WEBVTT - It's OK to Cry at Work — Sometimes

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<v Speaker 1>So I have a confession to make. I've cried at work.

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<v Speaker 1>I've definitely cried at work, and that is totally fine. Fine,

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<v Speaker 1>you guys, we are here to break down the taboo

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<v Speaker 1>of tears in the office. This is game plan. Hi.

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<v Speaker 1>I'm Rebecca Greenfield and I'm Francesco Leavie, and this week

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<v Speaker 1>we're talking about that big no no of crying at work. Yeah,

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<v Speaker 1>it's kind of a known thing that you probably shouldn't

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<v Speaker 1>get teary eyed in the office. Yeah. For a story

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<v Speaker 1>I'm working on, I asked career experts about this phenomenon

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<v Speaker 1>and they specifically tell women and men too that under

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<v Speaker 1>no circumstances should you show extreme emotions in the workplace,

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<v Speaker 1>especially of the crying variant. So, yeah, everybody knows you're

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<v Speaker 1>not supposed to cry at the office. But let's like

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<v Speaker 1>back up and look at that a little bit. What

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<v Speaker 1>is so bad about crying? Why is it a taboo? Well,

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<v Speaker 1>there's a lot of research that shows that people judge you,

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<v Speaker 1>as we've shown on our show for almost everything, you

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<v Speaker 1>get judged in the workplace, and when it comes to crying,

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<v Speaker 1>it makes you look weak and too emotional for the job,

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<v Speaker 1>especially for women. And that's that's not something that's not

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<v Speaker 1>a sign of leadership. And I think it just makes

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<v Speaker 1>other people uncomfortable. So it's like the real reason you

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<v Speaker 1>shouldn't cry at work, it has more to do with

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<v Speaker 1>other people than with you. But the thing is, the

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<v Speaker 1>more we've talked to people, the more we realize that

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<v Speaker 1>almost everybody has a crying story somewhere in their work history.

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<v Speaker 1>And in fact, we asked some of our co workers

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<v Speaker 1>here at Bloomberg to share with us some of their

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<v Speaker 1>crying stories, and here's what they had to say. I

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<v Speaker 1>once cried at work because one of my former bosses

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<v Speaker 1>was a big, mean baby. I've never cried at work

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<v Speaker 1>because I don't think I have sufficient access to my emotions,

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<v Speaker 1>and also because I think I probably cried it works

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<v Speaker 1>so many times on the inside that it became unnecessary

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<v Speaker 1>to actually cry on the outside. I cried at work

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<v Speaker 1>because of unexpectedly condescending and sexist advice or feedback from

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<v Speaker 1>a female manager. I have never cried at work because

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<v Speaker 1>I don't think I've had an occasion to cry at work.

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<v Speaker 1>Although I cry all the time. I'm a big crier.

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<v Speaker 1>I cry at home. My music makes me cry. I

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<v Speaker 1>have never cried at work because, um, I don't know.

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<v Speaker 1>I kind of feel like you shouldn't. People shouldn't cry publicly.

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<v Speaker 1>I I personally view it as a sign of weakness.

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<v Speaker 1>But I have cried at work about personal matters. Uh.

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<v Speaker 1>When I told my boss about my divorce, I cried.

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<v Speaker 1>And I've learned about the death of my brother in

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<v Speaker 1>law at work, and I also cried in a stairwell.

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<v Speaker 1>Then I kind of sat at my desk for a while,

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<v Speaker 1>but I was kind of shaking with rage. Happy songs

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<v Speaker 1>make me cry, Sad songs make me cry. I almost

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<v Speaker 1>always cry at a movie, but for some reason, it

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<v Speaker 1>just hasn't happened at work, or if it has happened,

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<v Speaker 1>I've repressed the memory. So I had my little cry.

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<v Speaker 1>I came back, sat down, said nothing, and he came

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<v Speaker 1>up and he said, you know, I'm really sorry. I

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<v Speaker 1>was over the line. I apologize. If you're not human

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<v Speaker 1>at work, you've got the wrong idea about work. I

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<v Speaker 1>don't think it should be excessive, but I think it's

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<v Speaker 1>sort of perfectly natural in the right circumstances, in the

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<v Speaker 1>right seting. So I really loved that clip, and I

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<v Speaker 1>especially related to the person who talked about crying because

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<v Speaker 1>of personal reasons. So they're pretty intense things like a divorce,

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<v Speaker 1>wars um or a death in the family. But that's

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<v Speaker 1>definitely why I cry at work. Yeah, you were telling

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<v Speaker 1>me that you're more of a like cry at work

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<v Speaker 1>over something personal that happened, whereas I can only remember

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<v Speaker 1>one incidance a few years ago where I cried for

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<v Speaker 1>a reason like that. More commonly, when I've cried at work,

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<v Speaker 1>it's been because, like I'm having a really intense conversation

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<v Speaker 1>about work and something really gets to me. Yeah. So,

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<v Speaker 1>I mean, people cry at the office for various reasons,

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<v Speaker 1>and it turns out that not only is this happening

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<v Speaker 1>so this is a reality that we need to deal with,

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<v Speaker 1>but also it could be good for you. Yeah, there's

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<v Speaker 1>science that shows that when you start crying, you stimulate

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<v Speaker 1>certain brain chemicals that then rebalance the equilibrium in your mind,

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<v Speaker 1>so you actually feel better after you've cried. That makes

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<v Speaker 1>sense to me, Right, It's kind of like when your

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<v Speaker 1>nausea is on't either up you feel better, have to

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<v Speaker 1>goin to let it out. Um, And this is not

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<v Speaker 1>We're not saying that you should be crying every single

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<v Speaker 1>day at work. If that's happening, that's probably a sign

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<v Speaker 1>that there something else going on. Yeah, that's a red flag.

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<v Speaker 1>But what we're saying is that one it happens, and

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<v Speaker 1>that too, maybe it's more than okay that it happens,

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<v Speaker 1>and this advice that you shouldn't do it doesn't address

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<v Speaker 1>that at all, Right, And because it happens, we need

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<v Speaker 1>maybe less career advice about how bad it is to

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<v Speaker 1>cry at work and more advice about what you should

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<v Speaker 1>do once you've started crying, and to figure out what

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<v Speaker 1>some of that advice might be. Our guests today are

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<v Speaker 1>crying experts. Susan Orlean and Sarah Thier host the podcast

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<v Speaker 1>cry Babies, where they ask people about what movies, music,

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<v Speaker 1>and TV shows make them cry. So thanks for coming on, pleasure,

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<v Speaker 1>So why don't we start with why a show about crying? Well?

