1: filming getting pushed back further into like two which that's 664 00:29:39,680 --> 00:29:41,760 Speaker 1: a long way, is the way, And then you're thinking, well, 665 00:29:41,840 --> 00:29:43,920 Speaker 1: would they even be able to make those movies the 666 00:29:43,960 --> 00:29:45,880 Speaker 1: same way now with all these new restrictions. So it's 667 00:29:45,920 --> 00:29:48,360 Speaker 1: gonna be a big domino effect here. So the other 668 00:29:48,400 --> 00:29:51,920 Speaker 1: movies they got pushed back, The animated live action hybrid 669 00:29:51,920 --> 00:29:54,240 Speaker 1: Tom and Jerry movie got pushed back from December twenty 670 00:29:54,320 --> 00:29:56,880 Speaker 1: three to March of next year. So I think it 671 00:29:56,880 --> 00:29:59,080 Speaker 1: will be interesting to see how all these pieces start 672 00:29:59,080 --> 00:30:01,840 Speaker 1: to work together as far as getting people back into 673 00:30:01,920 --> 00:30:04,000 Speaker 1: the theaters. And then when they do start to get 674 00:30:04,040 --> 00:30:05,800 Speaker 1: people back in and they're starting to put out these 675 00:30:05,840 --> 00:30:08,560 Speaker 1: new movies, how that's going to reflect box office numbers 676 00:30:08,560 --> 00:30:11,280 Speaker 1: which are pretty much non existent right now. Like they're 677 00:30:11,440 --> 00:30:13,560 Speaker 1: waiting until they can have more people in the theaters 678 00:30:13,560 --> 00:30:15,440 Speaker 1: to put out these big blogbusher movies. But when they 679 00:30:15,440 --> 00:30:17,440 Speaker 1: put them out or we all got to feel safe 680 00:30:17,520 --> 00:30:20,080 Speaker 1: enough to go to the theater to hit those numbers 681 00:30:20,080 --> 00:30:22,280 Speaker 1: they're expecting, will they pull them? Like what's gonna happen 682 00:30:22,360 --> 00:30:25,080 Speaker 1: with that? And then I'm also starting to wonder about, 683 00:30:25,120 --> 00:30:28,280 Speaker 1: you know, Oscar season when that rolls back around, like 684 00:30:28,360 --> 00:30:32,320 Speaker 1: what movies will qualify? And then will there really be 685 00:30:32,400 --> 00:30:34,600 Speaker 1: like a best of list? After this year? I feel 686 00:30:34,600 --> 00:30:37,080 Speaker 1: like everything just so pushed back and moved over the place, 687 00:30:37,120 --> 00:30:40,360 Speaker 1: like will there really be the best picture contender? Here? 688 00:30:40,440 --> 00:30:42,200 Speaker 1: Is going to be like an Asteria mark if those 689 00:30:42,240 --> 00:30:44,600 Speaker 1: movies end are really coming out. I'm also kind of 690 00:30:44,600 --> 00:30:46,680 Speaker 1: interested to see how well The King of Statan Island 691 00:30:46,760 --> 00:30:49,360 Speaker 1: will do with streaming numbers and if that will kind 692 00:30:49,360 --> 00:30:51,959 Speaker 1: of wake anybody up to being like, okay, maybe it's 693 00:30:51,960 --> 00:30:55,000 Speaker 1: streaming of valuable things we thought we was going to be. 694 00:30:55,200 --> 00:30:56,800 Speaker 1: I think all these things will kind of play into 695 00:30:56,840 --> 00:31:00,240 Speaker 1: how movie theaters and movie studios react moving forward word, 696 00:31:00,520 --> 00:31:02,560 Speaker 1: I think the last movie we need to kind of 697 00:31:02,560 --> 00:31:05,920 Speaker 1: watch the release date will really be important is Disney's 698 00:31:05,920 --> 00:31:08,440 Speaker 1: Move On. Like if that actually comes out on July 699 00:31:09,240 --> 00:31:12,720 Speaker 1: it's supposed to and everything's cool, I think we'll see 700 00:31:12,760 --> 00:31:15,240 Speaker 1: everything kind of slowly ramp up and even move up 701 00:31:15,280 --> 00:31:18,920 Speaker 1: after that, but until then, I think we're just gonna 702 00:31:18,960 --> 00:31:21,160 Speaker 1: have to wait and see what happens with new movies 703 00:31:21,200 --> 00:31:24,240 Speaker 1: and theaters. All right, and that's the episode for this week. 704 00:31:24,280 --> 00:31:26,400 Speaker 1: I hope you guys enjoyed that. If you don't mind 705 00:31:26,480 --> 00:31:28,800 Speaker 1: tagged me on Instagram story that you listen to the 706 00:31:28,880 --> 00:31:30,400 Speaker 1: very end and let me know what you thought about 707 00:31:30,440 --> 00:31:33,400 Speaker 1: the episode and whether you're thinking about watching The King 708 00:31:33,440 --> 00:31:36,560 Speaker 1: of Staten Island now or not. My Instagram shadow of 709 00:31:36,640 --> 00:31:39,720 Speaker 1: the Week goes to at Katie see y R, who 710 00:31:39,720 --> 00:31:41,880 Speaker 1: says you'd been listening to the podcast getting caught up. 711 00:31:41,920 --> 00:31:44,840 Speaker 1: So thanks Katie, Thanks to everybody for listening, thanks for 712 00:31:44,880 --> 00:31:46,800 Speaker 1: being part of the podcast. I will talk to you 713 00:31:46,840 --> 00:31:49,000 Speaker 1: guys next week. I have a great rest of your week. 714 00:31:49,400 --> 00:31:49,640 Speaker 1: Later