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<v Speaker 1>Why not? Is our reaction? I guess well, Sarah can

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<v Speaker 1>tell um specifically where the idea original with her. But

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<v Speaker 1>Sarah came to me and said are you into crying?

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<v Speaker 1>Which I will never forget as a question kept me

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<v Speaker 1>a little bit in suspense, like what what's the next

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<v Speaker 1>part of this conversation? Um? And I love the idea

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<v Speaker 1>that we were glimpsing into people's um what was an

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<v Speaker 1>emotional release for people, And the range of things that

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<v Speaker 1>people have brought to the show have been so broad

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<v Speaker 1>and so interesting and and it's really been it's like

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<v Speaker 1>a portal into much more, obviously than just it's not

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<v Speaker 1>surprising how people, even people who are a little guests

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<v Speaker 1>we've had who are like, I never cry, then of

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<v Speaker 1>course they end up having more crying kings than any

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<v Speaker 1>other guests. But a couple of especially guys, tend to

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<v Speaker 1>do that, like I'm not much of a crier, but

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<v Speaker 1>oh my god, I really lost it at this concert,

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<v Speaker 1>and then they'll have this beautiful story about it. I

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<v Speaker 1>feel like it it taps into um something that they

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<v Speaker 1>didn't even know about themselves in a way, or maybe

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<v Speaker 1>weren't willing to admit, which is sort of delicious for us.

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<v Speaker 1>Have you noticed any common themes that run through these stories? Oh? Yes, yes, yes,

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<v Speaker 1>And and that has been really interesting. As we've done

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<v Speaker 1>the show for a fairly long time now, we've got

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<v Speaker 1>a lot of anecdotal evidence of what really pushes people's buttons.

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<v Speaker 1>Number One Pixar Movies. Yeah, there's no question is yeah,

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<v Speaker 1>Pixar is the number one, like just genre c hue.

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<v Speaker 1>But the scene that thematic cues are uh well, one

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<v Speaker 1>major one is sense of longing and the path not taken,

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<v Speaker 1>wistfulness that really gets people, and um, the hero's journey,

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<v Speaker 1>people who go beyond themselves in life and sacrifice a

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<v Speaker 1>great deal witnessing that makes people cry as well in art,

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<v Speaker 1>and there of course lots of parent child m issues. Interestingly,

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<v Speaker 1>when when we started the show, I assumed lots of

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<v Speaker 1>people would come with UM romantic heartbreak as the most

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<v Speaker 1>typical umque for crying, and that has been surprisingly underrepresented.

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<v Speaker 1>It's it really is much more um these themes of

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<v Speaker 1>of wistfulness and looking at a past that you can

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<v Speaker 1>no longer reclaim. It's a different kind of emotion. It's

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<v Speaker 1>more introspective. They're not the typical heartbreak my my girlfriend

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<v Speaker 1>left me, my husband, you know, walked down. I mean,

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<v Speaker 1>not the stuff of country music songs, not the broken heart,

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<v Speaker 1>as much as it is something deeper. Hear you guys

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<v Speaker 1>talk about what makes people cry. It's not exactly the

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<v Speaker 1>same reasons we cry at work. I think when I

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<v Speaker 1>think about crying at work, it's kind of like a

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<v Speaker 1>shock to your system or a frustration like a blow

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<v Speaker 1>to your ego. Um, have you guys cried at work? Yes? Yes, yes,

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<v Speaker 1>well you know it's um. I was. I was enjoying

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<v Speaker 1>looking back on my tears at work because for many

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<v Speaker 1>years I've worked at home alone, and you know, I

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<v Speaker 1>certainly cry, but when that's because I just am not

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<v Speaker 1>getting work done, but no one's around to appreciate your yeah,

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<v Speaker 1>and so it's like not crying. Um. But I My

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<v Speaker 1>most epic cry at work was I had a job

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<v Speaker 1>shortly after I got out of college, working at a

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<v Speaker 1>radio station. I hated the job, and I did probably

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<v Speaker 1>a really off job at my job because I didn't

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<v Speaker 1>like it. And one day I was called in by

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<v Speaker 1>the general manager and basically basically he fired me. And

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<v Speaker 1>I was so irate and I was humiliated, but I

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<v Speaker 1>was also really angry because I thought, I hate this job.

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<v Speaker 1>It's not the job that you presented it as being.

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<v Speaker 1>And I know I'm doing a bad job, but it's

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<v Speaker 1>a bad job, and it's it's not what I thought

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<v Speaker 1>I was signing up for and against what I don't

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<v Speaker 1>even think I thought it through. But I started crying,

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<v Speaker 1>and it was tears of both God, damnit it, I

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<v Speaker 1>don't want to be fired, but also you can't do

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<v Speaker 1>this to me. This is not right. And I didn't

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<v Speaker 1>give it a second thought about is this a good

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<v Speaker 1>or bad move. It was all in the moment, meant

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<v Speaker 1>just pure because I was actually shocked that I got fired,

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<v Speaker 1>and I just stood my ground and said, hey, this

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<v Speaker 1>job is not what you told me I was gonna

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<v Speaker 1>be doing, and I'm really unhappy and I'm and you know,

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<v Speaker 1>went on and the tears are just gushing. Really, so

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<v Speaker 1>you didn't feel any like you didn't. You didn't feel

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<v Speaker 1>a shame or like try to curb it. You just

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<v Speaker 1>went with it, you know. I was. I was not thinking.

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<v Speaker 1>I didn't have that overlay of thinking, Okay, this isn't good.

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<v Speaker 1>I should dial it back and be calm. I just

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<v Speaker 1>I was caught so off guard, and I had really

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<v Speaker 1>been this had been brewing because I really was not

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<v Speaker 1>happy in the job, and it really had been pitched

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<v Speaker 1>to me as something very different. So it was pure,

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<v Speaker 1>unfiltered reaction. And in a way, because it was so authentic,

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<v Speaker 1>I think I caught this guy completely off guard. When

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<v Speaker 1>I finally caught my breath, he sat there for a

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<v Speaker 1>minute and then he said, all right, well, why don't

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<v Speaker 1>we try to read think this job and make it work.

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<v Speaker 1>So I basically talked him cried him out of firing me.

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<v Speaker 1>But it worked. Yeah, I mean more than him going okay, okay,

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<v Speaker 1>stop crying. You can have your job. I've done that

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<v Speaker 1>with a speeding ticket before, exactly, but I tried with

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<v Speaker 1>this meeting ticket. It didn't work. Um, I think that

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<v Speaker 1>he he said, all right, I I understand what you're saying,

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<v Speaker 1>and let's try to change this job and make it work.

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<v Speaker 1>And I was astonished. I wouldn't say that. I then thought, good,

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<v Speaker 1>anytime things aren't going my way, I'm just going to

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<v Speaker 1>start crying. I didn't put this in my tool kit

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<v Speaker 1>as a thing to do in the future when I

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<v Speaker 1>was frustrated, but I'll never forget it because it was.

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<v Speaker 1>It was such a a surprise ending. I think also

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<v Speaker 1>the lesson of your story is like, crying can work,

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<v Speaker 1>but it has to be authentic, right, and I I

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<v Speaker 1>have to really emphasize this. This is was. It wasn't

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<v Speaker 1>where I suddenly thought, well if I start to cry,

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<v Speaker 1>he'll he'll back off. I think it was. It was

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<v Speaker 1>so real, and he sensed that it was real, that

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<v Speaker 1>it was me just being so frustrated and feeling like

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<v Speaker 1>I hadn't been able to express this, and also that

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<v Speaker 1>I was right. They had hired me to do something

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<v Speaker 1>that I wasn't really being used to do and it

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<v Speaker 1>felt bad. So you want to hear my crying story. Yes,

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<v Speaker 1>very different from Susan. It's completely different from Susan's. I

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<v Speaker 1>was doing a play at Lincoln Center UM with David

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<v Speaker 1>and Amy Sadara Us and I played like a cricket

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<v Speaker 1>and an old lady and we all played multiple characters

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<v Speaker 1>in it, and I was so proud of my work

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<v Speaker 1>in it, and uh we did. We had our opening night.

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<v Speaker 1>It was part of Lincoln Center Festival, was back in

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<v Speaker 1>the nineties. And we had our opening night and it

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<v Speaker 1>went great. And then the next day all the reviews

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<v Speaker 1>came out and they were all good. But in the

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<v Speaker 1>New York Times review, they didn't say anything bad about me.

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<v Speaker 1>They just didn't say anything about me. And I came

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<v Speaker 1>to the theater that night and I was just like,

0:14:32.760 --> 0:14:36.120
<v Speaker 1>everybody was like hi in that and you know that

0:14:36.280 --> 0:14:38.680
<v Speaker 1>kind of sympathy thing. I can trigger you to cry

0:14:38.920 --> 0:14:42.480
<v Speaker 1>the minute somebody is doing something that feels like sympathy,

0:14:42.600 --> 0:14:46.360
<v Speaker 1>or that anybody trying to give you a hug. In

0:14:46.400 --> 0:14:50.520
<v Speaker 1>one of those moments, everybody was like hey, And it

0:14:50.640 --> 0:14:54.800
<v Speaker 1>was a huge farcical comedy and we were all improvisers

0:14:54.800 --> 0:14:58.040
<v Speaker 1>and we were never serious with each other. So in

0:14:58.200 --> 0:15:01.760
<v Speaker 1>that kind of environment for someone to just burst into tears,

0:15:01.760 --> 0:15:06.120
<v Speaker 1>which I did, nobody knew what to do because we

0:15:06.120 --> 0:15:10.280
<v Speaker 1>were all used to being flip and sarcastic with each other.

0:15:10.520 --> 0:15:13.840
<v Speaker 1>And I had the genuine display of emotion of just

0:15:13.920 --> 0:15:15.680
<v Speaker 1>feeling like and I couldn't even speak. It was like

0:15:15.720 --> 0:15:20.160
<v Speaker 1>the ugliest cry on the planet. It was convulsive snot bubbles,

0:15:20.480 --> 0:15:24.480
<v Speaker 1>the works, and um the only person who could, Like

0:15:24.520 --> 0:15:26.720
<v Speaker 1>all the other actors in the show were just sort

0:15:26.760 --> 0:15:30.880
<v Speaker 1>of like, I don't know how to deal with honest

0:15:30.960 --> 0:15:34.520
<v Speaker 1>human emotion. I'm used to faking it all the time, right,

0:15:34.560 --> 0:15:37.280
<v Speaker 1>And when when you're not the person that people expect

0:15:37.640 --> 0:15:40.600
<v Speaker 1>crying from, I think it's it can be even worse

0:15:40.760 --> 0:15:44.640
<v Speaker 1>because then like you've because they assumed like, oh, you've

0:15:44.680 --> 0:15:47.760
<v Speaker 1>never cried before, so this must be the most upset

0:15:47.800 --> 0:15:50.920
<v Speaker 1>you've ever been exactly, but it's not. Doesn't necessarily map

0:15:51.040 --> 0:15:53.880
<v Speaker 1>that way. It's that old saw of they told me

0:15:53.920 --> 0:15:57.160
<v Speaker 1>this wouldn't happen, and that's exactly what it was, because

0:15:57.200 --> 0:16:00.080
<v Speaker 1>I was the that was the even keeled person and

0:16:00.200 --> 0:16:04.000
<v Speaker 1>among all these super ultra creative types. So the only

0:16:04.040 --> 0:16:07.680
<v Speaker 1>person who could talk to me was David Sedaris's boyfriend

0:16:07.680 --> 0:16:10.520
<v Speaker 1>now husband, Hugh, who was our set decorator, Hugh Hamrick.

0:16:11.160 --> 0:16:12.840
<v Speaker 1>He came up to me and he's like, I just

0:16:12.920 --> 0:16:15.840
<v Speaker 1>want to tell you that you're my favorite person in

0:16:15.880 --> 0:16:21.000
<v Speaker 1>the show. And I was like, that's making me crime

0:16:21.200 --> 0:16:26.080
<v Speaker 1>and more like, I just felt this sort of really

0:16:26.200 --> 0:16:31.720
<v Speaker 1>unwarranted just hatred towards him for showing me like human

0:16:31.840 --> 0:16:35.960
<v Speaker 1>decency that none of the other horrible actors in the

0:16:36.000 --> 0:16:38.680
<v Speaker 1>show in the show could say to me was my

0:16:38.960 --> 0:16:41.080
<v Speaker 1>husband was in the show. That show. I'm just remembering.

0:16:41.600 --> 0:16:45.200
<v Speaker 1>Nobody could could be nice to me except Hugh, and

0:16:45.280 --> 0:16:48.360
<v Speaker 1>I rejected him. I was like, I'm not the best

0:16:48.400 --> 0:16:51.160
<v Speaker 1>person in the show. Oh I was awful. And then

0:16:51.160 --> 0:16:53.880
<v Speaker 1>I had to, of course, you know, put vizine in

0:16:53.920 --> 0:16:58.440
<v Speaker 1>my eyes and um put tons of extra concealer around

0:16:58.480 --> 0:17:01.120
<v Speaker 1>my nose and out, and I felt like I had

0:17:01.120 --> 0:17:04.000
<v Speaker 1>a head cold from all the it's not and what

0:17:04.200 --> 0:17:07.800
<v Speaker 1>what not, and it was just awful. And I think

0:17:07.840 --> 0:17:10.760
<v Speaker 1>that's the night that like all my relatives and my

0:17:10.880 --> 0:17:14.880
<v Speaker 1>in law came and saw the play was blow energy.

0:17:15.000 --> 0:17:18.240
<v Speaker 1>It was horrible, but you know, it was a learning

0:17:18.280 --> 0:17:22.080
<v Speaker 1>experience for sure. There's also the lesson is also there's

0:17:22.160 --> 0:17:26.240
<v Speaker 1>no right way to talk to somebody who's crying in

0:17:26.280 --> 0:17:28.919
<v Speaker 1>front of you in the workplace. Yeah. I talked to

0:17:28.960 --> 0:17:33.560
<v Speaker 1>this executive coach who tells me that she coaches executives

0:17:33.600 --> 0:17:35.600
<v Speaker 1>on how to deal with crying because it is so

0:17:35.640 --> 0:17:38.160
<v Speaker 1>awkward for people to be around people who are crying

0:17:38.200 --> 0:17:40.840
<v Speaker 1>that nobody, nobody knows what to do. And her number

0:17:40.880 --> 0:17:44.040
<v Speaker 1>one piece of advice is just like stay quiet, Like

0:17:44.119 --> 0:17:47.040
<v Speaker 1>saying something makes it worse usually. But you know what,

0:17:47.160 --> 0:17:49.720
<v Speaker 1>now that I'm older, I have to disagree with what

0:17:50.480 --> 0:17:52.520
<v Speaker 1>I just agree with that because I look back at

0:17:52.560 --> 0:17:55.879
<v Speaker 1>what Hugh did and it was a very beautiful human

0:17:55.960 --> 0:17:58.040
<v Speaker 1>thing that he did. And it kind of goes along

0:17:58.080 --> 0:18:00.639
<v Speaker 1>with my rule now, which I call I'll always go

0:18:00.720 --> 0:18:04.320
<v Speaker 1>to the funeral, which means when someone passes away or

0:18:04.320 --> 0:18:07.440
<v Speaker 1>when their relative passes away and they need support, Yes,

0:18:07.520 --> 0:18:11.320
<v Speaker 1>it's probably going to be awkward for you, but you

0:18:11.359 --> 0:18:14.520
<v Speaker 1>can't put a price tag on that just gesture of

0:18:14.600 --> 0:18:17.240
<v Speaker 1>kindness that you're making towards someone that you care about,

0:18:17.720 --> 0:18:20.040
<v Speaker 1>even if they don't know how to deal with it,

0:18:20.160 --> 0:18:23.359
<v Speaker 1>You know what I mean? I can imagine um in

0:18:23.520 --> 0:18:29.280
<v Speaker 1>my big work cry. I am sure that my boss

0:18:29.520 --> 0:18:35.480
<v Speaker 1>was deeply uncomfortable, and he wasn't someone who could have

0:18:35.920 --> 0:18:38.480
<v Speaker 1>in any way come over and put a hand on

0:18:38.520 --> 0:18:42.240
<v Speaker 1>my shoulder and said, hey, I'm really sorry that you're

0:18:42.359 --> 0:18:45.200
<v Speaker 1>I mean it just there was nothing he could do

0:18:45.560 --> 0:18:50.679
<v Speaker 1>except sit there and in in a way that was

0:18:51.160 --> 0:18:56.520
<v Speaker 1>that was fine. UM, I think it. It's better than

0:18:56.960 --> 0:18:59.600
<v Speaker 1>a lot of the other options. I'm not sure what

0:18:59.640 --> 0:19:03.159
<v Speaker 1>the would have been. One thing, um also that I

0:19:03.320 --> 0:19:07.679
<v Speaker 1>noticed I didn't have a warm relationship with my boss.

0:19:07.760 --> 0:19:14.920
<v Speaker 1>I hardly knew him. Um. It was always different from

0:19:14.960 --> 0:19:18.480
<v Speaker 1>that point on, And I won't say better. I won't

0:19:18.520 --> 0:19:20.720
<v Speaker 1>say that it was closer, but it was different. It

0:19:20.840 --> 0:19:28.520
<v Speaker 1>was different. Two have this very emotional encounter and I

0:19:28.600 --> 0:19:31.560
<v Speaker 1>left that job just a couple of months later. Um,

0:19:31.920 --> 0:19:35.240
<v Speaker 1>because I got a job I really did want. But

0:19:36.160 --> 0:19:39.840
<v Speaker 1>it was our relationship upped up until that point had

0:19:39.840 --> 0:19:45.320
<v Speaker 1>been completely phony or it existed, but he didn't know

0:19:45.440 --> 0:19:49.320
<v Speaker 1>me in any way um, I didn't know him, and

0:19:49.920 --> 0:19:52.760
<v Speaker 1>so there was some value. Even though it was I

0:19:52.800 --> 0:19:57.000
<v Speaker 1>felt kind of bashful because it was a little like

0:19:57.240 --> 0:20:02.879
<v Speaker 1>tearing my clothes off, um. But it did change the relationship,

0:20:03.080 --> 0:20:06.080
<v Speaker 1>and I would say probably changed it for the better.

0:20:06.520 --> 0:20:08.880
<v Speaker 1>It was sort of an authentic moment that we had

0:20:08.920 --> 0:20:15.119
<v Speaker 1>together that was upsetting that ended up resolving surprisingly in

0:20:15.160 --> 0:20:20.320
<v Speaker 1>a good way. That there was nobody was I certainly

0:20:20.400 --> 0:20:24.119
<v Speaker 1>wasn't trying to be careful. I just let it out,

0:20:24.359 --> 0:20:27.240
<v Speaker 1>And I agree that was the same with mine. I don't.

0:20:27.520 --> 0:20:30.920
<v Speaker 1>I mean, at the time, I felt mortified because because

0:20:30.960 --> 0:20:35.000
<v Speaker 1>I felt like I had this realization that these people

0:20:35.080 --> 0:20:37.439
<v Speaker 1>liked me better when I was just this sort of

0:20:37.520 --> 0:20:40.879
<v Speaker 1>surface person. They liked it when it was light and

0:20:40.920 --> 0:20:43.280
<v Speaker 1>fun and we were always joking around. And I had

0:20:43.359 --> 0:20:49.480
<v Speaker 1>broken I burst through that um glass not ceiling, wall floor,

0:20:49.720 --> 0:20:52.520
<v Speaker 1>the glass floor. I burst through it and it kind

0:20:52.520 --> 0:20:56.760
<v Speaker 1>of pops something. But I'm still friends with almost all

0:20:56.800 --> 0:20:59.080
<v Speaker 1>of the people that were in that production, and I

0:20:59.160 --> 0:21:02.919
<v Speaker 1>know that they have of tender feelings for me because

0:21:03.040 --> 0:21:06.280
<v Speaker 1>I did that. They always tell me like I have

0:21:06.359 --> 0:21:11.240
<v Speaker 1>a good heart as opposed to their evil, black hearts.

0:21:11.680 --> 0:21:14.960
<v Speaker 1>But um, I know that it enriched our relationship in

0:21:15.000 --> 0:21:17.399
<v Speaker 1>the long run, which is what you're talking about too.

0:21:17.800 --> 0:21:20.199
<v Speaker 1>So is that the case for crying at work then

0:21:20.440 --> 0:21:23.440
<v Speaker 1>that you know, once you have this emotional bonding experience,

0:21:23.480 --> 0:21:26.159
<v Speaker 1>that you have a more real relationship with your coworkers,

0:21:26.320 --> 0:21:30.560
<v Speaker 1>or at least feel better. I think it's probably case

0:21:30.720 --> 0:21:36.200
<v Speaker 1>by case. I I don't think it would be wise

0:21:36.359 --> 0:21:42.160
<v Speaker 1>to see it as a as a universal um probably

0:21:42.200 --> 0:21:46.399
<v Speaker 1>though crying at the CIA, Yeah, I'm just thinking. You know,

0:21:46.520 --> 0:21:49.360
<v Speaker 1>you were in a play and it was a creative

0:21:49.760 --> 0:21:55.800
<v Speaker 1>um environment. I was in a I mean, radio station

0:21:55.880 --> 0:21:58.440
<v Speaker 1>wasn't the most creative place in the world, but there

0:21:58.600 --> 0:22:06.919
<v Speaker 1>wasn't the sense of competition and um rank And I

0:22:07.160 --> 0:22:13.600
<v Speaker 1>just don't know that each I think each work situation

0:22:13.640 --> 0:22:17.400
<v Speaker 1>would be so different that it's kind of hard to

0:22:17.400 --> 0:22:22.879
<v Speaker 1>to say. Also, crying can be induced by so many

0:22:22.960 --> 0:22:25.960
<v Speaker 1>different occasions. Or it can be that you're at work

0:22:26.000 --> 0:22:30.639
<v Speaker 1>and you're upset about something not related to work and

0:22:30.760 --> 0:22:36.240
<v Speaker 1>having trouble getting it out of your mind. Um, And

0:22:36.280 --> 0:22:39.520
<v Speaker 1>that that's a whole other issue. We've Yeah, we've talked

0:22:39.560 --> 0:22:42.720
<v Speaker 1>about like the work related cry versus the personal stuff

0:22:42.800 --> 0:22:45.520
<v Speaker 1>is happening that bleeds into work and whether one is

0:22:45.600 --> 0:22:49.320
<v Speaker 1>better than the other. Well, I I think it's tricky

0:22:49.520 --> 0:22:53.040
<v Speaker 1>if you're so distracted and upset about something that's going

0:22:53.040 --> 0:22:58.240
<v Speaker 1>on outside of work that you have trouble composing yourself

0:22:58.280 --> 0:23:02.080
<v Speaker 1>at work. I think that may maybe that's not the

0:23:02.119 --> 0:23:04.240
<v Speaker 1>best thing. I mean, maybe it suggests you need a

0:23:04.240 --> 0:23:07.600
<v Speaker 1>little break from work because it's I don't think it

0:23:07.600 --> 0:23:12.240
<v Speaker 1>would be a very a very receptive place to be.

0:23:13.520 --> 0:23:16.320
<v Speaker 1>It also suggests you're in worse shape than you think.

0:23:16.960 --> 0:23:22.360
<v Speaker 1>If you're really having trouble while you're at work, UM

0:23:23.920 --> 0:23:27.239
<v Speaker 1>have creating a separation from the stuff that's troubling you.

0:23:27.840 --> 0:23:32.040
<v Speaker 1>That's what I always cry at work. I don't know,

0:23:32.880 --> 0:23:35.320
<v Speaker 1>I think that. I think work cries for me are

0:23:35.440 --> 0:23:38.800
<v Speaker 1>usually I mean that was that. My story is about

0:23:38.840 --> 0:23:41.320
<v Speaker 1>a review of the play I was doing, but it

0:23:41.600 --> 0:23:44.960
<v Speaker 1>had a lot to do with my own feelings of insecurity.

0:23:45.640 --> 0:23:47.920
<v Speaker 1>If you're if it's work cry, I feel like it's

0:23:48.840 --> 0:23:51.720
<v Speaker 1>it's just a trigger, you know, and then it goes

0:23:51.760 --> 0:23:56.359
<v Speaker 1>into something deeper, especially if you're really sobbing, right and

0:23:56.480 --> 0:23:59.639
<v Speaker 1>we spend so much time at work that you know,

0:23:59.680 --> 0:24:03.320
<v Speaker 1>when personal stuff happens, there's there's there's a decent chance

0:24:03.320 --> 0:24:05.639
<v Speaker 1>that it will happen, just like during the hours when

0:24:05.680 --> 0:24:08.640
<v Speaker 1>you're on the job, you're going to get that bad

0:24:08.760 --> 0:24:11.520
<v Speaker 1>email or phone call that was going to trigger something.

0:24:12.440 --> 0:24:18.120
<v Speaker 1>And yeah, I think before email, um and people were

0:24:18.160 --> 0:24:21.600
<v Speaker 1>at work and they were really separated from their personal lives.

0:24:21.800 --> 0:24:26.960
<v Speaker 1>Now you you go to work and you can be

0:24:27.119 --> 0:24:30.040
<v Speaker 1>as actively involved with all the stuff that's going on

0:24:30.359 --> 0:24:34.880
<v Speaker 1>in your personal life just seamlessly because you're getting emails

0:24:35.000 --> 0:24:39.600
<v Speaker 1>or you're uh texting, and if you're having an issue

0:24:39.880 --> 0:24:44.560
<v Speaker 1>with a partner or some family drama, it can still

0:24:44.680 --> 0:24:47.560
<v Speaker 1>be there right in front of your face. I think

0:24:47.600 --> 0:24:50.320
<v Speaker 1>in the past, people came to work and you know,

0:24:50.400 --> 0:24:52.320
<v Speaker 1>they would come home and find out, all right, what

0:24:52.400 --> 0:24:56.960
<v Speaker 1>happened while I was away. It's not an ongoing UM.

0:24:58.240 --> 0:25:00.800
<v Speaker 1>And if they were men, they be like, I don't

0:25:00.800 --> 0:25:03.720
<v Speaker 1>care what happened when I was right, as long as

0:25:03.760 --> 0:25:06.760
<v Speaker 1>nobody's bleeding. When I get home, bring me a whiskey,

0:25:07.000 --> 0:25:11.880
<v Speaker 1>three fingers whiskey, Sam, make it a double. Well, thank

0:25:11.880 --> 0:25:13.880
<v Speaker 1>you so much for coming on and talking to us

0:25:13.960 --> 0:25:17.159
<v Speaker 1>about crying. Um, maybe we should all go home and

0:25:17.280 --> 0:25:19.199
<v Speaker 1>have a good cry. I was very moving. I know

0:25:19.359 --> 0:25:23.320
<v Speaker 1>I'm feeling I'm feeling a little weepy. To watch Schindler's List.

0:25:24.760 --> 0:25:27.320
<v Speaker 1>Thanks for having us on. It's really been a pleasure

0:25:27.359 --> 0:25:35.040
<v Speaker 1>talking to Okay, so neither Susan nor Sarah we're willing

0:25:35.080 --> 0:25:37.719
<v Speaker 1>to go out on a limb and advocate crying as

0:25:37.760 --> 0:25:41.160
<v Speaker 1>a work strategy. I do think they both had kind

0:25:41.200 --> 0:25:44.680
<v Speaker 1>of transformative experiences that came out of crying at work. Yeah,

0:25:44.680 --> 0:25:46.679
<v Speaker 1>and I do think there is a way to be

0:25:46.760 --> 0:25:49.199
<v Speaker 1>strategic about your crying at work. The story that I

0:25:49.240 --> 0:25:52.280
<v Speaker 1>was reporting about crying in the office brought up this

0:25:52.359 --> 0:25:56.000
<v Speaker 1>research out of Harvard where this woman did five different

0:25:56.080 --> 0:25:59.600
<v Speaker 1>studies measuring people crying at work, and when they were crying,

0:26:00.160 --> 0:26:04.480
<v Speaker 1>they after they're crying, justified their tears for various reasons,

0:26:04.560 --> 0:26:07.000
<v Speaker 1>and one of the reasons was, Oh, I'm so passionate

0:26:07.040 --> 0:26:09.800
<v Speaker 1>about my job. Another reason was oh I'm sorry, I'm

0:26:09.840 --> 0:26:11.879
<v Speaker 1>just getting so emotional about this. And then in the

0:26:11.920 --> 0:26:15.119
<v Speaker 1>third scenario, they just didn't justify it at all. And

0:26:15.440 --> 0:26:18.840
<v Speaker 1>when you frame it in terms of passion for work,

0:26:19.000 --> 0:26:23.680
<v Speaker 1>people rated criers as more competent. So the best reason

0:26:24.280 --> 0:26:26.600
<v Speaker 1>to cry at work, or what's seen is the best

0:26:26.640 --> 0:26:29.800
<v Speaker 1>reason is just that you're so into your job that

0:26:29.840 --> 0:26:32.600
<v Speaker 1>you're overcome with emotion. Right, and you can see this

0:26:32.680 --> 0:26:35.560
<v Speaker 1>playing out like in a performance review, which is a

0:26:35.560 --> 0:26:38.800
<v Speaker 1>scenario where people cry. I've also written about that, Um, yeah,

0:26:38.840 --> 0:26:41.600
<v Speaker 1>you're in a performance review. Your boss is something that

0:26:41.640 --> 0:26:44.000
<v Speaker 1>just hits a nerve. You start crying because you can't

0:26:44.000 --> 0:26:47.120
<v Speaker 1>really hold it back. And if you say I'm sorry,

0:26:47.560 --> 0:26:50.160
<v Speaker 1>I just love my job so much that it's hard

0:26:50.240 --> 0:26:53.919
<v Speaker 1>to hear you think that I'm not dedicated, they'll think

0:26:53.960 --> 0:26:56.360
<v Speaker 1>of you this as this dedicated worker instead of as

0:26:56.400 --> 0:27:00.040
<v Speaker 1>this like weak crier who can't handle criticism. I love that.

0:27:00.160 --> 0:27:02.040
<v Speaker 1>It reminds me of when I used to wait tables

0:27:02.280 --> 0:27:05.040
<v Speaker 1>and I felt like the best way to get a

0:27:05.040 --> 0:27:07.560
<v Speaker 1>good tip was to seem kind of annoyed. And I

0:27:07.600 --> 0:27:11.119
<v Speaker 1>feel like that made people think that I must be

0:27:11.160 --> 0:27:14.320
<v Speaker 1>working really hard because I was so stressed up. Did

0:27:14.359 --> 0:27:17.000
<v Speaker 1>that work? I don't know. I never really was very

0:27:17.000 --> 0:27:18.520
<v Speaker 1>good at it. I didn't get very good tips. I

0:27:18.600 --> 0:27:21.679
<v Speaker 1>tried a lot of different strategies. Well. Besides for the

0:27:21.760 --> 0:27:24.399
<v Speaker 1>passion thing, another thing that I was told by an

0:27:24.440 --> 0:27:27.480
<v Speaker 1>executive coach was also too. As I mentioned a little

0:27:27.480 --> 0:27:30.159
<v Speaker 1>in the interview with Susan and Sarah um, trying to

0:27:30.160 --> 0:27:33.760
<v Speaker 1>give yourself some strategies for if you're gonna cry, figure

0:27:33.800 --> 0:27:36.320
<v Speaker 1>out your plan, you know, like do you need to

0:27:36.680 --> 0:27:38.800
<v Speaker 1>excuse yourself to get a tissue? Do you need to

0:27:38.840 --> 0:27:40.200
<v Speaker 1>go to the bathroom, do you need to ask for

0:27:40.280 --> 0:27:42.880
<v Speaker 1>a break? Like knowing what you're gonna do, I think

0:27:42.960 --> 0:27:46.440
<v Speaker 1>is more helpful than trying to triage as you're tearing up. Yeah,

0:27:46.520 --> 0:27:48.840
<v Speaker 1>And I just want to call out the gender thing.

0:27:48.880 --> 0:27:51.520
<v Speaker 1>I know we always go there, but it's actually harder

0:27:52.200 --> 0:27:55.200
<v Speaker 1>for women to stop crying once they've started because our

0:27:55.280 --> 0:27:57.919
<v Speaker 1>tear ducks are smaller, And I just think that's fascinating.

0:27:57.920 --> 0:28:00.440
<v Speaker 1>Of course we get stigmatized for it, but that one

0:28:00.520 --> 0:28:02.760
<v Speaker 1>second period you have when you start to well up,

0:28:03.480 --> 0:28:05.600
<v Speaker 1>we have no control over it. Once that starts, you

0:28:05.640 --> 0:28:07.320
<v Speaker 1>need to already be thinking about how you're going to

0:28:07.400 --> 0:28:10.160
<v Speaker 1>explain you're crying and not try to stop it. It's

0:28:10.200 --> 0:28:13.120
<v Speaker 1>kind of like the vocal fry phenomenon, like we dislike

0:28:13.119 --> 0:28:15.320
<v Speaker 1>it because women do it. It's a lady things, a

0:28:15.400 --> 0:28:17.440
<v Speaker 1>lady thinks. So I think of men were crying all

0:28:17.440 --> 0:28:20.040
<v Speaker 1>over the office, it would be more acceptable. Well, I

0:28:20.040 --> 0:28:23.280
<v Speaker 1>think it is more acceptable when people get emotional in

0:28:23.320 --> 0:28:25.400
<v Speaker 1>an angry way. We hear a lot of stories about

0:28:25.440 --> 0:28:29.120
<v Speaker 1>passionate men in offices who punch walls because they care

0:28:29.119 --> 0:28:31.200
<v Speaker 1>about their jobs so much. And those people aren't viewed

0:28:31.240 --> 0:28:33.359
<v Speaker 1>this week, but they've also let their emotions get the

0:28:33.400 --> 0:28:35.840
<v Speaker 1>better of them. It's true. As long as it's seen

0:28:35.880 --> 0:28:39.360
<v Speaker 1>as passion, you're good and look, crying is going to happen.

0:28:39.520 --> 0:28:42.680
<v Speaker 1>If we've established anything, I hope it's that all different

0:28:42.720 --> 0:28:45.000
<v Speaker 1>kinds of people cry for all different kinds of reasons,

0:28:45.240 --> 0:28:46.840
<v Speaker 1>so when it does happen to you, it doesn't have

0:28:46.880 --> 0:28:49.360
<v Speaker 1>to be this thing that ruins your whole job or

0:28:49.400 --> 0:28:52.280
<v Speaker 1>even your day. I think that is a great segway

0:28:52.520 --> 0:28:58.880
<v Speaker 1>to have pick takes half Fake Takes. So for this

0:28:58.960 --> 0:29:01.280
<v Speaker 1>week's half Big Takes, we thought we would do a

0:29:01.360 --> 0:29:04.240
<v Speaker 1>cry Babies version of half Big Takes song cry Babies,

0:29:04.240 --> 0:29:08.360
<v Speaker 1>they ask people for cultural touchstones that trigger their tears,

0:29:08.480 --> 0:29:10.640
<v Speaker 1>and I've thought a lot about this. Yeah, let's hear

0:29:10.840 --> 0:29:13.080
<v Speaker 1>what's your what's your cry trigger? So one of my

0:29:13.120 --> 0:29:16.320
<v Speaker 1>favorite movies of all time is the classic movie A

0:29:16.400 --> 0:29:20.240
<v Speaker 1>League of their Own, which we did referenced crying in baseball.

0:29:20.760 --> 0:29:24.479
<v Speaker 1>Is that the moment where you know? So in the movie,

0:29:25.360 --> 0:29:29.600
<v Speaker 1>it's set in World War two and someone is coming

0:29:29.720 --> 0:29:32.120
<v Speaker 1>to tell one of the women baseball players that their

0:29:32.200 --> 0:29:36.040
<v Speaker 1>husband died, and you think that the main character, Gina Davis,

0:29:36.120 --> 0:29:39.800
<v Speaker 1>is about to find out that her husband died, and

0:29:39.880 --> 0:29:42.320
<v Speaker 1>it's very suspenseful. But then you find out that Betty

0:29:42.360 --> 0:29:45.520
<v Speaker 1>Spaghetti's husband died, and you're supposed to be relieved, but

0:29:45.560 --> 0:29:48.400
<v Speaker 1>you're like, you're not relieved because Betty Spaghetti's husband died.

0:29:48.520 --> 0:29:51.320
<v Speaker 1>So you just spoiled a league of their own seen

0:29:51.400 --> 0:29:55.920
<v Speaker 1>it yet, well, if you haven't seen it yet, Betty

0:29:55.920 --> 0:29:59.040
<v Speaker 1>and plot point, But no, it's a surprise factory. It's

0:29:59.080 --> 0:30:02.480
<v Speaker 1>what sus and Sarah we're talking about, right, It's that loss.

0:30:02.920 --> 0:30:04.760
<v Speaker 1>It's a loss, and like I think they check your

0:30:04.760 --> 0:30:07.600
<v Speaker 1>mind side, They check you because they're like, oh, you're relieved,

0:30:07.600 --> 0:30:09.880
<v Speaker 1>psych No, of course you're not, because Buddy Spaghetti is

0:30:10.000 --> 0:30:14.000
<v Speaker 1>just out of the woods. Yeah, but then here you

0:30:14.040 --> 0:30:16.600
<v Speaker 1>go down another crying. Yeah, it makes me cry every time.

0:30:17.280 --> 0:30:20.560
<v Speaker 1>I love that movie. Anyway, what about you, Well, for me,

0:30:20.600 --> 0:30:22.320
<v Speaker 1>the challenge is not coming up with something that makes

0:30:22.360 --> 0:30:26.360
<v Speaker 1>me cry. It's narrowing in town because it's so easy

0:30:26.440 --> 0:30:29.640
<v Speaker 1>for me to well up at like TV commercials and

0:30:29.760 --> 0:30:33.360
<v Speaker 1>songs and movies and pretty much anything. But I thought

0:30:33.360 --> 0:30:35.760
<v Speaker 1>it was interesting that Susan or Sarah I can't remember,

0:30:35.920 --> 0:30:40.920
<v Speaker 1>said that people generally don't talk about country music, because

0:30:41.040 --> 0:30:43.200
<v Speaker 1>I could immediately think of like a half dozen country

0:30:43.240 --> 0:30:45.720
<v Speaker 1>music songs that do make me cry. One of them

0:30:45.800 --> 0:30:48.280
<v Speaker 1>is a beautiful Dolly Parton song that you wrote with

0:30:48.320 --> 0:30:52.200
<v Speaker 1>Porter Wagner called Lonely Coming Down. I'd happily sing it

0:30:52.240 --> 0:30:54.000
<v Speaker 1>for you. I don't think that's what our audience is

0:30:54.040 --> 0:30:57.640
<v Speaker 1>really here for, so we want it. It's just about

0:30:57.680 --> 0:31:00.440
<v Speaker 1>it's about her wait, oh my god, the song is

0:31:00.480 --> 0:31:03.600
<v Speaker 1>about crying. It's about her waking up. She wakes up

0:31:03.600 --> 0:31:06.920
<v Speaker 1>in the morning, Um looks over at the you know,

0:31:07.000 --> 0:31:09.560
<v Speaker 1>the empty side of the bed. Her lover has gone,

0:31:10.200 --> 0:31:13.960
<v Speaker 1>and she tries to hold back the tears, and then

0:31:14.000 --> 0:31:18.120
<v Speaker 1>she just feels the lonely dripping down her face. Those

0:31:18.120 --> 0:31:20.720
<v Speaker 1>are the lyrics. Then I feel the lonely dripping down

0:31:20.720 --> 0:31:22.720
<v Speaker 1>my face. I mean, come on, are you crying? I'm

0:31:22.760 --> 0:31:25.000
<v Speaker 1>like ready to cry. You can't see it, but Francesca

0:31:25.120 --> 0:31:29.160
<v Speaker 1>is just salt tears. Salt tears. Yeah, that's gross. All right. Well,

0:31:29.160 --> 0:31:31.880
<v Speaker 1>that was a really fun edition of half Big Takes,

0:31:34.480 --> 0:31:37.640
<v Speaker 1>Half Baked Takes. Thanks for listening to another episode of

0:31:37.680 --> 0:31:39.920
<v Speaker 1>game Plan. You can find me on Twitter. I'm at

0:31:40.040 --> 0:31:43.520
<v Speaker 1>rs Greenfield and I'm at Francesca Today. You can tweet

0:31:43.560 --> 0:31:45.480
<v Speaker 1>your half bag take or anything else you like to

0:31:45.560 --> 0:31:48.080
<v Speaker 1>add game Plan, or if you prefer, you can give

0:31:48.120 --> 0:31:50.160
<v Speaker 1>us a call and leave us a voicemail at two

0:31:50.200 --> 0:31:53.440
<v Speaker 1>and two six seven zero one six six. If you

0:31:53.520 --> 0:31:55.880
<v Speaker 1>like the show, please go to iTunes or wherever you

0:31:55.880 --> 0:31:59.640
<v Speaker 1>get your podcasts, subscribe, leave us a review at We

0:31:59.760 --> 0:32:02.480
<v Speaker 1>love Reviews. We can't say it enough. The show was

0:32:02.520 --> 0:32:05.120
<v Speaker 1>produced by Liz Smith and Magnus Hendrickson. The Head of

0:32:05.160 --> 0:32:07.560
<v Speaker 1>podcast is Alec McCabe and we will see you next

0:32:07.600 --> 0:32:21.840
<v Speaker 1>week him. There's no crying in baseball. There's no crying

0:32:21.880 --> 0:32:24.360
<v Speaker 1>in baseball or workball for any balls, any balls,